WEBVTT - Discursive (with John Milhiser)

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<v Speaker 1>Portions of This is Americans Live, The improvised documentary podcast,

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<v Speaker 1>For more This is Americans Live. Listened to more episodes

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<v Speaker 1>of This is Americans Live. I guess and now your

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<v Speaker 1>first random sentence. She looked at the masterpiece hanging in

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<v Speaker 1>the museum, but all as you can think of is

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<v Speaker 1>that her five year old could do better. Five year

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<v Speaker 1>old is very talented and a roue beyond the spectrum

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<v Speaker 1>of turkey fingerprint paintings and little quickly lines and are

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<v Speaker 1>doing some really good work. And then our gallery kim

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<v Speaker 1>A comin, sweetie, Look what Jeremy did? Look Look look

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<v Speaker 1>I'm you want to shop? I'll shop? Look Look what

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<v Speaker 1>he made? Look? Okay? What look dad? That's great? Yeah?

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<v Speaker 1>I love it. Can you play a little bit of

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<v Speaker 1>like sports or something or like maybe you know, Jeremy,

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<v Speaker 1>go play with your with your stem set for a second.

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<v Speaker 1>I want to touch your father, please. All right, you

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<v Speaker 1>have to be supportive of our son. Yeah, I know, honey,

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<v Speaker 1>I'm trying to be supportive, but it's it's not something

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<v Speaker 1>that I understand. But I don't know. You can't pigeonhole

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<v Speaker 1>him into something that you like specifically, right, you pigeon

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<v Speaker 1>him and doing stuff you like. I like it because

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<v Speaker 1>it's good. You know it's good because you got all

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<v Speaker 1>the galleries and you have all this like opinion about

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<v Speaker 1>paint and I don't know. Yeah, I go to the

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<v Speaker 1>galleries with our son because he is into our Jeremy

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<v Speaker 1>come back in here, settled this for us. I look

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<v Speaker 1>what I did. Yeah, it looks great. He didn't even

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<v Speaker 1>make eye contact with it. I'm looking at it. It It

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<v Speaker 1>looks make eye contact with the painting with the googly

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<v Speaker 1>eyes on it. Look at the googly eyes. Make eye

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<v Speaker 1>contact with the eyes. How does it make you feel trembling, sweetie?

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<v Speaker 1>It's making you feel something. Yeah, put it into words.

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<v Speaker 1>It's really good. Oh, there it is. Here's the father

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<v Speaker 1>right now. But what feelings are coming out? It was

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<v Speaker 1>clear that the father had some compartment and ized feelings

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<v Speaker 1>about all right, maybe he was a painter and didn't

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<v Speaker 1>really express himself because maybe he had a father that

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<v Speaker 1>was very much like in Sean. I don't have, but

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<v Speaker 1>I don't have I either dope that you're not a

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<v Speaker 1>good painter. Ye, look at this. This is a snowman. Listen,

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<v Speaker 1>he's got the buttons and sorry, I'm like you, guys,

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<v Speaker 1>I three putt at number eighteen. All right, So I'm

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<v Speaker 1>looking over your Chartum what I'm looking at? Do you

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<v Speaker 1>think my dad's gonna make it? Well, it's not looking good.

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<v Speaker 1>He's not gonna make it artist. I'm not talking. I'm

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<v Speaker 1>not even talking about his health. I'm slaying you're that

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<v Speaker 1>snowman is not looking good painted this. I'm surprised you

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<v Speaker 1>knew it was a snow man. Well, I thought it

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<v Speaker 1>was a fat out point on man. Well, the only

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<v Speaker 1>thing that gave it away was that real carrots taped

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<v Speaker 1>to a piece of white paper. Who did did this? Child?

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<v Speaker 1>Don't don't laugh too hard at that door, this whole

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<v Speaker 1>child so oddly young man? Uh, I have a set.

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<v Speaker 1>I have some bad news for you. Your father just

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<v Speaker 1>died just now when he was laughing at your terrible art.

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<v Speaker 1>And then he grew up abandoning his passion, his eye

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<v Speaker 1>when they be a painter. And then you know that

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<v Speaker 1>he passed on that and his little boy. That sounds terrible.

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<v Speaker 1>Your father's dying words were laughter at you over your

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<v Speaker 1>snow meal. You know that if it wasn't for the

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<v Speaker 1>stupid host said it, I would love nothing more and

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<v Speaker 1>to paint with you on some some Sunday afternoon together outside.

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<v Speaker 1>Why didn't you let a little army teach you how

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<v Speaker 1>to paint? I mean, I'm not that guy anymore, or

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<v Speaker 1>not look at me. You know what, I'm gonna go

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<v Speaker 1>out to town. I'm gonna go out a town on

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<v Speaker 1>the girls. You happen to me now you're short, silly?

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<v Speaker 1>Yeah you did, dude, macromay those yourself. Yeah, I didn't

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<v Speaker 1>know what it was called macroma. But yeah, I'm making shorts.

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<v Speaker 1>Not great anyway, Mom, where are you going? I'm going

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<v Speaker 1>for a girl's weekend to make a Kansas because that's

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<v Speaker 1>where it's Charley's us from The left him alone at

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<v Speaker 1>the house his father, With that he could briefly connect

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<v Speaker 1>with his son and his artistic sensibilities, but realizing that

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<v Speaker 1>again he was just completely alienated by his own family,

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<v Speaker 1>His own tribe Brothers Clic had Paint Cackle a whole album.

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<v Speaker 1>They were gone. That's just the audience. The the montage

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<v Speaker 1>that's over. What you guys are doing is trying to

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<v Speaker 1>be good. What he was doing? Who usually wrote the

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<v Speaker 1>song fin and ten? Who is it? Are you asking

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<v Speaker 1>me the producer? Yeah? This is I was asking the people, Um,

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<v Speaker 1>that was actually Trent Derek's and he, uh, he wrote

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<v Speaker 1>he wrote it. Yeah, he he's a different one. It's

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<v Speaker 1>it's this one is called my Dogs did but everything's fine. Yeah,

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<v Speaker 1>it's it's track four. Actually, okay, I welcome this morning

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<v Speaker 1>to walk and he wasn't moving at all, but the

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<v Speaker 1>breeves were on TV. Everything is fine. Stopped it. Yeah,

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<v Speaker 1>it wasn't very good. I mean that's why it was

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<v Speaker 1>relegated to. I just didn't know what the song came

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<v Speaker 1>from him, and so I was asking, Yeah, it was

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<v Speaker 1>mostly used for montages, right, did you know? That is

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<v Speaker 1>my understeady. This is Jake and Jake. I feel like

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<v Speaker 1>he needs could be better radio voice like me. I mean,

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<v Speaker 1>put up my radio voice. Radio. He's maybe a voice

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<v Speaker 1>whosting understoody, learning how to talk, doing a shoe and

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<v Speaker 1>he's teach you know what kind of wos to do

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<v Speaker 1>Tuesdays on Fox. That's basically the show. Uh. There are

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<v Speaker 1>two guys. They're they're radio host people, ones an intern

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<v Speaker 1>and then ones that like established and we think they

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<v Speaker 1>we think it'll do really well. Well I have to say, alright, Dono.

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<v Speaker 1>Research says that it's gonna be a great show. Hey.

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<v Speaker 1>Pro tip in the middle of a pitch, don't interrupt

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<v Speaker 1>the pitch. Eh and I'm you're giving you my thoughts

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<v Speaker 1>on the pitch. I'm so sorry, all right, thank you. Anyway,

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<v Speaker 1>I was gonna say, so you look like you're gonna

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<v Speaker 1>interruppy again, I wasn't. Okay, I don't any want water

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<v Speaker 1>around the pitching brain lighted, crane lighted. This is this

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<v Speaker 1>is Americans Life. I'm your Lit Story with producer Andy

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<v Speaker 1>Special guest contributor for this episode is John Meliser. In

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<v Speaker 1>our show, we're using our trustee sensor generator to bring

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<v Speaker 1>you a story in three improvised acts. This week's theme discursive. Yeah,

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<v Speaker 1>what are my producers looking at my face? The word

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<v Speaker 1>discursive That means one idea. It doesn't really flow into

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<v Speaker 1>the next night as it. Sometimes we think of something

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<v Speaker 1>and then all of a sudden, we're on a tangent

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<v Speaker 1>and just going off into another world discursive, thinking, well,

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<v Speaker 1>why wouldn't the same be tangents because I make up

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<v Speaker 1>the themes and you don't. So do your fucking job,

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<v Speaker 1>all right, so tell you this, pay with us all fun.

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<v Speaker 1>He ran out of money, so he had to stop

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<v Speaker 1>playing poker. You've been playing poker his whole life. Something

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<v Speaker 1>he just instinctively knew how to do poker face, lying

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<v Speaker 1>with his facial features. And then one day he ran

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<v Speaker 1>out of money and like a car running out of gas,

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<v Speaker 1>and I will raise you one wedding ring. David. Yes,

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<v Speaker 1>I mean yes, no. I was just totally but nobody

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<v Speaker 1>didn't know. Was it two big tap shot poker players

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<v Speaker 1>on this poker competition. We're actually seeing each other behind

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<v Speaker 1>closed doors. Next thing they knew, he was raising his

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<v Speaker 1>bets into a full on marriage and having kids. I

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<v Speaker 1>accidentally gave her a wedding ring ill and blue. It

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<v Speaker 1>was actually my great grandmother's ring, her actually her dying words,

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<v Speaker 1>where don't ever let anybody have this. But there was

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<v Speaker 1>a miscommunication. She thought that I was opposing to her

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<v Speaker 1>um and then I was just kind of all in.

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<v Speaker 1>What was that? Like? What was it like what I

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<v Speaker 1>just said? Yeah, it was if we played it out

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<v Speaker 1>with it like I don't know. Why don't you go

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<v Speaker 1>back to exactly what I just did, and I'll raise

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<v Speaker 1>you our son, to be strong. Call hard, call, call call.

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<v Speaker 1>If anybody feels they want to raise an objection between

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<v Speaker 1>the union of these two players, please put your cash

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<v Speaker 1>in the pot now or forever hold your cash. I'm

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<v Speaker 1>all in with this. I think they are a great,

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<v Speaker 1>wonderful couple. I want to put in everything a girl

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<v Speaker 1>because I love her. Man, Jeff, it was six months ago,

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<v Speaker 1>doesn't matter smooth for me right now? You know what

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<v Speaker 1>he out? I can't cash out. I try to cash out,

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<v Speaker 1>but every time I do and just think of you.

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<v Speaker 1>Our relationship was a royal flash, but we were like

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<v Speaker 1>two pairs go fish, just trying to double down shot

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<v Speaker 1>Before any life altering decisions are made, why don't we

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<v Speaker 1>find out what the priest has? Is the river card?

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<v Speaker 1>What you're talking about? What did you say? Because that's

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<v Speaker 1>also poker terminal, That's exactly. And I don't know anything

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<v Speaker 1>about ways to um well. I have almost as little

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<v Speaker 1>knowledge as you do. But in in in Texas. Hold

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<v Speaker 1>him right, they deal the cards right right, and then

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<v Speaker 1>that's now the last card that they dealer puts down.

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<v Speaker 1>You see what everybody has that's go fish. Yeah, and

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<v Speaker 1>then they potic and he try to make it you

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<v Speaker 1>know up to twenty one. Yeah, as like does your

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<v Speaker 1>person have a red hair? That's guess who. That's what

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<v Speaker 1>you're talking about is Then you say you can't say

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<v Speaker 1>that beings in the context. Hey kids, ready, where brand

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<v Speaker 1>new game? Where the whole family? Introducing no cut cut

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<v Speaker 1>cut cut? Hey what we're not allowed to say say that?

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<v Speaker 1>In the in the commercial where didn't you get the

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<v Speaker 1>vision in the game? You didn't get the revision? But

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<v Speaker 1>the new copy. Just take a look at that. Take

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<v Speaker 1>it take from the top. Okay, hey kids, looking for

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<v Speaker 1>a brand new game that's fun for the whole family.

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<v Speaker 1>Introducing no, no, no, you're you're just you're saying the

0:11:36.320 --> 0:11:38.040
<v Speaker 1>same thing. You're just putting the accent on the wrong

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<v Speaker 1>You're saying it a different way. I don't know, accidents,

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<v Speaker 1>I don't know. Didn't you get the second revision? No,

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<v Speaker 1>the second red that's the first time, that's the first Okay,

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<v Speaker 1>hey three, hey kids, are you ready for a brand

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<v Speaker 1>new game that the whole family is gonna love introducing God,

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<v Speaker 1>she's no, I'm the line above the K, right, the

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<v Speaker 1>line above the K. That's the accident. Did you did

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<v Speaker 1>you get the third revision? Did you get the third one?

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<v Speaker 1>Though you don't have one? If the third one is

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<v Speaker 1>the one that I'm that that that I'm looking at

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<v Speaker 1>that the wrong ones a plank. Alright, alright, here's here's

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<v Speaker 1>twenty seven here, just taking come on, we only have

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<v Speaker 1>the studio for twenty minutes. Well, then you should have

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<v Speaker 1>given me the very latest revision. Well we should have

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<v Speaker 1>booked studio times. I mean, that's also another good question.

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<v Speaker 1>Everybody made mistakes. Okay, everybody made mistakes, But the biggest

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<v Speaker 1>mistake is you not reading the private revision because I

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<v Speaker 1>wasn't given the right revision. I'm just gonna eighteen minutes

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<v Speaker 1>take four? Hey, kids, ready for it? Brand you game

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<v Speaker 1>that the whole family is gonna love so so much,

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<v Speaker 1>introducing Yeah, that's it, all right, it's wrap, Hey, sixteen

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<v Speaker 1>minutes early. It was a very simultorious relationship between the

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<v Speaker 1>studio and other actors. It was always very very embedded.

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<v Speaker 1>Al Right, guys, here we go. We gotta knockout four spots.

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<v Speaker 1>We only have the studio booked for eight minutes. Got

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<v Speaker 1>it all right? Here we go. Losing a loved one

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<v Speaker 1>is never easy, But luckily there's deaf. Now did you

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<v Speaker 1>get revision number forty seven? I put it on top

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<v Speaker 1>of the bookshelf. There's the stuff stool. I put that

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<v Speaker 1>back because I'm short. Well, it's just because it's a

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<v Speaker 1>high bookshelf. That's just where I put the revisions. That's

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<v Speaker 1>where the revision boxes, and that's where I put them.

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<v Speaker 1>That's I've been doing that for twenty years. Where's the stool?

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<v Speaker 1>Where is that here? Oh? Thank you? All right, get

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<v Speaker 1>up there, grab the revision number for thank you? Why

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<v Speaker 1>do you even put it up there? Put it down

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<v Speaker 1>here when I can have it and look at it

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<v Speaker 1>when I'm supposed to take two? All right, They got

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<v Speaker 1>the studio for six more minutes. Okay. Losing a loved

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<v Speaker 1>one is real shitty. It sucks so much, so bad.

0:13:47.480 --> 0:13:50.520
<v Speaker 1>Why they really changed it up in these later revisions? Well,

0:13:50.559 --> 0:13:53.720
<v Speaker 1>you know what you're in luck because now there is

0:13:53.760 --> 0:13:56.440
<v Speaker 1>a place that you can go to that has helped

0:13:56.440 --> 0:14:00.760
<v Speaker 1>with who wrote these revisions? He's here. I've never seen

0:14:00.840 --> 0:14:02.880
<v Speaker 1>him before. Mr car Right, I did expect you to

0:14:02.880 --> 0:14:04.360
<v Speaker 1>show up to the studio. I don't want to hearing

0:14:04.440 --> 0:14:07.640
<v Speaker 1>more excuses from you. I have ten funeral homes across

0:14:07.640 --> 0:14:11.760
<v Speaker 1>the county. I need this campaign done, all right, Mr

0:14:11.800 --> 0:14:14.800
<v Speaker 1>car Right. Yeah, I'm Joel. I'm an intern here. I

0:14:14.800 --> 0:14:16.439
<v Speaker 1>really shouldn't be doing this, but I'm just like I

0:14:16.600 --> 0:14:19.720
<v Speaker 1>seized the moment. I'm a fan of all your funeral homes.

0:14:19.720 --> 0:14:21.720
<v Speaker 1>I've had so many family members passed and I just

0:14:21.720 --> 0:14:25.000
<v Speaker 1>want to say that every time I always say go

0:14:25.040 --> 0:14:27.920
<v Speaker 1>to Mr Cartwright's funeral home because they have the most

0:14:28.120 --> 0:14:32.880
<v Speaker 1>respect and fun funerals and all of Pasadena and I

0:14:32.960 --> 0:14:34.800
<v Speaker 1>just want to say thank you for all your hard work.

0:14:34.800 --> 0:14:36.400
<v Speaker 1>And I can't wait till somebody else dies. Look, we

0:14:36.440 --> 0:14:38.400
<v Speaker 1>don't want people to die, but if they do, we

0:14:38.400 --> 0:14:40.920
<v Speaker 1>would love you to bring your loved ones to Cartwright.

0:14:41.160 --> 0:14:44.720
<v Speaker 1>There it is. That was great, Jeff. I'm sorry you've

0:14:44.720 --> 0:14:47.360
<v Speaker 1>been replaced. What do you mean I've been Can you

0:14:47.560 --> 0:14:50.960
<v Speaker 1>do a job for car Ride Funeral Homes Home? Yeah?

0:14:51.080 --> 0:14:58.720
<v Speaker 1>This sucks. I'm out of here, But why don't you

0:14:58.760 --> 0:15:00.520
<v Speaker 1>tell you all that I went to studio I was

0:15:00.560 --> 0:15:02.320
<v Speaker 1>gonna read something about car rapping rules, and I got

0:15:02.720 --> 0:15:04.840
<v Speaker 1>the revision forty seven vision. So I went to the

0:15:04.840 --> 0:15:07.280
<v Speaker 1>revision one seven eight and doing it all the way

0:15:07.320 --> 0:15:08.640
<v Speaker 1>down of Force Saven, and I found out it wasn't

0:15:08.640 --> 0:15:09.840
<v Speaker 1>even the right woman. Mus A car right, the guy

0:15:09.880 --> 0:15:11.520
<v Speaker 1>who's a funeral pom again it came and they just

0:15:11.520 --> 0:15:14.560
<v Speaker 1>did my old joba. Let me see if I get

0:15:14.560 --> 0:15:19.160
<v Speaker 1>this tracky cat right? The guy who owes the greatest

0:15:19.160 --> 0:15:21.440
<v Speaker 1>funeral home but all passing? You actually got to meet him?

0:15:21.440 --> 0:15:23.080
<v Speaker 1>Did he get an autograph for the kids? Okay, we're

0:15:23.080 --> 0:15:24.680
<v Speaker 1>all wrong, sun, Let me go ahead and go to

0:15:24.720 --> 0:15:29.800
<v Speaker 1>the kid. Dad. What's going on? I'm just at home

0:15:29.880 --> 0:15:33.600
<v Speaker 1>doing some social studies, some math and some chemistry. Whomework.

0:15:34.160 --> 0:15:41.640
<v Speaker 1>How's that going? I have helicopters out of that. I

0:15:41.680 --> 0:15:46.200
<v Speaker 1>didn't keep doing it like you know. You kind of

0:15:46.240 --> 0:15:48.640
<v Speaker 1>stumbled over a few words today last time. Maybe that's

0:15:48.640 --> 0:15:50.960
<v Speaker 1>why you got fired by Mr al Right. Well, I

0:15:50.960 --> 0:15:52.440
<v Speaker 1>didn't go there doing a pop job. I was just

0:15:52.480 --> 0:15:55.640
<v Speaker 1>putting off the script. If I'm going off sometimes i'm gonna,

0:15:55.640 --> 0:15:59.880
<v Speaker 1>I'm gonna I'm gonna get stuck. He got stuck? Why

0:16:00.080 --> 0:16:02.400
<v Speaker 1>even this relationship? I don't know. It's kind of slow

0:16:02.400 --> 0:16:04.840
<v Speaker 1>and spaking relationships. Dad, you said if I get a

0:16:04.880 --> 0:16:07.480
<v Speaker 1>good grazing grade school that you'll get me a dog.

0:16:07.600 --> 0:16:09.720
<v Speaker 1>Well it's about that time. I don't know if you're

0:16:09.720 --> 0:16:11.280
<v Speaker 1>ready for that god responsibiling room. The fast time I

0:16:11.320 --> 0:16:12.720
<v Speaker 1>got your fish, when you got a vision, what happens?

0:16:12.760 --> 0:16:16.760
<v Speaker 1>Fish fish died? We got to you cat, you with

0:16:16.800 --> 0:16:18.680
<v Speaker 1>a cat you left side, And also I told you

0:16:18.680 --> 0:16:20.320
<v Speaker 1>it's gonna be it's a cat. Now the cat isn't

0:16:20.360 --> 0:16:24.080
<v Speaker 1>pounced our camp. Now the cat is pregnant and probably dying.

0:16:25.000 --> 0:16:29.160
<v Speaker 1>Losing a pet is never easy. Well, luckily there's Cartwright

0:16:29.280 --> 0:16:33.680
<v Speaker 1>Funeral Home for Pets serving the greater al Hambra area.

0:16:33.840 --> 0:16:37.840
<v Speaker 1>Card Right Funeral Home. You used to have a pet,

0:16:37.920 --> 0:16:42.600
<v Speaker 1>and you learned it so much. And the bannet he

0:16:43.480 --> 0:16:52.720
<v Speaker 1>jumped out of this fish bolt with farm Now that

0:16:52.840 --> 0:16:56.440
<v Speaker 1>was track five on his album of Really Good Jack.

0:16:56.880 --> 0:16:59.800
<v Speaker 1>All Right, it's a tough one. We that's gonna be

0:16:59.800 --> 0:17:01.560
<v Speaker 1>a lot from a lot of work, a lot of

0:17:01.600 --> 0:17:08.280
<v Speaker 1>work from me. Coming up back to the first the

0:17:08.320 --> 0:17:20.840
<v Speaker 1>word from our esteemed sponsors, stay with us, act to

0:17:21.600 --> 0:17:27.480
<v Speaker 1>the interview. A special Guys contributor is John Millizer. How

0:17:27.520 --> 0:17:29.639
<v Speaker 1>what are you today? Good? How are you you did.

0:17:29.680 --> 0:17:33.679
<v Speaker 1>I produence that quickly, John Millizer, Yeah, both correct. So

0:17:33.680 --> 0:17:36.000
<v Speaker 1>it tells you about yourself from I guess I grew

0:17:36.080 --> 0:17:38.959
<v Speaker 1>up in New Jersey. Nice all parts of New Jersey,

0:17:39.080 --> 0:17:42.040
<v Speaker 1>you know, than like you're from New Jersey. Yeah, I

0:17:42.080 --> 0:17:45.520
<v Speaker 1>get that. I have been told. I say, yeah a lot. Yeah,

0:17:45.640 --> 0:17:49.159
<v Speaker 1>I do it. And that's my most Jersey accident. I

0:17:49.200 --> 0:17:52.480
<v Speaker 1>think you miss anything from Jersey. No, I just got back,

0:17:52.520 --> 0:17:54.760
<v Speaker 1>so it's nice. I haven't been in two years, because

0:17:55.440 --> 0:17:58.480
<v Speaker 1>indulge me, rior. Do you leaving after a two year?

0:17:58.560 --> 0:18:00.919
<v Speaker 1>I eight? Is? Was there anything you made? I missed

0:18:01.000 --> 0:18:04.360
<v Speaker 1>the hogies. I missed the boardwalk. There's a board there's

0:18:04.359 --> 0:18:08.840
<v Speaker 1>a boardwalk. And I explained to me what a uh, well,

0:18:09.119 --> 0:18:13.680
<v Speaker 1>hogie is like a sub like subway, but HOGI um,

0:18:13.920 --> 0:18:17.840
<v Speaker 1>it's like very I guess Jersey and probably like Pennsylvania.

0:18:18.400 --> 0:18:21.760
<v Speaker 1>Term Um. Is there anything that makes it different? Yeah?

0:18:21.880 --> 0:18:24.480
<v Speaker 1>What's the same same thing? Yeah, it's a bad same

0:18:24.520 --> 0:18:27.080
<v Speaker 1>For some reason, we're calling it hoogie and I'm not

0:18:27.240 --> 0:18:29.639
<v Speaker 1>familiar with the term hero. Can you explain what that is?

0:18:29.960 --> 0:18:32.480
<v Speaker 1>It's like it's like a hog exactly. It's like a

0:18:32.520 --> 0:18:37.320
<v Speaker 1>hog yeahs or a sub like a sandwich. No, No,

0:18:37.640 --> 0:18:39.359
<v Speaker 1>he's a not sandwich, not even close. Do you know

0:18:39.359 --> 0:18:42.440
<v Speaker 1>what a hero is? It's like that, you know. Um,

0:18:42.520 --> 0:18:46.560
<v Speaker 1>I went to a very school, so I've had any

0:18:46.560 --> 0:18:49.399
<v Speaker 1>of these, probably had a hogie. They're totally not is

0:18:49.440 --> 0:18:52.600
<v Speaker 1>the sandwich right? If I've never had one of those,

0:18:52.600 --> 0:18:56.600
<v Speaker 1>that's saying right. I do very very um, very meticulous,

0:18:56.680 --> 0:19:00.520
<v Speaker 1>particulously made backers and then some short Do you have

0:19:00.560 --> 0:19:04.920
<v Speaker 1>any other questions for Ari? I'm sorry. Did you enjoy

0:19:04.960 --> 0:19:06.920
<v Speaker 1>your trip to New Jersey? Oh, I enjoyed my trip

0:19:07.000 --> 0:19:10.399
<v Speaker 1>so much. Yeah, rejuvenated me. I haven't seen some family

0:19:10.400 --> 0:19:12.440
<v Speaker 1>members in a while, and yeah, it was just nice.

0:19:12.520 --> 0:19:15.680
<v Speaker 1>Did you ever have any friends or family in the mafia.

0:19:15.840 --> 0:19:20.800
<v Speaker 1>In the mafia, well, the Coasta Nostra cosa, the Coasta

0:19:20.880 --> 0:19:23.720
<v Speaker 1>Nostra growing up in I grew up in Bergen County,

0:19:23.880 --> 0:19:27.680
<v Speaker 1>North Jersey and Prano's country. Yeah, I was too young

0:19:27.720 --> 0:19:29.960
<v Speaker 1>to know what was happening, but I was told that

0:19:30.359 --> 0:19:33.080
<v Speaker 1>some mob guy was arrested down the street like him

0:19:33.119 --> 0:19:36.639
<v Speaker 1>and his wife. Yeah, Oh that was pretty you know,

0:19:36.680 --> 0:19:38.959
<v Speaker 1>we actually have that, we have that in the archives,

0:19:39.160 --> 0:19:43.960
<v Speaker 1>that arrest this one. Are you alright? We do you

0:19:44.119 --> 0:19:47.480
<v Speaker 1>shut up? You are under arrest, under rest for what

0:19:47.800 --> 0:19:53.320
<v Speaker 1>don't you arrest? My sweethet? Look lady, what you under arrest?

0:19:54.240 --> 0:19:57.400
<v Speaker 1>Why did I freaking duty? You know I didn't do nothing, nobody.

0:19:57.440 --> 0:19:59.840
<v Speaker 1>Everybody knows I didn't do nothing. Nobody. I'd never doing

0:19:59.880 --> 0:20:03.400
<v Speaker 1>the same thing. What exactly is it? Do you think

0:20:03.440 --> 0:20:07.960
<v Speaker 1>that we are freaking doing over here? Where do I begin? Racketeer?

0:20:09.000 --> 0:20:12.040
<v Speaker 1>That's a very serious charge. I run a very respectable business.

0:20:12.119 --> 0:20:13.800
<v Speaker 1>I don't know what you think I do on a

0:20:13.920 --> 0:20:16.640
<v Speaker 1>normal day basis. Your business might be a lot of things,

0:20:16.800 --> 0:20:21.200
<v Speaker 1>very respectable. I make a very honest, good living living.

0:20:21.520 --> 0:20:24.280
<v Speaker 1>Yeah good, look at you? Look at your yard? Okay,

0:20:24.400 --> 0:20:27.359
<v Speaker 1>what about it? I got norms like everybody else. Listen,

0:20:27.640 --> 0:20:30.119
<v Speaker 1>your work knows in the yard. That's not a very

0:20:30.160 --> 0:20:33.320
<v Speaker 1>serious crime. But that's seriously that racketeering. That's a pretty

0:20:33.359 --> 0:20:37.359
<v Speaker 1>freaking serious crime. Didn't side Marie stay out? Is she didn't?

0:20:37.520 --> 0:20:39.760
<v Speaker 1>She needs to hear all this because she's coming down

0:20:39.880 --> 0:20:43.000
<v Speaker 1>to the prethinct. But what she didn't do? Nothing? She

0:20:45.000 --> 0:20:48.240
<v Speaker 1>got him? God say what you what you say? That

0:20:48.400 --> 0:20:50.200
<v Speaker 1>was what we did? That is what you think we did?

0:20:50.320 --> 0:20:53.119
<v Speaker 1>What I Loretta a k A. Marie did? What did

0:20:53.200 --> 0:20:57.360
<v Speaker 1>I marit get it side. I'm not going in stay out.

0:20:59.040 --> 0:21:01.359
<v Speaker 1>I feel like I should at least into the freaking cops,

0:21:01.520 --> 0:21:04.320
<v Speaker 1>but also I should listen to my freaking maid. Squeeze over.

0:21:04.680 --> 0:21:07.600
<v Speaker 1>I don't know what town between two people as you

0:21:07.760 --> 0:21:11.200
<v Speaker 1>and I were very much same guys. Well, we grew

0:21:11.280 --> 0:21:13.800
<v Speaker 1>up in the same neighborhood, down the street from each other.

0:21:14.200 --> 0:21:16.240
<v Speaker 1>You went one way, I went to the other. You

0:21:16.359 --> 0:21:19.440
<v Speaker 1>became a cop and became a respectable businessman. War what

0:21:19.600 --> 0:21:22.199
<v Speaker 1>you can do? And you got Loretta a Diguloretta? War?

0:21:22.400 --> 0:21:24.680
<v Speaker 1>All you gonna do? A body to arrest me because

0:21:24.680 --> 0:21:30.000
<v Speaker 1>I got the girl? Do you really wanted you? Go ahead? Boys?

0:21:30.080 --> 0:21:34.120
<v Speaker 1>You know what? I shoot boys, boys, fellas stays plenty

0:21:34.200 --> 0:21:40.800
<v Speaker 1>of me to go freaking around. Way. I want to

0:21:40.840 --> 0:21:43.840
<v Speaker 1>stay outside and break this up and also figure out

0:21:44.000 --> 0:21:46.879
<v Speaker 1>what what what, what proof do you have with the racketeering?

0:21:46.960 --> 0:21:49.880
<v Speaker 1>By the way, it's my freaking prerogative. Where right the way?

0:21:49.920 --> 0:21:51.600
<v Speaker 1>What I do with my You don't do you. I

0:21:51.640 --> 0:21:54.639
<v Speaker 1>don't tell her what to do. You do whatever she wants? Cool?

0:21:55.000 --> 0:21:59.480
<v Speaker 1>What is prerogative? Mean? What's Google? It's four? Sorry he's

0:21:59.560 --> 0:22:07.800
<v Speaker 1>nineteen eight four? Big brother? What is prerogative? Big blood?

0:22:07.800 --> 0:22:13.720
<v Speaker 1>I don't even look run over here goats. All right,

0:22:13.840 --> 0:22:17.040
<v Speaker 1>let's get back to the fucking breast text. He you're

0:22:17.080 --> 0:22:19.000
<v Speaker 1>just sucking jeous. I really think that he's going to

0:22:19.119 --> 0:22:21.879
<v Speaker 1>arrest you because he has some serious evidence about the racketeering.

0:22:21.920 --> 0:22:23.840
<v Speaker 1>I don't think it really has much to do with jealousy.

0:22:23.920 --> 0:22:26.160
<v Speaker 1>I mean, what do you have, You have tapes or something?

0:22:26.200 --> 0:22:28.720
<v Speaker 1>You got an informant? What do you have? You got nothing?

0:22:28.960 --> 0:22:32.200
<v Speaker 1>You got a garage full of tennis rackets? Yeah, and

0:22:32.320 --> 0:22:34.920
<v Speaker 1>who looks to play fucking tennis? Look at me, I'm

0:22:34.960 --> 0:22:38.560
<v Speaker 1>a fucking I'm Andrea x. Oh we ever do PC hampers? Also,

0:22:38.720 --> 0:22:44.520
<v Speaker 1>he's also it's you love mac Andro. Remember never toll

0:22:44.560 --> 0:22:49.000
<v Speaker 1>over over here, Billy jen King. Okay, okay, now we've

0:22:49.080 --> 0:22:52.879
<v Speaker 1>established his four go back to watch you watch your evidence.

0:22:53.200 --> 0:22:55.280
<v Speaker 1>Tennis rackets? Yeah, what are you gonna doing? All those

0:22:55.280 --> 0:22:58.280
<v Speaker 1>tennis rackets, all those stolen? What makes you think the stolen?

0:22:58.440 --> 0:23:00.600
<v Speaker 1>I like to buy things in bulk. I gotta talk

0:23:00.640 --> 0:23:06.000
<v Speaker 1>to the cop for a second real quick. Hey, honey, sugar,

0:23:06.760 --> 0:23:08.680
<v Speaker 1>hold on my second. I'm gonna talk to this cop alright,

0:23:08.680 --> 0:23:11.200
<v Speaker 1>I'm gonna try to set him straight. Hey, listen, why

0:23:11.280 --> 0:23:14.800
<v Speaker 1>you mentioning informants. You're gonna blow my coffee. I didn't

0:23:14.840 --> 0:23:18.240
<v Speaker 1>think you don't. I don't even think about telling him

0:23:18.520 --> 0:23:21.640
<v Speaker 1>that I tipped you guys off to the freaking tennis rackets.

0:23:21.680 --> 0:23:23.080
<v Speaker 1>I know you're doing a great job. You didn't you

0:23:23.200 --> 0:23:25.399
<v Speaker 1>playing undercover? Really? Well? What did you say? He? Did

0:23:25.520 --> 0:23:27.760
<v Speaker 1>you know about the tennis rackets. I'm the only person

0:23:27.840 --> 0:23:30.000
<v Speaker 1>who could have been freaking possibily, but you don't want to.

0:23:31.359 --> 0:23:33.680
<v Speaker 1>There's tennis rackets missing all around town, and they're all

0:23:33.960 --> 0:23:37.240
<v Speaker 1>in your garage. All right, people asking questions. I thought

0:23:37.280 --> 0:23:39.720
<v Speaker 1>that's what racketeering meant. Also, can you do me a

0:23:39.840 --> 0:23:42.080
<v Speaker 1>quick Also? Can you do me a quick favor? Can

0:23:42.160 --> 0:23:45.399
<v Speaker 1>you stop calling me by my code name Loretta and

0:23:45.560 --> 0:23:49.080
<v Speaker 1>call me Marie? Please? This freaking guy thinks that my

0:23:49.280 --> 0:23:53.240
<v Speaker 1>name is Marie and you call me Loretta right off

0:23:53.320 --> 0:23:57.120
<v Speaker 1>the bed. You're gonna blow my freaking cover. Please, all right,

0:23:57.920 --> 0:24:02.680
<v Speaker 1>let's do Oh my god, this hop just call ship. Yeah,

0:24:05.160 --> 0:24:08.320
<v Speaker 1>hold on, I gotta talk. That is freaking you call

0:24:08.359 --> 0:24:10.320
<v Speaker 1>me Loretta again. I'm pretty sure I didn know you

0:24:10.480 --> 0:24:13.639
<v Speaker 1>did the first words out of your mount after I

0:24:14.000 --> 0:24:16.440
<v Speaker 1>walked back from my baby here, my sweet cheeks, my

0:24:16.520 --> 0:24:20.600
<v Speaker 1>honey bunt, what's loretta? I just highly doubt that I

0:24:20.880 --> 0:24:22.760
<v Speaker 1>don't screw up a lot. I think the fans have

0:24:22.960 --> 0:24:25.880
<v Speaker 1>that in the allchives. Why don't we go back? All right? Yeah,

0:24:26.200 --> 0:24:28.520
<v Speaker 1>guys in the fan, can you play that back? The

0:24:28.600 --> 0:24:35.720
<v Speaker 1>one from it seconds ago? Wait, you want to do

0:24:35.840 --> 0:24:37.840
<v Speaker 1>me a favor and not call me? You just hit

0:24:37.920 --> 0:24:41.880
<v Speaker 1>it again? See? Can you do me another favor? Can

0:24:41.960 --> 0:24:45.760
<v Speaker 1>you not yell out? Hey, guys in the FBI truck,

0:24:46.000 --> 0:24:48.840
<v Speaker 1>can you run back? You gotta whisper it into yellapel.

0:24:49.320 --> 0:24:54.200
<v Speaker 1>Don't just willy nilly, freaking guys in the FBI truck,

0:24:54.440 --> 0:24:56.480
<v Speaker 1>can you check your gyves from ten seconds and go

0:24:56.640 --> 0:25:00.840
<v Speaker 1>to proton is freaking goats that he freaking said? Yeah,

0:25:00.880 --> 0:25:02.920
<v Speaker 1>you want to play a thank you? This is the

0:25:03.000 --> 0:25:06.680
<v Speaker 1>FBI playing tape number seven for years and voice just

0:25:06.880 --> 0:25:10.160
<v Speaker 1>want to have So that was that was the wrong tape.

0:25:10.400 --> 0:25:19.080
<v Speaker 1>Let me let me text forman get along and talking

0:25:19.119 --> 0:25:21.240
<v Speaker 1>about I like that song. That's really good and you

0:25:21.280 --> 0:25:23.639
<v Speaker 1>had the whole album. I like it? Do you want

0:25:23.680 --> 0:25:26.920
<v Speaker 1>to play another tracker? Phimissions that I husband didn't really

0:25:27.240 --> 0:25:29.920
<v Speaker 1>know what to make about this relationship between the cop

0:25:30.359 --> 0:25:34.080
<v Speaker 1>and his nudy with wife. It seemed little fishy, so

0:25:34.240 --> 0:25:36.480
<v Speaker 1>he had to go talk to his capos and his

0:25:37.240 --> 0:25:40.000
<v Speaker 1>his underbuss. What's your problem? I don't know, like there's

0:25:40.040 --> 0:25:42.520
<v Speaker 1>something going on between me, my my, my wife and

0:25:42.680 --> 0:25:46.080
<v Speaker 1>the you know, his cop with Marie. Marie would never

0:25:46.200 --> 0:25:48.320
<v Speaker 1>do nothing. I don't know. She would never would you

0:25:48.359 --> 0:25:49.639
<v Speaker 1>to come here to do a good permission from you

0:25:49.880 --> 0:25:53.639
<v Speaker 1>have to do something. I don't know what You're all right?

0:25:53.720 --> 0:25:55.520
<v Speaker 1>You know what? Can I talk to the other on

0:25:55.600 --> 0:25:57.879
<v Speaker 1>the boss? Please? Somebody's not gonna be starting all over

0:25:57.960 --> 0:26:02.119
<v Speaker 1>the words. You know my problem? So what should I do?

0:26:02.359 --> 0:26:04.680
<v Speaker 1>Do I do I take action? Or do I just

0:26:04.880 --> 0:26:07.359
<v Speaker 1>let it go? Do you love this woman? You know

0:26:07.560 --> 0:26:09.600
<v Speaker 1>that I love it? But you know I almost got

0:26:09.680 --> 0:26:13.240
<v Speaker 1>pinched over these fucking these tennis racket, the tennis racket racket.

0:26:13.359 --> 0:26:16.520
<v Speaker 1>Somebody's feeding the cops information. I don't know who it is.

0:26:17.000 --> 0:26:20.800
<v Speaker 1>Are you accusing us? Wait? Exactly what do you do? Mind?

0:26:20.880 --> 0:26:23.600
<v Speaker 1>If you think they were rats? No, you think I'm

0:26:23.880 --> 0:26:27.679
<v Speaker 1>red you out in your racket? Right? I'm whenever? Why

0:26:27.720 --> 0:26:29.960
<v Speaker 1>would we would just be showing no own cells in

0:26:30.080 --> 0:26:32.000
<v Speaker 1>the foots. I don't know what I'm saying this there

0:26:32.040 --> 0:26:37.080
<v Speaker 1>might be some like you know, the informance, you know,

0:26:37.119 --> 0:26:38.760
<v Speaker 1>would give me a second. I'm gonna talk. I think

0:26:38.800 --> 0:26:40.639
<v Speaker 1>my wife's an informant. This one's wanna get in. We

0:26:40.760 --> 0:26:43.280
<v Speaker 1>would never do something like that. I'm gonna confer with

0:26:43.400 --> 0:26:45.960
<v Speaker 1>the on the boys here for a second to school

0:26:45.960 --> 0:26:48.840
<v Speaker 1>over there for a second. By o'clock, I think that

0:26:49.000 --> 0:26:53.000
<v Speaker 1>he's on the effected the redder. It's an informant, it

0:26:53.160 --> 0:26:58.560
<v Speaker 1>does be. And you because we are also informants over here.

0:26:58.760 --> 0:27:01.120
<v Speaker 1>How do you like the clock? It's pretty nice, huh,

0:27:04.160 --> 0:27:09.720
<v Speaker 1>especially made from the from Johnny Clarks. I don't know

0:27:09.760 --> 0:27:12.600
<v Speaker 1>what the first thing that good? You came up with that?

0:27:13.200 --> 0:27:15.159
<v Speaker 1>Because Johnny clocks a place, I would assume that he

0:27:15.320 --> 0:27:17.159
<v Speaker 1>that's his nickname because he makes clocks. I don't know.

0:27:17.400 --> 0:27:19.400
<v Speaker 1>I don't know. I really don't know. Want to get

0:27:19.440 --> 0:27:22.000
<v Speaker 1>the Johnny Clocks says the clocks. What Johnny Clocks got

0:27:22.040 --> 0:27:24.560
<v Speaker 1>out of the clock business, he did he does pools now.

0:27:24.720 --> 0:27:27.040
<v Speaker 1>I didn't get the binder the defense gave us to

0:27:27.800 --> 0:27:30.000
<v Speaker 1>get us up the speed with the the smoke is.

0:27:30.080 --> 0:27:33.200
<v Speaker 1>Don't us in the community. Nobody tell me the meeting.

0:27:33.359 --> 0:27:35.879
<v Speaker 1>I'm sorry, like you know, interrupt the very important, you know,

0:27:35.960 --> 0:27:38.320
<v Speaker 1>on the boss meeting, can I get like some kind

0:27:38.359 --> 0:27:42.000
<v Speaker 1>of direction or maybe like get more rackets. Yeah, you

0:27:42.320 --> 0:27:45.200
<v Speaker 1>need to get more rackets, and Damni deep in his

0:27:45.359 --> 0:27:50.520
<v Speaker 1>racket rackets. Definitely, don't kill Marie. Do not kill Marie.

0:27:50.760 --> 0:27:55.520
<v Speaker 1>She's a decorated woman, civilian. She's wire tapped. I mean,

0:27:55.680 --> 0:28:04.240
<v Speaker 1>she is good cook, she is an FBI age. She's

0:28:04.240 --> 0:28:09.600
<v Speaker 1>a teacher. She teacher kid how to make that Cheni polonaise?

0:28:09.880 --> 0:28:15.520
<v Speaker 1>That's what are you even Italian? What are you talking about? Blogne?

0:28:15.720 --> 0:28:20.600
<v Speaker 1>But what you see I'm saying that a cheeny. It

0:28:20.720 --> 0:28:23.199
<v Speaker 1>was clear that everybody in the family he was an

0:28:23.240 --> 0:28:27.080
<v Speaker 1>infloyment except for Joe. It was a purist throwing up

0:28:27.240 --> 0:28:29.720
<v Speaker 1>and it's amazing about being a made man. Only when

0:28:29.720 --> 0:28:31.960
<v Speaker 1>he got there. You know that part of the lifestyle

0:28:32.119 --> 0:28:34.520
<v Speaker 1>was being an infloyment and everybody was doing it but him.

0:28:34.560 --> 0:28:36.080
<v Speaker 1>I feel like, you know, I don't know, I'm not

0:28:36.200 --> 0:28:39.560
<v Speaker 1>understood by everybody. You know, some of the songs different.

0:28:39.640 --> 0:28:42.480
<v Speaker 1>It's not the same I think you're talking about. It's

0:28:42.520 --> 0:28:46.040
<v Speaker 1>just not the same clear Italian, I know, but you know,

0:28:46.240 --> 0:28:48.680
<v Speaker 1>it's like it feels like maybe it's a different generation.

0:28:48.720 --> 0:28:50.800
<v Speaker 1>Maybe it's different part of Italy. Maybe it's part of definitely,

0:28:50.880 --> 0:28:52.720
<v Speaker 1>he guys from I don't know, I don't know what

0:28:52.880 --> 0:28:55.440
<v Speaker 1>you laughing so much? That sounds like a very a

0:28:55.560 --> 0:28:58.800
<v Speaker 1>very tough particamentarian. You know what, I'm going to confer

0:28:58.960 --> 0:29:03.440
<v Speaker 1>with my fellow Italian quin quin National and now we're

0:29:03.520 --> 0:29:06.120
<v Speaker 1>going to going to discuss it. I think that is

0:29:06.160 --> 0:29:09.840
<v Speaker 1>onto the fact that we are informers work. We've filtrated

0:29:09.840 --> 0:29:12.680
<v Speaker 1>out of these Yes, thank you, thanks for a farm,

0:29:12.840 --> 0:29:15.080
<v Speaker 1>and don't be a favorite cut, you're not, You're that's

0:29:15.080 --> 0:29:18.840
<v Speaker 1>allowed one? And whisper what do you do? What? It's

0:29:18.920 --> 0:29:21.560
<v Speaker 1>the way I speak? Is that what I was like

0:29:21.880 --> 0:29:24.440
<v Speaker 1>when the when the guy got arrested. Yeah, it was

0:29:24.480 --> 0:29:27.600
<v Speaker 1>all over town, all over the papers everything, every guy

0:29:27.800 --> 0:29:34.400
<v Speaker 1>that was doing interview. Uh, yeah, that's what it was

0:29:34.480 --> 0:29:41.120
<v Speaker 1>A nice So that's what you do on your your comedian, comedian, actor, writer,

0:29:42.040 --> 0:29:47.360
<v Speaker 1>teacher since the pandemic started doing some zoom character classes

0:29:47.440 --> 0:29:49.800
<v Speaker 1>and stuff of everything that you do would gives your

0:29:49.840 --> 0:29:53.160
<v Speaker 1>most satisfaction performing? Yes, yeah, right now we're kind of

0:29:53.200 --> 0:29:56.320
<v Speaker 1>in a performing stale meat right. Do you do shows

0:29:56.440 --> 0:30:01.000
<v Speaker 1>at friends? I've tried a few stand up shows and

0:30:01.280 --> 0:30:04.000
<v Speaker 1>I they weren't fun to do. But I do like

0:30:04.120 --> 0:30:08.320
<v Speaker 1>shooting videos, you know, and then posting them wherever, just

0:30:08.480 --> 0:30:11.080
<v Speaker 1>to get some comedy out there. And you're currently on

0:30:11.200 --> 0:30:15.640
<v Speaker 1>a show. You play a teacher. Yes, I play a

0:30:15.720 --> 0:30:18.680
<v Speaker 1>drama teacher on the show Drama Club on Nickelodeon. I

0:30:18.760 --> 0:30:20.240
<v Speaker 1>thought it was very funny. Can you tell us to

0:30:20.240 --> 0:30:23.440
<v Speaker 1>do about it? Sure? It's um a show Nickelodeon called

0:30:23.520 --> 0:30:27.360
<v Speaker 1>Drama Club about the middle school drama club and just

0:30:28.040 --> 0:30:29.720
<v Speaker 1>you know that you got the jock, you got the

0:30:31.240 --> 0:30:34.240
<v Speaker 1>influencer girl, you got the real drama rama kid. And

0:30:34.360 --> 0:30:37.640
<v Speaker 1>they all just like a mismatch group of kids that

0:30:38.480 --> 0:30:43.040
<v Speaker 1>are trying to put on a production of Minnesota the Musical,

0:30:43.800 --> 0:30:46.080
<v Speaker 1>and it's just they get into hi Jrinks And it's

0:30:46.200 --> 0:30:49.720
<v Speaker 1>created by Matti Whitby and Monica Share. Oh, it's like

0:30:50.240 --> 0:30:53.440
<v Speaker 1>The Office. It's a mockumentary, but for like a middle school. Yeah,

0:30:53.520 --> 0:30:59.520
<v Speaker 1>they took it's like baking with well they talked to

0:30:59.640 --> 0:31:05.720
<v Speaker 1>the confessionals. Yeah yeah yeah, uh pop watch like I've

0:31:05.760 --> 0:31:09.680
<v Speaker 1>been to say by the Bell maybe that guy time

0:31:09.720 --> 0:31:12.680
<v Speaker 1>out Zack. Yes, And you just talk to the audience

0:31:13.040 --> 0:31:15.640
<v Speaker 1>and you feel like you was getting a window into

0:31:15.680 --> 0:31:18.680
<v Speaker 1>his life. Yeah like that, I remember that. Were you

0:31:18.800 --> 0:31:21.200
<v Speaker 1>in dramma but when you were younger? Yes, I was

0:31:21.280 --> 0:31:25.120
<v Speaker 1>in all the My middle school was inside the high school,

0:31:25.600 --> 0:31:29.000
<v Speaker 1>so in seventh grade I was in like the music Man,

0:31:29.160 --> 0:31:31.959
<v Speaker 1>but I was always playing the townsperson. And then um,

0:31:32.520 --> 0:31:36.360
<v Speaker 1>it wasn't until like senior year that I got Marcus

0:31:36.440 --> 0:31:38.120
<v Speaker 1>likes and a funny thing having the way the form.

0:31:38.240 --> 0:31:41.000
<v Speaker 1>But like, yeah, I was never given good roles. I

0:31:41.120 --> 0:31:45.640
<v Speaker 1>was always extra. We actually have the your your production

0:31:45.680 --> 0:31:48.280
<v Speaker 1>of the Music Man. Yeah, we have the audition for

0:31:48.400 --> 0:31:53.320
<v Speaker 1>that and you play it. Yeah. Oh the Wells Fargo

0:31:53.440 --> 0:31:56.480
<v Speaker 1>Wagon is coming down the street. Oh please let it

0:31:56.560 --> 0:32:08.320
<v Speaker 1>be for me? Thank you? John. So um, you do

0:32:08.440 --> 0:32:11.680
<v Speaker 1>this every time you wait around. You need to let us,

0:32:12.360 --> 0:32:15.800
<v Speaker 1>you know, deliberate. Well, you know that's happened before, and

0:32:16.400 --> 0:32:19.320
<v Speaker 1>and you're on every play you audition get. Yeah I

0:32:19.440 --> 0:32:21.520
<v Speaker 1>think so yeah, I do have a quick note. I

0:32:21.600 --> 0:32:24.040
<v Speaker 1>take great notes. Yeah, I love notes. I would love

0:32:24.080 --> 0:32:29.040
<v Speaker 1>your feedback. Just a slight problem with your with your selection. Um,

0:32:29.160 --> 0:32:33.720
<v Speaker 1>the audition was actually for the song we got in

0:32:33.720 --> 0:32:36.960
<v Speaker 1>trouble my friends, right here, right here in River City City.

0:32:38.880 --> 0:32:41.440
<v Speaker 1>I exactly did you not choose the time I wanted

0:32:41.480 --> 0:32:43.680
<v Speaker 1>to like stand out, like I wanted to like go

0:32:43.840 --> 0:32:47.120
<v Speaker 1>against the green. I wanted you know you we probably

0:32:47.160 --> 0:32:49.480
<v Speaker 1>were getting sick of that song, right, shake your head, Yes,

0:32:49.600 --> 0:32:52.520
<v Speaker 1>you're getting sick of that. We just part the part

0:32:52.600 --> 0:32:55.760
<v Speaker 1>that you're auditioning for sings that song. Yeah, so that's

0:32:55.800 --> 0:32:58.160
<v Speaker 1>why it's important for you to sing the song, because

0:32:58.200 --> 0:32:59.480
<v Speaker 1>you'll be doing that in the place if we gave

0:32:59.520 --> 0:33:02.320
<v Speaker 1>you the part. Do you understand now, Look, I appreciate

0:33:02.440 --> 0:33:06.200
<v Speaker 1>your zealousness. That a word? Is that a word zealousness?

0:33:06.240 --> 0:33:10.960
<v Speaker 1>A word zealousness z E A l O U n

0:33:11.120 --> 0:33:15.440
<v Speaker 1>E s s zealousness. Well, can you look up zealousness?

0:33:15.480 --> 0:33:19.800
<v Speaker 1>Please go zealous if the word indeed? All right, good,

0:33:19.840 --> 0:33:21.440
<v Speaker 1>we got that settled. I don't want to punish you

0:33:21.840 --> 0:33:24.680
<v Speaker 1>for really singing your heart out. So I'm going to

0:33:24.800 --> 0:33:29.800
<v Speaker 1>give you the role of that bush. I was gonna

0:33:29.840 --> 0:33:32.560
<v Speaker 1>say tree bush is more appropriate. Yeah, so you got

0:33:32.600 --> 0:33:34.920
<v Speaker 1>the crouch. I didn't even know there was a bush

0:33:34.960 --> 0:33:37.800
<v Speaker 1>in this script. Let me just find that we created

0:33:37.880 --> 0:33:40.040
<v Speaker 1>the part just we couldn't let you go without having

0:33:40.120 --> 0:33:42.240
<v Speaker 1>you know, Yeah, I just I felt like you wanted

0:33:42.520 --> 0:33:47.520
<v Speaker 1>what he said. Well, the Wells Fargo Wagon actually can.

0:33:48.160 --> 0:33:50.640
<v Speaker 1>Actually we came up with an original song for the

0:33:50.760 --> 0:33:59.080
<v Speaker 1>Bush goes like did you get yeah? Do you want

0:33:59.080 --> 0:34:04.320
<v Speaker 1>to try that? Sure time? So the very front part

0:34:04.480 --> 0:34:06.880
<v Speaker 1>that you start with, I don't need that. So you

0:34:06.880 --> 0:34:08.960
<v Speaker 1>don't need that, don't need it. Just go right to

0:34:09.080 --> 0:34:13.160
<v Speaker 1>the me me me me me you you you you you.

0:34:19.200 --> 0:34:21.120
<v Speaker 1>You know, why don't we give him the role of

0:34:21.239 --> 0:34:23.399
<v Speaker 1>Bush number two? Because that one doesn't have a mouth.

0:34:23.880 --> 0:34:28.560
<v Speaker 1>Was your first part, that's your first part. Very you

0:34:28.800 --> 0:34:30.640
<v Speaker 1>just kept through, do whatever you need to get. I

0:34:30.760 --> 0:34:34.440
<v Speaker 1>wanted that Bush part, and you know I got it.

0:34:34.560 --> 0:34:37.600
<v Speaker 1>Two questions to have first one after you probably the

0:34:37.680 --> 0:34:40.560
<v Speaker 1>most successful actor out of your group of people that

0:34:40.719 --> 0:34:45.440
<v Speaker 1>you into drama Drama club with. Right do you do you?

0:34:46.280 --> 0:34:48.919
<v Speaker 1>I mean, do you like think? Like what those guys

0:34:49.000 --> 0:34:50.560
<v Speaker 1>We're not giving me the parts that I want. I

0:34:50.680 --> 0:34:52.799
<v Speaker 1>was on the biggest show on the earth, and I'm

0:34:52.840 --> 0:34:55.520
<v Speaker 1>on another show. It's pretty great because I they do

0:34:55.640 --> 0:34:58.959
<v Speaker 1>like that show. Actually, yeah, well, I kept in touch

0:34:59.080 --> 0:35:02.239
<v Speaker 1>with my drama teacher who never gave me any of

0:35:02.280 --> 0:35:05.600
<v Speaker 1>the parts. Mrs Hanchen. We used to call our hands

0:35:05.640 --> 0:35:09.800
<v Speaker 1>on gin, you know, to get at her um. But

0:35:10.680 --> 0:35:12.960
<v Speaker 1>I kind of just kept in touch with her over

0:35:13.000 --> 0:35:16.200
<v Speaker 1>the years, and then when I was on SNL, I

0:35:16.360 --> 0:35:19.719
<v Speaker 1>was like, hey, my mom reached out to her. She's like, Johnsontown,

0:35:19.800 --> 0:35:21.439
<v Speaker 1>do you want him to speak to your drama club.

0:35:21.680 --> 0:35:24.360
<v Speaker 1>So they had me come in and speak to the

0:35:24.760 --> 0:35:26.960
<v Speaker 1>current drama club in my old high school. And then

0:35:27.280 --> 0:35:29.640
<v Speaker 1>nobody knew about the show I was on. And then

0:35:29.760 --> 0:35:32.400
<v Speaker 1>nobody knew any of the celebrities I brought up, and

0:35:32.520 --> 0:35:35.080
<v Speaker 1>nobody was interested, and it was a big I feel

0:35:35.080 --> 0:35:39.640
<v Speaker 1>like failure. They didn't care what nobody knew. What nobody knew,

0:35:39.640 --> 0:35:42.480
<v Speaker 1>what SLA We just watch the tape. Yeah, I brought

0:35:42.520 --> 0:35:48.719
<v Speaker 1>the tape class. I am proud to Please don't call

0:35:48.800 --> 0:35:52.680
<v Speaker 1>me miss hands on chin. Guys, be nice. I am proud.

0:35:55.120 --> 0:35:57.440
<v Speaker 1>I thought that if I proactively he said it and

0:35:57.560 --> 0:36:03.240
<v Speaker 1>wouldn't do it? All right, who's doing who? I'm just okay,

0:36:03.920 --> 0:36:07.680
<v Speaker 1>let's get through it. I'm proudly. I'm proud to welcome

0:36:08.640 --> 0:36:15.239
<v Speaker 1>former student John millhis Am I pronouncing that correctly? Yes? John? Yeah?

0:36:17.080 --> 0:36:24.560
<v Speaker 1>Robert down No, John Millheiser, Joe iron Man or were

0:36:24.640 --> 0:36:28.080
<v Speaker 1>you in? Oh no, I was not an iron Man.

0:36:28.280 --> 0:36:32.279
<v Speaker 1>You're thinking tell them what you're doing now, America? No, no, no, No,

0:36:32.680 --> 0:36:36.279
<v Speaker 1>I am not in those that Marvel movie. No, I'm

0:36:36.400 --> 0:36:41.200
<v Speaker 1>on a fun show called Saturday Night Live. Come on,

0:36:41.880 --> 0:36:50.560
<v Speaker 1>Oh when is it on? It's on Saturdays in the mornings. No, no, no,

0:36:50.680 --> 0:36:53.640
<v Speaker 1>no at night. And you know I could have gotten there,

0:36:54.120 --> 0:36:56.879
<v Speaker 1>you know, if it wasn't for miss hands on hands

0:36:59.040 --> 0:37:01.759
<v Speaker 1>almost did it all? Do this thing? I hate? I

0:37:01.840 --> 0:37:05.160
<v Speaker 1>hate it with you. I have a question, Yes, Garrett,

0:37:05.320 --> 0:37:07.840
<v Speaker 1>have you ever met Robert Downey Jr? Are you asking

0:37:07.880 --> 0:37:10.120
<v Speaker 1>me or you asking him him? Oh? Well, you said

0:37:10.160 --> 0:37:11.400
<v Speaker 1>you had a question. You were looking at me. I

0:37:11.480 --> 0:37:13.000
<v Speaker 1>call on you, I know, but I had I had

0:37:13.000 --> 0:37:15.000
<v Speaker 1>a question for him. Oh have you member Robert down

0:37:15.000 --> 0:37:18.840
<v Speaker 1>his junior Garrett wasn't Garrett? No, I haven't, but I

0:37:20.239 --> 0:37:28.120
<v Speaker 1>I can't imagine him hosting at some point. Who do

0:37:28.200 --> 0:37:32.800
<v Speaker 1>you play sports? Garrett? Stop disrupting? No, I don't play sports.

0:37:32.840 --> 0:37:35.880
<v Speaker 1>Any questions about sketch comedy? Is that where you do

0:37:36.000 --> 0:37:38.759
<v Speaker 1>like a dance with the song and then and then

0:37:38.840 --> 0:37:41.879
<v Speaker 1>you make everybody else and everybody else do the same.

0:37:42.120 --> 0:37:45.880
<v Speaker 1>It's like an improv exercise. Any other questions for John? Please?

0:37:46.080 --> 0:37:48.880
<v Speaker 1>Not a lot of kids in a your drama club anymore,

0:37:48.960 --> 0:37:51.319
<v Speaker 1>Miss Hanston, some like you kind of called me miss

0:37:51.400 --> 0:37:53.479
<v Speaker 1>hands on shin again. I thought you know I would

0:37:53.560 --> 0:37:55.600
<v Speaker 1>never you just kind of breathe through it and you

0:37:55.680 --> 0:37:58.080
<v Speaker 1>thought I wouldn't catch it. But it is okay, you're sorry.

0:37:58.320 --> 0:38:00.560
<v Speaker 1>I'm volunteering to be here, so let's not get into

0:38:00.560 --> 0:38:04.080
<v Speaker 1>it a little. Okay, how we won't, don't do it? Garrett,

0:38:04.120 --> 0:38:05.560
<v Speaker 1>what do you want to be when you grew up?

0:38:05.880 --> 0:38:07.600
<v Speaker 1>I want to have a lot of money, and then

0:38:07.719 --> 0:38:12.440
<v Speaker 1>I want to be able to invest in technology, and

0:38:12.560 --> 0:38:17.120
<v Speaker 1>then I want to build a suit made of metal.

0:38:17.440 --> 0:38:19.759
<v Speaker 1>I'd care you're cut off. I have a question, and

0:38:19.960 --> 0:38:21.480
<v Speaker 1>I want to quit. I want to be able to

0:38:21.560 --> 0:38:25.000
<v Speaker 1>fly when I want to shoot beams of stuff out

0:38:25.040 --> 0:38:26.919
<v Speaker 1>of my hands in my chest. It's a big fan

0:38:27.000 --> 0:38:29.759
<v Speaker 1>of Iron Man, Iron a Man. I have a question, John,

0:38:29.920 --> 0:38:33.520
<v Speaker 1>I have a question. What was then able to show

0:38:33.600 --> 0:38:39.000
<v Speaker 1>your on account? Wasn't what you thought it would be? No,

0:38:39.400 --> 0:38:41.719
<v Speaker 1>I thought they were going to ask for autographs or photos.

0:38:41.840 --> 0:38:45.640
<v Speaker 1>They didn't. They interesting life. Do you have any fun

0:38:45.760 --> 0:38:50.800
<v Speaker 1>memories of Yeah, there's lots of fun memories. I remember

0:38:51.320 --> 0:38:55.120
<v Speaker 1>I did a sketch with Lady Gaga, and right before

0:38:55.280 --> 0:38:57.840
<v Speaker 1>our sketch, right before the camera went live, I leaned

0:38:57.880 --> 0:38:59.640
<v Speaker 1>over to her and I was like, I'm a little

0:38:59.719 --> 0:39:02.840
<v Speaker 1>month her and She's like, I had no idea, and

0:39:02.880 --> 0:39:05.400
<v Speaker 1>I was like, yeah, I didn't want to like seem

0:39:05.440 --> 0:39:08.960
<v Speaker 1>like a super fan. But that's like one of many

0:39:09.000 --> 0:39:13.959
<v Speaker 1>things after that. Did she demond with? I thought, so, yeah, yeah,

0:39:14.080 --> 0:39:16.399
<v Speaker 1>I think she still remembers me. I hope. So are

0:39:16.440 --> 0:39:20.279
<v Speaker 1>there any guests the hosts that were taller than you

0:39:20.800 --> 0:39:23.839
<v Speaker 1>realized when you sat in person, taller than me than

0:39:23.880 --> 0:39:27.759
<v Speaker 1>you realize you'd realized, Charlie, they're on she still? Oh yeah.

0:39:28.320 --> 0:39:30.600
<v Speaker 1>I met Jeff Goldblum once. He was very tall, yeah,

0:39:31.040 --> 0:39:36.120
<v Speaker 1>Tim Robbin, Tim Robinson, Tim Robbins, uh, Susan Surrandon's X. Yes, yes,

0:39:36.360 --> 0:39:38.960
<v Speaker 1>very tall, he seems tall. I met Shaquille O'Neil once.

0:39:39.040 --> 0:39:41.680
<v Speaker 1>He's pretty tall, is he? You know? Also? You know

0:39:41.880 --> 0:39:44.640
<v Speaker 1>to getting Sean Bradley. I met him once. He's a

0:39:44.719 --> 0:39:48.040
<v Speaker 1>tall guy. I met him one time. He's taller than

0:39:48.040 --> 0:39:51.000
<v Speaker 1>you would think these people who professionally tall. So I

0:39:51.040 --> 0:39:54.000
<v Speaker 1>don't know if you cut that professionally tall. Yes, being

0:39:54.080 --> 0:39:56.560
<v Speaker 1>tall is not a job. Yes it is. Are you

0:39:56.680 --> 0:40:00.640
<v Speaker 1>talking about all right? Leap out leap? What out? Ari is?

0:40:00.800 --> 0:40:03.120
<v Speaker 1>Anything you want to talk about something you're working on

0:40:03.280 --> 0:40:06.560
<v Speaker 1>now that you want to leg pump do this. I'm

0:40:06.600 --> 0:40:11.000
<v Speaker 1>trying to learn new craze plump. I'll try to pump something.

0:40:11.239 --> 0:40:14.920
<v Speaker 1>I just I did pump. Plump works too, I'm gonna

0:40:15.000 --> 0:40:19.440
<v Speaker 1>plump has a Drama Club and I just remembered my

0:40:20.000 --> 0:40:23.799
<v Speaker 1>first question and then stop asking. You know, we want

0:40:23.840 --> 0:40:29.000
<v Speaker 1>to move move on and stuff. Uh, he's getting very impatient. Uh,

0:40:29.680 --> 0:40:32.200
<v Speaker 1>I'm talking to both of you guys. Uh. In the

0:40:32.280 --> 0:40:35.319
<v Speaker 1>show Drama Club and you were in Drama Club when

0:40:35.360 --> 0:40:38.120
<v Speaker 1>you were younger? Do you feel that there's some parallels

0:40:38.200 --> 0:40:43.800
<v Speaker 1>between the character tropes if you will, you feel like

0:40:43.840 --> 0:40:46.520
<v Speaker 1>because obviously the new version of the class the show

0:40:46.600 --> 0:40:50.000
<v Speaker 1>has like a influencer. You know that clearly what didn't

0:40:50.000 --> 0:40:53.160
<v Speaker 1>exist when we were young. I think cross generations. I

0:40:53.239 --> 0:40:56.920
<v Speaker 1>think Drama Club has always remained like the same, the

0:40:57.000 --> 0:40:59.080
<v Speaker 1>same heart and soul as it always has been. Like

0:40:59.160 --> 0:41:00.680
<v Speaker 1>you go into the auditor are hum and you kind

0:41:00.680 --> 0:41:03.040
<v Speaker 1>of like disappear from the rest of the school, right,

0:41:03.320 --> 0:41:05.959
<v Speaker 1>and Uh, it's still yeah, just the fun to play

0:41:06.360 --> 0:41:10.200
<v Speaker 1>and get weird with other artsy fartsy people who can't

0:41:10.239 --> 0:41:13.080
<v Speaker 1>play sports, all right, jem Elisia thank you so much

0:41:14.160 --> 0:41:18.000
<v Speaker 1>for coming coming up at three. But first the word

0:41:18.080 --> 0:41:21.560
<v Speaker 1>from our sponsors who make this high quality program possible.

0:41:21.920 --> 0:41:30.719
<v Speaker 1>Stay with us at three. And it was a red

0:41:30.800 --> 0:41:35.960
<v Speaker 1>flag warning at the beach. You grab your surfboard. He

0:41:36.080 --> 0:41:39.320
<v Speaker 1>had a pension for facing danger and made it was

0:41:39.320 --> 0:41:41.359
<v Speaker 1>a really good surfer. You always went to the way

0:41:41.440 --> 0:41:46.200
<v Speaker 1>that nobody wanted because everybody was afraid they gets swallowed. Kyle, Kyle,

0:41:46.280 --> 0:41:48.320
<v Speaker 1>what are you doing? No, there's there's a red flag

0:41:48.400 --> 0:41:50.800
<v Speaker 1>out there. Get back in here. This is when you

0:41:50.960 --> 0:41:54.600
<v Speaker 1>catch it. No, yeah, no, this is when you can

0:41:54.680 --> 0:41:58.280
<v Speaker 1>touch heaven. Dude, what you just can't do that? Dude,

0:41:58.280 --> 0:42:02.000
<v Speaker 1>you're gonna die. Roll. Touching heaven is not good. Yeah,

0:42:02.120 --> 0:42:04.319
<v Speaker 1>touching home means you pretty much down. That means you're

0:42:04.440 --> 0:42:07.240
<v Speaker 1>in heaven and dead. Did I'm gonna ride the wave.

0:42:07.560 --> 0:42:10.600
<v Speaker 1>The red flag can't hurt me. I'm not scared around flags.

0:42:10.640 --> 0:42:12.880
<v Speaker 1>But oh no, I got tripped out with the red flag.

0:42:13.239 --> 0:42:15.879
<v Speaker 1>The red flag is not the danger. The red flag

0:42:16.040 --> 0:42:19.759
<v Speaker 1>is the warning of the danger that's put out these

0:42:19.840 --> 0:42:23.520
<v Speaker 1>red fags. And all of a sudden, everyone's like, fact,

0:42:23.560 --> 0:42:25.800
<v Speaker 1>it's the red fag. Let's get out of here. And

0:42:25.960 --> 0:42:29.600
<v Speaker 1>I'm like Guys, I've dealted with red flags before. Have

0:42:29.760 --> 0:42:33.239
<v Speaker 1>you heard of America? That's the flags red in it? Dude, Yeah,

0:42:33.360 --> 0:42:36.799
<v Speaker 1>you're totally getting the reason why the red flags are.

0:42:36.800 --> 0:42:38.640
<v Speaker 1>You're in there to begin with, You're just you're not

0:42:38.800 --> 0:42:41.600
<v Speaker 1>even getting your Dude, I didn't know. I was in school.

0:42:41.840 --> 0:42:44.880
<v Speaker 1>I thought this was the beach and it was summer. Kyle,

0:42:45.160 --> 0:42:48.120
<v Speaker 1>what why are you anchering towards the water? You're taking

0:42:48.160 --> 0:42:50.360
<v Speaker 1>steps back towards the water. Just because you're doing a

0:42:50.400 --> 0:42:52.160
<v Speaker 1>little time baby steps doesn't mean that we're not going

0:42:52.200 --> 0:42:53.680
<v Speaker 1>to notice that you're going towards the water. Do you

0:42:53.719 --> 0:42:56.040
<v Speaker 1>remember what happened last time? There was a red flag

0:42:56.080 --> 0:42:57.919
<v Speaker 1>warning and you went out and we told you don't

0:42:58.000 --> 0:43:01.680
<v Speaker 1>do it. You almost died. And then where I'm finished

0:43:01.760 --> 0:43:05.759
<v Speaker 1>wanting you what happened? Yeah? And then Brodie saved me. Yeah,

0:43:05.960 --> 0:43:11.360
<v Speaker 1>And Brodie died trying to save you. He caught the grind.

0:43:11.640 --> 0:43:15.720
<v Speaker 1>The grind killed him. Do you ignored the red flag?

0:43:16.000 --> 0:43:19.480
<v Speaker 1>Brodie chased you, he saved you, and then the undertowe

0:43:19.520 --> 0:43:21.759
<v Speaker 1>brought a bag out into the water and he died.

0:43:22.120 --> 0:43:24.640
<v Speaker 1>He's still out there, he's still catching it. It's been

0:43:24.880 --> 0:43:29.040
<v Speaker 1>eight weeks. It wicks, Kyle, your toes on the water.

0:43:29.239 --> 0:43:34.040
<v Speaker 1>You think that just because you're not fooling his Kyle? Whatever?

0:43:34.160 --> 0:43:36.359
<v Speaker 1>Can you have me my board? Kyle, I'm not going

0:43:36.440 --> 0:43:38.440
<v Speaker 1>to hand you're in your board. We don't want you

0:43:38.520 --> 0:43:41.000
<v Speaker 1>to go into the water. His fans are really worried

0:43:41.000 --> 0:43:43.360
<v Speaker 1>about him. No matter what, no matter all the concerns

0:43:43.400 --> 0:43:45.480
<v Speaker 1>that they throw his away. He just wanted to get

0:43:45.480 --> 0:43:47.839
<v Speaker 1>in that water. The bigger the red flag, the more

0:43:48.360 --> 0:43:50.920
<v Speaker 1>desire he had to do it. So his friends put

0:43:51.000 --> 0:43:54.200
<v Speaker 1>together an intervention. They intentionally put up some red flags

0:43:54.239 --> 0:43:55.920
<v Speaker 1>on the beach and they waited for him. Look at

0:43:55.920 --> 0:44:00.440
<v Speaker 1>all his red flags. You have seen that in that

0:44:00.600 --> 0:44:02.719
<v Speaker 1>beach chair over there. What are you guys doing? You

0:44:02.840 --> 0:44:05.279
<v Speaker 1>put the red flags because we knew you'd come. This

0:44:05.520 --> 0:44:07.839
<v Speaker 1>is if you guys don't mind, I'd like to read

0:44:07.920 --> 0:44:12.480
<v Speaker 1>my letter first. Go ahead, Kyle. Sit down. Kyle, stop

0:44:12.680 --> 0:44:15.880
<v Speaker 1>going toward the flags. Are got real Your toe is

0:44:16.480 --> 0:44:20.759
<v Speaker 1>pointed towards the watch. Stops zipping out up your wet suit.

0:44:21.000 --> 0:44:24.839
<v Speaker 1>Stop it. Sit sit down, I can't sit my wat

0:44:24.920 --> 0:44:27.719
<v Speaker 1>sit squat next to the sand castle. We're doing this.

0:44:28.120 --> 0:44:33.440
<v Speaker 1>Stand behind the chair, but have the chair in between

0:44:33.520 --> 0:44:37.400
<v Speaker 1>you and the water. I'm gonna take chair, put it him. No, no,

0:44:37.840 --> 0:44:41.799
<v Speaker 1>don't put the chair in the waters. The water, the water.

0:44:42.320 --> 0:44:46.880
<v Speaker 1>Just read your letter, Rudy, Kyle. Your need to chase

0:44:47.200 --> 0:44:51.880
<v Speaker 1>after to you can't read paper? Got wet, all right?

0:44:52.040 --> 0:44:57.560
<v Speaker 1>Kyle Mahalla, Kyle Mahala, I didn't put your last name

0:44:57.560 --> 0:45:03.120
<v Speaker 1>on here. Kyle Mahallo. Thank you. Your need to ignore

0:45:03.360 --> 0:45:07.319
<v Speaker 1>red flags is affecting me in the following ways. One

0:45:07.680 --> 0:45:12.920
<v Speaker 1>not cool, it's cool. I have forty seven revisions to

0:45:13.080 --> 0:45:15.520
<v Speaker 1>this and the next one. We know the way to

0:45:16.840 --> 0:45:21.680
<v Speaker 1>a different visions that Kyle, Yeah, Kyle ma hollow. Hey,

0:45:22.280 --> 0:45:25.480
<v Speaker 1>are you tired of not making me happy? Well, now

0:45:25.640 --> 0:45:28.279
<v Speaker 1>here's the way that you can make me happy, introducing

0:45:28.440 --> 0:45:32.200
<v Speaker 1>not going into the water even though there's red flags there.

0:45:32.560 --> 0:45:35.040
<v Speaker 1>But how does it work? I'll tell you you don't

0:45:35.200 --> 0:45:38.040
<v Speaker 1>chase over the red flags. This is one of the

0:45:38.160 --> 0:45:40.839
<v Speaker 1>later revisions. Who changed to copy a little bit? Look,

0:45:40.960 --> 0:45:43.120
<v Speaker 1>just don't go on water, dude. Can you hang back

0:45:43.200 --> 0:45:44.880
<v Speaker 1>one second. I want to talk to our bro here

0:45:44.920 --> 0:45:47.239
<v Speaker 1>for say, hey, you guys talk, you guys talk, Hey,

0:45:47.360 --> 0:45:49.560
<v Speaker 1>why was your didn't really put a lot of heart

0:45:49.600 --> 0:45:57.759
<v Speaker 1>into that letter? Just trying to do it I'm not

0:45:57.800 --> 0:46:00.040
<v Speaker 1>going to say everyone eat somebody gaping there the a

0:46:00.080 --> 0:46:03.480
<v Speaker 1>shi in put them back. Okay, Kyle, God, you're gonna

0:46:03.520 --> 0:46:16.480
<v Speaker 1>be okay, Kyle, true it Nik killed another surfare Well, Rudy.

0:46:20.200 --> 0:46:22.560
<v Speaker 1>If you're looking for red flags, come on down to

0:46:22.880 --> 0:46:29.560
<v Speaker 1>the red flag stands here, sand beach, Sand Beach. All right,

0:46:29.840 --> 0:46:32.080
<v Speaker 1>let's do it at a take of that. I'm not

0:46:32.160 --> 0:46:34.000
<v Speaker 1>doing another take. Yeah, that was great. We got a

0:46:34.040 --> 0:46:36.239
<v Speaker 1>great job to a We're a five one team. We're

0:46:36.280 --> 0:46:38.359
<v Speaker 1>profession What you do we do we do. We sell

0:46:38.440 --> 0:46:42.759
<v Speaker 1>Flasny color. We changed the copy. You can't. We can't

0:46:42.800 --> 0:46:45.560
<v Speaker 1>say red flag. So if you could just grab revision

0:46:45.640 --> 0:46:49.120
<v Speaker 1>number two, please, uh just go go with that. I

0:46:49.120 --> 0:46:50.839
<v Speaker 1>don't even know why we do this anymore. I'm tired

0:46:50.840 --> 0:46:52.120
<v Speaker 1>of these commercials. You know, we can make so much

0:46:52.120 --> 0:46:53.960
<v Speaker 1>money to narrating your book. We can make so much

0:46:53.960 --> 0:46:58.240
<v Speaker 1>money narrating book, narrating player, narrating a movie, all kinds

0:46:58.280 --> 0:47:00.480
<v Speaker 1>of movies and plays and books. Why more morning, And

0:47:00.560 --> 0:47:02.800
<v Speaker 1>there's not even revisions all the different books. That's the

0:47:02.840 --> 0:47:05.560
<v Speaker 1>one book I understand. There's a lot of different possibilities

0:47:05.600 --> 0:47:07.200
<v Speaker 1>of my dad and I can tell anything. We can

0:47:07.239 --> 0:47:13.839
<v Speaker 1>scale scooter, bikecyttle car. We only had the studio, looked, Yeah,

0:47:13.920 --> 0:47:17.279
<v Speaker 1>we only have we have less than a mi Okay, yes,

0:47:17.320 --> 0:47:22.880
<v Speaker 1>I get wheels, caunts. You can sell them at farms

0:47:23.320 --> 0:47:28.080
<v Speaker 1>and farms and farms and guys, we got it. We

0:47:28.160 --> 0:47:31.040
<v Speaker 1>got it? Did I just? Dad? Like I lost it? Dad?

0:47:31.120 --> 0:47:36.160
<v Speaker 1>What happened to your voice? Alright? Sorry, I'm so late

0:47:36.239 --> 0:47:39.880
<v Speaker 1>you guys. Triple bogie number eighteen. And I conferred with

0:47:40.000 --> 0:47:43.720
<v Speaker 1>my fellow surgeons. And it doesn't sound good. It doesn't

0:47:43.760 --> 0:47:47.320
<v Speaker 1>sound good, as in it's bad. I mean, his voice

0:47:47.360 --> 0:47:51.240
<v Speaker 1>doesn't sound good. Have you heard this guy's voice? It sucks.

0:47:51.480 --> 0:47:59.120
<v Speaker 1>It's so bad. Isn't terrible? Your voice as good as

0:47:59.200 --> 0:48:02.080
<v Speaker 1>my son? To say that. I'm just telling you the truth.

0:48:02.440 --> 0:48:04.399
<v Speaker 1>I don't think you should go on the radio. I'm

0:48:04.400 --> 0:48:09.560
<v Speaker 1>gonna die in tonight. My dear's bad. I'm following the pattern,

0:48:09.640 --> 0:48:12.120
<v Speaker 1>you piece of ship. I know, I know. Laugh it's funny.

0:48:12.800 --> 0:48:16.560
<v Speaker 1>I think that might be. I don't know. Try something else, Dad,

0:48:16.560 --> 0:48:21.000
<v Speaker 1>don't worry else. You care of Mom. But I'm sorry, Sun,

0:48:21.160 --> 0:48:24.840
<v Speaker 1>your father's dead. Sorry I'm late. My flight from Topeka

0:48:24.960 --> 0:48:28.760
<v Speaker 1>was like, how's your father? Is he? Okay? Mom? He okay?

0:48:29.160 --> 0:48:34.319
<v Speaker 1>Well you see, okay, he's dad mob okay, okay, side

0:48:34.360 --> 0:48:36.520
<v Speaker 1>of his vice. I'm getting fine with it. So you

0:48:36.560 --> 0:48:39.160
<v Speaker 1>want to go do some painting something. I guess I

0:48:39.239 --> 0:48:46.440
<v Speaker 1>could be a painter, young man choosing couriers. Switch. It's

0:48:46.520 --> 0:48:52.239
<v Speaker 1>gonna be but over actor. Now he's gonna try to

0:48:52.400 --> 0:48:55.400
<v Speaker 1>paint pictures. We gotta do a different take of that.

0:48:56.080 --> 0:48:59.080
<v Speaker 1>We can't say pictures, so we're gonna have to do it.

0:48:59.280 --> 0:49:03.719
<v Speaker 1>Just read the extreme vision. We'll play the pictures part.

0:49:04.080 --> 0:49:05.640
<v Speaker 1>I wrote it really small at the top right. Let

0:49:05.640 --> 0:49:07.359
<v Speaker 1>me make it as the first half. In the second

0:49:07.360 --> 0:49:10.000
<v Speaker 1>half on the botto left corner, I see, oh yeah, um,

0:49:10.480 --> 0:49:12.000
<v Speaker 1>So here we go. Take two. We have the studio

0:49:12.040 --> 0:49:15.600
<v Speaker 1>for twenty more seconds. Good boy changing his career choice

0:49:16.520 --> 0:49:20.640
<v Speaker 1>was gonna be. But I thought, I said, we couldn't

0:49:20.680 --> 0:49:23.640
<v Speaker 1>say painter, and you jump the gun because the pictures

0:49:23.800 --> 0:49:27.279
<v Speaker 1>wearing the same painting. Read the other revision revision three.

0:49:27.440 --> 0:49:28.920
<v Speaker 1>It's on the it's on the roof of the building.

0:49:29.440 --> 0:49:32.440
<v Speaker 1>Where's the where's my where's the ladder? It's under the stool.

0:49:32.480 --> 0:49:35.080
<v Speaker 1>It's not you know, because they need to get it

0:49:35.200 --> 0:49:38.560
<v Speaker 1>something high. That ladder does not belong to you? Is

0:49:38.880 --> 0:49:41.279
<v Speaker 1>it at your home or is it the ladder? It's

0:49:41.320 --> 0:49:44.200
<v Speaker 1>the letter at that which house you're talking about? What

0:49:44.760 --> 0:49:47.520
<v Speaker 1>the ladder? I'm supposed to believe you have this many houses?

0:49:47.840 --> 0:49:49.719
<v Speaker 1>Are we? I've been doing this for a long time.

0:49:49.920 --> 0:49:54.120
<v Speaker 1>I get a lot of raises and like you alright.

0:49:55.000 --> 0:50:00.279
<v Speaker 1>Revision a young boy he just lost his father. Until

0:50:00.320 --> 0:50:04.080
<v Speaker 1>now he thought he was gonna be here was overactive,

0:50:04.160 --> 0:50:08.040
<v Speaker 1>but instead he and his mother decided it would be

0:50:08.320 --> 0:50:14.000
<v Speaker 1>best for him if he was a get chartists. We

0:50:14.120 --> 0:50:15.960
<v Speaker 1>ran out of time in the studio anyway. Let's just

0:50:16.040 --> 0:50:18.600
<v Speaker 1>take it if you think I got it. Chartists are

0:50:18.880 --> 0:50:22.279
<v Speaker 1>the studio and the record with popcorn commercials that we

0:50:22.360 --> 0:50:24.640
<v Speaker 1>gotta get out of here. Weduce you any you know,

0:50:24.760 --> 0:50:27.200
<v Speaker 1>especially his contributor John min I do and you know

0:50:27.400 --> 0:50:31.319
<v Speaker 1>sorry And this was This is Americans Live. Next time.

0:50:31.440 --> 0:50:33.799
<v Speaker 1>This is Americans Live can be found wherever you get

0:50:33.840 --> 0:50:36.880
<v Speaker 1>your podcasts. Be sure to subscribe, rate and review. You

0:50:36.920 --> 0:50:40.080
<v Speaker 1>can also find This is Americans Live on Instagram at

0:50:40.280 --> 0:50:44.480
<v Speaker 1>this is Americans Live and on Twitter at Americans Live.