1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,559 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:08,840 --> 00:00:11,640 Speaker 1: Welcome to and that's what you really miss podcast. 4 00:00:12,000 --> 00:00:18,120 Speaker 2: I'm Jenna, I am Kevin. Welcome, Yeah, welcome so much, 5 00:00:18,200 --> 00:00:20,160 Speaker 2: Welcome so much. Yep, welcome so much everyone. 6 00:00:20,280 --> 00:00:28,040 Speaker 1: Wow that we're doing today. Yeah, this is an exciting episode. 7 00:00:28,160 --> 00:00:31,080 Speaker 1: And also we're recording on an off day, so it's 8 00:00:31,160 --> 00:00:34,160 Speaker 1: like kind of fun and fresh. 9 00:00:33,920 --> 00:00:38,280 Speaker 2: So fresh. I was so looking forward to this episode, 10 00:00:39,000 --> 00:00:41,159 Speaker 2: and even as much as I was looking forward to it, 11 00:00:41,200 --> 00:00:47,159 Speaker 2: I was still surprised, gooped and gagged by totally so 12 00:00:47,360 --> 00:00:50,000 Speaker 2: much that happens in this episode. So many memories that 13 00:00:50,080 --> 00:00:52,560 Speaker 2: we have. I don't know why. This is one of 14 00:00:52,600 --> 00:00:55,760 Speaker 2: those ones that just sticks out to me right right, 15 00:00:55,960 --> 00:00:57,160 Speaker 2: to both of us, a. 16 00:00:57,120 --> 00:01:00,600 Speaker 1: Lot of memories. It's so weird, and he is the 17 00:01:00,680 --> 00:01:03,360 Speaker 1: beginning of our era with Eric Stoltz are one of 18 00:01:03,360 --> 00:01:06,720 Speaker 1: our favorite directors. I think maybe that might be why 19 00:01:06,760 --> 00:01:09,440 Speaker 1: there's just so many Like it was like our eyes 20 00:01:09,680 --> 00:01:12,000 Speaker 1: opened up a little bit on set, I think, and 21 00:01:12,240 --> 00:01:17,440 Speaker 1: so yeah, let's let's just do it. Let's say there's 22 00:01:17,440 --> 00:01:18,360 Speaker 1: still lots to talk about. 23 00:01:18,520 --> 00:01:22,760 Speaker 2: Let's just do it. Season two, Episode four, Duets originally 24 00:01:22,800 --> 00:01:25,759 Speaker 2: aired October twelfth, twenty ten. 25 00:01:27,319 --> 00:01:28,960 Speaker 1: The number one song was still Just the Where You 26 00:01:29,000 --> 00:01:31,840 Speaker 1: Are by Bruno Mars and number one movie was Wall 27 00:01:31,880 --> 00:01:33,319 Speaker 1: Street Money Never Sleep. 28 00:01:34,920 --> 00:01:39,080 Speaker 2: And there was quite the controversy this week back in 29 00:01:39,200 --> 00:01:45,800 Speaker 2: twenty ten because the GQ magazine cover with Diana, Leah 30 00:01:45,840 --> 00:01:49,240 Speaker 2: and Corey I believe it was shot by Terry Richardson. 31 00:01:49,400 --> 00:01:54,120 Speaker 3: I believe, so they all know great but everyone looks 32 00:01:54,480 --> 00:01:57,640 Speaker 3: stunning was a little controversial for our show. 33 00:01:57,760 --> 00:02:00,520 Speaker 2: I'm not entirely sure why, because the things we talk 34 00:02:00,600 --> 00:02:03,960 Speaker 2: about on the show I feel like match the content 35 00:02:04,280 --> 00:02:06,000 Speaker 2: of this cover a little. 36 00:02:05,800 --> 00:02:07,760 Speaker 1: Bit, a little bit. I just think that it was 37 00:02:07,800 --> 00:02:12,440 Speaker 1: a like I think the it was a little racy, Yeah, yeah, yeah, 38 00:02:12,440 --> 00:02:18,040 Speaker 1: I think the exacts felt like this was a slight, 39 00:02:18,160 --> 00:02:21,720 Speaker 1: a slight veer from the path of like the underdog 40 00:02:22,440 --> 00:02:25,160 Speaker 1: of the characters. Maybe not the content of the show, 41 00:02:25,639 --> 00:02:29,519 Speaker 1: but of the characters, because these gals look real sexy 42 00:02:29,680 --> 00:02:33,000 Speaker 1: and Corey's got his hands in all the right places. 43 00:02:35,600 --> 00:02:39,280 Speaker 2: I remember them when this came out and it was such. 44 00:02:39,919 --> 00:02:41,560 Speaker 1: Well, I don't think a lot of people knew that 45 00:02:41,639 --> 00:02:43,640 Speaker 1: they did it, and then it came out and it 46 00:02:43,760 --> 00:02:46,520 Speaker 1: was like, yes, they didn't ask for permission. 47 00:02:46,639 --> 00:02:51,920 Speaker 3: They asked for forgiveness, forgiveness, I mean, hey, press is press. 48 00:02:52,400 --> 00:02:56,360 Speaker 2: It was I think it was a great decision. It 49 00:02:56,440 --> 00:02:58,799 Speaker 2: was a lot of controversy. It's one of those things 50 00:02:58,800 --> 00:03:02,760 Speaker 2: where Fox was very good at, like protecting the image 51 00:03:02,880 --> 00:03:05,959 Speaker 2: of the show, where I think we were because it 52 00:03:06,040 --> 00:03:08,360 Speaker 2: was a high school show. They were protecting it like 53 00:03:08,440 --> 00:03:12,200 Speaker 2: we were all high schoolers. Which was funny because you 54 00:03:12,240 --> 00:03:16,200 Speaker 2: remember when we went to London the summer before and 55 00:03:16,680 --> 00:03:20,800 Speaker 2: we did a talk show and Russell Brand was on 56 00:03:20,840 --> 00:03:23,280 Speaker 2: it and I there wasn't enough We did do a 57 00:03:23,320 --> 00:03:24,919 Speaker 2: promo for the show and there wasn't enough room on 58 00:03:24,960 --> 00:03:27,800 Speaker 2: the couch for all of us, so I sat, I 59 00:03:27,840 --> 00:03:30,560 Speaker 2: sat in his lap and then while the host Alan 60 00:03:30,639 --> 00:03:33,160 Speaker 2: Carr was you know, doing the teaser or bump or 61 00:03:33,160 --> 00:03:35,600 Speaker 2: whatever it was, Russell Brand and I started to fake 62 00:03:35,800 --> 00:03:38,960 Speaker 2: make out on this couch in the background the whole time, 63 00:03:39,080 --> 00:03:42,920 Speaker 2: and then Fox put the kebash. They're like, no, no, 64 00:03:43,200 --> 00:03:45,600 Speaker 2: you can't use that. Oh I don't remember that, because 65 00:03:45,600 --> 00:03:48,200 Speaker 2: I thought it was funny. I'm like, comedy, Oh, I. 66 00:03:48,200 --> 00:03:49,880 Speaker 1: Remember you saying that, lat but I don't remember the 67 00:03:49,960 --> 00:03:50,280 Speaker 1: making it. 68 00:03:50,520 --> 00:03:53,200 Speaker 2: Or because you guys were looking at you were being 69 00:03:53,200 --> 00:03:56,560 Speaker 2: professional and looking at and then I remember later that night, 70 00:03:57,080 --> 00:04:00,680 Speaker 2: I think it was I then told what it was 71 00:04:00,760 --> 00:04:03,680 Speaker 2: just you and me on that press and Matt Morrison 72 00:04:03,760 --> 00:04:04,000 Speaker 2: was there. 73 00:04:04,560 --> 00:04:05,280 Speaker 1: That's right for that. 74 00:04:05,520 --> 00:04:07,040 Speaker 2: I don't know why it was then he was in 75 00:04:07,800 --> 00:04:10,120 Speaker 2: a random story, but yeah. Then Ben Fox was like 76 00:04:10,360 --> 00:04:12,040 Speaker 2: you did what. I was like, it's so funny, isn't it. 77 00:04:12,080 --> 00:04:14,160 Speaker 2: They're like, hold please, and they made a call and 78 00:04:14,200 --> 00:04:15,120 Speaker 2: got it killed and I was. 79 00:04:15,080 --> 00:04:18,800 Speaker 1: Like, no, I don't No, It's like our Monico pictures. 80 00:04:18,839 --> 00:04:20,000 Speaker 1: You never think it's going to make it to the 81 00:04:20,200 --> 00:04:22,719 Speaker 1: ess And of course, okay, So we did something interesting 82 00:04:22,800 --> 00:04:29,640 Speaker 1: also in advance of the Rocky Horror Glee episode, they 83 00:04:29,680 --> 00:04:34,760 Speaker 1: decided to release the album, the Rocky Horror Album, the 84 00:04:34,839 --> 00:04:37,920 Speaker 1: Tribute to the Picture Show. It was seven tracks from 85 00:04:37,960 --> 00:04:41,000 Speaker 1: the episode and they were I guess they were teasing 86 00:04:41,040 --> 00:04:42,240 Speaker 1: it to get excited. 87 00:04:42,320 --> 00:04:44,000 Speaker 2: Yeah, we were off the air for a week, so 88 00:04:44,040 --> 00:04:47,279 Speaker 2: in between they put out this little soundtrack to preempt 89 00:04:47,720 --> 00:04:51,320 Speaker 2: the airing of Rocky Horror, which is our next episode 90 00:04:51,320 --> 00:04:55,760 Speaker 2: to review. Yes, so, like we said, Eric Stoltz incredible 91 00:04:55,839 --> 00:05:00,479 Speaker 2: incredible actor. Eric Stoltz is also an incredible director and 92 00:05:00,720 --> 00:05:03,200 Speaker 2: Eric came in this was his first episode of several 93 00:05:03,200 --> 00:05:07,880 Speaker 2: with us and really, like you said, Jenna opened her 94 00:05:07,880 --> 00:05:12,360 Speaker 2: eyes to so many things because he is an actor's director. 95 00:05:12,600 --> 00:05:12,920 Speaker 1: Correct. 96 00:05:13,040 --> 00:05:15,680 Speaker 2: And if you watch the show and I watched this 97 00:05:15,760 --> 00:05:18,880 Speaker 2: episode through the eyes of all the little things that 98 00:05:19,000 --> 00:05:22,559 Speaker 2: must have happened in the scenes because of him, Yes, 99 00:05:24,000 --> 00:05:28,440 Speaker 2: you'll notice there's edits of reaction shots that linger just 100 00:05:28,440 --> 00:05:31,080 Speaker 2: a little longer than they normally would have. There's less cuts. 101 00:05:31,080 --> 00:05:36,200 Speaker 2: It's because he's he always wanted those real reactions where yes, 102 00:05:36,240 --> 00:05:38,960 Speaker 2: you have like your main characters in the scenes, but 103 00:05:39,320 --> 00:05:42,680 Speaker 2: he was really interested in making sure everyone got some 104 00:05:43,279 --> 00:05:43,880 Speaker 2: screen time. 105 00:05:44,279 --> 00:05:47,680 Speaker 1: Additionally, you notice that in a lot of the high 106 00:05:47,720 --> 00:05:53,360 Speaker 1: school hallways there's always way more extras and way more 107 00:05:53,440 --> 00:05:56,599 Speaker 1: people and things going on. So the thing about Eric 108 00:05:56,720 --> 00:05:59,000 Speaker 1: was he talked to the extras. He gave them direction. 109 00:05:59,520 --> 00:06:02,000 Speaker 1: He had kids making out in the hallway, he had 110 00:06:02,080 --> 00:06:06,200 Speaker 1: kids throwing paper airplanes or like like joking with each other, 111 00:06:06,360 --> 00:06:08,560 Speaker 1: and so it was a lot of like even the 112 00:06:08,640 --> 00:06:12,440 Speaker 1: extras felt like they had something, an intention and something 113 00:06:12,520 --> 00:06:14,640 Speaker 1: to do. And you know, I was like, the hallways 114 00:06:14,680 --> 00:06:17,280 Speaker 1: are very crowded, and I was like, oh, this is Eric. 115 00:06:17,400 --> 00:06:19,400 Speaker 2: There were all these little shots too, of like between 116 00:06:19,480 --> 00:06:23,119 Speaker 2: people through arms of people that we had we hadn't 117 00:06:23,160 --> 00:06:26,640 Speaker 2: done before, and that was and then really sweet. 118 00:06:26,920 --> 00:06:30,320 Speaker 1: Additionally, there was a couple of things that Eric put 119 00:06:30,400 --> 00:06:38,000 Speaker 1: In had. He had some rules and Eric was an 120 00:06:38,000 --> 00:06:45,240 Speaker 1: actress director, and he did not let us have lines, 121 00:06:45,560 --> 00:06:49,360 Speaker 1: scripts pages on set. So every morning when we got 122 00:06:49,360 --> 00:06:52,359 Speaker 1: to work in our trailer would be all the scenes 123 00:06:52,440 --> 00:06:55,039 Speaker 1: for the day that were that we were doing, and 124 00:06:55,080 --> 00:06:58,039 Speaker 1: they would be on these little pieces of like rectangular paper. 125 00:06:58,040 --> 00:07:00,520 Speaker 1: They were small, and the sides were and the the 126 00:07:00,560 --> 00:07:03,839 Speaker 1: lines were really small, the text was small. We were 127 00:07:03,920 --> 00:07:06,839 Speaker 1: not allowed to bring those onto set when Eric was directing. 128 00:07:07,279 --> 00:07:10,040 Speaker 1: Normally most people have them in their hand in rehearsal, 129 00:07:10,280 --> 00:07:13,360 Speaker 1: still kind of learning lines. I think there's a myriad 130 00:07:13,400 --> 00:07:15,200 Speaker 1: of reasons why he did that, but a lot of 131 00:07:15,200 --> 00:07:19,360 Speaker 1: it I think had to do with preparation. I kind 132 00:07:19,360 --> 00:07:21,560 Speaker 1: of worked my way around it after a while, and 133 00:07:21,560 --> 00:07:25,160 Speaker 1: I would take screenshots of the sides and bring me 134 00:07:25,200 --> 00:07:29,520 Speaker 1: to set. Oh yeah, because even if I had done 135 00:07:29,560 --> 00:07:32,320 Speaker 1: the preparation, I still like to look at my lines 136 00:07:32,320 --> 00:07:36,000 Speaker 1: before I went into to shoot. So that was my 137 00:07:36,120 --> 00:07:38,760 Speaker 1: process and so I just figured out a way around it. 138 00:07:39,000 --> 00:07:42,720 Speaker 1: But it was really interesting and we were like, what 139 00:07:43,200 --> 00:07:47,280 Speaker 1: he's making rules, he's doing what and some people were 140 00:07:47,360 --> 00:07:49,920 Speaker 1: not like could care less. Some people cared a lot anyway. 141 00:07:50,040 --> 00:07:52,680 Speaker 1: So that was one thing. And then another one, do 142 00:07:52,680 --> 00:07:55,880 Speaker 1: you remember, was when we made our days. So making 143 00:07:55,880 --> 00:08:00,240 Speaker 1: our days means that you complete your day and all 144 00:08:00,240 --> 00:08:02,320 Speaker 1: the scenes you're supposed to do in it in twelve hours. 145 00:08:02,360 --> 00:08:05,600 Speaker 1: Normally we would work fourteen sixteen hours. 146 00:08:05,760 --> 00:08:07,720 Speaker 2: Yeah, and sometimes you even have to drop a scene 147 00:08:07,720 --> 00:08:08,680 Speaker 2: to pick up another day. 148 00:08:08,920 --> 00:08:13,640 Speaker 1: Right. Eric generally would make his days and he would 149 00:08:14,040 --> 00:08:19,400 Speaker 1: move very quickly, so we were kind of like whoa, whoa, 150 00:08:19,600 --> 00:08:22,200 Speaker 1: especially coming off the heels of Alfonso, which have you 151 00:08:22,200 --> 00:08:25,120 Speaker 1: heard in our last podcast. Alfonso really like to take 152 00:08:25,120 --> 00:08:27,160 Speaker 1: his time and it was very much with his eye 153 00:08:27,200 --> 00:08:30,280 Speaker 1: and yeah, it was total opposite. So it was a 154 00:08:30,280 --> 00:08:32,880 Speaker 1: lot of adjusting for us when like you know, you 155 00:08:32,920 --> 00:08:37,560 Speaker 1: had your guest directors. But Eric was very efficient and. 156 00:08:37,840 --> 00:08:39,880 Speaker 2: He'd show up in a suit. We met him before 157 00:08:39,920 --> 00:08:41,440 Speaker 2: and he would come and talk to us and we'd 158 00:08:42,080 --> 00:08:44,679 Speaker 2: talk through some things. Then it comes to actually shooting 159 00:08:45,040 --> 00:08:47,839 Speaker 2: shooting day and he'd be in a full full suit. 160 00:08:48,080 --> 00:08:49,600 Speaker 2: So cy yes, every single day. 161 00:08:49,760 --> 00:08:50,720 Speaker 1: What a lovely person. 162 00:08:51,120 --> 00:08:54,720 Speaker 2: Yeah, and he cared, you know, there were multiple times 163 00:08:54,760 --> 00:08:56,679 Speaker 2: when he came back and he's like, I just wish 164 00:08:57,200 --> 00:08:59,560 Speaker 2: like this happened. And there's like one line of this 165 00:08:59,640 --> 00:09:02,840 Speaker 2: character saying this thing. Because he was so concerned about 166 00:09:02,880 --> 00:09:06,559 Speaker 2: making sure the kids got represented fairly in the show 167 00:09:08,080 --> 00:09:10,160 Speaker 2: and more screen time. You wanted screen time for everyone, 168 00:09:10,840 --> 00:09:13,400 Speaker 2: and I think this is a perfect episode for him 169 00:09:13,440 --> 00:09:18,160 Speaker 2: because everyone does have more screen time and Harry has 170 00:09:18,200 --> 00:09:20,600 Speaker 2: several lines and you know things like at this point 171 00:09:20,640 --> 00:09:23,400 Speaker 2: that he hadn't had a lot of lines, and so 172 00:09:24,120 --> 00:09:26,880 Speaker 2: you know, Eric carried that torch. Yeah, for as long 173 00:09:26,920 --> 00:09:29,840 Speaker 2: as he directed episodes of it. Will point out some 174 00:09:29,880 --> 00:09:32,920 Speaker 2: things too, because he actually added some things scenes that 175 00:09:32,960 --> 00:09:35,400 Speaker 2: were not scripted and because he thought they would be 176 00:09:35,480 --> 00:09:39,920 Speaker 2: really nice thematically and story wise, theatrically to add in 177 00:09:40,600 --> 00:09:45,679 Speaker 2: and it worked and they're beautiful. So there are a 178 00:09:45,720 --> 00:09:47,079 Speaker 2: lot of songs in this episodes. 179 00:09:48,360 --> 00:09:50,280 Speaker 1: There were a lot of songs in this episode because 180 00:09:50,400 --> 00:09:52,120 Speaker 1: it really was about the songs. 181 00:09:52,720 --> 00:09:54,920 Speaker 2: Yeah, there's not a lot of plot in this episode. 182 00:09:55,040 --> 00:09:56,360 Speaker 2: There's not a whole lot of plot. 183 00:09:56,640 --> 00:09:59,280 Speaker 1: Really great songs to be honest. Okay, so we've got 184 00:09:59,440 --> 00:10:00,959 Speaker 1: what we got? What do we have? 185 00:10:01,280 --> 00:10:04,560 Speaker 2: We have? Don't go breaking my heart? River Deep Mountain, 186 00:10:04,640 --> 00:10:11,040 Speaker 2: High the jazz Hot sing with you, I'm Born Again 187 00:10:12,160 --> 00:10:15,800 Speaker 2: and Happy Days are here again, Get Happy. 188 00:10:17,120 --> 00:10:21,480 Speaker 1: And we're missing to two cast members, so there's no 189 00:10:21,480 --> 00:10:25,239 Speaker 1: no Shoes, Lovester, no Jane in this episode, and surprisingly 190 00:10:25,280 --> 00:10:25,679 Speaker 1: there's no. 191 00:10:25,679 --> 00:10:28,280 Speaker 2: Mark Sally uh huh. And do you remember what. 192 00:10:31,520 --> 00:10:36,320 Speaker 1: There were some issues with Mark making his own music 193 00:10:37,080 --> 00:10:43,560 Speaker 1: mm hmm, and found to get so deep into it, 194 00:10:43,559 --> 00:10:44,720 Speaker 1: it's not really our story. 195 00:10:44,600 --> 00:10:44,920 Speaker 4: How. 196 00:10:46,480 --> 00:10:50,080 Speaker 2: Well it personally pissed me off. 197 00:10:50,280 --> 00:10:50,559 Speaker 1: Yeah. 198 00:10:51,360 --> 00:10:54,280 Speaker 2: Yeah, Mark made his own album, which he was not 199 00:10:54,720 --> 00:10:57,440 Speaker 2: illegally allowed to do, and then just released it and 200 00:10:57,480 --> 00:10:59,440 Speaker 2: then put it out and so he got in trouble 201 00:11:00,160 --> 00:11:02,680 Speaker 2: and so basically it was like a punishment that you're 202 00:11:02,679 --> 00:11:07,080 Speaker 2: suspended for an episode, but it's like getting suspended from school, 203 00:11:07,600 --> 00:11:11,360 Speaker 2: right where he still got paid, right, he just didn't 204 00:11:11,440 --> 00:11:14,000 Speaker 2: work for the week as far as I know, right. 205 00:11:14,040 --> 00:11:16,679 Speaker 1: Yeah, like, yeah, yeah, he was guaranteed, he was a 206 00:11:16,679 --> 00:11:20,079 Speaker 1: series regular. He was guaranteed a certain amount of episodes 207 00:11:20,160 --> 00:11:23,360 Speaker 1: and I think they were twenty two, so I think, yeah, yeah, 208 00:11:23,559 --> 00:11:24,040 Speaker 1: he got paid. 209 00:11:24,040 --> 00:11:28,840 Speaker 2: Anyway, what happened, you know last season was I got 210 00:11:28,840 --> 00:11:34,000 Speaker 2: in trouble because I was technically in a record contract 211 00:11:34,160 --> 00:11:36,560 Speaker 2: with Geffen Records from the Boy man, I was in 212 00:11:36,800 --> 00:11:42,640 Speaker 2: pre Glee and had to pay to get out of it, 213 00:11:43,000 --> 00:11:46,520 Speaker 2: and Fox helped negotiate that. It was you know, Geffen 214 00:11:46,600 --> 00:11:49,920 Speaker 2: wanted like three million dollars. Was like, what right, I'm 215 00:11:50,000 --> 00:11:53,319 Speaker 2: so poor, and then yeah, they worked out a deal. 216 00:11:53,360 --> 00:11:56,120 Speaker 2: Long story short, and so I was getting money taken 217 00:11:56,120 --> 00:12:01,120 Speaker 2: out of my checks every week to pay this thing back, right, 218 00:12:01,200 --> 00:12:04,360 Speaker 2: and then Mark knowing, I mean, that was Unknowingly, there 219 00:12:04,400 --> 00:12:07,040 Speaker 2: was like a verbal agreement between Fox and Geffen and 220 00:12:07,080 --> 00:12:08,719 Speaker 2: they both allowed me to do it. But of course 221 00:12:08,720 --> 00:12:11,120 Speaker 2: there's nothing in writing, and Fox ended up apologizing to me, 222 00:12:11,760 --> 00:12:17,200 Speaker 2: but there was So then Mark knowingly releases an album 223 00:12:17,240 --> 00:12:19,559 Speaker 2: and gets off an episode and he gets paid. 224 00:12:19,920 --> 00:12:22,640 Speaker 1: Well, you guys, and here's the I mean, at least 225 00:12:23,679 --> 00:12:26,520 Speaker 1: there's no there's no like real like, oh you know 226 00:12:26,640 --> 00:12:28,600 Speaker 1: this is better for you. You know, at least it 227 00:12:28,679 --> 00:12:33,199 Speaker 1: was this. But Mark just released it literally into the universe, 228 00:12:33,240 --> 00:12:36,439 Speaker 1: and I don't know that anybody really saw it, so 229 00:12:36,720 --> 00:12:42,600 Speaker 1: there wasn't a huge record label, I promise, Okay, moving 230 00:12:42,880 --> 00:12:43,360 Speaker 1: moving on. 231 00:12:44,160 --> 00:12:48,079 Speaker 2: Yeah, I think he was off for a couple episodes, 232 00:12:48,120 --> 00:12:49,600 Speaker 2: Like I think it was like two or three episodes 233 00:12:49,600 --> 00:12:51,880 Speaker 2: that he was paid vacation paid vacation. 234 00:13:00,679 --> 00:13:04,160 Speaker 1: Okay. So in this episode, as the glee club gains 235 00:13:04,240 --> 00:13:09,360 Speaker 1: a new member, mister grudov Street Sam Evans, there's a 236 00:13:09,440 --> 00:13:13,840 Speaker 1: duets competition that changes a lot of relationships within the group. 237 00:13:15,480 --> 00:13:21,319 Speaker 1: Finn and Rachel have their own little side thing going, 238 00:13:21,520 --> 00:13:25,080 Speaker 1: and Kurt struggles to be Kurt struggles on being the 239 00:13:25,080 --> 00:13:28,000 Speaker 1: only openly gay teenager in school and in the town, 240 00:13:29,480 --> 00:13:32,319 Speaker 1: which affects all of this do at competition. 241 00:13:33,000 --> 00:13:34,840 Speaker 2: So it does you know what, I think we should 242 00:13:34,880 --> 00:13:37,240 Speaker 2: sort of start with because there's so little plot in 243 00:13:37,280 --> 00:13:40,480 Speaker 2: this episode. Let's just get through the plot, which is 244 00:13:40,480 --> 00:13:45,920 Speaker 2: basically Kurt. Yeah, because yeah, Kurt's got a couple of 245 00:13:45,960 --> 00:13:48,079 Speaker 2: things going on. He sees Sam come in and he's like, oh, 246 00:13:48,080 --> 00:13:53,280 Speaker 2: he's gay. He's got dyed blonde hair, Like he's on 247 00:13:53,320 --> 00:13:56,319 Speaker 2: my team for sure. Yeah, and it's it is a 248 00:13:56,360 --> 00:14:01,320 Speaker 2: little aggressive and you're like okay, and he sort of 249 00:14:01,440 --> 00:14:04,000 Speaker 2: talks Sam into being his duet partner. 250 00:14:04,360 --> 00:14:06,240 Speaker 1: Sweet Sam says yes, Sweet. 251 00:14:05,880 --> 00:14:08,480 Speaker 2: Sam, Yes, and he's a good guy and he's great 252 00:14:08,520 --> 00:14:11,839 Speaker 2: about it. And then Finn gets wind of this and 253 00:14:11,840 --> 00:14:14,240 Speaker 2: it's like, you cannot do this. You're painting a target 254 00:14:14,240 --> 00:14:16,560 Speaker 2: on his back and it's some of that high school 255 00:14:16,600 --> 00:14:21,640 Speaker 2: like bs that is my favorite in Glee, when like 256 00:14:21,800 --> 00:14:25,400 Speaker 2: the episodes aren't about anything but high school stuff, right, 257 00:14:25,520 --> 00:14:27,680 Speaker 2: And then it's also so frustrating because these kids are 258 00:14:27,720 --> 00:14:32,960 Speaker 2: like so naive, Like, come on, he's not painting, you know, 259 00:14:32,960 --> 00:14:34,920 Speaker 2: putting a target on his back necessarily. 260 00:14:35,840 --> 00:14:38,960 Speaker 1: Well, the sticks are always so high, right, it feels 261 00:14:39,000 --> 00:14:44,040 Speaker 1: like everything is Yes, the stakes feel very high even 262 00:14:44,080 --> 00:14:49,560 Speaker 1: though they're not. And that's what it's like in high school, right, yeah, exactly. Yeah, 263 00:14:49,600 --> 00:14:52,680 Speaker 1: So Kurt, well, Finn gets wind of this. But then 264 00:14:52,840 --> 00:14:57,200 Speaker 1: also on the side, Finn and Rachel are having this 265 00:14:57,200 --> 00:15:00,280 Speaker 1: this conversation. I think they're going to win obviously the 266 00:15:00,280 --> 00:15:07,920 Speaker 1: the dou at competition, and Rachel is weirdly selfishly but 267 00:15:08,320 --> 00:15:12,640 Speaker 1: unselfishly trying to get somebody else to win to build 268 00:15:12,720 --> 00:15:18,040 Speaker 1: morale so that they do win at regionals. And so 269 00:15:18,280 --> 00:15:20,720 Speaker 1: their plan is they're going to get the new kid 270 00:15:20,760 --> 00:15:25,240 Speaker 1: to win because that will boost timare keep him around 271 00:15:25,480 --> 00:15:28,320 Speaker 1: and everybody will feel good that it's not. 272 00:15:28,400 --> 00:15:33,120 Speaker 2: Just Chel and Rachel's bedroom of them plotting is so good, 273 00:15:33,760 --> 00:15:38,680 Speaker 2: it's very good. I thought it was hilarious. And then 274 00:15:39,040 --> 00:15:46,120 Speaker 2: you know, meanwhile, Kurt is having these issues with trying 275 00:15:46,160 --> 00:15:47,960 Speaker 2: to figure out Sam's thing. He opens up to his 276 00:15:48,080 --> 00:15:52,600 Speaker 2: dad and who's taken care of postheart attack, and Bert 277 00:15:52,840 --> 00:15:56,080 Speaker 2: sort of doesn't side with Kurt and this, and it's like, well, 278 00:15:57,320 --> 00:16:01,840 Speaker 2: like if he's not gad and also like you weren't 279 00:16:01,840 --> 00:16:05,920 Speaker 2: totally forthcoming with me about the thing with the Finn 280 00:16:05,920 --> 00:16:09,360 Speaker 2: thing because you also had a crush on Finn. And 281 00:16:09,560 --> 00:16:11,480 Speaker 2: it's nice to show the perspective, like if you're the 282 00:16:11,480 --> 00:16:14,240 Speaker 2: only out gay person, how else are you supposed to 283 00:16:14,240 --> 00:16:16,840 Speaker 2: figure out if there's any if anybody else is gay 284 00:16:17,320 --> 00:16:22,440 Speaker 2: without sort of being the aggressive one totally totally, And 285 00:16:22,640 --> 00:16:24,760 Speaker 2: it presents that problem. And Bert's like, I think you're 286 00:16:24,800 --> 00:16:26,240 Speaker 2: just gonna have to sort of suck it up for 287 00:16:26,280 --> 00:16:30,120 Speaker 2: now until there's somebody as brave as you to be out. 288 00:16:30,760 --> 00:16:34,120 Speaker 2: And so Kurt releases Sam from the duets of it all, 289 00:16:34,160 --> 00:16:37,400 Speaker 2: and meanwhile Sam's been slushy cleaned up by Quinn. They 290 00:16:37,440 --> 00:16:41,560 Speaker 2: have the most charming romantic scenes like. 291 00:16:44,720 --> 00:16:51,200 Speaker 1: Yeah and and yeah. So Quinn and Sam end up 292 00:16:52,400 --> 00:16:56,760 Speaker 1: being partners, winning the competition spoiler alert, and going to 293 00:16:56,800 --> 00:17:02,440 Speaker 1: Breadsticks on a date and it's very very cute. The 294 00:17:03,040 --> 00:17:04,760 Speaker 1: scenes are very intimate and charming. 295 00:17:05,359 --> 00:17:06,800 Speaker 2: I needs me some breads. 296 00:17:07,160 --> 00:17:10,320 Speaker 1: Okay, we were getting there. We're getting there. So yeah, 297 00:17:10,440 --> 00:17:15,399 Speaker 1: so the competition, mister Shoe gives a little incentive for 298 00:17:15,480 --> 00:17:18,280 Speaker 1: them to work hard. There's a prize and they win 299 00:17:18,320 --> 00:17:21,760 Speaker 1: a free meal of breadsticks. And everybody's very excited about this. 300 00:17:22,080 --> 00:17:24,080 Speaker 2: Verespecially when Santana Lopez. 301 00:17:26,200 --> 00:17:29,840 Speaker 1: These are like some of the most ingrained like lines 302 00:17:30,680 --> 00:17:32,879 Speaker 1: that she delivers. 303 00:17:33,320 --> 00:17:36,160 Speaker 2: I also think like she's getting more and more stuff, 304 00:17:36,920 --> 00:17:39,040 Speaker 2: you know, as the season goes on, and so she 305 00:17:39,280 --> 00:17:42,360 Speaker 2: had a lot in this episode. I did not remember 306 00:17:42,920 --> 00:17:44,840 Speaker 2: that half of these numbers were in this episode. 307 00:17:45,040 --> 00:17:48,679 Speaker 1: Oh I did. I Well, to be fair, Yes, I 308 00:17:48,720 --> 00:17:51,280 Speaker 1: know what you mean. They I was like, oh, it's 309 00:17:51,480 --> 00:17:53,960 Speaker 1: this number. I just knew there were a lot of numbers. 310 00:17:54,240 --> 00:17:58,120 Speaker 2: Yeah, because we did a lot of these numbers on tour. Yes, 311 00:17:58,720 --> 00:18:01,600 Speaker 2: this episode's music stuck with us for so long. 312 00:18:01,840 --> 00:18:06,560 Speaker 1: Totally totally. Okay, Well let's let's get into some of 313 00:18:06,640 --> 00:18:07,399 Speaker 1: these duets. 314 00:18:07,440 --> 00:18:09,520 Speaker 2: Let's just say, yeah, let's just talk about the duets, 315 00:18:09,520 --> 00:18:13,240 Speaker 2: because I feel like this this episode is duets slash 316 00:18:13,480 --> 00:18:15,040 Speaker 2: Riverdy Mountain High. 317 00:18:15,280 --> 00:18:17,720 Speaker 1: Right. Well, we just talked we did lucky, right, So 318 00:18:18,160 --> 00:18:22,600 Speaker 1: Quinn and Sam do a very cute rendition of Lucky, 319 00:18:22,960 --> 00:18:27,560 Speaker 1: which we did on tour, which is also very cute, 320 00:18:28,000 --> 00:18:30,320 Speaker 1: and I mean, let's just get to it. Let's let's 321 00:18:30,359 --> 00:18:33,159 Speaker 1: talk about We Were Mountain High. It's one of the 322 00:18:33,160 --> 00:18:35,520 Speaker 1: best numbers of the series if you asked me. 323 00:18:36,040 --> 00:18:39,720 Speaker 2: Yeah, it is by far one of the greatest things 324 00:18:40,480 --> 00:18:43,160 Speaker 2: that Clee contributed to pop culture. 325 00:18:43,680 --> 00:18:46,280 Speaker 1: It actually only gets better every time you watch it. 326 00:18:46,520 --> 00:18:50,280 Speaker 2: You know, like I even think them performing it. As 327 00:18:50,280 --> 00:18:54,120 Speaker 2: soon as Amber opens her mouth, like, oh, she is 328 00:18:54,280 --> 00:18:59,359 Speaker 2: full throated, full chested. Everyone warmed up that day and 329 00:19:00,280 --> 00:19:04,520 Speaker 2: studio and those two had like a proper sing off 330 00:19:05,040 --> 00:19:08,960 Speaker 2: because no one can keep up with Amber, but not 331 00:19:09,119 --> 00:19:14,280 Speaker 2: ever it's fully keeping up with Amber and this number. Yeah, 332 00:19:14,400 --> 00:19:20,040 Speaker 2: and the choreography phenomenal. We were dying again. It's one 333 00:19:20,040 --> 00:19:23,840 Speaker 2: of those reformances where we were screaming actually during the 334 00:19:23,840 --> 00:19:26,119 Speaker 2: filming of this, like yelling at them like we were 335 00:19:26,160 --> 00:19:29,159 Speaker 2: out of meat and greet. We were at the Mercedes. 336 00:19:28,640 --> 00:19:31,200 Speaker 1: And that's right, And you could see them getting riled 337 00:19:31,280 --> 00:19:33,280 Speaker 1: up because of us, Like you could see them working 338 00:19:33,320 --> 00:19:36,280 Speaker 1: harder because we were getting so riled like it was 339 00:19:36,320 --> 00:19:38,479 Speaker 1: really fun. They were definitely worked off for energy and 340 00:19:38,520 --> 00:19:41,080 Speaker 1: we I mean, I was we were there for it, 341 00:19:41,119 --> 00:19:43,960 Speaker 1: and then every night on tour we also you'll see 342 00:19:44,240 --> 00:19:46,760 Speaker 1: or you you know, if you've seen tour or any video, 343 00:19:47,040 --> 00:19:49,000 Speaker 1: we're all doing the dance gaps in the back. We 344 00:19:49,040 --> 00:19:51,400 Speaker 1: all know this dance. This is the best and this 345 00:19:51,440 --> 00:19:55,000 Speaker 1: is the most fun and gosh, it's so good. And 346 00:19:55,040 --> 00:19:58,000 Speaker 1: then the little line afterwards, like because we go in 347 00:19:58,840 --> 00:20:03,040 Speaker 1: to Brits, they just had as rolling. I was rolling, 348 00:20:03,160 --> 00:20:06,159 Speaker 1: screaming and rolling a good number. 349 00:20:06,280 --> 00:20:08,399 Speaker 2: I what a good number. And what leads to this 350 00:20:08,520 --> 00:20:13,080 Speaker 2: also is this magical scene between Brittany and Santana where 351 00:20:14,200 --> 00:20:19,919 Speaker 2: they talk about late sweet lady kisses and scissoring, which 352 00:20:20,080 --> 00:20:24,280 Speaker 2: one of our producers. How they found this out, I 353 00:20:24,320 --> 00:20:29,800 Speaker 2: don't know, but it was the use of the term 354 00:20:29,840 --> 00:20:34,800 Speaker 2: scissoring was the first time in American network television as well, 355 00:20:34,840 --> 00:20:37,480 Speaker 2: was the first time it was used in a series 356 00:20:37,520 --> 00:20:41,920 Speaker 2: with wide family viewership, and it got covered like internationally 357 00:20:42,920 --> 00:20:44,520 Speaker 2: that was sissoring. 358 00:20:46,080 --> 00:20:47,520 Speaker 1: We'll just leave it at that. 359 00:20:48,000 --> 00:20:51,120 Speaker 2: Yeah, I love that. 360 00:20:51,400 --> 00:20:52,320 Speaker 1: Oh so good. 361 00:20:53,240 --> 00:20:53,359 Speaker 3: Uh. 362 00:20:53,520 --> 00:20:55,480 Speaker 2: And it also, you know, more and more into the 363 00:20:55,520 --> 00:21:01,439 Speaker 2: canon of Britanna of building that up because Santana's like, 364 00:21:01,480 --> 00:21:04,399 Speaker 2: this isn't like real for me, I just need a 365 00:21:04,440 --> 00:21:06,920 Speaker 2: warm body underneath me. Bommy talks and Juvi. 366 00:21:07,359 --> 00:21:08,879 Speaker 1: That is my favorite quote. 367 00:21:09,240 --> 00:21:10,760 Speaker 2: So many of these lines, and we. 368 00:21:10,760 --> 00:21:13,800 Speaker 1: Have to talk about it obviously because of Brittany and 369 00:21:13,840 --> 00:21:17,800 Speaker 1: Santana splitting up. In this episode. You and Brittany have 370 00:21:17,960 --> 00:21:21,880 Speaker 1: a big storyline that really is a milestone for Arty. 371 00:21:23,040 --> 00:21:25,440 Speaker 2: Aarty loses his v card this episode. 372 00:21:25,480 --> 00:21:27,879 Speaker 1: That's big. That's big. It's the beginning of the Tina 373 00:21:28,280 --> 00:21:33,000 Speaker 1: Mike triangle, already triangle and already loses his virginity to Brittany. 374 00:21:33,440 --> 00:21:35,560 Speaker 2: The fear of having you know what was more nerve 375 00:21:35,560 --> 00:21:37,440 Speaker 2: wracking than having Heather pick me up and put me 376 00:21:37,480 --> 00:21:39,480 Speaker 2: into bed was doing that run at the beginning of 377 00:21:39,520 --> 00:21:47,320 Speaker 2: the scene. Dude, Yeah, vocal run at the beginning of it, 378 00:21:47,400 --> 00:21:50,720 Speaker 2: because you know, we always used to being in a 379 00:21:50,720 --> 00:21:53,639 Speaker 2: recording studio at that point, so I wasn't trying to 380 00:21:53,640 --> 00:21:57,719 Speaker 2: sing live ever. And then Heather was so funny in 381 00:21:57,760 --> 00:22:02,360 Speaker 2: this and I remember Eric being so lovely about this 382 00:22:03,200 --> 00:22:05,320 Speaker 2: scene about putting me into bed. I do move my 383 00:22:05,400 --> 00:22:09,280 Speaker 2: foot if right before I get put onto the bed, 384 00:22:09,480 --> 00:22:10,760 Speaker 2: my foot does. 385 00:22:10,760 --> 00:22:13,960 Speaker 1: Me well, to be fair, that is like a it's 386 00:22:14,000 --> 00:22:16,040 Speaker 1: a scary thing to. 387 00:22:16,000 --> 00:22:18,480 Speaker 2: Be picked up. I knew my foot was going to 388 00:22:18,600 --> 00:22:20,840 Speaker 2: hit the bed, so I was trying to lift it alone. 389 00:22:22,320 --> 00:22:23,680 Speaker 1: Just the fact that she picks you up. 390 00:22:23,720 --> 00:22:24,840 Speaker 2: I was like, oh. 391 00:22:24,680 --> 00:22:27,160 Speaker 1: My god, this is crazy. 392 00:22:27,240 --> 00:22:28,240 Speaker 2: Yeah, and then. 393 00:22:28,119 --> 00:22:31,720 Speaker 1: We made sweet, sweet, sweet sweet love that was not 394 00:22:31,840 --> 00:22:32,480 Speaker 1: love at all. 395 00:22:33,000 --> 00:22:37,560 Speaker 2: No, because I then shortly afterwards break up with her 396 00:22:37,600 --> 00:22:42,760 Speaker 2: because Santana is pissed about this. And I have referenced 397 00:22:42,800 --> 00:22:45,600 Speaker 2: the scene many times when I say I and I 398 00:22:45,680 --> 00:22:48,240 Speaker 2: could not be in scenes together. This is the scene. 399 00:22:49,080 --> 00:22:52,960 Speaker 2: So she's talking to me and telling me how Brittany 400 00:22:52,960 --> 00:22:55,439 Speaker 2: has sex with everyone and I'm not special and she 401 00:22:55,520 --> 00:22:59,200 Speaker 2: was using me. And if you notice, I don't ever 402 00:22:59,760 --> 00:23:02,119 Speaker 2: look at her. I am looking forward, even when she 403 00:23:02,160 --> 00:23:03,840 Speaker 2: gets down to talk to me at eye level. I 404 00:23:03,880 --> 00:23:07,440 Speaker 2: am looking forward because I think we got one take 405 00:23:07,520 --> 00:23:10,120 Speaker 2: where we didn't break It seems not even that funny. 406 00:23:10,520 --> 00:23:13,560 Speaker 2: We just could not like beat our characters to each 407 00:23:13,600 --> 00:23:19,639 Speaker 2: other and not break out laughing. It was. It was bad, 408 00:23:20,480 --> 00:23:21,399 Speaker 2: So we got through it. 409 00:23:21,480 --> 00:23:22,960 Speaker 1: You did. It's a very funny scene. 410 00:23:23,480 --> 00:23:27,200 Speaker 2: And also, just to wrap up this little storyline, when 411 00:23:27,359 --> 00:23:32,080 Speaker 2: Brittany talks about, you know, she wanted to share spaghetti 412 00:23:32,119 --> 00:23:34,679 Speaker 2: with Artie Lady in the tramp style, and there's that 413 00:23:34,800 --> 00:23:39,560 Speaker 2: shot at breadsticks with Sam and Quinn and it pans 414 00:23:39,600 --> 00:23:43,199 Speaker 2: over to Brittany giving the little meatball role that was 415 00:23:43,200 --> 00:23:43,880 Speaker 2: not scripted. 416 00:23:44,680 --> 00:23:44,880 Speaker 1: Eric. 417 00:23:45,640 --> 00:23:51,239 Speaker 2: Eric had Heather at work a little extra long and 418 00:23:51,400 --> 00:23:53,200 Speaker 2: added that scene in because he just thought it'd be 419 00:23:53,320 --> 00:23:54,200 Speaker 2: really nice. 420 00:23:55,320 --> 00:23:56,080 Speaker 1: Really cute. 421 00:23:56,400 --> 00:23:59,520 Speaker 2: It's so cute, and I loved that. I love that 422 00:23:59,560 --> 00:24:01,760 Speaker 2: he fought to get those things in because it's not easy. 423 00:24:02,000 --> 00:24:05,240 Speaker 2: These are there's a lot packed into like forty five minutes, 424 00:24:05,880 --> 00:24:09,280 Speaker 2: and to add anything cost time, cost money, and he 425 00:24:09,359 --> 00:24:10,640 Speaker 2: fought for little things like that. 426 00:24:10,840 --> 00:24:11,280 Speaker 1: He did. 427 00:24:11,320 --> 00:24:17,040 Speaker 2: He did another great duet this episode. Jenna. Let's talk 428 00:24:17,040 --> 00:24:18,560 Speaker 2: about Tina and Mike. 429 00:24:19,640 --> 00:24:21,560 Speaker 1: Okay, let's talk about it. Well, Tina and Mike, this 430 00:24:21,640 --> 00:24:23,760 Speaker 1: is like their first like scenes that you get to 431 00:24:23,800 --> 00:24:26,400 Speaker 1: see them. And chicken feet became like a whole thing 432 00:24:26,480 --> 00:24:29,520 Speaker 1: about eating the chicken feet, which was so strange. 433 00:24:29,119 --> 00:24:31,440 Speaker 2: But it was really very funny in that scene. 434 00:24:31,600 --> 00:24:34,320 Speaker 1: Oh thank you, it was you know, Eric brought the 435 00:24:34,359 --> 00:24:38,280 Speaker 1: best out in Tina, he really did, and like it 436 00:24:38,760 --> 00:24:41,040 Speaker 1: just made me comfortable to work with him, and I 437 00:24:41,119 --> 00:24:43,399 Speaker 1: hadn't had a ton of scenes either, you know, up 438 00:24:43,400 --> 00:24:45,680 Speaker 1: to that point, and working with Harry who was kind 439 00:24:45,680 --> 00:24:48,639 Speaker 1: of new, it was really it was really fun. It 440 00:24:48,680 --> 00:24:51,040 Speaker 1: was just fun to like support Harry and his like 441 00:24:51,280 --> 00:24:57,199 Speaker 1: new character or like his like features anyway, So this 442 00:24:57,359 --> 00:25:02,720 Speaker 1: number is so cute. I don't I don't remember loving 443 00:25:02,880 --> 00:25:05,280 Speaker 1: this number as much, like doing this number as much, 444 00:25:05,320 --> 00:25:07,399 Speaker 1: because I was like, yeah, whenever, it's like fine. 445 00:25:07,480 --> 00:25:11,240 Speaker 2: But yeah, it's so cute, and Harry's so good, so good, 446 00:25:11,359 --> 00:25:14,840 Speaker 2: you guys are so good together. And yeah, Harry's phenomenal 447 00:25:14,920 --> 00:25:17,000 Speaker 2: in this He's so good. I mean, he's holding that 448 00:25:17,040 --> 00:25:19,159 Speaker 2: whole number. I'm just kind of there to be to 449 00:25:19,200 --> 00:25:19,880 Speaker 2: help him out. 450 00:25:19,920 --> 00:25:23,160 Speaker 1: But it is really cute and it's I love the 451 00:25:23,280 --> 00:25:24,480 Speaker 1: triangle of Arty and Mike. 452 00:25:24,680 --> 00:25:27,760 Speaker 2: Yeah, Tina tries to go to dinner and duet with Arti, 453 00:25:27,840 --> 00:25:29,000 Speaker 2: and Artie wasn't having it. 454 00:25:29,440 --> 00:25:33,320 Speaker 1: Yeah, You're like, we're friends, you can do this, and 455 00:25:33,720 --> 00:25:38,120 Speaker 1: and then you're in love. Is upset and she gets 456 00:25:38,160 --> 00:25:40,680 Speaker 1: crapped on again, so she's going for Mike. 457 00:25:41,680 --> 00:25:42,480 Speaker 2: The chicken feet. 458 00:25:42,880 --> 00:25:45,080 Speaker 1: Tell me about the chicken feet. It's such a thing. 459 00:25:45,320 --> 00:25:48,160 Speaker 2: It was. It was like a half a scene about 460 00:25:48,160 --> 00:25:51,760 Speaker 2: dim sum and chicken feet and couple's therapy. 461 00:25:52,240 --> 00:25:58,639 Speaker 1: Tina was upset at the idea that everything has to 462 00:25:58,640 --> 00:26:01,800 Speaker 1: be Asian, right, and I appreciate that. It's kind of 463 00:26:01,840 --> 00:26:05,200 Speaker 1: like me. It's like, it's not all that I am, 464 00:26:06,119 --> 00:26:08,359 Speaker 1: it's all that all that Harry is either, but his 465 00:26:08,560 --> 00:26:13,719 Speaker 1: character is very into dim Sum and Asian Asian couples therapy. 466 00:26:13,760 --> 00:26:16,240 Speaker 1: But I like that Gina is kind of like, not 467 00:26:16,320 --> 00:26:21,600 Speaker 1: everything has to be Asian Asians, the Asian camp dim 468 00:26:21,800 --> 00:26:26,600 Speaker 1: Sum chicken feet. I do love him some too, but 469 00:26:26,720 --> 00:26:28,520 Speaker 1: not I don't love chicken feet. 470 00:26:28,800 --> 00:26:32,000 Speaker 2: Chicken feet is not it? 471 00:26:32,119 --> 00:26:35,560 Speaker 1: Not it? Okay. So so they do their scene. It's 472 00:26:35,640 --> 00:26:38,960 Speaker 1: very cute. This is the beginning of the triangle. And 473 00:26:38,960 --> 00:26:41,320 Speaker 1: and that's where and I think Eric, like you said, 474 00:26:41,320 --> 00:26:45,560 Speaker 1: with the reactions and things, was very clear on creating 475 00:26:45,600 --> 00:26:48,800 Speaker 1: that triangle versus just making it kind of already and 476 00:26:49,200 --> 00:26:51,400 Speaker 1: Brittany and you know Tina and Mike. 477 00:26:51,560 --> 00:26:54,399 Speaker 2: So I had lots of reaction shots that we probably 478 00:26:54,440 --> 00:26:57,440 Speaker 2: wouldn't have had if it weren't that's right of us. 479 00:26:58,280 --> 00:27:00,960 Speaker 2: Also a reaction shot of I believe it right after 480 00:27:00,960 --> 00:27:04,439 Speaker 2: a river deep Mountain Hi, where she's fully biting her 481 00:27:04,520 --> 00:27:08,240 Speaker 2: nails and like looks off just to the side of camera, 482 00:27:08,400 --> 00:27:13,040 Speaker 2: like almost at cameras like that. That's Heather, Yes, e. 483 00:27:16,359 --> 00:27:21,600 Speaker 2: There's a lot of that in these episodes. Thin and 484 00:27:21,720 --> 00:27:25,400 Speaker 2: Rachel do Douggle break in my Heart, which is cute, 485 00:27:26,040 --> 00:27:30,000 Speaker 2: so cute and so wild because Rachel is fully acting 486 00:27:30,040 --> 00:27:33,920 Speaker 2: out of storyline that we are not privy to. And 487 00:27:33,960 --> 00:27:36,040 Speaker 2: then she sits down and has her confession about I'm 488 00:27:36,080 --> 00:27:39,320 Speaker 2: really selfish and you're a good person, right right, which 489 00:27:39,359 --> 00:27:40,280 Speaker 2: makes a lot of sense. 490 00:27:42,000 --> 00:27:42,639 Speaker 3: So funny. 491 00:27:42,760 --> 00:27:46,600 Speaker 2: This whole episode their number with you I'm Born Again is. 492 00:27:47,280 --> 00:27:50,840 Speaker 1: We were howling last night watching this. It was very 493 00:27:50,880 --> 00:27:53,200 Speaker 1: funny the performances, and I remember, do you remember watching 494 00:27:53,200 --> 00:27:55,600 Speaker 1: this while they were doing it? It was very funny, 495 00:27:55,760 --> 00:27:58,240 Speaker 1: like I remember trying to hold it together. 496 00:27:58,960 --> 00:28:01,840 Speaker 2: Those two doing sort of this like amped up comedy 497 00:28:01,840 --> 00:28:02,399 Speaker 2: thing together. 498 00:28:02,680 --> 00:28:07,600 Speaker 3: So good, flawless, really really funny, really funny. 499 00:28:09,200 --> 00:28:09,639 Speaker 1: I like this. 500 00:28:09,880 --> 00:28:10,760 Speaker 2: I like songs. 501 00:28:11,359 --> 00:28:14,359 Speaker 1: I like that duet better than I like Run Joey Run. 502 00:28:14,720 --> 00:28:15,800 Speaker 1: Just putting it out there. 503 00:28:16,440 --> 00:28:18,560 Speaker 2: Okay, well, nobody asked for your opinion. 504 00:28:19,400 --> 00:28:22,240 Speaker 1: Well this is half my podcast, sow, I'm giving it 505 00:28:22,280 --> 00:28:22,560 Speaker 1: to you. 506 00:28:23,920 --> 00:28:26,160 Speaker 2: I have to say shout out to Fordham University because 507 00:28:26,160 --> 00:28:28,280 Speaker 2: Heather and I went there a couple of weeks ago 508 00:28:28,760 --> 00:28:32,199 Speaker 2: and we were asked what our favorite songs were, and 509 00:28:32,280 --> 00:28:34,160 Speaker 2: somebody shouted run Joey Run. 510 00:28:34,119 --> 00:28:38,440 Speaker 1: Yeah, and the place erupted. That's funny, it's crazy, that's 511 00:28:38,480 --> 00:28:39,160 Speaker 1: really funny. 512 00:28:39,280 --> 00:28:42,440 Speaker 2: I don't know what's happened. Wow, you would have hated that. 513 00:28:42,880 --> 00:28:45,320 Speaker 1: I would have loved to see it. Though I'd love 514 00:28:45,360 --> 00:28:48,240 Speaker 1: to see it. It's hard for me to understand because 515 00:28:48,240 --> 00:28:52,360 Speaker 1: I haven't. I didn't witness that house full of chaos, 516 00:28:52,360 --> 00:28:55,920 Speaker 1: of overrun, Joey Run. But I'm obviously you guys have 517 00:28:56,200 --> 00:28:58,720 Speaker 1: made it clear to us, so I'm listening. 518 00:29:02,720 --> 00:29:06,280 Speaker 5: Hey dudes, this is Christine Taylor and this is David Lasher. 519 00:29:06,440 --> 00:29:09,240 Speaker 4: You may remember us as teenage co stars on the 520 00:29:09,320 --> 00:29:11,640 Speaker 4: Nickelodeon show Hey Dude Back in the Day. 521 00:29:12,000 --> 00:29:15,360 Speaker 5: Now decades later, we are together again as hosts of 522 00:29:15,400 --> 00:29:19,080 Speaker 5: the Hey Dude the Nineties called podcast, where we revisit 523 00:29:19,680 --> 00:29:21,680 Speaker 5: amazing nineties nostalgia. 524 00:29:21,280 --> 00:29:24,120 Speaker 4: From music to movies, to television and comedy. 525 00:29:24,240 --> 00:29:26,240 Speaker 5: We cover it all, and we get to do it 526 00:29:26,320 --> 00:29:29,000 Speaker 5: with an array of guests who made their mark in 527 00:29:29,040 --> 00:29:29,960 Speaker 5: that magical era. 528 00:29:30,240 --> 00:29:34,200 Speaker 4: Stars from Saved by the Bell, Married with Children, Blossom, Clueless, 529 00:29:34,200 --> 00:29:36,440 Speaker 4: Full House, Beverly Hills, nine O two one zero. 530 00:29:36,480 --> 00:29:38,600 Speaker 2: The list goes on, and David. 531 00:29:38,320 --> 00:29:41,320 Speaker 5: Don't forget our number one fan, mister Ben Stiller. 532 00:29:41,560 --> 00:29:43,680 Speaker 2: How could I forget Ben Stiller. I mean, it was 533 00:29:43,720 --> 00:29:45,240 Speaker 2: so nice for us to both meet him for the 534 00:29:45,280 --> 00:29:45,800 Speaker 2: first time. 535 00:29:46,160 --> 00:29:48,880 Speaker 4: He was an amazing guest. We've also had on other 536 00:29:48,960 --> 00:29:52,880 Speaker 4: nineties megastars like Jason Priestley, Melissa Joan Hart, cal Mitchell, 537 00:29:53,040 --> 00:29:55,520 Speaker 4: and Mayam Biollick just the name a few, and there's 538 00:29:55,560 --> 00:29:56,520 Speaker 4: so much more to come. 539 00:29:56,760 --> 00:29:58,120 Speaker 1: So sit back, relax. 540 00:29:58,480 --> 00:30:01,400 Speaker 5: You can even binge our the episodes and make sure 541 00:30:01,440 --> 00:30:02,560 Speaker 5: to catch a new one each week. 542 00:30:02,680 --> 00:30:06,080 Speaker 4: Listen to Hey Dude the nineties called on the iHeartRadio app, 543 00:30:06,120 --> 00:30:09,360 Speaker 4: Apple podcasts or wherever you listen to podcasts. 544 00:30:12,640 --> 00:30:16,320 Speaker 1: So then they do Yes, Leah does her third number, 545 00:30:16,400 --> 00:30:18,520 Speaker 1: Rachel has her third number, Happy to He's her here Again, 546 00:30:18,680 --> 00:30:21,880 Speaker 1: which we do on tours well, which was off the bat. 547 00:30:21,920 --> 00:30:26,840 Speaker 2: A really sweet scene between Kurt and Rachel where Rachel 548 00:30:28,040 --> 00:30:32,360 Speaker 2: comes to kurt SLocker and it's like, we're a lot 549 00:30:32,560 --> 00:30:38,640 Speaker 2: more similar than you probably realize, and that's rude, and 550 00:30:38,680 --> 00:30:42,320 Speaker 2: then has this really lovely speech about how he may 551 00:30:42,360 --> 00:30:44,280 Speaker 2: be lonely, but he has twelve other people who love 552 00:30:44,320 --> 00:30:45,960 Speaker 2: him just the way he is in Glee Club, even 553 00:30:46,000 --> 00:30:50,000 Speaker 2: if it's not right romantically right. It's a really really 554 00:30:50,960 --> 00:30:54,840 Speaker 2: nice moment and it's nice, you know, off the heels 555 00:30:54,840 --> 00:30:58,720 Speaker 2: of Rachel pretending to sort of be a good person 556 00:30:59,000 --> 00:31:02,560 Speaker 2: and not selfish about who's going to win. And this 557 00:31:02,680 --> 00:31:07,360 Speaker 2: is actually the real, genuine nice thing she does, right, Yes, 558 00:31:08,160 --> 00:31:11,400 Speaker 2: and then she does If you have not seen the 559 00:31:11,400 --> 00:31:16,120 Speaker 2: original black and white video of Happy Days Are Here Again, 560 00:31:16,360 --> 00:31:20,720 Speaker 2: get happy with Barbara Streis and Judy Garland, go watch 561 00:31:20,760 --> 00:31:23,600 Speaker 2: it a and be it with this performance. 562 00:31:25,880 --> 00:31:28,840 Speaker 1: Yeah, I think she has this ingrained into her brain to. 563 00:31:29,200 --> 00:31:33,920 Speaker 2: Every movement and look and smile, shrug. Is that Barbara 564 00:31:33,920 --> 00:31:37,440 Speaker 2: Streison in that number? And I don't think I realized 565 00:31:37,480 --> 00:31:39,920 Speaker 2: it at the time. I realized it years later when 566 00:31:39,960 --> 00:31:42,480 Speaker 2: I saw the videos, like, wait, this looks very familiar, 567 00:31:43,240 --> 00:31:47,840 Speaker 2: and Leah had something very specific in mind and crushed it. 568 00:31:47,840 --> 00:31:55,160 Speaker 1: It's Barbara, Barbara crushing And yes, that one I always remember, 569 00:31:55,400 --> 00:31:59,160 Speaker 1: like I think about running from around the stadium at 570 00:31:59,160 --> 00:32:01,280 Speaker 1: that point when they're ring that number because we were 571 00:32:01,280 --> 00:32:03,480 Speaker 1: getting ready to do single Ladies anything or something like that. 572 00:32:03,560 --> 00:32:04,520 Speaker 1: So my memory is. 573 00:32:04,480 --> 00:32:07,760 Speaker 2: Like, no, it's right because this number was down the 574 00:32:07,800 --> 00:32:10,200 Speaker 2: B stage, that's right, and you guys are on the 575 00:32:10,200 --> 00:32:13,280 Speaker 2: B stage and it's all me talking, and I feel 576 00:32:13,320 --> 00:32:15,880 Speaker 2: like this number we're all sort of like killing time. Yah, 577 00:32:16,000 --> 00:32:17,000 Speaker 2: so get you guys. 578 00:32:18,240 --> 00:32:24,600 Speaker 1: Chris is there exactly? So speaking of Chris, that was 579 00:32:24,600 --> 00:32:25,520 Speaker 1: that what you were going to say? 580 00:32:25,600 --> 00:32:26,400 Speaker 2: Or no, it was not? 581 00:32:26,520 --> 00:32:30,600 Speaker 1: Please no, speaking of Chris, I forgot that the jazz 582 00:32:30,680 --> 00:32:32,920 Speaker 1: hot was in this episode. 583 00:32:34,080 --> 00:32:36,960 Speaker 2: I did too, and there was quite the story with this. 584 00:32:38,520 --> 00:32:42,800 Speaker 1: Do you remember are you thinking about the Golden Globes? Yes, oh, 585 00:32:42,840 --> 00:32:46,160 Speaker 1: we're going to tell that. Well okay, well number one, 586 00:32:46,320 --> 00:32:49,640 Speaker 1: this number. I don't know why they put Tina in 587 00:32:49,680 --> 00:32:57,200 Speaker 1: this number. They they made me thank you dance with 588 00:32:57,400 --> 00:33:02,800 Speaker 1: all the dancers who do like the vocal adrenaline. Heather's 589 00:33:02,800 --> 00:33:05,800 Speaker 1: in it, Harry's in it. Why is team there? 590 00:33:06,040 --> 00:33:08,000 Speaker 2: This is a choreographer, isn't it. 591 00:33:08,120 --> 00:33:12,840 Speaker 1: Why Brittany is in it with Chris? Why am I there? 592 00:33:13,880 --> 00:33:18,680 Speaker 1: I remember stressing so hard. This dance was so hard. 593 00:33:19,680 --> 00:33:24,480 Speaker 1: It doesn't look hard. It was very effing hard. I 594 00:33:24,520 --> 00:33:26,320 Speaker 1: was like, I don't belong here. And then if you 595 00:33:26,360 --> 00:33:29,600 Speaker 1: look at the kick line, it's all these dancers and 596 00:33:29,640 --> 00:33:30,760 Speaker 1: then short Jenna. 597 00:33:30,960 --> 00:33:33,520 Speaker 2: It just drops the lines a lot of high ki. 598 00:33:34,360 --> 00:33:37,720 Speaker 1: Oh my god, and the whole thing is turned stop, 599 00:33:38,000 --> 00:33:40,760 Speaker 1: turn stop, turn stop. It's a lot of core work 600 00:33:40,800 --> 00:33:45,960 Speaker 1: that I didn't have at the time anyway, So what happened, Kevin? 601 00:33:46,240 --> 00:33:49,480 Speaker 1: What is this? What is this story that we're telling. 602 00:33:50,520 --> 00:33:54,920 Speaker 2: The Hollywood Form Press, which is the association that hosts 603 00:33:54,960 --> 00:33:58,960 Speaker 2: and votes on the Golden Globe Awards, came to visit 604 00:33:59,080 --> 00:34:02,479 Speaker 2: set that day while we were filming this, and they 605 00:34:02,480 --> 00:34:07,120 Speaker 2: were watching Chris rehearse the number like pre film filming, 606 00:34:07,880 --> 00:34:13,520 Speaker 2: and the music cutout, which, by the way, never happens never, 607 00:34:13,600 --> 00:34:15,719 Speaker 2: and there's a slight pause, and we're like, oh my god, 608 00:34:15,719 --> 00:34:17,080 Speaker 2: we're trying to make a good impression on the Hobod 609 00:34:17,120 --> 00:34:22,040 Speaker 2: Form Press, and then Chris just starts singing it. 610 00:34:22,480 --> 00:34:25,120 Speaker 1: We're mid song, We're like mid song and the music 611 00:34:25,160 --> 00:34:27,560 Speaker 1: cuts out and we're just still going right. 612 00:34:27,760 --> 00:34:30,879 Speaker 2: Yes, And everyone like pauses for a second, and then 613 00:34:30,960 --> 00:34:34,439 Speaker 2: Chris just keeps going the show must go on, which 614 00:34:34,480 --> 00:34:37,600 Speaker 2: normally wouldn't have happened because like it's a rehearsal, but 615 00:34:38,320 --> 00:34:42,040 Speaker 2: the HFPA is there, so keep it going, and he 616 00:34:42,239 --> 00:34:44,440 Speaker 2: sang the rest of the song. You all danced through it, 617 00:34:45,040 --> 00:34:47,280 Speaker 2: and that boy got himself a Golden Globe. 618 00:34:50,360 --> 00:34:53,720 Speaker 1: I forgot that. We kept going and then Chris was singing, oh. 619 00:34:53,719 --> 00:34:57,000 Speaker 2: Because I was in the audience like, oh my gosh, 620 00:34:57,080 --> 00:34:59,000 Speaker 2: and he want to go in Clobe that year. 621 00:34:59,040 --> 00:35:04,080 Speaker 1: So that's it didn't hurt, didn't It didn't that only 622 00:35:04,120 --> 00:35:06,440 Speaker 1: that happened once one other time when we were actually 623 00:35:06,440 --> 00:35:11,800 Speaker 1: on set shooting a scene and we just kept singing 624 00:35:11,840 --> 00:35:15,600 Speaker 1: because it was on Dot's coverage, and we kept singing, 625 00:35:15,680 --> 00:35:18,239 Speaker 1: and literally the three of us were singing acappella. It 626 00:35:18,320 --> 00:35:20,279 Speaker 1: was Amber, me and I and we were singing shake It, 627 00:35:20,680 --> 00:35:24,880 Speaker 1: Shake it Out, acappella, and everybody was holding their stuff 628 00:35:24,920 --> 00:35:29,799 Speaker 1: and I was like, wow, we really sound good. And 629 00:35:29,840 --> 00:35:32,320 Speaker 1: Doc kept, you know, she was crying the whole number, 630 00:35:32,400 --> 00:35:35,080 Speaker 1: so like they just kept going, and I was like, wow, 631 00:35:35,280 --> 00:35:37,239 Speaker 1: this is a this is a good song. 632 00:35:39,320 --> 00:35:40,960 Speaker 2: That was a beautiful version. 633 00:35:41,800 --> 00:35:43,200 Speaker 1: Anyway, I owned the record. 634 00:35:43,400 --> 00:35:50,759 Speaker 3: I getting back on track, so a little jazz. 635 00:35:51,480 --> 00:35:53,680 Speaker 2: There was a little fun fact about this episode two. 636 00:35:54,239 --> 00:35:56,440 Speaker 2: So I were talking, we're sort of talking all circles 637 00:35:56,440 --> 00:35:59,759 Speaker 2: about this, but so I was on an episode of 638 00:35:59,760 --> 00:36:04,600 Speaker 2: The Years Before Glee by. 639 00:36:04,560 --> 00:36:08,800 Speaker 1: Year Famous, Year Before, So Famous. 640 00:36:10,680 --> 00:36:13,520 Speaker 2: And there is an episode of the Office that came 641 00:36:13,520 --> 00:36:18,600 Speaker 2: out a month after this called viewing Party, and one 642 00:36:18,640 --> 00:36:21,799 Speaker 2: of the characters gets everybody over to their house to 643 00:36:21,920 --> 00:36:27,280 Speaker 2: watch Glee together and the episode they're watching is Duets 644 00:36:27,680 --> 00:36:31,480 Speaker 2: and Steve Carell's characters asked who his favorite character is 645 00:36:31,480 --> 00:36:37,440 Speaker 2: and he says the invalid, referring to Artie more Meta 646 00:36:38,360 --> 00:36:43,040 Speaker 2: and Jennet Fisher, who is one of the co hosts 647 00:36:43,360 --> 00:36:47,080 Speaker 2: of the Office Lady's podcast. It's a great podcast. Go 648 00:36:47,120 --> 00:36:50,799 Speaker 2: listen to it if you're a fan of the Office, 649 00:36:51,160 --> 00:36:53,800 Speaker 2: but she was saying that she actually like talked about 650 00:36:53,800 --> 00:36:57,640 Speaker 2: this in their recap episode of Viewing Party about how 651 00:36:57,760 --> 00:37:01,080 Speaker 2: they weren't really allowed to pull many clips because one 652 00:37:01,239 --> 00:37:04,759 Speaker 2: was expensive and they couldn't show anything that hadn't been 653 00:37:04,800 --> 00:37:07,359 Speaker 2: shown before, so they had to use an episode that 654 00:37:07,440 --> 00:37:12,160 Speaker 2: had previously aired, and this had just aired, just how 655 00:37:12,719 --> 00:37:14,560 Speaker 2: I just thought that was so weird because I remember 656 00:37:14,560 --> 00:37:17,520 Speaker 2: when that episode came out and I had some friends 657 00:37:17,560 --> 00:37:21,040 Speaker 2: texting me being like, did you know about this? And 658 00:37:22,080 --> 00:37:24,880 Speaker 2: I did not know that Steve Correll's character was going 659 00:37:24,960 --> 00:37:27,920 Speaker 2: to pick Artis's favorite characters like respect, thank you. 660 00:37:27,960 --> 00:37:30,640 Speaker 1: I would have been upset, yeah, for sure. Had they not, 661 00:37:30,880 --> 00:37:32,160 Speaker 1: we would have been I think we all would have 662 00:37:32,200 --> 00:37:34,400 Speaker 1: been upset. Yeah, But I didn't. I don't think we 663 00:37:34,480 --> 00:37:35,120 Speaker 1: knew about this. 664 00:37:36,320 --> 00:37:38,239 Speaker 2: We didn't know what was happening. No, I did not 665 00:37:38,320 --> 00:37:39,120 Speaker 2: know until it was on. 666 00:37:39,719 --> 00:37:42,640 Speaker 1: That's so crazy. Wow, how fun. 667 00:37:43,000 --> 00:37:43,800 Speaker 2: It's not fun? 668 00:37:43,960 --> 00:37:44,640 Speaker 1: That is fun. 669 00:37:45,320 --> 00:37:45,880 Speaker 2: I love that. 670 00:37:48,080 --> 00:37:51,920 Speaker 1: I mean that's pretty much the episode. 671 00:37:52,760 --> 00:37:55,799 Speaker 2: There was one other significant thing that happened, sid, Oh, 672 00:37:55,840 --> 00:38:03,680 Speaker 2: tell me the introduction of Chord's first impression. Yes, yes, 673 00:38:03,840 --> 00:38:11,200 Speaker 2: just forget and that's what really got Quinn you know. 674 00:38:11,400 --> 00:38:13,000 Speaker 1: Yeah, No, definitely it got us all. 675 00:38:13,880 --> 00:38:15,080 Speaker 2: And he's a bottle blonde. 676 00:38:15,480 --> 00:38:18,799 Speaker 1: It's so funny. It's so funny. I forgot his hair 677 00:38:18,880 --> 00:38:22,600 Speaker 1: was that blonde when he came in. And also I'm 678 00:38:22,600 --> 00:38:24,560 Speaker 1: just so glad his impression made it in. 679 00:38:24,920 --> 00:38:26,720 Speaker 2: Can we also talk about how he got a haircut 680 00:38:26,719 --> 00:38:27,760 Speaker 2: halfway through the episode? 681 00:38:29,760 --> 00:38:30,080 Speaker 1: Did he? 682 00:38:31,320 --> 00:38:31,680 Speaker 2: Yes? 683 00:38:31,800 --> 00:38:34,279 Speaker 1: And I feel like there was some stuff about that too. 684 00:38:35,760 --> 00:38:39,360 Speaker 2: Sults was not happy because it's a bad haircut, right 685 00:38:39,640 --> 00:38:42,239 Speaker 2: like they gave him. He went from justin bieber bang 686 00:38:42,360 --> 00:38:46,960 Speaker 2: to blunt bang right, and all of a sudden, somebody's 687 00:38:47,000 --> 00:38:49,640 Speaker 2: performing and it cuts to Chord in the choir room 688 00:38:49,680 --> 00:38:54,120 Speaker 2: and he's got a blunt bang just in like two scenes. 689 00:38:55,320 --> 00:38:57,480 Speaker 1: Were we doing Rocky Heart at the same time? 690 00:38:59,640 --> 00:38:59,759 Speaker 3: Ye? 691 00:39:00,640 --> 00:39:04,359 Speaker 2: Possibly, I can't remember, because that's the haircut he has 692 00:39:04,360 --> 00:39:05,000 Speaker 2: to Rocky Horse. 693 00:39:05,120 --> 00:39:07,160 Speaker 1: Yeah, that's it. And it had to because he was 694 00:39:07,160 --> 00:39:11,360 Speaker 1: in that gold Gong. So I don't know, maybe that's really. 695 00:39:11,120 --> 00:39:14,200 Speaker 2: Weird because he has seen throughout the entire episode where 696 00:39:14,200 --> 00:39:16,759 Speaker 2: he has like the normal sort of beeverish looking hair, 697 00:39:16,880 --> 00:39:17,360 Speaker 2: and then. 698 00:39:18,239 --> 00:39:22,759 Speaker 1: That's funny hairgate. Hairgate. I mean, we had quite a 699 00:39:22,800 --> 00:39:23,800 Speaker 1: few of those. I think. 700 00:39:25,080 --> 00:39:33,480 Speaker 2: I just River Deep Mountain High is one of the 701 00:39:33,520 --> 00:39:34,840 Speaker 2: best thing that's ever happened to me. 702 00:39:36,080 --> 00:39:41,120 Speaker 1: Oh, hands down. I was watching it. When we were 703 00:39:41,160 --> 00:39:43,480 Speaker 1: watching it last night, I was like, this is truly 704 00:39:43,520 --> 00:39:46,359 Speaker 1: goes down in history, not just Glee history, history. 705 00:39:47,360 --> 00:39:53,759 Speaker 2: Her history, her. Okay, well done. 706 00:39:54,160 --> 00:39:56,240 Speaker 1: You don't have a song in this number in this episode. 707 00:39:56,280 --> 00:39:57,919 Speaker 1: It reminds me of the pilot where you like didn't 708 00:39:57,960 --> 00:39:59,640 Speaker 1: get like really good at night. I shouldn't have to 709 00:39:59,640 --> 00:40:02,879 Speaker 1: do it, No, but you did lose your beak card. Yeah, 710 00:40:02,960 --> 00:40:06,520 Speaker 1: So like it's I feel like it's all's fair. Okay, 711 00:40:06,920 --> 00:40:10,680 Speaker 1: let's do some TARTI takes, Okay, cringe moments. 712 00:40:11,360 --> 00:40:21,800 Speaker 2: Cringe moments. Honestly, I don't know, Like I don't really 713 00:40:22,640 --> 00:40:26,040 Speaker 2: I suppose you know that Rachel and Finn number should 714 00:40:26,040 --> 00:40:30,320 Speaker 2: be cringey, but it's so good and everyone's so offended 715 00:40:30,360 --> 00:40:34,120 Speaker 2: by it. But like fair, I'm not cringed about it. Yeah, 716 00:40:34,120 --> 00:40:36,680 Speaker 2: I think it was so funny. I thought a little 717 00:40:36,719 --> 00:40:40,279 Speaker 2: cringey over like Harry finally gets to talk and it's 718 00:40:40,320 --> 00:40:40,919 Speaker 2: just about dem. 719 00:40:40,920 --> 00:40:44,719 Speaker 1: Sum Okay, fair enough. A lot of his stuff is 720 00:40:44,840 --> 00:40:48,600 Speaker 1: very Asian and focused. Yeah that's for quite a bit 721 00:40:48,640 --> 00:40:49,000 Speaker 1: of time. 722 00:40:49,560 --> 00:40:52,560 Speaker 2: Yeah yeah, so maybe I'm just lumping all that together. 723 00:40:52,640 --> 00:40:54,359 Speaker 2: But yeah, that's good. 724 00:40:54,440 --> 00:41:03,600 Speaker 1: That's good. Okay, that worst dan smooth? Okay, Well, I 725 00:41:03,600 --> 00:41:06,160 Speaker 1: don't think there's a worst dance move, but I think 726 00:41:06,200 --> 00:41:07,680 Speaker 1: there's a best dance move. 727 00:41:08,360 --> 00:41:09,520 Speaker 2: What's the best dance move? 728 00:41:09,760 --> 00:41:11,320 Speaker 1: All Riverdeep, Mountain High. 729 00:41:11,400 --> 00:41:14,520 Speaker 2: Yes, the entirety of riverdep Mountain. 730 00:41:14,320 --> 00:41:18,359 Speaker 3: High, the whole thing, from top to bottom. I also 731 00:41:18,400 --> 00:41:21,120 Speaker 3: have to say the choreography for the Jazz Hot it's incredible. 732 00:41:21,360 --> 00:41:23,799 Speaker 1: I mean, it's very good. I have PTSD, but it's 733 00:41:23,920 --> 00:41:24,279 Speaker 1: very good. 734 00:41:24,360 --> 00:41:27,239 Speaker 2: It's very good. I was yelling at the screen of 735 00:41:27,280 --> 00:41:31,440 Speaker 2: like why didn't Zach Woodley get for this. 736 00:41:31,480 --> 00:41:36,359 Speaker 1: Ever, get nominated? Everminated? I have PTSD at number though 737 00:41:36,600 --> 00:41:37,120 Speaker 1: really bad. 738 00:41:38,200 --> 00:41:40,240 Speaker 2: Oh yeah it's. 739 00:41:40,040 --> 00:41:45,640 Speaker 3: Good, but like I belong there, but you did, and 740 00:41:45,680 --> 00:41:48,440 Speaker 3: you did it and it's forever recorded in history. 741 00:41:48,840 --> 00:41:51,200 Speaker 1: Thank god. It it's like all in the shadows. You 742 00:41:51,200 --> 00:41:52,360 Speaker 1: don't know who I am. 743 00:41:52,680 --> 00:41:54,360 Speaker 2: And everyone's very tall in that number. 744 00:41:54,480 --> 00:42:01,000 Speaker 1: Yes except for me. Best song, very best performance by 745 00:42:01,000 --> 00:42:03,360 Speaker 1: a prop. 746 00:42:03,080 --> 00:42:07,240 Speaker 2: Naya and Amber's hair during River deep Naya's skirt. 747 00:42:07,920 --> 00:42:10,479 Speaker 1: Yes, I was gonna say the skirt move, the booty move. 748 00:42:11,280 --> 00:42:14,200 Speaker 1: I also like the meatball. 749 00:42:15,160 --> 00:42:18,000 Speaker 2: The meatball is very good. I'm hungry. 750 00:42:18,280 --> 00:42:24,359 Speaker 3: I'm star Discovery, I'm starving. Best line, Oh God, I 751 00:42:24,360 --> 00:42:27,000 Speaker 3: don't know if we have time. I mean there are 752 00:42:27,080 --> 00:42:27,799 Speaker 3: a lot. 753 00:42:28,239 --> 00:42:33,040 Speaker 1: I think for me, Santana saying that she's like a 754 00:42:33,080 --> 00:42:35,680 Speaker 1: lizard and that she needs something warm beneath her or 755 00:42:35,719 --> 00:42:41,120 Speaker 1: she can't digest her food is it for me? But 756 00:42:41,239 --> 00:42:44,800 Speaker 1: any Santana line this episode where she talks about redsticks 757 00:42:44,920 --> 00:42:51,439 Speaker 1: is really good. And then also when Brittany responds to you, 758 00:42:51,760 --> 00:42:55,800 Speaker 1: what did you say? And she I still have a crush. 759 00:42:55,840 --> 00:42:58,760 Speaker 1: I'm still not over. I have a crush on somebody 760 00:42:58,800 --> 00:43:00,440 Speaker 1: and she says the Clinton's. 761 00:43:00,360 --> 00:43:05,759 Speaker 2: Yes, I mean I think mine is also, Santana. I'm 762 00:43:05,760 --> 00:43:09,719 Speaker 2: like a reptile mine just and like we quoted that 763 00:43:09,800 --> 00:43:13,759 Speaker 2: a lot, like we's that in real life. Yeah, definitely 764 00:43:13,920 --> 00:43:17,080 Speaker 2: many a time, Warm Body. Were we just nerds like 765 00:43:17,120 --> 00:43:19,080 Speaker 2: we were fans of the show we were on, and 766 00:43:19,120 --> 00:43:21,800 Speaker 2: like we would quote these lines in real life. 767 00:43:23,200 --> 00:43:25,600 Speaker 1: Yeah, I never thought about it like that, but I 768 00:43:25,600 --> 00:43:28,239 Speaker 1: think we were we definitely, I mean, I'm definitely a nerd. 769 00:43:28,760 --> 00:43:31,799 Speaker 2: Yeah, that's for sure. It's cute because we were such 770 00:43:31,880 --> 00:43:34,880 Speaker 2: big fans of each other. Yeah, it's like sometimes you 771 00:43:35,000 --> 00:43:37,480 Speaker 2: just make each other do the line for you because it's. 772 00:43:37,360 --> 00:43:41,200 Speaker 1: So definitely definitely tell me what's what's going on on 773 00:43:41,239 --> 00:43:41,959 Speaker 1: the on the talk. 774 00:43:42,320 --> 00:43:46,160 Speaker 2: I got tagged in this TikTok. Beth m likes vinyl. 775 00:43:46,719 --> 00:43:50,760 Speaker 2: You need to go check it out because she posts 776 00:43:52,080 --> 00:43:57,600 Speaker 2: these incredible renders of fake Lee soundtrack vinyls the Lee 777 00:43:57,640 --> 00:44:01,240 Speaker 2: albums as vinyls, and it's stunning work. 778 00:44:01,960 --> 00:44:06,399 Speaker 3: They are gorgeous, aren't they what. I can't believe it's 779 00:44:06,440 --> 00:44:09,480 Speaker 3: not real brilliant And I think maybe Jenna, you and 780 00:44:09,520 --> 00:44:11,600 Speaker 3: I should have a word with somebody to make this happen. 781 00:44:11,960 --> 00:44:15,520 Speaker 1: Let's do it. Well. I hope you guys enjoyed duets 782 00:44:15,560 --> 00:44:17,000 Speaker 1: because I really liked this episode. 783 00:44:17,080 --> 00:44:19,120 Speaker 2: Big fan of this episode. And there's gonna be a 784 00:44:19,160 --> 00:44:20,719 Speaker 2: lot more stults. We're gonna have to have them on 785 00:44:20,920 --> 00:44:22,160 Speaker 2: to talk to THEE for sure. 786 00:44:22,520 --> 00:44:26,040 Speaker 1: What a joy? Ah? Okay, Well, I hope you enjoyed 787 00:44:26,040 --> 00:44:28,239 Speaker 1: the recap. Come back next week and that's what. 788 00:44:28,200 --> 00:44:34,280 Speaker 2: You really missed see it. Thanks for listening, and follow 789 00:44:34,360 --> 00:44:37,160 Speaker 2: us on Instagram at and That's what you really miss pod. 790 00:44:37,480 --> 00:44:39,319 Speaker 2: Make sure to write us a review and leave us 791 00:44:39,320 --> 00:44:40,839 Speaker 2: five stars. See you next time.