WEBVTT - Mailbag: All of Your Golf Course Architecture Questions

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<v Speaker 1>I miss a green, for example, I'm already upset.

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<v Speaker 2>When I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my ball in a brid Egg,

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<v Speaker 1>Frida Egg, the dreaded Frida Egg, Friday Fridagg Bride Egg Lie,

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<v Speaker 1>I'm about ready to run off of the hump.

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<v Speaker 2>All right, Welcome back to another edition of the Fridaygg podcast.

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<v Speaker 2>Today's episode is brought to you by ourselves. Yes, that's right, ourselves.

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<v Speaker 2>It's brought to you by our Frida Egg pro Shop.

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<v Speaker 2>If you guys enjoy the podcast and are looking for

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<v Speaker 2>any type of new golf gear, loungewear, new print for

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<v Speaker 2>Getproshop dot the Fridagg. We've got a pretty wide selection

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<v Speaker 2>And thank you for listening. Today's episode will be a

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<v Speaker 2>mail bag podcast. I've got Garrett Morrison right here.

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<v Speaker 1>What's up? How's it going? Ad read right off the top. Yeah,

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<v Speaker 1>move and.

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<v Speaker 2>Merch, Move and merch, move and merch. Talking golf architecture

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<v Speaker 2>on a long road trip, so this should be a

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<v Speaker 2>fun one. I'm excited to talk about something other than

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<v Speaker 2>professional golf. It's kind of been occupying the vacuum in

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<v Speaker 2>the golf world and it'll be nice change of pace

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<v Speaker 2>here to talk golf architecture. How's the trip end for you?

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<v Speaker 2>If you enjoyed your jaunt through the Northeast here.

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<v Speaker 1>This has been an incredible trip for people who don't know.

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<v Speaker 1>We started in Boston at an event that we held

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<v Speaker 1>called the Backyard at Essex County Club, which was sensational.

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<v Speaker 1>That course immediately goes into the top bucket for me,

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<v Speaker 1>I mean, just an incredible golf course. We've gotten to

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<v Speaker 1>play some other cool courses in the area as well.

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<v Speaker 1>As we were driving up to Rochester, which is where

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<v Speaker 1>we are right now, which by the way, is not

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<v Speaker 1>particularly near Boston, but in the midst of our drive

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<v Speaker 1>up we stopped at an incredible place called the Country

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<v Speaker 1>Club of Troy, which I admit I had never heard

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<v Speaker 1>of before, but it's a Walter Travis course outside of Albany,

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<v Speaker 1>and it's just really wonderful and I think that course

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<v Speaker 1>is going to stick with me for a long time.

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<v Speaker 1>So this trip has been really invigorating in some ways

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<v Speaker 1>in terms of the golf course part of it, and

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<v Speaker 1>really tiring in other ways because we've had long days.

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<v Speaker 1>We've been recordings, we've been going courses. But everything we're

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<v Speaker 1>doing we're super lucky to do. But we are starting

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<v Speaker 1>to run on fumes here. So thank you to everybody

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<v Speaker 1>for sending in questions because that really helps us kind

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<v Speaker 1>of generate a podcast out of nothing. That's what these

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<v Speaker 1>mail bag pods are all about.

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<v Speaker 2>Yeah, yeah, most of the teams on the road, so

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<v Speaker 2>putting together a podcast and getting it out there, and

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<v Speaker 2>it's lots of good questions. So do you have this

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<v Speaker 2>is actually a great question. Off the top. We've seen

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<v Speaker 2>a lot of blind te shots and one of the

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<v Speaker 2>reasons we had a golf course set up, you know,

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<v Speaker 2>situation at our last event was blamed. But you guys

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<v Speaker 2>on not having a bell or something, but blind te shots,

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<v Speaker 2>what's the best method for safety? Bells? Periscopes, nothing at all?

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<v Speaker 2>I think there's a wide array of this. I mean,

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<v Speaker 2>one of my favorite things is when there's like a

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<v Speaker 2>homemade periscope. I love the Paris well dun uh at

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<v Speaker 2>not dunbar ed ee. There's a there's like a regal

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<v Speaker 2>marine periscope for the first tea shot.

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<v Speaker 1>That's so cool.

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<v Speaker 2>I think periscope is by far the best amat.

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<v Speaker 1>Because then you can actually see people. Then you're your response. You,

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<v Speaker 1>the person who is hitting the t shot becomes responsible

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<v Speaker 1>for knowing whether you're hitting into somebody.

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<v Speaker 2>And because the problem with the bell is that somebody

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<v Speaker 2>might not ring.

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<v Speaker 1>It, that's exactly right. You can't really know and you

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<v Speaker 1>have to listen for it. You don't, you don't have

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<v Speaker 1>any control.

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<v Speaker 2>Yeah, exactly. So periscope by far the best method of safety,

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<v Speaker 2>and I think it's cool. I think it looks cool.

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<v Speaker 2>Somebody's gonna say that's so silly. One of my favorite

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<v Speaker 2>periscopes is that Spring Valley, like a twenty dollars course

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<v Speaker 2>north of Chicago, kind of on the Chicago Illinois border

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<v Speaker 2>or Chicago Illinois Wisconsin border Wisconsin Chicago.

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<v Speaker 1>Some people in southern Illinois might agree that there's a border.

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<v Speaker 2>There, but it's in Wisconsin. But but there's a like

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<v Speaker 2>a PVC pipe periscope. I don't know exactly how they

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<v Speaker 2>how you would make a periscope, how you fashion it,

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<v Speaker 2>but I think that's the right answer.

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<v Speaker 1>You know, where there's a periscope is the mines. Yeah, right,

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<v Speaker 1>there's a periscope at the mines and it was a

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<v Speaker 1>fun thing. The mines is where we held a joint

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<v Speaker 1>event with no laying up this year called the thirst Buckets,

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<v Speaker 1>a great public course outside of Grand rap INDs, and

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<v Speaker 1>they have a periscope on one blind t shot. I

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<v Speaker 1>think it's whole. I'm not exactly sure what hol it is,

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<v Speaker 1>but it's it's really cool. It's like a fun thing

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<v Speaker 1>that you can do during the round the bell though,

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<v Speaker 1>if you got rid of all the bells, what would

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<v Speaker 1>the content makers do?

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<v Speaker 2>Yeah?

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<v Speaker 1>I mean what would.

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<v Speaker 2>People can't rank the bell? How do you fill those shots?

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<v Speaker 1>Yeah? I don't know, I don't know. All right? One

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<v Speaker 1>another question, yeah, all right? This one is from Keith Roeble.

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<v Speaker 1>He asks, are we finally seeing a next generation of

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<v Speaker 1>architects getting new build work that seems relevant compared to

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<v Speaker 1>the Big Four? And by the Big four, I assume

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<v Speaker 1>he means Corn Crenshaw, Tom Doak and Renaissance Golf Design,

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<v Speaker 1>David McLay kid and Gil Hants. That's the big four.

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<v Speaker 2>I think so, And I obviously I think it's important

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<v Speaker 2>to be to know, like Fazio still gets lost your job.

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<v Speaker 1>That's exactly what I was going to say, if you

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<v Speaker 1>look at what's actually going on as opposed to what

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<v Speaker 1>gets covered in you know, alternative golf media or even

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<v Speaker 1>in mainstream golf media. Fasio Nicholas, all these architects who

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<v Speaker 1>have been around for a while still getting a lot

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<v Speaker 1>of work. Your local, your regional ASGCA architect is getting

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<v Speaker 1>a lot of work right now, and so it's not

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<v Speaker 1>just those four architects getting getting the work. But I

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<v Speaker 1>think what Keith is asking is among the crew of

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<v Speaker 1>kind of exciting young architects who seems to be prime

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<v Speaker 1>to break out, who would you be excited to see breakout?

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<v Speaker 1>I guess that that kind of discussion.

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<v Speaker 2>Yeah, I think it's been This is such a hard question.

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<v Speaker 2>So many people ask me about like who's the next guy,

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<v Speaker 2>Who's the or girl, who's the up and coming architect?

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<v Speaker 2>And one of the tricky things is, like we've seen

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<v Speaker 2>the young architects do restoration work for the buffs part

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<v Speaker 2>renovation work, restoration work of existing courses. And you know,

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<v Speaker 2>Rob Collins has built now two courses and nine or

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<v Speaker 2>three courses, two nine whole courses and an eighteen whole course.

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<v Speaker 2>I haven't gone seen the finished product. Landman, I've seen

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<v Speaker 2>Sweetens Gove, I haven't seen in this. You know, he's

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<v Speaker 2>one that has multiple courses. Like you're starting to see,

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<v Speaker 2>you actually have a body of work to go look at. Right.

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<v Speaker 2>A lot of these guys haven't built even their first

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<v Speaker 2>solo design. And I think restoring and renovating courses is

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<v Speaker 2>a lot different than building a golf course from scratch.

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<v Speaker 2>There are substantially more decisions and substantially more work. Is

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<v Speaker 2>it sexy work? Is it you know, sitting in a chair,

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<v Speaker 2>you know, talking through the strategy of a whole. No,

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<v Speaker 2>it's like permitting, it's it's construction. It's all the little

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<v Speaker 2>things that make your client happy and have a project

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<v Speaker 2>run on time, run smoothie. Like one of the things

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<v Speaker 2>that Bill and Ben, Tom and Gil and David all

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<v Speaker 2>do extraordinarily well because they've had so many chances is

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<v Speaker 2>the little things and run, you know, building a golf course,

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<v Speaker 2>so I think, you know, obviously on the short list,

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<v Speaker 2>you have like Kyle Franz, I know, has a few

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<v Speaker 2>solo designs in the works that that's exciting. You have

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<v Speaker 2>you know, Keith reb and Riley Johns, those are exciting guys.

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<v Speaker 2>Rob and Tad. I think Rob and Tad they're doing

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<v Speaker 2>brash stuff, right, They are doing stuff that is different

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<v Speaker 2>than what Gil, Tom and Bill and Ben are doing.

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<v Speaker 2>They are They're pushing the limit in their own way,

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<v Speaker 2>which I really appreciate. They're doing it their way, you know.

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<v Speaker 2>You know, it's it's moving earth and creating. It's not

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<v Speaker 2>building on the land.

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<v Speaker 1>They're not really in the corn Crenshaw tradition. Maybe they

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<v Speaker 1>would disagree with me about that. I'm sure they've taken

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<v Speaker 1>some inspiration from the corn Crenshaws and the Tom Doaks.

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<v Speaker 1>But you know what's really exciting about King Collins is

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<v Speaker 1>that they're coming from a different lineage, you know, working

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<v Speaker 1>for Fasio and being inspired by Mike Strants things like that.

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<v Speaker 1>It's a style of architecture that people who really are

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<v Speaker 1>into architecture, architecture nuts haven't been obsessed with I think

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<v Speaker 1>for a while. So some other young architects who might

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<v Speaker 1>be exciting to see break out young. I'm you saying

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<v Speaker 1>in relative terms for golf architects young, I mean just

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<v Speaker 1>like maybe younger than fifty or sixty. But Brian Schneider, Yes, Blake,

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<v Speaker 1>Brian Schneider, Yeah, and Brian Schneider Blake Hunt currently building

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<v Speaker 1>a course called Old Barnwell near Aiken that looks like

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<v Speaker 1>it could be pretty exciting.

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<v Speaker 2>And like, so this is a perfect example, right, we

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<v Speaker 2>saw them. You know they've done Brian's done so much

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<v Speaker 2>restoration work. He's done so much new build with Tom.

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<v Speaker 2>And you know he did Brian and Blake, Brian as

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<v Speaker 2>the lead designer re renovated Lanark, really cool renovation and

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<v Speaker 2>now they're doing a new build, like you're going to

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<v Speaker 2>begin to see Brian Schneider original work. You know, he's

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<v Speaker 2>done so much. You know a lot of the work

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<v Speaker 2>he does for Tom is is you know a lot

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<v Speaker 2>of it is his work, but it's you know, under

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<v Speaker 2>the vein of Tom's routing. He's doing this all on

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<v Speaker 2>his own. You know, That's the exciting thing, right is

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<v Speaker 2>seeing these guys kind of get a chance and and

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<v Speaker 2>that's the big thing. There's enough work going around where

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<v Speaker 2>finally where the big names don't take all of the

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<v Speaker 2>really exciting new projects right there they have they can't

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<v Speaker 2>take on more work, if that makes sense. And like

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<v Speaker 2>I didn't list off a ton, but like it goes

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<v Speaker 2>down to people doing, you know, getting bigger restoration and

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<v Speaker 2>renovation jobs too, right, it's just building that momentum towards

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<v Speaker 2>I think we're getting getting to where we'll see younger

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<v Speaker 2>guys getting jobs over some of the some of the

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<v Speaker 2>you know, not old guard. They aren't old you.

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<v Speaker 1>Know, some of the we've been familiar with, yeah, getting

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<v Speaker 1>those jobs at the big resorts and stuff like that.

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<v Speaker 1>And sometimes it just takes one.

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<v Speaker 2>Course Mike Cocking. Mike Cocking and Ashley Me and Jeff

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<v Speaker 2>Ogilvie would be ones to watch.

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<v Speaker 1>And there they've got something in Minnesota, I believe in

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<v Speaker 1>Georgia that's yeah, right, coming up in the next couple

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<v Speaker 1>of years. Should we mention that or not? Okay? In

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<v Speaker 1>any case, we're going on to another question. Do you

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<v Speaker 1>have one queued up there?

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<v Speaker 2>I don't have one right now here.

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<v Speaker 1>One I'll throw you on. How can a lame This

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<v Speaker 1>is from Ryan Selhay Ryan Silave, one of those how

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<v Speaker 1>can a layman tell that a course architecture faux pa

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<v Speaker 1>has taken place? Example, given shrunk and green, how can

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<v Speaker 1>I tell that this is happening? So why don't we

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<v Speaker 1>like start with his example? How can you tell that

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<v Speaker 1>that a shrunken green on an older course is actually shrunken?

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<v Speaker 1>Because this is something that people often, even people who

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<v Speaker 1>are really familiar with their course, might not really notice,

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<v Speaker 1>and understandably so because they're used to the green being

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<v Speaker 1>whatever the current green shape is. So how can you

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<v Speaker 1>tell that something is smaller than it should be or

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<v Speaker 1>than it used to be?

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<v Speaker 2>Yeah? I think the big thing with that is looking

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<v Speaker 2>at the landform, right, yes, and what was constructed. So

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<v Speaker 2>if you have bunkers around a green, you'll usually have

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<v Speaker 2>shaping with a bunker and then that will tie into

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<v Speaker 2>the green. And if you see, you know, the face

0:13:27.640 --> 0:13:29.680
<v Speaker 2>and then there's a lot of rough a lot of

0:13:29.720 --> 0:13:35.480
<v Speaker 2>times that's a telltale sign. Now, some architects built bunkers

0:13:35.520 --> 0:13:39.040
<v Speaker 2>off of greens. This isn't always just right, but the

0:13:39.080 --> 0:13:43.800
<v Speaker 2>big thing, especially especially if you go around your course

0:13:43.840 --> 0:13:47.200
<v Speaker 2>and you see like a consistent you know, especially say

0:13:47.280 --> 0:13:50.960
<v Speaker 2>a Donald Ross course, right, you'll see a lot of

0:13:50.960 --> 0:13:54.960
<v Speaker 2>times backs of greens built up. Now those backs of

0:13:55.000 --> 0:13:58.120
<v Speaker 2>greens are built up and the green would push to

0:13:58.240 --> 0:14:02.760
<v Speaker 2>the edges of the build is the way they were

0:14:02.800 --> 0:14:06.360
<v Speaker 2>when they opened. Right, So if you see that the

0:14:06.400 --> 0:14:09.120
<v Speaker 2>backs of the green and then along the sides are

0:14:09.200 --> 0:14:14.640
<v Speaker 2>kind of built up and there's rough you know, I

0:14:14.679 --> 0:14:18.960
<v Speaker 2>don't know many architects just in general generally speaking, that

0:14:19.080 --> 0:14:22.560
<v Speaker 2>built like circular greens. And that's like a telltale sign,

0:14:22.840 --> 0:14:25.760
<v Speaker 2>like that's the number one telltale salige. Like not a

0:14:25.760 --> 0:14:29.760
<v Speaker 2>lot of architects built just circle greens. Right. If you

0:14:29.800 --> 0:14:34.240
<v Speaker 2>think of the way a water sprinkler you know, works

0:14:34.280 --> 0:14:37.800
<v Speaker 2>in your yard, you start to realize why something might

0:14:37.840 --> 0:14:41.080
<v Speaker 2>become a circle, right, it goes around in a circle.

0:14:41.400 --> 0:14:45.080
<v Speaker 2>And also from a mowing standpoint, mowing a circle is

0:14:45.120 --> 0:14:46.840
<v Speaker 2>easier than mowing a square.

0:14:46.960 --> 0:14:50.120
<v Speaker 1>It's just over time, the evolution of the green shape

0:14:50.280 --> 0:14:52.520
<v Speaker 1>is going to come in a little bit and you

0:14:52.520 --> 0:14:54.920
<v Speaker 1>woult you know, the greenkeepers won't notice it.

0:14:55.360 --> 0:14:59.920
<v Speaker 2>Like it's so easy, Like think about you're mowing your lawn,

0:15:00.200 --> 0:15:03.400
<v Speaker 2>but these people are mowing their these greens and they're

0:15:03.400 --> 0:15:06.480
<v Speaker 2>trying to be super precise a lot of times when

0:15:06.480 --> 0:15:10.000
<v Speaker 2>it's dark, and how easy it is to miss a

0:15:10.040 --> 0:15:14.560
<v Speaker 2>corner by a couple inches or you know, in some

0:15:14.680 --> 0:15:17.760
<v Speaker 2>cases you need to save money. How do you do that.

0:15:18.240 --> 0:15:20.600
<v Speaker 2>Let's cut down on how often we mow, Like you know,

0:15:20.800 --> 0:15:23.840
<v Speaker 2>there are all these little things. But over time, especially

0:15:24.640 --> 0:15:28.680
<v Speaker 2>especially in the southeast where you've got the bermuda grass,

0:15:28.720 --> 0:15:31.200
<v Speaker 2>like you've got this, you know, it's so easy to

0:15:31.200 --> 0:15:33.960
<v Speaker 2>miss a corner. Have that grow up, and then then

0:15:34.200 --> 0:15:37.320
<v Speaker 2>the next time you go around, you just don't think

0:15:37.360 --> 0:15:39.560
<v Speaker 2>that's part of the green. The other thing you can

0:15:39.600 --> 0:15:43.600
<v Speaker 2>look at is is sprinkler heads. That's a good sign,

0:15:43.640 --> 0:15:46.160
<v Speaker 2>but a lot of times sprinkler So sprinkler heads have

0:15:46.200 --> 0:15:51.520
<v Speaker 2>a lifespan of like thirty years and spring. Look at them,

0:15:51.560 --> 0:15:54.000
<v Speaker 2>See if they're new, See if they're old. If they're older,

0:15:54.240 --> 0:15:57.240
<v Speaker 2>that'll give you an idea. Like so if they're older

0:15:57.280 --> 0:16:00.520
<v Speaker 2>and they're thirty years old, right, you'll see where kind

0:16:00.520 --> 0:16:03.880
<v Speaker 2>of the greens were thirty years ago. Now those are

0:16:03.880 --> 0:16:07.920
<v Speaker 2>probably still smaller than they should be. Right. It's a

0:16:08.120 --> 0:16:10.760
<v Speaker 2>it's a tricky thing, like you know, and if you

0:16:10.800 --> 0:16:12.800
<v Speaker 2>want to get more into it, but if you're just

0:16:12.880 --> 0:16:15.720
<v Speaker 2>looking at it, I think like looking at like how

0:16:15.760 --> 0:16:18.360
<v Speaker 2>the greens built, how it's shaped right.

0:16:18.440 --> 0:16:21.880
<v Speaker 1>Yeah, especially on older courses. Look for where the green

0:16:22.000 --> 0:16:26.600
<v Speaker 1>pad is. There's usually some kind of green pad, some

0:16:26.720 --> 0:16:29.960
<v Speaker 1>kind of build and if the green's not out to

0:16:30.000 --> 0:16:32.400
<v Speaker 1>the edge of that, then it's probably a little bit

0:16:32.440 --> 0:16:33.160
<v Speaker 1>too small.

0:16:33.560 --> 0:16:35.840
<v Speaker 2>And then with like fairways and stuff, I would I

0:16:35.840 --> 0:16:37.440
<v Speaker 2>would start to look at like bunkers.

0:16:37.680 --> 0:16:39.800
<v Speaker 1>Yes, where the bunkers are they lost in the rough.

0:16:40.000 --> 0:16:42.000
<v Speaker 1>Fairways should usually be right out to the bunker.

0:16:42.240 --> 0:16:45.600
<v Speaker 2>Yeah, either the inside like either the at least the

0:16:45.640 --> 0:16:48.880
<v Speaker 2>inside edge of them. I don't know many architects that

0:16:48.920 --> 0:16:51.720
<v Speaker 2>are just like putting bunkers out in season of rough,

0:16:52.560 --> 0:16:55.680
<v Speaker 2>like maybe some might go inside edge, maybe some might

0:16:55.720 --> 0:16:59.520
<v Speaker 2>go middle, like, you know, there's all different. It's it's

0:16:59.560 --> 0:17:02.120
<v Speaker 2>always really tricky to tie in a bunker at a

0:17:02.120 --> 0:17:03.960
<v Speaker 2>fair away. Do you go all the way out to

0:17:04.040 --> 0:17:08.680
<v Speaker 2>the wide like I prefer wide in and out lines,

0:17:08.880 --> 0:17:11.480
<v Speaker 2>but others prefer other things.

0:17:11.480 --> 0:17:14.320
<v Speaker 1>So yeah, all right, So those are some nuts and

0:17:14.359 --> 0:17:17.520
<v Speaker 1>bolts for people. Maybe maybe your home course, maybe you're

0:17:17.560 --> 0:17:21.439
<v Speaker 1>looking for this kind of stuff that'll uh maybe that

0:17:21.560 --> 0:17:23.840
<v Speaker 1>maybe that'll help. But it's it's kind of a complicated thing.

0:17:24.200 --> 0:17:26.040
<v Speaker 1>The key is just going to see like a well

0:17:26.040 --> 0:17:30.400
<v Speaker 1>restored course and then comparing it to other courses. All right,

0:17:31.040 --> 0:17:39.439
<v Speaker 1>question from Shane Bacon. Yeah, what is the perfect restribution restribution?

0:17:40.000 --> 0:17:43.960
<v Speaker 1>What is the perfect restroom distribution on a golf course?

0:17:44.720 --> 0:17:51.400
<v Speaker 1>What holes? Multiple? I mean, first of all, two dudes

0:17:51.560 --> 0:17:53.119
<v Speaker 1>should not be answering this question.

0:17:53.200 --> 0:17:58.040
<v Speaker 2>Yeah, exactly. I I think I think every every six

0:17:58.080 --> 0:18:01.040
<v Speaker 2>holes seems like probably the them out right.

0:18:02.000 --> 0:18:04.879
<v Speaker 1>I guess, yeah, I mean I was thinking about it.

0:18:05.160 --> 0:18:08.640
<v Speaker 1>Three restrooms, but also like just put them. They need

0:18:08.680 --> 0:18:11.560
<v Speaker 1>to be located at gathering points where there's like multiple

0:18:11.560 --> 0:18:14.760
<v Speaker 1>different teas and greens. If the golf course has that,

0:18:14.760 --> 0:18:16.760
<v Speaker 1>that's probably where the restroom should be, right.

0:18:16.840 --> 0:18:20.920
<v Speaker 2>Yeah, exactly, all right, that's that's enough fun, that's enough.

0:18:22.040 --> 0:18:25.880
<v Speaker 1>Thank you for your question, Shane. Let's get another one.

0:18:25.960 --> 0:18:30.639
<v Speaker 2>Here's a big ee. What's your favorite green template on

0:18:30.720 --> 0:18:34.800
<v Speaker 2>a par three or short course? Are these green templates

0:18:34.960 --> 0:18:38.600
<v Speaker 2>more fun when you're hitting wedges opposed to long irons

0:18:38.640 --> 0:18:39.720
<v Speaker 2>in oh.

0:18:39.600 --> 0:18:42.840
<v Speaker 1>Man, I guess that's a that's a good question. I

0:18:42.840 --> 0:18:46.560
<v Speaker 1>mean there, but there are some templates like the Beertz

0:18:46.680 --> 0:18:49.359
<v Speaker 1>that are more fun when you're when you aren't hitting

0:18:49.359 --> 0:18:51.879
<v Speaker 1>a short club, right. The Beireritz is funny.

0:18:52.040 --> 0:18:55.960
<v Speaker 2>I think the Beers is a better green now for

0:18:56.119 --> 0:18:59.879
<v Speaker 2>par fives than it is for par three because like

0:19:00.080 --> 0:19:02.040
<v Speaker 2>you have to have the part three B like two

0:19:02.119 --> 0:19:05.439
<v Speaker 2>seventy to have a long hitter running it in.

0:19:05.480 --> 0:19:08.680
<v Speaker 1>Like a reachable par five situation. Yeah, hitting a three

0:19:08.680 --> 0:19:10.880
<v Speaker 1>wood in because.

0:19:10.600 --> 0:19:15.080
<v Speaker 2>Then it actually the one hit meadow Brook, which we

0:19:15.160 --> 0:19:17.639
<v Speaker 2>have had an event at the last two years is

0:19:17.760 --> 0:19:21.159
<v Speaker 2>Andy Staples redesign. It's a reachable par five and it

0:19:21.240 --> 0:19:22.399
<v Speaker 2>plays uphill.

0:19:22.600 --> 0:19:23.800
<v Speaker 1>Yeah, it's cool yea.

0:19:23.920 --> 0:19:27.720
<v Speaker 2>So it's likely even long long hitters are hitting uphill,

0:19:28.200 --> 0:19:31.200
<v Speaker 2>so your SHOT's naturally coming in flatter and running.

0:19:31.680 --> 0:19:35.080
<v Speaker 1>Yeah. We should probably tell people what a beer it's is.

0:19:35.320 --> 0:19:38.600
<v Speaker 1>It's it's that green. It's a long green with a

0:19:38.800 --> 0:19:42.760
<v Speaker 1>big trough running perpendicular to the line of play, kind

0:19:42.760 --> 0:19:45.920
<v Speaker 1>of through the middle, and the idea of the hole

0:19:46.080 --> 0:19:47.840
<v Speaker 1>is that you're hitting a long club, you kind of

0:19:47.920 --> 0:19:50.760
<v Speaker 1>run your ball through the through the trough to the

0:19:50.760 --> 0:19:54.480
<v Speaker 1>other side. So other other temples, I don't know, what

0:19:54.760 --> 0:19:57.560
<v Speaker 1>do you think, Like I'd love to see on a

0:19:57.600 --> 0:20:02.240
<v Speaker 1>short course like a double plat toe type green or

0:20:02.280 --> 0:20:05.240
<v Speaker 1>a maiden type green. These are both greens that have

0:20:05.400 --> 0:20:09.960
<v Speaker 1>like shelves, multiple shelves on different in different corners. Of

0:20:10.000 --> 0:20:13.720
<v Speaker 1>the green and then kind of this you know, gully

0:20:14.080 --> 0:20:18.879
<v Speaker 1>running through them in various different arrangements. I think that's

0:20:18.960 --> 0:20:23.120
<v Speaker 1>a cool template quote unquote for a short par three

0:20:23.200 --> 0:20:25.920
<v Speaker 1>because you can find a bunch of different pins, and

0:20:26.400 --> 0:20:30.000
<v Speaker 1>the difference between a really good shot and just a

0:20:30.040 --> 0:20:32.840
<v Speaker 1>good shot is pretty stark. Yeah.

0:20:32.920 --> 0:20:37.520
<v Speaker 2>I think just in general, greens that have a lot

0:20:37.520 --> 0:20:41.440
<v Speaker 2>of different options and options get thrown too much around.

0:20:41.520 --> 0:20:44.679
<v Speaker 2>But like the way to think about it is really

0:20:44.760 --> 0:20:48.920
<v Speaker 2>tough positions and really gettable positions and something in between.

0:20:49.240 --> 0:20:52.359
<v Speaker 2>I think something for a par three, a short part three,

0:20:52.520 --> 0:20:57.160
<v Speaker 2>particularly if you have a middle pin. If you can

0:20:57.200 --> 0:20:59.640
<v Speaker 2>put the pin right in the middle and you think, wow,

0:20:59.680 --> 0:21:03.119
<v Speaker 2>that's great pin, it's usually a really great green, like

0:21:03.160 --> 0:21:07.080
<v Speaker 2>at the bare minimum, and that goes for any green.

0:21:07.400 --> 0:21:09.840
<v Speaker 2>Like when you just throw the pin right in the

0:21:09.960 --> 0:21:12.159
<v Speaker 2>smack dab in the middle of the green and you're like,

0:21:12.280 --> 0:21:15.560
<v Speaker 2>oh wow, this is a pretty cool pin, that's usually

0:21:15.600 --> 0:21:18.200
<v Speaker 2>a great, great green because that means there's a lot

0:21:18.240 --> 0:21:20.480
<v Speaker 2>going on, right, It's not just a pancake.

0:21:21.080 --> 0:21:25.160
<v Speaker 1>Yeah, all right. Continuing on the theme of greens, Preston

0:21:25.240 --> 0:21:28.480
<v Speaker 1>Walford asks a lot of us know a great set

0:21:28.520 --> 0:21:31.560
<v Speaker 1>of greens when we play them, but struggle to explain

0:21:31.800 --> 0:21:35.600
<v Speaker 1>to the uninitiated what makes some greens better than others?

0:21:36.240 --> 0:21:39.480
<v Speaker 1>Most people I play with great greens strictly on conditioning.

0:21:40.160 --> 0:21:42.360
<v Speaker 1>What would be some things to look out for when

0:21:42.560 --> 0:21:48.080
<v Speaker 1>assessing a course's greens. So we actually just recorded a video,

0:21:48.080 --> 0:21:51.359
<v Speaker 1>a little preview of some future content, recorded a video

0:21:51.440 --> 0:21:54.159
<v Speaker 1>about caper Rundle where we kind of address this question

0:21:54.200 --> 0:21:56.400
<v Speaker 1>of what makes a great green, what makes a great

0:21:56.400 --> 0:21:59.199
<v Speaker 1>set of greens? But just to break it down in

0:21:59.320 --> 0:22:02.920
<v Speaker 1>really simple terms, what are what do you think are

0:22:02.960 --> 0:22:05.959
<v Speaker 1>some criteria? What are some like simple things that people

0:22:06.520 --> 0:22:09.000
<v Speaker 1>can look for when they see their courses greens?

0:22:09.080 --> 0:22:13.840
<v Speaker 2>Yeah, I think variety is right at the top. So

0:22:14.000 --> 0:22:18.000
<v Speaker 2>different shapes, different orientation, And what I mean by orientation

0:22:18.240 --> 0:22:22.520
<v Speaker 2>is how does the green sit? Like what angle does

0:22:22.560 --> 0:22:26.840
<v Speaker 2>the green sit that it asks you to be at?

0:22:27.000 --> 0:22:31.639
<v Speaker 2>Going back? So you know, do certain shots open and

0:22:32.040 --> 0:22:34.760
<v Speaker 2>with greens? You know, I'm talking about the bunkers and

0:22:34.840 --> 0:22:38.640
<v Speaker 2>the surrounds. Right, if every green is like bunker right,

0:22:38.680 --> 0:22:42.240
<v Speaker 2>bunker left, and it's straight on, you know, that's not

0:22:42.400 --> 0:22:45.560
<v Speaker 2>very interesting, right You're you're you're kind of it's kind

0:22:45.560 --> 0:22:47.480
<v Speaker 2>of asking you to do the same thing. But if

0:22:47.480 --> 0:22:50.640
<v Speaker 2>you can open, you know, one way with a hard

0:22:50.680 --> 0:22:54.040
<v Speaker 2>angle so that it's like, oh wow, it's really advantageous

0:22:54.080 --> 0:22:57.639
<v Speaker 2>if I'm over here on the right, Like a great

0:22:57.680 --> 0:23:01.159
<v Speaker 2>way to you know, look at greens is to go backwards.

0:23:01.920 --> 0:23:05.360
<v Speaker 2>If you look at them from behind them and kind

0:23:05.359 --> 0:23:08.159
<v Speaker 2>of look back, it's like, okay, if the pin's over here,

0:23:08.520 --> 0:23:10.600
<v Speaker 2>I want to be over here. It would be easier

0:23:10.640 --> 0:23:13.440
<v Speaker 2>to hit a shot in from here. And when you're

0:23:13.480 --> 0:23:15.880
<v Speaker 2>behind the green, it's really easy to tell this stuff,

0:23:16.040 --> 0:23:18.240
<v Speaker 2>or if you take a photo from behind the green, right.

0:23:19.359 --> 0:23:22.480
<v Speaker 2>So I think the big thing for me with greens

0:23:22.520 --> 0:23:24.560
<v Speaker 2>is variety. You don't want all of them to be

0:23:25.000 --> 0:23:27.159
<v Speaker 2>back to front. You don't want all of them to

0:23:27.240 --> 0:23:30.159
<v Speaker 2>have You don't want all of them to be the

0:23:30.280 --> 0:23:31.640
<v Speaker 2>craziest green you've ever seen.

0:23:31.760 --> 0:23:34.360
<v Speaker 1>That's right. You don't want all of them to be huge.

0:23:34.160 --> 0:23:38.920
<v Speaker 2>Yeah, because you want like, you want some subtle ones.

0:23:39.040 --> 0:23:41.600
<v Speaker 2>I think, like one of the things I've I've thought

0:23:41.640 --> 0:23:46.000
<v Speaker 2>about a lot, and I think, you know, Bill core

0:23:46.080 --> 0:23:50.760
<v Speaker 2>and Ben Crenshaw are I think among the best to

0:23:50.800 --> 0:23:54.480
<v Speaker 2>ever do it. And one of the things I always am,

0:23:54.800 --> 0:23:57.960
<v Speaker 2>you know, kind of walk away with the courses from

0:23:58.280 --> 0:24:02.159
<v Speaker 2>is like I say that's such a cool green so often,

0:24:02.680 --> 0:24:06.040
<v Speaker 2>and I can count on one hand how many times

0:24:06.080 --> 0:24:08.360
<v Speaker 2>I've looked at green and been like, wow, that that

0:24:08.480 --> 0:24:11.600
<v Speaker 2>might be a little too much, right, Like, they have

0:24:11.680 --> 0:24:14.399
<v Speaker 2>such confidence. And one of the things that the confidence

0:24:14.440 --> 0:24:18.280
<v Speaker 2>does is that those guys aren't afraid to build a

0:24:18.400 --> 0:24:22.600
<v Speaker 2>really simple green. And I used to think that confidence

0:24:22.680 --> 0:24:27.879
<v Speaker 2>was building something bold and something big with crazy you

0:24:27.920 --> 0:24:32.760
<v Speaker 2>know crazy, you know, undulations in it. But now the

0:24:32.760 --> 0:24:35.760
<v Speaker 2>more I've thought about it, the more I've seen, I

0:24:35.800 --> 0:24:40.240
<v Speaker 2>think that the really great architects have the confidence to

0:24:40.280 --> 0:24:45.440
<v Speaker 2>build something so subtle and simple and know that it's great. Right,

0:24:45.920 --> 0:24:50.600
<v Speaker 2>It's a pretty tame green with one feature. You know,

0:24:50.800 --> 0:24:56.200
<v Speaker 2>it doesn't have seventeen little pockets, and it's this combined

0:24:56.240 --> 0:24:59.240
<v Speaker 2>with this, with this, it's just oh, this is a

0:24:59.320 --> 0:25:02.320
<v Speaker 2>cool green. Sight. You know, you have to play up

0:25:02.320 --> 0:25:04.560
<v Speaker 2>to this rise and we're just gonna put a little

0:25:04.720 --> 0:25:08.120
<v Speaker 2>little bump in this spot and it's going to impact

0:25:08.280 --> 0:25:09.560
<v Speaker 2>every single pin on the green.

0:25:10.000 --> 0:25:12.560
<v Speaker 1>Yeah, great does not necessarily mean wild.

0:25:12.800 --> 0:25:16.920
<v Speaker 2>So so with that, like a mixture of those types

0:25:16.960 --> 0:25:20.199
<v Speaker 2>of greens with some other greens like where where you

0:25:20.280 --> 0:25:23.480
<v Speaker 2>need to spice up a hole, they all relate back

0:25:23.520 --> 0:25:26.800
<v Speaker 2>to the hole, right, and you know, if the course

0:25:26.880 --> 0:25:29.480
<v Speaker 2>is a little bit flatter, then you might see a

0:25:29.520 --> 0:25:32.320
<v Speaker 2>little bit more juice in the greens. Right. If the

0:25:32.359 --> 0:25:34.840
<v Speaker 2>course has a little bit more going on in the land,

0:25:35.280 --> 0:25:38.000
<v Speaker 2>then sometimes like subtle greens are the right thing because

0:25:38.000 --> 0:25:40.600
<v Speaker 2>you're doing so much to get to the green, right,

0:25:41.160 --> 0:25:43.720
<v Speaker 2>And I think that's the thing, is they it's hard

0:25:43.800 --> 0:25:47.320
<v Speaker 2>to like say this is the you know, the greens

0:25:47.359 --> 0:25:51.280
<v Speaker 2>relate to the site, because if the site is big

0:25:51.359 --> 0:25:55.040
<v Speaker 2>and bold and has a ton of movement, you know,

0:25:55.080 --> 0:25:57.480
<v Speaker 2>the greens. It's okay to have a little bit more

0:25:57.560 --> 0:26:01.600
<v Speaker 2>quiet greens there because you know, everything else is you know,

0:26:02.119 --> 0:26:04.840
<v Speaker 2>getting you there. But if the if the land's pretty

0:26:04.840 --> 0:26:07.879
<v Speaker 2>flat and everything, you have to do stuff at the

0:26:07.920 --> 0:26:11.440
<v Speaker 2>green in order to create the interest back right.

0:26:11.960 --> 0:26:15.920
<v Speaker 1>Yeah, I totally agree. Variety is the watchword. And I

0:26:15.960 --> 0:26:20.880
<v Speaker 1>think variety also applies to pin positions on greens. Right.

0:26:21.359 --> 0:26:25.040
<v Speaker 1>So a good set of greens, sometimes they'll be simple,

0:26:25.119 --> 0:26:27.600
<v Speaker 1>sometimes they'll be small. Maybe there won't be many pin

0:26:27.680 --> 0:26:30.480
<v Speaker 1>positions on those greens, but there need to be some

0:26:30.680 --> 0:26:34.440
<v Speaker 1>greens on the course where you can find different pin

0:26:34.520 --> 0:26:39.359
<v Speaker 1>positions in different sections of the greens that are meaningful

0:26:39.840 --> 0:26:42.560
<v Speaker 1>for the strategy of the hole. That change something about

0:26:42.600 --> 0:26:46.199
<v Speaker 1>how you ideally want to play the hole. Right, So,

0:26:46.280 --> 0:26:49.840
<v Speaker 1>I think a variety of pin positions on an individual

0:26:49.880 --> 0:26:53.280
<v Speaker 1>green is a really important thing to look for. If

0:26:53.320 --> 0:26:55.840
<v Speaker 1>you look at a set of eighteen greens and you

0:26:56.040 --> 0:26:59.480
<v Speaker 1>see a bunch of greens where you can't really put

0:26:59.520 --> 0:27:02.280
<v Speaker 1>the pin in a bunch of different places, or where

0:27:02.359 --> 0:27:04.800
<v Speaker 1>if you're putting the pin in different places, it doesn't

0:27:04.840 --> 0:27:08.080
<v Speaker 1>really change anything about the way you attack the hole,

0:27:08.480 --> 0:27:10.480
<v Speaker 1>then you might be dealing with a set of greens.

0:27:10.520 --> 0:27:13.800
<v Speaker 1>This is a bit too simplistic to be interesting over

0:27:13.840 --> 0:27:17.120
<v Speaker 1>the long haul. So I think this idea of standing

0:27:17.160 --> 0:27:21.119
<v Speaker 1>behind a green and looking back at the hole, looking

0:27:21.160 --> 0:27:24.280
<v Speaker 1>at how it relates to the way the hole is played,

0:27:24.720 --> 0:27:27.840
<v Speaker 1>is the most important concept here. So if you're trying

0:27:27.880 --> 0:27:32.080
<v Speaker 1>to introduce somebody to how greens are designed, or if

0:27:32.119 --> 0:27:35.480
<v Speaker 1>somebody's curious about that, then taking them behind a green

0:27:35.920 --> 0:27:38.520
<v Speaker 1>looking at it as it relates to the hole, and

0:27:38.600 --> 0:27:41.880
<v Speaker 1>talking about how different areas of the green might be

0:27:41.960 --> 0:27:45.160
<v Speaker 1>pinned and how that might change things. I think that's

0:27:45.200 --> 0:27:47.800
<v Speaker 1>the most impactful discussion that you can have with somebody.

0:27:48.240 --> 0:27:51.679
<v Speaker 1>But I would definitely advise making sure that that person

0:27:52.480 --> 0:27:57.440
<v Speaker 1>wants to hear what you're talking about, because just spouting

0:27:57.440 --> 0:28:01.840
<v Speaker 1>off about golf architecture at somebody can sometimes not have

0:28:01.880 --> 0:28:04.960
<v Speaker 1>the intended effect, Which leads me to this next question

0:28:05.000 --> 0:28:09.040
<v Speaker 1>that I'm curious to hear your reaction to from Jason Shanahan.

0:28:09.760 --> 0:28:13.800
<v Speaker 1>Really good question. How do you balance talking course architecture

0:28:13.840 --> 0:28:18.000
<v Speaker 1>with people who really don't care without sounding like a

0:28:18.040 --> 0:28:21.000
<v Speaker 1>pompous ass. Well, first of all, I suggest not talking

0:28:21.000 --> 0:28:23.320
<v Speaker 1>to people about it who don't care about golf art

0:28:23.359 --> 0:28:26.000
<v Speaker 1>course architecture, who don't like it, you know, just you know,

0:28:26.040 --> 0:28:29.560
<v Speaker 1>talk about movies or talk about the bears or something else.

0:28:29.960 --> 0:28:32.680
<v Speaker 1>Second of all, I would suggest that asking us how

0:28:32.760 --> 0:28:35.600
<v Speaker 1>not to sound like a pompous ass, some people would

0:28:35.640 --> 0:28:38.840
<v Speaker 1>say that we are not the people to ask about that. Yeah,

0:28:38.880 --> 0:28:42.480
<v Speaker 1>But that said, do you have a response to this question, Anail?

0:28:42.840 --> 0:28:45.400
<v Speaker 2>I talked with a lot of people about golf and

0:28:45.960 --> 0:28:49.280
<v Speaker 2>you know, golf courses, and like, I mean, the biggest

0:28:49.320 --> 0:28:51.800
<v Speaker 2>thing I think is just listen to people like I.

0:28:52.800 --> 0:28:57.640
<v Speaker 2>Here's the thing I always think about. Golf courses to me,

0:28:57.800 --> 0:29:03.520
<v Speaker 2>are a lot like restaurants. Okay, everybody has different tastes,

0:29:03.680 --> 0:29:06.960
<v Speaker 2>and if everybody had the same taste, life would be

0:29:07.000 --> 0:29:13.600
<v Speaker 2>pretty fucking boring, right, Like, so if I like one thing,

0:29:14.040 --> 0:29:17.560
<v Speaker 2>if I like this restaurant and you know, my wife

0:29:17.640 --> 0:29:21.440
<v Speaker 2>likes the other restaurant and doesn't like that one, like,

0:29:21.520 --> 0:29:25.120
<v Speaker 2>I don't get like all snooty about it. I just say,

0:29:25.240 --> 0:29:29.239
<v Speaker 2>that's weird. You know, I like that place, So like,

0:29:29.280 --> 0:29:32.840
<v Speaker 2>why wouldn't apply the same thing, right And and like

0:29:33.800 --> 0:29:37.920
<v Speaker 2>I'm fine giving my opinion on places. And I think

0:29:37.960 --> 0:29:42.160
<v Speaker 2>this is an important like what would I say? What

0:29:42.240 --> 0:29:46.440
<v Speaker 2>you say? What? Tom Doak says? What you know? Rhys

0:29:46.600 --> 0:29:50.760
<v Speaker 2>Jones says, what It's all just an opinion. That's the

0:29:50.800 --> 0:29:54.840
<v Speaker 2>beautiful thing about about it. It's art, it's it's to

0:29:54.920 --> 0:29:57.840
<v Speaker 2>be judged, it's you know, you know, it's not everybody

0:29:58.160 --> 0:30:01.440
<v Speaker 2>likes it. It makes different people people feel different ways.

0:30:02.240 --> 0:30:06.160
<v Speaker 2>So I think the number one thing is just understanding

0:30:06.880 --> 0:30:10.480
<v Speaker 2>that it's okay if somebody has a different opinion than you.

0:30:10.800 --> 0:30:15.760
<v Speaker 2>And it's okay if somebody likes a said course. You know,

0:30:15.880 --> 0:30:17.840
<v Speaker 2>in a lot of people, it's a hard thing to

0:30:17.880 --> 0:30:21.520
<v Speaker 2>express why you like a course. I like to understand

0:30:21.560 --> 0:30:23.760
<v Speaker 2>why I like a course. And I like to think

0:30:23.760 --> 0:30:25.800
<v Speaker 2>about a golf course in a way that a lot

0:30:25.800 --> 0:30:28.959
<v Speaker 2>of people don't think about courses, and that's you know,

0:30:29.280 --> 0:30:32.240
<v Speaker 2>everybody plays golf for different reasons, and that's the beauty

0:30:32.240 --> 0:30:35.000
<v Speaker 2>of the game. So that's what I would say, is like,

0:30:35.280 --> 0:30:37.640
<v Speaker 2>if golf architecture is your thing, if you're listening to

0:30:37.680 --> 0:30:41.360
<v Speaker 2>this podcast, it probably is, then like, yeah, that's cool,

0:30:41.400 --> 0:30:44.600
<v Speaker 2>that's my thing. Like I've spent a lot of time

0:30:44.600 --> 0:30:47.680
<v Speaker 2>with Garrett. Garrett's like a kind of a closet gearhead.

0:30:47.840 --> 0:30:53.120
<v Speaker 2>I'm not so so, but like when Garrett starts picking

0:30:53.200 --> 0:30:56.320
<v Speaker 2>up putters and fiddling around with them and talking about things,

0:30:56.560 --> 0:30:58.480
<v Speaker 2>I don't, you know, I don't roll my eyes. I

0:30:58.560 --> 0:31:00.680
<v Speaker 2>just listened to it and I might pick something up,

0:31:01.040 --> 0:31:03.920
<v Speaker 2>you know. And I think that's the other thing is

0:31:03.960 --> 0:31:08.880
<v Speaker 2>like I always approach caddying this way. And when I

0:31:08.920 --> 0:31:10.520
<v Speaker 2>was like I was in high school, I was a

0:31:10.600 --> 0:31:13.520
<v Speaker 2>high school golfer, I was playing AJGA tournaments. I was

0:31:13.560 --> 0:31:18.160
<v Speaker 2>better than almost everybody that I candy for. But you know,

0:31:18.320 --> 0:31:21.200
<v Speaker 2>you can't go in there with that mentality. You can't

0:31:21.240 --> 0:31:24.920
<v Speaker 2>carry somebody's bag every day for eighteen holes knowing you're

0:31:24.960 --> 0:31:27.960
<v Speaker 2>better than them and have that attitude of like I

0:31:28.000 --> 0:31:30.800
<v Speaker 2>know more than about golf than you and be a

0:31:30.840 --> 0:31:34.840
<v Speaker 2>good caddy. Right. The way I used to approach caddying

0:31:35.320 --> 0:31:39.200
<v Speaker 2>was listen, Like, I know, I know way more about

0:31:39.200 --> 0:31:42.520
<v Speaker 2>golf than this person, and I know I can tell

0:31:42.560 --> 0:31:45.400
<v Speaker 2>them the shot they should hit, and they aren't going

0:31:45.480 --> 0:31:48.360
<v Speaker 2>to listen to me. If I do, I'm not gonna

0:31:48.400 --> 0:31:53.320
<v Speaker 2>do that. But something that this person says will probably

0:31:53.440 --> 0:31:56.360
<v Speaker 2>help me understand the game of golf more because they

0:31:56.440 --> 0:32:01.400
<v Speaker 2>might just understand something that I don't and something. It's

0:32:01.480 --> 0:32:05.640
<v Speaker 2>the same thing with courses, right, Like somebody could love

0:32:05.760 --> 0:32:09.840
<v Speaker 2>Reese Jones work and say something that I've never thought of, right.

0:32:10.320 --> 0:32:14.160
<v Speaker 2>I'm not a big Reese Jones fan, right, So that's

0:32:14.400 --> 0:32:16.880
<v Speaker 2>that's kind of my thing. It's just understanding that, like

0:32:17.000 --> 0:32:20.840
<v Speaker 2>different different opinions, like and may this is just life advice, right,

0:32:20.920 --> 0:32:24.520
<v Speaker 2>It's like different opinions. It's okay, it's not that end

0:32:24.560 --> 0:32:24.960
<v Speaker 2>of the world.

0:32:26.120 --> 0:32:31.160
<v Speaker 1>Yeah, absolutely, And knowing that everybody has something of value

0:32:31.280 --> 0:32:33.960
<v Speaker 1>to contribute to any subject, even if it's a subject

0:32:34.080 --> 0:32:36.720
<v Speaker 1>you know a lot about and that the other person

0:32:37.320 --> 0:32:40.920
<v Speaker 1>might just be getting into. Sometimes that can be a

0:32:41.000 --> 0:32:44.880
<v Speaker 1>really interesting conversation. Like I'm always fascinated to hear what

0:32:45.040 --> 0:32:48.239
<v Speaker 1>my wife has to say. About golf courses, whether we're

0:32:48.280 --> 0:32:50.160
<v Speaker 1>at a golf course or we see one on TV.

0:32:50.840 --> 0:32:54.760
<v Speaker 1>Her reaction it might not necessarily be my reaction. She

0:32:54.880 --> 0:32:58.480
<v Speaker 1>might not be noticing things that I usually notice. But

0:32:59.040 --> 0:33:02.280
<v Speaker 1>it's it's interesting to me to hear what she has

0:33:02.360 --> 0:33:04.640
<v Speaker 1>to say, and it kind of gets me out of

0:33:04.800 --> 0:33:08.640
<v Speaker 1>my bubble a little bit to hear that. At the

0:33:08.680 --> 0:33:12.360
<v Speaker 1>same time, can I reframe this a little bit, because

0:33:12.360 --> 0:33:14.640
<v Speaker 1>I think it's I think you have to do something

0:33:14.720 --> 0:33:18.480
<v Speaker 1>more than say everybody has a different opinion, and that's okay.

0:33:18.840 --> 0:33:20.840
<v Speaker 1>I think that's that's important. It's important to say that,

0:33:21.200 --> 0:33:25.160
<v Speaker 1>but sometimes that's not quite enough. And the times when

0:33:25.200 --> 0:33:28.640
<v Speaker 1>that's not quite enough is when say you're in a club,

0:33:29.360 --> 0:33:31.640
<v Speaker 1>or say you're just a member at a public course

0:33:31.720 --> 0:33:35.240
<v Speaker 1>or something, and the membership is having a discussion or

0:33:35.280 --> 0:33:39.000
<v Speaker 1>a debate about what to do with the course, whether

0:33:39.160 --> 0:33:43.400
<v Speaker 1>to change a certain hole, whether to restore something, whether

0:33:43.520 --> 0:33:48.480
<v Speaker 1>to remove trees. All of these questions confront courses and

0:33:48.600 --> 0:33:53.200
<v Speaker 1>clubs on a daily basis, and members have to debate

0:33:53.320 --> 0:33:56.440
<v Speaker 1>with each other and figure out what to do right

0:33:56.840 --> 0:34:00.480
<v Speaker 1>and so in that situation, saying oh, everybody has their

0:34:00.520 --> 0:34:04.280
<v Speaker 1>own opinion and that's Okay, suddenly that doesn't quite work.

0:34:04.480 --> 0:34:07.640
<v Speaker 1>And so how in that situation do you go about

0:34:08.600 --> 0:34:13.440
<v Speaker 1>being a golf architecture nut, loving classic golf architecture and

0:34:13.640 --> 0:34:17.160
<v Speaker 1>not coming off as a jerk, you know, And I

0:34:17.200 --> 0:34:19.799
<v Speaker 1>think that that just to me, it just comes down

0:34:19.880 --> 0:34:22.080
<v Speaker 1>to persuasion.

0:34:21.800 --> 0:34:24.120
<v Speaker 2>Right, Yeah, it's not exercising.

0:34:24.200 --> 0:34:25.840
<v Speaker 1>You have to be subtle about it, right, You have

0:34:25.960 --> 0:34:29.759
<v Speaker 1>to like exercise some social graces and going about it.

0:34:30.280 --> 0:34:32.320
<v Speaker 2>Yeah, I've had a club with way too many trees

0:34:32.400 --> 0:34:34.920
<v Speaker 2>and at one point in my life and I you know,

0:34:35.239 --> 0:34:37.160
<v Speaker 2>I was young, I was in my twenties, and I

0:34:37.360 --> 0:34:39.640
<v Speaker 2>like went about it way the wrong way. Like I

0:34:39.719 --> 0:34:43.080
<v Speaker 2>got so many people like, what's this guy just hollering

0:34:43.120 --> 0:34:45.800
<v Speaker 2>about trees? You know, you have to have some tax

0:34:45.920 --> 0:34:50.239
<v Speaker 2>and some patience and and and that's I mean, it's hard.

0:34:50.640 --> 0:34:53.839
<v Speaker 2>It's like anything in life. You have to be diplomatic.

0:34:54.040 --> 0:34:57.760
<v Speaker 2>But I think the big thing is like show showing

0:34:58.920 --> 0:35:02.200
<v Speaker 2>why you know, this was the way it was if

0:35:02.239 --> 0:35:06.120
<v Speaker 2>you're restoring something, or I think a really good way

0:35:06.680 --> 0:35:08.760
<v Speaker 2>to do it is to ask people what their favorite

0:35:08.840 --> 0:35:12.279
<v Speaker 2>courses are and a lot of times like that, well,

0:35:12.400 --> 0:35:15.400
<v Speaker 2>and you can glean something from that, right and be

0:35:15.560 --> 0:35:18.880
<v Speaker 2>like hey, Like, you know, you said you like so

0:35:19.040 --> 0:35:21.320
<v Speaker 2>and so course, well, like, oh, you say you like

0:35:21.400 --> 0:35:24.520
<v Speaker 2>your courses abandon do they have a ton of trees

0:35:24.680 --> 0:35:27.880
<v Speaker 2>and like it seems like they afford a lot of

0:35:27.920 --> 0:35:30.440
<v Speaker 2>space off the play off the tee. That might be

0:35:30.560 --> 0:35:32.480
<v Speaker 2>why you like them is that you know, you can

0:35:32.560 --> 0:35:34.680
<v Speaker 2>get your ball out there and then you have a

0:35:34.760 --> 0:35:37.319
<v Speaker 2>lot of different options on how you can hit into

0:35:37.360 --> 0:35:39.920
<v Speaker 2>the green and you can play up the left or

0:35:39.920 --> 0:35:42.120
<v Speaker 2>you could play up the right because there's enough space

0:35:42.239 --> 0:35:46.160
<v Speaker 2>to do so. You know. So that's like a way

0:35:46.280 --> 0:35:49.399
<v Speaker 2>to do it right is to kind of ask them

0:35:50.040 --> 0:35:53.080
<v Speaker 2>questions and then work off that and make them almost

0:35:53.680 --> 0:35:56.560
<v Speaker 2>you know, it's like an old sales trick, like make

0:35:56.640 --> 0:35:57.920
<v Speaker 2>somebody think it's their idea.

0:35:58.200 --> 0:36:00.840
<v Speaker 1>That's exactly what it is, right, and that is the

0:36:00.920 --> 0:36:04.160
<v Speaker 1>most effective way to persuade somebody of something is to

0:36:04.280 --> 0:36:06.440
<v Speaker 1>make them feel like it's in their interest or that

0:36:06.520 --> 0:36:09.960
<v Speaker 1>it was even their idea to do something. And my

0:36:10.520 --> 0:36:14.759
<v Speaker 1>belief is that most golfers kind of have fun with

0:36:15.040 --> 0:36:18.359
<v Speaker 1>similar kinds of golf architecture. I don't believe that most

0:36:18.400 --> 0:36:23.280
<v Speaker 1>golfers have a lot of fun playing super narrow, hard

0:36:23.520 --> 0:36:25.680
<v Speaker 1>tree lined courses with a lot of rough Now, some

0:36:25.800 --> 0:36:27.920
<v Speaker 1>golfers do enjoy that. I don't want to take anything

0:36:27.960 --> 0:36:30.479
<v Speaker 1>away from that, but I would just hazard a guess

0:36:30.640 --> 0:36:35.080
<v Speaker 1>that most golfers like something other than that, And so

0:36:35.600 --> 0:36:39.960
<v Speaker 1>you know, we can eventually get to that conclusion together,

0:36:40.520 --> 0:36:42.399
<v Speaker 1>but we just have to like not yell at each

0:36:42.400 --> 0:36:44.960
<v Speaker 1>other about it first, and have each side kind of

0:36:45.080 --> 0:36:48.320
<v Speaker 1>dig in and start making it about pride.

0:36:48.520 --> 0:36:50.719
<v Speaker 2>I've got a question for you that's going to be

0:36:50.800 --> 0:36:53.200
<v Speaker 2>hard for you not to sound like a pompous ask

0:36:53.360 --> 0:36:57.920
<v Speaker 2>god from par Birdie Bertie. Oh no, which person has

0:36:58.000 --> 0:37:01.239
<v Speaker 2>done the most damaged to golf architecture? A R T

0:37:01.440 --> 0:37:07.400
<v Speaker 2>J JR B Dick NuGen See, Jack Nicholas or d

0:37:07.840 --> 0:37:08.640
<v Speaker 2>Reese Johnson?

0:37:08.960 --> 0:37:13.880
<v Speaker 1>You bastard? Okay, listen, Parr Birdie. Birdie asked actually a

0:37:13.920 --> 0:37:17.680
<v Speaker 1>few questions and all of them were pretty pointed. So

0:37:17.880 --> 0:37:20.400
<v Speaker 1>Parr Birdie, Birdie, hope, hope you're doing okay. It it

0:37:20.520 --> 0:37:23.960
<v Speaker 1>seems like something is bothering you at but perhaps at

0:37:23.960 --> 0:37:29.160
<v Speaker 1>your club. But in any case of those, God, I

0:37:29.239 --> 0:37:34.200
<v Speaker 1>don't know. I mean, Reyes Jones is really is really

0:37:34.400 --> 0:37:40.120
<v Speaker 1>uh reek. Some havoc at at a lot of really

0:37:40.239 --> 0:37:41.200
<v Speaker 1>really good courses.

0:37:41.360 --> 0:37:42.400
<v Speaker 2>Because Jack though.

0:37:42.440 --> 0:37:45.920
<v Speaker 1>Yeah, I mean I think ultimately you'd have to go

0:37:46.080 --> 0:37:49.399
<v Speaker 1>with Jack nickolss there and okay, here, here's here's why

0:37:49.719 --> 0:37:52.239
<v Speaker 1>I'm saying Jack Nicholas. It's not because I think that

0:37:52.400 --> 0:37:56.479
<v Speaker 1>he's a clueless architect or that his best courses are bad.

0:37:57.600 --> 0:38:01.200
<v Speaker 1>I think actually the best Jack Nicklass courses are really good,

0:38:01.880 --> 0:38:04.799
<v Speaker 1>and some of them are really great places to hold

0:38:05.320 --> 0:38:08.839
<v Speaker 1>pro tournaments, Mierfield Village being one of them. I've been

0:38:09.160 --> 0:38:11.680
<v Speaker 1>more or less persuaded of this by Joseph Lamannia, but

0:38:11.760 --> 0:38:16.319
<v Speaker 1>Mierfield Village is a terrific PGA tour venue, and Jack

0:38:16.400 --> 0:38:19.280
<v Speaker 1>Nicholas clearly knows how to build that kind of course

0:38:19.600 --> 0:38:22.360
<v Speaker 1>and make it interesting, make it challenging, and so the

0:38:22.400 --> 0:38:24.719
<v Speaker 1>best Jack Nicholas courses are really good. I'm not saying

0:38:24.800 --> 0:38:27.560
<v Speaker 1>Jack Nicholas is some kind of golf architecture idiot.

0:38:28.120 --> 0:38:28.520
<v Speaker 2>But the.

0:38:30.080 --> 0:38:35.320
<v Speaker 1>Problem starts with the factory model of Jack nicholas designs,

0:38:35.360 --> 0:38:39.320
<v Speaker 1>and how many courses were built with the Jack Nicholas

0:38:39.560 --> 0:38:43.960
<v Speaker 1>name on them that didn't necessarily have much input from

0:38:44.040 --> 0:38:49.560
<v Speaker 1>Jack Nicholas, didn't necessarily represent much passion on his part

0:38:49.719 --> 0:38:53.200
<v Speaker 1>in building them, creating them, and I think that that

0:38:53.480 --> 0:38:58.279
<v Speaker 1>ultimately is the thing that gets golf architects in the

0:38:58.520 --> 0:39:03.359
<v Speaker 1>end is the not paying attention to individual projects. Once

0:39:03.440 --> 0:39:06.279
<v Speaker 1>they get too much work, once they're stretched too thin,

0:39:06.840 --> 0:39:10.520
<v Speaker 1>once they stop caring about the course that they're building

0:39:11.040 --> 0:39:15.120
<v Speaker 1>like it's life or death, then you start getting mediocre work.

0:39:15.760 --> 0:39:21.840
<v Speaker 1>And that is I think the big problem that affects

0:39:21.880 --> 0:39:24.960
<v Speaker 1>golf architecture, especially in boom times like we're having right now.

0:39:25.080 --> 0:39:28.600
<v Speaker 1>So I think a question that all architects in this

0:39:28.840 --> 0:39:33.000
<v Speaker 1>current kind of active moment in golf course development need

0:39:33.080 --> 0:39:35.239
<v Speaker 1>to ask themselves is how much work can I really

0:39:35.360 --> 0:39:39.560
<v Speaker 1>take on and remain passionate about each individual project. So

0:39:39.920 --> 0:39:43.120
<v Speaker 1>I'm choosing Jack Nicholas because there are just way too

0:39:43.200 --> 0:39:46.360
<v Speaker 1>many Jack Nicholas courses for him to have really cared

0:39:46.400 --> 0:39:47.600
<v Speaker 1>about all of them.

0:39:48.520 --> 0:39:50.719
<v Speaker 2>And I asked the question so I didn't have to

0:39:50.800 --> 0:39:51.160
<v Speaker 2>answer it.

0:39:52.920 --> 0:39:57.399
<v Speaker 1>So you've just hung me out to dry, like you've

0:39:57.520 --> 0:40:01.200
<v Speaker 1>just completely abandoned me, just like just like tally on

0:40:01.320 --> 0:40:05.920
<v Speaker 1>by Jack Nicholas. Hating hill. Yeah, thanks Andy, All right,

0:40:07.200 --> 0:40:11.319
<v Speaker 1>question from cheesehead sports nut. Great great name.

0:40:11.800 --> 0:40:14.560
<v Speaker 2>Ah yeah, Wisconsin sports suck.

0:40:18.160 --> 0:40:20.960
<v Speaker 1>And that's your hill, all right, She's head sports nut.

0:40:21.080 --> 0:40:24.960
<v Speaker 1>Che's head the lidos seems like a true golf course architecture,

0:40:25.080 --> 0:40:28.680
<v Speaker 1>modern marvel on a number of levels. Do you see

0:40:28.960 --> 0:40:31.640
<v Speaker 1>that being a total one offer paving the way for

0:40:31.800 --> 0:40:35.400
<v Speaker 1>other lost courses to be rebuilt? Okay, so some context,

0:40:35.560 --> 0:40:38.080
<v Speaker 1>I mean probably just about everybody listening to this knows this.

0:40:38.280 --> 0:40:44.600
<v Speaker 1>But Tom Doak and his team are rebuilding C. B.

0:40:44.760 --> 0:40:50.080
<v Speaker 1>McDonald's lost Liedo Golf Club in the middle of Wisconsin

0:40:50.200 --> 0:40:54.160
<v Speaker 1>near the Sand Valley Golf Resort, and they are using

0:40:54.520 --> 0:40:59.840
<v Speaker 1>kind of some innovative methods to really recreate exactly what

0:41:00.160 --> 0:41:04.239
<v Speaker 1>that course might have been at the ground level. So

0:41:04.640 --> 0:41:07.400
<v Speaker 1>that's the project that Cheese had Sportsnut is referring to

0:41:08.000 --> 0:41:12.080
<v Speaker 1>and asking whether that's just one thing that will happen

0:41:12.160 --> 0:41:14.880
<v Speaker 1>one time, or whether it's going to open up a

0:41:15.040 --> 0:41:18.680
<v Speaker 1>new kind of possibility in golf course architecture.

0:41:19.400 --> 0:41:22.960
<v Speaker 2>What do you think about that, Andy, I'm really excited

0:41:23.000 --> 0:41:31.000
<v Speaker 2>about seeing the lido. I don't know how many lido

0:41:31.480 --> 0:41:34.920
<v Speaker 2>type projects I want to see. I don't like the

0:41:35.080 --> 0:41:38.160
<v Speaker 2>idea of getting in the habit of copying holes straight

0:41:38.480 --> 0:41:42.640
<v Speaker 2>straight up. I don't like, you know, in this case,

0:41:42.800 --> 0:41:47.320
<v Speaker 2>the Lido was considered by some the greatest course of

0:41:47.440 --> 0:41:51.000
<v Speaker 2>its era. And it's gone. And I think it's very

0:41:51.120 --> 0:41:56.160
<v Speaker 2>important to use this type of technology in that vein.

0:41:56.960 --> 0:42:01.479
<v Speaker 2>Am I bringing something back that was truly the best

0:42:01.640 --> 0:42:05.840
<v Speaker 2>course or one of the five best courses and it's gone.

0:42:05.960 --> 0:42:10.239
<v Speaker 2>And I can't think of many courses that are in

0:42:10.400 --> 0:42:15.919
<v Speaker 2>that type of vein as the Leado. So with that said,

0:42:16.200 --> 0:42:19.320
<v Speaker 2>I would hate to see people start to use this

0:42:19.440 --> 0:42:25.399
<v Speaker 2>technology to recreate holes at other golf courses because why

0:42:25.520 --> 0:42:28.920
<v Speaker 2>not hire a talented architect and let them build stuff

0:42:29.400 --> 0:42:33.680
<v Speaker 2>on their own? Why Like, who would want the you

0:42:33.760 --> 0:42:36.920
<v Speaker 2>know in their heyday? Who would want the rolling Stones

0:42:37.080 --> 0:42:42.200
<v Speaker 2>to try and be the Beatles? It's silly, right what hire?

0:42:42.600 --> 0:42:46.680
<v Speaker 2>Push the the practice of golf architecture into the future,

0:42:46.920 --> 0:42:50.600
<v Speaker 2>not live in the past, right, Like use the principles

0:42:50.719 --> 0:42:54.440
<v Speaker 2>of those great courses to build new stuff and you know,

0:42:54.600 --> 0:42:59.399
<v Speaker 2>tweak it. Don't just copy what happened like that. That's

0:42:59.520 --> 0:43:04.520
<v Speaker 2>just repel art and that's not good. So I think

0:43:04.640 --> 0:43:07.279
<v Speaker 2>like there there's some of this with like the Rainer

0:43:07.400 --> 0:43:11.719
<v Speaker 2>McDonald's stuff, and I'm I'm a huge Rainer McDonald fan,

0:43:12.560 --> 0:43:15.640
<v Speaker 2>But there can be twists of those templates and those

0:43:15.680 --> 0:43:18.440
<v Speaker 2>templates were were you know, there are a lot of

0:43:18.719 --> 0:43:22.640
<v Speaker 2>differences in the templates at different courses. Right, it's great

0:43:22.640 --> 0:43:25.600
<v Speaker 2>to have, but like building straight up a template course,

0:43:25.719 --> 0:43:29.759
<v Speaker 2>Like I think it's great to give architects the chance

0:43:29.840 --> 0:43:31.600
<v Speaker 2>to build what they want to build.

0:43:31.840 --> 0:43:33.440
<v Speaker 1>You know, create something new.

0:43:33.840 --> 0:43:38.239
<v Speaker 2>Think about hiring a great artist and like telling them what.

0:43:38.360 --> 0:43:43.360
<v Speaker 1>To paint yeah yeah, or or having them paint according

0:43:43.440 --> 0:43:51.000
<v Speaker 1>to kind of like a machine learning adaptation of Michelangelo

0:43:51.160 --> 0:43:52.360
<v Speaker 1>or something, you know like that.

0:43:52.800 --> 0:43:53.279
<v Speaker 2>That So.

0:43:54.760 --> 0:43:57.920
<v Speaker 1>The Leado is one of one, the original Leado, the

0:43:58.040 --> 0:44:01.600
<v Speaker 1>CB McDonald Lido. There there was no other golf course

0:44:01.800 --> 0:44:07.319
<v Speaker 1>like that golf course, not one, And so I think

0:44:07.680 --> 0:44:11.920
<v Speaker 1>that this project of recreating the Lido should similarly be

0:44:12.520 --> 0:44:17.200
<v Speaker 1>unique because the Lido was unique. So it justifies this

0:44:17.480 --> 0:44:21.560
<v Speaker 1>project and the methods that they used to recreate the course.

0:44:22.239 --> 0:44:27.520
<v Speaker 1>But golf architecture has to move forward, right, Once we

0:44:27.719 --> 0:44:36.680
<v Speaker 1>start using new technology to recreate lost courses, our reverence

0:44:36.840 --> 0:44:40.120
<v Speaker 1>for Golden age golf course architecture has gone way too far.

0:44:41.400 --> 0:44:45.680
<v Speaker 1>We're going to start living in this kind of nostalgia, right,

0:44:45.960 --> 0:44:51.160
<v Speaker 1>instead of pushing forward, finding new things, using old ideas

0:44:51.760 --> 0:44:56.080
<v Speaker 1>and spinning them in some way to create something new.

0:44:56.239 --> 0:44:59.440
<v Speaker 1>That's what art has to do. In order to remain

0:44:59.719 --> 0:45:05.319
<v Speaker 1>a live So honestly, using this technology that they've used

0:45:05.440 --> 0:45:10.080
<v Speaker 1>at the New Leader in Wisconsin to do other golf

0:45:10.880 --> 0:45:14.760
<v Speaker 1>course projects, I think is wou would pose a major

0:45:14.880 --> 0:45:17.000
<v Speaker 1>threat to the art of golf course design. And I

0:45:17.160 --> 0:45:20.680
<v Speaker 1>really really hope that people don't do it, like I

0:45:20.719 --> 0:45:22.920
<v Speaker 1>think it's I think that would be a very very

0:45:23.480 --> 0:45:27.320
<v Speaker 1>bad thing. So if you're thinking about doing it, please don't.

0:45:28.840 --> 0:45:32.239
<v Speaker 1>All right, moving on, Yeah, all right, we probably have

0:45:32.400 --> 0:45:36.239
<v Speaker 1>time for one or two more questions here. Here's an

0:45:36.280 --> 0:45:42.759
<v Speaker 1>interesting one from Andy Lack, fellow podcaster. Really good question.

0:45:43.200 --> 0:45:45.800
<v Speaker 1>If a new architect came to you and said, I

0:45:45.920 --> 0:45:49.120
<v Speaker 1>can go anywhere in the world to study one course

0:45:49.520 --> 0:45:53.200
<v Speaker 1>before I build mine, where would you send him? So

0:45:53.280 --> 0:45:56.120
<v Speaker 1>I think this question part of its premise is that

0:45:57.200 --> 0:45:59.400
<v Speaker 1>you know the land of course, we would advise the

0:45:59.520 --> 0:46:02.640
<v Speaker 1>architect go find this a course built on a similar

0:46:02.680 --> 0:46:04.320
<v Speaker 1>piece of land and kind of study that, like the

0:46:04.400 --> 0:46:07.279
<v Speaker 1>greatest course built on X piece of land. Study that

0:46:07.680 --> 0:46:10.480
<v Speaker 1>that would probably be the real move. But let's just think,

0:46:10.680 --> 0:46:14.200
<v Speaker 1>you know, in general, what would be the greatest place

0:46:14.280 --> 0:46:16.920
<v Speaker 1>to learn how to do golf course architecture.

0:46:18.840 --> 0:46:25.600
<v Speaker 2>Ah, that's a great question. I personally I think a

0:46:25.680 --> 0:46:31.560
<v Speaker 2>lot of golf course construction and golf architecture. Golf courses

0:46:31.800 --> 0:46:38.279
<v Speaker 2>are very socially irresponsible in terms of their waste and

0:46:38.360 --> 0:46:42.800
<v Speaker 2>their opulence. So to me, if I was going to

0:46:42.840 --> 0:46:45.640
<v Speaker 2>send somebody who was thinking about building a golf course

0:46:46.320 --> 0:46:50.000
<v Speaker 2>to a course, I would send them to sand Hills

0:46:50.280 --> 0:46:54.600
<v Speaker 2>because there is you know, you have a masterpiece of

0:46:55.480 --> 0:47:01.680
<v Speaker 2>golf design. And also it shows that everything doesn't need

0:47:01.760 --> 0:47:05.160
<v Speaker 2>to be over the top to be a great place

0:47:05.400 --> 0:47:07.480
<v Speaker 2>and a great place to hang out. Like you know,

0:47:07.640 --> 0:47:12.520
<v Speaker 2>you're building these courses and really you're building a golf course,

0:47:12.600 --> 0:47:15.560
<v Speaker 2>so everything should be centered around the golf course like

0:47:15.719 --> 0:47:18.680
<v Speaker 2>everything else. Like it's nice to have nice stuff at

0:47:18.719 --> 0:47:21.759
<v Speaker 2>golf courses, but they are really unnecessary. And I think,

0:47:21.880 --> 0:47:25.480
<v Speaker 2>like from a facility standpoint, sand Hills is the place

0:47:25.600 --> 0:47:29.600
<v Speaker 2>that to me, it just it always leaves an impact

0:47:29.719 --> 0:47:34.160
<v Speaker 2>on me as to like, hey, you know, everything doesn't

0:47:34.239 --> 0:47:36.719
<v Speaker 2>need to be five star. If you have the best

0:47:36.800 --> 0:47:39.680
<v Speaker 2>golf course in the world, all you know, one of

0:47:39.719 --> 0:47:42.160
<v Speaker 2>the best golf courses in the world. All you want

0:47:42.239 --> 0:47:45.399
<v Speaker 2>to do is get people out to play the golf course,

0:47:45.640 --> 0:47:49.879
<v Speaker 2>Like and the lodging doesn't have to be extraordinary you're

0:47:49.920 --> 0:47:52.640
<v Speaker 2>gonna be exhausted after a day of playing golf. You know,

0:47:52.800 --> 0:47:56.480
<v Speaker 2>they have good food, they have strong drinks, they have

0:47:57.320 --> 0:48:03.360
<v Speaker 2>you know, comfortable beds, and unbelievable golf course that's maintained

0:48:03.440 --> 0:48:08.000
<v Speaker 2>for far, far less than you know, most golf courses

0:48:08.040 --> 0:48:08.640
<v Speaker 2>in his class.

0:48:08.920 --> 0:48:11.360
<v Speaker 1>Yeah, and it's appropriate to go there if you're a

0:48:11.440 --> 0:48:15.000
<v Speaker 1>modern architect. Sand Hills is kind of at the at

0:48:15.040 --> 0:48:18.719
<v Speaker 1>the genesis of you know, what we now know of

0:48:18.840 --> 0:48:22.480
<v Speaker 1>as modern golf course architecture. This, this new era of

0:48:22.520 --> 0:48:25.800
<v Speaker 1>golf course architecture, sand Hills is is kind of the course.

0:48:27.000 --> 0:48:29.440
<v Speaker 1>So yeah, I agree with a lot of that. You know,

0:48:30.000 --> 0:48:32.040
<v Speaker 1>a lot of people would probably say the old course,

0:48:32.880 --> 0:48:36.879
<v Speaker 1>you know, good one too. Yeah, So that that that's

0:48:36.920 --> 0:48:40.040
<v Speaker 1>probably it's that has that has proven over time. The

0:48:40.120 --> 0:48:44.680
<v Speaker 1>old course has its bona fides as a school room

0:48:45.040 --> 0:48:48.239
<v Speaker 1>for golf course architects. That's where so many great golf

0:48:48.320 --> 0:48:52.480
<v Speaker 1>course architects have gone to learn about the craft of

0:48:52.560 --> 0:48:57.719
<v Speaker 1>golf course design, from you know, early twentieth century architects

0:48:58.000 --> 0:49:01.439
<v Speaker 1>through to the present day. You know, many many golf

0:49:01.480 --> 0:49:04.760
<v Speaker 1>course architects have learned their most important lessons from that course.

0:49:05.280 --> 0:49:08.520
<v Speaker 1>But we are you know, we're Americans, with a lot

0:49:08.560 --> 0:49:10.480
<v Speaker 1>of our coverage is kind of American based.

0:49:10.560 --> 0:49:12.880
<v Speaker 2>So well, if you think about those two that we

0:49:13.080 --> 0:49:18.799
<v Speaker 2>picked out, they're roughly too cheap, probably maybe the two

0:49:18.960 --> 0:49:21.520
<v Speaker 2>cheapest courses to build up their era.

0:49:22.120 --> 0:49:25.080
<v Speaker 1>Yeah, yeah, two of the most natural courses. And the

0:49:25.160 --> 0:49:27.680
<v Speaker 1>old course wasn't I'm not even sure you could call

0:49:27.760 --> 0:49:31.839
<v Speaker 1>it built the enemy. Well that's what I said, you know, yeah,

0:49:32.040 --> 0:49:34.040
<v Speaker 1>and so that that's that. Yeah, it goes to show

0:49:34.120 --> 0:49:36.759
<v Speaker 1>you you don't need to do too much the course.

0:49:37.680 --> 0:49:43.400
<v Speaker 2>Honestly, like so many courses, if they just did seventy

0:49:43.480 --> 0:49:48.160
<v Speaker 2>percent less would be better places. Like that's the crazy

0:49:48.280 --> 0:49:52.840
<v Speaker 2>thing to me just from my lens. And this again,

0:49:53.200 --> 0:49:57.000
<v Speaker 2>this is you know, as somebody who this is tons

0:49:57.040 --> 0:50:01.120
<v Speaker 2>of places every year. To me, my general takeaway is,

0:50:01.320 --> 0:50:05.560
<v Speaker 2>well I could have done without that more so than

0:50:05.920 --> 0:50:09.240
<v Speaker 2>I really wish they had this. Like I find myself

0:50:09.520 --> 0:50:14.520
<v Speaker 2>more often being like, well that was a little too much,

0:50:15.040 --> 0:50:18.560
<v Speaker 2>more than I really wish they had this. Like the

0:50:18.719 --> 0:50:21.080
<v Speaker 2>only thing that I ever am like I really wish,

0:50:21.360 --> 0:50:24.640
<v Speaker 2>I really wish there was more water to drink on

0:50:24.760 --> 0:50:28.400
<v Speaker 2>a golf course is really like what I find myself

0:50:28.480 --> 0:50:29.120
<v Speaker 2>saying the most.

0:50:30.480 --> 0:50:33.640
<v Speaker 1>Well, here's something that I find myself doing a lot

0:50:34.640 --> 0:50:38.880
<v Speaker 1>at golf courses that maybe aren't architecturally the best. And

0:50:38.960 --> 0:50:40.880
<v Speaker 1>I do play those courses and enjoy them because it's

0:50:40.920 --> 0:50:44.759
<v Speaker 1>golf and it's all fun. But whatever. Sometimes if I

0:50:44.840 --> 0:50:48.040
<v Speaker 1>hit a ball way offline and I'm kind of hunting

0:50:48.239 --> 0:50:51.280
<v Speaker 1>off the golf course in whatever the natural area around

0:50:51.320 --> 0:50:54.680
<v Speaker 1>the golf course is, sometimes I'll find myself enjoying myself

0:50:54.840 --> 0:50:58.480
<v Speaker 1>more in that environment than I did in the environment

0:50:58.560 --> 0:51:00.880
<v Speaker 1>of the golf course, and I think to myself that

0:51:01.000 --> 0:51:04.239
<v Speaker 1>this course has been overbuilt or the agronomy is trying

0:51:04.280 --> 0:51:07.160
<v Speaker 1>to do too much to separate it from its natural environment.

0:51:07.520 --> 0:51:09.640
<v Speaker 1>And I think that's probably the biggest lesson that you

0:51:09.719 --> 0:51:12.080
<v Speaker 1>can learn from sand Hills in the Old Course, is

0:51:12.160 --> 0:51:15.399
<v Speaker 1>that the natural landscape is the most beautiful thing. It's

0:51:15.440 --> 0:51:20.360
<v Speaker 1>the thing that we humans are sort of genetically coded

0:51:20.480 --> 0:51:24.560
<v Speaker 1>to respond well to, and so try to keep that intact. Now,

0:51:24.640 --> 0:51:26.800
<v Speaker 1>the course, I'll just mention this quickly because it's not

0:51:26.840 --> 0:51:28.800
<v Speaker 1>as good of an answer as sand Hills or the

0:51:28.880 --> 0:51:31.200
<v Speaker 1>Old Course. But the course that I would maybe send

0:51:31.200 --> 0:51:34.200
<v Speaker 1>an architect to would be Old Town Club. I think

0:51:34.280 --> 0:51:36.120
<v Speaker 1>that would be that would be a cool place to

0:51:36.200 --> 0:51:39.800
<v Speaker 1>go to learn about golf course architecture because across the

0:51:39.920 --> 0:51:45.160
<v Speaker 1>board Old Town Club does everything well. It's beautifully routed,

0:51:45.719 --> 0:51:50.840
<v Speaker 1>the greens are so interestingly designed. The restoration of that

0:51:51.040 --> 0:51:54.960
<v Speaker 1>course by Corn Crenshaw is absolutely spot on. And it's

0:51:55.080 --> 0:51:58.560
<v Speaker 1>not on the most extraordinary piece of land in the world. Now,

0:51:58.920 --> 0:52:02.399
<v Speaker 1>it's a really good piece of golfing terrain, like it's

0:52:02.520 --> 0:52:05.600
<v Speaker 1>it's fantastic, no doubt about it. But this is not

0:52:05.840 --> 0:52:10.040
<v Speaker 1>built on you know, the sand dunes of coastal Oregon.

0:52:10.920 --> 0:52:14.160
<v Speaker 1>This is not on linksland. This is a fairly ordinary

0:52:14.640 --> 0:52:22.000
<v Speaker 1>parkland property. Period dramatic. This is a above average parkland property,

0:52:22.200 --> 0:52:24.800
<v Speaker 1>let's call it, or something beautiful.

0:52:24.840 --> 0:52:26.040
<v Speaker 2>Wildhorse would be a great one.

0:52:26.200 --> 0:52:29.399
<v Speaker 1>Wildhorse was was probably my other thought because the ones

0:52:29.600 --> 0:52:32.040
<v Speaker 1>we've mentioned so far, I mean, aside from the Old

0:52:32.080 --> 0:52:35.280
<v Speaker 1>Course are are private clubs, and so you know, Wildhorse

0:52:35.400 --> 0:52:37.840
<v Speaker 1>very accessible and beautifully designed.

0:52:38.200 --> 0:52:41.160
<v Speaker 2>I got one here from Ben Herms. This may be

0:52:41.320 --> 0:52:44.280
<v Speaker 2>is our last one. Is it wrong to judge classic

0:52:44.360 --> 0:52:48.160
<v Speaker 2>courses against modern ones? Or I'm just gonna tweak this

0:52:48.320 --> 0:52:53.600
<v Speaker 2>a little bit or minimalist slash found courses against manufactured ones,

0:52:54.040 --> 0:52:57.960
<v Speaker 2>like should they be judged different, judged differently because they're

0:52:58.040 --> 0:53:00.480
<v Speaker 2>classic and modern or minimalist versus.

0:53:00.760 --> 0:53:03.640
<v Speaker 1>So those are two different subjects, but they're both interesting.

0:53:03.880 --> 0:53:06.600
<v Speaker 2>Like should they be should we judge different types of

0:53:06.680 --> 0:53:11.840
<v Speaker 2>courses against each other, you know, across generations or you

0:53:11.920 --> 0:53:12.880
<v Speaker 2>know styles.

0:53:13.160 --> 0:53:15.759
<v Speaker 1>I think the short answer is is yes, you can

0:53:15.840 --> 0:53:20.880
<v Speaker 1>compare anything while also offering the caveats that this is

0:53:20.960 --> 0:53:24.040
<v Speaker 1>what the course is trying to do. Okay, so we

0:53:24.320 --> 0:53:28.480
<v Speaker 1>just talked about the wonders of natural golf courses, but

0:53:28.719 --> 0:53:29.879
<v Speaker 1>what about Shadow Creek?

0:53:30.520 --> 0:53:30.680
<v Speaker 2>Right?

0:53:31.600 --> 0:53:34.440
<v Speaker 1>Is that course was that was the purpose of that

0:53:34.560 --> 0:53:39.680
<v Speaker 1>course ever going to be to be a tribute a

0:53:39.800 --> 0:53:42.400
<v Speaker 1>love note to the natural landscape or ledo which was

0:53:42.440 --> 0:53:45.360
<v Speaker 1>built on a marsh right and was and was really created.

0:53:46.120 --> 0:53:48.800
<v Speaker 1>So I think that yeah, I mean it's it's not

0:53:49.040 --> 0:53:52.880
<v Speaker 1>wrong to compare Shadow Creek to the old course at

0:53:52.920 --> 0:53:55.640
<v Speaker 1>Saint Andrew's, like you you can do it like there,

0:53:55.719 --> 0:53:58.880
<v Speaker 1>they have their golf courses, they have nothing common so

0:53:59.080 --> 0:54:01.800
<v Speaker 1>that you can compare them and talk about why you

0:54:02.040 --> 0:54:04.920
<v Speaker 1>like one more than the other. But yeah, sure, you

0:54:05.040 --> 0:54:07.160
<v Speaker 1>have to keep in mind what the course was trying

0:54:07.239 --> 0:54:10.560
<v Speaker 1>to accomplish with what it was given. You can also

0:54:10.640 --> 0:54:13.440
<v Speaker 1>ask the question of whether you know courses should be

0:54:13.520 --> 0:54:17.960
<v Speaker 1>built on desert wasteland at all, whether whether that's a

0:54:18.080 --> 0:54:20.239
<v Speaker 1>good thing to do in the first place. Now, I'm

0:54:20.280 --> 0:54:22.040
<v Speaker 1>not going to be able to stop anybody from building

0:54:22.080 --> 0:54:25.439
<v Speaker 1>desert courses by just saying I disapprove, But I don't

0:54:25.520 --> 0:54:28.600
<v Speaker 1>necessarily think that that was golf as it's meant to

0:54:28.680 --> 0:54:31.200
<v Speaker 1>be or golf as I prefer it. And I think

0:54:31.239 --> 0:54:34.480
<v Speaker 1>that that's okay to say that. I just like the

0:54:34.600 --> 0:54:38.279
<v Speaker 1>course that's built on a setting that's naturally suited to

0:54:38.360 --> 0:54:41.040
<v Speaker 1>golf more than the course that was built on a

0:54:41.080 --> 0:54:44.640
<v Speaker 1>setting that really rejects golf at every turn. I've kind

0:54:44.680 --> 0:54:46.759
<v Speaker 1>of wandered off the subject. I don't know. I think

0:54:46.800 --> 0:54:49.319
<v Speaker 1>you can compare the courses. You just have to keep

0:54:49.360 --> 0:54:50.560
<v Speaker 1>in mind what they're trying to do.

0:54:50.800 --> 0:54:53.040
<v Speaker 2>Yeah, I have thoughts on this too, from the sense of,

0:54:54.239 --> 0:55:00.719
<v Speaker 2>you know, the rankings right e anyway ranks courses. It's like, well,

0:55:02.120 --> 0:55:04.879
<v Speaker 2>you know, the reality is like a course could be better,

0:55:05.040 --> 0:55:08.080
<v Speaker 2>but I might want to play a different course more.

0:55:09.040 --> 0:55:12.560
<v Speaker 2>You know. Championship courses are great examples of this, Like

0:55:12.800 --> 0:55:15.000
<v Speaker 2>I you know, you go to so many clubs that

0:55:15.120 --> 0:55:17.600
<v Speaker 2>have multiple courses in a championship course and a non

0:55:17.719 --> 0:55:20.920
<v Speaker 2>championship course, and the non championship course is more popular

0:55:21.000 --> 0:55:23.319
<v Speaker 2>with his members than the championship course, Like they play

0:55:23.360 --> 0:55:26.160
<v Speaker 2>the championship course when they bring guests out, Like, so,

0:55:26.239 --> 0:55:28.560
<v Speaker 2>what's the better course? What's the better course? Like is

0:55:28.640 --> 0:55:31.080
<v Speaker 2>the better course of the course that the members want

0:55:31.120 --> 0:55:35.120
<v Speaker 2>to play more that? You know, what restaurants better the

0:55:35.160 --> 0:55:36.839
<v Speaker 2>one that I want to eat at more? Like there's

0:55:36.960 --> 0:55:40.399
<v Speaker 2>different types of restaurants right now, Like there's those once

0:55:40.480 --> 0:55:43.480
<v Speaker 2>in a like once every once in a while restaurants

0:55:43.520 --> 0:55:47.480
<v Speaker 2>that blow your socks off, like with great food and everything,

0:55:47.600 --> 0:55:50.719
<v Speaker 2>but you're like, I wouldn't want to do this regularly, right,

0:55:51.400 --> 0:55:53.640
<v Speaker 2>And it's the same thing with golf courses. There are

0:55:53.800 --> 0:55:58.560
<v Speaker 2>courses that like really like you know, blow your mind

0:55:58.680 --> 0:56:02.160
<v Speaker 2>and you're like, god, this is incredible, but they're like

0:56:02.480 --> 0:56:04.759
<v Speaker 2>taxing and you're kind of like, I don't think I

0:56:04.800 --> 0:56:08.400
<v Speaker 2>would want to do this every day. And then you

0:56:08.480 --> 0:56:10.239
<v Speaker 2>have like the courses that you're like, got it. I

0:56:10.400 --> 0:56:12.439
<v Speaker 2>just wish I could play this every day. I would

0:56:12.520 --> 0:56:16.279
<v Speaker 2>die a happy person. But like, so which one's better? Right?

0:56:16.640 --> 0:56:19.640
<v Speaker 2>And this is the problem with rankings and saying this

0:56:19.880 --> 0:56:23.400
<v Speaker 2>course is better than this course. You know, in a vacuum. Right,

0:56:23.800 --> 0:56:28.160
<v Speaker 2>there are different qualities to courses. It's almost like superlatives. Right.

0:56:28.600 --> 0:56:32.080
<v Speaker 2>There are great everyday courses. This is this is a club,

0:56:32.200 --> 0:56:33.960
<v Speaker 2>This is a place I'd want to be a member at.

0:56:34.080 --> 0:56:37.080
<v Speaker 2>This is a public course that want to play every day. Now,

0:56:37.280 --> 0:56:41.239
<v Speaker 2>this course is the most dramatic, most spectacular course, right,

0:56:41.840 --> 0:56:44.120
<v Speaker 2>And if I was going to play one place before

0:56:44.120 --> 0:56:46.560
<v Speaker 2>I died, I want to play that place, right. And

0:56:46.680 --> 0:56:50.480
<v Speaker 2>the that's the thing is like that place against the

0:56:50.560 --> 0:56:52.799
<v Speaker 2>place that is the best, is the place I want

0:56:52.840 --> 0:56:55.360
<v Speaker 2>to play every day. I might play the place I

0:56:55.440 --> 0:56:58.319
<v Speaker 2>want to play every day seven times to three over

0:56:58.400 --> 0:57:01.399
<v Speaker 2>the spectacular one. But if I had one round, I'd

0:57:01.400 --> 0:57:04.560
<v Speaker 2>play the other, of course, so which one's better? Like?

0:57:05.320 --> 0:57:08.400
<v Speaker 2>This is the silly thing with the rankings. The rankings

0:57:08.440 --> 0:57:13.400
<v Speaker 2>are so that they cause such damage because the reality

0:57:13.480 --> 0:57:16.920
<v Speaker 2>of the rankings is that they are centered around dramatic

0:57:17.080 --> 0:57:21.360
<v Speaker 2>land and difficulty. For the most part, I think golf

0:57:21.440 --> 0:57:23.880
<v Speaker 2>dot Com has done a good job of kind of

0:57:24.120 --> 0:57:27.920
<v Speaker 2>getting away from that, but especially golf digest is like,

0:57:28.040 --> 0:57:31.680
<v Speaker 2>if you don't have dramatic land or a really hard course,

0:57:33.120 --> 0:57:35.760
<v Speaker 2>good luck, good luck, And what's that do for the

0:57:35.840 --> 0:57:38.680
<v Speaker 2>course Without dramatic land. Then they try and make their

0:57:38.720 --> 0:57:42.960
<v Speaker 2>course really hard in order to, you know, compel raiders

0:57:43.080 --> 0:57:45.560
<v Speaker 2>to think that it is a good course. This is

0:57:45.800 --> 0:57:49.920
<v Speaker 2>the disease of the rankings and the harm that so

0:57:50.000 --> 0:57:53.320
<v Speaker 2>many rankings have done to golf architecture. Instead of golf

0:57:53.440 --> 0:57:56.800
<v Speaker 2>courses thinking about how do we be the best course

0:57:56.960 --> 0:57:59.919
<v Speaker 2>we can be and what our identity is, they try

0:58:00.080 --> 0:58:02.919
<v Speaker 2>and build their identity off what they're rated on, which

0:58:03.000 --> 0:58:04.840
<v Speaker 2>is just asinine.

0:58:06.600 --> 0:58:09.280
<v Speaker 1>You took that question a different direction than I was

0:58:09.360 --> 0:58:11.600
<v Speaker 1>thinking of it. I was thinking of it as like,

0:58:11.920 --> 0:58:15.200
<v Speaker 1>how would I determine my favorite course? How would I

0:58:15.960 --> 0:58:19.480
<v Speaker 1>compare one course to another, or you know, do that?

0:58:20.160 --> 0:58:23.240
<v Speaker 1>But you're thinking of it in terms of how do

0:58:23.320 --> 0:58:27.520
<v Speaker 1>you determine which course's best? And that process of trying

0:58:27.560 --> 0:58:30.560
<v Speaker 1>to figure out which course is the best and getting

0:58:30.560 --> 0:58:34.000
<v Speaker 1>a bunch of different people together and asking them to

0:58:34.120 --> 0:58:37.560
<v Speaker 1>collectively come up with an idea of which course's best

0:58:38.120 --> 0:58:41.280
<v Speaker 1>is always going to be a pretty silly process. I

0:58:41.440 --> 0:58:44.760
<v Speaker 1>totally agree with that, and it happens to be a

0:58:44.840 --> 0:58:48.400
<v Speaker 1>process that has become institutionalized in the golf course industry

0:58:49.080 --> 0:58:53.919
<v Speaker 1>and has had a pretty bad effect on what golf

0:58:54.000 --> 0:58:58.880
<v Speaker 1>courses do. So I'm with you on that. But I

0:58:58.920 --> 0:59:03.280
<v Speaker 1>think it's different to just talk about favorite courses because

0:59:03.320 --> 0:59:07.400
<v Speaker 1>you can come up with your own idiosyncratic criteria and

0:59:07.680 --> 0:59:13.320
<v Speaker 1>just make decisions based on that. You know. On this trip,

0:59:14.120 --> 0:59:17.280
<v Speaker 1>we've played some some really great courses, but the one

0:59:17.320 --> 0:59:19.960
<v Speaker 1>that I keep thinking about, the one that I really love,

0:59:21.080 --> 0:59:25.120
<v Speaker 1>is Cape Arundle. I also think that Essex County Club

0:59:25.200 --> 0:59:27.120
<v Speaker 1>is one of the best courses I've ever played, but

0:59:29.040 --> 0:59:32.080
<v Speaker 1>maybe my favorite on the trip was Cape Rundle.

0:59:31.880 --> 0:59:35.840
<v Speaker 2>Probably arguably the least. It's definitely probably the least spectacular

0:59:36.000 --> 0:59:41.360
<v Speaker 2>land of the trip. The settings idyllic right Land is quiet, yeah,

0:59:41.440 --> 0:59:43.600
<v Speaker 2>And and I think that's the thing is like, that's

0:59:43.640 --> 0:59:46.440
<v Speaker 2>a great everyday course. That's the course you would love

0:59:46.560 --> 0:59:48.760
<v Speaker 2>to play every day because of a lot of things,

0:59:49.000 --> 0:59:52.680
<v Speaker 2>and one of them being like it's super easy to

0:59:52.720 --> 0:59:54.800
<v Speaker 2>go around it, like it's not going to kill you.

0:59:55.160 --> 0:59:57.960
<v Speaker 1>It's a course that's suited to me because I'm a

0:59:58.040 --> 1:00:02.760
<v Speaker 1>golfer of pretty average abilities and pretty average length off

1:00:02.840 --> 1:00:05.920
<v Speaker 1>the tee, and it's fifty eight hundred yards and it

1:00:06.080 --> 1:00:08.560
<v Speaker 1>really feels like a pleasure to play that course as

1:00:08.600 --> 1:00:11.600
<v Speaker 1>opposed to hitting five wood into every grain, and that

1:00:11.840 --> 1:00:15.479
<v Speaker 1>is something that can't enter that kind of thinking, can't

1:00:15.640 --> 1:00:19.000
<v Speaker 1>enter into the discussion when you talk about best courses,

1:00:19.680 --> 1:00:23.000
<v Speaker 1>and especially when you talk about best courses as rated

1:00:23.600 --> 1:00:26.760
<v Speaker 1>by a group of people, you can't start talking about

1:00:26.880 --> 1:00:30.280
<v Speaker 1>what your particular game is or what your particular preferences are.

1:00:30.960 --> 1:00:34.120
<v Speaker 1>And so I think when you move from favorite to best,

1:00:34.720 --> 1:00:38.120
<v Speaker 1>a lot of things happen, and a lot of them

1:00:38.280 --> 1:00:39.000
<v Speaker 1>aren't very good.

1:00:40.240 --> 1:00:43.200
<v Speaker 2>All right, I think that's a good stapping point. We're

1:00:43.280 --> 1:00:45.920
<v Speaker 2>right around an hour here, yeah, so let's wrap up there.

1:00:56.880 --> 1:00:59.640
<v Speaker 2>Thank you guys for listening to another edition of the

1:00:59.680 --> 1:01:05.040
<v Speaker 2>Friday Podcast. Today's episode was edited by the wonderful meg Adkins.

1:01:05.520 --> 1:01:08.320
<v Speaker 2>She does a great job with many many things, including

1:01:08.400 --> 1:01:11.840
<v Speaker 2>this podcast. As a quick reminder, sign up for the

1:01:11.880 --> 1:01:17.000
<v Speaker 2>Fridagg newsletter. It is a wonderful way to stay up

1:01:17.040 --> 1:01:20.240
<v Speaker 2>to date with golf. I think with the off season here,

1:01:20.960 --> 1:01:23.840
<v Speaker 2>anybody listening to this now, after this podcast, we're going

1:01:23.960 --> 1:01:26.800
<v Speaker 2>to write a little bit more about golf course architecture

1:01:26.840 --> 1:01:31.320
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<v Speaker 2>do that, and thank you for sticking with us through

1:01:51.440 --> 1:01:55.000
<v Speaker 2>another edition of the FRIDAYGG podcast. We will be back

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<v Speaker 2>next week. No