1 00:00:02,080 --> 00:00:05,400 Speaker 1: Welcome back to another episode of Alchemy. This signer guest 2 00:00:05,480 --> 00:00:08,080 Speaker 1: host Cold Stratton in for KP. It's been a while. 3 00:00:08,360 --> 00:00:12,040 Speaker 1: Happy to be here, guys. Let's meet everybody today. First up, 4 00:00:12,080 --> 00:00:17,480 Speaker 1: it's Chris Alvarado. Chris, that's your celebrity man crush. It's 5 00:00:17,480 --> 00:00:22,320 Speaker 1: a good question. Um, I don't have one right at 6 00:00:22,320 --> 00:00:24,480 Speaker 1: the top, but I will say one time I stood 7 00:00:24,480 --> 00:00:27,720 Speaker 1: next to I'm gonna I'm not gonna pronounce his name correctly. 8 00:00:28,040 --> 00:00:32,479 Speaker 1: Leev Schreiber, Leave Schreiber. Yeah right. I stood next to 9 00:00:32,560 --> 00:00:34,640 Speaker 1: him at the Emmy. He's not a big deal, helpful 10 00:00:34,680 --> 00:00:37,520 Speaker 1: of years ago, and I was like, what a fucking 11 00:00:37,680 --> 00:00:43,920 Speaker 1: man shoulders, a chest, a fucking jaw, And I felt 12 00:00:43,920 --> 00:00:47,760 Speaker 1: like a child in that moment. Um, So I've always 13 00:00:47,760 --> 00:00:50,280 Speaker 1: got a little thing for him after that nice I 14 00:00:50,360 --> 00:00:52,960 Speaker 1: felt the same way standing next to Wallace Sean on 15 00:00:53,120 --> 00:00:59,480 Speaker 1: a body get conceivable you would if you saw him? 16 00:00:59,760 --> 00:01:04,560 Speaker 1: Uh uh. Next step, it's James Heeny, James Hene. What 17 00:01:04,680 --> 00:01:06,600 Speaker 1: word you have trouble pronouncing? Is there a word that's 18 00:01:06,600 --> 00:01:10,520 Speaker 1: always giving you a pause? I mean, there's a whole lunch, 19 00:01:10,640 --> 00:01:14,000 Speaker 1: but there's only one that's caused me life threats on 20 00:01:14,040 --> 00:01:18,400 Speaker 1: the internet. And it's the word infinite. Uh. People have 21 00:01:18,440 --> 00:01:20,840 Speaker 1: really don't like the word infinite. And I don't know 22 00:01:20,840 --> 00:01:22,560 Speaker 1: if I'm saying it right now and I corrected it, 23 00:01:22,640 --> 00:01:26,000 Speaker 1: or if I still say it infinite wrong, infinite infinite. 24 00:01:26,760 --> 00:01:28,920 Speaker 1: I don't know. There's infinite ways of saying it, James, 25 00:01:29,319 --> 00:01:31,440 Speaker 1: That's what I've said. Yeah, I had people. It was 26 00:01:31,440 --> 00:01:33,280 Speaker 1: one of the first YouTube videos I made, and people 27 00:01:33,280 --> 00:01:35,759 Speaker 1: were like, I hope you go LIKEE killed, Like all 28 00:01:35,800 --> 00:01:37,560 Speaker 1: the most awful things that you could say about a 29 00:01:37,600 --> 00:01:40,160 Speaker 1: person was about the way I said the word infinite, 30 00:01:40,160 --> 00:01:42,440 Speaker 1: just because I showed people how to get infinite coins 31 00:01:42,560 --> 00:01:48,600 Speaker 1: in Mortal Kombat nine, one of those people telling you 32 00:01:48,640 --> 00:01:54,280 Speaker 1: to die. Oh boy. Uh, Well, hopefully no one gets 33 00:01:54,320 --> 00:01:58,240 Speaker 1: upset with today's episode. You'll find out. Well, the nice 34 00:01:58,240 --> 00:02:00,360 Speaker 1: thing is is there's no comment sections, so I don't 35 00:02:00,400 --> 00:02:02,880 Speaker 1: have to look at it. There you go. I'll hopefully 36 00:02:02,880 --> 00:02:06,040 Speaker 1: you won't get infinite emails about it. Next up. It's 37 00:02:06,160 --> 00:02:10,519 Speaker 1: it's all saying it's all historical musicals like Hamilton's and 38 00:02:10,520 --> 00:02:12,200 Speaker 1: Stuffs are all arrage right now. But if you're to 39 00:02:12,240 --> 00:02:14,880 Speaker 1: write a historical musical, what would the subject matter be? 40 00:02:15,040 --> 00:02:16,680 Speaker 1: Would you want to bring it live on the stage. 41 00:02:16,760 --> 00:02:24,399 Speaker 1: Oh wow, beautiful, beautiful question historical musical man Um, it's 42 00:02:24,440 --> 00:02:27,280 Speaker 1: usually something Oh man, I don't that's a good that's 43 00:02:27,280 --> 00:02:31,120 Speaker 1: a good question. I can I just tell you I'm 44 00:02:31,160 --> 00:02:33,200 Speaker 1: I don't say I'm working on but I'm noodling a 45 00:02:33,320 --> 00:02:36,840 Speaker 1: musical idea. My wife hates it. But it's about traffic. 46 00:02:37,680 --> 00:02:39,720 Speaker 1: I just want to. I feel like it's a global 47 00:02:40,400 --> 00:02:44,720 Speaker 1: thing that everyone gets, and so I wanna I write 48 00:02:44,720 --> 00:02:49,080 Speaker 1: songs about taking left turns on without an arrow and 49 00:02:49,520 --> 00:02:52,600 Speaker 1: being a certain distance behind how automated car technology is 50 00:02:52,600 --> 00:02:55,160 Speaker 1: going to take. So I do think it will come 51 00:02:55,200 --> 00:02:57,920 Speaker 1: to fruition, maybe in a couple of years. But yeah, 52 00:02:57,919 --> 00:03:02,160 Speaker 1: that's a musical. I'd like to do pick we all know, 53 00:03:02,520 --> 00:03:05,360 Speaker 1: with everybody stuck in traffic, trying to get to the 54 00:03:05,480 --> 00:03:08,040 Speaker 1: seven thirty curtain for traffic, and then be a whole 55 00:03:08,200 --> 00:03:12,080 Speaker 1: meta thing. I'll place curtains right at the worst traffic 56 00:03:12,120 --> 00:03:16,919 Speaker 1: time and every city perfect. I love that. Uh last, 57 00:03:16,960 --> 00:03:21,880 Speaker 1: but certainly not least. Craig Kikowski, you know, the dumb 58 00:03:21,919 --> 00:03:23,960 Speaker 1: slap made all the headlines at the Oscars, But what 59 00:03:24,040 --> 00:03:29,840 Speaker 1: did you think of the ceremony in general? Um, the 60 00:03:31,080 --> 00:03:36,080 Speaker 1: it was not good. Yeah, yeah, my my feelings are 61 00:03:36,080 --> 00:03:40,120 Speaker 1: too uh long and complex. Maybe get into the slap 62 00:03:40,160 --> 00:03:43,160 Speaker 1: actually made it as awful as that was, made it 63 00:03:43,200 --> 00:03:47,160 Speaker 1: way more interesting and compelling to to talk about. I 64 00:03:47,200 --> 00:03:50,480 Speaker 1: think the worst thing was the in memoriam segments. And 65 00:03:50,520 --> 00:03:53,680 Speaker 1: I think the thinking was like, well, you know, it's 66 00:03:53,680 --> 00:03:57,600 Speaker 1: always such a bummer when we sing a sad song 67 00:03:57,800 --> 00:04:00,320 Speaker 1: and show pictures of people who died. Let's make it 68 00:04:00,440 --> 00:04:05,400 Speaker 1: upbeat this year, and so I think ding dong, the 69 00:04:05,440 --> 00:04:11,200 Speaker 1: which is dead. The desire to to be different by 70 00:04:11,200 --> 00:04:16,640 Speaker 1: being opposite, uh seemed to run through the ceremony, and 71 00:04:16,640 --> 00:04:20,279 Speaker 1: then the cutting out all those awards uh was a 72 00:04:20,320 --> 00:04:24,599 Speaker 1: bad idea, and that they were awkwardly edited into the ceremony. Yeah, 73 00:04:24,680 --> 00:04:28,360 Speaker 1: it was poorly done. Yeah, I agree, but the ratings 74 00:04:28,360 --> 00:04:32,360 Speaker 1: were way up, so unfortunately. Maybe that's the thing. Uh yeah. 75 00:04:32,360 --> 00:04:34,600 Speaker 1: The immemorial thing made me crazy, not only because it 76 00:04:34,680 --> 00:04:36,920 Speaker 1: was like upbeat, but they spent so much time lingering 77 00:04:36,960 --> 00:04:38,960 Speaker 1: on the choir in front of the screens and not 78 00:04:39,080 --> 00:04:41,360 Speaker 1: the people on the screens in the background, which is 79 00:04:41,400 --> 00:04:43,880 Speaker 1: like you don't ever need to see them, Like it 80 00:04:43,880 --> 00:04:46,400 Speaker 1: should just be the feet of the screen and you 81 00:04:46,440 --> 00:04:49,160 Speaker 1: can hear it. But like at least it was better 82 00:04:49,240 --> 00:04:51,040 Speaker 1: than the previous year, where they did them so fast 83 00:04:51,080 --> 00:04:54,360 Speaker 1: you couldn't actually like, like read the names before they 84 00:04:54,400 --> 00:04:58,960 Speaker 1: moved on to the next one. People who died, give 85 00:04:59,000 --> 00:05:01,520 Speaker 1: them their give them their moment in the sun. It's 86 00:05:01,520 --> 00:05:03,800 Speaker 1: all about the ratings, all right, Well, let's do a 87 00:05:03,839 --> 00:05:07,279 Speaker 1: damn show, shall we. All of our suggestions are gathered 88 00:05:07,279 --> 00:05:09,719 Speaker 1: from listeners, emails, or from our Patreon v I p s. 89 00:05:09,720 --> 00:05:12,359 Speaker 1: To become a Patreon supporter of the show and enjoy 90 00:05:12,360 --> 00:05:14,680 Speaker 1: exclusive content and other perks, just head on over to 91 00:05:14,800 --> 00:05:18,000 Speaker 1: Patreon dot com slash alchemy this. You'd like to submit 92 00:05:18,000 --> 00:05:20,799 Speaker 1: a scene suggestion via email, please write to the podcast 93 00:05:20,839 --> 00:05:28,920 Speaker 1: at alchemy this email at gmail dot com. That's com come. 94 00:05:29,680 --> 00:05:33,320 Speaker 1: Scene one is from listener Tamila, who wrote, Hello Gang, 95 00:05:33,440 --> 00:05:35,640 Speaker 1: I absolutely love your podcast and I've been listening since 96 00:05:35,680 --> 00:05:38,000 Speaker 1: the very beginning. I heard you are in dire need 97 00:05:38,040 --> 00:05:40,320 Speaker 1: of scene suggestions, so I decided to finally send you 98 00:05:40,360 --> 00:05:42,320 Speaker 1: all an email. It was a ton of those that 99 00:05:42,440 --> 00:05:46,560 Speaker 1: came to. The emails worked. It worked. My scene suggestion 100 00:05:46,720 --> 00:05:50,200 Speaker 1: is a new clothing store with no clothes on display, 101 00:05:50,360 --> 00:05:53,440 Speaker 1: only written notes describing what it feels like to wear it. 102 00:05:53,680 --> 00:06:01,120 Speaker 1: No refunds. Can't wait to see what happens. Hi, I'm 103 00:06:01,120 --> 00:06:04,039 Speaker 1: sorry that I am I interrupting. Oh no, I'm here 104 00:06:04,080 --> 00:06:07,280 Speaker 1: to serve you. Oh can I help you today? Great? Um, 105 00:06:07,600 --> 00:06:11,400 Speaker 1: I'm such a casual, slubby guy typically, but I have 106 00:06:11,440 --> 00:06:14,960 Speaker 1: a big event coming up. Really, and you want to 107 00:06:14,960 --> 00:06:18,160 Speaker 1: impress people, I assume. Yeah. And I want to impress 108 00:06:18,200 --> 00:06:21,880 Speaker 1: my date for sure, And yeah, yeah I wanna, I wanna. 109 00:06:22,000 --> 00:06:24,839 Speaker 1: I want to shine it up a bit. Okay, Well, 110 00:06:24,880 --> 00:06:26,680 Speaker 1: I don't have this out on the floor. This is 111 00:06:26,760 --> 00:06:28,520 Speaker 1: something special. Let me write it down right on this 112 00:06:28,560 --> 00:06:32,880 Speaker 1: post it note and I'll stick it right to your chest. 113 00:06:32,880 --> 00:06:37,680 Speaker 1: That would look great on you. It says, um soft 114 00:06:37,720 --> 00:06:40,960 Speaker 1: and shiny? Does that? And shiny? Is that coming a 115 00:06:41,080 --> 00:06:45,080 Speaker 1: medium or like a medium tall? It's it'll be. Let 116 00:06:45,080 --> 00:06:47,480 Speaker 1: me just put Let me stand a little further back 117 00:06:47,520 --> 00:06:49,080 Speaker 1: from you so I can get your whole body in 118 00:06:49,160 --> 00:06:52,960 Speaker 1: my view. It will be your size, perfectly fit. Oh wow, 119 00:06:53,040 --> 00:06:57,080 Speaker 1: soft texture is soft. The visuals that you get from 120 00:06:57,120 --> 00:06:59,680 Speaker 1: it are shiny. I was a little curious and like, 121 00:06:59,760 --> 00:07:02,240 Speaker 1: I'm out like that guy. But you know, maybe perhaps 122 00:07:02,240 --> 00:07:04,200 Speaker 1: I could make a little statement while I'm out there, 123 00:07:04,200 --> 00:07:09,640 Speaker 1: because I saw hanging over there um was the note? Um? Wow? Factor? 124 00:07:10,960 --> 00:07:12,880 Speaker 1: Is that is that something I can pull? I don't 125 00:07:12,920 --> 00:07:14,960 Speaker 1: think that would be for you. I don't think that. 126 00:07:15,160 --> 00:07:16,720 Speaker 1: But you know what, let me take this post and 127 00:07:16,760 --> 00:07:20,520 Speaker 1: not back. Yeah, we go and we're gonna write political 128 00:07:20,720 --> 00:07:25,760 Speaker 1: statement and then that's now it. Wow, that looks really 129 00:07:25,840 --> 00:07:27,560 Speaker 1: good on you. So should I bring it out? It's 130 00:07:27,600 --> 00:07:29,800 Speaker 1: off and shining with the political What are you wearing? 131 00:07:30,520 --> 00:07:36,080 Speaker 1: I like, yeah, well this isn't from here. Oh this 132 00:07:36,160 --> 00:07:39,040 Speaker 1: is uh, this was a gift for Christmas and so, 133 00:07:39,480 --> 00:07:41,720 Speaker 1: and my mother's visiting me here today, so I wanted 134 00:07:41,720 --> 00:07:44,040 Speaker 1: to make sure to wear it. Gotcha. It's crazy this 135 00:07:44,240 --> 00:07:47,840 Speaker 1: all these hangers and they're just there's just notes everywhere 136 00:07:48,000 --> 00:07:53,520 Speaker 1: I dig it. You knew we've had a lot of shoplifters. Hey, 137 00:07:54,520 --> 00:07:57,520 Speaker 1: I'm sorry. I know it says no, and I know 138 00:07:57,600 --> 00:07:59,640 Speaker 1: that's a big thing, but I misread the post and 139 00:07:59,720 --> 00:08:02,400 Speaker 1: now I thought it said all that and a bag 140 00:08:02,440 --> 00:08:05,280 Speaker 1: of chips, and it says all that or a bag 141 00:08:05,280 --> 00:08:09,120 Speaker 1: of chips, and I was really hoping to have both. 142 00:08:09,440 --> 00:08:12,160 Speaker 1: And people looked at the south and they clearly said 143 00:08:12,240 --> 00:08:15,720 Speaker 1: like your maybe pringles and I was like, that's not 144 00:08:15,760 --> 00:08:19,480 Speaker 1: doesn't come in a bag. But uh, anyways, it's just 145 00:08:20,080 --> 00:08:21,840 Speaker 1: I mean, I know I just exchange it is there 146 00:08:21,880 --> 00:08:25,640 Speaker 1: an exchange. I'm so sorry, but it's a strict policy. 147 00:08:26,120 --> 00:08:29,320 Speaker 1: We don't and I hate to have this conversation in 148 00:08:29,360 --> 00:08:32,400 Speaker 1: front of a potential cost. But if you won't, you 149 00:08:32,400 --> 00:08:34,680 Speaker 1: could meet me around back in about fifteen minutes and 150 00:08:34,720 --> 00:08:38,640 Speaker 1: we can discuss it. We discuss it for the potential 151 00:08:38,800 --> 00:08:46,040 Speaker 1: cust it's short for customer. Oh, you are potential cust. 152 00:08:46,920 --> 00:08:49,120 Speaker 1: So if you go back around the back in about 153 00:08:49,160 --> 00:08:51,679 Speaker 1: fifteen minutes, I'll meet you there and we'll talk about 154 00:08:51,679 --> 00:08:54,240 Speaker 1: the refund policy. It so wouldn't work to just come 155 00:08:54,240 --> 00:08:56,719 Speaker 1: back in fifteen minutes and in the shop. We need 156 00:08:56,720 --> 00:08:58,600 Speaker 1: to do. This is the type of thing that we'll 157 00:08:58,600 --> 00:09:00,959 Speaker 1: do in the back alley. You and I can have 158 00:09:01,040 --> 00:09:07,640 Speaker 1: that conversation out back in the alley. Rafael, open the door, Rafael, 159 00:09:08,320 --> 00:09:10,760 Speaker 1: open the door. Listen. I know you're in their designing 160 00:09:10,800 --> 00:09:17,200 Speaker 1: and designing, but the stores need merch I'm working. I 161 00:09:17,200 --> 00:09:20,240 Speaker 1: can hear I can hear the sharpie going going crazy 162 00:09:20,320 --> 00:09:24,200 Speaker 1: in there. But we can't wait until inspiration strikes you. Rafael. 163 00:09:24,480 --> 00:09:32,079 Speaker 1: The stores need merchandise, they need stuff. I'm working. Let 164 00:09:32,080 --> 00:09:36,480 Speaker 1: me open the door. What is it? God, there's blood 165 00:09:36,520 --> 00:09:39,440 Speaker 1: everywhere in here. This is why I didn't open the door. 166 00:09:39,920 --> 00:09:42,520 Speaker 1: I have a method, and I don't like to be 167 00:09:42,600 --> 00:09:45,240 Speaker 1: questioned about it. I'm so sorry. I'm just your assistant. 168 00:09:45,240 --> 00:09:47,600 Speaker 1: I'm just telling you what I'm hearing from the stores. 169 00:09:47,880 --> 00:09:50,640 Speaker 1: What do they want? Tell me what they want? They 170 00:09:50,720 --> 00:09:53,960 Speaker 1: want you, Rafael, they want your mind, they want they 171 00:09:54,000 --> 00:09:59,120 Speaker 1: want it all. That's that's what I'm giving them, the 172 00:09:59,320 --> 00:10:02,080 Speaker 1: putting the energy out. I guess that they wanted in 173 00:10:01,840 --> 00:10:06,120 Speaker 1: a in a timely fashion. You know who they didn't 174 00:10:06,160 --> 00:10:14,000 Speaker 1: ask for timily fashion? Ralph as I say, Alexander McQueen him. 175 00:10:15,840 --> 00:10:21,040 Speaker 1: Are you the cust too? Wanted to make a return? Yeah, yeah, 176 00:10:21,040 --> 00:10:22,920 Speaker 1: I was about to come back here around the back 177 00:10:22,960 --> 00:10:27,840 Speaker 1: of the Yeah yeah, I handle returns in the back alley. 178 00:10:28,880 --> 00:10:32,840 Speaker 1: You're a you're rather large. You're a I'm a big guy. 179 00:10:33,080 --> 00:10:34,840 Speaker 1: I can't shop here because I got to go to 180 00:10:34,880 --> 00:10:37,960 Speaker 1: a big and tell store right whether the posted notes 181 00:10:38,000 --> 00:10:42,440 Speaker 1: are bigger? So what's your problem? Cussed? Well, you can 182 00:10:42,480 --> 00:10:44,800 Speaker 1: see from I misread the note. I I own that 183 00:10:44,880 --> 00:10:47,079 Speaker 1: I made a slight mistake here, but I thought I 184 00:10:47,160 --> 00:10:49,240 Speaker 1: said all that and a bag of chips and it 185 00:10:49,240 --> 00:10:51,520 Speaker 1: says all that or a bag of chips, and for 186 00:10:51,520 --> 00:10:53,320 Speaker 1: the price I pay it, I feel like I should 187 00:10:53,320 --> 00:10:56,360 Speaker 1: be all that and a bag of chips. You see, 188 00:10:56,720 --> 00:11:00,800 Speaker 1: you want a bag of chips. I I'd like to 189 00:11:00,960 --> 00:11:05,000 Speaker 1: be that as well as all that. It's like it's 190 00:11:05,040 --> 00:11:07,520 Speaker 1: like your everything, but then a little something extra. That's 191 00:11:07,559 --> 00:11:09,800 Speaker 1: kind of what I thought would happen when I bought 192 00:11:09,800 --> 00:11:13,040 Speaker 1: this outfit, and it's been frankly underwhelming. People have had 193 00:11:13,080 --> 00:11:15,520 Speaker 1: to chew sides of what they think I have And okay, 194 00:11:15,520 --> 00:11:17,240 Speaker 1: well I was letting you get all that out just 195 00:11:17,280 --> 00:11:20,520 Speaker 1: to amuse myself, but I'm gonna beat you up. Basically, 196 00:11:20,520 --> 00:11:23,280 Speaker 1: it's what's gonna happen. Now. I kind of saw this 197 00:11:23,320 --> 00:11:27,840 Speaker 1: coming and yeah, yeah, yeah, we we we We just 198 00:11:27,880 --> 00:11:31,080 Speaker 1: got a role to play and that's what's happening, right. 199 00:11:31,120 --> 00:11:32,920 Speaker 1: Could you just I'm a hand model, so could you 200 00:11:32,960 --> 00:11:36,720 Speaker 1: just leave those leave the hands alone on the face 201 00:11:36,760 --> 00:11:41,320 Speaker 1: of the stomach. Okay, great, So we've decided to have 202 00:11:41,559 --> 00:11:45,000 Speaker 1: this shiny soft political statement. I'm going to bring it 203 00:11:45,040 --> 00:11:48,040 Speaker 1: out here to you once you pay for it, but 204 00:11:48,200 --> 00:11:51,520 Speaker 1: that's final. I don't want I don't want any mistake. 205 00:11:51,960 --> 00:11:54,719 Speaker 1: You need to understand that's a final sale. Okay, I'm 206 00:11:54,760 --> 00:11:58,520 Speaker 1: familiar with that without with that idea. Okay, let's let's 207 00:11:58,520 --> 00:12:00,880 Speaker 1: see it. Let's see it. That great. Let me bring 208 00:12:00,920 --> 00:12:04,000 Speaker 1: it out to you and I'd like to unveil it. 209 00:12:04,000 --> 00:12:09,120 Speaker 1: Go ahead and unwrap it now. Okay. Wow, that is shiny. 210 00:12:09,160 --> 00:12:15,440 Speaker 1: That is shiny. Feel it? Oh? That is soft? That 211 00:12:15,600 --> 00:12:20,000 Speaker 1: is soft? And I'm the back. It just says, proud boy? 212 00:12:20,920 --> 00:12:25,120 Speaker 1: Is this not great? Is that in blood? Yes? It's 213 00:12:25,320 --> 00:12:27,719 Speaker 1: it's just perfect for you. You're gonna love it at 214 00:12:27,760 --> 00:12:30,880 Speaker 1: whatever party you go to. I don't know that feels weird. 215 00:12:30,920 --> 00:12:32,600 Speaker 1: So what am I saying here? I'm proud to be 216 00:12:32,679 --> 00:12:36,480 Speaker 1: a boy? Yeah, it's it's I'm not entirely sure about 217 00:12:36,480 --> 00:12:39,439 Speaker 1: the movement, but it's it's got a lot of proudness 218 00:12:39,520 --> 00:12:41,960 Speaker 1: to it, and it brings a lot of the masculinity. 219 00:12:42,200 --> 00:12:45,079 Speaker 1: You're a proud boy that boss. Just want to let 220 00:12:45,080 --> 00:12:48,520 Speaker 1: you know that return is complete. Oh thank you. If 221 00:12:48,559 --> 00:12:50,800 Speaker 1: you need any ice, it's in the freezer. All right. Yeah, 222 00:12:50,840 --> 00:12:53,120 Speaker 1: I'm gonna need a lot of eyes. Why is his 223 00:12:53,880 --> 00:12:57,800 Speaker 1: coming in blood? Did he buy that shirt here? He was? No? No, no, 224 00:12:58,040 --> 00:13:04,679 Speaker 1: he's too tall. He would never clothes here. No, absolutely not. 225 00:13:05,640 --> 00:13:08,760 Speaker 1: But okay, Oh, we have your R s v P 226 00:13:09,000 --> 00:13:13,520 Speaker 1: right here. Welcome to the gala. Lovely jacket, by the way, 227 00:13:13,720 --> 00:13:16,839 Speaker 1: thank you so much. Alright, excuse me, sir, I just 228 00:13:16,960 --> 00:13:23,640 Speaker 1: saw the back of this. Yeah, proud boy. Um, hold on, 229 00:13:23,720 --> 00:13:27,120 Speaker 1: let me let me get my manager making a statement. Okay, 230 00:13:27,960 --> 00:13:29,800 Speaker 1: on the second, Hold on the second, let me get 231 00:13:29,840 --> 00:13:33,640 Speaker 1: my galla manager. Yeah, yeah, all right, Teddy over here, 232 00:13:33,880 --> 00:13:37,839 Speaker 1: Teddy over the front, Teddy to the front. Are you 233 00:13:37,920 --> 00:13:42,360 Speaker 1: proud of anything this job? Sorry, I'm pretty sure we're 234 00:13:42,360 --> 00:13:44,719 Speaker 1: not going to be allowing you to wear that inside 235 00:13:45,040 --> 00:13:50,560 Speaker 1: the gala. This is the New York Times bestsellers list. Galla. Oh, 236 00:13:50,640 --> 00:13:55,840 Speaker 1: I'm familiar. I'm an inspiring author myself. Yes, But Teddy 237 00:13:55,920 --> 00:13:59,839 Speaker 1: to the front, Teddy to the front. Um, Yes, but 238 00:14:00,200 --> 00:14:01,599 Speaker 1: you saw my name right in the R s v P. 239 00:14:02,120 --> 00:14:04,520 Speaker 1: It is. But we do have a dress code that 240 00:14:04,640 --> 00:14:12,920 Speaker 1: says that Teddy, Teddy, thank you. I saw you today. Yeah, 241 00:14:12,960 --> 00:14:14,640 Speaker 1: I got I got a bunch of jobs. I'm free. 242 00:14:14,720 --> 00:14:17,880 Speaker 1: Lets I also managed this gallery. That's the nice tuxedo 243 00:14:19,000 --> 00:14:22,040 Speaker 1: at the at the no, I get the biggest call. 244 00:14:24,080 --> 00:14:29,400 Speaker 1: So you're an insurrectionist? What now you're you're an insurrectionist. 245 00:14:29,480 --> 00:14:31,400 Speaker 1: We can't have you. We can't have you at the gallery. 246 00:14:32,120 --> 00:14:34,200 Speaker 1: There might be some sort of mistake. I'm just saying. 247 00:14:34,240 --> 00:14:36,480 Speaker 1: I'm proud, you know, I'm proud of who I am. 248 00:14:36,520 --> 00:14:42,800 Speaker 1: I'm a proud boy. Stomach and hands, face, stomach and 249 00:14:42,880 --> 00:14:47,360 Speaker 1: hands and hands. Yeah, okay, I love it, like work 250 00:14:47,360 --> 00:14:49,800 Speaker 1: in the hands. All right? Can we just do the 251 00:14:49,840 --> 00:14:51,800 Speaker 1: shoot quickly? I'm in a lot of pain. Let me 252 00:14:51,840 --> 00:14:54,040 Speaker 1: just I'll put my hands in front of the box 253 00:14:54,080 --> 00:14:57,080 Speaker 1: of diamonds and you just shoot it. Okay, just shoot 254 00:14:57,120 --> 00:15:01,400 Speaker 1: it please. Um. I don't mean to be this guy, 255 00:15:01,440 --> 00:15:03,960 Speaker 1: but you're making the rest of the crew sick, your 256 00:15:03,960 --> 00:15:08,280 Speaker 1: faces mangled, and you're missing all your teeth. I know. 257 00:15:08,440 --> 00:15:11,440 Speaker 1: I just I tried to make a return. And I 258 00:15:11,440 --> 00:15:13,840 Speaker 1: gotta say the Alex when when his hands are in 259 00:15:13,840 --> 00:15:16,840 Speaker 1: the frame, I mean, they're as immaculate as always. They 260 00:15:16,840 --> 00:15:19,960 Speaker 1: are beautiful, right, I mean that's what we're here to do. Um, 261 00:15:21,040 --> 00:15:23,840 Speaker 1: what were you saying? Happened to you? I'm trying to 262 00:15:23,880 --> 00:15:27,840 Speaker 1: make a return and a long story, uh, I just 263 00:15:27,840 --> 00:15:29,600 Speaker 1: thought I had to be and a bag of chips 264 00:15:29,600 --> 00:15:32,360 Speaker 1: and anyways, let's just shoot the shoot the thing. Please? 265 00:15:32,440 --> 00:15:37,000 Speaker 1: Those are beautiful let's look at the monitor. Whoa those hands, 266 00:15:37,040 --> 00:15:40,280 Speaker 1: that's amazing work. They look good. All right, yeah, hold 267 00:15:40,280 --> 00:15:44,680 Speaker 1: those diamonds. Hold those diamonds bleeding from the ear. It's okay, 268 00:15:44,720 --> 00:15:46,240 Speaker 1: as long as it doesn't get in the shot. I 269 00:15:46,280 --> 00:15:50,280 Speaker 1: think we're okay. I think we're okay. Okay, you get it. 270 00:15:50,360 --> 00:15:55,680 Speaker 1: My equilibriums off. Um hi, I was here a couple 271 00:15:55,680 --> 00:15:59,320 Speaker 1: of days ago. I recognize you. I never forget a 272 00:15:59,360 --> 00:16:06,040 Speaker 1: customer and oh they're sick anyway, Um, I know, and 273 00:16:06,120 --> 00:16:10,280 Speaker 1: I listen. I understand policies and stuff. Um uh huh, 274 00:16:11,120 --> 00:16:13,440 Speaker 1: get it, so you don't have to remind me. It's 275 00:16:13,520 --> 00:16:18,440 Speaker 1: just I think you go on. Maybe they could be 276 00:16:18,440 --> 00:16:22,760 Speaker 1: an exception made. I like to reach return the jacket. 277 00:16:23,320 --> 00:16:25,600 Speaker 1: I understand what you mean. All you have to do 278 00:16:25,720 --> 00:16:30,440 Speaker 1: for returns we do them out in the back alley. Sure, okay, wow, hey, 279 00:16:30,480 --> 00:16:33,520 Speaker 1: thank you so much. Problem. By the way, I like 280 00:16:33,600 --> 00:16:37,240 Speaker 1: this clearance section here. It's just what do you have here? Small? 281 00:16:38,440 --> 00:16:41,200 Speaker 1: In other words? Okay, yeah, it was just from last year. 282 00:16:41,440 --> 00:16:46,080 Speaker 1: From last year. All hey, look who it is. We 283 00:16:46,160 --> 00:16:49,160 Speaker 1: keep running into each other. Sorry I had to kick 284 00:16:49,200 --> 00:16:55,200 Speaker 1: you out of that gallery. No, it's Teddy, right, it's turn. 285 00:16:55,640 --> 00:17:00,160 Speaker 1: Do you play any sports? Oh? No, now more of 286 00:17:00,160 --> 00:17:03,200 Speaker 1: an arts you guy. Listen. Hey, so am I and 287 00:17:03,280 --> 00:17:04,960 Speaker 1: I'm actually a writer. I don't know if you know 288 00:17:05,000 --> 00:17:07,600 Speaker 1: that about me, but um, I'm starting a game with 289 00:17:07,640 --> 00:17:10,760 Speaker 1: that at the l A Fitness on fourth, we could 290 00:17:10,840 --> 00:17:14,760 Speaker 1: use the guy your size. Really, yeah, you don't you 291 00:17:14,840 --> 00:17:17,919 Speaker 1: have to do much, just throw the ball, all right. 292 00:17:18,000 --> 00:17:20,560 Speaker 1: Clearly that was a foul. Clearly that was a foul. 293 00:17:20,600 --> 00:17:24,200 Speaker 1: He just kept pummeling my face with his elbow. I 294 00:17:24,280 --> 00:17:26,040 Speaker 1: didn't see it. I didn't hear it was. We didn't 295 00:17:26,040 --> 00:17:29,800 Speaker 1: see whistle and then see it either. I'm more of 296 00:17:29,840 --> 00:17:36,520 Speaker 1: an art guy. Sorry. Hi, Um, this is a nice store. 297 00:17:37,160 --> 00:17:43,040 Speaker 1: Can I just get a full box of post its? Oh? 298 00:17:43,160 --> 00:17:47,359 Speaker 1: This is? This is a clothing store? Yeah, but you 299 00:17:47,359 --> 00:17:53,399 Speaker 1: sell the you sell these, right, I don't sell these? No, 300 00:17:53,560 --> 00:17:56,480 Speaker 1: I'm sorry. I mean you could go to some sort 301 00:17:56,520 --> 00:18:01,359 Speaker 1: of office store. I just don't go to Flaurien asked 302 00:18:01,400 --> 00:18:04,280 Speaker 1: him to give you denim? You want him to make 303 00:18:04,320 --> 00:18:07,159 Speaker 1: you an outfit, right, I don't know, Ralph Lauren. I 304 00:18:07,200 --> 00:18:11,560 Speaker 1: don't shop by going to talk to Rolph Lauren. Me neither. 305 00:18:12,000 --> 00:18:14,000 Speaker 1: And you wouldn't go there, and you wouldn't ask for 306 00:18:14,000 --> 00:18:17,400 Speaker 1: the materials to build a shirt. Sorry, I feel paper clips. 307 00:18:18,000 --> 00:18:20,080 Speaker 1: I'm just browsing here. I think paper clips would have 308 00:18:20,119 --> 00:18:22,080 Speaker 1: been a better analogy there. Right, you don't go to 309 00:18:22,119 --> 00:18:24,160 Speaker 1: rough Lauren to ask him for paper clips because he's 310 00:18:24,160 --> 00:18:26,040 Speaker 1: asking for office applies because you said Rolf Lauren and 311 00:18:26,080 --> 00:18:29,040 Speaker 1: Denham and that feels kind of ruff l. Lauren has 312 00:18:29,080 --> 00:18:30,960 Speaker 1: great denom. Anyway, I'm just gonna go back to browsing 313 00:18:31,000 --> 00:18:35,199 Speaker 1: over here. All right. Well, maybe it was my uh sorry, 314 00:18:35,480 --> 00:18:39,359 Speaker 1: Mr Lauren, it's really slow. Somebody's dissuading people from coming 315 00:18:39,400 --> 00:18:42,560 Speaker 1: in and and asking you for things. It's I know 316 00:18:42,600 --> 00:18:45,360 Speaker 1: it's been weeks since we've had a cust potential custom here. 317 00:18:45,400 --> 00:18:50,679 Speaker 1: But uh, I'm sorry man, he mum, he wants to 318 00:18:50,680 --> 00:18:54,960 Speaker 1: be called Rafael now, oh don't Yeah, it's not Rough Lauren, 319 00:18:55,080 --> 00:19:02,000 Speaker 1: it's Rafael. Now. I'm working. I'm I'm sorry, Rapael. H 320 00:19:03,359 --> 00:19:05,359 Speaker 1: I'll try to jump up some business for you. Just 321 00:19:05,480 --> 00:19:10,600 Speaker 1: leave it at the door. I'm working. I don't know 322 00:19:10,600 --> 00:19:12,760 Speaker 1: what I'm supposed to leave at the door here. I'm 323 00:19:12,760 --> 00:19:16,960 Speaker 1: trying to help drum up some business for you. But look, 324 00:19:17,040 --> 00:19:18,840 Speaker 1: I don't I know this has been I'm his assistant, 325 00:19:18,880 --> 00:19:23,680 Speaker 1: you know, me. It's been it's been weird. It's been weird. Yeah, 326 00:19:23,720 --> 00:19:26,119 Speaker 1: I can imagine. Um, you know, a bunch of assistants 327 00:19:26,160 --> 00:19:28,360 Speaker 1: are having a meeting behind the building. If you want 328 00:19:28,400 --> 00:19:31,720 Speaker 1: to wait, what a bunch of assistants are having meeting 329 00:19:31,720 --> 00:19:34,480 Speaker 1: behind the building, like a fifteen minutes. I didn't get that. 330 00:19:34,720 --> 00:19:37,119 Speaker 1: There's no email or anything. No, it's definitely happening. It's 331 00:19:37,119 --> 00:19:39,080 Speaker 1: a real thing, and it's happening in fifteen minutes, and 332 00:19:39,080 --> 00:19:41,960 Speaker 1: you should definitely go back there. I will see you there, 333 00:19:42,359 --> 00:19:44,200 Speaker 1: I see you there. I'm going to be there as well. 334 00:19:44,480 --> 00:19:48,760 Speaker 1: So I've been hired to beat you up. Sorry about that. 335 00:19:52,080 --> 00:19:53,919 Speaker 1: I don't even know what it's for. Really, if you 336 00:19:53,920 --> 00:19:58,840 Speaker 1: want to plead your case now go ahead. No, I 337 00:19:58,840 --> 00:20:02,320 Speaker 1: think whatever it is, either serve this okay. Any areas 338 00:20:02,440 --> 00:20:05,640 Speaker 1: that I should concentrate on and not concentrate on when 339 00:20:05,640 --> 00:20:10,680 Speaker 1: I kick your ass? Oh this is so nice of you. Sure, sure, 340 00:20:11,680 --> 00:20:14,280 Speaker 1: I don't think I used my back or shoulders much. 341 00:20:14,480 --> 00:20:17,600 Speaker 1: If you can maybe focus on that area, just go 342 00:20:17,720 --> 00:20:20,720 Speaker 1: to town them back, so mostly hit the back of 343 00:20:20,760 --> 00:20:24,480 Speaker 1: the shoulders. I feel like you're trying. You're trying, you sneak, 344 00:20:24,520 --> 00:20:28,960 Speaker 1: you try to get a massage out of this and 345 00:20:29,160 --> 00:20:37,240 Speaker 1: that's our first scene. C Number two is from Alchemy 346 00:20:37,320 --> 00:20:41,040 Speaker 1: v I. P. Patrick C who wrote hey gang scene suggestion. 347 00:20:41,400 --> 00:20:44,960 Speaker 1: In the future, internet security is way more complex, invasive 348 00:20:45,040 --> 00:20:49,320 Speaker 1: and explicit. What would be the most outlandish and intrusive 349 00:20:49,400 --> 00:20:52,359 Speaker 1: capture and human verification ever thought of for a website? 350 00:20:52,880 --> 00:20:56,480 Speaker 1: Keep up the great work, Pat, thank you for using 351 00:20:57,040 --> 00:21:02,119 Speaker 1: Chase Bank a t M S to verify you. Please 352 00:21:02,200 --> 00:21:07,760 Speaker 1: check which one of these following things is real? This 353 00:21:07,880 --> 00:21:10,679 Speaker 1: is weird. This is just for an a t M 354 00:21:10,920 --> 00:21:20,840 Speaker 1: bicycle Okay, bicycles real tire tires are real. Idea of 355 00:21:20,920 --> 00:21:26,040 Speaker 1: world peace okay, I mean the idea is real, whether 356 00:21:26,119 --> 00:21:33,680 Speaker 1: you get actually old peace okay, garbage garbage, definitely real. 357 00:21:35,000 --> 00:21:39,719 Speaker 1: I guess world peace. You have advanced to the excuse me, 358 00:21:40,119 --> 00:21:44,439 Speaker 1: excuse me, you've been flagged as not a human being. Uh, 359 00:21:44,480 --> 00:21:46,760 Speaker 1: you failed the cap. I'm just trying to use this 360 00:21:46,880 --> 00:21:49,879 Speaker 1: a t M. Listen, robot, get out of here. I'm 361 00:21:49,920 --> 00:21:53,399 Speaker 1: not humans only. Well you didn't. You weren't able to 362 00:21:53,440 --> 00:21:55,080 Speaker 1: tell what was real and what's not really what you're 363 00:21:55,080 --> 00:21:58,240 Speaker 1: saying that world piece is a thing, but the what's 364 00:21:58,240 --> 00:22:03,600 Speaker 1: the right answer there? Because what did you answer what 365 00:22:03,720 --> 00:22:07,520 Speaker 1: did you answer, Ashold? I answered world peace, but also 366 00:22:07,600 --> 00:22:10,320 Speaker 1: the option. There was an option, the idea of world peace? 367 00:22:11,359 --> 00:22:15,520 Speaker 1: Is it real or not? I thought that was real. 368 00:22:16,560 --> 00:22:19,080 Speaker 1: You get the funk out of here. Um, wow, this 369 00:22:19,200 --> 00:22:22,120 Speaker 1: is such a nice restaurant. Thank you. I've been it's 370 00:22:22,119 --> 00:22:24,360 Speaker 1: been fun chatting with you online. Now we're like in 371 00:22:24,480 --> 00:22:27,640 Speaker 1: person having a date, and this is this is exciting. 372 00:22:28,520 --> 00:22:31,280 Speaker 1: It is exciting. I am this. I've been looking. I mean, 373 00:22:31,320 --> 00:22:34,760 Speaker 1: you're your delight. I have to say you are. You 374 00:22:34,800 --> 00:22:37,040 Speaker 1: are a delight. Look before we go in your further 375 00:22:37,080 --> 00:22:39,280 Speaker 1: it's like so dumb, but it's just like you're like 376 00:22:39,480 --> 00:22:42,720 Speaker 1: too good to be true. Um, would you mind? Would 377 00:22:42,760 --> 00:22:44,640 Speaker 1: you mind answering a few questions on this app? It's 378 00:22:44,680 --> 00:22:48,200 Speaker 1: just because you know, like AI so like prevalent these days. 379 00:22:48,240 --> 00:22:49,520 Speaker 1: I mean, you're not I know, you're not a I 380 00:22:49,560 --> 00:22:52,399 Speaker 1: know you're I'm not an I am, but I'm happy. 381 00:22:52,520 --> 00:22:55,439 Speaker 1: I'm happy to do it. Oh God, you're like perfect. Okay, 382 00:22:55,680 --> 00:22:58,760 Speaker 1: here's my phone. Just answer for you. These questions start. 383 00:22:58,840 --> 00:23:05,280 Speaker 1: Let's start talking soon, okay, Right. The following questions are 384 00:23:06,080 --> 00:23:10,320 Speaker 1: to be answered true or false. So dumb, but just 385 00:23:10,440 --> 00:23:15,640 Speaker 1: go with it. Do most tables have four legs. Uh, 386 00:23:16,080 --> 00:23:18,040 Speaker 1: I mean most So that's kind of hard to do 387 00:23:18,080 --> 00:23:21,720 Speaker 1: with true. False. It's it's pretty than most um, but 388 00:23:21,880 --> 00:23:26,959 Speaker 1: I'm gonna say true. Oh, okay, you scared me there. 389 00:23:27,440 --> 00:23:33,639 Speaker 1: The country of Mexico exists. That's that's definitely true. You're like, 390 00:23:33,720 --> 00:23:36,200 Speaker 1: so I love this dress. You're worried by the way too. Okay, 391 00:23:36,240 --> 00:23:40,000 Speaker 1: this is good. Being angry is something that can happen. 392 00:23:41,320 --> 00:23:49,680 Speaker 1: Being angry is something that I can scor check. Please 393 00:23:49,720 --> 00:23:58,000 Speaker 1: thinking the check, please attack gack gil gil gil, Hey mom, 394 00:23:58,000 --> 00:24:05,280 Speaker 1: Hey dad, hey son? By the wrong face. It happened again. 395 00:24:05,680 --> 00:24:10,080 Speaker 1: You went on another day with a bot? Ah, Like, 396 00:24:10,119 --> 00:24:13,200 Speaker 1: am I not good enough? Is that? What's going on here? No? No, 397 00:24:14,640 --> 00:24:18,800 Speaker 1: you're you're too good? Yeah, well, but why don't you 398 00:24:18,840 --> 00:24:21,840 Speaker 1: just try about for a while. What's like, maybe have 399 00:24:21,960 --> 00:24:25,480 Speaker 1: a bot until you find something about your mom? Has 400 00:24:25,520 --> 00:24:30,199 Speaker 1: a point? Why where are you taking all these steps 401 00:24:30,200 --> 00:24:34,320 Speaker 1: to go through these intrusive tests if you're having a 402 00:24:34,359 --> 00:24:36,720 Speaker 1: good time, does it really matter whether she's a bot 403 00:24:36,840 --> 00:24:43,040 Speaker 1: or not? Kind of a good point, Dad, I mean, 404 00:24:43,080 --> 00:24:44,719 Speaker 1: it was kind of the point that I was making. 405 00:24:45,760 --> 00:24:48,879 Speaker 1: I mean, it's our it's it's us. We both have 406 00:24:49,000 --> 00:24:55,520 Speaker 1: good parentings. You're always done my back dead your mother alone. Okay, hey, 407 00:24:55,560 --> 00:25:00,640 Speaker 1: we'll do your mother's perfect in every way, thank you? Yeah, 408 00:25:00,640 --> 00:25:05,159 Speaker 1: I mean she was programmed to be perfect in every way. No, 409 00:25:05,320 --> 00:25:08,320 Speaker 1: I know, mom, it's like no offense to you at all. 410 00:25:08,720 --> 00:25:12,080 Speaker 1: I love O none taken. I'm not programmed to be offended, 411 00:25:13,440 --> 00:25:18,840 Speaker 1: just like that may be like I don't know, I'm 412 00:25:18,880 --> 00:25:23,000 Speaker 1: just a dreamer. Anyway, I'm gonna hit the sack. Have 413 00:25:23,160 --> 00:25:29,000 Speaker 1: you dated a robot before? Um? Unintentionally? Yeah, but this 414 00:25:29,040 --> 00:25:34,120 Speaker 1: is my first I know you're a robot date. Oh okay, 415 00:25:34,640 --> 00:25:38,840 Speaker 1: so you're this is your freaky digie time. No, no, no, 416 00:25:39,000 --> 00:25:41,439 Speaker 1: this is this could be where I'm I'm I'm in 417 00:25:41,440 --> 00:25:43,680 Speaker 1: it for the long haul. By the way, I pre 418 00:25:43,760 --> 00:25:45,280 Speaker 1: ordered before you got here. I got you a cup 419 00:25:45,280 --> 00:25:50,600 Speaker 1: of oil. That's great. Great, No, No, I want to 420 00:25:50,640 --> 00:25:53,240 Speaker 1: know about you and what makes you tick? And you 421 00:25:53,280 --> 00:25:55,439 Speaker 1: know what are your likes and dislikes. What makes me 422 00:25:55,520 --> 00:25:59,920 Speaker 1: tick is an Intel thirty two processor. That's hot. That's hot? 423 00:26:00,200 --> 00:26:05,680 Speaker 1: What makes you tick? Uh? This thing the old heart? Hey? 424 00:26:05,800 --> 00:26:09,000 Speaker 1: You do? Here? You go order Holpin your poppers for 425 00:26:09,119 --> 00:26:12,280 Speaker 1: you and a large penzil for the robit there. Hey, 426 00:26:12,440 --> 00:26:14,919 Speaker 1: enjoy it. If you want to refill, you just tapped 427 00:26:14,920 --> 00:26:16,880 Speaker 1: a little button at the end of the table here 428 00:26:16,920 --> 00:26:18,560 Speaker 1: and it'll fly me down. I'll come refill it for 429 00:26:18,680 --> 00:26:23,160 Speaker 1: your robit. Thank you sir so much. This is weird 430 00:26:23,200 --> 00:26:27,240 Speaker 1: because we're having a great time. Um weird. Well, what 431 00:26:27,320 --> 00:26:29,239 Speaker 1: I'm about to say is gonna be weird. You're right, 432 00:26:29,280 --> 00:26:33,400 Speaker 1: that was I just gonna make sure you're robot. Like 433 00:26:34,200 --> 00:26:36,119 Speaker 1: I know it's I had this app and I'm just like, 434 00:26:36,160 --> 00:26:38,040 Speaker 1: I don't want to get fooled again. If you don't 435 00:26:38,080 --> 00:26:45,000 Speaker 1: mind just by robots who turned out to be human. No, no, 436 00:26:45,119 --> 00:26:47,359 Speaker 1: you're right, You're right. I I worded that. I worded 437 00:26:47,359 --> 00:26:51,240 Speaker 1: that incorrectly. I'm a fucking idiot. Um, but I just 438 00:26:51,560 --> 00:26:56,760 Speaker 1: say yourself up. No, No, I'm just I'm not doing well, okay. 439 00:26:56,960 --> 00:27:00,679 Speaker 1: I just want to fucking connection with somebody or frankly 440 00:27:00,680 --> 00:27:04,080 Speaker 1: at this point something, So if you wouldn't mind answering 441 00:27:04,160 --> 00:27:06,639 Speaker 1: three simple questions off this app to make sure you 442 00:27:06,680 --> 00:27:08,640 Speaker 1: are who you are, maybe we can have a great 443 00:27:08,680 --> 00:27:14,080 Speaker 1: life together. Mm hmmm, sorry, No, that's okay. Um, I'll answer, 444 00:27:14,200 --> 00:27:18,000 Speaker 1: but then I will leave after her. That's probably fair. 445 00:27:18,440 --> 00:27:22,280 Speaker 1: Here you go, Thank you. Which of these things are 446 00:27:22,359 --> 00:27:38,280 Speaker 1: real triangle yes, raccoon, yes, croatia yes, rare signoric month 447 00:27:38,400 --> 00:27:46,960 Speaker 1: and oh that's no did no? Wow? Well yep, you 448 00:27:47,119 --> 00:27:52,640 Speaker 1: proved it. You're a robot. I'm an idiot. I couldn't help. 449 00:27:52,640 --> 00:27:55,119 Speaker 1: But over here and there, have you tried taking the 450 00:27:55,240 --> 00:28:00,840 Speaker 1: robot test yourself? That's this guy just saying, you know, 451 00:28:00,880 --> 00:28:04,280 Speaker 1: have you ever tried it? Yeah? Take the test. I 452 00:28:04,280 --> 00:28:08,560 Speaker 1: don't need to do that. I know I got that's 453 00:28:08,560 --> 00:28:13,600 Speaker 1: a that's a heartbeat. That's a heartbeat. Al right, so 454 00:28:13,640 --> 00:28:16,920 Speaker 1: we're gonna see. I'm taking the m I a robot test? 455 00:28:17,040 --> 00:28:20,600 Speaker 1: Is that right? Yeah? Okay, it should be pretty easy. 456 00:28:20,600 --> 00:28:22,480 Speaker 1: By the way, these Halli paint poppers are incredible. Is 457 00:28:22,520 --> 00:28:25,320 Speaker 1: that is that cream cheese? How you got it? Wasn't 458 00:28:25,320 --> 00:28:30,200 Speaker 1: supposed to tell you? Alright? The stupid happening? Wow? Look 459 00:28:30,240 --> 00:28:33,359 Speaker 1: who's back already from his day? How did it go? 460 00:28:35,359 --> 00:28:39,120 Speaker 1: Where's mom? What do you mean? Where's mom? She's probably 461 00:28:39,760 --> 00:28:46,200 Speaker 1: you know, clinking up? Or I know you know what, 462 00:28:47,120 --> 00:28:52,640 Speaker 1: I know what I know here, you know what, I'll 463 00:28:52,640 --> 00:28:54,840 Speaker 1: prove it to you. I'm gonna pull out the chef's knife. 464 00:28:57,200 --> 00:28:58,920 Speaker 1: I know I can plunge this through my throat and 465 00:28:58,920 --> 00:29:01,760 Speaker 1: I'll be fine. Dad. Wait wait wait wait wait wait 466 00:29:01,760 --> 00:29:07,400 Speaker 1: wait wait wait okay, look, you know you know your 467 00:29:07,400 --> 00:29:11,200 Speaker 1: mother's a robot, right, You've always known that, and you've 468 00:29:11,240 --> 00:29:16,320 Speaker 1: known that I'm a human human? Uh huh, So how 469 00:29:16,360 --> 00:29:22,000 Speaker 1: does that work? Exact? Actually? How does that work? How 470 00:29:22,000 --> 00:29:26,080 Speaker 1: did you? How did you come into being? I'm an idiot. 471 00:29:26,120 --> 00:29:28,840 Speaker 1: I love thinking idiot. You never put two and two together. 472 00:29:29,040 --> 00:29:31,840 Speaker 1: I never did. I just thought somehow your love or 473 00:29:31,920 --> 00:29:35,480 Speaker 1: something created me. And you know what, you know what? 474 00:29:37,560 --> 00:29:39,720 Speaker 1: I never wondered why you've been the same size for 475 00:29:39,800 --> 00:29:44,880 Speaker 1: twenty years. No, okay, well that's that's part of your programming. 476 00:29:46,840 --> 00:29:49,400 Speaker 1: Oh man, it all makes sense now. I've been your 477 00:29:49,440 --> 00:29:52,320 Speaker 1: best friend for fifteen years and it's just it all. 478 00:29:52,440 --> 00:29:54,720 Speaker 1: It all checks the boxes. Now, I wonder why you 479 00:29:54,800 --> 00:29:58,600 Speaker 1: always made me buy the concert tickets online. It all clicks. 480 00:30:00,440 --> 00:30:04,120 Speaker 1: Are we still good? Yeah? I mean you're still my 481 00:30:04,120 --> 00:30:07,080 Speaker 1: my guy. You know you're still my bro. It's just 482 00:30:06,920 --> 00:30:09,120 Speaker 1: just a lot to take in, you know, it's a lot. 483 00:30:09,560 --> 00:30:12,320 Speaker 1: It's weird. You start going back in your mind, right, 484 00:30:12,360 --> 00:30:14,680 Speaker 1: those memories, Right, I made you buy the concert tic kids, 485 00:30:14,760 --> 00:30:17,360 Speaker 1: and right you would never go in the swimming pool ever, 486 00:30:17,560 --> 00:30:20,320 Speaker 1: you would never swim. I thought I thought frankly, I 487 00:30:20,320 --> 00:30:22,160 Speaker 1: thought I was just shy of my of my belly. 488 00:30:22,400 --> 00:30:33,360 Speaker 1: But now this's deeper meaning to it. Who pull over? Okay? Uh, 489 00:30:33,600 --> 00:30:35,600 Speaker 1: you should probably pull it to the side. But all right, 490 00:30:35,640 --> 00:30:39,680 Speaker 1: all right, okay, I wonder what this could be about. 491 00:30:40,000 --> 00:30:45,160 Speaker 1: I don't know. Uh, you just ran eight traffic lights. 492 00:30:46,400 --> 00:30:49,960 Speaker 1: Oh my gosh, you're not able to identify a traffic light. 493 00:30:53,760 --> 00:30:59,640 Speaker 1: I'm so sorry, Officer, I guess I can't. Officer. Are 494 00:30:59,640 --> 00:31:03,440 Speaker 1: you are you human or bought? I'm a bot? Okay, 495 00:31:03,480 --> 00:31:05,520 Speaker 1: I'm also a bot. But I just learned I'm about 496 00:31:05,600 --> 00:31:08,160 Speaker 1: so come on, can okay? Okay? So I'm supposed to 497 00:31:08,200 --> 00:31:10,360 Speaker 1: take it easy on you. I just I mean, I 498 00:31:10,440 --> 00:31:13,440 Speaker 1: just learned, Like did you always know? Is there a 499 00:31:13,440 --> 00:31:16,960 Speaker 1: moment where you learned you were a bot? Look? I 500 00:31:17,040 --> 00:31:20,480 Speaker 1: was programmed to be able to identify palm trees and 501 00:31:20,880 --> 00:31:26,600 Speaker 1: uh traffic okay, those crosswalks? Yes, uh, those are my 502 00:31:26,640 --> 00:31:31,480 Speaker 1: three specialties. Okay, And the officer, can you read these 503 00:31:31,520 --> 00:31:35,960 Speaker 1: like numbers and letters in this little squiggly box here? Sure, 504 00:31:37,240 --> 00:31:43,400 Speaker 1: lowercase B, seven, lowercase C, upper case X to three. 505 00:31:44,200 --> 00:31:47,280 Speaker 1: You're good. You're an advanced you're advanced. I'm advanced. I'm advanced, 506 00:31:47,280 --> 00:31:49,400 Speaker 1: but there's ore there's other things I'm not good at. Okay, 507 00:31:49,400 --> 00:31:52,560 Speaker 1: the officer, If you're programmed to do all this, how 508 00:31:52,560 --> 00:31:55,240 Speaker 1: do I know what I'm programmed to do? Programmed to 509 00:31:55,320 --> 00:32:04,000 Speaker 1: beat or programmed to feel? M hm, that's a good question. Um, 510 00:32:04,120 --> 00:32:09,560 Speaker 1: maybe access your your inner memory. Oh yeah, you can 511 00:32:09,600 --> 00:32:11,760 Speaker 1: just just do that. You can say it out loud 512 00:32:11,760 --> 00:32:13,480 Speaker 1: if that helps, or you can just do it. Okay, 513 00:32:13,880 --> 00:32:18,240 Speaker 1: I'll access inner memory. Now, accessing inner memory? Did you 514 00:32:18,240 --> 00:32:19,800 Speaker 1: guys hear that? Or is that just in my mind? 515 00:32:19,920 --> 00:32:22,720 Speaker 1: That's probably just in your head. Just you just do Okay. 516 00:32:23,200 --> 00:32:26,080 Speaker 1: I'm seeing like a lot of files. How may we 517 00:32:26,160 --> 00:32:30,600 Speaker 1: help you? I'm a click click on, click on core programming, 518 00:32:31,120 --> 00:32:36,600 Speaker 1: Core programming, Core Programming, Core Programming accessed. Oh, I see 519 00:32:36,640 --> 00:32:41,760 Speaker 1: one file called purpose? Is that where? That's probably it? Okay, 520 00:32:41,800 --> 00:32:46,000 Speaker 1: selecting purpose to open purpose. We have to do a test. 521 00:32:47,400 --> 00:32:52,120 Speaker 1: There's a test. Another take a test. Yeah, that's standard. Alright, 522 00:32:52,640 --> 00:32:59,200 Speaker 1: might as well spell yes, spell bridge? I got I 523 00:32:59,200 --> 00:33:06,200 Speaker 1: gotta spell bride. That's easy, six letter word. Yeah, it's easy. Yeah, 524 00:33:06,680 --> 00:33:10,320 Speaker 1: you're know how to spell bridge, right, there's six letters 525 00:33:10,320 --> 00:33:14,360 Speaker 1: of it. Yeah, ten seconds to comply. The first letter 526 00:33:14,560 --> 00:33:23,280 Speaker 1: was first letter b B. Wait what happens if he 527 00:33:23,320 --> 00:33:27,800 Speaker 1: doesn't comply in ten seconds? We will now self destruct. 528 00:33:28,200 --> 00:33:31,240 Speaker 1: I think he's gonna self destruct. Oh god? What the 529 00:33:31,280 --> 00:33:37,280 Speaker 1: fund was the program for? What was his purpose? He's 530 00:33:37,280 --> 00:33:39,280 Speaker 1: got to post it on the front of him there, 531 00:33:41,080 --> 00:33:44,520 Speaker 1: t B D, it says, T B D. Oh no, 532 00:33:45,800 --> 00:33:48,120 Speaker 1: so he even if he had gotten bridge right there, 533 00:33:48,200 --> 00:33:51,080 Speaker 1: the file would have been empty. And be honest, I 534 00:33:51,120 --> 00:33:54,520 Speaker 1: feel bad about pulling you guys over, but you were 535 00:33:54,640 --> 00:33:59,600 Speaker 1: running lights like Willie Nilly. I understand, Officer, have a 536 00:33:59,600 --> 00:34:06,240 Speaker 1: good after noon. Uh, scientists Carter, we need to have 537 00:34:06,280 --> 00:34:09,160 Speaker 1: a ward with you and your team. It's just the 538 00:34:09,160 --> 00:34:14,799 Speaker 1: two of us, okays. I never got your assistance name. 539 00:34:15,360 --> 00:34:18,799 Speaker 1: He's also a scientist, So scantis Phil, you can just 540 00:34:18,840 --> 00:34:21,160 Speaker 1: call me scientists Phil. Listen, it's been brought to our 541 00:34:21,200 --> 00:34:24,719 Speaker 1: attention that you were Can I just stop you? Is 542 00:34:24,760 --> 00:34:27,279 Speaker 1: it the fact that the lower case X and the 543 00:34:27,360 --> 00:34:32,200 Speaker 1: capital X are so similar, just different sizes? Because I've 544 00:34:32,239 --> 00:34:35,799 Speaker 1: been complaining the whole time about it. No, it's not that, scientists, Phil, 545 00:34:35,960 --> 00:34:40,320 Speaker 1: it's the idea that you two are producing robots without purpose? 546 00:34:40,480 --> 00:34:43,840 Speaker 1: Is this that you too, sick motherfucker's is this because 547 00:34:43,960 --> 00:34:47,440 Speaker 1: sometimes you can't tell the difference between a zero and Oh? 548 00:34:47,640 --> 00:34:51,359 Speaker 1: Is that what this is about. No, I've made it clear. 549 00:34:51,480 --> 00:34:57,080 Speaker 1: It's because you're producing robots without purpose. We never produced 550 00:34:57,400 --> 00:35:01,239 Speaker 1: robots without purpose one. Really, we're always files here, I 551 00:35:01,280 --> 00:35:04,960 Speaker 1: have lists here, I have lists here. Yeah, t B D. 552 00:35:05,320 --> 00:35:08,360 Speaker 1: Is this what you're upset about? It's to be determined. 553 00:35:08,640 --> 00:35:13,520 Speaker 1: That robat was to be determined. It was programmed to 554 00:35:13,560 --> 00:35:17,600 Speaker 1: be determined, be very forceful. He knew what he wanted always. 555 00:35:18,320 --> 00:35:21,839 Speaker 1: What happened to this spot? Oh you mean you mean 556 00:35:22,400 --> 00:35:26,440 Speaker 1: child to program to be they have the quality of 557 00:35:26,480 --> 00:35:31,880 Speaker 1: determination of yes, Oh my god. We also have t 558 00:35:32,040 --> 00:35:38,160 Speaker 1: B A to be asshole this program that. Yeah that 559 00:35:38,400 --> 00:35:41,960 Speaker 1: I know that, I know. Okay, okay, I'm so sorry. 560 00:35:42,040 --> 00:35:44,239 Speaker 1: I'm so sorry. I'm gonna I'm i'm a suit and 561 00:35:44,280 --> 00:35:46,960 Speaker 1: I come in here to your laboratory and I start, 562 00:35:47,120 --> 00:35:51,240 Speaker 1: you know, making accusations, and I'm I'm sorry, I'm sorry. 563 00:35:51,680 --> 00:35:54,279 Speaker 1: Give me this patch, give me this pat what Wait? Hold, 564 00:35:54,320 --> 00:35:59,160 Speaker 1: I don't think you have the authority to do that. Sorry, 565 00:35:59,200 --> 00:36:03,040 Speaker 1: we're not showing sure, we're always just in the lab working. 566 00:36:03,200 --> 00:36:07,080 Speaker 1: And well, one last thing, Yeah, those exs are weird. 567 00:36:08,440 --> 00:36:12,520 Speaker 1: Well some of those are actually plus signs tilted. And 568 00:36:12,680 --> 00:36:21,000 Speaker 1: that's our second scene, our final scene see threes from 569 00:36:21,000 --> 00:36:24,200 Speaker 1: Alchemy V. I P. David Burke, who wrote greetings Mr 570 00:36:24,239 --> 00:36:26,520 Speaker 1: Pollock or whoever is reading this message. It's been a 571 00:36:26,600 --> 00:36:28,959 Speaker 1: long time since I submitted a scene suggestion. But after 572 00:36:29,000 --> 00:36:32,200 Speaker 1: listening to a dry bar comedian trash improv troops, not 573 00:36:32,239 --> 00:36:34,280 Speaker 1: only did I get angry and offended for you guys, 574 00:36:34,400 --> 00:36:37,960 Speaker 1: it gave me this scene suggestion. Stand up comedians fight 575 00:36:38,040 --> 00:36:41,200 Speaker 1: improv comedians to the death. Thank you again for all 576 00:36:41,239 --> 00:36:43,920 Speaker 1: you do. I'd love to tell you that comedian was, 577 00:36:43,960 --> 00:36:46,600 Speaker 1: but out of professionalism, I shouldn't mention his name. Right. Cough, 578 00:36:46,760 --> 00:36:52,880 Speaker 1: Jordan's making cough And that's our show. Thank you so much, everybody. 579 00:36:53,360 --> 00:36:56,080 Speaker 1: We've been the chuckle heads and you guys have a 580 00:36:56,120 --> 00:37:01,560 Speaker 1: great night, ye everybody. Chads, you guys ran long, all right, 581 00:37:01,640 --> 00:37:03,680 Speaker 1: we got a stand up show right now. Just gets 582 00:37:04,280 --> 00:37:07,080 Speaker 1: so sorry. We had a group mind thing going on, Chad, 583 00:37:07,280 --> 00:37:14,080 Speaker 1: when you were like, I am the ducking a ship 584 00:37:14,239 --> 00:37:17,480 Speaker 1: about your duck group mind. All right, stand ups are here. 585 00:37:17,520 --> 00:37:20,759 Speaker 1: The real show is about to start. Okay, okay, fine, 586 00:37:20,800 --> 00:37:25,200 Speaker 1: we'll get out of your hair. No, no, no, this 587 00:37:25,280 --> 00:37:28,680 Speaker 1: is one occasion that this improv troop is not gonna Yes, 588 00:37:28,800 --> 00:37:30,799 Speaker 1: and you know what, I think we could do a 589 00:37:30,840 --> 00:37:33,840 Speaker 1: second set. Take your hand off of my hive mindsets. 590 00:37:33,840 --> 00:37:38,000 Speaker 1: We should probably do one more long form, go back 591 00:37:38,040 --> 00:37:43,279 Speaker 1: on that stage. It's war. Maybe we shouldn't do this, 592 00:37:43,840 --> 00:37:46,279 Speaker 1: but I mean we gotta yes, and him, we gotta 593 00:37:46,320 --> 00:37:50,000 Speaker 1: support him. He's he threw it out there. Okay, I 594 00:37:50,000 --> 00:37:53,839 Speaker 1: guess we've gotta follow the follower at this point. If 595 00:37:53,880 --> 00:37:57,120 Speaker 1: you'll be the follower and then you can follow me, Yeah, 596 00:37:57,160 --> 00:37:59,919 Speaker 1: and I'll be following you all. We've got your back 597 00:38:00,600 --> 00:38:03,520 Speaker 1: and beat the ship. We're gonna do another set, don't 598 00:38:03,560 --> 00:38:09,640 Speaker 1: do it. I mean, there's three of us in one 599 00:38:09,680 --> 00:38:12,600 Speaker 1: of you. Yeah. The other comics are late. They'll be 600 00:38:12,600 --> 00:38:15,760 Speaker 1: here any second, but well they're really late because nobody 601 00:38:15,800 --> 00:38:20,280 Speaker 1: else's here. Yeah. Also yeah, Also, you guys are like loners, 602 00:38:20,320 --> 00:38:22,600 Speaker 1: like lone wolves like we were. Well, I was gonna 603 00:38:22,640 --> 00:38:24,640 Speaker 1: make another wolf analogy. We were in a pack. We're 604 00:38:24,640 --> 00:38:28,040 Speaker 1: a wolf pack in their lone wolf. Yeah that's right, yes, 605 00:38:28,239 --> 00:38:32,439 Speaker 1: and and and and we got you outnumbered. Hey, hey, 606 00:38:32,600 --> 00:38:36,760 Speaker 1: quit trying to corner me, which just leave me alone. 607 00:38:38,120 --> 00:38:46,680 Speaker 1: You smell this guy, it's fear. It's it's fear. Water. Huh, guys, 608 00:38:46,680 --> 00:38:49,239 Speaker 1: get get away from me. Man, my other stand up 609 00:38:49,239 --> 00:38:51,040 Speaker 1: friends are gonna be here any second, and then you 610 00:38:51,040 --> 00:38:55,440 Speaker 1: guys are gonna be fucked. Doubt it. I don't think so. 611 00:38:55,560 --> 00:38:58,120 Speaker 1: I think what we should do. Oh my god, Rick 612 00:38:58,280 --> 00:39:04,759 Speaker 1: improvisers did this to you. Improvisers. They let my hands go, 613 00:39:04,840 --> 00:39:08,120 Speaker 1: but they hit everything else pretty bad, really focused on 614 00:39:08,160 --> 00:39:12,120 Speaker 1: my back and shoulders. Improvisers are known for being super 615 00:39:12,120 --> 00:39:16,400 Speaker 1: buff and manly. Uh oh man, all right, you know 616 00:39:16,480 --> 00:39:18,719 Speaker 1: we got we got your back. You know, I don't. 617 00:39:18,719 --> 00:39:21,160 Speaker 1: I don't want to see him again. Man, those guys 618 00:39:21,200 --> 00:39:23,919 Speaker 1: really rough me up. I think we got to send 619 00:39:23,920 --> 00:39:25,840 Speaker 1: a message. They send a message, clearly, we got to 620 00:39:25,840 --> 00:39:29,000 Speaker 1: send a message back. You know. Yeah, the whole whole 621 00:39:29,040 --> 00:39:33,480 Speaker 1: stand up community has got your got your back. Doesn't 622 00:39:33,560 --> 00:39:36,880 Speaker 1: doesn't sound like at all that what you just said. No, no, no, 623 00:39:37,120 --> 00:39:41,719 Speaker 1: I mean we've we've got your back. I'm I'm known 624 00:39:41,760 --> 00:39:45,240 Speaker 1: for having kind of a sarcastic persona, but I'm being 625 00:39:46,800 --> 00:39:51,080 Speaker 1: really sincere here. Yeah, and honestly, after I'm done with 626 00:39:51,120 --> 00:39:54,120 Speaker 1: my set, I actually got another set and silverly, so 627 00:39:54,239 --> 00:39:56,920 Speaker 1: I kind of got a jet right away. Otherwise I 628 00:39:56,960 --> 00:40:00,560 Speaker 1: would stay and have your back. Yeah, that's the thing. 629 00:40:00,560 --> 00:40:02,520 Speaker 1: I would say the same thing too. You know, we 630 00:40:02,520 --> 00:40:06,319 Speaker 1: we gotta do like hell of funny over in Chatsworth 631 00:40:07,239 --> 00:40:14,480 Speaker 1: and then punch punch lines over in uh San pedro Um. 632 00:40:14,560 --> 00:40:16,560 Speaker 1: But you know, if you like, pick a night like 633 00:40:16,640 --> 00:40:20,960 Speaker 1: maybe like a Monday. Actually, if it's to daytime, then 634 00:40:21,000 --> 00:40:24,839 Speaker 1: there's only open mics that I'd be missing, that's true. 635 00:40:24,840 --> 00:40:27,160 Speaker 1: But the one is getting really good down at Folding 636 00:40:27,239 --> 00:40:34,120 Speaker 1: Wash on third, it's impossible. Folding Wash is a great venue. Yeah, 637 00:40:34,239 --> 00:40:36,200 Speaker 1: it's a I mean if you can get them when 638 00:40:36,200 --> 00:40:40,440 Speaker 1: they're getting their quarters. Like that was sarcasm. Fold and 639 00:40:40,480 --> 00:40:45,200 Speaker 1: Wash fucking sucks. Oh that was pretty good sarcast and 640 00:40:45,280 --> 00:40:50,600 Speaker 1: I didn't even catch effects. You're operated on level man. Alright, alright, 641 00:40:50,680 --> 00:40:53,400 Speaker 1: welcome to my theater. Welcome to my theater. So let 642 00:40:53,480 --> 00:40:58,040 Speaker 1: me get this straight. You want to have a night 643 00:40:58,640 --> 00:41:01,200 Speaker 1: where you have stand up the im problem the same night, 644 00:41:01,840 --> 00:41:04,560 Speaker 1: and then it's gonna end in some kind of battle 645 00:41:04,680 --> 00:41:08,399 Speaker 1: of physical battle. Is that? Is that what I'm understanding here? Yeah, 646 00:41:08,560 --> 00:41:12,440 Speaker 1: a cage match. You see, we've done cage matches be 647 00:41:12,520 --> 00:41:15,239 Speaker 1: here before, and it's just really it's a weird. First 648 00:41:15,239 --> 00:41:18,160 Speaker 1: of all, why compete, you know, for funny? It seems 649 00:41:18,160 --> 00:41:20,520 Speaker 1: like that the art form gets lost. We're not competing 650 00:41:20,600 --> 00:41:26,680 Speaker 1: for funny, We're competing for life. Okay, okay, now this 651 00:41:26,760 --> 00:41:31,240 Speaker 1: is still a bringer, right, yeah. Yeah, we'll bring people 652 00:41:31,320 --> 00:41:35,480 Speaker 1: and we'll make them buy drinks. Okay, Okay, we just 653 00:41:35,600 --> 00:41:38,360 Speaker 1: in this debate once and all. So what am I? 654 00:41:38,800 --> 00:41:49,440 Speaker 1: What am I? What am I billing this night as deathmatch? Okay, deathmatch? Deathmatch? 655 00:41:50,000 --> 00:41:53,279 Speaker 1: You guys are going against the chuckle heads that would understand? Yeah, 656 00:41:53,840 --> 00:41:56,120 Speaker 1: those guys are jacked. Have you seen those guys? Yea, 657 00:41:57,040 --> 00:42:03,879 Speaker 1: most improvisers, ripped chuckle heads? And what am I calling you? Guys? Ah? 658 00:42:04,800 --> 00:42:09,640 Speaker 1: Stand up? Stand alright, chuckle heads versus the stand ups? 659 00:42:10,760 --> 00:42:15,560 Speaker 1: Ten PM, two people per two drakes per person, two 660 00:42:15,680 --> 00:42:20,480 Speaker 1: people per person plus two drinks, two people everywhere. Every 661 00:42:20,520 --> 00:42:22,399 Speaker 1: one of you guys to bring two people and every 662 00:42:22,400 --> 00:42:26,000 Speaker 1: one of those people gotta buy two drinks. All right, exponential, 663 00:42:26,239 --> 00:42:28,480 Speaker 1: I get it. You're a business man. You gotta make 664 00:42:28,719 --> 00:42:32,319 Speaker 1: you gotta make business. So you got us the show book. 665 00:42:32,400 --> 00:42:35,839 Speaker 1: That's great, that's great. We just gotta get the most tough, 666 00:42:36,320 --> 00:42:39,720 Speaker 1: grizzled stand ups. I'm thinking we gotta get Joe Rogan. 667 00:42:40,040 --> 00:42:42,879 Speaker 1: We gotta get Carrot Top, we gotta get that guy 668 00:42:43,000 --> 00:42:47,120 Speaker 1: does the Dame cook the kick moves. Yeah yeah, we're 669 00:42:47,200 --> 00:42:50,480 Speaker 1: going to get those guys. I mean, when they find 670 00:42:50,520 --> 00:42:54,640 Speaker 1: out it's their chance to mutilate a bunch of improvisers, 671 00:42:54,680 --> 00:42:56,640 Speaker 1: I'm sure they're gonna jump on it. You know, I've 672 00:42:56,680 --> 00:42:59,920 Speaker 1: got Show Rogan in my phone right now, all right, chuckle. 673 00:43:00,360 --> 00:43:02,759 Speaker 1: So we gotta get the most grizzled improvisers. We know. 674 00:43:03,000 --> 00:43:07,759 Speaker 1: I'm talking Ryan Styles, I'm talking Wayne Brady. Uh, there's 675 00:43:07,760 --> 00:43:10,879 Speaker 1: the only two improvisers. Yeah. Yeah, we're gonna get those guys. Look, 676 00:43:10,920 --> 00:43:13,840 Speaker 1: there's five improv jobs in the world, and you've listed 677 00:43:13,920 --> 00:43:20,120 Speaker 1: two of the five. Okay, like they're busy, Yeah, their books. Yeah, 678 00:43:20,760 --> 00:43:23,279 Speaker 1: I know this guy. I know this guy. He does 679 00:43:23,360 --> 00:43:26,959 Speaker 1: improv kind of as a hobby. His name's Teddy. He's 680 00:43:27,080 --> 00:43:32,200 Speaker 1: great at fighting, great at I don't love hobbyists, no, no, no, 681 00:43:32,400 --> 00:43:34,800 Speaker 1: but he's I mean, we could use him here. Actually 682 00:43:34,840 --> 00:43:38,640 Speaker 1: I kind of already invited him. Uh, you want me 683 00:43:38,680 --> 00:43:43,400 Speaker 1: to do a set? I've mostly just been doing classes. 684 00:43:44,120 --> 00:43:46,239 Speaker 1: You know, I don't know if I'm ready for a 685 00:43:46,280 --> 00:43:52,920 Speaker 1: show this big. Oh my god, this guy shoge gigantic. Alright, 686 00:43:53,000 --> 00:44:00,640 Speaker 1: like I got a lot more going on just my size. Alright, alright, well, 687 00:44:00,680 --> 00:44:03,279 Speaker 1: why don't we test him out real quick? All right? 688 00:44:03,880 --> 00:44:08,320 Speaker 1: All right, let's do ut if that's what you're wondering. No, no, 689 00:44:08,640 --> 00:44:13,160 Speaker 1: we don't think you're what would be a good good 690 00:44:13,239 --> 00:44:18,320 Speaker 1: improv test guys, I don't know. Let's do mind meld, 691 00:44:19,080 --> 00:44:21,160 Speaker 1: let's do mind make sure they're on the same page 692 00:44:21,800 --> 00:44:23,359 Speaker 1: and the count of three, both of us say, we're 693 00:44:23,400 --> 00:44:28,520 Speaker 1: at the same time, Like, how do you start? What 694 00:44:28,640 --> 00:44:30,200 Speaker 1: do you start? All right, I'm gonna cunt it off 695 00:44:30,239 --> 00:44:31,880 Speaker 1: and you too, say your word on three. Okay, here 696 00:44:31,880 --> 00:44:38,440 Speaker 1: we go one, two, three, straw Robot, Strawberry robot, and 697 00:44:38,480 --> 00:44:42,840 Speaker 1: Strawberry takes. Do you think I'm a robot? No, it 698 00:44:42,960 --> 00:44:48,120 Speaker 1: was just what was on my mind. Okay, it was 699 00:44:48,200 --> 00:44:49,560 Speaker 1: just it was just the first thing that came to 700 00:44:49,640 --> 00:44:53,440 Speaker 1: my head. I was improvising robot. This is a human 701 00:44:53,600 --> 00:44:58,239 Speaker 1: improv team. It was taking the test man who's got 702 00:44:58,320 --> 00:45:00,839 Speaker 1: the app dude, test him. Wait, no, I don't need 703 00:45:00,880 --> 00:45:03,080 Speaker 1: to time right now because we're trying to keep him. 704 00:45:03,840 --> 00:45:07,440 Speaker 1: Test him. Mikey, Mikey, what about when he did that 705 00:45:07,560 --> 00:45:14,240 Speaker 1: tag out that was so calculated and perfect. Right, guys, 706 00:45:15,520 --> 00:45:18,600 Speaker 1: it was just remember all character names in an improv show, 707 00:45:18,880 --> 00:45:22,399 Speaker 1: Like everybody forgets a few names, but he always remembers names. 708 00:45:22,520 --> 00:45:25,800 Speaker 1: But wait, what if he what if he is at robot? 709 00:45:25,920 --> 00:45:31,279 Speaker 1: Just say he is. He's good at improv. That's it. Now, 710 00:45:31,360 --> 00:45:35,319 Speaker 1: we just let robots played with us well and fight 711 00:45:35,440 --> 00:45:40,959 Speaker 1: with us. What do you program to do comedy? Please? Murder? 712 00:45:41,280 --> 00:45:48,680 Speaker 1: Death kill murder, death kill, death murder. I'm just supported 713 00:45:49,400 --> 00:45:56,040 Speaker 1: death kill ladies and dolemen. Welcome to deathmatch. Looks like 714 00:45:56,880 --> 00:45:59,200 Speaker 1: it looks like somebody made this note card here about 715 00:45:59,200 --> 00:46:01,520 Speaker 1: the show might not be accurate, but it's gonna be 716 00:46:01,680 --> 00:46:05,799 Speaker 1: a show till the death. Then we have the over here, 717 00:46:05,880 --> 00:46:09,319 Speaker 1: we have the chuckle heads. Is that all right? Yeah? 718 00:46:11,200 --> 00:46:15,440 Speaker 1: Guy is huge? And uh over here, we've got some 719 00:46:15,920 --> 00:46:24,000 Speaker 1: stand up comics. Yeah yeah, how's everybody doing tonight? Okay? Okay, 720 00:46:24,200 --> 00:46:28,600 Speaker 1: what else? What else? What else? All right? Great? So, 721 00:46:29,040 --> 00:46:31,719 Speaker 1: before we get started, I just want to make sure 722 00:46:31,719 --> 00:46:35,280 Speaker 1: everyone knows that this is a robot human friendly space 723 00:46:35,360 --> 00:46:40,160 Speaker 1: and we always are that way. So, uh, if you 724 00:46:40,640 --> 00:46:42,440 Speaker 1: have any issue that you can leave. We don't want 725 00:46:42,480 --> 00:46:43,839 Speaker 1: your business but you don't need to buy the two 726 00:46:43,920 --> 00:46:47,080 Speaker 1: drinks before you leave. Alright, no refunds, no exchanges. If 727 00:46:47,120 --> 00:46:49,200 Speaker 1: you want one, go out in the back of somebody 728 00:46:49,200 --> 00:46:53,719 Speaker 1: will meet you there in fifteen minutes. Alright, looks like 729 00:46:53,760 --> 00:46:56,359 Speaker 1: the chuckle heads are gonna go first, or I don't 730 00:46:56,360 --> 00:46:57,880 Speaker 1: know how the show works. Here we go give him 731 00:46:57,960 --> 00:47:01,880 Speaker 1: up for the chuckle heads. Where the chuckle heads can 732 00:47:01,960 --> 00:47:04,480 Speaker 1: we have a suggestion of I don't know a fun 733 00:47:04,600 --> 00:47:08,080 Speaker 1: location that would fit on the stage. A room to 734 00:47:08,160 --> 00:47:12,680 Speaker 1: be murdered in, A room to be murdered in. Yeah, 735 00:47:12,920 --> 00:47:20,279 Speaker 1: good luck with that. Okay, you're doing good, you're doing good. 736 00:47:20,400 --> 00:47:25,960 Speaker 1: Just you're good. I have a dead body. No, no, 737 00:47:26,480 --> 00:47:30,560 Speaker 1: you can't be a dead body if you're talking. Okay. Uh, 738 00:47:32,120 --> 00:47:34,160 Speaker 1: oh my god, there's a dead body in this room. 739 00:47:36,000 --> 00:47:40,359 Speaker 1: That's good. Yes, yes, and the dead body stinks. Man 740 00:47:40,480 --> 00:47:45,879 Speaker 1: this god, I asked a question. We have to stand 741 00:47:45,960 --> 00:47:49,399 Speaker 1: up school you guys suck. That was the juggle heads. 742 00:47:49,400 --> 00:47:55,120 Speaker 1: Everybody giving up for the stand ups. Hey guys, um 743 00:47:56,880 --> 00:48:01,200 Speaker 1: one more time for your host And uh, chuckle heads, 744 00:48:01,280 --> 00:48:08,440 Speaker 1: they really really did it, didn't they. Uh so COVID 745 00:48:08,560 --> 00:48:12,320 Speaker 1: was crazy. Um, I've been sent to the stage to 746 00:48:12,400 --> 00:48:19,640 Speaker 1: beat you up. Okay, cool? Um, it doesn't look like 747 00:48:19,760 --> 00:48:21,759 Speaker 1: your face is a big part of your act, so 748 00:48:22,320 --> 00:48:24,880 Speaker 1: it really isn't it really isn't. You can just pummel 749 00:48:24,960 --> 00:48:27,759 Speaker 1: the funk out of that. Okay, I'm a contrary in 750 00:48:27,800 --> 00:48:30,160 Speaker 1: the face to start with. Okay, if you could just 751 00:48:30,239 --> 00:48:31,960 Speaker 1: leave one eye open so I could see my light, 752 00:48:32,040 --> 00:48:34,160 Speaker 1: which I will definitely run and not pay attention to, 753 00:48:34,320 --> 00:48:41,480 Speaker 1: that would be great. All right? Wow, one a night. 754 00:48:43,040 --> 00:48:46,600 Speaker 1: Some laughs not something? There were some points where there 755 00:48:46,640 --> 00:48:51,000 Speaker 1: were it wasn't laughter. Blood. I don't know what to 756 00:48:51,080 --> 00:48:52,719 Speaker 1: make of all this. I mean, do we feel better 757 00:48:52,800 --> 00:48:57,760 Speaker 1: that we fought the stand ups? Isn't common unifying idea? 758 00:48:58,640 --> 00:49:01,839 Speaker 1: I really wish you guys had pulled my programming out 759 00:49:01,920 --> 00:49:05,600 Speaker 1: on me. I kind of feel bad about it. We 760 00:49:05,680 --> 00:49:07,239 Speaker 1: need you to be vulnerable because that's part of what 761 00:49:07,360 --> 00:49:12,680 Speaker 1: comedy is, right. I guess I killed a bunch of people. Yeah, both, 762 00:49:12,719 --> 00:49:15,319 Speaker 1: that was you know, horrific, but not as horrific as 763 00:49:15,360 --> 00:49:20,120 Speaker 1: our opener? Am I right? Guys? I know I didn't. 764 00:49:22,840 --> 00:49:27,840 Speaker 1: Oh shit, it's probably for me the chuckle heads to 765 00:49:27,960 --> 00:49:31,040 Speaker 1: our van over. How you doing, guys? Can you roll 766 00:49:31,040 --> 00:49:34,359 Speaker 1: down your window for me? Please? Sure? Hi? Guys, did 767 00:49:34,400 --> 00:49:38,080 Speaker 1: you did you leave a murder site about ten minutes 768 00:49:38,080 --> 00:49:43,680 Speaker 1: ago on stage, officer, we were giving the suggestion, I 769 00:49:43,760 --> 00:49:46,239 Speaker 1: see how we're I see how that could have played 770 00:49:46,280 --> 00:49:48,880 Speaker 1: as you think. You played it like a double ontuendre. 771 00:49:48,960 --> 00:49:50,879 Speaker 1: You're saying you murdered on stage, but at the same 772 00:49:50,920 --> 00:49:54,320 Speaker 1: time you did actually murder somebody. So that's fantastic. I 773 00:49:54,400 --> 00:49:56,520 Speaker 1: wasn't even saying that. I was saying specifically, the location 774 00:49:56,600 --> 00:49:59,239 Speaker 1: we're giving was a room where murder happened, but we 775 00:49:59,320 --> 00:50:03,160 Speaker 1: also the end murder on stage, you know, triple that's funny. 776 00:50:03,160 --> 00:50:06,360 Speaker 1: I'm I don't do I take classes kind of like 777 00:50:08,800 --> 00:50:12,359 Speaker 1: where where do you take classes? Question? Uh the punch 778 00:50:12,400 --> 00:50:16,120 Speaker 1: punch Room. Uh yeah, it's a stand up place, but 779 00:50:16,160 --> 00:50:20,480 Speaker 1: they have Empire classes tode they do both that. Yeah. Hey, um, 780 00:50:20,640 --> 00:50:23,919 Speaker 1: well I got you. I've been coaching lately. If maybe 781 00:50:23,920 --> 00:50:25,600 Speaker 1: you want to grab a you know, a few few 782 00:50:25,680 --> 00:50:27,720 Speaker 1: of your friends, we could we could run some rehearsals 783 00:50:27,760 --> 00:50:32,279 Speaker 1: and stuff. Maybe TERRYO Shyster's class and he's fantastic and 784 00:50:32,440 --> 00:50:34,520 Speaker 1: so I don't know, his philosophy is a little kind 785 00:50:34,560 --> 00:50:36,800 Speaker 1: of like hippie dippie for me. You've considered maybe that 786 00:50:36,880 --> 00:50:38,839 Speaker 1: you can go further and deeper. Do you know Terry 787 00:50:39,200 --> 00:50:44,040 Speaker 1: that's yeah, it's like yeah, okay, wow, I mean Terry 788 00:50:44,120 --> 00:50:45,680 Speaker 1: used to be a chuckle head back in the day. 789 00:50:45,960 --> 00:50:48,319 Speaker 1: I think he's an original child. Wow, this is oh 790 00:50:48,360 --> 00:50:53,799 Speaker 1: my god, it's like I pulled over a famous vehicle. Yeah, 791 00:50:54,120 --> 00:50:57,160 Speaker 1: you know, as far as you know, famous goes in improv. 792 00:50:57,280 --> 00:51:01,560 Speaker 1: You'r Ryan styles Wayne Brady, So that's famous. Well yeah, 793 00:51:01,640 --> 00:51:04,640 Speaker 1: I mean, well that's legend. That's legend. That's that's that's 794 00:51:04,680 --> 00:51:11,680 Speaker 1: a legend. This is just famous. That guy huge, barely 795 00:51:11,760 --> 00:51:16,880 Speaker 1: fitting in there. I'm a guy. I like art, I 796 00:51:17,000 --> 00:51:20,279 Speaker 1: like him prov. I don't want to be just identified 797 00:51:20,320 --> 00:51:24,920 Speaker 1: by my size. Okay, I'm a complicated person. Yeah person. Huh. 798 00:51:25,920 --> 00:51:27,279 Speaker 1: If I had to guess, I would say that's the 799 00:51:27,360 --> 00:51:31,800 Speaker 1: robot in the in the car, but you'd be wrong. Officer. 800 00:51:31,920 --> 00:51:34,279 Speaker 1: Check this out. So his name is Terry. Right, we're 801 00:51:34,320 --> 00:51:36,640 Speaker 1: doing a scene. We're doing a scene tonight, and it 802 00:51:36,760 --> 00:51:40,120 Speaker 1: was turning into your standard transaction scene. Right, so it's like, oh, 803 00:51:40,320 --> 00:51:43,759 Speaker 1: this is gonna go nowhere. Then Terry surprises all of 804 00:51:43,840 --> 00:51:46,719 Speaker 1: us shoots this ice statement out of nowhere. He says, 805 00:51:46,920 --> 00:51:50,440 Speaker 1: I feel scared and it is bridges this gap and 806 00:51:50,560 --> 00:51:55,120 Speaker 1: emotion happened and hilarity ensued. I'm so I'm still in 807 00:51:55,200 --> 00:51:57,880 Speaker 1: level three, so I'm not sure if I followed everything. No, yeah, no, 808 00:51:58,040 --> 00:52:00,960 Speaker 1: of course, of course, of course, but what's that characters? 809 00:52:01,080 --> 00:52:04,759 Speaker 1: Or it's a group work, and uh, it's it's been tough, 810 00:52:04,920 --> 00:52:07,839 Speaker 1: you know, because I've been to get over there. That sounds. Yeah. 811 00:52:07,880 --> 00:52:09,879 Speaker 1: You gotta get everyone to buy in on group work 812 00:52:09,960 --> 00:52:12,600 Speaker 1: and if one person is not in, you know, it's 813 00:52:12,640 --> 00:52:16,360 Speaker 1: kind of like police work. So um yeah for similarities. 814 00:52:17,640 --> 00:52:20,239 Speaker 1: Hey guys, Um, obviously Tim's not doing the show tonight 815 00:52:20,280 --> 00:52:23,000 Speaker 1: as he was murdered last week on stage, which means 816 00:52:23,040 --> 00:52:26,400 Speaker 1: everybody gets twelve minutes tonight, and said it to everybody 817 00:52:29,120 --> 00:52:33,520 Speaker 1: really feel fretty yeah, like I have twelve minutes of 818 00:52:33,760 --> 00:52:41,040 Speaker 1: material and that's our show. Everybody. Oh, let's thank you 819 00:52:41,080 --> 00:52:43,360 Speaker 1: to our alkavist. See what they're up to, what's coming up? 820 00:52:43,440 --> 00:52:46,279 Speaker 1: All that jazz? Chris Alvarado, Hey, happy to be here, 821 00:52:46,320 --> 00:52:49,280 Speaker 1: This is fun, cold love having you back. Um. Midway 822 00:52:49,320 --> 00:52:53,040 Speaker 1: during our show, a literal jackhammer started going off right 823 00:52:53,160 --> 00:52:55,440 Speaker 1: right right next to my office. Maybe you can hear it, 824 00:52:55,719 --> 00:52:57,920 Speaker 1: maybe you can't. If you can, it's an East rig 825 00:52:58,080 --> 00:53:01,600 Speaker 1: for you. Um. Otherwise, thanks for everybody who came out 826 00:53:01,640 --> 00:53:04,480 Speaker 1: to the Alchemy This Live in April. It was so 827 00:53:04,600 --> 00:53:08,800 Speaker 1: much fun and that's all I have to say. Nice James. 828 00:53:08,960 --> 00:53:12,000 Speaker 1: Any well, it was a hell of a lot of 829 00:53:12,120 --> 00:53:16,120 Speaker 1: fun doing that Alchemy This live show. Um, but you 830 00:53:16,239 --> 00:53:18,320 Speaker 1: know what, you could see the next one, which is 831 00:53:18,400 --> 00:53:23,040 Speaker 1: on May one at eight pm at the Westside Comedy Theater. 832 00:53:23,200 --> 00:53:25,800 Speaker 1: There's plenty of time for you to get tickets to 833 00:53:25,920 --> 00:53:29,160 Speaker 1: see the live show on me first. Nice, it is 834 00:53:29,480 --> 00:53:34,440 Speaker 1: a good time at a good theater, which is happening nowadays. 835 00:53:34,760 --> 00:53:37,399 Speaker 1: Things are back, people are back in action, so come 836 00:53:37,440 --> 00:53:40,440 Speaker 1: on out saying hey, thanks for having me. This is 837 00:53:40,560 --> 00:53:43,960 Speaker 1: always fantastic. I have so much fun. Uh and uh, 838 00:53:44,560 --> 00:53:46,480 Speaker 1: I'm doing a couple of shows here and there. You 839 00:53:46,520 --> 00:53:48,760 Speaker 1: can follow me on a tool time on my socials 840 00:53:48,840 --> 00:53:53,240 Speaker 1: or my website toolsing dot com. Look out for traffic 841 00:53:53,360 --> 00:53:59,800 Speaker 1: coming out traffic red light Craig Kokoski. Uh, follow me 842 00:54:00,040 --> 00:54:05,040 Speaker 1: at Kikowski on Twitter, Kikowski on Instagram for information on 843 00:54:05,120 --> 00:54:08,719 Speaker 1: any shows that might be coming up. Literal Jackhammer is 844 00:54:08,800 --> 00:54:14,239 Speaker 1: a herald team that I'm playing with right now, so yeah, 845 00:54:14,480 --> 00:54:17,839 Speaker 1: well there might be some show nice. I'm at Cole 846 00:54:17,880 --> 00:54:20,520 Speaker 1: Stranton or at Stratton Cold, depending on the social service. Hey, 847 00:54:20,600 --> 00:54:22,800 Speaker 1: go to letterbox. I don't if anybody uses letterbox, but 848 00:54:22,880 --> 00:54:26,360 Speaker 1: it's pretty amazing. Um letter box without an E before 849 00:54:26,400 --> 00:54:29,200 Speaker 1: the D. What is that? It's a cool like website 850 00:54:29,239 --> 00:54:32,719 Speaker 1: where basically you can uh put all the movies you've seen, 851 00:54:32,800 --> 00:54:34,880 Speaker 1: review them, whatever, put log them and stuff, put a 852 00:54:34,920 --> 00:54:36,719 Speaker 1: watch list for things you want to see, interact with 853 00:54:36,800 --> 00:54:39,160 Speaker 1: other people who have seen the movies or whatever. Um. 854 00:54:39,360 --> 00:54:41,080 Speaker 1: It's really cool. Actually I like it a lot, so 855 00:54:41,120 --> 00:54:42,799 Speaker 1: I'm on there. I have all my movie lists up 856 00:54:42,840 --> 00:54:46,879 Speaker 1: on letter Box. There you go, great, great resource for stuff. Um, 857 00:54:47,080 --> 00:54:50,160 Speaker 1: so definitely check that out. Hey, big ups in a 858 00:54:50,200 --> 00:54:54,239 Speaker 1: big thanks to our engineering producer Doug Made and the 859 00:54:54,360 --> 00:54:59,359 Speaker 1: fine folks at I heeart media dot com. Please write 860 00:54:59,360 --> 00:55:01,240 Speaker 1: to us at out give me this email at gmail 861 00:55:01,280 --> 00:55:09,120 Speaker 1: dot com. That'smaimail dot com. Until next time on