WEBVTT - A Blade of Grass

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<v Speaker 1>Before this episode published, I called Tiffany Horn. I wanted

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<v Speaker 1>to make sure she knew what was coming. I wanted

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<v Speaker 1>to let her know that we begin with her brother, Trevor.

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<v Speaker 1>She said to me, I put my love for him

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<v Speaker 1>in this box in my heart and I don't open

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<v Speaker 1>it often because it's too painful. But she insisted he

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<v Speaker 1>should be seen. He deserves it. And just so you

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<v Speaker 1>know this episode of Hitman might be hard to hear listener,

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<v Speaker 1>discretion is advised. A blade of grass. There was this

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<v Speaker 1>single blade of grass on Trevor's cheek when the police

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<v Speaker 1>found him on the morning of March third, nineteen ninety three.

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<v Speaker 1>He was lying in his crib wearing his white and

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<v Speaker 1>blue Peachays. One of the nurses would later testify that

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<v Speaker 1>he was given a bath every evening before bed. They

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<v Speaker 1>were very thorough, and the nurse she knew that grass

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<v Speaker 1>couldn't have been thereby accident. He stayed in his wheelchair

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<v Speaker 1>any time he went outside. If he played, she said,

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<v Speaker 1>it was on the rug or on the quilt in

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<v Speaker 1>his room. The prosecutors argued that the grass had to

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<v Speaker 1>have come from the killer's hands, that he wrapped one

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<v Speaker 1>hand around the boy's nose and mouth and the other

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<v Speaker 1>around his track opening and left behind that blade of grass.

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<v Speaker 1>I came across the crime scene photos of Trevor last

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<v Speaker 1>year and I tried not to look. It almost felt disrespectful.

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<v Speaker 1>But this is the reality of what happened to him,

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<v Speaker 1>As Tiffany said, I owed him a moment of acknowledgement

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<v Speaker 1>of seeing him. I understand if you've been trying to

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<v Speaker 1>put Trevor out of your mind, if you'd rather I

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<v Speaker 1>tell you more about Motown or this crazy book hit man,

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<v Speaker 1>or the French publisher behind the murder manual, or maybe

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<v Speaker 1>you just want me to hurry up and get to

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<v Speaker 1>the part where they catch the killers. But anytime someone

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<v Speaker 1>tells me, oh, it's just to book, it's just a book,

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<v Speaker 1>it's just a book. I remember that a hitman entered

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<v Speaker 1>a quiet home in the middle of the night and

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<v Speaker 1>smothered an eight year old child. I remember that blade

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<v Speaker 1>of grass. It wasn't an accident. Trevor wasn't collateral. His

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<v Speaker 1>death was all part of the plan. It was the plan.

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<v Speaker 1>Trevor had to die in order for Lawrence to inherit

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<v Speaker 1>Trevor's money, but Millie had to die so that Lawrence

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<v Speaker 1>could inherit all of it. I'm Jasmine Morris from My

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<v Speaker 1>Heart Radio and Hit Home Media. This is Hitman. It

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<v Speaker 1>took eighteen months for detectives to complete their investigation into

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<v Speaker 1>the triple murder of Trevor and Millie Horn and Janice Saunders,

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<v Speaker 1>but it only took one day for police to establish

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<v Speaker 1>a prime suspect in a motive. Millie had seen this coming.

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<v Speaker 1>She knew. She was very fearful for Trevor's life. Millie's

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<v Speaker 1>sister Maryland, and she was also fearful for herself because

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<v Speaker 1>she always said, I will not die in an aeroplane crash.

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<v Speaker 1>If something ever happens to me, it's Lawrence Horn. And

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<v Speaker 1>all the sisters were there and we laughed about it.

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<v Speaker 1>We're like Millie, he's crazy, but he's not that crazy.

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<v Speaker 1>She actually said that to you. She said that, she said,

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<v Speaker 1>if anything ever happens to me, you all make sure

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<v Speaker 1>that Lawrence Horn is never alone with Trevor. Lawrence never

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<v Speaker 1>took responsibility for Trevor, even on the day he was born.

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<v Speaker 1>I mean, he didn't even show up for the birth,

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<v Speaker 1>so he had no connect into this child at all.

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<v Speaker 1>He showed no interest. My brother being sick was such

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<v Speaker 1>a turn off. He totally rejected him. And that was

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<v Speaker 1>when my mom was finally really done with my dad,

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<v Speaker 1>which is looking back, really sad for her, but I

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<v Speaker 1>think she knew it just was never going to go

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<v Speaker 1>the way she wanted it to go with him. And

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<v Speaker 1>so here's where I need to tell you about how

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<v Speaker 1>and when Trevor's life suddenly became valuable to Lawrence Horn.

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<v Speaker 1>Remember when Trevor and his twin sister, Tammiel were born

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<v Speaker 1>three months premature. Trevor was really sick. He had been

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<v Speaker 1>born with underdeveloped lungs, but by the time he was one,

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<v Speaker 1>he was exceeding doctor's expectations. He was doing really well.

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<v Speaker 1>And then one day he went in for something routine

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<v Speaker 1>at Children's Hospital in d C and there was some

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<v Speaker 1>kind of accident. He was without oxygen for seven or

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<v Speaker 1>eight minutes, leaving him with significant brain damage. They put

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<v Speaker 1>him in the COLMA. Yeah, you didn't give us very

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<v Speaker 1>much hope, and they talked to Milly about removing him

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<v Speaker 1>from life support. So she talked to us about it

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<v Speaker 1>and we said, Milly, you know, what's your decision, because

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<v Speaker 1>I said he would you know, more than a vegetable.

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<v Speaker 1>She still wasn't sure what she was going to do,

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<v Speaker 1>and so Milly went to his room and Trevor opened

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<v Speaker 1>his eyes, looked urd smile, and that was the answer.

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<v Speaker 1>Doctors told Milly to put Trevor in a care facility.

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<v Speaker 1>They said that caring for him would be too much

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<v Speaker 1>of a burden on her and her family. Milly refused,

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<v Speaker 1>here's Tiffany. I mean she learned how to be a nurse,

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<v Speaker 1>Like who does that? She definitely did. She knew his

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<v Speaker 1>care better than the nurses that she fired, and she

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<v Speaker 1>would fire them if they didn't do what she wanted

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<v Speaker 1>them to do. Milly made sure that Trevor had a

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<v Speaker 1>life the same as any other child. At a pool party,

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<v Speaker 1>he's in the pool. The nurse and Trevor and Millie,

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<v Speaker 1>they're in the pool. Halloween, he had his costume. He

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<v Speaker 1>got dressed up. Actually I remember too. One was a clown,

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<v Speaker 1>another one was Peter Pain. They said he would never talk.

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<v Speaker 1>Trevor learned to talk. He used to say I love you.

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<v Speaker 1>His favorite story was Three Little Pigs. He was so smart.

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<v Speaker 1>I would say the wolf would huff and he would puff.

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<v Speaker 1>He would be laughing so much. Here's John Marshall, a

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<v Speaker 1>lawyer and close family friend. He was doing better and

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<v Speaker 1>better and better and defining the odds, you know, Salts Corner,

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<v Speaker 1>but by dint of determination of his mother and sure love.

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<v Speaker 1>That's who Milly was. She was determined and willful. It's

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<v Speaker 1>like she never questioned what insurmountable things she had to

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<v Speaker 1>do to protect the ones she loved. It reminds me

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<v Speaker 1>of this story Maryland told me about their childhood growing

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<v Speaker 1>up in South Carolina. During Jim Crow, our family decided

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<v Speaker 1>that we would get a better education at an integrated school.

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<v Speaker 1>It was horrible. I just couldn't believe that people could

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<v Speaker 1>be so mean to me because of the color of

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<v Speaker 1>my skin. And there was this guy on the bus.

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<v Speaker 1>It was a white guy, and he was bigger than

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<v Speaker 1>me and older than me, and every day he would

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<v Speaker 1>push me, and one day I decided I am not

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<v Speaker 1>going to take that anymore. So when he pushed me,

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<v Speaker 1>I pushed him back, and of course he pushed me

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<v Speaker 1>down on a seat and he's beating me up. I mean,

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<v Speaker 1>he's really beating me up. And Millie Millie came to

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<v Speaker 1>my desfense. Millie stepped in and the boys stopped beating

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<v Speaker 1>Maryland and started in on Millie. She was badly hurt.

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<v Speaker 1>She had to be taken to the hospital. Her shoulder

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<v Speaker 1>was dislocated. She was not going to stand by it

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<v Speaker 1>and the herd or simply so That's the way she was.

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<v Speaker 1>She was our big sister. It wasn't until about three

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<v Speaker 1>years after the accident when it became clear just how

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<v Speaker 1>challenging and expensive it was going to be to care

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<v Speaker 1>for Trevor. That's when Milly decided to pursue a lawsuit

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<v Speaker 1>against Children's Hospital. John Marshall and Howard Siegel representator. Here's John.

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<v Speaker 1>This was not a case where this family was going

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<v Speaker 1>to make millions of dollars. This was a case where

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<v Speaker 1>whatever money that was going to be received out of

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<v Speaker 1>the matter was going for Trevor's use. And that was

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<v Speaker 1>Millie's goal from day one was just how do I

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<v Speaker 1>take care of him? So John helped the family bring

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<v Speaker 1>a lawsuit against Children's Hospital. I had been in touch

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<v Speaker 1>with Lawrence. He called and we talked about it, and

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<v Speaker 1>I explained to him the cases we saw. It was

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<v Speaker 1>at its core Millie and Trevor. They had the bond.

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<v Speaker 1>That was the emotional heart of the case. As we've

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<v Speaker 1>heard from Tiffany, Lawrence was barely a father to Trevor.

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<v Speaker 1>Even still, the lawyers felt Lawrence should be listed in

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<v Speaker 1>the suit. They thought it played better to a jury,

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<v Speaker 1>the idea that this estranged couple came together to fight

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<v Speaker 1>for their son. Here's Howard Siegel, John's co council. The

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<v Speaker 1>first time I ever met him was at the trial.

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<v Speaker 1>He made a good impression. He was a big, nice

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<v Speaker 1>looking guy, and Lawrence played his part. John and Howard

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<v Speaker 1>went back and forth with the hospitals insurance company for months.

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<v Speaker 1>Finally they got a settlement offer they thought was fair.

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<v Speaker 1>This is a really important moment, and so for the

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<v Speaker 1>next couple of minutes, I'm just gonna let John and

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<v Speaker 1>Howard tell you what happened next. They offered a significant

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<v Speaker 1>amount of money, and Millie was clear this was going

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<v Speaker 1>to Trevor. Every lawyer is different, but our philosophy was,

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<v Speaker 1>if you get to a point where you can look

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<v Speaker 1>at the client in the eye and say, you know,

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<v Speaker 1>we can't guarantee you're gonna do better, and this number

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<v Speaker 1>in this kind of a case, will if we invest

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<v Speaker 1>it wisely, that he will be able to be taken

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<v Speaker 1>care of so Milly was fine. Lawrence Horn was sitting

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<v Speaker 1>at council table with us, and Lawrence turned to us

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<v Speaker 1>and he said, that's not enough. And I turned to

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<v Speaker 1>him and I said, what do you mean that's not enough.

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<v Speaker 1>It turned out that Lawrence Horn through a major bomb

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<v Speaker 1>into the settlement. He wrote down on a yellow pad

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<v Speaker 1>with a red pen a million dollars times which was

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<v Speaker 1>the interest rate back then is a hundred thousand a year,

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<v Speaker 1>and he said, I came here expecting this for me.

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<v Speaker 1>I turned to him and I said, what makes you

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<v Speaker 1>think you're entitled to one nickel of this child's money?

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<v Speaker 1>And he looked at me and he said, Trevor lives

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<v Speaker 1>through me. I assumed he meant that because Trevor was

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<v Speaker 1>profoundly disabled and could not enjoy life, that when Lawrence

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<v Speaker 1>took his money and wrote down Hollywood Boulevard in a BMW,

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<v Speaker 1>that Trevor would be enjoying it. I was stunned. I've

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<v Speaker 1>just never been so shocked by anything anybody said to

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<v Speaker 1>me in my life. It was the first time he

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<v Speaker 1>had revealed himself, and we were floored. It had just

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<v Speaker 1>never been discussed that the parents were going to get

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<v Speaker 1>any money at all. I just never came up from

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<v Speaker 1>that point on. He just dug his heels in. We

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<v Speaker 1>took a recess. I went out in the hall with

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<v Speaker 1>John Marshall and I said, I have just looked into

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<v Speaker 1>the eyes of pure evil. This man scares me. It

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<v Speaker 1>was the way that he said it. It was chilling,

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<v Speaker 1>It was detached, It was matter of fact. Lawrence Horn's

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<v Speaker 1>only concern was what he was going to get out

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<v Speaker 1>of it. The Children's Hospital settlement came through and the

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<v Speaker 1>family was awarded two million dollars, with roughly half of

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<v Speaker 1>that going into a trust for Trevor and three dollars

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<v Speaker 1>going to Millie, which she used to buy that big

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<v Speaker 1>house in Silver Spring, with the whole wing devoted to

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<v Speaker 1>Trevor's care. Lawrence walked away with Millie's sister Maryland. He

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<v Speaker 1>felt that he got cheated, that he should have gotten

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<v Speaker 1>more money, and it was all her fault. As long

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<v Speaker 1>as Lawrence was working at Motown, the majority of Trevor's

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<v Speaker 1>medical bills were covered and the settlement money would go

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<v Speaker 1>into that trust. But then Lawrence lost his job. In

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<v Speaker 1>Trevor had exhausted the lifetime maximum benefits on Milly's insurance

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<v Speaker 1>and we had to go to court for the first

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<v Speaker 1>time to ask for some money to be used for

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<v Speaker 1>Trevor's care, which meant that every month, now six thousand

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<v Speaker 1>dollars the cost of Trevor's care was going to come

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<v Speaker 1>out of Trevor's one point seven million dollar trust fund.

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<v Speaker 1>All of this timing was because these policies had run

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<v Speaker 1>out and now we were cutting into Trevor's money. There

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<v Speaker 1>there's no accident about this timing. This was all done

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<v Speaker 1>to maximize the return to Lawrence. I remember Millie being

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<v Speaker 1>very wary, very agitated that something was amiss, and of

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<v Speaker 1>course she was right. A month later she was killed,

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<v Speaker 1>and as we're about to learn, Lawrence Horn had been

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<v Speaker 1>planning this for a very long time. We'll be right back.

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<v Speaker 1>When you think about Hitman, you probably imagine the ones

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<v Speaker 1>you've seen in movies, like John Wick, Jason Bourne, James

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<v Speaker 1>Bond with his double ow license to kill. They only

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<v Speaker 1>killed bad men, men who deserved it. The Hitman book

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<v Speaker 1>plays on these same tropes. The writer Rex Ferrell insists

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<v Speaker 1>that he's quote the last recourse in these times when

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<v Speaker 1>laws are so twisted that justice goes unserved. But in

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<v Speaker 1>this story, the mark was a defenseless child and two mothers.

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<v Speaker 1>So I know we've been jumping around a lot in

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<v Speaker 1>the story telling you different bits of pertinent information. But

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<v Speaker 1>for the rest of this episode, I'm going to walk

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<v Speaker 1>you through Lawrence's plan. This wasn't just something that was

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<v Speaker 1>done in a vacuum where my dad, in a crime

0:15:40.560 --> 0:15:45.120
<v Speaker 1>of passion, just murdered them, which is not okay either way.

0:15:45.160 --> 0:15:47.800
<v Speaker 1>But there was a lot of planning. There was a

0:15:47.840 --> 0:15:51.240
<v Speaker 1>lot of time that passed by within the planning. There

0:15:51.320 --> 0:15:55.240
<v Speaker 1>was money exchange. About a year before the murders, in

0:15:55.280 --> 0:15:59.320
<v Speaker 1>the spring of Lawrence took a trip back home to

0:15:59.440 --> 0:16:03.520
<v Speaker 1>Detroit and reconnected with family. Here he is talking about

0:16:03.520 --> 0:16:06.720
<v Speaker 1>that in a deposition. You drove to Detroit? Did you

0:16:06.720 --> 0:16:09.840
<v Speaker 1>do it one day? Yes? You know how far it

0:16:09.920 --> 0:16:17.760
<v Speaker 1>is the Detroit seven hours, five hundred miles? And where

0:16:17.760 --> 0:16:24.920
<v Speaker 1>did you stay in Detroit? Had a relatives? Relatives? Did

0:16:24.920 --> 0:16:33.440
<v Speaker 1>you when you were in Detroit? Tommy Turner? What else

0:16:33.440 --> 0:16:44.160
<v Speaker 1>he related to, Oh, he's my mother's sisters son. Lawrence

0:16:44.200 --> 0:16:47.920
<v Speaker 1>hadn't seen his cousin, Thomas Turner in twenty years. Turner

0:16:47.920 --> 0:16:51.680
<v Speaker 1>would later take immunity, but according to his testimony, Lawrence

0:16:51.680 --> 0:16:54.440
<v Speaker 1>talked about his divorce and said quote that he was

0:16:54.520 --> 0:16:58.520
<v Speaker 1>having a problem seeing his children. Turner didn't even know

0:16:58.560 --> 0:17:01.080
<v Speaker 1>that Lawrence was married or had it's until this visit,

0:17:02.000 --> 0:17:04.280
<v Speaker 1>but that's when he told Lawrence about his close friend,

0:17:04.600 --> 0:17:09.680
<v Speaker 1>a straight preacher and spiritual advisor. Turner drove a truck

0:17:09.720 --> 0:17:12.320
<v Speaker 1>in the occasional taxicab and he'd helped this guy drom

0:17:12.400 --> 0:17:15.520
<v Speaker 1>up business by passing out as cards and flyers that

0:17:15.640 --> 0:17:20.080
<v Speaker 1>said things like that love problem must go, get your

0:17:20.160 --> 0:17:23.680
<v Speaker 1>luck straightened out, feel good again. Don't worry. I got it.

0:17:24.080 --> 0:17:27.359
<v Speaker 1>I see where you just feel like giving up. Listen

0:17:27.440 --> 0:17:30.600
<v Speaker 1>at the darkest moment, there is a light. All you

0:17:30.680 --> 0:17:33.480
<v Speaker 1>need is faith in God, and get this He has

0:17:33.520 --> 0:17:36.679
<v Speaker 1>given me to give unto you. I know just what

0:17:36.760 --> 0:17:43.600
<v Speaker 1>to do for all your problems. That friend, James Edward Perry,

0:17:48.080 --> 0:17:51.479
<v Speaker 1>turns out they met in prison thirteen years prior before

0:17:51.560 --> 0:17:55.119
<v Speaker 1>becoming a spiritual advisor. Perry once shot at a Michigan

0:17:55.160 --> 0:17:58.160
<v Speaker 1>State trooper in an attempted bank robbery in the seventies.

0:17:59.040 --> 0:18:01.399
<v Speaker 1>Lawrence would visit his cousin more than once in the

0:18:01.440 --> 0:18:04.800
<v Speaker 1>spring of NTO, and this is around the same time

0:18:04.840 --> 0:18:07.359
<v Speaker 1>he started showing up in Maryland to see his kids.

0:18:08.160 --> 0:18:11.440
<v Speaker 1>Remember those recordings we'd played last episode, the ones he'd

0:18:11.440 --> 0:18:16.840
<v Speaker 1>make while driving around with his daughters. Where am I here?

0:18:17.160 --> 0:18:20.959
<v Speaker 1>Oh I got business? Well, investigators found something else on

0:18:21.000 --> 0:18:25.359
<v Speaker 1>those tapes. At one point, he recorded himself driving the

0:18:25.480 --> 0:18:28.840
<v Speaker 1>route from a daizen in Rockville, Maryland, the same one

0:18:28.880 --> 0:18:38.760
<v Speaker 1>Perry would later stay at, to Milly's house. He was

0:18:38.800 --> 0:18:43.520
<v Speaker 1>not only pretending to be personable or caring for his

0:18:43.600 --> 0:18:47.199
<v Speaker 1>family and spending time with his two daughters. That's Lawrence

0:18:47.200 --> 0:18:50.600
<v Speaker 1>Horns defense attorney Jeff O'Toole. It became clear that when

0:18:50.600 --> 0:18:53.520
<v Speaker 1>he was doing his videotaping he was he was planning

0:18:53.800 --> 0:18:58.000
<v Speaker 1>the escape route for James Perry. These trips out to

0:18:58.080 --> 0:19:03.359
<v Speaker 1>Maryland were like reconnaissance missions. And remember that moment in

0:19:03.359 --> 0:19:07.080
<v Speaker 1>our last episode when he asked his two young daughters

0:19:07.080 --> 0:19:16.760
<v Speaker 1>where Trevor's room was. Which one? Well, that's not all.

0:19:18.760 --> 0:19:23.320
<v Speaker 1>There was another tape where he asked Tiffany two videotape

0:19:23.600 --> 0:19:27.240
<v Speaker 1>Trevor and where his room was in the house. He

0:19:27.400 --> 0:19:31.040
<v Speaker 1>was like, well, I have a video camera. Do you

0:19:31.080 --> 0:19:33.680
<v Speaker 1>think if I show you how to use it that

0:19:33.880 --> 0:19:37.439
<v Speaker 1>you can? You know, tape Trevor and like show me

0:19:37.480 --> 0:19:41.640
<v Speaker 1>your new house. That you keep talking about and I mean,

0:19:41.840 --> 0:19:46.920
<v Speaker 1>obviously I'm going to do it. He's my dad. I

0:19:47.000 --> 0:19:48.840
<v Speaker 1>went right in and came right out and gave it

0:19:48.880 --> 0:19:53.280
<v Speaker 1>to him. He made it seem like this was his

0:19:53.359 --> 0:19:56.199
<v Speaker 1>way to try to learn more about his son. I

0:19:56.240 --> 0:19:58.159
<v Speaker 1>wanted him to be that dad. I wanted him to

0:19:58.240 --> 0:20:01.240
<v Speaker 1>like dig deep down and find in the love for

0:20:01.400 --> 0:20:05.040
<v Speaker 1>his child. I felt like he was so disappointed that

0:20:05.080 --> 0:20:09.200
<v Speaker 1>he wasn't like a normal son that it almost broke him.

0:20:09.200 --> 0:20:11.960
<v Speaker 1>So I was trying to feel sympathetic towards my dad.

0:20:12.720 --> 0:20:15.000
<v Speaker 1>I'm trying to tell him, no, it's okay, Like you know,

0:20:15.119 --> 0:20:19.159
<v Speaker 1>we've created this life and he's he's perfect. You know,

0:20:19.280 --> 0:20:26.080
<v Speaker 1>we love him. Tiffany and her dad were close at

0:20:26.119 --> 0:20:30.680
<v Speaker 1>one point, and he used that he definitely manipulated me.

0:20:31.359 --> 0:20:33.560
<v Speaker 1>He was just a liar, like he was just a

0:20:33.640 --> 0:20:38.359
<v Speaker 1>sick person that I felt, just this obsessive need to

0:20:38.560 --> 0:20:41.480
<v Speaker 1>like prove something or win, and he was willing to

0:20:41.520 --> 0:20:45.439
<v Speaker 1>throw everything away, even his relationship with me. And it

0:20:45.480 --> 0:20:48.240
<v Speaker 1>wasn't the last time Lawrence would use Tiffany like this.

0:20:49.240 --> 0:20:52.720
<v Speaker 1>A day before the murders, late at night on March one,

0:20:54.200 --> 0:20:56.640
<v Speaker 1>Tiffany got a phone call to a dorm room at

0:20:56.640 --> 0:21:01.680
<v Speaker 1>Howard University. He never called me, but he asked me

0:21:02.240 --> 0:21:04.919
<v Speaker 1>whether my mom was going to be flying out the

0:21:04.960 --> 0:21:07.879
<v Speaker 1>next morning because he wanted to talk to my sister.

0:21:08.400 --> 0:21:12.840
<v Speaker 1>And so I told him that my sister, if she

0:21:12.960 --> 0:21:15.840
<v Speaker 1>wasn't home, would probably be at my aunt's house. I

0:21:15.880 --> 0:21:18.760
<v Speaker 1>called my mom right after I got off the phone

0:21:18.760 --> 0:21:21.720
<v Speaker 1>with him. He was like searching for information, which I

0:21:21.720 --> 0:21:24.440
<v Speaker 1>found odd. Tiffany said, over the course of their ten

0:21:24.480 --> 0:21:27.640
<v Speaker 1>minute call, he asked her about Millie and Tammielle four

0:21:27.720 --> 0:21:32.280
<v Speaker 1>or five times. The following evening on March two, Millie

0:21:32.400 --> 0:21:36.720
<v Speaker 1>also received a call. I talked to Millie at night

0:21:36.800 --> 0:21:40.040
<v Speaker 1>about ten o'clock. She called to tell me guess who

0:21:40.119 --> 0:21:43.399
<v Speaker 1>called me. Lawrence called me, and she said, do you

0:21:43.480 --> 0:21:46.280
<v Speaker 1>know I was actually nice to him. I talked nice

0:21:46.280 --> 0:21:49.160
<v Speaker 1>to him for a change. So that's the last time

0:21:49.200 --> 0:21:53.480
<v Speaker 1>I talked to her. Lawrence was also asking Milly about

0:21:53.480 --> 0:21:59.240
<v Speaker 1>Tammielle's whereabouts. Here's Prosecutor Bob Dean. Lawrence made sure that Tammielle,

0:22:00.119 --> 0:22:03.680
<v Speaker 1>twin sister of Trevor, would not be home the night

0:22:03.720 --> 0:22:07.240
<v Speaker 1>of the killing. And you know, we had an information

0:22:07.320 --> 0:22:10.680
<v Speaker 1>that that. You know, he was careful about that, and

0:22:10.960 --> 0:22:13.239
<v Speaker 1>I don't know what that means or shows other than

0:22:13.280 --> 0:22:16.639
<v Speaker 1>the fact that you know, she didn't fit into the

0:22:16.680 --> 0:22:36.760
<v Speaker 1>plans for the inheritance. They ordered a copy of the

0:22:36.800 --> 0:22:41.960
<v Speaker 1>book from Palinin Press. They did it was like, oh

0:22:42.000 --> 0:22:46.119
<v Speaker 1>my god, here it all is. It was written out,

0:22:46.800 --> 0:22:51.040
<v Speaker 1>So there were many similarities that say about what was

0:22:51.080 --> 0:22:53.320
<v Speaker 1>said in this book and what was done, and some

0:22:53.400 --> 0:22:57.800
<v Speaker 1>of the evidence that they hadn't covered also matched specifics.

0:22:58.400 --> 0:23:00.880
<v Speaker 1>Just so you know, there's no evidence that Lawrence ever

0:23:00.920 --> 0:23:03.920
<v Speaker 1>read Hitman. In fact, there's no evidence James Perry read

0:23:03.920 --> 0:23:07.679
<v Speaker 1>it either. Investigators never found an actual copy, but they

0:23:07.680 --> 0:23:10.199
<v Speaker 1>found the Paladin Press catalog in his apartment with the

0:23:10.200 --> 0:23:12.399
<v Speaker 1>book's title circled, and they got a copy of the

0:23:12.480 --> 0:23:15.919
<v Speaker 1>check he made out to Paladin for two books, including Hitman,

0:23:16.320 --> 0:23:19.600
<v Speaker 1>though that checked it bounce. Paladin even shared the order

0:23:19.640 --> 0:23:24.080
<v Speaker 1>form with investigators, so they believed he ordered it. And

0:23:24.119 --> 0:23:27.520
<v Speaker 1>the similarities between rex Ferrell's manual and the murders of

0:23:27.560 --> 0:23:30.880
<v Speaker 1>Millie Horn, her son, Trevor, and Janice Saunders are difficult

0:23:30.920 --> 0:23:33.400
<v Speaker 1>to ignore. I'm going to walk you through some of those.

0:23:33.440 --> 0:23:38.520
<v Speaker 1>Now we've already told you about a few Hitman instructs,

0:23:38.560 --> 0:23:42.040
<v Speaker 1>An explicit detail with photographs how to build a homemade

0:23:42.080 --> 0:23:46.200
<v Speaker 1>silencer from material available in any hardware store. The silencer

0:23:46.600 --> 0:23:49.520
<v Speaker 1>is one of the most important tools a professional will

0:23:49.560 --> 0:23:52.280
<v Speaker 1>ever have. Again, we got that same actor to read

0:23:52.320 --> 0:23:56.280
<v Speaker 1>these lines. The silenced weapon, when fired will not draw attention.

0:23:56.960 --> 0:24:00.000
<v Speaker 1>Lack of adenda means more time. More time means getting

0:24:00.000 --> 0:24:04.439
<v Speaker 1>a job done right. According to the Deputy Chief Medical

0:24:04.440 --> 0:24:08.440
<v Speaker 1>Examiner for Maryland, Donald writes testimony, one of Janis Saunder's

0:24:08.480 --> 0:24:12.600
<v Speaker 1>gunshot wounds indicated Perry likely used a silencer. A hitman

0:24:12.760 --> 0:24:15.600
<v Speaker 1>without a gun is like a carpenter without a Hammer's

0:24:16.040 --> 0:24:20.240
<v Speaker 1>not very effective. The first weapon listed in the basic

0:24:20.320 --> 0:24:23.560
<v Speaker 1>Equipment Checklist for Beginners on page twenty one of Hitman

0:24:24.119 --> 0:24:27.080
<v Speaker 1>is an a R seven rifle, exactly what was used.

0:24:27.720 --> 0:24:30.080
<v Speaker 1>Hitman goes on to instruct its readers on where to

0:24:30.080 --> 0:24:34.200
<v Speaker 1>find the rifles serial number here's Bob Dean. It suggested

0:24:34.240 --> 0:24:37.280
<v Speaker 1>that you drill out the serial numbers to the weapon,

0:24:37.560 --> 0:24:41.240
<v Speaker 1>which James Perry did. But beyond obscuring the serial number,

0:24:41.680 --> 0:24:44.760
<v Speaker 1>Hitman also explains that the gun barrel needs to be

0:24:44.800 --> 0:24:48.040
<v Speaker 1>altered with a rattail file as well. Each one of

0:24:48.040 --> 0:24:51.600
<v Speaker 1>these items leaves its own definite mark and impression on

0:24:51.640 --> 0:24:53.680
<v Speaker 1>the shell casing, which if any shell has happened to

0:24:53.680 --> 0:24:55.960
<v Speaker 1>be left behind, can be matched to the gun under

0:24:56.000 --> 0:24:59.240
<v Speaker 1>a microscope. In the police laboratory, we found the file

0:24:59.600 --> 0:25:03.200
<v Speaker 1>in the BA back yard, the file that was used

0:25:03.240 --> 0:25:06.160
<v Speaker 1>to go into the barrel of the gun. We had

0:25:06.200 --> 0:25:12.800
<v Speaker 1>that file tested. That file had elements of ammunition on

0:25:12.840 --> 0:25:17.200
<v Speaker 1>the file. It's clearly consistent with rubbing through and defacing

0:25:17.240 --> 0:25:21.840
<v Speaker 1>the interior of a rifle. Hitman suggests shooting at close

0:25:21.960 --> 0:25:26.040
<v Speaker 1>range to ensure quote the desired result has been achieved.

0:25:26.240 --> 0:25:28.320
<v Speaker 1>It's best to shoot from a distance of three to

0:25:28.400 --> 0:25:31.040
<v Speaker 1>six ft. You'll not want to be at point blank

0:25:31.160 --> 0:25:34.240
<v Speaker 1>range to avoid having the victim's blood splatter you or

0:25:34.240 --> 0:25:37.880
<v Speaker 1>your clothing. Ballistics showed Millie and Jennie were shot from

0:25:37.920 --> 0:25:40.200
<v Speaker 1>about a foot and a half to three ft away,

0:25:40.560 --> 0:25:44.440
<v Speaker 1>aimed for the head, preferably the eye sockets. If you

0:25:44.480 --> 0:25:49.240
<v Speaker 1>are a sharp shooter. Lawrence Horns defense attorney again Jeff O'Toole,

0:25:49.720 --> 0:25:54.200
<v Speaker 1>the book suggested shooting the victims in the eye because

0:25:54.240 --> 0:25:57.440
<v Speaker 1>that was going to be the most assured way to

0:25:57.440 --> 0:25:59.760
<v Speaker 1>to make sure they're dead. That's an image from the

0:25:59.800 --> 0:26:03.000
<v Speaker 1>book that you just can't. You just can't let go.

0:26:03.680 --> 0:26:06.240
<v Speaker 1>And the reason Rex Ferrell recommends the a R seven

0:26:06.240 --> 0:26:09.840
<v Speaker 1>in his book, it's a gun that's easily disassembled. The

0:26:09.880 --> 0:26:13.800
<v Speaker 1>book suggested that you dismantle the gun in the silence

0:26:13.880 --> 0:26:16.000
<v Speaker 1>room and throw it along the way as you're escaping.

0:26:16.080 --> 0:26:18.640
<v Speaker 1>So they did a drag net search of these woods

0:26:18.840 --> 0:26:24.240
<v Speaker 1>and they found a small piece of a gun, but

0:26:24.320 --> 0:26:29.200
<v Speaker 1>it was the trigger mechanism only, which is an odd thing.

0:26:30.000 --> 0:26:33.280
<v Speaker 1>They were instructed to break the gun into many pieces

0:26:33.320 --> 0:26:36.439
<v Speaker 1>and distribute them wherever, you know, felt like it. We

0:26:36.560 --> 0:26:39.399
<v Speaker 1>had an analysis done on the pieces of the gun

0:26:40.119 --> 0:26:43.800
<v Speaker 1>and according to the FBI expert did he did a

0:26:43.920 --> 0:26:48.880
<v Speaker 1>rust development analysis. He felt that based upon the weather

0:26:48.920 --> 0:26:53.680
<v Speaker 1>conditions of March of that year that they had been

0:26:54.240 --> 0:26:56.919
<v Speaker 1>outside for you know, the side of the road for

0:26:56.920 --> 0:26:59.760
<v Speaker 1>for several weeks, a matter of weeks, it was clear

0:26:59.800 --> 0:27:02.359
<v Speaker 1>that this was the weapon, the weapon that was used.

0:27:02.440 --> 0:27:04.680
<v Speaker 1>If the hit was supposed to look like a burglary.

0:27:04.920 --> 0:27:07.560
<v Speaker 1>Messed the place up a bit, take anything of value

0:27:07.600 --> 0:27:11.760
<v Speaker 1>that you can carry concealed. There was some disheveling and

0:27:11.880 --> 0:27:15.800
<v Speaker 1>disturbance of pieces of furniture. There's a bookshelf that was overturned,

0:27:15.840 --> 0:27:18.080
<v Speaker 1>but it didn't appear that much was stolen. There were

0:27:18.080 --> 0:27:22.800
<v Speaker 1>some items that were taken from um, the purse of Mildred.

0:27:23.000 --> 0:27:26.240
<v Speaker 1>Of course, you can't keep anything. These items have to

0:27:26.280 --> 0:27:30.040
<v Speaker 1>be ditched, along with your work clothes and the weapon. Actually,

0:27:30.040 --> 0:27:31.880
<v Speaker 1>the day of the murder, there was a jogger who

0:27:31.880 --> 0:27:36.960
<v Speaker 1>found Mildred Horns credit cards and identification cards that had

0:27:37.040 --> 0:27:41.280
<v Speaker 1>been taken from her purse hours before. He had done

0:27:41.440 --> 0:27:53.640
<v Speaker 1>exactly what the book said to do. I've been thinking

0:27:53.680 --> 0:27:57.280
<v Speaker 1>a lot about accountability as I report this story. Was

0:27:57.320 --> 0:28:00.000
<v Speaker 1>the book an accomplice of sorts? The courts would later

0:28:00.080 --> 0:28:03.200
<v Speaker 1>say just that the story is a whole tangled knot

0:28:03.240 --> 0:28:07.080
<v Speaker 1>of accountability. It's like that saying it's turtles all the

0:28:07.080 --> 0:28:11.360
<v Speaker 1>way down. Lawrence was clearly the mastermind. And sometimes I'm

0:28:11.359 --> 0:28:14.159
<v Speaker 1>tempted to just look through Perry to see Lawrence the

0:28:14.240 --> 0:28:17.080
<v Speaker 1>hitman becomes a tool or a pawn or an instrument

0:28:17.119 --> 0:28:20.159
<v Speaker 1>to just get the job done. But it was James

0:28:20.160 --> 0:28:24.080
<v Speaker 1>Perry's hands that killed Trevor. It was his hands that

0:28:24.240 --> 0:28:31.520
<v Speaker 1>left that blade of grass. Lawrence recorded so many things

0:28:31.560 --> 0:28:34.879
<v Speaker 1>as part of his plan. The surveillance tapes, the LBI tape,

0:28:34.920 --> 0:28:36.520
<v Speaker 1>the one where he's standing in front of his TV,

0:28:36.840 --> 0:28:39.520
<v Speaker 1>clearly displaying the time and date, which was pretty much

0:28:39.560 --> 0:28:42.240
<v Speaker 1>the exact time of the murders. But there was one

0:28:42.280 --> 0:28:45.640
<v Speaker 1>other recording the investigators found in the search of Lawrence's apartment,

0:28:45.840 --> 0:28:50.720
<v Speaker 1>and it took everyone by surprise. You heard an excerpt

0:28:50.760 --> 0:28:53.800
<v Speaker 1>from this in our first episode. Remember this call was

0:28:53.840 --> 0:28:56.640
<v Speaker 1>made from a payphone not far from Millie's house, and

0:28:56.760 --> 0:28:59.880
<v Speaker 1>investigators believed it was made just hours after the murders.

0:29:01.000 --> 0:29:04.320
<v Speaker 1>It's a little hard to understand, but basically you hear

0:29:04.440 --> 0:29:07.480
<v Speaker 1>Lawrence answer the phone, and then another man we now

0:29:07.560 --> 0:29:10.800
<v Speaker 1>know to be James Perry, presumably calling to say the

0:29:10.880 --> 0:29:21.040
<v Speaker 1>job was done, all right? Then you him right right.

0:29:23.400 --> 0:29:26.240
<v Speaker 1>It was cryptic, but investigators believed this meant he was

0:29:26.240 --> 0:29:28.680
<v Speaker 1>going to take a photograph of Trevor to prove he'd

0:29:28.680 --> 0:29:31.960
<v Speaker 1>done his job, but the noise of Trevor's alarm was distracting.

0:29:37.800 --> 0:29:41.640
<v Speaker 1>I didn't want to go. Was this on an answering

0:29:41.680 --> 0:29:45.760
<v Speaker 1>machine machine? Remember those answering machines, And sometimes if you

0:29:45.800 --> 0:29:48.040
<v Speaker 1>picked up too late, it would record exactly So is

0:29:48.040 --> 0:29:51.000
<v Speaker 1>that what happened? Horn didn't mean to record it. I

0:29:51.000 --> 0:29:54.240
<v Speaker 1>don't think he did. It cuts off because actually it

0:29:54.320 --> 0:29:56.800
<v Speaker 1>comes at the very end of this answering machine tape.

0:29:57.080 --> 0:29:59.880
<v Speaker 1>It literally ran out of tape. The fact that this

0:30:00.080 --> 0:30:03.760
<v Speaker 1>tape even exists is kind of hard to believe. Lawrence's

0:30:03.800 --> 0:30:07.080
<v Speaker 1>own defense attorney Jeff O'Toole. So Lawrence was this person

0:30:07.120 --> 0:30:10.120
<v Speaker 1>who taped everything. He made a career of taping Stevie

0:30:10.160 --> 0:30:12.880
<v Speaker 1>Wonder and all the different people and the songs that

0:30:12.920 --> 0:30:17.120
<v Speaker 1>the Holland Brothers wrote. He knew how to tape things well. Unfortunately,

0:30:17.160 --> 0:30:22.000
<v Speaker 1>he was taping his telephone conversation when Perry called him.

0:30:22.560 --> 0:30:27.840
<v Speaker 1>That was a tape recording that was accidentally either taped

0:30:28.160 --> 0:30:31.680
<v Speaker 1>or certainly accidentally kept by Lawrence Horn. What did he

0:30:31.720 --> 0:30:33.640
<v Speaker 1>have to say about that tape? You know, I think

0:30:33.680 --> 0:30:36.920
<v Speaker 1>he shook his head Jasmine and said sort of. I'm

0:30:36.960 --> 0:30:38.720
<v Speaker 1>not sure we had the expression back then, but I

0:30:38.720 --> 0:30:41.680
<v Speaker 1>think he said it is what it is. I think

0:30:41.680 --> 0:30:45.160
<v Speaker 1>he he wasn't able to say that wasn't his tape.

0:30:45.160 --> 0:30:47.920
<v Speaker 1>He wasn't able to say that was not James Perry.

0:30:48.120 --> 0:30:50.480
<v Speaker 1>The tape was was really something to hold up and

0:30:50.520 --> 0:30:52.520
<v Speaker 1>go here it is, ladies and gentlemen. Was there a

0:30:52.560 --> 0:30:57.400
<v Speaker 1>smoking gun? Probably The second phone call that Perry made

0:30:57.480 --> 0:31:01.600
<v Speaker 1>to Horn was was a crucial one, of course, that

0:31:01.680 --> 0:31:04.640
<v Speaker 1>was made you know, an hour or so after the murders.

0:31:05.200 --> 0:31:08.840
<v Speaker 1>The plan almost worked, They almost got away with it.

0:31:09.400 --> 0:31:13.040
<v Speaker 1>Perry left no identifying evidence behind. Lawrence had his alibi,

0:31:13.240 --> 0:31:15.360
<v Speaker 1>and if Perry hadn't checked into the hotel under his

0:31:15.400 --> 0:31:21.080
<v Speaker 1>own name, who knows what would have happened. Here's what

0:31:21.080 --> 0:31:24.640
<v Speaker 1>we're going to talk about next week. Even as investigators

0:31:24.640 --> 0:31:28.840
<v Speaker 1>telled the Hitman and the mastermind, why are tapping their phones?

0:31:29.240 --> 0:31:32.440
<v Speaker 1>Building their case, Lawrence was trying to pull off the

0:31:32.560 --> 0:31:36.160
<v Speaker 1>last piece of his plan, getting the one point seven

0:31:36.200 --> 0:31:41.040
<v Speaker 1>million dollars and his son's trust fund. Just one thing

0:31:41.360 --> 0:31:46.240
<v Speaker 1>stood in his way, well, a couple of things. Millie's sisters,

0:31:46.600 --> 0:31:50.120
<v Speaker 1>my aunts were really strategic, especially my aunty Lane. She

0:31:50.240 --> 0:31:53.520
<v Speaker 1>made sure to file a civil suit like immediately to

0:31:53.640 --> 0:31:58.280
<v Speaker 1>block my dad from receiving my brother's estate, which is

0:31:58.360 --> 0:32:01.320
<v Speaker 1>essentially the reason why he had them murdered in the

0:32:01.400 --> 0:32:04.520
<v Speaker 1>first place. And that became like a primary goal, even

0:32:04.560 --> 0:32:07.520
<v Speaker 1>without him being arrested, because we knew that was always

0:32:07.600 --> 0:32:10.680
<v Speaker 1>about power and control, of course, but the money he

0:32:10.760 --> 0:32:26.640
<v Speaker 1>wanted that money. Hitman is a production of I Heart

0:32:26.720 --> 0:32:29.600
<v Speaker 1>Radio and hit Home Media. It's produced and reported by

0:32:29.640 --> 0:32:33.800
<v Speaker 1>me Jasmine Morris. Our supervising producer is Michelle Lance. Mark

0:32:33.920 --> 0:32:37.600
<v Speaker 1>Latto is our story consultant. Executive producers are Main gesh Ha,

0:32:37.720 --> 0:32:41.080
<v Speaker 1>Tiktor and Me. Mixing by Josh Rogison, Michelle Lance and

0:32:41.160 --> 0:32:45.800
<v Speaker 1>Jacopo Penzo. Our fact checkers are Austin Thompson and Natsumi Ajisaka.

0:32:46.240 --> 0:32:49.960
<v Speaker 1>Special thanks to Andrew Goldberg, the Montgomery County States Attorney's

0:32:50.000 --> 0:32:52.920
<v Speaker 1>Office and the Criminal Department in Central Files at the

0:32:52.920 --> 0:32:56.920
<v Speaker 1>Montgomery County Courthouse. Our theme song by Alice McCoy in.

0:32:57.000 --> 0:32:59.800
<v Speaker 1>Additional music written and produced by the students at DIME,

0:33:00.280 --> 0:33:03.240
<v Speaker 1>powered by the Detroit Institute of Music Education,