1 00:00:00,040 --> 00:00:03,480 Speaker 1: First of all, you don't know me. We all about 2 00:00:03,480 --> 00:00:06,280 Speaker 1: that high school drama, Girl drama girl, all about them 3 00:00:06,360 --> 00:00:09,479 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,560 --> 00:00:15,520 Speaker 1: our comic girl Cheering for the drama Queens girl Fashion, 5 00:00:15,560 --> 00:00:18,840 Speaker 1: but you'll tough go. You could sit with us Girl Drama, Queens, Drama, 6 00:00:18,920 --> 00:00:26,920 Speaker 1: Queen's Drawn, MC Queen's Drama Drawn, MC Queen's Drama Queen's Guys, 7 00:00:27,000 --> 00:00:29,760 Speaker 1: we did it. We survived last week's traumatic death. We 8 00:00:29,880 --> 00:00:36,040 Speaker 1: are back in the full like crowded Tree Hill Sports Oriented, 9 00:00:36,479 --> 00:00:39,280 Speaker 1: you know, big huge epic scene kind of episodes, and 10 00:00:39,400 --> 00:00:43,800 Speaker 1: we cried happy tears. Yeah we did. Everybody just needed to. 11 00:00:44,840 --> 00:00:49,320 Speaker 1: Yeah we did. I totally did. Brooke doing that robot 12 00:00:49,440 --> 00:00:51,519 Speaker 1: just made me so don't know people will get there 13 00:00:51,560 --> 00:00:53,880 Speaker 1: with the oh my gosh, Okay. So here guys. It's 14 00:00:53,880 --> 00:00:57,360 Speaker 1: season three, episode fourteen. All Tomorrow's parties, Brooke, Peyton, and 15 00:00:57,440 --> 00:00:59,800 Speaker 1: Haley head to New York, all the three of us 16 00:00:59,840 --> 00:01:02,480 Speaker 1: in car again together. It was so sweet and fun. 17 00:01:02,840 --> 00:01:05,119 Speaker 1: So they go there for Rogue Vogue and then off 18 00:01:05,160 --> 00:01:07,720 Speaker 1: to Charlotte for the Classic, but Brook stays behind and 19 00:01:07,800 --> 00:01:11,280 Speaker 1: makes an important decision about her future. Lucas and Nathan 20 00:01:11,360 --> 00:01:14,120 Speaker 1: reconnect with the family friend and skills learns how to 21 00:01:14,200 --> 00:01:17,440 Speaker 1: swim from Bevan, and Karen asks Keith the big question. 22 00:01:18,040 --> 00:01:21,800 Speaker 1: David Paymer directed this one, and Lotto wrote this, Wow, 23 00:01:22,680 --> 00:01:26,120 Speaker 1: this was really fun. I like this one. I like 24 00:01:26,280 --> 00:01:30,520 Speaker 1: the balance of last week's episode of really intimate conversations 25 00:01:30,880 --> 00:01:33,920 Speaker 1: and this week's episode of us all being together, the 26 00:01:33,959 --> 00:01:37,280 Speaker 1: basketball team, the cheerleading squad, all the parents. And there 27 00:01:37,400 --> 00:01:43,120 Speaker 1: was no Dan in this episode. Yeah, it was so nice. 28 00:01:43,240 --> 00:01:45,640 Speaker 1: We didn't have to be worried about some creeper lurking 29 00:01:45,720 --> 00:01:50,440 Speaker 1: around every corner. Yeah, what a relief, because like, like 30 00:01:50,680 --> 00:01:55,160 Speaker 1: Karen and Keith could finally enjoy themselves, except not really. 31 00:01:55,280 --> 00:02:01,120 Speaker 1: Why is a cute foil for He's fun coming in 32 00:02:01,200 --> 00:02:03,480 Speaker 1: their room and being like, oh look to Ruffles and 33 00:02:03,600 --> 00:02:06,880 Speaker 1: eating their chocolate, and you're just like, oh man, these 34 00:02:06,920 --> 00:02:09,079 Speaker 1: two can't go on a date. It's not like, oh man, 35 00:02:09,160 --> 00:02:11,239 Speaker 1: someone's trying to kill one of them. It's a different, 36 00:02:14,960 --> 00:02:20,280 Speaker 1: different vibe. I love I love Brooks storyline in this episode. 37 00:02:20,720 --> 00:02:25,320 Speaker 1: You know, meet Brooke got a full nineties rom com episode, 38 00:02:25,760 --> 00:02:28,519 Speaker 1: you were I was just waiting for Matthew McConaughey or 39 00:02:28,560 --> 00:02:31,480 Speaker 1: Cameron Diaz to show up somewhere. I think we would 40 00:02:32,000 --> 00:02:38,400 Speaker 1: if Matthew mccon very pleasing um. Instead, it was just 41 00:02:38,520 --> 00:02:42,800 Speaker 1: our friend Sam playing a total greeb oh. Sam Robinson 42 00:02:42,919 --> 00:02:47,400 Speaker 1: is a local actor in Wilmington's and he's He's who 43 00:02:47,440 --> 00:02:50,799 Speaker 1: played that totally weird guy in the Turtleneck, which is 44 00:02:51,280 --> 00:02:53,520 Speaker 1: it's unfortunate because he really is like such a cool 45 00:02:53,560 --> 00:02:55,920 Speaker 1: guy and a buddy of ours from the improv comedy scene. 46 00:02:56,000 --> 00:02:59,200 Speaker 1: But he played a real crazy I don't know if 47 00:02:59,200 --> 00:03:01,320 Speaker 1: I ever met him in real life, so that Sam 48 00:03:01,480 --> 00:03:05,840 Speaker 1: was great. Sam hung out of level five. Babe. Sam 49 00:03:06,280 --> 00:03:09,760 Speaker 1: did this thing though, because clearly he was playing such 50 00:03:09,800 --> 00:03:13,440 Speaker 1: a creepy that he changed his voice. Can you believe 51 00:03:13,520 --> 00:03:17,440 Speaker 1: Brooke Davis gave up all of this like the horrible thing, 52 00:03:17,960 --> 00:03:21,120 Speaker 1: which I actually really appreciated because he was like, Oh, 53 00:03:21,120 --> 00:03:22,600 Speaker 1: if I'm gonna be gross, I'm really going to go 54 00:03:22,720 --> 00:03:25,160 Speaker 1: for it, and it made me feel better that he 55 00:03:25,200 --> 00:03:28,440 Speaker 1: didn't sound like himself. I loved it. We had so 56 00:03:28,520 --> 00:03:30,960 Speaker 1: many good theater actors in Wilmington's, so it was fun 57 00:03:31,080 --> 00:03:34,679 Speaker 1: when they would show up in our series because we 58 00:03:34,760 --> 00:03:37,040 Speaker 1: get to get excited about them. Wait a second, didn't 59 00:03:37,080 --> 00:03:40,440 Speaker 1: Sam also play the guy that gave Brooke Davis the 60 00:03:40,560 --> 00:03:45,720 Speaker 1: drugs in season one. Yes, in season one's he is yes. 61 00:03:46,040 --> 00:03:48,160 Speaker 1: Oh my gosh. It's like it's like all those old 62 00:03:48,200 --> 00:03:50,280 Speaker 1: shows like Lucy The Dick Van Dyke Show, where they 63 00:03:50,320 --> 00:03:52,880 Speaker 1: were just recycle actors. They would come back for different 64 00:03:52,920 --> 00:03:56,080 Speaker 1: parts every season. You guys, this is a full cycle storyline. 65 00:03:56,160 --> 00:03:59,360 Speaker 1: Because in season one, when the sports trainer gives Brook 66 00:03:59,400 --> 00:04:03,360 Speaker 1: Davis the hills, she takes them and it's very messy 67 00:04:03,480 --> 00:04:07,560 Speaker 1: that night. But season three, Brooke Davis is like, no, hugs, 68 00:04:07,600 --> 00:04:10,040 Speaker 1: not drugs. I don't want those things. And they're both 69 00:04:10,080 --> 00:04:17,680 Speaker 1: offered by the same guy whoa I guarante. Do you 70 00:04:17,800 --> 00:04:22,040 Speaker 1: know one else thought us deeply about that. The casting 71 00:04:22,080 --> 00:04:24,680 Speaker 1: directors like, I don't know, just can see him. Yeah, 72 00:04:26,200 --> 00:04:27,840 Speaker 1: this is it though. This is what happens when you 73 00:04:27,880 --> 00:04:32,200 Speaker 1: make something. You go look at that, you see the connections. 74 00:04:32,360 --> 00:04:35,960 Speaker 1: You're just more invested. Hillary, You're such a fun drunk 75 00:04:36,160 --> 00:04:40,640 Speaker 1: and uh and hungovers the real life or are we 76 00:04:40,839 --> 00:04:44,640 Speaker 1: talking about both, babe, because the last time I was 77 00:04:44,760 --> 00:04:51,080 Speaker 1: hungover it was with one Sophia Bush. Yeah, you guys 78 00:04:51,160 --> 00:04:55,360 Speaker 1: get me in trouble man. We're fun. I have to 79 00:04:55,440 --> 00:04:57,720 Speaker 1: say It made me feel so nostalgic because there are 80 00:04:57,960 --> 00:05:01,520 Speaker 1: three iconic images of our show that all come from 81 00:05:01,560 --> 00:05:05,360 Speaker 1: this episode. Yeah, us hugging at the edge of the 82 00:05:05,520 --> 00:05:10,240 Speaker 1: stage at Rogue Vogue, Hillary, you in those freaking aviators 83 00:05:10,320 --> 00:05:13,840 Speaker 1: looking so cool and and you know, there's the gift 84 00:05:13,920 --> 00:05:16,480 Speaker 1: that's like you can't see my eyes but under my sunglasses, 85 00:05:16,600 --> 00:05:18,360 Speaker 1: or like you can't see it but under my sunglasses. 86 00:05:18,360 --> 00:05:20,880 Speaker 1: I'm rolling my eyes at you, and then the three 87 00:05:20,920 --> 00:05:23,040 Speaker 1: of us like doing the robot and the can can 88 00:05:23,160 --> 00:05:27,080 Speaker 1: at the end. I just was cude. Some of our 89 00:05:27,160 --> 00:05:30,560 Speaker 1: best moments all come from this episode, and I loved it. 90 00:05:32,120 --> 00:05:35,560 Speaker 1: That's what made me cry is watching the last scene 91 00:05:35,640 --> 00:05:40,680 Speaker 1: where we're all just dancing and being you know, a 92 00:05:40,800 --> 00:05:44,120 Speaker 1: reverence seventeen and impulsive and like all those things that 93 00:05:44,160 --> 00:05:47,440 Speaker 1: you don't get to be as an adult. Um and 94 00:05:48,120 --> 00:05:51,599 Speaker 1: you set the table really really nicely for the lead 95 00:05:51,680 --> 00:05:55,320 Speaker 1: up to that. This episode, like Brooks story is great 96 00:05:56,240 --> 00:05:59,280 Speaker 1: so that Haley and Peyton we get to just be teenagers. 97 00:05:59,360 --> 00:06:02,440 Speaker 1: You're like Earn with your boyfriend, you know, like, let's 98 00:06:02,480 --> 00:06:06,480 Speaker 1: take a bath together. Haley's being all flirty and young 99 00:06:06,920 --> 00:06:09,800 Speaker 1: and Peyton's being messy and young and Brooke has to 100 00:06:09,920 --> 00:06:13,760 Speaker 1: decide am I going to be young? You know, like, 101 00:06:14,240 --> 00:06:16,360 Speaker 1: do I even get to pick what kind of young 102 00:06:16,440 --> 00:06:17,680 Speaker 1: I want to be? Or do I have to go 103 00:06:17,760 --> 00:06:20,600 Speaker 1: be a grown up? Now? Um, I love that you 104 00:06:20,680 --> 00:06:22,640 Speaker 1: spotted that the differences in all of our and the 105 00:06:22,720 --> 00:06:25,320 Speaker 1: thread between all of our storylines, and it just goes 106 00:06:25,400 --> 00:06:27,600 Speaker 1: to show that they there is so much thought that's 107 00:06:27,640 --> 00:06:32,040 Speaker 1: put into those things. It's not just righte dialogue put 108 00:06:32,120 --> 00:06:34,320 Speaker 1: people in situations. It's how do we tie all these 109 00:06:34,360 --> 00:06:39,440 Speaker 1: things together? You know, And especially because we're all dealing 110 00:06:39,520 --> 00:06:42,640 Speaker 1: with pretty grown up stuff. Haley and Nathan are putting 111 00:06:42,680 --> 00:06:46,080 Speaker 1: their marriage back together. Peyton just lost Ellie, you know, 112 00:06:46,200 --> 00:06:50,120 Speaker 1: to go through a major loss, and and to your point, 113 00:06:50,240 --> 00:06:53,560 Speaker 1: Brooks trying to figure out is she ready for what's next? 114 00:06:54,680 --> 00:07:00,360 Speaker 1: And it's beautiful to see these kids be kids. You know, 115 00:07:00,560 --> 00:07:02,440 Speaker 1: you don't have to be a grown up, you don't 116 00:07:02,560 --> 00:07:06,960 Speaker 1: have to leave your childhood behind. And it is interesting 117 00:07:07,160 --> 00:07:10,280 Speaker 1: now that I'm thinking about what you just said, to 118 00:07:10,440 --> 00:07:12,920 Speaker 1: consider the fact that it's Brooke Davis who's like, I 119 00:07:13,080 --> 00:07:14,880 Speaker 1: just want to hang onto my innocence for a little 120 00:07:14,880 --> 00:07:19,640 Speaker 1: while longer, especially considering what she had just been saying 121 00:07:19,680 --> 00:07:24,000 Speaker 1: about being scared to leave high school. Um. You know, 122 00:07:24,840 --> 00:07:25,960 Speaker 1: I have to say there was a part of me 123 00:07:26,040 --> 00:07:28,600 Speaker 1: that was really rooting for her to take the go 124 00:07:29,000 --> 00:07:31,200 Speaker 1: forward with the fashion show and just take that big 125 00:07:31,320 --> 00:07:34,440 Speaker 1: risk and you know, move forward in life. But um, 126 00:07:35,160 --> 00:07:38,200 Speaker 1: this time, the decision didn't feel like it was coming 127 00:07:38,200 --> 00:07:40,560 Speaker 1: out of fear of leaving high school and fear of 128 00:07:40,640 --> 00:07:43,600 Speaker 1: leaving it all behind. It was like, after the conversation 129 00:07:43,720 --> 00:07:47,520 Speaker 1: with Doubt in the in the taxi, that she really 130 00:07:48,360 --> 00:07:50,920 Speaker 1: understood and appreciation for what she has and she just 131 00:07:51,000 --> 00:07:53,280 Speaker 1: wanted to hold onto it a little bit longer, not 132 00:07:53,400 --> 00:07:55,920 Speaker 1: out of fear of what if I can't make it, 133 00:07:56,120 --> 00:07:58,920 Speaker 1: because she would have done, and she would have amazing 134 00:07:58,960 --> 00:08:02,480 Speaker 1: things would have happened, great doors would have opened for her. Um. So, 135 00:08:02,720 --> 00:08:05,440 Speaker 1: knowing that those possibilities are out there, I think maybe 136 00:08:05,600 --> 00:08:07,880 Speaker 1: it gave Brook a little more confidence to be able 137 00:08:07,920 --> 00:08:10,360 Speaker 1: to make the decision to stay in high school. I 138 00:08:10,400 --> 00:08:13,400 Speaker 1: don't know, what do you think? Yeah? I think so, 139 00:08:13,560 --> 00:08:15,840 Speaker 1: And I think that you know, Ann as a writer 140 00:08:16,920 --> 00:08:19,280 Speaker 1: did such a beautiful job. It's funny to realize Ann 141 00:08:19,320 --> 00:08:23,480 Speaker 1: Latta wrote this episode and Stacy Rukeyser was our story editor. 142 00:08:24,560 --> 00:08:32,000 Speaker 1: There is a different energy with those ladies balancing these 143 00:08:32,080 --> 00:08:35,679 Speaker 1: big questions that these young women are asking themselves. And 144 00:08:35,800 --> 00:08:39,280 Speaker 1: what I loved was, you know, dud and by the way, 145 00:08:39,679 --> 00:08:44,040 Speaker 1: I mean give us that you guys, Brian George showing 146 00:08:44,200 --> 00:08:48,120 Speaker 1: up and me just being like Seinfeld was so cool. Oh, 147 00:08:48,200 --> 00:08:50,800 Speaker 1: I know, for the kids and who are like twelve 148 00:08:50,880 --> 00:08:55,160 Speaker 1: years old who don't know Seinfeld lay it out for them, 149 00:08:55,400 --> 00:08:59,640 Speaker 1: because it was a geek out moment to have him come. Yeah. 150 00:08:59,720 --> 00:09:01,560 Speaker 1: I mean it's like to you know, to get someone 151 00:09:01,600 --> 00:09:03,839 Speaker 1: from one of your favorite comedies of all time who 152 00:09:03,960 --> 00:09:06,400 Speaker 1: like shows up on your set. And by the way, 153 00:09:06,440 --> 00:09:09,400 Speaker 1: who's such a brilliant comedic actor. Brian George is actually 154 00:09:09,480 --> 00:09:15,000 Speaker 1: a very you know, witty British comedian and he came 155 00:09:15,080 --> 00:09:21,400 Speaker 1: in and and he played this beautiful story and I remember, 156 00:09:22,400 --> 00:09:24,479 Speaker 1: you know, obviously it's not the same kind of relationship 157 00:09:24,559 --> 00:09:26,640 Speaker 1: you had with Cheryl, but in the way that when 158 00:09:26,679 --> 00:09:30,439 Speaker 1: she showed up you felt very held. You had like 159 00:09:30,600 --> 00:09:33,079 Speaker 1: parental energy that was safe for you, which like we 160 00:09:33,200 --> 00:09:37,520 Speaker 1: just didn't have in Wilmington's Um. Brian made me feel 161 00:09:37,559 --> 00:09:42,119 Speaker 1: that way. I remember just like babbling out, you know, compliments, 162 00:09:42,160 --> 00:09:43,880 Speaker 1: and he was like, okay, al right, well you know 163 00:09:43,960 --> 00:09:45,719 Speaker 1: now I'm on your show. And I was like, oh 164 00:09:45,800 --> 00:09:49,480 Speaker 1: my god. He was so sweet and disarming, and we 165 00:09:49,600 --> 00:09:52,800 Speaker 1: spent this whole night, you know, hanging out on Front 166 00:09:52,840 --> 00:09:56,280 Speaker 1: Street shooting it like it was New York and driving 167 00:09:56,280 --> 00:09:59,800 Speaker 1: around in this cab and and in between takes, we 168 00:10:00,040 --> 00:10:03,120 Speaker 1: we're having conversations like Brooke and I would were about 169 00:10:03,200 --> 00:10:06,880 Speaker 1: life and creativity and acting and you know, living in 170 00:10:06,960 --> 00:10:09,839 Speaker 1: New York and just all these things that were so 171 00:10:10,840 --> 00:10:13,559 Speaker 1: enjoyable for me. And I think I was I was 172 00:10:13,640 --> 00:10:17,640 Speaker 1: so hungry for as a young actor, and so I 173 00:10:17,880 --> 00:10:23,160 Speaker 1: loved that the sort of sparkle we felt together came through, 174 00:10:24,080 --> 00:10:29,120 Speaker 1: and that his sweetness so clearly came through. And I 175 00:10:29,280 --> 00:10:33,240 Speaker 1: like that these women gave you a gentle misdirect where 176 00:10:33,320 --> 00:10:38,280 Speaker 1: he said, you know your life, you know, time passes 177 00:10:38,320 --> 00:10:42,000 Speaker 1: by so fast. Make your life great now, start right now. 178 00:10:43,000 --> 00:10:45,959 Speaker 1: And you think she's going to, you know, put it 179 00:10:46,040 --> 00:10:49,120 Speaker 1: all in on her career, and she realizes what is 180 00:10:49,240 --> 00:10:55,720 Speaker 1: great to her is her friends home, and it's so special. 181 00:10:56,400 --> 00:10:59,360 Speaker 1: I think that's why it made me cry. Well. I can, 182 00:10:59,480 --> 00:11:03,240 Speaker 1: I can, I can feel the it was real, you 183 00:11:03,320 --> 00:11:05,600 Speaker 1: know those times when we do scenes and they're real, 184 00:11:06,720 --> 00:11:10,640 Speaker 1: like like you were actually having a magical experience with 185 00:11:10,720 --> 00:11:13,600 Speaker 1: a total stranger, but you were in a scene where 186 00:11:13,640 --> 00:11:19,199 Speaker 1: you were having a magical experience. Yeah, you know, I 187 00:11:19,360 --> 00:11:21,840 Speaker 1: think I think we've been lucky that we've been able 188 00:11:21,880 --> 00:11:24,520 Speaker 1: to be totally aware of those moments, like when Cheryl 189 00:11:24,520 --> 00:11:26,720 Speaker 1: Crowe came to that Enjoy got to be with Cheryl 190 00:11:26,760 --> 00:11:28,680 Speaker 1: Crowe and it was like, oh my god, we're doing 191 00:11:28,720 --> 00:11:31,079 Speaker 1: this thing and like what are you doing? You know, 192 00:11:31,200 --> 00:11:38,079 Speaker 1: like those magical moments are rare, but you know, here 193 00:11:38,120 --> 00:11:40,560 Speaker 1: we are, how many years later and you can still 194 00:11:40,600 --> 00:11:42,800 Speaker 1: feel it. It's still that tinkly thing and we weren't 195 00:11:42,800 --> 00:11:47,120 Speaker 1: even in that scene when we get it. By the way, 196 00:11:47,160 --> 00:11:49,280 Speaker 1: I love that you just brought up Cheryl Crowe. A 197 00:11:49,400 --> 00:11:51,679 Speaker 1: friend of mine was at her show last night and 198 00:11:51,920 --> 00:11:54,600 Speaker 1: tagged me in the Instagram story and was like where 199 00:11:54,600 --> 00:11:57,560 Speaker 1: all the one tree Hill stands at and oh my god, 200 00:11:57,840 --> 00:12:02,000 Speaker 1: and I got that same feeling. We're here totally, totally, 201 00:12:02,320 --> 00:12:05,199 Speaker 1: so great. And I love that brook at the end 202 00:12:05,960 --> 00:12:12,400 Speaker 1: because historically are just leaking because because you know what 203 00:12:12,960 --> 00:12:16,080 Speaker 1: you got brought on to be the comedy, the hot girl. 204 00:12:17,040 --> 00:12:20,959 Speaker 1: That man took you seriously, and I don't know that 205 00:12:21,080 --> 00:12:25,280 Speaker 1: you felt that from a lot of adults in our space. 206 00:12:25,920 --> 00:12:28,240 Speaker 1: And so for that man who you already knew and 207 00:12:28,320 --> 00:12:30,920 Speaker 1: respected to come on and treat you like a professional 208 00:12:31,640 --> 00:12:33,760 Speaker 1: and to take a moment with you and respect you 209 00:12:34,600 --> 00:12:38,560 Speaker 1: and to have like an earnest scene, I can see 210 00:12:38,600 --> 00:12:42,680 Speaker 1: why that would be touching, especially as a young artist. 211 00:12:44,080 --> 00:12:46,959 Speaker 1: You know, we got bullied by a lot of the 212 00:12:47,000 --> 00:12:52,120 Speaker 1: grown ups that were around us, and it's very confusing 213 00:12:52,320 --> 00:12:56,040 Speaker 1: to figure out what sort of respect you deserve and 214 00:12:56,200 --> 00:13:00,360 Speaker 1: to look at an adult who you really respect and 215 00:13:00,480 --> 00:13:03,320 Speaker 1: have that person, to your point, treat you so well, 216 00:13:04,480 --> 00:13:08,559 Speaker 1: be completely non creepy, be so supportive, and you know, 217 00:13:08,720 --> 00:13:11,040 Speaker 1: to have an actor who I grew up watching say 218 00:13:11,240 --> 00:13:16,760 Speaker 1: you're a phenomenal actor to me was like, WHOA, really 219 00:13:17,520 --> 00:13:20,480 Speaker 1: you think I like my job a lot? It's really 220 00:13:20,600 --> 00:13:25,040 Speaker 1: cool because wow, like it's it's it can be very 221 00:13:25,880 --> 00:13:30,199 Speaker 1: Those experiences can be very transformative, especially when you're not 222 00:13:30,400 --> 00:13:34,200 Speaker 1: in a day to day space that feels totally healthy 223 00:13:34,400 --> 00:13:38,160 Speaker 1: to you. You know, I wanted to ask Joy if 224 00:13:38,200 --> 00:13:40,679 Speaker 1: she connected with this storyline because of the three of us, 225 00:13:41,080 --> 00:13:45,320 Speaker 1: it is Joy's real life that is most like Brooks narrative. 226 00:13:45,320 --> 00:13:47,640 Speaker 1: Because you went to New York as like a teenager 227 00:13:48,400 --> 00:13:52,959 Speaker 1: to go work, and and had to choose between like, 228 00:13:53,280 --> 00:13:56,959 Speaker 1: you know, high school crap and also I'm gonna go 229 00:13:57,040 --> 00:13:59,079 Speaker 1: live on my own and like I'm gonna work. I'm 230 00:13:59,080 --> 00:14:01,880 Speaker 1: a teenager. I'm gonna go work. You know, did you 231 00:14:01,960 --> 00:14:06,400 Speaker 1: see yourself in that at all? I recognized that that room, 232 00:14:06,559 --> 00:14:08,559 Speaker 1: you know, the party room where they're you know, the 233 00:14:08,760 --> 00:14:11,160 Speaker 1: girls drugged out and somebody's hitting on you and your 234 00:14:11,200 --> 00:14:13,599 Speaker 1: way too young, and you know, everybody's sort of like 235 00:14:13,720 --> 00:14:17,040 Speaker 1: acting like this is the norm, and aren't you lucky 236 00:14:17,120 --> 00:14:22,200 Speaker 1: to be here with us? I've been there, um and 237 00:14:22,320 --> 00:14:25,280 Speaker 1: I always left. I always felt uncomfortable, and like I 238 00:14:25,480 --> 00:14:29,560 Speaker 1: just didn't. It was it was the same reaction brookehead, 239 00:14:29,640 --> 00:14:31,560 Speaker 1: like get your hands off of me, stop touching me. 240 00:14:31,640 --> 00:14:34,480 Speaker 1: What are you doing you know doing? Yeah? And I 241 00:14:35,160 --> 00:14:40,120 Speaker 1: credit my parents, you know they I guess it was 242 00:14:40,240 --> 00:14:42,760 Speaker 1: just they always gave me a good sense of um 243 00:14:43,280 --> 00:14:46,240 Speaker 1: self and grounded nous, so that when I was in 244 00:14:46,440 --> 00:14:48,400 Speaker 1: scenarios where there was a lot of peer pressure, I 245 00:14:48,520 --> 00:14:55,320 Speaker 1: just didn't. It didn't phaze me very much. Um. So, yeah, 246 00:14:55,360 --> 00:14:59,040 Speaker 1: I mean I recognized that. But I think also I 247 00:14:59,160 --> 00:15:02,840 Speaker 1: never really felt the tug of like oh am I 248 00:15:02,920 --> 00:15:05,760 Speaker 1: going to choose to be a high school kid and 249 00:15:05,840 --> 00:15:07,480 Speaker 1: just enjoy that life, or am I going to go 250 00:15:08,200 --> 00:15:10,200 Speaker 1: be an adult in New York. I was always just like, 251 00:15:10,360 --> 00:15:12,680 Speaker 1: oh no, I'm I'm out here, Like, I'll see you 252 00:15:12,720 --> 00:15:17,240 Speaker 1: guys later. You guys have fun, prom I'm out. Yeah. 253 00:15:20,480 --> 00:15:22,680 Speaker 1: So I love that broke in the end because also 254 00:15:22,760 --> 00:15:24,800 Speaker 1: I was gonna say this, Historically, Brooke would have been 255 00:15:24,840 --> 00:15:27,360 Speaker 1: the person with when the routine went wrong and somebody 256 00:15:27,640 --> 00:15:30,800 Speaker 1: screwed up. I think Brooke historically would have been the 257 00:15:30,840 --> 00:15:32,840 Speaker 1: person that got really frustrated and didn't know what to do, 258 00:15:33,160 --> 00:15:34,920 Speaker 1: and like was just you know, because she wanted it 259 00:15:34,920 --> 00:15:37,480 Speaker 1: to all be perfect. So I love that she just 260 00:15:37,720 --> 00:15:39,760 Speaker 1: let go and she was like, I'm gonna lead by 261 00:15:39,840 --> 00:15:42,120 Speaker 1: example here. I'm stepping out and I'm just gonna take 262 00:15:42,200 --> 00:15:45,800 Speaker 1: a hold of what i want and embrace what I 263 00:15:45,920 --> 00:15:48,920 Speaker 1: came here to do, which is not to win a competition. 264 00:15:49,040 --> 00:15:53,120 Speaker 1: I came here to be a kid for as long 265 00:15:53,200 --> 00:15:57,160 Speaker 1: as I can right now, So let's do it. Made 266 00:15:57,200 --> 00:16:01,680 Speaker 1: me cry immediately. Yeah, I mean, look, we just turned forty, 267 00:16:01,840 --> 00:16:04,120 Speaker 1: sof and I and I woke up the morning of 268 00:16:04,240 --> 00:16:07,680 Speaker 1: my forty birthday with a sty in my eye. And 269 00:16:07,880 --> 00:16:12,080 Speaker 1: I was like, what the is this? And my doctor's like, oh, 270 00:16:12,240 --> 00:16:16,600 Speaker 1: it's stress related, and I'm like, you think cool, story man, 271 00:16:17,280 --> 00:16:19,440 Speaker 1: And so all I wanted to do for my birthday 272 00:16:19,600 --> 00:16:22,120 Speaker 1: was go home to my friend's parents house and have 273 00:16:22,200 --> 00:16:25,720 Speaker 1: a pool party in her yard, because the least stressful 274 00:16:25,760 --> 00:16:29,600 Speaker 1: thing I could think of was having Debbie Dawson's brownies 275 00:16:29,800 --> 00:16:32,160 Speaker 1: and going swimming in her backyard and sitting on a 276 00:16:32,240 --> 00:16:36,360 Speaker 1: trampoline at you and because you you also had the 277 00:16:36,400 --> 00:16:38,160 Speaker 1: same pig hill. You were in high school, but you 278 00:16:38,240 --> 00:16:39,760 Speaker 1: were like getting ready to get out. You were like, 279 00:16:39,840 --> 00:16:41,400 Speaker 1: how do I get to New York? How do I go? 280 00:16:41,760 --> 00:16:44,840 Speaker 1: I made the Brook Davis decision. I went to tell 281 00:16:44,920 --> 00:16:47,880 Speaker 1: us I got an agent when I was twelve or 282 00:16:47,920 --> 00:16:50,960 Speaker 1: thirteen years old, and my parents would drive me from 283 00:16:51,080 --> 00:16:54,480 Speaker 1: Virginia up to New York and I would audition and 284 00:16:54,520 --> 00:16:56,960 Speaker 1: I would get close on stuff, you know, or or 285 00:16:57,280 --> 00:16:59,120 Speaker 1: it was just cool to be in the room for, 286 00:16:59,240 --> 00:17:02,000 Speaker 1: like really auditions, like joy I feel like you and 287 00:17:02,080 --> 00:17:03,960 Speaker 1: I probably went up for a lot of the same stuff. 288 00:17:04,680 --> 00:17:08,040 Speaker 1: Horse Whisperer, Girl Star Wars. Remember when they were talking 289 00:17:08,119 --> 00:17:10,479 Speaker 1: to every chick on the planet trying to find Natalie 290 00:17:10,520 --> 00:17:13,879 Speaker 1: Portman's part. So yeah, we went up for all these 291 00:17:13,920 --> 00:17:17,040 Speaker 1: cool things and it was neat, but I was getting 292 00:17:17,080 --> 00:17:19,639 Speaker 1: in trouble with the cheerleading squad because I was missing 293 00:17:20,119 --> 00:17:23,520 Speaker 1: like major practices and games and things and routines were 294 00:17:23,600 --> 00:17:26,879 Speaker 1: being screwed up because I wasn't there or I was 295 00:17:26,960 --> 00:17:30,200 Speaker 1: into school play, and I would get called up for 296 00:17:30,280 --> 00:17:32,800 Speaker 1: an audition, and so I had to have a meeting 297 00:17:32,920 --> 00:17:35,080 Speaker 1: with my agent and say, look, I'm just going to 298 00:17:35,200 --> 00:17:37,760 Speaker 1: go to college in New York, but I'm going to 299 00:17:37,840 --> 00:17:40,480 Speaker 1: stop auditioning for the next three years. And so my 300 00:17:40,560 --> 00:17:42,040 Speaker 1: sophomore year in high school, I was like, I'm not 301 00:17:42,119 --> 00:17:46,359 Speaker 1: going to audition anymore so I can gain the life experience. 302 00:17:46,440 --> 00:17:48,840 Speaker 1: I feel like I'm gonna need to play a high 303 00:17:48,840 --> 00:17:51,080 Speaker 1: school or later because I knew they cast eighteen year 304 00:17:51,119 --> 00:17:55,040 Speaker 1: olds high schoolers. You had to be over eighteen and hot. 305 00:17:55,160 --> 00:17:59,199 Speaker 1: Damn if it didn't work out, you called it. Sometimes 306 00:17:59,240 --> 00:18:04,399 Speaker 1: you gotta call your shot. But I like, um, I 307 00:18:04,520 --> 00:18:07,280 Speaker 1: like that Brooke could have gone either way and it 308 00:18:07,320 --> 00:18:09,400 Speaker 1: would have been a win. I feel like a fan 309 00:18:09,480 --> 00:18:12,040 Speaker 1: base would have been like yes either way. So maybe 310 00:18:12,080 --> 00:18:14,600 Speaker 1: we should do that pole, we should pull the audience 311 00:18:14,680 --> 00:18:16,920 Speaker 1: and see, like who thinks she should have done the 312 00:18:17,080 --> 00:18:20,480 Speaker 1: fashion show and who thinks she should have come home 313 00:18:20,600 --> 00:18:25,760 Speaker 1: to the Sparkle Classic. What I love about picking the Classic, though, 314 00:18:27,160 --> 00:18:30,200 Speaker 1: is it at this moment in my life looking back, 315 00:18:30,320 --> 00:18:34,320 Speaker 1: it makes me realize that your decision, you know, in 316 00:18:34,440 --> 00:18:37,639 Speaker 1: real life Brooks decision on screen, it's about giving yourself 317 00:18:37,720 --> 00:18:43,399 Speaker 1: permission to slow down. And things do go so fast, 318 00:18:44,760 --> 00:18:48,040 Speaker 1: and it's like, how meaningful it can be to say no, 319 00:18:48,240 --> 00:18:52,480 Speaker 1: I'm just I'm going to slow down. It's a cocky move. 320 00:18:53,359 --> 00:18:55,040 Speaker 1: It's a cocky move because you're like, you know what, 321 00:18:55,960 --> 00:18:58,200 Speaker 1: I could get it now, I could get it later. 322 00:18:59,440 --> 00:19:02,160 Speaker 1: I'm in it. Yeah. Like as kids, you're like, I've 323 00:19:02,200 --> 00:19:05,399 Speaker 1: got my whole future ahead of me. As adults, I'm like, 324 00:19:07,960 --> 00:19:14,400 Speaker 1: I'm like the baby. The osfor Journey might not come back. 325 00:19:14,720 --> 00:19:17,360 Speaker 1: But you know what's really interesting, You're right, I think 326 00:19:17,400 --> 00:19:24,520 Speaker 1: it's I think it's about trusting yourself. And I trust 327 00:19:24,600 --> 00:19:28,680 Speaker 1: myself now more than I did then, certainly. And you know, 328 00:19:29,200 --> 00:19:33,600 Speaker 1: I chose this summer to like chill. You know, the 329 00:19:33,680 --> 00:19:36,600 Speaker 1: three of us do this, but I'm not doing anything else. 330 00:19:36,640 --> 00:19:40,000 Speaker 1: People keep asking me to do and I'm like, no, no, no, 331 00:19:40,359 --> 00:19:42,600 Speaker 1: I'm going to live for a hot second. I'm gonna 332 00:19:42,680 --> 00:19:45,520 Speaker 1: be home. I'm just gonna be here. I'm gonna have 333 00:19:45,760 --> 00:19:50,240 Speaker 1: this moment. This season is so special. I just want 334 00:19:50,240 --> 00:19:52,080 Speaker 1: to have this moment. Let's talk about other work stuff 335 00:19:52,119 --> 00:19:54,560 Speaker 1: in September. And every once in a while I feel 336 00:19:54,600 --> 00:19:57,000 Speaker 1: that thing where I'm like, oh God, what am I doing? 337 00:19:57,040 --> 00:19:58,639 Speaker 1: And then I'm like, no, no, I chose this choice. 338 00:19:59,280 --> 00:20:02,720 Speaker 1: I chose this choice. I choose my choice. I choose 339 00:20:02,760 --> 00:20:05,960 Speaker 1: my choice. I choose my choice. And it's great, but 340 00:20:06,119 --> 00:20:11,600 Speaker 1: it takes work to say I can slow down and 341 00:20:12,040 --> 00:20:15,320 Speaker 1: it it feels wild to go. Oh man, Brooke Davis 342 00:20:15,359 --> 00:20:17,639 Speaker 1: teach me this lesson and did me just long to 343 00:20:17,720 --> 00:20:22,400 Speaker 1: learn it? Well, it's clear that this is a subject 344 00:20:22,560 --> 00:20:25,080 Speaker 1: matter that is near and dear to us, you know, 345 00:20:25,960 --> 00:20:29,960 Speaker 1: especially when we're young women fighting for our youth. And 346 00:20:30,040 --> 00:20:32,200 Speaker 1: we were really lucky that the person who wrote this 347 00:20:32,400 --> 00:20:36,840 Speaker 1: episode was also a very young writer in our writer's 348 00:20:36,920 --> 00:20:39,359 Speaker 1: room at that time. That must be why it feels 349 00:20:39,400 --> 00:20:42,159 Speaker 1: so honest. I mean, she was just a couple of 350 00:20:42,200 --> 00:20:43,720 Speaker 1: years older than us. She was like, I kn't so, 351 00:20:44,359 --> 00:20:47,440 Speaker 1: ladies and gentlemen, with no further ado, we have miss 352 00:20:47,520 --> 00:20:51,880 Speaker 1: Annelatto here, the writer of episode three fourteen, All Tomorrow's parties, 353 00:20:52,480 --> 00:21:03,320 Speaker 1: let's get her in here. Oh my goodness, ladies, one day, 354 00:21:03,640 --> 00:21:07,040 Speaker 1: one day of sales. Can you believe this? We have 355 00:21:07,840 --> 00:21:12,640 Speaker 1: literally the best fans. Y'all are incredible, you guys, we're 356 00:21:12,720 --> 00:21:16,359 Speaker 1: basically sold out. I mean after one day of sales. 357 00:21:16,680 --> 00:21:19,960 Speaker 1: Super exciting to start doubling up on shows. You know, 358 00:21:20,160 --> 00:21:22,520 Speaker 1: we were only going to do one show in each town. 359 00:21:22,800 --> 00:21:24,840 Speaker 1: Now we're doubling up on some of them, which is 360 00:21:24,920 --> 00:21:26,920 Speaker 1: exciting for those of you who are going to be 361 00:21:26,960 --> 00:21:32,760 Speaker 1: at the later show. Congratulations, because to us, it's only 362 00:21:32,800 --> 00:21:35,520 Speaker 1: going to get spicier as the night goes on. How 363 00:21:35,600 --> 00:21:37,280 Speaker 1: many people do you think will come to the first 364 00:21:37,320 --> 00:21:40,280 Speaker 1: show and the second show just to see how weird 365 00:21:40,440 --> 00:21:45,159 Speaker 1: we get? Oh? Do we need like golden tickets at 366 00:21:45,240 --> 00:21:47,600 Speaker 1: the venues where we're doing two shows. We should take 367 00:21:47,600 --> 00:21:50,080 Speaker 1: a poll because we're going to need to know who 368 00:21:50,119 --> 00:21:53,560 Speaker 1: are double up friends are? Oh yeah, yeah, Well guys, 369 00:21:53,680 --> 00:21:56,720 Speaker 1: if you want to double up or just come to 370 00:21:56,880 --> 00:21:59,399 Speaker 1: one of the extra shows that we are doing, please 371 00:21:59,480 --> 00:22:02,080 Speaker 1: go right now. Drama Queens o t H dot com 372 00:22:02,480 --> 00:22:05,200 Speaker 1: and you can go get your tickets. So pumped to 373 00:22:05,240 --> 00:22:08,000 Speaker 1: see you guys, They're going fast, so get them while 374 00:22:08,040 --> 00:22:11,840 Speaker 1: you can. And yeah, we cannot wait to see you all. 375 00:22:11,920 --> 00:22:14,520 Speaker 1: We decided we wanted to be together and thought, let's 376 00:22:14,560 --> 00:22:16,480 Speaker 1: just plan a fun week. And now I'm like, oh, 377 00:22:16,680 --> 00:22:18,000 Speaker 1: oh my god, do we need to go on a 378 00:22:18,160 --> 00:22:21,200 Speaker 1: national tour? Are just gonna invite a few thousand people? 379 00:22:21,359 --> 00:22:24,320 Speaker 1: Do we need to go on a European tour? Do 380 00:22:24,440 --> 00:22:28,560 Speaker 1: we need to go like an Australian tour? All the things? 381 00:22:30,240 --> 00:22:32,399 Speaker 1: Thank you guys for showing up. We can't wait to 382 00:22:32,440 --> 00:22:36,160 Speaker 1: see all on the road. Hi team, Oh my gosh, Hi, 383 00:22:37,000 --> 00:22:41,879 Speaker 1: I'm so happy to see you guys. Where are you 384 00:22:42,040 --> 00:22:43,560 Speaker 1: right now? Where in the world are you? Be very 385 00:22:43,640 --> 00:22:46,760 Speaker 1: emotional for me? Okay, So I'm like, this is what 386 00:22:46,920 --> 00:22:48,840 Speaker 1: I was hoping to Um, I was hoping to just 387 00:22:48,840 --> 00:22:52,480 Speaker 1: show up at your house. Hillary. I'm in I'm in Massachusetts, 388 00:22:52,920 --> 00:22:56,120 Speaker 1: I mean be here, so I'm like a hour away 389 00:22:56,440 --> 00:22:59,600 Speaker 1: from Yeah, you should have been here. I'm literally in 390 00:22:59,640 --> 00:23:01,320 Speaker 1: my garl Odd right now. We could have just like 391 00:23:01,480 --> 00:23:04,960 Speaker 1: sweated it out together in here. I know it's so hot. 392 00:23:05,040 --> 00:23:07,000 Speaker 1: I'm also going to look like I'm like like really 393 00:23:07,080 --> 00:23:10,040 Speaker 1: like sweating it, literally sweating it really bad. You're glowing, 394 00:23:10,960 --> 00:23:14,760 Speaker 1: You're glowing. So how long have you been in Massachusetts? Mmm? 395 00:23:15,680 --> 00:23:17,800 Speaker 1: So I keep saying I moved five years ago, but 396 00:23:17,880 --> 00:23:20,960 Speaker 1: at this point it's been two thousand fifteen. It's like 397 00:23:21,200 --> 00:23:25,400 Speaker 1: seven years. So I was in l A from nine 398 00:23:25,880 --> 00:23:28,440 Speaker 1: till um two thousand fourteen. I came back when I 399 00:23:28,520 --> 00:23:32,600 Speaker 1: was pregnant with my second kid, um because I was like, 400 00:23:34,000 --> 00:23:35,560 Speaker 1: everyone's like, what do you can do for kindergarten? I 401 00:23:35,640 --> 00:23:37,639 Speaker 1: was like, you know what, the easiest thing for me 402 00:23:37,680 --> 00:23:42,159 Speaker 1: to do kindergarten has just moved back to Honestly how 403 00:23:42,280 --> 00:23:43,919 Speaker 1: I felt. I was like, I'm not going to get 404 00:23:44,040 --> 00:23:47,600 Speaker 1: interviewed for school. It's a full time job. Everyone's like, 405 00:23:47,800 --> 00:23:50,040 Speaker 1: you applied to ten schools and you get rejected from ten, 406 00:23:50,119 --> 00:23:51,760 Speaker 1: then they'll get in. I'm like, that's your plan, That's 407 00:23:51,920 --> 00:23:54,399 Speaker 1: that's what people do for school. So I'm back in 408 00:23:54,520 --> 00:23:57,960 Speaker 1: my hometown, like living that dream in my you know, 409 00:23:58,119 --> 00:24:02,680 Speaker 1: two hundred thousand dollar five bedroom house. Well that's what 410 00:24:02,800 --> 00:24:06,800 Speaker 1: this whole episode is about. It's about Brooke deciding to 411 00:24:07,040 --> 00:24:12,400 Speaker 1: choose her hometown over that glitzy dream. And so how 412 00:24:12,480 --> 00:24:14,280 Speaker 1: did you How did you land in l A? Like 413 00:24:14,359 --> 00:24:17,240 Speaker 1: what was the trajectory for you to start writing I 414 00:24:17,320 --> 00:24:20,120 Speaker 1: had always wanted to. I think I really came out 415 00:24:20,320 --> 00:24:22,920 Speaker 1: to l A because I love Felicity and Buffy, like 416 00:24:23,040 --> 00:24:27,080 Speaker 1: I thought I thought they were like like art. Like 417 00:24:27,240 --> 00:24:28,760 Speaker 1: I was like, and I didn't even know you could 418 00:24:28,800 --> 00:24:31,240 Speaker 1: be a TV writer, Like back then you couldn't major 419 00:24:31,359 --> 00:24:33,119 Speaker 1: and you know, you couldn't major in it in school, 420 00:24:33,240 --> 00:24:35,000 Speaker 1: like I didn't get any you know, like there was 421 00:24:35,040 --> 00:24:36,840 Speaker 1: nothing to do in college. I just majored in English. 422 00:24:37,000 --> 00:24:39,520 Speaker 1: I knew I wanted about l A. Um. I had 423 00:24:39,520 --> 00:24:42,280 Speaker 1: a second because like my dad's cousin lived in Venice, 424 00:24:43,000 --> 00:24:45,720 Speaker 1: and I like slept on his couch and got this 425 00:24:46,520 --> 00:24:49,399 Speaker 1: to land kind of Venice was never been I was 426 00:24:49,480 --> 00:24:51,560 Speaker 1: like sos, you know, like the more to the east 427 00:24:51,600 --> 00:24:54,680 Speaker 1: side I got was like more Sensilver like then Echo 428 00:24:54,760 --> 00:24:56,000 Speaker 1: Park then you know, so I was like, oh, this 429 00:24:56,160 --> 00:24:59,720 Speaker 1: is my world, right, So I await from that and 430 00:25:00,119 --> 00:25:02,000 Speaker 1: by the time so by the time I landed on 431 00:25:02,240 --> 00:25:05,879 Speaker 1: one dree Hill, that was definitely like a huge break. 432 00:25:06,080 --> 00:25:08,240 Speaker 1: And I had actually gone back to for just a 433 00:25:08,320 --> 00:25:10,680 Speaker 1: couple of weeks waitressing, which was like the end. I 434 00:25:10,800 --> 00:25:12,760 Speaker 1: was like, I was like, I've got it do this 435 00:25:12,880 --> 00:25:14,840 Speaker 1: because I haven't And I used to like write in 436 00:25:14,960 --> 00:25:16,879 Speaker 1: my mind, my own heat. He true Hollywoo would be 437 00:25:16,920 --> 00:25:19,560 Speaker 1: like she had started. She was at the Evendel group 438 00:25:19,680 --> 00:25:24,080 Speaker 1: working as a hostess because they were so competitive. They 439 00:25:24,119 --> 00:25:25,960 Speaker 1: were like we before you. One night a week hostes 440 00:25:26,000 --> 00:25:28,560 Speaker 1: sing and I was like, oh my god, this is um. 441 00:25:29,040 --> 00:25:31,600 Speaker 1: So I've been to Toronto. That's what I went to 442 00:25:32,600 --> 00:25:35,480 Speaker 1: born and that's the Canadian citizenship. So I was there 443 00:25:35,520 --> 00:25:38,479 Speaker 1: for a minute before I came out. Did that landed 444 00:25:38,520 --> 00:25:42,040 Speaker 1: on there? It was a great, great atmosphere in the 445 00:25:42,160 --> 00:25:44,639 Speaker 1: very beginning with that. So he was the assistant. We 446 00:25:44,800 --> 00:25:48,119 Speaker 1: wrote a spec together when we were both assistants. Me 447 00:25:48,240 --> 00:25:51,119 Speaker 1: and my Carol wrote wrote the thing together. We were 448 00:25:51,160 --> 00:25:54,240 Speaker 1: like best buds. We've been researchers on the weakest link together. 449 00:25:54,560 --> 00:25:56,440 Speaker 1: That was our job that we met at. Then I 450 00:25:56,560 --> 00:25:59,439 Speaker 1: was promoted to writer's assistant, which is when I went 451 00:25:59,520 --> 00:26:01,040 Speaker 1: in the room. So the first year I wasn't really 452 00:26:01,080 --> 00:26:02,959 Speaker 1: in the room. It was like this, we didn't get 453 00:26:03,000 --> 00:26:05,240 Speaker 1: to I didn't get to see what actually happened. We 454 00:26:05,320 --> 00:26:07,760 Speaker 1: sat out and answered phones and we got to do 455 00:26:07,800 --> 00:26:12,440 Speaker 1: a little. I wrote punk and disorderly, so I wrote 456 00:26:13,000 --> 00:26:16,119 Speaker 1: I wrote like I just wrote like every day. She 457 00:26:16,200 --> 00:26:18,520 Speaker 1: had a little journal entry and it was what Peyton 458 00:26:18,640 --> 00:26:20,520 Speaker 1: was thinking. So I would like put a quote from 459 00:26:20,520 --> 00:26:22,840 Speaker 1: a song, but who it was from, and then say 460 00:26:23,480 --> 00:26:25,639 Speaker 1: this song makes me think of you know, summer, like 461 00:26:25,800 --> 00:26:28,520 Speaker 1: one line. Thrilled to do that. I was so happy. 462 00:26:29,160 --> 00:26:33,920 Speaker 1: So you were the original Twitter, Yes it was. It 463 00:26:34,040 --> 00:26:35,560 Speaker 1: was yes on that on that. By the way, that 464 00:26:35,640 --> 00:26:38,560 Speaker 1: website used to be up for like a really long time. Someone, 465 00:26:39,520 --> 00:26:42,280 Speaker 1: I guarantee you there's a cool fan that screen grabbed 466 00:26:42,320 --> 00:26:46,200 Speaker 1: the hell out of it. Yeah. Um, I was there 467 00:26:46,240 --> 00:26:47,960 Speaker 1: for three years. I was as an assistant, then I 468 00:26:48,000 --> 00:26:51,720 Speaker 1: was the writer's assistant. Then weirdly, so all the boys 469 00:26:51,800 --> 00:26:55,560 Speaker 1: got promoted and I was in the same level as them, 470 00:26:56,320 --> 00:27:00,159 Speaker 1: and I did not. I got made a writer's us 471 00:27:00,160 --> 00:27:03,640 Speaker 1: in for the second year, while everybody else got promoted 472 00:27:03,680 --> 00:27:05,560 Speaker 1: to writer. Now I don't know if you know, like 473 00:27:05,680 --> 00:27:09,879 Speaker 1: the financial jump for that is from seven hundred a 474 00:27:09,960 --> 00:27:13,160 Speaker 1: week two at the time, and this is before script 475 00:27:13,200 --> 00:27:17,800 Speaker 1: and for for everything to a week. Wow. So all 476 00:27:17,880 --> 00:27:19,879 Speaker 1: the other people who got promoted were men. So the 477 00:27:20,000 --> 00:27:22,720 Speaker 1: two other boys, it was John Norris and Mike Harrow 478 00:27:22,760 --> 00:27:28,399 Speaker 1: and me were all assistants eaten. They got bumped up, um, 479 00:27:28,960 --> 00:27:32,399 Speaker 1: and I got left in that spot, and they actually 480 00:27:32,520 --> 00:27:34,240 Speaker 1: went to the show runner and they were like, can 481 00:27:34,320 --> 00:27:36,400 Speaker 1: we give some of our salary to Oh my god. 482 00:27:37,720 --> 00:27:39,760 Speaker 1: They were so like that was so cool because it 483 00:27:39,960 --> 00:27:42,000 Speaker 1: is such a different and that and the money is 484 00:27:42,160 --> 00:27:45,280 Speaker 1: to me what comes back to how why every everything 485 00:27:46,119 --> 00:27:50,040 Speaker 1: they were making so much money? And I was so outspoken, um, 486 00:27:50,600 --> 00:27:52,040 Speaker 1: and I was so I spoken about the use of 487 00:27:52,080 --> 00:27:55,520 Speaker 1: the word bitch and slut and horror and skink NonStop, 488 00:27:55,840 --> 00:27:58,879 Speaker 1: like my passion, and I like hated it. There was 489 00:27:58,960 --> 00:28:01,280 Speaker 1: one one of my I remember there's one scene where 490 00:28:01,280 --> 00:28:04,600 Speaker 1: you were playing a guitar, Haley, and someone shouts from 491 00:28:04,600 --> 00:28:07,240 Speaker 1: the Autistan take it off, and I was just like, 492 00:28:07,720 --> 00:28:10,119 Speaker 1: I just I was like, there's something about that, like 493 00:28:10,160 --> 00:28:12,600 Speaker 1: when you're up performing and someone reduces you to like 494 00:28:12,720 --> 00:28:15,680 Speaker 1: just yelled like that and and and they would like 495 00:28:15,760 --> 00:28:18,600 Speaker 1: but I always spoke off about that stuff and the 496 00:28:18,840 --> 00:28:20,520 Speaker 1: like you're taking it to say, you know, blah blah 497 00:28:20,520 --> 00:28:26,000 Speaker 1: blah blah blah, because I feel like I like really 498 00:28:26,119 --> 00:28:28,480 Speaker 1: did actually like I'm really proud of stuff I did 499 00:28:28,640 --> 00:28:32,719 Speaker 1: police then because it was always my stomach drops when 500 00:28:32,760 --> 00:28:35,000 Speaker 1: I hear like slutt and bitch and horror. So for 501 00:28:35,119 --> 00:28:37,520 Speaker 1: them too, when they would use it, and especially there 502 00:28:37,560 --> 00:28:41,600 Speaker 1: was so much like female female against like negative stuff 503 00:28:41,600 --> 00:28:47,040 Speaker 1: and the and the narrative that girls throw themselves at boards. Reality, 504 00:28:47,080 --> 00:28:52,000 Speaker 1: it's like it's the other way around, you know what 505 00:28:52,080 --> 00:28:56,040 Speaker 1: I mean for the most part um, but it's like sexualized, 506 00:28:56,080 --> 00:28:58,240 Speaker 1: like going after like that was the character of Rachel 507 00:28:58,280 --> 00:29:00,240 Speaker 1: and then some of it came from the networ too. 508 00:29:00,320 --> 00:29:05,600 Speaker 1: It was like we had female following and their agenda 509 00:29:05,720 --> 00:29:07,000 Speaker 1: was how do we get boys to watch? How do 510 00:29:07,040 --> 00:29:10,080 Speaker 1: we get boys to watch? Instead of supporting all these 511 00:29:10,280 --> 00:29:13,160 Speaker 1: die hard fans that are looking for identity. And then 512 00:29:13,200 --> 00:29:16,080 Speaker 1: they would be like, oh, I know, let's have Rachel 513 00:29:16,120 --> 00:29:18,040 Speaker 1: hold a basketball in front of her boobs and saying 514 00:29:18,120 --> 00:29:20,640 Speaker 1: game on. And it was like, first of all, like 515 00:29:20,760 --> 00:29:22,280 Speaker 1: boys can find corn, Like do you think they're gonna 516 00:29:22,280 --> 00:29:23,920 Speaker 1: trune into one Tree Hill so they can watch that? 517 00:29:24,040 --> 00:29:25,520 Speaker 1: Like can we just give story? Like and it would 518 00:29:25,520 --> 00:29:26,880 Speaker 1: break my heart because a lot of the girls were 519 00:29:26,920 --> 00:29:30,120 Speaker 1: really young to um you know, like thirteen and you 520 00:29:30,160 --> 00:29:32,960 Speaker 1: know is still really young. You know. We get like 521 00:29:33,200 --> 00:29:36,560 Speaker 1: kids that are like, Hi, I'm named Brooke, I'm named Hayley, 522 00:29:37,120 --> 00:29:41,320 Speaker 1: And you're like, maybe don't watch this yet, don't watch 523 00:29:41,360 --> 00:29:45,000 Speaker 1: you know, even my daughter's eleven, and you know, she's 524 00:29:45,080 --> 00:29:47,720 Speaker 1: in the room sometimes when I'm podcasting or whatever, and 525 00:29:48,160 --> 00:29:50,840 Speaker 1: I'm a little like, we don't turn around, don't watch them. 526 00:29:52,120 --> 00:29:54,200 Speaker 1: Our daughters were born like the same time. I think 527 00:29:54,360 --> 00:29:57,000 Speaker 1: mine was. My daughter's born in January two thou eleven. 528 00:29:57,760 --> 00:30:00,720 Speaker 1: So what was your experience like writing this episode? So 529 00:30:00,960 --> 00:30:02,880 Speaker 1: this episode? Okay, So first of all, I thought that 530 00:30:02,960 --> 00:30:04,920 Speaker 1: I was not going to get one because he kept 531 00:30:05,520 --> 00:30:08,120 Speaker 1: putting it off. And part of what made the dynamic 532 00:30:08,160 --> 00:30:10,280 Speaker 1: word was I got um. I sold a pilot to 533 00:30:10,600 --> 00:30:13,600 Speaker 1: t Nick at the time, and I'll be the first 534 00:30:13,600 --> 00:30:15,480 Speaker 1: to admit I was a little like big for my bridge. 535 00:30:15,520 --> 00:30:17,000 Speaker 1: Like I was kind of like because the people in 536 00:30:17,080 --> 00:30:19,320 Speaker 1: my ear were like, this show, You've got your own show. 537 00:30:19,440 --> 00:30:21,560 Speaker 1: But of course that showed like it got Greenland and 538 00:30:21,560 --> 00:30:23,880 Speaker 1: then it never happened. Yeah, yeah, but we don't know 539 00:30:23,960 --> 00:30:27,360 Speaker 1: that when we're in our twenties. Were just like, I'm 540 00:30:27,560 --> 00:30:29,720 Speaker 1: you know, I'm so I was a little bit getting 541 00:30:29,760 --> 00:30:31,240 Speaker 1: and I was also pissed because I was like, I'm 542 00:30:31,280 --> 00:30:33,880 Speaker 1: here till eleven o'clock at night breaking like I was 543 00:30:34,000 --> 00:30:35,840 Speaker 1: doing like a lot of the stories. So I will 544 00:30:35,880 --> 00:30:38,320 Speaker 1: tell you all the stuff that was then I won't 545 00:30:38,320 --> 00:30:40,520 Speaker 1: do this on things that look so better. But I 546 00:30:40,600 --> 00:30:43,280 Speaker 1: came up with Brooking because they were like, they were like, 547 00:30:43,400 --> 00:30:44,880 Speaker 1: let's do I go. You know, it's something that has 548 00:30:44,920 --> 00:30:47,760 Speaker 1: not been approached ever. I'm like, let's go to female masturbation. 549 00:30:48,160 --> 00:30:49,840 Speaker 1: Can we do that that we don't even need to 550 00:30:49,920 --> 00:30:52,400 Speaker 1: hook up with boys? Yeah, I was like, let's let's 551 00:30:52,400 --> 00:30:54,600 Speaker 1: take it outside. That was Brookie. I did all the letters. 552 00:30:54,720 --> 00:30:56,520 Speaker 1: Was that was my story lain whatever. So anyway, I 553 00:30:56,560 --> 00:30:59,200 Speaker 1: was supposed to write the episode before where Peyton's bomb dies, 554 00:31:00,640 --> 00:31:03,560 Speaker 1: and I was blotted in for that, and then the 555 00:31:03,640 --> 00:31:06,240 Speaker 1: show runner came to me and said, I'm going to 556 00:31:06,360 --> 00:31:09,720 Speaker 1: give this to Stacy because her father had just died. 557 00:31:09,880 --> 00:31:12,080 Speaker 1: And I was like okay, and he goes, I'm gonna 558 00:31:12,080 --> 00:31:13,920 Speaker 1: give you the next one. It's gonna be really fun. 559 00:31:14,520 --> 00:31:16,760 Speaker 1: It looked horrible on paper. I'm not gonna lie. It 560 00:31:16,840 --> 00:31:20,240 Speaker 1: was like this like what like? And also, I don't 561 00:31:20,240 --> 00:31:22,560 Speaker 1: know if you've noticed this one, how much like product 562 00:31:22,640 --> 00:31:25,440 Speaker 1: placement was crammed it? Oh my god, yeah, so much 563 00:31:27,400 --> 00:31:31,040 Speaker 1: spray and let me play my song? And like the 564 00:31:31,160 --> 00:31:33,320 Speaker 1: car what was the car that you had to mention? 565 00:31:33,560 --> 00:31:36,640 Speaker 1: The cruiser we're in our pt cruiser and I was like, 566 00:31:36,760 --> 00:31:42,640 Speaker 1: why are we in this car in Rachel's fridge? Yeah? Yeah? Oh, 567 00:31:42,760 --> 00:31:45,280 Speaker 1: and can I give you my debit master card too, 568 00:31:45,400 --> 00:31:47,200 Speaker 1: so that you can make it have me feed while 569 00:31:47,240 --> 00:31:50,000 Speaker 1: you withdraw that from any any at M around the corner. 570 00:31:51,640 --> 00:31:54,640 Speaker 1: And then also there was that weird spin off storyline 571 00:31:54,760 --> 00:31:57,920 Speaker 1: with skills is are not? Was it the family when 572 00:31:57,920 --> 00:32:01,480 Speaker 1: they go to battle? Yeah? Yeah, Nathan to maybe be 573 00:32:01,600 --> 00:32:05,760 Speaker 1: a NASCAR spinoff, So that whole thing was crammed in there. 574 00:32:05,840 --> 00:32:09,120 Speaker 1: Another Nascar thing. It was gonna be, Yeah, it was 575 00:32:09,160 --> 00:32:12,880 Speaker 1: gonna be with his family. There was possibly a storyline there, 576 00:32:12,960 --> 00:32:16,040 Speaker 1: So that made no sense and had to be because 577 00:32:16,080 --> 00:32:19,160 Speaker 1: they tried to make Nascar happen this season before and 578 00:32:19,240 --> 00:32:22,400 Speaker 1: the day was still clearing around at the studio. So 579 00:32:22,560 --> 00:32:25,360 Speaker 1: it was if we combine remember these guys, and then 580 00:32:25,400 --> 00:32:27,480 Speaker 1: we do these guys and this is the driver and 581 00:32:27,600 --> 00:32:29,960 Speaker 1: this guy will be the night security, and it'll be 582 00:32:30,120 --> 00:32:32,920 Speaker 1: all these people that you've met over the course of 583 00:32:33,040 --> 00:32:35,920 Speaker 1: these seasons of this show. And it's not a bad 584 00:32:36,040 --> 00:32:38,200 Speaker 1: idea to do that, I mean, like, I can see 585 00:32:38,240 --> 00:32:40,080 Speaker 1: how that would be useful, but it just fell out 586 00:32:40,120 --> 00:32:42,920 Speaker 1: of place with her just like, cool, let me just 587 00:32:43,280 --> 00:32:45,480 Speaker 1: clunk this in here real quick, let me clunk this 588 00:32:45,600 --> 00:32:49,080 Speaker 1: in here so you can sell a show. Yeah, you 589 00:32:49,160 --> 00:32:53,800 Speaker 1: don't have much time to do it, and stuff like that. So, um, 590 00:32:54,760 --> 00:32:56,800 Speaker 1: so there was that. But then I feel like, but 591 00:32:56,920 --> 00:33:00,840 Speaker 1: I have a question because obviously, look, there's the politics 592 00:33:01,120 --> 00:33:06,640 Speaker 1: of you being a young woman in a room. So 593 00:33:06,800 --> 00:33:10,040 Speaker 1: you've gotten behind the first door, but they're still holding 594 00:33:10,080 --> 00:33:13,040 Speaker 1: you at arm's length. They're dangling the carrot of well, 595 00:33:13,080 --> 00:33:14,600 Speaker 1: if you just do this well, and if you do 596 00:33:14,760 --> 00:33:16,760 Speaker 1: this well, and if you make less money than everybody 597 00:33:16,800 --> 00:33:18,560 Speaker 1: else in the room, but you don't complain about it, 598 00:33:18,880 --> 00:33:20,680 Speaker 1: maybe we'll give you the episode that we promised you 599 00:33:20,800 --> 00:33:22,760 Speaker 1: last season, but you'll get one this season. It's a 600 00:33:22,840 --> 00:33:25,840 Speaker 1: bunch of bullshit, and it's something that I think is 601 00:33:25,920 --> 00:33:28,640 Speaker 1: familiar to so many of us, so many arenas. That 602 00:33:28,800 --> 00:33:33,680 Speaker 1: car that carrot is infuriating, and as we all know, 603 00:33:33,840 --> 00:33:36,240 Speaker 1: it happens to women in ways that it doesn't often 604 00:33:36,320 --> 00:33:40,800 Speaker 1: happen to other people in in corporate structures. Um, I 605 00:33:40,840 --> 00:33:42,760 Speaker 1: can go and add nauseum about how if we actually 606 00:33:42,800 --> 00:33:45,400 Speaker 1: had pay equity in America, there the GDP of the 607 00:33:45,560 --> 00:33:47,840 Speaker 1: entire nation would increase by twelve points like that it 608 00:33:47,880 --> 00:33:52,720 Speaker 1: would be great. Um, I just love a number. But 609 00:33:53,880 --> 00:33:59,600 Speaker 1: in the middle of all this like patriarchal political bullshit 610 00:34:00,240 --> 00:34:04,040 Speaker 1: that you're dealing with as the youngest female employee in 611 00:34:04,080 --> 00:34:07,240 Speaker 1: the room, you got this script, which I get in 612 00:34:07,280 --> 00:34:09,480 Speaker 1: an outline you said looked kind of like trash or 613 00:34:09,520 --> 00:34:11,600 Speaker 1: like how am I going to make this work? But 614 00:34:11,800 --> 00:34:16,040 Speaker 1: you did. You wound up writing a show we talked about. 615 00:34:16,400 --> 00:34:19,440 Speaker 1: By the end, when the three of us are dancing 616 00:34:19,480 --> 00:34:21,400 Speaker 1: and all the pressures off and these kids are just 617 00:34:21,480 --> 00:34:24,719 Speaker 1: being kids, we were all crying watching you took us 618 00:34:24,760 --> 00:34:27,200 Speaker 1: on such a great journey and it was magic. So 619 00:34:27,400 --> 00:34:31,920 Speaker 1: how did you do it? Magical? And yeah, so magical 620 00:34:31,960 --> 00:34:34,640 Speaker 1: And here's one of so that last scene like as 621 00:34:34,680 --> 00:34:37,160 Speaker 1: the whole, that's when you know, and she's like reflecting 622 00:34:37,160 --> 00:34:38,360 Speaker 1: and being like I want to be a kid and 623 00:34:38,480 --> 00:34:41,680 Speaker 1: just the way, um you know. And one thing that 624 00:34:41,800 --> 00:34:44,400 Speaker 1: Montreal does so good is those Kodas, those montages and 625 00:34:44,840 --> 00:34:49,040 Speaker 1: the music. And I was so I was a big 626 00:34:49,120 --> 00:34:51,000 Speaker 1: music person, so I made like it was funny. I 627 00:34:51,000 --> 00:34:52,920 Speaker 1: remember one of the writers was like everyone has to 628 00:34:53,000 --> 00:34:56,080 Speaker 1: have their think. Yours is music, mine is sports. This 629 00:34:56,200 --> 00:35:00,080 Speaker 1: guy's pelt like everyone has to have their own and 630 00:35:00,440 --> 00:35:03,839 Speaker 1: and like I you know, and I genuinely do like music, 631 00:35:03,960 --> 00:35:07,680 Speaker 1: and I always envisioned that scene with a very um 632 00:35:08,320 --> 00:35:10,279 Speaker 1: slow with a slow song, with a sad song. The 633 00:35:10,400 --> 00:35:13,640 Speaker 1: song that I wanted to use was, um, I don't 634 00:35:13,640 --> 00:35:15,920 Speaker 1: know if you guys, it's it's red right ankle by 635 00:35:15,920 --> 00:35:19,920 Speaker 1: the decembris. Oh. That would have been a very different scene, 636 00:35:19,960 --> 00:35:22,120 Speaker 1: would have been a very different thing. And it's like, 637 00:35:22,560 --> 00:35:24,640 Speaker 1: but what I loved about it is it has this 638 00:35:24,880 --> 00:35:27,160 Speaker 1: random line. Well, it has like such great lines, but 639 00:35:27,239 --> 00:35:30,240 Speaker 1: like the last verse is like, this is the story 640 00:35:30,400 --> 00:35:33,120 Speaker 1: of the men who loved you, who loved you now, 641 00:35:33,400 --> 00:35:35,720 Speaker 1: loved you then, And it was like, so I wanted 642 00:35:35,800 --> 00:35:37,920 Speaker 1: that I just give myself a little too. But then 643 00:35:38,160 --> 00:35:40,480 Speaker 1: another line that made no sense, but it was like, 644 00:35:40,600 --> 00:35:43,239 Speaker 1: this is the story of your gypsy uncle who you 645 00:35:43,360 --> 00:35:45,759 Speaker 1: never knew because he was dead. And it was like 646 00:35:45,800 --> 00:35:49,319 Speaker 1: this foreshadowing around Keith and wanted to like when they 647 00:35:49,440 --> 00:35:51,919 Speaker 1: proposed to each other, I wanted that line to be there, 648 00:35:52,360 --> 00:35:54,640 Speaker 1: and so I had this big vision and he's like 649 00:35:54,880 --> 00:35:57,800 Speaker 1: I was there with you. I understand, but like I 650 00:35:57,920 --> 00:35:59,600 Speaker 1: want him, you know, we need to keep it up 651 00:35:59,640 --> 00:36:02,400 Speaker 1: and keep energy and I was like, Okay, you know, um, 652 00:36:03,320 --> 00:36:05,759 Speaker 1: and and I think it still works, but I like 653 00:36:06,000 --> 00:36:07,560 Speaker 1: wish I was like, I wish I could just even 654 00:36:07,640 --> 00:36:09,600 Speaker 1: like edited that once just to see how that played out, 655 00:36:09,640 --> 00:36:13,040 Speaker 1: because it was so like, well, well, I'm sure we 656 00:36:13,120 --> 00:36:14,799 Speaker 1: have a fan that can set it to that song 657 00:36:14,920 --> 00:36:17,640 Speaker 1: for us, so so why don't you post that on 658 00:36:17,760 --> 00:36:20,440 Speaker 1: Instagram for us? That would be cool. Played it for 659 00:36:20,520 --> 00:36:23,160 Speaker 1: myself and the thing, but like, and we had a 660 00:36:23,239 --> 00:36:26,439 Speaker 1: really good time in the room, and the dynamic is weird. 661 00:36:26,480 --> 00:36:29,960 Speaker 1: So it's like, um, the writers all get together and 662 00:36:30,000 --> 00:36:33,200 Speaker 1: it's all on the board or whatever, and the show 663 00:36:33,360 --> 00:36:36,000 Speaker 1: runner would kind of come in after and be like, 664 00:36:36,080 --> 00:36:38,880 Speaker 1: show me what you got, and we'd be like, so 665 00:36:39,000 --> 00:36:41,440 Speaker 1: we have this, and we have this, and we did 666 00:36:41,600 --> 00:36:45,840 Speaker 1: have There was one version that was earlier that we 667 00:36:45,920 --> 00:36:49,560 Speaker 1: were really excited about that got slightly tweaked as well, 668 00:36:50,120 --> 00:36:53,719 Speaker 1: But what stayed was that just like being able to 669 00:36:53,840 --> 00:36:56,320 Speaker 1: hold onto the moment of your youth while it's happening, 670 00:36:56,800 --> 00:36:59,759 Speaker 1: which is very hard because it's very easy you look 671 00:37:00,560 --> 00:37:04,040 Speaker 1: and so easy to be so nostalgic, but when it's happening, 672 00:37:05,000 --> 00:37:06,560 Speaker 1: it just you know what I mean, It goes by 673 00:37:07,719 --> 00:37:10,200 Speaker 1: and you don't and you aren't able to grasp it. Um. 674 00:37:10,520 --> 00:37:12,200 Speaker 1: You know how the subways in New York City have 675 00:37:12,360 --> 00:37:16,480 Speaker 1: those like poems up sometimes Yeah that's like, yeah, to 676 00:37:16,520 --> 00:37:18,919 Speaker 1: calm you down on the subway so you don't stab anybody. Yeah, 677 00:37:18,960 --> 00:37:22,560 Speaker 1: yeah those And I remember seeing one that was like, 678 00:37:22,760 --> 00:37:25,319 Speaker 1: not a particularly good poem, but it had some line 679 00:37:25,400 --> 00:37:28,360 Speaker 1: that was like, um, we won't tell the writer of 680 00:37:28,440 --> 00:37:31,560 Speaker 1: that poem, whoever, whoever it was, if they listened to 681 00:37:31,560 --> 00:37:33,839 Speaker 1: this and they'll recognize it. And it was like, um, 682 00:37:34,280 --> 00:37:35,840 Speaker 1: when we die, I think heaven is going to be 683 00:37:36,080 --> 00:37:38,239 Speaker 1: like our memories, not the way they happen, but the 684 00:37:38,280 --> 00:37:41,399 Speaker 1: way we remember them. And it was just this very 685 00:37:41,440 --> 00:37:44,920 Speaker 1: good nuance of like, it's not like that when it's happening, 686 00:37:44,960 --> 00:37:49,279 Speaker 1: but sometimes it is every now, and the actual thing 687 00:37:49,360 --> 00:37:52,120 Speaker 1: that's happening you realize while it's happening, and that's such 688 00:37:52,160 --> 00:37:53,640 Speaker 1: a gift. And I felt like that's what I wanted 689 00:37:53,680 --> 00:37:55,480 Speaker 1: to capture, and I hope that I did. I think 690 00:37:55,560 --> 00:38:00,040 Speaker 1: that's why it felt so special. Yeah, I'm like a 691 00:38:00,120 --> 00:38:02,759 Speaker 1: nostalgic person, but that bit when you're drunk, oh yeah, 692 00:38:02,880 --> 00:38:08,479 Speaker 1: my drunk song. Yeah, so the stars are crying for Yeah, 693 00:38:09,239 --> 00:38:13,080 Speaker 1: I got to write that. I had to register that yeah, 694 00:38:13,239 --> 00:38:16,920 Speaker 1: because it had to be an original line and original 695 00:38:17,000 --> 00:38:18,680 Speaker 1: two and I had just say it to David Paymer 696 00:38:18,719 --> 00:38:22,319 Speaker 1: or not David Paymer, whoever the director was, David David 697 00:38:22,360 --> 00:38:26,480 Speaker 1: Paper directed this one. Yeah, Yeah, And so like that 698 00:38:26,640 --> 00:38:28,120 Speaker 1: was really fun that I got to do that. It 699 00:38:28,239 --> 00:38:30,520 Speaker 1: was really fun. In the beginning. The quote about being 700 00:38:30,600 --> 00:38:34,000 Speaker 1: jealous of the angels, yeah, is a poem that a 701 00:38:34,120 --> 00:38:37,279 Speaker 1: friend of mine wrote that. I was like, Sylvie, that 702 00:38:37,640 --> 00:38:39,839 Speaker 1: poem you wrote about and the name of that poem 703 00:38:39,920 --> 00:38:43,879 Speaker 1: was the endless perfection of your absence friend who died. 704 00:38:44,560 --> 00:38:46,960 Speaker 1: So I got to incorporate so much that I've been 705 00:38:47,000 --> 00:38:49,600 Speaker 1: holding in for so long. I also made everybody after 706 00:38:49,680 --> 00:38:52,640 Speaker 1: all my friends. So Bevin Mursky is my good friend, 707 00:38:52,680 --> 00:38:57,040 Speaker 1: Michelle Mursky. So when she was horrible, reason, I was 708 00:38:57,120 --> 00:39:00,680 Speaker 1: like Michelle Bevin Mursky because she got named in that episode. 709 00:39:00,920 --> 00:39:04,480 Speaker 1: That's right. We never knew her last name before name. 710 00:39:04,520 --> 00:39:06,720 Speaker 1: I did know that happened in that episode. That's so great. 711 00:39:14,000 --> 00:39:15,919 Speaker 1: We have watched a lot of episodes at this point, 712 00:39:16,280 --> 00:39:19,200 Speaker 1: and this one does rate very, very high because it 713 00:39:19,360 --> 00:39:26,200 Speaker 1: feels most like a teenage girl's perspective um, right on 714 00:39:26,320 --> 00:39:28,640 Speaker 1: the cusp of having to make these grown up decisions 715 00:39:29,239 --> 00:39:32,839 Speaker 1: and like you said, like taking advantage of a moment 716 00:39:33,000 --> 00:39:37,319 Speaker 1: while it's happening, not after. And so you being such 717 00:39:37,360 --> 00:39:41,000 Speaker 1: a young person in the writer's room, one would think 718 00:39:41,160 --> 00:39:44,319 Speaker 1: they would come to you and ask, like, hey, what's 719 00:39:44,360 --> 00:39:46,920 Speaker 1: it like to be a sixteen year old girl? Because 720 00:39:47,360 --> 00:39:50,000 Speaker 1: you know, not everyone in that room knew what that 721 00:39:50,120 --> 00:39:53,080 Speaker 1: was like. Were you a sounding board for some of 722 00:39:53,160 --> 00:39:56,520 Speaker 1: their ideas? Oh? Yeah, I mean I was remotely the 723 00:39:56,719 --> 00:39:58,360 Speaker 1: closest they had to a sixteen year old girl. I 724 00:39:58,400 --> 00:40:01,000 Speaker 1: also had two younger sisters the time, so I I 725 00:40:01,160 --> 00:40:05,839 Speaker 1: still do. So I was kind of um, but they 726 00:40:05,920 --> 00:40:09,440 Speaker 1: would know. I think that they relied on that a lot. 727 00:40:09,640 --> 00:40:11,279 Speaker 1: And that's why I think I got like a chip 728 00:40:11,360 --> 00:40:13,400 Speaker 1: on my shoulder, why I got like, you know, annoyed. 729 00:40:13,480 --> 00:40:15,640 Speaker 1: It was it was so weird to look out and 730 00:40:15,719 --> 00:40:17,680 Speaker 1: see that room and I'm not it was four it's 731 00:40:17,760 --> 00:40:24,680 Speaker 1: fourteen older men. It was very very odd. Um, by 732 00:40:24,719 --> 00:40:27,400 Speaker 1: the way, here's a detail that is crazy that in 733 00:40:27,560 --> 00:40:29,239 Speaker 1: the room and I think, I don't think we didn't 734 00:40:29,280 --> 00:40:33,239 Speaker 1: make this up. But in the room when um, when 735 00:40:33,320 --> 00:40:36,400 Speaker 1: everybody would take a we would break the story so 736 00:40:36,440 --> 00:40:38,279 Speaker 1: you break the scenes, you break the acts, break the scenes, 737 00:40:38,719 --> 00:40:42,200 Speaker 1: and then um, we would go off and people would 738 00:40:42,200 --> 00:40:43,600 Speaker 1: get their own scenes. So you'd get a scene of 739 00:40:43,680 --> 00:40:46,040 Speaker 1: like what was going to happen, right, so say like 740 00:40:46,200 --> 00:40:48,800 Speaker 1: from the outline, Yeah, from the outline, and then and 741 00:40:48,840 --> 00:40:50,400 Speaker 1: then you have to go right to fill it in. 742 00:40:50,480 --> 00:40:52,040 Speaker 1: You get to write the dialogue, You get to write 743 00:40:52,120 --> 00:40:54,000 Speaker 1: fun stuff that you want to happen in it. And 744 00:40:54,120 --> 00:40:56,400 Speaker 1: when we would break that up, which by the way, 745 00:40:56,480 --> 00:40:58,239 Speaker 1: is illegal from the w J You're not supposed to 746 00:40:58,280 --> 00:40:59,400 Speaker 1: do this, but we would break it up. But we 747 00:40:59,440 --> 00:41:03,640 Speaker 1: would call it gang banging the outline, Oh god, which 748 00:41:03,680 --> 00:41:06,480 Speaker 1: is still uncomfortable when you got are we gonna gang 749 00:41:06,520 --> 00:41:09,440 Speaker 1: bang this? We're gonna gang bang the outline? Oh god? 750 00:41:10,560 --> 00:41:14,080 Speaker 1: Little things, little things, you know what I mean. And 751 00:41:14,200 --> 00:41:16,920 Speaker 1: you don't know because you're so early in your career. 752 00:41:17,080 --> 00:41:19,600 Speaker 1: You haven't worked necessarily in healthy places yet, so you 753 00:41:19,719 --> 00:41:22,759 Speaker 1: just kind of assume, like, oh, it's like those everywhere, right. 754 00:41:22,840 --> 00:41:24,759 Speaker 1: I remember the whole thing that came out like with 755 00:41:24,920 --> 00:41:27,680 Speaker 1: the friends, Um, it was the friend's assistant when she 756 00:41:27,840 --> 00:41:30,239 Speaker 1: like was a whistleblower. She was like, listen, this is 757 00:41:30,320 --> 00:41:32,480 Speaker 1: so like, this is what it's like in the room, 758 00:41:32,560 --> 00:41:34,880 Speaker 1: and it does get really brutal in the room, and 759 00:41:35,000 --> 00:41:36,759 Speaker 1: and you had to be the kind of girl that 760 00:41:36,840 --> 00:41:39,560 Speaker 1: could roll with that and would never get offended by 761 00:41:39,600 --> 00:41:41,680 Speaker 1: that and that, and again like I don't care what 762 00:41:41,800 --> 00:41:43,800 Speaker 1: you say, Like let's go there, let's go everywhere. But 763 00:41:43,920 --> 00:41:46,960 Speaker 1: like there's when we're making references to rape, then it 764 00:41:47,040 --> 00:41:49,800 Speaker 1: gets weird, right, So like that doesn't make a prude, 765 00:41:49,920 --> 00:41:52,600 Speaker 1: and like whatever, I don't care what we say, because 766 00:41:52,680 --> 00:41:55,200 Speaker 1: like you are very open in that thing, you know, 767 00:41:55,280 --> 00:41:57,719 Speaker 1: like acting and writing. It's it's different than my sister 768 00:41:57,840 --> 00:41:59,239 Speaker 1: is a school teacher when she came to the room, 769 00:41:59,560 --> 00:42:02,240 Speaker 1: but she's like, I can't believe the way you're allowed 770 00:42:02,280 --> 00:42:07,080 Speaker 1: to speak. Just yea and there listen. There is an 771 00:42:07,120 --> 00:42:13,160 Speaker 1: expectation of more detail for any subject, more intimacy. You 772 00:42:13,280 --> 00:42:18,759 Speaker 1: are creating intimate lives as actors and writers. But to 773 00:42:18,920 --> 00:42:22,080 Speaker 1: Hillary's point, when you've worked in more places, you know 774 00:42:22,239 --> 00:42:26,360 Speaker 1: what healthy intimacy looks like versus unhealthy intimacy, And the 775 00:42:26,560 --> 00:42:30,680 Speaker 1: kind of things you're referring to are deeply unhealthy because 776 00:42:30,680 --> 00:42:32,400 Speaker 1: you've got to be able to be messy to be 777 00:42:32,520 --> 00:42:34,800 Speaker 1: an artist and to create things. There has to be 778 00:42:34,920 --> 00:42:37,560 Speaker 1: a space where you can say stupid things or do 779 00:42:37,760 --> 00:42:40,040 Speaker 1: you know, do some or offend someone or whatever. There 780 00:42:40,080 --> 00:42:42,880 Speaker 1: has to be space for that because you're creating something 781 00:42:43,040 --> 00:42:45,520 Speaker 1: and that there is a rawness and a vulnerability, but 782 00:42:45,600 --> 00:42:47,920 Speaker 1: there's a way to do it that is healthy and 783 00:42:48,040 --> 00:42:51,759 Speaker 1: consider it and where there's forgiveness and there's space to say, 784 00:42:51,840 --> 00:42:54,800 Speaker 1: oh I need to learn something here. Sorry, I totally 785 00:42:54,840 --> 00:42:58,040 Speaker 1: stepped out of line. Didn't realize that. Apologies, I forgive you. 786 00:42:58,280 --> 00:43:01,120 Speaker 1: Let's move on. But when you're in an environment where 787 00:43:01,239 --> 00:43:05,200 Speaker 1: everyone's just it's like autheritarian, everyone's just expected to kiss 788 00:43:05,239 --> 00:43:09,880 Speaker 1: the ring. When you're in a room where there's sixteen 789 00:43:09,960 --> 00:43:12,480 Speaker 1: people and only two women and the men are throwing 790 00:43:12,560 --> 00:43:16,520 Speaker 1: around terms like that, it's absolutely unhealthy. And it Yeah, 791 00:43:17,000 --> 00:43:20,440 Speaker 1: period happened on my very first day. I came in 792 00:43:21,239 --> 00:43:23,520 Speaker 1: one of the all the assistants were male, and there's 793 00:43:23,520 --> 00:43:25,000 Speaker 1: a p a, there was a there was a writer, 794 00:43:25,360 --> 00:43:28,400 Speaker 1: um the first year who wasn't there, and um the 795 00:43:28,480 --> 00:43:31,719 Speaker 1: Paris Hillton sex tape had just come out. God, and 796 00:43:31,880 --> 00:43:37,759 Speaker 1: they were all watching it at work and work, and 797 00:43:37,880 --> 00:43:40,319 Speaker 1: I had just met all these people and they were like, yeah, 798 00:43:40,680 --> 00:43:41,960 Speaker 1: I want to and it was like so it was 799 00:43:42,000 --> 00:43:44,279 Speaker 1: like this test of like and that a writer came 800 00:43:44,320 --> 00:43:49,000 Speaker 1: out and he goes, what's going on? Yeah, and they 801 00:43:49,040 --> 00:43:51,880 Speaker 1: were like and he's like, not cool, guys, not cool. 802 00:43:52,840 --> 00:43:55,879 Speaker 1: Now that writer turns out is actually gay, but nobody knew. 803 00:43:56,080 --> 00:43:58,439 Speaker 1: But I think that's interesting that it was like one 804 00:43:58,520 --> 00:44:00,800 Speaker 1: game mail that was like, guys, that cool, this is 805 00:44:00,960 --> 00:44:03,239 Speaker 1: like And is that the writer that left after after 806 00:44:03,320 --> 00:44:06,399 Speaker 1: that season? After he was only um, he was only 807 00:44:06,480 --> 00:44:10,040 Speaker 1: the first season. I believe I came in that I 808 00:44:10,120 --> 00:44:11,600 Speaker 1: come in at the end of the first season, at 809 00:44:11,600 --> 00:44:14,239 Speaker 1: the beginning of the second season. Yeah, that would make 810 00:44:14,280 --> 00:44:16,320 Speaker 1: me want to run for the hills too, just like 811 00:44:18,200 --> 00:44:20,120 Speaker 1: this is so And then just think about how far 812 00:44:20,200 --> 00:44:23,880 Speaker 1: we've come that, like, how like aware everyone is of 813 00:44:23,960 --> 00:44:27,600 Speaker 1: how unbelievably inappropriate that would have been. But I wonder 814 00:44:27,640 --> 00:44:29,279 Speaker 1: if it still happens with young I mean we were 815 00:44:29,320 --> 00:44:31,480 Speaker 1: of course it does, of course it does. I mean 816 00:44:31,840 --> 00:44:33,960 Speaker 1: when you talk about, you know what happened with the 817 00:44:34,000 --> 00:44:37,160 Speaker 1: writer on Friends, you know how they make us through 818 00:44:37,239 --> 00:44:41,480 Speaker 1: the sexual harassment seminar every year at every studio, you know, 819 00:44:41,600 --> 00:44:43,960 Speaker 1: for our friends at home, you have to do this 820 00:44:44,280 --> 00:44:48,880 Speaker 1: seminar about what's appropriate communication. This has always existed and 821 00:44:49,280 --> 00:44:55,520 Speaker 1: pre the Me two story breaking In every single year 822 00:44:55,680 --> 00:44:58,960 Speaker 1: that I was working at NBC, we would do the 823 00:44:59,040 --> 00:45:01,680 Speaker 1: sexual harassment seminar and they would say, and let us 824 00:45:01,719 --> 00:45:05,439 Speaker 1: give you an example of what happens when a legal 825 00:45:05,520 --> 00:45:08,520 Speaker 1: issue is risen. And they would give the example of 826 00:45:08,600 --> 00:45:12,360 Speaker 1: the Friends writer talking about how the jokes about the 827 00:45:12,480 --> 00:45:15,840 Speaker 1: sexually inappropriate jokes, the commentary about rape, and the and 828 00:45:15,960 --> 00:45:19,080 Speaker 1: the racist commentary in the writer writer's room of that 829 00:45:19,120 --> 00:45:21,600 Speaker 1: show made her feel very uncomfortable and a lot of 830 00:45:21,640 --> 00:45:23,960 Speaker 1: it felt pointed at her. And then they would tell 831 00:45:24,040 --> 00:45:28,239 Speaker 1: us about how she lost, how the network's lawyers beat 832 00:45:28,320 --> 00:45:33,160 Speaker 1: her in court. So the exits it was no one's 833 00:45:33,200 --> 00:45:35,520 Speaker 1: allowed to speak to you in ways that make you uncomfortable, 834 00:45:35,840 --> 00:45:39,640 Speaker 1: but if they do, will win. That was the messaging. 835 00:45:40,400 --> 00:45:45,279 Speaker 1: And so when we talk about all of this and 836 00:45:45,480 --> 00:45:49,520 Speaker 1: people say I think dumb, like, well, why didn't you 837 00:45:49,640 --> 00:45:54,480 Speaker 1: just leave something? Yeah, first of all, as you said, 838 00:45:54,520 --> 00:45:59,719 Speaker 1: so well, Anna, it never starts there. It starts everyone's cool. 839 00:46:00,000 --> 00:46:02,520 Speaker 1: Everyone's nice. People take you under their wing, they tell 840 00:46:02,560 --> 00:46:04,600 Speaker 1: you they're going to mentor you. They probably give you 841 00:46:04,719 --> 00:46:12,120 Speaker 1: like a cool gift, like a nickname. And by the way, 842 00:46:12,520 --> 00:46:15,239 Speaker 1: you were welcomed into a room where something very uncomfortable 843 00:46:15,280 --> 00:46:18,560 Speaker 1: and inappropriate was happening, but someone in power stood up 844 00:46:18,560 --> 00:46:22,560 Speaker 1: and said absolutely not. So you go, whoa, that was weird, 845 00:46:22,680 --> 00:46:26,000 Speaker 1: But every they acknowledged it was weird and okay, we're 846 00:46:26,000 --> 00:46:30,040 Speaker 1: going to move on from that. It's it's also incremental, 847 00:46:30,440 --> 00:46:33,000 Speaker 1: and everything happens in all these shades of gray. It's 848 00:46:33,160 --> 00:46:35,200 Speaker 1: rarely ever black and white. It's easy to have the 849 00:46:35,239 --> 00:46:39,200 Speaker 1: black and white examples after the fact, but I think 850 00:46:39,520 --> 00:46:42,759 Speaker 1: you know, when we ask what happens these days, this 851 00:46:42,960 --> 00:46:47,560 Speaker 1: is why we talk about a diversity of a requirement 852 00:46:47,640 --> 00:46:50,600 Speaker 1: really for a diversity of the people in power, because 853 00:46:50,760 --> 00:46:54,319 Speaker 1: when there is more diversity in power positions, whether it's 854 00:46:54,360 --> 00:46:59,440 Speaker 1: a corporate environment, a movie studio, creative industry, there's less harassment, 855 00:46:59,560 --> 00:47:03,800 Speaker 1: less on happiness, more pay equity. Like the data tells 856 00:47:03,920 --> 00:47:07,160 Speaker 1: us it's possible to change it, and it happens organically. 857 00:47:07,360 --> 00:47:15,200 Speaker 1: You put it year old exactly show Yeah, you wouldn't 858 00:47:15,200 --> 00:47:18,480 Speaker 1: have felt like it was you against the whole machine. 859 00:47:20,160 --> 00:47:22,600 Speaker 1: You know. The reality is if we want to build 860 00:47:22,920 --> 00:47:26,319 Speaker 1: rooms that look more like the world, some of us 861 00:47:26,400 --> 00:47:29,000 Speaker 1: have to go first. And like you got a group 862 00:47:29,080 --> 00:47:31,120 Speaker 1: of women on this zoom who were all kind of 863 00:47:31,200 --> 00:47:35,640 Speaker 1: first in that environment, and it sucked for all. But 864 00:47:35,760 --> 00:47:39,239 Speaker 1: it's also unspoken thing about that too, is that you know, 865 00:47:39,440 --> 00:47:41,839 Speaker 1: and this is what the friends thing she and she brought. 866 00:47:42,040 --> 00:47:45,320 Speaker 1: You know that there's not just a hundred, there's a 867 00:47:45,440 --> 00:47:49,440 Speaker 1: thousand people lined up to do your job. You are 868 00:47:49,840 --> 00:47:52,400 Speaker 1: so privileged to be there, and you see the resumes 869 00:47:52,440 --> 00:47:53,919 Speaker 1: coming off the thing. And even though you're the lowest 870 00:47:53,960 --> 00:47:56,000 Speaker 1: person in the total pole, even though you're making point 871 00:47:57,280 --> 00:47:58,960 Speaker 1: of the person who's doing the same thing, you know 872 00:47:59,120 --> 00:48:01,040 Speaker 1: that people are lined up to happen. You're so lucky. 873 00:48:01,360 --> 00:48:05,640 Speaker 1: You're like, you're replaceable. Is the drumbeat that I kept hearing. 874 00:48:05,719 --> 00:48:17,000 Speaker 1: You're replaceable, replaceable, You're replaceable to Anna, do you want 875 00:48:17,040 --> 00:48:22,879 Speaker 1: to spin a wheel with us and do most likely to? Yes? Yeah, 876 00:48:24,880 --> 00:48:28,200 Speaker 1: I think we ought to. Let's see we got this week? 877 00:48:28,480 --> 00:48:30,480 Speaker 1: So do you know this thing that we do on 878 00:48:31,160 --> 00:48:33,560 Speaker 1: the show most likely too? I don't think I've seen 879 00:48:33,680 --> 00:48:37,320 Speaker 1: Have I seen that? Oh? Yes? So we like, like 880 00:48:37,719 --> 00:48:41,200 Speaker 1: you know, school superlatives, yearbook things. We pick a most 881 00:48:41,400 --> 00:48:43,560 Speaker 1: likely to topic and then we have to pick a 882 00:48:43,760 --> 00:48:47,320 Speaker 1: cast member and a character who fit the bill. So 883 00:48:47,440 --> 00:48:52,279 Speaker 1: this week we have most likely to become a meme. 884 00:48:52,560 --> 00:48:55,680 Speaker 1: Oh my god, we were like pre memes to girl. 885 00:48:55,760 --> 00:48:59,040 Speaker 1: There's so many like gifts and memes from this episode. 886 00:48:59,080 --> 00:49:01,880 Speaker 1: So if you talked about it the top, there's like 887 00:49:02,160 --> 00:49:04,680 Speaker 1: there's that famous shot of the three of us hugging 888 00:49:04,760 --> 00:49:07,520 Speaker 1: at the end of the stage and then Hillary and 889 00:49:07,560 --> 00:49:10,560 Speaker 1: her sunglasses and then the three of us doing the 890 00:49:10,680 --> 00:49:14,120 Speaker 1: like high kicks at the end. I mean, honestly, is 891 00:49:14,160 --> 00:49:16,840 Speaker 1: that is this the episode instead of a character? Is 892 00:49:16,880 --> 00:49:19,560 Speaker 1: it episode three four and the month you become a meme? 893 00:49:20,239 --> 00:49:22,040 Speaker 1: I think you did it. I think you wrote it. 894 00:49:22,360 --> 00:49:26,840 Speaker 1: Queen meme. Here we have queen meme. And yeah, do 895 00:49:27,000 --> 00:49:29,319 Speaker 1: you have a favorite one tree Hill gift or meme 896 00:49:29,440 --> 00:49:34,759 Speaker 1: that you've seen floating around? Um, I'm trying to think. 897 00:49:35,080 --> 00:49:37,120 Speaker 1: I don't know. I'll have to go look and take 898 00:49:37,120 --> 00:49:40,360 Speaker 1: a deep dive. That'll be fun. Yeah, Anna, thank you 899 00:49:40,560 --> 00:49:43,879 Speaker 1: so so much. We'll talk more. And yeah, I'm glad 900 00:49:43,880 --> 00:49:46,799 Speaker 1: that we're gonna begin this healing journey together. Me too. 901 00:49:46,840 --> 00:49:49,919 Speaker 1: Of you guys. You wrote a kick ass episode. Thank 902 00:49:49,960 --> 00:49:52,359 Speaker 1: you so much. And yeah, just the beginning. Can't wait 903 00:49:52,440 --> 00:49:55,600 Speaker 1: to them. Yeah, next time I love to read. They'll 904 00:49:55,640 --> 00:49:58,239 Speaker 1: be fun. Okay, right, please do some next week. We 905 00:49:58,320 --> 00:50:02,279 Speaker 1: have episode fift from season three. Just watch the fireworks. 906 00:50:02,400 --> 00:50:05,600 Speaker 1: I feel like that was heron's drows sweet. Well, there 907 00:50:05,600 --> 00:50:08,680 Speaker 1: are dudes alright for games and chat. One are the teams? 908 00:50:09,320 --> 00:50:15,440 Speaker 1: All right? Allays, all right, we'll see so all right, Hey, 909 00:50:15,560 --> 00:50:17,880 Speaker 1: thanks for listening. Don't forget to leave us a review. 910 00:50:18,160 --> 00:50:21,240 Speaker 1: You can also follow us on Instagram at Drama Queens 911 00:50:21,320 --> 00:50:24,719 Speaker 1: O t H. Or email us at Drama Queens at 912 00:50:24,840 --> 00:50:29,160 Speaker 1: I heart radio dot com. See you next time. We 913 00:50:29,360 --> 00:50:32,479 Speaker 1: are all about that high school drama. Girl Drama Girl, 914 00:50:32,560 --> 00:50:35,640 Speaker 1: all about them high school queens. We'll take you for 915 00:50:35,800 --> 00:50:38,880 Speaker 1: a ride at our comic Girl cheering for the right 916 00:50:39,320 --> 00:50:43,319 Speaker 1: Drama Queens draw up girl fashion, but your tough girl, 917 00:50:43,480 --> 00:50:46,439 Speaker 1: you can sit with us. Girl Drama Queens, Drama Queens, Drama, 918 00:50:46,560 --> 00:50:49,440 Speaker 1: Queen's Drama Drawn MC Queen's Drama Queens