1 00:00:00,760 --> 00:00:18,440 Speaker 1: I Am all In. I Am all In with Scott 2 00:00:18,440 --> 00:00:23,320 Speaker 1: Patterson and I Heart Radio podcast. Hey everybody, Scott Patterson 3 00:00:23,440 --> 00:00:26,400 Speaker 1: and this is the I Am All In Podcast with 4 00:00:26,480 --> 00:00:29,080 Speaker 1: I Heart Radio and one eleven Productions. And I am 5 00:00:29,160 --> 00:00:35,840 Speaker 1: joined by my ball club here in my team, Amy Sugarman, 6 00:00:36,640 --> 00:00:48,960 Speaker 1: Danielle Romo, Riley Prius, Priests Price Priceless, Riley Priceless, Riley 7 00:00:49,520 --> 00:00:54,800 Speaker 1: Price Delicious. You know, I feel bad because after Milo 8 00:00:55,000 --> 00:00:57,680 Speaker 1: and Isaac, people are stuck back with us again. So 9 00:00:57,720 --> 00:00:59,840 Speaker 1: it's like we feel a little bad about what. I 10 00:01:00,000 --> 00:01:05,399 Speaker 1: don't feel bad. I think they. I think there are 11 00:01:05,640 --> 00:01:10,440 Speaker 1: four combined personalities make up two of theirs. I think 12 00:01:10,600 --> 00:01:14,760 Speaker 1: I think the math works out for us somewhat. People 13 00:01:14,840 --> 00:01:17,720 Speaker 1: shaking their heads all over the world because we read 14 00:01:17,760 --> 00:01:20,000 Speaker 1: the reviews and so when we read the reviews, we 15 00:01:20,040 --> 00:01:23,080 Speaker 1: know the truth. No, I you know what, I I 16 00:01:23,240 --> 00:01:30,440 Speaker 1: stopped reading them. Sometimes they're very painful because we're just 17 00:01:30,520 --> 00:01:34,600 Speaker 1: you're trying to love a love a show. It's it. Yeah, 18 00:01:34,640 --> 00:01:38,600 Speaker 1: the personal invective, I feel is unnecessary, but I think 19 00:01:38,680 --> 00:01:42,919 Speaker 1: it's character building. Yeah, it does make you stronger. Ry 20 00:01:43,319 --> 00:01:46,640 Speaker 1: you cry the first you know a hundred and then 21 00:01:46,640 --> 00:01:49,280 Speaker 1: you're like, oh, I don't have any tears left, character 22 00:01:49,760 --> 00:01:53,880 Speaker 1: character building experiences. They're taking me down a bunch of notches. 23 00:01:54,000 --> 00:01:57,279 Speaker 1: And I just was like, what, I'm reading your guys, 24 00:01:57,920 --> 00:02:00,440 Speaker 1: and I'm like, God, I hope that doesn't happened to me. 25 00:02:00,480 --> 00:02:03,760 Speaker 1: And then I'll read one that's happening to me. Now, Yeah, 26 00:02:04,440 --> 00:02:08,320 Speaker 1: they are, you know, they come after anybody doesn't. But 27 00:02:08,400 --> 00:02:12,240 Speaker 1: we love them. We love them all and we're trying 28 00:02:12,280 --> 00:02:14,640 Speaker 1: to do what they say. I will say that we 29 00:02:14,680 --> 00:02:18,120 Speaker 1: read the reviews and we go, okay, good note. We're 30 00:02:18,120 --> 00:02:22,079 Speaker 1: going to try that, we're taking We're good about that. 31 00:02:22,200 --> 00:02:25,080 Speaker 1: We we implement a lot of the ideas coming from 32 00:02:25,160 --> 00:02:33,160 Speaker 1: these very personal missives, shall we Communications well, Emily and Wonderland. 33 00:02:33,200 --> 00:02:34,760 Speaker 1: I can't wait to hear your thoughts because I have 34 00:02:34,800 --> 00:02:40,200 Speaker 1: a lot Emily and Wonderland. You know, it just it 35 00:02:40,360 --> 00:02:45,960 Speaker 1: just really hit me how desperate Emily is to have 36 00:02:46,080 --> 00:02:49,919 Speaker 1: a great relationship. She's got all this stored up love 37 00:02:50,120 --> 00:02:53,400 Speaker 1: and and and and wants to shower Rory with it 38 00:02:54,200 --> 00:02:58,040 Speaker 1: and all the love and excitement that she could not 39 00:02:58,200 --> 00:03:01,000 Speaker 1: shower on Lauraa because Laura I left and it was 40 00:03:01,000 --> 00:03:04,680 Speaker 1: just she's been waiting for so long and now she 41 00:03:04,760 --> 00:03:07,160 Speaker 1: has her chance. And you know, I was discussing this 42 00:03:07,240 --> 00:03:10,160 Speaker 1: with my wife. I said, you know, Emily is just 43 00:03:10,639 --> 00:03:14,280 Speaker 1: she was devastated when they walked into the shed. Uh. 44 00:03:14,320 --> 00:03:16,840 Speaker 1: And I mean that was a very very powerful moment 45 00:03:17,520 --> 00:03:22,040 Speaker 1: of the entire series so far. And m and made 46 00:03:22,120 --> 00:03:24,320 Speaker 1: Rory a room and called her and asked her what 47 00:03:24,440 --> 00:03:26,880 Speaker 1: she loved the most, what colors and what band and 48 00:03:27,480 --> 00:03:29,960 Speaker 1: you know what flowers your favorite? Made her this beautiful room, 49 00:03:30,000 --> 00:03:32,639 Speaker 1: and and you know, I guess Laurela I didn't really 50 00:03:32,639 --> 00:03:34,680 Speaker 1: have much of a problem with it a little bit. 51 00:03:34,680 --> 00:03:36,400 Speaker 1: I mean, she was a little taken aback, right, and 52 00:03:36,680 --> 00:03:41,880 Speaker 1: you can can't not expect that, right, Um but I 53 00:03:41,880 --> 00:03:44,760 Speaker 1: think I think Emily was justified. And from her point 54 00:03:44,760 --> 00:03:48,440 Speaker 1: of view, like did you really hate us that much? Yeah? 55 00:03:48,600 --> 00:03:52,960 Speaker 1: Where you know, you you denied yourself a relationship with 56 00:03:53,080 --> 00:03:56,840 Speaker 1: us to live in a shed with you know, was 57 00:03:57,240 --> 00:03:59,560 Speaker 1: with shovels, leaning up against the wall with your baby 58 00:03:59,640 --> 00:04:03,320 Speaker 1: daughter and feeding ducks. And I mean, like what, I 59 00:04:03,360 --> 00:04:06,800 Speaker 1: don't blame her, but um, so I was having this 60 00:04:06,840 --> 00:04:10,720 Speaker 1: conversation with my wife and she she explained that you know, 61 00:04:10,760 --> 00:04:14,000 Speaker 1: the mother daughter dynamic is fucking be far more overbearing 62 00:04:14,040 --> 00:04:18,800 Speaker 1: than you know, the obviously the grandmother granddaughter dynamic. So 63 00:04:20,040 --> 00:04:23,160 Speaker 1: there's a lot of pressure for I guess the young 64 00:04:23,279 --> 00:04:26,279 Speaker 1: Laurel I to become like Emily. I think Emily wanted 65 00:04:26,320 --> 00:04:29,240 Speaker 1: her be like her, and there was just this overbearing, 66 00:04:30,560 --> 00:04:35,919 Speaker 1: her overbearing nature to keep the family dynasty going and 67 00:04:35,960 --> 00:04:38,080 Speaker 1: to keep the traditions going. And it was you know, 68 00:04:38,160 --> 00:04:42,480 Speaker 1: everything is very at a at a a certain level, 69 00:04:42,600 --> 00:04:46,080 Speaker 1: very superficial, and appearances must be kept up. And and 70 00:04:46,120 --> 00:04:47,800 Speaker 1: this is just how it has to go. This is 71 00:04:47,800 --> 00:04:50,400 Speaker 1: how it Gilmore behaves, This is how it Gilmore speaks, 72 00:04:50,440 --> 00:04:54,080 Speaker 1: this is how it Gilmore. Uh you know, this is 73 00:04:54,080 --> 00:04:57,880 Speaker 1: how it Gilmore lives. And uh, Laurel I just was 74 00:04:57,960 --> 00:05:00,200 Speaker 1: not down for it. And the more pressure you put 75 00:05:00,240 --> 00:05:02,560 Speaker 1: on her, the more she's going to go away. Yeah. 76 00:05:02,800 --> 00:05:05,479 Speaker 1: And it's like, you know, it's you know the Paris 77 00:05:05,560 --> 00:05:09,040 Speaker 1: Hilton story, right, It's like it's like, well, if you 78 00:05:09,400 --> 00:05:13,240 Speaker 1: my I don't know about that. My wife informed me about. 79 00:05:14,360 --> 00:05:16,760 Speaker 1: She made a comparison. She did, she did, she made 80 00:05:16,760 --> 00:05:20,479 Speaker 1: a comparison. Yeah. I I felt like Emily was justified 81 00:05:20,480 --> 00:05:23,360 Speaker 1: in the way she felt. It's the way she expresses 82 00:05:23,400 --> 00:05:26,920 Speaker 1: it that comes across very harsh. And I think then 83 00:05:27,400 --> 00:05:32,200 Speaker 1: it really pushes Lorala away because if Emily would approach 84 00:05:32,240 --> 00:05:35,039 Speaker 1: it differently and say, it broke my heart to see 85 00:05:35,080 --> 00:05:38,440 Speaker 1: that when we would have been here for you, why 86 00:05:38,440 --> 00:05:40,080 Speaker 1: did that happen the way it did? And what was 87 00:05:40,120 --> 00:05:42,480 Speaker 1: interesting is Rory brings it up later when they're walking 88 00:05:43,040 --> 00:05:44,880 Speaker 1: after they left, and said, do you think the two 89 00:05:44,880 --> 00:05:48,800 Speaker 1: of you will ever really communicate about it? Noope? Yeah, 90 00:05:48,839 --> 00:05:53,000 Speaker 1: she said, no interesting, no way. And and you know 91 00:05:53,120 --> 00:05:58,280 Speaker 1: who would sit there and tolerate the And here's another 92 00:05:58,680 --> 00:06:01,159 Speaker 1: interesting thing that came up. And it's like, you know, 93 00:06:01,240 --> 00:06:05,600 Speaker 1: during the opening scene, the dinner scene, Hey, you know, 94 00:06:05,640 --> 00:06:08,760 Speaker 1: and I couldn't find two additional chairs. I'm to two 95 00:06:08,880 --> 00:06:14,520 Speaker 1: chairs short of a set. And laurealizes also, and I 96 00:06:14,600 --> 00:06:17,720 Speaker 1: realized that, you know, the only the only reason Emily 97 00:06:17,800 --> 00:06:22,200 Speaker 1: is taking this is to be with her granddaughter. She's 98 00:06:22,240 --> 00:06:26,640 Speaker 1: tolerating all of that, all of those, all the sarcasm 99 00:06:26,640 --> 00:06:30,360 Speaker 1: and all the hatred and all the insults. Um, she's 100 00:06:30,400 --> 00:06:33,239 Speaker 1: just and Laurel I probably feels like she's just giving 101 00:06:33,279 --> 00:06:35,479 Speaker 1: it back to her mom when her mom gave her. 102 00:06:36,000 --> 00:06:39,640 Speaker 1: You make a great point, but it's not how anybody 103 00:06:40,720 --> 00:06:44,560 Speaker 1: in the real world would ever interact with their family. 104 00:06:44,880 --> 00:06:48,920 Speaker 1: It wouldn't happen all of every And this is why 105 00:06:48,960 --> 00:06:50,640 Speaker 1: I think I think Laurel is one of the more 106 00:06:50,680 --> 00:06:53,600 Speaker 1: interesting characters in the history of television because it's all 107 00:06:53,960 --> 00:06:59,680 Speaker 1: subtext that's being expressed. M this is all the stuff 108 00:06:59,720 --> 00:07:03,080 Speaker 1: that nobody ever said, but now she says, she's saying it. Yeah. 109 00:07:03,160 --> 00:07:06,520 Speaker 1: Rory and Richard don't communicate the way Emily and Laura 110 00:07:06,600 --> 00:07:10,480 Speaker 1: la I do. They come much from a more reserved 111 00:07:11,480 --> 00:07:15,560 Speaker 1: way and with more kindness. Laura and Emily just have 112 00:07:15,720 --> 00:07:20,520 Speaker 1: this stabby snarkiness when they go at it justified, but 113 00:07:20,640 --> 00:07:24,840 Speaker 1: it's me, but it's also Laura. La also extends this 114 00:07:24,960 --> 00:07:29,239 Speaker 1: to all other characters in the drama. I mean she's 115 00:07:29,280 --> 00:07:32,320 Speaker 1: sub textual. She verbalizes subtext with me. She does it 116 00:07:32,360 --> 00:07:35,000 Speaker 1: with Rachel, all those quippy little jokes with Rachel, she 117 00:07:35,040 --> 00:07:39,160 Speaker 1: does it with everyone, and especially with Luke. It's comes 118 00:07:39,160 --> 00:07:43,040 Speaker 1: from a place of more love and kindness. But even 119 00:07:43,080 --> 00:07:45,400 Speaker 1: the jokes when you come when she's in the apartment. 120 00:07:45,880 --> 00:07:48,200 Speaker 1: And then the scene which will will discuss all this. 121 00:07:48,280 --> 00:07:52,560 Speaker 1: But the scene in the stock room was really cool, right, 122 00:07:52,640 --> 00:07:56,320 Speaker 1: I do have great scene, great scene, but but so 123 00:07:56,960 --> 00:07:59,640 Speaker 1: but you know, for me, its like it makes me 124 00:08:00,680 --> 00:08:06,880 Speaker 1: feel like, you know, Amy is writing. The writing is 125 00:08:06,920 --> 00:08:10,240 Speaker 1: influenced by her father because it feels like stick you know, 126 00:08:10,440 --> 00:08:13,239 Speaker 1: not in a negative sense, but it feels like, Okay, 127 00:08:13,320 --> 00:08:18,840 Speaker 1: I'm gonna make a lead character obviously. You know. Laureli 128 00:08:19,320 --> 00:08:23,840 Speaker 1: is what Amy maybe wishes she was or a version 129 00:08:23,840 --> 00:08:29,080 Speaker 1: of herself. Um that it physically looks like this and 130 00:08:29,520 --> 00:08:33,720 Speaker 1: verbalizes all this sort of like kind of sticky comedian stuff. 131 00:08:33,720 --> 00:08:35,880 Speaker 1: Her dad was a I don't know if her dad 132 00:08:35,960 --> 00:08:37,400 Speaker 1: was a huge I don't know if her dad was 133 00:08:37,440 --> 00:08:39,600 Speaker 1: a huge comedian, but he was in that circle of 134 00:08:39,720 --> 00:08:41,800 Speaker 1: all those big comedians. So that's what she grew up. 135 00:08:43,960 --> 00:08:46,120 Speaker 1: But but I like it. I do too. I mean, 136 00:08:46,160 --> 00:08:49,320 Speaker 1: it's very funny and fast and fast and funny. I'm 137 00:08:49,360 --> 00:08:51,920 Speaker 1: a big fan of fast and funny. But it's interesting. 138 00:08:52,040 --> 00:08:55,839 Speaker 1: So that's why people like watching this shows because it's 139 00:08:55,880 --> 00:08:58,160 Speaker 1: all the because it's all the things that they want 140 00:08:58,160 --> 00:09:01,559 Speaker 1: to say that nobody in the real world would ever say, 141 00:09:01,960 --> 00:09:04,880 Speaker 1: and you miss things so when you're that's like you know, 142 00:09:04,960 --> 00:09:07,400 Speaker 1: Isaac even talked about it that he would just watch 143 00:09:07,400 --> 00:09:09,880 Speaker 1: it through and watch it through again. It's that kind 144 00:09:09,880 --> 00:09:13,160 Speaker 1: of show because you you no matter what you missed stuff, 145 00:09:14,120 --> 00:09:16,720 Speaker 1: so when you're watching again, it's like fresh content. So 146 00:09:16,760 --> 00:09:19,640 Speaker 1: you're just like, oh my god. And it's so dense 147 00:09:19,679 --> 00:09:21,720 Speaker 1: and so fast that there's no way the human brain 148 00:09:21,800 --> 00:09:25,680 Speaker 1: could like even retain it all. So you're just getting 149 00:09:25,800 --> 00:09:28,800 Speaker 1: fresh episodes each time you go around the loop of 150 00:09:28,840 --> 00:09:32,240 Speaker 1: the whole series. Very interesting device, very very interesting way 151 00:09:32,280 --> 00:09:35,960 Speaker 1: to approach you. Television really is very clever. If there's 152 00:09:36,000 --> 00:09:39,960 Speaker 1: so much ping pong thing between Luke and Lora La, 153 00:09:40,840 --> 00:09:43,320 Speaker 1: and it is so fast, and it is so there's 154 00:09:43,360 --> 00:09:46,560 Speaker 1: so many callbacks too, even with the curtains. You know 155 00:09:46,720 --> 00:09:48,800 Speaker 1: they're up in the apartment and there's the reference to 156 00:09:48,840 --> 00:09:51,200 Speaker 1: the curtains, and then of course we get the call back. 157 00:09:51,600 --> 00:09:53,319 Speaker 1: And that's why you're just like, oh my god, this 158 00:09:53,320 --> 00:09:56,600 Speaker 1: show is so clever and you love it because you're 159 00:09:56,640 --> 00:10:00,200 Speaker 1: just like, yep, the curtains, you know, like it's just 160 00:10:01,200 --> 00:10:03,120 Speaker 1: and I mean even when Rachel says, did you tell 161 00:10:03,160 --> 00:10:04,920 Speaker 1: me about the Hot Fashion show? Like, it was just 162 00:10:04,960 --> 00:10:10,120 Speaker 1: like and there's so much and it's so fast, it's 163 00:10:10,120 --> 00:10:12,920 Speaker 1: all but yeah, but it's all stick. It's like, oh yeah, 164 00:10:13,120 --> 00:10:16,400 Speaker 1: oh those those photographs of Luke and I are are you? 165 00:10:16,480 --> 00:10:18,640 Speaker 1: And lucre In the bathroom and Laura, I so don't 166 00:10:18,760 --> 00:10:22,400 Speaker 1: want to know why. You know, it's always something. It's 167 00:10:22,400 --> 00:10:26,080 Speaker 1: like bam, bam bam, which is why when you get 168 00:10:26,200 --> 00:10:30,520 Speaker 1: those scenes where the stick is gone, they're that much 169 00:10:30,559 --> 00:10:34,240 Speaker 1: more powerful because you're like, and that's why you just 170 00:10:34,320 --> 00:10:37,439 Speaker 1: get this lump in your boat and this hurt in 171 00:10:37,480 --> 00:10:40,600 Speaker 1: your chest because you're like, oh god, it's just not real. 172 00:10:41,760 --> 00:10:46,040 Speaker 1: Just got real, and it gets so real, and it's 173 00:10:46,080 --> 00:10:49,920 Speaker 1: just very clever. It's just a very clever device, you know, 174 00:10:50,080 --> 00:10:52,280 Speaker 1: and it's and it's and it's constant. Must have been 175 00:10:52,280 --> 00:10:54,560 Speaker 1: fun to really must have been so much fun to 176 00:10:54,600 --> 00:10:56,080 Speaker 1: play that, you know, it must have been so much 177 00:10:56,160 --> 00:11:00,240 Speaker 1: fun for Lauren Graham to to just execute all of 178 00:11:00,280 --> 00:11:03,560 Speaker 1: those great lines. I mean, how much fun to sit 179 00:11:03,600 --> 00:11:05,800 Speaker 1: down and read those scripts and being the table read 180 00:11:05,840 --> 00:11:08,079 Speaker 1: and read all those scripts. And I remember those table reads. 181 00:11:08,080 --> 00:11:10,240 Speaker 1: I mean, she was just like she was getting laughs 182 00:11:10,240 --> 00:11:12,000 Speaker 1: at the tabs like you would get on a high, 183 00:11:12,320 --> 00:11:13,959 Speaker 1: do you know what I mean? Like as you're going 184 00:11:13,960 --> 00:11:16,080 Speaker 1: through those scenes, and the adrenaline is kind of going 185 00:11:16,080 --> 00:11:18,080 Speaker 1: and it feels like such a rush because the way 186 00:11:18,120 --> 00:11:20,520 Speaker 1: the scenes are, it's just like a dance, you know, 187 00:11:20,720 --> 00:11:22,840 Speaker 1: And so I was gonna ask you, like, do you 188 00:11:22,880 --> 00:11:25,559 Speaker 1: remember I would almost think you are exhausted at the 189 00:11:25,679 --> 00:11:28,920 Speaker 1: end of the day because you're just going and going 190 00:11:28,960 --> 00:11:34,080 Speaker 1: and going. It's I mean, we're doing is as comedy, 191 00:11:34,160 --> 00:11:37,480 Speaker 1: but at the end of the day, it's aggressive hostility 192 00:11:37,600 --> 00:11:42,520 Speaker 1: toward herself, toward other characters, toward her mother, towards me, 193 00:11:42,720 --> 00:11:45,440 Speaker 1: to where I mean, it's all deflecting, and it's it's denial, 194 00:11:45,600 --> 00:11:47,880 Speaker 1: it's you know, it's all that stuff. So it's so 195 00:11:48,120 --> 00:11:51,800 Speaker 1: it's a little bit draining on your energy. Um, but 196 00:11:51,920 --> 00:11:54,560 Speaker 1: to play it, it's fun and to be the straight 197 00:11:54,600 --> 00:11:57,440 Speaker 1: man to all those great lines is fun because it's 198 00:11:57,480 --> 00:11:59,559 Speaker 1: all about timing, you know. It's like it's it's it's 199 00:11:59,559 --> 00:12:01,480 Speaker 1: all that can time, and she does it so beautifully. 200 00:12:01,480 --> 00:12:02,719 Speaker 1: I can't wait to get her on the show. Can 201 00:12:02,720 --> 00:12:07,319 Speaker 1: you make a comparison between your work on this show 202 00:12:08,080 --> 00:12:12,480 Speaker 1: and your work on say the Event, Oh God night 203 00:12:12,640 --> 00:12:16,640 Speaker 1: and so different? What is that? Can you give me 204 00:12:16,679 --> 00:12:19,240 Speaker 1: a little like you're sort of what it feels like? 205 00:12:19,400 --> 00:12:24,960 Speaker 1: Was this more fun? Well? Yeah, okay, So the next 206 00:12:24,960 --> 00:12:29,480 Speaker 1: series I did after Gilmore was called Aliens in America, 207 00:12:29,600 --> 00:12:34,120 Speaker 1: and that was really great comedy writing as well. It 208 00:12:34,160 --> 00:12:36,000 Speaker 1: was just a different kind you know. It was like 209 00:12:36,120 --> 00:12:40,560 Speaker 1: half hour sitcom writing in in a in a single 210 00:12:40,640 --> 00:12:42,640 Speaker 1: camera format, you know what I mean. So it felt 211 00:12:42,640 --> 00:12:44,600 Speaker 1: a little more real. But it had those and it 212 00:12:44,640 --> 00:12:47,360 Speaker 1: was it was an all star team of comedy writers 213 00:12:47,360 --> 00:12:50,520 Speaker 1: because nobody was doing half hour anymore. And so we 214 00:12:50,559 --> 00:12:53,880 Speaker 1: had these all these uh Emmy winning showrunners on the 215 00:12:53,920 --> 00:12:56,520 Speaker 1: staff and we were just on the writing staff, and 216 00:12:56,520 --> 00:12:58,760 Speaker 1: the and the and the three show runners were like these, 217 00:12:58,800 --> 00:13:02,240 Speaker 1: you know, these giants of comedy business. So was that 218 00:13:02,280 --> 00:13:06,320 Speaker 1: more comparable to your experience on Gilmore Girls? A little bit? Not? 219 00:13:06,559 --> 00:13:10,000 Speaker 1: The time, there was some timing differences. It wasn't so 220 00:13:10,200 --> 00:13:13,800 Speaker 1: like one character just dominating the entire thing, like you 221 00:13:13,800 --> 00:13:16,360 Speaker 1: know the way the way laurelized characters sort of like 222 00:13:16,760 --> 00:13:19,800 Speaker 1: you know, goes through every single character like that, like 223 00:13:19,840 --> 00:13:23,960 Speaker 1: a like a comedic buzz saw. Um, and we're sort 224 00:13:24,000 --> 00:13:26,520 Speaker 1: of following her narrative and we you know, we'll follow 225 00:13:26,600 --> 00:13:28,719 Speaker 1: Rory too, but it always comes back to her and 226 00:13:28,920 --> 00:13:31,280 Speaker 1: her and Rory and her mom and her her mom 227 00:13:31,320 --> 00:13:33,880 Speaker 1: and her and Luke and you know, um, so she's 228 00:13:34,120 --> 00:13:37,559 Speaker 1: she's the core of the show. But um, but then 229 00:13:37,600 --> 00:13:40,000 Speaker 1: when I got to the event in two thousand and ten. 230 00:13:40,080 --> 00:13:43,000 Speaker 1: It was like, this is a drama. There's nothing funny 231 00:13:43,040 --> 00:13:47,000 Speaker 1: about this. Um. You know, they had some issues with 232 00:13:47,040 --> 00:13:50,600 Speaker 1: the writing because they changed. The original show runner got 233 00:13:50,640 --> 00:13:53,600 Speaker 1: swapped out for somebody who, in my opinion, had no 234 00:13:53,760 --> 00:13:57,319 Speaker 1: feel for this type of material. And it was odd. 235 00:13:57,360 --> 00:14:00,160 Speaker 1: It was very difficult to do. It was really it 236 00:14:00,240 --> 00:14:03,120 Speaker 1: was not your same experience. You had a very very 237 00:14:03,120 --> 00:14:06,560 Speaker 1: difficult to do because it was it was kind of confusing. 238 00:14:06,600 --> 00:14:08,800 Speaker 1: It was a show that was kind of all over 239 00:14:08,800 --> 00:14:10,720 Speaker 1: the place in terms of I loved the show, but 240 00:14:10,760 --> 00:14:13,600 Speaker 1: I was sort of like we just happened, like you 241 00:14:13,720 --> 00:14:15,679 Speaker 1: thought this is going to be, so it was sort 242 00:14:15,720 --> 00:14:17,200 Speaker 1: of ahead of its time where you're like, oh, this 243 00:14:17,280 --> 00:14:20,000 Speaker 1: is so but it was sort of being but it 244 00:14:20,040 --> 00:14:24,360 Speaker 1: was being retooled in real in the moment, so you 245 00:14:24,400 --> 00:14:26,200 Speaker 1: can't really do that and pull up but anyway, but 246 00:14:26,240 --> 00:14:28,440 Speaker 1: Gilmore was definitely those shows like do you feel like 247 00:14:28,480 --> 00:14:30,800 Speaker 1: Gilmore was so much more of a family for you 248 00:14:31,080 --> 00:14:33,280 Speaker 1: as opposed to these other shows. I was thinking about 249 00:14:33,320 --> 00:14:35,640 Speaker 1: that today when I I because I watched the episode 250 00:14:35,640 --> 00:14:37,640 Speaker 1: again right before we came on the air, and this is, 251 00:14:37,680 --> 00:14:39,960 Speaker 1: you know, the scene in the diner scenes with Rachel 252 00:14:40,040 --> 00:14:44,080 Speaker 1: and Lorela, and I just thought I missed that set. 253 00:14:44,320 --> 00:14:47,080 Speaker 1: You know, I miss that job. I really miss having 254 00:14:47,120 --> 00:14:50,240 Speaker 1: that job because it was a family feeling, you know, 255 00:14:50,320 --> 00:14:52,720 Speaker 1: and it was like that was our you know, the 256 00:14:52,760 --> 00:14:55,720 Speaker 1: back lot of Warner Brothers was our real estate. That 257 00:14:55,800 --> 00:14:58,800 Speaker 1: was ours. The entire back lot of Warner Brothers was 258 00:14:58,880 --> 00:15:02,680 Speaker 1: stars Hollow and we were there for seven years, and 259 00:15:03,320 --> 00:15:05,720 Speaker 1: I just got it was great. That was great to 260 00:15:05,760 --> 00:15:08,360 Speaker 1: be on that and I think we felt it as 261 00:15:08,440 --> 00:15:12,120 Speaker 1: every guest has come on. But really with Milo, it 262 00:15:12,200 --> 00:15:17,240 Speaker 1: was like, wow, you really got the the closeness between 263 00:15:17,280 --> 00:15:19,560 Speaker 1: the two of you. And then I think what I 264 00:15:19,640 --> 00:15:25,840 Speaker 1: experienced with Isaac was he was very He expressed so 265 00:15:25,880 --> 00:15:28,880 Speaker 1: well his love for the show better than any of 266 00:15:28,960 --> 00:15:31,800 Speaker 1: us are ever able to communicate it. And then I 267 00:15:31,840 --> 00:15:35,800 Speaker 1: was like, wow, like it is so heartwarming. It just 268 00:15:36,120 --> 00:15:39,320 Speaker 1: is like the what this show did for you all, 269 00:15:39,360 --> 00:15:42,240 Speaker 1: but also for the audience. It just people just love 270 00:15:42,280 --> 00:15:45,200 Speaker 1: it so much. And I think maybe we're getting nostalgic 271 00:15:45,240 --> 00:15:47,360 Speaker 1: already because we're coming, you know, we're getting closer to 272 00:15:47,360 --> 00:15:50,200 Speaker 1: the end of season one in our recaps, and so 273 00:15:50,240 --> 00:15:52,920 Speaker 1: I am starting to think, like, wow, this show really 274 00:15:53,560 --> 00:15:57,840 Speaker 1: means a lot to people. Oh without question, and it 275 00:15:57,880 --> 00:16:00,800 Speaker 1: should because it's all sort of shared experiences. I mean, 276 00:16:00,840 --> 00:16:03,960 Speaker 1: everybody could relate to these because everybody can sort of 277 00:16:03,960 --> 00:16:06,560 Speaker 1: pick and choose what experiences they've had, and they've they're 278 00:16:06,640 --> 00:16:10,640 Speaker 1: highlighted in the show. Um, these are all universal themes, right. 279 00:16:10,720 --> 00:16:13,320 Speaker 1: So in the stock room, I think what stood out 280 00:16:13,320 --> 00:16:15,760 Speaker 1: to me is and I am like a terrible actor, 281 00:16:15,800 --> 00:16:17,880 Speaker 1: so I would never be able to do this. It's 282 00:16:17,960 --> 00:16:21,400 Speaker 1: the glance. So you two are talking and she sort 283 00:16:21,400 --> 00:16:24,480 Speaker 1: of says, I mean unless there's something, you know, like 284 00:16:24,600 --> 00:16:27,680 Speaker 1: standing in your way, and you're like, no, you know, 285 00:16:27,800 --> 00:16:30,640 Speaker 1: there's nothing standing my way. But the expressions on both 286 00:16:30,680 --> 00:16:34,000 Speaker 1: your faces is like we love each other. Right, It's 287 00:16:34,040 --> 00:16:38,240 Speaker 1: like a couple of riverboat gamblers holding holding great hands 288 00:16:38,280 --> 00:16:41,040 Speaker 1: and nobody's gonna and it was just like just bluffing 289 00:16:41,040 --> 00:16:45,640 Speaker 1: each other. Wow. And I think Lauren, when I watch 290 00:16:45,760 --> 00:16:50,960 Speaker 1: laurealized expressions, she's so talented because not only does she 291 00:16:51,040 --> 00:16:55,280 Speaker 1: deliver like the funny lines so perfectly, but she delivers 292 00:16:55,280 --> 00:16:59,720 Speaker 1: a facial expression just a tiny little thing and you 293 00:16:59,720 --> 00:17:01,640 Speaker 1: you so get it. And that's what I thought in 294 00:17:01,680 --> 00:17:04,240 Speaker 1: the stock room was like, and obviously that was the intention, 295 00:17:05,200 --> 00:17:09,480 Speaker 1: but boy did it work, because you're like, Wow, why 296 00:17:09,560 --> 00:17:12,479 Speaker 1: do you to not just tell each other? She had 297 00:17:12,600 --> 00:17:15,480 Speaker 1: you know, she has that job of appearing vulnerable but 298 00:17:15,560 --> 00:17:19,520 Speaker 1: still guarded and still doesn't want to let in let 299 00:17:19,600 --> 00:17:22,000 Speaker 1: on to me what her intentions really are, but it's 300 00:17:22,080 --> 00:17:25,840 Speaker 1: kind of obvious to an audience watching. Yeah, and she's 301 00:17:25,880 --> 00:17:29,480 Speaker 1: you know, I do like her relationship with Rachel. They 302 00:17:29,520 --> 00:17:31,400 Speaker 1: do seem like, you know, I don't think I don't 303 00:17:31,400 --> 00:17:33,399 Speaker 1: think Laura is like a backstabber. She's not going to 304 00:17:33,480 --> 00:17:36,320 Speaker 1: tell Rachel these things and support Rachel and tell you 305 00:17:36,359 --> 00:17:38,199 Speaker 1: to date Rachel and then suddenly like kiss you in 306 00:17:38,240 --> 00:17:39,679 Speaker 1: the stock room, do you know what I mean? Like 307 00:17:39,720 --> 00:17:43,560 Speaker 1: that is not her move. She's not that. She's very genuine, 308 00:17:43,600 --> 00:17:46,240 Speaker 1: so she really you believe that she does want you 309 00:17:46,280 --> 00:17:48,320 Speaker 1: to be happy. And then in the movie theater scene 310 00:17:48,640 --> 00:17:51,399 Speaker 1: when Rory and Lorela are seeing you guys, and he 311 00:17:51,480 --> 00:17:54,840 Speaker 1: looks happy, doesn't he? But there's just that little part 312 00:17:54,960 --> 00:17:57,400 Speaker 1: that's like, he looks happy. I'm so happy for him, 313 00:17:57,400 --> 00:18:00,560 Speaker 1: except my heart is breaking a little bit. And isn't 314 00:18:00,600 --> 00:18:04,200 Speaker 1: an interesting how they keep those worlds separated. The Gilmore 315 00:18:04,720 --> 00:18:08,200 Speaker 1: world is one world. Luke's the stars Hollow world is 316 00:18:08,240 --> 00:18:12,159 Speaker 1: another world. And Luke's world isn't is a completely separate 317 00:18:12,240 --> 00:18:16,280 Speaker 1: universe and they and rarely do they they cross the 318 00:18:16,320 --> 00:18:18,720 Speaker 1: streams and when they do it can be very explosive. 319 00:18:18,760 --> 00:18:24,400 Speaker 1: But but yeah, you know the dynamic between I mean, 320 00:18:24,720 --> 00:18:30,720 Speaker 1: Rory is the sweetest person. God, she a smart sweet 321 00:18:31,720 --> 00:18:34,320 Speaker 1: just the way she is with her grandma and taking 322 00:18:34,320 --> 00:18:36,560 Speaker 1: her around the town and getting her the sneakers, and 323 00:18:36,960 --> 00:18:38,840 Speaker 1: I mean, there was so much in this episode. The 324 00:18:38,880 --> 00:18:42,719 Speaker 1: scene between Mrs Kim and Emily is so genius with 325 00:18:42,760 --> 00:18:46,359 Speaker 1: the two of them negotiating over the furniture, and Lane 326 00:18:46,400 --> 00:18:48,119 Speaker 1: and Rory are watching and like, I wish we had 327 00:18:48,160 --> 00:18:50,760 Speaker 1: some popcorn, you know, like and that's just one little 328 00:18:50,760 --> 00:18:53,680 Speaker 1: scene in this episode and that wasn't even like really 329 00:18:53,720 --> 00:18:56,080 Speaker 1: a major thing, and you just you're like, god, this 330 00:18:56,640 --> 00:18:59,960 Speaker 1: there's so much happening. And Kirk was amazing in this episode. 331 00:19:00,200 --> 00:19:04,200 Speaker 1: And you and Rachel, and the triangle between you, Rachel 332 00:19:04,359 --> 00:19:07,560 Speaker 1: and Lorela is a whole thing in itself, because you 333 00:19:07,600 --> 00:19:10,480 Speaker 1: are uncomfortable with their friendship. You don't want to say it, 334 00:19:10,680 --> 00:19:12,840 Speaker 1: and why are they becoming friends? And then the three 335 00:19:12,840 --> 00:19:17,360 Speaker 1: of you, I mean, it's just oh so much. Yeah, 336 00:19:18,280 --> 00:19:21,399 Speaker 1: one of the funnier moments for me. Well, I'll just 337 00:19:21,400 --> 00:19:23,600 Speaker 1: tell you right now, the best moment, the two best 338 00:19:23,600 --> 00:19:27,800 Speaker 1: moments in that whole the whole show. We're unique and Ruin. 339 00:19:28,200 --> 00:19:30,960 Speaker 1: I mean that unique Ruin scene just had me in tears. 340 00:19:31,040 --> 00:19:35,359 Speaker 1: I mean, what do you have so many to choose from? 341 00:19:38,560 --> 00:19:40,560 Speaker 1: I can't wait till Riley tries to re enact that 342 00:19:40,600 --> 00:19:44,600 Speaker 1: scene and no, no, we should do that. Riley, are 343 00:19:44,600 --> 00:19:46,760 Speaker 1: you ready for a French accent? You gotta, you gotta 344 00:19:46,800 --> 00:19:49,040 Speaker 1: give it a shot. And who's gonna be ruined? I'm 345 00:19:49,480 --> 00:19:52,280 Speaker 1: not going to be ruined, Amy, you gotta. I can't 346 00:19:52,280 --> 00:19:54,199 Speaker 1: even be rude. It was so funny because when we 347 00:19:54,200 --> 00:19:56,800 Speaker 1: were preparing for this episode, we were talking about you know, 348 00:19:56,880 --> 00:20:00,159 Speaker 1: who's who's is on the episode, and Daniel's like, you know, 349 00:20:00,280 --> 00:20:03,040 Speaker 1: run comes back on this episode. And I literally said 350 00:20:03,040 --> 00:20:05,680 Speaker 1: to Daniel, I think we've all had enough and it's 351 00:20:05,720 --> 00:20:08,679 Speaker 1: just a little did we know that we did not 352 00:20:08,840 --> 00:20:10,960 Speaker 1: have enough of him? Because here he was. Megan is 353 00:20:11,040 --> 00:20:14,480 Speaker 1: laughing again, Oh my god. I mean Trusdale, what a 354 00:20:14,560 --> 00:20:18,240 Speaker 1: great scene that and his scene with Emily. Riley, try 355 00:20:18,240 --> 00:20:21,399 Speaker 1: and do a little Michelle. What was the line against 356 00:20:21,640 --> 00:20:26,200 Speaker 1: I'm sorry you must be in the wrong place. Perhaps 357 00:20:26,200 --> 00:20:28,000 Speaker 1: you should be in the Y M c A or 358 00:20:28,040 --> 00:20:32,240 Speaker 1: a bus depot. I feel like you need eyebrows when 359 00:20:32,240 --> 00:20:36,280 Speaker 1: you do. I'm sorry, You're on the wrong place. You 360 00:20:36,400 --> 00:20:41,520 Speaker 1: must be looking for the Russians. Do try again, try again, 361 00:20:42,320 --> 00:20:51,239 Speaker 1: Deep in the throat, deep in the throat. M you 362 00:20:51,320 --> 00:20:55,600 Speaker 1: must be you must be in the wrong always comes 363 00:20:55,640 --> 00:20:58,399 Speaker 1: out Russian. No one thinks this is funny, but us, 364 00:20:58,920 --> 00:21:00,760 Speaker 1: we think it's so funny that we're just gonna keep 365 00:21:00,800 --> 00:21:03,600 Speaker 1: doing it because everyone's like, yeah, that part's not funny, 366 00:21:03,600 --> 00:21:07,320 Speaker 1: and we're like, it's so hilarious it is. I love Michelle, 367 00:21:08,080 --> 00:21:11,439 Speaker 1: Oh god, what I care? How about the met how 368 00:21:11,440 --> 00:21:14,520 Speaker 1: about the meaning? Really quick? We just need to play 369 00:21:14,520 --> 00:21:20,399 Speaker 1: one little clip really quick. Don't bring on our curt Easton. 370 00:21:20,520 --> 00:21:22,960 Speaker 1: Can you do one more? Just one more? Do the 371 00:21:22,960 --> 00:21:34,440 Speaker 1: scott one? Do you know? Maybe? Time good? So funny. 372 00:21:35,080 --> 00:21:40,880 Speaker 1: And then in the in the theater with Laureli, she 373 00:21:40,960 --> 00:21:43,359 Speaker 1: says to Kirk, no, no, you got you. You need 374 00:21:43,359 --> 00:21:45,200 Speaker 1: a little seed to fin on middle pan. You don't 375 00:21:45,240 --> 00:21:46,840 Speaker 1: want to be a driving a tractor with that and 376 00:21:47,080 --> 00:21:50,440 Speaker 1: get drowsy. She did it with a little Southern accents. 377 00:21:51,200 --> 00:21:57,920 Speaker 1: I love, And she's like, you got a cold. So good, 378 00:21:58,359 --> 00:22:03,080 Speaker 1: so good, the whole thing. Okay, I know we need 379 00:22:03,119 --> 00:22:04,440 Speaker 1: to take a break. When we come back. I want 380 00:22:04,440 --> 00:22:07,600 Speaker 1: to hear what you think of Luke and Rachel. Okay, 381 00:22:08,600 --> 00:22:11,480 Speaker 1: all right, when we come back after these messages where 382 00:22:11,520 --> 00:22:14,639 Speaker 1: you're gonna get my thoughts on Luke and Rachel and 383 00:22:14,720 --> 00:22:16,720 Speaker 1: you might be a little bit surprised anyway, we'll be 384 00:22:16,760 --> 00:22:25,080 Speaker 1: back after that. Yeah, alright, so we're back everybody. Uh, 385 00:22:25,359 --> 00:22:28,280 Speaker 1: Scott Patterson, I am all in podcast. I heart radio. 386 00:22:28,280 --> 00:22:30,840 Speaker 1: I want to live productions. We're going to discuss what 387 00:22:30,880 --> 00:22:33,160 Speaker 1: do we want to discuss? What I think of Luke 388 00:22:33,200 --> 00:22:36,679 Speaker 1: and Rachel. I want to talk about Luke and Rachel. 389 00:22:38,400 --> 00:22:40,919 Speaker 1: Amy you want you want to get into that. Pardon me, 390 00:22:40,960 --> 00:22:45,560 Speaker 1: we're having a small problem. You can talk to us. 391 00:22:45,680 --> 00:22:48,840 Speaker 1: We're here for you. I need to know about Luke 392 00:22:48,880 --> 00:22:52,959 Speaker 1: and Rachel because I you tell me, you tell me. 393 00:22:53,480 --> 00:22:55,280 Speaker 1: I just want to listen to your thoughts. I just 394 00:22:57,680 --> 00:23:03,440 Speaker 1: he seems happy, you know, It's just you know, look, 395 00:23:03,800 --> 00:23:07,600 Speaker 1: when you have a character like Rachel with a history 396 00:23:07,840 --> 00:23:14,600 Speaker 1: of abandoning and running scared repeatedly, then that's what's going 397 00:23:14,680 --> 00:23:18,200 Speaker 1: to happen. You know, That's what they're training the audience 398 00:23:18,240 --> 00:23:20,399 Speaker 1: to expect it and to get ready for it, because 399 00:23:20,400 --> 00:23:24,240 Speaker 1: no matter how good it gets, it's coming again. Um. 400 00:23:24,280 --> 00:23:27,240 Speaker 1: And that's basically how I feel about it. And he's, 401 00:23:28,600 --> 00:23:32,919 Speaker 1: you know, he's he's being very guarded because he Oh 402 00:23:33,000 --> 00:23:36,640 Speaker 1: my god, I mean, how can he Here's the thing 403 00:23:36,720 --> 00:23:40,520 Speaker 1: that confuses me and I played it is he in 404 00:23:40,600 --> 00:23:44,159 Speaker 1: love with Rachel or is he in love with Laurel I? 405 00:23:44,359 --> 00:23:48,440 Speaker 1: And I think I think that he is trying. I 406 00:23:48,480 --> 00:23:52,359 Speaker 1: think there are residual feelings for Rachel that he can't avoid, 407 00:23:53,720 --> 00:23:57,359 Speaker 1: but they aren't as deep as his feelings for Laurel I. 408 00:23:57,600 --> 00:24:00,399 Speaker 1: And he's there's he has no choice, but life thrown 409 00:24:00,520 --> 00:24:04,880 Speaker 1: him this, you know, this sort of situation, and he's 410 00:24:05,000 --> 00:24:07,600 Speaker 1: doing the best he can with it because you know, 411 00:24:07,720 --> 00:24:09,959 Speaker 1: he's not a he's not a jerk. He's not going 412 00:24:09,960 --> 00:24:13,720 Speaker 1: to be mean to Rachel, right, So he's kind of 413 00:24:13,720 --> 00:24:16,119 Speaker 1: hanging in there as a as much of a friend 414 00:24:16,160 --> 00:24:19,560 Speaker 1: and and a lover and a boyfriend as he can 415 00:24:20,119 --> 00:24:22,800 Speaker 1: because it's almost like an obligation. It's the right thing 416 00:24:22,840 --> 00:24:25,640 Speaker 1: to do, but so accurate. I think you're I think 417 00:24:25,680 --> 00:24:29,000 Speaker 1: that is exactly what how it landed to me, And 418 00:24:29,200 --> 00:24:32,800 Speaker 1: that when Rachel was on the scene. There was no 419 00:24:32,880 --> 00:24:34,879 Speaker 1: laure Lae yet we know that we know the timeline 420 00:24:34,920 --> 00:24:38,080 Speaker 1: is a little fishy and maybe they had briefly met whatever. 421 00:24:39,320 --> 00:24:42,960 Speaker 1: So so Rachel leaves him and he was heartbroken about it, 422 00:24:43,000 --> 00:24:45,200 Speaker 1: and we know that we know the town has made 423 00:24:45,200 --> 00:24:48,840 Speaker 1: it clear to us that you were heartbroken. So when 424 00:24:48,880 --> 00:24:51,639 Speaker 1: you're heartbroken, all you want is if she would just 425 00:24:51,720 --> 00:24:53,320 Speaker 1: come back to me, if she would just come back 426 00:24:53,320 --> 00:24:54,920 Speaker 1: to me, if she would just come back to me. Well, 427 00:24:54,960 --> 00:24:58,760 Speaker 1: interestingly enough, she did, so he's like, ah, this is 428 00:24:58,800 --> 00:25:03,640 Speaker 1: what I wanted. But little did you know during that 429 00:25:03,680 --> 00:25:06,480 Speaker 1: time you fell in love with somebody else, way more, 430 00:25:06,600 --> 00:25:10,600 Speaker 1: way deeper. But it's still like it's not a thing yet. 431 00:25:11,480 --> 00:25:13,280 Speaker 1: So it's like, I think he's happy with Rachel, and 432 00:25:13,280 --> 00:25:16,520 Speaker 1: it seems very comfortable and very real and authentic and 433 00:25:16,560 --> 00:25:20,959 Speaker 1: genuine and they really do love each other. Ye And 434 00:25:21,200 --> 00:25:24,239 Speaker 1: she's not his soul mate anymore, and she knows it, 435 00:25:24,280 --> 00:25:27,040 Speaker 1: which is why you're not even that stressing about when 436 00:25:27,040 --> 00:25:29,080 Speaker 1: she's gonna leave. You're just gonna like she's gonna go. 437 00:25:30,520 --> 00:25:33,439 Speaker 1: That is that is not a man in love. You 438 00:25:33,480 --> 00:25:35,959 Speaker 1: can tell at the movie theaters too, about like they 439 00:25:36,040 --> 00:25:37,520 Speaker 1: kind of had a little p d A. But then 440 00:25:37,520 --> 00:25:39,439 Speaker 1: he would turn back and look at Laura La, and 441 00:25:39,480 --> 00:25:41,879 Speaker 1: then Laura I would look at him, and you know, 442 00:25:42,160 --> 00:25:44,679 Speaker 1: you can tell exactly what you just said just in 443 00:25:44,680 --> 00:25:47,560 Speaker 1: that scene a lot, And like we talked about, you're 444 00:25:47,560 --> 00:25:50,360 Speaker 1: not gonna like kiss her in the stock room, She's 445 00:25:50,359 --> 00:25:51,800 Speaker 1: not going to kiss you in the stock room. There's 446 00:25:51,840 --> 00:25:53,960 Speaker 1: none of that. It's not like it's going to be scandalous. 447 00:25:54,280 --> 00:25:58,560 Speaker 1: It's just like, I guess, just like you've been waiting 448 00:25:58,560 --> 00:26:01,440 Speaker 1: for Lorelei through Max and Lord knows who else is coming, 449 00:26:02,000 --> 00:26:04,440 Speaker 1: she's got to do the same for you, and it's 450 00:26:04,480 --> 00:26:07,840 Speaker 1: just these two are going to be waiting. I think 451 00:26:08,000 --> 00:26:12,080 Speaker 1: Laura La allows Luke to be who he really is 452 00:26:12,640 --> 00:26:15,919 Speaker 1: and and Laura La accepts him for what he is 453 00:26:16,840 --> 00:26:18,760 Speaker 1: and he gets frustrated and a little angry and a 454 00:26:18,800 --> 00:26:23,160 Speaker 1: little curmudgeonly, and she delights in that. She likes that, 455 00:26:24,320 --> 00:26:27,359 Speaker 1: and he's a different person with Rachel and I just 456 00:26:27,440 --> 00:26:29,280 Speaker 1: feel like I don't think he's putting on an act 457 00:26:29,320 --> 00:26:31,879 Speaker 1: with Rachel. I just think he's kind of out of 458 00:26:31,880 --> 00:26:34,560 Speaker 1: his comfort zone with her. Now I have a question. 459 00:26:34,600 --> 00:26:38,159 Speaker 1: There was something that I didn't totally get in this episode, 460 00:26:38,960 --> 00:26:40,600 Speaker 1: and it was like, I wanted to get it. I 461 00:26:40,680 --> 00:26:43,360 Speaker 1: knew it was important, and I was like, why am 462 00:26:43,359 --> 00:26:46,879 Speaker 1: I not understanding this? The very last scene, Laura Lee 463 00:26:46,960 --> 00:26:50,440 Speaker 1: and roriore drinking the coffee and they both say, does 464 00:26:50,440 --> 00:26:54,080 Speaker 1: this taste different to you? Can you explain to me 465 00:26:54,480 --> 00:26:58,280 Speaker 1: what that was? What that meant? What was that that? 466 00:26:58,440 --> 00:27:02,880 Speaker 1: She's Rachel's not being a good influence on Luke. He's 467 00:27:02,880 --> 00:27:08,160 Speaker 1: off center. He's he's not as sure of himself. He 468 00:27:08,720 --> 00:27:11,560 Speaker 1: you know, his world, whatever his world was before Rachel 469 00:27:11,840 --> 00:27:16,080 Speaker 1: or getting over Rachel and kind of you know, flirting 470 00:27:16,119 --> 00:27:18,920 Speaker 1: around with Laurela and almost popping the you know you 471 00:27:18,920 --> 00:27:23,639 Speaker 1: want to go out questions on several several times. Um 472 00:27:23,800 --> 00:27:26,560 Speaker 1: is That's who he is. That's he's solidly feed on 473 00:27:26,600 --> 00:27:30,160 Speaker 1: the ground. That's him. And he loves her and he's 474 00:27:30,200 --> 00:27:34,200 Speaker 1: pining for her. He's not thinking about Rachel. I mean, 475 00:27:34,200 --> 00:27:36,920 Speaker 1: you might think about her in passing, but I don't. 476 00:27:37,200 --> 00:27:41,639 Speaker 1: I think his mind is occupied with scenarios of his 477 00:27:41,760 --> 00:27:46,320 Speaker 1: future with Laurel I I do. And he really, truly, truly, 478 00:27:46,359 --> 00:27:49,840 Speaker 1: deeply loves her to the point where he's stand office 479 00:27:50,520 --> 00:27:53,080 Speaker 1: somewhat and really having to build up the courage and 480 00:27:53,119 --> 00:27:55,680 Speaker 1: take the chance that she'll say no, because that takes 481 00:27:55,680 --> 00:27:57,480 Speaker 1: a lot of guts. I mean, the more you like 482 00:27:57,600 --> 00:28:01,600 Speaker 1: a girl, the more of a coward you become in 483 00:28:02,119 --> 00:28:04,679 Speaker 1: certain situations because you don't want to hear that no. 484 00:28:04,840 --> 00:28:07,240 Speaker 1: And I think he's in that place with with with 485 00:28:07,240 --> 00:28:10,760 Speaker 1: with Laurela obviously, but with Rachel, it's like he's not himself. 486 00:28:10,800 --> 00:28:14,040 Speaker 1: He's not being himself. It's not a version of him 487 00:28:14,040 --> 00:28:15,760 Speaker 1: that everyone's going to work out with her. And I 488 00:28:15,760 --> 00:28:18,879 Speaker 1: think maybe he's realizing it. He had to be a 489 00:28:18,920 --> 00:28:22,280 Speaker 1: certain way to please her. That's not him. Maybe that's 490 00:28:22,359 --> 00:28:26,000 Speaker 1: part of the reason that she left, because it's not right. 491 00:28:26,280 --> 00:28:28,879 Speaker 1: She left because it just she didn't feel right in 492 00:28:28,920 --> 00:28:30,880 Speaker 1: the dynamic. He didn't feel right in that dyn ount. 493 00:28:30,920 --> 00:28:33,399 Speaker 1: There was something you know, there were a couple of 494 00:28:33,400 --> 00:28:36,080 Speaker 1: false notes being hit there. So you know, why, if 495 00:28:36,200 --> 00:28:38,040 Speaker 1: if it was so great, why is she running off? 496 00:28:38,080 --> 00:28:40,360 Speaker 1: I mean, and plus you know she wanted to travel 497 00:28:40,400 --> 00:28:43,000 Speaker 1: and the whole thing, and he never wants to town. 498 00:28:43,040 --> 00:28:46,760 Speaker 1: But but but yeah, the coffee indicates that the coffee 499 00:28:46,800 --> 00:28:50,560 Speaker 1: that tastes different indicates that something something. Obviously, something's a 500 00:28:50,600 --> 00:28:54,239 Speaker 1: little off here. Yes, something's a little off, And that 501 00:28:54,360 --> 00:28:59,120 Speaker 1: gives Lauren Hope and and concerned for her friend who 502 00:28:59,200 --> 00:29:04,040 Speaker 1: she loves, because is she doing the right thing by 503 00:29:04,080 --> 00:29:08,320 Speaker 1: carrying out Rachel's requests to sort of close the deal 504 00:29:08,360 --> 00:29:11,600 Speaker 1: for her? And it's kind of a strange dynamics. She 505 00:29:11,680 --> 00:29:16,760 Speaker 1: finds herself very weird. Now she realizes that she probably 506 00:29:16,800 --> 00:29:19,600 Speaker 1: shouldn't be doing that because the coffee is off. Luke's 507 00:29:19,640 --> 00:29:22,320 Speaker 1: not himself. I love him. He's my friend and he 508 00:29:22,400 --> 00:29:24,520 Speaker 1: maybe he's going to be my boyfriend, and may I 509 00:29:24,560 --> 00:29:27,400 Speaker 1: wish he was? And I wish you'd get to, you know, 510 00:29:27,480 --> 00:29:29,880 Speaker 1: grow up here and finally, you know, like get over 511 00:29:29,880 --> 00:29:33,000 Speaker 1: here and let's let's start this thing. Yeah, I don't Actually, 512 00:29:33,000 --> 00:29:35,760 Speaker 1: I don't think we're overthinking this. I think that everything 513 00:29:35,800 --> 00:29:39,480 Speaker 1: you're saying is at play. There is more going on 514 00:29:39,560 --> 00:29:43,200 Speaker 1: here than everyone's using in their words. I I I could, 515 00:29:43,400 --> 00:29:45,440 Speaker 1: I think to myself and I we're thinking this. Am 516 00:29:45,440 --> 00:29:47,080 Speaker 1: I reading too much into it? It's like, no, I 517 00:29:47,120 --> 00:29:51,120 Speaker 1: think we're analyzing it pretty correctly in that she wants 518 00:29:51,160 --> 00:29:54,320 Speaker 1: to do right by you. She wants you to be happy. 519 00:29:54,480 --> 00:29:56,960 Speaker 1: She thinks Rachel's making you happy, so she wants to 520 00:29:57,000 --> 00:29:58,959 Speaker 1: do that. Where there is that other part of her 521 00:29:59,040 --> 00:30:01,360 Speaker 1: that's like you just see it all in the stock 522 00:30:01,440 --> 00:30:03,800 Speaker 1: room and unless there's something standing in your way, right, 523 00:30:04,680 --> 00:30:07,480 Speaker 1: but in the but in the coffee that's at loft, 524 00:30:07,600 --> 00:30:11,600 Speaker 1: that's a signal to Laurel Rachel's not right for him, 525 00:30:11,720 --> 00:30:15,560 Speaker 1: m h. And that gives her concern and hope. She 526 00:30:15,800 --> 00:30:19,600 Speaker 1: is perfectly cast though. God, I think with her name 527 00:30:19,680 --> 00:30:22,560 Speaker 1: Lisa Anne Hadley, she is cast so well because she 528 00:30:22,760 --> 00:30:29,360 Speaker 1: is so pretty. She looks nothing like Lorelei. She's you 529 00:30:29,520 --> 00:30:34,000 Speaker 1: really do like her. You can't not like her. Yeah, 530 00:30:34,040 --> 00:30:38,600 Speaker 1: she's lovely, and so it's like, God, they really found 531 00:30:38,640 --> 00:30:43,200 Speaker 1: the perfect person to play that part. Yeah, because even that, 532 00:30:43,320 --> 00:30:47,920 Speaker 1: the dragonfly and all of it seems like, you know, 533 00:30:48,040 --> 00:30:51,880 Speaker 1: I think she's befriending Lorelei for for the right reasons, 534 00:30:51,920 --> 00:30:54,320 Speaker 1: as opposed to keep your enemies closer. Do you know 535 00:30:54,320 --> 00:30:56,640 Speaker 1: what I'm saying. I feel like she wants to be 536 00:30:56,680 --> 00:30:59,160 Speaker 1: friends with her, and she doesn't seem threatened by her. 537 00:30:59,680 --> 00:31:04,600 Speaker 1: It forces her to question a lot of what Luke 538 00:31:04,640 --> 00:31:07,480 Speaker 1: wants in his life and therefore what she wants in 539 00:31:07,560 --> 00:31:09,880 Speaker 1: her life. Does she want him more? Does she want 540 00:31:09,960 --> 00:31:13,560 Speaker 1: him left? But the thing, yeah, because she's so such 541 00:31:13,600 --> 00:31:16,720 Speaker 1: a different person, I found the exchanges between Rachel and 542 00:31:17,800 --> 00:31:21,680 Speaker 1: Laurela to be kind of awkward and forced, and I 543 00:31:21,680 --> 00:31:25,560 Speaker 1: didn't think that they melded well as people, you know. 544 00:31:25,760 --> 00:31:30,320 Speaker 1: And I also don't feel the chemistry between between Rachel 545 00:31:30,360 --> 00:31:33,320 Speaker 1: and Luke. I feel it well with Laurel. I thought 546 00:31:33,320 --> 00:31:35,320 Speaker 1: about that too. So when you when when Luke comes 547 00:31:35,360 --> 00:31:38,600 Speaker 1: up to the apartment to put them something the safe, 548 00:31:39,400 --> 00:31:42,880 Speaker 1: he says, Hi, you know, acute high, but they don't 549 00:31:42,920 --> 00:31:45,760 Speaker 1: like kiss there. There's not a ton of affection. I 550 00:31:45,760 --> 00:31:48,640 Speaker 1: don't have even seen them kiss. I'm trying to remember, 551 00:31:48,920 --> 00:31:50,920 Speaker 1: do you know what the problem is? Do you know 552 00:31:50,960 --> 00:31:53,840 Speaker 1: what Rachel can't compete with? And she's all that and 553 00:31:53,920 --> 00:31:56,240 Speaker 1: a bag of chips in terms of her positivity and 554 00:31:56,280 --> 00:32:01,960 Speaker 1: her glowing, clean, scrubbed uh nature, just a just a 555 00:32:01,960 --> 00:32:06,160 Speaker 1: beautiful soul through and through. Is that there's no darkness 556 00:32:06,160 --> 00:32:09,680 Speaker 1: in her right, there's no edge, there's no sarcasm. And 557 00:32:09,760 --> 00:32:12,560 Speaker 1: there's a ton of darkness and edge in Luke and 558 00:32:12,600 --> 00:32:16,800 Speaker 1: in Laurel. I but they are from completely different worlds, 559 00:32:16,960 --> 00:32:20,200 Speaker 1: so they seem I mean, is it especially in that 560 00:32:20,200 --> 00:32:23,200 Speaker 1: sense perfect note? I think that's you're right. When he 561 00:32:23,280 --> 00:32:25,560 Speaker 1: came into his apartment and what are you doing here. 562 00:32:26,000 --> 00:32:28,960 Speaker 1: I mean they just they fall into their rhythm like that, 563 00:32:29,320 --> 00:32:33,640 Speaker 1: like they're together, like they belong together. Almost. Yes, yes, 564 00:32:33,680 --> 00:32:37,360 Speaker 1: there are two puzzle pieces that totally fit. Whereas she, 565 00:32:37,840 --> 00:32:42,320 Speaker 1: Rachel is the shiny object that you say, like you 566 00:32:42,320 --> 00:32:44,920 Speaker 1: should like her, look at her right, But she's great. 567 00:32:45,280 --> 00:32:51,520 Speaker 1: But it's like, in reality, it's not about what's on paper. 568 00:32:52,040 --> 00:32:55,400 Speaker 1: Luke's tough, he's a tough guy, but laurel Ez is 569 00:32:55,600 --> 00:32:58,840 Speaker 1: really tough. She's as tough as she is he is. 570 00:32:59,560 --> 00:33:02,640 Speaker 1: It just seems like their connection is so deep now too. 571 00:33:04,960 --> 00:33:07,440 Speaker 1: I think when we come back, I do need to 572 00:33:07,480 --> 00:33:09,880 Speaker 1: talk to you about Luke's apartment though, because this was 573 00:33:09,920 --> 00:33:14,440 Speaker 1: really the first time getting to see that, and boy 574 00:33:14,480 --> 00:33:17,680 Speaker 1: did I analyze it differently watching it this time than 575 00:33:17,720 --> 00:33:20,160 Speaker 1: I did the last you know, four times I've seen 576 00:33:20,160 --> 00:33:24,400 Speaker 1: this episode. And then I couldn't help because we did 577 00:33:24,480 --> 00:33:26,640 Speaker 1: get a you know, we know that the sledgehammer scene 578 00:33:26,680 --> 00:33:30,480 Speaker 1: is coming, so it's just like, oh my god, that's 579 00:33:30,560 --> 00:33:33,239 Speaker 1: That's one of the things I most strongly identify with 580 00:33:33,320 --> 00:33:37,800 Speaker 1: Lucas as a person. It's just having a place that's convenient. 581 00:33:38,520 --> 00:33:41,040 Speaker 1: It doesn't matter if it's glitzy. It's got to be convenient, 582 00:33:41,120 --> 00:33:43,960 Speaker 1: and that is that's why he sleeps there. Anyway. You 583 00:33:43,960 --> 00:33:47,440 Speaker 1: want to take a simple Yeah, your looks a simple guy. Simple. 584 00:33:49,080 --> 00:33:51,840 Speaker 1: I do the same thing. To the horror of my wife, 585 00:33:51,960 --> 00:33:54,080 Speaker 1: I do the same thing. Like let's say we're looking 586 00:33:54,120 --> 00:33:58,640 Speaker 1: for another place in a vacation spot, right, and there's 587 00:33:58,680 --> 00:34:01,720 Speaker 1: the mansions that nobody can afford, and then there's sort 588 00:34:01,760 --> 00:34:04,840 Speaker 1: of the lesser mansions that's still nobody can afford now, 589 00:34:04,880 --> 00:34:07,480 Speaker 1: and then like, hey, look at this dump. It's it's 590 00:34:07,560 --> 00:34:11,160 Speaker 1: right by the lift. It's like she said, like, are 591 00:34:11,200 --> 00:34:16,200 Speaker 1: you f and kidding me? We're not going there? He 592 00:34:16,320 --> 00:34:19,520 Speaker 1: is Luke. That is as we know. It's interesting, but 593 00:34:19,600 --> 00:34:21,480 Speaker 1: it's right there. You roll out of bed, you slept 594 00:34:21,480 --> 00:34:24,680 Speaker 1: on this, you go. It hasn't been revealed to us 595 00:34:24,760 --> 00:34:28,279 Speaker 1: so much yet. But Luke has money. Yeah, Luke is 596 00:34:28,320 --> 00:34:31,279 Speaker 1: living there by choice, not because he has to. That's 597 00:34:31,280 --> 00:34:34,239 Speaker 1: all he can afford. No, I know, Yeah, No, he 598 00:34:34,320 --> 00:34:38,320 Speaker 1: doesn't want. He doesn't want the inconvenience and the bills 599 00:34:38,560 --> 00:34:43,000 Speaker 1: and the responsibility of a real house. It's a big 600 00:34:43,080 --> 00:34:44,919 Speaker 1: you know, it's a big nut to bite off. Man. 601 00:34:44,960 --> 00:34:47,520 Speaker 1: It's just it's it's it's really and it's constant. So 602 00:34:48,160 --> 00:34:51,680 Speaker 1: he's being smart, right, what the hell is he needs? 603 00:34:51,960 --> 00:34:55,239 Speaker 1: You know, his dad left him a perfect situation, a 604 00:34:55,280 --> 00:34:58,800 Speaker 1: business and a place to crash. Let's break down apartment. 605 00:34:58,880 --> 00:35:00,719 Speaker 1: Let's break down apartment when we come back, all right, 606 00:35:00,760 --> 00:35:03,080 Speaker 1: so we we We will be back in a new 607 00:35:03,120 --> 00:35:06,080 Speaker 1: segment on our show. It's gonna be apartment breakdown. We're 608 00:35:06,080 --> 00:35:10,200 Speaker 1: gonna into a little real estate discussion too. And uh, 609 00:35:10,239 --> 00:35:12,239 Speaker 1: that's a new angle for Gilmore girls. Let's talk about 610 00:35:12,280 --> 00:35:16,080 Speaker 1: real estate. We go from Luke to Emily Gilmour's mench 611 00:35:16,920 --> 00:35:22,240 Speaker 1: All right, we'll be back after these works. Yeah, hey, everybody. 612 00:35:22,239 --> 00:35:24,040 Speaker 1: For the best coffee in the world at the best 613 00:35:24,080 --> 00:35:27,120 Speaker 1: price for a specialty coffee, go to scott ep dot 614 00:35:27,160 --> 00:35:30,719 Speaker 1: com for your scott EPs Big Mug coffee. That's right, 615 00:35:30,800 --> 00:35:33,440 Speaker 1: that's my company. Scotty p dot com for the best 616 00:35:33,960 --> 00:35:37,640 Speaker 1: grade one specialty coffee beans direct from plantations and co ops, 617 00:35:37,680 --> 00:35:42,080 Speaker 1: micro roasted, European style, US manufactured and packaged, fair trade assurance, 618 00:35:42,160 --> 00:35:45,440 Speaker 1: quality control. The best coffee at the best price on 619 00:35:45,680 --> 00:35:49,080 Speaker 1: planet Earth. Scott ep dot com s c O T 620 00:35:49,080 --> 00:35:53,319 Speaker 1: t y P dot com. All right, everybody, we're back. 621 00:35:53,320 --> 00:35:57,000 Speaker 1: We're gonna talk about Luke's apartment. What's the deal with 622 00:35:57,080 --> 00:36:00,759 Speaker 1: Luke's apartment. Let's let's let's let's let's go ahead. Is 623 00:36:00,800 --> 00:36:03,640 Speaker 1: there no bathroom door because I really could see the toilet. 624 00:36:03,719 --> 00:36:07,680 Speaker 1: There's a cathroom door. SI door open because the photos 625 00:36:07,719 --> 00:36:12,560 Speaker 1: were trying She's hanging on those photos the So what 626 00:36:12,760 --> 00:36:16,680 Speaker 1: is your So give me Scott's thoughts on Luke's apartment. 627 00:36:17,680 --> 00:36:21,400 Speaker 1: It's the perfect place. It's convenient, it's right there. He 628 00:36:21,480 --> 00:36:25,080 Speaker 1: wakes up, he goes downstairs, and nobody can really vandalize 629 00:36:25,080 --> 00:36:27,759 Speaker 1: his place because he's right upstairs and nobody knows that 630 00:36:27,920 --> 00:36:29,799 Speaker 1: they're not going to get away with anything. I mean, 631 00:36:29,800 --> 00:36:32,879 Speaker 1: that's that's his world. He's protecting his world. He's he's 632 00:36:33,320 --> 00:36:37,640 Speaker 1: right there. I relate to that so strongly. His apartment 633 00:36:37,719 --> 00:36:41,160 Speaker 1: is very Luke. It's not it's not gross, but it's 634 00:36:41,200 --> 00:36:44,839 Speaker 1: not fabulous. I had an apartment like that when I 635 00:36:44,880 --> 00:36:47,360 Speaker 1: got the show, and then I stayed in that apartment 636 00:36:47,400 --> 00:36:50,919 Speaker 1: for three years until my accountant was screaming at me, saying, 637 00:36:50,960 --> 00:36:52,400 Speaker 1: you got to buy a house, so you're gonna have 638 00:36:52,440 --> 00:36:54,319 Speaker 1: to write a huge check to the government. I said, 639 00:36:54,320 --> 00:36:57,200 Speaker 1: all right, now, it's starting to buy the apartment a studio. 640 00:36:57,600 --> 00:37:00,719 Speaker 1: Would we call it a studio that is a studio loft? Yes, No, 641 00:37:00,880 --> 00:37:04,240 Speaker 1: that's a that's a studio. Maybe it's a studio, well loft, 642 00:37:04,400 --> 00:37:07,359 Speaker 1: I mean it's above. Yeah, maybe it's a studio loft. Yeah, 643 00:37:07,560 --> 00:37:10,360 Speaker 1: good studio. Yeah. So it's got the kitchen, it's not 644 00:37:10,520 --> 00:37:14,400 Speaker 1: the bathroom. There's definitely the bed, which was interesting because 645 00:37:14,440 --> 00:37:16,360 Speaker 1: that was like, oh my god, that's where Luke sleeps. 646 00:37:16,560 --> 00:37:18,960 Speaker 1: And it had like the one pillow and then it 647 00:37:19,040 --> 00:37:22,840 Speaker 1: had that sort of chair pillow on it. You know 648 00:37:22,840 --> 00:37:24,279 Speaker 1: what I'm talking about. You know those pillows that are 649 00:37:24,320 --> 00:37:28,439 Speaker 1: like chair pillows, you know, they have arms. Then he's 650 00:37:28,480 --> 00:37:32,000 Speaker 1: got the cow. So it's not itty bitty, it's not 651 00:37:32,120 --> 00:37:36,359 Speaker 1: so small, it's not big. It's perfect. It's perfect for 652 00:37:36,440 --> 00:37:41,520 Speaker 1: one person or two people who like each other. Yeah, 653 00:37:42,120 --> 00:37:44,839 Speaker 1: it's not a roommate type of situation. It's like where 654 00:37:44,920 --> 00:37:48,640 Speaker 1: lovers can be there. And and who did the curtains? 655 00:37:49,120 --> 00:37:52,640 Speaker 1: Luke did the curtains? And did you do that as 656 00:37:52,680 --> 00:37:55,480 Speaker 1: a touch for Rachel? I think that is you know 657 00:37:55,560 --> 00:37:59,440 Speaker 1: what that is. That's a question for our audience to 658 00:37:59,719 --> 00:38:04,359 Speaker 1: eat nail us about because they probably know because they 659 00:38:04,360 --> 00:38:09,560 Speaker 1: know everything. So that's the question what's the deal with 660 00:38:09,560 --> 00:38:12,319 Speaker 1: the curtains people? And I also want to know how 661 00:38:12,360 --> 00:38:14,880 Speaker 1: they interpreted the coffee scene we were talking about, because 662 00:38:14,920 --> 00:38:16,839 Speaker 1: I think you're pretty much nailing it, but I want 663 00:38:16,840 --> 00:38:19,799 Speaker 1: to see if anybody else has different thoughts. So, okay, 664 00:38:19,880 --> 00:38:22,720 Speaker 1: Riley and Danielle, what do you think of the apartment? 665 00:38:23,280 --> 00:38:26,880 Speaker 1: It's screamed dude to me, but very very in in 666 00:38:26,880 --> 00:38:29,160 Speaker 1: a good way, not in a like a gross crusty way, 667 00:38:29,440 --> 00:38:35,120 Speaker 1: and like a guy definitely lives here, you know. I 668 00:38:35,200 --> 00:38:38,680 Speaker 1: definitely agree that it was very minimal, minimal and easy 669 00:38:38,880 --> 00:38:41,839 Speaker 1: like quick access. It was very dude, like, all right, 670 00:38:42,920 --> 00:38:45,360 Speaker 1: skis skis in boots right there at the front door. 671 00:38:45,520 --> 00:38:51,399 Speaker 1: R is just filled with with with crazy crap. Yeah, 672 00:38:51,440 --> 00:38:54,800 Speaker 1: but that's a home. That's a warm, loving home, filling 673 00:38:54,920 --> 00:38:57,560 Speaker 1: they like clutter. I mean, come on, Rory and Laura, 674 00:38:57,640 --> 00:39:01,080 Speaker 1: I like clutters. Yeah, but they're you know, they're that's 675 00:39:01,080 --> 00:39:05,400 Speaker 1: a loving home filled with memories and filled with memorabilia 676 00:39:05,520 --> 00:39:07,960 Speaker 1: of their memory. You know. It's it's it's a nice, 677 00:39:08,040 --> 00:39:10,560 Speaker 1: warm space. It really is. And it's not that's not 678 00:39:10,640 --> 00:39:12,400 Speaker 1: a big that's not a big plate. It's got a foyer, 679 00:39:12,880 --> 00:39:15,840 Speaker 1: it's got a living room, it's downstairs, a bedroom downstairs 680 00:39:15,840 --> 00:39:19,040 Speaker 1: and a kitchen downstairs and then a couple of betters. Yeah, 681 00:39:19,120 --> 00:39:22,480 Speaker 1: it's not it's not huge. It has that nice front 682 00:39:22,520 --> 00:39:27,319 Speaker 1: yard though. How epic Going backwards to this episode was 683 00:39:27,360 --> 00:39:33,440 Speaker 1: the Charlie's Angels plates though she's all, it's easy to 684 00:39:33,480 --> 00:39:36,440 Speaker 1: find a Kate Jackson. You know, it's hard. Antonia Roberts like, 685 00:39:36,480 --> 00:39:38,600 Speaker 1: I was just like and it's going over these young 686 00:39:39,000 --> 00:39:43,239 Speaker 1: people's heads. But for me, like Charlie's Angels is just everything. 687 00:39:43,840 --> 00:39:48,720 Speaker 1: It's such a relief to see Emily in her element 688 00:39:48,880 --> 00:39:53,200 Speaker 1: with her granddaughter and to just imagine what she really 689 00:39:53,239 --> 00:39:56,480 Speaker 1: wanted for Laurela and how she wanted to be with Laurela, 690 00:39:56,600 --> 00:39:59,240 Speaker 1: and you know, it gives it the sort of tragic 691 00:39:59,600 --> 00:40:02,040 Speaker 1: purport shan to it, but it's it's nice to see 692 00:40:02,040 --> 00:40:05,560 Speaker 1: Emily in a good mood. I love seeing her. She goes, oh, 693 00:40:05,600 --> 00:40:08,359 Speaker 1: I really after after leaving Mrs Kim she goes, oh, 694 00:40:08,400 --> 00:40:11,760 Speaker 1: I like that woman, and and oh I love this street. 695 00:40:11,880 --> 00:40:14,759 Speaker 1: Look at that. I mean, she's just everything's glowing for 696 00:40:14,800 --> 00:40:18,439 Speaker 1: her now, and in her tennis shoes and a tennis shoes. 697 00:40:18,480 --> 00:40:20,520 Speaker 1: What about when Emily gets upset when she sees the 698 00:40:20,600 --> 00:40:23,160 Speaker 1: shed and she goes running off and Rory's like, was 699 00:40:23,200 --> 00:40:29,319 Speaker 1: it the Terry ACKI did? She say? Remember they went 700 00:40:29,400 --> 00:40:34,440 Speaker 1: to like was it Terryoki Joe? And you can tell 701 00:40:35,200 --> 00:40:39,480 Speaker 1: was it Terry? She looks like at Clydesdale in those shoes. 702 00:40:39,840 --> 00:40:42,440 Speaker 1: The whole thing was so good and it was just 703 00:40:42,520 --> 00:40:46,880 Speaker 1: so much. And then you know, we should talk about 704 00:40:47,000 --> 00:40:50,360 Speaker 1: for a minute your thoughts on Emily creating the room 705 00:40:51,400 --> 00:40:55,560 Speaker 1: for Rory. I mean, we touched on it briefly, but like, well, 706 00:40:55,800 --> 00:40:58,399 Speaker 1: you know, I wish I had grandparents that did death 707 00:40:58,400 --> 00:40:59,680 Speaker 1: for me when I was growing up. That would have 708 00:40:59,719 --> 00:41:04,040 Speaker 1: been I mean, what a what a beautiful gesture. And 709 00:41:04,080 --> 00:41:07,040 Speaker 1: again and again I said it before. It's just all 710 00:41:07,080 --> 00:41:11,960 Speaker 1: of her stored up love and affection ah being thrown 711 00:41:12,040 --> 00:41:14,680 Speaker 1: upon Rory, and she's a beneficiary of it. She will 712 00:41:14,719 --> 00:41:19,040 Speaker 1: continue to be the beneficiary of it. Um. And it's 713 00:41:19,080 --> 00:41:25,279 Speaker 1: amazing how that can provoke Laurela. I mean, something so 714 00:41:25,320 --> 00:41:28,719 Speaker 1: good natured and so positive for her daughter puts her 715 00:41:28,719 --> 00:41:31,239 Speaker 1: in conflict with her with her own mother. I mean, 716 00:41:31,280 --> 00:41:37,040 Speaker 1: it's it's it's just such a such a circle. Um. 717 00:41:37,040 --> 00:41:38,920 Speaker 1: But I think I think it was a wonderful gesture. 718 00:41:38,960 --> 00:41:42,319 Speaker 1: I think it's a I really really like Emily. I 719 00:41:42,440 --> 00:41:45,680 Speaker 1: really like her. I know she's overbearing and I know 720 00:41:45,800 --> 00:41:49,000 Speaker 1: she made some mistakes with Laurela and laurel I had 721 00:41:49,040 --> 00:41:51,640 Speaker 1: no choice, I get it. But man, I really like her. 722 00:41:51,960 --> 00:41:55,240 Speaker 1: I really like her. She's a fighter. Man, she's she's 723 00:41:55,360 --> 00:41:57,479 Speaker 1: she's tough. And that's where Laurelai gets it. She gets 724 00:41:57,480 --> 00:42:00,880 Speaker 1: that steal from her mother, you know, that bone of iron, 725 00:42:00,920 --> 00:42:04,400 Speaker 1: and that's where Rory gets it. I mean, that's that's 726 00:42:04,400 --> 00:42:09,520 Speaker 1: that's handed down from from from from Emily. So it's 727 00:42:09,600 --> 00:42:12,479 Speaker 1: it's it's just wonderful to see. It's really, it's really 728 00:42:12,480 --> 00:42:16,080 Speaker 1: wonderful to see Emily also deflect all of the negativity 729 00:42:16,120 --> 00:42:20,800 Speaker 1: and jokes and stick and vaudeville quips coming in that 730 00:42:20,920 --> 00:42:24,880 Speaker 1: are from Laura way five three and there it is. 731 00:42:25,320 --> 00:42:28,279 Speaker 1: It's like it's like, man, I mean, it's just like 732 00:42:28,320 --> 00:42:31,040 Speaker 1: what she gets away, what she's tolerated to spend time 733 00:42:31,080 --> 00:42:35,160 Speaker 1: with her granddaughter, spending the money paying for the college, 734 00:42:35,239 --> 00:42:39,799 Speaker 1: getting her way. Um, good for her. I'm really, I'm 735 00:42:39,800 --> 00:42:43,080 Speaker 1: really I'm really rooting for her. I'd love having Emily 736 00:42:43,400 --> 00:42:46,560 Speaker 1: in Stars Hollow. And I know I said it, but 737 00:42:47,000 --> 00:42:49,960 Speaker 1: the scene with Emily and Mrs Kim is just so 738 00:42:50,280 --> 00:42:54,320 Speaker 1: great and it really, it really is. And you see 739 00:42:54,360 --> 00:42:56,680 Speaker 1: the genius of both of them. You're like, God, Mrs 740 00:42:56,760 --> 00:43:01,279 Speaker 1: Kim rocks to a couple of toughly good business one 741 00:43:02,040 --> 00:43:04,360 Speaker 1: and Emily is just having a good time with Rory. 742 00:43:04,560 --> 00:43:07,120 Speaker 1: It's really sweet. And and Emily and Michelle, I mean, 743 00:43:07,120 --> 00:43:09,600 Speaker 1: I know we talked about it, but they of course 744 00:43:09,719 --> 00:43:13,120 Speaker 1: those two would immediately love each other. But but but 745 00:43:13,280 --> 00:43:17,200 Speaker 1: she never you know, Emily never got to enjoy Laurel 746 00:43:17,239 --> 00:43:19,000 Speaker 1: I up to a certain point and then it was 747 00:43:19,080 --> 00:43:22,360 Speaker 1: done over. You know, by the time Laurel I was 748 00:43:22,640 --> 00:43:25,279 Speaker 1: fourteen fifteen years old, they were having massive conflict to 749 00:43:25,280 --> 00:43:27,440 Speaker 1: the point where she went out and well, yeah, we 750 00:43:27,520 --> 00:43:29,920 Speaker 1: and we learned that one tricks was here, that that 751 00:43:30,280 --> 00:43:34,040 Speaker 1: Emily cannot take anybody getting in the way of her 752 00:43:34,160 --> 00:43:38,399 Speaker 1: having this relationship with Rory. It's her whole life now. Yes, 753 00:43:39,080 --> 00:43:43,520 Speaker 1: imagine how good that makes her feel, your granddaughter, Oh 754 00:43:43,560 --> 00:43:48,359 Speaker 1: my god, and such a I mean and and I 755 00:43:48,360 --> 00:43:52,560 Speaker 1: mean talk about a person with such unlimited potential and Rory, 756 00:43:52,880 --> 00:43:54,719 Speaker 1: I mean, she must feel so proud and she's going 757 00:43:54,760 --> 00:43:57,920 Speaker 1: to contribute to her education. It's like it's like everything 758 00:43:57,920 --> 00:44:00,400 Speaker 1: I tried to do in my own family with my niece, 759 00:44:00,480 --> 00:44:04,000 Speaker 1: and you know, uh, and it's and it's you know, 760 00:44:04,040 --> 00:44:06,959 Speaker 1: it's a wonderful. She's just having the time for a life. 761 00:44:07,000 --> 00:44:09,839 Speaker 1: She's having these wonderful experiences before getting closer and close 762 00:44:09,920 --> 00:44:13,560 Speaker 1: joys spending more time with her. That's wonderful to say. 763 00:44:13,760 --> 00:44:16,880 Speaker 1: I think it's wonderful. Yeah, and I, uh, you know, 764 00:44:16,920 --> 00:44:18,400 Speaker 1: I know we have to wrap up and do some 765 00:44:18,440 --> 00:44:23,399 Speaker 1: pop culture, but I I know that what we saw 766 00:44:23,480 --> 00:44:27,240 Speaker 1: in this episode is just teeing up what happens next week. 767 00:44:28,360 --> 00:44:33,440 Speaker 1: It's like, buckle really, oh yeah, I'm gonna try not 768 00:44:33,480 --> 00:44:37,640 Speaker 1: to watch it. I peeked ahead and it was like, alright, 769 00:44:37,640 --> 00:44:42,759 Speaker 1: take it, take it easy, take don't get it, don't 770 00:44:42,760 --> 00:44:44,799 Speaker 1: give up the ghost. It's just getting better and better. 771 00:44:45,080 --> 00:44:47,239 Speaker 1: You know, let me ask you this before we before 772 00:44:47,239 --> 00:44:50,200 Speaker 1: we do pop culture. And I know that everyone talks 773 00:44:50,200 --> 00:44:52,840 Speaker 1: about how Amy and Dan weren't there for season seven 774 00:44:52,920 --> 00:44:57,839 Speaker 1: or whatever. You know, how year two three are never 775 00:44:57,920 --> 00:45:00,600 Speaker 1: as good as year one with Gil our girls. Would 776 00:45:00,640 --> 00:45:05,200 Speaker 1: you say it got better and better and better? I 777 00:45:05,239 --> 00:45:09,200 Speaker 1: don't know. I can't. I honestly can't answer that because 778 00:45:09,239 --> 00:45:11,879 Speaker 1: I haven't seen the episodes, and now, I mean, I'm 779 00:45:11,880 --> 00:45:14,080 Speaker 1: seeing these episodes for the first time, and they are 780 00:45:15,000 --> 00:45:19,360 Speaker 1: mind blowingly good, you know, And I don't mean it 781 00:45:19,440 --> 00:45:21,839 Speaker 1: sounds like a broken record, but it's it's it's really 782 00:45:21,840 --> 00:45:24,080 Speaker 1: it's time to wake up, time to wake I wake 783 00:45:24,160 --> 00:45:29,480 Speaker 1: up to that every morning at six thirty, by the way, okay, literally, 784 00:45:29,520 --> 00:45:32,279 Speaker 1: that alarm is telling us like it's like it's time six, 785 00:45:33,080 --> 00:45:37,120 Speaker 1: and then ten minutes later, right sixty, and then six 786 00:45:37,160 --> 00:45:40,440 Speaker 1: fifty and then sixty seven, and then I go get 787 00:45:40,480 --> 00:45:43,640 Speaker 1: my boy, right, I go into his bedroom, said, come on, 788 00:45:43,719 --> 00:45:48,680 Speaker 1: let's go, buddy. My wife's are like I think. I 789 00:45:48,760 --> 00:45:52,400 Speaker 1: was listening to Conan O'Brien's podcast and he's interview Michael Keaton, 790 00:45:52,440 --> 00:45:55,640 Speaker 1: who I like, have a huge love for Michael Keaton, 791 00:45:56,080 --> 00:45:58,520 Speaker 1: and Michael Keaton's alarm went off during it, but he 792 00:45:58,560 --> 00:46:03,759 Speaker 1: has that guitar strom much and you're just like, oh 793 00:46:03,800 --> 00:46:08,839 Speaker 1: my god, so good. Who doesn't love an alarm going 794 00:46:08,880 --> 00:46:16,920 Speaker 1: after it? Anyway, we obviously you know, I'm I'm enjoying 795 00:46:16,960 --> 00:46:19,000 Speaker 1: you watching it for the first time because it does 796 00:46:19,040 --> 00:46:22,319 Speaker 1: get even better. I can't imagine if how can you 797 00:46:22,320 --> 00:46:25,640 Speaker 1: even get better? Because it's just, oh my god, it's 798 00:46:25,640 --> 00:46:28,680 Speaker 1: just it's so intricate, it's so interwoven. It's just growing 799 00:46:28,719 --> 00:46:34,000 Speaker 1: and growing and growing. You'll see, oh my god, highly 800 00:46:34,000 --> 00:46:38,440 Speaker 1: addictive show highly I know it's so hard not to 801 00:46:39,160 --> 00:46:42,920 Speaker 1: let the Netflix just roll. That's what I want to do, 802 00:46:42,960 --> 00:46:44,880 Speaker 1: is say, after I get off this, I'm like clearing 803 00:46:44,920 --> 00:46:47,600 Speaker 1: the schedule. I'm gonna yeah, yeah, yeah, yeah, I just 804 00:46:47,640 --> 00:46:53,960 Speaker 1: cancel all my appointments. I'm watching Gilmore Girls. Emily's on 805 00:46:54,000 --> 00:46:55,880 Speaker 1: the one. You know, Emily is feeling good and I 806 00:46:55,920 --> 00:47:00,560 Speaker 1: want to feel good too. What do you mean? What 807 00:47:00,600 --> 00:47:03,000 Speaker 1: are you talking about? Come did dinner? I'm watching Gilmore Girls. 808 00:47:03,040 --> 00:47:05,440 Speaker 1: Let me now, I get it right. It's like I 809 00:47:05,440 --> 00:47:07,200 Speaker 1: want to have it on the background all the time. 810 00:47:07,280 --> 00:47:09,120 Speaker 1: I know that's the same thing with me. But yet 811 00:47:09,160 --> 00:47:10,680 Speaker 1: it's two in the morning and I'm like, I think 812 00:47:10,680 --> 00:47:14,680 Speaker 1: I can do one more. I think, really, I'm not 813 00:47:14,760 --> 00:47:16,680 Speaker 1: there yet, but I'm getting there late at night. I'm 814 00:47:16,680 --> 00:47:22,319 Speaker 1: getting there. Hey, everybody. I'm gonna be in New York 815 00:47:22,400 --> 00:47:25,960 Speaker 1: City at the Javits Center October seventh and eighth. That's 816 00:47:25,960 --> 00:47:28,239 Speaker 1: a Thursday and Friday at the New York Comic Con, 817 00:47:28,840 --> 00:47:32,359 Speaker 1: the revered New York Comic Con Big Event Javits Center, 818 00:47:32,560 --> 00:47:35,480 Speaker 1: New York City, October seventh and eighth. If you want tickets, 819 00:47:35,520 --> 00:47:38,080 Speaker 1: come by and say hello. I will be there October 820 00:47:38,160 --> 00:47:41,359 Speaker 1: seven and eight, Thursday and Friday. Go to New York 821 00:47:41,360 --> 00:47:43,920 Speaker 1: Comic Con dot com and get tickets. Also, you can 822 00:47:43,960 --> 00:47:47,319 Speaker 1: go to my website scott ep dot com and click 823 00:47:47,360 --> 00:47:50,319 Speaker 1: the link and get tickets as well. Hope to see 824 00:47:50,320 --> 00:47:56,799 Speaker 1: everybody looking forward. All right, Riley, bring your a game, 825 00:47:57,040 --> 00:48:01,279 Speaker 1: because why don't you read the comments because they need 826 00:48:01,280 --> 00:48:06,480 Speaker 1: more from you. I will give a plus plus everything 827 00:48:06,480 --> 00:48:08,319 Speaker 1: I have in this I might take me to take 828 00:48:08,360 --> 00:48:14,960 Speaker 1: a nap after it's coming at you fire, all right, Riley, 829 00:48:15,000 --> 00:48:17,840 Speaker 1: And this is your pop culture. So first we have 830 00:48:17,880 --> 00:48:20,919 Speaker 1: the title itself, Emily in Wonderland. So we've talked about 831 00:48:20,920 --> 00:48:23,319 Speaker 1: Alice in Wonderland on this podcast before, but here are 832 00:48:23,320 --> 00:48:26,200 Speaker 1: a couple more fun facts. So Alice was a real 833 00:48:26,280 --> 00:48:29,720 Speaker 1: girl and was the daughter of author Carol's boss Henry 834 00:48:29,840 --> 00:48:32,520 Speaker 1: and Queen Victoria was a fan of Carol and even 835 00:48:32,560 --> 00:48:36,960 Speaker 1: suggested that he dedicate his next work to her. Lane 836 00:48:36,960 --> 00:48:39,560 Speaker 1: refers to Emily and Kim bargaining back and forth, and 837 00:48:39,680 --> 00:48:43,920 Speaker 1: Lane says it's like watching the Williams sisters you can't 838 00:48:43,960 --> 00:48:48,040 Speaker 1: think of women's tennis without naming sisters Venus and Serena Williams. 839 00:48:48,040 --> 00:48:50,960 Speaker 1: Serena and Venus are two of five girls in their family. 840 00:48:51,520 --> 00:48:54,520 Speaker 1: Will Smith is set to play Richard Williams, father to 841 00:48:54,719 --> 00:48:57,600 Speaker 1: tennis icons Venus and Serena Williams, in a new movie 842 00:48:57,640 --> 00:49:01,720 Speaker 1: called King. Richard and Serena married and started a family 843 00:49:01,719 --> 00:49:05,560 Speaker 1: along with Alexis o'hanion, the co founder of Reddit. Ski 844 00:49:05,640 --> 00:49:09,440 Speaker 1: Comparer's rude stay at Jackson's to the movie The Last Weekend, 845 00:49:09,920 --> 00:49:12,560 Speaker 1: The Last Weekend, which is about an alcoholics for day 846 00:49:12,640 --> 00:49:16,640 Speaker 1: drinking binge which seems to drag on forever. Laura Lai says, 847 00:49:16,680 --> 00:49:18,279 Speaker 1: I thought he was only here for a weekend, and 848 00:49:18,320 --> 00:49:22,640 Speaker 1: Souk he says the Last Weekend. So The Last Weekend 849 00:49:22,800 --> 00:49:26,920 Speaker 1: is a drama. Billy Wilder claimed the liquor industry offered 850 00:49:26,920 --> 00:49:30,919 Speaker 1: Paramount Pictures five million dollars to not only release the film, 851 00:49:30,960 --> 00:49:34,239 Speaker 1: but he also suggested that he would have accepted the 852 00:49:34,320 --> 00:49:37,560 Speaker 1: offer to him, he would have accepted the offer himself 853 00:49:37,600 --> 00:49:42,240 Speaker 1: personally and to prepare for the part. Ray milland spent 854 00:49:42,320 --> 00:49:45,120 Speaker 1: one night in Bellevue Hospital as a patient. He also 855 00:49:45,160 --> 00:49:48,880 Speaker 1: stopped eating regularly. As a as alcoholics forget to do so. 856 00:49:51,400 --> 00:49:53,680 Speaker 1: Laura Lai says, I don't know exactly what's going on 857 00:49:53,800 --> 00:49:56,919 Speaker 1: Rachel's head because I'm not a Vulcan. We have talked 858 00:49:56,920 --> 00:49:59,239 Speaker 1: about the Vulcans and their grip, but here a couple 859 00:49:59,280 --> 00:50:02,640 Speaker 1: more fun fact. Beginning in the original series, the character 860 00:50:02,680 --> 00:50:06,000 Speaker 1: Spock was able to mind meld by touching another being's 861 00:50:06,280 --> 00:50:09,680 Speaker 1: head and share thoughts. Vulcans have their own language in 862 00:50:09,719 --> 00:50:13,279 Speaker 1: the Star Trek universe, so English was dubbed over the 863 00:50:13,360 --> 00:50:18,600 Speaker 1: Vulcan translation and an interesting twist. Adam Nimoy directed season 864 00:50:18,680 --> 00:50:21,239 Speaker 1: one episode three, Kill Me Now of Gilmore Girls, and 865 00:50:21,280 --> 00:50:24,200 Speaker 1: his father Leonard played Spock in the original Star Trek 866 00:50:25,280 --> 00:50:30,000 Speaker 1: Little blend of two worlds there, Lorala makes this reference 867 00:50:30,000 --> 00:50:32,680 Speaker 1: as an Emily is becoming more casual, but which we've 868 00:50:32,680 --> 00:50:34,960 Speaker 1: talked about. Loria I says, I can't picture you at 869 00:50:35,000 --> 00:50:38,160 Speaker 1: teryaki shows or in jogging shoes. What's up? Working Girl? 870 00:50:38,920 --> 00:50:42,400 Speaker 1: Working Girl is in n American romantic comedy drama film 871 00:50:42,560 --> 00:50:46,640 Speaker 1: starring Melanie Griffith and Harrison Ford. No one expected it 872 00:50:46,640 --> 00:50:50,040 Speaker 1: to be the hit it was. Melanie Griffith has admitted 873 00:50:50,120 --> 00:50:52,520 Speaker 1: that she found her co star Alec Baldwin, who plays 874 00:50:52,560 --> 00:50:56,399 Speaker 1: her cheating ex boyfriend Mick, extremely attractive and even went 875 00:50:56,440 --> 00:50:59,960 Speaker 1: so far as to pursue romantic relationship with actor brothers. 876 00:51:00,000 --> 00:51:03,200 Speaker 1: Stephen Baldwin used to be famous for his acting and 877 00:51:03,280 --> 00:51:05,960 Speaker 1: now is known in pop culture as Hailey Bieber's father. 878 00:51:09,719 --> 00:51:16,320 Speaker 1: So true, so true, right, Laurel I says gold potting 879 00:51:16,320 --> 00:51:18,600 Speaker 1: shed that's where Roy and I lived when she was 880 00:51:18,640 --> 00:51:21,799 Speaker 1: a baby, and has memories and little rosebud wallpaper. I 881 00:51:21,800 --> 00:51:25,280 Speaker 1: don't want Boo Radley touching my rosebud wallpaper. She refers 882 00:51:25,280 --> 00:51:30,160 Speaker 1: to Ruin as Boo rad exactly. Boo Radley is a 883 00:51:30,239 --> 00:51:33,920 Speaker 1: character from Harper Lee's To Kill a Mockingbird. Actor Robert 884 00:51:33,960 --> 00:51:37,319 Speaker 1: Duval play Boo Radley in the nineteen sixty two film interpretation. 885 00:51:37,560 --> 00:51:39,920 Speaker 1: Can I just Can I just interject here? That was 886 00:51:39,960 --> 00:51:45,000 Speaker 1: one of the more terrifying moments of my childhood when 887 00:51:46,520 --> 00:51:49,719 Speaker 1: my parents and I and my sisters were watching To 888 00:51:49,840 --> 00:51:52,520 Speaker 1: Kill a mocking Bird, and we'd watched it every year. 889 00:51:52,520 --> 00:51:55,360 Speaker 1: It was like it was a yearly ritual. But that 890 00:51:55,880 --> 00:51:59,319 Speaker 1: first time that, um, I guess in the courtroom, where 891 00:51:59,520 --> 00:52:01,600 Speaker 1: is that? The first time you see Robert Duval as 892 00:52:01,840 --> 00:52:05,680 Speaker 1: as Boo Radley just gave me nightmares. What a what 893 00:52:05,760 --> 00:52:08,840 Speaker 1: a great performance by by a great actor. Anyway, go ahead, 894 00:52:08,840 --> 00:52:11,759 Speaker 1: sorry to look so creepy. Actually he stayed out of 895 00:52:11,760 --> 00:52:14,040 Speaker 1: the sun for six weeks and dyed his hair blonde 896 00:52:14,120 --> 00:52:18,600 Speaker 1: for the role of Boo Radley. Um. So, Emily calls 897 00:52:18,680 --> 00:52:21,360 Speaker 1: Rory to ask big questions we later find out was 898 00:52:21,400 --> 00:52:24,520 Speaker 1: too for her room. Emily says, Sunflowers it is. Now, 899 00:52:24,880 --> 00:52:28,640 Speaker 1: what about music in sync or ninety degrees? Emily says, 900 00:52:28,960 --> 00:52:34,239 Speaker 1: what about that other group, the Backside Boys. She ended 901 00:52:34,320 --> 00:52:37,480 Speaker 1: up going with the ninety degrees, which was maybe that 902 00:52:37,520 --> 00:52:41,120 Speaker 1: was all they could clear It was clearance, so in sync, 903 00:52:41,239 --> 00:52:44,560 Speaker 1: ninety Degrees and actually Backstreet Boys. These three groups are 904 00:52:44,600 --> 00:52:46,840 Speaker 1: what you think of when thinking of boy bands. In 905 00:52:46,880 --> 00:52:50,000 Speaker 1: a crazy twist, A J. McClean, Lance Bass and Nicholas 906 00:52:50,000 --> 00:52:52,560 Speaker 1: She all presented at the VMAs this year, the boy 907 00:52:52,680 --> 00:52:56,480 Speaker 1: band throwback we all needed. Yeah, boy bands just don't 908 00:52:56,520 --> 00:52:59,560 Speaker 1: go away. They're like cockroaches. They keep coming back and 909 00:52:59,640 --> 00:53:03,080 Speaker 1: dancing better than ever. What a nice thing to say. 910 00:53:04,320 --> 00:53:07,239 Speaker 1: I love I'm a big boy band fan, but like, 911 00:53:07,360 --> 00:53:09,560 Speaker 1: they don't go away, Like those guys have all been 912 00:53:09,600 --> 00:53:13,000 Speaker 1: around for like thirty years. Was Nick Carter in one 913 00:53:13,000 --> 00:53:15,680 Speaker 1: of those boy bands. Yeah, he's a backside boy. So 914 00:53:15,680 --> 00:53:18,440 Speaker 1: so let me tell you. I was you know, I 915 00:53:18,480 --> 00:53:24,080 Speaker 1: get I do personal appearances, and I was requested for 916 00:53:24,280 --> 00:53:30,440 Speaker 1: a private birthday party for some a very lovely heiress 917 00:53:30,480 --> 00:53:33,920 Speaker 1: type person from another country. Yes, so they fly in 918 00:53:33,960 --> 00:53:38,160 Speaker 1: the whole deal. And uh, she just loves sauce so much. 919 00:53:39,920 --> 00:53:42,520 Speaker 1: And I thought I was the main gig. I thought 920 00:53:42,560 --> 00:53:46,560 Speaker 1: I was at I was a warm up act for 921 00:53:46,640 --> 00:53:51,800 Speaker 1: Nick Carter, and Nick Carter showed up and with my 922 00:53:52,200 --> 00:53:57,160 Speaker 1: producer on guitar by the way, Nick performed. Nick performed 923 00:53:57,200 --> 00:53:59,239 Speaker 1: as a set with a guitar and a sort of 924 00:53:59,320 --> 00:54:02,720 Speaker 1: little bit legit a couple of guitars and acoustic guitars 925 00:54:02,719 --> 00:54:06,120 Speaker 1: and I think a drum machine. And he was fantastic. Yeah, 926 00:54:06,120 --> 00:54:09,440 Speaker 1: those guys can sing. Oh, he can sing his ass off. 927 00:54:09,560 --> 00:54:13,279 Speaker 1: He can sing his backside boys off. Yeah, they're really 928 00:54:13,280 --> 00:54:18,480 Speaker 1: called the Backstreet Great Songs. And he was I mean 929 00:54:18,560 --> 00:54:21,960 Speaker 1: what a performer. Those guys can all sing. Oh, but 930 00:54:22,040 --> 00:54:24,880 Speaker 1: I mean but just just how he performed. And she 931 00:54:25,080 --> 00:54:28,279 Speaker 1: was enthralled, and she's like, you know, she'd look at 932 00:54:28,280 --> 00:54:34,719 Speaker 1: me and go, what are you doing here? No, those 933 00:54:34,719 --> 00:54:41,680 Speaker 1: guys are all. He was great everybody. Yeah, I was 934 00:54:41,719 --> 00:54:43,759 Speaker 1: cladding my hands along with everybody else. Man, I was like, 935 00:54:43,840 --> 00:54:49,040 Speaker 1: go Nick. She said, ninety degrees in sync Backstreet Boys 936 00:54:49,560 --> 00:54:53,319 Speaker 1: is still totally relevant today, Like literally, ninety degrees just 937 00:54:53,400 --> 00:54:57,960 Speaker 1: released an album. Backstreet Boys are still totally touring and releasing. 938 00:54:58,040 --> 00:55:00,640 Speaker 1: They just were nominated for Grammy a couple of years 939 00:55:00,680 --> 00:55:05,799 Speaker 1: ago and then in Sync. Everybody's just waiting for the reunion. Hm. 940 00:55:07,320 --> 00:55:11,799 Speaker 1: Justin's like, yeah, I don't need that. Oh he was 941 00:55:11,880 --> 00:55:16,719 Speaker 1: involved with Jimberlake. Is insane. Justin Bieber was involved with Timberlake, 942 00:55:18,000 --> 00:55:22,680 Speaker 1: timber he was involved with these these kids. He was insane. Okay, 943 00:55:22,880 --> 00:55:25,520 Speaker 1: all right, Well I thought he was in a group 944 00:55:25,560 --> 00:55:27,840 Speaker 1: with Brittany where. Didn't they have like the Brittany and 945 00:55:27,880 --> 00:55:30,759 Speaker 1: Justin O my god, Scott is putting a dagger through 946 00:55:30,800 --> 00:55:33,520 Speaker 1: my nineties, wouldn't Didn't they have like a Sonny and Share? 947 00:55:33,640 --> 00:55:35,640 Speaker 1: Didn't they have their own show like Sonny and Share? 948 00:55:35,800 --> 00:55:39,439 Speaker 1: Justin dated Brittany? Why did they always work Denim together? 949 00:55:39,440 --> 00:55:43,719 Speaker 1: Everybody was warning Denim. That's an iconic photo. But they 950 00:55:43,719 --> 00:55:45,880 Speaker 1: were dating. They weren't a band. They didn't have a 951 00:55:45,920 --> 00:55:49,200 Speaker 1: band together. That was an outfit they wore by choice. Idea. 952 00:55:51,120 --> 00:55:53,560 Speaker 1: I gotta read. I gotta do some reading. Clearly, I 953 00:55:53,600 --> 00:55:59,920 Speaker 1: gotta got brown up on my DOOTI history. Anyway, speaking 954 00:56:00,000 --> 00:56:03,440 Speaker 1: of great singers, Rory and Larla are walking down the 955 00:56:03,440 --> 00:56:05,359 Speaker 1: street and more. Lie is upset about wanting a real 956 00:56:05,360 --> 00:56:08,239 Speaker 1: connection with Emily, and Rory says, can I ask you 957 00:56:08,239 --> 00:56:13,319 Speaker 1: a question? Lorelie says, yes, I would date Steven Tyler? Okay, 958 00:56:13,600 --> 00:56:15,320 Speaker 1: I was. I was debating when, and I'd tell the 959 00:56:15,320 --> 00:56:18,840 Speaker 1: story about right now. But what did What did Rory say? 960 00:56:19,120 --> 00:56:22,240 Speaker 1: Rory says, can I ask you question whose answer wouldn't 961 00:56:22,239 --> 00:56:31,680 Speaker 1: horrify me? So here's what I will say about Steven Tyler. 962 00:56:31,880 --> 00:56:36,520 Speaker 1: Number one, He's the nicest, So I am not I'm 963 00:56:36,600 --> 00:56:40,320 Speaker 1: friendly with Steven Tyler because I also produced Ryan Seacrest show. Obviously, 964 00:56:40,400 --> 00:56:41,719 Speaker 1: Ryan and Stephen our friends. So we were all on 965 00:56:41,920 --> 00:56:44,160 Speaker 1: vacation and like Tahoe together, and I'm very close to 966 00:56:44,200 --> 00:56:47,880 Speaker 1: Steven's manager, So we were having a barbecue, so we're like, oh, 967 00:56:47,960 --> 00:56:50,520 Speaker 1: just come over. So they're gonna come by boat on 968 00:56:50,560 --> 00:56:53,640 Speaker 1: like Tahoe, and we're thinking, like a little I don't 969 00:56:53,640 --> 00:56:54,920 Speaker 1: know why. I just thought it was going to be 970 00:56:54,920 --> 00:56:57,160 Speaker 1: a boat like everyone else has on Mike Tahoe a 971 00:56:57,280 --> 00:57:01,400 Speaker 1: tiny little, tiny boat. We look out the window and 972 00:57:01,400 --> 00:57:05,520 Speaker 1: we're like, that's not a boat, Like that's a yacht. 973 00:57:05,719 --> 00:57:08,319 Speaker 1: Like what's going on? So we call them and we're like, 974 00:57:08,520 --> 00:57:10,239 Speaker 1: do you have a captain on that thing? Like we 975 00:57:10,320 --> 00:57:13,799 Speaker 1: can't park that thing anyway. Long story short, we get 976 00:57:13,840 --> 00:57:17,440 Speaker 1: them off the boat. Even in his like Tahoe casual, 977 00:57:18,120 --> 00:57:21,360 Speaker 1: Stephen is very recognizable. And I'm not making this up. 978 00:57:21,400 --> 00:57:23,760 Speaker 1: We were walking. He's just a regular dude. So we're 979 00:57:23,760 --> 00:57:25,560 Speaker 1: just walking to the market to get hot dogs and 980 00:57:25,600 --> 00:57:28,600 Speaker 1: hot dog buns. I'm not making this up. And straight on, 981 00:57:29,200 --> 00:57:31,520 Speaker 1: a guy, not even a kid, like a man on 982 00:57:31,560 --> 00:57:35,440 Speaker 1: a bike is biking on the path that we're walking 983 00:57:35,440 --> 00:57:40,080 Speaker 1: on and literally saw Steven Tyler and almost fell off 984 00:57:40,080 --> 00:57:43,840 Speaker 1: the bike. People are just like, what is happening? So, yeah, 985 00:57:43,840 --> 00:57:47,320 Speaker 1: that's miss Steven Tyler's story. He's very uh you know, 986 00:57:47,400 --> 00:57:49,320 Speaker 1: he's a man of the people. He likes to be 987 00:57:49,400 --> 00:57:53,360 Speaker 1: out there with the people. Totally. He's not a stuck 988 00:57:53,440 --> 00:57:59,479 Speaker 1: up diva guy here. Yeah, he just he just wanted 989 00:57:59,520 --> 00:58:01,800 Speaker 1: a hot but like he just couldn't have been happier. 990 00:58:02,000 --> 00:58:05,480 Speaker 1: But he he he cannot be inconspicuous, like that's the thing. 991 00:58:06,400 --> 00:58:10,680 Speaker 1: He just is immediately, doesn't matter if there's a hat 992 00:58:10,800 --> 00:58:13,480 Speaker 1: or glasses, nothing. He's one of the great front men 993 00:58:13,600 --> 00:58:20,160 Speaker 1: in rock history. He's not shy. He's not a shy guy. Yeah. 994 00:58:20,760 --> 00:58:23,000 Speaker 1: A couple of fun facts about Steven Tyler. He has 995 00:58:23,040 --> 00:58:27,000 Speaker 1: his own line of scarves called rock Scarf, and he 996 00:58:27,080 --> 00:58:29,440 Speaker 1: has sent an interview that he can live off of 997 00:58:29,440 --> 00:58:35,480 Speaker 1: a good compliment for two months. Alright, So our last 998 00:58:35,520 --> 00:58:39,360 Speaker 1: one coming in hot is Emily and Rory talking about 999 00:58:39,400 --> 00:58:42,720 Speaker 1: Charlie's Angels, which we've discussed a little bit, but the 1000 00:58:42,760 --> 00:58:46,200 Speaker 1: actual quotes are and he says there are women in 1001 00:58:46,240 --> 00:58:49,640 Speaker 1: bikinis on them talking about the plates, and Rory says, 1002 00:58:49,840 --> 00:58:52,680 Speaker 1: the original Charlie's Angels, it took us years to complete 1003 00:58:52,680 --> 00:58:57,080 Speaker 1: a set. Who's your favorite Angel? Your favorite Charlie's Angel 1004 00:58:57,560 --> 00:59:01,840 Speaker 1: of the o G Original Charlie's Angels. Fair Faucet obviously 1005 00:59:01,960 --> 00:59:05,960 Speaker 1: me too, Me too. I mean by a mile, by 1006 00:59:06,040 --> 00:59:10,919 Speaker 1: a ba jillion miles. All great, They're all great, and 1007 00:59:11,080 --> 00:59:13,520 Speaker 1: you know, wow wow wow. But Fara Fause, it was 1008 00:59:14,480 --> 00:59:17,280 Speaker 1: agreed Smith is as lovely today as she was in 1009 00:59:17,320 --> 00:59:19,560 Speaker 1: the seventies. But if I could ever get my hair 1010 00:59:19,640 --> 00:59:22,520 Speaker 1: to look like Farra Faucet, I'd be such a happy 1011 00:59:22,720 --> 00:59:28,000 Speaker 1: gala Fara Faucet. I didn't have her poster on my 1012 00:59:28,320 --> 00:59:31,960 Speaker 1: bedroom wall, the red bathing suit. Didn't didn't know, but 1013 00:59:32,560 --> 00:59:35,280 Speaker 1: I knew people that did. Nor did I. But I 1014 00:59:35,320 --> 00:59:40,439 Speaker 1: still love her hair. She was an amazing fun fact 1015 00:59:40,440 --> 00:59:43,480 Speaker 1: about that poster um The leading ladies were asked to 1016 00:59:43,480 --> 00:59:46,040 Speaker 1: do a promotional poster for the show, but only Fawcett 1017 00:59:46,040 --> 00:59:48,600 Speaker 1: agreed to do it, and the poster sold over twelve 1018 00:59:48,640 --> 00:59:51,800 Speaker 1: million copies long before the show's pilot episode even hit 1019 00:59:51,800 --> 00:59:54,280 Speaker 1: the TV screen. Yeah did she get I guess she 1020 00:59:54,480 --> 00:59:58,360 Speaker 1: got a piece of that huh oh yeahbably more red 1021 00:59:58,360 --> 01:00:03,280 Speaker 1: bathing suits. Yeah, she's just iconic. I can't I'm gonna 1022 01:00:03,280 --> 01:00:05,920 Speaker 1: have to start googling photos of her hair right after this. 1023 01:00:07,000 --> 01:00:11,040 Speaker 1: The show aired from one and at the time of 1024 01:00:11,040 --> 01:00:14,320 Speaker 1: the show was known for having the largest wardrobe budget. 1025 01:00:14,440 --> 01:00:20,160 Speaker 1: The show had about two dollars for wardrobe for each episode. Hm, 1026 01:00:20,920 --> 01:00:24,000 Speaker 1: back then that was a lot of money. Well, I'm 1027 01:00:24,040 --> 01:00:27,160 Speaker 1: kind of like your Gilmore Girls wardrobe budget. Oh wait, no, 1028 01:00:27,440 --> 01:00:29,280 Speaker 1: you were like the same shirt in the same my 1029 01:00:29,360 --> 01:00:33,680 Speaker 1: budget once once a year. No, No, actually a couple 1030 01:00:33,680 --> 01:00:36,040 Speaker 1: of times a year, I would go back to my 1031 01:00:36,120 --> 01:00:41,120 Speaker 1: trailer and there would be twenty flannel shirts with a note, Scott, 1032 01:00:41,120 --> 01:00:43,000 Speaker 1: please try these on. Let us know what you like. 1033 01:00:44,800 --> 01:00:48,360 Speaker 1: That's it. That's that was because I wore my jeans. Now, 1034 01:00:48,400 --> 01:00:50,400 Speaker 1: they had the jeans for me that I wore, but 1035 01:00:50,440 --> 01:00:52,080 Speaker 1: I wore them home and then I wore That's all 1036 01:00:52,120 --> 01:00:53,720 Speaker 1: they did, is I wore those all year. I had 1037 01:00:53,720 --> 01:00:57,280 Speaker 1: my my boots that they gave me in a warm home. Right. 1038 01:00:57,360 --> 01:00:59,320 Speaker 1: I left the hat there, I left the flannel there. 1039 01:01:00,120 --> 01:01:05,440 Speaker 1: It was easy. What a gig, seriously, you had made. 1040 01:01:05,680 --> 01:01:06,880 Speaker 1: And it's like if I had to do it the 1041 01:01:06,920 --> 01:01:10,080 Speaker 1: second time during the twenty more shirts would be like again, 1042 01:01:10,520 --> 01:01:16,439 Speaker 1: you know, and the poor girls, it's like every day 1043 01:01:16,440 --> 01:01:18,880 Speaker 1: there's like twenty things I gotta go through and try on. 1044 01:01:19,040 --> 01:01:20,840 Speaker 1: And did you have like two of each? Probably because 1045 01:01:20,840 --> 01:01:27,280 Speaker 1: if you spill, probably, yeah, I think so, I don't know. Yeah, 1046 01:01:27,280 --> 01:01:30,320 Speaker 1: they kept it. The budget was pretty tight on your 1047 01:01:30,680 --> 01:01:37,600 Speaker 1: your wardrobe, so easy. I didn't cost him much, I'll 1048 01:01:37,640 --> 01:01:41,480 Speaker 1: tell you, because they weren't even like the fancy of flannels. 1049 01:01:41,520 --> 01:01:44,840 Speaker 1: They were your basic old flannel. Okay, my favorite line. 1050 01:01:44,880 --> 01:01:46,920 Speaker 1: I already did and I don't know why it tickled 1051 01:01:46,960 --> 01:01:51,640 Speaker 1: me so much, but it's when Kirk's like and laurelized, 1052 01:01:51,680 --> 01:01:54,880 Speaker 1: just like you got a cold Kirk. I just for 1053 01:01:54,920 --> 01:01:58,440 Speaker 1: some reason, I don't know. It was a great scene. 1054 01:01:59,120 --> 01:02:06,440 Speaker 1: You want to try? That was fun about it. I 1055 01:02:06,520 --> 01:02:11,880 Speaker 1: was like, one of my favorite Kirk so far. That 1056 01:02:11,960 --> 01:02:15,800 Speaker 1: was good, good for a laugh, good for Riley. My 1057 01:02:15,880 --> 01:02:18,240 Speaker 1: favorite line is from Laura Laura Lie and she says, 1058 01:02:18,440 --> 01:02:20,800 Speaker 1: I'm sorry I missed the checkered flag. When did the 1059 01:02:20,880 --> 01:02:28,040 Speaker 1: argument start? Yeah? Yeah, yeah. My favorite was already said 1060 01:02:28,480 --> 01:02:31,600 Speaker 1: by Emily when she goes about the back backside boys. 1061 01:02:32,000 --> 01:02:34,680 Speaker 1: So I'll give you another one. This one's from Laura 1062 01:02:34,760 --> 01:02:36,640 Speaker 1: Lae and it's kind of in the beginning of the 1063 01:02:36,640 --> 01:02:38,400 Speaker 1: episode as she goes, I don't know, maybe I got 1064 01:02:38,400 --> 01:02:40,680 Speaker 1: lost in my big head after they were talking about 1065 01:02:40,760 --> 01:02:42,680 Speaker 1: Laura Lee having a big head as a baby. Oh 1066 01:02:42,680 --> 01:02:45,080 Speaker 1: my god, Wait was this the episode where Luke says, 1067 01:02:45,280 --> 01:02:49,120 Speaker 1: here's your breakfast without eyes? Yes, yes, that was the title. 1068 01:02:49,200 --> 01:02:52,080 Speaker 1: That's the title we used for this podcast episode. God, 1069 01:02:52,120 --> 01:02:54,040 Speaker 1: of course, it's such a good question. Didn't want to 1070 01:02:54,320 --> 01:02:55,880 Speaker 1: she w with the eggs on top of a pancakes. 1071 01:02:57,600 --> 01:02:59,439 Speaker 1: That was a great bit by the way that whole 1072 01:02:59,480 --> 01:03:02,680 Speaker 1: scene was so good. Did you give your amy? Did 1073 01:03:02,680 --> 01:03:06,840 Speaker 1: you give your favorite? Yeah, I'm still I am reconsidering 1074 01:03:06,840 --> 01:03:09,400 Speaker 1: that it could be here's your breakfast, no eyes. But 1075 01:03:09,960 --> 01:03:12,840 Speaker 1: I also like you got a cold Kirk, So this 1076 01:03:12,880 --> 01:03:15,080 Speaker 1: one had a lot. You get to go twice. I 1077 01:03:15,080 --> 01:03:17,640 Speaker 1: haven't even gone yet. What's what's going on here? It's 1078 01:03:17,680 --> 01:03:20,840 Speaker 1: like it's like I'm getting robbed. I mean, it's like, 1079 01:03:20,840 --> 01:03:24,320 Speaker 1: where's my opportunity? Just go ahead and step in? Go ahead, 1080 01:03:25,520 --> 01:03:29,160 Speaker 1: jesus um, I don't know. I'm on the fence. I 1081 01:03:29,200 --> 01:03:32,840 Speaker 1: like I like the I like the Michelle line when 1082 01:03:32,960 --> 01:03:36,440 Speaker 1: Run says it wasn't exactly a highlight of my life. 1083 01:03:36,520 --> 01:03:39,640 Speaker 1: And then and then Michelle says, and I'm sure there's 1084 01:03:39,680 --> 01:03:45,640 Speaker 1: so many from he slays me. That guy slays me. Man, 1085 01:03:46,400 --> 01:03:49,120 Speaker 1: he could come on for one scene and just kill me. 1086 01:03:49,240 --> 01:03:52,880 Speaker 1: I love that guy. I love that character. Am I 1087 01:03:53,000 --> 01:03:55,200 Speaker 1: right that we only have two episodes left of season one? 1088 01:03:55,320 --> 01:03:57,960 Speaker 1: I can't even is that true? I think that's right. 1089 01:03:58,240 --> 01:04:00,680 Speaker 1: I just can't shack while you wrap it up? That 1090 01:04:00,800 --> 01:04:07,520 Speaker 1: is correct? Wow, ladies and gentlemen, what an episode? All right? Kids? 1091 01:04:08,760 --> 01:04:10,760 Speaker 1: I think we uh, I think we talked this one 1092 01:04:10,760 --> 01:04:14,040 Speaker 1: out pretty good. Huh yeah, and we'll get some feedback 1093 01:04:14,120 --> 01:04:16,120 Speaker 1: on those things you do. We need to get we 1094 01:04:16,560 --> 01:04:18,280 Speaker 1: rode that hard and put it away. Well, we need 1095 01:04:18,320 --> 01:04:20,920 Speaker 1: to get this horse in the barn, ladies and gentlemen. 1096 01:04:26,800 --> 01:04:33,120 Speaker 1: And it went over. My alarm went off. I got 1097 01:04:33,160 --> 01:04:35,480 Speaker 1: bigger fish to fry, buddy, and from my mind, alarm 1098 01:04:35,600 --> 01:04:41,160 Speaker 1: tells me bigger fish to fry. All right, all right, everybody, 1099 01:04:41,520 --> 01:04:44,320 Speaker 1: thanks for downloaded, Thanks for listening, and you're the best 1100 01:04:44,360 --> 01:04:48,040 Speaker 1: fans on the planet. We love you. Keep sending the comments. 1101 01:04:48,120 --> 01:04:50,960 Speaker 1: We can take it. We've got thick skins at this point. 1102 01:04:52,160 --> 01:04:59,160 Speaker 1: We have leathery, sadly old West skins from your very constructive, 1103 01:04:59,320 --> 01:05:03,320 Speaker 1: very very appreciated comments, whether they're negative or positive. We 1104 01:05:03,360 --> 01:05:09,680 Speaker 1: don't we don't discriminate. We learn, we evolve, we reconstruct. 1105 01:05:09,800 --> 01:05:14,840 Speaker 1: We and next week is P s IL But P 1106 01:05:15,080 --> 01:05:21,280 Speaker 1: s L excuse me, what are you talking about? That 1107 01:05:21,480 --> 01:05:25,520 Speaker 1: is next week? That's the name of the episode, m 1108 01:05:26,280 --> 01:05:28,280 Speaker 1: P s I. Look, what are you even saying? You're 1109 01:05:28,280 --> 01:05:31,400 Speaker 1: freaking me out right now. When you watch it, you'll 1110 01:05:31,440 --> 01:05:37,560 Speaker 1: find that's the name of the episode. What PS yes? 1111 01:05:37,640 --> 01:05:44,600 Speaker 1: Like I love oh p S Okay, So you're speaking 1112 01:05:44,640 --> 01:05:48,560 Speaker 1: different language. What the heck you're doing. You need to 1113 01:05:48,560 --> 01:05:53,680 Speaker 1: set that alarm off again. Alight, everybody, Thank you, you're 1114 01:05:53,720 --> 01:05:59,000 Speaker 1: the best best fans on the planet. And oh man, 1115 01:05:59,160 --> 01:06:02,280 Speaker 1: I need to eat some thing. All right, everybody, I 1116 01:06:02,360 --> 01:06:09,120 Speaker 1: love everyone. Hello you and uh I'm Scott Patterson. This 1117 01:06:09,200 --> 01:06:13,240 Speaker 1: is the ball Club. Thanks Danielle, Thanks Sammy, thank you, Riley, 1118 01:06:14,520 --> 01:06:17,800 Speaker 1: um and we'll we'll see you next time. I'm Scott 1119 01:06:17,800 --> 01:06:20,640 Speaker 1: Patterson and this is the I Am All In Podcast 1120 01:06:20,680 --> 01:06:52,920 Speaker 1: from my Heart Radio one eleven productions. Stay safe everyone, 1121 01:06:53,600 --> 01:06:56,600 Speaker 1: Hey everybody, and don't forget Follow us on Instagram at 1122 01:06:56,920 --> 01:07:01,440 Speaker 1: I Am All In Podcast and emailis at Gilmore at 1123 01:07:01,440 --> 01:07:04,920 Speaker 1: I Heart radio dot com. Oh you Gilmore fans. If 1124 01:07:04,920 --> 01:07:06,880 Speaker 1: you're looking for the best cup of coffee in the world, 1125 01:07:06,920 --> 01:07:10,880 Speaker 1: go to my website for my company scott EP dot com. 1126 01:07:11,000 --> 01:07:13,160 Speaker 1: S C O T T y P dot com, scott 1127 01:07:13,200 --> 01:07:26,160 Speaker 1: EP dot com Grade one Specialty Coffee. Yeah.