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Speaker 1: All right, Oh don let's get this study. I'm sorry

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Speaker 1: we've been talking already, but it's I want I'll be right.

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Speaker 1: How are you gonna do this now? I'm going to

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Speaker 1: get so damn it. Go ahead, all right, we're gonna

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Speaker 1: talk about it. I'm angela yee, I'm Stephanie Santiago, Garl

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Speaker 1: Stevens forty, the best that ever did it and got

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Speaker 1: away with yea, hello, Earl and Tyder here with us.

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Speaker 1: I love it. Let me I got my Earl Steven's

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Speaker 1: man goes got it. And we were forty. We were

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Speaker 1: just talking about your to kill it to your Equara

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Speaker 1: queler Rid here the best that ever did it? Say

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Speaker 1: from Jliceca mahicolry that because we have to kill a

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Speaker 1: drinkers in this room. Okay, come on, I'll drink it

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Speaker 1: smooth and then I chase it, you know, just with

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Speaker 1: some pellow greeno. You know it's smooth. We're gonna need

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Speaker 1: no chasing nothing. It's just I just prefer some bubbly.

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Speaker 1: He wants a whole. They got right there, too, cheesy.

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Speaker 1: I didn't do it. Wasn't mean I would love the

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Speaker 1: fact that y'all like just to be as tight as

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Speaker 1: you guys are. For how long that y'all been tightening?

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Speaker 1: To see you guys on versus together and then to

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Speaker 1: put out the album together. I mean that is just historic.

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Speaker 1: It's amazing. Y'all had the most expensive verses in a history.

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Speaker 1: It was not a game fire definitely ull. You do

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Speaker 1: know the the guy who Swiss got to partner up

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Speaker 1: with him Apple Music as a bay Are you do right?

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Speaker 1: I did because and one of my friends who was

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Speaker 1: one of the sponsors of it, who worked with um

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Speaker 1: Sir Rock and Delian, also is from the Bay Area,

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Speaker 1: My girl Ingrid, so she was super hype about it.

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Speaker 1: Smell I smelled favoritism all over that ship. L Larry

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Speaker 1: Larry Johnson took that thing in like it was his baby.

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Speaker 1: He was like, man, this is my story, offer to

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Speaker 1: make you this got this gotta jump off man since

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Speaker 1: a little because he's like fourteen A cameo the deep

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Speaker 1: bass voice sounding like THEO, sounding like THEO from U

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Speaker 1: from Cameo back in the day, Remember THEO THEOL moved

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Speaker 1: to l A. Indeed was it? What was it before

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Speaker 1: the real? What was the other one? Not? The beat

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Speaker 1: was the was like Filipino? What everybody thought he was black. Yeah,

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Speaker 1: because he had that deep yes, like the quiet storm voice.

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Speaker 1: Yeah yeah, yeah, that was Larry. This is Larry Jackson.

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Speaker 1: He had a deep bass voice. You feel me. Now,

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Speaker 1: let me just say a couple of things. First of all,

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Speaker 1: forty now too shorts have been on here before and

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Speaker 1: we had a great time with him. But I would

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Speaker 1: say I did not believe you would ever do lip service.

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Speaker 1: We were talking about it before you got on. I

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Speaker 1: was like, man, Eforty ain't doing this. You know, he cool,

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Speaker 1: but he ain't gonna gonna damn list service what I do?

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Speaker 1: What what happened? But you're not rock with you? Angela?

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Speaker 1: You know you know it's all It's all up, you

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Speaker 1: know so. But I know y'all get a little raunchy.

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Speaker 1: Y'all know, y'all, hey be cool with me. Respect we'd

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Speaker 1: like to call it respectfully. Raunchy. You've got no problem

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Speaker 1: with being managed man now too short. On the other hand,

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Speaker 1: we have no control over what that man does. Very

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Speaker 1: managed now. But I don't want to ask you guys,

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Speaker 1: like as far as checking balance, because I know y'all

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Speaker 1: in these group text together, these messages together, like what

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Speaker 1: are those conversations like that we don't get to be

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Speaker 1: privy too behind the scenes, like because y'all when it

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Speaker 1: comes to relationships, I look at you guys, it's like opposite,

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Speaker 1: you know, just because ifort are you being locked in

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Speaker 1: for a long time and too Short, I don't know,

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Speaker 1: hanging out with your granddaddy back in the day. You know,

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Speaker 1: I'm not. So you're seeing our group conversations and me

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Speaker 1: and too Short are just the group that we're in

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Speaker 1: Mount Westmore, Yeah, like but yeah, well no, no, I

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Speaker 1: mean like on your text messages, you know how we

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Speaker 1: all have our little friends text group messages where we

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Speaker 1: have all kinds of conversations about things and about life

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Speaker 1: and relationships and situation ships and all of that. We

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Speaker 1: talk a lot of logic, a lot of survival tactics,

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Speaker 1: a lot of chess moves, you know. As far as life,

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Speaker 1: it's like it's like a handbook, like a guide book

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Speaker 1: to life. I've been calling earls since the nineties, and

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Speaker 1: it's like what you got going on? Like what's you know?

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Speaker 1: And and literally I guess it's get detailed as far

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Speaker 1: as like publicists and pr and fucking um you know,

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Speaker 1: how to break records? And ship and then get down

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Speaker 1: to like manhood, what's a bitch ask nigga versus a

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Speaker 1: stand up nigga, and get down to family ship. Like

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Speaker 1: Earl got a thirty two year old side, I got

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Speaker 1: a two year old daughter. I get a lot of

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Speaker 1: a lot of fatherly advice from Earl. You know, all

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Speaker 1: kind of ship. You know, we don't text them. We text,

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Speaker 1: but we're texting over songs and you know, call me.

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Speaker 1: I'm gonna be I'll be free to fifteen. But like

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Speaker 1: we we pick up the you know old schools picked

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Speaker 1: up the phone and ship right quick. You know what

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Speaker 1: I'm saying, Just uh and just go at it. But

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Speaker 1: you know, like I said, um me and time, we've

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Speaker 1: been cool. We've been cooler than another side of the

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Speaker 1: pillow for many moons. Man. You know, dude was before me,

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Speaker 1: you know this big bro and I pattern you know

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Speaker 1: my game after him. Like when I was a young teenager,

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Speaker 1: my cousin them used to come down from Oakland to

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Speaker 1: Magazine Street. They come pull up talking about my poldy.

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Speaker 1: You ain't up with my potting the tide. They didn't

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Speaker 1: even call me forty back then, and I was only

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Speaker 1: fourteen fifteen years old. So they called me earl girl.

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Speaker 1: You ain't cause girl, you ain't up on my potting.

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Speaker 1: The tide too short. I said, let me let me here,

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Speaker 1: Let me here. And so as I grew into my

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Speaker 1: managed this because he was very managed and you know,

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Speaker 1: hardheaded to custom like saying some slicks and you know,

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Speaker 1: talking about a whole bunch of fucking and all that

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Speaker 1: kind of ship and everything. He's talking about all that ship.

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Speaker 1: But as I became managed more manager, I'm I'm soaking

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Speaker 1: it up. And it didn't take me about two or

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Speaker 1: three weeks to just really soak it all in, you

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Speaker 1: know what I'm saying. And so um, you know he's

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Speaker 1: talking about the street life, you know, the East Oakland life.

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Speaker 1: You know what I'm saying. Just it catered throughout the

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Speaker 1: whole Bay area. And I was like, you know what,

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Speaker 1: I'm a hustler, So this is what I do. I'm

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Speaker 1: gonna speak on the hustling side of the game. I'm

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Speaker 1: gonna talk about, you know what I'm saying, how to

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Speaker 1: get to get out, you know what I'm saying. I'm

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Speaker 1: gonna talk about how to flip this, how to do this.

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Speaker 1: You know, Uh, make sure you know what I'm saying.

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Speaker 1: We never let nobody sit in the back seat when

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Speaker 1: you understand me doing your duties. You know what I'm saying.

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Speaker 1: You know that complicit anybody, No, I can California. But

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Speaker 1: if you notice, when it goes comes to the Bay,

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Speaker 1: it's always this rear current thing for Lahol niggas, Oukland niggas,

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Speaker 1: niggas Okland niggas. Valleo is a small town. Oakland is

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Speaker 1: a small town. But the Bay Area has hit the

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Speaker 1: other fucking cities, and I have no idea why is it?

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Speaker 1: MATC Dred's from Valletol E forty is from Valleyo fucking

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Speaker 1: old school confunction and from fucking Valleo flying the family

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Speaker 1: Stone f Stone and from vale Who fucking young homies,

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Speaker 1: RB them niggas fun Vallehoy Sale. It's a whole bunch

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Speaker 1: of baby bad. You know what I'm saying. CC Sabathia,

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Speaker 1: I ain't trying to really do. I ain't really just

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Speaker 1: in like like Chris Coggles, I love film HB. I

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Speaker 1: love the niggas. I ain't really trying to this. None

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Speaker 1: of the cities in the Bay, Saint Jose, Richmond, none

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Speaker 1: of them ships for some reason Oakland mc hammer Rod

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Speaker 1: fucking it just goes on and on the fucking forever.

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Speaker 1: I get his name is ship ever and it's like,

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Speaker 1: I don't know. And then when you break it down

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Speaker 1: to like just general friendships in the Bay, the different

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Speaker 1: cities tending to click together. It ain't really like gang banging,

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Speaker 1: but certain cities that get along, like East pala Alto

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Speaker 1: niggas always got along with Frisco niggas. I don't know

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Speaker 1: film O niggas. I don't know what the connect is,

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Speaker 1: but Oakland niggas and Valleo niggas have always been on

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Speaker 1: the same fucking page, like really like like unified, so

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Speaker 1: to speak. And it's um and it's uh, it's the

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Speaker 1: it's the found nation of our friendship is the fact

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Speaker 1: that before rapp music, friends of his and family members

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Speaker 1: of his, friends of mine and family members of mine,

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Speaker 1: we're all friends before we misporting in too short. So

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Speaker 1: that's the foundation and just something that got to do

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Speaker 1: with the Oakland Valao. A lot of a lot of

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Speaker 1: dope dealing back in the day, a whole lot of

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Speaker 1: Ship's interesting because I don't know about the different areas

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Speaker 1: in the Bay, like I always just you know, I

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Speaker 1: always hear Oakland, Oakland, the Bay. I don't know how

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Speaker 1: to like break it down like that. And you know

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Speaker 1: I've been there a few times, but I can't tell

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Speaker 1: like what neighborhood I'm in or who's like. I don't

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Speaker 1: even likes rock with Nework niggas, you know what I'm saying.

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Speaker 1: I don't know who rocks for who in New York,

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Speaker 1: but certain areas from far apart click up to be

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Speaker 1: more powerful. If you if you used to come to

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Speaker 1: my neighborhood the Hills sign, you're gonna see it's gonna

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Speaker 1: be a whole bunch of heells, and it's gonna look

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Speaker 1: like like the South. You're gonna see niggas on horses

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Speaker 1: right down the street. Everything. I love smoking a blunt.

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Speaker 1: You feel me in real life? You want to see

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Speaker 1: some goats in the backyards and chickens raised, some ship

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Speaker 1: like that. That's why we call ourselves Beverly. Here we

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Speaker 1: heal Billy's. We think it's righting around the corner from

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Speaker 1: Napa Valley. We right around the corner from Napa. That's

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Speaker 1: you know, you star, you go down to normal bulletboard always,

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Speaker 1: you know, it's straight through shot. You're straight up in

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Speaker 1: Napa Lao and nappers in St. County, right, it's the

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Speaker 1: seven or seven Save it back same Silano County, Slanto

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Speaker 1: County can say Slanto County. Yeah, yeahs and chickens. They're

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Speaker 1: doing sacrifices out there. There's voodoo out there, and we

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Speaker 1: ain't gonna voodle out there now. I'm just kidding. I listen,

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Speaker 1: I ain't gonna lie because they do be having some

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Speaker 1: chickens Brooklyn. But you know, no, people got chickens and

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Speaker 1: ugling chick chickens. My daddy, my daddy from Mississippi, don't.

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Speaker 1: They don't know nothing about my damn Boudo. And he

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Speaker 1: got chickens you know here. He got guards chickens the

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Speaker 1: whole ding like my daddy because he was raised on

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Speaker 1: the farm. My daddy told him he used to the

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Speaker 1: twelve eggs a day because he can do that. It was, yeah,

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Speaker 1: it was. It was unlimited chickens. You know, eggs. You

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Speaker 1: know what I'm saying. So that's that's being raised here Mississippi.

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Speaker 1: Bo He came to Vallet when he was fourteen and

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Speaker 1: a half fifteen and backed down. My mama, you had

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Speaker 1: balling ass forty You feel what I'm saying. So, but

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Speaker 1: like I said, no, it's it's just where I'm at

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Speaker 1: the hills side, it's really like it's really country, like

200
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Speaker 1: it's country motherfucker's. But we gamed up. We ain't no suckers,

201
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Speaker 1: and yes, then we hustlers. And that's the airs. I

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Speaker 1: grew up on Magazine Street, you know. And um that

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Speaker 1: that go all the way from Glenn Cover was along

204
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Speaker 1: a street from Glen Cold all the way to South

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Speaker 1: Valet to suicide. You know what I'm saying now? You

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Speaker 1: know what I wanted to ask you because since you guys,

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Speaker 1: I started off talking about children first of all, too

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Speaker 1: sure you have a two year old? How does that feel? Man?

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Speaker 1: So you know, I'm gonna tell you the long version.

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Speaker 1: We might have had a conversation about this somewhere along

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Speaker 1: these years. But I spent a lot of my life

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Speaker 1: specifically tuned in doing the things that don't make babies,

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Speaker 1: like during intercourse, like if it was not protected, I

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Speaker 1: would definitely pull out where early, not even like late early,

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Speaker 1: like way early, and just not even like risk the

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Speaker 1: risk of possibilities. And there's you know a lot of

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Speaker 1: a lot of safe safe behavior in there, and then um,

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Speaker 1: relationship wise, I would getting up on the threshold of

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Speaker 1: a relationship and fucking just boat left right, just like

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Speaker 1: I can't do it. I can't do the the love

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Speaker 1: and the next thing comes is you get so connected

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Speaker 1: like oh baby, I love you, I love you, and

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Speaker 1: then the fucking you know kids, you like that you

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Speaker 1: locked in? So I was always running from being locked

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Speaker 1: in like that. Amendment issues on purpose, though not I

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Speaker 1: don't really think it's because it's a committment issue. It's

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Speaker 1: because I don't want to do it. Is that a difference?

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Speaker 1: He's trying a couple of times, trust me, trying to

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Speaker 1: be dedicated a couple of a couple of years, A

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Speaker 1: couple of times. I'm on the other side of the fence.

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Speaker 1: Earl married his high school sweetheart. I fucking I'm on

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Speaker 1: what I'm on the other side of the Yeah, educate

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Speaker 1: dynamic of how polar opposite that you two are when

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Speaker 1: it comes to relationships with a couple in so many ways.

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Speaker 1: Remember remember that, Remember that little television show. When I

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Speaker 1: got to fifty years old, you know, I was like

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Speaker 1: in my forty all the way through my entire forties,

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Speaker 1: I was running around at like some little nigg at

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Speaker 1: every little nigger party, like you know, just like that's funny,

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Speaker 1: even because I met you at Chris Brown's house one

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Speaker 1: song a couple of years ago, that even that long ago. No,

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Speaker 1: it was, it was years ago, it was, it was,

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Speaker 1: it was a minute ago. It was a long song ago.

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Speaker 1: I didn't start letting my guard down on purpose, though,

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Speaker 1: I really just you know, it wasn't about randomly come

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Speaker 1: running up on chicks going I'm gonna make a baby.

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Speaker 1: It was about coming in contact with the right person

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Speaker 1: and developing a relationship with somebody. I really believe that

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Speaker 1: at this point I could do this with this person,

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Speaker 1: and I don't have any regrets. I really like it

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Speaker 1: like that. I didn't know. I'm happy for you. You

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Speaker 1: listen last time you came out. Listen. But you did

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Speaker 1: talk about a situation where you thought you might have

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Speaker 1: a baby, and we had a whole time that wasn't

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Speaker 1: my baby, that bad mine, that was totally not mine.

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Speaker 1: She was sending me belly pictures that was not my kid,

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Speaker 1: and said, my bad, my bad, my bad. It was

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Speaker 1: it was just like the situation that happened you told

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Speaker 1: us about about what an abortion situation that you told

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Speaker 1: us about. Well, I went through a feudals as a

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Speaker 1: young guy. Yeah, up until the age of seven, I

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Speaker 1: was real reckless. I went through a couple of relationships

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Speaker 1: where you know, there was a miscarriage, there was an abortion,

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Speaker 1: and all the way to the end, like the very

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Speaker 1: last abortion, like probably out of three, really fucked me

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Speaker 1: up in the head. And it was the reason why

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Speaker 1: I no longer had sex the way I was having

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Speaker 1: and I just kind of like changed my hosle steel O.

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Speaker 1: That's right when I moved to Atlanta, and it was like, man,

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Speaker 1: we just I'm just not For one, I'm getting a

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Speaker 1: little older and I'm not as irresponsible as I was

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Speaker 1: in my twenties. And then for two, that experience of

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Speaker 1: really like seeing abortion up close. I was in the room,

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Speaker 1: I was with my chick when we made a decision,

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Speaker 1: when it happened, and then how it affected her after

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Speaker 1: and just seeing that and with a more mature mine

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Speaker 1: just kind of like I didn't want to be in

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Speaker 1: that position. I don't want to put anybody in that position.

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Speaker 1: I'm like, I'm not going there. And my entire time

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Speaker 1: living in Atlanta, Georgia, super sexually active. Nobody ever called

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Speaker 1: me and said I'm pregnant, but you or came to

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Speaker 1: me and said that. I never got that. I was

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Speaker 1: totally on my game. And even when I moved back

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Speaker 1: to Cali, I lived in Vegas. I mean I've been

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Speaker 1: I've been out there, but I was just not. I

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Speaker 1: was not trying to make babies. And and I think, um,

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Speaker 1: I think the game. Y'all might not believe in the

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Speaker 1: game like I do, but the game gave me this daughter.

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Speaker 1: Brought to like, it's like that you had a daughter.

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Speaker 1: The game did that? Man? You know what, I'm sure

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Speaker 1: you're an old player that the games are gonna give

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Speaker 1: you a little boy to make him a young player

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Speaker 1: of the game is like, nope, give me a daughter.

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Speaker 1: And into the world of guys with daughters. Even watching

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Speaker 1: my only sister run my daddy. Who who I've never

296
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Speaker 1: seen nobody round my daddy. And now I'm like, all

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Speaker 1: these daughters, I'm hearing your storage fat joke some of

298
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Speaker 1: his daughters. Boss, I'm like, what the fuck am I getting?

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Speaker 1: I turned out all right, but when I was younger,

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Speaker 1: I already you know you're gonna have to work cut

301
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Speaker 1: out for you. Yeah, are you scared? Are you nervous? Girl?

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00:16:20,120 --> 00:16:22,680
Speaker 1: Uh no, no, no, no, I just think it's all

303
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Speaker 1: the balance of the game. Like you want to be

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Speaker 1: too short, This is when you get you know what

305
00:16:26,600 --> 00:16:28,800
Speaker 1: I'm saying, you want to run from and give you this.

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00:16:29,240 --> 00:16:31,520
Speaker 1: She's a ficy little girl to like. I already see

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Speaker 1: it coming. Um, you know what I'm gonna do, right,

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Speaker 1: I'm going to embrace it, and I'm actually going to

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Speaker 1: I'm going to give her all that love I ran

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Speaker 1: away with. I'm gonna give it all to her, all

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Speaker 1: the spoiling I didn't do a x x X ex girlfriend.

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Speaker 1: I'm gonna do it. I'm gonna give it all of

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Speaker 1: her too. So women's women's cool. Yeah, it's good. You're

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Speaker 1: supposed to be soft when it comes to your daughter.

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Speaker 1: Now for you, Eforty, you married your high school sweetheart.

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Speaker 1: You think that kept you out of a lot of

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Speaker 1: trouble in this business. Yeah, because we you know, we

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Speaker 1: was living off of love. Like you know, I had

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Speaker 1: my ups and downs. I wasn't always well, wealthy rich.

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Speaker 1: I wasn't always like that. We I was a good

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Speaker 1: rich I was, but at the same time I have

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Speaker 1: my ups and downs in there too, you know what

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Speaker 1: I'm saying. And you know when I um, you know,

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Speaker 1: at the beginning, it was like, of course, you know,

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Speaker 1: I'm just a young, a young man, and I see

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Speaker 1: this beautiful girl and I because I was in band.

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Speaker 1: I played drums and band. Always been involved in music.

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Speaker 1: So from the fourth grade all the way to the

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Speaker 1: tools grade, I played drums because that was the only

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Speaker 1: thing back. And you gotta really you gotta realize I

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Speaker 1: might not look like it, or I might. But I

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Speaker 1: graduated the nineteen eighty five. I was seventeen, you know

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Speaker 1: what I'm saying. So I was, I said, this young

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Speaker 1: lady she in band as well, and she um, you know,

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Speaker 1: she played the clearinet and we're having band reviews. So

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Speaker 1: my cousin b Legit went to the Saint who she

337
00:18:00,440 --> 00:18:03,040
Speaker 1: went to in high school. So I one day I

338
00:18:03,080 --> 00:18:05,399
Speaker 1: was like, I like, always liked her since junior high

339
00:18:05,560 --> 00:18:07,479
Speaker 1: because she used to be with one of her one

340
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Speaker 1: of a good friends of ours that went to church

341
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Speaker 1: to my granddaddy was a preacher. So when we was kids,

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00:18:12,600 --> 00:18:14,760
Speaker 1: it was one of one of um one of our

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Speaker 1: friends that was her friend. And I'm like, oh, she's

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Speaker 1: always with Tiffany. That's our folks, you know. And I'm like, okay,

345
00:18:21,680 --> 00:18:23,720
Speaker 1: but I say, uh, this girl right here, she's a

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Speaker 1: beautiful lady, and uh, I'm gonna have at her, you

347
00:18:26,840 --> 00:18:29,439
Speaker 1: know what I'm saying. And so I told be Legit,

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Speaker 1: I say, man, tell home girl, I like kerr blood.

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Speaker 1: You know what. By the way, okay, so you know

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Speaker 1: we we you know, and you're right to answer your

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Speaker 1: question seriously because I'm not gonna try to act like

352
00:18:45,280 --> 00:18:47,879
Speaker 1: I'm super hardcore that's killing nigga. But I was a

353
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Speaker 1: street I'm a street nigga in my my my my

354
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Speaker 1: heart and my spirit is on magazine street in the

355
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Speaker 1: Hillside and Vallea. I might stay in the suburbs now,

356
00:18:57,160 --> 00:18:59,160
Speaker 1: but you know, you can't take the ghether out the nigga.

357
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Speaker 1: You know what I'm saying. You might take a nigga

358
00:19:01,280 --> 00:19:02,879
Speaker 1: out to get U, but not to get out the nigga.

359
00:19:02,880 --> 00:19:06,639
Speaker 1: And I'm a nigger, you know. So you're just to

360
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Speaker 1: say this, nah man. She definitely kept me out of

361
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Speaker 1: trouble because I was I had a good girl and

362
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Speaker 1: I was I ain't know dummy, Like I can draw

363
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Speaker 1: pretty good. So I always say you look like somebody

364
00:19:16,640 --> 00:19:18,480
Speaker 1: drew you. You know what I'm saying. That's why I

365
00:19:18,520 --> 00:19:21,600
Speaker 1: said you're so beautiful. You look like you the Pizzo

366
00:19:21,680 --> 00:19:23,520
Speaker 1: used to always tell me my old school d J

367
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Speaker 1: Pzo short. He used always say, Babe, that baby, you

368
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Speaker 1: say that about any girl always playing Domino is doing

369
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Speaker 1: the show. And I was about the um. I was

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Speaker 1: getting tired of the Domino game. I was about to

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Speaker 1: go chasing brons and go after party and whatever the

372
00:19:38,400 --> 00:19:41,800
Speaker 1: funk it was. And it was like he was like, man,

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Speaker 1: I wouldn't fucking tease bitches out of here. Man I

374
00:19:45,240 --> 00:19:47,360
Speaker 1: might say what's up to a bit of you might

375
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Speaker 1: not even been saying bitch or whatever it was. He

376
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Speaker 1: was like, nigga, ain't I remember I left my sister

377
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Speaker 1: nigger girls crazy. I'm cool because I was like, okay, chickens,

378
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Speaker 1: and I had I had and I had this had

379
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Speaker 1: this beautiful lady, my queen have been playing around on

380
00:20:04,200 --> 00:20:06,399
Speaker 1: me or something like that. I've been understand me moving

381
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Speaker 1: around a different ship like that and causing me problems

382
00:20:08,840 --> 00:20:10,920
Speaker 1: in my life and ship like that. She would have

383
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Speaker 1: been eighty six. You know what I'm saying. I mean,

384
00:20:12,880 --> 00:20:16,720
Speaker 1: just like too short of fucking dog asshole because I'm

385
00:20:16,760 --> 00:20:18,920
Speaker 1: a Scorpio and I love and I love Crevice. I'm

386
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Speaker 1: gonna keep it one thout Will, I would say, don't

387
00:20:25,000 --> 00:20:26,680
Speaker 1: figure out a lot. I love that I just got.

388
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Speaker 1: This is a wonderful woman that I don't want to

389
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Speaker 1: ever leave. Yeah, I mean it. It feels mutual about

390
00:20:32,080 --> 00:20:34,480
Speaker 1: the situation, and if it wasn't for her, I would

391
00:20:34,480 --> 00:20:36,280
Speaker 1: probably won't be why I'm at I'm gon keeping one

392
00:20:36,280 --> 00:20:38,240
Speaker 1: thout Will because she kept me grounded. You know what

393
00:20:38,240 --> 00:20:40,400
Speaker 1: I'm saying. I'm in the house writing raps. My brother

394
00:20:40,480 --> 00:20:42,119
Speaker 1: and them, they always say it, they say, man, we

395
00:20:42,240 --> 00:20:44,440
Speaker 1: all you know we was hardheaded, you know what I'm saying.

396
00:20:44,480 --> 00:20:47,200
Speaker 1: We were sitting around chasing chasing that crevice and we

397
00:20:47,240 --> 00:20:49,239
Speaker 1: should have been you understanding me. We should have been

398
00:20:49,240 --> 00:20:51,760
Speaker 1: in there writing wraps and concentrating on our business. Like you.

399
00:20:51,880 --> 00:20:53,760
Speaker 1: That's why you buy passed us and that's why you

400
00:20:53,960 --> 00:20:57,040
Speaker 1: nig it. You know, they always kill me even this, like, man,

401
00:20:57,040 --> 00:21:00,800
Speaker 1: we h we realized I after the fact that we

402
00:21:00,880 --> 00:21:05,320
Speaker 1: let me let the girls get away. Man Like now

403
00:21:05,800 --> 00:21:08,119
Speaker 1: it's like cool and hip hop to be in a relationship.

404
00:21:08,160 --> 00:21:10,080
Speaker 1: But there was a period of time when it wasn't cool,

405
00:21:10,240 --> 00:21:12,639
Speaker 1: like they would be like, if you're an artist, you

406
00:21:12,720 --> 00:21:16,080
Speaker 1: gotta act like you single because then it's cool now

407
00:21:16,160 --> 00:21:18,160
Speaker 1: because your your chicken. You could be on a love

408
00:21:18,160 --> 00:21:19,760
Speaker 1: and hip hop and get a bag together, or you

409
00:21:19,760 --> 00:21:22,399
Speaker 1: could be like, you know, once you make her, you know,

410
00:21:23,040 --> 00:21:25,080
Speaker 1: her numbers run up, just like your numbers run up.

411
00:21:25,080 --> 00:21:31,040
Speaker 1: So it isn't it's the right way, It's the right light,

412
00:21:33,480 --> 00:21:36,520
Speaker 1: you know. I figured. I figured, you know, this temper

413
00:21:36,880 --> 00:21:40,159
Speaker 1: the girl when they find out that that I'm married,

414
00:21:40,200 --> 00:21:41,960
Speaker 1: Like people be like like if me and if I

415
00:21:42,000 --> 00:21:43,560
Speaker 1: post a picture with me a wife, you know what

416
00:21:43,560 --> 00:21:45,399
Speaker 1: I'm saying, they'd be like, damn, I didn't know he

417
00:21:45,480 --> 00:21:47,680
Speaker 1: was married. You know what I'm saying. Because the way

418
00:21:47,680 --> 00:21:50,760
Speaker 1: I wrapped, I wrapped, I wrapped raunchy, I wrapped just nasties.

419
00:21:50,880 --> 00:21:55,000
Speaker 1: This niked like this. I say, some nasty ship. I

420
00:21:55,080 --> 00:21:57,600
Speaker 1: say hard headed ship. You know. But you gotta always

421
00:21:57,600 --> 00:22:01,720
Speaker 1: remember that I am a storyteller. Um, I'm a you know,

422
00:22:01,760 --> 00:22:04,480
Speaker 1: I'm an artist, and that's what we do. We we deliver.

423
00:22:04,640 --> 00:22:07,240
Speaker 1: We are I'm the curb commentator. I'm not you know

424
00:22:07,359 --> 00:22:10,439
Speaker 1: saying me, I'm I'm this is the blockbro shure, right, here.

425
00:22:10,480 --> 00:22:12,639
Speaker 1: This is the hustler's handbook. This is me. This is

426
00:22:13,680 --> 00:22:15,720
Speaker 1: I screaming like I mean, and I'm just I'm talking

427
00:22:15,760 --> 00:22:18,480
Speaker 1: for other people. You understand me. I'm painting that. But

428
00:22:18,600 --> 00:22:20,840
Speaker 1: are you as nasty as you are in your raps

429
00:22:20,960 --> 00:22:23,800
Speaker 1: in real life with your wife? I told you I'm

430
00:22:23,800 --> 00:22:28,160
Speaker 1: a scorpio. Okay, okay, like enough, that's all you got

431
00:22:28,160 --> 00:22:36,359
Speaker 1: to say. And I love Crimmins said say, y'all, I

432
00:22:36,400 --> 00:22:38,000
Speaker 1: look with pussy nick, I just go out the hallway.

433
00:22:40,640 --> 00:22:43,399
Speaker 1: Yeah yeah, I say, you be on the proud I

434
00:22:43,400 --> 00:22:45,360
Speaker 1: think it's on the prod every night, nigger. I could

435
00:22:45,400 --> 00:22:48,320
Speaker 1: just go right down the hallway and walk up the steps,

436
00:22:48,359 --> 00:22:52,199
Speaker 1: nigg And I'm good, you know what I'm saying. And

437
00:22:52,280 --> 00:22:54,800
Speaker 1: I gotta worry about no other ship. I gotta worry

438
00:22:54,800 --> 00:22:57,920
Speaker 1: about no more the narrow eases. I gotta worry about

439
00:22:57,920 --> 00:23:00,040
Speaker 1: no motherfucking I gotta worry about a bit trying to

440
00:23:00,040 --> 00:23:02,040
Speaker 1: get me from my for my for my roulex on

441
00:23:02,160 --> 00:23:07,960
Speaker 1: my you know what I'm seeing my ape like this

442
00:23:08,000 --> 00:23:11,639
Speaker 1: ship mate, you know, not too short? Were you ever

443
00:23:11,640 --> 00:23:16,240
Speaker 1: a bad influence? Like come on, man, I'm the guy.

444
00:23:16,880 --> 00:23:19,680
Speaker 1: I'm not gonna say. Earl can't be influence. He's always

445
00:23:19,680 --> 00:23:24,040
Speaker 1: been a bust But I'm the guy who at first

446
00:23:25,080 --> 00:23:28,440
Speaker 1: you tell your chick, I'm I'm about to bust the

447
00:23:28,520 --> 00:23:31,400
Speaker 1: moves with Short. They're doing things on busting movement, bust moves.

448
00:23:31,400 --> 00:23:33,840
Speaker 1: All right, go, I'll have fun with Short. Then I

449
00:23:33,960 --> 00:23:36,320
Speaker 1: end up being a guy. When you said your chick,

450
00:23:36,359 --> 00:23:38,840
Speaker 1: I'm about the bust movies, Short, she can hella mad

451
00:23:38,880 --> 00:23:44,359
Speaker 1: at you, like when you come back from busting movies. Short,

452
00:23:44,440 --> 00:23:47,199
Speaker 1: it's all fucked up, Like the Wise Girl and me

453
00:23:47,240 --> 00:23:51,480
Speaker 1: and Ship. I'm the guy who gets you first, and

454
00:23:51,600 --> 00:23:54,400
Speaker 1: you just you gets you like too Short, ain't gonna

455
00:23:54,440 --> 00:23:56,800
Speaker 1: sucking too Short, You ain't gonna have the more home

456
00:23:56,840 --> 00:24:03,760
Speaker 1: for you to come home to shoot hanging out with

457
00:24:03,920 --> 00:24:07,800
Speaker 1: him like that because you know she never because she

458
00:24:07,840 --> 00:24:12,280
Speaker 1: trust me. She you know, ain't gonna nothing. You just

459
00:24:12,359 --> 00:24:15,240
Speaker 1: be in the wrong place, you know what I'm saying. No,

460
00:24:15,320 --> 00:24:19,240
Speaker 1: we don't. We don't go and then go ahead restaurants

461
00:24:19,240 --> 00:24:21,080
Speaker 1: and club. We don't move like that. We moved like

462
00:24:21,920 --> 00:24:24,439
Speaker 1: our crewise like moved together when it's like a money play,

463
00:24:24,840 --> 00:24:26,920
Speaker 1: which is a lot of times. We do so many shows.

464
00:24:27,080 --> 00:24:29,600
Speaker 1: We're in Vegas and we'll be in Detroit we in

465
00:24:29,720 --> 00:24:32,400
Speaker 1: Vegas wherever we had, we all moved together. We all

466
00:24:32,480 --> 00:24:35,600
Speaker 1: wanted it's open, you know what I'm saying. That's how

467
00:24:35,640 --> 00:24:38,040
Speaker 1: we were all go back and see how many shows

468
00:24:38,080 --> 00:24:42,520
Speaker 1: too short and forty was on the side count. Yeah,

469
00:24:42,600 --> 00:24:44,960
Speaker 1: I'll be like, I'll be like too short. I say, nigga,

470
00:24:45,000 --> 00:24:48,439
Speaker 1: you need to headline this, nigga, because we we'll be

471
00:24:48,480 --> 00:24:50,919
Speaker 1: going back like some chokes our headline. So I'm here

472
00:24:50,960 --> 00:24:53,280
Speaker 1: to headline me and he don't give a funk about headline.

473
00:24:53,440 --> 00:24:56,240
Speaker 1: That's what the little niggas need to learn as they

474
00:24:56,359 --> 00:24:59,560
Speaker 1: go along. So I partner at what they do. Like forty,

475
00:25:00,040 --> 00:25:03,919
Speaker 1: This dudes my local competition, not just local, just we're

476
00:25:03,960 --> 00:25:06,640
Speaker 1: on the same label. But we could find in each

477
00:25:06,680 --> 00:25:11,359
Speaker 1: other like advice, criticism, everything. But in the long run,

478
00:25:11,680 --> 00:25:13,680
Speaker 1: when we when you look back at it, and as

479
00:25:13,680 --> 00:25:18,560
Speaker 1: we speak, when money comes into play, I could I

480
00:25:18,600 --> 00:25:21,200
Speaker 1: could be somewhere getting ready to get about twenty racks.

481
00:25:21,800 --> 00:25:24,920
Speaker 1: I say, you want to give me Andy forty. Now,

482
00:25:24,960 --> 00:25:27,520
Speaker 1: the ship just went up to another ten in my

483
00:25:27,640 --> 00:25:30,120
Speaker 1: pocket because it's both of us, and the whole ship

484
00:25:30,200 --> 00:25:33,400
Speaker 1: gets bigger. So we go get a bigger bag when

485
00:25:33,400 --> 00:25:36,560
Speaker 1: we're together, and and on top of that, so many

486
00:25:36,640 --> 00:25:40,680
Speaker 1: motherfucker's called my line that say I want to do something,

487
00:25:40,680 --> 00:25:42,880
Speaker 1: which can I can? I can I get forty two?

488
00:25:43,440 --> 00:25:50,000
Speaker 1: Bamn vice versa and years nigga forty throwing the nigga

489
00:25:50,080 --> 00:25:59,000
Speaker 1: like dollar passes like nigga just recently. Now that's a friendship, Okay,

490
00:26:00,160 --> 00:26:07,240
Speaker 1: can you throw me? Got a bag out of us?

491
00:26:07,280 --> 00:26:09,120
Speaker 1: Like it's like a bag that cut me? You away

492
00:26:09,160 --> 00:26:10,600
Speaker 1: that you really don't want to say. You shoot it

493
00:26:10,640 --> 00:26:12,159
Speaker 1: down to your folks. It might be time and you

494
00:26:12,240 --> 00:26:15,159
Speaker 1: might be double booked, you know what I mean. You

495
00:26:15,240 --> 00:26:16,639
Speaker 1: might just not want to do it, be like my

496
00:26:16,720 --> 00:26:18,040
Speaker 1: nigga might want to do it. I'm like, ship you,

497
00:26:18,160 --> 00:26:21,080
Speaker 1: I wanta do it like all my friends. Is useful.

498
00:26:21,119 --> 00:26:25,679
Speaker 1: That's what I'm talking about. So the now Westmore album,

499
00:26:25,760 --> 00:26:28,440
Speaker 1: let's talk about that and how that even came about

500
00:26:28,680 --> 00:26:30,680
Speaker 1: and how that's happening. Tell us a little bit of

501
00:26:30,720 --> 00:26:35,480
Speaker 1: inside school. Yeah, so here it is. So I was

502
00:26:35,520 --> 00:26:39,360
Speaker 1: talking to my manager. So my manager, he was fifteen

503
00:26:39,400 --> 00:26:41,880
Speaker 1: and a half when I stayed in the Rancho Silano,

504
00:26:42,520 --> 00:26:44,280
Speaker 1: uh in out there in Fairfield. I had a house

505
00:26:44,280 --> 00:26:47,520
Speaker 1: on the suburb's golf course. Uh you know, gated community

506
00:26:47,640 --> 00:26:51,520
Speaker 1: all that ship and like nine three right, and so

507
00:26:52,080 --> 00:26:54,800
Speaker 1: he his dad stayed in that neighborhood, so I would

508
00:26:54,800 --> 00:26:57,920
Speaker 1: see him slide past in elections. I had. I had

509
00:26:57,920 --> 00:27:02,520
Speaker 1: a like a turk course Alexus three hunting at them

510
00:27:02,560 --> 00:27:05,280
Speaker 1: at that time, branch banking new, brand new, fresh after,

511
00:27:05,480 --> 00:27:07,480
Speaker 1: you know the whole that was the ship back then,

512
00:27:07,600 --> 00:27:09,439
Speaker 1: you know what I'm saying. And so he had one,

513
00:27:09,480 --> 00:27:11,560
Speaker 1: but he had Alexis three hunting. I had Alexis fox

514
00:27:11,600 --> 00:27:13,400
Speaker 1: hunt And so I see, I said, who this little

515
00:27:13,440 --> 00:27:15,480
Speaker 1: nagy pass up? But kick pass up by my house? Right,

516
00:27:15,960 --> 00:27:18,600
Speaker 1: you know what I'm saying, Like Mexican and white mix, right,

517
00:27:18,840 --> 00:27:20,960
Speaker 1: And so I'm like a little bit. But see I've

518
00:27:20,960 --> 00:27:23,359
Speaker 1: seen him before because he used to be with my folks,

519
00:27:23,400 --> 00:27:25,680
Speaker 1: Mike Mike Moseley and you instand me. He used to

520
00:27:25,720 --> 00:27:28,840
Speaker 1: work at the Funky Chicken with local Look record store,

521
00:27:29,160 --> 00:27:31,200
Speaker 1: and he knew all my partners. He knew almost high

522
00:27:31,240 --> 00:27:33,520
Speaker 1: my nigga r I p almost high. So anyway, making

523
00:27:33,560 --> 00:27:36,160
Speaker 1: long story short, fast forward, and this dude would always

524
00:27:36,359 --> 00:27:39,080
Speaker 1: show up at places. You know, a big fan him

525
00:27:39,080 --> 00:27:41,200
Speaker 1: and a couple more of my folks they pop up,

526
00:27:41,440 --> 00:27:44,480
Speaker 1: and this observed the game. So R J. Was real.

527
00:27:44,920 --> 00:27:46,920
Speaker 1: Sure you might not noticed r J. You can't get

528
00:27:46,960 --> 00:27:49,200
Speaker 1: him to stop talking now, But that nigga used to

529
00:27:49,240 --> 00:27:50,800
Speaker 1: be quiet as hell. He was like a fly on

530
00:27:50,840 --> 00:27:52,960
Speaker 1: the wall and just peeping peep in the game. So

531
00:27:53,000 --> 00:27:55,679
Speaker 1: he learned the game. So later on in life, you

532
00:27:55,720 --> 00:27:58,239
Speaker 1: know what I'm saying, My old manager was a big row.

533
00:27:58,320 --> 00:28:00,600
Speaker 1: I still love him. Chat heys. He had other things

534
00:28:00,600 --> 00:28:04,520
Speaker 1: he was getting into. So just became like a road manager.

535
00:28:04,640 --> 00:28:07,040
Speaker 1: Then he became my full flesh manager. He started learning

536
00:28:07,040 --> 00:28:09,600
Speaker 1: that ship. So as of recently he had came up.

537
00:28:09,600 --> 00:28:11,439
Speaker 1: We were just chopping it up early in the morning

538
00:28:11,680 --> 00:28:13,080
Speaker 1: and he was like, man, you might as well you

539
00:28:13,080 --> 00:28:14,119
Speaker 1: know what you might as want to do. You might

540
00:28:14,119 --> 00:28:17,919
Speaker 1: as well you snoop Cuban short. Yeah, y'all probably need

541
00:28:17,960 --> 00:28:20,639
Speaker 1: to just put a group together. I say, nigga. A

542
00:28:20,720 --> 00:28:23,920
Speaker 1: lightbulb popped in my head, like, Nigga, that's it right there, nigga.

543
00:28:24,200 --> 00:28:27,000
Speaker 1: Hell yeah, So Dan I called. I said, let me

544
00:28:27,160 --> 00:28:29,320
Speaker 1: I say, all right, I say, I say, our jis

545
00:28:29,720 --> 00:28:32,399
Speaker 1: I'm gonna call. I'm gonna call Qube first, because you

546
00:28:32,440 --> 00:28:35,000
Speaker 1: know Cube, you know, he was stubborn one, you know,

547
00:28:35,040 --> 00:28:36,879
Speaker 1: out of all of us, Right, So I said let

548
00:28:36,880 --> 00:28:43,760
Speaker 1: me call Cube right, so called cube. Q was like hell, yeah,

549
00:28:43,800 --> 00:28:47,160
Speaker 1: you know cute crazy he just yeah, he just uh.

550
00:28:47,320 --> 00:28:50,320
Speaker 1: Then he was thinking, I'm like with name and then

551
00:28:50,360 --> 00:28:54,240
Speaker 1: he he just mount Westmore. He just came up and

552
00:28:55,720 --> 00:29:00,640
Speaker 1: I'm not he just now west keep a smile. You

553
00:29:01,080 --> 00:29:04,240
Speaker 1: we can't even smile. That's our folks. It's a big movie.

554
00:29:04,240 --> 00:29:08,040
Speaker 1: But he's doing it now. I can't recall him smiling.

555
00:29:08,680 --> 00:29:15,640
Speaker 1: He did that. That's serious. Google smiling and see if anything,

556
00:29:17,000 --> 00:29:19,120
Speaker 1: you can see him smiling now because people a big

557
00:29:19,160 --> 00:29:22,240
Speaker 1: actor and you know that's probably pictures of it, you

558
00:29:22,280 --> 00:29:25,040
Speaker 1: know in the prize did you see? Yeah, but I

559
00:29:25,080 --> 00:29:28,680
Speaker 1: can see him being really serious in business. Yeah, he'd

560
00:29:28,720 --> 00:29:32,720
Speaker 1: be serious about the business. He'd be serious about the business. Though.

561
00:29:33,200 --> 00:29:36,120
Speaker 1: Oh my's so funny because it's on pinters. Look at this,

562
00:29:36,320 --> 00:29:41,320
Speaker 1: it's a smiling ice cube. Yeah, that's what I'm sharing

563
00:29:41,480 --> 00:29:46,360
Speaker 1: from the movie. Yeah, family Christmas movie or whatever, you know,

564
00:29:46,560 --> 00:29:51,480
Speaker 1: Bred carpet. Yeah. And so then so I cast you.

565
00:29:52,080 --> 00:29:54,360
Speaker 1: I called short and then I think you do me

566
00:29:54,400 --> 00:29:56,120
Speaker 1: and you called tough. I just we called him on

567
00:29:56,200 --> 00:29:59,040
Speaker 1: three day, call me on. They'll both on the phone. Okay,

568
00:29:59,040 --> 00:30:01,760
Speaker 1: me and you cast your and he he was with it,

569
00:30:01,800 --> 00:30:03,680
Speaker 1: me and q cart short on three way and then

570
00:30:03,720 --> 00:30:05,600
Speaker 1: I believe we put Snoop on the phone and then

571
00:30:06,240 --> 00:30:09,440
Speaker 1: we and there was it was it was born. Started

572
00:30:09,480 --> 00:30:15,200
Speaker 1: a group text and Snoop said he'd been saving a transfer.

573
00:30:15,360 --> 00:30:18,520
Speaker 1: My my phone crashed. Halfway through, the group takes start

574
00:30:18,560 --> 00:30:21,480
Speaker 1: all over. Yea, that ship. That ship reads like a

575
00:30:21,560 --> 00:30:25,200
Speaker 1: motherfucking movie. The group texts is it goes to a

576
00:30:25,200 --> 00:30:28,120
Speaker 1: lot of phases. But because we're on there talking and

577
00:30:28,200 --> 00:30:31,040
Speaker 1: were on their since like when Snoop talking out of

578
00:30:31,160 --> 00:30:33,600
Speaker 1: y'all know how Snoop get down. He's in a video

579
00:30:33,800 --> 00:30:40,160
Speaker 1: of him talking to you. Yeah, uh know, he'd make

580
00:30:40,200 --> 00:30:45,000
Speaker 1: a video of himself and he's yeah, yeah, yeah, he

581
00:30:45,040 --> 00:30:49,120
Speaker 1: has say, man the video back, video back, and then

582
00:30:49,280 --> 00:30:50,880
Speaker 1: didn't And I do it too. I chime in, I

583
00:30:50,960 --> 00:30:52,600
Speaker 1: might be in my bed. You said to see the

584
00:30:52,600 --> 00:30:55,240
Speaker 1: head bed and the head the board and I'm in

585
00:30:55,240 --> 00:30:57,880
Speaker 1: the motherfucker no glasses on, just like yeah, nig, that's

586
00:30:57,880 --> 00:31:01,280
Speaker 1: just slap. You know, we just the middle of the

587
00:31:01,400 --> 00:31:03,320
Speaker 1: night ideas and ship man. You know what I'm thinking,

588
00:31:03,400 --> 00:31:06,680
Speaker 1: Man run that ship. He'd being there to take care

589
00:31:06,720 --> 00:31:09,280
Speaker 1: of his daughter. However in his hand, you know, we're

590
00:31:09,320 --> 00:31:11,800
Speaker 1: just showing all that ship. We just chugging it up. Yeah,

591
00:31:11,840 --> 00:31:14,120
Speaker 1: that's a good idea because for a documentary, if y'are

592
00:31:14,160 --> 00:31:16,240
Speaker 1: just sending videos back and forth, and then when you

593
00:31:16,280 --> 00:31:19,080
Speaker 1: do the documentary, you're able to have some of that. Yeah,

594
00:31:19,200 --> 00:31:23,320
Speaker 1: you guys got a clip stops. I like the um.

595
00:31:23,520 --> 00:31:26,440
Speaker 1: Once we got the ship going down, once it was

596
00:31:26,480 --> 00:31:29,120
Speaker 1: like solid, everything was going down, and we started actually

597
00:31:29,160 --> 00:31:32,720
Speaker 1: recording music, which was happening really really fucking fast, because

598
00:31:32,760 --> 00:31:34,760
Speaker 1: everybody only got to do one versus ship. I mean

599
00:31:34,760 --> 00:31:37,680
Speaker 1: it was making a song every day. He bored in

600
00:31:37,720 --> 00:31:41,400
Speaker 1: a song to day and then um, it didn't ever

601
00:31:41,520 --> 00:31:44,560
Speaker 1: really it was never really like, oh, let's be a group,

602
00:31:44,720 --> 00:31:47,480
Speaker 1: let's put out an album, let's make a motherfucking uh

603
00:31:47,640 --> 00:31:50,760
Speaker 1: put together a tour. It was never that. From day one,

604
00:31:51,040 --> 00:31:55,000
Speaker 1: it was like, let's join forces and start like a

605
00:31:55,040 --> 00:31:58,240
Speaker 1: bunch of businesses. How many businesses could you start if

606
00:31:58,280 --> 00:32:00,600
Speaker 1: all four of us was an entity. They don't got

607
00:32:00,600 --> 00:32:02,200
Speaker 1: nothing to do with the other thing you've got going on?

608
00:32:02,800 --> 00:32:05,040
Speaker 1: What can we do? And that's when this ship started,

609
00:32:05,240 --> 00:32:07,520
Speaker 1: and the ship like we didn't even put a record

610
00:32:07,560 --> 00:32:10,600
Speaker 1: out yet, and then there's so much in the kiddy already.

611
00:32:10,600 --> 00:32:14,400
Speaker 1: I'm like, like it's it's amazing. I really don't want

612
00:32:14,400 --> 00:32:17,200
Speaker 1: to I really don't want to do this for me.

613
00:32:17,320 --> 00:32:19,640
Speaker 1: I don't know what everybody else's motivation is. I just

614
00:32:19,680 --> 00:32:22,160
Speaker 1: want to do this for another fucking hip hop story

615
00:32:22,200 --> 00:32:28,320
Speaker 1: of another way, that way without a fucking label or

616
00:32:28,360 --> 00:32:31,160
Speaker 1: a fucking puppet on owning you and that and just

617
00:32:31,280 --> 00:32:33,240
Speaker 1: and just one of these fucking hip hop stories that

618
00:32:33,680 --> 00:32:36,920
Speaker 1: it's just you could take the model and somebody else

619
00:32:37,280 --> 00:32:40,120
Speaker 1: could use the same model and be the same successful

620
00:32:40,280 --> 00:32:43,400
Speaker 1: that part. And so you know, we we do got

621
00:32:43,440 --> 00:32:46,600
Speaker 1: plans for this ship. We do when when outside open up,

622
00:32:46,760 --> 00:32:51,000
Speaker 1: just imagine the arenas you understand me that you know

623
00:32:51,120 --> 00:32:53,960
Speaker 1: we we have packed him just us for period the

624
00:32:54,240 --> 00:32:58,360
Speaker 1: US four for sure. You know whether whoever opened me

625
00:32:58,480 --> 00:33:01,240
Speaker 1: if I'm open, I don't mind. I'm talking that I

626
00:33:01,360 --> 00:33:06,479
Speaker 1: opened up and I had a motherfucker popping right. I

627
00:33:06,480 --> 00:33:12,040
Speaker 1: got this old nigga got slaps. You feel me like going?

628
00:33:12,600 --> 00:33:24,200
Speaker 1: You know, two shows together, oh them dance moves, man,

629
00:33:26,280 --> 00:33:29,960
Speaker 1: but we might put put together show. We just do

630
00:33:30,000 --> 00:33:31,760
Speaker 1: a show. It just one long that show you can

631
00:33:31,800 --> 00:33:33,840
Speaker 1: come out and see us and the show just being

632
00:33:33,880 --> 00:33:36,640
Speaker 1: three hour show. Now stop. But we need to be

633
00:33:36,720 --> 00:33:40,080
Speaker 1: great for festivals, like especially because when it's festival season

634
00:33:40,120 --> 00:33:43,760
Speaker 1: and things that open back up festival and that's the

635
00:33:43,800 --> 00:33:48,200
Speaker 1: big money to the festival days. Rolling loud, I'm gonna

636
00:33:48,320 --> 00:33:50,840
Speaker 1: all that. I'm I'm tired of clubs. I work. I'll

637
00:33:50,880 --> 00:33:52,760
Speaker 1: paid my dudes for years. I'm tired of holding the

638
00:33:52,840 --> 00:33:55,360
Speaker 1: wall clubs. Ain't trying to act big headed, it's just

639
00:33:55,440 --> 00:33:58,280
Speaker 1: it's just it's just I worked my way up to

640
00:33:58,320 --> 00:34:01,960
Speaker 1: the top. You know, don't know. I don't know when

641
00:34:01,960 --> 00:34:04,200
Speaker 1: the last time I did a club I'm talking about.

642
00:34:03,880 --> 00:34:07,200
Speaker 1: I don't recall. I'm just cool. I'm just cool on

643
00:34:07,280 --> 00:34:09,719
Speaker 1: that ship is nerve racking. It's just I'm cool. I

644
00:34:09,760 --> 00:34:11,200
Speaker 1: need to be in a r I need a green

645
00:34:11,280 --> 00:34:15,200
Speaker 1: room and I need my own you know what I'm saying.

646
00:34:15,200 --> 00:34:17,520
Speaker 1: I need the whole. I'm done with all that shit,

647
00:34:18,120 --> 00:34:24,240
Speaker 1: but you deserve it. And like I do, not miss

648
00:34:24,360 --> 00:34:31,000
Speaker 1: a club. They're they're open, some of them are open.

649
00:34:31,120 --> 00:34:33,520
Speaker 1: Have you gone out edge to the club now? I

650
00:34:33,520 --> 00:34:36,000
Speaker 1: have not been to a club at all. I don't

651
00:34:36,040 --> 00:34:39,600
Speaker 1: mind allowed or restaurant, but I don't really care about

652
00:34:39,640 --> 00:34:43,000
Speaker 1: going to a club. Let me tell you. Let me

653
00:34:43,000 --> 00:34:44,640
Speaker 1: tell you. By the club. Let me tell the clubs

654
00:34:44,680 --> 00:34:47,640
Speaker 1: did to me. It became from used to be so

655
00:34:47,760 --> 00:34:50,000
Speaker 1: fun in the v I P. Kicking it with your

656
00:34:50,040 --> 00:34:53,440
Speaker 1: folks too, my nigga, folks, me my nig to the

657
00:34:53,440 --> 00:34:55,000
Speaker 1: hell of other niggas just trying to get in the

658
00:34:55,040 --> 00:34:58,239
Speaker 1: v i P crowd. Yeah, now you like this. And

659
00:34:58,360 --> 00:35:00,719
Speaker 1: if you say my nigga is full of you got

660
00:35:00,760 --> 00:35:03,200
Speaker 1: a problem with the nigga outside. I've been shooting up

661
00:35:03,239 --> 00:35:05,840
Speaker 1: for a long time to v IP be more crowded

662
00:35:05,920 --> 00:35:10,399
Speaker 1: than the regular regular parts. I'm saying that all the time.

663
00:35:10,760 --> 00:35:13,360
Speaker 1: I don't nobody doing nobody dance no more anywhere. Everybody

664
00:35:13,440 --> 00:35:15,080
Speaker 1: just it's all for the ground and how they do

665
00:35:15,120 --> 00:35:23,279
Speaker 1: with the elbow dancing, you know, and all that to

666
00:35:23,360 --> 00:35:27,239
Speaker 1: the phone. The phone sucked it up. And let me

667
00:35:27,280 --> 00:35:29,120
Speaker 1: tell you something. So when I've been going to like,

668
00:35:29,160 --> 00:35:31,120
Speaker 1: I go to a lot of comedy shows as a

669
00:35:31,120 --> 00:35:32,920
Speaker 1: matter of fact, when you guys are doing the verses.

670
00:35:32,960 --> 00:35:35,960
Speaker 1: I was in Austin at Dave Chappelle's comedy show and

671
00:35:36,000 --> 00:35:39,359
Speaker 1: we were actually watching it backstage, like in between the

672
00:35:39,400 --> 00:35:43,240
Speaker 1: comedians because it went on and on and on, and

673
00:35:43,400 --> 00:35:46,000
Speaker 1: so we was backstage every time we could get a

674
00:35:46,080 --> 00:35:48,759
Speaker 1: chance like being like, Okay, what's happening now, what's happening now?

675
00:35:48,880 --> 00:35:52,120
Speaker 1: Watching them versus battle. But you can't really have your

676
00:35:52,160 --> 00:35:54,040
Speaker 1: phones out at comedy shows, you know how they make

677
00:35:54,080 --> 00:35:59,080
Speaker 1: you like zigging, they making something like that, Like you'd

678
00:35:59,120 --> 00:36:00,719
Speaker 1: be like, damn, I'm doing now. I guess I gotta

679
00:36:00,800 --> 00:36:03,160
Speaker 1: like pay attention. I guess I gotta have a good

680
00:36:03,160 --> 00:36:05,160
Speaker 1: time with the people I'm with and not be using

681
00:36:05,200 --> 00:36:08,680
Speaker 1: my phone. President That's like my favorite part about going

682
00:36:08,719 --> 00:36:10,720
Speaker 1: to commy show. They made you put your phone away

683
00:36:10,880 --> 00:36:13,360
Speaker 1: so you're not looking at it through the phone. Everybody

684
00:36:13,400 --> 00:36:16,160
Speaker 1: wants to look at concerts through their camera lens. Now.

685
00:36:16,280 --> 00:36:20,000
Speaker 1: I think it's so weird, and I love hanging out.

686
00:36:20,320 --> 00:36:23,920
Speaker 1: I love hanging out. I just reminisced on the days

687
00:36:23,960 --> 00:36:28,640
Speaker 1: when dudes were not allowed to take selfies. They weren't

688
00:36:28,640 --> 00:36:33,200
Speaker 1: allowed the thing, and then dudes was all the way

689
00:36:33,239 --> 00:36:36,480
Speaker 1: off limits for ever walking up to another dude and say, hey, man,

690
00:36:36,560 --> 00:36:40,439
Speaker 1: let's take a picture together. If you was like you could,

691
00:36:40,520 --> 00:36:42,680
Speaker 1: if you vote enough to say take a picture with me,

692
00:36:43,080 --> 00:36:46,120
Speaker 1: somebody else better take it. Now, niggas is like staying

693
00:36:46,120 --> 00:36:49,640
Speaker 1: by me while I hold my phone. You are against

694
00:36:49,680 --> 00:36:53,360
Speaker 1: the rules. Nigga. You know, you don't even ask you

695
00:36:54,640 --> 00:36:59,200
Speaker 1: with the phone and then just start filming you like, yo, yo, stay,

696
00:36:59,239 --> 00:37:05,200
Speaker 1: what's up to start? I hate when motherfucker's just around

697
00:37:05,239 --> 00:37:07,440
Speaker 1: and you you know it's been It's been times I've

698
00:37:07,440 --> 00:37:10,640
Speaker 1: been around people been around me and they just flip

699
00:37:10,680 --> 00:37:13,239
Speaker 1: their phone out and just start going live. I'm like,

700
00:37:14,880 --> 00:37:16,840
Speaker 1: I ain't got nothing to hide, my naga, but you

701
00:37:16,840 --> 00:37:18,160
Speaker 1: know what I mean, I might have. I might have

702
00:37:18,239 --> 00:37:20,319
Speaker 1: to blow my nose or something. Motherfucker might think they

703
00:37:20,520 --> 00:37:23,359
Speaker 1: get me blowing my nose. You understand me thinking I'm

704
00:37:23,360 --> 00:37:25,239
Speaker 1: gonna gonna blow or something like I said, You know

705
00:37:25,280 --> 00:37:30,080
Speaker 1: I was worse lives on the worst if they just

706
00:37:30,120 --> 00:37:32,200
Speaker 1: go live on you, or if you look over it

707
00:37:32,400 --> 00:37:34,279
Speaker 1: and it's that little one person and you don't even

708
00:37:34,320 --> 00:37:37,799
Speaker 1: know they got a sneaky sneak. Oh yeah, but they

709
00:37:37,880 --> 00:37:44,880
Speaker 1: both them worse. That's worse. I think sound they do

710
00:37:44,920 --> 00:37:46,839
Speaker 1: that ship all the time at the airport and ship

711
00:37:46,960 --> 00:37:49,840
Speaker 1: they can't let us down, but they can't let you

712
00:37:49,920 --> 00:37:52,680
Speaker 1: here that you can't read last snow more, you can't

713
00:37:52,719 --> 00:37:55,399
Speaker 1: be human. You can like I'm like, man, fun all

714
00:37:55,400 --> 00:37:57,360
Speaker 1: these motherfucker's Man, I'm gonna be human. I'm gonna be me.

715
00:37:57,480 --> 00:37:59,800
Speaker 1: It is what it is like if I got scratched

716
00:37:59,840 --> 00:38:02,400
Speaker 1: my back, if my back itches, then I'm gonna get

717
00:38:02,480 --> 00:38:04,680
Speaker 1: up against the edge of a door or something. I'm

718
00:38:04,719 --> 00:38:09,360
Speaker 1: gonna go like you feel me? You like like a

719
00:38:09,440 --> 00:38:22,400
Speaker 1: dance move. I like it like yeah, by scribe a

720
00:38:22,400 --> 00:38:25,080
Speaker 1: little bit, a little bit on that. That motherfucking mangoes

721
00:38:25,320 --> 00:38:32,880
Speaker 1: is not that strong. Yeah, you know it's younger than

722
00:38:32,960 --> 00:38:41,960
Speaker 1: your advo moscato. Okay, you I want to track the secret.

723
00:38:42,120 --> 00:38:44,160
Speaker 1: It's like it's kind of like it's kind of like

724
00:38:44,200 --> 00:38:50,600
Speaker 1: with um, you know the Kentucky Fried chicken recipe is

725
00:38:50,640 --> 00:38:53,319
Speaker 1: at non I like it on this earth? Hello? What

726
00:38:53,600 --> 00:38:58,400
Speaker 1: is the sixteen different seasonings? My got different on all

727
00:38:58,480 --> 00:39:00,719
Speaker 1: kinds of different properties and compone that's in it? Man?

728
00:39:00,800 --> 00:39:05,799
Speaker 1: You feel me? Rescue man, I gotta kill you. Man,

729
00:39:05,880 --> 00:39:11,560
Speaker 1: you feel me? Did anybody see that Colonel Sanders lifetime

730
00:39:11,600 --> 00:39:14,520
Speaker 1: thing that looked crazy? Did you see that? It's like

731
00:39:14,560 --> 00:39:18,400
Speaker 1: the murder or whatever, someone's going to kill him. I

732
00:39:18,400 --> 00:39:22,120
Speaker 1: don't know what I want to see that the chef

733
00:39:25,360 --> 00:39:28,200
Speaker 1: so yes, it was the strangest thing. I don't know

734
00:39:28,239 --> 00:39:30,160
Speaker 1: what it was about, but it was like the strangest

735
00:39:30,200 --> 00:39:36,040
Speaker 1: thing I've ever seen. So Sander, the white Colonel Sanders,

736
00:39:36,440 --> 00:39:40,279
Speaker 1: the white colonel Sanders. Hold on, I mean Kentucky Fried

737
00:39:40,360 --> 00:39:44,040
Speaker 1: Chicken ship. They had a they had a black black

738
00:39:44,040 --> 00:39:46,719
Speaker 1: woman somewhere in the background. They made that rescie you

739
00:39:46,880 --> 00:39:51,120
Speaker 1: know that. I like. I like KFC. Everybody be hyping popeyees.

740
00:39:51,200 --> 00:39:56,000
Speaker 1: I still like when it's done right, kids, Exactly, a

741
00:39:56,000 --> 00:40:02,799
Speaker 1: good CANFC restaurant is banging. Now they got them. They

742
00:40:02,920 --> 00:40:05,880
Speaker 1: got like a real KFC's not you know, it's a

743
00:40:05,920 --> 00:40:09,399
Speaker 1: bad half sea. When it's like half KFC half Taco Bell. Yeah,

744
00:40:10,200 --> 00:40:17,320
Speaker 1: that's no good. I got a Kentucky Fried Chicken that's

745
00:40:16,640 --> 00:40:20,000
Speaker 1: not ride. Yeah, that's right. When they dropped the words,

746
00:40:20,080 --> 00:40:27,520
Speaker 1: I'm like, I don't even know. They not really chicken.

747
00:40:28,120 --> 00:40:38,080
Speaker 1: That apple pie is unmatched. I want the damn it. Yeah,

748
00:40:38,080 --> 00:40:40,000
Speaker 1: I don't know what y'all eating, Okay, I just want

749
00:40:40,040 --> 00:40:44,680
Speaker 1: to say that. Let me ask you, Angela, No, I'm

750
00:40:44,719 --> 00:40:52,680
Speaker 1: not you eat birds? Yeah, something chicken. I called my

751
00:40:52,719 --> 00:40:55,000
Speaker 1: super I called myself. You know, I'm the good with

752
00:40:55,080 --> 00:40:57,200
Speaker 1: the spoon, right, I don't even post the ship. I

753
00:40:57,200 --> 00:40:59,759
Speaker 1: don't feel like hearing motherfucker's man for man, you know,

754
00:41:00,120 --> 00:41:01,600
Speaker 1: you know you're supposed to be eating no pork. But

755
00:41:01,640 --> 00:41:05,719
Speaker 1: I called myself living my child. I mean too, man,

756
00:41:05,719 --> 00:41:07,839
Speaker 1: I made some mother fucking pit feet the other day,

757
00:41:07,880 --> 00:41:13,160
Speaker 1: Bronte checks out. I did it. I did it, and

758
00:41:13,160 --> 00:41:15,279
Speaker 1: when I but I ate it and it was hella good.

759
00:41:15,280 --> 00:41:18,680
Speaker 1: I already had like talking about three little little school

760
00:41:18,680 --> 00:41:22,560
Speaker 1: three little look like that much right, but look, check

761
00:41:22,600 --> 00:41:25,120
Speaker 1: game the rest of it. I threw it out because

762
00:41:25,120 --> 00:41:26,959
Speaker 1: I'm like, cause, don't nobody in my house eat pork?

763
00:41:27,200 --> 00:41:30,920
Speaker 1: You know what, like, huh, look like a foot? What

764
00:41:31,000 --> 00:41:33,400
Speaker 1: did you eat? I had him chopping up, like chopping up,

765
00:41:33,400 --> 00:41:37,319
Speaker 1: and you know pieces like that had the yeah, and

766
00:41:37,360 --> 00:41:39,279
Speaker 1: I wasn't like that. I had the butcher, you know,

767
00:41:39,360 --> 00:41:41,360
Speaker 1: chopping up. So look, look check game. The thing is,

768
00:41:41,400 --> 00:41:44,160
Speaker 1: I grew up on that. I grew up on motherfucking oxtails.

769
00:41:44,200 --> 00:41:46,400
Speaker 1: And you understand me, neck bones, and you know what

770
00:41:46,400 --> 00:41:51,239
Speaker 1: I said, I'm just I grew up. There's a lot

771
00:41:51,280 --> 00:41:54,279
Speaker 1: of soy on motherfucker's you ain't that soyoga? You up

772
00:41:54,280 --> 00:41:56,760
Speaker 1: at the soy on nega? Because I'm I saw your nigga.

773
00:41:57,920 --> 00:42:00,439
Speaker 1: What'm talking about all of the niggers, all of said

774
00:42:00,440 --> 00:42:06,359
Speaker 1: don't eat chidlers? Nigger. They ain't super soil nigger sout.

775
00:42:06,360 --> 00:42:11,160
Speaker 1: Didn't come from a chiling household. Nigga okay, okay, okay.

776
00:42:11,200 --> 00:42:13,760
Speaker 1: I come from a mama who grew up eating chiles,

777
00:42:13,760 --> 00:42:15,840
Speaker 1: who despised it and was like, I've never let my

778
00:42:15,920 --> 00:42:20,200
Speaker 1: kids eat this. That's that's that's. My mama made me

779
00:42:20,239 --> 00:42:24,279
Speaker 1: something last year and I fucked your motherfucker's up. My

780
00:42:24,320 --> 00:42:26,240
Speaker 1: mama was a little girl who had to eat Chileans

781
00:42:26,239 --> 00:42:28,680
Speaker 1: and didn't like it, and she was like, my d

782
00:42:30,719 --> 00:42:33,480
Speaker 1: you know the story, so you know the slave masters

783
00:42:33,760 --> 00:42:36,480
Speaker 1: used to make motherfucker's eat The scratch from the pig

784
00:42:36,800 --> 00:42:40,319
Speaker 1: just did me. Later on, that ship became a delicacy.

785
00:42:40,560 --> 00:42:42,920
Speaker 1: They fucked up. They made that ship the delicacy. Childlers.

786
00:42:43,000 --> 00:42:44,920
Speaker 1: Every part from the router to the two you ever

787
00:42:44,920 --> 00:42:51,400
Speaker 1: heard of that, every part of the mother pig, every part.

788
00:42:53,560 --> 00:42:58,200
Speaker 1: But I like a child, I'm not my poor child.

789
00:42:58,520 --> 00:43:01,120
Speaker 1: I love it. I love me so pork talk. I'll

790
00:43:01,160 --> 00:43:04,560
Speaker 1: make them good to I made some good don't tell

791
00:43:04,600 --> 00:43:18,120
Speaker 1: me I would never stop eating pepper only pizza. Part.

792
00:43:18,160 --> 00:43:20,359
Speaker 1: I'm from New York, and I think that's a real

793
00:43:20,440 --> 00:43:22,000
Speaker 1: New York thing. Like a lot of people in New

794
00:43:22,080 --> 00:43:25,560
Speaker 1: York don't eat pork. I grew up not eating pork,

795
00:43:25,640 --> 00:43:28,279
Speaker 1: and then I worked for Woutang, and Woutang they do

796
00:43:28,360 --> 00:43:32,200
Speaker 1: not play that pork stuff. They don't even have food

797
00:43:32,239 --> 00:43:34,960
Speaker 1: that has no type of pork products to make the food.

798
00:43:35,360 --> 00:43:37,520
Speaker 1: They used to be a lot of a lot of

799
00:43:37,560 --> 00:43:40,000
Speaker 1: East Coast. You know a lot of my Muslims and

800
00:43:40,000 --> 00:43:42,800
Speaker 1: there and one of my rhymes. I say nothing against

801
00:43:42,800 --> 00:43:45,279
Speaker 1: the Muslims, but I was raised eating swine. You know,

802
00:43:45,320 --> 00:43:47,600
Speaker 1: I said some ship like that, you know, one of

803
00:43:47,640 --> 00:43:49,920
Speaker 1: my rights back of the days. But I understand, and

804
00:43:50,000 --> 00:43:52,279
Speaker 1: you know pork ain't good for you because you know

805
00:43:52,280 --> 00:43:54,359
Speaker 1: I ain't got the the ship cain't sweat. It don't

806
00:43:54,360 --> 00:43:56,799
Speaker 1: got nowhere to you know, it doesn't have nothing to wait.

807
00:43:56,840 --> 00:43:59,080
Speaker 1: The waste don't go nowhere. It stays e But why

808
00:43:59,120 --> 00:44:02,160
Speaker 1: is that ship so fun good? Because it's we have

809
00:44:02,239 --> 00:44:04,920
Speaker 1: to eat it. Our ancestors ate that ship. The save

810
00:44:06,960 --> 00:44:12,640
Speaker 1: eat and everything in moderation. Everything in moderation did it fast.

811
00:44:12,800 --> 00:44:15,200
Speaker 1: And when you do it fast, I fasted for two weeks.

812
00:44:15,239 --> 00:44:17,719
Speaker 1: I didn't eat nothing. All I had was they gave

813
00:44:17,760 --> 00:44:20,040
Speaker 1: me these jobs that had vitamins in it. And then

814
00:44:20,080 --> 00:44:22,320
Speaker 1: I had coconut water. That and regular water. That was

815
00:44:22,360 --> 00:44:24,279
Speaker 1: all I could have for two weeks. When I tell

816
00:44:24,280 --> 00:44:27,680
Speaker 1: you that would change your whole entire taste buds so

817
00:44:27,800 --> 00:44:30,600
Speaker 1: that a certain things just taste like I can't eat

818
00:44:30,640 --> 00:44:33,600
Speaker 1: that anymore because it really makes you feel like I

819
00:44:33,600 --> 00:44:36,360
Speaker 1: could enturing soda anymore. After that, like there was a

820
00:44:36,360 --> 00:44:39,080
Speaker 1: lot of things. I love desserts. It made me stop

821
00:44:39,120 --> 00:44:41,000
Speaker 1: eating certain things that made me eat less. A lot

822
00:44:41,000 --> 00:44:43,759
Speaker 1: of times our life is centered around food, like where

823
00:44:43,800 --> 00:44:46,759
Speaker 1: are we going to eat? Let's go to eat. And

824
00:44:47,960 --> 00:44:50,200
Speaker 1: it did really really help me a lot as far

825
00:44:50,280 --> 00:44:53,359
Speaker 1: as like discerning what wasn't so good for me and

826
00:44:53,440 --> 00:44:55,600
Speaker 1: some things just tasted like why did I eat this?

827
00:44:55,719 --> 00:44:58,560
Speaker 1: It was too strong? And it helps like reset your

828
00:44:58,600 --> 00:45:01,480
Speaker 1: whole entire like sis down and it gives your body

829
00:45:01,520 --> 00:45:04,200
Speaker 1: a chance to stop having to break down food. So

830
00:45:04,239 --> 00:45:06,080
Speaker 1: I let you get strong again because your body is

831
00:45:06,080 --> 00:45:08,040
Speaker 1: always working to break down all this food that you have.

832
00:45:08,200 --> 00:45:10,640
Speaker 1: So it really helped me a lot. But let me

833
00:45:10,680 --> 00:45:13,320
Speaker 1: tell you know, I drink a lot of cold press juices.

834
00:45:13,400 --> 00:45:17,360
Speaker 1: You know, kale, spinach, broccoli, carrots, Uh, you understand me,

835
00:45:17,480 --> 00:45:19,839
Speaker 1: lemon apple, I'll let them. You know what I'm saying

836
00:45:19,840 --> 00:45:22,319
Speaker 1: they got them. You know they got the ones right now.

837
00:45:22,400 --> 00:45:24,640
Speaker 1: You know it's cold press they got. Uh you can

838
00:45:24,680 --> 00:45:26,920
Speaker 1: do it with you. You can break it down your self,

839
00:45:26,960 --> 00:45:29,120
Speaker 1: you know, and all that ship with the bullet and uh,

840
00:45:29,520 --> 00:45:31,480
Speaker 1: you know all of the blenders they got now. But

841
00:45:31,960 --> 00:45:35,400
Speaker 1: um also But at the same time, and you absolutely right,

842
00:45:35,440 --> 00:45:38,840
Speaker 1: because I have a fast a couple of days and

843
00:45:39,160 --> 00:45:41,000
Speaker 1: I like to eat. Man, I'm gonna meat kind of sewer.

844
00:45:41,120 --> 00:45:43,160
Speaker 1: It don't have to be poork. I don't really. I

845
00:45:43,200 --> 00:45:45,960
Speaker 1: don't even eat pork like I eat bacon probably probably

846
00:45:45,960 --> 00:45:47,720
Speaker 1: six times out of the year. It's like the smell

847
00:45:47,760 --> 00:45:50,040
Speaker 1: of bacon. You can be fool as a motherfucker. You

848
00:45:50,080 --> 00:45:53,399
Speaker 1: could just ate a nice, good meal, a powerful meal.

849
00:45:53,640 --> 00:45:56,840
Speaker 1: You smell it down bacon, you're gonna want to eat again.

850
00:45:58,800 --> 00:46:01,640
Speaker 1: The smell of chicks out the same. It's no chilling

851
00:46:02,040 --> 00:46:03,920
Speaker 1: chilling at. I don't even eat chillings like I used

852
00:46:03,920 --> 00:46:08,839
Speaker 1: to lost me that I eat chillings once a year

853
00:46:08,920 --> 00:46:13,080
Speaker 1: when it's done right, if it's done right. But I ain't, Yeah,

854
00:46:13,160 --> 00:46:16,080
Speaker 1: I haven't. I know you'll about I want to leave

855
00:46:16,080 --> 00:46:19,000
Speaker 1: you guy, yea when we talk about diet and food,

856
00:46:19,360 --> 00:46:21,879
Speaker 1: trust me, whatever you put in your body comes back out,

857
00:46:22,280 --> 00:46:25,680
Speaker 1: and guys taste way better when they'd be having vegetables

858
00:46:25,960 --> 00:46:30,680
Speaker 1: and fruit. I agree, you know what I'm saying. I

859
00:46:30,719 --> 00:46:32,839
Speaker 1: don't want to know chiling dick, Okay, I don't want

860
00:46:32,880 --> 00:46:38,600
Speaker 1: to take head. It's some females out there. It's some

861
00:46:38,640 --> 00:46:42,319
Speaker 1: females out there that well. I was at one time.

862
00:46:42,360 --> 00:46:47,279
Speaker 1: I'm at um Papados. I was in Papados and I'm

863
00:46:47,320 --> 00:46:48,520
Speaker 1: at the boar. I like to get it. I like

864
00:46:48,560 --> 00:46:50,600
Speaker 1: to say, at the bar so I can see everything.

865
00:46:50,680 --> 00:46:52,239
Speaker 1: I like to sit right at the bar so I

866
00:46:52,280 --> 00:46:54,200
Speaker 1: don't have to be have mo fucker's bringing my drinks.

867
00:46:54,200 --> 00:46:55,640
Speaker 1: I had a bar and to make it right there

868
00:46:55,640 --> 00:46:57,759
Speaker 1: in front of me, the whole wa So it was

869
00:46:57,800 --> 00:47:00,520
Speaker 1: a young lady. She sat right by me. She was

870
00:47:00,560 --> 00:47:02,200
Speaker 1: from She was from out there. She was I think

871
00:47:02,239 --> 00:47:05,520
Speaker 1: I was in Houston, my man. She she she ordered,

872
00:47:05,600 --> 00:47:07,440
Speaker 1: she put her a little order in nextually you know,

873
00:47:07,480 --> 00:47:10,319
Speaker 1: it's a plate of frog legs, right, check this out,

874
00:47:10,800 --> 00:47:13,880
Speaker 1: fried frog legs. And she my negg and she was

875
00:47:13,920 --> 00:47:16,680
Speaker 1: over there fucking their motherfucker's up every bit of it

876
00:47:16,760 --> 00:47:19,480
Speaker 1: to the bone. He wasn't knowing, She wasn't know like

877
00:47:19,640 --> 00:47:21,839
Speaker 1: she wasn't no slove as broad and none of that ship.

878
00:47:21,960 --> 00:47:24,360
Speaker 1: She was just like a regular broad, just cool, and

879
00:47:24,440 --> 00:47:26,200
Speaker 1: she was mind a bit and she sucked him up

880
00:47:26,480 --> 00:47:28,560
Speaker 1: up because she was raised that way. You know. I

881
00:47:28,560 --> 00:47:31,680
Speaker 1: don't funk with chillings like that. Like I probably ate

882
00:47:31,760 --> 00:47:34,120
Speaker 1: chillings in the last motherfucker fifteen years, probably three or

883
00:47:34,120 --> 00:47:39,839
Speaker 1: four times. Legs like that, huh like that? And I've

884
00:47:39,880 --> 00:47:42,040
Speaker 1: never never ate frog legs in my life. She was

885
00:47:42,120 --> 00:47:45,960
Speaker 1: sucking it up. Now the alligator fried alligator at Poppa

886
00:47:46,040 --> 00:47:52,040
Speaker 1: Does like it was like I didn't have grill to

887
00:47:52,040 --> 00:47:55,080
Speaker 1: alligator right off the grill, right out the sucking water. Yeah,

888
00:47:55,120 --> 00:47:57,640
Speaker 1: I never had that. I had fried frieda get the

889
00:47:57,719 --> 00:48:01,120
Speaker 1: Poppa Does. You can't be with me this. I know

890
00:48:01,640 --> 00:48:04,040
Speaker 1: forty can't agree to this, but you can't admit sometimes

891
00:48:04,040 --> 00:48:06,080
Speaker 1: women taste different depending on what they eat. You could

892
00:48:06,120 --> 00:48:08,279
Speaker 1: taste it. I don't know it was a diet though.

893
00:48:08,280 --> 00:48:20,560
Speaker 1: I just thought it was bad choices, right. You are

894
00:48:20,640 --> 00:48:24,160
Speaker 1: literally with literally, I believe that you are what you eat.

895
00:48:25,280 --> 00:48:27,840
Speaker 1: Sometimes people sweat, and they sweat the funkier because of

896
00:48:27,840 --> 00:48:30,000
Speaker 1: the stuff that they eat, you know what I'm saying.

897
00:48:30,040 --> 00:48:31,920
Speaker 1: So I just think about that if it's like that

898
00:48:32,040 --> 00:48:36,640
Speaker 1: coming out. It's like scott on mango, Scottle tastes amazing,

899
00:48:39,960 --> 00:48:43,319
Speaker 1: I promise you. Well, let's seen y'all with myself. I've

900
00:48:43,360 --> 00:48:50,080
Speaker 1: always been on a nice balanced diet of food, good energy,

901
00:48:50,360 --> 00:48:54,080
Speaker 1: as well as good company around you and you know,

902
00:48:54,320 --> 00:48:57,440
Speaker 1: just just the beautiful things of nature. I'm into this

903
00:48:57,520 --> 00:49:00,480
Speaker 1: other thing about the flow of the energy and kind

904
00:49:00,480 --> 00:49:05,320
Speaker 1: of you know, not not really thinking about the time

905
00:49:05,440 --> 00:49:08,399
Speaker 1: and times getting the way I'm getting older. I'm just

906
00:49:08,560 --> 00:49:11,640
Speaker 1: feeling the same way I felt yesterday last weekend before

907
00:49:11,719 --> 00:49:15,319
Speaker 1: just you know, anything about too short. We went to

908
00:49:15,920 --> 00:49:20,600
Speaker 1: oconomic ocon now was Japan? Who were at Yeah, yeah,

909
00:49:20,640 --> 00:49:23,919
Speaker 1: we was out there right, so this nigga too short, right,

910
00:49:24,520 --> 00:49:27,680
Speaker 1: Just don't let this nigga fool you. Man. Hey, we

911
00:49:27,680 --> 00:49:29,560
Speaker 1: we look checks out. We we we we we we were

912
00:49:29,600 --> 00:49:32,040
Speaker 1: staying were on the military base. We stayed on the

913
00:49:32,040 --> 00:49:37,040
Speaker 1: military base. Spotless military the ship, the rules was everything,

914
00:49:37,400 --> 00:49:41,200
Speaker 1: the whole city spotless everything there. Man, they was out

915
00:49:41,239 --> 00:49:43,440
Speaker 1: there doing an exercise of the ship that they did

916
00:49:43,480 --> 00:49:46,040
Speaker 1: some ship with the pole and then his legs okay,

917
00:49:46,040 --> 00:49:48,799
Speaker 1: held he could the pole. His legs was up. You

918
00:49:48,840 --> 00:49:54,719
Speaker 1: know the ship that cann it be doing look the pole.

919
00:49:55,280 --> 00:50:00,839
Speaker 1: A boar, okay, a boar like a boar, like an

920
00:50:00,840 --> 00:50:04,240
Speaker 1: exercise it was he was doing with the military, guys.

921
00:50:04,760 --> 00:50:07,840
Speaker 1: You know you know what I'm saying, that motherfucker like

922
00:50:08,160 --> 00:50:12,959
Speaker 1: short legs. Here's the bar, short legs out like yeah,

923
00:50:13,000 --> 00:50:21,080
Speaker 1: like Nick cannedy doing. Yeah, the military, the exercise. I

924
00:50:21,160 --> 00:50:23,080
Speaker 1: just jumped up there and then and then like tenda

925
00:50:23,160 --> 00:50:30,400
Speaker 1: what they was doing with it. He was athletic. We

926
00:50:30,640 --> 00:50:32,480
Speaker 1: come on the morning and put you up. Don't let

927
00:50:32,560 --> 00:50:34,319
Speaker 1: him fool you. You You can see him, look at his arms.

928
00:50:34,480 --> 00:50:41,520
Speaker 1: I don't know that I was. I was a little nigger.

929
00:50:41,560 --> 00:50:44,040
Speaker 1: I was five too. When I was eighteen. I was

930
00:50:44,120 --> 00:50:47,200
Speaker 1: five too. My nineteen birthday. I'm like five eight man,

931
00:50:47,719 --> 00:50:51,640
Speaker 1: I'm like how I'm like I grew when I grew

932
00:50:51,719 --> 00:50:54,080
Speaker 1: Right after my nineteen birthday, I was always at I

933
00:50:54,120 --> 00:50:59,719
Speaker 1: don't have nigged up. That's funny. But he look. I

934
00:50:59,719 --> 00:51:02,000
Speaker 1: don't know if I told you this before, but if

935
00:51:02,040 --> 00:51:04,560
Speaker 1: any part of me was like too short, I would

936
00:51:04,600 --> 00:51:08,919
Speaker 1: not let anybody call me that. I would have fought

937
00:51:08,960 --> 00:51:11,279
Speaker 1: to the depth out of everybody asked, who said, you

938
00:51:11,360 --> 00:51:16,200
Speaker 1: know too short? I've gotta been fighting words. Yeah, you

939
00:51:16,280 --> 00:51:18,440
Speaker 1: have to embrace it. Yeah, I just I was just

940
00:51:18,680 --> 00:51:20,880
Speaker 1: a little ass nigga. It was a nigger name Shorty

941
00:51:20,920 --> 00:51:22,640
Speaker 1: that went to my high school. And the nigga was

942
00:51:22,640 --> 00:51:28,759
Speaker 1: taller than me. And you was always first that my

943
00:51:28,840 --> 00:51:30,960
Speaker 1: name was short. They called him shorty, and it's called

944
00:51:30,960 --> 00:51:32,960
Speaker 1: me short And like they said, we came and come

945
00:51:33,040 --> 00:51:37,640
Speaker 1: with a name for you, niget shorter than shorter women

946
00:51:37,760 --> 00:51:40,759
Speaker 1: are taller than you. Huh will you date women that

947
00:51:40,840 --> 00:51:45,880
Speaker 1: are taller than you? Man? I look how I love Whenden.

948
00:51:45,960 --> 00:51:48,960
Speaker 1: What are you talking about? I'm like, all the same

949
00:51:49,080 --> 00:51:51,799
Speaker 1: issue for something. Short guys, you've seen it all. We're

950
00:51:51,800 --> 00:51:56,200
Speaker 1: all the same height to land sideways, that's not true, definitely,

951
00:51:58,040 --> 00:52:00,520
Speaker 1: And I'm look, I'm five ten. I'm reason I'm saying

952
00:52:00,640 --> 00:52:03,239
Speaker 1: is I'm not tent to if you stall me, we're

953
00:52:03,239 --> 00:52:07,680
Speaker 1: gonna tell when we lay there. Of the I dated

954
00:52:07,719 --> 00:52:10,160
Speaker 1: a stripper in Las Vegas too, was the tallest girl

955
00:52:10,200 --> 00:52:13,400
Speaker 1: in her club. She was literally like six four on

956
00:52:13,560 --> 00:52:16,960
Speaker 1: heels by like six like she was just solid, just

957
00:52:17,360 --> 00:52:21,080
Speaker 1: hella taller than me so that you can't even do it,

958
00:52:21,600 --> 00:52:24,200
Speaker 1: like an awkward moment. But then I figured out all

959
00:52:24,239 --> 00:52:26,680
Speaker 1: this little ship, like I had this little booster thing

960
00:52:26,960 --> 00:52:31,000
Speaker 1: because she was like taller like this little um. It

961
00:52:31,120 --> 00:52:33,279
Speaker 1: was like like a little stool I had in the

962
00:52:33,400 --> 00:52:36,040
Speaker 1: room and get up on that stool. They would be

963
00:52:36,080 --> 00:52:38,000
Speaker 1: just the right. She was like a little nigga. You

964
00:52:38,040 --> 00:52:42,480
Speaker 1: get down to do That's different. That's different because some

965
00:52:42,480 --> 00:52:44,320
Speaker 1: people they don't know their boundaries, they don't know the

966
00:52:44,320 --> 00:52:46,719
Speaker 1: bean and say, you know, let's add some equipment into this,

967
00:52:46,800 --> 00:52:51,239
Speaker 1: let's make it a little more equal. I think if

968
00:52:51,400 --> 00:52:55,279
Speaker 1: making love is like a fucking job, like I'm like,

969
00:52:55,719 --> 00:52:58,839
Speaker 1: this is I'm pushing, I'm working up in his mother.

970
00:52:59,040 --> 00:53:00,920
Speaker 1: I don't know what I be. A lot of elements

971
00:53:00,920 --> 00:53:03,680
Speaker 1: that make it work too, not just the side of

972
00:53:03,680 --> 00:53:05,719
Speaker 1: a woman. A woman could be like wanting you to

973
00:53:05,800 --> 00:53:09,400
Speaker 1: do something special, Put me right here and hold her

974
00:53:09,480 --> 00:53:11,719
Speaker 1: right there, be like this is like fucking like yo

975
00:53:11,840 --> 00:53:16,640
Speaker 1: dot some ship. We're just talking about that, like trying

976
00:53:16,640 --> 00:53:18,919
Speaker 1: to hold can't hold I can't hold it no more

977
00:53:19,440 --> 00:53:23,560
Speaker 1: so standing up. She'd just be standing up and you

978
00:53:23,640 --> 00:53:40,880
Speaker 1: just standing there and eat her outst I was talking mangoes, mango, manganja,

979
00:53:40,960 --> 00:53:47,240
Speaker 1: mango would make you want to tangle girl ste mangostattle

980
00:53:47,360 --> 00:53:52,320
Speaker 1: man don't know about me, She don't know about me personally,

981
00:53:52,320 --> 00:53:58,160
Speaker 1: but references. I know some reference tracks are gonna comeference

982
00:53:58,239 --> 00:54:04,480
Speaker 1: track that woman, you know, Yeah, you know I'm not

983
00:54:04,520 --> 00:54:06,840
Speaker 1: I would never you know, I'm not gonna everybody know

984
00:54:06,880 --> 00:54:13,040
Speaker 1: who you dogged out. Damn never that stories about this guy.

985
00:54:13,600 --> 00:54:16,279
Speaker 1: I've always been like, I never have to like watch

986
00:54:16,320 --> 00:54:21,560
Speaker 1: my back at seven eleven. I'm always good. They tell me,

987
00:54:21,600 --> 00:54:23,360
Speaker 1: you guys have to go, But we could go on

988
00:54:23,480 --> 00:54:26,400
Speaker 1: and talk forever. So I'm hoping maybe do this in person,

989
00:54:26,560 --> 00:54:28,960
Speaker 1: like we will come out there and do this with

990
00:54:29,000 --> 00:54:30,839
Speaker 1: the audience. You know what I'm saying. I would love

991
00:54:30,840 --> 00:54:34,080
Speaker 1: for us to be gu know you got your podcast too.

992
00:54:34,560 --> 00:54:36,760
Speaker 1: I know you guys got a lot of always working

993
00:54:36,800 --> 00:54:39,000
Speaker 1: and I appreciate that, and maybe we could do something

994
00:54:39,040 --> 00:54:42,279
Speaker 1: with some equalantin and some you know what I mean,

995
00:54:42,360 --> 00:54:44,920
Speaker 1: and just sit down and chack. You go to Napple.

996
00:54:45,000 --> 00:54:49,000
Speaker 1: Let's take a trip to Napple. Yeah, and then let's

997
00:54:49,040 --> 00:54:51,239
Speaker 1: do the podcast there. We could do everything there. You

998
00:54:51,280 --> 00:54:53,440
Speaker 1: can just say fucking and mean us in Atlanta and

999
00:54:53,440 --> 00:55:00,680
Speaker 1: turn all the way to funk up. That's so all

1000
00:55:00,719 --> 00:55:04,880
Speaker 1: the way away. Quiet going to Atlanta, Mark Luke King's

1001
00:55:04,920 --> 00:55:14,000
Speaker 1: birthday next everywhere. I'm cool I'm chilter p. How to

1002
00:55:14,040 --> 00:55:16,120
Speaker 1: go see Dave Chappelle and Austin. You could go do that?

1003
00:55:16,120 --> 00:55:22,360
Speaker 1: They COVID testing you did. I saw you and Dave Chappelle.

1004
00:55:23,040 --> 00:55:37,600
Speaker 1: You see that ship Jelle, y'all twins Alright. Appreciate you

1005
00:55:37,600 --> 00:55:39,240
Speaker 1: guys so much. I know we could have talked about

1006
00:55:39,239 --> 00:55:40,840
Speaker 1: way more and we are going to do it again.

1007
00:55:41,000 --> 00:55:43,279
Speaker 1: Eat forty. Thanks for joining us because I know, you

1008
00:55:43,320 --> 00:55:45,560
Speaker 1: know before they were like, he ain't really gonna do that,

1009
00:55:45,800 --> 00:55:50,279
Speaker 1: but you know next time. We just know that I'm

1010
00:55:50,280 --> 00:56:02,799
Speaker 1: a scorpio. Hello, bye, guys, coming out? Do we have

1011
00:56:02,840 --> 00:56:07,120
Speaker 1: a date. Uh, it's coming, don't even worry about it.

1012
00:56:07,120 --> 00:56:09,360
Speaker 1: It's coming in full force. And we got Hello songs,

1013
00:56:09,400 --> 00:56:11,800
Speaker 1: Hello songs. We got enough for three albums right now. Hello.

1014
00:56:12,080 --> 00:56:14,479
Speaker 1: We got a high powered New York lawyer. We got

1015
00:56:14,640 --> 00:56:20,480
Speaker 1: motherfucking pr firms, fucking uh liquoring place, we got alcohol

1016
00:56:20,520 --> 00:56:23,840
Speaker 1: in place, all that ship, Mountain, Mount Westmore, Baby, stay tuned,

1017
00:56:25,080 --> 00:56:34,480
Speaker 1: Tony Dight manager, Tony Draper, that's our guys at Legendary. Well,

1018
00:56:34,520 --> 00:56:37,600
Speaker 1: you guys are legendary and we appreciate it so pleasure,

1019
00:56:37,640 --> 00:56:40,280
Speaker 1: and we gotta make sure we keep, you know, keeping

1020
00:56:40,360 --> 00:56:42,000
Speaker 1: up with each other and doing this. I can't wait

1021
00:56:42,000 --> 00:56:45,000
Speaker 1: to hear the music here the album, so keep me updated.

1022
00:56:45,320 --> 00:56:47,520
Speaker 1: I'm gonna see you. I'm gonna seeing Smago Scottle. Okay,

1023
00:56:47,560 --> 00:56:53,200
Speaker 1: you're gonna get it to everybody, are y'all? I wanted you,

1024
00:56:53,280 --> 00:56:58,160
Speaker 1: said Jersey, I produced that. Hey, y'all, spread the word.

1025
00:56:58,160 --> 00:56:59,799
Speaker 1: I'm gonna get it to y'all. And you bet him know.

1026
00:57:00,280 --> 00:57:02,719
Speaker 1: I don't think there's no sucker ship. This, this, this,

1027
00:57:02,840 --> 00:57:10,800
Speaker 1: that ship right here's that night? Is that scorpial thing? Okay? Okay, hello,

1028
00:57:12,520 --> 00:57:14,359
Speaker 1: l A and I got I got my step ladder

1029
00:57:14,400 --> 00:57:19,400
Speaker 1: over here. Ship you short. I just at the bar

1030
00:57:19,480 --> 00:57:22,040
Speaker 1: in the room flipping up and doing all kinds of ship. Now,

1031
00:57:22,120 --> 00:57:26,880
Speaker 1: I just this is my turn to sign off now.

1032
00:57:27,040 --> 00:57:32,160
Speaker 1: I love y'all. Take it easy, bye, guys,