1 00:00:01,360 --> 00:00:04,960 Speaker 1: Dang dang, verybody come to the breakfast club. I called 2 00:00:05,000 --> 00:00:12,560 Speaker 1: this the high seas around You know you're even doing it? Yo, 3 00:00:12,760 --> 00:00:15,840 Speaker 1: so peg yo are you so patty? The World's most 4 00:00:15,920 --> 00:00:19,759 Speaker 1: Dangerous morning show? D j N this bitch, ANGELI. I 5 00:00:19,840 --> 00:00:22,120 Speaker 1: stay in everybody's business, but in a good ray. Charlomagne 6 00:00:22,160 --> 00:00:24,680 Speaker 1: the God, the ruler, rubbing you the wrong way. The 7 00:00:24,800 --> 00:00:39,239 Speaker 1: breakfast clubs made for everybody. Good morning Usa yo yo 8 00:00:39,320 --> 00:00:40,920 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:41,000 --> 00:00:42,720 Speaker 1: yo yo yo yo yo yo yo yo yo yo 10 00:00:42,800 --> 00:00:44,640 Speaker 1: yo yo yo yo yo yo yo yo yo yo 11 00:00:44,760 --> 00:00:48,560 Speaker 1: yo yo. Good morning shot Leman. The god Peace to 12 00:00:48,640 --> 00:00:55,200 Speaker 1: the planet is Thursday. Angela stilloud. She's in santral Pay. Yeah, 13 00:00:55,280 --> 00:00:58,320 Speaker 1: she in Santro Pay last night. Um chucka can chucker 14 00:00:58,360 --> 00:01:01,040 Speaker 1: car let me rocket shacka callos perform for Magic John's 15 00:01:01,040 --> 00:01:02,959 Speaker 1: birthday and she's out there for that. So she took 16 00:01:03,000 --> 00:01:05,600 Speaker 1: some pictures. I seen him with Magic and with Shaka Kun. 17 00:01:05,800 --> 00:01:07,800 Speaker 1: So she's out there living her best life. So yeah, 18 00:01:07,800 --> 00:01:10,840 Speaker 1: I gotta take last night from a sweaty looking It 19 00:01:10,959 --> 00:01:14,640 Speaker 1: was a picture of the sweaty looking Angelae and another 20 00:01:14,680 --> 00:01:18,280 Speaker 1: person and uh it was Gail King actually and they 21 00:01:18,360 --> 00:01:22,320 Speaker 1: was hanging out. Yes, she was like, look who it is. Yes, right, 22 00:01:22,720 --> 00:01:26,360 Speaker 1: so yeah, she's out of homie Gail King. That picture, 23 00:01:26,360 --> 00:01:28,240 Speaker 1: Gail King, Yeah, I'll sent you to you. Yeah, that's 24 00:01:28,280 --> 00:01:30,400 Speaker 1: the homie ya out there living it up, living it up, 25 00:01:30,440 --> 00:01:32,199 Speaker 1: living it up, living on a part of the illuminati. 26 00:01:32,319 --> 00:01:34,960 Speaker 1: So yeah, so you get the messages every time. You know, 27 00:01:35,600 --> 00:01:38,280 Speaker 1: you know, I gotta take that old baby now right, 28 00:01:39,000 --> 00:01:42,440 Speaker 1: shout the two Chains who he took the old about 29 00:01:42,440 --> 00:01:45,400 Speaker 1: ten years of Golden Problem. Now, Two Chains. You know, 30 00:01:45,400 --> 00:01:47,319 Speaker 1: I'm having my big car show this Saturday. So Two 31 00:01:47,400 --> 00:01:49,000 Speaker 1: Chains sent me here his car that was on the 32 00:01:49,040 --> 00:01:51,920 Speaker 1: cover of his album, The Trap Car, The Trap House 33 00:01:52,000 --> 00:01:55,880 Speaker 1: Car Pink. I didn't know that the car actually doesn't run, 34 00:01:56,600 --> 00:01:58,800 Speaker 1: so when they delivered it last night, I was like, 35 00:01:59,000 --> 00:02:01,040 Speaker 1: I just driving up the driveway and he was like, no, 36 00:02:01,480 --> 00:02:03,840 Speaker 1: can't driving the driveway. So last night, at one o'clock 37 00:02:03,880 --> 00:02:05,520 Speaker 1: in the morning, we had to push the pink car. 38 00:02:05,680 --> 00:02:07,720 Speaker 1: And it's an old car, so Chevy Caprice. It must 39 00:02:07,760 --> 00:02:11,000 Speaker 1: be like an eighty something, so it's like real metal, 40 00:02:11,200 --> 00:02:13,679 Speaker 1: real heavy. It took us about an hour to push 41 00:02:13,720 --> 00:02:16,639 Speaker 1: that sucker up that hill, and everybody was sleeping, so 42 00:02:16,680 --> 00:02:19,080 Speaker 1: nobody could help. There was just meet the told truck 43 00:02:19,200 --> 00:02:21,840 Speaker 1: driver and we had to push that up that damn hill. 44 00:02:22,320 --> 00:02:24,480 Speaker 1: That's crazy that that car don't work and the two 45 00:02:24,560 --> 00:02:27,359 Speaker 1: chain need to renew as Illuminati membership. Well, it's just 46 00:02:27,480 --> 00:02:29,359 Speaker 1: there for aesthetics, you know, because people can come take 47 00:02:29,400 --> 00:02:30,800 Speaker 1: pictures on it, you can sit on it, you can 48 00:02:31,080 --> 00:02:32,440 Speaker 1: actually take pictures. That's what we have it for the 49 00:02:32,480 --> 00:02:33,919 Speaker 1: car show because a lot of times people want to 50 00:02:33,960 --> 00:02:36,639 Speaker 1: take pictures of the car, sit on it or touch it, 51 00:02:36,800 --> 00:02:39,880 Speaker 1: and that's the perfect car for it. So shot two 52 00:02:39,960 --> 00:02:41,880 Speaker 1: chains for that. That that's why I'm tired as a 53 00:02:41,960 --> 00:02:45,639 Speaker 1: mother because I was dealing with that last night. Yeah, 54 00:02:45,720 --> 00:02:47,480 Speaker 1: but it'll be good. So a car show this Saturday, 55 00:02:47,520 --> 00:02:51,200 Speaker 1: So I can't wait to see you guys. Now, well 56 00:02:51,240 --> 00:02:54,600 Speaker 1: a can't sell out. Why it can't sell out because 57 00:02:54,639 --> 00:02:56,760 Speaker 1: the way the car show works is there is no 58 00:02:57,120 --> 00:02:59,480 Speaker 1: cap number because people come in and out of car shows, 59 00:02:59,680 --> 00:03:01,480 Speaker 1: so it's not like it's you know a minimum of 60 00:03:01,600 --> 00:03:04,000 Speaker 1: ten thousand people. You know, people come in and out, 61 00:03:04,080 --> 00:03:06,639 Speaker 1: so the building just you just keep selling tickets, which 62 00:03:06,680 --> 00:03:08,720 Speaker 1: is a great guy. Okay, so they'd be pretty cool. 63 00:03:09,120 --> 00:03:11,160 Speaker 1: Now today on the show, we have a couple of 64 00:03:11,240 --> 00:03:14,440 Speaker 1: guests joining us. That's right, because yesterday on Hulu it 65 00:03:14,560 --> 00:03:16,440 Speaker 1: was Wu Tang Wednesdays. I guess that's what they're doing 66 00:03:16,480 --> 00:03:19,760 Speaker 1: on Hulu. Yes, they premier to Wu Tang in American Saga, 67 00:03:19,880 --> 00:03:22,120 Speaker 1: the TV show. That's right, that's right. So we'll have 68 00:03:22,200 --> 00:03:24,640 Speaker 1: some of the casts this morning. Right. We have Shimik 69 00:03:24,720 --> 00:03:28,320 Speaker 1: More who plays ray Kun in the Wu Tang series, 70 00:03:28,480 --> 00:03:32,000 Speaker 1: also Eric Alexander, and Schmik was also into the Spider Verse. 71 00:03:32,080 --> 00:03:34,079 Speaker 1: He was also in Dope. He was also in The 72 00:03:34,200 --> 00:03:36,320 Speaker 1: Get Down on Netflix. In case you don't know who 73 00:03:36,320 --> 00:03:39,040 Speaker 1: he is. Also he thinks you know who he is though, Well, 74 00:03:39,040 --> 00:03:42,440 Speaker 1: we'll talk to him. He's great fun. Also, Erica Alexander 75 00:03:42,440 --> 00:03:45,720 Speaker 1: will be joining us, and Queen Erica Alexander. I love 76 00:03:45,840 --> 00:03:49,400 Speaker 1: Eric Alexander. Man, she just she's a light that she is. 77 00:03:49,760 --> 00:03:51,320 Speaker 1: You might know her from the Cosby Show, but she 78 00:03:51,400 --> 00:03:54,839 Speaker 1: also plays Rizzar's mom, you said, from the Cosby Show. Yeah, 79 00:03:54,840 --> 00:03:58,000 Speaker 1: and single, yeah, living single more so than the Cosby Show. 80 00:03:58,120 --> 00:03:59,800 Speaker 1: I mean Pam on the Cosby Show, of course, but 81 00:04:00,760 --> 00:04:05,160 Speaker 1: Maxine Shaw attorney at Love Now. Also Ashton Sanders he'll 82 00:04:05,200 --> 00:04:08,400 Speaker 1: be here as well. He played the Rizzy and then 83 00:04:08,440 --> 00:04:10,280 Speaker 1: the real Rizzer will be joining us today as well. 84 00:04:10,360 --> 00:04:12,440 Speaker 1: Bobby did you? Bobby did you the architect of the 85 00:04:12,520 --> 00:04:16,560 Speaker 1: whole thing thing? That's right? And tonight it's back. We're 86 00:04:16,680 --> 00:04:21,680 Speaker 1: back and its back to Nate wowe off, Well, you're 87 00:04:21,720 --> 00:04:23,400 Speaker 1: not gonna watch you, all right? Sure? All right? So 88 00:04:23,480 --> 00:04:30,960 Speaker 1: I'm just appointing jay Z. I know what, Jays, I'm 89 00:04:30,960 --> 00:04:34,280 Speaker 1: not even supporting jam I'm having the ball. I'm gonna 90 00:04:34,320 --> 00:04:36,159 Speaker 1: tell you when the Packers will be playing. The Bears 91 00:04:36,160 --> 00:04:38,200 Speaker 1: will tell you what times. Let's get the show cracking 92 00:04:38,240 --> 00:04:40,920 Speaker 1: front page duds is next age? Lee still not here. 93 00:04:41,279 --> 00:04:42,880 Speaker 1: I don't know what we're talking about. I'm sure we'll 94 00:04:42,920 --> 00:04:45,400 Speaker 1: talk about something about Dory and Hurricane Dory and and 95 00:04:45,560 --> 00:04:54,960 Speaker 1: some other stuff. All right, Breakfast Go Morning show. Bad 96 00:04:55,040 --> 00:04:59,520 Speaker 1: little fighting on my mind as I do this all 97 00:04:59,560 --> 00:05:03,040 Speaker 1: the time. A surprise every other night, another movie came made. 98 00:05:05,520 --> 00:05:08,960 Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We 99 00:05:09,040 --> 00:05:11,520 Speaker 1: are to Breakfast Club. Let's getting some front page news. 100 00:05:12,480 --> 00:05:14,920 Speaker 1: Start off with sports. The NFL season kicks off tonight 101 00:05:15,000 --> 00:05:18,320 Speaker 1: on NBC at eight twenty. The Packers take on the 102 00:05:18,480 --> 00:05:21,200 Speaker 1: Chicago Bears. In that game movie played out in Chicago. 103 00:05:21,480 --> 00:05:24,400 Speaker 1: I definitely was gonna boycott the NFL if the Dallas 104 00:05:24,440 --> 00:05:27,720 Speaker 1: Cowboys hadn't resigned Ezekiel Elliot. But now that Ezekiel's back 105 00:05:27,760 --> 00:05:30,040 Speaker 1: in the fold, well, I think what six years, ninety 106 00:05:30,080 --> 00:05:33,200 Speaker 1: million dollars, I'm all in, baby my goodness now. Also, 107 00:05:33,360 --> 00:05:37,520 Speaker 1: Hurricane Dorian, it seems like they're twenty deaths related to 108 00:05:37,640 --> 00:05:39,280 Speaker 1: that in the Bahamas. Of course there's going to be 109 00:05:39,360 --> 00:05:42,200 Speaker 1: more fatalities, but that's what they discovered so far. It's 110 00:05:42,279 --> 00:05:44,720 Speaker 1: now on the coast of South Carolina. They're saying more 111 00:05:44,760 --> 00:05:47,799 Speaker 1: than one hundred and fifteen thousand people are without power 112 00:05:47,920 --> 00:05:50,920 Speaker 1: this morning. They're saying if you live on a coach 113 00:05:51,000 --> 00:05:53,680 Speaker 1: you get expected to get fifteen to twenty inches of rain, 114 00:05:54,279 --> 00:05:56,480 Speaker 1: and they're saying, fine, shelter because it's gonna be a 115 00:05:56,600 --> 00:06:00,400 Speaker 1: nasty one. Yeah. Salute to the crib. South Carolina heard 116 00:06:00,440 --> 00:06:04,320 Speaker 1: downtown Charleston is flooding, but that's pretty routine when things 117 00:06:04,360 --> 00:06:07,760 Speaker 1: like this happened. But salute to sue to South Carolina. Also, 118 00:06:07,920 --> 00:06:10,480 Speaker 1: Disney is donating more than a million dollars to Bahamas 119 00:06:10,560 --> 00:06:13,000 Speaker 1: for Dorian relief. That donation that's been led by the 120 00:06:13,080 --> 00:06:15,880 Speaker 1: Disney cruise line. I was actually on that cruise line 121 00:06:15,920 --> 00:06:18,040 Speaker 1: two weeks ago, no, about a month ago, and post 122 00:06:18,040 --> 00:06:20,600 Speaker 1: holes on that cruise right now. So yeah, a lot. 123 00:06:20,640 --> 00:06:22,720 Speaker 1: I mean, any of those cruise ships should be donating 124 00:06:22,760 --> 00:06:24,880 Speaker 1: money to the Bahamas as much as much money as 125 00:06:24,920 --> 00:06:26,760 Speaker 1: they make off the Mohammas, right, you know what I mean. 126 00:06:26,800 --> 00:06:28,640 Speaker 1: That's that's one of the destinations where they take people 127 00:06:28,680 --> 00:06:31,640 Speaker 1: on their cruises, So they should definitely be aniing up 128 00:06:31,680 --> 00:06:35,360 Speaker 1: those cruise line Norwegian and who else they got Now'sion 129 00:06:35,360 --> 00:06:38,680 Speaker 1: the only one I know as a Royal Caribbean Caribbean 130 00:06:38,800 --> 00:06:42,520 Speaker 1: Carnival Carnival yup, and then the Disney cruise line. Now, 131 00:06:42,920 --> 00:06:45,440 Speaker 1: landlord called a cop on attendant who didn't want to 132 00:06:45,440 --> 00:06:48,200 Speaker 1: pay his rent. You know why because he was playing 133 00:06:48,320 --> 00:06:50,880 Speaker 1: debt and he played debt and said I'm not paying 134 00:06:50,920 --> 00:06:53,400 Speaker 1: my rent. So the landlord called the police and the 135 00:06:53,520 --> 00:06:56,520 Speaker 1: guy actually had a warranty and outstanding warren and got 136 00:06:56,560 --> 00:06:59,400 Speaker 1: his ass arrested. Anyway, So I hate people who don't 137 00:06:59,440 --> 00:07:01,280 Speaker 1: think long time, you know what I'm saying, Like, Like, 138 00:07:01,320 --> 00:07:03,760 Speaker 1: I'm the type of person I write down short term goals, goals, 139 00:07:04,120 --> 00:07:06,760 Speaker 1: long term goals. I have short term plans long term plans. 140 00:07:06,960 --> 00:07:08,760 Speaker 1: That's a short term plan, because how long are you 141 00:07:08,839 --> 00:07:11,800 Speaker 1: planning to play dad, sir, unless you're planning on moving 142 00:07:11,840 --> 00:07:13,080 Speaker 1: in a month, you know what I'm saying. So you 143 00:07:13,240 --> 00:07:16,320 Speaker 1: played Dad, you save up that little it's just September 144 00:07:16,400 --> 00:07:17,880 Speaker 1: month for rent to will help you move to the 145 00:07:17,960 --> 00:07:20,080 Speaker 1: next place to get out. Unless you're doing that, I 146 00:07:20,120 --> 00:07:21,680 Speaker 1: don't get it, because if you're playing Dad and you're 147 00:07:21,680 --> 00:07:25,720 Speaker 1: playing to stay there for a while, that's just stupid. Now. Lastly, 148 00:07:25,760 --> 00:07:28,280 Speaker 1: a New jerseyman scam dozens of women out of more 149 00:07:28,320 --> 00:07:31,120 Speaker 1: than two million dollars. He was posing as a US 150 00:07:31,240 --> 00:07:34,880 Speaker 1: service member. He was stationed overseas and what he would 151 00:07:34,880 --> 00:07:36,680 Speaker 1: do is he would get women to send him money 152 00:07:37,040 --> 00:07:39,360 Speaker 1: and he said he would send them back gold bars 153 00:07:39,480 --> 00:07:42,960 Speaker 1: from the Middle East. And he never sent the gold 154 00:07:42,960 --> 00:07:46,440 Speaker 1: bars back. Hey, ladies, that was replying to him. You 155 00:07:46,560 --> 00:07:48,400 Speaker 1: bet off replying to him emails you'd be getting from 156 00:07:48,480 --> 00:07:50,640 Speaker 1: him Nigerians all a goddamn time. Well, last he was 157 00:07:50,640 --> 00:07:55,760 Speaker 1: working with Nigerians of scammed victims out of more than 158 00:07:55,800 --> 00:07:58,120 Speaker 1: two point one million dollars. He's facing twenty years in 159 00:07:58,200 --> 00:08:00,520 Speaker 1: prison and a two hundred and fifty dropped on a 160 00:08:00,520 --> 00:08:03,640 Speaker 1: clues bomb for all my beautiful Nighterian people. I write 161 00:08:03,640 --> 00:08:07,200 Speaker 1: the best cameras in the business, all right. They don't 162 00:08:07,240 --> 00:08:10,119 Speaker 1: sit around and wait for reparations. They take them their self. 163 00:08:10,400 --> 00:08:15,360 Speaker 1: My goodness. All right, my guys, and that's front page news. 164 00:08:16,040 --> 00:08:18,200 Speaker 1: Now get it off your chest. Eight hundred five eight 165 00:08:18,280 --> 00:08:20,320 Speaker 1: five one on five one. If you're upset you need 166 00:08:20,400 --> 00:08:21,960 Speaker 1: to vent, hit us up right now. Maybe you had 167 00:08:22,000 --> 00:08:24,760 Speaker 1: a bad night, horrible night, or maybe you feel blessed. 168 00:08:24,760 --> 00:08:27,320 Speaker 1: You want to spread some positivity. Eight hundred five eight 169 00:08:27,400 --> 00:08:29,000 Speaker 1: five one on five one. Hit us up right now. 170 00:08:29,040 --> 00:08:31,679 Speaker 1: It is the breakfast club, the morning, the breakfast club. 171 00:08:34,880 --> 00:08:39,000 Speaker 1: Wake up, wake up, your time to get it off 172 00:08:39,040 --> 00:08:42,599 Speaker 1: your chest. Because you're man or blessed. We want to 173 00:08:42,640 --> 00:08:45,240 Speaker 1: hear from you on a breakfast club. Hello. Who's this? 174 00:08:46,640 --> 00:08:49,040 Speaker 1: This is Johnny from Houston, Texas. Man. I don't want 175 00:08:49,040 --> 00:08:50,640 Speaker 1: to have a question. I want to know why you're 176 00:08:50,679 --> 00:08:52,920 Speaker 1: in car club and you don't even know how to 177 00:08:53,160 --> 00:08:55,280 Speaker 1: change the damn tired Johnny. I'm not in the car 178 00:08:55,360 --> 00:09:01,520 Speaker 1: clubs one. I own a bunch of cars that I love. Johnny, 179 00:09:01,600 --> 00:09:04,520 Speaker 1: let me ask you a question, Johnny, what do you love? So? 180 00:09:04,679 --> 00:09:06,719 Speaker 1: Do you do you have a home? Oh, yeah, I 181 00:09:06,800 --> 00:09:09,120 Speaker 1: do you love your house? Oh? Yeah, how do you 182 00:09:09,200 --> 00:09:10,560 Speaker 1: love your house? You don't know how to build it? Sir, 183 00:09:11,720 --> 00:09:16,720 Speaker 1: I got me there. I don't know anything about cars. 184 00:09:16,760 --> 00:09:19,680 Speaker 1: I just I just love purchasing. That's a fall equivalacy. 185 00:09:19,679 --> 00:09:21,439 Speaker 1: The equipalacy would be if he didn't know how to 186 00:09:21,559 --> 00:09:23,480 Speaker 1: do anything around his house to help fix it up, 187 00:09:24,000 --> 00:09:26,760 Speaker 1: like like put the door now, I meant the change 188 00:09:26,800 --> 00:09:28,559 Speaker 1: a lock. I got to put the windship wife and 189 00:09:28,559 --> 00:09:31,600 Speaker 1: fluid in the car. But but what about the blink 190 00:09:31,640 --> 00:09:34,199 Speaker 1: of fluid, blink of fluid? Blank andy fluid? See, you 191 00:09:34,240 --> 00:09:36,160 Speaker 1: don't even know blak blow, don't need no damn fluid? 192 00:09:36,160 --> 00:09:40,120 Speaker 1: What what are you calling? Fluid? Hey, Charlotte Mayne. I 193 00:09:40,400 --> 00:09:42,480 Speaker 1: look forward to your little yo yo yo yo yo 194 00:09:42,760 --> 00:09:45,120 Speaker 1: every morning. Man, you want to thank you? You're easy 195 00:09:45,200 --> 00:09:47,599 Speaker 1: to please. I like your type. All right, man, that 196 00:09:47,720 --> 00:09:50,640 Speaker 1: thank you. Have a blessed day, sir. Okay, all right, 197 00:09:50,720 --> 00:09:54,240 Speaker 1: thank you. Johnny Johnny graduated at twenty one. He wouldn't 198 00:09:54,280 --> 00:09:59,040 Speaker 1: le him leve tell you the twenty one. Hello. Who's this? Hey? 199 00:09:59,240 --> 00:10:02,440 Speaker 1: My name is good Money. Y'all y'all done? Good morning? Well, 200 00:10:02,640 --> 00:10:07,040 Speaker 1: get up your chest? Uh man? This very serious man, 201 00:10:07,040 --> 00:10:09,959 Speaker 1: I know y'all probably been. I'm playing everything, but I 202 00:10:10,080 --> 00:10:12,640 Speaker 1: gotta go fund me going on right now? Man, my 203 00:10:12,760 --> 00:10:17,160 Speaker 1: wife broke my Xbox though, and uh man, I played 204 00:10:17,200 --> 00:10:20,320 Speaker 1: the game. I'm twenty eight, I'm twenty six years old. 205 00:10:20,960 --> 00:10:23,440 Speaker 1: I played a game that's that's my only piece of money, 206 00:10:23,480 --> 00:10:25,800 Speaker 1: and my wife broke my game. Bro, I need, I need. 207 00:10:26,080 --> 00:10:28,760 Speaker 1: You think I'm gonna donate money to your Xbox when 208 00:10:29,000 --> 00:10:32,560 Speaker 1: when the people that are dying and suffering from Hurricane Dorry, 209 00:10:32,600 --> 00:10:35,160 Speaker 1: and you think I'm gonna donate money to your Xbox. Yeah, 210 00:10:35,160 --> 00:10:38,000 Speaker 1: if you gotta raise money for x Xbox at twenty 211 00:10:38,040 --> 00:10:40,160 Speaker 1: eight years old, you don't even deserve your wife's vagina, 212 00:10:40,200 --> 00:10:42,600 Speaker 1: you bumb ass. He's fifty two, Bro, He's definitely fifty. 213 00:10:43,840 --> 00:10:45,720 Speaker 1: I'm gonna be honest with you, your bum ass negro. Bro. 214 00:10:46,000 --> 00:10:48,640 Speaker 1: You should be able to buy your own Xbox. Man. 215 00:10:49,280 --> 00:10:52,840 Speaker 1: You should be ashamed of yourself. You should. You don't. 216 00:10:53,120 --> 00:10:54,960 Speaker 1: I can't believe you like to play video games as 217 00:10:55,080 --> 00:10:58,000 Speaker 1: much as you playing yourself right now. Yeah, hey, look 218 00:10:58,320 --> 00:11:02,040 Speaker 1: follow me on Facebook. Man, No, I can't. I can't 219 00:11:02,360 --> 00:11:06,959 Speaker 1: get he didn't even have an Xbox. Hello's this man? Dude? 220 00:11:07,400 --> 00:11:13,760 Speaker 1: What's so heavy what's up raft? He happy, happy, happy 221 00:11:13,800 --> 00:11:17,640 Speaker 1: birthday to you brother. Thank you, sir, Yeah, you're definitely welcome. 222 00:11:17,840 --> 00:11:21,640 Speaker 1: Good Charlemagne, What up six? How you'm doing good? Doing good? 223 00:11:22,240 --> 00:11:23,800 Speaker 1: Seeing you up here with your little light skinned pizza 224 00:11:23,800 --> 00:11:27,480 Speaker 1: of trade the other day? Oh? Really? Yeah, your little 225 00:11:27,559 --> 00:11:33,520 Speaker 1: lights skined pizza trade. You like him like bright shaft 226 00:11:34,440 --> 00:11:36,960 Speaker 1: for first of all, I ain't have no like. First 227 00:11:36,960 --> 00:11:40,800 Speaker 1: of all, my friend, my strict friend. Hey, hey, it 228 00:11:40,840 --> 00:11:44,200 Speaker 1: all this out, Charlemagne. Le'll be doing that okay, now 229 00:11:44,440 --> 00:11:47,199 Speaker 1: what you call for a little jealous book ahead? No, 230 00:11:47,679 --> 00:11:49,679 Speaker 1: he just pissed me off even doing that show listening 231 00:11:49,920 --> 00:11:52,640 Speaker 1: Chris Paul d want to poo bomb for Chris Paul. 232 00:11:52,679 --> 00:11:55,319 Speaker 1: I just became a Chris Paul fan yesterday. Why because 233 00:11:55,320 --> 00:11:56,760 Speaker 1: he put up he put you put up a bunch 234 00:11:56,800 --> 00:11:59,320 Speaker 1: of pictures, neked, Oh my goodness, did you see them? 235 00:11:59,360 --> 00:12:02,199 Speaker 1: Ask char The main things were stronger than Obama's relationship. 236 00:12:02,720 --> 00:12:04,360 Speaker 1: I mean, I'm not gonna front it. Did it? Did it? 237 00:12:04,480 --> 00:12:07,040 Speaker 1: Did make his at name on Instagram? CP three sound 238 00:12:07,040 --> 00:12:10,920 Speaker 1: a little crazy? CP? You definitely did you scroll through 239 00:12:10,960 --> 00:12:12,439 Speaker 1: all three pictures that you just said you just saw 240 00:12:12,480 --> 00:12:16,280 Speaker 1: the one? I didn't. I didn't scroll through CPP. I 241 00:12:16,400 --> 00:12:19,320 Speaker 1: didn't scroll Yes, I didn't see the pictures. I don't 242 00:12:19,320 --> 00:12:21,320 Speaker 1: know what you're talking about. Bro, You ain't You ain't 243 00:12:21,360 --> 00:12:23,400 Speaker 1: got the life you're seeing the pictures I didn't see. 244 00:12:24,040 --> 00:12:25,559 Speaker 1: I mean, I saw the first one you posted, but 245 00:12:25,600 --> 00:12:27,440 Speaker 1: I didn't scroll through. You know. The funny thing now 246 00:12:27,480 --> 00:12:28,800 Speaker 1: that you're saying it, I was, I was. I was 247 00:12:28,880 --> 00:12:31,720 Speaker 1: working all day yesterday. I seen a picture of Snoop naked. 248 00:12:31,760 --> 00:12:33,560 Speaker 1: I'm like, why is Snoop got a picture of naked? 249 00:12:33,600 --> 00:12:36,000 Speaker 1: Like he's photoshop? But I guess that came from Chris Paul. Yeah. 250 00:12:36,040 --> 00:12:38,439 Speaker 1: And the funny thing about that naked issue ESPN does 251 00:12:38,480 --> 00:12:39,920 Speaker 1: I guess we forget that it comes out at the 252 00:12:39,960 --> 00:12:41,559 Speaker 1: same time every year, So all of a sudden, he's like, 253 00:12:41,559 --> 00:12:46,040 Speaker 1: why are you posting nudes every Yes, So I'm Saturday 254 00:12:46,080 --> 00:12:48,120 Speaker 1: on man at your car show. You're coming through. Y'all 255 00:12:48,120 --> 00:12:50,680 Speaker 1: come out, make sure y'all go support all right, crazy 256 00:12:50,720 --> 00:12:52,800 Speaker 1: travel be out there putting bananas and tailpipes in all 257 00:12:52,840 --> 00:12:54,680 Speaker 1: the cars. Stop it, man, get it off your chests. 258 00:12:54,679 --> 00:12:56,760 Speaker 1: Eight hundred and five eight five one on five one. 259 00:12:56,800 --> 00:12:58,200 Speaker 1: If you need to vent hit it something now. It's 260 00:12:58,200 --> 00:13:06,160 Speaker 1: the Breakfast Club. Good morning, Breakfast Club. This is your 261 00:13:06,200 --> 00:13:08,000 Speaker 1: time to get it off your chest. Whether you're man 262 00:13:08,160 --> 00:13:10,800 Speaker 1: or blast, but have the same and we want to 263 00:13:10,880 --> 00:13:15,120 Speaker 1: hear from you on the breakfast club. Hello. Who's this? Mark? 264 00:13:15,480 --> 00:13:20,760 Speaker 1: Ain't Mark? Marky? Yeah? And may RK no a, may RQ? Oh? 265 00:13:20,880 --> 00:13:23,720 Speaker 1: What's something? What's up? All right? Get it off your chest? 266 00:13:24,200 --> 00:13:26,280 Speaker 1: I was just calling to talk about how Malik Yelba 267 00:13:26,360 --> 00:13:29,439 Speaker 1: came out as licking times women. Okay, yeah, I think 268 00:13:29,520 --> 00:13:34,199 Speaker 1: Chris Brown next man. Man, it's six something in the 269 00:13:34,320 --> 00:13:37,200 Speaker 1: morning and that's what's on your mind about who's sleeping 270 00:13:37,240 --> 00:13:40,760 Speaker 1: with who? Why do you care? Why do you care 271 00:13:40,800 --> 00:13:43,560 Speaker 1: about who's sleeping with who? At six something in the morning. 272 00:13:43,679 --> 00:13:46,400 Speaker 1: I mean, if Malik Yoba has to come out, Chris 273 00:13:46,480 --> 00:13:48,480 Speaker 1: Brown needs to come out. He's saying some girl who 274 00:13:48,559 --> 00:13:51,840 Speaker 1: looked like she used to be a man? Mark? Are 275 00:13:51,840 --> 00:13:54,199 Speaker 1: you calling from Marca? You're a man a woman. I'm 276 00:13:54,280 --> 00:13:57,000 Speaker 1: a woman. If you don't believe me, she's in a snooz. 277 00:13:57,240 --> 00:14:00,839 Speaker 1: I don't care. Do you have a job, yo, Do 278 00:14:00,920 --> 00:14:02,959 Speaker 1: you have a job? Well? I want him to leave 279 00:14:03,000 --> 00:14:06,000 Speaker 1: women alone so he can stop, can stop, you know, 280 00:14:06,520 --> 00:14:09,000 Speaker 1: wouning all over him. We can know what he really liked. 281 00:14:09,280 --> 00:14:11,920 Speaker 1: He might like it all, he might be greedy. Mark, 282 00:14:12,000 --> 00:14:14,439 Speaker 1: Can you leave Chris Brown alone? Please? Why do you 283 00:14:14,520 --> 00:14:16,559 Speaker 1: why do you care who he likes? Huh? Why do 284 00:14:16,640 --> 00:14:18,280 Speaker 1: you care who he likes? Oh? My god? Because he 285 00:14:18,400 --> 00:14:20,720 Speaker 1: wants to put down black women and calling frogs. But 286 00:14:20,840 --> 00:14:23,480 Speaker 1: he's dating women who look like men. That's why I care. 287 00:14:23,800 --> 00:14:26,000 Speaker 1: But what if those women are black? What if they're 288 00:14:26,400 --> 00:14:29,720 Speaker 1: black Asian? I don't even know I'm entertaining this conversation. 289 00:14:29,880 --> 00:14:32,840 Speaker 1: I'm not having having this hypothetical Outcomversation's women, what's wrong 290 00:14:32,880 --> 00:14:34,320 Speaker 1: with that? You don't know what that man like? That's 291 00:14:34,320 --> 00:14:36,360 Speaker 1: a wrong with that. But don't put down black women 292 00:14:36,360 --> 00:14:38,440 Speaker 1: when you dating women who look like men. By the way, 293 00:14:38,600 --> 00:14:40,040 Speaker 1: do you want to come out to clous This is 294 00:14:40,040 --> 00:14:42,320 Speaker 1: why you can't believe nothing you read on social media. 295 00:14:42,400 --> 00:14:44,720 Speaker 1: That's why you can't believe nothing you on YouTube read 296 00:14:44,760 --> 00:14:47,000 Speaker 1: on social Media's what he calls on social media. And 297 00:14:47,040 --> 00:14:49,240 Speaker 1: the girls we've seen him with, you calling up him 298 00:14:49,320 --> 00:14:52,400 Speaker 1: saying that that man likes transgender women, transsexual women, and 299 00:14:52,440 --> 00:14:55,080 Speaker 1: you have no reason to say that women he's been 300 00:14:55,200 --> 00:14:57,840 Speaker 1: with that look like men. Yes, he's about to come 301 00:14:57,880 --> 00:15:00,240 Speaker 1: out to closet. He's thirty years old. He's having a 302 00:15:00,280 --> 00:15:03,760 Speaker 1: little midlife prices tattake tattooed the shoe on his face, 303 00:15:04,080 --> 00:15:07,680 Speaker 1: Nike shoe on his face. Some women have strong jaws, Ma, 304 00:15:08,280 --> 00:15:12,320 Speaker 1: he didn't get they got strong faces, strong features. He didn't. 305 00:15:12,360 --> 00:15:16,560 Speaker 1: He won't clear up the rumor. If his blue it's pregnant. Now. No, 306 00:15:16,680 --> 00:15:20,640 Speaker 1: it's six in the morning, y'all so worried about? Have 307 00:15:20,760 --> 00:15:23,800 Speaker 1: you had some breakfast yet? Why y'all do romer? I'm 308 00:15:24,000 --> 00:15:28,560 Speaker 1: calling it about the roomer. You made this up? We do? No. Um, 309 00:15:30,480 --> 00:15:32,240 Speaker 1: it's not six in the morning for me if I 310 00:15:32,360 --> 00:15:34,760 Speaker 1: just got out for work, is it you made this 311 00:15:34,920 --> 00:15:37,360 Speaker 1: up for night? No, I didn't make it that you did. 312 00:15:37,520 --> 00:15:39,520 Speaker 1: And stopped labeling people early in the morning when you 313 00:15:39,560 --> 00:15:42,640 Speaker 1: don't know what you ain't gonna reading the labor Oh 314 00:15:42,800 --> 00:15:45,760 Speaker 1: my god, you people are crazy this morning. Man, everybody 315 00:15:45,760 --> 00:15:49,440 Speaker 1: need a hug? Hello? Who's this? What's the DJ? Envy? Hey? 316 00:15:49,840 --> 00:15:52,920 Speaker 1: What's your name? Bro? The man boy Gary would con 317 00:15:53,160 --> 00:15:55,400 Speaker 1: the conversation was good, my boy? What's up? Gary? How 318 00:15:55,520 --> 00:15:58,240 Speaker 1: you doing? Coolest? Man? I just knew you was gonna 319 00:15:58,280 --> 00:16:00,920 Speaker 1: call out my podcast yesterday for some of your favorite 320 00:16:01,000 --> 00:16:03,760 Speaker 1: podcast Charlotte. Man, you hurt my feelings. Bro, I was 321 00:16:03,880 --> 00:16:09,320 Speaker 1: naming podcast yesterday. Yeah that you listen to the rat 322 00:16:09,480 --> 00:16:11,880 Speaker 1: Oh you want me to lie, and that's why I 323 00:16:12,000 --> 00:16:13,600 Speaker 1: messed with you. I don't want you to lie. Bro. 324 00:16:13,840 --> 00:16:17,480 Speaker 1: Oh yeah, I listened to the read we dog to 325 00:16:17,560 --> 00:16:22,120 Speaker 1: me bullet down? Here? What that Harry came? Bro? Congratulations? Yes, sir? Hey, 326 00:16:22,160 --> 00:16:24,000 Speaker 1: did you hear about the lady that broke the four 327 00:16:24,120 --> 00:16:28,120 Speaker 1: kids league in Florida? No? Yeah, the white girl at 328 00:16:28,160 --> 00:16:32,000 Speaker 1: the daycare. He broke four separate kids league? Really, man, 329 00:16:32,040 --> 00:16:34,640 Speaker 1: don't tell me that? Well google that story now, yeah, boy, 330 00:16:34,720 --> 00:16:37,240 Speaker 1: don't tell me. Don't tell me that. Give me anxuiety 331 00:16:37,240 --> 00:16:39,600 Speaker 1: whenever you're dropping my kids off the daycare. Yeah, don't 332 00:16:39,600 --> 00:16:41,040 Speaker 1: tell me that when I got my four year old 333 00:16:41,080 --> 00:16:43,800 Speaker 1: just starting free school. You know what I'm saying. The wait, 334 00:16:43,840 --> 00:16:45,560 Speaker 1: my anxiety set up. I don't need to hear stuff 335 00:16:45,560 --> 00:16:49,840 Speaker 1: like that. Not me either, But thanks Gary? Hello? Who's this? Kay? 336 00:16:49,880 --> 00:16:53,360 Speaker 1: Why are you whispering? Bro? You know why he whispering? Now? 337 00:16:53,440 --> 00:16:57,440 Speaker 1: I'm in the gym right now? Okay? All right? Oh no, no, no, no, no, 338 00:16:57,840 --> 00:17:01,600 Speaker 1: So I want to talk to Charlotte because I gotta 339 00:17:01,680 --> 00:17:05,359 Speaker 1: beat with chick um. You at the gym right now 340 00:17:05,440 --> 00:17:07,920 Speaker 1: working out, and you gotta beat for Charlemagne. I don't 341 00:17:07,960 --> 00:17:10,280 Speaker 1: know if I wanted to. What, man, did you see 342 00:17:10,320 --> 00:17:12,800 Speaker 1: in there that made you think of Charlemagne? Bro? Well, 343 00:17:12,960 --> 00:17:17,200 Speaker 1: it's just me and the gym. Shut up? But something 344 00:17:17,320 --> 00:17:19,840 Speaker 1: You are such a tough cretic when it comes to 345 00:17:19,960 --> 00:17:22,600 Speaker 1: the when here talking about these bars? Man, I was 346 00:17:22,720 --> 00:17:25,240 Speaker 1: listening to I just started listening to raps of It, 347 00:17:25,560 --> 00:17:27,920 Speaker 1: and I'm like, Yo, she's dope. But I listened to 348 00:17:28,000 --> 00:17:30,480 Speaker 1: the Soul Jena record and I'm like, yo, Jake Cole 349 00:17:30,640 --> 00:17:33,080 Speaker 1: is ripping it. I never said he didn't. I just 350 00:17:33,119 --> 00:17:36,520 Speaker 1: said Rapidy Rush is better. Yeah, But why why always 351 00:17:36,560 --> 00:17:39,440 Speaker 1: have to be somebody watching Jake Coole? Like, why can't 352 00:17:39,480 --> 00:17:42,080 Speaker 1: just be a dope record? Like, honestly, do you think 353 00:17:42,160 --> 00:17:44,920 Speaker 1: Jay Cole is overrated? No? I don't think Jay Cole 354 00:17:45,040 --> 00:17:47,159 Speaker 1: is overrated. I think Jay Cole is dope. I just 355 00:17:47,240 --> 00:17:50,679 Speaker 1: think Rapsid he's better. And you think you think pushes 356 00:17:50,720 --> 00:17:52,879 Speaker 1: the t and that Coming Home record you think that 357 00:17:53,000 --> 00:17:54,680 Speaker 1: could have? You think he didn't do the best on 358 00:17:54,800 --> 00:17:58,000 Speaker 1: that of you, I've heard push your teas pitch Charper bars. 359 00:17:58,200 --> 00:17:59,720 Speaker 1: I mean the record is a good record. Though, But 360 00:17:59,760 --> 00:18:01,480 Speaker 1: I'm just talking about as far as push your t's 361 00:18:01,560 --> 00:18:04,359 Speaker 1: lyrical content and what we're used to him doing nowadays. 362 00:18:04,400 --> 00:18:06,280 Speaker 1: I thought he could have had some shopper bars on him. 363 00:18:06,520 --> 00:18:10,119 Speaker 1: Your second set, do your second set? Brother? All right? 364 00:18:10,119 --> 00:18:12,320 Speaker 1: But I love y'all. Man, I'm happy I got this 365 00:18:12,400 --> 00:18:14,159 Speaker 1: is my second time. So I thought were about to 366 00:18:14,200 --> 00:18:16,000 Speaker 1: have a little debate. But you're doing in the gym 367 00:18:16,119 --> 00:18:19,000 Speaker 1: right now, Bro. We exercise, so I mean I was, 368 00:18:19,400 --> 00:18:21,200 Speaker 1: I was. I was on the bench for us, but 369 00:18:21,280 --> 00:18:23,600 Speaker 1: I jumped off to talk to ya, sing, you know, 370 00:18:23,760 --> 00:18:25,760 Speaker 1: so I can focus on a conversation. What was your 371 00:18:25,760 --> 00:18:29,280 Speaker 1: bench pressing? Bro? One thirty five is like, Man, I'm 372 00:18:29,800 --> 00:18:32,200 Speaker 1: right now, one thirty five. I warm him up with 373 00:18:32,240 --> 00:18:34,840 Speaker 1: two twenty five. I war him up with two twenty. 374 00:18:34,960 --> 00:18:37,920 Speaker 1: I warm him up with two twenty five. King little 375 00:18:37,960 --> 00:18:41,040 Speaker 1: all right, Well let's let's get in the gym. Then 376 00:18:41,080 --> 00:18:43,000 Speaker 1: i'll show you bat and I can tell you all right, 377 00:18:43,200 --> 00:18:45,640 Speaker 1: I ain't coming to New York. One thirty five. That's 378 00:18:45,640 --> 00:18:48,000 Speaker 1: the that's the that's the bar. You know in two 379 00:18:48,200 --> 00:18:50,080 Speaker 1: forty five, You know my southern one was up to that. 380 00:18:50,240 --> 00:18:53,600 Speaker 1: You should be ashamed of yourself, man, Come on, man, 381 00:18:53,880 --> 00:18:56,000 Speaker 1: I'm about to go, man, don't make you go ahead 382 00:18:56,320 --> 00:19:01,800 Speaker 1: work the ball gonna fall on his neck. Now, I'm 383 00:19:01,800 --> 00:19:06,840 Speaker 1: messing with us. One thirty five, black God, get it 384 00:19:06,920 --> 00:19:09,480 Speaker 1: off your chest. Eight hundred five eight five, one on five. 385 00:19:09,520 --> 00:19:10,679 Speaker 1: One of you need to vent. You can hit us 386 00:19:10,720 --> 00:19:12,359 Speaker 1: up at anytime. Now, we got rumors on the way. 387 00:19:12,359 --> 00:19:14,439 Speaker 1: We're give an update on Kevin Harts. Don't move. It's 388 00:19:14,480 --> 00:19:20,960 Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. It's about 389 00:19:25,800 --> 00:19:31,640 Speaker 1: is the rumor report with Angela the Breakfast Club. Now 390 00:19:31,800 --> 00:19:34,240 Speaker 1: Kevin hard Uh, it came out that he suffered three 391 00:19:34,480 --> 00:19:37,720 Speaker 1: spinal fractions fractures, excuse me, and it's still in a 392 00:19:37,960 --> 00:19:41,320 Speaker 1: lot of pain. That's saying he's still in intense pain. Um, 393 00:19:41,400 --> 00:19:43,760 Speaker 1: they're saying he will make a full recovery. It's gonna 394 00:19:43,800 --> 00:19:46,199 Speaker 1: take a little time, but they're saying he's doing pretty good. Oh. 395 00:19:46,200 --> 00:19:48,040 Speaker 1: I mean, his back gonna definitely hurt when it rains 396 00:19:48,080 --> 00:19:49,480 Speaker 1: for the rest of his life. You know what I'm saying. 397 00:19:49,640 --> 00:19:52,400 Speaker 1: Forty years old and it's not gonna heal exactly the same. 398 00:19:52,480 --> 00:19:54,440 Speaker 1: But I mean, with some therapy and stuff, he'll be out. Yeah, 399 00:19:54,560 --> 00:19:57,320 Speaker 1: I've surged you on two vertebrates. Yeah, we expect it said, 400 00:19:57,480 --> 00:19:59,800 Speaker 1: it'll be several weeks, if not months. And you know what, 401 00:20:00,000 --> 00:20:02,880 Speaker 1: I don't like. I've seen this yesterday too. I don't 402 00:20:02,920 --> 00:20:04,800 Speaker 1: like the fact that when you called nine one one, 403 00:20:04,840 --> 00:20:07,800 Speaker 1: they released it nine one one call. I don't see 404 00:20:07,840 --> 00:20:09,719 Speaker 1: the point of it. But they only do it. They 405 00:20:09,840 --> 00:20:14,159 Speaker 1: only do it to like celebrities, right cases, everybody's call. 406 00:20:14,280 --> 00:20:15,760 Speaker 1: They only do it like high profile cases. And I 407 00:20:15,840 --> 00:20:17,520 Speaker 1: wonder do they get paid for that, like I don't 408 00:20:17,520 --> 00:20:19,399 Speaker 1: want to when they release it to like TMZ, does 409 00:20:19,480 --> 00:20:21,359 Speaker 1: somebody get a check for that, because you know TMZ 410 00:20:21,480 --> 00:20:23,680 Speaker 1: pays for audio and video and stuff like that. Yeah, 411 00:20:23,840 --> 00:20:26,159 Speaker 1: I heard, uh, you know, Kevin Kevin Hart's call. I 412 00:20:26,200 --> 00:20:27,879 Speaker 1: guess some woman called I don't know who it was 413 00:20:28,040 --> 00:20:30,240 Speaker 1: called from the house. And it's just disturbing that they 414 00:20:30,320 --> 00:20:32,440 Speaker 1: get that much information, and they had the guy calling 415 00:20:32,480 --> 00:20:35,000 Speaker 1: from the accident scene. You know, It's just I just 416 00:20:35,080 --> 00:20:38,040 Speaker 1: want to information. I just want to know what's the reasoning, Like, 417 00:20:38,160 --> 00:20:39,440 Speaker 1: I mean, it might be a reason for it, I 418 00:20:39,480 --> 00:20:40,960 Speaker 1: don't know. I just want to know why they released 419 00:20:41,000 --> 00:20:42,720 Speaker 1: that publicly, Why do they choose to do I don't 420 00:20:42,760 --> 00:20:44,920 Speaker 1: know either. I just don't like it. It bothers me 421 00:20:45,359 --> 00:20:49,040 Speaker 1: now also Dwayne Johnson, he steps in for Kevin Hart 422 00:20:49,119 --> 00:20:52,920 Speaker 1: as Kelly Clarkson's show guests. Now, Dwayne Johnson was on 423 00:20:53,160 --> 00:20:55,920 Speaker 1: his honeymoon but left his honeymoon early to be I 424 00:20:55,960 --> 00:20:59,040 Speaker 1: guess the host on the Kelly Clarkson Show. I don't 425 00:20:59,080 --> 00:21:02,919 Speaker 1: get that either, button that's this guy. Yeah, but vacation, 426 00:21:03,000 --> 00:21:04,600 Speaker 1: I mean that wasn't was in the show. He was 427 00:21:04,600 --> 00:21:06,320 Speaker 1: a guess. Yeah, I wouldn't. I wouldn't have came off 428 00:21:06,400 --> 00:21:08,520 Speaker 1: vacation to fill in for nobody. He says. When my 429 00:21:09,000 --> 00:21:11,320 Speaker 1: Dwayne Johnson said, the Rock said, when my son Kevin 430 00:21:11,359 --> 00:21:14,080 Speaker 1: Hart goes down with an injury, his big daddy steps in. 431 00:21:14,320 --> 00:21:15,640 Speaker 1: But I don't call me your son just because I'm 432 00:21:15,640 --> 00:21:17,720 Speaker 1: smaller than you. Munkey, all right, we two both grown 433 00:21:17,800 --> 00:21:20,200 Speaker 1: ass man. I don't like that. Call me son because 434 00:21:20,240 --> 00:21:22,119 Speaker 1: I shine like woman. Don't call me son just simply 435 00:21:22,160 --> 00:21:24,600 Speaker 1: because you are ten times bigger than me. He says. 436 00:21:24,680 --> 00:21:27,280 Speaker 1: I did leave my honeymoon early, and now me and 437 00:21:27,400 --> 00:21:30,040 Speaker 1: Kelly are new best friends. Two Monday, we had the 438 00:21:30,119 --> 00:21:32,040 Speaker 1: best time. I don't call a grown man your son 439 00:21:32,200 --> 00:21:34,679 Speaker 1: just because he's smaller than you. It's like a Marsham 440 00:21:34,840 --> 00:21:38,320 Speaker 1: like to say Shawty. He's six pot six shorty, all right, 441 00:21:38,560 --> 00:21:43,000 Speaker 1: five five nine actually yeah about five six five six. 442 00:21:43,760 --> 00:21:47,840 Speaker 1: Now we gotta sit Rest in peace to Lashawan Daniels. Now, 443 00:21:47,920 --> 00:21:51,119 Speaker 1: he's a Grammy winning song writer. He's written songs like 444 00:21:51,160 --> 00:21:54,280 Speaker 1: The Boy is Mine, You Rock My World from Michael Jackson. 445 00:21:54,920 --> 00:21:59,760 Speaker 1: It's not right, it's okay. Whitney Houston telephoned by Beyonce. 446 00:22:00,960 --> 00:22:03,000 Speaker 1: I'm trying to think a bunch of others say my name. 447 00:22:03,080 --> 00:22:05,400 Speaker 1: That's his child. I don't know the brother, but rest 448 00:22:05,440 --> 00:22:06,920 Speaker 1: in peace to him. How do you die in a 449 00:22:07,000 --> 00:22:09,560 Speaker 1: car accident? Yes, they died in a car accident. He 450 00:22:09,680 --> 00:22:12,680 Speaker 1: was doing, I believe, a music conference in North Carolina. 451 00:22:12,720 --> 00:22:14,600 Speaker 1: A lot of people will post about him. I never 452 00:22:14,680 --> 00:22:16,480 Speaker 1: met the brother, but he seemed like he touched a 453 00:22:16,520 --> 00:22:17,960 Speaker 1: lot of people. So I just wanted to say rest 454 00:22:18,000 --> 00:22:19,560 Speaker 1: in peace and see what he's saying. When you when 455 00:22:19,560 --> 00:22:21,399 Speaker 1: you just report a story like Kevin Hart, and you 456 00:22:21,440 --> 00:22:23,720 Speaker 1: see how bad that car looked in that accident he's in, 457 00:22:23,800 --> 00:22:25,679 Speaker 1: You see how lucky he is to be alive, right 458 00:22:25,680 --> 00:22:28,240 Speaker 1: because his brother, Lashawan Daniels, I don't believe in luck, 459 00:22:28,280 --> 00:22:30,320 Speaker 1: but you know it wasn't in the card for him. Yeah, 460 00:22:30,320 --> 00:22:32,760 Speaker 1: and he passed away at age forty one. See you 461 00:22:32,800 --> 00:22:34,720 Speaker 1: what I'm saying, that's my rest and peace to that 462 00:22:34,800 --> 00:22:38,280 Speaker 1: brother man. Absolutely have mercy. And lastly, this might make 463 00:22:38,320 --> 00:22:42,640 Speaker 1: you happy. Oprah Winfrey. She's launching Wellness, an arena tour 464 00:22:42,800 --> 00:22:46,240 Speaker 1: where she's gonna be talking about her motivational spirit on 465 00:22:46,320 --> 00:22:49,359 Speaker 1: the road, She's gonna be talking to different people about 466 00:22:49,480 --> 00:22:52,280 Speaker 1: wellness and getting in shape and mental health and a 467 00:22:52,359 --> 00:22:55,560 Speaker 1: bunch of other different things. Her tour starts on March 468 00:22:57,160 --> 00:23:00,679 Speaker 1: ends on March seventh, but she's gonna be hitting San Francisco, Atlanta, Dallas, Charlotte, 469 00:23:00,720 --> 00:23:04,320 Speaker 1: North Carolina, Brooklyn, and Minnesota. I'm all for that. Dropping 470 00:23:04,320 --> 00:23:06,280 Speaker 1: a clue bump over wing for anybody that's out here 471 00:23:06,320 --> 00:23:10,399 Speaker 1: trying to elevate the conversation and mental health and eradicate 472 00:23:10,440 --> 00:23:12,800 Speaker 1: this stigma around mental health and you know, elevating the 473 00:23:12,880 --> 00:23:15,760 Speaker 1: conversation about mindfulness. I'm all for it. Now, she's gonna 474 00:23:15,760 --> 00:23:18,440 Speaker 1: be donating a million dollars from her tour proceeds to 475 00:23:18,640 --> 00:23:21,600 Speaker 1: her benefit w W Good and that's gonna help bringing 476 00:23:21,680 --> 00:23:25,840 Speaker 1: fresh food, healthy food to unserved communities. Only a million dollars. 477 00:23:25,880 --> 00:23:29,280 Speaker 1: Who oh, you said that organization okay ye, So and 478 00:23:29,440 --> 00:23:31,959 Speaker 1: that's it. That is your room report. Angeley is not here. Look, 479 00:23:32,000 --> 00:23:34,919 Speaker 1: that's all you're getting. Okay, that's crazy though. What now 480 00:23:34,960 --> 00:23:36,760 Speaker 1: I'm just saying, I don't know, it's just crazy. Well, 481 00:23:36,840 --> 00:23:38,679 Speaker 1: I'm just sitting there thinking about Kevin Hart sitting up, 482 00:23:38,720 --> 00:23:41,560 Speaker 1: laid up somewhere trying to recover from surgery. Meanwhile, on 483 00:23:41,680 --> 00:23:44,119 Speaker 1: social media, they're still accusing this man and being homophobic 484 00:23:44,480 --> 00:23:46,600 Speaker 1: because of the episode of the shop we did on HBO. 485 00:23:46,920 --> 00:23:48,840 Speaker 1: And it's just the irony of Kevin Hart being called 486 00:23:48,880 --> 00:23:51,080 Speaker 1: homophobic when you are laying around with a broke back. Well, 487 00:23:53,640 --> 00:24:00,640 Speaker 1: you're good. You're good. What you're good? You're good? Good? Yeah, 488 00:24:00,680 --> 00:24:02,320 Speaker 1: I gotta give it to you. You're pretty good, brother, 489 00:24:02,600 --> 00:24:05,120 Speaker 1: pretty pretty good. I don't know what you're talking about. 490 00:24:05,200 --> 00:24:07,240 Speaker 1: Pretty good. All right. Well, when we come back, we 491 00:24:07,400 --> 00:24:11,000 Speaker 1: got front page news. We'll give you information about Dory 492 00:24:11,040 --> 00:24:13,280 Speaker 1: and the Hurricane Dorry, and and we gotta tell you 493 00:24:13,320 --> 00:24:16,120 Speaker 1: about this guy that scamming women. All right, two million dollars. 494 00:24:16,160 --> 00:24:19,320 Speaker 1: We'll play about Nigerian connected with some Nigerian's. We'll talk 495 00:24:19,359 --> 00:24:21,200 Speaker 1: about the stereotype. If it's true, we'll talk about it 496 00:24:21,280 --> 00:24:24,400 Speaker 1: when we come back. It's the Breakfast Lugo morning. Yeah, 497 00:24:24,560 --> 00:24:28,120 Speaker 1: just out a deal lamon, Yeah yeah, I go out, 498 00:24:28,200 --> 00:24:34,840 Speaker 1: won't Yeah, Yeah, happening morning. Everybody is DJ MVY, Angela Yee, 499 00:24:34,920 --> 00:24:37,000 Speaker 1: Charlemagne the guy. We are to Breakfast clublet's getting some 500 00:24:37,080 --> 00:24:41,080 Speaker 1: front page news now. Angela Ye is out in Santro 501 00:24:41,280 --> 00:24:45,199 Speaker 1: Pay living it up with Magic Johnson's Magic Johnson King 502 00:24:45,280 --> 00:24:47,199 Speaker 1: sent me a picture yesterday and her and Angela Ye. 503 00:24:47,200 --> 00:24:48,680 Speaker 1: I don't know what the hell he was at. He 504 00:24:48,760 --> 00:24:51,159 Speaker 1: was having a good old time. That stay well. I've 505 00:24:51,200 --> 00:24:53,520 Speaker 1: seen Shaka Khan performing. I've seen a bunch of people before, 506 00:24:53,560 --> 00:24:54,840 Speaker 1: and they were doing Electric Slide. They were having a 507 00:24:54,880 --> 00:24:56,399 Speaker 1: good old time. There you go, Angela y'all there with 508 00:24:56,440 --> 00:24:58,920 Speaker 1: her demo. He's stupid. Now, let's get in some front 509 00:24:58,960 --> 00:25:03,480 Speaker 1: page news now. Out in NFL football, the season kicks 510 00:25:03,520 --> 00:25:06,520 Speaker 1: off tonight on NBC at eight twenty. The Packers take 511 00:25:06,600 --> 00:25:10,639 Speaker 1: on the Chicago Bears. In Chicago are watching. Oh okay, 512 00:25:10,760 --> 00:25:12,960 Speaker 1: now it all makes sense. What's that because they're doing 513 00:25:13,800 --> 00:25:15,919 Speaker 1: That's why they're doing the Impact Change concert there to day, 514 00:25:15,920 --> 00:25:18,359 Speaker 1: I guess because it's the NFL opener. So Meek Mill Rhapsod, 515 00:25:18,359 --> 00:25:21,520 Speaker 1: the Megan Trainer and they're all performingated there. It's a 516 00:25:21,560 --> 00:25:23,959 Speaker 1: free concert in Grant Park, that's right. And then Rock 517 00:25:24,080 --> 00:25:26,680 Speaker 1: Nation and an Impact Change. I guess you said Impact Change. 518 00:25:26,720 --> 00:25:28,520 Speaker 1: Impact Change is giving four hundred thousand dollars to the 519 00:25:28,640 --> 00:25:32,680 Speaker 1: Better Boys Foundation and the Crushers Club, and both those 520 00:25:32,760 --> 00:25:36,680 Speaker 1: organizations are designed to help at riscue with alternatives to 521 00:25:36,760 --> 00:25:38,960 Speaker 1: gang violence, if I'm not mistaken, Okay, yeah, and saying 522 00:25:38,960 --> 00:25:41,960 Speaker 1: they'll be doing events like that and making donations like 523 00:25:42,040 --> 00:25:44,880 Speaker 1: that in every NFL city. So so that makes sense. 524 00:25:45,000 --> 00:25:47,840 Speaker 1: So first day, jay Z already is involved with giving 525 00:25:47,840 --> 00:25:53,880 Speaker 1: four hundred thousand dollars to two munizations in Chicago. Okay, yes, right, absolutely, 526 00:25:54,080 --> 00:25:56,560 Speaker 1: All right, Well, we gotta talk about Hurricane Doria. Now. 527 00:25:56,680 --> 00:25:59,280 Speaker 1: The death toll rises to twenty in the Bahamas. It 528 00:25:59,440 --> 00:26:01,879 Speaker 1: is now hit the coast of South Carolina. It seems 529 00:26:01,920 --> 00:26:04,760 Speaker 1: like one hundred and fifteen thousand people are without power 530 00:26:04,840 --> 00:26:08,040 Speaker 1: in South Carolina and Georgia. This morning, they're saying expect 531 00:26:08,080 --> 00:26:10,560 Speaker 1: fifteen to twenty inches of rain and they're telling people 532 00:26:10,600 --> 00:26:14,960 Speaker 1: to take shelter. So to everybody in South Carolina, I 533 00:26:15,040 --> 00:26:17,760 Speaker 1: ain't checking on none of my family. I mean, they 534 00:26:17,800 --> 00:26:19,080 Speaker 1: ain't hit me I think I did hit my mom 535 00:26:19,119 --> 00:26:20,760 Speaker 1: and be like, yo, you good. Your mom's is there, 536 00:26:20,840 --> 00:26:23,879 Speaker 1: your pops is there? Families there, sisters understand that that's 537 00:26:23,920 --> 00:26:25,960 Speaker 1: a that's the generation that went through Hurricane Hugo. I 538 00:26:26,000 --> 00:26:28,560 Speaker 1: went through Hurricane Hugo. The category fives. When you start 539 00:26:28,600 --> 00:26:30,760 Speaker 1: seeing those two, was it the two? I think it's 540 00:26:30,760 --> 00:26:33,320 Speaker 1: about two. Yeah, thein't not tripping off that maybe you know, 541 00:26:33,720 --> 00:26:36,160 Speaker 1: board up the house and keep it moving. Now, Disney 542 00:26:36,240 --> 00:26:38,200 Speaker 1: is donated more than a million dollars to Bahamas for 543 00:26:38,320 --> 00:26:41,440 Speaker 1: Dorian relief, as they should. Didn't he what this is 544 00:26:41,440 --> 00:26:44,040 Speaker 1: coming from the Disney Cruise line as they should because 545 00:26:44,080 --> 00:26:45,560 Speaker 1: all those cruise ships go through the crib and they 546 00:26:45,600 --> 00:26:47,639 Speaker 1: go through Mohammas all the time. Absolutely, I was there, 547 00:26:47,680 --> 00:26:50,600 Speaker 1: what about three four weeks ago, shout the DJ pro style. 548 00:26:50,640 --> 00:26:53,480 Speaker 1: He's there now, so that's a good thing. Tyler Perry 549 00:26:53,520 --> 00:26:55,600 Speaker 1: also said he'll donate that He hasn't said what he's 550 00:26:55,600 --> 00:26:58,040 Speaker 1: gonna donate, but he definitely said he's gonna help the Bahamas. 551 00:26:58,920 --> 00:27:01,520 Speaker 1: And lastly, a new Jersey is he man scanned women 552 00:27:01,560 --> 00:27:04,399 Speaker 1: out of two million dollars on dating sites. Now he 553 00:27:04,560 --> 00:27:07,280 Speaker 1: scanned more than two million dollars he told him to 554 00:27:07,359 --> 00:27:10,320 Speaker 1: send money and he would be sending back gold bars. 555 00:27:10,359 --> 00:27:11,600 Speaker 1: I'm not mad at him. I don't think he did 556 00:27:11,600 --> 00:27:13,720 Speaker 1: anything illegal. What do you mean? Because if I ask 557 00:27:13,800 --> 00:27:15,720 Speaker 1: you for something, if I said, YO, send me some money, 558 00:27:15,840 --> 00:27:18,119 Speaker 1: I'm gonna send you some gold bars. Ain't no contract, 559 00:27:18,359 --> 00:27:20,399 Speaker 1: you know what I'm saying. So I'm I'm not committing 560 00:27:20,440 --> 00:27:22,239 Speaker 1: to anything other than sending you some gold bars. If 561 00:27:22,240 --> 00:27:24,000 Speaker 1: you want to send me that money, that's really your 562 00:27:24,080 --> 00:27:25,840 Speaker 1: dumb ass. But he never sent the gold bars. It 563 00:27:25,920 --> 00:27:28,360 Speaker 1: don't matter. Why would you send somebody money for gold 564 00:27:28,400 --> 00:27:30,000 Speaker 1: bars because they said they had to hook up on 565 00:27:30,080 --> 00:27:33,000 Speaker 1: gold bars? And please, I don't even know what that means. Well, 566 00:27:33,040 --> 00:27:35,400 Speaker 1: he's facing a maximum sets of twenty years in prison 567 00:27:35,440 --> 00:27:36,920 Speaker 1: in the two hundred and fifty thousand, all the fine 568 00:27:36,920 --> 00:27:39,120 Speaker 1: if convicted, or dropping the clues for him clues bomb 569 00:27:39,200 --> 00:27:41,760 Speaker 1: for him being a number one for NESSA. Okay, how 570 00:27:41,800 --> 00:27:44,679 Speaker 1: can you really be mad at this person? If somebody's stupid, 571 00:27:44,760 --> 00:27:46,479 Speaker 1: that's literally like telling people you want to sell him 572 00:27:46,480 --> 00:27:48,800 Speaker 1: to Brooklyn Bridge, Like why do you like that's stupid 573 00:27:48,840 --> 00:27:50,600 Speaker 1: to fall for something like that. No, but somebody can 574 00:27:50,680 --> 00:27:52,840 Speaker 1: ship you go bars. It can't ship you to Brooklyn Bridge, bro, 575 00:27:53,400 --> 00:27:55,040 Speaker 1: you might as well respond to the emails you get 576 00:27:55,080 --> 00:27:58,600 Speaker 1: from Nigerian's. Okay. If you're gonna be sending out money 577 00:27:58,640 --> 00:28:01,280 Speaker 1: to people for gold bars, well it's it's not that 578 00:28:01,400 --> 00:28:02,919 Speaker 1: bad of a scam if you think about it, right, 579 00:28:03,040 --> 00:28:05,679 Speaker 1: think about it. He scammed two point one million dollars, right, 580 00:28:06,240 --> 00:28:08,879 Speaker 1: his fine is only two hundred fifty thousand dollars. So 581 00:28:09,000 --> 00:28:11,640 Speaker 1: he didn't made about one point seven on the clues 582 00:28:11,680 --> 00:28:14,120 Speaker 1: BONX for the number one for that's an he didn't 583 00:28:14,119 --> 00:28:16,520 Speaker 1: made one point seven and not give it you. They 584 00:28:16,560 --> 00:28:18,520 Speaker 1: got a picture him. Let me see what he looks like. 585 00:28:19,760 --> 00:28:22,240 Speaker 1: You got the money phone is and that's what I'm 586 00:28:22,280 --> 00:28:25,840 Speaker 1: talking about. That's what I'm talking about right there. Okay, 587 00:28:25,920 --> 00:28:28,960 Speaker 1: if you think about it, another picture with the money phone. 588 00:28:29,000 --> 00:28:30,600 Speaker 1: It's time he got his money in a bag. They're 589 00:28:30,640 --> 00:28:33,240 Speaker 1: not gonna give him a maximum life sentence in his life. 590 00:28:33,280 --> 00:28:35,000 Speaker 1: They're not gonna give him the maximum sentence. So even 591 00:28:35,040 --> 00:28:36,920 Speaker 1: if he got to do sit for three four years, 592 00:28:36,960 --> 00:28:38,239 Speaker 1: when he come out, he got one point seven man 593 00:28:38,240 --> 00:28:41,280 Speaker 1: and put a gun to nobody and rob nobody. He 594 00:28:41,320 --> 00:28:43,040 Speaker 1: simply said, look, I'm gonna give you some gold bars. 595 00:28:43,120 --> 00:28:44,760 Speaker 1: You send me this money. How we know he wasn't 596 00:28:44,760 --> 00:28:46,480 Speaker 1: gonna send the gold bars? How do you know his shipping? 597 00:28:46,520 --> 00:28:49,120 Speaker 1: Just a little lake. We don't know. Stop going a 598 00:28:49,120 --> 00:28:50,640 Speaker 1: clue box for that young man again. What's his name? 599 00:28:50,680 --> 00:28:53,200 Speaker 1: He got no name? How let me find his name? 600 00:28:54,240 --> 00:28:57,560 Speaker 1: Ruben Surpone. And you don't know what who he was scamming. 601 00:28:57,560 --> 00:28:59,280 Speaker 1: He might have just been scamming old white man. He's 602 00:28:59,280 --> 00:29:01,680 Speaker 1: thirty five years so if they have the case, that's reparations. 603 00:29:01,720 --> 00:29:03,880 Speaker 1: God damn. He said he was kiming women, dozens of women. 604 00:29:04,000 --> 00:29:08,800 Speaker 1: Oh what he white? I don't know. Context matters. I 605 00:29:08,880 --> 00:29:12,200 Speaker 1: don't know, all right, or that is your front page news. 606 00:29:12,240 --> 00:29:14,680 Speaker 1: When we come back, Shamik Moore will be joining us. 607 00:29:14,720 --> 00:29:16,600 Speaker 1: He's an actor. He plays Ray Krn in the new 608 00:29:16,640 --> 00:29:19,320 Speaker 1: Wu Tang series or what else? What other movies He's 609 00:29:19,320 --> 00:29:22,320 Speaker 1: been in Sharman, he was on the in The Get 610 00:29:22,400 --> 00:29:26,200 Speaker 1: Down on Netflix, he played Shining Fantastic. What else was 611 00:29:26,240 --> 00:29:29,600 Speaker 1: she making? He was in the Spider Man movie Into 612 00:29:29,640 --> 00:29:32,880 Speaker 1: the Multiverse, Dope. He was in Dope. So we'll kicking 613 00:29:32,920 --> 00:29:34,520 Speaker 1: with him when we come back. I just to breakfast Cloud, 614 00:29:34,560 --> 00:29:42,160 Speaker 1: good morning. Donnat let my son the kid like a man. 615 00:29:42,160 --> 00:29:48,520 Speaker 1: If I got the kid kid, he make I got what? 616 00:29:48,880 --> 00:30:02,400 Speaker 1: Oh on the gang? I was a mom. What was 617 00:30:02,440 --> 00:30:05,360 Speaker 1: you thinking? Remember them days and the schools hot and 618 00:30:05,600 --> 00:30:09,360 Speaker 1: fifteen game? Ibout to follow in a twenty hours and drinking. 619 00:30:10,040 --> 00:30:11,840 Speaker 1: If you would just quiet, I give you my holland 620 00:30:11,960 --> 00:30:14,800 Speaker 1: by me day, I would fight. It's some damon. And 621 00:30:14,880 --> 00:30:17,960 Speaker 1: if it come deeping, I was raising a deeping. I 622 00:30:18,080 --> 00:30:21,320 Speaker 1: don't be singing. Take gona deep in, but I get 623 00:30:21,360 --> 00:30:23,760 Speaker 1: the back where you're tweaking. Come around with that raw 624 00:30:23,880 --> 00:30:26,840 Speaker 1: rock you got on to see me when the game 625 00:30:26,920 --> 00:30:29,720 Speaker 1: ain't playing film a matter fact, we don't playing at all. Oh, 626 00:30:29,840 --> 00:30:31,760 Speaker 1: g was in the hell, but we gotta run to 627 00:30:31,920 --> 00:30:34,040 Speaker 1: smoke at all. Wasn't on the front, but you better fall. 628 00:30:34,080 --> 00:30:35,720 Speaker 1: Were gonna kill him down. We don't kill him, Mom, 629 00:30:35,800 --> 00:30:37,440 Speaker 1: it's been a ten. When I'm in the moro, I 630 00:30:37,560 --> 00:30:39,480 Speaker 1: was onna bend with it in my drunk and that's smoking. 631 00:30:39,520 --> 00:30:42,560 Speaker 1: I'm black in. That's smoking our blackout. If you run 632 00:30:42,600 --> 00:30:44,960 Speaker 1: blowing back down, I was gonna buy our back down. 633 00:30:45,520 --> 00:30:48,600 Speaker 1: You gonna follow, Oh, but I never back down in 634 00:30:48,720 --> 00:30:50,880 Speaker 1: the school. I was trapping in the school. You was 635 00:30:50,920 --> 00:30:59,600 Speaker 1: class clown asleep. Yeah, so the kid I got if 636 00:30:59,600 --> 00:31:12,520 Speaker 1: I got kill one leading, I got one overseas, Rabye, Rabye. 637 00:31:23,160 --> 00:31:50,920 Speaker 1: He the Breakfast club e j Envy Angela Yee, Charlomagne 638 00:31:50,960 --> 00:31:52,520 Speaker 1: the guy. We are the Breakfast Club. We got a 639 00:31:52,520 --> 00:31:56,840 Speaker 1: special guest in the building. Yes, sir, meet more. It's 640 00:31:56,920 --> 00:32:00,920 Speaker 1: good plays ray Kun and the new Wooting Hulu series. 641 00:32:01,000 --> 00:32:02,360 Speaker 1: Now that's a big deal. And I'm gonna tell you 642 00:32:02,360 --> 00:32:03,920 Speaker 1: why it's a big deal because I'm forty one years 643 00:32:03,960 --> 00:32:06,720 Speaker 1: old and Wu Tang provided the soundtrack to My Life 644 00:32:06,920 --> 00:32:08,800 Speaker 1: Only Built for Cuman Links, one of the greatest hip 645 00:32:08,800 --> 00:32:10,920 Speaker 1: hop albums of all time. So did you listen to 646 00:32:11,040 --> 00:32:14,880 Speaker 1: any Wu Tang before this role? Uh? When I was 647 00:32:14,920 --> 00:32:17,240 Speaker 1: filming Cut Through City, It's how I met Rizza and 648 00:32:17,560 --> 00:32:19,600 Speaker 1: we shared the agent and he made me listen to 649 00:32:19,680 --> 00:32:22,120 Speaker 1: Wu Tang. But when I listened to thirty six Chambers 650 00:32:22,160 --> 00:32:24,160 Speaker 1: for the first time, I was kind of like when 651 00:32:24,200 --> 00:32:26,360 Speaker 1: I was hearing like the Interluders and it took me 652 00:32:26,400 --> 00:32:31,400 Speaker 1: out of it. Yeah, it was. It was crazy. I 653 00:32:31,520 --> 00:32:33,480 Speaker 1: wasn't but now I have the advertise for it because 654 00:32:33,520 --> 00:32:36,240 Speaker 1: I get him more. Now, why why ray Quads part? 655 00:32:36,280 --> 00:32:38,880 Speaker 1: Why ray Quad at the character? Um? He tried? Did 656 00:32:38,960 --> 00:32:41,240 Speaker 1: you try out for that? Specifically or no, I don't 657 00:32:41,280 --> 00:32:46,440 Speaker 1: audition no more. Oh okay, shop o your little matching 658 00:32:46,520 --> 00:32:50,040 Speaker 1: jeans suit night. I'm saying this is a This is 659 00:32:50,080 --> 00:32:52,200 Speaker 1: a you know I seen on the cake right here 660 00:32:52,320 --> 00:32:54,520 Speaker 1: there you go, you know what I mean. Um, I 661 00:32:54,640 --> 00:32:57,720 Speaker 1: think I met Risen and then I impressed him because 662 00:32:57,720 --> 00:32:59,400 Speaker 1: I showed him in color. He didn't think I had. 663 00:32:59,800 --> 00:33:01,840 Speaker 1: And when Ray Kwan met me, I think he was scared. 664 00:33:02,080 --> 00:33:04,560 Speaker 1: He might have been like, oh yeah, this guy seemed 665 00:33:04,640 --> 00:33:06,120 Speaker 1: nice right here. I don't know if he killed you. 666 00:33:06,200 --> 00:33:08,000 Speaker 1: Hen't think it was gritty and grimy. I don't think 667 00:33:08,080 --> 00:33:10,120 Speaker 1: he thought that I could be gritty and grimy. But 668 00:33:10,280 --> 00:33:13,000 Speaker 1: you know, I haven't seen it yet. So like Gray 669 00:33:13,120 --> 00:33:14,880 Speaker 1: is a little short, little chubby that they try to 670 00:33:14,960 --> 00:33:18,000 Speaker 1: make it true to life physically, Yeah, I put in 671 00:33:18,320 --> 00:33:21,880 Speaker 1: I put on a fat suit, and yeah it's not fat. 672 00:33:22,280 --> 00:33:26,240 Speaker 1: It wasn't a fact suit. It was because he ain't 673 00:33:26,960 --> 00:33:29,040 Speaker 1: for you. Wasn't fat in the document in them in 674 00:33:29,120 --> 00:33:31,240 Speaker 1: the movie though. Yeah, I mean no, I'm like early 675 00:33:31,360 --> 00:33:33,600 Speaker 1: fact like, it's not it's not like him now, you 676 00:33:33,640 --> 00:33:35,560 Speaker 1: know what I'm saying. It's like, you know, and it 677 00:33:35,680 --> 00:33:38,440 Speaker 1: grows over the whole season, so he gets bigger. Yeah, 678 00:33:38,440 --> 00:33:41,800 Speaker 1: it gets bigger over the season. This season two, I'm 679 00:33:41,800 --> 00:33:43,800 Speaker 1: gonna be bigger. You know what I'm saying So that 680 00:33:44,080 --> 00:33:46,400 Speaker 1: that is there a lot that you learned by taping this, 681 00:33:46,440 --> 00:33:48,640 Speaker 1: because it's a lot. Even watching the first episode, I 682 00:33:48,760 --> 00:33:51,040 Speaker 1: learned so much and I thought I was taking You 683 00:33:51,120 --> 00:33:53,600 Speaker 1: saw it? Yeah, Oh well, then I don't have to 684 00:33:53,640 --> 00:33:55,800 Speaker 1: tell you that I killed it? Right? No? What you 685 00:33:55,920 --> 00:33:59,640 Speaker 1: think I killed it? You know? I mean, did you 686 00:33:59,720 --> 00:34:01,840 Speaker 1: like it? Tell me? The first episode I thought was dope. 687 00:34:01,880 --> 00:34:03,960 Speaker 1: I mean, it was a lot that I didn't necessarily know, 688 00:34:04,160 --> 00:34:06,320 Speaker 1: like pretty much requal and tried to kill ghost Face. 689 00:34:06,400 --> 00:34:09,320 Speaker 1: You know, man, Jesus gave it away. Spoiler spoiler that 690 00:34:09,480 --> 00:34:12,120 Speaker 1: damn sorry, because I definitely didn't know that ghost my 691 00:34:12,120 --> 00:34:13,759 Speaker 1: favorite rapper of all time. That's what I'm saying that. 692 00:34:13,840 --> 00:34:15,920 Speaker 1: The fact that they got so close after what happened 693 00:34:16,040 --> 00:34:18,760 Speaker 1: was just like wow, that special. It makes it very special. 694 00:34:19,160 --> 00:34:21,120 Speaker 1: Was it hard to getting character and play that scene 695 00:34:21,160 --> 00:34:24,000 Speaker 1: when you shooting at people and you being a grimy 696 00:34:24,200 --> 00:34:27,400 Speaker 1: New York drug dealer? Um? I think the most difficult 697 00:34:27,480 --> 00:34:31,839 Speaker 1: part was being convincing with the lingo and your son. 698 00:34:32,040 --> 00:34:33,920 Speaker 1: Is it shot right in the building out I mean 699 00:34:34,080 --> 00:34:35,680 Speaker 1: like I don't really talk like the good you know 700 00:34:35,719 --> 00:34:41,840 Speaker 1: what mean Like I mean, it's like it's um because 701 00:34:41,880 --> 00:34:44,360 Speaker 1: I can't sell his voice just by talking because his 702 00:34:44,480 --> 00:34:46,080 Speaker 1: voice is different than mine. So I have to get 703 00:34:46,120 --> 00:34:49,279 Speaker 1: it to it how yo, son, yo, you gotta talk 704 00:34:49,360 --> 00:34:52,319 Speaker 1: like this show, you know what I mean? Like that's 705 00:34:52,640 --> 00:34:55,319 Speaker 1: it's yeah. So when you say you don't audition no more, 706 00:34:55,400 --> 00:34:58,239 Speaker 1: what does that mean? Because I'd be hearing stories and 707 00:34:58,280 --> 00:35:00,200 Speaker 1: I don't know how true it is, but even big 708 00:35:00,239 --> 00:35:03,920 Speaker 1: superstar actors like Denzel still got an audition sometime. Really, 709 00:35:04,120 --> 00:35:05,359 Speaker 1: I mean, I don't know if that's I don't think 710 00:35:06,280 --> 00:35:09,799 Speaker 1: I don't see him in an audition at any point. Ye. 711 00:35:10,280 --> 00:35:12,920 Speaker 1: But for me, it's just because when I when I 712 00:35:13,080 --> 00:35:15,719 Speaker 1: do the on tape thing, it never works out. But 713 00:35:15,880 --> 00:35:17,520 Speaker 1: when it does work out is when I'm in front 714 00:35:17,560 --> 00:35:19,840 Speaker 1: of a camera and it's lights camera action. I'm in. 715 00:35:20,040 --> 00:35:22,720 Speaker 1: I'm in like the outfit because when I like, for instance, 716 00:35:22,760 --> 00:35:25,279 Speaker 1: with Dope, when I went when I did the self 717 00:35:25,360 --> 00:35:27,440 Speaker 1: tape audition, I mean they liked it, they had me 718 00:35:27,520 --> 00:35:29,880 Speaker 1: come out, but it was really the in person thing 719 00:35:30,040 --> 00:35:31,960 Speaker 1: the second round that really got me in there. Same 720 00:35:32,000 --> 00:35:34,400 Speaker 1: thing with the get down, you know, but for instance, 721 00:35:34,440 --> 00:35:37,120 Speaker 1: coming to America. You know, Kenya Bears was involved, and 722 00:35:37,200 --> 00:35:38,920 Speaker 1: then there was a different director at first, and it 723 00:35:39,040 --> 00:35:41,160 Speaker 1: was ken You went to Spider Man to the Spider 724 00:35:41,239 --> 00:35:43,480 Speaker 1: Verse premiere. He was like, Yo, you want to be 725 00:35:43,960 --> 00:35:46,319 Speaker 1: in coming to America play edy Sun. I was like yeah. 726 00:35:47,000 --> 00:35:48,600 Speaker 1: Left it alone for like eight months. I mean it 727 00:35:48,640 --> 00:35:51,319 Speaker 1: came back around. They changed the director. The director wanted 728 00:35:51,360 --> 00:35:53,480 Speaker 1: me the audition. I'm like, I'm not in the audition. 729 00:35:53,880 --> 00:35:55,160 Speaker 1: You know what I'm saying. I'll talk to them. My 730 00:35:55,200 --> 00:35:56,840 Speaker 1: man just like, no, you got an audition. I'm like, 731 00:35:56,840 --> 00:35:59,080 Speaker 1: I'm not in the audition. I audition and it's kind 732 00:35:59,120 --> 00:36:01,560 Speaker 1: of booze you bro, No, I'm not. It's so many 733 00:36:01,600 --> 00:36:04,360 Speaker 1: different scenarios though, it's not even it's not even boogie. 734 00:36:04,440 --> 00:36:06,279 Speaker 1: It's just like, I don't think you at that level 735 00:36:06,360 --> 00:36:09,040 Speaker 1: where you can just say audition. Yet I'm at a 736 00:36:09,160 --> 00:36:13,600 Speaker 1: level where I can say that I want to choose 737 00:36:13,640 --> 00:36:16,719 Speaker 1: wisely with roles that I put energy into because I'm 738 00:36:16,760 --> 00:36:20,000 Speaker 1: not just doing the acting thing. And it's not it's, um, 739 00:36:20,280 --> 00:36:22,560 Speaker 1: I just have bigger, bigger goals. If I was just 740 00:36:22,680 --> 00:36:25,120 Speaker 1: trying to make the most movies, do every movie that's 741 00:36:25,120 --> 00:36:28,480 Speaker 1: coming my way except every offer then that's a different scenario. 742 00:36:28,560 --> 00:36:31,080 Speaker 1: You're exactly right, but it's not even now I feel 743 00:36:31,080 --> 00:36:33,200 Speaker 1: like I'm too big, you know what I mean. I'm 744 00:36:33,239 --> 00:36:35,800 Speaker 1: feeling confident today. You know what I'm saying. But that 745 00:36:35,880 --> 00:36:38,080 Speaker 1: outfitel you dressed like little knives actually got the bootshone 746 00:36:39,120 --> 00:36:43,960 Speaker 1: you try it on Cowboy now he turned it down. Hey, yo, 747 00:36:44,040 --> 00:36:47,320 Speaker 1: this is the same You're gonna take your horse to 748 00:36:47,480 --> 00:36:53,960 Speaker 1: the whole time like this when he put on boots. Now, 749 00:36:54,120 --> 00:36:58,279 Speaker 1: come on, yeah, I gotta show respect. Did you get 750 00:36:58,320 --> 00:37:01,320 Speaker 1: the part for Come to America? No? What I'm saying, like, 751 00:37:01,440 --> 00:37:04,080 Speaker 1: so every audition that I did, you did audition for that. 752 00:37:04,239 --> 00:37:07,920 Speaker 1: I ended up auditioning because because the director switched up 753 00:37:08,080 --> 00:37:09,960 Speaker 1: got you, that's when it didn't go through. And I 754 00:37:10,080 --> 00:37:12,040 Speaker 1: was like, yo, I feel like I wasted two weeks 755 00:37:12,080 --> 00:37:13,840 Speaker 1: of my time on that. Now wait a minute. That 756 00:37:13,840 --> 00:37:16,359 Speaker 1: could be a humbling experience though, because you probably thought 757 00:37:16,400 --> 00:37:18,279 Speaker 1: you was I'm the man, I got this. You did 758 00:37:18,320 --> 00:37:19,759 Speaker 1: the role? You like, they don't want you. They I 759 00:37:19,800 --> 00:37:22,239 Speaker 1: think they chose your main foller right, yeah, I mean 760 00:37:22,280 --> 00:37:24,560 Speaker 1: I'm not even sure that is, but congratulations to him, 761 00:37:24,600 --> 00:37:28,399 Speaker 1: because you know what I'm saying no, no disrespect. Look, 762 00:37:28,480 --> 00:37:30,919 Speaker 1: you got to come into America and I didn't come on. Yeah, 763 00:37:31,080 --> 00:37:33,479 Speaker 1: you got to think I'm on CBS two. I didn't 764 00:37:33,520 --> 00:37:36,239 Speaker 1: watch it. Yeah, he used to be on Guy Cold 765 00:37:36,360 --> 00:37:38,759 Speaker 1: Me back in the day. Funny, funny dude. So he 766 00:37:38,840 --> 00:37:41,400 Speaker 1: deserves the opportunity congratulation. He was in what else he 767 00:37:41,440 --> 00:37:42,600 Speaker 1: was and he was in that movie where everybody was 768 00:37:42,640 --> 00:37:45,279 Speaker 1: turning it in the Horses doesn't sound like one out 769 00:37:45,280 --> 00:37:52,560 Speaker 1: to watch. I mean that movie. I can't remember thee that. 770 00:37:53,560 --> 00:37:56,120 Speaker 1: I can't remember that Rose was in. Man shut up 771 00:37:58,040 --> 00:38:01,680 Speaker 1: anyway because I said you were for trade a brotherhood? Yeah, 772 00:38:01,760 --> 00:38:04,040 Speaker 1: who think film? Did you become like a brotherhood with 773 00:38:04,080 --> 00:38:07,120 Speaker 1: the other actors? Don't say? Everybody was coming and set 774 00:38:07,200 --> 00:38:10,720 Speaker 1: like their characters. So yeah, you know, everybody was feeling himself. 775 00:38:10,760 --> 00:38:14,239 Speaker 1: Everybody was in their chamber the way Rizzi said, And 776 00:38:14,320 --> 00:38:17,239 Speaker 1: what did y'all take? Did y'all take it? We had 777 00:38:17,280 --> 00:38:20,959 Speaker 1: one scene in Brooklyn in the studio, but yo, Joey 778 00:38:21,040 --> 00:38:24,359 Speaker 1: Badass is playing inspector Deck Daves is playing method man, 779 00:38:24,480 --> 00:38:27,759 Speaker 1: Aston Sanders is playing Rizzi. I'm playing Ray Kwan. It's 780 00:38:27,800 --> 00:38:30,160 Speaker 1: a very I think it's an interesting scenario. Did you 781 00:38:30,239 --> 00:38:33,440 Speaker 1: get a collaborating of their music. Nah, nobody, nobody really uh, 782 00:38:33,640 --> 00:38:35,640 Speaker 1: nobody looking at me like that. Yet you feel me 783 00:38:35,680 --> 00:38:38,719 Speaker 1: it's all good. I understand the reality. But as soon 784 00:38:38,800 --> 00:38:40,919 Speaker 1: as the things which do you know that everybody's gonna 785 00:38:40,920 --> 00:38:42,400 Speaker 1: be hitting me? So it's all good? Did you can 786 00:38:42,440 --> 00:38:44,120 Speaker 1: so you don't get the contribute none of the music either? 787 00:38:44,239 --> 00:38:46,560 Speaker 1: Like nah, So you want to be respected as a 788 00:38:46,680 --> 00:38:50,279 Speaker 1: musician more so than acting, not more so just as well. 789 00:38:50,680 --> 00:38:53,160 Speaker 1: I just don't know if there was there's been a 790 00:38:53,239 --> 00:38:56,840 Speaker 1: Denzel and a Michael Jackson in the same body people 791 00:38:56,880 --> 00:38:59,879 Speaker 1: that act into music that there's a long list of people, 792 00:39:00,160 --> 00:39:03,239 Speaker 1: but they're more music than acting to me, or more 793 00:39:03,280 --> 00:39:05,759 Speaker 1: acting than music to me, and most actors of Matt 794 00:39:05,840 --> 00:39:07,840 Speaker 1: Corney when they're doing music. But with me, I just 795 00:39:08,000 --> 00:39:11,320 Speaker 1: want to um my desires to like kind of just 796 00:39:11,600 --> 00:39:13,520 Speaker 1: let the art speak for herself and not like do 797 00:39:13,640 --> 00:39:15,360 Speaker 1: all this that I'm doing right now. To be honest, 798 00:39:15,400 --> 00:39:18,920 Speaker 1: I'm talking, I'm talking, I'm talking, but the visuals and 799 00:39:19,080 --> 00:39:22,400 Speaker 1: dropping music and just like, oh I did not expect 800 00:39:22,480 --> 00:39:24,759 Speaker 1: that from show. It's exactly what I want, all right. 801 00:39:24,800 --> 00:39:26,799 Speaker 1: We got more with Shamique, more of the actor when 802 00:39:26,800 --> 00:39:28,839 Speaker 1: we come back. He plays Ray Kuon in the new 803 00:39:28,920 --> 00:39:30,960 Speaker 1: Wu Tang series, So don't move. It's the Breakfast Club. 804 00:39:30,960 --> 00:39:36,200 Speaker 1: Good morning morning. Everybody is DJ Envy Angela Yee, Charlomagne 805 00:39:36,239 --> 00:39:38,920 Speaker 1: the guy. We all the Breakfast Club. We're kicking it 806 00:39:39,000 --> 00:39:42,040 Speaker 1: with Shamique More. He plays ray Kuon in the Wu 807 00:39:42,160 --> 00:39:45,200 Speaker 1: Tang series. Charlomagne, that's people, tim Z get on you 808 00:39:45,239 --> 00:39:46,719 Speaker 1: because they ran upon you and you didn't know the 809 00:39:46,760 --> 00:39:48,920 Speaker 1: member of the Wu Tang clan. Yeah, now, I mean 810 00:39:49,040 --> 00:39:51,960 Speaker 1: I knew. I knew most of them. I just I 811 00:39:52,040 --> 00:39:53,960 Speaker 1: knew most of them, not the ones I didn't meet. 812 00:39:54,360 --> 00:39:58,160 Speaker 1: Capa Donna? Was you guy? What can you say? Him? Now? Okay, 813 00:39:58,239 --> 00:40:04,120 Speaker 1: let's all right, Ray Kuan, method Man, ghost Face, Rizzer, 814 00:40:04,440 --> 00:40:11,040 Speaker 1: you got Cape Donna, um odb um. See. I'm from 815 00:40:11,040 --> 00:40:13,280 Speaker 1: a different I'm from an era where we say the Rizza, 816 00:40:13,520 --> 00:40:19,680 Speaker 1: the old dirty Backs, God, Ray Kuan, the Chef, Ghost 817 00:40:19,760 --> 00:40:24,640 Speaker 1: space Killer and h D Man. That's how we were. Remember, 818 00:40:25,440 --> 00:40:27,280 Speaker 1: I should start doing it like that. But I pretty 819 00:40:27,360 --> 00:40:31,839 Speaker 1: much said most of them. Just now just the one up. Well, um, 820 00:40:32,120 --> 00:40:35,400 Speaker 1: try of talking to you, all right, but when you 821 00:40:35,640 --> 00:40:37,960 Speaker 1: got some music dropping, I do have some music dropping, 822 00:40:38,080 --> 00:40:41,879 Speaker 1: but it's we remastered the song play Last Time right 823 00:40:41,960 --> 00:40:44,720 Speaker 1: the beat. It's still the first single and the mixtape 824 00:40:44,840 --> 00:40:47,399 Speaker 1: is coming. And then like, so you're still pushing ride 825 00:40:47,400 --> 00:40:49,480 Speaker 1: to Beat. That's been a while or I haven't really 826 00:40:49,520 --> 00:40:52,520 Speaker 1: been pushing it. I just kind of like put it 827 00:40:52,680 --> 00:40:54,920 Speaker 1: out on it out on here. And the last time 828 00:40:54,920 --> 00:40:57,680 Speaker 1: you came here, you were trying to teach Charlomi a dance. Nah. 829 00:40:57,719 --> 00:40:59,360 Speaker 1: I think he was just a little jealous of my 830 00:40:59,520 --> 00:41:01,600 Speaker 1: moves or something like that. I got moved with me. 831 00:41:01,840 --> 00:41:04,880 Speaker 1: But listen, are you inspired by people like Lame and Lizzo? 832 00:41:04,960 --> 00:41:06,359 Speaker 1: And the reason I say that is because like they 833 00:41:06,440 --> 00:41:09,200 Speaker 1: had the records that they pushed for a wow, Like 834 00:41:09,239 --> 00:41:10,520 Speaker 1: I think the song that just went number on for 835 00:41:10,600 --> 00:41:12,880 Speaker 1: Little She's been pushing for two years. If I'm not mistaken, 836 00:41:13,719 --> 00:41:17,600 Speaker 1: I mean, you see, I don't have the team, but 837 00:41:17,800 --> 00:41:20,280 Speaker 1: like everybody that believes in me believes in the acting side. 838 00:41:20,320 --> 00:41:23,840 Speaker 1: So I'm pretty much pushing myself and like financing myself 839 00:41:23,920 --> 00:41:27,000 Speaker 1: to get to that. That's kind of I mean, it 840 00:41:27,120 --> 00:41:30,040 Speaker 1: feels like it's my battle. But when I accomplish it, 841 00:41:30,280 --> 00:41:31,600 Speaker 1: you know what I mean, I'm just gonna look at 842 00:41:31,640 --> 00:41:33,520 Speaker 1: everybody and be like, I know It's all good. You 843 00:41:33,640 --> 00:41:36,040 Speaker 1: are appreciating your blessing right now, al right, because I 844 00:41:36,080 --> 00:41:37,279 Speaker 1: don't want you to be one of those people that's 845 00:41:37,480 --> 00:41:40,200 Speaker 1: overlooking the fact that you are having a successful acting career. 846 00:41:40,480 --> 00:41:42,120 Speaker 1: You know what I'm saying, Like, don't overlook that because 847 00:41:42,120 --> 00:41:45,400 Speaker 1: you want to be a popping music carder. Right. I'm thankful, 848 00:41:45,680 --> 00:41:48,759 Speaker 1: for sure, I'm thankful and I'm humbled by the experiences 849 00:41:48,800 --> 00:41:50,839 Speaker 1: that I have. But I do have goals and I'm 850 00:41:50,840 --> 00:41:54,560 Speaker 1: not I'm still absolutely, you know, absolutely, I ain't. I 851 00:41:54,600 --> 00:41:56,439 Speaker 1: ain't where I need to be yet where I'm gonna 852 00:41:56,440 --> 00:41:59,319 Speaker 1: be Like, Oh, I think I'm gonna chill and I'm 853 00:41:59,400 --> 00:42:02,040 Speaker 1: good and that I'm right now. I'm just like, he 854 00:42:02,360 --> 00:42:05,359 Speaker 1: don't even see me yet, you know what I mean? 855 00:42:05,400 --> 00:42:07,839 Speaker 1: You feel that way, definitely, I don't feel that. I mean, 856 00:42:08,120 --> 00:42:10,120 Speaker 1: I love to get down. I loved you a shallow 857 00:42:10,160 --> 00:42:12,800 Speaker 1: fantastic I love dope. I've seen you in the streeting like, 858 00:42:12,840 --> 00:42:16,239 Speaker 1: oh he did good good in this wootang Seriously he 859 00:42:16,280 --> 00:42:19,200 Speaker 1: said good. You don't think I killed it said you 860 00:42:19,239 --> 00:42:23,080 Speaker 1: did good? Episode from the first sold you did good? 861 00:42:23,120 --> 00:42:29,359 Speaker 1: But I see you when he playing Damn man, I'm 862 00:42:29,400 --> 00:42:32,880 Speaker 1: talking about that episode one good. Nobody gonna give you 863 00:42:32,960 --> 00:42:35,719 Speaker 1: props after they they're gonna be like, you know, we 864 00:42:35,800 --> 00:42:37,320 Speaker 1: gotta take the young boy down and not. I'm just 865 00:42:37,400 --> 00:42:42,240 Speaker 1: telling you that people on social media are natural haters anyway, 866 00:42:42,760 --> 00:42:44,480 Speaker 1: so they're gonna be like, I'm not gonna give it 867 00:42:44,600 --> 00:42:47,480 Speaker 1: up for him. The negativity spread faster than the positive. 868 00:42:47,880 --> 00:42:50,319 Speaker 1: Y'all find something negative to say about my performance as 869 00:42:50,400 --> 00:42:53,240 Speaker 1: someone that I'm not that was doing his thing before 870 00:42:53,239 --> 00:42:56,360 Speaker 1: I was born, typing on up, leave comments on this, 871 00:42:56,800 --> 00:42:59,440 Speaker 1: send it to your friends, do all of that, do 872 00:42:59,600 --> 00:43:02,680 Speaker 1: all of that. Are you confident in your performance? That's 873 00:43:02,680 --> 00:43:05,960 Speaker 1: all that matters. Yeah, I'm confident. You got to a fight. Oh, 874 00:43:06,000 --> 00:43:09,480 Speaker 1: I fight every day. I'm a boxer. I'm not a 875 00:43:09,560 --> 00:43:14,319 Speaker 1: professional about Yeah. Why did you ask that question? Can 876 00:43:14,400 --> 00:43:16,399 Speaker 1: he talk so much like somebody gonna test him one day? 877 00:43:16,400 --> 00:43:18,239 Speaker 1: But I'm talking She's just kind of like it. But 878 00:43:18,360 --> 00:43:20,560 Speaker 1: I like that talk because it's good. So he like, Yo, 879 00:43:20,960 --> 00:43:23,040 Speaker 1: somebody gonna check and see if his chan is right. 880 00:43:23,880 --> 00:43:27,239 Speaker 1: Jazz just turn you on when you hit a young 881 00:43:27,320 --> 00:43:30,320 Speaker 1: boy talking like this. Jazz is a young inter. I 882 00:43:30,360 --> 00:43:34,399 Speaker 1: don't know. Does that turn you on? Okay? She said 883 00:43:34,480 --> 00:43:36,680 Speaker 1: not really? Yeah, she said not really. Oh that's okay. 884 00:43:38,120 --> 00:43:40,120 Speaker 1: How do I feel? I feel like I'm a happy person. 885 00:43:40,200 --> 00:43:42,920 Speaker 1: I'm thankful to be alive. I have a premiere, come 886 00:43:43,239 --> 00:43:46,160 Speaker 1: going on to night. What we're saying on Hulu? Frizzard 887 00:43:46,239 --> 00:43:50,040 Speaker 1: just walked in the building. There you go. Why a right, look, 888 00:43:50,360 --> 00:43:52,480 Speaker 1: why didn't you do your interview with rizz and everybody else? 889 00:43:52,600 --> 00:43:54,600 Speaker 1: Why don't he just you know, come on in right now? 890 00:43:54,719 --> 00:43:59,960 Speaker 1: We continue, you know what I'm saying, Support the support 891 00:44:00,120 --> 00:44:02,399 Speaker 1: the black brother. Hey, look, most of my projects were 892 00:44:02,440 --> 00:44:06,239 Speaker 1: in New York, right, Spider Man to get down and 893 00:44:06,800 --> 00:44:09,400 Speaker 1: Utang at this point, so and the next one pretenders 894 00:44:10,000 --> 00:44:11,920 Speaker 1: all New York. I feel like, you know, New York 895 00:44:11,960 --> 00:44:16,920 Speaker 1: should showed me a little love, just a little. We 896 00:44:16,960 --> 00:44:18,719 Speaker 1: can start at the breakfast club and y'all can play 897 00:44:18,800 --> 00:44:22,000 Speaker 1: right at the beat Nah, listen, see y'all see this, 898 00:44:22,640 --> 00:44:25,440 Speaker 1: y'all see this, this one I'm talking about. Didn't want 899 00:44:25,480 --> 00:44:27,120 Speaker 1: to do his interview with Ritha and the rest of 900 00:44:27,160 --> 00:44:30,120 Speaker 1: the cash because like, I want my own interview, green 901 00:44:30,239 --> 00:44:34,120 Speaker 1: rule own everything. Yeah, trying to build Schmick Marraine because 902 00:44:34,200 --> 00:44:36,680 Speaker 1: I have no problem with the confidence that should meet more. Hass, 903 00:44:36,920 --> 00:44:39,040 Speaker 1: somebody got to be confident. Let's play snip it up 904 00:44:39,080 --> 00:44:43,879 Speaker 1: his joint, A snippet, A snippet exactly exactly. Let's see 905 00:44:43,880 --> 00:44:47,000 Speaker 1: how y'all doing me. It's all good. Watch when that's 906 00:44:47,080 --> 00:44:49,080 Speaker 1: number one in the country, I'm gonna come right on back. 907 00:44:49,400 --> 00:44:51,880 Speaker 1: Let's play his joy. Let's play introduce your joy, man, Yo, 908 00:44:52,040 --> 00:44:54,359 Speaker 1: this is right to be off. The new mixtape. Worth 909 00:44:54,480 --> 00:44:57,279 Speaker 1: the risk, all right, man, it's the Breakfast. Take calls 910 00:44:57,280 --> 00:45:00,280 Speaker 1: on it and see if people like it. That that asked. 911 00:45:00,840 --> 00:45:02,359 Speaker 1: I want to know. I want to know if people 912 00:45:02,400 --> 00:45:05,200 Speaker 1: think about this. Surely, I genuinely want to know what 913 00:45:05,280 --> 00:45:07,239 Speaker 1: people think about Let's play. Let's bring some of the 914 00:45:07,280 --> 00:45:09,480 Speaker 1: interns in and play. Now, this is honest. These some 915 00:45:09,600 --> 00:45:14,440 Speaker 1: honest people, Simon Taylor to come here, some honest black women. 916 00:45:14,880 --> 00:45:31,759 Speaker 1: I expect honesty. Just me, me, just me, me and 917 00:45:32,040 --> 00:45:37,520 Speaker 1: you bids time for you to do. To be a bumper, 918 00:45:37,800 --> 00:45:45,040 Speaker 1: not your nose. Whoa bumping your nose in a lightning 919 00:45:45,560 --> 00:45:48,120 Speaker 1: She's didn't sitting the low. No, I'm sliding behind me 920 00:45:48,680 --> 00:45:51,839 Speaker 1: now while with you body. Don't be a bed girl. 921 00:45:51,920 --> 00:45:56,160 Speaker 1: It's all in the timing. I didn't be I didn't 922 00:45:56,200 --> 00:46:00,080 Speaker 1: be on you by didn't me I can spide the 923 00:46:00,200 --> 00:46:06,120 Speaker 1: free Kite didn't seek. You can't lie me no frand 924 00:46:06,760 --> 00:46:14,399 Speaker 1: with you Cashi, watch your j brock curveback. I cant 925 00:46:14,440 --> 00:46:17,759 Speaker 1: spide the free Kite didn't seek. You can't lie to me. 926 00:46:17,960 --> 00:46:31,319 Speaker 1: No Goshi watch brock curvack frand I ain't you Goshi? 927 00:46:31,960 --> 00:46:37,040 Speaker 1: Watch your rock broke with a body the body. I'm 928 00:46:37,120 --> 00:46:41,920 Speaker 1: loving your body. God, your ass bands around like it 929 00:46:42,040 --> 00:46:46,320 Speaker 1: ain't got nobody. Girl. I'm just saying that, Dad, I 930 00:46:46,760 --> 00:46:51,680 Speaker 1: wanna steel in the film. Or you're doing that as 931 00:46:51,719 --> 00:46:55,200 Speaker 1: like you ain't got nobody. Girl, I'm just saying that 932 00:46:55,760 --> 00:47:01,120 Speaker 1: sad wanna feelmre in the film. More? Did you doing 933 00:47:01,239 --> 00:47:11,960 Speaker 1: that ass like you ain't got nobody? E yoush? What 934 00:47:12,239 --> 00:47:16,279 Speaker 1: judging Brook? I can spye the free kind and see 935 00:47:16,440 --> 00:47:23,440 Speaker 1: you can't lie to me? Good gush that we should 936 00:47:23,440 --> 00:47:26,400 Speaker 1: make more single Ride to beat? All right? So, um, 937 00:47:26,640 --> 00:47:28,160 Speaker 1: we have some people that work up here that we're 938 00:47:28,200 --> 00:47:30,440 Speaker 1: gonna ask how they like it. So the first person 939 00:47:30,520 --> 00:47:33,160 Speaker 1: we're gonna ask is Jasmine. So, Jasmine, what did you think? 940 00:47:33,320 --> 00:47:36,239 Speaker 1: My honest opinion, the song is amazing, But looking at 941 00:47:36,320 --> 00:47:39,239 Speaker 1: you and hearing you, I don't see that vibe. I 942 00:47:39,360 --> 00:47:42,840 Speaker 1: see like if I gave maybe somebody from the Caribbeans, 943 00:47:42,840 --> 00:47:45,360 Speaker 1: and I don't know if you are from now he's jamaking. 944 00:47:45,600 --> 00:47:47,960 Speaker 1: I didn't know. So you know, when he talks in 945 00:47:48,120 --> 00:47:51,040 Speaker 1: his in his aura doesn't give me a Caribbean vibe. 946 00:47:51,120 --> 00:47:56,240 Speaker 1: What did you give your old town? Really really really 947 00:47:56,360 --> 00:47:58,440 Speaker 1: trying it today? It gives me like a New York 948 00:47:58,520 --> 00:48:01,239 Speaker 1: Brooklyn vibe, so you know. But again, I'm from the Walda, 949 00:48:01,320 --> 00:48:03,040 Speaker 1: so they do do West Indie music up here. But 950 00:48:03,080 --> 00:48:10,240 Speaker 1: it's a good song the Caribbean. But he speak from Atlanta. Okay, 951 00:48:10,360 --> 00:48:13,680 Speaker 1: my honest opinion, I think that your voice is like 952 00:48:13,840 --> 00:48:16,600 Speaker 1: a little too light with a beat. I would like 953 00:48:16,800 --> 00:48:19,399 Speaker 1: either double it or just go harder next time. Okay, 954 00:48:19,440 --> 00:48:21,120 Speaker 1: but it's a good it's a vibe. How do you feel? 955 00:48:21,120 --> 00:48:22,799 Speaker 1: Schmiki like this? You can take this? Yeah, I can 956 00:48:22,880 --> 00:48:25,120 Speaker 1: take it all right? Come on, stacee what you Stace 957 00:48:25,200 --> 00:48:28,560 Speaker 1: is a DJ? By the way, she's a DJ. I 958 00:48:28,719 --> 00:48:31,600 Speaker 1: like it. Afrobeats is will sounds afrobeatish. It is in 959 00:48:31,800 --> 00:48:34,080 Speaker 1: so it's like slow dancing music too. I think it'll 960 00:48:34,080 --> 00:48:36,440 Speaker 1: be good in the club. Okay, yeah it is. It is. 961 00:48:36,719 --> 00:48:40,920 Speaker 1: And Taylor, you say you like it? Grynd to it. Okay, 962 00:48:42,680 --> 00:48:45,719 Speaker 1: you know what I mean, though we don't grind to 963 00:48:45,840 --> 00:48:48,680 Speaker 1: it as in like like Stacey just said, like it's 964 00:48:48,719 --> 00:48:51,719 Speaker 1: slow where it's like a good vibe to get close 965 00:48:51,760 --> 00:48:55,480 Speaker 1: to the guy. That's all right, you got I guess 966 00:48:55,520 --> 00:48:57,840 Speaker 1: two or two. Yeah, it might have been the speakers 967 00:48:57,880 --> 00:48:59,719 Speaker 1: and maybe you didn't get enough of a vibe. But 968 00:49:00,280 --> 00:49:04,160 Speaker 1: I appreciate the feedback, the honest feedback. Okay, but we 969 00:49:04,239 --> 00:49:07,000 Speaker 1: appreciate you Shik for joining us. I want to musician, 970 00:49:07,080 --> 00:49:08,800 Speaker 1: you know why, because you want to blow as a musician. 971 00:49:08,880 --> 00:49:12,160 Speaker 1: Thank you. I think I want everybody to accomplish their dreams. 972 00:49:12,239 --> 00:49:14,960 Speaker 1: I just want I want the opportunity, that's all. If 973 00:49:15,000 --> 00:49:16,879 Speaker 1: you don't like it after you hear it, then that's 974 00:49:16,920 --> 00:49:18,800 Speaker 1: one thing. But I want the opportunity for it to 975 00:49:18,880 --> 00:49:21,840 Speaker 1: be played and in front of you. But again, you know, 976 00:49:22,680 --> 00:49:25,400 Speaker 1: asking for it. It's never how it works, you know. 977 00:49:25,840 --> 00:49:27,920 Speaker 1: But we're gonna play it loud for the people. Say. 978 00:49:29,600 --> 00:49:31,440 Speaker 1: I think it would be very entertaining to watch him. 979 00:49:31,440 --> 00:49:35,319 Speaker 1: Meek Moore is a big superstar. I think it would 980 00:49:35,360 --> 00:49:37,120 Speaker 1: be very entertaining to watch him because he'd be so 981 00:49:37,280 --> 00:49:42,160 Speaker 1: goddamn bougie. It's so arrogant. Oh yes, you would be 982 00:49:42,239 --> 00:49:45,239 Speaker 1: the guy to say I need all green Eminem's No, no, no, 983 00:49:45,320 --> 00:49:49,520 Speaker 1: I don't eat Eminem's. Oh yeah, I'm pesctarian Parian fish. Well, 984 00:49:49,560 --> 00:49:52,279 Speaker 1: I go to church too. Yeah, yes, okay, what do 985 00:49:52,320 --> 00:49:58,560 Speaker 1: you say that to me? It's the breakfast club. Look, 986 00:49:59,360 --> 00:50:06,000 Speaker 1: it's a bad about Hills that money morning. Everybody is 987 00:50:06,080 --> 00:50:09,200 Speaker 1: DJ Envy and Jula Yee, Charlomagne the guy. We are 988 00:50:09,239 --> 00:50:11,560 Speaker 1: the breakfast Club. Listen. You can go to my instagram. 989 00:50:11,960 --> 00:50:14,720 Speaker 1: I just posted a picture of Shamik Moore, who plays 990 00:50:14,800 --> 00:50:17,600 Speaker 1: Ray kun on Wu Tang on Hulu, and please leave 991 00:50:17,600 --> 00:50:19,640 Speaker 1: a comment about what do you think of his record 992 00:50:19,760 --> 00:50:22,200 Speaker 1: Ride to Beat? But please at him? Don't just you know, 993 00:50:23,160 --> 00:50:26,120 Speaker 1: tell me at him. His at name is in my Instagram. 994 00:50:26,160 --> 00:50:29,839 Speaker 1: It's at Shamik Moore. I don't know if I did. 995 00:50:29,960 --> 00:50:32,040 Speaker 1: We did we give our opinion on the record. No, 996 00:50:32,200 --> 00:50:34,359 Speaker 1: we didn't. Oh I'm not giving it. Give it down? 997 00:50:34,600 --> 00:50:36,960 Speaker 1: What's your opinion? Not here? I don't talk about people back. Well, 998 00:50:37,000 --> 00:50:39,799 Speaker 1: you'll hear it. You'll hear it. That means you didn't 999 00:50:39,840 --> 00:50:41,239 Speaker 1: like it, because if it liked it, then you would 1000 00:50:41,239 --> 00:50:43,320 Speaker 1: say I like it. I didn't dislike it. It just was. 1001 00:50:43,440 --> 00:50:46,080 Speaker 1: It just was there. But you said you given the opinion. Oh, 1002 00:50:46,400 --> 00:50:50,480 Speaker 1: you asked me. It was just dad. It wasn't bad. 1003 00:50:50,560 --> 00:50:52,680 Speaker 1: It wasn't good either, though. You know last year, you 1004 00:50:52,719 --> 00:50:54,000 Speaker 1: know what he came two years ago. He played the 1005 00:50:54,040 --> 00:50:56,840 Speaker 1: same record, really, yes, the same dance he did. He 1006 00:50:56,920 --> 00:50:58,560 Speaker 1: did that same dance with the popping lie. You don't 1007 00:50:58,600 --> 00:50:59,680 Speaker 1: mean telling me stuff like this, you know what I 1008 00:50:59,719 --> 00:51:01,920 Speaker 1: remember bad. I'm't remembering this stuff. I told you, I 1009 00:51:02,040 --> 00:51:03,600 Speaker 1: told you that records like three years old, but I 1010 00:51:03,640 --> 00:51:05,560 Speaker 1: didn't know we played it before. I mean sure that 1011 00:51:06,120 --> 00:51:07,520 Speaker 1: I remember he did the pop a lock thing. Remember 1012 00:51:07,520 --> 00:51:09,560 Speaker 1: you did? And you try to pop a lock with him? 1013 00:51:09,600 --> 00:51:11,520 Speaker 1: Oh yeah, Well you gotta stop riding that beat you meet, 1014 00:51:12,040 --> 00:51:14,919 Speaker 1: tell me, you know, get off that horse. All right, Well, 1015 00:51:15,200 --> 00:51:17,520 Speaker 1: when we come back, we got your rumors, Linzo ball 1016 00:51:17,640 --> 00:51:20,920 Speaker 1: he admits the BBB shoes with trash, He did not. 1017 00:51:21,160 --> 00:51:22,520 Speaker 1: We we'll tell you about it when, because that's the 1018 00:51:22,560 --> 00:51:24,600 Speaker 1: tease man Angeli's name. I'm trying to tease make people 1019 00:51:24,719 --> 00:51:26,480 Speaker 1: like word, did he really say that? Okay, so you're lying? 1020 00:51:27,040 --> 00:51:29,080 Speaker 1: All right, Well he didn't say that. Well yeah, but 1021 00:51:29,680 --> 00:51:32,480 Speaker 1: keep it lock rooms all the way. I had I'm 1022 00:51:32,480 --> 00:51:34,840 Speaker 1: reading some of these reviews on Shmik Moore songs. What 1023 00:51:34,920 --> 00:51:38,919 Speaker 1: did they say? Meldonado seventy six says not feeling that song. 1024 00:51:39,160 --> 00:51:41,799 Speaker 1: Funny Fat Kid from Indianapolis says Enview won't be making 1025 00:51:41,840 --> 00:51:44,520 Speaker 1: no mini mix anytime soon. And that guy I Have 1026 00:51:44,600 --> 00:51:48,719 Speaker 1: This twenty three says it wasn't too bad. Stylish Silk says, oh, Charlottagne, 1027 00:51:48,719 --> 00:51:50,640 Speaker 1: you humble him so quick, but the song wasn't bad 1028 00:51:50,680 --> 00:51:53,200 Speaker 1: at all. Qt whorls and I think she more. Song 1029 00:51:53,320 --> 00:51:55,040 Speaker 1: was okay, but his voice was not hard enough and 1030 00:51:55,080 --> 00:51:56,799 Speaker 1: he's sang too slow for the beat. It just didn't 1031 00:51:56,840 --> 00:52:00,600 Speaker 1: sound mastered. Curtis would a K says song is okay, 1032 00:52:00,640 --> 00:52:03,759 Speaker 1: but his attitude is uh, I can't say that word 1033 00:52:04,640 --> 00:52:10,320 Speaker 1: dufy dukie but not dukie like that's word. I got you, 1034 00:52:10,400 --> 00:52:12,000 Speaker 1: I got you. You could have just said, is that's 1035 00:52:12,040 --> 00:52:15,080 Speaker 1: all you could have said? All right, Well, let's get 1036 00:52:15,080 --> 00:52:18,799 Speaker 1: to the rumor report. Oh what I gotta say? Oh 1037 00:52:19,400 --> 00:52:23,759 Speaker 1: I got tease myself? All right, come on, you know 1038 00:52:23,800 --> 00:52:27,920 Speaker 1: what I want to hear? Right now, Let's get to 1039 00:52:27,960 --> 00:52:39,680 Speaker 1: the damn rumors. Man's Angel on the Breakfast Club, All 1040 00:52:39,760 --> 00:52:42,840 Speaker 1: right now, Linzo Ball amidst the b B B shoes 1041 00:52:42,920 --> 00:52:46,600 Speaker 1: were defective. Now, these shoes caused five hundred dollars prepare 1042 00:52:46,800 --> 00:52:49,560 Speaker 1: and they were pretty much trash zeal twos. I was 1043 00:52:49,640 --> 00:52:52,839 Speaker 1: playing they was not ready to really, no one knows 1044 00:52:52,880 --> 00:52:54,839 Speaker 1: it but demo how to backpack and he had extra 1045 00:52:54,960 --> 00:52:56,480 Speaker 1: like four pairs of shoes, and the I had to 1046 00:52:56,480 --> 00:52:58,920 Speaker 1: switch him every quarter, so they were just ripped. I'm 1047 00:52:58,960 --> 00:53:00,799 Speaker 1: on the phone like this when Alan was run everything. 1048 00:53:00,800 --> 00:53:02,759 Speaker 1: I'm like, yo, like I'm not playing them shoes, Like 1049 00:53:03,040 --> 00:53:05,279 Speaker 1: I don't care about He's all right, just switch every 1050 00:53:05,320 --> 00:53:08,400 Speaker 1: brand next every every game? All right? Cool? Wow, why'd 1051 00:53:08,400 --> 00:53:12,759 Speaker 1: you wear them just because you guys had Like I 1052 00:53:12,840 --> 00:53:14,800 Speaker 1: would not let you do that to the BBB brand, 1053 00:53:15,360 --> 00:53:18,319 Speaker 1: h DJ and what that is a black on brand? 1054 00:53:18,360 --> 00:53:20,520 Speaker 1: So did a pair of Nikes last year on Zione 1055 00:53:20,560 --> 00:53:26,359 Speaker 1: Williams and so what sometimes it happens. But his tapping once, 1056 00:53:26,400 --> 00:53:28,520 Speaker 1: this happened every quarter. No, we do sit down. They 1057 00:53:28,560 --> 00:53:30,000 Speaker 1: had to change him every quarter because they would rip. 1058 00:53:30,120 --> 00:53:31,520 Speaker 1: Didn't you hear what he just said? No? I did not, 1059 00:53:32,680 --> 00:53:34,600 Speaker 1: and I would not listen to such nonsense. Well he 1060 00:53:34,640 --> 00:53:36,640 Speaker 1: doesn't even wear I got me some BBB slide. They 1061 00:53:36,719 --> 00:53:38,279 Speaker 1: probably got a break, because soon did you wear him? 1062 00:53:38,360 --> 00:53:41,319 Speaker 1: Later on? Today? All right, now, all Kelly, he's out 1063 00:53:41,360 --> 00:53:44,799 Speaker 1: of our solitary confinement. He's moved to general population. He said. 1064 00:53:44,880 --> 00:53:48,000 Speaker 1: He's good in Chicago, but when he has to come 1065 00:53:48,040 --> 00:53:50,720 Speaker 1: to New York and he has to go to other places, 1066 00:53:50,880 --> 00:53:53,040 Speaker 1: he doesn't feel too sick. And you can't pick and 1067 00:53:53,160 --> 00:53:55,839 Speaker 1: choose when you want to be in general population. They go, oh, yeah, 1068 00:53:55,840 --> 00:53:57,799 Speaker 1: you don't want to be in general population in New York. Well, 1069 00:53:57,840 --> 00:53:59,920 Speaker 1: he can't pick and choose. Minnesota. You're gonna be in 1070 00:54:00,040 --> 00:54:02,200 Speaker 1: general pop. You're gonna be in general pop wherever you go, Sir, 1071 00:54:03,560 --> 00:54:05,440 Speaker 1: he says. In Shottown, he's good money, he said, in 1072 00:54:05,440 --> 00:54:07,839 Speaker 1: New York. In Minnesota, he's good with being in the box. 1073 00:54:07,960 --> 00:54:09,560 Speaker 1: And he's right. But I don't think that you should 1074 00:54:09,560 --> 00:54:13,120 Speaker 1: be able to pick and choose. I And lastly, Macmiller's 1075 00:54:13,480 --> 00:54:17,480 Speaker 1: alleged drug dealer has been charged for supplying the deadly pills. 1076 00:54:17,640 --> 00:54:20,000 Speaker 1: He's twenty eight years old. His name is Cameron. He 1077 00:54:20,520 --> 00:54:24,279 Speaker 1: believed that he sold macmiller to counterfeit oxycodon pills that 1078 00:54:24,520 --> 00:54:27,359 Speaker 1: killed him. So he's been arrested and we'll find out 1079 00:54:27,400 --> 00:54:30,920 Speaker 1: what happens he's been held without bail without bond. He's 1080 00:54:30,920 --> 00:54:35,200 Speaker 1: said to be arranged on October eleventh. M I always 1081 00:54:35,200 --> 00:54:40,000 Speaker 1: feel like such a hypocrite when conversations about drug dealings occur, 1082 00:54:40,520 --> 00:54:43,080 Speaker 1: because I used to sell drugs. You know what I'm saying, 1083 00:54:43,160 --> 00:54:46,759 Speaker 1: but we know it's wrong, correct, So it's like, yeah, 1084 00:54:47,360 --> 00:54:49,359 Speaker 1: he should be in jail. He should be in jail 1085 00:54:49,400 --> 00:54:51,319 Speaker 1: number one for selling drugs because you know, drugs are 1086 00:54:51,400 --> 00:54:54,320 Speaker 1: in our community and they destroy families, and he should 1087 00:54:54,400 --> 00:54:57,000 Speaker 1: definitely be in jail for selling drugs that are killing people. 1088 00:54:57,280 --> 00:55:01,120 Speaker 1: Counterfeit drugs, drug he should be in drugs the drugs regardless. Yeah, 1089 00:55:01,160 --> 00:55:03,080 Speaker 1: it's all he might he might not have known that 1090 00:55:03,160 --> 00:55:05,560 Speaker 1: they were counterfeit, but the fact that he sold drugs, 1091 00:55:05,640 --> 00:55:07,360 Speaker 1: he should be in jail. Yeah, because whether you're not 1092 00:55:07,480 --> 00:55:09,879 Speaker 1: your you know you mcmiller died the way he died. 1093 00:55:09,920 --> 00:55:11,640 Speaker 1: I mean, at the end of the day, all drug dealers, 1094 00:55:11,680 --> 00:55:14,400 Speaker 1: when you're selling a certain type of drug, you are 1095 00:55:14,880 --> 00:55:18,759 Speaker 1: destroying communities and you are killing people regardless, So why 1096 00:55:18,760 --> 00:55:20,960 Speaker 1: don't you think about that when you're doing this? Didn't 1097 00:55:20,960 --> 00:55:24,360 Speaker 1: know anybody when you learn, so you don't see the 1098 00:55:24,400 --> 00:55:27,120 Speaker 1: destruction you creating into your community. You just think about 1099 00:55:27,200 --> 00:55:29,360 Speaker 1: the money that's going into your pocket all you just 1100 00:55:29,480 --> 00:55:31,759 Speaker 1: you know, being a product you environment and doing what 1101 00:55:31,840 --> 00:55:34,799 Speaker 1: everybody else is around you doing that everybody or whatever. 1102 00:55:34,840 --> 00:55:35,960 Speaker 1: I just said, you know what I meant to go. 1103 00:55:36,239 --> 00:55:37,680 Speaker 1: I'm pretty sure y'all got to just what I was 1104 00:55:37,719 --> 00:55:40,120 Speaker 1: trying to say. We caught you. Yes, all right, well 1105 00:55:40,160 --> 00:55:42,880 Speaker 1: that is your room or report. Now who are you 1106 00:55:42,920 --> 00:55:46,320 Speaker 1: giving that? Donkey too? You know what's crazy? Man? This 1107 00:55:46,520 --> 00:55:49,800 Speaker 1: is bad. I don't even know how to tease it 1108 00:55:50,440 --> 00:55:55,000 Speaker 1: other than to say, join me four after the hour. Okay, 1109 00:55:55,120 --> 00:55:57,879 Speaker 1: that's going to his story. No fall plagues get gonna 1110 00:55:57,880 --> 00:55:59,839 Speaker 1: tease is a little bit. You want me to tease 1111 00:55:59,880 --> 00:56:01,400 Speaker 1: you a little bit? You want a little foreplay for me? 1112 00:56:01,480 --> 00:56:04,880 Speaker 1: Give us a little something. Just don't you want a 1113 00:56:04,880 --> 00:56:06,759 Speaker 1: little foreplay for me? I'm just saying you should give 1114 00:56:06,800 --> 00:56:08,759 Speaker 1: us a little foreplay lick the nipple or something like 1115 00:56:08,800 --> 00:56:15,479 Speaker 1: that on flowers. So what you know what? You know what? Wow? 1116 00:56:16,239 --> 00:56:18,359 Speaker 1: Know what I care with you? Today? Man? All right? 1117 00:56:18,400 --> 00:56:20,399 Speaker 1: Don't get the day's up next man, it's the breakfast club. 1118 00:56:20,480 --> 00:56:24,680 Speaker 1: Good morning MANE say the gang. Don't get the shape 1119 00:56:24,840 --> 00:56:33,000 Speaker 1: man you are donkey today does not discriminate I might 1120 00:56:33,080 --> 00:56:34,520 Speaker 1: not have the song of today, but I got to 1121 00:56:34,560 --> 00:56:36,560 Speaker 1: don't get that. So if you ever feel I need 1122 00:56:36,640 --> 00:56:40,520 Speaker 1: to be a donkey man, give me with the breakfast 1123 00:56:40,560 --> 00:56:44,160 Speaker 1: club bitches. He just don't kive today. Today, wow ed Sharon, 1124 00:56:44,440 --> 00:56:46,920 Speaker 1: don't get today. For Thursday, September fifth goes to a 1125 00:56:47,000 --> 00:56:50,400 Speaker 1: twenty seven year old California man named Robert Anthony Cameo. 1126 00:56:50,800 --> 00:56:53,160 Speaker 1: I think I'm pronouncing his last name right. I really 1127 00:56:53,200 --> 00:56:55,279 Speaker 1: don't know what's going on in the world anymore. You know, 1128 00:56:55,320 --> 00:56:57,360 Speaker 1: when I was a jit. That's a kid for you 1129 00:56:57,440 --> 00:56:59,200 Speaker 1: folks from not from the south one, I was a jit. 1130 00:56:59,320 --> 00:57:01,480 Speaker 1: My grandmother to say that she has never seen a 1131 00:57:01,600 --> 00:57:03,960 Speaker 1: time like this before, and that was in the nineties. 1132 00:57:04,239 --> 00:57:06,520 Speaker 1: That was twenty nineteen, and my grandma's been dead since 1133 00:57:06,560 --> 00:57:08,760 Speaker 1: two thousand and six, thirteen years later, I can repeat 1134 00:57:08,800 --> 00:57:11,520 Speaker 1: her awards with confidence. I have never seen a time 1135 00:57:11,600 --> 00:57:14,239 Speaker 1: like this before. People is out of their goddamn mind. 1136 00:57:14,560 --> 00:57:16,560 Speaker 1: We are in a world where we are surrounded about 1137 00:57:16,600 --> 00:57:19,680 Speaker 1: a three hundred and sixty degree circumference of crazy. Every day, 1138 00:57:20,000 --> 00:57:22,640 Speaker 1: every single one of us is just trying to avoid crazy. 1139 00:57:23,080 --> 00:57:25,560 Speaker 1: You know, that's it. If you cant making home every 1140 00:57:25,600 --> 00:57:28,560 Speaker 1: day having avoided any crazy, then you have probably lived 1141 00:57:28,600 --> 00:57:31,520 Speaker 1: to see you another day. Sadly, that crazy is often 1142 00:57:31,560 --> 00:57:34,600 Speaker 1: too close to us. Could be a brother, a sister, parents, 1143 00:57:35,200 --> 00:57:38,840 Speaker 1: close friends, the cameraman at revote, and in the case 1144 00:57:38,920 --> 00:57:41,560 Speaker 1: of a man the Custer, a boyfriend she According to 1145 00:57:41,600 --> 00:57:44,040 Speaker 1: the Los Angeles County Sheriff's Department, a man to Custer 1146 00:57:44,160 --> 00:57:47,040 Speaker 1: has been missing since late July, and a video surfaced 1147 00:57:47,200 --> 00:57:51,000 Speaker 1: online around the time a man had disappeared, and according 1148 00:57:51,080 --> 00:57:53,960 Speaker 1: to the LA County Sheriff's Department, it showed a man, 1149 00:57:54,080 --> 00:57:58,480 Speaker 1: this boyfriend, Robert rapping. What was Robert rapping about it? 1150 00:57:58,880 --> 00:58:01,200 Speaker 1: Let's go to CBS too, Angels for the report. Police. 1151 00:58:01,360 --> 00:58:03,200 Speaker 1: But we're inside this bar, that King Eddie Bar, and 1152 00:58:03,240 --> 00:58:05,200 Speaker 1: this is where Camu was standing when he did this 1153 00:58:05,480 --> 00:58:08,200 Speaker 1: rap version. And I guess the big question is was 1154 00:58:08,280 --> 00:58:11,560 Speaker 1: it a confession? In my own words, it was killed 1155 00:58:11,640 --> 00:58:15,280 Speaker 1: them and bury her in the dirt. Michael Morrison, he 1156 00:58:15,400 --> 00:58:18,200 Speaker 1: was stunned by what it was listening to Kerrie Yoki 1157 00:58:18,280 --> 00:58:21,439 Speaker 1: Knight at King Eddie Saloon just off skid Row, Morrise. 1158 00:58:21,680 --> 00:58:24,280 Speaker 1: This is videotape of the man mixing with the crowd 1159 00:58:24,440 --> 00:58:27,800 Speaker 1: at the bar after he finished rapping. A song about 1160 00:58:27,840 --> 00:58:30,720 Speaker 1: how he had quote killed his girlfriend and buried her 1161 00:58:30,760 --> 00:58:32,960 Speaker 1: in the dirt. He makes it something about the police 1162 00:58:33,280 --> 00:58:36,200 Speaker 1: and that he needed to close his mouth now, and 1163 00:58:36,320 --> 00:58:38,800 Speaker 1: he walked off. A few hours later, he said he 1164 00:58:38,920 --> 00:58:43,080 Speaker 1: saw that same man on television being led away in handcuffs. 1165 00:58:43,400 --> 00:58:45,760 Speaker 1: Detectives say they're aware of the rap song video, but 1166 00:58:45,840 --> 00:58:47,600 Speaker 1: I yet to get a copy. But they say that 1167 00:58:47,880 --> 00:58:52,320 Speaker 1: Robert Camu is definitely their suspect in the disappearance of 1168 00:58:52,400 --> 00:58:55,920 Speaker 1: his longtime girlfriend Amanda Custer. Welcome to the rest of 1169 00:58:55,960 --> 00:58:58,080 Speaker 1: our lives people. I mean, this has been our lives 1170 00:58:58,120 --> 00:59:00,280 Speaker 1: for a long time now, but things that k nevits changing. 1171 00:59:00,320 --> 00:59:01,880 Speaker 1: If you grew up in the nineties like God did, 1172 00:59:01,960 --> 00:59:03,760 Speaker 1: and you know, the world that we live in has 1173 00:59:03,800 --> 00:59:06,520 Speaker 1: been altered forever. See, this is the era we live 1174 00:59:06,600 --> 00:59:09,160 Speaker 1: in with people kill people and then go rap about 1175 00:59:09,200 --> 00:59:12,760 Speaker 1: it during karaoke nights. Okay, now I know what you 1176 00:59:12,880 --> 00:59:16,200 Speaker 1: might be thinking. Eminem made a living off rapping about 1177 00:59:16,280 --> 00:59:19,240 Speaker 1: killing and burying his girlfriend. Somewhere look no further than 1178 00:59:19,360 --> 00:59:22,200 Speaker 1: ninety seven Bonnie and Clyde for starters. But the difference 1179 00:59:22,480 --> 00:59:26,480 Speaker 1: between Eminem and this guy is Eminem never actually killed him. 1180 00:59:26,640 --> 00:59:28,400 Speaker 1: He just rapped about it. Okay, he just rapped a 1181 00:59:28,440 --> 00:59:30,120 Speaker 1: boy wanting to kill her. If I have to explain 1182 00:59:30,240 --> 00:59:32,920 Speaker 1: the difference to you, then you're probably one of those 1183 00:59:32,960 --> 00:59:35,120 Speaker 1: crazy people I'm trying to avoid. Now, I know what 1184 00:59:35,240 --> 00:59:38,160 Speaker 1: else you're thinking. What if this guy was at karaoke 1185 00:59:38,400 --> 00:59:41,200 Speaker 1: night rapping an Eminem song. Maybe this is all some 1186 00:59:41,360 --> 00:59:44,160 Speaker 1: big misunderstanding. Yeah, it might make sense if a man 1187 00:59:44,200 --> 00:59:46,680 Speaker 1: the custom wasn't the last scene when police responded to 1188 00:59:46,760 --> 00:59:50,080 Speaker 1: a possible domestic dispute at Robert's home, and if Robert 1189 00:59:50,120 --> 00:59:53,280 Speaker 1: didn't already face the domestic violence charges because he was 1190 00:59:53,320 --> 00:59:58,000 Speaker 1: accused of battering his girlfriend, scrangling her, and threatening her 1191 00:59:58,360 --> 01:00:00,520 Speaker 1: with a taser, and when the victor him tried to 1192 01:00:00,600 --> 01:00:03,240 Speaker 1: get help at a house nearby, Robert allegedly chased her 1193 01:00:03,280 --> 01:00:05,600 Speaker 1: into the house and then beat up an elderly man 1194 01:00:06,200 --> 01:00:09,080 Speaker 1: who was trying to intervene. I wish that old elderly 1195 01:00:09,120 --> 01:00:11,240 Speaker 1: man would have had a shotgun, and I wish that 1196 01:00:11,360 --> 01:00:13,400 Speaker 1: old man would have put a hole through Robert the 1197 01:00:13,520 --> 01:00:15,800 Speaker 1: size of a gay porn star's butt hole. All Right, 1198 01:00:15,880 --> 01:00:19,200 Speaker 1: Witnesses actually told police they say Robert they saw Robert 1199 01:00:19,240 --> 01:00:21,520 Speaker 1: putting Custer's lifeless body in the back of a great 1200 01:00:21,560 --> 01:00:25,040 Speaker 1: Toyota Prius and then driving away. Not to mention, officials 1201 01:00:25,080 --> 01:00:31,680 Speaker 1: found evidence he said it was gay, so what not 1202 01:00:31,880 --> 01:00:36,240 Speaker 1: to mention officials found evidence to come up with bedroom 1203 01:00:36,560 --> 01:00:39,520 Speaker 1: every covered blood from the scene. Okay, police also found 1204 01:00:39,600 --> 01:00:42,080 Speaker 1: blood in a digging tool in the cargo area of 1205 01:00:42,160 --> 01:00:44,720 Speaker 1: the car. So yeah, about a voiding this crazy thing. 1206 01:00:45,280 --> 01:00:47,720 Speaker 1: I repeat every single day of our lives. All we 1207 01:00:47,800 --> 01:00:50,760 Speaker 1: are trying to do is avoid crazy, but sadly sometimes 1208 01:00:51,120 --> 01:00:54,360 Speaker 1: crazy finds us. Please, let might give Robert Canute the 1209 01:00:54,400 --> 01:01:00,200 Speaker 1: biggest he hall he ha he ha he stupid, Like 1210 01:01:00,280 --> 01:01:02,960 Speaker 1: everybody didn't know that was a very inappropriate time to laugh. 1211 01:01:03,520 --> 01:01:06,160 Speaker 1: But y'all did not see Envy's face when I said, 1212 01:01:06,200 --> 01:01:08,280 Speaker 1: I wish that old man would have had a shotgun, 1213 01:01:08,360 --> 01:01:09,640 Speaker 1: and I wish that old man would have put a 1214 01:01:09,680 --> 01:01:12,360 Speaker 1: hole through Robert the side of a gay port stars 1215 01:01:12,400 --> 01:01:14,840 Speaker 1: butth hole. The way everybody in this room looked at 1216 01:01:14,880 --> 01:01:20,240 Speaker 1: each other, it was so stupid. You could describe a 1217 01:01:20,280 --> 01:01:23,080 Speaker 1: whole bigger than you know another way to describe. I'm 1218 01:01:23,080 --> 01:01:25,400 Speaker 1: not gonna lie in my brain actually said incredible hawks 1219 01:01:25,440 --> 01:01:28,440 Speaker 1: butt hole. But I don't know if people watch Marvel 1220 01:01:28,560 --> 01:01:30,920 Speaker 1: like me, how do you know what there? Because then 1221 01:01:31,040 --> 01:01:34,720 Speaker 1: thor the Dark World I believe it was. They showed 1222 01:01:34,760 --> 01:01:39,480 Speaker 1: the incredible howks bear. But okay, but you understand what 1223 01:01:39,560 --> 01:01:41,840 Speaker 1: I meant when I say it gave point stars, butt hole, 1224 01:01:42,200 --> 01:01:49,560 Speaker 1: shotgun blast. Wow, I played too much. I'm not playing 1225 01:01:49,560 --> 01:01:52,120 Speaker 1: with man. I'm not taking my toys. I'm leaving the 1226 01:01:52,160 --> 01:01:55,160 Speaker 1: toy go home. All right, thank you for that dunkey today? 1227 01:01:55,200 --> 01:01:57,880 Speaker 1: Did he did you do the heat hot? Hey? You 1228 01:01:57,920 --> 01:02:00,560 Speaker 1: did he? All right? Got me frazzled over here. When 1229 01:02:00,600 --> 01:02:06,080 Speaker 1: we come back, Rizza, Erica Alexander, and Ashton Sanders will 1230 01:02:06,080 --> 01:02:09,560 Speaker 1: be joining us. Absolutely. The Woutang series came out yesterday, 1231 01:02:09,600 --> 01:02:11,800 Speaker 1: so we'll kick it with them about the series. I've 1232 01:02:11,800 --> 01:02:14,000 Speaker 1: seen the first episode, Joe, so we'll talk to him 1233 01:02:14,000 --> 01:02:15,760 Speaker 1: when we come back. I don't move. It's to Breakfast Club. 1234 01:02:15,800 --> 01:02:22,520 Speaker 1: Good morning, the Breakfast Club. Morning. Everybody is DJ end 1235 01:02:22,880 --> 01:02:25,640 Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club. 1236 01:02:25,680 --> 01:02:27,800 Speaker 1: We have some special guests in the building. Yes, indeed, 1237 01:02:27,960 --> 01:02:30,280 Speaker 1: we have the cast of the Woutang Hulu series. We 1238 01:02:30,320 --> 01:02:33,880 Speaker 1: have Rizza, we have Erica Alexander, and we have Ashton 1239 01:02:33,960 --> 01:02:37,800 Speaker 1: sand Is. Welcome, Good morning, Good morning, thank you. Guy 1240 01:02:37,840 --> 01:02:39,680 Speaker 1: had to be here. I guess we start with Riza, like, 1241 01:02:39,720 --> 01:02:43,000 Speaker 1: how did it feel recreating your own story? Wow? Um, 1242 01:02:43,360 --> 01:02:44,880 Speaker 1: you know it felt Its good to you know, to 1243 01:02:44,960 --> 01:02:48,680 Speaker 1: continue to the U legacy in them in this medium, 1244 01:02:48,760 --> 01:02:51,400 Speaker 1: you know what I mean? Um, so this just feels good. 1245 01:02:51,880 --> 01:02:55,640 Speaker 1: Now you involved for everything from casting to the whole shebank. Yeah, 1246 01:02:55,640 --> 01:02:58,640 Speaker 1: I'm um, I'm I'm what they call a show runner. 1247 01:02:58,680 --> 01:03:01,640 Speaker 1: So me and my partner Alex see the two showrunners 1248 01:03:01,680 --> 01:03:06,640 Speaker 1: and that in tels, hiring directors and hiring you know, casting, 1249 01:03:06,720 --> 01:03:09,800 Speaker 1: it every every I actually was reading ninety nine page 1250 01:03:10,080 --> 01:03:13,200 Speaker 1: budgets Mega sure, you know, I mean the money was going. 1251 01:03:13,320 --> 01:03:16,680 Speaker 1: We had to go too. So there's a very very unique, 1252 01:03:17,320 --> 01:03:19,960 Speaker 1: very unique job. Is a true Erica that you had 1253 01:03:20,000 --> 01:03:22,480 Speaker 1: to be vetted by Rizza in all ten of his sibilis. 1254 01:03:24,320 --> 01:03:26,160 Speaker 1: You know what, That's what I was told. I mean, 1255 01:03:26,280 --> 01:03:30,840 Speaker 1: you know, listen, I played the mother Mohamma Rizza Bobby Diggs, 1256 01:03:30,840 --> 01:03:35,400 Speaker 1: I call him Bobby, and she was a very prodigious woman. 1257 01:03:35,480 --> 01:03:38,560 Speaker 1: She had eleven children. There's four represented in this series, 1258 01:03:39,120 --> 01:03:44,800 Speaker 1: and Zolie Griggs and Elijah Martinez in Justice. There's Aston 1259 01:03:44,880 --> 01:03:49,120 Speaker 1: Sanders Injustice. But I heard that I had to pass 1260 01:03:49,200 --> 01:03:52,000 Speaker 1: the test, the smell test of eleven true children, which 1261 01:03:52,040 --> 01:03:55,000 Speaker 1: actually is actually test a beautiful thing if they saw 1262 01:03:55,080 --> 01:03:57,880 Speaker 1: something in me that they recognize or something in their mother. 1263 01:03:58,160 --> 01:04:00,120 Speaker 1: Then I thought, because I thought, you know that to 1264 01:04:00,200 --> 01:04:02,080 Speaker 1: heavy thing, what do I think? And Rizzard came to 1265 01:04:02,160 --> 01:04:04,080 Speaker 1: me and she said, you know, Erica, she was the light. 1266 01:04:04,360 --> 01:04:06,760 Speaker 1: And I thought, wow, that's a great compliment. So all 1267 01:04:06,840 --> 01:04:09,880 Speaker 1: I'll do is just beat me, yeah, and hope that 1268 01:04:09,960 --> 01:04:11,640 Speaker 1: she shines too. And I did a little thing to 1269 01:04:11,840 --> 01:04:13,800 Speaker 1: I said, listen, your children want to see you. It's 1270 01:04:13,840 --> 01:04:17,640 Speaker 1: gone through great links to bring you here. Just just come. 1271 01:04:17,960 --> 01:04:22,080 Speaker 1: Oh my two sisters, who if if if the chore 1272 01:04:22,160 --> 01:04:25,600 Speaker 1: was the wrong person, dinner and Thanksgiving will never be 1273 01:04:25,640 --> 01:04:30,280 Speaker 1: the same. But they they actually really really loved Erica 1274 01:04:30,360 --> 01:04:33,200 Speaker 1: and really helped me absorb it as well, you know, 1275 01:04:33,400 --> 01:04:35,160 Speaker 1: you know what I mean. So anyway, and you pick 1276 01:04:35,240 --> 01:04:37,640 Speaker 1: asking to play you that? How how was that? How 1277 01:04:37,840 --> 01:04:40,240 Speaker 1: was that difficult? How'd you find him? Yeah? You know 1278 01:04:40,680 --> 01:04:43,040 Speaker 1: this gentleman, my head is a very talented young man, 1279 01:04:43,160 --> 01:04:45,600 Speaker 1: you know what I mean? And um, I was on 1280 01:04:45,680 --> 01:04:48,840 Speaker 1: a plane watching Equalizer two, but I saw it in 1281 01:04:48,920 --> 01:04:51,600 Speaker 1: the movie theaters first, right, but now you know it's 1282 01:04:51,680 --> 01:04:54,040 Speaker 1: be getting close to casting and and and when the 1283 01:04:54,120 --> 01:04:56,760 Speaker 1: character he played, you know, he was drawing, and he 1284 01:04:56,960 --> 01:05:00,280 Speaker 1: was having that confrontation between is he gonna be a 1285 01:05:00,400 --> 01:05:03,640 Speaker 1: drug deal? Be an artist? In his eyes? You know, 1286 01:05:03,720 --> 01:05:06,480 Speaker 1: I was like, wow, I remember having those odds, you 1287 01:05:06,520 --> 01:05:08,560 Speaker 1: know what I mean. And Aston came in and sat 1288 01:05:08,640 --> 01:05:10,680 Speaker 1: down with us. I don't know if we even talked 1289 01:05:10,680 --> 01:05:12,320 Speaker 1: about who he was gonna be. I don't know if 1290 01:05:12,320 --> 01:05:14,520 Speaker 1: you know, I was examining him, like, oh man, we 1291 01:05:14,800 --> 01:05:16,800 Speaker 1: got a brief conversation about the show and all of that. 1292 01:05:17,040 --> 01:05:20,600 Speaker 1: But and then um, you know he's just you know, 1293 01:05:20,920 --> 01:05:24,920 Speaker 1: his eyes in the spirit of what of what the 1294 01:05:25,040 --> 01:05:27,560 Speaker 1: young Bobby was going through? You know what I mean 1295 01:05:28,760 --> 01:05:30,480 Speaker 1: that the man Aston, did you listen to a lot 1296 01:05:30,480 --> 01:05:33,120 Speaker 1: of Woutaine growing up? Are I'm not going like, uh 1297 01:05:33,640 --> 01:05:35,880 Speaker 1: I knew of Woutaine growing up, you know, like you know, 1298 01:05:35,960 --> 01:05:38,640 Speaker 1: if their heads like cream, you know, like uh, you know, 1299 01:05:38,720 --> 01:05:42,880 Speaker 1: like woutine claning on with But outside of that, you know, 1300 01:05:43,040 --> 01:05:47,760 Speaker 1: this Row definitely uh demanded that you understood the world 1301 01:05:47,880 --> 01:05:50,720 Speaker 1: in which like they really was in you know, as 1302 01:05:50,800 --> 01:05:54,040 Speaker 1: individuals and as a group and so uh, you know, 1303 01:05:54,320 --> 01:05:58,640 Speaker 1: becoming riser was something strategic. Why is that not a 1304 01:05:58,760 --> 01:06:01,120 Speaker 1: deal breaker for you? Like young artists not knowing who 1305 01:06:01,200 --> 01:06:03,520 Speaker 1: who tange is shooting people? Why is it not? Well, 1306 01:06:04,120 --> 01:06:07,040 Speaker 1: I've been blessed with the opportunity to act and direct 1307 01:06:07,120 --> 01:06:09,480 Speaker 1: the right right, so, and so I couldn't approach it 1308 01:06:09,560 --> 01:06:12,400 Speaker 1: with an artistic mind and not a personal thank you 1309 01:06:12,440 --> 01:06:15,520 Speaker 1: know what I mean. So it's like, you know, you know, 1310 01:06:15,920 --> 01:06:19,880 Speaker 1: you look for the actor who can embody the character, 1311 01:06:20,360 --> 01:06:23,120 Speaker 1: you know, so you don't have to know anything about me. 1312 01:06:23,240 --> 01:06:25,959 Speaker 1: It's just like, you know, not depend myself on the spot. 1313 01:06:26,000 --> 01:06:29,120 Speaker 1: But I wasn't no cop, but I played a cop, 1314 01:06:29,200 --> 01:06:31,920 Speaker 1: an American gangster, you know what. And so and I 1315 01:06:32,040 --> 01:06:34,120 Speaker 1: never as a kid with dream that I'm going to 1316 01:06:34,200 --> 01:06:36,960 Speaker 1: play a cop because that's the opposite of what I 1317 01:06:37,080 --> 01:06:39,600 Speaker 1: wanted to be. But when you kind of, you know, 1318 01:06:39,760 --> 01:06:43,600 Speaker 1: started zorbing characters and personalities, you know, that becomes an 1319 01:06:43,720 --> 01:06:47,120 Speaker 1: art in the craft. And and I didn't I didn't 1320 01:06:47,240 --> 01:06:50,080 Speaker 1: think twice about where he was from. I was just like, 1321 01:06:50,280 --> 01:06:53,960 Speaker 1: can this kid absorb this character at the age he's 1322 01:06:53,960 --> 01:06:58,600 Speaker 1: going to be and could he deliver this spirit as Bobby? Right? 1323 01:06:59,120 --> 01:07:01,520 Speaker 1: And when you a chance to watch the show, and 1324 01:07:01,640 --> 01:07:04,840 Speaker 1: I hope everybody tune in. I think the most beautiful 1325 01:07:04,880 --> 01:07:09,280 Speaker 1: thing about it is that the art of where this 1326 01:07:09,640 --> 01:07:13,200 Speaker 1: you know, these episodes has taken us is is uh. 1327 01:07:13,360 --> 01:07:16,240 Speaker 1: It's perfect for for for asking and all reality, you 1328 01:07:16,320 --> 01:07:18,160 Speaker 1: know what I mean, because because you know he's questioning 1329 01:07:18,480 --> 01:07:20,800 Speaker 1: the things around him. You know what I mean. And 1330 01:07:20,920 --> 01:07:23,480 Speaker 1: if you already know the answers, you may have a 1331 01:07:23,520 --> 01:07:25,920 Speaker 1: difficulty trying to come with the questions. You know what 1332 01:07:25,960 --> 01:07:28,600 Speaker 1: I mean, And I think not no money answers you know, 1333 01:07:28,840 --> 01:07:33,200 Speaker 1: help you know the discovery as well. Along the path Erica, 1334 01:07:33,280 --> 01:07:35,320 Speaker 1: you came up in the era of Utang. What did 1335 01:07:35,360 --> 01:07:37,360 Speaker 1: you know of Utange? What feeling did they give you? 1336 01:07:38,120 --> 01:07:43,120 Speaker 1: I knew um Dollar Dollarville, y'all mean an invested man 1337 01:07:43,200 --> 01:07:46,280 Speaker 1: and new Rizza. The thing is that when you're living 1338 01:07:46,640 --> 01:07:49,120 Speaker 1: like you guys are right now, sometimes you miss things 1339 01:07:49,160 --> 01:07:51,400 Speaker 1: that are going on around you because you're also in 1340 01:07:51,440 --> 01:07:54,520 Speaker 1: the business as well, so you can feel like you're 1341 01:07:54,560 --> 01:07:56,320 Speaker 1: part of it. But then you realize, no, I missed 1342 01:07:56,360 --> 01:07:59,160 Speaker 1: it because I wasn't experiencing it the same way. So 1343 01:07:59,240 --> 01:08:01,000 Speaker 1: if you're on a show, whether it's The Cosby Shore 1344 01:08:01,040 --> 01:08:02,919 Speaker 1: or Living Single, that type of thing, it's taking all 1345 01:08:02,960 --> 01:08:05,480 Speaker 1: of your energy and creative time, and you're sort of 1346 01:08:05,560 --> 01:08:08,360 Speaker 1: catching things after the fact. So I found that coming 1347 01:08:08,440 --> 01:08:11,760 Speaker 1: into this arena, I learned more about the era I'm 1348 01:08:11,800 --> 01:08:14,640 Speaker 1: supposed to be from than when I was there, which 1349 01:08:14,720 --> 01:08:17,200 Speaker 1: is kind of bizarre because it felt a little alien 1350 01:08:17,280 --> 01:08:19,439 Speaker 1: to me. But then I realized, no, I was there, 1351 01:08:19,680 --> 01:08:22,160 Speaker 1: but I just didn't experience the same way that keep 1352 01:08:22,240 --> 01:08:23,680 Speaker 1: kids on the street because I was I had a 1353 01:08:23,800 --> 01:08:26,760 Speaker 1: job and no thing about it though, is which I 1354 01:08:26,840 --> 01:08:29,000 Speaker 1: love about it. It was there was no social media 1355 01:08:29,080 --> 01:08:32,240 Speaker 1: back then, no no internet service like that. Back then, 1356 01:08:32,320 --> 01:08:35,080 Speaker 1: we didn't have access to that, very little access to 1357 01:08:35,160 --> 01:08:38,240 Speaker 1: cell phones. So when you see it, I lived it, 1358 01:08:38,439 --> 01:08:40,600 Speaker 1: but I didn't live that part of it. So like 1359 01:08:40,800 --> 01:08:42,800 Speaker 1: when I'm watching it, I'm sitting in and I thought 1360 01:08:42,960 --> 01:08:46,160 Speaker 1: ray Quon and ghost Face with breast friends from the Star. 1361 01:08:48,880 --> 01:08:50,600 Speaker 1: That's how I looked at them. But then when you 1362 01:08:50,680 --> 01:08:52,960 Speaker 1: watch and you'd be like they really almost killed each other, 1363 01:08:53,000 --> 01:08:55,400 Speaker 1: I'm like, that's crazy. How did you I didn't see 1364 01:08:55,640 --> 01:08:57,800 Speaker 1: the rest of the other second second episode, how did 1365 01:08:57,840 --> 01:09:00,560 Speaker 1: you get them cool? Well? And this and this is 1366 01:09:00,600 --> 01:09:03,960 Speaker 1: really yeah, well in all reality, right, it's like, you 1367 01:09:04,040 --> 01:09:08,599 Speaker 1: know Stapleton and Park Hill just had this. I mean, 1368 01:09:08,680 --> 01:09:11,760 Speaker 1: the beef was was was from God's older than me 1369 01:09:11,880 --> 01:09:18,599 Speaker 1: and and and yet you know Staton Alan is still 1370 01:09:19,560 --> 01:09:23,200 Speaker 1: uh isolated island. One thing that stat Niland did, though, 1371 01:09:23,200 --> 01:09:25,240 Speaker 1: I would say, is that when we left Staten Island, 1372 01:09:25,560 --> 01:09:27,640 Speaker 1: right and we go to Brooklyn or we go to 1373 01:09:27,760 --> 01:09:31,880 Speaker 1: Sensations in Jersey, we did fight together. If you go 1374 01:09:31,960 --> 01:09:34,479 Speaker 1: to the square and you got some Staton Allens in there, 1375 01:09:34,880 --> 01:09:37,360 Speaker 1: even though we're from all different hoods, we always fought 1376 01:09:37,400 --> 01:09:40,599 Speaker 1: together regardless. But then back on the rock, it's like, yeah, 1377 01:09:41,080 --> 01:09:42,840 Speaker 1: it's all any enemies, you know what I mean. So, 1378 01:09:43,600 --> 01:09:47,240 Speaker 1: but more importantly, you know, there was a common denominator, 1379 01:09:47,640 --> 01:09:50,120 Speaker 1: you know what I mean between me and the wou 1380 01:09:50,280 --> 01:09:54,040 Speaker 1: brothers and that common denominator. Um, it's something that helped 1381 01:09:54,520 --> 01:09:57,120 Speaker 1: meilt that energy, you know what I mean. Um. And 1382 01:09:57,320 --> 01:09:59,879 Speaker 1: you know, you know, just you know, not to give spoilers, 1383 01:10:00,320 --> 01:10:02,560 Speaker 1: but as you go through the show, you'll see some 1384 01:10:02,720 --> 01:10:05,680 Speaker 1: of that common denominator evolved and answer some of the 1385 01:10:05,760 --> 01:10:07,879 Speaker 1: questions like, you know, because that's one of the challenges 1386 01:10:07,960 --> 01:10:11,240 Speaker 1: that you know that Aston has to face his Bobby. 1387 01:10:11,400 --> 01:10:13,880 Speaker 1: You know, my favorite, you know, one of my favorite 1388 01:10:13,880 --> 01:10:16,200 Speaker 1: scenes is in the episode two, which comes up next 1389 01:10:16,800 --> 01:10:20,640 Speaker 1: when the uh when he's confronted by um show the 1390 01:10:20,720 --> 01:10:23,160 Speaker 1: show's not read Quan yet, right, and he's and he's 1391 01:10:23,200 --> 01:10:26,320 Speaker 1: just like, yo, Bobby, where's my gun son? Like yo, 1392 01:10:26,360 --> 01:10:30,080 Speaker 1: you let that stapiiteni eat my food like you know, 1393 01:10:30,280 --> 01:10:33,160 Speaker 1: And and and that kind of energy of of of 1394 01:10:33,520 --> 01:10:37,360 Speaker 1: a friendship and then being pulled between you know, what's 1395 01:10:37,439 --> 01:10:39,360 Speaker 1: going on with your friends and what's going on with 1396 01:10:39,439 --> 01:10:42,040 Speaker 1: your brother or what's going on in the streets. That dynamic, 1397 01:10:42,400 --> 01:10:44,920 Speaker 1: I mean, that dynamic was strong then, but even that 1398 01:10:45,040 --> 01:10:48,760 Speaker 1: dynamic finds itself and the equation these days, yeah, because 1399 01:10:48,800 --> 01:10:52,560 Speaker 1: it could be business or personal. Yeah, and you never know, 1400 01:10:52,800 --> 01:10:54,320 Speaker 1: like you know sometimes you know, you know how that 1401 01:10:54,400 --> 01:10:56,800 Speaker 1: you may come with the one thing about you know 1402 01:10:56,920 --> 01:10:59,360 Speaker 1: about coming from the hood or coming from I may 1403 01:10:59,479 --> 01:11:02,280 Speaker 1: have a guy with me that's tight with me, but 1404 01:11:02,360 --> 01:11:05,120 Speaker 1: he ain't tight with you, you know what I mean. 1405 01:11:05,280 --> 01:11:07,360 Speaker 1: Now you see him, it's like, yo, but man, you tight. 1406 01:11:07,720 --> 01:11:09,040 Speaker 1: You know I'm saying I might not even know that 1407 01:11:09,160 --> 01:11:12,800 Speaker 1: y'all signed two years ago up my last pocket, you 1408 01:11:12,800 --> 01:11:15,000 Speaker 1: know what I mean? So all that kind of energy exists, 1409 01:11:15,120 --> 01:11:17,519 Speaker 1: all right, Well, we got more with the Rizza Erica 1410 01:11:17,600 --> 01:11:20,400 Speaker 1: Alexander and Ashton Sanders. Where we come back? I mean, 1411 01:11:20,520 --> 01:11:22,280 Speaker 1: Riz sayes, let's do a Woo Tang mix. It's the 1412 01:11:22,320 --> 01:11:36,400 Speaker 1: Breakfast Club Go Morning. That was a Woo Tang mini mix. Morning. 1413 01:11:36,479 --> 01:11:40,240 Speaker 1: Everybody is DJ Envy Angela Yee. Charlemagne, the guy we 1414 01:11:40,320 --> 01:11:43,280 Speaker 1: are the Breakfast Club was still kicking it with Rizza, Erica, Alexander, 1415 01:11:43,320 --> 01:11:47,000 Speaker 1: and Ashton Sanders. The Woo Tang series is out now, Charlomagne. 1416 01:11:47,080 --> 01:11:48,639 Speaker 1: But it's a question for you and Erica. Did y'all 1417 01:11:48,640 --> 01:11:52,280 Speaker 1: take y'all era for granted? Because the nineties was so rich? 1418 01:11:53,000 --> 01:11:55,040 Speaker 1: You know, I'm here with talent. Did y'all take it 1419 01:11:55,120 --> 01:11:58,120 Speaker 1: for granted when you live in it? Well? No, I mean, 1420 01:11:58,280 --> 01:12:00,240 Speaker 1: I'll just say to me, the nineties were all also 1421 01:12:00,439 --> 01:12:04,840 Speaker 1: full of crack, full of you know, drug violence. I 1422 01:12:04,880 --> 01:12:07,080 Speaker 1: mean people talk about New York. I didn't go I 1423 01:12:07,120 --> 01:12:08,880 Speaker 1: mean I went out to the theater, would go to 1424 01:12:08,960 --> 01:12:11,320 Speaker 1: a Bam, do the play, get back on the subway 1425 01:12:11,360 --> 01:12:13,599 Speaker 1: and go back home. I didn't hang out like people 1426 01:12:13,680 --> 01:12:16,240 Speaker 1: hung out. People were getting shot. I remember those times 1427 01:12:16,320 --> 01:12:19,160 Speaker 1: as being really difficult, and so I don't have the 1428 01:12:19,240 --> 01:12:23,120 Speaker 1: nostalgia like that. The music brings back like maybe what happened, 1429 01:12:23,160 --> 01:12:25,680 Speaker 1: and the fact that people were so creative. But if 1430 01:12:25,720 --> 01:12:27,719 Speaker 1: you really want to talk about it, it was also 1431 01:12:27,760 --> 01:12:31,160 Speaker 1: a very turbulent time and frankly I've survived. I mean, 1432 01:12:31,200 --> 01:12:33,040 Speaker 1: it was like being in a war zone. It was 1433 01:12:33,479 --> 01:12:35,240 Speaker 1: a lot of it was awful. Yeah, That's why I 1434 01:12:35,240 --> 01:12:37,519 Speaker 1: never understood the Coffee Show because that was like gentrified 1435 01:12:37,560 --> 01:12:40,360 Speaker 1: Brooklyn in the nineties. It was like where was the crime? 1436 01:12:41,760 --> 01:12:44,760 Speaker 1: But the cons Show made us look up to something. Though, 1437 01:12:44,960 --> 01:12:47,000 Speaker 1: especially here in New York. Was like you said, we 1438 01:12:47,120 --> 01:12:49,840 Speaker 1: walked outside, You've seen the crack, the little crack things 1439 01:12:49,920 --> 01:12:52,120 Speaker 1: all over the floor, your parents, you know, trying to 1440 01:12:52,120 --> 01:12:54,080 Speaker 1: sweep and saying don't touch him. And you've seen the needles. 1441 01:12:54,240 --> 01:12:55,840 Speaker 1: So when you looked at the Cosby Show, it was 1442 01:12:55,920 --> 01:12:58,160 Speaker 1: like wow. But it was two different Brooklyn. You're Biggie 1443 01:12:58,360 --> 01:13:00,720 Speaker 1: rapping about one Brooklyn and Cobby showing you something else. 1444 01:13:00,720 --> 01:13:02,639 Speaker 1: But there was actually but you go down to Park 1445 01:13:02,720 --> 01:13:04,320 Speaker 1: Slowed back in those days, or you go back to 1446 01:13:04,400 --> 01:13:07,560 Speaker 1: some of the there there was streets in Brooklyn like 1447 01:13:07,680 --> 01:13:09,960 Speaker 1: Spike Lee's Block. You know what I mean that people, 1448 01:13:10,479 --> 01:13:13,040 Speaker 1: you know, my solaces living there, people that had it, 1449 01:13:13,160 --> 01:13:15,240 Speaker 1: you know, because I remember I met a check over there. 1450 01:13:15,240 --> 01:13:16,840 Speaker 1: I went to unighble, I say, yo, what the hell 1451 01:13:17,240 --> 01:13:20,240 Speaker 1: Tim blocks away? It was I almost got robbed, you 1452 01:13:20,280 --> 01:13:21,920 Speaker 1: know what I mean, your crib I could come out 1453 01:13:22,000 --> 01:13:25,439 Speaker 1: here first, kicks on. You know, she looked healthy like 1454 01:13:25,520 --> 01:13:30,760 Speaker 1: her parents already had good food. So so so that's all. 1455 01:13:30,920 --> 01:13:32,560 Speaker 1: So the coffee show, like he said, was it was 1456 01:13:32,600 --> 01:13:35,600 Speaker 1: a good example for us, you know, for us, you know, 1457 01:13:35,960 --> 01:13:38,960 Speaker 1: and the woo nah we was. We was in the 1458 01:13:39,000 --> 01:13:40,960 Speaker 1: middle of the rot and at the end of the 1459 01:13:41,120 --> 01:13:43,360 Speaker 1: day at some points that we was the problem, you 1460 01:13:43,400 --> 01:13:45,519 Speaker 1: know what I mean. So but yeah, but they answer 1461 01:13:45,560 --> 01:13:49,280 Speaker 1: your question. I felt like I maybe I missed a 1462 01:13:49,360 --> 01:13:51,920 Speaker 1: lot of it just by being, you know, swimming in 1463 01:13:51,960 --> 01:13:54,360 Speaker 1: the water. Then I didn't see what was swimming beside me. Now, 1464 01:13:54,439 --> 01:13:56,400 Speaker 1: what's the relationship with war? I know it was rocky 1465 01:13:56,439 --> 01:13:58,960 Speaker 1: at times, but it seems like this could have got 1466 01:13:59,000 --> 01:14:02,480 Speaker 1: everybody together because with so many different stories and reliving 1467 01:14:02,560 --> 01:14:04,920 Speaker 1: the nineties and reliving when y'all were young on that ground, 1468 01:14:04,960 --> 01:14:07,280 Speaker 1: what's the relationship now with everybody? I mean, the relationship 1469 01:14:07,400 --> 01:14:09,559 Speaker 1: is it's peace, you know, we know, you know, it's 1470 01:14:09,600 --> 01:14:12,120 Speaker 1: a brotherhood. So it's always you know, like you said, 1471 01:14:12,120 --> 01:14:15,120 Speaker 1: the up and down. Um, I think more so than 1472 01:14:15,200 --> 01:14:17,760 Speaker 1: ever though. I think, you know, at this such a 1473 01:14:17,840 --> 01:14:20,240 Speaker 1: mature age now everybody is just letting everybody live there, 1474 01:14:20,560 --> 01:14:22,880 Speaker 1: live there, Lane, you know what I mean. So I'm 1475 01:14:22,960 --> 01:14:25,840 Speaker 1: a I'm I've been making I'm in Hollywood for about 1476 01:14:25,880 --> 01:14:29,080 Speaker 1: thirteen years now. I mean, I write movies, yo, direct movies. 1477 01:14:29,160 --> 01:14:31,120 Speaker 1: That's what I do. It's like that's my craft and 1478 01:14:31,200 --> 01:14:34,559 Speaker 1: so and so that's my job to tell that part 1479 01:14:34,640 --> 01:14:36,599 Speaker 1: of the story, you know what I mean. Where where 1480 01:14:36,640 --> 01:14:39,679 Speaker 1: other brothers could be into, you know, whether they're making 1481 01:14:39,760 --> 01:14:42,280 Speaker 1: songs or still. You know, you did this this whole 1482 01:14:42,439 --> 01:14:45,800 Speaker 1: science show. But he loves science and mathematics, and he 1483 01:14:45,920 --> 01:14:48,040 Speaker 1: goes to the schools and he goes to colleges and 1484 01:14:48,120 --> 01:14:49,679 Speaker 1: do speeches. And you go up there and you see 1485 01:14:49,760 --> 01:14:53,000 Speaker 1: j'ther telling us about they're trying to turn light into liquid, right, 1486 01:14:53,120 --> 01:14:58,000 Speaker 1: you're seeing this liquid science. Think he does yo yo yo. 1487 01:14:58,120 --> 01:15:01,360 Speaker 1: It's deep. It's like this twelve episode on Science hosted 1488 01:15:01,360 --> 01:15:03,560 Speaker 1: about these on that flick and my son watched it 1489 01:15:03,760 --> 01:15:06,960 Speaker 1: and he was picking up wisdom because because he could 1490 01:15:07,000 --> 01:15:08,559 Speaker 1: vote with it. How do you how do you feel 1491 01:15:08,600 --> 01:15:10,479 Speaker 1: really when you see people who may not understand the 1492 01:15:10,560 --> 01:15:12,679 Speaker 1: legacy behind the wool logo, just wearing it for style. 1493 01:15:13,400 --> 01:15:15,360 Speaker 1: I think I think that's good, a good thing. I 1494 01:15:15,400 --> 01:15:17,280 Speaker 1: think it's a good thing. I think, Um, you know 1495 01:15:17,960 --> 01:15:21,920 Speaker 1: it's a compliment in all reality. Um now you know, 1496 01:15:22,400 --> 01:15:24,880 Speaker 1: if you don't know what it means, you know, learn 1497 01:15:24,920 --> 01:15:28,160 Speaker 1: about it. And now that there's now there's material you 1498 01:15:28,200 --> 01:15:30,120 Speaker 1: can learn from. Whether you know you want to listen 1499 01:15:30,160 --> 01:15:32,439 Speaker 1: to the music. The music ain't your flavor. You know, 1500 01:15:32,680 --> 01:15:36,639 Speaker 1: the Mics and Men documentary gives you a great painting. 1501 01:15:37,240 --> 01:15:40,200 Speaker 1: And if that's ain't your flavor, now you can turn 1502 01:15:40,280 --> 01:15:44,160 Speaker 1: to Hulu and uh get Wouchang in American soccer? All 1503 01:15:44,240 --> 01:15:46,400 Speaker 1: right now, but can you guys name all the members 1504 01:15:46,400 --> 01:15:48,240 Speaker 1: of Wouchang go for you? Can y'all name him? Now? 1505 01:15:49,520 --> 01:16:03,439 Speaker 1: This un god said there's another master master, master killer, 1506 01:16:04,600 --> 01:16:08,920 Speaker 1: and come on, you got him? Damn who? I don't know? 1507 01:16:09,080 --> 01:16:13,120 Speaker 1: He's question though, because growing up Capadana wasn't one of 1508 01:16:13,120 --> 01:16:17,800 Speaker 1: the original nine. He was he wasn't. That's that's kind 1509 01:16:17,800 --> 01:16:20,400 Speaker 1: of got to start on that. Yeah, okay, but you 1510 01:16:20,439 --> 01:16:22,080 Speaker 1: know how you tell him how you remember it? Because 1511 01:16:22,120 --> 01:16:26,320 Speaker 1: we remember you would ask that man if you if 1512 01:16:26,360 --> 01:16:29,559 Speaker 1: the into the method, man should help you at old stops, 1513 01:16:29,840 --> 01:16:32,599 Speaker 1: do right fast from Showman, there is just an old, 1514 01:16:32,680 --> 01:16:36,320 Speaker 1: dirty bastard inspect that you got ghost space Killer, and 1515 01:16:41,000 --> 01:16:43,679 Speaker 1: that's the old way. You just always remember it. What's 1516 01:16:43,720 --> 01:16:46,800 Speaker 1: something y'all learned about the Woutang that was my black card? 1517 01:16:49,840 --> 01:16:52,160 Speaker 1: This the last question? What's something y'all learned about Woutang 1518 01:16:52,240 --> 01:16:57,760 Speaker 1: after accepting this role? Man? Uh, I can do. I 1519 01:16:57,880 --> 01:17:00,400 Speaker 1: just have so much fair respect for these you know, 1520 01:17:00,560 --> 01:17:03,400 Speaker 1: Like I'll listen to people like m F. Doom you know, 1521 01:17:03,520 --> 01:17:06,040 Speaker 1: were some of my favorite rappers and definitely influenced by 1522 01:17:06,280 --> 01:17:08,800 Speaker 1: Yeah exactly, you know, and like I'm listening to people 1523 01:17:08,920 --> 01:17:11,479 Speaker 1: like him and having no idea like the influence that 1524 01:17:11,920 --> 01:17:15,000 Speaker 1: he's had from like from somebody like Rizzo, you know, 1525 01:17:15,040 --> 01:17:18,840 Speaker 1: who's changed like production, music, production in like so many ways. 1526 01:17:18,960 --> 01:17:21,760 Speaker 1: I think that's said. I think that also we also 1527 01:17:21,920 --> 01:17:26,599 Speaker 1: learned that all the verbal rhetoric was masking very vulnerable 1528 01:17:26,720 --> 01:17:30,479 Speaker 1: young men who were struggling and fighting for their lives. 1529 01:17:30,880 --> 01:17:33,080 Speaker 1: And I think that you can see that overall in 1530 01:17:33,479 --> 01:17:37,360 Speaker 1: just an American society that here we are talking about, 1531 01:17:37,800 --> 01:17:40,400 Speaker 1: you know, these street poets again there they get to 1532 01:17:40,479 --> 01:17:43,360 Speaker 1: be these superheroes and then you go look at their lives, 1533 01:17:43,479 --> 01:17:46,600 Speaker 1: and they are in a diaspora, and they are not supported, 1534 01:17:46,840 --> 01:17:50,360 Speaker 1: and they're homeless, and they're fighting each other, and yet 1535 01:17:50,920 --> 01:17:54,360 Speaker 1: for what over what? You know? And then suddenly something 1536 01:17:54,439 --> 01:17:57,120 Speaker 1: turns on their mind and says, the most powerful thing 1537 01:17:57,160 --> 01:17:59,720 Speaker 1: they had was their imagination. You say that all the time. 1538 01:18:00,160 --> 01:18:01,680 Speaker 1: And then when they started to put it to use, 1539 01:18:01,960 --> 01:18:04,479 Speaker 1: then they got Then they tapped into something much more powerful. 1540 01:18:04,840 --> 01:18:07,200 Speaker 1: And that's actually a relief because sometimes you can look 1541 01:18:07,200 --> 01:18:09,000 Speaker 1: at things like why are these people getting up on 1542 01:18:09,040 --> 01:18:10,640 Speaker 1: the world, and it seemed to be doing all this 1543 01:18:10,720 --> 01:18:14,439 Speaker 1: stuff and well, ultimately the thing that there was most 1544 01:18:14,439 --> 01:18:17,600 Speaker 1: power to them and really and if their fingertips was 1545 01:18:17,640 --> 01:18:21,800 Speaker 1: the fact that they could recreate themselves. And I'm glad 1546 01:18:21,840 --> 01:18:24,320 Speaker 1: I got a chance to see who they were. Yeah, 1547 01:18:24,680 --> 01:18:27,080 Speaker 1: that's dope. Well, appreciate you guys for joining us. Man, 1548 01:18:27,200 --> 01:18:30,599 Speaker 1: thank you forward to seeing the whole series. I love 1549 01:18:30,680 --> 01:18:35,519 Speaker 1: the first one I've seen. Well, thank you, guys. Ashton 1550 01:18:35,600 --> 01:18:38,599 Speaker 1: Saan is a miss Erica Alexander. It's the Breakfast Clogald Morning, 1551 01:18:39,120 --> 01:18:47,920 Speaker 1: the Breakfast Club. Good morning, Hi, Hello, good morning. Are 1552 01:18:47,960 --> 01:18:52,320 Speaker 1: you talking to everybody? You too? Morning? Everybody is DJ Envy, 1553 01:18:52,560 --> 01:18:55,280 Speaker 1: Angela yee, Charlemagne the guy. We are the Breakfast Club. 1554 01:18:55,360 --> 01:18:56,840 Speaker 1: Good morning to you, top of the morning to you. 1555 01:18:56,920 --> 01:18:58,479 Speaker 1: Let's get to the room as le's talk Kevin Hart. 1556 01:19:00,040 --> 01:19:10,120 Speaker 1: It's just breakfast Club now. Kevin Hard ha suffered three 1557 01:19:10,160 --> 01:19:13,559 Speaker 1: spinal fractures and it's still an intense pain. They said 1558 01:19:13,600 --> 01:19:16,880 Speaker 1: the surgery was a success and he should be back 1559 01:19:16,920 --> 01:19:21,000 Speaker 1: to normal in a couple of months. Ken Hart, God 1560 01:19:21,040 --> 01:19:24,240 Speaker 1: bless that brother sitting up later, It's laid up somewhere 1561 01:19:24,800 --> 01:19:27,439 Speaker 1: trying to recover from surgery. Meanwhile, on social media, they 1562 01:19:27,479 --> 01:19:31,120 Speaker 1: accusing this man and being homophobic. Okay, because of the 1563 01:19:31,160 --> 01:19:33,240 Speaker 1: episode of the shop we did on HBO, and it's 1564 01:19:33,240 --> 01:19:35,320 Speaker 1: just the irony. I keep saying this, but the irony 1565 01:19:35,320 --> 01:19:38,960 Speaker 1: of Kevin Hart being called homophobic when he's laying around 1566 01:19:39,000 --> 01:19:41,000 Speaker 1: with a broke back is just kind of crazy. M 1567 01:19:42,200 --> 01:19:45,320 Speaker 1: Now the rock said, Uh, with my son Kevin Hart 1568 01:19:45,920 --> 01:19:48,720 Speaker 1: goes down with an injury, his big daddy steps in. 1569 01:19:48,920 --> 01:19:51,360 Speaker 1: I don't like that I did leave my honeymoon early 1570 01:19:51,520 --> 01:19:54,320 Speaker 1: and now me and Kelly are new best friends. I 1571 01:19:54,320 --> 01:19:56,360 Speaker 1: don't like that he's supposed to be hosting the Kelly 1572 01:19:56,400 --> 01:20:00,639 Speaker 1: Clarkson Show. I feel like the Rockets side shaming with that. Okay, 1573 01:20:00,760 --> 01:20:03,759 Speaker 1: and as a fellow, you know a little man five nine, 1574 01:20:04,000 --> 01:20:07,680 Speaker 1: a short guy, one hundred and seventy five eighty pound guy, 1575 01:20:08,000 --> 01:20:10,920 Speaker 1: my son. I don't like this guy that's huge calling 1576 01:20:10,960 --> 01:20:13,400 Speaker 1: me his son, especially when I got kids and got 1577 01:20:13,439 --> 01:20:15,120 Speaker 1: my own sons. I mean, I don't personally would care. 1578 01:20:15,240 --> 01:20:16,880 Speaker 1: Does I have daughters, But for him to say that, 1579 01:20:16,920 --> 01:20:18,160 Speaker 1: it's just I don't like that. Are we calling me 1580 01:20:18,200 --> 01:20:20,280 Speaker 1: your son just because you bigger than me? Grown ass man? 1581 01:20:20,280 --> 01:20:22,240 Speaker 1: It's like you were grown ass man? Okay, little man. 1582 01:20:22,600 --> 01:20:25,600 Speaker 1: Now boxer Adrian Browner, he's sued for five hundred and 1583 01:20:25,640 --> 01:20:28,720 Speaker 1: seventy three thousand dollars by New York jeweler. Now they're 1584 01:20:28,760 --> 01:20:31,960 Speaker 1: saying that he borrowed some jewelry and then came back 1585 01:20:32,000 --> 01:20:34,599 Speaker 1: and borrowed some all jewelry and never brought it back. 1586 01:20:34,680 --> 01:20:37,840 Speaker 1: He allegedly owes five hundred and seventy three thousand dollars 1587 01:20:37,920 --> 01:20:45,080 Speaker 1: of Laddie's diamonds. Okay, I don't care. Okay, I really 1588 01:20:45,160 --> 01:20:49,400 Speaker 1: didn't even care about that one. Marcellous Wild Marcellous Wildly 1589 01:20:49,439 --> 01:20:53,200 Speaker 1: says Colin Kaepernick's protest was wrong. If I had to vote, 1590 01:20:53,280 --> 01:20:55,439 Speaker 1: Kaepernick did right or did wrong. I would vote wrong 1591 01:20:55,800 --> 01:20:58,680 Speaker 1: because I'm into resources and I'm into monetize it. He's 1592 01:20:58,720 --> 01:21:01,559 Speaker 1: done tremendous two million that I know of, and probably 1593 01:21:01,800 --> 01:21:04,920 Speaker 1: millions more. But then I watched J. J. Watt, different calls, 1594 01:21:05,200 --> 01:21:09,240 Speaker 1: different reason, but in alliance, guess what, he raised forty 1595 01:21:09,320 --> 01:21:11,760 Speaker 1: one point six million on record. But no, no, no, 1596 01:21:11,800 --> 01:21:13,320 Speaker 1: no doing. Don't do me like that. Don't do me 1597 01:21:13,400 --> 01:21:15,400 Speaker 1: like I'm not going black and white. I'm just going. 1598 01:21:15,600 --> 01:21:19,640 Speaker 1: When he had everyone either loving him or loving to 1599 01:21:19,880 --> 01:21:22,599 Speaker 1: hate him, you got him, you Floyd Mayweather, you money 1600 01:21:22,680 --> 01:21:24,960 Speaker 1: way Weather. That's what. That's why he's the highest paid athlete, 1601 01:21:24,960 --> 01:21:26,439 Speaker 1: because he got he's a loving him or loving to 1602 01:21:26,479 --> 01:21:29,800 Speaker 1: hate him, polarizing. Kaepernick had that, and he's winning every 1603 01:21:29,880 --> 01:21:32,080 Speaker 1: award and he's on everything, and then he gets silent. 1604 01:21:33,800 --> 01:21:36,200 Speaker 1: I mean, yes, I do want Colin Kaepernick to speak more, 1605 01:21:36,400 --> 01:21:38,600 Speaker 1: because whether he wants to be or not, he's a 1606 01:21:38,680 --> 01:21:40,600 Speaker 1: leader and he hasn't really spoke that much. Yeah, and 1607 01:21:41,000 --> 01:21:43,080 Speaker 1: leaders lead by action are through speaking. You know, his 1608 01:21:43,200 --> 01:21:45,439 Speaker 1: initial action showed that he wanted to raise awayness, the 1609 01:21:45,479 --> 01:21:49,000 Speaker 1: police brutality, and you know, social injustice, but now it 1610 01:21:49,080 --> 01:21:51,400 Speaker 1: seems like he just wants to play football, which is 1611 01:21:51,479 --> 01:21:53,400 Speaker 1: kind of confusing because he also seems to be anti 1612 01:21:53,520 --> 01:21:55,960 Speaker 1: NFL because he gets upset with anyone who wants to 1613 01:21:56,000 --> 01:21:57,800 Speaker 1: work with the NFL. So I feel like Colin. I 1614 01:21:57,880 --> 01:21:59,640 Speaker 1: feel like Colin should be in the league, and I 1615 01:21:59,680 --> 01:22:01,240 Speaker 1: feel like he should be a part of all these 1616 01:22:01,360 --> 01:22:04,800 Speaker 1: social justice initiatives that the NFL is implementing, and he 1617 01:22:04,840 --> 01:22:07,439 Speaker 1: should be speaking. Well, he's still working out. He worked 1618 01:22:07,439 --> 01:22:10,040 Speaker 1: out with Odell yesterday. They did Ransom Rountes and things 1619 01:22:10,080 --> 01:22:11,840 Speaker 1: like that. That's just wild to me, though. It's just 1620 01:22:11,960 --> 01:22:14,360 Speaker 1: wild that you get upset for people, get upset up 1621 01:22:14,360 --> 01:22:16,960 Speaker 1: people for watching the NFL, You get upset at people 1622 01:22:17,040 --> 01:22:19,160 Speaker 1: for working with the NFL, but you want to be 1623 01:22:19,240 --> 01:22:22,280 Speaker 1: a quarterback in the NFL. And that's not confusing to anyone. 1624 01:22:22,439 --> 01:22:24,559 Speaker 1: Yeah it is. That's not especially since we haven't heard 1625 01:22:24,640 --> 01:22:26,680 Speaker 1: him talk about it. I don't That's just that's just 1626 01:22:26,800 --> 01:22:29,720 Speaker 1: a little weird to me. I don't get it. All right, Well, 1627 01:22:29,800 --> 01:22:32,640 Speaker 1: that is your rumor report. All right, people's choice, Mix 1628 01:22:32,720 --> 01:22:35,040 Speaker 1: us up next, revote, We'll see you tomorrow. Everybody else, 1629 01:22:35,160 --> 01:22:36,960 Speaker 1: hit us up, get your requested. It's the Breakfast Club. 1630 01:22:37,000 --> 01:22:42,640 Speaker 1: Good morning morning. Everybody is DJ Envy Angela Yee, Charlemagne 1631 01:22:42,640 --> 01:22:45,760 Speaker 1: the guy. We are the breakfast club. Now let me 1632 01:22:45,840 --> 01:22:49,439 Speaker 1: shout out to two Chains offset push a t all 1633 01:22:49,520 --> 01:22:53,519 Speaker 1: their cars have been delivered. Push No. Two Chain's car 1634 01:22:53,600 --> 01:22:55,960 Speaker 1: came last night at one in the morning, his pink 1635 01:22:56,000 --> 01:22:58,880 Speaker 1: traphouse car. I didn't know that it doesn't run. So 1636 01:22:59,000 --> 01:23:01,120 Speaker 1: we had to push that car last night at one 1637 01:23:01,160 --> 01:23:02,600 Speaker 1: in the morning up the hill. But we got it 1638 01:23:02,720 --> 01:23:05,519 Speaker 1: up there. So now my house looks like a huge 1639 01:23:05,560 --> 01:23:07,680 Speaker 1: parking lot because we actually start putting the cars in 1640 01:23:07,840 --> 01:23:11,040 Speaker 1: on Friday. So shout everybody to car show is this Saturday. 1641 01:23:11,240 --> 01:23:13,439 Speaker 1: It's gonna be amazing. Hopefully get your tickets. We're gonna 1642 01:23:13,479 --> 01:23:15,559 Speaker 1: have a lot of fun this Saturday. Get your tickets now. 1643 01:23:16,000 --> 01:23:17,639 Speaker 1: Then we got to shout the cast of the Wu 1644 01:23:17,720 --> 01:23:20,920 Speaker 1: Tang series that stopped through today. That's right, Wou Tang 1645 01:23:21,280 --> 01:23:23,519 Speaker 1: is on Hulu right now. Every Wednesday they have in 1646 01:23:23,560 --> 01:23:26,840 Speaker 1: new episodes. We had the Rizzle up here. We had 1647 01:23:26,880 --> 01:23:29,960 Speaker 1: the Queen Erica Alexander. I absolutely love Eric Alexander. So 1648 01:23:30,040 --> 01:23:31,160 Speaker 1: she's been up here a couple of times. She'd been 1649 01:23:31,240 --> 01:23:33,960 Speaker 1: up here a few times. She's al welcome anytime. What's 1650 01:23:34,000 --> 01:23:38,120 Speaker 1: the brother named the Young Brother Austin Sanders, Aston Aston Sander, 1651 01:23:38,200 --> 01:23:40,759 Speaker 1: Shamik Moore he plays the rizzon and Shamik More plays 1652 01:23:41,080 --> 01:23:44,160 Speaker 1: Raycorn the chef. Correct. Yes, people feel like she make 1653 01:23:44,200 --> 01:23:47,040 Speaker 1: More needs a humbling. I don't have a problem with 1654 01:23:47,120 --> 01:23:49,640 Speaker 1: his confidence, but one thing about life, it will humble you. 1655 01:23:49,800 --> 01:23:53,479 Speaker 1: They will, right, So he's in for a few more 1656 01:23:53,600 --> 01:23:55,479 Speaker 1: rude awakenings. But you know it's it's good to have 1657 01:23:55,600 --> 01:23:58,479 Speaker 1: that confidence. Absolutely. Yeah. All right, when we come back, 1658 01:23:58,520 --> 01:24:00,639 Speaker 1: we got your positive and a listen. Also, I'm gonna 1659 01:24:00,640 --> 01:24:03,879 Speaker 1: be in Brooklyn to night. Man, I'm house at Powerhouse Arena, 1660 01:24:04,280 --> 01:24:08,160 Speaker 1: twenty eight Adams Street at seven pm with doctor Jessica Clements. 1661 01:24:08,200 --> 01:24:11,240 Speaker 1: You know my book Shook One Anxiety Playing Tricks on Me. 1662 01:24:11,320 --> 01:24:14,000 Speaker 1: The paperback came out this week, so you know paperback 1663 01:24:14,160 --> 01:24:16,120 Speaker 1: copies are on sale, and we'll be out there having 1664 01:24:16,320 --> 01:24:19,439 Speaker 1: a conversation about one of my favorite subjects, mental health, 1665 01:24:19,600 --> 01:24:21,680 Speaker 1: with one of my favorite people to talk about mental health, 1666 01:24:21,720 --> 01:24:23,800 Speaker 1: with doctor Jessica Clements. So I see the night at 1667 01:24:23,840 --> 01:24:26,920 Speaker 1: seven pm, Powerhouse Arena, twenty eight Adam Street in Brooklyn, 1668 01:24:26,960 --> 01:24:28,840 Speaker 1: New York. If you in the New York New Jersey area, 1669 01:24:28,960 --> 01:24:31,200 Speaker 1: all right, get there early and when we come back. 1670 01:24:31,200 --> 01:24:32,600 Speaker 1: We got the positive notes, so don't move. It's to 1671 01:24:32,600 --> 01:24:39,200 Speaker 1: Breakfast Club the morning Morning. Everybody is DJ Envy, Angela Yee, 1672 01:24:39,320 --> 01:24:41,800 Speaker 1: Charlomagne the guy. We are the Breakfast Club. Now you 1673 01:24:41,840 --> 01:24:43,400 Speaker 1: got a positive note for the people. Yeah, I just 1674 01:24:43,520 --> 01:24:45,400 Speaker 1: want to give some people some positive affirmations that they 1675 01:24:45,439 --> 01:24:47,600 Speaker 1: can take with them on this fine Thursday. I just 1676 01:24:47,680 --> 01:24:50,200 Speaker 1: want you to know that you are allowed to take 1677 01:24:50,280 --> 01:24:53,479 Speaker 1: up space. Your past is not a reflection in your future. 1678 01:24:53,800 --> 01:24:56,280 Speaker 1: You are smart enough to make your own decisions, and 1679 01:24:56,560 --> 01:24:59,920 Speaker 1: you are in control of how you react to us. 1680 01:25:00,000 --> 01:25:05,839 Speaker 1: The most importantly, tell yourself that I choose peace. Presley 1681 01:25:05,920 --> 01:25:06,040 Speaker 1: pu