1 00:00:02,160 --> 00:00:04,960 Speaker 1: Who's that knocking at the door. It's all your friends. 2 00:00:04,960 --> 00:00:07,960 Speaker 1: You've filthy horse, your husband's gone, and we've got books 3 00:00:07,960 --> 00:00:09,440 Speaker 1: and a bottle of wine to kill. 4 00:00:09,800 --> 00:00:12,520 Speaker 2: It's Hollywood, it's books, It's gossip. 5 00:00:12,800 --> 00:00:20,160 Speaker 1: I'm shook, its memoir, It's Martinis. Celebrity puff Club, read 6 00:00:20,200 --> 00:00:21,440 Speaker 1: it while it's hot. 7 00:00:21,720 --> 00:00:22,919 Speaker 2: Celebrity poof Club. 8 00:00:23,160 --> 00:00:24,360 Speaker 1: I'll tell your secrets. 9 00:00:24,400 --> 00:00:27,360 Speaker 2: We won't talk celebrity books. 10 00:00:27,800 --> 00:00:33,080 Speaker 1: No boys are a loud cele say it loud and poud. 11 00:00:33,520 --> 00:00:34,720 Speaker 1: Celebrity book Club. 12 00:00:35,520 --> 00:00:37,479 Speaker 2: Buzz me in. I brought the queer Voe. 13 00:00:37,920 --> 00:00:42,560 Speaker 1: Hey Bess, Hey b ooh, are you hungry for more? 14 00:00:42,720 --> 00:00:45,160 Speaker 2: Lily, I'm literally starving. 15 00:00:45,280 --> 00:00:47,760 Speaker 1: I want It's been but a whole week since we 16 00:00:47,760 --> 00:00:49,559 Speaker 1: talked about Keith Acnelli, and I think we have a 17 00:00:49,600 --> 00:00:50,560 Speaker 1: lot more to say. 18 00:00:51,080 --> 00:00:53,800 Speaker 2: We have so much more to say, and honestly like, 19 00:00:54,040 --> 00:00:58,080 Speaker 2: oh god, I'm craving a Martinian soho or red wine 20 00:00:58,080 --> 00:00:59,040 Speaker 2: and meatpack egg. 21 00:01:00,360 --> 00:01:04,080 Speaker 1: Well shake up that gin, mama, because we're going straight 22 00:01:04,120 --> 00:01:05,320 Speaker 1: to soho Oh. 23 00:01:05,440 --> 00:01:08,280 Speaker 2: Yeah. Everyone turn your page to page one hundred and 24 00:01:08,280 --> 00:01:10,160 Speaker 2: thirty five, where we love it. 25 00:01:10,280 --> 00:01:11,080 Speaker 1: Let's get into it. 26 00:01:13,640 --> 00:01:15,800 Speaker 2: This whole book is also him just being like, well, 27 00:01:15,840 --> 00:01:19,319 Speaker 2: it costs fourteen point five million to build the bar 28 00:01:19,840 --> 00:01:23,959 Speaker 2: for Luxembourg. But I was raking in eighty million odeon, 29 00:01:24,040 --> 00:01:28,480 Speaker 2: but we owed seventeen point five to build pasties. Yeah, 30 00:01:28,520 --> 00:01:32,920 Speaker 2: there's an Alena Waters on the line calimony of sixteen million. 31 00:01:33,480 --> 00:01:37,440 Speaker 1: Yeah, okay, so this whole there's the divorce with Alenos. Basically, 32 00:01:37,440 --> 00:01:40,360 Speaker 1: he has a stroke and he's got three kids with 33 00:01:40,400 --> 00:01:42,440 Speaker 1: his first wife. He's got two kids with a second wife. 34 00:01:42,800 --> 00:01:46,400 Speaker 1: He has a stroke. He's like in London and it's 35 00:01:46,440 --> 00:01:50,240 Speaker 1: like not going well and he wants to go back 36 00:01:50,240 --> 00:01:52,840 Speaker 1: to New York where like his restaurants are and his 37 00:01:52,920 --> 00:01:55,280 Speaker 1: ex wife is and his other kids are, and like 38 00:01:55,680 --> 00:01:58,080 Speaker 1: so he does and Alena and the way he paints 39 00:01:58,080 --> 00:02:00,000 Speaker 1: it is that Aleno like really resents him for it, 40 00:02:00,360 --> 00:02:02,720 Speaker 1: and it's like becomes really kind of mean to his 41 00:02:02,920 --> 00:02:04,800 Speaker 1: like former kids and you. 42 00:02:04,760 --> 00:02:07,600 Speaker 2: Know, uh uh and stops even speaking to the former 43 00:02:07,920 --> 00:02:10,080 Speaker 2: to his first set of children. 44 00:02:09,800 --> 00:02:12,600 Speaker 1: The way he describes her. I I at first, I 45 00:02:12,639 --> 00:02:14,440 Speaker 1: had very little sympathy for hour. It was just like, 46 00:02:14,720 --> 00:02:17,040 Speaker 1: I don't know, he had a stroke, he has an 47 00:02:17,040 --> 00:02:19,960 Speaker 1: ex wife, he has ex kids. Like you can't like 48 00:02:20,520 --> 00:02:23,560 Speaker 1: if she's supportive of him, like that's great, Like don't 49 00:02:23,600 --> 00:02:26,320 Speaker 1: you want more help in this like situation? Don't you 50 00:02:26,360 --> 00:02:28,760 Speaker 1: want more hands on deck? And like you're really gonna 51 00:02:28,800 --> 00:02:32,120 Speaker 1: feel territorial now, Like that just feels so like insecure, 52 00:02:33,040 --> 00:02:36,280 Speaker 1: But as you read on and you remember the relationship, 53 00:02:36,320 --> 00:02:38,160 Speaker 1: you kind of feel like that was an insecurity that 54 00:02:38,240 --> 00:02:40,639 Speaker 1: was maybe always there that's just coming out more. And 55 00:02:40,680 --> 00:02:43,480 Speaker 1: she just never felt like she like he didn't respect 56 00:02:43,520 --> 00:02:45,720 Speaker 1: her as much because Lynn and him were business partners 57 00:02:45,720 --> 00:02:49,600 Speaker 1: and restauranteurs together, and they are so. 58 00:02:48,720 --> 00:02:52,680 Speaker 2: So sang right where it's like, well, the first wife 59 00:02:52,760 --> 00:02:55,639 Speaker 2: who you know, maybe he can really like speak to about, 60 00:02:55,720 --> 00:02:57,520 Speaker 2: you know, the ins and outs of the odeon and 61 00:02:57,560 --> 00:03:00,600 Speaker 2: everything in their lives. But he, you know, fall deeply 62 00:03:00,600 --> 00:03:03,280 Speaker 2: in love for Lena and is so sexually attracted to yeah, 63 00:03:03,320 --> 00:03:06,000 Speaker 2: because she's like amazing because she's her sex and the 64 00:03:06,080 --> 00:03:08,920 Speaker 2: city friends at Pravda, right, I'm just like, well yeah, 65 00:03:09,000 --> 00:03:11,280 Speaker 2: like I mean I was looking at photos, like and 66 00:03:11,320 --> 00:03:11,799 Speaker 2: she's just. 67 00:03:11,760 --> 00:03:14,600 Speaker 1: Like I love cut Stevens because he's so authentic and he's. 68 00:03:14,560 --> 00:03:16,399 Speaker 2: Just like and he's. 69 00:03:16,200 --> 00:03:20,440 Speaker 1: Like myself, this dumb bitch. 70 00:03:20,880 --> 00:03:23,960 Speaker 2: But like and also there's all these you know, and 71 00:03:24,000 --> 00:03:27,400 Speaker 2: Elena's trying if he were if he were coming into 72 00:03:27,440 --> 00:03:30,400 Speaker 2: his hospital room and he's like fully stroke paralyzed and 73 00:03:30,400 --> 00:03:32,799 Speaker 2: they're riding him. 74 00:03:32,880 --> 00:03:35,040 Speaker 1: But the thing is, if you were actually working classroom 75 00:03:35,080 --> 00:03:37,480 Speaker 1: bethnal Green, like he would be like so fucking like 76 00:03:37,520 --> 00:03:39,320 Speaker 1: I hit the jackpot with Elena, Like he would not 77 00:03:40,040 --> 00:03:44,440 Speaker 1: be making her feel inadequate by wanting to talk about 78 00:03:44,520 --> 00:03:48,240 Speaker 1: like plays and fucking Fauvism with Lynn. And in addition 79 00:03:48,320 --> 00:03:51,320 Speaker 1: to like everything, he's salvaging for the restaurant or whatever, right. 80 00:03:51,240 --> 00:03:53,160 Speaker 2: And he has this dig in Elena where he's like, 81 00:03:53,320 --> 00:03:55,520 Speaker 2: I made it. It's so important for me to take 82 00:03:55,680 --> 00:03:59,040 Speaker 2: George and Alice my kids with Elena to like all 83 00:03:59,120 --> 00:04:01,960 Speaker 2: these museums, and I'm always taking them to Hamburg to 84 00:04:02,080 --> 00:04:04,440 Speaker 2: like see this painting. And I was afraid when I 85 00:04:04,480 --> 00:04:06,480 Speaker 2: had my stroke that she wouldn't be doing that. But 86 00:04:06,520 --> 00:04:08,880 Speaker 2: she cared about their education, and he was like kind 87 00:04:08,880 --> 00:04:11,280 Speaker 2: of like, I don't really care about schools. 88 00:04:11,000 --> 00:04:13,600 Speaker 1: Right, He's like, I'm like, I'm so badass. I only 89 00:04:13,680 --> 00:04:16,560 Speaker 1: care about like learning on the streets, but also like 90 00:04:17,000 --> 00:04:21,479 Speaker 1: seeing a fucking dope ass like red painting Byzantine painting. 91 00:04:21,839 --> 00:04:26,279 Speaker 2: Someone recently told me that their friends slept with Henry, 92 00:04:26,360 --> 00:04:28,080 Speaker 2: his oldest son, so. 93 00:04:29,240 --> 00:04:32,480 Speaker 1: Well, you know, the youngest daughter, the one with Elena 94 00:04:32,720 --> 00:04:34,920 Speaker 1: is now like a downtown model. 95 00:04:35,400 --> 00:04:37,920 Speaker 2: Right, She's like around and now they're finally closest. 96 00:04:37,960 --> 00:04:39,360 Speaker 1: She's a next couslata model. 97 00:04:39,600 --> 00:04:41,919 Speaker 2: And she was so team Elena first of all, and 98 00:04:42,000 --> 00:04:42,800 Speaker 2: not speaking to. 99 00:04:42,839 --> 00:04:45,880 Speaker 1: Keith, I mean classic like right, I mean when your dad, 100 00:04:46,120 --> 00:04:47,200 Speaker 1: I don't know, I think it's you know, when your 101 00:04:47,279 --> 00:04:49,400 Speaker 1: dad has a whole other family, it's hard to really 102 00:04:49,440 --> 00:04:50,560 Speaker 1: like take aside. 103 00:04:50,800 --> 00:04:53,240 Speaker 2: And it's like, of course Lynn was the one who 104 00:04:53,320 --> 00:04:55,880 Speaker 2: was like, no, I get it, whatever, like I'll be 105 00:04:56,000 --> 00:04:59,080 Speaker 2: the loyal ex wife and I'll you know, change his 106 00:04:59,240 --> 00:05:03,280 Speaker 2: colostomy again. Yeah, it sounded tense, but then it's like 107 00:05:03,320 --> 00:05:06,680 Speaker 2: there's the scene where Lena's crying being like you've never 108 00:05:06,760 --> 00:05:08,320 Speaker 2: let my family in mmm. 109 00:05:08,760 --> 00:05:10,240 Speaker 1: And he was like it was true. I didn't like 110 00:05:10,279 --> 00:05:13,960 Speaker 1: her family, right, he was like they're random and like 111 00:05:14,000 --> 00:05:16,800 Speaker 1: the dad said in a hotel once on Martha's Vineyard, Okay, wait, 112 00:05:16,839 --> 00:05:20,200 Speaker 1: we have to talk about Martha's vineyard. We have Okay, 113 00:05:20,360 --> 00:05:22,920 Speaker 1: this is so there is a whole basically, there's a 114 00:05:22,960 --> 00:05:25,920 Speaker 1: whole like chapter of the book that just becomes Martha's Vineyard. 115 00:05:25,960 --> 00:05:28,440 Speaker 1: Board of Tourism propaganda. 116 00:05:27,800 --> 00:05:30,159 Speaker 2: And he's like and then I bite along and it's 117 00:05:30,240 --> 00:05:32,719 Speaker 2: chill Mark, And did you know it's actually a historical 118 00:05:32,800 --> 00:05:33,640 Speaker 2: black community. 119 00:05:33,800 --> 00:05:36,160 Speaker 1: I just I need it. Like it was so crazy 120 00:05:36,240 --> 00:05:38,600 Speaker 1: reading this because it's like it was just bringing up 121 00:05:38,640 --> 00:05:40,919 Speaker 1: like my whole childhood and everything that I was taught. 122 00:05:41,560 --> 00:05:43,680 Speaker 1: That's all you get for the preview. To hear the 123 00:05:43,760 --> 00:05:46,960 Speaker 1: whole episode, go to Patreon dot com, slash CBC the 124 00:05:47,000 --> 00:05:48,400 Speaker 1: Pod and subscribe