WEBVTT - Major Juice (“Duets” S2 E4)

0:00:01.800 --> 0:00:04.479
<v Speaker 1>And that's what you really missed with Jenna.

0:00:04.559 --> 0:00:07.160
<v Speaker 2>And Kevin an iHeartRadio podcast.

0:00:08.840 --> 0:00:11.640
<v Speaker 1>Welcome to and that's what you really miss podcast.

0:00:12.000 --> 0:00:18.120
<v Speaker 2>I'm Jenna, I am Kevin. Welcome, Yeah, welcome so much,

0:00:18.200 --> 0:00:20.160
<v Speaker 2>Welcome so much. Yep, welcome so much everyone.

0:00:20.280 --> 0:00:28.040
<v Speaker 1>Wow that we're doing today. Yeah, this is an exciting episode.

0:00:28.160 --> 0:00:31.080
<v Speaker 1>And also we're recording on an off day, so it's

0:00:31.160 --> 0:00:34.160
<v Speaker 1>like kind of fun and fresh.

0:00:33.920 --> 0:00:38.280
<v Speaker 2>So fresh. I was so looking forward to this episode,

0:00:39.000 --> 0:00:41.159
<v Speaker 2>and even as much as I was looking forward to it,

0:00:41.200 --> 0:00:47.159
<v Speaker 2>I was still surprised, gooped and gagged by totally so

0:00:47.360 --> 0:00:50.000
<v Speaker 2>much that happens in this episode. So many memories that

0:00:50.080 --> 0:00:52.560
<v Speaker 2>we have. I don't know why. This is one of

0:00:52.600 --> 0:00:55.760
<v Speaker 2>those ones that just sticks out to me right right,

0:00:55.960 --> 0:00:57.160
<v Speaker 2>to both of us, a.

0:00:57.120 --> 0:01:00.600
<v Speaker 1>Lot of memories. It's so weird, and he is the

0:01:00.680 --> 0:01:03.360
<v Speaker 1>beginning of our era with Eric Stoltz are one of

0:01:03.360 --> 0:01:06.720
<v Speaker 1>our favorite directors. I think maybe that might be why

0:01:06.760 --> 0:01:09.440
<v Speaker 1>there's just so many Like it was like our eyes

0:01:09.680 --> 0:01:12.000
<v Speaker 1>opened up a little bit on set, I think, and

0:01:12.240 --> 0:01:17.440
<v Speaker 1>so yeah, let's let's just do it. Let's say there's

0:01:17.440 --> 0:01:18.360
<v Speaker 1>still lots to talk about.

0:01:18.520 --> 0:01:22.760
<v Speaker 2>Let's just do it. Season two, Episode four, Duets originally

0:01:22.800 --> 0:01:25.759
<v Speaker 2>aired October twelfth, twenty ten.

0:01:27.319 --> 0:01:28.960
<v Speaker 1>The number one song was still Just the Where You

0:01:29.000 --> 0:01:31.840
<v Speaker 1>Are by Bruno Mars and number one movie was Wall

0:01:31.880 --> 0:01:33.319
<v Speaker 1>Street Money Never Sleep.

0:01:34.920 --> 0:01:39.080
<v Speaker 2>And there was quite the controversy this week back in

0:01:39.200 --> 0:01:45.800
<v Speaker 2>twenty ten because the GQ magazine cover with Diana, Leah

0:01:45.840 --> 0:01:49.240
<v Speaker 2>and Corey I believe it was shot by Terry Richardson.

0:01:49.400 --> 0:01:54.120
<v Speaker 3>I believe, so they all know great but everyone looks

0:01:54.480 --> 0:01:57.640
<v Speaker 3>stunning was a little controversial for our show.

0:01:57.760 --> 0:02:00.520
<v Speaker 2>I'm not entirely sure why, because the things we talk

0:02:00.600 --> 0:02:03.960
<v Speaker 2>about on the show I feel like match the content

0:02:04.280 --> 0:02:06.000
<v Speaker 2>of this cover a little.

0:02:05.800 --> 0:02:07.760
<v Speaker 1>Bit, a little bit. I just think that it was

0:02:07.800 --> 0:02:12.440
<v Speaker 1>a like I think the it was a little racy, Yeah, yeah, yeah,

0:02:12.440 --> 0:02:18.040
<v Speaker 1>I think the exacts felt like this was a slight,

0:02:18.160 --> 0:02:21.720
<v Speaker 1>a slight veer from the path of like the underdog

0:02:22.440 --> 0:02:25.160
<v Speaker 1>of the characters. Maybe not the content of the show,

0:02:25.639 --> 0:02:29.519
<v Speaker 1>but of the characters, because these gals look real sexy

0:02:29.680 --> 0:02:33.000
<v Speaker 1>and Corey's got his hands in all the right places.

0:02:35.600 --> 0:02:39.280
<v Speaker 2>I remember them when this came out and it was such.

0:02:39.919 --> 0:02:41.560
<v Speaker 1>Well, I don't think a lot of people knew that

0:02:41.639 --> 0:02:43.640
<v Speaker 1>they did it, and then it came out and it

0:02:43.760 --> 0:02:46.520
<v Speaker 1>was like, yes, they didn't ask for permission.

0:02:46.639 --> 0:02:51.920
<v Speaker 3>They asked for forgiveness, forgiveness, I mean, hey, press is press.

0:02:52.400 --> 0:02:56.360
<v Speaker 2>It was I think it was a great decision. It

0:02:56.440 --> 0:02:58.799
<v Speaker 2>was a lot of controversy. It's one of those things

0:02:58.800 --> 0:03:02.760
<v Speaker 2>where Fox was very good at, like protecting the image

0:03:02.880 --> 0:03:05.959
<v Speaker 2>of the show, where I think we were because it

0:03:06.040 --> 0:03:08.360
<v Speaker 2>was a high school show. They were protecting it like

0:03:08.440 --> 0:03:12.200
<v Speaker 2>we were all high schoolers. Which was funny because you

0:03:12.240 --> 0:03:16.200
<v Speaker 2>remember when we went to London the summer before and

0:03:16.680 --> 0:03:20.800
<v Speaker 2>we did a talk show and Russell Brand was on

0:03:20.840 --> 0:03:23.280
<v Speaker 2>it and I there wasn't enough We did do a

0:03:23.320 --> 0:03:24.919
<v Speaker 2>promo for the show and there wasn't enough room on

0:03:24.960 --> 0:03:27.800
<v Speaker 2>the couch for all of us, so I sat, I

0:03:27.840 --> 0:03:30.560
<v Speaker 2>sat in his lap and then while the host Alan

0:03:30.639 --> 0:03:33.160
<v Speaker 2>Carr was you know, doing the teaser or bump or

0:03:33.160 --> 0:03:35.600
<v Speaker 2>whatever it was, Russell Brand and I started to fake

0:03:35.800 --> 0:03:38.960
<v Speaker 2>make out on this couch in the background the whole time,

0:03:39.080 --> 0:03:42.920
<v Speaker 2>and then Fox put the kebash. They're like, no, no,

0:03:43.200 --> 0:03:45.600
<v Speaker 2>you can't use that. Oh I don't remember that, because

0:03:45.600 --> 0:03:48.200
<v Speaker 2>I thought it was funny. I'm like, comedy, Oh, I.

0:03:48.200 --> 0:03:49.880
<v Speaker 1>Remember you saying that, lat but I don't remember the

0:03:49.960 --> 0:03:50.280
<v Speaker 1>making it.

0:03:50.520 --> 0:03:53.200
<v Speaker 2>Or because you guys were looking at you were being

0:03:53.200 --> 0:03:56.560
<v Speaker 2>professional and looking at and then I remember later that night,

0:03:57.080 --> 0:04:00.680
<v Speaker 2>I think it was I then told what it was

0:04:00.760 --> 0:04:03.680
<v Speaker 2>just you and me on that press and Matt Morrison

0:04:03.760 --> 0:04:04.000
<v Speaker 2>was there.

0:04:04.560 --> 0:04:05.280
<v Speaker 1>That's right for that.

0:04:05.520 --> 0:04:07.040
<v Speaker 2>I don't know why it was then he was in

0:04:07.800 --> 0:04:10.120
<v Speaker 2>a random story, but yeah. Then Ben Fox was like

0:04:10.360 --> 0:04:12.040
<v Speaker 2>you did what. I was like, it's so funny, isn't it.

0:04:12.080 --> 0:04:14.160
<v Speaker 2>They're like, hold please, and they made a call and

0:04:14.200 --> 0:04:15.120
<v Speaker 2>got it killed and I was.

0:04:15.080 --> 0:04:18.800
<v Speaker 1>Like, no, I don't No, It's like our Monico pictures.

0:04:18.839 --> 0:04:20.000
<v Speaker 1>You never think it's going to make it to the

0:04:20.200 --> 0:04:22.719
<v Speaker 1>ess And of course, okay, So we did something interesting

0:04:22.800 --> 0:04:29.640
<v Speaker 1>also in advance of the Rocky Horror Glee episode, they

0:04:29.680 --> 0:04:34.760
<v Speaker 1>decided to release the album, the Rocky Horror Album, the

0:04:34.839 --> 0:04:37.920
<v Speaker 1>Tribute to the Picture Show. It was seven tracks from

0:04:37.960 --> 0:04:41.000
<v Speaker 1>the episode and they were I guess they were teasing

0:04:41.040 --> 0:04:42.240
<v Speaker 1>it to get excited.

0:04:42.320 --> 0:04:44.000
<v Speaker 2>Yeah, we were off the air for a week, so

0:04:44.040 --> 0:04:47.279
<v Speaker 2>in between they put out this little soundtrack to preempt

0:04:47.720 --> 0:04:51.320
<v Speaker 2>the airing of Rocky Horror, which is our next episode

0:04:51.320 --> 0:04:55.760
<v Speaker 2>to review. Yes, so, like we said, Eric Stoltz incredible

0:04:55.839 --> 0:05:00.479
<v Speaker 2>incredible actor. Eric Stoltz is also an incredible director and

0:05:00.720 --> 0:05:03.200
<v Speaker 2>Eric came in this was his first episode of several

0:05:03.200 --> 0:05:07.880
<v Speaker 2>with us and really, like you said, Jenna opened her

0:05:07.880 --> 0:05:12.360
<v Speaker 2>eyes to so many things because he is an actor's director.

0:05:12.600 --> 0:05:12.920
<v Speaker 1>Correct.

0:05:13.040 --> 0:05:15.680
<v Speaker 2>And if you watch the show and I watched this

0:05:15.760 --> 0:05:18.880
<v Speaker 2>episode through the eyes of all the little things that

0:05:19.000 --> 0:05:22.559
<v Speaker 2>must have happened in the scenes because of him, Yes,

0:05:24.000 --> 0:05:28.440
<v Speaker 2>you'll notice there's edits of reaction shots that linger just

0:05:28.440 --> 0:05:31.080
<v Speaker 2>a little longer than they normally would have. There's less cuts.

0:05:31.080 --> 0:05:36.200
<v Speaker 2>It's because he's he always wanted those real reactions where yes,

0:05:36.240 --> 0:05:38.960
<v Speaker 2>you have like your main characters in the scenes, but

0:05:39.320 --> 0:05:42.680
<v Speaker 2>he was really interested in making sure everyone got some

0:05:43.279 --> 0:05:43.880
<v Speaker 2>screen time.

0:05:44.279 --> 0:05:47.680
<v Speaker 1>Additionally, you notice that in a lot of the high

0:05:47.720 --> 0:05:53.360
<v Speaker 1>school hallways there's always way more extras and way more

0:05:53.440 --> 0:05:56.599
<v Speaker 1>people and things going on. So the thing about Eric

0:05:56.720 --> 0:05:59.000
<v Speaker 1>was he talked to the extras. He gave them direction.

0:05:59.520 --> 0:06:02.000
<v Speaker 1>He had kids making out in the hallway, he had

0:06:02.080 --> 0:06:06.200
<v Speaker 1>kids throwing paper airplanes or like like joking with each other,

0:06:06.360 --> 0:06:08.560
<v Speaker 1>and so it was a lot of like even the

0:06:08.640 --> 0:06:12.440
<v Speaker 1>extras felt like they had something, an intention and something

0:06:12.520 --> 0:06:14.640
<v Speaker 1>to do. And you know, I was like, the hallways

0:06:14.680 --> 0:06:17.280
<v Speaker 1>are very crowded, and I was like, oh, this is Eric.

0:06:17.400 --> 0:06:19.400
<v Speaker 2>There were all these little shots too, of like between

0:06:19.480 --> 0:06:23.119
<v Speaker 2>people through arms of people that we had we hadn't

0:06:23.160 --> 0:06:26.640
<v Speaker 2>done before, and that was and then really sweet.

0:06:26.920 --> 0:06:30.320
<v Speaker 1>Additionally, there was a couple of things that Eric put

0:06:30.400 --> 0:06:38.000
<v Speaker 1>In had. He had some rules and Eric was an

0:06:38.000 --> 0:06:45.240
<v Speaker 1>actress director, and he did not let us have lines,

0:06:45.560 --> 0:06:49.360
<v Speaker 1>scripts pages on set. So every morning when we got

0:06:49.360 --> 0:06:52.359
<v Speaker 1>to work in our trailer would be all the scenes

0:06:52.440 --> 0:06:55.039
<v Speaker 1>for the day that were that we were doing, and

0:06:55.080 --> 0:06:58.039
<v Speaker 1>they would be on these little pieces of like rectangular paper.

0:06:58.040 --> 0:07:00.520
<v Speaker 1>They were small, and the sides were and the the

0:07:00.560 --> 0:07:03.839
<v Speaker 1>lines were really small, the text was small. We were

0:07:03.920 --> 0:07:06.839
<v Speaker 1>not allowed to bring those onto set when Eric was directing.

0:07:07.279 --> 0:07:10.040
<v Speaker 1>Normally most people have them in their hand in rehearsal,

0:07:10.280 --> 0:07:13.360
<v Speaker 1>still kind of learning lines. I think there's a myriad

0:07:13.400 --> 0:07:15.200
<v Speaker 1>of reasons why he did that, but a lot of

0:07:15.200 --> 0:07:19.360
<v Speaker 1>it I think had to do with preparation. I kind

0:07:19.360 --> 0:07:21.560
<v Speaker 1>of worked my way around it after a while, and

0:07:21.560 --> 0:07:25.160
<v Speaker 1>I would take screenshots of the sides and bring me

0:07:25.200 --> 0:07:29.520
<v Speaker 1>to set. Oh yeah, because even if I had done

0:07:29.560 --> 0:07:32.320
<v Speaker 1>the preparation, I still like to look at my lines

0:07:32.320 --> 0:07:36.000
<v Speaker 1>before I went into to shoot. So that was my

0:07:36.120 --> 0:07:38.760
<v Speaker 1>process and so I just figured out a way around it.

0:07:39.000 --> 0:07:42.720
<v Speaker 1>But it was really interesting and we were like, what

0:07:43.200 --> 0:07:47.280
<v Speaker 1>he's making rules, he's doing what and some people were

0:07:47.360 --> 0:07:49.920
<v Speaker 1>not like could care less. Some people cared a lot anyway.

0:07:50.040 --> 0:07:52.680
<v Speaker 1>So that was one thing. And then another one, do

0:07:52.680 --> 0:07:55.880
<v Speaker 1>you remember, was when we made our days. So making

0:07:55.880 --> 0:08:00.240
<v Speaker 1>our days means that you complete your day and all

0:08:00.240 --> 0:08:02.320
<v Speaker 1>the scenes you're supposed to do in it in twelve hours.

0:08:02.360 --> 0:08:05.600
<v Speaker 1>Normally we would work fourteen sixteen hours.

0:08:05.760 --> 0:08:07.720
<v Speaker 2>Yeah, and sometimes you even have to drop a scene

0:08:07.720 --> 0:08:08.680
<v Speaker 2>to pick up another day.

0:08:08.920 --> 0:08:13.640
<v Speaker 1>Right. Eric generally would make his days and he would

0:08:14.040 --> 0:08:19.400
<v Speaker 1>move very quickly, so we were kind of like whoa, whoa,

0:08:19.600 --> 0:08:22.200
<v Speaker 1>especially coming off the heels of Alfonso, which have you

0:08:22.200 --> 0:08:25.120
<v Speaker 1>heard in our last podcast. Alfonso really like to take

0:08:25.120 --> 0:08:27.160
<v Speaker 1>his time and it was very much with his eye

0:08:27.200 --> 0:08:30.280
<v Speaker 1>and yeah, it was total opposite. So it was a

0:08:30.280 --> 0:08:32.880
<v Speaker 1>lot of adjusting for us when like you know, you

0:08:32.920 --> 0:08:37.560
<v Speaker 1>had your guest directors. But Eric was very efficient and.

0:08:37.840 --> 0:08:39.880
<v Speaker 2>He'd show up in a suit. We met him before

0:08:39.920 --> 0:08:41.440
<v Speaker 2>and he would come and talk to us and we'd

0:08:42.080 --> 0:08:44.679
<v Speaker 2>talk through some things. Then it comes to actually shooting

0:08:45.040 --> 0:08:47.839
<v Speaker 2>shooting day and he'd be in a full full suit.

0:08:48.080 --> 0:08:49.600
<v Speaker 2>So cy yes, every single day.

0:08:49.760 --> 0:08:50.720
<v Speaker 1>What a lovely person.

0:08:51.120 --> 0:08:54.720
<v Speaker 2>Yeah, and he cared, you know, there were multiple times

0:08:54.760 --> 0:08:56.679
<v Speaker 2>when he came back and he's like, I just wish

0:08:57.200 --> 0:08:59.560
<v Speaker 2>like this happened. And there's like one line of this

0:08:59.640 --> 0:09:02.840
<v Speaker 2>character saying this thing. Because he was so concerned about

0:09:02.880 --> 0:09:06.559
<v Speaker 2>making sure the kids got represented fairly in the show

0:09:08.080 --> 0:09:10.160
<v Speaker 2>and more screen time. You wanted screen time for everyone,

0:09:10.840 --> 0:09:13.400
<v Speaker 2>and I think this is a perfect episode for him

0:09:13.440 --> 0:09:18.160
<v Speaker 2>because everyone does have more screen time and Harry has

0:09:18.200 --> 0:09:20.600
<v Speaker 2>several lines and you know things like at this point

0:09:20.640 --> 0:09:23.400
<v Speaker 2>that he hadn't had a lot of lines, and so

0:09:24.120 --> 0:09:26.880
<v Speaker 2>you know, Eric carried that torch. Yeah, for as long

0:09:26.920 --> 0:09:29.840
<v Speaker 2>as he directed episodes of it. Will point out some

0:09:29.880 --> 0:09:32.920
<v Speaker 2>things too, because he actually added some things scenes that

0:09:32.960 --> 0:09:35.400
<v Speaker 2>were not scripted and because he thought they would be

0:09:35.480 --> 0:09:39.920
<v Speaker 2>really nice thematically and story wise, theatrically to add in

0:09:40.600 --> 0:09:45.679
<v Speaker 2>and it worked and they're beautiful. So there are a

0:09:45.720 --> 0:09:47.079
<v Speaker 2>lot of songs in this episodes.

0:09:48.360 --> 0:09:50.280
<v Speaker 1>There were a lot of songs in this episode because

0:09:50.400 --> 0:09:52.120
<v Speaker 1>it really was about the songs.

0:09:52.720 --> 0:09:54.920
<v Speaker 2>Yeah, there's not a lot of plot in this episode.

0:09:55.040 --> 0:09:56.360
<v Speaker 2>There's not a whole lot of plot.

0:09:56.640 --> 0:09:59.280
<v Speaker 1>Really great songs to be honest. Okay, so we've got

0:09:59.440 --> 0:10:00.959
<v Speaker 1>what we got? What do we have?

0:10:01.280 --> 0:10:04.560
<v Speaker 2>We have? Don't go breaking my heart? River Deep Mountain,

0:10:04.640 --> 0:10:11.040
<v Speaker 2>High the jazz Hot sing with you, I'm Born Again

0:10:12.160 --> 0:10:15.800
<v Speaker 2>and Happy Days are here again, Get Happy.

0:10:17.120 --> 0:10:21.480
<v Speaker 1>And we're missing to two cast members, so there's no

0:10:21.480 --> 0:10:25.239
<v Speaker 1>no Shoes, Lovester, no Jane in this episode, and surprisingly

0:10:25.280 --> 0:10:25.679
<v Speaker 1>there's no.

0:10:25.679 --> 0:10:28.280
<v Speaker 2>Mark Sally uh huh. And do you remember what.

0:10:31.520 --> 0:10:36.320
<v Speaker 1>There were some issues with Mark making his own music

0:10:37.080 --> 0:10:43.560
<v Speaker 1>mm hmm, and found to get so deep into it,

0:10:43.559 --> 0:10:44.720
<v Speaker 1>it's not really our story.

0:10:44.600 --> 0:10:44.920
<v Speaker 4>How.

0:10:46.480 --> 0:10:50.080
<v Speaker 2>Well it personally pissed me off.

0:10:50.280 --> 0:10:50.559
<v Speaker 1>Yeah.

0:10:51.360 --> 0:10:54.280
<v Speaker 2>Yeah, Mark made his own album, which he was not

0:10:54.720 --> 0:10:57.440
<v Speaker 2>illegally allowed to do, and then just released it and

0:10:57.480 --> 0:10:59.440
<v Speaker 2>then put it out and so he got in trouble

0:11:00.160 --> 0:11:02.680
<v Speaker 2>and so basically it was like a punishment that you're

0:11:02.679 --> 0:11:07.080
<v Speaker 2>suspended for an episode, but it's like getting suspended from school,

0:11:07.600 --> 0:11:11.360
<v Speaker 2>right where he still got paid, right, he just didn't

0:11:11.440 --> 0:11:14.000
<v Speaker 2>work for the week as far as I know, right.

0:11:14.040 --> 0:11:16.679
<v Speaker 1>Yeah, like, yeah, yeah, he was guaranteed, he was a

0:11:16.679 --> 0:11:20.079
<v Speaker 1>series regular. He was guaranteed a certain amount of episodes

0:11:20.160 --> 0:11:23.360
<v Speaker 1>and I think they were twenty two, so I think, yeah, yeah,

0:11:23.559 --> 0:11:24.040
<v Speaker 1>he got paid.

0:11:24.040 --> 0:11:28.840
<v Speaker 2>Anyway, what happened, you know last season was I got

0:11:28.840 --> 0:11:34.000
<v Speaker 2>in trouble because I was technically in a record contract

0:11:34.160 --> 0:11:36.560
<v Speaker 2>with Geffen Records from the Boy man, I was in

0:11:36.800 --> 0:11:42.640
<v Speaker 2>pre Glee and had to pay to get out of it,

0:11:43.000 --> 0:11:46.520
<v Speaker 2>and Fox helped negotiate that. It was you know, Geffen

0:11:46.600 --> 0:11:49.920
<v Speaker 2>wanted like three million dollars. Was like, what right, I'm

0:11:50.000 --> 0:11:53.319
<v Speaker 2>so poor, and then yeah, they worked out a deal.

0:11:53.360 --> 0:11:56.120
<v Speaker 2>Long story short, and so I was getting money taken

0:11:56.120 --> 0:12:01.120
<v Speaker 2>out of my checks every week to pay this thing back, right,

0:12:01.200 --> 0:12:04.360
<v Speaker 2>and then Mark knowing, I mean, that was Unknowingly, there

0:12:04.400 --> 0:12:07.040
<v Speaker 2>was like a verbal agreement between Fox and Geffen and

0:12:07.080 --> 0:12:08.719
<v Speaker 2>they both allowed me to do it. But of course

0:12:08.720 --> 0:12:11.120
<v Speaker 2>there's nothing in writing, and Fox ended up apologizing to me,

0:12:11.760 --> 0:12:17.200
<v Speaker 2>but there was So then Mark knowingly releases an album

0:12:17.240 --> 0:12:19.559
<v Speaker 2>and gets off an episode and he gets paid.

0:12:19.920 --> 0:12:22.640
<v Speaker 1>Well, you guys, and here's the I mean, at least

0:12:23.679 --> 0:12:26.520
<v Speaker 1>there's no there's no like real like, oh you know

0:12:26.640 --> 0:12:28.600
<v Speaker 1>this is better for you. You know, at least it

0:12:28.679 --> 0:12:33.199
<v Speaker 1>was this. But Mark just released it literally into the universe,

0:12:33.240 --> 0:12:36.439
<v Speaker 1>and I don't know that anybody really saw it, so

0:12:36.720 --> 0:12:42.600
<v Speaker 1>there wasn't a huge record label, I promise, Okay, moving

0:12:42.880 --> 0:12:43.360
<v Speaker 1>moving on.

0:12:44.160 --> 0:12:48.079
<v Speaker 2>Yeah, I think he was off for a couple episodes,

0:12:48.120 --> 0:12:49.600
<v Speaker 2>Like I think it was like two or three episodes

0:12:49.600 --> 0:12:51.880
<v Speaker 2>that he was paid vacation paid vacation.

0:13:00.679 --> 0:13:04.160
<v Speaker 1>Okay. So in this episode, as the glee club gains

0:13:04.240 --> 0:13:09.360
<v Speaker 1>a new member, mister grudov Street Sam Evans, there's a

0:13:09.440 --> 0:13:13.840
<v Speaker 1>duets competition that changes a lot of relationships within the group.

0:13:15.480 --> 0:13:21.319
<v Speaker 1>Finn and Rachel have their own little side thing going,

0:13:21.520 --> 0:13:25.080
<v Speaker 1>and Kurt struggles to be Kurt struggles on being the

0:13:25.080 --> 0:13:28.000
<v Speaker 1>only openly gay teenager in school and in the town,

0:13:29.480 --> 0:13:32.319
<v Speaker 1>which affects all of this do at competition.

0:13:33.000 --> 0:13:34.840
<v Speaker 2>So it does you know what, I think we should

0:13:34.880 --> 0:13:37.240
<v Speaker 2>sort of start with because there's so little plot in

0:13:37.280 --> 0:13:40.480
<v Speaker 2>this episode. Let's just get through the plot, which is

0:13:40.480 --> 0:13:45.920
<v Speaker 2>basically Kurt. Yeah, because yeah, Kurt's got a couple of

0:13:45.960 --> 0:13:48.079
<v Speaker 2>things going on. He sees Sam come in and he's like, oh,

0:13:48.080 --> 0:13:53.280
<v Speaker 2>he's gay. He's got dyed blonde hair, Like he's on

0:13:53.320 --> 0:13:56.319
<v Speaker 2>my team for sure. Yeah, and it's it is a

0:13:56.360 --> 0:14:01.320
<v Speaker 2>little aggressive and you're like okay, and he sort of

0:14:01.440 --> 0:14:04.000
<v Speaker 2>talks Sam into being his duet partner.

0:14:04.360 --> 0:14:06.240
<v Speaker 1>Sweet Sam says yes, Sweet.

0:14:05.880 --> 0:14:08.480
<v Speaker 2>Sam, Yes, and he's a good guy and he's great

0:14:08.520 --> 0:14:11.839
<v Speaker 2>about it. And then Finn gets wind of this and

0:14:11.840 --> 0:14:14.240
<v Speaker 2>it's like, you cannot do this. You're painting a target

0:14:14.240 --> 0:14:16.560
<v Speaker 2>on his back and it's some of that high school

0:14:16.600 --> 0:14:21.640
<v Speaker 2>like bs that is my favorite in Glee, when like

0:14:21.800 --> 0:14:25.400
<v Speaker 2>the episodes aren't about anything but high school stuff, right,

0:14:25.520 --> 0:14:27.680
<v Speaker 2>And then it's also so frustrating because these kids are

0:14:27.720 --> 0:14:32.960
<v Speaker 2>like so naive, Like, come on, he's not painting, you know,

0:14:32.960 --> 0:14:34.920
<v Speaker 2>putting a target on his back necessarily.

0:14:35.840 --> 0:14:38.960
<v Speaker 1>Well, the sticks are always so high, right, it feels

0:14:39.000 --> 0:14:44.040
<v Speaker 1>like everything is Yes, the stakes feel very high even

0:14:44.080 --> 0:14:49.560
<v Speaker 1>though they're not. And that's what it's like in high school, right, yeah, exactly. Yeah,

0:14:49.600 --> 0:14:52.680
<v Speaker 1>So Kurt, well, Finn gets wind of this. But then

0:14:52.840 --> 0:14:57.200
<v Speaker 1>also on the side, Finn and Rachel are having this

0:14:57.200 --> 0:15:00.280
<v Speaker 1>this conversation. I think they're going to win obviously the

0:15:00.280 --> 0:15:07.920
<v Speaker 1>the dou at competition, and Rachel is weirdly selfishly but

0:15:08.320 --> 0:15:12.640
<v Speaker 1>unselfishly trying to get somebody else to win to build

0:15:12.720 --> 0:15:18.040
<v Speaker 1>morale so that they do win at regionals. And so

0:15:18.280 --> 0:15:20.720
<v Speaker 1>their plan is they're going to get the new kid

0:15:20.760 --> 0:15:25.240
<v Speaker 1>to win because that will boost timare keep him around

0:15:25.480 --> 0:15:28.320
<v Speaker 1>and everybody will feel good that it's not.

0:15:28.400 --> 0:15:33.120
<v Speaker 2>Just Chel and Rachel's bedroom of them plotting is so good,

0:15:33.760 --> 0:15:38.680
<v Speaker 2>it's very good. I thought it was hilarious. And then

0:15:39.040 --> 0:15:46.120
<v Speaker 2>you know, meanwhile, Kurt is having these issues with trying

0:15:46.160 --> 0:15:47.960
<v Speaker 2>to figure out Sam's thing. He opens up to his

0:15:48.080 --> 0:15:52.600
<v Speaker 2>dad and who's taken care of postheart attack, and Bert

0:15:52.840 --> 0:15:56.080
<v Speaker 2>sort of doesn't side with Kurt and this, and it's like, well,

0:15:57.320 --> 0:16:01.840
<v Speaker 2>like if he's not gad and also like you weren't

0:16:01.840 --> 0:16:05.920
<v Speaker 2>totally forthcoming with me about the thing with the Finn

0:16:05.920 --> 0:16:09.360
<v Speaker 2>thing because you also had a crush on Finn. And

0:16:09.560 --> 0:16:11.480
<v Speaker 2>it's nice to show the perspective, like if you're the

0:16:11.480 --> 0:16:14.240
<v Speaker 2>only out gay person, how else are you supposed to

0:16:14.240 --> 0:16:16.840
<v Speaker 2>figure out if there's any if anybody else is gay

0:16:17.320 --> 0:16:22.440
<v Speaker 2>without sort of being the aggressive one totally totally, And

0:16:22.640 --> 0:16:24.760
<v Speaker 2>it presents that problem. And Bert's like, I think you're

0:16:24.800 --> 0:16:26.240
<v Speaker 2>just gonna have to sort of suck it up for

0:16:26.280 --> 0:16:30.120
<v Speaker 2>now until there's somebody as brave as you to be out.

0:16:30.760 --> 0:16:34.120
<v Speaker 2>And so Kurt releases Sam from the duets of it all,

0:16:34.160 --> 0:16:37.400
<v Speaker 2>and meanwhile Sam's been slushy cleaned up by Quinn. They

0:16:37.440 --> 0:16:41.560
<v Speaker 2>have the most charming romantic scenes like.

0:16:44.720 --> 0:16:51.200
<v Speaker 1>Yeah and and yeah. So Quinn and Sam end up

0:16:52.400 --> 0:16:56.760
<v Speaker 1>being partners, winning the competition spoiler alert, and going to

0:16:56.800 --> 0:17:02.440
<v Speaker 1>Breadsticks on a date and it's very very cute. The

0:17:03.040 --> 0:17:04.760
<v Speaker 1>scenes are very intimate and charming.

0:17:05.359 --> 0:17:06.800
<v Speaker 2>I needs me some breads.

0:17:07.160 --> 0:17:10.320
<v Speaker 1>Okay, we were getting there. We're getting there. So yeah,

0:17:10.440 --> 0:17:15.399
<v Speaker 1>so the competition, mister Shoe gives a little incentive for

0:17:15.480 --> 0:17:18.280
<v Speaker 1>them to work hard. There's a prize and they win

0:17:18.320 --> 0:17:21.760
<v Speaker 1>a free meal of breadsticks. And everybody's very excited about this.

0:17:22.080 --> 0:17:24.080
<v Speaker 2>Verespecially when Santana Lopez.

0:17:26.200 --> 0:17:29.840
<v Speaker 1>These are like some of the most ingrained like lines

0:17:30.680 --> 0:17:32.879
<v Speaker 1>that she delivers.

0:17:33.320 --> 0:17:36.160
<v Speaker 2>I also think like she's getting more and more stuff,

0:17:36.920 --> 0:17:39.040
<v Speaker 2>you know, as the season goes on, and so she

0:17:39.280 --> 0:17:42.360
<v Speaker 2>had a lot in this episode. I did not remember

0:17:42.920 --> 0:17:44.840
<v Speaker 2>that half of these numbers were in this episode.

0:17:45.040 --> 0:17:48.679
<v Speaker 1>Oh I did. I Well, to be fair, Yes, I

0:17:48.720 --> 0:17:51.280
<v Speaker 1>know what you mean. They I was like, oh, it's

0:17:51.480 --> 0:17:53.960
<v Speaker 1>this number. I just knew there were a lot of numbers.

0:17:54.240 --> 0:17:58.120
<v Speaker 2>Yeah, because we did a lot of these numbers on tour. Yes,

0:17:58.720 --> 0:18:01.600
<v Speaker 2>this episode's music stuck with us for so long.

0:18:01.840 --> 0:18:06.560
<v Speaker 1>Totally totally. Okay, Well let's let's get into some of

0:18:06.640 --> 0:18:07.399
<v Speaker 1>these duets.

0:18:07.440 --> 0:18:09.520
<v Speaker 2>Let's just say, yeah, let's just talk about the duets,

0:18:09.520 --> 0:18:13.240
<v Speaker 2>because I feel like this this episode is duets slash

0:18:13.480 --> 0:18:15.040
<v Speaker 2>Riverdy Mountain High.

0:18:15.280 --> 0:18:17.720
<v Speaker 1>Right. Well, we just talked we did lucky, right, So

0:18:18.160 --> 0:18:22.600
<v Speaker 1>Quinn and Sam do a very cute rendition of Lucky,

0:18:22.960 --> 0:18:27.560
<v Speaker 1>which we did on tour, which is also very cute,

0:18:28.000 --> 0:18:30.320
<v Speaker 1>and I mean, let's just get to it. Let's let's

0:18:30.359 --> 0:18:33.159
<v Speaker 1>talk about We Were Mountain High. It's one of the

0:18:33.160 --> 0:18:35.520
<v Speaker 1>best numbers of the series if you asked me.

0:18:36.040 --> 0:18:39.720
<v Speaker 2>Yeah, it is by far one of the greatest things

0:18:40.480 --> 0:18:43.160
<v Speaker 2>that Clee contributed to pop culture.

0:18:43.680 --> 0:18:46.280
<v Speaker 1>It actually only gets better every time you watch it.

0:18:46.520 --> 0:18:50.280
<v Speaker 2>You know, like I even think them performing it. As

0:18:50.280 --> 0:18:54.120
<v Speaker 2>soon as Amber opens her mouth, like, oh, she is

0:18:54.280 --> 0:18:59.359
<v Speaker 2>full throated, full chested. Everyone warmed up that day and

0:19:00.280 --> 0:19:04.520
<v Speaker 2>studio and those two had like a proper sing off

0:19:05.040 --> 0:19:08.960
<v Speaker 2>because no one can keep up with Amber, but not

0:19:09.119 --> 0:19:14.280
<v Speaker 2>ever it's fully keeping up with Amber and this number. Yeah,

0:19:14.400 --> 0:19:20.040
<v Speaker 2>and the choreography phenomenal. We were dying again. It's one

0:19:20.040 --> 0:19:23.840
<v Speaker 2>of those reformances where we were screaming actually during the

0:19:23.840 --> 0:19:26.119
<v Speaker 2>filming of this, like yelling at them like we were

0:19:26.160 --> 0:19:29.159
<v Speaker 2>out of meat and greet. We were at the Mercedes.

0:19:28.640 --> 0:19:31.200
<v Speaker 1>And that's right, And you could see them getting riled

0:19:31.280 --> 0:19:33.280
<v Speaker 1>up because of us, Like you could see them working

0:19:33.320 --> 0:19:36.280
<v Speaker 1>harder because we were getting so riled like it was

0:19:36.320 --> 0:19:38.479
<v Speaker 1>really fun. They were definitely worked off for energy and

0:19:38.520 --> 0:19:41.080
<v Speaker 1>we I mean, I was we were there for it,

0:19:41.119 --> 0:19:43.960
<v Speaker 1>and then every night on tour we also you'll see

0:19:44.240 --> 0:19:46.760
<v Speaker 1>or you you know, if you've seen tour or any video,

0:19:47.040 --> 0:19:49.000
<v Speaker 1>we're all doing the dance gaps in the back. We

0:19:49.040 --> 0:19:51.400
<v Speaker 1>all know this dance. This is the best and this

0:19:51.440 --> 0:19:55.000
<v Speaker 1>is the most fun and gosh, it's so good. And

0:19:55.040 --> 0:19:58.000
<v Speaker 1>then the little line afterwards, like because we go in

0:19:58.840 --> 0:20:03.040
<v Speaker 1>to Brits, they just had as rolling. I was rolling,

0:20:03.160 --> 0:20:06.159
<v Speaker 1>screaming and rolling a good number.

0:20:06.280 --> 0:20:08.399
<v Speaker 2>I what a good number. And what leads to this

0:20:08.520 --> 0:20:13.080
<v Speaker 2>also is this magical scene between Brittany and Santana where

0:20:14.200 --> 0:20:19.919
<v Speaker 2>they talk about late sweet lady kisses and scissoring, which

0:20:20.080 --> 0:20:24.280
<v Speaker 2>one of our producers. How they found this out, I

0:20:24.320 --> 0:20:29.800
<v Speaker 2>don't know, but it was the use of the term

0:20:29.840 --> 0:20:34.800
<v Speaker 2>scissoring was the first time in American network television as well,

0:20:34.840 --> 0:20:37.480
<v Speaker 2>was the first time it was used in a series

0:20:37.520 --> 0:20:41.920
<v Speaker 2>with wide family viewership, and it got covered like internationally

0:20:42.920 --> 0:20:44.520
<v Speaker 2>that was sissoring.

0:20:46.080 --> 0:20:47.520
<v Speaker 1>We'll just leave it at that.

0:20:48.000 --> 0:20:51.120
<v Speaker 2>Yeah, I love that.

0:20:51.400 --> 0:20:52.320
<v Speaker 1>Oh so good.

0:20:53.240 --> 0:20:53.359
<v Speaker 3>Uh.

0:20:53.520 --> 0:20:55.480
<v Speaker 2>And it also, you know, more and more into the

0:20:55.520 --> 0:21:01.439
<v Speaker 2>canon of Britanna of building that up because Santana's like,

0:21:01.480 --> 0:21:04.399
<v Speaker 2>this isn't like real for me, I just need a

0:21:04.440 --> 0:21:06.920
<v Speaker 2>warm body underneath me. Bommy talks and Juvi.

0:21:07.359 --> 0:21:08.879
<v Speaker 1>That is my favorite quote.

0:21:09.240 --> 0:21:10.760
<v Speaker 2>So many of these lines, and we.

0:21:10.760 --> 0:21:13.800
<v Speaker 1>Have to talk about it obviously because of Brittany and

0:21:13.840 --> 0:21:17.800
<v Speaker 1>Santana splitting up. In this episode. You and Brittany have

0:21:17.960 --> 0:21:21.880
<v Speaker 1>a big storyline that really is a milestone for Arty.

0:21:23.040 --> 0:21:25.440
<v Speaker 2>Aarty loses his v card this episode.

0:21:25.480 --> 0:21:27.879
<v Speaker 1>That's big. That's big. It's the beginning of the Tina

0:21:28.280 --> 0:21:33.000
<v Speaker 1>Mike triangle, already triangle and already loses his virginity to Brittany.

0:21:33.440 --> 0:21:35.560
<v Speaker 2>The fear of having you know what was more nerve

0:21:35.560 --> 0:21:37.440
<v Speaker 2>wracking than having Heather pick me up and put me

0:21:37.480 --> 0:21:39.480
<v Speaker 2>into bed was doing that run at the beginning of

0:21:39.520 --> 0:21:47.320
<v Speaker 2>the scene. Dude, Yeah, vocal run at the beginning of it,

0:21:47.400 --> 0:21:50.720
<v Speaker 2>because you know, we always used to being in a

0:21:50.720 --> 0:21:53.639
<v Speaker 2>recording studio at that point, so I wasn't trying to

0:21:53.640 --> 0:21:57.719
<v Speaker 2>sing live ever. And then Heather was so funny in

0:21:57.760 --> 0:22:02.360
<v Speaker 2>this and I remember Eric being so lovely about this

0:22:03.200 --> 0:22:05.320
<v Speaker 2>scene about putting me into bed. I do move my

0:22:05.400 --> 0:22:09.280
<v Speaker 2>foot if right before I get put onto the bed,

0:22:09.480 --> 0:22:10.760
<v Speaker 2>my foot does.

0:22:10.760 --> 0:22:13.960
<v Speaker 1>Me well, to be fair, that is like a it's

0:22:14.000 --> 0:22:16.040
<v Speaker 1>a scary thing to.

0:22:16.000 --> 0:22:18.480
<v Speaker 2>Be picked up. I knew my foot was going to

0:22:18.600 --> 0:22:20.840
<v Speaker 2>hit the bed, so I was trying to lift it alone.

0:22:22.320 --> 0:22:23.680
<v Speaker 1>Just the fact that she picks you up.

0:22:23.720 --> 0:22:24.840
<v Speaker 2>I was like, oh.

0:22:24.680 --> 0:22:27.160
<v Speaker 1>My god, this is crazy.

0:22:27.240 --> 0:22:28.240
<v Speaker 2>Yeah, and then.

0:22:28.119 --> 0:22:31.720
<v Speaker 1>We made sweet, sweet, sweet sweet love that was not

0:22:31.840 --> 0:22:32.480
<v Speaker 1>love at all.

0:22:33.000 --> 0:22:37.560
<v Speaker 2>No, because I then shortly afterwards break up with her

0:22:37.600 --> 0:22:42.760
<v Speaker 2>because Santana is pissed about this. And I have referenced

0:22:42.800 --> 0:22:45.600
<v Speaker 2>the scene many times when I say I and I

0:22:45.680 --> 0:22:48.240
<v Speaker 2>could not be in scenes together. This is the scene.

0:22:49.080 --> 0:22:52.960
<v Speaker 2>So she's talking to me and telling me how Brittany

0:22:52.960 --> 0:22:55.439
<v Speaker 2>has sex with everyone and I'm not special and she

0:22:55.520 --> 0:22:59.200
<v Speaker 2>was using me. And if you notice, I don't ever

0:22:59.760 --> 0:23:02.119
<v Speaker 2>look at her. I am looking forward, even when she

0:23:02.160 --> 0:23:03.840
<v Speaker 2>gets down to talk to me at eye level. I

0:23:03.880 --> 0:23:07.440
<v Speaker 2>am looking forward because I think we got one take

0:23:07.520 --> 0:23:10.120
<v Speaker 2>where we didn't break It seems not even that funny.

0:23:10.520 --> 0:23:13.560
<v Speaker 2>We just could not like beat our characters to each

0:23:13.600 --> 0:23:19.639
<v Speaker 2>other and not break out laughing. It was. It was bad,

0:23:20.480 --> 0:23:21.399
<v Speaker 2>So we got through it.

0:23:21.480 --> 0:23:22.960
<v Speaker 1>You did. It's a very funny scene.

0:23:23.480 --> 0:23:27.200
<v Speaker 2>And also, just to wrap up this little storyline, when

0:23:27.359 --> 0:23:32.080
<v Speaker 2>Brittany talks about, you know, she wanted to share spaghetti

0:23:32.119 --> 0:23:34.679
<v Speaker 2>with Artie Lady in the tramp style, and there's that

0:23:34.800 --> 0:23:39.560
<v Speaker 2>shot at breadsticks with Sam and Quinn and it pans

0:23:39.600 --> 0:23:43.199
<v Speaker 2>over to Brittany giving the little meatball role that was

0:23:43.200 --> 0:23:43.880
<v Speaker 2>not scripted.

0:23:44.680 --> 0:23:44.880
<v Speaker 1>Eric.

0:23:45.640 --> 0:23:51.239
<v Speaker 2>Eric had Heather at work a little extra long and

0:23:51.400 --> 0:23:53.200
<v Speaker 2>added that scene in because he just thought it'd be

0:23:53.320 --> 0:23:54.200
<v Speaker 2>really nice.

0:23:55.320 --> 0:23:56.080
<v Speaker 1>Really cute.

0:23:56.400 --> 0:23:59.520
<v Speaker 2>It's so cute, and I loved that. I love that

0:23:59.560 --> 0:24:01.760
<v Speaker 2>he fought to get those things in because it's not easy.

0:24:02.000 --> 0:24:05.240
<v Speaker 2>These are there's a lot packed into like forty five minutes,

0:24:05.880 --> 0:24:09.280
<v Speaker 2>and to add anything cost time, cost money, and he

0:24:09.359 --> 0:24:10.640
<v Speaker 2>fought for little things like that.

0:24:10.840 --> 0:24:11.280
<v Speaker 1>He did.

0:24:11.320 --> 0:24:17.040
<v Speaker 2>He did another great duet this episode. Jenna. Let's talk

0:24:17.040 --> 0:24:18.560
<v Speaker 2>about Tina and Mike.

0:24:19.640 --> 0:24:21.560
<v Speaker 1>Okay, let's talk about it. Well, Tina and Mike, this

0:24:21.640 --> 0:24:23.760
<v Speaker 1>is like their first like scenes that you get to

0:24:23.800 --> 0:24:26.400
<v Speaker 1>see them. And chicken feet became like a whole thing

0:24:26.480 --> 0:24:29.520
<v Speaker 1>about eating the chicken feet, which was so strange.

0:24:29.119 --> 0:24:31.440
<v Speaker 2>But it was really very funny in that scene.

0:24:31.600 --> 0:24:34.320
<v Speaker 1>Oh thank you, it was you know, Eric brought the

0:24:34.359 --> 0:24:38.280
<v Speaker 1>best out in Tina, he really did, and like it

0:24:38.760 --> 0:24:41.040
<v Speaker 1>just made me comfortable to work with him, and I

0:24:41.119 --> 0:24:43.399
<v Speaker 1>hadn't had a ton of scenes either, you know, up

0:24:43.400 --> 0:24:45.680
<v Speaker 1>to that point, and working with Harry who was kind

0:24:45.680 --> 0:24:48.639
<v Speaker 1>of new, it was really it was really fun. It

0:24:48.680 --> 0:24:51.040
<v Speaker 1>was just fun to like support Harry and his like

0:24:51.280 --> 0:24:57.199
<v Speaker 1>new character or like his like features anyway, So this

0:24:57.359 --> 0:25:02.720
<v Speaker 1>number is so cute. I don't I don't remember loving

0:25:02.880 --> 0:25:05.280
<v Speaker 1>this number as much, like doing this number as much,

0:25:05.320 --> 0:25:07.399
<v Speaker 1>because I was like, yeah, whenever, it's like fine.

0:25:07.480 --> 0:25:11.240
<v Speaker 2>But yeah, it's so cute, and Harry's so good, so good,

0:25:11.359 --> 0:25:14.840
<v Speaker 2>you guys are so good together. And yeah, Harry's phenomenal

0:25:14.920 --> 0:25:17.000
<v Speaker 2>in this He's so good. I mean, he's holding that

0:25:17.040 --> 0:25:19.159
<v Speaker 2>whole number. I'm just kind of there to be to

0:25:19.200 --> 0:25:19.880
<v Speaker 2>help him out.

0:25:19.920 --> 0:25:23.160
<v Speaker 1>But it is really cute and it's I love the

0:25:23.280 --> 0:25:24.480
<v Speaker 1>triangle of Arty and Mike.

0:25:24.680 --> 0:25:27.760
<v Speaker 2>Yeah, Tina tries to go to dinner and duet with Arti,

0:25:27.840 --> 0:25:29.000
<v Speaker 2>and Artie wasn't having it.

0:25:29.440 --> 0:25:33.320
<v Speaker 1>Yeah, You're like, we're friends, you can do this, and

0:25:33.720 --> 0:25:38.120
<v Speaker 1>and then you're in love. Is upset and she gets

0:25:38.160 --> 0:25:40.680
<v Speaker 1>crapped on again, so she's going for Mike.

0:25:41.680 --> 0:25:42.480
<v Speaker 2>The chicken feet.

0:25:42.880 --> 0:25:45.080
<v Speaker 1>Tell me about the chicken feet. It's such a thing.

0:25:45.320 --> 0:25:48.160
<v Speaker 2>It was. It was like a half a scene about

0:25:48.160 --> 0:25:51.760
<v Speaker 2>dim sum and chicken feet and couple's therapy.

0:25:52.240 --> 0:25:58.639
<v Speaker 1>Tina was upset at the idea that everything has to

0:25:58.640 --> 0:26:01.800
<v Speaker 1>be Asian, right, and I appreciate that. It's kind of

0:26:01.840 --> 0:26:05.200
<v Speaker 1>like me. It's like, it's not all that I am,

0:26:06.119 --> 0:26:08.359
<v Speaker 1>it's all that all that Harry is either, but his

0:26:08.560 --> 0:26:13.719
<v Speaker 1>character is very into dim Sum and Asian Asian couples therapy.

0:26:13.760 --> 0:26:16.240
<v Speaker 1>But I like that Gina is kind of like, not

0:26:16.320 --> 0:26:21.600
<v Speaker 1>everything has to be Asian Asians, the Asian camp dim

0:26:21.800 --> 0:26:26.600
<v Speaker 1>Sum chicken feet. I do love him some too, but

0:26:26.720 --> 0:26:28.520
<v Speaker 1>not I don't love chicken feet.

0:26:28.800 --> 0:26:32.000
<v Speaker 2>Chicken feet is not it?

0:26:32.119 --> 0:26:35.560
<v Speaker 1>Not it? Okay. So so they do their scene. It's

0:26:35.640 --> 0:26:38.960
<v Speaker 1>very cute. This is the beginning of the triangle. And

0:26:38.960 --> 0:26:41.320
<v Speaker 1>and that's where and I think Eric, like you said,

0:26:41.320 --> 0:26:45.560
<v Speaker 1>with the reactions and things, was very clear on creating

0:26:45.600 --> 0:26:48.800
<v Speaker 1>that triangle versus just making it kind of already and

0:26:49.200 --> 0:26:51.400
<v Speaker 1>Brittany and you know Tina and Mike.

0:26:51.560 --> 0:26:54.399
<v Speaker 2>So I had lots of reaction shots that we probably

0:26:54.440 --> 0:26:57.440
<v Speaker 2>wouldn't have had if it weren't that's right of us.

0:26:58.280 --> 0:27:00.960
<v Speaker 2>Also a reaction shot of I believe it right after

0:27:00.960 --> 0:27:04.439
<v Speaker 2>a river deep Mountain Hi, where she's fully biting her

0:27:04.520 --> 0:27:08.240
<v Speaker 2>nails and like looks off just to the side of camera,

0:27:08.400 --> 0:27:13.040
<v Speaker 2>like almost at cameras like that. That's Heather, Yes, e.

0:27:16.359 --> 0:27:21.600
<v Speaker 2>There's a lot of that in these episodes. Thin and

0:27:21.720 --> 0:27:25.400
<v Speaker 2>Rachel do Douggle break in my Heart, which is cute,

0:27:26.040 --> 0:27:30.000
<v Speaker 2>so cute and so wild because Rachel is fully acting

0:27:30.040 --> 0:27:33.920
<v Speaker 2>out of storyline that we are not privy to. And

0:27:33.960 --> 0:27:36.040
<v Speaker 2>then she sits down and has her confession about I'm

0:27:36.080 --> 0:27:39.320
<v Speaker 2>really selfish and you're a good person, right right, which

0:27:39.359 --> 0:27:40.280
<v Speaker 2>makes a lot of sense.

0:27:42.000 --> 0:27:42.639
<v Speaker 3>So funny.

0:27:42.760 --> 0:27:46.600
<v Speaker 2>This whole episode their number with you I'm Born Again is.

0:27:47.280 --> 0:27:50.840
<v Speaker 1>We were howling last night watching this. It was very

0:27:50.880 --> 0:27:53.200
<v Speaker 1>funny the performances, and I remember, do you remember watching

0:27:53.200 --> 0:27:55.600
<v Speaker 1>this while they were doing it? It was very funny,

0:27:55.760 --> 0:27:58.240
<v Speaker 1>like I remember trying to hold it together.

0:27:58.960 --> 0:28:01.840
<v Speaker 2>Those two doing sort of this like amped up comedy

0:28:01.840 --> 0:28:02.399
<v Speaker 2>thing together.

0:28:02.680 --> 0:28:07.600
<v Speaker 3>So good, flawless, really really funny, really funny.

0:28:09.200 --> 0:28:09.639
<v Speaker 1>I like this.

0:28:09.880 --> 0:28:10.760
<v Speaker 2>I like songs.

0:28:11.359 --> 0:28:14.359
<v Speaker 1>I like that duet better than I like Run Joey Run.

0:28:14.720 --> 0:28:15.800
<v Speaker 1>Just putting it out there.

0:28:16.440 --> 0:28:18.560
<v Speaker 2>Okay, well, nobody asked for your opinion.

0:28:19.400 --> 0:28:22.240
<v Speaker 1>Well this is half my podcast, sow, I'm giving it

0:28:22.280 --> 0:28:22.560
<v Speaker 1>to you.

0:28:23.920 --> 0:28:26.160
<v Speaker 2>I have to say shout out to Fordham University because

0:28:26.160 --> 0:28:28.280
<v Speaker 2>Heather and I went there a couple of weeks ago

0:28:28.760 --> 0:28:32.199
<v Speaker 2>and we were asked what our favorite songs were, and

0:28:32.280 --> 0:28:34.160
<v Speaker 2>somebody shouted run Joey Run.

0:28:34.119 --> 0:28:38.440
<v Speaker 1>Yeah, and the place erupted. That's funny, it's crazy, that's

0:28:38.480 --> 0:28:39.160
<v Speaker 1>really funny.

0:28:39.280 --> 0:28:42.440
<v Speaker 2>I don't know what's happened. Wow, you would have hated that.

0:28:42.880 --> 0:28:45.320
<v Speaker 1>I would have loved to see it. Though I'd love

0:28:45.360 --> 0:28:48.240
<v Speaker 1>to see it. It's hard for me to understand because

0:28:48.240 --> 0:28:52.360
<v Speaker 1>I haven't. I didn't witness that house full of chaos,

0:28:52.360 --> 0:28:55.920
<v Speaker 1>of overrun, Joey Run. But I'm obviously you guys have

0:28:56.200 --> 0:28:58.720
<v Speaker 1>made it clear to us, so I'm listening.

0:29:02.720 --> 0:29:06.280
<v Speaker 5>Hey dudes, this is Christine Taylor and this is David Lasher.

0:29:06.440 --> 0:29:09.240
<v Speaker 4>You may remember us as teenage co stars on the

0:29:09.320 --> 0:29:11.640
<v Speaker 4>Nickelodeon show Hey Dude Back in the Day.

0:29:12.000 --> 0:29:15.360
<v Speaker 5>Now decades later, we are together again as hosts of

0:29:15.400 --> 0:29:19.080
<v Speaker 5>the Hey Dude the Nineties called podcast, where we revisit

0:29:19.680 --> 0:29:21.680
<v Speaker 5>amazing nineties nostalgia.

0:29:21.280 --> 0:29:24.120
<v Speaker 4>From music to movies, to television and comedy.

0:29:24.240 --> 0:29:26.240
<v Speaker 5>We cover it all, and we get to do it

0:29:26.320 --> 0:29:29.000
<v Speaker 5>with an array of guests who made their mark in

0:29:29.040 --> 0:29:29.960
<v Speaker 5>that magical era.

0:29:30.240 --> 0:29:34.200
<v Speaker 4>Stars from Saved by the Bell, Married with Children, Blossom, Clueless,

0:29:34.200 --> 0:29:36.440
<v Speaker 4>Full House, Beverly Hills, nine O two one zero.

0:29:36.480 --> 0:29:38.600
<v Speaker 2>The list goes on, and David.

0:29:38.320 --> 0:29:41.320
<v Speaker 5>Don't forget our number one fan, mister Ben Stiller.

0:29:41.560 --> 0:29:43.680
<v Speaker 2>How could I forget Ben Stiller. I mean, it was

0:29:43.720 --> 0:29:45.240
<v Speaker 2>so nice for us to both meet him for the

0:29:45.280 --> 0:29:45.800
<v Speaker 2>first time.

0:29:46.160 --> 0:29:48.880
<v Speaker 4>He was an amazing guest. We've also had on other

0:29:48.960 --> 0:29:52.880
<v Speaker 4>nineties megastars like Jason Priestley, Melissa Joan Hart, cal Mitchell,

0:29:53.040 --> 0:29:55.520
<v Speaker 4>and Mayam Biollick just the name a few, and there's

0:29:55.560 --> 0:29:56.520
<v Speaker 4>so much more to come.

0:29:56.760 --> 0:29:58.120
<v Speaker 1>So sit back, relax.

0:29:58.480 --> 0:30:01.400
<v Speaker 5>You can even binge our the episodes and make sure

0:30:01.440 --> 0:30:02.560
<v Speaker 5>to catch a new one each week.

0:30:02.680 --> 0:30:06.080
<v Speaker 4>Listen to Hey Dude the nineties called on the iHeartRadio app,

0:30:06.120 --> 0:30:09.360
<v Speaker 4>Apple podcasts or wherever you listen to podcasts.

0:30:12.640 --> 0:30:16.320
<v Speaker 1>So then they do Yes, Leah does her third number,

0:30:16.400 --> 0:30:18.520
<v Speaker 1>Rachel has her third number, Happy to He's her here Again,

0:30:18.680 --> 0:30:21.880
<v Speaker 1>which we do on tours well, which was off the bat.

0:30:21.920 --> 0:30:26.840
<v Speaker 2>A really sweet scene between Kurt and Rachel where Rachel

0:30:28.040 --> 0:30:32.360
<v Speaker 2>comes to kurt SLocker and it's like, we're a lot

0:30:32.560 --> 0:30:38.640
<v Speaker 2>more similar than you probably realize, and that's rude, and

0:30:38.680 --> 0:30:42.320
<v Speaker 2>then has this really lovely speech about how he may

0:30:42.360 --> 0:30:44.280
<v Speaker 2>be lonely, but he has twelve other people who love

0:30:44.320 --> 0:30:45.960
<v Speaker 2>him just the way he is in Glee Club, even

0:30:46.000 --> 0:30:50.000
<v Speaker 2>if it's not right romantically right. It's a really really

0:30:50.960 --> 0:30:54.840
<v Speaker 2>nice moment and it's nice, you know, off the heels

0:30:54.840 --> 0:30:58.720
<v Speaker 2>of Rachel pretending to sort of be a good person

0:30:59.000 --> 0:31:02.560
<v Speaker 2>and not selfish about who's going to win. And this

0:31:02.680 --> 0:31:07.360
<v Speaker 2>is actually the real, genuine nice thing she does, right, Yes,

0:31:08.160 --> 0:31:11.400
<v Speaker 2>and then she does If you have not seen the

0:31:11.400 --> 0:31:16.120
<v Speaker 2>original black and white video of Happy Days Are Here Again,

0:31:16.360 --> 0:31:20.720
<v Speaker 2>get happy with Barbara Streis and Judy Garland, go watch

0:31:20.760 --> 0:31:23.600
<v Speaker 2>it a and be it with this performance.

0:31:25.880 --> 0:31:28.840
<v Speaker 1>Yeah, I think she has this ingrained into her brain to.

0:31:29.200 --> 0:31:33.920
<v Speaker 2>Every movement and look and smile, shrug. Is that Barbara

0:31:33.920 --> 0:31:37.440
<v Speaker 2>Streison in that number? And I don't think I realized

0:31:37.480 --> 0:31:39.920
<v Speaker 2>it at the time. I realized it years later when

0:31:39.960 --> 0:31:42.480
<v Speaker 2>I saw the videos, like, wait, this looks very familiar,

0:31:43.240 --> 0:31:47.840
<v Speaker 2>and Leah had something very specific in mind and crushed it.

0:31:47.840 --> 0:31:55.160
<v Speaker 1>It's Barbara, Barbara crushing And yes, that one I always remember,

0:31:55.400 --> 0:31:59.160
<v Speaker 1>like I think about running from around the stadium at

0:31:59.160 --> 0:32:01.280
<v Speaker 1>that point when they're ring that number because we were

0:32:01.280 --> 0:32:03.480
<v Speaker 1>getting ready to do single Ladies anything or something like that.

0:32:03.560 --> 0:32:04.520
<v Speaker 1>So my memory is.

0:32:04.480 --> 0:32:07.760
<v Speaker 2>Like, no, it's right because this number was down the

0:32:07.800 --> 0:32:10.200
<v Speaker 2>B stage, that's right, and you guys are on the

0:32:10.200 --> 0:32:13.280
<v Speaker 2>B stage and it's all me talking, and I feel

0:32:13.320 --> 0:32:15.880
<v Speaker 2>like this number we're all sort of like killing time. Yah,

0:32:16.000 --> 0:32:17.000
<v Speaker 2>so get you guys.

0:32:18.240 --> 0:32:24.600
<v Speaker 1>Chris is there exactly? So speaking of Chris, that was

0:32:24.600 --> 0:32:25.520
<v Speaker 1>that what you were going to say?

0:32:25.600 --> 0:32:26.400
<v Speaker 2>Or no, it was not?

0:32:26.520 --> 0:32:30.600
<v Speaker 1>Please no, speaking of Chris, I forgot that the jazz

0:32:30.680 --> 0:32:32.920
<v Speaker 1>hot was in this episode.

0:32:34.080 --> 0:32:36.960
<v Speaker 2>I did too, and there was quite the story with this.

0:32:38.520 --> 0:32:42.800
<v Speaker 1>Do you remember are you thinking about the Golden Globes? Yes, oh,

0:32:42.840 --> 0:32:46.160
<v Speaker 1>we're going to tell that. Well okay, well number one,

0:32:46.320 --> 0:32:49.640
<v Speaker 1>this number. I don't know why they put Tina in

0:32:49.680 --> 0:32:57.200
<v Speaker 1>this number. They they made me thank you dance with

0:32:57.400 --> 0:33:02.800
<v Speaker 1>all the dancers who do like the vocal adrenaline. Heather's

0:33:02.800 --> 0:33:05.800
<v Speaker 1>in it, Harry's in it. Why is team there?

0:33:06.040 --> 0:33:08.000
<v Speaker 2>This is a choreographer, isn't it.

0:33:08.120 --> 0:33:12.840
<v Speaker 1>Why Brittany is in it with Chris? Why am I there?

0:33:13.880 --> 0:33:18.680
<v Speaker 1>I remember stressing so hard. This dance was so hard.

0:33:19.680 --> 0:33:24.480
<v Speaker 1>It doesn't look hard. It was very effing hard. I

0:33:24.520 --> 0:33:26.320
<v Speaker 1>was like, I don't belong here. And then if you

0:33:26.360 --> 0:33:29.600
<v Speaker 1>look at the kick line, it's all these dancers and

0:33:29.640 --> 0:33:30.760
<v Speaker 1>then short Jenna.

0:33:30.960 --> 0:33:33.520
<v Speaker 2>It just drops the lines a lot of high ki.

0:33:34.360 --> 0:33:37.720
<v Speaker 1>Oh my god, and the whole thing is turned stop,

0:33:38.000 --> 0:33:40.760
<v Speaker 1>turn stop, turn stop. It's a lot of core work

0:33:40.800 --> 0:33:45.960
<v Speaker 1>that I didn't have at the time anyway, So what happened, Kevin?

0:33:46.240 --> 0:33:49.480
<v Speaker 1>What is this? What is this story that we're telling.

0:33:50.520 --> 0:33:54.920
<v Speaker 2>The Hollywood Form Press, which is the association that hosts

0:33:54.960 --> 0:33:58.960
<v Speaker 2>and votes on the Golden Globe Awards, came to visit

0:33:59.080 --> 0:34:02.479
<v Speaker 2>set that day while we were filming this, and they

0:34:02.480 --> 0:34:07.120
<v Speaker 2>were watching Chris rehearse the number like pre film filming,

0:34:07.880 --> 0:34:13.520
<v Speaker 2>and the music cutout, which, by the way, never happens never,

0:34:13.600 --> 0:34:15.719
<v Speaker 2>and there's a slight pause, and we're like, oh my god,

0:34:15.719 --> 0:34:17.080
<v Speaker 2>we're trying to make a good impression on the Hobod

0:34:17.120 --> 0:34:22.040
<v Speaker 2>Form Press, and then Chris just starts singing it.

0:34:22.480 --> 0:34:25.120
<v Speaker 1>We're mid song, We're like mid song and the music

0:34:25.160 --> 0:34:27.560
<v Speaker 1>cuts out and we're just still going right.

0:34:27.760 --> 0:34:30.879
<v Speaker 2>Yes, And everyone like pauses for a second, and then

0:34:30.960 --> 0:34:34.439
<v Speaker 2>Chris just keeps going the show must go on, which

0:34:34.480 --> 0:34:37.600
<v Speaker 2>normally wouldn't have happened because like it's a rehearsal, but

0:34:38.320 --> 0:34:42.040
<v Speaker 2>the HFPA is there, so keep it going, and he

0:34:42.239 --> 0:34:44.440
<v Speaker 2>sang the rest of the song. You all danced through it,

0:34:45.040 --> 0:34:47.280
<v Speaker 2>and that boy got himself a Golden Globe.

0:34:50.360 --> 0:34:53.720
<v Speaker 1>I forgot that. We kept going and then Chris was singing, oh.

0:34:53.719 --> 0:34:57.000
<v Speaker 2>Because I was in the audience like, oh my gosh,

0:34:57.080 --> 0:34:59.000
<v Speaker 2>and he want to go in Clobe that year.

0:34:59.040 --> 0:35:04.080
<v Speaker 1>So that's it didn't hurt, didn't It didn't that only

0:35:04.120 --> 0:35:06.440
<v Speaker 1>that happened once one other time when we were actually

0:35:06.440 --> 0:35:11.800
<v Speaker 1>on set shooting a scene and we just kept singing

0:35:11.840 --> 0:35:15.600
<v Speaker 1>because it was on Dot's coverage, and we kept singing,

0:35:15.680 --> 0:35:18.239
<v Speaker 1>and literally the three of us were singing acappella. It

0:35:18.320 --> 0:35:20.279
<v Speaker 1>was Amber, me and I and we were singing shake It,

0:35:20.680 --> 0:35:24.880
<v Speaker 1>Shake it Out, acappella, and everybody was holding their stuff

0:35:24.920 --> 0:35:29.799
<v Speaker 1>and I was like, wow, we really sound good. And

0:35:29.840 --> 0:35:32.320
<v Speaker 1>Doc kept, you know, she was crying the whole number,

0:35:32.400 --> 0:35:35.080
<v Speaker 1>so like they just kept going, and I was like, wow,

0:35:35.280 --> 0:35:37.239
<v Speaker 1>this is a this is a good song.

0:35:39.320 --> 0:35:40.960
<v Speaker 2>That was a beautiful version.

0:35:41.800 --> 0:35:43.200
<v Speaker 1>Anyway, I owned the record.

0:35:43.400 --> 0:35:50.759
<v Speaker 3>I getting back on track, so a little jazz.

0:35:51.480 --> 0:35:53.680
<v Speaker 2>There was a little fun fact about this episode two.

0:35:54.239 --> 0:35:56.440
<v Speaker 2>So I were talking, we're sort of talking all circles

0:35:56.440 --> 0:35:59.759
<v Speaker 2>about this, but so I was on an episode of

0:35:59.760 --> 0:36:04.600
<v Speaker 2>The Years Before Glee by.

0:36:04.560 --> 0:36:08.800
<v Speaker 1>Year Famous, Year Before, So Famous.

0:36:10.680 --> 0:36:13.520
<v Speaker 2>And there is an episode of the Office that came

0:36:13.520 --> 0:36:18.600
<v Speaker 2>out a month after this called viewing Party, and one

0:36:18.640 --> 0:36:21.799
<v Speaker 2>of the characters gets everybody over to their house to

0:36:21.920 --> 0:36:27.280
<v Speaker 2>watch Glee together and the episode they're watching is Duets

0:36:27.680 --> 0:36:31.480
<v Speaker 2>and Steve Carell's characters asked who his favorite character is

0:36:31.480 --> 0:36:37.440
<v Speaker 2>and he says the invalid, referring to Artie more Meta

0:36:38.360 --> 0:36:43.040
<v Speaker 2>and Jennet Fisher, who is one of the co hosts

0:36:43.360 --> 0:36:47.080
<v Speaker 2>of the Office Lady's podcast. It's a great podcast. Go

0:36:47.120 --> 0:36:50.799
<v Speaker 2>listen to it if you're a fan of the Office,

0:36:51.160 --> 0:36:53.800
<v Speaker 2>but she was saying that she actually like talked about

0:36:53.800 --> 0:36:57.640
<v Speaker 2>this in their recap episode of Viewing Party about how

0:36:57.760 --> 0:37:01.080
<v Speaker 2>they weren't really allowed to pull many clips because one

0:37:01.239 --> 0:37:04.759
<v Speaker 2>was expensive and they couldn't show anything that hadn't been

0:37:04.800 --> 0:37:07.359
<v Speaker 2>shown before, so they had to use an episode that

0:37:07.440 --> 0:37:12.160
<v Speaker 2>had previously aired, and this had just aired, just how

0:37:12.719 --> 0:37:14.560
<v Speaker 2>I just thought that was so weird because I remember

0:37:14.560 --> 0:37:17.520
<v Speaker 2>when that episode came out and I had some friends

0:37:17.560 --> 0:37:21.040
<v Speaker 2>texting me being like, did you know about this? And

0:37:22.080 --> 0:37:24.880
<v Speaker 2>I did not know that Steve Correll's character was going

0:37:24.960 --> 0:37:27.920
<v Speaker 2>to pick Artis's favorite characters like respect, thank you.

0:37:27.960 --> 0:37:30.640
<v Speaker 1>I would have been upset, yeah, for sure. Had they not,

0:37:30.880 --> 0:37:32.160
<v Speaker 1>we would have been I think we all would have

0:37:32.200 --> 0:37:34.400
<v Speaker 1>been upset. Yeah, But I didn't. I don't think we

0:37:34.480 --> 0:37:35.120
<v Speaker 1>knew about this.

0:37:36.320 --> 0:37:38.239
<v Speaker 2>We didn't know what was happening. No, I did not

0:37:38.320 --> 0:37:39.120
<v Speaker 2>know until it was on.

0:37:39.719 --> 0:37:42.640
<v Speaker 1>That's so crazy. Wow, how fun.

0:37:43.000 --> 0:37:43.800
<v Speaker 2>It's not fun?

0:37:43.960 --> 0:37:44.640
<v Speaker 1>That is fun.

0:37:45.320 --> 0:37:45.880
<v Speaker 2>I love that.

0:37:48.080 --> 0:37:51.920
<v Speaker 1>I mean that's pretty much the episode.

0:37:52.760 --> 0:37:55.799
<v Speaker 2>There was one other significant thing that happened, sid, Oh,

0:37:55.840 --> 0:38:03.680
<v Speaker 2>tell me the introduction of Chord's first impression. Yes, yes,

0:38:03.840 --> 0:38:11.200
<v Speaker 2>just forget and that's what really got Quinn you know.

0:38:11.400 --> 0:38:13.000
<v Speaker 1>Yeah, No, definitely it got us all.

0:38:13.880 --> 0:38:15.080
<v Speaker 2>And he's a bottle blonde.

0:38:15.480 --> 0:38:18.799
<v Speaker 1>It's so funny. It's so funny. I forgot his hair

0:38:18.880 --> 0:38:22.600
<v Speaker 1>was that blonde when he came in. And also I'm

0:38:22.600 --> 0:38:24.560
<v Speaker 1>just so glad his impression made it in.

0:38:24.920 --> 0:38:26.720
<v Speaker 2>Can we also talk about how he got a haircut

0:38:26.719 --> 0:38:27.760
<v Speaker 2>halfway through the episode?

0:38:29.760 --> 0:38:30.080
<v Speaker 1>Did he?

0:38:31.320 --> 0:38:31.680
<v Speaker 2>Yes?

0:38:31.800 --> 0:38:34.279
<v Speaker 1>And I feel like there was some stuff about that too.

0:38:35.760 --> 0:38:39.360
<v Speaker 2>Sults was not happy because it's a bad haircut, right

0:38:39.640 --> 0:38:42.239
<v Speaker 2>like they gave him. He went from justin bieber bang

0:38:42.360 --> 0:38:46.960
<v Speaker 2>to blunt bang right, and all of a sudden, somebody's

0:38:47.000 --> 0:38:49.640
<v Speaker 2>performing and it cuts to Chord in the choir room

0:38:49.680 --> 0:38:54.120
<v Speaker 2>and he's got a blunt bang just in like two scenes.

0:38:55.320 --> 0:38:57.480
<v Speaker 1>Were we doing Rocky Heart at the same time?

0:38:59.640 --> 0:38:59.759
<v Speaker 3>Ye?

0:39:00.640 --> 0:39:04.359
<v Speaker 2>Possibly, I can't remember, because that's the haircut he has

0:39:04.360 --> 0:39:05.000
<v Speaker 2>to Rocky Horse.

0:39:05.120 --> 0:39:07.160
<v Speaker 1>Yeah, that's it. And it had to because he was

0:39:07.160 --> 0:39:11.360
<v Speaker 1>in that gold Gong. So I don't know, maybe that's really.

0:39:11.120 --> 0:39:14.200
<v Speaker 2>Weird because he has seen throughout the entire episode where

0:39:14.200 --> 0:39:16.759
<v Speaker 2>he has like the normal sort of beeverish looking hair,

0:39:16.880 --> 0:39:17.360
<v Speaker 2>and then.

0:39:18.239 --> 0:39:22.759
<v Speaker 1>That's funny hairgate. Hairgate. I mean, we had quite a

0:39:22.800 --> 0:39:23.800
<v Speaker 1>few of those. I think.

0:39:25.080 --> 0:39:33.480
<v Speaker 2>I just River Deep Mountain High is one of the

0:39:33.520 --> 0:39:34.840
<v Speaker 2>best thing that's ever happened to me.

0:39:36.080 --> 0:39:41.120
<v Speaker 1>Oh, hands down. I was watching it. When we were

0:39:41.160 --> 0:39:43.480
<v Speaker 1>watching it last night, I was like, this is truly

0:39:43.520 --> 0:39:46.359
<v Speaker 1>goes down in history, not just Glee history, history.

0:39:47.360 --> 0:39:53.759
<v Speaker 2>Her history, her. Okay, well done.

0:39:54.160 --> 0:39:56.240
<v Speaker 1>You don't have a song in this number in this episode.

0:39:56.280 --> 0:39:57.919
<v Speaker 1>It reminds me of the pilot where you like didn't

0:39:57.960 --> 0:39:59.640
<v Speaker 1>get like really good at night. I shouldn't have to

0:39:59.640 --> 0:40:02.879
<v Speaker 1>do it, No, but you did lose your beak card. Yeah,

0:40:02.960 --> 0:40:06.520
<v Speaker 1>So like it's I feel like it's all's fair. Okay,

0:40:06.920 --> 0:40:10.680
<v Speaker 1>let's do some TARTI takes, Okay, cringe moments.

0:40:11.360 --> 0:40:21.800
<v Speaker 2>Cringe moments. Honestly, I don't know, Like I don't really

0:40:22.640 --> 0:40:26.040
<v Speaker 2>I suppose you know that Rachel and Finn number should

0:40:26.040 --> 0:40:30.320
<v Speaker 2>be cringey, but it's so good and everyone's so offended

0:40:30.360 --> 0:40:34.120
<v Speaker 2>by it. But like fair, I'm not cringed about it. Yeah,

0:40:34.120 --> 0:40:36.680
<v Speaker 2>I think it was so funny. I thought a little

0:40:36.719 --> 0:40:40.279
<v Speaker 2>cringey over like Harry finally gets to talk and it's

0:40:40.320 --> 0:40:40.919
<v Speaker 2>just about dem.

0:40:40.920 --> 0:40:44.719
<v Speaker 1>Sum Okay, fair enough. A lot of his stuff is

0:40:44.840 --> 0:40:48.600
<v Speaker 1>very Asian and focused. Yeah that's for quite a bit

0:40:48.640 --> 0:40:49.000
<v Speaker 1>of time.

0:40:49.560 --> 0:40:52.560
<v Speaker 2>Yeah yeah, so maybe I'm just lumping all that together.

0:40:52.640 --> 0:40:54.359
<v Speaker 2>But yeah, that's good.

0:40:54.440 --> 0:41:03.600
<v Speaker 1>That's good. Okay, that worst dan smooth? Okay, Well, I

0:41:03.600 --> 0:41:06.160
<v Speaker 1>don't think there's a worst dance move, but I think

0:41:06.200 --> 0:41:07.680
<v Speaker 1>there's a best dance move.

0:41:08.360 --> 0:41:09.520
<v Speaker 2>What's the best dance move?

0:41:09.760 --> 0:41:11.320
<v Speaker 1>All Riverdeep, Mountain High.

0:41:11.400 --> 0:41:14.520
<v Speaker 2>Yes, the entirety of riverdep Mountain.

0:41:14.320 --> 0:41:18.359
<v Speaker 3>High, the whole thing, from top to bottom. I also

0:41:18.400 --> 0:41:21.120
<v Speaker 3>have to say the choreography for the Jazz Hot it's incredible.

0:41:21.360 --> 0:41:23.799
<v Speaker 1>I mean, it's very good. I have PTSD, but it's

0:41:23.920 --> 0:41:24.279
<v Speaker 1>very good.

0:41:24.360 --> 0:41:27.239
<v Speaker 2>It's very good. I was yelling at the screen of

0:41:27.280 --> 0:41:31.440
<v Speaker 2>like why didn't Zach Woodley get for this.

0:41:31.480 --> 0:41:36.359
<v Speaker 1>Ever, get nominated? Everminated? I have PTSD at number though

0:41:36.600 --> 0:41:37.120
<v Speaker 1>really bad.

0:41:38.200 --> 0:41:40.240
<v Speaker 2>Oh yeah it's.

0:41:40.040 --> 0:41:45.640
<v Speaker 3>Good, but like I belong there, but you did, and

0:41:45.680 --> 0:41:48.440
<v Speaker 3>you did it and it's forever recorded in history.

0:41:48.840 --> 0:41:51.200
<v Speaker 1>Thank god. It it's like all in the shadows. You

0:41:51.200 --> 0:41:52.360
<v Speaker 1>don't know who I am.

0:41:52.680 --> 0:41:54.360
<v Speaker 2>And everyone's very tall in that number.

0:41:54.480 --> 0:42:01.000
<v Speaker 1>Yes except for me. Best song, very best performance by

0:42:01.000 --> 0:42:03.360
<v Speaker 1>a prop.

0:42:03.080 --> 0:42:07.240
<v Speaker 2>Naya and Amber's hair during River deep Naya's skirt.

0:42:07.920 --> 0:42:10.479
<v Speaker 1>Yes, I was gonna say the skirt move, the booty move.

0:42:11.280 --> 0:42:14.200
<v Speaker 1>I also like the meatball.

0:42:15.160 --> 0:42:18.000
<v Speaker 2>The meatball is very good. I'm hungry.

0:42:18.280 --> 0:42:24.359
<v Speaker 3>I'm star Discovery, I'm starving. Best line, Oh God, I

0:42:24.360 --> 0:42:27.000
<v Speaker 3>don't know if we have time. I mean there are

0:42:27.080 --> 0:42:27.799
<v Speaker 3>a lot.

0:42:28.239 --> 0:42:33.040
<v Speaker 1>I think for me, Santana saying that she's like a

0:42:33.080 --> 0:42:35.680
<v Speaker 1>lizard and that she needs something warm beneath her or

0:42:35.719 --> 0:42:41.120
<v Speaker 1>she can't digest her food is it for me? But

0:42:41.239 --> 0:42:44.800
<v Speaker 1>any Santana line this episode where she talks about redsticks

0:42:44.920 --> 0:42:51.439
<v Speaker 1>is really good. And then also when Brittany responds to you,

0:42:51.760 --> 0:42:55.800
<v Speaker 1>what did you say? And she I still have a crush.

0:42:55.840 --> 0:42:58.760
<v Speaker 1>I'm still not over. I have a crush on somebody

0:42:58.800 --> 0:43:00.440
<v Speaker 1>and she says the Clinton's.

0:43:00.360 --> 0:43:05.759
<v Speaker 2>Yes, I mean I think mine is also, Santana. I'm

0:43:05.760 --> 0:43:09.719
<v Speaker 2>like a reptile mine just and like we quoted that

0:43:09.800 --> 0:43:13.759
<v Speaker 2>a lot, like we's that in real life. Yeah, definitely

0:43:13.920 --> 0:43:17.080
<v Speaker 2>many a time, Warm Body. Were we just nerds like

0:43:17.120 --> 0:43:19.080
<v Speaker 2>we were fans of the show we were on, and

0:43:19.120 --> 0:43:21.800
<v Speaker 2>like we would quote these lines in real life.

0:43:23.200 --> 0:43:25.600
<v Speaker 1>Yeah, I never thought about it like that, but I

0:43:25.600 --> 0:43:28.239
<v Speaker 1>think we were we definitely, I mean, I'm definitely a nerd.

0:43:28.760 --> 0:43:31.799
<v Speaker 2>Yeah, that's for sure. It's cute because we were such

0:43:31.880 --> 0:43:34.880
<v Speaker 2>big fans of each other. Yeah, it's like sometimes you

0:43:35.000 --> 0:43:37.480
<v Speaker 2>just make each other do the line for you because it's.

0:43:37.360 --> 0:43:41.200
<v Speaker 1>So definitely definitely tell me what's what's going on on

0:43:41.239 --> 0:43:41.959
<v Speaker 1>the on the talk.

0:43:42.320 --> 0:43:46.160
<v Speaker 2>I got tagged in this TikTok. Beth m likes vinyl.

0:43:46.719 --> 0:43:50.760
<v Speaker 2>You need to go check it out because she posts

0:43:52.080 --> 0:43:57.600
<v Speaker 2>these incredible renders of fake Lee soundtrack vinyls the Lee

0:43:57.640 --> 0:44:01.240
<v Speaker 2>albums as vinyls, and it's stunning work.

0:44:01.960 --> 0:44:06.399
<v Speaker 3>They are gorgeous, aren't they what. I can't believe it's

0:44:06.440 --> 0:44:09.480
<v Speaker 3>not real brilliant And I think maybe Jenna, you and

0:44:09.520 --> 0:44:11.600
<v Speaker 3>I should have a word with somebody to make this happen.

0:44:11.960 --> 0:44:15.520
<v Speaker 1>Let's do it. Well. I hope you guys enjoyed duets

0:44:15.560 --> 0:44:17.000
<v Speaker 1>because I really liked this episode.

0:44:17.080 --> 0:44:19.120
<v Speaker 2>Big fan of this episode. And there's gonna be a

0:44:19.160 --> 0:44:20.719
<v Speaker 2>lot more stults. We're gonna have to have them on

0:44:20.920 --> 0:44:22.160
<v Speaker 2>to talk to THEE for sure.

0:44:22.520 --> 0:44:26.040
<v Speaker 1>What a joy? Ah? Okay, Well, I hope you enjoyed

0:44:26.040 --> 0:44:28.239
<v Speaker 1>the recap. Come back next week and that's what.

0:44:28.200 --> 0:44:34.280
<v Speaker 2>You really missed see it. Thanks for listening, and follow

0:44:34.360 --> 0:44:37.160
<v Speaker 2>us on Instagram at and That's what you really miss pod.

0:44:37.480 --> 0:44:39.319
<v Speaker 2>Make sure to write us a review and leave us

0:44:39.320 --> 0:44:40.839
<v Speaker 2>five stars. See you next time.