1 00:00:00,760 --> 00:00:18,440 Speaker 1: I am all in. I am all in with Scott 2 00:00:18,440 --> 00:00:24,080 Speaker 1: Patterson and I heart radio podcast. Everybody, Scott Patterson, I 3 00:00:24,079 --> 00:00:32,120 Speaker 1: am all in podcast And here we are joined by 4 00:00:32,120 --> 00:00:39,720 Speaker 1: Tara sud Hello, Tara. Daniel Romo back from her her tour. 5 00:00:40,040 --> 00:00:43,360 Speaker 1: You were on tour. I was on the road that 6 00:00:43,440 --> 00:00:49,400 Speaker 1: life man. You're on the East coast to life. You 7 00:00:50,159 --> 00:00:54,080 Speaker 1: getting to ours of sleep of night is just not good. 8 00:00:54,200 --> 00:00:56,760 Speaker 1: It's not my bad. It's for the birds man. I 9 00:00:56,840 --> 00:00:59,640 Speaker 1: like my bed at home and at least four hours 10 00:00:59,680 --> 00:01:03,880 Speaker 1: asleep at least. Also, Daniel also wanted goes to bed 11 00:01:03,960 --> 00:01:06,679 Speaker 1: at like what eight nine? I go to it at 12 00:01:06,800 --> 00:01:14,119 Speaker 1: nine nineties. You're not, Scott, to be early too. I've 13 00:01:14,160 --> 00:01:17,160 Speaker 1: got you. I put my little guy to sleep. And 14 00:01:17,160 --> 00:01:19,120 Speaker 1: and then do you keep your phone on? Because I 15 00:01:19,120 --> 00:01:21,240 Speaker 1: think Danielle turns hers off. But I feel like sometimes 16 00:01:21,240 --> 00:01:26,760 Speaker 1: if I text you it late at night, you'll respond, Scott, 17 00:01:28,240 --> 00:01:30,680 Speaker 1: I do not disturbed, Otherwise I won't sleep. But I 18 00:01:31,720 --> 00:01:34,520 Speaker 1: got you at five thirty am. Text me at five 19 00:01:34,520 --> 00:01:37,840 Speaker 1: thirty am. I will respond right back. Now. Does anyone 20 00:01:37,880 --> 00:01:39,760 Speaker 1: have I heard there's like if you put your phone 21 00:01:39,760 --> 00:01:43,520 Speaker 1: on silence, you can have emergency breakthroughs like certain yeah, 22 00:01:43,600 --> 00:01:45,840 Speaker 1: do you have any of those? Yeah, so when I 23 00:01:45,840 --> 00:01:48,520 Speaker 1: put my phone and do not disturb my husband, my mom, 24 00:01:48,600 --> 00:01:50,880 Speaker 1: my dad, my brother, and my sister if they call me, 25 00:01:50,960 --> 00:01:54,040 Speaker 1: my phone rings really Yeah, I have my mom and 26 00:01:54,080 --> 00:01:57,920 Speaker 1: my dad and my grandma. Phone is never off. It's 27 00:01:57,920 --> 00:02:00,200 Speaker 1: a good thing, you know, mine's and I never turn 28 00:02:00,240 --> 00:02:03,200 Speaker 1: it off. Their mind's always on. If you call me, 29 00:02:03,400 --> 00:02:06,120 Speaker 1: I will answer. It's always just a little bit too 30 00:02:06,120 --> 00:02:12,280 Speaker 1: far away at night. Can't get it. Sorry, Oh my god, 31 00:02:12,360 --> 00:02:17,400 Speaker 1: you guys, what this is the best thing. It's Halloween today. Yes, 32 00:02:17,480 --> 00:02:22,760 Speaker 1: there's a holiday reference and the and it is Halloween today, right, Danielle. Yeah, 33 00:02:22,919 --> 00:02:25,960 Speaker 1: I felt good to watch this episode in the same 34 00:02:25,960 --> 00:02:29,360 Speaker 1: season that we're living in real life. Doesn't it feel 35 00:02:29,400 --> 00:02:32,720 Speaker 1: so much better that Danielle's back. It was like it 36 00:02:32,800 --> 00:02:36,360 Speaker 1: was we didn't we got through the last episode without you. 37 00:02:36,840 --> 00:02:38,920 Speaker 1: I don't know how we did it. I mean, we 38 00:02:38,919 --> 00:02:42,440 Speaker 1: were just like gasping for air. Did anyone think though, 39 00:02:42,600 --> 00:02:47,080 Speaker 1: secretly that I hope it's Christmas When it's Christmas time, 40 00:02:47,320 --> 00:02:50,000 Speaker 1: I'm hoping that, like it's gonna work mathematics. I just 41 00:02:50,000 --> 00:02:54,360 Speaker 1: remember season in season two or no season in season three, 42 00:02:54,919 --> 00:02:58,240 Speaker 1: it was Halloween for ten years, Like it was just 43 00:02:58,320 --> 00:03:02,640 Speaker 1: like literally gins for ten years. This setting not an 44 00:03:02,639 --> 00:03:06,000 Speaker 1: actual the Halloween reference though, true, true, true, because it's 45 00:03:06,040 --> 00:03:09,040 Speaker 1: Gilmore Girls time. Don't you listen to Miles Teller. It's 46 00:03:09,080 --> 00:03:15,160 Speaker 1: gil Girls time. He's he's talking Gilmore Girls. Yes, remember 47 00:03:15,160 --> 00:03:21,800 Speaker 1: we sent you the Svennite Live clip that is he's 48 00:03:21,840 --> 00:03:26,560 Speaker 1: so good my pumpkin spice candle. On watching this, I 49 00:03:26,560 --> 00:03:28,600 Speaker 1: didn't even know that that you could hand out king 50 00:03:28,720 --> 00:03:32,400 Speaker 1: size candy bars. Yeah, so you definitely can. What's the 51 00:03:32,400 --> 00:03:37,320 Speaker 1: difference between full size and king size? King is bigger? Yeah, 52 00:03:37,800 --> 00:03:40,200 Speaker 1: like if you get the king size, ess it has 53 00:03:40,480 --> 00:03:43,680 Speaker 1: an extra cup. No, so there's you know, I mean no, 54 00:03:43,920 --> 00:03:48,600 Speaker 1: there's like five because like the full like the oh 55 00:03:48,640 --> 00:03:53,640 Speaker 1: my god, that's more than double right if there's two, 56 00:03:54,320 --> 00:03:57,640 Speaker 1: so the regulars four, So the king size would be no, dude, sorry, 57 00:03:57,960 --> 00:04:00,760 Speaker 1: the regulars too, so the king size would be Okay. 58 00:04:00,760 --> 00:04:04,160 Speaker 1: So it's done. And then with twigs it's like the 59 00:04:04,200 --> 00:04:08,760 Speaker 1: same thing. Yeah, candy companies aren't messing around there. What 60 00:04:08,840 --> 00:04:12,920 Speaker 1: do you what are you handing out tonight? Tonight? You know, 61 00:04:13,000 --> 00:04:17,680 Speaker 1: we have a wide Schmoger's board candies. We have it 62 00:04:17,800 --> 00:04:22,479 Speaker 1: on a flatter and we have lollies, we have we 63 00:04:22,520 --> 00:04:25,680 Speaker 1: have chocolate e things, we have all kinds of stuff. 64 00:04:25,839 --> 00:04:28,440 Speaker 1: We even have a fruit selection. If somebody wants an apple, 65 00:04:28,480 --> 00:04:32,440 Speaker 1: they can have an apple. Guy, you got a granola bar. 66 00:04:32,480 --> 00:04:38,120 Speaker 1: If somebody, We're doing apples too, but we're not doing bananas. 67 00:04:39,240 --> 00:04:44,000 Speaker 1: I saw on TikTok there are halloween size bags of chips. 68 00:04:44,240 --> 00:04:46,919 Speaker 1: I think Frieda Lays maybe. Oh, yeah, I've seen. I 69 00:04:47,040 --> 00:04:50,159 Speaker 1: tried hard. I tried. I tried everywhere, Target, Walmart, everywhere. 70 00:04:50,160 --> 00:04:52,400 Speaker 1: I couldn't get them there. So I feel like you 71 00:04:52,400 --> 00:04:54,679 Speaker 1: have to get it earlier in the season. Yeah. Oh, 72 00:04:54,720 --> 00:04:59,039 Speaker 1: anybody get Melamar's they're back. No, oh my god, Tara, 73 00:04:59,400 --> 00:05:01,640 Speaker 1: we really ails. We should have done that. We should 74 00:05:01,680 --> 00:05:03,840 Speaker 1: have trying to find us. I'm gonna try. I'm gonna try. 75 00:05:03,839 --> 00:05:05,160 Speaker 1: I'm gonna make it my own job. I'll make a 76 00:05:05,200 --> 00:05:07,000 Speaker 1: bown job. I'll bring it to you guys. Daniel you're 77 00:05:07,000 --> 00:05:10,239 Speaker 1: gonna get trick or traders. So it's my first time 78 00:05:11,360 --> 00:05:16,359 Speaker 1: on Halloween at this my new house, and allegedly it 79 00:05:16,520 --> 00:05:20,440 Speaker 1: gets wild here, Like my my neighbor was like, Danielle, 80 00:05:20,480 --> 00:05:22,039 Speaker 1: you need to make sure you have at least seven 81 00:05:22,080 --> 00:05:25,360 Speaker 1: hundred pieces of candy like minimum. She's like, you will 82 00:05:25,440 --> 00:05:29,880 Speaker 1: run out, just collect. I was collecting bags October one, 83 00:05:30,040 --> 00:05:31,520 Speaker 1: like every time I went to the grocers, are I'm like, 84 00:05:31,560 --> 00:05:34,520 Speaker 1: all right, here's another bag, another bag. Yeah, I get 85 00:05:34,720 --> 00:05:38,080 Speaker 1: I have three, which is cauldron's full and they'll be gone. Yeah. 86 00:05:38,080 --> 00:05:41,279 Speaker 1: We we we kind of went all out with the 87 00:05:41,400 --> 00:05:45,960 Speaker 1: decorations out on the pH Oh, we've got gravestones. Wait 88 00:05:46,040 --> 00:05:50,040 Speaker 1: did you put on your Instagram? No? No, no, no, no, no, 89 00:05:50,080 --> 00:05:53,400 Speaker 1: I don't know. I keep my house very kind of, 90 00:05:53,600 --> 00:05:59,200 Speaker 1: you know, out of the social media sphere. Come on, 91 00:06:00,080 --> 00:06:03,760 Speaker 1: you know. No, We've got We've got we've got skeletons 92 00:06:03,839 --> 00:06:06,920 Speaker 1: coming out of the ground, hands coming in, skulls coming 93 00:06:06,920 --> 00:06:08,640 Speaker 1: out of the ground. We've got spider webs, We've got 94 00:06:08,680 --> 00:06:11,359 Speaker 1: all kinds of things. We've got ghosts flying around the gutters. 95 00:06:11,360 --> 00:06:15,200 Speaker 1: It's it's amazing. Oh yeah, Nick, he orchestrated the whole thing. 96 00:06:15,200 --> 00:06:18,240 Speaker 1: It was his vision. Oh I love it, Daniels. You 97 00:06:18,279 --> 00:06:21,560 Speaker 1: do put spooky stuff. I did. But this might be 98 00:06:21,600 --> 00:06:27,120 Speaker 1: inappropriate for this podcast. But my neighbor just crushed literally 99 00:06:27,200 --> 00:06:31,279 Speaker 1: crushed with all capital letters the Halloween decoration game. And 100 00:06:31,320 --> 00:06:38,080 Speaker 1: I'm going to just text inappropriate inappropriate? Is it dirt adult? Well, 101 00:06:38,080 --> 00:06:42,560 Speaker 1: it just involves I'll just leave it at that. I 102 00:06:41,680 --> 00:06:43,480 Speaker 1: was going to say, I was going to say a 103 00:06:43,520 --> 00:06:48,359 Speaker 1: different feword. No, no, no, no, it's just so freaking 104 00:06:48,400 --> 00:06:53,200 Speaker 1: funny combining Halloween with that. It's just you're you're correct. 105 00:06:53,240 --> 00:06:56,360 Speaker 1: Your assessment is is it is inappropriate? We don't really 106 00:06:56,360 --> 00:07:01,320 Speaker 1: want to mix mix thing? Did you send it it? Oh? 107 00:07:01,440 --> 00:07:06,320 Speaker 1: It's so good. It's just the best thing. It's not inappropriate. 108 00:07:09,120 --> 00:07:12,560 Speaker 1: The disco ball at the top and the fake money 109 00:07:13,600 --> 00:07:18,360 Speaker 1: hole dancing skeleton with like a male skeleton waiving money 110 00:07:18,440 --> 00:07:25,440 Speaker 1: in his chair. That's so funny. It's hilarious, hilarious. Okay, alright, 111 00:07:25,440 --> 00:07:29,080 Speaker 1: it's like moving on's back to you, back to Gilmore 112 00:07:29,080 --> 00:07:34,880 Speaker 1: girls only in California. You gotta see that with the 113 00:07:34,960 --> 00:07:39,560 Speaker 1: drought grass. Can I can I send this to people? 114 00:07:39,800 --> 00:07:43,960 Speaker 1: Of course? Okay? Can we put this on our instrugram? 115 00:07:44,240 --> 00:07:47,280 Speaker 1: Probably have to get permission. See if your neighbor will 116 00:07:47,360 --> 00:07:53,120 Speaker 1: let us post it. It's so good. Okay, Moving right along, 117 00:07:54,560 --> 00:07:58,280 Speaker 1: Season four, episodes six and A Fair to Remember. Um 118 00:07:58,560 --> 00:08:01,160 Speaker 1: love it. I love it so much? Who was synopsizing? 119 00:08:02,680 --> 00:08:06,800 Speaker 1: Should take it back? Right synopsize? Um? Okay, So season, 120 00:08:07,680 --> 00:08:10,400 Speaker 1: season four, episode six in Affair to Remember Your Date 121 00:08:10,400 --> 00:08:15,600 Speaker 1: October three, and the synopsis is Emily hires Lora Leon 122 00:08:15,720 --> 00:08:19,880 Speaker 1: Suki to cater an elaborate launch party for Richard's new company, 123 00:08:19,960 --> 00:08:23,040 Speaker 1: but insist they proved that they're worthy of her trust. 124 00:08:23,560 --> 00:08:25,920 Speaker 1: Rory is frustrated with her sweet mates as she struggles 125 00:08:25,960 --> 00:08:28,840 Speaker 1: to find a quiet, steady spot. Kirk is driving Luke 126 00:08:28,920 --> 00:08:32,160 Speaker 1: crazy with preparations for his date and is confused when 127 00:08:32,240 --> 00:08:38,640 Speaker 1: the date goes well. Dude, Scott, yes, yes, yes, slow 128 00:08:38,720 --> 00:08:44,719 Speaker 1: clap for you because your scenes with Kirk. Oh, these 129 00:08:44,760 --> 00:08:49,320 Speaker 1: were very funny. He hit me, He hit me. You 130 00:08:49,400 --> 00:08:52,360 Speaker 1: shut up, don't say that he starts hitting me. It 131 00:08:52,240 --> 00:08:59,760 Speaker 1: was you played grouchy Luke with a heart so amazingly. 132 00:09:00,400 --> 00:09:03,520 Speaker 1: Thank you. I get it, we'll get We're gonna get 133 00:09:03,520 --> 00:09:06,240 Speaker 1: to it. But what do we think of the episode? 134 00:09:06,840 --> 00:09:09,760 Speaker 1: Let's go around the table here, what do we think 135 00:09:09,800 --> 00:09:13,599 Speaker 1: of the episode? I loved it. I thought it was 136 00:09:13,640 --> 00:09:19,280 Speaker 1: super super cute. Um I really was drawn to Rory's scenes. 137 00:09:19,960 --> 00:09:23,480 Speaker 1: Um at Yale for sure. I cannot stop laughing because 138 00:09:23,520 --> 00:09:26,360 Speaker 1: we've all been there where the roommate just blows and 139 00:09:26,400 --> 00:09:32,280 Speaker 1: you're just like, I can't live with this person anymore. See. 140 00:09:32,320 --> 00:09:36,000 Speaker 1: I think that's the brilliance of Gilmore Girls, because Rory 141 00:09:36,120 --> 00:09:39,959 Speaker 1: looking for a place to study is so nothing. It's dumb, 142 00:09:40,000 --> 00:09:43,880 Speaker 1: it's nothing, and they make it brillianting. Yeah, so that's 143 00:09:43,920 --> 00:09:46,360 Speaker 1: what I love. It's such a small, little nuanced thing 144 00:09:46,559 --> 00:09:49,360 Speaker 1: and then they make it a whole episode and it's hilarious. 145 00:09:50,240 --> 00:09:55,080 Speaker 1: What do you think? It wasn't my favorite. I got 146 00:09:55,120 --> 00:09:57,480 Speaker 1: like five minutes into it and then like lost like 147 00:09:57,600 --> 00:10:00,160 Speaker 1: focus and started over. But I feel but I still 148 00:10:00,240 --> 00:10:04,839 Speaker 1: enjoyed it. It's just not my favorite episode, Amy, Amy, 149 00:10:05,440 --> 00:10:09,439 Speaker 1: I sorry, clearly one of her favorites. This is what 150 00:10:09,600 --> 00:10:12,960 Speaker 1: I've seen this one more than than I've seen, you know, 151 00:10:13,080 --> 00:10:15,240 Speaker 1: like this one. I think I've seen probably five, six, 152 00:10:15,280 --> 00:10:18,520 Speaker 1: seven times because one of my favorites. Because I'll go 153 00:10:18,559 --> 00:10:23,840 Speaker 1: on a limb. Well, I like Digger, See I don't. 154 00:10:23,880 --> 00:10:26,800 Speaker 1: I don't And there is a favorite part I have 155 00:10:26,920 --> 00:10:29,120 Speaker 1: in this but I don't like Digger. He bugs me. 156 00:10:30,320 --> 00:10:34,280 Speaker 1: Oh my god, Scott, you'd be that you'd be the 157 00:10:34,360 --> 00:10:41,160 Speaker 1: judge because I think they're banter is hilarious. Um. You know, 158 00:10:41,280 --> 00:10:45,120 Speaker 1: as I was watching the episode, um, I wasn't getting 159 00:10:45,160 --> 00:10:48,559 Speaker 1: the big laughs then I'm used to, but I enjoyed 160 00:10:48,600 --> 00:10:53,080 Speaker 1: it because I think what Amy wrote was more of 161 00:10:53,120 --> 00:10:57,880 Speaker 1: a drama this time. That worked. It was a Gilmore 162 00:10:59,160 --> 00:11:03,320 Speaker 1: all involved Gilmore drama the way we like it, right, 163 00:11:03,360 --> 00:11:08,559 Speaker 1: because it was also interwoven Um Richard's business, Rory and 164 00:11:08,640 --> 00:11:11,040 Speaker 1: then so they were all connecting at Suki with the 165 00:11:11,679 --> 00:11:16,240 Speaker 1: you know, the catering Emily's cocktail party, launch party for 166 00:11:16,280 --> 00:11:20,880 Speaker 1: the new business for Digger and and and Richard um. 167 00:11:20,920 --> 00:11:22,880 Speaker 1: And when I was finished, I said, you know, I, 168 00:11:23,000 --> 00:11:24,839 Speaker 1: when I was finished the episode, I thought, boy, I 169 00:11:25,360 --> 00:11:29,320 Speaker 1: like that. That was It was a smart episode. It 170 00:11:29,440 --> 00:11:33,800 Speaker 1: was it. The tone was kind of perfect. It never 171 00:11:33,960 --> 00:11:39,880 Speaker 1: went too wacky. Um. The Kirk stuff was appropriate because 172 00:11:39,920 --> 00:11:43,560 Speaker 1: that's Kirk and you and and you were hoping to 173 00:11:43,640 --> 00:11:47,960 Speaker 1: get the gold from Kirk and Kirk. I think it's 174 00:11:48,280 --> 00:11:50,839 Speaker 1: I think it's Kirk at its best. They gave Kirk 175 00:11:51,080 --> 00:11:55,720 Speaker 1: a lot of heavy lifting, and he delivered what's the word, 176 00:11:55,920 --> 00:12:00,160 Speaker 1: hugely bigly, right, he really did. And UM, you know, 177 00:12:00,200 --> 00:12:02,880 Speaker 1: the rest of it was, you know, it was a 178 00:12:02,960 --> 00:12:07,280 Speaker 1: nice arc with what Emily was going through and the 179 00:12:07,480 --> 00:12:11,200 Speaker 1: nice resolution when Laurel I stood up for her, and 180 00:12:11,360 --> 00:12:18,040 Speaker 1: I kind of envibeing Danielle and and Tara somewhat on 181 00:12:18,280 --> 00:12:23,400 Speaker 1: the digger thing. No, no no, no, it's it's I like 182 00:12:23,559 --> 00:12:26,199 Speaker 1: the banter. I think it's really great. It's quick, it's 183 00:12:26,240 --> 00:12:34,880 Speaker 1: all it's all great. Yeah, they've got this history and um, 184 00:12:34,920 --> 00:12:37,280 Speaker 1: but yeah, I don't know. I at the end when 185 00:12:37,360 --> 00:12:40,400 Speaker 1: she's like they she says, oh yeah, you know, emilyle 186 00:12:40,440 --> 00:12:44,040 Speaker 1: hate that if we go on a date. I was 187 00:12:44,080 --> 00:12:47,200 Speaker 1: just like, it wasn't for me. It wasn't the highlight 188 00:12:47,240 --> 00:12:50,680 Speaker 1: of the episode, you know, But I just saw the 189 00:12:50,760 --> 00:12:53,120 Speaker 1: highlight is for me Luke and Kirk. But I think 190 00:12:53,160 --> 00:12:57,160 Speaker 1: that the episode really ties together beautifully. I think it's 191 00:12:57,200 --> 00:13:01,040 Speaker 1: a very well written, well acted, well directed episode. I 192 00:13:01,160 --> 00:13:05,720 Speaker 1: really very strong, strong episode. Little lighter on the comedy, right, 193 00:13:06,480 --> 00:13:10,920 Speaker 1: little lighter and big big on the heart and big 194 00:13:10,960 --> 00:13:16,120 Speaker 1: on the relationships, and um, really quite poignant and a 195 00:13:16,120 --> 00:13:21,200 Speaker 1: little more dramatic than without being sort of overtly dramatic 196 00:13:21,320 --> 00:13:24,000 Speaker 1: or overly dramatic. I thought it had just a nice 197 00:13:25,720 --> 00:13:28,600 Speaker 1: and you feel for Emily and you're like, oh my god. 198 00:13:29,280 --> 00:13:34,160 Speaker 1: And it was so like it's so not over the top. 199 00:13:35,040 --> 00:13:37,160 Speaker 1: Like even Kirk, who is just his middle name, is 200 00:13:37,240 --> 00:13:40,600 Speaker 1: over the top. He's like she's still there. Gone to 201 00:13:40,600 --> 00:13:42,680 Speaker 1: the bathroom three times and I didn't even have to 202 00:13:42,679 --> 00:13:45,440 Speaker 1: go and she's still there, and it's like and she 203 00:13:45,600 --> 00:13:48,400 Speaker 1: touched the hand, and it's like, oh my god, Lulu, 204 00:13:48,720 --> 00:13:53,319 Speaker 1: we met lu Lu. When I met Lulu. So Emily, 205 00:13:54,080 --> 00:13:58,240 Speaker 1: that was to act with your eyes, to act with tears, 206 00:13:58,320 --> 00:14:02,200 Speaker 1: like not tears, but like tears in your eyes, and 207 00:14:02,240 --> 00:14:06,800 Speaker 1: the motion in both their faces. Yeah, this was this 208 00:14:06,840 --> 00:14:12,440 Speaker 1: was Emily's episode. She really carried this. Uh you know, 209 00:14:12,520 --> 00:14:14,160 Speaker 1: I was with her the whole way, and it was 210 00:14:14,240 --> 00:14:17,000 Speaker 1: just like and she had a point, you know. It's 211 00:14:17,080 --> 00:14:20,360 Speaker 1: like and the really, I think the reason that we 212 00:14:20,760 --> 00:14:24,760 Speaker 1: are a little on the I don't know, maybe we're 213 00:14:24,800 --> 00:14:28,440 Speaker 1: not so enamored of Digger is because he actually stormed 214 00:14:28,440 --> 00:14:32,240 Speaker 1: in and took that away from Emily. It's like, and 215 00:14:32,240 --> 00:14:36,280 Speaker 1: I think I think the one logic thing that really 216 00:14:36,560 --> 00:14:40,360 Speaker 1: bothered me about the episode was Digger and we'll take 217 00:14:40,360 --> 00:14:43,160 Speaker 1: the clients to Atlantic City and there's nothing like a 218 00:14:43,360 --> 00:14:45,120 Speaker 1: client waking up, we doesn't know where he is with 219 00:14:45,160 --> 00:14:51,440 Speaker 1: a hooker in his bed, and it's like, yeah, I'm like, wow, yes, sir, 220 00:14:53,400 --> 00:14:57,360 Speaker 1: and I'm thinking, really, I mean, this is Richard Gilmore 221 00:14:58,000 --> 00:15:01,000 Speaker 1: and he started launching a new business. I don't think 222 00:15:01,080 --> 00:15:04,600 Speaker 1: any clients would want to go to Atlantic City that 223 00:15:04,640 --> 00:15:09,520 Speaker 1: we're from Hartford who were wealthy and you know, had 224 00:15:11,120 --> 00:15:15,960 Speaker 1: their reputations to to tend to seven, which is what 225 00:15:16,000 --> 00:15:19,320 Speaker 1: they do, and to go off to Atlantic City is 226 00:15:19,400 --> 00:15:21,960 Speaker 1: just kind of it was just an odd reference. It 227 00:15:22,040 --> 00:15:27,000 Speaker 1: was an odd Yeah. Yeah, you're so right, because Digger 228 00:15:27,280 --> 00:15:34,800 Speaker 1: is super disrespectful to to one Emily, but he thinks 229 00:15:34,840 --> 00:15:36,840 Speaker 1: he can just come on in and be like, no, 230 00:15:37,040 --> 00:15:39,240 Speaker 1: you gotta do this, this is better, you know, and 231 00:15:39,240 --> 00:15:43,040 Speaker 1: it's like, no, Richard is a very respectable man, and 232 00:15:43,040 --> 00:15:44,680 Speaker 1: and like you said, he's not just going to send 233 00:15:44,720 --> 00:15:48,880 Speaker 1: his clients to Atlantic City. You know. It's like, who 234 00:15:48,880 --> 00:15:51,200 Speaker 1: does he think he is to just also say that 235 00:15:51,280 --> 00:15:55,000 Speaker 1: in front of Emily. That's really disrespectable inappropriate. Yeah yeah, 236 00:15:55,080 --> 00:15:57,560 Speaker 1: and for Richard not to like back, you know, say 237 00:15:57,800 --> 00:16:00,200 Speaker 1: uh no, that's not what if we were to go 238 00:16:00,240 --> 00:16:02,400 Speaker 1: to Atlantic City, I'm not going to do that or whatever. 239 00:16:02,480 --> 00:16:04,760 Speaker 1: I don't know. It was just so no, no, no, 240 00:16:05,360 --> 00:16:07,560 Speaker 1: And that's why Laura like comes at him. She's all 241 00:16:08,280 --> 00:16:10,560 Speaker 1: you know. And then I love that scene because it's 242 00:16:10,560 --> 00:16:14,320 Speaker 1: like they're having that bounce bounce back and forth, and 243 00:16:14,360 --> 00:16:16,360 Speaker 1: then he's like, so go to dinner with me, and 244 00:16:16,360 --> 00:16:18,680 Speaker 1: she's like no, gross, like shut up, but what is that? 245 00:16:19,080 --> 00:16:21,360 Speaker 1: But what sorry? But what does that do to Laura 246 00:16:21,400 --> 00:16:24,480 Speaker 1: like character? She's defending her mother finally in a way 247 00:16:24,520 --> 00:16:27,840 Speaker 1: that really had me on the edge of my seat 248 00:16:28,680 --> 00:16:33,480 Speaker 1: right like, yes, yes, she's really you know, now mother 249 00:16:33,520 --> 00:16:35,320 Speaker 1: and daughter could come together, that could be a meeting 250 00:16:35,400 --> 00:16:37,800 Speaker 1: of the minds. And she's acting like a daughter. She's 251 00:16:37,840 --> 00:16:41,440 Speaker 1: being loyal and she's you know, she's understanding her mom 252 00:16:41,560 --> 00:16:45,800 Speaker 1: and she's bridging the generation gap and really representing the family. 253 00:16:46,640 --> 00:16:49,760 Speaker 1: And then and he's supposed to be so he's supposed 254 00:16:49,800 --> 00:16:53,040 Speaker 1: to be so charming, uh that she agrees to a 255 00:16:53,120 --> 00:16:55,520 Speaker 1: date because it's gonna because it's really gonna bug Emily, 256 00:16:55,520 --> 00:16:58,120 Speaker 1: And she's like, hey, right, right right, So I thought 257 00:16:58,120 --> 00:17:01,160 Speaker 1: that I thought it weakened her in that moment and 258 00:17:01,240 --> 00:17:03,320 Speaker 1: it took away from what could have been a really 259 00:17:03,920 --> 00:17:07,560 Speaker 1: nice scene. I agree with you, Yeah, that's a good point. 260 00:17:08,000 --> 00:17:10,400 Speaker 1: Can we go back to the beginning because I think 261 00:17:10,400 --> 00:17:14,000 Speaker 1: the other thing that's so gilmore and we've maybe never 262 00:17:14,040 --> 00:17:18,920 Speaker 1: talked about the importance of that first scene before the credits, 263 00:17:19,480 --> 00:17:23,040 Speaker 1: because if they hook you. I feel like it gives 264 00:17:23,040 --> 00:17:27,240 Speaker 1: you that momentum. And that scene to me was so fast, 265 00:17:27,480 --> 00:17:30,159 Speaker 1: so hilarious. They're talking about the king size candy bars 266 00:17:30,160 --> 00:17:33,560 Speaker 1: and the neighbor and Richard and Emily are all upset 267 00:17:33,640 --> 00:17:37,520 Speaker 1: like how dare they? And the ball machine and then 268 00:17:37,560 --> 00:17:42,440 Speaker 1: the joke about the flying thumping balls and you are four, 269 00:17:43,080 --> 00:17:45,359 Speaker 1: and then it keeps going and it's so fast and 270 00:17:45,440 --> 00:17:48,440 Speaker 1: so us all the way to the mini lemon bunt cake. 271 00:17:50,119 --> 00:17:53,119 Speaker 1: Laurel I says about the full size of the Richmond's 272 00:17:53,119 --> 00:17:56,280 Speaker 1: and I'm just like, boom, but that but that, that 273 00:17:56,320 --> 00:17:59,959 Speaker 1: whole discussion seemed real to you? Oh it seemed Gilmore 274 00:18:00,000 --> 00:18:02,639 Speaker 1: didn't matter? Did it matter? I mean, are they really 275 00:18:02,840 --> 00:18:04,920 Speaker 1: they're really going to be upset about the neighbors giving 276 00:18:04,960 --> 00:18:11,120 Speaker 1: out larger candy. It's a competition. Yes, that's real, I 277 00:18:11,240 --> 00:18:15,280 Speaker 1: literally and Richard would care about something like that, Yeah, 278 00:18:15,320 --> 00:18:17,720 Speaker 1: I think I care about it. I bought the bigger 279 00:18:17,800 --> 00:18:20,720 Speaker 1: candy bars versus a little fun fun size one. I'm 280 00:18:20,720 --> 00:18:22,960 Speaker 1: just like, I got the size just above it because 281 00:18:22,960 --> 00:18:25,120 Speaker 1: they didn't want to be the neighbor that gave the 282 00:18:25,480 --> 00:18:28,840 Speaker 1: little tiny candy. I agree, And I have my candy 283 00:18:28,880 --> 00:18:31,080 Speaker 1: because I want them to take handfuls. It's not like 284 00:18:31,119 --> 00:18:34,080 Speaker 1: you take one handfuls. You come, you dip in the 285 00:18:34,119 --> 00:18:36,960 Speaker 1: witch's cauldron and you take handfuls. That is so real 286 00:18:39,600 --> 00:18:41,320 Speaker 1: I can say. I remember going trick or treating me like, 287 00:18:41,359 --> 00:18:43,359 Speaker 1: oh my god, that one house in that neighborhood, like 288 00:18:43,480 --> 00:18:46,520 Speaker 1: they give the big, full size candies. I'm going back. 289 00:18:46,560 --> 00:18:48,320 Speaker 1: So they want to be known as that, you know, 290 00:18:48,520 --> 00:18:51,320 Speaker 1: I remember growing up in my neighborhood, people would give 291 00:18:51,320 --> 00:18:53,600 Speaker 1: out a lot of candy because so their houses wouldn't 292 00:18:53,640 --> 00:19:00,480 Speaker 1: be toilet paper or egg. I saw some one's house 293 00:19:00,520 --> 00:19:03,160 Speaker 1: tp recently, I'm like, oh they still do that. Oh 294 00:19:03,200 --> 00:19:06,000 Speaker 1: my god. It happens around here so much. I really 295 00:19:06,040 --> 00:19:07,720 Speaker 1: can't get it. The trees are so big they can't 296 00:19:07,720 --> 00:19:10,800 Speaker 1: get it out on up the street has had toilet 297 00:19:10,840 --> 00:19:14,960 Speaker 1: paper in their trees. Oh my god, Oh my god. Okay, 298 00:19:15,000 --> 00:19:19,480 Speaker 1: So then the photo shoot that was also seemed pretty real. 299 00:19:20,440 --> 00:19:24,760 Speaker 1: The guy took two pictures and left one pictures. He's 300 00:19:24,800 --> 00:19:34,320 Speaker 1: got it and with this German accent helmet than he. 301 00:19:34,560 --> 00:19:37,679 Speaker 1: But then I love how Emily made fun of Digger. 302 00:19:38,359 --> 00:19:42,280 Speaker 1: Think it's cute like that right off the bat, she's 303 00:19:42,280 --> 00:19:45,640 Speaker 1: triggered by that guy. She's triggered by the digger. Yeah. 304 00:19:45,920 --> 00:19:49,560 Speaker 1: I guess that's that's his purpose in this play, if 305 00:19:49,560 --> 00:19:55,199 Speaker 1: you will, it's too to trigger trigger people. Yeah, trigger 306 00:19:55,240 --> 00:19:59,240 Speaker 1: the audience, trigger Emily, trigger Laurela. Yeah. How do you 307 00:19:59,240 --> 00:20:02,639 Speaker 1: feel being back at Yale? When we go back to Yale? Um? 308 00:20:04,920 --> 00:20:08,919 Speaker 1: Yeah it was again. I'm you know, we're surrounded by phone, 309 00:20:09,080 --> 00:20:12,880 Speaker 1: phone ringing and phone buzzing and phone stuff and yelling 310 00:20:12,960 --> 00:20:18,760 Speaker 1: and stuff that's pretty chaotic and stressful. Yeah. Uh boor 311 00:20:19,119 --> 00:20:22,800 Speaker 1: Rory not having a place to study. Uh. I thought 312 00:20:22,840 --> 00:20:24,920 Speaker 1: it was a good a good gag when she got 313 00:20:24,960 --> 00:20:29,480 Speaker 1: home and come on some headphones. But okay, yeah, well true, 314 00:20:29,840 --> 00:20:32,600 Speaker 1: but you know, maybe that's not her jam Man. Maybe 315 00:20:32,640 --> 00:20:35,800 Speaker 1: you know that's not how she she flies. But yeah, 316 00:20:35,880 --> 00:20:39,800 Speaker 1: did anyone catch what Tana was watching? I was looking 317 00:20:39,800 --> 00:20:48,239 Speaker 1: at the furniture she had the CNN on. Yeah, I 318 00:20:48,280 --> 00:20:49,879 Speaker 1: was just looking at the French fan like, wow, this 319 00:20:50,040 --> 00:20:53,600 Speaker 1: living area looks great. So it's so nice. I still 320 00:20:53,640 --> 00:20:56,639 Speaker 1: can't get over that they have a fireplace, Like what 321 00:20:57,119 --> 00:21:00,439 Speaker 1: university trust a college kit of a fire you know 322 00:21:00,480 --> 00:21:04,040 Speaker 1: what I mean. I'm like, jeez, that is not real. 323 00:21:06,080 --> 00:21:09,560 Speaker 1: Uh what do you all think we're jumping time about 324 00:21:09,600 --> 00:21:16,960 Speaker 1: Paris and Jamie fighting. I mean, it's like it was 325 00:21:17,040 --> 00:21:19,520 Speaker 1: high school boyfriend turned college boyfriend. I feel like it 326 00:21:19,560 --> 00:21:23,280 Speaker 1: was bounced happen. Yeah, exactly. I agree, completely shocked that 327 00:21:23,359 --> 00:21:29,720 Speaker 1: Paris would have would have conflict with anyone. It gave 328 00:21:29,760 --> 00:21:31,800 Speaker 1: Paris something to do. She gets out of bed and 329 00:21:31,880 --> 00:21:35,960 Speaker 1: yells at the sheets. You know what I mean. I 330 00:21:36,000 --> 00:21:39,959 Speaker 1: wonder what they're fighting about. Ah, hey, they didn't tell us. 331 00:21:40,280 --> 00:21:44,560 Speaker 1: I know, it doesn't matter. I mean, but Paris would 332 00:21:44,560 --> 00:21:47,040 Speaker 1: get mad at like, yeah, like literally anything. So yeah, 333 00:21:47,640 --> 00:21:50,200 Speaker 1: she'd scream at a squirrel. Are you sure they didn't 334 00:21:50,240 --> 00:21:52,320 Speaker 1: tell us why? I think we don't know. It's like 335 00:21:52,600 --> 00:21:56,560 Speaker 1: we don't really know. She's not answering his call, but 336 00:21:56,600 --> 00:21:58,879 Speaker 1: I can't remember what. And then she gets on with 337 00:21:58,960 --> 00:22:01,520 Speaker 1: him and says like some you know, they kind of 338 00:22:01,520 --> 00:22:02,800 Speaker 1: say like I just don't agree with you. I'm not 339 00:22:02,800 --> 00:22:05,520 Speaker 1: gonna agree with you, and then she's got to go outside. 340 00:22:06,080 --> 00:22:12,919 Speaker 1: I'm gonna re reread the script. PRB guys. Okay, Well, 341 00:22:12,920 --> 00:22:15,919 Speaker 1: while Danielle tries to figure that out, we also have 342 00:22:16,000 --> 00:22:18,920 Speaker 1: all the things going on at the end. Those mail boxes. 343 00:22:19,320 --> 00:22:23,040 Speaker 1: Oh my god, the mailbox. K it's so good. Delivering 344 00:22:23,080 --> 00:22:26,800 Speaker 1: the goods and yeah, this was a real Kirk and 345 00:22:26,880 --> 00:22:30,560 Speaker 1: the slam at Condolieza Rice just open her mouth and 346 00:22:30,640 --> 00:22:33,720 Speaker 1: shoving all that mail was the gut was the was 347 00:22:33,760 --> 00:22:41,040 Speaker 1: the male mailbox? Bush President? Yeah, it looked like the 348 00:22:41,520 --> 00:22:45,680 Speaker 1: barn one was cute. Oh, Daniell's got something. Yeah, okay, 349 00:22:46,680 --> 00:22:50,720 Speaker 1: this is what I remember. So Rory asked Paris, why 350 00:22:50,720 --> 00:22:53,520 Speaker 1: are you and Jamie fighting? And Paris says because he's wrong, 351 00:22:53,680 --> 00:22:57,400 Speaker 1: And then Paris goes, he won't listen to me, Um, 352 00:22:57,480 --> 00:22:59,080 Speaker 1: you won't listen to me. He's in love with the 353 00:22:59,080 --> 00:23:00,800 Speaker 1: sound of his own boy as you think. He was 354 00:23:00,840 --> 00:23:03,480 Speaker 1: already president and I don't want to be Hillary. I 355 00:23:03,520 --> 00:23:05,800 Speaker 1: don't want to wait for a hundred years while he 356 00:23:05,840 --> 00:23:08,080 Speaker 1: does his things. So but by the time I get 357 00:23:08,080 --> 00:23:11,920 Speaker 1: my chance, I'm too old to enjoy it. That's right. 358 00:23:12,960 --> 00:23:22,800 Speaker 1: That was funny. Do you think that Suki and lore 359 00:23:22,880 --> 00:23:28,199 Speaker 1: Lee should take a job with Emily? I think I 360 00:23:28,240 --> 00:23:31,360 Speaker 1: think yeah. It helps because of who her her friends are, 361 00:23:31,400 --> 00:23:37,320 Speaker 1: and they always have parties absolutely pretty pretty money too. 362 00:23:37,400 --> 00:23:44,040 Speaker 1: They need the money. Oh yeah, okay, so I guess 363 00:23:44,080 --> 00:23:46,840 Speaker 1: let's there's so many storylines. Let's break down that whole thing. 364 00:23:46,920 --> 00:23:51,040 Speaker 1: The catering job and go through that. Can we talk 365 00:23:51,080 --> 00:23:54,240 Speaker 1: about the broccoli tarts? Oh my god? The little gross? 366 00:23:54,520 --> 00:23:58,520 Speaker 1: What is a broccoli tart? Probably exactly what it sounds like. 367 00:23:59,600 --> 00:24:05,520 Speaker 1: Is it whipped up like quison arded broccoli? And way 368 00:24:05,520 --> 00:24:09,280 Speaker 1: too many? Yeah, way too many. Even if there's two 369 00:24:09,640 --> 00:24:13,280 Speaker 1: people at that party, that was too many. His entire 370 00:24:13,359 --> 00:24:15,280 Speaker 1: room was filled. And aren't they going to be gross 371 00:24:15,640 --> 00:24:17,840 Speaker 1: if the parties like days away? Why is there already 372 00:24:17,880 --> 00:24:24,520 Speaker 1: like four thousand broccoli point? Wouldn't they freeze them? Yes? Yeah, 373 00:24:24,760 --> 00:24:27,439 Speaker 1: but stink. He seems like someone who doesn't free stuff. 374 00:24:27,440 --> 00:24:30,840 Speaker 1: She seems like a fresh fresh bakes. Are we finding 375 00:24:30,960 --> 00:24:35,040 Speaker 1: all these inconsistencies as we go? Maybe we enjoyed this episode, 376 00:24:35,040 --> 00:24:38,240 Speaker 1: but there are some Yeah, but I don't mind. I 377 00:24:38,280 --> 00:24:42,240 Speaker 1: also prefer a keysh to a tart any day. Yeah, broccoli, 378 00:24:44,440 --> 00:24:46,399 Speaker 1: maybe that's what it was what she called it a tart? 379 00:24:46,960 --> 00:24:49,600 Speaker 1: Also a pig and a blanket, No, you saw them 380 00:24:49,720 --> 00:24:53,600 Speaker 1: it was the tart. Wasn't just a green like there 381 00:24:53,720 --> 00:24:59,560 Speaker 1: was like it was a broccoli tart for sure kind 382 00:24:59,560 --> 00:25:05,400 Speaker 1: of And then how about the fact that Emily only 383 00:25:05,440 --> 00:25:09,520 Speaker 1: takes like it smells little you've ever seen of the 384 00:25:10,119 --> 00:25:15,000 Speaker 1: of the tasting and that floppy asparagus. You know, she 385 00:25:15,000 --> 00:25:18,960 Speaker 1: she looked like she'd done it a million times before. Yeah, 386 00:25:19,440 --> 00:25:22,919 Speaker 1: that's like a normal Tuesday. Then it's so sweet. It 387 00:25:23,000 --> 00:25:25,520 Speaker 1: just breaks my heart, so sweet when she comes over 388 00:25:25,560 --> 00:25:28,720 Speaker 1: and says to Lorelai, like, your your play setting was 389 00:25:29,000 --> 00:25:33,240 Speaker 1: perfect and the food was amazing, and she's so brokenhearted. 390 00:25:33,880 --> 00:25:36,440 Speaker 1: I loved that moment. Oh my god, I loved it 391 00:25:36,640 --> 00:25:39,200 Speaker 1: so much. That was my favorite moment from this episode 392 00:25:39,240 --> 00:25:42,840 Speaker 1: because it's the side of Emily we've never really seen before. Well, 393 00:25:42,880 --> 00:25:46,440 Speaker 1: she was just like, she's so such a critical person 394 00:25:46,840 --> 00:25:50,520 Speaker 1: to begin with and so picky, and to to have 395 00:25:50,600 --> 00:25:53,600 Speaker 1: that moment where her daughter delivers something that she couldn't 396 00:25:53,720 --> 00:25:57,359 Speaker 1: even pick apart and she realizes, oh, my daughter is 397 00:25:57,400 --> 00:25:59,800 Speaker 1: good at what she does. Like, that's what I that's 398 00:25:59,840 --> 00:26:03,679 Speaker 1: what I registered. Emily was like, oh, um, must have 399 00:26:03,720 --> 00:26:07,840 Speaker 1: done something right in a weird way. It's nice to 400 00:26:07,840 --> 00:26:11,840 Speaker 1: see Emily vulnerable like that. Yeah, because it's a real 401 00:26:12,880 --> 00:26:16,080 Speaker 1: it's a long journey from what she you know, her 402 00:26:16,280 --> 00:26:21,920 Speaker 1: the front she puts up to that, So it's nice 403 00:26:21,960 --> 00:26:24,960 Speaker 1: to see. It's nice to see people coming together like that. 404 00:26:25,080 --> 00:26:27,600 Speaker 1: And I'm no expert, but I feel like that scene 405 00:26:27,760 --> 00:26:35,320 Speaker 1: was perfect, acting justly. God, did you guys like at 406 00:26:35,359 --> 00:26:39,160 Speaker 1: all feel that Emily Like it would be one thing 407 00:26:39,240 --> 00:26:42,359 Speaker 1: if Richard canceled the party or went a different route. 408 00:26:42,560 --> 00:26:45,480 Speaker 1: But the fact that she was actually working with Laurela 409 00:26:45,720 --> 00:26:49,159 Speaker 1: and Suki on this and the fact that it was 410 00:26:49,240 --> 00:26:52,920 Speaker 1: working well and not a disaster that made her more 411 00:26:52,960 --> 00:26:57,320 Speaker 1: bummed than the actual cancelation of the party. I think so, yeah, 412 00:26:57,480 --> 00:26:59,520 Speaker 1: I think yeah, and just have to go over. That's 413 00:26:59,520 --> 00:27:02,439 Speaker 1: why she went in person and went over, drove forty 414 00:27:02,440 --> 00:27:04,760 Speaker 1: minutes whatever it is, twenty I don't know if it's 415 00:27:04,760 --> 00:27:07,800 Speaker 1: twenty or forty, it's definitely twenty to the house to 416 00:27:07,840 --> 00:27:11,000 Speaker 1: tell her in person. Like I think she ate them 417 00:27:11,000 --> 00:27:13,800 Speaker 1: for the what they've done. I think she wanted more 418 00:27:13,840 --> 00:27:16,200 Speaker 1: than anything to do it with do this with Lorea 419 00:27:16,240 --> 00:27:19,119 Speaker 1: lie like she wanted that. Yeah, because she says she's 420 00:27:19,119 --> 00:27:20,960 Speaker 1: still paying them right, like she's still going to pay 421 00:27:20,960 --> 00:27:23,359 Speaker 1: for she donna pay them for the costs they've already recent, 422 00:27:23,560 --> 00:27:27,520 Speaker 1: that's they've already spent. It was. It was a nice 423 00:27:27,520 --> 00:27:31,760 Speaker 1: scene in a very nice gesture, and it was it 424 00:27:31,800 --> 00:27:36,399 Speaker 1: was heartbreaking. And then when Loreaa gets fired up Scott 425 00:27:36,480 --> 00:27:39,600 Speaker 1: Danielle Where did you think she was going? Did you 426 00:27:39,640 --> 00:27:44,040 Speaker 1: think fired up? Who's remember? So after Emily leaves and 427 00:27:44,119 --> 00:27:47,640 Speaker 1: Loria lies like so heartbroken and she gets her jacket 428 00:27:47,840 --> 00:27:51,560 Speaker 1: and or she I think she Suki and Rory are 429 00:27:51,560 --> 00:27:53,600 Speaker 1: there and she gets her jacket and off. Remember she's 430 00:27:53,640 --> 00:27:56,399 Speaker 1: all fired, right, she she puts two and two together 431 00:27:56,440 --> 00:27:58,639 Speaker 1: and wanted went to where did you think she was 432 00:27:58,680 --> 00:28:03,840 Speaker 1: going to kick some digger at? Yeah, she's going to 433 00:28:03,880 --> 00:28:07,160 Speaker 1: go see Richard. Oh no, I knew where she was going. Yeah, 434 00:28:07,960 --> 00:28:12,840 Speaker 1: there's a digger for here. And I like that she 435 00:28:12,960 --> 00:28:16,920 Speaker 1: stood up for um. She stood up for Emily. You 436 00:28:16,960 --> 00:28:20,280 Speaker 1: don't see that often from Laura. Also in a realistic way. 437 00:28:20,320 --> 00:28:24,600 Speaker 1: She's like, look, dude, imagine your mom. This is her job, 438 00:28:24,720 --> 00:28:29,000 Speaker 1: is her life, and you're coming in and like pooping 439 00:28:29,040 --> 00:28:33,760 Speaker 1: on it. And he didn't care. He no, he didn't care. 440 00:28:33,800 --> 00:28:35,479 Speaker 1: He didn't change his mind. He said, no, we're going 441 00:28:35,520 --> 00:28:38,240 Speaker 1: to Atlantic City. We're doing it's already been paid. But 442 00:28:38,320 --> 00:28:40,960 Speaker 1: he didn't know that she would be this upset. And 443 00:28:41,000 --> 00:28:46,640 Speaker 1: he didn't know that Laureli was a caterer. Do you 444 00:28:46,640 --> 00:28:52,800 Speaker 1: think he knew Lorelai would come? No? No way. Oh, 445 00:28:52,840 --> 00:28:54,520 Speaker 1: so you're thinking he did that on purpose, just to 446 00:28:54,520 --> 00:29:00,440 Speaker 1: get Laura his face, just the thought. Yeah, no, count 447 00:29:00,440 --> 00:29:05,680 Speaker 1: your mind works like you're on forensic files. No, but 448 00:29:05,720 --> 00:29:09,360 Speaker 1: I mean somebody is as maybe maybe you know, maybe 449 00:29:09,520 --> 00:29:12,280 Speaker 1: Digger is playing chess and everybody else is playing checkers. Right, 450 00:29:12,320 --> 00:29:15,040 Speaker 1: I don't really think that canceled, But I'm just saying, like, 451 00:29:15,280 --> 00:29:17,320 Speaker 1: I wonder if after the fact, he's like, because he 452 00:29:17,320 --> 00:29:20,040 Speaker 1: didn't even know she was a caterer, why would she come. 453 00:29:20,920 --> 00:29:24,200 Speaker 1: You're assuming he didn't know. You're assuming he doesn't have 454 00:29:24,320 --> 00:29:28,200 Speaker 1: like postcards all over his office, like moving the pieces around. 455 00:29:28,280 --> 00:29:30,080 Speaker 1: If I do this this one, you know what I mean? 456 00:29:30,240 --> 00:29:32,240 Speaker 1: Amy has a point. He probably he probably didn't know that. 457 00:29:33,120 --> 00:29:36,600 Speaker 1: Can we all agree just because it's so good that, 458 00:29:37,120 --> 00:29:41,400 Speaker 1: let's just say Jason Styles is on more episodes? Can 459 00:29:41,440 --> 00:29:44,440 Speaker 1: we just call him Digger always and never? I feel 460 00:29:44,440 --> 00:29:47,600 Speaker 1: like he's always Diggers. He's Jason, but I want to 461 00:29:47,600 --> 00:29:52,200 Speaker 1: go him Digger. Wait, you guys, M what does that 462 00:29:52,240 --> 00:29:54,320 Speaker 1: even mean? That was her? No? I know I know 463 00:29:54,360 --> 00:29:59,120 Speaker 1: that was her nickname, but what is that? What is 464 00:29:59,160 --> 00:30:05,240 Speaker 1: an lot? What's a digger? Is digger any kind of famous? 465 00:30:07,120 --> 00:30:10,360 Speaker 1: At some point I can't remember, didn't they say why 466 00:30:10,400 --> 00:30:12,560 Speaker 1: he's named Digger. I feel like they did. I think somebody. 467 00:30:12,600 --> 00:30:14,160 Speaker 1: But I think we're going to get a message pretty 468 00:30:14,160 --> 00:30:18,360 Speaker 1: soon here. Yeah, is he digg Instagram and definitely let 469 00:30:18,400 --> 00:30:21,640 Speaker 1: us know. I'm googling why is he Digger? Stuff? I 470 00:30:21,640 --> 00:30:23,680 Speaker 1: think we're going to get a hand a message any 471 00:30:23,720 --> 00:30:28,200 Speaker 1: minute here, still waiting on it. I'm trying. I'm gonna 472 00:30:28,240 --> 00:30:33,640 Speaker 1: try and beat her. I'm looking, I'm looking whoa Jason 473 00:30:33,680 --> 00:30:37,959 Speaker 1: went to Harvard, although his father, like Richard, went to Yale. 474 00:30:38,960 --> 00:30:43,400 Speaker 1: Jason has at least one sibling. Huh. I don't know 475 00:30:43,400 --> 00:30:46,640 Speaker 1: where I found it. I found an article that says 476 00:30:47,120 --> 00:30:50,600 Speaker 1: Gilmore Girls. Three insignificant but still annoying things that never 477 00:30:50,640 --> 00:30:57,719 Speaker 1: were explained. Number three is why is Jason Styles called Digger? 478 00:30:59,240 --> 00:31:01,400 Speaker 1: During his introduct he was explained that Jason as a 479 00:31:01,520 --> 00:31:05,080 Speaker 1: child went by the nickname Digger. He admittedly hated the 480 00:31:06,640 --> 00:31:10,880 Speaker 1: um the nickname is adult both what happened? I'm just 481 00:31:11,000 --> 00:31:15,240 Speaker 1: reading all these threads about why Loreal is called It's 482 00:31:15,280 --> 00:31:20,680 Speaker 1: really bad? Oh is it? Yeah? The continued tell us 483 00:31:20,680 --> 00:31:26,320 Speaker 1: about Digger. Basically, the reason why this is annoying is 484 00:31:26,400 --> 00:31:28,800 Speaker 1: that it was never explained except that it was his nickname. 485 00:31:28,840 --> 00:31:31,760 Speaker 1: But is digger like Junior like is digger like for 486 00:31:31,920 --> 00:31:39,080 Speaker 1: fancy fancy people? Is digger a common nickname? That's what 487 00:31:39,120 --> 00:31:41,360 Speaker 1: it's saying. This article is saying that the issue with 488 00:31:41,440 --> 00:31:44,200 Speaker 1: this nickname is that it was it never explained what 489 00:31:44,240 --> 00:31:47,480 Speaker 1: was the origin of the nickname. Do you wanna know 490 00:31:47,520 --> 00:31:50,560 Speaker 1: what the other? Trip? Is Digger like Trip? You know 491 00:31:50,640 --> 00:31:53,760 Speaker 1: how like your names like Bobby Jones the third and 492 00:31:53,800 --> 00:31:57,480 Speaker 1: they call you Trip is digger like Trip? Jackie's got 493 00:31:57,520 --> 00:32:04,440 Speaker 1: something for us? Yeah, I found it a vowel German 494 00:32:04,720 --> 00:32:09,480 Speaker 1: Hungarian to indicate a different vowel quality, usually fronting or 495 00:32:09,640 --> 00:32:15,560 Speaker 1: rounding lot. It's basically the two dots over like something. 496 00:32:15,680 --> 00:32:20,520 Speaker 1: So it's in reference to breast right because she she 497 00:32:20,560 --> 00:32:23,800 Speaker 1: because she fell in the water and you could see her. 498 00:32:24,480 --> 00:32:31,280 Speaker 1: But wait, you guys could see her. Yeah, this says 499 00:32:31,360 --> 00:32:36,440 Speaker 1: origin of the nickname Digger. The nickname Digger was first 500 00:32:36,440 --> 00:32:41,120 Speaker 1: applied to the Mariori Pioneers after the mammoth task of 501 00:32:41,320 --> 00:32:47,080 Speaker 1: digging Turk Lane and fish Alley then add the name digger. What. 502 00:32:48,120 --> 00:32:51,120 Speaker 1: I don't know it's historical, I don't. I honestly think 503 00:32:51,120 --> 00:32:53,040 Speaker 1: that it was just like, let's give him this nickname. 504 00:32:53,080 --> 00:32:55,560 Speaker 1: That's they knew, they've known each other since they were kids. 505 00:32:55,600 --> 00:32:58,200 Speaker 1: That's it. I don't think there was much thought can 506 00:32:58,240 --> 00:33:02,280 Speaker 1: be offensive, it can be as urging term. So maybe 507 00:33:02,320 --> 00:33:05,440 Speaker 1: we shouldn't call him Digger. I guess when they first 508 00:33:05,600 --> 00:33:10,000 Speaker 1: when Digger first came around, Um, I guess, he said 509 00:33:10,040 --> 00:33:13,280 Speaker 1: that his nickname was Digger as a kid. So I 510 00:33:13,320 --> 00:33:17,880 Speaker 1: think maybe it's just a family nickname. Digger. Yea his name. 511 00:33:18,880 --> 00:33:20,760 Speaker 1: I hope it's not offensive, and we're saying it like 512 00:33:20,800 --> 00:33:24,440 Speaker 1: everything that's in the show. So they're making it up. 513 00:33:25,200 --> 00:33:27,120 Speaker 1: Let us know, and we can call him. We can 514 00:33:27,520 --> 00:33:31,880 Speaker 1: call him styles too. Anyway, Now you get confused with 515 00:33:31,920 --> 00:33:41,840 Speaker 1: Harry to tonight Harry Harry, where is he plays? He 516 00:33:41,960 --> 00:33:52,640 Speaker 1: playing him? Oh my goodness. Wow. Okay, as we go back, 517 00:33:52,760 --> 00:33:55,360 Speaker 1: can we all just talk about the fact that laurelized 518 00:33:55,400 --> 00:33:59,800 Speaker 1: hair with the waves the curl is just so good. 519 00:34:00,080 --> 00:34:05,600 Speaker 1: Mm hmm, nobody. I'll just with you, guys, don't like 520 00:34:05,640 --> 00:34:08,680 Speaker 1: her hair with the waves. I think she looks good. Yeah, 521 00:34:08,719 --> 00:34:14,040 Speaker 1: she looks. It's shorter, right they cut it, Yeah, but 522 00:34:14,080 --> 00:34:15,880 Speaker 1: I feel I can't tell because of the waves. But 523 00:34:15,960 --> 00:34:18,800 Speaker 1: you know what, also has one of my most favorite 524 00:34:18,800 --> 00:34:24,480 Speaker 1: ever Gilmore outfits, ever, the black pants with the black 525 00:34:24,840 --> 00:34:29,840 Speaker 1: short sleeve sweater with the white like collar and things 526 00:34:29,920 --> 00:34:32,120 Speaker 1: popping out. That's like one of the most my favorite 527 00:34:32,120 --> 00:34:35,239 Speaker 1: Gilmore outfits ever. You know what, Jennifer Andison wore the 528 00:34:35,320 --> 00:34:40,520 Speaker 1: same shirt and friends? Really no, I have the photo, 529 00:34:40,920 --> 00:34:44,920 Speaker 1: I have the photographic evidence. Oh my god, wait, show it, yes, 530 00:34:45,040 --> 00:34:47,480 Speaker 1: Jennifer Anderson, and I can't tell if it's one shirt 531 00:34:47,560 --> 00:34:50,160 Speaker 1: or two. And then did you also notice very subtle 532 00:34:50,400 --> 00:34:53,480 Speaker 1: go back and rewatch this scene. Lorela goes into the diner. 533 00:34:53,800 --> 00:34:57,840 Speaker 1: She takes her leather jacket off, and she subtly rolls 534 00:34:58,000 --> 00:35:01,560 Speaker 1: down the white under the black sweater because they pop up. 535 00:35:01,600 --> 00:35:03,799 Speaker 1: I think when she's got the jacket on, she takes 536 00:35:03,800 --> 00:35:06,600 Speaker 1: it up and it's just very seamless. She like puts 537 00:35:06,600 --> 00:35:11,200 Speaker 1: them down. How do we see the Jennifer Aniston, Well, 538 00:35:11,239 --> 00:35:13,759 Speaker 1: we'll get to it when I get around to my 539 00:35:13,920 --> 00:35:19,560 Speaker 1: crack staff sending me inconsistencies in the show. Should we 540 00:35:19,600 --> 00:35:22,279 Speaker 1: talk about Kirk and Lulu and Scott? I mean Luke? 541 00:35:23,400 --> 00:35:30,239 Speaker 1: I just called Luke you Kirk Blue Luke Luke. It's 542 00:35:30,239 --> 00:35:34,719 Speaker 1: only been a generation ago. Uh yeah, let's let's uh, 543 00:35:34,840 --> 00:35:38,360 Speaker 1: let's what do you think of them? Kirk and Lulu. 544 00:35:38,920 --> 00:35:44,200 Speaker 1: M Well, I think they're very cute. Let's use the 545 00:35:44,239 --> 00:35:49,400 Speaker 1: word cute together, right, And I think it's hilarious because 546 00:35:49,440 --> 00:35:54,920 Speaker 1: he can't seem to deal with acceptance and about the 547 00:35:55,000 --> 00:35:59,000 Speaker 1: fact that he's the brother so she is the brother's ex. 548 00:36:00,520 --> 00:36:03,000 Speaker 1: What I did love how he was like, I have 549 00:36:03,040 --> 00:36:06,120 Speaker 1: an appointment to take someone to dinner. It's like that's 550 00:36:06,160 --> 00:36:10,040 Speaker 1: a date, dude, Like, why are you calling it an appointment? 551 00:36:10,080 --> 00:36:11,920 Speaker 1: And he wanted to do it at his house, but 552 00:36:11,960 --> 00:36:19,839 Speaker 1: then his mom would have been there, and he's all, 553 00:36:19,880 --> 00:36:23,440 Speaker 1: I don't have high hopes. But should he even be 554 00:36:23,480 --> 00:36:26,080 Speaker 1: going out with Lulu? It's or is his brother's ex? 555 00:36:26,840 --> 00:36:31,360 Speaker 1: Why not? I mean I feel like that's town so small. Anyways, Yeah, 556 00:36:31,600 --> 00:36:35,960 Speaker 1: you guys, what, Danielle, if your sister starts dating your 557 00:36:35,960 --> 00:36:38,640 Speaker 1: ex boyfriend, how do you feel about that? I mean, 558 00:36:39,400 --> 00:36:44,120 Speaker 1: go for it, like, I don't care, No, it would 559 00:36:44,160 --> 00:36:49,000 Speaker 1: be weird, I agree, But it's very kirk, very kirk. Yeah, 560 00:36:49,520 --> 00:36:52,719 Speaker 1: you know, I don't. He doesn't. It probably doesn't have 561 00:36:52,719 --> 00:36:54,440 Speaker 1: a lot of options, so he's got to take the 562 00:36:54,480 --> 00:36:58,240 Speaker 1: ones that he had cats, right, I mean, of course 563 00:36:58,360 --> 00:37:00,960 Speaker 1: he can't even believe that she didn't ditch it. And 564 00:37:00,960 --> 00:37:02,879 Speaker 1: then I love that he wants Lorla to come over 565 00:37:02,920 --> 00:37:04,480 Speaker 1: to look at the outfit choices or he's going to 566 00:37:04,520 --> 00:37:09,560 Speaker 1: bring him over. Very sweet guys. And then he's practicing, 567 00:37:11,440 --> 00:37:19,000 Speaker 1: practicing for the date like a director cut himself. And 568 00:37:19,080 --> 00:37:22,319 Speaker 1: he goes over that woman in the diner, goes, what 569 00:37:22,360 --> 00:37:23,920 Speaker 1: are you having? And she's like the meat lo and 570 00:37:23,960 --> 00:37:29,640 Speaker 1: he is it getting you high? This is to me, 571 00:37:29,840 --> 00:37:36,279 Speaker 1: the best we've ever seen Kirk. Without question, this was awesome. Well, 572 00:37:36,320 --> 00:37:40,040 Speaker 1: I feel like he had a real, like expanded storyline 573 00:37:40,040 --> 00:37:42,200 Speaker 1: and it's been a while since we always get like 574 00:37:42,680 --> 00:37:45,239 Speaker 1: he works at the beauty salon or whatever. It's like 575 00:37:45,280 --> 00:37:47,920 Speaker 1: a full story and I'm like, he irritates Luke, but 576 00:37:48,000 --> 00:37:50,920 Speaker 1: Luke's like, Okay, we'll reserve a table for you, like 577 00:37:51,000 --> 00:37:52,880 Speaker 1: not three, but I'll do one. And he's got the 578 00:37:53,000 --> 00:37:55,480 Speaker 1: candles and the whole thing. And like Luke, for how 579 00:37:55,520 --> 00:37:59,880 Speaker 1: grouchy he is, he's just supporting his dude. You know, 580 00:38:00,120 --> 00:38:02,320 Speaker 1: He's like, this guy's my pal. I'm gonna I'm gonna 581 00:38:02,320 --> 00:38:05,480 Speaker 1: help him out. I think you're the reason. You're like, 582 00:38:05,600 --> 00:38:08,920 Speaker 1: go back out there and be you. You've only gotten 583 00:38:08,920 --> 00:38:12,840 Speaker 1: to the whatever scene and pretty in pink with the 584 00:38:12,920 --> 00:38:16,760 Speaker 1: ducky and you're like, you got plenty more to go. Well, 585 00:38:16,920 --> 00:38:23,719 Speaker 1: you know, maybe he should take his own advice. Oh yeah, 586 00:38:24,840 --> 00:38:26,840 Speaker 1: he can roll it out. But can he take his 587 00:38:26,880 --> 00:38:32,759 Speaker 1: own advice and get what he wants? But yeah, So 588 00:38:32,920 --> 00:38:35,760 Speaker 1: do you think, Danielle, do you think Lulu and Kirk 589 00:38:36,200 --> 00:38:40,120 Speaker 1: might have a future. Let's get on the benefit the 590 00:38:40,160 --> 00:38:43,600 Speaker 1: benefit of the doubt. Why not you go, Kirk, I'm 591 00:38:43,640 --> 00:38:48,880 Speaker 1: reading for you this little suit. Look, she could be 592 00:38:48,920 --> 00:38:52,839 Speaker 1: the future Lulu Gleason. Oh yeah, that Kirk's last name. 593 00:38:52,880 --> 00:38:56,759 Speaker 1: It's Kirk Gleeson. Yeah, oh my god. All right, So 594 00:38:56,760 --> 00:39:03,080 Speaker 1: should we talk about the tree study spot? I think 595 00:39:03,120 --> 00:39:08,960 Speaker 1: we should. It's rooted very deeply in the episode. Sorry, 596 00:39:10,000 --> 00:39:13,719 Speaker 1: don't leave me hanging. I don't want to go out 597 00:39:13,760 --> 00:39:22,400 Speaker 1: on a limb, but I think it was very important story. 598 00:39:24,040 --> 00:39:28,280 Speaker 1: That's good. Oh my god. But if you were a boy, 599 00:39:28,840 --> 00:39:35,680 Speaker 1: don't you think that, Like, sorry, you're that dude, You're 600 00:39:35,680 --> 00:39:37,359 Speaker 1: going to be that much of a jerk to this 601 00:39:37,440 --> 00:39:39,919 Speaker 1: like little girl who just wants to sit on your 602 00:39:40,360 --> 00:39:45,080 Speaker 1: really right guy, random guy reading truck Trucker magazine every day, 603 00:39:45,400 --> 00:39:49,000 Speaker 1: He's going to like she's annoying him. But a guy 604 00:39:49,120 --> 00:39:51,640 Speaker 1: is still going to get up. It's the like well 605 00:39:51,719 --> 00:39:55,400 Speaker 1: mannered thing to do, right, I mean, chivalry is clearly 606 00:39:55,480 --> 00:40:00,600 Speaker 1: dead in this in that instance. Sure, yeah right. I 607 00:40:00,640 --> 00:40:03,520 Speaker 1: thought I thought at least he was gonna ask her out. 608 00:40:03,880 --> 00:40:06,399 Speaker 1: I thought it would lead to something. I just thought 609 00:40:06,480 --> 00:40:08,920 Speaker 1: he was going to not be an ass and that 610 00:40:09,040 --> 00:40:11,760 Speaker 1: he'd be like, yeah, sure, like there's plenty of the trees. 611 00:40:11,800 --> 00:40:15,359 Speaker 1: And then he takes her twenty bucks, like takes off. 612 00:40:15,400 --> 00:40:20,120 Speaker 1: This is not a gentleman m hm. But she got 613 00:40:20,160 --> 00:40:23,920 Speaker 1: her tree. She's learning how to deal with the real world. 614 00:40:24,000 --> 00:40:28,480 Speaker 1: Now she's she's she's not in in Oz anymore. Right, No. 615 00:40:28,760 --> 00:40:31,160 Speaker 1: But my only other like flag on the play is 616 00:40:31,200 --> 00:40:33,640 Speaker 1: you know, when the tarts are everywhere, why didn't Lord 617 00:40:33,760 --> 00:40:35,960 Speaker 1: I just say, go study in my room. I was 618 00:40:36,000 --> 00:40:41,719 Speaker 1: thinking the same things, just go upstairs, shut the door. 619 00:40:41,800 --> 00:40:43,880 Speaker 1: But it's not her room, it's not her space, you know, 620 00:40:43,960 --> 00:40:52,880 Speaker 1: she she needs to be. But else do we forget? 621 00:40:52,960 --> 00:40:55,719 Speaker 1: I feel like I love this episode. I mean I 622 00:40:55,719 --> 00:40:58,280 Speaker 1: love this, you know, I don't want to The tree 623 00:40:58,320 --> 00:41:01,239 Speaker 1: stuff was uneventful for me. It was it was okay, 624 00:41:01,360 --> 00:41:03,440 Speaker 1: it wasn't like, you know, every time they went back 625 00:41:03,480 --> 00:41:05,279 Speaker 1: to the tree stuff, I was like, oh, great, we're 626 00:41:05,280 --> 00:41:09,120 Speaker 1: finally back. It's it's okay. Yeah. I like how she 627 00:41:09,200 --> 00:41:13,360 Speaker 1: was so happy when she found the tree. You know, 628 00:41:13,440 --> 00:41:15,720 Speaker 1: I wanted her to put a blanket down. I thought 629 00:41:15,760 --> 00:41:18,080 Speaker 1: I thought she was going to get her pants would 630 00:41:18,120 --> 00:41:22,440 Speaker 1: get soiled. He reminded me of when, like, well, when 631 00:41:22,440 --> 00:41:23,960 Speaker 1: we used to go to the office, like you kind 632 00:41:24,000 --> 00:41:26,359 Speaker 1: of always had like a parking spot that was not 633 00:41:26,480 --> 00:41:29,560 Speaker 1: officially yours, but it was yours and you'd get there 634 00:41:29,560 --> 00:41:31,839 Speaker 1: like two minutes late and someone took it and you're like, really, 635 00:41:31,920 --> 00:41:36,880 Speaker 1: that's my spot. Your days ruined? Yeah, gonna lie I 636 00:41:37,400 --> 00:41:39,400 Speaker 1: parked in when we used to go to the office, 637 00:41:39,560 --> 00:41:43,160 Speaker 1: I parked in Ryan Seacrest spots. So I was that person, 638 00:41:43,239 --> 00:41:46,719 Speaker 1: right did he ever? Did he ever say anything to you? 639 00:41:46,880 --> 00:41:50,640 Speaker 1: Like no, because he wasn't there. I knew he wasn't there. Yeah, 640 00:41:50,640 --> 00:41:52,400 Speaker 1: but that one time you don't think he's going to 641 00:41:52,480 --> 00:41:54,320 Speaker 1: be there. He pulls up and it's an emergency and 642 00:41:54,360 --> 00:41:58,920 Speaker 1: he would yeah if he was coming out. Now, um, 643 00:41:59,520 --> 00:42:01,640 Speaker 1: Scott's want to give us? Should we tell you how 644 00:42:01,680 --> 00:42:04,160 Speaker 1: many broccoli tarts we would give this? Or should we 645 00:42:04,160 --> 00:42:09,680 Speaker 1: go to your your research? Oh yeah, talking about yourself. 646 00:42:09,760 --> 00:42:11,880 Speaker 1: Let me find the research. Well, I need to go 647 00:42:11,960 --> 00:42:14,680 Speaker 1: back to doing favorite quotes because I think people really 648 00:42:14,719 --> 00:42:17,120 Speaker 1: like those. Totally give him my game, Like twenty has 649 00:42:17,160 --> 00:42:23,000 Speaker 1: anyone ever had a lobster pot pie? All right? You 650 00:42:23,000 --> 00:42:30,040 Speaker 1: one trying to make one. It's like, looking, we need 651 00:42:30,080 --> 00:42:32,400 Speaker 1: to find somebody who can do cooking segments on Instagram. 652 00:42:32,400 --> 00:42:34,000 Speaker 1: I'm going to find that first. Right here we go, 653 00:42:34,200 --> 00:42:39,680 Speaker 1: also sounds harden. I bet that's not cheap cookies and 654 00:42:39,719 --> 00:42:42,960 Speaker 1: stuff lobster. I'm gonna find somebody who's gonna be our 655 00:42:42,960 --> 00:42:47,880 Speaker 1: guinea pig making ladies and gentlemen. My crack team, my 656 00:42:47,960 --> 00:42:52,719 Speaker 1: crack staff that's on Earth. Some some details, your crack 657 00:42:52,920 --> 00:42:59,680 Speaker 1: crack staff, You yourself and you. Yeah, He's like, we 658 00:42:59,760 --> 00:43:03,360 Speaker 1: have a robust team name of the Farmers. Do we 659 00:43:03,520 --> 00:43:11,000 Speaker 1: cheataman Houn notes computer? No I do. I actually have 660 00:43:11,080 --> 00:43:16,400 Speaker 1: a crack staff and they are dedicated researchers. No, no, no, no, 661 00:43:16,440 --> 00:43:22,400 Speaker 1: I have There's people. Yeah, yeah, there's there's Suzanne, there's Elaine, 662 00:43:22,920 --> 00:43:26,879 Speaker 1: There's all kinds of people. There's John John. No, no, no, no, 663 00:43:27,000 --> 00:43:31,120 Speaker 1: these are real people. These are verifiable people with social 664 00:43:31,200 --> 00:43:39,960 Speaker 1: Security numbers, Susanne, John and Elaine. It's not lying. I 665 00:43:39,960 --> 00:43:47,360 Speaker 1: don't lie. That's not a lie. Marcia, Jane and Cindy, Rachel, 666 00:43:47,400 --> 00:43:57,239 Speaker 1: Monica and beebe a banana relaxed, and Bobby found this 667 00:43:57,360 --> 00:44:08,520 Speaker 1: for you. Give it to Mary, Kate and Ashley, Hotsy 668 00:44:08,800 --> 00:44:16,120 Speaker 1: Ralph and we're going out the rails. Oh, here we go. 669 00:44:16,200 --> 00:44:20,160 Speaker 1: Let's let's tighten it up. Gang Wars and Roy are 670 00:44:21,600 --> 00:44:24,319 Speaker 1: Oh no, he grows right as he's giving us the 671 00:44:24,400 --> 00:44:30,520 Speaker 1: best stop work. After all that, he's got a call Ronnie, Bobby, 672 00:44:30,600 --> 00:44:34,280 Speaker 1: Rickey and Mike and see if they can. Oh my god, 673 00:44:34,760 --> 00:44:38,719 Speaker 1: timing of that. Keep it, don't even edit this. Keep 674 00:44:38,760 --> 00:44:45,480 Speaker 1: this in. I'm trying. Oh, he goes, this is so good. 675 00:44:45,560 --> 00:44:50,080 Speaker 1: Keep it. Oh my god. Just as we're like trying 676 00:44:50,080 --> 00:44:54,920 Speaker 1: to find out the answers Alvin Simon and Theodore's I'm 677 00:44:54,960 --> 00:44:57,200 Speaker 1: gonna I know he's gonna say clown pillow, but I'll 678 00:44:57,200 --> 00:44:59,239 Speaker 1: give this one to you guys. Thirty two minutes in 679 00:45:00,080 --> 00:45:04,640 Speaker 1: got a clown villa at Lately. I think Scott's going 680 00:45:04,680 --> 00:45:06,359 Speaker 1: to have to go out and come back in. Yeah, 681 00:45:06,400 --> 00:45:14,080 Speaker 1: there he is. What happened all of it? You frozen? Okay? 682 00:45:14,200 --> 00:45:18,279 Speaker 1: And then really okay, So I'm not going to edit 683 00:45:18,480 --> 00:45:23,719 Speaker 1: what we said. While you were frozen. Wait till you 684 00:45:23,840 --> 00:45:26,160 Speaker 1: hear it. All right, let's get into what the uh 685 00:45:26,760 --> 00:45:33,920 Speaker 1: Mannum and Jack brought to me. These are real people, Suzanne, 686 00:45:33,960 --> 00:45:39,600 Speaker 1: Elaine and John. These are Cruk staffers, dedicated. We believe 687 00:45:39,640 --> 00:45:42,319 Speaker 1: you give it to all right. When Paris and Roy 688 00:45:42,320 --> 00:45:45,359 Speaker 1: are arguing about the ringing phone, Rory takes out her 689 00:45:45,360 --> 00:45:47,160 Speaker 1: cell phone out of her bag and sets it on 690 00:45:47,239 --> 00:45:50,440 Speaker 1: the desk, and the next shot it's gone, but somehow 691 00:45:50,480 --> 00:45:53,799 Speaker 1: reappears on the desk while Rory is several feet away 692 00:45:53,840 --> 00:45:58,520 Speaker 1: talking to Paris and scripts fault, Oh, script e, come 693 00:45:58,600 --> 00:46:00,640 Speaker 1: on script Yeah, but as an act, you gotta know 694 00:46:00,800 --> 00:46:03,920 Speaker 1: that stuff. You gotta know that stuff. You gotta know 695 00:46:03,960 --> 00:46:08,560 Speaker 1: what you did. Yeah, right, you can't blame everything on 696 00:46:08,600 --> 00:46:10,800 Speaker 1: script e. It's it's like the actor's gotta know. You 697 00:46:10,920 --> 00:46:15,320 Speaker 1: gotta know your stuff. Okay. In the next shot, it's gone, 698 00:46:15,400 --> 00:46:18,520 Speaker 1: but somehow reappears on the desk while Rory is several 699 00:46:18,520 --> 00:46:22,080 Speaker 1: feet away talking to Paris. Then when she gives her 700 00:46:22,120 --> 00:46:24,480 Speaker 1: phone to Paris to you, she removes it from her 701 00:46:24,520 --> 00:46:27,279 Speaker 1: bag again, even though it was on the desk a 702 00:46:27,320 --> 00:46:29,400 Speaker 1: second earlier. So it's like a like a Star Trek 703 00:46:29,400 --> 00:46:33,200 Speaker 1: episode almost into She's going into a time cling on 704 00:46:33,320 --> 00:46:36,920 Speaker 1: some weird things happening all right. At when Suki and 705 00:46:37,000 --> 00:46:41,240 Speaker 1: Laurela are unloading the car at Emily's house, Uh, Suki 706 00:46:41,320 --> 00:46:45,080 Speaker 1: walks away from the car holding four containers, but when 707 00:46:45,120 --> 00:46:49,840 Speaker 1: she gets to the front door, she's holding five. Fashion 708 00:46:49,880 --> 00:46:55,800 Speaker 1: alert the black shirt good. Whoever saw that staff crack 709 00:46:56,480 --> 00:47:01,240 Speaker 1: probably John Susanne and Elane working on late nights getting 710 00:47:01,239 --> 00:47:12,719 Speaker 1: that info combing the Vandals Industries Van fashion Alert. The 711 00:47:12,760 --> 00:47:15,600 Speaker 1: black shirt with the white cuffs and collars the Lorela 712 00:47:15,840 --> 00:47:19,399 Speaker 1: is wearing, as I have previously mentioned during wearing during 713 00:47:19,440 --> 00:47:23,880 Speaker 1: Emily's tasting, is also worn by Jennifer Aniston. I remember 714 00:47:23,920 --> 00:47:27,880 Speaker 1: that on an episode of Friends, the guy at Rory's 715 00:47:27,880 --> 00:47:31,279 Speaker 1: study tree was played by Jason Widener, who later went 716 00:47:31,320 --> 00:47:41,720 Speaker 1: on to finish eighth in season twelve of The Amazing Race. Huh, dude, 717 00:47:41,360 --> 00:47:50,200 Speaker 1: way not seven not six? Eight? Um, A very brief 718 00:47:50,239 --> 00:47:57,759 Speaker 1: flash of the corner of the proverbial clown pillow and 719 00:47:57,800 --> 00:48:03,040 Speaker 1: that ladies and gentlemen, is it? Uh? And you want 720 00:48:03,040 --> 00:48:05,920 Speaker 1: to do favorite lines? Going right ahead, I invite you 721 00:48:05,960 --> 00:48:08,919 Speaker 1: into the favorite line. Den Well, you do your favorite lines. 722 00:48:09,000 --> 00:48:11,080 Speaker 1: Think of how many broccoli tarts. You're gonna give this up. 723 00:48:11,320 --> 00:48:16,200 Speaker 1: We're thinking, we're thinking, all right, Tara favorite line like 724 00:48:16,280 --> 00:48:19,080 Speaker 1: when Jason said what's your number and lorel I said 725 00:48:19,920 --> 00:48:25,120 Speaker 1: six bite me just because it was so like, okay, 726 00:48:26,000 --> 00:48:28,880 Speaker 1: mine comes from Emily to Lorela and she goes, shame 727 00:48:28,920 --> 00:48:35,760 Speaker 1: on you for swearing. There's a flyer. Oh yeah, Amy, wait, 728 00:48:35,800 --> 00:48:42,960 Speaker 1: I have so many? Oh no, we will do it 729 00:48:43,040 --> 00:48:45,560 Speaker 1: around two. You can mention all of your tooth through ten. 730 00:48:45,800 --> 00:48:48,879 Speaker 1: I think then it has to be many lemon bunk cakes. Well, 731 00:48:48,920 --> 00:48:54,239 Speaker 1: they have full size at the Richmond's. Uh Mine is 732 00:48:54,840 --> 00:49:03,479 Speaker 1: Suki responding to lorealize rant about whales humiliating, rip apart 733 00:49:03,520 --> 00:49:05,600 Speaker 1: every other fish in the sea until there's nothing left 734 00:49:05,600 --> 00:49:07,960 Speaker 1: but a bloody pile of chump. Suki says, boy, you 735 00:49:08,000 --> 00:49:12,719 Speaker 1: really hate wells, don't you? And that ladies and gentlemen, 736 00:49:13,000 --> 00:49:21,080 Speaker 1: is you know Amy want juicy sweats? See sweats and 737 00:49:21,360 --> 00:49:26,080 Speaker 1: you could have a broth that said tasty. It's a 738 00:49:26,160 --> 00:49:30,280 Speaker 1: great shout out juicy sweats. Yeah, that was a time. 739 00:49:30,560 --> 00:49:32,759 Speaker 1: And I'm going to try to find out who designed 740 00:49:33,400 --> 00:49:39,720 Speaker 1: the white shirt. Here it is there's a side by side, sorry, 741 00:49:39,719 --> 00:49:43,239 Speaker 1: the black sweater over the white Where did where did 742 00:49:43,280 --> 00:49:46,040 Speaker 1: Friends film? Was it the Warner Lock you know if 743 00:49:46,040 --> 00:49:48,719 Speaker 1: it was the same sweater? Yeah? Does it go back 744 00:49:48,760 --> 00:49:58,760 Speaker 1: into Wardrobes somewhere a different Jackie. In fact, Matthew Perry 745 00:49:58,880 --> 00:50:01,000 Speaker 1: used to come into the diner and watch some scenes. 746 00:50:01,760 --> 00:50:08,279 Speaker 1: Are you serious? Really? That's so cool. I used to 747 00:50:08,320 --> 00:50:12,160 Speaker 1: sit there. You look over and say, well that's Matthew current? 748 00:50:12,200 --> 00:50:16,120 Speaker 1: What you'r? Did? Friends? End? And? Nine? Am I making 749 00:50:16,160 --> 00:50:22,200 Speaker 1: that up? Jackie says? Wow, Jackie, So this was like 750 00:50:22,280 --> 00:50:26,680 Speaker 1: their last Friends? This season we're watching Girls? Was Friends 751 00:50:26,719 --> 00:50:30,360 Speaker 1: his last season? Yeah? Yeah, they couldn't afford the cast 752 00:50:30,440 --> 00:50:34,120 Speaker 1: of Friends and Gilmore Girls by that point, so they 753 00:50:34,120 --> 00:50:36,520 Speaker 1: had to They had to can Friends for us. No, 754 00:50:37,000 --> 00:50:40,280 Speaker 1: I've made that up. If anyone knows who made this top, 755 00:50:40,480 --> 00:50:45,520 Speaker 1: please let me know. I would love to know. And 756 00:50:45,640 --> 00:50:50,279 Speaker 1: yeah they Rachel Green wears them with them up and 757 00:50:50,400 --> 00:50:54,240 Speaker 1: Laura I put them down? Anyway? How many broccoli tarts? People? 758 00:50:54,560 --> 00:50:58,400 Speaker 1: Are you doing? Kings sized broccoli tarts? You can adjust 759 00:50:58,520 --> 00:51:02,359 Speaker 1: the size of the tart her your review. Yes, it's 760 00:51:02,360 --> 00:51:04,759 Speaker 1: a sliding scale. Go ahead, all right, I'll give it 761 00:51:04,880 --> 00:51:09,719 Speaker 1: seven king sized broccoli tarts. Oh my god, is that 762 00:51:09,800 --> 00:51:13,520 Speaker 1: a lot? No? No, she's she thinks it's low. Oh 763 00:51:13,560 --> 00:51:16,960 Speaker 1: I think I was also going to give it a seven. 764 00:51:17,320 --> 00:51:26,160 Speaker 1: Oh my god, nine and a half broccoli tarts. Um, 765 00:51:26,200 --> 00:51:29,720 Speaker 1: I'm going to give it eight and three quarters large 766 00:51:29,800 --> 00:51:34,200 Speaker 1: broccoli tarts sizes. All yeah, I'll give it eight in 767 00:51:34,280 --> 00:51:38,480 Speaker 1: three quarters yeah. Um. By the way, I saw the 768 00:51:38,560 --> 00:51:42,080 Speaker 1: still for next week's episode. Let me tell you it's 769 00:51:42,120 --> 00:51:45,239 Speaker 1: a good one. What is next week? What is next week? 770 00:51:45,600 --> 00:51:49,200 Speaker 1: M let's see here, Season four, episode seven, The Festival 771 00:51:49,320 --> 00:51:53,239 Speaker 1: of Living Art. Oh, that's a big one. That's it's 772 00:51:53,320 --> 00:51:58,240 Speaker 1: like an iconic. Yeah. Yeah. It won an Emmy Award 773 00:51:58,360 --> 00:52:02,840 Speaker 1: for Makeup. I think. Yeah, it's the only uh Emmy 774 00:52:03,160 --> 00:52:06,640 Speaker 1: nomination and win? Did we win or did we just 775 00:52:06,640 --> 00:52:10,240 Speaker 1: get nominated? You guys got snubbed. This is a good show. 776 00:52:10,719 --> 00:52:18,400 Speaker 1: Yeah yeah, maybe see you all next week. Happy Halloween. Halloween, 777 00:52:18,440 --> 00:52:21,360 Speaker 1: everybody trick or treat and safe and not trick or 778 00:52:21,400 --> 00:52:25,920 Speaker 1: trout because they'll give you a fish. I made that mistap. 779 00:52:25,960 --> 00:52:30,040 Speaker 1: Why somebody gave me it? Tuna? It's weird. Oh no, no, no, 780 00:52:30,120 --> 00:52:32,600 Speaker 1: I just stole a Robin Williams jokes. Sorry, apologize, I 781 00:52:32,680 --> 00:52:36,440 Speaker 1: have to give him credit, all right, everybody, thanks for 782 00:52:36,960 --> 00:52:39,120 Speaker 1: downloading Best fans on the planet, keep the cards and 783 00:52:39,160 --> 00:52:41,480 Speaker 1: letters coming. I hope you had as much fun as 784 00:52:41,520 --> 00:53:15,880 Speaker 1: we did doing this for you all the best. Stay safe, hey, everybody, 785 00:53:15,880 --> 00:53:19,200 Speaker 1: and don't forget follow us on Instagram at I Am 786 00:53:19,280 --> 00:53:23,760 Speaker 1: all In podcast and Emailie at Gilmore at I Heart 787 00:53:23,880 --> 00:53:26,799 Speaker 1: radio dot com. Oh you gil More fans. If you're 788 00:53:26,840 --> 00:53:28,680 Speaker 1: looking for the best cup of coffee in the world, 789 00:53:28,719 --> 00:53:32,640 Speaker 1: go to my website for my company, scott EP dot com. 790 00:53:32,760 --> 00:53:34,960 Speaker 1: S C O T. T y P dot com, scott 791 00:53:34,920 --> 00:53:45,880 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.