1
00:00:11,800 --> 00:00:16,079
Speaker 1: And his Drink Chats motherfucking podcast. He's a legend every

2
00:00:16,200 --> 00:00:18,599
Speaker 1: queen's rapper. He's agreed is your boy in O R.

3
00:00:18,720 --> 00:00:21,880
Speaker 1: He's a Miami hip hop pioneer. Up is d J

4
00:00:22,079 --> 00:00:24,400
Speaker 1: e f N. Together they drink it up with some

5
00:00:24,480 --> 00:00:29,440
Speaker 1: of the biggest players in the most professional, unprofessional podcast

6
00:00:29,640 --> 00:00:32,280
Speaker 1: and yet number one source for drunk fast Drink Chats

7
00:00:32,320 --> 00:00:36,360
Speaker 1: motherfucking is New year' z that his time for Drink

8
00:00:36,440 --> 00:00:46,360
Speaker 1: Champs trink Up mother would it could be hoping when

9
00:00:46,400 --> 00:00:48,760
Speaker 1: this should be this is your boy and O R.

10
00:00:49,120 --> 00:00:51,040
Speaker 1: What up is d J e FN and this is

11
00:00:51,120 --> 00:00:57,880
Speaker 1: drink Chats motherfucker Happy? I will make something right now.

12
00:00:58,000 --> 00:01:01,960
Speaker 1: Where it comes to d j's, when it comes to producers,

13
00:01:02,120 --> 00:01:05,200
Speaker 1: when it comes to hit makers, when it comes to

14
00:01:05,280 --> 00:01:07,400
Speaker 1: all the round hustlers, I think I see them in

15
00:01:07,440 --> 00:01:09,920
Speaker 1: the guy co conversed with the other day. The man

16
00:01:10,000 --> 00:01:16,360
Speaker 1: got endorsements with everybody from wait watchers to whoever. The

17
00:01:16,440 --> 00:01:23,759
Speaker 1: man is the ultimate, ultimate, ultimate, ultimate hustler, super motivational speaker.

18
00:01:23,959 --> 00:01:25,760
Speaker 1: Sometimes when I'm having a bad day, just go on

19
00:01:25,760 --> 00:01:28,959
Speaker 1: his Instagram just to feel bad, because he tells you

20
00:01:28,959 --> 00:01:33,800
Speaker 1: you are the best. He doesn't play about this he's

21
00:01:33,840 --> 00:01:37,119
Speaker 1: serious about his business. Has one of the best house

22
00:01:37,120 --> 00:01:39,120
Speaker 1: I've ever seen in my life. He got a part

23
00:01:39,120 --> 00:01:43,640
Speaker 1: of his cribtics outside inside, but it's outside inside. I

24
00:01:43,720 --> 00:01:46,080
Speaker 1: don't know if you understand, that's how crazy it is.

25
00:01:46,800 --> 00:01:48,480
Speaker 1: And in case you don't know what I'm talking about,

26
00:01:49,160 --> 00:01:51,400
Speaker 1: the number one DJ in the world, one of the

27
00:01:51,480 --> 00:01:53,800
Speaker 1: number one hit makers in the world, one of the

28
00:01:53,880 --> 00:01:57,200
Speaker 1: number one hustlers in the world, constantly doing this thing.

29
00:01:57,280 --> 00:02:09,200
Speaker 1: Motherfucker d Jaker. I gotta takes from the super legendary.

30
00:02:09,200 --> 00:02:11,760
Speaker 1: I appreciate that for college. Let me let me get

31
00:02:11,800 --> 00:02:13,359
Speaker 1: right into it, right, let me just get right into

32
00:02:13,400 --> 00:02:15,359
Speaker 1: I'm sorry, I'm sorry to cut you off because let

33
00:02:15,360 --> 00:02:17,560
Speaker 1: me pop that. Let me pop. But this is what

34
00:02:17,639 --> 00:02:19,520
Speaker 1: type of caging it is. When you come out. You know,

35
00:02:19,560 --> 00:02:22,640
Speaker 1: you don't pop regular ace. You pop the ropes. You understand.

36
00:02:22,680 --> 00:02:26,200
Speaker 1: I made the call and hold I believe it ain't

37
00:02:26,200 --> 00:02:28,760
Speaker 1: sent these two bottles of rolls, but I had to

38
00:02:28,760 --> 00:02:30,239
Speaker 1: get I had to make it completely. Have a case.

39
00:02:30,240 --> 00:02:32,040
Speaker 1: You know you gotta have six bottles at ACE. But

40
00:02:32,160 --> 00:02:37,320
Speaker 1: let me just ask you call it right, um um,

41
00:02:37,360 --> 00:02:41,200
Speaker 1: you had a viral moment a couple of weeks, right,

42
00:02:41,480 --> 00:02:48,520
Speaker 1: you just going live a fan love right then, and

43
00:02:48,600 --> 00:02:54,320
Speaker 1: the home girl just started dr and behlf of all

44
00:02:54,440 --> 00:02:57,160
Speaker 1: married men in the world. I was very proud of

45
00:02:57,160 --> 00:02:59,720
Speaker 1: you at that moment. Now I appreciate that. I mean,

46
00:02:59,760 --> 00:03:02,399
Speaker 1: you know that moment was um, which is a real

47
00:03:02,480 --> 00:03:06,519
Speaker 1: reaction what I'm saying. Uh, So it wasn't because she

48
00:03:07,160 --> 00:03:10,760
Speaker 1: just walked right by, because you see me, Like, she

49
00:03:10,880 --> 00:03:12,400
Speaker 1: just walked right by me. And the thing is that

50
00:03:12,440 --> 00:03:14,640
Speaker 1: I got I have no problem with her might talking

51
00:03:14,919 --> 00:03:17,519
Speaker 1: and it's their business. Whatever anybody want to do. God

52
00:03:17,560 --> 00:03:20,080
Speaker 1: bless them, because you know I love everybody. And it's like,

53
00:03:21,280 --> 00:03:24,359
Speaker 1: but you know, on my online platform, you know what

54
00:03:24,360 --> 00:03:27,960
Speaker 1: I mean, I just asked not to do that. Um.

55
00:03:28,040 --> 00:03:29,440
Speaker 1: And the reason why I was starting her talking to

56
00:03:29,440 --> 00:03:31,080
Speaker 1: me normal is because at the end of the day,

57
00:03:31,080 --> 00:03:32,760
Speaker 1: it's you know, I got a lot of people that

58
00:03:32,800 --> 00:03:36,080
Speaker 1: support me, and you know, I also want her to

59
00:03:36,080 --> 00:03:39,480
Speaker 1: be able to get her message across without you know,

60
00:03:40,880 --> 00:03:43,520
Speaker 1: so the extra stuff. Um, it's crazy because I end

61
00:03:43,600 --> 00:03:47,440
Speaker 1: up going live again like a week later, she popped

62
00:03:47,440 --> 00:03:50,320
Speaker 1: back up, but she came back on here talking to normal.

63
00:03:50,360 --> 00:03:52,760
Speaker 1: Got numb but love for your respect, that this and that,

64
00:03:52,880 --> 00:03:55,000
Speaker 1: and now she was telling me how she's an entrepreneur.

65
00:03:55,480 --> 00:03:58,080
Speaker 1: You know that she has her own Um, I think

66
00:03:58,120 --> 00:04:00,080
Speaker 1: she sells like I'm not if I'm not mistake, and

67
00:04:00,120 --> 00:04:02,640
Speaker 1: I think baby suits and you know, just different stuff.

68
00:04:02,640 --> 00:04:04,160
Speaker 1: So I was like, man, that's beautiful and let's talk

69
00:04:04,200 --> 00:04:07,080
Speaker 1: about oh my lives, oh my love what I'm saying.

70
00:04:07,080 --> 00:04:09,400
Speaker 1: So you know, that was just a real reaction. I'm

71
00:04:09,400 --> 00:04:11,280
Speaker 1: saying at the end of the day, is you know

72
00:04:11,280 --> 00:04:13,120
Speaker 1: what I'm saying. Even if I was looking at it,

73
00:04:13,120 --> 00:04:15,160
Speaker 1: I'm not doing nothing wrong. But I was just like, yo,

74
00:04:15,240 --> 00:04:19,520
Speaker 1: like what you know, my son situation. But it was

75
00:04:19,560 --> 00:04:21,159
Speaker 1: just a real I don't know how to be me.

76
00:04:21,960 --> 00:04:24,800
Speaker 1: I'm saying it just me. One night, I'm out with

77
00:04:24,839 --> 00:04:30,839
Speaker 1: my wife, right, but it's not here, yest brick house,

78
00:04:31,279 --> 00:04:33,480
Speaker 1: brick house. So I'm at brick house and the girl

79
00:04:33,560 --> 00:04:35,960
Speaker 1: comes up to me and I guess you wanted to

80
00:04:35,960 --> 00:04:38,120
Speaker 1: say hi. So we're saying hi. But the only thing

81
00:04:38,240 --> 00:04:40,320
Speaker 1: she did she just looked. It was like she just

82
00:04:40,400 --> 00:04:43,679
Speaker 1: turned around. It starts turky, and we all just walked away.

83
00:04:43,760 --> 00:04:45,720
Speaker 1: We just like, come on, she doesn't know that we

84
00:04:46,279 --> 00:04:48,400
Speaker 1: with our wives. But that's crazy when you can see

85
00:04:48,400 --> 00:04:50,479
Speaker 1: people that that's the only way they know how to communicate.

86
00:04:50,520 --> 00:04:53,159
Speaker 1: They you know, to get your attention is just you know,

87
00:04:53,440 --> 00:04:55,760
Speaker 1: taking that. And you know, my girl's super cool. I'm saying,

88
00:04:55,760 --> 00:04:58,640
Speaker 1: my girl, she she's my best friend. I'm saying, and

89
00:04:58,680 --> 00:05:01,320
Speaker 1: I've been together friend like over thirteen years and she's

90
00:05:01,400 --> 00:05:04,279
Speaker 1: um my best friend. What I'm saying, she's just my

91
00:05:04,320 --> 00:05:06,560
Speaker 1: best friend. She will never trip about nothing like that.

92
00:05:06,880 --> 00:05:10,039
Speaker 1: What I'm saying, she's a guy. I just anybody know

93
00:05:10,120 --> 00:05:12,920
Speaker 1: my girl, she s a real one. So I'm like, yo, yeah, yeah,

94
00:05:13,480 --> 00:05:18,880
Speaker 1: no problems. If I was one love that was a

95
00:05:18,880 --> 00:05:23,680
Speaker 1: super Legiti that was that was Joe. That was so

96
00:05:24,440 --> 00:05:28,000
Speaker 1: moving on. Let's take it. Let's take it from the

97
00:05:28,000 --> 00:05:31,000
Speaker 1: beginning because a lot of people, a lot of people

98
00:05:31,200 --> 00:05:34,479
Speaker 1: just think that you just started and you just you

99
00:05:34,760 --> 00:05:36,440
Speaker 1: came this guy. A lot of people don't understand the

100
00:05:36,520 --> 00:05:39,560
Speaker 1: grind from the beginning. Last people, I mean, I understand that.

101
00:05:40,839 --> 00:05:42,640
Speaker 1: You know, I'm talking about I'm talking about the genetics

102
00:05:42,720 --> 00:05:47,000
Speaker 1: right the world. So how did you actually because I

103
00:05:47,040 --> 00:05:49,880
Speaker 1: believe it's Louisiana. Then you moved to Atlanta though, so

104
00:05:50,160 --> 00:05:53,640
Speaker 1: I was raised in Florida. I was born in New Orleans,

105
00:05:53,680 --> 00:05:56,760
Speaker 1: but I was raised in Florida. UM And while I

106
00:05:56,800 --> 00:06:00,520
Speaker 1: was living in Florida, went back to New Orleans, um again,

107
00:06:00,560 --> 00:06:03,240
Speaker 1: because my finances wasn't right how to get back on

108
00:06:03,279 --> 00:06:05,800
Speaker 1: my feet. And my mother and father lived in Florida

109
00:06:05,839 --> 00:06:08,240
Speaker 1: at one time, but they went back. You know, everything

110
00:06:08,240 --> 00:06:10,960
Speaker 1: got took it away from them. I'm saying, Um, basically

111
00:06:11,040 --> 00:06:14,240
Speaker 1: like ship got real, what I'm saying. And it was

112
00:06:14,279 --> 00:06:17,640
Speaker 1: happening to me when I was like fifteen, and um,

113
00:06:17,680 --> 00:06:21,440
Speaker 1: you know, God blessed me and let me see, um

114
00:06:21,520 --> 00:06:23,479
Speaker 1: the blessings and then you let me see how quick

115
00:06:23,520 --> 00:06:26,320
Speaker 1: it will be taken away, you know, at a young age.

116
00:06:26,400 --> 00:06:28,680
Speaker 1: So that's what you know. When you see a lot

117
00:06:28,720 --> 00:06:30,680
Speaker 1: of me and a lot of my talk, that's just me,

118
00:06:30,880 --> 00:06:33,520
Speaker 1: you know, my experiences of real life. So I lived

119
00:06:33,520 --> 00:06:36,159
Speaker 1: in Miami for over about twenty seven years, I would

120
00:06:36,160 --> 00:06:41,159
Speaker 1: say seven something like that. Um, so I've been raised

121
00:06:41,200 --> 00:06:43,640
Speaker 1: in Florida, what I'm saying. I lived in Orlando for

122
00:06:43,640 --> 00:06:46,640
Speaker 1: a for you years too, But Miami was my home,

123
00:06:47,040 --> 00:06:49,520
Speaker 1: my heart, and it's been over twenty seven years. When

124
00:06:49,520 --> 00:06:51,719
Speaker 1: you live in a city more than twenty years, you

125
00:06:51,760 --> 00:06:54,920
Speaker 1: know that's your life. You damn near born. Yeah, you

126
00:06:54,920 --> 00:06:56,560
Speaker 1: know what I'm saying, this is this is my home

127
00:06:56,680 --> 00:06:58,800
Speaker 1: is what I represented to what I screamed, and I

128
00:06:58,839 --> 00:07:01,680
Speaker 1: had love for everywhere what I'm saying. But you know,

129
00:07:01,720 --> 00:07:03,440
Speaker 1: just to answer your question, you know what I mean,

130
00:07:03,480 --> 00:07:08,120
Speaker 1: I became DJ caged, you know what I'm saying right

131
00:07:08,160 --> 00:07:11,160
Speaker 1: here in Miami. You know what I'm saying. You know

132
00:07:11,200 --> 00:07:14,559
Speaker 1: me and him, you should rocket club cream. What I'm saying,

133
00:07:14,640 --> 00:07:18,520
Speaker 1: like fifth in Washington was like one of the first

134
00:07:19,040 --> 00:07:22,160
Speaker 1: hip And you know what I love about your relationship

135
00:07:22,240 --> 00:07:26,800
Speaker 1: is because he rapped you so hard, repped you so hard,

136
00:07:27,280 --> 00:07:30,320
Speaker 1: know what I'm talking about, another level you're saying. And

137
00:07:30,720 --> 00:07:33,000
Speaker 1: he would bring you to two shows in Miami. This's

138
00:07:33,000 --> 00:07:37,840
Speaker 1: when he had the what what you know? And if

139
00:07:37,840 --> 00:07:41,200
Speaker 1: that would bring him bring you down? And I just

140
00:07:41,240 --> 00:07:49,000
Speaker 1: love how y'all partners and and how the friendship. But

141
00:07:49,080 --> 00:07:51,120
Speaker 1: let's take it from this. So when when did you

142
00:07:51,120 --> 00:07:54,440
Speaker 1: start out first? Was it DJN or was it so DJ?

143
00:07:54,600 --> 00:07:57,560
Speaker 1: I saw a DJ and UM at an early age.

144
00:07:57,600 --> 00:08:02,480
Speaker 1: I would say probably about thirteen four a team in

145
00:08:02,480 --> 00:08:04,920
Speaker 1: in Orlando, and then I came to Miami. What I'm saying,

146
00:08:04,960 --> 00:08:08,320
Speaker 1: so you know, UM, I started DJ early, I'm saying.

147
00:08:08,360 --> 00:08:11,160
Speaker 1: And as soon as I started DJ, and I immediately

148
00:08:11,240 --> 00:08:14,440
Speaker 1: got into production. So you know back in them days,

149
00:08:14,800 --> 00:08:16,840
Speaker 1: you know it's called the beating overcame, So it was

150
00:08:16,960 --> 00:08:20,440
Speaker 1: DJ Cavin beating overcame. Um and you know, nobody knew

151
00:08:20,440 --> 00:08:21,880
Speaker 1: me what I'm saying that this is me just living

152
00:08:21,920 --> 00:08:25,560
Speaker 1: my dreams. You actually press the buttons. Yeah, MPC sixty

153
00:08:25,640 --> 00:08:28,560
Speaker 1: I'm saying, drum machine. Look, you know, cast your keyboard

154
00:08:28,720 --> 00:08:31,000
Speaker 1: what I'm saying, like with and a lot of vinyl

155
00:08:31,040 --> 00:08:33,360
Speaker 1: record Obviously we sampled a lot of that time I'm saying,

156
00:08:33,360 --> 00:08:37,040
Speaker 1: so I was I was more of UM MPC and

157
00:08:37,160 --> 00:08:39,760
Speaker 1: a lot of turntable sampling, you know what I'm saying. So,

158
00:08:40,040 --> 00:08:43,080
Speaker 1: and that's how the music was putting it out at

159
00:08:43,080 --> 00:08:46,400
Speaker 1: that time. Um SO production and DJ was kind of

160
00:08:46,440 --> 00:08:49,840
Speaker 1: like together. But obviously you know DJ broke the door

161
00:08:49,920 --> 00:08:52,120
Speaker 1: down for me. I'm saying, uh so, you were producing

162
00:08:52,160 --> 00:08:55,000
Speaker 1: from the get not they get but two years yeah

163
00:08:56,559 --> 00:08:59,160
Speaker 1: for sure for shore Mics ninety six days. So I

164
00:08:59,200 --> 00:09:02,200
Speaker 1: started DJ. Then, um you know when I came to Miami,

165
00:09:02,440 --> 00:09:04,920
Speaker 1: I end up doing underground radio. He brought up mixed

166
00:09:04,920 --> 00:09:06,960
Speaker 1: Signy six. I call it community radio, and they call

167
00:09:07,000 --> 00:09:10,760
Speaker 1: it what I'm saying, um so, I would when I

168
00:09:10,840 --> 00:09:14,320
Speaker 1: used to do Mick Sagny six. It was crazy man

169
00:09:14,360 --> 00:09:18,319
Speaker 1: because um shouting the Butterfuco Daddy Saul and everybody was

170
00:09:18,360 --> 00:09:20,720
Speaker 1: at mixed SIGNI six and UM. I remember coming in

171
00:09:20,720 --> 00:09:22,960
Speaker 1: there with like Crates and I'm like, yo, I wanna

172
00:09:23,280 --> 00:09:26,360
Speaker 1: I wanna rock, know what I'm saying, and They're like,

173
00:09:27,200 --> 00:09:29,720
Speaker 1: you know. I was so persistent and consistent, and they

174
00:09:29,720 --> 00:09:32,600
Speaker 1: finally let me on and it was a late night show,

175
00:09:33,120 --> 00:09:35,040
Speaker 1: and I was, you know, I've ripped it down, and

176
00:09:35,040 --> 00:09:37,320
Speaker 1: everybody was calling up like who's this guy? Who's this guy?

177
00:09:37,679 --> 00:09:41,040
Speaker 1: His voices, the way he played music. You know, they

178
00:09:41,080 --> 00:09:44,640
Speaker 1: showed love what I'm saying. And I end up rocking

179
00:09:44,720 --> 00:09:48,240
Speaker 1: so much, got the calls from the city from the streets,

180
00:09:48,240 --> 00:09:50,360
Speaker 1: will just keep coming in, coming in coming in. But

181
00:09:50,480 --> 00:09:52,800
Speaker 1: at the same time, as I only had like a

182
00:09:52,880 --> 00:09:55,360
Speaker 1: one hour show, what happened was, you know, how can

183
00:09:55,400 --> 00:09:57,440
Speaker 1: I be down? Was out here, so how can I

184
00:09:57,480 --> 00:09:59,839
Speaker 1: be down with in Miami? All the DJs wanted to

185
00:09:59,880 --> 00:10:02,640
Speaker 1: go to the convention. I want you to be on

186
00:10:02,679 --> 00:10:05,480
Speaker 1: the radio, So I stayed on the radio. Everybody left

187
00:10:05,480 --> 00:10:07,960
Speaker 1: their show, so now I'm joined the afternoon show, the

188
00:10:08,040 --> 00:10:12,520
Speaker 1: morning show, the night show. I slept in the apartments.

189
00:10:14,880 --> 00:10:17,880
Speaker 1: You know that the station the floor under you was

190
00:10:18,000 --> 00:10:21,000
Speaker 1: ninety four point seven that was at that station. Literally

191
00:10:21,040 --> 00:10:27,000
Speaker 1: are yeah, we're like rival underground radio stations with houses. Yeah,

192
00:10:27,320 --> 00:10:29,960
Speaker 1: this is that's the way the ground radio locations. What

193
00:10:29,960 --> 00:10:32,840
Speaker 1: you're saying, because you know, you know the receiver somewhere.

194
00:10:33,080 --> 00:10:34,760
Speaker 1: You know what. That makes sense cause I was stretching

195
00:10:34,800 --> 00:10:37,240
Speaker 1: Barbados ship was in an apartment in New York. So

196
00:10:37,360 --> 00:10:40,000
Speaker 1: you gotta remember Miami didn't have the commercial radio. Wasn't

197
00:10:40,040 --> 00:10:44,079
Speaker 1: really know what I'm saying that we was playing the

198
00:10:44,120 --> 00:10:46,720
Speaker 1: hip hop here you was saying. And that's why I

199
00:10:46,720 --> 00:10:48,960
Speaker 1: love being on the shoulder because he was playing it too,

200
00:10:49,040 --> 00:10:52,320
Speaker 1: and I was playing it. And so now I'm on

201
00:10:52,360 --> 00:10:55,560
Speaker 1: the radio, everybody hearing me, the whole city in Miami

202
00:10:55,600 --> 00:10:58,200
Speaker 1: embracing me. But also when people came from out of town,

203
00:10:58,240 --> 00:11:01,000
Speaker 1: because everybody come to Miami. What I'm saying, especially at

204
00:11:01,040 --> 00:11:03,360
Speaker 1: that time the morning a weekend, how can I be down?

205
00:11:03,760 --> 00:11:07,360
Speaker 1: Everybody coming? So all the artists end up coming and

206
00:11:07,440 --> 00:11:09,319
Speaker 1: you know, calling up, like, yo, call it up, I

207
00:11:09,400 --> 00:11:11,440
Speaker 1: see you doing your thing. Boy, You're coming up, and

208
00:11:11,480 --> 00:11:14,200
Speaker 1: you know, I'm like just ripping it down right and

209
00:11:14,240 --> 00:11:17,400
Speaker 1: then um fat Joe would come to my show, Big

210
00:11:17,440 --> 00:11:19,920
Speaker 1: Pun will come to my show. Cameroon will come to

211
00:11:19,960 --> 00:11:22,400
Speaker 1: my show. KR Swarm will come on my show and

212
00:11:22,400 --> 00:11:25,640
Speaker 1: wrap for like two hours straight, not one break. What

213
00:11:25,640 --> 00:11:28,080
Speaker 1: I'm saying, like, why Cleap will come on my show?

214
00:11:28,360 --> 00:11:32,720
Speaker 1: You know, every artist will come on my show. Um,

215
00:11:32,760 --> 00:11:35,040
Speaker 1: and you know that's when they came in town. But

216
00:11:35,720 --> 00:11:39,480
Speaker 1: the city of Miami, you know what I'm saying, read

217
00:11:39,559 --> 00:11:41,360
Speaker 1: me so hard. And I read the city of Miami

218
00:11:41,440 --> 00:11:43,680
Speaker 1: so hard. You know. It was every day you heard

219
00:11:43,720 --> 00:11:46,880
Speaker 1: Cabot on the radio, Like you know, that's just part

220
00:11:46,880 --> 00:11:49,760
Speaker 1: of a day in a life in Miami. You get

221
00:11:49,760 --> 00:11:51,240
Speaker 1: in your car, you in your crib, you're gonna hear

222
00:11:51,320 --> 00:11:54,000
Speaker 1: DJ caled is a seven days week, seven days a week.

223
00:11:54,600 --> 00:12:00,719
Speaker 1: One day you're saying, like, so, you know, and then

224
00:12:01,240 --> 00:12:04,120
Speaker 1: it got bigger than then. Uncle Nuke called me shout

225
00:12:04,160 --> 00:12:06,839
Speaker 1: the Luke Um. Luke called me like, y'all want you

226
00:12:06,880 --> 00:12:09,400
Speaker 1: to do my new show on ninety nine Jams. It's

227
00:12:09,440 --> 00:12:12,040
Speaker 1: the big station. So he gave me the opportunity, which

228
00:12:12,040 --> 00:12:17,040
Speaker 1: is equivalent right right. So I end up doing co

229
00:12:17,160 --> 00:12:20,680
Speaker 1: hosting with him and d jan on The Luke Shaw

230
00:12:20,679 --> 00:12:23,160
Speaker 1: on Friday Night, and I still kept my underground radio.

231
00:12:23,440 --> 00:12:26,880
Speaker 1: I was I'm making a hundred hours a week. I'm

232
00:12:26,880 --> 00:12:31,440
Speaker 1: saying straight up, I'm hustling. Yeah, yeah, this is where

233
00:12:31,480 --> 00:12:41,160
Speaker 1: I go driving. We're ate is twenty crates and record crates,

234
00:12:42,280 --> 00:12:46,880
Speaker 1: jumping on a tri rail that's the train and getting

235
00:12:46,920 --> 00:12:49,400
Speaker 1: to the you know, like back in the days it

236
00:12:49,520 --> 00:12:52,280
Speaker 1: was in Biscaine View. I say it now, you know

237
00:12:52,320 --> 00:12:56,719
Speaker 1: what I'm saying. We'll get ready back then, you know, eventually,

238
00:12:56,960 --> 00:12:58,760
Speaker 1: you know the way. I have no idea what you

239
00:12:58,800 --> 00:13:01,120
Speaker 1: guys are talking about, but you know what I'm saying.

240
00:13:01,120 --> 00:13:03,800
Speaker 1: So Luke called me up and let me be um

241
00:13:03,840 --> 00:13:06,080
Speaker 1: a DJ on the show and a co host. And

242
00:13:06,120 --> 00:13:09,960
Speaker 1: that show, Maori, it was so big, not just big

243
00:13:10,000 --> 00:13:13,600
Speaker 1: in Miami, big in the world. So he gave me

244
00:13:13,640 --> 00:13:16,640
Speaker 1: the opportunity and and and I'm very grateful for that

245
00:13:16,720 --> 00:13:20,840
Speaker 1: opportunity because um, not only did it get super big,

246
00:13:21,400 --> 00:13:23,400
Speaker 1: you know what I mean, it was so big that

247
00:13:24,280 --> 00:13:27,240
Speaker 1: it had to come off the air because it was

248
00:13:27,280 --> 00:13:31,400
Speaker 1: just too big. That big. It just kind of so

249
00:13:31,520 --> 00:13:34,520
Speaker 1: you know, Luke was touring and we did the show

250
00:13:34,760 --> 00:13:38,080
Speaker 1: for you know, for years, and and when he left radio,

251
00:13:38,320 --> 00:13:40,280
Speaker 1: I end up they end up keeping me to doing

252
00:13:40,320 --> 00:13:42,520
Speaker 1: the Friday night show. So I was grateful for him

253
00:13:42,559 --> 00:13:44,800
Speaker 1: to give me the opportunity. So I started working at

254
00:13:44,920 --> 00:13:47,600
Speaker 1: nine nine Jams and from nine nine Jams on Friday

255
00:13:47,679 --> 00:13:50,200
Speaker 1: night show. I went to having a Friday night show

256
00:13:50,240 --> 00:13:54,720
Speaker 1: to a five o'clock mix in the afternoon and um

257
00:13:54,880 --> 00:13:58,320
Speaker 1: sometimes do the night show mix at nine o'clock. But

258
00:13:58,360 --> 00:14:01,240
Speaker 1: then eventually, make a long story short, they gave me

259
00:14:01,280 --> 00:14:03,160
Speaker 1: my own show. You know what I'm saying. I end

260
00:14:03,200 --> 00:14:04,760
Speaker 1: up doing the night show like how Flex would have

261
00:14:04,800 --> 00:14:07,400
Speaker 1: a night show. So I'm breaking records down like I'm

262
00:14:07,440 --> 00:14:11,319
Speaker 1: breaking records. I'm breaking every record. I'm breaking records in

263
00:14:11,400 --> 00:14:14,680
Speaker 1: my AMMI I'm breaking records out whatever great music I

264
00:14:14,679 --> 00:14:17,959
Speaker 1: would break it. I was passionate I would I damn me.

265
00:14:18,200 --> 00:14:21,480
Speaker 1: I got fired and suspended so many times for breaking

266
00:14:22,360 --> 00:14:26,040
Speaker 1: I played Rick Ross record hustling for like an hour straight.

267
00:14:26,120 --> 00:14:28,440
Speaker 1: The program director at that time called up, like, yeah,

268
00:14:28,440 --> 00:14:30,480
Speaker 1: that's something I'm sorry, is that something you got from

269
00:14:30,760 --> 00:14:35,760
Speaker 1: Master Flex. I'm definitely inspired by breaking records bringing it back. Absolutely.

270
00:14:35,760 --> 00:14:38,680
Speaker 1: I remember you broke that Garcia record for us. Yes,

271
00:14:38,920 --> 00:14:40,440
Speaker 1: I think it was the first time you actually did

272
00:14:40,440 --> 00:14:44,400
Speaker 1: it that big and then so many now but the way.

273
00:14:44,440 --> 00:14:47,240
Speaker 1: You didn't heard you do that. Yes, that was the

274
00:14:47,280 --> 00:14:49,280
Speaker 1: first time I heard you do that. I got suspended.

275
00:14:50,400 --> 00:14:53,240
Speaker 1: I came back on I did the same thing, suspended

276
00:14:53,280 --> 00:14:55,800
Speaker 1: again and threatened to fire me. I was like, listen,

277
00:14:56,240 --> 00:14:59,080
Speaker 1: you're gonna have to fire me because I know what

278
00:14:59,120 --> 00:15:01,280
Speaker 1: this is and I know what this is gonna do.

279
00:15:01,320 --> 00:15:05,160
Speaker 1: For the CD, I was playing Ross Trick, treaming up

280
00:15:05,200 --> 00:15:07,680
Speaker 1: pit Bull. You know the list go on. There's too

281
00:15:07,680 --> 00:15:11,400
Speaker 1: many records a name, but um, it was the reason

282
00:15:11,480 --> 00:15:13,840
Speaker 1: I'm bringing up hustling because that's a moment that nobody

283
00:15:13,880 --> 00:15:16,200
Speaker 1: could forget. I remember that, you know what I'm saying,

284
00:15:16,560 --> 00:15:18,160
Speaker 1: And everything I did on the radio I did in

285
00:15:18,240 --> 00:15:22,360
Speaker 1: the club, I did in the club and play Yeah,

286
00:15:22,360 --> 00:15:24,520
Speaker 1: I should rock the club. Prevay when b and Matthews

287
00:15:24,520 --> 00:15:26,200
Speaker 1: who come in the club, you know what I'm saying,

288
00:15:26,400 --> 00:15:28,840
Speaker 1: and you know it would be a hundred at least

289
00:15:28,840 --> 00:15:31,640
Speaker 1: five hundred of them. I'm saying, they always showed me

290
00:15:31,680 --> 00:15:33,520
Speaker 1: love and they come rocking. A matter of fact, I

291
00:15:33,600 --> 00:15:38,040
Speaker 1: was probably, Um, I met Jeez. I know Jeez as

292
00:15:38,640 --> 00:15:40,880
Speaker 1: just being a street dude. Then they said, you play

293
00:15:40,920 --> 00:15:44,240
Speaker 1: this record and end up being Jeezy and the places erupted.

294
00:15:44,680 --> 00:15:46,440
Speaker 1: You know what I'm saying. So like, there's so many

295
00:15:46,480 --> 00:15:51,960
Speaker 1: special moments that prevay and my birthday. Um, um squashing

296
00:15:52,000 --> 00:15:54,720
Speaker 1: that getting to that rushing the temple you had a

297
00:15:54,720 --> 00:15:57,040
Speaker 1: lot to do with Rick, Ross and Jess squashing the right. Yeah,

298
00:15:57,040 --> 00:15:59,160
Speaker 1: well you know, Ross my brother, that's family and Jez

299
00:15:59,280 --> 00:16:02,280
Speaker 1: my brother, you say, and you know, you know Ross

300
00:16:02,360 --> 00:16:07,160
Speaker 1: home team and whatever the situation was. Me personally, I

301
00:16:07,240 --> 00:16:09,720
Speaker 1: knew it wasn't nothing. It was it got to be

302
00:16:09,760 --> 00:16:13,560
Speaker 1: miscommunication whenever you know, um, cause the energy, but it

303
00:16:13,640 --> 00:16:18,840
Speaker 1: was it was my duty as a friend to every

304
00:16:18,920 --> 00:16:22,400
Speaker 1: day bring up Yo, they sit down. It might have

305
00:16:22,400 --> 00:16:25,120
Speaker 1: took a few years, but I always brought it up

306
00:16:25,160 --> 00:16:28,760
Speaker 1: to sit down, what I'm saying, And we finally sat

307
00:16:28,800 --> 00:16:31,760
Speaker 1: down with me Ross, Jeezy and hip hop, you know

308
00:16:31,760 --> 00:16:33,680
Speaker 1: what I'm saying. And um, I talked to Jez so

309
00:16:33,800 --> 00:16:35,800
Speaker 1: many times and I think Ross end up bumping the

310
00:16:35,880 --> 00:16:38,000
Speaker 1: Jez one time, and you know, and just you know,

311
00:16:38,240 --> 00:16:40,480
Speaker 1: I could feel like the energy was getting closer where

312
00:16:40,920 --> 00:16:42,720
Speaker 1: you know, we could sit down. You know what I'm saying.

313
00:16:45,800 --> 00:16:47,360
Speaker 1: I was there at the BT Awards show. You know

314
00:16:47,400 --> 00:16:51,120
Speaker 1: I'm saying. You know, it was always um, I guess

315
00:16:51,120 --> 00:16:52,760
Speaker 1: what they say at attention, you know what I'm saying.

316
00:16:52,800 --> 00:16:56,960
Speaker 1: But I knew it wasn't nothing for them to be beefing,

317
00:16:57,360 --> 00:16:59,120
Speaker 1: you know what I'm saying, because beef is that's a

318
00:16:59,200 --> 00:17:01,720
Speaker 1: big word, what I'm saying. And at the end of

319
00:17:01,760 --> 00:17:03,760
Speaker 1: the day, as a friend, as a brother, and for

320
00:17:03,960 --> 00:17:07,320
Speaker 1: hip hop, I felt like, you know, cabals don't for

321
00:17:07,440 --> 00:17:10,040
Speaker 1: unity and love what I'm saying. So both of them

322
00:17:10,119 --> 00:17:13,760
Speaker 1: felt comfortable talking about any situation with me what I'm saying.

323
00:17:14,040 --> 00:17:16,680
Speaker 1: So we eventually sat down and it's crazy, we sat down,

324
00:17:16,720 --> 00:17:21,200
Speaker 1: It was beautiful, was in the studio, and we made

325
00:17:21,320 --> 00:17:24,960
Speaker 1: two records. You know I'm saying, one for Um. You know,

326
00:17:25,480 --> 00:17:27,959
Speaker 1: he cut one with Ross and Ross cut one with him.

327
00:17:28,080 --> 00:17:30,080
Speaker 1: What I'm saying, like for both albums, you know what

328
00:17:30,119 --> 00:17:31,920
Speaker 1: I mean. It was just incredible, man, just to see

329
00:17:31,920 --> 00:17:34,520
Speaker 1: them brothers come back together. And the only thing I wish, man,

330
00:17:34,560 --> 00:17:37,680
Speaker 1: I wish you know, they never had that situation because

331
00:17:38,000 --> 00:17:39,480
Speaker 1: I would have loved to hear them to make an

332
00:17:39,480 --> 00:17:42,760
Speaker 1: album together, not saying you know what I'm saying about

333
00:17:42,800 --> 00:17:45,520
Speaker 1: saying that and many tours they missed together because those

334
00:17:45,560 --> 00:17:47,760
Speaker 1: two were so powerful, you know what I'm saying, So

335
00:17:48,040 --> 00:17:49,679
Speaker 1: shout out the Rick Ross, my brother you know how

336
00:17:49,760 --> 00:17:52,280
Speaker 1: A and all a lot of Rick Ross albums, Like

337
00:17:52,800 --> 00:17:54,159
Speaker 1: you know, a lot of people don't, you know, like

338
00:17:54,280 --> 00:17:56,960
Speaker 1: you said, you see my success now, but they don't

339
00:17:56,960 --> 00:17:59,200
Speaker 1: realize can not just a DJ and the producer, but

340
00:17:59,280 --> 00:18:01,920
Speaker 1: also a music executive. You know, I'm saying if somebody

341
00:18:01,960 --> 00:18:04,399
Speaker 1: had played the background, you know, I was blessed. And

342
00:18:04,960 --> 00:18:07,480
Speaker 1: our records with Ross and produce and you know what

343
00:18:07,520 --> 00:18:10,720
Speaker 1: I mean, just classic albums like Teflon Darn and Deeper

344
00:18:10,760 --> 00:18:13,119
Speaker 1: than Rap, you know, as many more I'm saying I

345
00:18:13,200 --> 00:18:15,480
Speaker 1: was blessed. I was. I was president of def Jam South.

346
00:18:15,680 --> 00:18:18,160
Speaker 1: My office was in Miami, and l A read put

347
00:18:18,200 --> 00:18:20,840
Speaker 1: me in position, you know, New York and Miami, back

348
00:18:20,880 --> 00:18:24,960
Speaker 1: and forth. So I was blessed with all this you know,

349
00:18:25,359 --> 00:18:28,800
Speaker 1: energy and responsibility at the same time I was shaping

350
00:18:28,880 --> 00:18:31,639
Speaker 1: up my career, you know what I'm saying. So everything

351
00:18:31,760 --> 00:18:34,159
Speaker 1: was like each key leads to the next key, you

352
00:18:34,200 --> 00:18:35,600
Speaker 1: know what I'm saying. I see, you know, because the

353
00:18:35,680 --> 00:18:37,879
Speaker 1: keys never run out. So I was just like to

354
00:18:38,000 --> 00:18:40,080
Speaker 1: be able to make and sit in the studio with

355
00:18:40,200 --> 00:18:44,120
Speaker 1: Rick Ross and watch him cut these classical albums and records,

356
00:18:44,160 --> 00:18:46,159
Speaker 1: and you know, what I mean, and to be a

357
00:18:46,640 --> 00:18:50,200
Speaker 1: a and on the credit um even executive produced whatever

358
00:18:50,359 --> 00:18:51,920
Speaker 1: with him, you know what I mean. I want to

359
00:18:52,000 --> 00:18:54,920
Speaker 1: thank Ross for believing in me, and I want to

360
00:18:55,000 --> 00:18:57,240
Speaker 1: thank l A Read for believing in me, you know

361
00:18:57,280 --> 00:19:00,159
Speaker 1: what I mean and giving me that opportunity because they

362
00:19:00,200 --> 00:19:02,280
Speaker 1: can never take that away from me. Because he ships

363
00:19:02,320 --> 00:19:05,560
Speaker 1: are classics and Ross every at Ross jumped on every

364
00:19:05,600 --> 00:19:07,840
Speaker 1: single record I've ever asked him to jump on. He's

365
00:19:07,880 --> 00:19:11,000
Speaker 1: on every single album I ever put out. That's just

366
00:19:11,080 --> 00:19:13,800
Speaker 1: one of my great relationships. You're saying, you know what,

367
00:19:13,920 --> 00:19:15,440
Speaker 1: we brought his name up. I want to make sure

368
00:19:15,480 --> 00:19:18,280
Speaker 1: that I give him his flowers because he's a legend.

369
00:19:18,520 --> 00:19:24,920
Speaker 1: We're gonna go back to ring. We waited four years

370
00:19:24,960 --> 00:19:31,520
Speaker 1: when this goddamn make so. Something that went over my

371
00:19:31,640 --> 00:19:34,720
Speaker 1: head just now was, you know, when we interview people,

372
00:19:34,760 --> 00:19:37,040
Speaker 1: we always go through their music. We didn't have to

373
00:19:37,119 --> 00:19:39,159
Speaker 1: do that with you because we know your music, right,

374
00:19:39,440 --> 00:19:41,480
Speaker 1: but we was going through your music anyway. But someone

375
00:19:41,600 --> 00:19:44,879
Speaker 1: on someone pulled up my boy Diego pulled up on

376
00:19:44,920 --> 00:19:47,400
Speaker 1: the Instagram, and it's something that blew over my head.

377
00:19:47,840 --> 00:19:49,440
Speaker 1: I liked the picture, but I didn't know what I

378
00:19:49,560 --> 00:19:52,720
Speaker 1: was like and I've seen it was an overal. It

379
00:19:52,880 --> 00:19:55,879
Speaker 1: was an owl, not an ovial. It was an owl

380
00:19:56,000 --> 00:19:59,000
Speaker 1: with the key in his mouth. So I'm not gonna lie.

381
00:19:59,040 --> 00:20:00,639
Speaker 1: I like the picture of I didn't know what I

382
00:20:00,760 --> 00:20:05,240
Speaker 1: was like, yeah, and my boy said that's yeah, yeah,

383
00:20:06,560 --> 00:20:09,840
Speaker 1: but single. I am working on a new album. Um,

384
00:20:10,480 --> 00:20:12,879
Speaker 1: you know, speaking of albums and catalog, you know what

385
00:20:12,920 --> 00:20:18,080
Speaker 1: I'm saying. I have eleven albums out, eleven motherfuckering albums,

386
00:20:19,960 --> 00:20:22,840
Speaker 1: the Lloyd um and I'm working on the twelfth album.

387
00:20:23,320 --> 00:20:25,920
Speaker 1: And yeah, I mean you know it's Alan Key and

388
00:20:26,080 --> 00:20:28,440
Speaker 1: and I can't even you know this this this this

389
00:20:28,640 --> 00:20:30,800
Speaker 1: this drink Chance, drink Chance. Yeah, I can't even. I

390
00:20:30,920 --> 00:20:36,600
Speaker 1: can't even do the sh I'm doing. Yeah, Drake is

391
00:20:36,680 --> 00:20:45,520
Speaker 1: definitely on UM DJ CALLI single. And the vocals sounds

392
00:20:45,600 --> 00:20:50,600
Speaker 1: so incredible, you know what I mean, the frequency, not motherfucker,

393
00:20:51,000 --> 00:20:54,760
Speaker 1: just the sonics, the way that ship sound. It's just

394
00:20:55,359 --> 00:21:00,240
Speaker 1: it's incredible, you know what I'm saying, Like, Um, that's

395
00:21:00,400 --> 00:21:02,399
Speaker 1: that's my brother man. It's like family to me, you

396
00:21:02,480 --> 00:21:05,560
Speaker 1: know Drake, you know what I mean? He always supported me.

397
00:21:05,680 --> 00:21:07,760
Speaker 1: You know, think about the records we made, like for free,

398
00:21:07,920 --> 00:21:11,240
Speaker 1: I'm on one. I want to go. Let me just

399
00:21:11,320 --> 00:21:13,760
Speaker 1: tell you, I'm on one. I need to ask the

400
00:21:13,880 --> 00:21:19,640
Speaker 1: question right because to me, it feels like when you said,

401
00:21:19,640 --> 00:21:21,920
Speaker 1: that's my brother, it feels like he feels that way

402
00:21:21,920 --> 00:21:26,040
Speaker 1: about you. And what I'm saying is, when I don't

403
00:21:26,040 --> 00:21:29,240
Speaker 1: listen toil, I'm on one. I felt like if he

404
00:21:29,400 --> 00:21:32,280
Speaker 1: was at a place in his career where he was

405
00:21:32,359 --> 00:21:34,560
Speaker 1: doing what he wanted to do when he wanted to

406
00:21:34,640 --> 00:21:38,359
Speaker 1: do it. He's still doing that, I know, but you

407
00:21:38,400 --> 00:21:41,080
Speaker 1: know what I'm saying, But that's what got there. So

408
00:21:41,200 --> 00:21:43,280
Speaker 1: he could have been like, so was that something I

409
00:21:43,400 --> 00:21:45,600
Speaker 1: made at the studio? That's something he sent you. So

410
00:21:46,240 --> 00:21:49,320
Speaker 1: I was on tour with Wayne Um and Ross was

411
00:21:49,400 --> 00:21:53,040
Speaker 1: on that shore too, and me and Drake would go

412
00:21:53,080 --> 00:21:55,520
Speaker 1: in the studio. I would and our records for Ross,

413
00:21:55,600 --> 00:21:59,680
Speaker 1: like Astain Martin, I was. I was. I was there

414
00:21:59,760 --> 00:22:02,359
Speaker 1: when he when he recorded some of that. You know,

415
00:22:02,680 --> 00:22:04,000
Speaker 1: you know Rass said it to him. But I end

416
00:22:04,080 --> 00:22:06,840
Speaker 1: up being the studio seeing some of the creation and

417
00:22:07,480 --> 00:22:09,800
Speaker 1: of course Um, you know, working on my projects, and

418
00:22:09,840 --> 00:22:12,600
Speaker 1: we always talk about doing something. And he blessed me,

419
00:22:13,400 --> 00:22:15,879
Speaker 1: He blessed me, He blessed me with a verse and

420
00:22:15,960 --> 00:22:18,720
Speaker 1: the hook. Yeah, I'm on one. So he blessed me

421
00:22:19,119 --> 00:22:21,120
Speaker 1: like he he loved me. He wants me to win.

422
00:22:21,520 --> 00:22:24,119
Speaker 1: So he's like, your Cali, check this out. And I'm like,

423
00:22:25,400 --> 00:22:28,640
Speaker 1: who beat was there? Um? T minus did that one?

424
00:22:29,240 --> 00:22:33,199
Speaker 1: So I'm like, what the fuck? I said, Yo, let

425
00:22:33,280 --> 00:22:36,000
Speaker 1: me finish this. Let me go let me you know,

426
00:22:36,000 --> 00:22:39,440
Speaker 1: because I'm big in collaborations, big in the unity, I'm saying,

427
00:22:39,480 --> 00:22:41,040
Speaker 1: and I said, let me finish this. I'm gonna go

428
00:22:41,080 --> 00:22:43,080
Speaker 1: get Wayne and I'm gonna go get Ross. And I'm

429
00:22:43,119 --> 00:22:46,359
Speaker 1: on tour with Wayne and Ross, I'm saying. So I'm like, um,

430
00:22:47,160 --> 00:22:49,000
Speaker 1: we're gonna get this ship done. What I'm saying, like,

431
00:22:49,400 --> 00:22:52,440
Speaker 1: so I get the ship done. Um, And you know

432
00:22:52,600 --> 00:22:55,800
Speaker 1: he blessed me man like and from every step of

433
00:22:55,840 --> 00:22:58,840
Speaker 1: the way from mixing the record, Um, you know we

434
00:22:58,920 --> 00:23:00,159
Speaker 1: were you know, I was a part of me and

435
00:23:00,240 --> 00:23:03,600
Speaker 1: I said, my guy lu Diaz to Canada. Yeah, you

436
00:23:03,600 --> 00:23:06,000
Speaker 1: know what I'm saying, And was on the face time.

437
00:23:06,040 --> 00:23:08,000
Speaker 1: I remember when he when he sent me the verse.

438
00:23:08,560 --> 00:23:12,000
Speaker 1: I was in Atlanta and this is the first time

439
00:23:12,000 --> 00:23:13,960
Speaker 1: you word together. I'm on one. I'm on one. No,

440
00:23:14,119 --> 00:23:17,479
Speaker 1: it's not fed up. He did like eight bars um

441
00:23:17,760 --> 00:23:20,640
Speaker 1: just before he like blue Blue. You know what I'm saying.

442
00:23:20,680 --> 00:23:22,280
Speaker 1: This is like when he was mixed tape. You know

443
00:23:22,320 --> 00:23:25,399
Speaker 1: I'm saying, and I'm on one one of my biggest

444
00:23:25,440 --> 00:23:29,200
Speaker 1: records ever. What I'm saying. And I was in the

445
00:23:29,280 --> 00:23:32,520
Speaker 1: club and he texted me like, Yo, I'm gonna send

446
00:23:32,560 --> 00:23:34,000
Speaker 1: you something. So I run to the hole til I

447
00:23:34,119 --> 00:23:40,800
Speaker 1: leave the club. He sent you text me like yo,

448
00:23:41,040 --> 00:23:42,679
Speaker 1: I said, Yo, I'm in a clock. I get out.

449
00:23:45,000 --> 00:23:47,280
Speaker 1: I'm a different city, Like I'm running to the hotel.

450
00:23:47,520 --> 00:23:50,879
Speaker 1: I went and bought champagne. Batter fact, it's on. I

451
00:23:51,040 --> 00:23:54,840
Speaker 1: filmed it. You know in newt Days, you the face

452
00:23:54,920 --> 00:23:59,680
Speaker 1: time was the liftime how He's like, yo, hit me

453
00:23:59,760 --> 00:24:01,760
Speaker 1: at Skype. He's like, you hit me after you here.

454
00:24:01,840 --> 00:24:04,280
Speaker 1: So I'm skyping and I'm like, Yo, this ship called

455
00:24:04,320 --> 00:24:06,359
Speaker 1: I'm a boy Like you know what I'm saying. So

456
00:24:06,920 --> 00:24:08,680
Speaker 1: now I'm like, oh ship, we made it. You know

457
00:24:08,680 --> 00:24:12,600
Speaker 1: what I'm saying. We got one. And he loved me

458
00:24:12,760 --> 00:24:17,840
Speaker 1: so much that he blesses me. You know what I'm saying.

459
00:24:17,880 --> 00:24:20,280
Speaker 1: When you work with Drake, anybody that works with Drake,

460
00:24:21,320 --> 00:24:22,719
Speaker 1: and I know a lot of artists, you know when

461
00:24:22,720 --> 00:24:24,720
Speaker 1: you interview and they ever worked with Drake, you know,

462
00:24:25,480 --> 00:24:29,480
Speaker 1: nine out of ten, Drake is going to say, here's

463
00:24:29,520 --> 00:24:32,600
Speaker 1: the record. You know what I'm saying. Let me tell

464
00:24:32,600 --> 00:24:35,320
Speaker 1: you when you work with Drake, that's what you want. Yeah, exactly.

465
00:24:36,480 --> 00:24:39,639
Speaker 1: So I am not always j a producer. I am

466
00:24:39,680 --> 00:24:43,320
Speaker 1: a Hannah. I am a music exactly a real music man.

467
00:24:43,760 --> 00:24:48,720
Speaker 1: Never ever deny fucking hits. You don't never do that.

468
00:24:49,600 --> 00:24:53,040
Speaker 1: That's what a real exact music man is. And you

469
00:24:53,119 --> 00:24:54,879
Speaker 1: know what they say that a lot of people, a

470
00:24:54,880 --> 00:24:57,240
Speaker 1: lot of people when they say, like Kanye, you'll send

471
00:24:57,320 --> 00:25:01,080
Speaker 1: Kanye record, he'll send you back. Still he's picking the

472
00:25:01,119 --> 00:25:03,000
Speaker 1: production when he's giving it. I mean yeah sometimes and

473
00:25:03,080 --> 00:25:04,960
Speaker 1: sometimes we go in the studio and play vibes. It's

474
00:25:05,000 --> 00:25:08,960
Speaker 1: just it's it's it's called a relationship trusting. Yeah, it's

475
00:25:09,000 --> 00:25:11,960
Speaker 1: called energy, you know, because you're still you still gotta

476
00:25:12,720 --> 00:25:14,520
Speaker 1: you know, finish the record and we still gotta talk

477
00:25:14,520 --> 00:25:16,000
Speaker 1: about how we're gonna do this. It's a lot of

478
00:25:16,040 --> 00:25:18,000
Speaker 1: work behind the ship back. The end of the day

479
00:25:18,119 --> 00:25:22,119
Speaker 1: is um, he loved me so much that he blesses me.

480
00:25:22,240 --> 00:25:26,040
Speaker 1: He don't just say this is a feature. He treats

481
00:25:26,040 --> 00:25:29,480
Speaker 1: this like this is this is the video? Were the

482
00:25:29,520 --> 00:25:32,200
Speaker 1: best over? Yo? This family, you know what I mean,

483
00:25:32,320 --> 00:25:34,040
Speaker 1: And this is this is something that we're gonna do

484
00:25:34,119 --> 00:25:36,639
Speaker 1: and they're gonna talk about this forever. You know what

485
00:25:36,680 --> 00:25:40,800
Speaker 1: I mean. You know you see me in Canada, uh

486
00:25:41,480 --> 00:25:44,240
Speaker 1: on that we're the best jack that. You know what

487
00:25:44,240 --> 00:25:48,320
Speaker 1: I'm saying. Back and forth. We're working. I'm not fucking modeling,

488
00:25:49,000 --> 00:25:53,680
Speaker 1: you know what I'm saying. Especially I'm flying and fucking Toronto.

489
00:25:54,080 --> 00:25:56,560
Speaker 1: My son. Can I tell you about this new record? Yes,

490
00:25:56,600 --> 00:25:59,000
Speaker 1: please talk about this new record this time. My son,

491
00:26:00,040 --> 00:26:03,639
Speaker 1: my son Alarm, it's five months old. The day he

492
00:26:03,840 --> 00:26:06,879
Speaker 1: was born, he was born like at eleven o'clock or

493
00:26:06,960 --> 00:26:11,399
Speaker 1: something like that, seven in the morning. I was on

494
00:26:11,480 --> 00:26:14,600
Speaker 1: a jet to Toronto. I kissed my queen and my son.

495
00:26:14,680 --> 00:26:19,080
Speaker 1: I said, Yo, I gotta go, Daddy, gotta work. I

496
00:26:19,200 --> 00:26:22,760
Speaker 1: got kids. Jump on the jet to Toronto, Drake. I'm

497
00:26:22,800 --> 00:26:25,760
Speaker 1: in town. I go to the NBC's house is called

498
00:26:25,800 --> 00:26:31,080
Speaker 1: the Embassy, Okay, and we've been talking about working together.

499
00:26:31,240 --> 00:26:33,640
Speaker 1: We go in the studio, me and him. We catch

500
00:26:33,680 --> 00:26:36,520
Speaker 1: your vibe and energy. We played basketball. We're kicking it.

501
00:26:37,040 --> 00:26:40,840
Speaker 1: You know, we're walking the studio. Um cloth talk going on.

502
00:26:41,440 --> 00:26:43,320
Speaker 1: You know what I'm saying, That energy can't say everything.

503
00:26:43,440 --> 00:26:50,040
Speaker 1: I'm saying. Family and we talked about making music. That's

504
00:26:50,080 --> 00:26:52,000
Speaker 1: one session. That's I'm trying to tell you he's part

505
00:26:52,000 --> 00:26:55,800
Speaker 1: of creating. That's one session. I leave. I have to

506
00:26:55,880 --> 00:26:59,800
Speaker 1: go do All Star. Now to reminder, my set alarm

507
00:27:00,080 --> 00:27:03,240
Speaker 1: got born. Daddy gotta go work. I go to All

508
00:27:03,359 --> 00:27:07,440
Speaker 1: Star former All Star. After I ripped down All Star.

509
00:27:07,680 --> 00:27:11,359
Speaker 1: I'm eating at this Italian restaurant. Italian restaurant. It's also

510
00:27:11,359 --> 00:27:14,480
Speaker 1: it was in Chicago right freezing. Um. I'm sitting down

511
00:27:14,560 --> 00:27:19,840
Speaker 1: eating calamari. I get a face time. It's my brother Drake.

512
00:27:20,760 --> 00:27:24,359
Speaker 1: He said, Yo, what you're doing tomorrow without him? Without

513
00:27:24,480 --> 00:27:27,080
Speaker 1: let me say how? I answered him. I'm gonna be

514
00:27:27,160 --> 00:27:31,480
Speaker 1: in Torowhanto at the embassy. I'm on the way. I

515
00:27:31,520 --> 00:27:36,800
Speaker 1: don't question with six. Guy calls me. I get to Torano.

516
00:27:39,840 --> 00:27:46,320
Speaker 1: You know a salt. That salt is the restaurant. That restaurant,

517
00:27:47,880 --> 00:27:49,920
Speaker 1: I'm sure you own a piece of It's incredible. So

518
00:27:50,160 --> 00:27:53,840
Speaker 1: it's closed, said, cago, have something to eat? Didn't come

519
00:27:53,920 --> 00:27:57,560
Speaker 1: by the embassy? Did ship closed? He called the chef,

520
00:27:57,680 --> 00:27:59,879
Speaker 1: the owner, everything, whoever running They open it up for.

521
00:28:00,200 --> 00:28:02,000
Speaker 1: I go in there. They treat me like a king.

522
00:28:02,040 --> 00:28:07,159
Speaker 1: I'm eating pasta, gaining five pounds. Uh, calamari fish that

523
00:28:07,240 --> 00:28:09,399
Speaker 1: look like from Italy. You know what I mean. The

524
00:28:09,520 --> 00:28:11,399
Speaker 1: champagne coming out and they're talking out they want you

525
00:28:11,440 --> 00:28:13,840
Speaker 1: to sit in there, Drake sweet, you know what I got.

526
00:28:14,119 --> 00:28:18,080
Speaker 1: I'm watching. I documented it on the Instagram by saying nothing.

527
00:28:18,240 --> 00:28:21,399
Speaker 1: I'm just giving you the experience. You know what I mean.

528
00:28:21,480 --> 00:28:24,320
Speaker 1: I landed. I remember landing in Toronto. The driver he

529
00:28:24,400 --> 00:28:27,720
Speaker 1: started talking about Canada and Toronto. So I said, I

530
00:28:27,800 --> 00:28:31,320
Speaker 1: said yo. He's like, um, he asked me a question.

531
00:28:31,359 --> 00:28:33,040
Speaker 1: I was in the back. He goes, Cadi, how do

532
00:28:33,080 --> 00:28:39,240
Speaker 1: you how do you spell Toronto? I'm like, d r Hey, Now,

533
00:28:39,320 --> 00:28:47,360
Speaker 1: let's not get this confused. So I go to the

534
00:28:47,440 --> 00:28:53,360
Speaker 1: crazies and so I go to the Cristic is the

535
00:28:53,440 --> 00:28:59,280
Speaker 1: second session. So the second session, he's not you're coming,

536
00:28:59,280 --> 00:29:02,080
Speaker 1: want you to hear something. So I hear it. I'm

537
00:29:02,160 --> 00:29:04,479
Speaker 1: losing my mind. This is the record that's coming out

538
00:29:04,560 --> 00:29:06,520
Speaker 1: right now. We're talking about when it comes, it's coming.

539
00:29:06,600 --> 00:29:08,360
Speaker 1: Do I know when it's coming? I don't do. We

540
00:29:08,400 --> 00:29:10,120
Speaker 1: know the name of it, I do, but I can't

541
00:29:10,120 --> 00:29:12,520
Speaker 1: say it. The reason why because we're coming out next

542
00:29:12,600 --> 00:29:15,400
Speaker 1: we gotta give everything a presentation and um, and my

543
00:29:15,560 --> 00:29:18,000
Speaker 1: fans deserve it. And I love my fans. They know

544
00:29:18,080 --> 00:29:20,480
Speaker 1: how we get down with Kalin and Drake get together,

545
00:29:20,480 --> 00:29:24,440
Speaker 1: it's always a presentation. And so we're listening to the

546
00:29:24,520 --> 00:29:26,960
Speaker 1: record and we're coming up with our ideas and ship

547
00:29:27,120 --> 00:29:30,760
Speaker 1: like that, you know, you know, talking talking video. We're

548
00:29:30,800 --> 00:29:34,000
Speaker 1: talking a bunch of ship and like it. I left.

549
00:29:34,040 --> 00:29:38,200
Speaker 1: They're very happy, you know what I'm saying. Um, And

550
00:29:38,520 --> 00:29:43,160
Speaker 1: it's special because my son was born. I went straight

551
00:29:43,200 --> 00:29:50,520
Speaker 1: to Toronto to create another historic moment, you know what

552
00:29:50,560 --> 00:29:54,800
Speaker 1: I mean? And you know it's coming what I'm saying,

553
00:29:54,840 --> 00:29:56,600
Speaker 1: And I'm working on my new album what I'm saying,

554
00:29:56,680 --> 00:30:00,240
Speaker 1: But right now I'm focused on that. You know I'm saying.

555
00:30:00,720 --> 00:30:03,360
Speaker 1: You know, but that's my brother. He loved me, know

556
00:30:03,360 --> 00:30:07,040
Speaker 1: what I'm saying. He loved me. He loves me, Drake.

557
00:30:08,840 --> 00:30:12,360
Speaker 1: This is this is I call this Drake. Let's the

558
00:30:12,400 --> 00:30:14,200
Speaker 1: spreads and ship. He'd be drinking I'm saying, he'd drink

559
00:30:14,240 --> 00:30:16,800
Speaker 1: wine with with like I call it, Drake. Okay, what

560
00:30:16,920 --> 00:30:19,080
Speaker 1: is it? What is in there? I don't even know?

561
00:30:20,080 --> 00:30:23,560
Speaker 1: He told my text my chef the ingredients. I see

562
00:30:23,600 --> 00:30:26,280
Speaker 1: him drinking that on the ground all the time. Yeah,

563
00:30:26,600 --> 00:30:31,440
Speaker 1: I thought it was Santa Marcarrio with soda and unbelievable. Yeah, unbelievable.

564
00:30:31,720 --> 00:30:33,840
Speaker 1: But we listen to college. We don't don't know, if

565
00:30:33,880 --> 00:30:38,480
Speaker 1: you know. Our show was about celebrating people's accommissements, celebrating

566
00:30:38,560 --> 00:30:41,400
Speaker 1: hip hop, celebrating you know, in this day and time,

567
00:30:41,480 --> 00:30:43,719
Speaker 1: so many people want to wash people off. Because you've

568
00:30:43,720 --> 00:30:45,880
Speaker 1: got ten years in this game or whatever you've been

569
00:30:45,920 --> 00:30:49,320
Speaker 1: in this game forever. You're kicking ass, you monkey foot

570
00:30:49,360 --> 00:30:51,040
Speaker 1: and doing what the funk you gotta do. And we

571
00:30:51,120 --> 00:30:53,560
Speaker 1: want to tell you face to face how much we

572
00:30:53,720 --> 00:30:56,360
Speaker 1: love you, how much we home team. That's the reason

573
00:30:56,400 --> 00:30:59,520
Speaker 1: why the thing is, this is Miami. I'm going to

574
00:30:59,640 --> 00:31:03,120
Speaker 1: raise him. You want to clip what Mad sent. I

575
00:31:03,360 --> 00:31:05,680
Speaker 1: might never be a Miami guy, but I lived in

576
00:31:05,720 --> 00:31:09,320
Speaker 1: Miami for the beast. But I'm a New York guy.

577
00:31:09,480 --> 00:31:13,520
Speaker 1: But when this this was born and raised, drink Chaps

578
00:31:13,560 --> 00:31:15,760
Speaker 1: has has been birthed in Miami. So that's why I

579
00:31:15,840 --> 00:31:21,000
Speaker 1: was so important for us to have you because you Miami.

580
00:31:21,320 --> 00:31:24,120
Speaker 1: Yeah you a Miami statement. Before you move here, we

581
00:31:24,240 --> 00:31:27,160
Speaker 1: always looked at you as rapp in Miami because you

582
00:31:27,240 --> 00:31:29,800
Speaker 1: came here, so much. You know what I mean. We

583
00:31:29,920 --> 00:31:31,960
Speaker 1: love you, so we were hold on. You can't flip

584
00:31:31,960 --> 00:31:34,320
Speaker 1: it on me. It's about you right now. You've been

585
00:31:34,320 --> 00:31:35,880
Speaker 1: trying to prove it on me because you're a good guy.

586
00:31:36,000 --> 00:31:38,840
Speaker 1: But listen, we can't do it today. Today, it's about you. Today,

587
00:31:38,880 --> 00:31:41,240
Speaker 1: it's about you, and we wanted to let you know

588
00:31:41,400 --> 00:31:43,719
Speaker 1: we're proud of you, brother, like we've seen you from

589
00:31:43,800 --> 00:31:46,920
Speaker 1: the beginning, hustling, doing whatever you had to do. And

590
00:31:47,720 --> 00:31:50,920
Speaker 1: trust me, where you at now and the accomplishments you

591
00:31:51,120 --> 00:31:53,479
Speaker 1: made me and the brother first, I know I can

592
00:31:53,520 --> 00:31:55,320
Speaker 1: speak for him as well, and he can speaking on

593
00:31:55,400 --> 00:31:57,560
Speaker 1: his own. We're proud of you, broke. He want you

594
00:31:57,640 --> 00:31:59,600
Speaker 1: to continue to do what you gotta do and make

595
00:31:59,640 --> 00:32:03,600
Speaker 1: some other noise for college. But now we're gonna go.

596
00:32:03,640 --> 00:32:05,640
Speaker 1: We're gonna go, We're gonna go deeper. This is drink champ.

597
00:32:05,760 --> 00:32:08,840
Speaker 1: Let's do it. Let's do it. Joey Cracks FaceTime, Holy Moti,

598
00:32:09,760 --> 00:32:13,320
Speaker 1: I'm not answering FaceTime. I hit you back, and you

599
00:32:13,640 --> 00:32:15,400
Speaker 1: want to go. I wanted to go back to the temple.

600
00:32:15,480 --> 00:32:17,240
Speaker 1: You brought up the temple. We gotta go back to me.

601
00:32:17,360 --> 00:32:20,400
Speaker 1: That's like a big that that that marks the whole

602
00:32:20,480 --> 00:32:22,880
Speaker 1: arrow in Miami. The temple. Yeah, so okay, hold on,

603
00:32:23,000 --> 00:32:25,640
Speaker 1: let me because me being the outside him the temple

604
00:32:25,760 --> 00:32:28,000
Speaker 1: is your birthday for my birthday party every year. Okay,

605
00:32:28,320 --> 00:32:31,080
Speaker 1: there's two part questions because you as you said the temple, right,

606
00:32:31,360 --> 00:32:34,160
Speaker 1: but why did you call it the temple? Um man?

607
00:32:34,320 --> 00:32:36,920
Speaker 1: You know, I was you know, Kara Swan is one

608
00:32:36,960 --> 00:32:41,200
Speaker 1: of my biggest you know, he's definitely one of my

609
00:32:41,280 --> 00:32:45,880
Speaker 1: favorite mcs um But like I am, you know, I'm Arabic.

610
00:32:46,360 --> 00:32:51,120
Speaker 1: What I'm saying, I'm Palestinian um and just I love

611
00:32:53,880 --> 00:32:56,640
Speaker 1: I felt like the Temple to become party inside the

612
00:32:56,680 --> 00:33:02,880
Speaker 1: temple and like the temple hip one um hip hop,

613
00:33:03,280 --> 00:33:04,840
Speaker 1: like he said in a bunch of records, I'm saying

614
00:33:05,240 --> 00:33:08,440
Speaker 1: and and actually I don't think I got it from

615
00:33:08,520 --> 00:33:11,040
Speaker 1: him saying it that it was just a connection, you

616
00:33:11,080 --> 00:33:12,800
Speaker 1: know what I'm saying, and and and it was it

617
00:33:12,880 --> 00:33:16,080
Speaker 1: just connected. And he would you know, I remember he

618
00:33:16,080 --> 00:33:18,800
Speaker 1: would freestyle at my show and say at the temple

619
00:33:18,840 --> 00:33:21,880
Speaker 1: and this isn't that so um, It's definitely inspired, but

620
00:33:22,000 --> 00:33:23,960
Speaker 1: I wanted to you know, I'm Arabic, so I just

621
00:33:24,040 --> 00:33:27,880
Speaker 1: felt like the temple was some super dope and it

622
00:33:27,960 --> 00:33:30,000
Speaker 1: was my birthday party and we do it every year

623
00:33:30,360 --> 00:33:32,920
Speaker 1: and in Miami knows it's one of the biggest parties

624
00:33:33,280 --> 00:33:35,680
Speaker 1: in Miami. Um and I made it not about me.

625
00:33:35,840 --> 00:33:38,440
Speaker 1: I made it about hip hop. What I'm saying where

626
00:33:39,120 --> 00:33:41,680
Speaker 1: my goal was just trying to bring every DJ and

627
00:33:41,800 --> 00:33:50,240
Speaker 1: every artist together. It started off with like me Tony

628
00:33:50,320 --> 00:33:56,160
Speaker 1: touch O, c Me had South Brox and Brox and

629
00:33:56,200 --> 00:33:59,479
Speaker 1: Fay South Beach, Me Facto and Punn you know. Then

630
00:33:59,480 --> 00:34:03,080
Speaker 1: I had something with me, you know, Wu tang Ye

631
00:34:03,160 --> 00:34:06,720
Speaker 1: Cleft Cannabis. Then he got to like DMX every Daddy

632
00:34:07,040 --> 00:34:10,359
Speaker 1: and then the t I you know whatever era as

633
00:34:10,400 --> 00:34:15,320
Speaker 1: a kid, whatever era was popping. I had the major lineup,

634
00:34:16,080 --> 00:34:20,120
Speaker 1: like the major lineup and no, no, no, no. You

635
00:34:20,200 --> 00:34:23,160
Speaker 1: can mark history by like Miami hip hop history and say,

636
00:34:23,440 --> 00:34:26,160
Speaker 1: remember this year Temple, This is this year of the Temple,

637
00:34:26,480 --> 00:34:30,560
Speaker 1: this year people, because it's legendary. No, it's it's true

638
00:34:30,680 --> 00:34:33,279
Speaker 1: and legendary and bust the rhymes and what year you

639
00:34:33,360 --> 00:34:36,759
Speaker 1: started it? I came. I'm trying to think when I

640
00:34:36,880 --> 00:34:39,960
Speaker 1: came to six, it had to be not I think

641
00:34:40,000 --> 00:34:42,920
Speaker 1: I came to Miami three no earlier than that. Now,

642
00:34:42,960 --> 00:34:46,560
Speaker 1: I think it was I think Big Ton when when

643
00:34:46,680 --> 00:34:51,160
Speaker 1: when before pun before pun one? Is not any six

644
00:34:51,239 --> 00:34:56,080
Speaker 1: no before puns before number four, before before Big Punta

645
00:34:58,880 --> 00:35:04,120
Speaker 1: recorded twins And that wasn't even the first when was

646
00:35:05,200 --> 00:35:10,960
Speaker 1: um oh see yeah, that's time was ni n It

647
00:35:11,040 --> 00:35:14,560
Speaker 1: had to be like ninety now that three. You gotta

648
00:35:14,560 --> 00:35:16,840
Speaker 1: be in that that thing that came into Miami in

649
00:35:16,840 --> 00:35:20,359
Speaker 1: the nineties, for sure, you know what I'm saying. Um,

650
00:35:21,080 --> 00:35:25,239
Speaker 1: And it was just it came from here to here

651
00:35:25,320 --> 00:35:28,200
Speaker 1: the year and end up being like it was guaranteed

652
00:35:28,280 --> 00:35:31,120
Speaker 1: sold out. If the club would be sold out and

653
00:35:31,160 --> 00:35:34,279
Speaker 1: it'd be like ten thousand people outside, that ship made

654
00:35:34,560 --> 00:35:39,880
Speaker 1: gave me the biggest high. Knowing that we're rampacked and

655
00:35:39,960 --> 00:35:43,600
Speaker 1: there's ten thousand outside, you know what I'm saying, not

656
00:35:43,760 --> 00:35:48,040
Speaker 1: being rare like the true And besides the performances, the

657
00:35:48,120 --> 00:35:50,839
Speaker 1: city of Miami came out so legendary. I'm talking about

658
00:35:50,920 --> 00:35:58,000
Speaker 1: every barbershop, every close uh store with you know, I

659
00:35:58,080 --> 00:36:04,440
Speaker 1: used to pass albums saw almost Besides the party being

660
00:36:04,520 --> 00:36:09,200
Speaker 1: so big, my marketing was so incredible because I'm passing

661
00:36:09,239 --> 00:36:11,800
Speaker 1: out on the flo, I'm riding a fight with a banner,

662
00:36:12,200 --> 00:36:16,719
Speaker 1: I'm rapping tour buses, I'm on every mic, hijacking every club.

663
00:36:17,080 --> 00:36:19,920
Speaker 1: You know, so coming the party, you know, you know

664
00:36:19,920 --> 00:36:23,040
Speaker 1: what you know, and don't forget my dj and styles

665
00:36:23,760 --> 00:36:26,840
Speaker 1: wasn't regular, like no, not being really how one of

666
00:36:26,880 --> 00:36:30,239
Speaker 1: the DJs like, oh ship, he's here, he's about to

667
00:36:30,280 --> 00:36:32,640
Speaker 1: come fun the place up and he's not coming like

668
00:36:33,120 --> 00:36:36,800
Speaker 1: to just play music. He coming like to make fucking history.

669
00:36:37,080 --> 00:36:39,640
Speaker 1: When I walk out, that motherfucker, they say, who's that?

670
00:36:40,320 --> 00:36:42,960
Speaker 1: You gotta remember I came before they had Instagram and

671
00:36:43,080 --> 00:36:45,839
Speaker 1: tweets and and and all that ship They said, who

672
00:36:45,960 --> 00:36:49,680
Speaker 1: was that guy? My name saying in the streets, calgo

673
00:36:49,800 --> 00:36:52,520
Speaker 1: broken the mud, you know what I mean? That's just

674
00:36:52,640 --> 00:36:55,160
Speaker 1: spread it everywhere, you know what I mean, from Jamaica

675
00:36:55,239 --> 00:36:59,919
Speaker 1: to Brooklyn, the motherfucking Carol City. How did you photo

676
00:37:00,080 --> 00:37:02,920
Speaker 1: love with reggae because a lot of your style feels

677
00:37:03,000 --> 00:37:08,239
Speaker 1: like the most DJs in Florida period, South Florida specifically,

678
00:37:08,640 --> 00:37:11,319
Speaker 1: they're gonna be wolvers and reggae and hip hop. Yeah

679
00:37:11,320 --> 00:37:13,279
Speaker 1: what Miami's a Caribby in place. But but but I was.

680
00:37:13,800 --> 00:37:18,040
Speaker 1: I was from a baby around Roster and like, um,

681
00:37:18,640 --> 00:37:20,880
Speaker 1: you know, Bouja Bantam my brother, you know what I mean?

682
00:37:20,920 --> 00:37:23,960
Speaker 1: Bound to Killer. Yeah, he just dropped the albums out

683
00:37:24,000 --> 00:37:29,000
Speaker 1: right now, gonna get that. So the the dancehall culture

684
00:37:29,120 --> 00:37:31,240
Speaker 1: was as much as I love the hip hop culture.

685
00:37:31,600 --> 00:37:33,759
Speaker 1: Is how much I love the dancehall culture. And if

686
00:37:33,760 --> 00:37:35,640
Speaker 1: you listen to like my last album at Holy Mountain,

687
00:37:35,880 --> 00:37:43,440
Speaker 1: you know, he's a real speaking of my was done

688
00:37:43,480 --> 00:37:45,400
Speaker 1: that that was like one of years ago, and but

689
00:37:45,560 --> 00:37:47,959
Speaker 1: it came out probably twenty years but it was done

690
00:37:48,320 --> 00:37:54,000
Speaker 1: probably twenty seven years ago. Finally came out, and that

691
00:37:54,400 --> 00:37:57,080
Speaker 1: and that movie was my man sas severa. He used

692
00:37:57,080 --> 00:37:59,800
Speaker 1: to stay with me and we was brothers, and I

693
00:38:00,080 --> 00:38:01,480
Speaker 1: up doing the music and he wanted to do the

694
00:38:01,560 --> 00:38:03,919
Speaker 1: mute movies. I'm like, Yo, we're gonna get We're gonna,

695
00:38:03,960 --> 00:38:05,839
Speaker 1: we're gonna We're gonna find a way to live our dream.

696
00:38:05,960 --> 00:38:08,480
Speaker 1: What I'm saying, you know, no, it's a classic. What

697
00:38:08,480 --> 00:38:11,120
Speaker 1: I'm saying. I've seen that ship get made. It's too many,

698
00:38:11,160 --> 00:38:14,760
Speaker 1: that's a whole another dream Champ. That's too many stories.

699
00:38:14,800 --> 00:38:17,120
Speaker 1: I don't make that contributed to your style, like the sound,

700
00:38:17,360 --> 00:38:21,200
Speaker 1: because now I was already sound clashing, and that's I

701
00:38:21,320 --> 00:38:24,719
Speaker 1: was so nice to do Rocket's Island Madhouse. But before that,

702
00:38:24,840 --> 00:38:28,319
Speaker 1: I was always like I grew. I was born hip

703
00:38:28,360 --> 00:38:31,960
Speaker 1: hop like I breathe eat sleep hip hop. I was

704
00:38:32,040 --> 00:38:33,960
Speaker 1: born like this, yeah, you know saying, but I also

705
00:38:34,160 --> 00:38:38,600
Speaker 1: was born with the dance hall culture too. And that's

706
00:38:38,640 --> 00:38:41,200
Speaker 1: why Jamaica love me so much because you know, not

707
00:38:41,840 --> 00:38:43,480
Speaker 1: they don't know Calid for where he's at right now.

708
00:38:43,520 --> 00:38:47,879
Speaker 1: They know Cali from the mud, uh, you know, going

709
00:38:47,920 --> 00:38:50,280
Speaker 1: to places that people can't even go to in Jamaica,

710
00:38:50,560 --> 00:38:52,960
Speaker 1: you know what I mean, And ripping, sound clashing and

711
00:38:53,400 --> 00:38:57,960
Speaker 1: and all right on another to this day, I wrapped um,

712
00:38:58,320 --> 00:39:01,680
Speaker 1: but it's the love on another. I love Mountain. Yeah,

713
00:39:06,040 --> 00:39:09,120
Speaker 1: you know every party. Every record has a different story,

714
00:39:09,880 --> 00:39:13,080
Speaker 1: what I'm saying, from records getting made, everything has a

715
00:39:13,160 --> 00:39:14,840
Speaker 1: different story, you know what I'm saying. That's what I

716
00:39:14,960 --> 00:39:20,200
Speaker 1: love about making music, Um, making albums, you know what

717
00:39:20,239 --> 00:39:22,759
Speaker 1: I mean, even in the process, because everything has a

718
00:39:22,840 --> 00:39:25,400
Speaker 1: different story. Like Wild Thoughts, you know one of my

719
00:39:25,440 --> 00:39:27,960
Speaker 1: biggest records. You know, when I produced that, I was

720
00:39:28,000 --> 00:39:30,800
Speaker 1: saying to myself, the only way I'm gonna make that record.

721
00:39:31,400 --> 00:39:35,399
Speaker 1: Like I had the record, I was like me as

722
00:39:35,400 --> 00:39:37,160
Speaker 1: a producer, I'm saying to myself, the only way I

723
00:39:37,160 --> 00:39:39,320
Speaker 1: would let this go if I can get Rihanna and

724
00:39:39,440 --> 00:39:43,000
Speaker 1: not it's gonna seeing my drive until I can get

725
00:39:45,640 --> 00:39:49,239
Speaker 1: I put Bryson Tiler on there. Yeah, put Bryson Tiler

726
00:39:49,320 --> 00:39:51,320
Speaker 1: on there. And you know, I'm a fan of Bryson Tiller.

727
00:39:51,480 --> 00:39:53,640
Speaker 1: He's incredible. He's very talented, and I wanted to do

728
00:39:53,719 --> 00:39:56,840
Speaker 1: a collaboration where you didn't expect. First of all, Rihanna

729
00:39:57,320 --> 00:40:03,960
Speaker 1: is the biggest. I put Till on there, and of

730
00:40:04,080 --> 00:40:05,759
Speaker 1: course I got to prove. You know, when you work

731
00:40:05,800 --> 00:40:08,960
Speaker 1: with a big artist like Rihanna, you know it's okay.

732
00:40:09,840 --> 00:40:13,480
Speaker 1: I'm saying not not no disrespect, but that's just out

733
00:40:13,520 --> 00:40:16,600
Speaker 1: of respect. And she loved the idea. She did that

734
00:40:16,760 --> 00:40:19,560
Speaker 1: for me. Everything has it. It's just everything has a

735
00:40:19,600 --> 00:40:22,560
Speaker 1: different story. But that's what I love about making this musical,

736
00:40:22,600 --> 00:40:24,319
Speaker 1: but not even just making it, I love all show.

737
00:40:24,760 --> 00:40:28,480
Speaker 1: Being behind the scenes. I've been behind the scenes. There's

738
00:40:28,480 --> 00:40:31,040
Speaker 1: so many classic ship you know what I mean, as

739
00:40:31,120 --> 00:40:34,360
Speaker 1: a kid growing up and then as a music executive.

740
00:40:34,600 --> 00:40:37,640
Speaker 1: The rooms I've been in, it's unbelievable. I've worked with

741
00:40:37,760 --> 00:40:42,799
Speaker 1: jay Z, Kanye, Beyonce. You worked with jay Z after

742
00:40:42,920 --> 00:40:47,000
Speaker 1: he said, um ain't nobody working with the future with

743
00:40:47,120 --> 00:40:51,640
Speaker 1: some ship. But he had Future on the record, which

744
00:40:51,680 --> 00:40:55,879
Speaker 1: one nobody you know, ain't nobody playing Future with my son?

745
00:40:56,680 --> 00:40:58,640
Speaker 1: And you know, I never really got into that. But

746
00:40:58,719 --> 00:41:01,480
Speaker 1: I know that jay Z is a great man, and

747
00:41:01,560 --> 00:41:04,000
Speaker 1: no futures are great man. I know at that time, Um,

748
00:41:04,640 --> 00:41:07,680
Speaker 1: obviously it was I don't think it could be something

749
00:41:07,719 --> 00:41:09,440
Speaker 1: because I came to Future in jay Z and we

750
00:41:09,480 --> 00:41:13,279
Speaker 1: did a record call I Got the Keys. I don't,

751
00:41:13,320 --> 00:41:15,160
Speaker 1: I don't. I don't even know you know what I'm saying.

752
00:41:15,160 --> 00:41:17,360
Speaker 1: I to be honest you, um, but the blessed is

753
00:41:17,400 --> 00:41:20,640
Speaker 1: that I got Future and jay Z on the record.

754
00:41:21,200 --> 00:41:25,359
Speaker 1: I got the keys the Future. I love Future being

755
00:41:25,440 --> 00:41:29,239
Speaker 1: him making incredible records together. You're saying, And jay Z,

756
00:41:29,400 --> 00:41:32,120
Speaker 1: that's my brother, what I'm saying, And Future my brother,

757
00:41:32,200 --> 00:41:34,359
Speaker 1: and we made I got the Keys, I remember making

758
00:41:34,360 --> 00:41:37,000
Speaker 1: I got the Keys. Um. Jay Z put on all

759
00:41:37,120 --> 00:41:41,960
Speaker 1: his chains when he did his verse, every single chain

760
00:41:42,080 --> 00:41:45,359
Speaker 1: on what I'm saying. Um, when we made top Off,

761
00:41:45,760 --> 00:41:47,920
Speaker 1: you know it said, you know I came to him,

762
00:41:48,120 --> 00:41:50,200
Speaker 1: And that's another record I did with jay Z, Future

763
00:41:50,360 --> 00:41:54,440
Speaker 1: and Beyonce. I came to jays Yeah, top Off the

764
00:41:54,520 --> 00:41:57,600
Speaker 1: may Back and I made Shining with jay Z and Beyonce.

765
00:41:57,800 --> 00:42:00,080
Speaker 1: Record I produced. You know what I'm saying. So I

766
00:42:00,200 --> 00:42:03,040
Speaker 1: was saying to myself, like, on top off, I came

767
00:42:03,080 --> 00:42:05,000
Speaker 1: to jay Z to get it on, get on it.

768
00:42:05,880 --> 00:42:08,839
Speaker 1: He got on it, and when he played me his verse,

769
00:42:08,920 --> 00:42:12,800
Speaker 1: I was like, I got an idea, Why don't you

770
00:42:12,880 --> 00:42:17,440
Speaker 1: bring the queen in right here? That's a crazy question

771
00:42:17,480 --> 00:42:20,040
Speaker 1: to ask. You gotta have you gotta be strong to

772
00:42:20,120 --> 00:42:23,480
Speaker 1: ask that. Yeah, you got and I'm scared. I was scared,

773
00:42:24,200 --> 00:42:26,360
Speaker 1: But I'm like, you know what, I wouldn't be calid

774
00:42:26,520 --> 00:42:31,319
Speaker 1: without trying. You know. Let what I said. I said,

775
00:42:31,480 --> 00:42:34,520
Speaker 1: you know I'm not afraid to be told no neither. Yeah.

776
00:42:34,520 --> 00:42:38,360
Speaker 1: If I be told no, you know me what that second?

777
00:42:39,040 --> 00:42:40,759
Speaker 1: Because So when I played it for him, I was

778
00:42:40,800 --> 00:42:43,600
Speaker 1: so excited. I got jay Z on another record it's

779
00:42:43,680 --> 00:42:49,080
Speaker 1: j yeah yeah. Now I was like, now I can

780
00:42:49,120 --> 00:42:52,600
Speaker 1: see you coming from I was so excited. I was

781
00:42:52,640 --> 00:42:56,680
Speaker 1: just like, Joe, imagine you bringing in the queens? Did

782
00:42:56,880 --> 00:42:59,200
Speaker 1: second thinking? Though? Your second thinking? The reason why I

783
00:42:59,320 --> 00:43:04,680
Speaker 1: said thinking second back where we outside, that's how we

784
00:43:04,760 --> 00:43:09,239
Speaker 1: sweat the reason why I did second guessing for a

785
00:43:09,320 --> 00:43:12,080
Speaker 1: second second think it to say it is because I

786
00:43:12,160 --> 00:43:14,160
Speaker 1: just got them making a record with them called shining,

787
00:43:14,760 --> 00:43:17,440
Speaker 1: and that's a whole another story. I gotta tell you

788
00:43:17,520 --> 00:43:20,600
Speaker 1: that story. So so you felt like you were doubling down.

789
00:43:21,400 --> 00:43:23,319
Speaker 1: But I'm drinking the right thing about it too. We're

790
00:43:23,360 --> 00:43:31,239
Speaker 1: drinking that good A reason why I said, it's nothing

791
00:43:31,280 --> 00:43:35,600
Speaker 1: wrong for me asking when you make good music, you

792
00:43:35,680 --> 00:43:38,239
Speaker 1: made great music, and you've got great chemistry and got

793
00:43:38,320 --> 00:43:42,600
Speaker 1: great energy with somebody, Well, I just do one. Let's

794
00:43:42,640 --> 00:43:45,279
Speaker 1: keep going. And that's how I feel about every artist

795
00:43:45,360 --> 00:43:49,640
Speaker 1: I work with, Drake Ross, Future Brain. If you listen

796
00:43:49,719 --> 00:43:53,680
Speaker 1: to my albums, my goal is to continue to work

797
00:43:55,080 --> 00:43:57,040
Speaker 1: with all these great artists. If you look at it,

798
00:43:57,040 --> 00:44:00,920
Speaker 1: if you can rentinue to like Rihan, if you look

799
00:44:00,920 --> 00:44:04,160
Speaker 1: at great directors and great people producers, look at Adam Sandler,

800
00:44:04,320 --> 00:44:07,000
Speaker 1: you look at Ben Stiller. They always used the same

801
00:44:07,120 --> 00:44:11,680
Speaker 1: exactly people. Chemistry is nothing wrong with it as long

802
00:44:11,719 --> 00:44:13,759
Speaker 1: as you made great music and the fans love it.

803
00:44:14,080 --> 00:44:18,160
Speaker 1: What I'm saying, Um, So I just brought up to Jay.

804
00:44:18,280 --> 00:44:19,759
Speaker 1: You know, Jay always give me this look like call

805
00:44:19,920 --> 00:44:24,960
Speaker 1: you you know, but as a friendly that's my brother.

806
00:44:25,360 --> 00:44:32,480
Speaker 1: And I've seen this thinking hope, you know, like thinking

807
00:44:32,560 --> 00:44:36,040
Speaker 1: like come on, you know the queen you know, say,

808
00:44:36,040 --> 00:44:39,600
Speaker 1: I just leave. I'm already happy I got you. He's like, y'all,

809
00:44:40,920 --> 00:44:43,080
Speaker 1: it's like a thing. Like a week later, I'm already

810
00:44:43,120 --> 00:44:45,440
Speaker 1: ready to mix the record. I remember I was in

811
00:44:45,480 --> 00:44:49,040
Speaker 1: the back of a fantom with the fucking stars on

812
00:44:49,160 --> 00:44:52,279
Speaker 1: it and this chilling. It was like a nighttime in

813
00:44:52,480 --> 00:44:54,480
Speaker 1: l A And he's like, yo, texting me come to

814
00:44:54,560 --> 00:45:00,560
Speaker 1: the crib. I come to cribs. Beyonce there. So I'm like, oh, ship,

815
00:45:01,880 --> 00:45:04,200
Speaker 1: they played me the record and it's Beyonce on that.

816
00:45:04,280 --> 00:45:07,279
Speaker 1: I'm losing my mind. Oh oh, so they didn't tell

817
00:45:07,360 --> 00:45:09,320
Speaker 1: you she's on there. You just think you coming to

818
00:45:09,440 --> 00:45:12,520
Speaker 1: career for someone. I'm already happy. I'm always grateful. That

819
00:45:13,160 --> 00:45:17,520
Speaker 1: is gonna clear it. I'm good I got hold. Beyonce

820
00:45:17,719 --> 00:45:19,960
Speaker 1: is on there. Now I'm losing, you know, I'm you know,

821
00:45:20,040 --> 00:45:22,080
Speaker 1: when when Beyonce in the room, I'm like in the corner.

822
00:45:22,560 --> 00:45:25,160
Speaker 1: I get nervous, as you should. I just want to

823
00:45:25,160 --> 00:45:28,080
Speaker 1: say hi, and I want to leave because I'm just like, yes,

824
00:45:28,280 --> 00:45:31,439
Speaker 1: she got so much. She's it's Beyonce and she acts normal,

825
00:45:31,520 --> 00:45:35,080
Speaker 1: but she's not normal that she's incredible. But let me

826
00:45:35,120 --> 00:45:39,640
Speaker 1: tell your story. Not only they did top off, you know,

827
00:45:39,680 --> 00:45:41,359
Speaker 1: I gave. You know, I produced a record called Move

828
00:45:41,400 --> 00:45:48,239
Speaker 1: Forever on Beyonce's Lyon King. They played me that too

829
00:45:48,400 --> 00:45:54,840
Speaker 1: before I came out, So I'm getting top. Yes, double whammy.

830
00:45:55,880 --> 00:46:00,920
Speaker 1: I see how I was feeling. I'm like, we're the

831
00:46:01,000 --> 00:46:06,480
Speaker 1: biggest work with working jay Z and Beyonc. I did

832
00:46:06,880 --> 00:46:12,160
Speaker 1: and also produce a record with Beyonce on another record

833
00:46:12,400 --> 00:46:16,040
Speaker 1: that's not even that's for her. I'm like, what the fuck?

834
00:46:17,200 --> 00:46:19,959
Speaker 1: I left that crib like yo, I told my woman.

835
00:46:20,080 --> 00:46:22,000
Speaker 1: I told us saw. I'm like, yo, we out of here.

836
00:46:22,480 --> 00:46:29,719
Speaker 1: You were saying that other house. Yeah, just so, um,

837
00:46:30,320 --> 00:46:32,400
Speaker 1: you know, I was blessed, blessed that have two cribs

838
00:46:32,440 --> 00:46:34,360
Speaker 1: in Miami. I saw one of them. Um, and I

839
00:46:34,440 --> 00:46:38,719
Speaker 1: want to shout out Danger too, because he did some

840
00:46:38,800 --> 00:46:42,920
Speaker 1: programming on Moved Forever with me. That's my man. Also, Um,

841
00:46:43,120 --> 00:46:45,680
Speaker 1: there's a version of Move Forever that just Blaze did

842
00:46:45,800 --> 00:46:48,040
Speaker 1: like a breakdown to you know, saying when you when

843
00:46:48,040 --> 00:46:50,840
Speaker 1: you work with Beyonce, you know, I'm saying she produced

844
00:46:50,880 --> 00:46:53,360
Speaker 1: some of it. I did, and and then you know

845
00:46:53,400 --> 00:46:56,120
Speaker 1: other people got involved, and that's just a beautiful thing because, um,

846
00:46:57,160 --> 00:47:00,080
Speaker 1: you know, working with Beyonce, you don't know, like you

847
00:47:00,480 --> 00:47:02,960
Speaker 1: shot music or something. You don't know what you you know,

848
00:47:04,280 --> 00:47:08,240
Speaker 1: you say you wake up in the morning and it's Chris.

849
00:47:09,560 --> 00:47:11,200
Speaker 1: I'mnna be honest. You're not supposed to know when you

850
00:47:11,239 --> 00:47:13,520
Speaker 1: work with Beyonce. Whatever she's saying, you just shut the

851
00:47:13,560 --> 00:47:15,400
Speaker 1: funk up and roll with it. In my opinion, and

852
00:47:16,280 --> 00:47:19,319
Speaker 1: the biggest in the game, biggest you gotta she put

853
00:47:19,440 --> 00:47:21,239
Speaker 1: she helped change my life. Bro. She put me on

854
00:47:21,360 --> 00:47:24,960
Speaker 1: on formation tour. I'm saying she um Jay and Beyonce

855
00:47:25,080 --> 00:47:28,120
Speaker 1: put me on the Run tour Like I'm forever grateful

856
00:47:28,160 --> 00:47:30,000
Speaker 1: for beyond st jay Z what they've done for me,

857
00:47:30,840 --> 00:47:34,040
Speaker 1: and they're shining together. I'm gonna tell your story. I

858
00:47:34,160 --> 00:47:36,399
Speaker 1: go to Puffer is on the road with you at

859
00:47:36,480 --> 00:47:39,319
Speaker 1: one time, right, I go to puff crib be sitting there.

860
00:47:40,239 --> 00:47:43,120
Speaker 1: He comes out. He goes, Man, I'm tired of ship.

861
00:47:43,239 --> 00:47:46,040
Speaker 1: I said, what's going on? He said, following college on tour,

862
00:47:46,160 --> 00:47:52,080
Speaker 1: paying my own bus. He said, but call is the

863
00:47:52,120 --> 00:47:57,200
Speaker 1: only guy give me to do this. It was hilarious, said,

864
00:47:57,360 --> 00:47:59,040
Speaker 1: I kid you not. That's that's the first thing he

865
00:47:59,120 --> 00:48:01,600
Speaker 1: said to me. He said, Yo, Man, College, He's the

866
00:48:01,640 --> 00:48:03,720
Speaker 1: only guy could give me to do this. I wouldn't.

867
00:48:03,760 --> 00:48:06,320
Speaker 1: I wouldn't followed him on the whole door and I

868
00:48:06,360 --> 00:48:09,359
Speaker 1: paid my own bill and I didn't even mind. I said,

869
00:48:09,440 --> 00:48:14,359
Speaker 1: this was the touring with Beyonce jay Z. Like it's

870
00:48:14,480 --> 00:48:16,120
Speaker 1: that's the love, you know what I'm saying, the love

871
00:48:16,239 --> 00:48:19,080
Speaker 1: that people will come on my set, and like from

872
00:48:19,120 --> 00:48:21,640
Speaker 1: Puff to every artist, me goes the let's go on

873
00:48:21,880 --> 00:48:24,799
Speaker 1: every single I don't want his name one or two

874
00:48:24,800 --> 00:48:28,680
Speaker 1: because everybody came, what I'm saying, and it was just

875
00:48:28,760 --> 00:48:32,080
Speaker 1: so much love, man like, and I'm forever grateful to

876
00:48:32,160 --> 00:48:34,120
Speaker 1: be able to get on the stage and perform at

877
00:48:34,160 --> 00:48:37,040
Speaker 1: a stadium sold out every single night with the two

878
00:48:37,120 --> 00:48:40,320
Speaker 1: biggest artists, jay Z and Beyonce, and he was bringing

879
00:48:40,360 --> 00:48:43,839
Speaker 1: out guests every night. I'll bring out guests. What I'm saying.

880
00:48:44,000 --> 00:48:46,080
Speaker 1: I would do my set, my DJ set, and then

881
00:48:46,120 --> 00:48:52,200
Speaker 1: I come with like a a like like thirty artists,

882
00:48:52,800 --> 00:48:54,719
Speaker 1: you know what I mean, and people would would so

883
00:48:55,000 --> 00:48:57,319
Speaker 1: fly in like Puck did, and you know be like, yeah,

884
00:48:57,560 --> 00:49:00,200
Speaker 1: I got you, got you, got you, Kaleg. It was

885
00:49:00,239 --> 00:49:02,719
Speaker 1: just it was beautiful you I'm saying um, and like

886
00:49:02,840 --> 00:49:07,480
Speaker 1: you know, we made UM the shoting record. And when

887
00:49:07,520 --> 00:49:09,799
Speaker 1: I made the Shoting Record, yeah, that's what I mean.

888
00:49:10,360 --> 00:49:12,960
Speaker 1: I remember hearing that sample one time. I was at

889
00:49:13,040 --> 00:49:18,879
Speaker 1: um Uma Private Room eating Susie and Ship and it's

890
00:49:19,560 --> 00:49:21,920
Speaker 1: his record came on. I'm like, shoot, I wanna sample

891
00:49:22,000 --> 00:49:23,680
Speaker 1: that ship one of the restaurant you can pull up

892
00:49:23,719 --> 00:49:25,960
Speaker 1: in the boat. This was in New York. I was

893
00:49:26,000 --> 00:49:29,439
Speaker 1: in New York, so I heard a sample and I'm like, Ship,

894
00:49:29,520 --> 00:49:31,440
Speaker 1: I'm gonna go sample that ship. I'm saying, so we

895
00:49:31,480 --> 00:49:35,759
Speaker 1: got the sample. Um um sample idea came from me

896
00:49:35,800 --> 00:49:38,520
Speaker 1: being at the restaurant, so I heard it. But you know,

897
00:49:38,680 --> 00:49:42,160
Speaker 1: to get Beyonce was I came to see Jay and

898
00:49:42,440 --> 00:49:45,200
Speaker 1: I've seen Jay at um uh at his office in

899
00:49:45,239 --> 00:49:46,680
Speaker 1: New York and I played him. I said, can I

900
00:49:46,719 --> 00:49:48,880
Speaker 1: come play you some ship because I come through. So

901
00:49:48,960 --> 00:49:51,440
Speaker 1: I brought my speaker. I played him to beat and

902
00:49:51,520 --> 00:49:56,399
Speaker 1: he was just like so when I've seen his head

903
00:49:56,440 --> 00:50:00,640
Speaker 1: moving right like like mean like this, I said, oh Ship,

904
00:50:00,760 --> 00:50:05,759
Speaker 1: so I want like this, I'm saying. He's still like

905
00:50:05,920 --> 00:50:09,279
Speaker 1: this and I'm like, oh Ship. So I went like this,

906
00:50:09,880 --> 00:50:11,560
Speaker 1: you know what I'm saying. And then then I saw

907
00:50:11,680 --> 00:50:18,600
Speaker 1: seeing him like like like in his head. Oh Ship,

908
00:50:18,880 --> 00:50:20,600
Speaker 1: So I'm looking at lett me now I'm like letting

909
00:50:20,760 --> 00:50:22,520
Speaker 1: to look like, you know, let me you know, got

910
00:50:22,560 --> 00:50:24,400
Speaker 1: his hat on he you know, because he got love

911
00:50:24,480 --> 00:50:28,200
Speaker 1: for me and that's that's his Yes, his big homie.

912
00:50:28,400 --> 00:50:32,279
Speaker 1: So he's like trying to hold still composure you know

913
00:50:32,280 --> 00:50:35,120
Speaker 1: what I'm saying, Like, no, not playing side You'm saying.

914
00:50:35,120 --> 00:50:38,400
Speaker 1: So I'm like, oh, Ship, I think we so boom.

915
00:50:39,040 --> 00:50:41,480
Speaker 1: He's like, yo, you know, leave that with me. You

916
00:50:41,520 --> 00:50:43,640
Speaker 1: know what I'm saying, he ain't confirmed now, and he

917
00:50:43,760 --> 00:50:45,960
Speaker 1: just like leave that with me, So alright. Cool. So

918
00:50:46,120 --> 00:50:49,399
Speaker 1: that night I went to um how to do something

919
00:50:49,440 --> 00:50:52,320
Speaker 1: at the ESPN thing in the Barclays, How did you

920
00:50:52,440 --> 00:50:55,880
Speaker 1: like a presentation and introduce what I'm saying? And le

921
00:50:55,960 --> 00:50:58,600
Speaker 1: Brawn was getting honored that night, and I didn't know

922
00:50:58,760 --> 00:51:02,600
Speaker 1: Jay Z was gonna introducing honor Lebron. So I just

923
00:51:02,680 --> 00:51:04,759
Speaker 1: got there seeing Jay at the office. So I'm not

924
00:51:04,920 --> 00:51:08,120
Speaker 1: doing my thing at the I'll come out of backstage.

925
00:51:08,160 --> 00:51:09,920
Speaker 1: I see Jay. I'm like, oh, Ship, what's something my

926
00:51:10,040 --> 00:51:12,719
Speaker 1: brother you know? Sayings like that Ship is hard with

927
00:51:12,840 --> 00:51:16,359
Speaker 1: you what you gave him? Like, and so I missed

928
00:51:16,400 --> 00:51:20,440
Speaker 1: something in the office. I also said you should let

929
00:51:20,480 --> 00:51:29,560
Speaker 1: the queen here this too, So he really looked at me,

930
00:51:29,600 --> 00:51:31,399
Speaker 1: because that's the first time I asked. He really looked

931
00:51:31,400 --> 00:51:35,440
Speaker 1: at me like I was like, dude, you got me. Yeah, yeah,

932
00:51:35,480 --> 00:51:38,000
Speaker 1: he's looking at me like, you know, they haven't made

933
00:51:38,000 --> 00:51:40,279
Speaker 1: it and them two haven't made a record a long time,

934
00:51:40,840 --> 00:51:43,520
Speaker 1: so boom. When I seen him backstage, he just gave

935
00:51:43,560 --> 00:51:46,920
Speaker 1: me that look like like I'm proud of you and

936
00:51:47,160 --> 00:51:49,640
Speaker 1: I'm working with it tight look. So I'm like, you know,

937
00:51:49,680 --> 00:51:52,840
Speaker 1: I'm I'm I'm playing smart, not doing too much. My

938
00:51:52,960 --> 00:51:55,279
Speaker 1: brother um, because I say night was the Rock Nation

939
00:51:55,400 --> 00:51:57,080
Speaker 1: Christmas party, so you know I'm gonna see it at

940
00:51:57,080 --> 00:51:58,320
Speaker 1: the Rista party. I'm gonna go ahead and beat you

941
00:51:58,320 --> 00:52:02,279
Speaker 1: there to it. So I go back stays and I

942
00:52:02,320 --> 00:52:06,080
Speaker 1: see a bunch of SUVs and my man said, y'all

943
00:52:06,120 --> 00:52:10,799
Speaker 1: think Beyonce is in. I'm like, yo, go to our car.

944
00:52:11,120 --> 00:52:15,040
Speaker 1: It's not. It's just it's walk to our car and

945
00:52:15,120 --> 00:52:17,920
Speaker 1: it's stay focused. We walked to the car, we get

946
00:52:17,960 --> 00:52:20,279
Speaker 1: to the party. I had the party, so bone we

947
00:52:20,400 --> 00:52:22,720
Speaker 1: had the party. They ended up getting this I'm chilling

948
00:52:24,640 --> 00:52:27,879
Speaker 1: and somebody grasps my touted my shoulder this and I'm

949
00:52:27,920 --> 00:52:31,600
Speaker 1: like this and I turned like this and she um

950
00:52:32,040 --> 00:52:36,200
Speaker 1: Beyonce goes, yeah, I like that record, something like you know,

951
00:52:36,760 --> 00:52:39,200
Speaker 1: you don't get me. She touched my shoulder and music

952
00:52:39,360 --> 00:52:40,800
Speaker 1: was pointing, so I think she said like something like

953
00:52:40,840 --> 00:52:42,840
Speaker 1: I like that record. And first of all, when I

954
00:52:42,960 --> 00:52:45,520
Speaker 1: turned my head, you know what starts stuck when I

955
00:52:45,520 --> 00:52:49,759
Speaker 1: see Beyonce. So I turned my head. I wasn't sure

956
00:52:49,760 --> 00:52:52,160
Speaker 1: if it was heard. I'm trying to tell you, I

957
00:52:52,280 --> 00:52:56,000
Speaker 1: wasn't sure. My mama on my kids. So I turn

958
00:52:56,040 --> 00:52:58,400
Speaker 1: my head. I hear I like it. Then when I

959
00:52:58,480 --> 00:53:01,840
Speaker 1: do that, I see from the hand, I see hold

960
00:53:01,920 --> 00:53:03,359
Speaker 1: and he has his hands in his pocket. Now he'd

961
00:53:03,400 --> 00:53:05,080
Speaker 1: be having his hands in his pocket. And he was

962
00:53:05,160 --> 00:53:12,759
Speaker 1: like like, yeah, yeah, it looked like it might happen. Yeah,

963
00:53:13,120 --> 00:53:17,000
Speaker 1: like subliminal reading the mind, grace read minds. You know

964
00:53:17,120 --> 00:53:20,440
Speaker 1: that right, the whole Sagittarius. I'm Sagittarius, So I could

965
00:53:20,440 --> 00:53:21,920
Speaker 1: you know what I mean? There's certain keys I can

966
00:53:22,000 --> 00:53:25,360
Speaker 1: I can pick up on. So it' site boom. So

967
00:53:25,520 --> 00:53:28,480
Speaker 1: now I'm in New York, I get to l a Um,

968
00:53:29,160 --> 00:53:32,000
Speaker 1: it's almost tord for Grammys. You know what I'm saying.

969
00:53:32,120 --> 00:53:34,080
Speaker 1: You know the Rock Nation Brunch. You know I'm saying.

970
00:53:34,080 --> 00:53:40,120
Speaker 1: Boom boom. So the rock Nation brunch. He's like, Um,

971
00:53:40,160 --> 00:53:42,040
Speaker 1: I'm going to the rock Nation brunch. So I get

972
00:53:42,080 --> 00:53:44,360
Speaker 1: a rock Nation brunch. She's like, Yo, after the brunch,

973
00:53:45,719 --> 00:53:48,480
Speaker 1: come to the crib. I'm gonna play you something no

974
00:53:48,600 --> 00:53:52,279
Speaker 1: matter of fact. He goes, Yo, record gut a matter

975
00:53:52,320 --> 00:53:55,640
Speaker 1: of fact. Hold on the text because I want to

976
00:53:55,640 --> 00:53:58,399
Speaker 1: get everything. Is his a big moment. The text came

977
00:53:58,440 --> 00:54:01,160
Speaker 1: in the night before the rock Nation run. Record done.

978
00:54:02,920 --> 00:54:05,400
Speaker 1: I don't know what that means, because I mean, I

979
00:54:05,480 --> 00:54:07,520
Speaker 1: know I got now, I got hold on my I'm good.

980
00:54:07,880 --> 00:54:10,160
Speaker 1: But he said record done, but it was a different way.

981
00:54:10,239 --> 00:54:13,680
Speaker 1: The text Reddit said record done. And I'm like, okay,

982
00:54:14,160 --> 00:54:15,560
Speaker 1: I don't do too much of mine. I love you,

983
00:54:15,880 --> 00:54:19,760
Speaker 1: thank God. Boom boom. And then he's like, after the brunch,

984
00:54:20,480 --> 00:54:21,960
Speaker 1: come to the crib. So I go to the brunch.

985
00:54:22,000 --> 00:54:26,600
Speaker 1: I see put there's a picture of me, um puff

986
00:54:26,719 --> 00:54:28,759
Speaker 1: and Hold. I don't know it's a picture in and

987
00:54:28,800 --> 00:54:32,439
Speaker 1: I'm looking at Hold like this, and Hold was telling

988
00:54:32,480 --> 00:54:36,160
Speaker 1: me at that moment, hold your head high and walk

989
00:54:36,239 --> 00:54:40,400
Speaker 1: around this event and hold your head high because the

990
00:54:40,480 --> 00:54:48,239
Speaker 1: record done. I'm walking around this mother like nobody knows.

991
00:54:48,280 --> 00:54:50,040
Speaker 1: So I'm walking around the man told me to hold

992
00:54:50,080 --> 00:54:53,239
Speaker 1: my head high. I'm walking around the whole brunch like this.

993
00:54:57,920 --> 00:55:04,560
Speaker 1: I go to the crib, Beyonce is on the record.

994
00:55:05,360 --> 00:55:10,840
Speaker 1: Beyonce and holds on the record. T I comes walking

995
00:55:10,880 --> 00:55:14,600
Speaker 1: in like dirty minutes later. He heard it. Um, there's

996
00:55:14,600 --> 00:55:17,759
Speaker 1: a few people heard it, and I'm bugging out like

997
00:55:17,880 --> 00:55:22,040
Speaker 1: I'm it's my it's my DJ on the record. No, no,

998
00:55:22,200 --> 00:55:27,800
Speaker 1: it's already on the road, my record, my record. It

999
00:55:28,000 --> 00:55:38,360
Speaker 1: comes with they don't come first. That's a big fucking

1000
00:55:38,440 --> 00:55:47,640
Speaker 1: abdue my motherfucking another snow. It's a fucking hit. Alright, alright,

1001
00:55:47,760 --> 00:55:53,239
Speaker 1: play with if you want. But I'm losing my mind.

1002
00:55:53,320 --> 00:55:55,720
Speaker 1: So check this out. You know, the Grammys to Sunday.

1003
00:55:57,320 --> 00:55:59,120
Speaker 1: So I got the record, I'm not good. I'm gonna

1004
00:55:59,120 --> 00:56:01,520
Speaker 1: mix it. I gonna click the sample. You know what

1005
00:56:01,520 --> 00:56:04,200
Speaker 1: I'm saying. I got time, You know I ain't. Don't. No,

1006
00:56:04,320 --> 00:56:05,880
Speaker 1: I ain't got no player where I want to drop it.

1007
00:56:06,040 --> 00:56:08,560
Speaker 1: You said, I'm gonna get it already, get the art work,

1008
00:56:08,800 --> 00:56:10,719
Speaker 1: mix it. You know what I mean, take my time.

1009
00:56:10,719 --> 00:56:12,200
Speaker 1: I still gotta do my my ship to it, my

1010
00:56:12,280 --> 00:56:15,160
Speaker 1: producing to it, drops this, that and that. He's like, yo,

1011
00:56:15,280 --> 00:56:18,720
Speaker 1: let's dropping ship Sunday and this, you know the bunches

1012
00:56:18,800 --> 00:56:24,239
Speaker 1: on Saturday. I said, I said, ho, I gotta clear

1013
00:56:24,280 --> 00:56:27,560
Speaker 1: to sample. It's Sundays, you know the Lord, everybody it

1014
00:56:28,400 --> 00:56:30,920
Speaker 1: could a sample and then I gotta mix it. You know,

1015
00:56:30,960 --> 00:56:32,160
Speaker 1: I still want to go in there and do my

1016
00:56:32,280 --> 00:56:37,040
Speaker 1: thing to it. He looked at me, like, I know

1017
00:56:37,080 --> 00:56:41,640
Speaker 1: you ain't tripping, right, I said, no, I ain't tripping.

1018
00:56:42,080 --> 00:56:47,400
Speaker 1: I said, I ain't tripping. The record almost bust it,

1019
00:56:47,960 --> 00:56:49,799
Speaker 1: I said, I said, no, I ain't tripping. I'm saying

1020
00:56:49,800 --> 00:56:52,080
Speaker 1: I gotta clear the record. Like I don't want to.

1021
00:56:52,120 --> 00:56:56,600
Speaker 1: I don't. We don't want to get suld. I said,

1022
00:56:56,640 --> 00:56:59,200
Speaker 1: I see where you're going. He basically saying, make it happen.

1023
00:56:59,719 --> 00:57:03,839
Speaker 1: So I'm like, I leave. I got every you got

1024
00:57:03,880 --> 00:57:05,680
Speaker 1: my lawyer, I got everybody. Or we got to create

1025
00:57:05,719 --> 00:57:08,120
Speaker 1: a sample right now, Callie, I don't give a funk.

1026
00:57:08,200 --> 00:57:11,320
Speaker 1: This is CALLI, jay Z and Beyonce, just Beyonce and

1027
00:57:11,400 --> 00:57:13,200
Speaker 1: jay Z on this record. But let me they're gonna

1028
00:57:13,200 --> 00:57:15,680
Speaker 1: pick up. But let me ask you, do you say

1029
00:57:15,760 --> 00:57:18,080
Speaker 1: that with clear the sample that you say that sometimes

1030
00:57:18,160 --> 00:57:21,240
Speaker 1: I don't. Sometimes I don't know this one. I had

1031
00:57:21,320 --> 00:57:24,360
Speaker 1: to they know eventually bout about this one. I had

1032
00:57:24,440 --> 00:57:27,200
Speaker 1: to because I need them to answer now you know

1033
00:57:27,200 --> 00:57:32,080
Speaker 1: what I'm saying. So they cleared it right away. I

1034
00:57:32,160 --> 00:57:36,080
Speaker 1: ain't sleep. Who was a sample by? I forgot that

1035
00:57:36,240 --> 00:57:41,280
Speaker 1: the exact name. It was like some like overseas type thing.

1036
00:57:41,360 --> 00:57:44,080
Speaker 1: I'm saying, somebody who needed that check. I mean, I

1037
00:57:44,120 --> 00:57:45,560
Speaker 1: don't know. I don't know. To be honest with you,

1038
00:57:45,600 --> 00:57:47,080
Speaker 1: I told you I heard a ship in the restaurant.

1039
00:57:47,240 --> 00:57:52,080
Speaker 1: That's a good team. Because Sam did here something my

1040
00:57:52,200 --> 00:57:54,200
Speaker 1: sysam it you know, like I say old record or something.

1041
00:57:55,440 --> 00:57:58,520
Speaker 1: So that's all You're gonna be the next motherfucker just

1042
00:57:58,640 --> 00:58:05,040
Speaker 1: now now no no, she's saying, we're here but big

1043
00:58:05,120 --> 00:58:09,120
Speaker 1: commercial for you. But what I'm saying is so now

1044
00:58:09,160 --> 00:58:12,240
Speaker 1: I'll get the record mix, I'm making the artwork. I

1045
00:58:12,280 --> 00:58:17,880
Speaker 1: got it cleared. It's Grammy night. I'm getting the record

1046
00:58:17,920 --> 00:58:21,880
Speaker 1: approved from jay Z and Beyonce while they're at the

1047
00:58:21,960 --> 00:58:27,480
Speaker 1: Grand be and it's coming out that night because Hole

1048
00:58:27,560 --> 00:58:31,360
Speaker 1: said this car up Sunday, It's coming out that night.

1049
00:58:31,520 --> 00:58:34,040
Speaker 1: I got l a read everybody, I got Silvere Rohme,

1050
00:58:34,080 --> 00:58:37,000
Speaker 1: I got everybody, epic, everybody a whole like mean, like

1051
00:58:37,600 --> 00:58:39,560
Speaker 1: you know, have it ready once I get the approval

1052
00:58:39,640 --> 00:58:42,080
Speaker 1: that they cool with the mix and everything. They approved

1053
00:58:42,120 --> 00:58:45,440
Speaker 1: it backstage or underway to their seats. I don't know

1054
00:58:45,520 --> 00:58:48,840
Speaker 1: how they approved. I'm sitting there's my first time getting nominated.

1055
00:58:48,960 --> 00:58:53,880
Speaker 1: My I'm got nominated major key programming from I think.

1056
00:58:55,240 --> 00:58:58,840
Speaker 1: So I'm sitting here like stressed out. Um, I get

1057
00:58:58,880 --> 00:59:01,680
Speaker 1: the Texas approved. It's coming out midnight. It came out

1058
00:59:01,760 --> 00:59:04,760
Speaker 1: midnight that night actually came right after the Grammys. It

1059
00:59:04,880 --> 00:59:07,440
Speaker 1: was over Foam let it go and we made history.

1060
00:59:07,880 --> 00:59:10,720
Speaker 1: Record went number one on radio, and I was just

1061
00:59:10,800 --> 00:59:13,120
Speaker 1: grateful man to to be able to work with the

1062
00:59:13,240 --> 00:59:16,800
Speaker 1: King and Queen. I'm saying I was again. Um, jay

1063
00:59:16,880 --> 00:59:18,919
Speaker 1: Z Beyonce, if you're watching this with you know Drink

1064
00:59:19,000 --> 00:59:21,760
Speaker 1: Champion is the biggest show. Thank you so much. I'm

1065
00:59:21,920 --> 00:59:24,920
Speaker 1: very grateful for your relationship, your friendship, and thank you

1066
00:59:25,000 --> 00:59:27,200
Speaker 1: for believing me when it comes down and making music

1067
00:59:27,400 --> 00:59:31,840
Speaker 1: and produce some records and just just being here for me.

1068
00:59:31,880 --> 00:59:34,760
Speaker 1: I appreciate you make some noise for that, goddamn it.

1069
00:59:36,000 --> 00:59:38,840
Speaker 1: What's dump about these stories too, is that someone would say, oh,

1070
00:59:39,440 --> 00:59:41,600
Speaker 1: it's easy, how he gets these records done. It's done,

1071
00:59:41,840 --> 00:59:44,560
Speaker 1: and you know, I have an answer for that I

1072
00:59:44,680 --> 00:59:46,760
Speaker 1: love when I hear that, let me see you do it,

1073
00:59:47,960 --> 00:59:50,000
Speaker 1: Let me see you do it? What you think my

1074
00:59:50,120 --> 00:59:54,680
Speaker 1: records just appear? No? No, I mean you had Nas.

1075
00:59:56,480 --> 00:59:59,480
Speaker 1: I love. No, I'm asking you like you had Nas

1076
00:59:59,560 --> 01:00:05,440
Speaker 1: on um joints where like Nass literally working on this album.

1077
01:00:05,520 --> 01:00:07,840
Speaker 1: NAS album done, NAS album done that as I was

1078
01:00:07,880 --> 01:00:12,680
Speaker 1: going to. But what is your specialty to get these artists?

1079
01:00:12,720 --> 01:00:19,960
Speaker 1: Were not Nas another brother that I love and Nas.

1080
01:00:22,320 --> 01:00:26,520
Speaker 1: Nas loved me and I love him. I am a

1081
01:00:26,760 --> 01:00:32,560
Speaker 1: NAS fan on another level. And it's coming his friend

1082
01:00:32,640 --> 01:00:34,760
Speaker 1: for so many years. I've known Nas for so long.

1083
01:00:35,680 --> 01:00:39,360
Speaker 1: It's so beautiful, beautiful that he's my friend. You know

1084
01:00:39,400 --> 01:00:42,959
Speaker 1: what I mean when I check on him. We filmed

1085
01:00:43,000 --> 01:00:46,360
Speaker 1: that video in bhamas Um that record. So when I

1086
01:00:46,440 --> 01:00:49,160
Speaker 1: work with Nas, I always try to tell Nas right

1087
01:00:49,200 --> 01:00:52,080
Speaker 1: when I started making an album, Like say I started

1088
01:00:52,120 --> 01:00:55,880
Speaker 1: making an album tonight just started. I try to get

1089
01:00:55,920 --> 01:00:57,840
Speaker 1: my NAS record and sent to him now because I

1090
01:00:57,880 --> 01:01:00,440
Speaker 1: know it's not gonna come a minute, it's gonna come

1091
01:01:06,000 --> 01:01:10,880
Speaker 1: how the process. He shows you how focused I am

1092
01:01:12,360 --> 01:01:14,200
Speaker 1: I'm making records. So I'm like, yo, let me give

1093
01:01:14,240 --> 01:01:17,760
Speaker 1: it to him now. First you gotta like it. And

1094
01:01:19,480 --> 01:01:24,200
Speaker 1: I know when it's gonna come, it's called the day

1095
01:01:24,280 --> 01:01:28,640
Speaker 1: before that I'm gonna get done, or maybe sometimes a

1096
01:01:28,760 --> 01:01:31,640
Speaker 1: week before. But me and him made so many great

1097
01:01:31,680 --> 01:01:35,560
Speaker 1: records together that we have this bond that you know,

1098
01:01:35,600 --> 01:01:37,920
Speaker 1: when I tell him I need it, you know what's jenuine,

1099
01:01:37,960 --> 01:01:39,800
Speaker 1: I need it right away. You gotta love the record,

1100
01:01:39,840 --> 01:01:42,960
Speaker 1: what I'm saying, And met him make great records together.

1101
01:01:43,320 --> 01:01:46,600
Speaker 1: You know what I'm saying. We really do. And you

1102
01:01:46,640 --> 01:01:48,120
Speaker 1: know I just talked to him, I think about three

1103
01:01:48,160 --> 01:01:50,280
Speaker 1: weeks ago to tex him send him love. You know what,

1104
01:01:50,400 --> 01:01:52,320
Speaker 1: you hit me back, show me love and U I

1105
01:01:52,440 --> 01:01:54,640
Speaker 1: love dude, what I'm saying, like, we made great records together,

1106
01:01:54,680 --> 01:01:56,360
Speaker 1: and we shot We had the best time shooting that

1107
01:01:56,480 --> 01:01:59,040
Speaker 1: video on the Bahamas. We was like, you know, I

1108
01:01:59,080 --> 01:02:03,560
Speaker 1: felt like a drink were chilling and and I feel

1109
01:02:03,600 --> 01:02:06,600
Speaker 1: like that's a classic what I'm saying. Yeah, by the way,

1110
01:02:06,680 --> 01:02:08,480
Speaker 1: hold on, I'm not gonna lie. I've never drink this

1111
01:02:08,640 --> 01:02:17,680
Speaker 1: rose fast. You know. Uh, the wood tapping best lookers

1112
01:02:17,720 --> 01:02:20,400
Speaker 1: followed them on Instagram. God damnit, you already know that.

1113
01:02:20,640 --> 01:02:24,840
Speaker 1: But this came from Eline Mo. Motherfucking um. It's a spade.

1114
01:02:24,920 --> 01:02:27,200
Speaker 1: You know. She gave us the rose. She gave us rose.

1115
01:02:27,720 --> 01:02:29,800
Speaker 1: I haven't drink rose in a minute. I've been staying

1116
01:02:29,840 --> 01:02:33,520
Speaker 1: away from sugar. But today, Uh and do say we're

1117
01:02:33,560 --> 01:02:35,880
Speaker 1: some motherfucker answer rock God damn makes some noise for that,

1118
01:02:36,000 --> 01:02:40,640
Speaker 1: goddamn and Columbian White Columbia. We're only keeping the hip hop.

1119
01:02:40,680 --> 01:02:42,600
Speaker 1: We're only keeping the family when you're keeping it. That

1120
01:02:43,000 --> 01:02:45,200
Speaker 1: So let's get into a couple of artists that you

1121
01:02:45,400 --> 01:02:48,479
Speaker 1: you've you've worked with and put on, Um, how about

1122
01:02:48,640 --> 01:02:51,160
Speaker 1: flipped the narrow. That's that's that's your artist now flipping

1123
01:02:51,960 --> 01:02:57,920
Speaker 1: the best. Very excited about him, very very excited about him. Um,

1124
01:02:58,760 --> 01:03:01,960
Speaker 1: you know we put out leave Me Alone. My partner

1125
01:03:02,080 --> 01:03:04,920
Speaker 1: up with Shikes. You know, cinematic, so we partnered up

1126
01:03:04,920 --> 01:03:07,480
Speaker 1: together and we got flipped on. We the best cinematic epic.

1127
01:03:07,920 --> 01:03:10,280
Speaker 1: And um, we put out leave me Alone when double

1128
01:03:10,360 --> 01:03:12,760
Speaker 1: platting and put out how I Move a little Baby,

1129
01:03:12,760 --> 01:03:15,360
Speaker 1: shot a little baby love working with a little baby. Um,

1130
01:03:15,440 --> 01:03:19,160
Speaker 1: and that went. Um, I think platinum. Um, I think

1131
01:03:19,200 --> 01:03:21,720
Speaker 1: it's going about to be platinum, and we're about to

1132
01:03:21,760 --> 01:03:25,040
Speaker 1: come with the album. He dropped the mixtape. Very excited

1133
01:03:25,040 --> 01:03:27,400
Speaker 1: about him. His growth is just getting don't be from

1134
01:03:27,440 --> 01:03:29,960
Speaker 1: Brooklyn know what I'm saying, And we're going signing some

1135
01:03:30,040 --> 01:03:32,480
Speaker 1: more artists and um, there's a lot of things I'm

1136
01:03:32,520 --> 01:03:35,160
Speaker 1: doing in uh this year that I'm probably gonna announce

1137
01:03:36,600 --> 01:03:39,680
Speaker 1: about just the brand. As far as the label side,

1138
01:03:39,720 --> 01:03:42,120
Speaker 1: We're bringing some more people on the on board and

1139
01:03:42,160 --> 01:03:45,360
Speaker 1: the international artists. Um, we ain't got nobody international right now,

1140
01:03:45,480 --> 01:03:47,960
Speaker 1: but you know, we're looking for greatness and saying like

1141
01:03:48,120 --> 01:03:51,280
Speaker 1: you know, you can't never really know when something's gonna

1142
01:03:51,280 --> 01:03:53,800
Speaker 1: come to your table to come because you know, music

1143
01:03:53,920 --> 01:03:56,080
Speaker 1: is a is a feeling, is survibe and then the

1144
01:03:56,160 --> 01:03:58,200
Speaker 1: way we're the best is running. It's running like it's

1145
01:03:58,240 --> 01:04:01,640
Speaker 1: a family. You know. I'm so it's just gotta fit

1146
01:04:02,080 --> 01:04:03,840
Speaker 1: and it gotta fit for both of us whoever we

1147
01:04:03,960 --> 01:04:06,200
Speaker 1: work with, and it just it just happens, not like

1148
01:04:06,480 --> 01:04:08,520
Speaker 1: one day I'm just looking to sign anyone. It just

1149
01:04:09,080 --> 01:04:11,360
Speaker 1: I wanna hears something that's so incredible that makes me

1150
01:04:11,440 --> 01:04:14,120
Speaker 1: want to be a fan. But you talk about how

1151
01:04:14,200 --> 01:04:17,720
Speaker 1: difficult it is sometimes as a CEO, because as a CEO,

1152
01:04:17,840 --> 01:04:22,440
Speaker 1: you have everything in and in in this atmosphere you

1153
01:04:22,480 --> 01:04:24,360
Speaker 1: can you can reach any artists, and then you get

1154
01:04:24,400 --> 01:04:27,560
Speaker 1: these artists and you give them the same platform that

1155
01:04:27,680 --> 01:04:32,680
Speaker 1: you have, but they might not reach the deal with that.

1156
01:04:32,760 --> 01:04:34,240
Speaker 1: I mean no, you know me for a long time.

1157
01:04:34,800 --> 01:04:36,520
Speaker 1: You know me for a long time. I go hard

1158
01:04:36,560 --> 01:04:40,800
Speaker 1: for everyone I go. I don't think nobody go harder. Um,

1159
01:04:41,160 --> 01:04:43,880
Speaker 1: I promote hard for everyone. I try to push you

1160
01:04:44,240 --> 01:04:47,720
Speaker 1: to be great for everybody, not just artists, people that

1161
01:04:48,520 --> 01:04:51,160
Speaker 1: if it's Ivan Kiko. My friends that work with me

1162
01:04:51,280 --> 01:04:54,240
Speaker 1: has been down with me from your patty. I pushed

1163
01:04:54,240 --> 01:04:56,480
Speaker 1: them to be great. I want them everybody. We gotta

1164
01:04:56,520 --> 01:04:58,800
Speaker 1: be great. We gotta be great. You know, we're a family.

1165
01:04:59,280 --> 01:05:03,200
Speaker 1: You know what I'm saying. So um, but as a human,

1166
01:05:03,240 --> 01:05:05,960
Speaker 1: you gotta know how far you want to go. I'm saying,

1167
01:05:06,480 --> 01:05:09,320
Speaker 1: you know, if you could be presignory all my life

1168
01:05:09,920 --> 01:05:11,760
Speaker 1: and I'm like, you know, you gotta go harder. You

1169
01:05:11,880 --> 01:05:13,680
Speaker 1: know this and that and that. Some people, you know,

1170
01:05:13,760 --> 01:05:16,240
Speaker 1: it's a decisire you have to make. I'm not saying

1171
01:05:16,280 --> 01:05:19,320
Speaker 1: people don't go hard, I know, but some people go hard.

1172
01:05:19,400 --> 01:05:21,880
Speaker 1: Is that about that? It's just everybody got their own

1173
01:05:21,920 --> 01:05:24,440
Speaker 1: way of doing things, no matter what. But me as

1174
01:05:24,520 --> 01:05:27,960
Speaker 1: a friend, and that's somebody that is working with you

1175
01:05:28,040 --> 01:05:30,040
Speaker 1: as a partnership, I'm always gonna put you to be

1176
01:05:30,120 --> 01:05:33,640
Speaker 1: great what I'm saying, And everybody works hard, but everybody

1177
01:05:33,720 --> 01:05:35,520
Speaker 1: got their own way of doing ship, the same way

1178
01:05:35,520 --> 01:05:37,080
Speaker 1: you got your own way doing your show. You were

1179
01:05:37,160 --> 01:05:39,600
Speaker 1: really particular, how do you want your show? Everybody got

1180
01:05:39,680 --> 01:05:41,680
Speaker 1: their own way of doing ship, and you have to

1181
01:05:41,760 --> 01:05:44,440
Speaker 1: respect that. I love that what I'm saying, But how

1182
01:05:44,520 --> 01:05:48,040
Speaker 1: hard is it? Like when you're executive and I'm just

1183
01:05:48,120 --> 01:05:50,000
Speaker 1: suing the executive column and I ain't talking to the

1184
01:05:50,360 --> 01:05:52,520
Speaker 1: brother college the brother cause everyone knows you have the

1185
01:05:52,960 --> 01:05:54,840
Speaker 1: one of the most purest hearts in the world, right,

1186
01:05:55,040 --> 01:05:58,520
Speaker 1: But what happens when you're invested into an artist and

1187
01:05:59,560 --> 01:06:01,680
Speaker 1: and you you're digging into a hole almost like a boat.

1188
01:06:01,760 --> 01:06:04,040
Speaker 1: Like people say, don't never buy a boat, because if

1189
01:06:04,040 --> 01:06:06,640
Speaker 1: you buy a boat, it just keeps thinking down. So

1190
01:06:06,800 --> 01:06:09,200
Speaker 1: what part what time does you say you're like, you

1191
01:06:09,280 --> 01:06:13,640
Speaker 1: know what, it's not working through you step away or

1192
01:06:14,000 --> 01:06:17,760
Speaker 1: how does that work? Um? You know what I mean?

1193
01:06:17,840 --> 01:06:21,880
Speaker 1: I never step away really to be honest with you. Um,

1194
01:06:22,480 --> 01:06:25,640
Speaker 1: you know it's you. You're welcome here no matter what

1195
01:06:25,840 --> 01:06:30,560
Speaker 1: unless you do something disrespect for a violation. What I'm saying,

1196
01:06:30,600 --> 01:06:34,720
Speaker 1: that's just anything. But we're not We're nobody no. So, um,

1197
01:06:35,240 --> 01:06:39,080
Speaker 1: if you want to be here, let's go. Let's walk

1198
01:06:39,120 --> 01:06:41,360
Speaker 1: to the wheels fall off. He said about if you

1199
01:06:41,480 --> 01:06:44,760
Speaker 1: win in is now, I know it takes time. I

1200
01:06:44,880 --> 01:06:47,720
Speaker 1: come from nothing, man like, I didn't start overnight, but

1201
01:06:47,880 --> 01:06:49,880
Speaker 1: I know where it takes to get there. I don't

1202
01:06:50,520 --> 01:06:54,560
Speaker 1: you know, callid callid me. I never. I don't give up, um,

1203
01:06:55,360 --> 01:06:58,120
Speaker 1: And so I'm not gonna give up on nobody else either,

1204
01:06:58,200 --> 01:07:01,520
Speaker 1: unless they want to not be here. And not being

1205
01:07:01,560 --> 01:07:03,960
Speaker 1: here doesn't mean you don't love me, don't like me.

1206
01:07:04,960 --> 01:07:07,439
Speaker 1: You know I'm saying. People grow. What I'm saying, I've grown,

1207
01:07:07,600 --> 01:07:11,880
Speaker 1: I've moved situations. So but I always kept my relationships

1208
01:07:11,960 --> 01:07:15,520
Speaker 1: with everybody I've been with. There's nobody, there's nobody can

1209
01:07:15,560 --> 01:07:18,240
Speaker 1: talk bad about Caled. And somebody talks bad about Caled,

1210
01:07:18,680 --> 01:07:20,400
Speaker 1: then you need to really look at them. You can't

1211
01:07:20,400 --> 01:07:23,800
Speaker 1: please everybody. If somebody talks bad about cal, you really

1212
01:07:23,840 --> 01:07:25,400
Speaker 1: need to look at them. You know what I'm saying.

1213
01:07:25,520 --> 01:07:27,920
Speaker 1: And and and at the end of the day is um,

1214
01:07:28,280 --> 01:07:30,680
Speaker 1: I'm blessed that nobody really talked bad about me. What

1215
01:07:30,680 --> 01:07:34,040
Speaker 1: I'm saying, you know you no, we all are human.

1216
01:07:34,040 --> 01:07:35,960
Speaker 1: I'm sure somebody I said this, that, and that. But

1217
01:07:36,040 --> 01:07:38,480
Speaker 1: at the end of the day, is come on, I

1218
01:07:38,560 --> 01:07:41,240
Speaker 1: can't see somebody saying something bad about Noriega because I

1219
01:07:41,360 --> 01:07:45,920
Speaker 1: know Noriega pure. You know what I'm saying. But at

1220
01:07:45,920 --> 01:07:48,160
Speaker 1: the end of the day, is I represent pure? You

1221
01:07:48,160 --> 01:07:51,040
Speaker 1: know what I'm saying. It's love always right, and that's

1222
01:07:51,040 --> 01:07:52,840
Speaker 1: the thing. I'm just gonna push everybody to be great.

1223
01:07:52,880 --> 01:07:55,560
Speaker 1: That's what I do. And everybody know me know that.

1224
01:07:56,640 --> 01:07:58,240
Speaker 1: That's real ship. I gotta make some noise for that.

1225
01:08:02,720 --> 01:08:05,200
Speaker 1: So he wanted to go now, I want to go

1226
01:08:05,720 --> 01:08:08,480
Speaker 1: more old school Miami show. I want to know you

1227
01:08:08,600 --> 01:08:14,080
Speaker 1: got any stories with like Uncle out Man, Uncle Al

1228
01:08:14,240 --> 01:08:17,040
Speaker 1: one of my favorite DJ's uncle I me and him

1229
01:08:17,080 --> 01:08:19,559
Speaker 1: did um. We did the Luke Show together. And before

1230
01:08:19,600 --> 01:08:21,360
Speaker 1: the Luke Show me I knew you had the stories.

1231
01:08:21,400 --> 01:08:23,280
Speaker 1: I just wanted you to tell me, said, you just

1232
01:08:23,280 --> 01:08:27,040
Speaker 1: talk about the radio show. Um. Even before the radio

1233
01:08:27,200 --> 01:08:30,160
Speaker 1: Remember he had a Luke Show, jay Z and he

1234
01:08:30,240 --> 01:08:34,920
Speaker 1: had girls show. But we gotta set the stage. The

1235
01:08:35,000 --> 01:08:39,120
Speaker 1: LUO on nine nine Jams was so big because we

1236
01:08:39,200 --> 01:08:42,559
Speaker 1: didn't have a hip hop mixed show on commercial radio

1237
01:08:42,640 --> 01:08:45,559
Speaker 1: like that, a regular first time really hip hop plane.

1238
01:08:45,640 --> 01:08:51,000
Speaker 1: So it was huge and we didn't know. The beat

1239
01:08:51,080 --> 01:08:53,880
Speaker 1: wasn't around yet. It was just nine jams and and

1240
01:08:54,040 --> 01:08:56,720
Speaker 1: that was huge. Miami was run by the Underground Radio

1241
01:08:57,680 --> 01:09:00,320
Speaker 1: and which which Uncle I was a part of. Yeah, King,

1242
01:09:01,560 --> 01:09:04,000
Speaker 1: Uncle I was a king. He's a legend. He is

1243
01:09:04,400 --> 01:09:07,720
Speaker 1: somebody I look up to. His style was, um, you

1244
01:09:07,800 --> 01:09:09,920
Speaker 1: know I always tell great DJs. You know, we're not

1245
01:09:10,000 --> 01:09:12,040
Speaker 1: just a DJ, we're an artist too, And he was

1246
01:09:12,080 --> 01:09:15,080
Speaker 1: a perfect example of being a DJ and an artist.

1247
01:09:15,360 --> 01:09:18,160
Speaker 1: And he put records out. You know, he's he's a

1248
01:09:18,960 --> 01:09:21,840
Speaker 1: he's a legend and I'm honored to be his friend.

1249
01:09:22,280 --> 01:09:24,680
Speaker 1: He loved me and I loved him. And then we

1250
01:09:24,800 --> 01:09:26,960
Speaker 1: end up doing the Luke Show ran your show together too,

1251
01:09:27,360 --> 01:09:29,560
Speaker 1: and I was just even more incredible. I would do

1252
01:09:29,680 --> 01:09:31,920
Speaker 1: my ship, he would come with his style. We did

1253
01:09:32,000 --> 01:09:34,839
Speaker 1: clubs together. He's a legend. You know, I'm saying somebody

1254
01:09:34,920 --> 01:09:39,160
Speaker 1: to this day that, um, I'm inspired by and somebody

1255
01:09:39,280 --> 01:09:43,280
Speaker 1: that is a good man with a good heart. And

1256
01:09:43,479 --> 01:09:47,040
Speaker 1: his slogan was piece in the Hood, you know, same

1257
01:09:47,120 --> 01:09:49,679
Speaker 1: piece in the hood. Like he brought love to the hood.

1258
01:09:49,800 --> 01:09:52,800
Speaker 1: Like he's this incredible person. Um, let's putting put it

1259
01:09:52,920 --> 01:09:59,760
Speaker 1: up one time for Uncle. So m what made you say,

1260
01:10:00,040 --> 01:10:03,120
Speaker 1: know what, I'm gonna start putting on my own records.

1261
01:10:03,280 --> 01:10:05,519
Speaker 1: You know what I mean, because I get you know

1262
01:10:05,720 --> 01:10:09,720
Speaker 1: you're a DJ, your producer. But then you said, you

1263
01:10:09,760 --> 01:10:11,840
Speaker 1: know what, let me go in and make my own album.

1264
01:10:12,000 --> 01:10:14,919
Speaker 1: But wait before you answer that, actually, do you remember

1265
01:10:15,760 --> 01:10:18,800
Speaker 1: Caress won't performed a cameo. I was there and so

1266
01:10:18,920 --> 01:10:21,800
Speaker 1: I'm already on my mixtape ship and I'm I come

1267
01:10:21,840 --> 01:10:24,720
Speaker 1: back there with this digital four track and you were

1268
01:10:24,720 --> 01:10:26,640
Speaker 1: spending that night and then you came back there and

1269
01:10:26,720 --> 01:10:28,920
Speaker 1: I'm getting a freestyle and then you're like, get me

1270
01:10:28,960 --> 01:10:33,439
Speaker 1: a freestyle. If that's I know you you got freestyles

1271
01:10:33,520 --> 01:10:36,080
Speaker 1: on the radio. But I almost think that because that

1272
01:10:36,200 --> 01:10:37,679
Speaker 1: ended up on the mix tape he did with Tony

1273
01:10:37,760 --> 01:10:40,760
Speaker 1: Touch if I'm not wrong, And I was like, I

1274
01:10:40,840 --> 01:10:44,679
Speaker 1: think I got calls first verse ever. Man, it's crazy

1275
01:10:44,680 --> 01:10:53,360
Speaker 1: because um, you know that show was legendary, totally touching Caress.

1276
01:10:53,640 --> 01:10:55,240
Speaker 1: It was it was carrass no no. But he did

1277
01:10:55,320 --> 01:11:00,760
Speaker 1: a mix tape yeah, big promote the Miami shot a

1278
01:11:00,800 --> 01:11:04,960
Speaker 1: Booger and Humberalian crew authoring the whole crew and Carre Swan.

1279
01:11:05,439 --> 01:11:08,439
Speaker 1: When I tell you, cameo was so rampact. The only

1280
01:11:08,479 --> 01:11:09,760
Speaker 1: time I've ever seen it like that was when the

1281
01:11:09,800 --> 01:11:12,800
Speaker 1: food Jis came and it was just an energy that's

1282
01:11:12,840 --> 01:11:17,000
Speaker 1: just unbelievable. And um he brought me out on stage

1283
01:11:17,479 --> 01:11:19,479
Speaker 1: and he just picked me up, just shouted me out

1284
01:11:19,520 --> 01:11:21,280
Speaker 1: like yo, DJ call. I'm saying, boom bo and I

1285
01:11:21,280 --> 01:11:22,960
Speaker 1: think he did the tennis ball thing. You know what

1286
01:11:22,960 --> 01:11:25,920
Speaker 1: I'm saying, Cass, this is the same show. It's not

1287
01:11:26,000 --> 01:11:36,120
Speaker 1: the same show. He does a tennis ball, but he ball.

1288
01:11:38,080 --> 01:11:50,920
Speaker 1: I didn't know special what. I've never seen this show

1289
01:11:51,160 --> 01:11:56,600
Speaker 1: caress one, so I felt offended. Chris. You know, it

1290
01:11:56,720 --> 01:11:59,200
Speaker 1: was just like I'm trying to remember that moment, but

1291
01:11:59,240 --> 01:12:01,280
Speaker 1: I do remember the style I have it. I haven't

1292
01:12:01,280 --> 01:12:04,800
Speaker 1: still you have the four track, and I remember because

1293
01:12:04,800 --> 01:12:06,560
Speaker 1: because cars One called the four track. I used to

1294
01:12:06,600 --> 01:12:08,760
Speaker 1: take that around everywhere. He said, this is the Mini

1295
01:12:09,040 --> 01:12:11,720
Speaker 1: Chunk King studios right here, and it was him. And

1296
01:12:12,200 --> 01:12:14,759
Speaker 1: what was the dude that he was with, Durrell Durrell.

1297
01:12:15,080 --> 01:12:17,320
Speaker 1: Durrell was an artist he was rolling with at the time.

1298
01:12:17,400 --> 01:12:20,560
Speaker 1: I remember. I think his manager was West. Yeah, I

1299
01:12:20,640 --> 01:12:22,600
Speaker 1: think it was West. His name was West Legend. But

1300
01:12:22,640 --> 01:12:25,479
Speaker 1: I haven't Yeah, you put it out, you put another

1301
01:12:25,560 --> 01:12:29,360
Speaker 1: tape but I got the tracks, want that. I want

1302
01:12:29,439 --> 01:12:33,679
Speaker 1: that ship. Okay, we have to address this. Rick Ross

1303
01:12:34,920 --> 01:12:37,360
Speaker 1: got on the back of his record. He said he

1304
01:12:37,479 --> 01:12:41,200
Speaker 1: had a whole thing addressing baby. But he said, what

1305
01:12:41,360 --> 01:12:46,040
Speaker 1: hurt me is, brother Colin? What do you say? He said, Well,

1306
01:12:46,120 --> 01:12:49,000
Speaker 1: hurt me is whatever happened with you and my brother Colin.

1307
01:12:49,640 --> 01:12:55,639
Speaker 1: I mean he was bigging me up. You're talking about

1308
01:12:55,680 --> 01:12:59,800
Speaker 1: the how does become rivals? Yes, yeah, he was big

1309
01:12:59,880 --> 01:13:03,000
Speaker 1: in me. My brother count is blessed, he's showing me love.

1310
01:13:03,120 --> 01:13:07,920
Speaker 1: And uh, I mean Ross loves me his family. You

1311
01:13:08,000 --> 01:13:11,920
Speaker 1: know that. I do know that that's my brother. Um.

1312
01:13:13,000 --> 01:13:15,320
Speaker 1: You know, not only do we make music together, not

1313
01:13:15,439 --> 01:13:17,800
Speaker 1: only was um. I was blessed that he had me

1314
01:13:17,880 --> 01:13:20,360
Speaker 1: as a and R a lot of his albums. But

1315
01:13:20,439 --> 01:13:23,479
Speaker 1: he's my friend, you know what I'm saying, my friend, um,

1316
01:13:24,479 --> 01:13:27,120
Speaker 1: And I'm just proud to be his friend. And and

1317
01:13:27,280 --> 01:13:30,280
Speaker 1: just you know, I love his family. And you know,

1318
01:13:30,400 --> 01:13:32,280
Speaker 1: I think when he made that record was more like

1319
01:13:33,560 --> 01:13:36,960
Speaker 1: you know, Ross has always been a big brother, not

1320
01:13:37,160 --> 01:13:39,960
Speaker 1: just for me, but for a lot of people. And

1321
01:13:40,120 --> 01:13:42,360
Speaker 1: he's like a big brother in the game, you know,

1322
01:13:42,479 --> 01:13:44,120
Speaker 1: like you know, we look at jay Z is big

1323
01:13:44,200 --> 01:13:47,559
Speaker 1: homie you know, I look at rosss like big brother,

1324
01:13:48,720 --> 01:13:50,760
Speaker 1: and he was just basically what I'm saying. He just

1325
01:13:50,880 --> 01:13:54,600
Speaker 1: cared about his people, you know what I mean. And

1326
01:13:55,640 --> 01:13:57,080
Speaker 1: at the end of the day is I know Ross

1327
01:13:57,200 --> 01:14:01,439
Speaker 1: always has great intentions to everything because he's a real

1328
01:14:01,520 --> 01:14:03,640
Speaker 1: person that he would come to the table. You know,

1329
01:14:03,760 --> 01:14:06,200
Speaker 1: you're a real man, like any situation could be a

1330
01:14:06,280 --> 01:14:08,840
Speaker 1: problem or no problem. A real man should come to

1331
01:14:08,880 --> 01:14:11,840
Speaker 1: the table. And you know, and me and you had

1332
01:14:11,840 --> 01:14:13,720
Speaker 1: a situation, whe should get on the phone or go

1333
01:14:14,200 --> 01:14:16,000
Speaker 1: come to the table. You know what I'm saying. And

1334
01:14:16,680 --> 01:14:18,720
Speaker 1: you know it can't be that serious not to be

1335
01:14:18,760 --> 01:14:21,439
Speaker 1: able to go to the table and fix it. Um,

1336
01:14:21,880 --> 01:14:23,680
Speaker 1: he was just showing me love. He was bigging me up,

1337
01:14:24,160 --> 01:14:28,200
Speaker 1: showing me love. And um, I've loved for bird Man,

1338
01:14:29,240 --> 01:14:32,040
Speaker 1: I've loved for Ross, Ross, you know, his family, And

1339
01:14:33,120 --> 01:14:36,280
Speaker 1: at that moment, at that time, was more like Roster saying,

1340
01:14:37,080 --> 01:14:40,160
Speaker 1: you know, I just got out my situation with cash money,

1341
01:14:40,520 --> 01:14:44,200
Speaker 1: and I appreciate cash money everything they've done for me. Um,

1342
01:14:44,880 --> 01:14:47,519
Speaker 1: and not just speaking about cash money. I used to

1343
01:14:47,560 --> 01:14:51,720
Speaker 1: be on Cosh. Remember Fact Joe brought me Fact Joe

1344
01:14:51,800 --> 01:14:54,840
Speaker 1: got me my first deal with Cotch. Joe Crack. I

1345
01:14:54,920 --> 01:14:57,360
Speaker 1: love you for that. You know what I'm saying. He believed,

1346
01:14:58,280 --> 01:15:02,200
Speaker 1: he believed in me, and he believed in me to

1347
01:15:02,400 --> 01:15:06,000
Speaker 1: get me a deal at Cosh Records. From Cosh Records,

1348
01:15:06,800 --> 01:15:12,200
Speaker 1: I went to, um, was we taking over? Let me

1349
01:15:12,240 --> 01:15:14,320
Speaker 1: tell you something that's I'm gonna be honest. I don't

1350
01:15:14,360 --> 01:15:15,800
Speaker 1: even know if I ever told you this. I've been

1351
01:15:15,800 --> 01:15:17,640
Speaker 1: around you so much and I've never told you this.

1352
01:15:18,120 --> 01:15:22,840
Speaker 1: That's one of my top five. That's why when I

1353
01:15:22,960 --> 01:15:26,400
Speaker 1: hear why you know why? When I moved to Miami,

1354
01:15:27,000 --> 01:15:29,120
Speaker 1: that was like the first record, like when I was

1355
01:15:29,320 --> 01:15:32,320
Speaker 1: like finally was like and I just heard that ship everything.

1356
01:15:32,400 --> 01:15:35,040
Speaker 1: I loved that. Right, I'm gonna sucker for not telling

1357
01:15:35,080 --> 01:15:37,439
Speaker 1: you that a long time ago. You know, I'm just

1358
01:15:37,479 --> 01:15:40,000
Speaker 1: saying I should have said that. That record like We're

1359
01:15:40,040 --> 01:15:42,800
Speaker 1: taking Over and I'm so Hood changed my life? Those

1360
01:15:42,840 --> 01:15:46,960
Speaker 1: are those too? Like my life? And what came first?

1361
01:15:47,040 --> 01:15:49,880
Speaker 1: I'm so Hood? Or were taking over first? Then I'm

1362
01:15:49,920 --> 01:15:53,000
Speaker 1: so Hood? Okay, okay, And those two records changed my life.

1363
01:15:53,360 --> 01:15:55,599
Speaker 1: And I want to shout out Joe Krack for getting

1364
01:15:55,600 --> 01:15:57,680
Speaker 1: me to deal with I don't grund black? Was we

1365
01:15:57,800 --> 01:16:01,560
Speaker 1: the best? Ts cos Um? And then After that, I

1366
01:16:01,600 --> 01:16:04,439
Speaker 1: think I went to UM. I ended up being president

1367
01:16:04,600 --> 01:16:09,000
Speaker 1: of Deaf Jam and Jeff Jam South you know as

1368
01:16:09,000 --> 01:16:11,280
Speaker 1: an a and on. Then I end up getting my

1369
01:16:12,840 --> 01:16:15,519
Speaker 1: label deal with had a label deal at Death Jam,

1370
01:16:15,920 --> 01:16:17,640
Speaker 1: and then after I left Death Jam label deal I

1371
01:16:17,720 --> 01:16:21,639
Speaker 1: had UM, I did a deal with Cash Money Universal,

1372
01:16:22,200 --> 01:16:25,200
Speaker 1: and after Cash Money Universal, I went to We're the

1373
01:16:25,280 --> 01:16:29,600
Speaker 1: Best epic. What I'm saying, so you know now, so

1374
01:16:29,680 --> 01:16:34,000
Speaker 1: describe described thus transition from catch so from catch. So

1375
01:16:34,120 --> 01:16:35,680
Speaker 1: that's what the reason why I'm bringing out all these

1376
01:16:35,720 --> 01:16:38,760
Speaker 1: deals is because I want to let the new artists know,

1377
01:16:40,640 --> 01:16:46,479
Speaker 1: even if you had a bad deal, be grateful, because

1378
01:16:46,560 --> 01:16:49,679
Speaker 1: I was grateful for every single deal I ever got,

1379
01:16:49,840 --> 01:16:54,280
Speaker 1: because it's a learning experience to get a better one,

1380
01:16:55,960 --> 01:16:57,800
Speaker 1: and after you get a better one, you learn more

1381
01:16:57,840 --> 01:17:00,040
Speaker 1: and you learn more. Me I'm a grateful guy. I

1382
01:17:00,200 --> 01:17:04,519
Speaker 1: don't have nobody ever did me wrong, nobody, not one person,

1383
01:17:05,320 --> 01:17:09,559
Speaker 1: because I am grateful for the opportunity. When you get

1384
01:17:09,560 --> 01:17:13,720
Speaker 1: an opportunity, is you gotta be grateful now, So no

1385
01:17:13,800 --> 01:17:16,400
Speaker 1: one did you wrong? In your eyes, No nobody get

1386
01:17:16,439 --> 01:17:19,120
Speaker 1: me wrong, because at the end of the days, we're

1387
01:17:19,160 --> 01:17:21,200
Speaker 1: all men, and at the end of the days, That's

1388
01:17:21,200 --> 01:17:24,519
Speaker 1: why I said, we can come to the table. Sometimes

1389
01:17:24,600 --> 01:17:26,599
Speaker 1: you grow, you know what I'm saying. Earlier in my career,

1390
01:17:26,640 --> 01:17:28,120
Speaker 1: I might have made my first deal, might have been

1391
01:17:28,120 --> 01:17:31,439
Speaker 1: twenty dollars. But look at me now. I'm a CEO,

1392
01:17:31,600 --> 01:17:34,000
Speaker 1: I'm DJ Callett, I have eleven albums. I'm working on

1393
01:17:34,080 --> 01:17:36,599
Speaker 1: my twelfth album. I have a brand called We the Best.

1394
01:17:36,640 --> 01:17:41,160
Speaker 1: I own my masters. Uh this I mean, look at me, like, honestly,

1395
01:17:41,280 --> 01:17:44,200
Speaker 1: I'm grateful. You know what I'm saying, Like you know

1396
01:17:44,200 --> 01:17:46,759
Speaker 1: what I'm saying. Like, and I learned through my process.

1397
01:17:46,800 --> 01:17:50,600
Speaker 1: I'm sure nor when you first got to um So

1398
01:17:50,840 --> 01:17:55,640
Speaker 1: anybody ever worked with appreciate them. I love them. Uh,

1399
01:17:55,760 --> 01:17:58,519
Speaker 1: And to this day I don't. I don't believe in Bernard.

1400
01:17:58,520 --> 01:18:02,160
Speaker 1: No bridges, only God I can walk on water. Don't

1401
01:18:02,200 --> 01:18:04,800
Speaker 1: burn a bridge. Only God can walk on water. The

1402
01:18:04,920 --> 01:18:07,679
Speaker 1: only time is I feel like it gets so serious.

1403
01:18:07,720 --> 01:18:11,320
Speaker 1: If somebody violates you, hurts you, you know, that's something

1404
01:18:11,360 --> 01:18:15,200
Speaker 1: to that point to your family, that's violation. These are

1405
01:18:15,240 --> 01:18:20,600
Speaker 1: opportunities I'm feeding my family. I don't call it the

1406
01:18:20,720 --> 01:18:24,559
Speaker 1: music business. It called the music blessing. Musically change my life.

1407
01:18:24,920 --> 01:18:28,400
Speaker 1: It makes me take care of my kids. I love music. Yes,

1408
01:18:28,520 --> 01:18:30,400
Speaker 1: you have to know how to do your business. Yes,

1409
01:18:30,920 --> 01:18:35,960
Speaker 1: you have to to cash money. Um it was dope.

1410
01:18:36,080 --> 01:18:37,720
Speaker 1: You know what I'm saying. I was excited first of all,

1411
01:18:37,800 --> 01:18:39,960
Speaker 1: I'm a cash money fan. Was it was what I'm

1412
01:18:39,960 --> 01:18:43,439
Speaker 1: saying on Cots behalf was it like what cos I

1413
01:18:43,520 --> 01:18:46,920
Speaker 1: never wanted to leave Cosh And That's what I'm trying

1414
01:18:46,920 --> 01:18:49,559
Speaker 1: to tell you. Wasn't about the money. I loved Alan

1415
01:18:49,600 --> 01:18:52,120
Speaker 1: ground Black. I never wanted to leave Cossh. But my

1416
01:18:52,400 --> 01:18:53,800
Speaker 1: you know, I just got don't dropping. All I do

1417
01:18:53,920 --> 01:18:57,160
Speaker 1: was whin I'm wanting. I'm selling. I'm I'm selling records

1418
01:18:57,200 --> 01:18:59,479
Speaker 1: at a time where everybody thought I couldn't do it.

1419
01:18:59,840 --> 01:19:02,240
Speaker 1: I dropped off so hood brown paper bag. All I

1420
01:19:02,320 --> 01:19:06,400
Speaker 1: do is win. We're taking over m Hue Records, huge

1421
01:19:06,479 --> 01:19:11,479
Speaker 1: fucking records, right and my contract is up and I'm like, yo, Alan,

1422
01:19:11,520 --> 01:19:17,720
Speaker 1: I stayed, but I need a bigger bag. You know

1423
01:19:17,760 --> 01:19:20,200
Speaker 1: what I said, because I proved myself. And what you know,

1424
01:19:20,200 --> 01:19:25,400
Speaker 1: I'm saying, like, you know, you gotta use of time.

1425
01:19:25,920 --> 01:19:27,960
Speaker 1: And what I'm saying is, you know, if you're gonna

1426
01:19:28,080 --> 01:19:31,240
Speaker 1: use leverage, you have to have you to bring something

1427
01:19:31,280 --> 01:19:32,720
Speaker 1: to the table when I brought to the table is

1428
01:19:32,760 --> 01:19:35,479
Speaker 1: that I make hit records. The people love me and

1429
01:19:36,200 --> 01:19:38,280
Speaker 1: we're the best. Brand is getting bigger and bigger. And

1430
01:19:38,360 --> 01:19:40,280
Speaker 1: I was just like, and he wanted to do it,

1431
01:19:41,080 --> 01:19:43,320
Speaker 1: you know what I'm saying. And you know I gave

1432
01:19:43,400 --> 01:19:46,439
Speaker 1: him the opportunity to do it, and he tried. He tried.

1433
01:19:47,000 --> 01:19:49,599
Speaker 1: He tried what I'm saying. You know, his finance people

1434
01:19:49,600 --> 01:19:52,080
Speaker 1: wouldn't let him give him the bag I was requesting,

1435
01:19:52,520 --> 01:19:54,600
Speaker 1: and I was changing the business up a little, you know,

1436
01:19:55,040 --> 01:19:57,280
Speaker 1: you know, I saw I wanted. And this is another

1437
01:19:57,280 --> 01:19:59,200
Speaker 1: thing I want to tell people to his partnership is

1438
01:19:59,760 --> 01:20:04,120
Speaker 1: it's actually everything works good for for different type of people.

1439
01:20:04,600 --> 01:20:07,799
Speaker 1: Did me. I love having a partner. I love my partners,

1440
01:20:08,080 --> 01:20:11,280
Speaker 1: Sarney Music, Epic Records, I love them. You know, rock

1441
01:20:11,400 --> 01:20:14,160
Speaker 1: Nation is my management. I love them, They're my partners.

1442
01:20:14,400 --> 01:20:18,040
Speaker 1: I love when my management can make money. I love

1443
01:20:18,439 --> 01:20:20,920
Speaker 1: when Epic and Sony can make money because we're making

1444
01:20:20,960 --> 01:20:24,080
Speaker 1: money together. My business, My business is right. Though I

1445
01:20:24,160 --> 01:20:26,880
Speaker 1: don't have my masses, I can get my other half

1446
01:20:26,920 --> 01:20:29,960
Speaker 1: any time I want. I can buy any time I

1447
01:20:30,040 --> 01:20:32,080
Speaker 1: want to get it tonight if I want. But I

1448
01:20:32,120 --> 01:20:34,639
Speaker 1: don't want. I like you in business with me. When

1449
01:20:34,720 --> 01:20:36,960
Speaker 1: you when I make money, you make money, you're gonna

1450
01:20:37,040 --> 01:20:39,120
Speaker 1: want to make money with me. And you're gonna if

1451
01:20:39,160 --> 01:20:40,680
Speaker 1: I say I wanted, I got, I'm wanting to do

1452
01:20:40,800 --> 01:20:42,680
Speaker 1: this that not not not They're ready to support and

1453
01:20:42,800 --> 01:20:46,280
Speaker 1: fund it. That's a blessing. It's called great partners. You

1454
01:20:46,320 --> 01:20:48,160
Speaker 1: know what I'm saying, Um, And I can do it

1455
01:20:48,160 --> 01:20:51,320
Speaker 1: the other way. I can own one of my masses tonight.

1456
01:20:51,800 --> 01:20:54,120
Speaker 1: I own my masses. You know what I'm saying back

1457
01:20:54,200 --> 01:20:56,639
Speaker 1: the end of the day is I love having great partners.

1458
01:20:57,479 --> 01:20:59,080
Speaker 1: You know I'm saying. You know what I mean like

1459
01:20:59,200 --> 01:21:01,519
Speaker 1: it's nothing like like why now you're your partner for

1460
01:21:01,560 --> 01:21:04,960
Speaker 1: this show? Is who? We've got three partners? But and

1461
01:21:05,000 --> 01:21:09,160
Speaker 1: do you love it? Yes? And I love them? Thank you.

1462
01:21:11,400 --> 01:21:17,080
Speaker 1: Let's leave my partners. That's big up to title, let's

1463
01:21:17,120 --> 01:21:21,320
Speaker 1: big up to. Let's big up to. That's a pill.

1464
01:21:22,800 --> 01:21:31,680
Speaker 1: Let's not forget drink fucking chance. What I'm saying is,

1465
01:21:32,320 --> 01:21:37,280
Speaker 1: um me, I'm speaking for cat. Everybody's different. Every I

1466
01:21:37,400 --> 01:21:41,680
Speaker 1: was independent for years. I forgot before I before I

1467
01:21:41,680 --> 01:21:44,640
Speaker 1: went to Epics, Sony, I was independent. You know what

1468
01:21:44,680 --> 01:21:50,200
Speaker 1: I'm saying, like, um, and that's when my fans experienced

1469
01:21:50,240 --> 01:21:53,680
Speaker 1: the keys. But let me tell you that's what snapchat came. Yeah,

1470
01:21:53,720 --> 01:21:58,400
Speaker 1: so listen to that. I end up my deals up,

1471
01:21:58,439 --> 01:22:05,040
Speaker 1: you know, leaving cash money, you know, or soon I'm broke.

1472
01:22:06,840 --> 01:22:09,439
Speaker 1: When I say broke me as in like I had

1473
01:22:09,520 --> 01:22:12,599
Speaker 1: nothing to show for and I told about I'm broke

1474
01:22:12,640 --> 01:22:15,320
Speaker 1: because I wasn't getting paid not it's called you know,

1475
01:22:16,680 --> 01:22:19,800
Speaker 1: just because I just wanted to, like just for the fans,

1476
01:22:19,920 --> 01:22:23,160
Speaker 1: not for me. Um. But is that what Rick Ross

1477
01:22:23,240 --> 01:22:25,200
Speaker 1: was mad about? Because it felt like we're gonna get

1478
01:22:25,200 --> 01:22:26,880
Speaker 1: you because the thing is that what I'm trying to

1479
01:22:27,000 --> 01:22:33,200
Speaker 1: what I said, it broke, meaning as in, when I

1480
01:22:33,280 --> 01:22:34,920
Speaker 1: went in depending, I said, yo, I need to own

1481
01:22:34,960 --> 01:22:38,240
Speaker 1: the house. What if I stopped today, I own nothing.

1482
01:22:39,000 --> 01:22:40,640
Speaker 1: So I made sure I bought my last dollar. I

1483
01:22:40,680 --> 01:22:44,679
Speaker 1: bought my house, make sure mom and dad was straight.

1484
01:22:45,400 --> 01:22:48,000
Speaker 1: Now I'm on the road every day doing parties, hosting.

1485
01:22:48,280 --> 01:22:49,800
Speaker 1: But I was just making enough money to pay the

1486
01:22:49,920 --> 01:22:55,960
Speaker 1: bills I'm saying. And then I went independent. I spent

1487
01:22:56,320 --> 01:22:59,280
Speaker 1: all my money on that. I changed a lot album

1488
01:23:00,240 --> 01:23:03,240
Speaker 1: over like two million dollars. You know, whatever show I

1489
01:23:03,280 --> 01:23:05,840
Speaker 1: would make, I put it into the album. This I

1490
01:23:05,920 --> 01:23:07,439
Speaker 1: put in the album. But I say it broke me.

1491
01:23:07,560 --> 01:23:10,840
Speaker 1: As in, if I made a hundred dollars, it went

1492
01:23:10,920 --> 01:23:13,960
Speaker 1: into the album. If I made you know, it kept

1493
01:23:13,960 --> 01:23:18,280
Speaker 1: putting in there. I changed a lot. Comes out it

1494
01:23:18,360 --> 01:23:21,840
Speaker 1: doesn't do too good. But I'm independent to this day.

1495
01:23:21,880 --> 01:23:24,000
Speaker 1: I still get paid off the album to this day.

1496
01:23:24,000 --> 01:23:27,240
Speaker 1: I still get and pay I want of that to

1497
01:23:27,360 --> 01:23:29,800
Speaker 1: this day. So I know the feeling of independent. To

1498
01:23:29,920 --> 01:23:32,080
Speaker 1: this day, I still get paid off that album. But

1499
01:23:32,160 --> 01:23:34,920
Speaker 1: what I'm trying to tell you is, but it's a

1500
01:23:35,000 --> 01:23:39,160
Speaker 1: thing called When I went independent, my label deal was up,

1501
01:23:40,040 --> 01:23:44,959
Speaker 1: my publishing deal was up. I was free agent across

1502
01:23:45,040 --> 01:23:51,120
Speaker 1: the board. Mhm. They try to count me out even

1503
01:23:51,479 --> 01:23:56,360
Speaker 1: like sorry, sorry, they try to count me out. They

1504
01:23:56,439 --> 01:24:01,920
Speaker 1: try to finish me. I up being free agent, and

1505
01:24:02,000 --> 01:24:06,840
Speaker 1: guess what happens. That's what God does. I left people

1506
01:24:06,920 --> 01:24:09,120
Speaker 1: in my world my first time I ever let my

1507
01:24:09,320 --> 01:24:17,240
Speaker 1: fans in my in my personal life through my Snapchat. No,

1508
01:24:17,320 --> 01:24:18,840
Speaker 1: because that's you know what I mean. You know me,

1509
01:24:18,920 --> 01:24:23,040
Speaker 1: I've always been like that. I don't even know what

1510
01:24:23,120 --> 01:24:28,040
Speaker 1: Snapchat is. My man mos and um white side of

1511
01:24:28,040 --> 01:24:31,280
Speaker 1: you gotta get on Snapchat. I'm like, all right, fucking

1512
01:24:31,400 --> 01:24:35,080
Speaker 1: what is it? So I'm at home. My album is dropped.

1513
01:24:35,560 --> 01:24:40,040
Speaker 1: I'm a little depressed, so I'm having my spiritual moments

1514
01:24:40,040 --> 01:24:41,960
Speaker 1: like I always have been called always been like that

1515
01:24:42,360 --> 01:24:48,200
Speaker 1: with my flowers and that snapchat. And one day my

1516
01:24:48,320 --> 01:24:50,640
Speaker 1: phone broke from the jet Ski, so I wanted an

1517
01:24:50,640 --> 01:24:53,040
Speaker 1: Apple store. This is when you lost that sea had

1518
01:24:53,080 --> 01:24:54,679
Speaker 1: lost the seed. But my my phone broke. I wanted

1519
01:24:54,680 --> 01:24:56,200
Speaker 1: to go to jet Ski. I wanted to get a

1520
01:24:56,240 --> 01:24:58,559
Speaker 1: new phone. So I'm in my flip flops, white tea

1521
01:24:58,600 --> 01:25:00,080
Speaker 1: and my shorts like I always wear the career it.

1522
01:25:00,920 --> 01:25:04,639
Speaker 1: I go to the Apple store in Avare. I walked

1523
01:25:04,680 --> 01:25:06,280
Speaker 1: in the Apper store like you already a new phone,

1524
01:25:06,479 --> 01:25:08,240
Speaker 1: and the guy looks at me like like you've seen

1525
01:25:08,280 --> 01:25:12,080
Speaker 1: a ghost. So I'm like, don't get twisted. The people

1526
01:25:12,120 --> 01:25:14,120
Speaker 1: got love for dj J. They want pictures you know

1527
01:25:14,160 --> 01:25:17,040
Speaker 1: they might want And he was really lost that want

1528
01:25:17,080 --> 01:25:18,400
Speaker 1: to see me. No he didn't know. He just see me.

1529
01:25:18,479 --> 01:25:20,840
Speaker 1: Like I was confused because he's like really excited to

1530
01:25:20,840 --> 01:25:24,280
Speaker 1: see me. So I was like after so he's like

1531
01:25:24,320 --> 01:25:26,720
Speaker 1: immediately showed me mad love is now. I turned my

1532
01:25:26,840 --> 01:25:32,400
Speaker 1: head and I see like ten thousand people in the store, fans.

1533
01:25:32,479 --> 01:25:33,920
Speaker 1: The whole mall found out was in the mall and

1534
01:25:33,960 --> 01:25:36,280
Speaker 1: the whole store was filled with fans and they were

1535
01:25:36,320 --> 01:25:40,200
Speaker 1: screaming my name and talking about Major Key and bless

1536
01:25:40,320 --> 01:25:45,320
Speaker 1: Up and Lion and I'm like, what the fun always

1537
01:25:45,360 --> 01:25:48,599
Speaker 1: got love, but this was like on some beatleship store,

1538
01:25:48,760 --> 01:25:50,760
Speaker 1: the grill right there next to the the app store.

1539
01:25:53,760 --> 01:25:55,560
Speaker 1: I ain't need my house in a months because it

1540
01:25:55,640 --> 01:25:58,760
Speaker 1: was like the Hotmaday time November December when you start

1541
01:25:58,880 --> 01:26:00,400
Speaker 1: doing snaps. Yeah, that's why I start door And so

1542
01:26:00,479 --> 01:26:04,120
Speaker 1: I'm like, I go home on yo. I told my girls, like, yo,

1543
01:26:04,760 --> 01:26:09,080
Speaker 1: you know, you know people love DJ Cally, but something

1544
01:26:09,160 --> 01:26:16,160
Speaker 1: going on. Ye, So boom, I go. It's New Year's time,

1545
01:26:16,240 --> 01:26:18,400
Speaker 1: New Year's Eve. Come, i gotta do a party in Vegas.

1546
01:26:20,479 --> 01:26:24,320
Speaker 1: I'll pull up my tour bus. The promoter Mike, So

1547
01:26:24,439 --> 01:26:28,360
Speaker 1: I get there, um um to my bus and he's like, yo,

1548
01:26:29,400 --> 01:26:33,080
Speaker 1: I bus pull up so people see me. Mike said, Yo,

1549
01:26:33,680 --> 01:26:35,400
Speaker 1: you can't come from the front. You we gotta take

1550
01:26:35,439 --> 01:26:38,000
Speaker 1: you through the back door. And like, I'm not, yo, bro,

1551
01:26:38,360 --> 01:26:39,960
Speaker 1: what you're talking about? Bro? Like like you know what

1552
01:26:39,960 --> 01:26:42,479
Speaker 1: I'm saying, Like I'm going, I'm going to my room,

1553
01:26:42,600 --> 01:26:45,160
Speaker 1: gonna you know, I'm gonna chill out. I'm in Vegas. Nah,

1554
01:26:45,360 --> 01:26:47,639
Speaker 1: you can't. You can't. It's tens of thousands of people

1555
01:26:47,840 --> 01:26:50,920
Speaker 1: by the elevatory. They they're going crazy for you, telling

1556
01:26:50,920 --> 01:26:52,880
Speaker 1: about you trip it. So I go on there and

1557
01:26:53,000 --> 01:26:56,120
Speaker 1: I see they see me. They bump rush, So I'm saying,

1558
01:26:56,120 --> 01:26:58,280
Speaker 1: I mean, you know, I'm snap, y'all, what up? Room?

1559
01:26:58,720 --> 01:27:00,880
Speaker 1: So I get to my room, you know, so I'm

1560
01:27:01,120 --> 01:27:03,719
Speaker 1: they're telling me I can't hang out because it's too crazy.

1561
01:27:04,000 --> 01:27:05,840
Speaker 1: I'm like, yo, bro, I'm in Vegas. I just drove

1562
01:27:05,880 --> 01:27:07,880
Speaker 1: all the way out here. I gotta go party. So

1563
01:27:07,960 --> 01:27:09,720
Speaker 1: it's out for the club. I get to the club.

1564
01:27:09,800 --> 01:27:13,200
Speaker 1: They take me through the kitchen back door, and the

1565
01:27:13,280 --> 01:27:16,599
Speaker 1: promoters like, yo, the whole club sold out, fire marshals,

1566
01:27:16,680 --> 01:27:20,600
Speaker 1: and Ship is insane. He's like, UM, we want to

1567
01:27:20,640 --> 01:27:23,439
Speaker 1: talk about um giving you a residency. You know, I

1568
01:27:23,479 --> 01:27:24,920
Speaker 1: know you'd come here once in a while, but now

1569
01:27:25,040 --> 01:27:27,280
Speaker 1: can we do like the real deal. I'm like Ship.

1570
01:27:27,880 --> 01:27:32,160
Speaker 1: So from that day on, you know, my fans embracing

1571
01:27:32,200 --> 01:27:35,760
Speaker 1: me on another level. What happened was you know, I

1572
01:27:35,800 --> 01:27:38,240
Speaker 1: always tell the young world be you. You know what

1573
01:27:38,240 --> 01:27:40,479
Speaker 1: I'm saying, I'm always gonna be called I'm not gonna

1574
01:27:40,520 --> 01:27:42,200
Speaker 1: be No, I don't sound like nobody. I don't try

1575
01:27:42,280 --> 01:27:45,040
Speaker 1: to be like nobody. I am cald what I'm saying.

1576
01:27:45,160 --> 01:27:47,360
Speaker 1: And from that day on now the reason why I

1577
01:27:47,479 --> 01:27:49,519
Speaker 1: want to bring up the free agent world word is

1578
01:27:49,640 --> 01:27:55,000
Speaker 1: I'm free agent. The whole world is screaming. DJ called

1579
01:27:55,640 --> 01:28:01,120
Speaker 1: the whole entire world like the world. Uh. I got

1580
01:28:01,240 --> 01:28:03,519
Speaker 1: every record company in the world calling, try to fly

1581
01:28:03,760 --> 01:28:06,400
Speaker 1: checkson Yo, we're sending you to Well, let's do a

1582
01:28:06,439 --> 01:28:10,519
Speaker 1: new deal and do a deal which wherever l A.

1583
01:28:10,680 --> 01:28:14,719
Speaker 1: Red called me. Lad is the first guy that gave

1584
01:28:14,800 --> 01:28:19,800
Speaker 1: me my first label deal and he gave me a

1585
01:28:20,000 --> 01:28:26,080
Speaker 1: huge executive position. So I never forgot that. Ten years

1586
01:28:26,200 --> 01:28:30,120
Speaker 1: later we reconnect. He calls me at Christmas time and says, hey,

1587
01:28:34,080 --> 01:28:37,880
Speaker 1: I heard your freeation. Wow, what I gotta do? That's

1588
01:28:37,920 --> 01:28:42,960
Speaker 1: what He's an epic. Yeah, he's an epic now and

1589
01:28:44,160 --> 01:28:47,040
Speaker 1: at this time, not now, but at this time, I said, La,

1590
01:28:47,160 --> 01:28:50,320
Speaker 1: you know what God talking to me. You know what

1591
01:28:50,360 --> 01:28:53,839
Speaker 1: I'm saying. And you was there for me. You believed

1592
01:28:53,840 --> 01:28:57,040
Speaker 1: in me early, early, you gave me my first big

1593
01:28:57,160 --> 01:29:01,840
Speaker 1: check early. Let's do business. Wow, brings me the epic.

1594
01:29:02,400 --> 01:29:05,960
Speaker 1: He leaves epic Um. Sylvia Own was president at time.

1595
01:29:06,000 --> 01:29:08,960
Speaker 1: She's a chairman now at Sylvia Roma's family. She always

1596
01:29:09,000 --> 01:29:11,519
Speaker 1: showed me love, So hod l A and Sylvia two

1597
01:29:11,560 --> 01:29:15,280
Speaker 1: people that love me what I'm saying. And Sylvia's chairman

1598
01:29:15,320 --> 01:29:17,599
Speaker 1: now as she loved me. And my partnership has been

1599
01:29:17,640 --> 01:29:19,920
Speaker 1: so great from ever since, you know what I mean,

1600
01:29:20,080 --> 01:29:22,360
Speaker 1: It's just been incredible. And the more of the story

1601
01:29:22,560 --> 01:29:25,760
Speaker 1: is I was free agent when they try to count

1602
01:29:25,840 --> 01:29:30,519
Speaker 1: me out, meaning as in the balls in my court.

1603
01:29:31,880 --> 01:29:36,120
Speaker 1: So any deal I did what's gonna be done right

1604
01:29:36,400 --> 01:29:41,160
Speaker 1: incredibly and a blessing, you know what I'm saying. So

1605
01:29:42,560 --> 01:29:46,320
Speaker 1: I just want to tell everybody out there, don't give

1606
01:29:46,439 --> 01:29:50,840
Speaker 1: up even when ship time go even hard, when times

1607
01:29:50,920 --> 01:29:55,599
Speaker 1: go hard, go hard. When times is great, go harder.

1608
01:29:57,080 --> 01:30:01,880
Speaker 1: So I don't know, I ain't stopping like I don't.

1609
01:30:02,040 --> 01:30:05,280
Speaker 1: I make music. Brand. We're the Best is a brand

1610
01:30:05,360 --> 01:30:09,439
Speaker 1: we do. We do movies, TVs, we do music, We

1611
01:30:09,600 --> 01:30:17,800
Speaker 1: do everything. What I'm saying, we bless because I just

1612
01:30:17,920 --> 01:30:22,880
Speaker 1: wanted this to be just as involved as every episode ever.

1613
01:30:23,040 --> 01:30:26,519
Speaker 1: We always do shots. You don't have to participate. If

1614
01:30:26,520 --> 01:30:32,360
Speaker 1: you want to, you can poll shot in there. It's okay,

1615
01:30:32,520 --> 01:30:36,360
Speaker 1: It's alright, give another one, you know, because and it's

1616
01:30:36,360 --> 01:30:39,240
Speaker 1: all our people's shots. We can sterilize your cup. Do

1617
01:30:39,360 --> 01:30:41,479
Speaker 1: whatever you want to do. Get a you know, besides

1618
01:30:41,520 --> 01:30:43,400
Speaker 1: the drink you haven't already because I'm having this is

1619
01:30:43,400 --> 01:30:46,639
Speaker 1: what I'm drinking, but I'm having another one. Um, I'm

1620
01:30:46,680 --> 01:30:49,719
Speaker 1: gonna go prefer with shot. You want me to take college,

1621
01:30:50,040 --> 01:30:53,880
Speaker 1: I mean, that's it. Um um. If it's a shot,

1622
01:30:54,120 --> 01:30:59,880
Speaker 1: let's go do say you're saying so do say baby.

1623
01:31:01,520 --> 01:31:03,200
Speaker 1: You know what I mean. We gotta do it. You

1624
01:31:03,320 --> 01:31:10,080
Speaker 1: gotta be right out the small flipper. Do let me

1625
01:31:10,080 --> 01:31:16,000
Speaker 1: be a white all right, I'm drinking brown today. This

1626
01:31:16,120 --> 01:31:19,480
Speaker 1: is what we're doing. Man, happy, have the happy quarantine

1627
01:31:20,479 --> 01:31:23,320
Speaker 1: happy every motherfucker being here. You don't want to shot?

1628
01:31:24,960 --> 01:31:31,479
Speaker 1: I mean, I mean we could pure around your cup

1629
01:31:31,520 --> 01:31:36,360
Speaker 1: and do whatever you let me. Let me get ye,

1630
01:31:38,960 --> 01:31:42,040
Speaker 1: let me get That's that's one right there, but that

1631
01:31:42,120 --> 01:31:46,639
Speaker 1: might be too like tall. Yeah, that's ther fin ship.

1632
01:31:46,680 --> 01:31:50,519
Speaker 1: You know. Hey, guys, you could do that one here

1633
01:31:50,600 --> 01:31:53,519
Speaker 1: the plastic joint yeah yeah, yeah, yeah, that's straight from douce.

1634
01:31:55,080 --> 01:31:58,360
Speaker 1: Yeah yeah yeah yeah yeah. Water that we respect. We

1635
01:31:58,439 --> 01:32:00,960
Speaker 1: respect this, by the way, by the way, we respect this,

1636
01:32:01,040 --> 01:32:03,519
Speaker 1: by the way. We want everyone to be careful during

1637
01:32:03,560 --> 01:32:06,760
Speaker 1: this motherfucking time. You know what I'm saying, Um, go

1638
01:32:06,960 --> 01:32:08,960
Speaker 1: to And I just want to tell people like, it's

1639
01:32:09,080 --> 01:32:12,240
Speaker 1: not I don't think the ship spiking up is from

1640
01:32:12,280 --> 01:32:15,680
Speaker 1: people from Miami. It's these motherfucker's visited. Man. Get the fun,

1641
01:32:15,880 --> 01:32:20,519
Speaker 1: go back home, whatever you want, whatever you want, you

1642
01:32:20,560 --> 01:32:22,280
Speaker 1: can do, hold on, hold on, we got wait for

1643
01:32:22,320 --> 01:32:24,120
Speaker 1: the ear for to come back. You don't go yeah,

1644
01:32:24,200 --> 01:32:26,679
Speaker 1: let's do it together college. Because our show was about

1645
01:32:26,760 --> 01:32:32,719
Speaker 1: digging up our artists brow and you are legend, bro ship,

1646
01:32:32,800 --> 01:32:37,960
Speaker 1: You've done You're broken barriers, and you continue to break barriers.

1647
01:32:38,000 --> 01:32:40,479
Speaker 1: There's there's things that you're doing that people can't do.

1648
01:32:41,439 --> 01:32:44,439
Speaker 1: And I wanted That's why I was so adamant and

1649
01:32:44,560 --> 01:32:48,240
Speaker 1: so like emotional about having this. It's because it's not

1650
01:32:48,439 --> 01:32:53,200
Speaker 1: because of our audience. Is because your audience. I want

1651
01:32:53,240 --> 01:32:56,160
Speaker 1: to show you know, I want to say this to you.

1652
01:32:56,200 --> 01:32:59,519
Speaker 1: Know what I'm saying, you agend you a legend, and

1653
01:33:00,040 --> 01:33:04,639
Speaker 1: this platform right here, I recommend every artist that because

1654
01:33:04,640 --> 01:33:06,720
Speaker 1: you know, Normy Hand picks artists to get on here.

1655
01:33:06,800 --> 01:33:10,200
Speaker 1: Let's make that clear. So I'm that, but I want

1656
01:33:10,200 --> 01:33:12,240
Speaker 1: to I want to say that all the other great

1657
01:33:12,320 --> 01:33:15,600
Speaker 1: artists out there, make sure you do drink champs. Let

1658
01:33:15,640 --> 01:33:17,720
Speaker 1: me tell you why this is a sucker free show.

1659
01:33:19,479 --> 01:33:22,200
Speaker 1: Ain't no whole ship on here, you know. And that's

1660
01:33:22,240 --> 01:33:24,439
Speaker 1: what I love about it is because you know, we

1661
01:33:24,560 --> 01:33:29,559
Speaker 1: talked about life music. Um, you give the people their flowers.

1662
01:33:30,000 --> 01:33:32,400
Speaker 1: And at the same time as you get people information

1663
01:33:32,840 --> 01:33:35,040
Speaker 1: you want to know, and you know it's coming from

1664
01:33:35,080 --> 01:33:39,120
Speaker 1: a good place and and and that's important that we

1665
01:33:39,200 --> 01:33:40,639
Speaker 1: do that for each other, you know what I'm saying.

1666
01:33:40,680 --> 01:33:43,360
Speaker 1: So I got nothing but respect and I'm honored to

1667
01:33:43,400 --> 01:33:48,640
Speaker 1: be on here. I appreciate you. So let me just

1668
01:33:48,760 --> 01:33:51,840
Speaker 1: ask you when you got your first number one, right,

1669
01:33:53,360 --> 01:33:56,320
Speaker 1: was that a feeling like I made it? Or was

1670
01:33:56,400 --> 01:33:59,439
Speaker 1: it feeling like it's not enough? Well, um, I was

1671
01:33:59,520 --> 01:34:01,280
Speaker 1: I've been I should have a lot of number one

1672
01:34:01,479 --> 01:34:08,840
Speaker 1: radio number one, you know, because people because there's a

1673
01:34:08,880 --> 01:34:12,280
Speaker 1: Hot one hundred number one, Billboard Hot one hundred number one,

1674
01:34:12,320 --> 01:34:14,800
Speaker 1: and there's Billboard number one, radio number one. Okay, but

1675
01:34:14,880 --> 01:34:17,320
Speaker 1: your first number one like urban. And you know what

1676
01:34:17,320 --> 01:34:19,720
Speaker 1: I'm saying, I've been blessed to have a Hot one

1677
01:34:19,800 --> 01:34:21,559
Speaker 1: hundred number one, and I've been blessed to have an

1678
01:34:21,680 --> 01:34:24,680
Speaker 1: urban number one. I don't rhythmic number one. You know,

1679
01:34:24,760 --> 01:34:28,280
Speaker 1: I don't know why they label radio number one, but

1680
01:34:28,360 --> 01:34:37,479
Speaker 1: whatever they label it, I had it. And the reason

1681
01:34:37,479 --> 01:34:40,920
Speaker 1: why I'm saying that is because I want artists to

1682
01:34:41,000 --> 01:34:46,080
Speaker 1: know it's a blessing to get any number one. It's

1683
01:34:46,080 --> 01:34:50,160
Speaker 1: not about stunting um. But the first time I got

1684
01:34:50,240 --> 01:34:52,360
Speaker 1: my first radio number one was the best feeling in

1685
01:34:52,400 --> 01:34:57,000
Speaker 1: the world. Nor because I come from radio. Let's be clear,

1686
01:34:57,800 --> 01:35:01,800
Speaker 1: You and Ludicrous was probably the only people who transition.

1687
01:35:02,479 --> 01:35:04,960
Speaker 1: We're successful. We you know, we love a lot of

1688
01:35:05,000 --> 01:35:08,920
Speaker 1: people who came from radio transition and went to the

1689
01:35:09,080 --> 01:35:12,000
Speaker 1: artists mode. But a lot of people wasn't taking serious

1690
01:35:12,080 --> 01:35:17,400
Speaker 1: because I think him and are different though that what

1691
01:35:17,479 --> 01:35:19,240
Speaker 1: I mean is, you know, I'm not. What I mean

1692
01:35:19,400 --> 01:35:21,600
Speaker 1: is a lot of other people came from radio and

1693
01:35:21,680 --> 01:35:23,800
Speaker 1: then so many people they were so good at radio

1694
01:35:24,200 --> 01:35:28,320
Speaker 1: that people couldn't take them serious. And this is a

1695
01:35:28,439 --> 01:35:30,800
Speaker 1: different cases where both of them were great. Dude, I

1696
01:35:30,920 --> 01:35:34,560
Speaker 1: think Chris Love Love was great at radio. This is me, me, me,

1697
01:35:35,520 --> 01:35:38,640
Speaker 1: you know, to be I come from straight the streets, right,

1698
01:35:38,840 --> 01:35:41,800
Speaker 1: I'm saying, um, you know, ground up, not saying nobody

1699
01:35:41,840 --> 01:35:44,880
Speaker 1: else did. I'm saying like I came from is a

1700
01:35:44,960 --> 01:35:47,920
Speaker 1: witness to that. You're conking radio. Yeah, no, for sure.

1701
01:35:48,479 --> 01:35:50,200
Speaker 1: You know they told me I couldn't have a radio show.

1702
01:35:50,240 --> 01:35:52,439
Speaker 1: Had the number one radio show for over thirty fourteen

1703
01:35:52,520 --> 01:36:00,080
Speaker 1: years still to this day when I put even me,

1704
01:36:02,880 --> 01:36:05,879
Speaker 1: what I'm trying to tell you is me, the difference

1705
01:36:06,040 --> 01:36:08,320
Speaker 1: is for me, I can speak for caw it is.

1706
01:36:08,840 --> 01:36:13,120
Speaker 1: I didn't let nobody put me in the box. I

1707
01:36:13,200 --> 01:36:14,760
Speaker 1: knew I was gonna be an artist. I knew I

1708
01:36:14,840 --> 01:36:16,120
Speaker 1: was gonna be a great DJ. I knew I was

1709
01:36:16,120 --> 01:36:17,519
Speaker 1: gonna be a producer. I knew I was gonna be

1710
01:36:17,520 --> 01:36:18,960
Speaker 1: a and R. I knew I was gonna be a

1711
01:36:19,040 --> 01:36:21,080
Speaker 1: music exactly. You know what I'm saying. I knew I

1712
01:36:21,160 --> 01:36:23,320
Speaker 1: was gonna be a father. I knew I was gonna

1713
01:36:23,360 --> 01:36:25,280
Speaker 1: be everything I'm doing now and I have a lot

1714
01:36:25,360 --> 01:36:28,320
Speaker 1: more still to do. I knew and when I was

1715
01:36:28,400 --> 01:36:31,080
Speaker 1: coming up, they had people tell me that you will

1716
01:36:31,120 --> 01:36:33,240
Speaker 1: do none of this ship and you should only do

1717
01:36:33,400 --> 01:36:35,800
Speaker 1: one thing and that's it. And I'm like, no, I'm

1718
01:36:35,840 --> 01:36:38,680
Speaker 1: not doing that. I'm doing everything I want to do

1719
01:36:39,320 --> 01:36:41,479
Speaker 1: and I'm gonna do it big, you know I'm saying.

1720
01:36:41,520 --> 01:36:45,240
Speaker 1: So that's this important, man, because you know when it's music.

1721
01:36:45,360 --> 01:36:47,400
Speaker 1: Think about it. I should do street team. I should

1722
01:36:47,400 --> 01:36:50,840
Speaker 1: do street team for for this is the story. I

1723
01:36:50,880 --> 01:36:54,559
Speaker 1: should do street team for uh you know black Moon.

1724
01:36:56,000 --> 01:36:58,080
Speaker 1: You know what I'm saying. I just do everything Shampoo did,

1725
01:36:58,680 --> 01:37:01,880
Speaker 1: Street teams I did in Miami j once if I

1726
01:37:01,960 --> 01:37:04,559
Speaker 1: did it before that, I'm talking about like when before

1727
01:37:04,760 --> 01:37:07,000
Speaker 1: anybody before you knew me what I'm saying, Like I

1728
01:37:07,040 --> 01:37:12,439
Speaker 1: should do street Team Orlando, and yet I was doing

1729
01:37:13,960 --> 01:37:17,040
Speaker 1: the street team I was. You know I come from.

1730
01:37:18,439 --> 01:37:21,000
Speaker 1: I'm hip hop. So what I'm trying to tell you

1731
01:37:21,120 --> 01:37:24,560
Speaker 1: is but music, hip hop music. We could do so

1732
01:37:24,680 --> 01:37:29,280
Speaker 1: many things hip hop. We were executives, were marketers, were

1733
01:37:30,280 --> 01:37:34,120
Speaker 1: a radio programmers. Where why can't you be a DJ

1734
01:37:34,320 --> 01:37:36,760
Speaker 1: and a radio programmer? Why can't you be a DJ

1735
01:37:36,920 --> 01:37:39,600
Speaker 1: and the biggest music executive? Why can't you be a

1736
01:37:39,680 --> 01:37:42,360
Speaker 1: D And that guy runs real estate? Why can't you?

1737
01:37:42,840 --> 01:37:45,160
Speaker 1: You can do whatever you want to do? You know

1738
01:37:45,200 --> 01:37:46,400
Speaker 1: what I'm saying. That's what I'm trying to tell you.

1739
01:37:46,600 --> 01:37:49,360
Speaker 1: But where we come from, it's hip hop, and hip

1740
01:37:49,400 --> 01:37:51,800
Speaker 1: hop doesn't have one thing and so many things we're doing,

1741
01:37:51,920 --> 01:37:54,559
Speaker 1: you need a team. Like if nobody put an album out,

1742
01:37:55,240 --> 01:37:58,240
Speaker 1: somebody got to promote album, right, somebody gotta pass out

1743
01:37:58,240 --> 01:38:01,680
Speaker 1: the flies, right, everybody got different positions? Why can't we

1744
01:38:01,720 --> 01:38:04,320
Speaker 1: do them all? I did them all, you know I'm saying.

1745
01:38:04,320 --> 01:38:06,360
Speaker 1: I never relied on the I never relied on the

1746
01:38:06,400 --> 01:38:08,280
Speaker 1: promoter to hire me. When I used to d J,

1747
01:38:09,320 --> 01:38:11,360
Speaker 1: if Ian would tell you, I never relied on the

1748
01:38:11,400 --> 01:38:16,360
Speaker 1: promoter to hire me to DJ. I promoted my party parties. Yeah,

1749
01:38:17,280 --> 01:38:19,479
Speaker 1: and the fans came out and see me. I became

1750
01:38:19,520 --> 01:38:23,040
Speaker 1: a demand. The promoters want to hire me then, but

1751
01:38:23,120 --> 01:38:25,519
Speaker 1: I still was an entrepreneur. We're doing my parties too.

1752
01:38:26,640 --> 01:38:29,599
Speaker 1: What I'm saying, So, what happens now? Because everything you're

1753
01:38:29,600 --> 01:38:34,040
Speaker 1: saying is fucking so dope? Right, But none of us

1754
01:38:34,080 --> 01:38:37,840
Speaker 1: has been experienced with this COVID nineteen thing, right, none

1755
01:38:37,880 --> 01:38:41,320
Speaker 1: of us? Right, what's the what's the new business model

1756
01:38:41,680 --> 01:38:45,160
Speaker 1: of trying how you to promote your new product? Now?

1757
01:38:45,400 --> 01:38:47,840
Speaker 1: That suppose because you know you said you couldn't really

1758
01:38:48,080 --> 01:38:50,519
Speaker 1: give us all the information of what happened, But let's

1759
01:38:50,520 --> 01:38:54,320
Speaker 1: suppose your strategy of promote when your next single is

1760
01:38:54,400 --> 01:38:58,080
Speaker 1: going to the club's going to Tipico, going to you know, uh,

1761
01:39:00,360 --> 01:39:07,479
Speaker 1: Dominican jumped out of me. I'm sorry, Dominican. Uh, you

1762
01:39:07,520 --> 01:39:09,200
Speaker 1: know what I'm saying, Like, let's most that's how you

1763
01:39:09,400 --> 01:39:11,720
Speaker 1: usually do it, Like you go to mangals and you

1764
01:39:11,840 --> 01:39:14,439
Speaker 1: go to you know whatever whatever, Right, but now we

1765
01:39:14,560 --> 01:39:18,120
Speaker 1: can't do that. How do we? I mean we have Drake.

1766
01:39:18,160 --> 01:39:19,960
Speaker 1: We made it clear that we have Drake the next

1767
01:39:20,000 --> 01:39:22,840
Speaker 1: single one. How do you how do you? How do you? Um?

1768
01:39:23,760 --> 01:39:26,680
Speaker 1: Are you thinking about the next Msiness model? Yeah? How

1769
01:39:26,720 --> 01:39:28,840
Speaker 1: do how do we have that plane go by? Yeah?

1770
01:39:28,840 --> 01:39:36,719
Speaker 1: That's right, that's right. I love your um. I never

1771
01:39:38,200 --> 01:39:42,560
Speaker 1: right now the pandemic. Thank you God. I am so

1772
01:39:42,800 --> 01:39:47,840
Speaker 1: grateful for you because you know, I know it's hard

1773
01:39:47,920 --> 01:39:52,160
Speaker 1: time for a lot of people and it's tougher, but

1774
01:39:52,240 --> 01:39:54,240
Speaker 1: I know we're gonna come out this stronger, better and

1775
01:39:54,360 --> 01:39:58,400
Speaker 1: greater because this is gonna make us greater because we're

1776
01:39:58,439 --> 01:40:02,599
Speaker 1: all experiencing this same thing at the same time. It's

1777
01:40:02,680 --> 01:40:04,920
Speaker 1: like rama Don for the world, for the world. So

1778
01:40:05,120 --> 01:40:12,400
Speaker 1: now did I just kill That's beautiful? I me coming

1779
01:40:12,439 --> 01:40:16,479
Speaker 1: up in the game. I never relied on the show

1780
01:40:17,439 --> 01:40:23,439
Speaker 1: m to pay my bills, even though even though I'm

1781
01:40:23,439 --> 01:40:27,840
Speaker 1: booked seven days a week. Not right now, because nobody

1782
01:40:27,840 --> 01:40:29,839
Speaker 1: to do. What I'm saying is but I always told myself,

1783
01:40:30,840 --> 01:40:35,560
Speaker 1: never rely on that ship because God forbid something like

1784
01:40:35,720 --> 01:40:40,280
Speaker 1: this happened. You're in trouble. What I'm saying, so I

1785
01:40:40,360 --> 01:40:42,280
Speaker 1: never relied. I so I always do so many things

1786
01:40:42,320 --> 01:40:45,559
Speaker 1: that goes back to me saying, don't just do one thing. Um,

1787
01:40:46,600 --> 01:40:49,599
Speaker 1: I feel like the pandemic. Social media is more than

1788
01:40:49,640 --> 01:40:52,519
Speaker 1: anything right now right and always the big thing because

1789
01:40:52,520 --> 01:40:57,120
Speaker 1: social media is everything basic but more than ever now correct.

1790
01:40:59,160 --> 01:41:03,120
Speaker 1: So what I'm saying, content goes through social media, Messages

1791
01:41:03,160 --> 01:41:07,000
Speaker 1: go through social media. UM. You know, we hope everybody

1792
01:41:07,120 --> 01:41:10,680
Speaker 1: puts out positivity through social media. Unfortunately, you have some

1793
01:41:10,800 --> 01:41:13,080
Speaker 1: negatives that we don't want to see, but we want

1794
01:41:13,160 --> 01:41:15,320
Speaker 1: more positive. What I'm trying to tell you is we

1795
01:41:15,479 --> 01:41:18,320
Speaker 1: have to now be creative. I'm saying, like, do social media.

1796
01:41:18,760 --> 01:41:22,440
Speaker 1: I did the other day, I did three Zoom concerts.

1797
01:41:24,200 --> 01:41:26,560
Speaker 1: They hired me for three Zoom concerts. You know what

1798
01:41:26,560 --> 01:41:28,920
Speaker 1: I'm saying. It was, did a show from my backyard?

1799
01:41:29,680 --> 01:41:32,840
Speaker 1: You know, did a calg artist set, slash DJ set?

1800
01:41:33,439 --> 01:41:36,400
Speaker 1: You know what I'm saying. Did that? Um? If it's

1801
01:41:36,439 --> 01:41:39,240
Speaker 1: promoting something we use our social media, we got. If

1802
01:41:39,240 --> 01:41:42,320
Speaker 1: it's music, you know what I'm saying. Um, thank God,

1803
01:41:43,000 --> 01:41:45,000
Speaker 1: you know the world changed. It's on streaming. Now you

1804
01:41:45,080 --> 01:41:47,080
Speaker 1: listen to your music. It's not like you you were

1805
01:41:47,120 --> 01:41:48,840
Speaker 1: allowed to jump on your car to listen to music.

1806
01:41:49,160 --> 01:41:50,840
Speaker 1: You can just grab your phone and this set the music.

1807
01:41:51,040 --> 01:41:54,840
Speaker 1: There's no excuse. But now, but that this shows you

1808
01:41:54,960 --> 01:41:59,080
Speaker 1: who's right. It shows you use a hug. Right now,

1809
01:41:59,120 --> 01:42:01,240
Speaker 1: we're doing drink h We're gonna be able to stream

1810
01:42:01,280 --> 01:42:04,120
Speaker 1: this on Title correct. We'll be able to see this

1811
01:42:04,200 --> 01:42:09,640
Speaker 1: on Revolt correct. Okay, you know what I'm saying. So

1812
01:42:10,200 --> 01:42:13,680
Speaker 1: we're not stop hushling. Now think about it. You built this,

1813
01:42:14,640 --> 01:42:16,360
Speaker 1: You're still gonna be able to a matter of fact,

1814
01:42:16,400 --> 01:42:19,000
Speaker 1: you might have more viewers. Now, that's what they say,

1815
01:42:19,360 --> 01:42:22,640
Speaker 1: because everybody's sitting down. Well, you would hope come to

1816
01:42:22,760 --> 01:42:26,880
Speaker 1: the right content boom boom. But you have to look

1817
01:42:26,920 --> 01:42:29,840
Speaker 1: past this ship me, I look past the pandemic right now.

1818
01:42:29,880 --> 01:42:32,120
Speaker 1: I'm looking to build my empire. Right now. I'm out

1819
01:42:32,120 --> 01:42:35,240
Speaker 1: of place in my life where we're so blessed that

1820
01:42:36,120 --> 01:42:39,560
Speaker 1: I'd be crazy not to level up even more. That

1821
01:42:40,320 --> 01:42:45,559
Speaker 1: means I'd be just lazy. I can't do that. I'm

1822
01:42:45,560 --> 01:42:47,360
Speaker 1: about to go to the I'm a student of jay

1823
01:42:47,479 --> 01:42:53,360
Speaker 1: Z Puff Daddy shout out my brother Joe crack um

1824
01:42:53,760 --> 01:42:57,280
Speaker 1: and I'm student to like you know, jay Z Puff

1825
01:42:57,320 --> 01:42:59,360
Speaker 1: and Joe. He's at my brothers watching out like a

1826
01:42:59,439 --> 01:43:01,240
Speaker 1: quincy Joe. Once I look up to a doctor, Trey

1827
01:43:01,280 --> 01:43:03,479
Speaker 1: I look up to I am a student. I'd be

1828
01:43:03,640 --> 01:43:05,960
Speaker 1: crazy where I'm at my career right now because I'm

1829
01:43:05,960 --> 01:43:09,200
Speaker 1: not not the level up. Even more, I know what

1830
01:43:09,280 --> 01:43:11,040
Speaker 1: I gotta do. I'm about the level up. I'm about

1831
01:43:11,040 --> 01:43:12,680
Speaker 1: to take it to the next level. You're gonna see it.

1832
01:43:12,840 --> 01:43:15,240
Speaker 1: And it's a new decade, So we gotta go to

1833
01:43:15,360 --> 01:43:18,439
Speaker 1: the next level. So I'm looking past this ship. What

1834
01:43:18,479 --> 01:43:21,280
Speaker 1: I'm saying, Um, but we gotta we got we we

1835
01:43:21,360 --> 01:43:23,719
Speaker 1: we gotta learn a lot from what happened with this pandemic.

1836
01:43:24,320 --> 01:43:28,360
Speaker 1: We have to learn because we're not in the club,

1837
01:43:29,160 --> 01:43:32,400
Speaker 1: We're not in the stadium, we're not in the arena,

1838
01:43:33,320 --> 01:43:37,720
Speaker 1: we're not hosting a uh doing a walk that their

1839
01:43:37,840 --> 01:43:43,120
Speaker 1: life is based on just music. Put out hits, put

1840
01:43:43,160 --> 01:43:48,120
Speaker 1: out great music. And I recommend you to put out music.

1841
01:43:48,520 --> 01:43:50,679
Speaker 1: And I recommend it, and I pick up every artist

1842
01:43:50,760 --> 01:43:55,000
Speaker 1: out there. Everybody doing amazing job. I'm inspired by everybody.

1843
01:43:55,920 --> 01:43:58,400
Speaker 1: You know what I mean. Um, I wanna I want

1844
01:43:58,439 --> 01:44:01,439
Speaker 1: to push all of us, all of us to do

1845
01:44:01,600 --> 01:44:04,400
Speaker 1: even more. Um, put out records that's gonna be we

1846
01:44:04,479 --> 01:44:08,960
Speaker 1: can hear twenty years from now. Let's put out records

1847
01:44:09,000 --> 01:44:11,120
Speaker 1: that we're gonna hear twenty years from now. When I

1848
01:44:11,200 --> 01:44:14,160
Speaker 1: make records, I make sure I try my hardest and

1849
01:44:14,200 --> 01:44:16,759
Speaker 1: I hope that it connects, that it can play twenty

1850
01:44:16,840 --> 01:44:19,479
Speaker 1: years from now. You know you talked about we're taking over.

1851
01:44:19,600 --> 01:44:21,840
Speaker 1: That's a long time ago. You know what I'm saying,

1852
01:44:21,840 --> 01:44:24,599
Speaker 1: All the doers win, that's a long time ago. Wild thoughts,

1853
01:44:24,680 --> 01:44:27,439
Speaker 1: that's a long time ago. I'm on one, that's a

1854
01:44:27,520 --> 01:44:30,599
Speaker 1: long time ago. You know your records, those are classics,

1855
01:44:31,320 --> 01:44:36,240
Speaker 1: they played forever, and us as producers, DJs and artists,

1856
01:44:36,680 --> 01:44:40,120
Speaker 1: we're all doing great, all doing great. We are blessed.

1857
01:44:40,640 --> 01:44:43,360
Speaker 1: Let's push each other even harder. Now that's that's you

1858
01:44:43,439 --> 01:44:47,040
Speaker 1: know icons like you y'all open these doors and uh

1859
01:44:47,640 --> 01:44:50,240
Speaker 1: other great icons. But when I listen to those records,

1860
01:44:50,240 --> 01:44:52,439
Speaker 1: I'd like, damn, you know, I want to make sure

1861
01:44:52,439 --> 01:44:55,519
Speaker 1: I can hear my record, honey, years from now, twenty

1862
01:44:55,640 --> 01:44:58,960
Speaker 1: years from now. You know what I'm saying, that's so important,

1863
01:44:59,200 --> 01:45:01,479
Speaker 1: you know, saying, because heard doctor Dre. I think he

1864
01:45:01,520 --> 01:45:04,960
Speaker 1: said a lot of um quantity, but we need more.

1865
01:45:06,040 --> 01:45:08,320
Speaker 1: Um yeah, you know what I'm saying. It's just because

1866
01:45:08,320 --> 01:45:11,960
Speaker 1: it's so much and everybody's doing such a great job,

1867
01:45:12,800 --> 01:45:16,320
Speaker 1: because hip hop has grown, and that's a blessing to

1868
01:45:16,439 --> 01:45:20,120
Speaker 1: know that hip hop grows. Hip Hop is everywhere, not

1869
01:45:20,240 --> 01:45:27,720
Speaker 1: just if is everywhere. That's a blessing. Let's keep Let's

1870
01:45:27,800 --> 01:45:31,840
Speaker 1: keep being grateful and and for the opportunity, and let's

1871
01:45:31,880 --> 01:45:34,479
Speaker 1: let's keep doing what hip hop get for us. Let's

1872
01:45:34,479 --> 01:45:41,600
Speaker 1: do for hip hop. Picture with him and Dre and

1873
01:45:42,240 --> 01:45:45,439
Speaker 1: no no, I mean I'm just talking about picture right

1874
01:45:45,800 --> 01:45:49,479
Speaker 1: because we don't we don't know abum yeah, we don't

1875
01:45:49,479 --> 01:45:51,840
Speaker 1: know where the Kanye and the Dre album looks. Right

1876
01:45:52,120 --> 01:45:56,639
Speaker 1: when you see the snoop and um Dre. So many

1877
01:45:56,680 --> 01:45:58,680
Speaker 1: people hit me and be like yo, what's up you?

1878
01:45:58,840 --> 01:46:01,280
Speaker 1: And for real, like room do you think? Who do

1879
01:46:01,320 --> 01:46:04,360
Speaker 1: you think is? You're like, I'm going to God when

1880
01:46:04,400 --> 01:46:07,200
Speaker 1: it's the time for a hit? Who is your number? One?

1881
01:46:07,640 --> 01:46:11,280
Speaker 1: I mean, I don't want you to be biased for you,

1882
01:46:11,600 --> 01:46:15,960
Speaker 1: this is I got, I got, I want you big one. No, no, no, no,

1883
01:46:16,040 --> 01:46:18,360
Speaker 1: You're gotta be careful. You gotta be careful that we do.

1884
01:46:19,160 --> 01:46:22,439
Speaker 1: I got so many beautiful friends, but so many beautiful

1885
01:46:22,439 --> 01:46:25,840
Speaker 1: friends that we make kids together. But right now I can't.

1886
01:46:26,760 --> 01:46:30,280
Speaker 1: I can't. No, I can't because I got too much love.

1887
01:46:30,360 --> 01:46:34,200
Speaker 1: Because obviously I make massive hits with Drake, I make

1888
01:46:34,280 --> 01:46:37,559
Speaker 1: massive hits with jay Z and Beyonce. I make massive

1889
01:46:37,640 --> 01:46:39,960
Speaker 1: hits with Rihanna. I make massive hits with Little Wayne.

1890
01:46:40,240 --> 01:46:42,840
Speaker 1: I make massive hits with Ross and make massihits with Future.

1891
01:46:42,840 --> 01:46:46,120
Speaker 1: I make massive with Chris Brown, I make I got

1892
01:46:46,160 --> 01:46:48,800
Speaker 1: too many artists at work with. So what's your what's

1893
01:46:48,840 --> 01:46:52,680
Speaker 1: your number one dream record? Maybe it's if somebody you

1894
01:46:52,800 --> 01:46:56,479
Speaker 1: never had before. Let's talk about the people I never want.

1895
01:46:57,960 --> 01:47:00,680
Speaker 1: I'm his friend. We've talked several times. She queered my

1896
01:47:00,720 --> 01:47:04,400
Speaker 1: sample for my last album. UM, I've always said I

1897
01:47:04,400 --> 01:47:06,560
Speaker 1: wanted to record. I want to do a show. Thank you,

1898
01:47:06,680 --> 01:47:08,360
Speaker 1: thank you. I want to I want to go a

1899
01:47:08,400 --> 01:47:13,759
Speaker 1: couple of times. Appreciate, appreciate. I was also sooning you videos.

1900
01:47:14,120 --> 01:47:16,320
Speaker 1: I'm so glad you didn't posted me because I was.

1901
01:47:16,479 --> 01:47:19,640
Speaker 1: I was dancing to it. I said post this. I

1902
01:47:19,760 --> 01:47:22,240
Speaker 1: love this record, though, but I want to work with Andre.

1903
01:47:22,479 --> 01:47:25,759
Speaker 1: What I'm saying, um, I want to work with Rihanna again.

1904
01:47:26,200 --> 01:47:28,599
Speaker 1: What I'm saying, I want to work with Rihanna again.

1905
01:47:28,680 --> 01:47:30,680
Speaker 1: It's like it's something I really really want to do.

1906
01:47:31,360 --> 01:47:33,720
Speaker 1: Um for a lot of reasons. I'm a fan. I

1907
01:47:33,840 --> 01:47:36,639
Speaker 1: love her. She she she shows me so much love.

1908
01:47:37,000 --> 01:47:40,040
Speaker 1: But we made such a big record together. We made

1909
01:47:40,080 --> 01:47:42,439
Speaker 1: such a big record together, and I believe in you know,

1910
01:47:42,520 --> 01:47:44,920
Speaker 1: when you got that great chemistry. You know what I'm saying,

1911
01:47:45,000 --> 01:47:48,719
Speaker 1: why not give him up another one? What I'm saying,

1912
01:47:48,840 --> 01:47:51,040
Speaker 1: let's do another one. You know what I'm saying. So

1913
01:47:51,160 --> 01:47:54,760
Speaker 1: it's like I would love you know, Um, I want

1914
01:47:54,800 --> 01:47:56,160
Speaker 1: to do something with that that Dre mean. You know

1915
01:47:56,200 --> 01:48:01,160
Speaker 1: I was told Dre me and Dre talk several times

1916
01:48:01,360 --> 01:48:03,320
Speaker 1: and he told me, when you're ready, come check me.

1917
01:48:03,400 --> 01:48:05,320
Speaker 1: I'm saying, so I might. I want to make sure

1918
01:48:05,320 --> 01:48:07,400
Speaker 1: when I come do him, I come with something that

1919
01:48:07,479 --> 01:48:10,960
Speaker 1: we can collaborate. You know, that would make history. You

1920
01:48:10,960 --> 01:48:14,760
Speaker 1: know what I'm saying. Um, Yeah, you know what I'm

1921
01:48:14,760 --> 01:48:17,519
Speaker 1: saying that I think those are great names. Let me

1922
01:48:17,560 --> 01:48:20,280
Speaker 1: ask let's just say the next DJ, the kid that

1923
01:48:20,400 --> 01:48:22,960
Speaker 1: wants to be just like you, what is the business

1924
01:48:23,040 --> 01:48:27,360
Speaker 1: model that you do that nobody understands? How does a

1925
01:48:27,560 --> 01:48:33,080
Speaker 1: DJ producer make money doing these projects. As people would say, well,

1926
01:48:33,120 --> 01:48:36,439
Speaker 1: you maybe you gotta pay all the features. I mean producer,

1927
01:48:36,680 --> 01:48:39,360
Speaker 1: I mean as a producer, like if you you know,

1928
01:48:39,560 --> 01:48:42,040
Speaker 1: getting beat some people's albums. Me, when I came up

1929
01:48:42,080 --> 01:48:46,080
Speaker 1: in the game, I didn't charge no one but your

1930
01:48:46,080 --> 01:48:49,160
Speaker 1: A projects. I was wanting to say, It's like and

1931
01:48:49,280 --> 01:48:50,760
Speaker 1: a lot of Um, I didn't charge no one, but

1932
01:48:50,800 --> 01:48:53,880
Speaker 1: I got my publishing. You wanted to get the places

1933
01:48:54,439 --> 01:48:57,320
Speaker 1: people I always charged nobody because he's gonna get the published.

1934
01:48:57,400 --> 01:48:58,960
Speaker 1: Somebody paid me is because they loved me, and that

1935
01:48:59,040 --> 01:49:01,439
Speaker 1: he's paid me no matter what I asked for it. Um.

1936
01:49:01,600 --> 01:49:03,200
Speaker 1: But to my day, I would get my publishing. And

1937
01:49:03,240 --> 01:49:06,280
Speaker 1: I'm saying, um, so you know why did you do that?

1938
01:49:06,960 --> 01:49:08,519
Speaker 1: I mean, I just felt like I wanted to pay

1939
01:49:08,560 --> 01:49:10,960
Speaker 1: my dues and keep going. And it's like, do I

1940
01:49:11,040 --> 01:49:13,639
Speaker 1: care about ten thousand dollars? Do I care about fifteen?

1941
01:49:13,720 --> 01:49:15,400
Speaker 1: Do I care about five thousand? And in a time

1942
01:49:15,439 --> 01:49:18,760
Speaker 1: will come forty? It grows. But I'm talking about if

1943
01:49:18,840 --> 01:49:20,800
Speaker 1: I knew that I would get my publishing, and I

1944
01:49:20,880 --> 01:49:23,080
Speaker 1: know my relationship will grow. And I know if you

1945
01:49:23,160 --> 01:49:26,080
Speaker 1: have a good relationship, even if you don't charge they

1946
01:49:26,120 --> 01:49:30,000
Speaker 1: want you to make money because it's I'm not saying,

1947
01:49:30,240 --> 01:49:33,280
Speaker 1: you know it's wrong. The charge I'm just saying at

1948
01:49:33,320 --> 01:49:36,880
Speaker 1: the end of the day is, you know, and I'm

1949
01:49:36,880 --> 01:49:38,720
Speaker 1: talking about when I first started. I still do it

1950
01:49:40,160 --> 01:49:42,479
Speaker 1: like right now, if I gave you a record, I'm

1951
01:49:42,479 --> 01:49:46,040
Speaker 1: not charging you. I'm not charging noriega. I know I'm

1952
01:49:46,040 --> 01:49:49,160
Speaker 1: gonna getting my publishing whatever. That's you know that business

1953
01:49:49,240 --> 01:49:52,639
Speaker 1: model for the four albums on my albums is each

1954
01:49:52,680 --> 01:50:01,720
Speaker 1: thing is different. Um nine nine point nine is relationships.

1955
01:50:02,360 --> 01:50:06,040
Speaker 1: But we do make money together because we own our

1956
01:50:06,120 --> 01:50:09,840
Speaker 1: publisher's publishing, her publishing, my publishing, and we all split

1957
01:50:09,880 --> 01:50:12,040
Speaker 1: our publishing and we pray the record get bigger, the

1958
01:50:12,080 --> 01:50:14,080
Speaker 1: record get big that that money he was gonna give

1959
01:50:14,160 --> 01:50:16,439
Speaker 1: him a peanuts compared to the money that will grow

1960
01:50:16,479 --> 01:50:18,719
Speaker 1: when this ship is huge. You know what I'm saying.

1961
01:50:18,920 --> 01:50:22,760
Speaker 1: And I'm not saying, oh, don't charge for your beats. Nah,

1962
01:50:22,880 --> 01:50:24,920
Speaker 1: But I know if you have a good relationship with artists,

1963
01:50:25,479 --> 01:50:27,479
Speaker 1: you know that artist, if you make so many records,

1964
01:50:27,680 --> 01:50:29,679
Speaker 1: you don't have to tell him to pay. He's gonna

1965
01:50:29,680 --> 01:50:31,760
Speaker 1: pay you because he wanted he just he just he

1966
01:50:32,160 --> 01:50:34,679
Speaker 1: love you, she loves you. You know what I'm saying,

1967
01:50:34,800 --> 01:50:36,920
Speaker 1: but yes, you can charge. It's nothing wrong with that.

1968
01:50:37,640 --> 01:50:42,280
Speaker 1: I'm saying me, I didn't call Kala, didn't Now if

1969
01:50:42,320 --> 01:50:45,800
Speaker 1: I don't know you, like if you if I don't

1970
01:50:45,840 --> 01:50:48,400
Speaker 1: know you, Yeah, it's different. But the takeaway is that

1971
01:50:48,479 --> 01:50:51,720
Speaker 1: publishing is the long term. Yeah, it's a long term

1972
01:50:51,720 --> 01:50:53,519
Speaker 1: because it's forever. That's why I tell you to make

1973
01:50:53,600 --> 01:50:57,439
Speaker 1: records that last forever. Make copyright records. Like every day

1974
01:50:57,800 --> 01:51:00,559
Speaker 1: I get a hundred emails about somebody want to licensed

1975
01:51:00,600 --> 01:51:03,639
Speaker 1: by records. Every day I get like, if I don't

1976
01:51:03,640 --> 01:51:06,160
Speaker 1: get twenty emails a day about songs I want to

1977
01:51:06,200 --> 01:51:08,800
Speaker 1: get licensed every day, I get it. You know what

1978
01:51:08,800 --> 01:51:11,400
Speaker 1: I'm saying, licensed, license, like that. But that's just a

1979
01:51:11,520 --> 01:51:14,439
Speaker 1: certain part of of earnings. There's other earnings and what

1980
01:51:14,439 --> 01:51:19,040
Speaker 1: I'm saying radio performances, you know, you know licensing, Um,

1981
01:51:19,160 --> 01:51:22,000
Speaker 1: you know, just the royalties off the albums, how much

1982
01:51:22,040 --> 01:51:24,719
Speaker 1: it sells, and you know, obviously if it's your own album,

1983
01:51:24,720 --> 01:51:27,160
Speaker 1: you gotta recoup what you put in, and then you

1984
01:51:27,200 --> 01:51:29,800
Speaker 1: start profiting after you put in. What I'm saying, Um,

1985
01:51:29,920 --> 01:51:32,160
Speaker 1: so some people like to spend big, you know what

1986
01:51:32,200 --> 01:51:34,320
Speaker 1: I mean. And then you know, if you make time

1987
01:51:34,360 --> 01:51:36,240
Speaker 1: this music. You're gonna make the money back pus a

1988
01:51:36,320 --> 01:51:39,400
Speaker 1: lot more. That's why I saw amazing to have catalog.

1989
01:51:39,439 --> 01:51:42,040
Speaker 1: I have a big catalog. I got eleven albums, So

1990
01:51:42,360 --> 01:51:47,280
Speaker 1: imagine all those records, A lot of those records on

1991
01:51:47,360 --> 01:51:50,240
Speaker 1: each album at least three or four big hits, right,

1992
01:51:50,479 --> 01:51:53,920
Speaker 1: So I'm saying they last forever. Thank you God. What

1993
01:51:53,960 --> 01:51:56,840
Speaker 1: I'm saying like, you know what I'm saying, Like, that's

1994
01:51:56,880 --> 01:51:59,920
Speaker 1: the keys, You know what I mean, that's the key

1995
01:52:00,000 --> 01:52:03,640
Speaker 1: you like forever, You're gonna hear the records. You're for real,

1996
01:52:03,720 --> 01:52:06,439
Speaker 1: did forever? You what I'm saying that it's nothing, you

1997
01:52:06,520 --> 01:52:10,719
Speaker 1: know what I mean, It's just the way it is. Please, buddy,

1998
01:52:11,800 --> 01:52:14,879
Speaker 1: how are you sober and walking into ship? I understand.

1999
01:52:15,320 --> 01:52:18,160
Speaker 1: Let's leave that for the drug people. Bro, you're bugging,

2000
01:52:18,520 --> 01:52:25,840
Speaker 1: so go it. What is your favorite part of the game, man? Like, like,

2001
01:52:26,160 --> 01:52:29,800
Speaker 1: is it is it? Is it making the records? Or

2002
01:52:29,880 --> 01:52:32,240
Speaker 1: is it performing the records? And that's a trick for you.

2003
01:52:32,640 --> 01:52:35,120
Speaker 1: My favorite part of the game is when they tell

2004
01:52:35,160 --> 01:52:39,720
Speaker 1: me I can't do something. I mean, they say, you

2005
01:52:39,840 --> 01:52:42,280
Speaker 1: can't do it again, can't make this record, you can't

2006
01:52:42,320 --> 01:52:45,400
Speaker 1: pull this off, you can't do this you can't do that.

2007
01:52:46,200 --> 01:52:51,720
Speaker 1: You can't you can't become this, you can't that if

2008
01:52:51,760 --> 01:52:53,519
Speaker 1: you don't know Cali by now, if you tell me that,

2009
01:52:53,680 --> 01:52:55,200
Speaker 1: it might be the worst thing you ever say in

2010
01:52:55,200 --> 01:53:00,439
Speaker 1: your life, because now it's gonna get done and you

2011
01:53:00,560 --> 01:53:03,840
Speaker 1: just feel me to do it better. Yeah, it's like

2012
01:53:04,040 --> 01:53:08,439
Speaker 1: it's like you practice something. You know what I'm saying.

2013
01:53:10,320 --> 01:53:19,360
Speaker 1: So we're all going on. Did you see what happened

2014
01:53:19,400 --> 01:53:25,799
Speaker 1: with Swiss and uh Drake? I've seen um the blogs

2015
01:53:26,800 --> 01:53:32,080
Speaker 1: bogs and that was Do you think that, um? Because

2016
01:53:32,160 --> 01:53:35,639
Speaker 1: you have a wonderful relationship with Drake right, beautiful relations

2017
01:53:37,320 --> 01:53:40,720
Speaker 1: So I have a relationship with Swiss beats, beautiful relations relationship,

2018
01:53:40,960 --> 01:53:44,040
Speaker 1: So I can't see where they went wrong. Do you

2019
01:53:44,120 --> 01:53:46,320
Speaker 1: don't know nothing about it? I don't know nothing about No,

2020
01:53:46,479 --> 01:53:48,280
Speaker 1: I swear my mom and my kids. I don't know

2021
01:53:48,439 --> 01:53:50,920
Speaker 1: nothing about it. Called for I don't know nothing about it,

2022
01:53:51,120 --> 01:53:54,360
Speaker 1: um um, But you know I always pray for it

2023
01:53:54,479 --> 01:53:56,800
Speaker 1: at the hell if it's UM, I don't know what

2024
01:53:56,920 --> 01:53:58,759
Speaker 1: that what it is, I don't know. So I couldn't

2025
01:53:58,760 --> 01:54:01,080
Speaker 1: even I can't even come on it. But as a

2026
01:54:01,280 --> 01:54:04,639
Speaker 1: as a friend, as a brother, I wish beautiful guys

2027
01:54:04,960 --> 01:54:07,240
Speaker 1: and I pray to God that gets healed. What I'm saying,

2028
01:54:07,840 --> 01:54:13,920
Speaker 1: Um yeah, people, I suppoke to Sweat and I spoke

2029
01:54:14,000 --> 01:54:17,000
Speaker 1: to forty. Um. I didn't get a chance to speak

2030
01:54:17,000 --> 01:54:21,400
Speaker 1: to jobs. Great guy, um Buster told me spooked the chobs.

2031
01:54:21,720 --> 01:54:23,839
Speaker 1: But I wanted to nip that in the button immediately

2032
01:54:24,360 --> 01:54:27,200
Speaker 1: as a person that's hip hop and bassador. You should

2033
01:54:27,240 --> 01:54:29,160
Speaker 1: do that because you know, people know I tried to.

2034
01:54:29,320 --> 01:54:32,720
Speaker 1: I try immediately, and yeah, I do it all the

2035
01:54:32,800 --> 01:54:34,800
Speaker 1: time like that. That's just what it is. That's why

2036
01:54:34,840 --> 01:54:38,040
Speaker 1: I broke up. You know, the jeezy and most thing

2037
01:54:38,480 --> 01:54:41,880
Speaker 1: earlier is because I feel like we need more people

2038
01:54:41,960 --> 01:54:45,680
Speaker 1: like us. The thing is we respect love. Of course,

2039
01:54:45,760 --> 01:54:50,120
Speaker 1: you don't want listen, guys, we want love, man, you

2040
01:54:50,200 --> 01:54:52,520
Speaker 1: know what I mean straight up, especially in a time

2041
01:54:52,640 --> 01:54:55,920
Speaker 1: like this. Look what's going on in the world where like,

2042
01:54:56,320 --> 01:54:58,880
Speaker 1: if you don't want love right now and you ain't

2043
01:54:58,880 --> 01:55:01,320
Speaker 1: never been about love, that's that's what's gonna make the

2044
01:55:01,360 --> 01:55:04,440
Speaker 1: world survived, is love. You know what I'm saying. We

2045
01:55:04,480 --> 01:55:07,440
Speaker 1: gotta unify, we gotta be together. We need to listen

2046
01:55:07,520 --> 01:55:09,960
Speaker 1: to listen. I know you hear call and say love

2047
01:55:10,440 --> 01:55:14,120
Speaker 1: all the time. I mean it, I live it. Know

2048
01:55:14,120 --> 01:55:16,800
Speaker 1: what I'm saying. It's impooring that we love each other.

2049
01:55:17,200 --> 01:55:20,400
Speaker 1: You know, we're all human. We all human, we all

2050
01:55:20,640 --> 01:55:23,000
Speaker 1: sometimes get out of characters. Sometimes it's and not that,

2051
01:55:23,400 --> 01:55:26,160
Speaker 1: but we need somebody beside us to either fix it

2052
01:55:26,360 --> 01:55:28,240
Speaker 1: or hear it up. But we need to. We we

2053
01:55:28,320 --> 01:55:31,480
Speaker 1: gotta love each other. And I know it sounds easy,

2054
01:55:31,600 --> 01:55:34,360
Speaker 1: but I I we we we gotta love each other. Man,

2055
01:55:34,400 --> 01:55:37,160
Speaker 1: look at the world going through man God forbid tomorrow

2056
01:55:37,240 --> 01:55:39,480
Speaker 1: they say he is in this motherfucker Now you know

2057
01:55:39,520 --> 01:55:41,040
Speaker 1: what's just sitting there like I don't know it. Like

2058
01:55:41,120 --> 01:55:43,640
Speaker 1: I'm just being I got kids, what I'm saying. You know,

2059
01:55:43,880 --> 01:55:47,240
Speaker 1: I got kids, So I look at everything different. I

2060
01:55:47,360 --> 01:55:52,560
Speaker 1: look at everything different. Um. You know, so a lot

2061
01:55:52,600 --> 01:55:54,160
Speaker 1: of times I don't even like do an interview because

2062
01:55:54,160 --> 01:55:56,400
Speaker 1: I don't want to be asked about somebody else's stuff,

2063
01:55:57,080 --> 01:55:58,800
Speaker 1: you know. And I'm not the saying because you brought

2064
01:55:58,840 --> 01:56:00,400
Speaker 1: it up. Now, I'm just saying, it's like because at

2065
01:56:00,400 --> 01:56:02,600
Speaker 1: the end of the day is your shows would love

2066
01:56:02,760 --> 01:56:05,280
Speaker 1: so I know it pop. But people, I could switch

2067
01:56:05,360 --> 01:56:10,640
Speaker 1: it up and twitch it up and do suing. Not you,

2068
01:56:10,760 --> 01:56:12,840
Speaker 1: I'm talking about it. But that's what that's how this

2069
01:56:12,960 --> 01:56:17,040
Speaker 1: game is and we don't need that. What I'm saying,

2070
01:56:17,600 --> 01:56:20,800
Speaker 1: you know, we gotting it up like the thing is

2071
01:56:21,160 --> 01:56:24,520
Speaker 1: like for one thing, like when you kept posting right, um,

2072
01:56:25,000 --> 01:56:27,960
Speaker 1: no more shots, let's do it. I got one more

2073
01:56:28,000 --> 01:56:31,520
Speaker 1: shot left to me, a couple more questions and that's it. College.

2074
01:56:31,880 --> 01:56:33,240
Speaker 1: You know we were waiting for you. Let me just

2075
01:56:33,320 --> 01:56:37,600
Speaker 1: tell you something, Bro, You're a legend. Can you just spelled?

2076
01:56:38,400 --> 01:56:40,680
Speaker 1: You're the rumor that you thought it was. He wasn't

2077
01:56:40,720 --> 01:56:43,880
Speaker 1: coming because of me. I don't know what I say.

2078
01:56:44,840 --> 01:56:48,840
Speaker 1: You know what I had to bother My partner had

2079
01:56:48,920 --> 01:56:53,200
Speaker 1: to actually actually it was super excited to do this

2080
01:56:53,240 --> 01:56:54,600
Speaker 1: show because I know he knows a lot of the

2081
01:56:54,680 --> 01:56:58,760
Speaker 1: history of from from the beginning, you know what I'm saying,

2082
01:56:58,800 --> 01:57:01,880
Speaker 1: like beautiful cream and because you know he knows about

2083
01:57:01,920 --> 01:57:04,280
Speaker 1: all that, you know we should uh go right there

2084
01:57:04,320 --> 01:57:07,760
Speaker 1: and fifth in Washington and the records and promoters from

2085
01:57:07,760 --> 01:57:09,600
Speaker 1: the back of the trunk. You know it's so much

2086
01:57:10,880 --> 01:57:15,920
Speaker 1: we all but just go go DJ's I'm sorry, what

2087
01:57:16,000 --> 01:57:17,720
Speaker 1: do you say? That's how we all through the all

2088
01:57:17,760 --> 01:57:21,280
Speaker 1: of you got that we were Google in one b

2089
01:57:21,400 --> 01:57:24,120
Speaker 1: see in Baltimore, boy, shake ship. It's not go go

2090
01:57:24,800 --> 01:57:27,680
Speaker 1: it's Miami basies de ga me base. I'm sorry, that's

2091
01:57:27,720 --> 01:57:31,720
Speaker 1: it kind of sorry. We're going to jump me right now.

2092
01:57:33,600 --> 01:57:35,240
Speaker 1: We're not go d you know what I mean? Like

2093
01:57:35,720 --> 01:57:39,560
Speaker 1: bass music was different, like it's coming ship. Yeah, man,

2094
01:57:39,600 --> 01:57:44,320
Speaker 1: as a part of our culture. What's going? Yeah, bigg

2095
01:57:44,400 --> 01:57:48,840
Speaker 1: him up? And what are you drinking again? Meet? You

2096
01:57:48,920 --> 01:57:50,040
Speaker 1: am about to come out of my own. We got

2097
01:57:50,120 --> 01:57:53,800
Speaker 1: a college guy. I don't know what kind of spreads

2098
01:57:53,840 --> 01:57:56,040
Speaker 1: that he got. We're doing a shower, what buddy, I'm

2099
01:57:56,120 --> 01:57:58,680
Speaker 1: in with the shot. I'm in. Let's go. I'm in

2100
01:57:59,120 --> 01:58:02,560
Speaker 1: whatever shot. Color. Want to make sure you just everything

2101
01:58:02,920 --> 01:58:05,960
Speaker 1: you gotta do one what college you gotta do it? Fourteen?

2102
01:58:07,280 --> 01:58:09,920
Speaker 1: Don't don't put him on that. I'm not trying to

2103
01:58:09,960 --> 01:58:15,560
Speaker 1: put you, trying to put you the daddy stay. But yeah, yeah, alright, alright, damn,

2104
01:58:15,760 --> 01:58:21,040
Speaker 1: where then is my shot I'm gonna do say again?

2105
01:58:21,120 --> 01:58:23,280
Speaker 1: All right? Cool? Colin went to say, I'm going to

2106
01:58:23,480 --> 01:58:29,680
Speaker 1: say alright, cool, I'm way too late. Yeoh, but call

2107
01:58:29,760 --> 01:58:32,960
Speaker 1: it man, it took this long and we I just

2108
01:58:33,040 --> 01:58:35,760
Speaker 1: want to tell you to your face, you're a legend.

2109
01:58:36,080 --> 01:58:38,880
Speaker 1: Anytime you want to say your ship, when you want

2110
01:58:38,880 --> 01:58:42,040
Speaker 1: to announce that really drinking the name of it. You

2111
01:58:42,120 --> 01:58:43,640
Speaker 1: don't have to make it. You don't have to go.

2112
01:58:43,920 --> 01:58:48,960
Speaker 1: You don't have to go to Ellen. Cheers, now go

2113
01:58:49,080 --> 01:58:51,640
Speaker 1: to Ellen. Please keep pushing the Elope forward. You know,

2114
01:58:51,720 --> 01:58:53,240
Speaker 1: we got a lot for everybody. But of course we

2115
01:58:53,320 --> 01:58:58,360
Speaker 1: got love for um. Let me because you're the great

2116
01:58:58,480 --> 01:59:00,440
Speaker 1: to give you the greatest speech maker. But let me

2117
01:59:00,560 --> 01:59:06,880
Speaker 1: just make my speech. We love Ellen. Ellen about once

2118
01:59:06,960 --> 01:59:11,320
Speaker 1: she had, she hasn't brought me back. I only been once, Yeah,

2119
01:59:11,320 --> 01:59:13,680
Speaker 1: a little bit. I took a little matter like the

2120
01:59:14,720 --> 01:59:19,040
Speaker 1: fly to atl A were home team. Bro. Sure, I

2121
01:59:19,120 --> 01:59:21,640
Speaker 1: just want you to know that, like drink chances, born

2122
01:59:21,680 --> 01:59:24,800
Speaker 1: and raised in Miami, and whenever you want to talk

2123
01:59:24,880 --> 01:59:27,560
Speaker 1: your ship, whenever you don't want to talk some you

2124
01:59:27,560 --> 01:59:29,800
Speaker 1: just want to spread some ship. This is the This

2125
01:59:29,960 --> 01:59:33,040
Speaker 1: is the platform you deserve. Bro. Your brother is my brother,

2126
01:59:35,000 --> 01:59:37,360
Speaker 1: and I don't only get any person on that because

2127
01:59:37,800 --> 01:59:41,800
Speaker 1: we know our relationship. But we're family. Bro. Sure, we're family,

2128
01:59:41,920 --> 01:59:44,760
Speaker 1: and you're a big figure. Sometimes I think you know,

2129
01:59:45,040 --> 01:59:47,560
Speaker 1: I think you downplay who you are too, like you

2130
01:59:47,680 --> 01:59:52,080
Speaker 1: just like cool whatever. But when you sit down with us,

2131
01:59:52,440 --> 01:59:54,880
Speaker 1: it gives us a platform to we got our own platform.

2132
01:59:54,920 --> 01:59:58,240
Speaker 1: I appreciate we gotta support each other to support but

2133
01:59:58,440 --> 02:00:01,080
Speaker 1: we we uh one of you know what I mean.

2134
02:00:01,480 --> 02:00:02,840
Speaker 1: You know, it might have took us a long time

2135
02:00:02,880 --> 02:00:05,560
Speaker 1: to get here, but I always believe you know, when

2136
02:00:05,600 --> 02:00:09,160
Speaker 1: the time, it's the right time. Um. But and yeah,

2137
02:00:09,200 --> 02:00:11,800
Speaker 1: that's right. And um, you know I always wanted when

2138
02:00:11,840 --> 02:00:13,920
Speaker 1: I wanted to do this show you I'm saying, I

2139
02:00:13,960 --> 02:00:16,800
Speaker 1: always wanted to do it, um a certain way. But

2140
02:00:16,880 --> 02:00:18,720
Speaker 1: I thought about it, and after me and you spoke,

2141
02:00:18,760 --> 02:00:20,360
Speaker 1: I'm like, you know what, you know, this is the

2142
02:00:20,440 --> 02:00:22,280
Speaker 1: way he do it. You know what I'm saying. Guess what.

2143
02:00:23,080 --> 02:00:24,720
Speaker 1: It goes back to what we were talking earlier. And

2144
02:00:24,760 --> 02:00:26,520
Speaker 1: I respect that. So I'm just happy that we're doing

2145
02:00:26,560 --> 02:00:28,120
Speaker 1: it and it's not the last time you're doing it.

2146
02:00:29,640 --> 02:00:32,400
Speaker 1: I'm not fronting on the college. Didn't avoid the show.

2147
02:00:32,520 --> 02:00:34,960
Speaker 1: He just wanted to do it in a big way. Yeah,

2148
02:00:35,000 --> 02:00:38,560
Speaker 1: I wanted. He was like a friend, kept putting it

2149
02:00:38,680 --> 02:00:42,040
Speaker 1: on me like you were like to be on the yard.

2150
02:00:45,120 --> 02:00:47,480
Speaker 1: Thing was God, that's me because I wanted to. I

2151
02:00:47,520 --> 02:00:49,320
Speaker 1: want to keep it real because this is drink chaps.

2152
02:00:49,640 --> 02:00:51,720
Speaker 1: I had to look out for you as a brother, No,

2153
02:00:51,800 --> 02:00:54,280
Speaker 1: I appreciate that, and as a brother I was like

2154
02:00:54,400 --> 02:00:56,200
Speaker 1: at that moment, if we would have been on some

2155
02:00:56,520 --> 02:00:59,440
Speaker 1: yard or whatever like that, that's not what Colin is

2156
02:00:59,480 --> 02:01:02,400
Speaker 1: I need to I don't need to introduce all people

2157
02:01:02,520 --> 02:01:05,440
Speaker 1: to who we know from the beginning. Yeah, I mean,

2158
02:01:05,480 --> 02:01:06,680
Speaker 1: you know, at the end of the day is like

2159
02:01:06,800 --> 02:01:12,160
Speaker 1: I said earlier, anybody speak bad on calig you gotta

2160
02:01:12,200 --> 02:01:14,360
Speaker 1: look at him. But what I'm saying that you know

2161
02:01:14,400 --> 02:01:16,480
Speaker 1: what I'm saying is back then, No, I appreciate that,

2162
02:01:16,880 --> 02:01:18,640
Speaker 1: very grateful for that. Back the end of the day

2163
02:01:18,760 --> 02:01:22,760
Speaker 1: is I want to be clear. I have no problem

2164
02:01:22,840 --> 02:01:26,040
Speaker 1: with no one, um and I got love for everybody.

2165
02:01:26,080 --> 02:01:27,920
Speaker 1: The only time I'm gonna have a problem with somebody

2166
02:01:28,440 --> 02:01:31,400
Speaker 1: if you play with me and my family. You know saying,

2167
02:01:31,880 --> 02:01:35,200
Speaker 1: and you know that's anyone correct. So what I'm saying

2168
02:01:35,200 --> 02:01:38,800
Speaker 1: is it ain't that serious. We're too blessed, man, I'd

2169
02:01:38,840 --> 02:01:42,720
Speaker 1: be crazy. I will refuse. I refuse to complain. There's

2170
02:01:42,760 --> 02:01:46,080
Speaker 1: no way God has blessed me and you and everybody year.

2171
02:01:46,480 --> 02:01:48,000
Speaker 1: We are too blessed. Am I trying to sound like

2172
02:01:48,040 --> 02:01:50,600
Speaker 1: a preacher. I'm just being real. Especially at a time

2173
02:01:50,720 --> 02:01:54,040
Speaker 1: like this, we have to come together. So again, any

2174
02:01:54,120 --> 02:01:56,920
Speaker 1: messages on this show know that we mean nothing but love.

2175
02:01:57,120 --> 02:02:03,240
Speaker 1: Goddamn quick little story. So my family in l A.

2176
02:02:03,960 --> 02:02:07,920
Speaker 1: I have a godson slash nephew, and he tells me

2177
02:02:08,000 --> 02:02:11,080
Speaker 1: who is he? I'm like, yo, He's like, I love music,

2178
02:02:11,200 --> 02:02:13,840
Speaker 1: I love I love DJs. I go, yeah, who's your

2179
02:02:13,880 --> 02:02:21,480
Speaker 1: favorite DJ? And I'm waiting for him to say, yd, Well,

2180
02:02:21,480 --> 02:02:24,720
Speaker 1: at least you picked the home team. That's right, that's right.

2181
02:02:25,200 --> 02:02:28,240
Speaker 1: So so and then that would started to show me. Yeah,

2182
02:02:28,760 --> 02:02:30,480
Speaker 1: that started to show me and this is this is

2183
02:02:30,520 --> 02:02:33,360
Speaker 1: what I'm talking about years ago, you know. And then

2184
02:02:33,520 --> 02:02:35,880
Speaker 1: a little little kid, a little kid to three year

2185
02:02:35,880 --> 02:02:38,880
Speaker 1: old kids. So it started to show me the level

2186
02:02:38,960 --> 02:02:40,320
Speaker 1: we were going. I was told him. I was like,

2187
02:02:41,320 --> 02:02:44,000
Speaker 1: it makes me so proud to see the home team growing,

2188
02:02:44,920 --> 02:02:47,640
Speaker 1: to see where we where we could take this. We've

2189
02:02:47,680 --> 02:02:50,120
Speaker 1: seen one like this is what I want that. Yeah,

2190
02:02:50,200 --> 02:02:52,080
Speaker 1: I'm saying right now, I look at everybody, who are

2191
02:02:52,320 --> 02:02:53,600
Speaker 1: you know when we all came up, That's what I'm

2192
02:02:53,600 --> 02:02:56,320
Speaker 1: talking about the era. Yeah, everybody. You look at everybody,

2193
02:02:56,360 --> 02:02:59,760
Speaker 1: we all show blessed. Like I'm looking at everyone that

2194
02:02:59,840 --> 02:03:03,440
Speaker 1: we super blessed. Man Like, um, I feel like Miami,

2195
02:03:03,960 --> 02:03:07,919
Speaker 1: We're special. What I'm saying, we just we just specially

2196
02:03:07,960 --> 02:03:10,000
Speaker 1: look at all us doing. We all got big platforms,

2197
02:03:10,360 --> 02:03:13,560
Speaker 1: we all came up, we all um and we're still

2198
02:03:13,600 --> 02:03:16,760
Speaker 1: doing hip hop. What I'm saying, so like, I just

2199
02:03:16,840 --> 02:03:20,640
Speaker 1: think it's incredible. Did you did you think and be honest,

2200
02:03:21,520 --> 02:03:23,720
Speaker 1: coming from moving down from Orlando, did you see this

2201
02:03:23,920 --> 02:03:30,280
Speaker 1: vision for yourself? What was when I moved to Miami. Um,

2202
02:03:31,840 --> 02:03:35,960
Speaker 1: I knew it because I knew my hustle. I knew

2203
02:03:36,080 --> 02:03:37,920
Speaker 1: if I was just do what I do mean as

2204
02:03:38,000 --> 02:03:40,560
Speaker 1: and I knew I mean this in a humble way.

2205
02:03:40,560 --> 02:03:42,600
Speaker 1: I knew I was, I was great on the train,

2206
02:03:44,640 --> 02:03:47,360
Speaker 1: exist and I was I knew and I knew my

2207
02:03:47,520 --> 02:03:50,960
Speaker 1: hustle would inspire us. But at the same time as

2208
02:03:50,960 --> 02:03:52,640
Speaker 1: I knew I how to do it because I had

2209
02:03:52,680 --> 02:03:55,200
Speaker 1: no choice. Meaning that's in like you know what I mean.

2210
02:03:55,280 --> 02:03:58,080
Speaker 1: If I want to be able to have a family

2211
02:03:58,160 --> 02:04:00,200
Speaker 1: one day, you know this and that now got to

2212
02:04:00,360 --> 02:04:02,440
Speaker 1: provide And I gotta work hard. And if I want

2213
02:04:02,480 --> 02:04:04,760
Speaker 1: to live my dream, I can't dream it, I gotta

2214
02:04:04,840 --> 02:04:06,880
Speaker 1: I gotta bring it to light. So I just knew

2215
02:04:06,960 --> 02:04:11,440
Speaker 1: my my my hustle and my talent was was was

2216
02:04:11,520 --> 02:04:15,600
Speaker 1: a force. You know what I'm saying. And Um, I'm

2217
02:04:15,600 --> 02:04:18,960
Speaker 1: just I'm blessed at ut that everybody just like I said,

2218
02:04:19,000 --> 02:04:22,360
Speaker 1: like it was at support, You supported me, I supported you. Um.

2219
02:04:22,760 --> 02:04:25,160
Speaker 1: We we dealt with certain promoters, you know. We it

2220
02:04:25,280 --> 02:04:27,320
Speaker 1: was loyal with certain people, you know what I'm saying.

2221
02:04:27,360 --> 02:04:30,520
Speaker 1: And look how far it took us by being loyal,

2222
02:04:31,760 --> 02:04:34,240
Speaker 1: you know what I'm saying. Um. And you know, when

2223
02:04:34,240 --> 02:04:37,480
Speaker 1: you're so loyal and you're a good person, people love

2224
02:04:37,520 --> 02:04:40,600
Speaker 1: when you grow because they have nothing bad to say

2225
02:04:40,640 --> 02:04:43,240
Speaker 1: about you. And they know those days when it was

2226
02:04:43,360 --> 02:04:47,080
Speaker 1: really raining, they always think about that one person. And

2227
02:04:47,200 --> 02:04:48,840
Speaker 1: you know, I have a lot of friends that when

2228
02:04:48,880 --> 02:04:53,000
Speaker 1: it was raining for me and them, I was there

2229
02:04:53,040 --> 02:04:54,800
Speaker 1: and they were there. You know what I'm saying. So

2230
02:04:55,480 --> 02:04:57,320
Speaker 1: you know, I know that go a long way, you

2231
02:04:57,400 --> 02:05:00,880
Speaker 1: know what I mean? Now, real talk. You're saying, like

2232
02:05:01,200 --> 02:05:02,960
Speaker 1: if you know everybody that knows me, I'm still friends

2233
02:05:03,040 --> 02:05:06,320
Speaker 1: with everybody, ninety about nine of them, you know what

2234
02:05:06,320 --> 02:05:07,920
Speaker 1: I'm saying. Some of course, you know what I'm saying.

2235
02:05:08,240 --> 02:05:10,520
Speaker 1: You know, it's just you know, you don't go right

2236
02:05:10,640 --> 02:05:11,920
Speaker 1: or something like that. Back then the day you know,

2237
02:05:12,040 --> 02:05:15,080
Speaker 1: love loss, you know, sometimes it's love from a distance,

2238
02:05:15,800 --> 02:05:17,960
Speaker 1: you know, I mean that happens with everyone, I'm saying,

2239
02:05:18,040 --> 02:05:20,240
Speaker 1: but um, at the end of the day, man, we bless.

2240
02:05:21,200 --> 02:05:24,240
Speaker 1: You know that he was supposed to be in the temple?

2241
02:05:24,320 --> 02:05:27,560
Speaker 1: Do you remember that story? I remember I wanted Nori bad,

2242
02:05:27,640 --> 02:05:29,720
Speaker 1: but I knew I was going through you. No, No,

2243
02:05:30,120 --> 02:05:32,360
Speaker 1: you got mad at us because I know we can't

2244
02:05:32,400 --> 02:05:33,920
Speaker 1: get them if we don't go through you. No, that

2245
02:05:34,000 --> 02:05:35,600
Speaker 1: wasn't the truth. That's not the way it happened. But well,

2246
02:05:35,600 --> 02:05:38,080
Speaker 1: I mean I remember, like I know, I wanted so bad.

2247
02:05:38,120 --> 02:05:46,600
Speaker 1: But this is a policy. It's like history, but it's history.

2248
02:05:46,600 --> 02:05:50,480
Speaker 1: It's it's yeah, what what what with the blue shirt? Yeah,

2249
02:05:50,520 --> 02:05:52,160
Speaker 1: you had already come to my stol but you were

2250
02:05:52,160 --> 02:05:54,560
Speaker 1: doing the CNN pro where it was your first Miami

2251
02:05:54,680 --> 02:05:59,480
Speaker 1: show as n O r E. And remember and this

2252
02:05:59,640 --> 02:06:01,760
Speaker 1: is this is invest in peace roll up because he

2253
02:06:01,880 --> 02:06:04,080
Speaker 1: was in the middle of all this. And it was

2254
02:06:04,120 --> 02:06:07,360
Speaker 1: a discrepancy where you thought, literally you thought that we

2255
02:06:08,000 --> 02:06:11,280
Speaker 1: had took Nori from your bill because we had done

2256
02:06:11,320 --> 02:06:13,440
Speaker 1: with Vitator. I think we I think we did promote

2257
02:06:13,800 --> 02:06:15,320
Speaker 1: and it got cut off. No, No, you had you

2258
02:06:15,480 --> 02:06:17,120
Speaker 1: gone and makes a six and you said, I'm gonna

2259
02:06:17,120 --> 02:06:20,640
Speaker 1: announce a surprise guest. But and then how big the

2260
02:06:20,680 --> 02:06:23,040
Speaker 1: temple was yeah, yeah, yeah, you were. You're hyping the

2261
02:06:23,120 --> 02:06:26,080
Speaker 1: surprise moment and if we weren'ted that, Nori bad. But

2262
02:06:26,240 --> 02:06:29,400
Speaker 1: while you're doing that, I'm dealing with Violator. I'm doing record.

2263
02:06:29,440 --> 02:06:33,040
Speaker 1: I didn't know nohould do street team, either one of you.

2264
02:06:34,080 --> 02:06:35,680
Speaker 1: But I'm just saying that this is what I think

2265
02:06:35,680 --> 02:06:40,800
Speaker 1: it's ill about. The situation of this was double a bit.

2266
02:06:41,200 --> 02:06:43,160
Speaker 1: So we all come to the record. Remember we all

2267
02:06:43,240 --> 02:06:45,640
Speaker 1: met to get records at Cream and all that, and

2268
02:06:45,720 --> 02:06:48,520
Speaker 1: then you stepped to Eddie. He was like, yo, y'all

2269
02:06:48,600 --> 02:06:52,160
Speaker 1: did me dirty. And we had just that day, we

2270
02:06:52,240 --> 02:06:54,800
Speaker 1: had just sent the deposit. We had just cleared everything

2271
02:06:54,840 --> 02:06:57,720
Speaker 1: with Violator, so we were happy we didn't know anything

2272
02:06:57,840 --> 02:07:04,440
Speaker 1: and sounds it sounds true because I always thank you.

2273
02:07:04,560 --> 02:07:07,760
Speaker 1: I'm so honest. I don't know how to whole nothing in.

2274
02:07:08,560 --> 02:07:12,160
Speaker 1: Don't you be rated any No, I'll come to the

2275
02:07:12,280 --> 02:07:14,720
Speaker 1: person and if you loved after it's just about I

2276
02:07:14,800 --> 02:07:15,960
Speaker 1: have to get out of my chest so I know

2277
02:07:16,040 --> 02:07:19,360
Speaker 1: if it's really love or not. I'm gonna think like, yo,

2278
02:07:19,440 --> 02:07:24,560
Speaker 1: you tried me. You trying me, we're throwing down and

2279
02:07:24,640 --> 02:07:26,600
Speaker 1: if you end up not throwing down, So enough like

2280
02:07:27,040 --> 02:07:29,600
Speaker 1: it almost went down, but love at the end of

2281
02:07:29,600 --> 02:07:32,000
Speaker 1: the day the other day, and it was after that

2282
02:07:32,000 --> 02:07:36,080
Speaker 1: because people told me, it's like me been had yea

2283
02:07:36,400 --> 02:07:39,720
Speaker 1: since then, like late nineties or early two thousands. It

2284
02:07:39,840 --> 02:07:42,640
Speaker 1: was the first show, his first show, every Miami christ

2285
02:07:42,720 --> 02:07:49,320
Speaker 1: de Yeah, we did that Warsaw Warsaw Yah. Yeah, that

2286
02:07:49,440 --> 02:07:52,720
Speaker 1: was and I was just stressing people and I had

2287
02:07:52,760 --> 02:07:55,920
Speaker 1: to go through that process and Bells I paid from Warsaw.

2288
02:07:56,080 --> 02:07:58,160
Speaker 1: I don't listen. I don't know which one of y'all

2289
02:07:58,240 --> 02:08:02,040
Speaker 1: had this show, but I know what. Hell, first of all,

2290
02:08:02,120 --> 02:08:04,680
Speaker 1: it was war so it was your show. You guys

2291
02:08:04,800 --> 02:08:07,360
Speaker 1: hired me to help you put it together. And it

2292
02:08:07,440 --> 02:08:12,440
Speaker 1: was when Poone got out. Yeah, no, both of those

2293
02:08:12,480 --> 02:08:16,600
Speaker 1: shows when you guys busted everybody from No, no, no,

2294
02:08:16,840 --> 02:08:19,200
Speaker 1: all right, I gotta be ninety nine. It was ninet

2295
02:08:20,760 --> 02:08:23,000
Speaker 1: when came may be at Warsaw. Was me doing the

2296
02:08:23,080 --> 02:08:26,600
Speaker 1: show when poone came home? Yeah, y'all hired me to

2297
02:08:26,680 --> 02:08:29,920
Speaker 1: do the show. Yeah, it couldn't have been night whatever. Guy,

2298
02:08:29,920 --> 02:08:33,440
Speaker 1: you don't remember the date, No, I don't. I remember

2299
02:08:33,520 --> 02:08:37,280
Speaker 1: that everybody got locked up that trip. Yes, ninety nine,

2300
02:08:37,440 --> 02:08:42,880
Speaker 1: late ninety eight, it could be late maybe people crazy.

2301
02:08:43,360 --> 02:08:47,080
Speaker 1: I had to go a fake idea. It was boys

2302
02:08:48,480 --> 02:08:51,360
Speaker 1: this when I feel in love idea, I said, Miami,

2303
02:08:51,480 --> 02:08:53,520
Speaker 1: I said, Yo, you could get locked up and just

2304
02:08:53,600 --> 02:08:57,040
Speaker 1: pay for a bell. They don't, they don't really finger

2305
02:08:57,120 --> 02:08:59,480
Speaker 1: prints you at this time. Let's not go there. Yeah,

2306
02:09:00,680 --> 02:09:04,080
Speaker 1: let's leave it alone. Let's leave it alone. Thing history

2307
02:09:06,000 --> 02:09:09,000
Speaker 1: stories and the thing is as crazy because um no,

2308
02:09:09,160 --> 02:09:15,840
Speaker 1: I'm sure part two don't even listen. I'm grateful to

2309
02:09:15,880 --> 02:09:18,600
Speaker 1: be on the show, and um I'm excited. I can't

2310
02:09:18,640 --> 02:09:23,080
Speaker 1: wait to this ship and drop next week. Yo. But

2311
02:09:23,520 --> 02:09:26,320
Speaker 1: I just want to tell you, bro, because we're brothers

2312
02:09:27,040 --> 02:09:31,720
Speaker 1: and y'all brothers and everything, and sometimes we wait for

2313
02:09:31,800 --> 02:09:34,360
Speaker 1: the white time. It's just like it's like it's like,

2314
02:09:34,480 --> 02:09:36,520
Speaker 1: you know, the person to want to take the shot

2315
02:09:36,520 --> 02:09:39,720
Speaker 1: hot to right, they want to wait for the right

2316
02:09:39,800 --> 02:09:42,760
Speaker 1: time to take the shot hot to right. But the

2317
02:09:42,920 --> 02:09:46,080
Speaker 1: right time is never the right time because none of

2318
02:09:46,200 --> 02:09:48,600
Speaker 1: us are never going to be perfect. So I just

2319
02:09:48,720 --> 02:09:50,920
Speaker 1: want to extend that to you. Let you know that

2320
02:09:51,480 --> 02:09:56,400
Speaker 1: Green Champs we here. Sometimes you want to talk hopefully

2321
02:09:56,480 --> 02:09:58,960
Speaker 1: hopefully you understand the power that we have from this.

2322
02:09:59,600 --> 02:10:02,080
Speaker 1: We this, we did this. You know, I don't want

2323
02:10:02,120 --> 02:10:04,520
Speaker 1: to go into the deeper, you know, depth of of

2324
02:10:05,120 --> 02:10:09,840
Speaker 1: you know, dumb ship. But we did enough. But we

2325
02:10:09,960 --> 02:10:15,240
Speaker 1: love you college and you listen. Both of y'all legends

2326
02:10:15,280 --> 02:10:18,120
Speaker 1: to me and y'all legends to the world obviously, but

2327
02:10:18,200 --> 02:10:20,440
Speaker 1: you know, personally, I know y'all what I'm saying, and like,

2328
02:10:21,160 --> 02:10:22,760
Speaker 1: you know, me and his brother go way back. Me

2329
02:10:22,800 --> 02:10:25,680
Speaker 1: and you go way back. Um, and you know you

2330
02:10:25,880 --> 02:10:28,480
Speaker 1: you chose one of your best friends. That's my that's

2331
02:10:28,560 --> 02:10:31,840
Speaker 1: blood to me. What I'm saying, his daughter is my

2332
02:10:32,000 --> 02:10:37,040
Speaker 1: god daughter, your son my son. You know you have

2333
02:10:37,080 --> 02:10:40,840
Speaker 1: a beautiful white people family. We love y'all. I love

2334
02:10:40,920 --> 02:10:44,520
Speaker 1: your wife, I love your housekeeper. So listen, thank you.

2335
02:10:45,400 --> 02:10:47,200
Speaker 1: So I'm just saying you right now, you're saying like,

2336
02:10:48,000 --> 02:10:49,800
Speaker 1: not only is this a beautiful place to be at,

2337
02:10:50,240 --> 02:10:54,760
Speaker 1: I'm encouraging everyone. Remember nor in your fan they hand

2338
02:10:54,880 --> 02:10:58,560
Speaker 1: pick who comes on the show. But if you get

2339
02:10:58,640 --> 02:11:02,600
Speaker 1: the call, don't like yourself. Yeah, don't play us. Got there.

2340
02:11:05,000 --> 02:11:07,880
Speaker 1: But I just want to thank you, um for the

2341
02:11:07,920 --> 02:11:10,680
Speaker 1: bottom of both of us, because again, we just want

2342
02:11:10,680 --> 02:11:13,840
Speaker 1: to reiterate. You know, sometimes you know you're gonna want

2343
02:11:13,880 --> 02:11:15,440
Speaker 1: to get some shot off your text. But after we

2344
02:11:15,480 --> 02:11:18,120
Speaker 1: get up quarantine because we're still about to go onto

2345
02:11:18,160 --> 02:11:21,120
Speaker 1: another version of quarantine. When you get it comes time

2346
02:11:21,160 --> 02:11:23,440
Speaker 1: to get someone of your chest, you don't gotta go.

2347
02:11:23,800 --> 02:11:28,040
Speaker 1: You ain't gotta don't you know what Kyla did has

2348
02:11:28,280 --> 02:11:29,800
Speaker 1: I don't want to seem like I don't want to

2349
02:11:29,800 --> 02:11:33,200
Speaker 1: seem like cos been fronting on us all more than us.

2350
02:11:33,520 --> 02:11:36,160
Speaker 1: The problem was Kyler is doing the right thing, but

2351
02:11:36,240 --> 02:11:38,480
Speaker 1: he was trying to say, let me do something different,

2352
02:11:39,080 --> 02:11:41,640
Speaker 1: let me put you on the yacht, let me do that.

2353
02:11:42,360 --> 02:11:44,880
Speaker 1: I get it. I was like, not for the first one,

2354
02:11:44,960 --> 02:11:47,080
Speaker 1: for the one, but we got we gotta. We gotta

2355
02:11:47,080 --> 02:11:50,880
Speaker 1: do a yacht. We're gonna do a yacht. That's it.

2356
02:11:50,960 --> 02:11:57,160
Speaker 1: I'm saying, we're ready. Yes, spirit quarantine. Yeah, but we

2357
02:11:57,320 --> 02:12:04,080
Speaker 1: might we might be catching sharks man Joey Crack do

2358
02:12:04,200 --> 02:12:08,040
Speaker 1: it like we do a double job. I already know,

2359
02:12:08,280 --> 02:12:12,000
Speaker 1: like he get I get my I believe we pull

2360
02:12:12,080 --> 02:12:16,080
Speaker 1: up to your career one time. After that, I do

2361
02:12:16,240 --> 02:12:19,480
Speaker 1: I do a taking. I do a double job. Lets

2362
02:12:19,480 --> 02:12:21,680
Speaker 1: listen to to college. I don't know if you understand

2363
02:12:22,120 --> 02:12:27,600
Speaker 1: I live a life too. Nobody there's your life like no,

2364
02:12:28,960 --> 02:12:32,360
Speaker 1: you know, it's like if you're hungry, look at Noris Uh.

2365
02:12:33,880 --> 02:12:36,360
Speaker 1: If you want to see a light like somebody's happy.

2366
02:12:36,520 --> 02:12:42,600
Speaker 1: Look at Nora. I'm like, he got his routine right

2367
02:12:43,120 --> 02:12:45,600
Speaker 1: up about of ship. But he got a routine on

2368
02:12:45,760 --> 02:12:51,440
Speaker 1: each day under six s lopster. Yes, yes, that's a fact.

2369
02:12:51,520 --> 02:12:53,680
Speaker 1: That's a fact. Congrats on your son. I just had

2370
02:12:53,760 --> 02:12:56,000
Speaker 1: my son now, yo. Yes, you both got two kids.

2371
02:12:56,880 --> 02:12:59,280
Speaker 1: Know my second one. My daughter's a toddler and I

2372
02:12:59,360 --> 02:13:02,080
Speaker 1: got my son a couple of weeks ago. Beautiful God,

2373
02:13:02,200 --> 02:13:05,560
Speaker 1: blessed man, blessed. Isn't that right man? Because for a

2374
02:13:05,680 --> 02:13:07,560
Speaker 1: lot of years I didn't know your ship worked, and

2375
02:13:09,720 --> 02:13:12,800
Speaker 1: then I realized, old ship, you can have kids, alright, cool,

2376
02:13:13,080 --> 02:13:16,040
Speaker 1: because you know kids a little later. Let's be clear.

2377
02:13:16,240 --> 02:13:19,040
Speaker 1: Let's be clear for y'all. Let's be clear like you

2378
02:13:19,160 --> 02:13:21,840
Speaker 1: have kids a little late. I'm sorry I went too far.

2379
02:13:22,760 --> 02:13:25,840
Speaker 1: Just tell me, but you know what best thing ever

2380
02:13:25,880 --> 02:13:29,240
Speaker 1: happened in my life? My kids. I do everything for

2381
02:13:29,360 --> 02:13:33,320
Speaker 1: my kids. That's why, um again, everything is loved because

2382
02:13:34,440 --> 02:13:36,720
Speaker 1: thank to my thank my kids for everything is loved.

2383
02:13:37,880 --> 02:13:39,880
Speaker 1: What I'm saying because if I didn't have kids, I

2384
02:13:40,040 --> 02:13:45,120
Speaker 1: probably would be a little. You said a little, a little,

2385
02:13:45,640 --> 02:13:49,480
Speaker 1: But I'm saying, like my kids when we have kids

2386
02:13:49,520 --> 02:13:52,080
Speaker 1: will change your life. I'm saying, it's not about COVID.

2387
02:13:52,400 --> 02:13:54,760
Speaker 1: It's about my kids and my queen. I gotta take

2388
02:13:54,800 --> 02:13:56,520
Speaker 1: care of them and not just that, you know what

2389
02:13:56,640 --> 02:14:00,440
Speaker 1: I say on this mite repossessed my kids. What I'm saying,

2390
02:14:00,440 --> 02:14:04,040
Speaker 1: so you know again, we're all human, you know, you know,

2391
02:14:04,240 --> 02:14:06,640
Speaker 1: we're all human. But at the end of the day,

2392
02:14:06,800 --> 02:14:09,840
Speaker 1: is got nothing but love. You know what I mean.

2393
02:14:11,760 --> 02:14:14,760
Speaker 1: You're using road game now, this is this is this

2394
02:14:14,840 --> 02:14:20,200
Speaker 1: is a new Beijing. That fact Joe got got this

2395
02:14:25,480 --> 02:14:32,120
Speaker 1: because this whole this is Ross beard oil. And then

2396
02:14:32,240 --> 02:14:35,080
Speaker 1: like Joe got this, I've been using Ross got his

2397
02:14:35,160 --> 02:14:38,760
Speaker 1: own beard oil. But then um, Joe got this. Okay,

2398
02:14:38,840 --> 02:14:40,560
Speaker 1: twisted you know, you know, I just put a little

2399
02:14:40,640 --> 02:14:42,080
Speaker 1: make it. You know, you get a fresh cut, you

2400
02:14:42,160 --> 02:14:43,920
Speaker 1: wash the two days, you know, and then they watch out.

2401
02:14:44,240 --> 02:14:47,840
Speaker 1: But my ship gotta be always like fresh. I got

2402
02:14:47,880 --> 02:14:51,760
Speaker 1: my cut this morning, drink stamps and then fatrol. Get

2403
02:14:51,800 --> 02:14:54,240
Speaker 1: you the Beijing. I mean, yeah, Joe got this. I

2404
02:14:54,320 --> 02:14:56,440
Speaker 1: got samples right now. It's not out yet. It's about

2405
02:14:56,480 --> 02:15:01,280
Speaker 1: the un I don't even want to call it because's

2406
02:15:01,280 --> 02:15:04,200
Speaker 1: not really Basically, it's a special it's a special alert.

2407
02:15:04,600 --> 02:15:06,080
Speaker 1: You know, I don't know what Joe's gonna call it,

2408
02:15:06,200 --> 02:15:08,600
Speaker 1: but it's a sample I got and I love it

2409
02:15:08,640 --> 02:15:10,960
Speaker 1: because like you put it in, it makes it right,

2410
02:15:11,080 --> 02:15:13,640
Speaker 1: and then you wash it like run wash to wash.

2411
02:15:14,240 --> 02:15:15,880
Speaker 1: It's just it goes back to your natural vibe. But

2412
02:15:15,920 --> 02:15:18,240
Speaker 1: at the same time, it's got this glow. I got

2413
02:15:18,320 --> 02:15:24,280
Speaker 1: something for you. I gotta have that ill Blade game

2414
02:15:24,720 --> 02:15:28,520
Speaker 1: to know how to connect it. You know, Yeah, you

2415
02:15:28,600 --> 02:15:38,200
Speaker 1: gotta have that. You gotta have that. I don't watching

2416
02:15:38,280 --> 02:15:41,400
Speaker 1: you gonna be honest, I'm want to I just want

2417
02:15:41,400 --> 02:15:45,280
Speaker 1: to say something. I'll just bring two bottles duce Um

2418
02:15:45,360 --> 02:15:50,240
Speaker 1: no excuse Asus Spade Rose and I feel fantastic. It

2419
02:15:50,320 --> 02:15:53,960
Speaker 1: doesn't It doesn't take it away from your taste. Pilot pilot,

2420
02:15:54,120 --> 02:15:56,520
Speaker 1: just enhanced pilot in your taste. You don't have a

2421
02:15:56,600 --> 02:15:59,640
Speaker 1: pilot in your taste, not a pilot like your taste.

2422
02:15:59,800 --> 02:16:02,680
Speaker 1: And hands is my ship? It made me more sharp roar.

2423
02:16:02,880 --> 02:16:05,760
Speaker 1: Did you see the Jedda kiss and um fabulous? Yeah?

2424
02:16:06,000 --> 02:16:08,840
Speaker 1: Ship was my ship? Was that ship? Man? I was

2425
02:16:09,520 --> 02:16:11,600
Speaker 1: last night. I was all in the comments with the

2426
02:16:11,680 --> 02:16:13,920
Speaker 1: fire and them too. It was with my brothers and

2427
02:16:13,960 --> 02:16:16,920
Speaker 1: I just got that felt real fucking um. That was

2428
02:16:17,000 --> 02:16:20,360
Speaker 1: so hip hop, you know, saying when Jada was playing

2429
02:16:20,400 --> 02:16:22,080
Speaker 1: and wrapping on some of the Beasts and then Fab

2430
02:16:22,400 --> 02:16:24,480
Speaker 1: you know, playing both don't playing street records and then

2431
02:16:24,880 --> 02:16:27,840
Speaker 1: you know, and they they had so much other hits,

2432
02:16:29,160 --> 02:16:31,800
Speaker 1: twenty four hours to live and all them Fab think,

2433
02:16:31,840 --> 02:16:35,320
Speaker 1: you know that's so much more. Um. But that's that's

2434
02:16:35,320 --> 02:16:37,240
Speaker 1: one of my favorite. That was like one of my favorite.

2435
02:16:37,520 --> 02:16:42,200
Speaker 1: Hyped him to be on versus noura'son lection, you know, yeah, yeah,

2436
02:16:43,000 --> 02:16:48,040
Speaker 1: don't look at me crazy. I don't know we rehearse

2437
02:16:48,120 --> 02:16:52,280
Speaker 1: this question that there's no rehearsing drink chance questions. I

2438
02:16:52,360 --> 02:16:59,199
Speaker 1: like that. This is a fact. Wiss called me as

2439
02:17:00,640 --> 02:17:03,600
Speaker 1: I'm comment I'm sending it means from Jada. I don't

2440
02:17:03,600 --> 02:17:05,320
Speaker 1: know why, because Jad is gonna call me. It's gonna

2441
02:17:05,360 --> 02:17:08,360
Speaker 1: be like, what's going on? Why you keep posting? Right?

2442
02:17:08,840 --> 02:17:12,280
Speaker 1: But that's my brother? Right? So then it Swiss calls

2443
02:17:12,360 --> 02:17:15,560
Speaker 1: me and says, yo, they keep talking about that Cam

2444
02:17:15,680 --> 02:17:24,040
Speaker 1: and Nori. That should be I'll be hell, hell, that's hell.

2445
02:17:24,360 --> 02:17:27,680
Speaker 1: You listen man, like they're celebrating your brother. This is

2446
02:17:27,720 --> 02:17:33,440
Speaker 1: a celebration everything every day. No, I know what I'm saying,

2447
02:17:33,480 --> 02:17:38,840
Speaker 1: but that's it. Let me make my statement though, everything

2448
02:17:38,920 --> 02:17:43,680
Speaker 1: that's doping our community, it's doping our community. I could

2449
02:17:43,680 --> 02:17:47,360
Speaker 1: be a fan of it sometimes without participating in the

2450
02:17:47,480 --> 02:17:53,120
Speaker 1: actual thing if that's my choice. Listen, if they say, yo,

2451
02:17:53,560 --> 02:17:58,680
Speaker 1: would it, I'm with it, then I'll do it. But yeah,

2452
02:17:58,720 --> 02:18:01,440
Speaker 1: I'm with it. But if Cam says he's not what

2453
02:18:01,680 --> 02:18:04,840
Speaker 1: at all? Whatever, it's okay. I'm good with being a

2454
02:18:04,959 --> 02:18:08,640
Speaker 1: fan of I'm good with watching versus all that. Like

2455
02:18:08,879 --> 02:18:11,600
Speaker 1: I couldn't believe how much I was a fan of Um,

2456
02:18:15,280 --> 02:18:18,440
Speaker 1: Like the kildn't believe it, Like I was, like when

2457
02:18:18,480 --> 02:18:21,879
Speaker 1: I looked on I was like, seven minutes here, that's

2458
02:18:21,879 --> 02:18:27,880
Speaker 1: a classic. I was that one Bonny Beanie Fab and

2459
02:18:28,040 --> 02:18:31,640
Speaker 1: Jada Um because they're together favorite as you think, as

2460
02:18:31,720 --> 02:18:34,000
Speaker 1: you think that's your favorite because they're together. I mean

2461
02:18:34,080 --> 02:18:36,240
Speaker 1: all were incredible obviously what I'm saying, because you know,

2462
02:18:36,760 --> 02:18:39,960
Speaker 1: but um, they're my favor that those were my two favorite,

2463
02:18:40,200 --> 02:18:42,320
Speaker 1: probably because there's two recent ones. But to my butt,

2464
02:18:42,640 --> 02:18:45,120
Speaker 1: it just was they were together and it was like

2465
02:18:45,680 --> 02:18:49,680
Speaker 1: it was done, like it was done like like how

2466
02:18:49,720 --> 02:18:52,000
Speaker 1: it's supposed to be done. Meaning that's in as far

2467
02:18:52,080 --> 02:18:55,800
Speaker 1: as turntables in a mic and paying playing the catalog.

2468
02:18:56,000 --> 02:18:59,160
Speaker 1: They just sit there. They actually they took time for

2469
02:18:59,280 --> 02:19:02,199
Speaker 1: the fans and get a little more than just playing

2470
02:19:02,240 --> 02:19:04,040
Speaker 1: the record. They didn't have to do that. What I'm saying,

2471
02:19:04,240 --> 02:19:06,280
Speaker 1: I'm gonna be honest with you, I have to give

2472
02:19:06,320 --> 02:19:12,920
Speaker 1: it to h Bounty and Beanie Classic because the way

2473
02:19:13,000 --> 02:19:19,560
Speaker 1: they did it, now that's really they said it. That's like, explain,

2474
02:19:19,640 --> 02:19:22,720
Speaker 1: explain the difference, because that's how they really do it,

2475
02:19:23,600 --> 02:19:26,200
Speaker 1: Like you're going on the show, come to a really

2476
02:19:26,280 --> 02:19:28,959
Speaker 1: battle just like that, and they did. They eventually did.

2477
02:19:31,320 --> 02:19:34,440
Speaker 1: They did it a nice way on versus they should

2478
02:19:34,480 --> 02:19:37,120
Speaker 1: do it in a different way. But in front of

2479
02:19:39,160 --> 02:19:42,920
Speaker 1: talking about and cruise behind everybody's crew, behind each other ready,

2480
02:19:43,200 --> 02:19:49,200
Speaker 1: yeah yeah on the stages. I think that is beautiful

2481
02:19:49,320 --> 02:19:52,000
Speaker 1: right now. Wow, oh no, no, she used to be

2482
02:19:52,080 --> 02:19:55,680
Speaker 1: real deal. That's saying, wasn't real deal that I'm talking about.

2483
02:19:55,720 --> 02:19:57,720
Speaker 1: But you know that really at one point that's what

2484
02:19:57,840 --> 02:20:04,040
Speaker 1: made it so special that they had that back. But

2485
02:20:04,280 --> 02:20:07,440
Speaker 1: but besides that, that's how they really perform, you know

2486
02:20:07,440 --> 02:20:10,840
Speaker 1: what I'm saying. With the rhythm and and that's just

2487
02:20:11,120 --> 02:20:14,760
Speaker 1: a special love Jamaica Dancehall. That sent me for life.

2488
02:20:14,840 --> 02:20:16,640
Speaker 1: That was incredible. Who would you like to see you

2489
02:20:16,680 --> 02:20:25,000
Speaker 1: on the verses, um, I feel like you and Fat

2490
02:20:25,080 --> 02:20:30,840
Speaker 1: Joe taking the same stance. Now, I'm I'm now, I

2491
02:20:30,879 --> 02:20:33,560
Speaker 1: wouldn't battle now. I don't even consider the battles a

2492
02:20:33,600 --> 02:20:37,640
Speaker 1: celebration because it is. I wouldn't me. I'll do it

2493
02:20:37,760 --> 02:20:41,800
Speaker 1: probably like like when I'm twenty years, like right now,

2494
02:20:41,920 --> 02:20:44,600
Speaker 1: I'm working on the twelfth album, right, I think it's

2495
02:20:44,640 --> 02:20:48,200
Speaker 1: probably what um so I would say. You know, everybody

2496
02:20:48,240 --> 02:20:51,320
Speaker 1: has a twenty year anniversary like bad Boy twenty years

2497
02:20:51,480 --> 02:20:54,280
Speaker 1: or uh, you know, will report, you know, saying like

2498
02:20:54,680 --> 02:20:56,240
Speaker 1: I want to do it again, like I think I

2499
02:20:56,280 --> 02:20:58,640
Speaker 1: would do it when I'm like fifty. Okay, so let's

2500
02:20:58,640 --> 02:20:59,959
Speaker 1: take you out of you know what I'm saying about

2501
02:21:00,000 --> 02:21:02,959
Speaker 1: anybody in reason why is because I just think it's

2502
02:21:03,080 --> 02:21:05,800
Speaker 1: great to remind people your catalog and it'd be dope,

2503
02:21:05,800 --> 02:21:07,200
Speaker 1: you know what I'm saying, to get your flowers and

2504
02:21:08,760 --> 02:21:11,600
Speaker 1: take you out there crazy as a fan? Who would

2505
02:21:11,600 --> 02:21:13,160
Speaker 1: I want you want to see? And you know what,

2506
02:21:13,320 --> 02:21:16,320
Speaker 1: I'm sorry, I give you a two part question because

2507
02:21:16,400 --> 02:21:19,000
Speaker 1: of your love for reggae, I wouldn't like to hear

2508
02:21:19,040 --> 02:21:25,240
Speaker 1: your reggae. I want to see Sisila and Capleton that's

2509
02:21:25,280 --> 02:21:29,080
Speaker 1: gonna be two legendary. Um. I would love to see

2510
02:21:29,120 --> 02:21:33,400
Speaker 1: boot you and shaa Yea. I would love to see um.

2511
02:21:35,879 --> 02:21:39,320
Speaker 1: You know those two are like powerful. Okay, now hip

2512
02:21:39,360 --> 02:21:42,920
Speaker 1: hop and hip hop M and again, I'm not saying

2513
02:21:42,959 --> 02:21:46,440
Speaker 1: these guys battling. This is celebration talking. He's an icon,

2514
02:21:47,879 --> 02:21:49,600
Speaker 1: he's are legends. I don't want you know what I'm saying.

2515
02:21:50,959 --> 02:21:53,320
Speaker 1: The reason why I say that is because we battled

2516
02:21:53,320 --> 02:21:58,360
Speaker 1: our whole life. Hm. You know what I'm saying, we battle.

2517
02:21:58,680 --> 02:22:00,920
Speaker 1: I mean, you know how I should. I was battle

2518
02:22:01,000 --> 02:22:04,120
Speaker 1: mentality my whole career. D J and Wise I'm saying like,

2519
02:22:04,520 --> 02:22:07,360
Speaker 1: but you know right now we're celebrating and we we

2520
02:22:07,680 --> 02:22:10,280
Speaker 1: we we we worked this hard to get here to

2521
02:22:10,480 --> 02:22:12,880
Speaker 1: not have the battle, you know what I'm saying. But

2522
02:22:13,280 --> 02:22:15,440
Speaker 1: that's when you become great, you know what I'm saying.

2523
02:22:15,520 --> 02:22:18,080
Speaker 1: But um, hip Hop Wise, who would I want to see?

2524
02:22:18,160 --> 02:22:20,520
Speaker 1: I would like to see um obvioulsly who wouldn't want

2525
02:22:20,520 --> 02:22:25,040
Speaker 1: to see the puffing Dre What I'm saying, that's the legendary? Um? Wait,

2526
02:22:25,200 --> 02:22:29,120
Speaker 1: what did you say? Puff? Yeah? I know they were

2527
02:22:29,160 --> 02:22:32,600
Speaker 1: talking about it. Yeah, they were talking about it. You know,

2528
02:22:32,720 --> 02:22:34,400
Speaker 1: saying that would happen. That'd be dope. What I'm saying

2529
02:22:34,440 --> 02:22:39,520
Speaker 1: this because those are two massive catalogs. Um I would

2530
02:22:39,600 --> 02:22:49,120
Speaker 1: like to see nas nas Man, y'all trying to you

2531
02:22:49,240 --> 02:22:55,560
Speaker 1: only Yeah, you gotta leave mother. I mean, you know,

2532
02:22:55,760 --> 02:22:58,119
Speaker 1: going against NABS would be I'm talking about whoever decided,

2533
02:22:58,520 --> 02:23:03,240
Speaker 1: whoever this size is celebrated. Ens eyes. That's that's dangerous, people,

2534
02:23:03,760 --> 02:23:10,880
Speaker 1: that's a dangerous to go. Now. I can play every

2535
02:23:10,920 --> 02:23:14,680
Speaker 1: song album cut and it's a classic. I'm just saying

2536
02:23:14,720 --> 02:23:16,680
Speaker 1: that would be an ill celebration. So it would beautiful.

2537
02:23:16,720 --> 02:23:21,520
Speaker 1: I'm saying I wouldn't. Man, I'm gonna be real with you.

2538
02:23:21,640 --> 02:23:24,080
Speaker 1: I would. I love about the versus is me not

2539
02:23:24,800 --> 02:23:26,920
Speaker 1: trying to pair somebody that when y'all are down. When

2540
02:23:26,920 --> 02:23:29,280
Speaker 1: they announced Jada and Fab, I didn't expect that at

2541
02:23:29,320 --> 02:23:31,560
Speaker 1: that time, And I was excited when I seen the

2542
02:23:31,640 --> 02:23:34,560
Speaker 1: jersey and said, fab and you expect it, because no,

2543
02:23:34,760 --> 02:23:37,520
Speaker 1: I expect that pair of But I wasn't thinking at

2544
02:23:37,560 --> 02:23:40,040
Speaker 1: that time of Joe. I felt good when it came

2545
02:23:40,600 --> 02:23:46,360
Speaker 1: organically to the table, kind of like that, don't you see.

2546
02:23:46,840 --> 02:23:48,760
Speaker 1: You know they just got the do with a Lisia

2547
02:23:48,840 --> 02:23:52,520
Speaker 1: Keys and John Legend. We got Father and Jada, oh Ship.

2548
02:23:53,000 --> 02:23:54,960
Speaker 1: You know what I'm saying, Like, I was just excited

2549
02:23:54,959 --> 02:23:57,120
Speaker 1: about that, and now we're excited about this. You know

2550
02:23:57,120 --> 02:24:03,960
Speaker 1: what I'm saying, Oh man, I wouldn't recommend nobody doing that.

2551
02:24:05,000 --> 02:24:08,120
Speaker 1: Drake against anybody, Yeah, Drake, Drake, they got a versus

2552
02:24:08,120 --> 02:24:12,600
Speaker 1: a whole coach. Yeah, Drake is incredible. Drake against Quincy Jones,

2553
02:24:15,920 --> 02:24:21,320
Speaker 1: Hugh against Cuincy Jones. But you know, you hold on

2554
02:24:22,040 --> 02:24:25,160
Speaker 1: because you know what. I'm not gonna go there, but

2555
02:24:25,280 --> 02:24:28,520
Speaker 1: I just want you to know you are leaning towards

2556
02:24:28,560 --> 02:24:31,960
Speaker 1: the Quincy Jones of our generation. That's a big, big up.

2557
02:24:32,760 --> 02:24:36,000
Speaker 1: I'm just being honest with you. I'm sorry, I'm a

2558
02:24:36,080 --> 02:24:40,879
Speaker 1: I'm a I'm a super student of Quincy Joe. I'm

2559
02:24:40,879 --> 02:24:43,520
Speaker 1: just happy that I have a relationship with him. You

2560
02:24:43,520 --> 02:24:46,320
Speaker 1: know what I'm saying goes back to um, you know,

2561
02:24:46,400 --> 02:24:50,080
Speaker 1: like whole you know, knowing somebody I've been a fan

2562
02:24:50,160 --> 02:24:53,320
Speaker 1: of all my life, Nas and you know puff and

2563
02:24:53,600 --> 02:24:56,040
Speaker 1: these are people that I fan, trade and have a

2564
02:24:56,160 --> 02:24:59,480
Speaker 1: relationship with these people and now they like consider me

2565
02:24:59,560 --> 02:25:03,840
Speaker 1: as brother us not like industry brothers. No, forget the music.

2566
02:25:03,920 --> 02:25:06,320
Speaker 1: We're talking about our kids. We have dinner and we

2567
02:25:06,400 --> 02:25:09,360
Speaker 1: have family, We worked together, we get money together. We

2568
02:25:09,640 --> 02:25:15,279
Speaker 1: were team. Oh so me being a student of Quincy Jones.

2569
02:25:15,920 --> 02:25:17,800
Speaker 1: But I was so excited when I got to meet

2570
02:25:17,879 --> 02:25:20,520
Speaker 1: him and be able to pick up the phone and

2571
02:25:20,640 --> 02:25:23,440
Speaker 1: go to his house anytime I call to hang out

2572
02:25:23,480 --> 02:25:26,680
Speaker 1: with him, get some keys from a more knowledge. He

2573
02:25:26,760 --> 02:25:28,920
Speaker 1: got the best one in the world. Or No, he's incredible,

2574
02:25:28,920 --> 02:25:31,240
Speaker 1: he got the best stories and and he's like, um,

2575
02:25:32,640 --> 02:25:36,920
Speaker 1: it's like he's been part of every generation generation. You

2576
02:25:37,000 --> 02:25:39,880
Speaker 1: see his house. He got pictures with everyone besides like

2577
02:25:40,280 --> 02:25:44,800
Speaker 1: Michael Jackson. Artists we're talking about like Jackson five, not

2578
02:25:45,080 --> 02:25:49,680
Speaker 1: forget just the artists, we're talking about anything like I

2579
02:25:50,560 --> 02:25:55,440
Speaker 1: damn me, I think that he's not us. He's been

2580
02:25:55,520 --> 02:25:58,320
Speaker 1: here forever, a second beautiful thing I like, and his

2581
02:25:58,480 --> 02:26:04,360
Speaker 1: stories are so in right of Wow. Still reiterate my question,

2582
02:26:04,879 --> 02:26:09,000
Speaker 1: what's that? I ain't know? It was a question I

2583
02:26:09,000 --> 02:26:17,080
Speaker 1: thought was showing up this statement. You are Quincy Jones, man,

2584
02:26:19,560 --> 02:26:22,640
Speaker 1: I'm just the artist. No, no, you gotta you gotta

2585
02:26:22,680 --> 02:26:25,680
Speaker 1: take no. No, no, I appreciate, but no, no, I

2586
02:26:25,720 --> 02:26:29,560
Speaker 1: gotta I gotta stop you bro. I no, no, you

2587
02:26:29,840 --> 02:26:34,360
Speaker 1: are Quincy Jones. How the way Quincy put we are

2588
02:26:34,440 --> 02:26:41,840
Speaker 1: the world man. You put we know you know what sellers? Uh?

2589
02:26:43,000 --> 02:26:45,879
Speaker 1: You know you know. I definitely somebody that put people

2590
02:26:45,920 --> 02:26:48,280
Speaker 1: in the room together, um. And I put people in

2591
02:26:48,320 --> 02:26:50,320
Speaker 1: the room together that would never be in the room

2592
02:26:50,400 --> 02:26:56,320
Speaker 1: together with UM. I definitely, I mean just a lot

2593
02:26:56,360 --> 02:26:58,360
Speaker 1: of artists. It doesn't have to be. It could be. Um.

2594
02:26:59,480 --> 02:27:01,080
Speaker 1: You know, you gotta understand when you work, when when

2595
02:27:01,080 --> 02:27:04,360
Speaker 1: you work, when you work with cal when you work

2596
02:27:04,400 --> 02:27:07,600
Speaker 1: with Calid, I feel like everybody takes. And when I

2597
02:27:07,640 --> 02:27:09,400
Speaker 1: say this, I mean it's in a positive way. We take,

2598
02:27:09,680 --> 02:27:12,840
Speaker 1: even me, We take all our egos away and make

2599
02:27:12,959 --> 02:27:17,560
Speaker 1: music when you collaborate what I'm saying. And I've been

2600
02:27:17,600 --> 02:27:20,960
Speaker 1: blessed to make some big collaborations in my career. But

2601
02:27:21,120 --> 02:27:24,680
Speaker 1: also besides making the music, I've been blessed to be

2602
02:27:24,800 --> 02:27:30,480
Speaker 1: in a room to be a sponge oh like people

2603
02:27:30,600 --> 02:27:35,040
Speaker 1: that I dreamed and been a fan to meet, you

2604
02:27:35,040 --> 02:27:37,640
Speaker 1: know what I'm saying? So like um And when you

2605
02:27:37,680 --> 02:27:41,400
Speaker 1: brought up Quincy Jones, that guy is like it is

2606
02:27:41,520 --> 02:27:45,960
Speaker 1: in other words, you are virgin of Quincy Jones were

2607
02:27:45,959 --> 02:27:48,640
Speaker 1: giving you that titles? Man, I see you so huy

2608
02:27:48,720 --> 02:27:51,360
Speaker 1: trying to I'm a student. I don't know. I'm saying.

2609
02:27:51,360 --> 02:27:53,000
Speaker 1: That's the last thing I want somebody to say. Called

2610
02:27:53,080 --> 02:27:59,040
Speaker 1: think he you know it's I'm calid appreciate that you

2611
02:28:00,080 --> 02:28:02,720
Speaker 1: speaking from an old generation of hip hop. We're coming

2612
02:28:02,760 --> 02:28:05,000
Speaker 1: from a generation we want to pick up our versions

2613
02:28:05,000 --> 02:28:08,000
Speaker 1: of hip hop. We want to make our versions the

2614
02:28:08,120 --> 02:28:10,840
Speaker 1: same versions of whatever the funk it is. And you

2615
02:28:10,920 --> 02:28:14,320
Speaker 1: know what, if we're looking at you like Quincy Jones,

2616
02:28:14,400 --> 02:28:18,800
Speaker 1: fucking exception to somebody could tell us we liars. And

2617
02:28:18,920 --> 02:28:20,800
Speaker 1: guess what, I don't think they can tell us. I

2618
02:28:20,840 --> 02:28:23,120
Speaker 1: don't think they can tell us we liars. Bro I

2619
02:28:23,120 --> 02:28:27,879
Speaker 1: don't think anybody anybody can tell us to be liars. Alright,

2620
02:28:27,959 --> 02:28:34,120
Speaker 1: make some fucking noise, right, and you continuing to do it?

2621
02:28:35,160 --> 02:28:37,520
Speaker 1: Which is which is so? Which is so beautiful? That's

2622
02:28:37,560 --> 02:28:44,320
Speaker 1: the reason why. Now moving on, what was the scripancy

2623
02:28:44,440 --> 02:28:47,080
Speaker 1: with you and Joe Buden? What's there is discripancy? I

2624
02:28:47,120 --> 02:28:48,720
Speaker 1: don't have a problem with Joe Budden. I mean, you know,

2625
02:28:48,840 --> 02:28:50,880
Speaker 1: Joe Budden's Joe Biden. You know what I'm saying, Um,

2626
02:28:51,360 --> 02:28:54,480
Speaker 1: his job is is um. You know, I think when

2627
02:28:54,560 --> 02:28:57,000
Speaker 1: he was when he did speak on my name, because

2628
02:28:57,040 --> 02:28:59,640
Speaker 1: you know what's weird about Joe Buttons. He showed me love.

2629
02:29:00,080 --> 02:29:03,240
Speaker 1: He'll show me love like no, not that in person.

2630
02:29:03,280 --> 02:29:05,400
Speaker 1: He shows me love, Yes, by them out even on

2631
02:29:05,520 --> 02:29:07,920
Speaker 1: his shows. He showed me love. I can't take away

2632
02:29:08,680 --> 02:29:11,520
Speaker 1: when he shows love. But then he'll he'll I mean,

2633
02:29:11,560 --> 02:29:13,240
Speaker 1: I guess, throw darts or dissed me. But when he

2634
02:29:13,360 --> 02:29:19,119
Speaker 1: does diss me or throw darts, Um, he's misinformed. He's um.

2635
02:29:19,959 --> 02:29:23,879
Speaker 1: You know, doesn't have facts. And you know I come

2636
02:29:23,959 --> 02:29:27,040
Speaker 1: from I come from a cloth. You know I'm not

2637
02:29:27,080 --> 02:29:30,680
Speaker 1: gonna speak on nothing. And that's I'm ready to speak

2638
02:29:30,760 --> 02:29:34,760
Speaker 1: on that. And I know what I'm speaking on And

2639
02:29:34,879 --> 02:29:39,879
Speaker 1: you gotta know before you speak. You know, you gotta

2640
02:29:39,920 --> 02:29:41,640
Speaker 1: know what you're speaking. You know what I'm saying. I

2641
02:29:41,720 --> 02:29:44,560
Speaker 1: just think that's just as a as a human being,

2642
02:29:44,640 --> 02:29:47,200
Speaker 1: a man of respect. You know, you can easily call

2643
02:29:47,320 --> 02:29:49,880
Speaker 1: me and ask me a question. Um, if you can't

2644
02:29:49,920 --> 02:29:51,520
Speaker 1: get a hold of me what I'm saying, you you know,

2645
02:29:53,600 --> 02:29:56,040
Speaker 1: got a problem. What I'm saying about back the end

2646
02:29:56,040 --> 02:29:59,600
Speaker 1: of the day is like um, And you know what

2647
02:29:59,720 --> 02:30:01,760
Speaker 1: he does on the show, it's his business. God bless him,

2648
02:30:01,760 --> 02:30:04,240
Speaker 1: and God bless his success. And I hope he makes

2649
02:30:05,080 --> 02:30:07,640
Speaker 1: trillions of dollars are doing what he does. I want

2650
02:30:07,720 --> 02:30:11,640
Speaker 1: everybody to be rich forever, Ross Voice rich forever. You know. Um,

2651
02:30:12,480 --> 02:30:16,120
Speaker 1: but you know he shows me love. There's some days

2652
02:30:16,160 --> 02:30:19,840
Speaker 1: he don't shows me love. There's some days he don't.

2653
02:30:20,560 --> 02:30:22,840
Speaker 1: And you know, I can't sit down a lot of

2654
02:30:22,879 --> 02:30:25,000
Speaker 1: even say I watched the show like that. But when

2655
02:30:25,120 --> 02:30:28,000
Speaker 1: my name is be spoken, I guess it, it spikes out,

2656
02:30:28,200 --> 02:30:32,080
Speaker 1: not talk out on social media. So if you tag

2657
02:30:32,160 --> 02:30:34,400
Speaker 1: my name, I see it, I'm saying. So that's how

2658
02:30:34,480 --> 02:30:36,800
Speaker 1: I usually get to hear clips and then I'd be like,

2659
02:30:37,160 --> 02:30:40,080
Speaker 1: why he even how my name even coming up unless

2660
02:30:40,160 --> 02:30:43,760
Speaker 1: it's about something you know, love, because I don't. That's

2661
02:30:43,760 --> 02:30:46,560
Speaker 1: all I promote and not forget this promote and that's

2662
02:30:46,560 --> 02:30:49,200
Speaker 1: all I live by. You know what I'm saying, So, um,

2663
02:30:50,720 --> 02:30:51,960
Speaker 1: I don't know what it means. It's something you know,

2664
02:30:52,040 --> 02:30:59,600
Speaker 1: I don't know what I mean. I don't Just right,

2665
02:31:00,040 --> 02:31:01,920
Speaker 1: let's just be clear with you. When do an interview,

2666
02:31:02,120 --> 02:31:04,080
Speaker 1: what I do is I go to Twitter. And when

2667
02:31:04,120 --> 02:31:06,520
Speaker 1: I go to Twitter, because I wouldn't have went to

2668
02:31:06,600 --> 02:31:08,560
Speaker 1: Twitter with you because I wanted to keep our interview

2669
02:31:08,640 --> 02:31:12,760
Speaker 1: top secret. But when I went to Twitter after, I

2670
02:31:12,879 --> 02:31:14,959
Speaker 1: was like, yeah, I gotta guess coming up, and there

2671
02:31:15,040 --> 02:31:16,960
Speaker 1: was like, motherfucker, we know the guests coming up? We

2672
02:31:17,040 --> 02:31:19,800
Speaker 1: got college right boom? So there is to act? Yo,

2673
02:31:20,360 --> 02:31:22,640
Speaker 1: Is there a problem with him and Joe? I don't

2674
02:31:22,680 --> 02:31:25,240
Speaker 1: know what it was. I don't. I haven't absolutely no

2675
02:31:25,400 --> 02:31:27,360
Speaker 1: idea what it was. No, No, I mean I mean

2676
02:31:27,600 --> 02:31:29,600
Speaker 1: I said, like I said, I can't have a problem

2677
02:31:29,640 --> 02:31:33,840
Speaker 1: with somebody that I really don't know what I'm saying.

2678
02:31:33,879 --> 02:31:36,360
Speaker 1: Do I know? Do I know? But yes, I know him.

2679
02:31:36,640 --> 02:31:38,280
Speaker 1: I have not been in rooms with him and talk

2680
02:31:38,320 --> 02:31:40,680
Speaker 1: to him and we show each other love. You know

2681
02:31:40,720 --> 02:31:43,240
Speaker 1: what I mean. I know him for a long time.

2682
02:31:43,760 --> 02:31:47,400
Speaker 1: What I'm saying, but I don't know you enough to

2683
02:31:47,600 --> 02:31:52,400
Speaker 1: diss you. And I'm not saying he might not think

2684
02:31:52,440 --> 02:31:54,520
Speaker 1: he dissed me. You know what I'm saying. He might

2685
02:31:54,680 --> 02:31:57,760
Speaker 1: think he's just doing his podcast. You know I'm saying me,

2686
02:31:58,080 --> 02:32:01,040
Speaker 1: I come from a different cloth period. You know what

2687
02:32:01,040 --> 02:32:03,920
Speaker 1: I'm saying. I don't some ship. I just don't understand.

2688
02:32:04,400 --> 02:32:05,600
Speaker 1: You know what I'm saying, because I'd be saying to

2689
02:32:05,680 --> 02:32:09,440
Speaker 1: myself when I do that, that's how I look at

2690
02:32:09,680 --> 02:32:16,560
Speaker 1: in anything, forget podcasts, forget in life. I say when

2691
02:32:16,640 --> 02:32:19,200
Speaker 1: I do that, But I gotta remember not everybody's me

2692
02:32:20,000 --> 02:32:22,000
Speaker 1: right what I'm saying. That's something that I have to

2693
02:32:22,160 --> 02:32:24,800
Speaker 1: learn more. I can't think everybody's gonna move the way

2694
02:32:24,840 --> 02:32:27,600
Speaker 1: I move. Um, but again, he's doing it. That's what

2695
02:32:27,680 --> 02:32:31,680
Speaker 1: he does for a living. But um, you gotta know

2696
02:32:31,800 --> 02:32:34,720
Speaker 1: your facts. You know what I mean. You have to

2697
02:32:34,800 --> 02:32:37,480
Speaker 1: know your facts when you speak. You know what I mean,

2698
02:32:37,480 --> 02:32:40,640
Speaker 1: because if you're speaking the truth. You know what I'm saying.

2699
02:32:41,240 --> 02:32:43,960
Speaker 1: You know, ship, If I need to address something, I'll

2700
02:32:44,000 --> 02:32:46,640
Speaker 1: come on the show and look in your face. But

2701
02:32:46,760 --> 02:32:50,320
Speaker 1: I can't respect somebody that's gonna, you know, not know

2702
02:32:50,440 --> 02:32:52,640
Speaker 1: the facts and not know the truth. You know what

2703
02:32:52,680 --> 02:32:58,000
Speaker 1: I'm saying. Again, Um, he shows me love, I can't.

2704
02:32:58,480 --> 02:33:01,440
Speaker 1: I can't say he don't. But then you know, there's

2705
02:33:01,480 --> 02:33:05,520
Speaker 1: times I guess maybe he's having a bad day, bad movie.

2706
02:33:06,440 --> 02:33:07,920
Speaker 1: You know what I'm saying. I don't know. You know

2707
02:33:07,959 --> 02:33:09,960
Speaker 1: what I'm saying, But it's all up. Has you ever

2708
02:33:10,040 --> 02:33:12,959
Speaker 1: been on trunk Traps? Yeah, maybe it's been on him once.

2709
02:33:13,080 --> 02:33:15,720
Speaker 1: E's been on him once and it was great. It

2710
02:33:15,840 --> 02:33:19,560
Speaker 1: was great. We had this whole podcast on He didn't

2711
02:33:19,600 --> 02:33:22,840
Speaker 1: believe this that because I mean, and you know, I'll

2712
02:33:22,920 --> 02:33:24,760
Speaker 1: dress I dressed a couple of other people right now,

2713
02:33:24,920 --> 02:33:27,400
Speaker 1: just in case you want to, you know, relax, Colin,

2714
02:33:28,080 --> 02:33:31,680
Speaker 1: I'll take the hot secrets. Yeah, I want for you

2715
02:33:31,720 --> 02:33:33,720
Speaker 1: to come back because I was going going in right now,

2716
02:33:34,360 --> 02:33:36,960
Speaker 1: so I want for you to go back. But um

2717
02:33:38,440 --> 02:33:41,080
Speaker 1: Tom slim. We can do a quick time slim. Okay, alright,

2718
02:33:41,120 --> 02:33:44,480
Speaker 1: first those we picked up on um as we gonna do.

2719
02:33:45,080 --> 02:33:47,240
Speaker 1: We do right now is one minute. You got the

2720
02:33:47,600 --> 02:33:51,120
Speaker 1: um time I do a quick time of slim. It's

2721
02:33:51,200 --> 02:33:56,760
Speaker 1: just one or the other one of words. You can

2722
02:33:56,800 --> 02:33:58,879
Speaker 1: answer each other where you want, and if you don't

2723
02:33:58,920 --> 02:34:00,640
Speaker 1: want to answer me, you can say pat ass right,

2724
02:34:01,240 --> 02:34:04,200
Speaker 1: all right, we ready. I don't know, I know, I

2725
02:34:04,240 --> 02:34:05,959
Speaker 1: don'd on. Let me let me think of some good ship.

2726
02:34:06,600 --> 02:34:08,760
Speaker 1: I know cor is gonna pass. He's a political name.

2727
02:34:10,520 --> 02:34:16,640
Speaker 1: What he's gonna be a big one? Yea, yeah, yeah,

2728
02:34:16,920 --> 02:34:22,840
Speaker 1: you right, my brother. I love you, bro this in

2729
02:34:22,920 --> 02:34:25,959
Speaker 1: case you don't know. I don't know if you're still feeling,

2730
02:34:26,080 --> 02:34:28,360
Speaker 1: but I don't love you College. I swear to God,

2731
02:34:28,360 --> 02:34:30,360
Speaker 1: I'm going to war with you. I don't even know you,

2732
02:34:31,800 --> 02:34:37,760
Speaker 1: but I'll never call you when I'm that guy. Know,

2733
02:34:38,400 --> 02:34:40,440
Speaker 1: we don't know, because I'm up to all right, listen,

2734
02:34:40,480 --> 02:34:43,880
Speaker 1: it's alright, cool. No, No, don't worry, because I gotta

2735
02:34:43,920 --> 02:34:52,800
Speaker 1: give my life together, all right, you ready, No, alright, cool, no,

2736
02:34:52,840 --> 02:34:55,680
Speaker 1: because I want to keep it, keep it eye. Let's go.

2737
02:34:58,160 --> 02:35:09,160
Speaker 1: Finger licking, m or KFC finger licking. Goddamn great answer, um, Nicki,

2738
02:35:09,240 --> 02:35:16,279
Speaker 1: Minaj Cardi B I love for both of them. Great answer.

2739
02:35:16,560 --> 02:35:20,080
Speaker 1: I'm not gonna go into depth with that, all right,

2740
02:35:24,440 --> 02:35:28,119
Speaker 1: nas or jay Z. I love both of them. Jesus,

2741
02:35:28,200 --> 02:35:30,200
Speaker 1: I knew that was the answer. And I can't pressure

2742
02:35:30,280 --> 02:35:43,400
Speaker 1: him anymore, all right, little Kim Foxy brown Man legends, alright,

2743
02:35:43,440 --> 02:35:51,360
Speaker 1: what shut up? No, stop it? Alright, Cool, he's thrown

2744
02:35:51,400 --> 02:35:53,600
Speaker 1: me off. I'm gonna give him one. I'm gonna give

2745
02:35:53,680 --> 02:35:56,279
Speaker 1: him one. He's gonna have to he's gonna have to answer,

2746
02:35:56,560 --> 02:36:01,520
Speaker 1: all right, alright, cool, there's no one on one time.

2747
02:36:01,600 --> 02:36:04,200
Speaker 1: It's lying. We gotta give him something. He's gonna ask them.

2748
02:36:04,240 --> 02:36:08,160
Speaker 1: I mean, let me think of this one. There's time

2749
02:36:08,240 --> 02:36:16,200
Speaker 1: still going another time, all right, cool? Last one? I

2750
02:36:16,320 --> 02:36:24,240
Speaker 1: got this one, Daddy Yankee, and wow, I mean I

2751
02:36:24,280 --> 02:36:26,519
Speaker 1: have to say, and well, because I have a relationship

2752
02:36:26,560 --> 02:36:29,760
Speaker 1: with him, I don't know Daddy anky like that. Not

2753
02:36:29,959 --> 02:36:33,360
Speaker 1: beloved though I don't know him personally, I got I'm saying,

2754
02:36:33,560 --> 02:36:36,520
Speaker 1: ain't well I got to know him and you and

2755
02:36:36,600 --> 02:36:39,000
Speaker 1: you head of working with him? Um, we were supposed

2756
02:36:39,040 --> 02:36:42,600
Speaker 1: to work together. Yeah, he sent me something, but you know,

2757
02:36:42,640 --> 02:36:44,080
Speaker 1: I'm you know, I want to do something with him too,

2758
02:36:44,120 --> 02:36:45,920
Speaker 1: but I think we're gonna end up doing a few things.

2759
02:36:46,760 --> 02:36:49,560
Speaker 1: So how is it? I'm sorry we got that for

2760
02:36:49,720 --> 02:36:52,960
Speaker 1: like all right, but how is it? Like? Do you

2761
02:36:53,120 --> 02:36:55,600
Speaker 1: work with somebody you think it's hot, or you work

2762
02:36:55,680 --> 02:36:58,640
Speaker 1: with somebody that you vibe with? I mean both. I

2763
02:36:58,720 --> 02:37:01,720
Speaker 1: work with your moody that I'm a and of. That's hard,

2764
02:37:01,840 --> 02:37:04,440
Speaker 1: but I'm a fan of because a lot of people

2765
02:37:04,480 --> 02:37:06,920
Speaker 1: I'm a fan of, you know, because I could be

2766
02:37:06,959 --> 02:37:13,680
Speaker 1: a fan of somebody that's that It hasn't. Yeah, of

2767
02:37:13,800 --> 02:37:18,119
Speaker 1: course I've met people think that's out of my vibe.

2768
02:37:18,160 --> 02:37:21,800
Speaker 1: But um, also, when I do get a chance to

2769
02:37:21,840 --> 02:37:24,840
Speaker 1: work with somebody, if it's a good feeling like um,

2770
02:37:25,240 --> 02:37:27,280
Speaker 1: and the and the vibe is right in the energy,

2771
02:37:27,879 --> 02:37:29,880
Speaker 1: you know, and we get to know each other, you know,

2772
02:37:30,240 --> 02:37:34,160
Speaker 1: it becomes more than music. What I'm saying might be lunch, dinner,

2773
02:37:34,520 --> 02:37:36,640
Speaker 1: you know what I mean, going on vacation, you know

2774
02:37:36,680 --> 02:37:39,280
Speaker 1: what I mean, So I gotta be I want to

2775
02:37:39,280 --> 02:37:42,119
Speaker 1: be a fan, even if you're brand new. I want

2776
02:37:42,160 --> 02:37:44,280
Speaker 1: to be a fan, you know because when I listen

2777
02:37:44,320 --> 02:37:46,960
Speaker 1: to my albums, I'm a fan too. He's are all

2778
02:37:47,080 --> 02:37:49,480
Speaker 1: great artists on there. So I'm a fan making the music,

2779
02:37:50,240 --> 02:37:51,800
Speaker 1: and I just want to I want to have that

2780
02:37:51,959 --> 02:37:55,120
Speaker 1: fan feel, meaning as in loving your music and me,

2781
02:37:55,760 --> 02:37:58,160
Speaker 1: you know, learning. You know what I'm saying. Yeah, So

2782
02:37:58,280 --> 02:38:00,840
Speaker 1: it's the million out of the question, right every just

2783
02:38:01,000 --> 02:38:04,879
Speaker 1: an answer every hater in the world right now, let's

2784
02:38:04,879 --> 02:38:07,160
Speaker 1: just answer. We're gonna answer every hater in the world.

2785
02:38:07,320 --> 02:38:11,039
Speaker 1: Right So, the same person that's in DJ college position

2786
02:38:11,200 --> 02:38:13,320
Speaker 1: right now, the same person is an E f N

2787
02:38:13,400 --> 02:38:17,080
Speaker 1: position right now. They're saying, Yo, the only reason why

2788
02:38:17,200 --> 02:38:20,080
Speaker 1: these guys are making it happen is because they got

2789
02:38:20,240 --> 02:38:27,240
Speaker 1: brad shit. Did you did you build your career from

2790
02:38:27,440 --> 02:38:32,120
Speaker 1: paying people? Nah? First of all, I used to make

2791
02:38:32,160 --> 02:38:35,560
Speaker 1: a hundred hours a week. We didn did reiterate that.

2792
02:38:36,000 --> 02:38:41,640
Speaker 1: I'm saying, talk to these people night. I come from

2793
02:38:42,000 --> 02:38:44,640
Speaker 1: sleeping in the back of my hones civic. You know,

2794
02:38:44,720 --> 02:38:46,600
Speaker 1: when I left my mother and father. Don't get twisted.

2795
02:38:46,600 --> 02:38:48,520
Speaker 1: When I was with my mother and father, They raised

2796
02:38:48,560 --> 02:38:50,800
Speaker 1: me and they took care of me like every mother

2797
02:38:50,840 --> 02:38:53,560
Speaker 1: and father should do. What I'm saying, you know, excid

2798
02:38:53,640 --> 02:38:56,360
Speaker 1: about where you live there that's it's called love. You

2799
02:38:56,400 --> 02:38:58,160
Speaker 1: know what I'm saying. It's not about money, It's about love.

2800
02:38:58,640 --> 02:39:02,680
Speaker 1: But when I decided to move out house at fifteen sixteen,

2801
02:39:03,200 --> 02:39:06,600
Speaker 1: I didin't finished high school, I'm saying, um, and I

2802
02:39:06,959 --> 02:39:09,280
Speaker 1: decided to move on my life with my music career.

2803
02:39:09,720 --> 02:39:13,240
Speaker 1: I was broke hundred dollars a week, slept in the

2804
02:39:13,280 --> 02:39:16,119
Speaker 1: back of my um you know how to Honnes Civic,

2805
02:39:16,879 --> 02:39:19,279
Speaker 1: you know. Um. Then I end up getting a BMW

2806
02:39:19,520 --> 02:39:22,440
Speaker 1: I've never paid for for like two or three years

2807
02:39:22,480 --> 02:39:24,880
Speaker 1: they were looking for at a high you know what

2808
02:39:24,920 --> 02:39:31,920
Speaker 1: I'm saying, Um, Um, you know, getting evicted in all

2809
02:39:32,000 --> 02:39:34,400
Speaker 1: my apartments because my music was too loud. I couldn't

2810
02:39:34,400 --> 02:39:41,600
Speaker 1: afford it. Understand about you know shot U my brother nasty.

2811
02:39:42,120 --> 02:39:43,480
Speaker 1: You know what I mean. When I when time was

2812
02:39:43,560 --> 02:39:45,720
Speaker 1: super hard. You know, I have nowhere to put my

2813
02:39:45,800 --> 02:39:48,160
Speaker 1: equipment in my records, so you let me use his

2814
02:39:48,240 --> 02:39:50,800
Speaker 1: garage and let's set up my drum machine. So anytime

2815
02:39:50,800 --> 02:39:52,640
Speaker 1: I wanted to go make a tape or something or

2816
02:39:52,800 --> 02:39:56,440
Speaker 1: touch my equipment. I would go, Um, you know she

2817
02:39:56,600 --> 02:39:58,720
Speaker 1: was garage because I didn't have a garage no more.

2818
02:39:59,240 --> 02:40:03,840
Speaker 1: And then you know, I was at hotels, hotels, what

2819
02:40:03,920 --> 02:40:06,720
Speaker 1: I'm saying. And then you know, ship start progressing and

2820
02:40:06,760 --> 02:40:09,120
Speaker 1: you know, started making a thousand a week. You know,

2821
02:40:09,240 --> 02:40:11,440
Speaker 1: then finally got me a nice little apartment in Marriman,

2822
02:40:12,200 --> 02:40:15,360
Speaker 1: what I'm saying, and then after that started making two

2823
02:40:15,440 --> 02:40:19,880
Speaker 1: thousand a week. Because the hazard sounds you know what

2824
02:40:19,920 --> 02:40:23,440
Speaker 1: I mean, like, um, you know, I guess people always

2825
02:40:23,440 --> 02:40:25,600
Speaker 1: see your success. They never see the they never see

2826
02:40:25,640 --> 02:40:27,800
Speaker 1: the struggle to get They never see the struggle to

2827
02:40:27,840 --> 02:40:30,520
Speaker 1: get to grinding. Because if you think this is success,

2828
02:40:30,959 --> 02:40:33,480
Speaker 1: I look at it as a blessing. Okay, I'm being

2829
02:40:33,520 --> 02:40:36,200
Speaker 1: I'm just getting start to be honest. Puff took fourteen

2830
02:40:36,280 --> 02:40:40,039
Speaker 1: with us, We took two with you. My number, you're

2831
02:40:40,720 --> 02:40:43,240
Speaker 1: unlucky number three. You don't have to do this. Come

2832
02:40:44,520 --> 02:40:48,720
Speaker 1: but you don't have to do whatever you want may

2833
02:40:48,720 --> 02:40:53,360
Speaker 1: to do. That's it. That's it, that's it. He's gonna

2834
02:40:53,400 --> 02:40:55,080
Speaker 1: be love with us and you get to you you

2835
02:40:55,200 --> 02:41:01,480
Speaker 1: take it yourself. A man ship. Uh, I forget, I'm

2836
02:41:01,959 --> 02:41:04,000
Speaker 1: I'm forgetting. This is an interview. This ship is more

2837
02:41:04,080 --> 02:41:07,000
Speaker 1: like no, this is this family is gathering. This is

2838
02:41:07,120 --> 02:41:12,440
Speaker 1: like family gathering. Bro. You can I say something? Yeah,

2839
02:41:12,600 --> 02:41:15,640
Speaker 1: please say something something interviews in my lifetime. He is

2840
02:41:15,760 --> 02:41:19,400
Speaker 1: special one because you know how to like get you right,

2841
02:41:20,480 --> 02:41:25,440
Speaker 1: and then he and Het all the right ship and

2842
02:41:25,480 --> 02:41:27,400
Speaker 1: then he's gonna come, but it's gonna come in like

2843
02:41:28,640 --> 02:41:30,680
Speaker 1: and then it just with a question you look at

2844
02:41:30,840 --> 02:41:35,120
Speaker 1: like damn, you're not mad at him, but you're like

2845
02:41:35,800 --> 02:41:40,680
Speaker 1: that was like you know, you know, like Jordan, he

2846
02:41:40,720 --> 02:41:43,000
Speaker 1: got a certain way that you know, even the man

2847
02:41:43,040 --> 02:41:46,000
Speaker 1: will can bounce and turn around and still like you

2848
02:41:46,000 --> 02:41:48,800
Speaker 1: know what I'm saying. This Mannority just came with so

2849
02:41:48,959 --> 02:41:51,920
Speaker 1: much ship. And then while you're doing it after like

2850
02:41:52,040 --> 02:41:54,040
Speaker 1: some ship, like a theory is something you take a

2851
02:41:54,120 --> 02:41:56,800
Speaker 1: shot and you're like if you're taking a tote some ship,

2852
02:41:56,879 --> 02:41:59,560
Speaker 1: you don't even know what the going on. So it's

2853
02:41:59,600 --> 02:42:05,200
Speaker 1: like st from like everybody cooling it background, like oh,

2854
02:42:05,560 --> 02:42:09,480
Speaker 1: this camera's are to some I'm trying to figure out

2855
02:42:09,720 --> 02:42:22,840
Speaker 1: what we're doing because let me take over. Let me

2856
02:42:22,959 --> 02:42:25,320
Speaker 1: take over from there, because you know why I call it,

2857
02:42:25,800 --> 02:42:30,760
Speaker 1: I'm honest, bro, one of the biggest people in our

2858
02:42:30,879 --> 02:42:35,440
Speaker 1: culture and I we not just me I'm sorry, I

2859
02:42:35,560 --> 02:42:38,320
Speaker 1: but say I want to. When I say I want to,

2860
02:42:38,360 --> 02:42:42,039
Speaker 1: I mean dream chance. We should cover every step over

2861
02:42:42,120 --> 02:42:45,360
Speaker 1: your fucking journey because you know why, we're proud of

2862
02:42:45,480 --> 02:42:48,440
Speaker 1: every step your and not only that, we're proud of it.

2863
02:42:49,520 --> 02:42:53,400
Speaker 1: We knew it from there, we knew listening, we knew

2864
02:42:53,400 --> 02:42:58,920
Speaker 1: it from here to there. But we want to be here. Well,

2865
02:42:58,959 --> 02:43:03,560
Speaker 1: it's actually you know where we like I'm we're malleible

2866
02:43:03,600 --> 02:43:07,320
Speaker 1: and I told you that my house is right here

2867
02:43:07,320 --> 02:43:10,320
Speaker 1: and there and you're like my house r here like that,

2868
02:43:10,920 --> 02:43:15,880
Speaker 1: But we're here with you right now and wherever we

2869
02:43:16,080 --> 02:43:19,080
Speaker 1: started or you started, but we're both together right here.

2870
02:43:19,320 --> 02:43:23,680
Speaker 1: Don't get me wrong, you're the biggest in the game.

2871
02:43:25,800 --> 02:43:28,480
Speaker 1: And let me interject a little bit because seeing your

2872
02:43:28,520 --> 02:43:32,320
Speaker 1: whole journey, when when DJ's and we all come from

2873
02:43:32,360 --> 02:43:34,960
Speaker 1: the same place, there's always gonna be that competitive spirit,

2874
02:43:35,920 --> 02:43:37,920
Speaker 1: you know what I'm saying, Like that there's the dj

2875
02:43:38,280 --> 02:43:42,040
Speaker 1: K you know what speak speaking of competitive you know,

2876
02:43:42,360 --> 02:43:46,240
Speaker 1: early in my career I would say, you know, it

2877
02:43:46,360 --> 02:43:51,160
Speaker 1: was a competitive spirit early, But now I don't compete.

2878
02:43:51,240 --> 02:43:52,959
Speaker 1: I just don't. But you know what I'm saying, I've

2879
02:43:52,959 --> 02:43:54,560
Speaker 1: got about that because the thing I was just telling

2880
02:43:54,640 --> 02:43:56,640
Speaker 1: that to my girl the other day. I was like,

2881
02:43:57,320 --> 02:43:59,680
Speaker 1: Mom's you know, I'm so happy. You know, when I'm

2882
02:43:59,680 --> 02:44:01,520
Speaker 1: making my music and stuff, I'm like, I'm so happy

2883
02:44:01,600 --> 02:44:04,160
Speaker 1: with how much we have accomplished. And I think I

2884
02:44:04,240 --> 02:44:07,760
Speaker 1: put it on Instagram and I said, I could retire

2885
02:44:07,920 --> 02:44:12,520
Speaker 1: like jay Z and Michael Jordan's right now, and I'd

2886
02:44:12,560 --> 02:44:15,800
Speaker 1: be happy with everything I've accomplished and grateful for all

2887
02:44:15,879 --> 02:44:21,480
Speaker 1: my blessings. And I'm be very happy, like literally happy.

2888
02:44:21,879 --> 02:44:25,119
Speaker 1: But guys like me got more love and more blessings

2889
02:44:25,600 --> 02:44:30,560
Speaker 1: to continue to put out because of the love of

2890
02:44:30,720 --> 02:44:34,280
Speaker 1: me loving music hip hop. You know what I'm saying, love,

2891
02:44:34,440 --> 02:44:37,120
Speaker 1: You know I love this ship. You have to love

2892
02:44:37,200 --> 02:44:40,039
Speaker 1: this ship to really do this ship on the levels

2893
02:44:40,080 --> 02:44:44,320
Speaker 1: that we're doing this, Because you have to really love it.

2894
02:44:45,280 --> 02:44:47,560
Speaker 1: I'm saying. If you don't, I don't, I don't recommend

2895
02:44:47,640 --> 02:44:50,560
Speaker 1: you doing it. You know, this ship gotta come from love.

2896
02:44:50,879 --> 02:44:52,320
Speaker 1: What I'm saying. I didn't want to interrupt you, but

2897
02:44:52,360 --> 02:44:54,960
Speaker 1: it was Craig. I said, I felt like I could

2898
02:44:54,959 --> 02:44:57,760
Speaker 1: retire like Michael. I said, I feel like Hove and

2899
02:44:57,879 --> 02:45:01,040
Speaker 1: Michael Jordan's. I can retire and I can come back

2900
02:45:01,160 --> 02:45:04,040
Speaker 1: any time. I want, and that goes back and saying,

2901
02:45:04,840 --> 02:45:07,160
Speaker 1: you know, I always work hard to try to not

2902
02:45:07,360 --> 02:45:13,000
Speaker 1: try going to be and timeless, I'm saying timeless, And

2903
02:45:13,080 --> 02:45:16,360
Speaker 1: I'm always gonna put out music that's impactful, what I'm saying,

2904
02:45:16,440 --> 02:45:19,320
Speaker 1: and and everything outside of music, I'm gonna do impactful

2905
02:45:19,600 --> 02:45:21,880
Speaker 1: and time was as well, know what I'm saying. So

2906
02:45:22,640 --> 02:45:24,920
Speaker 1: that's where I'm at in my life, what I'm saying,

2907
02:45:25,440 --> 02:45:28,000
Speaker 1: And that's why I say I'm a student of a

2908
02:45:28,160 --> 02:45:31,720
Speaker 1: jigga and a pup daddy. They come back anytime they want,

2909
02:45:33,000 --> 02:45:37,240
Speaker 1: know that you know what I'm saying, and know that

2910
02:45:38,040 --> 02:45:41,600
Speaker 1: they don't have to, but they love it so much

2911
02:45:43,160 --> 02:45:46,440
Speaker 1: that they keep blessing us. You know what I'm saying.

2912
02:45:47,760 --> 02:45:49,480
Speaker 1: But you know, but the point that I was trying

2913
02:45:49,520 --> 02:45:52,240
Speaker 1: to make is that competitive spirit that we all come from,

2914
02:45:52,720 --> 02:45:55,320
Speaker 1: which is a part of hip hop I'm saying, and

2915
02:45:55,400 --> 02:45:58,080
Speaker 1: so and more locally, US DJ is like where it

2916
02:45:58,120 --> 02:46:02,000
Speaker 1: be DJ Abs and us and and all they were brothers,

2917
02:46:02,040 --> 02:46:03,640
Speaker 1: but it was competitive. But what I think is so

2918
02:46:03,800 --> 02:46:07,320
Speaker 1: dope is that you'd be hard pressed to find someone

2919
02:46:07,400 --> 02:46:11,119
Speaker 1: from Miami that I can't appreciate your journey, I can't

2920
02:46:11,160 --> 02:46:14,360
Speaker 1: support your journey, can't say that you're not repping the

2921
02:46:14,440 --> 02:46:16,640
Speaker 1: home teams. What I'm saying at the end of the day,

2922
02:46:16,800 --> 02:46:19,640
Speaker 1: like it would only be complete hate to not understand

2923
02:46:19,720 --> 02:46:23,720
Speaker 1: what you've done and doing. Man, that's what I'm saying, everybody, everybody.

2924
02:46:28,520 --> 02:46:30,959
Speaker 1: That's that's all we asked for is what he said.

2925
02:46:31,040 --> 02:46:34,400
Speaker 1: And um and you know, beautiful because that's that's that's

2926
02:46:34,520 --> 02:46:38,040
Speaker 1: that's that's love. I mean a lot to me. That's

2927
02:46:38,080 --> 02:46:43,160
Speaker 1: that's that's a sound bite for me. Iri. I think

2928
02:46:46,400 --> 02:46:51,400
Speaker 1: you know we man, I hit crazy on the Instagram

2929
02:46:51,520 --> 02:46:54,320
Speaker 1: of the day, all of us from Miami. You know

2930
02:46:54,360 --> 02:46:57,440
Speaker 1: what I'm saying, We rep Miami so hall because we

2931
02:46:57,600 --> 02:47:00,880
Speaker 1: love Miami and we and that's what's so beautiful my sameing.

2932
02:47:00,920 --> 02:47:03,160
Speaker 1: Other cities don't do the same. But you know we're

2933
02:47:03,160 --> 02:47:06,480
Speaker 1: talking because we I'm passionate about our hometown and this

2934
02:47:06,640 --> 02:47:11,000
Speaker 1: is our home. Um, it feels so good to screen

2935
02:47:11,080 --> 02:47:14,920
Speaker 1: three o five Miami and how far we came, you

2936
02:47:14,959 --> 02:47:23,400
Speaker 1: know what I mean, day count I don't know what

2937
02:47:23,520 --> 02:47:26,320
Speaker 1: the fund is that ship on your ship I got,

2938
02:47:28,920 --> 02:47:32,760
Speaker 1: I got you. You're gonna get on soon. No, eventually,

2939
02:47:32,879 --> 02:47:41,920
Speaker 1: one thing. So I feel like we covered. Yeah, we

2940
02:47:42,080 --> 02:47:45,160
Speaker 1: we we we definitely covered um, but you got this

2941
02:47:45,280 --> 02:47:48,120
Speaker 1: single coming out. Listen, we got wet. I don't know.

2942
02:47:48,600 --> 02:47:50,480
Speaker 1: And then that's not even bullshitting you, like like trying

2943
02:47:50,480 --> 02:47:54,760
Speaker 1: to like trying to figure out single. Yeah it's me

2944
02:47:54,840 --> 02:47:56,440
Speaker 1: and Drake. But what I was trying to tell you

2945
02:47:56,600 --> 02:48:00,280
Speaker 1: is another day I wanted did you do drink amps

2946
02:48:00,520 --> 02:48:02,720
Speaker 1: when I dropped my singer Noory like funk that we're

2947
02:48:02,760 --> 02:48:07,600
Speaker 1: doing this ship Nobody's true. But you don't have to explain.

2948
02:48:07,760 --> 02:48:10,400
Speaker 1: I really don't know what I have to explain, you

2949
02:48:10,480 --> 02:48:13,280
Speaker 1: know why, because I just want you to know. It's

2950
02:48:13,320 --> 02:48:18,080
Speaker 1: not about the saying, It's not about fucking legend. I'm like,

2951
02:48:18,680 --> 02:48:21,720
Speaker 1: this is your city. I'm in y'all city. I'm in

2952
02:48:21,840 --> 02:48:35,439
Speaker 1: yall city. This is please come on, give me yourself

2953
02:48:36,959 --> 02:48:41,000
Speaker 1: the region. Why because you is the city of the

2954
02:48:41,200 --> 02:48:45,960
Speaker 1: party city in the world capital. You are the party

2955
02:48:46,879 --> 02:48:51,720
Speaker 1: capital of the world. You're the golf up. No no, no, no,

2956
02:48:51,879 --> 02:48:54,200
Speaker 1: we we we we were so happy we did it. Now,

2957
02:48:54,480 --> 02:48:56,400
Speaker 1: I was just telling you, you know what I'm saying,

2958
02:48:56,440 --> 02:48:58,000
Speaker 1: Like to answer your question, I don't know when my

2959
02:48:58,080 --> 02:49:02,200
Speaker 1: singles coming out. I really don't, and I'm grateful for

2960
02:49:02,280 --> 02:49:06,280
Speaker 1: when it does come out. Am I ready, yep, I'm ready.

2961
02:49:07,280 --> 02:49:09,960
Speaker 1: Just know that the whole album is done. No, no,

2962
02:49:10,080 --> 02:49:12,800
Speaker 1: the whole album ain't done. Working on the album single

2963
02:49:12,920 --> 02:49:15,800
Speaker 1: being done. You know I'm saying, Um, you know, the

2964
02:49:15,840 --> 02:49:20,240
Speaker 1: pandemic shift a few things around what I'm saying, So, um,

2965
02:49:20,680 --> 02:49:23,320
Speaker 1: you know things now we can function a little more

2966
02:49:23,360 --> 02:49:26,640
Speaker 1: than we did two months three months ago. You know

2967
02:49:26,680 --> 02:49:28,680
Speaker 1: what I'm saying. We were too. Months ago, we wouldn't

2968
02:49:28,680 --> 02:49:30,520
Speaker 1: be at the table. You know I'm saying. You know,

2969
02:49:30,920 --> 02:49:32,840
Speaker 1: we knew how to come here and say with the gloves,

2970
02:49:33,280 --> 02:49:36,080
Speaker 1: with the team, with the disinfector. You know I'm saying,

2971
02:49:36,120 --> 02:49:38,600
Speaker 1: But two months ago it was told, can't even do that.

2972
02:49:39,440 --> 02:49:42,200
Speaker 1: So now you know, things are you know, things were

2973
02:49:42,520 --> 02:49:47,080
Speaker 1: more functionable now you know it's it's it's it's close,

2974
02:49:47,160 --> 02:49:54,520
Speaker 1: it's near, it's coming. Yeah yeah, what's that glove? Thank you?

2975
02:49:55,200 --> 02:50:04,320
Speaker 1: More gloves? Brother? Whatever you need? Bro goes for man.

2976
02:50:06,080 --> 02:50:13,800
Speaker 1: Do you want a little shot? No? No, no, no, man,

2977
02:50:13,920 --> 02:50:19,800
Speaker 1: let him go back to listen. We appreciate ain't gonna

2978
02:50:20,160 --> 02:50:25,160
Speaker 1: she sanitized that. I smell it looks smells fantastic, but

2979
02:50:25,400 --> 02:50:29,360
Speaker 1: it's it. Go back we got we got no, No,

2980
02:50:29,680 --> 02:50:33,840
Speaker 1: I appreciate it. Whatever y'all want no Listen, college bro,

2981
02:50:34,840 --> 02:50:36,440
Speaker 1: I just want to know you do we get a

2982
02:50:36,480 --> 02:50:39,600
Speaker 1: good show? We got a good show because I don't

2983
02:50:39,600 --> 02:50:41,520
Speaker 1: get a chance to watch every single dream chance, but

2984
02:50:41,520 --> 02:50:43,520
Speaker 1: I do watch a lot of them. Did we get

2985
02:50:43,560 --> 02:50:45,959
Speaker 1: a good show? No, we got a good But it's

2986
02:50:46,000 --> 02:50:53,360
Speaker 1: not the last time you've been gonna be That's the problem.

2987
02:50:53,480 --> 02:50:55,879
Speaker 1: The problem is not Bob's having a good show. Listen,

2988
02:50:56,400 --> 02:50:59,400
Speaker 1: You're supposed to be here, Miami representation. We're gonna be

2989
02:50:59,480 --> 02:51:03,680
Speaker 1: here when we get ross back head. He's in the

2990
02:51:03,760 --> 02:51:07,200
Speaker 1: Atlanta nigger right now everywhere. That mean you know his

2991
02:51:07,959 --> 02:51:15,040
Speaker 1: unbelievable love it. Don't even talk about it. I don't

2992
02:51:15,040 --> 02:51:18,280
Speaker 1: want to give another shows. God, I love him a

2993
02:51:18,360 --> 02:51:22,400
Speaker 1: real one. It is a real one. But but we

2994
02:51:22,560 --> 02:51:25,840
Speaker 1: need to know, like when you need to talk to

2995
02:51:25,920 --> 02:51:31,400
Speaker 1: the public, we just would suggest. We're not saying do it.

2996
02:51:32,520 --> 02:51:38,520
Speaker 1: This is just a suggestion. Come to your brother in

2997
02:51:38,720 --> 02:51:44,160
Speaker 1: my No, don't, don't, don't, don't do it. Don't man,

2998
02:51:44,600 --> 02:51:47,080
Speaker 1: don't do it. I'm a black part of the game, y'all.

2999
02:51:49,520 --> 02:51:53,920
Speaker 1: I'm going to deliver this message back. You're already called me.

3000
02:51:54,520 --> 02:51:58,600
Speaker 1: I get it. I love you really, God, your whole

3001
02:51:58,760 --> 02:52:06,360
Speaker 1: family ye come on, I love you, but I would

3002
02:52:06,400 --> 02:52:10,720
Speaker 1: like to tell you, as a brother, the same thing.

3003
02:52:11,400 --> 02:52:17,720
Speaker 1: Nas told me this. I said, I can do every publication.

3004
02:52:18,080 --> 02:52:21,000
Speaker 1: I could do your ship and every publication would take it.

3005
02:52:25,520 --> 02:52:29,040
Speaker 1: She blew me away. No one that NASA just do

3006
02:52:29,240 --> 02:52:36,000
Speaker 1: my publication and and you know what not but Nas, Nas,

3007
02:52:36,200 --> 02:52:43,240
Speaker 1: what's your beautiful about? Nas? He only does set. We

3008
02:52:43,280 --> 02:52:48,520
Speaker 1: don't no more shots in my Listen. You are the

3009
02:52:48,720 --> 02:52:53,840
Speaker 1: same colorer, bro. This is the reason why you could

3010
02:52:53,879 --> 02:52:56,320
Speaker 1: talk to us and you could say, Yo, I don't

3011
02:52:56,400 --> 02:52:58,160
Speaker 1: want to or don't want you know what it is,

3012
02:52:58,240 --> 02:53:00,760
Speaker 1: nor you know what you know what it is? Um?

3013
02:53:01,240 --> 02:53:04,360
Speaker 1: The way I came up and you know why a

3014
02:53:04,480 --> 02:53:06,600
Speaker 1: lot of people you know love me and respect me

3015
02:53:07,440 --> 02:53:12,320
Speaker 1: besides the fans like the game, is because I never

3016
02:53:12,400 --> 02:53:17,360
Speaker 1: forget where I come from. Um, And I always do.

3017
02:53:19,680 --> 02:53:23,920
Speaker 1: You know, I certain radio, you know, because I come

3018
02:53:23,959 --> 02:53:28,240
Speaker 1: from radio. You know. UM, I always do certain TV

3019
02:53:29,160 --> 02:53:32,720
Speaker 1: because I remember when they wouldn't let me on those

3020
02:53:32,760 --> 02:53:36,119
Speaker 1: platforms and some of them did and took the chance.

3021
02:53:36,959 --> 02:53:38,520
Speaker 1: You know what I'm saying. So I always got to

3022
02:53:38,560 --> 02:53:41,320
Speaker 1: remember that. So I try to do everybody as much

3023
02:53:41,360 --> 02:53:43,600
Speaker 1: as I can, and if I do, I want to

3024
02:53:43,680 --> 02:53:45,880
Speaker 1: do it, not just to do it. I want to

3025
02:53:45,920 --> 02:53:48,160
Speaker 1: do it to inspire the young world and leave a

3026
02:53:48,200 --> 02:53:50,640
Speaker 1: beautiful message out there. You know what I'm saying. So

3027
02:53:51,720 --> 02:53:56,320
Speaker 1: and I'm I'm I'm always, you know, trying my hardest

3028
02:53:56,360 --> 02:54:02,240
Speaker 1: to do that because these the game has change, going

3029
02:54:02,320 --> 02:54:05,119
Speaker 1: back to social media. Like you know, they're all gonna

3030
02:54:05,120 --> 02:54:08,720
Speaker 1: take so many question this show, so they take their

3031
02:54:08,760 --> 02:54:12,360
Speaker 1: clips and know this show today that we meant love

3032
02:54:12,520 --> 02:54:16,440
Speaker 1: about everything we talked about. And I don't know what

3033
02:54:16,600 --> 02:54:19,280
Speaker 1: to tell you because we love you, you know what.

3034
02:54:19,520 --> 02:54:21,199
Speaker 1: You know what I tell you, and I love everyone

3035
02:54:22,520 --> 02:54:26,520
Speaker 1: everything you said it's great, and I love you for

3036
02:54:26,680 --> 02:54:29,000
Speaker 1: saying you know what I want to tell you. The

3037
02:54:29,120 --> 02:54:36,360
Speaker 1: other part about that conversation, it's feast, Oh motherfuckers. The

3038
02:54:36,520 --> 02:54:39,120
Speaker 1: thing about it is we love you. You love this

3039
02:54:39,520 --> 02:54:49,160
Speaker 1: right listen, listen. I'm gonna be honest. I know it

3040
02:54:49,320 --> 02:54:54,280
Speaker 1: is you what man? We love you. Listen, We love you.

3041
02:54:55,280 --> 02:54:58,560
Speaker 1: Where a black jacket, a great jacket, a white jacket.

3042
02:54:58,600 --> 02:55:01,880
Speaker 1: We don't do thank you man. But at the end

3043
02:55:01,920 --> 02:55:07,320
Speaker 1: of the day, sometimes you just got to just walk ahead.

3044
02:55:08,600 --> 02:55:10,840
Speaker 1: Now now, now I know that I never said the

3045
02:55:10,879 --> 02:55:12,760
Speaker 1: invitation has never been there. We did our first one.

3046
02:55:13,120 --> 02:55:15,039
Speaker 1: It's great to know that the invitation is still there.

3047
02:55:15,800 --> 02:55:17,240
Speaker 1: And you know what I'm saying, if you want to

3048
02:55:17,280 --> 02:55:18,720
Speaker 1: you know what I'm saying like that, you know, we

3049
02:55:18,840 --> 02:55:24,120
Speaker 1: never want to know what you know. You're saying, thank

3050
02:55:24,160 --> 02:55:31,080
Speaker 1: you so much, what y'all said. We love you, were

3051
02:55:31,120 --> 02:55:34,240
Speaker 1: you were you in drink Chap's atmosphere when you have

3052
02:55:34,440 --> 02:55:40,840
Speaker 1: he have that funny moment where you just want to talk. Oh,

3053
02:55:40,879 --> 02:55:42,800
Speaker 1: for sure, go to New York. No, no, for sure,

3054
02:55:42,920 --> 02:55:46,040
Speaker 1: But I just want you to know, go to New York.

3055
02:55:46,920 --> 02:55:48,480
Speaker 1: I want you to know this. But if we get

3056
02:55:48,480 --> 02:55:51,280
Speaker 1: an opportunity and sebody asses and we end up doing

3057
02:55:51,640 --> 02:55:53,480
Speaker 1: other shows, I don't want you to thinking, oh way,

3058
02:55:54,320 --> 02:55:55,920
Speaker 1: no no, no, no, no no, I'm changing. And it

3059
02:55:56,000 --> 02:55:57,560
Speaker 1: goes back to the point because I'm gonna be real

3060
02:55:57,600 --> 02:56:02,320
Speaker 1: with you, please be real, not point right now, like no,

3061
02:56:02,480 --> 02:56:04,200
Speaker 1: it's not even that, it's just somebot the point where

3062
02:56:04,800 --> 02:56:11,480
Speaker 1: it's like, I mean, it's in a humble way, man, Please,

3063
02:56:11,720 --> 02:56:14,080
Speaker 1: I feel like Michael Jordan. I feel like you should

3064
02:56:14,080 --> 02:56:16,640
Speaker 1: be no no, no, not not like I tell my

3065
02:56:16,760 --> 02:56:22,560
Speaker 1: life like no, it's not no better said about the

3066
02:56:22,600 --> 02:56:25,400
Speaker 1: Shows's about like I swear to you, I'm so grateful

3067
02:56:25,480 --> 02:56:30,080
Speaker 1: for everything I've done, and I'm happy with it. For

3068
02:56:30,640 --> 02:56:34,880
Speaker 1: the old called five years ago would be we gotta

3069
02:56:34,879 --> 02:56:36,000
Speaker 1: do this, we gotta do that, we gotta do that,

3070
02:56:36,040 --> 02:56:37,199
Speaker 1: we gotta do this, we gotta do that, we gotta

3071
02:56:37,200 --> 02:56:38,160
Speaker 1: do that, we gotta do that, we gotta do that,

3072
02:56:38,200 --> 02:56:40,840
Speaker 1: we gotta do that. And no, and we love the

3073
02:56:40,879 --> 02:56:43,080
Speaker 1: people that want us to do it, but we also

3074
02:56:43,080 --> 02:56:47,560
Speaker 1: got to do you know what I'm telling myself when

3075
02:56:47,600 --> 02:56:49,880
Speaker 1: we need to speak and speak this love, let's do it.

3076
02:56:51,320 --> 02:56:54,160
Speaker 1: That's what we're doing today. We had drink, sing and Mina.

3077
02:56:54,200 --> 02:56:56,240
Speaker 1: Took us a long time to get here. I feel

3078
02:56:56,280 --> 02:56:59,960
Speaker 1: like it's the right time. It feel like the right time.

3079
02:57:00,840 --> 02:57:05,800
Speaker 1: But but but I gotta re iterate because I'm a

3080
02:57:05,920 --> 02:57:09,080
Speaker 1: real nigger. Not only this is the right time, this

3081
02:57:09,240 --> 02:57:14,040
Speaker 1: just be your anytime you want to beef coffin. Look, no,

3082
02:57:14,160 --> 02:57:17,279
Speaker 1: I ain't got no beefing nobody. No, we're not saying beef.

3083
02:57:18,480 --> 02:57:22,720
Speaker 1: But anytime you want to express your opinions, why go outside?

3084
02:57:23,240 --> 02:57:26,440
Speaker 1: I go to like, I don't know, sometimes you'll be

3085
02:57:26,480 --> 02:57:31,520
Speaker 1: going to people crazy, Ellen de generous. I said that earlier,

3086
02:57:31,640 --> 02:57:34,800
Speaker 1: right at one time. Yeah, but you know she has

3087
02:57:34,840 --> 02:57:37,879
Speaker 1: asked me to go back again. Stop bringing up Ellen

3088
02:57:37,920 --> 02:57:40,480
Speaker 1: de generous. I would like him. I don't like him

3089
02:57:43,879 --> 02:57:50,240
Speaker 1: nothing one time, quick as you keep bringing that one

3090
02:57:50,320 --> 02:57:54,680
Speaker 1: name one time. I love you and I didn't know

3091
02:57:54,720 --> 02:58:04,000
Speaker 1: any one of the most Yes, a better fact, we

3092
02:58:04,120 --> 02:58:09,600
Speaker 1: beat him. Come on, just get drink Champs on your show. Sorry,

3093
02:58:10,120 --> 02:58:12,920
Speaker 1: I ain't gonna do it. No, you should get on

3094
02:58:13,120 --> 02:58:20,560
Speaker 1: there Ellen. Let's get drink Champs nor in e Fan

3095
02:58:20,720 --> 02:58:26,320
Speaker 1: on your show, or have Ellen on drink Chap like that. No,

3096
02:58:26,480 --> 02:58:29,760
Speaker 1: we want Ellen on drinks. That would be incredible, crazy

3097
02:58:30,360 --> 02:58:33,400
Speaker 1: taking shots and all that. She'll do it, she'll she'll

3098
02:58:33,440 --> 02:58:37,040
Speaker 1: go in. That'd be crazy college the real nick. But

3099
02:58:37,720 --> 02:58:43,000
Speaker 1: ju my whole question. I had a whole different question

3100
02:58:43,080 --> 02:58:45,520
Speaker 1: at this point. You want to let this man go

3101
02:58:45,640 --> 02:58:51,040
Speaker 1: back to his family. Man, listen, that'll be honest. Did it?

3102
02:58:51,200 --> 02:58:56,960
Speaker 1: He did it? He did it? We really love you.

3103
02:58:58,280 --> 02:59:00,840
Speaker 1: This is the case. You don't know if what was happening.

3104
02:59:01,200 --> 02:59:05,800
Speaker 1: We're your whole other crewe to secret society, like you

3105
02:59:05,879 --> 02:59:09,959
Speaker 1: know these niggas that got you know when anybody got beef,

3106
02:59:10,160 --> 02:59:14,080
Speaker 1: you know there's great niggas that got your society and

3107
02:59:14,640 --> 02:59:18,720
Speaker 1: like that was stabbed. The whole neighborhood for you and

3108
02:59:19,200 --> 02:59:23,400
Speaker 1: you are in the neighborhood. Yes, you and you are

3109
02:59:23,520 --> 02:59:30,240
Speaker 1: in here with the secret society, stabber about somebody front

3110
02:59:30,280 --> 02:59:36,320
Speaker 1: of college. Guys. We're stabbing everybody. And I'm just saying

3111
02:59:36,360 --> 02:59:45,080
Speaker 1: that because it might sound racist. You're saving everybody. Doesn't

3112
02:59:45,120 --> 02:59:48,039
Speaker 1: mean he's just saying. He means that in a different

3113
02:59:48,080 --> 02:59:50,880
Speaker 1: way of saying everyone. He just loves me and I

3114
02:59:51,000 --> 02:59:54,120
Speaker 1: love him. That we all love you, not just me.

3115
02:59:54,320 --> 02:59:59,440
Speaker 1: I didn't hear any hate. I don't College, bro. I

3116
02:59:59,520 --> 03:00:02,640
Speaker 1: think it's episode is like everyone loves Raymond, but everyone

3117
03:00:02,720 --> 03:00:07,600
Speaker 1: loves College. Can we grow with that? Everyone loves all

3118
03:00:07,760 --> 03:00:13,840
Speaker 1: love at all times. Come make some But we wanted

3119
03:00:13,879 --> 03:00:16,600
Speaker 1: to let you know only ship all right. If I

3120
03:00:16,720 --> 03:00:28,600
Speaker 1: got more of this, I'm a legend hard But you

3121
03:00:28,680 --> 03:00:34,039
Speaker 1: know what, We're proud of you, everything you did, proud

3122
03:00:34,080 --> 03:00:38,000
Speaker 1: of you. Keep going. So we ain't stopping that one thing.

3123
03:00:38,080 --> 03:00:42,720
Speaker 1: I can't promise you. We're not stopping. And um, it's

3124
03:00:42,720 --> 03:00:44,800
Speaker 1: just I got a lot more to do. You'm saying

3125
03:00:44,800 --> 03:00:46,920
Speaker 1: I got a lot more to do. And right now,

3126
03:00:47,000 --> 03:00:49,880
Speaker 1: like I said earlier, and this this great conversations we're having,

3127
03:00:50,080 --> 03:00:54,800
Speaker 1: is that, um so only right for me? To level

3128
03:00:54,840 --> 03:00:58,360
Speaker 1: it up even more. You know, there's levels of this

3129
03:00:58,480 --> 03:01:01,320
Speaker 1: ship and eat key leaves is the next key and

3130
03:01:01,440 --> 03:01:04,880
Speaker 1: like because about the level up even more? Because I'm

3131
03:01:04,879 --> 03:01:06,760
Speaker 1: about to level up even more. I swear to you,

3132
03:01:06,840 --> 03:01:10,200
Speaker 1: I got some ship playing because of word. You know

3133
03:01:10,200 --> 03:01:12,280
Speaker 1: what I'm saying. I'm gonna be real with you. Please

3134
03:01:12,320 --> 03:01:15,600
Speaker 1: be real with me because lack of a better term.

3135
03:01:15,680 --> 03:01:20,120
Speaker 1: You like the puff daddy, it's you now. And I

3136
03:01:20,200 --> 03:01:24,440
Speaker 1: appreciate that. I'm a student puff too, but I appreciate that.

3137
03:01:24,520 --> 03:01:27,840
Speaker 1: And no, no, but you got the juice now, homes man,

3138
03:01:27,920 --> 03:01:32,160
Speaker 1: that's the talk. That's that talk. It's that talk. If

3139
03:01:32,240 --> 03:01:33,800
Speaker 1: I want to hit right, I don't want to make

3140
03:01:33,879 --> 03:01:36,720
Speaker 1: music anymore, but that no one else I will go

3141
03:01:36,840 --> 03:01:40,440
Speaker 1: to if I wanted to, you know, I go to you. Bro. No,

3142
03:01:40,520 --> 03:01:42,600
Speaker 1: we're gonna We're gonna We're gonna continue putting hits out.

3143
03:01:42,959 --> 03:01:45,600
Speaker 1: We're also gonna be doing movies. You know what I'm saying.

3144
03:01:45,600 --> 03:01:48,520
Speaker 1: We're also gonna be putting out a lot of new products. Um,

3145
03:01:49,920 --> 03:01:56,560
Speaker 1: we're gonna open more restaurants. We're buying a lot more property. Um,

3146
03:01:57,120 --> 03:02:02,800
Speaker 1: we're selling property. You know, We're gonna continue being a

3147
03:02:02,920 --> 03:02:05,800
Speaker 1: great family man. And and and everything you see me do.

3148
03:02:06,440 --> 03:02:08,800
Speaker 1: Just know I'm doing it for my kids. What I'm saying,

3149
03:02:09,240 --> 03:02:10,600
Speaker 1: which I know you do it for your kids. I

3150
03:02:10,600 --> 03:02:12,440
Speaker 1: don't know you do it for your kids. And you

3151
03:02:12,520 --> 03:02:14,720
Speaker 1: know what that is, um, And that's why we saw

3152
03:02:14,800 --> 03:02:17,320
Speaker 1: passionate about everything we do. You know what I'm saying.

3153
03:02:17,360 --> 03:02:19,560
Speaker 1: I tell everybody out there that don't have kids, and

3154
03:02:19,640 --> 03:02:24,320
Speaker 1: you meet somebody with kids, please overstand this passion that

3155
03:02:24,640 --> 03:02:27,280
Speaker 1: is coming from us. You know that's why we don't.

3156
03:02:27,480 --> 03:02:33,600
Speaker 1: We don't. We don't. It's not is we listen and life. Man,

3157
03:02:34,080 --> 03:02:38,039
Speaker 1: you don't even fucking business for years. His kids don't work.

3158
03:02:38,680 --> 03:02:40,400
Speaker 1: So I want to tell them his kids don't work.

3159
03:02:40,440 --> 03:02:46,520
Speaker 1: I'm sorry, but and life is simple. You choose either

3160
03:02:46,640 --> 03:02:50,400
Speaker 1: good or evil. We choose good. That's choose good. That's it.

3161
03:02:51,040 --> 03:02:59,480
Speaker 1: That's it. I feel like that no way we can

3162
03:02:59,600 --> 03:03:01,920
Speaker 1: keep it going on. I feel like that's the picture.

3163
03:03:02,200 --> 03:03:06,320
Speaker 1: Let's take the picture, all right. Put on the mask

3164
03:03:07,120 --> 03:03:11,160
Speaker 1: I've been putting on. So many thanks for joining us

3165
03:03:11,200 --> 03:03:13,840
Speaker 1: for another episode of Drink Champs, hosted by Yours Truly,

3166
03:03:13,959 --> 03:03:15,800
Speaker 1: d J E, f N and n O R E.

3167
03:03:16,280 --> 03:03:18,320
Speaker 1: Please make sure to follow us on all our socials

3168
03:03:18,560 --> 03:03:22,359
Speaker 1: let's at Drink Champs across all platforms, at the real Noriegan.

3169
03:03:22,480 --> 03:03:26,000
Speaker 1: I g at Noriega on Twitter, mine is at Who's

3170
03:03:26,040 --> 03:03:28,920
Speaker 1: Crazy on I g at d j e f N

3171
03:03:29,000 --> 03:03:31,400
Speaker 1: on Twitter, and most importantly, stay up to date with

3172
03:03:31,440 --> 03:03:34,840
Speaker 1: the latest releases, news and merch by going to drink

3173
03:03:34,920 --> 03:03:35,959
Speaker 1: champs dot com