WEBVTT - Shoshanna Rising

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<v Speaker 1>Dreamline rotation me Brandon Adina Menzel, could you imagine? Oh

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<v Speaker 1>my god. Also, I mean Michelle Fiper, Viola Davis and

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<v Speaker 1>Jillian Anderson are also very dreamline rotations. Okay, I'm in

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<v Speaker 1>the middle of a pretty disgusting experience that I also

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<v Speaker 1>am completely in love with, which is I'm rewatching Girls.

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<v Speaker 1>And this was inspired by the fact that I've been

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<v Speaker 1>seeing Hunter Harris watching it and she's been tweeting about it.

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<v Speaker 1>It was just the tenth anniversary of the show's premiere,

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<v Speaker 1>and I realized I hadn't watched Girls in years, and

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<v Speaker 1>I did. Bully Fran also into rewatching. Well, here's here's

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<v Speaker 1>what here's what actually happened, because I mean, obviously Hunter Harris,

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<v Speaker 1>you know the impact. And so when she rewatches something,

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<v Speaker 1>now the culture is rewatching something, and when we're seeing

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<v Speaker 1>her tweet about Marnie's music video and like, I want

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<v Speaker 1>to watch Marty's music and when the culture is rewatching things,

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<v Speaker 1>that's when I want to rewatch. But I will say,

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<v Speaker 1>when I started to see the Girls tweets from you,

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<v Speaker 1>I was like, as your friend, I don't support this.

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<v Speaker 1>It's literally gotten in the way of me consuming any

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<v Speaker 1>other kind of culture like the Flight Attendants season two premiered,

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<v Speaker 1>which I was so excited for and I haven't watched

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<v Speaker 1>it yet because I've just been rewatching Girls. We need

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<v Speaker 1>to watch that together. Actually we should watch it tomorrow.

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<v Speaker 1>We do. Um. Basically, I judged was very hard and

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<v Speaker 1>I said I don't support this, and within twenty four

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<v Speaker 1>hours I was like, actually I'm gonna We were we

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<v Speaker 1>were we were texting about it and you were and

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<v Speaker 1>I was saying, Fran, we should do an episode on Girls,

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<v Speaker 1>and I said no, And then the next text and

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<v Speaker 1>then the next things I got from you was I

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<v Speaker 1>wish I was this cool when I was twenty three.

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<v Speaker 1>Well it was also like I think the biggest motivator

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<v Speaker 1>for me was Adam Givers sex scenes. But anyways, we'll

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<v Speaker 1>get into it. Well, yes, because today we're talking about Girls,

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<v Speaker 1>the HBO series created by Lena Them and we're going

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<v Speaker 1>to you know, look at it throughout lens ten years

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<v Speaker 1>and so much has changed. Because this is like a

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<v Speaker 1>virgin the show where we give yesterday's pop culture today's takes.

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<v Speaker 1>I'm ros Damo and I'm Fran Grato. Um, we have

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<v Speaker 1>like slightly less topical stuff to talk about today because

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<v Speaker 1>we are recording this all at once, and the reason

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<v Speaker 1>we're doing that is because tomorrow is Fran's birthday. It

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<v Speaker 1>is tomorrow upon this record, not tomorrow when this podcast. Yes,

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<v Speaker 1>so by the time you all listen to it, she

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<v Speaker 1>will be forty five sited, yes, years young. Unfortunately for you,

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<v Speaker 1>we probably have not consumed a lot of the pop

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<v Speaker 1>culture you would expect us to be talking about, as

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<v Speaker 1>in we we have not watched the Drag Race finale. Yeah,

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<v Speaker 1>I mean I have. I have watched half of it,

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<v Speaker 1>but I don't know who wins yet. And I know

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<v Speaker 1>who wins, but I haven't watched it yet. And you

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<v Speaker 1>haven't spoiled it for me, which doesn't mean I have not. Yeah,

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<v Speaker 1>I don't know how the internet hasn't spoiled it for you.

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<v Speaker 1>Um well, I've been staying. We're at a party full

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<v Speaker 1>of queer people. Last night. No one like shouted out

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<v Speaker 1>yeah so last yeah, okay, so last night was gorgeous, gorgeous,

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<v Speaker 1>some a little. It was like a pre birthday party,

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<v Speaker 1>but a monthly like kind of queer party. I'm trying

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<v Speaker 1>to do here in Los Angeles, raging success. Everyone had

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<v Speaker 1>so much fun. The girls that did the drag Laurel

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<v Speaker 1>Charleston and Mother Teresa were like, unreal, Teresa did this

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<v Speaker 1>version of Um Britney spears hit Me, Bade Me one

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<v Speaker 1>More Time that like starts out like slow acapella, and

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<v Speaker 1>you're like, oh, someone's going to do like an acapella Britney.

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<v Speaker 1>That's like interesting as like a drag piece. And then

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<v Speaker 1>this song gets like progressively like slower and like kind

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<v Speaker 1>of like moody warped like dark um and everyone was

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<v Speaker 1>losing their goddamn minds. But yeah, shockingly, did not get

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<v Speaker 1>drag Race spoiled for me last night. Wow, I'm so

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<v Speaker 1>happy that you haven't. And let me tell you, I

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<v Speaker 1>don't really care someone spoiler. I don't think I would care,

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<v Speaker 1>Like it's there was nothing. So I've watched the first

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<v Speaker 1>half and all of the performances are kind of like

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<v Speaker 1>I mean, first of all, I hate the fact that

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<v Speaker 1>they're going back to original song. So if you don't know,

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<v Speaker 1>they are like allah season six, seven and eight, the

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<v Speaker 1>girls are doing like drag Race written songs out there

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<v Speaker 1>like I did I did hear? I did hear my

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<v Speaker 1>friend who spoiled the ending for me? Um who was

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<v Speaker 1>talking me through a sort of emotional unraveling I was

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<v Speaker 1>happening last night. Um did walk me through how the

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<v Speaker 1>finale unfold and it sounds very boring. I don't think

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<v Speaker 1>the return to this format was really the move. I

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<v Speaker 1>think it was nice to try and shake it up,

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<v Speaker 1>but I just hate the song. Well. I also think

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<v Speaker 1>this is an interesting take. Anythink fran Uni should cover

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<v Speaker 1>your ears for this? Okay? Okay, I think that the

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<v Speaker 1>finale was engineered in a way to set up the

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<v Speaker 1>person who won to win. And that's all I'll say

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<v Speaker 1>about that. Okay, you can. You can uncover your ears. Now.

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<v Speaker 1>Is there anything else happening in the world we should

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<v Speaker 1>talk about? I mean, like, um, what do we What

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<v Speaker 1>did you watch this week? Just girls? That's it. That's

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<v Speaker 1>what I did. Read a book in one day last weekend. Um.

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<v Speaker 1>I read this book that I'm pretty sure is One

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<v Speaker 1>Direction fan fiction. How did that happen? Um? It's because

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<v Speaker 1>I saw it on book Talk and I know my

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<v Speaker 1>sisters who are like current Harry Style stands and used

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<v Speaker 1>to be one direction ars. You used to read Harry

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<v Speaker 1>Styles fan fiction. And there's this book called If This

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<v Speaker 1>Comes Out, and it's about two boy band members who

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<v Speaker 1>fall in love. That sounds kind of great. And I

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<v Speaker 1>read it in a day because no, it's not good.

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<v Speaker 1>I rated it three stars on good Reads. It was

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<v Speaker 1>definitely very easy to get through. It was a diverting

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<v Speaker 1>way to spend an afternoon. Um, but no, it's not good.

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<v Speaker 1>You know what else is not great? The pilot of

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<v Speaker 1>First Lady. Have you? Oh no, I haven't watched it

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<v Speaker 1>because I've heard it's bad, babe. I So here's the thing.

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<v Speaker 1>I am going to watch the rest of the show

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<v Speaker 1>because from like all the previews, it looks like it's

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<v Speaker 1>going to get better and juicier, like good melodrama. And

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<v Speaker 1>I do actually think that the portraits of these three

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<v Speaker 1>women are stunning because the actresses doing it are stunning.

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<v Speaker 1>Viola Davis's impression of Michelle Obama is getting a little

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<v Speaker 1>flak right now because, um, she's kind of overdoing a

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<v Speaker 1>very specific lip. Person. Have you seen the memes about this?

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<v Speaker 1>I saw the me I saw the meme that she

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<v Speaker 1>liked of like the fast food workers sitting on side

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<v Speaker 1>after their shift, and it was like Vio Davis's lips

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<v Speaker 1>between takes, and she liked it on Twitter. She liked it,

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<v Speaker 1>I have to like, Okay, so an even though you

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<v Speaker 1>can't see it, so I have to say that she's

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<v Speaker 1>getting a lot of flak I personal from watching the show.

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<v Speaker 1>I actually still think that the Obama portrayal is stunning.

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<v Speaker 1>I think that she looks and sounds and feels exactly

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<v Speaker 1>like Michelle Obama. But the script is just not good,

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<v Speaker 1>and I feel like Viola Davis is having a hard

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<v Speaker 1>time doing what she needs to do because the script

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<v Speaker 1>is so bad. And then on top of that, I

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<v Speaker 1>do think the lip person thing is like a little

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<v Speaker 1>and ol even though Michelle Obama does do that. We

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<v Speaker 1>are laughing at a tweet. We'll post it on the Burner.

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<v Speaker 1>I gotta wait. We need to tell the Virgins about

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<v Speaker 1>our burner. So we have a we have a burner

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<v Speaker 1>Instagram that you should follow it. No, no, not should.

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<v Speaker 1>You must listen to this. You will follow it and

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<v Speaker 1>share things from it because it's at like a virgin

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<v Speaker 1>for that's at like a virgin for on Instagram. Yes,

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<v Speaker 1>and it is Fran myself and our producer Phoebe just

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<v Speaker 1>ship posting our little asses off. Yeah, and we'll do

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<v Speaker 1>memes of the week. The account only follows for people,

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<v Speaker 1>Fran myself, Phoebe, and Adida Mentell. And so right now

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<v Speaker 1>I'm looking at the home page and it has like

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<v Speaker 1>the people's stories at top, and it's just Fran Rose

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<v Speaker 1>and Indiana Love the Idina makes stories. That's so nice. Um,

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<v Speaker 1>well she's talking about Earth Day, yeah, oh lovely love

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<v Speaker 1>that from you know, climate change frozen. So anyways, just

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<v Speaker 1>to tell you the rest about this, Michelle Peiffer plays

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<v Speaker 1>Betty Ford, which like someone I never paid attention to,

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<v Speaker 1>someone I don't know as like a American figure. That's Betty.

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<v Speaker 1>Betty Ford is the one with the clinic, you know.

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<v Speaker 1>Oh yeah, she's the one with the clinic. Is it

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<v Speaker 1>for eating disorders or drugs? I don't know. I actually

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<v Speaker 1>don't know. I haven't done even a cursory google on

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<v Speaker 1>Betty for it. Um, but because I will either way,

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<v Speaker 1>I hope they get the help they need. I will say,

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<v Speaker 1>I'd be curious to know what the virgins think. But

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<v Speaker 1>the pilot is not good. Literally, nothing happens. The script

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<v Speaker 1>is so boring. There's no like engine or real steaks

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<v Speaker 1>established in these three women's lives, and it's like what

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<v Speaker 1>like it was just such a bad beginning to what

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<v Speaker 1>a show that has so much potential but I don't know.

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<v Speaker 1>I've hoped for the previous. So when you watch it,

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<v Speaker 1>I would love to hear your opinions, and as well,

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<v Speaker 1>I think we should try and watch it. Oh, I

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<v Speaker 1>did you know what? We talked about this a few

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<v Speaker 1>weeks ago, So I do want to give an update.

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<v Speaker 1>I finished Our Flag Means Death what? Yeah? It and

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<v Speaker 1>it did get better and so much gayer, Like everything

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<v Speaker 1>is gay on it, everyone is gay. I'm probably not

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<v Speaker 1>going to watch it. So what was like a highlight

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<v Speaker 1>from the end? Um So the show ends with Steed

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<v Speaker 1>the main guy, so he and black Beard they get

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<v Speaker 1>captured essentially, and they declare their love for each other

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<v Speaker 1>and kiss. Also the non binary pirate there's a non

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<v Speaker 1>binary non binary pirate and everyone uses they then pronouns

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<v Speaker 1>for them. Okay, um pis written. Yeah, I'm so glad

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<v Speaker 1>that we have a slow news week because this means

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<v Speaker 1>I can finally talk about the Omar Apollo album that

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<v Speaker 1>I Oh, you have really been wanting to talk about this? Okay,

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<v Speaker 1>here's the thing. I have not been wanting to talk

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<v Speaker 1>about it. But um, but like so many fagots are

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<v Speaker 1>posting about the new Omar album on social or they

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<v Speaker 1>were rather because it was kind of a very temporal

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<v Speaker 1>moment um not seeing a word about it, just just

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<v Speaker 1>so you know, I think that's the difference between our feeds. Unfortunately,

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<v Speaker 1>Um so omar Apollo, which I had kept calling him

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<v Speaker 1>omar Apo and that's not correct at all. Um is

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<v Speaker 1>like this like kind of gay acoustic e vibe, like

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<v Speaker 1>sad boy music person. And I listened to his new

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<v Speaker 1>album Ivory, and um, you know, it was it was

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<v Speaker 1>like I had it on repeat for like a day

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<v Speaker 1>or two, but it's like it was very slow vibes

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<v Speaker 1>and like very like I think. After I listened to

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<v Speaker 1>it a few more times, I was like, this sounds

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<v Speaker 1>so much like Frank Ocean. Were you ever a Frank

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<v Speaker 1>Ocean fan? Okay, so I'm a diehard Frank Ocean fan,

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<v Speaker 1>like since like college pre Channel Orange, have seen him

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<v Speaker 1>a concert many times back in the Tumbler days, literally

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<v Speaker 1>like the nostalgia ultra like mix tave days. So I

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<v Speaker 1>was like disoriented by how alarming lye similar. Some of

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<v Speaker 1>the songs were, like there's a song that he does

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<v Speaker 1>with Calucus that like is so similar to Nikes I

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<v Speaker 1>had to check my like phone to see that I

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<v Speaker 1>hadn't accidentally switched to like a Frank Ocean remix of something.

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<v Speaker 1>I wonder if it will be the kind of thing

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<v Speaker 1>where he like retroactively has to like pay royalties like

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<v Speaker 1>Olivia Drigo had to do with Taylor Swift. Dave. Guess

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<v Speaker 1>what I found out. I've been doing some reporting for

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<v Speaker 1>the podcast when I was thank God, let me tell

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<v Speaker 1>you original reporting. So when I was driving late at night,

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<v Speaker 1>I'm back from a Coachella party. I was driving home

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<v Speaker 1>like two friends of friends that are from Mexico and

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<v Speaker 1>they work in the music industry, and one of them

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<v Speaker 1>were friends with Omar Apollo, and so we're talking about

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<v Speaker 1>this new album and this, and I was saying, like,

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<v Speaker 1>you know, it feels really Frank oceany to me, like

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<v Speaker 1>or not all of it? And I should say, like

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<v Speaker 1>half of it is very like acoustic eat kind of

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<v Speaker 1>like John Mayer ish like feel good vibes, and then

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<v Speaker 1>and then some of it gets a little like you know,

0:12:38.200 --> 0:12:41.760
<v Speaker 1>Latin ra music, and then the rest sounds like Frank Ocean.

0:12:42.320 --> 0:12:44.040
<v Speaker 1>And I was like, well, it sounds a lot like

0:12:44.080 --> 0:12:45.800
<v Speaker 1>Frank Ocean, and the guy looks at me and he goes,

0:12:45.920 --> 0:12:49.400
<v Speaker 1>you know they used to date, right, oh twist say

0:12:49.520 --> 0:12:54.280
<v Speaker 1>dated for three years and they broke up. And this

0:12:54.360 --> 0:12:58.640
<v Speaker 1>album Ivory is all about Frank, both in both in

0:12:58.760 --> 0:13:02.520
<v Speaker 1>terms of the content and the musical style that he

0:13:02.600 --> 0:13:04.720
<v Speaker 1>stole from him. And so I don't I don't have

0:13:04.760 --> 0:13:06.840
<v Speaker 1>like a ton of intel on like the inner workings

0:13:06.840 --> 0:13:10.880
<v Speaker 1>of their relationship, but I do know that there's drama

0:13:11.400 --> 0:13:14.200
<v Speaker 1>in the fact that this album sounds like Frank a

0:13:14.200 --> 0:13:16.720
<v Speaker 1>little bit, because can you imagine if you broke up

0:13:16.720 --> 0:13:18.320
<v Speaker 1>with your ex and your ex release an album that

0:13:18.440 --> 0:13:22.080
<v Speaker 1>sounded like your art, Like I would go whack, but

0:13:22.240 --> 0:13:24.840
<v Speaker 1>I would go deserve I would. But I also feel

0:13:24.880 --> 0:13:29.280
<v Speaker 1>like that that also feels alarmingly common in celebrity culture,

0:13:29.320 --> 0:13:32.640
<v Speaker 1>Like I think when celebrities date, they influence each other's art.

0:13:32.840 --> 0:13:36.000
<v Speaker 1>So I don't know, like you know, what they're actual

0:13:36.320 --> 0:13:38.080
<v Speaker 1>kind of vibe is. But I was like, oh my god,

0:13:38.120 --> 0:13:42.080
<v Speaker 1>they dated, Like that's so juicy. Can you imagine dating

0:13:42.080 --> 0:13:44.560
<v Speaker 1>Frank Ocean and be horrible? Like he must be the

0:13:44.559 --> 0:13:47.560
<v Speaker 1>most emotionally avoidable. I just wouldn't want to date anyone

0:13:47.640 --> 0:13:51.000
<v Speaker 1>who I knew would make art about our breakup. Oh,

0:13:51.080 --> 0:13:53.600
<v Speaker 1>are you kidding me? I feel like I exclusively date

0:13:53.640 --> 0:13:55.319
<v Speaker 1>people that make art about it. Break now, that is

0:13:55.360 --> 0:13:57.800
<v Speaker 1>the difference between you and I. It is only and

0:13:57.880 --> 0:13:59.920
<v Speaker 1>this is not an exaggeration. It is only a man

0:14:00.120 --> 0:14:02.880
<v Speaker 1>ter of time before an off Broadway play debuts about me.

0:14:03.880 --> 0:14:08.520
<v Speaker 1>It's gonna be by me. It's gonna be called they

0:14:08.559 --> 0:14:14.240
<v Speaker 1>Them No, They Them scares No. Unfortunately, it's gonna be

0:14:14.240 --> 0:14:16.200
<v Speaker 1>written by one of my they them x is that

0:14:16.280 --> 0:14:33.440
<v Speaker 1>works in theater. So you all can't see us right now.

0:14:33.480 --> 0:14:35.880
<v Speaker 1>But Frand and I just finished dancing and hugging each

0:14:35.920 --> 0:14:40.160
<v Speaker 1>other while um Dancing on My Own by Robin played.

0:14:40.960 --> 0:14:44.200
<v Speaker 1>Because as we said today, we are talking about Girls,

0:14:44.440 --> 0:14:49.480
<v Speaker 1>the HBO series created and often written and directed by Ms.

0:14:49.720 --> 0:14:53.400
<v Speaker 1>Lena Dunham and her creative partner Jenny Cohner Yes Um

0:14:53.440 --> 0:14:57.760
<v Speaker 1>and executive produced by Judd Apatow, Famous Girls. I think

0:14:57.800 --> 0:15:01.440
<v Speaker 1>we should set the stage of the culture in which

0:15:01.480 --> 0:15:04.880
<v Speaker 1>it premiered into. So it came out in two thousand twelve,

0:15:05.480 --> 0:15:09.280
<v Speaker 1>and it's very obviously in a post Sex in the

0:15:09.360 --> 0:15:14.600
<v Speaker 1>City legacy. It is filling that hole on HBO, which

0:15:14.680 --> 0:15:18.160
<v Speaker 1>I think is it is directly referenced because in the

0:15:18.240 --> 0:15:22.880
<v Speaker 1>first episode Showshana, the character played by sajammm It has

0:15:22.920 --> 0:15:25.680
<v Speaker 1>a sex in the City poster in her bedroom, so

0:15:25.760 --> 0:15:28.800
<v Speaker 1>like it was very aware of the fact that it

0:15:28.880 --> 0:15:31.000
<v Speaker 1>was a show about four women living in New York City.

0:15:31.120 --> 0:15:36.520
<v Speaker 1>Definitely on HBO, and I think even Showshana asks Jessa

0:15:36.600 --> 0:15:39.080
<v Speaker 1>in the first episode like who which which one of

0:15:39.120 --> 0:15:41.360
<v Speaker 1>the girls are you? And Jesse's like, I've never seen

0:15:41.400 --> 0:15:44.040
<v Speaker 1>that that movie that the one. Okay. One of the

0:15:44.080 --> 0:15:47.680
<v Speaker 1>things that this show does amazingly upon my rewatch is

0:15:48.160 --> 0:15:53.520
<v Speaker 1>encapsulate people that you know so exactly. And when Zoja said,

0:15:53.560 --> 0:15:57.760
<v Speaker 1>when Zaja sorry says um, when she asked that question,

0:15:58.120 --> 0:16:00.200
<v Speaker 1>she kind of does the thing that she does where

0:16:00.200 --> 0:16:02.520
<v Speaker 1>she asked you a question and then immediately answers it herself.

0:16:02.800 --> 0:16:05.040
<v Speaker 1>And she and then she goes, she goes, you know,

0:16:05.120 --> 0:16:07.680
<v Speaker 1>I'm like Samantha, but also like sometimes like I'm like

0:16:07.720 --> 0:16:10.080
<v Speaker 1>a carry. And she basically says that she's like three

0:16:10.080 --> 0:16:12.640
<v Speaker 1>of them, you know, she says, she says, like, no,

0:16:12.720 --> 0:16:14.840
<v Speaker 1>I think I'm a carry, but you know, like sometimes

0:16:14.960 --> 0:16:17.920
<v Speaker 1>Samantha comes out and like she could not be more

0:16:17.960 --> 0:16:20.400
<v Speaker 1>of a Charlotte. But the exactly I know, And that's

0:16:20.400 --> 0:16:23.640
<v Speaker 1>the other thing is that people that say I'm Carrie

0:16:23.640 --> 0:16:26.760
<v Speaker 1>but also Samantha but also like Miranda don't know who

0:16:26.760 --> 0:16:30.000
<v Speaker 1>they carry's son, Samantha Rising, you know, but it's so

0:16:30.120 --> 0:16:32.720
<v Speaker 1>like like Lena Dunham's or rather whoever wrote that likely

0:16:32.960 --> 0:16:37.120
<v Speaker 1>like the ability to like um just encapsulate like someone

0:16:37.160 --> 0:16:40.440
<v Speaker 1>who so totally does not know themselves at all, Like

0:16:40.520 --> 0:16:42.960
<v Speaker 1>just in one line, you're like know everything about them

0:16:43.160 --> 0:16:44.840
<v Speaker 1>And I think that like I don't know, well that's

0:16:44.880 --> 0:16:47.040
<v Speaker 1>what and you know, and like we were texting about

0:16:47.080 --> 0:16:50.920
<v Speaker 1>this as you were watching it is I think the

0:16:51.040 --> 0:16:55.760
<v Speaker 1>post the post industrial girls complex, which is which is

0:16:55.760 --> 0:16:58.680
<v Speaker 1>a real thing, like there was literally a girl's think

0:16:58.760 --> 0:17:02.680
<v Speaker 1>piece economy that started in the first season was paying

0:17:02.680 --> 0:17:05.600
<v Speaker 1>its light belt with that. Yes, absolutely, But the thing

0:17:05.640 --> 0:17:07.359
<v Speaker 1>that you forget and the thing that Fran and I

0:17:07.440 --> 0:17:12.280
<v Speaker 1>were texting about, is just how well the show is written.

0:17:12.440 --> 0:17:16.320
<v Speaker 1>The writing is so the writing in the comedy and

0:17:16.400 --> 0:17:20.680
<v Speaker 1>the character work is so specific. Each the show has

0:17:20.720 --> 0:17:24.040
<v Speaker 1>a very defined voice, and then within that, each of

0:17:24.080 --> 0:17:28.400
<v Speaker 1>the characters has a very defined voice, and nothing they

0:17:28.480 --> 0:17:31.200
<v Speaker 1>say like I'm sure there was you know, like maybe

0:17:31.240 --> 0:17:33.800
<v Speaker 1>some improv and some people like brought their own selves

0:17:33.840 --> 0:17:37.200
<v Speaker 1>to their characters, but the things that they say, the

0:17:37.280 --> 0:17:40.359
<v Speaker 1>jokes that they make, even the little asides and like

0:17:40.480 --> 0:17:45.520
<v Speaker 1>one liners are so specific and so funny and inform

0:17:45.680 --> 0:17:48.399
<v Speaker 1>who these people are. Like, it is a show that

0:17:48.440 --> 0:17:52.840
<v Speaker 1>I think does really well showing and not telling. Yeah,

0:17:52.880 --> 0:17:55.439
<v Speaker 1>I mean even also like um, not just with the

0:17:55.480 --> 0:17:59.040
<v Speaker 1>main characters, like with characters that have two lines, you know,

0:17:59.080 --> 0:18:01.720
<v Speaker 1>like I'm thinking about them. I think it's the Bush

0:18:01.720 --> 0:18:05.440
<v Speaker 1>Wake Warehouse episode where they meet one of the best episodes.

0:18:06.160 --> 0:18:09.520
<v Speaker 1>It's I I haven't rewatched yet, but I remember in

0:18:09.560 --> 0:18:12.920
<v Speaker 1>the episode there's a girl named Taco and she says, no,

0:18:13.080 --> 0:18:15.360
<v Speaker 1>my name is Taco. And she's like, that's what I said, Taco.

0:18:15.400 --> 0:18:17.399
<v Speaker 1>And she's like, no, you're saying it talk like Taco.

0:18:17.640 --> 0:18:20.480
<v Speaker 1>She said no, she says, um, it's it's spelled with

0:18:20.480 --> 0:18:22.440
<v Speaker 1>a K. By the way, I can just tell when

0:18:22.440 --> 0:18:26.320
<v Speaker 1>people think it's at the City and that that like

0:18:26.400 --> 0:18:28.280
<v Speaker 1>things like that, that single line, it's like I know

0:18:28.359 --> 0:18:30.879
<v Speaker 1>that person, I've met that person. I know exactly what

0:18:30.960 --> 0:18:33.240
<v Speaker 1>that person is like. And I think that um, Lena

0:18:33.320 --> 0:18:37.520
<v Speaker 1>Dunham's like ability to capture those archetypes much like how

0:18:37.640 --> 0:18:40.240
<v Speaker 1>Sex and the City did, and it's era much how

0:18:40.320 --> 0:18:44.000
<v Speaker 1>like Broad City does did in its era, like they

0:18:44.040 --> 0:18:48.640
<v Speaker 1>really and also I think Insecure, like Insecure, like they're

0:18:48.760 --> 0:18:52.080
<v Speaker 1>kind of I think those four shows, I would say,

0:18:52.280 --> 0:18:56.200
<v Speaker 1>especially Sex in the City, Girls and Insecure because they're

0:18:56.200 --> 0:19:00.800
<v Speaker 1>all on HBO, And then like especially Broad City, Insecure

0:19:00.840 --> 0:19:03.040
<v Speaker 1>in Girls because they're all like post Sex in the

0:19:03.080 --> 0:19:05.840
<v Speaker 1>City and in New York Like they're all in their

0:19:05.840 --> 0:19:08.679
<v Speaker 1>own ways reacting to the things that Sex and the

0:19:08.720 --> 0:19:11.239
<v Speaker 1>City lacked in different ways. Well, but I think that

0:19:11.280 --> 0:19:14.080
<v Speaker 1>when you think about the triot of Broad City, Sex

0:19:14.080 --> 0:19:18.000
<v Speaker 1>in the City, and Girls, in between those two, you

0:19:18.080 --> 0:19:22.119
<v Speaker 1>kind of have a spectrum of I was gonna say realism,

0:19:22.160 --> 0:19:24.080
<v Speaker 1>but it's more of a spectrum of like how they

0:19:24.160 --> 0:19:28.000
<v Speaker 1>authenticated like New York girlhood, you know what I mean.

0:19:28.280 --> 0:19:31.640
<v Speaker 1>And on the Broad City and you have absurdism that's

0:19:31.640 --> 0:19:35.240
<v Speaker 1>still that relies on how broke they are and how

0:19:35.320 --> 0:19:38.439
<v Speaker 1>fucked up and chaotic they are in order to create

0:19:38.520 --> 0:19:42.800
<v Speaker 1>that relatability, and Girls is like hyper realism mumble core.

0:19:42.880 --> 0:19:44.400
<v Speaker 1>And then you have Sex and City on the other

0:19:44.480 --> 0:19:47.160
<v Speaker 1>end that's like relies more in like archetype and kind

0:19:47.200 --> 0:19:50.360
<v Speaker 1>of more sitcom. But they're all they all do like

0:19:51.200 --> 0:19:54.440
<v Speaker 1>play with some level of fantasy. Obviously, like in Sex

0:19:54.440 --> 0:19:57.560
<v Speaker 1>and the City, the fantasy is like the wealth um

0:19:57.680 --> 0:20:00.639
<v Speaker 1>and in Girls, I think the fantasy almost as like

0:20:00.760 --> 0:20:03.600
<v Speaker 1>the honesty and like the way that people talk to

0:20:03.640 --> 0:20:08.320
<v Speaker 1>each other, and like the like the dysfunctionality of the

0:20:08.359 --> 0:20:12.439
<v Speaker 1>relationships is so heightened, like I don't think people I

0:20:12.480 --> 0:20:14.840
<v Speaker 1>think some people are that honest with their friends, but

0:20:14.920 --> 0:20:17.960
<v Speaker 1>I don't think most people are. And then in Broad City,

0:20:18.040 --> 0:20:21.280
<v Speaker 1>like the fantasy isn't like in the absurdness. In the Absurdism,

0:20:21.640 --> 0:20:26.040
<v Speaker 1>I almost feel like Girls doesn't necessarily have as much

0:20:26.119 --> 0:20:30.040
<v Speaker 1>a fantasy as it had, as it took components of

0:20:30.080 --> 0:20:32.840
<v Speaker 1>like Sex in the City and was like, oh, this

0:20:32.920 --> 0:20:35.640
<v Speaker 1>is how we actually are able to pay for our lives,

0:20:35.840 --> 0:20:38.040
<v Speaker 1>wherein Sex in the City it's like never acknowledge that

0:20:38.040 --> 0:20:41.360
<v Speaker 1>they're all independently wealthy, where with with Girls, it's like

0:20:41.520 --> 0:20:44.160
<v Speaker 1>the first scene is like my parents were footing my bill,

0:20:44.240 --> 0:20:46.159
<v Speaker 1>you know what I mean? And I think that and

0:20:46.240 --> 0:20:49.800
<v Speaker 1>here's the thing which is so like it's just such

0:20:49.920 --> 0:20:54.240
<v Speaker 1>good writing like that that is I think as someone

0:20:54.320 --> 0:20:57.080
<v Speaker 1>who I mean, it does not like I have not

0:20:57.160 --> 0:21:00.679
<v Speaker 1>ever like studied screenwriting, but obviously like we you know,

0:21:00.760 --> 0:21:03.879
<v Speaker 1>we both work in media, like literally in Hollywood, so

0:21:03.960 --> 0:21:06.359
<v Speaker 1>I know what a good pilot episode looks like. And

0:21:06.400 --> 0:21:09.960
<v Speaker 1>the pilot of Girls is incredible. And I also like

0:21:10.080 --> 0:21:13.000
<v Speaker 1>read the pilot recently, like on paper, and it is

0:21:13.080 --> 0:21:17.840
<v Speaker 1>like I'm not surprised by like how people might have

0:21:17.880 --> 0:21:19.760
<v Speaker 1>responded to the script in the beginning, like it's it

0:21:20.040 --> 0:21:23.480
<v Speaker 1>has a magnetic kind of presence that you've never read before.

0:21:23.560 --> 0:21:25.840
<v Speaker 1>That's actually something I would be really interested in because

0:21:25.840 --> 0:21:28.280
<v Speaker 1>I would love to see how much of what is

0:21:28.400 --> 0:21:31.480
<v Speaker 1>on the screen was on the page. It's fascinating. I'll

0:21:31.480 --> 0:21:34.280
<v Speaker 1>send it to you. Um, But I um was going

0:21:34.320 --> 0:21:37.680
<v Speaker 1>to say, I think that, um, we're going to get

0:21:37.720 --> 0:21:40.000
<v Speaker 1>into the Lena donot of all, and like, I think

0:21:40.000 --> 0:21:41.400
<v Speaker 1>that there are a lot of reasons as to why

0:21:41.440 --> 0:21:43.320
<v Speaker 1>people you know, don't like her or don't like the

0:21:43.320 --> 0:21:48.240
<v Speaker 1>shower whatever, But you have to I think that, especially

0:21:48.240 --> 0:21:50.640
<v Speaker 1>in this day and age, despite the fact that there

0:21:50.640 --> 0:21:52.880
<v Speaker 1>were no people out of coloring in like season one,

0:21:53.040 --> 0:21:55.760
<v Speaker 1>and no queer people except for Elijah, who was one

0:21:55.800 --> 0:21:59.720
<v Speaker 1>of the best TV characters, we do not give Lena enough.

0:22:00.000 --> 0:22:01.520
<v Speaker 1>I was gonna say, we do not give lean enough credit.

0:22:01.560 --> 0:22:04.480
<v Speaker 1>She's given enough credit. Um, we I think that um

0:22:04.800 --> 0:22:07.840
<v Speaker 1>to me, my response to the show and how much

0:22:07.880 --> 0:22:14.760
<v Speaker 1>I loved upon Rewatch was um, Lena's interest in investigating

0:22:14.920 --> 0:22:17.960
<v Speaker 1>whiteness and she is I felt like she was so

0:22:18.000 --> 0:22:20.080
<v Speaker 1>adamant was it or was it just her interest in

0:22:20.080 --> 0:22:24.959
<v Speaker 1>investigating herself but making fun of herself in that And

0:22:25.000 --> 0:22:28.480
<v Speaker 1>I think understanding that that self is a very privileged self.

0:22:28.800 --> 0:22:31.240
<v Speaker 1>So she must in her head she's probably not thinking,

0:22:31.320 --> 0:22:33.359
<v Speaker 1>like I'm writing about whiteness right now, you know, I

0:22:33.600 --> 0:22:37.520
<v Speaker 1>don't think that's it. But she knows that the things

0:22:37.880 --> 0:22:40.280
<v Speaker 1>the way this character is inhabited and the way this

0:22:40.400 --> 0:22:42.480
<v Speaker 1>character is like set up in her life, and she's

0:22:42.480 --> 0:22:46.800
<v Speaker 1>obviously a really deplorable character, and and never and Lena

0:22:46.880 --> 0:22:48.840
<v Speaker 1>has never written the character. I mean, like, this is

0:22:48.840 --> 0:22:51.480
<v Speaker 1>the most likable character ever, Like she always knows that

0:22:51.640 --> 0:22:55.960
<v Speaker 1>Hannah is horrible. She's definitely she's definitely investigating her own privilege.

0:22:56.000 --> 0:22:57.960
<v Speaker 1>I think what she's not doing, and then what a

0:22:58.000 --> 0:23:03.520
<v Speaker 1>show today look like is she is not juxtaposing her

0:23:03.680 --> 0:23:08.480
<v Speaker 1>privilege with someone else's lack of Yeah, there's no other

0:23:08.640 --> 0:23:11.280
<v Speaker 1>kind of there's nothing else to be counterpoint because the

0:23:11.320 --> 0:23:14.240
<v Speaker 1>other three girls also have some kind of privilege, both

0:23:14.320 --> 0:23:17.160
<v Speaker 1>on and and well, we do need to talk about

0:23:17.200 --> 0:23:20.359
<v Speaker 1>the fact that all four of the main characters. Well,

0:23:20.800 --> 0:23:23.399
<v Speaker 1>first of all, they're all white, all sis that we

0:23:23.440 --> 0:23:27.719
<v Speaker 1>know of UM and all our nepotism babies. Lena Dunham

0:23:27.760 --> 0:23:30.639
<v Speaker 1>has a famous artist for a mother. Zaja Maamma is

0:23:30.680 --> 0:23:33.280
<v Speaker 1>the daughter of the famous player right David Mammot, who

0:23:33.400 --> 0:23:36.879
<v Speaker 1>is like super canceled and problematic UM. Alison Williams is

0:23:36.920 --> 0:23:40.719
<v Speaker 1>the daughter of Brian Williams, the legendary UM like news

0:23:40.920 --> 0:23:46.960
<v Speaker 1>Post and then UM Jemima Kirk's day it was in

0:23:47.000 --> 0:23:51.040
<v Speaker 1>a rock band. So they all are like extremely privileged. Yeah,

0:23:51.480 --> 0:23:58.280
<v Speaker 1>and and it's funny, I mean the I think obviously

0:23:58.320 --> 0:24:01.760
<v Speaker 1>the character has leaned on their real life selves in

0:24:01.840 --> 0:24:05.440
<v Speaker 1>order to portray these characters, even though they're obviously characters.

0:24:05.440 --> 0:24:09.560
<v Speaker 1>It's like they're written with the actresses in mind, and

0:24:09.600 --> 0:24:11.879
<v Speaker 1>you think that's imputed in a lot of the script,

0:24:11.960 --> 0:24:13.720
<v Speaker 1>you know what I mean. It kind of reminds me

0:24:13.760 --> 0:24:16.120
<v Speaker 1>of like what are shows that like UM, I mean,

0:24:16.280 --> 0:24:18.640
<v Speaker 1>maybe not a Lana and Abby in Broad City, because

0:24:18.640 --> 0:24:20.880
<v Speaker 1>they always talk about how they're very different from their characters.

0:24:21.119 --> 0:24:23.800
<v Speaker 1>There are other shows where like the maybe even like

0:24:23.840 --> 0:24:27.639
<v Speaker 1>Euphoria or something where the characters are like lifted from

0:24:28.160 --> 0:24:31.120
<v Speaker 1>the actors that play them and leans on their actual

0:24:31.160 --> 0:24:33.960
<v Speaker 1>real life personalities. I don't know, because those are all

0:24:34.359 --> 0:24:38.199
<v Speaker 1>I think it's I think it's different for something like

0:24:38.240 --> 0:24:43.840
<v Speaker 1>Euphoria because it's being written by by a man for

0:24:44.000 --> 0:24:46.240
<v Speaker 1>a bunch of actors. I think the difference with what

0:24:46.400 --> 0:24:49.600
<v Speaker 1>sets Girls apart and why I think Insecure is like

0:24:50.560 --> 0:24:53.280
<v Speaker 1>why Insecure and Broad City are like almost better, better

0:24:53.840 --> 0:24:56.720
<v Speaker 1>like parallels to it than even Sex in the City

0:24:56.800 --> 0:25:00.560
<v Speaker 1>is because it's a it's a writer, creator star, like

0:25:00.640 --> 0:25:04.640
<v Speaker 1>I think you know Sa Ray like obviously, so much

0:25:04.680 --> 0:25:07.960
<v Speaker 1>of her is in her character because she is the

0:25:08.000 --> 0:25:11.400
<v Speaker 1>one writing it, the same way that like Broad City,

0:25:11.400 --> 0:25:14.359
<v Speaker 1>Abbey and Alana, like they created it as a web series,

0:25:14.400 --> 0:25:17.520
<v Speaker 1>so I'm sure those characters are really informed by them.

0:25:17.560 --> 0:25:21.119
<v Speaker 1>In Girls, I think that really shows up in Hannah

0:25:21.160 --> 0:25:26.080
<v Speaker 1>and Jessa because, um, Lena Dunham and Jemima Kirk are

0:25:26.119 --> 0:25:31.040
<v Speaker 1>like childhood friends. Um, they like the the short the

0:25:31.080 --> 0:25:34.679
<v Speaker 1>film that Lena Dunnam made that is what got her

0:25:34.760 --> 0:25:37.640
<v Speaker 1>the Hollywood attention that led to Girls with Tiny Furniture

0:25:37.680 --> 0:25:40.840
<v Speaker 1>with jemam m Kirk is also in I think probably

0:25:42.240 --> 0:25:46.440
<v Speaker 1>Marnie and Showshanna are less informed by their actors than

0:25:46.560 --> 0:25:49.840
<v Speaker 1>Hannah and Jessa, because like, how could you have be

0:25:50.040 --> 0:25:52.720
<v Speaker 1>that level of psychotic? I r L. But I mean

0:25:52.760 --> 0:25:54.720
<v Speaker 1>that's not to say that Alison Williams does not kind

0:25:54.720 --> 0:25:56.679
<v Speaker 1>of get typecasts in those kind of roles. I mean,

0:25:56.720 --> 0:25:59.240
<v Speaker 1>just look at like get Out, which is her best work,

0:25:59.520 --> 0:26:02.640
<v Speaker 1>her best I mean, here's the thing. She's so her

0:26:02.680 --> 0:26:07.120
<v Speaker 1>acting is like so flat that it works in some places.

0:26:07.400 --> 0:26:09.359
<v Speaker 1>I don't know that it's flat. I think in Girls,

0:26:09.400 --> 0:26:13.119
<v Speaker 1>she's like she and Shoshana, Marnie and Trashanna are levels

0:26:13.119 --> 0:26:17.360
<v Speaker 1>of hysterical on different ends of the spectrum, and Marnie

0:26:17.520 --> 0:26:21.439
<v Speaker 1>is like this this such a specific type of of

0:26:21.520 --> 0:26:26.480
<v Speaker 1>white womanhood dialed up to like a twenty five. Yeah

0:26:26.520 --> 0:26:29.280
<v Speaker 1>it is, And I okay, so real quickly, I haven't

0:26:29.560 --> 0:26:33.040
<v Speaker 1>I didn't finish Insecure. Um it's like a little too

0:26:34.240 --> 0:26:36.320
<v Speaker 1>I haven't watched the final season. Yeah, it's a little

0:26:36.320 --> 0:26:38.720
<v Speaker 1>too heterosexual for me to muscle through. But I know that,

0:26:38.800 --> 0:26:40.560
<v Speaker 1>like the next time I get like the flu, I'll

0:26:40.560 --> 0:26:42.560
<v Speaker 1>finish it, you know what I mean, because it is

0:26:42.800 --> 0:26:45.520
<v Speaker 1>it's the kind of show you need. Yeah, but um,

0:26:45.520 --> 0:26:47.359
<v Speaker 1>I was gonna say I think here's what I'm trying

0:26:47.359 --> 0:26:52.000
<v Speaker 1>to say actually about the character to actress thing um,

0:26:52.040 --> 0:26:55.480
<v Speaker 1>because Lena was already friends with these other three girls.

0:26:55.960 --> 0:26:59.479
<v Speaker 1>She There's a lot that happened I feel like before

0:26:59.520 --> 0:27:02.960
<v Speaker 1>the production and started and off camera in order to

0:27:03.160 --> 0:27:06.480
<v Speaker 1>like cultivate these characters and see I think it felt

0:27:06.520 --> 0:27:09.960
<v Speaker 1>like a group project to have the four of these

0:27:09.960 --> 0:27:12.920
<v Speaker 1>women feel so lived in, you know what I mean,

0:27:13.160 --> 0:27:17.040
<v Speaker 1>and the and the best, And I think Euphorias that too,

0:27:17.119 --> 0:27:19.639
<v Speaker 1>where the creator really is friends with a lot of

0:27:19.680 --> 0:27:23.080
<v Speaker 1>the stars of that show and and the show benefits

0:27:23.160 --> 0:27:27.440
<v Speaker 1>from that the relationship earned between the director slash showrunner

0:27:27.600 --> 0:27:29.800
<v Speaker 1>and the stars. And I guess, and I guess Euphoria

0:27:29.920 --> 0:27:33.320
<v Speaker 1>is the latest in this legacy of HBO shows. But

0:27:33.440 --> 0:27:36.360
<v Speaker 1>now they're teenagers like doing drugs, and like I mean,

0:27:36.359 --> 0:27:38.399
<v Speaker 1>Euphorian girls obviously don't have anything to do with that

0:27:39.080 --> 0:27:40.679
<v Speaker 1>with each other. I was just trying to, like, you know,

0:27:40.760 --> 0:27:44.840
<v Speaker 1>talking about like that there is there is like a

0:27:44.880 --> 0:27:48.520
<v Speaker 1>cultural legacy, like it is like the HBO Sunday Night show,

0:27:48.640 --> 0:27:51.280
<v Speaker 1>Like there's I do think something about all of these

0:27:51.280 --> 0:27:54.520
<v Speaker 1>shows like links them together, even if it's just like

0:27:54.600 --> 0:27:57.840
<v Speaker 1>the specific context of like where they are like where

0:27:57.840 --> 0:28:01.000
<v Speaker 1>they are given to people. Um, it's just interesting to

0:28:01.080 --> 0:28:03.879
<v Speaker 1>see like the way the culture has progressed and almost

0:28:03.920 --> 0:28:08.280
<v Speaker 1>like the lives that we want to see depicted on

0:28:08.359 --> 0:28:11.720
<v Speaker 1>screen have gotten younger. Because it started with Sex and

0:28:11.760 --> 0:28:14.160
<v Speaker 1>the City these women who were in their thirties. Then

0:28:14.160 --> 0:28:17.359
<v Speaker 1>it was girls who are like immediately post collegiate, and

0:28:17.400 --> 0:28:20.440
<v Speaker 1>now it's literal teenagers. We're only watching teen soaps? Were

0:28:20.440 --> 0:28:23.000
<v Speaker 1>all they watching like that? I mean, I guess it's

0:28:23.920 --> 0:28:28.560
<v Speaker 1>like what other teen soaps are out right now? Like, yeah,

0:28:28.640 --> 0:28:30.960
<v Speaker 1>what is it about our culture that like, is it

0:28:31.119 --> 0:28:34.240
<v Speaker 1>the escapism? Is it like the fact that gen z

0:28:34.560 --> 0:28:37.320
<v Speaker 1>rules culture? But but but then I do think that

0:28:37.359 --> 0:28:40.600
<v Speaker 1>these teen shows are largely being watched by millennials. Yeah,

0:28:40.720 --> 0:28:43.200
<v Speaker 1>well I mentioned this briefly when we were recapping when

0:28:43.280 --> 0:28:45.840
<v Speaker 1>when we did our weekly recap event just like that.

0:28:46.240 --> 0:28:49.600
<v Speaker 1>But like but like, um, you know, culturally we like

0:28:49.720 --> 0:28:52.480
<v Speaker 1>to digest things above our age, right, you know, like

0:28:52.520 --> 0:28:55.479
<v Speaker 1>we're always like aspirational. So when we were teens, we

0:28:55.480 --> 0:28:57.960
<v Speaker 1>were watching Sex in the City, you know, um, or

0:28:58.000 --> 0:29:01.320
<v Speaker 1>when you're like in um, when we were in middle

0:29:01.360 --> 0:29:04.040
<v Speaker 1>school watching shows about being in high school, you know

0:29:04.080 --> 0:29:05.880
<v Speaker 1>what I mean? And so I feel like we always

0:29:06.080 --> 0:29:09.680
<v Speaker 1>watch up but like as we reach our like thirties

0:29:09.720 --> 0:29:14.080
<v Speaker 1>and forties, we're less interested in watching like our own experiences,

0:29:14.160 --> 0:29:16.920
<v Speaker 1>and so we're looking for the escapism of a teen

0:29:17.000 --> 0:29:19.920
<v Speaker 1>world that feels relatable because we've lived through it, but

0:29:20.040 --> 0:29:23.360
<v Speaker 1>still like escapist, you know what I mean. Yeah, And

0:29:23.400 --> 0:29:25.120
<v Speaker 1>I guess like when you think about the fact that

0:29:25.200 --> 0:29:28.040
<v Speaker 1>gen Z is like the dominant you know, cultural class

0:29:28.160 --> 0:29:30.440
<v Speaker 1>right now, and like I guess you know, we were

0:29:30.440 --> 0:29:33.840
<v Speaker 1>talking last week about representation and like wanting to see

0:29:33.840 --> 0:29:36.920
<v Speaker 1>yourself on screen like that they they do, and so

0:29:37.080 --> 0:29:39.920
<v Speaker 1>like they are making this decree that like we will

0:29:39.960 --> 0:29:43.479
<v Speaker 1>only watch teen shows which we'd like see ourselves are picted.

0:29:44.840 --> 0:29:48.600
<v Speaker 1>I um, I think that rewatching Girls right now is

0:29:48.600 --> 0:29:52.960
<v Speaker 1>also a very specific experience because I mean, one, um,

0:29:52.960 --> 0:29:56.000
<v Speaker 1>watching them all get along and like the first like

0:29:56.440 --> 0:30:00.360
<v Speaker 1>season is like harrowing. Like this when I watched like

0:30:00.480 --> 0:30:02.200
<v Speaker 1>dancing in my own like dance thing, which is like

0:30:02.240 --> 0:30:04.239
<v Speaker 1>kind of an iconic scene from the show, but you

0:30:04.280 --> 0:30:07.280
<v Speaker 1>watch it watching it retroactively is so harrowing because of

0:30:07.320 --> 0:30:09.920
<v Speaker 1>how they end up. Right. Well, I just watched So

0:30:09.960 --> 0:30:12.120
<v Speaker 1>I'm on season three now, and I watched the episode

0:30:12.120 --> 0:30:16.320
<v Speaker 1>where they go to the Hampton. That is the it is.

0:30:16.480 --> 0:30:19.480
<v Speaker 1>It's like kind of in a way, it's peak girls.

0:30:19.840 --> 0:30:23.640
<v Speaker 1>Um that and like Marnie's wedding. Um, it's really the

0:30:23.720 --> 0:30:26.320
<v Speaker 1>episodes where all four of them were together, because you're

0:30:26.360 --> 0:30:30.520
<v Speaker 1>reminded that the the foundations of their friendship are so

0:30:30.680 --> 0:30:35.440
<v Speaker 1>flimsy and rooted in mania, rooted in mania. They all

0:30:35.480 --> 0:30:38.520
<v Speaker 1>hate each other. They hate each other secretly and then

0:30:38.640 --> 0:30:44.120
<v Speaker 1>eventually overtly. Yeah, and um, that is very like, that's

0:30:44.240 --> 0:30:47.240
<v Speaker 1>very real. Well, you know, one of the fantasy aspects

0:30:47.240 --> 0:30:49.160
<v Speaker 1>of Sex in the City was always like how are

0:30:49.200 --> 0:30:51.479
<v Speaker 1>they such good friends? Like? How do these people like

0:30:51.600 --> 0:30:54.640
<v Speaker 1>each other when they're so different? And I think Girls

0:30:54.720 --> 0:30:58.040
<v Speaker 1>Like is really good at showing like sometimes your friends

0:30:58.040 --> 0:31:00.160
<v Speaker 1>are people that you have nothing in common with than

0:31:00.200 --> 0:31:03.200
<v Speaker 1>don't even really like and just feel like you have

0:31:03.320 --> 0:31:06.280
<v Speaker 1>to keep hanging out with them, or because all you're

0:31:06.320 --> 0:31:09.880
<v Speaker 1>doing is encouraging and enabling each other's horrible behavior, and

0:31:09.920 --> 0:31:13.360
<v Speaker 1>because all four of these women are narcissists, sometimes to

0:31:13.440 --> 0:31:17.160
<v Speaker 1>the point of sociopathy, because they have someone to just

0:31:17.480 --> 0:31:19.160
<v Speaker 1>enable that all the time, Like, of course they're going

0:31:19.200 --> 0:31:20.840
<v Speaker 1>to stick together even though they hate each other. You

0:31:20.880 --> 0:31:23.560
<v Speaker 1>know what I mean, one of the most I think

0:31:23.600 --> 0:31:26.000
<v Speaker 1>one of the hardest parts to watch, not not because

0:31:26.000 --> 0:31:28.520
<v Speaker 1>it brought up anything for me, but like literally hardest

0:31:28.520 --> 0:31:31.040
<v Speaker 1>to watch is the end of season two when Hannah

0:31:31.200 --> 0:31:34.000
<v Speaker 1>is like when her O C. D comes back. One

0:31:34.040 --> 0:31:37.640
<v Speaker 1>of the I think most poignant scenes was when Marnie

0:31:37.840 --> 0:31:40.880
<v Speaker 1>has been thinking she's dating this artist and Hannah has

0:31:40.920 --> 0:31:44.400
<v Speaker 1>just gotten her book deal but like can't write, and

0:31:44.440 --> 0:31:47.720
<v Speaker 1>Marnie finds out that this guy is not her boyfriend,

0:31:48.120 --> 0:31:50.680
<v Speaker 1>and she calls Hannah, and Hannah is like a home

0:31:50.720 --> 0:31:52.840
<v Speaker 1>dealing with the fact that she can't write, and they're

0:31:52.880 --> 0:31:56.479
<v Speaker 1>both on the phone like wanting to reach out and

0:31:56.520 --> 0:31:58.960
<v Speaker 1>ask their friend for help and like not being able

0:31:59.000 --> 0:32:01.120
<v Speaker 1>to do it, and so lie to each other and

0:32:01.160 --> 0:32:03.239
<v Speaker 1>saying that their lives are fine, and that to me

0:32:03.360 --> 0:32:06.720
<v Speaker 1>is like it's so some of these things are so

0:32:06.800 --> 0:32:08.640
<v Speaker 1>hard to watch because of how real they were to

0:32:08.720 --> 0:32:11.480
<v Speaker 1>the ways we are with our friends, and like, I'm

0:32:11.680 --> 0:32:15.160
<v Speaker 1>I feel very lucky that the friends of my life

0:32:15.160 --> 0:32:19.320
<v Speaker 1>are only people who I could actually call and be like,

0:32:19.920 --> 0:32:22.720
<v Speaker 1>I mean, as I have with you at least twice

0:32:22.760 --> 0:32:25.560
<v Speaker 1>this week, call and be like I'm going through it,

0:32:25.680 --> 0:32:27.520
<v Speaker 1>Like I need to talk about it. I need your

0:32:27.560 --> 0:32:30.680
<v Speaker 1>support right now. And I guess these women, just like I,

0:32:30.800 --> 0:32:33.040
<v Speaker 1>didn't have the language to do that with each other

0:32:33.200 --> 0:32:36.640
<v Speaker 1>until it exploded out of them in ways that we're

0:32:36.720 --> 0:32:38.720
<v Speaker 1>not productive. But one of the things I love about

0:32:38.720 --> 0:32:41.600
<v Speaker 1>that Hampton's episode that I watched last night is that

0:32:42.440 --> 0:32:44.080
<v Speaker 1>they have this whole blow up and then at the

0:32:44.200 --> 0:32:46.560
<v Speaker 1>end they're like all sitting and waiting for the jitney

0:32:46.640 --> 0:32:49.000
<v Speaker 1>together and then they start like doing the dance that

0:32:49.040 --> 0:32:52.800
<v Speaker 1>they all learned, and it's like again, It's like again,

0:32:52.840 --> 0:32:55.520
<v Speaker 1>it's like showing rather than telling that like this is

0:32:55.560 --> 0:32:59.960
<v Speaker 1>just another like the thing that has cemented their friendship,

0:33:00.040 --> 0:33:02.520
<v Speaker 1>but that they're going to hold on to forever, and

0:33:02.560 --> 0:33:04.600
<v Speaker 1>you know, like twenty years from now, they're gonna be like,

0:33:04.640 --> 0:33:06.520
<v Speaker 1>oh my god. Like the thing they're going to remember

0:33:06.520 --> 0:33:08.920
<v Speaker 1>about that trip is not necessarily like the nasty things

0:33:08.920 --> 0:33:10.960
<v Speaker 1>they said to each other. It's like, remember that dance

0:33:11.000 --> 0:33:14.400
<v Speaker 1>we learned but we all know and it's so I

0:33:14.400 --> 0:33:17.000
<v Speaker 1>don't know. It's like it's so sweet and perfect but

0:33:17.120 --> 0:33:20.320
<v Speaker 1>also like fucked up. I have two remarks. First of all,

0:33:20.400 --> 0:33:24.000
<v Speaker 1>that episode is Zaha's best work period. Yes, period. Second

0:33:24.000 --> 0:33:26.280
<v Speaker 1>of all, have you ever had a trip with a

0:33:26.320 --> 0:33:29.640
<v Speaker 1>friend or friends that turned that took a turn that

0:33:29.880 --> 0:33:32.560
<v Speaker 1>all got a little nasty. Yes, I've had several because

0:33:32.600 --> 0:33:34.520
<v Speaker 1>I I feel like I have been on it. I

0:33:34.520 --> 0:33:36.280
<v Speaker 1>had a trip to Province Town once where I got

0:33:36.320 --> 0:33:38.400
<v Speaker 1>in like the one and only fight with one of

0:33:38.440 --> 0:33:41.800
<v Speaker 1>my best friends, and I just remember like we said

0:33:41.880 --> 0:33:44.960
<v Speaker 1>mortifying things to each other, like like you know, black out,

0:33:45.040 --> 0:33:48.920
<v Speaker 1>drunk and um, like one night after like leaving a

0:33:48.920 --> 0:33:52.040
<v Speaker 1>gay bar, and the next morning it was just like

0:33:52.480 --> 0:33:58.040
<v Speaker 1>what like just like this sobering like just like and

0:33:58.080 --> 0:34:01.040
<v Speaker 1>just like shamefully walking to the cop, be shopping, apologizing

0:34:01.080 --> 0:34:04.200
<v Speaker 1>to each other, but like, you know, it was similar

0:34:04.240 --> 0:34:05.720
<v Speaker 1>to that, like at the end of the day, you

0:34:05.840 --> 0:34:08.600
<v Speaker 1>just like shake it off and you're like, if we're friends,

0:34:08.640 --> 0:34:11.040
<v Speaker 1>none of that matters. Obviously, the end of Girls is

0:34:11.080 --> 0:34:15.080
<v Speaker 1>different because they all figured out that they're not supposed

0:34:15.080 --> 0:34:17.480
<v Speaker 1>to be friends, kind of like they're not good for

0:34:17.520 --> 0:34:20.080
<v Speaker 1>each other, which I think is actually such an honest

0:34:20.120 --> 0:34:22.920
<v Speaker 1>and great way to end the show and it's like

0:34:22.960 --> 0:34:25.600
<v Speaker 1>so true to life. Yeah, I've had I've had um

0:34:25.800 --> 0:34:28.719
<v Speaker 1>similar experience as mine. Mine were maybe like a bit

0:34:28.760 --> 0:34:31.000
<v Speaker 1>more dramatic, Like there was a trip I had on

0:34:31.000 --> 0:34:32.759
<v Speaker 1>fire Island in which a good friend of mine had

0:34:32.800 --> 0:34:34.759
<v Speaker 1>like a friend of mine at the time, had like

0:34:34.800 --> 0:34:37.560
<v Speaker 1>a drug fueled manic episode and like almost like jumped

0:34:37.560 --> 0:34:44.320
<v Speaker 1>off the boardwalk. Um. So it's like different, like slightly different. Um,

0:34:44.360 --> 0:34:46.719
<v Speaker 1>but yeah, we've all had those moments like when you're

0:34:47.160 --> 0:34:50.320
<v Speaker 1>when you it's it's always interesting when you take a

0:34:51.200 --> 0:34:55.600
<v Speaker 1>relationship out of its normal context and like heighten the stakes.

0:34:55.640 --> 0:34:58.480
<v Speaker 1>Like I think whenever you go on a trip with someone,

0:34:58.640 --> 0:35:01.880
<v Speaker 1>it's just like it's just it's just like we house. Well,

0:35:01.920 --> 0:35:04.920
<v Speaker 1>there's everything. In the Hampton's episode, the first thing they

0:35:04.960 --> 0:35:06.439
<v Speaker 1>do when they get to the house is fight over

0:35:06.520 --> 0:35:09.200
<v Speaker 1>which room they're gonna have. This real house was to

0:35:09.400 --> 0:35:11.279
<v Speaker 1>a t. But that's the thing. You take a bunch

0:35:11.320 --> 0:35:13.759
<v Speaker 1>of women, especially wealthy women, and you put them in

0:35:13.800 --> 0:35:17.120
<v Speaker 1>a Petrie dish that is a you know, vacation rental,

0:35:17.680 --> 0:35:20.520
<v Speaker 1>and all of a sudden it goes, you know, viral.

0:35:37.120 --> 0:35:41.200
<v Speaker 1>So I will say the main motivator for me doing

0:35:41.320 --> 0:35:43.640
<v Speaker 1>the Girls Watch outside of you doing a girl's Watch

0:35:44.040 --> 0:35:47.920
<v Speaker 1>was to see Adam Driver in his prime, because Adam

0:35:48.000 --> 0:35:51.640
<v Speaker 1>Driver is top three celebrity crushes for me. I don't

0:35:51.640 --> 0:35:54.160
<v Speaker 1>know if you know that. I didn't know that it

0:35:54.280 --> 0:35:57.440
<v Speaker 1>really when I tell you that this like weird shovel

0:35:57.480 --> 0:36:00.440
<v Speaker 1>faced man with like arms the size of like semi

0:36:00.440 --> 0:36:05.399
<v Speaker 1>trucks has like hit the weirdest point of like all

0:36:05.480 --> 0:36:07.880
<v Speaker 1>of kind of like I don't know my pleasure centers.

0:36:08.480 --> 0:36:11.880
<v Speaker 1>I really because I watched the show in college, and

0:36:11.920 --> 0:36:14.239
<v Speaker 1>because I also I don't know when you watch this,

0:36:14.239 --> 0:36:16.200
<v Speaker 1>but like I watched the show before I moved to

0:36:16.239 --> 0:36:19.720
<v Speaker 1>New York. I watched the show before I experienced any

0:36:19.760 --> 0:36:22.520
<v Speaker 1>of the adulty things that they experienced in the show.

0:36:22.760 --> 0:36:25.440
<v Speaker 1>And I also feel like I watched this show around

0:36:25.480 --> 0:36:27.200
<v Speaker 1>the time I was trying to figure out like what

0:36:27.239 --> 0:36:30.279
<v Speaker 1>my what I was, what I liked during sex, like

0:36:30.360 --> 0:36:33.839
<v Speaker 1>what my sexual what my sexuality and my sexuality mean,

0:36:33.840 --> 0:36:35.879
<v Speaker 1>what I like in bed, which takes a long time

0:36:35.920 --> 0:36:39.279
<v Speaker 1>to cultivate was And so to see Adam Driver and

0:36:39.400 --> 0:36:46.040
<v Speaker 1>Lena have what is an extremely sexually specific dynamic retroactively,

0:36:46.160 --> 0:36:48.680
<v Speaker 1>I was like, that is how I like to funk, now,

0:36:48.800 --> 0:36:50.319
<v Speaker 1>you know what I mean? And I don't think it's

0:36:50.320 --> 0:36:53.120
<v Speaker 1>because of Adam Driver, but I didn't realize it upon

0:36:53.200 --> 0:36:56.920
<v Speaker 1>first watch that like I love like, you know, weird

0:36:57.080 --> 0:36:59.840
<v Speaker 1>rough fox and random role play and like giggling, and

0:37:00.360 --> 0:37:02.319
<v Speaker 1>when guys treat me like ship, it's like kind of

0:37:02.360 --> 0:37:04.560
<v Speaker 1>hot sometimes, you know what I mean. And I think

0:37:04.560 --> 0:37:10.560
<v Speaker 1>that they're dynamic is so good and so believable. And

0:37:10.560 --> 0:37:15.560
<v Speaker 1>and Lena is like, you know, as someone who discovered

0:37:15.600 --> 0:37:18.919
<v Speaker 1>Adam Driver basically like was so smart to cast someone

0:37:18.920 --> 0:37:22.480
<v Speaker 1>that you wouldn't expect in that role. Um, but I

0:37:22.520 --> 0:37:26.279
<v Speaker 1>have you ever had like a a side piece or

0:37:26.320 --> 0:37:28.279
<v Speaker 1>a funk buddy that was just weird that you never

0:37:28.320 --> 0:37:33.600
<v Speaker 1>told anyone about? Uh many were you? Like you you

0:37:33.600 --> 0:37:35.640
<v Speaker 1>you have sex with them regularly, and none of your

0:37:35.640 --> 0:37:37.680
<v Speaker 1>friends have ever met that. But I think I think

0:37:37.719 --> 0:37:42.520
<v Speaker 1>what I responded to, like even more so with their

0:37:42.600 --> 0:37:48.279
<v Speaker 1>dynamic is like the person who, like you, bully your

0:37:48.280 --> 0:37:51.439
<v Speaker 1>way into their lives, like you know, and that's what

0:37:51.920 --> 0:37:55.000
<v Speaker 1>as their relationship like falls apart and gets back together again,

0:37:55.640 --> 0:37:58.480
<v Speaker 1>I you know, like the hook up who becomes a

0:37:58.480 --> 0:38:01.759
<v Speaker 1>relationship through kind of sheer force of will. Like there's

0:38:01.800 --> 0:38:04.680
<v Speaker 1>one point in which Adam said, like Adam says to

0:38:04.760 --> 0:38:08.240
<v Speaker 1>someone like she just wouldn't stop coming around, And eventually

0:38:08.280 --> 0:38:11.640
<v Speaker 1>I realized, like I wanted to have her there, and

0:38:11.680 --> 0:38:14.960
<v Speaker 1>like I would rather be with her than be alone um,

0:38:16.560 --> 0:38:19.960
<v Speaker 1>but also relatable. I've got so many of my relationships

0:38:20.000 --> 0:38:23.080
<v Speaker 1>have been exactly that thing. Yeah, And I think that

0:38:23.239 --> 0:38:26.880
<v Speaker 1>there's also something to be said about how murky it

0:38:27.040 --> 0:38:29.799
<v Speaker 1>is through a lot of these seasons because they don't

0:38:29.920 --> 0:38:33.160
<v Speaker 1>label what they're going through. And I find that, again

0:38:33.280 --> 0:38:36.359
<v Speaker 1>very relatable. And yet they kind of play house, you know,

0:38:36.400 --> 0:38:41.400
<v Speaker 1>they call together, and yet they refused to label a

0:38:41.440 --> 0:38:43.640
<v Speaker 1>lot I don't I don't remember while they say their partners.

0:38:43.680 --> 0:38:45.960
<v Speaker 1>I am one of those sick people who do think that,

0:38:46.000 --> 0:38:49.839
<v Speaker 1>like Adam and Hannah belong together and then and then

0:38:49.880 --> 0:38:53.359
<v Speaker 1>as we know, but I think that that is kind

0:38:53.360 --> 0:38:55.719
<v Speaker 1>of paid service to and the fact that so you know,

0:38:56.160 --> 0:38:59.799
<v Speaker 1>Jesse and Adam get together, Hannah feels in the and

0:38:59.840 --> 0:39:03.120
<v Speaker 1>I think the final season, Hannah feels incredibly betrayed by

0:39:03.160 --> 0:39:06.520
<v Speaker 1>it and then finds out she's pregnant, and she and

0:39:06.560 --> 0:39:09.480
<v Speaker 1>Adam have one episode where they get back together and

0:39:09.520 --> 0:39:12.759
<v Speaker 1>like see what their lives could be like if they

0:39:12.840 --> 0:39:16.840
<v Speaker 1>were end game, and ultimately decide like they're not meant

0:39:16.840 --> 0:39:19.759
<v Speaker 1>for each other, which is I think that they're more

0:39:19.800 --> 0:39:22.080
<v Speaker 1>meant for each other than she's meant for any of

0:39:22.080 --> 0:39:24.200
<v Speaker 1>her other three friends. You know what, I mean, like,

0:39:24.239 --> 0:39:26.719
<v Speaker 1>I think that there's a chemistry that works between her

0:39:26.719 --> 0:39:29.399
<v Speaker 1>and Adam Driver, but you it's kind of whack. How

0:39:29.640 --> 0:39:32.600
<v Speaker 1>from episode one of when You Meet Adam Driver to

0:39:32.680 --> 0:39:35.960
<v Speaker 1>the end of the show where Adam is essentially deciding

0:39:36.200 --> 0:39:40.480
<v Speaker 1>or rather realizing, that he deserves better than Hannah, you

0:39:40.480 --> 0:39:43.279
<v Speaker 1>know what I mean, Like Hannah is so verruled, le

0:39:43.480 --> 0:39:47.720
<v Speaker 1>selfish and does he does deserve better than Hannah. But also,

0:39:47.880 --> 0:39:50.480
<v Speaker 1>like you know, in the end of season two, he

0:39:50.560 --> 0:39:54.200
<v Speaker 1>starts dating that girl who's played by Sharia Holby, and

0:39:54.640 --> 0:39:57.719
<v Speaker 1>he like, at first they have this kind of like

0:39:58.560 --> 0:40:01.920
<v Speaker 1>perfect relationship that he's like, oh my god, this is

0:40:01.960 --> 0:40:04.640
<v Speaker 1>what a good relationship is supposed to be. Like even

0:40:04.719 --> 0:40:08.360
<v Speaker 1>during sex, she like tells him exactly what she wants

0:40:08.400 --> 0:40:11.319
<v Speaker 1>and he's like so mystified by that, and he's like

0:40:11.520 --> 0:40:13.799
<v Speaker 1>and she's like she literally says like, why wouldn't I

0:40:13.800 --> 0:40:15.600
<v Speaker 1>tell you what I want? Because he's so used to

0:40:15.680 --> 0:40:19.680
<v Speaker 1>Hannah not saying what she actually thinks. He's the laziest

0:40:19.760 --> 0:40:24.080
<v Speaker 1>bottom ever. She's literally like does nothing, Yeah, And he

0:40:24.160 --> 0:40:26.360
<v Speaker 1>can't wrap his head around that, and then he like

0:40:26.440 --> 0:40:30.640
<v Speaker 1>falls off the wagon and like treats Sherry Appleby's character

0:40:30.719 --> 0:40:34.120
<v Speaker 1>like dogshit because that's what he thinks is like what

0:40:34.200 --> 0:40:37.319
<v Speaker 1>a relationship is, which is kind of amazing, Like that

0:40:37.560 --> 0:40:42.520
<v Speaker 1>is that is relationship commentary that needs to have you

0:40:42.520 --> 0:40:44.799
<v Speaker 1>know what I mean? Like I felt I feel so

0:40:44.920 --> 0:40:47.040
<v Speaker 1>reflected in moments like that. But it is so but

0:40:47.160 --> 0:40:49.719
<v Speaker 1>like Adam does become more and more adult as the

0:40:49.760 --> 0:40:52.319
<v Speaker 1>show goes on, and it's so like all of the

0:40:52.400 --> 0:40:56.240
<v Speaker 1>characters have arcs and like pretty big transformation, but Adam

0:40:56.560 --> 0:40:59.399
<v Speaker 1>Adams is my favorite, like he's my favorite character. Who

0:40:59.600 --> 0:41:04.640
<v Speaker 1>which girl are you? Um? Oh god, I hate that question.

0:41:04.760 --> 0:41:08.120
<v Speaker 1>I mean, I'm I'm Saja. You think you're I actually

0:41:08.160 --> 0:41:11.640
<v Speaker 1>think that's true, yeah, because I think I would like

0:41:11.760 --> 0:41:14.480
<v Speaker 1>to think I no, no, no, no, no no no, I'm

0:41:14.520 --> 0:41:19.040
<v Speaker 1>Alison Williams. I'm Alison Blames. Do you think? No, I'm

0:41:19.080 --> 0:41:22.920
<v Speaker 1>not a Martie Rose. I am the girl that brings

0:41:22.960 --> 0:41:25.880
<v Speaker 1>everyone on vacation. And I say, we are having fun

0:41:26.120 --> 0:41:30.239
<v Speaker 1>now because this is when we schedule are I was like,

0:41:30.400 --> 0:41:35.360
<v Speaker 1>if everybody, we have this at seven o'clock and this

0:41:35.480 --> 0:41:37.799
<v Speaker 1>at nine o'clock and y'all better be ready because you

0:41:37.840 --> 0:41:39.759
<v Speaker 1>know what I mean? Okay, So you think you think

0:41:39.800 --> 0:41:44.000
<v Speaker 1>you're a Martie I do not think I know, And

0:41:44.040 --> 0:41:48.240
<v Speaker 1>I am ashamed by that realization because I am someone

0:41:48.280 --> 0:41:52.680
<v Speaker 1>who is constantly I am so anal retentive, and I

0:41:52.719 --> 0:41:55.080
<v Speaker 1>really don't think I am, you know what I mean,

0:41:55.360 --> 0:41:57.640
<v Speaker 1>Like I think I'm so chill, I think I'm so cool.

0:41:57.760 --> 0:41:59.719
<v Speaker 1>I'm like I think i'm really you know, when I'm

0:41:59.800 --> 0:42:01.960
<v Speaker 1>right all the time, Like I always think I'm right,

0:42:02.320 --> 0:42:05.120
<v Speaker 1>and a lot of times I'm actually trying too hard

0:42:05.200 --> 0:42:08.520
<v Speaker 1>or I'm making things worse because of that. But you also,

0:42:08.600 --> 0:42:10.720
<v Speaker 1>I don't know. I think like so much of Marnie's

0:42:10.800 --> 0:42:13.080
<v Speaker 1>journey in the show is like her realizing that she

0:42:13.120 --> 0:42:15.960
<v Speaker 1>has no idea what she wants. And you're very You're

0:42:15.960 --> 0:42:18.560
<v Speaker 1>a very driven person. Yeah. That that's something I don't

0:42:18.560 --> 0:42:20.759
<v Speaker 1>have in common with Marnie, like she and that's why

0:42:21.080 --> 0:42:24.440
<v Speaker 1>that's why I think you're more of a Shoshana. Yeah Shoshanna,

0:42:24.640 --> 0:42:29.040
<v Speaker 1>you know, like packing everything up and moving to Japan,

0:42:29.120 --> 0:42:31.400
<v Speaker 1>like I've done that, not to Japan, but like moved

0:42:31.400 --> 0:42:33.480
<v Speaker 1>to like another place, like I've done that multiple times.

0:42:33.880 --> 0:42:35.759
<v Speaker 1>Um So that is relatable. But I do think at

0:42:35.760 --> 0:42:38.239
<v Speaker 1>the end of the day, I'm most like Marnie. Um

0:42:38.280 --> 0:42:43.360
<v Speaker 1>and you are Jemima Kirk, I'm not Jessa. No, I'm Hannah.

0:42:43.560 --> 0:42:45.640
<v Speaker 1>No no, no, no no no, but I mean you

0:42:45.680 --> 0:42:49.520
<v Speaker 1>have Hannah qualities, but you're definitely Jim. Do you think, Jess, Yeah,

0:42:49.600 --> 0:42:51.680
<v Speaker 1>you're You're a cool girl in and out of the

0:42:51.680 --> 0:42:53.839
<v Speaker 1>live you can like you'll disappear for months and come

0:42:53.840 --> 0:42:54.880
<v Speaker 1>back and be like, do you want to go to

0:42:54.880 --> 0:42:57.880
<v Speaker 1>the mall? Like you know, like manic Pixie girl. I

0:42:57.920 --> 0:43:03.560
<v Speaker 1>have never been told that in these don't fuck about

0:43:03.640 --> 0:43:07.200
<v Speaker 1>anybody's thoughts. Beliefs are emotions, but you understand them innately,

0:43:07.239 --> 0:43:10.560
<v Speaker 1>like this is your emotional radical idea. To me, you

0:43:10.560 --> 0:43:14.320
<v Speaker 1>are emotionally intelligently understand everyone's psychosis, and yet you choose

0:43:14.360 --> 0:43:17.400
<v Speaker 1>to ignore them if it's like totally like if you're like,

0:43:17.480 --> 0:43:19.879
<v Speaker 1>this is absolutely something that doesn't deserve my energy right now,

0:43:20.280 --> 0:43:23.920
<v Speaker 1>Like Jessa is the most grounded character out of the

0:43:23.960 --> 0:43:27.640
<v Speaker 1>four of them somehow, in some ways, I think I

0:43:27.680 --> 0:43:30.040
<v Speaker 1>think so because she's the only one out of the

0:43:30.080 --> 0:43:32.840
<v Speaker 1>four of them that knows who she is, that knows

0:43:32.920 --> 0:43:36.360
<v Speaker 1>what she wants and almost never compromises that, where the

0:43:36.400 --> 0:43:39.200
<v Speaker 1>other three are a little more issue Washi and I

0:43:39.239 --> 0:43:42.080
<v Speaker 1>don't think really know themselves. But Jess is not ambitious,

0:43:42.120 --> 0:43:45.160
<v Speaker 1>and I am very ambitious. But the thing about Jessa

0:43:45.320 --> 0:43:48.520
<v Speaker 1>is like her mania and the way that manifests externally

0:43:48.760 --> 0:43:51.680
<v Speaker 1>is a lot more you know, Um, it fluctuates a

0:43:51.719 --> 0:43:56.799
<v Speaker 1>lot more. Well, I think I'm a ray. Um that's

0:43:56.880 --> 0:44:14.040
<v Speaker 1>so funny because like I'm kind of a ray. On

0:44:14.160 --> 0:44:16.040
<v Speaker 1>the hand of it all, let's just talk about Lena

0:44:16.120 --> 0:44:18.359
<v Speaker 1>Dunham in the cultural moment of when it came out,

0:44:19.080 --> 0:44:22.719
<v Speaker 1>everyone hated her. Hated her because, I mean, the more

0:44:22.840 --> 0:44:26.839
<v Speaker 1>the industry treated her as this like wounder kind, like

0:44:27.120 --> 0:44:31.000
<v Speaker 1>the more accolades girls received, and like in the first season,

0:44:31.000 --> 0:44:33.560
<v Speaker 1>it really did it wasn't. I mean, we should maybe

0:44:33.600 --> 0:44:36.480
<v Speaker 1>look up the stats, but like it definitely like one

0:44:36.520 --> 0:44:39.000
<v Speaker 1>a ton of awards. It received so much critical praise.

0:44:39.360 --> 0:44:43.439
<v Speaker 1>But then I think the sharp turn that it wasn't.

0:44:43.760 --> 0:44:45.879
<v Speaker 1>It was almost more of like a parallel. The more

0:44:46.360 --> 0:44:51.239
<v Speaker 1>that she was critically praised and like praised by the industry,

0:44:51.560 --> 0:44:55.239
<v Speaker 1>the more the culture at large hate her, which is

0:44:55.239 --> 0:44:57.919
<v Speaker 1>the case of a lot of like rising wonder kind

0:44:58.000 --> 0:45:00.960
<v Speaker 1>or whatever, and it's specifically women. Yeah, well that's what

0:45:01.000 --> 0:45:03.040
<v Speaker 1>I was gonna say, is I mean, all the things

0:45:03.080 --> 0:45:05.640
<v Speaker 1>that we can say about Lena Dunhaman why she's problematic

0:45:05.680 --> 0:45:08.440
<v Speaker 1>have already been said, so um, Like, I feel like

0:45:08.480 --> 0:45:10.640
<v Speaker 1>it's hard to contribute to the conversation in terms of

0:45:10.680 --> 0:45:13.640
<v Speaker 1>like their privilege and how these characters manifested, but in

0:45:13.760 --> 0:45:17.279
<v Speaker 1>terms of like what I feel like, I think that's

0:45:17.320 --> 0:45:21.040
<v Speaker 1>something that's often missing from the conversation of how we

0:45:21.160 --> 0:45:24.799
<v Speaker 1>criticize Lena Dunham. And this show specifically was around a

0:45:24.880 --> 0:45:28.960
<v Speaker 1>lexicon of white womanhood that um became a little bit

0:45:28.960 --> 0:45:31.759
<v Speaker 1>of a meme around this time, because Girls as a

0:45:31.800 --> 0:45:36.399
<v Speaker 1>show became a punchline about white women over and over again, right,

0:45:36.719 --> 0:45:39.879
<v Speaker 1>white womanhood and Lena Dunham off screen as well as

0:45:39.920 --> 0:45:44.160
<v Speaker 1>on screen, We're like modeling a version of of whiteness

0:45:44.360 --> 0:45:47.279
<v Speaker 1>that is so insidious and gets away with a lot,

0:45:47.560 --> 0:45:50.040
<v Speaker 1>you know what I mean, especially in how Lena was

0:45:50.080 --> 0:45:53.160
<v Speaker 1>acting as a celebrity during this time. And so the

0:45:53.600 --> 0:45:56.120
<v Speaker 1>way this show became a punchline about white woman head,

0:45:56.360 --> 0:46:01.640
<v Speaker 1>I think reached a point that was truly misogynistic. Like

0:46:01.880 --> 0:46:04.200
<v Speaker 1>I think that like when I'm I honestly I'm thinking

0:46:04.200 --> 0:46:06.880
<v Speaker 1>about like men and gay men specifically, and how there

0:46:06.880 --> 0:46:08.160
<v Speaker 1>are a lot there were there are a lot of

0:46:08.200 --> 0:46:10.680
<v Speaker 1>jokes they're like white women, Am I right? And there is,

0:46:10.840 --> 0:46:13.560
<v Speaker 1>But I think that we don't understand that when we

0:46:13.600 --> 0:46:16.200
<v Speaker 1>like kind of use white women quote unquote, Like when

0:46:16.200 --> 0:46:18.920
<v Speaker 1>when when men or like you know, people that benefit

0:46:18.920 --> 0:46:22.239
<v Speaker 1>from that privilege, like use white woman as like a

0:46:22.280 --> 0:46:25.120
<v Speaker 1>punch line over and over again. That is a kind

0:46:25.160 --> 0:46:27.960
<v Speaker 1>of misogyny. And I do also feel like gay men

0:46:28.040 --> 0:46:30.760
<v Speaker 1>that were criticizing this show at the time, we're using

0:46:30.760 --> 0:46:34.799
<v Speaker 1>this kind of critique of white womanhood to shield themselves

0:46:34.920 --> 0:46:38.360
<v Speaker 1>from their own privilege as men. And I think that

0:46:38.360 --> 0:46:43.000
<v Speaker 1>that attitude is literally given a characterization in the show

0:46:43.440 --> 0:46:45.840
<v Speaker 1>in the form of Elijah, who's played by Andrew Ranals,

0:46:46.000 --> 0:46:50.040
<v Speaker 1>who is hilarious but like is so toxic and and

0:46:50.080 --> 0:46:52.759
<v Speaker 1>it's like an an engine behind a lot of the

0:46:52.840 --> 0:46:57.200
<v Speaker 1>drama between the friends because remember he fox Marini in

0:46:57.280 --> 0:47:02.239
<v Speaker 1>season two and drives away between MANI um he and

0:47:02.440 --> 0:47:06.120
<v Speaker 1>like Hannah kicks him out of her apartment, and he

0:47:06.400 --> 0:47:11.000
<v Speaker 1>is constantly being a horrible to the girls and like

0:47:11.160 --> 0:47:16.600
<v Speaker 1>excusing it with his queerness exactly, yes, using queerness as

0:47:16.600 --> 0:47:19.640
<v Speaker 1>a shield. Queerness quote unquote as a shield. Um. And

0:47:19.640 --> 0:47:21.520
<v Speaker 1>then there's all I think, obviously the layer on top

0:47:21.520 --> 0:47:23.319
<v Speaker 1>of all of that is like that phobia, like do

0:47:23.360 --> 0:47:25.399
<v Speaker 1>you I don't, do you remember? Oh my god, it

0:47:25.480 --> 0:47:28.960
<v Speaker 1>was It was horrible, so hard because all of the

0:47:29.000 --> 0:47:32.399
<v Speaker 1>conversation was like, there's so much nudity and girls, there's

0:47:32.400 --> 0:47:35.279
<v Speaker 1>so much sex and girls, but like what wasn't being

0:47:35.320 --> 0:47:39.200
<v Speaker 1>said was there shouldn't be because of what Lena Dunham

0:47:39.239 --> 0:47:42.440
<v Speaker 1>looks like. And there's also less nudity in girls than

0:47:42.480 --> 0:47:45.120
<v Speaker 1>there isn't sex in the City and like all these

0:47:45.120 --> 0:47:47.440
<v Speaker 1>other HBO shows that have nudity all the time, like

0:47:47.560 --> 0:47:50.480
<v Speaker 1>I remember. So there's an episode in season two, guest

0:47:50.520 --> 0:47:53.840
<v Speaker 1>starring Patrick Wilson where Hannah meets this man through her

0:47:53.920 --> 0:47:55.560
<v Speaker 1>job at the coffee shop, and the episode is like

0:47:55.640 --> 0:47:59.120
<v Speaker 1>a bottle episode where she spends this whirlwind weekend with

0:47:59.200 --> 0:48:03.319
<v Speaker 1>him that basically is like an entire relationship over the

0:48:03.320 --> 0:48:07.400
<v Speaker 1>course of one weekend. And the conversation about it at

0:48:07.400 --> 0:48:09.960
<v Speaker 1>the time was that this is so unrealistic, this is

0:48:10.000 --> 0:48:13.359
<v Speaker 1>a dream sequence because he's too hot for her, he

0:48:13.360 --> 0:48:17.480
<v Speaker 1>would never fuck her. As if fat women aren't having

0:48:17.520 --> 0:48:22.520
<v Speaker 1>sex every day every corner of the world. It's it's

0:48:22.640 --> 0:48:25.560
<v Speaker 1>very strange and like I guess for me now it's

0:48:25.560 --> 0:48:28.640
<v Speaker 1>different now watching it like as some as like a

0:48:28.680 --> 0:48:32.239
<v Speaker 1>fat woman, Whereas when I was like watching this when

0:48:32.280 --> 0:48:35.240
<v Speaker 1>it was airing, I did not identify as a woman,

0:48:35.800 --> 0:48:38.319
<v Speaker 1>and so it's like a very different experience. But like

0:48:38.880 --> 0:48:42.399
<v Speaker 1>I can't imagine what it was like for her at

0:48:42.440 --> 0:48:44.279
<v Speaker 1>that time. And I'm sure she's talked about it. I'm

0:48:44.280 --> 0:48:47.080
<v Speaker 1>sure she's written about it, but like to have a

0:48:47.560 --> 0:48:52.160
<v Speaker 1>like every day think piece about your body, like oh

0:48:52.200 --> 0:48:54.880
<v Speaker 1>my god, that's horrible. And I'm not saying it excuses

0:48:54.960 --> 0:48:57.640
<v Speaker 1>anything that she's done or who she is, but like

0:48:57.719 --> 0:48:59.799
<v Speaker 1>it's still fucking crazy. I think a lot of the

0:49:00.160 --> 0:49:01.960
<v Speaker 1>I think a lot of the reaction, in addition to

0:49:02.000 --> 0:49:04.560
<v Speaker 1>fat phobia, had to do with the execution, because when

0:49:04.560 --> 0:49:07.040
<v Speaker 1>you think about sex in the city or like HBO

0:49:07.120 --> 0:49:12.040
<v Speaker 1>shows of that time, sex scenes still had like stunning

0:49:12.160 --> 0:49:16.200
<v Speaker 1>like lighting in shadows, a lot more modesty, like mostly

0:49:16.280 --> 0:49:19.120
<v Speaker 1>you only see tits and usually it's like covered up.

0:49:19.120 --> 0:49:20.839
<v Speaker 1>A lot of time there was a lot more kind

0:49:20.840 --> 0:49:24.040
<v Speaker 1>of like coinness around how they would do nudity in

0:49:24.080 --> 0:49:27.480
<v Speaker 1>some of the raunch r HBO shows where Hannah Horvath

0:49:27.719 --> 0:49:31.840
<v Speaker 1>is in you know, bad lighting, full bush full nudity

0:49:32.080 --> 0:49:37.080
<v Speaker 1>like and not not in like nice positions he shot

0:49:37.160 --> 0:49:41.520
<v Speaker 1>in the most like unflattering way, but not like not

0:49:41.600 --> 0:49:45.239
<v Speaker 1>like gratuitously unflattering, but just like very matter of fact,

0:49:45.440 --> 0:49:49.360
<v Speaker 1>which watching today still felt radical, like are you watching?

0:49:49.560 --> 0:49:51.920
<v Speaker 1>Still felt radical to me. And there are shows that

0:49:51.960 --> 0:49:55.680
<v Speaker 1>I think have done like I hate I hate this term,

0:49:55.719 --> 0:49:58.880
<v Speaker 1>but like body positivity better, like I think Shrill is

0:49:58.920 --> 0:50:02.040
<v Speaker 1>a much better explorer of like fatness and like being

0:50:02.040 --> 0:50:06.120
<v Speaker 1>a fat woman such. Yes, And I also think the

0:50:06.160 --> 0:50:08.279
<v Speaker 1>final season was really good too. I haven't finished yet,

0:50:08.320 --> 0:50:11.439
<v Speaker 1>There'll be another flu watch. Yes. Do you remember when

0:50:11.800 --> 0:50:15.480
<v Speaker 1>um Lena was on the cover of Vogue and they

0:50:15.560 --> 0:50:19.759
<v Speaker 1>released like some stunning any Leviowitz photos and Jezebel was like,

0:50:19.920 --> 0:50:23.120
<v Speaker 1>we will offer ten thousand dollars to the person who

0:50:23.120 --> 0:50:27.080
<v Speaker 1>shows us the unretouched photos of thing that Donna is

0:50:27.719 --> 0:50:30.799
<v Speaker 1>d disgusting. And do you remember when Jezebel was like

0:50:30.800 --> 0:50:32.680
<v Speaker 1>the cream of the crop, like creme to la creme,

0:50:32.719 --> 0:50:35.240
<v Speaker 1>like best journalism, like nothing was more exciting than Jezebel,

0:50:35.320 --> 0:50:37.480
<v Speaker 1>and they had it out for her. Yes, And Jezebel

0:50:37.600 --> 0:50:39.719
<v Speaker 1>was even kind of like a character on the show,

0:50:39.800 --> 0:50:43.000
<v Speaker 1>like when Hannah in season two gets a job writing

0:50:43.040 --> 0:50:45.960
<v Speaker 1>it blogging for like a click baity website. It's very

0:50:46.000 --> 0:50:48.759
<v Speaker 1>obviously a Jezebel stand in. Yeah, and it's so I

0:50:48.800 --> 0:50:52.240
<v Speaker 1>remember Lena like tweeting being like people paying ten grand

0:50:52.280 --> 0:50:55.520
<v Speaker 1>for my nudes just subscribe to HBO, like it's all

0:50:55.600 --> 0:50:59.440
<v Speaker 1>unretouched girl, Like what the fun? Um? Yeah, I mean

0:50:59.480 --> 0:51:01.480
<v Speaker 1>that that's I think emblematic of a lot of things

0:51:01.480 --> 0:51:03.879
<v Speaker 1>that were going on at the time, but just Lena

0:51:03.920 --> 0:51:06.239
<v Speaker 1>hate in general. Like I used to be a Lena hater.

0:51:06.400 --> 0:51:08.040
<v Speaker 1>I mean, I still don't like a lot of things

0:51:08.080 --> 0:51:10.279
<v Speaker 1>about Lena, but I think I can appreciate her our

0:51:10.320 --> 0:51:12.520
<v Speaker 1>own in a way that I didn't in my like

0:51:12.640 --> 0:51:17.080
<v Speaker 1>early New York years, because like I don't know if

0:51:17.080 --> 0:51:19.040
<v Speaker 1>I've toil do this. Um, you know, I used to

0:51:19.120 --> 0:51:21.000
<v Speaker 1>date my first boyfriend in New York was this guy

0:51:21.000 --> 0:51:24.040
<v Speaker 1>who like loved girls and loved Lena Dunham, and like

0:51:24.120 --> 0:51:27.240
<v Speaker 1>I remember throughout our relationship really resenting that about them

0:51:27.280 --> 0:51:30.400
<v Speaker 1>about him and feeling like he was basic because that

0:51:30.520 --> 0:51:32.480
<v Speaker 1>was like his favorite show, you know, And I had

0:51:32.560 --> 0:51:35.440
<v Speaker 1>kind of moved past that end my life, and um,

0:51:35.440 --> 0:51:37.200
<v Speaker 1>when we broke up, it was like really horrible. It's

0:51:37.239 --> 0:51:39.160
<v Speaker 1>like a really tough breakup for me. He was the

0:51:39.200 --> 0:51:41.280
<v Speaker 1>only time I've ever been broken up with. I'm always

0:51:41.320 --> 0:51:46.080
<v Speaker 1>the breaker reppert Um and um, here's not you. That

0:51:46.160 --> 0:51:48.640
<v Speaker 1>was really hard for me. Um, and so I just

0:51:48.719 --> 0:51:51.320
<v Speaker 1>like really really hated him post breakup. It was like

0:51:51.360 --> 0:51:54.960
<v Speaker 1>a torrential kind of like drawn out thing. And Um,

0:51:55.200 --> 0:51:57.680
<v Speaker 1>weeks after we broke up, he called me and I

0:51:57.719 --> 0:51:59.400
<v Speaker 1>was thinking, like, oh my god, does he want to

0:51:59.400 --> 0:52:01.080
<v Speaker 1>get back together there? Does he want to have to talk?

0:52:01.239 --> 0:52:03.840
<v Speaker 1>Is he finally going to statiate all these outline questions

0:52:03.840 --> 0:52:06.200
<v Speaker 1>that I still have about our breakup or whatever. He

0:52:06.320 --> 0:52:10.200
<v Speaker 1>was like, Hi, I'm so sorry. Um, I have gon

0:52:10.280 --> 0:52:15.080
<v Speaker 1>arehea and also syphilis. And I'm not sure if I

0:52:15.120 --> 0:52:18.200
<v Speaker 1>got it like after we dated, or if I got

0:52:18.200 --> 0:52:20.279
<v Speaker 1>it with the person that I slept with while we

0:52:20.280 --> 0:52:23.359
<v Speaker 1>were dating. Oh god, it's like a girl's episode. I

0:52:23.400 --> 0:52:26.040
<v Speaker 1>didn't know that he had cheated on me, it was,

0:52:26.239 --> 0:52:28.160
<v Speaker 1>and so I found out on that phone call that

0:52:28.200 --> 0:52:30.919
<v Speaker 1>he had slept with someone else, and I was like, cool, great, cool, cool, cool.

0:52:30.960 --> 0:52:34.120
<v Speaker 1>I didn't have gnoihea syphilis. Um, but he did mail

0:52:34.200 --> 0:52:38.279
<v Speaker 1>me a signed copy of Lena Dunham's book that came

0:52:38.280 --> 0:52:41.360
<v Speaker 1>out at that exact time, and it literally I literally

0:52:41.480 --> 0:52:46.719
<v Speaker 1>still have her memoir like two fran Love Lena as

0:52:46.760 --> 0:52:50.880
<v Speaker 1>a sorry almost gave you gonaiha gift, which is honestly

0:52:51.239 --> 0:52:53.920
<v Speaker 1>worse than the Gnareha because I can get rid of Gnaia,

0:52:54.040 --> 0:52:56.960
<v Speaker 1>but I can't selve his book. I have it for life.

0:52:57.000 --> 0:53:00.120
<v Speaker 1>You know, I don't think I like I think, and

0:53:00.239 --> 0:53:03.000
<v Speaker 1>this is hard for me to say. I think I

0:53:03.080 --> 0:53:05.319
<v Speaker 1>wanted to be her a little bit at the time,

0:53:06.000 --> 0:53:08.680
<v Speaker 1>because you know, I mean, you're you were talking about

0:53:08.719 --> 0:53:10.480
<v Speaker 1>like where you were in your life when Girls was

0:53:10.520 --> 0:53:14.560
<v Speaker 1>coming out. I was in two thousand two, in two

0:53:14.560 --> 0:53:16.440
<v Speaker 1>thousand twelve when the show would have come out, Like

0:53:16.920 --> 0:53:19.520
<v Speaker 1>I was exactly the age of the I was almost

0:53:19.520 --> 0:53:22.239
<v Speaker 1>exactly the age of the characters in the show. I

0:53:22.360 --> 0:53:25.080
<v Speaker 1>like wanted to be I wanted to do what she

0:53:25.200 --> 0:53:28.000
<v Speaker 1>was doing. Um, I don't think I wanted to be

0:53:28.040 --> 0:53:32.200
<v Speaker 1>her specifically, but like I saw in her someone who

0:53:32.840 --> 0:53:35.839
<v Speaker 1>was so ambitious and like, you know, I think at

0:53:35.880 --> 0:53:38.520
<v Speaker 1>the time it was like starting to come out how

0:53:38.560 --> 0:53:40.960
<v Speaker 1>like connected she was and how much of this like

0:53:41.400 --> 0:53:44.760
<v Speaker 1>was about nepotism. But like obviously even with that nepotism,

0:53:44.760 --> 0:53:47.280
<v Speaker 1>she none of this would have happened without her incredible

0:53:47.320 --> 0:53:51.520
<v Speaker 1>talent um, and I think there was some part of

0:53:51.520 --> 0:53:54.960
<v Speaker 1>me that like was kind of inspired by her. Anybody

0:53:55.000 --> 0:53:57.279
<v Speaker 1>that has aspirations to make TV, which you and I

0:53:57.360 --> 0:54:01.279
<v Speaker 1>both do, like will rise end. We are very free

0:54:01.280 --> 0:54:04.239
<v Speaker 1>to have meetings. Yeah exactly, Yeah, exactly, yeah, yeah, if

0:54:04.239 --> 0:54:05.960
<v Speaker 1>you want to slide into our dm s and talk

0:54:06.000 --> 0:54:08.040
<v Speaker 1>about I want to talk to us about our writing projects.

0:54:08.040 --> 0:54:10.520
<v Speaker 1>We definitely have them. I literally, I mean, I literally

0:54:10.520 --> 0:54:12.800
<v Speaker 1>have I mean I feel like every you know, fag

0:54:12.960 --> 0:54:16.200
<v Speaker 1>working in Hollywood has a four Friends leaving in Brooklyn

0:54:16.239 --> 0:54:19.759
<v Speaker 1>linked pilot. But but like that five friends, yeah, but

0:54:19.800 --> 0:54:23.240
<v Speaker 1>of course yes, like of course I have a pilot

0:54:23.280 --> 0:54:25.400
<v Speaker 1>like that, you know what I mean. But like I

0:54:25.440 --> 0:54:27.480
<v Speaker 1>think it's a testament to how that format works and

0:54:27.520 --> 0:54:31.760
<v Speaker 1>how I personally will actually never g tired of that show,

0:54:32.120 --> 0:54:35.560
<v Speaker 1>like I will always want to show about four Friends

0:54:35.680 --> 0:54:38.160
<v Speaker 1>and whatever that era of New York is like, because

0:54:38.160 --> 0:54:40.759
<v Speaker 1>New York is changing all the time, and also who

0:54:40.800 --> 0:54:45.520
<v Speaker 1>those friends are, because we have only still seen very

0:54:45.640 --> 0:54:49.800
<v Speaker 1>specific permutations of it. We still haven't seen the queer

0:54:49.880 --> 0:54:53.239
<v Speaker 1>version of it. No, I still have not, And like, yes,

0:54:53.320 --> 0:54:56.040
<v Speaker 1>I know we have things like queer as Folk, which

0:54:56.040 --> 0:54:59.239
<v Speaker 1>are like the closest approximation, but we haven't. We have

0:54:59.440 --> 0:55:03.000
<v Speaker 1>not had this. There has not been a version of

0:55:03.080 --> 0:55:07.080
<v Speaker 1>the like young people living in New York coming of

0:55:07.160 --> 0:55:09.719
<v Speaker 1>age story told about queer people. So if you want

0:55:09.760 --> 0:55:11.839
<v Speaker 1>to read my Pilot sad and return about that as

0:55:11.880 --> 0:55:13.880
<v Speaker 1>a kind of trans sex in the city, you just

0:55:13.920 --> 0:55:17.080
<v Speaker 1>slide into my DM mama because she is already. These

0:55:17.080 --> 0:55:19.319
<v Speaker 1>shows will be made until the end of time, and

0:55:19.360 --> 0:55:24.960
<v Speaker 1>they will always be both referencing and deconstructing the versions

0:55:24.960 --> 0:55:35.160
<v Speaker 1>of themselves that came before them, exactly exactly period. We

0:55:35.239 --> 0:55:39.000
<v Speaker 1>will be back next week with a discussion on Nicole Kidman,

0:55:39.120 --> 0:55:42.719
<v Speaker 1>The Woman, the Myth, the Legend, heartbreak will feel good

0:55:42.719 --> 0:55:46.520
<v Speaker 1>on a podcast like this, um please um. You know,

0:55:46.680 --> 0:55:51.920
<v Speaker 1>watch your favorite Nicole Kidman movie and anticipation. Um. And

0:55:52.320 --> 0:55:54.920
<v Speaker 1>you know you could always like tweeted us and tell

0:55:55.000 --> 0:55:57.400
<v Speaker 1>us which which Nicole Kidman properties you want us to

0:55:57.400 --> 0:56:01.840
<v Speaker 1>talk about us your stories? Also Instagram our new Instagram

0:56:01.960 --> 0:56:04.640
<v Speaker 1>like a virgin for nine. Also like tell us what

0:56:04.760 --> 0:56:07.880
<v Speaker 1>you think about this girl's episode? What's your favorite episode

0:56:07.880 --> 0:56:11.600
<v Speaker 1>of Girls? Are you a Hannah Amarti a Jessa a Showshana?

0:56:11.640 --> 0:56:15.279
<v Speaker 1>Are you a Ray? Are you an Adam and um

0:56:15.400 --> 0:56:17.759
<v Speaker 1>tell us what to talk about next, whether it's you know,

0:56:17.840 --> 0:56:19.920
<v Speaker 1>a show, a book, a cultural phenomenon. We want to

0:56:19.960 --> 0:56:22.359
<v Speaker 1>hear from you, and I think that you can call

0:56:22.520 --> 0:56:24.800
<v Speaker 1>us or also like We love it when you slide

0:56:24.800 --> 0:56:27.680
<v Speaker 1>into our d M, so tag our Instagram and tell

0:56:27.760 --> 0:56:29.360
<v Speaker 1>us like what you want us to watch And of

0:56:29.440 --> 0:56:32.160
<v Speaker 1>course you can call to confess at three two three repentance.

0:56:32.280 --> 0:56:35.640
<v Speaker 1>That's three to three seven three six two three two six.

0:56:36.520 --> 0:56:39.000
<v Speaker 1>Leave us a review on Apple podcasts. We love to

0:56:39.080 --> 0:56:41.960
<v Speaker 1>see them. I'm your co host Rose Damn You. You

0:56:42.040 --> 0:56:45.040
<v Speaker 1>can find me anywhere on social media at Rose Damn

0:56:45.080 --> 0:56:47.960
<v Speaker 1>You and I'm friends Squishco. You can find me anywhere

0:56:48.120 --> 0:56:50.800
<v Speaker 1>on social media as well. You can subscribe to Like

0:56:50.920 --> 0:56:53.320
<v Speaker 1>a Virgin anywhere you listen to podcasts. Leave us a

0:56:53.560 --> 0:56:57.200
<v Speaker 1>review on Apple podcast or raining on Spotify. Like a

0:56:57.320 --> 0:57:00.560
<v Speaker 1>Virgin is an i Heeart radio production. Our producers Phoebe Unter,

0:57:01.040 --> 0:57:04.840
<v Speaker 1>with support from Lindsay Hoffman, Julian Weller, Jess Cranechitch and

0:57:04.960 --> 0:57:08.640
<v Speaker 1>Nikki Etour. Until next week see later. Virgins Me