WEBVTT - Episode 202 w/ Royce da 5'9" & Mr. Porter

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<v Speaker 1>And his Drink Chess Motherfucking podcast make He's a legendary

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<v Speaker 1>queen's rapper. He's Segre is your boy in o R.

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<v Speaker 1>He's a Miami hippop pioneer. Up is d j e

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<v Speaker 1>f N. Together they drinking up with some of the

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<v Speaker 1>biggest players in the most professional unprofessional podcast. And your

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<v Speaker 1>number one source for drunk fast, drin Chess motherfucking every

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<v Speaker 1>day is New Year's Ease. That his time for drink Champs,

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<v Speaker 1>trick up for the hay Hank big blunt game. This

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<v Speaker 1>is the killer in the what up is d J

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<v Speaker 1>e f And this is drink Chess motherfucker yahyalla makes

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<v Speaker 1>un And right now the brother that we got in

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<v Speaker 1>the build him with us top tier when I say

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<v Speaker 1>elite lyricists, when I say top five, when I say

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<v Speaker 1>go I was the goat ring on. I was anticipating

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<v Speaker 1>the goat ring um. But when it comes to lyricists,

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<v Speaker 1>when it comes to you know, staying relevant, you know,

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<v Speaker 1>sending the test of time, not only uh looking young,

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<v Speaker 1>feeling young and acting young and out here looking good.

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<v Speaker 1>You know what I'm saying, been through different errors, still

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<v Speaker 1>the tests of top still here and he's on the

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<v Speaker 1>illest press run I've ever seen his whole career. Like

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<v Speaker 1>a lot of people say that Alan and he one

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<v Speaker 1>is uh cheap. They are showing they asked with his

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<v Speaker 1>projects today because they got him everywhere, I mean, and

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<v Speaker 1>with the coronavirus. I do it and stop. This guy's everywhere,

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<v Speaker 1>I mean, from the morning shows or wherever. And I

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<v Speaker 1>really appreciate I really seeing the reinvention. I really really

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<v Speaker 1>see the relevance of what's going on right now. If

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<v Speaker 1>you don't know what my voice the this is a

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<v Speaker 1>phenomenal running I'm seeing you on like, you know, besides

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<v Speaker 1>the album being classic, just you know great, I'm just

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<v Speaker 1>you know, as a media guy, had to you know,

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<v Speaker 1>go on and click and see where you was at everywhere.

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<v Speaker 1>This is a great one. I think this is like,

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<v Speaker 1>this is probably one of the biggest since I've seen

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<v Speaker 1>the years. Uh, how do you feel about that? I

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<v Speaker 1>feel good about it. Feel good about it. I Mean.

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<v Speaker 1>The important thing for me, man, it's just to make

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<v Speaker 1>sure that I um, I try to stay as in

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<v Speaker 1>control of the narrative as possible, you know, I just

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<v Speaker 1>want to make sure that I drive the point home

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<v Speaker 1>every opportunity that I get I'll make sure that I

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<v Speaker 1>let everybody know that it's honor and the privilege to

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<v Speaker 1>be here. And you know, just set good examples, set

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<v Speaker 1>good examples, be positive, and and just hit as many

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<v Speaker 1>as many outlets as possible. You know what I mean.

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<v Speaker 1>I want to show. I want to show the young

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<v Speaker 1>is that it's cool to just be yourself. It's cool

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<v Speaker 1>to do it without the antics. It's cool to just

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<v Speaker 1>make it about the reps. You know what I'm saying,

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<v Speaker 1>Like that l A Leaka's freestyle, I'm not going bue

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<v Speaker 1>that was so disrespectful than man. It was just like

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<v Speaker 1>it was like I felt like he was a wrestler.

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<v Speaker 1>It was just you was just like I feel like

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<v Speaker 1>he was the snake and Buddhist, the barber's beefcake at

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<v Speaker 1>the same time. It just was just like you just

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<v Speaker 1>was showing these young boys, this is how you rap.

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<v Speaker 1>Like he was just it wasn't let me just tell

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<v Speaker 1>you something. It wasn't much so of what you were

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<v Speaker 1>saying and how you were saying, And it was the

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<v Speaker 1>comfortable you understand what I'm saying, Like so many people

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<v Speaker 1>when they comfortable, it was like I can tell you

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<v Speaker 1>it's just you had to your what is the call

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<v Speaker 1>of sports jackets? Jacket on you? It's just like like,

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<v Speaker 1>like does it come that easy for you after all

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<v Speaker 1>these years? It's hard memorize, That's what I'm saying. It's

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<v Speaker 1>hard to memorize. I mean it took it took a

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<v Speaker 1>long time. Some of it I wrote on the plane.

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<v Speaker 1>You know where l A leakers they want you to

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<v Speaker 1>do like a few takes so they can get different angles. Yeah,

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<v Speaker 1>I ain't going up. There's my friends, but I ain't

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<v Speaker 1>trying to give eighty nine balls. But wrote some of

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<v Speaker 1>it on the plane, some of it. Some of it

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<v Speaker 1>was just bars I had in my phone and I

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<v Speaker 1>just kind of pieced it together and just kept listening

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<v Speaker 1>to it over and over and over again. Always have

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<v Speaker 1>a problem. I always have a problem memor You're killing

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<v Speaker 1>me with it. And I thought it was up. But

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<v Speaker 1>I'll just I'll just up for it, man, you know

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<v Speaker 1>what you just the last time, the last time I

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<v Speaker 1>did something, I did flex, you know, shout out the flex.

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<v Speaker 1>And I hadn't done anything since then. So I just

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<v Speaker 1>really wanted to like, do you be tiring people like

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<v Speaker 1>asked you to because now, especially after that someone everyone

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<v Speaker 1>is gonna want to respect that for their show like everyone.

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<v Speaker 1>I don't. Man, I feel bad saying no manically where

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<v Speaker 1>it's like especially when it's like sway, you know what

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<v Speaker 1>I'm saying, like cosmic card, You know what I mean.

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<v Speaker 1>Like I feel bad saying no man. But it's like

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<v Speaker 1>if I can't, if it can't be like at least

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<v Speaker 1>close to a moment. Man, I don't want to put

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<v Speaker 1>myself in that position because I know, you know what

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<v Speaker 1>I'm capable of doing, and I hate to just do

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<v Speaker 1>some half has ship for somebody. You know that I'm

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<v Speaker 1>not prepared to do. And I'm always like prepping for

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<v Speaker 1>so many different things, so it's hard to just trust me. Man.

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<v Speaker 1>I did the l A Leakers thing. I took it

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<v Speaker 1>hit in another area. Probably hit you because because not

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<v Speaker 1>because I did. Um, I did a show. I did

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<v Speaker 1>a show in Detroit. It's like, um, the Allegory show,

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<v Speaker 1>and I went up there. I forgot that I forgot

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<v Speaker 1>to wrap into a couple of songs up there because

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<v Speaker 1>he was so much focused on Lea. I just didn't happen.

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<v Speaker 1>I just didn't have rehearsal days. Something that you made

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<v Speaker 1>up like, um, it was hashtags on Instagram. You made up.

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<v Speaker 1>I don't know if you're aware of this is every

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<v Speaker 1>time a girl like I just seen Lorie Harvey, there

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<v Speaker 1>was like, Hi Lorie Harvey, and take dinks back to

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<v Speaker 1>Hi Rihanna. Let's let's take us through that course because

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<v Speaker 1>why why did you feel like you had to say

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<v Speaker 1>hi Yana fifteen thousand times? Um? And it was and

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<v Speaker 1>it's for some how it worked. Damn. I can't even

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<v Speaker 1>remember what I was thinking at the time when I

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<v Speaker 1>wrote it, when I wrote I wrote that, though I

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<v Speaker 1>wrote that for ya wrote that. I wrote that for

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<v Speaker 1>that okay, and you had the whole award saying and

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<v Speaker 1>then now it's a half tack. Yeah. I just wanted

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<v Speaker 1>it to be catchy, you know, I'm just wanting I

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<v Speaker 1>was just trying to come up with something catchy, you know,

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<v Speaker 1>the same way you know, did we write songs, you

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<v Speaker 1>know what I mean? Like, I just wanted to, um

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<v Speaker 1>write something that I felt like it was for that

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<v Speaker 1>moment that was that was plausible for that moment, you

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<v Speaker 1>know what I mean. And Brianna was hot at the time.

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<v Speaker 1>She's still yeah, I mean, it's just you know, I

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<v Speaker 1>just was that your shot at her, like you thought

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<v Speaker 1>you thought she was gonna like d MU or something.

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<v Speaker 1>I don't know if I was sticking at that's what.

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<v Speaker 1>I don't know if I was giving myself. But I

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<v Speaker 1>mean not just um. I think I was just expressing

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<v Speaker 1>my love to her, all right, No, that was that's

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<v Speaker 1>that's lover her. I mean I was just speaking for

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<v Speaker 1>us all, you know. And now everyone uses that that

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<v Speaker 1>thing every time, like like I guess that's like flirting words,

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<v Speaker 1>like they're saying Hi, Lorie Harvey or they'll say hi,

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<v Speaker 1>you know Amber Rows or whatever. But it was down

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<v Speaker 1>to you ever respond to that at all? She said

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<v Speaker 1>hi back. Oh that's all. That was good enough in

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<v Speaker 1>my mind even another day. Because so now the big

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<v Speaker 1>thing that's happening right now. You went to the breakfast club.

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<v Speaker 1>You were I believe you spoke on T Grizzy and

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<v Speaker 1>then T. Grizzly responded back, and I gotta be honest.

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<v Speaker 1>When I heard you speak of on the breakfast club,

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<v Speaker 1>I wanted me to person agree with you. When I

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<v Speaker 1>heard he Grizzly said, I didn't understand his point. Then

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<v Speaker 1>I listened to it the third time, listened to you

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<v Speaker 1>a third time, listen to him a third time, and

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<v Speaker 1>I pretty much was a split decision because in order

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<v Speaker 1>for you to get your point, you had to be

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<v Speaker 1>in this game for ten fifteen years. So I understand

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<v Speaker 1>how he couldn't relate that. But then I was just

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<v Speaker 1>standing him as well for him saying, you know which

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<v Speaker 1>I don't know, and I won't disapprove by anything that,

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<v Speaker 1>but he's saying I got one foot in the and

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<v Speaker 1>then so I don't believe you addressed that yet. So

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<v Speaker 1>I would love to hear and I heard you had

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<v Speaker 1>a conversation with him. Yeah, of course, of course. Um,

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<v Speaker 1>I understand where you're coming from. Yeah, I understand where

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<v Speaker 1>you're coming from. Um I think, Um, I didn't go

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<v Speaker 1>in death about me and Marshall's conversation, so I can

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<v Speaker 1>so I can understand how it can be misconstrued. It's

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<v Speaker 1>this simple though, Okay, Um number one, I'm not like

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<v Speaker 1>this guy who's like behind closed doors determines when and

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<v Speaker 1>where and how Marshall raps and when he's gonna rap.

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<v Speaker 1>We were just having a conversation, you know what I mean. Like,

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<v Speaker 1>so the whole point was to let these guys know

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<v Speaker 1>that you never know who's watching, and just to be

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<v Speaker 1>careful not to burn bridges and the reason why, the

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<v Speaker 1>reason why, the reason why. So this is one of

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<v Speaker 1>the things that I expressed that I expressed them when

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<v Speaker 1>we talked. This is after he addressed the situation. So

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<v Speaker 1>I made I made a song called Lighters right, Okay,

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<v Speaker 1>it was the song that I had then was on

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<v Speaker 1>my album, you know what I'm saying. Like, So when

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<v Speaker 1>me and Marshall did the Bad messieviol album, we ended

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<v Speaker 1>up putting that song on the Bad Messievio album. We

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<v Speaker 1>put Bruno mars on it, big hits on you know,

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<v Speaker 1>like the biggest song of the year, number one song

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<v Speaker 1>of the year. So I tried to use that energy

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<v Speaker 1>to build Slaughterhouse. So that's how we came up. That's

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<v Speaker 1>how I came up with a song called My Life

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<v Speaker 1>for Slaughterhouse, which ended up not being the right song

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<v Speaker 1>for slaughter House. Okay. Now, the fact that I had

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<v Speaker 1>a song of that magnitude and wasn't able to build

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<v Speaker 1>slaughter House, and I also wasn't able to build myself

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<v Speaker 1>off of that song. And it's only because of the energy,

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<v Speaker 1>the massive amount of energy that Marshall and Bruno brought

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<v Speaker 1>to the song. So when you're talking about building a brand,

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<v Speaker 1>which I'm very familiar with. There's a way that that's done.

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<v Speaker 1>So when I had this conversation with Marshall, it was

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<v Speaker 1>way in the beginning for the fatigue. Nati is the

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<v Speaker 1>first of his kind from Detroit. He's the first guy

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<v Speaker 1>who's ever came through the door with no stamp from nobody.

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<v Speaker 1>Sean had Kanye, I had Marshall, O, we had Marshall,

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<v Speaker 1>everybody has. He was He's the first of its kind

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<v Speaker 1>of come to the classic record out of the gate.

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<v Speaker 1>You know what I'm saying. So I just didn't I

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<v Speaker 1>don't want to see Marshall jump in stepping, you know

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<v Speaker 1>what I'm saying. So like what I was trying to

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<v Speaker 1>explain to him, like I would never give my opinion

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<v Speaker 1>in a way that's gonna hurt you. You know what

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<v Speaker 1>I'm saying. Anything, I want nothing but the best for you.

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<v Speaker 1>If I make a decision, it's because me is an

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<v Speaker 1>o G. I know what's best. But that doesn't mean

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<v Speaker 1>in my opinion. It doesn't mean that my opinion is

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<v Speaker 1>the determining fact. That it just means that's how I feel.

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<v Speaker 1>But the point that I was making on the Breakfast

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<v Speaker 1>Club is just to be careful because I didn't stop

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<v Speaker 1>the song from happening. He stopped the song from happening

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<v Speaker 1>by dis and Marshall on the album. But I also said,

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<v Speaker 1>it's not something that can't be repaired. So accountability is

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<v Speaker 1>a big part of communication, being able to hold yourself accountable,

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<v Speaker 1>and it's also a huge part of success. That's what

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<v Speaker 1>I need my my youngest understand in your opinion, what

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<v Speaker 1>was it? What was his his his discrepancy? What was

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<v Speaker 1>this problem that he reached out to M and M

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<v Speaker 1>didn't reach back, or he wanted to get him our record.

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<v Speaker 1>We didn't get into that. We didn't wen't. We didn't talking.

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<v Speaker 1>You mean, why did he shoot at him on the right?

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<v Speaker 1>I don't think. I don't think it was a particular reason.

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<v Speaker 1>I think it was. I think it was more. I

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<v Speaker 1>think it was more supposed to come off like a

0:12:16.480 --> 0:12:18.840
<v Speaker 1>friendly jab because when I talked to him about it,

0:12:18.840 --> 0:12:20.520
<v Speaker 1>he was like, I didn't think I didn't think it

0:12:20.559 --> 0:12:22.480
<v Speaker 1>was a big deal what I said about him, you

0:12:22.520 --> 0:12:25.439
<v Speaker 1>know what I'm saying. So we came to this conclusion,

0:12:26.280 --> 0:12:30.280
<v Speaker 1>if we're in communication more, we don't have a problem.

0:12:30.360 --> 0:12:32.480
<v Speaker 1>Because that way, I don't I won't be presumptive. Was

0:12:32.559 --> 0:12:35.120
<v Speaker 1>I won't assume you mean ABC. You won't assume I

0:12:35.200 --> 0:12:38.120
<v Speaker 1>mean ABC. We're just always to be clear, and that's

0:12:38.160 --> 0:12:39.720
<v Speaker 1>how we should be, you know what I'm saying, Like

0:12:40.440 --> 0:12:42.240
<v Speaker 1>you just always like that. Why does it seem like

0:12:42.400 --> 0:12:45.600
<v Speaker 1>we beat for people from our inner cities, because it's

0:12:45.640 --> 0:12:47.960
<v Speaker 1>just it's just something we used. We used to doing that.

0:12:48.520 --> 0:12:51.400
<v Speaker 1>Because I can understand why the young is in the comments.

0:12:51.440 --> 0:12:53.160
<v Speaker 1>It's like, oh, you hate it on tea because they

0:12:53.240 --> 0:12:55.880
<v Speaker 1>used to niggas hating. They used to the O g

0:12:56.120 --> 0:12:59.200
<v Speaker 1>s hating. The same thing happened to me, niggas hating

0:12:59.200 --> 0:13:01.880
<v Speaker 1>on me. You know what I'm like, Man, I refused.

0:13:02.840 --> 0:13:06.600
<v Speaker 1>I refused to use my platform and divide up against

0:13:06.640 --> 0:13:12.520
<v Speaker 1>my youngest between beef and then just having friendly competition

0:13:12.679 --> 0:13:16.280
<v Speaker 1>like hip hop. Just hip hop sometimes don't happen. No,

0:13:16.320 --> 0:13:18.640
<v Speaker 1>I know, but I mean I did. But what do

0:13:18.679 --> 0:13:22.280
<v Speaker 1>you think in this situation that line is crossed? I

0:13:22.320 --> 0:13:25.440
<v Speaker 1>think I think, I mean, honestly, in my opinion, I

0:13:25.480 --> 0:13:28.040
<v Speaker 1>think he probably was just looking for something to create

0:13:28.679 --> 0:13:31.800
<v Speaker 1>some more smoke so he can keep that moment going.

0:13:31.920 --> 0:13:33.800
<v Speaker 1>He came out the gate with a classic that's a

0:13:33.840 --> 0:13:37.560
<v Speaker 1>tough tough position to be in, especially when you're just

0:13:37.559 --> 0:13:40.160
<v Speaker 1>getting out of jail. You don't really because I don't.

0:13:40.320 --> 0:13:42.840
<v Speaker 1>The song is so flawless and it's so organic. I

0:13:42.840 --> 0:13:45.440
<v Speaker 1>don't think he even really knew what he did when

0:13:45.440 --> 0:13:48.080
<v Speaker 1>he when he did that song, and it resonated with

0:13:48.120 --> 0:13:51.920
<v Speaker 1>everybody like that. So to have to recreate that same moment,

0:13:52.200 --> 0:13:54.320
<v Speaker 1>it's tough to do, you know what I'm saying, Like

0:13:54.360 --> 0:13:56.080
<v Speaker 1>to keep that going, to keep that going. And I

0:13:56.120 --> 0:13:59.959
<v Speaker 1>think that M's level of success and sometimes my level

0:14:00.040 --> 0:14:04.480
<v Speaker 1>less success, I think that they sometimes assume that we're

0:14:04.559 --> 0:14:08.600
<v Speaker 1>just detaction, that we got paying them no attention and

0:14:08.679 --> 0:14:12.240
<v Speaker 1>we're not for them. And my thing is I need

0:14:12.280 --> 0:14:14.120
<v Speaker 1>to take the steps. I need to take the steps

0:14:14.120 --> 0:14:15.679
<v Speaker 1>to be able to bridge that gap, just to make

0:14:15.720 --> 0:14:18.240
<v Speaker 1>sure that they understand, even if it takes for us

0:14:18.280 --> 0:14:21.800
<v Speaker 1>to come outside of our comfort zone and somehow meet halfway.

0:14:22.080 --> 0:14:25.000
<v Speaker 1>And I need him to understand that the unity is

0:14:25.040 --> 0:14:27.400
<v Speaker 1>where the power is at, the unit, that the power

0:14:27.440 --> 0:14:29.840
<v Speaker 1>is in the collector say that you know what I'm saying.

0:14:29.880 --> 0:14:32.200
<v Speaker 1>So so I mean we understood each other after we

0:14:32.360 --> 0:14:34.040
<v Speaker 1>after we talk, you know what I'm saying, And what

0:14:34.040 --> 0:14:36.240
<v Speaker 1>what myle what mole is he from? Is that is

0:14:36.320 --> 0:14:39.040
<v Speaker 1>everyone from a mile in dep I think I think

0:14:39.080 --> 0:14:41.880
<v Speaker 1>T is from. He from the West side. I know,

0:14:42.040 --> 0:14:44.360
<v Speaker 1>I don't know exactly where from because he's so much

0:14:44.400 --> 0:14:48.200
<v Speaker 1>younger than me, But I don't know exactly he's the

0:14:48.200 --> 0:14:51.400
<v Speaker 1>west side of though, he's the west side of Good God,

0:14:53.040 --> 0:14:55.120
<v Speaker 1>I don't want y'all got dude from the dad to

0:14:55.120 --> 0:14:56.640
<v Speaker 1>get them a man, you know what I'm saying. We're

0:14:56.640 --> 0:14:59.840
<v Speaker 1>gonna be man. Listen, listen, man, We're gonna be good.

0:15:00.200 --> 0:15:02.640
<v Speaker 1>All of us are gonna be good. Everybody's gonna be good.

0:15:02.640 --> 0:15:05.720
<v Speaker 1>Nobody's gonna We're not doing that. You're not doing You're

0:15:05.760 --> 0:15:07.480
<v Speaker 1>not doing that. I'm not gonna let that happen, you

0:15:07.520 --> 0:15:10.080
<v Speaker 1>know what I'm saying. So, this is this situation, I

0:15:10.080 --> 0:15:13.880
<v Speaker 1>feel like I'm I'm I'm ahead of it. I feel

0:15:13.920 --> 0:15:16.280
<v Speaker 1>like I have enough control over it as the O

0:15:16.440 --> 0:15:20.440
<v Speaker 1>G and I've been here before, you know what I mean. Like,

0:15:20.480 --> 0:15:24.160
<v Speaker 1>I'm comfortable. I'm comfortable in this space because I know

0:15:24.320 --> 0:15:26.240
<v Speaker 1>I know how to turn things around and flip them

0:15:26.240 --> 0:15:29.720
<v Speaker 1>into a positive. I know how it is with what

0:15:29.840 --> 0:15:32.800
<v Speaker 1>the outcome is on the negative. And we've been there.

0:15:32.960 --> 0:15:34.600
<v Speaker 1>You know what I'm saying, what do you think the

0:15:34.640 --> 0:15:37.760
<v Speaker 1>first time, like when you see him? Because because like

0:15:38.080 --> 0:15:41.120
<v Speaker 1>I believe he um on the gram he was like,

0:15:41.560 --> 0:15:43.320
<v Speaker 1>why would you block me? There? No? Why would you

0:15:43.320 --> 0:15:44.920
<v Speaker 1>say no? Like, so, what was the first thing that

0:15:44.960 --> 0:15:47.720
<v Speaker 1>came to your mind? I was thinking to myself, block you, brother,

0:15:49.080 --> 0:15:55.280
<v Speaker 1>block you. But before I could even like, before my

0:15:55.320 --> 0:15:58.040
<v Speaker 1>mind could go in any direction, Jaylen Rose has already

0:15:58.080 --> 0:16:00.200
<v Speaker 1>hitting me. He's blowing me up. Because that's why, because

0:16:00.240 --> 0:16:03.080
<v Speaker 1>y'all from me, Yeah, yeah, yeah, Jaylen Rose is already

0:16:03.160 --> 0:16:06.040
<v Speaker 1>hitting me, like, yo, Yo, I need I need to

0:16:06.080 --> 0:16:08.240
<v Speaker 1>make sure that you and T Grizzly seeing eye to eye. Man,

0:16:08.320 --> 0:16:10.000
<v Speaker 1>let me let me know if I can link y'all.

0:16:10.520 --> 0:16:12.880
<v Speaker 1>And I hit him back like of course, of course,

0:16:13.560 --> 0:16:15.160
<v Speaker 1>and we got right on it. We got right on

0:16:15.160 --> 0:16:18.240
<v Speaker 1>the text thread and he was like, h T was

0:16:18.280 --> 0:16:20.960
<v Speaker 1>like I think it maybe just be a misunderstanding. And

0:16:21.000 --> 0:16:23.880
<v Speaker 1>I hit him back absolutely, brother, let's let's just talk.

0:16:24.160 --> 0:16:26.440
<v Speaker 1>And um, I said, I actually was he gonna be

0:16:26.480 --> 0:16:29.000
<v Speaker 1>free an hour? He said, yeah, called him an hour.

0:16:29.160 --> 0:16:32.600
<v Speaker 1>We kicked it quick. Yo was trying to say, so,

0:16:33.000 --> 0:16:37.120
<v Speaker 1>no problem, okay, okay, okay, okay yo, We're gonna have

0:16:37.200 --> 0:16:43.120
<v Speaker 1>to do this but the joint guy is is broken

0:16:43.120 --> 0:16:46.480
<v Speaker 1>in the bottom. I'm like, leaning, yeah, we got a

0:16:46.560 --> 0:16:52.680
<v Speaker 1>bad ship, say like this, so I didn't even know

0:16:52.760 --> 0:16:58.440
<v Speaker 1>we got bad chip yeah everything. Yeah, yeah, but I

0:16:58.480 --> 0:17:05.800
<v Speaker 1>had to I had to switch man heroin he was

0:17:05.960 --> 0:17:11.199
<v Speaker 1>believing that now yeah, sir, so yeah, but I had

0:17:11.240 --> 0:17:13.080
<v Speaker 1>to just let him. I had to let him know.

0:17:13.320 --> 0:17:16.399
<v Speaker 1>You know, it's love and respect before anything, you know

0:17:16.440 --> 0:17:19.720
<v Speaker 1>what I'm saying, Like he's uh, I talked to it.

0:17:20.480 --> 0:17:23.240
<v Speaker 1>I talked to a few people in passing about him

0:17:23.680 --> 0:17:25.359
<v Speaker 1>in the word on the Youngest now as oh man,

0:17:25.359 --> 0:17:28.080
<v Speaker 1>they're just young, they're young stupid, they're crazy, they're young stupid.

0:17:28.600 --> 0:17:30.760
<v Speaker 1>I'd never give up on none of them, you know

0:17:30.760 --> 0:17:34.200
<v Speaker 1>what I mean. Like that's just yeah, because I was

0:17:34.280 --> 0:17:36.400
<v Speaker 1>young and stupid or probably you know what I mean.

0:17:36.480 --> 0:17:39.720
<v Speaker 1>And they they're young geniuses man, Like he grizly did

0:17:39.720 --> 0:17:42.119
<v Speaker 1>some ship that none of us did, none of us

0:17:42.760 --> 0:17:44.880
<v Speaker 1>and that needs to be saluted, you know what I'm saying.

0:17:44.920 --> 0:17:48.520
<v Speaker 1>So it's like a win for him and even m

0:17:48.560 --> 0:17:51.040
<v Speaker 1>had a co sign brother, you know what I'm saying.

0:17:51.040 --> 0:17:52.800
<v Speaker 1>So for him to come out the gate like that,

0:17:52.840 --> 0:17:56.159
<v Speaker 1>out of nowhere, about before I even knew who he was.

0:17:56.880 --> 0:17:59.760
<v Speaker 1>I heard about him through World Star and I'm from Detroit.

0:18:00.280 --> 0:18:02.800
<v Speaker 1>You know, you know how amazing that is. So it's like,

0:18:02.840 --> 0:18:04.280
<v Speaker 1>you know, why would I why would I want to

0:18:04.280 --> 0:18:07.640
<v Speaker 1>block that name is a synonymous with Detroit Trick, Trick

0:18:08.119 --> 0:18:10.680
<v Speaker 1>like um like I always think like anytime this beef

0:18:10.720 --> 0:18:13.280
<v Speaker 1>bing within like Detroit, like that's the guy who steps

0:18:13.320 --> 0:18:17.080
<v Speaker 1>in it, and that my bugging. Sometimes sometimes it depends

0:18:17.119 --> 0:18:20.000
<v Speaker 1>on what the situation is. Me and Trick, you know,

0:18:20.040 --> 0:18:24.359
<v Speaker 1>we tight. We didn't even speak about this. This didn't

0:18:24.400 --> 0:18:28.880
<v Speaker 1>even this. This came nowhere near that. No cause got made?

0:18:29.040 --> 0:18:34.280
<v Speaker 1>Where Yeah, in Detroit, it's a little small when you're

0:18:34.280 --> 0:18:38.520
<v Speaker 1>talking about important people, you know, so like no cause

0:18:38.600 --> 0:18:41.639
<v Speaker 1>got made. I think he was really challenging the O

0:18:41.800 --> 0:18:44.280
<v Speaker 1>G S, which he's supposed to do, you know what

0:18:44.280 --> 0:18:47.000
<v Speaker 1>I mean, Like we don't always do everything right. They

0:18:47.000 --> 0:18:48.760
<v Speaker 1>gotta make sure we're on our toes too, And I

0:18:48.800 --> 0:18:50.240
<v Speaker 1>told him that. I told him, you know, if it's

0:18:50.280 --> 0:18:53.119
<v Speaker 1>if there's ever something you think I'm not doing or

0:18:53.200 --> 0:18:55.160
<v Speaker 1>you think I'm not doing right, you can always call

0:18:55.280 --> 0:18:58.679
<v Speaker 1>me and challenge me. You know what I'm saying, bring it,

0:18:58.720 --> 0:19:00.840
<v Speaker 1>bring it to me, make sure and I'm doing everything

0:19:00.840 --> 0:19:02.440
<v Speaker 1>that I'm supposed to do, and I'll do the same

0:19:02.480 --> 0:19:05.119
<v Speaker 1>with you. Let's keep pushing each other like that, and

0:19:05.200 --> 0:19:07.320
<v Speaker 1>let's make this ship great, Let's make the city great.

0:19:07.440 --> 0:19:09.320
<v Speaker 1>Let's break let's break all the cycles, you know what

0:19:09.359 --> 0:19:11.880
<v Speaker 1>I mean, Like we did that. We did the bickering

0:19:12.000 --> 0:19:13.960
<v Speaker 1>back and forth phone TV for the world to see

0:19:14.040 --> 0:19:18.480
<v Speaker 1>us look like some fucking buffoons. Beef this, beef, that,

0:19:18.640 --> 0:19:23.480
<v Speaker 1>beef this. There's no no money and that, no money

0:19:23.480 --> 0:19:25.840
<v Speaker 1>and that, no power in that, no anything in that.

0:19:26.280 --> 0:19:31.440
<v Speaker 1>It's only one one type of person who can monetize that,

0:19:31.720 --> 0:19:34.320
<v Speaker 1>and that's the powers that be. You know what I mean.

0:19:34.400 --> 0:19:37.000
<v Speaker 1>We'll never be on the same team as them, because

0:19:37.800 --> 0:19:40.680
<v Speaker 1>everything about them is to our detriment and as long

0:19:40.720 --> 0:19:44.359
<v Speaker 1>as we continue to divide, we'll always be pawns on

0:19:44.400 --> 0:19:47.679
<v Speaker 1>that chessboard. We gotta start thinking different, you know what

0:19:47.680 --> 0:19:49.440
<v Speaker 1>I'm saying. So that's that's what I'm trying to get

0:19:49.480 --> 0:19:51.399
<v Speaker 1>them to understand. And we all work in progress, and

0:19:51.400 --> 0:19:54.040
<v Speaker 1>I'm gonna keep I'm gonna continue to just keep doing

0:19:54.040 --> 0:19:57.159
<v Speaker 1>my part and I'm gonna keep showing them love the

0:19:57.160 --> 0:20:02.679
<v Speaker 1>way that I'm supposed to. That got that, How did that?

0:20:02.760 --> 0:20:05.280
<v Speaker 1>How did that convo with him on your album, Like,

0:20:05.320 --> 0:20:08.399
<v Speaker 1>how did that skit come about? Him? Talking about what

0:20:08.480 --> 0:20:10.000
<v Speaker 1>he was talking about? You took it back to the

0:20:10.000 --> 0:20:12.520
<v Speaker 1>old school with the skits man and even Jack drink

0:20:12.600 --> 0:20:18.360
<v Speaker 1>chaps from the skits. We don't here. You gotta call

0:20:18.400 --> 0:20:20.680
<v Speaker 1>us for climming. Don't worry about it. But but that

0:20:21.160 --> 0:20:23.359
<v Speaker 1>was deep. That was deep what he was talking about,

0:20:23.400 --> 0:20:25.320
<v Speaker 1>you know, Like, and it was you'll be kicking that

0:20:25.320 --> 0:20:27.040
<v Speaker 1>ship on here. You know, we got you, we had,

0:20:27.840 --> 0:20:30.560
<v Speaker 1>but we should saying he got m on the skid?

0:20:30.840 --> 0:20:33.200
<v Speaker 1>I mean, was was that meant to be a skit?

0:20:33.560 --> 0:20:36.160
<v Speaker 1>Was that a convoy y'all recorded for something else? And

0:20:36.560 --> 0:20:40.520
<v Speaker 1>how did that come about? We were having a conversation. Um,

0:20:40.680 --> 0:20:42.840
<v Speaker 1>we're talking about a lot of deep things, talk about

0:20:42.840 --> 0:20:46.080
<v Speaker 1>white privilege, talking about hip hop, about being a guest

0:20:46.119 --> 0:20:48.880
<v Speaker 1>in hip hop stuff, Lord mar be talking about like

0:20:49.480 --> 0:20:52.280
<v Speaker 1>we're talking about everything. You're talking about everything. I mean,

0:20:52.359 --> 0:20:53.960
<v Speaker 1>me and me and M. I ain't spoke to him

0:20:53.960 --> 0:20:55.800
<v Speaker 1>in a minute, but me and M we sit on

0:20:55.840 --> 0:20:58.720
<v Speaker 1>the phone for hours and just talk about different things,

0:20:59.320 --> 0:21:04.320
<v Speaker 1>different things, how they're affecting us, how they affect our day.

0:21:04.480 --> 0:21:09.399
<v Speaker 1>You know, Um, perspective is like a big, big topic

0:21:09.400 --> 0:21:12.040
<v Speaker 1>of conversation, perspective, the way that people see things, and

0:21:12.400 --> 0:21:14.760
<v Speaker 1>why we think that people see things in a certain way,

0:21:15.200 --> 0:21:16.680
<v Speaker 1>you know what I mean. So we were just kicking

0:21:16.680 --> 0:21:23.200
<v Speaker 1>it and he just talked for like maybe ten fifteen

0:21:23.200 --> 0:21:26.000
<v Speaker 1>minutes straight. I didn't say a word. He was just

0:21:26.040 --> 0:21:29.720
<v Speaker 1>going off, not I don't know, like mad ship, but

0:21:29.800 --> 0:21:32.640
<v Speaker 1>just he was just kicking Ship, like you know something

0:21:32.680 --> 0:21:34.840
<v Speaker 1>like this is gonna be a skip for something. He

0:21:34.920 --> 0:21:40.199
<v Speaker 1>were just talking. He just sometimes you just get and

0:21:40.200 --> 0:21:42.760
<v Speaker 1>I was just sitting there listening to him. I was

0:21:42.800 --> 0:21:45.560
<v Speaker 1>just like, why is it being recorded there? No, no, no, no, no,

0:21:45.600 --> 0:21:49.920
<v Speaker 1>this this isn't what you So after we got off

0:21:49.920 --> 0:21:52.840
<v Speaker 1>the after we after we was done talking, I was like, Yo,

0:21:54.000 --> 0:21:55.879
<v Speaker 1>do you think if I sent you a beat you

0:21:55.920 --> 0:21:58.639
<v Speaker 1>could say everything that you just said or something some

0:21:58.960 --> 0:22:02.200
<v Speaker 1>derivative of it. And he was like, Ship, I don't

0:22:02.200 --> 0:22:06.480
<v Speaker 1>even know what I was just said, but I could try,

0:22:07.080 --> 0:22:09.320
<v Speaker 1>you know what I'm saying. So I sent him a

0:22:09.359 --> 0:22:11.960
<v Speaker 1>beat the next day and he went in and he

0:22:12.000 --> 0:22:15.720
<v Speaker 1>talked for twelve minutes. He talked for twelve minutes, and UM,

0:22:15.760 --> 0:22:17.560
<v Speaker 1>I went up to the studio when I listened to it,

0:22:18.040 --> 0:22:20.000
<v Speaker 1>and UM, of course he wanted to run and running

0:22:20.000 --> 0:22:22.879
<v Speaker 1>by Paul, that's his partner, So he um sent it

0:22:22.880 --> 0:22:25.880
<v Speaker 1>to Paul. Paul just took it. Paul has a way

0:22:25.880 --> 0:22:30.120
<v Speaker 1>of like hearing things, and he himself edited it down,

0:22:30.200 --> 0:22:32.400
<v Speaker 1>you know what I mean, Like we rappers, we babbled,

0:22:32.880 --> 0:22:35.560
<v Speaker 1>Paul edit it. Yeah, Paul edited because Paul. You know,

0:22:35.680 --> 0:22:39.600
<v Speaker 1>Paul is an attorney, right Paul. So Paul took the

0:22:39.600 --> 0:22:41.560
<v Speaker 1>fluff out, you know what I mean, Like he edited

0:22:41.600 --> 0:22:44.560
<v Speaker 1>out all the fluff and then made it a straight thought,

0:22:44.760 --> 0:22:47.200
<v Speaker 1>you know what I'm saying. So he you probably cut

0:22:47.200 --> 0:22:50.680
<v Speaker 1>it down and like, what was it six minutes maybe? Yeah,

0:22:50.800 --> 0:22:52.439
<v Speaker 1>And he cut it down and that's what what you

0:22:52.480 --> 0:22:55.240
<v Speaker 1>guys heard is is is what he edited it down to.

0:22:55.960 --> 0:22:58.800
<v Speaker 1>But there's still six minutes of cutting room floor stuff

0:22:59.600 --> 0:23:03.760
<v Speaker 1>that didn't That makes some forgot got that the first

0:23:03.800 --> 0:23:05.919
<v Speaker 1>time you stopped to for real, y'all battled on the

0:23:05.960 --> 0:23:09.479
<v Speaker 1>phone the very first time. Yes, I didn't know what

0:23:09.520 --> 0:23:14.359
<v Speaker 1>to see. Will remember this, I'm sure you remember this.

0:23:14.840 --> 0:23:20.560
<v Speaker 1>It was me Forrell Marshall. And there's a group from

0:23:20.880 --> 0:23:24.399
<v Speaker 1>Ohio called the Clinic. I can't remember how many of

0:23:24.400 --> 0:23:28.320
<v Speaker 1>them it was, but the niggas was nice, so it

0:23:28.400 --> 0:23:30.040
<v Speaker 1>was the clinic, it was Forrell, it was me, it

0:23:30.080 --> 0:23:32.919
<v Speaker 1>was Marshall, and everybody was taking turns, just rapping on

0:23:33.000 --> 0:23:37.920
<v Speaker 1>the phone on the phone. This is uh, this is

0:23:37.960 --> 0:23:41.439
<v Speaker 1>still the nineties because this is before this is this

0:23:41.520 --> 0:23:44.560
<v Speaker 1>is before he got signed. This is at least ninety nine,

0:23:45.000 --> 0:23:50.760
<v Speaker 1>he meaning because this is before Marshall got signed, but before.

0:23:50.760 --> 0:23:53.480
<v Speaker 1>If it's nine, then that's the super Dog that's after

0:23:53.640 --> 0:23:56.119
<v Speaker 1>what what So this is before that? Then this is

0:23:56.160 --> 0:24:05.600
<v Speaker 1>before that. Well, super came out, came out of ninety eight. Yeah,

0:24:05.600 --> 0:24:07.560
<v Speaker 1>so they got to be ninety seven. Yeah, so man,

0:24:07.760 --> 0:24:09.240
<v Speaker 1>so maybe you know what it might be the beginning

0:24:09.280 --> 0:24:12.080
<v Speaker 1>of the the ninety eight because came out of June. This

0:24:12.119 --> 0:24:14.800
<v Speaker 1>is definitely before that broke. I would have known him

0:24:14.880 --> 0:24:18.280
<v Speaker 1>from you, okay, what I was spotting you? Okay, so

0:24:18.320 --> 0:24:21.840
<v Speaker 1>we we didn't know him, Yeah, we didn't know that time.

0:24:21.920 --> 0:24:25.679
<v Speaker 1>Yea even ill so you don't even know what this is.

0:24:25.720 --> 0:24:28.400
<v Speaker 1>So I know he's a producer, but I don't know him.

0:24:28.480 --> 0:24:30.679
<v Speaker 1>I have I don't connect him to you, Okay, you

0:24:30.720 --> 0:24:35.520
<v Speaker 1>know what I'm saying. So Rob was Rob Walker, um,

0:24:37.480 --> 0:24:41.399
<v Speaker 1>Rob Walker Erica. They're working at Quest Records. You remember

0:24:41.400 --> 0:24:44.800
<v Speaker 1>when Rob work a and R is in Quest Records,

0:24:45.480 --> 0:24:48.760
<v Speaker 1>and he's like, um, yeah, Rob got this uh in

0:24:48.800 --> 0:24:53.960
<v Speaker 1>Derrick Jackson, Derk Jackson, Quest is Quincy Jones Labor. Yes, yes,

0:24:54.200 --> 0:24:55.919
<v Speaker 1>for people who don't know Derrick Jackson's that's the one

0:24:55.920 --> 0:24:58.280
<v Speaker 1>who started master the Scott story. After that, yes, okay,

0:24:58.520 --> 0:25:01.520
<v Speaker 1>time of Boy Records, Okay accent he talking the most ship.

0:25:01.960 --> 0:25:04.040
<v Speaker 1>He was like, yeah, nigga, like he didn't one who

0:25:04.040 --> 0:25:05.520
<v Speaker 1>put the clinic on the phone, and you know, they

0:25:05.600 --> 0:25:07.480
<v Speaker 1>all like, yeah, I got my nigga. Well I got

0:25:07.480 --> 0:25:11.640
<v Speaker 1>my nigga. So Rob had for real, uh Rick had,

0:25:11.800 --> 0:25:14.920
<v Speaker 1>Eric had me, I had Marshall. I brought him in

0:25:15.480 --> 0:25:22.560
<v Speaker 1>and then um yeah yeah so we so we were

0:25:22.560 --> 0:25:25.840
<v Speaker 1>on the phone and then we all just going, everybody

0:25:25.960 --> 0:25:28.639
<v Speaker 1>just going taking turns going, and all while we rapping.

0:25:29.040 --> 0:25:32.680
<v Speaker 1>Marshall yeah yeah, everyone and who else is on this

0:25:32.680 --> 0:25:39.280
<v Speaker 1>phone and everyone, everybody including for a holy and I'll

0:25:39.280 --> 0:25:41.680
<v Speaker 1>remember for real, he reminded me a lot of nos.

0:25:41.760 --> 0:25:44.880
<v Speaker 1>I remember thinking he's smooth, super smooth with it. He's

0:25:44.960 --> 0:25:47.240
<v Speaker 1>kept rapping about the band's wagon. He kept saying something

0:25:47.240 --> 0:25:49.240
<v Speaker 1>about the band's wagon, and I remember I kept saying,

0:25:49.240 --> 0:25:52.679
<v Speaker 1>what then what is no? Did I look at it

0:25:52.680 --> 0:25:54.680
<v Speaker 1>in retrospect, the nigga probably had two or three of

0:25:54.720 --> 0:25:59.200
<v Speaker 1>the moment I looked back in time, I said, looking

0:25:59.280 --> 0:26:01.719
<v Speaker 1>for Roles, watch this right now. I'm a big watch guy, right,

0:26:01.720 --> 0:26:04.719
<v Speaker 1>I wasn't it back then, But I just look at

0:26:04.720 --> 0:26:07.119
<v Speaker 1>his watches and I like this cheap ass brother watched

0:26:07.520 --> 0:26:09.760
<v Speaker 1>Years later I figured out that was a fucking Richard male.

0:26:11.680 --> 0:26:13.640
<v Speaker 1>Ye had one back then, not nine the nineties. I'm

0:26:14.040 --> 0:26:18.760
<v Speaker 1>like mid two, thou know what I'm saying. No one

0:26:18.880 --> 0:26:21.280
<v Speaker 1>knew what the robber watch was like. Like if we

0:26:21.320 --> 0:26:24.679
<v Speaker 1>had G shops, you got all right now, brother, then

0:26:24.720 --> 0:26:30.720
<v Speaker 1>you get a lot of one. Well yea, So he's

0:26:30.720 --> 0:26:33.760
<v Speaker 1>been his advanced, but that's crazy advance that that that

0:26:33.800 --> 0:26:36.359
<v Speaker 1>you were like, that means you actually spoke to him

0:26:36.400 --> 0:26:40.320
<v Speaker 1>prior to me, because because I met him, I met

0:26:40.359 --> 0:26:42.960
<v Speaker 1>him one day throughout the next day and then recorded

0:26:42.960 --> 0:26:45.640
<v Speaker 1>Winning the next day, So that means you technically met

0:26:45.640 --> 0:26:48.240
<v Speaker 1>for realm before me. But you got in the studio

0:26:48.280 --> 0:26:49.760
<v Speaker 1>with him for I got the shoot and I knew it.

0:26:49.800 --> 0:26:51.400
<v Speaker 1>I knew, like I knew as soon as I met

0:26:51.400 --> 0:26:53.480
<v Speaker 1>it is weird, as I said, yeah, look as soon

0:26:53.520 --> 0:26:55.520
<v Speaker 1>as he came to me, he was like he said,

0:26:55.520 --> 0:26:57.359
<v Speaker 1>no one listens to me. The first person who listens

0:26:57.359 --> 0:26:59.119
<v Speaker 1>to me is gonna get number one. And I said,

0:26:59.200 --> 0:27:01.439
<v Speaker 1>did he say that? He said that, Bro, He's a

0:27:02.440 --> 0:27:06.240
<v Speaker 1>amatonic jewel dropper And for some rejews, I believe them,

0:27:06.280 --> 0:27:08.080
<v Speaker 1>Like listen, by the way I got to know more

0:27:08.160 --> 0:27:10.720
<v Speaker 1>record at the time I got R E. Norri stands

0:27:10.760 --> 0:27:14.880
<v Speaker 1>for Nigga's on the Run Eating. My album's done. Rob

0:27:14.960 --> 0:27:18.480
<v Speaker 1>walk Up talks so Mary Moore and they get me

0:27:18.480 --> 0:27:20.280
<v Speaker 1>in the studio and it's like he's like, your album's

0:27:20.320 --> 0:27:23.080
<v Speaker 1>not done. Like he was cocky was back then, like

0:27:24.040 --> 0:27:26.560
<v Speaker 1>like what, it's just for all this is no, this

0:27:26.600 --> 0:27:28.280
<v Speaker 1>is for all the chat. But Bro has always been

0:27:28.320 --> 0:27:31.760
<v Speaker 1>the front morning. He's always been like Chad is there

0:27:32.200 --> 0:27:34.000
<v Speaker 1>but for so so He's like, no, your album is

0:27:34.040 --> 0:27:36.840
<v Speaker 1>not done. And I'm like, I'm like, dude, Like that's

0:27:36.840 --> 0:27:39.399
<v Speaker 1>how cocky he was back then. I'm like, dude, I

0:27:39.400 --> 0:27:42.000
<v Speaker 1>actually literally handed in my album. He's like, it's not done.

0:27:42.200 --> 0:27:44.560
<v Speaker 1>So if this is to Super Doug, listen to what

0:27:44.560 --> 0:27:47.480
<v Speaker 1>what what at the end like your eat nor the

0:27:47.600 --> 0:27:50.720
<v Speaker 1>remix because we try to sneak it on as a remix.

0:27:50.920 --> 0:27:52.800
<v Speaker 1>You know what, I'm saying because the album was already done.

0:27:52.920 --> 0:27:56.359
<v Speaker 1>But moving on. So um, I also heard you the

0:27:56.400 --> 0:27:58.400
<v Speaker 1>reason why no artist is allowed to go to Tom

0:27:58.440 --> 0:28:03.120
<v Speaker 1>Superman's apartment. Uh, I feel bad about that, man. Come

0:28:03.119 --> 0:28:13.040
<v Speaker 1>on and I feel bad. Let's get into it right there.

0:28:13.080 --> 0:28:14.879
<v Speaker 1>I sold. Then I sold. This is the that I

0:28:14.880 --> 0:28:17.600
<v Speaker 1>sold tuning in for right now you was in Okay,

0:28:17.640 --> 0:28:21.840
<v Speaker 1>let's go. Yeah. So um I did. I did a meeting.

0:28:22.480 --> 0:28:24.480
<v Speaker 1>I did a meeting with Tommy Boy, me and Eric.

0:28:24.920 --> 0:28:27.520
<v Speaker 1>We did a meeting with Tommy Boy. Um with a

0:28:27.560 --> 0:28:30.720
<v Speaker 1>cat named Tyrone. Tyrone. This is after you made a

0:28:30.720 --> 0:28:33.439
<v Speaker 1>decision to go with Tommy Boy or Dr Dre. This

0:28:33.520 --> 0:28:35.520
<v Speaker 1>is for this is before, So this is this is

0:28:35.600 --> 0:28:38.360
<v Speaker 1>first we did. First we did the meeting, he said,

0:28:38.520 --> 0:28:40.880
<v Speaker 1>he said he fun with the music. I think he

0:28:40.920 --> 0:28:44.640
<v Speaker 1>passed it. He passed, he passed. So Um. When I

0:28:44.680 --> 0:28:46.960
<v Speaker 1>started working with Dre and Marshall, I was working with

0:28:47.040 --> 0:28:49.840
<v Speaker 1>Dre on the Chronic. You know, word got around the

0:28:49.840 --> 0:28:52.200
<v Speaker 1>industry that I was working with Marshall and Drake. I did.

0:28:52.200 --> 0:28:55.960
<v Speaker 1>That was around them and everybody on the East coast.

0:28:56.040 --> 0:28:58.080
<v Speaker 1>All the labels on the East Coast wanted to meet again.

0:28:58.720 --> 0:29:01.120
<v Speaker 1>You know, once they found out of course. So I

0:29:01.160 --> 0:29:04.240
<v Speaker 1>went back and I met with Tommy Boy with the

0:29:04.280 --> 0:29:07.080
<v Speaker 1>same records. Did he have an adeline on when Tom

0:29:07.080 --> 0:29:12.920
<v Speaker 1>silver Um, I don't remember the home said yeah, yeah

0:29:13.680 --> 0:29:17.080
<v Speaker 1>on a regular day weird ship in the world and

0:29:17.120 --> 0:29:22.080
<v Speaker 1>looking like ye running. Yeah. So when when I went back,

0:29:23.600 --> 0:29:25.400
<v Speaker 1>the meeting was a little bit different, you know, like

0:29:25.400 --> 0:29:27.480
<v Speaker 1>it's like the whole staff was in there, but it

0:29:27.600 --> 0:29:30.200
<v Speaker 1>was kind of like and everybody was all excited about

0:29:30.200 --> 0:29:34.959
<v Speaker 1>these same records that they passed on. So um, one

0:29:35.000 --> 0:29:37.320
<v Speaker 1>thing led to another. I ended up signing to deal

0:29:37.360 --> 0:29:41.000
<v Speaker 1>with them. Um they gave me a million dollars. So um,

0:29:41.520 --> 0:29:43.320
<v Speaker 1>I feel like we gotta make some noise. Come on, man,

0:29:43.720 --> 0:29:50.920
<v Speaker 1>I'm sorry forget Yeah. So um so Tom Silverman he

0:29:51.040 --> 0:29:54.320
<v Speaker 1>bet the farm on me sort of speak. I think

0:29:54.480 --> 0:29:55.880
<v Speaker 1>you know what I'm saying, Like, I think that was

0:29:55.920 --> 0:29:58.200
<v Speaker 1>the last kind of deal like that that he did.

0:29:58.240 --> 0:30:00.960
<v Speaker 1>He really believed in me. That's why I got and

0:30:01.000 --> 0:30:07.640
<v Speaker 1>this is this is two thousand and this is ship Okay, yeah, yeah,

0:30:07.960 --> 0:30:11.360
<v Speaker 1>I'm two thousands. Yeah, because I didn't get the Timy

0:30:11.360 --> 0:30:18.160
<v Speaker 1>Boy yet. I remember, yeah, okay, because I remember remember

0:30:18.720 --> 0:30:20.720
<v Speaker 1>there from the beginning there. Yeah, yeah, you know what

0:30:20.800 --> 0:30:23.480
<v Speaker 1>I remember because you were there prior to me, and

0:30:23.640 --> 0:30:25.840
<v Speaker 1>I was always on the timeboy, but time boards I'm

0:30:25.880 --> 0:30:29.880
<v Speaker 1>on penalty was own by Tommy Boy. But then they

0:30:29.960 --> 0:30:31.920
<v Speaker 1>kicked penalty out and then I was fully on time Boy.

0:30:32.000 --> 0:30:34.240
<v Speaker 1>But you was there. Pride, That's why I know, yes

0:30:34.400 --> 0:30:35.960
<v Speaker 1>had to be. You was one of the reasons why

0:30:36.440 --> 0:30:40.160
<v Speaker 1>I went over there. Listen, let me just say you

0:30:40.160 --> 0:30:42.480
<v Speaker 1>something about Tom Silman. A lot of people that get slack.

0:30:42.680 --> 0:30:45.840
<v Speaker 1>If you show Tom Simmerman that you're working and you

0:30:45.960 --> 0:30:48.200
<v Speaker 1>got something like he will put the break up. He

0:30:48.240 --> 0:30:50.080
<v Speaker 1>would like, we just said, that's why you see. I

0:30:50.120 --> 0:30:54.000
<v Speaker 1>didn't flinch, but it's just it's just I feel like,

0:30:54.160 --> 0:30:56.600
<v Speaker 1>you know, hearing that I sold story like um and

0:30:56.720 --> 0:30:59.280
<v Speaker 1>hearing the practices that he takes, he owes a lot

0:30:59.280 --> 0:31:01.160
<v Speaker 1>more to hip hop. Like they think about it is

0:31:01.160 --> 0:31:03.600
<v Speaker 1>this we know we signed these these these kids deals

0:31:03.600 --> 0:31:05.520
<v Speaker 1>and used it and then for it to be twenty

0:31:06.280 --> 0:31:08.680
<v Speaker 1>five years thirty years later. I think I think people

0:31:08.720 --> 0:31:12.240
<v Speaker 1>deserve it like UMU, whether you were cooped or not.

0:31:12.360 --> 0:31:14.520
<v Speaker 1>If you have an album for thirty years, twenty years,

0:31:14.520 --> 0:31:16.760
<v Speaker 1>twenty five years, I think the rightful thing to do

0:31:16.880 --> 0:31:23.160
<v Speaker 1>is split it. Yeah, because everything else is changing exactly everything.

0:31:23.280 --> 0:31:25.160
<v Speaker 1>Like if you if you own my album for twenty

0:31:25.200 --> 0:31:26.880
<v Speaker 1>if I wanted your album with twenty years ago and

0:31:26.920 --> 0:31:30.120
<v Speaker 1>you came to me and say, Yo, Nori, let's do

0:31:30.160 --> 0:31:33.640
<v Speaker 1>a split. No no, not only would I want to

0:31:33.640 --> 0:31:35.560
<v Speaker 1>split it with you, but because I know you would

0:31:35.560 --> 0:31:36.960
<v Speaker 1>want to go out there and promote it. Like I

0:31:37.000 --> 0:31:39.680
<v Speaker 1>feel sad sometimes when when I go online and I

0:31:40.520 --> 0:31:44.200
<v Speaker 1>stream a Daylight Soul so a show and they won't

0:31:44.200 --> 0:31:47.680
<v Speaker 1>even do those records, like they don't make anything out

0:31:47.680 --> 0:31:50.880
<v Speaker 1>the polish inside. They won't even perform sometimes, like at

0:31:50.920 --> 0:31:52.960
<v Speaker 1>least I see, like you know, Trutch and Naughty by Nature,

0:31:52.960 --> 0:31:55.520
<v Speaker 1>at least they'll they'll perform those records and stuff like that.

0:31:55.640 --> 0:31:58.160
<v Speaker 1>Like sometimes like I want to hear potholes in my lawn,

0:31:58.200 --> 0:31:59.560
<v Speaker 1>you know what I'm saying, Like I want to hear

0:32:00.040 --> 0:32:02.560
<v Speaker 1>all that stuff, but that that that that boughted me.

0:32:02.640 --> 0:32:05.360
<v Speaker 1>So Tom Shimman, I don't know if you're listening, but yeah,

0:32:05.360 --> 0:32:06.600
<v Speaker 1>I think you can make it right man. I think

0:32:06.640 --> 0:32:09.000
<v Speaker 1>it's not too late, you know what I'm saying. Moving on, So,

0:32:09.400 --> 0:32:13.200
<v Speaker 1>so what happened in the apartment though, so um so

0:32:13.240 --> 0:32:16.120
<v Speaker 1>we needed somewhere to stay at um in order for

0:32:16.160 --> 0:32:20.120
<v Speaker 1>me to to record the album. So he gave us.

0:32:20.200 --> 0:32:22.080
<v Speaker 1>He gave us his apartment, you know, one of his

0:32:22.120 --> 0:32:25.920
<v Speaker 1>spots that he had. Uh, he's subleasing this big gass apartment.

0:32:26.960 --> 0:32:28.720
<v Speaker 1>I'm not gonna say where because I don't know if

0:32:28.720 --> 0:32:31.880
<v Speaker 1>he still has it, no problem, but it was a

0:32:31.920 --> 0:32:34.400
<v Speaker 1>great it's a great apartment, man, it's a great apartment.

0:32:34.440 --> 0:32:37.800
<v Speaker 1>And I know I remember just being in there. I

0:32:37.840 --> 0:32:42.520
<v Speaker 1>remember just being in there and little to all of them.

0:32:42.560 --> 0:32:46.800
<v Speaker 1>My um My, my, my bro, my Bro came into town.

0:32:46.840 --> 0:32:51.720
<v Speaker 1>This was when um Marshall wanted the move man, if

0:32:51.760 --> 0:32:55.120
<v Speaker 1>he should want his first move man. That night we

0:32:55.120 --> 0:32:58.080
<v Speaker 1>were all just like happy for him, you know what

0:32:58.080 --> 0:33:00.640
<v Speaker 1>I mean, And everybody was like drunk and high. And

0:33:00.680 --> 0:33:03.160
<v Speaker 1>I remember it being about ten fifteen niggas in the

0:33:03.480 --> 0:33:07.360
<v Speaker 1>apartment and everybody's from Detroit. Everybody flew in and everybody

0:33:07.440 --> 0:33:10.080
<v Speaker 1>was standing in my well, it was my apartment at

0:33:10.120 --> 0:33:13.960
<v Speaker 1>the time in my mind, you know, so you're occupying it.

0:33:14.760 --> 0:33:18.719
<v Speaker 1>I just remember. I just remember um My big Bro

0:33:18.840 --> 0:33:21.239
<v Speaker 1>getting into it with somebody and the he brow with him,

0:33:21.720 --> 0:33:26.960
<v Speaker 1>and I remember them having words and grabbing each other,

0:33:27.400 --> 0:33:31.800
<v Speaker 1>and I remember my Bro grabbing them and pulling them

0:33:32.120 --> 0:33:36.000
<v Speaker 1>into the bathroom and slamming the door behind them, and

0:33:36.120 --> 0:33:39.240
<v Speaker 1>I'm hearing nothing but just rockets in the bathroom, and

0:33:39.320 --> 0:33:41.280
<v Speaker 1>I was just thinking to myself, like, it's not gonna

0:33:41.280 --> 0:33:42.840
<v Speaker 1>be good. This is not gonna be good. It's not

0:33:42.920 --> 0:33:47.120
<v Speaker 1>gonna be good in there. YO. So about about five

0:33:47.160 --> 0:33:50.440
<v Speaker 1>minutes later, they come out breathing all hard, and I

0:33:50.560 --> 0:33:53.680
<v Speaker 1>hear my big bro like, because what the dude was

0:33:53.680 --> 0:33:56.040
<v Speaker 1>supposed to be like muscle and he was like a

0:33:56.120 --> 0:33:57.480
<v Speaker 1>was supposed to be able to throw your big ass

0:33:57.480 --> 0:34:02.840
<v Speaker 1>around like that. Oh my god. I go in the bathroom,

0:34:03.160 --> 0:34:05.720
<v Speaker 1>but and the fucking shower out is torn down, the

0:34:05.920 --> 0:34:09.840
<v Speaker 1>mirrors off the wall, and in the wall. Bro, it

0:34:09.920 --> 0:34:12.360
<v Speaker 1>couldn't be worse than what I saw in there. And

0:34:12.440 --> 0:34:15.239
<v Speaker 1>I remember just thinking to myself, like damn. And then

0:34:15.280 --> 0:34:16.840
<v Speaker 1>you know, they stayed for a couple of days, so

0:34:16.960 --> 0:34:19.719
<v Speaker 1>the whole apartment was kind of like trash. It looked

0:34:19.719 --> 0:34:23.600
<v Speaker 1>like some rockers that stayed there. So, um, the housekeeping

0:34:23.680 --> 0:34:27.919
<v Speaker 1>lady came and she didn't even clean it. She just looked.

0:34:27.960 --> 0:34:29.560
<v Speaker 1>She just took one look at it and turned around

0:34:29.560 --> 0:34:33.719
<v Speaker 1>and walked off. And she did like a report. I

0:34:33.800 --> 0:34:35.920
<v Speaker 1>guess weekly she has to do it like a report.

0:34:36.360 --> 0:34:38.600
<v Speaker 1>She did a report and she said, and I quote

0:34:38.600 --> 0:34:41.520
<v Speaker 1>people to do that. I quote she said, it looked

0:34:41.560 --> 0:34:45.160
<v Speaker 1>like a crack house in there. That's what she told

0:34:45.560 --> 0:34:48.360
<v Speaker 1>That's what she told. Her reference point was what was

0:34:48.480 --> 0:34:52.399
<v Speaker 1>Tom's phone call to you. I never spoke to Tom

0:34:52.480 --> 0:34:55.320
<v Speaker 1>Silverman after that. I never spoke to him after that.

0:34:55.760 --> 0:34:57.680
<v Speaker 1>They just told us we had to get out the apartment.

0:34:58.239 --> 0:35:02.520
<v Speaker 1>And when I went to turn the album and we

0:35:02.640 --> 0:35:05.400
<v Speaker 1>had a meeting, it was time at that meeting, the

0:35:05.480 --> 0:35:09.640
<v Speaker 1>last meeting. Now he wasn't even that eating. So we

0:35:09.920 --> 0:35:12.640
<v Speaker 1>went to play the album and they wait until we

0:35:12.680 --> 0:35:16.200
<v Speaker 1>were done. We had five Neptune Records, five Neptune Records

0:35:16.239 --> 0:35:20.359
<v Speaker 1>to just Blaze Records. Um, who else do we have either,

0:35:21.239 --> 0:35:25.640
<v Speaker 1>we have Primo Records. We had a star studied lineup

0:35:25.719 --> 0:35:29.479
<v Speaker 1>of producers, and um, after we were done playing a record,

0:35:29.560 --> 0:35:34.240
<v Speaker 1>they were like, okay, okay, yeah, we we liked the songs,

0:35:35.040 --> 0:35:37.360
<v Speaker 1>but we don't know who you are not listening to

0:35:37.480 --> 0:35:39.600
<v Speaker 1>these songs. And I couldn't, for the life of me,

0:35:39.640 --> 0:35:41.440
<v Speaker 1>figure out what the funk they were talking about. I

0:35:41.480 --> 0:35:44.400
<v Speaker 1>thought they were hating. I was doing that accountability thing

0:35:44.480 --> 0:35:46.160
<v Speaker 1>that we do when were young. I couldn't hold myself

0:35:46.200 --> 0:35:48.279
<v Speaker 1>accountable for ship. I was like, they're hating on me,

0:35:48.680 --> 0:35:51.799
<v Speaker 1>and they didn't end up accepting the album, so they

0:35:51.800 --> 0:35:53.839
<v Speaker 1>didn't release it. And that's how I ended up getting

0:35:53.880 --> 0:35:55.960
<v Speaker 1>released from Tommy Boys, so I can move to Sony

0:35:56.200 --> 0:36:01.200
<v Speaker 1>to Colombia. Wow. That that that's how the Tommy Boy

0:36:01.320 --> 0:36:04.640
<v Speaker 1>thing ended. I wasn't able to there's an album to

0:36:04.719 --> 0:36:07.120
<v Speaker 1>them that they felt was and you think you think

0:36:07.200 --> 0:36:09.640
<v Speaker 1>that was close to the department thing, or because you

0:36:09.680 --> 0:36:12.960
<v Speaker 1>think that that that you wasn't showing them in retrospect,

0:36:13.040 --> 0:36:15.239
<v Speaker 1>the apartment thing probably had a little bit to do

0:36:15.360 --> 0:36:18.040
<v Speaker 1>with it. But I didn't know how to make album.

0:36:18.960 --> 0:36:21.839
<v Speaker 1>I just didn't you know, it was a cohesive album. Yeah,

0:36:21.840 --> 0:36:23.839
<v Speaker 1>it wasn't cohesive. It was probably it was all over

0:36:23.920 --> 0:36:26.279
<v Speaker 1>the place. If I can remember back properly, it was

0:36:26.400 --> 0:36:29.839
<v Speaker 1>just a bunch of different songs. I was wrapping good

0:36:29.880 --> 0:36:33.040
<v Speaker 1>on all the songs, but there wasn't a complete thought.

0:36:33.160 --> 0:36:35.720
<v Speaker 1>And that's people wonder why to this day I use skits.

0:36:36.520 --> 0:36:38.799
<v Speaker 1>And but when that person said to you, we don't

0:36:38.840 --> 0:36:41.560
<v Speaker 1>know who you are now, I think that that was

0:36:41.640 --> 0:36:44.640
<v Speaker 1>great advice. Yes, yes, I think that I thought that

0:36:44.719 --> 0:36:49.440
<v Speaker 1>was artistic critique of that album, Yes, I didn't understand it.

0:36:50.320 --> 0:36:52.360
<v Speaker 1>I think that I think that every artist should do

0:36:52.760 --> 0:36:56.959
<v Speaker 1>at least one self defining album. I think that every

0:36:57.080 --> 0:37:02.759
<v Speaker 1>artist should find there's owns self definition. The b could

0:37:02.760 --> 0:37:06.439
<v Speaker 1>we not have more noises happening in this episode? Yeah,

0:37:06.520 --> 0:37:10.680
<v Speaker 1>so that that self, that self defining thing. You gotta

0:37:10.760 --> 0:37:12.640
<v Speaker 1>go out and you gotta find that. You gotta find

0:37:12.680 --> 0:37:14.880
<v Speaker 1>out who you are, and once you get to that

0:37:14.960 --> 0:37:18.160
<v Speaker 1>place where you know who you are, express that, and

0:37:18.440 --> 0:37:20.560
<v Speaker 1>preferably if you could do with your first album, so

0:37:20.719 --> 0:37:22.520
<v Speaker 1>you can get that out the way, it can be

0:37:22.640 --> 0:37:24.800
<v Speaker 1>like an introduction, kind of like how reasonable doubt is,

0:37:24.840 --> 0:37:28.719
<v Speaker 1>how eomatic is. If you could do that, you know,

0:37:28.960 --> 0:37:32.399
<v Speaker 1>war Report exactly, If you could do that from there,

0:37:32.520 --> 0:37:35.759
<v Speaker 1>it's very easy to build the brand from there. That's

0:37:35.840 --> 0:37:37.719
<v Speaker 1>kind of crazy for me to hear you say that, though.

0:37:38.000 --> 0:37:39.560
<v Speaker 1>That's kind of crazy for me to hear that you

0:37:39.640 --> 0:37:42.839
<v Speaker 1>didn't think your first was that it wasn't it wasn't

0:37:43.200 --> 0:37:45.239
<v Speaker 1>you know, reporting about because I was fresh out of

0:37:45.280 --> 0:37:48.640
<v Speaker 1>the open mics, So I was fresh off that phone

0:37:48.680 --> 0:37:50.399
<v Speaker 1>call with Reil and them. You know what I'm saying,

0:37:50.520 --> 0:37:53.120
<v Speaker 1>Like I was a battle rapper, I was I just

0:37:53.360 --> 0:37:58.000
<v Speaker 1>you know, my first love was battling mcs, rapping about

0:37:58.080 --> 0:38:01.080
<v Speaker 1>how good I could wrap, impressing other mcs. My only

0:38:01.200 --> 0:38:03.600
<v Speaker 1>dream was just to be accepted by red Man and

0:38:03.719 --> 0:38:10.440
<v Speaker 1>rass Cash. Buy what I'm saying, You know what I mean?

0:38:10.560 --> 0:38:14.560
<v Speaker 1>So you know, like I did all my evolving in

0:38:15.120 --> 0:38:18.800
<v Speaker 1>the fire. You know what I'm saying is that recording process.

0:38:19.200 --> 0:38:22.279
<v Speaker 1>M did a joint with the Neptunes around this time. No,

0:38:22.560 --> 0:38:25.240
<v Speaker 1>he um, I remember I was getting in the studio

0:38:26.480 --> 0:38:29.560
<v Speaker 1>with for real Um for the for the because they're

0:38:29.600 --> 0:38:32.920
<v Speaker 1>never on record done a record together? Right? Oh yeah,

0:38:33.000 --> 0:38:35.000
<v Speaker 1>that's right. Then my forgot about that. Yeah, we did.

0:38:35.080 --> 0:38:37.160
<v Speaker 1>We did. We did a song called She the One,

0:38:37.360 --> 0:38:40.399
<v Speaker 1>Me and Marshall did over over a Neptune beat. Oh,

0:38:40.520 --> 0:38:42.920
<v Speaker 1>She the One. But that's never seen the light of day.

0:38:43.520 --> 0:38:45.520
<v Speaker 1>I think it may have been on YouTube, but it's

0:38:45.560 --> 0:38:50.840
<v Speaker 1>never it's never officially. No. And we also got in

0:38:50.840 --> 0:38:54.040
<v Speaker 1>the studio together for the what was the Football? The

0:38:54.040 --> 0:38:58.839
<v Speaker 1>football movie with l Cold and Jamie and he give

0:38:59.120 --> 0:39:05.680
<v Speaker 1>give us under right, it was that movie because for

0:39:07.120 --> 0:39:09.719
<v Speaker 1>any given Sunday. Yeah, I need my plock for that too.

0:39:11.600 --> 0:39:17.719
<v Speaker 1>Yeah here write that down to I'm missing nothing to

0:39:17.800 --> 0:39:21.640
<v Speaker 1>lose it's only five soundtrack missing Foxy Brown Joint. I'm

0:39:21.680 --> 0:39:24.600
<v Speaker 1>missing what was that give Sunday? And I'm missing like two,

0:39:24.680 --> 0:39:27.560
<v Speaker 1>two or three more. I don't have my my chronic plaque,

0:39:28.200 --> 0:39:31.239
<v Speaker 1>not like you just from Yeah, I'm not gonna lie

0:39:32.719 --> 0:39:36.600
<v Speaker 1>clue DJ clue. I should have a DJ clue. I

0:39:36.640 --> 0:39:39.680
<v Speaker 1>got to DJ your shout off to DJ clue, and um,

0:39:40.480 --> 0:39:42.200
<v Speaker 1>I just don't have any more space on the wall

0:39:42.239 --> 0:39:45.160
<v Speaker 1>because big space. Mr Porter, Mr Porter, you know what

0:39:45.200 --> 0:39:46.640
<v Speaker 1>I was gonna put my R Kelly plaque. I got

0:39:46.680 --> 0:39:49.000
<v Speaker 1>a R plaque. I'm so sorry, don't put it in

0:39:49.080 --> 0:39:50.880
<v Speaker 1>this ship up. And it's gonna put it an X

0:39:50.960 --> 0:39:54.319
<v Speaker 1>over it like look like off white. But it's gonna

0:39:54.320 --> 0:39:59.320
<v Speaker 1>because you know, I don't want to throw the block away.

0:40:00.880 --> 0:40:06.160
<v Speaker 1>I mean eight million. I don't know this guy, but

0:40:06.280 --> 0:40:08.399
<v Speaker 1>I don't want to hang it up. I don't want

0:40:08.400 --> 0:40:11.680
<v Speaker 1>to be like because I mean, I noticed that people

0:40:11.719 --> 0:40:15.279
<v Speaker 1>come to the Creator like, oh, ship and then they oh,

0:40:17.320 --> 0:40:19.279
<v Speaker 1>look at that. I used to look back at Oh.

0:40:19.719 --> 0:40:21.560
<v Speaker 1>I had kind of do it that should I like,

0:40:22.239 --> 0:40:24.960
<v Speaker 1>But you know, I didn't know they were gonna put

0:40:25.320 --> 0:40:27.359
<v Speaker 1>black axe over there. So it's going they're gonna say

0:40:27.360 --> 0:40:31.359
<v Speaker 1>it's off white. I'm saying, no, it's off are even

0:40:31.360 --> 0:40:33.640
<v Speaker 1>don't collecting my cup and plugs in my place? Yeah?

0:40:33.960 --> 0:40:35.719
<v Speaker 1>I get it, I get it. Damn we went, we

0:40:35.760 --> 0:40:37.359
<v Speaker 1>went crazy to be went all right? Cool? I got

0:40:37.400 --> 0:40:40.879
<v Speaker 1>notes here. Goddamn, I hold on, she's been a year

0:40:41.080 --> 0:40:44.080
<v Speaker 1>in jail for drinking. How the hell does that? What

0:40:44.200 --> 0:40:47.759
<v Speaker 1>kind of what was you drinking? Brother? What was I drinking? Yeah?

0:40:47.840 --> 0:40:51.799
<v Speaker 1>Because it's very specifically, it's not like he was drinking

0:40:52.760 --> 0:40:55.919
<v Speaker 1>straight director jail drink. Yeah, I was drinking, don't pass

0:40:55.960 --> 0:41:00.040
<v Speaker 1>go to tronka yah. Yeah, I remember you was a

0:41:00.280 --> 0:41:05.520
<v Speaker 1>super straight patron guy out the bottle type. Yeah, okay,

0:41:05.640 --> 0:41:08.800
<v Speaker 1>to look at what happened. Yeah, so I was drinking

0:41:08.800 --> 0:41:14.000
<v Speaker 1>patron um And what happened was um, I was, I was.

0:41:14.400 --> 0:41:16.719
<v Speaker 1>I was drinking and driving. I got I got pulled

0:41:16.800 --> 0:41:19.760
<v Speaker 1>over a late at night one night and my lawyer,

0:41:19.840 --> 0:41:22.080
<v Speaker 1>I remember my lawyer when I got that offense, pushing

0:41:22.120 --> 0:41:24.759
<v Speaker 1>the court date back because we're gonna try and beat it.

0:41:25.880 --> 0:41:29.200
<v Speaker 1>So um. They put me on this program called JAMS,

0:41:29.880 --> 0:41:32.759
<v Speaker 1>and that's basically where they assigned you a color and

0:41:32.880 --> 0:41:36.600
<v Speaker 1>if they if they if your color comes up, you

0:41:36.640 --> 0:41:38.879
<v Speaker 1>gotta check every day. You gotta call this number every day,

0:41:39.080 --> 0:41:41.359
<v Speaker 1>and if you call it and you hear your color,

0:41:41.440 --> 0:41:43.960
<v Speaker 1>you gotta go blow into a device That next morning,

0:41:44.840 --> 0:41:48.400
<v Speaker 1>and my color came. I went blue into divice to

0:41:48.440 --> 0:41:50.959
<v Speaker 1>the device, and I blew dirty because I was drinking

0:41:51.000 --> 0:41:54.040
<v Speaker 1>the night before. Okay, okay, damn that's that's that's something

0:41:54.120 --> 0:41:56.839
<v Speaker 1>that we kids need to know. So if you drink

0:41:56.920 --> 0:41:58.799
<v Speaker 1>the night before, I said, it is still in your

0:41:58.840 --> 0:42:01.560
<v Speaker 1>system in the morning, don't let nobody else tell you

0:42:01.680 --> 0:42:04.120
<v Speaker 1>different for sure, because you know, like I left somebody,

0:42:04.160 --> 0:42:05.920
<v Speaker 1>that's what it was. I wasn't like little drunk. I

0:42:05.960 --> 0:42:07.759
<v Speaker 1>wouldn't lit up. No, I wouldn't lit up back before.

0:42:09.360 --> 0:42:11.840
<v Speaker 1>I wasn't wasn't lit up the night before. But I

0:42:11.960 --> 0:42:14.640
<v Speaker 1>drink the night before, and somebody told me, yeah, man,

0:42:14.680 --> 0:42:16.680
<v Speaker 1>all you gotta do is just stopped drinking it, you know,

0:42:17.000 --> 0:42:26.279
<v Speaker 1>eleven o'clock or whatever. He said, My god, yeah, So

0:42:26.440 --> 0:42:28.520
<v Speaker 1>so you know, I'm listening to this stupid nigga. So

0:42:29.640 --> 0:42:32.040
<v Speaker 1>so I go and I'll blow I'll blow dirty. So

0:42:32.160 --> 0:42:34.800
<v Speaker 1>that's an offense. And then before I can even go

0:42:35.120 --> 0:42:38.800
<v Speaker 1>to court to rectify anything, I get another one, another

0:42:38.920 --> 0:42:43.160
<v Speaker 1>d y. I get pulled over again. So I got

0:42:43.280 --> 0:42:46.719
<v Speaker 1>two in the air at the same time, and I

0:42:46.800 --> 0:42:51.880
<v Speaker 1>blew dirty, terrible, terrible. Oh and I got and I

0:42:52.000 --> 0:42:56.000
<v Speaker 1>got driving without driving with license to spend it offensive

0:42:57.120 --> 0:43:01.800
<v Speaker 1>running the current Well yeah, bench warns already. No, no, no, no, no,

0:43:02.200 --> 0:43:04.120
<v Speaker 1>it's just it when you get caught drinking and driving

0:43:08.080 --> 0:43:10.359
<v Speaker 1>that we don't even discuss because they're drinking and driving

0:43:10.400 --> 0:43:13.560
<v Speaker 1>is such a big deal. Driving license just just a

0:43:13.600 --> 0:43:17.160
<v Speaker 1>bigger deal. See you today, Like DMX, you did not

0:43:17.239 --> 0:43:19.920
<v Speaker 1>pull up today. You had a driver. He was very conservative,

0:43:20.040 --> 0:43:24.040
<v Speaker 1>very drinking. Yeah, yeah, I'm not gonna lie. Listen, everybody

0:43:24.120 --> 0:43:27.600
<v Speaker 1>go with DMX. The driver drives for about ten minutes

0:43:27.640 --> 0:43:32.000
<v Speaker 1>and then actually like more like oh, let me get

0:43:32.000 --> 0:43:34.560
<v Speaker 1>out the call, hold on before anything happened. But he

0:43:34.800 --> 0:43:36.560
<v Speaker 1>loves the drip. He's a speed with me. Let me

0:43:36.600 --> 0:43:40.080
<v Speaker 1>tell you something, brother, like this is my eighth year.

0:43:40.800 --> 0:43:43.360
<v Speaker 1>I'm going eight years, so that makes a noise for that.

0:43:45.080 --> 0:43:47.359
<v Speaker 1>You know, I don't want you to stop where you're

0:43:47.400 --> 0:43:49.200
<v Speaker 1>going with it. Just so you know, today this is

0:43:49.280 --> 0:43:52.239
<v Speaker 1>my third drink champ, so I'm only drinking water. I'm

0:43:52.239 --> 0:43:55.400
<v Speaker 1>gonna drink I figured, I said, you know what, let

0:43:55.480 --> 0:43:58.120
<v Speaker 1>me joining them. Don't make me feel bad. I'm saying,

0:43:58.120 --> 0:44:01.239
<v Speaker 1>I'm still getting spoken, but I could, I could do

0:44:01.280 --> 0:44:03.720
<v Speaker 1>I could do a drink. Chance. You know he's not drinking.

0:44:03.920 --> 0:44:07.959
<v Speaker 1>It's okay. I'm so vegetarian fasting, you know what I'm saying.

0:44:08.000 --> 0:44:11.719
<v Speaker 1>So yea yeah, because I'm still eating cheese. Yeah, but

0:44:11.840 --> 0:44:13.279
<v Speaker 1>you know what I mean. But I'm like, you know,

0:44:13.320 --> 0:44:15.720
<v Speaker 1>I'm from New York. I got look slimmer since I've

0:44:15.719 --> 0:44:20.200
<v Speaker 1>been trying to think taking me over. That's my nigger,

0:44:20.200 --> 0:44:22.640
<v Speaker 1>that's my nigging. So, um, what was you talking about?

0:44:22.680 --> 0:44:26.160
<v Speaker 1>What was doing? I was saying, I'm eight years sober now,

0:44:27.280 --> 0:44:30.160
<v Speaker 1>eight years sober now, and I'm still having it. I'm

0:44:30.200 --> 0:44:36.200
<v Speaker 1>speaking sobriety events, do charitable things, preaching on the positivity.

0:44:36.600 --> 0:44:39.200
<v Speaker 1>Oh you smoke weed? Nothing nothing. If you don't do

0:44:39.239 --> 0:44:43.560
<v Speaker 1>anything back, then do you smoke weed? Just just drink? Okay?

0:44:43.840 --> 0:44:45.839
<v Speaker 1>And you think you think that that was like, uh,

0:44:46.760 --> 0:44:49.640
<v Speaker 1>that was a downfall for you drinking because of how

0:44:50.120 --> 0:44:52.400
<v Speaker 1>much you drink. Yeah, I think the amount that I

0:44:52.520 --> 0:44:56.400
<v Speaker 1>drink would be anybody's downfall. You know. Um, I just

0:44:56.520 --> 0:44:59.719
<v Speaker 1>don't think it's possible to be productive and not really

0:44:59.800 --> 0:45:03.759
<v Speaker 1>be coherent most of the day, you know, Like I

0:45:03.920 --> 0:45:08.480
<v Speaker 1>wasn't even really good for a phone call after ten

0:45:08.520 --> 0:45:11.759
<v Speaker 1>pm unless you like close friend of mine and we're

0:45:11.760 --> 0:45:15.360
<v Speaker 1>like talking crazy shit. We couldn't. I couldn't conduct business

0:45:15.400 --> 0:45:18.000
<v Speaker 1>after temp m you know what I mean, because I

0:45:18.120 --> 0:45:19.960
<v Speaker 1>was just I just used to be lit up, and

0:45:20.000 --> 0:45:21.919
<v Speaker 1>I mean it's just, you know, it started out fun.

0:45:22.960 --> 0:45:25.320
<v Speaker 1>Then it just turned into a problem, you know, And

0:45:25.400 --> 0:45:29.759
<v Speaker 1>I got I'm obsessive, compulsive by nature, you know me

0:45:29.800 --> 0:45:32.120
<v Speaker 1>and you talked about that the other day. But yeah,

0:45:32.160 --> 0:45:35.480
<v Speaker 1>I'm obsessive, complosive. But whatever. What that means is whatever

0:45:35.480 --> 0:45:38.640
<v Speaker 1>you into, you into, Yeah, go all the way like

0:45:38.960 --> 0:45:55.360
<v Speaker 1>eat pussy eating ask too. It wasn't okay. So what

0:45:55.560 --> 0:45:59.040
<v Speaker 1>was your conversation with Joe after he uhm m this

0:45:59.480 --> 0:46:06.000
<v Speaker 1>uh Nick Canning My conversation with Fat Joe with Joe

0:46:06.080 --> 0:46:10.480
<v Speaker 1>button after button this eminem after he you mean when

0:46:10.520 --> 0:46:12.640
<v Speaker 1>he's when he uh when he talked about this album

0:46:12.719 --> 0:46:16.040
<v Speaker 1>he said, yeah, he said that he said the trash

0:46:16.160 --> 0:46:18.640
<v Speaker 1>or something like that. Yeah. I don't I don't remember

0:46:18.719 --> 0:46:23.840
<v Speaker 1>exactly what I said. What what what said? Um? I

0:46:23.960 --> 0:46:27.840
<v Speaker 1>just remember us having a long conversation where he expressed

0:46:27.840 --> 0:46:29.600
<v Speaker 1>how he felt about it, and I expressed how I

0:46:29.640 --> 0:46:31.880
<v Speaker 1>felt about it. I think I had just I just

0:46:32.000 --> 0:46:34.759
<v Speaker 1>went this podcast as well, right, yeah, I went, I went,

0:46:34.880 --> 0:46:37.480
<v Speaker 1>I did. Um, I had just did my rollout for

0:46:37.560 --> 0:46:39.520
<v Speaker 1>my for my album, my last album, Book of Ryan,

0:46:40.560 --> 0:46:43.160
<v Speaker 1>and I remember I went through that whole rollout, and

0:46:43.239 --> 0:46:46.200
<v Speaker 1>I remember just I kept having to like talk about Joe,

0:46:48.120 --> 0:46:51.400
<v Speaker 1>um in a negative I kept having to speak about him,

0:46:51.440 --> 0:46:53.399
<v Speaker 1>but his name kept coming up, but it was more

0:46:54.040 --> 0:46:57.359
<v Speaker 1>in a negative sort of light. You know, like people

0:46:57.400 --> 0:46:59.839
<v Speaker 1>were kind of like not pitting us against each other,

0:47:00.640 --> 0:47:03.560
<v Speaker 1>but the way that his dan was coming up. You know, Um,

0:47:03.600 --> 0:47:07.000
<v Speaker 1>I didn't like it because you feel like Joe could

0:47:07.000 --> 0:47:09.560
<v Speaker 1>have said a different Yeah. Yeah, yeah he could have.

0:47:09.640 --> 0:47:13.600
<v Speaker 1>He could have. Um, it was a zillion different ways

0:47:13.680 --> 0:47:15.800
<v Speaker 1>he could have handled it. But just in regards to me,

0:47:16.920 --> 0:47:20.759
<v Speaker 1>you know, um, I think I'll remember telling him something

0:47:20.800 --> 0:47:22.960
<v Speaker 1>along the lines of, man, I don't I don't deserve that,

0:47:23.200 --> 0:47:24.719
<v Speaker 1>you know what I'm saying, Like what I don't I

0:47:24.760 --> 0:47:26.680
<v Speaker 1>didn't sign up for that, you know what I mean?

0:47:26.800 --> 0:47:29.480
<v Speaker 1>Like it's what we said earlier, like I'm I'm just

0:47:29.600 --> 0:47:32.080
<v Speaker 1>about the wraps. I'm not about all of this, saying

0:47:32.160 --> 0:47:34.960
<v Speaker 1>like I'm not about you know, the gray area. You know,

0:47:35.040 --> 0:47:36.920
<v Speaker 1>it's one thing or the other thing with me, you

0:47:36.960 --> 0:47:38.920
<v Speaker 1>know what I mean, Like you're my friend, you know,

0:47:39.160 --> 0:47:42.120
<v Speaker 1>And and that's how I am with my friends though,

0:47:42.200 --> 0:47:44.000
<v Speaker 1>you know, like if if there's an issue, if I

0:47:44.080 --> 0:47:45.640
<v Speaker 1>have an issue with some of one of my friends

0:47:45.719 --> 0:47:47.920
<v Speaker 1>have issues with something, we bring it to the table.

0:47:48.040 --> 0:47:50.719
<v Speaker 1>We talked about it, we yell about it, whatever needs

0:47:50.760 --> 0:47:53.680
<v Speaker 1>to happen, and then we come to a solution, a resolution.

0:47:54.360 --> 0:47:56.239
<v Speaker 1>And that's what we did. We came to a resolution.

0:47:56.360 --> 0:47:58.759
<v Speaker 1>He told he apologized to me, He told me he

0:47:58.840 --> 0:48:01.440
<v Speaker 1>loved me, he didn't want me to feel like that.

0:48:01.719 --> 0:48:05.200
<v Speaker 1>I accepted his apology and that was to my job,

0:48:05.880 --> 0:48:08.960
<v Speaker 1>right And um, you think him and m were right

0:48:09.000 --> 0:48:11.440
<v Speaker 1>to partitiation or that was just his opinion. It's not

0:48:11.560 --> 0:48:14.520
<v Speaker 1>really a beef. I think it's definitely not a beef.

0:48:14.760 --> 0:48:16.320
<v Speaker 1>It's not a beef. I mean, m didn't like it,

0:48:16.640 --> 0:48:19.440
<v Speaker 1>you know, like I can't. I'd be a fool to

0:48:19.440 --> 0:48:20.920
<v Speaker 1>say here and try to speak for Marshall, you know

0:48:20.960 --> 0:48:23.120
<v Speaker 1>what I mean, Like he feels how he feels about it.

0:48:23.239 --> 0:48:25.719
<v Speaker 1>You know, we've had conversations here and there about it.

0:48:25.800 --> 0:48:28.760
<v Speaker 1>You know, Joe feels how he feels. I think anything

0:48:28.880 --> 0:48:31.440
<v Speaker 1>can be rectified through conversation. If that's something that they

0:48:31.520 --> 0:48:33.279
<v Speaker 1>chose to do in the future, you know what I'm

0:48:33.320 --> 0:48:36.080
<v Speaker 1>saying right now, that's dope. I hope, I hope. I

0:48:36.280 --> 0:48:39.200
<v Speaker 1>hope they work it out. Um. I just I just

0:48:39.280 --> 0:48:41.359
<v Speaker 1>feel like, you know, I get with it's coming from

0:48:41.360 --> 0:48:43.279
<v Speaker 1>because it's coming from like the inside, you know what

0:48:43.320 --> 0:48:47.040
<v Speaker 1>I'm saying. And because I think Marshall was that album

0:48:47.080 --> 0:48:49.040
<v Speaker 1>still we went like platinum and still went or whatever.

0:48:49.200 --> 0:48:52.359
<v Speaker 1>So like do you do you you ever think how

0:48:52.520 --> 0:48:54.520
<v Speaker 1>how weird that is? Like you can see a person

0:48:54.600 --> 0:48:56.680
<v Speaker 1>like how big Marshall is or how big jay Z

0:48:57.000 --> 0:48:59.240
<v Speaker 1>is and how big Dos is and they pay attention

0:48:59.320 --> 0:49:03.200
<v Speaker 1>to the little like yeah, like that's kind of like

0:49:03.280 --> 0:49:05.120
<v Speaker 1>how they got to where they are. Bro, you know

0:49:05.160 --> 0:49:06.560
<v Speaker 1>what I'm saying, Like if you think about that's how

0:49:06.600 --> 0:49:08.799
<v Speaker 1>they got to where they are, and it's like it's inspiring. Man.

0:49:09.120 --> 0:49:11.480
<v Speaker 1>In I was just talking about this the other day.

0:49:11.760 --> 0:49:13.640
<v Speaker 1>I was saying, you could you just have Floyd on

0:49:13.680 --> 0:49:16.479
<v Speaker 1>the show, and um, one thing that I admire about

0:49:16.520 --> 0:49:19.480
<v Speaker 1>Floyd in the ring is that the way he makes adjustments,

0:49:20.280 --> 0:49:22.480
<v Speaker 1>you know, like the champion in him comes out, Like

0:49:22.560 --> 0:49:24.280
<v Speaker 1>when he got caught with the Big Shot from Shane.

0:49:24.920 --> 0:49:28.120
<v Speaker 1>The champion in him came out, and that person right there,

0:49:28.160 --> 0:49:30.560
<v Speaker 1>you cannot judge that person, you know what I'm saying.

0:49:30.600 --> 0:49:35.000
<v Speaker 1>That person right there's the top, the tippity top of

0:49:35.120 --> 0:49:37.920
<v Speaker 1>the top tier. And that's what I think that we're

0:49:37.960 --> 0:49:41.320
<v Speaker 1>seeing Marshall doing. Now he's making his adjustments, you know,

0:49:41.520 --> 0:49:44.440
<v Speaker 1>like he's he's he's been flawless. He went flawless for

0:49:44.440 --> 0:49:46.800
<v Speaker 1>a lot of years straight, and now he's under scrutiny

0:49:47.239 --> 0:49:48.880
<v Speaker 1>and he needs to find a different way to do

0:49:49.000 --> 0:49:51.200
<v Speaker 1>certain things. And now he's making adjustments and they just

0:49:51.280 --> 0:49:54.000
<v Speaker 1>keep getting better and better and better. If you look

0:49:54.080 --> 0:49:56.920
<v Speaker 1>since Revival, ships just been better and better for better.

0:49:57.040 --> 0:49:58.879
<v Speaker 1>Now his last this last album that he just put

0:49:58.920 --> 0:50:02.799
<v Speaker 1>out music to everybody, to me, in my opinion, it's

0:50:02.800 --> 0:50:04.719
<v Speaker 1>the best one since Recovery. You know what I'm saying,

0:50:05.000 --> 0:50:07.759
<v Speaker 1>He's got music already that he's been recording, right, I'm

0:50:07.840 --> 0:50:13.560
<v Speaker 1>sure I don't mean you would know you produced produce.

0:50:14.840 --> 0:50:17.320
<v Speaker 1>I produced. I produced two songs on his last on

0:50:17.400 --> 0:50:20.320
<v Speaker 1>this album. I produced two songs on it. I'll produce

0:50:20.760 --> 0:50:26.520
<v Speaker 1>You're Gonna Learn and Darkness. So nothing that you've produced

0:50:26.560 --> 0:50:29.359
<v Speaker 1>that you know is coming out still not that I'm

0:50:29.400 --> 0:50:33.000
<v Speaker 1>aware of. But you've given production over. I've given it.

0:50:33.080 --> 0:50:34.640
<v Speaker 1>He got he's probably got some Yeah, he got some

0:50:34.680 --> 0:50:38.320
<v Speaker 1>beats of money he hasn't wrapped to. But um, I

0:50:38.400 --> 0:50:39.879
<v Speaker 1>don't know. I don't know what he's been doing. I'm

0:50:39.920 --> 0:50:42.480
<v Speaker 1>talking to Marshall in a minute. It's been months months,

0:50:42.520 --> 0:50:44.319
<v Speaker 1>so I don't know. I don't know what he's been doing.

0:50:45.040 --> 0:50:49.800
<v Speaker 1>But um, when he's quiet, when he's quiet, you never know.

0:50:50.520 --> 0:50:52.040
<v Speaker 1>You never know what he's gonna, you know what I mean,

0:50:52.160 --> 0:50:54.799
<v Speaker 1>Like he's doing something he ain't vacation And I'll tell

0:50:54.800 --> 0:50:59.239
<v Speaker 1>you tell you that now, Tory Lanes. You want Tory Lanes.

0:50:59.280 --> 0:51:02.919
<v Speaker 1>You have some backing for Yeah? On Twitter? Okay, y'all

0:51:02.960 --> 0:51:05.160
<v Speaker 1>you worked it out. Of course it wasn't. It wasn't

0:51:05.160 --> 0:51:08.799
<v Speaker 1>over the headline or nothing like that. Come on, I'm

0:51:08.840 --> 0:51:14.839
<v Speaker 1>just saying, you know, it wasn't like if I could,

0:51:15.000 --> 0:51:20.239
<v Speaker 1>if I remember properly, he was. Somebody asked me on

0:51:20.360 --> 0:51:25.440
<v Speaker 1>Twitter if I felt like this is how they worded it.

0:51:25.520 --> 0:51:30.799
<v Speaker 1>They said, do you feel Tory Lanes one against join

0:51:30.840 --> 0:51:35.399
<v Speaker 1>the Lucas? And I tweeted back no, because I felt

0:51:35.440 --> 0:51:40.080
<v Speaker 1>like join the one. But I was about to. I

0:51:40.200 --> 0:51:44.560
<v Speaker 1>was about to tweet, but Tory came with it because

0:51:44.600 --> 0:51:47.239
<v Speaker 1>I'm a fan of Tory. And before I could do that,

0:51:47.800 --> 0:51:50.200
<v Speaker 1>he was on it. He was on and I didn't.

0:51:50.239 --> 0:51:52.600
<v Speaker 1>I didn't add his unge the whole America one. Yeah,

0:51:53.080 --> 0:51:55.880
<v Speaker 1>he was just he was just on. He was the

0:51:55.920 --> 0:51:57.799
<v Speaker 1>only one at that moment. I love that fire though.

0:51:58.120 --> 0:52:00.759
<v Speaker 1>I love that fire was it wasn't no, it wasn't

0:52:00.760 --> 0:52:03.320
<v Speaker 1>no offense taken like you really love battle rap like that.

0:52:03.600 --> 0:52:05.440
<v Speaker 1>I love it. I'm gonna tell you. I'm gonna tell

0:52:05.440 --> 0:52:08.359
<v Speaker 1>you the other day, I've been phoning off on battle rap,

0:52:08.440 --> 0:52:10.440
<v Speaker 1>like you know, it's like really takes a couple of

0:52:10.560 --> 0:52:14.839
<v Speaker 1>hours of your time, you really. But the other day, obviously, um,

0:52:15.000 --> 0:52:17.040
<v Speaker 1>I was probably one of the first person I know

0:52:17.160 --> 0:52:20.400
<v Speaker 1>Marshall picked it up to map hop is um what

0:52:20.560 --> 0:52:23.480
<v Speaker 1>is it called my my professional opinion or my expert opinion.

0:52:24.160 --> 0:52:26.359
<v Speaker 1>I've been big en up forever because if I can't

0:52:26.360 --> 0:52:29.400
<v Speaker 1>watch the battles, it's like watching first take sometimes, Like

0:52:29.680 --> 0:52:31.600
<v Speaker 1>sometimes I don't watch the games, but I go and

0:52:31.960 --> 0:52:36.640
<v Speaker 1>listen for sick anyway, So I'm listening to map hopor whatever,

0:52:36.920 --> 0:52:38.880
<v Speaker 1>and then um, it goes off and this is a

0:52:38.920 --> 0:52:41.759
<v Speaker 1>battle that I just saw and let me know if

0:52:41.800 --> 0:52:44.919
<v Speaker 1>you saw this. But the dude, this is the first

0:52:45.000 --> 0:52:47.520
<v Speaker 1>like friendly battle I saw in a long time. And

0:52:47.560 --> 0:52:49.680
<v Speaker 1>I could tell these guys were friendly with each time.

0:52:50.160 --> 0:52:54.040
<v Speaker 1>But the dude battle and other dude he puts on

0:52:54.120 --> 0:52:57.240
<v Speaker 1>the Walmark outfit. Did you see this one? And smack?

0:52:57.480 --> 0:53:00.480
<v Speaker 1>Because one of the dudes worked in Walmart and the

0:53:00.600 --> 0:53:03.239
<v Speaker 1>dude got the dude got the drop that he worked

0:53:03.320 --> 0:53:07.520
<v Speaker 1>and Wald what Yo, this was hilarious. My god, you

0:53:07.600 --> 0:53:11.279
<v Speaker 1>gotta look at this stuff. He put the Walmart offre. Yeah,

0:53:11.320 --> 0:53:12.879
<v Speaker 1>So I don't know what's going on because I'm out

0:53:12.920 --> 0:53:15.120
<v Speaker 1>of the loop, right, So I'm I don't look, so

0:53:15.160 --> 0:53:17.839
<v Speaker 1>I don't know what's going on. I don't know what's

0:53:17.840 --> 0:53:20.080
<v Speaker 1>going on. Okay, guys, I don't know what's going on.

0:53:20.239 --> 0:53:22.239
<v Speaker 1>So I'm looking and he's like, oh, you think I

0:53:22.280 --> 0:53:24.680
<v Speaker 1>don't know where you work at? So he turns around

0:53:24.719 --> 0:53:26.160
<v Speaker 1>and they put a hat on him and they put

0:53:26.200 --> 0:53:28.440
<v Speaker 1>a vest on them. But from the angle and watched it,

0:53:28.520 --> 0:53:32.520
<v Speaker 1>I can't tell. We're gonna investor ship. So he turns around,

0:53:32.600 --> 0:53:36.640
<v Speaker 1>he goes, he goes some ship. You to do that

0:53:36.760 --> 0:53:38.840
<v Speaker 1>when we walk out of the store, you'd be checking

0:53:38.920 --> 0:53:44.680
<v Speaker 1>out receiving this is the craziest ship. So, I mean

0:53:44.760 --> 0:53:49.440
<v Speaker 1>it was like the first time because battle rap at

0:53:49.480 --> 0:53:53.680
<v Speaker 1>first to me was was your friends, it was yo yo.

0:53:53.760 --> 0:53:57.680
<v Speaker 1>But then somewhere along the line, you know what, let

0:53:57.760 --> 0:54:00.040
<v Speaker 1>me bick a map off again with him. He on

0:54:00.239 --> 0:54:04.120
<v Speaker 1>into snuffing to the game and everyone knows it down.

0:54:04.400 --> 0:54:07.279
<v Speaker 1>Now this is a possibility. You can't get snuffed or

0:54:08.280 --> 0:54:12.239
<v Speaker 1>you might be the one doing the snuffing. So it

0:54:12.360 --> 0:54:15.640
<v Speaker 1>kind of and then now I'm started excellent. I seeing

0:54:15.719 --> 0:54:17.319
<v Speaker 1>more and more fights. So even see a white guy

0:54:17.960 --> 0:54:20.719
<v Speaker 1>actually used the N word and they snuffed in which

0:54:20.760 --> 0:54:22.920
<v Speaker 1>I think he should have got snuffed again. I think

0:54:23.000 --> 0:54:26.520
<v Speaker 1>the whole crowd should snuffed him. Um. But you know

0:54:26.640 --> 0:54:29.360
<v Speaker 1>it's it's it's it's it's repetitive. It is so just

0:54:29.480 --> 0:54:32.240
<v Speaker 1>for me to see two brothers just go on stage

0:54:32.400 --> 0:54:35.040
<v Speaker 1>and I mean they tore it into each other. So

0:54:35.120 --> 0:54:38.520
<v Speaker 1>you should google it's smack uh Google. We'll come back

0:54:38.560 --> 0:54:40.759
<v Speaker 1>to it. But it was I could you not, Like

0:54:40.960 --> 0:54:43.400
<v Speaker 1>tears came out of my eyes, like literally I had

0:54:43.480 --> 0:54:45.200
<v Speaker 1>to call my man Will Millions. I was like, yo,

0:54:45.239 --> 0:54:47.560
<v Speaker 1>who is this guy? He's like, oh, that should happened

0:54:47.560 --> 0:54:49.040
<v Speaker 1>in Queens. I was like, damn, I didn't even know

0:54:49.120 --> 0:54:52.600
<v Speaker 1>what happened, and I couldn't because you know what it was.

0:54:53.480 --> 0:54:56.239
<v Speaker 1>It was on like an Explorer page, so you know

0:54:56.320 --> 0:54:58.799
<v Speaker 1>how like you know how you like something will come

0:54:58.880 --> 0:55:02.560
<v Speaker 1>up on on that somebody you're not even following, for

0:55:02.680 --> 0:55:05.480
<v Speaker 1>somebody your affiliate following, and that ship popped up and

0:55:05.560 --> 0:55:07.600
<v Speaker 1>how could you not? It was one of those those

0:55:07.680 --> 0:55:10.359
<v Speaker 1>joints Royce. It was so good that I don't even

0:55:10.360 --> 0:55:13.040
<v Speaker 1>want to be winded, like you know usually see it

0:55:13.160 --> 0:55:14.719
<v Speaker 1>was good you want to watch, but he got his

0:55:14.840 --> 0:55:18.120
<v Speaker 1>wonder course so good the first time. I didn't even

0:55:18.200 --> 0:55:20.239
<v Speaker 1>need to I remember, like like if you don't even

0:55:20.239 --> 0:55:23.000
<v Speaker 1>remember the words, I remember the basics of the conversation,

0:55:23.320 --> 0:55:26.640
<v Speaker 1>but if you finally let me know. But a battle Rapper,

0:55:27.800 --> 0:55:29.680
<v Speaker 1>didn't you have a league? Wasn't you a part of

0:55:29.719 --> 0:55:33.120
<v Speaker 1>the league? Like? Okay? That was the only thing on

0:55:33.239 --> 0:55:36.120
<v Speaker 1>BT correct now. It was on the Fuse network, on

0:55:36.239 --> 0:55:40.400
<v Speaker 1>the Fuse Confused network. Basically, Basically what we did was

0:55:43.160 --> 0:55:44.960
<v Speaker 1>we put some battle Rappers in the house. You ever

0:55:45.040 --> 0:55:47.680
<v Speaker 1>seen the UFC reality show where they are where all

0:55:47.719 --> 0:55:49.799
<v Speaker 1>the fighters live with each other, and they all came

0:55:50.480 --> 0:55:52.480
<v Speaker 1>they see the UFC one I thought, I thought the

0:55:52.560 --> 0:55:54.960
<v Speaker 1>Rappers one was the first one. So that's where the

0:55:55.000 --> 0:55:56.719
<v Speaker 1>UFC thing was first. That's kind of like where the

0:55:56.760 --> 0:56:00.760
<v Speaker 1>idea came from. Okay, so we put we put Battle

0:56:00.840 --> 0:56:04.279
<v Speaker 1>Rappers all in the house and they all battled each other,

0:56:04.440 --> 0:56:09.320
<v Speaker 1>battled their way this event to this big event. This

0:56:09.480 --> 0:56:13.279
<v Speaker 1>is a you know, you remember, I'm terrible with years,

0:56:13.360 --> 0:56:20.120
<v Speaker 1>man was I know I was sober. I know I

0:56:20.200 --> 0:56:24.120
<v Speaker 1>was sober. I remember, I remember because I remember. If

0:56:24.160 --> 0:56:29.480
<v Speaker 1>I wasn't sober, I wouldn't remember. Um, I can't remember

0:56:29.480 --> 0:56:32.759
<v Speaker 1>exactly what year was, but um, I'm pretty sure y'all

0:56:32.800 --> 0:56:36.360
<v Speaker 1>can fact checking and just on the screen. But it

0:56:36.560 --> 0:56:39.759
<v Speaker 1>was everything was leading to this big event which was

0:56:40.520 --> 0:56:44.319
<v Speaker 1>loaded lux Verse Murder muk too, you know what I'm saying,

0:56:44.360 --> 0:56:47.240
<v Speaker 1>which was the follow up to a super super classic,

0:56:47.960 --> 0:56:51.279
<v Speaker 1>super super classic battle in battle Rap history. And I

0:56:51.360 --> 0:56:53.960
<v Speaker 1>believe we both times. Yeah, we put it in. We

0:56:54.040 --> 0:56:55.920
<v Speaker 1>put it in. Um, we put it on pay per

0:56:56.000 --> 0:57:01.000
<v Speaker 1>view and it was oh, I'm sorry, button hollow as well.

0:57:01.680 --> 0:57:04.120
<v Speaker 1>Do listen, I listen, Joe, You're a man. Do not

0:57:04.200 --> 0:57:07.040
<v Speaker 1>get a step in that battle arena again. I was

0:57:07.160 --> 0:57:09.160
<v Speaker 1>very embarrassed. People to Mike, damn you don't think he

0:57:09.200 --> 0:57:11.880
<v Speaker 1>did well. He did that, you know, I can't, shouldn't

0:57:12.160 --> 0:57:13.480
<v Speaker 1>he just shouldn't have put the mic down. You know

0:57:13.600 --> 0:57:18.760
<v Speaker 1>what it is. He's a virgo virgo and we're very annoyed.

0:57:19.520 --> 0:57:22.000
<v Speaker 1>But the thing about it is our power is not

0:57:22.200 --> 0:57:25.200
<v Speaker 1>showing re annoyed. Right, he showed he was annoyed that

0:57:25.320 --> 0:57:28.360
<v Speaker 1>day and he lost from that moment. The thing is

0:57:28.760 --> 0:57:30.760
<v Speaker 1>that that's the thing is like you ever noticed, he

0:57:30.840 --> 0:57:33.440
<v Speaker 1>ever noticed when a battle rapper is battling, they'd be like,

0:57:33.840 --> 0:57:37.000
<v Speaker 1>let me cook, let me cook, let me, let me,

0:57:37.160 --> 0:57:39.800
<v Speaker 1>let me relieve it, let me work, let me work,

0:57:39.960 --> 0:57:43.360
<v Speaker 1>let me work. That's said that distracted him. The crowd

0:57:43.480 --> 0:57:46.240
<v Speaker 1>is distracted him. But that's the way of saying I'm

0:57:46.320 --> 0:57:49.280
<v Speaker 1>not being distracted back. But now listen to that same

0:57:49.320 --> 0:57:53.840
<v Speaker 1>person saying you chill, y'all. That's not the same confidence.

0:57:54.080 --> 0:57:58.800
<v Speaker 1>If y'all, if y'all, don't shut it up about now,

0:57:58.880 --> 0:58:04.200
<v Speaker 1>every tetop, Okay, y t toop did this thing. Man

0:58:04.440 --> 0:58:07.680
<v Speaker 1>tetop did this thing. But you know so, um, I don't.

0:58:07.720 --> 0:58:09.080
<v Speaker 1>I don't think. And I heard you say this the

0:58:09.160 --> 0:58:11.200
<v Speaker 1>other day, and I think that's it's funny. I think

0:58:11.320 --> 0:58:14.560
<v Speaker 1>Joe is better at this profession that he is at rapping.

0:58:14.640 --> 0:58:20.200
<v Speaker 1>He was a damn good rapper to lys top Ti lyrics,

0:58:20.360 --> 0:58:22.280
<v Speaker 1>and you know he did all right at at the

0:58:22.280 --> 0:58:24.040
<v Speaker 1>battle rapping thing. But in terms of no, no, no,

0:58:24.120 --> 0:58:25.840
<v Speaker 1>no no, let's let's stop, let's stop, let's not be

0:58:25.960 --> 0:58:28.840
<v Speaker 1>nice about that. Let's let's just be clear, let's just

0:58:28.920 --> 0:58:31.680
<v Speaker 1>be clear. I'm sorry, he's my friend. Let's just agree

0:58:31.720 --> 0:58:37.400
<v Speaker 1>on this in terms of rapping, terms of rapping, rapping, Yeah,

0:58:37.480 --> 0:58:39.800
<v Speaker 1>that's like what I'm saying. Like, listen, I make great

0:58:39.800 --> 0:58:42.120
<v Speaker 1>party wrappers, I make great regor, but you get me

0:58:42.200 --> 0:58:44.480
<v Speaker 1>to be scoop and scrap, I'm not gonna be good.

0:58:44.800 --> 0:58:46.160
<v Speaker 1>I'm not gonna I don't know how to do the

0:58:46.200 --> 0:58:48.080
<v Speaker 1>kid and play like. I don't know how to do that.

0:58:48.240 --> 0:58:50.080
<v Speaker 1>So now I can't. I can't, you know what. Let's

0:58:50.080 --> 0:58:51.840
<v Speaker 1>just be clear. I can do I can wrap, but

0:58:51.880 --> 0:58:54.680
<v Speaker 1>I can't dance. And I'll tell you something else. I'll

0:58:54.720 --> 0:58:56.160
<v Speaker 1>tell you something. I don't really get a lot the

0:58:56.200 --> 0:59:00.080
<v Speaker 1>with them. I got about four steps in me and

0:59:00.200 --> 0:59:02.520
<v Speaker 1>that's it. Family, not gonna be happy, but but I

0:59:02.600 --> 0:59:06.600
<v Speaker 1>got to my my, my, my two to mean steps

0:59:06.720 --> 0:59:09.040
<v Speaker 1>to two steps. It's so mean. You ain't never gonna

0:59:09.040 --> 0:59:11.240
<v Speaker 1>catch you on You ain't never gonna catch up. No.

0:59:11.640 --> 0:59:14.760
<v Speaker 1>Flocker recently just said he he said he was a

0:59:14.960 --> 0:59:17.440
<v Speaker 1>whack rapper. I disagree with him. I disagree to I

0:59:17.520 --> 0:59:19.640
<v Speaker 1>disagree with him, but he said he got to the

0:59:19.800 --> 0:59:23.000
<v Speaker 1>level Do you think that's that's possible nowadays where people

0:59:23.040 --> 0:59:25.040
<v Speaker 1>could come into this game knowing that they don't that

0:59:25.360 --> 0:59:27.560
<v Speaker 1>I don't think in Rocker's case, I don't agree with them,

0:59:27.640 --> 0:59:30.280
<v Speaker 1>But I'm just saying, dude, there's so many people that

0:59:30.320 --> 0:59:32.680
<v Speaker 1>are coming in this game now and they say, well,

0:59:32.680 --> 0:59:35.200
<v Speaker 1>I'm gonna just be like a French Montana will just

0:59:35.280 --> 0:59:38.400
<v Speaker 1>be like all They'll say, like a Jim Jones or

0:59:38.440 --> 0:59:41.400
<v Speaker 1>something like that, as if French Montana or Jim Jones

0:59:41.480 --> 0:59:43.880
<v Speaker 1>didn't bust. They asked were they're trying to say? It's

0:59:43.920 --> 0:59:48.240
<v Speaker 1>people that you know, not spending fifteen million hours on lyrics.

0:59:48.840 --> 0:59:51.560
<v Speaker 1>But do you think that as artists nowadays that does

0:59:51.640 --> 0:59:53.800
<v Speaker 1>that that they've actually come into this game just for

0:59:53.920 --> 0:59:56.920
<v Speaker 1>the money, and then that's that. I think it's just

0:59:57.040 --> 1:00:01.320
<v Speaker 1>about it's about knowing. Goes back to the self defining

1:00:01.400 --> 1:00:03.520
<v Speaker 1>thing that I'm talking about. It goes back to just

1:00:03.680 --> 1:00:06.920
<v Speaker 1>knowing you and then playing to your strengths. You know,

1:00:07.040 --> 1:00:10.200
<v Speaker 1>everybody is not a super technical lyrical miracle m C.

1:00:11.160 --> 1:00:16.760
<v Speaker 1>You know, and Walker, Walker just he played to his strengths. Now,

1:00:16.840 --> 1:00:20.360
<v Speaker 1>I heard songs where he was bussing, when he was

1:00:20.400 --> 1:00:24.480
<v Speaker 1>straight up bussing, But it seems like he made he

1:00:24.640 --> 1:00:27.760
<v Speaker 1>made his mind up like Okay, this is what I'm

1:00:27.800 --> 1:00:32.200
<v Speaker 1>gonna do, and I'm gonna pursue it relentlessly and nobody's

1:00:32.200 --> 1:00:34.640
<v Speaker 1>gonna stop me. And that's exactly what happened. Honest. See

1:00:34.640 --> 1:00:37.360
<v Speaker 1>what he meant he said compared to his favorite rappers,

1:00:37.440 --> 1:00:44.160
<v Speaker 1>he you know, comed him paying respect. That's just can't

1:00:44.200 --> 1:00:46.560
<v Speaker 1>say Walker's whack. I ain't gonna he probably what he

1:00:46.640 --> 1:00:48.840
<v Speaker 1>probably means by this ship. If I'm not gonna be

1:00:49.080 --> 1:00:51.320
<v Speaker 1>the best at that, then I'm just gonna do this

1:00:51.840 --> 1:00:54.800
<v Speaker 1>because he's He's great at what he did. But I

1:00:54.840 --> 1:00:57.880
<v Speaker 1>don't necessarily, I don't necessarily believe that lyrics is the

1:00:57.960 --> 1:01:01.200
<v Speaker 1>only thing that hardest. Were the best lyricists there were

1:01:01.240 --> 1:01:06.000
<v Speaker 1>that the flow to me, to me, Biggie's flow. He

1:01:06.160 --> 1:01:10.040
<v Speaker 1>had lyrics, but it was his flow that that made

1:01:10.080 --> 1:01:14.600
<v Speaker 1>you gravitates us. It's a master, it's a master. It's

1:01:14.640 --> 1:01:17.400
<v Speaker 1>a masterful way to do many things, many things with

1:01:17.480 --> 1:01:20.320
<v Speaker 1>the rapping ship. You know what I'm saying, like, um,

1:01:21.160 --> 1:01:24.280
<v Speaker 1>geezy Geezy to me is a lyricist. He just hides it.

1:01:24.520 --> 1:01:26.840
<v Speaker 1>He hides it in his wag, you know what I'm saying, Like,

1:01:27.560 --> 1:01:29.320
<v Speaker 1>It's just he has a way of reaching you. He

1:01:29.360 --> 1:01:32.360
<v Speaker 1>has he has a way of getting directly to his

1:01:32.440 --> 1:01:35.120
<v Speaker 1>points without using a whole lot of words. And he

1:01:35.240 --> 1:01:37.439
<v Speaker 1>does it in a way where his inflictions he knows

1:01:37.520 --> 1:01:40.160
<v Speaker 1>where to put them at in terms of the core

1:01:40.240 --> 1:01:42.400
<v Speaker 1>progression and ship like that is genius. The way he

1:01:42.480 --> 1:01:44.640
<v Speaker 1>does it, it's just not right in your face, the

1:01:44.720 --> 1:01:46.720
<v Speaker 1>technical part of it. It's just not right in your face,

1:01:47.480 --> 1:01:49.800
<v Speaker 1>you know what I mean. He has the ability, you know,

1:01:49.960 --> 1:01:52.920
<v Speaker 1>it's his ability. His ability is through the roof. It's

1:01:52.960 --> 1:01:55.240
<v Speaker 1>through the roof. Is just done a different ways. The

1:01:55.680 --> 1:01:59.840
<v Speaker 1>cat I haven't. I haven't, but um it's kind of

1:02:00.040 --> 1:02:02.800
<v Speaker 1>Is she the one who made the cow song? The

1:02:02.880 --> 1:02:06.480
<v Speaker 1>cow song? Let's google that. Google that. I'm not sure

1:02:06.960 --> 1:02:14.080
<v Speaker 1>the cow song? Right that? That ship chips going right

1:02:14.120 --> 1:02:19.720
<v Speaker 1>now you ask the question? Come on to a much

1:02:19.800 --> 1:02:24.520
<v Speaker 1>more with the chair, get another chap? Have we gotta

1:02:24.520 --> 1:02:29.600
<v Speaker 1>set up so what's going on with mother? Was holding on?

1:02:30.760 --> 1:02:35.920
<v Speaker 1>No drinking and you never smoked the drink. Yeah, you

1:02:36.000 --> 1:02:38.440
<v Speaker 1>used to be back in the days, and it was

1:02:38.840 --> 1:02:44.640
<v Speaker 1>one of the perfect pills too. Listen, man, I'm not

1:02:44.680 --> 1:02:47.479
<v Speaker 1>gonna lie. That was the only the only Like damn,

1:02:47.480 --> 1:02:49.000
<v Speaker 1>I am I going to my exec days right now

1:02:51.520 --> 1:02:53.760
<v Speaker 1>that I know that's bad for you, But I just

1:02:53.880 --> 1:02:59.760
<v Speaker 1>like that's fucked up, like like I actually was saving marriages.

1:02:59.800 --> 1:03:04.920
<v Speaker 1>And one point lies, I ain't never heard that up

1:03:05.480 --> 1:03:10.480
<v Speaker 1>said after the war war war just in my mind, man,

1:03:10.600 --> 1:03:14.400
<v Speaker 1>see that. I want to know what war seen my

1:03:14.520 --> 1:03:18.680
<v Speaker 1>mind as a war. Man. Listen, listen, because probably helped couples. Yeah,

1:03:19.120 --> 1:03:25.000
<v Speaker 1>your ecstacy, No listen, listen, maybe you can. But yeah,

1:03:25.240 --> 1:03:29.080
<v Speaker 1>one person, it's a problem. It's gonna be a c

1:03:29.400 --> 1:03:32.680
<v Speaker 1>they gonna be. But this is what I heard. Ecstacy

1:03:32.800 --> 1:03:36.280
<v Speaker 1>was made for people having mad up is the original

1:03:36.400 --> 1:03:38.840
<v Speaker 1>reason why it was made. Yeah, listen man, I'm just

1:03:38.920 --> 1:03:42.640
<v Speaker 1>being honest man. Yeah, yeah, because because you know, like

1:03:42.680 --> 1:03:45.120
<v Speaker 1>if you ever seen your boy ecstasy, like he'll just

1:03:45.200 --> 1:03:50.760
<v Speaker 1>be like man, this person because the same ship. But yeah,

1:03:50.760 --> 1:03:54.120
<v Speaker 1>I'm gonna lie, like the detwelve like like that to

1:03:54.240 --> 1:03:55.960
<v Speaker 1>all I felt like y'all did a lot of drugs,

1:03:56.000 --> 1:03:57.360
<v Speaker 1>and I just felt like I should have been there

1:03:57.440 --> 1:04:00.560
<v Speaker 1>with y'all at that time. At that time, No, man,

1:04:00.680 --> 1:04:02.800
<v Speaker 1>I don't know how much, how much how much asked

1:04:02.840 --> 1:04:06.000
<v Speaker 1>what y'all getting and it was college it was it

1:04:06.120 --> 1:04:08.200
<v Speaker 1>was that was like college ship. He was getting white

1:04:08.200 --> 1:04:12.920
<v Speaker 1>girl one wi like, yeah, I was getting the bitches right.

1:04:13.080 --> 1:04:20.280
<v Speaker 1>It's just too much, too much what I mean, I

1:04:20.320 --> 1:04:21.920
<v Speaker 1>don't know. It was like it was just we was

1:04:22.320 --> 1:04:26.360
<v Speaker 1>kids kids, So I just felt like wild ass parties

1:04:26.400 --> 1:04:36.480
<v Speaker 1>every so um after um Proof what what what? Because

1:04:36.840 --> 1:04:43.120
<v Speaker 1>everyone sit back and uh, And I believe M said

1:04:43.160 --> 1:04:45.920
<v Speaker 1>it on the record he said, um, truth is and

1:04:46.000 --> 1:04:50.080
<v Speaker 1>Proof died, so did the group. But a lot of

1:04:50.120 --> 1:04:51.959
<v Speaker 1>people say it's even deeper than that, like it's saying

1:04:52.000 --> 1:04:56.000
<v Speaker 1>a part of the Detroit die when Proof died? What

1:04:56.080 --> 1:04:58.479
<v Speaker 1>do you what? Do you guys feel like that? Yeah,

1:04:59.000 --> 1:05:01.880
<v Speaker 1>But I also feel like I think a lot of

1:05:01.960 --> 1:05:05.960
<v Speaker 1>that when that happened, you gotta think that the again,

1:05:06.000 --> 1:05:09.000
<v Speaker 1>in star power of who M was, who M is,

1:05:09.960 --> 1:05:13.840
<v Speaker 1>that overshadowed everybody grief too, And like a lot of

1:05:13.880 --> 1:05:15.840
<v Speaker 1>people didn't get to you know, it was like it

1:05:15.960 --> 1:05:20.720
<v Speaker 1>became about him and how he was grieving and yeah, yeah,

1:05:21.280 --> 1:05:23.000
<v Speaker 1>so you know you kind of missed A lot of

1:05:23.080 --> 1:05:25.680
<v Speaker 1>people might have missed it. A proof was so important,

1:05:26.760 --> 1:05:29.480
<v Speaker 1>you know, it just got overshadowed by that, which is

1:05:29.520 --> 1:05:33.920
<v Speaker 1>something that happened when somebody that big, but it was

1:05:34.080 --> 1:05:37.800
<v Speaker 1>for me. I felt like that. It was like everybody

1:05:37.920 --> 1:05:40.680
<v Speaker 1>was going through their own thing individually, but you couldn't

1:05:40.720 --> 1:05:44.520
<v Speaker 1>really go through it without getting Oh man, I know

1:05:44.720 --> 1:05:47.200
<v Speaker 1>him funked up. I know, you know, like that just

1:05:47.360 --> 1:05:49.840
<v Speaker 1>made me not It just made me get away from it.

1:05:49.920 --> 1:05:51.600
<v Speaker 1>But I was coming once the once that happened, I

1:05:51.680 --> 1:05:55.800
<v Speaker 1>was done. I was done. No, just with the group ship.

1:05:55.840 --> 1:06:00.040
<v Speaker 1>I couldn't. I tried, but I couldn't really keep going on,

1:06:00.240 --> 1:06:03.160
<v Speaker 1>you know the end of it. Basically, Yeah, I mean business.

1:06:03.520 --> 1:06:06.920
<v Speaker 1>You gotta think business people handle business differently. And I

1:06:07.120 --> 1:06:11.920
<v Speaker 1>was affected a lot in it because every time I

1:06:11.960 --> 1:06:14.520
<v Speaker 1>would do something, produce for somebody else, or do something,

1:06:14.760 --> 1:06:17.440
<v Speaker 1>it was going back to recouping the deal that we

1:06:17.680 --> 1:06:20.200
<v Speaker 1>was in as a group. And so when I tried

1:06:20.240 --> 1:06:22.040
<v Speaker 1>to go my own way and do that, it was

1:06:22.120 --> 1:06:24.160
<v Speaker 1>like they didn't understand why I wanted to do it.

1:06:24.240 --> 1:06:27.800
<v Speaker 1>But that's what happened. And you and you improve y'all.

1:06:28.080 --> 1:06:30.160
<v Speaker 1>Yeah you got arrested after Like, yeah, I pulled up.

1:06:31.360 --> 1:06:35.280
<v Speaker 1>Damn your Mike is there? You got you gotta forgot

1:06:35.320 --> 1:06:44.160
<v Speaker 1>pe infection on the ship. I forgot first. I ain't

1:06:44.160 --> 1:06:47.000
<v Speaker 1>even trust ourselves, like let's do it's a guy. But

1:06:47.840 --> 1:06:51.240
<v Speaker 1>so then, how did you work that situation up? We're

1:06:51.240 --> 1:06:55.000
<v Speaker 1>been jailed together and get out of here. He pulled

1:06:55.000 --> 1:07:04.720
<v Speaker 1>out on each other, the dog with the jacket. I

1:07:04.880 --> 1:07:06.440
<v Speaker 1>was in the sale. I was in the sale and

1:07:06.480 --> 1:07:08.040
<v Speaker 1>he was in the sale. Next ye mean we're talking

1:07:08.040 --> 1:07:11.240
<v Speaker 1>to each other through the wall and this is jail

1:07:11.320 --> 1:07:20.760
<v Speaker 1>for each other. The wall um Proof was Proof was

1:07:20.840 --> 1:07:25.000
<v Speaker 1>like he's such a dynamic individual. Man. He was having

1:07:25.120 --> 1:07:29.160
<v Speaker 1>like the phone was ringing off the hook, different lawyers calling.

1:07:29.560 --> 1:07:31.360
<v Speaker 1>What I was saying, This nigger had all kind of

1:07:31.480 --> 1:07:33.919
<v Speaker 1>food being brought in and you know what I'm saying.

1:07:34.000 --> 1:07:36.280
<v Speaker 1>Like it was like it was like crazy. He was

1:07:36.320 --> 1:07:38.520
<v Speaker 1>actually the reason why I got out so fast because

1:07:38.560 --> 1:07:40.840
<v Speaker 1>it was like he was he was bringing too much

1:07:41.040 --> 1:07:44.120
<v Speaker 1>attention to the like the pre sinking ship. Did you

1:07:44.200 --> 1:07:46.520
<v Speaker 1>notice he was like bringing too much attention to the precinct.

1:07:46.520 --> 1:07:47.920
<v Speaker 1>They just let us out. They were just like, man,

1:07:47.960 --> 1:07:51.000
<v Speaker 1>we let y'all out. I think I heard you know

1:07:51.040 --> 1:07:52.680
<v Speaker 1>what I'm saying. So it was like, but we we

1:07:52.760 --> 1:07:56.320
<v Speaker 1>were able to talk and just really put things in perspective,

1:07:56.360 --> 1:07:59.280
<v Speaker 1>and that was like early on I think I learned

1:07:59.600 --> 1:08:02.920
<v Speaker 1>the words of communication just by going through that with him,

1:08:03.240 --> 1:08:06.000
<v Speaker 1>because like how deep we were into the ship, you

1:08:06.040 --> 1:08:07.600
<v Speaker 1>know what I'm saying, And then how we were able

1:08:07.640 --> 1:08:09.520
<v Speaker 1>to just nip it in the bud just that fast,

1:08:09.680 --> 1:08:13.200
<v Speaker 1>just talking, you know, because right before we got arrested,

1:08:13.840 --> 1:08:16.280
<v Speaker 1>you know, it got tense. It could have went one

1:08:16.360 --> 1:08:19.200
<v Speaker 1>of one of two ways, you know what I'm saying.

1:08:19.280 --> 1:08:21.120
<v Speaker 1>So for us to be able to nip that in

1:08:21.160 --> 1:08:23.880
<v Speaker 1>the bud that fast, and then for me and this

1:08:24.000 --> 1:08:26.160
<v Speaker 1>man to get as close as we ended up being

1:08:26.280 --> 1:08:30.200
<v Speaker 1>after it just it's a testament to you have to

1:08:30.320 --> 1:08:34.160
<v Speaker 1>find resolution, and then you have to also realize how

1:08:35.200 --> 1:08:38.120
<v Speaker 1>powerful we are as a collective. The things that me

1:08:38.240 --> 1:08:41.120
<v Speaker 1>and this man can do in the studio together, it's

1:08:41.240 --> 1:08:44.519
<v Speaker 1>way more valuable than any type of energy we can

1:08:44.600 --> 1:08:48.640
<v Speaker 1>cross being negative toward each other, you know what I mean? Now,

1:08:48.720 --> 1:08:53.320
<v Speaker 1>what's the difference? Um uh? Because Drey was up front

1:08:53.360 --> 1:08:55.360
<v Speaker 1>about it and Puff was up front about it, what's

1:08:55.400 --> 1:08:57.760
<v Speaker 1>the difference between like you writing around for Diddy or

1:08:57.800 --> 1:09:02.320
<v Speaker 1>you writing around for dre uh did he did? He

1:09:02.479 --> 1:09:05.200
<v Speaker 1>is way more picky, well, at least at that moment,

1:09:06.280 --> 1:09:10.040
<v Speaker 1>Jack obviously, because I'm here, I'm hearing, I'm hearing the dres.

1:09:10.400 --> 1:09:16.160
<v Speaker 1>Is he real picky now? Because back then and I

1:09:16.360 --> 1:09:19.000
<v Speaker 1>when I was working with him on that Chronic on

1:09:19.040 --> 1:09:22.360
<v Speaker 1>the Chronic album, he wasn't. Really, he wasn't as picky

1:09:23.080 --> 1:09:25.760
<v Speaker 1>as Puff. I've never been in the studio with somebody

1:09:25.840 --> 1:09:28.600
<v Speaker 1>as picky as Puff. Playboy put that thing on that

1:09:28.720 --> 1:09:33.280
<v Speaker 1>Playboy just made me write first over and over and

1:09:33.479 --> 1:09:36.560
<v Speaker 1>over and over. And I just walked away from that

1:09:36.680 --> 1:09:40.040
<v Speaker 1>situation learning so much because it was up until I

1:09:40.160 --> 1:09:42.880
<v Speaker 1>worked with Puff that I never rewrote my own raps.

1:09:44.200 --> 1:09:46.160
<v Speaker 1>So this nigga made me rewrite the same rap so

1:09:46.240 --> 1:09:48.240
<v Speaker 1>many times. I'm thinking to myself, like, wait a minute,

1:09:49.520 --> 1:09:51.880
<v Speaker 1>am I not putting the same effort into my own ship?

1:09:52.520 --> 1:09:56.559
<v Speaker 1>So what pup project are we talking about? People like yeah,

1:09:56.600 --> 1:09:59.439
<v Speaker 1>I wrote tell Me with Christina Agiley, so so, and

1:09:59.479 --> 1:10:09.479
<v Speaker 1>then how was and you wrote Kanye Ship. I was trying,

1:10:09.560 --> 1:10:17.400
<v Speaker 1>I was trying to look at that crazous. I felt

1:10:17.439 --> 1:10:20.240
<v Speaker 1>my eyes and started like get funny and he looked

1:10:21.000 --> 1:10:23.040
<v Speaker 1>that day, I gotta let it go. But um, but

1:10:23.200 --> 1:10:26.559
<v Speaker 1>that's a beautiful thing. I think. One of my favorite rappers,

1:10:27.479 --> 1:10:31.240
<v Speaker 1>Easy Easy on the Record, said, I didn't realize this.

1:10:31.439 --> 1:10:34.000
<v Speaker 1>Twenty years later he said, I s Q right, surrise

1:10:34.360 --> 1:10:36.639
<v Speaker 1>that I say, and I was like, oh ship. Three

1:10:36.760 --> 1:10:38.560
<v Speaker 1>years later I was like, what the fun he was?

1:10:38.600 --> 1:10:43.280
<v Speaker 1>I listening to the businessman talking, Yeah, I've been businessman.

1:10:44.240 --> 1:10:49.559
<v Speaker 1>What what makes what makes them different from Drake? From Drake? Yeah, Um,

1:10:50.320 --> 1:10:52.719
<v Speaker 1>I don't I don't think it's much of a difference.

1:10:52.760 --> 1:10:57.400
<v Speaker 1>I mean Drake to me, it'd be hard for me

1:10:57.600 --> 1:11:00.280
<v Speaker 1>to like put a finger on exactly what Drake is

1:11:00.439 --> 1:11:03.320
<v Speaker 1>in that conversation because I don't know. He's an R

1:11:03.360 --> 1:11:05.360
<v Speaker 1>and B singer. Don't R and B singers get away

1:11:05.400 --> 1:11:09.200
<v Speaker 1>with that. But you're trying to say that, I don't

1:11:09.200 --> 1:11:13.519
<v Speaker 1>want somebody else write about how much? How much is

1:11:14.160 --> 1:11:16.360
<v Speaker 1>other people? Right? Because when I've seen Drake interviews, he

1:11:16.479 --> 1:11:19.080
<v Speaker 1>pretty much he said he write pretty much everything. And

1:11:19.160 --> 1:11:23.680
<v Speaker 1>he took some ideas we need to go fund me

1:11:23.720 --> 1:11:27.200
<v Speaker 1>for good, like we need to go fund me not

1:11:27.720 --> 1:11:30.040
<v Speaker 1>fun like money, like he need to have some fun

1:11:30.960 --> 1:11:32.519
<v Speaker 1>like that. I think you need to go to a

1:11:32.680 --> 1:11:36.000
<v Speaker 1>dream park or something like great adventures like that. That

1:11:36.520 --> 1:11:39.080
<v Speaker 1>it was a little sad, bro I apologize when you

1:11:39.160 --> 1:11:40.840
<v Speaker 1>look at it from his perspective, the way he was

1:11:40.880 --> 1:11:43.800
<v Speaker 1>saying that, I was like, damn, that's his perspective is perspective.

1:11:44.760 --> 1:11:47.600
<v Speaker 1>I understand where he's coming from in that sense. I

1:11:47.760 --> 1:11:52.439
<v Speaker 1>just you know what the thing is this if you've

1:11:52.520 --> 1:11:55.880
<v Speaker 1>never been a casual to a war like sometimes you like,

1:11:56.280 --> 1:11:57.800
<v Speaker 1>I've been a casualt to you a war, I've been

1:11:57.840 --> 1:12:00.439
<v Speaker 1>in a place where a person used me and then

1:12:00.520 --> 1:12:03.320
<v Speaker 1>they they and I understand it. You know what I'm saying.

1:12:03.320 --> 1:12:05.320
<v Speaker 1>I understand. I understood where I had to be at

1:12:05.360 --> 1:12:09.120
<v Speaker 1>that moment. It's not in this level. It's not in

1:12:09.280 --> 1:12:11.760
<v Speaker 1>this level like this level like when I seen him

1:12:11.800 --> 1:12:14.800
<v Speaker 1>and it was what m if you're reading this, it's

1:12:14.840 --> 1:12:17.479
<v Speaker 1>too late. And he was saying that everyone's posting a

1:12:17.640 --> 1:12:21.720
<v Speaker 1>plaques and everyone's collateral damage. Yeah yeah, yeah yeah. So

1:12:22.280 --> 1:12:23.960
<v Speaker 1>I would hope that they reach out to him, because

1:12:23.960 --> 1:12:26.720
<v Speaker 1>I mean, both of them at this point they're cool. Yeah,

1:12:26.880 --> 1:12:29.560
<v Speaker 1>but how would they do that? Was he being with

1:12:29.640 --> 1:12:32.960
<v Speaker 1>them too? That? No? No, what it was. What it

1:12:33.160 --> 1:12:37.120
<v Speaker 1>was was Woma has it woman? Has it. This is

1:12:37.280 --> 1:12:41.400
<v Speaker 1>all what do they call it? Um here saying what

1:12:41.479 --> 1:12:44.720
<v Speaker 1>do they say? Um? So the speculation though, um all

1:12:45.560 --> 1:12:52.679
<v Speaker 1>allegedly all allegedly allegedly Meek DJ Drama cool people both

1:12:52.720 --> 1:12:56.559
<v Speaker 1>from Philadelphia meet, goes to Atlanta see his this record

1:12:58.520 --> 1:13:00.920
<v Speaker 1>a couple of weeks later. Is that same record he

1:13:01.080 --> 1:13:03.720
<v Speaker 1>heard with this other dude spitting on the radio and

1:13:03.800 --> 1:13:05.759
<v Speaker 1>that happens to be Drake that spit in these lines,

1:13:07.560 --> 1:13:12.599
<v Speaker 1>Meek has that in his mind. Whatever happens, I think

1:13:12.680 --> 1:13:14.400
<v Speaker 1>Drake is supposed to come out to the concert with him,

1:13:14.479 --> 1:13:17.920
<v Speaker 1>he doesn't come out me. That's when me does the

1:13:18.120 --> 1:13:21.200
<v Speaker 1>thing on Twitter or whatever. This is all allegedly, right

1:13:21.840 --> 1:13:25.360
<v Speaker 1>Boom Quittin Millers caught up in this now they all

1:13:25.439 --> 1:13:27.920
<v Speaker 1>did because because you know, no one else later on

1:13:28.160 --> 1:13:30.200
<v Speaker 1>we found out of this DJ Drama people say that.

1:13:30.640 --> 1:13:33.880
<v Speaker 1>People say allegedly that because Drake was messing with one

1:13:33.920 --> 1:13:36.360
<v Speaker 1>of the DJ Drama's girls, that he's no longer with maw.

1:13:36.960 --> 1:13:39.120
<v Speaker 1>So this is why D Drama owes us this story.

1:13:39.479 --> 1:13:43.519
<v Speaker 1>He has to come on here. Um. But so during

1:13:43.560 --> 1:13:47.800
<v Speaker 1>the whole process, Quentin Miller's court in the process. At first,

1:13:48.040 --> 1:13:49.720
<v Speaker 1>it looks like yo dude, you get you get what

1:13:49.880 --> 1:13:52.680
<v Speaker 1>you get, right, you get what you get. You use

1:13:52.760 --> 1:14:01.200
<v Speaker 1>on that side, that side, then the side squatss to be. Yeah,

1:14:01.720 --> 1:14:03.439
<v Speaker 1>I don't know whose ring is that is, but you

1:14:03.520 --> 1:14:09.160
<v Speaker 1>gotta grow up. You gotta get out. You gotta get out.

1:14:09.160 --> 1:14:12.559
<v Speaker 1>The toys arrest man, that's the Dominican barber. That's that's

1:14:12.600 --> 1:14:15.000
<v Speaker 1>to us close man, toys arrest isn't even over no more.

1:14:15.439 --> 1:14:21.920
<v Speaker 1>But yeah, I mean quitting, Um, I listened. I've been

1:14:21.960 --> 1:14:24.800
<v Speaker 1>the war, like for twenty years. I'm doing different types

1:14:24.840 --> 1:14:27.439
<v Speaker 1>of war. I never feel sorry for a person they

1:14:27.520 --> 1:14:30.040
<v Speaker 1>get caught in collaidal with damage or this is my

1:14:30.280 --> 1:14:34.000
<v Speaker 1>first time when I've seen him like he didn't even

1:14:34.000 --> 1:14:35.960
<v Speaker 1>have nobody feeling for him, Like it was a selfie

1:14:36.960 --> 1:14:38.320
<v Speaker 1>like you know what I'm saying, Like you know what

1:14:38.400 --> 1:14:39.840
<v Speaker 1>I mean, Like I don't mean it like like you know,

1:14:40.320 --> 1:14:42.920
<v Speaker 1>but he was like he just I think he looked

1:14:42.960 --> 1:14:44.920
<v Speaker 1>depressed though, and it was snow, but I feel like

1:14:44.960 --> 1:14:49.240
<v Speaker 1>he has shorts on. Doesn't worried me the most, really depressed,

1:14:49.360 --> 1:14:51.840
<v Speaker 1>like he didn't look happy. It was not a happy

1:14:51.920 --> 1:14:53.479
<v Speaker 1>thing from Yeah, I kind of agree with you, and

1:14:53.560 --> 1:14:56.120
<v Speaker 1>that's like that's the kind of ship to me today.

1:14:56.240 --> 1:14:59.479
<v Speaker 1>That worry me, like about a lot of arts. But

1:14:59.600 --> 1:15:02.320
<v Speaker 1>that's what see you know. But that's the difference between

1:15:02.479 --> 1:15:07.599
<v Speaker 1>you working with Dr Dre and a puff where pretty

1:15:07.680 --> 1:15:11.360
<v Speaker 1>much upfront about it, and then you're working with a

1:15:11.439 --> 1:15:13.880
<v Speaker 1>person because a lot of people that's that's how a

1:15:13.920 --> 1:15:16.439
<v Speaker 1>lot of people probably fail. It's like, yo, if I'm

1:15:16.439 --> 1:15:20.320
<v Speaker 1>gonna let you give me a couple of bars, that's

1:15:20.360 --> 1:15:24.479
<v Speaker 1>between us. So this was like the first ghostwriter that

1:15:24.760 --> 1:15:29.599
<v Speaker 1>was that was labeled a ghost because most the definition

1:15:29.680 --> 1:15:31.840
<v Speaker 1>the ghost is you don't really know what the funk

1:15:31.880 --> 1:15:33.880
<v Speaker 1>it is, you know what I'm saying. So this is

1:15:33.960 --> 1:15:38.080
<v Speaker 1>the first ghost writer that we've we found out and

1:15:38.120 --> 1:15:41.040
<v Speaker 1>it's for a big artist because I never knew. I

1:15:41.160 --> 1:15:47.760
<v Speaker 1>never knew any ghost writers. I never Yeah, but who

1:15:47.840 --> 1:15:56.479
<v Speaker 1>didn't like for I knew he wrote for let's not

1:15:56.600 --> 1:15:58.639
<v Speaker 1>be clear, let's not let's not act like we didn't

1:15:58.840 --> 1:16:05.240
<v Speaker 1>see produces ghost produced as well. Yeah, coming so many

1:16:05.320 --> 1:16:08.439
<v Speaker 1>times that I was like, you know, got an L. S.

1:16:08.520 --> 1:16:14.880
<v Speaker 1>B or got a Kirk Gotti bet and track masters

1:16:14.920 --> 1:16:18.519
<v Speaker 1>to me on my on my ships never came to

1:16:18.600 --> 1:16:20.760
<v Speaker 1>the student session. I don't know what they deal becausists

1:16:20.840 --> 1:16:22.800
<v Speaker 1>of I don't know how that worked, but I know

1:16:23.000 --> 1:16:25.880
<v Speaker 1>that you know what I'm saying. And to me, that

1:16:26.040 --> 1:16:29.280
<v Speaker 1>was ghost producing. I think the production thing is a

1:16:29.320 --> 1:16:31.560
<v Speaker 1>little bit more blurry though, because the producer be like, no,

1:16:31.760 --> 1:16:34.680
<v Speaker 1>it's gonna workload and then I'm gonna I'm gonna pick

1:16:34.720 --> 1:16:38.040
<v Speaker 1>out things and to me, I got to disagree with you.

1:16:38.160 --> 1:16:40.320
<v Speaker 1>To me, it's a little bit more fouldent because at

1:16:40.400 --> 1:16:44.800
<v Speaker 1>least it's that artist you know saying it, but a

1:16:44.880 --> 1:16:47.320
<v Speaker 1>producer is not even getting the credit. Well, I mean

1:16:47.360 --> 1:16:48.880
<v Speaker 1>that's the thing, Like if you always make sure the

1:16:48.920 --> 1:16:51.519
<v Speaker 1>person get the credit, the problem is that person is

1:16:51.560 --> 1:16:53.880
<v Speaker 1>getting the credit, they probably have a problem with it.

1:16:54.800 --> 1:16:57.880
<v Speaker 1>Later you can have that agreement and then they come

1:16:57.920 --> 1:17:01.760
<v Speaker 1>back and be like it's like but if you're doing

1:17:01.840 --> 1:17:03.320
<v Speaker 1>that and you're going out of your way. Back then,

1:17:03.439 --> 1:17:06.479
<v Speaker 1>credit was everything, right, that's all you want. Now today

1:17:06.520 --> 1:17:08.720
<v Speaker 1>you don't know who the funk did what unless you

1:17:08.800 --> 1:17:14.280
<v Speaker 1>got women once a more those there's a lot of

1:17:14.360 --> 1:17:17.559
<v Speaker 1>that to go on with those two. Like I mean

1:17:17.680 --> 1:17:20.200
<v Speaker 1>not saying they're faking the tax, but they have whole

1:17:20.400 --> 1:17:24.320
<v Speaker 1>units of people. It's not like just one person, Like

1:17:24.479 --> 1:17:25.920
<v Speaker 1>I know, I know a lot of the dudes that

1:17:26.040 --> 1:17:27.800
<v Speaker 1>do it, like they make a million beat today, but

1:17:27.920 --> 1:17:30.479
<v Speaker 1>like sometimes they still work or they collabor a lot

1:17:30.520 --> 1:17:32.719
<v Speaker 1>with a lot of other you know, to producers today,

1:17:33.240 --> 1:17:36.639
<v Speaker 1>it's never just one thing. To me, it's like there'll

1:17:36.640 --> 1:17:39.160
<v Speaker 1>be a lot of people in the room. Sometimes you know,

1:17:41.880 --> 1:17:45.519
<v Speaker 1>it's bad. It's bad when the person the beats and

1:17:45.920 --> 1:17:49.280
<v Speaker 1>all the producer who's quote unquote producing all, he's doing

1:17:49.320 --> 1:17:55.479
<v Speaker 1>his drops. Sometimes production is being a conductor. Yep. And

1:17:55.520 --> 1:17:58.679
<v Speaker 1>that's what people don't understand. That's actually the original producer.

1:17:59.080 --> 1:18:01.800
<v Speaker 1>It is the conducer of a band. A lot of

1:18:01.840 --> 1:18:04.559
<v Speaker 1>people didn't say this band of sound and I am

1:18:04.640 --> 1:18:07.519
<v Speaker 1>the producer a lot of producers. There's Whoopoff made magic

1:18:07.600 --> 1:18:11.679
<v Speaker 1>with a lot of producers. Is a producer magic producer.

1:18:12.080 --> 1:18:14.519
<v Speaker 1>It was with earth Gotti, may Magic with them as

1:18:14.520 --> 1:18:16.360
<v Speaker 1>soon as earth Gotti, as soon as Drey, as soon

1:18:16.400 --> 1:18:18.840
<v Speaker 1>as Paul left them. I'm saying reducing those are the

1:18:19.520 --> 1:18:22.120
<v Speaker 1>saying it's a deal because under that when they were

1:18:22.160 --> 1:18:25.160
<v Speaker 1>doing it, everybody was fine with the situation. But when

1:18:25.200 --> 1:18:28.320
<v Speaker 1>those records take off, then they're like, he's not the producer.

1:18:29.360 --> 1:18:34.760
<v Speaker 1>That's that's right, right, that's actually that's that's when it's corny. Yeah,

1:18:34.840 --> 1:18:37.559
<v Speaker 1>what what's what's easier for This question goes to both

1:18:37.600 --> 1:18:41.200
<v Speaker 1>for y'all, because there's there's this, there's there's beatmakers, and

1:18:41.280 --> 1:18:45.600
<v Speaker 1>then there's producers. Like I always credit for Rall but

1:18:45.760 --> 1:18:49.120
<v Speaker 1>being my first production I had, I had beats before,

1:18:49.720 --> 1:18:51.439
<v Speaker 1>but for Wrell came to me and was like, just

1:18:51.600 --> 1:18:54.880
<v Speaker 1>give me the rhymes. That was and I had the

1:18:54.960 --> 1:18:57.719
<v Speaker 1>rhymes and he did every fucking thing. Whoever whisper with blacks.

1:18:58.040 --> 1:19:01.320
<v Speaker 1>But what's the difference to y'all, what is easier for

1:19:01.400 --> 1:19:04.320
<v Speaker 1>you to work with a person who's producing the beat?

1:19:04.720 --> 1:19:06.800
<v Speaker 1>Are just doing a beat or a person who's actually

1:19:06.840 --> 1:19:08.880
<v Speaker 1>producing the record? It's dead for the hook there for

1:19:08.960 --> 1:19:11.720
<v Speaker 1>the and now as a producer, yeah, I mean I can.

1:19:12.680 --> 1:19:15.640
<v Speaker 1>I consider myself a producer, so I could do both, like,

1:19:15.800 --> 1:19:17.799
<v Speaker 1>but it's just it just has to be a producer

1:19:18.320 --> 1:19:21.680
<v Speaker 1>that I trust. So if I'm working with him, I'll

1:19:21.720 --> 1:19:24.000
<v Speaker 1>just give I can just give him the raps. I'm

1:19:24.040 --> 1:19:26.920
<v Speaker 1>good with that promote. I can just give him the wraps,

1:19:27.560 --> 1:19:30.040
<v Speaker 1>you know, um if it's if it's um. The difference

1:19:30.120 --> 1:19:32.600
<v Speaker 1>to me is a beat maker just makes beats. That's it.

1:19:33.320 --> 1:19:36.840
<v Speaker 1>Beat maker makes beats and and they're good too. I'm

1:19:36.880 --> 1:19:44.439
<v Speaker 1>not trying to beat Let me let me just clarify that,

1:19:44.479 --> 1:19:46.800
<v Speaker 1>I'm not trying to sound dismissive at all, Like beat

1:19:46.880 --> 1:19:52.680
<v Speaker 1>makers are dope. I love beat makers. Beat makers. They

1:19:52.760 --> 1:19:55.479
<v Speaker 1>can send beats all day and we can take them.

1:19:55.520 --> 1:19:57.400
<v Speaker 1>It's a different part of the process. Yes, it's just

1:19:57.439 --> 1:19:59.840
<v Speaker 1>a different part of the process. A producer seats to

1:20:00.000 --> 1:20:04.320
<v Speaker 1>all the way through, so somebody like him or somebody

1:20:04.439 --> 1:20:07.120
<v Speaker 1>like me can come into the room and we may

1:20:07.200 --> 1:20:10.920
<v Speaker 1>take something away from it that may make it what

1:20:11.080 --> 1:20:13.760
<v Speaker 1>it needs to be. It's just knowing how to get

1:20:13.800 --> 1:20:16.719
<v Speaker 1>it there. That's it. Everybody start out and when you start,

1:20:16.960 --> 1:20:18.840
<v Speaker 1>when you go in the studio, you're gonna start off

1:20:18.920 --> 1:20:21.680
<v Speaker 1>just making beats. It's gonna be one thing that you're

1:20:21.720 --> 1:20:24.759
<v Speaker 1>gonna gravitate towards and anything you start producing that idea

1:20:25.040 --> 1:20:27.479
<v Speaker 1>more than something else. You spend more time on that

1:20:27.600 --> 1:20:31.439
<v Speaker 1>one thing. Right, So I think everybody can do butth

1:20:31.520 --> 1:20:34.400
<v Speaker 1>But when you say a beat maker, that's people that

1:20:34.479 --> 1:20:36.080
<v Speaker 1>I think about when I go to something the beat

1:20:36.800 --> 1:20:42.479
<v Speaker 1>to beat, uh, like showcases and stuff like that. That's

1:20:42.520 --> 1:20:44.560
<v Speaker 1>what they do. They come into wow you in that

1:20:44.760 --> 1:20:47.040
<v Speaker 1>first two You know what I'm saying, and that's it.

1:20:47.160 --> 1:20:49.160
<v Speaker 1>They don't even think about the music and how a

1:20:49.240 --> 1:20:51.639
<v Speaker 1>person gotta wrap over it. You don't know what party

1:20:51.720 --> 1:20:53.680
<v Speaker 1>gonna wrap over none of that, Like I'll get it.

1:20:53.800 --> 1:20:55.240
<v Speaker 1>I used to give him a beat and we used

1:20:55.280 --> 1:20:57.720
<v Speaker 1>to Now we won't probably have those arguments be could

1:20:58.000 --> 1:21:00.280
<v Speaker 1>I give him the beating in here give back? And

1:21:00.320 --> 1:21:02.760
<v Speaker 1>it's like, man, why you wrap over that part? Yeah?

1:21:08.320 --> 1:21:09.840
<v Speaker 1>Like I didn't know I was getting on the nerves

1:21:09.880 --> 1:21:14.240
<v Speaker 1>when I was doing that. I realized that until he

1:21:14.320 --> 1:21:17.240
<v Speaker 1>started happening to produce for Marshall and I get him

1:21:17.280 --> 1:21:18.800
<v Speaker 1>a beating. He took it and flipped it all around

1:21:18.840 --> 1:21:24.439
<v Speaker 1>and made it and I heard it like whoa, But

1:21:24.720 --> 1:21:27.479
<v Speaker 1>so now I know what are he's talking about. If

1:21:27.520 --> 1:21:29.960
<v Speaker 1>you start off with just some people start off they

1:21:30.080 --> 1:21:32.840
<v Speaker 1>just making peace. But until they learned, until somebody turned

1:21:32.840 --> 1:21:35.280
<v Speaker 1>out enough music from him, was like, let's say they

1:21:35.320 --> 1:21:37.280
<v Speaker 1>get your beating, you don't rep on and it's like, damn, man,

1:21:37.320 --> 1:21:41.960
<v Speaker 1>why ain't it landing Because you're not producing it for somebody,

1:21:42.000 --> 1:21:45.080
<v Speaker 1>You're not leaving space for him. You're just trying to

1:21:45.120 --> 1:21:49.840
<v Speaker 1>show off. Like I love the idea, but you know,

1:21:49.880 --> 1:21:53.080
<v Speaker 1>I might take the idea and turn it into whatever.

1:21:53.520 --> 1:21:55.400
<v Speaker 1>You know, you might break it down and give it

1:21:55.479 --> 1:21:57.680
<v Speaker 1>to a person and arrange it the right way. You

1:21:57.760 --> 1:22:01.400
<v Speaker 1>might change something slight as and sneering something. Those things matter,

1:22:01.600 --> 1:22:05.599
<v Speaker 1>The little things matter. So just depending on the person

1:22:05.880 --> 1:22:08.799
<v Speaker 1>and who you're getting from. There's a lot of beat makers,

1:22:08.880 --> 1:22:13.000
<v Speaker 1>but producers, it ain't a lot of that going on.

1:22:14.160 --> 1:22:16.760
<v Speaker 1>It ain't a lot of that going on. You could tell. Yeah,

1:22:16.800 --> 1:22:18.479
<v Speaker 1>it feels that way too, because a lot of the

1:22:18.479 --> 1:22:21.080
<v Speaker 1>records wouldn't sign the same producers help with the artist

1:22:21.160 --> 1:22:23.880
<v Speaker 1>development too. I think that's a that's another element that's missing,

1:22:24.360 --> 1:22:26.720
<v Speaker 1>the whole artist development. That's that's what I'm drying back

1:22:26.720 --> 1:22:30.800
<v Speaker 1>to the game. Should we need to work together? Yeah,

1:22:30.840 --> 1:22:33.120
<v Speaker 1>I want to. I wanna um. I want to help

1:22:33.280 --> 1:22:36.600
<v Speaker 1>round artists. That's all we're trying to do. Yeah, like

1:22:36.720 --> 1:22:40.320
<v Speaker 1>you know what I'm saying, like because I mean, sorry

1:22:40.439 --> 1:22:42.880
<v Speaker 1>like to say this and like, you know, sorry to

1:22:42.920 --> 1:22:45.120
<v Speaker 1>bring this up, but you know, everyone rest in piece

1:22:45.160 --> 1:22:47.320
<v Speaker 1>to pop smoke. You know what I'm saying. Let's have

1:22:47.400 --> 1:22:49.280
<v Speaker 1>a moment of silence. If your guys are back there,

1:22:49.360 --> 1:22:52.320
<v Speaker 1>let's don't let's don't move for at least eight seconds.

1:22:52.360 --> 1:23:00.360
<v Speaker 1>For Kobe, you know, I mean recipes Kobe of speech

1:23:00.400 --> 1:23:02.800
<v Speaker 1>prop smoke, But it was something that hit me about

1:23:02.840 --> 1:23:07.920
<v Speaker 1>pop Smoke was I've been going to those Hollywood hills

1:23:08.520 --> 1:23:11.479
<v Speaker 1>like where that should happened for twenty years. We only

1:23:11.560 --> 1:23:14.920
<v Speaker 1>rent those places for parties. We do not rent those

1:23:14.960 --> 1:23:18.479
<v Speaker 1>places to stay to live there, to live there. So

1:23:18.920 --> 1:23:22.840
<v Speaker 1>I felt like, you know, that's why young homies, you

1:23:22.920 --> 1:23:25.400
<v Speaker 1>should reach out to your ogs, you know what I'm saying,

1:23:25.439 --> 1:23:27.200
<v Speaker 1>Like he could have hit a person like Buster, and

1:23:27.240 --> 1:23:29.920
<v Speaker 1>Buster would have told him a meeting like yo, you listen, man,

1:23:29.960 --> 1:23:32.560
<v Speaker 1>that's that's cool to kill there. But you know, it

1:23:32.840 --> 1:23:35.640
<v Speaker 1>didn't necessarily have to be meat, didn't necessarily have to

1:23:35.720 --> 1:23:38.680
<v Speaker 1>be you know, but bust the rhymes a fact, Joe, Like,

1:23:38.760 --> 1:23:41.080
<v Speaker 1>there's people that could tell you I'm saying, especially being

1:23:41.120 --> 1:23:43.479
<v Speaker 1>from New York, Like, that's why you know, it's important

1:23:43.479 --> 1:23:46.639
<v Speaker 1>you guys with a t grizzy situation because he should

1:23:46.640 --> 1:23:49.800
<v Speaker 1>reach out for game for you like and especially because

1:23:49.800 --> 1:23:53.719
<v Speaker 1>I don't I don't you know, our time we really

1:23:53.760 --> 1:23:56.160
<v Speaker 1>didn't have drama like that. But the fact that's got

1:23:56.240 --> 1:23:59.240
<v Speaker 1>to remember Biggie Smalls got killed from he was going

1:23:59.320 --> 1:24:01.799
<v Speaker 1>out there, so we was taking precautions like I remember

1:24:01.880 --> 1:24:05.600
<v Speaker 1>renting those mansions or renting those houses rather and not

1:24:05.720 --> 1:24:08.479
<v Speaker 1>even staying there. Like we would literally rent there, have

1:24:08.560 --> 1:24:11.479
<v Speaker 1>a taste makers meeting or whatever, have something, and then

1:24:11.479 --> 1:24:13.880
<v Speaker 1>as soon as we would all break out, you know

1:24:13.920 --> 1:24:16.320
<v Speaker 1>what I'm saying. So when I seen that now to

1:24:16.360 --> 1:24:18.360
<v Speaker 1>say that that was the only thing that happened to Pops,

1:24:18.360 --> 1:24:20.200
<v Speaker 1>because I don't want to you know what I mean. Um,

1:24:20.640 --> 1:24:23.240
<v Speaker 1>but it was just it's just simple game like that

1:24:23.400 --> 1:24:25.640
<v Speaker 1>that we can help our young brothers with, you know

1:24:25.640 --> 1:24:27.720
<v Speaker 1>what I'm saying, And um, I want to. I want

1:24:27.720 --> 1:24:30.120
<v Speaker 1>to help do that. I want to help people transition

1:24:30.200 --> 1:24:33.360
<v Speaker 1>from being just a rapper to being a personality, to

1:24:33.479 --> 1:24:38.479
<v Speaker 1>being a podcaster to being h radio or someone on

1:24:38.640 --> 1:24:40.960
<v Speaker 1>radio or something like that, because you know what, rap

1:24:41.240 --> 1:24:42.960
<v Speaker 1>is a vehicle and the vehicle is not something you

1:24:42.960 --> 1:24:44.880
<v Speaker 1>should live in. Vehicle is something to get you from

1:24:44.920 --> 1:24:52.280
<v Speaker 1>one place to another. For that, I felt smart just now,

1:24:53.240 --> 1:24:55.799
<v Speaker 1>I'm not drinking. The journey. It's a journey. The success

1:24:55.880 --> 1:24:58.200
<v Speaker 1>is a journey. I've been telling my youngest this. This

1:24:58.400 --> 1:25:01.200
<v Speaker 1>is the success is a journey. In the art itself

1:25:01.360 --> 1:25:03.439
<v Speaker 1>is a destination. It's a place that you need to

1:25:03.600 --> 1:25:07.240
<v Speaker 1>get to get to that place and just express yourself

1:25:07.320 --> 1:25:09.599
<v Speaker 1>and then through that all things are possible. You could

1:25:09.600 --> 1:25:12.400
<v Speaker 1>do anything off of that platform. And you know what

1:25:12.439 --> 1:25:15.320
<v Speaker 1>I noticed very starry to cut um change it up

1:25:15.320 --> 1:25:17.840
<v Speaker 1>a little bit. You know, I notice the older we

1:25:17.960 --> 1:25:20.920
<v Speaker 1>get and we're still successful, the easier it is for

1:25:21.000 --> 1:25:22.960
<v Speaker 1>the youngest to listen to it. I feel like, the

1:25:23.040 --> 1:25:26.000
<v Speaker 1>older we get and if we don't have that success,

1:25:26.040 --> 1:25:28.680
<v Speaker 1>that we don't have certain that's easy because I used

1:25:28.720 --> 1:25:30.240
<v Speaker 1>to be like that when I was younger, Like who

1:25:30.640 --> 1:25:34.599
<v Speaker 1>is that? Like you want to tell me what did

1:25:34.640 --> 1:25:36.559
<v Speaker 1>he go platinum for? Like you know what I'm saying

1:25:36.560 --> 1:25:38.479
<v Speaker 1>that you'd be saying, like dumb ship like that then.

1:25:38.920 --> 1:25:41.160
<v Speaker 1>So that's the reason why I'm gonna be honest with you.

1:25:41.520 --> 1:25:43.280
<v Speaker 1>That's the reason why I don't reach out to some

1:25:43.360 --> 1:25:47.320
<v Speaker 1>of these young generation dudes, like because I figured myself

1:25:47.680 --> 1:25:50.519
<v Speaker 1>like when I first, um, I say this, I've said

1:25:50.520 --> 1:25:53.120
<v Speaker 1>this before when I first met Walker Flocca and when

1:25:53.160 --> 1:25:55.479
<v Speaker 1>I first met me, I didn't like them. But I

1:25:55.640 --> 1:25:58.120
<v Speaker 1>realized I didn't like them because they reminded me of me,

1:25:59.160 --> 1:26:03.200
<v Speaker 1>and I hate see twenty four year old met eight.

1:26:03.320 --> 1:26:05.120
<v Speaker 1>I was like, what them like? You know what I'm saying,

1:26:05.160 --> 1:26:08.439
<v Speaker 1>I was like, that's wild, Like, do you think do

1:26:08.600 --> 1:26:12.360
<v Speaker 1>you think though that today that that is that we

1:26:12.800 --> 1:26:16.160
<v Speaker 1>totally acted different though we treated like I was excited

1:26:16.200 --> 1:26:19.960
<v Speaker 1>to me. Yeah yeah, yeah, yeah difference. It's like they're

1:26:19.960 --> 1:26:22.200
<v Speaker 1>only excited to me. You think they're just excited to

1:26:22.280 --> 1:26:26.560
<v Speaker 1>meet the people that I mean kind of kind of

1:26:26.720 --> 1:26:28.640
<v Speaker 1>you know, I mean it kind of it kind of

1:26:29.080 --> 1:26:32.720
<v Speaker 1>um damn. It kind of existed the fact that you know,

1:26:32.840 --> 1:26:35.840
<v Speaker 1>we all old niggas godless of we want to you know,

1:26:35.880 --> 1:26:41.240
<v Speaker 1>we're looking good, we're looking good, and so many other

1:26:41.280 --> 1:26:45.280
<v Speaker 1>people like Kanye is actually older than me, but Kanye

1:26:45.400 --> 1:26:47.880
<v Speaker 1>came out later than me, came out in that type

1:26:47.920 --> 1:26:52.200
<v Speaker 1>of generation. So they look at Kanye like he's twenty

1:26:52.280 --> 1:26:54.840
<v Speaker 1>years younger than me, and they look at me like

1:26:54.920 --> 1:27:01.200
<v Speaker 1>I'm nine hundred because I came out seven herb and seven.

1:27:01.240 --> 1:27:02.800
<v Speaker 1>So they're like, what, you know, what I think they

1:27:02.840 --> 1:27:05.479
<v Speaker 1>need to understand they should try to understand is that

1:27:06.280 --> 1:27:09.760
<v Speaker 1>we don't have to care. That's where we could we

1:27:09.840 --> 1:27:11.400
<v Speaker 1>could take it. We could take our money and just

1:27:11.520 --> 1:27:13.400
<v Speaker 1>go chill on the boat somewhere and be like we

1:27:13.479 --> 1:27:17.559
<v Speaker 1>got y'all, stay in the trenches. You know what I mean,

1:27:17.880 --> 1:27:20.519
<v Speaker 1>because I don't think it's a young man's game. I

1:27:22.640 --> 1:27:26.000
<v Speaker 1>think I think, you know, but I don't even say

1:27:26.040 --> 1:27:27.680
<v Speaker 1>because of that, I'm I'm talking about the way that

1:27:27.840 --> 1:27:30.280
<v Speaker 1>young people look at evolving. It's not a young man

1:27:30.360 --> 1:27:35.080
<v Speaker 1>no no, but for them, the currency that matters is

1:27:35.439 --> 1:27:39.839
<v Speaker 1>like s and follows. Like if this old lady is popping,

1:27:41.000 --> 1:27:44.400
<v Speaker 1>she's the ship right now. So it's not a young

1:27:44.479 --> 1:27:47.760
<v Speaker 1>man or young lady's game anymore. She's popping, So I

1:27:47.880 --> 1:27:51.559
<v Speaker 1>want to take a photo with her, So that's what matters. Like, Yeah,

1:27:51.760 --> 1:27:54.200
<v Speaker 1>that's what matters. That's what that's interesting though. Yeah, that's

1:27:54.240 --> 1:27:56.880
<v Speaker 1>like that, that's what That's what we're having a hard

1:27:56.960 --> 1:28:00.360
<v Speaker 1>time wrapping our heads around. But like all is the

1:28:00.439 --> 1:28:03.840
<v Speaker 1>biggest R and B singer out right now, comedian, Yeah,

1:28:04.280 --> 1:28:08.160
<v Speaker 1>this is real ship. Every fucking record he dropped I

1:28:08.400 --> 1:28:14.120
<v Speaker 1>funk with Man, don't black Man, Don't cheat, um uh

1:28:14.600 --> 1:28:17.599
<v Speaker 1>my ole bit, and then he got this other ship.

1:28:17.680 --> 1:28:20.320
<v Speaker 1>I ain't even on this ship, but I look nasty.

1:28:20.600 --> 1:28:23.519
<v Speaker 1>I'm like, what the fun people are making nasty videos

1:28:23.560 --> 1:28:27.360
<v Speaker 1>and they got wild looking the nigga, looking at the nigga, nasty.

1:28:27.720 --> 1:28:31.559
<v Speaker 1>Holy ship people. People, people are open to be entertained

1:28:31.600 --> 1:28:36.800
<v Speaker 1>in any anyways. Anyway, little Walls the biggest that Nigga

1:28:36.880 --> 1:28:42.280
<v Speaker 1>is like the new usher that little ball the new

1:28:42.400 --> 1:28:48.679
<v Speaker 1>usher man. But but real quick, but back to everything

1:28:48.720 --> 1:28:51.800
<v Speaker 1>we're talking about. And this is my opinion. I think

1:28:51.880 --> 1:28:55.679
<v Speaker 1>that what you're doing and it's it's about us being

1:28:56.200 --> 1:28:59.840
<v Speaker 1>comfortable in our skins and doing what we do and

1:29:00.280 --> 1:29:04.320
<v Speaker 1>and artfully doing it and not thinking about what they're

1:29:04.360 --> 1:29:06.439
<v Speaker 1>thinking about, which is the likes and the follows is

1:29:06.600 --> 1:29:09.920
<v Speaker 1>what's where we're gonna We're gonna follow that lead. We

1:29:10.040 --> 1:29:11.640
<v Speaker 1>need to be the O g s that we were

1:29:11.640 --> 1:29:17.000
<v Speaker 1>supposed to be. That conversation, it's like, don't numbers and

1:29:17.040 --> 1:29:18.920
<v Speaker 1>all that kind of should it just never mattered. It

1:29:19.040 --> 1:29:21.880
<v Speaker 1>can't matter. It shouldn't matter. It shouldn't matter, man, don't matter.

1:29:22.320 --> 1:29:24.240
<v Speaker 1>That's all they think about that. I mean, we gotta

1:29:24.280 --> 1:29:26.120
<v Speaker 1>pay bills, if we gotta pay attention to all that ship.

1:29:26.479 --> 1:29:29.519
<v Speaker 1>We gotta understand that it just happens. Though. Yeah, I

1:29:29.600 --> 1:29:31.920
<v Speaker 1>got like, you know, friends, you know people that I do.

1:29:32.320 --> 1:29:35.360
<v Speaker 1>You know I do things well, you know, and they'll

1:29:35.360 --> 1:29:37.439
<v Speaker 1>still be like, can you follow me on the grams?

1:29:37.600 --> 1:29:46.639
<v Speaker 1>Like you just asked me for Yeah, you already following

1:29:48.000 --> 1:29:52.080
<v Speaker 1>like me, this is the fun up world we're living in.

1:29:52.240 --> 1:29:54.760
<v Speaker 1>You know, like this is it's currency. It literally is

1:29:55.680 --> 1:29:57.760
<v Speaker 1>like when you think about it in that way, that's

1:29:57.800 --> 1:30:02.160
<v Speaker 1>the currency. Listen, that's what they But we can't see

1:30:02.160 --> 1:30:03.880
<v Speaker 1>it that way of coming from where we come from

1:30:04.120 --> 1:30:06.360
<v Speaker 1>because you know why we was talking to move away

1:30:06.360 --> 1:30:09.040
<v Speaker 1>from the cameras we were talking, not like if we

1:30:09.200 --> 1:30:11.639
<v Speaker 1>really know people from our era, like the first five

1:30:11.720 --> 1:30:14.679
<v Speaker 1>minutes of them being on camera it's uncomfortable, but they

1:30:14.800 --> 1:30:18.080
<v Speaker 1>technically be looking like this like anybody that's really from

1:30:18.200 --> 1:30:20.800
<v Speaker 1>like the nineties, that's really they're like the first five

1:30:20.880 --> 1:30:23.720
<v Speaker 1>seconds of them walking into something st pay attention, then

1:30:23.760 --> 1:30:26.200
<v Speaker 1>looking at their head down because everything that they were

1:30:26.240 --> 1:30:30.559
<v Speaker 1>towards said this is the you know, we're legal now,

1:30:31.040 --> 1:30:33.400
<v Speaker 1>so that that it only takes five minutes, So that

1:30:33.920 --> 1:30:35.920
<v Speaker 1>six minutes you're like, yo, motherfucker, you gotta get in here,

1:30:35.920 --> 1:30:38.719
<v Speaker 1>you got do your job. But that first five minutes,

1:30:38.920 --> 1:30:40.960
<v Speaker 1>that's that's why I know Meek is a real nigga's

1:30:41.120 --> 1:30:43.280
<v Speaker 1>because if you look at Meek's interviews, like his first

1:30:43.360 --> 1:30:46.600
<v Speaker 1>people like this, it's because he comes from that that

1:30:46.800 --> 1:30:48.760
<v Speaker 1>like to stay right from the ship as opposed to this.

1:30:48.880 --> 1:30:50.840
<v Speaker 1>Like I said, there's people that do things for the

1:30:50.840 --> 1:30:53.040
<v Speaker 1>people are asking me for a favor. People will ask

1:30:53.120 --> 1:30:54.800
<v Speaker 1>me to do this or ask me can they come

1:30:54.840 --> 1:30:56.800
<v Speaker 1>over here? And I'll do it and I'll take a

1:30:56.840 --> 1:30:59.080
<v Speaker 1>picture with them, and then they'll say, well, can you

1:30:59.200 --> 1:31:01.639
<v Speaker 1>follow me on the girl phone? And I'm like, damn,

1:31:01.800 --> 1:31:05.439
<v Speaker 1>my dude, like I followed you in real life. In

1:31:05.640 --> 1:31:10.439
<v Speaker 1>real life, you just call gone. We had drinks in

1:31:10.520 --> 1:31:14.160
<v Speaker 1>my kitchen. When you have that, that's all that always

1:31:14.240 --> 1:31:17.000
<v Speaker 1>bothered me. It's like, you don't like this, you don't

1:31:17.040 --> 1:31:19.519
<v Speaker 1>do this. You don't do this, like you got my

1:31:19.600 --> 1:31:23.439
<v Speaker 1>phone number, just her favorite one. You don't even follow

1:31:23.479 --> 1:31:26.040
<v Speaker 1>me on the ground like like like you deliberately not

1:31:27.000 --> 1:31:28.640
<v Speaker 1>like I over that my phone is that I'm not

1:31:28.800 --> 1:31:34.400
<v Speaker 1>following listening. You know, I just can't get around to it.

1:31:34.760 --> 1:31:37.240
<v Speaker 1>You don't that you're not even gonna see the message.

1:31:37.240 --> 1:31:40.000
<v Speaker 1>I ain't gonna see you. One of my holies, one

1:31:40.040 --> 1:31:42.400
<v Speaker 1>of my tour of my homies, is arguing one day

1:31:42.760 --> 1:31:48.000
<v Speaker 1>about me on my ground, about me. It's like, you know,

1:31:48.400 --> 1:31:50.479
<v Speaker 1>he said, you know the homies. See you said, now,

1:31:50.520 --> 1:31:52.439
<v Speaker 1>I don't think the Homiesee, you got so much followers.

1:31:52.560 --> 1:31:55.559
<v Speaker 1>He said, you know, he got to see my name though,

1:31:55.720 --> 1:31:58.599
<v Speaker 1>said listen, man, homies, you know, and I did see.

1:31:58.640 --> 1:32:02.200
<v Speaker 1>It's like your comments. These things had a twelve day

1:32:02.320 --> 1:32:06.120
<v Speaker 1>comments like you know, I'm looking like damn nigga. Now

1:32:06.160 --> 1:32:08.439
<v Speaker 1>I'm not answering, you know, because I wanted to. I

1:32:08.479 --> 1:32:10.960
<v Speaker 1>wanted to do the little hard and like you know,

1:32:11.120 --> 1:32:14.560
<v Speaker 1>high watching like you know when they're talking, like I

1:32:14.720 --> 1:32:16.560
<v Speaker 1>listened to it. I watched it. I said, you know what,

1:32:16.680 --> 1:32:19.800
<v Speaker 1>other niggas just fight it out. I'll tell you. I'll

1:32:19.800 --> 1:32:22.400
<v Speaker 1>tell you another thing I learned. I learned the hard

1:32:22.479 --> 1:32:26.479
<v Speaker 1>way to following certain women on the Graham's cheating. Oh yeah, yeah,

1:32:26.520 --> 1:32:29.720
<v Speaker 1>and like if you realized that, yeah, I didn't know that.

1:32:29.800 --> 1:32:34.240
<v Speaker 1>I didn't know that. Wait a minute too, okay following brother, Okay, No,

1:32:34.400 --> 1:32:36.200
<v Speaker 1>I knew that when you found it. Don't like a

1:32:36.280 --> 1:32:41.640
<v Speaker 1>picture like like divorce, you got a pretty talking you

1:32:43.360 --> 1:32:48.320
<v Speaker 1>you like it? This man copy minds with you here,

1:32:48.439 --> 1:32:50.400
<v Speaker 1>like I didn't know that's like the new form of

1:32:50.520 --> 1:32:52.360
<v Speaker 1>kid like. I didn't know that. First of all, I

1:32:52.360 --> 1:32:55.639
<v Speaker 1>didn't know how the d M. I didn't I didn't

1:32:55.640 --> 1:32:57.680
<v Speaker 1>and didn't know how to DM. No, I didn't know

1:32:57.760 --> 1:32:59.880
<v Speaker 1>a DM. I didn't even know it was a whole. No,

1:33:00.080 --> 1:33:03.080
<v Speaker 1>the that's a hold on the planet knows another DM

1:33:03.240 --> 1:33:08.519
<v Speaker 1>in the DM what g and then primary, oh yeah

1:33:08.920 --> 1:33:12.400
<v Speaker 1>got multiple MN ship. That ship I don't even get

1:33:12.600 --> 1:33:16.679
<v Speaker 1>because well I found out every now and then because

1:33:16.720 --> 1:33:18.240
<v Speaker 1>it'll be an artist that would hit me, or be

1:33:18.280 --> 1:33:20.240
<v Speaker 1>a football player that would be like yo. And so

1:33:20.360 --> 1:33:21.880
<v Speaker 1>every now and then I had to learn how to

1:33:21.960 --> 1:33:23.760
<v Speaker 1>do that because someone wanted to see me in the

1:33:23.840 --> 1:33:26.760
<v Speaker 1>club and it'll be like a real like like yo,

1:33:27.400 --> 1:33:30.960
<v Speaker 1>and I'm like word, and I'm like, how about to

1:33:30.960 --> 1:33:32.920
<v Speaker 1>do this? And I'd like to do One thing you

1:33:32.960 --> 1:33:34.439
<v Speaker 1>don't want to do is actually white how do you

1:33:34.479 --> 1:33:38.439
<v Speaker 1>work to d M s Because it's like it's like

1:33:41.520 --> 1:33:43.640
<v Speaker 1>figure it out, Like I was like, this is in

1:33:43.760 --> 1:33:45.280
<v Speaker 1>case of some accident. I don't want to do. You know,

1:33:45.360 --> 1:33:48.880
<v Speaker 1>I don't know like it listen, ain't acting on it

1:33:48.920 --> 1:33:50.960
<v Speaker 1>when you know everything and then you want to look

1:33:50.960 --> 1:33:54.040
<v Speaker 1>and say alright, cool, this it on me. I still

1:33:54.080 --> 1:33:58.880
<v Speaker 1>got it. It was. It makes it nor that it's not.

1:33:59.040 --> 1:34:02.800
<v Speaker 1>But social media, like I always imagine Tupac with a

1:34:02.880 --> 1:34:08.760
<v Speaker 1>Twitter man like man one of the East Coast, West Coast,

1:34:08.800 --> 1:34:11.479
<v Speaker 1>because I think he wouldn't hear. I think he would

1:34:11.520 --> 1:34:14.320
<v Speaker 1>have hated Instagram. I think Pun would have destroyed Instagram.

1:34:14.640 --> 1:34:17.840
<v Speaker 1>He would have comedic. I think he was I think

1:34:18.080 --> 1:34:20.160
<v Speaker 1>he would have been the main killer. I think Biggie

1:34:20.240 --> 1:34:27.519
<v Speaker 1>Smalls would have been the thriller king TikTok, yeah something.

1:34:27.880 --> 1:34:33.080
<v Speaker 1>Biggie was one of the most trendiest, funniest people ever hilarious.

1:34:35.360 --> 1:34:40.240
<v Speaker 1>Pun Pun was big was like no hold on to

1:34:40.320 --> 1:34:44.720
<v Speaker 1>be back. Big was was was fun because he was

1:34:44.800 --> 1:34:46.280
<v Speaker 1>the first one, Like he was the first one I've

1:34:46.280 --> 1:34:48.519
<v Speaker 1>ever seen it. So I felt like Pun took all

1:34:48.600 --> 1:34:51.280
<v Speaker 1>the Biggie ship and took it and perfected it. Like

1:34:51.439 --> 1:34:53.920
<v Speaker 1>Pun would really have water gun fights, but I'm talking

1:34:53.920 --> 1:34:57.920
<v Speaker 1>about zero zero below in the morning, like like, like,

1:34:58.920 --> 1:35:00.920
<v Speaker 1>listen to me, this is one of the fucking worst

1:35:00.920 --> 1:35:04.800
<v Speaker 1>ship I've ever seen. They was running traders with these bitches.

1:35:06.600 --> 1:35:10.120
<v Speaker 1>We want to find that. Hey man, it's running trisy

1:35:10.200 --> 1:35:12.439
<v Speaker 1>business is on. This is on thirty second or twenty

1:35:12.520 --> 1:35:15.680
<v Speaker 1>third Street like by Kelsea Dina And I don't know

1:35:15.800 --> 1:35:17.519
<v Speaker 1>why they wanted to do this, but this is how

1:35:17.680 --> 1:35:21.519
<v Speaker 1>it was in the nineties. So Pun stances two boys

1:35:21.680 --> 1:35:24.559
<v Speaker 1>to fill up the super Squirter. But it's zero below

1:35:24.640 --> 1:35:28.160
<v Speaker 1>outside Bro, this was the the Sprint of Vans. Before

1:35:28.160 --> 1:35:30.040
<v Speaker 1>they was to Sprint of Vans. He was calling the

1:35:30.120 --> 1:35:35.040
<v Speaker 1>fantastic right. So they jump off with the two girls

1:35:35.920 --> 1:35:38.600
<v Speaker 1>and punting. Since this guys the load of the Supersquirter.

1:35:39.000 --> 1:35:41.280
<v Speaker 1>But for some reason, I go off to smoke a cigarette.

1:35:41.320 --> 1:35:44.240
<v Speaker 1>I smoked cigarettes there, and I see them loading up

1:35:44.280 --> 1:35:47.200
<v Speaker 1>the supersquirter. The problem was they were loading up the

1:35:47.280 --> 1:35:54.360
<v Speaker 1>super Squirriter with the snow slush. M hmm, foul. You know.

1:35:54.640 --> 1:36:00.080
<v Speaker 1>I imagine there's some yellow snow. I can't visually see it,

1:36:00.840 --> 1:36:03.679
<v Speaker 1>but so I looked, and this is when I knew

1:36:03.680 --> 1:36:07.400
<v Speaker 1>I was officially a foul nigger because I was smoking

1:36:07.439 --> 1:36:09.320
<v Speaker 1>a cigarette and I seen the girls coming out. I

1:36:09.360 --> 1:36:13.160
<v Speaker 1>could have fully warned these bitches, like go the other way,

1:36:14.040 --> 1:36:20.719
<v Speaker 1>but I wanted and everything. My mama heard. My mama

1:36:20.840 --> 1:36:23.600
<v Speaker 1>telling me, boy, tell them, girls are going and I

1:36:23.720 --> 1:36:26.240
<v Speaker 1>was like, Mama, let me just see this. And I

1:36:26.360 --> 1:36:30.280
<v Speaker 1>stood there. I looked, and they didn't even talk to

1:36:30.360 --> 1:36:32.599
<v Speaker 1>each other putting them. They just looked at each other

1:36:33.479 --> 1:36:38.519
<v Speaker 1>and then chicks came out and they squirted up. And

1:36:38.560 --> 1:36:41.479
<v Speaker 1>I'm telling you, it was so cold that her ship

1:36:41.640 --> 1:36:49.800
<v Speaker 1>got icicles like her damn, And I was like, oh,

1:36:50.040 --> 1:36:52.559
<v Speaker 1>and then she following around him. I got the ship

1:36:52.640 --> 1:36:55.920
<v Speaker 1>on tape. It's terrible, Like it's terrible documentary. So you

1:36:56.120 --> 1:36:58.439
<v Speaker 1>you forgot to mention that she were videotaping. Yes, I

1:36:58.520 --> 1:37:01.160
<v Speaker 1>totally got that. More got told you I saw that

1:37:01.280 --> 1:37:04.360
<v Speaker 1>was part of the whole process. I was mama and

1:37:04.560 --> 1:37:08.880
<v Speaker 1>video table. I wasn't proud of it, but that's the

1:37:08.880 --> 1:37:10.560
<v Speaker 1>ship that we used to do in the nineties. Like

1:37:10.640 --> 1:37:13.040
<v Speaker 1>the nineties was just a totally different era. No one

1:37:13.240 --> 1:37:15.920
<v Speaker 1>was telling y'all, this was none of this. Do you

1:37:16.080 --> 1:37:19.160
<v Speaker 1>think a person like Sakashi sixth line would exist in

1:37:19.280 --> 1:37:23.760
<v Speaker 1>this game? Then? I don't know if they would have

1:37:23.800 --> 1:37:27.080
<v Speaker 1>been able to know, but I was around. But you

1:37:27.160 --> 1:37:28.560
<v Speaker 1>know what, I'm gonna be honest, and I think me

1:37:28.640 --> 1:37:30.800
<v Speaker 1>and Finn has admitted to this a couple of times,

1:37:30.920 --> 1:37:34.120
<v Speaker 1>not once. I think it's awful, not him per se,

1:37:34.680 --> 1:37:38.640
<v Speaker 1>not him per se. But like I said earlier, like

1:37:38.760 --> 1:37:40.400
<v Speaker 1>I didn't really reach out to a lot of the

1:37:40.479 --> 1:37:44.439
<v Speaker 1>young dudes. I really just didn't because I for a

1:37:44.560 --> 1:37:47.720
<v Speaker 1>long time the older people in the hip hop at first,

1:37:47.800 --> 1:37:50.960
<v Speaker 1>they really didn't accept me. They didn't embrace us. Like

1:37:51.040 --> 1:37:56.040
<v Speaker 1>that because the older you know, the Mellie Miles, the

1:37:56.120 --> 1:37:59.880
<v Speaker 1>Grand Master Flashes at first, and now that I'm not

1:38:00.120 --> 1:38:02.760
<v Speaker 1>in their position, but now that I'm older, I see

1:38:03.080 --> 1:38:07.000
<v Speaker 1>like like like I like Gazella Gazella the other day. Um,

1:38:07.240 --> 1:38:09.160
<v Speaker 1>you know, we want them to get on. But you know,

1:38:09.760 --> 1:38:11.479
<v Speaker 1>it's not like I gave him a trial period, but

1:38:11.520 --> 1:38:14.000
<v Speaker 1>I wanted to make sure they was gonna be like

1:38:14.120 --> 1:38:16.479
<v Speaker 1>and once they was there, like and I felt like,

1:38:16.600 --> 1:38:19.760
<v Speaker 1>I feel like Mellie Mele grandmus to Flash cool heard.

1:38:19.840 --> 1:38:21.280
<v Speaker 1>I feel like all of them kind of gave me

1:38:21.360 --> 1:38:23.400
<v Speaker 1>that too. It kind of was like, I, homeboy, you

1:38:23.479 --> 1:38:25.920
<v Speaker 1>got a great album, war report is good, boom all

1:38:25.960 --> 1:38:27.840
<v Speaker 1>you came back with an R EO or what what?

1:38:28.000 --> 1:38:30.479
<v Speaker 1>That's something different? But they made me and then once

1:38:30.600 --> 1:38:33.560
<v Speaker 1>I said yo, I'm here. Once I then they embraced me.

1:38:34.200 --> 1:38:36.000
<v Speaker 1>You know what I'm saying. But I felt like I

1:38:36.080 --> 1:38:38.240
<v Speaker 1>felt like this whack. Let me tell you why. I

1:38:38.360 --> 1:38:41.000
<v Speaker 1>feel like you should embrace everybody from them agin and

1:38:41.120 --> 1:38:43.040
<v Speaker 1>then and I feel like it's oppously. I feel like

1:38:43.080 --> 1:38:45.639
<v Speaker 1>we should brace everyone from the beginning. And then those

1:38:45.680 --> 1:38:50.120
<v Speaker 1>person uh get their way out of that circle. They

1:38:50.200 --> 1:38:52.400
<v Speaker 1>earned their way out of the circle, as opposed to say,

1:38:52.439 --> 1:38:53.600
<v Speaker 1>you know what, I'm gonna keep you out of the

1:38:53.680 --> 1:38:57.280
<v Speaker 1>circle until you you deserve yourself in and the way

1:38:57.400 --> 1:38:59.800
<v Speaker 1>less mistakes because because you know what, I took on

1:39:00.000 --> 1:39:02.760
<v Speaker 1>that thing, and I would look at certain artists and

1:39:02.840 --> 1:39:05.519
<v Speaker 1>even drink chance. To a certain extent, this is only

1:39:05.560 --> 1:39:08.760
<v Speaker 1>for people who've been here ten years. So um so

1:39:09.000 --> 1:39:12.280
<v Speaker 1>so even it's to a certain extent, it's like I, um,

1:39:13.120 --> 1:39:15.320
<v Speaker 1>we have to bid certain rules. We have to like

1:39:15.400 --> 1:39:17.519
<v Speaker 1>if a person's here for seven years, you're putting in network,

1:39:17.560 --> 1:39:19.200
<v Speaker 1>and I know you're gonna be here. You're here for

1:39:19.280 --> 1:39:21.080
<v Speaker 1>five years, you put in net work, I know you're

1:39:21.120 --> 1:39:22.960
<v Speaker 1>gonna be here. You gotta you gotta, you know what

1:39:23.000 --> 1:39:28.600
<v Speaker 1>I mean. So but I think there's no but I

1:39:28.680 --> 1:39:31.240
<v Speaker 1>think it was all. I think what the reason why

1:39:31.240 --> 1:39:33.800
<v Speaker 1>I said is our fault is that when we grew

1:39:33.920 --> 1:39:37.479
<v Speaker 1>up and saying the nineties era, early nineties, we wasn't

1:39:37.760 --> 1:39:39.880
<v Speaker 1>like I didn't grow up in grad match flash Mellie

1:39:39.920 --> 1:39:42.920
<v Speaker 1>mel Era, I didn't. We didn't dress like them. Actually

1:39:42.960 --> 1:39:45.280
<v Speaker 1>that didn't era, do you know what I'm saying? But

1:39:45.320 --> 1:39:47.160
<v Speaker 1>that yeah, and even then. But but what I'm trying

1:39:47.200 --> 1:39:50.839
<v Speaker 1>to say is the Arab right that we were listening

1:39:50.920 --> 1:39:54.800
<v Speaker 1>to was bigging them up. And so we took them

1:39:54.880 --> 1:39:57.760
<v Speaker 1>and said, if you say that this is the way,

1:39:58.320 --> 1:40:00.800
<v Speaker 1>then this is our pioneers, and we gotta respect this.

1:40:03.080 --> 1:40:05.519
<v Speaker 1>And so when I said that what what our generation did,

1:40:05.560 --> 1:40:08.160
<v Speaker 1>and I say, all, I'm not saying that I did this, DJ,

1:40:08.360 --> 1:40:10.080
<v Speaker 1>I definitely didn't do this, you know what I'm saying.

1:40:10.120 --> 1:40:14.280
<v Speaker 1>But I'm saying totality, we did not do the same

1:40:14.400 --> 1:40:17.479
<v Speaker 1>thing for the younger generation coming after us. We didn't say, hey, guys,

1:40:18.000 --> 1:40:20.479
<v Speaker 1>we're gonna pick these people up so much that you're

1:40:20.479 --> 1:40:24.560
<v Speaker 1>gonna have to automatically say, of course these are our pioneers.

1:40:24.800 --> 1:40:26.640
<v Speaker 1>Of course, these are the people we should look up to.

1:40:27.040 --> 1:40:29.599
<v Speaker 1>We stopped because this is when hip hop started making

1:40:29.680 --> 1:40:34.720
<v Speaker 1>money and we wanted to be forever. We wanted to

1:40:34.720 --> 1:40:37.040
<v Speaker 1>be popping balls in the club, and we were like,

1:40:37.200 --> 1:40:39.960
<v Speaker 1>we don't care about people before us, and were looking

1:40:39.960 --> 1:40:42.639
<v Speaker 1>at we were looking at each other as competition. Yeah,

1:40:43.040 --> 1:40:45.160
<v Speaker 1>and we was looking at the young ins like competition

1:40:45.240 --> 1:40:47.599
<v Speaker 1>back then, you know, and me getting drunk every day.

1:40:48.439 --> 1:40:50.639
<v Speaker 1>But it's a financial thing too. It was a financial

1:40:50.840 --> 1:40:53.080
<v Speaker 1>stop putting things in perspective. I'm just on the chase.

1:40:53.720 --> 1:40:55.720
<v Speaker 1>I'm on the chase, and I'm figuring things out as

1:40:55.760 --> 1:40:59.240
<v Speaker 1>I go. Now that I get to this place, it's

1:40:59.280 --> 1:41:02.519
<v Speaker 1>like fun. Damn. It never was about that. It never

1:41:02.680 --> 1:41:04.639
<v Speaker 1>was about that. It never was about being a tough guy,

1:41:04.800 --> 1:41:06.360
<v Speaker 1>never was about you know what I'm saying. Like, and

1:41:06.439 --> 1:41:09.920
<v Speaker 1>then you're able to put things into perspective once you

1:41:10.000 --> 1:41:12.280
<v Speaker 1>get to that place, you gotta apply that ship. You

1:41:12.400 --> 1:41:14.760
<v Speaker 1>gotta apply it, you know what I mean, and started

1:41:14.760 --> 1:41:16.519
<v Speaker 1>to cut you out. But the difference is I feel

1:41:16.560 --> 1:41:20.800
<v Speaker 1>today is that people respect the dollar, what what people

1:41:20.920 --> 1:41:25.080
<v Speaker 1>made in this industry, where I feel like our generation

1:41:25.240 --> 1:41:32.200
<v Speaker 1>respected what you did for the culture, Like you didn't

1:41:32.200 --> 1:41:34.559
<v Speaker 1>have to make a goddamn dollar. But if you, if

1:41:34.600 --> 1:41:36.880
<v Speaker 1>I knew that you were important to the culture, that

1:41:37.240 --> 1:41:39.200
<v Speaker 1>you were the richest person in the world in my mind.

1:41:39.360 --> 1:41:41.600
<v Speaker 1>You know, I've seen that Mexican kid that rhymed on

1:41:41.840 --> 1:41:46.439
<v Speaker 1>l alekas what's his name, I don't know Mexican kid.

1:41:49.040 --> 1:41:54.320
<v Speaker 1>He is hard what's his name? I don't know viral

1:41:54.840 --> 1:41:59.760
<v Speaker 1>from Tiajuana at all. Yeah, but he don't look at

1:41:59.880 --> 1:42:02.800
<v Speaker 1>like he looked like he's moving reeen like he like

1:42:02.920 --> 1:42:05.120
<v Speaker 1>he don't like like hey like I'm told about, but

1:42:05.240 --> 1:42:08.400
<v Speaker 1>I'm to about his bars, like I don't know what

1:42:08.479 --> 1:42:13.040
<v Speaker 1>to be seen playing. Let me see, let me see

1:42:13.040 --> 1:42:16.360
<v Speaker 1>his face. He's on the l A leaguers because I

1:42:16.640 --> 1:42:20.160
<v Speaker 1>was on yard long here. Yeah, like I told you,

1:42:20.200 --> 1:42:25.320
<v Speaker 1>look at the wolf. What's his name? Let me see? Yeah?

1:42:27.960 --> 1:42:31.360
<v Speaker 1>Oh man, he care because I'm watching l A leaking

1:42:31.439 --> 1:42:33.800
<v Speaker 1>ship and then he popped up right after that. I'm like,

1:42:33.920 --> 1:42:37.280
<v Speaker 1>because I'm looking like, hold on, man, you know, booming

1:42:37.320 --> 1:42:42.000
<v Speaker 1>and he starts spinning home and ship hip hop is different, man,

1:42:42.040 --> 1:42:44.240
<v Speaker 1>But yeah, we sucked up? Man. Just what the fund

1:42:44.280 --> 1:42:48.360
<v Speaker 1>is that a lot of people. I felt like some

1:42:48.520 --> 1:42:51.000
<v Speaker 1>people may have may have been they might not be

1:42:51.080 --> 1:42:54.360
<v Speaker 1>able to embrace the newer generation because they feel like

1:42:54.439 --> 1:42:56.280
<v Speaker 1>they ship might be running out, or they might have

1:42:56.360 --> 1:42:58.719
<v Speaker 1>been a little scared the turner, you know, the past

1:42:58.800 --> 1:43:01.640
<v Speaker 1>that along the fast. I'll tell you the truth. I

1:43:01.760 --> 1:43:05.280
<v Speaker 1>think it's actual. I think it's deeper than wrap things. Actually,

1:43:05.320 --> 1:43:11.519
<v Speaker 1>the neighborhoods like if you realize and again, um, this

1:43:11.720 --> 1:43:15.320
<v Speaker 1>is allegedly because I don't know technically, if you look

1:43:15.400 --> 1:43:19.720
<v Speaker 1>like Chicago, I remember Chicago was safe. It was still

1:43:19.840 --> 1:43:22.880
<v Speaker 1>dangerous for people in Chicago, but it was safe because

1:43:23.040 --> 1:43:25.640
<v Speaker 1>all the ogs had everything in control. I remember going

1:43:25.680 --> 1:43:28.280
<v Speaker 1>to compete Green two thirty three o'clock at night and

1:43:28.360 --> 1:43:31.800
<v Speaker 1>nis like, Nori, you're good. I'm hearing shots and like

1:43:31.880 --> 1:43:34.519
<v Speaker 1>the shots going over there. You're good, you stay right here.

1:43:35.120 --> 1:43:37.720
<v Speaker 1>I remember that. But then it was up time when

1:43:37.760 --> 1:43:40.679
<v Speaker 1>they took all the ogs away. And this is when

1:43:40.800 --> 1:43:44.320
<v Speaker 1>Chicago to me, this is allegedly. There's no pure facts.

1:43:44.400 --> 1:43:47.000
<v Speaker 1>This is just what I see since the o G

1:43:47.200 --> 1:43:50.679
<v Speaker 1>since to Larry, who was since these people got took away,

1:43:50.800 --> 1:43:53.320
<v Speaker 1>Since these you know, I don't want to keep since

1:43:53.360 --> 1:43:55.920
<v Speaker 1>they got took away, Chicago is the wildest place on art.

1:43:56.479 --> 1:43:59.080
<v Speaker 1>It's not one of the wilders. But I'm telling you that.

1:43:59.320 --> 1:44:01.240
<v Speaker 1>For me, I don't know saying this is facts. But

1:44:01.360 --> 1:44:04.599
<v Speaker 1>when I seen the old g s there, I felt safer.

1:44:05.280 --> 1:44:07.840
<v Speaker 1>It was it was an order, like people wasn't just

1:44:07.960 --> 1:44:10.479
<v Speaker 1>doing nothing. Now it feels like the wild wild Watch.

1:44:10.560 --> 1:44:13.320
<v Speaker 1>I could be wrong, but but what you're saying happened

1:44:13.360 --> 1:44:16.600
<v Speaker 1>on the street level. I feel like hip hop didn't itself.

1:44:17.200 --> 1:44:19.960
<v Speaker 1>We took ourselves out of That's my point. My point

1:44:20.120 --> 1:44:22.200
<v Speaker 1>was we followed the streets. I'm saying that right, But

1:44:22.400 --> 1:44:25.519
<v Speaker 1>the streets people got locked up. The system took him

1:44:25.520 --> 1:44:29.000
<v Speaker 1>out of the streets. We just said we got locked

1:44:29.040 --> 1:44:32.560
<v Speaker 1>up to but it's it's reporters just said it's we

1:44:32.600 --> 1:44:36.360
<v Speaker 1>got locked up. In the mind. If I helped this

1:44:36.400 --> 1:44:41.200
<v Speaker 1>is a little dude, then they might start working with him. Something.

1:44:41.280 --> 1:44:43.240
<v Speaker 1>I felt like some people might have had that right,

1:44:43.400 --> 1:44:45.920
<v Speaker 1>and they've been and of course the younger generation we

1:44:46.080 --> 1:44:47.759
<v Speaker 1>I mean ship, we might have felt like that plenty

1:44:47.760 --> 1:44:49.800
<v Speaker 1>of times when we walked in and people was more

1:44:49.920 --> 1:44:53.400
<v Speaker 1>scared of what you could do. Of course you're scared

1:44:53.400 --> 1:44:56.400
<v Speaker 1>people when you do that fast, because that's that's that's

1:44:56.479 --> 1:44:59.600
<v Speaker 1>what it's about. Collaboration is about me giving you my

1:44:59.720 --> 1:45:02.519
<v Speaker 1>fans you give me. Yeah, that's what That's what we were.

1:45:02.640 --> 1:45:04.880
<v Speaker 1>That's what we remember. And we can't deny the the

1:45:05.000 --> 1:45:09.759
<v Speaker 1>industry side of it, Like the the machine that doesn't

1:45:09.800 --> 1:45:12.880
<v Speaker 1>care about culture, doesn't care about what's going on. They're

1:45:12.920 --> 1:45:14.719
<v Speaker 1>just like, we just want to make money and investment,

1:45:14.880 --> 1:45:16.920
<v Speaker 1>and so they don't care. So whatever they think is

1:45:16.920 --> 1:45:19.439
<v Speaker 1>a fat they're gonna go ahead and replicate it and

1:45:19.520 --> 1:45:21.599
<v Speaker 1>then keep it moving, you know, and then they spend

1:45:21.640 --> 1:45:26.160
<v Speaker 1>marketing dollars to market that to you. Right, This is

1:45:26.200 --> 1:45:27.840
<v Speaker 1>the kind of record you need to be making. So

1:45:27.920 --> 1:45:29.800
<v Speaker 1>all the youngest coming up just all they gotta do

1:45:29.880 --> 1:45:31.800
<v Speaker 1>is watch TV and they just want to be that.

1:45:32.200 --> 1:45:33.880
<v Speaker 1>I heard you say that when you got the Sony,

1:45:33.920 --> 1:45:36.759
<v Speaker 1>When you got the Sony, that you hired the stylus,

1:45:36.960 --> 1:45:42.960
<v Speaker 1>you you had grinded what that wasn't your that that

1:45:43.120 --> 1:45:47.200
<v Speaker 1>wasn't your idea. No, okay, you remember the stylars name.

1:45:48.479 --> 1:45:51.800
<v Speaker 1>I remember her name, but I don't want to I

1:45:51.800 --> 1:45:53.719
<v Speaker 1>don't want to say because she was a good star,

1:45:54.439 --> 1:45:56.000
<v Speaker 1>she was a good stolars. It just the things that

1:45:56.080 --> 1:46:00.320
<v Speaker 1>she was pulling. It wasn't me, you know what I mean.

1:46:00.520 --> 1:46:02.880
<v Speaker 1>Everyone has a shiny sup moment in the hip hop

1:46:03.080 --> 1:46:08.960
<v Speaker 1>everyone um today huh today, I'm telling like us, like

1:46:09.080 --> 1:46:12.120
<v Speaker 1>our generation. I think. I think. I think I think

1:46:12.560 --> 1:46:15.519
<v Speaker 1>because when we come into the game, we're accepting, you

1:46:15.560 --> 1:46:17.280
<v Speaker 1>know what I mean, because we don't really know exactly

1:46:17.360 --> 1:46:18.800
<v Speaker 1>what we I didn't know. I didn't even know how

1:46:18.840 --> 1:46:21.320
<v Speaker 1>to make albums, So you know, of course I was

1:46:21.360 --> 1:46:24.280
<v Speaker 1>willing to try some ship because at that moment, I

1:46:24.439 --> 1:46:26.880
<v Speaker 1>just thought I wanted to be famous, you know what

1:46:26.920 --> 1:46:29.120
<v Speaker 1>I mean. So it's like, you know, everything is trial area,

1:46:29.240 --> 1:46:31.679
<v Speaker 1>so you you're willing to you're willing to try some things.

1:46:32.160 --> 1:46:34.320
<v Speaker 1>You don't want to be looked at. It's hard to

1:46:34.360 --> 1:46:35.800
<v Speaker 1>work with. You don't want to be looked at. It

1:46:35.920 --> 1:46:37.880
<v Speaker 1>all these things which I ended up being called all

1:46:37.920 --> 1:46:42.760
<v Speaker 1>of those things. Anyway, you look for change. And I

1:46:42.880 --> 1:46:45.479
<v Speaker 1>used to go on the elevators and white ladies just

1:46:45.600 --> 1:46:48.120
<v Speaker 1>look at me and be like, what did anybody look

1:46:48.120 --> 1:46:49.840
<v Speaker 1>at you crazy for having a goat? Because you know,

1:46:50.280 --> 1:46:52.360
<v Speaker 1>I'm just white. People looked at you. Everybody looks at

1:46:52.360 --> 1:46:59.519
<v Speaker 1>you crazy. But but but but but in retrospect, because

1:46:59.560 --> 1:47:02.160
<v Speaker 1>goat like really something, this is nominous for our culture.

1:47:02.680 --> 1:47:05.680
<v Speaker 1>I don't see other people saying go and really like,

1:47:06.120 --> 1:47:09.439
<v Speaker 1>so you have a goat grain You've ever been on

1:47:09.479 --> 1:47:13.200
<v Speaker 1>a plane and somebody just looked at you. I haven't

1:47:13.240 --> 1:47:15.880
<v Speaker 1>warned it on the plane yet. You haven't worn it

1:47:15.920 --> 1:47:19.559
<v Speaker 1>on the plane yet. But it attracts a lot of attention.

1:47:20.000 --> 1:47:21.599
<v Speaker 1>It attracts a lot of attention. That's why I don't

1:47:21.600 --> 1:47:23.080
<v Speaker 1>really wear it that much. I mean I had it.

1:47:24.160 --> 1:47:25.920
<v Speaker 1>I had it on pretty much every day for my

1:47:26.160 --> 1:47:28.760
<v Speaker 1>for my for my press round from intensive purposes. But

1:47:30.000 --> 1:47:31.760
<v Speaker 1>I don't really wear it like that, man, you know,

1:47:31.800 --> 1:47:35.120
<v Speaker 1>because whenever I wear it. Somebody asked me something. It

1:47:35.240 --> 1:47:38.479
<v Speaker 1>made you get it. I wanted to pay my respects

1:47:38.479 --> 1:47:40.960
<v Speaker 1>to all the goats. I wanted to pay my respects

1:47:40.960 --> 1:47:43.160
<v Speaker 1>to all the goats. And also, um, I think the

1:47:43.200 --> 1:47:46.000
<v Speaker 1>world on myself lyrically, and I want to show the

1:47:46.080 --> 1:47:48.360
<v Speaker 1>younger generation that you should think the world to yourself.

1:47:48.479 --> 1:47:51.760
<v Speaker 1>So you know you are saying you are a goat.

1:47:52.080 --> 1:47:55.120
<v Speaker 1>I'm saying that. I'm saying that. I'm in the conversation. Now, goddamn,

1:47:55.200 --> 1:48:01.400
<v Speaker 1>let's say you are saying you are. I listened to

1:48:01.520 --> 1:48:04.519
<v Speaker 1>your albums. I wanted you to not I wanted you.

1:48:04.720 --> 1:48:06.720
<v Speaker 1>I wanted to catch a slip up. I wanted to

1:48:06.800 --> 1:48:10.519
<v Speaker 1>catch like you. You know, I'm tight with a vocal

1:48:10.600 --> 1:48:13.800
<v Speaker 1>or being lazy somewhere, and you really took gift for

1:48:13.920 --> 1:48:15.920
<v Speaker 1>the time, and I am I correct with that like

1:48:16.040 --> 1:48:21.040
<v Speaker 1>you like damn always. I mean not when I was drinking. Okay, yeah,

1:48:21.840 --> 1:48:23.479
<v Speaker 1>I listened the whole for the album. I had to

1:48:23.520 --> 1:48:26.360
<v Speaker 1>do the whole ship all drunk. I did it all drunk.

1:48:26.560 --> 1:48:31.400
<v Speaker 1>I wasted. I'm telling you this classic though, what makes

1:48:31.400 --> 1:48:33.720
<v Speaker 1>the classics. I'm telling you, man, you go back and

1:48:33.800 --> 1:48:37.080
<v Speaker 1>you fix all that ship. It's too clean to this day.

1:48:37.120 --> 1:48:39.400
<v Speaker 1>I won't. I won't. I won't sucking drink while I

1:48:39.960 --> 1:48:43.160
<v Speaker 1>vocals because it's a wasting time. You notice a difference, No,

1:48:43.280 --> 1:48:45.439
<v Speaker 1>I always slar like even if no one else can't

1:48:45.439 --> 1:48:48.240
<v Speaker 1>catch it. I listened to myself and like fun because

1:48:48.280 --> 1:48:51.160
<v Speaker 1>you're thinking more now, Yeah yeah yeah black. Then it

1:48:51.240 --> 1:48:53.280
<v Speaker 1>was more of a film. Yeah yeah, So like, um

1:48:54.400 --> 1:48:57.479
<v Speaker 1>I did uh? I record with Mr Elliott on um

1:48:58.680 --> 1:49:02.599
<v Speaker 1>I'm flat album, azy dogged out and I'm gonna get

1:49:02.640 --> 1:49:04.040
<v Speaker 1>what we did. And I don't know if it was

1:49:04.120 --> 1:49:07.360
<v Speaker 1>Missy people's I was drinking with, but I got drunken

1:49:07.439 --> 1:49:10.880
<v Speaker 1>ship and I just laid whenever the fundus up and

1:49:10.920 --> 1:49:13.800
<v Speaker 1>then Missy later hush, And I just always knew to

1:49:13.880 --> 1:49:17.040
<v Speaker 1>change my first I always knew, but I go, like, damn,

1:49:17.080 --> 1:49:19.320
<v Speaker 1>we did it like in the same vicinity, and if

1:49:19.360 --> 1:49:20.800
<v Speaker 1>I do what, I'm gonna be able to suck it.

1:49:20.920 --> 1:49:23.439
<v Speaker 1>This this as a girl too, she might just really

1:49:23.600 --> 1:49:25.519
<v Speaker 1>blow it up. And like this didn't change and ship,

1:49:25.880 --> 1:49:29.320
<v Speaker 1>so I just left it. But I always was. I

1:49:29.400 --> 1:49:33.280
<v Speaker 1>believe she's smoking. I believe it, bro I believe I

1:49:33.400 --> 1:49:38.080
<v Speaker 1>had two worst to make it worst smoking. And I

1:49:38.120 --> 1:49:39.760
<v Speaker 1>paid the vote too. I paid it to smoke me,

1:49:46.080 --> 1:49:48.880
<v Speaker 1>but I always knew and I crep with that, and

1:49:48.960 --> 1:49:51.600
<v Speaker 1>since then I had never recorded drunk again, Like I

1:49:51.680 --> 1:49:54.320
<v Speaker 1>mean I have recorded drunk, but that that record has

1:49:54.360 --> 1:49:56.320
<v Speaker 1>never came out. I mean like that version of me

1:49:56.400 --> 1:49:58.320
<v Speaker 1>being drunk. What about body and the trunk with nas

1:49:58.479 --> 1:50:01.439
<v Speaker 1>no body? Trump was so with Ship yea, but not

1:50:02.360 --> 1:50:05.000
<v Speaker 1>when we're smoking, like when I say so, but I

1:50:05.080 --> 1:50:07.560
<v Speaker 1>mean not drinking to me, this is this is this

1:50:07.720 --> 1:50:10.960
<v Speaker 1>is my my cigarette instead of smoking cigarette. But yeah,

1:50:11.000 --> 1:50:14.120
<v Speaker 1>that was a sober session that ship. Um. Yeah, I

1:50:14.160 --> 1:50:16.680
<v Speaker 1>spoke to the other day. He's I think he's in

1:50:16.800 --> 1:50:19.720
<v Speaker 1>that light, living his best life out there Bahamas. All

1:50:19.760 --> 1:50:25.280
<v Speaker 1>types of ship man goddam you know that that like

1:50:25.360 --> 1:50:27.800
<v Speaker 1>when I hear you guys speak about him and see

1:50:28.120 --> 1:50:30.200
<v Speaker 1>the normality. I don't know if that's a word, but

1:50:30.320 --> 1:50:35.000
<v Speaker 1>you know, the normalism. It always because like like when

1:50:35.040 --> 1:50:36.920
<v Speaker 1>I speak to Jail, I speak to that, like I

1:50:37.200 --> 1:50:39.320
<v Speaker 1>always was saying, I always a funk with them, like

1:50:39.360 --> 1:50:41.720
<v Speaker 1>ask them some normal ship like just to see if

1:50:41.760 --> 1:50:44.560
<v Speaker 1>they know. And it's always like it's always crazy, like

1:50:44.640 --> 1:50:47.360
<v Speaker 1>you know, Um, I suppose Jay the other day and

1:50:47.400 --> 1:50:49.639
<v Speaker 1>I was just like, um, it was I didn't realize

1:50:49.800 --> 1:50:52.920
<v Speaker 1>it was um the day pop Smoke died. So I

1:50:53.040 --> 1:50:55.040
<v Speaker 1>was like, yo, you know, be safe and you know me,

1:50:55.479 --> 1:50:57.000
<v Speaker 1>and then he was just like, yo, man, the kid

1:50:57.080 --> 1:50:58.599
<v Speaker 1>was only twenty years old. And I was just saying

1:50:58.640 --> 1:51:00.680
<v Speaker 1>the generic would just be safe. He was like the

1:51:00.800 --> 1:51:02.800
<v Speaker 1>kids only twenty years old. And I was just like, damn,

1:51:03.760 --> 1:51:06.760
<v Speaker 1>he really fucking knows, like I ain't gonna lie be

1:51:06.960 --> 1:51:08.479
<v Speaker 1>things that I wouldn't be thinking about. None of you

1:51:08.640 --> 1:51:18.960
<v Speaker 1>niggers never thought out. You wouldn't even understand the level

1:51:19.000 --> 1:51:21.880
<v Speaker 1>of Hollywood, my dude, Like, Yo, did you see Kanye?

1:51:22.120 --> 1:51:24.680
<v Speaker 1>Just now? Kanye went to Sunday service in Paris and

1:51:24.760 --> 1:51:26.679
<v Speaker 1>he had to do with the umbrella for it, sneakers,

1:51:27.000 --> 1:51:31.240
<v Speaker 1>Oh my god, what we had to do with the umbrella?

1:51:31.439 --> 1:51:35.240
<v Speaker 1>Just wanted seekers what you mean for a sea look

1:51:36.840 --> 1:51:40.120
<v Speaker 1>like he had other security, right, yeah, other security out

1:51:40.160 --> 1:51:42.720
<v Speaker 1>there as he was walking out right. But so he's

1:51:42.760 --> 1:51:45.680
<v Speaker 1>getting out to the joint, so it looks like if

1:51:45.720 --> 1:51:48.240
<v Speaker 1>you look, it looks like he's just holding Unbrella, but

1:51:48.640 --> 1:51:50.679
<v Speaker 1>other people there if you look at the wide angle

1:51:50.840 --> 1:51:52.840
<v Speaker 1>and other people there, so it looks like this guy

1:51:53.040 --> 1:51:55.680
<v Speaker 1>just he got steps off the car and as the

1:51:55.760 --> 1:51:58.839
<v Speaker 1>one sneaker comes out, the umbrella comes for the sneaker,

1:51:59.200 --> 1:52:03.080
<v Speaker 1>right that. I never saw that before. I said, I

1:52:03.160 --> 1:52:07.880
<v Speaker 1>think we should make some know how, you know, if

1:52:07.880 --> 1:52:10.240
<v Speaker 1>the petty motherfucking I don't spend that half an hour

1:52:10.320 --> 1:52:13.400
<v Speaker 1>and try to figure out what the fun is because

1:52:13.439 --> 1:52:17.400
<v Speaker 1>it's not. I was like, only ship, but yeah, that's

1:52:17.560 --> 1:52:18.760
<v Speaker 1>I don't know how you got here? How did you

1:52:18.800 --> 1:52:23.679
<v Speaker 1>get here? Came back? I don't know how long, because

1:52:23.680 --> 1:52:26.559
<v Speaker 1>like you were meeting to be in Hollywood. If you can't, yeah,

1:52:26.640 --> 1:52:30.559
<v Speaker 1>I don't know. Let me get back to that. Let

1:52:30.600 --> 1:52:32.280
<v Speaker 1>me get back to that. Let me just tell you something.

1:52:32.320 --> 1:52:35.720
<v Speaker 1>You know. The King does the moon, Yeah, like that.

1:52:37.640 --> 1:52:41.439
<v Speaker 1>VALUE took pictures with recently, the King of some fucking

1:52:41.479 --> 1:52:49.639
<v Speaker 1>moon though. Yeah yeah, man, I saw you picture all

1:52:49.680 --> 1:52:55.040
<v Speaker 1>over the fucking gram. He's from my ans, he said,

1:52:55.040 --> 1:52:58.519
<v Speaker 1>he's an print of someplace in Africa. For real, I'm

1:52:58.560 --> 1:53:02.759
<v Speaker 1>taking prints with just that. Drugs, Like I was supposed

1:53:02.800 --> 1:53:06.680
<v Speaker 1>to have his phone number, so that jam I was

1:53:06.720 --> 1:53:13.120
<v Speaker 1>talking about when these guys were talking about jeez, so

1:53:13.240 --> 1:53:31.840
<v Speaker 1>you guys don't miss doing drugs at all. Right, listen,

1:53:31.920 --> 1:53:35.479
<v Speaker 1>man each his own because he me me. I believe

1:53:35.560 --> 1:53:38.240
<v Speaker 1>it's it's about the person. Like, you know, it's about

1:53:38.280 --> 1:53:42.240
<v Speaker 1>the person. Like, um, I've known a person named Keith

1:53:42.280 --> 1:53:46.560
<v Speaker 1>who five years like crazy, then five years, will go

1:53:46.600 --> 1:53:50.240
<v Speaker 1>to the army, then come back, two years, will be

1:53:50.320 --> 1:53:52.439
<v Speaker 1>out head in two more years, go to the army.

1:53:52.520 --> 1:53:54.960
<v Speaker 1>So like I knew people who knew how to really

1:53:55.040 --> 1:53:58.840
<v Speaker 1>really control it. So um, but then I knew people

1:53:58.840 --> 1:54:01.240
<v Speaker 1>who did who could I know people who are still

1:54:01.360 --> 1:54:03.960
<v Speaker 1>out there. So what was the moment where it was like, yo,

1:54:04.080 --> 1:54:05.960
<v Speaker 1>this is it for me? What was what was your rock?

1:54:06.280 --> 1:54:09.160
<v Speaker 1>Is it rock bottom that you have to hear? Absolutely? Absolutely?

1:54:09.200 --> 1:54:12.040
<v Speaker 1>I think, I think um. In order to truly get

1:54:12.080 --> 1:54:16.280
<v Speaker 1>yourself prepared to go into sobriety and work the steps

1:54:16.360 --> 1:54:19.000
<v Speaker 1>and work the ship, you gotta be over it. You

1:54:19.080 --> 1:54:21.960
<v Speaker 1>gotta be tired of it, you know, like into me.

1:54:22.800 --> 1:54:25.240
<v Speaker 1>So many different things happened to me as a result

1:54:25.320 --> 1:54:27.800
<v Speaker 1>of just being drunk all the time. And I made

1:54:27.840 --> 1:54:29.960
<v Speaker 1>so many bad decisions, you know what I mean, like

1:54:30.560 --> 1:54:33.800
<v Speaker 1>hurt people, you know what I mean, like just just

1:54:34.400 --> 1:54:37.880
<v Speaker 1>everything bad in my life. Just you know, I nominated

1:54:38.000 --> 1:54:42.360
<v Speaker 1>was always alcohol fat bitches, Uh, A couple of fat bitches.

1:54:42.520 --> 1:54:46.040
<v Speaker 1>I mean that was easy, that's easy. I feel like

1:54:48.560 --> 1:55:01.000
<v Speaker 1>he kept the standards This is in no way any

1:55:01.080 --> 1:55:05.280
<v Speaker 1>shot too over look, what do you call it? Plus

1:55:05.440 --> 1:55:10.240
<v Speaker 1>sign plus size women. I was about to say oversize

1:55:11.800 --> 1:55:16.760
<v Speaker 1>that a little bad would have got bad friends. This

1:55:16.960 --> 1:55:19.280
<v Speaker 1>is in no way any type of shot to plus

1:55:19.320 --> 1:55:22.800
<v Speaker 1>size women. I don't think I've ever really done that

1:55:23.000 --> 1:55:26.000
<v Speaker 1>like that, But I mean it was way deeper than that,

1:55:26.080 --> 1:55:27.600
<v Speaker 1>you know, like I got into a car accident my

1:55:27.680 --> 1:55:30.160
<v Speaker 1>first bolder. Let's keep it light right now. A couple

1:55:30.160 --> 1:55:37.440
<v Speaker 1>of ugly bitches though, yeah, we all business. We all

1:55:37.600 --> 1:55:41.800
<v Speaker 1>snashed the ship in the morning. Was like, no, I

1:55:41.880 --> 1:55:44.720
<v Speaker 1>think I think that was like part of being a

1:55:44.800 --> 1:55:48.280
<v Speaker 1>rapper coming from the nineties. You know, we just did

1:55:48.320 --> 1:55:52.440
<v Speaker 1>as the Romans. Dude, we just came in. We have

1:55:52.640 --> 1:55:57.320
<v Speaker 1>a wing man. Anybody, I'm not gonna lie, let me

1:55:57.800 --> 1:56:03.879
<v Speaker 1>your something. One of years of faces, not recently Capone

1:56:04.080 --> 1:56:07.120
<v Speaker 1>was the best wing man in the game. He'll take

1:56:07.160 --> 1:56:11.760
<v Speaker 1>the one anything, they'll take the friends no power, Like

1:56:11.880 --> 1:56:13.840
<v Speaker 1>you know, you got the bad one and she got

1:56:13.960 --> 1:56:19.520
<v Speaker 1>the ugly ugly that like different you look at du

1:56:19.720 --> 1:56:21.440
<v Speaker 1>get all your other friends to be like, you know,

1:56:21.480 --> 1:56:24.160
<v Speaker 1>I got I got, I got, I got Kimberly Sydney

1:56:24.200 --> 1:56:32.040
<v Speaker 1>what Sydney, I ain't gonna I kim believe I got Kimberly,

1:56:32.840 --> 1:56:38.520
<v Speaker 1>all right, they got take sitting, I take down take anything.

1:56:38.600 --> 1:56:40.640
<v Speaker 1>Then my whole, my whole career is wing man in

1:56:40.680 --> 1:56:43.520
<v Speaker 1>the game. My whole career. I've been with my wife

1:56:43.600 --> 1:56:46.320
<v Speaker 1>the whole time, and so my whole drink while I

1:56:46.400 --> 1:56:49.280
<v Speaker 1>was drinking that whole process with just a struggle to

1:56:49.400 --> 1:56:52.040
<v Speaker 1>try to stay faithful, you know what I mean? So

1:56:52.080 --> 1:56:55.000
<v Speaker 1>I never was the wing man? Ship? Was you a

1:56:55.040 --> 1:56:58.480
<v Speaker 1>wingman or been winged? I've definitely been you've been a wingman.

1:56:58.960 --> 1:57:01.720
<v Speaker 1>Don't tell me for amy, don't tell me you how

1:57:01.840 --> 1:57:04.000
<v Speaker 1>he was a wing man? You know what I do know?

1:57:04.520 --> 1:57:06.520
<v Speaker 1>Yah know he's a way man. For proof I be.

1:57:06.640 --> 1:57:13.000
<v Speaker 1>I definitely women proof. He did not play but a

1:57:13.080 --> 1:57:15.080
<v Speaker 1>man approve of grabs some tricks on the dance, but

1:57:15.200 --> 1:57:17.040
<v Speaker 1>we'd be dancing and Ship, I've been a wingman a

1:57:17.080 --> 1:57:19.120
<v Speaker 1>couple of times. Have you been a wing man? You?

1:57:19.960 --> 1:57:23.240
<v Speaker 1>I'm not gonna lie if you were drunk that you

1:57:23.440 --> 1:57:26.800
<v Speaker 1>might have been wing man together. You seem a little

1:57:26.840 --> 1:57:30.880
<v Speaker 1>wing ish me and now hanging out together in that

1:57:31.080 --> 1:57:35.880
<v Speaker 1>and that way. Now, yeah, I know, huh crave digs funk.

1:57:35.920 --> 1:57:40.640
<v Speaker 1>You acted like you the devil that knows Scinder give

1:57:40.720 --> 1:57:53.280
<v Speaker 1>me sight to grave days, dude, are you wrong? We'll see.

1:57:53.400 --> 1:57:59.880
<v Speaker 1>What's your favorite part about the game? This what just seeing.

1:58:00.040 --> 1:58:03.320
<v Speaker 1>And when we first started working together, one thing I

1:58:03.400 --> 1:58:06.440
<v Speaker 1>wanted to do was hear people mention him as the

1:58:06.760 --> 1:58:09.960
<v Speaker 1>best th I don't know if we talked we said it,

1:58:10.000 --> 1:58:11.160
<v Speaker 1>but it was like one of the things that I

1:58:11.240 --> 1:58:12.880
<v Speaker 1>was like, Yeah, I want people to know what I

1:58:12.960 --> 1:58:20.800
<v Speaker 1>know about you, and I think the growth and watching

1:58:20.840 --> 1:58:23.440
<v Speaker 1>that growth and watching it happens. Being a producer ain't

1:58:23.480 --> 1:58:28.680
<v Speaker 1>just producing music. Sometimes you're producing people. You're producing character

1:58:28.840 --> 1:58:30.960
<v Speaker 1>and trying to Because when he went through, that's what

1:58:31.160 --> 1:58:33.520
<v Speaker 1>made me be like, all right, I'm not gonna drink.

1:58:33.560 --> 1:58:35.520
<v Speaker 1>I'm not gonna do this. It made me chill the

1:58:35.560 --> 1:58:38.320
<v Speaker 1>funk out because I seemed like all of your unit

1:58:38.400 --> 1:58:43.120
<v Speaker 1>got tight after that, like m you um even like yeah,

1:58:43.160 --> 1:58:45.520
<v Speaker 1>y'all tell me, do you tell me if this is straight?

1:58:45.800 --> 1:58:48.920
<v Speaker 1>Like around that time, Dr Dre made everyone go to

1:58:49.040 --> 1:58:51.360
<v Speaker 1>the studio that I mean, to the to the gym.

1:58:51.440 --> 1:58:53.960
<v Speaker 1>I heard. I heard he made the engineers. I heard

1:58:54.000 --> 1:58:56.160
<v Speaker 1>he made the intern He definitely did. He had everybody

1:58:56.200 --> 1:58:58.360
<v Speaker 1>on that. Yeah, it was all on it. When when

1:58:58.560 --> 1:59:02.360
<v Speaker 1>everybody that was there, you know, but and it felt

1:59:02.400 --> 1:59:06.880
<v Speaker 1>like m did somewhat the same thing, which didn't force

1:59:07.000 --> 1:59:09.360
<v Speaker 1>nobody to do because it was his battlem Okay, So

1:59:10.200 --> 1:59:12.280
<v Speaker 1>still in the studios, there's people still smoking around. Don't

1:59:12.280 --> 1:59:15.160
<v Speaker 1>know that that's it's just I mean, slaughter house. At

1:59:15.160 --> 1:59:16.560
<v Speaker 1>one point, it was a couple of times, but he

1:59:16.680 --> 1:59:18.360
<v Speaker 1>wasn't at the studio all the time. He used to

1:59:18.440 --> 1:59:21.040
<v Speaker 1>let us use the studio sometimes before I had my studio.

1:59:21.120 --> 1:59:26.160
<v Speaker 1>Who's spoken sort of house crooking Crook smokes, the guard

1:59:26.720 --> 1:59:29.640
<v Speaker 1>smokes Guard. Now nobody was smoking. The Joe smoke cigarettes

1:59:29.800 --> 1:59:33.360
<v Speaker 1>back here. I'm not even sure if he smokes. But

1:59:33.440 --> 1:59:35.280
<v Speaker 1>it was just a lot of drinking. We used to.

1:59:35.440 --> 1:59:38.680
<v Speaker 1>We used to use his studio and he'd come in

1:59:38.760 --> 1:59:40.760
<v Speaker 1>and the next morning and they'll just be bottles and

1:59:40.800 --> 1:59:43.240
<v Speaker 1>ship all over the place. He didn't care, okay about that?

1:59:43.640 --> 1:59:45.320
<v Speaker 1>Is that a trigger for any of y'all, like when

1:59:45.360 --> 1:59:48.080
<v Speaker 1>y'all see um Like, not for me, but I could

1:59:48.160 --> 1:59:50.320
<v Speaker 1>I could see where that could be problematic for somebody else.

1:59:51.400 --> 1:59:53.280
<v Speaker 1>I just prefer, I'm sorry, I mean to you, brother,

1:59:53.880 --> 1:59:55.840
<v Speaker 1>I just prefer everybody to beat themselves, you know what.

1:59:55.880 --> 1:59:57.520
<v Speaker 1>I'm saying, because if you know, like if you get

1:59:57.640 --> 1:59:59.400
<v Speaker 1>like when we worked on the last Slat of House

1:59:59.440 --> 2:00:02.960
<v Speaker 1>album and I first guy sober, the one that didn't

2:00:03.000 --> 2:00:04.920
<v Speaker 1>come out. I used to be in the studio Niggers

2:00:04.960 --> 2:00:08.800
<v Speaker 1>used to be hiding bottles and ship like that. That's worse. Now.

2:00:08.840 --> 2:00:11.280
<v Speaker 1>I feel like I'm being handled. Treat me like an addict,

2:00:11.880 --> 2:00:13.560
<v Speaker 1>you know what I mean? Like, I just want everybody

2:00:13.600 --> 2:00:15.280
<v Speaker 1>to be their selves. Whatever you need to do to

2:00:15.320 --> 2:00:17.320
<v Speaker 1>get in your element, please do that, man, Because it's

2:00:17.360 --> 2:00:19.960
<v Speaker 1>not like if you're hungry and you smell some steak

2:00:20.000 --> 2:00:22.000
<v Speaker 1>being cooked. You know what I'm saying. It's nothing like that.

2:00:22.120 --> 2:00:24.520
<v Speaker 1>It's way more mental than that, you know what I'm saying. So,

2:00:25.280 --> 2:00:27.160
<v Speaker 1>and you're not really defeating I don't think you're really

2:00:27.760 --> 2:00:30.320
<v Speaker 1>beating your addiction when if you hide from it, right,

2:00:30.320 --> 2:00:32.560
<v Speaker 1>you know, it allows you to keep exercising what you're

2:00:32.560 --> 2:00:36.040
<v Speaker 1>already doing. Smoke a cigarettes. People will walk away from

2:00:36.080 --> 2:00:38.520
<v Speaker 1>me when they're supposed to cigarette. I was like I said,

2:00:38.680 --> 2:00:40.720
<v Speaker 1>I said that the guy outside of Houston is not

2:00:40.720 --> 2:00:42.760
<v Speaker 1>gonna walk away from me. He's going to smoke a

2:00:42.800 --> 2:00:45.040
<v Speaker 1>cigarette in front of me, just as well. I said

2:00:45.080 --> 2:00:48.000
<v Speaker 1>for my friend Sunny d bt he smoked feet cigarettes

2:00:50.000 --> 2:00:53.520
<v Speaker 1>like pneumon your feet and sand paper. It's terrible. That's

2:00:53.520 --> 2:01:08.040
<v Speaker 1>what kind of marble American spirits Americans American? So you

2:01:08.240 --> 2:01:10.120
<v Speaker 1>let me tell you something about the one with the

2:01:10.160 --> 2:01:14.840
<v Speaker 1>Indian man on the fun. Yeah, you know, let me

2:01:14.920 --> 2:01:19.160
<v Speaker 1>tell you something. Let me tell you something about fun.

2:01:21.360 --> 2:01:24.000
<v Speaker 1>Let me just tell you something. You know what you

2:01:24.120 --> 2:01:26.360
<v Speaker 1>say they say, they say, if this was a person,

2:01:26.680 --> 2:01:29.480
<v Speaker 1>this is if if if, if I don't give a

2:01:29.520 --> 2:01:33.160
<v Speaker 1>funk about my life, was a cigarette right there? That

2:01:33.240 --> 2:01:37.080
<v Speaker 1>ship right, yeah, that should smell. That'shr oval power to goal.

2:01:38.320 --> 2:01:40.760
<v Speaker 1>You're smoking. To god, that's just my like fucking bust.

2:01:40.800 --> 2:01:46.000
<v Speaker 1>Smoke is horrible, my god. So you guys don't miss

2:01:46.080 --> 2:01:47.880
<v Speaker 1>get high. That's good, that's great. Let makes no noise

2:01:47.920 --> 2:01:51.560
<v Speaker 1>for that. I don't massic. And you you faith, you

2:01:51.720 --> 2:01:53.960
<v Speaker 1>you have you have a girl? No, no, no, So

2:01:54.080 --> 2:01:57.080
<v Speaker 1>you're out there still still still I mean, I mean,

2:01:57.160 --> 2:01:58.640
<v Speaker 1>you know you can have people in your life, but

2:01:59.440 --> 2:02:02.160
<v Speaker 1>it's like trying to figure it out. Is that like

2:02:02.240 --> 2:02:04.320
<v Speaker 1>I haven't done what I wanted to do with my

2:02:04.400 --> 2:02:08.080
<v Speaker 1>life yet I'm not there, So it's like, what can

2:02:08.120 --> 2:02:11.480
<v Speaker 1>I offer you if I'm not happy? M Jesus, you

2:02:11.520 --> 2:02:14.000
<v Speaker 1>know it's deep. I can I can love you, I

2:02:14.080 --> 2:02:15.640
<v Speaker 1>can love you, I can work with you. You can

2:02:16.040 --> 2:02:17.760
<v Speaker 1>you can ride with me through the journey. But then

2:02:18.320 --> 2:02:21.360
<v Speaker 1>the same thing as being artists, the destination, family is

2:02:21.400 --> 2:02:23.920
<v Speaker 1>the destination. So until I can provide that and give

2:02:23.960 --> 2:02:26.120
<v Speaker 1>you that, I can't give you that. I finally happy.

2:02:26.960 --> 2:02:29.920
<v Speaker 1>He's strapping up straight, Strap it up, strap it up.

2:02:32.840 --> 2:02:36.640
<v Speaker 1>You know nigga's out here going wrong. Corona virus without

2:02:36.640 --> 2:02:41.920
<v Speaker 1>the coronavirus. I think it's going niggas going wrong without

2:02:41.960 --> 2:02:52.280
<v Speaker 1>the coronas growing them. Are you know what? It's that

2:02:54.240 --> 2:02:56.320
<v Speaker 1>That's another reason why I'm faithful, man like I wish

2:02:56.360 --> 2:03:00.360
<v Speaker 1>I would be caught dead using a goddamn kind brown

2:03:00.400 --> 2:03:03.880
<v Speaker 1>ass man, Doug, I ain't gonna like your colors. Just think,

2:03:06.920 --> 2:03:13.920
<v Speaker 1>just think. Coming since last you, I was like, where

2:03:14.040 --> 2:03:15.760
<v Speaker 1>did this come? And you don't want to go to

2:03:15.800 --> 2:03:21.120
<v Speaker 1>your calls and you with Charlie. Okay, tell the story.

2:03:21.680 --> 2:03:25.680
<v Speaker 1>This grand used the corn together. No, that's not true.

2:03:26.160 --> 2:03:32.760
<v Speaker 1>This can't mix up his own stick. What are you

2:03:32.880 --> 2:03:35.640
<v Speaker 1>talking about? Then he had Charlie in the equation though

2:03:37.080 --> 2:03:39.480
<v Speaker 1>that was some weird all he was there, Charlie char

2:03:41.880 --> 2:03:45.080
<v Speaker 1>we're not gonna go down this path. And when your

2:03:45.160 --> 2:03:50.280
<v Speaker 1>friends both use the same column bottom not no, no, no, Bob, listen,

2:03:51.320 --> 2:03:53.320
<v Speaker 1>you will say it out. You will hain't out that.

2:03:56.520 --> 2:04:00.200
<v Speaker 1>What happened somebody left the room and somebody else picked

2:04:00.280 --> 2:04:03.160
<v Speaker 1>up some joint off the ground. Already you into town.

2:04:03.280 --> 2:04:06.840
<v Speaker 1>That's what happened. I won on Charlie. I want nobody else,

2:04:11.920 --> 2:04:19.880
<v Speaker 1>don't remixing, and we set the remix. You' he fucked

2:04:22.320 --> 2:04:34.040
<v Speaker 1>you wasn't second shure, I'm playing some good And then

2:04:34.080 --> 2:04:36.200
<v Speaker 1>I heard some others hid. We already said you're good

2:04:36.240 --> 2:04:39.480
<v Speaker 1>looking at homie for giving me a huge on that

2:04:39.640 --> 2:04:44.720
<v Speaker 1>he took me shit off hand. Listen, he hid far

2:04:44.880 --> 2:04:52.440
<v Speaker 1>nory like tet and know he's like you. So when

2:04:52.480 --> 2:04:54.760
<v Speaker 1>I found out and said, yo, you know this ship come,

2:04:54.960 --> 2:05:00.640
<v Speaker 1>I'd say, whoa. I wasn't used to my navy ship

2:05:00.680 --> 2:05:05.640
<v Speaker 1>at that time. Things different. No, it was like I

2:05:05.760 --> 2:05:10.800
<v Speaker 1>used to use comsas maybe but hey man, let's make

2:05:10.840 --> 2:05:18.320
<v Speaker 1>some noise for you have been using can no classmate

2:05:18.440 --> 2:05:22.760
<v Speaker 1>here ye here with you know, but but but what

2:05:22.920 --> 2:05:25.520
<v Speaker 1>every year there's a measles just the mom's just all

2:05:25.560 --> 2:05:32.320
<v Speaker 1>this ship and I thought you was naming gangs, the

2:05:32.400 --> 2:05:36.640
<v Speaker 1>mess and the mothers very you know it's something that

2:05:39.200 --> 2:05:44.360
<v Speaker 1>ship that just pop off? Who's the other ship was

2:05:44.400 --> 2:05:46.520
<v Speaker 1>in Chicken? Was the ship in the chicken? The sorry

2:05:46.680 --> 2:05:50.160
<v Speaker 1>no no, no, that's you're talking about all of these

2:05:50.240 --> 2:05:54.520
<v Speaker 1>new viruses and by the US. Yeah, like and right

2:05:54.560 --> 2:05:56.720
<v Speaker 1>now you're going on Amazon. You can't even buy the

2:05:56.800 --> 2:06:01.560
<v Speaker 1>ship out of the face man that they'd be having

2:06:01.640 --> 2:06:04.440
<v Speaker 1>on They can't even buy that joint. So where do

2:06:04.520 --> 2:06:10.360
<v Speaker 1>you get them? Tyrese House? I think Tyres He's the

2:06:10.400 --> 2:06:13.320
<v Speaker 1>only thing guys left. You got the only black nigger one.

2:06:15.240 --> 2:06:19.280
<v Speaker 1>I thinks bing them all um big, But you think

2:06:19.320 --> 2:06:22.720
<v Speaker 1>you think that we are scared and the purpose he

2:06:22.720 --> 2:06:25.360
<v Speaker 1>putting us in scared or this is something that's one

2:06:25.480 --> 2:06:28.880
<v Speaker 1>million percent? Will you're speaking about the coronavirus? Yeah, yeah,

2:06:29.160 --> 2:06:32.480
<v Speaker 1>particular in particular, Yeah, um, I believe it's I believe

2:06:32.520 --> 2:06:35.040
<v Speaker 1>it's something that came from Asia, all right. I believe

2:06:35.080 --> 2:06:37.720
<v Speaker 1>that because they said that somebody bit a bat and

2:06:37.800 --> 2:06:40.360
<v Speaker 1>that's how I came. But I been a bat. Was

2:06:40.400 --> 2:06:45.160
<v Speaker 1>want back? He been a fake he It was always

2:06:45.200 --> 2:06:52.680
<v Speaker 1>fake wants the o G he was that was no

2:06:54.120 --> 2:06:58.800
<v Speaker 1>if you believe that was real, bro, oh, Dominican public

2:06:58.880 --> 2:07:07.280
<v Speaker 1>stopping really getting one of the Yeah, I totally no.

2:07:07.400 --> 2:07:11.000
<v Speaker 1>He did it one time, but not every fucking show. Yeah,

2:07:11.920 --> 2:07:14.240
<v Speaker 1>it was alive though when he did it. Yet, Oh man,

2:07:15.680 --> 2:07:17.840
<v Speaker 1>I believe. I believe in both. Though. I believe in um.

2:07:18.000 --> 2:07:21.640
<v Speaker 1>I believe that a virus can come here from another country.

2:07:21.680 --> 2:07:24.000
<v Speaker 1>But I also believe in population control too. I believe

2:07:24.040 --> 2:07:29.080
<v Speaker 1>in both. And niggas sucking animals too. You can believe

2:07:29.120 --> 2:07:32.120
<v Speaker 1>in the media sucking it up. I mean, listen, doctors

2:07:32.160 --> 2:07:34.320
<v Speaker 1>sucking it up. We can we can then up. Thing

2:07:34.440 --> 2:07:37.000
<v Speaker 1>is this to me? Every year we had something right.

2:07:37.080 --> 2:07:40.640
<v Speaker 1>Every year was something that new popped up. That's crying wolf.

2:07:41.800 --> 2:07:44.040
<v Speaker 1>When the real ship happened, ain't nobody gonna be ready.

2:07:44.160 --> 2:07:45.320
<v Speaker 1>You know why I think this is the real shift

2:07:45.360 --> 2:07:47.800
<v Speaker 1>happening because Trump is saying this is not the real ship.

2:07:48.280 --> 2:07:51.840
<v Speaker 1>That's just skis. You know, he turned around today here

2:07:51.960 --> 2:07:56.800
<v Speaker 1>yesterday because the first death in America happened, and then

2:07:56.800 --> 2:08:00.520
<v Speaker 1>he said, oh, I'm sorry, it's real. Not the state

2:08:00.640 --> 2:08:04.600
<v Speaker 1>not watching the d c oh Seattle and all that. Whoa,

2:08:05.400 --> 2:08:07.240
<v Speaker 1>they got the best butt out there. Well I'm not,

2:08:07.320 --> 2:08:10.600
<v Speaker 1>I'm not, I'm gonna I'm gonna take it is. You know,

2:08:11.440 --> 2:08:14.200
<v Speaker 1>we don't know if once she wants once people started

2:08:14.240 --> 2:08:15.960
<v Speaker 1>driving the ship like that, I just I'm always I

2:08:16.040 --> 2:08:19.080
<v Speaker 1>really be ready than not. Bernie Satons. If Bernie Santons

2:08:19.160 --> 2:08:22.520
<v Speaker 1>get it, we finished. I don't know what people think that.

2:08:22.560 --> 2:08:24.560
<v Speaker 1>Why do I don't do you? I don't do you

2:08:24.680 --> 2:08:27.440
<v Speaker 1>get a cold right now, Bernie Santons, this is my man.

2:08:27.680 --> 2:08:29.840
<v Speaker 1>Oh you know you're saying if he gets oh you're saying,

2:08:29.880 --> 2:08:35.680
<v Speaker 1>if he get the fun, he get burn food. Bernie,

2:08:40.520 --> 2:08:42.240
<v Speaker 1>I'm gonna tell you why I'm Bernie them tell you

2:08:42.280 --> 2:08:45.240
<v Speaker 1>why I'm killing. Mike is a very close friend of mine.

2:08:45.240 --> 2:08:46.680
<v Speaker 1>A lot of times I hang out, will kill the Mike.

2:08:46.720 --> 2:08:49.160
<v Speaker 1>We don't post pictures, we don't, you know, just hang out.

2:08:50.400 --> 2:08:54.800
<v Speaker 1>The other day killing Mike comes to town. He said, Yo,

2:08:54.880 --> 2:08:56.720
<v Speaker 1>I want to get some weed, I want to buy

2:08:56.800 --> 2:08:59.400
<v Speaker 1>some food. I want to want to drink, and we're

2:08:59.400 --> 2:09:02.320
<v Speaker 1>having a best time. I kill the best best time.

2:09:02.760 --> 2:09:04.720
<v Speaker 1>And he knows when I started to drink. I don't

2:09:04.760 --> 2:09:08.760
<v Speaker 1>want to be political at all. And because he's a

2:09:08.880 --> 2:09:11.600
<v Speaker 1>very smart person, so when you drunk, you don't want

2:09:11.600 --> 2:09:14.440
<v Speaker 1>to hear no smart shit. So I you know, I'll

2:09:14.480 --> 2:09:18.360
<v Speaker 1>make it clear. You know, let's dumb it down for me.

2:09:19.160 --> 2:09:21.800
<v Speaker 1>The drunker I get, the less I want to comprehend.

2:09:23.040 --> 2:09:25.520
<v Speaker 1>So and this out is when we're just killing me.

2:09:25.560 --> 2:09:28.280
<v Speaker 1>Just chill me Ian and then in't forget how it happens.

2:09:28.320 --> 2:09:30.880
<v Speaker 1>And he just serious. He was like, yo, Bernie's for us,

2:09:31.800 --> 2:09:34.640
<v Speaker 1>And I was just like he knew my stance, he

2:09:34.760 --> 2:09:37.480
<v Speaker 1>knew everything. But for the way he said it and

2:09:37.600 --> 2:09:40.040
<v Speaker 1>how he said it, I was like, you know what,

2:09:40.240 --> 2:09:42.720
<v Speaker 1>I'm working with you, and I'm working with him for that.

2:09:44.000 --> 2:09:50.280
<v Speaker 1>But I do look like I think Aunt could beat

2:09:50.320 --> 2:10:00.160
<v Speaker 1>Bernie Sanders in the fight who stand up and think

2:10:00.440 --> 2:10:02.640
<v Speaker 1>I think I think it might funk up Bernie sadus

2:10:02.680 --> 2:10:05.160
<v Speaker 1>man because the camera's focus like that don't matter. That

2:10:05.240 --> 2:10:10.440
<v Speaker 1>don't matter, man, the resident to be able to fight. Yeah, Obama,

2:10:10.640 --> 2:10:12.480
<v Speaker 1>let let me tell you something. The way Obama shot

2:10:12.520 --> 2:10:13.920
<v Speaker 1>to jump shot, you could tell you know what to

2:10:14.040 --> 2:10:17.240
<v Speaker 1>do up throw all right hand for real, like you

2:10:17.280 --> 2:10:19.400
<v Speaker 1>know what I mean. Like he's saying, Bernie a little old.

2:10:19.840 --> 2:10:21.680
<v Speaker 1>I think Bernie. I think Bernie, I don't know. I'm

2:10:21.680 --> 2:10:25.720
<v Speaker 1>not sure Bernie can stick with us. I'm I'm damn you,

2:10:26.960 --> 2:10:30.000
<v Speaker 1>I'm gonna with Bernie, I'm sticking with burn What is

2:10:30.040 --> 2:10:32.520
<v Speaker 1>it the burns? I'm burned? YEA got something to say

2:10:32.560 --> 2:10:36.360
<v Speaker 1>on that? Who you working with? You don't like it?

2:10:36.440 --> 2:10:38.880
<v Speaker 1>I really feel like to me, I always feel like

2:10:39.040 --> 2:10:41.840
<v Speaker 1>it's like the one thing that we're doing wrong and

2:10:41.920 --> 2:10:44.440
<v Speaker 1>it's just you know, for me watching that the one

2:10:44.480 --> 2:10:46.600
<v Speaker 1>thing you know that you notice about Republicans they don't

2:10:46.600 --> 2:10:50.400
<v Speaker 1>give a person is a murderer. Yeah, ain't going as

2:10:50.440 --> 2:10:54.400
<v Speaker 1>long as they're going for they Yeah, they stick with

2:10:54.440 --> 2:10:57.320
<v Speaker 1>their party next sell. What we do is no man.

2:10:57.560 --> 2:11:01.000
<v Speaker 1>Wenna tore down everybody first. What's called it was winning

2:11:01.040 --> 2:11:05.120
<v Speaker 1>then Bernie was winning. Bible was. What we gotta do

2:11:05.240 --> 2:11:08.400
<v Speaker 1>is figure out with everything anything you want to work.

2:11:08.440 --> 2:11:10.160
<v Speaker 1>It is some kind of unity you gotta happen, right,

2:11:10.480 --> 2:11:13.520
<v Speaker 1>And everybody keep on talking about how the black vote

2:11:13.760 --> 2:11:16.960
<v Speaker 1>is more more popular. To me, it is letting me

2:11:17.040 --> 2:11:20.120
<v Speaker 1>know that how powerful we are. And Mike Bloomberg is

2:11:20.160 --> 2:11:23.280
<v Speaker 1>trying to buy our community Like this nigger, let me

2:11:23.320 --> 2:11:26.000
<v Speaker 1>just tell you something. I can't go nowhere in the hood.

2:11:26.400 --> 2:11:30.440
<v Speaker 1>Bloomberg guy, like that isn't the hut. He's just blowing

2:11:30.480 --> 2:11:34.200
<v Speaker 1>money because ain't nobody. Yeah, yeah, you think it's gonna work. No,

2:11:34.720 --> 2:11:36.600
<v Speaker 1>I ain't gonna lie something. He's gonna take some money though,

2:11:37.880 --> 2:11:40.280
<v Speaker 1>like something. I mean you said you can't do that

2:11:40.360 --> 2:11:42.840
<v Speaker 1>though you can't pay Yeah, you know not the vote

2:11:42.840 --> 2:11:48.240
<v Speaker 1>for them, and you know what, that's the people that

2:11:48.360 --> 2:11:52.480
<v Speaker 1>Turner was. I think he's the Democratic ship. But what

2:11:52.600 --> 2:11:55.440
<v Speaker 1>I will tell you about Bloomberg is he funked up

2:11:55.480 --> 2:11:59.240
<v Speaker 1>stopping first all that ship it's foul ship. But the

2:11:59.280 --> 2:12:02.520
<v Speaker 1>ship for that ship did mad foul ship. But I'll

2:12:02.560 --> 2:12:05.400
<v Speaker 1>tell you this. The way you correct foul ship is

2:12:05.520 --> 2:12:08.480
<v Speaker 1>to do something correct about it. You can't do something correct.

2:12:08.520 --> 2:12:10.960
<v Speaker 1>He has your time to try to get voted, but

2:12:11.040 --> 2:12:13.200
<v Speaker 1>the fact that he has a black agenda makes that

2:12:13.280 --> 2:12:16.960
<v Speaker 1>ship kind of like, well, you can't believe it. We

2:12:17.000 --> 2:12:19.120
<v Speaker 1>get to the office, you can't. You know, somebody people

2:12:19.160 --> 2:12:21.320
<v Speaker 1>can start doing this. You got another RoCE prior to

2:12:21.640 --> 2:12:26.840
<v Speaker 1>I think I'm getting high off contact. Okay, good, yeah,

2:12:27.240 --> 2:12:32.640
<v Speaker 1>I was. I'm sinking down more into my stoically. This

2:12:32.720 --> 2:12:35.920
<v Speaker 1>is my first like really really And you watched Bill

2:12:35.960 --> 2:12:40.160
<v Speaker 1>Moore who I watched Bill absolutely not well he talked

2:12:40.200 --> 2:12:44.000
<v Speaker 1>about him on the time. Oh I watched Bill Mark.

2:12:44.040 --> 2:12:47.240
<v Speaker 1>But what he said gave him because because of the

2:12:47.280 --> 2:12:50.200
<v Speaker 1>Nigger Ship. Yeah, oh, but he just watched the actually show.

2:12:50.280 --> 2:12:52.840
<v Speaker 1>When he did, okay, I didn't feel I didn't feel

2:12:52.840 --> 2:12:55.160
<v Speaker 1>like he meant it. And you know what, it was

2:12:55.440 --> 2:12:59.000
<v Speaker 1>Iceque checking him. I watched that too. I love that good.

2:12:59.000 --> 2:13:01.160
<v Speaker 1>When ice c checked up and how he checked him,

2:13:02.280 --> 2:13:05.120
<v Speaker 1>I immediately forgave. I'm not boycott. You can't forgive him

2:13:05.400 --> 2:13:07.880
<v Speaker 1>for it. I mean I did I forget. I don't

2:13:07.880 --> 2:13:10.360
<v Speaker 1>think you just forgive me. Forgive him. You know what

2:13:10.480 --> 2:13:12.560
<v Speaker 1>it is? He used a joke how I would use

2:13:12.600 --> 2:13:17.080
<v Speaker 1>the joke. And that's what it thinks being around brother sometimes,

2:13:17.200 --> 2:13:20.920
<v Speaker 1>like you're listen, it's a habit. And I don't mean

2:13:21.000 --> 2:13:22.960
<v Speaker 1>to take out for him, but if you hang around

2:13:23.000 --> 2:13:27.080
<v Speaker 1>your crip homie, trust me your cause your cause, no

2:13:27.280 --> 2:13:30.360
<v Speaker 1>cu us, it's just inevitable. You hanging around your blood holie.

2:13:30.880 --> 2:13:33.280
<v Speaker 1>After while, you're like blood, Like damn what you catch yourself.

2:13:33.880 --> 2:13:36.000
<v Speaker 1>I feel like I'm a black pool so much. I

2:13:36.080 --> 2:13:38.600
<v Speaker 1>feel like Bill is a brilliant man. Brilliant. Yes, he's

2:13:38.600 --> 2:13:40.640
<v Speaker 1>a brilliant man, and I feel like he knows better.

2:13:41.640 --> 2:13:43.640
<v Speaker 1>You know that, That's what I think. I feel like.

2:13:44.320 --> 2:13:46.520
<v Speaker 1>I'm not like I'm not like boycotting him or anything.

2:13:46.680 --> 2:13:49.240
<v Speaker 1>I just I just have n't. I take more Gucci

2:13:49.800 --> 2:13:51.640
<v Speaker 1>a desire to get back into the show after I've

2:13:51.640 --> 2:13:56.560
<v Speaker 1>seen him. I take more fistic Gucci Gucci, and I

2:13:56.680 --> 2:14:00.120
<v Speaker 1>did with Bill More because I kind of don't know

2:14:00.240 --> 2:14:02.000
<v Speaker 1>him as a person. I don't know him as a person,

2:14:02.040 --> 2:14:04.320
<v Speaker 1>but I followed, you know, his other shows, and I

2:14:04.400 --> 2:14:06.600
<v Speaker 1>lead him to him. He's definitely not racist, He's definitely

2:14:06.680 --> 2:14:08.640
<v Speaker 1>not that guy. He used it in the wrong way

2:14:08.680 --> 2:14:11.040
<v Speaker 1>and using the wrong content, you know, and he shouldn't

2:14:11.040 --> 2:14:12.560
<v Speaker 1>have used it at all. I never I never took

2:14:12.800 --> 2:14:15.920
<v Speaker 1>to use it Allucci is a big corporation. I never

2:14:16.000 --> 2:14:18.880
<v Speaker 1>took it as him being racist. And remember Bill Moore

2:14:19.040 --> 2:14:22.320
<v Speaker 1>was live, especially irresponsible. He was live. Bill Moore was live.

2:14:22.880 --> 2:14:25.040
<v Speaker 1>Is not live. Gucci has to go through a whole

2:14:25.120 --> 2:14:27.680
<v Speaker 1>bunch of processes. It was playing out that that kind

2:14:27.720 --> 2:14:29.920
<v Speaker 1>of scene playing out to me, Gucci, you know, Bill

2:14:29.960 --> 2:14:32.400
<v Speaker 1>More again, it was and I'm not defending them because

2:14:32.400 --> 2:14:34.800
<v Speaker 1>he doesn't need me defend on them, but it was live.

2:14:34.840 --> 2:14:37.680
<v Speaker 1>It was something He's like, Hey, I'm not I'm a

2:14:38.320 --> 2:14:41.440
<v Speaker 1>I'm a house nigger. That's what he said, and it was.

2:14:41.720 --> 2:14:43.920
<v Speaker 1>It was definitely shouldn't have been said. Definitely was wrong,

2:14:44.040 --> 2:14:46.680
<v Speaker 1>Definitely was out of content. But I feel like that

2:14:46.840 --> 2:14:49.720
<v Speaker 1>was live. It was it was. It was a mistake, Gucci.

2:14:50.400 --> 2:14:53.000
<v Speaker 1>There's no way you couldn't have known him that, you know,

2:14:53.520 --> 2:14:56.560
<v Speaker 1>having that And it wasn't Burberry, I think too. It

2:14:56.680 --> 2:15:01.360
<v Speaker 1>was it was like somebody like it was like Claire.

2:15:01.440 --> 2:15:04.040
<v Speaker 1>It was like back to back in a week, and

2:15:04.240 --> 2:15:07.240
<v Speaker 1>um uh it was Burbery, right, it was Burber. And

2:15:08.560 --> 2:15:10.120
<v Speaker 1>this is what this is what, this is what I feel.

2:15:10.120 --> 2:15:12.440
<v Speaker 1>I don't know, I'm off off subject. So we all

2:15:12.520 --> 2:15:16.040
<v Speaker 1>did this boycott BOYCOTTI Gucci, right, not all of us,

2:15:16.360 --> 2:15:20.320
<v Speaker 1>we most of us did right. Then Gucci comes to

2:15:20.400 --> 2:15:24.240
<v Speaker 1>the hood because two million dollars to uh well representative

2:15:24.280 --> 2:15:27.080
<v Speaker 1>Gucci gives two million dollars to I believe a black community.

2:15:27.080 --> 2:15:30.040
<v Speaker 1>I forget what it was. And Dapper Dan is there

2:15:30.720 --> 2:15:34.160
<v Speaker 1>and then not everyone's back wick Gucci, what is your stand?

2:15:34.200 --> 2:15:37.600
<v Speaker 1>So Dapper Dan is a legend, but no, no, not

2:15:37.720 --> 2:15:39.760
<v Speaker 1>that dad. We know japer Dan, we know that one,

2:15:39.880 --> 2:15:42.480
<v Speaker 1>like that's the legend with Guccio, with Algen for sure,

2:15:42.640 --> 2:15:45.080
<v Speaker 1>but the actual situation because he didn't have nothing to

2:15:45.120 --> 2:15:47.320
<v Speaker 1>do with that. Yeah, I mean I don't know. I

2:15:47.440 --> 2:15:51.080
<v Speaker 1>don't know um enough about that part of the situation

2:15:51.160 --> 2:15:53.200
<v Speaker 1>per se to be able to speak about it intelligently.

2:15:53.760 --> 2:15:58.440
<v Speaker 1>I will say this, Um, I agree with you. I

2:15:58.520 --> 2:16:00.400
<v Speaker 1>agree with you. I don't think there's some like that

2:16:00.720 --> 2:16:03.000
<v Speaker 1>a trigger like a trigger like that can be pulled

2:16:03.120 --> 2:16:06.240
<v Speaker 1>without it being well thought out and it's going through

2:16:06.400 --> 2:16:09.560
<v Speaker 1>proper channels. And I just feel like somebody should have

2:16:09.600 --> 2:16:12.160
<v Speaker 1>seen it before it came out. And when things like

2:16:12.280 --> 2:16:15.040
<v Speaker 1>that happened, people need to be held accountable, you know.

2:16:15.240 --> 2:16:17.960
<v Speaker 1>And and and it's okay to accept the apology. It's

2:16:18.000 --> 2:16:20.240
<v Speaker 1>okay to accept the apology and move forward. As long

2:16:20.320 --> 2:16:22.240
<v Speaker 1>as we can move forward in a way it's helpful

2:16:22.520 --> 2:16:25.640
<v Speaker 1>to everybody. And these things don't just keep repeating ourselves.

2:16:26.040 --> 2:16:29.000
<v Speaker 1>What would happen if we really controlled them dollar, Like

2:16:29.080 --> 2:16:31.200
<v Speaker 1>if we really said, yo, you know what, for the

2:16:31.240 --> 2:16:34.640
<v Speaker 1>whole month of March, we're only gonna wear makes it

2:16:34.800 --> 2:16:38.120
<v Speaker 1>mong yellow. We're only gonna wear this, this, this, and that.

2:16:38.240 --> 2:16:40.960
<v Speaker 1>We're only gonna buy this type of groceries. We're only

2:16:41.040 --> 2:16:43.879
<v Speaker 1>gonna buy what it happens to we really controlled our dollars,

2:16:43.959 --> 2:16:46.200
<v Speaker 1>and I'm not let me let me make it bigger

2:16:46.200 --> 2:16:50.080
<v Speaker 1>than just black people. Let me let me clude hip hop.

2:16:50.640 --> 2:16:54.680
<v Speaker 1>I think I think it would be that moment that

2:16:54.800 --> 2:16:57.960
<v Speaker 1>we realize the value that we bring to this country.

2:16:58.800 --> 2:17:01.360
<v Speaker 1>We're real, lot, We're real. That's how powerful we are.

2:17:01.680 --> 2:17:06.360
<v Speaker 1>That's what the introtion from a com um. But we

2:17:06.440 --> 2:17:09.640
<v Speaker 1>will we will also too. To me, always feel like

2:17:09.680 --> 2:17:12.920
<v Speaker 1>the Boogeyman on short space at that point. Remember tos Oklahoma.

2:17:13.000 --> 2:17:16.720
<v Speaker 1>Remember that's why that happened, because of that, because of

2:17:16.760 --> 2:17:20.520
<v Speaker 1>that unification. Because they unified and they did that. I

2:17:20.600 --> 2:17:23.160
<v Speaker 1>heard why a fuck up um say the other day

2:17:23.400 --> 2:17:27.680
<v Speaker 1>he said a Puffy jay Z, Birdman and Dr Dre

2:17:27.840 --> 2:17:30.840
<v Speaker 1>always to get a label. There was no one would

2:17:30.840 --> 2:17:33.199
<v Speaker 1>be signed there would it would be no more labels.

2:17:33.480 --> 2:17:36.560
<v Speaker 1>It would be no more labels. Like that's they forget everything.

2:17:36.959 --> 2:17:38.560
<v Speaker 1>I mean, we were all signed to them. We will

2:17:38.600 --> 2:17:41.000
<v Speaker 1>all be like, give me an independent deal, give me

2:17:41.040 --> 2:17:43.480
<v Speaker 1>a major deal, whatever, and that this would be us

2:17:43.560 --> 2:17:45.800
<v Speaker 1>control of us. Like why the funk that doesn't really

2:17:45.879 --> 2:17:49.520
<v Speaker 1>happen like it might. Nobody really say it. It goes

2:17:49.560 --> 2:17:51.320
<v Speaker 1>into what I've been what I've been kind of saying

2:17:51.360 --> 2:17:54.040
<v Speaker 1>throughout my whole pressure run is um. We just need

2:17:54.080 --> 2:17:57.440
<v Speaker 1>to start thinking more as a collective than as individuals

2:17:58.040 --> 2:18:01.400
<v Speaker 1>you know, Um jay Z Puff Dre. They don't have

2:18:01.640 --> 2:18:04.240
<v Speaker 1>to be their own entities, you know what I mean,

2:18:04.360 --> 2:18:07.200
<v Speaker 1>Like they can also think it's collective, just like us

2:18:07.240 --> 2:18:10.160
<v Speaker 1>as artists need to think more collect ship the same

2:18:10.200 --> 2:18:12.920
<v Speaker 1>way that they Walker is saying that they conform something

2:18:12.920 --> 2:18:16.200
<v Speaker 1>Ship me you Walker and killing Mike can form a label,

2:18:16.360 --> 2:18:18.160
<v Speaker 1>you know what I mean. Like we just need to

2:18:18.200 --> 2:18:23.320
<v Speaker 1>start thinking about how much more pertinent our movements would

2:18:23.360 --> 2:18:25.880
<v Speaker 1>be if we started to think about the possibility of

2:18:26.000 --> 2:18:28.320
<v Speaker 1>us coming together as opposed of us looking at it

2:18:28.400 --> 2:18:30.200
<v Speaker 1>like we're in competition with each other. I think what

2:18:30.320 --> 2:18:33.800
<v Speaker 1>Waca was saying is like the tops and then all

2:18:34.040 --> 2:18:38.720
<v Speaker 1>of us will right now, right now, you one pick

2:18:38.760 --> 2:18:40.360
<v Speaker 1>up the all. Like I said, I love what Alan

2:18:40.480 --> 2:18:42.040
<v Speaker 1>is doing with you, and he's a good guys you

2:18:42.080 --> 2:18:45.199
<v Speaker 1>know the other day, but no one would really sign

2:18:45.320 --> 2:18:47.640
<v Speaker 1>with that, Like if they had a division, if they

2:18:47.680 --> 2:18:49.879
<v Speaker 1>had an E one division with Dre, that people will

2:18:49.920 --> 2:18:51.080
<v Speaker 1>go over there, you know what I'm saying, Like I

2:18:51.160 --> 2:18:54.480
<v Speaker 1>under staying, Like I imagine one day with hip hop

2:18:54.520 --> 2:18:56.480
<v Speaker 1>controlling the hip hop. This is the reason why even

2:18:56.560 --> 2:18:58.840
<v Speaker 1>drink chapter is this is because we want to be

2:18:58.920 --> 2:19:01.160
<v Speaker 1>the people that you know interview to ours, people have

2:19:01.280 --> 2:19:02.800
<v Speaker 1>been in the locker room with you, like you know

2:19:02.840 --> 2:19:04.720
<v Speaker 1>I got I don't have one album, like I don't

2:19:04.760 --> 2:19:07.760
<v Speaker 1>have one hit. I haven't tremendously have a whole bunch.

2:19:07.840 --> 2:19:11.120
<v Speaker 1>I have real stories playing catalog what I'm saying. And

2:19:11.600 --> 2:19:14.800
<v Speaker 1>not only that, I still go to other people's shows,

2:19:14.879 --> 2:19:17.120
<v Speaker 1>like Freddie Gibbs the other day was out here. I

2:19:17.200 --> 2:19:18.840
<v Speaker 1>went to his show and he trying to give me

2:19:18.920 --> 2:19:20.320
<v Speaker 1>the co on stage. I was like, that's not why

2:19:20.360 --> 2:19:23.600
<v Speaker 1>I'm here, Like I'm here to support you and watch

2:19:23.840 --> 2:19:26.360
<v Speaker 1>and I need to understand why you're the next guy

2:19:26.440 --> 2:19:29.520
<v Speaker 1>for the next generation. That's I'm really a fan. I

2:19:29.640 --> 2:19:32.640
<v Speaker 1>just feel like when we do can really really control.

2:19:32.720 --> 2:19:37.000
<v Speaker 1>Like that's why I love, uh what everyone else is

2:19:37.040 --> 2:19:39.000
<v Speaker 1>doing with me, not just us. You know what I'm saying,

2:19:39.000 --> 2:19:41.000
<v Speaker 1>I salute you don't get me to be from with nobody.

2:19:41.040 --> 2:19:44.000
<v Speaker 1>You don't get hit me because I don't really care.

2:19:44.120 --> 2:19:47.120
<v Speaker 1>Like we're not in the competition. And that's one of

2:19:47.120 --> 2:19:48.920
<v Speaker 1>the reasons why we did the deal what we did,

2:19:49.280 --> 2:19:51.680
<v Speaker 1>Like we could have went other places and really really

2:19:52.200 --> 2:19:55.760
<v Speaker 1>went outside the culture and really secured futures for us,

2:19:55.959 --> 2:19:57.880
<v Speaker 1>but we said we were to stick with the culture,

2:19:58.360 --> 2:20:01.040
<v Speaker 1>you know what I'm saying, because it's things that you know,

2:20:02.320 --> 2:20:05.160
<v Speaker 1>certain companies probably won't let us say. Properties probably tell

2:20:05.200 --> 2:20:07.240
<v Speaker 1>us its dumb the weed. Now certain companies and party

2:20:07.440 --> 2:20:08.920
<v Speaker 1>you know, tell us, you know what I'm saying, don't

2:20:08.920 --> 2:20:11.000
<v Speaker 1>interview this this guy, interview these types of people, you

2:20:11.040 --> 2:20:12.440
<v Speaker 1>know what I'm saying. And we wanted to stick with

2:20:12.520 --> 2:20:15.039
<v Speaker 1>the culture. But I wonder when when is the culture

2:20:15.120 --> 2:20:17.560
<v Speaker 1>gonna want to stick with the coach? Like when are

2:20:17.560 --> 2:20:19.800
<v Speaker 1>we gonna like you know what I'm saying somebody when

2:20:19.879 --> 2:20:22.640
<v Speaker 1>it's always got to be an example, man, you know,

2:20:22.959 --> 2:20:26.480
<v Speaker 1>like we trend. It's a trendy. We follow the trend,

2:20:26.560 --> 2:20:30.440
<v Speaker 1>like we wanted to where to go change it? Like

2:20:33.240 --> 2:20:36.640
<v Speaker 1>don't it don't have to be the top tire of

2:20:36.760 --> 2:20:38.920
<v Speaker 1>money to do it, you know what I mean. So

2:20:39.720 --> 2:20:41.920
<v Speaker 1>I think it's gotta it's gotta start with that because

2:20:43.320 --> 2:20:45.280
<v Speaker 1>jay Z could do it, Drake could do it, they

2:20:45.320 --> 2:20:47.960
<v Speaker 1>all could do it. But so for week, Wow, I

2:20:48.080 --> 2:20:49.879
<v Speaker 1>love the fact that you keep saying that we gotta

2:20:49.920 --> 2:20:56.119
<v Speaker 1>take those steps. So at one point Dr Dre gave

2:20:56.160 --> 2:20:58.000
<v Speaker 1>you advice because he was going to you and your wife.

2:20:59.640 --> 2:21:01.840
<v Speaker 1>It's like twenty years or something like twenty when he

2:21:01.920 --> 2:21:06.160
<v Speaker 1>was thinking about getting his wife. Didn't girlfriend an abortion?

2:21:06.600 --> 2:21:11.520
<v Speaker 1>Oh yeah, I forgot about that. Yeah he um. He

2:21:11.640 --> 2:21:13.040
<v Speaker 1>just told me not to do it. He said he

2:21:13.080 --> 2:21:15.920
<v Speaker 1>didn't believe in it or an abortion. Yeah, oh no,

2:21:16.200 --> 2:21:20.440
<v Speaker 1>me neither. Yeah, I mean shop, I'm either thinking now, man,

2:21:20.480 --> 2:21:23.600
<v Speaker 1>I have as many as possible. You know, I got

2:21:23.640 --> 2:21:26.000
<v Speaker 1>plenty of babies I got, I got, I got five

2:21:26.120 --> 2:21:29.400
<v Speaker 1>kids total and ship. If my wife was witted, I

2:21:29.480 --> 2:21:35.039
<v Speaker 1>have five more, ten more. I'll keep having them much

2:21:35.200 --> 2:21:41.040
<v Speaker 1>that they should have worsted the five nines out there? God,

2:21:41.080 --> 2:21:47.800
<v Speaker 1>damn it, nins of them. How about you? You drawn

2:21:47.879 --> 2:21:51.920
<v Speaker 1>playing something out there? I'm trying to My daughter was

2:21:51.920 --> 2:21:54.440
<v Speaker 1>just my god, what my god? Though? But that's my daughter, okay,

2:21:54.840 --> 2:21:56.600
<v Speaker 1>so what I mean like and she got three little ones,

2:21:57.440 --> 2:22:00.640
<v Speaker 1>so they like, that's my whole little team. God. So

2:22:00.760 --> 2:22:04.879
<v Speaker 1>what's next for you? Man? Album? Okay, you can produce

2:22:04.959 --> 2:22:10.240
<v Speaker 1>your own ship too, Yeah, don't okay, now some of

2:22:10.320 --> 2:22:13.400
<v Speaker 1>that heavy listle okay, okay, now, but this one's the

2:22:13.440 --> 2:22:17.280
<v Speaker 1>first one. Ye'all did everything, Okay, y'all both always produced

2:22:17.560 --> 2:22:19.280
<v Speaker 1>or this was something that you just learned in the

2:22:19.360 --> 2:22:25.199
<v Speaker 1>last year that's it's a year, that's it. Maybe six months.

2:22:25.280 --> 2:22:30.240
<v Speaker 1>That's crazy. You like Kobe with the Beetobin ship. You know,

2:22:30.320 --> 2:22:33.960
<v Speaker 1>Kobe learning Beethobin in two weeks? Did yeah? Yeah, no

2:22:34.040 --> 2:22:40.360
<v Speaker 1>one else two weeks huh yeah, listening to it. He

2:22:40.400 --> 2:22:44.000
<v Speaker 1>told himself, Kobe Bryant told me, Brian told himself Beetobin.

2:22:44.879 --> 2:22:48.240
<v Speaker 1>He probably just he probably see he's one of those people.

2:22:48.560 --> 2:22:51.320
<v Speaker 1>He has the propensity to be able to practice around

2:22:51.400 --> 2:22:55.680
<v Speaker 1>the clock. I love the practice. Yeah, didn't see Kobe strue. No,

2:22:56.360 --> 2:22:58.200
<v Speaker 1>come on, man, y'are like the only two niggers in

2:22:58.240 --> 2:23:02.000
<v Speaker 1>the world. Michael join him another try man, man, Man,

2:23:04.240 --> 2:23:06.920
<v Speaker 1>my heart, I don't cry like that. I never cried

2:23:06.959 --> 2:23:08.520
<v Speaker 1>like that, but I don't want my line like I

2:23:08.560 --> 2:23:10.760
<v Speaker 1>don't want to cry. Yeah, I never cried like that,

2:23:10.840 --> 2:23:12.640
<v Speaker 1>but you know what it was. It was just something

2:23:13.000 --> 2:23:15.680
<v Speaker 1>I just couldn't turn away because I actually this is

2:23:15.760 --> 2:23:19.000
<v Speaker 1>my ghost right in thing. I actually did a record

2:23:19.040 --> 2:23:21.879
<v Speaker 1>with Kobe, and I wanted to write his rhymes so bad,

2:23:21.959 --> 2:23:24.160
<v Speaker 1>Like if you actually put up that record that he

2:23:24.280 --> 2:23:28.360
<v Speaker 1>got that he's biting my side, Bro, he's trying to

2:23:28.400 --> 2:23:30.680
<v Speaker 1>sound like me. Bro. Listen, I'm just telling you this

2:23:30.720 --> 2:23:33.400
<v Speaker 1>is real. Ship. It's real ship that's white like he

2:23:33.480 --> 2:23:36.640
<v Speaker 1>went to track Masters. I'm saying like he like bite

2:23:36.680 --> 2:23:39.320
<v Speaker 1>me nas and like hold I forget to drink where

2:23:39.360 --> 2:23:42.360
<v Speaker 1>he's he's um with a suit on. He's like he's

2:23:42.360 --> 2:23:45.800
<v Speaker 1>biting my like the Iraq. But you know how I

2:23:45.879 --> 2:23:48.920
<v Speaker 1>usually that you know, you know, back whatever. But so

2:23:49.000 --> 2:23:51.400
<v Speaker 1>I was so, you know, wanting to write his rhyme,

2:23:51.720 --> 2:23:54.320
<v Speaker 1>and Kobe looked at me like Kobe Bryant, I got

2:23:54.360 --> 2:23:57.520
<v Speaker 1>my own ship, was like, oh ship, So I went

2:23:58.600 --> 2:24:00.480
<v Speaker 1>I watched this ship and then Michael Jordan comes up.

2:24:01.760 --> 2:24:05.400
<v Speaker 1>And Michael Jordan comes up, he goes, I'm gonna be

2:24:05.480 --> 2:24:08.879
<v Speaker 1>another criming mean for the next two years because he's

2:24:08.920 --> 2:24:11.760
<v Speaker 1>the ugliest cry ever you ever seen. Oh Michael Jordan

2:24:11.879 --> 2:24:14.840
<v Speaker 1>cries hugly bro Like that's an ugly crying. My dude,

2:24:14.920 --> 2:24:17.680
<v Speaker 1>like he cries like he just like he like pieces

2:24:17.680 --> 2:24:22.520
<v Speaker 1>of ship. But yeah, but the Kobe um and it

2:24:22.640 --> 2:24:25.280
<v Speaker 1>was it was also another thing that that struck me

2:24:25.400 --> 2:24:29.080
<v Speaker 1>is um. He said that Mike went to see Phil

2:24:29.200 --> 2:24:32.080
<v Speaker 1>Jackson one day. And when we went to see Phil Jackson,

2:24:32.879 --> 2:24:34.480
<v Speaker 1>the first thing Kobe said is, you know you bring

2:24:34.560 --> 2:24:41.040
<v Speaker 1>your shoes, Like he constantly like competitive, like competitive. Did

2:24:41.120 --> 2:24:43.560
<v Speaker 1>you feel like that with Renegade, with with eminem because

2:24:43.600 --> 2:24:46.360
<v Speaker 1>everyone really says that this is the one time that

2:24:46.520 --> 2:24:49.160
<v Speaker 1>Jay took up took a loss with with people? Did

2:24:49.360 --> 2:24:51.720
<v Speaker 1>did you know I feel like that about our version

2:24:51.840 --> 2:24:54.600
<v Speaker 1>or their version, which whatever version you want. Oh, well,

2:24:54.680 --> 2:24:58.280
<v Speaker 1>when we yeah, when we did our version, Um, we

2:24:58.360 --> 2:25:05.240
<v Speaker 1>didn't realize that it had the potential to be that special. Yeah,

2:25:05.280 --> 2:25:07.959
<v Speaker 1>we had a lot of songs already and I think

2:25:08.040 --> 2:25:11.320
<v Speaker 1>it's me and Marshall, so that was one of the

2:25:11.480 --> 2:25:15.440
<v Speaker 1>same verse. Yeah that was on with you okay, but

2:25:15.560 --> 2:25:19.440
<v Speaker 1>see me and him, we approached the beat similar, very similar,

2:25:20.040 --> 2:25:24.240
<v Speaker 1>So we attacked it the same. So take me off

2:25:24.920 --> 2:25:27.120
<v Speaker 1>and then have Ja come in and put his verses

2:25:27.200 --> 2:25:30.080
<v Speaker 1>on there, and he attacks the beat totally different. He

2:25:30.680 --> 2:25:34.120
<v Speaker 1>b yeah, he lays back in the pocket. Did J

2:25:34.320 --> 2:25:35.959
<v Speaker 1>get to hear his verses? First of all, you don't

2:25:35.959 --> 2:25:39.600
<v Speaker 1>know that, okay, okay, okay verses. And then when J

2:25:39.800 --> 2:25:42.960
<v Speaker 1>lay his it became magic. It became it didn't sound

2:25:43.040 --> 2:25:44.960
<v Speaker 1>like that when with me on there like to me,

2:25:45.120 --> 2:25:47.200
<v Speaker 1>to me, that's a great record, I've never kind of

2:25:47.320 --> 2:25:49.800
<v Speaker 1>and I get slacked for saying this on this I

2:25:49.879 --> 2:25:52.360
<v Speaker 1>think Earth came on here. I get slacked for saying this.

2:25:52.480 --> 2:25:54.680
<v Speaker 1>I always look at the record like a great record.

2:25:54.720 --> 2:25:57.800
<v Speaker 1>I've never really looked at like who outshine who? You

2:25:57.879 --> 2:25:59.360
<v Speaker 1>know what I'm saying. I get that this is a

2:25:59.400 --> 2:26:03.680
<v Speaker 1>competitive sport. Yeah, that the people. But but to me,

2:26:03.840 --> 2:26:06.280
<v Speaker 1>I don't feel like I should get criticism for just

2:26:06.360 --> 2:26:08.320
<v Speaker 1>looking at the record that saying all right, look look

2:26:08.480 --> 2:26:11.160
<v Speaker 1>says painting for right. I just look at that art,

2:26:11.200 --> 2:26:13.920
<v Speaker 1>I said, painting for I love. It's the certain individuals

2:26:13.920 --> 2:26:16.840
<v Speaker 1>that's say that paint is perfect. Yeah, and it's certainly

2:26:17.200 --> 2:26:19.720
<v Speaker 1>gonna say the fall is perfect. It's all perspective. That's

2:26:19.720 --> 2:26:21.480
<v Speaker 1>what I'm saying to me, per I just I just

2:26:21.600 --> 2:26:23.200
<v Speaker 1>love the art. I think the way that they had,

2:26:23.440 --> 2:26:25.840
<v Speaker 1>the way that they attacked it, they attacked it too

2:26:26.000 --> 2:26:29.080
<v Speaker 1>totally separate different ways, so it's hard to compare to

2:26:29.160 --> 2:26:32.680
<v Speaker 1>two it. All of it almost just boils down the preference.

2:26:32.720 --> 2:26:35.840
<v Speaker 1>It's what you prefer, what style you prefer, you know

2:26:35.879 --> 2:26:37.960
<v Speaker 1>what I mean? J did it his way. It's not

2:26:38.080 --> 2:26:40.840
<v Speaker 1>the illest J versus you're gonna hear M did it

2:26:40.920 --> 2:26:43.080
<v Speaker 1>his way. It's not the illest in versions you're gonna hear.

2:26:43.120 --> 2:26:45.800
<v Speaker 1>But them together as a marriage and it being on

2:26:45.879 --> 2:26:50.040
<v Speaker 1>a blueprint to Special Man's Special. It didn't sound like

2:26:50.120 --> 2:26:51.760
<v Speaker 1>that when it was me and Marska. You did you

2:26:51.840 --> 2:26:54.040
<v Speaker 1>think it's because Nas put it out there with Nas

2:26:54.120 --> 2:26:57.480
<v Speaker 1>by eating He said, Immine invited you on your own hip,

2:26:57.560 --> 2:27:00.920
<v Speaker 1>you know that something? Yeah, feeling that put people in

2:27:03.080 --> 2:27:04.880
<v Speaker 1>because that was a classic moment, you know what I mean.

2:27:05.000 --> 2:27:07.879
<v Speaker 1>So of course that's gone. You know what I mean.

2:27:08.879 --> 2:27:10.920
<v Speaker 1>I love hip hop man, and I'm just thinking about

2:27:11.280 --> 2:27:13.120
<v Speaker 1>I said you was staying, you know what I mean,

2:27:13.280 --> 2:27:15.960
<v Speaker 1>and and coined that phrase you know what I mean?

2:27:16.920 --> 2:27:21.880
<v Speaker 1>Scam alright, bick up SCA's I love hip hop man? Yeah,

2:27:25.320 --> 2:27:27.640
<v Speaker 1>so what what what makes you? What makes you keep

2:27:27.680 --> 2:27:31.640
<v Speaker 1>going though? Like I mean, listen, I'm gonna be honest.

2:27:32.360 --> 2:27:34.680
<v Speaker 1>I got tired of this game at one point. At

2:27:34.720 --> 2:27:36.360
<v Speaker 1>one point I didn't want to look at the mic,

2:27:36.440 --> 2:27:38.920
<v Speaker 1>I didn't want to look at the stage. I just

2:27:39.000 --> 2:27:41.720
<v Speaker 1>wanted to get so far. I really had lost it,

2:27:41.840 --> 2:27:43.600
<v Speaker 1>Like it took a lot for me to come back

2:27:44.640 --> 2:27:46.840
<v Speaker 1>and get And I remember Ferrell Imember with me calling

2:27:46.879 --> 2:27:48.920
<v Speaker 1>Farrell and Frells like I don't do hip hop no

2:27:49.000 --> 2:27:50.800
<v Speaker 1>more and me being like, what the are you talking?

2:27:50.800 --> 2:27:52.720
<v Speaker 1>About motherfucker, are you gonna give me a beat? And

2:27:52.840 --> 2:27:56.199
<v Speaker 1>I like I had didn't. I didn't know that sometimes

2:27:56.240 --> 2:27:58.160
<v Speaker 1>you get out of the zone like I didn't know,

2:27:58.360 --> 2:28:01.160
<v Speaker 1>like sometimes you just need to going to your own world.

2:28:01.400 --> 2:28:05.480
<v Speaker 1>Have you ever felt like that? Um Nah? I think

2:28:05.560 --> 2:28:08.280
<v Speaker 1>with me when I was a little bit of love

2:28:08.360 --> 2:28:11.160
<v Speaker 1>for it, I never lost any love for it when

2:28:11.200 --> 2:28:14.080
<v Speaker 1>I when I got sober, it just was a reset.

2:28:14.560 --> 2:28:16.320
<v Speaker 1>But like you had a girl cheat on you before?

2:28:16.959 --> 2:28:19.040
<v Speaker 1>Have I had a girl cheating before? Like you know, like,

2:28:19.440 --> 2:28:22.600
<v Speaker 1>let me what's growing up? Yep in high school? But

2:28:23.200 --> 2:28:24.920
<v Speaker 1>come on hip hop and cheating on you? You never

2:28:25.040 --> 2:28:27.280
<v Speaker 1>felt bad? You don't remember how the hip hop cheat

2:28:27.320 --> 2:28:32.480
<v Speaker 1>on me? What do you mean? We gave six nine respect.

2:28:36.000 --> 2:28:39.280
<v Speaker 1>He's an affraternity regardless if you like it or not. Man,

2:28:39.360 --> 2:28:41.560
<v Speaker 1>you know what, bro that got even the same thing though,

2:28:41.720 --> 2:28:45.960
<v Speaker 1>Yeah he's infraternity. He is a rapper. Like I always

2:28:46.040 --> 2:28:49.840
<v Speaker 1>felt like whenever I did something, I figured out to

2:28:49.959 --> 2:28:52.959
<v Speaker 1>make it just my place in hip hop. I carved

2:28:53.000 --> 2:28:55.240
<v Speaker 1>out my own place, you know what I mean? So

2:28:55.320 --> 2:28:58.080
<v Speaker 1>I never felt I never felt like, um, I was

2:28:58.160 --> 2:29:00.600
<v Speaker 1>on the outside of something that was happening. I just

2:29:00.680 --> 2:29:02.720
<v Speaker 1>somehow I figured out the way to just survive all

2:29:02.760 --> 2:29:06.520
<v Speaker 1>the different all the different like ways the hip hop

2:29:06.640 --> 2:29:08.760
<v Speaker 1>evolved in all the different spaces that it was in.

2:29:08.920 --> 2:29:11.040
<v Speaker 1>Whenever I needed to release some music, I found a

2:29:11.080 --> 2:29:13.760
<v Speaker 1>way to just make it exists with whatever was happening

2:29:13.840 --> 2:29:16.560
<v Speaker 1>at the time, and that that kind of chases a

2:29:16.640 --> 2:29:18.320
<v Speaker 1>little bit fun to me, you know. But when I

2:29:18.360 --> 2:29:20.440
<v Speaker 1>got sober, it was like I was starting all over

2:29:20.560 --> 2:29:23.760
<v Speaker 1>because everything that I did drunk, it was like a

2:29:23.840 --> 2:29:25.840
<v Speaker 1>thing of the past to me, because my approach to

2:29:25.920 --> 2:29:28.000
<v Speaker 1>the music was totally different, because it was like, now

2:29:28.040 --> 2:29:30.000
<v Speaker 1>I'm clicking on our cylinders. So it just gave me

2:29:30.080 --> 2:29:33.080
<v Speaker 1>a whole new reason to just kind of start over

2:29:33.160 --> 2:29:35.240
<v Speaker 1>and build my brand from a different Plus I had

2:29:35.240 --> 2:29:37.040
<v Speaker 1>a better understanding of how to build a brand at

2:29:37.080 --> 2:29:40.320
<v Speaker 1>that point too. So first it felt like this would

2:29:40.320 --> 2:29:45.240
<v Speaker 1>never happen. But I feel like, oh, slaughter House, it

2:29:45.440 --> 2:29:48.480
<v Speaker 1>might be happening. Another slaughter House happen. Why do you

2:29:48.520 --> 2:29:57.000
<v Speaker 1>feel like that, that's not that's not the card. That

2:29:59.000 --> 2:30:01.520
<v Speaker 1>no way, that's never what happened, That had never happened.

2:30:01.600 --> 2:30:05.120
<v Speaker 1>That's not possible. Nobody, nobody in Slaughterhouse could be replaced. Bro.

2:30:06.320 --> 2:30:09.280
<v Speaker 1>You know, like if you if you replace like why

2:30:09.360 --> 2:30:15.720
<v Speaker 1>being Cordor, I mean Corday. It look if you if

2:30:15.720 --> 2:30:18.280
<v Speaker 1>you put Corday in there instead of somebody else, then

2:30:18.320 --> 2:30:25.240
<v Speaker 1>it's a whole different group. Florida huh house a little okay,

2:30:26.800 --> 2:30:32.680
<v Speaker 1>different about I'm walking around I'm talking about But man, listen,

2:30:32.760 --> 2:30:42.440
<v Speaker 1>man man man hip hop is so beautiful. Man. So

2:30:42.640 --> 2:30:44.920
<v Speaker 1>so what's what's the what's the next transition? Like after this?

2:30:45.520 --> 2:30:48.400
<v Speaker 1>Is it? Is it? Is it? Getting the movies? Is it?

2:30:48.560 --> 2:30:50.960
<v Speaker 1>What is it? I never had a desire to do

2:30:51.120 --> 2:30:53.800
<v Speaker 1>movies ever. I never had a desire to act for

2:30:53.879 --> 2:30:55.560
<v Speaker 1>some reason. I don't know why, because that seems like

2:30:55.640 --> 2:31:00.160
<v Speaker 1>the obvious next step for most raptors to me. I'm

2:31:00.200 --> 2:31:04.000
<v Speaker 1>having fun in the production round. Um, that's what Chuck

2:31:04.080 --> 2:31:06.360
<v Speaker 1>D said. I think Chuck D say, yeah, yeah, I

2:31:06.480 --> 2:31:08.680
<v Speaker 1>have no desire to But but I'm you know, I don't.

2:31:08.760 --> 2:31:15.840
<v Speaker 1>I don't close the door on the because I never know.

2:31:16.160 --> 2:31:17.840
<v Speaker 1>I never know what I'm gonna wake up and want

2:31:17.879 --> 2:31:21.080
<v Speaker 1>to do. But whatever that is, you know, if I

2:31:21.200 --> 2:31:23.160
<v Speaker 1>decided to take it on, man, I just put my

2:31:23.240 --> 2:31:25.000
<v Speaker 1>best foot forward and put into work and then just

2:31:25.080 --> 2:31:28.040
<v Speaker 1>try to get good at it. But right now I

2:31:28.160 --> 2:31:31.480
<v Speaker 1>know that I'm not much of a multitasker, so um,

2:31:33.480 --> 2:31:36.400
<v Speaker 1>once I'm done making albums, my passion is to put

2:31:36.480 --> 2:31:39.119
<v Speaker 1>it into the next generation, the next group of artists

2:31:39.160 --> 2:31:42.400
<v Speaker 1>that we're gonna be working with under heaven. You know

2:31:42.440 --> 2:31:45.119
<v Speaker 1>what I'm saying. That's that's that's my company, Heaving Studios.

2:31:45.280 --> 2:31:48.560
<v Speaker 1>I'll see that. Ashley Surrell. Ashley Surrell, she's on my album.

2:31:48.640 --> 2:31:51.480
<v Speaker 1>I'll heard her on my album. She's like nine songs

2:31:51.560 --> 2:31:56.520
<v Speaker 1>in man, phenomenal. Bro It's phenomenal, And I'm excited for her.

2:31:57.560 --> 2:31:59.560
<v Speaker 1>I'm excited to the possibilities of what the ship is

2:31:59.600 --> 2:32:02.240
<v Speaker 1>gonna say, Like when it's finished, I'm producing on it

2:32:02.360 --> 2:32:05.240
<v Speaker 1>as well. I'm excited about that. You know what I'm saying.

2:32:05.280 --> 2:32:08.400
<v Speaker 1>He's producing on it. The course, my man b Jones

2:32:08.520 --> 2:32:11.120
<v Speaker 1>is producing on it. Who's another young producer coming up

2:32:11.320 --> 2:32:14.520
<v Speaker 1>phenomenon And you know, like, I want to be able

2:32:14.560 --> 2:32:16.800
<v Speaker 1>to give her all of my attention that she needs

2:32:16.920 --> 2:32:20.879
<v Speaker 1>without you know, making making my own albums and trying

2:32:20.920 --> 2:32:23.200
<v Speaker 1>to focus on her at the same time. Yeah, I

2:32:23.240 --> 2:32:24.960
<v Speaker 1>can't do that. I can't do that. How about you?

2:32:25.080 --> 2:32:28.120
<v Speaker 1>What are you thinking about acting on anything else? I

2:32:28.240 --> 2:32:30.840
<v Speaker 1>think the only right now for me is like doing.

2:32:31.200 --> 2:32:33.600
<v Speaker 1>I never really put my fund into the solo realm,

2:32:34.040 --> 2:32:35.960
<v Speaker 1>so that's what my mother does. But I'm gonna change

2:32:36.160 --> 2:32:38.440
<v Speaker 1>what I'm doing. I want people to look at I

2:32:38.520 --> 2:32:41.200
<v Speaker 1>feel like what I'm about to do with this record

2:32:41.320 --> 2:32:44.400
<v Speaker 1>is like make people change their whole perspective on restarting

2:32:44.480 --> 2:32:46.760
<v Speaker 1>and age all of that. I'm taking all of that

2:32:46.800 --> 2:32:48.640
<v Speaker 1>out the way. So you've got the spikes on two

2:32:49.400 --> 2:32:53.320
<v Speaker 1>taking it. I'm literally like you, like you tell them

2:32:53.320 --> 2:32:58.240
<v Speaker 1>the warriors to come out, come out, you know, you know,

2:32:58.480 --> 2:33:00.840
<v Speaker 1>you know. I don't want it to be looked at.

2:33:00.920 --> 2:33:04.040
<v Speaker 1>Is one thing like that since people mixing up, I

2:33:04.040 --> 2:33:06.680
<v Speaker 1>feel like Drake sing and wrapping all that ship, like,

2:33:06.800 --> 2:33:09.320
<v Speaker 1>but you don't do it. You're gonna do it right.

2:33:09.360 --> 2:33:12.879
<v Speaker 1>I mean, you guys are legendary, man. Um. I want

2:33:12.920 --> 2:33:14.879
<v Speaker 1>to thank both of your brothers man for coming out

2:33:14.959 --> 2:33:18.080
<v Speaker 1>here man just kicking hip hop man, because I still

2:33:18.080 --> 2:33:20.760
<v Speaker 1>see it, Like I said always, I really looked at

2:33:20.800 --> 2:33:23.200
<v Speaker 1>all your interviews and I really and I was like, damn,

2:33:23.240 --> 2:33:26.440
<v Speaker 1>this is a great run man, And I really want

2:33:26.480 --> 2:33:27.920
<v Speaker 1>to say you deserve it. You know what I'm saying,

2:33:27.959 --> 2:33:30.680
<v Speaker 1>You deserve it because um, you're doing it the right way.

2:33:30.720 --> 2:33:33.879
<v Speaker 1>You being the purist and you're making grown up fucking

2:33:34.000 --> 2:33:35.959
<v Speaker 1>raps like you know what I'm saying, you're making age

2:33:36.000 --> 2:33:38.760
<v Speaker 1>appropriate music, like you ain't sitting there talking about you

2:33:38.800 --> 2:33:41.480
<v Speaker 1>know what, like you know what I'm saying, Like that's

2:33:41.480 --> 2:33:45.160
<v Speaker 1>when he's eighteen. Goddamn it. Like we can't keep doing that. So, um,

2:33:45.520 --> 2:33:46.879
<v Speaker 1>you know, I want to thank you, man, I want

2:33:46.879 --> 2:33:49.280
<v Speaker 1>to appreciate. But we got a couple more minutes, right,

2:33:50.200 --> 2:33:53.200
<v Speaker 1>we got a good woman. So anything else you we

2:33:53.280 --> 2:33:55.600
<v Speaker 1>want to say, you know what, a man to add

2:33:55.640 --> 2:33:59.680
<v Speaker 1>on what we were saying about. Um about helping the

2:33:59.800 --> 2:34:03.480
<v Speaker 1>young is developed. That's another thing, like our studio, like

2:34:03.560 --> 2:34:05.800
<v Speaker 1>having studios, the studio, we want to turn that ship

2:34:05.879 --> 2:34:08.920
<v Speaker 1>into like a hub, you know, like if you just

2:34:09.000 --> 2:34:11.640
<v Speaker 1>think of let's use Deaf Jam for an example. Right,

2:34:11.680 --> 2:34:15.000
<v Speaker 1>Paul is over there, like all of the left right, yeah,

2:34:15.000 --> 2:34:17.040
<v Speaker 1>he just left, but all of the artists on that

2:34:17.240 --> 2:34:20.800
<v Speaker 1>roster that is just kind of sitting. Imagine if it

2:34:20.959 --> 2:34:23.200
<v Speaker 1>was just like something we could do where we cut

2:34:23.280 --> 2:34:24.760
<v Speaker 1>some type of deal with the label, they could just

2:34:24.760 --> 2:34:28.119
<v Speaker 1>send him because I know Proof's son to sign. Phenomenal

2:34:28.720 --> 2:34:33.080
<v Speaker 1>phenomenal young artists people like that come through young rock

2:34:33.879 --> 2:34:37.040
<v Speaker 1>we helped develop them, make sure that they get the

2:34:37.080 --> 2:34:40.440
<v Speaker 1>records that they need, and by the time we've done

2:34:40.520 --> 2:34:42.800
<v Speaker 1>with them, you know, they're totally efficient out here to

2:34:42.879 --> 2:34:44.280
<v Speaker 1>be able to grow, you know what I mean, Like,

2:34:44.640 --> 2:34:46.240
<v Speaker 1>it's exactly what you said you want to do. We

2:34:46.360 --> 2:34:47.480
<v Speaker 1>want to do the same thing. That's why I was

2:34:47.520 --> 2:34:54.440
<v Speaker 1>saying we should work together. Yeah, yeah, well I was

2:34:54.480 --> 2:34:56.240
<v Speaker 1>saying anything else you want to do. I mean, that's

2:34:56.280 --> 2:34:59.560
<v Speaker 1>pretty That's that's where we are. I think that's our narrative.

2:34:59.640 --> 2:35:02.000
<v Speaker 1>That's what you trying to like as a team. That's

2:35:02.040 --> 2:35:04.240
<v Speaker 1>what we're trying to do. It's like when you think

2:35:04.240 --> 2:35:07.560
<v Speaker 1>of Jimmy jam and Terry looks to me that it's

2:35:07.600 --> 2:35:10.320
<v Speaker 1>that new version of that I need to beat, nigga.

2:35:10.440 --> 2:35:15.440
<v Speaker 1>Look at the look at the eyes I need to beat.

2:35:15.480 --> 2:35:22.240
<v Speaker 1>They could bring me out of the driver, I know,

2:35:22.320 --> 2:35:25.160
<v Speaker 1>if y'all know, man, our show was about celebrating the

2:35:25.200 --> 2:35:28.440
<v Speaker 1>people's lives and their careers while they are alive. The

2:35:28.560 --> 2:35:31.160
<v Speaker 1>fact that so many people would say, you know, this

2:35:31.320 --> 2:35:33.600
<v Speaker 1>is great, these guys are great. When we passed away, man,

2:35:33.640 --> 2:35:35.560
<v Speaker 1>we want to do that now. Like I just seemed

2:35:35.560 --> 2:35:37.720
<v Speaker 1>the image of pop smoke and it's great. You know,

2:35:38.040 --> 2:35:39.920
<v Speaker 1>big up to the people in Paris who participated in

2:35:40.080 --> 2:35:43.320
<v Speaker 1>making a hologram image of pop smoke. But I tell

2:35:43.320 --> 2:35:45.320
<v Speaker 1>you what would be ill, like, you know, start doing

2:35:45.360 --> 2:35:48.240
<v Speaker 1>hologram images of people who are alive. Like you know

2:35:48.280 --> 2:35:50.720
<v Speaker 1>what I'm saying, Like like a ship Nica feel good

2:35:50.760 --> 2:35:53.000
<v Speaker 1>while he here? You know what I'm saying, Like ship

2:35:53.160 --> 2:35:56.480
<v Speaker 1>Nigga Drake deserve a holograms sucking put your teeth, fucking

2:35:56.520 --> 2:35:58.879
<v Speaker 1>voice sucking, Rick Ross fucking you know what I'm saying,

2:35:58.920 --> 2:36:01.800
<v Speaker 1>Boston rhymes, fat your You know what I'm saying. Everyone

2:36:01.920 --> 2:36:05.360
<v Speaker 1>like making a thing, don't make it a thing for

2:36:05.440 --> 2:36:07.840
<v Speaker 1>people that's dead. Making for a thing for people that's alive.

2:36:07.920 --> 2:36:09.840
<v Speaker 1>And that's no. This to the people who actually did that,

2:36:09.879 --> 2:36:11.720
<v Speaker 1>because I thought that was couraging. I thought it was dope,

2:36:12.000 --> 2:36:15.120
<v Speaker 1>But I also think it's backwards because I want to

2:36:15.200 --> 2:36:17.520
<v Speaker 1>show people love where they're alive. This way, it's a

2:36:17.560 --> 2:36:20.560
<v Speaker 1>celebration when they're gone, because we was already it's a

2:36:20.600 --> 2:36:23.959
<v Speaker 1>continued celebration. Guess what, we was already celebrating. Your monkey

2:36:23.959 --> 2:36:29.400
<v Speaker 1>asks when you was here, you understand said just do

2:36:29.520 --> 2:36:36.000
<v Speaker 1>some drops. Thanks for joining us for another episode of

2:36:36.080 --> 2:36:38.560
<v Speaker 1>Drink Champs. Hosted by yours truly d J e F

2:36:39.080 --> 2:36:41.160
<v Speaker 1>and n O r E. Please make sure to follow

2:36:41.240 --> 2:36:43.800
<v Speaker 1>us on all our socials. Let's at Drink Champs across

2:36:43.840 --> 2:36:47.520
<v Speaker 1>all platforms at the Real Noriega and I g at

2:36:47.600 --> 2:36:50.680
<v Speaker 1>Noriega on Twitter, Mine is at Who's Crazy on I

2:36:50.879 --> 2:36:54.560
<v Speaker 1>g at d j e FN on Twitter, and most importantly,

2:36:54.560 --> 2:36:57.400
<v Speaker 1>stay up to date with the latest releases, news and

2:36:57.560 --> 2:37:01.199
<v Speaker 1>merged by going to drink Champs dot com. Eight