WEBVTT - The Fifth Hour:  A+ in Lunch!

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<v Speaker 1>Cutbooms.

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<v Speaker 2>If you thought four hours a day, twelve hundred minutes

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<v Speaker 2>a week was enough, think again. He's the last remnants

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<v Speaker 2>of the old Republic, a soul fashion of fairness. He

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<v Speaker 2>treats crackheads in the ghetto gutter the same as the

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<v Speaker 2>rich pill poppers in the penthouse. Wow, it's a clearinghouse

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<v Speaker 2>of hot takes. Break free for something special. The Fifth

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<v Speaker 2>Hour with Ben Maller starts right now.

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<v Speaker 3>In the air everywhere, The Fifth Hour with Me, Ben

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<v Speaker 3>Maller and Danny G Radio Happy Saturday. As we are

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<v Speaker 3>recording this live on tape. I like to say that

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<v Speaker 3>because it used to annoy Tom Looney when I did.

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<v Speaker 1>The stuff with him. Oh you can not live blo tape.

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<v Speaker 1>But whatever. Anyway, it is the twelfth day of April.

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<v Speaker 3>We have made it till Saturday, and Danny G is

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<v Speaker 3>back in the hissy. As we hang out here on

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<v Speaker 3>this glorious Saturdays, I was thinking, maybe we do a

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<v Speaker 3>sporty podcast. Danny, I'm like, well, like, what's the big

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<v Speaker 3>NFL story Joe Flacco.

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<v Speaker 1>Going to the Browns.

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<v Speaker 3>I don't know that I needed to mention that on

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<v Speaker 3>the I guess I just mentioned it, but I Drew

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<v Speaker 3>Locke going back to Seattle.

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<v Speaker 1>That does not exactly stir there.

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<v Speaker 4>I have one for you. How about your boy Derek Carr.

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<v Speaker 4>After he and his agent told the Saints, hell, no,

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<v Speaker 4>we won't take a pay cut, Suddenly he is hurt.

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<v Speaker 4>What is it? His shoulder?

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<v Speaker 1>Yeah? Yeah, I saw you.

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<v Speaker 4>He need Yeah, And they think he's not going to

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<v Speaker 4>be able to play at all. So who is it

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<v Speaker 4>going to be? Rattler? No, they're going to now draft

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<v Speaker 4>a quarterback.

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<v Speaker 1>Yeah.

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<v Speaker 3>Well, that reminds me of one of the great episodes

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<v Speaker 3>in Laker history, back when I used to go out

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<v Speaker 3>to those games with Shaquille O'Neill. And do you remember

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<v Speaker 3>in the Shaq Kobe days there was one season that

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<v Speaker 3>Shaq came back and waited to get.

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<v Speaker 1>Surgery until the season like began.

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<v Speaker 3>Yes, And you remember the quote he says, I got

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<v Speaker 3>hurt on company time. I'm gonna heal on company time.

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<v Speaker 3>And it drove Phil Jackson. Those those people are crazy,

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<v Speaker 3>but that was his line. I got hurt on company time.

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<v Speaker 3>Somebody hill in company time, and that the Derek Carr thing,

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<v Speaker 3>that is a good story, I'll admit I it wasn't

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<v Speaker 3>at the top of my head. But the Derek Carr thing,

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<v Speaker 3>it's it's like when did he hurt his shoulder? Like

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<v Speaker 3>all of a sudden, you need shoulder surgery in April.

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<v Speaker 3>The season ended for the Saints in early January, they

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<v Speaker 3>didn't make the playoffs, and so now you need surgery.

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<v Speaker 1>It's like.

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<v Speaker 4>Fishy going on.

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<v Speaker 1>Well this and it does happen.

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<v Speaker 3>Look, the Atlanta Braves signed Jerkson Profar to a contract

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<v Speaker 3>when chances are pretty good it's more likely than not

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<v Speaker 3>that he knew he was going to fail h He

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<v Speaker 3>had already failed the PD test and he got forty

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<v Speaker 3>million dollars from from the Atlanta Braves. He's gonna miss

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<v Speaker 3>half the season, he won't be able to play in

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<v Speaker 3>the playoffs.

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<v Speaker 1>I know it's not an.

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<v Speaker 3>Injury, but it's it's a similar scam. And I looked

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<v Speaker 3>it up for a monologue this week, Danny. The Jerkson

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<v Speaker 3>Profar contract one of my favorite fun facts of the week,

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<v Speaker 3>that he got forty two million from the Atlanta Braves.

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<v Speaker 3>And if you look up the Loofs Tanza heist. You

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<v Speaker 3>know that famous heist from the airport in New York.

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<v Speaker 1>Yeah, the cargo.

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<v Speaker 3>They made movies about it. In Today's money. It would

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<v Speaker 3>have been like four million dollars or something like that.

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<v Speaker 3>It's a very small amount. So Jerks and Profar actually

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<v Speaker 3>got more than the Luftanza heist from the Atlanta Braves

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<v Speaker 3>by a lot.

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<v Speaker 1>Like going to him close close and all that.

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<v Speaker 3>But on this podcast, we've got the cheesy goodness when

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<v Speaker 3>the legend isn't the fact. We'll check the report card,

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<v Speaker 3>we've got no bullets, phrase of the week, all kinds

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<v Speaker 3>of stuff, but we'll start with this. It is Saturday,

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<v Speaker 3>and today is National Grilled Cheese Sandwich Day, Danny Grilled

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<v Speaker 3>Cheese Sandwich Day, And.

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<v Speaker 4>Well that goes perfect ben for what I woke up

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<v Speaker 4>to on this early Saturday morning. My wife and and

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<v Speaker 4>a couple of kids had some parmesan tomato soup last night. Okay,

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<v Speaker 4>and I didn't partake, but they left me some, so

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<v Speaker 4>I heated it up in the microwave as we were

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<v Speaker 4>getting set to broadcast the podcast. So in front of

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<v Speaker 4>me is a pipe and hot bowl of parmesan tomato soup.

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<v Speaker 4>What goes better with that than a grilled cheese.

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<v Speaker 1>Damn right, damn right?

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<v Speaker 3>And fun fact, bonus fun fact, the modern grilled cheese sandwich.

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<v Speaker 3>We are told, Danny that we still enjoy today that

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<v Speaker 3>you're hopefully going to enjoy here originated about one hundred

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<v Speaker 3>years ago, in the nineteen twenties. And they don't know

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<v Speaker 3>exactly who the first person to combine the bread and

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<v Speaker 3>cheese was, but the modern success they credit otto Frederick

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<v Speaker 3>Wahwetter raw Bedwetter. Oh see see if she probably wasn't

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<v Speaker 3>Beadweather when he was a kid. Rohwe d r. He

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<v Speaker 3>invented the bread slicer during the Industrial Revolution, the Gilded Age,

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<v Speaker 3>Gilded Age, and that invention, you know, dividing bread up

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<v Speaker 3>and all that stuff, making it affordable or affordable and

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<v Speaker 3>all that stuff, and that meant cheese could be transported

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<v Speaker 3>over long distances and not spoiled.

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<v Speaker 1>Yummy, Yeah, very yummy, mars so very yummy.

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<v Speaker 3>And the term grilled cheese originated in the nineteen sixties.

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<v Speaker 3>How about that. That's only that that phrase, you know,

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<v Speaker 3>that's a long time ago.

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<v Speaker 4>That's when you were born.

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<v Speaker 3>No no, I was born in two thousand and five.

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<v Speaker 1>I think I'm twenty years old right now.

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<v Speaker 3>But the first reference to a melted cheese sandwich was

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<v Speaker 3>nineteen oh two.

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<v Speaker 1>The French word for it nineteen ten or so.

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<v Speaker 3>But it really was the the nineteen twenty seven culinary revolution,

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<v Speaker 3>the bread slicing.

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<v Speaker 1>Machine that opened up the world to what we have today.

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<v Speaker 3>And so there we are, cheesy celebrated appropriately with grilled

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<v Speaker 3>cheese and a little life hack as the wife is

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<v Speaker 3>able to make the grilled cheese. Put the cheese on

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<v Speaker 3>the outside also not just the inside.

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<v Speaker 4>Oh man, missus Malard's grilled cheese sandwiches are some of

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<v Speaker 4>the best I've ever had.

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<v Speaker 1>Yeah, they're solid. Don't eat them that often. That great

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<v Speaker 1>for you. But when I ate them, man, outstanding, out standing.

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<v Speaker 3>Now, some people like to cut their grilled cheese up

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<v Speaker 3>and they like to put it like a little fondu

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<v Speaker 3>type situation, you know, the sandwich, dip it in the

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<v Speaker 3>cheese fondue and a little pot of cheese, and that's

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<v Speaker 3>cheese on top of cheese and top of cheese, and

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<v Speaker 3>that's extra.

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<v Speaker 1>Cheesy goodness is what is now.

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<v Speaker 3>I did want to mention this when the legend isn't

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<v Speaker 3>the fact. Now, there's a phrase that I use from

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<v Speaker 3>time to time, when the legend becomes the fact. Go

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<v Speaker 3>with the legend the man that shot liberty balance. But

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<v Speaker 3>when the legend isn't the fact? And I have an example. Now,

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<v Speaker 3>we love doing this podcast. We do it every weekend.

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<v Speaker 3>It's a labor of love, Danny, and we also get

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<v Speaker 3>paid for it on not much, not much, but on Friday,

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<v Speaker 3>Saturday and Sundays. We do this podcast today being Saturday,

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<v Speaker 3>and we'll have another one tomorrow and we do radio.

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<v Speaker 3>You're on with Colvino and Richard in the week I

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<v Speaker 3>got the Overnight show and so we do that a lot.

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<v Speaker 3>We've been we're radio nerds. We've both gotten a radio

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<v Speaker 3>when we were young. Danny was younger than I was.

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<v Speaker 3>I started when I was nineteen in radio. Danny, you

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<v Speaker 3>were like fifteen.

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<v Speaker 4>Or ything, like fifteen years old.

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<v Speaker 3>Yep, yeah, you're you're a young punk. And we love radio.

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<v Speaker 3>We've always loved radio. And over the years, the public

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<v Speaker 3>perception I blame Joe Rogan for this is that podcasting's

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<v Speaker 3>cool and radio.

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<v Speaker 1>Is not right, and that's the legend.

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<v Speaker 3>Now you know lately it's podcastings where all the cool

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<v Speaker 3>kids are and all that stuff. And well it turns

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<v Speaker 3>out when the legend isn't the facts. We get this

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<v Speaker 3>information all the time, and there was a big information dump.

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<v Speaker 1>It came and I think we're allowed to say this stuff.

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<v Speaker 1>I don't think this is bad stuff to say. I mean,

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<v Speaker 1>who knows, nobody told me not to say it? How

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<v Speaker 1>about that?

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<v Speaker 3>But when the public messaging doesn't line up with the reality.

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<v Speaker 1>Of the situation.

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<v Speaker 3>Another terms for that, people will say, you know, disinformation.

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<v Speaker 3>You can maybe say it's an urban legend, modern folklore

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<v Speaker 3>and all that.

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<v Speaker 1>So I bring this up just to.

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<v Speaker 3>Show you the power that regular radio still has. According

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<v Speaker 3>to research, this goes to the fourth quarter of twenty

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<v Speaker 3>twenty four, and it's the power of the radio dial.

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<v Speaker 3>And they found that AMFM old school, oh your boomer,

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<v Speaker 3>your old head, still accounts for eighty six percent of

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<v Speaker 3>listening within a car for Americans eighteen plus eighty six

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<v Speaker 3>percent of listening in the car and most if you

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<v Speaker 3>went up to the average person Danny on the street

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<v Speaker 3>and you said, hey, you know how many people are

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<v Speaker 3>listening to podcast or you know, streaming music even rather

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<v Speaker 3>than radio, there's this misconception. I would think that most

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<v Speaker 3>people would say, well, podcasting or streaming music, but according to.

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<v Speaker 1>The research, it's not true. While pretty crazy.

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<v Speaker 4>We talked about some of the numbers last weekend, remember

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<v Speaker 4>and this backs up our conversation.

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<v Speaker 1>Yeah, for sure. They broke it down even further.

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<v Speaker 3>It's an hour's worth of US AD supported audio consumption.

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<v Speaker 3>Am FM represented forty one point two minutes of listening

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<v Speaker 3>out of an hour. Now podcasts worse second, but only

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<v Speaker 3>about eleven minutes. Now, my one of my podcast mentors

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<v Speaker 3>taught me that a podcast is only supposed to be

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<v Speaker 3>like about thirty.

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<v Speaker 1>Minutes right around. We try to keep this to about

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<v Speaker 1>thirty minutes.

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<v Speaker 3>And the reason we do that is because the talk

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<v Speaker 3>is most people listen to a podcast. Maybe you're on

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<v Speaker 3>the gym or you're working out or something like that,

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<v Speaker 3>and you work out for about thirty minutes.

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<v Speaker 1>So it's like you're supposed to do a prep about

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<v Speaker 1>thirty minutes or whatever. So that's why we do this.

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<v Speaker 3>Some of the other stuff they broke down, the Spotify

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<v Speaker 3>was on there serious XM, but just for a couple

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<v Speaker 3>of minutes. And then Pandora Pandoraly got one point nine

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<v Speaker 3>minute per minutes per hour. So I thought those numbers

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<v Speaker 3>were interesting, and it shows you the still the overall number,

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<v Speaker 3>it's sixty nine percent audio time spent among people eighteen

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<v Speaker 3>plus sixty nine percent to the AMFM radio, and then

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<v Speaker 3>podcasting is second, and then after podcasting, it's it falls

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<v Speaker 3>off the map.

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<v Speaker 1>There's just not not a lot going on, Danny. After

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<v Speaker 1>not a lot going on, for sure, but no juice. Yeah,

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<v Speaker 1>definitely no juice.

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<v Speaker 3>And I know I haven't been in school in a

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<v Speaker 3>long time because I was a bad student and all

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<v Speaker 3>that stuff. But somewhere when those teachers that gave me

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<v Speaker 3>C plus's dandy, I want them to know that those

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<v Speaker 3>C pluses, I'm still working, So screw you.

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<v Speaker 1>That's what I and c's get degrees, Danny. That's the

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<v Speaker 1>most important.

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<v Speaker 4>Thing, right man. We've been having issues with our fourteen

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<v Speaker 4>year old for a couple of school years now because

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<v Speaker 4>there was a possibility that she was going to have

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<v Speaker 4>to be kept back in the eighth grade for another

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<v Speaker 4>go around, and that's a kid's worst nightmare. We finally

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<v Speaker 4>threatened her, We said, think about this, your friends are

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<v Speaker 4>going to be freshman in high school and you're going

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<v Speaker 4>to do the eighth grade over again in middle school.

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<v Speaker 4>Lo and behold, as my mom always used to say,

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<v Speaker 4>she started to study. She gets home now, actually goes

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<v Speaker 4>up to her room, and the first thing she does

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<v Speaker 4>is homework.

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<v Speaker 1>Ben.

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<v Speaker 4>She had a D, she had an F, she had

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<v Speaker 4>a C. She didn't even have a C plus on

0:12:01.240 --> 0:12:05.040
<v Speaker 4>her last report card. We really had to, you know,

0:12:05.120 --> 0:12:06.520
<v Speaker 4>get her fired up for school.

0:12:07.520 --> 0:12:13.280
<v Speaker 1>Did you did you offer a financial reward or just threatening? Right? Yeah?

0:12:13.480 --> 0:12:17.400
<v Speaker 4>You know, smart or evil minds think alike, because yes,

0:12:17.520 --> 0:12:19.679
<v Speaker 4>Brenda did offer her five hundred dollars.

0:12:20.200 --> 0:12:21.640
<v Speaker 1>Whoa wow.

0:12:22.360 --> 0:12:26.160
<v Speaker 4>She offered her five hundred dollars if she could get

0:12:26.559 --> 0:12:29.400
<v Speaker 4>straight a's. And Brenda kind of laughed after she said that,

0:12:29.440 --> 0:12:31.719
<v Speaker 4>because it's like, there's no way in hell you're ever

0:12:31.800 --> 0:12:34.800
<v Speaker 4>going to get straight a's. But the progress reports came

0:12:34.840 --> 0:12:38.880
<v Speaker 4>out yesterday, and I have the progress report right here.

0:12:38.880 --> 0:12:39.439
<v Speaker 4>Are you ready?

0:12:40.080 --> 0:12:42.640
<v Speaker 1>Reveal answers, Reveal answers.

0:12:42.120 --> 0:12:46.080
<v Speaker 4>All right, humanities, don't ask me what that is. I

0:12:46.080 --> 0:12:52.479
<v Speaker 4>think it's like social studies C plus all right, Algebra introductions.

0:12:52.600 --> 0:12:54.640
<v Speaker 4>It was an F last time, C.

0:12:55.160 --> 0:12:56.920
<v Speaker 1>C plus all right.

0:12:57.240 --> 0:12:59.120
<v Speaker 4>So she's trying to get that five hundred dollars. It

0:12:59.160 --> 0:13:05.400
<v Speaker 4>looks like new media art. That's like them teaching kids

0:13:05.440 --> 0:13:08.520
<v Speaker 4>photoshop E A plus.

0:13:09.720 --> 0:13:10.839
<v Speaker 1>Yeah, that's hard to f that one.

0:13:10.880 --> 0:13:11.080
<v Speaker 2>Yeah.

0:13:11.160 --> 0:13:11.360
<v Speaker 1>Yeah.

0:13:11.400 --> 0:13:14.720
<v Speaker 4>And King, she's stuck with her devices in front of

0:13:14.720 --> 0:13:17.000
<v Speaker 4>her face at all hours of the day and night.

0:13:17.360 --> 0:13:21.520
<v Speaker 4>We knew she'd be good at that class. Pe. You

0:13:21.520 --> 0:13:24.719
<v Speaker 4>can't mess up Pe, right. You would think she had

0:13:24.720 --> 0:13:27.360
<v Speaker 4>a C last time in Pe because she was being lazy.

0:13:27.880 --> 0:13:29.000
<v Speaker 4>She got that up to a B.

0:13:29.880 --> 0:13:32.200
<v Speaker 1>All right, good lunch.

0:13:32.760 --> 0:13:34.520
<v Speaker 4>There's no grade next to it. I don't even know

0:13:34.520 --> 0:13:35.280
<v Speaker 4>why they put that on.

0:13:35.440 --> 0:13:44.000
<v Speaker 1>I always got the top of my class. I was

0:13:44.040 --> 0:13:45.480
<v Speaker 1>going on school based.

0:13:52.800 --> 0:14:04.040
<v Speaker 4>Uh, that's been so good. Then finally and then finally,

0:14:05.080 --> 0:14:09.280
<v Speaker 4>finally science. That was a side that was a C

0:14:09.440 --> 0:14:13.720
<v Speaker 4>minus last time she raised it to a B minus.

0:14:13.760 --> 0:14:16.600
<v Speaker 4>Oh good, So she's she's moving in the right direction.

0:14:17.320 --> 0:14:20.120
<v Speaker 4>At least she's gonna be able to graduate and you know,

0:14:20.200 --> 0:14:23.920
<v Speaker 4>whatever small graduation they do from eighth to ninth grade.

0:14:24.360 --> 0:14:25.960
<v Speaker 3>But is there gonna be Is there gonna be a

0:14:25.960 --> 0:14:28.720
<v Speaker 3>side deal because she, uh, that's a that's a funny

0:14:29.240 --> 0:14:31.280
<v Speaker 3>thing your wife did, because yeah, she knew she never

0:14:31.400 --> 0:14:32.120
<v Speaker 3>had five hundred.

0:14:32.400 --> 0:14:35.080
<v Speaker 1>But if she if she gets b's, that's doable.

0:14:35.600 --> 0:14:37.280
<v Speaker 3>Would they be like, well, we'll give me half or

0:14:37.280 --> 0:14:38.800
<v Speaker 3>something like that?

0:14:38.840 --> 0:14:41.080
<v Speaker 1>A side situation here?

0:14:41.120 --> 0:14:43.320
<v Speaker 4>And yeah, this is like if we started the show

0:14:43.360 --> 0:14:45.120
<v Speaker 4>talking about Derek Carr, this would be like if you

0:14:45.120 --> 0:14:48.080
<v Speaker 4>put an incentive in his contract. We'll give you ten

0:14:48.200 --> 0:14:55.960
<v Speaker 4>million extra dollars if you take us to the super Bowl. Yeah,

0:14:56.120 --> 0:14:59.000
<v Speaker 4>of course, uh not gonna get the straight a's. But

0:14:59.040 --> 0:15:01.000
<v Speaker 4>this is just the progress report. This is not the

0:15:01.040 --> 0:15:03.880
<v Speaker 4>official report card yet. So she has a chance to

0:15:03.880 --> 0:15:07.160
<v Speaker 4>get these c pluses raised up, and then I'm sure

0:15:07.200 --> 0:15:09.080
<v Speaker 4>her mom will give in a little bit and give

0:15:09.080 --> 0:15:12.040
<v Speaker 4>her some of that money based on the different classes

0:15:12.080 --> 0:15:15.600
<v Speaker 4>where she raised those grades up. And this weekend, in fact,

0:15:16.120 --> 0:15:18.840
<v Speaker 4>later today, we're gonna pack up the car and we're

0:15:18.840 --> 0:15:22.080
<v Speaker 4>gonna take her to Laguna Beach to the shops there

0:15:22.640 --> 0:15:25.240
<v Speaker 4>and her mom for the effort she's put in, her

0:15:25.240 --> 0:15:28.200
<v Speaker 4>mom's gonna let her shop with a one hundred dollars bill.

0:15:28.600 --> 0:15:30.840
<v Speaker 4>She was really excited about that. She's like, you didn't

0:15:30.840 --> 0:15:34.400
<v Speaker 4>get five hundred yet. I'll give you one hundred dollars

0:15:34.440 --> 0:15:37.000
<v Speaker 4>for your work and effort you put in, and you

0:15:37.040 --> 0:15:39.840
<v Speaker 4>can go shopping this evening in Laguna Beach.

0:15:40.680 --> 0:15:43.440
<v Speaker 1>Nice. Look at that little South O s action.

0:15:43.840 --> 0:15:47.320
<v Speaker 4>Yeah, except today with inflation, you can get two items

0:15:47.320 --> 0:15:50.640
<v Speaker 4>for one hundred dollars. She'll probably get two little bracelets

0:15:50.640 --> 0:15:52.520
<v Speaker 4>and it'll be like seventy five bucks.

0:15:52.960 --> 0:15:57.200
<v Speaker 3>Yeah, it'll they'll be made out of like paper or something. Yeah, handmade,

0:15:57.320 --> 0:16:02.640
<v Speaker 3>handcrafted and all that. Wow, well no bullets, no bullets.

0:16:02.680 --> 0:16:05.640
<v Speaker 3>Now we had a I call it Mal's law. Some

0:16:05.640 --> 0:16:08.680
<v Speaker 3>people say it's Murphy's law. But anything that can go

0:16:08.840 --> 0:16:13.720
<v Speaker 3>wrong will go wrong the other night. So it started out,

0:16:14.120 --> 0:16:16.040
<v Speaker 3>let's go back in the way back machine. A few

0:16:16.120 --> 0:16:18.720
<v Speaker 3>days ago and I was getting ready for the show.

0:16:19.680 --> 0:16:24.240
<v Speaker 3>And I have a routine that I do. I normally

0:16:24.640 --> 0:16:28.720
<v Speaker 3>lay down on the sofa, I have the TV on,

0:16:28.840 --> 0:16:30.080
<v Speaker 3>watching some games or whatever.

0:16:30.120 --> 0:16:36.280
<v Speaker 1>I've got my dog, Moxie. I'm a bulldog who lays.

0:16:36.000 --> 0:16:39.080
<v Speaker 3>On the lays on the feet. And then I'm getting

0:16:39.120 --> 0:16:41.240
<v Speaker 3>ready for the show. And so when I do the

0:16:41.240 --> 0:16:46.040
<v Speaker 3>show from the remote studio, it involves you know, I

0:16:46.040 --> 0:16:47.920
<v Speaker 3>don't have to hurry up and rush into the studio

0:16:47.960 --> 0:16:49.040
<v Speaker 3>or anything like that to drive in.

0:16:49.600 --> 0:16:52.480
<v Speaker 1>When it's a remote broadcast, I have a lot of

0:16:52.520 --> 0:16:53.120
<v Speaker 1>extra time.

0:16:53.400 --> 0:16:55.480
<v Speaker 3>I don't spend, you know, a long time in the

0:16:55.480 --> 0:16:57.520
<v Speaker 3>car driving in from the north Woods, and saves me time.

0:16:57.560 --> 0:16:59.560
<v Speaker 1>And so so I'm getting ready for show and.

0:16:59.600 --> 0:17:04.480
<v Speaker 3>Futs to around there putting everything together. And there's a

0:17:04.560 --> 0:17:06.320
<v Speaker 3>term we use put the baby to bed. So I've

0:17:06.359 --> 0:17:08.960
<v Speaker 3>got the notes done and I do these monologues, and

0:17:09.000 --> 0:17:11.560
<v Speaker 3>I have bullet points and things that I won't want

0:17:11.680 --> 0:17:14.719
<v Speaker 3>to hit on during the mall are monologues that we do.

0:17:14.800 --> 0:17:17.840
<v Speaker 3>And I have a lot of commercials. That's the most

0:17:17.880 --> 0:17:20.040
<v Speaker 3>important part. I've been told the commercials are the most

0:17:20.040 --> 0:17:22.919
<v Speaker 3>important part. You've got to get the commercials in.

0:17:23.040 --> 0:17:24.800
<v Speaker 1>So there's a lot.

0:17:24.800 --> 0:17:26.879
<v Speaker 3>We have a lot more as I think it was

0:17:26.920 --> 0:17:30.560
<v Speaker 3>Reggie complained last week, was it last week or two

0:17:30.560 --> 0:17:34.080
<v Speaker 3>out of complained about the commercial But we we have

0:17:34.119 --> 0:17:35.600
<v Speaker 3>a lot, and so you have to keep track. There's

0:17:35.600 --> 0:17:38.160
<v Speaker 3>a lot of live reads, and so I have to

0:17:38.200 --> 0:17:40.600
<v Speaker 3>make sure everything's where it needs to go. And so

0:17:40.600 --> 0:17:41.960
<v Speaker 3>so I'm getting ready for the show.

0:17:41.800 --> 0:17:42.119
<v Speaker 1>And and.

0:17:44.440 --> 0:17:47.080
<v Speaker 3>I got everything done, ready ready for the show, and

0:17:47.119 --> 0:17:49.480
<v Speaker 3>I'm just kind of hanging out and then I walk,

0:17:50.280 --> 0:17:52.560
<v Speaker 3>I get up, throw a little water on my face,

0:17:52.560 --> 0:17:56.920
<v Speaker 3>so I'm somewhat awake, and then make the trip up

0:17:56.960 --> 0:17:59.760
<v Speaker 3>to and then down the hall and then around the corner,

0:17:59.760 --> 0:18:01.879
<v Speaker 3>and then I get to the remote studio. Got to

0:18:01.880 --> 0:18:03.800
<v Speaker 3>turn everything on, make sure everything's good on that. So

0:18:03.840 --> 0:18:06.720
<v Speaker 3>I go in there and then I settle in. I

0:18:06.720 --> 0:18:08.479
<v Speaker 3>got to turn all these lights on because we're on

0:18:08.520 --> 0:18:10.200
<v Speaker 3>the YouTube now, So I got to turn all the

0:18:10.240 --> 0:18:14.720
<v Speaker 3>lights on, turn everything on, and we are about at

0:18:14.760 --> 0:18:17.960
<v Speaker 3>this point by the time, I just kind of settle

0:18:18.000 --> 0:18:24.119
<v Speaker 3>in for maybe ninety seconds from on airtime to start talking.

0:18:24.160 --> 0:18:25.600
<v Speaker 1>So I got about ninety seconds.

0:18:25.680 --> 0:18:28.800
<v Speaker 4>All right, this sounds like firing up the Starship Enterprise.

0:18:29.000 --> 0:18:30.960
<v Speaker 3>Oh, very similar, very similar to Dani. I'm glad you

0:18:30.960 --> 0:18:33.760
<v Speaker 3>brought that up. So I then I'm sitting down. I'm

0:18:33.760 --> 0:18:35.679
<v Speaker 3>settling in. I've got the lights on, I turned the

0:18:35.720 --> 0:18:37.920
<v Speaker 3>camera on, I got everything ready to go. Lights, camera,

0:18:38.000 --> 0:18:38.760
<v Speaker 3>and it's about.

0:18:38.560 --> 0:18:39.000
<v Speaker 1>To be action.

0:18:39.880 --> 0:18:44.879
<v Speaker 3>So the way this works, I have my laptop that

0:18:44.960 --> 0:18:48.439
<v Speaker 3>I use everything I do my prep with, and then

0:18:48.480 --> 0:18:51.840
<v Speaker 3>when I do the remote show everything from the laptop

0:18:51.960 --> 0:18:52.679
<v Speaker 3>through the magic.

0:18:52.720 --> 0:18:54.840
<v Speaker 1>I don't even know how this works. It really is magic.

0:18:55.640 --> 0:18:56.400
<v Speaker 1>It's sorcery.

0:18:56.680 --> 0:18:59.920
<v Speaker 3>So everything from the laptop transfers to the studio computer

0:19:00.080 --> 0:19:02.600
<v Speaker 3>that I use in the remote studio. So I don't

0:19:02.640 --> 0:19:05.040
<v Speaker 3>need my laptop. I don't even bring my laptop with me.

0:19:05.119 --> 0:19:08.840
<v Speaker 3>Everything's the same thing is on that computer. It say

0:19:08.880 --> 0:19:11.600
<v Speaker 3>it's a mirror of what I was using, So I

0:19:11.600 --> 0:19:13.960
<v Speaker 3>don't even worry about I don't need to finagle with it.

0:19:14.080 --> 0:19:16.800
<v Speaker 3>I'm good to go. So I get in there, and

0:19:16.800 --> 0:19:18.680
<v Speaker 3>I said, I think you can imagine where this is going.

0:19:18.720 --> 0:19:21.280
<v Speaker 3>So I click on the file that has my bullet

0:19:21.320 --> 0:19:23.720
<v Speaker 3>points for the malad monologue. I click on the file

0:19:23.800 --> 0:19:25.600
<v Speaker 3>that has the commercial that I have to do at

0:19:25.600 --> 0:19:28.439
<v Speaker 3>the top of the hour, the copy, and.

0:19:29.800 --> 0:19:35.640
<v Speaker 1>Nothing, no nothing.

0:19:36.520 --> 0:19:42.000
<v Speaker 3>When I say nothing, I mean blankety mcblank, I am

0:19:42.119 --> 0:19:49.160
<v Speaker 3>saying absolutely nothing. And I'm getting I'm hearing the recorded

0:19:49.240 --> 0:19:51.119
<v Speaker 3>update because we don't you know, we don't have a

0:19:51.160 --> 0:19:52.440
<v Speaker 3>budget for live update people.

0:19:52.480 --> 0:19:56.480
<v Speaker 1>So I hear a recorded update and I know what's coming.

0:19:56.520 --> 0:19:58.200
<v Speaker 3>You know, I'm gonna have to start the yapp and

0:19:58.240 --> 0:19:59.680
<v Speaker 3>away And I'm like, well, I don't, I.

0:19:59.600 --> 0:20:03.600
<v Speaker 1>Mean, boy, and boom goes the dynamite. Yeah, pretty much.

0:20:04.440 --> 0:20:06.280
<v Speaker 1>So I'm like, all right, I've been doing this a

0:20:06.320 --> 0:20:08.560
<v Speaker 1>long time. We'll just let it rip, and you know,

0:20:08.600 --> 0:20:09.120
<v Speaker 1>what the hell?

0:20:10.000 --> 0:20:13.440
<v Speaker 3>And so I did not have I had no bullets,

0:20:13.800 --> 0:20:15.240
<v Speaker 3>but unshaken, unseen.

0:20:15.280 --> 0:20:17.680
<v Speaker 1>Nobody noticed, not one person.

0:20:17.680 --> 0:20:22.600
<v Speaker 3>Not Alf Wow Miner, not ferg Dog, not Tony in

0:20:22.640 --> 0:20:26.480
<v Speaker 3>the Bay area, not Nick in Wisconsin, none of these guys.

0:20:26.520 --> 0:20:28.320
<v Speaker 1>Nobody noticed that.

0:20:29.080 --> 0:20:31.720
<v Speaker 3>And then, to make matters even better, Danny, So I'm

0:20:31.760 --> 0:20:33.000
<v Speaker 3>then I'm doing everything.

0:20:33.040 --> 0:20:34.000
<v Speaker 1>I'm doing the monologue.

0:20:34.080 --> 0:20:35.919
<v Speaker 3>I'm letting it rip, right, you know, it's trying to

0:20:36.440 --> 0:20:38.520
<v Speaker 3>trying to remember as much as I can. And then

0:20:38.760 --> 0:20:42.520
<v Speaker 3>midway through the monologue, I get a malfunction.

0:20:43.000 --> 0:20:46.359
<v Speaker 1>The camera breaks. There was a there was an issue

0:20:46.359 --> 0:20:46.960
<v Speaker 1>a recording.

0:20:47.160 --> 0:20:50.840
<v Speaker 3>Now the camera's broken in the middle of the monologue,

0:20:51.320 --> 0:20:54.560
<v Speaker 3>and I'm like, oh, crap, man, what that f is going?

0:20:54.680 --> 0:20:55.920
<v Speaker 3>It is ridiculous.

0:20:56.520 --> 0:20:57.800
<v Speaker 1>What are we doing here?

0:20:58.640 --> 0:21:01.199
<v Speaker 4>Wait back to you free styling off the top of

0:21:01.240 --> 0:21:04.639
<v Speaker 4>your dome. Yes, did you just like close your eyes

0:21:04.680 --> 0:21:07.399
<v Speaker 4>and imagine what you had typed? Well?

0:21:07.440 --> 0:21:09.320
<v Speaker 3>I couldn't close my eyes because the camera was on.

0:21:09.400 --> 0:21:14.520
<v Speaker 3>All true, I was trying to channel like the I

0:21:14.520 --> 0:21:15.000
<v Speaker 3>don't know what.

0:21:16.160 --> 0:21:18.359
<v Speaker 4>Jay z the way he writes lyrics in his head,

0:21:19.080 --> 0:21:21.600
<v Speaker 4>goes into the booth and then spits them on the

0:21:21.600 --> 0:21:24.320
<v Speaker 4>microphone and doesn't need any paper in front of them.

0:21:24.920 --> 0:21:25.200
<v Speaker 1>Yeah.

0:21:25.240 --> 0:21:27.119
<v Speaker 3>And to be fair, I mean, you know, Danny, you've

0:21:27.160 --> 0:21:28.960
<v Speaker 3>worked with me for a long time, and I have

0:21:29.160 --> 0:21:32.040
<v Speaker 3>a lot of nodes, bullet points or whatever. But usually

0:21:32.119 --> 0:21:35.600
<v Speaker 3>what ends up happening is it's I try to ignore them.

0:21:35.600 --> 0:21:39.080
<v Speaker 3>They're just there in case I have a drowning moment

0:21:39.119 --> 0:21:41.439
<v Speaker 3>where I forget my train of thought and I'm like,

0:21:41.600 --> 0:21:42.960
<v Speaker 3>I need something to kind of get.

0:21:43.080 --> 0:21:46.600
<v Speaker 4>Yeah, it's just a template. It's more of a template exactly.

0:21:46.600 --> 0:21:50.040
<v Speaker 3>It's like a template and so but it's a safety blanket.

0:21:50.119 --> 0:21:51.760
<v Speaker 3>And when you don't have the safety.

0:21:51.440 --> 0:21:56.400
<v Speaker 4>Blanket, oh, I hate I hate that feeling, especially in broadcasting,

0:21:56.520 --> 0:21:59.840
<v Speaker 4>because I need that safety blanket.

0:22:00.760 --> 0:22:01.280
<v Speaker 1>H Exactly.

0:22:01.440 --> 0:22:04.600
<v Speaker 4>It's like it's like Coha when he is on the boo,

0:22:05.280 --> 0:22:09.080
<v Speaker 4>he has to hold an emotional support toy in his hand.

0:22:10.240 --> 0:22:13.280
<v Speaker 4>I'm not sure why, but as he's sucking on the boo,

0:22:13.640 --> 0:22:15.640
<v Speaker 4>he's got a toy in his hand and he's got

0:22:15.720 --> 0:22:19.080
<v Speaker 4>to have that emotional support toy. I'm like that with radio.

0:22:19.119 --> 0:22:22.439
<v Speaker 4>If I don't have the preparation in front of me,

0:22:23.080 --> 0:22:26.800
<v Speaker 4>I just it's not panic. It's more of, oh my god,

0:22:26.840 --> 0:22:29.919
<v Speaker 4>this is it messes your routine up, is what it is?

0:22:30.440 --> 0:22:31.359
<v Speaker 1>Yeah, one hundred percent.

0:22:31.520 --> 0:22:35.280
<v Speaker 3>And it's it's kind of like I guess like seatbelts.

0:22:35.359 --> 0:22:37.280
<v Speaker 3>You don't you hope you never actually need to use

0:22:37.560 --> 0:22:39.560
<v Speaker 3>the safety belt, but if you do, you're.

0:22:39.400 --> 0:22:40.159
<v Speaker 1>Glad you put it on.

0:22:40.320 --> 0:22:42.320
<v Speaker 3>It's like that kind of thing, right, It's like, well,

0:22:42.320 --> 0:22:45.600
<v Speaker 3>I probably won't ever need this, but just in case,

0:22:45.920 --> 0:22:48.520
<v Speaker 3>just in case, that one night where everything goes to

0:22:48.600 --> 0:22:51.880
<v Speaker 3>hell and where we're good to go. So anyway that fortunately,

0:22:52.119 --> 0:22:56.840
<v Speaker 3>after that opening monologue, I was able to update. I

0:22:56.920 --> 0:23:00.119
<v Speaker 3>had to reset some things and everything transferred over to

0:23:00.160 --> 0:23:03.000
<v Speaker 3>the computer. But in the commercial, that part was a

0:23:03.000 --> 0:23:04.840
<v Speaker 3>little tricky. I had to get them that was off

0:23:04.880 --> 0:23:07.520
<v Speaker 3>my phone. I did grab my phone to do the

0:23:08.359 --> 0:23:11.119
<v Speaker 3>do I do not remember the commercial copy?

0:23:11.800 --> 0:23:13.360
<v Speaker 1>I don't you.

0:23:13.320 --> 0:23:15.800
<v Speaker 4>Weren't you weren't like your boy Harlan. Did you see

0:23:15.800 --> 0:23:18.920
<v Speaker 4>how he screwed up that read on on TV? Oh

0:23:18.960 --> 0:23:19.879
<v Speaker 4>that was so good?

0:23:20.440 --> 0:23:21.280
<v Speaker 1>Yeah, he's awesome.

0:23:21.920 --> 0:23:24.680
<v Speaker 4>Chicken Tenders listen, listen to this. This happened a few

0:23:24.760 --> 0:23:25.240
<v Speaker 4>nights ago.

0:23:25.480 --> 0:23:29.000
<v Speaker 5>The NBA on TMT is brought to you by the

0:23:29.080 --> 0:23:35.359
<v Speaker 5>new Crispy Tenders at CarMax. What the way car buying

0:23:35.400 --> 0:23:36.359
<v Speaker 5>should be? Can that be?

0:23:36.480 --> 0:23:36.879
<v Speaker 2>What is that?

0:23:38.200 --> 0:23:38.879
<v Speaker 1>Waited a minute?

0:23:38.880 --> 0:23:39.360
<v Speaker 2>Hold on?

0:23:39.520 --> 0:23:41.040
<v Speaker 1>I'm holding hold on?

0:23:41.200 --> 0:23:43.400
<v Speaker 5>Are they serving tenders with cars?

0:23:44.080 --> 0:23:47.320
<v Speaker 1>Are there tenders in the car? Because if there is,

0:23:47.400 --> 0:23:47.720
<v Speaker 1>you're in.

0:23:49.400 --> 0:23:52.000
<v Speaker 5>We just had the marriage of two different sponsors and

0:23:52.080 --> 0:23:53.080
<v Speaker 5>it was ugly.

0:23:55.520 --> 0:24:02.360
<v Speaker 1>Who wrote that. Only you can laugh about it.

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<v Speaker 5>That just goes to show you I literally will read

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<v Speaker 5>anything they put in front of me without it even

0:24:06.680 --> 0:24:07.960
<v Speaker 5>looking like the Holy Cow.

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<v Speaker 1>That's great.

0:24:10.680 --> 0:24:14.080
<v Speaker 3>Oh yeah, what I say, like like a train?

0:24:14.200 --> 0:24:16.120
<v Speaker 1>Seal right, it just right there.

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<v Speaker 4>Oh, some producer got slapped on the wrist after that.

0:24:21.320 --> 0:24:26.000
<v Speaker 4>He accidentally copied in paste two sponsor reads together.

0:24:26.119 --> 0:24:29.879
<v Speaker 1>Oops, that is Ron Burgundy, that is the anchorman.

0:24:30.560 --> 0:24:36.960
<v Speaker 3>Yes, they did that with Charles Barkley, one of the

0:24:36.960 --> 0:24:39.960
<v Speaker 3>famous T and T bloopers. Realized Barkley would read anything

0:24:40.000 --> 0:24:42.440
<v Speaker 3>on the teleprompter, so they put and then sure enough

0:24:42.480 --> 0:24:45.320
<v Speaker 3>Barkley read read read everything.

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<v Speaker 1>But oh after yourself, san Diego. Hey, damn, you.

0:24:50.320 --> 0:24:52.359
<v Speaker 4>Sound like you're seventeen years old, right there.

0:24:52.800 --> 0:24:56.600
<v Speaker 1>I was. I was actually sixteen. I was actually sixteen.

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<v Speaker 1>Go after yourself, san Diego. Wow, that's that's old school, man.

0:25:02.520 --> 0:25:04.520
<v Speaker 3>There are so many drops in it we need to have,

0:25:04.600 --> 0:25:06.040
<v Speaker 3>Like I need to talk to the rain and get

0:25:06.080 --> 0:25:08.399
<v Speaker 3>her to bring back some of the classic like rotating

0:25:08.600 --> 0:25:10.760
<v Speaker 3>some of these old school drops and all that stuff.

0:25:10.760 --> 0:25:12.440
<v Speaker 1>That'd be cool to have those back.

0:25:12.840 --> 0:25:16.280
<v Speaker 3>All right, let's get to the phrase of the week.

0:25:16.640 --> 0:25:18.040
<v Speaker 2>I don't know how I could do with a whole

0:25:18.080 --> 0:25:21.000
<v Speaker 2>mouthful of that goo oh boy.

0:25:21.160 --> 0:25:24.680
<v Speaker 1>All right, the phrase of the week. Phrase the phrase

0:25:25.119 --> 0:25:25.879
<v Speaker 1>of the week.

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<v Speaker 3>This comes courtesy of Bill from Korea Town. Now, Danny,

0:25:30.359 --> 0:25:34.960
<v Speaker 3>you remember billing Bill and Venice. Oh yeah, yes, got

0:25:34.960 --> 0:25:39.160
<v Speaker 3>a very distinctive cadence. Bill in Venice is he he's

0:25:39.200 --> 0:25:43.199
<v Speaker 3>not overrated. I would say he's underrated as a caller.

0:25:43.560 --> 0:25:48.320
<v Speaker 3>So Bill called up the other night and he's a bet.

0:25:48.480 --> 0:25:49.760
<v Speaker 3>I used the word.

0:25:49.840 --> 0:25:52.840
<v Speaker 1>That's not a word, you know, he starts Bill.

0:25:53.160 --> 0:25:56.360
<v Speaker 3>Bill is trying to trying to touch up my work, right,

0:25:56.400 --> 0:25:58.080
<v Speaker 3>So I'm like, well, maybe I said something.

0:25:58.119 --> 0:26:00.159
<v Speaker 1>I was tired. I said something I shouldn't say. So

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<v Speaker 1>I said, I said what's the word, Bill? And I

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<v Speaker 1>don't know?

0:26:05.640 --> 0:26:09.000
<v Speaker 3>And then I kept asking him, I said what's and

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<v Speaker 3>so eventually he said he said the word was the

0:26:12.480 --> 0:26:16.080
<v Speaker 3>word that I used was harbinger or no, he said barringer.

0:26:16.080 --> 0:26:17.119
<v Speaker 1>I think he's aid barringer.

0:26:17.480 --> 0:26:21.400
<v Speaker 3>And then we determined he meant harbinger and he said

0:26:21.440 --> 0:26:24.480
<v Speaker 3>that I made I made that up. Now, A, I

0:26:24.480 --> 0:26:28.320
<v Speaker 3>don't remember saying it. B I do say it. And

0:26:28.400 --> 0:26:31.399
<v Speaker 3>so I thought, in honor of Bill in Koreatown, who

0:26:31.440 --> 0:26:34.000
<v Speaker 3>I'm pretty sure does not listen to this podcast, just

0:26:34.000 --> 0:26:36.840
<v Speaker 3>to f with him because it was very bizarre. I'm

0:26:36.880 --> 0:26:40.520
<v Speaker 3>like the guy he calls up to correct me, and

0:26:40.680 --> 0:26:43.439
<v Speaker 3>he doesn't know what exactly he's corrected me about. Then

0:26:43.480 --> 0:26:46.600
<v Speaker 3>he says, I made up the word, which is bull crap.

0:26:47.080 --> 0:26:51.760
<v Speaker 3>So the phrase harbinger of things to come, it originates

0:26:51.840 --> 0:26:55.159
<v Speaker 3>from the beginning of that at harbinger. The obviously, the

0:26:55.160 --> 0:26:59.600
<v Speaker 3>word harbinger dates back to Middle English around the twelfth

0:26:59.600 --> 0:27:04.120
<v Speaker 3>cent Harbinger now it initially referred to a person who

0:27:04.119 --> 0:27:08.320
<v Speaker 3>provided lodging or acted as a host for travelers. It

0:27:08.359 --> 0:27:14.719
<v Speaker 3>comes from the Old French word herbringer, which means to

0:27:14.920 --> 0:27:19.320
<v Speaker 3>provide the lodging, to provide lodging, and the phrase itself,

0:27:19.359 --> 0:27:24.160
<v Speaker 3>combining harbinger with things to come, that emerged in English

0:27:24.560 --> 0:27:29.560
<v Speaker 3>literature to describe a sign, event, or a person foreshadowing

0:27:30.480 --> 0:27:32.000
<v Speaker 3>future developments, and that.

0:27:32.960 --> 0:27:37.120
<v Speaker 1>Is what it is today. It became more and more.

0:27:36.960 --> 0:27:40.560
<v Speaker 3>Popular in the nineteenth and twentieth centuries, often used in

0:27:40.720 --> 0:27:46.679
<v Speaker 3>very poetic, traumatic context. And another one of these phrases

0:27:47.119 --> 0:27:52.600
<v Speaker 3>that really took off because of Shakespeare, and it appears

0:27:52.840 --> 0:27:56.760
<v Speaker 3>in works like Macbeth, which is in sixteen oh six

0:27:56.800 --> 0:28:02.080
<v Speaker 3>from Shakespeare. And this so many phrases that are Shakespearean

0:28:02.720 --> 0:28:05.600
<v Speaker 3>that are still used to this day. How crazy is

0:28:05.640 --> 0:28:08.560
<v Speaker 3>that that you can get some stuff in the sixteen hundreds,

0:28:09.040 --> 0:28:11.760
<v Speaker 3>and here we are all these years later, and people

0:28:11.800 --> 0:28:15.520
<v Speaker 3>are still using these phrases that Shakespeare came up with.

0:28:15.800 --> 0:28:21.440
<v Speaker 3>Its roots lie in the evolution of Harbinger as a

0:28:21.480 --> 0:28:26.159
<v Speaker 3>herald of what lies ahead, and it took off in

0:28:26.240 --> 0:28:29.280
<v Speaker 3>many ways because of a Shakespeare. So the phrase of

0:28:29.280 --> 0:28:33.359
<v Speaker 3>the week harbinger of things to come, thanks to Bill

0:28:34.560 --> 0:28:38.040
<v Speaker 3>in Koreatown one of the Odder moments, and we can

0:28:38.080 --> 0:28:40.760
<v Speaker 3>add that to the big stack of odd moments that

0:28:40.760 --> 0:28:41.440
<v Speaker 3>have happened on the.

0:28:41.400 --> 0:28:45.120
<v Speaker 1>Show, like this, give me a little taste of that dick.

0:28:45.760 --> 0:28:50.920
<v Speaker 3>Oh my god, dar you that's Ai edit. I put

0:28:50.960 --> 0:28:53.200
<v Speaker 3>Bill in Koreatown's comment. Danny right up there with the

0:28:53.240 --> 0:28:56.560
<v Speaker 3>guy from jail that sent me a prison letter.

0:28:57.240 --> 0:28:59.120
<v Speaker 1>I remember I talked about this. He was complaining I

0:28:59.120 --> 0:29:02.760
<v Speaker 1>was doing intimint facts as in jail. He sent me

0:29:02.760 --> 0:29:06.640
<v Speaker 1>a letter to complain this. If we'll get out on that, Danny,

0:29:06.800 --> 0:29:09.000
<v Speaker 1>it is Saturday. You're gonna be you going down to

0:29:09.040 --> 0:29:11.280
<v Speaker 1>the O C today, O see fun. Are you gonna

0:29:11.280 --> 0:29:12.080
<v Speaker 1>stay at home? Yeah?

0:29:12.280 --> 0:29:14.560
<v Speaker 4>Uh no, it looks like I'm gonna go along. But

0:29:14.600 --> 0:29:17.720
<v Speaker 4>I feel like I'm going to be the usher for

0:29:17.920 --> 0:29:19.400
<v Speaker 4>you know who, Bam bam.

0:29:19.840 --> 0:29:21.760
<v Speaker 1>Oh yeah, guard with bam bam.

0:29:21.840 --> 0:29:25.480
<v Speaker 4>I will be the bodyguard for one big baby brute. Coha,

0:29:28.840 --> 0:29:30.280
<v Speaker 4>no no, no no, bam bam.

0:29:30.320 --> 0:29:34.240
<v Speaker 3>Don't do that, finey, don't speak mean to him, reason

0:29:34.400 --> 0:29:34.880
<v Speaker 3>with him.

0:29:35.320 --> 0:29:39.360
<v Speaker 1>Okay, no, bam bam. You mustn't hit anything with your couch.

0:29:40.160 --> 0:29:43.440
<v Speaker 1>He caught my finger. That's great.

0:29:44.080 --> 0:29:47.080
<v Speaker 3>The big fella will have fun, enjoy that. Whether should

0:29:47.120 --> 0:29:50.320
<v Speaker 3>be good in the very nice beach day. All right,

0:29:50.320 --> 0:29:52.280
<v Speaker 3>we'll get out on that, have a wonderful rest of

0:29:52.360 --> 0:29:56.200
<v Speaker 3>the get the mail bag tomorrow and we'll catch you

0:29:56.240 --> 0:29:57.640
<v Speaker 3>then later.

0:29:57.720 --> 0:29:59.800
<v Speaker 4>Skater my felicious