WEBVTT - #Throwback Episode - w/ Steve Stoute & Tone of Trackmasters | (Ep.105)

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<v Speaker 1>He's drink Champs, motherfucking podcast man, he's a legends eary

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<v Speaker 1>Queen's rapper.

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<v Speaker 2>He ain't agreed?

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<v Speaker 3>Is your boy in O R E. He's a Miami

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<v Speaker 3>hip hop yoneer. Put up his DJ E f N.

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<v Speaker 3>Together they drink it up with some of the biggest players,

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<v Speaker 3>you know what I mean, and the most professional unprofessional

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<v Speaker 3>podcast and your number one source for drunk.

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<v Speaker 2>Drink Champs mother.

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<v Speaker 3>Every day is New Year's e. That's it's time for

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<v Speaker 3>drink Champs. Drink up mother, mother.

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<v Speaker 4>Would it good be? Hopefully what it should be? It's

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<v Speaker 4>your boy in O R what up? It's d J

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<v Speaker 4>E f N and it's drink Champs.

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<v Speaker 2>Have y'all make some.

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<v Speaker 3>Fucking u.

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<v Speaker 4>And right and right now proud to announced that we

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<v Speaker 4>are standing in front of two icons. So I'm saying

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<v Speaker 4>that beyond legendary, this guy, one person, single handedly changed

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<v Speaker 4>the way hip hop is being promoted, changed the way

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<v Speaker 4>marketing is being handled advertisement. He has finessed every hip

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<v Speaker 4>hop sneaker in the world has to have to have

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<v Speaker 4>a connection to him somehow, some way. And then the

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<v Speaker 4>other guy is one of the most powerful groups, one

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<v Speaker 4>of the people personally I personally old tone because after

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<v Speaker 4>I look at n R album, I always say, damn,

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<v Speaker 4>I should have made track Master's executive producer because you

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<v Speaker 4>guys was really their intricate in that whole album, and

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<v Speaker 4>that's the album that made me a star. So in

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<v Speaker 4>case these motherfuckers don't know who we're talking about, we're

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<v Speaker 4>talking about.

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<v Speaker 3>Steve Stout and Total track Masters, make some.

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<v Speaker 2>Style.

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<v Speaker 4>I want to start with you. You they say the

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<v Speaker 4>origins of your career started with Kidding Play. Is that correct?

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<v Speaker 5>Yeah, Damne, Okay, I started as their road manager, so

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<v Speaker 5>you know, it's it's been a long journey since then.

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<v Speaker 6>But like they put me on straight up, Like I

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<v Speaker 6>got introduced to Whiz through a mutual friend and him like, okay,

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<v Speaker 6>that's how I got on right.

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<v Speaker 2>So now in the beginning, because you said.

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<v Speaker 3>You was the road manager, would you just say I

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<v Speaker 3>wasn't even the road manager, and I was just I

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<v Speaker 3>was the roade. That's that's that's not the rest of

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<v Speaker 3>the guy who checks in for the road manage. Give

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<v Speaker 3>me advanced man, that's what I was.

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<v Speaker 2>Let's make some noise.

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<v Speaker 7>Specific street case. I still don't know what that is.

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<v Speaker 7>It looks fantastic, what is that it's Jonnkanese wskeuy just

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<v Speaker 7>knowing about that?

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<v Speaker 3>What is that?

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<v Speaker 2>This is no no, no, no, no no no, this

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<v Speaker 2>is open.

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<v Speaker 3>Oh my god. He wanted some cigars, just tidads part

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<v Speaker 3>against you know, just like work. We're gonna do this conversation.

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<v Speaker 6>I don't want to move back nothing. Honestly, I'm going

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<v Speaker 6>to get into this really really deep.

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<v Speaker 3>Journalists a whole while. But his his his.

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<v Speaker 4>You had an internet video on the internet recently that

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<v Speaker 4>blew my mind. I think I called you and I

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<v Speaker 4>told you I had a great idea because you were

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<v Speaker 4>in Italy. I believe you were in customs, right, and

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<v Speaker 4>these guys were trying to get you to pay for

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<v Speaker 4>the wines.

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<v Speaker 3>I didn't understand it. Okay, you tell your wine. I

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<v Speaker 3>was bringing it back home and were charged me right.

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<v Speaker 3>But the crazy thing was I was I was around

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<v Speaker 3>a couple of.

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<v Speaker 4>My friends and we was googling the actual bottles that

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<v Speaker 4>you had, and this is some exclusive ship Like I

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<v Speaker 4>felt like, I said, yo, this is rat class Like

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<v Speaker 4>he's literally like I real because I spent money on

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<v Speaker 4>alcohol and I literally don't know what I'll be doing,

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<v Speaker 4>like just spending and these were there was a particular types.

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<v Speaker 6>Of wines, right. It described that well, I can't remember

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<v Speaker 6>what it what. I had an assortment that was going

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<v Speaker 6>on vacation. I had to stop.

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<v Speaker 3>Uh had a business thing and then I was going

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<v Speaker 3>on vacation afterwards, and I just wanted to as in

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<v Speaker 3>case I got there. It Actually it's what.

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<v Speaker 6>I drink on a regular basis, not go want to

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<v Speaker 6>drink like that's what. It just goes there like everything else,

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<v Speaker 6>Like you know, you don't smoke the same weed you

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<v Speaker 6>used to smoke.

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<v Speaker 4>There's no no, just keep changing the ship.

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<v Speaker 6>Right, So that's what it was, and they got they're

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<v Speaker 6>flavoring over there in customs anyway. They just hit you

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<v Speaker 6>with some wild Italian ship and just want you to

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<v Speaker 6>just write a check for l scared.

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<v Speaker 3>And ship because it's a talent.

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<v Speaker 6>Yeah, but I'm like, it's Italian wine that shouldn't be

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<v Speaker 6>paying customs on this.

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<v Speaker 3>I bring it on, okay. Not tone?

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<v Speaker 2>You was red hot tone, right hot love of tone?

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<v Speaker 3>Red hot love of tone? So you did you start

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<v Speaker 3>as an artist?

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<v Speaker 8>I started as I started as an artist who couldn't

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<v Speaker 8>find a producer. When I started producing my own music, wow,

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<v Speaker 8>So then I became a producer, and then when did

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<v Speaker 8>the artist thing?

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<v Speaker 3>After? You know what, I produced a couple of weeks.

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<v Speaker 3>What do you enjoy more being an artist or being

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<v Speaker 3>a producer producer? I don't remember.

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<v Speaker 4>One year, Tom, This is right after I believe it

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<v Speaker 4>was wedding and I came to you and and I

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<v Speaker 4>asked you. I said, Tom, I want a commercial record.

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<v Speaker 9>And you said yes, I might have great worded it

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<v Speaker 9>radio record, right, and your exact words need to see

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<v Speaker 9>was now? He said, I feel like, all right, Nas

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<v Speaker 9>was a star from Illmatic, right, he was a star,

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<v Speaker 9>but he wasn't a superstar.

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<v Speaker 2>Then after he worked with track masters, arguably that was his.

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<v Speaker 3>Moment of superstarting. And I felt like at first you

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<v Speaker 3>you you.

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<v Speaker 4>Didn't like that because you kind of made him commercial

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<v Speaker 4>a little bit?

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<v Speaker 3>Or was that hard the merch.

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<v Speaker 2>We got?

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<v Speaker 3>I didn't even know there was merch?

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<v Speaker 4>I like that, Okay, we don't know an.

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<v Speaker 2>Mister Lee, can you brother be careful? You know your style.

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<v Speaker 3>You're not that good, so so what's the question. It

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<v Speaker 3>was not because at the time like.

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<v Speaker 10>For commercial, yeah, you absolutely, I'm glad you did. I

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<v Speaker 10>remember what you said after that too, You want me

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<v Speaker 10>tell you what you said? You said, you said NAS was.

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<v Speaker 4>The king of the Hood, and people getting they mad

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<v Speaker 4>at me because I gave him these records. And he

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<v Speaker 4>turned and he said, right now, you're the prince of

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<v Speaker 4>the Hood, and I'll give you all the hard records

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<v Speaker 4>in the world.

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<v Speaker 3>You gave me, You gave me.

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<v Speaker 4>All the hard records in the world, but you were

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<v Speaker 4>staying away from like doing what you allowed L. E.

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<v Speaker 3>S To produce. So I think I had a record

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<v Speaker 3>with L. E. S. Chickle the barge.

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<v Speaker 4>So so when NAS first received that commercial success, what

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<v Speaker 4>you receiving backlash or something like that.

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<v Speaker 8>We were We received backlash from the moment it was

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<v Speaker 8>announced that track Masters were producing.

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<v Speaker 3>It was never announced like that.

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<v Speaker 11>Well it got out. It leaked out actually, so everyone

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<v Speaker 11>was was afraid that NODS would be commercial when we

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<v Speaker 11>would funk it up.

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<v Speaker 3>Basically, you know what, what.

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<v Speaker 12>Were you guys already before that, like what what tracks

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<v Speaker 12>that people were worried about it.

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<v Speaker 11>I think we had just finished.

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<v Speaker 6>You had just finished l all but before that ship

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<v Speaker 6>that broke off was the so so for real?

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<v Speaker 11>Maybe so leading more towards R and B exactly.

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<v Speaker 3>Yeah, what we did, I mean the river that you

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<v Speaker 3>that popped before that, didn't you do.

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<v Speaker 2>On the run?

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<v Speaker 3>But on the run L Street blue out, dis right,

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<v Speaker 3>don't get jigging with it.

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<v Speaker 6>Yeah no, it's walk now. He didn't get jiggying up

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<v Speaker 6>with it.

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<v Speaker 3>He's the whole ship. And you know he was like

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<v Speaker 3>he couldn't you're getting right to the Naz. I wouldn't

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<v Speaker 3>get back to the because yes, no, no, that's important,

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<v Speaker 3>the uh Naz. It was written when you're coming off

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<v Speaker 3>of illmatic, the.

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<v Speaker 4>Issue I'd had, and you didn't manage him illic No,

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<v Speaker 4>I was trying to manage him.

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<v Speaker 6>And then right at the day I was going to

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<v Speaker 6>meet him to get the whole ship going, was right

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<v Speaker 6>after the Sauce Awards are the ones, the one where

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<v Speaker 6>you know Snoop came out New York Don't got no

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<v Speaker 6>love for okay, and now they got NASA got locked up. Yeah,

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<v Speaker 6>Na's got locked up some ship and like the record

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<v Speaker 6>company wouldn't even give him money to get his shirt,

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<v Speaker 6>like it was some crazy, dumb, stupid ship. And I

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<v Speaker 6>had just gotten a hold of him and just start

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<v Speaker 6>took the people keeping you away from him, you know,

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<v Speaker 6>like and like when we made it was written, it

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<v Speaker 6>was like, how could you not make I Rule the

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<v Speaker 6>World with Lauren Hill, like it makes perfect sense. That

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<v Speaker 6>is a hip hop record, I Rule the World. It

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<v Speaker 6>is a hip hop wrecking like it didn't make a

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<v Speaker 6>difference what anybody said. And I felt like everyone kept

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<v Speaker 6>on coming up to me or coming up to them saying,

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<v Speaker 6>all y'all fucking nas up. I felt like it was

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<v Speaker 6>every artist that just didn't want that good looking, young

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<v Speaker 6>rapping nigga to.

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<v Speaker 3>Be a superstar. They wanted him to stay it's like down.

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<v Speaker 6>They wanted him to be like g Rapp. They wanted

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<v Speaker 6>him to be like the underguy, but never make it.

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<v Speaker 6>I'm like, no, fuck all of you guys, every single

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<v Speaker 6>one of you guys. Fuck all of you guys getting

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<v Speaker 6>all the money. And if it was Biggie or Tupac

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<v Speaker 6>or Tribe or this or ever, it didn't even make

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<v Speaker 6>a difference.

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<v Speaker 3>Whoever, we got the full package. Now that was your

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<v Speaker 3>idea to put a nads and track masses together. Yeah,

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<v Speaker 3>I was already working with Tony and Polk. I was

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<v Speaker 3>managing them and it was nas It was perfect right,

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<v Speaker 3>And did you know did you know the impact that

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<v Speaker 3>you think what you said? Okay, I like, I like

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<v Speaker 3>the confidence got damn confidence. Man, this is what we're

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<v Speaker 3>gonna fill up on some drinks. What we were doing

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<v Speaker 3>telling you don't want to you right now we have tiger,

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<v Speaker 3>We got taga.

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<v Speaker 4>We gonna get the tiger bone in the second baby

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<v Speaker 4>something that you Now, I want you to break that

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<v Speaker 4>down because what.

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<v Speaker 3>Kind of the guard? What what you know?

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<v Speaker 2>We're from the hood.

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<v Speaker 4>If you be smoking cigars just to just to put

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<v Speaker 4>weeding them, I wanted to start smoking cigars.

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<v Speaker 3>I want to start ship class. I want to start.

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<v Speaker 3>Don't want you have doubts me. I got pictures on there.

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<v Speaker 2>Hey, I'm not I'm not you like that's a called hebra, right, I.

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<v Speaker 3>Guess this is a you can tell. Okay, that's a

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<v Speaker 3>fifty four. Now I'm saying the price. That's the price.

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<v Speaker 3>That's the gauge. That's the gage of size.

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<v Speaker 2>Miss fly right now, I smoked the guard that I'll

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<v Speaker 2>take it.

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<v Speaker 3>Man.

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<v Speaker 4>It's some fly ship, man, it's some fly hip right there.

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<v Speaker 4>Good and now now red wine? Why is why is

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<v Speaker 4>is the bad wine more expensive? Is the most expensive

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<v Speaker 4>than white wine?

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<v Speaker 3>No? This is some specive white.

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<v Speaker 6>Big I got one right here? How much is that

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<v Speaker 6>the painting on who you buy it from. This is coach,

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<v Speaker 6>this is white Burgundy, this goes.

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<v Speaker 3>Had that get cry from friends? Now stout. They told

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<v Speaker 3>me that your friends with Tom Brady? Is this true?

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<v Speaker 3>Who the fuck is friends of Tom Brady's not gonna

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<v Speaker 3>lie only god, I know, I know Tom Brady.

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<v Speaker 6>We used to hang out. We used to play college

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<v Speaker 6>with Tom Brady. This great Tom Brady story set.

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<v Speaker 3>Like I know Tom Brady. Yeah, I.

0:12:01.840 --> 0:12:04.559
<v Speaker 4>Don't have yes, yes, yes, I know a lot of

0:12:04.559 --> 0:12:06.840
<v Speaker 4>people have been around it. Don't got Tom Brady number,

0:12:06.880 --> 0:12:07.400
<v Speaker 4>got damn.

0:12:11.040 --> 0:12:14.160
<v Speaker 3>To hang out that button man, You talk that Tom

0:12:14.200 --> 0:12:18.800
<v Speaker 3>Brady would play on a Sunday Tom all right before

0:12:18.840 --> 0:12:21.160
<v Speaker 3>he did the TV twelve ship, he was doing all

0:12:21.160 --> 0:12:22.120
<v Speaker 3>the regular human ship.

0:12:22.280 --> 0:12:24.800
<v Speaker 4>He was doing humans ship. We knew Tom Brady to

0:12:24.800 --> 0:12:28.760
<v Speaker 4>be a human. Now you also was working with Genius. Correct,

0:12:29.520 --> 0:12:30.840
<v Speaker 4>you have a steak in Genius.

0:12:30.960 --> 0:12:31.640
<v Speaker 3>I'm on the board.

0:12:33.240 --> 0:12:34.200
<v Speaker 2>I don't know what that means.

0:12:34.200 --> 0:12:35.160
<v Speaker 3>I know it's from Flash.

0:12:35.679 --> 0:12:35.960
<v Speaker 13>I just.

0:12:37.600 --> 0:12:39.439
<v Speaker 3>I just doing some fly ship right there.

0:12:39.679 --> 0:12:43.280
<v Speaker 4>Okay, Now it was a time where Tupac was actually

0:12:43.360 --> 0:12:44.400
<v Speaker 4>beefing with Masters.

0:12:45.400 --> 0:12:49.360
<v Speaker 2>Correct what what what was that like for for you guys?

0:12:49.480 --> 0:12:54.040
<v Speaker 3>Because that was two total icons that would that you know.

0:12:54.120 --> 0:12:56.800
<v Speaker 3>I'll tell you the story. Okay. So I was working

0:12:56.800 --> 0:12:57.400
<v Speaker 3>at Innis Corp.

0:12:57.480 --> 0:13:00.960
<v Speaker 6>At the time, and I had heard the Tupac album

0:13:01.000 --> 0:13:03.120
<v Speaker 6>and he had that song where he was shipped on

0:13:03.360 --> 0:13:06.880
<v Speaker 6>just hit him, hit him, shipped on everybody, and he

0:13:06.960 --> 0:13:09.200
<v Speaker 6>shipped on Oas and but not.

0:13:09.160 --> 0:13:11.120
<v Speaker 3>Don't hit him up, hitting on Naves on a different record.

0:13:11.320 --> 0:13:13.000
<v Speaker 3>But I know what you're talking about. It was on

0:13:13.120 --> 0:13:14.319
<v Speaker 3>the same It was you.

0:13:15.080 --> 0:13:17.319
<v Speaker 2>You're absolutely right, it was him, Nas and Malty. I

0:13:17.400 --> 0:13:18.320
<v Speaker 2>was thinking on.

0:13:18.360 --> 0:13:19.240
<v Speaker 3>Everybody and then.

0:13:20.720 --> 0:13:24.040
<v Speaker 6>Like I spoke to Nads about it and we were

0:13:24.080 --> 0:13:26.760
<v Speaker 6>at the it was the MTV Awards in New York,

0:13:27.559 --> 0:13:29.599
<v Speaker 6>which was it was tense.

0:13:29.679 --> 0:13:32.520
<v Speaker 3>Because it was Death Row East and you know whatever

0:13:32.640 --> 0:13:35.599
<v Speaker 3>that looked like and what it dethroast was just the

0:13:35.760 --> 0:13:39.360
<v Speaker 3>homies from the New York right. Well, it was Eric

0:13:39.440 --> 0:13:39.800
<v Speaker 3>b was.

0:13:41.280 --> 0:13:45.040
<v Speaker 6>Was the president of Death Row East and we were

0:13:45.080 --> 0:13:48.480
<v Speaker 6>in Brian Park that that that that that that those

0:13:48.480 --> 0:13:52.199
<v Speaker 6>awards with because bone Thugs destroyed the show. They opened it,

0:13:52.280 --> 0:13:55.400
<v Speaker 6>they shut that fucking thing down. And then anyhow, and

0:13:55.679 --> 0:13:58.319
<v Speaker 6>it was tense and big and puff and all that.

0:13:58.440 --> 0:14:00.679
<v Speaker 6>It was gonna be there and it was supposed to

0:14:00.679 --> 0:14:03.480
<v Speaker 6>have been ninety five because Jay was there and uh

0:14:04.240 --> 0:14:07.480
<v Speaker 6>we went to Brian Park and Sons NAS was there

0:14:07.559 --> 0:14:11.640
<v Speaker 6>and we seen them guys coming and it was it

0:14:11.800 --> 0:14:14.760
<v Speaker 6>was deep and the Nas made a call and then

0:14:14.800 --> 0:14:17.480
<v Speaker 6>it was it got really tense in the middle. But

0:14:17.559 --> 0:14:21.800
<v Speaker 6>I did see in the beginning Nas and Tupac when

0:14:21.840 --> 0:14:23.720
<v Speaker 6>they got into the center and it was all around them.

0:14:24.280 --> 0:14:26.400
<v Speaker 6>Tupac was like, Yo, you're the king of New York man.

0:14:26.480 --> 0:14:28.640
<v Speaker 6>This it was like, no disrespect. It was that kind

0:14:28.680 --> 0:14:32.080
<v Speaker 6>of conversation. And Shug came running in like he got

0:14:32.120 --> 0:14:35.080
<v Speaker 6>there like like twenty seconds after the fact.

0:14:36.400 --> 0:14:38.360
<v Speaker 3>And ran in boom boom boom boom boom boom boom

0:14:38.360 --> 0:14:39.600
<v Speaker 3>boom boom, and.

0:14:39.640 --> 0:14:43.040
<v Speaker 6>It was like around the situation going like yo, what's

0:14:43.240 --> 0:14:45.720
<v Speaker 6>going on? You know, like and started and he looked at.

0:14:45.720 --> 0:14:48.320
<v Speaker 3>Me, like, what are you doing? I just seen you

0:14:48.400 --> 0:14:50.600
<v Speaker 3>in La in a scope. Yeah, he looked at me,

0:14:50.760 --> 0:14:53.800
<v Speaker 3>recognized me from being within his scope. But he still Meanwhile,

0:14:53.840 --> 0:14:57.880
<v Speaker 3>you know, Jungle got the motherfucking on this nigga, and

0:14:58.000 --> 0:14:59.360
<v Speaker 3>it's looking I'm looking at the toe.

0:14:59.400 --> 0:15:02.160
<v Speaker 6>I'm look He's get at me, and I can see

0:15:02.200 --> 0:15:05.440
<v Speaker 6>the toast on him, and like these two guys going out.

0:15:05.440 --> 0:15:10.840
<v Speaker 3>It was a very tense situation that thankfully worked out. Okay,

0:15:11.680 --> 0:15:14.200
<v Speaker 3>it worked out okay that night, because it could have

0:15:14.240 --> 0:15:17.640
<v Speaker 3>been really ugly that night. You know, they were in

0:15:17.680 --> 0:15:18.200
<v Speaker 3>New York.

0:15:18.120 --> 0:15:21.240
<v Speaker 4>And you know, you know, of course, of course, So yeah,

0:15:21.520 --> 0:15:22.920
<v Speaker 4>I want to hear it get more because you know,

0:15:22.960 --> 0:15:24.680
<v Speaker 4>I never met Tupacs, so you know, I want to,

0:15:24.800 --> 0:15:25.280
<v Speaker 4>like I want to.

0:15:25.560 --> 0:15:26.200
<v Speaker 2>We're gonna come.

0:15:26.160 --> 0:15:28.720
<v Speaker 3>Back to it, definitely, We're coming on the twentieth.

0:15:29.160 --> 0:15:31.400
<v Speaker 4>This is the twentieth or twenty one anniversary of the

0:15:31.480 --> 0:15:37.000
<v Speaker 4>firm in my correct twenty as long as drenth.

0:15:36.840 --> 0:15:42.840
<v Speaker 14>Of the matter is, you know what, Like, I don't

0:15:42.840 --> 0:15:46.040
<v Speaker 14>want to give everything an anniversary like that, but twenty

0:15:46.120 --> 0:15:49.280
<v Speaker 14>years deserve the twenty except the album.

0:15:50.080 --> 0:15:52.760
<v Speaker 6>Well, the album could have been better. The album should

0:15:52.760 --> 0:15:54.360
<v Speaker 6>have been better. If it's too much talent, it was,

0:15:55.520 --> 0:15:56.160
<v Speaker 6>it was a monument.

0:15:56.200 --> 0:15:58.160
<v Speaker 3>I don't like that. Man, I don't think you feel

0:15:58.200 --> 0:16:00.680
<v Speaker 3>like that. I think this. Tell me. That's what I

0:16:00.760 --> 0:16:03.200
<v Speaker 3>think about everything. Twenty years. Okay, that's how I think

0:16:03.240 --> 0:16:03.520
<v Speaker 3>about it.

0:16:04.000 --> 0:16:06.240
<v Speaker 11>I think Down was dope. We just I think we

0:16:06.400 --> 0:16:07.760
<v Speaker 11>dropped the wrong first scene.

0:16:08.080 --> 0:16:13.160
<v Speaker 3>What phone top That wasn't the first Yeah, yeah, well no,

0:16:13.400 --> 0:16:14.800
<v Speaker 3>it was a lot of different things. I mean it

0:16:14.920 --> 0:16:18.440
<v Speaker 3>was it was you guys were making the get the

0:16:18.480 --> 0:16:21.800
<v Speaker 3>Will Smith album down here, and yeah, doctor Drake came

0:16:21.880 --> 0:16:22.240
<v Speaker 3>down here.

0:16:22.520 --> 0:16:24.920
<v Speaker 6>We were we were in a milliate a Stefan studio

0:16:25.000 --> 0:16:27.160
<v Speaker 6>down here. We had the whole ship lockdown, and we

0:16:27.200 --> 0:16:31.760
<v Speaker 6>were making Will Smith's album. Uh, finishing the ours record,

0:16:31.880 --> 0:16:32.560
<v Speaker 6>big of my man.

0:16:33.760 --> 0:16:35.840
<v Speaker 3>Estabaugh's Kitchen is one of my favorite restaurants. I had

0:16:35.840 --> 0:16:39.600
<v Speaker 3>to throw that out there. Is a fantastic first he's

0:16:40.000 --> 0:16:40.680
<v Speaker 3>he's fantastic.

0:16:41.120 --> 0:16:43.920
<v Speaker 2>You know, he got like a mister Child style a restaurant.

0:16:43.920 --> 0:16:46.960
<v Speaker 3>You know, he has two thousand employees. God damn space,

0:16:51.040 --> 0:16:54.040
<v Speaker 3>He's tremendous. Was the craziest member.

0:16:54.080 --> 0:16:56.440
<v Speaker 6>He was buying blocks down here, all the shipped down

0:16:56.440 --> 0:16:57.320
<v Speaker 6>here with your spiders.

0:16:57.720 --> 0:16:58.280
<v Speaker 3>He was, he was.

0:16:58.640 --> 0:17:02.240
<v Speaker 6>He was buying blocks down here twenty years ago for

0:17:02.280 --> 0:17:05.520
<v Speaker 6>a half a million dollars for the entire block. And

0:17:05.640 --> 0:17:08.040
<v Speaker 6>he was buying them im parcels.

0:17:09.040 --> 0:17:12.359
<v Speaker 3>God damn it, stole keep talking. Yeah, and is fucking

0:17:12.480 --> 0:17:15.360
<v Speaker 3>nuts here go he owns all those kids, the motherfucker.

0:17:15.760 --> 0:17:19.600
<v Speaker 3>He's when you be low, you buying. So who's the

0:17:19.640 --> 0:17:21.760
<v Speaker 3>craziest member of the front. Throw it out there, Go

0:17:21.920 --> 0:17:24.800
<v Speaker 3>for it, Go boy, come on. Now you hear out,

0:17:25.160 --> 0:17:28.920
<v Speaker 3>you're hearing out stuff crazy crazy in old way, crazy easy.

0:17:29.119 --> 0:17:30.640
<v Speaker 3>It could be great, it could be bad, it could

0:17:30.680 --> 0:17:32.440
<v Speaker 3>be whatever. They know, you know what so funny about

0:17:32.440 --> 0:17:35.159
<v Speaker 3>this show. They know like let the alcohol kick in.

0:17:37.119 --> 0:17:37.239
<v Speaker 14>There.

0:17:38.119 --> 0:17:43.320
<v Speaker 3>There's pre and this post. Somebody's job is to look

0:17:43.320 --> 0:17:48.760
<v Speaker 3>at everybody's eyes. And he just came out. It's all

0:17:48.960 --> 0:17:52.000
<v Speaker 3>to Jim. It's about pacing this off. You know, there's

0:17:52.520 --> 0:17:53.240
<v Speaker 3>there's no water.

0:17:53.680 --> 0:17:56.680
<v Speaker 4>No, we got water for we got water, got your bag,

0:17:57.160 --> 0:17:59.720
<v Speaker 4>hang out my water water we're professional bus.

0:18:00.240 --> 0:18:03.840
<v Speaker 3>Oh, Rather, what was the craziest session, like a firm session?

0:18:04.000 --> 0:18:04.359
<v Speaker 3>What was.

0:18:06.320 --> 0:18:07.760
<v Speaker 11>Craziest firm session?

0:18:08.920 --> 0:18:13.080
<v Speaker 3>I mean the bends with mhm my solo though not

0:18:13.160 --> 0:18:14.520
<v Speaker 3>the firm. You didn't go up there when we were

0:18:14.680 --> 0:18:17.280
<v Speaker 3>there recording, not for the firm. You would when fifty

0:18:17.400 --> 0:18:20.720
<v Speaker 3>was up there. Yeah, when I was doing something, you know,

0:18:20.840 --> 0:18:24.560
<v Speaker 3>I never Yo, we gotta talk about it. But that document, Yo,

0:18:24.720 --> 0:18:28.440
<v Speaker 3>me and you. We're getting there now, we're going there. No,

0:18:29.560 --> 0:18:31.240
<v Speaker 3>no't worry about We're gonna get there. Werena have to

0:18:31.280 --> 0:18:32.880
<v Speaker 3>get there. We're gonna get there. I'm problem, We're gonna

0:18:32.880 --> 0:18:34.960
<v Speaker 3>get take a sessions. I was by the way, I

0:18:35.119 --> 0:18:39.120
<v Speaker 3>was just orchestrating everything. Maybe we had this whole entire time.

0:18:39.800 --> 0:18:44.840
<v Speaker 3>You fifty yes, nah, yes, the firm, the thing, what's

0:18:44.880 --> 0:18:45.280
<v Speaker 3>his name?

0:18:46.040 --> 0:18:47.840
<v Speaker 6>The nigga from my neighborhood that I put on that

0:18:47.960 --> 0:18:49.600
<v Speaker 6>turned into a fucking psychopath.

0:18:49.800 --> 0:18:55.880
<v Speaker 3>Okay, the little producer dude shot money. Oh all these

0:18:55.960 --> 0:18:56.639
<v Speaker 3>guys he didn't have.

0:18:56.960 --> 0:18:59.000
<v Speaker 2>You know, let me let me tell you something stuff.

0:18:59.080 --> 0:19:00.879
<v Speaker 2>I always you felt like.

0:19:04.520 --> 0:19:07.399
<v Speaker 6>Drying into a psychopath because I think that this is

0:19:07.440 --> 0:19:11.680
<v Speaker 6>how I feel about everything. If somebody puts you on

0:19:12.480 --> 0:19:17.119
<v Speaker 6>in life in any way, shape or form, that's it.

0:19:17.280 --> 0:19:21.800
<v Speaker 3>Man. You disrespect for Ami. It's disrespectful effort. You see

0:19:21.840 --> 0:19:22.680
<v Speaker 3>what what you just said?

0:19:22.720 --> 0:19:23.040
<v Speaker 4>You got it.

0:19:23.160 --> 0:19:26.240
<v Speaker 3>I was a roadie, I got kidding, played Wiz, I

0:19:26.320 --> 0:19:27.840
<v Speaker 3>met Wiz DJ Whiz.

0:19:28.359 --> 0:19:30.040
<v Speaker 6>I would not be here where I am right now

0:19:30.040 --> 0:19:33.320
<v Speaker 6>if it wasn't for DJ Whiz putting me on full stop.

0:19:34.359 --> 0:19:36.760
<v Speaker 6>It's how it goes. And if I'm in your business,

0:19:37.560 --> 0:19:40.040
<v Speaker 6>like when you got guys hair, you did shit like

0:19:40.119 --> 0:19:43.919
<v Speaker 6>I don't think that anyone should be shipped on. If

0:19:43.960 --> 0:19:46.400
<v Speaker 6>they're pushing culture forward and they're trying to get shit done,

0:19:46.760 --> 0:19:49.040
<v Speaker 6>and I think people they make a sport out of

0:19:49.080 --> 0:19:50.800
<v Speaker 6>it because It's easy to make a support out of

0:19:50.840 --> 0:19:54.480
<v Speaker 6>it and sensationalize making fun of somebody or shitting on

0:19:54.560 --> 0:19:56.680
<v Speaker 6>somebody or whatever whatever. But at the end of the day,

0:19:57.720 --> 0:20:01.399
<v Speaker 6>like it's our job together to push this thing forward.

0:20:01.440 --> 0:20:03.960
<v Speaker 3>That's why I'm here. I'm here because I've watched this

0:20:04.160 --> 0:20:07.480
<v Speaker 3>man bro and I would have never done this. I

0:20:07.520 --> 0:20:09.280
<v Speaker 3>didn't even fuck with him at all. I used to

0:20:09.359 --> 0:20:11.200
<v Speaker 3>fuck with him and I could not stand with his

0:20:13.000 --> 0:20:18.200
<v Speaker 3>Don't that says not let's let's go. Haven't had a shot?

0:20:20.560 --> 0:20:22.840
<v Speaker 3>But no? What was what was one of the craziest

0:20:22.840 --> 0:20:24.879
<v Speaker 3>firm sessions? What was the one that stand out to you?

0:20:25.080 --> 0:20:28.240
<v Speaker 3>There were none with the were but your home? Open

0:20:28.280 --> 0:20:30.440
<v Speaker 3>the door, my man is at the dog. We got you?

0:20:30.600 --> 0:20:33.600
<v Speaker 3>There were none? Or they were you said, it's rich

0:20:33.720 --> 0:20:34.440
<v Speaker 3>Paul at the dog.

0:20:35.000 --> 0:20:36.560
<v Speaker 2>Hey, yo, has hold that up for one second?

0:20:37.359 --> 0:20:37.800
<v Speaker 3>Check this out.

0:20:37.880 --> 0:20:42.040
<v Speaker 12>Drenk Chance Army reproductive rights are human rights right. Planned

0:20:42.080 --> 0:20:44.240
<v Speaker 12>Parenthood invites you to join them in the fight for

0:20:44.280 --> 0:20:48.359
<v Speaker 12>affordable birth control for all, because access to birth control

0:20:48.760 --> 0:20:52.320
<v Speaker 12>should not be a luxury. The Trump administration recently rolled

0:20:52.320 --> 0:20:55.600
<v Speaker 12>back birth control coverage, allowing employers to deny insurance coverage

0:20:55.640 --> 0:20:59.400
<v Speaker 12>on religious or moral grounds. Sixty two point four million

0:20:59.440 --> 0:21:03.000
<v Speaker 12>people across the country benefit from birth control. This is

0:21:03.080 --> 0:21:06.040
<v Speaker 12>happening right now. If you think birth control should be

0:21:06.040 --> 0:21:08.480
<v Speaker 12>a right, not a privilege, it's time to get loud.

0:21:09.000 --> 0:21:12.680
<v Speaker 12>Get involved by texting Champs to two two four to two.

0:21:13.200 --> 0:21:16.240
<v Speaker 12>That's chance c h A m P s to the

0:21:16.320 --> 0:21:19.600
<v Speaker 12>number two to two for to two. No one should

0:21:19.600 --> 0:21:21.480
<v Speaker 12>be able to take away your access to birth control.

0:21:21.840 --> 0:21:26.560
<v Speaker 12>Not politicians, not your boss, not anyone. Text Champs to

0:21:26.720 --> 0:21:30.480
<v Speaker 12>to two for to two, and Planned Parenthood will periodically

0:21:30.560 --> 0:21:33.960
<v Speaker 12>text you ways to fight back. Message and data rates

0:21:34.080 --> 0:21:34.520
<v Speaker 12>may apply.

0:21:34.800 --> 0:21:37.240
<v Speaker 2>Because was this your first time collaborating with doctor Dryden?

0:21:37.359 --> 0:21:39.960
<v Speaker 11>Yeah, I think I think the most memorable thing.

0:21:41.080 --> 0:21:43.840
<v Speaker 3>Up in Miami. It was a fight Doctor Dre's man

0:21:43.960 --> 0:21:46.080
<v Speaker 3>kicked somebody. It was some crazy shit.

0:21:46.119 --> 0:21:49.600
<v Speaker 6>You don't remember name, Damn you do remember that as fuck.

0:21:50.359 --> 0:21:53.320
<v Speaker 6>There were some crazy stories in Miami. Man Will Smith

0:21:53.400 --> 0:21:53.840
<v Speaker 6>got mad.

0:21:54.400 --> 0:21:54.960
<v Speaker 3>Nobody was.

0:21:55.960 --> 0:21:57.520
<v Speaker 2>We don't want to put Will Smith on an album?

0:21:58.359 --> 0:21:58.520
<v Speaker 15>Is that?

0:21:58.640 --> 0:22:01.840
<v Speaker 3>What happened was snapping on doctor Dred.

0:22:01.920 --> 0:22:04.159
<v Speaker 2>You know, Will got jokes.

0:22:04.359 --> 0:22:07.879
<v Speaker 3>Will got jokes. Remember the swiftness? A lot of terrible

0:22:08.400 --> 0:22:10.760
<v Speaker 3>So so why y'all y'all think so?

0:22:11.040 --> 0:22:11.080
<v Speaker 15>So?

0:22:11.280 --> 0:22:12.000
<v Speaker 3>You remember nothing.

0:22:15.520 --> 0:22:18.200
<v Speaker 4>Why do you think the Firm was wasn't bigger? Like

0:22:18.359 --> 0:22:21.159
<v Speaker 4>that was the first time East Coast Like this was

0:22:21.240 --> 0:22:22.960
<v Speaker 4>two monuments.

0:22:22.600 --> 0:22:26.680
<v Speaker 3>First time first music Doctor Dre made after he left

0:22:26.760 --> 0:22:29.840
<v Speaker 3>out the bro was NASA's coming on NASA's album and

0:22:29.920 --> 0:22:35.040
<v Speaker 3>the first project on Aftermath was the Firm. It was

0:22:35.160 --> 0:22:35.840
<v Speaker 3>brand new ship.

0:22:35.920 --> 0:22:39.800
<v Speaker 6>Niggas had to toning Pope was big and they're all right,

0:22:39.880 --> 0:22:43.080
<v Speaker 6>and they you know, they weren't like you know, they

0:22:43.119 --> 0:22:48.240
<v Speaker 6>were splitting the album and you know, Fox he was loose, Cannon,

0:22:51.280 --> 0:22:52.000
<v Speaker 6>what's his thing?

0:22:52.480 --> 0:22:57.000
<v Speaker 3>Cormega was in out. We could go that he was

0:22:57.040 --> 0:23:00.399
<v Speaker 3>in and out the Firm. He was getting very you know,

0:23:01.320 --> 0:23:04.760
<v Speaker 3>he was belligerent based off of his status. This kid

0:23:04.920 --> 0:23:06.359
<v Speaker 3>nature which is beligitamate me.

0:23:06.400 --> 0:23:08.720
<v Speaker 2>I'm sorry that was the big words.

0:23:11.640 --> 0:23:17.360
<v Speaker 3>Like he just like yeah, it was mad, angry, upset.

0:23:17.280 --> 0:23:19.360
<v Speaker 4>Because why did he exactly get kicked out of the group.

0:23:19.440 --> 0:23:22.400
<v Speaker 4>Back then, like people work through their problems. We didn't

0:23:22.400 --> 0:23:24.320
<v Speaker 4>have the internet, so most of the times people will

0:23:24.359 --> 0:23:26.600
<v Speaker 4>go behind the scenes that work out the problems. But

0:23:26.720 --> 0:23:28.560
<v Speaker 4>he was actually you guys have to take it a

0:23:28.800 --> 0:23:31.000
<v Speaker 4>measure to actually kick him out of the group and

0:23:31.240 --> 0:23:33.119
<v Speaker 4>replace him, even if he would have got kicked out

0:23:33.119 --> 0:23:33.440
<v Speaker 4>of the group.

0:23:33.480 --> 0:23:35.920
<v Speaker 3>Back then it was usually the three members move forward.

0:23:36.000 --> 0:23:39.960
<v Speaker 3>But so what happened in that situation? You remember he

0:23:40.680 --> 0:23:42.359
<v Speaker 3>not shouted it out when he was he was in

0:23:42.480 --> 0:23:45.480
<v Speaker 3>jail on ill, he was over car Meaca. Did you

0:23:45.480 --> 0:23:46.919
<v Speaker 3>see him together when he.

0:23:47.000 --> 0:23:51.920
<v Speaker 6>Got home, before he even got came back around, even

0:23:52.000 --> 0:23:53.960
<v Speaker 6>fucked with nas or funk with us what he was doing.

0:23:54.280 --> 0:23:58.800
<v Speaker 3>He signed them, Chris, we skipped him off.

0:23:58.880 --> 0:24:00.440
<v Speaker 2>Okay, hold on, stop going too fast?

0:24:00.480 --> 0:24:03.520
<v Speaker 3>I like, so, what wasn't even that fast? You said? Lunch?

0:24:03.600 --> 0:24:06.920
<v Speaker 13>You saying, nah, shouted him out? The bus started from

0:24:06.960 --> 0:24:09.680
<v Speaker 13>that that shout out. He comes home and he goes

0:24:09.720 --> 0:24:13.360
<v Speaker 13>sign somewhere else. But was there a conversation, not even

0:24:13.359 --> 0:24:14.800
<v Speaker 13>a conversation get out of here?

0:24:14.960 --> 0:24:15.000
<v Speaker 3>No?

0:24:15.640 --> 0:24:20.720
<v Speaker 4>Wow, No, I never knew that, I thought because it

0:24:20.800 --> 0:24:23.840
<v Speaker 4>looked like our okay you and for dudes that don't

0:24:23.880 --> 0:24:25.920
<v Speaker 4>know Chris lighty god bleed us. The debt was my

0:24:26.040 --> 0:24:29.280
<v Speaker 4>manager and was it was like you was either with

0:24:29.520 --> 0:24:31.560
<v Speaker 4>with Chris or you was with Stout at that time,

0:24:32.960 --> 0:24:34.840
<v Speaker 4>y'all was the two by or Mark Pitts was out

0:24:34.840 --> 0:24:36.840
<v Speaker 4>there as well, like as far as management.

0:24:36.600 --> 0:24:38.920
<v Speaker 3>Go at that time, and Flavor Unit to keep a

0:24:38.960 --> 0:24:39.440
<v Speaker 3>flavor unit.

0:24:39.600 --> 0:24:42.280
<v Speaker 2>Was kind of like just flavor unit like they want.

0:24:42.440 --> 0:24:44.560
<v Speaker 3>It was it was he You're right, it was it

0:24:44.680 --> 0:24:47.880
<v Speaker 3>was if you wasn't he was with me and Chris.

0:24:48.000 --> 0:24:49.680
<v Speaker 3>It was either you were me, you were Chris. It

0:24:49.760 --> 0:24:51.840
<v Speaker 3>wasn't even management. It was more than just management.

0:24:51.880 --> 0:24:52.520
<v Speaker 15>It was just like.

0:24:54.040 --> 0:24:57.320
<v Speaker 3>We control the market, right, and it was like bad boy.

0:24:58.160 --> 0:25:02.439
<v Speaker 3>Then you had violator what they were doing, and then

0:25:02.480 --> 0:25:04.560
<v Speaker 3>you had a sense of what we were doing. And

0:25:04.640 --> 0:25:07.159
<v Speaker 3>if you weren't with that, we controlled the market in

0:25:07.320 --> 0:25:09.919
<v Speaker 3>New York. We did. That's right. Talk that shit now,

0:25:10.040 --> 0:25:12.879
<v Speaker 3>well that's the truth. Talk that ship. You can verify it.

0:25:12.960 --> 0:25:16.000
<v Speaker 3>You can verify you got the computer. You got computer guy.

0:25:17.280 --> 0:25:20.280
<v Speaker 3>There was nowhere to go right now. Twenty years later,

0:25:20.359 --> 0:25:22.480
<v Speaker 3>you think Nas would be his businessman that Nas turned

0:25:22.520 --> 0:25:26.280
<v Speaker 3>out to be. He asked you that question the other day.

0:25:26.320 --> 0:25:27.439
<v Speaker 3>I'm proud of him, bro, Like.

0:25:27.520 --> 0:25:32.280
<v Speaker 4>I'm seriously, he's out there looking good with Nicki Minaj,

0:25:32.359 --> 0:25:33.200
<v Speaker 4>out there looking good.

0:25:33.240 --> 0:25:37.800
<v Speaker 3>Game boy. Yeah, he's special. He's a special duty. But

0:25:37.880 --> 0:25:40.399
<v Speaker 3>he got in on lift, he got it on everything.

0:25:40.520 --> 0:25:44.119
<v Speaker 3>He's first of all, his manager, Anthony Salad is like,

0:25:45.000 --> 0:25:47.280
<v Speaker 3>you know special, he's talented.

0:25:47.520 --> 0:25:49.919
<v Speaker 6>I mean these guys are all cut from the same cloth,

0:25:50.080 --> 0:25:53.240
<v Speaker 6>like very resourceful, trying to figure it out. And Nas

0:25:53.320 --> 0:25:56.000
<v Speaker 6>is one of the most trustworthy people he would ever meet.

0:25:56.440 --> 0:25:58.600
<v Speaker 6>He could read you and if he he fucks with

0:25:58.680 --> 0:26:01.199
<v Speaker 6>you and he trusts you. I never had a management

0:26:01.240 --> 0:26:06.800
<v Speaker 6>contract with Nuts never. I never, ever, ever, ever had

0:26:06.840 --> 0:26:08.600
<v Speaker 6>to even think about getting paid from him.

0:26:09.000 --> 0:26:11.399
<v Speaker 3>I'd be I'd have four hundred thousand dollars in cash

0:26:11.760 --> 0:26:15.399
<v Speaker 3>and he wouldn't even know or Karen like, he's not

0:26:15.600 --> 0:26:18.520
<v Speaker 3>like that. He doesn't move or for money, but he

0:26:18.680 --> 0:26:21.640
<v Speaker 3>likes nice things or whatever, but money don't move him.

0:26:22.080 --> 0:26:24.399
<v Speaker 3>So it was never about if he trusts me, he

0:26:24.480 --> 0:26:26.119
<v Speaker 3>funcsured you. That's what it is.

0:26:26.520 --> 0:26:31.520
<v Speaker 6>So Anthony, you know, just kept moving it forward and

0:26:31.560 --> 0:26:36.040
<v Speaker 6>got him involved in technology. I introduced Nas to this's

0:26:36.080 --> 0:26:39.920
<v Speaker 6>guy Ben Horowitz, who's the you know, leading venture capitalist

0:26:39.960 --> 0:26:42.679
<v Speaker 6>who happens to love rhymes, and him and Nas hooked up.

0:26:42.720 --> 0:26:44.879
<v Speaker 3>I put him together and then, like Anthony.

0:26:45.480 --> 0:26:48.800
<v Speaker 6>Outside of that relationship started creating other relationships in Silicon

0:26:48.920 --> 0:26:50.679
<v Speaker 6>Valley and Na shows.

0:26:50.480 --> 0:26:56.320
<v Speaker 3>Up now shows up on time. What made you fall

0:26:56.400 --> 0:26:59.640
<v Speaker 3>back on management? Like like that was a lot of money,

0:26:59.840 --> 0:27:02.600
<v Speaker 3>like just in that business, correct, am I saying that

0:27:02.840 --> 0:27:04.000
<v Speaker 3>crazy motherfuckers like you.

0:27:10.560 --> 0:27:15.280
<v Speaker 6>I think I went from managing artists and I wanted

0:27:15.320 --> 0:27:18.359
<v Speaker 6>to manage companies. It was just like I still feel

0:27:18.400 --> 0:27:23.320
<v Speaker 6>like I'm managing, just managing corporations rather than managing individual artists.

0:27:25.720 --> 0:27:29.879
<v Speaker 3>But I love artists, and I love special artists, the

0:27:29.960 --> 0:27:32.240
<v Speaker 3>guys that are really talented that that what they do

0:27:32.480 --> 0:27:35.440
<v Speaker 3>can't be replicated, and I have a lot of deep

0:27:35.480 --> 0:27:36.080
<v Speaker 3>respect for it.

0:27:37.160 --> 0:27:39.240
<v Speaker 6>And my job as a businessman is to make sure

0:27:39.680 --> 0:27:41.560
<v Speaker 6>that people leave them the funk alone so they could

0:27:41.640 --> 0:27:43.960
<v Speaker 6>just c they to do and create, and leave them

0:27:44.000 --> 0:27:46.359
<v Speaker 6>alone and give them the money and the resources and

0:27:46.440 --> 0:27:47.840
<v Speaker 6>the environment to be great.

0:27:48.600 --> 0:27:48.760
<v Speaker 14>Right.

0:27:49.000 --> 0:27:53.000
<v Speaker 4>Yeah, Now, who was the easiest artist to ever produce

0:27:53.080 --> 0:27:53.240
<v Speaker 4>for it?

0:27:58.640 --> 0:27:58.960
<v Speaker 3>Actually?

0:27:59.000 --> 0:27:59.959
<v Speaker 11>You were, You were pretty good.

0:28:00.280 --> 0:28:02.479
<v Speaker 8>Yes, we walked in the studio, I said, I got

0:28:02.520 --> 0:28:04.320
<v Speaker 8>the track, you said, everybody get out the room.

0:28:04.920 --> 0:28:10.359
<v Speaker 3>I play right up, and you went to work. But

0:28:11.840 --> 0:28:12.840
<v Speaker 3>it's between.

0:28:15.000 --> 0:28:18.160
<v Speaker 11>Jay and Knuts, both very easy to work, easy.

0:28:18.000 --> 0:28:24.600
<v Speaker 4>To work, that's very politically correct, correct.

0:28:31.280 --> 0:28:36.040
<v Speaker 3>Lying dreams right, No longer.

0:28:37.600 --> 0:28:38.600
<v Speaker 11>He's the easiest artist.

0:28:38.760 --> 0:28:41.240
<v Speaker 4>He's the easiest artist. He always has his ship prepared.

0:28:41.400 --> 0:28:43.640
<v Speaker 4>Now let me give you another one. What what was

0:28:44.120 --> 0:28:46.920
<v Speaker 4>an artist that you you was disappointed in like, you

0:28:47.000 --> 0:28:49.520
<v Speaker 4>went to work with them and they work ethic wasn't

0:28:49.560 --> 0:28:50.080
<v Speaker 4>there at all.

0:28:50.520 --> 0:28:55.200
<v Speaker 3>They fell asleep, the truth asleep. Don't say nature, don't

0:28:55.240 --> 0:29:03.080
<v Speaker 3>say nature. Don't show up, just dream man. You'll put

0:29:03.120 --> 0:29:04.080
<v Speaker 3>some shots. Good.

0:29:04.360 --> 0:29:07.320
<v Speaker 11>You gotta come on, Honestly, I don't know. I'm not

0:29:07.400 --> 0:29:08.520
<v Speaker 11>disappointed at anybody.

0:29:08.720 --> 0:29:10.880
<v Speaker 3>You made the pre said Whitney Houston disappointed him. God,

0:29:10.920 --> 0:29:11.160
<v Speaker 3>damn it.

0:29:11.240 --> 0:29:11.400
<v Speaker 15>Come on.

0:29:11.440 --> 0:29:13.760
<v Speaker 3>You gotta give her something, he said. Whitney Houston could

0:29:13.840 --> 0:29:16.120
<v Speaker 3>not hit the notes that he wrote for. He said

0:29:16.160 --> 0:29:18.720
<v Speaker 3>she was racking the studio. He said that right. He

0:29:18.960 --> 0:29:21.480
<v Speaker 3>said that right. You'll see you sitting that right now.

0:29:22.000 --> 0:29:25.800
<v Speaker 3>He said that, we're just keeping it real rail. Yeah.

0:29:26.920 --> 0:29:30.480
<v Speaker 3>Fox was tough to work with now now yeah, yeah,

0:29:30.720 --> 0:29:31.640
<v Speaker 3>like whoy yeah, Like.

0:29:32.360 --> 0:29:33.720
<v Speaker 11>She was just young at the time.

0:29:35.520 --> 0:29:38.480
<v Speaker 3>Besides y'all as well, that's all. That's another good story.

0:29:38.760 --> 0:29:39.960
<v Speaker 3>That was depth story.

0:29:40.880 --> 0:29:43.440
<v Speaker 8>She was young, Okay, So I think the start I'm

0:29:43.480 --> 0:29:46.080
<v Speaker 8>coming at her really fast. Was hard to get her

0:29:46.120 --> 0:29:49.520
<v Speaker 8>in the studio and really and really work. But when

0:29:49.640 --> 0:29:51.680
<v Speaker 8>she arrived at the studio, she got busy. He was

0:29:51.760 --> 0:29:52.880
<v Speaker 8>just getting it there on time.

0:29:52.960 --> 0:29:55.080
<v Speaker 3>And seventeen. She used to come with a book back

0:29:56.400 --> 0:30:03.760
<v Speaker 3>cow found facing man, what don't discover? First? Describe what

0:30:04.120 --> 0:30:06.360
<v Speaker 3>these hold on?

0:30:09.400 --> 0:30:12.080
<v Speaker 8>We just grew up honesty at Washington, Washington, grow up

0:30:12.480 --> 0:30:13.840
<v Speaker 8>from Brooklyn, from Brooklyn.

0:30:13.960 --> 0:30:15.600
<v Speaker 2>Oh yeah, I got you from Brooklyn.

0:30:16.200 --> 0:30:18.320
<v Speaker 4>We like a queen's nigga, like so I always just

0:30:18.560 --> 0:30:21.080
<v Speaker 4>claimed you in my mind, like using from queens, like

0:30:21.120 --> 0:30:22.400
<v Speaker 4>you know what in my mind?

0:30:23.200 --> 0:30:25.440
<v Speaker 3>Drinking that is that what it like?

0:30:26.320 --> 0:30:31.760
<v Speaker 2>It's a tradition. Okay, it's a tradition.

0:30:32.400 --> 0:30:34.880
<v Speaker 3>Okay. Now, I don't know if y'all know about drink chants,

0:30:34.920 --> 0:30:36.920
<v Speaker 3>but drink champs is I've seen.

0:30:37.000 --> 0:30:39.320
<v Speaker 4>There was not a platform that when people get ten

0:30:39.400 --> 0:30:41.520
<v Speaker 4>years or people get twenty years or fifteen years in

0:30:41.600 --> 0:30:43.720
<v Speaker 4>this game, people want to write them off. People want

0:30:43.760 --> 0:30:45.880
<v Speaker 4>to say that these guys ain't doing it no more.

0:30:45.880 --> 0:30:48.400
<v Speaker 4>Because whatever he had drink chants. We'd like to salute

0:30:48.440 --> 0:30:50.760
<v Speaker 4>our people, like to give them their flowers while they

0:30:50.760 --> 0:30:52.719
<v Speaker 4>could smell them, give them their thoughts while they can

0:30:52.760 --> 0:30:54.440
<v Speaker 4>tell them they drink so they can drink them, and

0:30:54.480 --> 0:30:55.800
<v Speaker 4>they thoughts when.

0:30:55.720 --> 0:30:56.280
<v Speaker 3>They can think them.

0:30:56.320 --> 0:30:58.400
<v Speaker 2>You understand I'm saying, So he had drink chants, we

0:30:58.440 --> 0:30:59.040
<v Speaker 2>are saluting you.

0:30:59.120 --> 0:31:03.560
<v Speaker 3>Steve stops everything you did in this business. Everything you

0:31:03.680 --> 0:31:07.720
<v Speaker 3>did this business and we know y'all don't expect y'all.

0:31:12.360 --> 0:31:13.080
<v Speaker 2>Not about Big.

0:31:16.520 --> 0:31:20.520
<v Speaker 3>It's terrible. What's it's actually horrible?

0:31:21.640 --> 0:31:23.160
<v Speaker 2>Now you worked a big before?

0:31:24.480 --> 0:31:25.520
<v Speaker 3>What joint you work with Big?

0:31:26.280 --> 0:31:29.719
<v Speaker 11>Let's see, there's a discrepancy, by the way.

0:31:29.760 --> 0:31:32.160
<v Speaker 3>We're gonna get to that in a second. Let's discrepancy.

0:31:32.200 --> 0:31:38.800
<v Speaker 10>We did a juicy Juicy, the original Juicy, Yes, but no,

0:31:41.800 --> 0:31:42.160
<v Speaker 10>there's no.

0:31:42.360 --> 0:31:44.240
<v Speaker 3>Um that was talking about talking don't worry about me,

0:31:45.160 --> 0:31:49.640
<v Speaker 3>he juicy. We did the One More Chance. Now y'all

0:31:49.680 --> 0:31:52.560
<v Speaker 3>had a discrepancy seeing that my good friend of our

0:31:52.720 --> 0:31:55.960
<v Speaker 3>visa produced with No Weed.

0:31:56.080 --> 0:31:58.120
<v Speaker 11>Say that there was a conversation.

0:31:58.320 --> 0:32:02.520
<v Speaker 12>There was a conversation because I would assume that's the

0:32:02.600 --> 0:32:04.040
<v Speaker 12>only time we would have talked about Juicy.

0:32:04.240 --> 0:32:05.560
<v Speaker 2>No, he said one more Chance.

0:32:06.800 --> 0:32:09.400
<v Speaker 3>No, I know what discrepancy he's talking about. You were

0:32:09.440 --> 0:32:10.000
<v Speaker 3>talking about with.

0:32:10.040 --> 0:32:12.160
<v Speaker 4>Little Seeds was on here and late Little Seed says,

0:32:12.560 --> 0:32:14.160
<v Speaker 4>nis was supposed to be on Bigg's album.

0:32:14.320 --> 0:32:14.959
<v Speaker 3>Is that it right?

0:32:15.520 --> 0:32:18.480
<v Speaker 4>And uh, we said that now it's supposed to be

0:32:18.520 --> 0:32:20.640
<v Speaker 4>on One More Chance, But he wasn't.

0:32:20.640 --> 0:32:21.840
<v Speaker 3>He was supposed to be gonna give me the loop.

0:32:22.640 --> 0:32:24.680
<v Speaker 8>I don't know which record he was going on okay,

0:32:24.880 --> 0:32:26.880
<v Speaker 8>but when y'all started talking about One More Chance being

0:32:26.920 --> 0:32:29.440
<v Speaker 8>one of the greatest records in hip hop, he didn't

0:32:29.480 --> 0:32:30.400
<v Speaker 8>give track masses.

0:32:31.400 --> 0:32:35.480
<v Speaker 2>We gotta put correct respect.

0:32:41.280 --> 0:32:43.240
<v Speaker 3>I'm gonna tell y'all something. I'm gonna tell yall something.

0:32:44.520 --> 0:32:47.400
<v Speaker 4>I was so honest to work with y'all, like because

0:32:47.760 --> 0:32:50.600
<v Speaker 4>it was y'all and Clark can't. I gotta give Clark can't.

0:32:51.240 --> 0:32:53.960
<v Speaker 4>Like I just used to write rhymes. I wouldn't. I

0:32:54.000 --> 0:32:55.840
<v Speaker 4>didn't know how to count bars. I didn't know how

0:32:56.040 --> 0:32:58.520
<v Speaker 4>I would write rhymes, just write hook separate. I wouldn't

0:32:58.560 --> 0:32:59.800
<v Speaker 4>know how to put them ships together.

0:33:00.320 --> 0:33:02.480
<v Speaker 3>And I remember going to Bisville and I remember you,

0:33:02.640 --> 0:33:04.720
<v Speaker 3>just you and Polk and just pulling me.

0:33:04.760 --> 0:33:06.720
<v Speaker 4>To the side and being like you got the talent.

0:33:06.800 --> 0:33:11.440
<v Speaker 4>It's just fucking everywhere and you and I just appreciate that.

0:33:11.600 --> 0:33:15.040
<v Speaker 4>I appreciate you know the uncle Land I gotta say,

0:33:15.120 --> 0:33:16.520
<v Speaker 4>like I felt like an uncle. Like when I was

0:33:16.560 --> 0:33:18.960
<v Speaker 4>at Bes, like you you knew this is what it was.

0:33:19.040 --> 0:33:21.520
<v Speaker 4>We was finishing an an R E album. I was

0:33:21.600 --> 0:33:24.080
<v Speaker 4>all over the place. I rented Miami and went and

0:33:24.160 --> 0:33:25.760
<v Speaker 4>it was your idea. He was like, Yo, Nor, I

0:33:25.800 --> 0:33:27.680
<v Speaker 4>can't get you to focus in New York. You're gonna

0:33:27.680 --> 0:33:29.120
<v Speaker 4>come to Beersville. They lied to me.

0:33:29.200 --> 0:33:30.800
<v Speaker 2>They definitely didn't tell me what Beersville.

0:33:30.960 --> 0:33:33.720
<v Speaker 3>Once, it's like, yeah, you want to go up there, motherfucker.

0:33:33.760 --> 0:33:36.760
<v Speaker 4>Everything closed at five o'clock. If you don't got your phillies,

0:33:36.920 --> 0:33:39.080
<v Speaker 4>you fucked up. You don't got your cigarettes, you don't

0:33:39.080 --> 0:33:39.280
<v Speaker 4>got no.

0:33:39.320 --> 0:33:41.760
<v Speaker 3>List that you fucked up. You remember Philly being up there? Yes?

0:33:41.840 --> 0:33:42.040
<v Speaker 3>I was.

0:33:42.080 --> 0:33:44.040
<v Speaker 2>Did I remember I did two records for fifty?

0:33:44.120 --> 0:33:46.800
<v Speaker 3>That was RB. You don't remember that was RB.

0:33:47.680 --> 0:33:50.240
<v Speaker 4>Yes, because I did the two records for fifty, and

0:33:50.320 --> 0:33:50.840
<v Speaker 4>I asked you.

0:33:50.960 --> 0:33:55.280
<v Speaker 3>I felt like I be and you always about the firm.

0:33:55.520 --> 0:33:57.040
<v Speaker 3>You feel like I didn't give you time about you.

0:34:00.120 --> 0:34:02.440
<v Speaker 3>He got casted a rest, then he got carried away,

0:34:03.240 --> 0:34:03.440
<v Speaker 3>you know.

0:34:05.920 --> 0:34:10.600
<v Speaker 6>And I'm sitting there going like I'm putting everybody on.

0:34:11.280 --> 0:34:14.040
<v Speaker 6>I'm sitting at the I'm taking the responsibility and I'm

0:34:14.040 --> 0:34:17.719
<v Speaker 6>putting everything on. I got fifty out of his contract.

0:34:17.920 --> 0:34:20.320
<v Speaker 6>He's with jam message. I got him out the contract,

0:34:20.719 --> 0:34:23.239
<v Speaker 6>got him in, took shot money from the hood, brought

0:34:23.280 --> 0:34:23.920
<v Speaker 6>shot money.

0:34:23.719 --> 0:34:26.800
<v Speaker 3>In to him. The Bibel didn't go Snory Norid was

0:34:26.880 --> 0:34:30.400
<v Speaker 3>in between. This ship wasn't right. This ship wasn't right, nigga,

0:34:30.480 --> 0:34:33.000
<v Speaker 3>he talented. Your ship ain't right. Come up to Bearsville

0:34:33.640 --> 0:34:38.120
<v Speaker 3>and these and these zis was up here. It was

0:34:38.160 --> 0:34:40.480
<v Speaker 3>showing him pop and it was the producers under up

0:34:40.480 --> 0:34:43.040
<v Speaker 3>and they were orchestrated. We had three rooms going to

0:34:43.280 --> 0:34:46.560
<v Speaker 3>fatile fatales. That's right.

0:34:47.040 --> 0:34:49.920
<v Speaker 6>And we was up there and we were getting busy

0:34:50.400 --> 0:34:52.919
<v Speaker 6>making That's what the power of the dollar was made.

0:34:53.040 --> 0:34:54.160
<v Speaker 3>Yes, yes, that's.

0:34:57.680 --> 0:34:57.719
<v Speaker 15>So.

0:34:58.520 --> 0:35:00.520
<v Speaker 3>And I just so I want to records on that.

0:35:00.600 --> 0:35:02.879
<v Speaker 3>I'm on. I'm gonna. I forget the name of them ships.

0:35:02.920 --> 0:35:05.320
<v Speaker 4>But yeah, man, I came around, I felt the energy,

0:35:05.719 --> 0:35:08.600
<v Speaker 4>and that's where it was where our little problem has

0:35:08.640 --> 0:35:11.359
<v Speaker 4>started was because I think I called him. I said

0:35:12.280 --> 0:35:14.279
<v Speaker 4>Fifty's album. I was wanting to get paid or something.

0:35:14.320 --> 0:35:16.200
<v Speaker 4>He was like, I ain't paying you for no fifty record.

0:35:16.280 --> 0:35:17.879
<v Speaker 4>I said, a god, I think y'all. I was saying

0:35:17.920 --> 0:35:20.239
<v Speaker 4>beef with fifty at this time. And then it just

0:35:20.320 --> 0:35:21.080
<v Speaker 4>all trickled down.

0:35:21.200 --> 0:35:21.920
<v Speaker 3>But it's all up.

0:35:22.040 --> 0:35:23.640
<v Speaker 4>We are here to date and we are having fun

0:35:23.680 --> 0:35:25.560
<v Speaker 4>and we're gonna drink some of your special white wine.

0:35:25.560 --> 0:35:26.719
<v Speaker 2>God damn, we don't got a call open.

0:35:29.000 --> 0:35:31.080
<v Speaker 3>That's what I was like, you got a specific chankey jacket.

0:35:31.080 --> 0:35:35.840
<v Speaker 7>I'll cut a jacket at that style that many jacket

0:35:35.920 --> 0:35:36.319
<v Speaker 7>on too.

0:35:36.640 --> 0:35:38.879
<v Speaker 3>And he came and crush all my jackets. I'm here.

0:35:39.760 --> 0:35:41.000
<v Speaker 3>This is all his cases are.

0:35:41.360 --> 0:35:41.440
<v Speaker 15>Yo.

0:35:41.600 --> 0:35:43.759
<v Speaker 4>Man, let me tell you something, Stout. You gotta teach

0:35:43.800 --> 0:35:46.359
<v Speaker 4>a class or rap class. We're gonna call it rap

0:35:46.440 --> 0:35:49.560
<v Speaker 4>class where you sit down and you teach niggas. Niggas

0:35:49.600 --> 0:35:51.480
<v Speaker 4>don't know code, but they don't know what's the difference

0:35:51.520 --> 0:35:54.839
<v Speaker 4>between Did he just say a fifty five miller? He said,

0:35:55.080 --> 0:35:56.719
<v Speaker 4>what did he saying? He said, this is a fifty five.

0:35:57.440 --> 0:36:01.440
<v Speaker 3>Nobody don't know that you got a fifty fifty.

0:36:01.600 --> 0:36:02.959
<v Speaker 2>This is what I'm trying to say you should.

0:36:02.960 --> 0:36:05.800
<v Speaker 3>It's to be mad funny. He got me jadakiss and

0:36:05.920 --> 0:36:08.200
<v Speaker 3>like a Jim Jones. And you're sitting us down and

0:36:08.239 --> 0:36:09.840
<v Speaker 3>you're teaching us to wrap class.

0:36:10.000 --> 0:36:12.600
<v Speaker 7>It's called rap class. And you said, this is how

0:36:12.600 --> 0:36:14.680
<v Speaker 7>you drink a maryllow. Most people don't know you drink

0:36:14.719 --> 0:36:15.879
<v Speaker 7>a red wine with a steak.

0:36:16.000 --> 0:36:18.040
<v Speaker 3>People don't know that. They just drink with the drink

0:36:18.080 --> 0:36:25.840
<v Speaker 3>and drink whatever those a This goes right with a blood?

0:36:28.400 --> 0:36:30.200
<v Speaker 3>Can you open it up on the staffs. I want

0:36:30.239 --> 0:36:34.400
<v Speaker 3>you to do that. So okay, Now, why isn't a Z.

0:36:34.640 --> 0:36:37.960
<v Speaker 3>Why didn't a Z like be just to sig ship y'all.

0:36:38.040 --> 0:36:41.920
<v Speaker 3>I just had this conversation with son about a Z

0:36:43.160 --> 0:36:44.440
<v Speaker 3>easy honestly.

0:36:46.000 --> 0:36:46.200
<v Speaker 14>Oh.

0:36:47.400 --> 0:36:50.279
<v Speaker 3>First of all, if he was an actor, he'd be

0:36:50.480 --> 0:36:53.520
<v Speaker 3>a fucking suit star because you even watch him in

0:36:53.560 --> 0:36:56.200
<v Speaker 3>the in the in the interlude him, no, no, no, no, no,

0:36:56.680 --> 0:37:00.480
<v Speaker 3>you ever watch him in the interlude when the Biggie

0:37:00.560 --> 0:37:03.239
<v Speaker 3>video in the beginning with me they rolling, they're playing for.

0:37:03.320 --> 0:37:06.080
<v Speaker 6>Money and ship, they're playing with monopoly money. You know,

0:37:06.200 --> 0:37:09.040
<v Speaker 6>look at a Z and that that he's he's fucking

0:37:10.680 --> 0:37:12.800
<v Speaker 6>and it worked really hard, and he was all about

0:37:12.800 --> 0:37:13.720
<v Speaker 6>the business.

0:37:15.800 --> 0:37:16.440
<v Speaker 3>People forget.

0:37:16.840 --> 0:37:21.520
<v Speaker 6>Even after the rhyme on Life's a Bitch, he delivered

0:37:21.560 --> 0:37:23.719
<v Speaker 6>the rhyme again though on more money, more murder.

0:37:28.520 --> 0:37:31.000
<v Speaker 3>People thought his penses fall off after that more money,

0:37:31.040 --> 0:37:35.239
<v Speaker 3>more murder. His rhymes is also hot. He wanted to

0:37:35.360 --> 0:37:37.320
<v Speaker 3>always make sugar hell. He just wanted to.

0:37:37.680 --> 0:37:40.840
<v Speaker 6>He wanted to make commercial, commercial records. He wanted to

0:37:40.920 --> 0:37:43.160
<v Speaker 6>make that type of ship. And I think he had

0:37:43.600 --> 0:37:46.040
<v Speaker 6>he didn't have a great management around him, and.

0:37:49.239 --> 0:37:54.440
<v Speaker 3>He just wasn't He didn't have enough talent for the

0:37:54.960 --> 0:37:56.680
<v Speaker 3>for what was coming out at that time. It was

0:37:57.080 --> 0:37:59.799
<v Speaker 3>it was vicious, the amount of rappers that was. I think,

0:38:00.160 --> 0:38:01.399
<v Speaker 3>what do you want? He didn't.

0:38:02.719 --> 0:38:05.239
<v Speaker 6>No, he had to work ethic and he had to

0:38:06.040 --> 0:38:09.640
<v Speaker 6>he he was a polished person, show up, deliver, He

0:38:09.680 --> 0:38:11.440
<v Speaker 6>could act, He'll play it all out.

0:38:11.680 --> 0:38:12.600
<v Speaker 3>He was that type of guy.

0:38:12.680 --> 0:38:14.680
<v Speaker 6>But if when you had to write the rhymes and

0:38:14.760 --> 0:38:16.719
<v Speaker 6>do it over and over, he didn't give a shit

0:38:16.760 --> 0:38:18.640
<v Speaker 6>about that. He showed up with NASA's on the record,

0:38:18.880 --> 0:38:20.759
<v Speaker 6>but outside of that, he wouldn't write, He wouldn't do it.

0:38:21.160 --> 0:38:26.120
<v Speaker 6>Listen to his music. I never felt like, no, that's

0:38:26.160 --> 0:38:28.440
<v Speaker 6>your memory. Even you know, certain things.

0:38:28.360 --> 0:38:30.759
<v Speaker 3>Age back like you listen to it, you think it's

0:38:30.800 --> 0:38:32.360
<v Speaker 3>joking and you go back, you listen to it like,

0:38:32.480 --> 0:38:37.719
<v Speaker 3>I can't believe I like this ship. Damn you ever

0:38:37.800 --> 0:38:39.719
<v Speaker 3>did it? Like you fall in love and some like

0:38:39.800 --> 0:38:41.560
<v Speaker 3>even if you go look at Star Wars right now,

0:38:41.680 --> 0:38:44.600
<v Speaker 3>you see the streams like, there's certain things just don't

0:38:44.600 --> 0:38:46.920
<v Speaker 3>age well. And you just got to be honest about that.

0:38:47.600 --> 0:38:51.000
<v Speaker 3>Ass rhymes in age well outside of more money and

0:38:51.239 --> 0:38:54.520
<v Speaker 3>life's a bitch, that's all. And so you never managed him?

0:38:54.520 --> 0:38:56.160
<v Speaker 3>Why was that? Why didn't you?

0:38:56.360 --> 0:38:56.400
<v Speaker 15>Like?

0:38:56.440 --> 0:38:58.239
<v Speaker 3>He just said it. Why didn't I manage it?

0:38:59.320 --> 0:39:02.439
<v Speaker 6>I because managing artists and all that ship wasn't really

0:39:02.480 --> 0:39:03.160
<v Speaker 6>what I wanted to do.

0:39:06.320 --> 0:39:08.120
<v Speaker 3>Wife, I didn't really want to do.

0:39:08.280 --> 0:39:11.080
<v Speaker 6>That wasn't the career I wanted to build myself on

0:39:11.239 --> 0:39:14.600
<v Speaker 6>being a manager of artists. I just felt I just

0:39:14.680 --> 0:39:17.520
<v Speaker 6>wanted to keep doing more ship, more ship, and trying ship.

0:39:17.640 --> 0:39:21.960
<v Speaker 6>And my first big break came the first producer I managed.

0:39:21.960 --> 0:39:24.240
<v Speaker 6>This kid he was he was a Jehovah witness.

0:39:24.360 --> 0:39:29.200
<v Speaker 3>This is really funny. Listen to this excuse us Jehovah witness.

0:39:30.880 --> 0:39:35.560
<v Speaker 3>And back then getting equipment was so hard to get

0:39:35.600 --> 0:39:40.080
<v Speaker 3>as a producer. If you had equipment, you could basically

0:39:40.200 --> 0:39:43.120
<v Speaker 3>ring your equipment out for credit. You can basically say

0:39:43.160 --> 0:39:44.920
<v Speaker 3>I produced half the record if I just if you

0:39:45.040 --> 0:39:45.760
<v Speaker 3>use my equipment.

0:39:46.000 --> 0:39:51.600
<v Speaker 6>That's how scarce equipment was. And Herbie Lovebug was jerking

0:39:51.640 --> 0:39:52.279
<v Speaker 6>everybody up.

0:39:53.040 --> 0:39:56.680
<v Speaker 3>He was a thief, thief.

0:40:00.760 --> 0:40:04.680
<v Speaker 6>This kid, this kid, I don't beat this kid that

0:40:04.800 --> 0:40:07.759
<v Speaker 6>where has introduced me to And the guy his name

0:40:07.840 --> 0:40:11.440
<v Speaker 6>is Steve Kinton. You'll never hear his name again, probably,

0:40:11.560 --> 0:40:15.120
<v Speaker 6>but Steve kit he's a Jehovah witness. He's producing records

0:40:15.160 --> 0:40:17.440
<v Speaker 6>for Salt and Pepper and he's not taking credit, but.

0:40:17.440 --> 0:40:21.040
<v Speaker 3>He's getting fined magic every guy, these guys on lot.

0:40:21.560 --> 0:40:23.680
<v Speaker 3>So anyhow, the kid does all this shit. So I

0:40:24.480 --> 0:40:26.520
<v Speaker 3>meet him, I'm like, and it's similar the same shit

0:40:26.560 --> 0:40:28.279
<v Speaker 3>I met you to him. I meet the kid and

0:40:28.320 --> 0:40:30.160
<v Speaker 3>I'm like, yo, man, you don't have to even fuck

0:40:30.200 --> 0:40:30.800
<v Speaker 3>with these guys.

0:40:31.360 --> 0:40:33.359
<v Speaker 6>I'll buy you the equipment. I was doing real estate

0:40:33.400 --> 0:40:35.759
<v Speaker 6>at the time I bought the kid. I went to

0:40:35.840 --> 0:40:39.319
<v Speaker 6>sam Ash bought the you know all the rolling ship

0:40:39.400 --> 0:40:40.920
<v Speaker 6>and it was like a Christmas list. He gave me

0:40:40.960 --> 0:40:43.120
<v Speaker 6>the shit he really wanted. He made up extra shit.

0:40:43.960 --> 0:40:46.400
<v Speaker 6>I bought it for him and we started producing. And

0:40:46.480 --> 0:40:49.040
<v Speaker 6>the first thing we did was the theme song for

0:40:49.080 --> 0:40:53.239
<v Speaker 6>the Martin Lawn show, The Friend That Martin. We took

0:40:53.320 --> 0:40:57.239
<v Speaker 6>that from the deaf comedy jams Us Kicking Pree the

0:40:57.360 --> 0:41:00.120
<v Speaker 6>Martin launch the theme song I Do Martin Martin to

0:41:00.160 --> 0:41:00.919
<v Speaker 6>sleep morning.

0:41:01.239 --> 0:41:04.000
<v Speaker 3>When I was ros right, yeah, when I was the roadie,

0:41:05.440 --> 0:41:08.360
<v Speaker 3>Morton Lawrence was the opening eye get the fun. I

0:41:08.400 --> 0:41:10.160
<v Speaker 3>knew Martin Lawrence like the guy that was just like

0:41:10.239 --> 0:41:14.000
<v Speaker 3>the like he was just the regular dude, Like we

0:41:14.120 --> 0:41:16.359
<v Speaker 3>were right there. And when he blew up and got

0:41:16.440 --> 0:41:19.480
<v Speaker 3>a show, and he's like stop. He helped me out.

0:41:19.800 --> 0:41:21.239
<v Speaker 6>I said, I can make the theme music for you.

0:41:21.640 --> 0:41:23.839
<v Speaker 6>I got the kid Steve to do it. He made

0:41:23.920 --> 0:41:25.480
<v Speaker 6>that and he got the publishing off for that. He's

0:41:25.480 --> 0:41:28.880
<v Speaker 6>still eating and he's a full Jehovah witness. I have

0:41:29.040 --> 0:41:33.480
<v Speaker 6>not heard from him, but back then he was afraid did.

0:41:33.480 --> 0:41:35.400
<v Speaker 3>Jehovah Witness thing. I'm not gonna bring that in because

0:41:35.440 --> 0:41:38.640
<v Speaker 3>he was afraid to take credit for music because it

0:41:38.760 --> 0:41:40.920
<v Speaker 3>was against his religion.

0:41:41.360 --> 0:41:44.239
<v Speaker 4>Okay, now, earlier, you just said you described the video

0:41:44.400 --> 0:41:46.120
<v Speaker 4>with the Jay I think that was the jay Z video.

0:41:46.400 --> 0:41:49.200
<v Speaker 3>We said it was a jay Z video with Big

0:41:49.680 --> 0:41:54.840
<v Speaker 3>and now what's that the beginning of Nas and the whole.

0:41:56.239 --> 0:42:00.840
<v Speaker 4>Dispute because of that because they were saying that it

0:42:00.960 --> 0:42:02.680
<v Speaker 4>was dead President's I believe, yeah, it wasn't that.

0:42:04.719 --> 0:42:08.400
<v Speaker 3>Now the rumor is that it was Jay wanted Nas

0:42:08.520 --> 0:42:09.359
<v Speaker 3>to come to the video.

0:42:10.080 --> 0:42:12.080
<v Speaker 6>I don't know Jay and Nas knew each other before

0:42:12.800 --> 0:42:17.239
<v Speaker 6>I knew either of them, So I don't know what

0:42:17.320 --> 0:42:20.960
<v Speaker 6>the beginning of that beef was, but it was definitely

0:42:21.320 --> 0:42:23.000
<v Speaker 6>just in New York City.

0:42:23.080 --> 0:42:25.360
<v Speaker 3>It was just like who's the best rapper? You know?

0:42:26.160 --> 0:42:31.440
<v Speaker 3>And like that's the beginning of that beef us. I mean,

0:42:31.480 --> 0:42:34.680
<v Speaker 3>I guess it was just normal young anyway. You gotta

0:42:34.680 --> 0:42:37.680
<v Speaker 3>remember that niggas are twenty five years old? Is it

0:42:37.760 --> 0:42:38.640
<v Speaker 3>twenty five years old?

0:42:38.680 --> 0:42:42.600
<v Speaker 6>With millions of dollars and really millions of dollars and

0:42:42.680 --> 0:42:44.000
<v Speaker 6>really twenty five years old?

0:42:44.280 --> 0:42:49.120
<v Speaker 3>Correct? And like so that's the perfect concoction for stupid shit,

0:42:49.960 --> 0:42:51.919
<v Speaker 3>a lot of money and young. It's mancho shit.

0:42:52.280 --> 0:42:54.320
<v Speaker 6>Yeah, so the macho ship led to a bunch of

0:42:54.400 --> 0:42:56.080
<v Speaker 6>dumb ship which led to a bunch of beefs.

0:42:56.360 --> 0:43:00.120
<v Speaker 3>But it wasn't any None of it was really real.

0:43:00.880 --> 0:43:03.920
<v Speaker 6>Except those guys have the greatest respect for one another,

0:43:04.239 --> 0:43:05.240
<v Speaker 6>I mean the greatest.

0:43:06.160 --> 0:43:07.960
<v Speaker 4>That's one of the things that did age well, like

0:43:08.000 --> 0:43:09.840
<v Speaker 4>you just said you just mentioned earlier, like a lot

0:43:09.920 --> 0:43:10.879
<v Speaker 4>of things don't age well.

0:43:11.280 --> 0:43:12.440
<v Speaker 3>That's something.

0:43:13.760 --> 0:43:17.960
<v Speaker 4>For a perfectly like I look at that big but

0:43:18.480 --> 0:43:21.040
<v Speaker 4>back then, let's just subscribe back then, like back then,

0:43:23.080 --> 0:43:24.120
<v Speaker 4>Takeover comes Out?

0:43:25.760 --> 0:43:28.200
<v Speaker 3>Are you worried you're a guy who's been in career.

0:43:28.440 --> 0:43:30.040
<v Speaker 4>Both of you guys have been in no career at

0:43:30.120 --> 0:43:31.240
<v Speaker 4>least since his second album.

0:43:31.640 --> 0:43:34.680
<v Speaker 3>I need to tell them keep it real. Takeover comes Out.

0:43:35.320 --> 0:43:38.000
<v Speaker 6>You got to put yourself right in this specific situation.

0:43:38.120 --> 0:43:40.839
<v Speaker 6>Where were you or now is the time? At the time,

0:43:41.040 --> 0:43:41.880
<v Speaker 6>the whole thing and.

0:43:43.480 --> 0:43:44.480
<v Speaker 2>To coad sign the story.

0:43:44.560 --> 0:43:48.279
<v Speaker 4>There's a different Ether out there, like before Ether became Ether,

0:43:48.440 --> 0:43:49.960
<v Speaker 4>there was another another record.

0:43:49.719 --> 0:43:53.000
<v Speaker 3>Ye, another version, there was another version. I have heard

0:43:53.000 --> 0:43:54.640
<v Speaker 3>about this. I heard it. I was I was in

0:43:54.800 --> 0:43:56.960
<v Speaker 3>student one day. I was like, Holy it was a

0:43:57.000 --> 0:44:00.800
<v Speaker 3>little worse. No it wasn't. I don't different record. I

0:44:00.920 --> 0:44:03.160
<v Speaker 3>remember the whole but go ahead.

0:44:04.480 --> 0:44:06.719
<v Speaker 11>I was worried after Nights was dumb Rich.

0:44:08.480 --> 0:44:13.960
<v Speaker 3>Tell me when we're not clean, bro, we got you. Okay,

0:44:15.040 --> 0:44:18.239
<v Speaker 3>you thought Nins was done from Takeover? Did really?

0:44:18.280 --> 0:44:20.839
<v Speaker 2>It was only one shot at NINS if you think

0:44:20.880 --> 0:44:21.200
<v Speaker 2>about it.

0:44:21.280 --> 0:44:24.480
<v Speaker 3>He just said, tell Nis, you know I've seen him

0:44:24.520 --> 0:44:27.759
<v Speaker 3>performing that. That's no. That was no, no, no, no.

0:44:28.920 --> 0:44:31.720
<v Speaker 3>He put the third verse on that thing on takeover

0:44:32.520 --> 0:44:36.319
<v Speaker 3>or you think it's super ugly. No, okay. He first

0:44:36.360 --> 0:44:38.840
<v Speaker 3>said the first thing where he said he did that

0:44:39.239 --> 0:44:44.160
<v Speaker 3>summer didn't want to hold right, and then he did

0:44:44.200 --> 0:44:47.400
<v Speaker 3>the freestyle he said he went through bees first left freestyle.

0:44:48.760 --> 0:44:51.160
<v Speaker 4>You would douce that freestyle too, right, I think that

0:44:51.280 --> 0:44:54.520
<v Speaker 4>was I think so, I don't remember.

0:44:56.280 --> 0:44:59.439
<v Speaker 2>Did not then Jay does takeover? I think status wanted

0:44:59.440 --> 0:45:00.000
<v Speaker 2>to be say correct.

0:45:00.440 --> 0:45:04.360
<v Speaker 3>So you said I was wearing he was wearing Yeah, definitely.

0:45:05.160 --> 0:45:08.160
<v Speaker 8>I seen him before the record and he gets to

0:45:08.200 --> 0:45:13.600
<v Speaker 8>the part of where he goes, who's the best some

0:45:13.760 --> 0:45:16.799
<v Speaker 8>see Biggie jay Z and then he goes nah nah

0:45:17.200 --> 0:45:19.959
<v Speaker 8>and then Takeover comes in and I watched the crowd.

0:45:20.000 --> 0:45:21.360
<v Speaker 11>I was like, this ship is a problem.

0:45:21.760 --> 0:45:24.120
<v Speaker 3>Wow. So yeah, I was nervous for NAS.

0:45:24.400 --> 0:45:25.440
<v Speaker 11>I was nervous for NAS.

0:45:25.680 --> 0:45:29.279
<v Speaker 3>And how about you, Stole? Was you nervous? Nervous is

0:45:29.280 --> 0:45:40.040
<v Speaker 3>an understanding? J J and I became friends. We became

0:45:40.160 --> 0:45:45.239
<v Speaker 3>really friendly, uh around that time before that, and.

0:45:47.000 --> 0:45:49.160
<v Speaker 6>Jay's a very secretive dude, and he had never told

0:45:49.200 --> 0:45:50.680
<v Speaker 6>me that he was doing that or any of that

0:45:50.760 --> 0:45:51.239
<v Speaker 6>kind of ship.

0:45:51.680 --> 0:45:53.680
<v Speaker 3>So I kind of felt betrayed. I, Alice, felt like

0:45:54.400 --> 0:45:55.719
<v Speaker 3>it was all ployed.

0:45:55.480 --> 0:45:58.920
<v Speaker 6>Just to like there wasn't really a friendship. Actually that's

0:45:58.920 --> 0:46:01.480
<v Speaker 6>what I felt like. You did like you and I

0:46:01.520 --> 0:46:02.879
<v Speaker 6>thought I was a friendship them. I'm like, this ain't

0:46:02.880 --> 0:46:04.480
<v Speaker 6>no real friendship and you're gonna just shop on this guy.

0:46:04.520 --> 0:46:06.600
<v Speaker 6>You're not gonna tell me. And I got the Hammerstein

0:46:06.640 --> 0:46:08.760
<v Speaker 6>Ballroom and he performed it and I'm in the raptors.

0:46:09.200 --> 0:46:12.560
<v Speaker 6>The Hamisteen Ballroom is like a fitter and ship and

0:46:12.680 --> 0:46:17.160
<v Speaker 6>it has like those like opera fucking balconies. And I

0:46:17.280 --> 0:46:19.600
<v Speaker 6>thought the ship was going to snap and break. That's

0:46:19.640 --> 0:46:20.600
<v Speaker 6>how crazy it was.

0:46:21.600 --> 0:46:24.359
<v Speaker 3>Yeah. And that was young Kanye West on the beat, right,

0:46:25.040 --> 0:46:30.839
<v Speaker 3>And I totally forgot Kanye Kanye produced to take over. Yeah,

0:46:31.239 --> 0:46:33.960
<v Speaker 3>he forgot that. Yeah, So that was young Kanye on

0:46:34.000 --> 0:46:35.440
<v Speaker 3>the beat. And I was nervous.

0:46:35.480 --> 0:46:38.920
<v Speaker 6>I thought NAS's career was over and and and Nas

0:46:39.040 --> 0:46:42.000
<v Speaker 6>was really in no position to the way he was

0:46:42.080 --> 0:46:43.360
<v Speaker 6>carrying himself the way he was.

0:46:43.800 --> 0:46:46.759
<v Speaker 3>He wasn't taking it as seriously he was. He was

0:46:46.800 --> 0:46:47.319
<v Speaker 3>a lot of shit.

0:46:47.360 --> 0:46:50.120
<v Speaker 6>He was dealing with man, his baby mom ship, just

0:46:50.719 --> 0:46:52.799
<v Speaker 6>a lot of ship man. You know, Naas takes care

0:46:52.840 --> 0:46:53.600
<v Speaker 6>of a lot of people.

0:46:54.080 --> 0:46:55.400
<v Speaker 3>And then he didn't.

0:46:55.680 --> 0:46:59.560
<v Speaker 4>And actually back then, because it wasn't people thought it

0:46:59.640 --> 0:47:03.319
<v Speaker 4>was over. It was that his response was kind of slow, right, I.

0:47:03.360 --> 0:47:06.840
<v Speaker 3>Think it was like three months Kay's Steve style. Okay, okay,

0:47:07.120 --> 0:47:10.120
<v Speaker 3>So what happened was this, I'm gonna take some of

0:47:10.200 --> 0:47:14.960
<v Speaker 3>else to rison. We made the he's rigging that coach.

0:47:15.760 --> 0:47:19.080
<v Speaker 3>So what happened was taking time with that. Okay, stop

0:47:19.320 --> 0:47:21.600
<v Speaker 3>shot me whole one stop, let me know if I got.

0:47:23.680 --> 0:47:24.960
<v Speaker 2>Let me know if I got a little bit like that,

0:47:25.200 --> 0:47:27.319
<v Speaker 2>you know what I'm saying. Perfect, And then.

0:47:29.000 --> 0:47:32.879
<v Speaker 3>And then the old did too much. That's like one

0:47:33.520 --> 0:47:37.960
<v Speaker 3>he supposed to be like grand class. You go more

0:47:38.080 --> 0:47:39.920
<v Speaker 3>into shows right now? Ahead?

0:47:40.000 --> 0:47:43.200
<v Speaker 2>Yeah, so all right, the takeover is out.

0:47:44.320 --> 0:47:48.680
<v Speaker 3>Now you to this story. Yeah, everybody said, please, I

0:47:48.760 --> 0:47:51.120
<v Speaker 3>just want to make sure everybody's into it. Everybody's into it.

0:47:51.200 --> 0:47:53.040
<v Speaker 2>And they told used to have a light crowd, usually

0:47:53.080 --> 0:47:53.560
<v Speaker 2>have more people.

0:47:53.560 --> 0:47:55.080
<v Speaker 4>We told them to lack of crowd because you said

0:47:55.239 --> 0:47:57.680
<v Speaker 4>you have something important to say when we're gonna about

0:47:57.960 --> 0:47:58.279
<v Speaker 4>what else?

0:47:58.880 --> 0:48:03.000
<v Speaker 3>But we keep so anyhow, okay, So so the whole

0:48:03.040 --> 0:48:08.200
<v Speaker 3>ship's like a fucking mess. And I don't know that

0:48:08.360 --> 0:48:08.719
<v Speaker 3>part of it.

0:48:09.480 --> 0:48:12.239
<v Speaker 6>But I had that beat. That was the first beat

0:48:12.800 --> 0:48:17.080
<v Speaker 6>that I had that I gave Nous the beef of Ether.

0:48:17.640 --> 0:48:19.480
<v Speaker 6>I took the beat. I gave it to Nows on

0:48:19.560 --> 0:48:23.760
<v Speaker 6>the album first, not for eth, just to make a record.

0:48:23.800 --> 0:48:26.120
<v Speaker 6>I forgot what this ship reminded me of. It reminded

0:48:26.160 --> 0:48:28.480
<v Speaker 6>me of something, and I'm like, yo, this ship right

0:48:28.560 --> 0:48:35.480
<v Speaker 6>here and nas he didn't like the ship, so him

0:48:35.520 --> 0:48:40.440
<v Speaker 6>and I we went We went through a really tough time.

0:48:40.600 --> 0:48:42.600
<v Speaker 6>That was a really that was the lowest point of

0:48:42.680 --> 0:48:44.880
<v Speaker 6>our relationship during that period of time.

0:48:45.000 --> 0:48:48.000
<v Speaker 3>Beating nows and I we we we weren't speaking. I

0:48:48.120 --> 0:48:49.560
<v Speaker 3>was executive producing that album.

0:48:49.719 --> 0:48:53.080
<v Speaker 2>And you're saying in between after takeover, takeover happens, take

0:48:53.120 --> 0:48:53.520
<v Speaker 2>over to.

0:48:54.160 --> 0:48:56.719
<v Speaker 6>Eth I'm not speaking. Yeah, I'm not speaking to us.

0:48:56.760 --> 0:49:00.200
<v Speaker 6>We're not we're working together. But like you know, like

0:49:00.280 --> 0:49:02.440
<v Speaker 6>a bad man very distance, you come, we come home.

0:49:02.480 --> 0:49:04.600
<v Speaker 3>And when you say the first bing you gave him

0:49:04.719 --> 0:49:07.080
<v Speaker 3>literally like you that you say, I think this when

0:49:07.080 --> 0:49:09.440
<v Speaker 3>I when I when I when I make.

0:49:11.080 --> 0:49:14.680
<v Speaker 6>Music, when I work with artists, I get involved in

0:49:14.840 --> 0:49:19.840
<v Speaker 6>every aspect of how you injured versus how to fucking chorus,

0:49:19.920 --> 0:49:21.400
<v Speaker 6>ship the beats, the whole program.

0:49:22.239 --> 0:49:23.480
<v Speaker 2>So you're like, damn near production.

0:49:24.120 --> 0:49:29.040
<v Speaker 3>I just never took hit a producers, mad. I get

0:49:29.480 --> 0:49:29.759
<v Speaker 3>what I do.

0:49:29.920 --> 0:49:32.320
<v Speaker 6>He gets credit for what he does. You know, I

0:49:32.480 --> 0:49:36.279
<v Speaker 6>just have a point of view, right, So, and I

0:49:36.360 --> 0:49:38.520
<v Speaker 6>gave it to him, and he he didn't funk with it.

0:49:38.680 --> 0:49:40.920
<v Speaker 6>Ninety sweat to him for months and he worked on

0:49:41.000 --> 0:49:41.400
<v Speaker 6>the album.

0:49:41.480 --> 0:49:43.080
<v Speaker 3>He made that album. I forgot the name of the

0:49:43.120 --> 0:49:46.040
<v Speaker 3>album God's Son, though, No, I think that's that's not

0:49:46.160 --> 0:49:49.680
<v Speaker 3>hip hop it still matter still. I was just saying

0:49:50.200 --> 0:49:55.720
<v Speaker 3>the woman with the bird the peon still still believe.

0:49:56.239 --> 0:49:57.680
<v Speaker 3>So we're not working on this ship together.

0:49:57.800 --> 0:50:01.719
<v Speaker 6>And like he calls me and the album is about

0:50:01.719 --> 0:50:03.560
<v Speaker 6>to go to mastering, and I go to the studio

0:50:04.360 --> 0:50:07.200
<v Speaker 6>and he plays me ether it's like two in the

0:50:07.280 --> 0:50:09.640
<v Speaker 6>morning and he uses that beat.

0:50:12.400 --> 0:50:13.800
<v Speaker 3>Now we weren't even speaking.

0:50:14.080 --> 0:50:16.480
<v Speaker 6>So the fact that he even called me to the

0:50:16.520 --> 0:50:19.520
<v Speaker 6>studio the night before mastering was because he wanted me

0:50:19.600 --> 0:50:22.680
<v Speaker 6>to hear, like, did I go too far? As this

0:50:22.840 --> 0:50:26.480
<v Speaker 6>fucked up? And I get there two in the morning

0:50:27.880 --> 0:50:30.399
<v Speaker 6>and Jungle is on some foxed out you know, fuck

0:50:30.480 --> 0:50:34.280
<v Speaker 6>that yo stop, fuck yo, no no, and I'm listening

0:50:34.360 --> 0:50:37.040
<v Speaker 6>to this ship and I'm like, I take off, Michael,

0:50:37.080 --> 0:50:38.200
<v Speaker 6>We're staying here all night.

0:50:38.640 --> 0:50:40.920
<v Speaker 3>We got to fix this. This is a mess. This

0:50:41.120 --> 0:50:41.680
<v Speaker 3>is a mess.

0:50:42.360 --> 0:50:45.719
<v Speaker 6>If this ship comes out, your career is over. And

0:50:45.880 --> 0:50:49.759
<v Speaker 6>he made the record, but there was a version. There

0:50:49.840 --> 0:50:51.640
<v Speaker 6>was a different version of it with the same beat

0:50:51.920 --> 0:50:52.720
<v Speaker 6>that was terrible.

0:50:52.880 --> 0:50:55.719
<v Speaker 3>Thank you for hitting the AC but then it was

0:50:55.760 --> 0:50:58.160
<v Speaker 3>a beat. It was terrible. It was horrible and like

0:50:58.400 --> 0:51:02.480
<v Speaker 3>and like and you know it was it was the

0:51:02.560 --> 0:51:05.399
<v Speaker 3>proper response for what he was in I mean, that's

0:51:05.400 --> 0:51:06.160
<v Speaker 3>a heavyweight man.

0:51:06.400 --> 0:51:09.000
<v Speaker 6>By the way, when you see Nas and Jay together,

0:51:10.280 --> 0:51:14.279
<v Speaker 6>it's like looking at Ali and Fraser. It's like two

0:51:14.440 --> 0:51:17.720
<v Speaker 6>guys like we were coaching each other in together fucking

0:51:17.840 --> 0:51:23.040
<v Speaker 6>face because hard as we can, and we were respecting how.

0:51:23.040 --> 0:51:26.239
<v Speaker 3>Much we could take the punches to the face. That's

0:51:26.280 --> 0:51:28.360
<v Speaker 3>what they did. You never seen no ship like that.

0:51:28.520 --> 0:51:33.080
<v Speaker 3>This wasn't no l O CUJ battling Kumo D after

0:51:33.160 --> 0:51:35.200
<v Speaker 3>the Kumo D was already on the way out and

0:51:36.080 --> 0:51:38.920
<v Speaker 3>this this is this is happening. This is happening at

0:51:38.960 --> 0:51:40.200
<v Speaker 3>the right time, and.

0:51:42.760 --> 0:51:46.279
<v Speaker 6>Like and somebody's gonna lose and somebody's gonna win, and

0:51:46.400 --> 0:51:50.319
<v Speaker 6>that's what's gonna happen. And the fact that they did

0:51:50.400 --> 0:51:54.000
<v Speaker 6>that and nobody got shot and nobody got stabbed, that's

0:51:54.040 --> 0:51:56.080
<v Speaker 6>what we should be fucking bigg en up right now.

0:51:56.280 --> 0:52:05.279
<v Speaker 4>Because what it wants to I think both of them,

0:52:05.600 --> 0:52:08.000
<v Speaker 4>I think that was both of their best time of

0:52:08.200 --> 0:52:11.080
<v Speaker 4>leadership because they were actually saying that to their cruise

0:52:11.160 --> 0:52:13.720
<v Speaker 4>like yo, this is like this is on the record,

0:52:13.800 --> 0:52:15.960
<v Speaker 4>like they were actually saying that, Like you know, I

0:52:16.080 --> 0:52:19.880
<v Speaker 4>remember Jay had to their freestyle on with the everybody

0:52:19.960 --> 0:52:22.480
<v Speaker 4>on Hot ninety seven. And he went up there and

0:52:22.640 --> 0:52:26.239
<v Speaker 4>me rhymes with I think that's when he first got

0:52:26.320 --> 0:52:28.279
<v Speaker 4>his Phillies boys and Nina's.

0:52:28.040 --> 0:52:29.520
<v Speaker 3>Had called me and was like, Yo, we're gonna do

0:52:29.600 --> 0:52:32.120
<v Speaker 3>the same thing. We're gonna go off there and do it.

0:52:32.440 --> 0:52:35.000
<v Speaker 3>And from the beginning, when Nas called me, I said,

0:52:35.040 --> 0:52:36.960
<v Speaker 3>do we need bail money? He said, hold up, y'all,

0:52:39.239 --> 0:52:40.880
<v Speaker 3>it's not that type of party. We just gonna go

0:52:40.920 --> 0:52:41.759
<v Speaker 3>on rhyme against them.

0:52:41.920 --> 0:52:43.520
<v Speaker 4>And I knew that, and that was that was a

0:52:43.680 --> 0:52:46.839
<v Speaker 4>boss move as a leader, was to let people know like, look,

0:52:46.920 --> 0:52:49.919
<v Speaker 4>look we're gonna dispute them and we're gonna do whatever

0:52:49.920 --> 0:52:50.360
<v Speaker 4>we gotta do.

0:52:50.480 --> 0:52:52.680
<v Speaker 2>But this, you know, we're gonna keep it, keep it

0:52:52.760 --> 0:52:53.120
<v Speaker 2>hip hop.

0:52:53.200 --> 0:52:55.719
<v Speaker 3>And I enjoyed that. I enjoyed that part of hip hop.

0:52:55.760 --> 0:52:56.440
<v Speaker 3>I still enjoyed it.

0:52:56.680 --> 0:52:59.760
<v Speaker 4>So now in between that part, you guys are worried.

0:52:59.800 --> 0:53:02.880
<v Speaker 4>Now Ether finally is put together the way you want it,

0:53:03.400 --> 0:53:04.080
<v Speaker 4>it drops.

0:53:04.680 --> 0:53:07.400
<v Speaker 3>How proud are you of that moment that when the.

0:53:07.440 --> 0:53:10.759
<v Speaker 4>Whole world started doubting them, he dropped that one and

0:53:11.200 --> 0:53:14.440
<v Speaker 4>Ether was strong enough that even when Hove responded, he

0:53:14.520 --> 0:53:17.960
<v Speaker 4>didn't have to respond. That's how strong that one record was.

0:53:18.320 --> 0:53:19.880
<v Speaker 4>See a lot of people don't know, don't say that,

0:53:20.000 --> 0:53:22.200
<v Speaker 4>like hole, it's two to one. So when you compare

0:53:22.200 --> 0:53:25.480
<v Speaker 4>a Hope and Na's battle, it's like Hope actually has

0:53:25.560 --> 0:53:27.439
<v Speaker 4>two records.

0:53:27.120 --> 0:53:32.359
<v Speaker 3>Too, you know the freestyle, but that was like that's

0:53:32.600 --> 0:53:34.120
<v Speaker 3>that that was how super Ugly came.

0:53:34.000 --> 0:53:35.839
<v Speaker 2>Off super Ugly.

0:53:35.960 --> 0:53:38.640
<v Speaker 4>The reason why I think super Ugly isn't a classic

0:53:38.840 --> 0:53:41.680
<v Speaker 4>is because you actually got a person that you've never

0:53:41.760 --> 0:53:44.920
<v Speaker 4>seen emotional be a little emotional. That's why I think

0:53:45.000 --> 0:53:46.560
<v Speaker 4>people didn't receive that.

0:53:46.719 --> 0:53:48.879
<v Speaker 3>Reason was one of those records, man.

0:53:48.880 --> 0:53:49.480
<v Speaker 2>You know what I'm saying.

0:53:51.080 --> 0:53:52.160
<v Speaker 3>You know what I'm saying. When it was one of

0:53:52.160 --> 0:53:54.480
<v Speaker 3>those records with like that starts to happen and get

0:53:54.520 --> 0:53:58.280
<v Speaker 3>you off your things, That's that's when you watching nigga

0:53:58.360 --> 0:54:00.960
<v Speaker 3>hit you in the face and throws you off your

0:54:04.840 --> 0:54:05.399
<v Speaker 3>start changing.

0:54:05.480 --> 0:54:07.080
<v Speaker 2>You just started doing strategy.

0:54:07.400 --> 0:54:11.400
<v Speaker 6>But the most important part of what this is about

0:54:11.680 --> 0:54:14.240
<v Speaker 6>in this topic, we can go inside of the knives

0:54:14.360 --> 0:54:17.239
<v Speaker 6>ether Jay, this, that and the third the fact that

0:54:17.640 --> 0:54:20.480
<v Speaker 6>those guys it wasn't they put their money on the line.

0:54:20.480 --> 0:54:23.520
<v Speaker 6>You see back then, if you get when you lost,

0:54:23.600 --> 0:54:25.400
<v Speaker 6>what you really was betting was your career.

0:54:25.520 --> 0:54:30.319
<v Speaker 3>You weren't betting a million dollars. You were betting your

0:54:30.560 --> 0:54:35.400
<v Speaker 3>entire earning potential. Like with l al Bad cannabis, Cannabis

0:54:35.520 --> 0:54:40.680
<v Speaker 3>was gone, Yeah, it was gone. Yeah, guys, the loser

0:54:40.760 --> 0:54:42.880
<v Speaker 3>is done. This is scary.

0:54:43.000 --> 0:54:45.880
<v Speaker 6>The loser is done. And so when they did that,

0:54:46.000 --> 0:54:48.120
<v Speaker 6>that's what they were playing for. And the fact that

0:54:48.200 --> 0:54:51.319
<v Speaker 6>they never turned it into anything else, and.

0:54:51.400 --> 0:54:53.799
<v Speaker 3>They both came out smelling like roses instead of ship

0:54:53.920 --> 0:54:54.720
<v Speaker 3>better better people.

0:54:54.760 --> 0:54:57.720
<v Speaker 2>And that's and and he grew after that together.

0:54:57.840 --> 0:54:59.239
<v Speaker 3>They actually you got to say, by.

0:54:59.120 --> 0:55:01.680
<v Speaker 6>The way, when you anytime I'm around both of them together,

0:55:01.800 --> 0:55:04.480
<v Speaker 6>it's like I don't even listen to anything.

0:55:05.000 --> 0:55:07.520
<v Speaker 3>All I do is shut the fuck up and let

0:55:07.600 --> 0:55:10.040
<v Speaker 3>them niggas talk and and and and and.

0:55:12.000 --> 0:55:15.240
<v Speaker 6>Feel so fortunate that I'm around two of the greatest

0:55:15.440 --> 0:55:17.640
<v Speaker 6>writers that ever walked the face of this earth.

0:55:18.000 --> 0:55:20.279
<v Speaker 3>That's how I feel. Now, how intricate was you?

0:55:20.520 --> 0:55:23.160
<v Speaker 4>And like the squashing of that, like now you got

0:55:23.239 --> 0:55:25.719
<v Speaker 4>business with both they both just went out of.

0:55:25.880 --> 0:55:30.359
<v Speaker 2>Each other horribly, and then they both grown men.

0:55:31.840 --> 0:55:35.800
<v Speaker 3>You know what, I wasn't involved, get the you know,

0:55:36.320 --> 0:55:38.839
<v Speaker 3>I wasn't squashed. I was involved, because I don't mean

0:55:38.840 --> 0:55:41.160
<v Speaker 3>I was squashed, but but not that one because I

0:55:41.280 --> 0:55:43.279
<v Speaker 3>felt like old was always shotting you out to like

0:55:43.400 --> 0:55:45.320
<v Speaker 3>kind of like like like elbow.

0:55:45.480 --> 0:55:48.080
<v Speaker 4>Now it's a little bit like stop all at me, man,

0:55:48.200 --> 0:55:50.759
<v Speaker 4>like I'm fucking with your your your boss, like I'm

0:55:50.760 --> 0:55:51.160
<v Speaker 4>fucking with.

0:55:51.200 --> 0:55:51.919
<v Speaker 3>Your top guy.

0:55:52.040 --> 0:55:52.880
<v Speaker 2>Like you know what I'm saying, Like.

0:55:52.960 --> 0:55:55.560
<v Speaker 3>I's talking about being Damien never got along. We're gonna

0:55:55.600 --> 0:56:01.400
<v Speaker 3>get into that too. I don't know a guy like

0:56:01.719 --> 0:56:02.200
<v Speaker 3>I got good.

0:56:02.239 --> 0:56:03.480
<v Speaker 2>I got so good. I didn't know where to go

0:56:03.640 --> 0:56:05.239
<v Speaker 2>with that't know where you wanted to go with that.

0:56:06.280 --> 0:56:09.640
<v Speaker 4>I think why you and Dave never got But I

0:56:09.760 --> 0:56:12.520
<v Speaker 4>just said that's what I thought because Jay was hying

0:56:12.560 --> 0:56:12.879
<v Speaker 4>you out.

0:56:13.239 --> 0:56:16.279
<v Speaker 6>I think because of that, I think that you know,

0:56:16.400 --> 0:56:19.879
<v Speaker 6>he was the smart guy. He was the smart guy

0:56:19.920 --> 0:56:20.720
<v Speaker 6>at that time.

0:56:21.239 --> 0:56:23.439
<v Speaker 3>In my opinion. And this is I can't speak for Dame,

0:56:23.880 --> 0:56:26.839
<v Speaker 3>but I think that's I think we had him on drink.

0:56:27.120 --> 0:56:27.719
<v Speaker 3>Of course we had.

0:56:27.840 --> 0:56:29.320
<v Speaker 4>I don't know we had him on drink chance, But

0:56:29.760 --> 0:56:33.440
<v Speaker 4>I think he always says that like it was le

0:56:33.760 --> 0:56:36.279
<v Speaker 4>or and I believe it's your name came up.

0:56:38.800 --> 0:56:40.840
<v Speaker 3>I don't think he did. Okay, he wouldn't see me. Okay,

0:56:41.160 --> 0:56:45.960
<v Speaker 3>maybe he said that to me. He was a smart

0:56:46.000 --> 0:56:47.000
<v Speaker 3>guy at the time in Damon.

0:56:47.200 --> 0:56:49.839
<v Speaker 6>I spoke to Demon three weeks ago and I told him,

0:56:50.400 --> 0:56:53.440
<v Speaker 6>I said, Damon, I finally now understood.

0:56:53.520 --> 0:56:55.480
<v Speaker 3>Wait wait, you spoke to him three weeks ago. Recently,

0:56:55.520 --> 0:56:57.799
<v Speaker 3>you said, three weeks ago from what today? Yeah?

0:56:58.440 --> 0:56:59.680
<v Speaker 6>And I call him and tell him, Man, I got

0:56:59.800 --> 0:57:02.800
<v Speaker 6>to tell you that I really do understand everything you

0:57:02.880 --> 0:57:05.080
<v Speaker 6>stood for and everything you fought for.

0:57:05.680 --> 0:57:11.320
<v Speaker 3>Like and if you look at it again, young and money,

0:57:12.080 --> 0:57:14.000
<v Speaker 3>bad concoction. Right.

0:57:15.160 --> 0:57:20.200
<v Speaker 6>Damon knew artist should be independent. Damon knew artists should

0:57:20.200 --> 0:57:23.200
<v Speaker 6>own their rights. Damon knew he was fighting for all

0:57:23.240 --> 0:57:26.560
<v Speaker 6>of that stuff. Damon actually knew how international.

0:57:26.360 --> 0:57:28.520
<v Speaker 3>The art, the art of it was.

0:57:28.880 --> 0:57:31.480
<v Speaker 6>He knew everything. He knew everything, and he knew who

0:57:31.480 --> 0:57:34.520
<v Speaker 6>to fight for it. The problem was he knew it,

0:57:34.920 --> 0:57:38.760
<v Speaker 6>but the way he handled it. He could articulated, but

0:57:38.800 --> 0:57:41.440
<v Speaker 6>the way he handled it to make it a business

0:57:42.640 --> 0:57:47.600
<v Speaker 6>was just disgusting, right, But he wasn't. He his theory

0:57:47.760 --> 0:57:51.479
<v Speaker 6>was correct, the way he handled it was wrong.

0:57:52.240 --> 0:57:54.600
<v Speaker 3>And I told him that, and he's like, it.

0:57:54.600 --> 0:57:57.600
<v Speaker 6>Took you long enough, And I'm like, you fucking can't

0:57:57.600 --> 0:58:00.360
<v Speaker 6>even just say thanks, But you know, I mean, that's

0:58:00.400 --> 0:58:02.320
<v Speaker 6>naming and that's cool, and I respect.

0:58:02.080 --> 0:58:04.080
<v Speaker 2>And I respect wait, wait, wait talking about he said,

0:58:04.400 --> 0:58:04.919
<v Speaker 2>that's what he said?

0:58:11.480 --> 0:58:14.760
<v Speaker 6>Oh man, I was you know, for me, I was

0:58:14.840 --> 0:58:18.720
<v Speaker 6>just like the one thing I've always pride myself on.

0:58:19.800 --> 0:58:22.760
<v Speaker 3>There's a lot of things I am. I'm fucking smart.

0:58:23.000 --> 0:58:25.600
<v Speaker 3>I knew the ship. I know the ship called, I

0:58:25.720 --> 0:58:29.600
<v Speaker 3>know the business call, I know the artists, the music this.

0:58:29.760 --> 0:58:32.840
<v Speaker 6>I could see the ship before it happens, and like

0:58:33.400 --> 0:58:36.280
<v Speaker 6>I knew what he was trying to do and where

0:58:36.400 --> 0:58:37.960
<v Speaker 6>me and Jay became friends.

0:58:37.960 --> 0:58:42.040
<v Speaker 3>It was almost like what I would say to him

0:58:43.040 --> 0:58:45.600
<v Speaker 3>or the way I would package the information. It felt

0:58:45.680 --> 0:58:46.720
<v Speaker 3>like we were going forward.

0:58:46.760 --> 0:58:50.080
<v Speaker 6>It didn't feel like all these niggas, these niggas, It

0:58:50.080 --> 0:58:54.840
<v Speaker 6>didn't feel belligerate. We were actually coming up with ideas

0:58:54.880 --> 0:58:57.320
<v Speaker 6>and thoughts that was gonna move forward.

0:58:57.120 --> 0:59:00.960
<v Speaker 3>Not just ship on people to get there. Right, there's

0:59:00.960 --> 0:59:03.360
<v Speaker 3>a way to move forward. You can shoot on people

0:59:03.400 --> 0:59:05.240
<v Speaker 3>to move forward, or you could do it in a

0:59:05.360 --> 0:59:07.480
<v Speaker 3>charismatic way. And I felt like the way I was

0:59:07.520 --> 0:59:08.680
<v Speaker 3>doing it, or maybe the way I.

0:59:08.800 --> 0:59:13.600
<v Speaker 6>Was doing it was more charismatic, much more advanced as

0:59:13.680 --> 0:59:14.600
<v Speaker 6>far as moving forward.

0:59:15.040 --> 0:59:17.560
<v Speaker 4>Now, have you ever produced a record for an artist

0:59:17.880 --> 0:59:21.200
<v Speaker 4>where artist just another artist and you had to feel

0:59:21.600 --> 0:59:22.360
<v Speaker 4>awkward about that.

0:59:25.360 --> 0:59:27.640
<v Speaker 3>Yeah, let's talk about it.

0:59:27.760 --> 0:59:32.480
<v Speaker 11>So, I mean LL and Cannabis was really it was wait,

0:59:32.560 --> 0:59:34.760
<v Speaker 11>wait you produce that L record? Yeah, I mean we

0:59:34.920 --> 0:59:38.760
<v Speaker 11>got back LL. Cannabis had yo, I need some fun

0:59:38.880 --> 0:59:40.040
<v Speaker 11>in water water.

0:59:40.240 --> 0:59:43.000
<v Speaker 2>N Yeah, yeah, give business water we got, We got

0:59:43.040 --> 0:59:43.720
<v Speaker 2>waters all over.

0:59:44.280 --> 0:59:47.080
<v Speaker 3>To the studio. Cannabis has has diverse. It was a

0:59:47.200 --> 0:59:50.200
<v Speaker 3>dope verse. But you would douce cannabis shit too. Yeah,

0:59:50.480 --> 0:59:52.840
<v Speaker 3>you wait, you produce both. It's like Sam.

0:59:56.600 --> 0:59:57.160
<v Speaker 2>Ship right there.

0:59:57.240 --> 1:00:00.880
<v Speaker 3>That's like you you wore both. Fight is out to

1:00:01.000 --> 1:00:02.520
<v Speaker 3>the wing and you said, I'm leaving with the winner.

1:00:02.720 --> 1:00:06.000
<v Speaker 8>It was just on came the fourth three to one

1:00:06.160 --> 1:00:09.040
<v Speaker 8>joint when Cannabis said the crime wow, and then l

1:00:09.080 --> 1:00:12.560
<v Speaker 8>A went into to spit after he heard Cannabis and

1:00:12.760 --> 1:00:14.680
<v Speaker 8>he chased and he chased his run.

1:00:15.480 --> 1:00:18.080
<v Speaker 3>I felt a little weird about that wow, because L

1:00:18.200 --> 1:00:20.800
<v Speaker 3>wanted to think, because like, you're.

1:00:20.680 --> 1:00:24.000
<v Speaker 4>Going at a guy who's not even here. The records

1:00:24.720 --> 1:00:29.560
<v Speaker 4>fearness we had L on hand El said he thought

1:00:29.640 --> 1:00:31.880
<v Speaker 4>Cannabis Philly went at him on that record.

1:00:31.960 --> 1:00:35.000
<v Speaker 3>Yeah, he said, yeah, listen, just looking for me for that.

1:00:35.960 --> 1:00:37.160
<v Speaker 3>By the way, you know what I looked at the

1:00:37.280 --> 1:00:40.400
<v Speaker 3>L interview. I think that guy, and I love that guy.

1:00:40.680 --> 1:00:44.240
<v Speaker 3>That guy is my favorite rap of all time. When

1:00:44.280 --> 1:00:48.080
<v Speaker 3>I grew up go for it. Yes, I'd seen that.

1:00:48.120 --> 1:00:51.600
<v Speaker 6>Guy at block parties. I seen love battle guys and balls.

1:00:52.280 --> 1:00:54.600
<v Speaker 6>I love grew up as a battle rocker up. And

1:00:57.040 --> 1:01:01.680
<v Speaker 6>he's just so fucking competitive that he never he I

1:01:01.760 --> 1:01:03.680
<v Speaker 6>mean he had no one. I mean we we we

1:01:03.840 --> 1:01:05.640
<v Speaker 6>we do the fucking record Who Shot You? And he

1:01:05.680 --> 1:01:08.600
<v Speaker 6>shipped so fox female rappers too. I don't get him

1:01:08.600 --> 1:01:22.120
<v Speaker 6>on seventeen Yeah, why don't you do that? He just

1:01:22.240 --> 1:01:23.280
<v Speaker 6>can't control himself.

1:01:25.880 --> 1:01:30.800
<v Speaker 3>I never knew that l's dope but rap all time.

1:01:31.480 --> 1:01:33.200
<v Speaker 6>I love all that ship, the A to B, t C,

1:01:33.360 --> 1:01:35.320
<v Speaker 6>the D How was that niggas Don's walk?

1:01:35.360 --> 1:01:38.800
<v Speaker 3>I was into the autums, shame the A to B.

1:01:39.000 --> 1:01:40.520
<v Speaker 3>You don't remember that? You remember it was like the

1:01:40.600 --> 1:01:44.600
<v Speaker 3>intro of one of his albums. Oh yeah, of course. Yeah,

1:01:45.080 --> 1:01:47.080
<v Speaker 3>I was walking with a panther. I love walking with

1:01:47.160 --> 1:01:50.360
<v Speaker 3>a panther. Okay, I love all but he just be

1:01:50.480 --> 1:01:56.720
<v Speaker 3>so competitive for niggas for no reason. And maybe cannabis.

1:01:57.200 --> 1:01:58.880
<v Speaker 3>He could have pulled cannabis to the side.

1:01:59.600 --> 1:02:04.280
<v Speaker 2>He gave you some old he definitely could have. Everybody understands.

1:02:13.720 --> 1:02:16.920
<v Speaker 4>That's something the artist ship though, Like as a d

1:02:17.080 --> 1:02:20.120
<v Speaker 4>j R, are you competitive with other DJs when you.

1:02:20.160 --> 1:02:22.560
<v Speaker 3>Go of course that's the same thing. Okay, so some

1:02:22.640 --> 1:02:24.520
<v Speaker 3>now described that for me as a DJ, like what

1:02:24.840 --> 1:02:25.919
<v Speaker 3>DJ comes on first?

1:02:26.000 --> 1:02:27.200
<v Speaker 2>And then I mean it just depends.

1:02:27.280 --> 1:02:29.360
<v Speaker 12>Yeah, depends on the platform if it's a club DJ,

1:02:29.840 --> 1:02:31.680
<v Speaker 12>the battle DJ, whatever it is.

1:02:31.760 --> 1:02:34.440
<v Speaker 15>But yeah, you don't, you don't want certainly got what

1:02:34.680 --> 1:02:36.360
<v Speaker 15>he went on. He played record, and then you get

1:02:36.440 --> 1:02:39.840
<v Speaker 15>mad the records he played. He's your opener, and he

1:02:39.920 --> 1:02:41.800
<v Speaker 15>played some records. You're like, what the fun is he doing?

1:02:42.360 --> 1:02:45.720
<v Speaker 2>You can't play the hot record? And you gotta relax.

1:02:46.040 --> 1:02:50.600
<v Speaker 2>You gotta relya RelA. Now to him, what's the best.

1:02:50.440 --> 1:02:51.520
<v Speaker 3>Ever hip hop? Brother?

1:02:53.240 --> 1:02:54.000
<v Speaker 11>Nineties hip hop?

1:02:54.080 --> 1:02:58.320
<v Speaker 2>Man, you're gonna go for the whole ship shifted the

1:02:58.360 --> 1:02:58.760
<v Speaker 2>whole day.

1:02:59.440 --> 1:03:00.520
<v Speaker 11>I'll go from again.

1:03:01.840 --> 1:03:04.760
<v Speaker 2>Because I feel like the mid early mid to like

1:03:04.920 --> 1:03:06.120
<v Speaker 2>ninety seven was like.

1:03:07.160 --> 1:03:08.680
<v Speaker 3>How the best decade?

1:03:09.320 --> 1:03:09.360
<v Speaker 15>No?

1:03:09.480 --> 1:03:11.600
<v Speaker 2>No, no, no, he said, which is the best era?

1:03:11.720 --> 1:03:15.560
<v Speaker 2>He said, I don't think.

1:03:15.600 --> 1:03:18.880
<v Speaker 6>I don't think it was ever a great decade. The

1:03:18.960 --> 1:03:21.720
<v Speaker 6>whole decade did ever made it? There's a reason why

1:03:21.800 --> 1:03:27.680
<v Speaker 6>the decade never makes it. You want to hear it yeah, yeah, yeah,

1:03:28.440 --> 1:03:31.840
<v Speaker 6>as soon as it gets hot. If you listen to

1:03:32.160 --> 1:03:32.840
<v Speaker 6>eighty eight is.

1:03:32.840 --> 1:03:35.919
<v Speaker 3>The best here for hip hop. By five is listening

1:03:35.960 --> 1:03:41.720
<v Speaker 3>to every two Run d Run DMC. I forget No.

1:03:41.840 --> 1:03:43.440
<v Speaker 3>That was the Run DMC album that was.

1:03:43.720 --> 1:03:48.560
<v Speaker 6>That was their comeback album in eighty eight, actually republican

1:03:48.640 --> 1:03:53.440
<v Speaker 6>name of Easy n W An Easy the same Yeah

1:03:54.160 --> 1:03:56.400
<v Speaker 6>and Karros Won eight.

1:03:56.720 --> 1:03:58.960
<v Speaker 3>It's eighteen albums that came out that year. That is

1:03:59.080 --> 1:04:03.080
<v Speaker 3>just this EPMD launched the whole just the shit. But

1:04:03.160 --> 1:04:06.200
<v Speaker 3>it feels like the late eighties set up the early night.

1:04:06.360 --> 1:04:09.840
<v Speaker 6>What happened was then after that happens the way the

1:04:09.920 --> 1:04:13.520
<v Speaker 6>business was at the time, like anything else. These guys

1:04:13.600 --> 1:04:18.080
<v Speaker 6>are all either on independent labels, co Chilling Records, Select Records,

1:04:18.080 --> 1:04:20.760
<v Speaker 6>It's that and the Third and Profile Records, and they

1:04:20.840 --> 1:04:21.240
<v Speaker 6>blow up.

1:04:21.920 --> 1:04:25.920
<v Speaker 3>So what happens after that? The majors don't know who

1:04:26.000 --> 1:04:26.360
<v Speaker 3>to sign.

1:04:26.760 --> 1:04:29.240
<v Speaker 6>They just signed a bunch of dudes who rap and

1:04:29.320 --> 1:04:32.040
<v Speaker 6>give them some bullshit story. So then all of a sudden,

1:04:32.120 --> 1:04:35.920
<v Speaker 6>the truth gets warded down by the bullshit. So eighty

1:04:36.080 --> 1:04:38.480
<v Speaker 6>seven eighty eight, when everybody was scrambling to get on,

1:04:38.880 --> 1:04:41.600
<v Speaker 6>you have to be nice at shit. That shit works.

1:04:42.200 --> 1:04:44.560
<v Speaker 6>Irby and rock Canam eighty eight. Then all of a sudden,

1:04:44.640 --> 1:04:47.600
<v Speaker 6>what happens is the money comes in and fucks it

1:04:47.720 --> 1:04:50.280
<v Speaker 6>up like this bullshit like this area where you're up

1:04:50.320 --> 1:04:52.400
<v Speaker 6>right now, this is dope right now, all.

1:04:52.400 --> 1:04:55.080
<v Speaker 3>Artists is here. In ten years from now, five years

1:04:55.120 --> 1:04:57.560
<v Speaker 3>from now, it's not gonna be like that. It's gonna

1:04:57.560 --> 1:04:59.640
<v Speaker 3>be fucked out. The artist is gonna go somewhere else.

1:05:00.040 --> 1:05:01.760
<v Speaker 3>That's you know, this is this is like what is this?

1:05:01.920 --> 1:05:01.960
<v Speaker 15>Like?

1:05:02.760 --> 1:05:05.240
<v Speaker 3>This is used to be the hood used to be.

1:05:06.280 --> 1:05:07.120
<v Speaker 3>That's what I mean.

1:05:08.640 --> 1:05:11.840
<v Speaker 6>That's what happens to get the great ship. That's a hood.

1:05:12.200 --> 1:05:14.840
<v Speaker 6>Eighty eight hip hop is the hood. He's doing whatever, they're.

1:05:14.640 --> 1:05:17.640
<v Speaker 2>Not even doing it for money, right Like this area

1:05:17.680 --> 1:05:18.360
<v Speaker 2>is a perfect example.

1:05:18.440 --> 1:05:20.640
<v Speaker 3>That's what all the hip hop parties were in Miami.

1:05:21.960 --> 1:05:22.600
<v Speaker 3>This is what I'm saying.

1:05:22.600 --> 1:05:23.920
<v Speaker 6>And then all of a sudden, the money comes in

1:05:24.320 --> 1:05:26.160
<v Speaker 6>and then somebody decides to put a man or an

1:05:26.160 --> 1:05:26.960
<v Speaker 6>oriental next.

1:05:26.800 --> 1:05:28.960
<v Speaker 3>Stop exactly right right right. Then all of a sudden,

1:05:28.960 --> 1:05:29.960
<v Speaker 3>the artists have to move out.

1:05:30.360 --> 1:05:33.320
<v Speaker 6>That's what happened in rap music, and every decade something

1:05:33.440 --> 1:05:35.440
<v Speaker 6>happens and all of a sudden, So when it was

1:05:35.520 --> 1:05:36.040
<v Speaker 6>eighty eight.

1:05:36.040 --> 1:05:39.160
<v Speaker 3>That happens, and you got the early nineties. That was awesome.

1:05:39.200 --> 1:05:41.680
<v Speaker 3>You got Wu Tan, you got Biggie, you got Nas,

1:05:41.760 --> 1:05:43.280
<v Speaker 3>you got Jay and then all.

1:05:43.200 --> 1:05:44.600
<v Speaker 6>Of a sudden, the money comes in and all of

1:05:44.640 --> 1:05:47.520
<v Speaker 6>a sudden got I can shit on a thousand guys

1:05:47.600 --> 1:05:50.080
<v Speaker 6>right now that all of a sudden got record deals

1:05:50.120 --> 1:05:54.160
<v Speaker 6>and opportunities, not because they were talented, because they were rappers,

1:05:54.800 --> 1:05:57.560
<v Speaker 6>and it sounded like this, and everybody was looking for

1:05:59.360 --> 1:06:01.400
<v Speaker 6>you know what I'm saying, when you got to look

1:06:01.440 --> 1:06:03.720
<v Speaker 6>at errors. So if you look at eighty seven and

1:06:03.800 --> 1:06:05.960
<v Speaker 6>eighty nine, let's call out an error. You got to

1:06:06.040 --> 1:06:08.160
<v Speaker 6>break it down in three years. I wouldn't break it

1:06:08.200 --> 1:06:10.560
<v Speaker 6>ten years. I'd make it three years because you know,

1:06:10.720 --> 1:06:12.800
<v Speaker 6>three years for this neighborhood to work it. And then

1:06:12.840 --> 1:06:14.919
<v Speaker 6>all of a sudden, the money comes in and fucks

1:06:14.920 --> 1:06:19.240
<v Speaker 6>the neighborhood up. Eighty seven and eighty nine, ninety two

1:06:19.360 --> 1:06:21.560
<v Speaker 6>to ninety six.

1:06:21.760 --> 1:06:26.320
<v Speaker 3>Yep and go and moves in blocks like that doesn't

1:06:26.400 --> 1:06:30.520
<v Speaker 3>move in ten year increments. I see that. That's all now.

1:06:30.560 --> 1:06:33.000
<v Speaker 3>You was the guy that to bring rough riders the

1:06:33.120 --> 1:06:36.280
<v Speaker 3>ender scope. Correct, that was you single handed Lee, But

1:06:36.400 --> 1:06:37.960
<v Speaker 3>you didn't have Dmax.

1:06:38.360 --> 1:06:41.360
<v Speaker 4>No, was that hard to do that because although Rough

1:06:41.440 --> 1:06:44.880
<v Speaker 4>Riders was looked at as a great company, but X was.

1:06:45.000 --> 1:06:48.400
<v Speaker 3>Like, I'm a I'm a marketing branding guy. What I

1:06:48.440 --> 1:06:51.280
<v Speaker 3>seen was the awe. I seen the awe.

1:06:51.880 --> 1:06:54.920
<v Speaker 6>I'm like, I seen that all and they had motherfucker's

1:06:54.960 --> 1:06:56.760
<v Speaker 6>riding on motorcycles.

1:06:56.480 --> 1:07:01.240
<v Speaker 3>Standing up there and I never see I was like,

1:07:01.760 --> 1:07:02.960
<v Speaker 3>this is it.

1:07:03.680 --> 1:07:07.240
<v Speaker 6>DMX is the beginning of a lot of ship so

1:07:07.440 --> 1:07:12.080
<v Speaker 6>I want to and D is amazing. D we just

1:07:12.160 --> 1:07:15.800
<v Speaker 6>had the young Swiss, Swiss me and Swiss is site

1:07:16.480 --> 1:07:20.200
<v Speaker 6>like those guys are just talented as motherfucker and like

1:07:21.400 --> 1:07:25.800
<v Speaker 6>I have actually i've met DMX in the last five years.

1:07:25.840 --> 1:07:28.200
<v Speaker 6>Back then, I never met DMX, but I was understated

1:07:28.240 --> 1:07:35.200
<v Speaker 6>in d Law Swiss the sound and the logo, the yeah,

1:07:35.240 --> 1:07:36.840
<v Speaker 6>I knew that brand was the business.

1:07:37.320 --> 1:07:39.720
<v Speaker 3>Wow, And you knew that was a marketing guy behind that.

1:07:40.160 --> 1:07:40.800
<v Speaker 3>That's what you're saying.

1:07:40.800 --> 1:07:43.280
<v Speaker 4>You knew it was like you knew that was like orchestrated,

1:07:43.400 --> 1:07:45.480
<v Speaker 4>Like it wasn't just like they just filmed.

1:07:45.200 --> 1:07:46.440
<v Speaker 3>It and it was just art.

1:07:46.600 --> 1:07:47.080
<v Speaker 2>Like you knew that.

1:07:47.320 --> 1:07:51.040
<v Speaker 6>You know, anybody you've seen those videos with of course

1:07:51.120 --> 1:07:54.400
<v Speaker 6>it's the best shit in the world. This guy's riding

1:07:54.440 --> 1:07:58.800
<v Speaker 6>and hip hop on motorcycles up the West Side Highway.

1:07:59.360 --> 1:08:03.440
<v Speaker 3>Standing when see with no hands going one hundred crazy?

1:08:03.600 --> 1:08:06.000
<v Speaker 3>Who the fuck does that grat? You know what, it's hot,

1:08:06.080 --> 1:08:11.880
<v Speaker 3>but it's also the jacket fly though you had a choice. Yeah,

1:08:12.440 --> 1:08:15.439
<v Speaker 3>you keep looking, you know that's cool.

1:08:16.360 --> 1:08:19.800
<v Speaker 4>So now that that was like that was like the

1:08:20.760 --> 1:08:23.040
<v Speaker 4>year of the Black ceo. Like that it was a

1:08:23.120 --> 1:08:26.160
<v Speaker 4>great time for the black ceo. They had people like

1:08:26.280 --> 1:08:29.439
<v Speaker 4>Dame Dash and power. They had people like Steve Style

1:08:29.520 --> 1:08:33.120
<v Speaker 4>in power. Uh I believe even it wasn't your executive

1:08:33.200 --> 1:08:36.639
<v Speaker 4>that Sony. Yeah, I was up at Sony at the time.

1:08:37.880 --> 1:08:40.559
<v Speaker 4>Who else a Mark picture? I said him earlier, I'll

1:08:40.560 --> 1:08:44.360
<v Speaker 4>say him again. A bigger month, all these black CEOs

1:08:44.400 --> 1:08:47.320
<v Speaker 4>that power. We are seeing less and less black CEOs.

1:08:47.360 --> 1:08:49.720
<v Speaker 4>You don't have a Darren, I don't think so. I

1:08:49.800 --> 1:08:53.920
<v Speaker 4>mean music business. Okay, put me on Style because you

1:08:53.960 --> 1:08:55.000
<v Speaker 4>know I like his wine.

1:08:56.920 --> 1:09:00.400
<v Speaker 6>A lot of black executives time. I think with Coach

1:09:00.520 --> 1:09:02.519
<v Speaker 6>K is doing in Atlanta's.

1:09:02.080 --> 1:09:04.280
<v Speaker 2>Ridiculous Coach K. That is migos in.

1:09:04.320 --> 1:09:11.240
<v Speaker 3>Themos in Atlanta, Young, there's some other kids. This is

1:09:11.280 --> 1:09:14.680
<v Speaker 3>Coach K and Coach Tech. Remember we go about tack

1:09:14.840 --> 1:09:17.760
<v Speaker 3>tech both both of them. All right, let's not get

1:09:18.439 --> 1:09:21.880
<v Speaker 3>but I'm talking about Coach K. Coach K one is

1:09:21.960 --> 1:09:24.519
<v Speaker 3>teddy boy. One of them is with titty board. That's

1:09:24.600 --> 1:09:26.760
<v Speaker 3>just time. Look right now, let's go.

1:09:28.680 --> 1:09:30.920
<v Speaker 2>Boy change and got to go with him. You got

1:09:31.439 --> 1:09:34.040
<v Speaker 2>James coach tech us with to Chames.

1:09:34.120 --> 1:09:38.240
<v Speaker 12>Coach K is top dog definitely big up top doing

1:09:38.280 --> 1:09:40.080
<v Speaker 12>those my people top.

1:09:40.760 --> 1:09:44.920
<v Speaker 3>Then you got my man. He's not he's he's not black,

1:09:45.040 --> 1:09:48.000
<v Speaker 3>but he might as well be black. Gazi Ghzi, Yes,

1:09:48.160 --> 1:09:52.080
<v Speaker 3>Empire he black to me, he black latinos at the top.

1:09:52.160 --> 1:09:54.519
<v Speaker 3>Now what the funk are we doing? Man? Let's talking

1:09:54.520 --> 1:10:11.120
<v Speaker 3>about stuff on blocks too much? Everybody went over, everybody

1:10:11.200 --> 1:10:15.880
<v Speaker 3>went over up, let's go question.

1:10:15.960 --> 1:10:20.040
<v Speaker 4>I don't know, I got, I am loaded, listen, so

1:10:20.240 --> 1:10:24.479
<v Speaker 4>stop running like running through the error of man?

1:10:25.640 --> 1:10:26.160
<v Speaker 3>Was there ever?

1:10:26.360 --> 1:10:28.720
<v Speaker 4>Like because the people always wanted to know this like

1:10:29.120 --> 1:10:30.880
<v Speaker 4>it was like I said earlier, I alluded to.

1:10:30.920 --> 1:10:34.599
<v Speaker 16>This, all to this, always wanted to know this because

1:10:34.760 --> 1:10:38.080
<v Speaker 16>it was like it was what you rising like, was

1:10:38.120 --> 1:10:42.120
<v Speaker 16>it underground like management beef at that time, you and

1:10:42.240 --> 1:10:45.120
<v Speaker 16>Chris because it just seemed like like I said, I said,

1:10:45.120 --> 1:10:46.120
<v Speaker 16>I alluded to it earlier.

1:10:46.120 --> 1:10:48.439
<v Speaker 4>I was like if you were getting money at a

1:10:48.520 --> 1:10:50.920
<v Speaker 4>certain period, it was either with Chris or you was

1:10:51.000 --> 1:10:55.439
<v Speaker 4>with Steve, like straight up, like I'm talking about at

1:10:55.479 --> 1:10:57.320
<v Speaker 4>that one period, you know the period I'm talking about.

1:10:57.800 --> 1:11:08.439
<v Speaker 3>Was there ever, like Brothers? Was it Chris Well? I mean,

1:11:08.479 --> 1:11:11.920
<v Speaker 3>how do you talk about this? The the man passed

1:11:13.120 --> 1:11:18.400
<v Speaker 3>A tough conversation because it's easy for me to just say,

1:11:19.000 --> 1:11:22.960
<v Speaker 3>you know, you know Chris did is staying? You know,

1:11:24.040 --> 1:11:31.880
<v Speaker 3>Chris was Chris was a very special, talented dude. Man.

1:11:32.000 --> 1:11:35.320
<v Speaker 3>It was for me when I first came up. I

1:11:35.400 --> 1:11:37.639
<v Speaker 3>looked up to him, and then I became his pet

1:11:38.280 --> 1:11:41.120
<v Speaker 3>that I passed him, and it was I had to

1:11:41.160 --> 1:11:43.600
<v Speaker 3>deal with that. He had to deal with that. But

1:11:43.720 --> 1:11:45.839
<v Speaker 3>it never but again back to what I said earlier,

1:11:46.120 --> 1:11:48.800
<v Speaker 3>it never changed my respect for him. Chris tried to

1:11:48.880 --> 1:11:49.479
<v Speaker 3>manage him.

1:11:49.400 --> 1:11:51.200
<v Speaker 6>Tried to take him from me, tried to do it

1:11:51.360 --> 1:11:53.840
<v Speaker 6>all kind of crazy ship while I was man. But

1:11:56.439 --> 1:11:59.280
<v Speaker 6>I always held on to the fact that I looked

1:11:59.360 --> 1:12:02.479
<v Speaker 6>up to him as a man who broke through in

1:12:02.520 --> 1:12:03.200
<v Speaker 6>the business.

1:12:02.960 --> 1:12:05.120
<v Speaker 3>And everything that he did, and he taught me a lot.

1:12:05.479 --> 1:12:08.680
<v Speaker 3>So there was never a beef with me. Somebody else

1:12:08.720 --> 1:12:11.439
<v Speaker 3>would have took it as a beef. I never took

1:12:11.439 --> 1:12:13.120
<v Speaker 3>it as a beef because I had so much respect

1:12:13.200 --> 1:12:15.759
<v Speaker 3>for him that I let him get away with passes.

1:12:16.040 --> 1:12:19.040
<v Speaker 6>You give people passes if you respect somebody, Like if

1:12:19.040 --> 1:12:21.519
<v Speaker 6>you're a friend with somebody you love them, you give

1:12:21.560 --> 1:12:24.439
<v Speaker 6>him passes. You can't hold them accountable. The same way

1:12:24.760 --> 1:12:27.000
<v Speaker 6>it's somebody you don't really fuck with. The person you

1:12:27.200 --> 1:12:29.479
<v Speaker 6>fuck with got one shot to fuck you. Person you

1:12:29.640 --> 1:12:31.519
<v Speaker 6>love can do it over and over again. You find

1:12:31.520 --> 1:12:34.160
<v Speaker 6>a way to make it work. And that was our relationship,

1:12:35.720 --> 1:12:39.479
<v Speaker 6>and that's what I'm doing now, Like, no, you can't.

1:12:40.080 --> 1:12:44.200
<v Speaker 6>You just always have a level of respect for him,

1:12:44.280 --> 1:12:48.080
<v Speaker 6>and I have respect for him. Mona Scott. I love

1:12:48.160 --> 1:12:50.679
<v Speaker 6>Mona Scott. Like everything that those guys were.

1:12:50.640 --> 1:12:52.240
<v Speaker 3>Doing to me, I take it.

1:12:52.360 --> 1:12:55.080
<v Speaker 6>I appreciate it. I wouldn't be here today. So it

1:12:55.200 --> 1:12:57.599
<v Speaker 6>was never really a beef. It could have been a beef,

1:12:57.680 --> 1:12:58.439
<v Speaker 6>but there was nothing.

1:12:58.960 --> 1:13:03.519
<v Speaker 3>There was nothing. Betiful thing. Now you're on puff, y'all

1:13:03.560 --> 1:13:04.840
<v Speaker 3>are like cooler now.

1:13:05.120 --> 1:13:06.200
<v Speaker 2>Like y'all had an incident.

1:13:06.280 --> 1:13:06.960
<v Speaker 3>What was it? Over?

1:13:07.160 --> 1:13:11.160
<v Speaker 6>It was an over puff on the cross what happened?

1:13:11.680 --> 1:13:18.400
<v Speaker 6>So yeah, So I was going back to the thing. Man,

1:13:18.439 --> 1:13:20.160
<v Speaker 6>I told Ndy Santiago.

1:13:19.680 --> 1:13:21.560
<v Speaker 3>This the other day. Okay, he's my fake cousin in

1:13:21.560 --> 1:13:23.200
<v Speaker 3>the industry. You know my Santiago as well.

1:13:24.640 --> 1:13:26.920
<v Speaker 4>Yeah, Lennias, we always claimed each other as fake cousins

1:13:26.960 --> 1:13:28.320
<v Speaker 4>because our.

1:13:28.280 --> 1:13:29.360
<v Speaker 2>Last names of Santiago.

1:13:29.840 --> 1:13:30.880
<v Speaker 3>Weird. It's very weird.

1:13:31.400 --> 1:13:36.160
<v Speaker 2>We always You guys are still doing that, you guys, Yeah, yeah,

1:13:36.439 --> 1:13:36.880
<v Speaker 2>go for it.

1:13:37.000 --> 1:13:38.840
<v Speaker 4>It's a fact that Steve dude think you think I

1:13:38.880 --> 1:13:42.080
<v Speaker 4>gotta stop this immediately. I'm taking your advice from this

1:13:42.240 --> 1:13:45.080
<v Speaker 4>day on, boy, but I do call him my fake cousin.

1:13:45.120 --> 1:13:47.960
<v Speaker 3>It's not like we say word cousins. But go ahead.

1:13:47.960 --> 1:13:50.280
<v Speaker 3>It's a problem. So the the.

1:13:55.479 --> 1:13:58.920
<v Speaker 6>Fucking j comes out in the Hard Knock Life, I'm

1:13:58.960 --> 1:14:04.240
<v Speaker 6>fucking pissed, fucking how the fuck can.

1:14:04.240 --> 1:14:08.040
<v Speaker 3>We get this? These motherfucker's got a record. This ship

1:14:08.160 --> 1:14:10.439
<v Speaker 3>is so big. Who produces hard Knock Why don't tell me,

1:14:10.479 --> 1:14:15.280
<v Speaker 3>I don't know who. Forty five King Rich Well Hold

1:14:15.520 --> 1:14:17.880
<v Speaker 3>Jay first heard the sample from forty from kick a

1:14:17.920 --> 1:14:21.559
<v Speaker 3>Prie and then heard the ship and forty five King

1:14:21.920 --> 1:14:22.360
<v Speaker 3>produced it.

1:14:22.800 --> 1:14:25.519
<v Speaker 6>So they heard the snippet of the loop of the

1:14:25.600 --> 1:14:28.960
<v Speaker 6>anti record, then forty five King produced him. So now

1:14:30.280 --> 1:14:32.479
<v Speaker 6>just take it inside of the minus young Steve style.

1:14:33.280 --> 1:14:34.120
<v Speaker 6>What I'm are gonna do.

1:14:35.040 --> 1:14:37.800
<v Speaker 3>I can't sleep. There's no where I can see if

1:14:37.800 --> 1:14:40.240
<v Speaker 3>this guy has a hit record, and what are we

1:14:40.320 --> 1:14:49.800
<v Speaker 3>gonna do? And I went out and I found I

1:14:49.960 --> 1:14:53.800
<v Speaker 3>heard hate Me Now was pretty Boy on the Pretty

1:14:53.840 --> 1:14:56.720
<v Speaker 3>Boys on the record, told this is what.

1:14:59.520 --> 1:14:59.960
<v Speaker 11>The niggas.

1:15:00.000 --> 1:15:03.320
<v Speaker 3>He's like, you know what, Steve is taking this thing way.

1:15:03.200 --> 1:15:06.080
<v Speaker 6>Too since they checked out of this part of the process.

1:15:06.240 --> 1:15:08.439
<v Speaker 6>Like you going, I'm finding the record. I don't give

1:15:08.479 --> 1:15:10.800
<v Speaker 6>a fuck if it comes from him whoever. I'm finding

1:15:10.840 --> 1:15:14.519
<v Speaker 6>the record. I gotta beat hard, knock life, period, fuck everything.

1:15:15.920 --> 1:15:19.040
<v Speaker 6>I go find the record. Fox, he plays me the record,

1:15:19.160 --> 1:15:21.400
<v Speaker 6>doesn't even give a fuck about it, like this.

1:15:21.520 --> 1:15:26.080
<v Speaker 3>Is is stupid. She said that Derek Angelotti produced it.

1:15:26.560 --> 1:15:29.200
<v Speaker 6>I called dit out. I'm like, Derek, you produce a

1:15:29.320 --> 1:15:32.960
<v Speaker 6>song called hate Me Now, pretty boy on it? How

1:15:33.000 --> 1:15:35.200
<v Speaker 6>could you not even play that? Finds because back then

1:15:35.200 --> 1:15:37.280
<v Speaker 6>you can call producers like you have the right to

1:15:37.360 --> 1:15:40.360
<v Speaker 6>get the first hot beat. Of course, especially He's like,

1:15:40.400 --> 1:15:41.759
<v Speaker 6>I have no idea what you're talking about.

1:15:44.200 --> 1:15:47.360
<v Speaker 3>Fox. He made that up, didn't He shocked me? Wait

1:15:47.439 --> 1:15:52.519
<v Speaker 3>what she said that Derek produced it. Derek didn't produce it.

1:15:53.479 --> 1:15:56.439
<v Speaker 3>She was trying to make the record like like it

1:15:56.560 --> 1:15:58.320
<v Speaker 3>was a it was a great song, but in order

1:15:58.439 --> 1:16:00.479
<v Speaker 3>to make it to market it like, oh, we got

1:16:00.520 --> 1:16:02.839
<v Speaker 3>beats from Derek Angeletti me or I wasn't Derek.

1:16:02.600 --> 1:16:05.400
<v Speaker 6>Angeletti, as I find out when I called Derk. So

1:16:05.520 --> 1:16:08.599
<v Speaker 6>then I call her brother. I call pretty boy. I'm

1:16:08.640 --> 1:16:11.400
<v Speaker 6>in the studio, I said, pretty boy, Gavin.

1:16:11.400 --> 1:16:16.960
<v Speaker 3>I didn't call him pretty boy? You didn't, so I said, I.

1:16:19.960 --> 1:16:25.160
<v Speaker 6>Said, Gavin, you gotta come to the studio. He comes

1:16:25.160 --> 1:16:26.760
<v Speaker 6>to the studio and I play him the rough.

1:16:27.680 --> 1:16:31.840
<v Speaker 3>I'm like, who did that? He goes I did? I said,

1:16:31.880 --> 1:16:33.280
<v Speaker 3>you produce this? He said yep.

1:16:34.600 --> 1:16:40.080
<v Speaker 6>I said, go get me the master's right now. I

1:16:40.120 --> 1:16:42.599
<v Speaker 6>want them shits tonight. I buy him from I want

1:16:42.720 --> 1:16:45.760
<v Speaker 6>I want that record that song. He said to me,

1:16:47.320 --> 1:16:48.880
<v Speaker 6>I'll give it to you. I need a set.

1:16:49.960 --> 1:16:51.360
<v Speaker 3>I said, what the fuck is the set?

1:16:51.720 --> 1:16:52.680
<v Speaker 2>I still don't know what I said?

1:16:52.760 --> 1:16:56.519
<v Speaker 3>Is? He said, I matching chain, embrace them. I said,

1:16:57.880 --> 1:16:58.800
<v Speaker 3>I got you with the set.

1:16:58.840 --> 1:17:03.000
<v Speaker 6>I can't do it right now, but go. It's it's

1:17:03.080 --> 1:17:05.080
<v Speaker 6>cold as fuck, it's the winter. I said, go get

1:17:05.120 --> 1:17:07.000
<v Speaker 6>the ship. He starts to leave. I said, no, no, no,

1:17:07.720 --> 1:17:10.080
<v Speaker 6>give me your mink. I took his mink coat, left

1:17:10.120 --> 1:17:11.800
<v Speaker 6>the mink and I said, leave your mink in the snow.

1:17:12.040 --> 1:17:13.599
<v Speaker 6>He got to you and you come back.

1:17:13.920 --> 1:17:15.680
<v Speaker 3>Can't wear it style. Let's go, let's go.

1:17:16.280 --> 1:17:18.280
<v Speaker 2>It's not getting no not weird, is you know?

1:17:18.320 --> 1:17:19.519
<v Speaker 3>It's not weird, it's just different.

1:17:19.640 --> 1:17:19.880
<v Speaker 17>Let's go.

1:17:20.360 --> 1:17:22.680
<v Speaker 3>I mean, I'm trying to get the song. He took

1:17:22.720 --> 1:17:24.240
<v Speaker 3>his coat, and because.

1:17:24.000 --> 1:17:25.679
<v Speaker 9>I don't think he's gonna come back, I just feel

1:17:25.680 --> 1:17:27.320
<v Speaker 9>like it's mad cold at this time.

1:17:27.400 --> 1:17:30.080
<v Speaker 3>I don't know this cold. I'm not taking ship.

1:17:30.240 --> 1:17:32.360
<v Speaker 2>I'd be like, it's forty one little outside. You let

1:17:32.439 --> 1:17:33.400
<v Speaker 2>him beat her the T shirt.

1:17:33.520 --> 1:17:34.200
<v Speaker 3>This was drink chin.

1:17:34.600 --> 1:17:34.800
<v Speaker 12>Yeah.

1:17:34.840 --> 1:17:42.599
<v Speaker 1>Yeah, did he wants to ride on away watching I'm

1:17:43.479 --> 1:17:43.840
<v Speaker 1>he doesn't.

1:17:44.040 --> 1:17:44.439
<v Speaker 6>Just that he.

1:17:46.920 --> 1:17:49.439
<v Speaker 3>About to get shat good good. Now he comes back,

1:17:49.840 --> 1:17:52.240
<v Speaker 3>he comes back with the record. Big up, Gavin. He

1:17:52.320 --> 1:17:56.439
<v Speaker 3>comes back with the song, and now's it. He was

1:17:56.479 --> 1:17:57.920
<v Speaker 3>trying to sound like puffing Mass.

1:17:58.000 --> 1:17:59.720
<v Speaker 2>I was about to ask that that was the next thing.

1:17:59.720 --> 1:18:00.160
<v Speaker 4>He was right.

1:18:00.200 --> 1:18:02.200
<v Speaker 6>It sound like puff Puff is the biggest star in

1:18:02.240 --> 1:18:05.240
<v Speaker 6>the world. I get a record, nas, I'm like, I'm

1:18:05.240 --> 1:18:06.719
<v Speaker 6>telling everybody this is the single.

1:18:06.800 --> 1:18:07.200
<v Speaker 3>Everybody.

1:18:07.520 --> 1:18:08.920
<v Speaker 6>I don't care what you do. I don't care what

1:18:09.000 --> 1:18:11.920
<v Speaker 6>anybody does, because what we're doing this is this is

1:18:11.960 --> 1:18:13.040
<v Speaker 6>gonna be hard, not life.

1:18:14.120 --> 1:18:18.599
<v Speaker 3>This is a fact. Then you go to queens. No no, no, no, no, okay.

1:18:18.840 --> 1:18:22.400
<v Speaker 3>So then so then after we go, Nas records the record.

1:18:22.680 --> 1:18:24.240
<v Speaker 3>How many times that I make? How many times that

1:18:24.439 --> 1:18:28.360
<v Speaker 3>mixed that ringing? I would mix it over and over

1:18:28.600 --> 1:18:31.599
<v Speaker 3>and over and over and over and over again.

1:18:31.880 --> 1:18:34.640
<v Speaker 6>There's such a valuable lesson in my life with that

1:18:34.800 --> 1:18:37.679
<v Speaker 6>song because I wanted it so bad.

1:18:38.560 --> 1:18:41.200
<v Speaker 3>I wanted it so bad. That shot down and.

1:18:42.200 --> 1:18:46.320
<v Speaker 6>He recorded that mixed. Then Puffy recorded anything. Then we

1:18:46.520 --> 1:18:47.800
<v Speaker 6>go to shoot the video.

1:18:48.400 --> 1:18:52.160
<v Speaker 3>The videos a million dollars high Wind wants a million

1:18:52.200 --> 1:18:54.840
<v Speaker 3>dollars to shoot it. Puffy has this idea, we're gonna

1:18:54.880 --> 1:18:57.120
<v Speaker 3>drive the cross and the desert. We're gonna do this.

1:18:57.200 --> 1:18:57.840
<v Speaker 3>We're gonna do that.

1:18:58.320 --> 1:19:01.080
<v Speaker 6>And Puffy taught me something. He told us all something

1:19:01.240 --> 1:19:03.599
<v Speaker 6>very smart back then. I think about it all the time.

1:19:03.680 --> 1:19:06.559
<v Speaker 6>He's like, when you want to do something like really

1:19:06.680 --> 1:19:11.240
<v Speaker 6>fucking shocking, like you gotta do like I'm in. He

1:19:11.320 --> 1:19:12.880
<v Speaker 6>had shot this r Kelly video and they were in

1:19:12.960 --> 1:19:15.840
<v Speaker 6>a convertible and it was raining or it was snowing

1:19:15.960 --> 1:19:17.880
<v Speaker 6>or something like that. He's like that's when you do

1:19:18.000 --> 1:19:20.080
<v Speaker 6>that shit, like you drop the top and the shit's

1:19:20.160 --> 1:19:20.919
<v Speaker 6>raining outside.

1:19:21.160 --> 1:19:21.960
<v Speaker 3>That shit is dope.

1:19:22.880 --> 1:19:25.520
<v Speaker 6>Like bringing to perform on the top of a bodega

1:19:25.600 --> 1:19:27.719
<v Speaker 6>and light that bitch like it's Madison Square Garden.

1:19:28.000 --> 1:19:31.760
<v Speaker 3>I'm like, oh shit, And I was like, that's what

1:19:31.840 --> 1:19:33.720
<v Speaker 3>I did, and can it be so simple? The Wu

1:19:33.840 --> 1:19:35.400
<v Speaker 3>Tang video. I made the projects look.

1:19:35.240 --> 1:19:38.960
<v Speaker 6>Beautiful and I'm like, so now I got the vision.

1:19:39.000 --> 1:19:42.040
<v Speaker 6>We're gonna hate me now Jesus went through being hated.

1:19:42.479 --> 1:19:44.880
<v Speaker 6>We're gonna do this thing in Queens. We're gonna light

1:19:44.920 --> 1:19:48.040
<v Speaker 6>this shit up, all right, Cool, we go through the

1:19:48.080 --> 1:19:54.000
<v Speaker 6>whole thing. Shoot the video, Million Bucks spent and Puff

1:19:55.080 --> 1:20:02.599
<v Speaker 6>two days before his reverend doesn't want to be him

1:20:02.840 --> 1:20:03.800
<v Speaker 6>on the records.

1:20:05.080 --> 1:20:07.679
<v Speaker 3>On the cross, Puff puffs Puff as.

1:20:07.600 --> 1:20:10.080
<v Speaker 6>A reference who didn't want them to be on there,

1:20:10.640 --> 1:20:13.439
<v Speaker 6>and I have to respect what his references.

1:20:13.479 --> 1:20:15.680
<v Speaker 3>I'm going to see him like Puff think because they

1:20:15.720 --> 1:20:17.560
<v Speaker 3>were black crows on the cross, it was it was

1:20:18.160 --> 1:20:22.240
<v Speaker 3>very very dark. Bike Williams put Crocus on the cross,

1:20:22.320 --> 1:20:24.640
<v Speaker 3>but they didn't do that last they were actually there, right,

1:20:24.800 --> 1:20:27.240
<v Speaker 3>they could have been I remember, I don't know, it

1:20:27.439 --> 1:20:33.360
<v Speaker 3>could have been there. It was dark, it was very

1:20:33.479 --> 1:20:36.439
<v Speaker 3>very dark, and I can see why preacher or something

1:20:37.320 --> 1:20:41.479
<v Speaker 3>whatever an issue is blasphemous to if you're religious, right,

1:20:42.760 --> 1:20:45.519
<v Speaker 3>doesn't change that. The narrative is ridiculously dupe. You know.

1:20:45.600 --> 1:20:50.000
<v Speaker 3>It's cinematics there on the other side. No one talks

1:20:50.000 --> 1:20:55.320
<v Speaker 3>about the two other guys. Oh yeah, the thief. No

1:20:55.439 --> 1:20:57.639
<v Speaker 3>one talks about those guys, the guys.

1:20:58.320 --> 1:21:01.960
<v Speaker 2>This is spending wider funks with it. So I continue.

1:21:02.200 --> 1:21:08.280
<v Speaker 3>So he wants he wants that gets mad after because

1:21:08.320 --> 1:21:12.640
<v Speaker 3>past knows beforehand, before beforehand, Pump is like, no, no, no,

1:21:12.720 --> 1:21:14.240
<v Speaker 3>no no, But the edits already done.

1:21:14.560 --> 1:21:17.639
<v Speaker 6>Shouldn't they do another edit without him on the cross?

1:21:18.040 --> 1:21:21.479
<v Speaker 6>But this is the part that Pump got. I'm the manager, guys.

1:21:21.640 --> 1:21:22.280
<v Speaker 3>If the other.

1:21:22.200 --> 1:21:27.360
<v Speaker 6>Company spent hundred dollars spending money, the record company spent

1:21:27.439 --> 1:21:31.320
<v Speaker 6>the money. They have two videos done, and it's a

1:21:31.400 --> 1:21:34.479
<v Speaker 6>t r Oh World per Man, and everybody wants to

1:21:34.520 --> 1:21:36.320
<v Speaker 6>be a t r O and the World per Man.

1:21:36.560 --> 1:21:37.680
<v Speaker 3>That's what all rapping.

1:21:37.479 --> 1:21:42.000
<v Speaker 6>Artists were getting. The rap artist wasn't getting mad. Yeah

1:21:42.000 --> 1:21:43.200
<v Speaker 6>it's hip hop is not getting that.

1:21:43.680 --> 1:21:47.200
<v Speaker 3>But now we're gonna take down hard knock life, you

1:21:47.280 --> 1:21:48.719
<v Speaker 3>know anyhow, because.

1:21:50.360 --> 1:21:51.040
<v Speaker 2>Comes out.

1:21:52.600 --> 1:21:54.719
<v Speaker 3>The head of the record company was ahead of Sony

1:21:54.840 --> 1:21:57.720
<v Speaker 3>Music at the time. This guy named don Einer. This

1:21:57.880 --> 1:22:03.120
<v Speaker 3>is a guy. This guy absolute racist. Let's go to

1:22:03.200 --> 1:22:07.679
<v Speaker 3>this right. He dropped fifty cent, he dropped the Lisia keys.

1:22:08.720 --> 1:22:12.599
<v Speaker 6>He he did not fuck with anything if it had

1:22:12.640 --> 1:22:13.800
<v Speaker 6>a problem attached to it.

1:22:14.120 --> 1:22:16.760
<v Speaker 3>Columbia, Columbia Records. A guy who dited it was a

1:22:16.800 --> 1:22:23.720
<v Speaker 3>complete pig. This guy straight up. Yeah, this guy puts

1:22:23.800 --> 1:22:24.240
<v Speaker 3>up the money.

1:22:24.479 --> 1:22:27.960
<v Speaker 6>So now when Puff wants to change the video, Donnie's like,

1:22:28.760 --> 1:22:30.960
<v Speaker 6>I already laid out the money, but I can't even

1:22:31.360 --> 1:22:33.759
<v Speaker 6>I'm trying to get Puff to see the other side,

1:22:34.040 --> 1:22:37.919
<v Speaker 6>but I can't control they're putting that video on a TRL.

1:22:38.960 --> 1:22:42.160
<v Speaker 6>When the video goes up, if everybody holds me responsible

1:22:42.520 --> 1:22:43.080
<v Speaker 6>not even.

1:22:43.000 --> 1:22:45.880
<v Speaker 3>Knowing that there's a guy who wrote the check who

1:22:45.960 --> 1:22:48.560
<v Speaker 3>was like, he knows who that cross scene is. That

1:22:48.680 --> 1:22:52.160
<v Speaker 3>shit was half of that million dollars. He's not taking

1:22:52.200 --> 1:22:54.280
<v Speaker 3>that shit out for the tro warper Man. Yeah, he's

1:22:54.280 --> 1:22:58.840
<v Speaker 3>accounting for it. Puff, She's the video TRL goes on

1:22:58.920 --> 1:23:03.280
<v Speaker 3>at three o'clock, three o two four. Niggas in my office.

1:23:03.640 --> 1:23:04.240
<v Speaker 3>They jumped me.

1:23:04.680 --> 1:23:07.360
<v Speaker 6>They beat me up in my office three O two,

1:23:08.080 --> 1:23:13.439
<v Speaker 6>three oh three, that's what happens. What but what takes

1:23:13.520 --> 1:23:21.200
<v Speaker 6>place within years after that is like my relationship with Puff,

1:23:22.320 --> 1:23:24.519
<v Speaker 6>we both came up at the same exact time. We're

1:23:24.600 --> 1:23:32.160
<v Speaker 6>both we maybe doing this, we maybe give up yet

1:23:32.240 --> 1:23:35.320
<v Speaker 6>the two oldest guys who've been doing it the longest.

1:23:35.479 --> 1:23:38.960
<v Speaker 3>Maybe because I remember I was. I was in Puff's

1:23:39.000 --> 1:23:43.160
<v Speaker 3>office when Magic Johnson announced he ad ads like that

1:23:43.320 --> 1:23:46.560
<v Speaker 3>was ninety two, Like I remember specifically being in this

1:23:46.680 --> 1:23:50.080
<v Speaker 3>office and he was promoting the party he worked at uptown,

1:23:50.200 --> 1:23:53.720
<v Speaker 3>Like that's how long I noticed guy. So our relationship

1:23:53.840 --> 1:23:54.280
<v Speaker 3>was long.

1:23:54.160 --> 1:23:56.880
<v Speaker 6>And it was always a mutual respect, even when he

1:23:57.040 --> 1:23:58.720
<v Speaker 6>was as big as he was, the biggest star in

1:23:58.760 --> 1:23:59.120
<v Speaker 6>the world.

1:23:59.520 --> 1:24:03.000
<v Speaker 3>I never felt like I couldn't call them or whatever

1:24:03.080 --> 1:24:06.880
<v Speaker 3>whatever whatever. So when that took place, it was fucked up,

1:24:06.960 --> 1:24:07.880
<v Speaker 3>and I was embarrassed.

1:24:07.960 --> 1:24:10.160
<v Speaker 6>Naturally, I was embarrassed, becau I didn't even want that

1:24:10.240 --> 1:24:14.560
<v Speaker 6>to be to define who I was, Like some motherfucking

1:24:14.560 --> 1:24:20.240
<v Speaker 6>bum ass nigga that got jumped punis bullshit, and definitely

1:24:20.400 --> 1:24:25.560
<v Speaker 6>called my moms, apologize to my mom's that gore to

1:24:25.640 --> 1:24:27.320
<v Speaker 6>me than anything else, and.

1:24:27.360 --> 1:24:30.479
<v Speaker 3>Then like, you know, that's how close you was. Yeah,

1:24:31.000 --> 1:24:34.040
<v Speaker 3>but when did when did that happen. When it happened,

1:24:34.040 --> 1:24:37.680
<v Speaker 3>he immediately called my moms. That was the immediate thing.

1:24:37.680 --> 1:24:40.200
<v Speaker 3>You have to get up. You got to call my

1:24:40.320 --> 1:24:44.240
<v Speaker 3>mother first for the jumping you. My mother doesn't know

1:24:44.280 --> 1:24:47.120
<v Speaker 3>if I'm die in this music business, so all she's

1:24:47.160 --> 1:24:50.240
<v Speaker 3>doing is looking at listen. You gotta call her. I

1:24:50.520 --> 1:24:53.120
<v Speaker 3>need to get that off from my back, like you,

1:24:53.280 --> 1:24:57.120
<v Speaker 3>everybody knows sad. So we got past the mom thing

1:24:57.760 --> 1:25:01.640
<v Speaker 3>and then no, it was wild. It was It was

1:25:01.720 --> 1:25:03.040
<v Speaker 3>weird because it was.

1:25:03.040 --> 1:25:05.680
<v Speaker 6>A very vital pivotal point in my life because I'm like,

1:25:06.760 --> 1:25:08.679
<v Speaker 6>you know, I got money too, I can hire soldiers.

1:25:08.720 --> 1:25:11.439
<v Speaker 3>We could do with that, like you could do that, right,

1:25:11.680 --> 1:25:14.200
<v Speaker 3>You could easily do that like a tifferent tap. Yeah,

1:25:14.360 --> 1:25:17.599
<v Speaker 3>you can definitely play that game. I'm not that guy.

1:25:18.880 --> 1:25:23.439
<v Speaker 3>He's I'm not that guy. And y'all was cool enough.

1:25:23.520 --> 1:25:25.560
<v Speaker 3>He knew your family that no, he knew. No, he

1:25:25.600 --> 1:25:27.800
<v Speaker 3>didn't know my family to call my mom though it

1:25:27.960 --> 1:25:30.200
<v Speaker 3>was somebody he knew my momy. The chore, whether you

1:25:30.280 --> 1:25:34.000
<v Speaker 3>knew or not, the aftermath of when you look at

1:25:34.000 --> 1:25:36.800
<v Speaker 3>it now, I mean, I stay in his house, he

1:25:36.880 --> 1:25:37.719
<v Speaker 3>stays in my house.

1:25:38.800 --> 1:25:43.080
<v Speaker 4>You know, A probably the situation that aged well, yeah, well,

1:25:43.120 --> 1:25:43.960
<v Speaker 4>how do you all mend that?

1:25:44.080 --> 1:25:44.240
<v Speaker 3>Though?

1:25:44.320 --> 1:25:45.280
<v Speaker 2>How do y'all mend that?

1:25:45.320 --> 1:25:47.120
<v Speaker 3>How does that happen? Was it?

1:25:47.200 --> 1:25:47.719
<v Speaker 4>Do Nas?

1:25:47.760 --> 1:25:48.160
<v Speaker 3>I feel like?

1:25:48.280 --> 1:25:48.320
<v Speaker 4>No?

1:25:48.840 --> 1:25:55.080
<v Speaker 3>Nas Wasnas was worthless and trying to fix it. Jesus,

1:25:57.640 --> 1:26:05.200
<v Speaker 3>he was worthless and trying to fix that. Like that's

1:26:05.200 --> 1:26:09.719
<v Speaker 3>all let's start. Come on, man, it's not cool.

1:26:09.880 --> 1:26:12.960
<v Speaker 4>So how how the two ty coons work out a

1:26:13.040 --> 1:26:14.520
<v Speaker 4>problem that was misfortunate?

1:26:14.840 --> 1:26:17.599
<v Speaker 2>How does this happen in real life and real time?

1:26:18.120 --> 1:26:19.679
<v Speaker 2>And we could all learn from that? Yeah, we could

1:26:19.680 --> 1:26:20.439
<v Speaker 2>all learn from that.

1:26:21.280 --> 1:26:24.960
<v Speaker 6>Well, I have to walk around for two years and

1:26:25.000 --> 1:26:27.320
<v Speaker 6>people saying they me Puffy hit you over Hald at

1:26:27.320 --> 1:26:27.719
<v Speaker 6>the bottom.

1:26:28.520 --> 1:26:30.600
<v Speaker 3>I have to walk around. I have to own that

1:26:32.000 --> 1:26:35.880
<v Speaker 3>that didn't happen. But you know I got Yeah, I

1:26:35.920 --> 1:26:36.160
<v Speaker 3>got to.

1:26:38.640 --> 1:26:42.840
<v Speaker 6>That feeling could easily allow you to go get some

1:26:43.000 --> 1:26:46.960
<v Speaker 6>guns or some guys and go do something in order

1:26:47.000 --> 1:26:52.519
<v Speaker 6>for you to feel like you were like you weren't

1:26:52.520 --> 1:26:54.880
<v Speaker 6>a victim, like people were just somebody like you weren't.

1:26:55.080 --> 1:27:01.439
<v Speaker 3>No, I'm not I'm not guying, but we gotta in life.

1:27:01.520 --> 1:27:03.360
<v Speaker 3>You gotta play the marathon, man, You gotta play the

1:27:03.439 --> 1:27:06.680
<v Speaker 3>long game. You gotta play the long game. Why don't look,

1:27:06.680 --> 1:27:08.120
<v Speaker 3>I'm here this guy.

1:27:09.479 --> 1:27:14.600
<v Speaker 2>Chris, Oh no, this story I heard it, Chris, So

1:27:14.960 --> 1:27:15.960
<v Speaker 2>you're gonna hear it from me now.

1:27:16.920 --> 1:27:19.160
<v Speaker 3>The wedding was like, you're disrespect You're gonna answer me

1:27:19.240 --> 1:27:23.920
<v Speaker 3>on tape. This guy, Chris Lightings wedding is a drunk

1:27:25.800 --> 1:27:29.599
<v Speaker 3>at this man's wedding, he remembers and he's going around

1:27:30.080 --> 1:27:32.280
<v Speaker 3>and he's flipping out on me. And it's like Chris

1:27:32.400 --> 1:27:36.160
<v Speaker 3>Lighty's wedding and you something was in Miami.

1:27:36.240 --> 1:27:39.920
<v Speaker 4>It's Inamoy with the record we produced Mary j. BLI

1:27:40.240 --> 1:27:44.160
<v Speaker 4>was like a firm, Yeah, this is the thing you

1:27:44.720 --> 1:27:45.080
<v Speaker 4>walked in.

1:27:45.640 --> 1:27:48.360
<v Speaker 3>It was. It hurted my feelings so bad. I took

1:27:48.400 --> 1:27:50.280
<v Speaker 3>you up the record. No, you know, I was still

1:27:50.320 --> 1:27:50.880
<v Speaker 3>on the record.

1:27:50.960 --> 1:27:53.200
<v Speaker 4>But y'all said you walked in and it was you

1:27:53.240 --> 1:27:55.479
<v Speaker 4>said something like you sure we're gonna keep him on

1:27:55.520 --> 1:27:56.840
<v Speaker 4>the record in front of me.

1:27:57.200 --> 1:27:59.720
<v Speaker 3>I wanted you to t way that in or something.

1:28:01.240 --> 1:28:02.760
<v Speaker 2>You just said in front of me.

1:28:03.520 --> 1:28:05.160
<v Speaker 3>But you know what, And then let me just tell

1:28:05.160 --> 1:28:07.400
<v Speaker 3>you something. I recently came to.

1:28:07.439 --> 1:28:10.880
<v Speaker 4>You at NAS did this thing, and I apologize because

1:28:10.880 --> 1:28:14.000
<v Speaker 4>you know why I needed you didn't give me.

1:28:14.320 --> 1:28:15.760
<v Speaker 3>It's not that you didn't give me no love.

1:28:15.840 --> 1:28:18.400
<v Speaker 4>You give me the toughest love ever, and you being

1:28:18.439 --> 1:28:21.360
<v Speaker 4>from Queens and we being from Queens. I realized that

1:28:21.479 --> 1:28:25.320
<v Speaker 4>twenty years later that I needed that. I needed you

1:28:25.439 --> 1:28:27.439
<v Speaker 4>to be tough on me, Like when you walked in.

1:28:27.840 --> 1:28:30.000
<v Speaker 4>I was the only guy that was on that record

1:28:30.040 --> 1:28:34.040
<v Speaker 4>that wasn't firm. You were supposed to question that moment. No,

1:28:34.439 --> 1:28:36.599
<v Speaker 4>no champions, let me let me make you up because

1:28:36.680 --> 1:28:40.599
<v Speaker 4>it's big enough. And so those years I was mad

1:28:40.680 --> 1:28:42.920
<v Speaker 4>at you because I was like, damn, because.

1:28:43.120 --> 1:28:45.800
<v Speaker 18>Like I was used to people being fake to me,

1:28:46.600 --> 1:28:49.280
<v Speaker 18>like they'll talk about me behind my back. You actually

1:28:49.320 --> 1:28:53.960
<v Speaker 18>talked about me in front of my face. Are sure

1:28:54.080 --> 1:29:00.839
<v Speaker 18>we want him on the record. I'm like, sto, niggas

1:29:00.880 --> 1:29:06.200
<v Speaker 18>do that right now, and even I'm leaving your question.

1:29:06.439 --> 1:29:10.479
<v Speaker 4>But whatever it was, and I needed that tough love,

1:29:10.560 --> 1:29:12.639
<v Speaker 4>like listen, listen, listen, because that's who makes me who

1:29:12.720 --> 1:29:16.120
<v Speaker 4>I am today. I had and in retrospect, when I

1:29:16.160 --> 1:29:18.400
<v Speaker 4>hear you speak about other artists, I could see it

1:29:18.520 --> 1:29:21.880
<v Speaker 4>because Chris had invested me a little early, and I

1:29:22.040 --> 1:29:23.840
<v Speaker 4>was Na's friend or Jungle's friend.

1:29:24.400 --> 1:29:27.160
<v Speaker 2>But I just I just didn't have no, like you said, structure.

1:29:27.439 --> 1:29:29.640
<v Speaker 3>So I understand later it's just like you said, you

1:29:29.800 --> 1:29:30.439
<v Speaker 3>just called Dave.

1:29:31.120 --> 1:29:33.360
<v Speaker 4>That's why I felt with you. And I was like,

1:29:33.479 --> 1:29:36.200
<v Speaker 4>you know what, because the thing about it is, I

1:29:36.240 --> 1:29:39.160
<v Speaker 4>don't I want it that way. I wanted to just

1:29:39.520 --> 1:29:42.519
<v Speaker 4>be able to if somebody don't see see the picture.

1:29:42.800 --> 1:29:44.400
<v Speaker 4>I liked it that like you know what I'm saying,

1:29:44.439 --> 1:29:46.400
<v Speaker 4>Like I mean, now I could realize that.

1:29:46.479 --> 1:29:47.120
<v Speaker 3>You know what I'm saying.

1:29:47.240 --> 1:29:50.680
<v Speaker 6>That's what you about that I mean today because you

1:29:50.800 --> 1:29:52.000
<v Speaker 6>apologize you said it to me.

1:29:52.040 --> 1:29:52.240
<v Speaker 15>I was.

1:29:52.360 --> 1:29:55.160
<v Speaker 3>I was tough on you. I listened to all your music, Babe.

1:29:55.800 --> 1:29:59.439
<v Speaker 6>You used to take rhymes off see some crazy ship

1:29:59.520 --> 1:30:02.679
<v Speaker 6>that was not when you but you could also write.

1:30:03.400 --> 1:30:07.080
<v Speaker 3>Listen to your rhymes on t O n Y. Listen

1:30:07.160 --> 1:30:09.080
<v Speaker 3>to what you say. Can you go to some other

1:30:09.120 --> 1:30:11.439
<v Speaker 3>records and you don't even give a fuck. It's definitely

1:30:11.520 --> 1:30:20.439
<v Speaker 3>choose that, Yeah, And I'm like, do that. I was

1:30:20.479 --> 1:30:23.720
<v Speaker 3>never what you listen to be honest with you, it's

1:30:23.840 --> 1:30:28.840
<v Speaker 3>just that you know what it was anything no record

1:30:28.880 --> 1:30:30.960
<v Speaker 3>I ever came out slacked on any rhyme on the

1:30:31.040 --> 1:30:33.800
<v Speaker 3>track master beat. That's a fact, because what is it?

1:30:33.960 --> 1:30:36.760
<v Speaker 3>That's what I'm leaving. I'm leaving. Oh my god, I

1:30:36.920 --> 1:30:45.040
<v Speaker 3>killed that let me take me. That's test. That was natureself.

1:30:45.160 --> 1:30:46.400
<v Speaker 3>You you have a bully man.

1:30:51.400 --> 1:30:52.320
<v Speaker 11>I do agree with you.

1:30:53.520 --> 1:30:56.960
<v Speaker 3>Listen, listen, Okay, describe that s that was in l A.

1:30:57.120 --> 1:31:01.479
<v Speaker 3>Remember l A. Okay was opened up the Firm album. Yes,

1:31:01.760 --> 1:31:05.200
<v Speaker 3>I thought I was finished. We had some more joints and.

1:31:07.400 --> 1:31:08.920
<v Speaker 11>I need to get on this Firm album.

1:31:09.920 --> 1:31:11.680
<v Speaker 3>No, no, no, they flew me up. I actually got

1:31:11.800 --> 1:31:14.799
<v Speaker 3>flew out. I got fifty that it was more about everything.

1:31:15.400 --> 1:31:19.680
<v Speaker 3>I think it was no bundles dout that I just was.

1:31:19.880 --> 1:31:21.880
<v Speaker 3>I was. I was happy to be a part of

1:31:22.439 --> 1:31:27.200
<v Speaker 3>a classic. Continue. It was for nature. No, it was

1:31:27.320 --> 1:31:30.320
<v Speaker 3>nature session. That's how I remember. I came in and

1:31:30.439 --> 1:31:34.280
<v Speaker 3>you played the bat and Nature had nothing for it.

1:31:35.439 --> 1:31:42.400
<v Speaker 3>And I couldn't resist. Say I got something exactly and

1:31:42.560 --> 1:31:45.400
<v Speaker 3>I went in and looked crazy. Let me tell you something.

1:31:45.840 --> 1:31:46.639
<v Speaker 3>This is the Crazy ship.

1:31:46.680 --> 1:31:48.880
<v Speaker 4>A lot of people don't know I come from the

1:31:49.000 --> 1:31:51.599
<v Speaker 4>Unique days. Like I'm sorry, I'm sure how I'm forty

1:31:51.680 --> 1:31:53.680
<v Speaker 4>years old. Forty years stout already blew me up. He

1:31:53.720 --> 1:31:56.960
<v Speaker 4>must have googled. He knew, he said, I just got Yeah,

1:31:57.240 --> 1:32:01.639
<v Speaker 4>everybody's forty, you know, I'm really forty. So I come

1:32:01.720 --> 1:32:05.439
<v Speaker 4>from unique studio days where you write the whole rhyme

1:32:05.640 --> 1:32:07.360
<v Speaker 4>and you lay it as such.

1:32:08.040 --> 1:32:12.200
<v Speaker 3>So I remember that I lave man remember the.

1:32:12.640 --> 1:32:14.880
<v Speaker 2>Tape the two inch I had the whole.

1:32:15.360 --> 1:32:17.840
<v Speaker 3>I had laid the whole rhyme in front of nature,

1:32:17.880 --> 1:32:20.280
<v Speaker 3>and they was like, didn't we say this this? This?

1:32:21.640 --> 1:32:25.320
<v Speaker 4>So they like I laid the whole even like like

1:32:26.080 --> 1:32:28.200
<v Speaker 4>I can't say one tape, but I had because I

1:32:28.280 --> 1:32:29.160
<v Speaker 4>had had an idea.

1:32:31.200 --> 1:32:34.600
<v Speaker 3>It was definitely wasn't one tape. Nah. He knows that

1:32:34.840 --> 1:32:37.080
<v Speaker 3>that one bloody money part too.

1:32:39.040 --> 1:32:41.960
<v Speaker 2>Versus because that's how sixteens back then.

1:32:42.280 --> 1:32:42.840
<v Speaker 3>Listen, listen.

1:32:42.960 --> 1:32:46.000
<v Speaker 4>I had wrote rhymes back then style as a whole

1:32:46.120 --> 1:32:49.559
<v Speaker 4>thing song. But I would do right now, I would

1:32:49.560 --> 1:32:50.759
<v Speaker 4>be doing thirty two bars.

1:32:51.400 --> 1:32:54.040
<v Speaker 3>And then you don't play music like if we say something,

1:32:54.080 --> 1:32:55.440
<v Speaker 3>you can't hit like a boom.

1:32:56.560 --> 1:32:58.000
<v Speaker 2>Trying to pay no publisher company.

1:33:00.120 --> 1:33:05.080
<v Speaker 3>You do. You didn't want to relax you the whole episode.

1:33:12.000 --> 1:33:18.320
<v Speaker 3>He still manage. He's still trying to take well, look,

1:33:18.400 --> 1:33:21.240
<v Speaker 3>let me ask you something and and Tom to look.

1:33:21.400 --> 1:33:24.679
<v Speaker 3>You know, sound ex changes right now. Sound is changed

1:33:24.760 --> 1:33:25.840
<v Speaker 3>is something that.

1:33:28.080 --> 1:33:30.479
<v Speaker 2>Is internet bis internet asscat.

1:33:30.720 --> 1:33:31.400
<v Speaker 3>It's the government.

1:33:31.479 --> 1:33:34.080
<v Speaker 4>It's the government. Now they pay you for every song.

1:33:34.240 --> 1:33:37.959
<v Speaker 4>So now let's suppose in on a podcast. A podcast

1:33:38.120 --> 1:33:40.080
<v Speaker 4>is something that you don't play music or whatever. Right,

1:33:40.240 --> 1:33:41.360
<v Speaker 4>but let's go becauselet's sleep.

1:33:41.560 --> 1:33:43.840
<v Speaker 3>I feel like me you and told me some money

1:33:43.880 --> 1:33:44.280
<v Speaker 3>in this way.

1:33:44.400 --> 1:33:50.040
<v Speaker 4>Look, we're gonna start making sound is change recognize recognize

1:33:50.120 --> 1:33:52.240
<v Speaker 4>a podcast when we play music.

1:33:52.640 --> 1:33:56.200
<v Speaker 3>So now now we can get sound exchanged for podcasting periods.

1:33:56.240 --> 1:33:56.760
<v Speaker 3>You know what I'm saying.

1:33:56.840 --> 1:34:00.720
<v Speaker 2>Listen, listen, listen sounded Change pays you for or with

1:34:01.000 --> 1:34:04.240
<v Speaker 2>you your internet question.

1:34:04.439 --> 1:34:05.280
<v Speaker 3>I'm not going anywhere.

1:34:06.160 --> 1:34:09.240
<v Speaker 4>Okay, cool, because you know I became a member of

1:34:09.280 --> 1:34:11.920
<v Speaker 4>the SOHO today and I'm not even going to get

1:34:11.960 --> 1:34:12.559
<v Speaker 4>my membership.

1:34:12.800 --> 1:34:18.679
<v Speaker 3>Y'all changed these stop. I'll tell you, I'm very proud

1:34:18.720 --> 1:34:21.400
<v Speaker 3>of this. By the way, I've never played the game.

1:34:21.439 --> 1:34:24.120
<v Speaker 3>You know what was my problem coming up? I just

1:34:24.240 --> 1:34:29.280
<v Speaker 3>wanted blowing me up?

1:34:31.320 --> 1:34:36.640
<v Speaker 4>Going ready stop listen. I realized I fucked up. What

1:34:36.800 --> 1:34:39.000
<v Speaker 4>I mean by that is some of the most famous

1:34:39.160 --> 1:34:42.639
<v Speaker 4>years of my life. I didn't want to play the game.

1:34:42.720 --> 1:34:47.160
<v Speaker 3>You ever watched Entourage already, goal says the Vents. You

1:34:47.360 --> 1:34:49.560
<v Speaker 3>never played the game VNS.

1:34:50.080 --> 1:34:52.439
<v Speaker 4>Like I had success, I went platinum, and I still

1:34:52.479 --> 1:34:53.599
<v Speaker 4>wanted to hang up the tunnel.

1:34:53.960 --> 1:34:55.599
<v Speaker 2>I never wanted to go over there.

1:34:56.000 --> 1:35:00.439
<v Speaker 3>I never wanted to go to like that's not on stop. Okay, good,

1:35:01.520 --> 1:35:05.280
<v Speaker 3>you could throw it out. It's not like you shouldn't

1:35:05.280 --> 1:35:08.040
<v Speaker 3>have made money, went Blacknam, and you still shouldn't have

1:35:08.040 --> 1:35:13.200
<v Speaker 3>went to the tunnel. All those things are cool. You

1:35:14.400 --> 1:35:15.160
<v Speaker 3>just weren't you.

1:35:15.439 --> 1:35:19.160
<v Speaker 6>If you don't take your craft seriously, if you don't

1:35:19.160 --> 1:35:20.600
<v Speaker 6>work on your craft, you take it for.

1:35:20.640 --> 1:35:22.479
<v Speaker 3>Granted, take it for granted.

1:35:22.520 --> 1:35:25.080
<v Speaker 6>I think is that's she was taking it for granted.

1:35:25.400 --> 1:35:28.080
<v Speaker 6>You don't funk the Soulo House. You just don't take

1:35:28.080 --> 1:35:29.800
<v Speaker 6>your whatever.

1:35:30.800 --> 1:35:34.040
<v Speaker 3>The food isn't great, it is. The vibe is good.

1:35:34.280 --> 1:35:37.280
<v Speaker 3>The food isn't great, But the mallible one is fantastical.

1:35:37.960 --> 1:35:40.280
<v Speaker 3>That's a separate vibe. That's a whole. It's a separate vibe.

1:35:40.960 --> 1:35:43.320
<v Speaker 3>I got that membership too as well. So I'm sorry.

1:35:45.320 --> 1:35:45.760
<v Speaker 15>That's what you.

1:35:48.080 --> 1:35:49.679
<v Speaker 3>Gotta relax. You get it. You listen.

1:35:49.760 --> 1:35:52.320
<v Speaker 2>I know what you be getting movies.

1:35:53.840 --> 1:35:58.360
<v Speaker 3>House to let's make some money. It's like.

1:36:00.160 --> 1:36:01.960
<v Speaker 19>The got He's never gonna show you got money like

1:36:02.040 --> 1:36:17.360
<v Speaker 19>he's never it's never liked like now hip hop.

1:36:17.400 --> 1:36:20.320
<v Speaker 4>I'm sorry, we're gonna change the subject hip hop it's

1:36:20.520 --> 1:36:23.679
<v Speaker 4>really actually has a chance to be wealthy.

1:36:23.800 --> 1:36:25.720
<v Speaker 3>And for a while people only had a chance to

1:36:25.760 --> 1:36:28.519
<v Speaker 3>be rich or be what I like to call hood

1:36:28.680 --> 1:36:30.320
<v Speaker 3>rich or nigga rich.

1:36:30.760 --> 1:36:33.000
<v Speaker 2>Now it's a real chance for us to have.

1:36:33.200 --> 1:36:39.160
<v Speaker 3>Wealthy and wealthy we are we are? Did you y'all.

1:36:42.080 --> 1:36:43.800
<v Speaker 2>Know I'm gonna take a shot of your whisky.

1:36:43.840 --> 1:36:49.639
<v Speaker 3>I never did this, Like you don't drink, mother, I'm drinking.

1:36:49.720 --> 1:36:50.800
<v Speaker 6>But you want to?

1:36:51.120 --> 1:36:53.719
<v Speaker 3>Yeah, right, I got I can't get my sofhole card

1:36:55.160 --> 1:36:57.880
<v Speaker 3>so hard. I need you to teach me more. I'm

1:36:57.920 --> 1:37:00.360
<v Speaker 3>right here. Okay, you want to teach me, I'm like,

1:37:01.160 --> 1:37:03.679
<v Speaker 3>I'm not going anywhere. I've been texting you. I wanted

1:37:03.720 --> 1:37:10.160
<v Speaker 3>to do this. Tell me about the fucking so Okay, look,

1:37:11.160 --> 1:37:12.599
<v Speaker 3>you got to teach rat class.

1:37:13.280 --> 1:37:17.840
<v Speaker 2>You got it right now. But I mean, but all actuality, right.

1:37:19.800 --> 1:37:26.719
<v Speaker 3>Look, the issue is the following man. At some point,

1:37:28.920 --> 1:37:31.880
<v Speaker 3>you gotta really believe that you're not full of ship

1:37:32.040 --> 1:37:34.400
<v Speaker 3>and getting over them to make some money. You just

1:37:34.439 --> 1:37:38.840
<v Speaker 3>got to know that you really are talented, you really.

1:37:38.640 --> 1:37:41.559
<v Speaker 6>Are good, You really are bringing more to the table

1:37:41.640 --> 1:37:42.840
<v Speaker 6>than anybody realizes.

1:37:43.320 --> 1:37:48.960
<v Speaker 3>And once you started believing that, accepting that truly, then

1:37:49.000 --> 1:37:53.200
<v Speaker 3>you start making deals that are applicable to what you

1:37:53.320 --> 1:37:57.559
<v Speaker 3>are putting up for the transaction to work. And that's

1:37:57.600 --> 1:38:01.160
<v Speaker 3>how we're going to make all the money. Like whether

1:38:01.320 --> 1:38:04.080
<v Speaker 3>it's a big enough I'm entering the music business again.

1:38:04.120 --> 1:38:06.439
<v Speaker 3>I'm going back in the music business. That's the announcement

1:38:06.600 --> 1:38:08.080
<v Speaker 3>was about to make. Yeah, I'm going back in the

1:38:08.200 --> 1:38:11.640
<v Speaker 3>music business. You make it, and yeah, we're going back

1:38:11.680 --> 1:38:14.760
<v Speaker 3>in the music business. Anybody be quiet home. You're going

1:38:14.880 --> 1:38:17.400
<v Speaker 3>back and I'm going back in the music business. So

1:38:17.680 --> 1:38:20.960
<v Speaker 3>we need a black CEO. I spent my time. I

1:38:21.080 --> 1:38:22.080
<v Speaker 3>learned the music business.

1:38:22.840 --> 1:38:25.240
<v Speaker 6>Then I went and I built an advertising company. You

1:38:25.320 --> 1:38:28.040
<v Speaker 6>did nothing about advertising, Yes you did. All of a sudden,

1:38:28.040 --> 1:38:31.160
<v Speaker 6>everybody got cool advertising. I was there five years of

1:38:31.400 --> 1:38:34.040
<v Speaker 6>naturally what the word was? What was natural to me?

1:38:35.080 --> 1:38:38.600
<v Speaker 3>You put Pepsi with who you did mount commercials? How

1:38:38.640 --> 1:38:44.439
<v Speaker 3>about the how about the ai J? We got the

1:38:44.560 --> 1:38:50.519
<v Speaker 3>beat with the white background, and you you introduced the

1:38:50.680 --> 1:38:55.160
<v Speaker 3>jay Z Seker said, screams all that ship. They wouldn't

1:38:55.160 --> 1:38:56.560
<v Speaker 3>even be no sneakers.

1:38:57.040 --> 1:38:59.439
<v Speaker 4>Not hip hop sneakers. Did you just tell me you

1:38:59.520 --> 1:39:01.599
<v Speaker 4>had something to do the easies? Because then I'm gonna

1:39:01.920 --> 1:39:02.639
<v Speaker 4>man at you again.

1:39:03.520 --> 1:39:09.200
<v Speaker 1>I'm gonna all my pan I got no fun.

1:39:09.640 --> 1:39:12.400
<v Speaker 3>Jay Z was jay Z sneaking the first hip hop sneaker.

1:39:12.920 --> 1:39:17.439
<v Speaker 6>There was a failed attempt to do it for jay

1:39:17.520 --> 1:39:21.160
<v Speaker 6>Z run DMC with thedias up.

1:39:21.439 --> 1:39:23.799
<v Speaker 3>Oh they sucked them because.

1:39:23.680 --> 1:39:24.280
<v Speaker 2>They didn't have you.

1:39:24.800 --> 1:39:27.439
<v Speaker 3>No, they fuck it up because they they don't you.

1:39:27.520 --> 1:39:31.040
<v Speaker 3>They ain't have you. They fucking a hunt jay Z ship,

1:39:31.360 --> 1:39:33.280
<v Speaker 3>the ship, the ice cream ship that we.

1:39:34.160 --> 1:39:36.800
<v Speaker 4>How monumental was that because that was the first time

1:39:36.840 --> 1:39:41.559
<v Speaker 4>you see jay Z and fifty cent actually in the commercial.

1:39:42.520 --> 1:39:43.640
<v Speaker 3>How monumental was that?

1:39:44.000 --> 1:39:44.800
<v Speaker 2>Did they go back and.

1:39:44.840 --> 1:39:49.200
<v Speaker 3>Forth, back and forth froging for me? That's what I do, man,

1:39:50.479 --> 1:39:53.280
<v Speaker 3>I'm really really nice. But I do know, we know

1:39:53.400 --> 1:39:54.880
<v Speaker 3>that that's probably why I was mad at you all

1:39:54.880 --> 1:39:56.559
<v Speaker 3>these years. I just wanted some of the help.

1:39:56.840 --> 1:40:00.600
<v Speaker 6>Let's some of your money by keep it, not the

1:40:00.680 --> 1:40:03.880
<v Speaker 6>money for it, I really see from that respective. Anyhow,

1:40:04.439 --> 1:40:10.120
<v Speaker 6>we going back to the music business. I feel like artists,

1:40:11.080 --> 1:40:13.280
<v Speaker 6>there's always gonna be big artists. There's always gonna be

1:40:13.479 --> 1:40:18.400
<v Speaker 6>artists who don't really need anything other than the fact

1:40:18.439 --> 1:40:20.519
<v Speaker 6>that once they get up and they rock, they can

1:40:20.600 --> 1:40:22.400
<v Speaker 6>go on to make a lot of money. But then

1:40:22.400 --> 1:40:25.000
<v Speaker 6>there's a lot of artists that are not those big artists,

1:40:25.560 --> 1:40:28.000
<v Speaker 6>and they really do need help. And if you're gonna

1:40:28.040 --> 1:40:30.960
<v Speaker 6>sell money, you're gonna sell music is gonna get streamed,

1:40:31.600 --> 1:40:33.840
<v Speaker 6>and you get all these streams, and by the time

1:40:33.880 --> 1:40:35.960
<v Speaker 6>it goes through your label and get to you, you

1:40:36.080 --> 1:40:37.160
<v Speaker 6>make this amount of money.

1:40:38.600 --> 1:40:40.360
<v Speaker 3>You already know you're not gonna make any money from

1:40:40.360 --> 1:40:40.959
<v Speaker 3>the streams.

1:40:41.280 --> 1:40:44.479
<v Speaker 6>You're gonna make any money touring, selling merds, some hats,

1:40:44.720 --> 1:40:49.360
<v Speaker 6>all this shit. So we're building a company called United Masters, right,

1:40:49.520 --> 1:40:53.600
<v Speaker 6>and the job of United Masters is specifically to be

1:40:53.720 --> 1:40:56.120
<v Speaker 6>able to take all the data that comes off of

1:40:56.160 --> 1:40:59.000
<v Speaker 6>your streaming and allow you to find those people in

1:40:59.120 --> 1:41:01.799
<v Speaker 6>the real world so you could sell them merchant tickets

1:41:01.840 --> 1:41:03.880
<v Speaker 6>and ship direcord so you don't have to be no

1:41:04.000 --> 1:41:05.760
<v Speaker 6>longer able to do it.

1:41:06.280 --> 1:41:10.000
<v Speaker 3>So it really is more so it's three sixty. Well

1:41:10.040 --> 1:41:12.840
<v Speaker 3>it's three. It's an agies he or a platform that

1:41:12.880 --> 1:41:15.880
<v Speaker 3>people can it's an it's because of the agency to

1:41:15.960 --> 1:41:18.640
<v Speaker 3>become a platform. It's a platform that artists can go on.

1:41:19.240 --> 1:41:22.519
<v Speaker 6>And then figure out exactly who their fans are so

1:41:22.640 --> 1:41:23.560
<v Speaker 6>they can sell ship that.

1:41:23.920 --> 1:41:28.160
<v Speaker 3>Anybody can can go to the platf any artist, any

1:41:28.320 --> 1:41:30.760
<v Speaker 3>artist who's invited to the platform can.

1:41:30.720 --> 1:41:31.519
<v Speaker 2>Go out invited.

1:41:31.920 --> 1:41:35.960
<v Speaker 4>Yeah, so meaning okay, so you just can't be somebody

1:41:36.040 --> 1:41:38.240
<v Speaker 4>off off the street and just post your ship on there.

1:41:38.439 --> 1:41:40.320
<v Speaker 2>You have to be invited in the beginning.

1:41:40.360 --> 1:41:42.000
<v Speaker 3>We want to make it. We want to make it closer.

1:41:42.320 --> 1:41:44.360
<v Speaker 3>Can't do it with everybody, yeah, because it gets crazy,

1:41:44.960 --> 1:41:48.160
<v Speaker 3>you know, it gets crazy now? Actually is it? Is

1:41:48.200 --> 1:41:49.680
<v Speaker 3>it like a bank camp dot com?

1:41:49.880 --> 1:41:49.920
<v Speaker 15>Like?

1:41:50.680 --> 1:41:52.680
<v Speaker 3>No, we looked at all those things, oh to buy

1:41:52.680 --> 1:41:53.160
<v Speaker 3>all those things?

1:41:53.200 --> 1:41:59.000
<v Speaker 4>Didn't work's bank camp bank Actually, I'm sorry, brother.

1:41:59.240 --> 1:42:00.719
<v Speaker 3>The platform is really great.

1:42:04.160 --> 1:42:07.040
<v Speaker 6>Artists tools to be able to understand how to make

1:42:07.120 --> 1:42:09.400
<v Speaker 6>money outside of just the music business.

1:42:10.520 --> 1:42:13.560
<v Speaker 3>I'm taking everything that I've done in making.

1:42:13.400 --> 1:42:17.040
<v Speaker 6>Artists money outside of the music business. You want to

1:42:17.040 --> 1:42:18.280
<v Speaker 6>talk about the work that I've done in.

1:42:18.280 --> 1:42:20.519
<v Speaker 3>That area, yes, please, because I mean I just yes,

1:42:20.640 --> 1:42:22.320
<v Speaker 3>I would like I would like you to take the

1:42:22.439 --> 1:42:25.680
<v Speaker 3>lead of this conversation right now. It's fantastic.

1:42:27.320 --> 1:42:31.320
<v Speaker 6>I've always been the guy to figure out how we're

1:42:31.360 --> 1:42:33.880
<v Speaker 6>gonna make money outside of the music business.

1:42:34.400 --> 1:42:37.000
<v Speaker 3>That's one thing. That's a label as this, that's that.

1:42:37.160 --> 1:42:40.760
<v Speaker 6>But how we're gonna sell sneakers, how we're gonna sell

1:42:41.360 --> 1:42:43.759
<v Speaker 6>more tickets, How we're gonna get endorsement deals.

1:42:45.120 --> 1:42:48.120
<v Speaker 3>Push your Tea writing, I'm loving it for McDonald's. McDonald's.

1:42:48.240 --> 1:42:53.519
<v Speaker 4>Yes, this is love's always been.

1:42:55.800 --> 1:42:57.479
<v Speaker 3>What made you think push your tea good?

1:42:57.560 --> 1:42:57.640
<v Speaker 15>Right?

1:42:57.800 --> 1:43:04.360
<v Speaker 3>I love it and make the word grinding. I'm like

1:43:04.600 --> 1:43:07.200
<v Speaker 3>grind d I'm like, I just liked it. That's why

1:43:07.200 --> 1:43:08.280
<v Speaker 3>I was mad at you. I was want to read

1:43:08.479 --> 1:43:09.960
<v Speaker 3>the grinding. You ain't think that about me?

1:43:11.280 --> 1:43:11.640
<v Speaker 12>Here you go.

1:43:12.160 --> 1:43:18.000
<v Speaker 3>Justin Timperlake was because I heard interview. But but push

1:43:18.040 --> 1:43:20.960
<v Speaker 3>your T wrote the raps, he wrote the ship. Push

1:43:21.000 --> 1:43:24.840
<v Speaker 3>your T was the writer on that, hey man. He

1:43:25.000 --> 1:43:25.639
<v Speaker 3>was the whole ship.

1:43:26.280 --> 1:43:28.760
<v Speaker 6>I put the whole ship around push your teeth. Justin

1:43:28.800 --> 1:43:31.000
<v Speaker 6>Tim Blake was the front man. Push your Tee was

1:43:31.040 --> 1:43:31.759
<v Speaker 6>behind the scenes.

1:43:33.520 --> 1:43:36.000
<v Speaker 3>Suck, which is crazy, makes the most money behind the scenes.

1:43:36.200 --> 1:43:39.200
<v Speaker 4>He's probably the most drug dealer rapper in the world.

1:43:39.720 --> 1:43:41.439
<v Speaker 4>And every time you heard it, I'm loving it. You

1:43:41.560 --> 1:43:42.519
<v Speaker 4>have never thought to.

1:43:42.520 --> 1:43:44.000
<v Speaker 3>Push your tea in your life.

1:43:44.320 --> 1:43:46.719
<v Speaker 20>And he doesn't want you to take the check until

1:43:46.960 --> 1:43:49.720
<v Speaker 20>just now anyhow, that is Thoughe so the fact that

1:43:49.880 --> 1:43:54.040
<v Speaker 20>now what I want to build and it's just crawl, walk,

1:43:54.240 --> 1:43:55.240
<v Speaker 20>run thing.

1:43:55.800 --> 1:43:56.400
<v Speaker 3>We'll get there.

1:43:57.040 --> 1:44:00.320
<v Speaker 6>Three years, five years, Timmis, We'll get there is hows

1:44:00.520 --> 1:44:04.560
<v Speaker 6>artists stream their music and then be able to know

1:44:04.680 --> 1:44:07.920
<v Speaker 6>who the fuck is streaming my ship, because if they

1:44:08.040 --> 1:44:10.800
<v Speaker 6>like my ship, if they listen to my Yeah, if

1:44:10.800 --> 1:44:13.479
<v Speaker 6>they listen to my song seventy five times, then they

1:44:13.560 --> 1:44:16.519
<v Speaker 6>differently would about a dream Chimp's had. If somebody listened

1:44:16.520 --> 1:44:18.880
<v Speaker 6>to every episode of this show, wouldn't you love to

1:44:18.920 --> 1:44:20.280
<v Speaker 6>know where they were to sell them this happen.

1:44:20.680 --> 1:44:21.920
<v Speaker 3>That's what we're trying to do, and.

1:44:22.000 --> 1:44:24.120
<v Speaker 6>That's what I'm doing, right, And that's what we're building,

1:44:24.439 --> 1:44:26.080
<v Speaker 6>and we're putting a team together to do that.

1:44:26.520 --> 1:44:33.120
<v Speaker 3>And it requires the delicate relationship between storytelling, culture and

1:44:33.200 --> 1:44:37.160
<v Speaker 3>technology and putting those things together. And that's what it is.

1:44:38.000 --> 1:44:40.479
<v Speaker 3>And it's not a pie in the sky idea. It's

1:44:40.520 --> 1:44:43.519
<v Speaker 3>the next evolution of where we need to go, where

1:44:43.560 --> 1:44:45.519
<v Speaker 3>culture needs to go. We need to know who our

1:44:45.560 --> 1:44:49.200
<v Speaker 3>super fans are. Super thumb now you are you want

1:44:49.280 --> 1:44:52.800
<v Speaker 3>your are your partners on that? Yeah? Of course, God

1:44:52.880 --> 1:44:55.320
<v Speaker 3>damn it. So he gonna produce the ship.

1:44:55.600 --> 1:45:03.519
<v Speaker 6>No, strictly executive man, strictly executive tones help and find

1:45:03.600 --> 1:45:04.120
<v Speaker 6>the artists.

1:45:05.040 --> 1:45:07.720
<v Speaker 3>But I was gonna say something, you said something else.

1:45:07.800 --> 1:45:13.760
<v Speaker 3>Ship this is you know it works, you do. We

1:45:13.880 --> 1:45:17.280
<v Speaker 3>all over the place now with the best. But if

1:45:17.320 --> 1:45:19.200
<v Speaker 3>you knew exactly all the people who watch the show

1:45:19.200 --> 1:45:20.120
<v Speaker 3>and you were able to say.

1:45:20.000 --> 1:45:23.200
<v Speaker 6>You know what, there's one hundred thousand people who would

1:45:23.200 --> 1:45:25.559
<v Speaker 6>love to buy that shirt, wear that hat.

1:45:25.960 --> 1:45:28.360
<v Speaker 3>Oh yeah, you want to upgrade us right now? I

1:45:28.360 --> 1:45:29.920
<v Speaker 3>would if you would have been in that business. And

1:45:30.000 --> 1:45:31.879
<v Speaker 3>you don't want to go through anybody else to interrupt

1:45:31.920 --> 1:45:37.600
<v Speaker 3>that relationship. Instagram is cool and Facebook is cool, but

1:45:38.040 --> 1:45:40.599
<v Speaker 3>they don't really tell you this is direct a consumer

1:45:40.680 --> 1:45:43.759
<v Speaker 3>type of deal. Ultimately, we're building a director consumer business.

1:45:45.479 --> 1:45:48.160
<v Speaker 4>Just so you notice for another time, you know, this

1:45:48.320 --> 1:45:51.080
<v Speaker 4>is eight and nine clothing stall. They're doing a thing.

1:45:51.240 --> 1:45:54.320
<v Speaker 4>We partner it up and with the drink camps they

1:45:54.400 --> 1:45:56.920
<v Speaker 4>handle our merchandiz and this is dope put.

1:45:57.120 --> 1:45:58.320
<v Speaker 3>We could definitely use your.

1:45:58.280 --> 1:46:02.280
<v Speaker 4>Expertise in helping us in a direction, because nigga, don't

1:46:02.320 --> 1:46:06.479
<v Speaker 4>nobody on earth have Tom Brady. But besides you, you

1:46:06.640 --> 1:46:15.000
<v Speaker 4>gotta relax and you gotta make some So would we

1:46:15.200 --> 1:46:18.720
<v Speaker 4>ever have like an era like we had again, like

1:46:18.840 --> 1:46:22.479
<v Speaker 4>where it was like so much years of great, great

1:46:22.640 --> 1:46:27.920
<v Speaker 4>music or is it more about making an artist? Because

1:46:28.000 --> 1:46:33.920
<v Speaker 4>because right now like it seems like the music is

1:46:34.040 --> 1:46:35.400
<v Speaker 4>just so disposable.

1:46:36.880 --> 1:46:38.800
<v Speaker 3>It isn't. I don't want to go you know, we

1:46:39.000 --> 1:46:44.400
<v Speaker 3>can't please help me. It's tough. Bro's it's tough.

1:46:44.439 --> 1:46:44.559
<v Speaker 14>Bro.

1:46:44.680 --> 1:46:46.559
<v Speaker 3>What you're about to do, it's tough.

1:46:46.720 --> 1:46:50.200
<v Speaker 4>Believe me, is tough, man, because because remember like remember

1:46:50.479 --> 1:46:52.200
<v Speaker 4>like I don't want to date us.

1:46:52.240 --> 1:46:55.320
<v Speaker 3>But in the nineties, in the nineties, I'm saying all

1:46:55.360 --> 1:46:55.600
<v Speaker 3>of us.

1:46:55.720 --> 1:46:58.280
<v Speaker 4>In the nineties, it felt like when when a record

1:46:58.439 --> 1:47:01.240
<v Speaker 4>was a classroom like record.

1:47:02.800 --> 1:47:05.240
<v Speaker 2>Oh no, that's that's with all cameras. That's how people's

1:47:05.280 --> 1:47:05.599
<v Speaker 2>right there.

1:47:06.120 --> 1:47:10.360
<v Speaker 3>You gotta relax listen. But in our day, it felt

1:47:10.439 --> 1:47:12.760
<v Speaker 3>like back then, right when the record.

1:47:12.560 --> 1:47:14.439
<v Speaker 2>Was a classic, it actually held up.

1:47:14.640 --> 1:47:16.240
<v Speaker 3>I wanted to wait for my partner. I ain't wanted

1:47:16.240 --> 1:47:21.000
<v Speaker 3>to when you come, okay, got downstairs, God damn stops.

1:47:21.040 --> 1:47:22.680
<v Speaker 3>I feel like you want to go over here. I

1:47:22.800 --> 1:47:28.439
<v Speaker 3>feel like you want to know I'm in IFN. But

1:47:28.560 --> 1:47:31.920
<v Speaker 3>back then, didn't they feel like a record like lasted long?

1:47:32.000 --> 1:47:37.320
<v Speaker 4>Looking it stout thought this time he wanted the records,

1:47:37.400 --> 1:47:39.080
<v Speaker 4>but didn't they feel like a record.

1:47:38.880 --> 1:47:40.080
<v Speaker 2>Lasted longer back then?

1:47:41.479 --> 1:47:44.800
<v Speaker 4>Or now these records come and they go like like

1:47:44.840 --> 1:47:48.400
<v Speaker 4>all right, for you, for you, right, stole, I'll direct

1:47:48.439 --> 1:47:49.720
<v Speaker 4>this perfectly to you.

1:47:51.320 --> 1:47:55.800
<v Speaker 3>These people will come to you. French Montana's yo. No

1:47:56.080 --> 1:47:58.479
<v Speaker 3>they drank that ship all. You didn't get the French.

1:47:59.000 --> 1:48:03.920
<v Speaker 4>We got it, yeah at all. But listen, you know

1:48:04.000 --> 1:48:06.800
<v Speaker 4>I'm rapper friendly. That's forty ship. We used to have

1:48:07.880 --> 1:48:11.479
<v Speaker 4>bellet but young sad he be he'd be slow. But

1:48:12.400 --> 1:48:13.840
<v Speaker 4>but you know we got we got on.

1:48:15.439 --> 1:48:16.639
<v Speaker 3>But did it seem like back.

1:48:16.560 --> 1:48:18.680
<v Speaker 4>Then, like the records, when the record wasn't hit, it

1:48:18.840 --> 1:48:20.280
<v Speaker 4>actually lasted.

1:48:19.920 --> 1:48:23.800
<v Speaker 3>Ten years like they actually spread as opposed.

1:48:24.920 --> 1:48:28.600
<v Speaker 2>Like a classic. I mean, okay, a classic.

1:48:28.280 --> 1:48:31.200
<v Speaker 3>Hosts the test of time. Are we not seeing that?

1:48:31.360 --> 1:48:32.040
<v Speaker 2>Like the records?

1:48:32.120 --> 1:48:33.559
<v Speaker 3>Like you'll hear somebody ill.

1:48:33.400 --> 1:48:36.760
<v Speaker 4>Those I'm just popping in and I'm popping my gon

1:48:36.960 --> 1:48:39.160
<v Speaker 4>and then and then what song do you think that

1:48:39.400 --> 1:48:39.880
<v Speaker 4>will last?

1:48:40.000 --> 1:48:42.280
<v Speaker 3>Well, you'll listen to ten years from now. That's the real.

1:48:42.560 --> 1:48:46.400
<v Speaker 3>Not many, don't say not many's a good answer. Which ones? Damn?

1:48:46.479 --> 1:48:51.640
<v Speaker 12>I think some of Kendrick records will yeah, yes, like

1:48:51.640 --> 1:48:55.120
<v Speaker 12>I say that, I think records that will.

1:48:55.520 --> 1:48:59.040
<v Speaker 3>Ye, I'm gonna give a little UZI vert some love

1:49:03.200 --> 1:49:05.519
<v Speaker 3>that shit does something to my souls sometimes, Like I

1:49:05.680 --> 1:49:08.080
<v Speaker 3>just ain't gonna lie. I know my old nigg I'm forty.

1:49:08.120 --> 1:49:11.960
<v Speaker 3>It's facts. I'm not going to but there's something who

1:49:12.200 --> 1:49:16.479
<v Speaker 3>I mean, something hestruction. It's something in my soul that

1:49:16.600 --> 1:49:18.880
<v Speaker 3>comes on. I just be like, ah, ship, I don't

1:49:18.960 --> 1:49:21.519
<v Speaker 3>do his dance that he do. He gotta he gotta dance,

1:49:21.840 --> 1:49:27.760
<v Speaker 3>don't regular? I agree doing something I tried one day.

1:49:29.680 --> 1:49:33.400
<v Speaker 3>How many songs did Nelly make that worked ten years later?

1:49:33.560 --> 1:49:37.880
<v Speaker 3>Other than country ground? Damn style, you're going dancetown Damn,

1:49:38.120 --> 1:49:41.799
<v Speaker 3>nothing that I remember. So now he made one song.

1:49:41.680 --> 1:49:42.719
<v Speaker 2>No downtown baby.

1:49:42.880 --> 1:49:46.320
<v Speaker 3>Still it's still lit country, country ground, country, I said.

1:49:46.320 --> 1:49:50.479
<v Speaker 3>The other damn he said. I said, So, what's your

1:49:50.520 --> 1:49:56.719
<v Speaker 3>going style? I mean, I'm making it. I'm here, I'm okay,

1:49:57.080 --> 1:50:01.080
<v Speaker 3>hot in the end right hot in here before country ground? Yeah, okay.

1:50:01.720 --> 1:50:06.599
<v Speaker 3>So let's say Nelly has three songs, how many songs

1:50:06.680 --> 1:50:07.400
<v Speaker 3>of general.

1:50:07.240 --> 1:50:11.519
<v Speaker 12>Health last ten years, last ten years, ten years later

1:50:12.360 --> 1:50:14.200
<v Speaker 12>now that are still resonated.

1:50:14.920 --> 1:50:16.880
<v Speaker 3>Everybody gets weird when the question comes out.

1:50:20.000 --> 1:50:20.880
<v Speaker 2>Understand the question.

1:50:21.680 --> 1:50:22.400
<v Speaker 3>The question is.

1:50:24.439 --> 1:50:30.479
<v Speaker 6>How songs today? He saying him since won't last. So

1:50:30.640 --> 1:50:33.320
<v Speaker 6>he's saying, I like little loosey vert this one song.

1:50:33.360 --> 1:50:36.240
<v Speaker 6>Blah blah blah. My question is, and I'm gonna take

1:50:36.240 --> 1:50:36.639
<v Speaker 6>it around.

1:50:36.840 --> 1:50:42.479
<v Speaker 3>Yes, back from our era when classics were being made, right, right,

1:50:42.760 --> 1:50:45.000
<v Speaker 3>how many songs from Nell he played ten years later?

1:50:45.400 --> 1:50:47.320
<v Speaker 3>We're saying two maybe three? Right?

1:50:48.160 --> 1:50:51.120
<v Speaker 6>So then I asked general, I'm trying to make jo

1:50:52.040 --> 1:50:53.519
<v Speaker 6>trying to say that nothing's changed.

1:50:53.680 --> 1:50:57.240
<v Speaker 4>Actually, what I'm getting to that feel like job, We've

1:50:57.280 --> 1:50:59.720
<v Speaker 4>got a lie that plays right now now.

1:51:01.600 --> 1:51:03.559
<v Speaker 3>I mean the parties I go, I'm an old nigger.

1:51:04.400 --> 1:51:05.120
<v Speaker 2>They still rocking.

1:51:05.200 --> 1:51:07.160
<v Speaker 3>Job I go to I got to what tab. I

1:51:07.160 --> 1:51:08.160
<v Speaker 3>don't know if you ever been there.

1:51:08.880 --> 1:51:12.400
<v Speaker 4>They don't play that old the new clubs. You're saying, now,

1:51:12.479 --> 1:51:13.000
<v Speaker 4>what's the.

1:51:13.000 --> 1:51:20.320
<v Speaker 3>Point you this, guys man? From the point? What matter

1:51:20.520 --> 1:51:26.360
<v Speaker 3>is in our definition, definition of what it is. We

1:51:26.560 --> 1:51:28.639
<v Speaker 3>may look at our era.

1:51:28.800 --> 1:51:32.160
<v Speaker 6>We love it so much that we coveted more than

1:51:32.400 --> 1:51:34.240
<v Speaker 6>when we listen to the music today. But like this

1:51:34.320 --> 1:51:37.000
<v Speaker 6>ship is disposal, this is bullshit. The truth of the

1:51:37.040 --> 1:51:38.760
<v Speaker 6>matter is a lot of music that we listened to

1:51:38.920 --> 1:51:41.080
<v Speaker 6>back then was bull just as disposable.

1:51:41.560 --> 1:51:43.200
<v Speaker 3>But we don't say that. But when you look at

1:51:43.240 --> 1:51:46.360
<v Speaker 3>it ten years later, nearly hit it. It's a generational thing.

1:51:46.439 --> 1:51:51.759
<v Speaker 3>It's a generational thing. You look at it. It's three songs, Jerrold,

1:51:51.960 --> 1:51:54.160
<v Speaker 3>tell me how many records it is. And I hate

1:51:54.200 --> 1:51:56.320
<v Speaker 3>to use those two guys because outside.

1:51:55.920 --> 1:51:59.400
<v Speaker 6>Of Nelly, outside of Nile's and jay Z or Biggie,

1:52:00.040 --> 1:52:02.200
<v Speaker 6>those are the guys, right those those.

1:52:02.560 --> 1:52:05.960
<v Speaker 12>That isn't that is differentiation what you're saying right there,

1:52:05.960 --> 1:52:08.519
<v Speaker 12>because to me, you're saying, like the Nas the Biggie,

1:52:08.720 --> 1:52:09.960
<v Speaker 12>that's like Bob Marty, you.

1:52:10.080 --> 1:52:10.880
<v Speaker 3>Forget those guys.

1:52:10.960 --> 1:52:13.160
<v Speaker 2>That whole catalog is gonna be Revere.

1:52:13.400 --> 1:52:16.160
<v Speaker 3>That's like and everybody else who came when the heels

1:52:16.200 --> 1:52:19.120
<v Speaker 3>are that, Hey, what did they do? That works ten

1:52:19.200 --> 1:52:22.639
<v Speaker 3>years later? Right? So now we're gonna say, oh, Kendrick

1:52:23.160 --> 1:52:28.599
<v Speaker 3>Drake whoever? And now we're naming only artists ten years later,

1:52:29.200 --> 1:52:29.599
<v Speaker 3>that's all.

1:52:30.040 --> 1:52:31.600
<v Speaker 6>And if there's a bunch of guys who made a

1:52:31.600 --> 1:52:34.759
<v Speaker 6>bunch of records who made some money in between, fuck.

1:52:34.560 --> 1:52:39.000
<v Speaker 3>It, fuck it. I don't want to shoot on them.

1:52:39.120 --> 1:52:39.439
<v Speaker 21>Fuck it.

1:52:40.479 --> 1:52:42.599
<v Speaker 3>They're doing what they had to do. He walked into

1:52:42.680 --> 1:52:53.240
<v Speaker 3>fucking session. That wasn't his asshole. It was work ethic good,

1:52:54.520 --> 1:52:56.880
<v Speaker 3>you know, so like just shitting on.

1:52:57.840 --> 1:53:00.360
<v Speaker 6>Believe me, I went through that process, like, man, I

1:53:00.400 --> 1:53:02.720
<v Speaker 6>hate this ship, this music sucks. I can't believe this

1:53:02.800 --> 1:53:06.880
<v Speaker 6>nigga has no rhymes. But then you realize that's what

1:53:08.000 --> 1:53:08.920
<v Speaker 6>the generation likes.

1:53:08.920 --> 1:53:11.120
<v Speaker 3>What are you supposed to do? Do what doesn't work?

1:53:12.439 --> 1:53:12.960
<v Speaker 3>Make music?

1:53:13.040 --> 1:53:13.560
<v Speaker 15>For you and me?

1:53:14.360 --> 1:53:17.280
<v Speaker 2>We got great bits. They don't want to make music

1:53:18.000 --> 1:53:18.919
<v Speaker 2>all the way White.

1:53:20.360 --> 1:53:27.120
<v Speaker 3>I was great. Great was what I tried. I had

1:53:27.160 --> 1:53:29.200
<v Speaker 3>the great Beer Gang t shirts. But it's not working.

1:53:29.280 --> 1:53:33.160
<v Speaker 3>On looking with my bar. Don't put no inking. No,

1:53:33.200 --> 1:53:34.760
<v Speaker 3>I don't do. That's what I know.

1:53:34.920 --> 1:53:40.960
<v Speaker 2>Somebody who's doing everybody I know somebody that does.

1:53:41.920 --> 1:53:47.040
<v Speaker 3>I don't know that.

1:53:47.240 --> 1:53:47.439
<v Speaker 15>Man.

1:53:47.720 --> 1:53:48.680
<v Speaker 2>I decided I'm not.

1:53:48.760 --> 1:53:52.320
<v Speaker 3>Going when somebody you gotta go to Beijing. You never

1:53:52.439 --> 1:53:59.120
<v Speaker 3>went Beijing? Are you crazy? I never shot Polish exactly.

1:54:00.320 --> 1:54:00.840
<v Speaker 15>So now.

1:54:03.439 --> 1:54:05.160
<v Speaker 3>We act the best era at hip hop.

1:54:06.320 --> 1:54:07.960
<v Speaker 2>I don't think we really got that very clear, to

1:54:08.000 --> 1:54:08.760
<v Speaker 2>be quite honest with you.

1:54:09.520 --> 1:54:15.400
<v Speaker 3>Listen, you definely have what you define the I think

1:54:15.439 --> 1:54:15.800
<v Speaker 3>it's I.

1:54:15.880 --> 1:54:20.320
<v Speaker 6>Think it's I think it's eighty eight, eighty seven to

1:54:20.400 --> 1:54:24.920
<v Speaker 6>eighty nine lyrics, ninety I say in nineties.

1:54:25.000 --> 1:54:27.360
<v Speaker 3>He says, in nineties happened. That's why we.

1:54:28.920 --> 1:54:31.400
<v Speaker 12>Because he said nineties like a decade, and then he

1:54:31.600 --> 1:54:35.600
<v Speaker 12>started saying three year increments Okay, okay.

1:54:36.320 --> 1:54:40.839
<v Speaker 3>So we're disagreement. We're in disagreement. That's beautiful.

1:54:41.320 --> 1:54:42.280
<v Speaker 2>What's your favorite error?

1:54:43.400 --> 1:54:46.560
<v Speaker 3>You know my nineties guy, because I came out. Those

1:54:46.560 --> 1:54:49.560
<v Speaker 3>are three years increment, three years ago. Look at the

1:54:49.720 --> 1:54:53.040
<v Speaker 3>lyrics of eighty seven. Listen, you can't influence this.

1:54:53.120 --> 1:54:54.600
<v Speaker 2>I'm talking on my partner.

1:54:54.960 --> 1:54:58.160
<v Speaker 3>I'm gonna be honest. We recently had everybody on here right.

1:54:58.280 --> 1:54:58.880
<v Speaker 15>What he say?

1:54:59.280 --> 1:54:59.760
<v Speaker 3>Too much?

1:55:01.960 --> 1:55:06.120
<v Speaker 2>Great stuff? Great stuff. We love him, but.

1:55:07.880 --> 1:55:10.640
<v Speaker 3>Like I know, when he was a kid, IRV and

1:55:10.720 --> 1:55:17.640
<v Speaker 3>I was in the kindergarten together, yea style. Don't nobody

1:55:17.720 --> 1:55:17.960
<v Speaker 3>get on.

1:55:19.680 --> 1:55:21.360
<v Speaker 2>In kindergarten with another?

1:55:21.680 --> 1:55:29.640
<v Speaker 9>Yeah, pictures we had Buster saying him in high school kidding, why.

1:55:33.720 --> 1:55:37.840
<v Speaker 3>Kidding? In kindergarten and earth Irv?

1:55:38.640 --> 1:55:38.880
<v Speaker 15>IRV?

1:55:39.000 --> 1:55:43.400
<v Speaker 3>When he was Uh, I never heard of niggame. Nobody

1:55:43.480 --> 1:55:46.080
<v Speaker 3>they still know? This is so hard. I'm so sorry.

1:55:46.120 --> 1:55:46.840
<v Speaker 3>It's a moment for me.

1:55:46.920 --> 1:55:51.680
<v Speaker 4>Style continue you in IRV Colly in kindergarten? Is it

1:55:51.840 --> 1:55:53.920
<v Speaker 4>Charleston Chills involved at any point?

1:55:54.080 --> 1:55:54.320
<v Speaker 22>Yeah?

1:55:55.160 --> 1:55:58.840
<v Speaker 3>Now, how about this with the kindergarten, first, second, and

1:55:58.880 --> 1:56:00.960
<v Speaker 3>third grade together and a worn on the same day.

1:56:03.800 --> 1:56:07.760
<v Speaker 3>And I worked with Irv's brother as a bank We

1:56:07.840 --> 1:56:11.720
<v Speaker 3>were both bank tellers at Chase Manhattan Bank. Oh when

1:56:11.720 --> 1:56:14.560
<v Speaker 3>we were ten years old, Chris, Yeah, y'all worked with

1:56:14.640 --> 1:56:18.280
<v Speaker 3>the money early. Oh yeah, so check this off. This

1:56:18.440 --> 1:56:19.360
<v Speaker 3>is crazy drinking more.

1:56:25.640 --> 1:56:30.240
<v Speaker 6>When he was fourteen, we had an afro ass motherfucking

1:56:30.280 --> 1:56:32.960
<v Speaker 6>afro he got was Mike John Earlier there was on

1:56:33.080 --> 1:56:34.160
<v Speaker 6>Mike Geronimo Mike John.

1:56:34.360 --> 1:56:36.400
<v Speaker 3>Okay, fags.

1:56:37.440 --> 1:56:39.960
<v Speaker 2>What that's what you call him?

1:56:39.960 --> 1:56:47.120
<v Speaker 3>Michael Groon. So anyhow we go. This guy is alaricous.

1:56:48.080 --> 1:56:53.680
<v Speaker 3>He's like, wasn't I wasn't read that was ready? I

1:56:53.840 --> 1:56:54.400
<v Speaker 3>was not already.

1:56:54.720 --> 1:56:57.240
<v Speaker 2>Stuff came ready, I came ready.

1:56:57.480 --> 1:57:01.600
<v Speaker 3>He's like, ramble, He'll stop. I so appreciate you right now.

1:57:01.880 --> 1:57:04.360
<v Speaker 3>Continue to be that guy. Continue.

1:57:04.560 --> 1:57:12.200
<v Speaker 6>Sohow EARV is DJing in the park and spinning at

1:57:12.320 --> 1:57:14.520
<v Speaker 6>fourteen years old. You know, like when you see the

1:57:14.640 --> 1:57:17.040
<v Speaker 6>young kid who's a genius and everybody's like, look at

1:57:17.040 --> 1:57:19.120
<v Speaker 6>this kid. That was IRV on the one and two's

1:57:19.680 --> 1:57:22.880
<v Speaker 6>He was a genius. Earth was spinning and cutting at

1:57:22.920 --> 1:57:25.920
<v Speaker 6>fourteen years old. And while everybody else was in the

1:57:26.000 --> 1:57:27.040
<v Speaker 6>seventh eighth grade.

1:57:26.840 --> 1:57:30.360
<v Speaker 3>Doing normal things, he was. He was. He was the

1:57:30.600 --> 1:57:34.800
<v Speaker 3>highlight of a party like featuring IRV Gotti. Wow, this

1:57:35.000 --> 1:57:39.320
<v Speaker 3>young genius. IRV God is a very very very special

1:57:39.400 --> 1:57:42.920
<v Speaker 3>talented dude. Man Like I fuck with him. We've go

1:57:43.080 --> 1:57:45.600
<v Speaker 3>back and forth, like you know, we do whatever regular

1:57:45.680 --> 1:57:46.200
<v Speaker 3>nigga shit.

1:57:46.600 --> 1:57:51.720
<v Speaker 6>That guy is really talented, loves hip hop, loves hip

1:57:51.760 --> 1:57:55.200
<v Speaker 6>hop history, and I have the most respect for him.

1:57:55.200 --> 1:57:57.640
<v Speaker 6>I think Tails, what he's doing with Tails is dope.

1:57:58.160 --> 1:58:00.320
<v Speaker 6>I think he's gonna fucking win. I think the end

1:58:00.320 --> 1:58:02.760
<v Speaker 6>of the day, when it's all over Earth got he

1:58:02.800 --> 1:58:04.000
<v Speaker 6>will be at the town and.

1:58:09.240 --> 1:58:11.120
<v Speaker 3>He got one of the funniest stories in the world.

1:58:12.120 --> 1:58:17.680
<v Speaker 3>One day, I'm a murder what a lot of people

1:58:17.720 --> 1:58:20.280
<v Speaker 3>don't know. Me and John Rud when he was twelve

1:58:20.360 --> 1:58:21.480
<v Speaker 3>million and I was gold.

1:58:22.000 --> 1:58:24.480
<v Speaker 4>We lived next story to each other in New Jersey.

1:58:26.760 --> 1:58:29.760
<v Speaker 4>It's crazy because I had six cars. He has six cars,

1:58:29.960 --> 1:58:32.760
<v Speaker 4>but his six cause was way different than my six cars.

1:58:33.320 --> 1:58:37.879
<v Speaker 4>It's one hundred percent. Never hated this one right, but one.

1:58:37.760 --> 1:58:44.600
<v Speaker 3>Day IRV Gotti is in the Murder Inc. Office. I

1:58:44.720 --> 1:58:47.320
<v Speaker 3>walk in there. I'm going to get my.

1:58:47.440 --> 1:58:51.400
<v Speaker 4>Friend, my next door neighbor, Jar Rud Drum and IRV

1:58:51.560 --> 1:58:56.520
<v Speaker 4>comes in. He says, Steve Stout, he's not talking to me,

1:58:56.600 --> 1:58:57.600
<v Speaker 4>He's talking to his crew.

1:58:58.440 --> 1:59:03.680
<v Speaker 3>He says, Steve Stout just told me I fucked up

1:59:05.040 --> 1:59:05.520
<v Speaker 3>the way I.

1:59:05.600 --> 1:59:09.120
<v Speaker 4>Talked to Knives because I talked to Knives and I

1:59:09.280 --> 1:59:13.360
<v Speaker 4>told him I wanted him to own his masters and

1:59:13.480 --> 1:59:17.480
<v Speaker 4>I wanted him to do this. And Irv's exact words was,

1:59:18.240 --> 1:59:19.919
<v Speaker 4>naves want to think about Africa.

1:59:20.200 --> 1:59:26.160
<v Speaker 3>You don't want to go to Africa? What's that true? Damn? Look,

1:59:26.200 --> 1:59:30.880
<v Speaker 3>I can tell her this. And I looked at I

1:59:30.960 --> 1:59:35.720
<v Speaker 3>was like, oh, I said, she was like, it's funny.

1:59:35.800 --> 1:59:36.720
<v Speaker 3>It's funny what you're saying.

1:59:37.520 --> 1:59:40.640
<v Speaker 2>I swear God, I mean murdered office by mistake.

1:59:40.920 --> 1:59:42.880
<v Speaker 3>I'm just there. I just happened to be there.

1:59:43.680 --> 1:59:47.240
<v Speaker 2>And then and this is IRV got exact words.

1:59:47.280 --> 1:59:50.360
<v Speaker 3>He said, you scared him off. He'll never come with you. Guys.

1:59:51.040 --> 2:00:00.560
<v Speaker 3>Earth is just over the top, man. You know, no

2:00:04.960 --> 2:00:15.120
<v Speaker 3>waiting stuff. Where you want to go? We ready? He

2:00:15.640 --> 2:00:21.480
<v Speaker 3>gave us. There's certain rappers that I think would have

2:00:21.520 --> 2:00:26.680
<v Speaker 3>been way better an R guys than rappers fat job,

2:00:29.560 --> 2:00:30.160
<v Speaker 3>damn the.

2:00:34.600 --> 2:00:40.120
<v Speaker 6>French Montana right now. If these guys were executives, oh.

2:00:42.080 --> 2:00:46.959
<v Speaker 11>Hits like crazy Buster rhymes, fine hit records, No Buster.

2:00:46.880 --> 2:00:53.560
<v Speaker 3>Ryan, fine hits, Fucking Fat Joey was the best one.

2:00:53.600 --> 2:00:56.840
<v Speaker 3>Of the best an R guys period, but nobody knows

2:00:56.880 --> 2:01:00.320
<v Speaker 3>that because he's trying to make the record himself, even

2:01:00.360 --> 2:01:07.120
<v Speaker 3>wrecking to somebody else. That's crazy, you, my friend.

2:01:07.680 --> 2:01:11.040
<v Speaker 4>Yes, but I'm finding the media outlet right now. I'm

2:01:11.080 --> 2:01:13.840
<v Speaker 4>running media right now is the fantastic thing.

2:01:17.160 --> 2:01:17.320
<v Speaker 14>You know.

2:01:17.640 --> 2:01:20.000
<v Speaker 23>I was always mad at you for vamfo on TV,

2:01:23.640 --> 2:01:25.760
<v Speaker 23>but going somewhere deep, these fans.

2:01:25.600 --> 2:01:28.440
<v Speaker 3>Are real hard core fans the TV. No watch what

2:01:28.520 --> 2:01:31.360
<v Speaker 3>you say about VADFA TV. I can't. They might be

2:01:32.200 --> 2:01:38.840
<v Speaker 3>produce yeah Swiss, but thank you. I was really upset

2:01:38.880 --> 2:01:42.040
<v Speaker 3>that you didn't really bring them. You have last on

2:01:42.120 --> 2:01:44.200
<v Speaker 3>that you were supposed to go crazy. That's when that

2:01:44.440 --> 2:01:52.600
<v Speaker 3>back then rapping last rhymes. Yes, and you think this

2:01:52.720 --> 2:01:54.880
<v Speaker 3>is why I'm gonna have forget you gotta relaxed now.

2:01:56.680 --> 2:01:57.240
<v Speaker 15>TV vers.

2:01:59.720 --> 2:01:59.760
<v Speaker 12>N.

2:02:00.040 --> 2:02:03.280
<v Speaker 2>That's because something you probably wasn't living.

2:02:05.960 --> 2:02:08.400
<v Speaker 3>No Nature showed up. Listen, let me just.

2:02:08.440 --> 2:02:11.400
<v Speaker 4>Tell you you you described the story. Now, let me

2:02:11.480 --> 2:02:15.400
<v Speaker 4>just tell you I took Nature session that I'm leaving.

2:02:16.840 --> 2:02:18.360
<v Speaker 4>I owe Nature that had that.

2:02:18.480 --> 2:02:19.920
<v Speaker 2>Best not the best verse.

2:02:19.960 --> 2:02:21.360
<v Speaker 3>He even had a person. I still feel like I

2:02:21.440 --> 2:02:22.440
<v Speaker 3>had the best verse, but.

2:02:22.480 --> 2:02:23.560
<v Speaker 2>I let him lead it.

2:02:26.520 --> 2:02:29.000
<v Speaker 3>Do not you had the best verse on Bad TV.

2:02:29.160 --> 2:02:30.800
<v Speaker 3>I had the best verse. In my opinion. This is

2:02:30.840 --> 2:02:32.840
<v Speaker 3>what opinions always been.

2:02:33.200 --> 2:02:33.640
<v Speaker 2>Opinions.

2:02:33.720 --> 2:02:35.640
<v Speaker 3>Right, you're gonna have it. So you think Nature had

2:02:35.680 --> 2:02:38.800
<v Speaker 3>that best verse. I'm I'm walcome to you saying your

2:02:38.840 --> 2:02:43.520
<v Speaker 3>body pun. I ain't saying body nobody. I don't look

2:02:43.560 --> 2:02:46.040
<v Speaker 3>at records like body good verses on that record.

2:02:46.520 --> 2:02:48.800
<v Speaker 2>I'm good at as a great record. I look at

2:02:48.800 --> 2:02:50.720
<v Speaker 2>it as a great record. But twenty years later, I'm

2:02:50.760 --> 2:02:51.160
<v Speaker 2>probably the.

2:02:51.160 --> 2:02:53.400
<v Speaker 4>Only artist that's on that record that's still performing that

2:02:53.560 --> 2:02:55.480
<v Speaker 4>record besides Jada and Styles.

2:02:55.920 --> 2:02:57.200
<v Speaker 3>That's it. I think.

2:02:57.480 --> 2:03:01.680
<v Speaker 4>I think Cam moved On is not alive. I think

2:03:01.840 --> 2:03:06.560
<v Speaker 4>Nature is not active, and I think I mean, that's

2:03:06.600 --> 2:03:10.000
<v Speaker 4>my brother. But listen how I broke that down. I'm

2:03:10.000 --> 2:03:12.320
<v Speaker 4>the only artist that's on that record that's still quietly

2:03:12.400 --> 2:03:14.280
<v Speaker 4>performing it besides the Locks.

2:03:15.160 --> 2:03:18.200
<v Speaker 3>I think Cam moved on because Camra is on that.

2:03:18.280 --> 2:03:22.400
<v Speaker 4>Record, Big Pun is passed away, right, Nate is not

2:03:22.480 --> 2:03:25.200
<v Speaker 4>as active as all the other people that's on that record.

2:03:25.880 --> 2:03:28.120
<v Speaker 3>And then so who, so who you have the best verse?

2:03:28.360 --> 2:03:30.800
<v Speaker 6>Well, that's great that you did it, like you look,

2:03:32.240 --> 2:03:35.080
<v Speaker 6>retrop I was the only guy who.

2:03:37.920 --> 2:03:38.480
<v Speaker 3>Who is here?

2:03:38.920 --> 2:03:43.640
<v Speaker 4>Sometimes listen, listen, see I learned from CNN. See I

2:03:44.200 --> 2:03:46.520
<v Speaker 4>had an album prior to n R E. And that

2:03:46.680 --> 2:03:51.440
<v Speaker 4>album was the super lyric Who's most lyric? All that

2:03:51.880 --> 2:03:54.839
<v Speaker 4>that that ship that niggas wanted. But then I realized

2:03:54.880 --> 2:03:56.920
<v Speaker 4>when I got with a guy, he had a little

2:03:57.160 --> 2:04:02.400
<v Speaker 4>chain on like this had a joker and I looked.

2:04:02.200 --> 2:04:06.000
<v Speaker 3>At it and he said to me, nobody listens to me.

2:04:06.280 --> 2:04:10.680
<v Speaker 4>Who said that his name is for Real Williams saying,

2:04:10.800 --> 2:04:12.640
<v Speaker 4>he said to me, nobody listens to me.

2:04:13.720 --> 2:04:15.240
<v Speaker 3>And his ship was like this. It was very it

2:04:15.320 --> 2:04:18.240
<v Speaker 3>was it was it was very like it's uncomfortable.

2:04:18.480 --> 2:04:22.680
<v Speaker 24>You know, we was in the baggy soup aram cross

2:04:22.760 --> 2:04:28.040
<v Speaker 24>color and ship like that, but you know it was

2:04:28.120 --> 2:04:32.840
<v Speaker 24>like it was cross colored after that face and that he.

2:04:32.920 --> 2:04:34.120
<v Speaker 2>Was the only produce of that.

2:04:34.280 --> 2:04:36.520
<v Speaker 3>He said to me, he said, nobody listens to me.

2:04:36.920 --> 2:04:38.800
<v Speaker 4>And for some reason, I had the number one record

2:04:38.840 --> 2:04:41.360
<v Speaker 4>in R E was the number one record in New

2:04:41.440 --> 2:04:43.720
<v Speaker 4>York at that time. I didn't have to listen to

2:04:43.840 --> 2:04:46.040
<v Speaker 4>this guy. He said, I'm gonna bring it to a

2:04:46.160 --> 2:04:50.560
<v Speaker 4>world that nobody else is gonna go. And I did that,

2:04:50.840 --> 2:04:53.840
<v Speaker 4>and this guy comes out to be for Ral Williams.

2:04:55.520 --> 2:04:58.400
<v Speaker 4>A lot of people a lot of people you you can,

2:04:58.520 --> 2:05:00.760
<v Speaker 4>you can, you can whatever you want. A lot of

2:05:00.800 --> 2:05:04.640
<v Speaker 4>people say the reason why the world knows Pharrell.

2:05:04.920 --> 2:05:07.040
<v Speaker 3>Is because of that Super Dug record. Can you say

2:05:07.080 --> 2:05:13.520
<v Speaker 3>that as a producer, I love Super Dug? Answer? But

2:05:13.720 --> 2:05:16.960
<v Speaker 3>was that like the first record that people recognized for

2:05:17.560 --> 2:05:19.160
<v Speaker 3>was that? I don't mind. Was it.

2:05:21.880 --> 2:05:25.240
<v Speaker 6>The proction sound on the Super Dug because they put

2:05:25.280 --> 2:05:25.960
<v Speaker 6>the chalice on the.

2:05:25.920 --> 2:05:30.720
<v Speaker 3>Whole No way, we all thought that, no way, the

2:05:30.840 --> 2:05:31.920
<v Speaker 3>horse wasn't around.

2:05:31.960 --> 2:05:34.560
<v Speaker 6>But with him, with him him on top of the

2:05:34.600 --> 2:05:37.640
<v Speaker 6>singing up, it was that no one seen that sound

2:05:37.760 --> 2:05:38.720
<v Speaker 6>was definitely different.

2:05:38.880 --> 2:05:41.760
<v Speaker 12>Now the sound no this I'm gonna tell you coming

2:05:41.800 --> 2:05:43.240
<v Speaker 12>from Miami and DJ from Miami.

2:05:43.400 --> 2:05:47.120
<v Speaker 3>The sound the difference was is it had the beat

2:05:47.240 --> 2:05:50.360
<v Speaker 3>that the South could relate. How long were you DJing

2:05:50.400 --> 2:05:54.400
<v Speaker 3>in Miami? I mean I started my company in ninety

2:05:54.480 --> 2:05:55.800
<v Speaker 3>three and I was DJing.

2:05:57.040 --> 2:05:58.080
<v Speaker 15>I used to do that.

2:05:58.200 --> 2:06:00.560
<v Speaker 2>Wasn't how can I get down convention? The only way

2:06:00.560 --> 2:06:01.200
<v Speaker 2>I could meet people.

2:06:01.400 --> 2:06:02.800
<v Speaker 3>I used to come down here. I used to go

2:06:02.920 --> 2:06:08.000
<v Speaker 3>to the club on Fifth in the liquid No no, no, no, no,

2:06:08.080 --> 2:06:11.160
<v Speaker 3>no no no. I did his first showing solo show

2:06:11.200 --> 2:06:11.600
<v Speaker 3>in Miami.

2:06:11.960 --> 2:06:13.120
<v Speaker 2>He going before that.

2:06:15.280 --> 2:06:18.000
<v Speaker 22>I mean that might be before my time. I'm forty

2:06:18.000 --> 2:06:20.120
<v Speaker 22>two years old. Just why I used to come down here?

2:06:21.160 --> 2:06:22.400
<v Speaker 3>Man? What years?

2:06:22.480 --> 2:06:22.560
<v Speaker 14>Now?

2:06:23.000 --> 2:06:23.400
<v Speaker 3>What years?

2:06:24.000 --> 2:06:27.840
<v Speaker 2>It was me, DJ Apps and DJ Khalid. That's that's

2:06:27.880 --> 2:06:29.720
<v Speaker 2>the like I used to come.

2:06:29.640 --> 2:06:36.320
<v Speaker 3>To Miami in ninety one, ninety two, ninety three, Collins

2:06:36.360 --> 2:06:38.240
<v Speaker 3>Avenue was a ghost town.

2:06:38.320 --> 2:06:42.080
<v Speaker 2>Yeah you couldn't. Yeah, you how it was irrelevant in

2:06:42.160 --> 2:06:42.480
<v Speaker 2>the beach.

2:06:42.640 --> 2:06:44.920
<v Speaker 3>Forget that part I'm talking about. It was a ghost

2:06:44.960 --> 2:06:45.960
<v Speaker 3>town for human beings.

2:06:46.280 --> 2:06:51.000
<v Speaker 2>Yeah no, yeah, yeah, yeah it was. The beach was

2:06:51.680 --> 2:06:53.480
<v Speaker 2>padded radio. That's what I did.

2:06:53.600 --> 2:06:55.000
<v Speaker 3>Would break records down here.

2:06:55.000 --> 2:06:57.080
<v Speaker 12>I did pirate radio and then I got I did

2:06:57.120 --> 2:07:05.240
<v Speaker 12>the mix younger than me and but that's my whie.

2:07:05.360 --> 2:07:07.520
<v Speaker 3>They used to break records down here. Man, this is

2:07:07.720 --> 2:07:12.880
<v Speaker 3>this is on the guy, Like, what what's what I did? Named? Man? Yeah,

2:07:13.080 --> 2:07:17.240
<v Speaker 3>of course I know. Man, my cousin kick that out

2:07:17.280 --> 2:07:24.960
<v Speaker 3>of Come on, man, you can't know. He likes to

2:07:24.960 --> 2:07:26.600
<v Speaker 3>come out all the time. Man, he likes to still

2:07:26.640 --> 2:07:29.360
<v Speaker 3>wants to go come down here. He's lovely down here.

2:07:29.400 --> 2:07:30.680
<v Speaker 3>But he's a r new guy.

2:07:31.080 --> 2:07:34.160
<v Speaker 2>You got no prophy to say. Ask anybody. They're gonna

2:07:34.200 --> 2:07:35.520
<v Speaker 2>tell you that that's what I was doing.

2:07:35.600 --> 2:07:38.280
<v Speaker 3>I like to ask anybody like, I know my mann

2:07:38.440 --> 2:07:39.120
<v Speaker 3>is shot.

2:07:39.280 --> 2:07:41.200
<v Speaker 2>I feel that, I feel that the indergy is so great.

2:07:42.560 --> 2:07:45.880
<v Speaker 3>I know my man turns like ask anybody about me

2:07:45.960 --> 2:07:49.080
<v Speaker 3>and that studio. I lays it down. That's anybody that's

2:07:49.160 --> 2:07:51.640
<v Speaker 3>the best of the best, the best.

2:07:51.840 --> 2:07:54.160
<v Speaker 6>That's how you get best. He don't talk like that,

2:07:54.320 --> 2:07:57.919
<v Speaker 6>but I'm talking for him. Yo, you just said ask anybody.

2:07:58.400 --> 2:07:59.320
<v Speaker 6>I know how you feel.

2:08:01.120 --> 2:08:03.480
<v Speaker 2>But when they let me ask you something, I'm sorry.

2:08:03.520 --> 2:08:08.480
<v Speaker 4>Stuff when they talk about that top five producer all

2:08:08.520 --> 2:08:12.200
<v Speaker 4>the time, and when sometimes they leave you off that list.

2:08:12.240 --> 2:08:12.880
<v Speaker 3>They just asked you.

2:08:13.000 --> 2:08:15.840
<v Speaker 25>Tune J just asked you last week, were you better

2:08:15.880 --> 2:08:20.440
<v Speaker 25>than a hit man? Absolutely say the bad boy hit

2:08:20.520 --> 2:08:23.600
<v Speaker 25>me as bad boy? Yeah, yeah, that ship.

2:08:24.040 --> 2:08:30.400
<v Speaker 11>I mean, yeah, that's my man, but a man rapper

2:08:30.440 --> 2:08:30.720
<v Speaker 11>as well.

2:08:30.920 --> 2:08:35.840
<v Speaker 3>This answer the question. We need you to get that's

2:08:35.880 --> 2:08:42.960
<v Speaker 3>the way you know. You don't believe. And I want

2:08:43.000 --> 2:08:46.360
<v Speaker 3>to have you interview another artist that would be because.

2:08:48.440 --> 2:08:50.120
<v Speaker 2>This is what I think about track mass personally.

2:08:50.240 --> 2:08:54.320
<v Speaker 12>I think that before I feel like the Neptunes is

2:08:54.400 --> 2:08:57.320
<v Speaker 12>like everybody knows. I feel like track Masters was the

2:08:57.480 --> 2:09:02.160
<v Speaker 12>first like famous producer duo and hip hop.

2:09:02.840 --> 2:09:08.040
<v Speaker 2>Like Terry Terry and Jammy j What was Jammy? You

2:09:08.160 --> 2:09:09.800
<v Speaker 2>guys are that for hip hop?

2:09:10.200 --> 2:09:10.680
<v Speaker 26>The first?

2:09:10.760 --> 2:09:12.240
<v Speaker 11>That's Steve's market league.

2:09:12.640 --> 2:09:17.480
<v Speaker 3>Steve took out ads and billboard for producers. I was

2:09:17.560 --> 2:09:22.520
<v Speaker 3>buying full pages bro full page ads and bill Boy.

2:09:24.280 --> 2:09:28.000
<v Speaker 6>You guys don't even know the type of psychlean you

2:09:28.120 --> 2:09:29.120
<v Speaker 6>say being calm.

2:09:29.760 --> 2:09:31.640
<v Speaker 3>No no, no, no, no, no. You can be as

2:09:31.720 --> 2:09:32.440
<v Speaker 3>calm as you want.

2:09:32.520 --> 2:09:34.160
<v Speaker 2>You don't see what we do. We put We put

2:09:34.480 --> 2:09:36.280
<v Speaker 2>our faces on on things.

2:09:36.320 --> 2:09:39.560
<v Speaker 3>Our canvas is right there in the wall to be gone. No,

2:09:39.840 --> 2:09:46.080
<v Speaker 3>just to promote ourselves because of you, because we look

2:09:46.120 --> 2:09:47.920
<v Speaker 3>at ourselves. And now was.

2:09:50.280 --> 2:09:53.480
<v Speaker 2>Who was that first meeting like with Reebok when you said,

2:09:54.000 --> 2:09:56.360
<v Speaker 2>I want you know what it is.

2:09:56.400 --> 2:09:57.120
<v Speaker 3>I ain't gonna lie to you.

2:09:58.040 --> 2:09:58.400
<v Speaker 15>How did you.

2:10:00.040 --> 2:10:03.000
<v Speaker 6>I can talk for so long about so much things,

2:10:03.680 --> 2:10:05.600
<v Speaker 6>then it won't even make any sense.

2:10:05.640 --> 2:10:06.680
<v Speaker 3>It will be out of contact.

2:10:06.680 --> 2:10:08.600
<v Speaker 2>You can't nothing about fall.

2:10:10.320 --> 2:10:13.320
<v Speaker 3>I can have Kobe Bryant and Lebron James to do

2:10:13.400 --> 2:10:16.480
<v Speaker 3>a separate sports version of this, still turning the same thing,

2:10:16.600 --> 2:10:18.920
<v Speaker 3>jay Z. And that's well saying about me. I do

2:10:19.120 --> 2:10:25.400
<v Speaker 3>my thing to the maximum on all levels. That's my problem.

2:10:26.200 --> 2:10:28.880
<v Speaker 6>When I get involved, I go all out, whether it

2:10:28.920 --> 2:10:32.960
<v Speaker 6>be producers, whether it be artists, whether it be athletes.

2:10:34.720 --> 2:10:38.480
<v Speaker 3>I doesn't know one thing. All the funk out that's

2:10:38.560 --> 2:10:39.080
<v Speaker 3>my problem.

2:10:39.840 --> 2:10:49.120
<v Speaker 6>That's queens, that's out by the first person really like.

2:10:49.640 --> 2:10:51.360
<v Speaker 6>The nigga who taught me the business was a guy

2:10:51.480 --> 2:10:52.160
<v Speaker 6>named no Face.

2:10:53.800 --> 2:10:57.200
<v Speaker 3>Mark Ski. Yeah, he had He had a group called

2:10:57.280 --> 2:11:03.160
<v Speaker 3>b w P Business Problem. Mark Ski took me to

2:11:04.760 --> 2:11:05.600
<v Speaker 3>no He took me to.

2:11:08.160 --> 2:11:11.520
<v Speaker 6>Before I liberated after after he bitch is flipping on

2:11:11.880 --> 2:11:15.440
<v Speaker 6>like and he took me down to the ship in Atlanta.

2:11:16.280 --> 2:11:19.040
<v Speaker 3>Mark Ski, he was so talented, so so smart.

2:11:19.720 --> 2:11:22.880
<v Speaker 6>He used to tell me how talented shot G was Flavor,

2:11:22.960 --> 2:11:24.080
<v Speaker 6>Flavor could play the piano.

2:11:24.320 --> 2:11:27.480
<v Speaker 3>It was like he would just like get me there.

2:11:27.520 --> 2:11:29.200
<v Speaker 3>And I was still living at home with my parents,

2:11:31.400 --> 2:11:33.200
<v Speaker 3>and I just was. I was just ready.

2:11:33.840 --> 2:11:36.600
<v Speaker 6>And the one thing he always made me realize I

2:11:36.680 --> 2:11:39.000
<v Speaker 6>had to know was if you knew an artist, what

2:11:39.160 --> 2:11:41.480
<v Speaker 6>label were they on. If I ever asked you an

2:11:41.560 --> 2:11:43.840
<v Speaker 6>artist and you don't know label Lane, I'll never return

2:11:43.920 --> 2:11:46.760
<v Speaker 6>your phone call. So you guys be an artists. I

2:11:46.760 --> 2:11:50.400
<v Speaker 6>have to know label laboring, who produced the song. That's

2:11:50.480 --> 2:11:55.000
<v Speaker 6>why I'm so fucking hip hop fluid, because I just

2:11:55.160 --> 2:11:58.280
<v Speaker 6>know everything. I just I spent the time if I

2:11:58.320 --> 2:12:00.960
<v Speaker 6>didn't know it. It feels like if I don't know

2:12:01.200 --> 2:12:02.160
<v Speaker 6>the facts.

2:12:01.960 --> 2:12:04.040
<v Speaker 3>Around something, you don't think that's an error thing. Though

2:12:05.240 --> 2:12:08.880
<v Speaker 3>maybe I think the error of shots.

2:12:09.160 --> 2:12:13.040
<v Speaker 27>We all read the credits, shot the credits, no more,

2:12:13.720 --> 2:12:20.640
<v Speaker 27>we still need to know. No, Jesus, you got my life.

2:12:21.040 --> 2:12:24.960
<v Speaker 27>I don't know why we think she she was tired.

2:12:24.960 --> 2:12:30.360
<v Speaker 3>I knew she was tired. He brought you up. Listen

2:12:33.600 --> 2:12:36.120
<v Speaker 3>while we're hitting her. Yes, there's a lot of things

2:12:36.160 --> 2:12:40.720
<v Speaker 3>that you're talking about. Yes, why didn't he shine baked

2:12:42.240 --> 2:12:42.920
<v Speaker 3>in the business?

2:12:43.880 --> 2:12:47.360
<v Speaker 2>I mean, I mean, yeah, never mind that he got

2:12:47.840 --> 2:12:49.879
<v Speaker 2>went in and aforded.

2:12:50.040 --> 2:12:56.040
<v Speaker 3>But he I thought everybody loved him, but no one everybody,

2:12:56.760 --> 2:12:57.440
<v Speaker 3>nobody loves.

2:12:57.320 --> 2:12:58.120
<v Speaker 2>This is a trick question.

2:12:58.440 --> 2:13:01.240
<v Speaker 12>No, I swear the fact that shot sounded like Big,

2:13:02.760 --> 2:13:04.760
<v Speaker 12>but he has a DJ even though.

2:13:07.480 --> 2:13:11.240
<v Speaker 3>The Very Team, which was a dope record, then he

2:13:11.320 --> 2:13:13.400
<v Speaker 3>had the other record, right, But I think that.

2:13:13.640 --> 2:13:17.040
<v Speaker 12>It was always like his achilles heel, that he's that

2:13:17.200 --> 2:13:19.560
<v Speaker 12>they introduced him as sounding.

2:13:19.320 --> 2:13:21.440
<v Speaker 2>Like Big and he's on Bad Boy. Had he not

2:13:21.560 --> 2:13:22.480
<v Speaker 2>come out on Bad b.

2:13:25.120 --> 2:13:28.520
<v Speaker 3>It was you. But but if people say he goes

2:13:28.520 --> 2:13:31.400
<v Speaker 3>the next Big and the frustrating you put out. Meggas

2:13:31.440 --> 2:13:32.720
<v Speaker 3>are like, I love this ship.

2:13:33.240 --> 2:13:33.480
<v Speaker 2>Dope.

2:13:34.400 --> 2:13:37.760
<v Speaker 4>I think let me, let me, let me just interject

2:13:37.840 --> 2:13:40.960
<v Speaker 4>for one second. I think that Sean would have actually

2:13:41.080 --> 2:13:44.839
<v Speaker 4>been like like, you're damn.

2:13:46.280 --> 2:13:47.120
<v Speaker 3>He was the next one.

2:13:47.280 --> 2:13:49.800
<v Speaker 2>Look, I think the next one when he came home.

2:13:50.040 --> 2:13:50.760
<v Speaker 3>Is that what he's saying?

2:13:51.000 --> 2:13:54.920
<v Speaker 4>When he came home, he could have been like super huge.

2:13:55.360 --> 2:13:58.920
<v Speaker 4>But what happened was Colin rushed a verse. Remember when

2:13:58.960 --> 2:14:01.680
<v Speaker 4>Sean came home, the k put him on the record.

2:14:02.960 --> 2:14:06.320
<v Speaker 4>Nobody here, nobody knows what you're tongu No, no, no, listen, listen, listen.

2:14:07.160 --> 2:14:10.080
<v Speaker 3>What happened was, oh yeah, I remember, I remember, I remember.

2:14:10.080 --> 2:14:13.760
<v Speaker 3>What happened was he came out high cort case. Yeah,

2:14:13.800 --> 2:14:15.320
<v Speaker 3>he caught the listen. Listen, listen, listen.

2:14:15.400 --> 2:14:15.640
<v Speaker 15>No, no, no.

2:14:15.880 --> 2:14:17.880
<v Speaker 2>And it was a bad verse. It was really a

2:14:18.320 --> 2:14:18.960
<v Speaker 2>quarter case.

2:14:19.320 --> 2:14:20.560
<v Speaker 3>He he went away.

2:14:20.720 --> 2:14:22.680
<v Speaker 2>His anticipatient home.

2:14:23.000 --> 2:14:25.960
<v Speaker 3>Was like Phil Knight. It was his first verse was terrible.

2:14:26.320 --> 2:14:28.640
<v Speaker 2>No I did that didn't feeling.

2:14:28.680 --> 2:14:34.240
<v Speaker 3>This wasn't he wasn't.

2:14:36.240 --> 2:14:38.240
<v Speaker 2>Said he used good stout, good stout.

2:14:38.560 --> 2:14:39.360
<v Speaker 3>You said he rushed it.

2:14:39.560 --> 2:14:41.960
<v Speaker 4>No, but the worse it through everybody or it was

2:14:42.040 --> 2:14:44.160
<v Speaker 4>his voice tempo wasn't as the.

2:14:44.240 --> 2:14:45.240
<v Speaker 26>Same it was off.

2:14:45.360 --> 2:14:48.120
<v Speaker 2>It was it was a shine is dope, But because.

2:14:47.760 --> 2:14:50.480
<v Speaker 3>I rushed it, you could tell what I mean? No, no,

2:14:50.600 --> 2:14:52.720
<v Speaker 3>dispet the colay all upesn't make any.

2:14:52.560 --> 2:14:54.560
<v Speaker 6>Sense what you're saying. No, No, you don't like him

2:14:54.560 --> 2:14:56.240
<v Speaker 6>when he sounded like Big, but then when he came

2:14:56.280 --> 2:14:57.600
<v Speaker 6>back on some new voice.

2:14:57.800 --> 2:15:00.520
<v Speaker 2>Listen saying this is what's listen.

2:15:00.640 --> 2:15:01.800
<v Speaker 3>Listen, I'm gonna be honest with you.

2:15:02.240 --> 2:15:05.320
<v Speaker 4>If Sean would have came home with Big, same voice

2:15:05.600 --> 2:15:08.120
<v Speaker 4>as he had prior to that, if he would have

2:15:08.240 --> 2:15:10.880
<v Speaker 4>came home with that voice, he would have been a

2:15:10.960 --> 2:15:11.520
<v Speaker 4>new tupac.

2:15:11.760 --> 2:15:13.520
<v Speaker 3>Nah, don't I think you're wrong? He would have been

2:15:13.600 --> 2:15:14.840
<v Speaker 3>somewhere around that range.

2:15:14.920 --> 2:15:16.920
<v Speaker 2>No, No, you know I'm gonna trut. I'm a corrected.

2:15:17.040 --> 2:15:17.320
<v Speaker 3>Okay.

2:15:17.680 --> 2:15:19.280
<v Speaker 2>What you're saying is is that it's not.

2:15:19.360 --> 2:15:21.840
<v Speaker 12>That he sounded dope and he sounded like Big and

2:15:21.920 --> 2:15:23.640
<v Speaker 12>then we don't accept him again.

2:15:24.600 --> 2:15:27.000
<v Speaker 3>Well, I'm trying to get to it this. No, no, no,

2:15:27.680 --> 2:15:30.840
<v Speaker 3>what happened to him? People liked his music. He did

2:15:31.000 --> 2:15:33.560
<v Speaker 3>nothing wrong, he just didn't didn't seem to do it.

2:15:33.600 --> 2:15:33.800
<v Speaker 1>Nothing.

2:15:33.840 --> 2:15:36.160
<v Speaker 4>No, when he came home he had he had to

2:15:36.240 --> 2:15:40.120
<v Speaker 4>be deported. It you gotta I can tell you this

2:15:40.240 --> 2:15:44.000
<v Speaker 4>friendly as being a part of a legendary.

2:15:43.640 --> 2:15:47.480
<v Speaker 3>Who called Copona and Oriega. Component in Oriega has five

2:15:47.640 --> 2:15:52.480
<v Speaker 3>hundred thousand every year in the Europe. Every year. All

2:15:52.520 --> 2:15:54.320
<v Speaker 3>we gotta do is spend thirty days in the year.

2:15:55.480 --> 2:15:59.080
<v Speaker 3>But at some point in certain parts of Europe it's terrible.

2:15:59.800 --> 2:16:04.280
<v Speaker 3>It's freezing like ship. So you would go there and

2:16:04.360 --> 2:16:06.120
<v Speaker 3>you would get how do you smoke me? And your

2:16:06.160 --> 2:16:06.880
<v Speaker 3>eyes are right?

2:16:07.520 --> 2:16:12.920
<v Speaker 4>Because because I'm your friends, I wanted.

2:16:11.280 --> 2:16:13.080
<v Speaker 3>To be your friend for so long. I just want

2:16:13.120 --> 2:16:15.840
<v Speaker 3>to keep my life together because I just want to

2:16:15.880 --> 2:16:17.840
<v Speaker 3>give more money. I just want and I feel like

2:16:18.200 --> 2:16:20.000
<v Speaker 3>I feel like I've reached that flat till now.

2:16:20.040 --> 2:16:23.080
<v Speaker 4>I gotta I gotta be like you gotta help me

2:16:23.160 --> 2:16:26.040
<v Speaker 4>in some way, take more safe shape for more president somewhere.

2:16:26.360 --> 2:16:28.800
<v Speaker 3>I need to start wearing white suits at some point,

2:16:28.880 --> 2:16:31.040
<v Speaker 3>you know, I need to do like.

2:16:31.360 --> 2:16:33.680
<v Speaker 2>You gotta give me raped class. You gotta give me

2:16:33.840 --> 2:16:35.160
<v Speaker 2>somewhere somewhere I could.

2:16:35.879 --> 2:16:38.840
<v Speaker 3>I know who else you said something, Jim Jones. Jim

2:16:38.959 --> 2:16:40.120
<v Speaker 3>Jones is a great producer.

2:16:41.280 --> 2:16:45.320
<v Speaker 6>If Jim Jones had an artist in different music in

2:16:45.400 --> 2:16:47.480
<v Speaker 6>front of him, I'd have to put the artists in the.

2:16:47.520 --> 2:16:50.640
<v Speaker 2>Music to look how many artists introduced Max B.

2:16:52.040 --> 2:16:54.959
<v Speaker 6>Jim Jones is tough. Jim Jones, I just don't get

2:16:54.959 --> 2:17:00.000
<v Speaker 6>along with him. It always happens like that. I don't

2:17:00.120 --> 2:17:02.960
<v Speaker 6>care about that part, and I go through that part like, uh,

2:17:04.080 --> 2:17:08.720
<v Speaker 6>first of all, for me, I know what.

2:17:11.200 --> 2:17:15.359
<v Speaker 3>Fifty's talented? Oh god, is he talented? He's not talented

2:17:15.520 --> 2:17:20.240
<v Speaker 3>rapper writer, he's talented. Jim Jones is talented.

2:17:20.080 --> 2:17:23.080
<v Speaker 6>Like the just meaning like Na's and jay z are

2:17:23.560 --> 2:17:25.840
<v Speaker 6>the problem with rap music was it mean if you

2:17:25.959 --> 2:17:29.760
<v Speaker 6>were if you weren't a talented rapper, then everybody else

2:17:29.920 --> 2:17:32.240
<v Speaker 6>was like fake versions of them. And the truth of

2:17:32.280 --> 2:17:34.600
<v Speaker 6>the matter is there's so much talent that the art

2:17:34.680 --> 2:17:38.080
<v Speaker 6>for me staring and like with jay Z and Nas

2:17:38.160 --> 2:17:49.240
<v Speaker 6>do specifically are words. Fifty is Vince McMahon. He's Vince McMahon.

2:17:49.840 --> 2:17:55.480
<v Speaker 6>Vince McMahon is the best. Vince McMahon is so good

2:17:56.640 --> 2:18:00.600
<v Speaker 6>that when he actually copied and tried to make the NFL,

2:18:02.080 --> 2:18:03.720
<v Speaker 6>if you look at the camera angles that.

2:18:03.720 --> 2:18:06.800
<v Speaker 3>They copped that they did, that's what the NFL uses now,

2:18:09.360 --> 2:18:11.760
<v Speaker 3>vis vic Man overhead? Can the overhead?

2:18:11.800 --> 2:18:15.200
<v Speaker 6>Can Victor Man invented that we were watching the NFL

2:18:15.280 --> 2:18:17.880
<v Speaker 6>every day when he started that bullshit football league that

2:18:17.959 --> 2:18:21.720
<v Speaker 6>no one watched. It was terrible, but he produced the

2:18:21.800 --> 2:18:26.400
<v Speaker 6>shit out of an idea. That's fifty cent. Fifty cent

2:18:26.560 --> 2:18:32.640
<v Speaker 6>is ridiculously talented at a thing. Jim Jones is talented

2:18:32.680 --> 2:18:33.360
<v Speaker 6>at a thing.

2:18:34.000 --> 2:18:38.360
<v Speaker 3>When you put Jim Jones nas fifty those guys together,

2:18:39.240 --> 2:18:42.520
<v Speaker 3>as you talk about culture, if they were to make

2:18:42.560 --> 2:18:46.640
<v Speaker 3>a product, it would be Disney. These guys are great.

2:18:48.160 --> 2:18:51.080
<v Speaker 6>It's just that everybody's so separated that these things don't

2:18:51.120 --> 2:18:55.480
<v Speaker 6>come together. You don't put the writer, the animator, the storyteller,

2:18:55.840 --> 2:18:58.240
<v Speaker 6>anything together, but if you ever put him.

2:18:58.160 --> 2:18:59.879
<v Speaker 2>Together, so it's like a lack of team.

2:19:00.440 --> 2:19:04.000
<v Speaker 3>How the fuck you think Batman happened? That's not one guy.

2:19:04.640 --> 2:19:05.360
<v Speaker 3>Just show this guy.

2:19:05.920 --> 2:19:09.280
<v Speaker 6>That's five guys together saying this guy, listen, this house

2:19:09.680 --> 2:19:12.280
<v Speaker 6>come from city and a fucking thing up in the sky.

2:19:13.440 --> 2:19:17.119
<v Speaker 3>That took five guys, but it rapped me in. Those

2:19:17.200 --> 2:19:19.959
<v Speaker 3>five guys can't talk to each other because one guy

2:19:20.040 --> 2:19:21.680
<v Speaker 3>is making money doing this, that and that, so you

2:19:21.720 --> 2:19:26.320
<v Speaker 3>don't funk each other. That's fucked up. That's right. I'm

2:19:26.360 --> 2:19:32.039
<v Speaker 3>living this speeches on dream chaps in my life. That's listen.

2:19:32.080 --> 2:19:41.280
<v Speaker 3>I'm visualizing what he's saying, I'm good. I gotta sleep

2:19:41.360 --> 2:19:43.680
<v Speaker 3>that night. I gotta deal with myself.

2:19:45.240 --> 2:19:46.480
<v Speaker 2>Listen, Bron, what about pray?

2:19:46.560 --> 2:19:49.000
<v Speaker 3>How about me? Pray for me? I gotta go to sleep.

2:19:49.040 --> 2:19:52.320
<v Speaker 28>And I know this ain't way too smart like and

2:19:52.440 --> 2:19:57.040
<v Speaker 28>we ate d D that ship you just said, like

2:19:57.280 --> 2:19:58.680
<v Speaker 28>and you gotta sleep with yourself?

2:19:58.760 --> 2:20:01.840
<v Speaker 3>You way too smart and with himself.

2:20:01.879 --> 2:20:04.320
<v Speaker 7>No, I can't I get why he's rich and everything,

2:20:04.440 --> 2:20:06.360
<v Speaker 7>but that they could figure out life.

2:20:06.400 --> 2:20:08.120
<v Speaker 3>The boy happened like.

2:20:10.959 --> 2:20:15.120
<v Speaker 4>Tomorrow was gonna have yo, I know, just stupid like

2:20:15.320 --> 2:20:17.800
<v Speaker 4>like like like you know, what's the ship conspiracy?

2:20:18.280 --> 2:20:20.640
<v Speaker 3>The ship with tom here's another question? He going like

2:20:20.720 --> 2:20:30.120
<v Speaker 3>that Rock and then Rock kN ray Kawan wh is

2:20:30.200 --> 2:20:33.320
<v Speaker 3>ray Kwan said, he's a great I think one of

2:20:33.360 --> 2:20:35.840
<v Speaker 3>the best lyrious, one of the best lyricists. All be

2:20:35.920 --> 2:20:38.039
<v Speaker 3>honest with you. He goes down. He's there.

2:20:38.200 --> 2:20:40.199
<v Speaker 2>I think it's one of them past Beanie.

2:20:42.520 --> 2:20:47.000
<v Speaker 3>I ain't think that far, but okay, Jada kiss past that.

2:20:48.480 --> 2:20:50.280
<v Speaker 2>He's past that in that group.

2:20:52.520 --> 2:20:57.840
<v Speaker 3>Okay, what we say, No, it's just not disrespectful. If

2:20:57.879 --> 2:21:00.840
<v Speaker 3>you lost every rap about na, like yeah, that's cool.

2:21:02.240 --> 2:21:05.280
<v Speaker 3>Then who they are there? The elite lead We'll start

2:21:05.320 --> 2:21:11.160
<v Speaker 3>coming off of that thing. Who's the guy, who's the one? Kanye?

2:21:11.360 --> 2:21:14.440
<v Speaker 4>And let me this is why it's gonna get very

2:21:14.480 --> 2:21:19.600
<v Speaker 4>controversy right now. Lyrics wise, listen, don't wanna stop.

2:21:20.120 --> 2:21:21.119
<v Speaker 3>We're talking about lyrics.

2:21:22.480 --> 2:21:23.200
<v Speaker 2>It's a different thing.

2:21:23.600 --> 2:21:24.640
<v Speaker 3>Did you say it started?

2:21:25.040 --> 2:21:29.560
<v Speaker 2>Because the thing that is starting of everything starting and starting?

2:21:30.160 --> 2:21:32.680
<v Speaker 3>Okay, okay, all right, So now I need to understand

2:21:32.680 --> 2:21:33.119
<v Speaker 3>your questions.

2:21:33.160 --> 2:21:38.439
<v Speaker 4>So you're saying you understands of all times lyrics again, lyrics.

2:21:38.280 --> 2:21:41.120
<v Speaker 3>I don't watch this. Let's move on. No, we started,

2:21:42.600 --> 2:21:48.240
<v Speaker 3>it's not doing. It's not good for I gotta be careful, Yeah,

2:21:48.840 --> 2:21:51.920
<v Speaker 3>be careful. No, I'm gonna be strenk Champs. You guys

2:21:52.000 --> 2:21:52.800
<v Speaker 3>gotta get other people.

2:21:54.120 --> 2:21:57.640
<v Speaker 4>But then they need to come and defend another thing

2:21:57.680 --> 2:22:00.520
<v Speaker 4>about it. I'm gonna tell you something. I'm gonna tell

2:22:00.520 --> 2:22:04.240
<v Speaker 4>you something. I am not politically working at all, though

2:22:04.320 --> 2:22:08.320
<v Speaker 4>nobody pay me. I always said one drink, Champs, and

2:22:08.400 --> 2:22:11.600
<v Speaker 4>you could record this I am. I said that for

2:22:13.080 --> 2:22:17.560
<v Speaker 4>young recorded here's the crazy ship for young people. Because

2:22:17.840 --> 2:22:20.240
<v Speaker 4>we had first started with CBS, Big up CBS.

2:22:20.320 --> 2:22:22.160
<v Speaker 3>We have no problem with.

2:22:22.160 --> 2:22:23.320
<v Speaker 2>Their no longer CBS.

2:22:23.400 --> 2:22:26.920
<v Speaker 3>We are no longer as CBS, but they are longer

2:22:27.000 --> 2:22:31.400
<v Speaker 3>CBS were longer CBS, and we drink champs. Yeah, but

2:22:31.640 --> 2:22:32.600
<v Speaker 3>let me just say something.

2:22:32.840 --> 2:22:34.519
<v Speaker 2>Well it sounds confusing, but go ahead.

2:22:35.920 --> 2:22:36.360
<v Speaker 3>In a second.

2:22:37.840 --> 2:22:40.000
<v Speaker 2>They gave us we're multiple deals.

2:22:41.240 --> 2:22:53.960
<v Speaker 3>We got our lives the whole four style through. Ok So, look,

2:22:54.560 --> 2:22:58.480
<v Speaker 3>so the thing about it, you got that Johnny Blue

2:22:58.520 --> 2:23:03.080
<v Speaker 3>though I never but you know what, and I'm supposed

2:23:03.080 --> 2:23:06.119
<v Speaker 3>to get shout of that because you took Johnny Blue

2:23:06.160 --> 2:23:08.600
<v Speaker 3>is so smooth. I'm in, I'm not here, I'm in.

2:23:08.920 --> 2:23:12.000
<v Speaker 3>I'm sorry. Powerfult be very happy, said Diagio. Brand.

2:23:13.600 --> 2:23:14.720
<v Speaker 2>He's distributed everything.

2:23:16.800 --> 2:23:21.720
<v Speaker 3>Why would he he'd be happy. It's a family brand. Guys, listen,

2:23:23.840 --> 2:23:27.560
<v Speaker 3>how far you want to go to this conversation. This

2:23:27.720 --> 2:23:29.640
<v Speaker 3>is what we do at dream Chat and listen, let

2:23:29.720 --> 2:23:32.840
<v Speaker 3>me tell you something. That is that an auto take

2:23:32.879 --> 2:23:35.960
<v Speaker 3>that I feel like you went away from you were saying,

2:23:35.959 --> 2:23:38.640
<v Speaker 3>it's an audible Let me tell you something. What does

2:23:38.680 --> 2:23:43.439
<v Speaker 3>that mean that? Listen? Change? I started noticing class.

2:23:44.800 --> 2:23:45.200
<v Speaker 6>Pull out.

2:23:45.520 --> 2:23:49.480
<v Speaker 4>No, No, that's okay, all sudden starts to be in Spanish,

2:23:52.600 --> 2:24:00.640
<v Speaker 4>don't don't but stout like you've been.

2:24:00.560 --> 2:24:05.560
<v Speaker 3>The guy to sit at because because let me just

2:24:06.400 --> 2:24:06.760
<v Speaker 3>let me just.

2:24:06.800 --> 2:24:07.280
<v Speaker 2>Big you up.

2:24:07.320 --> 2:24:11.039
<v Speaker 3>For one second. Okay, please please, can let me get

2:24:11.080 --> 2:24:15.360
<v Speaker 3>this for men? Like? The thing is this is just

2:24:15.480 --> 2:24:17.960
<v Speaker 3>taking the I'll take a shot of that with you

2:24:18.040 --> 2:24:23.480
<v Speaker 3>should take you? Are you drinking? I think I think

2:24:23.520 --> 2:24:26.040
<v Speaker 3>it's time. I think it's not. I'll take a shot. Okay,

2:24:26.120 --> 2:24:29.360
<v Speaker 3>I mean I'm talking about that. I'll do it. I

2:24:29.400 --> 2:24:33.920
<v Speaker 3>don't I don't want you was the guys listen, I

2:24:34.040 --> 2:24:37.520
<v Speaker 3>have to please. I need everybody to sit back and relax.

2:24:37.840 --> 2:24:41.880
<v Speaker 3>I don't see. And the thing about style is no stout.

2:24:41.920 --> 2:24:42.800
<v Speaker 2>I gotta big you up.

2:24:43.959 --> 2:24:48.240
<v Speaker 3>Is you recognize hip hop was was? We were the

2:24:48.400 --> 2:24:52.760
<v Speaker 3>new rock and rolls in my opinion? Can you let

2:24:52.840 --> 2:24:53.360
<v Speaker 3>me big you up?

2:24:53.640 --> 2:24:55.520
<v Speaker 2>Sorry, sir, I felt like you.

2:24:55.720 --> 2:24:58.160
<v Speaker 3>Knew hip hop was the new rocking roll.

2:24:59.520 --> 2:25:02.400
<v Speaker 2>And you got behind the two biggest.

2:25:03.680 --> 2:25:09.480
<v Speaker 3>You got behind guns and roses. He wasn't involved with

2:25:09.560 --> 2:25:12.440
<v Speaker 3>guns and roses. I'm giving an analogy.

2:25:12.680 --> 2:25:20.800
<v Speaker 1>Analogy, this analogy. That's what people think that much. You

2:25:20.920 --> 2:25:23.439
<v Speaker 1>got behind the biggest.

2:25:25.200 --> 2:25:26.240
<v Speaker 3>People that we had.

2:25:26.400 --> 2:25:31.160
<v Speaker 4>You had access to jay Z, you had access to nons,

2:25:32.000 --> 2:25:34.720
<v Speaker 4>and you got behind them and you pushed them in every.

2:25:35.920 --> 2:25:40.680
<v Speaker 3>Sure ever knew short what shout am I taking forgot?

2:25:40.720 --> 2:25:46.160
<v Speaker 3>It's a Johnny Blue. We just said, thank shutting me down.

2:25:46.280 --> 2:25:49.720
<v Speaker 3>You can tell, you can tell, right, you tell, I

2:25:49.840 --> 2:25:51.840
<v Speaker 3>wasspect the ship. I just wanted to get money with

2:25:51.920 --> 2:25:54.560
<v Speaker 3>you four years ago. This was that is not working

2:25:54.600 --> 2:25:58.039
<v Speaker 3>out for me. It's not working out. That's right, got smoother,

2:25:58.280 --> 2:25:59.920
<v Speaker 3>that's right. Yeah, she comes.

2:26:00.360 --> 2:26:04.119
<v Speaker 2>I'm drinking because when Johnny you want to give us everybody.

2:26:03.840 --> 2:26:06.800
<v Speaker 3>Come on, you should just take this around. Guys have

2:26:06.920 --> 2:26:08.520
<v Speaker 3>a great time. They're gonna be honest.

2:26:09.480 --> 2:26:11.640
<v Speaker 2>It's a great Johnny Blue. I love you guys.

2:26:13.560 --> 2:26:17.720
<v Speaker 3>It's very struggling than I thought it was. It's very slid.

2:26:18.200 --> 2:26:21.280
<v Speaker 3>I think Johnny Blue should be part of this. Guys,

2:26:22.160 --> 2:26:24.000
<v Speaker 3>tell PF just having it. It's no big deal.

2:26:24.120 --> 2:26:27.920
<v Speaker 2>No tell us you want to on the bill.

2:26:28.040 --> 2:26:31.960
<v Speaker 3>Let's do what you got. The guys will rock. You

2:26:32.120 --> 2:26:41.600
<v Speaker 3>gotta coo me only obligators.

2:26:43.200 --> 2:26:44.640
<v Speaker 4>What we do have?

2:26:44.800 --> 2:26:47.200
<v Speaker 3>Gratis killer you all? What is it to kill you?

2:26:47.640 --> 2:26:50.920
<v Speaker 3>A lot of you guys? Are you guys have tacos? Yeah?

2:26:50.959 --> 2:26:52.840
<v Speaker 3>We should band.

2:26:55.480 --> 2:26:58.199
<v Speaker 4>We could tell you've been in rap game since kidding

2:26:58.320 --> 2:26:59.880
<v Speaker 4>play because you are drinking.

2:27:00.040 --> 2:27:03.440
<v Speaker 3>I think that's incredible, man, I think that's incredible. What

2:27:03.760 --> 2:27:07.199
<v Speaker 3>did I do my job when I think that's amazing

2:27:07.320 --> 2:27:11.680
<v Speaker 3>is that I look young, by the way, forty seven.

2:27:12.240 --> 2:27:15.680
<v Speaker 3>Goddamn I've been doing all my life. Oh no, it's not.

2:27:15.760 --> 2:27:17.680
<v Speaker 3>I've been doing it since I was twenty one years old.

2:27:18.080 --> 2:27:21.720
<v Speaker 3>Goddamn stuff. All I've done is watch ship. All I've

2:27:21.720 --> 2:27:23.840
<v Speaker 3>do is watch artists go up and watch them fall

2:27:23.879 --> 2:27:26.240
<v Speaker 3>off and watch them go up. Watch So that's twenty

2:27:26.280 --> 2:27:29.880
<v Speaker 3>one years old. That's how I feed my family. I

2:27:29.959 --> 2:27:31.200
<v Speaker 3>don't have no like.

2:27:31.280 --> 2:27:31.840
<v Speaker 12>This is what I do.

2:27:32.959 --> 2:27:37.880
<v Speaker 3>I'm like, talk to me. I'm not lying. I'm not

2:27:38.000 --> 2:27:41.360
<v Speaker 3>making anything up. You lived and breathed it, every ounce

2:27:41.400 --> 2:27:42.440
<v Speaker 3>of it, and I won't stop.

2:27:42.879 --> 2:27:45.080
<v Speaker 6>And as soon as it starts to feel like I'm like,

2:27:46.240 --> 2:27:49.199
<v Speaker 6>like I don't understand what's going on or some bullshit,

2:27:49.360 --> 2:27:51.360
<v Speaker 6>I won't do it no more. I don't want I'm

2:27:51.400 --> 2:27:54.560
<v Speaker 6>not corny. I'm not doing anything corny. I'm not gonna

2:27:54.560 --> 2:27:57.920
<v Speaker 6>be last nigging the club doing dumb ship.

2:27:58.200 --> 2:28:02.480
<v Speaker 3>Look at you, that's what that's actually we could make that.

2:28:02.560 --> 2:28:05.440
<v Speaker 2>I mean, ever gave an artist like information?

2:28:06.959 --> 2:28:10.320
<v Speaker 3>I'm not gonna lie. That's awesome. You know I'm great.

2:28:11.240 --> 2:28:13.760
<v Speaker 3>Have you ever gave artists like this information and you

2:28:13.920 --> 2:28:20.920
<v Speaker 3>told him I'm good?

2:28:22.680 --> 2:28:26.040
<v Speaker 2>I say my album bitch backwards say I do.

2:28:26.200 --> 2:28:30.160
<v Speaker 4>I actually was not gonna nobody you ever ever gave

2:28:30.240 --> 2:28:33.280
<v Speaker 4>some artists information and then it wasn't.

2:28:33.320 --> 2:28:37.480
<v Speaker 2>It wasn't the thing like and you're wrong, you were wrong.

2:28:38.280 --> 2:28:41.560
<v Speaker 3>I'm gonna take fifty says its all the time. Fifty

2:28:41.640 --> 2:28:42.480
<v Speaker 3>says it. Fifty.

2:28:47.560 --> 2:28:53.520
<v Speaker 6>I said to him he shouldn't sign to uh Eminem's label.

2:28:54.720 --> 2:28:57.040
<v Speaker 3>You said he shouldn't signed to end what he was

2:28:57.120 --> 2:28:57.640
<v Speaker 3>saying there.

2:28:57.959 --> 2:29:00.120
<v Speaker 6>What I was saying was if he was saying in

2:29:00.200 --> 2:29:06.840
<v Speaker 6>the death row, because it's what he was saying was

2:29:06.959 --> 2:29:13.240
<v Speaker 6>so fucking crazy and truthful and honest and hard. I

2:29:13.360 --> 2:29:16.280
<v Speaker 6>didn't want him to get confused as this like guy

2:29:16.879 --> 2:29:17.400
<v Speaker 6>who could have.

2:29:17.400 --> 2:29:26.360
<v Speaker 3>Been slightly comical because Eminem had detwe what you yeah, no, no, no,

2:29:26.560 --> 2:29:28.800
<v Speaker 3>not a comical label, but just like a label that

2:29:29.080 --> 2:29:31.320
<v Speaker 3>was great music.

2:29:32.560 --> 2:29:36.880
<v Speaker 12>But because for some reason, I mean, I can't I

2:29:36.920 --> 2:29:38.320
<v Speaker 12>don't think I can articulate it.

2:29:38.400 --> 2:29:41.240
<v Speaker 6>But eve been a part of what they were doing

2:29:41.360 --> 2:29:46.480
<v Speaker 6>that was like is this honest or is this shock value?

2:29:47.160 --> 2:29:50.480
<v Speaker 6>And like, if Drake did it, it would be easy.

2:29:51.640 --> 2:29:57.120
<v Speaker 6>And I was telling fifty, be easy, you're easy.

2:29:58.560 --> 2:30:01.080
<v Speaker 3>But he couldn't have been that for shame fifty is

2:30:01.840 --> 2:30:08.760
<v Speaker 3>one n he did. He did everything. He's a hard working.

2:30:08.959 --> 2:30:12.400
<v Speaker 3>But where do y'all go on the Madison's Great Garden.

2:30:12.520 --> 2:30:15.480
<v Speaker 3>We see the pictures we went where you know where

2:30:15.480 --> 2:30:16.000
<v Speaker 3>we went wrong.

2:30:16.560 --> 2:30:18.880
<v Speaker 6>We went wrong because I said that he didn't make

2:30:18.920 --> 2:30:22.640
<v Speaker 6>a record a long time that was in and I

2:30:22.680 --> 2:30:24.520
<v Speaker 6>say it on the radio station or something, and.

2:30:24.600 --> 2:30:28.640
<v Speaker 3>He's seen it me like that, right, So he told

2:30:28.680 --> 2:30:29.879
<v Speaker 3>it to you at the Nick game.

2:30:30.879 --> 2:30:41.640
<v Speaker 6>And yeah, that's right. I can't walk in God's footsteps.

2:30:41.680 --> 2:30:44.400
<v Speaker 6>I'm not afraid of nothing, no, no what to think

2:30:44.440 --> 2:30:47.000
<v Speaker 6>about it. But I'm not afraid. I'm not is the

2:30:47.080 --> 2:30:50.280
<v Speaker 6>truth of the matter is. It's not like I was

2:30:50.360 --> 2:30:52.640
<v Speaker 6>surprised when Puffy showed up in.

2:30:52.680 --> 2:30:57.160
<v Speaker 3>My office after hit me now, but he didn't show

2:30:57.240 --> 2:31:01.200
<v Speaker 3>up before guys showed up. I wasn't surprised. I'm not

2:31:01.320 --> 2:31:03.480
<v Speaker 3>surprised when to the game and I seen he was

2:31:03.520 --> 2:31:06.680
<v Speaker 3>with me when I see I'm not afraid. He's I'm

2:31:06.720 --> 2:31:11.560
<v Speaker 3>not afraid of things, but I'm not. I'm not afraid

2:31:11.600 --> 2:31:14.480
<v Speaker 3>of But this is actually different. This is doesn't make

2:31:14.520 --> 2:31:17.480
<v Speaker 3>a difference. But when guys start talking at we're gonna

2:31:17.560 --> 2:31:22.320
<v Speaker 3>kill you this that bullshoe No, you're just saying.

2:31:22.360 --> 2:31:26.840
<v Speaker 6>That's how the business turns a problem into like the

2:31:26.959 --> 2:31:28.640
<v Speaker 6>problem goes from this is a problem.

2:31:28.480 --> 2:31:30.879
<v Speaker 3>To the real problems. We're gonna kill you. Well, we're

2:31:30.879 --> 2:31:39.880
<v Speaker 3>gonna do this like Okay, great, sounds like a lot

2:31:39.920 --> 2:31:43.800
<v Speaker 3>of people. It sounds like and then what it sounds

2:31:43.879 --> 2:31:47.640
<v Speaker 3>like you? This is all nobody says that.

2:31:48.240 --> 2:31:51.600
<v Speaker 6>I'm just saying. The underlying theme about beefing is what

2:31:51.879 --> 2:31:53.480
<v Speaker 6>happens if you lose that?

2:31:54.760 --> 2:31:59.400
<v Speaker 3>Are you gonna die? Is your all of a sudden,

2:31:59.400 --> 2:32:03.000
<v Speaker 3>you guys under standing when I say one word, what

2:32:03.200 --> 2:32:04.520
<v Speaker 3>the fuck did you think I was saying?

2:32:05.080 --> 2:32:05.960
<v Speaker 2>That was a lot of words?

2:32:06.360 --> 2:32:15.160
<v Speaker 3>Yeah, you think it got a little weird.

2:32:17.240 --> 2:32:17.360
<v Speaker 4>War.

2:32:19.080 --> 2:32:22.040
<v Speaker 3>It's a non stop, stop style. I'm in the business man.

2:32:22.120 --> 2:32:26.240
<v Speaker 3>I'm doing this ship in a high lovel bro I'm

2:32:26.280 --> 2:32:28.080
<v Speaker 3>not fucking around doing this ship for rain.

2:32:29.320 --> 2:32:33.879
<v Speaker 6>I'm doing this ship at the hall level. I'm making millionaires. Yes,

2:32:33.959 --> 2:32:36.040
<v Speaker 6>it's making a lot of money. I'm changing the way

2:32:36.600 --> 2:32:39.720
<v Speaker 6>things happen. When you're in the front line, you gotta

2:32:39.760 --> 2:32:45.039
<v Speaker 6>deal with front line things. You're CEO wartime piece, wartime CEO,

2:32:45.520 --> 2:32:49.440
<v Speaker 6>peacetime CEO. I'm the CEO of war time in peacetime.

2:32:50.560 --> 2:32:52.000
<v Speaker 6>This peacetime is cool.

2:32:52.920 --> 2:32:53.600
<v Speaker 3>It's what time.

2:32:53.680 --> 2:32:56.920
<v Speaker 6>You gotta deal with those type of things. You gotta

2:32:56.959 --> 2:32:59.960
<v Speaker 6>be able to deal with that. And I love those guys.

2:33:00.560 --> 2:33:04.320
<v Speaker 3>I respect those guys. I respect those guys. I respect

2:33:04.400 --> 2:33:07.520
<v Speaker 3>those guys. If it was some bullshit I didn't respect that,

2:33:07.520 --> 2:33:13.440
<v Speaker 3>I wouldn't care. I respect guys who I love what

2:33:13.640 --> 2:33:18.520
<v Speaker 3>top dogs doing m hm, love it on his own rules.

2:33:19.000 --> 2:33:21.160
<v Speaker 3>This is how we're doing this. We're gonna lose this.

2:33:22.720 --> 2:33:25.600
<v Speaker 4>And you want how was it being the president in

2:33:25.720 --> 2:33:30.560
<v Speaker 4>the school, because I can you woman describe how we

2:33:30.640 --> 2:33:31.440
<v Speaker 4>looked at in the school.

2:33:34.200 --> 2:33:35.320
<v Speaker 2>Was the first rap artist.

2:33:38.360 --> 2:33:41.640
<v Speaker 3>Acadella was the first artist. You know, Akandela got running

2:33:41.640 --> 2:33:45.960
<v Speaker 3>the other before Nons. I definitely did know. He's schooling

2:33:46.000 --> 2:33:46.360
<v Speaker 3>to be right.

2:33:48.520 --> 2:33:53.640
<v Speaker 21>Got the deal because because everybody got hooked on the

2:33:54.040 --> 2:33:58.800
<v Speaker 21>re rate, that was the ship.

2:34:00.959 --> 2:34:08.240
<v Speaker 3>Nobody even keep talking though everybody bought that. No rhymes,

2:34:10.200 --> 2:34:23.280
<v Speaker 3>ah hooky things have a classic that's really digging deep.

2:34:30.360 --> 2:34:40.800
<v Speaker 3>He was pulling bitches away. He's playing. Okay, how about this?

2:34:41.120 --> 2:34:43.879
<v Speaker 3>Ally had Nas in the.

2:34:46.040 --> 2:34:49.840
<v Speaker 6>One B position. Nas couldn't get a deal. Acannelly got

2:34:49.879 --> 2:34:52.480
<v Speaker 6>other deals. It was like, yo, you know what put

2:34:52.520 --> 2:34:53.400
<v Speaker 6>my nigga Nas on.

2:34:55.120 --> 2:34:55.320
<v Speaker 3>Big.

2:34:56.959 --> 2:34:59.840
<v Speaker 6>That's how fucked up things are. When our phone gets

2:35:00.080 --> 2:35:05.360
<v Speaker 6>so big, the money gets involved, fucks everything up. I

2:35:05.520 --> 2:35:07.680
<v Speaker 6>tell you, tell is my best friend.

2:35:08.879 --> 2:35:09.720
<v Speaker 3>You go through talking.

2:35:10.959 --> 2:35:12.640
<v Speaker 6>It's my best friend. You know why he's my best

2:35:12.680 --> 2:35:18.760
<v Speaker 6>friend because until money. So that's fucking with girls or religion.

2:35:19.320 --> 2:35:23.880
<v Speaker 6>You even know who your best friends are. Absolutely, and

2:35:24.000 --> 2:35:26.360
<v Speaker 6>we've survived those topics, the things.

2:35:26.480 --> 2:35:30.040
<v Speaker 3>That's why we're best friends. Best friends have to go

2:35:30.200 --> 2:35:32.960
<v Speaker 3>through that thing and I can only and I is

2:35:33.000 --> 2:35:38.520
<v Speaker 3>when Aconolic got the fame. He didn't say Nas was

2:35:38.600 --> 2:35:44.040
<v Speaker 3>better than me. He was academy. He knew that he

2:35:44.080 --> 2:35:45.959
<v Speaker 3>couldn't fuck with this man on the sixteen.

2:35:49.160 --> 2:35:54.119
<v Speaker 6>I couldn't even you, crazy sneaker is all the world's

2:35:54.160 --> 2:35:54.959
<v Speaker 6>past the margin.

2:35:55.320 --> 2:35:59.760
<v Speaker 3>God, I'm the fucking bullshit. Put it in your mouth. God,

2:36:06.200 --> 2:36:19.119
<v Speaker 3>shout out to that's my that's my guy. Man, you're going.

2:36:23.040 --> 2:36:26.720
<v Speaker 6>That's how it goes, man, it's like that in the streets.

2:36:26.760 --> 2:36:30.480
<v Speaker 6>It works like that music in business, man, you are you.

2:36:30.600 --> 2:36:31.120
<v Speaker 3>Great or not?

2:36:32.400 --> 2:36:35.800
<v Speaker 12>How do you feel about do you think the industry

2:36:37.280 --> 2:36:39.000
<v Speaker 12>corrupted hip hop culture?

2:36:40.400 --> 2:36:45.280
<v Speaker 6>I think that money comes in and when money comes in,

2:36:47.760 --> 2:36:50.840
<v Speaker 6>but what's gonna happen is obvious, Like money comes in.

2:36:50.959 --> 2:36:55.840
<v Speaker 3>And changes all of the outcomes. So that's some money

2:36:55.920 --> 2:36:58.520
<v Speaker 3>does It's like it happened in rock music. You know,

2:36:58.760 --> 2:37:04.720
<v Speaker 3>MTV goes on this eyes yeah.

2:37:04.800 --> 2:37:08.160
<v Speaker 6>Hip hop, yeah, I mean like we needed all of

2:37:08.200 --> 2:37:15.920
<v Speaker 6>a sudden. If you if you're gonna grow, the consequences

2:37:15.959 --> 2:37:22.119
<v Speaker 6>of growth is mass adoption, and the massive adoption is corruption.

2:37:24.360 --> 2:37:27.160
<v Speaker 3>That's all. There's nothing wrong with it. It's just the

2:37:27.240 --> 2:37:27.680
<v Speaker 3>way it is.

2:37:28.400 --> 2:37:30.199
<v Speaker 6>Rock and roll got big and all of a sudden,

2:37:30.280 --> 2:37:35.400
<v Speaker 6>it was guys. Look at White Snake. They were compared

2:37:36.160 --> 2:37:40.800
<v Speaker 6>to Bruce Springsteen. White Snake is a rock at there's

2:37:40.840 --> 2:37:43.840
<v Speaker 6>the rock ats they were doing. I always use White

2:37:43.879 --> 2:37:49.680
<v Speaker 6>Snake as an example because White Snake, Nelly, Chaule, Ludi, Chris,

2:37:51.720 --> 2:37:53.800
<v Speaker 6>they're all really talented people.

2:37:56.760 --> 2:38:00.320
<v Speaker 3>They're all talented people, but they all have something in common.

2:38:01.600 --> 2:38:08.480
<v Speaker 3>They had to follow the core truth of something and

2:38:08.640 --> 2:38:09.560
<v Speaker 3>they were all.

2:38:12.959 --> 2:38:17.360
<v Speaker 6>In all the world and sent advised to do something

2:38:17.440 --> 2:38:21.440
<v Speaker 6>that wasn't really at the court of truth of the

2:38:21.520 --> 2:38:22.200
<v Speaker 6>hip hop thing.

2:38:22.360 --> 2:38:26.879
<v Speaker 3>Man, lay down here every day, you know, you gotta

2:38:26.920 --> 2:38:33.840
<v Speaker 3>do this hip hop man. Like for me, I may

2:38:33.920 --> 2:38:42.439
<v Speaker 3>not ever make a billion dollars. Everybody, but if I'm

2:38:42.520 --> 2:38:48.720
<v Speaker 3>saying this on your show, just relaxed. Would ask somebody

2:38:48.800 --> 2:38:55.720
<v Speaker 3>feeling that. But if I tell the truth and it

2:38:55.840 --> 2:38:58.320
<v Speaker 3>takes me as far as I can go, that's a

2:38:58.400 --> 2:39:04.400
<v Speaker 3>billion dollars. Man. The truth is that you're free, said matter.

2:39:05.240 --> 2:39:09.160
<v Speaker 6>Fun with my man, I'm good. I'm gonna keep pushing

2:39:09.200 --> 2:39:13.959
<v Speaker 6>ship forward. I know nobody can funk with me. They

2:39:13.959 --> 2:39:15.640
<v Speaker 6>can try to talk to me, they can't funk with me.

2:39:16.440 --> 2:39:17.279
<v Speaker 6>They can't even.

2:39:18.600 --> 2:39:29.000
<v Speaker 3>It's close. It's as looks just still got that tell

2:39:29.080 --> 2:39:29.720
<v Speaker 3>that SI stop.

2:39:34.520 --> 2:39:37.200
<v Speaker 4>Look, I tried to be a member of so you

2:39:38.280 --> 2:39:43.119
<v Speaker 4>you lost good? That stops and my wilding out Menimo,

2:39:43.280 --> 2:39:45.800
<v Speaker 4>this is my first time being the memoir and.

2:39:46.040 --> 2:39:54.080
<v Speaker 3>So it doesn't matter. Yea, you don't. It's I don't

2:39:54.120 --> 2:39:55.560
<v Speaker 3>want mustache bed.

2:39:55.680 --> 2:40:08.720
<v Speaker 29>Look, I'm saying, stop to say anything about me.

2:40:09.000 --> 2:40:15.800
<v Speaker 3>But why do you think that's the right. Look? Stop

2:40:15.920 --> 2:40:24.560
<v Speaker 3>coming up me, I think think about me. I'm gonna man,

2:40:24.680 --> 2:40:31.120
<v Speaker 3>I got anything you gotta and young guys got the

2:40:31.200 --> 2:40:31.760
<v Speaker 3>same bit.

2:40:33.280 --> 2:40:33.400
<v Speaker 15>Man.

2:40:34.800 --> 2:40:37.879
<v Speaker 3>You haven't talked to him about this. I talked about

2:40:37.920 --> 2:40:45.600
<v Speaker 3>your friend. I don't want to know. Definitely needs a friend.

2:40:45.680 --> 2:40:51.760
<v Speaker 3>Hamp Why you look a thing? Because I gotta relax you.

2:40:53.560 --> 2:40:56.080
<v Speaker 3>But why do you want to thin? But you let

2:40:56.280 --> 2:41:05.240
<v Speaker 3>off you like the Black Show. I guess what stop?

2:41:05.320 --> 2:41:09.360
<v Speaker 3>I got your back with me. Wire mean stop, trust me,

2:41:09.440 --> 2:41:13.840
<v Speaker 3>I got the crowd right. Don't go at me. My god,

2:41:18.360 --> 2:41:21.120
<v Speaker 3>there's not even no money in your way. It's trying

2:41:21.160 --> 2:41:24.440
<v Speaker 3>to figure out I love you stuff that mustache state

2:41:25.160 --> 2:41:30.880
<v Speaker 3>it's better statement, but it's stuff. I'm part week. Stuff

2:41:31.720 --> 2:41:33.880
<v Speaker 3>you can go to be racial, you know, and look,

2:41:34.000 --> 2:41:36.680
<v Speaker 3>you gotta call over got it. He was so scared

2:41:37.720 --> 2:41:39.800
<v Speaker 3>because you know he went at the l g B

2:41:40.080 --> 2:41:43.080
<v Speaker 3>t B t B t B. You gotta realize you

2:41:43.240 --> 2:41:44.800
<v Speaker 3>are safe. What did they say?

2:41:45.800 --> 2:41:50.000
<v Speaker 4>You've never said no, you are phantastic. Everybody got scared

2:41:50.040 --> 2:41:52.760
<v Speaker 4>cause I said l g B T Yo. Listen, they

2:41:52.879 --> 2:41:54.760
<v Speaker 4>got all of us niggas show.

2:41:55.840 --> 2:41:58.480
<v Speaker 3>I mean why you're good with the l g B

2:41:58.640 --> 2:42:08.600
<v Speaker 3>T I'm rich. He loves am.

2:42:08.640 --> 2:42:10.560
<v Speaker 2>I I'm looking to took a shot of that.

2:42:10.720 --> 2:42:14.240
<v Speaker 3>I think right, that one you didn't take. That you

2:42:14.320 --> 2:42:15.800
<v Speaker 3>avoided everything, but that one.

2:42:17.160 --> 2:42:20.480
<v Speaker 2>Stars like a glory on the law, on the law.

2:42:21.120 --> 2:42:28.279
<v Speaker 4>That's why we reconnect back then, because he's actually like, look, tone.

2:42:28.120 --> 2:42:31.800
<v Speaker 3>Is ready to leave. It is important to me. I

2:42:31.920 --> 2:42:35.520
<v Speaker 3>want my manning to get everything. You got something to say.

2:42:35.600 --> 2:42:37.640
<v Speaker 3>You don't do this much. You know he's doing this

2:42:37.680 --> 2:42:40.440
<v Speaker 3>because is on here. You want to say anything. You

2:42:40.640 --> 2:42:44.240
<v Speaker 3>are the best at what you do and you don't

2:42:44.240 --> 2:42:46.640
<v Speaker 3>talk about and still the best that with you, So

2:42:46.760 --> 2:42:54.640
<v Speaker 3>you don't do this. That's my job. Track masses to

2:42:55.160 --> 2:42:56.080
<v Speaker 3>top five, That.

2:42:56.440 --> 2:43:02.640
<v Speaker 4>Lie I gotta stop for a second. Track Masters is

2:43:02.760 --> 2:43:09.120
<v Speaker 4>top three. If a person ever bring up Nono, do.

2:43:09.160 --> 2:43:13.640
<v Speaker 3>You want me to take this from me? A person

2:43:13.760 --> 2:43:16.920
<v Speaker 3>ever bring up the top its producers.

2:43:17.000 --> 2:43:18.880
<v Speaker 4>When you look at a person like NNS and you

2:43:19.040 --> 2:43:22.160
<v Speaker 4>look at ill Man, and when you look at el

2:43:22.280 --> 2:43:27.880
<v Speaker 4>Madic and Illmatic, to me, this is just me, and

2:43:28.000 --> 2:43:30.760
<v Speaker 4>anybody can debate me, or anybody can say fuck you,

2:43:30.920 --> 2:43:34.480
<v Speaker 4>no real anybody. But a lot of times when I

2:43:34.600 --> 2:43:37.200
<v Speaker 4>want a person to study hip hop, I want them

2:43:37.240 --> 2:43:40.520
<v Speaker 4>to start from Ellmatic and then I want you to

2:43:40.640 --> 2:43:45.440
<v Speaker 4>go back. And when you go back and you study

2:43:45.560 --> 2:43:49.920
<v Speaker 4>Ellmatic and then you go back. It was written was

2:43:50.000 --> 2:43:50.800
<v Speaker 4>that first album?

2:43:50.879 --> 2:43:51.040
<v Speaker 3>Is that?

2:43:51.840 --> 2:43:52.240
<v Speaker 15>Is that it?

2:43:53.879 --> 2:43:55.960
<v Speaker 3>And it was written it? It was so needy for

2:43:56.280 --> 2:44:00.600
<v Speaker 3>oh fucking too, that sample, that sting sample from professional

2:44:01.040 --> 2:44:07.120
<v Speaker 3>talking about that too, he said, No, I'm like Lona's

2:44:11.160 --> 2:44:17.480
<v Speaker 3>dum I'm like Tom. Tom played that ship for me first.

2:44:18.080 --> 2:44:22.120
<v Speaker 3>I'm like, I couldn't believe that I had And it

2:44:22.200 --> 2:44:24.360
<v Speaker 3>was the first time in my life I knew I

2:44:24.480 --> 2:44:28.840
<v Speaker 3>had a person that understood it like me. When he

2:44:28.920 --> 2:44:32.080
<v Speaker 3>played that tample he played for me.

2:44:32.480 --> 2:44:35.240
<v Speaker 6>He didn't play it for me like on some like

2:44:36.320 --> 2:44:38.000
<v Speaker 6>he plays to me, Like, Yo, this ship is right,

2:44:39.240 --> 2:44:41.160
<v Speaker 6>I said, I take it to Nas. Nas heard it

2:44:41.200 --> 2:44:41.800
<v Speaker 6>and said, nah, I.

2:44:41.760 --> 2:44:46.320
<v Speaker 3>Don't want to do it. Facts, I said, tell him,

2:44:46.400 --> 2:44:51.160
<v Speaker 3>Nas want to make this record. I trust this guy's

2:44:52.000 --> 2:45:00.080
<v Speaker 3>he's shovel. He's special, super special. He sees things. You

2:45:00.160 --> 2:45:04.400
<v Speaker 3>gotta let him do his sting. Yeah, let him play

2:45:04.400 --> 2:45:04.800
<v Speaker 3>his game.

2:45:05.280 --> 2:45:08.280
<v Speaker 6>He's an awesome spades player too, You'll let him do

2:45:08.360 --> 2:45:09.280
<v Speaker 6>his stink top five.

2:45:16.800 --> 2:45:18.840
<v Speaker 3>By the way, jay Z stopped ducking me on the

2:45:18.879 --> 2:45:24.720
<v Speaker 3>spades game. There's about of stuff and ship. You gotta relax.

2:45:27.760 --> 2:45:35.880
<v Speaker 3>I'm about so he's doing this ship. He plays his

2:45:35.879 --> 2:45:37.520
<v Speaker 3>ship for me. I'm like, I go back there. I

2:45:37.600 --> 2:45:39.959
<v Speaker 3>was like, guy, you're gonna do this ship And I'm

2:45:40.080 --> 2:45:44.920
<v Speaker 3>like if I could rot, it'd be terrible if I

2:45:45.040 --> 2:45:46.520
<v Speaker 3>could rat, but I can't.

2:45:48.200 --> 2:45:51.400
<v Speaker 6>So I'm like, and how you're not gonna wrap over

2:45:51.480 --> 2:45:58.879
<v Speaker 6>this ship, and you hurt that ship, you hurt the message.

2:46:00.120 --> 2:46:03.000
<v Speaker 6>The message is ridiculous. That's the way to start off

2:46:03.080 --> 2:46:04.920
<v Speaker 6>on the album. But it took time to get there

2:46:05.080 --> 2:46:09.560
<v Speaker 6>and Tone, Tone and Nas. I get a lot of

2:46:09.600 --> 2:46:16.680
<v Speaker 6>credit for NAS's career, and but my insight, a lot

2:46:16.760 --> 2:46:19.360
<v Speaker 6>of what I've done, it was really built off of

2:46:19.440 --> 2:46:22.800
<v Speaker 6>my partners understanding.

2:46:22.800 --> 2:46:23.680
<v Speaker 3>A thing.

2:46:26.800 --> 2:46:29.400
<v Speaker 14>Like that. I like that.

2:46:30.200 --> 2:46:33.800
<v Speaker 4>I really liked that, all right, and this and this

2:46:34.040 --> 2:46:37.000
<v Speaker 4>your forget the right story I wanted to give My

2:46:37.520 --> 2:46:38.600
<v Speaker 4>membership is so off.

2:46:39.920 --> 2:46:42.040
<v Speaker 3>Look listen, I'm from left right. I used to shoot

2:46:42.040 --> 2:46:42.920
<v Speaker 3>people who stached out.

2:46:42.920 --> 2:46:43.840
<v Speaker 2>I don't know if you know that.

2:46:44.360 --> 2:46:56.680
<v Speaker 3>I don't believe that you got you gotta realize playing Joe,

2:46:57.959 --> 2:47:04.240
<v Speaker 3>he was feel was a shooter. To my say, is

2:47:04.240 --> 2:47:08.120
<v Speaker 3>a legend. My share has never been fifty was you know.

2:47:09.680 --> 2:47:11.280
<v Speaker 2>A stop shooting guys?

2:47:11.520 --> 2:47:16.720
<v Speaker 3>I'm never shot that was Hey, buddy, you never to

2:47:16.800 --> 2:47:20.200
<v Speaker 3>shoot his It was like you guys, just like it

2:47:20.400 --> 2:47:26.040
<v Speaker 3>wasn't even like a thing like he's a shooter. Shot

2:47:26.160 --> 2:47:34.000
<v Speaker 3>niggas too, was a shooter. Look under this ship tell

2:47:34.040 --> 2:47:34.480
<v Speaker 3>us about you.

2:47:38.720 --> 2:47:40.680
<v Speaker 6>But if you were a shooter, you weren't necessarily the

2:47:40.800 --> 2:47:45.199
<v Speaker 6>boss Nigga you're pulling the team exactly the fact.

2:47:45.480 --> 2:47:47.520
<v Speaker 3>Lead this side of the life. That's the fact. Let

2:47:47.600 --> 2:47:48.119
<v Speaker 3>him talk.

2:47:49.760 --> 2:47:53.480
<v Speaker 2>The shootings inside of life, real talk for that person.

2:47:53.600 --> 2:47:56.840
<v Speaker 2>That of the is that life was decided.

2:47:57.640 --> 2:48:00.560
<v Speaker 6>There was shoots, niggas shoot is like, that's the shooter.

2:48:00.680 --> 2:48:04.400
<v Speaker 6>This that But if you were the Boss Snigger and

2:48:04.520 --> 2:48:06.320
<v Speaker 6>you had a team together and you had a shooter on.

2:48:06.400 --> 2:48:08.400
<v Speaker 3>The team, absolutely saying it.

2:48:09.040 --> 2:48:09.920
<v Speaker 2>You know what I'm saying.

2:48:10.000 --> 2:48:14.720
<v Speaker 3>I didn't say that, but how okar was it?

2:48:14.920 --> 2:48:15.080
<v Speaker 2>Right?

2:48:15.240 --> 2:48:19.160
<v Speaker 30>Like now, now you're probably the only person in the

2:48:19.320 --> 2:48:23.840
<v Speaker 30>world that has access to to jay Z and Nas

2:48:24.080 --> 2:48:26.640
<v Speaker 30>at the same time.

2:48:26.959 --> 2:48:33.600
<v Speaker 3>Still still and and listen, I'm gonna just I'm gonna

2:48:33.800 --> 2:48:36.320
<v Speaker 3>throw this out there. I look at them like the

2:48:36.480 --> 2:48:40.320
<v Speaker 3>two tycoons. I look at them like the the fucking.

2:48:40.520 --> 2:48:42.040
<v Speaker 2>Fast this is this is it.

2:48:42.800 --> 2:48:46.400
<v Speaker 31>This is hip hop to me, these two guys you

2:48:46.560 --> 2:48:57.240
<v Speaker 31>the only access to the tooist tycoons in the world.

2:48:57.800 --> 2:48:58.760
<v Speaker 31>I'm not gonna lie to you.

2:48:59.240 --> 2:49:02.600
<v Speaker 3>Stop. If I was you, I would have did so

2:49:02.840 --> 2:49:03.760
<v Speaker 3>crazy like I.

2:49:06.360 --> 2:49:09.199
<v Speaker 2>Just pissed on people for the reason why they.

2:49:10.959 --> 2:49:12.760
<v Speaker 3>Fig you up and big you up. This is what

2:49:12.840 --> 2:49:15.480
<v Speaker 3>I would have did about it. I'll just pissed on people.

2:49:17.400 --> 2:49:18.039
<v Speaker 3>You know what.

2:49:21.959 --> 2:49:22.680
<v Speaker 15>Was pissed.

2:49:24.240 --> 2:49:24.280
<v Speaker 3>You.

2:49:27.840 --> 2:49:30.480
<v Speaker 4>But I'm just saying, stop, why the fuck is you

2:49:30.840 --> 2:49:34.000
<v Speaker 4>that humble? And you had You're the only person in

2:49:34.040 --> 2:49:37.160
<v Speaker 4>the world, in my opinion, that had access to them.

2:49:37.200 --> 2:49:42.760
<v Speaker 4>Boll they guys, they went through it. How the fuck

2:49:42.879 --> 2:49:46.680
<v Speaker 4>do you make and then and then listen if you

2:49:46.800 --> 2:49:50.760
<v Speaker 4>have to maintain your relationships, bom, this is tycoons.

2:49:51.120 --> 2:49:54.240
<v Speaker 3>This is not for vernal saurus. I don't even know

2:49:54.280 --> 2:49:54.520
<v Speaker 3>what that.

2:49:56.240 --> 2:50:00.600
<v Speaker 2>Just robbed me, not robbing me ours.

2:50:00.840 --> 2:50:02.720
<v Speaker 3>This is why we this is why we get it

2:50:02.920 --> 2:50:04.360
<v Speaker 3>get we make up dinosaurs.

2:50:04.440 --> 2:50:07.760
<v Speaker 2>We make up dinosaurs and you're the only.

2:50:07.640 --> 2:50:13.800
<v Speaker 3>Guy in the world. Is it awkward? Oh?

2:50:14.520 --> 2:50:18.640
<v Speaker 6>Okay, don't start opening. Okay, tell me it's it's awkward

2:50:18.720 --> 2:50:19.840
<v Speaker 6>because I mean I.

2:50:20.000 --> 2:50:25.240
<v Speaker 3>Deserve to be in the room. M deserve what I

2:50:25.440 --> 2:50:29.440
<v Speaker 3>deserve to be in the room. Okay, take it for me,

2:50:30.760 --> 2:50:39.400
<v Speaker 3>you know, artist man of that level. My job is

2:50:39.760 --> 2:50:45.400
<v Speaker 3>it's always make sure what do you need? I see,

2:50:45.520 --> 2:50:48.640
<v Speaker 3>j what do you need? Now? As what do you need?

2:50:49.640 --> 2:50:55.760
<v Speaker 3>I love these guys. I don't care about the money. Man.

2:50:56.680 --> 2:51:00.640
<v Speaker 3>If I mean it about money, it would be different. Mm.

2:51:01.480 --> 2:51:03.600
<v Speaker 3>But it's not about money. I love those guys. I

2:51:03.720 --> 2:51:07.480
<v Speaker 3>can't even believe I know both of those guys. I

2:51:07.560 --> 2:51:11.000
<v Speaker 3>speak to them. There's not a week that goes by.

2:51:11.080 --> 2:51:22.560
<v Speaker 3>I don't speak Then and jay Z. I speak you crazy.

2:51:22.680 --> 2:51:25.160
<v Speaker 3>It's to me that that's a crazy idea. I speak

2:51:25.200 --> 2:51:31.320
<v Speaker 3>Then and jay Z every week or every day, all

2:51:31.400 --> 2:51:37.039
<v Speaker 3>the time. It has nothing to do with anything. It's real.

2:51:37.520 --> 2:51:40.280
<v Speaker 3>It's a real relationship. You have people you speak to

2:51:40.320 --> 2:51:40.959
<v Speaker 3>you every other.

2:51:40.920 --> 2:51:48.000
<v Speaker 28>Day, and mean you aren't seeking trying to make it

2:51:48.080 --> 2:51:56.720
<v Speaker 28>a normal thing that you even know what that's done

2:51:56.720 --> 2:51:57.480
<v Speaker 28>on a normal day.

2:51:57.840 --> 2:51:58.560
<v Speaker 11>That's not normal.

2:51:59.800 --> 2:52:02.879
<v Speaker 3>It's it's not.

2:52:05.200 --> 2:52:08.920
<v Speaker 4>Your listen stuff, and it's just this comes. A part

2:52:09.000 --> 2:52:13.960
<v Speaker 4>of me begging you up is because you were the

2:52:14.360 --> 2:52:18.600
<v Speaker 4>only person in the hip hop who could have fixed

2:52:18.640 --> 2:52:19.439
<v Speaker 4>that situation.

2:52:21.240 --> 2:52:22.440
<v Speaker 3>They're not to take credit for it.

2:52:23.120 --> 2:52:24.880
<v Speaker 2>You don't take credit for No.

2:52:26.200 --> 2:52:30.320
<v Speaker 3>No, you don't understand how great they are. They don't.

2:52:32.360 --> 2:52:40.800
<v Speaker 3>It's fucking Shakespeare and Picasso. It's not really a thing.

2:52:42.360 --> 2:52:46.920
<v Speaker 6>It's Shakespeare. If you're making Shakespeare, Picasso's no problem. They

2:52:47.000 --> 2:52:49.200
<v Speaker 6>don't argue with each other or fight with each other.

2:52:49.240 --> 2:52:49.560
<v Speaker 3>They're like.

2:52:51.720 --> 2:52:57.040
<v Speaker 6>Great, but no, damn, ye don't believe he believe the things.

2:52:57.080 --> 2:52:59.880
<v Speaker 6>The way they see the world I can't believe I'm

2:52:59.879 --> 2:53:00.400
<v Speaker 6>around it.

2:53:02.480 --> 2:53:07.040
<v Speaker 3>But but but but stop, but stop, let me just

2:53:07.160 --> 2:53:08.959
<v Speaker 3>let me just pick you up once and once again.

2:53:09.520 --> 2:53:12.440
<v Speaker 4>You're probably the only person that had access to the

2:53:12.640 --> 2:53:15.960
<v Speaker 4>most toof No.

2:53:16.480 --> 2:53:19.800
<v Speaker 3>But see, Puff had bad Boy and he had I

2:53:19.879 --> 2:53:23.280
<v Speaker 3>had no Yeah, I had no alterium motives that so

2:53:23.400 --> 2:53:26.240
<v Speaker 3>I got everything. Nigga finished my sentence. That was the

2:53:26.320 --> 2:53:29.160
<v Speaker 3>exact sentence I was saying, was a lot of people

2:53:29.280 --> 2:53:32.320
<v Speaker 3>had as motives are. I don't want you to drop

2:53:33.360 --> 2:53:35.560
<v Speaker 3>a lot of I'm sorry, I was. I was trying

2:53:35.600 --> 2:53:39.280
<v Speaker 3>to have you people.

2:53:41.560 --> 2:53:45.160
<v Speaker 4>But you was the only guy that in the middle,

2:53:45.640 --> 2:53:48.520
<v Speaker 4>prior to the beef, in between the beef, and after

2:53:48.640 --> 2:53:52.160
<v Speaker 4>the beef, that had access to the two most.

2:53:54.680 --> 2:53:57.880
<v Speaker 3>Likes the part of the show.

2:53:58.120 --> 2:54:01.360
<v Speaker 4>But you had access to the most Nigga's two icons

2:54:01.760 --> 2:54:02.560
<v Speaker 4>and hip hop.

2:54:06.000 --> 2:54:07.879
<v Speaker 3>You need I.

2:54:09.520 --> 2:54:11.879
<v Speaker 4>No, but how how does that feel to be when

2:54:12.000 --> 2:54:15.320
<v Speaker 4>access to the two biggest icons ever in hip hop?

2:54:15.879 --> 2:54:18.440
<v Speaker 3>And I'm gonna be honest with you, as a person

2:54:18.640 --> 2:54:22.600
<v Speaker 3>that that know you, like halfway know you, I know you.

2:54:22.800 --> 2:54:26.560
<v Speaker 3>You was uncomfortable during that that situation was I was

2:54:26.640 --> 2:54:27.359
<v Speaker 3>not uncomfortable.

2:54:27.720 --> 2:54:33.680
<v Speaker 4>You wasn't more than that James Beef. You wasn't at all,

2:54:34.360 --> 2:54:38.480
<v Speaker 4>because when beef is clear, No, we know it wasn't.

2:54:40.800 --> 2:54:42.400
<v Speaker 3>No apology.

2:54:44.560 --> 2:54:47.000
<v Speaker 2>Continue like he's a queen's nigga. You can want him

2:54:47.000 --> 2:54:49.760
<v Speaker 2>to sit. No, he's for queens you know and other

2:54:49.840 --> 2:54:50.440
<v Speaker 2>queens nigga.

2:54:50.480 --> 2:54:51.840
<v Speaker 3>I apologize. Continue.

2:54:51.959 --> 2:54:55.800
<v Speaker 23>So the best ropers of all time? You want to

2:54:55.840 --> 2:55:00.280
<v Speaker 23>go there and now that later because it was of

2:55:00.320 --> 2:55:05.320
<v Speaker 23>all task Yo, science what you're doing?

2:55:06.400 --> 2:55:06.640
<v Speaker 3>Queen?

2:55:06.760 --> 2:55:12.480
<v Speaker 4>No, I don't remember our engineers the Queens, Yeah, exactly.

2:55:12.360 --> 2:55:17.040
<v Speaker 3>Anybody else from Queens operated green You from Queens.

2:55:17.080 --> 2:55:20.160
<v Speaker 2>I'm just saying we could debate the best rappers of

2:55:20.200 --> 2:55:20.840
<v Speaker 2>all time.

2:55:20.720 --> 2:55:24.480
<v Speaker 3>From wherever they're from. You don't Miami. Nobody ever says, Oh,

2:55:24.640 --> 2:55:31.040
<v Speaker 3>I'll tell you Miami a bro as and H and

2:55:31.520 --> 2:55:32.080
<v Speaker 3>L and.

2:55:32.360 --> 2:55:36.680
<v Speaker 6>Fucking trap Corp. Queens, Uh huh, your Rockums on Island

2:55:37.680 --> 2:55:38.400
<v Speaker 6>and Bob.

2:55:38.200 --> 2:55:44.120
<v Speaker 22>D Okay, you deleting all the West Coast Crew was

2:55:44.160 --> 2:55:45.200
<v Speaker 22>one of the best to do it too.

2:55:45.680 --> 2:55:46.080
<v Speaker 3>Queens.

2:55:47.160 --> 2:55:48.760
<v Speaker 2>You're not accepting that.

2:55:49.920 --> 2:55:56.320
<v Speaker 3>Queens? Oh okay, that was battling you got. The battle

2:55:56.400 --> 2:55:58.560
<v Speaker 3>is always Queens versus Brooklyn. It's not even close.

2:55:58.800 --> 2:56:00.960
<v Speaker 11>Okay, you wins every time.

2:56:01.760 --> 2:56:05.080
<v Speaker 3>He has better rappers and broke to you. My friend too.

2:56:06.879 --> 2:56:08.960
<v Speaker 3>I got Big and jay Z, I don't. I don't

2:56:08.959 --> 2:56:11.680
<v Speaker 3>know what to tell you. I got Nas, I got

2:56:11.800 --> 2:56:14.640
<v Speaker 3>your Chea Rod, I got trap Cake Quest, I got

2:56:14.720 --> 2:56:16.720
<v Speaker 3>Big Daddy. I ever got lots.

2:56:18.160 --> 2:56:19.400
<v Speaker 11>I haven't Big Daddy Kane.

2:56:20.680 --> 2:56:24.920
<v Speaker 23>You know, Big Daddy's this big L, BIGL.

2:56:26.680 --> 2:56:34.720
<v Speaker 3>Come on, you know Big Daddy Kane really literally literally

2:56:35.160 --> 2:56:42.760
<v Speaker 3>just shake the left of this first album. Wow, I

2:56:42.959 --> 2:56:50.280
<v Speaker 3>wasn't I wasn't ready. What's the second album? You don't know?

2:56:53.080 --> 2:57:00.760
<v Speaker 3>He wasn't all. I was google that. Let's turn out, yo,

2:57:01.000 --> 2:57:04.640
<v Speaker 3>I love Dophins was the second alum Big, Big Daddy,

2:57:05.760 --> 2:57:18.080
<v Speaker 3>Big Madonna. Yeah, that was. This was so realized. You

2:57:18.080 --> 2:57:23.480
<v Speaker 3>already saying everything. We're saying things. I think Big Daddy

2:57:23.520 --> 2:57:28.080
<v Speaker 3>Cane didn't fall off to Big Daddy Came. It is

2:57:28.240 --> 2:57:33.680
<v Speaker 3>a two fucking ridiculous rapping kids rap.

2:57:35.280 --> 2:57:45.000
<v Speaker 6>Big Daddy Came did not have the fucking j No,

2:57:46.160 --> 2:57:50.800
<v Speaker 6>you need, motherfucking it's not even experience.

2:57:50.879 --> 2:57:58.680
<v Speaker 3>You need what Nigga got, like the the ability to

2:57:58.840 --> 2:58:03.480
<v Speaker 3>run the long race, the long run. He can't fuck Madonna.

2:58:03.600 --> 2:58:08.520
<v Speaker 3>Come on, Madonna. That was like career stop.

2:58:08.400 --> 2:58:15.800
<v Speaker 4>List stop to stop me, please, it's not listen stop listen.

2:58:16.400 --> 2:58:18.040
<v Speaker 4>Let me pick you up right now, because if you

2:58:18.600 --> 2:58:21.040
<v Speaker 4>listen right here, that's no problem. No, no, I'm just

2:58:21.120 --> 2:58:24.000
<v Speaker 4>telling you. If you're saying Big Daddy Kane had a

2:58:24.040 --> 2:58:25.119
<v Speaker 4>better career Rock.

2:58:25.040 --> 2:58:26.680
<v Speaker 2>Cam, nobody said that he did.

2:58:28.800 --> 2:58:32.600
<v Speaker 3>I mean, you can't rock rock him. What are you

2:58:32.600 --> 2:58:33.200
<v Speaker 3>talking about? Right?

2:58:33.280 --> 2:58:34.440
<v Speaker 2>The worst of best at the.

2:58:35.040 --> 2:58:38.680
<v Speaker 8>Rock rock Kim had that first album was classic, second

2:58:38.720 --> 2:58:39.440
<v Speaker 8>album was dope.

2:58:39.480 --> 2:58:42.520
<v Speaker 3>Then I mean, I mean rock Kim.

2:58:42.959 --> 2:58:45.600
<v Speaker 11>The lyricist rock him is come on the still there.

2:58:45.959 --> 2:58:49.800
<v Speaker 3>But I think Big Daddy King's career was a better

2:58:49.920 --> 2:58:52.360
<v Speaker 3>career rock. Do you think Big Day Kim is a

2:58:52.400 --> 2:58:56.560
<v Speaker 3>better one better than rock Cam? Is that what you're saying?

2:58:57.280 --> 2:59:02.119
<v Speaker 3>He said career better than rocket career had.

2:59:04.560 --> 2:59:07.320
<v Speaker 8>LJ has a better rap career than most people.

2:59:08.200 --> 2:59:11.119
<v Speaker 3>I don't even want to be in conversation talking about

2:59:12.280 --> 2:59:13.879
<v Speaker 3>how about who do you think you had a better

2:59:13.959 --> 2:59:21.280
<v Speaker 3>career ice Cube or right? Career? Is ice Cube as

2:59:21.320 --> 2:59:21.800
<v Speaker 3>a rapper?

2:59:22.400 --> 2:59:22.560
<v Speaker 15>Oh?

2:59:22.640 --> 2:59:28.560
<v Speaker 3>As a rapper? The problems get tough. That's tough. That's tough.

2:59:29.280 --> 2:59:32.480
<v Speaker 3>That's that's a very tough saying. Career overall is.

2:59:32.520 --> 2:59:35.320
<v Speaker 4>Ice c what's getting played? The guy that had just

2:59:35.800 --> 2:59:44.959
<v Speaker 4>didn't the kapper Knap we'll see and Bill Moore? Bill Moore, Yeah, what.

2:59:45.040 --> 2:59:49.560
<v Speaker 3>Are you doing? You know they listen the black community

2:59:50.160 --> 2:59:54.400
<v Speaker 3>fried kidd and play. Do you understand what I'm saying? Stuff?

2:59:54.760 --> 2:59:57.520
<v Speaker 4>I fried kidd't play because Kidd and play was the

2:59:58.480 --> 3:00:00.000
<v Speaker 4>he posed as the white.

2:59:59.800 --> 3:00:06.120
<v Speaker 3>Guy you're being. Was that crazy?

3:00:06.360 --> 3:00:07.560
<v Speaker 2>Was that crazy as the.

3:00:07.600 --> 3:00:12.040
<v Speaker 3>Person what you're doing right now? I know what that like?

3:00:12.120 --> 3:00:13.320
<v Speaker 3>That know what? That great?

3:00:13.360 --> 3:00:19.320
<v Speaker 4>And that's very disrespectful because because sometimes we don't want

3:00:20.480 --> 3:00:21.160
<v Speaker 4>I'm just asking.

3:00:21.200 --> 3:00:23.600
<v Speaker 3>I'm asking because you know, I'm just a journalist. This

3:00:23.600 --> 3:00:28.440
<v Speaker 3>is a journalist A question at this point is this

3:00:28.600 --> 3:00:30.080
<v Speaker 3>when it starts.

3:00:31.879 --> 3:00:34.160
<v Speaker 4>Listen, we respect you, Steve Stout. I just want you

3:00:34.240 --> 3:00:37.119
<v Speaker 4>to know that in case you didn't know that, I respect.

3:00:37.440 --> 3:00:40.720
<v Speaker 4>Ship is clean, nor ship is clean clean.

3:00:41.000 --> 3:00:45.200
<v Speaker 3>Yes, and you you did Lisa. Let's left I too, right,

3:00:45.720 --> 3:00:48.400
<v Speaker 3>Let's talk about that. He said left file first.

3:00:51.680 --> 3:00:55.960
<v Speaker 6>She passed away. Yes, we had her first. You know

3:00:56.160 --> 3:00:59.720
<v Speaker 6>it's not any medium. I want to man more respectful.

3:01:00.200 --> 3:01:05.360
<v Speaker 3>I pologized, said, was my girlfriend very early my Careerly,

3:01:05.920 --> 3:01:12.360
<v Speaker 3>that's beautiful. Let's talk about that. Let's talk about sex. No, no,

3:01:12.560 --> 3:01:15.280
<v Speaker 3>that's sex. I didn't say that. I said you had

3:01:15.440 --> 3:01:18.400
<v Speaker 3>you was with that's that's like one of the biggest

3:01:18.400 --> 3:01:19.880
<v Speaker 3>with themself thirteen million.

3:01:20.440 --> 3:01:24.080
<v Speaker 12>Even that condolence is actually you know what I'm saying,

3:01:24.240 --> 3:01:26.280
<v Speaker 12>like like that must have been hurtful.

3:01:26.360 --> 3:01:27.800
<v Speaker 2>Man, she ain't trying to burn.

3:01:27.720 --> 3:01:30.680
<v Speaker 3>Your off down right. He took it like, no, try.

3:01:31.120 --> 3:01:37.240
<v Speaker 3>We all heard. We all heard it. You you you

3:01:37.320 --> 3:01:40.160
<v Speaker 3>know I'm wrong. You haven't heard. We all heard for that,

3:01:40.959 --> 3:01:42.800
<v Speaker 3>and I would imagine you heard more. It was tough.

3:01:42.920 --> 3:01:44.840
<v Speaker 3>She was talented, man, she's super talented.

3:01:45.560 --> 3:01:45.760
<v Speaker 14>Yeah.

3:01:48.280 --> 3:01:57.320
<v Speaker 3>Yo, ho' done everything, by the way. That's that's how

3:01:57.640 --> 3:01:58.080
<v Speaker 3>that's for me.

3:01:58.160 --> 3:02:01.880
<v Speaker 22>People want to manage my manager, I crib you cat

3:02:01.920 --> 3:02:03.480
<v Speaker 22>down pictures in him left.

3:02:03.560 --> 3:02:05.320
<v Speaker 3>I just chilling, like go on vacation. I'm like, you

3:02:05.440 --> 3:02:07.840
<v Speaker 3>know how, Like I'm looking at him like, how do

3:02:07.959 --> 3:02:11.400
<v Speaker 3>you even know the s girl? Oh you're swimming in

3:02:11.520 --> 3:02:15.840
<v Speaker 3>the water, swimming underwater, snorkeling. Yeah, pictures on the water.

3:02:17.840 --> 3:02:19.359
<v Speaker 2>There stopping rich fava.

3:02:21.080 --> 3:02:24.240
<v Speaker 3>You know what under the water. You know you drink

3:02:24.320 --> 3:02:25.600
<v Speaker 3>all the good wine by yourself?

3:02:25.680 --> 3:02:28.600
<v Speaker 2>No, I love it comes, I'll hang out, wanting to

3:02:28.640 --> 3:02:29.680
<v Speaker 2>hang for twenty.

3:02:30.959 --> 3:02:33.280
<v Speaker 3>This is this. Don't glad you got my phone number?

3:02:33.360 --> 3:02:34.240
<v Speaker 3>Now we're gonna make it.

3:02:34.360 --> 3:02:37.840
<v Speaker 4>I've been hitting right, you don't make it right. We've

3:02:37.920 --> 3:02:39.880
<v Speaker 4>been coordinating, Yes, we've been coldly.

3:02:40.000 --> 3:02:49.800
<v Speaker 3>You think that your mustache for bats right, I'm so

3:02:50.040 --> 3:02:56.520
<v Speaker 3>comfort you're taking this pi a right either a go?

3:02:58.080 --> 3:02:58.400
<v Speaker 4>You know what?

3:02:58.959 --> 3:02:59.360
<v Speaker 3>What's wrong?

3:02:59.480 --> 3:03:08.039
<v Speaker 26>I niggas on the what's the game of thrones? Because

3:03:08.040 --> 3:03:12.200
<v Speaker 26>I don't want to just do you think there's a

3:03:12.280 --> 3:03:13.320
<v Speaker 26>thing called tooth thin?

3:03:14.920 --> 3:03:18.720
<v Speaker 3>I have no idea about. But let's say, coming off

3:03:18.800 --> 3:03:20.240
<v Speaker 3>your go to tooth thin.

3:03:22.560 --> 3:03:25.960
<v Speaker 2>Every other CEO to one hit, you take one hit?

3:03:26.240 --> 3:03:26.760
<v Speaker 3>What're not doing?

3:03:26.840 --> 3:03:26.960
<v Speaker 14>Man?

3:03:27.400 --> 3:03:29.080
<v Speaker 2>You're taking another shot it?

3:03:29.320 --> 3:03:35.080
<v Speaker 3>Yes, let's do it. Let's do it. Come on, I'm

3:03:35.120 --> 3:03:38.680
<v Speaker 3>hearing it. I'm here, let's get let's give another tackle

3:03:39.440 --> 3:03:41.000
<v Speaker 3>and listen seem.

3:03:40.760 --> 3:03:43.840
<v Speaker 4>Style track master's tone. We want you all to know

3:03:44.520 --> 3:03:47.080
<v Speaker 4>that we love y'all. We appreciate y'all.

3:03:47.680 --> 3:03:53.680
<v Speaker 3>What y'all doing. W's where's cruise supporting me? Finished? We

3:03:53.800 --> 3:03:56.000
<v Speaker 3>finished that, finished while.

3:03:57.480 --> 3:04:01.280
<v Speaker 4>Made so many queens niggas, which I made it known

3:04:01.440 --> 3:04:03.960
<v Speaker 4>to all my crew, and I told him, this is

3:04:04.040 --> 3:04:06.800
<v Speaker 4>a guy. We gotta make sure his red carpet is

3:04:06.920 --> 3:04:11.760
<v Speaker 4>laid out. We gotta make sure, thank you, we gotta

3:04:11.920 --> 3:04:15.040
<v Speaker 4>make sure. We gotta make sure that that's why we

3:04:15.200 --> 3:04:15.879
<v Speaker 4>had whiskey.

3:04:16.640 --> 3:04:21.560
<v Speaker 6>I hate you, by the way, Listen, all bulls should

3:04:21.560 --> 3:04:27.600
<v Speaker 6>have started. I'm grateful to be here. Thank you what

3:04:27.760 --> 3:04:30.280
<v Speaker 6>you did, what you're doing. But you guys are doing

3:04:30.320 --> 3:04:33.680
<v Speaker 6>it's not it's not not important.

3:04:34.160 --> 3:04:35.560
<v Speaker 3>Whe does you make a lot of money or a

3:04:35.600 --> 3:04:40.720
<v Speaker 3>little bit of money, It's important, Okay. I can't for us.

3:04:41.160 --> 3:04:41.920
<v Speaker 3>I came here.

3:04:45.000 --> 3:04:49.680
<v Speaker 6>Because if he didn't, we didn't have a one on

3:04:49.840 --> 3:04:55.640
<v Speaker 6>one that I wouldn't do it. I love him, I

3:04:55.800 --> 3:04:58.840
<v Speaker 6>love him too, and I just want to like keep

3:04:58.879 --> 3:05:00.240
<v Speaker 6>pushing comfort forward, don't.

3:05:00.760 --> 3:05:04.080
<v Speaker 3>I don't care about the other city. I just don't care.

3:05:05.240 --> 3:05:06.920
<v Speaker 3>And I've been in a lot of rooms, with a

3:05:06.959 --> 3:05:07.959
<v Speaker 3>lot of people, a lot.

3:05:07.920 --> 3:05:12.800
<v Speaker 6>Of places, but hasn't changed my love for the for

3:05:12.920 --> 3:05:16.959
<v Speaker 6>the art form, for the music, for what we all

3:05:17.440 --> 3:05:18.120
<v Speaker 6>while we all have.

3:05:18.560 --> 3:05:19.760
<v Speaker 3>When I when I pulled up and.

3:05:19.720 --> 3:05:22.840
<v Speaker 6>I see the graffiti, I felt comfortable. I love graffiti.

3:05:23.520 --> 3:05:28.400
<v Speaker 6>Graffiti means your home. Graffiti's like signs that equal oh

3:05:28.440 --> 3:05:29.320
<v Speaker 6>you're on your way home.

3:05:30.800 --> 3:05:36.480
<v Speaker 3>And I love that shit. So drink Champs and puff

3:05:36.560 --> 3:05:41.160
<v Speaker 3>and vault and I know you're tired and shit, but listen, listen,

3:05:41.240 --> 3:05:44.200
<v Speaker 3>let me tell you something. Stun I want you to

3:05:44.360 --> 3:05:47.080
<v Speaker 3>understand this. This is one thing that I will. I

3:05:47.120 --> 3:05:49.480
<v Speaker 3>would like the hip hop culture to understand.

3:05:50.600 --> 3:05:53.280
<v Speaker 4>We finally have a platform where we probably have a

3:05:54.560 --> 3:05:57.800
<v Speaker 4>thing where you can come here and you can promote

3:05:57.920 --> 3:05:58.760
<v Speaker 4>your fitting head.

3:05:59.640 --> 3:06:03.920
<v Speaker 3>And I'm a person like I have a platinum platu,

3:06:04.360 --> 3:06:08.680
<v Speaker 3>I have four gold plaques. Yeah, I've got that.

3:06:10.040 --> 3:06:14.560
<v Speaker 4>So when it's come timetable to promote something or talk

3:06:14.640 --> 3:06:15.439
<v Speaker 4>to something.

3:06:15.440 --> 3:06:18.760
<v Speaker 32>Who want our people to come to us first? And

3:06:18.879 --> 3:06:25.840
<v Speaker 32>I feel like I owner everywhere here right now.

3:06:26.000 --> 3:06:29.360
<v Speaker 3>Live in Miami. You gotta place, and you gotta place

3:06:29.440 --> 3:06:31.000
<v Speaker 3>in New York too. You want me some nos in me?

3:06:31.160 --> 3:06:31.560
<v Speaker 3>Tell them.

3:06:37.320 --> 3:06:41.280
<v Speaker 4>What I'm saying this style. This is what I was

3:06:41.320 --> 3:06:43.760
<v Speaker 4>trying to say to you. It's like, why not we

3:06:44.120 --> 3:06:47.200
<v Speaker 4>just all support us no matter where it is?

3:06:47.360 --> 3:06:51.400
<v Speaker 3>Aware that you could come up with a I don't

3:06:51.440 --> 3:06:53.320
<v Speaker 3>know what this is. This is fly, I don't know.

3:06:53.800 --> 3:06:55.320
<v Speaker 3>Can you tell me what this is called? This is

3:06:55.400 --> 3:06:58.640
<v Speaker 3>a bag that holds wine? A bag that holds wine?

3:07:00.120 --> 3:07:03.440
<v Speaker 3>Set up is right? And these ideas that they made

3:07:03.480 --> 3:07:06.840
<v Speaker 3>with debasing the guys, this is different colors, you know.

3:07:07.840 --> 3:07:10.120
<v Speaker 3>I mean, it's a queen figure for real. Let's make

3:07:10.200 --> 3:07:10.720
<v Speaker 3>some nice.

3:07:13.879 --> 3:07:16.119
<v Speaker 4>But but no this is real ship to think about

3:07:16.240 --> 3:07:18.840
<v Speaker 4>hip hop. I just want to continue to support hip hop.

3:07:18.959 --> 3:07:21.640
<v Speaker 4>What I mean by that style is hear me out.

3:07:25.800 --> 3:07:29.720
<v Speaker 4>Of course, we could go to the traditional radio system, right,

3:07:30.480 --> 3:07:33.760
<v Speaker 4>we could go to the traditional you know, sitting.

3:07:33.520 --> 3:07:36.280
<v Speaker 3>Down with who we sat down with before. But let

3:07:36.360 --> 3:07:39.560
<v Speaker 3>me just tell you something. The people didn't sat down with.

3:07:40.240 --> 3:07:41.119
<v Speaker 3>Don't listen. Listen.

3:07:41.520 --> 3:07:44.240
<v Speaker 6>He used to go around all around the country having

3:07:44.440 --> 3:07:47.760
<v Speaker 6>dumb conversations trying to realize.

3:07:48.000 --> 3:07:52.199
<v Speaker 3>But what I realized is this back in the days

3:07:52.240 --> 3:07:54.240
<v Speaker 3>when we used to sell drugs in New York City.

3:07:54.879 --> 3:07:56.680
<v Speaker 3>We used to sell drugs in New York City.

3:07:57.200 --> 3:08:01.920
<v Speaker 4>But everybody used to get up or become rich if

3:08:01.959 --> 3:08:02.959
<v Speaker 4>they go out of town.

3:08:03.080 --> 3:08:06.280
<v Speaker 3>I bet you all your friends. The maker used to say,

3:08:06.480 --> 3:08:09.600
<v Speaker 3>I'm going out of town and I'm getting rich. The

3:08:09.720 --> 3:08:10.720
<v Speaker 3>thing about it is.

3:08:10.920 --> 3:08:15.760
<v Speaker 2>Next getting rich is SoundCloud.

3:08:16.480 --> 3:08:21.400
<v Speaker 4>Getting riches is staying right there selling your own product.

3:08:21.240 --> 3:08:22.280
<v Speaker 2>In the same place.

3:08:23.160 --> 3:08:25.480
<v Speaker 3>Do you understand what I'm trying to say? Yes, that's

3:08:25.560 --> 3:08:29.680
<v Speaker 3>why Jay went to four the four forty four. He

3:08:29.800 --> 3:08:34.560
<v Speaker 3>went and he sold it to only Sprint customers. Are

3:08:34.600 --> 3:08:36.120
<v Speaker 3>you understand what I'm trying to say?

3:08:36.680 --> 3:08:41.760
<v Speaker 33>So now we're doing a lot of things yes, yes, yes, yes,

3:08:42.080 --> 3:08:46.520
<v Speaker 33>and yes, yes, yes, yes, I'm gonna do what I'm

3:08:46.520 --> 3:08:50.760
<v Speaker 33>gonna of course, Man, you're saying all the right things.

3:08:54.360 --> 3:08:56.960
<v Speaker 3>How happy to be here? Man, this hip hop gonna

3:08:57.000 --> 3:08:58.920
<v Speaker 3>But you went from me it's hip hop? Will ever

3:08:59.000 --> 3:09:06.360
<v Speaker 3>get any bigger? Oh no, we're still in the beginning it.

3:09:07.280 --> 3:09:09.960
<v Speaker 6>That's the part that as long as we grab that,

3:09:11.080 --> 3:09:15.000
<v Speaker 6>I'm there and I'm gonna work with the guys that

3:09:15.120 --> 3:09:17.840
<v Speaker 6>people don't even think it's dope. You don't like the

3:09:18.320 --> 3:09:21.959
<v Speaker 6>Little YACHTI is dope. Fucking I'm fucking with Lil Yachty.

3:09:22.959 --> 3:09:29.360
<v Speaker 6>I'm fucking with what you're doing with their handshake, talking

3:09:29.400 --> 3:09:34.200
<v Speaker 6>with everybody. If you were pushing culture forward, it's dope.

3:09:34.280 --> 3:09:40.840
<v Speaker 6>It's wrapped, it's graffiti, it's this, it's that, it's fuck you.

3:09:41.360 --> 3:09:44.440
<v Speaker 3>It's the truth. We don't have to like it.

3:09:45.080 --> 3:09:47.440
<v Speaker 6>Old school niggas don't have to like it. But the

3:09:47.520 --> 3:09:50.400
<v Speaker 6>truth of the matter is old school niggas who liked

3:09:52.440 --> 3:09:57.560
<v Speaker 6>the beginning of Bob Dyling, they didn't like it, was like,

3:09:57.680 --> 3:09:59.920
<v Speaker 6>what is that? I like Bob Deylan? What the fun

3:10:00.120 --> 3:10:03.440
<v Speaker 6>is Nirvana? If you like Bob Dylan in the seventies,

3:10:03.480 --> 3:10:05.240
<v Speaker 6>why would you like Nirvana.

3:10:06.120 --> 3:10:08.480
<v Speaker 3>Like how Mellanan were dressing either.

3:10:08.840 --> 3:10:12.440
<v Speaker 6>Yeah, I like that how Melion dressed even exactly. But

3:10:12.920 --> 3:10:14.800
<v Speaker 6>as time goes on, you just have to keep going

3:10:14.840 --> 3:10:17.520
<v Speaker 6>with the art form. You gotta understand what the truth is.

3:10:17.879 --> 3:10:23.000
<v Speaker 6>And he keeps resetting itself. Alonzo Ball, Alonzo Ball.

3:10:23.520 --> 3:10:26.560
<v Speaker 3>I don't know. He looks like missus Softy go away,

3:10:29.400 --> 3:10:38.920
<v Speaker 3>like the whole look. You like his look. I don't

3:10:39.000 --> 3:10:43.760
<v Speaker 3>like the way he plays. Man. He came out brother,

3:10:44.520 --> 3:10:52.800
<v Speaker 3>how would he come at? Nah, he's a bum anywhere

3:10:52.959 --> 3:10:57.119
<v Speaker 3>at all. He said, he's a bumb His father wants

3:10:57.160 --> 3:11:00.160
<v Speaker 3>me to him. You know how great that he used

3:11:00.160 --> 3:11:08.080
<v Speaker 3>to have won. Let's phone call. I need phone calls.

3:11:08.440 --> 3:11:18.120
<v Speaker 3>I'm not looking at for phone calls. So goad, no,

3:11:18.600 --> 3:11:21.640
<v Speaker 3>you got me. He was the first person that I

3:11:21.840 --> 3:11:26.279
<v Speaker 3>just think he got. He got working and magic, magic

3:11:26.400 --> 3:11:29.640
<v Speaker 3>endorse some he got working deal. You got magic the homie,

3:11:29.800 --> 3:11:31.040
<v Speaker 3>right is it?

3:11:32.360 --> 3:11:35.879
<v Speaker 6>It's magic the homie. You got to see if magic's

3:11:35.920 --> 3:11:40.560
<v Speaker 6>the homie, massic the homie to me is magic the homie.

3:11:41.080 --> 3:11:43.800
<v Speaker 6>He is this nigga running around shooting on nas.

3:11:43.920 --> 3:11:46.640
<v Speaker 3>We can't do that. That's that's how you shoot ones

3:11:46.760 --> 3:11:53.920
<v Speaker 3>walking around with a stupid face. You like his face?

3:11:56.560 --> 3:11:57.840
<v Speaker 2>Anybody didn't like his face?

3:12:04.440 --> 3:12:08.400
<v Speaker 3>We're doing it? Guys, what are you doing?

3:12:08.680 --> 3:12:08.840
<v Speaker 17>Man?

3:12:09.800 --> 3:12:20.440
<v Speaker 3>Got in the own name? You know what I mean.

3:12:20.760 --> 3:12:23.080
<v Speaker 3>There's a new thing we need to work out. Face

3:12:23.200 --> 3:12:29.920
<v Speaker 3>the floor ratio Cat's out break that down it's from

3:12:30.120 --> 3:12:41.200
<v Speaker 3>bigging of his friend. You don't think so what is

3:12:41.240 --> 3:12:41.640
<v Speaker 3>it doing?

3:12:41.720 --> 3:12:41.760
<v Speaker 15>On?

3:12:42.480 --> 3:12:46.920
<v Speaker 3>Is from and in tones? Mind? Tone is texting you

3:12:47.040 --> 3:12:54.240
<v Speaker 3>right now like I feel like you. No, he has

3:12:54.320 --> 3:13:05.400
<v Speaker 3>some reduces from or increases price. We come listen, I'm

3:13:05.440 --> 3:13:09.240
<v Speaker 3>gona be honest. They bring in the world is gonna

3:13:09.560 --> 3:13:15.280
<v Speaker 3>but that is the one to miss, Queen. That's how

3:13:15.440 --> 3:13:19.680
<v Speaker 3>queens is getting down. Kid. You know what am I saying? No, totally,

3:13:19.840 --> 3:13:22.480
<v Speaker 3>you're just being Queen's the think about it. The world

3:13:22.560 --> 3:13:25.920
<v Speaker 3>was gonna be like that? Did that now? I know? Really, Queen,

3:13:26.400 --> 3:13:29.280
<v Speaker 3>this is bad. I don't know how you feel your

3:13:29.360 --> 3:13:37.600
<v Speaker 3>job at No, I have no job to face race.

3:13:39.560 --> 3:13:52.200
<v Speaker 3>I have no idea his face, it is it. The

3:13:52.360 --> 3:13:59.320
<v Speaker 3>CEOs is always the worst. You listen, Look, you're trying

3:13:59.360 --> 3:13:59.760
<v Speaker 3>to act like.

3:14:09.440 --> 3:14:10.320
<v Speaker 7>What am I saying that?

3:14:10.440 --> 3:14:14.600
<v Speaker 3>Shong, No, it's a beautiful thing. This is this is

3:14:14.640 --> 3:14:15.000
<v Speaker 3>what we do.

3:14:15.240 --> 3:14:19.560
<v Speaker 4>We love entertainment. Let's keep going Stout and you are

3:14:19.720 --> 3:14:24.039
<v Speaker 4>a beautiful guest. I love you, and you know, listen Stout,

3:14:24.120 --> 3:14:24.959
<v Speaker 4>I wanna be honest.

3:14:25.280 --> 3:14:29.560
<v Speaker 3>I'll be honest. We had Leon, we had Kevin Lows.

3:14:29.959 --> 3:14:32.440
<v Speaker 4>But when people told me that Stout wanted to do

3:14:32.560 --> 3:14:35.240
<v Speaker 4>the show, I was so excited. One because you're from

3:14:35.360 --> 3:14:41.000
<v Speaker 4>Queen's and I wanted to big up my fellow Queen's partner,

3:14:41.720 --> 3:14:46.200
<v Speaker 4>but to because given like one of the unreachable guys,

3:14:46.400 --> 3:14:50.360
<v Speaker 4>it should be in the industry, like the unreachable like

3:14:50.560 --> 3:14:54.480
<v Speaker 4>like like it's hard, like if you don't need a

3:14:54.560 --> 3:14:58.200
<v Speaker 4>private life, break that down, like.

3:15:00.040 --> 3:15:03.200
<v Speaker 3>I don't do that. I don't need it. You know what,

3:15:03.440 --> 3:15:07.560
<v Speaker 3>I don't need it. What I love is I love.

3:15:09.240 --> 3:15:14.440
<v Speaker 3>I love the space, I love I love the honest

3:15:14.560 --> 3:15:18.680
<v Speaker 3>about ship. I love laughing laughingly is the best, laughing.

3:15:19.000 --> 3:15:27.680
<v Speaker 6>Fantastic, And like, I think we missed a lot of

3:15:27.720 --> 3:15:31.080
<v Speaker 6>ship tonight. I think I don't know when I'm gonna

3:15:31.080 --> 3:15:32.480
<v Speaker 6>do this ship.

3:15:33.560 --> 3:15:34.039
<v Speaker 15>I don't.

3:15:37.000 --> 3:15:39.480
<v Speaker 3>Think we missed a lot of ship because like what

3:15:39.680 --> 3:15:42.640
<v Speaker 3>what what? What do you think we best more nuances

3:15:42.720 --> 3:15:44.920
<v Speaker 3>that will push it on the edge, But we didn't

3:15:45.080 --> 3:15:49.280
<v Speaker 3>like when when what's his name? The white guy who

3:15:49.440 --> 3:15:54.439
<v Speaker 3>made all the money in the radio and radio how Howard.

3:15:54.160 --> 3:15:59.600
<v Speaker 6>Started, but how it starts, you gotta go further, like

3:15:59.720 --> 3:16:03.000
<v Speaker 6>when really touching all the way when I tell the truth,

3:16:03.280 --> 3:16:05.000
<v Speaker 6>somebody has to hate him.

3:16:06.280 --> 3:16:08.120
<v Speaker 3>I'm not making this out, So you want to you

3:16:08.160 --> 3:16:10.520
<v Speaker 3>want to go there? Like because the thing.

3:16:10.800 --> 3:16:13.600
<v Speaker 6>Because somebody has to say ship that's so fucked up,

3:16:14.160 --> 3:16:18.760
<v Speaker 6>but it's true. Like but like how would Stir would

3:16:18.760 --> 3:16:22.199
<v Speaker 6>say things about Madonna? Like somebody has to say something

3:16:22.360 --> 3:16:25.400
<v Speaker 6>man like like I'm not making anything else.

3:16:25.680 --> 3:16:26.800
<v Speaker 3>There's way more ship.

3:16:27.760 --> 3:16:30.640
<v Speaker 6>We all the artists that we touched, all the things

3:16:30.680 --> 3:16:32.640
<v Speaker 6>that we touched, we didn't tell the truth.

3:16:33.320 --> 3:16:34.680
<v Speaker 3>We told most of the truth.

3:16:35.160 --> 3:16:37.520
<v Speaker 2>So we're talking.

3:16:37.360 --> 3:16:42.520
<v Speaker 3>About want to go there, okay, because we don't really

3:16:42.560 --> 3:16:46.600
<v Speaker 3>want You just said we want to go there. We

3:16:46.680 --> 3:16:49.920
<v Speaker 3>want to go there because the thing about it is you,

3:16:50.040 --> 3:16:53.160
<v Speaker 3>the person who you have a book called America.

3:16:53.240 --> 3:16:58.440
<v Speaker 4>That's right in America means you was making it all

3:16:58.600 --> 3:16:59.400
<v Speaker 4>one series.

3:16:59.760 --> 3:17:04.640
<v Speaker 3>So think about it once. Okay, Okay, I'm going there

3:17:04.680 --> 3:17:07.360
<v Speaker 3>now now. I was, I was I was going to last.

3:17:07.720 --> 3:17:10.480
<v Speaker 3>I wanted to my SOHO House card. But I'm gonna last.

3:17:10.520 --> 3:17:13.240
<v Speaker 3>I'm gonna get that next year. No, no, no, not

3:17:13.400 --> 3:17:14.000
<v Speaker 3>mean two.

3:17:13.879 --> 3:17:18.240
<v Speaker 2>Weeks, right, But listen, so stout think about it.

3:17:19.040 --> 3:17:23.000
<v Speaker 3>I can definitely eat it. So it's not more style.

3:17:23.760 --> 3:17:28.960
<v Speaker 3>Let me live. So stout the thing about it? And

3:17:29.080 --> 3:17:31.640
<v Speaker 3>when when when? When?

3:17:31.800 --> 3:17:32.880
<v Speaker 14>You know what?

3:17:35.360 --> 3:17:37.800
<v Speaker 4>But when thinking people think about it and they think

3:17:37.840 --> 3:17:42.320
<v Speaker 4>about people like who's successful like you, people like successful

3:17:42.400 --> 3:17:47.279
<v Speaker 4>like day, people successful like dam They always allude.

3:17:46.879 --> 3:17:54.560
<v Speaker 3>To these people. Who is an aluminating there answer, I

3:17:54.640 --> 3:17:57.960
<v Speaker 3>didn't know what they're talking about. That I am not.

3:17:58.480 --> 3:18:03.200
<v Speaker 3>I am not successful in the dame category, in the

3:18:03.520 --> 3:18:05.920
<v Speaker 3>category the dame category.

3:18:07.400 --> 3:18:10.440
<v Speaker 6>When you said people like you like dame, I am

3:18:10.520 --> 3:18:15.160
<v Speaker 6>successful in the the category of like I can't believe

3:18:15.200 --> 3:18:15.920
<v Speaker 6>this nigga did that.

3:18:16.840 --> 3:18:18.760
<v Speaker 3>I am not in the success I'm not in the

3:18:18.840 --> 3:18:22.360
<v Speaker 3>category of like Illuminati, this, that and the third.

3:18:22.920 --> 3:18:26.000
<v Speaker 6>I went past all of those things. I just want

3:18:26.040 --> 3:18:27.920
<v Speaker 6>you to know that I don't wanna. I don't wanna.

3:18:28.120 --> 3:18:32.080
<v Speaker 6>I don't wanna be mistaken by the guy who did well,

3:18:32.760 --> 3:18:34.680
<v Speaker 6>who came from hip hop, who's stuck in that?

3:18:35.160 --> 3:18:39.440
<v Speaker 3>No? Mm well, I guess the segue is, is is

3:18:39.560 --> 3:18:46.400
<v Speaker 3>there an Illuminati? No? That's bullshit. No, No, that part

3:18:46.520 --> 3:18:49.039
<v Speaker 3>is bullshit. I so want you to know that I've

3:18:49.520 --> 3:18:54.080
<v Speaker 3>that I don't want that thing of those things to

3:18:54.920 --> 3:19:01.280
<v Speaker 3>distort the truth. The truth of the matter is those

3:19:01.320 --> 3:19:06.360
<v Speaker 3>are just like speed bumps doing the right thing.

3:19:08.320 --> 3:19:14.000
<v Speaker 6>No Illumini, those are fake words. Man, there's no Illumina.

3:19:14.120 --> 3:19:16.680
<v Speaker 6>There's no gathering of people saying we're gonna do this.

3:19:17.400 --> 3:19:23.000
<v Speaker 6>There's no version of like like no, no, no, I

3:19:23.160 --> 3:19:28.280
<v Speaker 6>never even never even call me for that party. I

3:19:28.600 --> 3:19:29.480
<v Speaker 6>attend that party.

3:19:31.120 --> 3:19:46.640
<v Speaker 3>I believe that Earth game like D and master P

3:19:47.120 --> 3:19:50.960
<v Speaker 3>and two short and E forty and this that and

3:19:51.000 --> 3:19:52.080
<v Speaker 3>the third, and you keep.

3:19:52.000 --> 3:19:59.520
<v Speaker 6>Going, we're pushing something that's bigger than us forward, and

3:19:59.640 --> 3:20:02.879
<v Speaker 6>all we hope is that at one point somebody says,

3:20:02.920 --> 3:20:06.280
<v Speaker 6>these are the guys who pushed it. But while we're

3:20:06.360 --> 3:20:08.320
<v Speaker 6>pushing it, we'd have no idea for We're going to

3:20:08.360 --> 3:20:11.600
<v Speaker 6>have to get credit for it. I go to San Francist,

3:20:11.680 --> 3:20:12.360
<v Speaker 6>see forty.

3:20:12.480 --> 3:20:16.000
<v Speaker 3>It's like how much money I.

3:20:16.080 --> 3:20:19.000
<v Speaker 6>Made or how much money forty made, or it doesn't

3:20:19.040 --> 3:20:24.200
<v Speaker 6>even reflected our conversation. I see Chamellionaire was telling me

3:20:24.240 --> 3:20:28.400
<v Speaker 6>a story the other day that was ridiculously fantastic. I

3:20:28.480 --> 3:20:33.400
<v Speaker 6>don't know, when you're pushing something forward that's something that's

3:20:33.440 --> 3:20:37.720
<v Speaker 6>bigger than you, you removed yourself from the equation, and

3:20:37.800 --> 3:20:38.640
<v Speaker 6>you keep doing.

3:20:38.520 --> 3:20:39.039
<v Speaker 3>That one thing.

3:20:40.680 --> 3:20:43.360
<v Speaker 6>So when you say, oh, he's from Queens this, I'm

3:20:43.400 --> 3:20:53.640
<v Speaker 6>pushing Queen's Oakland, Memphis, Houston, Dallas, all that shit, Compton,

3:20:53.840 --> 3:20:54.280
<v Speaker 6>all that shit.

3:20:54.360 --> 3:20:55.640
<v Speaker 3>I'm pushing all that shit forward.

3:20:55.920 --> 3:20:59.240
<v Speaker 12>But mind you, he said Chameleionaire. So I think that's

3:20:59.280 --> 3:21:01.880
<v Speaker 12>a lesson to be learned as well. People haven't heard

3:21:01.959 --> 3:21:04.680
<v Speaker 12>Kamillion in the entertainment space.

3:21:04.879 --> 3:21:10.080
<v Speaker 3>Communionare is a smart guy. He's been in entrepreneur entrepreneurship.

3:21:14.520 --> 3:21:17.720
<v Speaker 3>I follow communion I feel it, and I don't care

3:21:18.280 --> 3:21:23.160
<v Speaker 3>about that part. You're smart, you're talented. Let's push culture forward.

3:21:23.480 --> 3:21:26.640
<v Speaker 3>That's what this show is. That's why I'm here. Drink Champions,

3:21:26.760 --> 3:21:30.800
<v Speaker 3>And you may think you're doing something that's like uh drinking.

3:21:31.440 --> 3:21:35.840
<v Speaker 6>You guys are pushing culture flowing. Man, you guys are doing.

3:21:37.120 --> 3:21:38.480
<v Speaker 6>That's what you're doing. That's why I'm here.

3:21:38.480 --> 3:21:41.720
<v Speaker 3>I'm not. All the other practs of it are meaningless.

3:21:42.480 --> 3:21:45.280
<v Speaker 6>The part that's the most meaningful is that if you

3:21:45.440 --> 3:21:51.200
<v Speaker 6>come here you say something, the world may actually hear

3:21:51.280 --> 3:21:53.879
<v Speaker 6>it and actually do something as a.

3:21:53.920 --> 3:21:57.200
<v Speaker 3>Result of it. Well I don't, I'm not. I don't

3:21:57.240 --> 3:22:00.480
<v Speaker 3>need to be here to be hot, they became get hot.

3:22:01.720 --> 3:22:06.400
<v Speaker 3>I don't do that. No, no, no, no, no no

3:22:07.280 --> 3:22:07.680
<v Speaker 3>get hot.

3:22:08.200 --> 3:22:08.240
<v Speaker 15>No.

3:22:08.440 --> 3:22:11.400
<v Speaker 3>But stout. The only part that we want to correct

3:22:11.440 --> 3:22:13.920
<v Speaker 3>you is is because we want to respect.

3:22:13.640 --> 3:22:17.440
<v Speaker 4>Our culture, our coach is the only thing that I

3:22:17.560 --> 3:22:21.320
<v Speaker 4>could only be disappointed in hip hop is when people

3:22:21.440 --> 3:22:24.120
<v Speaker 4>get old and hip hop and people don't want to

3:22:24.240 --> 3:22:29.400
<v Speaker 4>respect him. I just can't allow him, Like I can't

3:22:29.400 --> 3:22:32.800
<v Speaker 4>allow that, Like I can't allow brother.

3:22:33.240 --> 3:22:34.600
<v Speaker 3>I just can't. I just can't.

3:22:34.920 --> 3:22:36.720
<v Speaker 4>I have to feel like I feel like nah I

3:22:36.720 --> 3:22:38.840
<v Speaker 4>should be respected for the breast of his life. I

3:22:38.879 --> 3:22:40.840
<v Speaker 4>feel like Jay should be respected for the rest of

3:22:40.959 --> 3:22:43.400
<v Speaker 4>his life. And guess what, I'm gonna fuck y'all up

3:22:43.480 --> 3:22:46.080
<v Speaker 4>right now. I feel like Javel the damage is even

3:22:46.520 --> 3:22:51.200
<v Speaker 4>respect man, but maybe not respect us now his home.

3:22:51.560 --> 3:22:52.560
<v Speaker 3>But you know what I'm saying.

3:22:52.600 --> 3:22:56.760
<v Speaker 4>But he still should be respected like we should our culture.

3:22:57.680 --> 3:23:02.520
<v Speaker 4>Why why don't we like to think about rock and roll?

3:23:03.120 --> 3:23:05.960
<v Speaker 31>Is they always respect?

3:23:06.480 --> 3:23:10.840
<v Speaker 3>What was the guy? I had Carross Wimmers in my office.

3:23:11.360 --> 3:23:15.440
<v Speaker 3>He was it when he was there. Yeah, those are

3:23:15.480 --> 3:23:18.800
<v Speaker 3>my guys. You look at my brother. I got him.

3:23:19.480 --> 3:23:21.520
<v Speaker 3>So Carross one came to my office and we were talking.

3:23:22.160 --> 3:23:22.760
<v Speaker 3>This is rich.

3:23:22.800 --> 3:23:28.080
<v Speaker 6>Stop this is chtop because of the office. I meet

3:23:28.160 --> 3:23:34.080
<v Speaker 6>him and Chris says the man that he was homeless,

3:23:34.920 --> 3:23:46.400
<v Speaker 6>going like this, mm hmm. He's beating this on the wall.

3:23:46.680 --> 3:23:49.800
<v Speaker 6>And the guy who was hearing this is a guy

3:23:49.879 --> 3:23:53.600
<v Speaker 6>who works in the homeless facility and that's Scotland Rock.

3:23:54.080 --> 3:23:58.000
<v Speaker 3>And that's how they made the bridges of him. He

3:23:58.200 --> 3:24:00.600
<v Speaker 3>was homeless when he made the record, No, he was,

3:24:00.720 --> 3:24:06.600
<v Speaker 3>he was crazy. He's telling you this. He's a homeless

3:24:06.640 --> 3:24:11.760
<v Speaker 3>guy begging against the wall. And the guy who has

3:24:11.879 --> 3:24:19.800
<v Speaker 3>the big says, who the fuck is doing that?

3:24:21.280 --> 3:24:24.480
<v Speaker 6>And then those guys make the bridges over and they

3:24:24.840 --> 3:24:28.760
<v Speaker 6>sell the rights to that song to a company who

3:24:28.879 --> 3:24:30.039
<v Speaker 6>distributes porn.

3:24:32.520 --> 3:24:33.000
<v Speaker 3>You know what, I have.

3:24:34.760 --> 3:24:38.560
<v Speaker 2>Stops childhood right there, you're telling.

3:24:38.520 --> 3:24:45.480
<v Speaker 3>Us, and you know what, because they can't get out

3:24:46.280 --> 3:24:54.880
<v Speaker 3>and when the song finally gets out through this porn distributions. Okay, no, no,

3:24:55.320 --> 3:25:03.039
<v Speaker 3>it was a poor company put out Buggie down reducta. Yes, the.

3:25:05.640 --> 3:25:10.039
<v Speaker 6>Yeah, they didn't get a record there. That's how these

3:25:10.080 --> 3:25:17.120
<v Speaker 6>things gone. The beginning and the innovation of everything has

3:25:17.280 --> 3:25:24.480
<v Speaker 6>to pay damages to people who don't understand, people who

3:25:24.480 --> 3:25:26.840
<v Speaker 6>don't believe it, and all.

3:25:26.720 --> 3:25:30.920
<v Speaker 3>Of the other altercations of what means to go forward.

3:25:31.680 --> 3:25:32.080
<v Speaker 3>That's all.

3:25:32.440 --> 3:25:36.240
<v Speaker 6>It's no big deal. He's a homeless guy. He was

3:25:36.280 --> 3:25:42.879
<v Speaker 6>shipping on em C shan when he was homeless. Ask him,

3:25:43.320 --> 3:25:43.840
<v Speaker 6>he'll tell you.

3:25:46.920 --> 3:25:54.560
<v Speaker 3>Yes, Chris, he was homeless. If you and he no,

3:25:54.920 --> 3:26:00.280
<v Speaker 3>I'm seeing from him he was homeless, couldn't. I'm going

3:26:00.800 --> 3:26:01.760
<v Speaker 3>he kept hearing this ship.

3:26:01.800 --> 3:26:04.440
<v Speaker 2>He's in there and he's doing He's like, it's tight

3:26:04.520 --> 3:26:05.160
<v Speaker 2>for the proms.

3:26:05.879 --> 3:26:13.000
<v Speaker 3>Yeah, this guy and he's homeless. Tell these guys need

3:26:13.040 --> 3:26:15.720
<v Speaker 3>the whole thing, right. These guys were not fucking around.

3:26:17.080 --> 3:26:18.600
<v Speaker 3>These guys are the real guys. Man.

3:26:18.760 --> 3:26:21.760
<v Speaker 4>So now you, as a person that's an innovative hippie,

3:26:23.640 --> 3:26:26.960
<v Speaker 4>you see how much intricate they were in their rhymes

3:26:27.040 --> 3:26:28.320
<v Speaker 4>and how they put it together.

3:26:29.040 --> 3:26:33.959
<v Speaker 3>And now you're still like the market genius. And now

3:26:35.760 --> 3:26:38.560
<v Speaker 3>I know you as a person who started from kidding

3:26:38.600 --> 3:26:38.920
<v Speaker 3>the play.

3:26:39.480 --> 3:26:43.119
<v Speaker 4>And now you see these new guys because they ever

3:26:43.320 --> 3:26:45.439
<v Speaker 4>bother you that they're not doing.

3:26:45.680 --> 3:26:48.760
<v Speaker 3>The same work that you've seen these people doing back then.

3:26:50.760 --> 3:26:52.400
<v Speaker 3>Well you're just still like the fuck it, I'm gonna

3:26:52.400 --> 3:26:55.199
<v Speaker 3>get the bread. It's not even about the bread.

3:26:55.240 --> 3:26:57.920
<v Speaker 6>I see it, I see the guy, I see parents,

3:26:58.520 --> 3:27:02.160
<v Speaker 6>I see love, I see the difference between how you

3:27:02.280 --> 3:27:06.640
<v Speaker 6>grew up and what matters to you versus what matters

3:27:06.680 --> 3:27:06.959
<v Speaker 6>to them.

3:27:07.040 --> 3:27:09.280
<v Speaker 3>I don't, I don't. I don't even think about it

3:27:09.400 --> 3:27:09.600
<v Speaker 3>like that.

3:27:10.840 --> 3:27:14.920
<v Speaker 2>No, no, no, I was a cool herk when I

3:27:15.000 --> 3:27:15.320
<v Speaker 2>cut you.

3:27:15.440 --> 3:27:19.000
<v Speaker 6>I was in cool hirt fucking six months ago. Nobody

3:27:19.040 --> 3:27:24.120
<v Speaker 6>even talks to cool Heart actually think I was with

3:27:24.360 --> 3:27:28.240
<v Speaker 6>cool Hirk for I was. I was with cool Work

3:27:28.760 --> 3:27:34.440
<v Speaker 6>talking to make sure you know how hard it is

3:27:34.600 --> 3:27:36.840
<v Speaker 6>that famous Coolhork. You even know who norig is?

3:27:37.360 --> 3:27:40.440
<v Speaker 3>Yeah, but you know what, No, stop, you know hard

3:27:40.480 --> 3:27:42.400
<v Speaker 3>it is for cool Work. Don't even know who he

3:27:42.680 --> 3:27:46.120
<v Speaker 3>is or you know who you are. That's cool hurt.

3:27:48.560 --> 3:27:52.840
<v Speaker 3>You don't even about you from what you did.

3:27:56.959 --> 3:28:04.400
<v Speaker 6>Cool Heart is not even talking right, Cool cool her

3:28:04.720 --> 3:28:11.440
<v Speaker 6>barely talks to me. You he's not talking to me right.

3:28:12.680 --> 3:28:13.800
<v Speaker 6>I speak to Dapper Dad.

3:28:13.840 --> 3:28:16.840
<v Speaker 3>I speak the cool Hurt because I love what they

3:28:16.920 --> 3:28:21.320
<v Speaker 3>did and whatever what happens to me. The cool the

3:28:21.440 --> 3:28:26.200
<v Speaker 3>fucking Dapa, dang Gucci deal, your motherfucking writing to me,

3:28:26.800 --> 3:28:30.440
<v Speaker 3>talked about that they gotta take that man goes on.

3:28:31.280 --> 3:28:31.959
<v Speaker 2>Let me just stop.

3:28:32.000 --> 3:28:37.120
<v Speaker 6>I can't believe how long this conversation's that's because I.

3:28:39.520 --> 3:28:43.640
<v Speaker 9>Believe if I really told its first started, I feel

3:28:43.680 --> 3:28:46.520
<v Speaker 9>like you first started and you said you've seen something

3:28:46.520 --> 3:28:47.400
<v Speaker 9>about Dapper Dam.

3:28:47.760 --> 3:28:50.920
<v Speaker 2>They got posted it was a It wasn't even Dabadam.

3:28:51.080 --> 3:28:55.600
<v Speaker 4>You posted a lout a tone sure that Dapper Dan

3:28:55.879 --> 3:28:58.439
<v Speaker 4>actually designed, and I'm not correct.

3:28:58.320 --> 3:29:03.720
<v Speaker 3>You saying correct. You jacked me earlier. For you you've

3:29:03.720 --> 3:29:04.480
<v Speaker 3>seen the whole ship.

3:29:05.400 --> 3:29:06.840
<v Speaker 2>If you knew my ship was right.

3:29:06.879 --> 3:29:10.040
<v Speaker 3>I just want you to know I respect you and

3:29:10.200 --> 3:29:13.800
<v Speaker 3>I wanted to be sent. You've seen that. Yeah, we

3:29:14.000 --> 3:29:18.520
<v Speaker 3>have to go. Even people was like he's good style.

3:29:22.959 --> 3:29:29.480
<v Speaker 3>This ain't no free lyrics. The thing was we seen that.

3:29:32.280 --> 3:29:35.600
<v Speaker 3>M hm, where good too?

3:29:35.720 --> 3:29:40.199
<v Speaker 6>About niggas jack this man, this man is a legend.

3:29:40.360 --> 3:29:45.400
<v Speaker 6>Dapper Dadda Dan is a legend. Dapper Dan is the

3:29:45.520 --> 3:29:50.640
<v Speaker 6>reason why everybody wears Gucci and Louis Baitan and everything

3:29:50.720 --> 3:29:53.160
<v Speaker 6>to this day. You don't have to know why, and

3:29:53.280 --> 3:29:54.800
<v Speaker 6>you don't have to. Don't argue with me, don't be

3:29:54.920 --> 3:29:58.200
<v Speaker 6>like fuck him and fuck you and you're old, and

3:29:58.720 --> 3:29:59.240
<v Speaker 6>don't listen.

3:29:59.640 --> 3:30:03.000
<v Speaker 3>I'm and this guy was doing everything. This guy was

3:30:03.080 --> 3:30:04.320
<v Speaker 3>taking his ship and making.

3:30:05.680 --> 3:30:10.680
<v Speaker 6>Sweatpants fitting, sweatshirts fitting, putting Louis vuittand and mcm and

3:30:10.800 --> 3:30:14.280
<v Speaker 6>lash niggas cars. He was putting together an outfit for

3:30:14.400 --> 3:30:19.800
<v Speaker 6>drug dealers and we all as droppers and then we

3:30:19.920 --> 3:30:24.720
<v Speaker 6>copy drug dealers. He did it, and then they shut

3:30:24.840 --> 3:30:25.160
<v Speaker 6>him down.

3:30:26.480 --> 3:30:27.280
<v Speaker 3>What do you mean by that?

3:30:27.440 --> 3:30:31.879
<v Speaker 6>They shut him down because Mike Tyson beat up. Mike

3:30:31.959 --> 3:30:35.400
<v Speaker 6>Tyson beat up a boxer. Mike Tyson whipped the nigga

3:30:35.440 --> 3:30:37.400
<v Speaker 6>in the ring for the money and then beat the

3:30:37.480 --> 3:30:37.880
<v Speaker 6>nigga up.

3:30:37.879 --> 3:30:41.280
<v Speaker 3>In real life, this dream mich greed.

3:30:41.320 --> 3:30:42.400
<v Speaker 2>Let's greed's great.

3:30:43.240 --> 3:30:51.760
<v Speaker 3>And in the world realized what is this place that

3:30:51.879 --> 3:30:54.519
<v Speaker 3>people go to at night? And Bobby Ground.

3:30:56.000 --> 3:31:00.760
<v Speaker 4>Sniff and Coke's about the cocaine stories saying Bobby Brown.

3:31:00.879 --> 3:31:01.800
<v Speaker 3>Somebody thought that's wrong.

3:31:02.400 --> 3:31:04.760
<v Speaker 6>I shouldn't say Bobby Brown is stepping coke because you

3:31:04.840 --> 3:31:08.160
<v Speaker 6>thought he was sniffing something else. No, you thought he

3:31:08.200 --> 3:31:11.480
<v Speaker 6>was sniffing coke. I just said it, Bobby Brown was

3:31:11.520 --> 3:31:21.320
<v Speaker 6>sniffing coke. Bobby Brown is hitting you out with the

3:31:21.360 --> 3:31:22.119
<v Speaker 6>Bobby jaw.

3:31:25.040 --> 3:31:29.680
<v Speaker 3>Way before birthday, Murder had a birdie. Ain't didn't have it. No, No,

3:31:30.320 --> 3:31:31.600
<v Speaker 3>he had a song of murd.

3:31:33.400 --> 3:31:33.640
<v Speaker 15>Love.

3:31:34.680 --> 3:31:39.680
<v Speaker 3>He did something. His jaw was like this before that,

3:31:40.200 --> 3:31:44.840
<v Speaker 3>way before that, I don't know you're talking about. So

3:31:45.000 --> 3:31:48.160
<v Speaker 3>did Dapper Dan is doing this and they come in

3:31:48.280 --> 3:31:51.600
<v Speaker 3>on him. How do you have Mike Tyson beating up

3:31:51.680 --> 3:31:56.560
<v Speaker 3>niggas the heavyweight champion in the world. Well, he used

3:31:56.600 --> 3:31:59.960
<v Speaker 3>to explain it. He can't explain it. He shut him.

3:32:00.080 --> 3:32:04.560
<v Speaker 6>Now they shut down Dappa Dad, but he may leave

3:32:04.600 --> 3:32:11.960
<v Speaker 6>it time in Gucci at mcn everything that young urban

3:32:12.400 --> 3:32:18.240
<v Speaker 6>black Latinos niggas. None of us could fit a size too.

3:32:19.360 --> 3:32:21.440
<v Speaker 6>I may be bigger than all y'all niggas, but none

3:32:21.480 --> 3:32:25.040
<v Speaker 6>of y'all could fit a size too. They were making

3:32:25.120 --> 3:32:28.879
<v Speaker 6>sise twos. He was making custom made sweatsuits for all

3:32:28.920 --> 3:32:31.080
<v Speaker 6>of us, and they shut them down.

3:32:31.800 --> 3:32:35.240
<v Speaker 3>And I figured out twenty five thirty years later, we're

3:32:35.240 --> 3:32:37.000
<v Speaker 3>gonna get it back. And now we get it back,

3:32:37.640 --> 3:32:39.440
<v Speaker 3>and then we open up a Dappa Dan store and

3:32:39.480 --> 3:32:45.960
<v Speaker 3>Gucci in Harlem Gucci, So we're using sop all of

3:32:46.000 --> 3:32:49.680
<v Speaker 3>the prints from eighty two to eighty five. That's what

3:32:49.760 --> 3:32:54.160
<v Speaker 3>we're doing. We're making Dapa damn shit, and that's what

3:32:54.240 --> 3:32:54.880
<v Speaker 3>we're gonna do it.

3:32:55.000 --> 3:33:02.160
<v Speaker 4>This is as a person, like as a person just

3:33:02.240 --> 3:33:05.360
<v Speaker 4>looking from the outside, and I felt like you went

3:33:05.800 --> 3:33:09.199
<v Speaker 4>crazy on Instagram at first because they.

3:33:09.240 --> 3:33:12.720
<v Speaker 3>Had actually had a Louire baton. Did I go do

3:33:12.840 --> 3:33:16.440
<v Speaker 3>that kind of insta heart? Did I? I don't want

3:33:16.440 --> 3:33:23.200
<v Speaker 3>to do that hard JB. Yeah, yeah, you went home?

3:33:24.600 --> 3:33:25.200
<v Speaker 3>What did I do?

3:33:25.840 --> 3:33:27.720
<v Speaker 2>This is what I really wish I would wish I

3:33:27.760 --> 3:33:28.400
<v Speaker 2>had't your number.

3:33:28.600 --> 3:33:33.120
<v Speaker 4>You gotta get this on your chance, like because it

3:33:33.320 --> 3:33:35.880
<v Speaker 4>was like it was something man, it was like it

3:33:36.000 --> 3:33:38.039
<v Speaker 4>was a Luton, it was a girl.

3:33:38.560 --> 3:33:39.279
<v Speaker 15>It wasn't.

3:33:41.040 --> 3:33:44.720
<v Speaker 3>I wanted to be saying sorry, you know what I

3:33:44.760 --> 3:33:46.680
<v Speaker 3>don't want to be. I want to be the guy.

3:33:50.080 --> 3:33:52.039
<v Speaker 6>I want to I want to be a guy who

3:33:52.200 --> 3:33:53.760
<v Speaker 6>I want to move country for. I don't want to

3:33:53.800 --> 3:33:58.360
<v Speaker 6>be disrespectful. And if I was wrong and where a person,

3:33:59.440 --> 3:34:01.039
<v Speaker 6>I didn't want to do that. I'm not gonna let

3:34:01.120 --> 3:34:04.240
<v Speaker 6>this guy get robbed. I'm not gonna let you get robbed.

3:34:05.480 --> 3:34:07.960
<v Speaker 6>I'm not gonna let you get robbed. Somebody starts this

3:34:08.120 --> 3:34:11.040
<v Speaker 6>thing right now. They put three guys here and do

3:34:11.160 --> 3:34:13.600
<v Speaker 6>a version of this show right and all of a

3:34:13.640 --> 3:34:18.560
<v Speaker 6>sudden there's Orlando Bloom and fucking Tom Cruise.

3:34:19.120 --> 3:34:22.360
<v Speaker 3>Some other guy. Goddamn I one time Cruise taking my show.

3:34:23.760 --> 3:34:29.040
<v Speaker 3>I mean saying that we're doing drink Champs I'd be like, Yo,

3:34:29.120 --> 3:34:32.119
<v Speaker 3>that ship is fucked up. They rob them niggas. Who

3:34:32.160 --> 3:34:36.360
<v Speaker 3>has that original idea drinking and talking. I don't like

3:34:36.480 --> 3:34:37.280
<v Speaker 3>that type of ship.

3:34:37.600 --> 3:34:41.520
<v Speaker 6>That's right, and my job is to never let that

3:34:41.680 --> 3:34:45.640
<v Speaker 6>type of ship sustain itself without me saying I can't

3:34:45.760 --> 3:34:46.160
<v Speaker 6>stop it.

3:34:46.360 --> 3:34:50.000
<v Speaker 3>That's fine, but I'm gonna definitely say something about it.

3:34:50.800 --> 3:34:54.600
<v Speaker 6>It's my job. The success of this show is not

3:34:54.720 --> 3:34:57.560
<v Speaker 6>my job. The fact that no one can rob you

3:34:57.920 --> 3:34:59.680
<v Speaker 6>of what you guys invented this my job.

3:35:00.200 --> 3:35:10.520
<v Speaker 3>God damn split. And that's the part. Listen into the show. Okay,

3:35:12.560 --> 3:35:15.440
<v Speaker 3>I'm not talking the more. No, no, I'm not talking now.

3:35:17.480 --> 3:35:20.080
<v Speaker 3>I gotta in the show style this is please put

3:35:20.080 --> 3:35:22.720
<v Speaker 3>it back in. Not doing that. I gotta. I gotta

3:35:23.440 --> 3:35:26.040
<v Speaker 3>to big you up, to big you up. I have

3:35:26.160 --> 3:35:28.480
<v Speaker 3>to big you up. I have to big you up. Listen, listen.

3:35:28.680 --> 3:35:29.480
<v Speaker 2>Let me tell you something.

3:35:31.040 --> 3:35:34.080
<v Speaker 3>In the hip hop we have to start saluting the people.

3:35:34.160 --> 3:35:40.400
<v Speaker 4>That's more behind the scenes people will only salute damn got.

3:35:44.600 --> 3:35:48.280
<v Speaker 3>So we love you, Stout, thank you for coming ahead,

3:35:48.760 --> 3:35:52.240
<v Speaker 3>thank you, thank you, thank you.

3:35:53.120 --> 3:35:55.680
<v Speaker 4>Don't don't don't was like, damn, I don't know what

3:35:55.959 --> 3:35:58.800
<v Speaker 4>Style invited me to his war right.

3:35:59.080 --> 3:36:02.720
<v Speaker 3>He really absolutely, he's good. Man, he's good.

3:36:03.160 --> 3:36:07.080
<v Speaker 2>That's a great person, that lessendary.

3:36:08.840 --> 3:36:11.440
<v Speaker 3>Guyas listen, everybody you good.

3:36:12.120 --> 3:36:13.440
<v Speaker 2>I'll take a shot of your ship.

3:36:13.760 --> 3:36:16.720
<v Speaker 3>Whatever you pick up. Everybody's good. I will tell you

3:36:17.040 --> 3:36:19.039
<v Speaker 3>I am thankful. Yeah.

3:36:19.120 --> 3:36:22.920
<v Speaker 6>I love what you guys are doing being here watching

3:36:22.959 --> 3:36:24.200
<v Speaker 6>this whole thing come together.

3:36:24.280 --> 3:36:27.680
<v Speaker 3>This ship is though. Then let's let's all pick up ourselves. Man,

3:36:32.959 --> 3:36:36.000
<v Speaker 3>I got this, I got this. I love the job.

3:36:37.440 --> 3:36:40.520
<v Speaker 3>I love the job. My job is pushing forward. I

3:36:40.600 --> 3:36:42.680
<v Speaker 3>love the job. That's my job.

3:36:43.480 --> 3:36:44.200
<v Speaker 15>That's my job.

3:36:44.520 --> 3:36:46.840
<v Speaker 3>I want to tell the fucking front you gotta stop.

3:36:48.040 --> 3:36:53.879
<v Speaker 3>You get you guys are letting get him everything mustache

3:36:53.920 --> 3:36:58.119
<v Speaker 3>in Miami. Mustache ain't right. You're really.

3:37:00.400 --> 3:37:07.720
<v Speaker 17>Keep going, Jungle told me brother. He texted me style

3:37:07.879 --> 3:37:11.800
<v Speaker 17>fit stot. You know how easily I can killed your front?

3:37:12.080 --> 3:37:16.240
<v Speaker 3>Front is good? Is good? I don't know where's this going.

3:37:16.720 --> 3:37:26.360
<v Speaker 3>This queen ship, queen ship. This this is what we do.

3:37:26.480 --> 3:37:33.160
<v Speaker 3>It's queens. Yeah, why don't we? We we aiming a

3:37:33.240 --> 3:37:36.400
<v Speaker 3>peaceful him in the piece of Style.

3:37:37.000 --> 3:37:40.560
<v Speaker 4>I appreciate everything that we could do as people and

3:37:40.720 --> 3:37:41.760
<v Speaker 4>people keep it together.

3:37:42.160 --> 3:37:44.680
<v Speaker 3>I appreciate what you did for hip hop. I appreciate

3:37:44.760 --> 3:37:45.359
<v Speaker 3>with track.

3:37:45.280 --> 3:37:49.760
<v Speaker 4>Masters less, I appreciate how you are as people, and

3:37:49.920 --> 3:37:53.480
<v Speaker 4>we want to salute our legends. There's not one show

3:37:53.640 --> 3:37:56.280
<v Speaker 4>in the world you look at First Take you look

3:37:56.320 --> 3:37:59.119
<v Speaker 4>at all this other ship these guys big up? Who

3:37:59.480 --> 3:38:02.560
<v Speaker 4>is not even First Take Off? Our TNT with Charles

3:38:02.640 --> 3:38:07.880
<v Speaker 4>Balkley and what's the ship? Kenny Smith? Kenny Smith, Kenny Smith,

3:38:07.920 --> 3:38:08.520
<v Speaker 4>what's that show?

3:38:08.959 --> 3:38:11.960
<v Speaker 3>Okay, we didn't have that in the hip hop. So

3:38:12.080 --> 3:38:13.280
<v Speaker 3>that's what I wanted to big up.

3:38:13.320 --> 3:38:15.199
<v Speaker 4>I wanted to big up the people that I respect,

3:38:15.520 --> 3:38:18.000
<v Speaker 4>people that I love, the people that put people in

3:38:18.160 --> 3:38:20.959
<v Speaker 4>positions and make shit work from there.

3:38:21.320 --> 3:38:25.400
<v Speaker 3>And that's what I wanted to do. We never know

3:38:25.520 --> 3:38:26.040
<v Speaker 3>what's on it.

3:38:26.520 --> 3:38:29.160
<v Speaker 2>Yeah, we're like firefighters. Yeah we got to call.

3:38:29.520 --> 3:38:32.000
<v Speaker 3>We just do what the fun. We gotta the truth,

3:38:32.200 --> 3:38:35.160
<v Speaker 3>That's what we gotta do. But guess what I wanted

3:38:35.200 --> 3:38:37.360
<v Speaker 3>you to know, in case you ever didn't know it,

3:38:37.720 --> 3:38:42.040
<v Speaker 3>I respect, I really do. Face to face.

3:38:44.959 --> 3:38:45.360
<v Speaker 14>I knew.

3:38:46.040 --> 3:38:48.360
<v Speaker 3>I knew that every problem I ever had with you

3:38:48.560 --> 3:38:50.240
<v Speaker 3>was because I was a young person.

3:38:51.440 --> 3:38:53.320
<v Speaker 4>And that's the reason why I came to you and

3:38:53.480 --> 3:38:56.279
<v Speaker 4>I talked to you and I told you I'm sorry

3:38:57.160 --> 3:39:00.360
<v Speaker 4>because as a man I knew I wasn't a man.

3:39:02.000 --> 3:39:04.400
<v Speaker 3>I knew I wasn't a man, but I had a

3:39:04.520 --> 3:39:08.560
<v Speaker 3>problem with say so that has nothing to do with nothing.

3:39:09.240 --> 3:39:13.920
<v Speaker 3>That was good, That was good everybody.

3:39:14.120 --> 3:39:16.160
<v Speaker 4>No, I want to do it before of everybody, because

3:39:16.200 --> 3:39:19.199
<v Speaker 4>I'm a man, and that's what a man does.

3:39:19.360 --> 3:39:22.560
<v Speaker 3>When a man recognizes what happens in anything.

3:39:23.160 --> 3:39:29.400
<v Speaker 4>And you've done amazing things in hip hop, you continue

3:39:29.480 --> 3:39:30.640
<v Speaker 4>to do amazing things.

3:39:30.480 --> 3:39:34.360
<v Speaker 3>That I'm at seven and you're not. I'm not even stopped,

3:39:34.879 --> 3:39:38.480
<v Speaker 3>not even stop. And you know what. This is what

3:39:38.640 --> 3:39:43.440
<v Speaker 3>we do in drink chaps. We continue to respect people.

3:39:46.360 --> 3:39:48.280
<v Speaker 3>Your first time, this.

3:39:48.400 --> 3:39:51.720
<v Speaker 6>Guy right here, I love him that he's the fucking

3:39:51.879 --> 3:39:55.240
<v Speaker 6>man you had you sure you had everything off.

3:39:55.680 --> 3:40:00.800
<v Speaker 3>You want to say something, you know they were better

3:40:00.800 --> 3:40:03.440
<v Speaker 3>than we got that. We got that. No, you got everything.

3:40:04.000 --> 3:40:06.160
<v Speaker 2>You obviously didn't hear what I said. It's not your

3:40:06.240 --> 3:40:08.480
<v Speaker 2>first time here, because this is.

3:40:08.600 --> 3:40:10.680
<v Speaker 3>A horror of them. Will come back. No, No, and

3:40:10.800 --> 3:40:14.120
<v Speaker 3>you will, and you will say you say, these people

3:40:14.240 --> 3:40:15.920
<v Speaker 3>like you got it. He's never coming back.

3:40:16.959 --> 3:40:20.560
<v Speaker 2>No, I think he will, like stout safe.

3:40:20.879 --> 3:40:23.440
<v Speaker 3>We kept him safe. I gave her good his I

3:40:23.480 --> 3:40:26.200
<v Speaker 3>can't even believe that, you know what and this.

3:40:27.920 --> 3:40:30.039
<v Speaker 2>Keep what's not get first on him here.

3:40:32.160 --> 3:40:36.760
<v Speaker 3>He's thinking about it. He's thinking about it. Look, this

3:40:37.000 --> 3:40:39.640
<v Speaker 3>man with the bed is looking like listen, don't go

3:40:39.720 --> 3:40:41.480
<v Speaker 3>into everybody. Territory's great.

3:40:41.959 --> 3:40:42.880
<v Speaker 2>Did you know what he said?

3:40:43.080 --> 3:40:47.400
<v Speaker 3>He said that Eminem bodied jay Z. He was so long,

3:40:48.520 --> 3:40:49.680
<v Speaker 3>you don't have the thing that he didn't know.

3:40:51.800 --> 3:40:54.200
<v Speaker 6>I don't have his mic on what's the five nine

3:40:54.240 --> 3:40:56.040
<v Speaker 6>already and Eminem already had the song.

3:40:57.959 --> 3:40:59.320
<v Speaker 3>I heard that. I'm not talking about that.

3:41:02.240 --> 3:41:07.040
<v Speaker 2>As deficients. You you don't do everything else, everything else

3:41:07.080 --> 3:41:07.280
<v Speaker 2>don