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Speaker 1: Cutbooms.

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Speaker 2: If you thought four hours a day, twelve hundred minutes

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Speaker 2: a week was enough, think again. He's the last remnants

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Speaker 2: of the old Republic, a soul fashion of fairness. He

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Speaker 2: treats crackheads in the ghetto gutter the same as the

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Speaker 2: rich pill poppers in the penthouse. Wow, it's a clearinghouse

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Speaker 2: of hot takes. Break free for something special. The Fifth

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Speaker 2: Hour with Ben Maller starts right now.

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Speaker 3: In the air everywhere, The Fifth Hour with Me, Ben

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Speaker 3: Maller and Danny G Radio Happy Saturday. As we are

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Speaker 3: recording this live on tape. I like to say that

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Speaker 3: because it used to annoy Tom Looney when I did.

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Speaker 1: The stuff with him. Oh you can not live blo tape.

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Speaker 1: But whatever. Anyway, it is the twelfth day of April.

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Speaker 3: We have made it till Saturday, and Danny G is

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Speaker 3: back in the hissy. As we hang out here on

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Speaker 3: this glorious Saturdays, I was thinking, maybe we do a

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Speaker 3: sporty podcast. Danny, I'm like, well, like, what's the big

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Speaker 3: NFL story Joe Flacco.

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Speaker 1: Going to the Browns.

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Speaker 3: I don't know that I needed to mention that on

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Speaker 3: the I guess I just mentioned it, but I Drew

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Speaker 3: Locke going back to Seattle.

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Speaker 1: That does not exactly stir there.

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Speaker 4: I have one for you. How about your boy Derek Carr.

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Speaker 4: After he and his agent told the Saints, hell, no,

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Speaker 4: we won't take a pay cut, Suddenly he is hurt.

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Speaker 4: What is it? His shoulder?

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Speaker 1: Yeah? Yeah, I saw you.

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Speaker 4: He need Yeah, And they think he's not going to

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Speaker 4: be able to play at all. So who is it

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Speaker 4: going to be? Rattler? No, they're going to now draft

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Speaker 4: a quarterback.

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Speaker 1: Yeah.

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Speaker 3: Well, that reminds me of one of the great episodes

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Speaker 3: in Laker history, back when I used to go out

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Speaker 3: to those games with Shaquille O'Neill. And do you remember

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Speaker 3: in the Shaq Kobe days there was one season that

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Speaker 3: Shaq came back and waited to get.

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Speaker 1: Surgery until the season like began.

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Speaker 3: Yes, And you remember the quote he says, I got

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Speaker 3: hurt on company time. I'm gonna heal on company time.

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Speaker 3: And it drove Phil Jackson. Those those people are crazy,

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Speaker 3: but that was his line. I got hurt on company time.

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Speaker 3: Somebody hill in company time, and that the Derek Carr thing,

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Speaker 3: that is a good story, I'll admit I it wasn't

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Speaker 3: at the top of my head. But the Derek Carr thing,

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Speaker 3: it's it's like when did he hurt his shoulder? Like

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Speaker 3: all of a sudden, you need shoulder surgery in April.

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Speaker 3: The season ended for the Saints in early January, they

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Speaker 3: didn't make the playoffs, and so now you need surgery.

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Speaker 1: It's like.

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Speaker 4: Fishy going on.

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Speaker 1: Well this and it does happen.

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Speaker 3: Look, the Atlanta Braves signed Jerkson Profar to a contract

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Speaker 3: when chances are pretty good it's more likely than not

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Speaker 3: that he knew he was going to fail h He

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Speaker 3: had already failed the PD test and he got forty

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Speaker 3: million dollars from from the Atlanta Braves. He's gonna miss

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Speaker 3: half the season, he won't be able to play in

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Speaker 3: the playoffs.

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Speaker 1: I know it's not an.

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Speaker 3: Injury, but it's it's a similar scam. And I looked

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Speaker 3: it up for a monologue this week, Danny. The Jerkson

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Speaker 3: Profar contract one of my favorite fun facts of the week,

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Speaker 3: that he got forty two million from the Atlanta Braves.

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Speaker 3: And if you look up the Loofs Tanza heist. You

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Speaker 3: know that famous heist from the airport in New York.

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Speaker 1: Yeah, the cargo.

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Speaker 3: They made movies about it. In Today's money. It would

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Speaker 3: have been like four million dollars or something like that.

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Speaker 3: It's a very small amount. So Jerks and Profar actually

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Speaker 3: got more than the Luftanza heist from the Atlanta Braves

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Speaker 3: by a lot.

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Speaker 1: Like going to him close close and all that.

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Speaker 3: But on this podcast, we've got the cheesy goodness when

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Speaker 3: the legend isn't the fact. We'll check the report card,

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Speaker 3: we've got no bullets, phrase of the week, all kinds

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Speaker 3: of stuff, but we'll start with this. It is Saturday,

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Speaker 3: and today is National Grilled Cheese Sandwich Day, Danny Grilled

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Speaker 3: Cheese Sandwich Day, And.

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Speaker 4: Well that goes perfect ben for what I woke up

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Speaker 4: to on this early Saturday morning. My wife and and

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Speaker 4: a couple of kids had some parmesan tomato soup last night. Okay,

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Speaker 4: and I didn't partake, but they left me some, so

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Speaker 4: I heated it up in the microwave as we were

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Speaker 4: getting set to broadcast the podcast. So in front of

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Speaker 4: me is a pipe and hot bowl of parmesan tomato soup.

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Speaker 4: What goes better with that than a grilled cheese.

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Speaker 1: Damn right, damn right?

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Speaker 3: And fun fact, bonus fun fact, the modern grilled cheese sandwich.

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Speaker 3: We are told, Danny that we still enjoy today that

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Speaker 3: you're hopefully going to enjoy here originated about one hundred

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Speaker 3: years ago, in the nineteen twenties. And they don't know

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Speaker 3: exactly who the first person to combine the bread and

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Speaker 3: cheese was, but the modern success they credit otto Frederick

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Speaker 3: Wahwetter raw Bedwetter. Oh see see if she probably wasn't

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Speaker 3: Beadweather when he was a kid. Rohwe d r. He

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Speaker 3: invented the bread slicer during the Industrial Revolution, the Gilded Age,

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Speaker 3: Gilded Age, and that invention, you know, dividing bread up

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Speaker 3: and all that stuff, making it affordable or affordable and

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Speaker 3: all that stuff, and that meant cheese could be transported

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Speaker 3: over long distances and not spoiled.

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Speaker 1: Yummy, Yeah, very yummy, mars so very yummy.

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Speaker 3: And the term grilled cheese originated in the nineteen sixties.

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Speaker 3: How about that. That's only that that phrase, you know,

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Speaker 3: that's a long time ago.

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Speaker 4: That's when you were born.

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Speaker 3: No no, I was born in two thousand and five.

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Speaker 1: I think I'm twenty years old right now.

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Speaker 3: But the first reference to a melted cheese sandwich was

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Speaker 3: nineteen oh two.

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Speaker 1: The French word for it nineteen ten or so.

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Speaker 3: But it really was the the nineteen twenty seven culinary revolution,

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Speaker 3: the bread slicing.

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Speaker 1: Machine that opened up the world to what we have today.

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Speaker 3: And so there we are, cheesy celebrated appropriately with grilled

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Speaker 3: cheese and a little life hack as the wife is

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Speaker 3: able to make the grilled cheese. Put the cheese on

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Speaker 3: the outside also not just the inside.

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Speaker 4: Oh man, missus Malard's grilled cheese sandwiches are some of

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Speaker 4: the best I've ever had.

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Speaker 1: Yeah, they're solid. Don't eat them that often. That great

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Speaker 1: for you. But when I ate them, man, outstanding, out standing.

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Speaker 3: Now, some people like to cut their grilled cheese up

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Speaker 3: and they like to put it like a little fondu

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Speaker 3: type situation, you know, the sandwich, dip it in the

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Speaker 3: cheese fondue and a little pot of cheese, and that's

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Speaker 3: cheese on top of cheese and top of cheese, and

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Speaker 3: that's extra.

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Speaker 1: Cheesy goodness is what is now.

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Speaker 3: I did want to mention this when the legend isn't

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Speaker 3: the fact. Now, there's a phrase that I use from

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Speaker 3: time to time, when the legend becomes the fact. Go

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Speaker 3: with the legend the man that shot liberty balance. But

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Speaker 3: when the legend isn't the fact? And I have an example. Now,

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Speaker 3: we love doing this podcast. We do it every weekend.

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Speaker 3: It's a labor of love, Danny, and we also get

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Speaker 3: paid for it on not much, not much, but on Friday,

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Speaker 3: Saturday and Sundays. We do this podcast today being Saturday,

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Speaker 3: and we'll have another one tomorrow and we do radio.

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Speaker 3: You're on with Colvino and Richard in the week I

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Speaker 3: got the Overnight show and so we do that a lot.

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Speaker 3: We've been we're radio nerds. We've both gotten a radio

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Speaker 3: when we were young. Danny was younger than I was.

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Speaker 3: I started when I was nineteen in radio. Danny, you

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Speaker 3: were like fifteen.

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Speaker 4: Or ything, like fifteen years old.

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Speaker 3: Yep, yeah, you're you're a young punk. And we love radio.

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Speaker 3: We've always loved radio. And over the years, the public

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Speaker 3: perception I blame Joe Rogan for this is that podcasting's

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Speaker 3: cool and radio.

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Speaker 1: Is not right, and that's the legend.

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Speaker 3: Now you know lately it's podcastings where all the cool

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Speaker 3: kids are and all that stuff. And well it turns

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Speaker 3: out when the legend isn't the facts. We get this

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Speaker 3: information all the time, and there was a big information dump.

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Speaker 1: It came and I think we're allowed to say this stuff.

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Speaker 1: I don't think this is bad stuff to say. I mean,

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Speaker 1: who knows, nobody told me not to say it? How

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Speaker 1: about that?

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Speaker 3: But when the public messaging doesn't line up with the reality.

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Speaker 1: Of the situation.

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Speaker 3: Another terms for that, people will say, you know, disinformation.

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Speaker 3: You can maybe say it's an urban legend, modern folklore

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Speaker 3: and all that.

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Speaker 1: So I bring this up just to.

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Speaker 3: Show you the power that regular radio still has. According

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Speaker 3: to research, this goes to the fourth quarter of twenty

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Speaker 3: twenty four, and it's the power of the radio dial.

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Speaker 3: And they found that AMFM old school, oh your boomer,

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Speaker 3: your old head, still accounts for eighty six percent of

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Speaker 3: listening within a car for Americans eighteen plus eighty six

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Speaker 3: percent of listening in the car and most if you

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Speaker 3: went up to the average person Danny on the street

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Speaker 3: and you said, hey, you know how many people are

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Speaker 3: listening to podcast or you know, streaming music even rather

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Speaker 3: than radio, there's this misconception. I would think that most

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Speaker 3: people would say, well, podcasting or streaming music, but according to.

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Speaker 1: The research, it's not true. While pretty crazy.

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Speaker 4: We talked about some of the numbers last weekend, remember

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Speaker 4: and this backs up our conversation.

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Speaker 1: Yeah, for sure. They broke it down even further.

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Speaker 3: It's an hour's worth of US AD supported audio consumption.

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Speaker 3: Am FM represented forty one point two minutes of listening

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Speaker 3: out of an hour. Now podcasts worse second, but only

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Speaker 3: about eleven minutes. Now, my one of my podcast mentors

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Speaker 3: taught me that a podcast is only supposed to be

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Speaker 3: like about thirty.

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Speaker 1: Minutes right around. We try to keep this to about

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Speaker 1: thirty minutes.

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Speaker 3: And the reason we do that is because the talk

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Speaker 3: is most people listen to a podcast. Maybe you're on

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Speaker 3: the gym or you're working out or something like that,

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Speaker 3: and you work out for about thirty minutes.

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Speaker 1: So it's like you're supposed to do a prep about

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Speaker 1: thirty minutes or whatever. So that's why we do this.

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Speaker 3: Some of the other stuff they broke down, the Spotify

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Speaker 3: was on there serious XM, but just for a couple

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Speaker 3: of minutes. And then Pandora Pandoraly got one point nine

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Speaker 3: minute per minutes per hour. So I thought those numbers

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Speaker 3: were interesting, and it shows you the still the overall number,

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Speaker 3: it's sixty nine percent audio time spent among people eighteen

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Speaker 3: plus sixty nine percent to the AMFM radio, and then

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Speaker 3: podcasting is second, and then after podcasting, it's it falls

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Speaker 3: off the map.

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Speaker 1: There's just not not a lot going on, Danny. After

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Speaker 1: not a lot going on, for sure, but no juice. Yeah,

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Speaker 1: definitely no juice.

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Speaker 3: And I know I haven't been in school in a

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Speaker 3: long time because I was a bad student and all

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Speaker 3: that stuff. But somewhere when those teachers that gave me

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Speaker 3: C plus's dandy, I want them to know that those

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Speaker 3: C pluses, I'm still working, So screw you.

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Speaker 1: That's what I and c's get degrees, Danny. That's the

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Speaker 1: most important.

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Speaker 4: Thing, right man. We've been having issues with our fourteen

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Speaker 4: year old for a couple of school years now because

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Speaker 4: there was a possibility that she was going to have

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Speaker 4: to be kept back in the eighth grade for another

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Speaker 4: go around, and that's a kid's worst nightmare. We finally

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Speaker 4: threatened her, We said, think about this, your friends are

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Speaker 4: going to be freshman in high school and you're going

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Speaker 4: to do the eighth grade over again in middle school.

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Speaker 4: Lo and behold, as my mom always used to say,

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Speaker 4: she started to study. She gets home now, actually goes

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Speaker 4: up to her room, and the first thing she does

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Speaker 4: is homework.

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Speaker 1: Ben.

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Speaker 4: She had a D, she had an F, she had

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Speaker 4: a C. She didn't even have a C plus on

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Speaker 4: her last report card. We really had to, you know,

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Speaker 4: get her fired up for school.

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Speaker 1: Did you did you offer a financial reward or just threatening? Right? Yeah?

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Speaker 4: You know, smart or evil minds think alike, because yes,

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Speaker 4: Brenda did offer her five hundred dollars.

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Speaker 1: Whoa wow.

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Speaker 4: She offered her five hundred dollars if she could get

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Speaker 4: straight a's. And Brenda kind of laughed after she said that,

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Speaker 4: because it's like, there's no way in hell you're ever

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Speaker 4: going to get straight a's. But the progress reports came

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Speaker 4: out yesterday, and I have the progress report right here.

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Speaker 4: Are you ready?

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Speaker 1: Reveal answers, Reveal answers.

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Speaker 4: All right, humanities, don't ask me what that is. I

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Speaker 4: think it's like social studies C plus all right, Algebra introductions.

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Speaker 4: It was an F last time, C.

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Speaker 1: C plus all right.

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Speaker 4: So she's trying to get that five hundred dollars. It

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Speaker 4: looks like new media art. That's like them teaching kids

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Speaker 4: photoshop E A plus.

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Speaker 1: Yeah, that's hard to f that one.

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Speaker 2: Yeah.

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Speaker 1: Yeah.

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Speaker 4: And King, she's stuck with her devices in front of

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Speaker 4: her face at all hours of the day and night.

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Speaker 4: We knew she'd be good at that class. Pe. You

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Speaker 4: can't mess up Pe, right. You would think she had

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Speaker 4: a C last time in Pe because she was being lazy.

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Speaker 4: She got that up to a B.

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Speaker 1: All right, good lunch.

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Speaker 4: There's no grade next to it. I don't even know

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Speaker 4: why they put that on.

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Speaker 1: I always got the top of my class. I was

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Speaker 1: going on school based.

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Speaker 4: Uh, that's been so good. Then finally and then finally,

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Speaker 4: finally science. That was a side that was a C

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Speaker 4: minus last time she raised it to a B minus.

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Speaker 4: Oh good, So she's she's moving in the right direction.

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Speaker 4: At least she's gonna be able to graduate and you know,

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Speaker 4: whatever small graduation they do from eighth to ninth grade.

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Speaker 3: But is there gonna be Is there gonna be a

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Speaker 3: side deal because she, uh, that's a that's a funny

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Speaker 3: thing your wife did, because yeah, she knew she never

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Speaker 3: had five hundred.

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Speaker 1: But if she if she gets b's, that's doable.

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Speaker 3: Would they be like, well, we'll give me half or

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Speaker 3: something like that?

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Speaker 1: A side situation here?

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Speaker 4: And yeah, this is like if we started the show

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Speaker 4: talking about Derek Carr, this would be like if you

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Speaker 4: put an incentive in his contract. We'll give you ten

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Speaker 4: million extra dollars if you take us to the super Bowl. Yeah,

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Speaker 4: of course, uh not gonna get the straight a's. But

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Speaker 4: this is just the progress report. This is not the

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Speaker 4: official report card yet. So she has a chance to

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Speaker 4: get these c pluses raised up, and then I'm sure

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Speaker 4: her mom will give in a little bit and give

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Speaker 4: her some of that money based on the different classes

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Speaker 4: where she raised those grades up. And this weekend, in fact,

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Speaker 4: later today, we're gonna pack up the car and we're

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Speaker 4: gonna take her to Laguna Beach to the shops there

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Speaker 4: and her mom for the effort she's put in, her

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Speaker 4: mom's gonna let her shop with a one hundred dollars bill.

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Speaker 4: She was really excited about that. She's like, you didn't

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Speaker 4: get five hundred yet. I'll give you one hundred dollars

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Speaker 4: for your work and effort you put in, and you

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Speaker 4: can go shopping this evening in Laguna Beach.

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Speaker 1: Nice. Look at that little South O s action.

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Speaker 4: Yeah, except today with inflation, you can get two items

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Speaker 4: for one hundred dollars. She'll probably get two little bracelets

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Speaker 4: and it'll be like seventy five bucks.

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Speaker 3: Yeah, it'll they'll be made out of like paper or something. Yeah, handmade,

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Speaker 3: handcrafted and all that. Wow, well no bullets, no bullets.

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Speaker 3: Now we had a I call it Mal's law. Some

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Speaker 3: people say it's Murphy's law. But anything that can go

307
00:16:08,840 --> 00:16:13,720
Speaker 3: wrong will go wrong the other night. So it started out,

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Speaker 3: let's go back in the way back machine. A few

309
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Speaker 3: days ago and I was getting ready for the show.

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Speaker 3: And I have a routine that I do. I normally

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Speaker 3: lay down on the sofa, I have the TV on,

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Speaker 3: watching some games or whatever.

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Speaker 1: I've got my dog, Moxie. I'm a bulldog who lays.

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Speaker 3: On the lays on the feet. And then I'm getting

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Speaker 3: ready for the show. And so when I do the

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Speaker 3: show from the remote studio, it involves you know, I

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Speaker 3: don't have to hurry up and rush into the studio

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Speaker 3: or anything like that to drive in.

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Speaker 1: When it's a remote broadcast, I have a lot of

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Speaker 1: extra time.

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Speaker 3: I don't spend, you know, a long time in the

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Speaker 3: car driving in from the north Woods, and saves me time.

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Speaker 1: And so so I'm getting ready for show and.

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Speaker 3: Futs to around there putting everything together. And there's a

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Speaker 3: term we use put the baby to bed. So I've

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Speaker 3: got the notes done and I do these monologues, and

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Speaker 3: I have bullet points and things that I won't want

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Speaker 3: to hit on during the mall are monologues that we do.

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Speaker 3: And I have a lot of commercials. That's the most

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Speaker 3: important part. I've been told the commercials are the most

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Speaker 3: important part. You've got to get the commercials in.

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Speaker 1: So there's a lot.

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00:17:24,800 --> 00:17:26,879
Speaker 3: We have a lot more as I think it was

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Speaker 3: Reggie complained last week, was it last week or two

335
00:17:30,560 --> 00:17:34,080
Speaker 3: out of complained about the commercial But we we have

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00:17:34,119 --> 00:17:35,600
Speaker 3: a lot, and so you have to keep track. There's

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00:17:35,600 --> 00:17:38,160
Speaker 3: a lot of live reads, and so I have to

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Speaker 3: make sure everything's where it needs to go. And so

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Speaker 3: so I'm getting ready for the show.

340
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Speaker 1: And and.

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00:17:44,440 --> 00:17:47,080
Speaker 3: I got everything done, ready ready for the show, and

342
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Speaker 3: I'm just kind of hanging out and then I walk,

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Speaker 3: I get up, throw a little water on my face,

344
00:17:52,560 --> 00:17:56,920
Speaker 3: so I'm somewhat awake, and then make the trip up

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Speaker 3: to and then down the hall and then around the corner,

346
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Speaker 3: and then I get to the remote studio. Got to

347
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Speaker 3: turn everything on, make sure everything's good on that. So

348
00:18:03,840 --> 00:18:06,720
Speaker 3: I go in there and then I settle in. I

349
00:18:06,720 --> 00:18:08,479
Speaker 3: got to turn all these lights on because we're on

350
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Speaker 3: the YouTube now, So I got to turn all the

351
00:18:10,240 --> 00:18:14,720
Speaker 3: lights on, turn everything on, and we are about at

352
00:18:14,760 --> 00:18:17,960
Speaker 3: this point by the time, I just kind of settle

353
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Speaker 3: in for maybe ninety seconds from on airtime to start talking.

354
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Speaker 1: So I got about ninety seconds.

355
00:18:25,680 --> 00:18:28,800
Speaker 4: All right, this sounds like firing up the Starship Enterprise.

356
00:18:29,000 --> 00:18:30,960
Speaker 3: Oh, very similar, very similar to Dani. I'm glad you

357
00:18:30,960 --> 00:18:33,760
Speaker 3: brought that up. So I then I'm sitting down. I'm

358
00:18:33,760 --> 00:18:35,679
Speaker 3: settling in. I've got the lights on, I turned the

359
00:18:35,720 --> 00:18:37,920
Speaker 3: camera on, I got everything ready to go. Lights, camera,

360
00:18:38,000 --> 00:18:38,760
Speaker 3: and it's about.

361
00:18:38,560 --> 00:18:39,000
Speaker 1: To be action.

362
00:18:39,880 --> 00:18:44,879
Speaker 3: So the way this works, I have my laptop that

363
00:18:44,960 --> 00:18:48,439
Speaker 3: I use everything I do my prep with, and then

364
00:18:48,480 --> 00:18:51,840
Speaker 3: when I do the remote show everything from the laptop

365
00:18:51,960 --> 00:18:52,679
Speaker 3: through the magic.

366
00:18:52,720 --> 00:18:54,840
Speaker 1: I don't even know how this works. It really is magic.

367
00:18:55,640 --> 00:18:56,400
Speaker 1: It's sorcery.

368
00:18:56,680 --> 00:18:59,920
Speaker 3: So everything from the laptop transfers to the studio computer

369
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Speaker 3: that I use in the remote studio. So I don't

370
00:19:02,640 --> 00:19:05,040
Speaker 3: need my laptop. I don't even bring my laptop with me.

371
00:19:05,119 --> 00:19:08,840
Speaker 3: Everything's the same thing is on that computer. It say

372
00:19:08,880 --> 00:19:11,600
Speaker 3: it's a mirror of what I was using, So I

373
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Speaker 3: don't even worry about I don't need to finagle with it.

374
00:19:14,080 --> 00:19:16,800
Speaker 3: I'm good to go. So I get in there, and

375
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Speaker 3: I said, I think you can imagine where this is going.

376
00:19:18,720 --> 00:19:21,280
Speaker 3: So I click on the file that has my bullet

377
00:19:21,320 --> 00:19:23,720
Speaker 3: points for the malad monologue. I click on the file

378
00:19:23,800 --> 00:19:25,600
Speaker 3: that has the commercial that I have to do at

379
00:19:25,600 --> 00:19:28,439
Speaker 3: the top of the hour, the copy, and.

380
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Speaker 1: Nothing, no nothing.

381
00:19:36,520 --> 00:19:42,000
Speaker 3: When I say nothing, I mean blankety mcblank, I am

382
00:19:42,119 --> 00:19:49,160
Speaker 3: saying absolutely nothing. And I'm getting I'm hearing the recorded

383
00:19:49,240 --> 00:19:51,119
Speaker 3: update because we don't you know, we don't have a

384
00:19:51,160 --> 00:19:52,440
Speaker 3: budget for live update people.

385
00:19:52,480 --> 00:19:56,480
Speaker 1: So I hear a recorded update and I know what's coming.

386
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Speaker 3: You know, I'm gonna have to start the yapp and

387
00:19:58,240 --> 00:19:59,680
Speaker 3: away And I'm like, well, I don't, I.

388
00:19:59,600 --> 00:20:03,600
Speaker 1: Mean, boy, and boom goes the dynamite. Yeah, pretty much.

389
00:20:04,440 --> 00:20:06,280
Speaker 1: So I'm like, all right, I've been doing this a

390
00:20:06,320 --> 00:20:08,560
Speaker 1: long time. We'll just let it rip, and you know,

391
00:20:08,600 --> 00:20:09,120
Speaker 1: what the hell?

392
00:20:10,000 --> 00:20:13,440
Speaker 3: And so I did not have I had no bullets,

393
00:20:13,800 --> 00:20:15,240
Speaker 3: but unshaken, unseen.

394
00:20:15,280 --> 00:20:17,680
Speaker 1: Nobody noticed, not one person.

395
00:20:17,680 --> 00:20:22,600
Speaker 3: Not Alf Wow Miner, not ferg Dog, not Tony in

396
00:20:22,640 --> 00:20:26,480
Speaker 3: the Bay area, not Nick in Wisconsin, none of these guys.

397
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Speaker 1: Nobody noticed that.

398
00:20:29,080 --> 00:20:31,720
Speaker 3: And then, to make matters even better, Danny, So I'm

399
00:20:31,760 --> 00:20:33,000
Speaker 3: then I'm doing everything.

400
00:20:33,040 --> 00:20:34,000
Speaker 1: I'm doing the monologue.

401
00:20:34,080 --> 00:20:35,919
Speaker 3: I'm letting it rip, right, you know, it's trying to

402
00:20:36,440 --> 00:20:38,520
Speaker 3: trying to remember as much as I can. And then

403
00:20:38,760 --> 00:20:42,520
Speaker 3: midway through the monologue, I get a malfunction.

404
00:20:43,000 --> 00:20:46,359
Speaker 1: The camera breaks. There was a there was an issue

405
00:20:46,359 --> 00:20:46,960
Speaker 1: a recording.

406
00:20:47,160 --> 00:20:50,840
Speaker 3: Now the camera's broken in the middle of the monologue,

407
00:20:51,320 --> 00:20:54,560
Speaker 3: and I'm like, oh, crap, man, what that f is going?

408
00:20:54,680 --> 00:20:55,920
Speaker 3: It is ridiculous.

409
00:20:56,520 --> 00:20:57,800
Speaker 1: What are we doing here?

410
00:20:58,640 --> 00:21:01,199
Speaker 4: Wait back to you free styling off the top of

411
00:21:01,240 --> 00:21:04,639
Speaker 4: your dome. Yes, did you just like close your eyes

412
00:21:04,680 --> 00:21:07,399
Speaker 4: and imagine what you had typed? Well?

413
00:21:07,440 --> 00:21:09,320
Speaker 3: I couldn't close my eyes because the camera was on.

414
00:21:09,400 --> 00:21:14,520
Speaker 3: All true, I was trying to channel like the I

415
00:21:14,520 --> 00:21:15,000
Speaker 3: don't know what.

416
00:21:16,160 --> 00:21:18,359
Speaker 4: Jay z the way he writes lyrics in his head,

417
00:21:19,080 --> 00:21:21,600
Speaker 4: goes into the booth and then spits them on the

418
00:21:21,600 --> 00:21:24,320
Speaker 4: microphone and doesn't need any paper in front of them.

419
00:21:24,920 --> 00:21:25,200
Speaker 1: Yeah.

420
00:21:25,240 --> 00:21:27,119
Speaker 3: And to be fair, I mean, you know, Danny, you've

421
00:21:27,160 --> 00:21:28,960
Speaker 3: worked with me for a long time, and I have

422
00:21:29,160 --> 00:21:32,040
Speaker 3: a lot of nodes, bullet points or whatever. But usually

423
00:21:32,119 --> 00:21:35,600
Speaker 3: what ends up happening is it's I try to ignore them.

424
00:21:35,600 --> 00:21:39,080
Speaker 3: They're just there in case I have a drowning moment

425
00:21:39,119 --> 00:21:41,439
Speaker 3: where I forget my train of thought and I'm like,

426
00:21:41,600 --> 00:21:42,960
Speaker 3: I need something to kind of get.

427
00:21:43,080 --> 00:21:46,600
Speaker 4: Yeah, it's just a template. It's more of a template exactly.

428
00:21:46,600 --> 00:21:50,040
Speaker 3: It's like a template and so but it's a safety blanket.

429
00:21:50,119 --> 00:21:51,760
Speaker 3: And when you don't have the safety.

430
00:21:51,440 --> 00:21:56,400
Speaker 4: Blanket, oh, I hate I hate that feeling, especially in broadcasting,

431
00:21:56,520 --> 00:21:59,840
Speaker 4: because I need that safety blanket.

432
00:22:00,760 --> 00:22:01,280
Speaker 1: H Exactly.

433
00:22:01,440 --> 00:22:04,600
Speaker 4: It's like it's like Coha when he is on the boo,

434
00:22:05,280 --> 00:22:09,080
Speaker 4: he has to hold an emotional support toy in his hand.

435
00:22:10,240 --> 00:22:13,280
Speaker 4: I'm not sure why, but as he's sucking on the boo,

436
00:22:13,640 --> 00:22:15,640
Speaker 4: he's got a toy in his hand and he's got

437
00:22:15,720 --> 00:22:19,080
Speaker 4: to have that emotional support toy. I'm like that with radio.

438
00:22:19,119 --> 00:22:22,439
Speaker 4: If I don't have the preparation in front of me,

439
00:22:23,080 --> 00:22:26,800
Speaker 4: I just it's not panic. It's more of, oh my god,

440
00:22:26,840 --> 00:22:29,919
Speaker 4: this is it messes your routine up, is what it is?

441
00:22:30,440 --> 00:22:31,359
Speaker 1: Yeah, one hundred percent.

442
00:22:31,520 --> 00:22:35,280
Speaker 3: And it's it's kind of like I guess like seatbelts.

443
00:22:35,359 --> 00:22:37,280
Speaker 3: You don't you hope you never actually need to use

444
00:22:37,560 --> 00:22:39,560
Speaker 3: the safety belt, but if you do, you're.

445
00:22:39,400 --> 00:22:40,159
Speaker 1: Glad you put it on.

446
00:22:40,320 --> 00:22:42,320
Speaker 3: It's like that kind of thing, right, It's like, well,

447
00:22:42,320 --> 00:22:45,600
Speaker 3: I probably won't ever need this, but just in case,

448
00:22:45,920 --> 00:22:48,520
Speaker 3: just in case, that one night where everything goes to

449
00:22:48,600 --> 00:22:51,880
Speaker 3: hell and where we're good to go. So anyway that fortunately,

450
00:22:52,119 --> 00:22:56,840
Speaker 3: after that opening monologue, I was able to update. I

451
00:22:56,920 --> 00:23:00,119
Speaker 3: had to reset some things and everything transferred over to

452
00:23:00,160 --> 00:23:03,000
Speaker 3: the computer. But in the commercial, that part was a

453
00:23:03,000 --> 00:23:04,840
Speaker 3: little tricky. I had to get them that was off

454
00:23:04,880 --> 00:23:07,520
Speaker 3: my phone. I did grab my phone to do the

455
00:23:08,359 --> 00:23:11,119
Speaker 3: do I do not remember the commercial copy?

456
00:23:11,800 --> 00:23:13,360
Speaker 1: I don't you.

457
00:23:13,320 --> 00:23:15,800
Speaker 4: Weren't you weren't like your boy Harlan. Did you see

458
00:23:15,800 --> 00:23:18,920
Speaker 4: how he screwed up that read on on TV? Oh

459
00:23:18,960 --> 00:23:19,879
Speaker 4: that was so good?

460
00:23:20,440 --> 00:23:21,280
Speaker 1: Yeah, he's awesome.

461
00:23:21,920 --> 00:23:24,680
Speaker 4: Chicken Tenders listen, listen to this. This happened a few

462
00:23:24,760 --> 00:23:25,240
Speaker 4: nights ago.

463
00:23:25,480 --> 00:23:29,000
Speaker 5: The NBA on TMT is brought to you by the

464
00:23:29,080 --> 00:23:35,359
Speaker 5: new Crispy Tenders at CarMax. What the way car buying

465
00:23:35,400 --> 00:23:36,359
Speaker 5: should be? Can that be?

466
00:23:36,480 --> 00:23:36,879
Speaker 2: What is that?

467
00:23:38,200 --> 00:23:38,879
Speaker 1: Waited a minute?

468
00:23:38,880 --> 00:23:39,360
Speaker 2: Hold on?

469
00:23:39,520 --> 00:23:41,040
Speaker 1: I'm holding hold on?

470
00:23:41,200 --> 00:23:43,400
Speaker 5: Are they serving tenders with cars?

471
00:23:44,080 --> 00:23:47,320
Speaker 1: Are there tenders in the car? Because if there is,

472
00:23:47,400 --> 00:23:47,720
Speaker 1: you're in.

473
00:23:49,400 --> 00:23:52,000
Speaker 5: We just had the marriage of two different sponsors and

474
00:23:52,080 --> 00:23:53,080
Speaker 5: it was ugly.

475
00:23:55,520 --> 00:24:02,360
Speaker 1: Who wrote that. Only you can laugh about it.

476
00:24:02,359 --> 00:24:04,760
Speaker 5: That just goes to show you I literally will read

477
00:24:04,840 --> 00:24:06,680
Speaker 5: anything they put in front of me without it even

478
00:24:06,680 --> 00:24:07,960
Speaker 5: looking like the Holy Cow.

479
00:24:09,400 --> 00:24:10,000
Speaker 1: That's great.

480
00:24:10,680 --> 00:24:14,080
Speaker 3: Oh yeah, what I say, like like a train?

481
00:24:14,200 --> 00:24:16,120
Speaker 1: Seal right, it just right there.

482
00:24:17,400 --> 00:24:21,199
Speaker 4: Oh, some producer got slapped on the wrist after that.

483
00:24:21,320 --> 00:24:26,000
Speaker 4: He accidentally copied in paste two sponsor reads together.

484
00:24:26,119 --> 00:24:29,879
Speaker 1: Oops, that is Ron Burgundy, that is the anchorman.

485
00:24:30,560 --> 00:24:36,960
Speaker 3: Yes, they did that with Charles Barkley, one of the

486
00:24:36,960 --> 00:24:39,960
Speaker 3: famous T and T bloopers. Realized Barkley would read anything

487
00:24:40,000 --> 00:24:42,440
Speaker 3: on the teleprompter, so they put and then sure enough

488
00:24:42,480 --> 00:24:45,320
Speaker 3: Barkley read read read everything.

489
00:24:45,640 --> 00:24:50,200
Speaker 1: But oh after yourself, san Diego. Hey, damn, you.

490
00:24:50,320 --> 00:24:52,359
Speaker 4: Sound like you're seventeen years old, right there.

491
00:24:52,800 --> 00:24:56,600
Speaker 1: I was. I was actually sixteen. I was actually sixteen.

492
00:24:56,680 --> 00:25:01,880
Speaker 1: Go after yourself, san Diego. Wow, that's that's old school, man.

493
00:25:02,520 --> 00:25:04,520
Speaker 3: There are so many drops in it we need to have,

494
00:25:04,600 --> 00:25:06,040
Speaker 3: Like I need to talk to the rain and get

495
00:25:06,080 --> 00:25:08,399
Speaker 3: her to bring back some of the classic like rotating

496
00:25:08,600 --> 00:25:10,760
Speaker 3: some of these old school drops and all that stuff.

497
00:25:10,760 --> 00:25:12,440
Speaker 1: That'd be cool to have those back.

498
00:25:12,840 --> 00:25:16,280
Speaker 3: All right, let's get to the phrase of the week.

499
00:25:16,640 --> 00:25:18,040
Speaker 2: I don't know how I could do with a whole

500
00:25:18,080 --> 00:25:21,000
Speaker 2: mouthful of that goo oh boy.

501
00:25:21,160 --> 00:25:24,680
Speaker 1: All right, the phrase of the week. Phrase the phrase

502
00:25:25,119 --> 00:25:25,879
Speaker 1: of the week.

503
00:25:26,720 --> 00:25:30,280
Speaker 3: This comes courtesy of Bill from Korea Town. Now, Danny,

504
00:25:30,359 --> 00:25:34,960
Speaker 3: you remember billing Bill and Venice. Oh yeah, yes, got

505
00:25:34,960 --> 00:25:39,160
Speaker 3: a very distinctive cadence. Bill in Venice is he he's

506
00:25:39,200 --> 00:25:43,199
Speaker 3: not overrated. I would say he's underrated as a caller.

507
00:25:43,560 --> 00:25:48,320
Speaker 3: So Bill called up the other night and he's a bet.

508
00:25:48,480 --> 00:25:49,760
Speaker 3: I used the word.

509
00:25:49,840 --> 00:25:52,840
Speaker 1: That's not a word, you know, he starts Bill.

510
00:25:53,160 --> 00:25:56,360
Speaker 3: Bill is trying to trying to touch up my work, right,

511
00:25:56,400 --> 00:25:58,080
Speaker 3: So I'm like, well, maybe I said something.

512
00:25:58,119 --> 00:26:00,159
Speaker 1: I was tired. I said something I shouldn't say. So

513
00:26:00,200 --> 00:26:03,720
Speaker 1: I said, I said what's the word, Bill? And I

514
00:26:05,160 --> 00:26:05,600
Speaker 1: don't know?

515
00:26:05,640 --> 00:26:09,000
Speaker 3: And then I kept asking him, I said what's and

516
00:26:09,040 --> 00:26:12,439
Speaker 3: so eventually he said he said the word was the

517
00:26:12,480 --> 00:26:16,080
Speaker 3: word that I used was harbinger or no, he said barringer.

518
00:26:16,080 --> 00:26:17,119
Speaker 1: I think he's aid barringer.

519
00:26:17,480 --> 00:26:21,400
Speaker 3: And then we determined he meant harbinger and he said

520
00:26:21,440 --> 00:26:24,480
Speaker 3: that I made I made that up. Now, A, I

521
00:26:24,480 --> 00:26:28,320
Speaker 3: don't remember saying it. B I do say it. And

522
00:26:28,400 --> 00:26:31,399
Speaker 3: so I thought, in honor of Bill in Koreatown, who

523
00:26:31,440 --> 00:26:34,000
Speaker 3: I'm pretty sure does not listen to this podcast, just

524
00:26:34,000 --> 00:26:36,840
Speaker 3: to f with him because it was very bizarre. I'm

525
00:26:36,880 --> 00:26:40,520
Speaker 3: like the guy he calls up to correct me, and

526
00:26:40,680 --> 00:26:43,439
Speaker 3: he doesn't know what exactly he's corrected me about. Then

527
00:26:43,480 --> 00:26:46,600
Speaker 3: he says, I made up the word, which is bull crap.

528
00:26:47,080 --> 00:26:51,760
Speaker 3: So the phrase harbinger of things to come, it originates

529
00:26:51,840 --> 00:26:55,159
Speaker 3: from the beginning of that at harbinger. The obviously, the

530
00:26:55,160 --> 00:26:59,600
Speaker 3: word harbinger dates back to Middle English around the twelfth

531
00:26:59,600 --> 00:27:04,120
Speaker 3: cent Harbinger now it initially referred to a person who

532
00:27:04,119 --> 00:27:08,320
Speaker 3: provided lodging or acted as a host for travelers. It

533
00:27:08,359 --> 00:27:14,719
Speaker 3: comes from the Old French word herbringer, which means to

534
00:27:14,920 --> 00:27:19,320
Speaker 3: provide the lodging, to provide lodging, and the phrase itself,

535
00:27:19,359 --> 00:27:24,160
Speaker 3: combining harbinger with things to come, that emerged in English

536
00:27:24,560 --> 00:27:29,560
Speaker 3: literature to describe a sign, event, or a person foreshadowing

537
00:27:30,480 --> 00:27:32,000
Speaker 3: future developments, and that.

538
00:27:32,960 --> 00:27:37,120
Speaker 1: Is what it is today. It became more and more.

539
00:27:36,960 --> 00:27:40,560
Speaker 3: Popular in the nineteenth and twentieth centuries, often used in

540
00:27:40,720 --> 00:27:46,679
Speaker 3: very poetic, traumatic context. And another one of these phrases

541
00:27:47,119 --> 00:27:52,600
Speaker 3: that really took off because of Shakespeare, and it appears

542
00:27:52,840 --> 00:27:56,760
Speaker 3: in works like Macbeth, which is in sixteen oh six

543
00:27:56,800 --> 00:28:02,080
Speaker 3: from Shakespeare. And this so many phrases that are Shakespearean

544
00:28:02,720 --> 00:28:05,600
Speaker 3: that are still used to this day. How crazy is

545
00:28:05,640 --> 00:28:08,560
Speaker 3: that that you can get some stuff in the sixteen hundreds,

546
00:28:09,040 --> 00:28:11,760
Speaker 3: and here we are all these years later, and people

547
00:28:11,800 --> 00:28:15,520
Speaker 3: are still using these phrases that Shakespeare came up with.

548
00:28:15,800 --> 00:28:21,440
Speaker 3: Its roots lie in the evolution of Harbinger as a

549
00:28:21,480 --> 00:28:26,159
Speaker 3: herald of what lies ahead, and it took off in

550
00:28:26,240 --> 00:28:29,280
Speaker 3: many ways because of a Shakespeare. So the phrase of

551
00:28:29,280 --> 00:28:33,359
Speaker 3: the week harbinger of things to come, thanks to Bill

552
00:28:34,560 --> 00:28:38,040
Speaker 3: in Koreatown one of the Odder moments, and we can

553
00:28:38,080 --> 00:28:40,760
Speaker 3: add that to the big stack of odd moments that

554
00:28:40,760 --> 00:28:41,440
Speaker 3: have happened on the.

555
00:28:41,400 --> 00:28:45,120
Speaker 1: Show, like this, give me a little taste of that dick.

556
00:28:45,760 --> 00:28:50,920
Speaker 3: Oh my god, dar you that's Ai edit. I put

557
00:28:50,960 --> 00:28:53,200
Speaker 3: Bill in Koreatown's comment. Danny right up there with the

558
00:28:53,240 --> 00:28:56,560
Speaker 3: guy from jail that sent me a prison letter.

559
00:28:57,240 --> 00:28:59,120
Speaker 1: I remember I talked about this. He was complaining I

560
00:28:59,120 --> 00:29:02,760
Speaker 1: was doing intimint facts as in jail. He sent me

561
00:29:02,760 --> 00:29:06,640
Speaker 1: a letter to complain this. If we'll get out on that, Danny,

562
00:29:06,800 --> 00:29:09,000
Speaker 1: it is Saturday. You're gonna be you going down to

563
00:29:09,040 --> 00:29:11,280
Speaker 1: the O C today, O see fun. Are you gonna

564
00:29:11,280 --> 00:29:12,080
Speaker 1: stay at home? Yeah?

565
00:29:12,280 --> 00:29:14,560
Speaker 4: Uh no, it looks like I'm gonna go along. But

566
00:29:14,600 --> 00:29:17,720
Speaker 4: I feel like I'm going to be the usher for

567
00:29:17,920 --> 00:29:19,400
Speaker 4: you know who, Bam bam.

568
00:29:19,840 --> 00:29:21,760
Speaker 1: Oh yeah, guard with bam bam.

569
00:29:21,840 --> 00:29:25,480
Speaker 4: I will be the bodyguard for one big baby brute. Coha,

570
00:29:28,840 --> 00:29:30,280
Speaker 4: no no, no no, bam bam.

571
00:29:30,320 --> 00:29:34,240
Speaker 3: Don't do that, finey, don't speak mean to him, reason

572
00:29:34,400 --> 00:29:34,880
Speaker 3: with him.

573
00:29:35,320 --> 00:29:39,360
Speaker 1: Okay, no, bam bam. You mustn't hit anything with your couch.

574
00:29:40,160 --> 00:29:43,440
Speaker 1: He caught my finger. That's great.

575
00:29:44,080 --> 00:29:47,080
Speaker 3: The big fella will have fun, enjoy that. Whether should

576
00:29:47,120 --> 00:29:50,320
Speaker 3: be good in the very nice beach day. All right,

577
00:29:50,320 --> 00:29:52,280
Speaker 3: we'll get out on that, have a wonderful rest of

578
00:29:52,360 --> 00:29:56,200
Speaker 3: the get the mail bag tomorrow and we'll catch you

579
00:29:56,240 --> 00:29:57,640
Speaker 3: then later.

580
00:29:57,720 --> 00:29:59,800
Speaker 4: Skater my felicious