WEBVTT - #411 - Dezzy Hollow

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<v Speaker 1>Yo, what up is? Desi Hollow? Check me out at

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<v Speaker 1>the Bootleg kV podcast. Bootleg kV Podcast Special guests in here.

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<v Speaker 1>Desi Hollow represent Ocean Side Ocera size in the house

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<v Speaker 1>with up keV Man. I'm chilling in a long time man,

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<v Speaker 1>for sure. You got I remember when I seen who

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<v Speaker 1>last was at? We was at an event and you

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<v Speaker 1>was like on your phone because you had placed to bed.

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<v Speaker 1>Oh and it was it looked like you was down

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<v Speaker 1>bad though, you know what You're right? That was?

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<v Speaker 2>That was a Cypress Morano spot. Yeah in La was

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<v Speaker 2>Dope Dope Man's event.

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<v Speaker 1>Right.

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<v Speaker 2>Yeah, there was a bet I had like ten grand

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<v Speaker 2>riding on a college game, and I don't remember if

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<v Speaker 2>I think I might have. I think they pulled it

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<v Speaker 2>out for me, but I definitely the whole time I

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<v Speaker 2>was I had ten grand on that game and that

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<v Speaker 2>shit sucked. That shit was stressful. I'm glad I got

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<v Speaker 2>over that part of my life. Yeah, you were sweating over.

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<v Speaker 1>The Oh yeah that's crazy.

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<v Speaker 2>Yeah, it was like a college I don't even watch

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<v Speaker 2>college football, bro, but I just be using my homies

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<v Speaker 2>picks and I put ten bands on a game. And

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<v Speaker 2>I've never been so in tune to a football game and.

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<v Speaker 1>I forgot who was playing.

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<v Speaker 2>It was like, might have been UCLA or something. I

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<v Speaker 2>don't know, but I don't remember if I won that bet.

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<v Speaker 2>I think I won it. I think i'd remember more

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<v Speaker 2>if I lost it, because I know my big losses.

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<v Speaker 2>I could point at the game and say, fucking Mike

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<v Speaker 2>White from the Jets beating the Bengals two years ago,

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<v Speaker 2>fifteen bands out the door.

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<v Speaker 1>But you know I've won enough. I'm off the gambling now,

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<v Speaker 1>a little spending money.

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<v Speaker 2>I do a little bit here and there. You know,

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<v Speaker 2>I put a little bit out there. But there was

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<v Speaker 2>like a during that period. There's like a two year

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<v Speaker 2>stretch during the pandemic where I was fucking leveraging some

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<v Speaker 2>bread on shit I can't control, which is a bad

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<v Speaker 2>habit to have. By the way, if you'd like to

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<v Speaker 2>do the same thing, go to my bookie dot com

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<v Speaker 2>and use a promo code bootleg and sign up and

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<v Speaker 2>you you make it a first deposit bonus up two

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<v Speaker 2>thousand dollars, trust my bookie. But yeah, no, that was

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<v Speaker 2>that mad that I do remember that.

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<v Speaker 1>Yeah. I wasn't even in present at the event because

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<v Speaker 1>I was so like, I know, I was like, hey,

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<v Speaker 1>give give yeah, no, but uh, hey, how's everything, man,

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<v Speaker 1>Everything's good. Everything is on the up. I just released

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<v Speaker 1>that a project in the video with Yeah. I just

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<v Speaker 1>released that and independently as my first independent drop, and

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<v Speaker 1>it's you know, it's a video Corrupt, and then I

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<v Speaker 1>also dropped Yes. My game plan was to drop the

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<v Speaker 1>album with the visual with Corrupt, and then following that,

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<v Speaker 1>my whole roll up plan was just my music videos.

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<v Speaker 1>I've been shooting music videos my my. I guess my

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<v Speaker 1>plan is not like in the industry, like an industry rollout,

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<v Speaker 1>but it's kind of like like a consistent, like consistency

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<v Speaker 1>type of rollout. It's a different well.

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<v Speaker 2>You been like diving in the last couple of years

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<v Speaker 2>into kind of bringing back this old school like g

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<v Speaker 2>funk shit that's like missing from the game.

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<v Speaker 1>Yeah, I think right now is a good time for

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<v Speaker 1>the top of music I'm making because you don't really

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<v Speaker 1>like hear that anymore. No, for sure, it's different. It

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<v Speaker 1>stands out and it's something that like the West Coast

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<v Speaker 1>was known for, and I feel like I have a

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<v Speaker 1>chance to kind of be the person that you know,

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<v Speaker 1>gets to like bring in that second wind of funk

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<v Speaker 1>and you know, I'm doing my best, but it's it's

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<v Speaker 1>it's you know, it's catching on. I see people starting

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<v Speaker 1>to like find out about me that were like, man,

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<v Speaker 1>I used to listen to this type of sound when

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<v Speaker 1>I was younger growing up, and it was the same

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<v Speaker 1>with me, you know, I grew up on a sound

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<v Speaker 1>and now I'm creating it. Yeah.

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<v Speaker 2>For you, when did you kind of decide to like

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<v Speaker 2>go that route? Yeah, I think.

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<v Speaker 1>Like three years ago I dropped my first project that

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<v Speaker 1>was just all funk and it was called it was

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<v Speaker 1>called The Cought and the Funk d of Funk. I

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<v Speaker 1>think that's a new one, right, Nah, what is the

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<v Speaker 1>first one called? Because one Nation Earned the Funk was

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<v Speaker 1>the one before this. Before that one was can You

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<v Speaker 1>Handle the Funk? That was my first project where I

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<v Speaker 1>just did only funk, you know, But I had always

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<v Speaker 1>I had always, like you know, mess with funk, and

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<v Speaker 1>you know it was accustomed to it from just growing

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<v Speaker 1>up on it. But I never really like had a

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<v Speaker 1>body of work that was dedicated to just that sound.

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<v Speaker 1>You know.

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<v Speaker 2>And you've been working with like some legends, like you

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<v Speaker 2>had a record with sugar Free. I saw sugar Free

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<v Speaker 2>w c been working with Little Bob. Shout out to

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<v Speaker 2>a Little Rob.

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<v Speaker 1>Yeah, shout out to Little Bob.

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<v Speaker 2>Man.

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<v Speaker 1>He's definitely a solid one that that has always been

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<v Speaker 1>a supporter for sure.

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<v Speaker 2>And like I've been seeing since you've been doing this,

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<v Speaker 2>like you've been going up, like I see you getting

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<v Speaker 2>bookings and ship I see you car shows. Yeah.

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<v Speaker 1>No, I've been doing a lot of shows. And but

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<v Speaker 1>my whole thing is that I really want to do

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<v Speaker 1>like a successful tour for this project. I've never been

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<v Speaker 1>like on tour or really had like a bushnet dates

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<v Speaker 1>and stuff. Yeah right, I've never had like a booking

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<v Speaker 1>agent really put together like some tour dates for me.

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<v Speaker 1>So right now I'm in the middle of getting that done. Congrats,

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<v Speaker 1>thank you. Yeah. So for you.

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<v Speaker 2>So you've worked with some legends, man, who's been the

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<v Speaker 2>coolest guy to kind of like hang with and like.

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<v Speaker 1>You know, because they all have their own like personalities.

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<v Speaker 1>And for me, it's like I'm a I'm a younger

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<v Speaker 1>of a younger generation, so I kind of have to

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<v Speaker 1>like I don't know, like speak accordingly, but just you know,

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<v Speaker 1>know like who I'm talking to because little Little Rob

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<v Speaker 1>the way I talked to Little Rob is different than

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<v Speaker 1>how I talk to like corrupt or dub C, you know,

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<v Speaker 1>but you know, I got love for them all, and

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<v Speaker 1>they've all showed love. But by far, Little Rob has

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<v Speaker 1>been someone that's been like.

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<v Speaker 2>Well, you guys are I mean, ocean Side and San

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<v Speaker 2>Diego are not the same, but you gotta get you

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<v Speaker 2>gotta go through your.

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<v Speaker 1>Ocean side to get the San Diego. If you're in

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<v Speaker 1>l A and they're.

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<v Speaker 2>Very they're very even though you guys are very different.

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<v Speaker 2>A lot of people kind of just like I'm my

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<v Speaker 2>homie Ben Ben. I don't know if you know Ben

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<v Speaker 2>Fly he's from. But when he talks to people about

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<v Speaker 2>where he's from who don't understand California, he just says

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<v Speaker 2>San Diego because it's easier to say that than ocean side,

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<v Speaker 2>because if you say ocean side, you gotta be like, oh,

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<v Speaker 2>where's that and then well, you know it's about an

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<v Speaker 2>hour north of sand you know, So you guys are

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<v Speaker 2>like for a Little Rob. Little Rob's kind of like

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<v Speaker 2>one of the pillars of San Diego hip hop and

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<v Speaker 2>not the goat of it. Like it's like Jao Felony him,

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<v Speaker 2>Like there's Rob Stone, like there's guys but like little.

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<v Speaker 1>Rob to me is the most like.

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<v Speaker 2>Longevity dude, that kind of represents South of l.

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<v Speaker 1>A the most, if that makes sense. Yeah, I think

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<v Speaker 1>the word for a little while will be like iconic

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<v Speaker 1>because sure he's an icon when you think about like

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<v Speaker 1>Chicano Rob, He's he's you know, he's the face, He's

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<v Speaker 1>like the jay Z of it, right, which is you know,

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<v Speaker 1>that's a big thing for sure. So yeah, no much

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<v Speaker 1>much flowers and props, a little vib Yeah, not so

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<v Speaker 1>for you.

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<v Speaker 2>Do you ever get frustrated that ocean Side has yet

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<v Speaker 2>to kind of because it's now.

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<v Speaker 1>I feel like you're doing such a good job.

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<v Speaker 2>Of making sure people know, like ocean Side is ocean Side,

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<v Speaker 2>like and you have a sound, which every place needs

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<v Speaker 2>a sound, you know what I'm saying. But like being

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<v Speaker 2>from ocean Side, you guys get confused and punched in

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<v Speaker 2>San Diego a lot, you know what I mean? Is

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<v Speaker 2>that something that gets frustrating because you're like, now we're

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<v Speaker 2>our own thing over here, like it's a whole different place.

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<v Speaker 1>For me. I just I you know, I just tell

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<v Speaker 1>people from Oceanside, you know, I have love for like

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<v Speaker 1>a lot of artists from San Diego and for sure,

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<v Speaker 1>I spent a lot of time down there. Yeah, and

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<v Speaker 1>you know, Ocean Side is beautiful too. Yeah. But for

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<v Speaker 1>the most part, you know, there's like a lot of

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<v Speaker 1>similarities and it's it's just all love, you know, with me.

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<v Speaker 1>But but Ocean Side is definitely its own thing. So

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<v Speaker 1>a lot of military folks there. Yeah. Yeah. And right

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<v Speaker 1>now it's a lot of like gentrification and like remodeling.

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<v Speaker 1>So we see a lot of tourists, we see a

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<v Speaker 1>lot of like prices going up. Sure, we see a

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<v Speaker 1>lot of things changing right now. So it's becoming a

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<v Speaker 1>hot spot too. Yeah, it is for people to like

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<v Speaker 1>go vacate there, like move there. Like I had hell

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<v Speaker 1>of people I know from arizona're like, yo, you ever

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<v Speaker 1>heard a oce Side thinking about living there? And I'm

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<v Speaker 1>like really, yeah. People will come on vacation. I've met

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<v Speaker 1>somebody and said they were on vacation. I was like,

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<v Speaker 1>out here, you know. But but they're starting to get

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<v Speaker 1>more and more things that attract tourists out there. So

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<v Speaker 1>you know, it's good and bad. But I always try

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<v Speaker 1>to paint the picture of, you know, how it was

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<v Speaker 1>for me growing up in Ocera Side, because at the

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<v Speaker 1>end of the day, every city is gonna like get gentrified,

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<v Speaker 1>it's gonna get you know, it's going to change. You know,

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<v Speaker 1>nothing stays the same. So my job is just to

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<v Speaker 1>paint you know what I know.

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<v Speaker 2>Of You're You're, Yeah, you're you're, you're a representation of

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<v Speaker 2>your city. So you got your experience there, you got

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<v Speaker 2>to share with the world. It's dope make so like

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<v Speaker 2>obviously you grew up listening to old school hip hop

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<v Speaker 2>defunk ship like for you, like, was there a record

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<v Speaker 2>or a moment that like you kind of realized like,

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<v Speaker 2>oh shit, like I could really bring this shit back

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<v Speaker 2>low key if I really like lean into this a

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<v Speaker 2>lot more. Because you weren't always making funk music. I

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<v Speaker 2>think when I first met you, you were making more like

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<v Speaker 2>traditional rap shit, you know, yeah.

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<v Speaker 1>More like lyrical yeah, boombab trap right right right right

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<v Speaker 1>For me, I mean, my whole reason behind me like

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<v Speaker 1>interest in becoming an artist was listening to like artists

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<v Speaker 1>such as DJ Quick, Nay Dog, you know, a DPG.

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<v Speaker 1>So you know, I was I was into like that

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<v Speaker 1>West Coast sound, but it took me a little bit

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<v Speaker 1>for it took me a while to kind of like

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<v Speaker 1>grasp how it's gonna sound, especially like a lot of

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<v Speaker 1>my hooks are like saying and stacked, so I had

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<v Speaker 1>to learn how to stack my vocal. I had to

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<v Speaker 1>learn what sounded good and what didn't because I did

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<v Speaker 1>a lot of like test runs, like for this last album,

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<v Speaker 1>I did like one hundred and fifty songs today to

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<v Speaker 1>get it down to the fourteen that are on the

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<v Speaker 1>album Shit, mainly because like sometimes I'll be like, all right,

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<v Speaker 1>I have this good melody, and when I lay it,

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<v Speaker 1>I am not don't have the capacity to be able

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<v Speaker 1>to project my vocal in that way. So then that

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<v Speaker 1>song that ends up being trish, you know, you got

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<v Speaker 1>to put someone on it. Yeah, Yes and no, because

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<v Speaker 1>for me, it's like I like to do a lot

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<v Speaker 1>of things myself. Why you your Nate dog, you know

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<v Speaker 1>you find your Nate dog. Well, I mean I sing

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<v Speaker 1>a lot of my hooks, but it's like sometimes the

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<v Speaker 1>singing doesn't come out how you think it's gonna for sure,

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<v Speaker 1>you know, And I always tell myself that before somebody

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<v Speaker 1>else is like, yo, that sounds like shit. You know,

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<v Speaker 1>I'm my biggest critic for sure.

0:10:34.520 --> 0:10:36.560
<v Speaker 2>It's funny because I always say that I'm always like

0:10:36.679 --> 0:10:41.240
<v Speaker 2>dog like, why why don't we hear I say this

0:10:41.280 --> 0:10:44.840
<v Speaker 2>about like legends in La, you know, because I'm like, man,

0:10:44.960 --> 0:10:48.360
<v Speaker 2>why aren't LA rappers making the ship that like the

0:10:48.400 --> 0:10:51.679
<v Speaker 2>class Like there's a reason why the chronic and all

0:10:51.720 --> 0:10:57.360
<v Speaker 2>these records are classics, Like why not do just more

0:10:57.360 --> 0:11:00.680
<v Speaker 2>of that in twenty twenty four? Like take that sound

0:11:00.840 --> 0:11:04.280
<v Speaker 2>and just make it the sound again. And so when

0:11:04.320 --> 0:11:05.880
<v Speaker 2>you're doing what you're doing and I see it like

0:11:06.600 --> 0:11:10.120
<v Speaker 2>actually working for you, and like I see people who

0:11:10.520 --> 0:11:12.320
<v Speaker 2>don't know you posting your ship all the time, and

0:11:12.320 --> 0:11:14.720
<v Speaker 2>I'm like, oh shit, that's dope that the sound at

0:11:14.800 --> 0:11:19.640
<v Speaker 2>least is that OG sound is resonating because it's missing,

0:11:20.160 --> 0:11:22.560
<v Speaker 2>like nobody is. I don't think got the balls to

0:11:22.600 --> 0:11:24.360
<v Speaker 2>be like, man, I'm gonna do this OG West Coast

0:11:24.400 --> 0:11:28.760
<v Speaker 2>shit and make it modern and make it fly and

0:11:29.960 --> 0:11:35.000
<v Speaker 2>just push the sound because the sound is is still popping.

0:11:35.240 --> 0:11:38.240
<v Speaker 1>People are still listening to those old school records. Yeah, yeah,

0:11:38.280 --> 0:11:42.000
<v Speaker 1>especially overseas for sure. You're especially overseas, you know, And

0:11:42.320 --> 0:11:44.800
<v Speaker 1>my whole goal to with Worldwide with corrupt was that

0:11:44.920 --> 0:11:47.120
<v Speaker 1>you know, it would it would resonate with overseas, and.

0:11:47.200 --> 0:11:49.679
<v Speaker 2>Like I know, Japan's got a huge following, Like they

0:11:49.679 --> 0:11:50.839
<v Speaker 2>love the la shit in Japan.

0:11:50.880 --> 0:11:56.400
<v Speaker 1>Yeah, you see, you see like the clothing style, the cars.

0:11:56.640 --> 0:11:59.079
<v Speaker 1>You know, have you getten booked over there? No? But

0:11:59.200 --> 0:12:02.960
<v Speaker 1>you know this year I'm hoping. I'm hoping especially I

0:12:02.960 --> 0:12:05.839
<v Speaker 1>want to get on that Low Leutter tour too. I

0:12:05.880 --> 0:12:07.760
<v Speaker 1>don't know if you're familiar with like Low Leutter magazine.

0:12:07.840 --> 0:12:10.280
<v Speaker 1>Of course they've been doing the car shows forever. Yeah,

0:12:10.360 --> 0:12:12.480
<v Speaker 1>I think you're doing or you already did? Did you

0:12:12.520 --> 0:12:15.240
<v Speaker 1>already do the super show in Phoenix. I've done it twice,

0:12:15.320 --> 0:12:18.920
<v Speaker 1>and then I've done Vegas twice, and then I'm also

0:12:18.960 --> 0:12:20.560
<v Speaker 1>doing this year. I'm going to be in Colorado for

0:12:20.600 --> 0:12:21.199
<v Speaker 1>a super show.

0:12:21.800 --> 0:12:25.400
<v Speaker 2>Them shits are fun, dude. Yeah, And like all them

0:12:25.440 --> 0:12:27.920
<v Speaker 2>dudes is there to have fun. So it's like, you know,

0:12:28.080 --> 0:12:29.600
<v Speaker 2>like some rap shows. You know how it is when

0:12:29.640 --> 0:12:30.839
<v Speaker 2>you go to like a rap show, people don't know

0:12:30.840 --> 0:12:32.440
<v Speaker 2>who you are. They really they kind of got your

0:12:32.440 --> 0:12:34.040
<v Speaker 2>nose about you a little bit. You ca to a

0:12:34.080 --> 0:12:36.880
<v Speaker 2>car show, everybody there is just like, oh, this is great,

0:12:37.320 --> 0:12:38.440
<v Speaker 2>there's a concert happening.

0:12:38.520 --> 0:12:40.560
<v Speaker 1>Let's enjoy this. Yeah. Because other than that, it's just

0:12:40.600 --> 0:12:42.520
<v Speaker 1>like it's good to look at the cars. But you

0:12:42.520 --> 0:12:45.280
<v Speaker 1>know a little entertainment, you know, especially if you have

0:12:45.320 --> 0:12:47.800
<v Speaker 1>a dope set, which which the music I make just

0:12:47.800 --> 0:12:51.199
<v Speaker 1>ties in really well with the little visuals like you

0:12:51.760 --> 0:12:54.280
<v Speaker 1>got a lot of cars in your visuals and ship. Yeah, yeah,

0:12:54.320 --> 0:12:56.800
<v Speaker 1>the cars. I try to put as much Kelly culture

0:12:56.800 --> 0:13:00.200
<v Speaker 1>in my videos as I can because, like I said, man,

0:13:00.200 --> 0:13:02.079
<v Speaker 1>like you don't see a lot of that, no more.

0:13:02.520 --> 0:13:05.520
<v Speaker 2>For sure you don't, man, So it's dope to see it. Like, uh,

0:13:06.080 --> 0:13:10.559
<v Speaker 2>for you, has there been anybody who you've noticed checking

0:13:10.600 --> 0:13:13.720
<v Speaker 2>you out or have liked the photo or or left

0:13:13.760 --> 0:13:15.800
<v Speaker 2>the comment or d MG where you're just like, oh shit,

0:13:16.120 --> 0:13:18.360
<v Speaker 2>this person I'm on their radar.

0:13:18.440 --> 0:13:22.560
<v Speaker 1>That's crazy. I mean yes, but I mean I would

0:13:22.600 --> 0:13:24.440
<v Speaker 1>say yes to like certain posts that are like I

0:13:24.440 --> 0:13:26.640
<v Speaker 1>did of me but I've done Collapse with like sugar

0:13:26.679 --> 0:13:29.560
<v Speaker 1>Free c and and Corrupt, and it's like, you know,

0:13:29.600 --> 0:13:32.240
<v Speaker 1>their their peers will come in and chime in or

0:13:32.320 --> 0:13:35.600
<v Speaker 1>like who who's the craziest guy? Just like I mean,

0:13:35.640 --> 0:13:37.280
<v Speaker 1>there was like a half of like mac ten just

0:13:37.480 --> 0:13:39.560
<v Speaker 1>the last post I did with Corrupt, it was like

0:13:39.600 --> 0:13:46.520
<v Speaker 1>mac ten lazy Bone, Bitchie bitch, Richie Richmond. Yeah, but

0:13:46.559 --> 0:13:48.200
<v Speaker 1>it was it was like there was some big names

0:13:48.200 --> 0:13:51.080
<v Speaker 1>on there that I just was like, Okay, that's that's

0:13:51.120 --> 0:13:54.240
<v Speaker 1>that's cool. You know Mac Ten. I'm a big fan

0:13:54.280 --> 0:13:55.360
<v Speaker 1>of mac Ten, oh for sure.

0:13:56.600 --> 0:13:59.640
<v Speaker 2>One of the most slept on motherfuckers ever. Somehow, like

0:13:59.679 --> 0:14:01.800
<v Speaker 2>when we talk about West Coast Grade, somehow he slips

0:14:01.800 --> 0:14:04.400
<v Speaker 2>through the cracks because he's one of them ones.

0:14:04.440 --> 0:14:08.360
<v Speaker 1>Bro, No, he really didn't. He held it down from Inglewood,

0:14:08.440 --> 0:14:11.760
<v Speaker 1>so like tough, Like what I think of Inglewood? That's

0:14:11.760 --> 0:14:14.040
<v Speaker 1>the first I think of mac Ten's face. Yeah, I

0:14:14.080 --> 0:14:18.240
<v Speaker 1>think Inglewood. I think of mac ten and that's it.

0:14:18.720 --> 0:14:21.800
<v Speaker 2>I mean, shout out to Rouchie. There's others a kid

0:14:21.800 --> 0:14:23.800
<v Speaker 2>I'm thinking, I think of mac ten. Bro, Like I'm like, shit,

0:14:23.880 --> 0:14:26.360
<v Speaker 2>he was he was. I never would have thought of Inglewood.

0:14:26.360 --> 0:14:28.800
<v Speaker 2>And except for when Tupac said it on California Love,

0:14:28.840 --> 0:14:31.520
<v Speaker 2>then I was like Englewood always up to no good. Okay,

0:14:32.000 --> 0:14:34.600
<v Speaker 2>what's that place? But nah shout out to uh to

0:14:34.960 --> 0:14:37.520
<v Speaker 2>mac ten. Yeah, that'd be a crazy collapse because he's

0:14:37.720 --> 0:14:39.800
<v Speaker 2>he's back to making music again, and I think that

0:14:40.320 --> 0:14:42.560
<v Speaker 2>he did. I want to say the last record he

0:14:42.640 --> 0:14:44.640
<v Speaker 2>dropped it was car.

0:14:45.960 --> 0:14:47.160
<v Speaker 1>It was very I'm.

0:14:46.960 --> 0:14:49.600
<v Speaker 2>Trying to think he was on the show Man and

0:14:49.640 --> 0:14:51.760
<v Speaker 2>it was like so cool to talk to him because.

0:14:51.480 --> 0:14:53.840
<v Speaker 1>Oh yeah yeah, it was like about like cars, right.

0:14:54.160 --> 0:14:57.080
<v Speaker 2>Yeah, Mac Ten's a legend, bro, and he's got some

0:14:57.120 --> 0:15:01.560
<v Speaker 2>real classic albums, and Westside Connections one of them. I

0:15:01.560 --> 0:15:04.520
<v Speaker 2>mean that album the first sound about him. Oh yeah,

0:15:04.800 --> 0:15:05.960
<v Speaker 2>it's on the Mantle up there.

0:15:06.520 --> 0:15:08.480
<v Speaker 1>Yeah that that was a powerful rap group for sure.

0:15:08.920 --> 0:15:14.360
<v Speaker 1>For sure, Westside Connection, Uh you know DPG of.

0:15:14.280 --> 0:15:16.600
<v Speaker 2>Course, shout to dog Pound, shout out to uh Corrupt,

0:15:16.640 --> 0:15:18.120
<v Speaker 2>corrupts the cool ass motherfucker too.

0:15:18.720 --> 0:15:19.240
<v Speaker 1>Yeah.

0:15:19.960 --> 0:15:22.440
<v Speaker 2>Yeah, and he had some funky ass shit too, like

0:15:22.480 --> 0:15:24.360
<v Speaker 2>if you think about like some of his singles and

0:15:24.400 --> 0:15:28.160
<v Speaker 2>shit like like like he had that sound bro, shout

0:15:28.160 --> 0:15:30.040
<v Speaker 2>out to corrupt man. I miss I just missed old

0:15:30.080 --> 0:15:31.880
<v Speaker 2>school like LA hip hop. So I'm glad that you're

0:15:31.960 --> 0:15:33.680
<v Speaker 2>like or just West Coast hip hop. I don't use

0:15:33.680 --> 0:15:35.440
<v Speaker 2>the word la because you're obviously an ocean side, but

0:15:35.520 --> 0:15:38.200
<v Speaker 2>just the West Coast sound is like it's it's going.

0:15:38.360 --> 0:15:41.200
<v Speaker 2>It's like I gotta listen to twenty year old records

0:15:41.240 --> 0:15:43.160
<v Speaker 2>to hear the shit I love, right, you know what

0:15:43.200 --> 0:15:44.880
<v Speaker 2>I'm saying. So it's good to hear what you're doing.

0:15:45.320 --> 0:15:48.160
<v Speaker 2>You're keeping that shit alive, and I think the fans

0:15:48.160 --> 0:15:51.920
<v Speaker 2>are relating to it, you know, because it's obviously working

0:15:51.920 --> 0:15:52.200
<v Speaker 2>for you.

0:15:52.800 --> 0:15:55.080
<v Speaker 1>Yeah, yeah, it's working, but it's like it's at my

0:15:55.160 --> 0:15:58.480
<v Speaker 1>own pace, you know. How how however, much like work

0:15:58.520 --> 0:16:01.920
<v Speaker 1>I put into it is gonna like it's gonna be

0:16:01.960 --> 0:16:04.720
<v Speaker 1>my outcome, you know, or however, much like financially, however

0:16:04.840 --> 0:16:07.040
<v Speaker 1>much I put into it, financially, it's gonna be my

0:16:07.040 --> 0:16:09.600
<v Speaker 1>outcome as well. And you're strictly indie. Oh yeah, so

0:16:09.720 --> 0:16:12.840
<v Speaker 1>you know, I fund everything. I fund like the videos,

0:16:12.920 --> 0:16:15.760
<v Speaker 1>just everything, you know. So it's like once you get

0:16:15.760 --> 0:16:18.120
<v Speaker 1>into the business mindset, you kind of like, I'm not

0:16:18.120 --> 0:16:20.800
<v Speaker 1>gonna lie. It kind of like goes into the writing process.

0:16:20.960 --> 0:16:22.800
<v Speaker 1>So then when I write a record, it's like, Okay,

0:16:23.080 --> 0:16:24.840
<v Speaker 1>I need to write something that's gonna sell, but at

0:16:24.840 --> 0:16:26.080
<v Speaker 1>the same time, it has to be true to me.

0:16:27.000 --> 0:16:29.920
<v Speaker 1>So being able to being able to like be my

0:16:30.280 --> 0:16:32.600
<v Speaker 1>manage everything and stuff like that and have like a

0:16:32.640 --> 0:16:37.360
<v Speaker 1>business mindset, it's definitely transferred into the music. Yeah, that's dope.

0:16:37.400 --> 0:16:39.200
<v Speaker 2>Yeah, I mean, if you're handling everything, you're handling your

0:16:39.200 --> 0:16:43.440
<v Speaker 2>own videos, you now you're like, okay, well, because I'm sure,

0:16:43.480 --> 0:16:45.040
<v Speaker 2>you have to pay for some of these features, but

0:16:45.120 --> 0:16:48.080
<v Speaker 2>you'll know, Okay, I know I could get this back.

0:16:48.320 --> 0:16:49.920
<v Speaker 1>Yeah, yeah, yeah, it's just an investment, you know.

0:16:50.080 --> 0:16:53.440
<v Speaker 2>And and it's like for what you do it would

0:16:53.960 --> 0:16:56.760
<v Speaker 2>you have to do those features because it's for you

0:16:56.840 --> 0:16:59.280
<v Speaker 2>to like have a record with Corrupt making old school

0:16:59.280 --> 0:17:00.920
<v Speaker 2>like hip hop shit it like that that shit is

0:17:01.720 --> 0:17:02.480
<v Speaker 2>that's just fire.

0:17:03.080 --> 0:17:04.800
<v Speaker 1>Yeah. But but at the end of the day, each

0:17:04.800 --> 0:17:06.960
<v Speaker 1>feature goes to the next feature, if you know what

0:17:07.000 --> 0:17:09.320
<v Speaker 1>I mean. So sure, say I just work with Corrupt,

0:17:09.320 --> 0:17:10.680
<v Speaker 1>you know, and now it's like open me to a

0:17:10.720 --> 0:17:12.520
<v Speaker 1>whole another and now everybody now when you reach out,

0:17:12.520 --> 0:17:14.440
<v Speaker 1>you like, it's easier to you know, I got a

0:17:14.480 --> 0:17:18.280
<v Speaker 1>little bit of like m pull, a little bit of pull,

0:17:18.320 --> 0:17:20.080
<v Speaker 1>a little bit of weight under my name. Now, So

0:17:20.240 --> 0:17:22.440
<v Speaker 1>who you want to work with next, mack ten, mac

0:17:22.520 --> 0:17:26.000
<v Speaker 1>ten or Orange? That to be hard. Warren G lives.

0:17:26.600 --> 0:17:27.840
<v Speaker 2>I don't want to say where he lives, but he

0:17:27.880 --> 0:17:29.960
<v Speaker 2>lives down there, not down where you are, but he

0:17:30.040 --> 0:17:32.400
<v Speaker 2>lives on the way there. Yeah yeah, yeah, shoututs to Warren.

0:17:32.520 --> 0:17:34.320
<v Speaker 2>I'm sure that's easy, man.

0:17:34.560 --> 0:17:37.680
<v Speaker 1>Not as easy as as it sounds. But it's like, well,

0:17:37.680 --> 0:17:39.560
<v Speaker 1>Warren G is like a real family man.

0:17:39.720 --> 0:17:42.240
<v Speaker 2>And he's a by the way, his instagram's leg because

0:17:42.240 --> 0:17:44.720
<v Speaker 2>he'd be barbecue and hell and meets that motherfucker's a

0:17:44.800 --> 0:17:46.320
<v Speaker 2>g real officionado.

0:17:46.560 --> 0:17:47.400
<v Speaker 1>I know it looks great.

0:17:47.480 --> 0:17:49.560
<v Speaker 2>He has his own sauce gray, he has his own

0:17:49.600 --> 0:17:51.720
<v Speaker 2>like dry rub I think, I think it's Sniff and Griffin.

0:17:52.760 --> 0:17:56.080
<v Speaker 2>Whatever it is, he's.

0:17:55.160 --> 0:17:55.600
<v Speaker 1>Got it going.

0:17:55.680 --> 0:17:58.560
<v Speaker 2>But Warner G is like, you know, he was active

0:17:58.600 --> 0:17:59.840
<v Speaker 2>a couple of years ago. He put a record out

0:17:59.840 --> 0:18:02.000
<v Speaker 2>with out Sign maybe two or three years ago.

0:18:02.119 --> 0:18:04.320
<v Speaker 1>So yeah, I mean I follow him, you know, I

0:18:04.320 --> 0:18:06.719
<v Speaker 1>see him in the booth and he's doing a lot

0:18:06.720 --> 0:18:08.639
<v Speaker 1>of these old school shows. That's the other thing is

0:18:08.640 --> 0:18:10.800
<v Speaker 1>like when you do these card shows, now run into them.

0:18:10.840 --> 0:18:13.080
<v Speaker 1>You can run into that, run into one. I mean,

0:18:13.119 --> 0:18:15.119
<v Speaker 1>I've met one G already. I've met a lot of

0:18:15.200 --> 0:18:17.320
<v Speaker 1>artists already. But you know, it's not like I'm just

0:18:17.400 --> 0:18:21.439
<v Speaker 1>Liket's magic. I think that'd be hard.

0:18:21.680 --> 0:18:24.560
<v Speaker 2>You get like an MC magic talk box hook on

0:18:24.560 --> 0:18:25.359
<v Speaker 2>one of your records.

0:18:25.680 --> 0:18:27.080
<v Speaker 1>Me and him, me and him. I have gone back

0:18:27.119 --> 0:18:30.320
<v Speaker 1>and forth before MC Magic. I've done like a handful

0:18:30.359 --> 0:18:32.240
<v Speaker 1>of shows with him, because for sure I get tied

0:18:32.280 --> 0:18:34.320
<v Speaker 1>in a lot with like shows with like Baby Bash

0:18:34.560 --> 0:18:37.040
<v Speaker 1>and Little So I see it. I'm in the whole

0:18:37.119 --> 0:18:39.080
<v Speaker 1>like I see them a lot. You know, that whole circle.

0:18:39.480 --> 0:18:41.439
<v Speaker 2>It's a car culture ship because you're making like that,

0:18:41.760 --> 0:18:45.880
<v Speaker 2>you know you're made Like yeah, so what's the album's out?

0:18:47.240 --> 0:18:49.080
<v Speaker 2>Obviously corrupts on the album. Anybody else on the.

0:18:49.080 --> 0:18:53.480
<v Speaker 1>Arm corrupts on the album. Mitchie slicks on the album

0:18:54.000 --> 0:18:56.679
<v Speaker 1>A shout out to Mitchie Slick San Diego legend. And

0:18:56.720 --> 0:19:00.679
<v Speaker 1>then Pilo's on the album PLO five. Did he do

0:19:00.720 --> 0:19:02.200
<v Speaker 1>the beat or he just do? He did the beat

0:19:02.240 --> 0:19:05.560
<v Speaker 1>and then we recorded the song together and it was fun, bro.

0:19:05.680 --> 0:19:09.520
<v Speaker 1>It was working with him is fun, bro. Like usually

0:19:09.520 --> 0:19:11.240
<v Speaker 1>when I work with artists, it's like, damn, we're in

0:19:11.280 --> 0:19:13.400
<v Speaker 1>our own size of the room. We're riding shit with him,

0:19:13.680 --> 0:19:15.800
<v Speaker 1>literally together, we got we're sitting down, We've got a mic.

0:19:15.960 --> 0:19:18.040
<v Speaker 1>Was going back and forth. He's great. You know, It's

0:19:18.040 --> 0:19:21.000
<v Speaker 1>like I never recorded like that before. Was working with Pelow?

0:19:21.000 --> 0:19:22.639
<v Speaker 1>Like was that something like where he reached out to you?

0:19:22.680 --> 0:19:24.400
<v Speaker 1>Do you reach out to him? How that work? That's

0:19:24.440 --> 0:19:26.760
<v Speaker 1>a crazy thing, bro? And this music shit is nuts

0:19:26.800 --> 0:19:29.040
<v Speaker 1>because like I had to shoot to this out. I

0:19:29.040 --> 0:19:32.439
<v Speaker 1>had to shoot in Hollywood with in Hell, which is

0:19:32.520 --> 0:19:35.040
<v Speaker 1>a kny dog son Okay, yeah, yeah yeah. And we

0:19:35.040 --> 0:19:36.679
<v Speaker 1>were shooting at some house out there and I went

0:19:36.720 --> 0:19:39.879
<v Speaker 1>to the liquor store and Pelo walks in the liquor

0:19:39.880 --> 0:19:42.240
<v Speaker 1>store and I'm just like, what the fuck is that, Pelo.

0:19:42.880 --> 0:19:44.320
<v Speaker 1>I get my stuff and then I go outside of

0:19:44.320 --> 0:19:46.320
<v Speaker 1>my car and what do you know, He's passing me.

0:19:46.400 --> 0:19:47.919
<v Speaker 1>I'm like, yo, Pilo, what up? What up? What up?

0:19:48.000 --> 0:19:50.240
<v Speaker 1>But I had met him previously at an Empire party

0:19:50.280 --> 0:19:54.639
<v Speaker 1>when I was signed with Empire years before, so that

0:19:54.760 --> 0:19:56.240
<v Speaker 1>after I've seen him that time, we ended up following

0:19:56.280 --> 0:19:57.919
<v Speaker 1>each other. And then one day he just reached down

0:19:57.960 --> 0:19:59.800
<v Speaker 1>and said, Yo, man, that's like what you're doing. Let's

0:19:59.800 --> 0:20:02.240
<v Speaker 1>see we can do yeah, which was a big thing

0:20:02.240 --> 0:20:04.240
<v Speaker 1>for me because like when I look at like the

0:20:04.280 --> 0:20:06.720
<v Speaker 1>status that he has, he's up there, you know. Sure,

0:20:06.960 --> 0:20:09.560
<v Speaker 1>So for me it's like, man, like, of course, let's

0:20:09.640 --> 0:20:12.399
<v Speaker 1>let's create, you know. So that I went and I

0:20:12.440 --> 0:20:13.919
<v Speaker 1>met up with him. The first time I met up

0:20:13.920 --> 0:20:16.520
<v Speaker 1>with him like five times. We made like three songs

0:20:16.560 --> 0:20:20.040
<v Speaker 1>hard and none of them were it until like I

0:20:20.040 --> 0:20:21.280
<v Speaker 1>give it a little bit of time. And then I

0:20:21.280 --> 0:20:22.440
<v Speaker 1>came back to a studio I was like, Yo, I

0:20:22.480 --> 0:20:24.520
<v Speaker 1>want to make something for my album. I want it

0:20:24.560 --> 0:20:26.159
<v Speaker 1>to be funky, but I don't want it to I

0:20:26.200 --> 0:20:27.919
<v Speaker 1>want you to still be turned up. You do what

0:20:27.960 --> 0:20:30.520
<v Speaker 1>you do, that bass sound. And then we created that

0:20:30.600 --> 0:20:33.040
<v Speaker 1>record and then I put this record called Hotel Lobby

0:20:33.440 --> 0:20:36.960
<v Speaker 1>on my album that he produced and be created together Fire,

0:20:37.600 --> 0:20:40.160
<v Speaker 1>you know. But he solid though. Man, A big shout

0:20:40.160 --> 0:20:42.920
<v Speaker 1>out to Plow just you know, with the help with everything,

0:20:43.000 --> 0:20:44.359
<v Speaker 1>you know, and he's doing big things.

0:20:44.520 --> 0:20:47.600
<v Speaker 2>He's killing it shots Mitch shot strong arm steady too.

0:20:47.640 --> 0:20:49.600
<v Speaker 2>He's one of the moji's out out in San Diego,

0:20:49.680 --> 0:20:50.840
<v Speaker 2>so for sure.

0:20:50.920 --> 0:20:52.440
<v Speaker 1>Man. Alright, so look, the album is out.

0:20:52.920 --> 0:20:55.439
<v Speaker 2>I suggest anybody who's watching this who haven't heard of you,

0:20:56.040 --> 0:20:59.240
<v Speaker 2>if you love classic West Coast hip hop. This guy's

0:20:59.240 --> 0:21:01.320
<v Speaker 2>bringing the sound back in his own way, in a

0:21:01.400 --> 0:21:07.080
<v Speaker 2>modern dope way, bringing the funk back. And there's a

0:21:07.119 --> 0:21:09.560
<v Speaker 2>tour coming soon. You've definitely you're doing all kinds of

0:21:09.560 --> 0:21:11.840
<v Speaker 2>car shows. You say you're doing Colorado soon. Yeah, yeah,

0:21:11.840 --> 0:21:14.760
<v Speaker 2>we got some shows coming up. But I'm just gonna.

0:21:14.600 --> 0:21:16.520
<v Speaker 1>Try to put a tour together with with with the

0:21:16.600 --> 0:21:20.520
<v Speaker 1>Days Fire as soon as possible, you know. But you're

0:21:20.560 --> 0:21:21.240
<v Speaker 1>doing some dope ship.

0:21:21.280 --> 0:21:23.040
<v Speaker 2>Man, it's good to see you, know, your growth, and

0:21:23.600 --> 0:21:26.879
<v Speaker 2>I'm glad that you found something that I feel like

0:21:27.000 --> 0:21:28.800
<v Speaker 2>was missing because you're doing it.

0:21:30.119 --> 0:21:32.000
<v Speaker 1>When I see your ship, I'm like, man, this is ship.

0:21:32.040 --> 0:21:34.600
<v Speaker 2>This motherfucker should have been doing this ill shit like,

0:21:34.960 --> 0:21:37.200
<v Speaker 2>So it's just glad. I'm just glad to see someone

0:21:37.280 --> 0:21:38.960
<v Speaker 2>keeping that shit alive and it's working out.

0:21:39.600 --> 0:21:41.600
<v Speaker 1>Yeah. No, it's it's because you ain't like a new artist.

0:21:41.680 --> 0:21:43.320
<v Speaker 2>You're like you've been around a minute, bro, so like

0:21:43.400 --> 0:21:45.520
<v Speaker 2>for you to like kind of keep stick stay with

0:21:45.600 --> 0:21:47.520
<v Speaker 2>it until you were able to fly right.

0:21:47.720 --> 0:21:50.600
<v Speaker 1>It's the consistency and just being relevant. You know, like

0:21:51.280 --> 0:21:54.120
<v Speaker 1>a lot of people like don't understand how to even

0:21:54.160 --> 0:21:57.400
<v Speaker 1>like work certain things such as like social media or

0:21:57.680 --> 0:22:00.320
<v Speaker 1>you know, like different platforms you know that they should

0:22:00.359 --> 0:22:03.600
<v Speaker 1>be utilizing in order to be like seeing you know,

0:22:03.760 --> 0:22:04.520
<v Speaker 1>you got to do all that.

0:22:04.840 --> 0:22:07.600
<v Speaker 2>It's nowadays you have to wear more hats as an

0:22:07.600 --> 0:22:10.280
<v Speaker 2>independent artist than ever. Not only you have to go

0:22:10.280 --> 0:22:11.720
<v Speaker 2>make the music, but you have to promote the music,

0:22:11.760 --> 0:22:13.040
<v Speaker 2>and you have to know how to promote the music.

0:22:13.119 --> 0:22:15.200
<v Speaker 2>That's to own your own skill alone.

0:22:15.720 --> 0:22:17.480
<v Speaker 1>To be honest with you really got to learn everything,

0:22:17.680 --> 0:22:20.320
<v Speaker 1>like how to record yourself, how to edit some videos,

0:22:20.760 --> 0:22:21.920
<v Speaker 1>all everything.

0:22:21.960 --> 0:22:25.000
<v Speaker 2>Yeah, if you're gonna be independent, and even if you ain't,

0:22:25.400 --> 0:22:27.600
<v Speaker 2>you're crazy if you don't learn all of that. Anyway,

0:22:27.640 --> 0:22:31.520
<v Speaker 2>you should be able to kind of save as much

0:22:31.560 --> 0:22:32.080
<v Speaker 2>money as you.

0:22:32.040 --> 0:22:35.119
<v Speaker 1>Can, because, like they say, knowledge is power. You know,

0:22:35.119 --> 0:22:37.600
<v Speaker 1>if you know how to do editing videos or you

0:22:37.640 --> 0:22:40.040
<v Speaker 1>know how to record yourself, that's that's two people.

0:22:39.760 --> 0:22:41.480
<v Speaker 2>That use, two people that you don't have to pay.

0:22:42.359 --> 0:22:44.400
<v Speaker 2>That's what Russ always says. Russ is like I edit

0:22:44.720 --> 0:22:49.840
<v Speaker 2>or he used to edit his videos. He records mixed

0:22:50.000 --> 0:22:52.760
<v Speaker 2>masters and makes his own beats. Those are a lot

0:22:52.800 --> 0:22:55.120
<v Speaker 2>of things that cost money out in the game. So

0:22:55.119 --> 0:22:56.080
<v Speaker 2>so man, keep killing it.

0:22:56.080 --> 0:22:56.240
<v Speaker 1>Bro.

0:22:56.800 --> 0:22:59.680
<v Speaker 2>The album's called Cotton the Funk right, it's out right now.

0:23:00.160 --> 0:23:03.919
<v Speaker 2>Stream it YouTube, Go check out all his videos. You

0:23:04.000 --> 0:23:06.879
<v Speaker 2>got videos with some some big dogs, so you know,

0:23:07.080 --> 0:23:09.080
<v Speaker 2>just go dive into what this guy's doing. DESI hollow

0:23:09.080 --> 0:23:12.560
<v Speaker 2>shout to ocean Side. Man, if we go to Ocean Side,

0:23:12.560 --> 0:23:13.840
<v Speaker 2>what's the one restaurant you're taking me to?

0:23:14.920 --> 0:23:16.879
<v Speaker 1>Man? If we go to Ocean Side, I'm finna take

0:23:16.920 --> 0:23:23.320
<v Speaker 1>you to the spot called It depends if you like

0:23:23.320 --> 0:23:27.440
<v Speaker 1>like a toasty locos and and like what you don't

0:23:27.480 --> 0:23:31.280
<v Speaker 1>like to Locos. It's like as a Mexican food. Yes,

0:23:31.480 --> 0:23:34.040
<v Speaker 1>it's a mess messician spot called Ricos, and they have

0:23:34.160 --> 0:23:37.360
<v Speaker 1>like toasty logos. It's like a big play of it's

0:23:37.400 --> 0:23:38.919
<v Speaker 1>like a bunch of different stuff on it. But it

0:23:38.920 --> 0:23:43.920
<v Speaker 1>sounds like some otion side ship. It's toasty logos, tosty loco.

0:23:44.200 --> 0:23:46.879
<v Speaker 2>It sounds like a rap group that sounds like they

0:23:46.920 --> 0:23:48.520
<v Speaker 2>were assigned to High Power Records back.

0:23:48.520 --> 0:23:51.040
<v Speaker 1>So you gotta try it. So we're definitely going there

0:23:51.080 --> 0:23:52.960
<v Speaker 1>for sure. There we go. My god, I appreciate you

0:23:53.040 --> 0:23:54.200
<v Speaker 1>pulling up, of course. Bro,