1 00:00:00,640 --> 00:00:07,360 Speaker 1: I'm a real y real celebrity joined the Breakfast Morning 2 00:00:07,400 --> 00:00:10,600 Speaker 1: everybody is DJ Envy Angela Yee Sharlo Mine the guy. 3 00:00:10,640 --> 00:00:12,920 Speaker 1: We all the Breakfast Club special guests with us this morning. 4 00:00:13,160 --> 00:00:16,760 Speaker 1: Mister John Weatherspoons, mister Weatherspoon, Hey, thank you for having me. Y'all. 5 00:00:16,800 --> 00:00:19,279 Speaker 1: Thank you cold, but I'm happy to be here. You 6 00:00:19,280 --> 00:00:22,040 Speaker 1: look good, man, seventy three years young, semi three. I'm 7 00:00:22,040 --> 00:00:25,640 Speaker 1: gonna I'm gonna get go to buy one hundred and twenty. 8 00:00:26,280 --> 00:00:29,800 Speaker 1: You're gonna got around one twenty about four thirty in 9 00:00:29,760 --> 00:00:31,800 Speaker 1: the afternoon. You know, you guys interest me man, because 10 00:00:31,800 --> 00:00:33,479 Speaker 1: we had Larry King up here a couple of days ago, 11 00:00:33,520 --> 00:00:35,720 Speaker 1: and he's eighty one, eighty one, and it's just like 12 00:00:35,800 --> 00:00:38,400 Speaker 1: y'all just keep moving, y'all, just keep going. Eighty one. 13 00:00:38,440 --> 00:00:40,640 Speaker 1: His wife is like fifty five or something. That's a 14 00:00:40,680 --> 00:00:44,160 Speaker 1: good that's a good combination. Yeah, it's a good gal. 15 00:00:44,440 --> 00:00:47,800 Speaker 1: What keeps you going? Man? Um working and getting his paper. 16 00:00:50,520 --> 00:00:51,839 Speaker 1: I was a broken man when I was coming up. 17 00:00:51,880 --> 00:00:55,240 Speaker 1: See yeah, yeah, he'd have been broken a long can. 18 00:00:55,240 --> 00:00:56,960 Speaker 1: But but the fact he is that you never forget. 19 00:00:59,040 --> 00:01:01,640 Speaker 1: I was from a family eleven kids, right, Yeah, so 20 00:01:02,160 --> 00:01:04,400 Speaker 1: uh we either had a paper. So you know, now 21 00:01:04,440 --> 00:01:07,840 Speaker 1: that I'm making money, I'm doing fine. You know, you know, 22 00:01:08,120 --> 00:01:10,200 Speaker 1: keeps me working is uh. I used to go to 23 00:01:10,240 --> 00:01:12,280 Speaker 1: school like colders is right now. So I used to 24 00:01:12,319 --> 00:01:14,040 Speaker 1: wear two left boots school. My mother made me wear 25 00:01:14,040 --> 00:01:16,080 Speaker 1: the two left boots fifth grade. Hey, people say that, 26 00:01:16,120 --> 00:01:18,160 Speaker 1: how do you wear two left boots? You've got to, 27 00:01:18,240 --> 00:01:21,280 Speaker 1: you know, kick your ass out the house. That's how 28 00:01:21,319 --> 00:01:24,160 Speaker 1: you wear. But that's the right boot, the left foot, 29 00:01:24,160 --> 00:01:25,440 Speaker 1: the right foot. I don't know which you called the 30 00:01:25,480 --> 00:01:28,800 Speaker 1: boots with two left boots. Yeah, so, um, you never 31 00:01:28,840 --> 00:01:30,840 Speaker 1: forget that when you're growing up. And you grew up 32 00:01:30,840 --> 00:01:34,360 Speaker 1: in Saint Louis, Detroit, Detroit, Motor City. My brother used 33 00:01:34,360 --> 00:01:36,120 Speaker 1: to wearing at Motown. So I knew all the people. 34 00:01:36,120 --> 00:01:39,280 Speaker 1: I knew MYBN gating the temps, and I played basketball 35 00:01:39,280 --> 00:01:41,640 Speaker 1: with Attempts and I know Smokey today, I knew I 36 00:01:41,720 --> 00:01:43,760 Speaker 1: knew all those people in Detroit. Or were you cool? 37 00:01:43,880 --> 00:01:48,360 Speaker 1: You were cool with Bill Cosby Hunt. I met him once, 38 00:01:48,360 --> 00:01:51,040 Speaker 1: I think in passing. Really we want to airplane? I think? 39 00:01:52,080 --> 00:01:54,120 Speaker 1: And I met Bill cause but I didn't. We were 40 00:01:54,240 --> 00:01:58,080 Speaker 1: in the same uh arenas. They will never let me 41 00:01:58,160 --> 00:02:01,360 Speaker 1: in the Playboy Club, play mansion. I try to get 42 00:02:01,360 --> 00:02:03,880 Speaker 1: in the pay to get in. Let me, I've been 43 00:02:03,920 --> 00:02:05,520 Speaker 1: there at one time. When did you go in there? Yeah? 44 00:02:05,600 --> 00:02:08,399 Speaker 1: Yeah for a party. But um so, when you see 45 00:02:08,400 --> 00:02:10,400 Speaker 1: everything that's happening with him, and you know he's had 46 00:02:10,440 --> 00:02:13,120 Speaker 1: a long, illustrious career towards the end of his career, 47 00:02:13,200 --> 00:02:16,040 Speaker 1: his name is just miss mud. Yeah, what do you 48 00:02:16,080 --> 00:02:17,680 Speaker 1: what do you have to say about something like that 49 00:02:17,760 --> 00:02:22,880 Speaker 1: and those allegations, Well, he must have handsome misunderstanding with 50 00:02:22,919 --> 00:02:27,799 Speaker 1: a lot of women, because they don't They didn't particularly 51 00:02:27,800 --> 00:02:29,640 Speaker 1: like what he did to him. But he didn't have 52 00:02:29,720 --> 00:02:31,280 Speaker 1: to do this. You get the paper a club. Women 53 00:02:31,320 --> 00:02:33,560 Speaker 1: aren't run around naked right there. So why are you 54 00:02:33,600 --> 00:02:38,519 Speaker 1: giving somebody they say you gave them appeal or some 55 00:02:38,520 --> 00:02:41,840 Speaker 1: some liquid. You don't need to do that. That's a fetiship. 56 00:02:41,880 --> 00:02:43,960 Speaker 1: You've got a different kind of thing going. How do 57 00:02:43,960 --> 00:02:47,760 Speaker 1: you avoid being accused of things happening? You know? Did 58 00:02:47,800 --> 00:02:50,120 Speaker 1: you ever? Were you ever in a situation? When were 59 00:02:50,120 --> 00:02:51,680 Speaker 1: you ever in a situation where you didn't do something 60 00:02:51,720 --> 00:02:54,360 Speaker 1: but somebody accused you of No? Never, No, it ain't 61 00:02:54,360 --> 00:02:58,560 Speaker 1: happened yet. You're too late in the game. But I 62 00:02:59,400 --> 00:03:03,240 Speaker 1: got too much game. Now, Oh no, I never had 63 00:03:03,240 --> 00:03:07,120 Speaker 1: that happened to me. But Bill shouldn't. I don't understand 64 00:03:07,200 --> 00:03:09,040 Speaker 1: what he's doing in a situation like this. I think 65 00:03:09,040 --> 00:03:11,520 Speaker 1: some people have fetishes though, Like maybe for some people 66 00:03:11,560 --> 00:03:14,320 Speaker 1: that's what turns them mind, Like he got too much game. 67 00:03:14,639 --> 00:03:17,200 Speaker 1: If they said I gave him some pills or anything 68 00:03:17,240 --> 00:03:18,840 Speaker 1: woman will get for me, it is I high blood pressure, 69 00:03:18,840 --> 00:03:23,200 Speaker 1: peel some chlestol medicine and her blad. I might be 70 00:03:23,240 --> 00:03:27,240 Speaker 1: okay because I take them bad appeals to So no, no, 71 00:03:27,280 --> 00:03:29,480 Speaker 1: I ain't never been a game like that. You gotta 72 00:03:29,480 --> 00:03:31,400 Speaker 1: be careful, though, you gotta be careful. Yeah, well you're 73 00:03:31,400 --> 00:03:34,079 Speaker 1: really in the civil rights movement, you told you, Okay, 74 00:03:34,120 --> 00:03:38,960 Speaker 1: But we walked down Whatevernue once and I used to 75 00:03:38,960 --> 00:03:41,320 Speaker 1: cursh out the TV hill out. Yeah, but uh yeah, 76 00:03:41,320 --> 00:03:42,920 Speaker 1: but I was back in the civil rights movement. Yeah, 77 00:03:42,960 --> 00:03:45,200 Speaker 1: I did all that when I was coming up, man, 78 00:03:45,240 --> 00:03:48,320 Speaker 1: you know, and Martin Luther King was there. Yeah, but 79 00:03:48,320 --> 00:03:51,000 Speaker 1: we didn't march as much as they did in the house. Well, 80 00:03:51,040 --> 00:03:55,080 Speaker 1: you know, everybody Detroit nineteen sixty something, like players pimps. Yeah, 81 00:03:55,600 --> 00:03:57,840 Speaker 1: they walked ahead the catalacs and the hand comped y'all 82 00:03:57,880 --> 00:03:59,920 Speaker 1: drove down the blay Joel with with the woman sitting 83 00:03:59,920 --> 00:04:04,560 Speaker 1: there with the red talking about we shall overcome. Yeah, 84 00:04:05,400 --> 00:04:08,160 Speaker 1: you still got a light little cart going. No, just actually, 85 00:04:08,320 --> 00:04:10,560 Speaker 1: when you die, your head it's straightened out on yourself. Okay, 86 00:04:10,880 --> 00:04:14,040 Speaker 1: that's all that is. When his dad come out to 87 00:04:14,080 --> 00:04:16,920 Speaker 1: head my head gonna chap. What's your relationship with Eddie Murphy, 88 00:04:17,400 --> 00:04:19,760 Speaker 1: he says, A good friend. Yeah, I'm real good friend 89 00:04:19,800 --> 00:04:21,960 Speaker 1: and worked with him. He called me for jobs and 90 00:04:21,960 --> 00:04:23,640 Speaker 1: I didn't even know him. Gonna get said, I want 91 00:04:23,680 --> 00:04:26,480 Speaker 1: spoon to do that. That's really cool. Well, Richard probably 92 00:04:26,520 --> 00:04:28,839 Speaker 1: used to do the same thing when I knew Richard. 93 00:04:29,120 --> 00:04:32,799 Speaker 1: But Eddie we worked on a vampire and Brooklyn together. 94 00:04:32,880 --> 00:04:34,719 Speaker 1: We a lot to get. You're talking about somebody funny 95 00:04:34,880 --> 00:04:37,799 Speaker 1: when the cameras are off, that's when Eddie real funny. 96 00:04:38,040 --> 00:04:39,520 Speaker 1: You know a lot you saw. Did you see him 97 00:04:39,800 --> 00:04:41,760 Speaker 1: out the other night the forty fanniversary? Yeah, I didn't 98 00:04:41,760 --> 00:04:43,880 Speaker 1: see that. But but the fact that that part didn't 99 00:04:43,880 --> 00:04:46,440 Speaker 1: talk about build called me. That wasn't nothing anyway, Yeah, 100 00:04:46,560 --> 00:04:48,680 Speaker 1: it was nothing. Eddie got enough money, so I don't 101 00:04:48,680 --> 00:04:51,320 Speaker 1: want to do crap like that. Another comedian was telling 102 00:04:51,360 --> 00:04:54,599 Speaker 1: me all. Eddie Murphy was scared. I'm like Eddie Murphy. 103 00:04:54,160 --> 00:04:57,080 Speaker 1: He got so much money he went to he went 104 00:04:57,080 --> 00:04:58,599 Speaker 1: to smashing in the face. I'm gonna go with it, 105 00:04:58,600 --> 00:05:00,880 Speaker 1: but I ain't gonna do nothing. That's all that was. 106 00:05:01,040 --> 00:05:02,800 Speaker 1: Do you do it, dude? You get a lot of 107 00:05:02,800 --> 00:05:04,800 Speaker 1: that too, because I feel like people like Eddie don't 108 00:05:04,839 --> 00:05:09,000 Speaker 1: get appreciated by the institutions that they helped establish. With me, 109 00:05:09,240 --> 00:05:12,440 Speaker 1: I don't give a damn. I don't people appreciate me, 110 00:05:12,440 --> 00:05:13,840 Speaker 1: but I don't give it day appreciate me or not. 111 00:05:14,400 --> 00:05:19,120 Speaker 1: I got some money. Now, I have all the movies 112 00:05:19,160 --> 00:05:20,640 Speaker 1: that you've been in. What do you think there is 113 00:05:20,880 --> 00:05:23,600 Speaker 1: a part two? A sequel everyone that you've been in? 114 00:05:23,640 --> 00:05:25,120 Speaker 1: What would you love to see a part two of it? 115 00:05:25,720 --> 00:05:28,080 Speaker 1: But you know, I don't know. You know, Friday, they 116 00:05:28,160 --> 00:05:29,440 Speaker 1: need to do another one of those. That's what I 117 00:05:29,480 --> 00:05:31,200 Speaker 1: think I make. I make a lot of money on 118 00:05:31,240 --> 00:05:35,520 Speaker 1: that one, the original Cash. We gotta be crazy. Everybody 119 00:05:35,560 --> 00:05:37,320 Speaker 1: got to come back. Chris King is not coming back. 120 00:05:38,200 --> 00:05:41,080 Speaker 1: He got saved, and that's what I'm told. And he 121 00:05:41,160 --> 00:05:43,840 Speaker 1: got his U income tax stuff taking care of now 122 00:05:43,880 --> 00:05:46,840 Speaker 1: with the government, so now he's fine, right, But me 123 00:05:47,520 --> 00:05:50,520 Speaker 1: thinking about my little world. Yeah, I like to have 124 00:05:50,560 --> 00:05:53,920 Speaker 1: another Fourth Friday. Already the third Friday they paid a 125 00:05:53,960 --> 00:05:55,160 Speaker 1: lot of money, so they knew they got to give 126 00:05:55,160 --> 00:05:58,360 Speaker 1: your more money on the fourth front. M So that's 127 00:05:58,360 --> 00:05:59,640 Speaker 1: the one. I think I ready to come back. And 128 00:05:59,640 --> 00:06:01,640 Speaker 1: also I love the vampan Brooklyn. That was a good movie. 129 00:06:01,640 --> 00:06:03,920 Speaker 1: I had a lot of fun. Oh yeah, it'd be funny. 130 00:06:04,080 --> 00:06:05,880 Speaker 1: And it ended like it was gonna be a sequel 131 00:06:05,880 --> 00:06:10,040 Speaker 1: because hardest we've been. He was the he was a 132 00:06:10,120 --> 00:06:14,039 Speaker 1: vampire now yeah, and that was a lemousine driver. Um, 133 00:06:14,160 --> 00:06:17,000 Speaker 1: but never did they never nobody picked it up. Yeah, 134 00:06:17,000 --> 00:06:19,280 Speaker 1: and you could disappoint him because I'm thinking myself, boy, 135 00:06:19,400 --> 00:06:21,159 Speaker 1: it's him. They're gonna do a sequel on this called 136 00:06:21,400 --> 00:06:23,520 Speaker 1: anything like it's gonna be a sequel. He said, you 137 00:06:23,560 --> 00:06:25,600 Speaker 1: worked with Robin Williams too on this when you used 138 00:06:25,600 --> 00:06:27,800 Speaker 1: to work with Richard Pryor. Yeah, Robin had just come 139 00:06:27,839 --> 00:06:30,279 Speaker 1: in town. We were all day players. We only got 140 00:06:30,320 --> 00:06:33,120 Speaker 1: about five hundred dollars a week. And Robin had a 141 00:06:33,160 --> 00:06:35,520 Speaker 1: little young dude. He was real scared. He's and they 142 00:06:35,520 --> 00:06:37,400 Speaker 1: made him an extra. He was an extra in the movies. 143 00:06:37,760 --> 00:06:40,680 Speaker 1: Richard Prye would would say, I won't spoon to be 144 00:06:40,720 --> 00:06:43,479 Speaker 1: in this scene. Let's spoon do this. Let's spoon do this. Robin. 145 00:06:43,760 --> 00:06:45,120 Speaker 1: Let him stand in the corner. But you know he 146 00:06:45,160 --> 00:06:48,000 Speaker 1: give Robin spots. So Robin was the lawyer when I 147 00:06:48,040 --> 00:06:50,440 Speaker 1: was charged with raping a white woman. Remember that he 148 00:06:50,440 --> 00:06:52,159 Speaker 1: was our lawyer. And let him at lib. We both 149 00:06:52,200 --> 00:06:54,120 Speaker 1: at lib. And it's a funny scene. You got charge 150 00:06:54,120 --> 00:07:04,040 Speaker 1: of raping a white woman. No, I did you ever 151 00:07:04,040 --> 00:07:06,960 Speaker 1: get accused or something? No, no, no, I never. I't 152 00:07:06,960 --> 00:07:09,800 Speaker 1: got a job ripping no white Did you appreciate Robert 153 00:07:10,080 --> 00:07:12,680 Speaker 1: Robin was a cofine was drugs there he went, a 154 00:07:12,680 --> 00:07:16,040 Speaker 1: coke fine or drug dealer. He loved cocaine, and one 155 00:07:16,080 --> 00:07:19,320 Speaker 1: time he saved me. You know, I was you know, 156 00:07:19,360 --> 00:07:21,400 Speaker 1: I would hit everybody coke. But one time I bought 157 00:07:21,400 --> 00:07:24,280 Speaker 1: a Grandma cocaine in my own and I had had 158 00:07:24,280 --> 00:07:25,680 Speaker 1: no idea how much you get you, I know, you 159 00:07:25,680 --> 00:07:29,360 Speaker 1: get that little power for one hundred dollars. I was shocked, 160 00:07:30,080 --> 00:07:31,440 Speaker 1: and so I'm hitting my little cokea I had a 161 00:07:31,480 --> 00:07:33,000 Speaker 1: little spoon around my neck in the back of the 162 00:07:33,000 --> 00:07:36,800 Speaker 1: communist store, and so Robin come in there and I'm hit. 163 00:07:36,800 --> 00:07:40,040 Speaker 1: Didn't joke yeah, man, and Robin came to they want 164 00:07:40,040 --> 00:07:41,840 Speaker 1: to hit my coke. He I get in the cope. Yeah, 165 00:07:41,880 --> 00:07:44,200 Speaker 1: Rob here I getting the spoon off my neck. He 166 00:07:44,240 --> 00:07:46,560 Speaker 1: went into my little vowel with a little brown violin, 167 00:07:46,640 --> 00:07:48,440 Speaker 1: hit that coke and turning to the side and fip 168 00:07:48,480 --> 00:07:55,000 Speaker 1: some coke and yeah, damn, Robin, idn't know you hoover 169 00:07:55,120 --> 00:07:59,960 Speaker 1: back and clean the company coach was regular back then, though, Yeah, 170 00:08:00,240 --> 00:08:01,880 Speaker 1: like well you know, well, you know what when Richard 171 00:08:01,920 --> 00:08:04,320 Speaker 1: Pride come on stage, the cope man would have somebody's 172 00:08:05,200 --> 00:08:07,960 Speaker 1: at the door to give Richard, give his bodyguards and stuff, 173 00:08:08,000 --> 00:08:10,400 Speaker 1: cope to give it to Richard. Um, if you like it, 174 00:08:10,400 --> 00:08:12,240 Speaker 1: I got you can buy more. That's what they do. 175 00:08:12,280 --> 00:08:13,560 Speaker 1: They give you a lot of They wouldn't give it 176 00:08:13,600 --> 00:08:15,080 Speaker 1: to me, but they give it the Richard. But Richard 177 00:08:15,040 --> 00:08:18,120 Speaker 1: probably his biopic. Had they asked you just for some consulting, 178 00:08:18,160 --> 00:08:23,200 Speaker 1: like maybe some good stories. Well I knew, well, you 179 00:08:23,200 --> 00:08:25,320 Speaker 1: know what happened in the comedy store back then. I 180 00:08:25,400 --> 00:08:30,240 Speaker 1: was there MC, the host of the show, and Richard 181 00:08:30,240 --> 00:08:31,960 Speaker 1: would come in. I didn't know he's in the room. 182 00:08:32,000 --> 00:08:35,360 Speaker 1: He'd be sitting in the back and he would say 183 00:08:35,440 --> 00:08:37,079 Speaker 1: I would come Richard, how are you doing? Man? What 184 00:08:37,120 --> 00:08:38,520 Speaker 1: are you doing here? You gotta come back see how 185 00:08:38,559 --> 00:08:40,840 Speaker 1: you're doing Spoon. You know, but I know he want 186 00:08:40,840 --> 00:08:42,320 Speaker 1: to go on stage, but I need to coach him in. 187 00:08:42,320 --> 00:08:44,160 Speaker 1: They're going on stage, right. He would never come there 188 00:08:44,200 --> 00:08:47,160 Speaker 1: and say I want to go on stage. So, um, 189 00:08:47,200 --> 00:08:48,680 Speaker 1: I do something, I said, Richard, want to drink and 190 00:08:48,679 --> 00:08:50,440 Speaker 1: get your drinking. Yeah, it's gonna get me into there. 191 00:08:50,720 --> 00:08:52,160 Speaker 1: So I know to give him. I give him a drink. 192 00:08:52,160 --> 00:08:54,600 Speaker 1: Now I leave and come back again. So I said, Richard, 193 00:08:54,640 --> 00:08:57,000 Speaker 1: so you okame in everything. I won't gonna stay. He said, no, no, no, no, 194 00:08:57,040 --> 00:08:58,880 Speaker 1: I just come see how you're doing Spoon. So I 195 00:08:59,000 --> 00:09:02,960 Speaker 1: walk away again and then uh, third times we just 196 00:09:02,960 --> 00:09:04,560 Speaker 1: go up on stage and that everybody know that you 197 00:09:04,640 --> 00:09:07,280 Speaker 1: we get big stars coming to the Comedy Store. He's okay. 198 00:09:07,280 --> 00:09:09,080 Speaker 1: So when I go up there and say, he said, 199 00:09:09,080 --> 00:09:10,920 Speaker 1: what am I going? I see it going. Next, I 200 00:09:10,920 --> 00:09:13,800 Speaker 1: put him on He stepped the hour in the half. Yeah. 201 00:09:14,000 --> 00:09:15,680 Speaker 1: Then you have his secretary camm me next day and 202 00:09:15,679 --> 00:09:18,880 Speaker 1: say tell Spoon, thank you for putting me on stage. 203 00:09:19,240 --> 00:09:21,400 Speaker 1: Was getting me on stage? Wow? He was that. He 204 00:09:21,440 --> 00:09:23,640 Speaker 1: was that kind of cool on the Comedy Store Mitchy Shore. 205 00:09:24,720 --> 00:09:27,760 Speaker 1: Sammy Shore's wife, she took it from him when they 206 00:09:27,800 --> 00:09:33,080 Speaker 1: got a divorce, and uh, Pauly Shore's mama. You know, 207 00:09:33,640 --> 00:09:36,280 Speaker 1: it was all kind of legal issues with that. Yeah, 208 00:09:37,000 --> 00:09:40,080 Speaker 1: that's between the two brothers. Yeah, and his sister because 209 00:09:40,160 --> 00:09:41,839 Speaker 1: Mitchie is so feeble now and I don't think you 210 00:09:41,960 --> 00:09:45,040 Speaker 1: know her name. Do you still go to places like that? 211 00:09:45,120 --> 00:09:47,760 Speaker 1: Just pop up yourself and oh no, I haven't done 212 00:09:47,760 --> 00:09:49,640 Speaker 1: it in twenty some years. I had the son and 213 00:09:49,720 --> 00:09:52,880 Speaker 1: go to the comedy store. Now laugh. You don't work 214 00:09:52,880 --> 00:09:55,160 Speaker 1: out no more. You just do some great shows. If 215 00:09:55,160 --> 00:09:57,560 Speaker 1: I want to try something new, I tried on on 216 00:09:57,600 --> 00:10:00,199 Speaker 1: the stage and where I'm working. That's never go to 217 00:10:00,200 --> 00:10:02,319 Speaker 1: the comment store and try out when I do David Ledimature, 218 00:10:02,400 --> 00:10:04,439 Speaker 1: I used to be so nervous all that stuff. Man, 219 00:10:05,640 --> 00:10:07,520 Speaker 1: seven minutes, I do that stuff. I go on to 220 00:10:07,559 --> 00:10:10,600 Speaker 1: show work at work. But he's my friend, so we 221 00:10:10,720 --> 00:10:12,760 Speaker 1: uh you know, he had asked me different questions. That's 222 00:10:12,760 --> 00:10:15,240 Speaker 1: not even on the list. So that makes it funny. See, 223 00:10:15,520 --> 00:10:17,679 Speaker 1: we can be ourselves. But you're the old ge now, 224 00:10:17,720 --> 00:10:19,520 Speaker 1: so that like you're too old to get booed anybody 225 00:10:19,559 --> 00:10:23,199 Speaker 1: gonna do you know, I'm gonna all at me. Yeah, 226 00:10:23,240 --> 00:10:25,480 Speaker 1: you know, I was in a constitution. Oh, I didn't 227 00:10:25,480 --> 00:10:28,600 Speaker 1: know what the dude said, way back to forty two 228 00:10:28,679 --> 00:10:31,319 Speaker 1: hundred people somebody back there. You can't talk about back 229 00:10:31,360 --> 00:10:34,880 Speaker 1: there and acknowledge it. But then he stopped. Tobody Brown 230 00:10:35,080 --> 00:10:37,400 Speaker 1: probably told him, shut there, shut up. Do you get 231 00:10:37,400 --> 00:10:39,720 Speaker 1: mad at you know, some of your old stuff like 232 00:10:39,760 --> 00:10:42,560 Speaker 1: bank bank, bank, bank, you know, or you know, thirty 233 00:10:42,679 --> 00:10:44,480 Speaker 1: forty fifty minutes in the bathroom, like, oh yeah, do 234 00:10:44,520 --> 00:10:45,760 Speaker 1: you get mad at that? Because when you're what I 235 00:10:45,760 --> 00:10:47,480 Speaker 1: was going to introduce you, I almost said, and now 236 00:10:47,480 --> 00:10:49,480 Speaker 1: we had the bank, you know, because no, did you 237 00:10:49,520 --> 00:10:52,760 Speaker 1: get mad at no? Hell no? No. That made me. 238 00:10:53,679 --> 00:10:56,120 Speaker 1: I can't believe somebody don't want about to say, like dynamite. 239 00:10:56,120 --> 00:10:58,360 Speaker 1: What's his name, Jimmy Walker didn't want people say dynamite. 240 00:10:58,640 --> 00:11:03,439 Speaker 1: Oh no, that's what me living where I'm living for 241 00:11:03,559 --> 00:11:06,720 Speaker 1: that ad lib? Was that written in the script. It 242 00:11:06,760 --> 00:11:11,000 Speaker 1: was a boomerang because the whole scene in Boomerang was 243 00:11:11,040 --> 00:11:14,480 Speaker 1: ad lib. There was no script. Richard Pryde, I was 244 00:11:14,480 --> 00:11:17,720 Speaker 1: in LA. I mean Eddie Murphy said he wants Spoon 245 00:11:18,360 --> 00:11:23,280 Speaker 1: to play David Allen Grill's daddy in boomerang, and and 246 00:11:23,320 --> 00:11:25,840 Speaker 1: so a pairmount. They were over budgeted already on the boomerang. 247 00:11:25,960 --> 00:11:27,280 Speaker 1: You know what, I said, My scene won't even had 248 00:11:27,280 --> 00:11:29,160 Speaker 1: nothing to do with the movie. It's just me coming 249 00:11:29,200 --> 00:11:33,240 Speaker 1: and visit my son. They said they don't want um Spoon, 250 00:11:33,320 --> 00:11:36,840 Speaker 1: whoever he is, to do play this new scene. And 251 00:11:36,880 --> 00:11:39,480 Speaker 1: they told Reginald Hutland, we don't want anybody who was 252 00:11:39,520 --> 00:11:42,120 Speaker 1: just spooning anyway. And Richard and Eddie said, I want 253 00:11:42,160 --> 00:11:43,679 Speaker 1: Spoon to play the part. We're not gonna finish the 254 00:11:43,679 --> 00:11:45,839 Speaker 1: movie until you do it. They flew me all away 255 00:11:45,880 --> 00:11:49,880 Speaker 1: from LA to New York, and I picked all them 256 00:11:49,920 --> 00:11:52,120 Speaker 1: clothes I put on. I picked all that out and 257 00:11:52,160 --> 00:11:53,679 Speaker 1: I wrote it. I went in my little dressing room 258 00:11:53,679 --> 00:11:55,680 Speaker 1: and wrote my little stuff down what I'm gonna say, So, 259 00:11:55,720 --> 00:11:57,079 Speaker 1: I said, all you gonna do is ask me when 260 00:11:57,080 --> 00:11:58,720 Speaker 1: I walk in and do how do I pick my clothes? 261 00:11:59,520 --> 00:12:02,400 Speaker 1: So first first wim me shot the scene. Mark Lawrence 262 00:12:02,520 --> 00:12:05,600 Speaker 1: was the one open the door. Richard saw, Eddie saw 263 00:12:05,679 --> 00:12:08,199 Speaker 1: so much how much last week begaining. He told Martin 264 00:12:08,240 --> 00:12:10,439 Speaker 1: to keep walking to his seat. I'm gonna do the 265 00:12:10,480 --> 00:12:13,960 Speaker 1: scene with Spoon. They're amazing. So he and I did it. 266 00:12:14,440 --> 00:12:16,600 Speaker 1: We had Sindbad on him, and Sindbad said that Hollywood 267 00:12:16,679 --> 00:12:18,959 Speaker 1: never liked Bill Cosby, So I wondered, You know, you've 268 00:12:18,960 --> 00:12:20,240 Speaker 1: been in the game a long time. Did you ever 269 00:12:20,240 --> 00:12:22,960 Speaker 1: get any backlash from Hollywood just being black? Just for 270 00:12:23,040 --> 00:12:27,400 Speaker 1: you being black? Oh? Really? You know, I don't know 271 00:12:27,440 --> 00:12:30,920 Speaker 1: why Hollywood didn't like made tons of tons of money, 272 00:12:31,160 --> 00:12:33,000 Speaker 1: tons of money out of it. Bill Collpley made out 273 00:12:33,040 --> 00:12:36,160 Speaker 1: like he didn't made it. Maybe didn't like Hollywood. Hollywood 274 00:12:36,160 --> 00:12:39,319 Speaker 1: love Bill Callsby, Brendan try to call, gave him the 275 00:12:39,480 --> 00:12:42,920 Speaker 1: job he used to be the president of Paramount. He's 276 00:12:42,920 --> 00:12:45,760 Speaker 1: the one that hooked Bill Callsby up. Bill Cosmick can't 277 00:12:45,800 --> 00:12:48,280 Speaker 1: say nothing or whatever had been in his misunderstanding with 278 00:12:48,320 --> 00:12:51,439 Speaker 1: them ladies. It's his fault. I don't know he should 279 00:12:51,440 --> 00:12:55,240 Speaker 1: have put a mask on. But about the way as brothers, 280 00:12:55,240 --> 00:12:58,160 Speaker 1: you still cool? Oh yeah, man, they made me. They 281 00:12:58,240 --> 00:13:00,640 Speaker 1: got me the best job. I had a regular check 282 00:13:00,720 --> 00:13:04,520 Speaker 1: coming in every week. That check was there. Oh, y'all 283 00:13:04,559 --> 00:13:08,280 Speaker 1: should have seen that money. But I never had a 284 00:13:08,280 --> 00:13:10,680 Speaker 1: series before. Yeah, you gotta really had them serious. You 285 00:13:10,720 --> 00:13:13,280 Speaker 1: know you're doing the series. We did a hundred shows 286 00:13:13,360 --> 00:13:17,079 Speaker 1: five years. That check bum bum Bang Bang bang bang 287 00:13:18,880 --> 00:13:21,080 Speaker 1: series is better money than its regular money, But is 288 00:13:21,080 --> 00:13:23,920 Speaker 1: it better money than a movie. We'll see the thing about. 289 00:13:24,400 --> 00:13:31,199 Speaker 1: If you're working on ABC, NBC, Box Network, ABC network, CBA, yeah, 290 00:13:31,360 --> 00:13:33,959 Speaker 1: network television, you're gonna get the big bucks. I'm working 291 00:13:34,000 --> 00:13:37,960 Speaker 1: on on cable, and that's not the same money you 292 00:13:38,000 --> 00:13:40,520 Speaker 1: get on regular TV, you know. But we were getting up, 293 00:13:40,720 --> 00:13:42,320 Speaker 1: Like when I was on Tracy Morganshaw made a lot 294 00:13:42,360 --> 00:13:45,040 Speaker 1: of money because Carci warn The money about were the 295 00:13:45,120 --> 00:13:48,520 Speaker 1: producers and they produced big time stuff, right and what's 296 00:13:48,520 --> 00:13:50,880 Speaker 1: the name from satanay Lad was wanted the producers. The 297 00:13:51,040 --> 00:13:54,920 Speaker 1: head of st Michael Michaels wanted to producers. Um, so 298 00:13:54,960 --> 00:13:56,920 Speaker 1: you get a lot of money on those, but cable 299 00:13:56,960 --> 00:13:58,360 Speaker 1: you don't get this. You don't get the same money. 300 00:13:58,400 --> 00:14:00,439 Speaker 1: So you said, the Boondocks and Black Jesus gonna pay 301 00:14:00,440 --> 00:14:02,920 Speaker 1: you well, which not as much as I need I deserved. 302 00:14:05,559 --> 00:14:08,840 Speaker 1: No boon Knocks is gone. That's cancer. I know. The 303 00:14:08,880 --> 00:14:11,960 Speaker 1: last season was so bad. Yeah, well because Amma Gruder 304 00:14:12,040 --> 00:14:14,800 Speaker 1: did not write those scripts. He got tired and they 305 00:14:14,840 --> 00:14:16,760 Speaker 1: fired him. So they got somebody else. They trying to 306 00:14:16,760 --> 00:14:20,480 Speaker 1: get somebody to to imitate my voice. We didn't want 307 00:14:20,480 --> 00:14:22,840 Speaker 1: to do it if Amma Gruder wasn't around. So they're 308 00:14:22,840 --> 00:14:25,040 Speaker 1: gonna try to get somebody. Did the whole casting thing 309 00:14:25,080 --> 00:14:27,560 Speaker 1: to see who can talk like Granddaddy, that wasn't you 310 00:14:27,680 --> 00:14:30,600 Speaker 1: last season? Yeah? That was me? But they couldn't find anybody. Yeah, 311 00:14:31,120 --> 00:14:33,960 Speaker 1: so that means we really tried him double, We really had. 312 00:14:34,080 --> 00:14:35,680 Speaker 1: I tried them to end boy. Then they had to 313 00:14:35,680 --> 00:14:37,680 Speaker 1: pay me a whole season. I ain't nuther one word. 314 00:14:38,280 --> 00:14:41,120 Speaker 1: They paid me a whole season. Wow? Who that money 315 00:14:41,160 --> 00:14:44,280 Speaker 1: looked good you seeing that check? Yeah? Man, you know 316 00:14:44,360 --> 00:14:45,840 Speaker 1: that that that bucked me because I was such a 317 00:14:45,840 --> 00:14:47,240 Speaker 1: big fan of the Boon Doctor and I'm like, how 318 00:14:47,280 --> 00:14:50,160 Speaker 1: can they take something that Aaron and just say you're 319 00:14:50,200 --> 00:14:52,320 Speaker 1: not You're not part of it? Him? That's cold because 320 00:14:52,320 --> 00:14:55,200 Speaker 1: he sold his rights to television. He sold his rights 321 00:14:55,200 --> 00:14:57,440 Speaker 1: to TV to never said your stuff until they give 322 00:14:57,440 --> 00:15:01,480 Speaker 1: you twenty million dollars. Wo. He sold his rights and 323 00:15:01,640 --> 00:15:04,440 Speaker 1: he can do a movie. But he's doing other stuff now. Yeah, 324 00:15:04,480 --> 00:15:06,120 Speaker 1: like Black he's doing Black Jess. That's gonna be a 325 00:15:06,120 --> 00:15:08,280 Speaker 1: big head. You wait to this next season back, there's 326 00:15:08,280 --> 00:15:10,640 Speaker 1: gonna be a gonna be a bigger They did the 327 00:15:10,680 --> 00:15:13,920 Speaker 1: Little show here look easy show ten episode to see 328 00:15:13,960 --> 00:15:17,000 Speaker 1: if anybody liked it, and it went over big time. 329 00:15:17,600 --> 00:15:19,720 Speaker 1: And now this this new season coming, they say it's 330 00:15:19,720 --> 00:15:21,120 Speaker 1: gonna they rode a lot of new stuff and it's 331 00:15:21,160 --> 00:15:23,640 Speaker 1: gonna be two cold. You play a homeless person? Or 332 00:15:24,800 --> 00:15:26,720 Speaker 1: how the how did you prepared for that role? Did 333 00:15:26,720 --> 00:15:30,800 Speaker 1: you go slip on the street every nothing? No, I 334 00:15:30,880 --> 00:15:35,840 Speaker 1: used to two left boots. I know a boy, so 335 00:15:36,480 --> 00:15:39,120 Speaker 1: um no. You know what happened was they didn't know 336 00:15:39,280 --> 00:15:40,840 Speaker 1: that I want to take the role. They said, just 337 00:15:40,880 --> 00:15:42,480 Speaker 1: do the little scene up front in the first one. 338 00:15:42,960 --> 00:15:44,840 Speaker 1: So I looked at the scene and they gave me 339 00:15:44,920 --> 00:15:47,240 Speaker 1: all the scripts for the whole season to read and 340 00:15:47,280 --> 00:15:49,640 Speaker 1: see what I like about. So I add them out 341 00:15:49,640 --> 00:15:51,040 Speaker 1: of the lines of this one. I sa, this might 342 00:15:51,080 --> 00:15:53,040 Speaker 1: be a good little role for me to play the 343 00:15:53,040 --> 00:15:56,160 Speaker 1: homeless man. So I didn't. They loved it, so they 344 00:15:56,160 --> 00:16:00,600 Speaker 1: we negotiate it and I got and I'm one of 345 00:16:00,600 --> 00:16:03,400 Speaker 1: the most favorite characters in the Black Jesus and I 346 00:16:04,040 --> 00:16:06,440 Speaker 1: live in I live in a cardboard box. And I 347 00:16:06,480 --> 00:16:08,480 Speaker 1: don't wash up when I go to the show. I 348 00:16:08,520 --> 00:16:11,520 Speaker 1: don't call my half, I don't brush my teeth. I 349 00:16:13,480 --> 00:16:15,560 Speaker 1: go over there. I'm telling you. It's funniest role. I 350 00:16:15,600 --> 00:16:17,440 Speaker 1: have a lot of fun doing it, and Court would 351 00:16:17,440 --> 00:16:18,920 Speaker 1: tell you we have such a good time. That don't 352 00:16:18,920 --> 00:16:20,440 Speaker 1: take you to a bad place though, because you said 353 00:16:20,440 --> 00:16:22,160 Speaker 1: you grew up poor like you know you like. I 354 00:16:22,160 --> 00:16:25,000 Speaker 1: can't wait to get out these homes clothes. Matter of fact, 355 00:16:25,280 --> 00:16:28,000 Speaker 1: the clothes I'm using on this show the same clothes 356 00:16:28,080 --> 00:16:31,560 Speaker 1: I wore on Hollywood Shuffle and I played the home 357 00:16:32,720 --> 00:16:35,960 Speaker 1: say the whole outfit. You wouldn't believe it. Eighteen years ago. 358 00:16:36,480 --> 00:16:38,200 Speaker 1: I saved the outfit in the bag and put it 359 00:16:38,200 --> 00:16:42,080 Speaker 1: in my clothes in my garage and I found the 360 00:16:42,520 --> 00:16:44,960 Speaker 1: found the clothes, Wow, And I gave it to the 361 00:16:45,000 --> 00:16:47,680 Speaker 1: Waters department. They did four or five copies of the 362 00:16:47,720 --> 00:16:50,040 Speaker 1: same clothes and gave me my old outfits back, same clothes. 363 00:16:50,080 --> 00:16:52,680 Speaker 1: I will you look at Hollywood Shuffle when I'm sitting 364 00:16:52,680 --> 00:16:55,960 Speaker 1: on the ground eating the whole cakes and they didn't sell. Yeah, 365 00:16:56,320 --> 00:17:00,040 Speaker 1: that's the same house. Wow. But you're gonna be for 366 00:17:00,040 --> 00:17:04,960 Speaker 1: them in this weekend, Yeah, he'll Yeah, I know where 367 00:17:05,400 --> 00:17:12,600 Speaker 1: I'm being, you know, comedy comedy club. It's the time, 368 00:17:12,920 --> 00:17:16,840 Speaker 1: the times, Yeah, eight thirty tonight and ten three. I'm 369 00:17:16,840 --> 00:17:19,520 Speaker 1: just joking. I knew it was got Um eight and 370 00:17:19,920 --> 00:17:23,560 Speaker 1: tomorrow Saturday and one show Sunday at eight. Okay when 371 00:17:23,560 --> 00:17:26,680 Speaker 1: a candemy waters on Sunday, I don't care about candy water. 372 00:17:27,640 --> 00:17:29,960 Speaker 1: I never didn't watch that crap that they make all 373 00:17:29,960 --> 00:17:32,280 Speaker 1: the money. They got all the big breasts in Apprentic, 374 00:17:32,480 --> 00:17:34,360 Speaker 1: they got all the cars, all the house. Then they 375 00:17:34,359 --> 00:17:38,439 Speaker 1: give themselves trophies. The hell with them? Eight to ten Friday, 376 00:17:38,480 --> 00:17:42,240 Speaker 1: eight ten Saturday, and eight on Sunday. Check out John Witherspoon, 377 00:17:42,320 --> 00:17:44,159 Speaker 1: Black back Back, Black Bank bab Man. I have a 378 00:17:44,160 --> 00:17:46,920 Speaker 1: cooking shot on YouTube called cooking for Poor People. Looking 379 00:17:46,960 --> 00:17:49,640 Speaker 1: for people, got to start. It's gonna be a lot 380 00:17:49,720 --> 00:17:52,840 Speaker 1: of parking on that. No, you know, puking chicken. Okay, chicken, 381 00:17:52,960 --> 00:17:55,400 Speaker 1: and he's goned cooking for poor people because when you're hungry, 382 00:17:55,400 --> 00:17:57,240 Speaker 1: everything tastes good. It was a good recipe. It was 383 00:17:57,240 --> 00:18:03,199 Speaker 1: a good quick what you want? Huh? Chicken? I like 384 00:18:03,800 --> 00:18:07,280 Speaker 1: and I like chicken. You should eat a chicken rosemary 385 00:18:07,359 --> 00:18:09,800 Speaker 1: chicken with the pestal pasta. That don't sound like for 386 00:18:09,800 --> 00:18:12,600 Speaker 1: something poor people? No, you ain't got him buster. You 387 00:18:12,640 --> 00:18:14,760 Speaker 1: go in the yard and get you some pesto. Let 388 00:18:14,760 --> 00:18:19,280 Speaker 1: me and some up um, whatever, and you get the chicken, 389 00:18:19,320 --> 00:18:20,879 Speaker 1: you cook it in the pan, okay, and make some 390 00:18:20,920 --> 00:18:24,040 Speaker 1: pasta with some pesto sauce. Ontime got you, Yeah, but 391 00:18:24,200 --> 00:18:26,920 Speaker 1: you get rosemary, Rosemary. I got rosemary in my garden, 392 00:18:28,280 --> 00:18:31,000 Speaker 1: cooking for poor people because when you're hungry, everything tastes good. 393 00:18:32,440 --> 00:18:34,040 Speaker 1: But I do a lot of funny stuff. My stuff 394 00:18:34,080 --> 00:18:37,200 Speaker 1: is funny. It ain't like I'm just cooking that serious. Yeah, oh, 395 00:18:37,200 --> 00:18:40,480 Speaker 1: I'm I'm talking about everything in the world. I'm doing 396 00:18:40,520 --> 00:18:42,920 Speaker 1: the isis and doing about the ices people in it 397 00:18:43,760 --> 00:18:46,720 Speaker 1: and jumping. I call it ears ears, and I ain't 398 00:18:46,760 --> 00:18:48,879 Speaker 1: ain't mess with it. I had to make funny about ices. 399 00:18:48,920 --> 00:18:50,680 Speaker 1: What do you think about older men dating younger women 400 00:18:50,680 --> 00:18:52,399 Speaker 1: like a twenty five ye old day and seventeen year 401 00:18:52,400 --> 00:18:55,960 Speaker 1: old twenty five year old making seventeen that ain't old. 402 00:18:56,280 --> 00:18:59,399 Speaker 1: It ain't no heck no seven. To make it eighteen 403 00:19:01,640 --> 00:19:06,280 Speaker 1: in case something go down, you're gonna cover yourself. She's legal, Yeah, 404 00:19:06,320 --> 00:19:08,480 Speaker 1: but make it eighteen. You can't in chefteen because you 405 00:19:08,480 --> 00:19:10,879 Speaker 1: know you don't want to be on TV and and 406 00:19:11,119 --> 00:19:14,240 Speaker 1: handcuffed and everything shirt with T shirt to cross your 407 00:19:14,359 --> 00:19:20,920 Speaker 1: shoulders twenty five and eighteen bang bang bang bang bang 408 00:19:21,040 --> 00:19:24,000 Speaker 1: bang bang bang. I wish I can getting me up. 409 00:19:24,560 --> 00:19:26,680 Speaker 1: I get it. I take a thirty five year old woman. 410 00:19:27,000 --> 00:19:29,720 Speaker 1: You're still here. It's still fin got groupies. But I 411 00:19:29,720 --> 00:19:32,800 Speaker 1: have a wife. Oh but but a Roman thirty five 412 00:19:32,880 --> 00:19:35,320 Speaker 1: yeard woman. They're fine. You still bang bang a young 413 00:19:35,320 --> 00:19:39,280 Speaker 1: girl every nowthing. No, that's not too old. I mean 414 00:19:39,320 --> 00:19:40,920 Speaker 1: I look at the girl, little girls and huger. I 415 00:19:40,960 --> 00:19:43,080 Speaker 1: might hug him a little too long. That might be 416 00:19:43,080 --> 00:19:48,960 Speaker 1: a little molest than there. But no, I don't do 417 00:19:49,080 --> 00:19:51,720 Speaker 1: a messing. I count my money. I'm telling you have 418 00:19:51,840 --> 00:19:54,880 Speaker 1: no idea how how happy I am to be counting 419 00:19:54,920 --> 00:19:56,560 Speaker 1: my money. Oh, I know you got it all them 420 00:19:56,560 --> 00:19:58,119 Speaker 1: because all the stuff you've done. I'm sure you've just 421 00:19:58,119 --> 00:20:01,480 Speaker 1: been saving your check the bl plus, I bought property. 422 00:20:01,480 --> 00:20:04,720 Speaker 1: I got about eight homes there. I had a probably 423 00:20:04,720 --> 00:20:06,560 Speaker 1: building Beverly Hills, and I'm out the water and grass, 424 00:20:06,560 --> 00:20:09,959 Speaker 1: and they called the police on me. No, they did 425 00:20:10,000 --> 00:20:12,000 Speaker 1: not really call the police. Yeah, some old lady said, 426 00:20:12,000 --> 00:20:13,560 Speaker 1: some black man I hit water in the grass. He 427 00:20:13,640 --> 00:20:19,520 Speaker 1: might be vendor. Sorry, mister Witherspoon, I'll be so mad. 428 00:20:19,560 --> 00:20:23,600 Speaker 1: If you was Mexican, they wouldn't have called the water 429 00:20:23,680 --> 00:20:29,159 Speaker 1: the grass. Okay, let him go, all right, But you 430 00:20:29,160 --> 00:20:31,960 Speaker 1: gotta make yourself because you work hard. You're supposed to 431 00:20:32,000 --> 00:20:35,720 Speaker 1: enjoy yourself when you when you work that hard, enjoy yourself. 432 00:20:36,000 --> 00:20:39,679 Speaker 1: You drive like you drive an old school catalac or something. No, No, 433 00:20:40,119 --> 00:20:43,760 Speaker 1: I have a I have about eight cars. Wow, old 434 00:20:43,800 --> 00:20:46,719 Speaker 1: cars like what. I have a nineteen sixty four Morgan. 435 00:20:46,920 --> 00:20:48,920 Speaker 1: It's an English car, I know, with the round with 436 00:20:48,960 --> 00:20:51,359 Speaker 1: the overlights, over lights. Yeah, and I have a nineteen 437 00:20:51,359 --> 00:20:54,679 Speaker 1: sixty four Triumph t R four. You know what that 438 00:20:54,720 --> 00:20:58,200 Speaker 1: looked like? Okay, I have a nineteen fifty five Bentley. 439 00:20:59,200 --> 00:21:02,200 Speaker 1: I have a nineteen eighty four Rose Royce. And I 440 00:21:02,280 --> 00:21:06,399 Speaker 1: have a nineteen ninety five range Rover. I have a 441 00:21:06,480 --> 00:21:09,399 Speaker 1: nineteen two thousand and four Range Rover. But but I 442 00:21:09,440 --> 00:21:12,639 Speaker 1: love cars. Yeah, seven two Mercedes, nothing new, enohing new 443 00:21:12,680 --> 00:21:14,800 Speaker 1: because I know them old one. Sometimes you gotta you 444 00:21:14,880 --> 00:21:16,879 Speaker 1: gotta a lot of work with them old cars. And 445 00:21:17,880 --> 00:21:20,640 Speaker 1: you're buying when they're all pristine. You don't buy them 446 00:21:20,640 --> 00:21:26,359 Speaker 1: like you know, with no tire zone around June. But 447 00:21:26,440 --> 00:21:30,359 Speaker 1: we appreciate you joining us. Man John Witherspoon is the 448 00:21:30,359 --> 00:21:32,480 Speaker 1: Breakfast Club. Good morning, you boy,