1
00:00:01,040 --> 00:00:04,559
Speaker 1: Look man, oh, I see you? Why? Why? Oh? And

2
00:00:04,680 --> 00:00:12,400
Speaker 1: look over there? How is that? Culture? Yes? Goodness? Lost culture?

3
00:00:13,640 --> 00:00:16,439
Speaker 1: Where to begin? Who am I looking at? Sometimes I

4
00:00:17,040 --> 00:00:20,800
Speaker 1: have to look twice this new person in front of me.

5
00:00:20,920 --> 00:00:23,919
Speaker 1: What are you feeling? If you did not know me,

6
00:00:24,040 --> 00:00:27,640
Speaker 1: if you were in a terrible accident, lost all your memories,

7
00:00:28,240 --> 00:00:34,200
Speaker 1: your your hippocampus was rash, mother, Connie racked campus, racked

8
00:00:34,240 --> 00:00:36,720
Speaker 1: in an accident, and if you saw me for the

9
00:00:36,760 --> 00:00:39,280
Speaker 1: first time, listen, I didn't want to talk about the

10
00:00:39,280 --> 00:00:42,280
Speaker 1: hair that much. But what do you expect? I have

11
00:00:42,400 --> 00:00:45,199
Speaker 1: to react to stimuli? Please, Okay? So then what do

12
00:00:45,240 --> 00:00:48,120
Speaker 1: you think of this person? I would think fatal. I

13
00:00:48,120 --> 00:00:54,080
Speaker 1: would think I see Sharon Stone, basic instinct, pussy Barren,

14
00:00:54,560 --> 00:01:02,320
Speaker 1: ice Pick, Wheeldon, troublemaking, fem fatal of the Sharon Stone ilk.

15
00:01:02,640 --> 00:01:07,520
Speaker 1: It's giving me a little bit unapologetic Slytherin hon it's

16
00:01:07,520 --> 00:01:10,760
Speaker 1: saying Draco, fuck it. You walk into a room and

17
00:01:11,040 --> 00:01:14,160
Speaker 1: Draco Malfoy drops the fine china he's holding. He says,

18
00:01:14,200 --> 00:01:18,720
Speaker 1: who the fuck is my sister? It is giving me

19
00:01:18,880 --> 00:01:24,440
Speaker 1: high impact, it's giving me shock, it's giving me lightning type.

20
00:01:25,080 --> 00:01:30,200
Speaker 1: It's giving me everything I need and more girl, Thank you.

21
00:01:30,480 --> 00:01:33,240
Speaker 1: How do you feel? I think it's all I think

22
00:01:33,280 --> 00:01:37,200
Speaker 1: it's giving is corn silk I mean my corn silk

23
00:01:37,280 --> 00:01:39,680
Speaker 1: era one of the best eras to be in, and

24
00:01:39,760 --> 00:01:41,920
Speaker 1: it's actually goes chars art era, and then you go

25
00:01:41,959 --> 00:01:47,880
Speaker 1: to your corn corns. That's actually the evolution. When the way, bitch,

26
00:01:48,480 --> 00:01:50,400
Speaker 1: when do you think you'll be in your corn silk era?

27
00:01:50,480 --> 00:01:53,520
Speaker 1: Are you in it already? You know? Perchance? I am bo,

28
00:01:53,840 --> 00:01:56,240
Speaker 1: per chance? I am what? How are you doing? Let's

29
00:01:56,280 --> 00:02:00,320
Speaker 1: talk about you. Well, I actually tested positive for the

30
00:02:00,360 --> 00:02:03,840
Speaker 1: novel coronavirus. Thank you. It's so it's so interesting that

31
00:02:03,880 --> 00:02:05,920
Speaker 1: you and I are. I'm sorry to kind of no,

32
00:02:06,160 --> 00:02:09,840
Speaker 1: but I love that we've all agreed as a culture

33
00:02:10,200 --> 00:02:14,520
Speaker 1: that we will no longer use the well no, we

34
00:02:14,520 --> 00:02:17,160
Speaker 1: will no longer use the valerie cherished, I got it.

35
00:02:17,760 --> 00:02:19,760
Speaker 1: Or to announce that we have no no no, I'm

36
00:02:19,919 --> 00:02:23,440
Speaker 1: saying it clearly because we need more clear information. Okay,

37
00:02:23,760 --> 00:02:25,919
Speaker 1: this is what we're all saying. We need more clear information.

38
00:02:25,919 --> 00:02:27,480
Speaker 1: So I'm going to be as clear as day when

39
00:02:27,520 --> 00:02:33,720
Speaker 1: I say I tested positive for the novel coronavirus parentheses

40
00:02:33,720 --> 00:02:39,080
Speaker 1: O Macron's version, and I have to say I stand

41
00:02:39,120 --> 00:02:43,280
Speaker 1: here and I've done a dance with the devil, and

42
00:02:43,480 --> 00:02:45,720
Speaker 1: it has ended with us both bowing to each other

43
00:02:45,760 --> 00:02:50,560
Speaker 1: and leaving the dance an honorable dance. It was an

44
00:02:50,560 --> 00:02:52,840
Speaker 1: honorable dance she gave me. She gave me a tango

45
00:02:53,960 --> 00:02:56,320
Speaker 1: dance with her. She doesn't let you out of her grip.

46
00:02:56,639 --> 00:03:00,280
Speaker 1: She leads, she leads, you follow, and you think you

47
00:03:00,360 --> 00:03:03,359
Speaker 1: lead in this. No, no, no no. There were two

48
00:03:03,440 --> 00:03:05,519
Speaker 1: days where she had me shivering on the couch, doll.

49
00:03:06,120 --> 00:03:09,080
Speaker 1: She had me shook, as Lisa Barlow would say, and

50
00:03:09,080 --> 00:03:13,080
Speaker 1: we'll get into it, I'm literally shaking. That was that me,

51
00:03:13,480 --> 00:03:17,720
Speaker 1: was me on the couch we should be using in

52
00:03:17,800 --> 00:03:21,120
Speaker 1: order to signal that we have COVID. I'm shaking. I'm

53
00:03:22,919 --> 00:03:27,440
Speaker 1: I'm literally shook. On the phone right now, COVID Test

54
00:03:27,560 --> 00:03:30,880
Speaker 1: Center number six, honey. So we have both danced with

55
00:03:30,919 --> 00:03:34,320
Speaker 1: the devil since our last episode, so much has happened.

56
00:03:34,720 --> 00:03:38,280
Speaker 1: You had COVID, I had COVID. I had to cancel

57
00:03:38,360 --> 00:03:41,680
Speaker 1: the whole rest of my shows. Do think about that?

58
00:03:41,680 --> 00:03:45,680
Speaker 1: That was that did not feel good. Was a different

59
00:03:46,240 --> 00:03:50,440
Speaker 1: world she got. She warped herself there at the end,

60
00:03:50,760 --> 00:03:53,760
Speaker 1: and I think you and I ended it on a

61
00:03:53,960 --> 00:04:00,040
Speaker 1: very lovely, enriching note in a very perfect place and

62
00:04:00,120 --> 00:04:01,920
Speaker 1: a place that I think we love and are and

63
00:04:01,920 --> 00:04:04,080
Speaker 1: are very connected to for the rest of our lives.

64
00:04:04,400 --> 00:04:09,960
Speaker 1: That was Mako City, Meko City, c Dmax. You know,

65
00:04:10,120 --> 00:04:13,520
Speaker 1: it really came through. It really came through. We loved

66
00:04:13,520 --> 00:04:16,120
Speaker 1: it all, didn't we. There's not much more to say

67
00:04:16,200 --> 00:04:21,479
Speaker 1: say that. There was just so much too discover and enjoy.

68
00:04:21,600 --> 00:04:24,279
Speaker 1: And if you had to give trip highlights, I think

69
00:04:24,320 --> 00:04:27,960
Speaker 1: mine would probably be drinking in the canals. We drank

70
00:04:28,000 --> 00:04:34,080
Speaker 1: at um yes Hochi milco um, perfect, perfect experience. Matt

71
00:04:34,160 --> 00:04:36,960
Speaker 1: hadn't asked the Mariachi band if they knew any Beyonce,

72
00:04:37,960 --> 00:04:41,560
Speaker 1: and I did ask them, and I was given the

73
00:04:41,640 --> 00:04:43,960
Speaker 1: look I should have been given, and that the look

74
00:04:44,000 --> 00:04:46,719
Speaker 1: that anyone should jet when they ask a mariachi band

75
00:04:47,160 --> 00:04:50,720
Speaker 1: in Mexico do they know any Beyonce? It was less

76
00:04:50,720 --> 00:04:54,600
Speaker 1: a thing of I legit wanted Bowen to ask, so

77
00:04:54,640 --> 00:04:59,120
Speaker 1: that it was sort of will Bowen asked them, do

78
00:04:59,200 --> 00:05:02,040
Speaker 1: you guys know Beyonce? And I just wish I had

79
00:05:02,040 --> 00:05:05,359
Speaker 1: taped it, because he did, and he did receive a

80
00:05:05,400 --> 00:05:08,159
Speaker 1: look similar to the one he is describing. The guy

81
00:05:08,279 --> 00:05:17,080
Speaker 1: was like no, no, no, we don't. All right now,

82
00:05:17,080 --> 00:05:21,320
Speaker 1: I'm holding up the gangar slash Hunter that Bowen. It's

83
00:05:21,320 --> 00:05:24,240
Speaker 1: a stuffed animal pokemon that Bowen bought on the canals.

84
00:05:24,720 --> 00:05:27,640
Speaker 1: It's actually I see what they're doing now. So it's

85
00:05:27,680 --> 00:05:31,520
Speaker 1: a it's a haunter that looks suspicially suspiciously like an axlotl,

86
00:05:31,920 --> 00:05:35,880
Speaker 1: which is native to Milo. But I think what they're

87
00:05:35,920 --> 00:05:39,640
Speaker 1: doing is the feet are actually the hunter's hands, and

88
00:05:39,680 --> 00:05:41,880
Speaker 1: then the thing at the side is just hunters the

89
00:05:41,880 --> 00:05:44,960
Speaker 1: rest of Hunter's head. Oh wait, I hadn't looked at

90
00:05:44,960 --> 00:05:48,440
Speaker 1: it like that before. Get a screen grab of this,

91
00:05:48,480 --> 00:05:50,600
Speaker 1: because now now I want people to understand what we're

92
00:05:50,600 --> 00:05:54,480
Speaker 1: looking at here. Okay, so these and these very much

93
00:05:54,600 --> 00:05:57,960
Speaker 1: like its feet, but actually they're his hands. Yes, you

94
00:05:58,000 --> 00:06:00,719
Speaker 1: know how Hunter looks like what Hunter looked like. You're

95
00:06:00,720 --> 00:06:03,120
Speaker 1: so right. I hadn't thought about that before them anyway,

96
00:06:03,240 --> 00:06:06,120
Speaker 1: it's really giving feet anyway, it's giving feet. The one

97
00:06:06,160 --> 00:06:08,839
Speaker 1: bought that on the canal itself. People just will sort

98
00:06:08,880 --> 00:06:11,320
Speaker 1: of row their boat up to the side of your

99
00:06:11,800 --> 00:06:15,640
Speaker 1: your boat and make transactions. It's really a wild scene.

100
00:06:16,200 --> 00:06:18,960
Speaker 1: It's a wild scene. And then other trip highlights included

101
00:06:19,440 --> 00:06:26,920
Speaker 1: the food um, the neighborhoods, the history, and we went

102
00:06:27,000 --> 00:06:31,239
Speaker 1: to Freeda's house. We went to Freeda's house. She suffered

103
00:06:31,279 --> 00:06:34,640
Speaker 1: in her she suffered very much. And the museum is

104
00:06:34,640 --> 00:06:36,960
Speaker 1: a testament sort of to her art. But also they

105
00:06:37,000 --> 00:06:40,240
Speaker 1: really let you know she suffered. Yeah, this was the

106
00:06:40,240 --> 00:06:44,720
Speaker 1: bad where she suffered, laid pussy up, yeah, and suffered

107
00:06:44,960 --> 00:06:47,520
Speaker 1: and suffered. She suffered over here, she suffered over there.

108
00:06:47,560 --> 00:06:49,840
Speaker 1: She suffered in the kitchen, she suffered in the living room,

109
00:06:50,160 --> 00:06:53,200
Speaker 1: she suffered in the gardens. She suffered everywhere all around

110
00:06:53,279 --> 00:06:55,479
Speaker 1: that house. Girl. But do you know what room I

111
00:06:55,520 --> 00:06:58,440
Speaker 1: loved in that house? Tell me what room? The room

112
00:06:58,520 --> 00:07:01,760
Speaker 1: where she took photographs of herself and then they put

113
00:07:01,800 --> 00:07:05,240
Speaker 1: photos like she took selfies on beautiful film and she

114
00:07:05,400 --> 00:07:07,520
Speaker 1: like it was they weren't selfies, but they were just

115
00:07:07,560 --> 00:07:09,720
Speaker 1: like she posed for photographs in a way that was

116
00:07:09,760 --> 00:07:14,280
Speaker 1: just like, Oh, that person has stark quality. She was

117
00:07:14,800 --> 00:07:17,960
Speaker 1: that girl, you know what I mean? She even though

118
00:07:18,000 --> 00:07:23,480
Speaker 1: she suffered so hard and so much, she's still managed

119
00:07:23,560 --> 00:07:26,480
Speaker 1: to be that girl who is like that now, like

120
00:07:26,600 --> 00:07:29,080
Speaker 1: someone who suffered, but it's still that girl. I want

121
00:07:29,120 --> 00:07:35,320
Speaker 1: to say, Malala Malala, Yes, she definitely suffered in similar

122
00:07:35,360 --> 00:07:40,280
Speaker 1: akin to Frieda, Patty Harrison. Patty Harrison has suffered, and

123
00:07:40,320 --> 00:07:43,240
Speaker 1: she is that girl. She is that girl, she remains

124
00:07:43,320 --> 00:07:48,680
Speaker 1: that girl. Who else, um, I would say, damn, I

125
00:07:48,680 --> 00:07:54,120
Speaker 1: would say, you know, you know who Bradley Jackson, Bradley,

126
00:07:56,120 --> 00:08:00,440
Speaker 1: these are all free as she and she still that

127
00:08:00,560 --> 00:08:05,640
Speaker 1: girl that was top of mine. Because congratulations, congratulations to you,

128
00:08:05,720 --> 00:08:09,119
Speaker 1: and will congratulate the third graders, but yes, go So

129
00:08:09,560 --> 00:08:11,640
Speaker 1: the reason I found out that The Morning Show was

130
00:08:11,680 --> 00:08:14,280
Speaker 1: getting renewed for a third season was because Bowen tagged

131
00:08:14,280 --> 00:08:19,520
Speaker 1: me and the incredible website Instagram dot com, and I

132
00:08:19,560 --> 00:08:21,760
Speaker 1: saw that I had attacked from him, and it was

133
00:08:21,920 --> 00:08:25,520
Speaker 1: in I was tagged in the announcement that the Morning

134
00:08:25,520 --> 00:08:27,320
Speaker 1: Show is going to be renewed for a season three.

135
00:08:27,480 --> 00:08:31,000
Speaker 1: I put it on my story. I have never received

136
00:08:31,400 --> 00:08:35,480
Speaker 1: this outpouring of support. I have never received this response

137
00:08:35,520 --> 00:08:38,079
Speaker 1: from putting a story up. Everyone is in my d

138
00:08:38,320 --> 00:08:42,480
Speaker 1: ms celebrating the third graders getting this new job. And

139
00:08:42,520 --> 00:08:45,000
Speaker 1: I have to say, if I only knew that I

140
00:08:45,040 --> 00:08:48,640
Speaker 1: had so much family out there that also watches The

141
00:08:48,679 --> 00:08:51,280
Speaker 1: Morning Show, and if I can be even a conduit

142
00:08:51,840 --> 00:08:55,480
Speaker 1: for them to experience this television, you have started a

143
00:08:55,559 --> 00:09:01,760
Speaker 1: movement and not like we will continue this show for

144
00:09:01,880 --> 00:09:07,080
Speaker 1: seasons four, season five. We're seeing them all the way through.

145
00:09:07,160 --> 00:09:11,880
Speaker 1: We are going the distance. The third graders are no celebrating,

146
00:09:11,880 --> 00:09:13,839
Speaker 1: and a lot of people have questions and they're saying,

147
00:09:14,200 --> 00:09:19,120
Speaker 1: the third graders become fourth graders. I think yes. The

148
00:09:19,160 --> 00:09:22,760
Speaker 1: staff remains the same. They're not being held back. No

149
00:09:24,040 --> 00:09:26,680
Speaker 1: the school like I'm saying, like in the school system,

150
00:09:27,559 --> 00:09:31,360
Speaker 1: like no one and no administrators gonna think no, no, no, no, no,

151
00:09:31,360 --> 00:09:35,360
Speaker 1: no no. They're very behind in math. No, they've not

152
00:09:35,440 --> 00:09:38,439
Speaker 1: gone to a single math class this year. No, their

153
00:09:38,520 --> 00:09:44,040
Speaker 1: careers started, thank you. Their career started when I started

154
00:09:44,640 --> 00:09:50,560
Speaker 1: having incredible success. You're doing math. I wasn't doing math

155
00:09:50,600 --> 00:09:54,200
Speaker 1: anymore to this height. Once I got to this height,

156
00:09:54,960 --> 00:09:57,800
Speaker 1: I wasn't gonna see you. What are science Forget it?

157
00:09:58,120 --> 00:10:02,640
Speaker 1: The third graders have started their professor stional careers. Drop

158
00:10:02,679 --> 00:10:05,760
Speaker 1: everything and read more like drop everything and break this

159
00:10:05,920 --> 00:10:10,200
Speaker 1: season right, more like drop everything and right because you've

160
00:10:10,920 --> 00:10:13,960
Speaker 1: you've exemplified your talent and your gift. And they have

161
00:10:14,080 --> 00:10:19,000
Speaker 1: a gift for storytelling. These writers, the way they break

162
00:10:19,040 --> 00:10:23,240
Speaker 1: story is so crazy, and if you think for one

163
00:10:23,280 --> 00:10:26,760
Speaker 1: second that end Just Like That isn't getting a second season.

164
00:10:27,800 --> 00:10:31,600
Speaker 1: They might not be. You're deeply mistaken. No, you're deeply mistaken.

165
00:10:31,679 --> 00:10:34,840
Speaker 1: And now there's been reports. You've seen the reports, right, well,

166
00:10:34,840 --> 00:10:37,640
Speaker 1: I haven't seen any of these so called reports. Explained

167
00:10:37,679 --> 00:10:39,880
Speaker 1: to me. Explain to me how we're not moving forward

168
00:10:39,920 --> 00:10:44,560
Speaker 1: with the story. Carry Miranda and Charlotte explain similarly. On

169
00:10:45,000 --> 00:10:51,000
Speaker 1: the Variety Instagram page, there was a whole grid post

170
00:10:51,040 --> 00:10:54,560
Speaker 1: dedicated to this rumor that and Just Like That will

171
00:10:54,559 --> 00:10:58,599
Speaker 1: not return for another season because of the christ no

172
00:10:58,679 --> 00:11:03,520
Speaker 1: Ath allegations, which doesn't really that is the biggest of

173
00:11:03,640 --> 00:11:07,400
Speaker 1: bullshit I've ever heard. So you you just you you don't,

174
00:11:07,440 --> 00:11:10,200
Speaker 1: you don't. You don't believe it. The show will get

175
00:11:10,240 --> 00:11:15,080
Speaker 1: a second season because everyone is in love with Jadas.

176
00:11:15,720 --> 00:11:22,199
Speaker 1: There has never been a character there so so high impact.

177
00:11:24,559 --> 00:11:29,240
Speaker 1: It really is, do you think do you think we're

178
00:11:29,280 --> 00:11:33,040
Speaker 1: eating crow like since three weeks ago because we were

179
00:11:33,080 --> 00:11:35,600
Speaker 1: over here being like j d As is awful. We

180
00:11:35,720 --> 00:11:41,400
Speaker 1: can't stand this character between our legs saying cha is

181
00:11:41,440 --> 00:11:45,040
Speaker 1: an icon? Is an icon? Well, here's the deal. Sometimes

182
00:11:45,760 --> 00:11:49,800
Speaker 1: it's not what it's it's like what Geogon famously says, Well,

183
00:11:49,920 --> 00:11:53,320
Speaker 1: what you want to do is not necessarily what you're

184
00:11:53,360 --> 00:11:57,320
Speaker 1: gonna do, And what you might want to do is

185
00:11:57,320 --> 00:12:00,800
Speaker 1: say no, I don't like Chaya doesn't make any sense.

186
00:12:01,200 --> 00:12:05,800
Speaker 1: Jay is making everyone's life worse. I don't like anything

187
00:12:05,880 --> 00:12:08,839
Speaker 1: to do with Chay. That might be what you want

188
00:12:08,840 --> 00:12:12,680
Speaker 1: to say. What you're gonna do is watch cha. Shaddas

189
00:12:13,200 --> 00:12:16,640
Speaker 1: has got their finger in Miranda's puss in their hand

190
00:12:17,520 --> 00:12:21,320
Speaker 1: over America's mouth. Shut up, I'm here to say. And

191
00:12:21,400 --> 00:12:28,160
Speaker 1: Shade Diaz is fingering the television audience. And I was

192
00:12:28,160 --> 00:12:32,160
Speaker 1: gonna say, they have their fingers in all of our pussies. Oh,

193
00:12:32,400 --> 00:12:35,240
Speaker 1: you have no idea how finger and I feel whenever

194
00:12:35,520 --> 00:12:39,160
Speaker 1: Jay comes on the screen. It is so we watched

195
00:12:39,160 --> 00:12:42,400
Speaker 1: the last episode together, not the most well. We watched

196
00:12:42,400 --> 00:12:44,640
Speaker 1: one oh five we watched we watched the one that

197
00:12:44,920 --> 00:12:49,720
Speaker 1: the one that counted one oh five Tragically Hip, Tragically Hip,

198
00:12:50,640 --> 00:12:55,480
Speaker 1: which is kind of It's such a meta title. I

199
00:12:55,559 --> 00:12:57,719
Speaker 1: just love that as a title. The titles have been

200
00:12:57,760 --> 00:13:00,959
Speaker 1: giving I will say, okay, but the titles are making

201
00:13:00,960 --> 00:13:05,240
Speaker 1: me question how much of this is like camp like

202
00:13:05,400 --> 00:13:07,319
Speaker 1: in the way that it's like self aware about how

203
00:13:07,360 --> 00:13:10,880
Speaker 1: like crazy it is what we have to stop and

204
00:13:11,040 --> 00:13:14,000
Speaker 1: start realizing, is that this is not Sex in the City.

205
00:13:14,040 --> 00:13:17,280
Speaker 1: It's its own I know, I know, and I don't

206
00:13:17,280 --> 00:13:22,760
Speaker 1: think Sex in the City was too campy. It was fantastical,

207
00:13:23,440 --> 00:13:27,360
Speaker 1: I'm I'm saying, and just like that is camp because

208
00:13:27,440 --> 00:13:30,280
Speaker 1: we need you. I don't think you've talked about lt

209
00:13:30,600 --> 00:13:33,800
Speaker 1: W and Charlotte's Internet sesame streets. So can you please

210
00:13:33,840 --> 00:13:38,800
Speaker 1: explain this? Unfortunately, you actually will enjoy the show more.

211
00:13:38,920 --> 00:13:41,040
Speaker 1: And I give this to the readers. And you know

212
00:13:41,160 --> 00:13:43,640
Speaker 1: that I look out for you every single time, and

213
00:13:43,679 --> 00:13:46,160
Speaker 1: so I want you to start committing to doing this.

214
00:13:46,840 --> 00:13:50,040
Speaker 1: Every time Charlotte and lt W are in a scene together,

215
00:13:50,520 --> 00:13:54,199
Speaker 1: watch it as if what you're watching is the television's

216
00:13:54,240 --> 00:13:59,559
Speaker 1: program Sesame Street. It is. Simply, It's the only way

217
00:13:59,679 --> 00:14:03,160
Speaker 1: you can explain away the reality that those two exist

218
00:14:03,280 --> 00:14:06,520
Speaker 1: in is that they are muppets working together to teach

219
00:14:06,559 --> 00:14:09,480
Speaker 1: us a lesson. I got you a latte. I got

220
00:14:09,520 --> 00:14:12,640
Speaker 1: you a latte. Listen. I really want you to come

221
00:14:12,679 --> 00:14:15,360
Speaker 1: to a party. I would love to go to your party.

222
00:14:15,440 --> 00:14:18,760
Speaker 1: I love hanging out with you. Great. I feel the

223
00:14:18,840 --> 00:14:21,480
Speaker 1: same way. I'm going to get a party together and

224
00:14:21,560 --> 00:14:25,040
Speaker 1: invite you over the phone. Your husband will be there.

225
00:14:25,560 --> 00:14:27,640
Speaker 1: He sure will, and your husband and I guess we

226
00:14:27,680 --> 00:14:32,040
Speaker 1: should have guests, Um, the kids, Oh, I don't know

227
00:14:32,120 --> 00:14:35,000
Speaker 1: about that. How about all their adults. It'll be an

228
00:14:35,000 --> 00:14:39,240
Speaker 1: adult dinner party. All right, I'll call you my phone

229
00:14:40,320 --> 00:14:42,600
Speaker 1: off to myself. Now, I don't want her to be

230
00:14:42,640 --> 00:14:47,400
Speaker 1: the only black person there. I better invite another black person.

231
00:14:47,720 --> 00:14:53,400
Speaker 1: It's just so you guys, they're there. Scenes are their dialogue,

232
00:14:53,600 --> 00:14:57,240
Speaker 1: it's it's their dialogue in particular, but in the performance,

233
00:14:57,280 --> 00:14:59,960
Speaker 1: and there is something about each of those actresses performing

234
00:15:00,200 --> 00:15:03,600
Speaker 1: is that are like, what are you doing? First of

235
00:15:05,120 --> 00:15:07,240
Speaker 1: I mean, I don't know if I don't because I

236
00:15:07,280 --> 00:15:10,520
Speaker 1: believe in Nicole are Parker. I believe in her more

237
00:15:10,640 --> 00:15:13,960
Speaker 1: than what I'm seeing. I just hope that there is

238
00:15:13,960 --> 00:15:16,680
Speaker 1: a shoe that gets to drop with lt W because

239
00:15:17,480 --> 00:15:22,160
Speaker 1: you probably agree that scene or that episode where Charlotte

240
00:15:22,200 --> 00:15:24,320
Speaker 1: realizes that this woman is going to be the only

241
00:15:24,320 --> 00:15:28,240
Speaker 1: black person at her dinner party, and so she goes

242
00:15:28,280 --> 00:15:31,000
Speaker 1: out of her way to invite a black person that

243
00:15:31,000 --> 00:15:34,400
Speaker 1: that she knows like any old person to come there.

244
00:15:34,480 --> 00:15:36,960
Speaker 1: And then when like Shenanigans happened Toot the episode, they

245
00:15:36,960 --> 00:15:39,920
Speaker 1: sit down at lunch and she goes I invited that

246
00:15:40,000 --> 00:15:42,200
Speaker 1: person I don't even like to my house because I

247
00:15:42,200 --> 00:15:44,200
Speaker 1: didn't want you to be the only black person there.

248
00:15:44,640 --> 00:15:47,760
Speaker 1: What lt W has to say is, oh, I think

249
00:15:47,840 --> 00:15:50,600
Speaker 1: the same way about you protect trying to protect you

250
00:15:50,640 --> 00:15:53,000
Speaker 1: as a white person. Oh l o L sip of

251
00:15:53,120 --> 00:15:57,400
Speaker 1: RT scene ends as if a black person would ever

252
00:15:57,520 --> 00:16:01,080
Speaker 1: react to that way. I was just like, uh, like,

253
00:16:01,320 --> 00:16:05,680
Speaker 1: this is really just a chaotic cartoon in the world

254
00:16:05,840 --> 00:16:08,360
Speaker 1: of Charlotte, and maybe it got a little bit better

255
00:16:08,360 --> 00:16:10,640
Speaker 1: on this last episode, like there wasn't there wasn't much

256
00:16:10,640 --> 00:16:13,440
Speaker 1: interaction between them though, No, not even with them. I've

257
00:16:13,520 --> 00:16:15,960
Speaker 1: kind of moved on from from from them, like I

258
00:16:16,000 --> 00:16:18,440
Speaker 1: just been in the world of Charlotte, like her dealing

259
00:16:18,440 --> 00:16:22,760
Speaker 1: with her child's um, you know, impending transition here. I

260
00:16:22,840 --> 00:16:27,200
Speaker 1: have no idea what I guess I want to say.

261
00:16:27,240 --> 00:16:29,200
Speaker 1: I don't know who the show is for, but I

262
00:16:29,200 --> 00:16:31,640
Speaker 1: actually know exactly who it's for, and it's just probably

263
00:16:31,680 --> 00:16:34,560
Speaker 1: not for so many people that enjoyed sex in the

264
00:16:34,600 --> 00:16:36,720
Speaker 1: city that it's kind of just like, all right, I

265
00:16:36,720 --> 00:16:38,680
Speaker 1: guess we kind of just gotta move on from this one.

266
00:16:39,200 --> 00:16:41,680
Speaker 1: This is what I said to you at one point,

267
00:16:41,800 --> 00:16:45,800
Speaker 1: like I miss and I know this is not the

268
00:16:45,880 --> 00:16:48,800
Speaker 1: reason you should watch any television show, but I miss

269
00:16:49,440 --> 00:16:53,000
Speaker 1: when I would want to be like these women and

270
00:16:53,240 --> 00:16:58,080
Speaker 1: like there's you know, nothing aspirational and that's okay and like,

271
00:16:59,280 --> 00:17:02,160
Speaker 1: but I just feel like it was more fun to

272
00:17:02,160 --> 00:17:04,840
Speaker 1: watch when I took these women seriously and the and

273
00:17:04,880 --> 00:17:07,840
Speaker 1: the fact that like, and I told you as, I

274
00:17:07,880 --> 00:17:10,320
Speaker 1: think one thing that could solve so many problems just

275
00:17:10,440 --> 00:17:13,879
Speaker 1: for me personally, is if one of them was, like

276
00:17:14,000 --> 00:17:18,240
Speaker 1: I like, uh, one of Carrie, Charlotte or Miranda gets

277
00:17:18,240 --> 00:17:23,240
Speaker 1: fucking like dragged in the funniest way possible, like one

278
00:17:23,320 --> 00:17:26,080
Speaker 1: on the show. Not I like these peripheral characters, but

279
00:17:26,200 --> 00:17:29,480
Speaker 1: just like cussed out in the street by teenagers or

280
00:17:29,520 --> 00:17:33,840
Speaker 1: something like something. And I don't know, Like I think

281
00:17:33,840 --> 00:17:35,760
Speaker 1: it should be one of the new friends. And that

282
00:17:35,840 --> 00:17:39,679
Speaker 1: kind of happened with um Seema and Carrie when they

283
00:17:39,720 --> 00:17:41,520
Speaker 1: kind of got into it a little bit in the

284
00:17:41,560 --> 00:17:43,720
Speaker 1: first episode that we met Seema, And I think that's

285
00:17:43,760 --> 00:17:47,040
Speaker 1: the reason why that's the new friendship that's working for me,

286
00:17:47,160 --> 00:17:50,040
Speaker 1: probably the best out of all them, because it feels

287
00:17:50,119 --> 00:17:53,600
Speaker 1: like we've seen them go through something that's formative enough

288
00:17:53,640 --> 00:17:57,840
Speaker 1: where I believe a relationship is earned. There with like

289
00:17:58,760 --> 00:18:03,880
Speaker 1: Miranda and Dr Naya. Nothing about any of their interactions

290
00:18:03,960 --> 00:18:06,200
Speaker 1: up to the point where they were having dinner getting

291
00:18:06,280 --> 00:18:09,880
Speaker 1: really personal, was I like, yeah, I can buy this happening.

292
00:18:10,080 --> 00:18:13,200
Speaker 1: It was only Miranda being a damn flop in class,

293
00:18:13,720 --> 00:18:16,960
Speaker 1: just like putting like Naya in situations where she was

294
00:18:17,000 --> 00:18:19,399
Speaker 1: made to be uncomfortable. And then of course there was

295
00:18:19,440 --> 00:18:25,120
Speaker 1: that weird moment with the them the little chucky guy

296
00:18:25,320 --> 00:18:28,480
Speaker 1: on the subway platform, but I don't know if that

297
00:18:28,560 --> 00:18:33,000
Speaker 1: worked enough for me to believe like friendship between them. Also,

298
00:18:33,280 --> 00:18:37,679
Speaker 1: why did Naya get the only scene in like the

299
00:18:37,720 --> 00:18:40,879
Speaker 1: whole season so far, the only little like series of

300
00:18:40,880 --> 00:18:44,720
Speaker 1: scenes where she's just fully separated, like there's no real

301
00:18:45,080 --> 00:18:48,240
Speaker 1: connection to the core three women, Like it's just you

302
00:18:48,240 --> 00:18:50,000
Speaker 1: see if we're going on a date, like a double

303
00:18:50,080 --> 00:18:53,359
Speaker 1: date with you know, like this this this couple and

304
00:18:53,400 --> 00:18:58,280
Speaker 1: then fucking her husband in the next scene like give

305
00:18:58,320 --> 00:19:00,439
Speaker 1: her like a subplot, and it kind it was like

306
00:19:00,680 --> 00:19:04,159
Speaker 1: this is episode six of the first season and she's

307
00:19:04,240 --> 00:19:06,320
Speaker 1: just now kind of like they've cut to her family

308
00:19:06,359 --> 00:19:08,119
Speaker 1: a couple of times, but never like this, And I'm like,

309
00:19:08,480 --> 00:19:10,840
Speaker 1: I just wonder in the grand scheme of things, like

310
00:19:11,160 --> 00:19:14,280
Speaker 1: what is that leading towards like how does that connect back?

311
00:19:15,080 --> 00:19:18,120
Speaker 1: How does that connect back to the story, Like, are

312
00:19:18,160 --> 00:19:21,600
Speaker 1: you just telling a story about this woman? Because if so,

313
00:19:21,800 --> 00:19:25,040
Speaker 1: like just throwing her a scene every three episodes where

314
00:19:25,080 --> 00:19:27,400
Speaker 1: that happens like and now we're only getting into an

315
00:19:27,400 --> 00:19:30,479
Speaker 1: episode six is not like serving the character. It's just

316
00:19:30,560 --> 00:19:34,560
Speaker 1: distracting from a narrative you're telling. And they are telling

317
00:19:34,560 --> 00:19:38,000
Speaker 1: a story about Carrie, Miranda and Charlotte. That's the story

318
00:19:38,040 --> 00:19:40,840
Speaker 1: that they're doing. So how is this all serving it?

319
00:19:41,280 --> 00:19:44,720
Speaker 1: You know what I mean? My theory is, Um, she

320
00:19:44,840 --> 00:19:49,679
Speaker 1: ends up hanging surrogate and then Samantha and then she

321
00:19:49,800 --> 00:19:51,840
Speaker 1: comes back. See, because this is the thing, this is

322
00:19:51,880 --> 00:19:54,880
Speaker 1: the world of the third graders, is that it's sort

323
00:19:54,920 --> 00:19:57,960
Speaker 1: of like do I almost wish Samantha would come in

324
00:19:57,960 --> 00:20:00,800
Speaker 1: and be the surrogate? Yeah? I I will say out

325
00:20:00,800 --> 00:20:06,240
Speaker 1: of the actresses, Karen Pittman, Oh, there's nothing wrong with

326
00:20:06,240 --> 00:20:11,160
Speaker 1: with Karen Pittman. Everything right. The performances besides I'm sorry,

327
00:20:11,359 --> 00:20:15,480
Speaker 1: Kristin Davis and Um and then l TW like those

328
00:20:15,520 --> 00:20:17,760
Speaker 1: are That's the only thing that I'm like, what is

329
00:20:17,800 --> 00:20:21,800
Speaker 1: going on here? Like Miranda, Miranja and carry are giving

330
00:20:21,840 --> 00:20:24,600
Speaker 1: you like pretty cool, grounded stuff for the most part.

331
00:20:25,119 --> 00:20:30,440
Speaker 1: I mean, let's just say this, Miranda, Miranda Cynthia Nixon,

332
00:20:31,040 --> 00:20:34,600
Speaker 1: definitely she read on the page. Miranda gets fingered in

333
00:20:34,640 --> 00:20:36,960
Speaker 1: the kitchen and she said, okay, well, I'm gonna make

334
00:20:36,960 --> 00:20:40,719
Speaker 1: that a moment for everyone's life times and she barked

335
00:20:40,800 --> 00:20:45,320
Speaker 1: like a wolf into Sata Marez hand and she really

336
00:20:45,320 --> 00:20:47,879
Speaker 1: barked like a wolf. That's really the only way you

337
00:20:47,880 --> 00:20:56,640
Speaker 1: can describe the orgasm. Wolf bark, wolf bark wolf exorcism. Whoa, whoa, whoa.

338
00:20:57,240 --> 00:21:05,840
Speaker 1: The eyes are the freakiest part. It was horror film. Whoa, whoa, whoa.

339
00:21:06,520 --> 00:21:11,879
Speaker 1: It's to to train. It was choose your train that

340
00:21:12,000 --> 00:21:17,719
Speaker 1: had a zombie spirit. It was it was oh demon

341
00:21:17,760 --> 00:21:20,520
Speaker 1: train you. You won't get that reference. Some of the

342
00:21:20,560 --> 00:21:32,000
Speaker 1: readers will. Can I just shout out the readers. The

343
00:21:32,040 --> 00:21:35,400
Speaker 1: publicists who I got to meet through Final Fantasy fourteen

344
00:21:35,880 --> 00:21:39,600
Speaker 1: were the publicists playing the publicists. You have no idea

345
00:21:39,640 --> 00:21:43,520
Speaker 1: how many of the publicists are like hardcore m m

346
00:21:43,600 --> 00:21:48,359
Speaker 1: O RPG gaming right now, RP RP gaming whatever can

347
00:21:48,400 --> 00:21:50,879
Speaker 1: they ball? I am. I'm horned up for some of

348
00:21:50,960 --> 00:21:56,000
Speaker 1: these readers who like, we're helping me, giving me some items,

349
00:21:56,160 --> 00:21:59,720
Speaker 1: some equipment. I was like, the generosity here is really

350
00:22:00,000 --> 00:22:04,040
Speaker 1: earning me on. And I gotta say going on Twitch

351
00:22:04,240 --> 00:22:05,920
Speaker 1: was very fun. I only kept I only went on

352
00:22:05,960 --> 00:22:07,639
Speaker 1: Twitch when I had COVID. I don't know if I

353
00:22:07,720 --> 00:22:10,680
Speaker 1: will go again, um, because I think to have a

354
00:22:10,720 --> 00:22:12,600
Speaker 1: Twitch presence you need to be very consistent and I

355
00:22:12,640 --> 00:22:15,640
Speaker 1: can't do that. But it was very fun to stream

356
00:22:15,800 --> 00:22:18,040
Speaker 1: to like try on the streamer hat for a little bit.

357
00:22:18,160 --> 00:22:20,600
Speaker 1: It's a very fun community. People are very funny in

358
00:22:20,640 --> 00:22:25,359
Speaker 1: the chat. Matthew, you don't know what you're missing. These

359
00:22:25,400 --> 00:22:31,480
Speaker 1: readers have a lot of verve. Oh yes them, vigor

360
00:22:31,880 --> 00:22:38,600
Speaker 1: verve them vigor verve and voracity. What is voracity? I

361
00:22:38,640 --> 00:22:41,240
Speaker 1: feel like it's true, like the way something is truth

362
00:22:41,560 --> 00:22:45,400
Speaker 1: is true? Which is which also applies? Are you looking

363
00:22:45,400 --> 00:22:47,399
Speaker 1: it up? I can tell you are conformity to facts

364
00:22:47,400 --> 00:22:49,560
Speaker 1: and accuracy. I just wanted to ye. I love it.

365
00:22:49,640 --> 00:22:57,439
Speaker 1: I love I love calling the readers voracious. It's a

366
00:22:57,520 --> 00:23:02,159
Speaker 1: different that's tho, racioust not the ra what is spelling really?

367
00:23:02,280 --> 00:23:03,960
Speaker 1: And also I don't know, I don't people know. I

368
00:23:04,000 --> 00:23:05,119
Speaker 1: don't mean to be I don't mean to be one

369
00:23:05,119 --> 00:23:08,440
Speaker 1: of those people. I'm sorry you do to be that

370
00:23:08,720 --> 00:23:11,680
Speaker 1: I've gotten better over time. When you agree, I don't

371
00:23:11,720 --> 00:23:15,800
Speaker 1: care anymore about like sucking all that all that um

372
00:23:15,880 --> 00:23:18,440
Speaker 1: when when I speak and the readers know in their

373
00:23:18,480 --> 00:23:21,320
Speaker 1: heart what I mean, you are the most effective communicator,

374
00:23:21,880 --> 00:23:25,239
Speaker 1: one of the most effective communicators in the world. You

375
00:23:25,280 --> 00:23:27,880
Speaker 1: really are. I'm not joking. Thank you for saying that.

376
00:23:28,400 --> 00:23:32,000
Speaker 1: I try to be. You speak in people, your face

377
00:23:32,080 --> 00:23:37,280
Speaker 1: and honest girl, countless times the world the world over.

378
00:23:37,359 --> 00:23:42,080
Speaker 1: You are that. If anyone is v racious, it's my sister.

379
00:23:42,920 --> 00:23:46,080
Speaker 1: Should the title of that be veracious but spelled voracious

380
00:23:46,119 --> 00:23:53,280
Speaker 1: but spelled wrong? V I think we can we I mean,

381
00:23:53,320 --> 00:23:56,359
Speaker 1: we might find another one. You're so right. I just

382
00:23:56,359 --> 00:23:58,280
Speaker 1: want to quickly so that with that, Sorry, what were

383
00:23:58,280 --> 00:23:59,920
Speaker 1: we doing before the Shadow? I just want to close

384
00:24:00,000 --> 00:24:03,040
Speaker 1: a shout up by saying, I it was so fun

385
00:24:03,080 --> 00:24:06,560
Speaker 1: to play Final Fantasy fourteen, which, oh my god, Matt,

386
00:24:06,600 --> 00:24:08,440
Speaker 1: if you were a gamer, if you could sink in

387
00:24:08,480 --> 00:24:15,240
Speaker 1: all these hours, it's some of the best storytelling I've

388
00:24:15,240 --> 00:24:19,640
Speaker 1: ever witnessed in any medium. And walker Final Fantasy fourteen,

389
00:24:19,720 --> 00:24:22,200
Speaker 1: Oh my god. And there's just one villain in the

390
00:24:22,280 --> 00:24:24,520
Speaker 1: last expansion. It's like it's better than Game of Thrones.

391
00:24:24,680 --> 00:24:27,520
Speaker 1: It's better than Game of Thrones in terms of telling

392
00:24:27,520 --> 00:24:31,639
Speaker 1: a high fantasy story in a cohesive universe. Game of

393
00:24:31,640 --> 00:24:34,120
Speaker 1: Thrones like, I don't know, like I just I feel

394
00:24:34,160 --> 00:24:36,840
Speaker 1: like you lose the thread pretty easily. And for this,

395
00:24:36,840 --> 00:24:40,159
Speaker 1: this game does the thing of making you hooked even

396
00:24:40,200 --> 00:24:44,199
Speaker 1: as it develops more what never happens. Grace couldn't do it,

397
00:24:44,640 --> 00:24:49,400
Speaker 1: Desperate Housewives couldn't do it. They flopped lost, flop lost,

398
00:24:50,320 --> 00:24:54,199
Speaker 1: absolute flop and a half. So we don't even have

399
00:24:54,280 --> 00:24:55,800
Speaker 1: to talk about it. And just like that anymore, I

400
00:24:55,840 --> 00:24:58,080
Speaker 1: will say to keep things off on a positive, I

401
00:24:58,119 --> 00:25:02,840
Speaker 1: think the acting is half incredible, like Cynthia. If you're

402
00:25:02,840 --> 00:25:04,720
Speaker 1: going to be given that plot line, you gotta sell

403
00:25:04,840 --> 00:25:08,000
Speaker 1: like Cynthia Nixon does, and she fucking did s j P.

404
00:25:08,359 --> 00:25:12,120
Speaker 1: I'm just I could just watch or do annything and

405
00:25:12,200 --> 00:25:14,680
Speaker 1: carry Carry is the best part of the show, which

406
00:25:14,680 --> 00:25:18,359
Speaker 1: should should always be true, and at least that is true.

407
00:25:18,480 --> 00:25:20,960
Speaker 1: It's just kind of the the ways that the show

408
00:25:21,040 --> 00:25:25,679
Speaker 1: is trying to navigate one slash in a way that

409
00:25:25,720 --> 00:25:28,680
Speaker 1: I don't think it needs to. That's like bothering. This

410
00:25:28,760 --> 00:25:30,879
Speaker 1: is the thing I need to put out there, and

411
00:25:30,920 --> 00:25:33,080
Speaker 1: I text to do this as well before I know,

412
00:25:33,200 --> 00:25:34,720
Speaker 1: we want to end this on a positive now, and

413
00:25:34,720 --> 00:25:38,400
Speaker 1: we will because we're watching, we're enjoying. But I texted

414
00:25:38,400 --> 00:25:41,879
Speaker 1: you in that scene at the doctor's office with Jonathan Groth, like,

415
00:25:42,480 --> 00:25:46,760
Speaker 1: remember his character kept doing like little asides that were like, well,

416
00:25:46,760 --> 00:25:51,280
Speaker 1: my assistant finds that triggering or whatever the line was like,

417
00:25:51,560 --> 00:25:53,360
Speaker 1: and then it was just like it was just all

418
00:25:53,359 --> 00:25:56,560
Speaker 1: this stuff where it was like, I'm realizing that almost

419
00:25:56,640 --> 00:26:00,320
Speaker 1: every scene in this show has this low frequency of

420
00:26:00,359 --> 00:26:05,000
Speaker 1: like fear of saying the wrong thing, yeah, to an

421
00:26:05,040 --> 00:26:08,040
Speaker 1: audience of people who like are much more sophisticated than

422
00:26:08,280 --> 00:26:10,880
Speaker 1: any of the people in this world, where like, well,

423
00:26:10,920 --> 00:26:13,080
Speaker 1: I hope I don't get canceled for wearing a sorry,

424
00:26:13,119 --> 00:26:17,160
Speaker 1: you know, like that's right, and it's it's it's distracting.

425
00:26:17,280 --> 00:26:19,520
Speaker 1: It's so distracting and it really Yeah, it takes me

426
00:26:19,560 --> 00:26:21,919
Speaker 1: out of it, and then I like, don't take these

427
00:26:21,960 --> 00:26:25,280
Speaker 1: people seriously. I don't know. Yeah, I also part of

428
00:26:25,280 --> 00:26:28,120
Speaker 1: me just wonders like, if this is the way you're

429
00:26:28,119 --> 00:26:30,400
Speaker 1: going to flash them out into an hour long format,

430
00:26:30,440 --> 00:26:33,600
Speaker 1: then maybe they're sitcom characters, you know, maybe maybe we're

431
00:26:34,359 --> 00:26:36,640
Speaker 1: maybe we're just supposed to say, that's something I missed

432
00:26:36,720 --> 00:26:39,400
Speaker 1: maybe a little bit, is like that shorter twenty four

433
00:26:39,440 --> 00:26:41,720
Speaker 1: minute bite that it was, you know what I mean,

434
00:26:41,760 --> 00:26:43,760
Speaker 1: Like the character's got to be got to come in

435
00:26:43,800 --> 00:26:46,360
Speaker 1: and being a little bit more stock Like I don't know,

436
00:26:46,520 --> 00:26:48,879
Speaker 1: like if you're gonna flash out the characters like this

437
00:26:49,000 --> 00:26:52,520
Speaker 1: and develop them like this and they're gonna act like Charlotte,

438
00:26:53,440 --> 00:26:57,000
Speaker 1: it's like it just feels like cardboard versions of the

439
00:26:57,080 --> 00:26:59,320
Speaker 1: characters that we knew, which is weird because they actually

440
00:26:59,320 --> 00:27:03,159
Speaker 1: had the opportunity need to deepen them. Yes, and I think,

441
00:27:03,640 --> 00:27:07,320
Speaker 1: you know, like I said, I'm I know it's not

442
00:27:07,680 --> 00:27:10,480
Speaker 1: for me and probably a ton of people that watched it,

443
00:27:10,520 --> 00:27:14,400
Speaker 1: but to be positive about it, it definitely is for

444
00:27:14,920 --> 00:27:17,640
Speaker 1: certain people, you know what I mean, people having those

445
00:27:17,720 --> 00:27:21,080
Speaker 1: late in life, you know, I opening moments about themselves

446
00:27:21,240 --> 00:27:25,440
Speaker 1: and you know, generationally, like people like even though they're

447
00:27:25,440 --> 00:27:29,240
Speaker 1: in there like you know, mid fifties, like finally stepping

448
00:27:29,320 --> 00:27:31,720
Speaker 1: up for themselves and saying like, no, I'm unhappy, I

449
00:27:31,720 --> 00:27:34,520
Speaker 1: need to take steps to make myself happy. Definitely, I

450
00:27:34,560 --> 00:27:38,879
Speaker 1: think those things happen and are real and I'm happy.

451
00:27:38,880 --> 00:27:43,439
Speaker 1: There's so depicting that especially for women like someone posted

452
00:27:43,480 --> 00:27:45,280
Speaker 1: the other day, like, you know, there's women and the

453
00:27:45,320 --> 00:27:48,080
Speaker 1: Golden Girls were like younger than the women and just

454
00:27:48,240 --> 00:27:50,320
Speaker 1: like that, And isn't it great that we're like not

455
00:27:50,400 --> 00:27:53,720
Speaker 1: treating them like old ladies, Like of course, but then again,

456
00:27:53,760 --> 00:27:56,200
Speaker 1: it's like a lot of this is about how old

457
00:27:56,200 --> 00:27:58,320
Speaker 1: they are, you know what I mean, Like STV falling

458
00:27:58,320 --> 00:28:01,439
Speaker 1: apart at fifty five, and like people dying, it's a

459
00:28:01,440 --> 00:28:03,480
Speaker 1: lot of doom, gloom and death. And I'm just like,

460
00:28:03,720 --> 00:28:06,159
Speaker 1: I understand we're examining them at a different part of

461
00:28:06,160 --> 00:28:08,359
Speaker 1: their age, but like, let's still have them be fun.

462
00:28:08,840 --> 00:28:11,359
Speaker 1: And I think that there are glimpses of that in

463
00:28:11,400 --> 00:28:13,400
Speaker 1: the show whenever they leave back the doom and cloom

464
00:28:13,440 --> 00:28:16,119
Speaker 1: and let the characters have fun and discover their and

465
00:28:16,280 --> 00:28:19,040
Speaker 1: fun vibrant ways that are fun to watch. You know,

466
00:28:19,119 --> 00:28:21,399
Speaker 1: the show is cool, but when it's not like that,

467
00:28:21,440 --> 00:28:23,080
Speaker 1: which is a lot of it, it just gets hard

468
00:28:23,119 --> 00:28:27,639
Speaker 1: to watch. Speaking of Sesame Street, let's just really quickly

469
00:28:27,720 --> 00:28:30,840
Speaker 1: change one of the best shows. We're not disrespecting oh yes,

470
00:28:31,280 --> 00:28:32,760
Speaker 1: no no no, no, no no, no no no. We're saying

471
00:28:32,760 --> 00:28:34,720
Speaker 1: it's sex and the city doesn't doesn't belong on in

472
00:28:34,760 --> 00:28:39,680
Speaker 1: just like that. That's not all but totally thing, totally different.

473
00:28:39,800 --> 00:28:41,000
Speaker 1: Now I want to just I just I want to

474
00:28:41,000 --> 00:28:42,600
Speaker 1: bring this up because some of the readers wanted us

475
00:28:42,600 --> 00:28:45,040
Speaker 1: to talk about this. But what do you think of

476
00:28:45,080 --> 00:28:49,080
Speaker 1: this Elmo meltdown? Well, I'm team Elma all the way.

477
00:28:49,120 --> 00:28:51,040
Speaker 1: We're team Elma all the way. But it's like it's

478
00:28:51,080 --> 00:28:54,160
Speaker 1: like when you're when your friends, like you know, snaps,

479
00:28:54,280 --> 00:28:58,239
Speaker 1: sometimes the only option is to support them, especially if

480
00:28:58,240 --> 00:29:01,720
Speaker 1: they're correct. Look, here's here's the deal. So for people

481
00:29:01,720 --> 00:29:05,720
Speaker 1: that don't know, Elmo and Zoe were doing a scene.

482
00:29:05,840 --> 00:29:07,440
Speaker 1: They were doing a scene together. They were doing a

483
00:29:07,480 --> 00:29:10,160
Speaker 1: scene and um, they were being filmed for the show

484
00:29:10,280 --> 00:29:14,800
Speaker 1: Sesame Straight. And they were having lunch. They're having dinner.

485
00:29:15,000 --> 00:29:16,920
Speaker 1: They were they were eating, they were joining together. From you,

486
00:29:17,480 --> 00:29:20,480
Speaker 1: someone dropped off three cookies. Someone dropped off three cookies,

487
00:29:20,480 --> 00:29:22,240
Speaker 1: so they were gonna sit down to eat the cookies.

488
00:29:22,800 --> 00:29:25,560
Speaker 1: It's weird because there's a cookie in front of Zoe,

489
00:29:25,600 --> 00:29:27,320
Speaker 1: a cookie in front of Elmo, and a cookie in

490
00:29:27,320 --> 00:29:30,760
Speaker 1: front of this rock and Zoe is sort of referring

491
00:29:30,800 --> 00:29:35,600
Speaker 1: to the Rock as rock Rock is sitting rock Rocco, Rocko, Rocko,

492
00:29:35,680 --> 00:29:39,880
Speaker 1: the Rock is sitting there. He's sitting there. That's that's

493
00:29:39,920 --> 00:29:44,840
Speaker 1: his cookie, she says. So Almo says, that's not his cookie,

494
00:29:45,360 --> 00:29:47,760
Speaker 1: that's a rock. It can't eat the cookie. I would

495
00:29:47,800 --> 00:29:49,760
Speaker 1: like to eat the cookie if there's no one else

496
00:29:49,760 --> 00:29:51,920
Speaker 1: who wants it, if the cookie is just gonna sit there.

497
00:29:51,960 --> 00:29:55,200
Speaker 1: Because certainly, certainly Elmo thinks, Rocko the Rock is not

498
00:29:55,200 --> 00:30:03,680
Speaker 1: gonna eat this cookie, which so Zoe has the audacity

499
00:30:03,720 --> 00:30:06,800
Speaker 1: to be like, you know, to get upset and be like,

500
00:30:06,880 --> 00:30:10,640
Speaker 1: you can't eat this cookie. It's rock goes cookie. So no, Elmo,

501
00:30:10,840 --> 00:30:13,600
Speaker 1: and I think you and I at home are like

502
00:30:13,880 --> 00:30:16,440
Speaker 1: what world am I living in? Like are you kidding me?

503
00:30:16,760 --> 00:30:20,560
Speaker 1: So he starts vocalizing that like it's a rock, Rocko

504
00:30:20,640 --> 00:30:23,440
Speaker 1: the Rock isn't gonna eat the cookie, and he's getting upset.

505
00:30:23,960 --> 00:30:27,240
Speaker 1: Did you ever get to eat the cookie? That is

506
00:30:27,280 --> 00:30:32,280
Speaker 1: the craziest part of this whole thing. It's so twisted.

507
00:30:32,680 --> 00:30:36,280
Speaker 1: Naturally this blew up and is now trending online. Does

508
00:30:36,280 --> 00:30:39,320
Speaker 1: it happen on TV? It happened on TV, And this

509
00:30:39,360 --> 00:30:43,000
Speaker 1: is what happens every day on the Real Housewives, I guess.

510
00:30:43,160 --> 00:30:48,960
Speaker 1: But something about this is it's chilling because here's the Elmo.

511
00:30:49,520 --> 00:30:53,120
Speaker 1: It's Elmo who is the Kyle Richards of Sesame Street.

512
00:30:53,160 --> 00:30:56,360
Speaker 1: You know what I mean, Like you are that's our protagonist. Okay,

513
00:30:56,960 --> 00:30:59,880
Speaker 1: So there's no way you don't love her. And it's

514
00:31:00,040 --> 00:31:02,000
Speaker 1: not that you don't love Zoe, it's just this is

515
00:31:02,200 --> 00:31:05,080
Speaker 1: what this is the way I'm observing the relationship. Zoe

516
00:31:05,320 --> 00:31:08,320
Speaker 1: needs a lot of help. Kim. She needs a lot

517
00:31:08,320 --> 00:31:13,920
Speaker 1: of help. She's struggling. She's Kim and she really there's

518
00:31:13,960 --> 00:31:16,560
Speaker 1: a time to be there for your good sister, and

519
00:31:16,600 --> 00:31:18,400
Speaker 1: then there's a time to be like I have to

520
00:31:18,440 --> 00:31:21,560
Speaker 1: call out the reality right now and Elmo actually in

521
00:31:21,680 --> 00:31:25,000
Speaker 1: being honest and not allowing her to live in this

522
00:31:25,120 --> 00:31:27,640
Speaker 1: fantasy that the rock is gonna get eaten by rock

523
00:31:28,200 --> 00:31:30,680
Speaker 1: or the cookies gonna eat the get eaten by the way.

524
00:31:30,680 --> 00:31:32,520
Speaker 1: It's just so stupid. By when I can't even get

525
00:31:32,560 --> 00:31:35,360
Speaker 1: it out, I can tell you're frustrated, girl, work through

526
00:31:35,400 --> 00:31:38,160
Speaker 1: it with the people need to hear this. You have

527
00:31:38,240 --> 00:31:40,200
Speaker 1: to create a boundary between a person that believes a

528
00:31:40,320 --> 00:31:44,040
Speaker 1: rock is anthropomorphic. You have to period, what is that

529
00:31:44,080 --> 00:31:49,640
Speaker 1: gonna be our first rule culture? Yes, it's ruler culture

530
00:31:49,760 --> 00:31:57,080
Speaker 1: number forty six. You have to create a boundary with

531
00:31:58,360 --> 00:32:03,360
Speaker 1: a person who believe believes the rock. The rock has

532
00:32:03,000 --> 00:32:10,600
Speaker 1: a presence. Presence absolutely, that is what culture is built around.

533
00:32:10,840 --> 00:32:13,320
Speaker 1: Can you imagine if we disagreed on this. I can't

534
00:32:13,440 --> 00:32:17,560
Speaker 1: because you know why why You and I would never

535
00:32:17,760 --> 00:32:20,000
Speaker 1: be Zoe to each other, or you and I would

536
00:32:20,000 --> 00:32:22,400
Speaker 1: be almost to the other who was being a Zoe.

537
00:32:22,640 --> 00:32:24,360
Speaker 1: I would hope you would be an Almo to me

538
00:32:24,520 --> 00:32:28,120
Speaker 1: if I was talking so crazy that I said no, no, no,

539
00:32:28,160 --> 00:32:32,200
Speaker 1: bowen and to get upset with you. You can't eat this,

540
00:32:32,840 --> 00:32:34,760
Speaker 1: A rock is going to eat it. I hope you

541
00:32:34,800 --> 00:32:37,760
Speaker 1: would be Almo to me in that situation, that circumstance.

542
00:32:38,000 --> 00:32:42,680
Speaker 1: The line read of Elmo saying, he's yeah, it's panic,

543
00:32:42,880 --> 00:32:49,160
Speaker 1: it's he's pissed off. Can we just say, like, I

544
00:32:49,360 --> 00:32:51,840
Speaker 1: believe that things are going to come to blows? When

545
00:32:51,880 --> 00:32:55,400
Speaker 1: I see that scene, I'm like, someone has to someone

546
00:32:55,440 --> 00:32:57,760
Speaker 1: has to step in here. Where are the producers? Were

547
00:32:57,760 --> 00:33:01,640
Speaker 1: are the producers? Bravo? Bravo, fucking Almo. Something is going

548
00:33:01,640 --> 00:33:03,960
Speaker 1: on with Elmo and the culture. Just in joy, I

549
00:33:03,960 --> 00:33:06,040
Speaker 1: would love for Elmo to come on the podcast. If

550
00:33:06,080 --> 00:33:08,200
Speaker 1: Elmo came on and we just have a real conversation

551
00:33:08,280 --> 00:33:11,760
Speaker 1: with him, but what exactly the deal is there because

552
00:33:11,800 --> 00:33:15,800
Speaker 1: it seems toxic, unbelievably toxic. It's getting to him in

553
00:33:15,920 --> 00:33:18,320
Speaker 1: terms of like he's now he's acting out on other

554
00:33:18,360 --> 00:33:22,000
Speaker 1: TV shows like the whole balsamic vinegar thing on the

555
00:33:22,040 --> 00:33:26,160
Speaker 1: Tonight Show is like, really, I don't know what's going

556
00:33:26,200 --> 00:33:29,320
Speaker 1: on there. We won't be creative for you, but everyone should.

557
00:33:29,760 --> 00:33:32,680
Speaker 1: Everyone should go look up Elmo pronouncing polsamic vinegar if

558
00:33:32,720 --> 00:33:36,800
Speaker 1: you haven't already, it's he's, he's, he's he's unraveling. I

559
00:33:36,840 --> 00:33:39,800
Speaker 1: think that it's best to turn our attention to the situation.

560
00:33:40,000 --> 00:33:44,680
Speaker 1: And and because it's not him, it's the it's the

561
00:33:44,720 --> 00:33:46,960
Speaker 1: people that he's around. It's very Truman Show. I think

562
00:33:46,960 --> 00:33:50,400
Speaker 1: what's happening with Elmo because there are people there that

563
00:33:50,480 --> 00:33:54,400
Speaker 1: allows Zoe to exist with just kind of spouting this

564
00:33:54,520 --> 00:33:59,760
Speaker 1: conspiracy that Rocko the rock would need to be able

565
00:33:59,800 --> 00:34:02,720
Speaker 1: to eat that cookie if you even wanted it. Oh

566
00:34:02,760 --> 00:34:05,440
Speaker 1: my god, and we're talking about the feelings of a cookie.

567
00:34:05,520 --> 00:34:08,160
Speaker 1: I mean there's a huge problem. That's like, what is

568
00:34:08,200 --> 00:34:11,359
Speaker 1: that stage mom behavior, Zoe? What if Rocco doesn't want

569
00:34:11,360 --> 00:34:14,560
Speaker 1: to be on camera. I think that even now you're

570
00:34:14,680 --> 00:34:17,520
Speaker 1: you're going too far, You're going too far and even

571
00:34:17,560 --> 00:34:20,840
Speaker 1: approaching the fact that that rock could have any feelings

572
00:34:20,840 --> 00:34:24,160
Speaker 1: at all. And don't scare thank you and see, this

573
00:34:24,200 --> 00:34:29,480
Speaker 1: is what I'm saying. Don't. I will always keep you

574
00:34:29,520 --> 00:34:32,560
Speaker 1: on Earth, girl, girl, I will step in to say

575
00:34:33,120 --> 00:34:35,920
Speaker 1: you are being crazy. And it doesn't matter if I'm

576
00:34:35,960 --> 00:34:38,120
Speaker 1: looking around saying I don't like it here on Earth,

577
00:34:38,239 --> 00:34:41,799
Speaker 1: you go No, honey, it doesn't matter you're staying. I

578
00:34:41,800 --> 00:34:43,840
Speaker 1: have to tell you. I'm rewatching Jersey right now. A

579
00:34:43,920 --> 00:34:45,960
Speaker 1: lot of old real house eyes in New Jersey, and

580
00:34:46,000 --> 00:34:48,400
Speaker 1: I found the Everyone's like, what house life for you?

581
00:34:48,440 --> 00:34:51,279
Speaker 1: What house if for you? I found Who are you?

582
00:34:51,760 --> 00:34:56,200
Speaker 1: I'm Dolores, I am not familiar. I'm Dolores Catania. And

583
00:34:56,520 --> 00:34:58,840
Speaker 1: all you have to do is watch and you've always

584
00:34:58,920 --> 00:35:04,160
Speaker 1: been Renna though you you switch it. Can I tell

585
00:35:04,160 --> 00:35:07,520
Speaker 1: you something, Arena? This is what Arinna does. If Zoe

586
00:35:07,760 --> 00:35:11,040
Speaker 1: turns to Renna and says the rock, the rock is

587
00:35:11,080 --> 00:35:14,600
Speaker 1: gonna eat the cookie, Here's what Renda does. Okay, and

588
00:35:14,640 --> 00:35:16,719
Speaker 1: she goes to her girlfriends and it's like, you're not

589
00:35:16,760 --> 00:35:22,080
Speaker 1: gonna believe what she's saying. Now she is gonna take

590
00:35:22,120 --> 00:35:23,880
Speaker 1: it so far. And I would never do that. I

591
00:35:23,880 --> 00:35:26,040
Speaker 1: would say to you as Alma, I'd be like, it's

592
00:35:26,040 --> 00:35:30,760
Speaker 1: a rock. I don't know. The way the way Renna

593
00:35:30,800 --> 00:35:35,440
Speaker 1: supported Erica through all of this makes me believe that

594
00:35:35,880 --> 00:35:38,040
Speaker 1: if if Zoe were to go to Renna and was like,

595
00:35:38,160 --> 00:35:40,799
Speaker 1: it's a rock, it's a it's a it's an anthropomorphic rock.

596
00:35:41,920 --> 00:35:44,719
Speaker 1: This rock like wants to eat cookies, Brenna would be like,

597
00:35:44,800 --> 00:35:48,719
Speaker 1: absolutely it does. Of course it does, Babe. I'm like,

598
00:35:49,040 --> 00:35:52,240
Speaker 1: get out. We don't need that in the world. Stop. Stop,

599
00:35:52,480 --> 00:35:55,480
Speaker 1: stops what you're doing right now. I have to tell

600
00:35:55,520 --> 00:36:00,600
Speaker 1: you something. What you're giving me Erica with their yeah,

601
00:36:01,080 --> 00:36:04,160
Speaker 1: what does that mean you're giving me? Or what? Or

602
00:36:04,239 --> 00:36:08,880
Speaker 1: what what you're giving me in your new hair and

603
00:36:08,920 --> 00:36:14,319
Speaker 1: your blonde, shocking hair, you actually give me powerful, dangerous

604
00:36:14,800 --> 00:36:17,960
Speaker 1: Erica Jane energy because I thought to myself, if I'm Rna,

605
00:36:18,280 --> 00:36:21,160
Speaker 1: then his bowen and then I had to gasp, had

606
00:36:21,200 --> 00:36:26,480
Speaker 1: to go. I was afraid when I gasped, because I

607
00:36:26,520 --> 00:36:32,400
Speaker 1: saw a newer We're not criminals. She created a caper.

608
00:36:33,440 --> 00:36:39,160
Speaker 1: We are Meredith and Lisa. I don't know we're I

609
00:36:39,160 --> 00:36:42,000
Speaker 1: think we're Erica and Renna. You're at Lisa because Lisa

610
00:36:42,000 --> 00:36:44,279
Speaker 1: can't help herself and as someone who is ultimately so

611
00:36:44,440 --> 00:36:47,440
Speaker 1: lovable and wonderful, and you have to watch. I I

612
00:36:47,440 --> 00:36:51,360
Speaker 1: am fully team Lisa right now, but I'm Meredith, and

613
00:36:51,400 --> 00:36:54,279
Speaker 1: that I am like probably a little crazy, even though

614
00:36:54,320 --> 00:36:59,080
Speaker 1: I keep up like a cool demeanor, cool exterior, collected exterior.

615
00:36:59,520 --> 00:37:01,880
Speaker 1: I had great And you'll all notice at home that

616
00:37:01,960 --> 00:37:04,919
Speaker 1: we've sort of arrived at the topic of the Real

617
00:37:04,960 --> 00:37:08,040
Speaker 1: Housewives of Salt Lake City. And that was by design.

618
00:37:08,280 --> 00:37:10,680
Speaker 1: That was that wasn't em I think we're naturally going

619
00:37:10,680 --> 00:37:13,680
Speaker 1: from one subject, but in the naturalness of it that

620
00:37:14,040 --> 00:37:16,680
Speaker 1: it was by design. Because here we are, and I

621
00:37:16,719 --> 00:37:21,320
Speaker 1: want to say that Mary Cosby has left the world stage.

622
00:37:21,800 --> 00:37:23,600
Speaker 1: So I just wanted to say as a book end,

623
00:37:23,719 --> 00:37:27,000
Speaker 1: because we famously said, what day two of the twelve

624
00:37:27,040 --> 00:37:30,720
Speaker 1: Days of Culture, Miriam Cosby February something, November something two,

625
00:37:31,360 --> 00:37:35,000
Speaker 1: Miriam Cosby hits the world stage. It's the world stage

626
00:37:35,080 --> 00:37:40,880
Speaker 1: sort of January left. She has decided to exit the

627
00:37:40,920 --> 00:37:43,160
Speaker 1: world stage by not showing up to the Real House

628
00:37:43,360 --> 00:37:45,759
Speaker 1: of Salt Lake City reunion. This news has hit the

629
00:37:45,960 --> 00:37:49,840
Speaker 1: major media outlets, and I think that we can agree

630
00:37:50,440 --> 00:37:53,480
Speaker 1: that Salt Lake the same. Because Ding Dong of the

631
00:37:53,560 --> 00:37:56,520
Speaker 1: Witch is dead. We say, Ding Dong lost culture is

632
00:37:56,600 --> 00:38:00,720
Speaker 1: just calling no Darling ding the way which is dead

633
00:38:01,680 --> 00:38:05,280
Speaker 1: I had been saying. I mean, this is obviously satisfying

634
00:38:05,360 --> 00:38:06,759
Speaker 1: for me as someone who's been saying for a while

635
00:38:06,800 --> 00:38:09,759
Speaker 1: it's no longer been fun to watch her. What do

636
00:38:09,800 --> 00:38:11,600
Speaker 1: you think Why do you think she decided not to come.

637
00:38:12,160 --> 00:38:16,560
Speaker 1: I think because season she realized that she was going

638
00:38:16,640 --> 00:38:21,719
Speaker 1: to basically be sat down and confronted about being a

639
00:38:21,800 --> 00:38:25,319
Speaker 1: quote unquote racist in her case. I'm guessing like it's

640
00:38:26,239 --> 00:38:29,239
Speaker 1: and about the church stuff. She's just she's just incredibly

641
00:38:29,360 --> 00:38:33,120
Speaker 1: prejudiced person, and like she I think like she probably

642
00:38:33,320 --> 00:38:38,360
Speaker 1: can't answer for the way that her church members are treated.

643
00:38:38,880 --> 00:38:43,719
Speaker 1: She probably can't answer for almost anything she has said

644
00:38:43,840 --> 00:38:46,560
Speaker 1: or done, all of which have been negative, because she

645
00:38:46,719 --> 00:38:51,839
Speaker 1: acts as if she either is the most forgetful person

646
00:38:51,920 --> 00:38:54,800
Speaker 1: in the world or that it's something to do with

647
00:38:54,920 --> 00:38:57,800
Speaker 1: how ye're perceiving her. I don't know, I'm just literally

648
00:38:57,880 --> 00:39:01,160
Speaker 1: blabbing on and on. But no, no, no, I'm very cosby.

649
00:39:01,320 --> 00:39:03,160
Speaker 1: Like I mean, there's just every reason why she had

650
00:39:03,239 --> 00:39:05,719
Speaker 1: to go. But I do think it's interesting that it

651
00:39:05,880 --> 00:39:08,920
Speaker 1: really was us who sort of raised the flags for

652
00:39:09,000 --> 00:39:10,680
Speaker 1: her in the first place. And really welcome to her

653
00:39:10,680 --> 00:39:12,480
Speaker 1: into culture. And I think that there's a lot to

654
00:39:12,560 --> 00:39:16,960
Speaker 1: examine in our Absolutely. I will also take some credit

655
00:39:17,040 --> 00:39:21,640
Speaker 1: in us being some of the first, absolutely some of

656
00:39:21,680 --> 00:39:25,200
Speaker 1: the first people to say, hey, there's something going on here.

657
00:39:25,840 --> 00:39:29,000
Speaker 1: The tree is there, the tree is falling. Do you

658
00:39:29,200 --> 00:39:31,680
Speaker 1: hear it? Do you hear it? And it's really important

659
00:39:31,719 --> 00:39:34,160
Speaker 1: that we all agree that we did, because if one

660
00:39:34,239 --> 00:39:37,800
Speaker 1: person says I didn't hear it, then all of a sudden,

661
00:39:37,800 --> 00:39:39,959
Speaker 1: we're living in a world there's two realities because people

662
00:39:40,080 --> 00:39:42,000
Speaker 1: they just they believe whatever they want to They believe

663
00:39:42,000 --> 00:39:44,120
Speaker 1: whatever they want to believe. If someone says, I didn't

664
00:39:44,200 --> 00:39:50,000
Speaker 1: hear that tree do a fully inaccurate, yet insane Asian

665
00:39:51,280 --> 00:39:54,839
Speaker 1: accent impression, that really was something. Huh. It was kind

666
00:39:54,840 --> 00:39:58,759
Speaker 1: of shocking. I'm not like shocked by that, ever, when

667
00:39:58,840 --> 00:40:02,520
Speaker 1: someone does like, quote unquote an accent like that when

668
00:40:02,560 --> 00:40:05,760
Speaker 1: they attempt to, but there was something so like, oh

669
00:40:05,920 --> 00:40:10,960
Speaker 1: my god, you're gonna do that here. It was so

670
00:40:12,160 --> 00:40:14,879
Speaker 1: it was so it was truly shocking. I mean, there's

671
00:40:14,920 --> 00:40:20,000
Speaker 1: no other word for it. And I'm not terribly shocked. Usually, Yeah,

672
00:40:20,080 --> 00:40:23,279
Speaker 1: it really was shocking. And I also think you'd have

673
00:40:23,440 --> 00:40:26,520
Speaker 1: to believe so much about Mary's reality in order to

674
00:40:26,600 --> 00:40:30,600
Speaker 1: buy anything she says, because she knows she's being put

675
00:40:30,840 --> 00:40:33,120
Speaker 1: on camera, you know what I mean. Like, when she

676
00:40:33,239 --> 00:40:36,480
Speaker 1: decides to do these things like, she does them, not

677
00:40:36,719 --> 00:40:39,160
Speaker 1: just because she doesn't forget the cameras are around, She's

678
00:40:39,239 --> 00:40:41,600
Speaker 1: thinking about what she's going to project, you know what

679
00:40:41,719 --> 00:40:43,600
Speaker 1: I mean. Like, and the fact that she can so

680
00:40:43,920 --> 00:40:48,000
Speaker 1: easily go these places just says to me, like, actually,

681
00:40:48,080 --> 00:40:51,080
Speaker 1: this is a harmful person. This person doesn't care how

682
00:40:51,200 --> 00:40:56,320
Speaker 1: people feel. She to me, is in her just social interactions,

683
00:40:56,360 --> 00:40:59,839
Speaker 1: in the way that she manages conflict. Obviously someone who

684
00:41:00,400 --> 00:41:03,640
Speaker 1: doesn't care about anyone other than herself. So if this

685
00:41:03,920 --> 00:41:07,719
Speaker 1: is true, what else is true? She obviously is mistreating

686
00:41:07,760 --> 00:41:09,960
Speaker 1: members of her church. You see what kind of person

687
00:41:10,120 --> 00:41:14,279
Speaker 1: she is. She's a dangerous, toxic person who takes no

688
00:41:14,440 --> 00:41:18,600
Speaker 1: accountability and will do anything to get just something she

689
00:41:18,719 --> 00:41:20,920
Speaker 1: wants the w at the end of the day. And

690
00:41:21,000 --> 00:41:24,200
Speaker 1: it's just like for me, she is you know, it

691
00:41:24,640 --> 00:41:27,080
Speaker 1: was interesting to watch someone who is that sociopathic. But

692
00:41:27,160 --> 00:41:34,879
Speaker 1: I'm good not doing it anymore. Exit Exit Mary, which

693
00:41:34,960 --> 00:41:37,840
Speaker 1: is maybe that's time I love him to be honest.

694
00:41:39,280 --> 00:41:42,960
Speaker 1: Speaking of dead, Oh wow, that could go into such

695
00:41:42,960 --> 00:41:46,520
Speaker 1: a dark night. I just was I was literally just

696
00:41:46,680 --> 00:41:48,960
Speaker 1: trying to make a stupid segue of the power of

697
00:41:49,040 --> 00:41:51,560
Speaker 1: the dog. And then I did remember in saying it

698
00:41:51,719 --> 00:41:57,920
Speaker 1: that so many iconic people have passed away, and I felt, no,

699
00:41:58,640 --> 00:42:02,360
Speaker 1: it's a lot of a lot of people. Betty White,

700
00:42:02,880 --> 00:42:06,160
Speaker 1: Oh my god, that one hurts. That one hurts. For

701
00:42:06,239 --> 00:42:09,000
Speaker 1: some reason, there was a the algorithm gave me a

702
00:42:09,120 --> 00:42:14,960
Speaker 1: YouTube clip that was Betty and Lucille Ball playing password together,

703
00:42:16,320 --> 00:42:18,160
Speaker 1: and it was just like, Lucile doesn't give a ship

704
00:42:18,239 --> 00:42:21,280
Speaker 1: and hates that she's there, but Betty is, like, it's crazy,

705
00:42:21,320 --> 00:42:23,319
Speaker 1: how even on a game shot, like a stupid game

706
00:42:23,360 --> 00:42:27,560
Speaker 1: show like that, she was like a fucking legend icon

707
00:42:28,200 --> 00:42:30,879
Speaker 1: There's no overstating it. She No, she was, I mean,

708
00:42:31,640 --> 00:42:35,120
Speaker 1: such a giant for such a long time, and you know,

709
00:42:35,880 --> 00:42:40,520
Speaker 1: truly one of those people where across the bord appeal,

710
00:42:40,800 --> 00:42:42,680
Speaker 1: you know what I mean, like one of those last

711
00:42:42,760 --> 00:42:45,520
Speaker 1: messages of a time when that was even possible. And

712
00:42:45,719 --> 00:42:48,960
Speaker 1: think about if you were a star that early on.

713
00:42:49,200 --> 00:42:51,680
Speaker 1: And we know how far the entertainment industry has come

714
00:42:51,760 --> 00:42:54,160
Speaker 1: and how far it still needs to go in terms of,

715
00:42:54,280 --> 00:42:57,200
Speaker 1: like you know, the treatment of women, the treatment of

716
00:42:57,320 --> 00:43:00,960
Speaker 1: so many people. She had to have seen so fucking much.

717
00:43:01,200 --> 00:43:05,320
Speaker 1: She had to have truly survived a lot, and to

718
00:43:05,480 --> 00:43:08,480
Speaker 1: have that many lives in this industry is like, so

719
00:43:09,239 --> 00:43:13,880
Speaker 1: you know, unprecedented. I mean what she's started in like

720
00:43:14,160 --> 00:43:19,960
Speaker 1: the forties, like like basically like right as Hollywood like

721
00:43:20,040 --> 00:43:22,279
Speaker 1: became Hollywood did even like like you know, like maybe

722
00:43:22,360 --> 00:43:25,440
Speaker 1: like twenty years ago, someone twenty years older than her,

723
00:43:25,560 --> 00:43:28,680
Speaker 1: her senior like would have been there like as Hollywood

724
00:43:28,719 --> 00:43:31,479
Speaker 1: was starting up, but like she kind of like got

725
00:43:31,560 --> 00:43:34,640
Speaker 1: in right when it started to like be established in

726
00:43:34,719 --> 00:43:37,320
Speaker 1: a way already. Does that make sense? I think she

727
00:43:37,520 --> 00:43:41,520
Speaker 1: was the first woman to ep a television show. Wow.

728
00:43:42,080 --> 00:43:46,360
Speaker 1: Yeah and she and yeah like and her earliest sitcoms

729
00:43:46,360 --> 00:43:49,759
Speaker 1: were like just live TV because it was just like

730
00:43:49,880 --> 00:43:54,840
Speaker 1: how TV worked back then. I mean, Betty Bob Sagett

731
00:43:55,040 --> 00:44:00,360
Speaker 1: really shocked me. That was a bummer, um, like and

732
00:44:00,600 --> 00:44:03,319
Speaker 1: talk about someone who, like, I mean, he was really

733
00:44:03,440 --> 00:44:06,239
Speaker 1: talented because I think about like so many of the

734
00:44:06,320 --> 00:44:10,480
Speaker 1: reasons why you fell in love with full House have

735
00:44:10,640 --> 00:44:13,680
Speaker 1: to do with how sweet and gentle he was as

736
00:44:13,760 --> 00:44:17,160
Speaker 1: a figure of fatherhood, and how patient he was and

737
00:44:17,200 --> 00:44:20,560
Speaker 1: how communicative he was, and that was a really sweet

738
00:44:20,640 --> 00:44:25,720
Speaker 1: show that succeeded so much due to his specific talent,

739
00:44:26,600 --> 00:44:28,320
Speaker 1: and then to find out that he was so the

740
00:44:28,400 --> 00:44:32,239
Speaker 1: opposite when he wasn't doing that to me, just that

741
00:44:32,840 --> 00:44:34,800
Speaker 1: I don't know I did that. That's inspiring to me,

742
00:44:35,080 --> 00:44:39,560
Speaker 1: Like someone who was able to really um channel different

743
00:44:39,640 --> 00:44:43,200
Speaker 1: energies and just a great entertainer who like never got

744
00:44:43,320 --> 00:44:46,920
Speaker 1: painted into a corner. I mean, like, yeah, you're right,

745
00:44:47,000 --> 00:44:48,680
Speaker 1: Like it's not even about that, it's just about like

746
00:44:49,520 --> 00:44:54,880
Speaker 1: someone who embodies two different, diametrically opposite things. Yeah, in

747
00:44:55,000 --> 00:44:57,719
Speaker 1: terms of presenting themselves as an entertainer, and like he

748
00:44:57,840 --> 00:44:59,880
Speaker 1: was just so good at both of those, which probably

749
00:45:00,280 --> 00:45:03,240
Speaker 1: he was good at all of it. Yeah, he seemed

750
00:45:03,400 --> 00:45:05,600
Speaker 1: very very well mannered to me, you know what I mean,

751
00:45:05,680 --> 00:45:07,759
Speaker 1: Like he's like he knew that the full house thing

752
00:45:07,840 --> 00:45:13,600
Speaker 1: was a joke. He just seemed like Sydney. I mean, Damn,

753
00:45:13,840 --> 00:45:19,000
Speaker 1: I can't believe going through death. Nobody's been here. There's

754
00:45:19,040 --> 00:45:22,480
Speaker 1: been a lot, and it's been a bummer, like and

755
00:45:22,800 --> 00:45:26,239
Speaker 1: especially because it doesn't seem like, um, I don't think

756
00:45:26,320 --> 00:45:30,360
Speaker 1: it's well know and it's also it's not people that

757
00:45:30,520 --> 00:45:33,359
Speaker 1: pop culturally, you like barely knew you know, these are

758
00:45:33,440 --> 00:45:37,319
Speaker 1: like legends and well defined people in the public consciousness,

759
00:45:37,440 --> 00:45:41,719
Speaker 1: Like you know, Sydney Potter is a legend and I'm

760
00:45:41,719 --> 00:45:47,560
Speaker 1: gonna say Joan Didian, like I just absolutely and like

761
00:45:47,960 --> 00:45:50,480
Speaker 1: Babbit's like, I mean, there's got so many so many

762
00:45:50,560 --> 00:45:55,319
Speaker 1: crazy not crazy, just like wild, shocking not shocking. I'm

763
00:45:55,480 --> 00:46:00,359
Speaker 1: stone everybody, Um, just really like I don't know, sad

764
00:46:00,520 --> 00:46:13,160
Speaker 1: sad departures. Yeah, did you watch Being the Product? You did?

765
00:46:13,520 --> 00:46:16,239
Speaker 1: I did? Okay, what did you think of this film? Um?

766
00:46:16,880 --> 00:46:18,600
Speaker 1: I think you and I share a lot of the

767
00:46:18,680 --> 00:46:21,520
Speaker 1: same opinions that I actually didn't mind the writing. I

768
00:46:21,560 --> 00:46:23,839
Speaker 1: thought the writing was very fun and buoyant for an

769
00:46:23,960 --> 00:46:27,239
Speaker 1: Errand's working movie. The direction was the thing that was

770
00:46:27,280 --> 00:46:30,360
Speaker 1: most confusing, because I was like just down to like,

771
00:46:30,880 --> 00:46:33,279
Speaker 1: I don't notice direction that much, quote unquote the way

772
00:46:33,280 --> 00:46:34,480
Speaker 1: that a lot of people do. Like I think you

773
00:46:34,560 --> 00:46:36,200
Speaker 1: are someone who watched his film, and it is like

774
00:46:36,320 --> 00:46:39,759
Speaker 1: whoa Like I can tell what the invisible hand here is.

775
00:46:40,200 --> 00:46:41,759
Speaker 1: But I watched Being the Ricardo's and I was like,

776
00:46:41,920 --> 00:46:45,440
Speaker 1: why the fund is he on a wide this insane

777
00:46:45,560 --> 00:46:49,080
Speaker 1: wide of Lucy while she's just talking like dirty, like

778
00:46:49,160 --> 00:46:52,239
Speaker 1: over the shoulder too you know, Javier, Like, I'm like,

779
00:46:52,360 --> 00:46:54,360
Speaker 1: what is going on here? How did the movie? How

780
00:46:54,400 --> 00:46:57,000
Speaker 1: did this movie come together? And like post you know

781
00:46:57,239 --> 00:46:59,839
Speaker 1: that's the thing that is confounding me the best. Yeah.

782
00:47:00,239 --> 00:47:02,880
Speaker 1: I think in terms of the direction that there was

783
00:47:02,960 --> 00:47:04,800
Speaker 1: like half of it that I thought really worked. Like

784
00:47:04,920 --> 00:47:07,400
Speaker 1: I ultimately walked away from that movie thinking it was

785
00:47:07,480 --> 00:47:13,040
Speaker 1: a really smart, uh examination of a relationship, like a

786
00:47:13,120 --> 00:47:17,040
Speaker 1: relationship study if you will. Um, I definitely like felt

787
00:47:17,400 --> 00:47:20,400
Speaker 1: every beat of their relationships. So in that way, like

788
00:47:20,520 --> 00:47:22,200
Speaker 1: in terms of how you tell a story, like I

789
00:47:22,360 --> 00:47:25,759
Speaker 1: was getting that there were some choices of you know,

790
00:47:26,280 --> 00:47:29,360
Speaker 1: shots or devices that I just thought, do we need this?

791
00:47:29,600 --> 00:47:33,960
Speaker 1: Like and I'm talking about the entire device of the

792
00:47:34,120 --> 00:47:37,560
Speaker 1: cutting back like from the interviews, so that I just

793
00:47:37,719 --> 00:47:40,719
Speaker 1: did not think we needed that. And it was surprising

794
00:47:40,800 --> 00:47:43,840
Speaker 1: because it's almost like there's a starter movie or a

795
00:47:43,920 --> 00:47:46,279
Speaker 1: starter script that has that device and then at some

796
00:47:46,440 --> 00:47:49,040
Speaker 1: point it gets taken away because you just simply don't

797
00:47:49,120 --> 00:47:50,719
Speaker 1: need it. He's stuck with it the whole of the

798
00:47:50,719 --> 00:47:54,200
Speaker 1: whole way through. Sure did and um, I don't think

799
00:47:54,280 --> 00:47:57,560
Speaker 1: we needed that. And then there were some moments where

800
00:47:57,719 --> 00:47:59,800
Speaker 1: I don't know and just because he wrote and directed

801
00:47:59,840 --> 00:48:01,480
Speaker 1: it like I think you noticed this, and maybe it

802
00:48:01,560 --> 00:48:03,839
Speaker 1: just doesn't get the note. But there's some things where

803
00:48:03,840 --> 00:48:06,719
Speaker 1: I'm like, okay, so you're saying that the way. One

804
00:48:06,760 --> 00:48:09,480
Speaker 1: of the ways we see she's a comedic genius is

805
00:48:09,600 --> 00:48:12,759
Speaker 1: she knows to like flip the scene so that the

806
00:48:12,840 --> 00:48:15,680
Speaker 1: comedy is facing the audience, like you know what I mean. Like,

807
00:48:15,960 --> 00:48:17,960
Speaker 1: there's this big thing where she calls everyonmard to the

808
00:48:18,000 --> 00:48:21,200
Speaker 1: studio and she's like, we're staging the dinner scene and

809
00:48:21,360 --> 00:48:24,560
Speaker 1: she basically turns their chairs so she's like, actually, you're

810
00:48:24,560 --> 00:48:26,800
Speaker 1: gonna face the audience when you do the bid and

811
00:48:26,960 --> 00:48:30,880
Speaker 1: that will fix everything. And everyone's like, Lucy really are

812
00:48:30,920 --> 00:48:33,880
Speaker 1: a genius And I'm sitting there like something better than this.

813
00:48:34,040 --> 00:48:38,800
Speaker 1: Guy's something better than this. This is something that I

814
00:48:38,960 --> 00:48:42,080
Speaker 1: that I think we notice as we watch more things

815
00:48:42,440 --> 00:48:46,000
Speaker 1: is that it's very hard to call someone a comedic

816
00:48:46,160 --> 00:48:49,480
Speaker 1: genius in a show or a movie and then exemplify

817
00:48:49,560 --> 00:48:52,400
Speaker 1: it because it's it's just does that make sense? Like

818
00:48:52,800 --> 00:48:56,879
Speaker 1: it makes sense? It's so hard when you're being told

819
00:48:56,880 --> 00:49:00,880
Speaker 1: as an audience, remember that, um, this person is an

820
00:49:01,120 --> 00:49:05,680
Speaker 1: icon and what they do. Yeah, not but specifically with comedy, yes, yes,

821
00:49:05,920 --> 00:49:10,000
Speaker 1: like this person is the funniest, smartest person there ever was,

822
00:49:10,800 --> 00:49:14,800
Speaker 1: and then you do it limited to the to like

823
00:49:14,920 --> 00:49:17,960
Speaker 1: the restraints of like a film or a screenplayer, a teleplay,

824
00:49:18,040 --> 00:49:21,920
Speaker 1: like it's just it's hard. I can't think of times

825
00:49:21,960 --> 00:49:26,760
Speaker 1: when that's been done effectively. That being said, Nicole, Nicole

826
00:49:26,880 --> 00:49:29,840
Speaker 1: was amazing, does command herself well to that. And I

827
00:49:29,920 --> 00:49:34,000
Speaker 1: will say, ultimately, I actually really like this movie, and

828
00:49:35,080 --> 00:49:37,120
Speaker 1: I think it would be really hard not to vote

829
00:49:37,120 --> 00:49:40,960
Speaker 1: for her for Best Actress because she just the the

830
00:49:41,239 --> 00:49:45,319
Speaker 1: order was so tall. I mean this, the odds were

831
00:49:45,440 --> 00:49:48,440
Speaker 1: so stacked against her, and you leave that movie and

832
00:49:48,600 --> 00:49:53,000
Speaker 1: you're thinking, Nicole Kimmant is a fucking star. And if

833
00:49:53,080 --> 00:49:55,719
Speaker 1: I have one note for her, it's one that I

834
00:49:55,880 --> 00:49:59,239
Speaker 1: saw pointed out which I can't stop thinking about now

835
00:49:59,360 --> 00:50:01,600
Speaker 1: that I've thought out of it, is that when Lucy

836
00:50:01,760 --> 00:50:04,640
Speaker 1: was performing, her eyes were bigger and more expressive, and

837
00:50:04,719 --> 00:50:07,359
Speaker 1: there was just something internal that came out through her

838
00:50:07,440 --> 00:50:12,600
Speaker 1: eyes that I wasn't necessarily getting with Nicole. That being said,

839
00:50:12,680 --> 00:50:15,640
Speaker 1: she acted the funk out of that script and gave

840
00:50:15,719 --> 00:50:19,600
Speaker 1: you her speaking voice and gave you so much against

841
00:50:20,000 --> 00:50:22,759
Speaker 1: everyone saying she was the worst choice for Rice. So

842
00:50:23,480 --> 00:50:27,319
Speaker 1: I respect the house down, we love her, we love

843
00:50:27,440 --> 00:50:30,440
Speaker 1: Nicole Kittman here. Um I didn't. I never watched Child

844
00:50:30,480 --> 00:50:34,279
Speaker 1: in Chicago seven. I didn't see Molly's Game either. But

845
00:50:34,400 --> 00:50:38,520
Speaker 1: I feel like I like Sorkin movies where it's about

846
00:50:38,520 --> 00:50:42,320
Speaker 1: relationships instead of about a person. Like Steve Jobs. I

847
00:50:42,360 --> 00:50:45,160
Speaker 1: don't remember a single thing about that movie because it's

848
00:50:45,160 --> 00:50:48,480
Speaker 1: about like how Steve Jobs was an egomaniac, and like

849
00:50:48,719 --> 00:50:50,759
Speaker 1: it wasn't about his the way he related to other people,

850
00:50:51,080 --> 00:50:52,880
Speaker 1: and that's why, like it just doesn't register to me.

851
00:50:52,960 --> 00:50:55,600
Speaker 1: But like Social Network is one of my favorite movies

852
00:50:56,040 --> 00:50:59,120
Speaker 1: absolutely because it's about how this person is an egomaniac

853
00:50:59,239 --> 00:51:03,480
Speaker 1: but is so bad at interacting with every single person

854
00:51:03,560 --> 00:51:06,000
Speaker 1: who cares about him, you know. Like that, I like

855
00:51:06,200 --> 00:51:10,319
Speaker 1: that that movie also had an incredible director. And that's

856
00:51:10,360 --> 00:51:12,960
Speaker 1: not saying that Aaron Sorkin isn't a good director, because

857
00:51:13,120 --> 00:51:14,440
Speaker 1: I think there's a lot of what he does that

858
00:51:14,560 --> 00:51:17,920
Speaker 1: is effective. But some scripts, I think I would have

859
00:51:18,000 --> 00:51:20,759
Speaker 1: just really been interested to see what another director could

860
00:51:20,800 --> 00:51:22,960
Speaker 1: have done with this script, you know what I mean?

861
00:51:23,080 --> 00:51:25,040
Speaker 1: Like I don't know I took I took issue at

862
00:51:25,080 --> 00:51:27,279
Speaker 1: first with them the day sex Machina thing, in the

863
00:51:27,400 --> 00:51:30,000
Speaker 1: end of Jay Grew Hoover calling, but apparently that actually happened.

864
00:51:30,239 --> 00:51:33,000
Speaker 1: It don't actually happened. But also there is something in

865
00:51:33,200 --> 00:51:36,440
Speaker 1: that day sex Makina like that in the way it

866
00:51:36,600 --> 00:51:39,440
Speaker 1: feels in the moment, yeah you do, you are like

867
00:51:39,520 --> 00:51:43,560
Speaker 1: a little bit like yeah, yeah, But I don't know.

868
00:51:44,080 --> 00:51:47,239
Speaker 1: I loved, I loved, I didn't love. I really enjoyed it.

869
00:51:47,520 --> 00:51:50,880
Speaker 1: I like I put it on because during when the

870
00:51:51,000 --> 00:51:53,120
Speaker 1: virus was like peeking in me, I was like, I

871
00:51:53,200 --> 00:51:56,160
Speaker 1: might as well watch this movie. And I really enjoyed it.

872
00:51:56,600 --> 00:51:57,880
Speaker 1: I thought there was a lot of love. I love

873
00:51:58,000 --> 00:52:01,400
Speaker 1: Nina Arianda and as of yes, mean is wonderful or

874
00:52:01,440 --> 00:52:04,440
Speaker 1: as Vandvance who played Ethel, but she she was amazing.

875
00:52:04,520 --> 00:52:07,360
Speaker 1: I mean j K. Simmons was great, like and fucking

876
00:52:07,440 --> 00:52:11,400
Speaker 1: Javier bar Dam was great, wonderful, wonderful. But we we

877
00:52:11,480 --> 00:52:13,359
Speaker 1: have talked about power of the dog. We have talked

878
00:52:13,360 --> 00:52:15,320
Speaker 1: about power of the dog. Let's talk about power of

879
00:52:15,360 --> 00:52:18,440
Speaker 1: the dog. Girl. See, this is the thing is it's

880
00:52:18,480 --> 00:52:21,040
Speaker 1: like this is written and directed by Jane Campion, and

881
00:52:21,160 --> 00:52:24,040
Speaker 1: that woman knows how to draw a fucking line through

882
00:52:24,080 --> 00:52:29,279
Speaker 1: a story, and like, so I love this and from

883
00:52:29,360 --> 00:52:33,040
Speaker 1: the very first moment that the when the when the

884
00:52:33,040 --> 00:52:36,640
Speaker 1: screen cuts the black and the score begins that like

885
00:52:36,760 --> 00:52:41,239
Speaker 1: it sounds like it sounds like a rope is being tightened, Like, oh,

886
00:52:41,400 --> 00:52:43,880
Speaker 1: I didn't think that, and I'm this is I'm up

887
00:52:43,880 --> 00:52:46,480
Speaker 1: to twice. But when I'm in my set in the

888
00:52:46,480 --> 00:52:48,560
Speaker 1: middle of my second time watching it, it's better. The

889
00:52:48,640 --> 00:52:54,560
Speaker 1: second time is brilliant. So like the tension starts right away,

890
00:52:54,600 --> 00:52:57,480
Speaker 1: and then he has that voiceover. First of all, Twink

891
00:52:57,520 --> 00:53:00,680
Speaker 1: doesn't even begin to describe him like he's more than that.

892
00:53:01,040 --> 00:53:04,040
Speaker 1: He is super Twink. He's murdered Twink. He's murdered Twink.

893
00:53:04,080 --> 00:53:06,400
Speaker 1: But I think he's I think he's not even like Twin.

894
00:53:06,520 --> 00:53:09,680
Speaker 1: I think there's something, there's another there's something we're missing here.

895
00:53:09,680 --> 00:53:14,680
Speaker 1: But keep going. Well, he is, he's impact. So he

896
00:53:14,920 --> 00:53:18,640
Speaker 1: says in the opening monologue, he goes, it's my job

897
00:53:18,800 --> 00:53:21,200
Speaker 1: to protect my mother. What kind of man would I

898
00:53:21,239 --> 00:53:23,359
Speaker 1: be if I didn't protect my mother? Or what kind

899
00:53:23,400 --> 00:53:25,000
Speaker 1: of sun would I be if I didn't my mother?

900
00:53:25,120 --> 00:53:28,200
Speaker 1: Something like that. So and then the movie starts, and

901
00:53:28,360 --> 00:53:31,280
Speaker 1: from this when you know what happens in the movie

902
00:53:31,560 --> 00:53:36,320
Speaker 1: and how the plot unfolds, This is a brilliant script.

903
00:53:36,920 --> 00:53:41,320
Speaker 1: This is a brilliant movie, like Jane Campion and and

904
00:53:41,480 --> 00:53:44,800
Speaker 1: just talk about like a tall order in terms of direction,

905
00:53:44,880 --> 00:53:48,560
Speaker 1: those scenes with the cattle, the atmosphere, the fact that

906
00:53:48,680 --> 00:53:51,120
Speaker 1: they felt like the only people in the world the

907
00:53:51,200 --> 00:53:55,080
Speaker 1: whole movie, like the vastness of the where they live,

908
00:53:55,200 --> 00:53:58,000
Speaker 1: but also the small, intimate nature of the house. Like

909
00:53:59,000 --> 00:54:03,120
Speaker 1: the perform says, you and I re enacted, We're not

910
00:54:03,160 --> 00:54:05,399
Speaker 1: going to do this. Well, we can if you want,

911
00:54:05,719 --> 00:54:08,400
Speaker 1: but you and I reenacted Kirston at the piano because

912
00:54:08,480 --> 00:54:12,880
Speaker 1: that is I see, I've forgotten how to play Kirston

913
00:54:12,960 --> 00:54:16,600
Speaker 1: deserves it is her time. It is her time. I

914
00:54:16,760 --> 00:54:19,120
Speaker 1: was listening to her own Fresh Air today and this

915
00:54:19,239 --> 00:54:21,680
Speaker 1: is like from an episode weeks ago, but like it

916
00:54:22,000 --> 00:54:25,640
Speaker 1: just her her process with this movie is she's being

917
00:54:25,680 --> 00:54:28,880
Speaker 1: so generous with like what she's telling you know, what

918
00:54:29,000 --> 00:54:31,480
Speaker 1: she's saying in interviews about like how she approached this character.

919
00:54:32,000 --> 00:54:34,239
Speaker 1: I'm learning so much and does that so stupid? I

920
00:54:34,400 --> 00:54:39,239
Speaker 1: know about like what when it I just just how

921
00:54:39,360 --> 00:54:43,239
Speaker 1: someone does their job effectively. Just in general, she's she's

922
00:54:43,280 --> 00:54:47,200
Speaker 1: giving a glimpse into her process. It's she's so good

923
00:54:47,280 --> 00:54:50,560
Speaker 1: in this it's crazy. Yeah, you've mentioned the dream work

924
00:54:50,680 --> 00:54:53,680
Speaker 1: that she says she does. I think that's fascinating, and

925
00:54:54,239 --> 00:54:57,719
Speaker 1: you know, like just the relationship she discusses having on

926
00:54:57,800 --> 00:55:00,399
Speaker 1: set with Benedict, who I did drag did I don't

927
00:55:00,400 --> 00:55:03,759
Speaker 1: think so, Honey for being um, you know method on

928
00:55:03,840 --> 00:55:05,719
Speaker 1: set to the point where he didn't shower and had

929
00:55:05,760 --> 00:55:08,279
Speaker 1: to keep away from everyone on set. But I think

930
00:55:08,360 --> 00:55:12,040
Speaker 1: Kirsten wanted was avoiding him. I think that she was

931
00:55:12,120 --> 00:55:13,799
Speaker 1: really smart and the way she played it where it's

932
00:55:13,800 --> 00:55:16,760
Speaker 1: just atmospherically, she was not allowing him into her space

933
00:55:16,840 --> 00:55:20,160
Speaker 1: so that when she saw him, he was truly imposing

934
00:55:20,239 --> 00:55:24,000
Speaker 1: and scared her and made her anxious. And it reads

935
00:55:25,080 --> 00:55:29,160
Speaker 1: so clearly like how trapped this woman is and how

936
00:55:29,440 --> 00:55:33,040
Speaker 1: steadily more trapped she feels throughout the movie. I'm telling

937
00:55:33,080 --> 00:55:36,320
Speaker 1: you that ropes out the score. Yeah, the score should

938
00:55:36,320 --> 00:55:40,160
Speaker 1: win the just how tight they make the atmosphere feel

939
00:55:40,560 --> 00:55:43,759
Speaker 1: for her, because the movie is about her anxiety. The

940
00:55:43,880 --> 00:55:48,480
Speaker 1: movie is about how she is a she is a

941
00:55:48,800 --> 00:55:51,799
Speaker 1: like about to burst, she was about to break. Yes,

942
00:55:52,719 --> 00:55:56,239
Speaker 1: the way the scene is cut together, I guess, I mean,

943
00:55:56,719 --> 00:55:58,920
Speaker 1: if I can tell that it's like really good direction

944
00:55:59,200 --> 00:56:00,920
Speaker 1: on the same token is like if I can tell

945
00:56:00,960 --> 00:56:02,799
Speaker 1: that it's bad direction, then it's bad. If I can tell,

946
00:56:02,840 --> 00:56:05,840
Speaker 1: if I can tell it's good, it's good because I'm stupid.

947
00:56:06,560 --> 00:56:09,160
Speaker 1: The scene where she's practicing the piano as he's playing

948
00:56:09,360 --> 00:56:14,920
Speaker 1: the banjo, I'm like, this is incredible, just so scary,

949
00:56:15,360 --> 00:56:19,799
Speaker 1: and she's and they're both performing it so well. Yeah. Oh,

950
00:56:19,880 --> 00:56:21,880
Speaker 1: She's like, look, it looks so weak at the piano,

951
00:56:22,040 --> 00:56:24,120
Speaker 1: not weak, but just like vulnerable, and she's just like

952
00:56:24,200 --> 00:56:28,080
Speaker 1: trying to like learn this defeat defeated. I mean, I

953
00:56:28,120 --> 00:56:31,640
Speaker 1: mean like she she truly you genuinely. I mean, the

954
00:56:31,719 --> 00:56:34,720
Speaker 1: movie doesn't work if it's not a battle for her life.

955
00:56:35,560 --> 00:56:38,399
Speaker 1: So it's like, you know, her son and her new

956
00:56:38,480 --> 00:56:41,960
Speaker 1: brother in law are like literally at the end of

957
00:56:42,000 --> 00:56:45,719
Speaker 1: the movie, basically faced with they're on different sides of

958
00:56:45,800 --> 00:56:48,280
Speaker 1: the agreement of whether she should be happy or unhappy,

959
00:56:48,760 --> 00:56:50,920
Speaker 1: and you know what I mean, like and just the

960
00:56:51,080 --> 00:56:55,680
Speaker 1: way that the ending unfolds. Cody Smith McPhee. He's been

961
00:56:55,719 --> 00:56:58,279
Speaker 1: winning everything in terms of the critics awards, Like he

962
00:56:58,680 --> 00:57:03,760
Speaker 1: I mean, this is a performance you will always remember.

963
00:57:04,080 --> 00:57:07,040
Speaker 1: You will never forget him in this movie, Like it's

964
00:57:07,080 --> 00:57:10,440
Speaker 1: just a boy, You'll never forget. The hula hooping. The

965
00:57:10,520 --> 00:57:14,640
Speaker 1: specificity of that decision, like so much of it was

966
00:57:15,640 --> 00:57:18,680
Speaker 1: so like he made little paper flowers, do you know

967
00:57:18,720 --> 00:57:21,040
Speaker 1: what I mean? Like, I'm just like, this movie is

968
00:57:21,880 --> 00:57:26,560
Speaker 1: his movie is about a fagot. It is a faget

969
00:57:26,600 --> 00:57:29,920
Speaker 1: and the women they worship. Yes, honey, a fagot and

970
00:57:30,040 --> 00:57:34,600
Speaker 1: his mother. That's what's what should be called? Is that

971
00:57:34,680 --> 00:57:37,600
Speaker 1: I how to a fagot and his mother? Faggot? It

972
00:57:37,600 --> 00:57:41,040
Speaker 1: should be called Power of the Dog and his Mother.

973
00:57:42,040 --> 00:57:44,080
Speaker 1: Oh my god, we'll be getting so much trouble. No,

974
00:57:45,640 --> 00:57:50,920
Speaker 1: let's do it. Anyways, that movie was something. I need

975
00:57:50,960 --> 00:57:54,160
Speaker 1: to watch it again. I've been meaning to um Jesse too.

976
00:57:54,360 --> 00:57:59,000
Speaker 1: Jesse was great, Oh fab Jesse Plemons is he's such

977
00:57:59,040 --> 00:58:01,560
Speaker 1: a good actor. I mean just everyone from top to bottom.

978
00:58:01,560 --> 00:58:04,600
Speaker 1: But I'm telling you, like just this every decision that

979
00:58:04,680 --> 00:58:07,320
Speaker 1: they made, and I love when the score really feels

980
00:58:07,360 --> 00:58:11,560
Speaker 1: atmosphere like and that's so it's it's such an amazing

981
00:58:11,760 --> 00:58:14,600
Speaker 1: tool that I wish more movies would get more risky

982
00:58:14,680 --> 00:58:18,480
Speaker 1: with in terms of how to um strengthen the story.

983
00:58:18,800 --> 00:58:21,680
Speaker 1: Like I just it's I don't know, I just love

984
00:58:21,800 --> 00:58:25,720
Speaker 1: that element of it all. Did you feel as though

985
00:58:26,480 --> 00:58:31,880
Speaker 1: the Lost Daughter gave you as much excitement and passion.

986
00:58:32,640 --> 00:58:38,520
Speaker 1: I was very anxious. Another movie about anxious woman. It

987
00:58:38,680 --> 00:58:44,680
Speaker 1: is anxious times. It is anxious times, and literally Final

988
00:58:44,720 --> 00:58:47,040
Speaker 1: Fantasy fourteen is about like the world ending, and it

989
00:58:47,200 --> 00:58:49,840
Speaker 1: in a way that it's so like visceral and scary,

990
00:58:49,960 --> 00:58:53,120
Speaker 1: not like oh Apocalypse anyway. I'm just saying like there's

991
00:58:53,160 --> 00:58:56,919
Speaker 1: just a lot of like anxious content out there. I tried.

992
00:58:57,160 --> 00:59:00,160
Speaker 1: I tried to start Station eleven, and I just need

993
00:59:00,240 --> 00:59:01,480
Speaker 1: to I just need to go back to it at

994
00:59:01,520 --> 00:59:03,880
Speaker 1: some point. But I know it's brilliant and I know

995
00:59:04,000 --> 00:59:06,840
Speaker 1: it's wonderful and that and Tira Mariah is the genius,

996
00:59:06,880 --> 00:59:10,000
Speaker 1: but I need to just like not watch that, especially

997
00:59:10,040 --> 00:59:13,120
Speaker 1: after having watched Don't Look Up. Um okay, but sorry,

998
00:59:13,240 --> 00:59:16,960
Speaker 1: Lost Daughter. I really enjoyed it, loved I loved it.

999
00:59:17,240 --> 00:59:19,560
Speaker 1: I felt like I was Dakota at the end, you

1000
00:59:19,680 --> 00:59:23,360
Speaker 1: were Dakota. She she just is my favorite type of

1001
00:59:23,480 --> 00:59:26,840
Speaker 1: character in the film. Yeah, angry hot girl. She was

1002
00:59:27,000 --> 00:59:31,080
Speaker 1: gorgeous in that. She was so beautiful in it. It

1003
00:59:31,240 --> 00:59:35,240
Speaker 1: was so shocking and like, yes, you get it because

1004
00:59:35,280 --> 00:59:37,360
Speaker 1: Olivia Coleman is there and you're like, yeah, that is

1005
00:59:37,480 --> 00:59:40,440
Speaker 1: the girl. You stare out at the beach that is

1006
00:59:40,520 --> 00:59:42,720
Speaker 1: the girl, like you know, and then when she comes

1007
00:59:42,760 --> 00:59:45,200
Speaker 1: over and is like giving her attention, It's like it

1008
00:59:45,440 --> 00:59:47,400
Speaker 1: is a little like part of me was like a

1009
00:59:47,480 --> 00:59:50,040
Speaker 1: little like it was like a little psycho sexual for me.

1010
00:59:50,240 --> 00:59:54,400
Speaker 1: I was like, I was like living. I really enjoyed.

1011
00:59:55,520 --> 00:59:59,160
Speaker 1: I'm sorry, I'm just repeating myself. But like the so

1012
00:59:59,240 --> 01:00:02,400
Speaker 1: apparently the end ending is different from the book. Huh.

1013
01:00:02,840 --> 01:00:05,760
Speaker 1: So in the end she like spoiler alert, Oh people

1014
01:00:05,800 --> 01:00:07,400
Speaker 1: make it mad. Well, I just let me just say

1015
01:00:07,440 --> 01:00:11,600
Speaker 1: that the endings are different, um, but that the dull

1016
01:00:11,720 --> 01:00:15,520
Speaker 1: missing really was giving me anxiety up to up to

1017
01:00:15,640 --> 01:00:17,840
Speaker 1: the Favorite Pitch and in the in the in the climb,

1018
01:00:17,880 --> 01:00:19,720
Speaker 1: and just in the in the sort of ending moments

1019
01:00:19,760 --> 01:00:22,200
Speaker 1: of the movie. Well, something really smart that I thought

1020
01:00:22,240 --> 01:00:26,720
Speaker 1: that Maggie Gillenhal did in order to create tension and

1021
01:00:27,120 --> 01:00:31,360
Speaker 1: like irritation in every scene is in the In this

1022
01:00:32,000 --> 01:00:36,360
Speaker 1: Anatomy of Seeing that that I watched on YouTube, she

1023
01:00:36,560 --> 01:00:39,800
Speaker 1: was talking about how like the crying of the babies,

1024
01:00:39,960 --> 01:00:42,600
Speaker 1: like the volume was never lowered, so like in the

1025
01:00:42,760 --> 01:00:45,960
Speaker 1: scenes where like this the girls around and crying, you

1026
01:00:46,160 --> 01:00:49,320
Speaker 1: hear it the whole time because it's like really important

1027
01:00:49,360 --> 01:00:54,520
Speaker 1: in the movie that you understand like what it genuinely

1028
01:00:54,840 --> 01:00:58,160
Speaker 1: is to be around a child and the responsibility of

1029
01:00:58,920 --> 01:01:01,960
Speaker 1: being like sort of like irritated by that noise, but

1030
01:01:02,080 --> 01:01:06,280
Speaker 1: responsible for that noise. May never want to have a child.

1031
01:01:07,280 --> 01:01:09,600
Speaker 1: And I think that that was just I think Maggie

1032
01:01:09,680 --> 01:01:12,120
Speaker 1: Jillen Hall fucking knocked this out of the part. She

1033
01:01:13,040 --> 01:01:14,960
Speaker 1: is amazing and I can't wait to see more from

1034
01:01:15,000 --> 01:01:16,880
Speaker 1: her as a as a writer and director. I mean,

1035
01:01:17,640 --> 01:01:21,040
Speaker 1: come on Slam, which she wrote. Yes, it's based on

1036
01:01:21,120 --> 01:01:26,360
Speaker 1: it's based on novel. But I mean, so she's she's

1037
01:01:26,400 --> 01:01:29,480
Speaker 1: probably what's what else is adapted going to be? She's

1038
01:01:29,560 --> 01:01:32,800
Speaker 1: certainly getting a words attention. Yeah, I think I think

1039
01:01:32,840 --> 01:01:34,960
Speaker 1: she will be nominated west Side will be nominated for

1040
01:01:35,000 --> 01:01:37,960
Speaker 1: adapted of course. Yes, well, she has the Best Director

1041
01:01:38,040 --> 01:01:40,960
Speaker 1: nomination from the Golden Globe Awards. She didn't win, but

1042
01:01:41,440 --> 01:01:44,000
Speaker 1: she is, like in that conversation. But in terms of

1043
01:01:44,040 --> 01:01:46,080
Speaker 1: adapted screenplay, yeah, I mean I think Power of the

1044
01:01:46,120 --> 01:01:50,120
Speaker 1: Dog is winning. Oh it was a book. Yeah, Oh

1045
01:01:50,240 --> 01:01:52,600
Speaker 1: I didn't. Oh that's right, I knew this. I knew this. Yes, yeah,

1046
01:01:53,000 --> 01:01:56,680
Speaker 1: so it's an adapted screenplay but anyway, um, yeah, and

1047
01:01:56,720 --> 01:01:59,280
Speaker 1: then original is interesting. I mean, Don't Look Up is

1048
01:01:59,320 --> 01:02:01,680
Speaker 1: definitely in that kind presition, as is being the Ricardo's

1049
01:02:01,720 --> 01:02:03,640
Speaker 1: what did you feel about Don't Look Up? People are

1050
01:02:04,040 --> 01:02:08,200
Speaker 1: polar raw polarized. I didn't hate it because I was

1051
01:02:08,280 --> 01:02:09,960
Speaker 1: led to believe that it was like one of the

1052
01:02:10,040 --> 01:02:13,200
Speaker 1: worst films ever made. But but then we're talking about online.

1053
01:02:13,680 --> 01:02:16,640
Speaker 1: I watched it and the only big thing that bumps

1054
01:02:16,680 --> 01:02:20,520
Speaker 1: me out is, well, you know, it's that thing where

1055
01:02:20,720 --> 01:02:22,640
Speaker 1: I hate This sounds so annoying, but you know, it's

1056
01:02:22,640 --> 01:02:26,520
Speaker 1: like people say, like satire is not effective. Saturny is

1057
01:02:26,520 --> 01:02:28,400
Speaker 1: like a clarity of purpose and a clear target. Otherwise

1058
01:02:28,400 --> 01:02:30,560
Speaker 1: it just contributes to the thing that it's trying to satirize.

1059
01:02:30,560 --> 01:02:33,920
Speaker 1: I think that's textbook what this movie kind of like

1060
01:02:34,360 --> 01:02:37,880
Speaker 1: falls into, where it's like it's being very cynical about

1061
01:02:38,680 --> 01:02:41,520
Speaker 1: the cynicism of people, like and the way it shows

1062
01:02:41,560 --> 01:02:45,800
Speaker 1: people cynicism is very cynical, and so therefore it just

1063
01:02:45,920 --> 01:02:48,600
Speaker 1: contributes to the cynicism. And so you watch the movie

1064
01:02:48,640 --> 01:02:50,240
Speaker 1: and you're supposed to and I know you're supposed to

1065
01:02:50,320 --> 01:02:54,040
Speaker 1: feel like really bummed, like bummed oo, but um, I

1066
01:02:54,160 --> 01:02:56,760
Speaker 1: just think there was no like the way it was

1067
01:02:56,880 --> 01:03:00,920
Speaker 1: a political to me, made it have note teeth, and

1068
01:03:01,000 --> 01:03:04,360
Speaker 1: I think I'm sure it wasn't Anima Kay's decision. I'm

1069
01:03:04,400 --> 01:03:06,200
Speaker 1: sure he got notes where it was like you can't

1070
01:03:06,280 --> 01:03:11,480
Speaker 1: alienate like a political party here. But performances were fun.

1071
01:03:11,960 --> 01:03:14,200
Speaker 1: Um totally, it was kind of a mess, Like I

1072
01:03:14,360 --> 01:03:17,280
Speaker 1: kind of I think I really enjoyed the parts were

1073
01:03:17,360 --> 01:03:19,520
Speaker 1: like it felt like a broad comedy, like when are

1074
01:03:19,680 --> 01:03:21,600
Speaker 1: like during orian a song and like the lyrics being

1075
01:03:21,640 --> 01:03:24,200
Speaker 1: so ridiculous. I'm like, see, like now it feels like

1076
01:03:24,240 --> 01:03:27,120
Speaker 1: an old Adam McCay movie that I love to watch,

1077
01:03:27,360 --> 01:03:29,560
Speaker 1: And why can't it be more like that instead of this,

1078
01:03:29,720 --> 01:03:34,280
Speaker 1: like I don't know, um dramatically or just totally tense,

1079
01:03:34,400 --> 01:03:38,760
Speaker 1: convoluted thing. Yeah, I think that it could have like basically,

1080
01:03:39,280 --> 01:03:41,480
Speaker 1: you'll agree with me when I say it just didn't

1081
01:03:41,520 --> 01:03:45,480
Speaker 1: really have any heart, and so that made it hard.

1082
01:03:45,600 --> 01:03:49,680
Speaker 1: And I completely understand in a script where you know,

1083
01:03:50,240 --> 01:03:54,120
Speaker 1: characters are that cardboard, where that would be fine and like,

1084
01:03:54,240 --> 01:03:55,880
Speaker 1: you know, we could sort of move through this as

1085
01:03:55,920 --> 01:03:58,800
Speaker 1: a satire. But I also thought that there were moments

1086
01:03:58,840 --> 01:04:00,760
Speaker 1: where we could have cared about the characters, or maybe

1087
01:04:00,800 --> 01:04:03,040
Speaker 1: they wanted us to care about the characters and I

1088
01:04:03,160 --> 01:04:06,000
Speaker 1: just never got there for any of them. I think

1089
01:04:06,120 --> 01:04:09,440
Speaker 1: by the numbers, I think that script like it definitely

1090
01:04:09,520 --> 01:04:11,919
Speaker 1: did what it was setting out to do. It definitely made,

1091
01:04:12,440 --> 01:04:16,680
Speaker 1: you know, made me think yes. But also these are things,

1092
01:04:16,760 --> 01:04:19,320
Speaker 1: of course I've already thought about a million times. I

1093
01:04:19,400 --> 01:04:23,200
Speaker 1: feel like we've made this assessment before. But that could

1094
01:04:23,320 --> 01:04:26,160
Speaker 1: just be because the media landscape is different now, and

1095
01:04:26,240 --> 01:04:29,080
Speaker 1: we feel like Twitter, you know, it's so hard to

1096
01:04:29,120 --> 01:04:30,880
Speaker 1: be on top of it that it was just kind

1097
01:04:30,880 --> 01:04:33,320
Speaker 1: of impossible for this movie to be like exactly on

1098
01:04:33,440 --> 01:04:36,960
Speaker 1: the nose, like nailed it um and so, you know,

1099
01:04:37,280 --> 01:04:40,560
Speaker 1: admirable try. But the thing is, I guess I just

1100
01:04:40,680 --> 01:04:44,240
Speaker 1: wish I cared more about the characters ultimately, because I

1101
01:04:44,360 --> 01:04:47,680
Speaker 1: certainly was laughing. I mean, maybe it could have been

1102
01:04:47,800 --> 01:04:50,840
Speaker 1: just a punched up a little bit, but I definitely

1103
01:04:50,880 --> 01:04:52,520
Speaker 1: thought a lot of it was funny. I mean when

1104
01:04:52,520 --> 01:04:54,880
Speaker 1: they when they made big choices, like, I was down

1105
01:04:54,960 --> 01:04:58,360
Speaker 1: for it. I just wonder if there's a fucking incredible

1106
01:04:58,480 --> 01:05:04,600
Speaker 1: movie like hidden somewhere. I know there, I'm sure there was. Weirdly, like,

1107
01:05:04,680 --> 01:05:08,160
Speaker 1: my favorite scene was like Leo and Cape Lan chat

1108
01:05:08,360 --> 01:05:11,400
Speaker 1: like talking postcoital that first time. Yeah, Okay, let's like

1109
01:05:11,600 --> 01:05:13,480
Speaker 1: share details about I mean, like yeah, like that's like

1110
01:05:14,160 --> 01:05:16,120
Speaker 1: why that Why is that coming like an hour into

1111
01:05:16,160 --> 01:05:18,480
Speaker 1: the movie or whatever? Like why can this have been

1112
01:05:18,720 --> 01:05:21,640
Speaker 1: much sooner? I know a single thing about Leo's character.

1113
01:05:21,840 --> 01:05:24,240
Speaker 1: It was forty minutes too long, too, Yeah, And I

1114
01:05:24,320 --> 01:05:26,320
Speaker 1: mean that's pretty much a note I have for almost

1115
01:05:26,360 --> 01:05:29,920
Speaker 1: everything is forty minutes too long. That's the number it

1116
01:05:30,000 --> 01:05:33,200
Speaker 1: really is for you. And it's giving forty even for

1117
01:05:33,280 --> 01:05:36,240
Speaker 1: the TV shows, the proportion it doesn't proportionize, it's still

1118
01:05:36,280 --> 01:05:38,720
Speaker 1: forty minutes. Well. This is another thing I wanted to say,

1119
01:05:38,880 --> 01:05:40,640
Speaker 1: is just like when I when I think about like

1120
01:05:41,040 --> 01:05:44,600
Speaker 1: like film versus TV, it's like I thought, don't look up. Yeah,

1121
01:05:44,640 --> 01:05:46,520
Speaker 1: I was like, it's a good satire. Then I watched

1122
01:05:46,520 --> 01:05:51,600
Speaker 1: starch Party season five. That that is a brilliant I mean,

1123
01:05:52,000 --> 01:05:55,120
Speaker 1: it honestly not made me like don't look up less.

1124
01:05:55,160 --> 01:05:58,400
Speaker 1: But I just compared them as satires of our culture.

1125
01:05:58,520 --> 01:06:01,400
Speaker 1: And maybe because like Search Party has been able to

1126
01:06:01,560 --> 01:06:04,240
Speaker 1: examine more and get more specific about what they're doing,

1127
01:06:04,840 --> 01:06:08,280
Speaker 1: they're able to achieve it in a much better way.

1128
01:06:08,400 --> 01:06:11,320
Speaker 1: But I just thought that dwarfed Don't look Up as

1129
01:06:11,360 --> 01:06:14,600
Speaker 1: a satire. This last season do you know about it?

1130
01:06:14,960 --> 01:06:17,400
Speaker 1: I know about it. I have not started yet because

1131
01:06:17,600 --> 01:06:20,640
Speaker 1: I have just been very busy, too busy, and that's

1132
01:06:20,680 --> 01:06:23,160
Speaker 1: not a good enough excuse as a true Search Party

1133
01:06:23,240 --> 01:06:29,440
Speaker 1: stand hosted the podcast less did I wanted to, like,

1134
01:06:29,600 --> 01:06:32,000
Speaker 1: I want to really sit with it. Yeah, it just

1135
01:06:32,120 --> 01:06:33,880
Speaker 1: fucking knocked it out of the park. I think they

1136
01:06:33,960 --> 01:06:38,400
Speaker 1: made insane choices, but and I was like, this is

1137
01:06:38,920 --> 01:06:42,640
Speaker 1: people who are decidedly not third graders, but didn't forget

1138
01:06:42,720 --> 01:06:46,720
Speaker 1: their inner third grader. They made things happen on this show.

1139
01:06:46,880 --> 01:06:49,440
Speaker 1: This show went for it, like you can't even fucking

1140
01:06:49,480 --> 01:06:53,280
Speaker 1: imagine it becomes a different genre. It's truly thrilling. But

1141
01:06:53,400 --> 01:06:55,640
Speaker 1: that's what Search Party is always that, that's the beauty

1142
01:06:55,680 --> 01:06:59,160
Speaker 1: of Search Party. It seemed as genres every fucking season. Yes,

1143
01:06:59,280 --> 01:07:01,120
Speaker 1: well they just did it again and then like on

1144
01:07:01,240 --> 01:07:03,320
Speaker 1: top of it all being as inventive and creative and

1145
01:07:03,400 --> 01:07:06,320
Speaker 1: hilarious as they are. Like the performances are again amazing.

1146
01:07:06,920 --> 01:07:10,480
Speaker 1: I mean, fucking Aliyah shock Cat should be nominated for

1147
01:07:10,600 --> 01:07:14,240
Speaker 1: an Emmy for this. And like John Earl and Meredith Hagner,

1148
01:07:14,320 --> 01:07:17,800
Speaker 1: these performances are amazing. John Reynolds like across the board,

1149
01:07:18,280 --> 01:07:22,160
Speaker 1: like these they're fucking crushing it. I mean, John is

1150
01:07:22,440 --> 01:07:26,520
Speaker 1: so funny on it, Meredith Hagner is so incredible on

1151
01:07:26,640 --> 01:07:32,440
Speaker 1: that show, and it's just thematically. It fucking fucking nailed

1152
01:07:32,480 --> 01:07:35,080
Speaker 1: it as a series finale. And I'll just say, without

1153
01:07:35,120 --> 01:07:38,760
Speaker 1: giving away too much, like this is the big conversation

1154
01:07:38,880 --> 01:07:41,800
Speaker 1: about spoiler culture, about when is it okay? Like when

1155
01:07:41,960 --> 01:07:45,280
Speaker 1: is it okay to talk about search Party? I don't know, Yeah,

1156
01:07:45,280 --> 01:07:47,080
Speaker 1: I I really don't know. And this is the conversation.

1157
01:07:47,120 --> 01:07:49,880
Speaker 1: You're right, not ya, but we won't but we won't

1158
01:07:49,920 --> 01:07:51,720
Speaker 1: spoil it here. We won't spoil it here. I just

1159
01:07:51,920 --> 01:07:55,360
Speaker 1: I'm over the moon about it. And shout out to Greta,

1160
01:07:55,400 --> 01:07:57,360
Speaker 1: shout out to Larry, shout out to Joe Castle Baker,

1161
01:07:57,400 --> 01:08:00,040
Speaker 1: shout out to Grace con Schmidt, shout out to like

1162
01:08:00,160 --> 01:08:02,200
Speaker 1: so many people on that fucking cast that nailed it.

1163
01:08:02,360 --> 01:08:07,320
Speaker 1: I mean, it was just so good. Josh Sharp, oh

1164
01:08:07,360 --> 01:08:10,320
Speaker 1: my god, was amazing in it. Like, just you gotta

1165
01:08:10,360 --> 01:08:19,960
Speaker 1: watch Jires, Jeffrey self. I literally I am obsessed with

1166
01:08:20,040 --> 01:08:24,880
Speaker 1: the show. Oh, okay, amazing. It is such an incredible show.

1167
01:08:25,479 --> 01:08:29,000
Speaker 1: And like I do think, I do think Charles and

1168
01:08:29,120 --> 01:08:33,360
Speaker 1: SBR geniuses. I mean true geniuses. It's just wild. Yeah.

1169
01:08:33,800 --> 01:08:36,920
Speaker 1: Can I just quickly say euphoria is off to really

1170
01:08:37,000 --> 01:08:39,600
Speaker 1: the more anxiety content. It's just the whole episode of

1171
01:08:39,600 --> 01:08:43,080
Speaker 1: his anxiety. It's it's almost like it's always been gratuitous.

1172
01:08:43,120 --> 01:08:46,080
Speaker 1: It's always you could argue been about style of a

1173
01:08:46,160 --> 01:08:48,679
Speaker 1: substance in a way, and like that's fine. The fact

1174
01:08:48,720 --> 01:08:51,080
Speaker 1: that you still get these amazing This is the thing

1175
01:08:51,080 --> 01:08:52,560
Speaker 1: I want to put an out about Ehooria in my

1176
01:08:52,680 --> 01:08:54,760
Speaker 1: mind is that it is it is a show that

1177
01:08:55,240 --> 01:08:58,679
Speaker 1: you watch and you go, I don't remember anything that's happened,

1178
01:08:59,400 --> 01:09:01,960
Speaker 1: but I remember all these people, which is to say

1179
01:09:02,000 --> 01:09:05,160
Speaker 1: that the writing and the storytelling is not super strong

1180
01:09:06,080 --> 01:09:09,960
Speaker 1: and has been called week I think. But meanwhile, in

1181
01:09:10,080 --> 01:09:13,439
Speaker 1: spite of that, all the actors have incredible performances, and

1182
01:09:13,479 --> 01:09:15,360
Speaker 1: I think that is still a show that it's absolutely

1183
01:09:15,400 --> 01:09:17,880
Speaker 1: a show worth watching. And then like all these people

1184
01:09:17,920 --> 01:09:19,600
Speaker 1: like you know, like I think their household names at

1185
01:09:19,640 --> 01:09:24,200
Speaker 1: this point in household but like you knows. And by

1186
01:09:24,280 --> 01:09:28,760
Speaker 1: the way, oh my god, Sydney is one of one

1187
01:09:28,800 --> 01:09:30,600
Speaker 1: of the greats. I mean, I think she's been anointed,

1188
01:09:32,320 --> 01:09:34,000
Speaker 1: but like I mean, White Lotus, I was like, oh

1189
01:09:34,080 --> 01:09:36,160
Speaker 1: my god. Yeah, that's the that's like the quiet, shy

1190
01:09:36,280 --> 01:09:40,720
Speaker 1: girl from Euphoria. She's but after White Lotus, I was like, Okay, great,

1191
01:09:40,800 --> 01:09:43,639
Speaker 1: Like I loved that character of that performance. She does something.

1192
01:09:43,720 --> 01:09:45,800
Speaker 1: She does so many things in this first episode of

1193
01:09:45,840 --> 01:09:50,200
Speaker 1: this season that I'm like, Jesus Christ, absolute star, um.

1194
01:09:50,400 --> 01:09:51,760
Speaker 1: You will hate it because there's just a lot of

1195
01:09:51,880 --> 01:09:54,240
Speaker 1: violence and like it starts out in like a very

1196
01:09:54,320 --> 01:09:57,640
Speaker 1: Scorsesey way and it kind of maintains that throughout the

1197
01:09:57,640 --> 01:09:59,640
Speaker 1: rest of the episode, where there's just a lot of

1198
01:09:59,680 --> 01:10:04,200
Speaker 1: like violence and drugs and like just like crazy ship

1199
01:10:04,439 --> 01:10:08,120
Speaker 1: and it's hard to watch. Honestly. Yeah, I don't know.

1200
01:10:08,200 --> 01:10:11,560
Speaker 1: I I feel like, my my, I will watch it

1201
01:10:11,640 --> 01:10:13,560
Speaker 1: and I will check it out. But it's just like,

1202
01:10:13,840 --> 01:10:16,040
Speaker 1: like you've been saying, like so much of media is

1203
01:10:16,080 --> 01:10:19,160
Speaker 1: anxious lately that I'm just like, I think that's why

1204
01:10:19,200 --> 01:10:22,719
Speaker 1: I gravitate towards a lot of lighter things, just because

1205
01:10:23,000 --> 01:10:26,120
Speaker 1: I like so many I don't want to add anxiety

1206
01:10:26,200 --> 01:10:28,600
Speaker 1: into my plate. But I'm saying even like and just

1207
01:10:28,760 --> 01:10:31,479
Speaker 1: like that is anxiety content now because with what I'm saying,

1208
01:10:31,520 --> 01:10:33,200
Speaker 1: it's like every scene is like I hope I don't

1209
01:10:33,320 --> 01:10:36,000
Speaker 1: say the wrong thing. Or do the like and even

1210
01:10:36,080 --> 01:10:39,920
Speaker 1: also even that show is killing and destroying. Yes, oh,

1211
01:10:40,080 --> 01:10:46,160
Speaker 1: death is suffering everywhere, killing and destroying, like Frieda suffered,

1212
01:10:46,280 --> 01:10:48,640
Speaker 1: but it's still that bitch. That isn't just like that

1213
01:10:49,720 --> 01:10:55,040
Speaker 1: Carry Bradshaw. She has suffered and she is still that girl.

1214
01:10:55,479 --> 01:10:57,880
Speaker 1: Should the title be she has suffered and she is

1215
01:10:57,920 --> 01:11:01,519
Speaker 1: still that girl? I think we need some context. So

1216
01:11:01,720 --> 01:11:05,479
Speaker 1: either it's power of the dog a Faget his mother,

1217
01:11:06,960 --> 01:11:11,439
Speaker 1: or it's Frieda she has suffered, Frieda Colin. She has suffered,

1218
01:11:12,439 --> 01:11:16,040
Speaker 1: but the episode is not about freed to. The episode

1219
01:11:16,479 --> 01:11:21,280
Speaker 1: theme is she has suffered and she is still that girl. Fine, okay, yes,

1220
01:11:21,400 --> 01:11:23,479
Speaker 1: you're right, you're right. I love that as a long

1221
01:11:23,640 --> 01:11:27,439
Speaker 1: title for us. Yes, yes, yes, she has suffered and

1222
01:11:27,560 --> 01:11:32,400
Speaker 1: she is still that that's us because it's not thank

1223
01:11:32,439 --> 01:11:34,320
Speaker 1: you for making me, and she's still instead of but

1224
01:11:34,520 --> 01:11:37,080
Speaker 1: she is still because it's not in spite of something.

1225
01:11:37,520 --> 01:11:43,559
Speaker 1: It's in addition to mama and maybe even a direct result. Honey, darling, deer,

1226
01:11:43,920 --> 01:11:46,680
Speaker 1: let me tell you something. Tell me what doesn't kill

1227
01:11:46,760 --> 01:11:59,160
Speaker 1: you makes you strong? Doesn't when alone? Girl, I think

1228
01:11:59,160 --> 01:12:01,920
Speaker 1: it's time to move on. I'm looking at my list here, like,

1229
01:12:02,000 --> 01:12:04,360
Speaker 1: what did we miss like, Oh, I didn't tell you

1230
01:12:04,439 --> 01:12:06,519
Speaker 1: I watched all of Ted last with my parents, just kidding.

1231
01:12:06,560 --> 01:12:08,559
Speaker 1: Yes I did. I'd meant I didn't tell the readers.

1232
01:12:08,680 --> 01:12:11,639
Speaker 1: I did. I love that show. Have you watching Project Runway?

1233
01:12:12,080 --> 01:12:13,840
Speaker 1: I haven't, but I heard about this house I cha

1234
01:12:14,040 --> 01:12:16,000
Speaker 1: this season is amazing and the housewives were on a challenge.

1235
01:12:16,040 --> 01:12:19,200
Speaker 1: And I've never screamed before at a Project Runway, um

1236
01:12:19,400 --> 01:12:21,920
Speaker 1: final runway, but I was screaming up off my feet,

1237
01:12:22,040 --> 01:12:26,080
Speaker 1: screaming the housewives and the and the and the way

1238
01:12:26,160 --> 01:12:28,720
Speaker 1: that they wore them. Who was there? It was Wendy, Giselle,

1239
01:12:29,200 --> 01:12:32,960
Speaker 1: It was Wendy, Giselle and Karen from it was Sharence

1240
01:12:33,000 --> 01:12:36,400
Speaker 1: Storms and um Gina from which, by the way, I

1241
01:12:36,479 --> 01:12:38,519
Speaker 1: started watching o C and I'm obsessed. And they picked

1242
01:12:38,560 --> 01:12:41,800
Speaker 1: two good ones and from New York it was Leah

1243
01:12:41,920 --> 01:12:45,240
Speaker 1: and Lou and so was all of them. And then

1244
01:12:45,439 --> 01:12:48,840
Speaker 1: I have to tell you the way that Giselle and

1245
01:12:49,040 --> 01:12:52,200
Speaker 1: Lou looked on the runway, and also Shannon, like bo

1246
01:12:52,280 --> 01:12:58,720
Speaker 1: when you and look good, they looked amazing. They looked amazing.

1247
01:12:59,280 --> 01:13:01,680
Speaker 1: This is the to have the potential of Giselle. If

1248
01:13:01,680 --> 01:13:04,519
Speaker 1: you put her in good clothes, she wore this. Like,

1249
01:13:04,640 --> 01:13:06,439
Speaker 1: I'm telling you you have to watch the episode. Everyone

1250
01:13:06,560 --> 01:13:09,400
Speaker 1: just watched the episode of Project Runway this season with

1251
01:13:09,479 --> 01:13:11,720
Speaker 1: the Housewives, even if you don't watch it. If you do,

1252
01:13:11,960 --> 01:13:16,519
Speaker 1: you know this season is I'm yeah, please, like it

1253
01:13:16,680 --> 01:13:19,680
Speaker 1: is so so good. I personally am team Chastity, but

1254
01:13:19,840 --> 01:13:23,320
Speaker 1: I also think that Chantelle might win. Okay, but and

1255
01:13:23,479 --> 01:13:26,560
Speaker 1: but those are my predictions. But anyway, this episode was

1256
01:13:27,040 --> 01:13:29,439
Speaker 1: absolute fire and Wendy gets into it with one of

1257
01:13:29,479 --> 01:13:34,280
Speaker 1: the contestants, Christina. I said, Dr Wendy, I don't know, No,

1258
01:13:34,880 --> 01:13:37,120
Speaker 1: we have to. She's a former guest. I mean, I

1259
01:13:37,200 --> 01:13:41,200
Speaker 1: stand by her. But that got there for me where

1260
01:13:41,200 --> 01:13:43,680
Speaker 1: I was like, oh, no, is there going to be

1261
01:13:43,760 --> 01:13:46,679
Speaker 1: conflict on the episode between the housewife and the designer?

1262
01:13:46,760 --> 01:13:48,960
Speaker 1: And there was and it was our girl, Dr Wendy.

1263
01:13:49,200 --> 01:13:52,080
Speaker 1: But I think I agree with her. Okay, And that's

1264
01:13:52,439 --> 01:13:54,400
Speaker 1: that's all that matters. All right. Let me see what

1265
01:13:54,479 --> 01:13:55,640
Speaker 1: do we think of them? What do we think of

1266
01:13:55,720 --> 01:13:59,320
Speaker 1: drag Race? Oh well, obviously we're team Willow Pill and

1267
01:13:59,360 --> 01:14:04,639
Speaker 1: team corn Read absolutely. I mean just already the Runaway stars.

1268
01:14:05,000 --> 01:14:08,200
Speaker 1: Were there any other contestants? Bosco is going to be interesting.

1269
01:14:08,280 --> 01:14:14,320
Speaker 1: I think definitely he's of interest of interest. Um, but

1270
01:14:14,439 --> 01:14:18,760
Speaker 1: Cornbread is a superstarread is narrating already, like getting so

1271
01:14:18,880 --> 01:14:23,040
Speaker 1: much praise. She she has it all. Willow Phill maybe

1272
01:14:23,160 --> 01:14:26,240
Speaker 1: a comedic icon. Someone said this in the group chat

1273
01:14:26,360 --> 01:14:28,879
Speaker 1: the other night. But the fact that Willow Hill posts

1274
01:14:28,960 --> 01:14:33,519
Speaker 1: like quality means on her stories means means good thing

1275
01:14:33,640 --> 01:14:38,160
Speaker 1: means that. Yes, Joe and Booster said that, and I

1276
01:14:38,240 --> 01:14:41,240
Speaker 1: mean I think I have. There hasn't been an entrance

1277
01:14:41,680 --> 01:14:43,960
Speaker 1: in a while that has stuck with me this way

1278
01:14:44,360 --> 01:14:49,280
Speaker 1: where am I the angle shirt and the fact that

1279
01:14:49,400 --> 01:14:52,360
Speaker 1: that's how she came into the world. And then you remember,

1280
01:14:52,360 --> 01:14:54,360
Speaker 1: remember the remember the part where like in the workroom

1281
01:14:54,439 --> 01:14:56,920
Speaker 1: and in the beginning where like her sunglasses kept falling off.

1282
01:14:57,800 --> 01:14:59,679
Speaker 1: If you go back and watch that, it's really funny.

1283
01:14:59,720 --> 01:15:02,960
Speaker 1: The first time that happens, she goes, oh shit, like

1284
01:15:03,240 --> 01:15:07,400
Speaker 1: she says, oh ship and the funniest way. I'm just

1285
01:15:07,520 --> 01:15:11,000
Speaker 1: I'm obsessed with her. I rewatched her talent like five times. Yeah,

1286
01:15:11,479 --> 01:15:16,400
Speaker 1: yeah it is so I don't know, it's insane. It's

1287
01:15:16,439 --> 01:15:19,680
Speaker 1: almost like a comedy person like hacked drag Race, like

1288
01:15:21,080 --> 01:15:23,640
Speaker 1: like a genuine like someone you would see at the

1289
01:15:23,640 --> 01:15:27,000
Speaker 1: annoyance theater. I think Dave Mazzoni said that, Yeah, it's

1290
01:15:27,160 --> 01:15:31,760
Speaker 1: very annoyance. It's very annoyance theater like Brooklyn or Chicago,

1291
01:15:32,000 --> 01:15:35,479
Speaker 1: whichever you choose. Like I'm like, wow, I'm like, I

1292
01:15:35,640 --> 01:15:38,519
Speaker 1: love and then I think god Rule loves it, loves it.

1293
01:15:38,720 --> 01:15:41,479
Speaker 1: But like, if you go and look at Willow Hills stories,

1294
01:15:41,680 --> 01:15:46,719
Speaker 1: she's she's a funny motherfucker just posting like crazy filters

1295
01:15:46,760 --> 01:15:48,840
Speaker 1: on her face be and then just the caption being

1296
01:15:49,400 --> 01:15:54,320
Speaker 1: I did weed She's she makes me like there hasn't

1297
01:15:54,360 --> 01:15:56,320
Speaker 1: been this. This is my complaint about drag Race for

1298
01:15:56,360 --> 01:15:58,320
Speaker 1: the longest time. In the last few seasons, I'm like,

1299
01:15:58,640 --> 01:16:00,360
Speaker 1: there hasn't been someone that I'm like, I want to

1300
01:16:00,439 --> 01:16:02,680
Speaker 1: hang out with them, Yeah, I want to. I want to,

1301
01:16:02,720 --> 01:16:04,920
Speaker 1: Like I look up to them in a way, Like

1302
01:16:05,560 --> 01:16:07,160
Speaker 1: I think back on like season five and I'm like,

1303
01:16:07,200 --> 01:16:09,400
Speaker 1: I looked up to all of these girls, being like

1304
01:16:09,640 --> 01:16:11,920
Speaker 1: I want to like be more like James Monsoon, I

1305
01:16:12,000 --> 01:16:14,360
Speaker 1: want to be more like Alaska. Like there hasn't been

1306
01:16:14,439 --> 01:16:17,760
Speaker 1: that girl in a while for me. I know, I know,

1307
01:16:17,960 --> 01:16:20,600
Speaker 1: But with Willow, she's sucking six and I'm like she

1308
01:16:21,120 --> 01:16:24,080
Speaker 1: I have things to learn from her. Absolutely, absolutely. I

1309
01:16:24,200 --> 01:16:26,840
Speaker 1: just I don't know. I was so transported when she

1310
01:16:27,000 --> 01:16:28,800
Speaker 1: did that number, and I'm so happy they let them

1311
01:16:28,920 --> 01:16:31,000
Speaker 1: use that and your song, you know what I mean,

1312
01:16:31,120 --> 01:16:33,840
Speaker 1: Like I was just so taken back to a time

1313
01:16:33,880 --> 01:16:35,920
Speaker 1: when I don't know, like we used to watch freak

1314
01:16:36,000 --> 01:16:39,519
Speaker 1: performances like that, we used to do like that was

1315
01:16:39,600 --> 01:16:44,000
Speaker 1: the era. Yeah, anyway, very yeah, there's like a d

1316
01:16:44,080 --> 01:16:46,800
Speaker 1: I y. I don't know if that's the right worry

1317
01:16:47,040 --> 01:16:49,920
Speaker 1: way to put it. What else? Oh, we watched Free Guy.

1318
01:16:51,120 --> 01:16:53,920
Speaker 1: Oh my god, here's get this. Matt and I got

1319
01:16:53,960 --> 01:16:57,240
Speaker 1: really stoned in c DMX with Sudie and Mo. By

1320
01:16:57,280 --> 01:17:01,080
Speaker 1: the way, there's been mo erasure on the socials. Fry Passic,

1321
01:17:01,160 --> 01:17:03,680
Speaker 1: previous guest of the show was there with us. Yes, um,

1322
01:17:03,840 --> 01:17:07,360
Speaker 1: we got stoned one night and watched Tree Guys starting

1323
01:17:07,439 --> 01:17:11,040
Speaker 1: Ryan Reynolds and Jody Comber and Take Awaitt and we

1324
01:17:11,240 --> 01:17:15,760
Speaker 1: loved and we loved it. Your girl was crying. I

1325
01:17:16,000 --> 01:17:18,960
Speaker 1: was crying at the end. Jody Comber and the dude

1326
01:17:19,000 --> 01:17:23,439
Speaker 1: from Stranger Things made me cry. They made me cry,

1327
01:17:23,840 --> 01:17:26,880
Speaker 1: chunky tears. No one was really selling it out, you know,

1328
01:17:27,280 --> 01:17:30,360
Speaker 1: like it's a very like big budget, like it's a

1329
01:17:30,400 --> 01:17:33,880
Speaker 1: Sean Leeby film. I tend to like Sean Leeby films.

1330
01:17:34,920 --> 01:17:39,280
Speaker 1: I kind of love Date Night as a movie and

1331
01:17:39,520 --> 01:17:42,600
Speaker 1: at the Museum, I confess I haven't seen any of that,

1332
01:17:43,320 --> 01:17:44,960
Speaker 1: but this movie I was just like, it just felt

1333
01:17:44,960 --> 01:17:48,680
Speaker 1: like really smart, really smart. It took a second for

1334
01:17:48,880 --> 01:17:52,800
Speaker 1: us to like buy into the logic of the of

1335
01:17:53,400 --> 01:17:56,000
Speaker 1: the World directorial Lee. I think it would have been

1336
01:17:56,040 --> 01:18:01,559
Speaker 1: helpful to see them speaking in their your live bodies

1337
01:18:01,720 --> 01:18:04,400
Speaker 1: to the screen a couple, just to get across that

1338
01:18:04,520 --> 01:18:09,240
Speaker 1: that was how they were communicating with them. But last Ryan,

1339
01:18:09,439 --> 01:18:12,280
Speaker 1: you said something about Ryan that I so agree with.

1340
01:18:12,439 --> 01:18:16,360
Speaker 1: You were like, he is such an effective comedic performer.

1341
01:18:16,479 --> 01:18:18,680
Speaker 1: He's just the best. I mean, he's so specific in

1342
01:18:18,800 --> 01:18:21,080
Speaker 1: his movements, the way he knows just how to be

1343
01:18:21,200 --> 01:18:25,280
Speaker 1: on camera. He is just an incredibly like like he's

1344
01:18:25,320 --> 01:18:28,479
Speaker 1: just a ten out of ten movie actor movie, you

1345
01:18:28,479 --> 01:18:30,760
Speaker 1: know what I mean. He's just like he's always going

1346
01:18:30,840 --> 01:18:34,120
Speaker 1: to get across the right emotion. He is just dependable.

1347
01:18:34,160 --> 01:18:37,760
Speaker 1: He's funny, he's super cute, and he seems like he

1348
01:18:38,240 --> 01:18:40,720
Speaker 1: has a lot of energy, Like he gives a lot

1349
01:18:40,800 --> 01:18:43,720
Speaker 1: of energy to every take. And he's just I mean,

1350
01:18:43,920 --> 01:18:45,479
Speaker 1: he's one of our best first he's one of our

1351
01:18:45,520 --> 01:18:48,400
Speaker 1: best like I told you, right, like Just Friends, he

1352
01:18:48,520 --> 01:18:51,639
Speaker 1: has to do so he has a very hard job

1353
01:18:51,800 --> 01:18:54,240
Speaker 1: to do on Just Friends. He's one of the actors

1354
01:18:54,280 --> 01:18:56,280
Speaker 1: out there who's super handsome, and so he doesn't get

1355
01:18:56,280 --> 01:18:59,240
Speaker 1: a lot of the credit for doing this comedy. Yes,

1356
01:18:59,840 --> 01:19:01,920
Speaker 1: the wheneber times we've talked about the proposal and sort

1357
01:19:01,960 --> 01:19:04,960
Speaker 1: of brushed past Ryan as criminal. We should be putting

1358
01:19:05,760 --> 01:19:08,479
Speaker 1: in the institutions. Now he's just he's supposed to be

1359
01:19:08,520 --> 01:19:11,200
Speaker 1: on the institution. Okay, I'm saying we should be put

1360
01:19:11,280 --> 01:19:15,400
Speaker 1: in the institutions for erasing him. So we need to

1361
01:19:15,439 --> 01:19:18,439
Speaker 1: be put in institutions for racing him, and he needs

1362
01:19:18,479 --> 01:19:22,519
Speaker 1: to be one of the instant the institutions. And I

1363
01:19:22,640 --> 01:19:25,599
Speaker 1: think that that is as good as you can possibly

1364
01:19:25,680 --> 01:19:30,599
Speaker 1: say it. Thank you girl, Erica Jane, Erica Jane. Sorry.

1365
01:19:39,439 --> 01:19:42,479
Speaker 1: Should we move on? Yeah, let's move on. Okay, this

1366
01:19:42,640 --> 01:19:44,320
Speaker 1: is I don't think so, honey. This is our segment

1367
01:19:44,360 --> 01:19:49,120
Speaker 1: where were one minute to tackle something in culture or

1368
01:19:49,200 --> 01:19:54,519
Speaker 1: something that's really fruiting our loops and I have something

1369
01:19:54,560 --> 01:19:57,200
Speaker 1: to have something, you know I do. Okay, here we go.

1370
01:19:57,400 --> 01:19:59,160
Speaker 1: This is Matt Rodgers. I don't think so many his

1371
01:19:59,240 --> 01:20:01,799
Speaker 1: time starts. I don't think so, honey, of the Golden

1372
01:20:01,840 --> 01:20:06,519
Speaker 1: Globes um tweeting out the winners and whoever they hired

1373
01:20:06,600 --> 01:20:08,519
Speaker 1: to do that and be in charge of that process.

1374
01:20:09,000 --> 01:20:12,680
Speaker 1: I believe one of the tweets said, laughs are all

1375
01:20:12,800 --> 01:20:16,200
Speaker 1: it takes, and that's my West Side story. When's best

1376
01:20:16,360 --> 01:20:19,960
Speaker 1: musical comedy. It's like, it's like, maybe just make sure

1377
01:20:20,080 --> 01:20:22,320
Speaker 1: that before it gets I don't know, tweeted out. It

1378
01:20:22,479 --> 01:20:25,800
Speaker 1: makes sense, like in terms of like the fucking sheet

1379
01:20:25,920 --> 01:20:28,320
Speaker 1: you filled that the dragon drop thing you did for

1380
01:20:28,400 --> 01:20:33,400
Speaker 1: whoever Twitter, I don't think so, honey. Also just trying

1381
01:20:33,479 --> 01:20:35,519
Speaker 1: to make it sound like announce just we're saying it

1382
01:20:35,640 --> 01:20:38,439
Speaker 1: was simply embarrassing, Like here's what you do. Put the

1383
01:20:38,520 --> 01:20:42,280
Speaker 1: winner in big font and put the category on little fun.

1384
01:20:42,439 --> 01:20:44,559
Speaker 1: We have the information, we got it, We'll take care

1385
01:20:44,600 --> 01:20:47,360
Speaker 1: of the celebration. I don't think so, honey, that you

1386
01:20:47,439 --> 01:20:51,160
Speaker 1: need to monitor and present in this way. I understand

1387
01:20:51,280 --> 01:20:53,920
Speaker 1: that tweets should be funny, but when you're the Golden Globes,

1388
01:20:54,000 --> 01:20:55,880
Speaker 1: it's like, just get the information out there, you know

1389
01:20:55,920 --> 01:20:57,640
Speaker 1: what I mean. We've kind of had enough of like

1390
01:20:57,720 --> 01:21:00,759
Speaker 1: what your personalities are, so I don't something so honey,

1391
01:21:01,080 --> 01:21:04,839
Speaker 1: and that's one minute. Thank you for addressing this the tweet.

1392
01:21:04,880 --> 01:21:07,479
Speaker 1: I believe I will also I'm also paraphrasing, but I

1393
01:21:07,800 --> 01:21:11,679
Speaker 1: was if laughter is the best medicine, then West Side

1394
01:21:11,760 --> 01:21:15,519
Speaker 1: That at West Side Story the movie is the cure

1395
01:21:15,600 --> 01:21:19,280
Speaker 1: for what ails you like it's so funny. I think

1396
01:21:19,280 --> 01:21:21,240
Speaker 1: that is one of the That is one of the

1397
01:21:21,600 --> 01:21:24,560
Speaker 1: more iconic tweets of the last several years. If you

1398
01:21:24,800 --> 01:21:27,600
Speaker 1: over the last five years of watching the Oscars and

1399
01:21:27,640 --> 01:21:29,800
Speaker 1: the Golden Glooms haven't gotten it in your head that

1400
01:21:29,920 --> 01:21:35,240
Speaker 1: it is all such like they're so stupid, then I

1401
01:21:35,360 --> 01:21:37,679
Speaker 1: don't know what to do, because yes, of course they're

1402
01:21:37,680 --> 01:21:41,360
Speaker 1: fun to watch and you know, like sort of guess

1403
01:21:41,439 --> 01:21:44,200
Speaker 1: about and they're fun to follow. But when you watch

1404
01:21:44,280 --> 01:21:47,400
Speaker 1: a ceremony where they can't announce the right winner, wrong

1405
01:21:47,680 --> 01:21:51,680
Speaker 1: names of presenters are being said, like this tweet thing

1406
01:21:51,840 --> 01:21:55,080
Speaker 1: is happening, like you find out about the lack of diversity,

1407
01:21:55,160 --> 01:21:57,320
Speaker 1: and like the fact that it's it is what it is,

1408
01:21:57,520 --> 01:22:00,519
Speaker 1: like the bullshit gets unveiled about Harvey y Stein, like

1409
01:22:01,000 --> 01:22:03,439
Speaker 1: you we have to be able to laugh at this ship.

1410
01:22:03,560 --> 01:22:08,120
Speaker 1: It is such a circle jerk, but it is fun.

1411
01:22:08,400 --> 01:22:11,479
Speaker 1: It is fun to follow. I guess I am just

1412
01:22:11,680 --> 01:22:13,320
Speaker 1: I was about to say like a similar thing to

1413
01:22:13,439 --> 01:22:15,080
Speaker 1: what I was gonna say to what I said about

1414
01:22:15,240 --> 01:22:16,760
Speaker 1: and just like that where I'm like, I do miss

1415
01:22:16,800 --> 01:22:20,320
Speaker 1: the days when I didn't know all that. Yeah, when

1416
01:22:20,400 --> 01:22:22,680
Speaker 1: like I did take it seriously and now there's no

1417
01:22:22,840 --> 01:22:26,360
Speaker 1: going back. But that's because we got older and learned more. Yeah,

1418
01:22:26,840 --> 01:22:29,759
Speaker 1: I have something. I love to hear that you have something.

1419
01:22:30,080 --> 01:22:32,400
Speaker 1: My phone is over there. I'm just gonna grab because

1420
01:22:32,400 --> 01:22:34,360
Speaker 1: I don't want to make my sister, who I'm very

1421
01:22:34,439 --> 01:22:36,439
Speaker 1: afraid of, because you should literally see them right now.

1422
01:22:36,479 --> 01:22:41,920
Speaker 1: They like Erica Jane Girardi. They look like Erica Girardi.

1423
01:22:42,320 --> 01:22:44,360
Speaker 1: Literally the house down the way. They're looking at it

1424
01:22:44,479 --> 01:22:49,679
Speaker 1: right now. I'm gonna get my phone. Get your phone. Okay,

1425
01:22:50,240 --> 01:22:54,439
Speaker 1: hopefully he doesn't kill me. Um, okay, I have the

1426
01:22:54,479 --> 01:22:56,680
Speaker 1: clock up. Do you have your I don't think the

1427
01:22:56,680 --> 01:23:00,240
Speaker 1: funny topic I do. I love that this is things

1428
01:23:00,280 --> 01:23:02,120
Speaker 1: I don't think so honey, his time starts now, I

1429
01:23:02,160 --> 01:23:06,400
Speaker 1: don't think so, honey. Licorice pizza using being the latest

1430
01:23:06,439 --> 01:23:09,519
Speaker 1: thing to like use an Asian accent as a play

1431
01:23:09,600 --> 01:23:12,879
Speaker 1: for laughs. Like, I get that all of the adult

1432
01:23:12,920 --> 01:23:14,880
Speaker 1: male figures in this movie are supposed to be like

1433
01:23:15,120 --> 01:23:17,479
Speaker 1: ridiculous and despicable and he should not want to be

1434
01:23:17,680 --> 01:23:19,559
Speaker 1: like them, and that all of his adult male figures

1435
01:23:19,600 --> 01:23:22,080
Speaker 1: in his life are like awful people. But the fact

1436
01:23:22,120 --> 01:23:23,920
Speaker 1: that this was used as a runner is what kind

1437
01:23:23,960 --> 01:23:25,439
Speaker 1: of gets to me the most. Like there was there

1438
01:23:25,479 --> 01:23:27,840
Speaker 1: at least two times when it came back, like or

1439
01:23:27,880 --> 01:23:30,920
Speaker 1: when it was like a beat where like he's trying

1440
01:23:30,960 --> 01:23:34,720
Speaker 1: to speak an Asian gibberish language to like his new

1441
01:23:34,840 --> 01:23:38,799
Speaker 1: Japanese wife. It's like that bullshit thing of like everyone

1442
01:23:38,920 --> 01:23:40,840
Speaker 1: thinking that like Asian people are the last race you

1443
01:23:40,880 --> 01:23:43,240
Speaker 1: can make fun of. I will. I'm here to say

1444
01:23:43,840 --> 01:23:47,000
Speaker 1: that the thing that white people are the least creative about,

1445
01:23:47,200 --> 01:23:49,960
Speaker 1: the number one thing they're the least creative about, it

1446
01:23:50,120 --> 01:23:53,240
Speaker 1: is Asian jokes. It is joking or making light of

1447
01:23:53,320 --> 01:23:55,000
Speaker 1: Asian people in the way they talk and the way

1448
01:23:55,040 --> 01:23:59,719
Speaker 1: they look. Like it's enough enough, let's just like move past.

1449
01:24:00,160 --> 01:24:02,160
Speaker 1: This is not to be all like hashtag stop Asian

1450
01:24:02,240 --> 01:24:05,439
Speaker 1: hate has up in one minute, yes, but yes, but

1451
01:24:05,600 --> 01:24:08,160
Speaker 1: like it's just like why are we It's taking me

1452
01:24:08,240 --> 01:24:09,960
Speaker 1: out of it and why can't I just enjoy Danielle

1453
01:24:10,000 --> 01:24:14,040
Speaker 1: Hime's exquisite acting as a supporting character, and of course

1454
01:24:14,120 --> 01:24:17,280
Speaker 1: Allana is amazing. I was just like kind of like

1455
01:24:17,680 --> 01:24:21,200
Speaker 1: I hate to be like Asian Police, but I kind

1456
01:24:21,200 --> 01:24:23,200
Speaker 1: of was like in my chair at the theater, like,

1457
01:24:23,360 --> 01:24:25,439
Speaker 1: well that sucks, and now I have to like spend

1458
01:24:25,479 --> 01:24:28,280
Speaker 1: the next fifteen minutes like re calibrating to this because

1459
01:24:28,280 --> 01:24:31,639
Speaker 1: I got so thrown by that by fucking John Michael

1460
01:24:31,680 --> 01:24:34,160
Speaker 1: Higgins doing that insane thing. I don't know if it

1461
01:24:34,280 --> 01:24:35,720
Speaker 1: was I don't know if it was p T. I

1462
01:24:35,800 --> 01:24:37,400
Speaker 1: don't know if it was John Michael Higgins. I don't know.

1463
01:24:37,439 --> 01:24:39,559
Speaker 1: I mean, like they like cast the fun these fucking

1464
01:24:39,640 --> 01:24:42,479
Speaker 1: Japanese people to be in it, and like this was

1465
01:24:42,720 --> 01:24:47,560
Speaker 1: very intentional and like this is like very specifically executed,

1466
01:24:47,720 --> 01:24:49,240
Speaker 1: and I'm like, okay, well, I don't know if it's

1467
01:24:49,240 --> 01:24:51,400
Speaker 1: a good enough reason that like p T a grew

1468
01:24:51,479 --> 01:24:55,000
Speaker 1: up in l A with Japanese restaurants in his life.

1469
01:24:55,120 --> 01:24:58,200
Speaker 1: Like I don't know, I don't know. I love him

1470
01:24:58,200 --> 01:25:00,280
Speaker 1: as a director. I think I really enjoyed the movie.

1471
01:25:00,400 --> 01:25:02,720
Speaker 1: It just really was this thing that like kind of

1472
01:25:02,800 --> 01:25:06,400
Speaker 1: like soured the whole thing for me. I don't know. Yeah,

1473
01:25:06,760 --> 01:25:08,400
Speaker 1: one of our friends like it's later bird but for

1474
01:25:08,520 --> 01:25:11,760
Speaker 1: boys or like said that, I mean I like it

1475
01:25:11,840 --> 01:25:14,479
Speaker 1: as a coming of age movie. Yeah great. I just

1476
01:25:14,880 --> 01:25:16,439
Speaker 1: it was this thing where like I hate that it's

1477
01:25:16,479 --> 01:25:20,240
Speaker 1: being played for last in this way like I don't

1478
01:25:20,320 --> 01:25:22,880
Speaker 1: think it's an accident that I think like PTO probably

1479
01:25:22,920 --> 01:25:24,800
Speaker 1: was like, yeah, let's do it, let's roll, like, let's

1480
01:25:24,880 --> 01:25:27,200
Speaker 1: this is what I want. Okay, cool cut, let's move on,

1481
01:25:27,400 --> 01:25:29,360
Speaker 1: like he was very okay with it in a way

1482
01:25:29,400 --> 01:25:33,040
Speaker 1: that I'm like, that sucks anyway. I haven't wanted to

1483
01:25:33,120 --> 01:25:36,000
Speaker 1: see it because of that, because of the central relationship,

1484
01:25:36,479 --> 01:25:39,560
Speaker 1: like like an upset to that, Like it doesn't upset me.

1485
01:25:39,640 --> 01:25:41,880
Speaker 1: It just like why is she twenty four? And within?

1486
01:25:42,120 --> 01:25:44,040
Speaker 1: Like do we need that for the story? I don't.

1487
01:25:44,160 --> 01:25:46,479
Speaker 1: I have to. I should see it. I definitely should

1488
01:25:46,479 --> 01:25:48,160
Speaker 1: see it, but all I know is like everything I

1489
01:25:48,240 --> 01:25:51,200
Speaker 1: hear about it, I don't love. Okay, Yeah, it is

1490
01:25:51,240 --> 01:25:53,800
Speaker 1: a great moment to see the hid sister is sort

1491
01:25:53,840 --> 01:25:58,000
Speaker 1: of act down that I would love to see more

1492
01:25:58,040 --> 01:26:01,400
Speaker 1: of them film. We need for the success. We need

1493
01:26:01,479 --> 01:26:03,799
Speaker 1: the on screen. We need the mon screen. Benny Safty

1494
01:26:04,280 --> 01:26:08,120
Speaker 1: iconic legend. We loved did we love Bradley? We loved

1495
01:26:08,360 --> 01:26:11,599
Speaker 1: Bradley Cooper, Bradley was funny. Bradley was funny. But again,

1496
01:26:11,640 --> 01:26:15,120
Speaker 1: like Bradley, Bradley is like sort of, I don't know,

1497
01:26:15,800 --> 01:26:18,679
Speaker 1: portrayal of masculinity is like very specific to that era,

1498
01:26:18,840 --> 01:26:20,560
Speaker 1: and I don't know that it's like specific to that

1499
01:26:20,640 --> 01:26:22,960
Speaker 1: era that like John Michaelhiggins would be like someone who's like,

1500
01:26:23,080 --> 01:26:25,719
Speaker 1: I don't know, I'm I'm just like literally, Matt, there's

1501
01:26:25,800 --> 01:26:29,120
Speaker 1: like like for at least like three exchanges, Like it's

1502
01:26:29,240 --> 01:26:32,559
Speaker 1: John Michaelhiggins and his wife talking to the main character's

1503
01:26:32,680 --> 01:26:35,760
Speaker 1: mom who is like trying to like write copy or

1504
01:26:35,800 --> 01:26:38,800
Speaker 1: something for their restaurant, and he's translating to her and

1505
01:26:38,880 --> 01:26:44,320
Speaker 1: like speaking this like psycho Japanese gibberish. And then like

1506
01:26:44,920 --> 01:26:47,120
Speaker 1: three like like three lines later, the moms like what

1507
01:26:47,320 --> 01:26:49,640
Speaker 1: is she saying? Or what are you saying? And he goes, oh,

1508
01:26:49,720 --> 01:26:52,240
Speaker 1: I have no idea, I don't know the language. I'm like,

1509
01:26:52,600 --> 01:26:58,280
Speaker 1: what the fuck why are we doing this? There' that's

1510
01:26:58,320 --> 01:27:00,320
Speaker 1: not that's not a snap it's not it's not like

1511
01:27:00,400 --> 01:27:03,360
Speaker 1: it's a snapshot of the era. It's not like it's

1512
01:27:04,280 --> 01:27:06,120
Speaker 1: I don't know. It's not like it's saying that something

1513
01:27:06,200 --> 01:27:09,920
Speaker 1: universe little universal about adulthood or masculinity. It's like it's

1514
01:27:10,080 --> 01:27:14,240
Speaker 1: just in essence, an Asian joke. Baldly put out, there

1515
01:27:14,320 --> 01:27:20,040
Speaker 1: is an Asian joke. Yeah, that's very odd. Anyway, Well, listen,

1516
01:27:20,320 --> 01:27:22,439
Speaker 1: I think that we have an enemy of the Oscar

1517
01:27:22,560 --> 01:27:26,280
Speaker 1: Race and Thomas Anderson. It's Paul Thomas. It's pizza and

1518
01:27:26,360 --> 01:27:28,800
Speaker 1: it's like crish pizza. And this year we're setting our

1519
01:27:28,960 --> 01:27:33,000
Speaker 1: crosshairs on you. You're going down readers and publicists. Your

1520
01:27:33,120 --> 01:27:39,120
Speaker 1: job not like licorice pizza deal. Get the word out there.

1521
01:27:39,200 --> 01:27:43,840
Speaker 1: We don't like it. Do it or you're fired. Sink

1522
01:27:44,080 --> 01:27:47,439
Speaker 1: this film in the Oscar Race. Now, get out there

1523
01:27:47,520 --> 01:27:50,080
Speaker 1: and do it. The Oscar Race is what everyone cares about.

1524
01:27:50,080 --> 01:27:52,640
Speaker 1: It's the only real thing in this town. Fuck it

1525
01:27:53,320 --> 01:27:58,880
Speaker 1: up for us, now, I decree. And that's more than say.

1526
01:27:59,320 --> 01:28:02,360
Speaker 1: To decree is more than saying it's a real culture.

1527
01:28:02,479 --> 01:28:11,120
Speaker 1: Number is more more than say, girl, the power you

1528
01:28:11,400 --> 01:28:15,960
Speaker 1: are sitting in is really really beautiful. Whatever are we in?

1529
01:28:16,120 --> 01:28:21,680
Speaker 1: Not charsards but corn silk, corn silk, girl, girl. I

1530
01:28:22,000 --> 01:28:23,960
Speaker 1: just am excited to go into this year with you

1531
01:28:24,800 --> 01:28:28,360
Speaker 1: for another year of culture, talking to guests and we

1532
01:28:28,400 --> 01:28:33,960
Speaker 1: have some fun guests coming, and to really react to

1533
01:28:34,000 --> 01:28:36,080
Speaker 1: the news of the day. I can't wait to just

1534
01:28:36,240 --> 01:28:39,479
Speaker 1: sit back and see what happens next in this crazy

1535
01:28:39,600 --> 01:28:45,320
Speaker 1: world of lost culture. Stus. We end every single episode

1536
01:28:45,400 --> 01:28:51,559
Speaker 1: of our long running show with a song I can't

1537
01:28:51,600 --> 01:29:01,519
Speaker 1: think of anything. You're simper all the best you need.

1538
01:29:02,439 --> 01:29:13,960
Speaker 1: Then then no one, anyone, Oh your Ben, We're right