1
00:00:00,400 --> 00:00:05,920
Speaker 1: Fifty percent year, I love you fifty percent to sit down.

2
00:00:08,039 --> 00:00:11,360
Speaker 1: Didn't become the most prominent form your ass up early

3
00:00:11,360 --> 00:00:13,480
Speaker 1: in the morning. But they told me it was. Y'all said,

4
00:00:13,680 --> 00:00:23,160
Speaker 1: hell yeah, I'm getting three people's short morning. Everybody is

5
00:00:23,239 --> 00:00:26,160
Speaker 1: dj M v Angela Ye, Charlemagne the guy. We are

6
00:00:26,160 --> 00:00:29,000
Speaker 1: the breakfast club. We got some special guests in the

7
00:00:29,040 --> 00:00:35,200
Speaker 1: building from the fake h you count University, Jamilla Lemu,

8
00:00:35,760 --> 00:00:38,320
Speaker 1: good morning, Amber Phillips and Philip. I don't know what

9
00:00:38,320 --> 00:00:40,960
Speaker 1: school you with, Damba. I went to a small women's

10
00:00:40,960 --> 00:00:47,519
Speaker 1: college in Pittsburgh called Chatham. Chad, good morning. I know

11
00:00:47,600 --> 00:00:54,400
Speaker 1: you're gonna bring Amber Jamiller. Yeah, like that. But you

12
00:00:54,440 --> 00:00:56,240
Speaker 1: said you bring any black woman you want. I said,

13
00:00:56,280 --> 00:01:00,160
Speaker 1: I'm bringing am. Absolutely controversy for Jamilla. They get up here,

14
00:01:00,280 --> 00:01:03,520
Speaker 1: Jamilla and Amber. That was when Charlotte Mayne was pictured

15
00:01:03,600 --> 00:01:08,160
Speaker 1: with Tommy Laren. They were some laughing emoji saying I

16
00:01:08,160 --> 00:01:12,080
Speaker 1: don't see color, do you? Yeah? Jamilla, tell us about

17
00:01:12,080 --> 00:01:13,600
Speaker 1: that struck a chord in you, because it struck a

18
00:01:13,680 --> 00:01:15,720
Speaker 1: chord in me too when I first saw it. If

19
00:01:15,760 --> 00:01:18,200
Speaker 1: George W. Bush gave us one good thing and his

20
00:01:18,280 --> 00:01:22,839
Speaker 1: whole presidency, it was we don't negotiate with terrors. When

21
00:01:22,840 --> 00:01:25,959
Speaker 1: you take somebody who has said things about our people

22
00:01:26,560 --> 00:01:29,080
Speaker 1: that are so racist, that are so hateful, that are

23
00:01:29,120 --> 00:01:32,240
Speaker 1: so lacking in value, we don't need to sit with

24
00:01:32,280 --> 00:01:34,800
Speaker 1: somebody like that to understand why she feels the way

25
00:01:34,840 --> 00:01:37,440
Speaker 1: she does or where she's coming from. And if we do,

26
00:01:37,520 --> 00:01:39,720
Speaker 1: it's not on a platform where we're laughing and joking

27
00:01:40,360 --> 00:01:42,920
Speaker 1: because the things that she says, she's not coming up

28
00:01:42,920 --> 00:01:45,600
Speaker 1: with them on her own. She's not the architect, she's

29
00:01:45,600 --> 00:01:47,920
Speaker 1: not the head of any of this. But she is

30
00:01:48,040 --> 00:01:53,480
Speaker 1: making this very dangerous rhetoric normal and comfortable. Right. So

31
00:01:53,560 --> 00:01:55,400
Speaker 1: she's a cute girl. She looks like any other little

32
00:01:55,440 --> 00:01:58,400
Speaker 1: blond twenty something you can follow on Instagram. So her

33
00:01:58,600 --> 00:02:03,120
Speaker 1: saying that gold further with young folks, particularly young white kids,

34
00:02:03,560 --> 00:02:06,320
Speaker 1: that it does coming from an ad culter or Donald Trump.

35
00:02:06,360 --> 00:02:09,120
Speaker 1: She's making it cool. She's making it sexy. When you

36
00:02:09,160 --> 00:02:12,120
Speaker 1: give her a platform and joke around and palle around

37
00:02:12,120 --> 00:02:14,000
Speaker 1: with her as if she's anybody else you have a

38
00:02:14,040 --> 00:02:18,520
Speaker 1: disagreement with, that legitimizes her in ways that I don't

39
00:02:18,520 --> 00:02:21,040
Speaker 1: think we should. And what we were all so upset

40
00:02:21,080 --> 00:02:24,120
Speaker 1: with you about so much of what she said and

41
00:02:24,240 --> 00:02:27,400
Speaker 1: people like her was about black men, you know what

42
00:02:27,480 --> 00:02:30,720
Speaker 1: I'm saying, like the idea that black men are inherently criminal,

43
00:02:31,240 --> 00:02:33,680
Speaker 1: and so when black women got mad, it was like

44
00:02:33,720 --> 00:02:35,960
Speaker 1: a Charlomagne and hell with him, blah blah. It's like

45
00:02:36,960 --> 00:02:38,839
Speaker 1: it was a lot of that. But it's coming from

46
00:02:38,880 --> 00:02:42,840
Speaker 1: a place of we're defending you. When somebody's comparing the

47
00:02:42,880 --> 00:02:46,040
Speaker 1: Black Lives Matter movement to the Clue Klux Klan, that's

48
00:02:46,080 --> 00:02:48,600
Speaker 1: putting us in danger, but that's putting you in danger too.

49
00:02:49,040 --> 00:02:51,560
Speaker 1: We're standing up for you. We're saying, look, we love

50
00:02:51,560 --> 00:02:54,440
Speaker 1: our men. We don't want you all to be brutalized

51
00:02:54,520 --> 00:02:57,000
Speaker 1: by the police. This is somebody who's made light of

52
00:02:57,040 --> 00:03:00,560
Speaker 1: young men and women. Of course, we're particularly man being

53
00:03:00,639 --> 00:03:02,440
Speaker 1: killed by the police and harassed by the police and

54
00:03:02,480 --> 00:03:05,000
Speaker 1: stopped them for us. And when you joke around with

55
00:03:05,040 --> 00:03:06,720
Speaker 1: that and say ha ha, we you know, we can

56
00:03:06,800 --> 00:03:09,400
Speaker 1: keep key and make little Black Penis Matter jokes and

57
00:03:09,400 --> 00:03:12,920
Speaker 1: all that stuff, it's hurtful to people who are literally

58
00:03:12,960 --> 00:03:15,079
Speaker 1: putting their lives on the line. I'm a journalist, I'm

59
00:03:15,080 --> 00:03:18,040
Speaker 1: a writer. She's an activist. They're people who are spending

60
00:03:18,080 --> 00:03:19,600
Speaker 1: and they're not famous, and you don't see them on

61
00:03:19,680 --> 00:03:22,760
Speaker 1: Seeing In or MSNBC. They're spending nights weeks in jail,

62
00:03:23,040 --> 00:03:25,920
Speaker 1: they're losing their jobs, so they're not out there at all.

63
00:03:25,960 --> 00:03:28,400
Speaker 1: The attempting that, well, why isn't there any woke the

64
00:03:28,440 --> 00:03:30,400
Speaker 1: black and her span women. But they are out there.

65
00:03:31,320 --> 00:03:32,480
Speaker 1: But that's not what I said, though. But I do

66
00:03:32,480 --> 00:03:34,399
Speaker 1: feel like we should poke holes in her narrative any

67
00:03:34,480 --> 00:03:37,120
Speaker 1: chance we get, because she does have the voice of

68
00:03:37,280 --> 00:03:39,760
Speaker 1: young people. She's gonna be a voice for the conservative

69
00:03:40,080 --> 00:03:41,760
Speaker 1: right for the next four I think she needs not

70
00:03:41,800 --> 00:03:46,080
Speaker 1: in a joking manner, right, It's not. I'm a guy

71
00:03:46,120 --> 00:03:48,040
Speaker 1: that can go from serious. I can go from righteous

72
00:03:48,040 --> 00:03:50,480
Speaker 1: to ratchet real quick, right, I think so coming from

73
00:03:50,480 --> 00:03:52,880
Speaker 1: my perspective. I'm also known as a high priest, is

74
00:03:52,880 --> 00:03:56,000
Speaker 1: a Black Joy on our podcast called the Black Joy Mixtape.

75
00:03:56,120 --> 00:04:02,520
Speaker 1: And there's a way to do both, right. I think

76
00:04:02,560 --> 00:04:05,360
Speaker 1: there's this assumption around That's why I'm so thrilled to

77
00:04:05,400 --> 00:04:08,080
Speaker 1: be here. There's assumption around black feminists that we're just

78
00:04:08,120 --> 00:04:11,520
Speaker 1: sitting in our rooms reading Audrey Layd being so serious

79
00:04:11,520 --> 00:04:13,400
Speaker 1: all the time. But we listen to you right like

80
00:04:13,720 --> 00:04:16,200
Speaker 1: we were laughing. Just we've used are you done? Or

81
00:04:16,200 --> 00:04:19,840
Speaker 1: are you finished? Several times in our own organizing spaces.

82
00:04:20,480 --> 00:04:22,440
Speaker 1: That's why we talk about black Joy a lot, because

83
00:04:22,480 --> 00:04:24,760
Speaker 1: there's room to joke with it, but there's also room

84
00:04:24,800 --> 00:04:28,440
Speaker 1: to make sure that she doesn't leave your platform feeling

85
00:04:28,480 --> 00:04:31,440
Speaker 1: more confident than before. She went back on her platforms

86
00:04:31,680 --> 00:04:35,000
Speaker 1: and said all these terrible things about Trevor Noah, saying

87
00:04:35,040 --> 00:04:38,680
Speaker 1: that he basically wasn't black enough. She made comments around you,

88
00:04:39,320 --> 00:04:42,560
Speaker 1: and I think she clearly didn't learn anything from being here.

89
00:04:42,640 --> 00:04:44,800
Speaker 1: But all I'm saying is the conversation that we had

90
00:04:44,960 --> 00:04:48,640
Speaker 1: was me sitting there explaining to her why her rhetoric

91
00:04:48,880 --> 00:04:52,839
Speaker 1: is dangerous to black people, especially black men, Like we

92
00:04:53,000 --> 00:04:54,360
Speaker 1: had these It's not even the first of all I've

93
00:04:54,400 --> 00:04:56,479
Speaker 1: had this conversation with her. I had this conversation with

94
00:04:56,520 --> 00:04:58,640
Speaker 1: her back in February and a public platform when I

95
00:04:58,720 --> 00:05:01,200
Speaker 1: was on her show on the Blaze Network, And then

96
00:05:01,200 --> 00:05:03,120
Speaker 1: when I saw what she said on Trevor Noah, I'm like, yo,

97
00:05:03,200 --> 00:05:05,880
Speaker 1: she still doesn't get it. So since she's not coming

98
00:05:05,880 --> 00:05:07,680
Speaker 1: to the breakfast club, let's sit down and have a

99
00:05:07,720 --> 00:05:09,880
Speaker 1: conversation so I can explain to her why her rhetoric

100
00:05:09,880 --> 00:05:11,600
Speaker 1: get so dead. But what does it mean? To offer

101
00:05:11,680 --> 00:05:14,920
Speaker 1: her friendship outside of holding her accountable. A big piece

102
00:05:14,920 --> 00:05:17,359
Speaker 1: in the movement that we talk about is like we're family,

103
00:05:17,400 --> 00:05:19,720
Speaker 1: were this, but in order to be family have to

104
00:05:19,760 --> 00:05:23,040
Speaker 1: struggle together. And honestly, there are just people with whom

105
00:05:23,080 --> 00:05:25,360
Speaker 1: you can't reason, you know what I mean. I think

106
00:05:25,360 --> 00:05:27,880
Speaker 1: it's the moderates that we might be able to have

107
00:05:27,960 --> 00:05:30,400
Speaker 1: some success with because they didn't show up by the

108
00:05:30,480 --> 00:05:33,359
Speaker 1: droves to protect us from Donald Trump. You know, a

109
00:05:33,400 --> 00:05:35,120
Speaker 1: whole lot of white voters stay at home. And I

110
00:05:35,160 --> 00:05:37,320
Speaker 1: don't think she can be reached in a fun, cool

111
00:05:37,440 --> 00:05:39,320
Speaker 1: hip hop space. I don't think she can be reached

112
00:05:39,320 --> 00:05:42,479
Speaker 1: by Trevor Noah, who's very conciliatory and all we have

113
00:05:42,560 --> 00:05:44,880
Speaker 1: to do is listen to each other. But what your

114
00:05:44,920 --> 00:05:47,919
Speaker 1: audience needs, I think it's for you all to just

115
00:05:48,000 --> 00:05:50,520
Speaker 1: really understand the power that you all have in radio.

116
00:05:50,839 --> 00:05:53,400
Speaker 1: People come here to talk to millennials, So what are

117
00:05:53,400 --> 00:05:55,920
Speaker 1: you going to talk to millennials about? And for years, Charlomagne,

118
00:05:55,920 --> 00:05:57,960
Speaker 1: I felt like, on the various shows that you've done,

119
00:05:58,320 --> 00:05:59,840
Speaker 1: a lot of people I can't believe you like him.

120
00:05:59,880 --> 00:06:02,360
Speaker 1: You know, he's problematic, he says. I'm like, he's complicated,

121
00:06:02,400 --> 00:06:03,839
Speaker 1: like a lot of people, but I've heard you so

122
00:06:03,880 --> 00:06:06,400
Speaker 1: many times to be the voice of reason, particularly around

123
00:06:06,440 --> 00:06:09,479
Speaker 1: issues of race. That's why I was so personally hurt

124
00:06:09,560 --> 00:06:11,279
Speaker 1: that this was the person that you wanted to joke

125
00:06:11,320 --> 00:06:14,680
Speaker 1: around with and is really based on hate and ignorance,

126
00:06:15,120 --> 00:06:18,560
Speaker 1: and people that believe those things feel like she's their spokesperson.

127
00:06:18,920 --> 00:06:20,640
Speaker 1: And if she doesn't have that, she doesn't have that

128
00:06:20,720 --> 00:06:23,159
Speaker 1: platform anymore. She already has a platform. And that's why

129
00:06:23,200 --> 00:06:24,960
Speaker 1: I made the comment I made, which was not meant

130
00:06:25,000 --> 00:06:27,320
Speaker 1: to be offensive in any way, shape or form. Are

131
00:06:27,440 --> 00:06:29,920
Speaker 1: discredit any black women high span of coming. I just

132
00:06:29,960 --> 00:06:33,839
Speaker 1: feel like we need an online news network with news

133
00:06:33,920 --> 00:06:37,040
Speaker 1: pundits that can combat that young voice that's going be

134
00:06:37,080 --> 00:06:38,880
Speaker 1: coming from the conservative right for the next four years.

135
00:06:38,880 --> 00:06:40,880
Speaker 1: And I think that we have that, you know what

136
00:06:40,920 --> 00:06:43,360
Speaker 1: I'm saying. It doesn't like we don't get boosted up

137
00:06:43,400 --> 00:06:45,839
Speaker 1: in the way that she does because we don't represent

138
00:06:45,880 --> 00:06:47,920
Speaker 1: what she does and in our community, we don't have

139
00:06:47,960 --> 00:06:50,479
Speaker 1: the money and resources. But like, look at me, I

140
00:06:50,520 --> 00:06:53,120
Speaker 1: started my career with the blog. I'm thirty two years old.

141
00:06:53,120 --> 00:06:55,960
Speaker 1: I'm a media executive, right like I I'm in a

142
00:06:56,040 --> 00:06:59,320
Speaker 1: position to hire other people to hire editors, to assign

143
00:06:59,400 --> 00:07:01,200
Speaker 1: work and we have big plans for next year at

144
00:07:01,240 --> 00:07:04,840
Speaker 1: Interactive one. You look at Crystals, right, you look at

145
00:07:04,880 --> 00:07:07,280
Speaker 1: Francesca like you look at all these look at Amber.

146
00:07:07,360 --> 00:07:10,080
Speaker 1: We are building platforms now again. We're not gonna get

147
00:07:10,120 --> 00:07:12,720
Speaker 1: put on a blaze. We're not getting shows on MSNBC

148
00:07:13,040 --> 00:07:14,960
Speaker 1: like we were a few years ago. So what we

149
00:07:15,040 --> 00:07:18,360
Speaker 1: need now more than ever, is not to boaster somebody

150
00:07:18,440 --> 00:07:21,280
Speaker 1: like her up by giving her access to your space,

151
00:07:21,320 --> 00:07:24,400
Speaker 1: but to boaster somebody like Amber. Right, so right now,

152
00:07:24,400 --> 00:07:26,000
Speaker 1: maybe it's like, look, once a week, we're gonna do

153
00:07:26,040 --> 00:07:28,440
Speaker 1: a fifteen minute Black Lives Matter. Just check in, We're

154
00:07:28,440 --> 00:07:30,280
Speaker 1: gonna talk to an activist. We're gonna talk to a

155
00:07:30,360 --> 00:07:32,080
Speaker 1: journalist and just kind of talk about what's going on.

156
00:07:32,960 --> 00:07:36,920
Speaker 1: You have you have. But I think it's like making

157
00:07:36,920 --> 00:07:38,640
Speaker 1: it a concert, like this is the thing that we're

158
00:07:38,680 --> 00:07:41,240
Speaker 1: calling it what it is, and we're saying every Thursday,

159
00:07:41,320 --> 00:07:44,080
Speaker 1: this is your black lives you know whatever, check in,

160
00:07:44,200 --> 00:07:49,560
Speaker 1: But trust black women like and I totally apol I

161
00:07:49,560 --> 00:07:53,080
Speaker 1: didn't look at Crystal in that way, Francesca in that

162
00:07:53,120 --> 00:07:55,680
Speaker 1: way like I'm thinking news pundit, but in the way

163
00:07:55,720 --> 00:07:58,440
Speaker 1: they are the absolutely are. So how do we help

164
00:07:58,520 --> 00:08:01,920
Speaker 1: them amplify their voice, you know, like allowing like when

165
00:08:01,920 --> 00:08:04,000
Speaker 1: you have me on your MTV show, it was something

166
00:08:04,240 --> 00:08:06,320
Speaker 1: terrible happened, somebody had gotten killed. I was kind of

167
00:08:06,320 --> 00:08:07,840
Speaker 1: brought in to be the voice of read now, not

168
00:08:07,880 --> 00:08:09,480
Speaker 1: to tell jokes, and I tell drunks and stuff too.

169
00:08:09,480 --> 00:08:13,920
Speaker 1: I'm ratchet, I you know, like you know, like I'm

170
00:08:13,960 --> 00:08:16,200
Speaker 1: breaking a girl and I'm not dressed up. You know,

171
00:08:17,320 --> 00:08:18,960
Speaker 1: I can't even in my tents, But like I want

172
00:08:19,000 --> 00:08:21,880
Speaker 1: you all, Like I think like everyone's saying this assumption

173
00:08:21,920 --> 00:08:23,880
Speaker 1: that you know, we're all just so angry all the

174
00:08:23,920 --> 00:08:26,040
Speaker 1: time and we're mad. It's like, yeah, we're angry in

175
00:08:26,040 --> 00:08:27,720
Speaker 1: the way that everybody in this room is angry because

176
00:08:27,760 --> 00:08:29,360
Speaker 1: there's things that are happening in the world that are

177
00:08:29,400 --> 00:08:33,280
Speaker 1: bad and scary. But we're also regular girls, you know,

178
00:08:33,360 --> 00:08:35,400
Speaker 1: and folks that listen to hip hop and listen to

179
00:08:35,440 --> 00:08:37,520
Speaker 1: you all who deserve to be hurt. And I just

180
00:08:37,559 --> 00:08:40,200
Speaker 1: think that, like I feel for Angelas sometimes, so I'm

181
00:08:40,200 --> 00:08:42,320
Speaker 1: like just being the only woman in the room period.

182
00:08:42,320 --> 00:08:45,599
Speaker 1: It's always hard. But with something like that, knowing that

183
00:08:45,679 --> 00:08:48,360
Speaker 1: other black women were hurt and offended by something that

184
00:08:48,440 --> 00:08:50,640
Speaker 1: you did quite innocently and honestly, I don't think you

185
00:08:50,720 --> 00:08:52,440
Speaker 1: go out of your way to say things to hurt

186
00:08:52,480 --> 00:08:55,720
Speaker 1: black women, to get outraged, but when you do it,

187
00:08:55,720 --> 00:08:58,280
Speaker 1: it's just how you receive what we say. So that

188
00:08:58,280 --> 00:09:01,079
Speaker 1: I appreciate you having us here to don't go anywhere.

189
00:09:01,240 --> 00:09:03,920
Speaker 1: Jamilla Lemiue, Amber Phillips is the Breakfast Club. Good morning.

190
00:09:04,840 --> 00:09:08,640
Speaker 1: What y'all is TJ MV heybody name of Charlemagne the

191
00:09:08,679 --> 00:09:10,719
Speaker 1: Gut and we just want to say happy holidays from

192
00:09:10,720 --> 00:09:16,640
Speaker 1: all three of us, all y'all to Breakfast Club. I

193
00:09:16,679 --> 00:09:19,360
Speaker 1: don't want to get everybody as DJ Envy angela Ye,

194
00:09:19,440 --> 00:09:22,000
Speaker 1: Charlemagne the guy. We are to Breakfast Club. We have

195
00:09:22,080 --> 00:09:24,760
Speaker 1: Jamilla Lemiue and Amber Phillips in the building. What do

196
00:09:24,760 --> 00:09:26,040
Speaker 1: you think it is Dunky of to day when he

197
00:09:26,080 --> 00:09:28,880
Speaker 1: get himself Dunky today. I appreciated it. I think there's

198
00:09:28,880 --> 00:09:31,320
Speaker 1: a little bit of you know, I was wrong, but

199
00:09:31,320 --> 00:09:39,400
Speaker 1: but the butt was I was actually trying to empower us,

200
00:09:39,640 --> 00:09:42,600
Speaker 1: like I was saying, let's create a platform with young

201
00:09:42,760 --> 00:09:45,400
Speaker 1: black Hispanic women to be a voice like Tommy Long.

202
00:09:45,480 --> 00:09:51,319
Speaker 1: I think I know what I'm saying. You said lifetime,

203
00:09:52,480 --> 00:09:55,520
Speaker 1: but don't even bring her name. But think about how

204
00:09:55,559 --> 00:09:58,560
Speaker 1: she became a voice. It's like Facebook. Do y'all realize

205
00:09:58,559 --> 00:10:01,199
Speaker 1: how much power y'all have on social media? Even when

206
00:10:01,240 --> 00:10:04,480
Speaker 1: y'all talk about like Tommy. Tommy used Facebook to get popping.

207
00:10:04,559 --> 00:10:06,840
Speaker 1: Nobody watches the Blaze. She took her little clips, put

208
00:10:06,880 --> 00:10:09,480
Speaker 1: them on Facebook. They got popping. Y'all make things trend

209
00:10:09,679 --> 00:10:12,599
Speaker 1: in moments. I've been trending for two weeks. Yeah, I

210
00:10:12,760 --> 00:10:16,120
Speaker 1: never snuber one on Facebook. All the interviews I've done TV,

211
00:10:16,200 --> 00:10:18,839
Speaker 1: I've done never until Black Women collectedly came together and

212
00:10:18,840 --> 00:10:20,480
Speaker 1: said we're gonna try to get him about it the paint.

213
00:10:20,600 --> 00:10:22,840
Speaker 1: Don't get that with in Secure on Sundays number one

214
00:10:23,040 --> 00:10:26,280
Speaker 1: trending Scandal, how do you murder? Y'all can do that

215
00:10:26,320 --> 00:10:29,440
Speaker 1: for you, turning into opportunities. Look at Lovey and I

216
00:10:29,480 --> 00:10:31,160
Speaker 1: think you all had it back and forth about the

217
00:10:31,200 --> 00:10:34,320
Speaker 1: word females. Right. She's a New York Times best selling author.

218
00:10:34,360 --> 00:10:37,000
Speaker 1: Now you know she started a blog. She was funny.

219
00:10:37,040 --> 00:10:40,240
Speaker 1: She's a social media strategist. She tweeted about Scandal. I

220
00:10:40,280 --> 00:10:42,719
Speaker 1: feel like loves like half the reason Scandal blue all

221
00:10:42,720 --> 00:10:44,400
Speaker 1: the way up. I heard her. I hit her book

222
00:10:44,400 --> 00:10:45,760
Speaker 1: in my house too. I'm not gonna lie to you.

223
00:10:46,080 --> 00:10:47,520
Speaker 1: My wife bought her book and I hit it. I'm not.

224
00:10:48,280 --> 00:10:53,040
Speaker 1: I think you should have her on your show and

225
00:10:53,120 --> 00:10:54,760
Speaker 1: talk to her. You know what I mean, because if

226
00:10:54,800 --> 00:10:58,160
Speaker 1: you will talk to somebody like Tommy, talk to your sister,

227
00:10:58,280 --> 00:11:00,640
Speaker 1: even when when you make us man, when we make

228
00:11:00,679 --> 00:11:01,960
Speaker 1: you man, we need to be able to talk to

229
00:11:02,000 --> 00:11:04,920
Speaker 1: each other because no matter how deep our differences are,

230
00:11:04,960 --> 00:11:07,600
Speaker 1: we're family. She's not your family. But I just recognize

231
00:11:07,640 --> 00:11:11,040
Speaker 1: y'all power, like y'all could trump her easily because of

232
00:11:11,040 --> 00:11:12,960
Speaker 1: the power you'll have on social media. I feel like

233
00:11:13,000 --> 00:11:15,040
Speaker 1: social media is the engine. We just have to create

234
00:11:15,320 --> 00:11:17,520
Speaker 1: a car. I think we do have to create an

235
00:11:17,520 --> 00:11:20,000
Speaker 1: online news network and say yes, Jamila is a news

236
00:11:20,000 --> 00:11:22,839
Speaker 1: pointing now, Christian is a news pointing now. Our Francesca

237
00:11:22,880 --> 00:11:25,080
Speaker 1: is the news pointing now. I really think we need that.

238
00:11:25,320 --> 00:11:27,480
Speaker 1: I mean, and I'm working I run one of the sites.

239
00:11:27,520 --> 00:11:30,520
Speaker 1: I am in charge of this news one dot com.

240
00:11:30,559 --> 00:11:33,200
Speaker 1: We're building out a big news site like I'm on that.

241
00:11:33,440 --> 00:11:37,400
Speaker 1: But I think it's really important that you understand where

242
00:11:37,480 --> 00:11:40,160
Speaker 1: your family just going forward, and how you talk to

243
00:11:40,240 --> 00:11:44,199
Speaker 1: female celebrities and how you respond when male celebrities come

244
00:11:44,200 --> 00:11:46,720
Speaker 1: in here and say certain things about women. Understand that

245
00:11:46,800 --> 00:11:51,359
Speaker 1: black women live and die for our men, literally absolutely,

246
00:11:51,400 --> 00:11:54,600
Speaker 1: and we deserve that. In response, where did this narrative

247
00:11:54,640 --> 00:11:56,960
Speaker 1: that black men treat white women better than black women

248
00:11:57,760 --> 00:12:02,160
Speaker 1: come into play observation? I don't know. I don't know

249
00:12:02,160 --> 00:12:05,280
Speaker 1: about you going on white girls with the girls that

250
00:12:05,320 --> 00:12:07,959
Speaker 1: we would sweat out if you didn't do that. They

251
00:12:08,240 --> 00:12:09,800
Speaker 1: like when that black man makes it, he gets too

252
00:12:09,800 --> 00:12:13,320
Speaker 1: white women. That's been Kanye West of himself. I wasn't

253
00:12:13,360 --> 00:12:15,480
Speaker 1: from Queens and I went to Hampton University, like there

254
00:12:15,559 --> 00:12:18,800
Speaker 1: wasn't too many white women, you know, growing up, and

255
00:12:18,880 --> 00:12:21,600
Speaker 1: my mom and papa listened like automatically, you're black, you're

256
00:12:21,600 --> 00:12:24,240
Speaker 1: gonna stay with black. That's how I was raised, brought up.

257
00:12:24,240 --> 00:12:26,120
Speaker 1: The old in the hood was the white girl, the

258
00:12:26,280 --> 00:12:29,000
Speaker 1: wh white girl that wanted to hang around. This is

259
00:12:29,040 --> 00:12:34,720
Speaker 1: a a male privilege moment my whole life. I never

260
00:12:35,040 --> 00:12:37,120
Speaker 1: is there certain things Black women were here, That's what

261
00:12:37,120 --> 00:12:39,240
Speaker 1: we've seen on TV. Women were here like you know

262
00:12:39,280 --> 00:12:42,120
Speaker 1: what and that, and that's interesting. As far as treating us,

263
00:12:42,280 --> 00:12:45,079
Speaker 1: you know, treating white women better, I think that there's

264
00:12:45,080 --> 00:12:47,880
Speaker 1: a space at times that it's made to engage them

265
00:12:48,120 --> 00:12:50,520
Speaker 1: and hear them out which is why somebody they're just

266
00:12:50,600 --> 00:12:53,880
Speaker 1: white female privilege. They're particularly a good looking quote unquote

267
00:12:53,880 --> 00:12:56,640
Speaker 1: white woman likes Tomie Has and so if she looks okay,

268
00:12:57,040 --> 00:12:59,680
Speaker 1: I mean, she's not what beautiful is to me. And

269
00:12:59,720 --> 00:13:02,480
Speaker 1: I certainly know that I'm not what beautiful and that's

270
00:13:02,559 --> 00:13:04,640
Speaker 1: totally fine. But I know that she exists in the

271
00:13:04,640 --> 00:13:07,160
Speaker 1: world where she is treated as a very pretty woman.

272
00:13:07,600 --> 00:13:10,480
Speaker 1: If she were the three hundred pounds of bad acne,

273
00:13:10,880 --> 00:13:12,920
Speaker 1: she probably would not have been introduced to you. She

274
00:13:12,920 --> 00:13:15,040
Speaker 1: wouldn't have been introduced to Trevor Noah, and she wouldn't

275
00:13:15,040 --> 00:13:18,520
Speaker 1: have blown up in the way that she wouldn't be

276
00:13:18,559 --> 00:13:21,960
Speaker 1: the face of anything, right, But just being willing to

277
00:13:22,000 --> 00:13:24,760
Speaker 1: have that conversation with her, like this isn't the first

278
00:13:24,760 --> 00:13:27,000
Speaker 1: time that black women had really come for you on Twitter.

279
00:13:27,240 --> 00:13:29,000
Speaker 1: And again, yes, she've had me on your show. I

280
00:13:29,080 --> 00:13:31,000
Speaker 1: reached out to you about something in particular. I hope

281
00:13:31,000 --> 00:13:33,240
Speaker 1: we get a second to talk about that about being

282
00:13:33,240 --> 00:13:35,000
Speaker 1: on the show. You've been respectful to me. To be fair,

283
00:13:35,040 --> 00:13:36,800
Speaker 1: I'm already an industry person, you know what I mean.

284
00:13:36,840 --> 00:13:38,720
Speaker 1: I'm easier to talk to people perceiving me a little

285
00:13:38,720 --> 00:13:42,439
Speaker 1: bit differently than they do folks like Ambert, but I

286
00:13:42,840 --> 00:13:46,200
Speaker 1: hate Ambo. We did we have still talked too. Yeah,

287
00:13:47,920 --> 00:13:49,840
Speaker 1: the black Joyments say would love to still talk to

288
00:13:49,920 --> 00:13:52,520
Speaker 1: Charlottagne Like this is such an opportunity. I do not

289
00:13:52,600 --> 00:13:55,280
Speaker 1: take it lightly at all, But I appreciate this so

290
00:13:55,360 --> 00:13:58,600
Speaker 1: much because again, your platform reaches the people who we

291
00:13:58,640 --> 00:14:01,120
Speaker 1: want to activate. The folks who listen to this show

292
00:14:01,120 --> 00:14:02,880
Speaker 1: are the people who I will help to register to

293
00:14:02,960 --> 00:14:04,800
Speaker 1: vote or who I will help to turn out to

294
00:14:05,320 --> 00:14:09,040
Speaker 1: say her name rally. And that's just such a critical point.

295
00:14:09,080 --> 00:14:12,240
Speaker 1: And again it can be all done. People consume politics

296
00:14:12,280 --> 00:14:15,280
Speaker 1: and culture at the same time. Right, Donald Trump will

297
00:14:15,320 --> 00:14:18,920
Speaker 1: be on The Apprentice apparently doing politics and pop culture

298
00:14:19,000 --> 00:14:21,400
Speaker 1: from the highest level, so why not us as well?

299
00:14:21,560 --> 00:14:24,640
Speaker 1: I agree, don't go anywhere. Jamilla Lemieu, Amber Phillips is

300
00:14:24,640 --> 00:14:29,200
Speaker 1: the Breakfast Club. Good morning, Happy holidays, wishing you and

301
00:14:29,240 --> 00:14:31,520
Speaker 1: your family the very best this holiday season from all

302
00:14:31,560 --> 00:14:34,240
Speaker 1: of us here at the Breakfast Club. To Breakfast Club

303
00:14:36,440 --> 00:14:41,080
Speaker 1: and the morning. Everybody is DJ Envy Angela Yee, Charlomagne

304
00:14:41,080 --> 00:14:43,600
Speaker 1: the guy. We are the Breakfast Club. We have Jamilla

305
00:14:43,720 --> 00:14:46,800
Speaker 1: Lemieu and Amber Phillips in the building. Now, okay, so

306
00:14:46,920 --> 00:14:48,160
Speaker 1: what is it that you wanted to bring up so

307
00:14:48,240 --> 00:14:51,360
Speaker 1: we make sure we get yes. So I reached out

308
00:14:51,400 --> 00:14:53,760
Speaker 1: to Charlottegne after Nick Cannon was on the show. Nick

309
00:14:53,760 --> 00:14:56,480
Speaker 1: Cannon Yes, because of some of the things he said

310
00:14:56,520 --> 00:14:58,920
Speaker 1: about planned parenthood and black genocide. And I know that

311
00:14:59,000 --> 00:15:01,360
Speaker 1: you've had other on this show. I'm not even gonna

312
00:15:01,360 --> 00:15:03,680
Speaker 1: call them out by name who also speak to that

313
00:15:03,800 --> 00:15:07,760
Speaker 1: same way of thinking. And it's dangerous. So as somebody

314
00:15:07,840 --> 00:15:12,320
Speaker 1: who he talks about planned parenthood being black genocide, particularly

315
00:15:12,360 --> 00:15:14,840
Speaker 1: about abortion, think about all the stuff they deal with

316
00:15:14,840 --> 00:15:16,960
Speaker 1: planned parenthood and all of that type of stuff. That's

317
00:15:17,200 --> 00:15:20,280
Speaker 1: that's that type of stuff is to take our community

318
00:15:20,640 --> 00:15:24,720
Speaker 1: and forget gentrification. It's real, it's real genocide. And it's

319
00:15:24,760 --> 00:15:27,600
Speaker 1: been like that for years. This system is not built

320
00:15:27,640 --> 00:15:30,120
Speaker 1: for us. I am of the belief that is incredibly

321
00:15:30,160 --> 00:15:35,000
Speaker 1: important that black women have access to reproductive health care

322
00:15:35,880 --> 00:15:38,760
Speaker 1: planned parenthood, which I do not work for them. I've

323
00:15:38,800 --> 00:15:40,680
Speaker 1: done work with them, I've spoken some of their conferences,

324
00:15:40,680 --> 00:15:43,880
Speaker 1: I've been on panels with them. They provide so many

325
00:15:43,920 --> 00:15:46,880
Speaker 1: people in our community, men and women and gender nonconfirming

326
00:15:46,920 --> 00:15:52,120
Speaker 1: people with access to STD and STI testing, to breast screening,

327
00:15:53,120 --> 00:15:57,120
Speaker 1: birth control condoms, things that people need to have healthy

328
00:15:57,240 --> 00:16:00,280
Speaker 1: sexual lives, and what we know is that the majority

329
00:16:00,320 --> 00:16:04,960
Speaker 1: of adults of you know, childbearing age, are sexually active. Now,

330
00:16:05,000 --> 00:16:07,600
Speaker 1: I don't expect everybody to share my views on abortion.

331
00:16:08,000 --> 00:16:10,200
Speaker 1: I understand that that is a moral decision that each

332
00:16:10,200 --> 00:16:12,840
Speaker 1: individual has a right to make. But when you take

333
00:16:12,880 --> 00:16:15,280
Speaker 1: a huge platform, and you're a huge celebrity and you

334
00:16:15,320 --> 00:16:18,760
Speaker 1: say something like Planned Parenthood has advocated for black genocide

335
00:16:18,840 --> 00:16:22,000
Speaker 1: or represents black genocide, that's simply not true. And I

336
00:16:22,000 --> 00:16:24,760
Speaker 1: don't like always deferring to the three percent number, but

337
00:16:24,800 --> 00:16:27,240
Speaker 1: it don't Abortion only represents three percent of the business

338
00:16:27,240 --> 00:16:31,720
Speaker 1: a Plant Parenthood. Most plan Parenthood locations do not provide abortions.

339
00:16:32,040 --> 00:16:34,640
Speaker 1: I don't like saying that number because it also implies

340
00:16:34,680 --> 00:16:37,080
Speaker 1: that there's something wrong with abortion. And people also need

341
00:16:37,160 --> 00:16:40,000
Speaker 1: more access to abortion care, and they should have access

342
00:16:40,040 --> 00:16:42,600
Speaker 1: to abortion care. And if we think that there's this

343
00:16:42,720 --> 00:16:46,560
Speaker 1: myth that abortion is just birth control for irresponsible black

344
00:16:46,560 --> 00:16:48,880
Speaker 1: women having a whole bunch of sets, it's a lot

345
00:16:48,920 --> 00:16:50,960
Speaker 1: of things to a lot of people. But most of

346
00:16:50,960 --> 00:16:55,160
Speaker 1: the people who who have abortions are already raising children.

347
00:16:55,520 --> 00:16:58,560
Speaker 1: This is somebody making a decision that for economic reasons

348
00:16:58,600 --> 00:17:02,080
Speaker 1: for personal reasons. They're not interested in bringing another child

349
00:17:02,080 --> 00:17:04,600
Speaker 1: into the words women that are married and they're struggling

350
00:17:04,680 --> 00:17:07,200
Speaker 1: financially and they decide, Okay, we don't want to have

351
00:17:07,240 --> 00:17:12,840
Speaker 1: another child and disagree with Black women having abortions. Why

352
00:17:12,960 --> 00:17:26,480
Speaker 1: I'm just messing with y'all. Job I say, I was like,

353
00:17:26,640 --> 00:17:32,280
Speaker 1: but why? But also, in Nick Cannon saying that Plan

354
00:17:32,359 --> 00:17:35,080
Speaker 1: Parenthood is supporting Black genocide, what that lands on the

355
00:17:35,080 --> 00:17:38,320
Speaker 1: eras is that Black women are supporting the killing of

356
00:17:38,320 --> 00:17:41,040
Speaker 1: our community. And we just know that's not true. Black

357
00:17:41,040 --> 00:17:44,080
Speaker 1: women are making the best decisions they can with the

358
00:17:44,160 --> 00:17:47,320
Speaker 1: resources they have. And actually, if black if Nick Cannon

359
00:17:47,359 --> 00:17:50,480
Speaker 1: would like to lead a conversation on reproductive healthcare, we

360
00:17:50,520 --> 00:17:52,560
Speaker 1: can talk about how there's grown men out here who

361
00:17:52,560 --> 00:17:54,159
Speaker 1: still don't know how to put on a condom the

362
00:17:54,240 --> 00:17:56,880
Speaker 1: right way. In fact, that is way more effective than

363
00:17:56,920 --> 00:17:59,720
Speaker 1: you saying that we're killing our kids and our communions

364
00:17:59,720 --> 00:18:04,160
Speaker 1: and the wrong size kindom. Damn well, you know, damn well,

365
00:18:04,200 --> 00:18:07,680
Speaker 1: you know, do you you think kindoms are systemically uncomfortable for

366
00:18:07,760 --> 00:18:13,840
Speaker 1: black men? We should do a condom demonstration right now

367
00:18:13,880 --> 00:18:17,919
Speaker 1: because of that, you know, you know what balls me

368
00:18:17,960 --> 00:18:20,280
Speaker 1: know about our community? I feel like when somebody in

369
00:18:20,280 --> 00:18:23,040
Speaker 1: our community says something that most of us are, majority

370
00:18:23,080 --> 00:18:26,280
Speaker 1: of us don't agree we attack. It's attacks. Have a

371
00:18:26,320 --> 00:18:28,640
Speaker 1: problem with that because they might not know, they might

372
00:18:28,680 --> 00:18:31,400
Speaker 1: not have the information, they not might not be educated.

373
00:18:31,600 --> 00:18:33,720
Speaker 1: So I feel like when they attack, people are scared

374
00:18:33,720 --> 00:18:36,000
Speaker 1: to see what they really feel and never know what

375
00:18:36,040 --> 00:18:37,840
Speaker 1: they're feeling. You know it's coming from a personal place,

376
00:18:38,160 --> 00:18:40,000
Speaker 1: because it's not that. And they said he agreed with

377
00:18:40,080 --> 00:18:44,520
Speaker 1: stopping frisk a couple of crazy I mean, but I mean,

378
00:18:44,520 --> 00:18:46,320
Speaker 1: when somebody tries to kill you and you have four

379
00:18:46,359 --> 00:18:47,920
Speaker 1: bullet holes in your car and you know you're trying

380
00:18:47,920 --> 00:18:49,719
Speaker 1: to go home to your family, you say things that

381
00:18:49,760 --> 00:18:51,520
Speaker 1: make your emotional that and that's what it was. That's

382
00:18:51,560 --> 00:18:53,000
Speaker 1: one of the things people used to say the breakfast

383
00:18:53,000 --> 00:18:56,000
Speaker 1: clubs problematic. NVA agrees with stopping frisk. Charlemayne Field black

384
00:18:56,040 --> 00:18:58,680
Speaker 1: women don't have no platforms. But also think about where

385
00:18:58,680 --> 00:19:01,000
Speaker 1: those attacks are coming from, right, I think there are

386
00:19:01,040 --> 00:19:03,280
Speaker 1: some folks who are definitely just popping off to be

387
00:19:03,359 --> 00:19:05,720
Speaker 1: popping off. The attacks are coming from people who are

388
00:19:05,760 --> 00:19:07,960
Speaker 1: also trying to save their own lives. Right There are

389
00:19:08,000 --> 00:19:09,560
Speaker 1: a lot of people who are not here right now

390
00:19:09,600 --> 00:19:12,160
Speaker 1: because of stopping frisk if we're using that example, right,

391
00:19:12,400 --> 00:19:14,679
Speaker 1: we know Eric Garner is gone. We know that there

392
00:19:14,720 --> 00:19:17,680
Speaker 1: accounts from I'm from Columbus, Ohio to mere Rice isn't

393
00:19:17,680 --> 00:19:20,359
Speaker 1: here right now. So the reason why people are coming

394
00:19:20,359 --> 00:19:23,159
Speaker 1: out and they're saying, hell, no, you're not going to

395
00:19:23,240 --> 00:19:26,120
Speaker 1: say this is because we're scared, and like you're saying, like,

396
00:19:26,240 --> 00:19:28,240
Speaker 1: there's there's two sides of this, right, you want to

397
00:19:28,240 --> 00:19:30,679
Speaker 1: protect your family too, And there are people who are like,

398
00:19:31,040 --> 00:19:34,480
Speaker 1: we're dealing with this at every side, right, and we

399
00:19:34,560 --> 00:19:36,720
Speaker 1: don't have as bigger platforms as we need to to

400
00:19:36,760 --> 00:19:40,040
Speaker 1: get the communications right on why our lives are important.

401
00:19:40,280 --> 00:19:42,520
Speaker 1: So I would see the attacks as a conversation for

402
00:19:42,600 --> 00:19:45,560
Speaker 1: you to ask, say more why people might have been

403
00:19:45,560 --> 00:19:48,480
Speaker 1: stopped in frisk and had their own personal situations right

404
00:19:48,600 --> 00:19:50,399
Speaker 1: that happened, because I mean, you talk to somebody that

405
00:19:50,480 --> 00:19:53,080
Speaker 1: was on both sides, but right, I'm sure it's numerous times,

406
00:19:53,119 --> 00:19:55,399
Speaker 1: and that's been I feel for y'all. You know. The

407
00:19:55,480 --> 00:19:57,160
Speaker 1: sad thing about it is a lot of the information

408
00:19:57,200 --> 00:19:58,600
Speaker 1: that you look up a line, a lot of it's

409
00:19:58,640 --> 00:20:00,280
Speaker 1: not true, a lot of it's not accurate. So you

410
00:20:00,280 --> 00:20:02,080
Speaker 1: think it's true, you think it's accurate. You think it's

411
00:20:02,080 --> 00:20:04,280
Speaker 1: doing a good thing. And what happened was me being

412
00:20:04,320 --> 00:20:07,399
Speaker 1: in the community doing these talks and doing shows. I

413
00:20:07,440 --> 00:20:09,080
Speaker 1: would have women that would come up to me who

414
00:20:09,119 --> 00:20:12,639
Speaker 1: had kids that have been killed from stopping frisk or

415
00:20:13,000 --> 00:20:15,560
Speaker 1: teachers that said, my students are linked because of stopping people.

416
00:20:15,560 --> 00:20:17,000
Speaker 1: They go to jail because they had a little weed

417
00:20:17,040 --> 00:20:19,159
Speaker 1: on that. So that you opened up and makes you

418
00:20:19,240 --> 00:20:20,680
Speaker 1: think about it and it changes your mind. And it

419
00:20:20,800 --> 00:20:22,800
Speaker 1: had nothing to do at old they were own envy.

420
00:20:22,840 --> 00:20:25,000
Speaker 1: But I think a lot of these times conversations need

421
00:20:25,040 --> 00:20:30,360
Speaker 1: to be It's so important to have the conversation with

422
00:20:30,400 --> 00:20:33,600
Speaker 1: our folks, and to keep having these conversations with art folks.

423
00:20:33,600 --> 00:20:35,240
Speaker 1: Like even back in the day when you had the

424
00:20:35,280 --> 00:20:39,040
Speaker 1: debates with um Malcolm X and James Baldwin, like you

425
00:20:39,119 --> 00:20:42,480
Speaker 1: brought more black people and more black intellectuals together so

426
00:20:42,520 --> 00:20:44,200
Speaker 1: that we can get to the heart of this. That's

427
00:20:44,240 --> 00:20:46,800
Speaker 1: worth having now more than ever. The call to have

428
00:20:47,320 --> 00:20:50,639
Speaker 1: politicians on here, to have funds, you know, and to

429
00:20:51,240 --> 00:20:54,640
Speaker 1: not I know, if I'm just saying, like in addition

430
00:20:54,720 --> 00:20:57,600
Speaker 1: to that, when somebody calls you out for something that

431
00:20:57,720 --> 00:21:00,160
Speaker 1: you said, that's not the time to lash out. Oh,

432
00:21:00,160 --> 00:21:01,600
Speaker 1: that's not the time to get mad. It's to do

433
00:21:01,720 --> 00:21:03,919
Speaker 1: what we're doing right now and have a dialogue about it.

434
00:21:04,160 --> 00:21:06,520
Speaker 1: All right, Well we got more dialogue when we come back.

435
00:21:06,560 --> 00:21:09,840
Speaker 1: Don't go anywhere, Jamilla Lemieux, Amber Phillips. It's the Breakfast Club.

436
00:21:09,840 --> 00:21:13,960
Speaker 1: Good morning, what's up y'all? Liss Angela ye you, Wishing

437
00:21:14,000 --> 00:21:16,840
Speaker 1: you and your family the very best this holiday season

438
00:21:17,200 --> 00:21:19,879
Speaker 1: from all of us here at the Breakfast Club. The

439
00:21:20,080 --> 00:21:26,280
Speaker 1: Breakfast Club wanting everybody is DJ m vy angela Ye,

440
00:21:26,320 --> 00:21:29,160
Speaker 1: Charlomagne the guy. We are the Breakfast Club. Now. Usually

441
00:21:29,200 --> 00:21:31,080
Speaker 1: we do the rumors here, but we're pushing the rumors

442
00:21:31,080 --> 00:21:33,239
Speaker 1: back because we have these lovely ladies joining us from

443
00:21:33,280 --> 00:21:36,920
Speaker 1: the fig h U Jamie La Lemieux and Amber Phillips. Now, Charlemagne,

444
00:21:36,960 --> 00:21:38,800
Speaker 1: I get everybody to benefit of the conversation because I

445
00:21:38,840 --> 00:21:40,920
Speaker 1: have any conversations change some people over the years, like

446
00:21:40,960 --> 00:21:43,119
Speaker 1: I've like I can look at Lena Dunham. Lena Dunham

447
00:21:43,200 --> 00:21:45,920
Speaker 1: got that lasting on social media and she immediately but

448
00:21:46,040 --> 00:21:51,280
Speaker 1: she's around people. She understands how black women have been

449
00:21:51,320 --> 00:21:54,600
Speaker 1: excluded from the feminist feminism rhetoric for so long, and

450
00:21:54,640 --> 00:21:57,359
Speaker 1: she's trying to include them now, like I've seen it

451
00:21:57,960 --> 00:22:00,520
Speaker 1: literally change people over the years. So I give everybody

452
00:22:00,520 --> 00:22:02,399
Speaker 1: to benefit of the conversation if they don't change up

453
00:22:02,440 --> 00:22:05,000
Speaker 1: to that. That's how I feel about Tommy anybody else,

454
00:22:05,040 --> 00:22:07,159
Speaker 1: and that's how people feel about you, you know what

455
00:22:07,200 --> 00:22:09,080
Speaker 1: I mean. I mean, I know there are certainly are

456
00:22:09,080 --> 00:22:11,000
Speaker 1: people that am like, I'm not going on there. I

457
00:22:11,000 --> 00:22:13,359
Speaker 1: wouldn't talk to him, you know, which I think is

458
00:22:13,359 --> 00:22:15,439
Speaker 1: silly because it's like, Okay, you disagree with them Hill.

459
00:22:15,480 --> 00:22:17,239
Speaker 1: If he gives you acts to his platform, you use

460
00:22:17,280 --> 00:22:18,840
Speaker 1: it to say what you gotta say. You go home.

461
00:22:18,880 --> 00:22:21,119
Speaker 1: That does not mean that were you know, friends or

462
00:22:21,119 --> 00:22:24,639
Speaker 1: that It's like, hell, you know, I wouldn't go on

463
00:22:24,680 --> 00:22:28,040
Speaker 1: the Blaze because I don't think there's any value whether

464
00:22:28,080 --> 00:22:30,560
Speaker 1: I win the argument or she talks circles around me.

465
00:22:30,760 --> 00:22:33,360
Speaker 1: I just feel like nobody's going to really be educated

466
00:22:33,400 --> 00:22:35,280
Speaker 1: by that. You don't go to the Blaze to watch

467
00:22:35,280 --> 00:22:37,040
Speaker 1: it because you have an open heart, you know what

468
00:22:37,040 --> 00:22:38,560
Speaker 1: I mean. It's not even it's it's to the right

469
00:22:38,600 --> 00:22:41,760
Speaker 1: of Fox News, right, you know. I just think all

470
00:22:41,800 --> 00:22:46,200
Speaker 1: that would happened is that I would get more complete circle.

471
00:22:46,480 --> 00:22:48,840
Speaker 1: But like all I would get would be more death threats,

472
00:22:48,960 --> 00:22:51,600
Speaker 1: more people harassing me, more scrutiny around what I'm doing.

473
00:22:51,720 --> 00:22:54,320
Speaker 1: I'm more concerned with convincing Black people of our own

474
00:22:54,400 --> 00:22:56,359
Speaker 1: humanity than I am trying to convince white people of

475
00:22:56,400 --> 00:23:00,359
Speaker 1: our human man convincing Black people of all power. We

476
00:23:00,440 --> 00:23:05,080
Speaker 1: have power, but we cannot adequately use that power until,

477
00:23:06,080 --> 00:23:09,639
Speaker 1: for example, our men really come to terms with the

478
00:23:09,720 --> 00:23:13,560
Speaker 1: ways that black women suffer at the intersection of racism

479
00:23:13,600 --> 00:23:16,439
Speaker 1: and sexism. How you all can perform that and be

480
00:23:16,520 --> 00:23:19,239
Speaker 1: complicit in that. It's not just white men that are

481
00:23:19,280 --> 00:23:22,160
Speaker 1: doing us harm. It's not just domestic violence that's doing

482
00:23:22,240 --> 00:23:26,160
Speaker 1: us harm. It's how we're treated by people who we raise,

483
00:23:26,400 --> 00:23:29,920
Speaker 1: who we nurture, who we date, who we love. That's

484
00:23:29,960 --> 00:23:32,679
Speaker 1: not always fair and equal and jest, and so it

485
00:23:32,720 --> 00:23:35,680
Speaker 1: can be very small. It could be calling us females

486
00:23:35,720 --> 00:23:38,439
Speaker 1: on Twitter. It could be not listening to us. It

487
00:23:38,480 --> 00:23:41,680
Speaker 1: could be more, you know, just simply appearing like you're

488
00:23:41,680 --> 00:23:44,360
Speaker 1: more open to what tomy than you are to somebody

489
00:23:44,400 --> 00:23:47,399
Speaker 1: like us. It could be berating little Mama until she

490
00:23:47,480 --> 00:23:52,920
Speaker 1: cries because she's little Mama and she's a punchline. It's nobody.

491
00:23:55,480 --> 00:23:57,080
Speaker 1: But then you work in media, so you have to

492
00:23:57,119 --> 00:23:59,400
Speaker 1: think about optics. So yes, I can name a lot

493
00:23:59,400 --> 00:24:01,800
Speaker 1: of really great interviews you've done since then and times

494
00:24:01,800 --> 00:24:03,199
Speaker 1: that you talked to a black women and it was

495
00:24:03,200 --> 00:24:05,120
Speaker 1: dope and it was great. But that's the thing that's

496
00:24:05,160 --> 00:24:08,040
Speaker 1: in people's memory. So you have to work against So

497
00:24:08,119 --> 00:24:10,640
Speaker 1: but that's how imagery works, So you have to work

498
00:24:10,680 --> 00:24:12,520
Speaker 1: against that. You can't just be an age from like

499
00:24:12,760 --> 00:24:14,119
Speaker 1: I didn't do it. I did it six years ago,

500
00:24:14,640 --> 00:24:16,800
Speaker 1: No big deal, forgive me. It's like, forgive me because

501
00:24:16,840 --> 00:24:19,880
Speaker 1: of my actions since then, right, you know, maybe even

502
00:24:19,960 --> 00:24:27,480
Speaker 1: bringing her on, she's been and I just I'm looking

503
00:24:27,520 --> 00:24:29,840
Speaker 1: forward to a spot and we talk about this with

504
00:24:29,920 --> 00:24:32,200
Speaker 1: my co host Jasmine Walker. Have to give her a

505
00:24:32,240 --> 00:24:34,840
Speaker 1: shout out the King of the South about how we

506
00:24:34,880 --> 00:24:37,320
Speaker 1: need to hold the line that if it's not um

507
00:24:37,359 --> 00:24:40,719
Speaker 1: liberation just can't be for some black folks. Right, if

508
00:24:40,760 --> 00:24:44,520
Speaker 1: we're not extending this to LGBTQ folks, queer trans people,

509
00:24:45,080 --> 00:24:48,560
Speaker 1: um women, then it's anti black. That if we can incorporate,

510
00:24:48,600 --> 00:24:50,600
Speaker 1: if we can't bring all of us to justice together,

511
00:24:50,640 --> 00:24:53,280
Speaker 1: then it's not it's not what we're actually looking for,

512
00:24:53,359 --> 00:24:56,080
Speaker 1: which is our collective liberation. Everybody got to make it

513
00:24:56,119 --> 00:24:58,119
Speaker 1: to the other side with us. You know, fort you.

514
00:24:58,119 --> 00:25:00,639
Speaker 1: I like dealing with women more men anyway. I'd rather

515
00:25:00,680 --> 00:25:02,320
Speaker 1: have a bunch of strong women around meeting a bunch

516
00:25:02,359 --> 00:25:05,840
Speaker 1: of guys. We appreciate you guys for coming up conversation

517
00:25:05,880 --> 00:25:08,840
Speaker 1: so much. This was great and the platform is always open.

518
00:25:10,400 --> 00:25:14,720
Speaker 1: Was to look up and Amber like a demo for Amber.

519
00:25:17,280 --> 00:25:19,440
Speaker 1: I would look forward to seeing y'all again. I'm ready

520
00:25:19,640 --> 00:25:22,440
Speaker 1: put me at the mentorship whatever you need. There's a

521
00:25:22,440 --> 00:25:25,440
Speaker 1: bunch of black women behind me who are like, we're

522
00:25:25,520 --> 00:25:27,320
Speaker 1: there and we're ready and we're on the front lines

523
00:25:27,400 --> 00:25:31,000
Speaker 1: and they would love to talk to you. Oh yeah,

524
00:25:31,040 --> 00:25:34,240
Speaker 1: So I'm Amber Jay Phillips online. You can also find

525
00:25:34,240 --> 00:25:36,760
Speaker 1: me on the Black Joy Mixtape dot com. We're Black

526
00:25:36,840 --> 00:25:39,800
Speaker 1: Joy Mixtape on Twitter and Instagram, and we would love

527
00:25:39,840 --> 00:25:41,760
Speaker 1: to hear from y'all and Jamilla. We appreciate you for

528
00:25:41,840 --> 00:25:48,119
Speaker 1: joining us too, Baby d On Morning Everybody is DJ Envy,

529
00:25:48,240 --> 00:25:51,080
Speaker 1: Angela Yee, Charlomne the Guy. We are the breakfast Club.

530
00:25:51,080 --> 00:25:54,399
Speaker 1: We got a special guests in the building beating single

531
00:25:54,880 --> 00:25:58,760
Speaker 1: Yeah Morning suf Be. Now, we've had some opinions about

532
00:25:58,760 --> 00:26:01,359
Speaker 1: each other over the past off so heard you on

533
00:26:01,440 --> 00:26:04,960
Speaker 1: tax Podcasts yeah, and then you know, I was questioning

534
00:26:05,000 --> 00:26:07,119
Speaker 1: you with your with your disrecords. Man, it sounded you

535
00:26:07,119 --> 00:26:11,520
Speaker 1: sounded like a hater lately. Man, hater? Yeah? How you

536
00:26:11,560 --> 00:26:14,240
Speaker 1: say that? Because I feel like, you know, you put

537
00:26:14,240 --> 00:26:16,199
Speaker 1: out two disrecords, but then you was in the studio

538
00:26:16,240 --> 00:26:19,200
Speaker 1: with me like like eight days prior to the first disrecord,

539
00:26:19,200 --> 00:26:21,360
Speaker 1: and I'm like, if anybody else did that, I think

540
00:26:21,400 --> 00:26:23,720
Speaker 1: you'd be saying that was a sucker movie that I don't.

541
00:26:23,800 --> 00:26:27,560
Speaker 1: I don't. I don't think you qualified even say I

542
00:26:27,680 --> 00:26:29,439
Speaker 1: sound like a hater it because you don't know all

543
00:26:29,480 --> 00:26:32,720
Speaker 1: the particulars. So how you how you qualified to say

544
00:26:32,760 --> 00:26:35,040
Speaker 1: I'm a hater? Hate? On what? Why? I'm just telling

545
00:26:35,080 --> 00:26:37,720
Speaker 1: you why? Why? Why? Why do you say I'm a hater?

546
00:26:38,000 --> 00:26:41,000
Speaker 1: Because you know everything is that used to be me

547
00:26:41,200 --> 00:26:43,200
Speaker 1: and I used to be in that position. And when

548
00:26:43,200 --> 00:26:46,040
Speaker 1: did you ever hear me say that? On tax podcasts?

549
00:26:46,920 --> 00:26:49,080
Speaker 1: Absolutely you said that you was like, yo, he can't

550
00:26:49,160 --> 00:26:51,359
Speaker 1: rap better than me, which could be a fact that

551
00:26:51,520 --> 00:26:53,080
Speaker 1: used to be me. People come up to me all

552
00:26:53,080 --> 00:26:54,840
Speaker 1: the time and say when you was in that position,

553
00:26:55,359 --> 00:26:57,800
Speaker 1: beings things was better. It wasn't like that, dude, do

554
00:26:57,920 --> 00:27:00,960
Speaker 1: that sound that's that's a hater or me giving U

555
00:27:01,600 --> 00:27:04,560
Speaker 1: some advice to somebody to move a little different. Did you?

556
00:27:04,800 --> 00:27:06,879
Speaker 1: Did you? Did you not? Also hear me say I

557
00:27:06,880 --> 00:27:08,720
Speaker 1: don't want you to make the same mistakes I did.

558
00:27:09,720 --> 00:27:12,280
Speaker 1: So it is that me schooling somebody or sounding like

559
00:27:12,280 --> 00:27:15,399
Speaker 1: a hater. That sounds like a no disrespect, But but

560
00:27:15,440 --> 00:27:18,359
Speaker 1: then you disrespect them, especially because I mean just for

561
00:27:18,400 --> 00:27:20,199
Speaker 1: me president when you say Meek not really like, oh,

562
00:27:20,280 --> 00:27:23,119
Speaker 1: Meek not a real person. He never been in the street,

563
00:27:23,240 --> 00:27:25,280
Speaker 1: that's cool, but like eight days prior he was in

564
00:27:25,280 --> 00:27:29,399
Speaker 1: the studio with him. Yeah, that's why I said that.

565
00:27:29,880 --> 00:27:32,560
Speaker 1: You're sitting back, Like I told people, don't let immediate

566
00:27:32,600 --> 00:27:35,360
Speaker 1: social media make up your mind. You're gonna buy from

567
00:27:35,400 --> 00:27:39,320
Speaker 1: what you're just seeing. You don't know what conversations transpired

568
00:27:39,359 --> 00:27:43,760
Speaker 1: before that, what events transpired before that. And like I said,

569
00:27:43,800 --> 00:27:47,000
Speaker 1: before I jump out the window for somebody who ain't

570
00:27:47,040 --> 00:27:50,800
Speaker 1: gonna even walk out the door. You got to prove yourself, bro,

571
00:27:51,280 --> 00:27:53,520
Speaker 1: That's what I meant by that. Like if you've gotten

572
00:27:53,720 --> 00:27:55,800
Speaker 1: something and you come and get me, yo, we got

573
00:27:55,800 --> 00:27:57,879
Speaker 1: to go do this. Hold up because I know what

574
00:27:57,920 --> 00:28:00,880
Speaker 1: I'm gonna do. Got you ride for somebody? You don't

575
00:28:00,920 --> 00:28:04,600
Speaker 1: think real like you, because it's bigger. It's bigger than

576
00:28:04,680 --> 00:28:08,000
Speaker 1: it's bigger than that particular person. It's for the city.

577
00:28:08,040 --> 00:28:11,520
Speaker 1: I'm for my city in a hole, so he's a

578
00:28:11,600 --> 00:28:14,440
Speaker 1: part of that, a very important part of the city.

579
00:28:14,680 --> 00:28:18,600
Speaker 1: And it's not about me hitting on me. I I've

580
00:28:19,200 --> 00:28:22,400
Speaker 1: me totally. But when you do something now and it's

581
00:28:22,440 --> 00:28:26,320
Speaker 1: like so like I said, but fo I jump all

582
00:28:26,320 --> 00:28:27,919
Speaker 1: the way out and winning because I know what I'm

583
00:28:27,960 --> 00:28:30,800
Speaker 1: gonna do one another level, Like it's two levels to

584
00:28:30,840 --> 00:28:33,719
Speaker 1: just say, it ain't about music. It's about that and

585
00:28:33,720 --> 00:28:38,000
Speaker 1: it's about so whatever. You ain't qualified to ask me

586
00:28:38,040 --> 00:28:40,480
Speaker 1: that question. You ain't qualified to get the answer. Bro,

587
00:28:41,720 --> 00:28:44,720
Speaker 1: let's rewant it. The game came up here and you

588
00:28:44,720 --> 00:28:47,400
Speaker 1: know he did a disrecord going at Meek and then

589
00:28:47,400 --> 00:28:49,040
Speaker 1: we heard a Meek record and we heard you on

590
00:28:49,040 --> 00:28:51,640
Speaker 1: the record. Yea, so we thought that, I mean, I

591
00:28:51,640 --> 00:28:53,280
Speaker 1: think the world thought that you would jump in with

592
00:28:53,400 --> 00:28:56,120
Speaker 1: Meek and starting to go at at games. So what happened?

593
00:28:56,120 --> 00:28:58,400
Speaker 1: And why did you jump on that record for my city?

594
00:28:59,480 --> 00:29:03,840
Speaker 1: But you wouldn't game? Cool? Yeah, because because it's music.

595
00:29:05,160 --> 00:29:09,360
Speaker 1: Come on, man, this this think about it game and Meek.

596
00:29:10,240 --> 00:29:15,000
Speaker 1: It's music ain't not ain't not gonna transpire from that.

597
00:29:15,560 --> 00:29:18,720
Speaker 1: Days later you called him an apologize. No, that's bulls

598
00:29:18,960 --> 00:29:21,000
Speaker 1: called whack on the phone that you called get him

599
00:29:21,000 --> 00:29:24,600
Speaker 1: on the phone. My questions to them if you standing

600
00:29:24,640 --> 00:29:26,960
Speaker 1: on what you're saying, like, I don't want to keep

601
00:29:27,000 --> 00:29:31,480
Speaker 1: reiterating this because I think I clarified that once conversations

602
00:29:31,600 --> 00:29:34,800
Speaker 1: was going back and I asking the brother, yo, is

603
00:29:34,880 --> 00:29:39,640
Speaker 1: this real? Because you can get straightened out on a

604
00:29:39,680 --> 00:29:44,040
Speaker 1: different level. So when you say stand down and all right,

605
00:29:44,040 --> 00:29:46,760
Speaker 1: were you hand do that? But then when game comes

606
00:29:46,800 --> 00:29:50,160
Speaker 1: back and it's like, yo, we gotta do this, No,

607
00:29:50,360 --> 00:29:54,200
Speaker 1: we ain't gotta. You gotta handle that, bro. You know

608
00:29:54,200 --> 00:29:55,760
Speaker 1: what I mean. You're dealing with two people. You don't

609
00:29:55,840 --> 00:29:59,239
Speaker 1: want Mac and you didn't want BEANIEC. So when I see, oh,

610
00:29:59,280 --> 00:30:01,200
Speaker 1: this is something being see, I can go on to

611
00:30:01,320 --> 00:30:04,880
Speaker 1: booth and slaughter them up right. With the records being said,

612
00:30:05,120 --> 00:30:08,040
Speaker 1: we've seen you at the console and people assume that

613
00:30:08,080 --> 00:30:10,640
Speaker 1: you were out helping them write raps. Did you gooset

614
00:30:10,680 --> 00:30:13,000
Speaker 1: right any of those? A few of them? YEA for

615
00:30:13,120 --> 00:30:17,760
Speaker 1: both Meek and o'melli. Yeah, yeah, I mean just just

616
00:30:18,040 --> 00:30:20,360
Speaker 1: the whole situation seems shaker. I know you say, I'm

617
00:30:20,400 --> 00:30:22,480
Speaker 1: not qualified to speak on it. I'm not. I'm just

618
00:30:22,560 --> 00:30:25,360
Speaker 1: observing it. But it just seemed like, you know, loyalty

619
00:30:25,480 --> 00:30:27,960
Speaker 1: with you lies with who's providing you opportunity at the time.

620
00:30:28,120 --> 00:30:33,320
Speaker 1: Get the man provide me what what? Loyalty who he

621
00:30:33,320 --> 00:30:35,600
Speaker 1: ain't provide me no opportunity. He ain't called me and

622
00:30:35,640 --> 00:30:39,040
Speaker 1: asked me to do that. I did that. I walked

623
00:30:39,040 --> 00:30:40,920
Speaker 1: into Meek wasn't even there. It was just Omelli in

624
00:30:40,920 --> 00:30:43,400
Speaker 1: the studio. So I called you to the studio. No,

625
00:30:44,000 --> 00:30:46,640
Speaker 1: me called you to the studio. No, it wasn't no call.

626
00:30:47,040 --> 00:30:51,520
Speaker 1: Somebody told me, uh little talk me cousin. Yo, O'melli

627
00:30:51,560 --> 00:30:54,120
Speaker 1: in the studio. They recording something I go on there

628
00:30:54,200 --> 00:30:55,720
Speaker 1: or this is what y'all doing. I wasn't even gonna

629
00:30:55,720 --> 00:30:58,440
Speaker 1: get on them. X y Z help you mind. No,

630
00:30:58,640 --> 00:31:01,560
Speaker 1: you gotta do this, bro, say that. I went in

631
00:31:01,600 --> 00:31:04,640
Speaker 1: a reference to track point and they just kept that

632
00:31:04,720 --> 00:31:08,280
Speaker 1: part in there with my vocals. Two bars, that's all

633
00:31:08,320 --> 00:31:09,480
Speaker 1: I said. I don't even think it was a whole.

634
00:31:09,480 --> 00:31:11,440
Speaker 1: Two part made me even a bar, So I just

635
00:31:11,520 --> 00:31:14,160
Speaker 1: kept my voice in it. But I ain't get no

636
00:31:14,200 --> 00:31:17,400
Speaker 1: phone called Matt, come help, come ride, come do that.

637
00:31:17,400 --> 00:31:19,800
Speaker 1: That ain't go down there in the studio. I went

638
00:31:19,840 --> 00:31:22,680
Speaker 1: to the studio. What's the situation? But is it true

639
00:31:22,720 --> 00:31:24,200
Speaker 1: that you said that you you just wanted to get

640
00:31:24,240 --> 00:31:26,320
Speaker 1: next to him because he wasn't returning your call by

641
00:31:26,360 --> 00:31:29,200
Speaker 1: the by the concert or something. It wasn't see my word.

642
00:31:29,240 --> 00:31:32,720
Speaker 1: I might have said it wasn't about that, because that's

643
00:31:32,720 --> 00:31:35,040
Speaker 1: what made me be like, that's kind of that's real snakes.

644
00:31:35,080 --> 00:31:38,320
Speaker 1: If you wanted him ton no, it didn't want to

645
00:31:38,320 --> 00:31:41,120
Speaker 1: do it, ain't had about it, and I'm about that

646
00:31:41,200 --> 00:31:43,280
Speaker 1: if you if you listen to it to show that

647
00:31:43,400 --> 00:31:46,720
Speaker 1: he had that people wanted him to do it was

648
00:31:47,800 --> 00:31:50,240
Speaker 1: when I realized it why he didn't want to do

649
00:31:50,320 --> 00:31:53,280
Speaker 1: it after the fact he wanted to show because game

650
00:31:53,400 --> 00:31:57,240
Speaker 1: was on the same bill. Now which snakes? Which snakes?

651
00:31:57,320 --> 00:31:59,720
Speaker 1: Knowing I didn't hear the ninety two parts, if I

652
00:31:59,720 --> 00:32:01,520
Speaker 1: would have heard that, I would have said, all right,

653
00:32:01,840 --> 00:32:04,840
Speaker 1: you handle that. You know this dude just picked me

654
00:32:05,000 --> 00:32:08,080
Speaker 1: up in a record, shout on me out crazy. You

655
00:32:08,200 --> 00:32:10,160
Speaker 1: knew that. You know I didn't hear that, So you

656
00:32:10,240 --> 00:32:12,840
Speaker 1: didn't hear the record at all before at all? Okay,

657
00:32:13,480 --> 00:32:15,680
Speaker 1: So if I tell you, if I tell you, sh

658
00:32:15,960 --> 00:32:17,880
Speaker 1: mayn't take this rob with me and did we wind

659
00:32:17,960 --> 00:32:21,400
Speaker 1: up going somewhere and then this happened? Liken, you walk

660
00:32:21,480 --> 00:32:23,760
Speaker 1: me in. Why you got? You? Got you? Okay? So

661
00:32:23,880 --> 00:32:28,920
Speaker 1: with snake? Is that that answer that that snake is? Yeah?

662
00:32:29,000 --> 00:32:32,440
Speaker 1: All right? Now what happens? Because, like you said, there's

663
00:32:32,880 --> 00:32:35,840
Speaker 1: Beanie Seagull and then there's Matt. Right, we thought it

664
00:32:35,960 --> 00:32:38,200
Speaker 1: was Beanie Seagull. We thought it was rapped. Then you

665
00:32:38,280 --> 00:32:42,520
Speaker 1: get to a performance and somebody steals you. Yeah, So

666
00:32:42,720 --> 00:32:45,040
Speaker 1: now now where is it now? Because it's no longer

667
00:32:45,840 --> 00:32:50,040
Speaker 1: Hey man, listen, Now, I'm a rap fan. I'm qualified

668
00:32:50,080 --> 00:32:53,000
Speaker 1: to answer this one. As a rap fan. I don't

669
00:32:53,040 --> 00:32:55,840
Speaker 1: want to see violence between your brothers, but I also

670
00:32:55,920 --> 00:32:58,120
Speaker 1: want to see Beanie Seagull be the Beanie Seagull that

671
00:32:58,680 --> 00:33:02,120
Speaker 1: we've heard he's been all these years, but you but

672
00:33:02,240 --> 00:33:03,840
Speaker 1: then on the other side of me, like we all

673
00:33:03,920 --> 00:33:07,120
Speaker 1: grown now, I don't want to see that. So where

674
00:33:07,160 --> 00:33:11,680
Speaker 1: does it stand? I got my moments, I got my

675
00:33:11,840 --> 00:33:15,000
Speaker 1: moments if I was going to do it Matt wanted

676
00:33:15,040 --> 00:33:17,560
Speaker 1: to do. You weren't hearing on records from me? Come on,

677
00:33:17,680 --> 00:33:19,280
Speaker 1: Sean man, you know me. You didn't see me a

678
00:33:19,360 --> 00:33:22,480
Speaker 1: hole in the walls absolutely unexpectedly. That's why I wish

679
00:33:22,480 --> 00:33:25,040
Speaker 1: shocked that somebody would test you in Philly. I mean,

680
00:33:25,200 --> 00:33:29,040
Speaker 1: it can't happen to anybody, anybody Philly. But I was

681
00:33:29,080 --> 00:33:33,160
Speaker 1: surprised you by yourself Philly. Yeah, because I've seen you

682
00:33:33,240 --> 00:33:35,440
Speaker 1: when when back in the day to Rockefeller Beef and

683
00:33:35,480 --> 00:33:38,920
Speaker 1: the Rockefeller mixtapes. If you were buy yourself, you had

684
00:33:38,960 --> 00:33:42,720
Speaker 1: a mac on you, yeah, or you had thirty So

685
00:33:42,840 --> 00:33:46,040
Speaker 1: what I had say property with me. I was surprised

686
00:33:46,560 --> 00:33:48,800
Speaker 1: that you would buy yourself knowing that you were going

687
00:33:48,880 --> 00:33:51,200
Speaker 1: there and knowing that he was there, knowing what it was.

688
00:33:51,360 --> 00:33:57,760
Speaker 1: He's harmless though me armless, armless, armless boy about to

689
00:33:57,760 --> 00:34:00,640
Speaker 1: do that that you got into it with. He didn't

690
00:34:00,680 --> 00:34:03,280
Speaker 1: see see you got. You're only seeing what you saw.

691
00:34:03,440 --> 00:34:05,880
Speaker 1: You didn't see what transpired from there. I wanted by myself.

692
00:34:05,880 --> 00:34:07,880
Speaker 1: I was told my brows, you know what I mean.

693
00:34:08,000 --> 00:34:11,399
Speaker 1: He file for two, but let him teller, he's six four.

694
00:34:12,360 --> 00:34:15,160
Speaker 1: It was trashed by the little fire for so the

695
00:34:15,200 --> 00:34:18,320
Speaker 1: embarrassment set in. You had every opportunity to do what

696
00:34:18,440 --> 00:34:22,640
Speaker 1: you what you wanted to do in my face, that's

697
00:34:22,680 --> 00:34:24,160
Speaker 1: the only way you can get that off on my

698
00:34:24,280 --> 00:34:27,000
Speaker 1: back turn can't get that off in my face. And

699
00:34:27,200 --> 00:34:30,719
Speaker 1: this situation sticky because it's close. It's like it ain't

700
00:34:30,760 --> 00:34:33,680
Speaker 1: like it was one of meet bons. This is family.

701
00:34:33,840 --> 00:34:36,480
Speaker 1: Hi the way, choose the word it or what do

702
00:34:36,600 --> 00:34:39,680
Speaker 1: you want to say? This is? It's too close man?

703
00:34:40,239 --> 00:34:42,080
Speaker 1: All right, well we got more with Beanie Seager when

704
00:34:42,120 --> 00:34:45,040
Speaker 1: we come back. Don't go anywhere. It's the Breakfast Club.

705
00:34:45,080 --> 00:34:49,680
Speaker 1: Good morning, Hey, Charlomagne the God here, and I just

706
00:34:49,760 --> 00:34:51,640
Speaker 1: want to wish a Mary Christmas to all my credit

707
00:34:51,680 --> 00:34:54,480
Speaker 1: cards cameras out there this this season, to find you

708
00:34:54,560 --> 00:34:56,560
Speaker 1: a scamera friend so you can save some money in

709
00:34:56,680 --> 00:35:00,520
Speaker 1: any major department store in America. The breakfas his club,

710
00:35:03,520 --> 00:35:09,279
Speaker 1: right and morning. Everybody is dj M v Angela. Ye,

711
00:35:09,440 --> 00:35:12,520
Speaker 1: Charlemagne the God. We are the Breakfast Club. Now. Beanie

712
00:35:12,640 --> 00:35:14,839
Speaker 1: seagulls in the build and he's clearing up some things.

713
00:35:14,880 --> 00:35:18,640
Speaker 1: He's clearing up his beef with Meek Mill. Also the

714
00:35:18,800 --> 00:35:21,360
Speaker 1: game now, Charlemagne. So what you hate about the rappers

715
00:35:21,440 --> 00:35:25,520
Speaker 1: is the feminization of the rappers. Do you I let

716
00:35:25,560 --> 00:35:29,120
Speaker 1: people do that? Man? It's not my boy, it ain't.

717
00:35:29,560 --> 00:35:33,800
Speaker 1: I gotta you gotta say which politically, Cray, I just

718
00:35:33,920 --> 00:35:36,000
Speaker 1: don't I don't. I don't. I don't care, like, to

719
00:35:36,040 --> 00:35:41,440
Speaker 1: be honest with you, that's sad that Yeah, two daughters. Absolutely, absolutely.

720
00:35:42,080 --> 00:35:43,560
Speaker 1: The thing with it is one thing out of this

721
00:35:43,640 --> 00:35:46,960
Speaker 1: whole situation that I appreciate is the fact that bars

722
00:35:47,160 --> 00:35:49,200
Speaker 1: are coming back. I told you that when you set

723
00:35:49,239 --> 00:35:51,160
Speaker 1: the record, I was like, this is what the game

724
00:35:51,200 --> 00:35:53,520
Speaker 1: has been missing, and not just with you with Meek

725
00:35:53,640 --> 00:35:57,520
Speaker 1: Meek spit of freestyle or flex that was dope game spitting, Like,

726
00:35:57,760 --> 00:36:00,319
Speaker 1: that's what the game has been missing bars and people

727
00:36:00,480 --> 00:36:04,320
Speaker 1: like really putting through it into their lyrics, you know.

728
00:36:04,480 --> 00:36:06,719
Speaker 1: And that's the one thing that that made me say,

729
00:36:07,200 --> 00:36:09,440
Speaker 1: I'm glad this happened because I haven't heard from Beanie

730
00:36:09,600 --> 00:36:12,239
Speaker 1: the way that I wanted to hear from Beanie in years. Yeah,

731
00:36:12,480 --> 00:36:14,279
Speaker 1: you said you wasn't gonna do no dis records though,

732
00:36:14,960 --> 00:36:17,560
Speaker 1: now you said, yeah, that was that was before I

733
00:36:17,640 --> 00:36:22,680
Speaker 1: heard the phone Master flex. Oh okay, yeah, you makes

734
00:36:22,719 --> 00:36:24,880
Speaker 1: sense when you put it all together. Yeah, you know,

735
00:36:25,680 --> 00:36:27,160
Speaker 1: but what did he say on the flex thing that

736
00:36:27,239 --> 00:36:29,960
Speaker 1: really pitched you off? Because I didn't catch it, Shott,

737
00:36:31,600 --> 00:36:37,440
Speaker 1: I didn't stopped playing games. Drake threw one at Mathie

738
00:36:37,520 --> 00:36:40,359
Speaker 1: threw one that game wasn't stop playing, man. So when

739
00:36:40,400 --> 00:36:42,839
Speaker 1: somebody throws one that you you come with three hard ones?

740
00:36:43,000 --> 00:36:45,360
Speaker 1: You you you're gonna mean that because it was like

741
00:36:45,960 --> 00:36:48,879
Speaker 1: a situation that happened at hand. I got every right

742
00:36:48,960 --> 00:36:53,560
Speaker 1: to say you know what and do me and you

743
00:36:53,600 --> 00:36:57,680
Speaker 1: ain't gonna be able to stand that. Man. Whoever, do

744
00:36:57,760 --> 00:36:59,600
Speaker 1: you feel like you bought this on yourself though? By

745
00:36:59,640 --> 00:37:02,120
Speaker 1: being studio with me? If you if you knew me,

746
00:37:02,200 --> 00:37:04,479
Speaker 1: if you say Meek, wasn't it real to this whole time?

747
00:37:05,000 --> 00:37:07,560
Speaker 1: You know he was? It don't matter. No, ain't know

748
00:37:08,080 --> 00:37:10,640
Speaker 1: half of these motherfuckers in the music business same real,

749
00:37:10,840 --> 00:37:13,040
Speaker 1: So why be around him? So it ain't about me?

750
00:37:13,120 --> 00:37:18,080
Speaker 1: Because he's from Philadelphia. That's why he represents Philadelphia. He's

751
00:37:18,120 --> 00:37:21,319
Speaker 1: a voice for Philly right now. That's why. That's why

752
00:37:21,360 --> 00:37:24,320
Speaker 1: I being arounding. That's why he like a target because

753
00:37:24,320 --> 00:37:28,640
Speaker 1: it's a young flying it with the bad ship. Regardless

754
00:37:28,680 --> 00:37:34,719
Speaker 1: if he real, if it's facade, Who cares if I

755
00:37:34,840 --> 00:37:36,680
Speaker 1: go in on him all the tax podcast and keep

756
00:37:36,719 --> 00:37:39,000
Speaker 1: repeating that he's not real If it don't because because

757
00:37:39,600 --> 00:37:43,080
Speaker 1: because the incidents that occurred, that's why a chain of events.

758
00:37:44,120 --> 00:37:45,719
Speaker 1: If it wasn't for that, then I want to did that.

759
00:37:45,800 --> 00:37:47,600
Speaker 1: He never spoke to him after that. He never had

760
00:37:47,600 --> 00:37:50,080
Speaker 1: a conversation after the whole game. And because it seems

761
00:37:50,080 --> 00:37:53,040
Speaker 1: like you're all from Philing. Yeah, after after the game thing,

762
00:37:53,160 --> 00:37:58,399
Speaker 1: we had a conversation. And when that conversation transpired, he said,

763
00:37:58,480 --> 00:38:01,520
Speaker 1: some boys over the photo to Yeah, it was over

764
00:38:01,600 --> 00:38:04,799
Speaker 1: the plone. So now you gotta stand on that. If

765
00:38:04,880 --> 00:38:07,160
Speaker 1: I felt it distain in my heart towards young and

766
00:38:07,280 --> 00:38:09,800
Speaker 1: like I did, it wouldn't be no music. Man, understand,

767
00:38:09,880 --> 00:38:12,520
Speaker 1: that wouldn't be no music. But you know, Philly has

768
00:38:12,520 --> 00:38:14,719
Speaker 1: always had the reputation that y'all can't get along. So

769
00:38:14,840 --> 00:38:17,120
Speaker 1: it's like, right now, it's you're just proving that point

770
00:38:17,360 --> 00:38:19,400
Speaker 1: because you got a skin over here talking about you

771
00:38:19,960 --> 00:38:22,239
Speaker 1: ain't doing this. It just seemed like none of y'all

772
00:38:22,280 --> 00:38:24,919
Speaker 1: can get along. Let's talk about New York. Don't people

773
00:38:24,920 --> 00:38:27,919
Speaker 1: go to beef in New York soon? Absolutely Troy having

774
00:38:28,000 --> 00:38:32,399
Speaker 1: this one, So can New York get along? No, that's

775
00:38:32,440 --> 00:38:34,919
Speaker 1: all right, So don't just make it a focal. Don't

776
00:38:35,040 --> 00:38:37,560
Speaker 1: just make it a destroyed New York ultimate leader. All right.

777
00:38:37,600 --> 00:38:41,080
Speaker 1: Well that's y'all, So what do you hope to gain

778
00:38:41,160 --> 00:38:43,160
Speaker 1: from the situation not gain. I guess what do you

779
00:38:43,200 --> 00:38:45,719
Speaker 1: hope for this to accomplish? Would it accomplished? I don't

780
00:38:45,719 --> 00:38:47,880
Speaker 1: have no artior mortal come in you the og. So

781
00:38:47,960 --> 00:38:49,520
Speaker 1: if you're OG and you're talking to the younger, do

782
00:38:49,600 --> 00:38:51,760
Speaker 1: you hope for me to get the game from knowledge

783
00:38:51,800 --> 00:38:56,640
Speaker 1: from this or what? Absolutely that's been our conversations prior

784
00:38:56,719 --> 00:38:59,720
Speaker 1: to all us through all Its just giving a knowledge

785
00:38:59,719 --> 00:39:01,919
Speaker 1: of make the mistakes out there. But I do feel

786
00:39:01,960 --> 00:39:05,680
Speaker 1: like he's a punching bag right now. He's yeah, well

787
00:39:05,800 --> 00:39:07,200
Speaker 1: like I don't know why they would think that, but

788
00:39:07,239 --> 00:39:08,799
Speaker 1: they think he's an easy target because I see when

789
00:39:08,840 --> 00:39:10,960
Speaker 1: people go date. So many people have gone at me

790
00:39:11,280 --> 00:39:14,400
Speaker 1: trying to knock off his character from where, from everywhere,

791
00:39:14,400 --> 00:39:17,160
Speaker 1: anywhere you got to well you got well, you got

792
00:39:17,239 --> 00:39:19,680
Speaker 1: to look at it, the raps you here's who you

793
00:39:19,840 --> 00:39:22,839
Speaker 1: is when you get off the steps. See, I come

794
00:39:22,920 --> 00:39:26,359
Speaker 1: from an era when Nick checked your background. I think

795
00:39:26,400 --> 00:39:29,440
Speaker 1: he brought that upon himself. If me gets destroyed or

796
00:39:29,480 --> 00:39:31,160
Speaker 1: he doesn't have a career in a couple of years,

797
00:39:31,640 --> 00:39:35,600
Speaker 1: that hurts the city of Philly. No, it don't, because

798
00:39:35,600 --> 00:39:37,640
Speaker 1: you got a lot of dudes in Philly happen right

799
00:39:38,360 --> 00:39:40,560
Speaker 1: and it just be a door open for somebody else

800
00:39:40,600 --> 00:39:43,000
Speaker 1: to come from Philly. But you don't think me. After while,

801
00:39:43,040 --> 00:39:44,920
Speaker 1: it starts to look like like your emo, like when

802
00:39:44,960 --> 00:39:47,880
Speaker 1: something don't go beings way means gets upset, like what

803
00:39:48,040 --> 00:39:51,759
Speaker 1: keep harping on that it was with Hole or like

804
00:39:51,960 --> 00:39:54,880
Speaker 1: now with me? It's personal, Dog, that's that was personal.

805
00:39:55,480 --> 00:39:58,200
Speaker 1: I explained that already. It ain't that about. It didn't

806
00:39:58,200 --> 00:40:00,960
Speaker 1: go on, mate, that was personal something between me and

807
00:40:01,040 --> 00:40:04,960
Speaker 1: my brother Lie familiar family. Well you think things are

808
00:40:05,000 --> 00:40:07,239
Speaker 1: ever truly to say once? Once you do that, because

809
00:40:07,239 --> 00:40:08,440
Speaker 1: people look at you like, I don't know if I

810
00:40:08,480 --> 00:40:10,800
Speaker 1: can trust me? How you can't trust because it seems

811
00:40:10,840 --> 00:40:13,279
Speaker 1: like you just flipped I'm a man about mine like

812
00:40:13,320 --> 00:40:15,000
Speaker 1: it's hard to trust somebody. I said, you know, I

813
00:40:15,080 --> 00:40:16,520
Speaker 1: know you'll keep going back to this, But it's true.

814
00:40:16,560 --> 00:40:19,480
Speaker 1: He was in the studio of me eight days prior that.

815
00:40:19,680 --> 00:40:22,839
Speaker 1: We did not just answer that, but you knew you wasn't.

816
00:40:23,040 --> 00:40:24,399
Speaker 1: You said he wasn't. You didn't think he was real

817
00:40:24,440 --> 00:40:26,120
Speaker 1: when he was in the studio with him, all right,

818
00:40:26,200 --> 00:40:31,040
Speaker 1: put it like this, it's Kanye and street Nick absolutely nothing. Huh.

819
00:40:31,960 --> 00:40:34,560
Speaker 1: But when Kanye put that phone call in, you know

820
00:40:34,680 --> 00:40:37,399
Speaker 1: the stories who was dead and he ain't a street nick,

821
00:40:37,800 --> 00:40:40,120
Speaker 1: but he part of part of that finger of ours.

822
00:40:41,360 --> 00:40:44,480
Speaker 1: So I took penitentiary chances. He put the call and

823
00:40:44,600 --> 00:40:47,680
Speaker 1: I was dead, strapped truth to nail because he a

824
00:40:47,800 --> 00:40:51,399
Speaker 1: part of our family. You understand what I'm saying. People don't, don't.

825
00:40:51,440 --> 00:40:53,600
Speaker 1: You know how you don't understand because you know why

826
00:40:53,800 --> 00:40:56,799
Speaker 1: because you not from that cloth. That's cool. I don't

827
00:40:56,840 --> 00:40:59,680
Speaker 1: get you not, that's why you don't understand that. That's

828
00:40:59,760 --> 00:41:02,960
Speaker 1: like saying somebody's not a street. They're saying somebody's not

829
00:41:03,160 --> 00:41:06,080
Speaker 1: real and a sucker. That's a difference. There's to being

830
00:41:06,080 --> 00:41:08,839
Speaker 1: a street and real Kanye, when you portray yourself who

831
00:41:09,280 --> 00:41:11,360
Speaker 1: when you portray yourself in a shirt and light, like

832
00:41:11,520 --> 00:41:14,080
Speaker 1: you gonna go all the way right there, and you don't.

833
00:41:14,120 --> 00:41:17,279
Speaker 1: I got to draw back. So understand that. Like it

834
00:41:17,400 --> 00:41:19,640
Speaker 1: don't matter if a person where he could be a square,

835
00:41:20,520 --> 00:41:23,680
Speaker 1: But that's my man, that square, that's my man. And

836
00:41:23,800 --> 00:41:26,239
Speaker 1: we play video games because that's what he do. And

837
00:41:26,360 --> 00:41:28,120
Speaker 1: I want to come and I chill with him. If

838
00:41:28,160 --> 00:41:31,200
Speaker 1: he got a problem here, stone cold square, it ain't

839
00:41:31,239 --> 00:41:33,759
Speaker 1: you Phil, You I got that. That's what men do.

840
00:41:33,920 --> 00:41:35,440
Speaker 1: Now I'm just the type of phone like somebody I

841
00:41:35,440 --> 00:41:40,080
Speaker 1: don't pretend to that's just bull. You're a character, that's why.

842
00:41:40,200 --> 00:41:42,960
Speaker 1: That's the truth though, your character. He's a time. Life's

843
00:41:43,000 --> 00:41:44,799
Speaker 1: too short to be wasting your time with suckers. All

844
00:41:44,800 --> 00:41:47,440
Speaker 1: people you think it suckers. So why I'm here? I

845
00:41:47,640 --> 00:41:50,480
Speaker 1: think you're a sucker, So I should be out right, Yeah,

846
00:41:50,600 --> 00:41:53,960
Speaker 1: I guess, Yeah, I wouldn't. I mean, ask me personally,

847
00:41:54,040 --> 00:41:56,239
Speaker 1: I wouldn't say, didn't have a conversation with a sucker. Yeah,

848
00:41:56,280 --> 00:41:58,719
Speaker 1: you're sitting here and you're badged a little girl, little

849
00:41:58,760 --> 00:42:01,800
Speaker 1: mama to she cried, that's what you do and cowards

850
00:42:01,880 --> 00:42:03,400
Speaker 1: me and you're talking to each other. Now, I tell

851
00:42:03,440 --> 00:42:06,000
Speaker 1: you that I think. I think you're a hypocrite. Anything

852
00:42:06,080 --> 00:42:07,680
Speaker 1: what you want, and I think you'd be coming off

853
00:42:07,719 --> 00:42:12,359
Speaker 1: as a hater sometimes moaning. Everybody is dj mvy Angela Yee,

854
00:42:12,440 --> 00:42:15,640
Speaker 1: Charlemagne the guy we are the breakfast club. Beanie Siegel

855
00:42:15,800 --> 00:42:18,360
Speaker 1: is in the building. Now, what's next for you? Musically?

856
00:42:18,560 --> 00:42:20,160
Speaker 1: That's the good thing that's going to come out of

857
00:42:20,200 --> 00:42:23,839
Speaker 1: head and and that's what I told you. It's good

858
00:42:23,920 --> 00:42:26,360
Speaker 1: because we haven't heard Beanie Seagull in a while and

859
00:42:26,400 --> 00:42:28,600
Speaker 1: a lot of these kids don't know who Beanie Seagull is. Now,

860
00:42:28,640 --> 00:42:33,080
Speaker 1: how is it recorded? With one love? It's hard? Is

861
00:42:33,120 --> 00:42:36,600
Speaker 1: it true? You gotta stop in between songs, in between

862
00:42:36,719 --> 00:42:40,319
Speaker 1: bars and song twisted because we can tell you even

863
00:42:40,360 --> 00:42:42,480
Speaker 1: with your voice. You know your voice is not the same.

864
00:42:43,120 --> 00:42:45,000
Speaker 1: Is that bad you at all? Because it's not that same? No,

865
00:42:45,080 --> 00:42:47,200
Speaker 1: that's why you hand on music from me, because I

866
00:42:47,280 --> 00:42:50,680
Speaker 1: couldn't embrace that. I'm used to going and boofing, going

867
00:42:50,800 --> 00:42:54,080
Speaker 1: for four or five minutes straight no breath, and had

868
00:42:54,120 --> 00:42:55,600
Speaker 1: a lot of weight on me at the time. It

869
00:42:55,760 --> 00:42:59,359
Speaker 1: was rolling like it's my voice. I couldn't hear him

870
00:42:59,400 --> 00:43:01,840
Speaker 1: meause I'm used to me sounding a certain where I

871
00:43:01,840 --> 00:43:04,120
Speaker 1: couldn't hear man. Then, you know, I just had to

872
00:43:04,160 --> 00:43:07,000
Speaker 1: embrace it, like this is what it is. It's it's

873
00:43:07,080 --> 00:43:09,279
Speaker 1: hide sound. Because even now when I hear you spit,

874
00:43:09,320 --> 00:43:11,720
Speaker 1: I have to get over the voice because it ain't

875
00:43:11,719 --> 00:43:15,120
Speaker 1: the same. Yeah, and you you're listening to the balls.

876
00:43:15,160 --> 00:43:17,480
Speaker 1: It's the same balls, but not the same voice. Yeah.

877
00:43:17,560 --> 00:43:20,520
Speaker 1: The kinds of the music ain't gonna never change. Like

878
00:43:20,960 --> 00:43:23,880
Speaker 1: I've been through too much, and the average person I

879
00:43:23,960 --> 00:43:26,560
Speaker 1: have been through too much. That's the other thing, too,

880
00:43:26,600 --> 00:43:29,600
Speaker 1: you named about four elements you were suffering from when

881
00:43:29,640 --> 00:43:31,520
Speaker 1: you was on tax podcast. Did that not make you

882
00:43:31,600 --> 00:43:33,400
Speaker 1: want to say, you know what, maybe I need to

883
00:43:33,440 --> 00:43:36,600
Speaker 1: calm down on NA on the screet thing. Nah, not

884
00:43:36,760 --> 00:43:39,600
Speaker 1: at all, because you wouldn't say that like you saying

885
00:43:39,680 --> 00:43:43,120
Speaker 1: that because the incident that occurred. Like I said, I

886
00:43:43,160 --> 00:43:45,719
Speaker 1: ain't gonna buy any right mind, gonna stand straight in

887
00:43:45,840 --> 00:43:48,480
Speaker 1: front of me and square off. You're gonna catch an

888
00:43:48,560 --> 00:43:53,480
Speaker 1: ell I do this. I mean even when something up,

889
00:43:53,880 --> 00:43:55,960
Speaker 1: you don't think you'll ever grow out of the screet

890
00:43:56,040 --> 00:43:59,279
Speaker 1: thing because I think you heard it on a song. Yeah,

891
00:43:59,360 --> 00:44:01,520
Speaker 1: married time I get out, they won't push. I think

892
00:44:01,560 --> 00:44:03,880
Speaker 1: we need to make a distinction between real and screen.

893
00:44:03,960 --> 00:44:05,719
Speaker 1: I think that's sending the wrong message to the kids.

894
00:44:05,719 --> 00:44:08,480
Speaker 1: I think it's a difference between being criminal and being real,

895
00:44:09,040 --> 00:44:11,200
Speaker 1: because you could be somebody like Kanye who's a real

896
00:44:11,239 --> 00:44:14,759
Speaker 1: individual to himself. You know what he does. Yeah, but

897
00:44:14,960 --> 00:44:16,600
Speaker 1: just this is where I come from. This just me,

898
00:44:17,719 --> 00:44:20,279
Speaker 1: that's me. I see you. You wouldn't rock with me.

899
00:44:20,360 --> 00:44:23,480
Speaker 1: And if I was to be something else, why not.

900
00:44:23,880 --> 00:44:26,480
Speaker 1: I like growth. ID like to see people involved. I

901
00:44:26,520 --> 00:44:28,120
Speaker 1: think it's whack when you stay in the same place

902
00:44:28,160 --> 00:44:30,320
Speaker 1: and look stagnated. I think after while you look corny.

903
00:44:31,960 --> 00:44:33,560
Speaker 1: But you've seen over the week and you see the

904
00:44:33,800 --> 00:44:37,799
Speaker 1: picture that was posted was a jar rule Dmax a hole. Yeah,

905
00:44:38,600 --> 00:44:40,319
Speaker 1: now what do you think about that? Because you've been

906
00:44:40,400 --> 00:44:45,120
Speaker 1: around and seen all of this that's going down. That

907
00:44:45,320 --> 00:44:47,799
Speaker 1: was good. Same thing when you see me and Jay

908
00:44:47,840 --> 00:44:51,759
Speaker 1: on b side, it's good. Have y'all talked since? Yeah,

909
00:44:52,440 --> 00:44:57,080
Speaker 1: something gonna come out of that. Uh So it'd be

910
00:44:57,160 --> 00:45:00,400
Speaker 1: good for Dyn them just did a bad boy. So

911
00:45:01,360 --> 00:45:04,640
Speaker 1: like a fellow you, Hanswald, you've been making comments about

912
00:45:04,719 --> 00:45:06,440
Speaker 1: the young rappers too. You don't think you should just

913
00:45:06,600 --> 00:45:09,520
Speaker 1: let kids be kids because somebody let you be a

914
00:45:09,600 --> 00:45:13,560
Speaker 1: kid once. Nah, somebody needs to talk to the kids.

915
00:45:14,239 --> 00:45:18,279
Speaker 1: Somebody need to get them talk about it. I don't

916
00:45:18,440 --> 00:45:22,200
Speaker 1: raise the dreads that women like men when when men

917
00:45:22,320 --> 00:45:24,360
Speaker 1: started doing that, you had, you had people in the

918
00:45:24,440 --> 00:45:27,719
Speaker 1: back of the day like George Clinton. Different is good,

919
00:45:28,560 --> 00:45:30,720
Speaker 1: it's good, But when you get to the point whereas

920
00:45:30,719 --> 00:45:34,880
Speaker 1: though it's blatant, I shouldn't have to explain to my

921
00:45:35,000 --> 00:45:39,040
Speaker 1: son why two men kissing on TV. I shouldn't have

922
00:45:39,120 --> 00:45:42,680
Speaker 1: to explain to my son why people wear men is

923
00:45:42,719 --> 00:45:46,000
Speaker 1: wearing high You want to would you want to explain

924
00:45:46,040 --> 00:45:47,600
Speaker 1: that to your son? Nah? And I don't want to

925
00:45:47,600 --> 00:45:50,239
Speaker 1: explain to my son. Why dudes on Instagram? What guns? Either?

926
00:45:50,480 --> 00:45:52,239
Speaker 1: We saw you on the ground with two guns up,

927
00:45:52,320 --> 00:45:58,120
Speaker 1: like criminalization, criminalization is neither one is good? How that's criminalization?

928
00:45:58,200 --> 00:46:01,120
Speaker 1: There was props. I mean you talk about the kids clothes.

929
00:46:01,120 --> 00:46:02,880
Speaker 1: You remember you did the state property clothing line. I

930
00:46:02,920 --> 00:46:05,080
Speaker 1: remember the interview you did when you said they got

931
00:46:05,120 --> 00:46:07,920
Speaker 1: the little compartments to hide your guns and hide your

932
00:46:08,040 --> 00:46:11,040
Speaker 1: dope like it could have that that that looks crazy?

933
00:46:11,280 --> 00:46:14,279
Speaker 1: And when you think, why Charlotte man shop? What's up?

934
00:46:14,280 --> 00:46:18,040
Speaker 1: What's up? What's up? Man? So? What is it? Is

935
00:46:18,040 --> 00:46:20,400
Speaker 1: a new project coming out? And are you staying independent

936
00:46:20,440 --> 00:46:22,120
Speaker 1: on you signed? What what's the what's the future for

937
00:46:22,200 --> 00:46:24,480
Speaker 1: Beanie se Man? I might do it double she they

938
00:46:24,840 --> 00:46:29,320
Speaker 1: just music coming out. I'm gonna get back to the

939
00:46:29,400 --> 00:46:31,600
Speaker 1: other music though. I just had the lord click on

940
00:46:31,680 --> 00:46:36,080
Speaker 1: that side just in case hip hop? So what happens

941
00:46:36,120 --> 00:46:38,640
Speaker 1: if me cause you and be like, yo, Mac, what's up?

942
00:46:38,719 --> 00:46:42,680
Speaker 1: Let's squatch this put the phone calling, let's sit down

943
00:46:42,680 --> 00:46:46,240
Speaker 1: and talk about It's just that simple. It's that easy.

944
00:46:46,440 --> 00:46:48,799
Speaker 1: But then but you in your mind. You still think

945
00:46:48,960 --> 00:46:53,160
Speaker 1: he's not real, he's a sucker. You just keep saying

946
00:46:53,239 --> 00:46:55,279
Speaker 1: that you. I'm not gonna let you put words on

947
00:46:55,400 --> 00:46:58,840
Speaker 1: my mouth. You keep you, regardless of you. I'm not

948
00:46:58,920 --> 00:47:02,359
Speaker 1: putting one your mother. You said that, regardless you keep

949
00:47:02,400 --> 00:47:05,040
Speaker 1: why you keep harping on that. We answer that you like,

950
00:47:05,120 --> 00:47:07,920
Speaker 1: So don't talk out to that because you want you,

951
00:47:08,120 --> 00:47:10,600
Speaker 1: you want if you're saying you want unity, to stop

952
00:47:10,719 --> 00:47:16,320
Speaker 1: keep doing that, man, don't stop playing. It's confusing to

953
00:47:16,440 --> 00:47:19,120
Speaker 1: you because you don't know the severity of the situation.

954
00:47:19,280 --> 00:47:20,879
Speaker 1: You doing two and a half hour record. You don't

955
00:47:20,880 --> 00:47:23,160
Speaker 1: know the severity of the situation. Man. But it can't

956
00:47:23,160 --> 00:47:26,000
Speaker 1: be that's too close to home. It's too close song.

957
00:47:26,120 --> 00:47:28,279
Speaker 1: We'll see, Like I said, I don't know. I might

958
00:47:28,360 --> 00:47:32,640
Speaker 1: not pick that call up, but we'll see, right. I mean,

959
00:47:32,719 --> 00:47:35,160
Speaker 1: that'd be the better move. That'd be the smartest move

960
00:47:35,280 --> 00:47:37,880
Speaker 1: for me. I don't want to walk a track and

961
00:47:38,280 --> 00:47:42,000
Speaker 1: somebody present the rest of my life or I don't

962
00:47:42,040 --> 00:47:44,799
Speaker 1: want to do that, So that'd be what Beanie Sig

963
00:47:44,920 --> 00:47:48,399
Speaker 1: should do. Like I said, it got what Matt want

964
00:47:48,440 --> 00:47:49,880
Speaker 1: to do, but what Banie c you want to do?

965
00:47:49,960 --> 00:47:52,200
Speaker 1: It's just that. And I was curious did you speak

966
00:47:52,239 --> 00:47:53,960
Speaker 1: to Game or Drake like one of those things just

967
00:47:54,080 --> 00:47:57,640
Speaker 1: like his a verse or not hasn't been that way? Mean,

968
00:47:58,239 --> 00:48:02,800
Speaker 1: the enemy of my enemy is my friend. Like, yeah, no,

969
00:48:02,920 --> 00:48:06,520
Speaker 1: I can't do that. Man, that's being a sucker. I

970
00:48:06,560 --> 00:48:10,439
Speaker 1: couldn't do that. I gotta see how that play out. Okay,

971
00:48:10,520 --> 00:48:12,399
Speaker 1: So you wouldn't take a versim drink or a versi

972
00:48:12,400 --> 00:48:15,600
Speaker 1: from Game going at me. Nah, that's got to be

973
00:48:15,960 --> 00:48:20,359
Speaker 1: totally corny and that's some bullshit all and that might

974
00:48:20,440 --> 00:48:23,279
Speaker 1: be good for me. I don't know about game, I mean,

975
00:48:23,520 --> 00:48:25,840
Speaker 1: but Drake, the biggest thing, what do you think a

976
00:48:25,920 --> 00:48:29,640
Speaker 1: game in the stuff? It don't matter what put it?

977
00:48:29,800 --> 00:48:32,600
Speaker 1: Like this, I know who who in LA, I know

978
00:48:32,680 --> 00:48:38,080
Speaker 1: who anybody can be, anybody behind music. I know my

979
00:48:38,200 --> 00:48:43,040
Speaker 1: conversation with Gaining why it would stand down? That's it. Well,

980
00:48:43,080 --> 00:48:44,600
Speaker 1: I know I'm not qualified to speak on this, but

981
00:48:44,640 --> 00:48:47,399
Speaker 1: you can understand how some people don't think what you're

982
00:48:47,440 --> 00:48:50,840
Speaker 1: doing is all the way solid. You might not think that,

983
00:48:51,280 --> 00:48:55,120
Speaker 1: but you're not qualified. Dog, you're a rating no personality. Man,

984
00:48:55,600 --> 00:48:58,480
Speaker 1: you don't come from my world. You don't come from

985
00:48:58,480 --> 00:49:01,800
Speaker 1: you wouldn't understand my world. You don't come from my world.

986
00:49:02,080 --> 00:49:04,560
Speaker 1: You don't know nothing about that, man, Nah, I don't yeah,

987
00:49:05,200 --> 00:49:07,680
Speaker 1: running come off, man, I don't want to stop running

988
00:49:08,400 --> 00:49:12,399
Speaker 1: ship and it's dangerous. It's dangerous, Dub. You're talking about

989
00:49:12,440 --> 00:49:17,600
Speaker 1: somebody who went to Wall Police. It's dangerous. Attempting murders

990
00:49:17,640 --> 00:49:20,759
Speaker 1: and the height of my career. It's dangerous. You don't

991
00:49:20,800 --> 00:49:23,920
Speaker 1: know nothing about that. Man. We should have playing. Your

992
00:49:24,000 --> 00:49:27,480
Speaker 1: job is to play games. Play with something safe, man,

993
00:49:27,640 --> 00:49:33,480
Speaker 1: don't play with me, all right, Penny single. It's the

994
00:49:33,560 --> 00:49:38,319
Speaker 1: Breakfast clubb good morning, good morning, tutute off the red nose,

995
00:49:38,440 --> 00:49:46,480
Speaker 1: rid of every side. If you ever saw it, you

996
00:49:46,520 --> 00:49:54,919
Speaker 1: wouldn't even say Breakfast Club pitches. Sholo man say the game.

997
00:49:55,080 --> 00:50:01,279
Speaker 1: Don't get out of the shape. Man. You are the

998
00:50:02,280 --> 00:50:05,000
Speaker 1: Donkey today. Just not discriminate. I might not have the

999
00:50:05,040 --> 00:50:07,319
Speaker 1: song of today, but I got to donkey that. If

1000
00:50:07,320 --> 00:50:09,000
Speaker 1: you ever feel I need to be a Donkey man.

1001
00:50:09,760 --> 00:50:18,920
Speaker 1: The Breakfast Club bitches they just don't give Today Today. Yes,

1002
00:50:19,080 --> 00:50:22,560
Speaker 1: Dunkey Today goes to Cat Williams cat pack all day.

1003
00:50:22,960 --> 00:50:25,360
Speaker 1: Cat is entering red territory when it comes to receiving

1004
00:50:25,440 --> 00:50:28,240
Speaker 1: Donkey today. He's a repeat offender. I didn't think anybody

1005
00:50:28,320 --> 00:50:30,640
Speaker 1: could ever receive donkey to day as much as Donald Trump.

1006
00:50:30,680 --> 00:50:32,880
Speaker 1: But Cat Wims is on his heels. Now if you

1007
00:50:32,960 --> 00:50:36,040
Speaker 1: haven't heard, a video surfaced online and a forty two

1008
00:50:36,120 --> 00:50:39,279
Speaker 1: year old grown ass Cat Wims and a physical altercation

1009
00:50:39,719 --> 00:50:42,879
Speaker 1: with a little boy. Now they say in seventh grade. Okay,

1010
00:50:42,920 --> 00:50:44,799
Speaker 1: when I say a little boy, I'm thinking maybe eighth

1011
00:50:44,880 --> 00:50:48,879
Speaker 1: grade at the most tenth. All right, now, first of all,

1012
00:50:49,480 --> 00:50:51,600
Speaker 1: why was Cat Williams hanging out at what appears to

1013
00:50:51,640 --> 00:50:55,680
Speaker 1: be a school? Why? No security, no manager, no assistant.

1014
00:50:55,719 --> 00:50:58,400
Speaker 1: You just at the school posted for what. You're not

1015
00:50:58,520 --> 00:51:01,000
Speaker 1: picking up new kids, You're not doing community service, So

1016
00:51:01,120 --> 00:51:03,759
Speaker 1: what in the hell when you posted up at a

1017
00:51:03,800 --> 00:51:08,800
Speaker 1: grade school for you just randomly at recess? That's number one? Okay,

1018
00:51:09,239 --> 00:51:13,479
Speaker 1: n number two, Cat Williams sucker punch that little boy

1019
00:51:13,800 --> 00:51:16,200
Speaker 1: and couldn't even knock him out. Now, I know y'all

1020
00:51:16,239 --> 00:51:19,279
Speaker 1: saying he had no business punching out boy, and I

1021
00:51:19,320 --> 00:51:22,919
Speaker 1: would have to say, depending on the circumstances in this case,

1022
00:51:23,160 --> 00:51:25,440
Speaker 1: I don't think it was justified. But I can understand

1023
00:51:25,480 --> 00:51:27,719
Speaker 1: the little boy was all in this grill, all in

1024
00:51:27,760 --> 00:51:29,800
Speaker 1: this personal space. Cat Williams could have just told the

1025
00:51:29,880 --> 00:51:31,799
Speaker 1: boy back up. Off me. But like I always say,

1026
00:51:32,120 --> 00:51:34,239
Speaker 1: you never know how someone's gonna react when you do

1027
00:51:34,360 --> 00:51:36,279
Speaker 1: something to them. Little boy was in Cat's face. Some

1028
00:51:36,400 --> 00:51:38,000
Speaker 1: of us would have chose to tell a little boy

1029
00:51:38,080 --> 00:51:40,439
Speaker 1: back up, give me fifty feet. Some of us would

1030
00:51:40,480 --> 00:51:42,080
Speaker 1: have pushed a little boy back some of us some

1031
00:51:42,160 --> 00:51:44,600
Speaker 1: of us may have just walked away. Cat Williams chose

1032
00:51:44,680 --> 00:51:46,880
Speaker 1: to throw a punch. Now, I can't say I agree

1033
00:51:47,440 --> 00:51:49,799
Speaker 1: or even maybe disagree with him in this situation. I'm

1034
00:51:49,880 --> 00:51:52,600
Speaker 1: just mad that a forty two year old man can't

1035
00:51:52,680 --> 00:51:54,960
Speaker 1: knock out a child. All right, Cat Williams at a

1036
00:51:55,040 --> 00:51:58,040
Speaker 1: close range sucker punch hit him flush on the jaw,

1037
00:51:58,280 --> 00:52:00,520
Speaker 1: and that little boy wasn't even tickled. That little boy

1038
00:52:00,560 --> 00:52:02,560
Speaker 1: wasn't moved at all. In fact, the little boy proceeded

1039
00:52:02,560 --> 00:52:04,880
Speaker 1: the rustle Cat Williams to the ground. Cat Williams was

1040
00:52:05,000 --> 00:52:07,600
Speaker 1: man handled by a kid, all right. He got a

1041
00:52:07,640 --> 00:52:09,759
Speaker 1: little boy, handled the young and put Kat Willams in

1042
00:52:09,800 --> 00:52:13,080
Speaker 1: the crispin water crippler cross face. And then Kat proceeded

1043
00:52:13,239 --> 00:52:15,480
Speaker 1: to give us some great ad libs. Can we hear

1044
00:52:15,520 --> 00:52:21,719
Speaker 1: a little a little tussle? Plu? You know what you need?

1045
00:52:28,520 --> 00:52:44,200
Speaker 1: That little girl look no biby tell me that first.

1046
00:52:44,640 --> 00:52:46,560
Speaker 1: That's what happened. Back about me a little boy, I

1047
00:52:46,640 --> 00:53:05,160
Speaker 1: got to hit him like that comt They didn't do

1048
00:53:05,239 --> 00:53:09,640
Speaker 1: that to us. Sorry, that's a community. I let a

1049
00:53:09,640 --> 00:53:12,040
Speaker 1: little boys do that to us, celebrity. He sins high

1050
00:53:13,120 --> 00:53:15,320
Speaker 1: that tussed is soul music because Kat Williams punched a

1051
00:53:15,360 --> 00:53:17,200
Speaker 1: little boy. But he quickly realized he was in over

1052
00:53:17,280 --> 00:53:19,359
Speaker 1: his head. He went from get your dumb ass out

1053
00:53:19,360 --> 00:53:21,520
Speaker 1: of my face. The really little boy really, you know

1054
00:53:21,600 --> 00:53:23,920
Speaker 1: the type started fighting. When they started getting their ass washed,

1055
00:53:23,960 --> 00:53:25,799
Speaker 1: it turns to chill out. Stop, you're going too far.

1056
00:53:26,120 --> 00:53:28,239
Speaker 1: I can't be mad at the little boy for defending himself.

1057
00:53:28,280 --> 00:53:30,160
Speaker 1: That's what he's supposed to do to a forty two

1058
00:53:30,280 --> 00:53:32,680
Speaker 1: year old grown man. Okay, grown man, put their hands

1059
00:53:32,719 --> 00:53:34,400
Speaker 1: on you, and they're not your daddy. Do what this

1060
00:53:34,560 --> 00:53:37,000
Speaker 1: young man did. Put him in the bob backling cross face,

1061
00:53:37,080 --> 00:53:39,399
Speaker 1: chicken wing or maybe it was a million dollar dream.

1062
00:53:39,520 --> 00:53:41,840
Speaker 1: Whatever the move was, Kat Williams tapped out. Let me

1063
00:53:41,920 --> 00:53:43,600
Speaker 1: tell you something. When you get beat up by a

1064
00:53:43,680 --> 00:53:46,359
Speaker 1: little boy, and you got a little boy at home,

1065
00:53:47,640 --> 00:53:50,880
Speaker 1: your kids won't respect you anymore. How As a parent,

1066
00:53:50,920 --> 00:53:53,280
Speaker 1: you gotta threaten your kids, especially in your little boys

1067
00:53:53,440 --> 00:53:55,320
Speaker 1: and telling them I bought you into this world and

1068
00:53:55,400 --> 00:53:57,279
Speaker 1: I would take you out. But when they realized that

1069
00:53:57,360 --> 00:53:59,160
Speaker 1: you really can't take them out, because you can't even

1070
00:53:59,200 --> 00:54:01,680
Speaker 1: take out this little seventh grader that's his age and

1071
00:54:01,800 --> 00:54:06,359
Speaker 1: his size that you sucker punched. Jesus christ Man got

1072
00:54:06,400 --> 00:54:07,680
Speaker 1: here a little bit of the tussle again, just a

1073
00:54:07,719 --> 00:54:11,040
Speaker 1: little bit, just a little bit broke. They can't do

1074
00:54:11,120 --> 00:54:16,719
Speaker 1: that to a Maybe this was a sketch, you know,

1075
00:54:16,920 --> 00:54:18,440
Speaker 1: you know what pissed me off. But first of all,

1076
00:54:18,520 --> 00:54:21,640
Speaker 1: finances don't mean nothing when it comes to fish fighting. Okay,

1077
00:54:21,680 --> 00:54:24,040
Speaker 1: you think because I'm broke, I won't put the beats

1078
00:54:24,080 --> 00:54:27,080
Speaker 1: on you and how you financially flexing on the seventh grader.

1079
00:54:27,360 --> 00:54:29,560
Speaker 1: That little boy isn't Saint wester Blue I view, why

1080
00:54:29,600 --> 00:54:31,279
Speaker 1: would he be balling in the seventh grade. For you

1081
00:54:31,360 --> 00:54:34,600
Speaker 1: to even try to justify that ass whipping with money

1082
00:54:34,640 --> 00:54:36,640
Speaker 1: shows how much of a sucker you are. Cat and

1083
00:54:36,760 --> 00:54:39,480
Speaker 1: you're asked the wrong question. The question shouldn't be y'all

1084
00:54:39,520 --> 00:54:41,480
Speaker 1: let a little broke boy jump on a celebrity like that.

1085
00:54:41,520 --> 00:54:43,360
Speaker 1: You should have been asking yourself, why am I a

1086
00:54:43,480 --> 00:54:46,239
Speaker 1: rich celebrity risking my freedom? And my finances because you're

1087
00:54:46,239 --> 00:54:48,120
Speaker 1: gonna get sued. Why am I risking my freedom and

1088
00:54:48,200 --> 00:54:51,120
Speaker 1: my finances fighting a little boy? This Cat Williams story

1089
00:54:51,239 --> 00:54:52,759
Speaker 1: is not going to end well. People and want to

1090
00:54:52,760 --> 00:54:55,080
Speaker 1: get into all you idiots who love to defend Cat Williams.

1091
00:54:55,160 --> 00:54:58,200
Speaker 1: Donkey ass. Please remember it's not the media, it's not

1092
00:54:58,320 --> 00:55:02,680
Speaker 1: the illuminatty. This is nobody's fault, but Kat Williams. Please

1093
00:55:02,719 --> 00:55:04,680
Speaker 1: give Kat pack all day the biggest heat Hall Police.

1094
00:55:07,800 --> 00:55:09,759
Speaker 1: I guarantee you when Kat Women's asked about this, he's

1095
00:55:09,760 --> 00:55:11,759
Speaker 1: gonna say, y'all know, I couldn't beat up no little boy,

1096
00:55:12,040 --> 00:55:15,160
Speaker 1: even though he swung on him first. Yea, he definitely couldn't,

1097
00:55:15,400 --> 00:55:17,480
Speaker 1: he might say. After he swung on him, he realized

1098
00:55:17,520 --> 00:55:19,560
Speaker 1: he was a little boy, so he fell back. Yeah right,

1099
00:55:19,719 --> 00:55:22,240
Speaker 1: Kat No, Yeah, that that boy had him choked up crazy.

1100
00:55:22,320 --> 00:55:24,240
Speaker 1: I know his parents are very proud of him. Whoever,

1101
00:55:24,480 --> 00:55:26,520
Speaker 1: this little boy's parents are cat women sitting on the

1102
00:55:26,560 --> 00:55:30,880
Speaker 1: ground breathing hart reevaluating his whole life. Morning. Everybody is

1103
00:55:30,960 --> 00:55:33,880
Speaker 1: dj Envy Angela. Ye, Charlomagne the guy. We are the

1104
00:55:33,960 --> 00:55:36,520
Speaker 1: breakfast club. We got a special guest in the building. Man.

1105
00:55:36,560 --> 00:55:38,800
Speaker 1: I thought I thought it was in jail, Stevie j

1106
00:55:39,520 --> 00:55:42,480
Speaker 1: I did was jail. Now I'm not in jail. You know,

1107
00:55:42,560 --> 00:55:45,080
Speaker 1: I got a brace on the the put you on

1108
00:55:45,160 --> 00:55:50,800
Speaker 1: house arrest. I mean the child support thing. I remember

1109
00:55:50,800 --> 00:55:52,480
Speaker 1: you did the video. It sounded like you was like

1110
00:55:52,560 --> 00:55:54,680
Speaker 1: saying you was about to go away. They wanted to

1111
00:55:54,760 --> 00:55:56,479
Speaker 1: lock me up. But you know, thank god they didn't

1112
00:55:56,520 --> 00:55:58,040
Speaker 1: lock me up. I'm out here with my kids, so

1113
00:55:58,280 --> 00:56:00,720
Speaker 1: I'm happy. Did you. Oh they said you a million

1114
00:56:00,760 --> 00:56:03,120
Speaker 1: dollars you paid everything? Yeah, they said an old a

1115
00:56:03,160 --> 00:56:06,080
Speaker 1: million a half. But it's looking like nothing close to it,

1116
00:56:06,160 --> 00:56:07,400
Speaker 1: you know what I'm saying. But we're gonna take care

1117
00:56:07,440 --> 00:56:09,080
Speaker 1: of that and keep it pushing. How do you get

1118
00:56:09,080 --> 00:56:10,520
Speaker 1: to a million and a half? I didn't even get

1119
00:56:10,520 --> 00:56:12,280
Speaker 1: to that number because you know, they had the default

1120
00:56:12,320 --> 00:56:14,279
Speaker 1: judgment against me, like I was Kobe or something for

1121
00:56:14,360 --> 00:56:17,200
Speaker 1: like fifteen thousand a month. But you know it wasn't

1122
00:56:17,239 --> 00:56:19,399
Speaker 1: really that number. So they found out the right number.

1123
00:56:19,440 --> 00:56:21,960
Speaker 1: So it's looking more like under a hundle. See that

1124
00:56:22,040 --> 00:56:24,320
Speaker 1: the curse of reality TV because it's a lot of

1125
00:56:24,400 --> 00:56:26,759
Speaker 1: fame that comes with it. So I guess big Mama,

1126
00:56:26,880 --> 00:56:28,680
Speaker 1: thank you. Yeah, I feel like that's the curse of

1127
00:56:28,719 --> 00:56:31,320
Speaker 1: the nineties being hot in the early two thousands, and

1128
00:56:31,400 --> 00:56:33,680
Speaker 1: everybody think you're getting fifty million dollars off of the

1129
00:56:33,800 --> 00:56:37,680
Speaker 1: royalty every other day. Yeah, I mean the money was good,

1130
00:56:37,680 --> 00:56:39,960
Speaker 1: but it wasn't once and fifteen thousand a month in

1131
00:56:40,040 --> 00:56:42,360
Speaker 1: Child Player. You ain't ever shooting no jump shots, no, no,

1132
00:56:44,280 --> 00:56:47,080
Speaker 1: no jump shot. All right, now, let's discuss this because

1133
00:56:47,080 --> 00:56:50,440
Speaker 1: I saw the ultimate baby shower over the weekend for Joscelyn,

1134
00:56:50,560 --> 00:56:53,840
Speaker 1: but you weren't there. But you were just with Jocelyn

1135
00:56:53,920 --> 00:56:55,640
Speaker 1: the other day. That's your baby. First of all. I

1136
00:56:55,719 --> 00:56:58,080
Speaker 1: mean we're gonna see. Can't you get a test while

1137
00:56:58,160 --> 00:57:01,120
Speaker 1: the baby's still inside? Yeah? We did that. Results come

1138
00:57:01,120 --> 00:57:09,520
Speaker 1: back tomorrow. Oh tomorrow, you should have tomorrow, the results

1139
00:57:09,560 --> 00:57:11,520
Speaker 1: come back. I wasn't there, you know. I mean, she

1140
00:57:11,719 --> 00:57:13,719
Speaker 1: was all good just a week ago. It was I

1141
00:57:13,800 --> 00:57:16,240
Speaker 1: saw you. She was cooking for you. Yeah, you know.

1142
00:57:16,400 --> 00:57:17,960
Speaker 1: And then her brother went with me to the gym.

1143
00:57:18,120 --> 00:57:20,320
Speaker 1: He came buy my house, and he came up my

1144
00:57:20,400 --> 00:57:22,040
Speaker 1: house and saw one of my artists leaving and told

1145
00:57:22,080 --> 00:57:23,960
Speaker 1: her it was Tommy. You know how her and Tommy

1146
00:57:24,040 --> 00:57:26,520
Speaker 1: don't get Tommy was having sex with each other, right, yeah,

1147
00:57:27,040 --> 00:57:29,840
Speaker 1: that but um, I missed that. But you know, he

1148
00:57:29,960 --> 00:57:33,760
Speaker 1: told it was Tommy, but it wasn't. He just went

1149
00:57:33,840 --> 00:57:35,400
Speaker 1: back and just after we went to the gym, he

1150
00:57:35,520 --> 00:57:37,120
Speaker 1: I dropped him off at the mall. He like, Yo,

1151
00:57:37,200 --> 00:57:39,640
Speaker 1: Tommy was at the house and just started her the

1152
00:57:39,680 --> 00:57:41,080
Speaker 1: wild you know what I'm saying, for no reason, and

1153
00:57:41,120 --> 00:57:43,280
Speaker 1: you shouldn't do that when she's not much pregnant. So

1154
00:57:43,400 --> 00:57:45,000
Speaker 1: do you even love your sister to do some fire

1155
00:57:45,080 --> 00:57:46,880
Speaker 1: stuff like Stevie, you ain't got a lot of us

1156
00:57:46,960 --> 00:57:49,080
Speaker 1: now that I understand, that's a good lot of tell.

1157
00:57:49,200 --> 00:57:51,120
Speaker 1: But Tommy, y'all in the trailer for your new show.

1158
00:57:51,160 --> 00:57:53,200
Speaker 1: So that's like my niece. You know what I'm saying. Nothing,

1159
00:57:55,640 --> 00:58:01,720
Speaker 1: He didn't even say my nephew. That's why, Oh what

1160
00:58:01,960 --> 00:58:04,000
Speaker 1: happens in jail? You know what I'm saying. She dated Simmons,

1161
00:58:04,040 --> 00:58:07,439
Speaker 1: Like we're just family. That's sitting that she scrappers in jail. Yeah,

1162
00:58:07,600 --> 00:58:11,360
Speaker 1: but knowing that Jocelyn doesn't like that, is it weird

1163
00:58:11,520 --> 00:58:13,920
Speaker 1: that you would be cool and or even have a

1164
00:58:14,040 --> 00:58:17,720
Speaker 1: rail business? Is business? Really? So she could be cool

1165
00:58:17,720 --> 00:58:19,360
Speaker 1: with people that you don't mess with it, and she

1166
00:58:19,560 --> 00:58:22,400
Speaker 1: she messed with what's your clowns? I'm us with Now,

1167
00:58:22,560 --> 00:58:27,000
Speaker 1: well what clowns? Because we heard you didn't like young Droe. Okay,

1168
00:58:27,040 --> 00:58:29,000
Speaker 1: who's that? Young Joel was running around with Joslyn and

1169
00:58:29,040 --> 00:58:30,800
Speaker 1: I saw he said, I'm here for whatever you need.

1170
00:58:31,000 --> 00:58:34,080
Speaker 1: He had posted man listen man. But let me ask

1171
00:58:34,080 --> 00:58:36,200
Speaker 1: you this. In an ideal world, she wouldn't run around

1172
00:58:36,280 --> 00:58:38,040
Speaker 1: deal world. But people you don't like that, you wouldn't

1173
00:58:38,080 --> 00:58:39,880
Speaker 1: run around take care of their own children and our

1174
00:58:40,000 --> 00:58:41,959
Speaker 1: jail world before they try to take care of other people.

1175
00:58:42,360 --> 00:58:44,160
Speaker 1: So you're saying, young girl don't take care as kids.

1176
00:58:44,280 --> 00:58:47,440
Speaker 1: That's well, remember young j FDB because his baby mom

1177
00:58:47,480 --> 00:58:53,080
Speaker 1: wouldn't let him see his cow. You know, I'm just blessed. Hey,

1178
00:58:53,080 --> 00:58:57,240
Speaker 1: what's up? Stevee? Savannah, um Shot day Eva, Dory and

1179
00:58:57,320 --> 00:59:00,400
Speaker 1: all my kids. Go ahead. This is the guy that

1180
00:59:00,440 --> 00:59:02,520
Speaker 1: you don't claim not to know this young girl. You're

1181
00:59:02,560 --> 00:59:04,360
Speaker 1: not gonna be beeping with Stevie J. Are you. That's

1182
00:59:04,440 --> 00:59:06,439
Speaker 1: one thing I told him I would not do. Okay,

1183
00:59:06,760 --> 00:59:08,880
Speaker 1: I don't talk it alone because I know he's very protected.

1184
00:59:08,960 --> 00:59:11,360
Speaker 1: We don't know. You know, I'm from Atlanta, Georgia means

1185
00:59:11,480 --> 00:59:14,000
Speaker 1: I don't know Stevie J like period, you know, and

1186
00:59:14,360 --> 00:59:16,800
Speaker 1: I don't but you know what though, I think he

1187
00:59:17,520 --> 00:59:20,120
Speaker 1: t my phone one time. That's what it was. He

1188
00:59:20,280 --> 00:59:22,479
Speaker 1: was like, yo, get at me to Steve. I I thought,

1189
00:59:22,720 --> 00:59:24,440
Speaker 1: I wonder what was he calling me about? You know

1190
00:59:24,480 --> 00:59:26,480
Speaker 1: what I mean? I was like, I wouldn't do that.

1191
00:59:26,640 --> 00:59:29,760
Speaker 1: You know, he didn't hit him back. We were gonna

1192
00:59:29,760 --> 00:59:32,520
Speaker 1: talk about I'm definitely not dating this girl, you know,

1193
00:59:32,720 --> 00:59:34,479
Speaker 1: and I wouldn't. I don't got any to talk about.

1194
00:59:35,080 --> 00:59:37,000
Speaker 1: Did you text him and say what's up? Yeah? I

1195
00:59:37,040 --> 00:59:39,280
Speaker 1: told him to hit me, but you know, anybody texts

1196
00:59:39,320 --> 00:59:40,760
Speaker 1: my phone tell me to hit me, I'm like, who

1197
00:59:40,880 --> 00:59:43,080
Speaker 1: is this? You know what I'm saying, I'll respond. You know,

1198
00:59:43,200 --> 00:59:46,120
Speaker 1: when people don't hit you back, I mean, you know, disrespectful, Yeah,

1199
00:59:46,120 --> 00:59:48,320
Speaker 1: a little? Do you do you do you like? Do

1200
00:59:48,400 --> 00:59:51,000
Speaker 1: you think the baby's yours? We'll see, you know what

1201
00:59:51,040 --> 00:59:53,240
Speaker 1: I'm saying. I'm hopeful, but you know, okay, so you

1202
00:59:53,360 --> 00:59:55,800
Speaker 1: hope you hope that's your baby. I mean, I'm just

1203
00:59:55,920 --> 00:59:59,040
Speaker 1: hopeful that she have a healthy baby. Right. Does the

1204
00:59:59,120 --> 01:00:02,240
Speaker 1: way you did with women moving forward, like has a

1205
01:00:02,480 --> 01:00:05,280
Speaker 1: change because you blew Joscelin up. You made her hot

1206
01:00:05,600 --> 01:00:08,040
Speaker 1: and then she went out, didn't like started popping the

1207
01:00:08,160 --> 01:00:10,600
Speaker 1: poop poop for a little bit. I can't think of

1208
01:00:10,600 --> 01:00:14,640
Speaker 1: the name me. Yeah, yeah, yeah, But you know, me

1209
01:00:14,720 --> 01:00:17,320
Speaker 1: and Mimi have a different type of relationship, like she's

1210
01:00:17,320 --> 01:00:19,920
Speaker 1: one of my best friends or whatever. You know, I'm

1211
01:00:20,080 --> 01:00:24,000
Speaker 1: you know, definitely moving forward. It affects on my relationship

1212
01:00:24,080 --> 01:00:26,560
Speaker 1: or hot deal with women. But you know, I'm still

1213
01:00:26,640 --> 01:00:28,640
Speaker 1: be the good guy regardless. Then I'll come on, ste

1214
01:00:28,680 --> 01:00:30,160
Speaker 1: if you really think you were the good guy in

1215
01:00:30,240 --> 01:00:33,160
Speaker 1: all these cases, you don't. You don't take responsibility for

1216
01:00:33,240 --> 01:00:35,160
Speaker 1: any of the things that you did. And man, tell

1217
01:00:35,160 --> 01:00:37,040
Speaker 1: you why you're a good guy because he was always honest.

1218
01:00:37,200 --> 01:00:39,240
Speaker 1: I was honest. And then look at that, look at

1219
01:00:39,280 --> 01:00:42,640
Speaker 1: the money they made every year. But everything's not about money.

1220
01:00:42,640 --> 01:00:44,480
Speaker 1: If somebody thinks I'm just gonna be with you, I

1221
01:00:44,600 --> 01:00:49,520
Speaker 1: love you, and then who thought that? You know, at

1222
01:00:49,560 --> 01:00:52,440
Speaker 1: any point, you don't think MEMI really wanted to be

1223
01:00:52,560 --> 01:00:55,240
Speaker 1: with you. That is your you know, one of your

1224
01:00:55,280 --> 01:00:57,160
Speaker 1: best friends, like she did. She always goes back to

1225
01:00:57,240 --> 01:00:58,960
Speaker 1: you know, it seems like it, but you never know,

1226
01:00:59,120 --> 01:01:01,200
Speaker 1: you know, I'm just I'm just happy that I did

1227
01:01:01,280 --> 01:01:03,040
Speaker 1: great for both of them. You don't think you're hired

1228
01:01:03,080 --> 01:01:06,880
Speaker 1: to date. I'm not easy, but you know I'm a

1229
01:01:06,920 --> 01:01:09,160
Speaker 1: good guy though, when I'm when I'm hired, when I'm president,

1230
01:01:09,200 --> 01:01:11,640
Speaker 1: I'm near you may me, Me and Johnson knock each

1231
01:01:11,640 --> 01:01:15,160
Speaker 1: other off like that's what before the show started, you

1232
01:01:15,200 --> 01:01:16,640
Speaker 1: know what I'm saying. So that was real. You know

1233
01:01:16,680 --> 01:01:19,080
Speaker 1: a lot of this stuff is contrived, but not the

1234
01:01:19,200 --> 01:01:21,880
Speaker 1: steviej story. Now, you couldn't make the whole polygamy thing

1235
01:01:21,960 --> 01:01:24,560
Speaker 1: work with everybody one big sand much because you know,

1236
01:01:24,680 --> 01:01:26,480
Speaker 1: one day one of them is more happy than the

1237
01:01:26,560 --> 01:01:28,600
Speaker 1: other one, one of them getting more beefcaked than the

1238
01:01:28,720 --> 01:01:31,280
Speaker 1: other one. So it doesn't work that way in the

1239
01:01:31,360 --> 01:01:33,600
Speaker 1: perfect world. WO be great, but that had never happened.

1240
01:01:33,640 --> 01:01:35,000
Speaker 1: Now what line do you use to get all these

1241
01:01:35,040 --> 01:01:36,840
Speaker 1: girls just start popping off with each other? I mean,

1242
01:01:36,880 --> 01:01:38,360
Speaker 1: I don't use the line. Probably just pick up the

1243
01:01:38,400 --> 01:01:40,400
Speaker 1: guitar and scene to him, and you know they like

1244
01:01:43,520 --> 01:01:46,280
Speaker 1: show them to pack to something. What about Rick Roles?

1245
01:01:46,280 --> 01:01:48,280
Speaker 1: Because Rick Ross was rumor that Rick Ross was dating

1246
01:01:48,320 --> 01:01:50,720
Speaker 1: Jocelyn too. I don't think it was true, but you

1247
01:01:50,760 --> 01:01:53,120
Speaker 1: know what I'm saying. Who you know, they've grown. Let

1248
01:01:53,200 --> 01:01:54,520
Speaker 1: them do what they do. You know what I'm saying.

1249
01:01:54,800 --> 01:01:58,560
Speaker 1: You think you could be in a monogamous relationship. Oh no, yeah, yeah,

1250
01:01:58,600 --> 01:02:00,320
Speaker 1: But right now, I just want to just love money

1251
01:02:00,360 --> 01:02:02,440
Speaker 1: and love my work, and I'm happy by my new show.

1252
01:02:02,560 --> 01:02:04,760
Speaker 1: I'm just happy than I'm working and able to provide

1253
01:02:04,800 --> 01:02:06,560
Speaker 1: for my family, my kids, my dad and my mom,

1254
01:02:06,640 --> 01:02:08,680
Speaker 1: my sisters and brothers. Because that show was supposed to

1255
01:02:08,720 --> 01:02:13,320
Speaker 1: be you and Jocelyn. Originally, absolutely not, Okay, the first

1256
01:02:13,360 --> 01:02:15,240
Speaker 1: show was you know, the name of the show is

1257
01:02:15,280 --> 01:02:18,360
Speaker 1: the Stevie J. Project. So the first show I chose

1258
01:02:18,440 --> 01:02:20,880
Speaker 1: the name Stevie and Jocelyn, you know, so it could

1259
01:02:20,920 --> 01:02:23,400
Speaker 1: have just been Stevie J. I'm saying, But originally that

1260
01:02:23,480 --> 01:02:26,960
Speaker 1: was the plan, Stevie and Jocelyn. Originally the plan was

1261
01:02:27,080 --> 01:02:30,080
Speaker 1: Stevie J. You know what I'm saying. I was nice enough,

1262
01:02:30,280 --> 01:02:32,000
Speaker 1: you know what I'm saying that girl at the time

1263
01:02:32,000 --> 01:02:33,560
Speaker 1: of the time, you know what I'm saying. Once things

1264
01:02:33,600 --> 01:02:36,640
Speaker 1: got a little disrespectful. It was like, you know, once again,

1265
01:02:36,720 --> 01:02:40,400
Speaker 1: business is business, and she was calling you gay. She

1266
01:02:40,400 --> 01:02:44,880
Speaker 1: said she with molestation accusations or something, which which I

1267
01:02:44,920 --> 01:02:47,120
Speaker 1: feel like you can't just throw that accusation out here.

1268
01:02:47,360 --> 01:02:49,320
Speaker 1: You can't come back from certain things, and that's one

1269
01:02:49,320 --> 01:02:50,840
Speaker 1: of the things you can't come back from you know,

1270
01:02:51,280 --> 01:02:53,600
Speaker 1: and and you know the people from Defects was all

1271
01:02:53,640 --> 01:02:56,960
Speaker 1: at Mimi's house and all at my heart, yeah, you know,

1272
01:02:57,160 --> 01:03:00,400
Speaker 1: saying they closed the case on step all the fifth

1273
01:03:00,880 --> 01:03:03,640
Speaker 1: actually investigator of the jobs. And yeah, just because she

1274
01:03:03,720 --> 01:03:06,880
Speaker 1: said that. Wow, but you still did just recently try

1275
01:03:06,920 --> 01:03:08,880
Speaker 1: to go and make amends with her with your baby

1276
01:03:08,960 --> 01:03:11,720
Speaker 1: on the way. Even still, you know what I'm saying,

1277
01:03:11,800 --> 01:03:13,320
Speaker 1: I made amends. You know what I'm saying that I

1278
01:03:13,400 --> 01:03:14,960
Speaker 1: got a lot of flak from you know what I'm

1279
01:03:14,960 --> 01:03:17,440
Speaker 1: saying my family, like you, how could you even want

1280
01:03:17,480 --> 01:03:18,920
Speaker 1: to deal with this check out that she said that

1281
01:03:19,000 --> 01:03:21,200
Speaker 1: about your daughter's just like even your own children, Like

1282
01:03:21,240 --> 01:03:22,920
Speaker 1: what are you doing right? So at the end of

1283
01:03:22,960 --> 01:03:24,800
Speaker 1: the day, it's just like I did that in the

1284
01:03:24,840 --> 01:03:26,640
Speaker 1: same day, she want to fight me. Next day she

1285
01:03:26,800 --> 01:03:28,320
Speaker 1: come on set, want to fight me. So it's like,

1286
01:03:28,560 --> 01:03:30,240
Speaker 1: let me just leave that away. So she did attack

1287
01:03:30,280 --> 01:03:33,040
Speaker 1: you where you physically like had injuries and everything. She

1288
01:03:33,120 --> 01:03:36,520
Speaker 1: admitted that the baby before the baby, right before the

1289
01:03:36,760 --> 01:03:39,000
Speaker 1: um the Sunday and Monday, fought me. You know what

1290
01:03:39,040 --> 01:03:41,160
Speaker 1: I'm saying, like, come on, I know you were scared

1291
01:03:41,160 --> 01:03:42,880
Speaker 1: because you could have lost the baby. I mean it's

1292
01:03:42,920 --> 01:03:44,680
Speaker 1: more or less like, why would her brother even put

1293
01:03:44,720 --> 01:03:46,920
Speaker 1: in a situation to want to fight nine months pregnant?

1294
01:03:46,920 --> 01:03:48,360
Speaker 1: You know what I'm saying. That's that's what kind of

1295
01:03:48,400 --> 01:03:50,360
Speaker 1: guy as a brother like it? I mean, you know,

1296
01:03:51,160 --> 01:03:53,040
Speaker 1: obviously he's not that bright of a guy. You know

1297
01:03:53,040 --> 01:03:55,600
Speaker 1: what I'm saying, Um, you got to have no love

1298
01:03:55,680 --> 01:03:57,800
Speaker 1: for your family to want to lose the baby or

1299
01:03:57,880 --> 01:04:00,320
Speaker 1: nine months you know, and she's high risking them are

1300
01:04:00,360 --> 01:04:05,360
Speaker 1: even just to tell on another guy? Guy cold? But

1301
01:04:05,720 --> 01:04:07,439
Speaker 1: lie to your brother though, you know what I'm saying,

1302
01:04:07,520 --> 01:04:09,880
Speaker 1: Like you're gonna lie to your sister, right, No, not lie,

1303
01:04:09,880 --> 01:04:11,680
Speaker 1: But I'm saying I'm not gonna say he broke guy

1304
01:04:11,760 --> 01:04:14,480
Speaker 1: code from there. Yeah, he definitely broke just you don't.

1305
01:04:14,560 --> 01:04:16,440
Speaker 1: You can't. You can't telling another man. But if it's

1306
01:04:16,520 --> 01:04:19,480
Speaker 1: your sister, I would approached Stevie for like Stevie, who's that?

1307
01:04:19,680 --> 01:04:22,120
Speaker 1: But then like this, but I'm not dating your sister

1308
01:04:23,280 --> 01:04:27,360
Speaker 1: that too, you're not together. We're not together. So he

1309
01:04:27,400 --> 01:04:30,360
Speaker 1: just goss been basically gossip. We got more with STEVJ

1310
01:04:30,480 --> 01:04:32,960
Speaker 1: when we come back. It's the Breakfast Club morning. Everybody

1311
01:04:33,040 --> 01:04:35,800
Speaker 1: is DJ m vy angela Ye, Charlemagne, the God, we

1312
01:04:35,880 --> 01:04:38,720
Speaker 1: are the breakfast Club. We have Stevie J from Love

1313
01:04:38,760 --> 01:04:42,200
Speaker 1: and Hip Hop Atlanta in the building. Nwe yes, Steven.

1314
01:04:42,240 --> 01:04:44,480
Speaker 1: So we've been hearing about you and Faith Evans. You

1315
01:04:44,560 --> 01:04:46,800
Speaker 1: guys have been pictured together on the bad Boy tour.

1316
01:04:47,160 --> 01:04:49,040
Speaker 1: So are you guys really dating? You know what I'm saying.

1317
01:04:49,120 --> 01:04:51,640
Speaker 1: I know the for almost twenty five years, and you know,

1318
01:04:52,000 --> 01:04:53,480
Speaker 1: did you like her back in the day, Like back

1319
01:04:53,520 --> 01:04:55,439
Speaker 1: in the day when she was with Big it wasn't

1320
01:04:55,920 --> 01:04:58,200
Speaker 1: just like our family. And then you know, as she

1321
01:04:58,320 --> 01:05:01,439
Speaker 1: has progressed, we're just forgingna hang out more talk more.

1322
01:05:02,040 --> 01:05:05,600
Speaker 1: So is this new and new to us? It's new brand?

1323
01:05:07,040 --> 01:05:10,240
Speaker 1: So do you see a real future like this could

1324
01:05:10,280 --> 01:05:13,400
Speaker 1: be the person I settled down with. I mean, I

1325
01:05:13,560 --> 01:05:16,320
Speaker 1: just feel that I shouldn't have crossed that line because

1326
01:05:16,440 --> 01:05:20,200
Speaker 1: once you crossed that line, emotions really overwhelmed you know

1327
01:05:20,200 --> 01:05:22,080
Speaker 1: what I'm saying, overwhelmed me and herd. So what do

1328
01:05:22,120 --> 01:05:24,440
Speaker 1: you mean cross the line like half sex? Yeah, she

1329
01:05:24,520 --> 01:05:28,080
Speaker 1: started dating your best friends? Look different. Wow, you played

1330
01:05:28,080 --> 01:05:30,600
Speaker 1: a guitar for her and yeah she sang for me

1331
01:05:30,720 --> 01:05:34,280
Speaker 1: all the time. You're dating Biggie's wife, you know, Biggie's

1332
01:05:34,360 --> 01:05:39,439
Speaker 1: ex wife. Stop widow. Widow, do you ever wear condom? cVj? Yeah?

1333
01:05:42,400 --> 01:05:46,080
Speaker 1: Like what was I left my wife? How do you

1334
01:05:46,200 --> 01:05:48,200
Speaker 1: decide whether or not you want to wear condoms or not?

1335
01:05:50,160 --> 01:05:52,600
Speaker 1: It's just like, you know, if I don't know the person,

1336
01:05:52,680 --> 01:05:55,560
Speaker 1: I'm just gonna wrap up. So okay, if I don't know,

1337
01:05:55,680 --> 01:05:57,800
Speaker 1: you shouldn't even be bad with somebody you don't know.

1338
01:05:57,960 --> 01:06:01,280
Speaker 1: I'm good because I want why like your family at

1339
01:06:01,320 --> 01:06:02,680
Speaker 1: greats A good point? Why would you want to have

1340
01:06:02,800 --> 01:06:04,960
Speaker 1: kids with Jocelyn her Nanda? And we've seen videos of

1341
01:06:05,040 --> 01:06:07,160
Speaker 1: her wild in the studio, looking like she all on drugs,

1342
01:06:07,760 --> 01:06:10,400
Speaker 1: so yeah, we don't know if she's mentally ill, Like,

1343
01:06:10,520 --> 01:06:13,040
Speaker 1: why would you want to breed with Jocelyn Hernand? Well,

1344
01:06:13,680 --> 01:06:17,160
Speaker 1: it just happened, you know. It wasn't doesn't seem so dark.

1345
01:06:17,440 --> 01:06:19,640
Speaker 1: It wasn't playing though. It just happened, you know, And

1346
01:06:20,520 --> 01:06:22,640
Speaker 1: obviously she knew it was going on. You know what

1347
01:06:22,640 --> 01:06:24,680
Speaker 1: I'm saying before I did. But it is what it is.

1348
01:06:24,960 --> 01:06:26,880
Speaker 1: We just got to approach it the way we got.

1349
01:06:27,160 --> 01:06:28,920
Speaker 1: Especially if you think that she there sleeping with a

1350
01:06:28,960 --> 01:06:30,880
Speaker 1: bunch of different dude that would have made me if

1351
01:06:30,880 --> 01:06:33,080
Speaker 1: I did hit put a condom on it. But you

1352
01:06:33,160 --> 01:06:35,000
Speaker 1: know that was probably at the time where we wasn't

1353
01:06:35,040 --> 01:06:38,920
Speaker 1: even just a good nights. Yeah, you never had an

1354
01:06:39,000 --> 01:06:43,040
Speaker 1: STD or nothing. No, I ain't got the like I say, now,

1355
01:06:43,720 --> 01:06:48,560
Speaker 1: did you ever have met little clamydia? Little syphilis? A crab?

1356
01:06:50,160 --> 01:06:53,320
Speaker 1: Did had the crabs? I was on the plane and

1357
01:06:53,400 --> 01:06:59,120
Speaker 1: I'm like, what year? This was? All right? That made sense?

1358
01:07:00,720 --> 01:07:02,760
Speaker 1: Let somebody hold some of my stuff and they wore

1359
01:07:02,880 --> 01:07:09,560
Speaker 1: and your draws? Do you let somebody draws? What are

1360
01:07:09,560 --> 01:07:14,200
Speaker 1: you talking about close with a hitman? We didn't. What

1361
01:07:14,280 --> 01:07:19,520
Speaker 1: are you talking about? My joint on the plane? And

1362
01:07:23,880 --> 01:07:26,000
Speaker 1: it was crazy? So you never had three things with

1363
01:07:26,080 --> 01:07:29,440
Speaker 1: Tommy and Jocelyn right, No, So they was just it

1364
01:07:29,560 --> 01:07:32,600
Speaker 1: was just something they was doing on their own. See

1365
01:07:32,600 --> 01:07:35,160
Speaker 1: what happened when you do something by yourself, don't work out? Right?

1366
01:07:35,400 --> 01:07:37,160
Speaker 1: So how did Timmy end up on the show? Was

1367
01:07:37,200 --> 01:07:39,960
Speaker 1: it because it was because of your nephew and yeah,

1368
01:07:40,040 --> 01:07:42,920
Speaker 1: my nephew Scrap and Sash, So you basically bought everyone

1369
01:07:43,000 --> 01:07:44,800
Speaker 1: on there. Well, you know, I just played a part

1370
01:07:44,840 --> 01:07:49,440
Speaker 1: of making everybody, you know, get paid. What about production?

1371
01:07:49,480 --> 01:07:51,880
Speaker 1: You're back to producing working? Yes, absolutely, I'm working on

1372
01:07:51,960 --> 01:07:54,160
Speaker 1: His Faith the King and the album were almost finished Um,

1373
01:07:54,880 --> 01:07:57,040
Speaker 1: I'm executive producing with her, you know what I'm saying,

1374
01:07:57,120 --> 01:07:59,680
Speaker 1: and working on some new artists for Epic. Can this

1375
01:07:59,800 --> 01:08:02,720
Speaker 1: boy working on my project? I'm just working, man. Kelly

1376
01:08:02,760 --> 01:08:05,160
Speaker 1: Price has just finished her project, so I'm just back

1377
01:08:05,200 --> 01:08:07,560
Speaker 1: to doing what I love doing. I wondered about that too,

1378
01:08:07,600 --> 01:08:09,160
Speaker 1: because he was on you came up on some some

1379
01:08:09,200 --> 01:08:10,520
Speaker 1: of the Bad Boy dates. Yeah. I don't know if

1380
01:08:10,560 --> 01:08:11,560
Speaker 1: he's on all of them, but I saw you on

1381
01:08:11,600 --> 01:08:12,960
Speaker 1: a few of them. Yeah, you know what I'm saying.

1382
01:08:13,040 --> 01:08:15,080
Speaker 1: Me and Puff's just cooling, just talking, and he wanted

1383
01:08:15,120 --> 01:08:17,640
Speaker 1: me to showcase that musical talent instead of being in

1384
01:08:17,680 --> 01:08:19,639
Speaker 1: front of television. He felt like people needed to see

1385
01:08:19,680 --> 01:08:21,280
Speaker 1: me with a guitar in my hand. I don't want

1386
01:08:21,360 --> 01:08:23,000
Speaker 1: How did they treat you like today? Man? It was

1387
01:08:23,000 --> 01:08:27,040
Speaker 1: all love? Okay, all love. So you feel like, let's

1388
01:08:27,080 --> 01:08:29,320
Speaker 1: talk about your show? Who else is on it? Because

1389
01:08:29,360 --> 01:08:32,679
Speaker 1: we know the trailer hit Jock on it, we gotta

1390
01:08:32,680 --> 01:08:35,320
Speaker 1: Scrappy on it, we got Faith on it, we got

1391
01:08:35,439 --> 01:08:38,000
Speaker 1: Timmy on it, we got my children on it. You

1392
01:08:38,080 --> 01:08:40,639
Speaker 1: know what I'm saying. It's just man, this sounds more

1393
01:08:40,680 --> 01:08:43,360
Speaker 1: like a peaceful Yeah, it's a peaceful family show us

1394
01:08:43,360 --> 01:08:45,439
Speaker 1: like a family Matters type show. You know what I'm saying,

1395
01:08:45,439 --> 01:08:47,719
Speaker 1: it's it's more or less away from the ratchet stuff

1396
01:08:47,720 --> 01:08:50,400
Speaker 1: and just into a happy space with your Matt right now,

1397
01:08:50,479 --> 01:08:53,799
Speaker 1: because it wasn't so happy last year. I told Johnson

1398
01:08:53,880 --> 01:08:55,080
Speaker 1: had the baby and then you got to do the

1399
01:08:55,160 --> 01:08:56,880
Speaker 1: DNA test. I mean then I'm still gonna be happy

1400
01:08:56,880 --> 01:08:59,360
Speaker 1: because I'm just gonna gonna tomorrow. Yeah. But you know,

1401
01:08:59,439 --> 01:09:01,559
Speaker 1: I'm playing a lot of instruments on the show, more music,

1402
01:09:01,840 --> 01:09:05,679
Speaker 1: I'm saying, singing and stuff. It's cool doing country Western shows. Funny,

1403
01:09:05,720 --> 01:09:07,479
Speaker 1: you know what I'm saying. Now, you told Tims that

1404
01:09:07,560 --> 01:09:10,599
Speaker 1: if the baby is yours, you're gonna seek full custody. Why.

1405
01:09:11,560 --> 01:09:14,439
Speaker 1: I mean, my thing is like this. You know, if

1406
01:09:14,479 --> 01:09:16,280
Speaker 1: you're not in your right mind to be fighting at

1407
01:09:16,400 --> 01:09:18,760
Speaker 1: nine months when you're pregnant and all that, I need

1408
01:09:18,800 --> 01:09:20,800
Speaker 1: to cycle evaluates, you know what I'm saying. I need

1409
01:09:20,880 --> 01:09:22,559
Speaker 1: to know what's up with you when that baby is born.

1410
01:09:22,600 --> 01:09:24,120
Speaker 1: I want to test the baby. I want to test you.

1411
01:09:24,200 --> 01:09:25,719
Speaker 1: I want to you know what I'm saying. If everything

1412
01:09:25,840 --> 01:09:27,599
Speaker 1: was on the up with us and then she wasn't

1413
01:09:27,680 --> 01:09:29,560
Speaker 1: trying to fight me in you know, I come to

1414
01:09:29,640 --> 01:09:31,240
Speaker 1: her in piece and she want to fight and vold

1415
01:09:31,400 --> 01:09:34,200
Speaker 1: the crazy When a woman's pregnant, you can't. But now

1416
01:09:34,320 --> 01:09:38,880
Speaker 1: but still we don't. You gotta think about the baby. Yeah,

1417
01:09:38,960 --> 01:09:40,439
Speaker 1: she just you know, saying, just punching me in my

1418
01:09:40,520 --> 01:09:42,640
Speaker 1: face and my crab and I'm grabbing telling her brother, yo,

1419
01:09:42,720 --> 01:09:44,479
Speaker 1: just get her. I'm my crab. And he's standing there

1420
01:09:44,560 --> 01:09:46,040
Speaker 1: like you know what I'm saying. I just want to

1421
01:09:46,040 --> 01:09:48,680
Speaker 1: make sure that the baby is good. Babe. Having a

1422
01:09:48,720 --> 01:09:50,640
Speaker 1: baby will change her though, because that does happen for

1423
01:09:50,720 --> 01:09:52,599
Speaker 1: a lot of people. Well, you know, you you're having

1424
01:09:52,680 --> 01:09:55,280
Speaker 1: strippers at the at the baby shower and all that,

1425
01:09:55,439 --> 01:09:58,000
Speaker 1: and then you got the cake and you asking dudes, yo,

1426
01:09:58,040 --> 01:09:59,280
Speaker 1: you want to eat the d on the cake? How

1427
01:09:59,280 --> 01:10:00,840
Speaker 1: about you eat to you know the cake? Come on.

1428
01:10:01,720 --> 01:10:03,640
Speaker 1: This is interesting though, because when a person shows you

1429
01:10:03,680 --> 01:10:06,280
Speaker 1: who they all believed. And we've been seeing this Joscelyn

1430
01:10:06,439 --> 01:10:08,960
Speaker 1: for years. You know, I thought that it was going

1431
01:10:09,040 --> 01:10:10,880
Speaker 1: to change due to the baby and all that, but

1432
01:10:11,080 --> 01:10:12,920
Speaker 1: you know, it is what it is. You think it's

1433
01:10:12,920 --> 01:10:14,759
Speaker 1: an age or two. I didn't realize she was just thirty.

1434
01:10:14,960 --> 01:10:18,240
Speaker 1: I mean, y'all, you like fifteen years older than I'm thirteen.

1435
01:10:18,280 --> 01:10:19,800
Speaker 1: Years older than now. But you know, at the end

1436
01:10:19,840 --> 01:10:21,840
Speaker 1: of the day, thirty is still thirty, you know what

1437
01:10:21,880 --> 01:10:25,800
Speaker 1: I'm saying, not eighteen, you know. And then I showed

1438
01:10:25,800 --> 01:10:28,400
Speaker 1: you a great life. Why would you want to disrespect

1439
01:10:28,479 --> 01:10:31,320
Speaker 1: the guy that that that made your life a full circle?

1440
01:10:31,520 --> 01:10:33,280
Speaker 1: You know what I'm saying, looked at you as a woman,

1441
01:10:33,280 --> 01:10:35,080
Speaker 1: that treated you as a woman, not just you know

1442
01:10:35,200 --> 01:10:38,760
Speaker 1: somebody that's the problem. Man, When you a girl and

1443
01:10:38,840 --> 01:10:41,720
Speaker 1: teach or something what you clearly did, and then she

1444
01:10:41,840 --> 01:10:44,320
Speaker 1: turned around and disrespects you. It's crazy to me, you

1445
01:10:44,320 --> 01:10:47,559
Speaker 1: know what I'm saying. So I'll be kissing my feet,

1446
01:10:50,720 --> 01:10:54,320
Speaker 1: keeping feet and toes how many times? How many times

1447
01:10:54,360 --> 01:10:56,720
Speaker 1: you think you told her in your life, I made you?

1448
01:10:56,840 --> 01:10:58,840
Speaker 1: Have you ever? I never said that to her, oka

1449
01:10:58,960 --> 01:11:00,559
Speaker 1: saying it's more or less like you know what I'm saying.

1450
01:11:00,640 --> 01:11:04,040
Speaker 1: And then she emailed me, I appreciate everything you've done

1451
01:11:04,120 --> 01:11:06,920
Speaker 1: for me and my career and now this baby. And

1452
01:11:07,000 --> 01:11:10,800
Speaker 1: then the same breath, you out there having so um

1453
01:11:11,280 --> 01:11:14,320
Speaker 1: papers and buildings saying I'm a molester in all this,

1454
01:11:14,439 --> 01:11:17,920
Speaker 1: but you email. I actually thought like, that's probably the

1455
01:11:17,960 --> 01:11:20,400
Speaker 1: worst thing you could say about somebody, you know. But

1456
01:11:20,479 --> 01:11:23,479
Speaker 1: I'm glad to have friends like Dda Edo was to

1457
01:11:23,720 --> 01:11:26,000
Speaker 1: just keep me calming and allow me to use my

1458
01:11:26,080 --> 01:11:28,760
Speaker 1: brain raving in emotions. You know what I'm saying, dealing

1459
01:11:28,800 --> 01:11:31,880
Speaker 1: with s how do her emails a little? Because I

1460
01:11:31,960 --> 01:11:34,160
Speaker 1: mean it looked like somebody wrote them up for you

1461
01:11:34,200 --> 01:11:39,680
Speaker 1: know what I'm saying. That's too good to do. This

1462
01:11:39,760 --> 01:11:41,559
Speaker 1: is something I'm saying. But you know, at the end

1463
01:11:41,560 --> 01:11:43,400
Speaker 1: of the day, I'm not gonna beleed those emails. When

1464
01:11:43,720 --> 01:11:45,479
Speaker 1: you know what I'm saying. You got somebody running around

1465
01:11:45,479 --> 01:11:48,320
Speaker 1: with a monkey mask on in Atlanta throwing these documents

1466
01:11:48,400 --> 01:11:50,360
Speaker 1: in the office buildings. What kind of stuff is that?

1467
01:11:51,000 --> 01:11:53,240
Speaker 1: They said that she destroyed sixty five thousands worth of

1468
01:11:53,280 --> 01:11:55,479
Speaker 1: your stuff? What did she destroy? Um? She cut up

1469
01:11:55,520 --> 01:11:58,400
Speaker 1: my minx, my bad boy jackets on my shoes. She's

1470
01:11:58,400 --> 01:12:01,160
Speaker 1: just destroyed a lot of clothes beside she dishes. She

1471
01:12:01,320 --> 01:12:03,920
Speaker 1: just you know, destructive. You ain't gonna have a back

1472
01:12:03,960 --> 01:12:08,200
Speaker 1: in the crib no more na. Yeah, I mean, I'd

1473
01:12:08,280 --> 01:12:10,000
Speaker 1: rather just keep it a distance. I don't need to

1474
01:12:10,040 --> 01:12:11,320
Speaker 1: know where she lives. She don't need to know my

1475
01:12:11,400 --> 01:12:15,519
Speaker 1: new crib back. I have somebody to pick up the baby,

1476
01:12:15,560 --> 01:12:18,080
Speaker 1: and and that s all right, we got more with TEVJ.

1477
01:12:18,200 --> 01:12:20,320
Speaker 1: When we come back, we'll update you on this relationship

1478
01:12:20,360 --> 01:12:22,639
Speaker 1: with Mimi and one of the last time you spoke

1479
01:12:22,680 --> 01:12:24,280
Speaker 1: to Eve. We'll find out when we come back. It's

1480
01:12:24,320 --> 01:12:29,800
Speaker 1: the Breakfast Club. Good Morning, the breakfast club you need

1481
01:12:29,920 --> 01:12:34,240
Speaker 1: for morning. Everybody's DJ, Envy, Angela Yee, Charlemagne the God.

1482
01:12:34,320 --> 01:12:37,040
Speaker 1: We are the Breakfast Club. We have Stevie J from

1483
01:12:37,120 --> 01:12:39,559
Speaker 1: Love and Hip Hop Atlanta in the building. Now, when

1484
01:12:39,640 --> 01:12:44,400
Speaker 1: Mimi was being fake gay for TV's she has a girlfriend.

1485
01:12:44,479 --> 01:12:58,080
Speaker 1: Now No, al right, Okay, I know a lot of

1486
01:12:58,080 --> 01:12:59,960
Speaker 1: people in Atlanta and they all say even when it're

1487
01:13:00,000 --> 01:13:01,640
Speaker 1: for Sady, you know she likes man. She was with

1488
01:13:01,760 --> 01:13:05,120
Speaker 1: Jocelyn before the show. Yeah, but A pioneered that. Okay,

1489
01:13:05,160 --> 01:13:07,840
Speaker 1: you started that. Okay, Steve, do you make all your

1490
01:13:07,880 --> 01:13:12,000
Speaker 1: girls go by I mean, not faith Na. She's a

1491
01:13:12,080 --> 01:13:15,120
Speaker 1: real woman. She's beautiful. She older though you. But you

1492
01:13:15,240 --> 01:13:19,799
Speaker 1: know some old joints then you know, never tasted exactly,

1493
01:13:19,880 --> 01:13:22,360
Speaker 1: but I do. It's just their choice. But at the

1494
01:13:22,439 --> 01:13:24,040
Speaker 1: end of the day, I just like I used to

1495
01:13:24,120 --> 01:13:25,840
Speaker 1: like to have a lot of fun, but now you

1496
01:13:25,920 --> 01:13:29,000
Speaker 1: don't calm down. Yes, now you're getting older. Two women

1497
01:13:29,680 --> 01:13:32,040
Speaker 1: take a lot to do two women, just what I

1498
01:13:32,080 --> 01:13:33,920
Speaker 1: went through with the old Johnslyn things. It's like, yo,

1499
01:13:34,000 --> 01:13:36,360
Speaker 1: come on, scared straight? No, yeah, you really thought she

1500
01:13:36,360 --> 01:13:38,320
Speaker 1: should have been a star a musician. I mean it's

1501
01:13:38,320 --> 01:13:40,600
Speaker 1: not even that she. My thing wasn't as a musicians,

1502
01:13:40,600 --> 01:13:44,799
Speaker 1: like loving hip hop. So I need to create this artists,

1503
01:13:45,000 --> 01:13:46,519
Speaker 1: you know what I'm saying, Give her something to do

1504
01:13:46,600 --> 01:13:48,599
Speaker 1: on the good. But then you know she she had

1505
01:13:48,640 --> 01:13:50,479
Speaker 1: to look and then she had the attitude. So it's

1506
01:13:50,479 --> 01:13:52,040
Speaker 1: like I'm like, boom, I'm gonna give you something that

1507
01:13:52,120 --> 01:13:53,920
Speaker 1: she ain't gonna go take your clothes off. I'm trying

1508
01:13:53,920 --> 01:13:55,160
Speaker 1: to do this music thing with you, you know what

1509
01:13:55,200 --> 01:13:57,840
Speaker 1: I'm saying, and not just allowed her to believe that

1510
01:13:57,880 --> 01:14:01,320
Speaker 1: she was Selena. You know what I'm come on, now,

1511
01:14:01,360 --> 01:14:02,920
Speaker 1: do you still have a stake in her as far

1512
01:14:03,000 --> 01:14:05,479
Speaker 1: as management? Yeah? And I haven't been paid in years.

1513
01:14:05,520 --> 01:14:07,719
Speaker 1: And you know what I'm saying. I wants my friend.

1514
01:14:08,760 --> 01:14:11,320
Speaker 1: Are you waiting for her love and hip hop checks? Too?

1515
01:14:11,479 --> 01:14:13,920
Speaker 1: I wants my bread. Oh, you're waiting for the baby

1516
01:14:14,000 --> 01:14:15,639
Speaker 1: to be boys? So when she comes for that, you'd

1517
01:14:15,680 --> 01:14:21,320
Speaker 1: be like, I'll come in for this business. Why haven't

1518
01:14:21,320 --> 01:14:23,840
Speaker 1: it bade you, Um, it's up to her to cut

1519
01:14:23,880 --> 01:14:25,240
Speaker 1: her to check. She's supposed to come to me my

1520
01:14:25,320 --> 01:14:29,000
Speaker 1: thirty percent. Thirty percent. Wow, that's that's mild because now

1521
01:14:29,200 --> 01:14:31,640
Speaker 1: doing fifty fifty deals, what's what is these? What are

1522
01:14:31,680 --> 01:14:35,479
Speaker 1: these deals? These artists doing firty sixty deals for reality shows,

1523
01:14:35,680 --> 01:14:38,439
Speaker 1: for music and everything. I mean, television is a little different.

1524
01:14:38,520 --> 01:14:41,800
Speaker 1: But you're not a label I am. I'm a full

1525
01:14:41,960 --> 01:14:48,200
Speaker 1: on entertainment confer I'm saying, I guess I gotta sign

1526
01:14:48,280 --> 01:14:51,360
Speaker 1: the Vibe com Three weeks after she signed a contract

1527
01:14:52,400 --> 01:14:54,280
Speaker 1: a six year deal. Who does that? You know what

1528
01:14:54,320 --> 01:14:55,840
Speaker 1: I'm saying? You're not even who are you know what

1529
01:14:55,840 --> 01:14:58,360
Speaker 1: I'm saying? How long is your deal for? No? I

1530
01:14:58,479 --> 01:15:01,400
Speaker 1: just accumulated a few years, you know, somebody terming to

1531
01:15:01,439 --> 01:15:05,479
Speaker 1: Sherman Hemsley on TV and all that, that's a great deal.

1532
01:15:05,640 --> 01:15:08,640
Speaker 1: So so she got different shows coming out like she

1533
01:15:08,720 --> 01:15:11,920
Speaker 1: might have her own. She got the own thing especial

1534
01:15:12,000 --> 01:15:13,640
Speaker 1: about the baby and all that that. I'm not a

1535
01:15:13,680 --> 01:15:16,439
Speaker 1: part of that, but she's got that. I helped pioneer

1536
01:15:16,520 --> 01:15:19,240
Speaker 1: that too. Right, what if she's do you know I

1537
01:15:19,320 --> 01:15:22,680
Speaker 1: want my thirty you have to sue somebody else? See, well,

1538
01:15:22,720 --> 01:15:25,719
Speaker 1: you know that's already done. What if she's like, okay,

1539
01:15:25,800 --> 01:15:27,960
Speaker 1: we can be peaceful. I won't come at you for this.

1540
01:15:28,160 --> 01:15:30,880
Speaker 1: Just let me get out of my contract. I needs

1541
01:15:30,960 --> 01:15:34,320
Speaker 1: my bread. That bread's gonna outweigh anything I got to give.

1542
01:15:34,800 --> 01:15:36,639
Speaker 1: What does your daughter say now that you have custody

1543
01:15:36,680 --> 01:15:39,360
Speaker 1: and she's you know, seventeen eighteen, it's just like, yo,

1544
01:15:39,400 --> 01:15:41,120
Speaker 1: don't have her over here, you know what I'm saying,

1545
01:15:41,120 --> 01:15:43,280
Speaker 1: and just keep her over there after kids yours and

1546
01:15:43,400 --> 01:15:45,320
Speaker 1: we're just do what we do with the baby. But

1547
01:15:45,479 --> 01:15:47,040
Speaker 1: you know she doesn't really feel it. But because of

1548
01:15:47,040 --> 01:15:49,280
Speaker 1: all the stuff that she was saying about a little sister, right,

1549
01:15:49,479 --> 01:15:52,559
Speaker 1: what I'm saying, none of the kids feel her now.

1550
01:15:52,600 --> 01:15:55,559
Speaker 1: One of your older sons, Dorian, was on Instagram freestyle

1551
01:15:55,600 --> 01:15:57,599
Speaker 1: and saying you and ask the tea father. I mean,

1552
01:15:58,720 --> 01:16:00,479
Speaker 1: I don't see that, you know what I'm And maybe

1553
01:16:00,560 --> 01:16:02,240
Speaker 1: he was in his emotions at the time. You know

1554
01:16:02,280 --> 01:16:04,320
Speaker 1: what I'm saying. I just saw him at Eva's birthday party,

1555
01:16:04,400 --> 01:16:06,160
Speaker 1: hugged me, said he's sorry, he loved me, and you

1556
01:16:06,240 --> 01:16:09,000
Speaker 1: know he came we ate dinner. But you know I wouldn't.

1557
01:16:09,479 --> 01:16:11,280
Speaker 1: I would never steal from my father, you know what

1558
01:16:11,280 --> 01:16:14,000
Speaker 1: I'm saying it was an instance where he stole a

1559
01:16:14,080 --> 01:16:16,160
Speaker 1: lot of equipment from me and I had to just

1560
01:16:16,320 --> 01:16:19,800
Speaker 1: as myself. You know what I'm saying. How old was he? Um?

1561
01:16:20,120 --> 01:16:23,000
Speaker 1: Twenty one? Oh? Was he a grown man? Not even

1562
01:16:23,000 --> 01:16:24,600
Speaker 1: a kid? No more. You can't even forgive him like

1563
01:16:24,600 --> 01:16:26,519
Speaker 1: you do forgive a job, right, you know, I just

1564
01:16:26,600 --> 01:16:29,000
Speaker 1: forgive him, but you're not in the trust fund no more.

1565
01:16:31,200 --> 01:16:32,680
Speaker 1: So you really don't rock with him, so it's not

1566
01:16:32,720 --> 01:16:34,280
Speaker 1: like you would have rock with him. But you gotta

1567
01:16:34,320 --> 01:16:37,040
Speaker 1: come to the table right now. Yeah, let's just take

1568
01:16:37,120 --> 01:16:39,920
Speaker 1: that away because I don't owe you anything. I did

1569
01:16:39,960 --> 01:16:41,400
Speaker 1: what I did. Now, you're twenty two and you got

1570
01:16:41,479 --> 01:16:42,960
Speaker 1: a kid. I take care of you and your kid.

1571
01:16:43,640 --> 01:16:45,320
Speaker 1: Now you have to show me that you can get

1572
01:16:45,320 --> 01:16:46,880
Speaker 1: a job. Once you get a job, then maybe we

1573
01:16:46,920 --> 01:16:48,800
Speaker 1: could talk about the trust. Is that a convo you

1574
01:16:48,840 --> 01:16:50,439
Speaker 1: had with him? Like you know, you're on Instagram talking

1575
01:16:50,439 --> 01:16:53,000
Speaker 1: about him a father you stole from you know, wrock.

1576
01:16:53,160 --> 01:16:54,639
Speaker 1: You didn't know what he did. You know what I'm saying,

1577
01:16:54,800 --> 01:16:56,760
Speaker 1: Some certain things don't have to be said. But you

1578
01:16:56,800 --> 01:16:58,599
Speaker 1: know what I'm saying, I still love him, but sometimes

1579
01:16:58,640 --> 01:17:01,479
Speaker 1: you gotta show that tough love. I would never stand

1580
01:17:01,560 --> 01:17:04,559
Speaker 1: for my father CBJ don't had a rough pass. Yeah,

1581
01:17:05,080 --> 01:17:06,920
Speaker 1: but you know it only makes me stronger. I'm happening.

1582
01:17:07,040 --> 01:17:10,280
Speaker 1: What's the last time you seeen? Eve? Oh man? He

1583
01:17:10,560 --> 01:17:15,880
Speaker 1: was watching this like I really hope again again? No, no, no,

1584
01:17:16,000 --> 01:17:19,320
Speaker 1: we cool? She followed me on social media. Now we're cool? Really? Yeah?

1585
01:17:20,280 --> 01:17:23,200
Speaker 1: To be mad about you never said nothing about it,

1586
01:17:23,280 --> 01:17:24,720
Speaker 1: and you know what I'm saying, And you guys really

1587
01:17:24,760 --> 01:17:26,680
Speaker 1: did dat. It wasn't a secret and it was a

1588
01:17:26,720 --> 01:17:29,000
Speaker 1: great relationship. And I helped her get the Grammy and

1589
01:17:29,280 --> 01:17:31,120
Speaker 1: it was the best record you ever made when I

1590
01:17:31,400 --> 01:17:33,240
Speaker 1: produced it with her. You know what I'm saying, Snow,

1591
01:17:33,360 --> 01:17:37,080
Speaker 1: he says, the best records you ever made? You know

1592
01:17:37,200 --> 01:17:39,759
Speaker 1: the Scorpion joined with the Stefani join want to Grammy

1593
01:17:39,760 --> 01:17:41,280
Speaker 1: for that? Let me blow your mind. I wrote that.

1594
01:17:41,680 --> 01:17:44,640
Speaker 1: I didn't know that. Oh you're good the whole so

1595
01:17:44,720 --> 01:17:48,360
Speaker 1: many credits, it's like, so, so who's that guy? Young Flow?

1596
01:17:48,479 --> 01:17:52,800
Speaker 1: What's his name? Girl? I'm like, who his accolades next

1597
01:17:52,840 --> 01:17:56,639
Speaker 1: to mine? Put his you know anything he ever done

1598
01:17:56,680 --> 01:17:59,040
Speaker 1: accomplishments next to mind? Then you know what I'm saying.

1599
01:17:59,200 --> 01:18:00,760
Speaker 1: But y'all, I don't have no issues with each other

1600
01:18:00,880 --> 01:18:03,160
Speaker 1: aside from just because of this job, you know, just

1601
01:18:03,760 --> 01:18:06,400
Speaker 1: to say slick stuff. I'm in the gym, so you know,

1602
01:18:07,200 --> 01:18:08,920
Speaker 1: you know the walls closed in, They're gonna have to

1603
01:18:08,960 --> 01:18:10,880
Speaker 1: be next to me, you know what I'm saying. I've

1604
01:18:10,880 --> 01:18:15,320
Speaker 1: seen Stevie J fight before, man, Charlotte, North Carolina. Was

1605
01:18:15,360 --> 01:18:18,519
Speaker 1: that then? Remember that it was a weekend. That wasn't

1606
01:18:18,520 --> 01:18:20,800
Speaker 1: a fight like I jumped. Yeah, that wasn't no fight.

1607
01:18:20,960 --> 01:18:23,320
Speaker 1: You know what I no, I saw you helping somebody.

1608
01:18:23,680 --> 01:18:26,320
Speaker 1: I was mistaken. Now you was mistaken. I'm watching a

1609
01:18:26,439 --> 01:18:30,200
Speaker 1: whole go down. Now my crew have fought and yeah, yeah,

1610
01:18:30,240 --> 01:18:32,280
Speaker 1: my crew have fought somebody, but I don't. I don't

1611
01:18:32,320 --> 01:18:34,600
Speaker 1: get involved in fights unlessons in one on one and

1612
01:18:34,640 --> 01:18:38,360
Speaker 1: I gotta you know, wrinkle somebody school close up. You

1613
01:18:38,439 --> 01:18:41,240
Speaker 1: think you and jo can get over that though, I mean,

1614
01:18:41,360 --> 01:18:44,519
Speaker 1: you know, I ain't got nothing to say a woman

1615
01:18:44,600 --> 01:18:47,040
Speaker 1: that you know already know what she's staying. And he's

1616
01:18:47,040 --> 01:18:50,160
Speaker 1: saying that he never messed with her. Yeah, and he's

1617
01:18:50,160 --> 01:18:52,000
Speaker 1: saying he never messed with her and they just did

1618
01:18:52,120 --> 01:18:54,320
Speaker 1: some music together. He's on other station, you know what

1619
01:18:54,320 --> 01:18:56,280
Speaker 1: I'm saying. He's an other station saying this and that.

1620
01:18:56,400 --> 01:18:57,800
Speaker 1: But you know, this is what it is. I'm just

1621
01:18:57,880 --> 01:19:00,479
Speaker 1: about this paper man, you know what I'm saying. Okay,

1622
01:19:00,640 --> 01:19:05,439
Speaker 1: and new improved Stevie Ja not really but okay, all right,

1623
01:19:06,479 --> 01:19:09,200
Speaker 1: ain't about the creep life anymore. I'm done with all that.

1624
01:19:09,280 --> 01:19:10,760
Speaker 1: I'm just want to make sure I'm providing for my

1625
01:19:10,880 --> 01:19:12,880
Speaker 1: next three generations. Man. I got my daughter living with

1626
01:19:12,960 --> 01:19:16,320
Speaker 1: me now, so it's different. All right. Well, there you

1627
01:19:16,400 --> 01:19:20,280
Speaker 1: have it. That's tough. It's Stevie Seat, it's the Breakfast Club.

1628
01:19:20,360 --> 01:19:20,880
Speaker 1: Good morning,