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Speaker 1: The Nicki Gliser podcastser here's Nikki. Hello, everyone, Welcome to

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Speaker 1: the show s Nick Glazer Podcast. Here I am I'm

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Speaker 1: Nicki Glazer. I am here alone in my studio, studio apartment,

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Speaker 1: studio almost at studio apartment. That's a different thing, it's

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Speaker 1: a different lifetime. I am here in my studio, in

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Speaker 1: my apartment in Saint Louis alone. Chris is going to

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Speaker 1: get our rental car. Usually I'm joined by someone here.

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Speaker 1: It's a long time.

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Speaker 2: Nobody across from you.

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Speaker 1: Feels a little actually feels the same. I'm really fine

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Speaker 1: with it. Chris is getting a rental car. We're driving

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Speaker 1: to Arkansas today for two shows. Truly, Chris is helping

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Speaker 1: me with my special, you know, like he's producing it,

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Speaker 1: and I'm doing so much more work than I've ever

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Speaker 1: done on a special in my life. And it's not

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Speaker 1: even that much work. I'm failing miserably every day, like

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Speaker 1: the goals were setting. It's not even that much. And

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Speaker 1: it's just like we might like he you know, watching tape,

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Speaker 1: like going through all my set, like going through my

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Speaker 1: set and then picking like reading the transcript that we

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Speaker 1: get transcribed and then listening to it along with it

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Speaker 1: and picking out what we like what we don't like.

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Speaker 1: It's complete as hell. It's hell because I just am

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Speaker 1: so disappointed in myself the whole time, and it seems

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Speaker 1: so insurmountable the amount of work I have to do

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Speaker 1: to be what I want to be. And I get

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Speaker 1: bogged down with like why are you so bad right now?

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Speaker 1: And it's not enough time, and I just start kind

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Speaker 1: of like I just get in the worst moods imaginable

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Speaker 1: when I have to do this. It's like and he's

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Speaker 1: so sweet, like he will get me anything. He like

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Speaker 1: puts a ZV next to me, He'll put on Taylor

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Speaker 1: Swift like in the background, softly, like he'll get the

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Speaker 1: foot massager next to me. Like he tries to make

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Speaker 1: it as comfortable as possible for me to do this process.

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Speaker 1: And he's like in a really good mood because he's

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Speaker 1: trying to like bolster my bullshit mood. And it's really sweet.

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Speaker 1: But then I but then I start to feel like

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Speaker 1: a burden and like such a problem because I see

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Speaker 1: all the effort that's going into like keeping my little

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Speaker 1: beach ball in the air, you know, like it's just

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Speaker 1: like why can't And then I start getting down about that, Like,

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Speaker 1: why can't I just be a normal person that doesn't

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Speaker 1: get like I'm a widow baby moody.

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Speaker 3: It's just because the goal is to have like a

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Speaker 3: special that surpasses your previous specials, that makes you a

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Speaker 3: sense to comedian.

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Speaker 1: No, I don't need to ascend anymore. I'm so tired.

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Speaker 1: I like the amount of theaters I'm doing. I like

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Speaker 1: the amount of people I'm performing for. I don't care.

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Speaker 1: I like being someone who people are like, you should

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Speaker 1: be more famous. I like that. I don't want to

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Speaker 1: be more famous because then when you get there, you

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Speaker 1: let everyone down.

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Speaker 2: I like, I think you famous, I think famous.

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Speaker 1: Yes, that's what they do, so they.

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Speaker 3: Do if you can just hover in the cut, lay

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Speaker 3: in the cut.

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Speaker 1: I just don't know how people have kids. I'm like

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Speaker 1: packing today for I have to pack for Arkansas this morning,

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Speaker 1: so two shows in Arkansas and then I go to

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Speaker 1: New York on Wednesday to do a Bob Sagat tribute

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Speaker 1: thing that God damn you, Bob. This is not the

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Speaker 1: right time of year for me. But I love you,

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Speaker 1: and so I'm doing it for you. But it's just

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Speaker 1: because I was supposed to do it last year, but

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Speaker 1: I went through my vocal cord things so I couldn't

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Speaker 1: do it. So I wouldn't be doing it this year

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Speaker 1: because I'm just so swamped. But I you know, when

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Speaker 1: you push things away and you go, i'll do it

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Speaker 1: next time, then you have to do it the next time,

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Speaker 1: and you don't know if your life is going to

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Speaker 1: be more complicated then right, which it is. But I'm

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Speaker 1: actually it'll be fun. It's just a short set on

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Speaker 1: a show. I keep thinking he'll be there or something.

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Speaker 1: I'm like, oh, I'm but he will be in spirit,

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Speaker 1: so that'll be nice. And then Thursday, I'm yeah, and

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Speaker 1: on video probably they'll be a montage. And then Thursday

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Speaker 1: I'm still in New York City. Yeah, which is today.

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Speaker 1: I have a I am like so depressed about my

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Speaker 1: face lately. I can't handle it. I cannot. I see

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Speaker 1: pictures of myself every week, and my right side of

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Speaker 1: my face is sliding off. If topologists or like geologists,

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Speaker 1: we're studying my face, they would say there's a landslide

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Speaker 1: coming soon on the right side, and it's all, do

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Speaker 1: not build on that side, stop putting things on the side.

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Speaker 1: It's all I wish I had microphone or I wish

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Speaker 1: I'd had phones that pulled me up like this. I

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Speaker 1: wish I could do this the whole. This is what

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Speaker 1: I want.

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Speaker 3: Our phaologists, we're looking at your face for history. They'd

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Speaker 3: be like, there was an ice age around the nose.

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Speaker 1: Yes, yes, they something's happening structurally to the right side

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Speaker 1: of my face. And it's undeniable. It's not just like lighting.

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Speaker 1: It's like it just started happening, like probably in the

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Speaker 1: last two months. I think I may have said this

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Speaker 1: on the podcast. But one time during f Boy, my

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Speaker 1: makeup artist Lea was doing my makeup and she does

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Speaker 1: like a winged eyeliner, like Taylor Swift style, and that's

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Speaker 1: just like what I like to do with my eyeliner.

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Speaker 1: And I was looking in the mirror and I was like,

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Speaker 1: it's so uneven, like I thought she was drunk because

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Speaker 1: it was so I go, look at this. One is

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Speaker 1: like shooting up at a you know, ninety to like

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Speaker 1: a twenty. I don't know what degree it's shooting right up,

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Speaker 1: and the other one is like kind of you know not,

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Speaker 1: and I go, I was really like kind of disappointed

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Speaker 1: in her, like how could you get this so wrong?

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Speaker 1: It's supposed to be symmetrical. She was like, it's I'm

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Speaker 1: trying to actually make your face look symmetrical with it

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Speaker 1: because one side is a lot. She was trying to

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Speaker 1: be nice, but she was like, one side is your

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Speaker 1: eye is a lot lower than the other. And I

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Speaker 1: was like, oh my god, you're fucking right, dude. She

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Speaker 1: was like, I do your makeup like this every time.

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Speaker 1: You've just never studied it this hard, and so she's

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Speaker 1: she put it in my head. It's not like she

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Speaker 1: put it in my head. It was already there. I

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Speaker 1: was starting to see stuff. And it's just I don't

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Speaker 1: mind if both sides were just sag at the same time,

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Speaker 1: but one side. It's really hurts my feelings every time

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Speaker 1: I see a picture and and other people don't see it,

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Speaker 1: or they just don't you know, people that are taking

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Speaker 1: my pictures or sending them to me do not know

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Speaker 1: what's happening, so they'll send me these pictures and it's

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Speaker 1: so I get so sad. It's so out of my control.

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Speaker 1: I can't do anything about it. I can sleep on

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Speaker 1: the other side of my face, but like I shift

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Speaker 1: in the middle of the night, so I'm I'm now

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Speaker 1: sleeping on my left side of my face to like

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Speaker 1: make that one go down, because there's no making the

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Speaker 1: other side go up.

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Speaker 3: It's nearly impossible to stay in one position while you're sleeping.

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Speaker 1: No, I can't, and so it's.

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Speaker 2: Just or you can get no sleep.

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Speaker 3: You can force yourself to slay there like a mummy

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Speaker 3: and then have a shitty night's sleep, and that.

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Speaker 1: Will definitely sag. It just looks so much like Marjorie

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Speaker 1: Taylor Green. Every single day my face is Yes, I

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Speaker 1: already look like her. We have the same kind of eyes,

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Speaker 1: and like, if I just gain a little bit more weight,

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Speaker 1: it's gonna it's gonna be so undeniable. People are gonna

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Speaker 1: be making the comparison. Guess what, I beat you to it.

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Speaker 1: If you compare me to her, you're not original because

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Speaker 1: I already said it and you got it from me.

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Speaker 1: Come up with something better.

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Speaker 3: I'm just say, Oh, you don't look I'm going on Thursday.

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Speaker 3: You look at least like Sarah. How could be Sanders?

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Speaker 1: I do kind of look like her too, like I

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Speaker 1: have those those weird, deep set, beady crazy eyes. But

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Speaker 1: I'm going on Thursday. I'm going to this very expensive

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Speaker 1: doctor in New York City to just see if there's

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Speaker 1: anything she can do because I can't get surgery before

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Speaker 1: my special, just anything she can do to even out

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Speaker 1: my face. Like I just don't know what to do anymore.

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Speaker 1: And it's just like I'm just so upset about it

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Speaker 1: and I can't live like this. It's if I if

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Speaker 1: I wasn't in the public eye, it would be fine

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Speaker 1: if I didn't have pictures on myself every single weekend

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Speaker 1: and I didn't have to film a special where I

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Speaker 1: have to be in the edit and watch it. If

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Speaker 1: I could just have other people edit it. If I

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Speaker 1: could just not look at pictures of myself and have

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Speaker 1: an a I bought post them, I would be okay,

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Speaker 1: and I would be a happier person. But I have

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Speaker 1: to review these things and look at myself, and it's

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Speaker 1: it's terrible. It's just so And I'm tired of looking

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Speaker 1: in mirrors. I'm tired of people doing my makeup and

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Speaker 1: then holding a mirror right up to my face, or

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Speaker 1: like doing something to my face and then of a

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Speaker 1: sudden holding a mirror. The other day at the dentist,

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Speaker 1: he just held me a mirror and was like, look

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Speaker 1: at is that I'm like, don't make me look at myself.

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Speaker 1: I hate this. And I know everyone at home saying, wow,

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Speaker 1: she has such low self esteem. You would too if

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Speaker 1: you had to look in a mirror for so much

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Speaker 1: of your life.

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Speaker 4: And and then you have to critique. Yeah, sorry, you

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Speaker 4: need to critique what you're doing. That's this, that's the

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Speaker 4: part that makes it challenging, Like you have to like

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Speaker 4: look at yourself and critique and accept or like, you know,

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Speaker 4: I don't like this. Make changes here. Yes, it's like

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Speaker 4: you're you're scrutinizing your own self.

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Speaker 1: And you have to do my makeup every day, which

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Speaker 1: is intense looking in the mirror.

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Speaker 2: Well, Matt, those Pantom of the Opera mask covers.

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Speaker 1: That, honestly is the perfect She would want that for sure,

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Speaker 1: for me to cover up the right side because the

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Speaker 1: left side is still holding on, it's still got a

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Speaker 1: little life in it. The other side it is, and

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Speaker 1: my right side is like a old professor that's been

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Speaker 1: at the school for over twenty like, has tenure given up,

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Speaker 1: just does the same syllabus every night.

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Speaker 3: It's like moments away from getting kicked out of his

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Speaker 3: tenure for saying a racial slur.

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Speaker 1: Yes, accident rightide of my face is the beginning of

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Speaker 1: Jonathan in the seventies. I was allowed to say this, yeah.

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Speaker 1: But also I've been posting ugly pictures of myself on

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Speaker 1: Instagram because like, whenever there is a a series of

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Speaker 1: photos that comes out and I'm making like a really

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Speaker 1: bad face and some I post those because that gives

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Speaker 1: me control again over the narrative, like no one can

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Speaker 1: say she thinks she's so hot or because I don't

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Speaker 1: like and Anya and Matt were talking to me about,

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Speaker 1: like you should post like hot pictures, like we take

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Speaker 1: pictures of you every week where you look great, and

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Speaker 1: I'm like, but I don't think I look great, and

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Speaker 1: I don't want anyone to think I think I look great.

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Speaker 1: It's so humiliating to put those out there and have

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Speaker 1: someone be like Nikky thinks she's like looks so good.

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Speaker 1: I'd rather just post a really ugly picture and be like,

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Speaker 1: I'm going through a phase right now. I don't fit

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Speaker 1: in any of my clothes. My face is falling off

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Speaker 1: my head I I have I don't have time to

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Speaker 1: get my hair done, so my roots are like black.

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Speaker 2: It's just like, I like, this is bad. As an experiment.

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Speaker 3: If you just started, take a week, and then every

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Speaker 3: one of your posts should just be you shit talking yourself.

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Speaker 3: I would like to see. I'm sure most of the

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Speaker 3: reaction would be just like, no.

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Speaker 1: You're wrong, No, it's yeah, you can't do that.

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Speaker 2: After a week, what'll happen.

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Speaker 1: If I'd probably get uglier because of manifesting it.

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Speaker 3: You know when Apple sends you a photo gallery and

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Speaker 3: it's like when you were in the woods or beach time.

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Speaker 1: Here's you ten pounds ago, when you were a lot happier. Exactly,

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Speaker 1: here's a montage when you were so hot. It was

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Speaker 1: picked three and a half years ago, enough time that

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Speaker 1: you can't get it back. But you were thrive, like

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Speaker 1: right before COVID, I was fucking killing it.

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Speaker 3: It's like, remember when you were happy? And then it

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Speaker 3: shows you five pictures.

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Speaker 1: Yeah, it's just one of those weeks and I'm just

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Speaker 1: under such Yeah, yes, why did they do that? And

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Speaker 1: they always said it to a song that's like it

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Speaker 1: is like a song that would play at your funeral.

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Speaker 1: It's like the Bob's whatever's gonna play for Bob Saget.

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Speaker 1: Probably Apple made it three years before he died, and

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Speaker 1: they were like well, I'll choose this when I was younger. Yeah,

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Speaker 1: I hope at the time of your live and I'm

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Speaker 1: like smiling with no Crostby.

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Speaker 2: It's like a little memorial every time it is.

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Speaker 1: It's so rude. I really hate those Really, did you

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Speaker 1: just see your c Oh? Yeah, I don't like looking

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Speaker 1: at the past. I don't like what a great time

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Speaker 1: to be alive within like the seventeen eighteen hundreds. I mean,

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Speaker 1: there was like plagues and stuff, and you know, rape

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Speaker 1: was probably legal. But I do think not being able

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Speaker 1: to see your reflection anywhere or having images of you,

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Speaker 1: like someone would just paint a painting and you could

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Speaker 1: be like, ah, he's just like a sloppy painter. I

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Speaker 1: don't really look like that. And I bet they weren't

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Speaker 1: as vain, but they didn't. They didn't talk about their

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Speaker 1: looks a lot.

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Speaker 3: Did you see Killers of the Flower Moon in the

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Speaker 3: new Scorsese movie with Leonardo DiCaprio.

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Speaker 1: No, but I am interested in Leo making out with

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Speaker 1: a woman who's over one hundred pounds. I'm excited. Yeah,

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Speaker 1: they bang all they forced him.

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Speaker 3: Yeah, yeah, well she's young though she's pretty young. But

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Speaker 3: in that movie, that movie is set in the nineteen twenties,

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Speaker 3: and Leonardo DiCaprio made an acting choice in that movie

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Speaker 3: to purposely like shape his face so that he's ugly,

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Speaker 3: like he'll be. He's like frowning forcefully the whole movie.

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Speaker 3: And I think I think back then, even as early

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Speaker 3: as then, just like people were ug and everyone was

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Speaker 3: ug and the top hot.

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Speaker 2: One was dead.

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Speaker 1: There was no moisturizer, No there was. It was it

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Speaker 1: was like cow semen or something like they would they

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Speaker 1: they didn't. There was There was just sun. There was

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Speaker 1: no spf. There was constant smoking, constant like being in

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Speaker 1: cabins where there was smoke in elation.

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Speaker 3: Yeah, he looks like it's however, looked and every man

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Speaker 3: looked in the nineteen twenties and below.

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Speaker 1: But you know something, I bet people you look like

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Speaker 1: you really do. You do look like you were on

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Speaker 1: the battlefield. Yeah, god, Brian, you have such civil war

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Speaker 1: face right now.

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Speaker 2: Yeah, this is the nineteen twenties.

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Speaker 1: Oh my god. But I do have no self awareness though.

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Speaker 2: Yeah, well that's great, I mean that.

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Speaker 1: But they still have like sartorial choices that were pretty

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Speaker 1: like specific, you know, they all dressed they were like

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Speaker 1: those wigs. Yeah, but they wore top hats and stuff,

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Speaker 1: and women had to wear like these big flowy skirts.

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Speaker 1: You know, they had to like cover up a lot,

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Speaker 1: and like you would think they would just wear whatever.

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Speaker 1: Their version of athleisure was whatever's the easiest thing, because

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Speaker 1: life was so hard. But I think because they had

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Speaker 1: life was hard back then and they're constantly probably working,

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Speaker 1: And but I bet there was a lot of downtime too,

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Speaker 1: because you got to like let water boil and like

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Speaker 1: you gotta let plants grow.

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Speaker 2: Yeah, imagine there's always something to laying down on.

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Speaker 3: A porch, But then there's also less downtime because you

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Speaker 3: have to do so much work just to get by

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Speaker 3: each day, like if you have to go out sweep

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Speaker 3: farm or sweep Yeah, what's with people sweeping the porch

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Speaker 3: and getting the dust off the porch, Like you don't

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Speaker 3: really need to do that.

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Speaker 1: Because it's gonna get inside, it gets on everything.

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Speaker 2: Oh yeah, I guess I didn't think about that.

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Speaker 1: They are always was Killers of the Flower Moon so good?

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Speaker 3: I'd say it was fine. It was fine as a

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Speaker 3: forest Scorsese I liked, For example, I like The Irishman

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Speaker 3: better than Killers of the Flower Moon. There are parts

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Speaker 3: I mean, I don't want to get into like into

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Speaker 3: trouble here, but like there are parts of Killers of

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Speaker 3: the Flower Moon where I asked the question, why is

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Speaker 3: Martin Scorsese telling this story? Why is not a Native

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Speaker 3: American telling the story. It's as if Martin Scorsese like

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Speaker 3: read a book or interviewed somebody. I don't know if

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Speaker 3: he has a personal connection to it, but it's like

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Speaker 3: this movie has real moments of cultural significance for the

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Speaker 3: uh oh O Sage people, and I just don't understand

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Speaker 3: why Martin Scorsese is making this. And then at the

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Speaker 3: end of the movie, Scorsese makes a little cameo where

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Speaker 3: he does like a speech.

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Speaker 2: Yeah, it's there's some strange artistic choices.

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Speaker 1: Do you do that a lot?

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Speaker 2: No? No, no, he does not.

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Speaker 3: So it was just some strange artistic choices that made

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Speaker 3: this movie a little bit more artsy than I'm used

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Speaker 3: to in a Scorsese movie. And then also I just

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Speaker 3: felt like he's trying to make a statement about how

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Speaker 3: difficult it was for the O Sage people of Oklahoma

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Speaker 3: in the nineteen twenties and how the white man, the

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Speaker 3: white devil, came and stole their land. And stole their

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Speaker 3: oil money and stole their women, and then they all

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Speaker 3: died off from alcoholism and suicide. And then he like

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Speaker 3: makes this like heartfelt speech at the end, really profound,

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Speaker 3: and I'm like, why are you doing this? Shouldn't there

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Speaker 3: be an O sage person making this speech?

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Speaker 1: They can't get funding from a movie like that.

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Speaker 3: Well, so then Martin Scorsese should. Okay, I'm the director.

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Speaker 3: But then it just is strange.

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Speaker 2: It's just it was.

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Speaker 3: It seem insincere to me, Like, I don't believe him

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Speaker 3: that he really is empathizing this much with the osage people.

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Speaker 2: I believe that, really we made a whole movie about him.

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Speaker 3: I think he thinks the story is good and has

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Speaker 3: and it's very mafiosa esque, but still, Ah, Robert de Niro,

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Speaker 3: Leonardo DiCaprio, they're the white devils. They're truly the main characters,

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Speaker 3: except for the woman who is the oceage person, who

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Speaker 3: is excellent. I think she was the best part of

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Speaker 3: the movie. But like, I don't know that once they

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Speaker 3: got to this cameo at the end, we really find her.

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Speaker 3: That's a good question. I would like to make a

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Speaker 3: joke offend anybody. I think yes, Craigslist.

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Speaker 1: Yeah, I mean I love when she I love when

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Speaker 1: they have like one person. I hope she has an

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Speaker 1: illustrious career ahead of her. Yeah, but there's always these

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Speaker 1: art these movies where there's like a huge star studic gas,

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Speaker 1: and then there's one person that looks kind of normal, yeah,

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Speaker 1: that like has to fill a role that is just uh,

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Speaker 1: you know, like the the I don't know, the guy

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Speaker 1: on death oh, or the old janitor who finds the crystal.

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Speaker 1: I don't know, just there has to be some kind

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00:17:05,520 --> 00:17:09,359
Speaker 1: of character character that they put in normals and they

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Speaker 1: kind of like they go, look at me claw machines.

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Speaker 1: This person out of their horrible life and now we

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Speaker 1: made them a movie star for one movie. Yeah, and

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Speaker 1: then they maybe do like a Super Bowl ad or something,

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Speaker 1: and then they kind of disappear.

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Speaker 3: So she's been in a bunch of stuff, Okay, I

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Speaker 3: got Yeah. Her name is Lily Gladstone, and she has

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Speaker 3: been in.

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Speaker 1: That sounds familiar, actually.

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Speaker 3: Reservation Dogs for two episodes, which is also about Native Americans.

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Speaker 2: But then she was also in Billions for six episodes.

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Speaker 1: Oh yeah, wow, okay.

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Speaker 2: Yeah, a couple of other things.

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Speaker 1: She's got a great do you know what I mean.

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Speaker 1: I'm she's like a great speaking voice.

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Speaker 2: Yeah, like she could she could do voiceover for sure.

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Speaker 1: Oh my god, I recently heard. Oh there's this like

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Speaker 1: woman who I'm have jealousy issues over not jealousy and

379
00:17:53,720 --> 00:17:56,280
Speaker 1: be sorry wrong, one that I just like kind of

380
00:17:56,280 --> 00:17:58,280
Speaker 1: want her life and she just like is has the

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Speaker 1: body that I want and has like just like the

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00:18:00,680 --> 00:18:03,240
Speaker 1: Instagram I want, and like the hair and like the

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00:18:03,280 --> 00:18:06,720
Speaker 1: clothing and just like the happiness and like just has

384
00:18:06,760 --> 00:18:09,399
Speaker 1: it all together and is like killing it. And then

385
00:18:09,440 --> 00:18:13,040
Speaker 1: I heard her talk and I was like, thank you God,

386
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Speaker 1: you granted her one horrible thing.

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Speaker 2: Her voice.

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Speaker 1: Like it's so bad that, like any you just you

389
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Speaker 1: can't deny that it's a bad voice. And it really

390
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Speaker 1: delighted me that she just had a really like cause

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Speaker 1: I was dying for a video of this woman because

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Speaker 1: I know people can look amazing in images pretty easily.

393
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Speaker 1: You can just edit that stuff and just pick the

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Speaker 1: best one out of a thousand, but video kind of

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Speaker 1: shows the truth. And boy did it ever. She's still

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Speaker 1: a pretty person talking, but her voice was rough.

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Speaker 3: Man.

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Speaker 1: Oh yeah, yeah, voices everything.

399
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Speaker 3: And you see a really hot person and then they

400
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Speaker 3: have this like deep thick Eastern European accent, and you're like,

401
00:18:53,240 --> 00:18:54,000
Speaker 3: what the fuck?

402
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Speaker 2: Oh, you know, it's like, what the fuck is going on?

403
00:19:00,320 --> 00:19:06,840
Speaker 1: Dub. I don't like when the women talk at all.

404
00:19:07,080 --> 00:19:10,560
Speaker 1: That's why I oftentimes search ballgag porn because I'm just like,

405
00:19:10,640 --> 00:19:13,880
Speaker 1: I don't want to hear anything you say. You need

406
00:19:13,920 --> 00:19:16,760
Speaker 1: to be quiet. I want to hear you like struggle

407
00:19:16,920 --> 00:19:18,960
Speaker 1: not to make noise, and I want to hear the

408
00:19:19,000 --> 00:19:21,440
Speaker 1: guy talk more and so that that voice actually turns

409
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Speaker 1: me on the one that you just made if it's

410
00:19:22,920 --> 00:19:23,880
Speaker 1: going it, because.

411
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Speaker 2: It's like a man, what do you want the guy

412
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Speaker 2: to say?

413
00:19:29,040 --> 00:19:31,560
Speaker 1: Just take it, bitch, not bitch, but take it like

414
00:19:31,680 --> 00:19:34,040
Speaker 1: do it? Like just like I want the guy to

415
00:19:34,040 --> 00:19:39,000
Speaker 1: be like good all right, yeah, like other guys directing

416
00:19:39,040 --> 00:19:42,679
Speaker 1: the guy. Yeah, yes, I want other guys to be

417
00:19:42,760 --> 00:19:44,639
Speaker 1: directing that guy, to tell him what to do and

418
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Speaker 1: to like. Oh. I like when they tell her, arch

419
00:19:46,400 --> 00:19:48,320
Speaker 1: you're back, Arch You're back. I like when they like

420
00:19:48,440 --> 00:19:49,520
Speaker 1: yell commands in her.

421
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Speaker 2: I logic pop sugar videos.

422
00:19:52,640 --> 00:19:53,080
Speaker 1: What is that?

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Speaker 3: It's like exercise videos on YouTube. It's the same thing.

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Speaker 3: Arch your back, Like kind of maybe it is. Yeah,

425
00:20:01,880 --> 00:20:04,600
Speaker 3: I just like them to be challenged. I want everything

426
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Speaker 3: to be a challenge. I want anything that anyone, anything

427
00:20:08,520 --> 00:20:11,600
Speaker 3: that I like watching. It's something impressed. I'm challenging you,

428
00:20:11,680 --> 00:20:13,719
Speaker 3: so okay, So how come you can't apply this to

429
00:20:13,760 --> 00:20:17,600
Speaker 3: your special reviews because you're you're very You hate that challenge,

430
00:20:17,920 --> 00:20:19,479
Speaker 3: but you love because watching so much.

431
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Speaker 1: I get bogged down by how bad I am. I

432
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Speaker 1: just I can't get it out of my head, I.

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Speaker 4: Said, Brian, I think you figured it out. Instead of

434
00:20:26,520 --> 00:20:29,119
Speaker 4: Chris being so sweet to you and putting on Taylor

435
00:20:29,200 --> 00:20:32,919
Speaker 4: Swift low in the background and getting you your he

436
00:20:33,000 --> 00:20:35,960
Speaker 4: needs to shout commands at you, arch your back.

437
00:20:36,680 --> 00:20:39,360
Speaker 1: I'm gonna text him. Honestly, it wouldn't be a bad

438
00:20:39,400 --> 00:20:41,679
Speaker 1: idea for him to make it, because he tries to

439
00:20:41,680 --> 00:20:44,639
Speaker 1: make it so enjoyable, and I'm like, try it. I

440
00:20:44,680 --> 00:20:47,040
Speaker 1: don't want things to be enjoyable. I want things to

441
00:20:47,080 --> 00:20:49,520
Speaker 1: be tortuous, so that when I complete them, I feel

442
00:20:49,520 --> 00:20:52,760
Speaker 1: like good job, and like I don't. It doesn't help

443
00:20:52,800 --> 00:20:55,560
Speaker 1: me to have things that are really hard be set

444
00:20:55,600 --> 00:20:58,280
Speaker 1: in like a beautiful setting or something on your hand

445
00:20:58,320 --> 00:20:58,680
Speaker 1: and knee.

446
00:20:58,720 --> 00:20:59,960
Speaker 2: You can put on this pig mask.

447
00:21:00,119 --> 00:21:04,520
Speaker 1: Guess honestly, I think that idea for me. You've done,

448
00:21:04,640 --> 00:21:07,160
Speaker 1: I'll tell him that. Noah, I'll break that that news

449
00:21:07,200 --> 00:21:10,080
Speaker 1: to him. Okay, because that's a really good idea. All right, Uh,

450
00:21:10,200 --> 00:21:11,760
Speaker 1: we gotta go to break. We'll be back with more

451
00:21:11,840 --> 00:21:18,719
Speaker 1: after this. We're really figuring things out. Okay.

452
00:21:20,920 --> 00:21:24,320
Speaker 3: Really sounded like you believe that. Well, no one knows

453
00:21:24,320 --> 00:21:26,280
Speaker 3: what we're talking about. No one knows what we're talking about,

454
00:21:26,280 --> 00:21:28,520
Speaker 3: because because I keep forgetting that when during the break,

455
00:21:28,520 --> 00:21:30,840
Speaker 3: people listen to like two minutes of commercials unless you're

456
00:21:30,840 --> 00:21:34,520
Speaker 3: a Diamond Player, Club Network special guy or girl.

457
00:21:34,640 --> 00:21:41,520
Speaker 1: Wait we're back. Yes, I'm keeping all that in Okay, great, yeah,

458
00:21:41,560 --> 00:21:44,159
Speaker 1: oh no, I I do consider that people listen to

459
00:21:44,200 --> 00:21:46,280
Speaker 1: the commercials and then they are kind of like not

460
00:21:47,040 --> 00:21:50,919
Speaker 1: exactly where we were. No, they're not unless you're Diamond players.

461
00:21:51,040 --> 00:21:53,160
Speaker 3: Unless you're Diamond Players, then you're we gotta we gotta

462
00:21:53,200 --> 00:21:55,240
Speaker 3: look out for them because they're just going from one

463
00:21:55,240 --> 00:21:55,600
Speaker 3: to the other.

464
00:21:55,720 --> 00:21:57,159
Speaker 2: Must be very This is a.

465
00:21:57,200 --> 00:21:59,280
Speaker 1: Thing about me. I have to say. There's a lot

466
00:21:59,280 --> 00:22:01,360
Speaker 1: of things I get down myself about. I am one

467
00:22:01,480 --> 00:22:07,080
Speaker 1: hundred percent more aware of other people's experiences than most

468
00:22:07,119 --> 00:22:10,080
Speaker 1: people are. I think that I am someone who is

469
00:22:10,160 --> 00:22:14,800
Speaker 1: extremely aware of how other people interpret things, and I

470
00:22:14,840 --> 00:22:17,040
Speaker 1: get it wrong a lot of times, but I'm always

471
00:22:17,119 --> 00:22:21,680
Speaker 1: constantly trying to understand another person's perspective. So I don't

472
00:22:21,720 --> 00:22:23,480
Speaker 1: think there is a single example of me on this

473
00:22:23,600 --> 00:22:25,840
Speaker 1: whole podcast where I have come back from a commercial

474
00:22:26,080 --> 00:22:29,840
Speaker 1: and not reset and like, because I know I would

475
00:22:29,880 --> 00:22:32,879
Speaker 1: never assume like everyone else is just living my experience

476
00:22:32,960 --> 00:22:36,240
Speaker 1: right now. I really do think from other people's perspective

477
00:22:36,320 --> 00:22:38,399
Speaker 1: quite often, yes, And I think that's a quality I

478
00:22:38,440 --> 00:22:41,320
Speaker 1: wish more people had. It's one thing about myself that

479
00:22:41,359 --> 00:22:45,520
Speaker 1: I actually like because people all the time. One of

480
00:22:45,560 --> 00:22:49,320
Speaker 1: my biggest pet beaves is when people think talk about

481
00:22:49,359 --> 00:22:52,760
Speaker 1: their shitty, stupid, mundane lives, like you know, all the

482
00:22:52,800 --> 00:22:55,760
Speaker 1: players and characters in it. They'll be like, well, and

483
00:22:55,800 --> 00:22:58,200
Speaker 1: then Dave told me at work And then Dave at

484
00:22:58,200 --> 00:23:01,239
Speaker 1: work was like lost his sweatshirt. A get I'm like,

485
00:23:02,160 --> 00:23:05,080
Speaker 1: I don't know who Dave is. Like the other day

486
00:23:05,160 --> 00:23:09,639
Speaker 1: it was like I don't know who I always say this,

487
00:23:09,720 --> 00:23:11,439
Speaker 1: I go, why would I know who Dave is? Can

488
00:23:11,480 --> 00:23:13,880
Speaker 1: we just go back? Why would me you know who

489
00:23:13,920 --> 00:23:16,120
Speaker 1: I am? How do you think I would know who

490
00:23:16,200 --> 00:23:17,640
Speaker 1: Dave is? And then they kind of are like at

491
00:23:17,640 --> 00:23:19,359
Speaker 1: a loss for words, and they I don't know, I

492
00:23:19,480 --> 00:23:21,840
Speaker 1: just some people. But I realized that I'm not being

493
00:23:21,880 --> 00:23:24,439
Speaker 1: very empathetic and thinking about some people are stupid and

494
00:23:24,440 --> 00:23:27,960
Speaker 1: they don't consider other people's experience, so I do need

495
00:23:28,000 --> 00:23:32,280
Speaker 1: to make that extra leave. But like there's like examples

496
00:23:32,359 --> 00:23:34,000
Speaker 1: whenever I took it to a hotel, they'll be like,

497
00:23:34,520 --> 00:23:39,840
Speaker 1: and so he goes and you're gonna and you're gonna

498
00:23:40,280 --> 00:23:41,959
Speaker 1: what did he say? There was a guy the other

499
00:23:42,040 --> 00:23:46,159
Speaker 1: day that goes so and the elevators are gonna be

500
00:23:46,359 --> 00:23:49,040
Speaker 1: that way and across the rotunda and then you're gonna

501
00:23:49,040 --> 00:23:51,520
Speaker 1: go through, And I go, what is that? What is

502
00:23:51,520 --> 00:23:53,520
Speaker 1: all of that? I don't know what any of those

503
00:23:53,560 --> 00:23:55,159
Speaker 1: words were. He described how to get to it, and

504
00:23:55,200 --> 00:23:57,000
Speaker 1: I was like, but it didn't even make sense. It

505
00:23:57,040 --> 00:23:58,320
Speaker 1: wasn't like I wasn't trying.

506
00:23:58,160 --> 00:24:01,840
Speaker 3: To be difficult. It's like, I don't know where you

507
00:24:01,920 --> 00:24:02,560
Speaker 3: found that desk.

508
00:24:02,640 --> 00:24:05,399
Speaker 1: Yes, yes, it was like that. There was something I

509
00:24:05,480 --> 00:24:07,119
Speaker 1: remember on You kind of looked at me because it

510
00:24:07,119 --> 00:24:08,919
Speaker 1: seemed to be rude what I was saying, But I

511
00:24:09,000 --> 00:24:10,920
Speaker 1: was just calling him on the fact that I don't

512
00:24:10,960 --> 00:24:13,399
Speaker 1: speak your hotel language. I don't know what any of

513
00:24:13,400 --> 00:24:16,639
Speaker 1: that stuff is. And people know me listening to this.

514
00:24:16,920 --> 00:24:19,520
Speaker 1: I would never want to be escorted to my room

515
00:24:19,920 --> 00:24:22,160
Speaker 1: by a front desk clerk. I don't want to waste

516
00:24:22,160 --> 00:24:24,439
Speaker 1: people's time. I don't want If I can find the

517
00:24:24,440 --> 00:24:26,639
Speaker 1: elevator myself, I will one hundred percent go. I'm not

518
00:24:26,680 --> 00:24:28,239
Speaker 1: one of these people that likes to hang out at

519
00:24:28,240 --> 00:24:30,880
Speaker 1: the front desk and ask a million questions and feel

520
00:24:30,920 --> 00:24:33,720
Speaker 1: like really important. So the breakfast tomorrow does that start

521
00:24:33,720 --> 00:24:36,560
Speaker 1: at nine am or ten am? I know any information?

522
00:24:36,800 --> 00:24:38,040
Speaker 1: I will just look at it when I get to

523
00:24:38,080 --> 00:24:40,040
Speaker 1: my room. In the book on the desk, I don't.

524
00:24:40,480 --> 00:24:43,399
Speaker 1: But this guy was describing how to get to the elevators,

525
00:24:43,400 --> 00:24:46,240
Speaker 1: and I go, none of that would make any sense

526
00:24:46,280 --> 00:24:49,560
Speaker 1: to anyone who is patronizing your hotel for the first time. Y,

527
00:24:49,720 --> 00:24:52,440
Speaker 1: I go, I haven't been here before. I literally said

528
00:24:52,480 --> 00:24:55,080
Speaker 1: to it. I go, why would I know what that means?

529
00:24:55,680 --> 00:24:57,760
Speaker 1: Because he was like a young kid, right, I go?

530
00:24:58,160 --> 00:25:01,439
Speaker 1: And he was yeah, kind of looked at me like.

531
00:25:01,600 --> 00:25:04,080
Speaker 2: The room and it's like, what the fuck is the

532
00:25:04,200 --> 00:25:04,840
Speaker 2: an deck?

533
00:25:04,880 --> 00:25:07,639
Speaker 1: That is exactly it? That's exactly it? Bright, I go,

534
00:25:07,720 --> 00:25:10,080
Speaker 1: why would I know what the Adirondack room is, and

535
00:25:10,119 --> 00:25:12,000
Speaker 1: so then he was either Chris or on Your kind

536
00:25:12,000 --> 00:25:13,879
Speaker 1: of looked at me like easy, Nikki, like this is

537
00:25:13,960 --> 00:25:15,840
Speaker 1: just a kid. But then I was trying to have

538
00:25:15,880 --> 00:25:17,399
Speaker 1: a little fun with it because I was I was

539
00:25:17,400 --> 00:25:19,000
Speaker 1: trying to say it in an acute way of like

540
00:25:19,359 --> 00:25:21,760
Speaker 1: come on, man, like, let's like to talk about this

541
00:25:21,800 --> 00:25:23,560
Speaker 1: for a second. Why would I know what that is?

542
00:25:24,080 --> 00:25:27,600
Speaker 1: And then and then he goes, he goes he And

543
00:25:27,600 --> 00:25:29,160
Speaker 1: then I was just being a little bit more playful

544
00:25:29,280 --> 00:25:31,359
Speaker 1: just because either Anya or Chris was kind of like

545
00:25:31,400 --> 00:25:33,280
Speaker 1: I could tell they were like kind of upset with

546
00:25:33,320 --> 00:25:36,240
Speaker 1: how I was acting and not upset, but just kind

547
00:25:36,240 --> 00:25:38,680
Speaker 1: of like trying to be super nice to the guy

548
00:25:38,720 --> 00:25:40,119
Speaker 1: to make up for me. But I'm like, no, I

549
00:25:40,119 --> 00:25:41,840
Speaker 1: got this under control. I'm not gonna be mean to

550
00:25:41,840 --> 00:25:44,880
Speaker 1: this kid. Believe me. I'm gonna leave this interaction find.

551
00:25:44,880 --> 00:25:46,280
Speaker 1: I just need him to know not to do this

552
00:25:46,320 --> 00:25:49,440
Speaker 1: again with customers because no one knows what the Adirondack

553
00:25:49,520 --> 00:25:52,240
Speaker 1: room is. So then he go he was I was

554
00:25:52,320 --> 00:25:54,560
Speaker 1: kind of playing, like playing with him a little bit

555
00:25:54,600 --> 00:25:56,679
Speaker 1: and just being like, come on, man, you know, and

556
00:25:56,720 --> 00:25:59,400
Speaker 1: then I go, oh, or I made some other joke

557
00:25:59,440 --> 00:26:01,800
Speaker 1: about something. He's like do you want, you know, one

558
00:26:01,880 --> 00:26:04,879
Speaker 1: key or two keys? And I'm like make it three.

559
00:26:05,040 --> 00:26:06,520
Speaker 1: Like you know, I was just like playing, you know,

560
00:26:06,640 --> 00:26:08,639
Speaker 1: just trying to get on his good graces again, so

561
00:26:08,800 --> 00:26:11,239
Speaker 1: on your or Chris wouldn't be upset with me. And

562
00:26:11,280 --> 00:26:17,000
Speaker 1: then he goes, you know what I gotta say. I

563
00:26:17,040 --> 00:26:19,560
Speaker 1: had a feeling I would meet you today. He was like,

564
00:26:19,560 --> 00:26:21,919
Speaker 1: you're Nicki Glazer, right, and I was like, yeah, I

565
00:26:21,960 --> 00:26:24,119
Speaker 1: literally just gave you my name. It's I said Nicole.

566
00:26:24,160 --> 00:26:26,520
Speaker 1: But I think, yes, you could you probably you figured

567
00:26:26,560 --> 00:26:28,679
Speaker 1: it out and I go, oh really, and he was like,

568
00:26:28,760 --> 00:26:30,520
Speaker 1: I just had a feeling. I go, is it the

569
00:26:30,560 --> 00:26:34,280
Speaker 1: poster behind you that says Nicki Glazer show tonight at

570
00:26:34,320 --> 00:26:36,520
Speaker 1: seven pm? It was like at a casino who I

571
00:26:36,560 --> 00:26:39,639
Speaker 1: was performing at. He was like, no, I just you know,

572
00:26:39,720 --> 00:26:41,320
Speaker 1: and I go, I'm sure you don't meet everyone that

573
00:26:41,320 --> 00:26:43,640
Speaker 1: performs here, so yes, I guess this is very special.

574
00:26:43,640 --> 00:26:46,520
Speaker 1: But then he walked us down and he quickly confessed

575
00:26:46,520 --> 00:26:49,200
Speaker 1: that he was off drugs and he was doing good

576
00:26:49,200 --> 00:26:51,240
Speaker 1: for himself. His name was Austin. Shout out to Austin,

577
00:26:51,280 --> 00:26:53,280
Speaker 1: that guy that worked at the front desk. But there

578
00:26:53,320 --> 00:26:55,400
Speaker 1: was another time this weekend that I called someone out

579
00:26:55,480 --> 00:26:58,639
Speaker 1: because I just couldn't help it. There was someone that

580
00:26:58,760 --> 00:27:00,600
Speaker 1: was like and I felt bad about it afterwards, But

581
00:27:00,640 --> 00:27:04,639
Speaker 1: I don't because people don't need to be okay. I

582
00:27:04,680 --> 00:27:06,680
Speaker 1: love that you're going through your calling out era.

583
00:27:07,760 --> 00:27:09,399
Speaker 2: I am kind of is.

584
00:27:10,800 --> 00:27:12,760
Speaker 1: I just want people to be more aware like it,

585
00:27:13,119 --> 00:27:15,840
Speaker 1: like I have. I had a friend who was I

586
00:27:15,880 --> 00:27:20,560
Speaker 1: was introducing to another friend, and my one friend was

587
00:27:20,640 --> 00:27:23,560
Speaker 1: a pretty is a fairly well known person and the

588
00:27:23,600 --> 00:27:26,760
Speaker 1: friend I was introducing that friend to is not well

589
00:27:26,800 --> 00:27:31,120
Speaker 1: known at all, like you know, which is just is fine.

590
00:27:31,160 --> 00:27:33,040
Speaker 1: There's no judgment there. I'm just saying what it is.

591
00:27:33,520 --> 00:27:37,200
Speaker 1: So the friend that's not well known said to the friend.

592
00:27:37,480 --> 00:27:41,360
Speaker 1: So the well known said to the unwell known, nice

593
00:27:41,400 --> 00:27:43,600
Speaker 1: to meet you. And what did the well known say?

594
00:27:43,800 --> 00:27:46,080
Speaker 1: Let's all take the not well known say, let's take

595
00:27:46,080 --> 00:27:46,760
Speaker 1: a guess.

596
00:27:47,840 --> 00:27:49,200
Speaker 2: You never met me before.

597
00:27:49,800 --> 00:27:55,280
Speaker 1: We've met before, before, we've met before. Yeah, and the

598
00:27:55,800 --> 00:27:59,119
Speaker 1: And I'm monitoring this because I'm very I don't like

599
00:27:59,200 --> 00:28:02,080
Speaker 1: we've met before. I don't like when anyone tosses that out.

600
00:28:02,160 --> 00:28:05,199
Speaker 1: But if they like hung out all weekend or something

601
00:28:05,280 --> 00:28:07,960
Speaker 1: I've done, I've done, nice to meet you to someone

602
00:28:08,000 --> 00:28:10,080
Speaker 1: who I was like on TV shows with like did

603
00:28:10,200 --> 00:28:13,720
Speaker 1: panels with and they were like, Nikki, we like worked

604
00:28:13,720 --> 00:28:16,879
Speaker 1: a whole day together, and I like completely forgot. So

605
00:28:17,000 --> 00:28:20,719
Speaker 1: I understand it. Sometimes it is you like we slept

606
00:28:20,760 --> 00:28:23,840
Speaker 1: together or whatever, like it's constituted that you should call

607
00:28:23,840 --> 00:28:26,440
Speaker 1: it out. But so I was moditoring this, like does

608
00:28:26,480 --> 00:28:28,280
Speaker 1: this person have a right to call my friend out

609
00:28:28,320 --> 00:28:33,080
Speaker 1: for not remembering them we've met before. And then he

610
00:28:33,200 --> 00:28:39,360
Speaker 1: goes where they say at Montreal just for laughs already,

611
00:28:39,400 --> 00:28:42,080
Speaker 1: I'm like the context of that is not fair. Oh yeah,

612
00:28:42,080 --> 00:28:44,360
Speaker 1: when you're a just for laughs, it is a festival

613
00:28:44,440 --> 00:28:47,200
Speaker 1: of hundreds and hundreds of people that you're meeting.

614
00:28:47,360 --> 00:28:47,760
Speaker 2: Yeah.

615
00:28:47,800 --> 00:28:51,200
Speaker 1: And then to further it, if you're listening to this

616
00:28:51,480 --> 00:28:54,080
Speaker 1: and you and you're don't be don't be mad that

617
00:28:54,120 --> 00:28:56,440
Speaker 1: I'm calling you out because this was a really adorable

618
00:28:56,960 --> 00:29:00,920
Speaker 1: But then furthermore, they go, I met you already and

619
00:29:00,960 --> 00:29:05,680
Speaker 1: he's like, oh really, I'm so sorry, And where Montreal?

620
00:29:05,920 --> 00:29:08,440
Speaker 1: And then I'm already like calm, well, like I didn't

621
00:29:08,440 --> 00:29:10,320
Speaker 1: say that, but my face is getting ready to make

622
00:29:10,360 --> 00:29:14,840
Speaker 1: that thing. Yeah, And then they go in an elevator,

623
00:29:16,480 --> 00:29:20,720
Speaker 1: what the place where everyone's facing forward and there's literally

624
00:29:20,760 --> 00:29:23,120
Speaker 1: a thing called an elevator pitch because it's it's it's

625
00:29:23,240 --> 00:29:26,600
Speaker 1: it's you're trying, it's it's less than two minutes, like

626
00:29:26,640 --> 00:29:29,040
Speaker 1: it's seven seconds to make it an impression on someone

627
00:29:29,080 --> 00:29:31,200
Speaker 1: because you're in a box in which there is no

628
00:29:31,280 --> 00:29:34,320
Speaker 1: impressions to be made at all. I was like, I go,

629
00:29:35,000 --> 00:29:38,840
Speaker 1: calm on, you can't expect him to remember you at

630
00:29:39,000 --> 00:29:41,960
Speaker 1: Montreal in an elevator where you are constantly getting on.

631
00:29:42,080 --> 00:29:44,719
Speaker 1: It's like, imagine for the listener, Montreal is like a

632
00:29:44,760 --> 00:29:48,920
Speaker 1: conference of hundreds of comedians, hundreds of agents, hundreds of producers,

633
00:29:49,080 --> 00:29:53,040
Speaker 1: hundreds of comedy bookers, all in one hotel together for

634
00:29:53,080 --> 00:29:57,480
Speaker 1: a whole weekend, sharing elevators. The fact that anyone remembers anyone,

635
00:29:57,720 --> 00:30:01,520
Speaker 1: even famous people, is yeah, I've met people at Montreal

636
00:30:01,560 --> 00:30:04,760
Speaker 1: that I'm more famous than, and but I like know

637
00:30:04,880 --> 00:30:07,840
Speaker 1: them from something, and I would never expect them to

638
00:30:07,880 --> 00:30:11,120
Speaker 1: remember meeting me, because it's just not I mean.

639
00:30:11,640 --> 00:30:14,760
Speaker 3: Yeah, I was all in twenty fourteen, and I could

640
00:30:14,760 --> 00:30:16,840
Speaker 3: say that not a single person remembers me from that.

641
00:30:17,600 --> 00:30:20,160
Speaker 1: And I just felt, yeah, well, when I went in

642
00:30:20,160 --> 00:30:22,120
Speaker 1: two thousand and seven, I'll believe me, no one remembered me.

643
00:30:22,240 --> 00:30:24,720
Speaker 1: There's fucking rough. I think we talked about it before.

644
00:30:24,760 --> 00:30:26,880
Speaker 1: It's such. It was a bad time for both of us.

645
00:30:27,080 --> 00:30:31,000
Speaker 1: But I just I called this person out and then

646
00:30:31,040 --> 00:30:33,080
Speaker 1: I felt bad because I didn't want to make them

647
00:30:33,120 --> 00:30:36,040
Speaker 1: feel bad about it. But I go, don't expect anyone

648
00:30:36,080 --> 00:30:38,680
Speaker 1: to remember you from an elevator in Montreal. And I

649
00:30:38,720 --> 00:30:41,080
Speaker 1: wasn't saying that because she isn't someone that is to

650
00:30:41,120 --> 00:30:45,520
Speaker 1: be remembered. It's absolutely the opposite. But in that context,

651
00:30:45,600 --> 00:30:48,120
Speaker 1: I've met Larry David twice and didn't remember meeting him

652
00:30:48,160 --> 00:30:52,080
Speaker 1: the first time. People don't have massive memories for meeting people,

653
00:30:52,120 --> 00:30:56,280
Speaker 1: and sometimes you just it's not it's not important enough.

654
00:30:56,280 --> 00:30:58,640
Speaker 3: There's not Sometimes you just go nice to meet you.

655
00:30:58,960 --> 00:31:01,640
Speaker 3: But yeah, and you're like, this is.

656
00:31:01,560 --> 00:31:05,600
Speaker 1: What leads people saying to saying, nice to see you.

657
00:31:05,680 --> 00:31:09,560
Speaker 2: Got a bunch of bullshit. I hate but it's safe.

658
00:31:09,600 --> 00:31:12,880
Speaker 1: I always no, nice to see you is stop it

659
00:31:12,960 --> 00:31:14,280
Speaker 1: everyone stopped nice.

660
00:31:14,080 --> 00:31:14,680
Speaker 3: To see you.

661
00:31:14,880 --> 00:31:18,120
Speaker 1: It is indicative of the fact that you you do

662
00:31:18,200 --> 00:31:20,360
Speaker 1: not need to feel bad that you don't remember meeting

663
00:31:20,400 --> 00:31:23,240
Speaker 1: this person. If they were memorable enough and if you

664
00:31:23,280 --> 00:31:26,000
Speaker 1: didn't have a drinking problem, you would remember them. But

665
00:31:26,080 --> 00:31:29,800
Speaker 1: you do, and they're not, so just stick it. Say

666
00:31:29,880 --> 00:31:31,680
Speaker 1: nice if you don't know, if you've met him before,

667
00:31:31,960 --> 00:31:34,240
Speaker 1: say nice to meet you. If they do the i've

668
00:31:34,240 --> 00:31:37,600
Speaker 1: met you before, say sorry. Don't feel bad that you

669
00:31:37,600 --> 00:31:40,360
Speaker 1: don't remember them. No one should feel bad. You can't

670
00:31:40,400 --> 00:31:43,040
Speaker 1: help what you don't remember. My dad is constantly making

671
00:31:43,080 --> 00:31:46,040
Speaker 1: my mom feel bad about stuffing. You don't remember that, Julie.

672
00:31:45,720 --> 00:31:46,000
Speaker 4: And I go.

673
00:31:46,920 --> 00:31:50,320
Speaker 1: If she did, she would. It's not her fault. She's

674
00:31:50,360 --> 00:31:54,320
Speaker 1: not choosing to not remember something, So just do away

675
00:31:54,360 --> 00:31:54,560
Speaker 1: with it.

676
00:31:54,960 --> 00:31:56,920
Speaker 2: Nice to see you, nice to see you.

677
00:31:56,960 --> 00:31:58,600
Speaker 1: When people say that to me, I know for a

678
00:31:58,680 --> 00:32:00,840
Speaker 1: fact they don't give a fuck that they've ever met me.

679
00:32:01,040 --> 00:32:06,080
Speaker 1: They definitely don't remember meeting me. They think I'm unmemorable. Accually, Now,

680
00:32:06,520 --> 00:32:08,600
Speaker 1: if you say nice to see you to me, I

681
00:32:08,720 --> 00:32:11,239
Speaker 1: not only think that, I think for sure you've met

682
00:32:11,320 --> 00:32:14,200
Speaker 1: me before. Yeah, And even if we haven't met, you

683
00:32:14,240 --> 00:32:17,520
Speaker 1: think I'm not memorable enough right now that you possibly

684
00:32:17,560 --> 00:32:19,720
Speaker 1: have met me before and didn't remember me. So it

685
00:32:19,800 --> 00:32:22,200
Speaker 1: is it is an insult. Actually, when people say nice

686
00:32:22,200 --> 00:32:26,520
Speaker 1: to see you to me, I really yes, nice to

687
00:32:26,560 --> 00:32:30,560
Speaker 1: fucket you, Yes, nice to meet you. If you don't remember,

688
00:32:30,560 --> 00:32:32,400
Speaker 1: if you've met them, say nice to meet you. It

689
00:32:32,480 --> 00:32:34,719
Speaker 1: is not a crime to not remember someone. We are

690
00:32:34,840 --> 00:32:37,080
Speaker 1: very busy people that meet a lot of people. Stop

691
00:32:37,120 --> 00:32:41,560
Speaker 1: apologizing before you insult someone, and stop apologizing when you

692
00:32:41,600 --> 00:32:43,480
Speaker 1: do insult someone. You can apologize and say I'm sorry

693
00:32:43,520 --> 00:32:45,360
Speaker 1: I hurt your feelings, But don't think you're a bad

694
00:32:45,400 --> 00:32:48,840
Speaker 1: person because you don't remember someone. For God's sakes, not

695
00:32:48,920 --> 00:32:51,440
Speaker 1: everyone is memorable, and if you're not a memorable person,

696
00:32:51,720 --> 00:32:54,400
Speaker 1: that's okay too. It doesn't mean you're a bad person.

697
00:32:54,760 --> 00:32:56,440
Speaker 1: It just means that you don't even know what was

698
00:32:56,480 --> 00:32:58,640
Speaker 1: going on in that person's day, how many people they met,

699
00:32:59,120 --> 00:33:01,600
Speaker 1: if they were hung over, if they were drunk. You know,

700
00:33:01,760 --> 00:33:03,960
Speaker 1: you don't know, so it doesn't don't take it personally.

701
00:33:04,360 --> 00:33:08,520
Speaker 1: People need to stop going like, oh, you know, this

702
00:33:08,560 --> 00:33:11,120
Speaker 1: whole thing of if you tell your friend I can't

703
00:33:11,120 --> 00:33:15,200
Speaker 1: make it to something, oh no, making them feel bad

704
00:33:15,240 --> 00:33:20,280
Speaker 1: about it. That wasn't me saying noah, oh noah. Just

705
00:33:20,280 --> 00:33:22,640
Speaker 1: just let them off the hook. People already feel bad

706
00:33:22,760 --> 00:33:24,760
Speaker 1: enough that it is. It is just being humans and

707
00:33:24,800 --> 00:33:27,320
Speaker 1: having to be around mirrors. Let them off the hook

708
00:33:27,400 --> 00:33:30,480
Speaker 1: for disappointing you when they are when you know they

709
00:33:30,480 --> 00:33:32,840
Speaker 1: already feel bad. Don't double down and make them feel worse.

710
00:33:33,000 --> 00:33:36,320
Speaker 3: Yeah, I hate that about movies. You haven't seen Back

711
00:33:36,360 --> 00:33:40,120
Speaker 3: to the Future. What I don't like that. It's like, no,

712
00:33:40,200 --> 00:33:41,840
Speaker 3: I haven't, don't. I'm not a monster.

713
00:33:42,560 --> 00:33:45,120
Speaker 2: I didn't. I also had a childhood Jesus Christ.

714
00:33:45,600 --> 00:33:48,160
Speaker 1: Well, I've said that to people before, but it's just

715
00:33:48,200 --> 00:33:51,320
Speaker 1: because I won't say it like what's wrong with you.

716
00:33:51,400 --> 00:33:54,280
Speaker 1: I'll just be like, oh my god, I'm so excited

717
00:33:54,320 --> 00:33:57,320
Speaker 1: for you to see it. Wow, Like please see it.

718
00:33:57,360 --> 00:33:59,640
Speaker 1: Sometimes I'll be like, you have to see it, please

719
00:33:59,680 --> 00:34:03,160
Speaker 1: see it. But I do understand when people haven't been

720
00:34:03,200 --> 00:34:06,880
Speaker 1: exposed to certain things. But there was something recently, God,

721
00:34:06,880 --> 00:34:08,680
Speaker 1: what was it. There was someone on girls chet that

722
00:34:08,719 --> 00:34:13,359
Speaker 1: didn't know about Oh one girl on our girls chat

723
00:34:13,840 --> 00:34:18,280
Speaker 1: has never heard had never heard of NEPO babies. Ah,

724
00:34:18,560 --> 00:34:20,720
Speaker 1: And that to me is kind of inexcusable.

725
00:34:21,040 --> 00:34:25,520
Speaker 2: Wait, Bill Clinton or something like no, no, no, Bill Clinton.

726
00:34:25,480 --> 00:34:29,160
Speaker 1: No, no, no offense. But if you have never read

727
00:34:29,320 --> 00:34:33,080
Speaker 1: or heard about the term NEPO babies, you're not well read,

728
00:34:33,120 --> 00:34:36,840
Speaker 1: you're not engaging in cultural life the way that you

729
00:34:36,880 --> 00:34:39,160
Speaker 1: should be. And that is just my judgment. I'm passing

730
00:34:39,239 --> 00:34:41,279
Speaker 1: judgment on you. And you could say, Nikki my life

731
00:34:41,320 --> 00:34:43,080
Speaker 1: is really hard. I don't look at the same things

732
00:34:43,080 --> 00:34:45,759
Speaker 1: you look at. I don't care about show business. But

733
00:34:45,920 --> 00:34:50,880
Speaker 1: if you miss that, you're you're kind of your horse

734
00:34:50,920 --> 00:34:53,560
Speaker 1: blindering yourself. Yeah.

735
00:34:53,640 --> 00:34:55,719
Speaker 3: I want to say, though, this happened to me this

736
00:34:55,880 --> 00:34:57,120
Speaker 3: past week, so I want to I want you to

737
00:34:57,160 --> 00:34:58,480
Speaker 3: evaluate this scenario.

738
00:34:58,800 --> 00:35:00,840
Speaker 1: I'd love to. I'd love to pass judgment on something

739
00:35:00,880 --> 00:35:01,719
Speaker 1: that I have no right to do.

740
00:35:02,000 --> 00:35:03,200
Speaker 2: So I, uh, I went to this.

741
00:35:03,640 --> 00:35:06,000
Speaker 3: I went to this meeting and there was this guy

742
00:35:06,040 --> 00:35:09,160
Speaker 3: there who I had met the day before.

743
00:35:10,080 --> 00:35:11,000
Speaker 1: Okay, that's right.

744
00:35:11,160 --> 00:35:12,920
Speaker 3: I talked to him at this I talked to him

745
00:35:12,960 --> 00:35:15,560
Speaker 3: for like twenty five minutes, and I think he even

746
00:35:15,600 --> 00:35:17,000
Speaker 3: watched me do stand up.

747
00:35:17,400 --> 00:35:19,680
Speaker 1: You're allowed then, you are allowed to be like we

748
00:35:19,760 --> 00:35:20,440
Speaker 1: met yesterday.

749
00:35:20,520 --> 00:35:21,399
Speaker 2: Yeah, that's what I said.

750
00:35:21,400 --> 00:35:22,600
Speaker 1: You're allowed to give this guy shit.

751
00:35:23,640 --> 00:35:25,439
Speaker 2: Yeah, I said, oh we got yesterday at that thing,

752
00:35:25,480 --> 00:35:26,000
Speaker 2: and he's like.

753
00:35:26,000 --> 00:35:28,120
Speaker 1: Oh, you're allowed to be offended by that.

754
00:35:28,160 --> 00:35:31,960
Speaker 2: Brian, all right, all right, what the fuck was his excuse?

755
00:35:32,320 --> 00:35:32,880
Speaker 1: He's drunk?

756
00:35:33,000 --> 00:35:35,239
Speaker 3: Because he didn't have an excuse it. No, he was

757
00:35:35,360 --> 00:35:38,040
Speaker 3: definitely not drunk. I know that for a fact. He

758
00:35:38,200 --> 00:35:40,719
Speaker 3: just he said he just did. He's he might as

759
00:35:40,760 --> 00:35:44,000
Speaker 3: well have said, oh, I didn't give a shit. He

760
00:35:44,120 --> 00:35:46,000
Speaker 3: might if he said that, I would have been like, yeah,

761
00:35:46,000 --> 00:35:48,200
Speaker 3: that's the truth. And then I asked him to get

762
00:35:48,200 --> 00:35:50,160
Speaker 3: me a room tamp water and he had to So

763
00:35:51,000 --> 00:35:53,040
Speaker 3: what he had to give me a room tamp water?

764
00:35:53,400 --> 00:35:54,320
Speaker 1: Why was he working?

765
00:35:54,400 --> 00:35:56,520
Speaker 3: Like, yeah, he was working. He was like an assistant

766
00:35:56,640 --> 00:35:59,520
Speaker 3: or something, not an assistant. But and I was like, yeah,

767
00:35:59,480 --> 00:36:01,200
Speaker 3: how do you not remember me? I talked to you

768
00:36:01,239 --> 00:36:03,920
Speaker 3: for thirty minutes yesterday and you saw me do stand up.

769
00:36:04,120 --> 00:36:06,759
Speaker 2: It's just like, get I gotta say that.

770
00:36:06,840 --> 00:36:10,000
Speaker 1: Sometimes I'm like that, like I won't remember people that

771
00:36:10,040 --> 00:36:12,920
Speaker 1: I've spent I'm starting to really worry about my memory

772
00:36:13,120 --> 00:36:17,239
Speaker 1: because there's yeah, I will spend in faces and facial recognition,

773
00:36:17,400 --> 00:36:22,000
Speaker 1: and it's I just have to say though that people

774
00:36:22,080 --> 00:36:23,920
Speaker 1: can't help that they don't remember. It doesn't mean you

775
00:36:23,920 --> 00:36:26,560
Speaker 1: can't give them shit, especially if it's something that you know.

776
00:36:26,719 --> 00:36:30,279
Speaker 3: But it was insulting, yes, because I remembered them and

777
00:36:30,360 --> 00:36:33,000
Speaker 3: I did not watch them perform, and they were just

778
00:36:33,080 --> 00:36:34,440
Speaker 3: like somebody, you.

779
00:36:34,239 --> 00:36:36,560
Speaker 1: Are smarter than them. You have a better brain than

780
00:36:36,560 --> 00:36:39,680
Speaker 1: them from remembering, you know, like they not everyone is you.

781
00:36:39,960 --> 00:36:42,120
Speaker 1: If he had your brain, he'd remember you too. You

782
00:36:42,160 --> 00:36:44,279
Speaker 1: have a good brain for that kind of stuff and

783
00:36:44,400 --> 00:36:47,040
Speaker 1: he definitely doesn't. And that's probably why he's getting you water.

784
00:36:47,680 --> 00:36:49,520
Speaker 2: Yeah, yeah, routine because.

785
00:36:49,320 --> 00:36:52,440
Speaker 1: Sometimes and this is going to sound really insulting, but

786
00:36:52,480 --> 00:36:55,360
Speaker 1: I do not mean it in an insulting way. Please

787
00:36:55,440 --> 00:36:57,839
Speaker 1: know that when I say someone is less intelligent or

788
00:36:58,280 --> 00:37:02,359
Speaker 1: they are. If someone's less intelligent, I don't think they're

789
00:37:02,360 --> 00:37:04,520
Speaker 1: a bad person, and I don't think they deserve less

790
00:37:04,520 --> 00:37:07,120
Speaker 1: in this world. It's not a moral judgment because animals

791
00:37:07,120 --> 00:37:09,040
Speaker 1: are less intelligent than us, and I still think they

792
00:37:09,080 --> 00:37:11,520
Speaker 1: deserve all the rights that we have. So in saying

793
00:37:11,520 --> 00:37:13,680
Speaker 1: that another human being is not as intelligent as me

794
00:37:14,200 --> 00:37:17,440
Speaker 1: might sound like I'm being judgmental, and there is a

795
00:37:17,719 --> 00:37:20,080
Speaker 1: level of that, but I'm taking it. There Sometimes is

796
00:37:20,120 --> 00:37:21,920
Speaker 1: a part of me that's like what an idiot, you know,

797
00:37:21,960 --> 00:37:26,319
Speaker 1: and I do pass judgment. This is not that Sometimes,

798
00:37:26,719 --> 00:37:29,560
Speaker 1: and I think I've probably shared this before, you are

799
00:37:30,800 --> 00:37:35,000
Speaker 1: being weighted on or being having service from someone, let's

800
00:37:35,000 --> 00:37:38,479
Speaker 1: say an Uber driver. And I'm sorry if I mentioned

801
00:37:38,520 --> 00:37:40,520
Speaker 1: this before, but I think it's a good point. You

802
00:37:40,560 --> 00:37:43,919
Speaker 1: will get upset that the Uber driver is driving and

803
00:37:44,080 --> 00:37:46,399
Speaker 1: they will stop. They will start looking for the drop

804
00:37:46,440 --> 00:37:51,120
Speaker 1: off location about I don't know zero point one miles

805
00:37:51,160 --> 00:37:53,359
Speaker 1: from the like a block or two away, even though

806
00:37:53,400 --> 00:37:56,600
Speaker 1: the dot on their screen and they've been driving Uber

807
00:37:56,640 --> 00:37:59,240
Speaker 1: for a while, the dot on their screen is clearly

808
00:37:59,680 --> 00:38:01,920
Speaker 1: their car is here on the map, the dot is

809
00:38:02,000 --> 00:38:05,080
Speaker 1: up here, the dot is clearly where you drop off.

810
00:38:05,360 --> 00:38:08,360
Speaker 1: And yet they'll start like stopping and breaking like a

811
00:38:08,440 --> 00:38:11,880
Speaker 1: block before the dot. And this is not Noah's distance

812
00:38:11,920 --> 00:38:14,920
Speaker 1: blindness that you have, because Noah and Carlisle both have.

813
00:38:15,080 --> 00:38:18,000
Speaker 1: They don't know what mile edge is. So you'll say

814
00:38:18,040 --> 00:38:19,880
Speaker 1: like it's point two miles away, they will have no

815
00:38:19,960 --> 00:38:22,440
Speaker 1: concept what that means. I would think that's right away,

816
00:38:23,680 --> 00:38:26,960
Speaker 1: point two, so it's twenty percent of a mile. Do

817
00:38:26,960 --> 00:38:28,640
Speaker 1: you think twenty percent of a mile is right away?

818
00:38:29,480 --> 00:38:31,120
Speaker 1: I would think it's like really close, and.

819
00:38:31,120 --> 00:38:33,719
Speaker 3: A mile it takes, it's a one minute. It takes

820
00:38:33,760 --> 00:38:36,000
Speaker 3: if you're driving sixty miles an hour, it'll take you

821
00:38:36,080 --> 00:38:38,080
Speaker 3: one minute to do a mile. So if it's point

822
00:38:38,080 --> 00:38:40,719
Speaker 3: two of a mile, if you're driving sixty miles an hour,

823
00:38:40,800 --> 00:38:42,480
Speaker 3: it's a harder way twenty seconds.

824
00:38:42,760 --> 00:38:45,319
Speaker 1: Can I do an easier way? A mile is four

825
00:38:45,400 --> 00:38:51,359
Speaker 1: laps around a track, so so that one lap around

826
00:38:51,400 --> 00:38:54,000
Speaker 1: a track is point two five miles twenty five percent

827
00:38:54,040 --> 00:38:57,239
Speaker 1: of a mile. Okay, so if point two miles, it's

828
00:38:57,440 --> 00:38:58,280
Speaker 1: almost one.

829
00:38:58,160 --> 00:39:00,399
Speaker 3: Lap around the tracks me the distance in my head,

830
00:39:00,400 --> 00:39:01,760
Speaker 3: but not the time it takes.

831
00:39:02,000 --> 00:39:04,719
Speaker 1: Well, I'm talking about the Well, the distance is what

832
00:39:04,760 --> 00:39:07,720
Speaker 1: you need, because whether you're in a car or on foot,

833
00:39:07,840 --> 00:39:11,040
Speaker 1: a distance is going to be like what you need.

834
00:39:11,160 --> 00:39:13,759
Speaker 4: I just anyway that my GPS when it turns into

835
00:39:13,920 --> 00:39:17,200
Speaker 4: feet after the mile, then I I better get ready

836
00:39:17,200 --> 00:39:17,920
Speaker 4: to break fast.

837
00:39:18,840 --> 00:39:20,160
Speaker 2: You're so crazy.

838
00:39:20,520 --> 00:39:22,880
Speaker 1: Wait, I'm not kidding you. Her and Carla. Her and

839
00:39:22,920 --> 00:39:28,000
Speaker 1: Carla are both they don't understand like point eight two miles,

840
00:39:30,400 --> 00:39:32,399
Speaker 1: but eight hundred feet. You know that eight hundred feet.

841
00:39:32,440 --> 00:39:35,919
Speaker 1: You know how tall people are, so it'd be it'd

842
00:39:35,960 --> 00:39:39,680
Speaker 1: be one hundred tall, it'd be one hundred and twenty.

843
00:39:39,760 --> 00:39:40,759
Speaker 1: Tell you how I do that?

844
00:39:41,200 --> 00:39:41,439
Speaker 3: Okay?

845
00:39:41,480 --> 00:39:45,000
Speaker 4: Yeah, let me know. My tallest friend. His name is Rob,

846
00:39:45,320 --> 00:39:48,399
Speaker 4: and he's six foot three. That's like around six feet.

847
00:39:48,400 --> 00:39:50,200
Speaker 2: Should get some taller friends. That's not that tall.

848
00:39:51,200 --> 00:39:53,640
Speaker 1: That's that's pretty side tall.

849
00:39:53,719 --> 00:39:55,359
Speaker 2: Should have at least sixty So.

850
00:39:55,320 --> 00:39:57,480
Speaker 1: Let's just say he's six feet right, Yeah, so it

851
00:39:57,520 --> 00:40:02,480
Speaker 1: would be one hundred Robs. Yeah, one hundred plus robs

852
00:40:02,480 --> 00:40:04,200
Speaker 1: for eight hundred feet, it'd be like one hundred and

853
00:40:04,239 --> 00:40:05,400
Speaker 1: twenty robs.

854
00:40:06,120 --> 00:40:08,600
Speaker 3: Yes, how is this easier for you? That you're thinking

855
00:40:08,600 --> 00:40:09,799
Speaker 3: about Robs laying down?

856
00:40:10,320 --> 00:40:12,279
Speaker 4: Because I know his measurement, like I've seen him in

857
00:40:12,320 --> 00:40:13,200
Speaker 4: real life, So.

858
00:40:13,120 --> 00:40:15,360
Speaker 3: I know your brain is going to be able to

859
00:40:15,360 --> 00:40:18,239
Speaker 3: calculate one hundred and twenty of your friend laying down

860
00:40:18,320 --> 00:40:18,880
Speaker 3: on the road.

861
00:40:19,760 --> 00:40:20,480
Speaker 2: It's not easier.

862
00:40:21,239 --> 00:40:23,000
Speaker 1: And then I just okay, I let me. Can I

863
00:40:23,040 --> 00:40:25,279
Speaker 1: just do that quizy a little bit more? Okay? No,

864
00:40:26,239 --> 00:40:28,920
Speaker 1: we I think you get it now. I just explained

865
00:40:28,960 --> 00:40:32,160
Speaker 1: the point too. We have about point two miles to walk.

866
00:40:32,480 --> 00:40:34,759
Speaker 1: When should we leave to get there? How many? How

867
00:40:34,760 --> 00:40:36,600
Speaker 1: many minutes should we give ourselves to walk there?

868
00:40:37,360 --> 00:40:37,520
Speaker 2: Oh?

869
00:40:37,680 --> 00:40:40,920
Speaker 1: No, now you're adding time? Yeah I am, I'm adding time.

870
00:40:41,000 --> 00:40:44,520
Speaker 1: We're we're doing a leisurely stroll where like we're walking

871
00:40:44,520 --> 00:40:47,359
Speaker 1: a dog, so like we're just like we're and we

872
00:40:47,400 --> 00:40:51,839
Speaker 1: need to be there. Uh, it's four o'clock and we

873
00:40:51,880 --> 00:40:53,760
Speaker 1: need to we need to be there at four o'clock.

874
00:40:53,800 --> 00:40:55,160
Speaker 1: What time should we leave to get there?

875
00:40:55,239 --> 00:40:58,240
Speaker 4: Right on the dop I think I would say twenty minutes?

876
00:40:59,160 --> 00:41:03,520
Speaker 3: Oh that is it takes about twenty, depending how fast

877
00:41:03,560 --> 00:41:03,919
Speaker 3: you walk.

878
00:41:04,000 --> 00:41:07,520
Speaker 1: If your dog is like incontinent, yeah, and like really

879
00:41:07,560 --> 00:41:09,960
Speaker 1: struggling to shit, and we want to stop for a Starbucks,

880
00:41:09,960 --> 00:41:12,480
Speaker 1: that's another two point miles point two miles away. So

881
00:41:12,640 --> 00:41:15,600
Speaker 1: what's the answer. How If it's two point two miles away,

882
00:41:15,640 --> 00:41:18,680
Speaker 1: I could get there in four minutes, yeah, four, like

883
00:41:18,920 --> 00:41:21,400
Speaker 1: very easily. I would probably I could do two and

884
00:41:21,440 --> 00:41:23,120
Speaker 1: a half minutes. If if I was walking fast.

885
00:41:22,960 --> 00:41:25,200
Speaker 3: You can walk a mile, and depending on who you are,

886
00:41:25,200 --> 00:41:28,279
Speaker 3: between twenty and thirty minutes somewhere around there. Usually it's

887
00:41:28,320 --> 00:41:29,400
Speaker 3: for younger people's closes.

888
00:41:29,400 --> 00:41:31,720
Speaker 1: For a mile, I could walk a mile in sixteen minutes.

889
00:41:32,960 --> 00:41:35,799
Speaker 1: I have a brisk walker, I know, not speed like

890
00:41:35,880 --> 00:41:38,759
Speaker 1: just my regular gate. I think sixteen and if I'm

891
00:41:38,840 --> 00:41:43,759
Speaker 1: running nine minutes, okay, I guess you're right, No, it

892
00:41:43,920 --> 00:41:45,200
Speaker 1: be it would be a minute.

893
00:41:45,440 --> 00:41:49,000
Speaker 3: You're in the range. So it says you're a normal person.

894
00:41:49,360 --> 00:41:51,440
Speaker 3: According to Adidas, it's.

895
00:41:51,280 --> 00:41:54,719
Speaker 1: No, don't even do normally because whenever they decide to sit,

896
00:41:54,760 --> 00:41:56,600
Speaker 1: tell me how long it's going to take to walk somewhere,

897
00:41:56,719 --> 00:41:58,480
Speaker 1: I can always take out a fourth of it.

898
00:41:58,680 --> 00:42:00,439
Speaker 2: Yeah, well no, that's because we walk fast.

899
00:42:00,440 --> 00:42:04,000
Speaker 3: Where we lived in New York, where we got long legs,

900
00:42:04,120 --> 00:42:07,320
Speaker 3: where brisk we like to do things fast. If someone asked,

901
00:42:07,520 --> 00:42:09,120
Speaker 3: if someone did, how long does it take you to

902
00:42:09,160 --> 00:42:12,000
Speaker 3: unpack a suitcase? You'd also be like half the time

903
00:42:12,040 --> 00:42:14,600
Speaker 3: for Nicki Glazer, but you're just packed one.

904
00:42:14,600 --> 00:42:17,160
Speaker 1: It would be it would be one eighth of the time. No,

905
00:42:17,239 --> 00:42:19,279
Speaker 1: it would be honestly one thirtieth of the time. It

906
00:42:19,320 --> 00:42:20,880
Speaker 1: takes most people to pack a suit case. If it

907
00:42:20,880 --> 00:42:23,200
Speaker 1: was unpacking, it would be thirty times the amount of

908
00:42:23,239 --> 00:42:24,319
Speaker 1: time because I never do it.

909
00:42:24,760 --> 00:42:26,000
Speaker 2: Okay, so how long?

910
00:42:26,239 --> 00:42:30,120
Speaker 3: According to Adidas they did a scientific study in twenty nineteen,

911
00:42:30,520 --> 00:42:33,839
Speaker 3: there's a range of seven minutes. What do you think

912
00:42:33,880 --> 00:42:36,239
Speaker 3: the range is or how long it takes someone to

913
00:42:36,400 --> 00:42:37,480
Speaker 3: walk one mile?

914
00:42:38,160 --> 00:42:38,399
Speaker 2: Wait?

915
00:42:38,440 --> 00:42:40,719
Speaker 1: A range of seven minutes? Oh, I would say for

916
00:42:40,719 --> 00:42:45,719
Speaker 1: two walk one mile, I would say eighteen two and

917
00:42:45,760 --> 00:42:48,160
Speaker 1: then seven minutes more, eighteen to twenty five minutes.

918
00:42:48,239 --> 00:42:50,040
Speaker 3: That's that's very close. What about you? Now, how long

919
00:42:50,040 --> 00:42:51,560
Speaker 3: did it take to walk a mile? According to the

920
00:42:51,560 --> 00:42:52,640
Speaker 3: Way scientific.

921
00:42:52,239 --> 00:42:53,439
Speaker 1: Study nineteen to twenty six?

922
00:42:53,560 --> 00:42:54,480
Speaker 2: Wow, you switched it.

923
00:42:55,040 --> 00:42:57,279
Speaker 1: Yeah, now I'm going to nineteen to twenty sex Okay.

924
00:42:57,280 --> 00:42:59,200
Speaker 2: No, what do you have a guess?

925
00:42:59,800 --> 00:43:03,160
Speaker 4: Well, six hundred I guess the way that I would

926
00:43:03,239 --> 00:43:04,920
Speaker 4: think about this was when I used totobs.

927
00:43:05,040 --> 00:43:07,040
Speaker 1: Think about it in rob, how many robs will take?

928
00:43:08,640 --> 00:43:10,440
Speaker 4: Well, I can't think of him in time, but I

929
00:43:10,480 --> 00:43:13,200
Speaker 4: do remember when I was on the treadmill, it used

930
00:43:13,239 --> 00:43:15,759
Speaker 4: to take me like twelve minutes to like complete a

931
00:43:15,800 --> 00:43:19,920
Speaker 4: mile jogging. Okay, so I guess if I'm walking, I

932
00:43:19,920 --> 00:43:22,400
Speaker 4: would double that and I would say, like twenty four minutes.

933
00:43:22,600 --> 00:43:25,280
Speaker 2: So you go twenty four to thirty one, you would.

934
00:43:25,239 --> 00:43:28,640
Speaker 1: Split twenty four. Probably that would be the median of

935
00:43:28,680 --> 00:43:29,080
Speaker 1: that number.

936
00:43:29,120 --> 00:43:32,960
Speaker 3: Okay, it's like twenty three to thirty minutes. Yeah, twenty

937
00:43:32,960 --> 00:43:35,920
Speaker 3: two to complete a mile. Okay, the correct answer is

938
00:43:36,320 --> 00:43:38,680
Speaker 3: fifteen to twenty two minutes.

939
00:43:39,320 --> 00:43:41,000
Speaker 1: That's what I'm saying. I really do think I could

940
00:43:41,040 --> 00:43:42,879
Speaker 1: get it done in like sixteen minutes. I think that's

941
00:43:42,880 --> 00:43:46,080
Speaker 1: my mile. Yeah, that's interesting. Okay, we got do we

942
00:43:46,120 --> 00:43:48,040
Speaker 1: have to go to break? Okay, we used to go

943
00:43:48,080 --> 00:43:50,400
Speaker 1: to break, and then we're gonna talk about, Oh, I

944
00:43:50,440 --> 00:43:54,040
Speaker 1: have I killed someone with kindness? You guys on my DMS,

945
00:43:54,239 --> 00:43:56,520
Speaker 1: I got a nasty DM and I did it. I

946
00:43:56,640 --> 00:43:59,120
Speaker 1: really did it. You you won't believe the results. Okay,

947
00:43:59,120 --> 00:44:03,759
Speaker 1: we'll be all right, back up with us. Okay, we're back.

948
00:44:03,840 --> 00:44:07,239
Speaker 1: So on the I hope you guys got a good

949
00:44:07,560 --> 00:44:10,960
Speaker 1: walk in in between during the commercial break, Like, how

950
00:44:11,440 --> 00:44:14,799
Speaker 1: much of a distance did you do? Tell us it

951
00:44:14,840 --> 00:44:18,880
Speaker 1: was probably a four minute point three miles during that

952
00:44:18,880 --> 00:44:23,359
Speaker 1: commercial break. Yeah, I think so too. Okay, Yeah, used

953
00:44:24,120 --> 00:44:25,880
Speaker 1: so because it was probably four minutes long, so you

954
00:44:25,880 --> 00:44:32,120
Speaker 1: could probably walk zero point three miles. Okay. So yesterday's episode,

955
00:44:32,160 --> 00:44:35,080
Speaker 1: I was sharing that I really loved this meme where

956
00:44:35,440 --> 00:44:39,280
Speaker 1: someone was talking someone got a really nasty uh DM

957
00:44:39,360 --> 00:44:42,160
Speaker 1: from someone and then they just killed them with kindness

958
00:44:42,160 --> 00:44:45,440
Speaker 1: by like commenting on their profile. So most of the

959
00:44:45,440 --> 00:44:48,000
Speaker 1: time I get dms that are like mean, and it's

960
00:44:48,000 --> 00:44:50,600
Speaker 1: from someone and I can't see their profile. But last night,

961
00:44:51,840 --> 00:44:55,160
Speaker 1: like mana from Heaven, it dropped into my lap this

962
00:44:55,239 --> 00:44:58,759
Speaker 1: person who tagged another person so they wrote me as

963
00:44:58,800 --> 00:45:04,400
Speaker 1: a group hate that and someone said team Canadian French.

964
00:45:04,480 --> 00:45:06,360
Speaker 1: I don't know if the girl on Selling Sunset that

965
00:45:06,400 --> 00:45:08,120
Speaker 1: I made fun of on the episodes, because this is

966
00:45:08,120 --> 00:45:10,040
Speaker 1: what I'm getting a lot of hate for is like

967
00:45:10,080 --> 00:45:11,839
Speaker 1: I made fun of a girl on selling Sunset who

968
00:45:11,880 --> 00:45:15,040
Speaker 1: I don't know, she's just whoever's dating when Jason Oppenheim,

969
00:45:15,880 --> 00:45:19,160
Speaker 1: and so Chrischelle used to date Jason. So Chrishelle and

970
00:45:19,160 --> 00:45:20,480
Speaker 1: I are hanging out on the show. I don't know

971
00:45:20,520 --> 00:45:21,839
Speaker 1: anyone on the show. By the way, Like I met

972
00:45:21,880 --> 00:45:24,000
Speaker 1: Chrischelle for the first time, like at the office, Like,

973
00:45:26,640 --> 00:45:31,680
Speaker 1: I'm guessing, yeah, she's Canadian French. That sounds like it's dating, Okay,

974
00:45:31,800 --> 00:45:34,000
Speaker 1: So I made fun of her. I'm was even making

975
00:45:34,000 --> 00:45:39,680
Speaker 1: fun of her. Oh oh no, that's Mary's I think

976
00:45:39,719 --> 00:45:46,439
Speaker 1: that's Mary's husband. But anyway, so they wrote team Canadian French.

977
00:45:46,440 --> 00:45:50,319
Speaker 1: I'm guessing she's Canadian French. And then again they wrote

978
00:45:50,440 --> 00:45:55,320
Speaker 1: you're a cunt and just oh god, but it's fun.

979
00:45:55,800 --> 00:45:57,280
Speaker 1: How do you think they spelled.

980
00:45:57,040 --> 00:45:59,520
Speaker 2: Your cutka with a K?

981
00:46:00,560 --> 00:46:00,759
Speaker 1: No?

982
00:46:01,520 --> 00:46:03,200
Speaker 2: Okay, see it's the best way.

983
00:46:03,840 --> 00:46:11,840
Speaker 1: Y Oh you are bingo? No, sorry, you're you're a

984
00:46:11,920 --> 00:46:16,680
Speaker 1: cunt and so I wrote. So then I was like,

985
00:46:16,960 --> 00:46:18,600
Speaker 1: I'm just gonna check their profiles to see if they're

986
00:46:18,640 --> 00:46:20,799
Speaker 1: not private. They weren't. One of them wasn't private, and

987
00:46:20,840 --> 00:46:23,759
Speaker 1: I'm like, okay, I'm going in. So I found they

988
00:46:23,880 --> 00:46:25,960
Speaker 1: have a really cute son that they had all these

989
00:46:25,960 --> 00:46:28,920
Speaker 1: Halloween pictures of him dressed up. It's just crazy to

990
00:46:28,960 --> 00:46:31,000
Speaker 1: me that someone would write your a cunt and have

991
00:46:31,040 --> 00:46:34,440
Speaker 1: a son. It's just to a stranger. It's just this

992
00:46:34,520 --> 00:46:38,240
Speaker 1: person should be sterilized. But that's how I truly feel.

993
00:46:38,520 --> 00:46:40,960
Speaker 1: So I wrote, Hi, your son is adorable. Love his

994
00:46:41,040 --> 00:46:46,560
Speaker 1: Halloween costume. That's what I wrote back to your a cunt? Okay?

995
00:46:46,800 --> 00:46:49,160
Speaker 1: She wrote, ha ha ha ha ha love your stand

996
00:46:49,200 --> 00:46:50,960
Speaker 1: up and hosting an fboy Island.

997
00:46:51,120 --> 00:46:56,160
Speaker 3: My god, it worked it because you just that. What

998
00:46:56,239 --> 00:46:58,400
Speaker 3: was so great about that is what that you just

999
00:46:58,480 --> 00:47:02,279
Speaker 3: gave her the out that you're joking. So you went,

1000
00:47:02,320 --> 00:47:04,319
Speaker 3: ha ha ha, You're so funny. Is that what you said?

1001
00:47:05,160 --> 00:47:07,600
Speaker 1: No, they said that. I said, Hi, your son is adorable,

1002
00:47:07,680 --> 00:47:08,960
Speaker 1: love his Halloween costumes.

1003
00:47:08,960 --> 00:47:10,960
Speaker 3: Okay, So so you didn't even comment on the fact

1004
00:47:10,960 --> 00:47:14,120
Speaker 3: that they called you a cunt.

1005
00:47:12,400 --> 00:47:17,520
Speaker 1: No, No, maybe I should do that next time. But

1006
00:47:17,600 --> 00:47:18,440
Speaker 1: this work is.

1007
00:47:18,480 --> 00:47:22,480
Speaker 4: Like the next text next friendly crazy.

1008
00:47:22,960 --> 00:47:25,600
Speaker 1: They wrote, ha ha ha ha love your stand up

1009
00:47:25,640 --> 00:47:28,560
Speaker 1: and hosting an F boy Island, and I wrote, thank you,

1010
00:47:28,719 --> 00:47:29,680
Speaker 1: and now we're good.

1011
00:47:30,040 --> 00:47:36,080
Speaker 3: Yeah. Wow, this is a this is magic. This is

1012
00:47:36,239 --> 00:47:38,360
Speaker 3: this is how you turn. This is a magic spell

1013
00:47:38,719 --> 00:47:41,600
Speaker 3: where you turn trolls into regular people.

1014
00:47:42,520 --> 00:47:47,080
Speaker 1: It's really fun. It's I mean, honestly, I think like

1015
00:47:47,200 --> 00:47:50,800
Speaker 1: everyone just needs to be approached with more kindness instead

1016
00:47:50,800 --> 00:47:53,040
Speaker 1: of when you instead of calling them the pilot.

1017
00:47:54,080 --> 00:47:58,919
Speaker 3: All those signs that Bath and Beyond were right, That's

1018
00:47:58,960 --> 00:48:01,279
Speaker 3: what they were right the whole time. I think I

1019
00:48:01,280 --> 00:48:06,479
Speaker 3: found her name, Marie lou Nurk. Okay, she's like, yeah,

1020
00:48:06,480 --> 00:48:09,920
Speaker 3: she's twenty five, she's she's a white lady.

1021
00:48:10,560 --> 00:48:13,960
Speaker 1: I don't say anything mean about her. I just said,

1022
00:48:14,040 --> 00:48:16,560
Speaker 1: I was just making jokes about how she's young. Yeah,

1023
00:48:16,760 --> 00:48:18,720
Speaker 1: you know, like I was doing like old soul jokes,

1024
00:48:18,760 --> 00:48:21,000
Speaker 1: Like it's just funny to me that someone I can

1025
00:48:21,120 --> 00:48:25,839
Speaker 1: upset people so much from making jokes about someone being young. Yeah,

1026
00:48:25,880 --> 00:48:28,400
Speaker 1: Like there's so much awfulness in the world and so

1027
00:48:28,400 --> 00:48:32,120
Speaker 1: many horrible people. Yeah, people are so upset about me.

1028
00:48:32,880 --> 00:48:34,960
Speaker 1: No one's called me an ugly cunt yet, Like you

1029
00:48:34,960 --> 00:48:37,440
Speaker 1: can call me a cunt all you want, but no

1030
00:48:37,480 --> 00:48:39,880
Speaker 1: one said anything really that hurts my feeling yet. And

1031
00:48:39,880 --> 00:48:43,640
Speaker 1: that's great because I truly look like a goblin next

1032
00:48:43,680 --> 00:48:47,120
Speaker 1: to everyone on selling sunset, because they are all I saw,

1033
00:48:47,440 --> 00:48:52,000
Speaker 1: so perfect looking, and I look like just me, I

1034
00:48:52,120 --> 00:48:54,759
Speaker 1: look fine, like I look pretty, but next to that

1035
00:48:55,520 --> 00:48:58,160
Speaker 1: the pieces of work they are, And I'm saying that

1036
00:48:58,200 --> 00:49:00,279
Speaker 1: with respect, like they're just like they're are there are

1037
00:49:00,360 --> 00:49:03,760
Speaker 1: art pieces, they're they're literally they literally have been worked

1038
00:49:03,800 --> 00:49:05,800
Speaker 1: on by doctors who are like at the top of

1039
00:49:05,800 --> 00:49:08,880
Speaker 1: their game. In fact, Krishelle is someone I now text

1040
00:49:09,280 --> 00:49:11,279
Speaker 1: for all of my beauty needs. Whenever I go to LA,

1041
00:49:11,320 --> 00:49:13,640
Speaker 1: I'm like, who's your tanning person? And I'm also going

1042
00:49:13,680 --> 00:49:17,280
Speaker 1: to go to her plastic surgeon when I'm ready to

1043
00:49:17,320 --> 00:49:21,040
Speaker 1: snip it up? Yeah, because he does great stuff. I mean,

1044
00:49:21,160 --> 00:49:23,279
Speaker 1: she's one of the prettiest people I've ever been around

1045
00:49:23,280 --> 00:49:23,840
Speaker 1: in my life.

1046
00:49:23,880 --> 00:49:24,359
Speaker 2: Who is she?

1047
00:49:24,840 --> 00:49:30,800
Speaker 1: Christelle Chrishelle Strauss. She's like the lead girl. Yeah, selling Sunset.

1048
00:49:31,880 --> 00:49:32,600
Speaker 1: It's really fun.

1049
00:49:32,719 --> 00:49:36,320
Speaker 3: I actually saw the guy from Selling Sunset, Jason Oppenheim,

1050
00:49:36,320 --> 00:49:37,600
Speaker 3: at a restaurant.

1051
00:49:38,080 --> 00:49:39,360
Speaker 1: Maybe it was his brother. How do you know it

1052
00:49:39,440 --> 00:49:39,840
Speaker 1: was Jason?

1053
00:49:40,000 --> 00:49:42,200
Speaker 2: I don't know. He was short. Are they both shorty?

1054
00:49:42,320 --> 00:49:42,880
Speaker 1: They're twins?

1055
00:49:43,640 --> 00:49:45,840
Speaker 2: Well, I have no idea who it was. I don't know.

1056
00:49:45,880 --> 00:49:51,560
Speaker 2: If you wait for it would take you about fifteen

1057
00:49:51,600 --> 00:49:52,480
Speaker 2: seconds to walk away.

1058
00:49:52,480 --> 00:49:54,959
Speaker 1: Where did you Where did you see him?

1059
00:49:55,880 --> 00:49:56,680
Speaker 2: Craigs?

1060
00:49:57,520 --> 00:49:59,000
Speaker 1: Oh? What were you doing at Craigs?

1061
00:49:59,320 --> 00:50:01,920
Speaker 2: It was just dinner after a show at at the

1062
00:50:01,920 --> 00:50:04,719
Speaker 2: improv nice. Yeah.

1063
00:50:04,800 --> 00:50:07,560
Speaker 1: I always feel intimidated going to celebrity hotspots like that.

1064
00:50:07,800 --> 00:50:10,000
Speaker 1: I would I would feel like, what am I I'm

1065
00:50:10,040 --> 00:50:11,680
Speaker 1: not allowed to go here? I go there with David

1066
00:50:11,680 --> 00:50:14,400
Speaker 1: Spade or when like, I have friends that are celebrities

1067
00:50:14,440 --> 00:50:16,680
Speaker 1: that invite me to go, and that's pretty much my

1068
00:50:16,719 --> 00:50:17,600
Speaker 1: only celebrity.

1069
00:50:17,280 --> 00:50:18,000
Speaker 2: I no idea.

1070
00:50:18,239 --> 00:50:19,880
Speaker 3: I didn't know it was a celebrity hotspot, and I

1071
00:50:19,880 --> 00:50:21,600
Speaker 3: didn't know who any of the celebrities were. And people

1072
00:50:21,600 --> 00:50:23,440
Speaker 3: were like, oh, that's the person from selling Sunset, and

1073
00:50:23,520 --> 00:50:25,680
Speaker 3: I was like, Oh, if you weren't here, I would

1074
00:50:25,760 --> 00:50:26,239
Speaker 3: not have known that.

1075
00:50:26,320 --> 00:50:28,120
Speaker 2: I just saw the person from selling Sunset.

1076
00:50:28,480 --> 00:50:31,960
Speaker 1: Oh yeah, well that's a place where like Harry and

1077
00:50:32,000 --> 00:50:32,880
Speaker 1: Meghan go.

1078
00:50:32,960 --> 00:50:36,879
Speaker 3: Oh really Well, they had armed security guards in there,

1079
00:50:36,880 --> 00:50:39,360
Speaker 3: and this is a trend across LA now because somebody

1080
00:50:39,440 --> 00:50:44,200
Speaker 3: came in, people came in with guns and robbed a

1081
00:50:44,239 --> 00:50:46,439
Speaker 3: bunch of NBA players that were there like two weeks

1082
00:50:46,480 --> 00:50:49,160
Speaker 3: ago or something. And so now they have like at Craigs,

1083
00:50:49,320 --> 00:50:54,520
Speaker 3: Yeah yeah, and so now they have like like uh,

1084
00:50:54,920 --> 00:50:59,920
Speaker 3: like artillery, like real security guards that are like infant

1085
00:51:00,040 --> 00:51:01,080
Speaker 3: tree like military.

1086
00:51:01,719 --> 00:51:02,319
Speaker 2: I can't think of that.

1087
00:51:02,360 --> 00:51:05,240
Speaker 1: I've seen this. They had it at Starbucks in Memphis.

1088
00:51:05,320 --> 00:51:09,279
Speaker 1: Was the first time I ever saw like with like

1089
00:51:09,640 --> 00:51:12,040
Speaker 1: machine guns. Yes, they're like what are they called? When

1090
00:51:12,680 --> 00:51:14,399
Speaker 1: what are those big? Yeah?

1091
00:51:14,480 --> 00:51:16,560
Speaker 3: What are those guys called? When you hire like a

1092
00:51:16,760 --> 00:51:19,920
Speaker 3: I can't think of the word. It's body get besties.

1093
00:51:20,160 --> 00:51:24,160
Speaker 3: There's a word for like it's like what they're like

1094
00:51:24,160 --> 00:51:27,560
Speaker 3: a Russia will hire a group of militia and they're blanks.

1095
00:51:28,320 --> 00:51:29,520
Speaker 2: Does anyone know what I'm talking about?

1096
00:51:31,920 --> 00:51:35,239
Speaker 1: But they're they're cops though they're not. They're not well,

1097
00:51:35,239 --> 00:51:35,800
Speaker 1: they're secure.

1098
00:51:35,840 --> 00:51:38,600
Speaker 4: They're private security bodyguards maybe.

1099
00:51:38,320 --> 00:51:40,680
Speaker 1: But they're not allowed to be armed. Private security is

1100
00:51:40,680 --> 00:51:42,799
Speaker 1: not allowed to be armed with Like no.

1101
00:51:42,719 --> 00:51:46,280
Speaker 3: They have machine guns and guns and they're just garden

1102
00:51:46,400 --> 00:51:47,479
Speaker 3: craigs and they.

1103
00:51:47,400 --> 00:51:52,160
Speaker 1: Have like one that has like a rifle, Yeah, rifle.

1104
00:51:52,239 --> 00:51:54,840
Speaker 1: They they were in the hotel this weekend. I was

1105
00:51:54,880 --> 00:52:01,000
Speaker 1: in where was I the Baltimore at the Hyatt. We

1106
00:52:01,080 --> 00:52:04,520
Speaker 1: walked in. There's two huge armed security guards at eleven

1107
00:52:04,560 --> 00:52:06,920
Speaker 1: o'clock at night at the Hygatt in a really nice hotel,

1108
00:52:06,960 --> 00:52:08,319
Speaker 1: and I'm just like, what is going on?

1109
00:52:08,360 --> 00:52:11,120
Speaker 2: Because this because of looting, everyone's getting robbed.

1110
00:52:11,160 --> 00:52:15,560
Speaker 3: But also I went to Ralph it's just a supermarket

1111
00:52:15,640 --> 00:52:16,120
Speaker 3: and they're.

1112
00:52:16,400 --> 00:52:19,080
Speaker 1: Safer with it. To be honest with you, I feel great.

1113
00:52:19,320 --> 00:52:21,359
Speaker 1: I know that it's not like a good look, but

1114
00:52:21,400 --> 00:52:23,760
Speaker 1: I feel so much better that we can't.

1115
00:52:23,560 --> 00:52:24,720
Speaker 2: Go to a fucking grocery.

1116
00:52:24,840 --> 00:52:28,120
Speaker 3: Every grocery store, every place that anybody goes, needs to

1117
00:52:28,239 --> 00:52:33,440
Speaker 3: hire a vigilante, machine gun bound uh, army man.

1118
00:52:33,560 --> 00:52:36,080
Speaker 1: It's not. It's private security.

1119
00:52:35,640 --> 00:52:38,600
Speaker 3: A private vigil who's out there on his own, trying

1120
00:52:38,640 --> 00:52:43,239
Speaker 3: to get vengeance on the court criminals. Yeah, this supermarket,

1121
00:52:43,400 --> 00:52:46,080
Speaker 3: it's batman standing by the front door just so that

1122
00:52:46,239 --> 00:52:47,400
Speaker 3: someone doesn't shoot up the place.

1123
00:52:47,480 --> 00:52:51,160
Speaker 1: And how annoying is it? Like, I think stores obviously

1124
00:52:51,200 --> 00:52:53,880
Speaker 1: lose a lot of money from having to deal with

1125
00:52:53,920 --> 00:52:57,560
Speaker 1: people shoplifting and there be no consequences for it. Obviously

1126
00:52:57,600 --> 00:53:01,120
Speaker 1: that is becoming a huge issue. But if something is

1127
00:53:01,160 --> 00:53:04,080
Speaker 1: locked up, I will not wait for someone to come

1128
00:53:04,360 --> 00:53:04,839
Speaker 1: unlock it.

1129
00:53:04,920 --> 00:53:06,240
Speaker 2: I will just get the product.

1130
00:53:06,480 --> 00:53:10,000
Speaker 1: Yeah, I just don't get it. They wait. They lose

1131
00:53:10,080 --> 00:53:12,640
Speaker 1: so much money from just me not having the patience.

1132
00:53:12,680 --> 00:53:14,759
Speaker 1: Do you guys agree, Like, if something's locked up, you'll

1133
00:53:14,800 --> 00:53:16,640
Speaker 1: just get a cheaper version that isn't locked up.

1134
00:53:16,760 --> 00:53:17,520
Speaker 2: Get on Amazon.

1135
00:53:17,600 --> 00:53:19,400
Speaker 3: Then if I have to sit there and press that

1136
00:53:19,440 --> 00:53:22,200
Speaker 3: button and then listen to the loudspeaker, go help want

1137
00:53:22,239 --> 00:53:24,120
Speaker 3: it an aisle seven and then because it's.

1138
00:53:24,000 --> 00:53:26,239
Speaker 1: Gonna take you know that at least zero point three

1139
00:53:26,280 --> 00:53:29,400
Speaker 1: miles for them to walk over and help you. It

1140
00:53:29,520 --> 00:53:31,759
Speaker 1: takes for Noah to walk point three miles. It can

1141
00:53:31,880 --> 00:53:34,719
Speaker 1: take the ten minutes for no one's working. If you

1142
00:53:34,840 --> 00:53:37,040
Speaker 1: have stuff locked up, you should have a person per

1143
00:53:37,160 --> 00:53:40,960
Speaker 1: aisle that helps you. But they can't afford that. And

1144
00:53:41,560 --> 00:53:44,040
Speaker 1: here's my point about if they can't tell you, like

1145
00:53:44,080 --> 00:53:47,839
Speaker 1: if someone if someone that's CVS is incompetent, or if

1146
00:53:47,880 --> 00:53:50,480
Speaker 1: someone at like I understand that people need to get

1147
00:53:50,560 --> 00:53:53,440
Speaker 1: jobs to come up in life, and like, you know

1148
00:53:53,440 --> 00:53:56,359
Speaker 1: what I made this point about is dry Bar. When

1149
00:53:56,400 --> 00:53:59,239
Speaker 1: I went there and they burnt my hair and I

1150
00:53:59,280 --> 00:54:02,279
Speaker 1: walked out with like a flat sad mess. I was like,

1151
00:54:02,360 --> 00:54:04,919
Speaker 1: what the fuck? And then I was like they work

1152
00:54:04,960 --> 00:54:07,920
Speaker 1: at dry bar? Like what am I? Why am I

1153
00:54:07,960 --> 00:54:12,719
Speaker 1: expecting excellence from the McDonald's of a hair song? And

1154
00:54:12,760 --> 00:54:15,560
Speaker 1: I should because I paid eighty dollars for that blowout.

1155
00:54:15,640 --> 00:54:18,080
Speaker 1: But that's because their prices are inflated. That's not because

1156
00:54:18,080 --> 00:54:21,719
Speaker 1: it's actually a good service. Final thought. So when I'm

1157
00:54:21,719 --> 00:54:23,399
Speaker 1: in an uber and I'm like, why is this guy

1158
00:54:23,480 --> 00:54:25,400
Speaker 1: the dot is there? Why are you slowing down and

1159
00:54:25,400 --> 00:54:28,560
Speaker 1: trying to drop me off, you know, eight hundred feet

1160
00:54:28,600 --> 00:54:31,759
Speaker 1: from the dot. Because he's an Uber driver and it's

1161
00:54:31,840 --> 00:54:34,440
Speaker 1: not he might be doing not that. If you're an

1162
00:54:34,480 --> 00:54:37,120
Speaker 1: Uber driver, you're an idiot, because not all Uber drivers

1163
00:54:37,120 --> 00:54:40,840
Speaker 1: are idiots, but sometimes that's all you can do, yeah,

1164
00:54:40,960 --> 00:54:43,000
Speaker 1: because you can't get a job elsewhere because you don't

1165
00:54:43,000 --> 00:54:46,680
Speaker 1: have the intelligence or the training.

1166
00:54:46,760 --> 00:54:49,920
Speaker 4: It's not like he's like concierge where like you know,

1167
00:54:50,000 --> 00:54:52,839
Speaker 4: like you pay for like luxury where they don't talk

1168
00:54:52,880 --> 00:54:54,319
Speaker 4: to you and they drive you right to the spot

1169
00:54:54,360 --> 00:54:55,480
Speaker 4: and they open the door for you.

1170
00:54:55,600 --> 00:54:57,799
Speaker 1: It's like different tiers. But if you're an Uber driver,

1171
00:54:57,920 --> 00:55:00,120
Speaker 1: you should know how to follow a dot on a map.

1172
00:55:00,160 --> 00:55:02,279
Speaker 1: It just should be a kind of a requirement. But

1173
00:55:02,360 --> 00:55:05,399
Speaker 1: it doesn't have to be because there's no real check

1174
00:55:05,480 --> 00:55:06,840
Speaker 1: to be an Uber driver. You just have to have

1175
00:55:06,880 --> 00:55:08,759
Speaker 1: a license. Now, maybe this is something I should take

1176
00:55:08,800 --> 00:55:10,440
Speaker 1: up with the state to not give people licenses that

1177
00:55:10,520 --> 00:55:13,080
Speaker 1: can't follow a dot on a map. But also, why

1178
00:55:13,120 --> 00:55:15,640
Speaker 1: am I getting mad about it? He is making no money,

1179
00:55:15,840 --> 00:55:19,680
Speaker 1: He is not being compensated for his Like, don't get

1180
00:55:19,719 --> 00:55:24,000
Speaker 1: mad at people that aren't being paid a lot. I'm

1181
00:55:24,040 --> 00:55:26,520
Speaker 1: not allowed to do that anymore. Yeah, because no one's

1182
00:55:26,520 --> 00:55:29,279
Speaker 1: getting paid a lot. Everyone's making what is minimum wage now?

1183
00:55:29,560 --> 00:55:31,520
Speaker 2: Well some places it's fifteen dollars an hour.

1184
00:55:32,560 --> 00:55:35,799
Speaker 1: That's not a lot. No, and in today's society at all. No,

1185
00:55:35,920 --> 00:55:37,480
Speaker 1: that is, you can't even get a salad for that

1186
00:55:37,560 --> 00:55:40,080
Speaker 1: much money. No, like a little salad you shake up.

1187
00:55:40,120 --> 00:55:42,480
Speaker 2: You have to work two hours to get a salad these.

1188
00:55:42,360 --> 00:55:46,759
Speaker 1: Days, you do. It's ridiculous, And that's why tipping is

1189
00:55:46,800 --> 00:55:49,880
Speaker 1: so important. But it's also like we're not supposed to

1190
00:55:49,920 --> 00:55:52,080
Speaker 1: tip because we're that's the only way to get rid

1191
00:55:52,120 --> 00:55:52,960
Speaker 1: of a tipping culture.

1192
00:55:53,000 --> 00:55:55,440
Speaker 3: And we should matter, right because like we're all we're

1193
00:55:55,440 --> 00:55:59,120
Speaker 3: doing is subsidizing billionaires by help by so that they

1194
00:55:59,160 --> 00:56:01,160
Speaker 3: don't have to pay their fair wages.

1195
00:56:03,520 --> 00:56:05,560
Speaker 1: Every Uber eats order, Well, yeah, we have to.

1196
00:56:05,520 --> 00:56:07,440
Speaker 3: Do it because it's not fair. But all we're doing

1197
00:56:07,520 --> 00:56:09,799
Speaker 3: is that money is going not to the workers. It's

1198
00:56:09,800 --> 00:56:12,239
Speaker 3: going to the billionaires who are saving money, who own

1199
00:56:12,320 --> 00:56:13,680
Speaker 3: the company, who are saving money.

1200
00:56:16,960 --> 00:56:20,040
Speaker 1: But I come, I sometimes feel like there's nothing I

1201
00:56:20,040 --> 00:56:21,920
Speaker 1: can do about it. Am I supposed to just make

1202
00:56:21,920 --> 00:56:25,680
Speaker 1: this Uber Eats drivers starve because I want to mistick.

1203
00:56:25,400 --> 00:56:27,360
Speaker 2: It to the man, it's like craped.

1204
00:56:28,120 --> 00:56:31,680
Speaker 1: Yeah, like what do you do? What do you do?

1205
00:56:31,719 --> 00:56:33,520
Speaker 2: You have to vote for Bernie Union?

1206
00:56:34,360 --> 00:56:36,839
Speaker 4: Yeah, well, over and done with.

1207
00:56:37,000 --> 00:56:41,200
Speaker 3: I ordered an number this weekend and I was leaving.

1208
00:56:41,280 --> 00:56:44,200
Speaker 3: I went to the USC homecoming game this past weekend.

1209
00:56:44,440 --> 00:56:47,840
Speaker 1: Oh, you have alterally fun. I saw your pictures on Instagram.

1210
00:56:47,360 --> 00:56:49,520
Speaker 2: Mine or Alleys. I don't post any pictures Ali's.

1211
00:56:49,520 --> 00:56:51,480
Speaker 1: Sorry, sorry, oh Jesus, I.

1212
00:56:51,400 --> 00:56:54,759
Speaker 3: Don't post any personal pictures on Instagram if you want it, okay, So.

1213
00:56:54,760 --> 00:56:57,239
Speaker 1: It was literally impossible for me. You know that I

1214
00:56:57,239 --> 00:56:59,640
Speaker 1: saw Alley's. You don't need to be like mine. You

1215
00:56:59,719 --> 00:57:00,600
Speaker 1: know that I saw.

1216
00:57:02,080 --> 00:57:02,400
Speaker 3: Before.

1217
00:57:03,160 --> 00:57:06,319
Speaker 1: That is what we've met before. You're talking about they

1218
00:57:06,360 --> 00:57:07,040
Speaker 1: weren't yours.

1219
00:57:08,000 --> 00:57:11,680
Speaker 3: Yes, is offensive to me personally that you would assume.

1220
00:57:13,400 --> 00:57:13,440
Speaker 1: No.

1221
00:57:13,520 --> 00:57:15,000
Speaker 2: I went to it. So we ordered an uber to

1222
00:57:15,000 --> 00:57:15,560
Speaker 2: get out of there.

1223
00:57:15,680 --> 00:57:19,280
Speaker 1: That's what we've met before. The new is it? Okay?

1224
00:57:19,440 --> 00:57:22,680
Speaker 3: We've met before me and so there were six of us.

1225
00:57:22,680 --> 00:57:26,520
Speaker 3: We need an Uber XL. Okay, Okay, we ordered uber L.

1226
00:57:27,000 --> 00:57:28,800
Speaker 1: It's a little money for Uber XL.

1227
00:57:29,840 --> 00:57:31,400
Speaker 2: Six is a lot for Uber XL.

1228
00:57:32,200 --> 00:57:35,760
Speaker 3: I feel like you're pushing it's I.

1229
00:57:35,680 --> 00:57:39,439
Speaker 1: Think it's like five six is gonna make him go.

1230
00:57:40,920 --> 00:57:43,040
Speaker 1: He's gonna be he's gonna get it tuned. But it's

1231
00:57:43,120 --> 00:57:45,680
Speaker 1: it's okay, should show up.

1232
00:57:45,720 --> 00:57:46,880
Speaker 2: If uber XL.

1233
00:57:47,800 --> 00:57:50,600
Speaker 1: Uber XL, you should get an s u v XL Okay.

1234
00:57:50,680 --> 00:57:56,240
Speaker 3: So guy shows up in a Tesla, a Tesla Tesla

1235
00:57:56,280 --> 00:58:00,360
Speaker 3: sedan No, and he has the front seat push all

1236
00:58:00,400 --> 00:58:02,720
Speaker 3: the way up, and then he's got the back seat

1237
00:58:02,840 --> 00:58:06,080
Speaker 3: somehow pushed up, and then there's like trunk space that

1238
00:58:06,160 --> 00:58:07,720
Speaker 3: I guess I don't know what it is, like a

1239
00:58:07,760 --> 00:58:09,280
Speaker 3: third row for little babies.

1240
00:58:10,560 --> 00:58:12,120
Speaker 2: And there were seats.

1241
00:58:12,120 --> 00:58:13,360
Speaker 1: Did you all get in?

1242
00:58:13,600 --> 00:58:15,280
Speaker 3: No? Four of us got in. The other two ordered

1243
00:58:15,320 --> 00:58:17,360
Speaker 3: another Uber because they're like, this is not gonna work.

1244
00:58:17,360 --> 00:58:18,640
Speaker 3: We're not gonna you can't fit a human.

1245
00:58:18,920 --> 00:58:19,400
Speaker 2: Yeah.

1246
00:58:19,440 --> 00:58:23,240
Speaker 1: Back here, the lines are blurred for that Excel bullshit.

1247
00:58:23,400 --> 00:58:26,040
Speaker 3: Yeah, and the Excel is like way more money. But

1248
00:58:26,520 --> 00:58:27,720
Speaker 3: we're glad we got out of there.

1249
00:58:28,520 --> 00:58:30,120
Speaker 1: I love was the game. Fun.

1250
00:58:30,640 --> 00:58:32,600
Speaker 3: It was one of the best college football games of

1251
00:58:32,640 --> 00:58:36,080
Speaker 3: the season. USC lost, but it was an amazing game

1252
00:58:36,120 --> 00:58:38,760
Speaker 3: to be at, really exciting, high scoring game. It was

1253
00:58:38,800 --> 00:58:41,280
Speaker 3: like fifty two to forty two was the final score.

1254
00:58:41,800 --> 00:58:44,560
Speaker 1: Fun. Oh my god, is that like a record.

1255
00:58:44,960 --> 00:58:46,840
Speaker 2: No, but it was a high scoring game.

1256
00:58:47,000 --> 00:58:49,280
Speaker 3: And the two quarterbacks are also one of them is

1257
00:58:49,280 --> 00:58:50,760
Speaker 3: like the lead for the Heisman Trophy and the other

1258
00:58:50,760 --> 00:58:52,600
Speaker 3: one's probably gonna be the number one draft pick next

1259
00:58:52,680 --> 00:58:56,800
Speaker 3: year in the NFL. Exciting, you know, in USC homecoming,

1260
00:58:56,840 --> 00:58:58,160
Speaker 3: so there's probably there was like a bunch. It was

1261
00:58:58,200 --> 00:59:00,760
Speaker 3: like a big fanfare. The band's great, The marching band

1262
00:59:00,800 --> 00:59:03,600
Speaker 3: is fantastic. Lots of celebrities stuff like that.

1263
00:59:04,080 --> 00:59:08,720
Speaker 1: What celebrities? I couldn't like craigs like Oh, so it

1264
00:59:08,760 --> 00:59:10,480
Speaker 1: was just people from reality shows on Netflix.

1265
00:59:10,480 --> 00:59:12,880
Speaker 2: Are you a little sweetie? I don't know like people

1266
00:59:12,960 --> 00:59:13,280
Speaker 2: like that.

1267
00:59:13,880 --> 00:59:18,000
Speaker 1: Okay, yeah, that's fun. Did you have good seats? Where

1268
00:59:18,040 --> 00:59:19,440
Speaker 1: was it at the where.

1269
00:59:19,520 --> 00:59:23,920
Speaker 3: The Colisseum and USC? Just yeah, we had really good seats.

1270
00:59:24,200 --> 00:59:27,160
Speaker 3: Ali went to go with I went with Ali, who's

1271
00:59:27,240 --> 00:59:30,640
Speaker 3: a USC alum, and then her friend Dana who you

1272
00:59:30,680 --> 00:59:35,960
Speaker 3: met at my wedding, and her boyfriend Sean, and and

1273
00:59:36,000 --> 00:59:39,120
Speaker 3: then my good pals and yours, Rob Stern and Meredith Packman.

1274
00:59:39,640 --> 00:59:40,920
Speaker 1: Did you paint your faces?

1275
00:59:41,480 --> 00:59:44,240
Speaker 3: No? No, I wore a USC hat and a USC

1276
00:59:44,440 --> 00:59:48,480
Speaker 3: shirt though I'm not a USC fan per se.

1277
00:59:48,600 --> 00:59:49,640
Speaker 1: But was it cold?

1278
00:59:50,000 --> 00:59:52,600
Speaker 2: It was warm?

1279
00:59:53,040 --> 00:59:56,120
Speaker 3: It's really going to a college football game is really fun.

1280
00:59:56,920 --> 00:59:57,320
Speaker 1: It is.

1281
00:59:57,600 --> 00:59:59,600
Speaker 3: It's just it's like a little bit more fun, i'd

1282
00:59:59,600 --> 01:00:02,880
Speaker 3: say than NFL game because the atmosphere of college students

1283
01:00:02,920 --> 01:00:04,480
Speaker 3: all there, although they're.

1284
01:00:04,360 --> 01:00:07,280
Speaker 1: All drunk and so excited whenever I see them. It's

1285
01:00:07,480 --> 01:00:10,320
Speaker 1: one of my favorite things is to watch the crowd

1286
01:00:10,320 --> 01:00:12,600
Speaker 1: at a college football game, because I'm just like, that

1287
01:00:12,720 --> 01:00:14,040
Speaker 1: is the greatest time of life.

1288
01:00:14,120 --> 01:00:15,040
Speaker 2: Yes, exactly.

1289
01:00:15,160 --> 01:00:19,919
Speaker 1: Nothing else matters except getting wasted, cheering on your team,

1290
01:00:20,480 --> 01:00:24,560
Speaker 1: trying to get laid that night, maybe having a quiz

1291
01:00:24,600 --> 01:00:26,520
Speaker 1: the next day that you didn't study for. But who

1292
01:00:26,560 --> 01:00:27,120
Speaker 1: gives a shit.

1293
01:00:27,400 --> 01:00:29,560
Speaker 2: Gives a usc Your parents are.

1294
01:00:29,440 --> 01:00:31,680
Speaker 1: Paying for everything, and I know that's not everyone's experience.

1295
01:00:31,720 --> 01:00:34,520
Speaker 1: Don't get mad at me, but you're in a bubble.

1296
01:00:34,720 --> 01:00:38,840
Speaker 1: Life is so fucking good in college when you are

1297
01:00:38,880 --> 01:00:41,600
Speaker 1: a crazy kid that's whipping around your shirt at a

1298
01:00:41,600 --> 01:00:43,400
Speaker 1: college game and you're all packed in there and you're

1299
01:00:43,440 --> 01:00:45,000
Speaker 1: all flirting with a bunch of girls and you're like

1300
01:00:45,280 --> 01:00:48,320
Speaker 1: drinking beer. Like I never experienced that because I would

1301
01:00:48,360 --> 01:00:50,120
Speaker 1: never want to because I don't like football and I

1302
01:00:50,160 --> 01:00:52,920
Speaker 1: don't like loud, like drunk boys screaming in my face.

1303
01:00:53,280 --> 01:00:56,160
Speaker 1: But if you're into that kind of stuff. There's no

1304
01:00:56,240 --> 01:00:57,120
Speaker 1: better time of life.

1305
01:00:57,160 --> 01:00:59,400
Speaker 3: Oh yeah, And I know we have to wrap, but

1306
01:00:59,600 --> 01:01:02,360
Speaker 3: I want to ask you. How was going to Kansas

1307
01:01:02,400 --> 01:01:03,040
Speaker 3: to do your show?

1308
01:01:03,400 --> 01:01:04,760
Speaker 2: Return to It was fun?

1309
01:01:05,240 --> 01:01:08,360
Speaker 1: It was that town. It's so nice to be in

1310
01:01:09,240 --> 01:01:13,400
Speaker 1: Kansas because it makes you feel you're going to your

1311
01:01:13,400 --> 01:01:15,920
Speaker 1: college town. Makes you feel young because the last time

1312
01:01:15,960 --> 01:01:17,919
Speaker 1: you were there, you were young, and so it made

1313
01:01:18,000 --> 01:01:20,760
Speaker 1: me feel twenty again. I was like, I feel exactly

1314
01:01:20,840 --> 01:01:23,360
Speaker 1: how I felt in my twenties, Like I know this feeling.

1315
01:01:23,840 --> 01:01:27,720
Speaker 1: I was listening to Yankee Hotel Foxtrot on my on

1316
01:01:27,800 --> 01:01:30,640
Speaker 1: a CD. Driving around. Everything still like looks the same.

1317
01:01:30,640 --> 01:01:32,280
Speaker 1: They do a good job in that town of keeping

1318
01:01:32,280 --> 01:01:34,840
Speaker 1: things like looking the same and preserving this kind of

1319
01:01:34,880 --> 01:01:41,600
Speaker 1: like cutesy college town atmosphere. And I performed at a

1320
01:01:41,680 --> 01:01:44,200
Speaker 1: center that was like a place I'd never even been

1321
01:01:44,240 --> 01:01:46,560
Speaker 1: on campus. It's like the Lead Center. It's like where

1322
01:01:46,640 --> 01:01:48,400
Speaker 1: I did a joke that someone said this is where

1323
01:01:48,440 --> 01:01:50,880
Speaker 1: Bob Dylan performed. I'm like, Bob Dylan performed here, and

1324
01:01:50,880 --> 01:01:52,880
Speaker 1: they're like, no, Bob Dole performed here. I'm like, what

1325
01:01:52,920 --> 01:01:56,680
Speaker 1: did he play? Is Bob Dole has been there before?

1326
01:01:56,840 --> 01:01:57,120
Speaker 2: Wow?

1327
01:01:58,320 --> 01:02:01,720
Speaker 1: And the it was a Sunday night and people really

1328
01:02:01,760 --> 01:02:03,240
Speaker 1: came out for the show and that was really sweet.

1329
01:02:03,280 --> 01:02:05,600
Speaker 1: It felt great to be there. But yeah, it was

1330
01:02:05,640 --> 01:02:09,480
Speaker 1: really I just I love that town so much. The

1331
01:02:09,560 --> 01:02:12,200
Speaker 1: hotel was not that great. I felt like I was

1332
01:02:12,280 --> 01:02:15,760
Speaker 1: a reporter, a journalist that was studying a crime on

1333
01:02:15,840 --> 01:02:18,200
Speaker 1: campus and I was just visiting from the big city

1334
01:02:18,240 --> 01:02:20,480
Speaker 1: for a weekend. That's how I like kind of interpreted

1335
01:02:20,480 --> 01:02:22,120
Speaker 1: being in that hotel because it was it was like

1336
01:02:22,160 --> 01:02:24,200
Speaker 1: so not good. And then I ended up leaving that

1337
01:02:24,280 --> 01:02:25,640
Speaker 1: night and I went to my friend Kristen's house in

1338
01:02:25,680 --> 01:02:27,360
Speaker 1: Kansas City, so I didn't have to stay at the hotel.

1339
01:02:27,400 --> 01:02:29,920
Speaker 2: Did you do the bit where you drove around going

1340
01:02:30,320 --> 01:02:31,240
Speaker 2: yelling at the studio?

1341
01:02:33,400 --> 01:02:35,720
Speaker 1: We did. We Mamas Home to a couple people, I think,

1342
01:02:36,120 --> 01:02:38,200
Speaker 1: or we were no, we were looking to Mama's home people,

1343
01:02:38,200 --> 01:02:40,560
Speaker 1: but we kept because Britta, her sister, was like, please

1344
01:02:40,680 --> 01:02:43,080
Speaker 1: do Mama's home. So we were looking for We're stalking

1345
01:02:43,080 --> 01:02:44,960
Speaker 1: the campus before my show. My show was at seven

1346
01:02:45,080 --> 01:02:46,960
Speaker 1: thirty and it was like seven fifteen, and we were

1347
01:02:47,040 --> 01:02:49,520
Speaker 1: driving around on the way there looking for people to

1348
01:02:49,560 --> 01:02:52,840
Speaker 1: scream Mama's home at. But we didn't do it. Because

1349
01:02:52,880 --> 01:02:55,160
Speaker 1: it was all individual people walking home and we didn't

1350
01:02:55,160 --> 01:02:57,240
Speaker 1: want to bully anyone. And you have to have two

1351
01:02:57,280 --> 01:02:59,160
Speaker 1: people at least, you have to have a friend to go.

1352
01:02:59,360 --> 01:03:02,800
Speaker 1: Was that person say Mama's home? Ye? So yeah, but

1353
01:03:02,840 --> 01:03:04,360
Speaker 1: mama came home and it was really fun. I went

1354
01:03:04,360 --> 01:03:07,480
Speaker 1: to my Middle Eastern restaurant I worked at as a

1355
01:03:07,520 --> 01:03:10,840
Speaker 1: young person and visited that family and got delicious food

1356
01:03:10,880 --> 01:03:15,040
Speaker 1: a Latin cafe. Shout out Massachusetts street Lord, Kansas. Sorry

1357
01:03:15,080 --> 01:03:17,320
Speaker 1: I'm yawning, Okay, I gotta go drive to Arkansas. You

1358
01:03:17,320 --> 01:03:19,800
Speaker 1: guys a great show. Thank you so much for joining us.

1359
01:03:20,760 --> 01:03:23,120
Speaker 1: We will see you this weekend. I am going to

1360
01:03:23,120 --> 01:03:28,440
Speaker 1: be in Rehoboth, Delaware and Atlantic City, and then next

1361
01:03:28,480 --> 01:03:31,240
Speaker 1: week I'll be in Tempe for two shows Thursday and Friday.

1362
01:03:31,400 --> 01:03:33,640
Speaker 1: Maybe it's like three or four shows, but two nights

1363
01:03:33,640 --> 01:03:37,160
Speaker 1: in Tempe Thursday and Friday, and then Portland on Saturday.

1364
01:03:37,200 --> 01:03:38,720
Speaker 1: I hope you guys can make it out to the shows.

1365
01:03:38,720 --> 01:03:40,520
Speaker 1: Thank you so much for listening to the podcast. As always,

1366
01:03:40,560 --> 01:03:43,760
Speaker 1: I love you so much, Don'tika? And did you just

1367
01:03:44,560 --> 01:03:49,600
Speaker 1: walk a mile in no is shoes and take four

1368
01:03:49,640 --> 01:03:50,440
Speaker 1: hours to do it?