1 00:00:18,800 --> 00:00:22,800 Speaker 1: What's your favorite bad for you food? Will my favorite 2 00:00:22,840 --> 00:00:25,120 Speaker 1: restaurant in the world, And yes, it's a restaurant's McDonald's. 3 00:00:25,800 --> 00:00:29,000 Speaker 1: And that's why I don't eat much restaurant called Mickey 4 00:00:29,080 --> 00:00:32,400 Speaker 1: Donald Mickey Donald McDonald. I love it. I love it 5 00:00:32,400 --> 00:00:36,040 Speaker 1: to death. And I told writer that my favorite burger 6 00:00:36,080 --> 00:00:38,440 Speaker 1: is a McDonald's burger. And writer then told me about 7 00:00:38,440 --> 00:00:40,600 Speaker 1: a place that I have yet to try. But it's 8 00:00:40,640 --> 00:00:44,880 Speaker 1: like the you know, probably way cleaner version of a 9 00:00:44,960 --> 00:00:48,319 Speaker 1: McDonald's burger. Hipster. It's hipster. It's in Silver Lake. It's 10 00:00:48,360 --> 00:00:52,600 Speaker 1: called Burger's Never Say Die, and it's unbelievable. Can I 11 00:00:52,600 --> 00:00:57,200 Speaker 1: ask the last time you had at McDonald's burger? Writer me, Yeah, 12 00:00:57,200 --> 00:00:59,680 Speaker 1: I've had McDonald's. And my Indie loves McDonald's. So, like 13 00:00:59,760 --> 00:01:01,560 Speaker 1: when we're on a road trip and we have to 14 00:01:01,560 --> 00:01:03,520 Speaker 1: stop for fast food, which is usually when I eat 15 00:01:03,520 --> 00:01:06,640 Speaker 1: fast food, Um, we'll get a McDonald's. I'll do that 16 00:01:06,720 --> 00:01:08,200 Speaker 1: over an in and out. I'm not an in and 17 00:01:08,240 --> 00:01:11,880 Speaker 1: out guy. I haven't in out burgers, but not the fries. 18 00:01:12,000 --> 00:01:14,959 Speaker 1: I don't like the fries. Fries are bad, but burgers 19 00:01:15,200 --> 00:01:16,840 Speaker 1: I get it protein style too. I love the crunch 20 00:01:16,880 --> 00:01:20,080 Speaker 1: of the lettuce. Big fan of that. I love crunchy lettuce. 21 00:01:20,160 --> 00:01:24,760 Speaker 1: I've been really into making sandwiches lately, and just like 22 00:01:24,800 --> 00:01:27,280 Speaker 1: a homemade sandwich. By the way, when I was a kid, 23 00:01:27,360 --> 00:01:29,520 Speaker 1: I don't know how my mom how it was even possible, 24 00:01:29,520 --> 00:01:31,959 Speaker 1: because I've tried to do it now it's not really easy. 25 00:01:32,000 --> 00:01:33,959 Speaker 1: But my mom used to draw a heart in the 26 00:01:33,959 --> 00:01:36,000 Speaker 1: peanut butter. She'd make me a peanut butter and jelly 27 00:01:36,040 --> 00:01:39,280 Speaker 1: sandwich and she draw she draw a heart in the 28 00:01:39,280 --> 00:01:41,399 Speaker 1: peanut butter, and then I think she just very lightly 29 00:01:41,440 --> 00:01:44,360 Speaker 1: put the bread together. But I remember being in elementary 30 00:01:44,360 --> 00:01:47,480 Speaker 1: school and being able to slowly peel apart the sandwich 31 00:01:47,560 --> 00:01:49,880 Speaker 1: to see the port, to see whatever portion of the 32 00:01:49,880 --> 00:01:52,840 Speaker 1: heart was still left in the peanut butter. Isn't that sweet? 33 00:01:53,040 --> 00:01:54,640 Speaker 1: I know? And then it made me think about the 34 00:01:54,640 --> 00:01:56,560 Speaker 1: fact that, like, I don't include enough my My mom 35 00:01:56,640 --> 00:01:59,120 Speaker 1: used to leave me a note in my lunch occasionally, 36 00:01:59,160 --> 00:02:02,120 Speaker 1: and I loved the notes. And so for Adler's third birthday, 37 00:02:02,480 --> 00:02:04,000 Speaker 1: I dropped him off at school and I put a 38 00:02:04,000 --> 00:02:05,920 Speaker 1: little note in there, and I was like, he can't read. 39 00:02:06,840 --> 00:02:09,640 Speaker 1: This is gonna mean anything? What am I doing? Sometimes 40 00:02:09,639 --> 00:02:11,639 Speaker 1: I I I give indie notes every once in a while, 41 00:02:11,680 --> 00:02:13,600 Speaker 1: and back when he was in preschool the teachers would 42 00:02:13,600 --> 00:02:17,560 Speaker 1: read them too. Was just aware that somebody's going to 43 00:02:17,600 --> 00:02:21,040 Speaker 1: read it to him. There's a Simpsons episode where Lisa 44 00:02:21,080 --> 00:02:23,080 Speaker 1: and Bart are coming up at lunch and Lisa says, 45 00:02:23,120 --> 00:02:25,320 Speaker 1: I I Bart says, I think I got your lunch, 46 00:02:25,840 --> 00:02:27,480 Speaker 1: and she takes it over and the note says I'm 47 00:02:27,520 --> 00:02:29,119 Speaker 1: so proud of you. I love you, and she goes, yeah, 48 00:02:29,120 --> 00:02:30,880 Speaker 1: I got yours, and the note says, be good. For 49 00:02:30,919 --> 00:02:34,440 Speaker 1: the love of God, be good, and that was great. Yeah. 50 00:02:34,520 --> 00:02:36,240 Speaker 1: I'm also not going to tell you that when I travel, 51 00:02:36,639 --> 00:02:39,239 Speaker 1: my wife puts together a snack bag and puts a 52 00:02:39,280 --> 00:02:42,440 Speaker 1: note in it for me. My God, that's cute. When 53 00:02:43,520 --> 00:02:47,040 Speaker 1: when Jensen and I were dating, uh and he'd go 54 00:02:47,160 --> 00:02:49,360 Speaker 1: on a trip somewhere I would leave, I would write 55 00:02:49,400 --> 00:02:51,760 Speaker 1: a little little notes, like on a like I post it, 56 00:02:51,800 --> 00:02:53,760 Speaker 1: I'd rip a post it into three and write three 57 00:02:53,760 --> 00:02:55,360 Speaker 1: little notes are just like I love you, and hide 58 00:02:55,360 --> 00:02:56,880 Speaker 1: one in the brim of his hat and one in 59 00:02:56,919 --> 00:03:01,919 Speaker 1: a saw. We awesome. I love doing that stuff. Well, 60 00:03:01,960 --> 00:03:08,239 Speaker 1: writer custom build his wife's wedding rings so exactly tells 61 00:03:08,240 --> 00:03:11,840 Speaker 1: you everything about our relationship, you make the gesture and 62 00:03:11,840 --> 00:03:14,320 Speaker 1: then you forget about it. I mean, I don't minding 63 00:03:14,360 --> 00:03:17,600 Speaker 1: the metal. I don't leave those notes in Jensen's hats anymore. 64 00:03:17,680 --> 00:03:20,240 Speaker 1: I have two children to take care of, and you know, 65 00:03:20,440 --> 00:03:25,800 Speaker 1: I feel like, truthfully, um, marriage right after kids is 66 00:03:26,240 --> 00:03:30,320 Speaker 1: absolutely takes a total backseat to now the children. And 67 00:03:30,360 --> 00:03:33,200 Speaker 1: like the good news is I am not in a 68 00:03:33,240 --> 00:03:36,000 Speaker 1: relationship where Jensen feels like once we had kids, she 69 00:03:36,080 --> 00:03:39,920 Speaker 1: stopped prioritizing me. Like Jensen so totally gets it that 70 00:03:40,000 --> 00:03:42,800 Speaker 1: for both of us, our children right now are like 71 00:03:42,960 --> 00:03:45,760 Speaker 1: the season of life we are in is just very 72 00:03:45,880 --> 00:03:48,360 Speaker 1: kids centric, and there will be a time where we 73 00:03:48,400 --> 00:03:51,840 Speaker 1: get back to like our relationship being in the hierarchy, 74 00:03:51,880 --> 00:03:54,280 Speaker 1: but right now it's kind of like the biggest bonding 75 00:03:54,280 --> 00:03:57,119 Speaker 1: experience we have is playing Octortal before we go to bed, 76 00:03:57,160 --> 00:04:00,720 Speaker 1: and that's about definitely, like, you know, if you can 77 00:04:00,760 --> 00:04:04,560 Speaker 1: have grandparents or somebody watch the kids, I would definitely like. 78 00:04:04,840 --> 00:04:07,680 Speaker 1: Taking taking each other out to dinner is like something 79 00:04:07,760 --> 00:04:10,440 Speaker 1: Alex and I have always made essential. It's like, you know, 80 00:04:10,520 --> 00:04:13,000 Speaker 1: every couple of weeks, at every stage, it was like 81 00:04:13,120 --> 00:04:15,280 Speaker 1: because because we were fortunate enough that my in laws 82 00:04:15,360 --> 00:04:18,240 Speaker 1: are local you know, in l A, no one has grandparents, 83 00:04:18,400 --> 00:04:20,240 Speaker 1: so like all of our friends, you know, they have 84 00:04:20,279 --> 00:04:21,960 Speaker 1: to hire babies that if they're going out or whatever. 85 00:04:22,080 --> 00:04:24,160 Speaker 1: But we're so lucky. My in laws moved from Florida 86 00:04:24,200 --> 00:04:27,000 Speaker 1: when Indy was born, and so we've always been able 87 00:04:27,040 --> 00:04:29,120 Speaker 1: to just have nights out where it's just the two 88 00:04:29,120 --> 00:04:31,440 Speaker 1: of us and it's like so essential. I love that. Yeah, 89 00:04:31,560 --> 00:04:34,120 Speaker 1: that's why it's hard to and I that's one of 90 00:04:34,120 --> 00:04:36,839 Speaker 1: the reasons why kids we love not It's just just 91 00:04:36,920 --> 00:04:38,719 Speaker 1: about us and we like that. I mean, it works 92 00:04:38,720 --> 00:04:42,120 Speaker 1: for us, it's perfect. So well, welcome to Pod Meets World. 93 00:04:42,240 --> 00:04:45,560 Speaker 1: I'm Daniel fish All, I'm right or Strong, and I'm Wilfredell. 94 00:04:46,080 --> 00:04:48,239 Speaker 1: You may know us as to Panga, Sean and Eric 95 00:04:48,400 --> 00:04:53,000 Speaker 1: and Um. We are doing a special episode today because 96 00:04:53,000 --> 00:04:56,160 Speaker 1: we have been asking you and you have been delivering. 97 00:04:56,600 --> 00:04:59,640 Speaker 1: We've been saying, email us your thoughts, your questions at 98 00:04:59,680 --> 00:05:02,640 Speaker 1: pod It's World show at gmail dot com. And starting 99 00:05:02,839 --> 00:05:05,480 Speaker 1: right with episode one, you guys started sending in your 100 00:05:05,560 --> 00:05:07,919 Speaker 1: questions and now we have so many of them we 101 00:05:07,920 --> 00:05:12,320 Speaker 1: thought we would do a very special Q and A episode. Also, 102 00:05:12,600 --> 00:05:16,000 Speaker 1: do you remember when you were like twelve or thirteen 103 00:05:16,080 --> 00:05:20,040 Speaker 1: years old and your absolute favorite band was meat Loaf. Well, 104 00:05:20,120 --> 00:05:23,520 Speaker 1: so does Mr Feenie and so do we, which is 105 00:05:23,520 --> 00:05:27,760 Speaker 1: why we made a Meet Foenie shirt in honor of 106 00:05:27,800 --> 00:05:30,680 Speaker 1: the greatest episode, the greatest scene, the greatest image of 107 00:05:30,680 --> 00:05:33,800 Speaker 1: all time double meat Loaf on Mr Feenie. It is 108 00:05:33,839 --> 00:05:38,320 Speaker 1: available until August and then never available again. So get 109 00:05:38,400 --> 00:05:42,120 Speaker 1: your meat Foenie shirt at Pod Meets World Show dot com. Now, 110 00:05:42,480 --> 00:05:45,200 Speaker 1: we wanted to check in with each other to say, 111 00:05:45,320 --> 00:05:47,799 Speaker 1: how are you feeling. How do you think this is going. 112 00:05:49,120 --> 00:05:51,800 Speaker 1: Moments that have made you uncomfortable, moments that have made 113 00:05:51,839 --> 00:05:54,920 Speaker 1: you really happy? Um, and so that's kind of where 114 00:05:54,920 --> 00:05:58,279 Speaker 1: we are right How are you feeling in this stage 115 00:05:58,279 --> 00:06:04,039 Speaker 1: of our journey. I feel like I jumped into what 116 00:06:04,160 --> 00:06:06,159 Speaker 1: I thought was like a shallow pool and it got 117 00:06:06,200 --> 00:06:09,720 Speaker 1: really deep, really quick. I we I feel like we 118 00:06:09,800 --> 00:06:12,839 Speaker 1: got in over our heads a little quicker than I 119 00:06:12,839 --> 00:06:15,560 Speaker 1: don't know, I guess. I guess. I thought the rewatching 120 00:06:15,839 --> 00:06:18,559 Speaker 1: would take more of a precedence than the conversations about 121 00:06:18,560 --> 00:06:22,160 Speaker 1: behind the scenes. But basically, after we started that first 122 00:06:22,200 --> 00:06:25,200 Speaker 1: episode and the memories just kept coming and the conversation 123 00:06:25,279 --> 00:06:28,440 Speaker 1: kept going in that direction because that is our experience 124 00:06:28,520 --> 00:06:31,520 Speaker 1: right is like we I remember backstage way more than 125 00:06:31,520 --> 00:06:34,760 Speaker 1: I remember the episodes themselves. So we just keep going 126 00:06:34,760 --> 00:06:37,760 Speaker 1: in that direction. And I can't believe how much material 127 00:06:37,839 --> 00:06:41,200 Speaker 1: there is already out there. Um and so I'm I, 128 00:06:41,320 --> 00:06:45,279 Speaker 1: you know, I'm a little overwhelmed. I'm a little like, wow, 129 00:06:45,320 --> 00:06:48,000 Speaker 1: I have I thought I'd processed all of this, but 130 00:06:48,040 --> 00:06:51,960 Speaker 1: obviously not. Um And yeah, so I still have a 131 00:06:51,960 --> 00:06:54,720 Speaker 1: lot of feelings and I'm still figuring it out. I 132 00:06:54,760 --> 00:06:57,159 Speaker 1: think the best part about this has been sharing it 133 00:06:57,200 --> 00:07:00,880 Speaker 1: with my son. That's been super fun and funny and 134 00:07:01,279 --> 00:07:04,760 Speaker 1: already led to interesting conversations about him and our relationship 135 00:07:04,800 --> 00:07:07,160 Speaker 1: that I like. Um not, you know, because what I 136 00:07:07,320 --> 00:07:09,560 Speaker 1: end up playing on the show is I edit down 137 00:07:09,640 --> 00:07:12,640 Speaker 1: from usually like a five to ten minute conversation, so 138 00:07:12,640 --> 00:07:15,520 Speaker 1: it's usually double what is on on this show. And 139 00:07:15,560 --> 00:07:18,800 Speaker 1: that's been super fun. Um but yeah, it's it's definitely 140 00:07:18,840 --> 00:07:22,000 Speaker 1: gotten deeper than I thought quicker. How about you guys, Um, Yeah, 141 00:07:22,040 --> 00:07:24,480 Speaker 1: I kind of feel the same way. I'm really loving, 142 00:07:25,360 --> 00:07:27,560 Speaker 1: first of all, a couple of things, Really loving seeing 143 00:07:27,800 --> 00:07:29,200 Speaker 1: the both of you as much as we I mean, 144 00:07:29,200 --> 00:07:30,760 Speaker 1: we always saw each other, but now that it's like 145 00:07:30,800 --> 00:07:34,480 Speaker 1: a regular thing kind of there's a safety in doing 146 00:07:34,480 --> 00:07:37,200 Speaker 1: this with your friends. Um, so there's something that I 147 00:07:37,240 --> 00:07:40,680 Speaker 1: love about that. I also just absolutely adore bringing all 148 00:07:40,720 --> 00:07:43,320 Speaker 1: the guests back and getting to talk to everybody again 149 00:07:43,320 --> 00:07:46,920 Speaker 1: as adults, and also just the conversations of leading to 150 00:07:47,000 --> 00:07:48,520 Speaker 1: who else are we gonna bring on? Who else can 151 00:07:48,560 --> 00:07:50,160 Speaker 1: we get, who's gonna come? I mean, all that kind 152 00:07:50,200 --> 00:07:51,640 Speaker 1: of stuff is is a lot of fun for me. 153 00:07:51,720 --> 00:07:55,000 Speaker 1: But yeah, I got very real, very quick, very quickly, 154 00:07:55,080 --> 00:07:57,760 Speaker 1: and I'm okay with that. I think it's I think 155 00:07:57,760 --> 00:07:59,800 Speaker 1: it's you know, we one of the things that we 156 00:08:00,040 --> 00:08:01,840 Speaker 1: has talked about was we were going to start this 157 00:08:01,880 --> 00:08:04,800 Speaker 1: show and then we were going to let the show 158 00:08:04,880 --> 00:08:07,800 Speaker 1: kind of dictate what it became. We were gonna, you know, 159 00:08:07,880 --> 00:08:11,119 Speaker 1: just keep it very very loose and see where it went, 160 00:08:11,840 --> 00:08:14,160 Speaker 1: uh and go from there. And once Tony Quinn came 161 00:08:14,200 --> 00:08:16,720 Speaker 1: up with the idea of actually making the show and 162 00:08:16,760 --> 00:08:23,240 Speaker 1: we were able to kind of move he came up 163 00:08:23,240 --> 00:08:24,840 Speaker 1: with it. He was really he came up with it 164 00:08:24,840 --> 00:08:28,080 Speaker 1: after and um, I thank him for it every day. 165 00:08:28,280 --> 00:08:34,200 Speaker 1: And he invented podcast he did, so. Um yeah, so no, 166 00:08:34,400 --> 00:08:36,160 Speaker 1: it's it's been It's been a ton of fun. I've 167 00:08:36,200 --> 00:08:38,880 Speaker 1: I've really enjoyed it. It's I know this sounds ridiculous. 168 00:08:38,880 --> 00:08:41,160 Speaker 1: It's been a lot more work than I thought it 169 00:08:41,240 --> 00:08:43,960 Speaker 1: was going to be, if that makes any sense, which 170 00:08:44,000 --> 00:08:48,400 Speaker 1: is mentally draining, mentally draining, time consuming, actual work. I mean, 171 00:08:48,400 --> 00:08:50,840 Speaker 1: there's it's there's a lot of work people are It's like, oh, 172 00:08:50,840 --> 00:08:52,440 Speaker 1: you stead in front of microphone, you talk. Well, now, 173 00:08:52,480 --> 00:08:54,280 Speaker 1: there's a lot that goes on because we want to 174 00:08:54,280 --> 00:08:56,920 Speaker 1: be kind of involved in every aspect of the show. 175 00:08:57,000 --> 00:09:02,080 Speaker 1: So um, but it's, uh, it's it's it's been fun, 176 00:09:02,120 --> 00:09:05,600 Speaker 1: but it's been a lot more emotional than I thought 177 00:09:05,600 --> 00:09:09,000 Speaker 1: it was gonna be. Yeah, I think, um to your 178 00:09:09,040 --> 00:09:11,600 Speaker 1: point will about the time consuming nous of it. I 179 00:09:11,640 --> 00:09:14,600 Speaker 1: think one of the things that I'm surprised by that 180 00:09:14,679 --> 00:09:18,080 Speaker 1: I shouldn't really have been surprised by, is just how much, 181 00:09:18,520 --> 00:09:21,800 Speaker 1: um I enjoy talking about all of the little moments 182 00:09:21,800 --> 00:09:24,320 Speaker 1: for each one of us, and how long we must 183 00:09:24,360 --> 00:09:28,120 Speaker 1: find ourselves endlessly entertaining. I hope you guys find us 184 00:09:28,200 --> 00:09:31,839 Speaker 1: entertaining too, because I am amazed when two hours go by. 185 00:09:32,000 --> 00:09:34,160 Speaker 1: I am truthfully like two hours go by and I 186 00:09:34,160 --> 00:09:36,000 Speaker 1: go I feel like I've been here for forty minutes. 187 00:09:36,240 --> 00:09:38,960 Speaker 1: And by the way, if I wasn't worried about you 188 00:09:38,960 --> 00:09:41,560 Speaker 1: guys listening not wanting to have a three hour episode, 189 00:09:41,760 --> 00:09:45,120 Speaker 1: I could still sit here and keep discussing things. And 190 00:09:45,160 --> 00:09:48,920 Speaker 1: so I am. I'm like that in that sense. There's 191 00:09:48,960 --> 00:09:52,600 Speaker 1: been so much to discuss and I've enjoyed all of it. Um, 192 00:09:52,640 --> 00:09:55,080 Speaker 1: And it is time consuming to watch the episode, write 193 00:09:55,120 --> 00:09:58,200 Speaker 1: the notes, uh, think about the memories, and then you know, 194 00:09:58,320 --> 00:10:00,360 Speaker 1: be present in the conversation and want to listen to 195 00:10:00,360 --> 00:10:04,920 Speaker 1: what everybody else's stories are. Um. I'm I'm selfishly very 196 00:10:04,960 --> 00:10:07,559 Speaker 1: excited to get into some episodes that I'm in because 197 00:10:07,600 --> 00:10:10,920 Speaker 1: I feel a little like, you know, I'm getting to 198 00:10:11,000 --> 00:10:14,200 Speaker 1: comment on on a show that doesn't even feel at 199 00:10:14,240 --> 00:10:15,720 Speaker 1: all like I'm a part of it. Yet. You know, 200 00:10:16,040 --> 00:10:19,520 Speaker 1: I did think in that episode with Will's first on 201 00:10:19,640 --> 00:10:22,319 Speaker 1: screen kiss with Carrie Russell, I thought it was funny. 202 00:10:22,360 --> 00:10:23,719 Speaker 1: I didn't say it in the time when we did 203 00:10:23,720 --> 00:10:26,600 Speaker 1: the episode, but I'm remembering it now that it's funny 204 00:10:26,600 --> 00:10:28,800 Speaker 1: that Corey doesn't even make any mention of the fact 205 00:10:28,840 --> 00:10:31,120 Speaker 1: that he has also kissed a girl, and I that's 206 00:10:31,120 --> 00:10:32,840 Speaker 1: one of the things that makes me think. You guys 207 00:10:32,880 --> 00:10:36,720 Speaker 1: may have reported that episode before that, because he makes 208 00:10:36,760 --> 00:10:39,160 Speaker 1: a joke about Eric maybe what having kissed two girls, 209 00:10:39,160 --> 00:10:40,559 Speaker 1: and I thought I would have almost been funnier for 210 00:10:40,600 --> 00:10:42,240 Speaker 1: him to be like, I've kissed the same amount of 211 00:10:42,280 --> 00:10:45,360 Speaker 1: girls you have, you know, like just but he didn't 212 00:10:45,360 --> 00:10:46,959 Speaker 1: even acknowledge it, So I feel like maybe that was 213 00:10:47,000 --> 00:10:49,680 Speaker 1: even before I was there. So selfishly, I'm looking forward 214 00:10:49,679 --> 00:10:52,440 Speaker 1: to getting into some episodes where I'm there, because, um, 215 00:10:52,720 --> 00:10:55,440 Speaker 1: I can't wait to critique myself in those ways. We 216 00:10:55,480 --> 00:10:57,960 Speaker 1: can't wait to critique you either. Oh, it's gonna be 217 00:10:58,000 --> 00:11:00,960 Speaker 1: so fun. Have you ever wanted to see us do 218 00:11:01,080 --> 00:11:03,400 Speaker 1: this nonsense we do with all the talking and the 219 00:11:03,400 --> 00:11:06,360 Speaker 1: talky talky and the talking talking live, Well, guess what 220 00:11:06,840 --> 00:11:09,680 Speaker 1: we are doing that. We are announcing our very first 221 00:11:10,360 --> 00:11:13,680 Speaker 1: live show ever where we are going to bring this 222 00:11:13,720 --> 00:11:17,120 Speaker 1: podcast that hopefully you love, to the stage. We have 223 00:11:17,160 --> 00:11:18,599 Speaker 1: no idea what it's going to be yet, which is 224 00:11:18,640 --> 00:11:20,720 Speaker 1: a little scary, so it may be a total issue 225 00:11:20,960 --> 00:11:23,400 Speaker 1: and which case, maybe you really need to be there. 226 00:11:23,720 --> 00:11:26,360 Speaker 1: Catch us at the Magnolia and Alcohol in California on 227 00:11:26,400 --> 00:11:31,040 Speaker 1: October two. Pre sale begins this Wednesday, August at ten 228 00:11:31,120 --> 00:11:35,319 Speaker 1: am Pacific time with the code Chubbies that's c h 229 00:11:35,520 --> 00:11:38,800 Speaker 1: U B B y S. So grab your tickets before 230 00:11:38,800 --> 00:11:42,040 Speaker 1: they go on general sale this Friday, August at ten 231 00:11:42,120 --> 00:11:45,720 Speaker 1: am Pacific time. Tickets are available at ticketmaster dot com. 232 00:11:46,000 --> 00:11:47,439 Speaker 1: Do you guys know? Do you guys want? You want 233 00:11:47,440 --> 00:11:51,719 Speaker 1: to hear something weird? I refused to call myself a 234 00:11:51,800 --> 00:11:57,840 Speaker 1: child actor until maybe like five years ago. I could not. Yeah, 235 00:11:58,400 --> 00:12:01,760 Speaker 1: I intentionally avoided the phrase I was a child actor, 236 00:12:01,880 --> 00:12:05,079 Speaker 1: or I would find ways around it. I would say, oh, 237 00:12:05,120 --> 00:12:07,120 Speaker 1: and I I acted when I was a kid, or 238 00:12:07,240 --> 00:12:08,640 Speaker 1: you know I used to act. I started acting when 239 00:12:08,679 --> 00:12:12,080 Speaker 1: I was young. For whatever reason, I became obsessed at 240 00:12:12,080 --> 00:12:16,400 Speaker 1: post boy Mean's world immediately with not acknowledging my identity 241 00:12:16,520 --> 00:12:18,760 Speaker 1: as this thing, and it was so weird. In college 242 00:12:18,800 --> 00:12:23,920 Speaker 1: I became UM. I became friends with Joshua Waitskin, who 243 00:12:24,040 --> 00:12:31,640 Speaker 1: um is the child prodigy that uh UM Searching for 244 00:12:31,640 --> 00:12:33,640 Speaker 1: Bobby Fisher is based on. He was a chess player 245 00:12:33,720 --> 00:12:36,000 Speaker 1: and he was ach so his dad wrote the incredible 246 00:12:36,000 --> 00:12:38,680 Speaker 1: book It's a wonderful book by Fred Waitskin UM called 247 00:12:38,720 --> 00:12:42,319 Speaker 1: Searching for Bobby Fisher, which then became a pretty good movie. UM. 248 00:12:42,320 --> 00:12:45,360 Speaker 1: But and when we were in college, he mentioned that 249 00:12:45,440 --> 00:12:49,160 Speaker 1: he hated the phrase child prodigy. He couldn't stand and 250 00:12:49,200 --> 00:12:52,920 Speaker 1: I was like, why that's such a compliment, It's so awesome, 251 00:12:53,520 --> 00:12:55,640 Speaker 1: And but I then on the flip side, I had 252 00:12:55,679 --> 00:12:58,840 Speaker 1: to acknowledge I hated child actor, which to me seemed 253 00:12:59,160 --> 00:13:02,480 Speaker 1: like more derogatory. But for him, even child prodigy, which 254 00:13:02,559 --> 00:13:04,640 Speaker 1: I thought of as a compliment, he could only see 255 00:13:04,679 --> 00:13:07,240 Speaker 1: it as diminishing because it was like either he you know, 256 00:13:07,280 --> 00:13:10,000 Speaker 1: he wanted to be a grown up prodigy or whatever 257 00:13:10,000 --> 00:13:11,880 Speaker 1: that you know, you wanted to just be acknowledged for 258 00:13:12,040 --> 00:13:14,960 Speaker 1: doing a thing, and maybe you started it early, but 259 00:13:15,000 --> 00:13:16,400 Speaker 1: it was clear that we were both going through the 260 00:13:16,440 --> 00:13:19,160 Speaker 1: same psychological process for you know, very different reasons. But 261 00:13:19,840 --> 00:13:23,040 Speaker 1: uh yeah, so when we were talking about this show, 262 00:13:23,760 --> 00:13:28,079 Speaker 1: this podcast, it's really something that would have been literally 263 00:13:28,120 --> 00:13:30,640 Speaker 1: impossible for me to think about five years ago when 264 00:13:30,640 --> 00:13:32,800 Speaker 1: I couldn't even say the phrase child actor. Now I'm like, 265 00:13:32,840 --> 00:13:35,120 Speaker 1: I was a kid actor was crazy, you know, like, 266 00:13:35,160 --> 00:13:37,800 Speaker 1: and I can own it. But um so, even just 267 00:13:37,880 --> 00:13:40,760 Speaker 1: like the fact that we're having these kinds of conversations, 268 00:13:40,800 --> 00:13:43,840 Speaker 1: we were really diving deep and being completely honest is 269 00:13:44,080 --> 00:13:48,199 Speaker 1: only possible as a forty plus year old for me, Yeah, 270 00:13:48,240 --> 00:13:51,400 Speaker 1: I also avoided child actor. And I think it's for 271 00:13:51,480 --> 00:13:54,760 Speaker 1: a few reasons. One, it's a very loaded um phrase. 272 00:13:54,840 --> 00:14:01,000 Speaker 1: It it also implies somehow, um, possibly you know, messed up, 273 00:14:01,679 --> 00:14:06,320 Speaker 1: possibly a drug addict, possibly you know caught up. Doesn't 274 00:14:06,360 --> 00:14:08,520 Speaker 1: actually that's what That's what's interesting is that it doesn't 275 00:14:08,520 --> 00:14:10,520 Speaker 1: it did to you or does you know? That's what 276 00:14:10,559 --> 00:14:13,280 Speaker 1: you're afraid of, But that's actually not the case. Like 277 00:14:13,360 --> 00:14:16,800 Speaker 1: just it's literally child actor. It's a it's a neutral description, 278 00:14:17,000 --> 00:14:19,120 Speaker 1: but I think what it does by adding the child 279 00:14:19,200 --> 00:14:22,000 Speaker 1: to it, it diminishes that you were an actor, right 280 00:14:22,640 --> 00:14:25,640 Speaker 1: Like it somehow creates an identity that's different than doing 281 00:14:25,640 --> 00:14:27,520 Speaker 1: a thing like you didn't just act, you were a 282 00:14:27,640 --> 00:14:30,240 Speaker 1: child actor. It's an identity that's sort of like handed 283 00:14:30,280 --> 00:14:32,360 Speaker 1: to you, I don't know well. And also then it 284 00:14:32,400 --> 00:14:34,480 Speaker 1: has the feeling of when you are no longer a child, 285 00:14:34,600 --> 00:14:37,120 Speaker 1: it is taken away from you that now you've outgrown 286 00:14:37,160 --> 00:14:39,640 Speaker 1: a thing. Now you're no longer special because you're no 287 00:14:39,720 --> 00:14:42,400 Speaker 1: longer a child. And so you have that feeling of like, well, 288 00:14:42,480 --> 00:14:44,840 Speaker 1: am I not still good at what I do? Or 289 00:14:44,880 --> 00:14:46,840 Speaker 1: am I not still an actor because I'm no longer 290 00:14:46,840 --> 00:14:50,680 Speaker 1: a child? But I do think when people talk about, well, 291 00:14:50,720 --> 00:14:53,080 Speaker 1: how did you know child actor? For a lot of people, 292 00:14:53,160 --> 00:14:57,640 Speaker 1: it is weightier than just the description. I know, the 293 00:14:57,640 --> 00:15:00,320 Speaker 1: words mean you were an actor who was a child fild, 294 00:15:00,360 --> 00:15:03,080 Speaker 1: but it also does have that sense of like, so 295 00:15:03,120 --> 00:15:04,960 Speaker 1: there must be a problem with you because you were 296 00:15:04,960 --> 00:15:08,040 Speaker 1: a child actor, because it does. I don't know, maybe 297 00:15:08,040 --> 00:15:09,760 Speaker 1: that is just me, but I feel like most people 298 00:15:09,760 --> 00:15:11,680 Speaker 1: think of it that way. I never called myself a 299 00:15:11,760 --> 00:15:15,040 Speaker 1: child actor, and and it wasn't it wasn't conscious. I 300 00:15:15,120 --> 00:15:16,880 Speaker 1: was just I was always an actor and that I 301 00:15:16,880 --> 00:15:18,800 Speaker 1: still and then be like, oh kay, really you're an actor. Ye, 302 00:15:18,880 --> 00:15:20,840 Speaker 1: I'm an actor. Oh when did you start? I was like, oh, man, 303 00:15:20,840 --> 00:15:22,640 Speaker 1: I started when I was a kid. I was really young. 304 00:15:23,280 --> 00:15:25,440 Speaker 1: But I was never like and I was a child actor. 305 00:15:25,760 --> 00:15:28,560 Speaker 1: It just I mean, see it's different for you writer, 306 00:15:28,640 --> 00:15:30,520 Speaker 1: because you're not an actor anymore. Where I'm you know, 307 00:15:30,560 --> 00:15:32,800 Speaker 1: I'm still acting, So it was kind of like, I'm 308 00:15:32,840 --> 00:15:35,200 Speaker 1: an actor and it's like, oh, well, well when I 309 00:15:35,200 --> 00:15:36,640 Speaker 1: was young, I was on this, and when I was 310 00:15:36,640 --> 00:15:38,200 Speaker 1: in my twenties and I was on this and I 311 00:15:38,240 --> 00:15:39,920 Speaker 1: do a lot of voice over, like it was never 312 00:15:40,840 --> 00:15:42,880 Speaker 1: I never put it in a category. And I think 313 00:15:42,880 --> 00:15:45,400 Speaker 1: there is kind of like that. We we've we've talked 314 00:15:45,400 --> 00:15:46,960 Speaker 1: about this a number of times, were coming in the 315 00:15:47,000 --> 00:15:49,840 Speaker 1: early nineties who were coming off the eighties child actor, 316 00:15:49,960 --> 00:15:53,280 Speaker 1: which did have that kind of negative connotation around it, 317 00:15:53,320 --> 00:15:57,560 Speaker 1: were that's what you did. You peeked at at seventeen, 318 00:15:57,800 --> 00:16:00,160 Speaker 1: You then robbed the liquor store, you did that. What 319 00:16:00,400 --> 00:16:03,920 Speaker 1: happened when you were, you know, acting in the eighties. Um, 320 00:16:03,960 --> 00:16:06,200 Speaker 1: and I think it we hit a different kind of 321 00:16:07,560 --> 00:16:10,400 Speaker 1: version of quote unquote child actors and the child actor 322 00:16:10,400 --> 00:16:12,480 Speaker 1: in the nineties. I mean, we we just did. And 323 00:16:12,520 --> 00:16:14,520 Speaker 1: so I yeah, I don't know. I'd never referred to 324 00:16:14,560 --> 00:16:16,440 Speaker 1: myself as a child actor. I was always just an actor. 325 00:16:16,520 --> 00:16:19,120 Speaker 1: And then what's funny isn't in the last And my 326 00:16:19,160 --> 00:16:20,520 Speaker 1: wife calls me on this every once in a a while, 327 00:16:20,560 --> 00:16:22,040 Speaker 1: she's like, I wish you would stop doing that for 328 00:16:22,040 --> 00:16:24,800 Speaker 1: the last Like, I don't know, eight nine years. I 329 00:16:24,800 --> 00:16:27,640 Speaker 1: always tell people I do cartoon voices. They're like, what 330 00:16:27,680 --> 00:16:29,320 Speaker 1: do you do for a living? I do? I go, oh, man, 331 00:16:29,360 --> 00:16:31,240 Speaker 1: I do animation or I'm a voice over actor. Like 332 00:16:31,280 --> 00:16:33,200 Speaker 1: that's always what I've called myself. So I have no 333 00:16:33,280 --> 00:16:36,160 Speaker 1: problem for some reason putting myself in that category. But 334 00:16:36,240 --> 00:16:38,600 Speaker 1: I never once called myself a child actor. I don't 335 00:16:38,600 --> 00:16:44,320 Speaker 1: know why. Well, here we are three child actors about 336 00:16:44,400 --> 00:16:49,280 Speaker 1: to go through and talk about some of your most 337 00:16:49,320 --> 00:16:52,440 Speaker 1: frequently asked questions that we've gotten since we started the podcast. 338 00:16:53,160 --> 00:16:55,560 Speaker 1: One of them is a very simple one, which is 339 00:16:55,800 --> 00:16:58,400 Speaker 1: what's the podcast schedule? How many times a week are 340 00:16:58,400 --> 00:17:00,360 Speaker 1: we going to get to hear the podcast? Or maybe 341 00:17:00,360 --> 00:17:03,120 Speaker 1: you're asking stop overloading us with podcasts? I don't know, 342 00:17:03,480 --> 00:17:05,800 Speaker 1: but you want to know, slow down? Why are we 343 00:17:05,840 --> 00:17:10,360 Speaker 1: getting to a week? Um? Our podcast schedule is one 344 00:17:10,359 --> 00:17:13,200 Speaker 1: a week, unless we are lucky enough to have a guest, 345 00:17:13,200 --> 00:17:15,159 Speaker 1: which we've had a lot of guests lately. If we 346 00:17:15,200 --> 00:17:17,080 Speaker 1: are lucky enough to have a guest, then you will 347 00:17:17,119 --> 00:17:22,960 Speaker 1: get two episodes in a week, and UM, that's now, 348 00:17:23,720 --> 00:17:29,200 Speaker 1: we'll give you a third. Um. Will there be a 349 00:17:29,240 --> 00:17:33,439 Speaker 1: YouTube channel for the podcast as of right now? The 350 00:17:33,480 --> 00:17:37,480 Speaker 1: answer is no, maybe somewhere down the line, who knows, 351 00:17:37,560 --> 00:17:41,640 Speaker 1: we could eventually. We are recording this um mostly for audio. 352 00:17:41,800 --> 00:17:44,119 Speaker 1: It's not we're recording it because it's great video of 353 00:17:44,200 --> 00:17:46,719 Speaker 1: us or anything. It's mostly just because it helps us 354 00:17:46,760 --> 00:17:49,359 Speaker 1: with recording audio and we like to have it for 355 00:17:49,440 --> 00:17:52,400 Speaker 1: our social posts. UM. But As of right now, we're 356 00:17:52,440 --> 00:17:54,840 Speaker 1: not recording it for video. It's just audio, so but 357 00:17:54,880 --> 00:17:57,159 Speaker 1: who knows, in the future, maybe we'll we'll leave that 358 00:17:57,240 --> 00:18:01,000 Speaker 1: window open. Now, this is a question for you too. 359 00:18:01,200 --> 00:18:02,959 Speaker 1: I have kind of a boring answer for it, so 360 00:18:03,040 --> 00:18:05,960 Speaker 1: I'm going to go last, But did you keep any 361 00:18:06,000 --> 00:18:09,959 Speaker 1: props or items from the Boy Meets World set? Right? 362 00:18:10,000 --> 00:18:13,320 Speaker 1: And you want to start? Yeah, So I well, we 363 00:18:13,320 --> 00:18:15,840 Speaker 1: we Actually, I think I did end up trading, not 364 00:18:15,960 --> 00:18:18,200 Speaker 1: a bunch, but some clothing at the end of the 365 00:18:18,560 --> 00:18:22,440 Speaker 1: last season. UM Disney would allow. The Disney only cared 366 00:18:22,480 --> 00:18:25,480 Speaker 1: that certain clothes stayed because they would keep them in 367 00:18:25,480 --> 00:18:26,920 Speaker 1: a warehouse for I don't know how many years. I 368 00:18:26,920 --> 00:18:29,280 Speaker 1: don't think they're still there. But they didn't want to 369 00:18:29,359 --> 00:18:31,520 Speaker 1: keep the clothes, but they would never check if it 370 00:18:31,560 --> 00:18:35,520 Speaker 1: was the specific jacket, specific shirt. So our wardrobe people 371 00:18:35,600 --> 00:18:38,080 Speaker 1: let us come in and trade, so as long as 372 00:18:38,080 --> 00:18:39,840 Speaker 1: we brought in a jacket. So I went and bought 373 00:18:39,920 --> 00:18:42,560 Speaker 1: a leather jacket that I had worn that was very 374 00:18:42,600 --> 00:18:44,959 Speaker 1: similar to the Shawn jacket, but it was mine, and 375 00:18:45,000 --> 00:18:47,199 Speaker 1: then I brought it in and traded it for Shawn's 376 00:18:47,200 --> 00:18:49,280 Speaker 1: actual leather jacket. And I did that with some other 377 00:18:49,320 --> 00:18:53,240 Speaker 1: clothes too, But for about two years post Boy Meets World. 378 00:18:53,359 --> 00:18:55,080 Speaker 1: A year and a half post Boy Meets World, I 379 00:18:55,119 --> 00:18:56,760 Speaker 1: had that leather jacket. I wore it in New York. 380 00:18:57,119 --> 00:18:59,480 Speaker 1: But then I was living in Brooklyn and Williamsburg and 381 00:18:59,760 --> 00:19:02,199 Speaker 1: Mike Heart I've broken into. I came out, I came 382 00:19:02,200 --> 00:19:04,840 Speaker 1: out from my apartment and my car's window was broken 383 00:19:04,920 --> 00:19:07,640 Speaker 1: and the alarm was going off, and my jacket was gone. 384 00:19:09,480 --> 00:19:11,480 Speaker 1: So yeah, someone stole the leather jacket out of my 385 00:19:11,520 --> 00:19:14,280 Speaker 1: car in Brooklyn. Um. The other thing I have is 386 00:19:14,480 --> 00:19:19,480 Speaker 1: there's a painting of Robert Nighthawk that was in the college. 387 00:19:19,960 --> 00:19:24,560 Speaker 1: What was it called the main common common room? Okay, 388 00:19:24,720 --> 00:19:25,879 Speaker 1: what was it? I mean I had to have it. 389 00:19:25,920 --> 00:19:28,320 Speaker 1: Actually it had a name. It had a name. It 390 00:19:28,480 --> 00:19:32,919 Speaker 1: was the Oh my gosh, it's gonna dry me. It 391 00:19:32,960 --> 00:19:35,920 Speaker 1: wasn't just a common room. It was there was something else, lounge, 392 00:19:36,000 --> 00:19:39,360 Speaker 1: college lounge. I don't know anyway, the right above, like 393 00:19:39,760 --> 00:19:41,720 Speaker 1: one of like the I think it's right at where 394 00:19:41,720 --> 00:19:44,680 Speaker 1: the pool table was. At some point there was a 395 00:19:45,240 --> 00:19:48,080 Speaker 1: original painting. I forget who it's actually by, but it's 396 00:19:48,280 --> 00:19:52,840 Speaker 1: an artist who does musicians. He paints musicians and with 397 00:19:52,880 --> 00:19:57,040 Speaker 1: their name underneath the student union. Was it the student union? 398 00:19:57,880 --> 00:20:00,560 Speaker 1: Thank you? That's from Easton, thank you east In our 399 00:20:00,640 --> 00:20:04,760 Speaker 1: engineer and okay, yeah, so in the student union there 400 00:20:04,760 --> 00:20:06,560 Speaker 1: was a painting. Anyway, I took that painting the last night. 401 00:20:06,600 --> 00:20:09,000 Speaker 1: I stole it. Um, Daniel, you were with me. We 402 00:20:09,000 --> 00:20:11,320 Speaker 1: were sitting in the stands the last night after the tape, 403 00:20:11,440 --> 00:20:14,080 Speaker 1: after the final tape, and it was you, me, my 404 00:20:14,119 --> 00:20:18,760 Speaker 1: girlfriend at the time, and um Beth who was our 405 00:20:18,800 --> 00:20:22,280 Speaker 1: second stage manager, second second or whatever. Yeah, anyway, I 406 00:20:22,320 --> 00:20:24,200 Speaker 1: threw it in the back of my girlfriend's truck. I 407 00:20:24,320 --> 00:20:27,000 Speaker 1: just I was like, I'm going to take that painting now. 408 00:20:27,040 --> 00:20:28,760 Speaker 1: I would go back and take so much more. Like 409 00:20:28,800 --> 00:20:31,520 Speaker 1: I really wish I had Penbrooke sweatshirts and Penbrook stuff 410 00:20:31,520 --> 00:20:33,480 Speaker 1: because we had that whole student union was filled with 411 00:20:33,560 --> 00:20:35,760 Speaker 1: Penbrooke proms and I didn't keep any of them. I'm 412 00:20:35,760 --> 00:20:37,639 Speaker 1: sure they're online to be bought, but it would be 413 00:20:37,720 --> 00:20:42,160 Speaker 1: nice to have an original. I have a Penbrook sweatshirt somewhere. 414 00:20:42,240 --> 00:20:44,040 Speaker 1: That's the only thing I kept. By the time the 415 00:20:44,119 --> 00:20:48,720 Speaker 1: show was over, I was so I was just mentally 416 00:20:48,760 --> 00:20:50,960 Speaker 1: not in a good place. I was so burnt out. 417 00:20:51,320 --> 00:20:55,240 Speaker 1: I was like, goodbye show. I don't think at the 418 00:20:55,280 --> 00:20:58,480 Speaker 1: time I had any idea that it was going to 419 00:20:58,560 --> 00:21:03,560 Speaker 1: one be something I was talking about thirty years later. Uh, 420 00:21:03,600 --> 00:21:05,680 Speaker 1: and so I didn't know that. I and I also, 421 00:21:06,040 --> 00:21:09,080 Speaker 1: um unfortunately, have never been much of like I'm not 422 00:21:09,160 --> 00:21:14,600 Speaker 1: sentimental about things. I'm like sentimental about experiences. I'm sentimental 423 00:21:14,920 --> 00:21:18,480 Speaker 1: about um. But like, I'm not a big thing person. 424 00:21:18,560 --> 00:21:20,440 Speaker 1: I like to. I tend to be a little bit 425 00:21:20,440 --> 00:21:23,080 Speaker 1: more of a minimalist and so the idea of holding 426 00:21:23,080 --> 00:21:26,159 Speaker 1: onto something didn't really strike me at the time, But 427 00:21:26,240 --> 00:21:28,919 Speaker 1: I wish I wish I did, because obviously i'd like 428 00:21:28,960 --> 00:21:31,440 Speaker 1: to I'd like to have it now. But that the 429 00:21:31,480 --> 00:21:33,720 Speaker 1: other than the pen Books pen Brook sweatshirt, I don't 430 00:21:33,720 --> 00:21:36,400 Speaker 1: have anything. What about you will? Yeah, I don't have much. 431 00:21:36,440 --> 00:21:38,960 Speaker 1: I am very much a sentimental person, which is surprises 432 00:21:39,000 --> 00:21:41,560 Speaker 1: me that I don't have more from the show um 433 00:21:41,560 --> 00:21:43,919 Speaker 1: where my wife is the same way. She's like, oh, baby, clothes, 434 00:21:44,000 --> 00:21:48,439 Speaker 1: youink and she's throw them away. Um. I have a 435 00:21:48,600 --> 00:21:52,040 Speaker 1: John Adams Athletic Department sweatshirt that I was still when 436 00:21:52,040 --> 00:21:54,679 Speaker 1: I work out. Yeah, it's very cool. And um and 437 00:21:54,720 --> 00:21:57,479 Speaker 1: I have a Doctor Patson signed by Mark Patson. So 438 00:21:57,520 --> 00:21:59,880 Speaker 1: we we've talked about this on other shows where you're 439 00:22:00,000 --> 00:22:03,520 Speaker 1: not allowed to show products and you can't show so 440 00:22:03,600 --> 00:22:06,520 Speaker 1: can't say Coca Cola, can't say pepsi. So we would 441 00:22:06,560 --> 00:22:08,400 Speaker 1: have our prop guy would would have a little fun 442 00:22:08,400 --> 00:22:11,439 Speaker 1: and they would rename uh certain products, whether it be 443 00:22:11,520 --> 00:22:14,679 Speaker 1: cereal or soda or whatever it was. And one of 444 00:22:14,680 --> 00:22:16,800 Speaker 1: the things that he his name was Mark Patson, and 445 00:22:16,800 --> 00:22:19,040 Speaker 1: one of the things we would have Dr Papson instead 446 00:22:19,040 --> 00:22:21,639 Speaker 1: of Dr Pepper. So I have a Doctor Papson signed 447 00:22:21,640 --> 00:22:23,600 Speaker 1: by Mark Papson in my office sitting on the desk, 448 00:22:23,640 --> 00:22:26,520 Speaker 1: and it's year no, no, no, it's totally. It's empty. 449 00:22:26,520 --> 00:22:30,520 Speaker 1: It's never it was empty from the when I got it. Um. 450 00:22:30,560 --> 00:22:32,280 Speaker 1: But other than that, and then I have things that 451 00:22:32,960 --> 00:22:35,760 Speaker 1: I just kept because I never throw things away, Like 452 00:22:35,840 --> 00:22:40,119 Speaker 1: I have probably a hundred different scripts at least, um 453 00:22:40,320 --> 00:22:43,440 Speaker 1: original scripts from Boy and original scripts from Kimpossible and 454 00:22:43,480 --> 00:22:44,879 Speaker 1: kind of old shows back in the day. But I 455 00:22:44,880 --> 00:22:47,840 Speaker 1: have a ton of Boy meets World scripts that I found, 456 00:22:47,920 --> 00:22:50,639 Speaker 1: and um, I mean I have like original videotapes. I 457 00:22:50,680 --> 00:22:54,320 Speaker 1: found the original pilot not too long ago, which I 458 00:22:54,320 --> 00:22:56,560 Speaker 1: gave you guys each a copy of with the original 459 00:22:56,680 --> 00:22:58,960 Speaker 1: Eric and the original Alan oh, and I know this 460 00:22:59,040 --> 00:23:00,879 Speaker 1: is going to be a frequently question. No, it will 461 00:23:00,920 --> 00:23:02,639 Speaker 1: not be released anywhere. We don't have the right to 462 00:23:02,680 --> 00:23:05,919 Speaker 1: do that. Um. But so you know I found that, 463 00:23:06,040 --> 00:23:09,520 Speaker 1: and and but other than kind of big stuff, no, 464 00:23:09,720 --> 00:23:12,439 Speaker 1: we we all did the clothing trade. You know, you 465 00:23:12,480 --> 00:23:15,359 Speaker 1: went in and these jeans for that jeans, and and 466 00:23:15,359 --> 00:23:17,359 Speaker 1: it was crazy to the point where you talk about 467 00:23:17,359 --> 00:23:21,640 Speaker 1: how how um exacting Disney can be. It was a 468 00:23:21,680 --> 00:23:24,240 Speaker 1: good three or four weeks later, I got a call 469 00:23:24,280 --> 00:23:26,720 Speaker 1: from someone at Disney who was not affiliated with the show, 470 00:23:26,760 --> 00:23:30,680 Speaker 1: but with Disney wardrobe overall, asking me for a pair 471 00:23:30,760 --> 00:23:34,280 Speaker 1: of black socks that apparently I had taken. There's a 472 00:23:34,280 --> 00:23:36,800 Speaker 1: pair of black dress socks missing from your character. But 473 00:23:36,920 --> 00:23:40,280 Speaker 1: they really did follow up and I was like, sorry, 474 00:23:40,320 --> 00:23:42,119 Speaker 1: don't have them, and I'm not about to run in 475 00:23:42,119 --> 00:23:45,119 Speaker 1: a pair of black sox to Disney, but they I 476 00:23:45,200 --> 00:23:47,399 Speaker 1: literally got a phone call about a pair of black sox. 477 00:23:47,600 --> 00:23:50,240 Speaker 1: So that I think the Disney Vault is actually like 478 00:23:50,359 --> 00:23:54,439 Speaker 1: kind of a famous thing, because remember the episodes that 479 00:23:54,480 --> 00:23:56,040 Speaker 1: we did where we went back to like the forties 480 00:23:56,119 --> 00:24:01,359 Speaker 1: or the fifties. I'm wearing lucile balls shoes, and that's 481 00:24:01,400 --> 00:24:04,840 Speaker 1: that's why they they keep all the clothes. They keep 482 00:24:04,920 --> 00:24:07,879 Speaker 1: them so that when they do period pieces or if 483 00:24:07,920 --> 00:24:11,680 Speaker 1: someone becomes some massive star or historical you know, there's 484 00:24:11,720 --> 00:24:14,399 Speaker 1: some historical reason to do it, they've got it. And 485 00:24:14,440 --> 00:24:15,840 Speaker 1: then I don't know how long they hold onto it. 486 00:24:15,880 --> 00:24:17,600 Speaker 1: But I mean, we we did that episode where we 487 00:24:17,600 --> 00:24:20,160 Speaker 1: went back to the fifties and like you know or something, 488 00:24:20,160 --> 00:24:22,800 Speaker 1: and I'm wearing lucile ball shoes. I think it's more 489 00:24:22,960 --> 00:24:26,040 Speaker 1: for functionality or like what you were saying, it's more 490 00:24:26,080 --> 00:24:29,640 Speaker 1: about for period pieces. Then there they rarely. I don't 491 00:24:29,640 --> 00:24:32,919 Speaker 1: think they're saving things for sentimental or resale value or 492 00:24:32,960 --> 00:24:37,760 Speaker 1: like sort of historical museum. They also don't don't save everything. 493 00:24:37,800 --> 00:24:41,879 Speaker 1: Because there was a it went viral on TikTok last 494 00:24:42,000 --> 00:24:46,720 Speaker 1: year or the year before where somebody found at a 495 00:24:46,840 --> 00:24:50,439 Speaker 1: thrift store and it's marked Disney and tag Disney with 496 00:24:50,480 --> 00:24:54,320 Speaker 1: the date the quote unquote now famous pink dress from 497 00:24:54,320 --> 00:24:56,160 Speaker 1: My Date with the President's Daughter, which is a movie 498 00:24:56,200 --> 00:24:58,440 Speaker 1: that I did for Disney, And it was like Oliver 499 00:24:58,520 --> 00:25:00,960 Speaker 1: TikTok where the them and was like I have the 500 00:25:01,000 --> 00:25:02,879 Speaker 1: actual address and there's the you know, the name and 501 00:25:02,920 --> 00:25:05,520 Speaker 1: everything on there. So that was what was really cool. 502 00:25:07,119 --> 00:25:11,200 Speaker 1: They have a warehouse where they the giant rose all 503 00:25:11,200 --> 00:25:13,320 Speaker 1: the way up to the ceiling, so from Florida ceiling 504 00:25:13,480 --> 00:25:16,960 Speaker 1: racks of clothes and they divide them in rows by decade. 505 00:25:17,240 --> 00:25:21,440 Speaker 1: Do you guys remember there? Yeah, so I think probably 506 00:25:21,480 --> 00:25:23,800 Speaker 1: what happened is a lot of our clothes might be 507 00:25:23,840 --> 00:25:27,959 Speaker 1: in what is now the nineties ye aisle of this warehouse. 508 00:25:28,480 --> 00:25:30,600 Speaker 1: But I don't think they would have labeled and kept 509 00:25:30,600 --> 00:25:33,400 Speaker 1: it just for you know, the sacred point having it having. 510 00:25:34,040 --> 00:25:35,600 Speaker 1: Do you think they're labeled at all? Though? Like, do 511 00:25:35,600 --> 00:25:37,159 Speaker 1: you think if we went there and looked in the 512 00:25:37,240 --> 00:25:39,400 Speaker 1: nineties thing it would there be a boy Meats world section? 513 00:25:39,480 --> 00:25:41,000 Speaker 1: Or you think they're all just muddled in there with 514 00:25:41,160 --> 00:25:44,360 Speaker 1: you can find a denom, sleeveless denim with what I mean, 515 00:25:44,720 --> 00:25:49,120 Speaker 1: I look for a lot of fun. If they would 516 00:25:49,200 --> 00:25:54,120 Speaker 1: let traded in love to go, That's what I'm saying. 517 00:25:54,119 --> 00:25:55,600 Speaker 1: We get video and we put it up on the 518 00:25:55,600 --> 00:25:57,800 Speaker 1: website where it's like so if anybody works in the 519 00:25:57,880 --> 00:26:01,080 Speaker 1: art department of Disney and can give access to one 520 00:26:01,119 --> 00:26:03,080 Speaker 1: of the many warehouses, I just remember the one in 521 00:26:03,080 --> 00:26:07,040 Speaker 1: particular we went to um that would be amazing. Remember writer, 522 00:26:07,119 --> 00:26:09,720 Speaker 1: when they used to. There was the one woman and 523 00:26:09,760 --> 00:26:11,840 Speaker 1: I wish I remembered her name because she was very sweet. 524 00:26:11,840 --> 00:26:14,520 Speaker 1: We would go to her office and she would take 525 00:26:14,600 --> 00:26:18,880 Speaker 1: us down the hall to like the DVD room and 526 00:26:18,960 --> 00:26:21,600 Speaker 1: she would open up the doors and the drawers and 527 00:26:21,640 --> 00:26:23,280 Speaker 1: it was like, take whatever you want, and we would 528 00:26:23,320 --> 00:26:29,520 Speaker 1: walk out with like stacks of DVDs. No, she was 529 00:26:29,520 --> 00:26:31,800 Speaker 1: like an executive at Disney but who had access to 530 00:26:31,880 --> 00:26:34,320 Speaker 1: the whole DVD section and she would be like, take 531 00:26:34,400 --> 00:26:36,879 Speaker 1: because they'd have stacks of all their movies and all 532 00:26:36,920 --> 00:26:38,280 Speaker 1: their shows and all the stuff. And we would go 533 00:26:38,280 --> 00:26:40,880 Speaker 1: in there and walk out with like thirty DVDs each 534 00:26:40,920 --> 00:26:43,240 Speaker 1: of all the new stuff, not any recollections. Oh yeah, 535 00:26:43,240 --> 00:26:45,880 Speaker 1: it was awesome, totally cool because I don't yeah, oh, 536 00:26:45,920 --> 00:26:47,040 Speaker 1: I used to do do it all the time. I know 537 00:26:47,080 --> 00:26:48,560 Speaker 1: you were with me at least once because you were 538 00:26:48,600 --> 00:26:50,360 Speaker 1: like this is the best. I was like, yeah, this 539 00:26:50,400 --> 00:26:51,800 Speaker 1: is I would have been would have been a lot 540 00:26:51,840 --> 00:26:54,640 Speaker 1: later because DVDs weren't. This was still I think we were. 541 00:26:54,680 --> 00:26:57,160 Speaker 1: This might have even been six or seventh season. Yeah, 542 00:26:57,359 --> 00:27:09,880 Speaker 1: but it was great. Yeah. Alright, so, um, will we 543 00:27:09,960 --> 00:27:12,600 Speaker 1: ever get to hear Anthony Tyler Quinn a k A. 544 00:27:12,960 --> 00:27:17,119 Speaker 1: Mr Turner as a guest. Yes, we will already talked 545 00:27:17,119 --> 00:27:20,560 Speaker 1: to Tony. What's funny, very quick funny story. Well it's 546 00:27:20,560 --> 00:27:22,440 Speaker 1: not funny, so much is ironic that we're talking about 547 00:27:22,440 --> 00:27:25,000 Speaker 1: it right now. Um, I'm here in Chicago where Tony 548 00:27:25,040 --> 00:27:27,159 Speaker 1: and his wife have moved, and he's picking me up 549 00:27:27,160 --> 00:27:29,919 Speaker 1: tomorrow night and we are having dinner. Um, so I 550 00:27:30,480 --> 00:27:32,320 Speaker 1: take a picture and send it to us. I will. 551 00:27:32,359 --> 00:27:34,760 Speaker 1: I saw him three weeks ago, right before it, probably 552 00:27:34,840 --> 00:27:37,720 Speaker 1: two days before he moved. I mean they like literally 553 00:27:37,760 --> 00:27:41,359 Speaker 1: just move, just moved, like just moved here. So he's yeah, 554 00:27:41,359 --> 00:27:43,560 Speaker 1: he's coming to the con to to grab me tomorrow night. 555 00:27:43,600 --> 00:27:45,960 Speaker 1: We're gonna go and grab some food and so he 556 00:27:46,080 --> 00:27:48,600 Speaker 1: I we've already asked him. He is absolutely coming on 557 00:27:48,600 --> 00:27:50,720 Speaker 1: the show. He cannot wait. So you will certainly be 558 00:27:50,760 --> 00:27:53,119 Speaker 1: able to hear from from Mr Tony Quinn. I can't 559 00:27:53,119 --> 00:27:55,600 Speaker 1: wait to talk to him. Oh my gosh, please send 560 00:27:55,640 --> 00:27:58,199 Speaker 1: us a picture. I want to see. Probably looks exactly 561 00:27:58,240 --> 00:28:00,680 Speaker 1: the same he does. He looks like as he's still 562 00:28:00,680 --> 00:28:02,359 Speaker 1: in way better shape than any of us could ever 563 00:28:02,400 --> 00:28:06,320 Speaker 1: hope to be. And he's yeah, he's crazy man. Okay. 564 00:28:06,359 --> 00:28:11,000 Speaker 1: Another very frequently asked question is who were our first 565 00:28:11,280 --> 00:28:18,760 Speaker 1: celebrity crushes. I know mine right off the bat. Well, okay, 566 00:28:18,760 --> 00:28:21,679 Speaker 1: so I have to my first celebrity crush is My 567 00:28:21,760 --> 00:28:24,760 Speaker 1: earliest celebrity crush that I can remember was Aaron gray 568 00:28:24,960 --> 00:28:30,119 Speaker 1: on buck Rogers was my was my first ever celebrity crush, 569 00:28:30,240 --> 00:28:33,160 Speaker 1: followed quickly when I got a little bit older by 570 00:28:33,280 --> 00:28:37,960 Speaker 1: um Drew Barrymore. Those are my two. But Aaron gray 571 00:28:38,080 --> 00:28:44,360 Speaker 1: on buck Rogers was like it changed my life. Mine 572 00:28:44,400 --> 00:28:49,920 Speaker 1: was Meredith Salinger in Journey of Natty Gan, a missed masterpiece. 573 00:28:50,000 --> 00:28:51,960 Speaker 1: I love this movie. I actually reasonably watched it with 574 00:28:51,960 --> 00:28:54,680 Speaker 1: my son and it's actually it's it's not great, but 575 00:28:54,760 --> 00:28:59,120 Speaker 1: it's incredibly it's incredible at its recreation of the period. Um, 576 00:28:59,120 --> 00:29:02,560 Speaker 1: it's a great fell Um. Just it should be remade 577 00:29:02,640 --> 00:29:07,320 Speaker 1: big time. Um. But yeah, no, I actually have like 578 00:29:07,360 --> 00:29:10,160 Speaker 1: thought about it would be an amazing limited series because 579 00:29:10,200 --> 00:29:13,360 Speaker 1: it's it's about a girl who like escapes during the 580 00:29:13,400 --> 00:29:15,800 Speaker 1: depression or her dad is works all the way across 581 00:29:15,800 --> 00:29:17,800 Speaker 1: the country and she's in like an abusive situation, so 582 00:29:17,840 --> 00:29:19,880 Speaker 1: she runs away to find her dad across the country. 583 00:29:19,920 --> 00:29:22,400 Speaker 1: So it's her literally moving from one coast to the 584 00:29:22,480 --> 00:29:25,240 Speaker 1: ar if I think it's from Chicago to California to 585 00:29:25,240 --> 00:29:27,600 Speaker 1: find her dad, and it's just her like riding the 586 00:29:27,680 --> 00:29:30,120 Speaker 1: rails and she has a wolf that like hangs out 587 00:29:30,120 --> 00:29:34,080 Speaker 1: with her. And is it fantasy? No no, no, no no 588 00:29:34,080 --> 00:29:37,840 Speaker 1: no no, it's pretty realist, like uh and and that's 589 00:29:37,920 --> 00:29:39,200 Speaker 1: kind of the problem with the movie is that it's 590 00:29:39,240 --> 00:29:41,840 Speaker 1: just episodic. It's just like, now she's in this town 591 00:29:41,840 --> 00:29:43,480 Speaker 1: and she runs into this gang of kids and she 592 00:29:43,520 --> 00:29:45,520 Speaker 1: goes over here, and it's all very like it doesn't 593 00:29:45,560 --> 00:29:48,840 Speaker 1: string together into like a fully functional, good narrative, but 594 00:29:49,000 --> 00:29:51,840 Speaker 1: the beats are wonderful and Merit Salinger is awesome and 595 00:29:51,920 --> 00:29:53,560 Speaker 1: I actually got to know her later on. She played 596 00:29:53,640 --> 00:29:57,360 Speaker 1: my brother's girlfriend in his the pilot I Man Now, 597 00:29:57,400 --> 00:30:00,600 Speaker 1: which we talked about in our first episode. Um Hillary 598 00:30:00,640 --> 00:30:04,120 Speaker 1: Swank played his older sister and the singer was the 599 00:30:04,160 --> 00:30:06,120 Speaker 1: girl he was like waking out with on the couch. 600 00:30:06,160 --> 00:30:08,040 Speaker 1: And I remember my brother and I were both just like, 601 00:30:08,080 --> 00:30:10,920 Speaker 1: oh my good because we have grown up loving like 602 00:30:11,000 --> 00:30:13,000 Speaker 1: having our first crush on Meretith when she was you know, 603 00:30:13,040 --> 00:30:18,880 Speaker 1: like twelve and we were eight or whatever. Her. Yeah, 604 00:30:19,000 --> 00:30:21,760 Speaker 1: she's great, she's she's you mean, we actually became friends 605 00:30:21,800 --> 00:30:23,600 Speaker 1: and in our teams. I haven't seen her for years, 606 00:30:23,640 --> 00:30:26,200 Speaker 1: but you know she she married Patton Oswald, Paton Oswald. 607 00:30:26,240 --> 00:30:28,800 Speaker 1: Yeah she'satt Oswald's wife. Yeah she's great. But anyway, that 608 00:30:28,880 --> 00:30:34,360 Speaker 1: was like definitely my first first feelings. So I didn't 609 00:30:34,360 --> 00:30:36,560 Speaker 1: watch a lot of TV as a kid, and I'm 610 00:30:36,600 --> 00:30:39,920 Speaker 1: not sure why because my parents weren't opposed to TV 611 00:30:40,160 --> 00:30:42,560 Speaker 1: or anything. I just don't have like a lot of memory. 612 00:30:42,560 --> 00:30:44,640 Speaker 1: It wasn't important to me. It was like just not 613 00:30:44,680 --> 00:30:46,760 Speaker 1: a thing I was into. I was really interested in reading. 614 00:30:46,800 --> 00:30:49,280 Speaker 1: I loved to read, and I remember my brother being 615 00:30:49,280 --> 00:30:51,520 Speaker 1: really into shows. My brother is four years younger than me, 616 00:30:51,560 --> 00:30:54,680 Speaker 1: and he watched a lot of animated stuff, so like Ninja, Turtles, 617 00:30:54,880 --> 00:30:58,160 Speaker 1: g I, Joe, you know, all of that stuff, and 618 00:30:58,200 --> 00:31:00,760 Speaker 1: so I remember watching that stuff off with him and 619 00:31:00,840 --> 00:31:03,160 Speaker 1: I was like, I was a fan of Sesame Street 620 00:31:03,160 --> 00:31:04,680 Speaker 1: when I was really young, but that was it. I 621 00:31:04,720 --> 00:31:09,080 Speaker 1: didn't have like, Yes, So Kalsar was my first crush, Daniel, 622 00:31:10,520 --> 00:31:16,440 Speaker 1: So my first are you were more of a Kermit guy? Daniel, 623 00:31:16,960 --> 00:31:22,440 Speaker 1: I really like you. My first then celebrity crush was 624 00:31:22,760 --> 00:31:28,560 Speaker 1: actually Jonathan Taylor Thomas because I actually yes, from Home 625 00:31:28,600 --> 00:31:32,480 Speaker 1: Improvement because we worked next door to him and we 626 00:31:32,920 --> 00:31:36,360 Speaker 1: you know, played sports with him, and but this is different. 627 00:31:36,520 --> 00:31:40,880 Speaker 1: That's only a you can't say childhood crush. They know. Yeah, 628 00:31:41,000 --> 00:31:43,520 Speaker 1: that's like that's like saying your first Yeah. No, that 629 00:31:43,560 --> 00:31:46,040 Speaker 1: doesn't count. I know what you're trying to do. I know, 630 00:31:46,160 --> 00:31:48,800 Speaker 1: I see you, Danielle. You're trying to slip in a 631 00:31:48,960 --> 00:31:52,960 Speaker 1: school crush or like a very like appropriate age crush 632 00:31:53,400 --> 00:31:56,640 Speaker 1: real life because it happened to be a celebrity. Always 633 00:31:56,720 --> 00:31:59,240 Speaker 1: excuse me, Did I date somebody from in Sincle? Does that? 634 00:31:59,360 --> 00:32:03,880 Speaker 1: Just know you already cet. But maybe that's true. I 635 00:32:03,960 --> 00:32:05,160 Speaker 1: get it, I get it, I got it. But the 636 00:32:05,160 --> 00:32:07,160 Speaker 1: whole point is, did you ever have feelings for somebody 637 00:32:07,160 --> 00:32:10,040 Speaker 1: you didn't know? Like the point is somebody was on 638 00:32:10,080 --> 00:32:13,440 Speaker 1: a screen or in a situation removed from you, and 639 00:32:13,480 --> 00:32:16,280 Speaker 1: you had a crush on them that was basically based 640 00:32:16,280 --> 00:32:19,840 Speaker 1: on it never happening. No, well that's not true. Not no, no, 641 00:32:20,080 --> 00:32:22,440 Speaker 1: that's not true. That's not true. That that's not true. 642 00:32:23,040 --> 00:32:26,040 Speaker 1: After I already had the crush on Jonathan and then yes, 643 00:32:26,120 --> 00:32:29,800 Speaker 1: Jonathan was my first boyfriend when I was like twelve. 644 00:32:31,480 --> 00:32:37,680 Speaker 1: God um, I then when uh Titanic came out. I 645 00:32:37,720 --> 00:32:44,520 Speaker 1: was just beyond for Leonardo DiCaprio. I mean, I mean disgusting, 646 00:32:44,920 --> 00:32:48,479 Speaker 1: like the biggest crush. I just I used to be like, 647 00:32:48,600 --> 00:32:51,120 Speaker 1: I'm going to marry that guy. And and that was 648 00:32:51,160 --> 00:32:52,840 Speaker 1: so you would have moved over and shared the door 649 00:32:52,880 --> 00:32:55,000 Speaker 1: with them, so you both could have survived. Of course, 650 00:32:55,480 --> 00:32:57,840 Speaker 1: of course I would have. Um. So, yeah, I did 651 00:32:57,840 --> 00:32:59,880 Speaker 1: have a crush on Leonardo DiCaprio. But that that feels 652 00:33:00,160 --> 00:33:01,720 Speaker 1: that feels weird to me because it was so much 653 00:33:01,800 --> 00:33:04,680 Speaker 1: like I was. I was sixteen or something at that time. 654 00:33:04,720 --> 00:33:07,239 Speaker 1: It was weird. It was weird time, don't you know. 655 00:33:07,600 --> 00:33:10,320 Speaker 1: That's the way I felt about. My brother was actually 656 00:33:10,320 --> 00:33:12,400 Speaker 1: in a movie. He ended up getting cut out, but 657 00:33:12,440 --> 00:33:16,200 Speaker 1: he was in this movie called fox Fire, and uh, 658 00:33:16,240 --> 00:33:19,200 Speaker 1: Angelina Jolie, a young Andelina Jolia's in it, and she 659 00:33:19,440 --> 00:33:23,440 Speaker 1: is unbelievable and she was great because she's a great actress, 660 00:33:23,480 --> 00:33:26,240 Speaker 1: but she's also so gorgeous. And so when my brother, 661 00:33:26,360 --> 00:33:28,320 Speaker 1: when I saw this movie which my brother got cut out, 662 00:33:28,320 --> 00:33:30,000 Speaker 1: he's still in the end credits you can find him. 663 00:33:30,080 --> 00:33:31,680 Speaker 1: But when I saw this movie, I was like, who 664 00:33:31,880 --> 00:33:35,040 Speaker 1: is that? And I am in love with her? Um. Yeah, 665 00:33:35,160 --> 00:33:37,120 Speaker 1: Natalie Wood and West Side Story was like that for 666 00:33:37,200 --> 00:33:38,840 Speaker 1: me too. That's another one of mine where it was 667 00:33:38,920 --> 00:33:42,800 Speaker 1: just she was so as Maria just it's incredible predictable 668 00:33:43,960 --> 00:33:47,680 Speaker 1: eminem eminem I went through. I had a little I 669 00:33:47,760 --> 00:33:50,880 Speaker 1: was I was eighteen or nineteen. I had a poster. 670 00:33:51,120 --> 00:33:53,440 Speaker 1: At eighteen years old, I had an eminem poster on 671 00:33:53,560 --> 00:33:56,160 Speaker 1: my on my wall. I was, Oh, my gosh, and 672 00:33:56,200 --> 00:33:58,200 Speaker 1: how can I I just remember this? Do you guys 673 00:33:58,240 --> 00:34:01,560 Speaker 1: remember that in my wall? I used to carry around 674 00:34:01,560 --> 00:34:07,480 Speaker 1: a picture of David Letterman. That's right. I don't know. 675 00:34:07,560 --> 00:34:09,560 Speaker 1: This was something you always said. You were like, I 676 00:34:09,719 --> 00:34:12,799 Speaker 1: think David Letterman is that the most handsome. We were 677 00:34:12,800 --> 00:34:15,480 Speaker 1: always like what and You're like, because he's so funny, 678 00:34:15,760 --> 00:34:21,680 Speaker 1: so funny. So yeah, I actually I had a big conversation. 679 00:34:21,719 --> 00:34:23,440 Speaker 1: I remember being like, La, Danielle has got a thing 680 00:34:23,440 --> 00:34:27,240 Speaker 1: for David Letterman. But totally makes sense. I was twelve 681 00:34:27,320 --> 00:34:31,080 Speaker 1: years old and in love with David Letterman. As a 682 00:34:31,080 --> 00:34:34,640 Speaker 1: matter of that, my first boyfriend, Jonathan Taylor Thomas then 683 00:34:34,680 --> 00:34:37,879 Speaker 1: got to be a guest on the David Letterman Show, 684 00:34:38,280 --> 00:34:42,200 Speaker 1: and he came home with its signed headshot from David 685 00:34:42,239 --> 00:34:45,719 Speaker 1: Letterman to me, and I think it said, dear Danielle, 686 00:34:45,880 --> 00:34:50,719 Speaker 1: be nice to Jonathan of David Letterman a crusher? Was 687 00:34:50,800 --> 00:34:54,360 Speaker 1: that just like admiration for good question? I don't you 688 00:34:54,400 --> 00:34:56,560 Speaker 1: don't know, well, you know what's funny? Similar. I thought 689 00:34:56,560 --> 00:34:59,120 Speaker 1: he was extremely handsome. I thought he was very funny. 690 00:34:59,400 --> 00:35:01,960 Speaker 1: I loved I loved everything about him. Carried around a 691 00:35:01,960 --> 00:35:04,120 Speaker 1: picture of him in my wallet. But David Combs is 692 00:35:04,120 --> 00:35:06,239 Speaker 1: one of the people who actually pointed out to me, 693 00:35:06,280 --> 00:35:08,200 Speaker 1: and it made me a little insecure because I was like, well, 694 00:35:08,680 --> 00:35:10,680 Speaker 1: I don't know, but I said, he was, you know, 695 00:35:10,760 --> 00:35:12,800 Speaker 1: talking about our crushes. And I said, yeah, David Lenderman. 696 00:35:12,800 --> 00:35:15,520 Speaker 1: And he goes, oh, so you're attracted to power and 697 00:35:15,560 --> 00:35:17,840 Speaker 1: then and then just like moved and I was, and 698 00:35:18,120 --> 00:35:20,799 Speaker 1: I was like, I had never thought of I don't know, 699 00:35:21,040 --> 00:35:24,839 Speaker 1: I don't don't I'm twelve, I'm I'm twelve, I don't know. 700 00:35:25,160 --> 00:35:28,200 Speaker 1: I just know that I like him, um and I so. 701 00:35:28,400 --> 00:35:30,719 Speaker 1: But it always then made me self conscious to like 702 00:35:30,840 --> 00:35:32,440 Speaker 1: say that I had a crush on him, but it 703 00:35:32,480 --> 00:35:34,040 Speaker 1: was it is a weird crush for a twelve year 704 00:35:34,040 --> 00:35:35,840 Speaker 1: old to have. But I guess, but him and Jonathan 705 00:35:35,880 --> 00:35:40,680 Speaker 1: Taylor Thomas, David Letterman very similar, right, that's what people say, 706 00:35:40,960 --> 00:35:43,600 Speaker 1: but I did. I. I am very attracted to funny people. 707 00:35:43,680 --> 00:35:46,799 Speaker 1: I think I think funny people are just me too. 708 00:35:47,160 --> 00:35:49,839 Speaker 1: I love I love someone who's able to make me laugh. 709 00:35:49,840 --> 00:35:52,040 Speaker 1: And David Letterman, I think probably was like the first 710 00:35:52,080 --> 00:35:56,440 Speaker 1: person celebrity wise, I remember a regularly making me laugh. 711 00:35:56,480 --> 00:36:09,560 Speaker 1: And just I don't know, I just yeah, okay, which 712 00:36:09,600 --> 00:36:14,239 Speaker 1: one of us received the most fan mail? Writer? That's 713 00:36:14,280 --> 00:36:16,719 Speaker 1: what I said. I said it was writer. And by 714 00:36:16,760 --> 00:36:19,440 Speaker 1: the way, the person who sent in this question admitted 715 00:36:19,480 --> 00:36:22,040 Speaker 1: that they sent it was a boy and he said 716 00:36:22,040 --> 00:36:24,400 Speaker 1: he sent a letter to writer as a kid with 717 00:36:24,440 --> 00:36:26,399 Speaker 1: the you went you had a good year or two 718 00:36:26,440 --> 00:36:30,919 Speaker 1: where you were on the cover of like every teen magazine. Yeah. Yeah, 719 00:36:30,920 --> 00:36:35,279 Speaker 1: I was actually on Oprah for being one of the 720 00:36:35,320 --> 00:36:38,560 Speaker 1: celebrities who received like the most fan mail or something. 721 00:36:39,040 --> 00:36:43,120 Speaker 1: At one point it was like thousands of letters a week. Um, 722 00:36:43,200 --> 00:36:45,279 Speaker 1: and so yeah, I ended up being on Oprah. It's 723 00:36:45,280 --> 00:36:47,600 Speaker 1: an awful appearance. If anybody can find it, it's the worst. 724 00:36:47,640 --> 00:36:53,480 Speaker 1: I was so like insecure and talk no, you know. 725 00:36:53,719 --> 00:36:56,399 Speaker 1: I ended up being in Chicago, was visiting my friend Aaron, 726 00:36:56,440 --> 00:36:58,600 Speaker 1: who I just saw last week. Um. Still one of 727 00:36:58,600 --> 00:37:01,080 Speaker 1: my best friends. UM. I was visiting her. She had 728 00:37:01,120 --> 00:37:02,880 Speaker 1: grown up with Ben. Actually that's how I met her. 729 00:37:02,880 --> 00:37:05,120 Speaker 1: Second season, she came out to visit Ben, and she 730 00:37:05,200 --> 00:37:06,959 Speaker 1: and I became best friends and have been best friends 731 00:37:06,960 --> 00:37:09,920 Speaker 1: ever since. UM, but I was I was visiting her. 732 00:37:10,000 --> 00:37:12,640 Speaker 1: This would have been ve I guess I was. I 733 00:37:12,640 --> 00:37:14,479 Speaker 1: went to visit her for like a week or two 734 00:37:15,120 --> 00:37:17,640 Speaker 1: and um Oprah called and I just happened to be 735 00:37:17,680 --> 00:37:18,880 Speaker 1: in town. So they just picked me up on a 736 00:37:18,960 --> 00:37:21,479 Speaker 1: limo and I had to go shopping at the Gap 737 00:37:21,520 --> 00:37:23,280 Speaker 1: and Aaron's mom had to pick out all the clocks. 738 00:37:23,280 --> 00:37:25,319 Speaker 1: I had nothing to wear, so Aaron's mom dressed me 739 00:37:25,360 --> 00:37:27,880 Speaker 1: for the appearance. I'm so uncomfortable, it's awful. But anyway, 740 00:37:27,920 --> 00:37:30,200 Speaker 1: the reason I was on Oprah was because I at 741 00:37:30,239 --> 00:37:32,280 Speaker 1: that point was receiving I don't know how many thousands 742 00:37:32,320 --> 00:37:34,719 Speaker 1: of letters a week, and it was put me in 743 00:37:34,719 --> 00:37:37,680 Speaker 1: the upper category because you know, that's what the team 744 00:37:37,680 --> 00:37:39,720 Speaker 1: magazine is. Basically at the back of the team magazine 745 00:37:39,760 --> 00:37:42,440 Speaker 1: would give out a fan mail, a fan address, so 746 00:37:42,560 --> 00:37:45,160 Speaker 1: for fans to write to me. UM, and you know 747 00:37:45,200 --> 00:37:47,680 Speaker 1: there was I would say, like until the second season, 748 00:37:47,719 --> 00:37:51,720 Speaker 1: I was reading all of them, probably by third or fourth, 749 00:37:51,880 --> 00:37:54,080 Speaker 1: it was getting overwhelmed and I couldn't read them. I 750 00:37:54,160 --> 00:37:57,440 Speaker 1: also started feeling very uncomfortable with how with reading them. 751 00:37:57,440 --> 00:37:59,359 Speaker 1: It didn't make me feel good. You know, at first 752 00:37:59,360 --> 00:38:00,920 Speaker 1: it was like, oh my god, somebody reaches out to 753 00:38:00,960 --> 00:38:03,279 Speaker 1: me because they and then it starts to feel more 754 00:38:03,320 --> 00:38:07,279 Speaker 1: and more alienating, like I'm I'm always going to let 755 00:38:07,320 --> 00:38:09,120 Speaker 1: these people down, like you know, I'm not gonna be 756 00:38:09,120 --> 00:38:12,439 Speaker 1: able to write at a letter back that's eloquent or 757 00:38:12,480 --> 00:38:14,480 Speaker 1: what they really want. They just want a connection with me. 758 00:38:14,560 --> 00:38:18,600 Speaker 1: And I started making me feel very uncomfortable. Um so, yeah, 759 00:38:18,880 --> 00:38:20,640 Speaker 1: so I end I ended up. I'm sure a lot 760 00:38:20,680 --> 00:38:23,640 Speaker 1: of listeners out there have because I've seen people tweet 761 00:38:23,760 --> 00:38:26,279 Speaker 1: this or instagram that there. I started sending out a 762 00:38:26,320 --> 00:38:30,719 Speaker 1: post a postcard, assigned postcard that um you know, it 763 00:38:30,840 --> 00:38:32,560 Speaker 1: was a pre signed thing. It was like there was 764 00:38:32,560 --> 00:38:34,520 Speaker 1: actually a company. You guys remember there were fan mail 765 00:38:34,560 --> 00:38:37,080 Speaker 1: companies that would receive the fan mail for you and 766 00:38:37,160 --> 00:38:39,239 Speaker 1: send out postcards. Um So I ended up doing that. 767 00:38:39,239 --> 00:38:41,759 Speaker 1: So I'm sure a lot of our listeners somewhere. I 768 00:38:41,800 --> 00:38:44,120 Speaker 1: still have one of those postcards me with sitting on 769 00:38:44,120 --> 00:38:47,680 Speaker 1: a stool or an apple box and uh, yeah. That 770 00:38:47,680 --> 00:38:52,200 Speaker 1: that ended up being my response. I remember um somebody 771 00:38:52,239 --> 00:38:54,600 Speaker 1: telling me once and it is always stuck with me. 772 00:38:54,640 --> 00:38:56,560 Speaker 1: They said, when it comes to your fan mail, answer 773 00:38:56,640 --> 00:38:59,880 Speaker 1: them all or don't answer any don't do anything in 774 00:39:00,080 --> 00:39:02,759 Speaker 1: tween um, and I always thought that was kind of 775 00:39:02,800 --> 00:39:04,799 Speaker 1: that was an interesting way to look at it, where 776 00:39:04,840 --> 00:39:06,880 Speaker 1: it's like, I mean, now, you would never get letters. 777 00:39:06,880 --> 00:39:11,399 Speaker 1: You just get emails or tweeted out whatever. I get 778 00:39:11,480 --> 00:39:15,600 Speaker 1: letters all the time. Do you like actual handwritten letters? 779 00:39:15,719 --> 00:39:19,080 Speaker 1: Handwritten letters? Is it a fan site kind of thing 780 00:39:19,280 --> 00:39:23,399 Speaker 1: or no? Is it's your home? No? Thank god? No 781 00:39:23,600 --> 00:39:29,080 Speaker 1: sack stuff to my home occasionally. When when we first 782 00:39:29,080 --> 00:39:31,640 Speaker 1: started getting fan mail, I also read them all and 783 00:39:31,680 --> 00:39:36,200 Speaker 1: then responded to all of them. And I in ninety three, 784 00:39:36,560 --> 00:39:39,480 Speaker 1: so one of the things I did before I started 785 00:39:39,520 --> 00:39:42,000 Speaker 1: acting in So. I started acting when I was ten, 786 00:39:42,440 --> 00:39:46,879 Speaker 1: two years before I got Boy Meets World, and before that, 787 00:39:47,120 --> 00:39:50,520 Speaker 1: I was in gymnastics. One time I called myself a gymnast, 788 00:39:50,520 --> 00:39:52,160 Speaker 1: and my mom looked at me and she said, you 789 00:39:52,200 --> 00:39:56,280 Speaker 1: were in gymnastics. You were not a gymnast, And she's correct. 790 00:39:56,560 --> 00:39:59,080 Speaker 1: I was not a gymnast. I was just in gymnastics. 791 00:39:59,239 --> 00:40:02,080 Speaker 1: But when I decided I wanted to be an actor. 792 00:40:02,480 --> 00:40:04,279 Speaker 1: My mom was like, well, you can't do both, because 793 00:40:04,280 --> 00:40:06,799 Speaker 1: gymnastics was after school, and like, you're going to be 794 00:40:06,800 --> 00:40:08,560 Speaker 1: going to auditions, you have to pick. And I said, 795 00:40:08,600 --> 00:40:10,000 Speaker 1: I definitely want to be an actor. I want to 796 00:40:10,040 --> 00:40:12,920 Speaker 1: go to auditions. So I stopped doing gymnastics. And I 797 00:40:12,960 --> 00:40:15,399 Speaker 1: got a letter in like ninety three from a young 798 00:40:15,440 --> 00:40:18,560 Speaker 1: girl and she included pictures of herself in it, and 799 00:40:18,600 --> 00:40:21,360 Speaker 1: she was in gymnastics, and she wrote me this handwritten 800 00:40:21,400 --> 00:40:23,839 Speaker 1: letter about you know that she was a fan. And 801 00:40:23,880 --> 00:40:26,160 Speaker 1: I wrote her back, and then she sent me another letter, 802 00:40:26,200 --> 00:40:28,360 Speaker 1: and we started this correspondence back and forth, and I 803 00:40:28,400 --> 00:40:32,040 Speaker 1: felt very close to her. And one of the things 804 00:40:32,120 --> 00:40:34,720 Speaker 1: she talked about regularly was that both of her parents 805 00:40:34,760 --> 00:40:36,640 Speaker 1: died when she was young, and she lived with her 806 00:40:36,640 --> 00:40:40,240 Speaker 1: older brother. And at some point maybe in the second 807 00:40:40,320 --> 00:40:42,799 Speaker 1: letter she wrote me, she included a picture of her brother, 808 00:40:42,880 --> 00:40:45,040 Speaker 1: a couple of pictures of her brother, and her brother 809 00:40:45,160 --> 00:40:50,520 Speaker 1: was several years older, good looking guy and um, and 810 00:40:50,600 --> 00:40:52,919 Speaker 1: she was always talking about, like, thank God for my brother, 811 00:40:52,960 --> 00:40:54,880 Speaker 1: because without my brother, like you know, I don't have 812 00:40:54,920 --> 00:40:57,160 Speaker 1: parents and and you know, I don't know what I 813 00:40:57,160 --> 00:41:01,319 Speaker 1: would do without him. And then we started, but she 814 00:41:01,440 --> 00:41:03,920 Speaker 1: included her phone number in one of the letters, and 815 00:41:03,920 --> 00:41:05,680 Speaker 1: I was like, oh, let's give her a call. And 816 00:41:05,719 --> 00:41:08,680 Speaker 1: realize my mom is participating in me writing back. She's 817 00:41:08,680 --> 00:41:10,600 Speaker 1: reading all these letters as well, and she's aware of 818 00:41:10,640 --> 00:41:12,360 Speaker 1: what I'm writing, and she's reading what this girl is 819 00:41:12,400 --> 00:41:14,160 Speaker 1: writing to me. And my mom is like, yeah, this 820 00:41:14,239 --> 00:41:16,400 Speaker 1: girl seems like you guys would be friends, you know. 821 00:41:16,960 --> 00:41:20,080 Speaker 1: So I call her and I get her voicemail, but 822 00:41:20,160 --> 00:41:23,719 Speaker 1: it is not her. It's her brother's voicemail because it's 823 00:41:23,760 --> 00:41:25,640 Speaker 1: his house. They live in an apartment together. But her 824 00:41:25,719 --> 00:41:28,080 Speaker 1: name isn't anywhere on the voicemail. It's just like, Hi, 825 00:41:28,200 --> 00:41:33,919 Speaker 1: you've reached. She doesn't exist. The call is coming from 826 00:41:33,920 --> 00:41:38,520 Speaker 1: within the house. It wasn't until the guy pretending to 827 00:41:38,600 --> 00:41:41,120 Speaker 1: be a girl. Guy pretending to be a girl. And 828 00:41:41,160 --> 00:41:43,560 Speaker 1: the way it all came out is because I kept 829 00:41:43,600 --> 00:41:46,080 Speaker 1: calling her and she then would never you know, and 830 00:41:46,160 --> 00:41:48,360 Speaker 1: I left my phone number and she wouldn't call me back. 831 00:41:48,800 --> 00:41:52,400 Speaker 1: And then we got a letter from her brother saying 832 00:41:52,480 --> 00:41:59,920 Speaker 1: that she had died, and my mom woke up in 833 00:42:00,040 --> 00:42:02,520 Speaker 1: the middle of the night and was like, like, she 834 00:42:02,640 --> 00:42:06,359 Speaker 1: never she never existed. It's always been him. And then 835 00:42:06,640 --> 00:42:10,720 Speaker 1: he started showing up at my school and telling people 836 00:42:11,400 --> 00:42:15,440 Speaker 1: to a fan mail. This is like the first Talker 837 00:42:16,719 --> 00:42:18,880 Speaker 1: dipped your toe in the pool and an alligator bit 838 00:42:18,960 --> 00:42:20,600 Speaker 1: your foot off. Well, this is why you have to 839 00:42:20,640 --> 00:42:22,680 Speaker 1: have clear boundaries. It's really hard. I mean, like, you know, 840 00:42:22,800 --> 00:42:25,400 Speaker 1: it's just it's it's such a tricky thing fame and 841 00:42:25,400 --> 00:42:28,000 Speaker 1: and dealing with and even nowadays it must be even 842 00:42:28,120 --> 00:42:30,719 Speaker 1: crazier for really famous people. I mean, I don't you 843 00:42:30,760 --> 00:42:32,759 Speaker 1: just have to create boundaries. It's so hard. I had 844 00:42:32,800 --> 00:42:35,080 Speaker 1: girls calling my house when when I was like eleven 845 00:42:35,120 --> 00:42:37,560 Speaker 1: and twelve. Girls would find my coup was listed in 846 00:42:37,600 --> 00:42:41,479 Speaker 1: the phone book my parents were and so girls would 847 00:42:41,480 --> 00:42:44,120 Speaker 1: call and like, back then, I would like meet up 848 00:42:44,160 --> 00:42:47,280 Speaker 1: with them. Oh god, because it was it was before 849 00:42:47,280 --> 00:42:48,839 Speaker 1: boy Me's world. This is when I was like on 850 00:42:48,880 --> 00:42:52,000 Speaker 1: Home improvement or I had done local plays or whatever. 851 00:42:52,040 --> 00:42:53,879 Speaker 1: Girls would call the house and like I would meet 852 00:42:53,920 --> 00:42:57,360 Speaker 1: them at our arcade play video. Super awkward. Like but 853 00:42:57,440 --> 00:42:58,520 Speaker 1: you know at the time, I was just like, oh 854 00:42:58,640 --> 00:43:01,080 Speaker 1: you like me, you saw me the TV show. Okay, 855 00:43:01,120 --> 00:43:03,359 Speaker 1: I'll be your friend. Let's hang out right. More people 856 00:43:03,520 --> 00:43:06,200 Speaker 1: have a crush on YouTube, and in retrospect it's like, no, 857 00:43:06,320 --> 00:43:09,760 Speaker 1: you have to create boundaries. I really I remember going 858 00:43:09,800 --> 00:43:12,640 Speaker 1: out with Ben right during the first season and he 859 00:43:12,719 --> 00:43:15,719 Speaker 1: got recognized, I guess for Little Monsters, and it was 860 00:43:15,800 --> 00:43:17,560 Speaker 1: it wasn't for Boy Meets World yet, but we're at 861 00:43:18,040 --> 00:43:20,719 Speaker 1: the Glendale Galleria, I want to say, or one of 862 00:43:20,760 --> 00:43:24,239 Speaker 1: those early malls in in l a And and he 863 00:43:24,280 --> 00:43:28,840 Speaker 1: got recognized. And I really learned from him how to 864 00:43:29,000 --> 00:43:32,640 Speaker 1: manage that moment because he was so confident. He was 865 00:43:32,680 --> 00:43:36,960 Speaker 1: so gracious and thankful and signed whatever these kids wanted. 866 00:43:37,320 --> 00:43:39,239 Speaker 1: And I remember watching him and being like, Oh, that's 867 00:43:39,239 --> 00:43:41,080 Speaker 1: the way to do it, because at that point I 868 00:43:41,080 --> 00:43:43,480 Speaker 1: would if I got recognized, I'd be like, oh, my god, 869 00:43:43,920 --> 00:43:46,280 Speaker 1: you know me from my TV show. That's so cool. 870 00:43:46,280 --> 00:43:47,920 Speaker 1: What's your name? Do you want to go hang out you? 871 00:43:48,320 --> 00:43:50,480 Speaker 1: I would just not create any boundaries because to me, 872 00:43:50,520 --> 00:43:52,880 Speaker 1: it was so exciting that somebody would recognize me. But 873 00:43:52,960 --> 00:43:57,480 Speaker 1: of course, when you become a professional actor, professional famous person, 874 00:43:57,680 --> 00:43:59,280 Speaker 1: you have to learn how to take in his stride 875 00:43:59,280 --> 00:44:01,440 Speaker 1: and and be like, yes, it's good to meet you. 876 00:44:01,480 --> 00:44:03,480 Speaker 1: It's so nice. I understand you from my show, and 877 00:44:03,560 --> 00:44:06,040 Speaker 1: you know, shake hands and take a picture or sign 878 00:44:06,080 --> 00:44:09,520 Speaker 1: an autograph, but um, you know, it's not, it's it's 879 00:44:09,520 --> 00:44:12,160 Speaker 1: not a chance for you to freak out too. When 880 00:44:12,160 --> 00:44:14,800 Speaker 1: I was when I was eleven or twelve, I had 881 00:44:14,840 --> 00:44:21,239 Speaker 1: a older executive at Nickelodeon scare the hell out of me. Um. 882 00:44:21,280 --> 00:44:23,000 Speaker 1: I mean you remember you know those shows where they're 883 00:44:23,000 --> 00:44:24,959 Speaker 1: like they bring kids into prison and scare them straight. 884 00:44:25,440 --> 00:44:29,600 Speaker 1: Essentially what this guy did to me being famous. Oh yeah, 885 00:44:29,600 --> 00:44:32,279 Speaker 1: he sat me down and he said, you know, you're 886 00:44:32,280 --> 00:44:34,760 Speaker 1: gonna start getting letters, and you're gonna start getting calls, 887 00:44:34,840 --> 00:44:37,839 Speaker 1: and you don't know who you're talking to. But it worked. 888 00:44:37,880 --> 00:44:40,319 Speaker 1: Like it worked. We just put up the boundaries and 889 00:44:40,320 --> 00:44:43,400 Speaker 1: we're did the same thing. Had a a friend of 890 00:44:43,400 --> 00:44:46,560 Speaker 1: our family who I had grown up with was her 891 00:44:46,560 --> 00:44:49,520 Speaker 1: mother had retired to Florida and was like, let's let's 892 00:44:49,880 --> 00:44:51,480 Speaker 1: you know, let me take care of your fan mail. 893 00:44:51,520 --> 00:44:53,600 Speaker 1: So we would send out the postcards and do all 894 00:44:53,640 --> 00:44:55,960 Speaker 1: that same kind of stuff. But I mean, you know, 895 00:44:56,080 --> 00:44:59,279 Speaker 1: you would get really weird letters. I mean from the 896 00:44:59,320 --> 00:45:02,040 Speaker 1: strangest one. I It was rare though, I mean you 897 00:45:02,200 --> 00:45:07,439 Speaker 1: always say was a blanket. Statements are awesome, Fans are 898 00:45:07,840 --> 00:45:12,360 Speaker 1: incredibly respectful and like, you know, but it's the fear 899 00:45:12,400 --> 00:45:15,240 Speaker 1: of that one in a million that isn't all stable, 900 00:45:15,320 --> 00:45:19,000 Speaker 1: or it's going to lie to your protector that's very sexual, 901 00:45:19,239 --> 00:45:22,719 Speaker 1: like very openly sexual, or I mean again, I had 902 00:45:22,719 --> 00:45:24,480 Speaker 1: the might still say my weirdest one I ever got 903 00:45:24,520 --> 00:45:25,759 Speaker 1: when people because this is a good this is a 904 00:45:25,840 --> 00:45:27,879 Speaker 1: question people always give you, like what's the strangest piece 905 00:45:27,880 --> 00:45:29,880 Speaker 1: of family you ever got? And a woman I was 906 00:45:29,880 --> 00:45:32,719 Speaker 1: probably only second season boy so seventeen eighteen years old, 907 00:45:33,440 --> 00:45:37,560 Speaker 1: had sent a wedding invitation with both of our names 908 00:45:37,600 --> 00:45:39,800 Speaker 1: on at the time and place, with the letter saying 909 00:45:40,320 --> 00:45:42,799 Speaker 1: I'm married now and I have two kids. But if 910 00:45:42,840 --> 00:45:46,040 Speaker 1: you're at this church when you know for for our wedding, 911 00:45:46,480 --> 00:45:48,080 Speaker 1: I will be marrying you and I will be leaving 912 00:45:48,080 --> 00:45:50,479 Speaker 1: my family and like a full printed up like whole, 913 00:45:50,560 --> 00:45:52,840 Speaker 1: like I got a wedding invitation to my own wedding. 914 00:45:53,200 --> 00:45:55,719 Speaker 1: It was very So you can get some strangers, you're 915 00:45:55,800 --> 00:46:02,000 Speaker 1: right of the fans of the fans are amazingly respectful, 916 00:46:02,239 --> 00:46:06,000 Speaker 1: really nice, just love the show. Um, we would love 917 00:46:06,040 --> 00:46:08,360 Speaker 1: to talk and talk to you are really cool people. 918 00:46:08,480 --> 00:46:12,160 Speaker 1: But you you want you worry about the point one person. Yeah, 919 00:46:12,320 --> 00:46:14,560 Speaker 1: I mean I remember David Colms, our studio teacher, being 920 00:46:14,560 --> 00:46:16,360 Speaker 1: the first person to really sit me down because I 921 00:46:16,400 --> 00:46:19,279 Speaker 1: was so confused by being famous, and he was like, writer, 922 00:46:19,560 --> 00:46:22,640 Speaker 1: you you're in their living room every week. There, You're 923 00:46:22,719 --> 00:46:25,359 Speaker 1: part of their family, you know. And I remember being like, oh, 924 00:46:25,440 --> 00:46:27,560 Speaker 1: because I hadn't grown up with TV, and so the 925 00:46:27,600 --> 00:46:29,960 Speaker 1: idea that like when you watch a TV show, especially 926 00:46:30,000 --> 00:46:33,000 Speaker 1: a TV show with a recurring family, uh, and that 927 00:46:33,280 --> 00:46:36,640 Speaker 1: you know, you you do form this different bond that 928 00:46:36,840 --> 00:46:38,360 Speaker 1: you know, than I had up until that point. I 929 00:46:38,640 --> 00:46:41,200 Speaker 1: never understood it. That comforting feeling that people get from 930 00:46:41,200 --> 00:46:43,359 Speaker 1: boy meets World, you know, and we're part of that 931 00:46:43,520 --> 00:46:46,680 Speaker 1: and our faces, our voices, and so when somebody meets 932 00:46:46,719 --> 00:46:49,640 Speaker 1: me that I've never seen before, I never met, they 933 00:46:49,680 --> 00:46:52,279 Speaker 1: have this level of like a media familiarity, and you know, 934 00:46:52,320 --> 00:46:54,680 Speaker 1: and that's just difficult to navigate. It's it's a weird 935 00:46:54,760 --> 00:46:59,000 Speaker 1: thing about media. Yeah. Is there a story behind Corey 936 00:46:59,040 --> 00:47:04,239 Speaker 1: and Shawn's handshake? Writer? Yeah, So we had a day. Um, yeah, 937 00:47:04,320 --> 00:47:06,120 Speaker 1: it was really great, you know. I mean I talked 938 00:47:06,160 --> 00:47:09,160 Speaker 1: about how Ben and I didn't connect the first week 939 00:47:09,200 --> 00:47:10,800 Speaker 1: of the show or the pilot of the show, because 940 00:47:11,400 --> 00:47:13,160 Speaker 1: you know, he was into sports and one on he 941 00:47:13,239 --> 00:47:15,400 Speaker 1: was from l A. Actually he was from Chicago, but 942 00:47:15,480 --> 00:47:17,279 Speaker 1: He was definitely like living in l A at that point, 943 00:47:17,320 --> 00:47:19,960 Speaker 1: probably for three or four years too. You know, in 944 00:47:20,000 --> 00:47:22,640 Speaker 1: my mind, being in Northern California's snob like I was. 945 00:47:22,960 --> 00:47:26,360 Speaker 1: Everything about l A was awful. Um, So I we 946 00:47:26,440 --> 00:47:28,600 Speaker 1: just didn't get along that well. We didn't connect even 947 00:47:28,600 --> 00:47:32,480 Speaker 1: though we were working together until I guess probably right 948 00:47:32,480 --> 00:47:34,600 Speaker 1: around where we're at right now in the shows, like 949 00:47:34,680 --> 00:47:38,080 Speaker 1: right around seventh or eighth episode. For some reason, I 950 00:47:38,120 --> 00:47:41,200 Speaker 1: can't remember why, we had a just school day together 951 00:47:41,600 --> 00:47:45,680 Speaker 1: where the show was shut down, and instead of meeting 952 00:47:45,719 --> 00:47:47,440 Speaker 1: on the set, I don't know why we couldn't meet 953 00:47:47,480 --> 00:47:49,879 Speaker 1: on the set. We had we went and met at 954 00:47:49,920 --> 00:47:52,200 Speaker 1: Ben's house and it was my first time at Ben's house, 955 00:47:52,320 --> 00:47:55,120 Speaker 1: and David Collins, or studio teacher, was there, and we 956 00:47:55,239 --> 00:47:57,800 Speaker 1: finally had like the greatest day ever. We just connected 957 00:47:57,880 --> 00:47:59,760 Speaker 1: and we had so much fun, and I remember laughing 958 00:48:00,239 --> 00:48:02,120 Speaker 1: and telling story. I think we must have we must 959 00:48:02,120 --> 00:48:03,719 Speaker 1: have had to make up hours, so it must have 960 00:48:03,719 --> 00:48:05,680 Speaker 1: been over a weekend. We were making up hours that 961 00:48:05,719 --> 00:48:07,319 Speaker 1: we had not banked or something, so we had to 962 00:48:07,320 --> 00:48:10,000 Speaker 1: do school work together and we just spent this whole 963 00:48:10,040 --> 00:48:12,200 Speaker 1: day together, and at some point during that day we 964 00:48:12,239 --> 00:48:14,800 Speaker 1: created this handshake and we decided it was our handshake. 965 00:48:14,840 --> 00:48:17,000 Speaker 1: It was writer and Ben's handshake. First, it was not 966 00:48:17,080 --> 00:48:18,960 Speaker 1: Corey Seawn. We did not have any intention for it 967 00:48:19,000 --> 00:48:21,640 Speaker 1: to be in the show. Um. And then we did 968 00:48:21,640 --> 00:48:25,279 Speaker 1: that episode I think it's where the uh blender explodes, 969 00:48:26,000 --> 00:48:28,880 Speaker 1: and we just did it during rehearsals. It was not 970 00:48:28,920 --> 00:48:31,120 Speaker 1: in the script. We were like, hey, let's we could 971 00:48:31,120 --> 00:48:33,680 Speaker 1: do our handshake after we achieved whatever it was in 972 00:48:33,719 --> 00:48:35,400 Speaker 1: the scene, and we did it for David Trainer, and 973 00:48:35,440 --> 00:48:37,080 Speaker 1: David Trayner was like, do that. Do that at the 974 00:48:37,200 --> 00:48:38,759 Speaker 1: run through. Don't tell them you're gonna do it, and 975 00:48:38,800 --> 00:48:40,160 Speaker 1: just do it, And we did at the run through 976 00:48:40,200 --> 00:48:42,000 Speaker 1: and it became a thing, and then we probably did 977 00:48:42,000 --> 00:48:45,040 Speaker 1: it three times over the course of the series. But yeah, 978 00:48:45,080 --> 00:48:47,560 Speaker 1: it was aha that we invented. Yeah, yeah, well there's 979 00:48:47,640 --> 00:48:50,279 Speaker 1: you know, I'll try and find video. Robin, who was 980 00:48:50,320 --> 00:48:53,280 Speaker 1: the second e d on Um on Girl Meets World, 981 00:48:53,280 --> 00:48:54,799 Speaker 1: took video of us when we had to do it 982 00:48:55,000 --> 00:48:58,000 Speaker 1: there when we rehearsing it, so they were playing it 983 00:48:58,040 --> 00:49:00,520 Speaker 1: back for us on a screen while you're but we 984 00:49:00,640 --> 00:49:02,640 Speaker 1: are I I can still remember it, I can still 985 00:49:02,680 --> 00:49:05,560 Speaker 1: feel it. Yeah, it was really a fun thing and 986 00:49:05,880 --> 00:49:07,719 Speaker 1: you know that that like doing a little dance at 987 00:49:07,719 --> 00:49:09,640 Speaker 1: the end, like that's classic bend. Like I'm sure he 988 00:49:09,680 --> 00:49:13,920 Speaker 1: came up with that. Yeah, um, yeah, it was our 989 00:49:13,960 --> 00:49:15,960 Speaker 1: it was our real friendship handshake before it became the 990 00:49:16,000 --> 00:49:18,560 Speaker 1: Corey Sean handshake. That's really cute. That like made me 991 00:49:18,600 --> 00:49:22,239 Speaker 1: emotional hearing it, because those are those are the moments that, like, 992 00:49:22,440 --> 00:49:25,160 Speaker 1: I really, um, that are the most meaningful for us. 993 00:49:25,160 --> 00:49:27,719 Speaker 1: That you know, people always think about the moments on set, 994 00:49:27,800 --> 00:49:30,600 Speaker 1: but they're they're it's so rare that the really special 995 00:49:30,640 --> 00:49:32,920 Speaker 1: moments actually took place on set that usually happened at 996 00:49:32,960 --> 00:49:35,359 Speaker 1: some other location, like that one was at Ben's house. 997 00:49:35,400 --> 00:49:37,759 Speaker 1: And so many of our moments actually, um that are 998 00:49:37,800 --> 00:49:39,840 Speaker 1: special to me took place at either Ben's house or 999 00:49:39,880 --> 00:49:41,839 Speaker 1: at your house where my mom would drop me off 1000 00:49:41,840 --> 00:49:43,560 Speaker 1: in the morning when you guys were able to drive 1001 00:49:43,600 --> 00:49:46,000 Speaker 1: and I wasn't able to drive, and I would then 1002 00:49:46,040 --> 00:49:49,040 Speaker 1: be at your house either before or after work. Um, 1003 00:49:49,120 --> 00:49:52,120 Speaker 1: and we had all those fun moments. So all those 1004 00:49:52,160 --> 00:49:56,800 Speaker 1: awkward driving moments, all those awkward driving moments. She was 1005 00:49:56,840 --> 00:50:00,719 Speaker 1: so stressed out understanding fifteen years old learners for you 1006 00:50:00,800 --> 00:50:03,719 Speaker 1: in the back seat. Oh my god, my most stressful 1007 00:50:06,680 --> 00:50:10,200 Speaker 1: Uh yeah, driving with Ben and Ben's housekeeper who took 1008 00:50:10,239 --> 00:50:12,680 Speaker 1: us to work a couple of times and we'd be 1009 00:50:12,760 --> 00:50:15,360 Speaker 1: running late and she would drive down the center divider 1010 00:50:15,400 --> 00:50:20,720 Speaker 1: and the media. I remember that, panicking, panicking, absolutely panicking. 1011 00:50:20,760 --> 00:50:25,920 Speaker 1: And you know Ben is So's he's a lot like Corey, 1012 00:50:25,960 --> 00:50:28,719 Speaker 1: but like he's explosive with his body. And I just 1013 00:50:28,760 --> 00:50:32,480 Speaker 1: remember him being seatbelted but like levitating out of his 1014 00:50:32,640 --> 00:50:36,040 Speaker 1: seat with fear of just like like thinking we ran 1015 00:50:36,120 --> 00:50:38,560 Speaker 1: over something. What was that? Was? I just one day 1016 00:50:38,600 --> 00:50:40,960 Speaker 1: because I vividly remember that experience, and you and I 1017 00:50:41,000 --> 00:50:42,839 Speaker 1: were both in the car. We were car pulling from 1018 00:50:42,920 --> 00:50:44,920 Speaker 1: Encino and it was raining and we were late, and 1019 00:50:45,000 --> 00:50:49,000 Speaker 1: she just pulled into the median and drove us full speed. 1020 00:50:49,640 --> 00:50:54,080 Speaker 1: Oh my god, it was terrifying. But I also other 1021 00:50:54,160 --> 00:50:57,920 Speaker 1: times drove with her, um and I I don't think 1022 00:50:57,920 --> 00:50:59,799 Speaker 1: you were there, there were she was a median driver. 1023 00:50:59,880 --> 00:51:04,160 Speaker 1: She like to drive down the center. Very funny. We 1024 00:51:04,239 --> 00:51:06,200 Speaker 1: have so many more of your questions that we want 1025 00:51:06,200 --> 00:51:08,040 Speaker 1: to get to, so we are going to take a 1026 00:51:08,080 --> 00:51:10,000 Speaker 1: break and come back with a brand new episode of 1027 00:51:10,080 --> 00:51:15,280 Speaker 1: Frequently Asked Questions. We love you all. Pod dismissed Pod 1028 00:51:15,320 --> 00:51:17,960 Speaker 1: Meets World as an I heart podcast, produced and hosted 1029 00:51:17,960 --> 00:51:22,360 Speaker 1: by Daniel Fisher, Wilfredel and Writer Strong. Executive producers Jensen Carpin, 1030 00:51:22,400 --> 00:51:26,200 Speaker 1: Amy Sugarman, Executive in charge of production, Danielle Romo, producer 1031 00:51:26,200 --> 00:51:30,440 Speaker 1: and editor, Taara sued Batch producer, Lorraine Verruez, engineer and 1032 00:51:30,520 --> 00:51:33,799 Speaker 1: Boy Meets World super fan Easton Allen. Our theme song 1033 00:51:33,920 --> 00:51:36,920 Speaker 1: is by Kyle Morton of Typhoon. Follow us on Instagram 1034 00:51:36,960 --> 00:51:39,520 Speaker 1: at Pod Meets World Show, or email us at pod 1035 00:51:39,560 --> 00:51:42,440 Speaker 1: Meets World Show at gmail dot com