WEBVTT - RHONY: Eboni and Ivory

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<v Speaker 1>Welcome to Reality with the King. I'm Carlos King, the

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<v Speaker 1>King of Reality TV. For those of you who don't

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<v Speaker 1>know me, let me give you a little backstory about

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<v Speaker 1>why everyone calls me the King of reality TV. I

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<v Speaker 1>have been producing high profile TV for over ten years

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<v Speaker 1>and not responsible for some of the most unforgettable moments

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<v Speaker 1>in reality TV history, like the Real Housewives of Atlanta

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<v Speaker 1>seasons one through four and six through nine, and the

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<v Speaker 1>first two seasons of the Real Housewives of New Jersey.

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<v Speaker 1>I was the magician behind those marvelous women. Honey, Yes,

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<v Speaker 1>so look Teresa's table flip. Yeah, honey, your boy was

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<v Speaker 1>there hiding underneath the table, making sure that book was

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<v Speaker 1>on display. I have done spin offs with the Real

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<v Speaker 1>Housewives franchise like Candy's Wedding and Candy Ski Trip, while

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<v Speaker 1>also building an empire of my own. I now run

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<v Speaker 1>my own production company called Kingdom Rank Entertainment, where I

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<v Speaker 1>created shows like Stelling, Hollywood BT Presents, Beyond Core, and

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<v Speaker 1>Hollywood Divas. And I just launched a new franchise, Love

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<v Speaker 1>and Marriage. That's right, Love and Marriage is coming to

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<v Speaker 1>DC with none other than Missus Monique, Samuel's.

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<v Speaker 2>Gag buddy yes, I mean get it too.

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<v Speaker 1>My resume, As Beyonce said, check my credentials. I give

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<v Speaker 1>you everything you want and everything you need. Come on,

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<v Speaker 1>be so here on Reality with the King. You guys

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<v Speaker 1>are getting an established reality TV producer to discuss all

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<v Speaker 1>things reality television. We'll sit down with my friends across

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<v Speaker 1>the entertainment industry, recap our favorite shows, and revisit unforgettable

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<v Speaker 1>moments that we are still talking and tweeting about. Me.

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<v Speaker 2>Hey, y'all so lucky.

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<v Speaker 1>My first guest on Reality with the King is none

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<v Speaker 1>other than be Honey, Miss Ebanie K Williams. Her announcement

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<v Speaker 1>as the first black housewife of the Real Housewives of

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<v Speaker 1>New York City immediately took social media by storm, and

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<v Speaker 1>we were all so excited for her reality TV debut. Unfortunately,

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<v Speaker 1>her patrol on the show ruffled a few feathers.

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<v Speaker 2>A couple of those feathers from mind child.

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<v Speaker 1>With the cast and for those watching at home, and

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<v Speaker 1>for that very reason, I knew I needed to sit

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<v Speaker 1>down with Ebanie not only to get her take on

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<v Speaker 1>Bravo's unprecedented decision to split the Real Housewives of New

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<v Speaker 1>York City into two shows, but also to get the

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<v Speaker 1>chance to get to know Ebanie for ourselves. Now, let's

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<v Speaker 1>get into my conversation with miss Ebanie k williams Andy

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<v Speaker 1>Cohen announced that The Real Housewives of New York City

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<v Speaker 1>was going to be split into two shows, one called

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<v Speaker 1>at you know, working title, but one called The Real

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<v Speaker 1>Housewives of New York City Legacy or the Ogs, which

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<v Speaker 1>is about, of course, the familiar faces of the franchise,

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<v Speaker 1>and the other one is going to be called The

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<v Speaker 1>Real Housewives of New York City, except this one, and

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<v Speaker 1>I quote, will be a multi cultural.

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<v Speaker 2>Caz of real friends.

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<v Speaker 1>Ebany, When you first learned of this information, where were you?

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<v Speaker 2>What happened?

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<v Speaker 1>And did you find out? Along with us peasants? I

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<v Speaker 1>e the audience.

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<v Speaker 3>So I was right here in this Airbnb and I

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<v Speaker 3>was working, and I got it. I did get an

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<v Speaker 3>advanced call from production to let me know the details.

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<v Speaker 2>How much in advanced though, girl.

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<v Speaker 3>You know, I can't say, okay, I can't say, I

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<v Speaker 3>can't say was.

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<v Speaker 2>It was it hours before it was.

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<v Speaker 3>Enough for me to not be shocked when when the

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<v Speaker 3>general populace found out, I was informed, and I was

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<v Speaker 3>in my feelings for about two seconds only because you know,

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<v Speaker 3>I feel very strongly that I did everything in my power,

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<v Speaker 3>everything I knew, to do everything I could do to

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<v Speaker 3>show up full throttle as my inaugural season as a housewife.

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<v Speaker 3>I feel very strongly that several of the aspects of

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<v Speaker 3>the traditional housewife experience, which you know all too well

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<v Speaker 3>because you helped curate the shit.

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<v Speaker 4>Were absent from my season. We're in a lockdown.

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<v Speaker 3>It's New York, so it's not the same as a

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<v Speaker 3>lockdown in other parts of the country. It was no dice,

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<v Speaker 3>there was no international trip, there was no glamour, there

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<v Speaker 3>was no glitter. So it just was lacking of the

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<v Speaker 3>fun that housewives is known for. So I was looking

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<v Speaker 3>forward to coming back season fourteen, no questions asked, to

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<v Speaker 3>have that real like almost like a duo, you know.

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<v Speaker 3>I was looking forward to that experience. So when I

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<v Speaker 3>got the call that that's not happening, we're starting from

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<v Speaker 3>the ground up and essentially, you, just like every other

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<v Speaker 3>bitch in New York, will have the same opportunity to

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<v Speaker 3>present a coalition of your actual social circle that represents

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<v Speaker 3>the diversity of New York's it women, and we'll go

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<v Speaker 3>from there. So essentially, you know, it's starting over from

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<v Speaker 3>the ground up. So I did feel a way about

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<v Speaker 3>that emotionally for about two seconds, and then I put

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<v Speaker 3>my big girl panties on Carlos and I said, this

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<v Speaker 3>is actually more than fair to me from a network perspective,

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<v Speaker 3>and frankly just from a consumer of content perspective. The

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<v Speaker 3>audience deserves to see what has always made Housewives successful,

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<v Speaker 3>which is not a.

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<v Speaker 4>Plug and play, you know, pasting situation.

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<v Speaker 3>It is a curation of an existing friend group of

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<v Speaker 3>women of different personalities, different dynamics, different aspects coming together

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<v Speaker 3>and living that out loud for television. That's Housewives, not

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<v Speaker 3>what it had become in New York, which was listen.

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<v Speaker 3>It was that in the beginning, and then they realized

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<v Speaker 3>that's a flight to the city of New York because

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<v Speaker 3>it's so white and a particular kind of white that

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<v Speaker 3>really excludes the vast majority of New Yorkers and women

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<v Speaker 3>in New York. And I only know that to be

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<v Speaker 3>true now, Carlos, more than I did before I was

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<v Speaker 3>on the show, because I was getting women of all coaches.

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<v Speaker 3>I was getting blonde, white women, I was getting Middle

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<v Speaker 3>East of women, I was getting Muslim women, Jewish women,

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<v Speaker 3>Caribbean women, Haitian women, saying it was so nice for

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<v Speaker 3>them to see me on season thirteen because they felt

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<v Speaker 3>finally a woman they could relate to, and again including

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<v Speaker 3>some white women, but these were white women that were

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<v Speaker 3>frankly working attorneys, dentists, dermatologists, you know.

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<v Speaker 4>So anyways, that's that was.

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<v Speaker 3>Really My initial take was like Dan, basically, I have

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<v Speaker 3>to audition for my job again.

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<v Speaker 4>I have to start over.

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<v Speaker 1>Yeah, that's how I took it too, And that's facts.

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<v Speaker 2>Yeah, I took it that way too.

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<v Speaker 1>And as somebody like you said, who's been a part

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<v Speaker 1>of the Real Housewives orbit for many many years, doing

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<v Speaker 1>Atlanta and all black casts with one white woman, Kim Zosiak,

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<v Speaker 1>and then doing New Jersey with an all white cast,

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<v Speaker 1>When I saw this announcement, I'm gonna be honest with you,

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<v Speaker 1>I was taken aback because I think a lot of

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<v Speaker 1>people who look like you, and I felt that, Okay,

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<v Speaker 1>does this mean that?

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<v Speaker 2>And I'm going to be very honest.

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<v Speaker 1>I felt that, Wow, did Ebany shake the table so

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<v Speaker 1>much that she single handedly raised the flag to a

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<v Speaker 1>show that did not represent the diversity that we all

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<v Speaker 1>know New York has become. And because people I e

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<v Speaker 1>the audience have said Ebony ruined the show. Not just

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<v Speaker 1>white folks, some black folks feel the same way to Ebony.

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<v Speaker 1>We can't fire Ebony because she is the first black

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<v Speaker 1>housewife of New York City. So we can't get rid

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<v Speaker 1>of her because we know that she has no connection

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<v Speaker 1>to these girls. And anybody who believes you and Leah

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<v Speaker 1>in real life with be friends needs to go back

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<v Speaker 1>to grade school.

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<v Speaker 2>But we'll talk about that later as well.

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<v Speaker 1>So instead of causing Black Twitter to set this shit

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<v Speaker 1>on fire, let's create two separate shows to where we

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<v Speaker 1>get to keep black folks happy that we're going to

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<v Speaker 1>create a multi cultural, diverse show, and then we're going

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<v Speaker 1>to say Ramona's job by making sure the face of

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<v Speaker 1>New York City now that Bethany is gone.

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<v Speaker 2>We have to say Ramona's job.

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<v Speaker 1>So we're going to create a show to where the

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<v Speaker 1>white audience who loves New York and loves to see

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<v Speaker 1>old white women get drunk and have no storyline, We're going.

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<v Speaker 2>To satisfy that audience.

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<v Speaker 1>That's how I took it, and I felt that if

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<v Speaker 1>it wasn't for Ebony being on the show, this would

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<v Speaker 1>have never happened.

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<v Speaker 3>Well, Okay, let's start with the last take. Probably probably right.

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<v Speaker 3>I think that would be disingenuous of me to sit

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<v Speaker 3>here in conversation with you, Carlos King, and act as

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<v Speaker 3>if this decision is not the result of getting to

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<v Speaker 3>a bridge too far to go with myself as the

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<v Speaker 3>first black woman on the show, and the women who

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<v Speaker 3>were on the show previously.

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<v Speaker 4>I feel like this is at it.

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<v Speaker 3>I feel I was more than willing the whole season,

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<v Speaker 3>and after we aired, and after we wrapped, and after

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<v Speaker 3>the decision to not have a reunion, I was always

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<v Speaker 3>willing to negotiate with my former castmates about what an

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<v Speaker 3>ensemble future could look like that included all of us,

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<v Speaker 3>always right up until the very end.

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<v Speaker 4>They were unwilling, is all I can tell you.

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<v Speaker 3>They were unwilling to come to the table and meet

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<v Speaker 3>me even halfway in that negotiation. And if you know

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<v Speaker 3>anything about business, you know anything about the art of

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<v Speaker 3>the deal, you can't.

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<v Speaker 4>Close that way. You can't close.

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<v Speaker 3>When parties involved in the negotiation are unwilling to give

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<v Speaker 3>even an inch. So I think that, more than anything,

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<v Speaker 3>is actually the reason, Carlos, that we are now getting

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<v Speaker 3>these two shows.

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<v Speaker 4>I think if there was a scenario. This is my.

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<v Speaker 3>Opinion, as Temera Judge would say. I haven't heard this.

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<v Speaker 4>From anybody at the highest levels of executive officer, but

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<v Speaker 4>this is how I read it.

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<v Speaker 3>If those same former castmates of mine had been willing

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<v Speaker 3>to enter into the negotiation of co existing and sharing

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<v Speaker 3>space with myself and additional women outside of their particular

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<v Speaker 3>New York World and bubble, you would have had a

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<v Speaker 3>season fourteen that was what everybody anticipated, a proper integration

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<v Speaker 3>of old School new School.

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<v Speaker 4>Because I do think and.

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<v Speaker 3>I actually agree, I don't know that you would push

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<v Speaker 3>back on the notion that it's a good thing if

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<v Speaker 3>you can preserve the nostalgia of a legendary franchise.

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<v Speaker 2>I agree with that.

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<v Speaker 1>What I don't What I don't agree with, though, is well.

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<v Speaker 2>Let me ask you this.

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<v Speaker 1>Outside of Sonya Morgan, did the rest of the cast

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<v Speaker 1>black value from continuing this conversation of trying to come

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<v Speaker 1>together and make the show work?

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<v Speaker 2>Were you black bald?

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<v Speaker 4>I was not black bald. Okay, let me let me

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<v Speaker 4>tell you why.

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<v Speaker 3>I know that for fact, because if I had been

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<v Speaker 3>black bald, I would not have been on Watch What

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<v Speaker 3>Happens Live to promote my network television show that I'm

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<v Speaker 3>currently on right now at CBS Beyond the Edge.

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<v Speaker 1>So I wasn't black not black balled by the network,

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<v Speaker 1>black bald by the cast? Were you, I'm gonna be real,

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<v Speaker 1>Were you black balled by Luanne Ramona Leah in terms

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<v Speaker 1>of not being able to come to the table.

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<v Speaker 4>They were unwilling to.

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<v Speaker 3>Yes, if if you want to call it black bald,

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<v Speaker 3>I'm not gonna, you know, dispute the semantics of that, Carlos.

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<v Speaker 4>What I am telling you plainly, only Sonya Morgan.

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<v Speaker 3>Was willing to come to the table and negotiate a

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<v Speaker 3>future that involved me as a part of this ensemble.

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<v Speaker 4>Period dot, period dot, poor child.

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<v Speaker 2>Let me tell y'all something. This is just the beginning.

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<v Speaker 1>Stay tuned for more of my conversation with Ebony K.

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<v Speaker 2>Williams.

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<v Speaker 1>Will be right back after some quick ads. This is

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<v Speaker 1>reality with the King, and I'm Carlos King. Let's get

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<v Speaker 1>back to my conversation with Ethony K. Williams and why

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<v Speaker 1>I'm glad she shook the table. Child on the Real

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<v Speaker 1>Housewives of New York franchise, Bethany Franco is the face

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<v Speaker 1>of the Real house Watchs of New York City.

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<v Speaker 2>She will never go back. She has made that very clear.

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<v Speaker 1>Ramona was the reason her and Kenya Moore were the

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<v Speaker 1>reason why Ultimus's Girls Trip was a fun show to watch.

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<v Speaker 1>Ramona is entertaining to watch without Ramona. I don't think

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<v Speaker 1>myself and any audience member wants to see Derenda Lumaine,

0:13:46.480 --> 0:13:50.320
<v Speaker 1>Kelly ben Simone, Jill Zarren and Sonya Morgan have a

0:13:50.360 --> 0:13:54.120
<v Speaker 1>key key without the Potstar. I believe she will be back.

0:13:54.280 --> 0:13:56.560
<v Speaker 1>That's my opinion. No one has told me that. I'm

0:13:56.559 --> 0:13:59.160
<v Speaker 1>just telling you based on my fifteen years in this business.

0:13:59.400 --> 0:14:03.440
<v Speaker 1>That's how I how I took it. And I'll say

0:14:03.440 --> 0:14:07.440
<v Speaker 1>this much about you. I appreciate that you shook the

0:14:07.480 --> 0:14:10.960
<v Speaker 1>table at the show because it needed to be shaken.

0:14:11.679 --> 0:14:17.079
<v Speaker 1>That show has not had a storyline in years, in years,

0:14:17.240 --> 0:14:20.080
<v Speaker 1>and I felt that as a viewer, we were robbed

0:14:20.240 --> 0:14:23.800
<v Speaker 1>of seeing the true essence of what caused the divorce

0:14:23.880 --> 0:14:27.640
<v Speaker 1>between Ramona and Mario and getting that insight we've never

0:14:27.680 --> 0:14:30.800
<v Speaker 1>saw it. I was very interested in seeing what happened

0:14:30.840 --> 0:14:34.640
<v Speaker 1>with Derinda and John and seeing how that relationship became

0:14:34.680 --> 0:14:35.360
<v Speaker 1>what it became.

0:14:36.120 --> 0:14:38.359
<v Speaker 2>They never have a storyline.

0:14:38.440 --> 0:14:42.120
<v Speaker 1>It truly is sex and the City, and that, to

0:14:42.200 --> 0:14:46.160
<v Speaker 1>me was the downfall of that franchise. And I appreciated

0:14:46.160 --> 0:14:49.400
<v Speaker 1>that you came on the show to show a different

0:14:49.520 --> 0:14:53.880
<v Speaker 1>side of New York City and storytelling when it comes

0:14:53.880 --> 0:14:57.640
<v Speaker 1>to your search for your father, your identity, the fact

0:14:57.680 --> 0:15:00.400
<v Speaker 1>that during COVID you broke up with your fia, I say,

0:15:00.400 --> 0:15:02.680
<v Speaker 1>because the brother wanted to spend time with his children.

0:15:03.480 --> 0:15:07.560
<v Speaker 1>But as I was watching it, I kept saying to myself,

0:15:08.360 --> 0:15:10.480
<v Speaker 1>does epane belong on this show?

0:15:10.800 --> 0:15:12.280
<v Speaker 4>Or do they belong on this show?

0:15:12.360 --> 0:15:14.600
<v Speaker 3>And I think that's but I think that's what Bravo

0:15:14.840 --> 0:15:19.240
<v Speaker 3>ultimately is telling us that they concluded that perhaps the

0:15:19.280 --> 0:15:23.160
<v Speaker 3>time is up for that energy to be at the

0:15:23.360 --> 0:15:29.080
<v Speaker 3>forefront of the flags one of the flagship original because

0:15:29.080 --> 0:15:30.920
<v Speaker 3>I mean, let's just call us Spade of Spadin. I

0:15:30.920 --> 0:15:33.760
<v Speaker 3>love Potomac. It's Potomac's my favorite franchise. Let me be

0:15:33.880 --> 0:15:36.680
<v Speaker 3>very clear. But when you talk about the kind of

0:15:36.800 --> 0:15:42.360
<v Speaker 3>crown jewels that established the global phenomenon of housewives, you're

0:15:42.400 --> 0:15:46.720
<v Speaker 3>talking about Atlanta, Orange County, and New York to an extent,

0:15:46.920 --> 0:15:48.000
<v Speaker 3>maybe Beverly.

0:15:47.720 --> 0:15:49.240
<v Speaker 4>Hills, that's what we're talking about.

0:15:49.280 --> 0:15:51.520
<v Speaker 2>I agree with that, right, Okay.

0:15:51.560 --> 0:15:54.720
<v Speaker 3>And then we all love the new iterations of Potomac

0:15:54.800 --> 0:15:58.200
<v Speaker 3>and Salt Lake City and all that jazz relatively still

0:15:58.280 --> 0:16:00.960
<v Speaker 3>new though. So when you're talking about out the really

0:16:01.080 --> 0:16:06.320
<v Speaker 3>reverenced opportunity to be an apple holder on Real Housewives

0:16:06.320 --> 0:16:13.080
<v Speaker 3>of New York City, there's a requirement there that story transparency,

0:16:14.080 --> 0:16:19.120
<v Speaker 3>culturally relevant, finger on the pulse, moving the needle, and

0:16:19.360 --> 0:16:21.720
<v Speaker 3>I to your point, as great as the third I

0:16:21.760 --> 0:16:23.720
<v Speaker 3>would say about ten of the thirteen.

0:16:23.320 --> 0:16:28.080
<v Speaker 1>Seasons, because it was only good when Bethany was on.

0:16:28.640 --> 0:16:31.680
<v Speaker 1>And I'm not a Bethany stand but I call, like

0:16:31.720 --> 0:16:32.960
<v Speaker 1>I said, she was the engine.

0:16:33.080 --> 0:16:34.880
<v Speaker 4>She activated the show. Absolutely.

0:16:34.920 --> 0:16:36.360
<v Speaker 2>Okay, that's a good.

0:16:38.840 --> 0:16:42.520
<v Speaker 4>Absolutely. Now, one thing I do have is a vocabulary now.

0:16:45.040 --> 0:16:47.120
<v Speaker 3>But she absolutely activated the show and she brought out

0:16:47.120 --> 0:16:49.000
<v Speaker 3>the best of the other women in terms of what

0:16:49.040 --> 0:16:54.120
<v Speaker 3>they offer. So going back to Bethany and why she's

0:16:54.200 --> 0:16:58.000
<v Speaker 3>so important and iconic is because she is what you

0:16:58.040 --> 0:17:00.960
<v Speaker 3>call a force multiplier. I got this term from an

0:17:01.040 --> 0:17:04.719
<v Speaker 3>NFL coach. A force multiplier is the type of individual

0:17:04.880 --> 0:17:08.520
<v Speaker 3>you can drop into any scenario and everyone around them

0:17:08.560 --> 0:17:13.160
<v Speaker 3>comes alive. Everyone around them offers something better, different, stronger, more.

0:17:13.280 --> 0:17:15.000
<v Speaker 1>Wait say that work, because my gay ass, when you

0:17:15.040 --> 0:17:16.520
<v Speaker 1>say sports I tune out.

0:17:16.520 --> 0:17:20.200
<v Speaker 4>A force multiplier, a force multiplier.

0:17:20.240 --> 0:17:25.080
<v Speaker 1>So, as a reality TV producer, what Ebony is spitting

0:17:25.160 --> 0:17:28.919
<v Speaker 1>right now is nothing but the facts. But as a

0:17:28.960 --> 0:17:32.440
<v Speaker 1>gay man, I never called it a force multiplier because

0:17:32.480 --> 0:17:33.320
<v Speaker 1>I don't know what that means.

0:17:33.359 --> 0:17:34.560
<v Speaker 2>It sounds like a I got it.

0:17:34.520 --> 0:17:37.439
<v Speaker 4>From an NFL coach. Yes, you know, you know I

0:17:37.480 --> 0:17:38.040
<v Speaker 4>have a resume.

0:17:38.600 --> 0:17:41.199
<v Speaker 3>I have a resume and it includes being also a

0:17:41.240 --> 0:17:45.120
<v Speaker 3>stint in sports casting. And during my stint in sports casting,

0:17:45.960 --> 0:17:48.960
<v Speaker 3>I had a prolific head coach of the NFL talk

0:17:49.040 --> 0:17:52.200
<v Speaker 3>to me about how there's a lot of difference. It's

0:17:52.200 --> 0:17:54.560
<v Speaker 3>called like a slot receiver. You know, you just plug

0:17:54.600 --> 0:17:58.320
<v Speaker 3>and play the plug and play types housewives all across

0:17:58.359 --> 0:18:01.320
<v Speaker 3>the board a peppered with plug and play tips. But

0:18:01.359 --> 0:18:06.600
<v Speaker 3>the Bethanies, the force multipliers, the I believe.

0:18:06.440 --> 0:18:09.000
<v Speaker 4>Kenya Moore's you better say it.

0:18:09.119 --> 0:18:13.000
<v Speaker 3>I believe you know. I believe Tamra Judge. I believe

0:18:13.000 --> 0:18:17.320
<v Speaker 3>there are certa Giselle Bryant and carry.

0:18:18.880 --> 0:18:22.560
<v Speaker 2>No one wants to admit that, and no Jiselle, so are.

0:18:22.640 --> 0:18:25.240
<v Speaker 3>Jazelle and I have no personal relationship with Jazelle. I

0:18:25.280 --> 0:18:28.520
<v Speaker 3>co hosted chat Room one time with the system had

0:18:28.520 --> 0:18:30.280
<v Speaker 3>it a nice time, but that's it. So this is

0:18:30.320 --> 0:18:33.680
<v Speaker 3>not that's my girl. I don't know Jazelle from very much,

0:18:34.200 --> 0:18:37.560
<v Speaker 3>but when it comes to her value on the platform,

0:18:38.280 --> 0:18:40.400
<v Speaker 3>Gazelle is a force multiplier.

0:18:40.960 --> 0:18:43.359
<v Speaker 4>Everyone around her comes better because of her.

0:18:43.440 --> 0:18:45.680
<v Speaker 2>One hundred percent. You don't, you don't.

0:18:45.720 --> 0:18:48.520
<v Speaker 1>And the thing about this force multiplier, what I always

0:18:48.560 --> 0:18:51.119
<v Speaker 1>called them was the queen bee and I always got

0:18:51.200 --> 0:18:53.160
<v Speaker 1>in trouble with that because some women are like, I'm

0:18:53.200 --> 0:18:53.960
<v Speaker 1>nobody's peasant.

0:18:53.960 --> 0:18:55.800
<v Speaker 2>I'm a queen. We're all queens. I'm a queen.

0:18:56.320 --> 0:18:59.680
<v Speaker 1>But I'm not gonna say force multiplier when I defined

0:19:00.320 --> 0:19:05.640
<v Speaker 1>the activators on each ensemble, because Ebanie K Williams, first

0:19:05.680 --> 0:19:07.840
<v Speaker 1>of all, I have to stop and say this.

0:19:08.240 --> 0:19:11.760
<v Speaker 2>I thought I knew you, baby, I did not.

0:19:12.320 --> 0:19:14.720
<v Speaker 3>But what I already know is most people don't really

0:19:14.760 --> 0:19:17.720
<v Speaker 3>know me, and I don't fault anyone.

0:19:17.760 --> 0:19:18.720
<v Speaker 4>I don't fault the public.

0:19:19.080 --> 0:19:22.200
<v Speaker 3>You know, there was such a limited aspect of who

0:19:22.240 --> 0:19:26.640
<v Speaker 3>I am demonstrated on season thirteen for a variety of reasons.

0:19:26.840 --> 0:19:30.560
<v Speaker 3>And so that's another reason why season fourteen is very

0:19:30.640 --> 0:19:31.320
<v Speaker 3>important to me.

0:19:31.720 --> 0:19:33.720
<v Speaker 2>I'm gonna be rial with you.

0:19:34.560 --> 0:19:40.160
<v Speaker 1>I watch you on season thirteen, right, and I was like, hmm,

0:19:41.359 --> 0:19:44.119
<v Speaker 1>is she trying too hard to represent the black woman

0:19:44.240 --> 0:19:45.080
<v Speaker 1>of New York City?

0:19:45.560 --> 0:19:48.160
<v Speaker 2>Or because I'm a producer, is someone.

0:19:47.880 --> 0:19:53.200
<v Speaker 1>Telling her that that's going to be her position? And

0:19:54.000 --> 0:19:56.800
<v Speaker 1>I thought that the focus was so much on you

0:19:57.040 --> 0:20:00.960
<v Speaker 1>educating these white women on the black experience. It took

0:20:01.000 --> 0:20:03.320
<v Speaker 1>away from what I'm watching now because I was like,

0:20:03.560 --> 0:20:04.920
<v Speaker 1>Ebony's not a great housewife.

0:20:05.480 --> 0:20:06.280
<v Speaker 2>She just isn't.

0:20:06.480 --> 0:20:08.680
<v Speaker 1>And it was no shade to you. It was more

0:20:08.760 --> 0:20:12.680
<v Speaker 1>so like I know what a housewife brings. A housewife

0:20:13.240 --> 0:20:18.119
<v Speaker 1>is somebody that has a delusion of grander over the top.

0:20:18.440 --> 0:20:22.080
<v Speaker 1>I feel horrible for because if I feel this way

0:20:22.240 --> 0:20:24.760
<v Speaker 1>being the king of reality TV, I now know why

0:20:24.800 --> 0:20:27.080
<v Speaker 1>other people may have felt this way because I was like,

0:20:27.119 --> 0:20:33.240
<v Speaker 1>Ebony isn't a good housewife, but she's a great anchor

0:20:33.880 --> 0:20:36.720
<v Speaker 1>on stuff like the View because I.

0:20:36.200 --> 0:20:37.720
<v Speaker 2>Loved you on the View and we'll.

0:20:37.520 --> 0:20:42.280
<v Speaker 1>Get to that later after Right now, I have the

0:20:42.400 --> 0:20:46.240
<v Speaker 1>AHA moment because I have now realized and you don't

0:20:46.240 --> 0:20:47.840
<v Speaker 1>have to confirm or deny this, this.

0:20:47.920 --> 0:20:49.600
<v Speaker 2>Is me saying it.

0:20:49.800 --> 0:20:54.720
<v Speaker 1>I now understand you were put in a box to

0:20:54.920 --> 0:21:00.400
<v Speaker 1>represent a movement so that other people could say, see,

0:21:00.000 --> 0:21:06.399
<v Speaker 1>we talked about it and we're on the path and

0:21:06.440 --> 0:21:07.680
<v Speaker 1>we're a part of the movement.

0:21:08.080 --> 0:21:11.520
<v Speaker 2>So leave us alone. Pr people, leave us alone Black.

0:21:11.280 --> 0:21:18.000
<v Speaker 1>Twitter, instead of saying why can't we represent Ebanye K

0:21:18.240 --> 0:21:21.480
<v Speaker 1>Williams on this show the way we did with the

0:21:21.520 --> 0:21:23.520
<v Speaker 1>Guarsell on Beverly Hills.

0:21:23.920 --> 0:21:26.120
<v Speaker 2>And I now realize in this aha.

0:21:25.880 --> 0:21:32.120
<v Speaker 1>Moment, you are never given a fair chance of showing

0:21:32.880 --> 0:21:36.760
<v Speaker 1>the authenticity of who you are because there was one

0:21:36.800 --> 0:21:40.840
<v Speaker 1>agenda that was placed on you. And the fuck the

0:21:41.040 --> 0:21:46.320
<v Speaker 1>part about it is you had the black community, the

0:21:46.359 --> 0:21:50.119
<v Speaker 1>pressures of the black community, on your shoulders, and that

0:21:50.240 --> 0:21:54.040
<v Speaker 1>is not fair to a woman who's walking into thirteen

0:21:54.160 --> 0:21:55.520
<v Speaker 1>years of an established show.

0:21:55.840 --> 0:21:57.800
<v Speaker 2>So I apologize to you.

0:21:57.840 --> 0:22:03.040
<v Speaker 3>No apology needed. I receive everything that you offered with

0:22:03.119 --> 0:22:06.000
<v Speaker 3>full and open heart. Carlows, And I'll say this, I

0:22:06.040 --> 0:22:09.280
<v Speaker 3>went on The Breakfast Club shortly after season thirteen started airing,

0:22:09.480 --> 0:22:11.840
<v Speaker 3>and I was at that point in my I was

0:22:11.880 --> 0:22:15.520
<v Speaker 3>really hurt by some of the feedback that you echoed

0:22:16.480 --> 0:22:19.960
<v Speaker 3>from my people, the white feedback. Expect you know, honey,

0:22:20.160 --> 0:22:22.120
<v Speaker 3>I was in Fox News for five years. I'm very

0:22:22.119 --> 0:22:23.360
<v Speaker 3>familiar with white angs.

0:22:23.720 --> 0:22:24.560
<v Speaker 2>Yes, you know.

0:22:28.800 --> 0:22:31.480
<v Speaker 3>Familiar, right if you've been around the block, aren't we all.

0:22:32.160 --> 0:22:34.360
<v Speaker 3>So you know, as I said then and I'll say

0:22:34.359 --> 0:22:37.120
<v Speaker 3>it again, you know, I have successfully divorced myself from

0:22:37.160 --> 0:22:41.240
<v Speaker 3>white comfort and concerns of white approval.

0:22:42.080 --> 0:22:42.720
<v Speaker 4>Period died.

0:22:43.240 --> 0:22:47.600
<v Speaker 3>When it comes to relationship and acceptance by my people,

0:22:47.680 --> 0:22:50.960
<v Speaker 3>my my black community and culture, it's very important to me.

0:22:51.280 --> 0:22:54.879
<v Speaker 3>You know, I'm having to now as a grown woman

0:22:55.000 --> 0:22:57.360
<v Speaker 3>who has had a year under her belt and actually

0:22:57.640 --> 0:23:00.199
<v Speaker 3>a year of a season of a show. But if

0:23:00.240 --> 0:23:02.480
<v Speaker 3>you talk about time, Carlos, you gotta remember, we were

0:23:02.520 --> 0:23:06.120
<v Speaker 3>filming that in like September of twenty twenty, so we're

0:23:06.119 --> 0:23:09.199
<v Speaker 3>coming up on like almost almost two years, you know,

0:23:09.240 --> 0:23:12.160
<v Speaker 3>come this fall the point of me being in the

0:23:12.240 --> 0:23:17.160
<v Speaker 3>reality TV universe. So now I'm a little more experienced

0:23:17.240 --> 0:23:20.119
<v Speaker 3>when it comes to Okay, this is the press aspect, Okay,

0:23:20.160 --> 0:23:22.679
<v Speaker 3>this is the social media aspect, Okay, this is the

0:23:22.760 --> 0:23:23.680
<v Speaker 3>filming aspect.

0:23:23.880 --> 0:23:24.160
<v Speaker 4>Okay.

0:23:24.200 --> 0:23:28.199
<v Speaker 3>I'm better able to navigate, so I don't take the

0:23:28.280 --> 0:23:33.280
<v Speaker 3>shit as personally anymore. So I understand better when I

0:23:33.359 --> 0:23:35.879
<v Speaker 3>hear black some of black Twitter, because there's also the

0:23:35.920 --> 0:23:38.520
<v Speaker 3>other contingency. I want to be fair here for sure,

0:23:38.560 --> 0:23:42.320
<v Speaker 3>a lot of love from black folk all across the globe,

0:23:42.440 --> 0:23:46.920
<v Speaker 3>absolutely that are like you know what, Sis, I might

0:23:46.960 --> 0:23:48.880
<v Speaker 3>not have even done it the way you're doing it,

0:23:48.920 --> 0:23:50.280
<v Speaker 3>but I appreciate the work.

0:23:50.480 --> 0:23:54.240
<v Speaker 4>I see the intention, and I recognize that you're doing

0:23:54.240 --> 0:23:55.200
<v Speaker 4>what needed to be done.

0:23:55.280 --> 0:23:57.840
<v Speaker 3>You are not making, You're not doing when you say

0:23:57.840 --> 0:23:59.520
<v Speaker 3>this in the SATH, I'm from the South, Carlos. No

0:23:59.640 --> 0:24:03.479
<v Speaker 3>cut yeah, no cut cards with these women. You know,

0:24:03.680 --> 0:24:05.959
<v Speaker 3>I'm not going to go into a room and say, hey, ladies,

0:24:06.400 --> 0:24:08.960
<v Speaker 3>welcome to dinner. By the way, let's talk about white fragility.

0:24:09.160 --> 0:24:11.680
<v Speaker 3>But when you show up in a posture of white fragility,

0:24:11.800 --> 0:24:13.480
<v Speaker 3>you're going to get called up for it.

0:24:13.840 --> 0:24:14.359
<v Speaker 2>Mm hmmm.

0:24:14.480 --> 0:24:16.080
<v Speaker 3>You're gonna get called up for it. And I say

0:24:16.080 --> 0:24:17.960
<v Speaker 3>called up instead of called out. That shout out to

0:24:18.040 --> 0:24:20.560
<v Speaker 3>Queen Monique, the Oscar winning actress Monique.

0:24:20.600 --> 0:24:23.080
<v Speaker 1>When it comes to the real housewats of New York City,

0:24:23.560 --> 0:24:26.000
<v Speaker 1>obviously you won't be on the legacy version because that's

0:24:26.040 --> 0:24:30.920
<v Speaker 1>for the ogs. But oh yes, I have to say this.

0:24:31.240 --> 0:24:35.320
<v Speaker 1>I do believe you will be back. I believe that

0:24:36.520 --> 0:24:39.359
<v Speaker 1>I'm very spiritual, and my spirit is telling me you

0:24:39.400 --> 0:24:43.080
<v Speaker 1>will be back. Because the one thing about you, you

0:24:43.240 --> 0:24:49.000
<v Speaker 1>have a very diversive friend group, and I think you're

0:24:49.080 --> 0:24:54.480
<v Speaker 1>going to show a side of yourself that me and

0:24:54.600 --> 0:24:58.439
<v Speaker 1>the audience haven't seen until we saw a glimmer of

0:24:58.480 --> 0:25:01.000
<v Speaker 1>that when you're Watch What Happens Live? And what was

0:25:01.400 --> 0:25:05.920
<v Speaker 1>funny about that moment? Ebony? Everybody, not just some I'm

0:25:05.920 --> 0:25:09.160
<v Speaker 1>gonna say, everybody watched you on the most recent episode

0:25:09.200 --> 0:25:11.760
<v Speaker 1>of Watch What Happens Live and fell in love with you.

0:25:13.240 --> 0:25:17.480
<v Speaker 4>They did that, and I'm I'm a big age.

0:25:17.520 --> 0:25:19.520
<v Speaker 3>I'm about to be thirty nine this year, but I

0:25:19.560 --> 0:25:20.600
<v Speaker 3>would be disingenuous.

0:25:20.600 --> 0:25:21.720
<v Speaker 4>I didn't say that.

0:25:21.680 --> 0:25:24.240
<v Speaker 3>Meant something to me, Carlos, because again, I am not

0:25:24.400 --> 0:25:28.920
<v Speaker 3>so bad ass, tough, veneered that love from my people

0:25:29.280 --> 0:25:31.800
<v Speaker 3>doesn't count to me. Now you know, I'm not gonna

0:25:31.800 --> 0:25:33.920
<v Speaker 3>get love about all the people, and that's okay. But

0:25:33.920 --> 0:25:35.920
<v Speaker 3>but what's important to me, and I'm so glad we're

0:25:35.920 --> 0:25:39.080
<v Speaker 3>having this conversation on your platform. I've had this conversation.

0:25:39.680 --> 0:25:41.879
<v Speaker 3>We're not this because you can't duplicate this, but but

0:25:41.920 --> 0:25:43.359
<v Speaker 3>I've spoken to this issue.

0:25:43.400 --> 0:25:44.200
<v Speaker 4>Let me say at that way.

0:25:44.280 --> 0:25:47.280
<v Speaker 3>I've spoken to the issue on other platforms, but none

0:25:47.400 --> 0:25:51.280
<v Speaker 3>with the impact and reach of what this conversation is

0:25:51.320 --> 0:25:55.560
<v Speaker 3>going to offer the culture, and so my people in

0:25:55.640 --> 0:26:00.320
<v Speaker 3>my community Carlos understanding the purity of my intention. Tension

0:26:00.400 --> 0:26:04.080
<v Speaker 3>was never to ruin your entertainment value of Ronie. It

0:26:04.119 --> 0:26:07.760
<v Speaker 3>was never to make the show about me. Actually, I'm

0:26:07.800 --> 0:26:10.200
<v Speaker 3>going to tell you this because I don't produce reality TV,

0:26:10.280 --> 0:26:14.760
<v Speaker 3>but I do produce content executive produce. Actually, okay, And

0:26:15.280 --> 0:26:19.720
<v Speaker 3>one thing about it is as a new, first year

0:26:20.520 --> 0:26:24.040
<v Speaker 3>talent on an ensemble, I don't think it really should

0:26:24.040 --> 0:26:27.240
<v Speaker 3>be centered around that individual because I think that when

0:26:27.240 --> 0:26:29.600
<v Speaker 3>you talk about, especially an audience who is so in

0:26:29.640 --> 0:26:32.840
<v Speaker 3>love with the nostalgia of a thirteen year franchise like Ronie,

0:26:33.359 --> 0:26:36.360
<v Speaker 3>it could kind of the power dynamic of that can

0:26:36.400 --> 0:26:40.120
<v Speaker 3>be uncomfortable for the audience. So it's like if I'm

0:26:40.160 --> 0:26:45.800
<v Speaker 3>tuning in year thirteen for Ramona, so that energy, But

0:26:45.840 --> 0:26:50.080
<v Speaker 3>you're giving me seventeen episodes that are predominantly featured around

0:26:50.080 --> 0:26:52.200
<v Speaker 3>this brand new woman who I'm not in a relationship

0:26:52.240 --> 0:26:53.840
<v Speaker 3>with yet because I'm just meeting her.

0:26:53.760 --> 0:26:54.600
<v Speaker 4>For the first time.

0:26:55.080 --> 0:27:00.800
<v Speaker 3>And the central conflict is around, as the always calls it,

0:27:01.680 --> 0:27:04.399
<v Speaker 3>the you know, the color line is the problem of

0:27:04.400 --> 0:27:07.479
<v Speaker 3>our century, and as we go into the twenty first century,

0:27:07.520 --> 0:27:10.359
<v Speaker 3>it still is, you know, So you're making it about

0:27:10.400 --> 0:27:14.200
<v Speaker 3>the tensions of race in America. What did we think

0:27:14.320 --> 0:27:16.600
<v Speaker 3>was going to happen? What did we think was going

0:27:16.640 --> 0:27:19.200
<v Speaker 3>to happen? And like you said, Carlos, it wasn't as

0:27:19.240 --> 0:27:22.000
<v Speaker 3>if I didn't totally open my entire life up for

0:27:22.040 --> 0:27:23.959
<v Speaker 3>the first time in front of those cameras. And you know,

0:27:24.280 --> 0:27:27.520
<v Speaker 3>anybody from production will tell you that it was nothing

0:27:27.760 --> 0:27:31.520
<v Speaker 3>was no stone left unturned understanding my you know, search

0:27:31.560 --> 0:27:33.520
<v Speaker 3>for my father. That was not an easy thing to

0:27:33.520 --> 0:27:36.359
<v Speaker 3>deal with with my mother, truth be told, you know,

0:27:36.720 --> 0:27:39.600
<v Speaker 3>I dealt with that. I dealt with the personal ramifications

0:27:39.640 --> 0:27:42.600
<v Speaker 3>of that choice to do it on that platform. Why,

0:27:42.920 --> 0:27:49.080
<v Speaker 3>because so many black girls and boys are stigmatized by

0:27:48.640 --> 0:27:52.359
<v Speaker 3>the fact that they are fatherless in this country.

0:27:52.440 --> 0:27:53.880
<v Speaker 2>Okay, And as.

0:27:53.720 --> 0:27:59.920
<v Speaker 3>Somebody who some look at as aspirational, successful, a bit

0:28:00.119 --> 0:28:02.919
<v Speaker 3>the American dream, a bit of our ancestor dream, I

0:28:03.040 --> 0:28:10.240
<v Speaker 3>feel privileged in my position to destigmatize that, To destigmatize

0:28:10.359 --> 0:28:12.560
<v Speaker 3>is nothing wrong with you just because he chose not

0:28:12.600 --> 0:28:14.760
<v Speaker 3>to be around or you don't know and you have

0:28:14.840 --> 0:28:15.840
<v Speaker 3>no relationship with him.

0:28:15.880 --> 0:28:16.760
<v Speaker 4>So that was the point of that.

0:28:17.080 --> 0:28:19.639
<v Speaker 3>Nobody made space for that, really, Carlos, because they were

0:28:19.640 --> 0:28:24.160
<v Speaker 3>too preoccupied in and out of the culture with the conflict,

0:28:24.200 --> 0:28:28.040
<v Speaker 3>the racial conflict that was existing between myself and the

0:28:28.119 --> 0:28:29.159
<v Speaker 3>veteran cast members.

0:28:29.280 --> 0:28:31.320
<v Speaker 1>Yes, and that's my take. No, and your take is

0:28:31.640 --> 0:28:33.879
<v Speaker 1>my take. And that's why I stopped watching the show.

0:28:34.359 --> 0:28:38.000
<v Speaker 4>Me too, Me too. I stopped after on Black Chabbat,

0:28:38.200 --> 0:28:38.840
<v Speaker 4>Oh my God.

0:28:39.160 --> 0:28:41.320
<v Speaker 3>To this day, Carlos King, this is an exclusive to

0:28:41.360 --> 0:28:43.920
<v Speaker 3>this day, I have never seen any episode past Black Shabak.

0:28:44.440 --> 0:28:47.160
<v Speaker 2>Wow, I echoed that same sentiment.

0:28:47.280 --> 0:28:52.320
<v Speaker 1>Listen, I watch reality TV, and I produce reality TV

0:28:52.720 --> 0:28:55.760
<v Speaker 1>so that people within forty two minutes can just have

0:28:55.920 --> 0:28:59.120
<v Speaker 1>fun and see the relatability of what.

0:28:59.040 --> 0:29:00.600
<v Speaker 2>People are going through. Right.

0:29:01.360 --> 0:29:05.200
<v Speaker 1>I watched the View every day, and when I watched

0:29:05.200 --> 0:29:12.200
<v Speaker 1>the View, I learned about politics, policy, world events, and

0:29:12.240 --> 0:29:16.280
<v Speaker 1>I get that in a way where I'm entertained by it.

0:29:16.480 --> 0:29:19.440
<v Speaker 1>But at the same time, I purposely am watching the

0:29:19.520 --> 0:29:22.080
<v Speaker 1>View to understand the world. I don't watch the View

0:29:22.360 --> 0:29:25.800
<v Speaker 1>to hear Sonny Hoston talk about her chickens or her farm, or.

0:29:25.800 --> 0:29:28.000
<v Speaker 2>To hear Joy Behart and Steve because I don't care.

0:29:28.400 --> 0:29:31.120
<v Speaker 1>I care about what you guys think about this war

0:29:31.640 --> 0:29:34.080
<v Speaker 1>in Russia, and I care about what you think about

0:29:34.120 --> 0:29:34.840
<v Speaker 1>world events.

0:29:35.080 --> 0:29:37.840
<v Speaker 2>Right. So that's why for the longest time.

0:29:37.720 --> 0:29:40.960
<v Speaker 1>I kept saying to myself, Ebany belongs on the view

0:29:41.440 --> 0:29:44.480
<v Speaker 1>because when you speak, you hold the captive audience.

0:29:44.840 --> 0:29:46.960
<v Speaker 2>And when you were under view the first.

0:29:46.640 --> 0:29:48.360
<v Speaker 1>Time, yes, honey, because it takes a lot to get

0:29:48.400 --> 0:29:50.760
<v Speaker 1>on the second time. When you were under view the

0:29:50.800 --> 0:29:56.760
<v Speaker 1>first time, I tweeted and said, Wow, this is what

0:29:56.840 --> 0:29:58.600
<v Speaker 1>she is meant to do with her life.

0:29:59.160 --> 0:30:00.600
<v Speaker 2>This is her calling.

0:30:01.560 --> 0:30:04.800
<v Speaker 1>Do you feel that your calling is to be on

0:30:04.920 --> 0:30:08.880
<v Speaker 1>reality TV or to hold a seat, even if it's

0:30:08.920 --> 0:30:10.360
<v Speaker 1>not the view, but to.

0:30:10.440 --> 0:30:13.920
<v Speaker 2>Have a platform, a talk platform.

0:30:13.600 --> 0:30:17.959
<v Speaker 1>Where you're able to discuss important matters of the world.

0:30:18.960 --> 0:30:23.720
<v Speaker 3>My answer to that question is yes. The answer is yes,

0:30:23.800 --> 0:30:28.680
<v Speaker 3>Carlos to both. Here's why I feel going back to

0:30:28.720 --> 0:30:32.040
<v Speaker 3>God called that's that's you know, when you're from where

0:30:32.080 --> 0:30:34.480
<v Speaker 3>we're from, called is a very particular thing.

0:30:35.120 --> 0:30:38.880
<v Speaker 4>One is called to the pullpit, just as.

0:30:38.840 --> 0:30:41.560
<v Speaker 3>We have been called to occupy the seats that we

0:30:41.640 --> 0:30:44.720
<v Speaker 3>occupy in this business. And it's and we are doing

0:30:44.760 --> 0:30:47.880
<v Speaker 3>the work of the culture in it. I know what

0:30:48.000 --> 0:30:50.600
<v Speaker 3>I've already gone through in my career just to get

0:30:50.640 --> 0:30:53.920
<v Speaker 3>to like, it's not an accident. When you're the first

0:30:53.960 --> 0:30:56.640
<v Speaker 3>black woman they choose to put on the platform for

0:30:56.760 --> 0:31:01.120
<v Speaker 3>what I now can say retroactively was a demolition of sorts.

0:31:01.360 --> 0:31:01.560
<v Speaker 2>Right.

0:31:02.120 --> 0:31:05.120
<v Speaker 4>One of my favorite shows is with Chip and Joanna.

0:31:05.280 --> 0:31:07.360
<v Speaker 4>Oh yeah, so you know what Chip's.

0:31:07.080 --> 0:31:09.760
<v Speaker 3>Favorite day is of the of the arc of the

0:31:09.800 --> 0:31:16.280
<v Speaker 3>episode demolition day. Yes, because before you can restructure the

0:31:16.320 --> 0:31:19.720
<v Speaker 3>home of one's dreams, sometimes it's not enough to just

0:31:19.760 --> 0:31:25.920
<v Speaker 3>move the furniture. Sometime you must demo the whole fucking

0:31:26.000 --> 0:31:28.320
<v Speaker 3>thing and start over.

0:31:28.680 --> 0:31:31.600
<v Speaker 1>Come on, Pastor Williams. So this is my prediction, and

0:31:31.640 --> 0:31:33.920
<v Speaker 1>I want to hear your thoughts on it. I believe

0:31:34.920 --> 0:31:38.560
<v Speaker 1>the reboot of Real housewatchs of New York City with

0:31:38.720 --> 0:31:43.160
<v Speaker 1>the new cast, I'm going on record saying it's going

0:31:43.200 --> 0:31:48.840
<v Speaker 1>to be you and other women. I believe that that

0:31:49.040 --> 0:31:54.760
<v Speaker 1>show will go on Peacock, and I believe the legacy

0:31:54.800 --> 0:31:56.480
<v Speaker 1>show with the Ogs would be on Bravo.

0:31:56.600 --> 0:31:58.040
<v Speaker 2>And this is the reason why I'm saying that.

0:31:59.240 --> 0:32:05.200
<v Speaker 1>I believe, based on the fact that the ratings for

0:32:05.360 --> 0:32:08.440
<v Speaker 1>this past season of New York City wasn't the greatest,

0:32:08.920 --> 0:32:12.480
<v Speaker 1>that Bravo is not going to take a chance of

0:32:13.480 --> 0:32:19.280
<v Speaker 1>putting on the linear network a brand new cast hoping

0:32:19.440 --> 0:32:22.960
<v Speaker 1>to captivate that same audience. So my belief just like

0:32:23.000 --> 0:32:25.880
<v Speaker 1>what they did with Miami Housewives, which to me was

0:32:25.920 --> 0:32:29.680
<v Speaker 1>a smart play. In Miami Housewives is tense across the board,

0:32:29.760 --> 0:32:30.680
<v Speaker 1>fabulous show.

0:32:30.840 --> 0:32:32.080
<v Speaker 4>Everyone loves.

0:32:32.240 --> 0:32:36.920
<v Speaker 1>It's fantastic, I believe because they want to make sure

0:32:36.920 --> 0:32:40.360
<v Speaker 1>the ratings are great. I believe the New York City

0:32:40.400 --> 0:32:44.719
<v Speaker 1>Housewives Legacy or the ogs would be on Bravo, and

0:32:44.800 --> 0:32:47.959
<v Speaker 1>I believe this new iteration i e.

0:32:48.160 --> 0:32:49.600
<v Speaker 2>Reboots would be on.

0:32:49.600 --> 0:32:54.200
<v Speaker 1>Peacock because what they have shown on Peacock is since

0:32:54.240 --> 0:32:58.320
<v Speaker 1>Miami Housewives had some new faces, some familiar faces, the

0:32:58.400 --> 0:33:01.120
<v Speaker 1>show still working was a hit, and I believe they

0:33:01.120 --> 0:33:01.880
<v Speaker 1>would do that.

0:33:01.920 --> 0:33:04.680
<v Speaker 2>With this reboot. Do you agree or disagree with me?

0:33:05.640 --> 0:33:07.720
<v Speaker 4>Okay, I disagree.

0:33:07.840 --> 0:33:11.880
<v Speaker 3>I'm gonna tell you why I'm with you until we

0:33:11.920 --> 0:33:16.520
<v Speaker 3>start talking about the ratings discrepancy. Because if you go

0:33:16.760 --> 0:33:21.280
<v Speaker 3>like the ratings were the worst they've ever been Season thirteen, undisputed.

0:33:21.840 --> 0:33:23.800
<v Speaker 3>But when you look at the numbers, and I'm you know,

0:33:23.840 --> 0:33:25.720
<v Speaker 3>I'm a lawyer, I'm a fact based girl. When you

0:33:25.720 --> 0:33:28.360
<v Speaker 3>look at the numbers, we were around averaging. I think

0:33:28.920 --> 0:33:30.960
<v Speaker 3>I might be off here a little bit precision wise,

0:33:31.000 --> 0:33:36.000
<v Speaker 3>but it was around eight twenty ish. Okay, they weren't

0:33:36.040 --> 0:33:41.360
<v Speaker 3>marginally better season twelve. The reality is is the ratings

0:33:41.400 --> 0:33:44.120
<v Speaker 3>of Ronie, along with a lot of the again older

0:33:44.200 --> 0:33:45.400
<v Speaker 3>veteran shows.

0:33:45.320 --> 0:33:49.840
<v Speaker 4>Have been going down. True so they were before season thirteen.

0:33:50.360 --> 0:33:54.479
<v Speaker 3>The record low for Ronie ratings was guess what, season twelve,

0:33:55.240 --> 0:33:58.840
<v Speaker 3>which was the you know also Legacy. That season had

0:33:59.000 --> 0:34:04.360
<v Speaker 3>Ramona Duran Luan Sonia Tensley. So I don't know that

0:34:04.480 --> 0:34:09.120
<v Speaker 3>my logic follows, okay that Bravo would assume that just

0:34:09.160 --> 0:34:12.120
<v Speaker 3>because we put the old gang back together again that

0:34:12.120 --> 0:34:14.920
<v Speaker 3>that means ratings goal because it didn't mean ratings golden

0:34:14.960 --> 0:34:15.560
<v Speaker 3>season twelve.

0:34:16.080 --> 0:34:16.920
<v Speaker 4>It just didn't mean that.

0:34:18.160 --> 0:34:21.680
<v Speaker 3>I concur that the new iteration, the reboot, whoever's on

0:34:21.719 --> 0:34:22.600
<v Speaker 3>it is high risk.

0:34:23.160 --> 0:34:25.040
<v Speaker 4>We don't know who's going to watch that show.

0:34:25.239 --> 0:34:27.319
<v Speaker 3>But I would offer you this, Carlos King, this is

0:34:27.360 --> 0:34:30.560
<v Speaker 3>my business mind, taking my personal investment in, you know,

0:34:30.719 --> 0:34:33.680
<v Speaker 3>wanting to be able to be apart. I a for

0:34:33.719 --> 0:34:35.080
<v Speaker 3>the first time, and I'm going to tell you this

0:34:35.320 --> 0:34:38.839
<v Speaker 3>season thirteen because somebody asked me this, did I want to.

0:34:38.800 --> 0:34:39.640
<v Speaker 4>Be a housewife?

0:34:40.840 --> 0:34:42.360
<v Speaker 3>I don't know that I really gave a damn about

0:34:42.360 --> 0:34:44.880
<v Speaker 3>being a housewife, as much as I gave a whole

0:34:44.920 --> 0:34:49.040
<v Speaker 3>lot of damns about being a important representation of black

0:34:49.080 --> 0:34:53.480
<v Speaker 3>womanhood on a global iconic platform. That's what I wanted

0:34:53.520 --> 0:34:54.360
<v Speaker 3>for season thirteen.

0:34:54.840 --> 0:34:55.640
<v Speaker 4>Now a bitch is.

0:34:55.640 --> 0:34:59.640
<v Speaker 3>Old, outside is open. I want to be a housewife.

0:35:00.000 --> 0:35:00.799
<v Speaker 3>I can tell you that truth.

0:35:00.880 --> 0:35:01.720
<v Speaker 2>I love you honesty.

0:35:02.520 --> 0:35:05.239
<v Speaker 4>Yeah, I want to be a housewife. Now.

0:35:05.239 --> 0:35:10.719
<v Speaker 3>I'm kind of bought into the whimsicalness of that part

0:35:10.719 --> 0:35:13.160
<v Speaker 3>of it now in a way that not to say.

0:35:12.960 --> 0:35:14.600
<v Speaker 4>That my job here is done.

0:35:14.800 --> 0:35:17.600
<v Speaker 3>You know, I represented the great black woman and now

0:35:17.640 --> 0:35:19.560
<v Speaker 3>that part's over. I'm always going to be a great

0:35:19.600 --> 0:35:21.640
<v Speaker 3>Black woman. That's who I am. That's what I'm called

0:35:21.680 --> 0:35:23.160
<v Speaker 3>to do, honey, in all spaces.

0:35:23.320 --> 0:35:23.720
<v Speaker 2>Amen.

0:35:23.960 --> 0:35:27.640
<v Speaker 4>However, however, again, I want to have fun. I want to.

0:35:27.640 --> 0:35:28.759
<v Speaker 4>I mean, I just want to. I want to look

0:35:29.000 --> 0:35:30.760
<v Speaker 4>and I did give looks since season thirteen.

0:35:31.280 --> 0:35:36.400
<v Speaker 1>All the Gucci dapper Don jacket. Mama, you were your confessionals, work.

0:35:36.560 --> 0:35:37.080
<v Speaker 4>Work, Okay.

0:35:37.160 --> 0:35:39.000
<v Speaker 3>Yeah, so it's not like I didn't have some of

0:35:39.040 --> 0:35:43.160
<v Speaker 3>those aspects already on lock. But you're gonna get even

0:35:43.239 --> 0:35:46.520
<v Speaker 3>much more of that. In another iteration of me and

0:35:46.920 --> 0:35:49.200
<v Speaker 3>my crew, You're going to see my world. That's what

0:35:49.280 --> 0:35:53.319
<v Speaker 3>season fourteen. If I am invited to that reboot would

0:35:53.360 --> 0:35:55.320
<v Speaker 3>look like and I think this is important to Carlos

0:35:55.440 --> 0:35:56.960
<v Speaker 3>just to this point we'll move on.

0:35:57.400 --> 0:36:00.319
<v Speaker 4>Is that, oh business.

0:36:00.280 --> 0:36:04.439
<v Speaker 3>Argument, If you are a Ronie watcher and you watch

0:36:04.600 --> 0:36:08.879
<v Speaker 3>Ronie for the nostalgia of the ogs, likely you're gonna

0:36:08.920 --> 0:36:11.640
<v Speaker 3>watch the reboot regardless of where it lives.

0:36:12.080 --> 0:36:15.399
<v Speaker 4>I think, okay, right, right right.

0:36:16.239 --> 0:36:19.120
<v Speaker 3>And if you're that person that's like, oh, I hate

0:36:19.120 --> 0:36:24.200
<v Speaker 3>having a name, you're not gonna watch. That mindset is

0:36:24.239 --> 0:36:26.880
<v Speaker 3>not watching a diverse reboot of Roney no matter who's

0:36:26.880 --> 0:36:29.759
<v Speaker 3>on it, no matter who's on it, because they are

0:36:29.800 --> 0:36:34.040
<v Speaker 3>not interested in that new New York. They're interested in

0:36:34.080 --> 0:36:37.839
<v Speaker 3>the old guard, stuffy, particularly white version of New York.

0:36:38.280 --> 0:36:40.320
<v Speaker 4>So that's like a zero to me.

0:36:41.040 --> 0:36:44.600
<v Speaker 3>So then you've got the other viewer who likes the nostalgia,

0:36:45.040 --> 0:36:47.759
<v Speaker 3>but it's like, that's not New York, you know, And

0:36:47.880 --> 0:36:51.319
<v Speaker 3>that person is likely already in a relationship with me,

0:36:52.080 --> 0:36:54.960
<v Speaker 3>probably had appreciation. They would be in that course of people,

0:36:55.000 --> 0:36:58.560
<v Speaker 3>Carlos that had appreciation for me, the glipse of me

0:36:58.680 --> 0:37:00.840
<v Speaker 3>they saw, the more or of me they saw and

0:37:00.880 --> 0:37:06.280
<v Speaker 3>watch what Happens live. So if I'm you know, making

0:37:06.480 --> 0:37:10.200
<v Speaker 3>sense of all of this, why wouldn't I continue the

0:37:10.280 --> 0:37:15.800
<v Speaker 3>relationship that's already been established and consider building a fuller

0:37:15.920 --> 0:37:19.840
<v Speaker 3>cast around a woman who's clearly at the center of

0:37:20.320 --> 0:37:25.360
<v Speaker 3>media elite New York, of cultural integration and intersection, and

0:37:25.640 --> 0:37:29.480
<v Speaker 3>is on the cusp of making massive life decisions concerning baby,

0:37:29.640 --> 0:37:31.280
<v Speaker 3>man and money.

0:37:31.360 --> 0:37:32.640
<v Speaker 4>It just makes sense to me.

0:37:32.760 --> 0:37:35.759
<v Speaker 1>No, And that's I agree, one hundred percent. And that's

0:37:35.800 --> 0:37:38.200
<v Speaker 1>the reason why I said you will be back, because

0:37:38.200 --> 0:37:40.880
<v Speaker 1>at the end of the day, no, and listen.

0:37:40.920 --> 0:37:42.200
<v Speaker 2>I create shows for a living.

0:37:43.400 --> 0:37:48.040
<v Speaker 1>I for example, Love and Marriage DC is a new

0:37:48.120 --> 0:37:52.120
<v Speaker 1>franchise from my highly successful Love and Marriage Huntsville. I

0:37:52.320 --> 0:37:55.040
<v Speaker 1>knew if I was going to give the audience a

0:37:55.040 --> 0:37:59.080
<v Speaker 1>brand new franchise, give them a familiar face.

0:37:59.680 --> 0:38:01.239
<v Speaker 2>That's that's why I'm saying to you.

0:38:02.239 --> 0:38:04.240
<v Speaker 1>If you're going to give me a brand new New York,

0:38:05.200 --> 0:38:07.799
<v Speaker 1>you're going to give me a familiar face. And you

0:38:07.920 --> 0:38:11.120
<v Speaker 1>are that familiar face. And I do believe you will

0:38:11.160 --> 0:38:13.200
<v Speaker 1>get that. But let me ask you this. Have you

0:38:13.200 --> 0:38:15.320
<v Speaker 1>submitted friends yet to them?

0:38:16.480 --> 0:38:17.960
<v Speaker 4>We are you know? I can't.

0:38:18.000 --> 0:38:20.640
<v Speaker 3>I can't tell you everything, Carl, but I will tell

0:38:20.640 --> 0:38:24.239
<v Speaker 3>you only because Andy, you know, acts to me, you know,

0:38:24.360 --> 0:38:30.160
<v Speaker 3>kind of smartly and understandably made a open plea to say, basically,

0:38:30.440 --> 0:38:34.040
<v Speaker 3>any woman in New York, if you think that you

0:38:34.440 --> 0:38:38.080
<v Speaker 3>have the curated cast of women that we want, this

0:38:38.120 --> 0:38:39.480
<v Speaker 3>is represents your friend group.

0:38:39.800 --> 0:38:41.440
<v Speaker 4>Come one, Come on. It was an alta call.

0:38:41.520 --> 0:38:43.960
<v Speaker 3>Basically, we want to go back to that Andy. Andy

0:38:43.960 --> 0:38:46.680
<v Speaker 3>did a full on altar call on you better believe.

0:38:47.040 --> 0:38:50.839
<v Speaker 4>You better believe because I work. Yes, I am over

0:38:50.880 --> 0:38:54.839
<v Speaker 4>here as we speak in and I'm in work mode.

0:38:55.040 --> 0:38:57.520
<v Speaker 3>I am going through my actual to and I'm not

0:38:57.560 --> 0:38:59.520
<v Speaker 3>going through Instagram. I'll tell you this part of my

0:38:59.560 --> 0:39:02.760
<v Speaker 3>curation because Instagram is that's you know, that's one hundreds

0:39:02.800 --> 0:39:03.160
<v Speaker 3>of women.

0:39:03.440 --> 0:39:05.040
<v Speaker 4>I'm going through my text messages.

0:39:05.320 --> 0:39:08.439
<v Speaker 3>I'm going through women because I actually am I keep

0:39:08.480 --> 0:39:11.600
<v Speaker 3>a tight circle. I have lots of women I know

0:39:11.640 --> 0:39:14.080
<v Speaker 3>in New York, lots of women. I appreciate New York carlows.

0:39:14.200 --> 0:39:16.320
<v Speaker 3>But when it comes to you know who I'm actually

0:39:16.320 --> 0:39:19.440
<v Speaker 3>gonna put a bra on for and go out my

0:39:19.600 --> 0:39:22.960
<v Speaker 3>house with by choice, with no check attached.

0:39:23.640 --> 0:39:26.000
<v Speaker 4>That's a small group of women. They just happen to

0:39:26.040 --> 0:39:26.920
<v Speaker 4>be fantastic.

0:39:27.480 --> 0:39:29.880
<v Speaker 3>Like obviously you saw the dinner, you know, the dinner

0:39:29.920 --> 0:39:33.480
<v Speaker 3>with Bevy. You know when Bevy Smith calls, you go

0:39:34.200 --> 0:39:36.479
<v Speaker 3>I didn't ask no questions. I didn't ask who's gonna

0:39:36.480 --> 0:39:39.400
<v Speaker 3>be there? Doesn't it's Bevy's dinner, So you already know.

0:39:39.600 --> 0:39:43.160
<v Speaker 3>The guest list is on lock. So that represents, you know,

0:39:43.200 --> 0:39:47.480
<v Speaker 3>the social dynamics in which I am blessed to be

0:39:47.560 --> 0:39:48.000
<v Speaker 3>a part of.

0:39:48.160 --> 0:39:50.440
<v Speaker 2>Would you want but Shan back on the show? Listen?

0:39:50.640 --> 0:39:53.160
<v Speaker 4>I you know, no cut cards.

0:39:53.320 --> 0:39:57.000
<v Speaker 3>I don't personally have a relationship with Burshawn Shaw. But

0:39:57.080 --> 0:39:59.319
<v Speaker 3>as I've said before and I'll say it again, I

0:39:59.360 --> 0:40:02.280
<v Speaker 3>think Shaw is a woman who has a lot to offer.

0:40:02.760 --> 0:40:06.000
<v Speaker 3>I actually interviewed Brehon in my capacity as a journalist

0:40:06.080 --> 0:40:10.640
<v Speaker 3>for own like back when her previous reality show.

0:40:10.560 --> 0:40:11.799
<v Speaker 4>Was on air, Love in the City.

0:40:11.840 --> 0:40:12.680
<v Speaker 2>I believe correct.

0:40:13.320 --> 0:40:16.880
<v Speaker 4>So I I have no wish but positive.

0:40:17.040 --> 0:40:18.640
<v Speaker 3>I'll tell you what I told brashon the last time

0:40:18.680 --> 0:40:20.919
<v Speaker 3>we had any direct communication, which was a long time ago.

0:40:21.560 --> 0:40:27.799
<v Speaker 3>I wish Byshon first and foremost health, prosperity, and happiness.

0:40:28.200 --> 0:40:31.799
<v Speaker 3>And if that for her is this platform, godspeed.

0:40:33.239 --> 0:40:35.920
<v Speaker 2>You two are friends though no, we've.

0:40:35.760 --> 0:40:38.239
<v Speaker 3>Never and we've never been friends. That's the thing. So

0:40:38.280 --> 0:40:41.960
<v Speaker 3>it's not messy. It's not it's not that we were

0:40:42.000 --> 0:40:42.760
<v Speaker 3>we were cast.

0:40:43.200 --> 0:40:44.080
<v Speaker 4>The cat's out the bag.

0:40:44.160 --> 0:40:50.719
<v Speaker 2>Now you know weren't friends? You and Leah were were

0:40:50.719 --> 0:40:51.359
<v Speaker 2>not And.

0:40:51.239 --> 0:40:53.320
<v Speaker 4>Guess who else was a friends where Shan and Ramona

0:40:53.360 --> 0:40:53.839
<v Speaker 4>were not friend?

0:40:53.920 --> 0:40:57.320
<v Speaker 1>I know that girl, okay, And I know ban and

0:40:57.640 --> 0:41:01.080
<v Speaker 1>and and I know the game I try, I see.

0:41:01.120 --> 0:41:02.480
<v Speaker 2>I saw all of that as a way.

0:41:02.600 --> 0:41:04.400
<v Speaker 4>But that's why that didn't work.

0:41:04.760 --> 0:41:06.600
<v Speaker 3>But you know what I mean that that whole like,

0:41:06.640 --> 0:41:09.319
<v Speaker 3>we're going to take this cast from season twelve and

0:41:09.320 --> 0:41:12.640
<v Speaker 3>we're gonna identify two exception and I'll give absolutely not

0:41:12.680 --> 0:41:14.200
<v Speaker 3>even having to be friends with the Brashon is an

0:41:14.200 --> 0:41:15.120
<v Speaker 3>exceptional black woman.

0:41:15.440 --> 0:41:17.239
<v Speaker 4>Yeah, of course absolutely.

0:41:17.360 --> 0:41:20.160
<v Speaker 3>So what they did was they identified two exceptional black women,

0:41:20.280 --> 0:41:22.480
<v Speaker 3>which don't get me started. You know, this is the

0:41:22.560 --> 0:41:25.600
<v Speaker 3>narrative that happens in America where black women have to

0:41:25.640 --> 0:41:27.000
<v Speaker 3>be what what are we seeing with the Supreme Court

0:41:27.080 --> 0:41:27.319
<v Speaker 3>have to be?

0:41:27.320 --> 0:41:27.440
<v Speaker 2>What?

0:41:27.520 --> 0:41:29.640
<v Speaker 4>Overqualified the two.

0:41:29.520 --> 0:41:32.359
<v Speaker 3>Most educated people all that appeared on your screens last

0:41:32.360 --> 0:41:34.520
<v Speaker 3>season for Real Housewives of New York for myself with

0:41:34.560 --> 0:41:37.440
<v Speaker 3>a doctorate and Brayshawn with her master's degree from Syracuse.

0:41:37.600 --> 0:41:40.160
<v Speaker 3>Baby don't play with us, Okay, So when it comes

0:41:40.200 --> 0:41:44.840
<v Speaker 3>to credential and qualifications, we were overqualified to be amongst

0:41:44.880 --> 0:41:45.880
<v Speaker 3>those particular women.

0:41:46.280 --> 0:41:48.239
<v Speaker 2>I could not agree more, you know.

0:41:48.480 --> 0:41:50.960
<v Speaker 3>And that's why it was a lot of tension and

0:41:51.040 --> 0:41:53.440
<v Speaker 3>power dynamics, you know. And Brashana and I did when

0:41:53.440 --> 0:41:56.360
<v Speaker 3>we were filming have this conversation which is like, it's

0:41:56.560 --> 0:42:00.360
<v Speaker 3>rather odd that we are kind of being asked to

0:42:02.120 --> 0:42:04.799
<v Speaker 3>a little bit kiss the ring and you know, kind

0:42:04.880 --> 0:42:09.000
<v Speaker 3>of sing for our supper and be invited apart.

0:42:09.719 --> 0:42:11.680
<v Speaker 4>Bitch, you know, are you kidding me?

0:42:11.800 --> 0:42:14.919
<v Speaker 3>When from our respective worlds because Breshonna and I don't

0:42:14.920 --> 0:42:16.720
<v Speaker 3>really necessarily.

0:42:16.160 --> 0:42:21.200
<v Speaker 1>Social or you you two are from two different generations total, to.

0:42:21.360 --> 0:42:24.359
<v Speaker 3>Two different generations and two different social service. Absolutely, there's

0:42:24.440 --> 0:42:26.520
<v Speaker 3>some over there's some overlap, but but.

0:42:26.480 --> 0:42:28.960
<v Speaker 1>Different because the Black community in New York City is

0:42:28.960 --> 0:42:30.720
<v Speaker 1>is kind of small, so I can see the overlap.

0:42:30.760 --> 0:42:33.040
<v Speaker 1>But and I'm saying there's no I know, but I've

0:42:33.040 --> 0:42:35.319
<v Speaker 1>no but Sean for a few years. And I know

0:42:35.400 --> 0:42:37.759
<v Speaker 1>you've heard it. See Obviously, Dustin Ross is a friend

0:42:37.800 --> 0:42:40.160
<v Speaker 1>of mine, you know what I mean. And so many

0:42:40.160 --> 0:42:41.440
<v Speaker 1>people love you, so you know.

0:42:41.440 --> 0:42:43.919
<v Speaker 4>We live in different worlds. We live in different.

0:42:43.560 --> 0:42:45.000
<v Speaker 2>Worlds, way different worlds.

0:42:45.040 --> 0:42:48.040
<v Speaker 3>However, as different as our worlds are, the thing that

0:42:48.120 --> 0:42:51.080
<v Speaker 3>our worlds share is an appreciation for certain what I

0:42:51.160 --> 0:43:00.560
<v Speaker 3>call Carlos cultural currencies, societal currencies by way of aesthetic education,

0:43:01.280 --> 0:43:02.759
<v Speaker 3>class and demeanor.

0:43:03.120 --> 0:43:05.319
<v Speaker 4>You know, like there's a so you know, and that's

0:43:05.360 --> 0:43:05.839
<v Speaker 4>really what.

0:43:05.760 --> 0:43:07.680
<v Speaker 3>Housewives is supposed to be about. I don't have to

0:43:07.680 --> 0:43:10.200
<v Speaker 3>tell you you grated the blueprint. It really should be

0:43:10.480 --> 0:43:16.799
<v Speaker 3>an interesting observation of the interplay of women, all kind

0:43:16.840 --> 0:43:22.080
<v Speaker 3>of clamoring slash negotiating. Whose social order matters most, Who's

0:43:22.120 --> 0:43:26.040
<v Speaker 3>the prettiest, the richest, the you know, best husband, cutest,

0:43:26.080 --> 0:43:28.919
<v Speaker 3>fucking kids, kids doing the best in school, that kind

0:43:28.920 --> 0:43:29.239
<v Speaker 3>of shit.

0:43:29.640 --> 0:43:30.239
<v Speaker 2>I just had a.

0:43:31.800 --> 0:43:36.040
<v Speaker 1>Let's go and guess what my production company should should

0:43:36.120 --> 0:43:38.600
<v Speaker 1>produce the reboot of Real Housewives in New York City

0:43:40.400 --> 0:43:45.440
<v Speaker 1>because you need somebody who understands the assignment. Who made

0:43:45.600 --> 0:43:49.799
<v Speaker 1>Atlanta Housewives the jugger not that it is? And I

0:43:50.080 --> 0:43:53.680
<v Speaker 1>know how to produce a diverse cast. I did Jersey,

0:43:53.760 --> 0:43:54.520
<v Speaker 1>I did Atlanta.

0:43:55.200 --> 0:43:56.960
<v Speaker 4>Will you worked with Dorothy on Jersey?

0:43:57.400 --> 0:44:01.360
<v Speaker 2>Did you work with oh? W came after me?

0:44:01.520 --> 0:44:04.040
<v Speaker 1>Yeah, I did the first two seasons of Jersey, which

0:44:04.040 --> 0:44:07.520
<v Speaker 1>are the best, so I'm saying.

0:44:07.480 --> 0:44:10.520
<v Speaker 4>But certainly iconic. Yeah, I mean, I concur.

0:44:10.400 --> 0:44:14.680
<v Speaker 1>I'm saying because the production company who produces Real House

0:44:14.760 --> 0:44:18.080
<v Speaker 1>was New York City. They've been producing that show since

0:44:19.120 --> 0:44:22.719
<v Speaker 1>season one, and I feel like they understand the old

0:44:22.760 --> 0:44:25.680
<v Speaker 1>guard of that show and for this let, for this

0:44:25.800 --> 0:44:30.759
<v Speaker 1>new iteration of New York City, you need somebody younger, fresher,

0:44:31.800 --> 0:44:34.680
<v Speaker 1>and who's able to work with Ebany K. Williams and

0:44:34.719 --> 0:44:37.920
<v Speaker 1>her friends to really make that show pop. So I

0:44:37.960 --> 0:44:39.880
<v Speaker 1>think you and I together will make a great team.

0:44:39.960 --> 0:44:43.479
<v Speaker 1>And I'm putting my bid in. I Carlos King, would

0:44:43.480 --> 0:44:46.400
<v Speaker 1>love to produce Real House Spots in New York City reboot.

0:44:46.560 --> 0:44:50.600
<v Speaker 1>And I never thought about that until now, untilment, until

0:44:50.640 --> 0:44:53.279
<v Speaker 1>this very moment. So when people ask me to go

0:44:53.320 --> 0:44:55.759
<v Speaker 1>back to Atlanta Housewives, and I said, all the time,

0:44:56.280 --> 0:44:58.520
<v Speaker 1>I've done it, I excelled.

0:44:58.880 --> 0:45:01.640
<v Speaker 2>I left on a high. I'm good in the hood.

0:45:01.920 --> 0:45:04.160
<v Speaker 1>But if you want my company to produce it, we

0:45:04.200 --> 0:45:06.600
<v Speaker 1>can have a conversation. Because you never turned down a meeting.

0:45:07.280 --> 0:45:10.680
<v Speaker 1>I am now on record art I left the Housewice

0:45:10.719 --> 0:45:14.800
<v Speaker 1>franchise six years ago. I am going on record saying

0:45:15.440 --> 0:45:20.080
<v Speaker 1>I would love to produce the reboot of New York City.

0:45:20.480 --> 0:45:23.040
<v Speaker 4>Well, I you know I can't say anything on record

0:45:23.080 --> 0:45:23.680
<v Speaker 4>about that.

0:45:24.360 --> 0:45:27.520
<v Speaker 3>However, I can say this what I think will be

0:45:27.680 --> 0:45:34.200
<v Speaker 3>required of the production of the new reboot, whoever they

0:45:34.239 --> 0:45:40.640
<v Speaker 3>decide to go with, is a visceral, organic understanding of

0:45:40.680 --> 0:45:47.120
<v Speaker 3>the full value socially and culturally of the women on

0:45:47.160 --> 0:45:47.600
<v Speaker 3>the show.

0:45:47.760 --> 0:45:50.480
<v Speaker 4>And that takes You can't teach that now you have.

0:45:50.560 --> 0:45:56.280
<v Speaker 3>That's a particular lived experience, Carlos king right, that understands

0:45:56.320 --> 0:46:00.239
<v Speaker 3>innately when a Candy Carter walks in the room, what

0:46:00.280 --> 0:46:02.879
<v Speaker 3>that means. When it Desiree Rogers walks in a room,

0:46:03.040 --> 0:46:05.840
<v Speaker 3>what does that mean? Certain women in the Latina community

0:46:05.920 --> 0:46:08.000
<v Speaker 3>when they walk in a room, what does it mean if.

0:46:07.960 --> 0:46:10.839
<v Speaker 4>It's Andrew Martinez, if it's this woman from Washington. You

0:46:10.840 --> 0:46:11.560
<v Speaker 4>see what I'm saying.

0:46:11.760 --> 0:46:16.880
<v Speaker 3>I know what you're understand the full scope of basically who.

0:46:16.680 --> 0:46:17.560
<v Speaker 4>The fuck that is.

0:46:18.000 --> 0:46:20.520
<v Speaker 3>And that's going back to season thirteen. That was part

0:46:20.560 --> 0:46:21.120
<v Speaker 3>of the problem.

0:46:21.160 --> 0:46:23.400
<v Speaker 4>And see this is you talk about, you know, delusions

0:46:23.400 --> 0:46:24.360
<v Speaker 4>of grandeur.

0:46:24.320 --> 0:46:28.440
<v Speaker 3>Not delusions, just I know who I am, and I know.

0:46:28.400 --> 0:46:29.040
<v Speaker 4>Whose I am.

0:46:29.640 --> 0:46:31.839
<v Speaker 3>And part of the problem with my castmates they never

0:46:31.920 --> 0:46:33.640
<v Speaker 3>knew who I was, Carlos.

0:46:33.200 --> 0:46:33.919
<v Speaker 2>But they know now.

0:46:34.800 --> 0:46:37.359
<v Speaker 1>So for this new reboot, because I'm like I said,

0:46:37.400 --> 0:46:39.000
<v Speaker 1>you're going to be on it, I would love to

0:46:39.000 --> 0:46:40.720
<v Speaker 1>see your mom.

0:46:40.880 --> 0:46:42.200
<v Speaker 2>Are you dating anybody?

0:46:42.360 --> 0:46:44.120
<v Speaker 1>Because I want to see you with the man, Honey,

0:46:44.160 --> 0:46:45.640
<v Speaker 1>I want to see you with the man dating or

0:46:45.680 --> 0:46:46.759
<v Speaker 1>are you in a relationship?

0:46:46.960 --> 0:46:50.200
<v Speaker 3>Okay, I am currently actively dating in New York. I

0:46:50.200 --> 0:46:52.560
<v Speaker 3>actually hired a matchmaker, which is something that I would

0:46:52.640 --> 0:46:56.520
<v Speaker 3>love to really talk to women about, especially Black women

0:46:56.520 --> 0:47:00.719
<v Speaker 3>and women of color. I have now hired some one

0:47:00.880 --> 0:47:05.319
<v Speaker 3>affirm to support my journey to love and marriage and

0:47:05.360 --> 0:47:08.080
<v Speaker 3>it's a very interesting process that I knew nothing about

0:47:08.080 --> 0:47:11.160
<v Speaker 3>before this experience. It was quite a pretty penny, but

0:47:11.200 --> 0:47:12.680
<v Speaker 3>it has it's been worth it for me.

0:47:16.280 --> 0:47:20.239
<v Speaker 1>So I hope you guys loved the conversation that I

0:47:20.239 --> 0:47:23.040
<v Speaker 1>had with Ebony K Williams as much as I did,

0:47:23.520 --> 0:47:28.520
<v Speaker 1>because look, your boy went in to this interview thinking

0:47:28.800 --> 0:47:34.120
<v Speaker 1>one thing, and I left this conversation having a new

0:47:34.320 --> 0:47:42.360
<v Speaker 1>found love, admiration, and respect for Ebanie. I must say

0:47:42.440 --> 0:47:45.880
<v Speaker 1>I really did. And the beauty of our conversation is

0:47:45.920 --> 0:47:50.759
<v Speaker 1>the fact that I now believe she really would make

0:47:50.800 --> 0:47:52.000
<v Speaker 1>a great reality star.

0:47:52.719 --> 0:47:53.520
<v Speaker 2>Ain't that something?

0:47:55.800 --> 0:47:59.560
<v Speaker 1>But look, that's why it's important for me to have

0:47:59.680 --> 0:48:05.440
<v Speaker 1>these conversations on my podcast because I believe and know

0:48:06.400 --> 0:48:09.960
<v Speaker 1>that the conversations that I'm having with the reality stars

0:48:09.960 --> 0:48:14.400
<v Speaker 1>and reality star lovers is an opportunity for all of

0:48:14.520 --> 0:48:17.600
<v Speaker 1>us to get to know these women and these men

0:48:18.000 --> 0:48:19.600
<v Speaker 1>on a level that we.

0:48:19.680 --> 0:48:21.080
<v Speaker 2>Once never understood.

0:48:21.360 --> 0:48:25.160
<v Speaker 1>And this conversation that I just had with Ebanie K Williams,

0:48:25.360 --> 0:48:29.880
<v Speaker 1>I literally had what Oprah Winfrey calls a AHA moment,

0:48:30.600 --> 0:48:34.240
<v Speaker 1>and I realized how she was never given a fair

0:48:34.360 --> 0:48:39.600
<v Speaker 1>chance to be a housewife because of this unspoken agenda

0:48:40.239 --> 0:48:41.440
<v Speaker 1>that was placed on her.

0:48:42.719 --> 0:48:43.239
<v Speaker 2>Wow.

0:48:43.600 --> 0:48:46.920
<v Speaker 1>I mean, look, honestly, y'all, I'm still in awe of

0:48:46.960 --> 0:48:52.439
<v Speaker 1>that conversation. And trust me when I say this will

0:48:52.560 --> 0:48:54.920
<v Speaker 1>not be the last we see of Ebony a reality

0:48:55.000 --> 0:49:01.719
<v Speaker 1>TV and specifically on the Real Housewives friend cous In

0:49:01.760 --> 0:49:05.920
<v Speaker 1>my opinion, I think Bravo would be at a loss

0:49:06.080 --> 0:49:09.200
<v Speaker 1>if they did not bring Ebony back to the reboot

0:49:09.840 --> 0:49:12.799
<v Speaker 1>of The Real Housewats of New York City, because I

0:49:12.960 --> 0:49:17.400
<v Speaker 1>definitely think there's more to her that we haven't seen yet.

0:49:18.120 --> 0:49:21.360
<v Speaker 1>Make sure you watch her on CBS's Beyond the Edge

0:49:21.640 --> 0:49:27.319
<v Speaker 1>and follow her on Instagram and Twitter at Ebony K Williams.

0:49:27.680 --> 0:49:30.719
<v Speaker 1>If you have a question for me or any of

0:49:30.760 --> 0:49:36.000
<v Speaker 1>your favorite reality TV personalities like Ebony, leave a voicemail

0:49:36.080 --> 0:49:39.640
<v Speaker 1>at three one oh five ninety three eight one eight

0:49:39.719 --> 0:49:41.839
<v Speaker 1>eight and I just might play it.

0:49:41.840 --> 0:49:42.520
<v Speaker 2>On the show.

0:49:42.880 --> 0:49:45.919
<v Speaker 1>Thank you for listening to Reality with the King. New

0:49:45.960 --> 0:49:50.680
<v Speaker 1>episodes drop every Wednesday and Friday, Share, comment, follow, and

0:49:50.760 --> 0:49:54.520
<v Speaker 1>subscribe to Reality with the King Wherever you get your podcast,

0:49:55.080 --> 0:49:59.000
<v Speaker 1>visit Realitywitheking dot com and be sure to follow me

0:49:59.320 --> 0:50:03.080
<v Speaker 1>at the Carlos King Underscore on Instagram and Twitter.

0:50:03.480 --> 0:50:04.320
<v Speaker 2>Tweet me your.

0:50:04.239 --> 0:50:09.200
<v Speaker 1>Thoughts and hot takes about this episode using the hashtag.

0:50:09.040 --> 0:50:10.799
<v Speaker 2>Reality with the King.

0:50:13.080 --> 0:50:15.920
<v Speaker 1>Reality with the King is a production of More Sauce

0:50:16.000 --> 0:50:20.040
<v Speaker 1>by Stitcher. It is executive produced by Me, Carlos King,

0:50:20.400 --> 0:50:24.600
<v Speaker 1>and Jasmine Henley Brown. We are also produced by Sierra Spragley,

0:50:24.680 --> 0:50:31.360
<v Speaker 1>Rix Engineering and music by Marcus Ham More Sauce