WEBVTT - Episode 10: Folk Art with Ted Wright

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<v Speaker 1>Welcome to episode ten Double Digits my friends of my

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<v Speaker 1>podcast gegeging Out. Every episode, I invite a new person

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<v Speaker 1>to talk about one thing that they're obsessed with that

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<v Speaker 1>has nothing to do with their job. The only requirement

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<v Speaker 1>is that they're totally geeking out on it and they

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<v Speaker 1>want to talk about it. From homemade rock pens, two

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<v Speaker 1>jello coverage, slipping slides from retro mint julip cups, to

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<v Speaker 1>sidewalk chalk guard from breakfast club costplayed to video game marathons,

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<v Speaker 1>tell me what you love, why you love it, how

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<v Speaker 1>you got into it, and what makes it awesome. Each

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<v Speaker 1>episode is presented in three chapters. In chapter one, my

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<v Speaker 1>guest and I will have a conversation about their passion.

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<v Speaker 1>In chapter two, we play a game I call trade Jo,

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<v Speaker 1>where my guest and I turn each other onto something

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<v Speaker 1>cool we've recently discovered. And in chapter three, I closed

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<v Speaker 1>the show by talking about music that I am currently

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<v Speaker 1>geeked out on and why I believe that curiosity is

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<v Speaker 1>contagious us and that life is better with the soundtrack.

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<v Speaker 1>So let the geeking begin. Chapter one. Today's guest is

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<v Speaker 1>Ted right now. Ted is a word of mouth marketing

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<v Speaker 1>guru and founder of Fizz Marketing, who lives here in Atlanta.

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<v Speaker 1>We met at a play group when our kids were

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<v Speaker 1>much smaller than they are now, and we became friends

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<v Speaker 1>because we were the only two dads in the group.

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<v Speaker 1>When he came over to my recording studio to tape

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<v Speaker 1>this episode, I assumed he wanted to talk about R. E. M.

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<v Speaker 1>Because he is one of the few people I know

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<v Speaker 1>who is a bigger fan of that band than I am.

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<v Speaker 1>But in fact he had something even cooler in mind.

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<v Speaker 1>Enjoy ted right, how are you, my friend, I'm good Christian?

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<v Speaker 1>How are you? I'm great, Welcome to the podcast. Thank you.

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<v Speaker 1>I like I have a squeaky chair if you can

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<v Speaker 1>hear it, that's his your famous Tell me where we are? Um,

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<v Speaker 1>we are here in lovely Decatur, Georgia, in your cool

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<v Speaker 1>ass but secret a little studio that you have hidden

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<v Speaker 1>down here. I like that. It sounds a little bit

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<v Speaker 1>like a bat cave. That's nice. It is, It's super cool.

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<v Speaker 1>That would be cool if it was a bat cave.

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<v Speaker 1>We can put this actually underground. Yes, yes, I have

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<v Speaker 1>to tell you about the house that I went and

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<v Speaker 1>saw this guy spend forty million dollars and he built

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<v Speaker 1>a bat cave. Yeah, a real bat cave. It's a

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<v Speaker 1>little north of the city. Crazy for here in Ata,

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<v Speaker 1>here in Atlanta. UM. He spent a very long time

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<v Speaker 1>with it. It's ridiculous, but he the drive in he

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<v Speaker 1>actually has a fake waterfall and when you go up

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<v Speaker 1>the driveway his little clicker, the water stops flowing, the

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<v Speaker 1>garage door goes up and you drive in. Click. I

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<v Speaker 1>was like, I want forty million dollars because I want

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<v Speaker 1>a bat cave. It'd be great. I love it. So

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<v Speaker 1>welcome to the podcast. Thank you Geeking Out. So I

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<v Speaker 1>know the rules have been explained, but I'll say them

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<v Speaker 1>one more time just to get them in your head

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<v Speaker 1>so that they hold their um. What I want to

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<v Speaker 1>do is I want to talk to you about something

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<v Speaker 1>that you are completely into, obsessed with deep diving on

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<v Speaker 1>that has nothing to do with your job. Okay, okay.

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<v Speaker 1>So first that that does is it beckons that you

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<v Speaker 1>must describe your job. So what do you do for

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<v Speaker 1>a living? So I run a marketing company that specializes

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<v Speaker 1>in word of mouth marketing, which is basically getting people

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<v Speaker 1>in North America UH to talk to their friends about

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<v Speaker 1>things that they think are cool. Okay, so that's basically

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<v Speaker 1>like the Internet. It is right, it is the Internet,

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<v Speaker 1>except it's most of that work is face to face,

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<v Speaker 1>so that's without really technology. It's it's it's how would

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<v Speaker 1>I know? I've been word of mouth marketed to um

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<v Speaker 1>so you wouldn't know by that. But you've got a

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<v Speaker 1>friend who loves to talk to you about restaurants they love,

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<v Speaker 1>or movies or great music, and they come to you

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<v Speaker 1>because they know you like restaurants, movies, or music, and

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<v Speaker 1>they say some version of hey, I know this about you,

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<v Speaker 1>I know this about this thing. You should totally get together.

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<v Speaker 1>And here's why. And it's the way the humans have

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<v Speaker 1>been communicating and sharing stories with each other for at

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<v Speaker 1>least a couple of thousand years. It just happens to

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<v Speaker 1>be that in America we live in now, most people

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<v Speaker 1>don't believe the companies or brands tell the truth and

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<v Speaker 1>they're advertising, but they're still trust their friends. So this

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<v Speaker 1>is a really really great way to share stories about things.

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<v Speaker 1>And it's how bands grow. It's how brands grow. It's

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<v Speaker 1>how why you buy one pair of shoes versus another.

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<v Speaker 1>It's it's got a fun that's super cool. Okay, So um,

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<v Speaker 1>you're we've been friends for for a while now. Just

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<v Speaker 1>a full disclosure to the people out into the world.

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<v Speaker 1>And our relationship is one in which are firstborns. Uh.

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<v Speaker 1>Children were in the same play group together. That's true

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<v Speaker 1>way back when, right, yeah, they were like three. Yeah,

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<v Speaker 1>And I remember I remember looking across the yard being

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<v Speaker 1>what I thought I would be the only man there

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<v Speaker 1>because you know, I had a job being an artist,

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<v Speaker 1>and so what was another guy doing here? And that

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<v Speaker 1>was you? So we met there and so the world

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<v Speaker 1>when you close your eyes here and imagine us here

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<v Speaker 1>indicator Georgia uh. Ted and I've known each other for

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<v Speaker 1>a while, but I really have no idea what you're

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<v Speaker 1>about to say of what it is you're totally into,

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<v Speaker 1>so tell me. Yeah, that is true. So hello America.

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<v Speaker 1>So Christians like, Hey, come over and I've got three

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<v Speaker 1>questions and we're gonna do it on tape and I'm

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<v Speaker 1>gonna show to everybody. So I did not know what

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<v Speaker 1>the questions for it until you all listening also heard

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<v Speaker 1>so very fun. Um ask me again, Christian, Okay, what

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<v Speaker 1>is it that you are totally geeking out on that

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<v Speaker 1>it has nothing to do with your job? So a

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<v Speaker 1>thing that brings me just rate joy. These days, UM

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<v Speaker 1>is wandering around the world of folk art. Folk art,

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<v Speaker 1>folk art so just okay. So for all you don't know,

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<v Speaker 1>his whole forehead just rembled like I wasn't thinking. That's

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<v Speaker 1>what folk art, so f o lk art folk car

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<v Speaker 1>okay so also known as outsider art. Back in the day,

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<v Speaker 1>it used to be known as art brute if you

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<v Speaker 1>were French, or art of the insane, because there were

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<v Speaker 1>a lot of people in insane asylums and prisons that

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<v Speaker 1>didn't everything else to do. And it turns out that

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<v Speaker 1>they were artists and they would produced pieces. So I

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<v Speaker 1>first got in touch with outsider art, with folk art

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<v Speaker 1>um when I was a boy scout. So in northern Georgia.

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<v Speaker 1>We were coming back and there was a guy in

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<v Speaker 1>a place UM called Somerville, Georgia, and he needed help

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<v Speaker 1>UM digging out a ditch that had gotten filled up

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<v Speaker 1>with like cat tails and so. And that person his

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<v Speaker 1>name was Howard Finster, and the reverend or the Reverend

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<v Speaker 1>Howard Finster, and so Reverend Finster. UM was this man

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<v Speaker 1>and he um, God talked to him, he thought God

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<v Speaker 1>talked to him. Whatever, don't know it wasn't there, and

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<v Speaker 1>he decided he would do paintings. And so he took

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<v Speaker 1>his front yard and he created and made something that

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<v Speaker 1>he referred to his paradise garden. And so he drew

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<v Speaker 1>and wrote and painted just how he felt he should

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<v Speaker 1>be doing this. And what is so amazing to me

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<v Speaker 1>about folk artists and do this is that some are trained,

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<v Speaker 1>and most of them are not trained. Most of them

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<v Speaker 1>just pick up appresh and like, oh, this is kind

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<v Speaker 1>of fun. But when you see their pieces, it's so

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<v Speaker 1>obvious that if they don't express themselves and get this

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<v Speaker 1>out on canvas, their heads going to explode. And you

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<v Speaker 1>can just feel, I mean, you're a you're a singer songwriter.

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<v Speaker 1>You know, people are like, look, if I'm not singing,

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<v Speaker 1>I'm dying a little bit on the inside. Like I

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<v Speaker 1>have to write this song down even if I don't

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<v Speaker 1>are using, even if no one ever hears it. If

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<v Speaker 1>I I'm doing this for me. So there's a whole

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<v Speaker 1>bunch of artists, and it's interestingly a lot of people

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<v Speaker 1>were in the American South. Um also there's some Midwestern

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<v Speaker 1>and there's some California, but they're all sort of very

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<v Speaker 1>different and and they just do this art because they

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<v Speaker 1>have to. And the first time I saw a Fenster piece,

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<v Speaker 1>Um a band that I know you and I both

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<v Speaker 1>greatly greatly enjoy UM Howard Finser their album cover because

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<v Speaker 1>Michael Stipe saw some fence to work because where Reverend

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<v Speaker 1>Finster lived was not too far from Athens, and they'd

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<v Speaker 1>seen each other, and he was kind of famous in

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<v Speaker 1>the in the very early eighties late seventies of the

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<v Speaker 1>art worlds kind of find him, and I totally remember

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<v Speaker 1>seeing that album of Government, going oh, that's pretty cool.

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<v Speaker 1>And then over over time I saw different pieces that

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<v Speaker 1>he had done and I was like, Wow, this is

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<v Speaker 1>really interesting. And I've always liked art. So do you

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<v Speaker 1>remember when we were growing up, remember those Richard Scary

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<v Speaker 1>books with all the there're all the little animals that

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<v Speaker 1>like drove the little sucks around, like the inch worm

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<v Speaker 1>was the fireman, and there were always in every illustration

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<v Speaker 1>there was like twenty thousand things going on there. So

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<v Speaker 1>a lot of outsider art has a lot of little

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<v Speaker 1>tiny details all over it. In my A d d

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<v Speaker 1>Addull brain, I really like like lots of different stimulus,

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<v Speaker 1>and I like lots of different things going on. So

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<v Speaker 1>about five years ago, you know, I had a couple

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<v Speaker 1>of extra dollars, you know, in my pockets. So I said,

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<v Speaker 1>I'm gonna buy Howard Finster piece. And so for me,

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<v Speaker 1>like I just I'm going to go buy one. And

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<v Speaker 1>so I talked to some people, and it's kind of

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<v Speaker 1>hard to find his work. Reverend Fencer has now passed

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<v Speaker 1>and some of his like extraordinarily expensive. Um So somebody

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<v Speaker 1>told him at about this auction that actually happens once

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<v Speaker 1>a year and it is the greatest art auction in

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<v Speaker 1>the world and it is for for folk art and

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<v Speaker 1>outsider art and it is in but for Georgia. Actually

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<v Speaker 1>it was just this weekend and it is literally in

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<v Speaker 1>a shock and this guy ends it up twice a

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<v Speaker 1>year and it is it's like a garage sale for

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<v Speaker 1>every artist you've ever seen in this genre. And it

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<v Speaker 1>is craziness. And so there was this Finster piece that

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<v Speaker 1>somebody had dropped and they were gonna cut it up.

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<v Speaker 1>They dropped it on the ground and had broken in half.

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<v Speaker 1>Reverend Finster didn't paint on canvas. He painted on stuff

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<v Speaker 1>that he just found on the street. Or so this

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<v Speaker 1>is a piece of like old dry wall that he

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<v Speaker 1>had done this great painting on and then somebody had

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<v Speaker 1>dropped it, so it kind of broken in half, has

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<v Speaker 1>had a big section missing, and somebody said, oh, we're

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<v Speaker 1>just gonna cut this up and make key chains out

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<v Speaker 1>of it, and I said, you are not. And they

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<v Speaker 1>were like, oh, what's going on? Who are you? And

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<v Speaker 1>I introduced myself. I said, if you put in the auction,

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<v Speaker 1>I promised that I will um that I will bid

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<v Speaker 1>on it. And nobody wanted what was basically the art

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<v Speaker 1>version of a piece of trash. And it was beautiful

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<v Speaker 1>and wonderful to me, and so about it for like

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<v Speaker 1>eight hundred bucks. And that was the first Finster piece

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<v Speaker 1>and it still hangs in my office and it is

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<v Speaker 1>not the most lovely thing that has ever come down

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<v Speaker 1>the pike, but I love it. And so from there

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<v Speaker 1>I've kind of taken off in My wife is, you know,

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<v Speaker 1>kind of come along with me, and so we've broken

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<v Speaker 1>out into sort of professional artists that will sell you stuff,

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<v Speaker 1>but also people who do busking on the street or

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<v Speaker 1>even or panhandling. Sometimes they make signs in order to

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<v Speaker 1>um basically announce what they're raising money for or what

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<v Speaker 1>they're doing or explaining about their lives. And so now

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<v Speaker 1>I traveled a lot for my job, not quite as

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<v Speaker 1>much as you do, Christian, but you know enough. And

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<v Speaker 1>so now I travel always with a ten dollar bill

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<v Speaker 1>wrapped around two sharpie pens with a rubber band, and

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<v Speaker 1>I buy people who are buskers or who are you know,

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<v Speaker 1>asking for money on the street. I buy their signs

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<v Speaker 1>from them for ten dollars and two sharpies because you

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<v Speaker 1>can always find something, Yeah, you can always find something

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<v Speaker 1>to write on which you can always find something to

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<v Speaker 1>write with, and they're always glad that you know, a

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<v Speaker 1>people are glad to sell their sign for ten dollars.

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<v Speaker 1>And I so this is a sign that maybe they're

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<v Speaker 1>holding up at this side of the road when you're

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<v Speaker 1>at the exit, like I'm on ramp to here. Sometimes

0:12:12.679 --> 0:12:16.280
<v Speaker 1>it is and sometimes it is I'm a musician and

0:12:16.320 --> 0:12:19.880
<v Speaker 1>this is what I'm doing. And sometimes it's you know whatever.

0:12:19.920 --> 0:12:22.000
<v Speaker 1>And I don't buy them all, but if somebody is,

0:12:22.480 --> 0:12:25.400
<v Speaker 1>you know, just very intent about what they're doing, or

0:12:25.440 --> 0:12:27.640
<v Speaker 1>they've taken a time and they're doodles all over the place.

0:12:28.280 --> 0:12:30.880
<v Speaker 1>So I have one that says, you know, help, I'm

0:12:30.960 --> 0:12:35.040
<v Speaker 1>raising ransom and I'm nine cents short, and I I

0:12:35.040 --> 0:12:37.320
<v Speaker 1>read I totally remember right. I walked by the sky

0:12:37.440 --> 0:12:39.640
<v Speaker 1>was in San Francisco, and I walked by him and

0:12:39.679 --> 0:12:41.880
<v Speaker 1>I thought about the sign. I turned around, I said

0:12:42.679 --> 0:12:44.400
<v Speaker 1>how much for the sign? And it's the first one

0:12:44.400 --> 0:12:46.120
<v Speaker 1>I ever bought. And so we negotiate a little bit

0:12:46.120 --> 0:12:48.120
<v Speaker 1>because you have fifty bucks and I was like no,

0:12:48.720 --> 0:12:51.200
<v Speaker 1>and I walked away and he's like, in so ten

0:12:51.240 --> 0:12:54.200
<v Speaker 1>bucks and he was very happy to sell it, and

0:12:54.240 --> 0:12:56.280
<v Speaker 1>to which I was. Then I took in my hand

0:12:56.280 --> 0:12:58.320
<v Speaker 1>and I walked back to my hotel and this guy.

0:12:59.040 --> 0:13:01.280
<v Speaker 1>I get like two streets down and this guy comes

0:13:01.360 --> 0:13:03.080
<v Speaker 1>up to hand me a dollar. It's this tough day,

0:13:03.080 --> 0:13:05.040
<v Speaker 1>and I was looking at him because he looked like

0:13:05.120 --> 0:13:08.240
<v Speaker 1>I was I was panhandler, but I was because because

0:13:08.240 --> 0:13:11.680
<v Speaker 1>I had to sign in my hand. So so now

0:13:11.720 --> 0:13:13.560
<v Speaker 1>we have a So I have kind of this collection.

0:13:13.600 --> 0:13:17.560
<v Speaker 1>And what what is interesting to me is that art

0:13:17.600 --> 0:13:23.080
<v Speaker 1>is everywhere and you can see art, and so that

0:13:23.200 --> 0:13:25.600
<v Speaker 1>has kind of led me into an interest again. Because

0:13:25.600 --> 0:13:28.040
<v Speaker 1>I travel a lot, I also take pictures of street art,

0:13:28.800 --> 0:13:31.240
<v Speaker 1>and so particularly if I'm in somewhere, it's a completely

0:13:31.320 --> 0:13:33.720
<v Speaker 1>strange time zone for me. So instead of being noon,

0:13:33.800 --> 0:13:37.000
<v Speaker 1>it's midnight, so my timing is all messed up. So

0:13:37.040 --> 0:13:41.560
<v Speaker 1>I sometimes in strange places like Paris or whatever, I'll

0:13:41.559 --> 0:13:44.199
<v Speaker 1>go take a bus or a train way out into

0:13:44.440 --> 0:13:46.840
<v Speaker 1>the middle of nowhere, uh, you know, right out at

0:13:46.880 --> 0:13:49.240
<v Speaker 1>way onto the bourbs and where a lot of artists live,

0:13:49.320 --> 0:13:52.440
<v Speaker 1>and I'll just go early morning shoot stuff, you know,

0:13:52.480 --> 0:13:54.640
<v Speaker 1>take pictures up. Now you're talking about graffiti. Are you

0:13:54.679 --> 0:13:56.520
<v Speaker 1>talking about the art that they're painting while they're on

0:13:56.559 --> 0:13:59.839
<v Speaker 1>the street. Is it like so and and so that

0:14:00.080 --> 0:14:02.199
<v Speaker 1>to lovely for those of you are listening her superendu

0:14:02.280 --> 0:14:04.360
<v Speaker 1>street ar is like, now we're gonna start the different

0:14:05.840 --> 0:14:08.440
<v Speaker 1>I'm curious. So there's a there's a whole fight, like

0:14:08.480 --> 0:14:12.280
<v Speaker 1>what is country music? So that could be like whatever

0:14:12.320 --> 0:14:16.240
<v Speaker 1>that is. But but for me, graffiti is more about

0:14:16.960 --> 0:14:21.120
<v Speaker 1>tagging or making a political statement. And on street art

0:14:21.200 --> 0:14:25.200
<v Speaker 1>sometimes people just love to go paint a beautiful thing

0:14:25.720 --> 0:14:29.760
<v Speaker 1>somewhere and it has morphed into their people that professionally

0:14:29.760 --> 0:14:32.600
<v Speaker 1>paint murals. But there's also people that are artists that

0:14:32.720 --> 0:14:36.000
<v Speaker 1>want everybody to see their art, but they don't really

0:14:36.000 --> 0:14:37.800
<v Speaker 1>have a place to show it where that many people

0:14:37.800 --> 0:14:40.040
<v Speaker 1>can see it, So they climb on top of the building.

0:14:40.080 --> 0:14:42.760
<v Speaker 1>They just painted up there and then they walk down

0:14:42.800 --> 0:14:45.800
<v Speaker 1>and they leave it for everybody. And what is amazing

0:14:45.880 --> 0:14:48.680
<v Speaker 1>is you see these works out and you're like, you know,

0:14:48.760 --> 0:14:50.920
<v Speaker 1>anybody could come by at any point and just paint

0:14:51.000 --> 0:14:54.120
<v Speaker 1>over that. So you're putting all this effort, You're putting

0:14:54.160 --> 0:14:56.800
<v Speaker 1>all this work. Sometimes you're gonna see your putting all

0:14:56.800 --> 0:14:59.400
<v Speaker 1>this emotion, all this thought into this, and it could

0:14:59.440 --> 0:15:02.480
<v Speaker 1>be gone tomorro And so I think that's also kind

0:15:02.480 --> 0:15:06.520
<v Speaker 1>of interesting that you love something so much that it

0:15:06.600 --> 0:15:10.000
<v Speaker 1>doesn't matter that it disappeared tomorrow or that it has

0:15:10.040 --> 0:15:13.240
<v Speaker 1>no economic value to you. You just have to go

0:15:13.360 --> 0:15:16.479
<v Speaker 1>do this thing. So do you feel like a voyor

0:15:16.680 --> 0:15:18.760
<v Speaker 1>when you do this? Is are you like? What are

0:15:18.760 --> 0:15:21.160
<v Speaker 1>you getting off of this? Is it? Is it moving

0:15:21.280 --> 0:15:24.120
<v Speaker 1>energy into you? Just say, look, I'm looking at someone

0:15:24.280 --> 0:15:30.800
<v Speaker 1>super express and I love watching that. So I think.

0:15:31.360 --> 0:15:33.520
<v Speaker 1>So I've watched a couple of people. I think where

0:15:33.560 --> 0:15:36.240
<v Speaker 1>I get out of it is I get I think

0:15:36.280 --> 0:15:40.600
<v Speaker 1>it's so fun that somebody else loves something so much

0:15:40.920 --> 0:15:44.440
<v Speaker 1>that they're just gonna go do it. I mean, you

0:15:44.520 --> 0:15:49.000
<v Speaker 1>and I both have careers where it's not really this

0:15:49.080 --> 0:15:52.280
<v Speaker 1>is not the really straight path to you know, even

0:15:52.320 --> 0:15:54.840
<v Speaker 1>being able to afford anything much less riches than fame.

0:15:54.880 --> 0:15:56.840
<v Speaker 1>There's a lot of people that do what we do

0:15:56.920 --> 0:15:59.920
<v Speaker 1>that never really you know, make it, so it's highly risky.

0:16:00.480 --> 0:16:03.320
<v Speaker 1>So I also I also think it's kind of fun

0:16:03.680 --> 0:16:06.000
<v Speaker 1>that people went out and did something just because they

0:16:06.080 --> 0:16:09.760
<v Speaker 1>wanted to and it didn't matter if nobody else understood.

0:16:09.800 --> 0:16:13.280
<v Speaker 1>It's like, if this is for me, then I'm gonna

0:16:13.360 --> 0:16:17.120
<v Speaker 1>go do this and not consequences be damned. Because that's

0:16:17.120 --> 0:16:19.080
<v Speaker 1>a little bit you know, it's a little bit angry.

0:16:19.440 --> 0:16:22.240
<v Speaker 1>But like, look, I mean, you know, a little Tom

0:16:22.240 --> 0:16:25.040
<v Speaker 1>Petty there, you know, damn the torpedoes full speed ahead.

0:16:25.240 --> 0:16:28.320
<v Speaker 1>R I p Tom because so sad when he passed

0:16:28.760 --> 0:16:31.640
<v Speaker 1>such tough anyway back to art or deact to that

0:16:31.720 --> 0:16:34.520
<v Speaker 1>kind of art. That was what I think is so interesting.

0:16:34.880 --> 0:16:37.800
<v Speaker 1>I just really am fascinated by people who love something

0:16:37.880 --> 0:16:39.680
<v Speaker 1>so much that they are just compelled to do this.

0:16:41.800 --> 0:16:45.920
<v Speaker 1>Have you have you branched out past Finster? Soody? Are

0:16:45.920 --> 0:16:50.560
<v Speaker 1>you starting to collect other folk art people? And how

0:16:50.600 --> 0:16:55.360
<v Speaker 1>deep are you? So? Huh, So it depends on who

0:16:55.400 --> 0:16:58.560
<v Speaker 1>you ask. Um, we're kind of running out of wall

0:16:58.560 --> 0:17:01.760
<v Speaker 1>space at the house, so unfortunately owned the office building

0:17:01.800 --> 0:17:04.760
<v Speaker 1>built tiny office building there in so it's also kind

0:17:04.760 --> 0:17:08.399
<v Speaker 1>of spilling over into that. Um. But we're you know,

0:17:08.720 --> 0:17:10.920
<v Speaker 1>we're trying to keep it under the you know, we're

0:17:10.920 --> 0:17:12.760
<v Speaker 1>trying to keep it, keep it okay, We're not going

0:17:12.840 --> 0:17:16.159
<v Speaker 1>to be weird about it. Also, you know, there's so

0:17:16.200 --> 0:17:19.000
<v Speaker 1>I watched sometimes, I watched this TV show called American Pickers,

0:17:19.560 --> 0:17:23.960
<v Speaker 1>and you know, people sometimes they go from collecting to hoarding,

0:17:24.600 --> 0:17:26.760
<v Speaker 1>and I'm not really sure again where the line is

0:17:26.800 --> 0:17:29.800
<v Speaker 1>between that. So I'm not like the guy in Philadelphia

0:17:29.840 --> 0:17:32.919
<v Speaker 1>who loved impressionistic guard whose last name was Barnes, and

0:17:33.000 --> 0:17:36.080
<v Speaker 1>so he just covered walls with every painting he possibly

0:17:36.119 --> 0:17:38.720
<v Speaker 1>could get fined. And because he was the right place

0:17:38.720 --> 0:17:40.840
<v Speaker 1>at the right time, he bought some beautiful stuff, but

0:17:40.920 --> 0:17:43.359
<v Speaker 1>he'd run out of space on the wall, so he started,

0:17:43.400 --> 0:17:46.720
<v Speaker 1>you know, nailing stuff to the ceilings and yeah, oh yeah.

0:17:46.800 --> 0:17:49.280
<v Speaker 1>The Barnes collection is really famous. That's the one that

0:17:49.520 --> 0:17:52.520
<v Speaker 1>Um in his will, he left all the money to

0:17:52.640 --> 0:17:54.479
<v Speaker 1>take care of everything, but he said you couldn't move

0:17:54.480 --> 0:17:56.719
<v Speaker 1>any paintings from where they were. And then they had

0:17:56.760 --> 0:18:00.760
<v Speaker 1>a roof leak and they were literally undreds of millions

0:18:00.760 --> 0:18:04.520
<v Speaker 1>of dollars of paintings that by law, because of the

0:18:04.560 --> 0:18:06.719
<v Speaker 1>way the will was written and how wills are enforced,

0:18:06.720 --> 0:18:08.600
<v Speaker 1>they could move them, and they had to get a

0:18:08.680 --> 0:18:12.200
<v Speaker 1>judge to basically adjudicate whether or not they could take

0:18:12.240 --> 0:18:16.320
<v Speaker 1>these things out from where there. Oh yeah, yeah, So anyway,

0:18:16.480 --> 0:18:19.080
<v Speaker 1>so people who sometimes collect art, so it's it's fun

0:18:19.119 --> 0:18:21.560
<v Speaker 1>to think we collect art. I don't think Christine and

0:18:21.600 --> 0:18:23.760
<v Speaker 1>I Christine is my wife. I don't think Christine and

0:18:23.800 --> 0:18:26.800
<v Speaker 1>I are art collectors because I don't know evenna know

0:18:26.840 --> 0:18:28.840
<v Speaker 1>who those people are, except you know, you see about

0:18:28.880 --> 0:18:31.080
<v Speaker 1>him in movies or read about them. But I do

0:18:31.200 --> 0:18:33.560
<v Speaker 1>think that we go out and we see things and

0:18:33.600 --> 0:18:35.600
<v Speaker 1>it doesn't matter if they cost some a little bit

0:18:35.640 --> 0:18:38.480
<v Speaker 1>of money or a lot. So Christine and I we

0:18:38.560 --> 0:18:41.000
<v Speaker 1>really buy the art, and I buy my the art

0:18:41.080 --> 0:18:43.560
<v Speaker 1>that I love just because we love it. So I

0:18:43.640 --> 0:18:47.640
<v Speaker 1>probably right now have as many fensters as I need

0:18:47.760 --> 0:18:50.479
<v Speaker 1>right this second. Although I did see one the other day.

0:18:50.520 --> 0:18:53.000
<v Speaker 1>I was like, oh, but I just the last that

0:18:52.960 --> 0:18:56.360
<v Speaker 1>the last one I bought. He had painted on one

0:18:56.359 --> 0:19:01.360
<v Speaker 1>of those old school um windows, remember those storm windows

0:19:01.359 --> 0:19:03.480
<v Speaker 1>with a little two aluminum things that you pressed and

0:19:03.920 --> 0:19:06.919
<v Speaker 1>raised up. Yes, so he painted a beautiful work on

0:19:07.000 --> 0:19:10.399
<v Speaker 1>the glass of one of those, so it's easily broken

0:19:10.440 --> 0:19:13.879
<v Speaker 1>and really hard to display. And so of course I

0:19:13.880 --> 0:19:16.679
<v Speaker 1>bought it because it was a crazy piece that was

0:19:16.720 --> 0:19:19.640
<v Speaker 1>haunting me, and so I bought it. And then Christine

0:19:19.680 --> 0:19:21.000
<v Speaker 1>is like, what are we gonna do with this? And

0:19:21.040 --> 0:19:23.280
<v Speaker 1>I was like, we're gonna find a framer who's willing

0:19:23.320 --> 0:19:24.880
<v Speaker 1>to take on the challenge of doing this, and we're

0:19:24.880 --> 0:19:26.919
<v Speaker 1>going to take it. We're gonna display it, and if

0:19:26.920 --> 0:19:28.639
<v Speaker 1>it gets broken, then we're gonna pick up the glass

0:19:28.640 --> 0:19:31.040
<v Speaker 1>pieces and put them back together if we can, or

0:19:31.040 --> 0:19:32.720
<v Speaker 1>we'll do something else. But that's what we're gonna do,

0:19:32.760 --> 0:19:34.520
<v Speaker 1>because this is a piece that everyone needs. And now

0:19:34.560 --> 0:19:36.520
<v Speaker 1>it hangs by the back door in our house, so

0:19:37.000 --> 0:19:39.040
<v Speaker 1>my fourteen year old and all of his friends just

0:19:39.080 --> 0:19:41.239
<v Speaker 1>like run by it every day and kick off their

0:19:41.280 --> 0:19:43.360
<v Speaker 1>shoes and like hey, and I don't know if they

0:19:43.400 --> 0:19:45.280
<v Speaker 1>notice it, but every day I walk in and it

0:19:45.280 --> 0:19:51.320
<v Speaker 1>makes me smile. That's awesome. If I was trying to

0:19:51.359 --> 0:19:57.719
<v Speaker 1>get into this, how would I start get into art

0:19:57.840 --> 0:19:59.919
<v Speaker 1>or get into folk art, get into folk art. If

0:20:00.119 --> 0:20:02.840
<v Speaker 1>was trying to get into folk art, how would I start?

0:20:03.200 --> 0:20:05.679
<v Speaker 1>Like where would you point me? Is it like a website.

0:20:05.880 --> 0:20:09.679
<v Speaker 1>Is it a thought? Is it a do I have

0:20:09.760 --> 0:20:14.320
<v Speaker 1>to type in folk art into Google and see what happens? Like,

0:20:14.440 --> 0:20:16.639
<v Speaker 1>help help me get in if if someone's listening to this,

0:20:16.720 --> 0:20:19.280
<v Speaker 1>all right, So for those who listening, so as you want,

0:20:19.320 --> 0:20:20.680
<v Speaker 1>like we'll come over the house and let me show

0:20:20.680 --> 0:20:24.840
<v Speaker 1>you something that America. Come on over. Christian will send

0:20:24.840 --> 0:20:28.959
<v Speaker 1>you the address. It's great. Um, I think you know,

0:20:29.200 --> 0:20:32.879
<v Speaker 1>for me, it's just about exploration. So I think I

0:20:32.880 --> 0:20:35.120
<v Speaker 1>would go to my local museum and I would look

0:20:35.160 --> 0:20:37.280
<v Speaker 1>at say, hey, have you got any folk art I

0:20:37.280 --> 0:20:39.520
<v Speaker 1>can look at? If this sounded really interesting to you,

0:20:39.880 --> 0:20:42.240
<v Speaker 1>I mean, the interwebs or is an awesome place, and

0:20:42.320 --> 0:20:44.760
<v Speaker 1>certainly if you do folk art and you can find

0:20:44.800 --> 0:20:48.040
<v Speaker 1>a list of folk artists. Um. There is a great museum,

0:20:48.440 --> 0:20:53.880
<v Speaker 1>little shop, nonprofit organization in Chicago that I have been

0:20:53.920 --> 0:20:57.439
<v Speaker 1>into before. They have thirty or forty pieces there that

0:20:57.480 --> 0:21:00.240
<v Speaker 1>are amazing if you like this kind of thing. I mean,

0:21:00.400 --> 0:21:03.960
<v Speaker 1>some people look at it and it seems crazy. There

0:21:04.000 --> 0:21:07.680
<v Speaker 1>was a guy his name, his name is Royal Robinson,

0:21:07.760 --> 0:21:10.920
<v Speaker 1>but he always went by the prophet Royal Robinson and

0:21:10.960 --> 0:21:14.480
<v Speaker 1>the prophet um. I don't know, because I'm not a psychologist.

0:21:14.520 --> 0:21:16.560
<v Speaker 1>But he seemed to have had an issue in his

0:21:16.600 --> 0:21:19.919
<v Speaker 1>early twenties, and so he kind of took a break

0:21:19.920 --> 0:21:23.439
<v Speaker 1>from reality and his wife at the time, um she

0:21:23.600 --> 0:21:26.520
<v Speaker 1>left because she had had after five or ten years

0:21:26.600 --> 0:21:28.920
<v Speaker 1>that she had had about enough. And for the rest

0:21:28.960 --> 0:21:33.680
<v Speaker 1>of his life he wrote about her and drew about her,

0:21:33.840 --> 0:21:36.879
<v Speaker 1>and he had he had an amazing like almost draftsman

0:21:37.000 --> 0:21:40.760
<v Speaker 1>like skill, so he would do these poaches is very angry,

0:21:40.880 --> 0:21:45.320
<v Speaker 1>like you left me, and women are terrible and divorcee,

0:21:45.480 --> 0:21:47.320
<v Speaker 1>and he would use all these words that people use

0:21:47.400 --> 0:21:50.040
<v Speaker 1>in this season seventies to refer to these people, and

0:21:50.040 --> 0:21:52.560
<v Speaker 1>then on the back he made his calendar and this

0:21:52.600 --> 0:21:53.920
<v Speaker 1>is what he was going to do for the week.

0:21:54.440 --> 0:21:57.400
<v Speaker 1>So some of these people, some of these things still survive.

0:21:57.600 --> 0:21:59.920
<v Speaker 1>So this is a little bit like the Dr braun

0:22:00.000 --> 0:22:03.879
<v Speaker 1>Ners label if you've ever had that shampoo or that

0:22:04.080 --> 0:22:06.480
<v Speaker 1>soap and you read it and it just becomes preaching

0:22:06.520 --> 0:22:09.359
<v Speaker 1>and then it goes into like the dark dark hole

0:22:09.480 --> 0:22:13.480
<v Speaker 1>of whatever that yes and so and so. Actually, so

0:22:13.760 --> 0:22:17.680
<v Speaker 1>I only wrote on one roll Robinson peace because if

0:22:17.680 --> 0:22:21.159
<v Speaker 1>you read them, they're like super angry and super misogynistic,

0:22:21.200 --> 0:22:23.680
<v Speaker 1>and you would never even think about other people like this.

0:22:24.280 --> 0:22:27.680
<v Speaker 1>But the reason I like them is because he just

0:22:27.840 --> 0:22:31.680
<v Speaker 1>had to get this out and even though it wasn't appropriate,

0:22:31.880 --> 0:22:33.959
<v Speaker 1>he thought it was appropriate. This is what he's gonna do.

0:22:34.520 --> 0:22:37.760
<v Speaker 1>And there's these great drawings. And sometimes the women are

0:22:37.800 --> 0:22:40.479
<v Speaker 1>like fifty ft tall and monsters and like lasers are

0:22:40.480 --> 0:22:44.760
<v Speaker 1>shooting out of their eyes, and sometimes they're demonic. Oh yeah,

0:22:45.080 --> 0:22:48.399
<v Speaker 1>it's it's the prophet roll Robinson for you. They're listening,

0:22:48.440 --> 0:22:51.520
<v Speaker 1>go look at them. But on the back then he'd

0:22:51.520 --> 0:22:53.560
<v Speaker 1>do his calendar and it would be like, you know,

0:22:53.600 --> 0:22:56.199
<v Speaker 1>he would just draw straight lines and he there's some

0:22:56.240 --> 0:22:59.160
<v Speaker 1>Bible quotes in there. There's he liked to zeke Eel

0:22:59.240 --> 0:23:01.680
<v Speaker 1>a lot, and so he talks about Ezekiel and then

0:23:01.680 --> 0:23:03.879
<v Speaker 1>he would say, oh, and you know, I gotta go

0:23:04.000 --> 0:23:06.800
<v Speaker 1>get my car and you know at the at the

0:23:06.800 --> 0:23:10.880
<v Speaker 1>oil change place or or eggs, milk and butter on

0:23:10.880 --> 0:23:13.240
<v Speaker 1>one day and I was like, how great is that

0:23:13.240 --> 0:23:15.320
<v Speaker 1>that somebody can kind of makes you want to just

0:23:15.359 --> 0:23:18.480
<v Speaker 1>look at the calendar side well and hang it up backwards.

0:23:18.560 --> 0:23:21.639
<v Speaker 1>So the one that I have, UM actually had to

0:23:21.640 --> 0:23:23.399
<v Speaker 1>work with a guy because we had to engineer a

0:23:23.440 --> 0:23:26.200
<v Speaker 1>frame because that is what I said, I said, I

0:23:26.240 --> 0:23:28.119
<v Speaker 1>like the calendar as much as the other, and so

0:23:28.160 --> 0:23:30.359
<v Speaker 1>most people just do the other. But I need to

0:23:30.359 --> 0:23:33.639
<v Speaker 1>have this both sides. So the frame is actually super

0:23:33.680 --> 0:23:36.440
<v Speaker 1>heavy because his glass on both sides. And my wife

0:23:36.480 --> 0:23:38.920
<v Speaker 1>is Christina for those of you who haven't met her before.

0:23:39.000 --> 0:23:41.840
<v Speaker 1>She's awesome. Um, Christina and I flip it every once

0:23:41.840 --> 0:23:43.520
<v Speaker 1>in a while. She's like, you think we should flip

0:23:43.520 --> 0:23:45.800
<v Speaker 1>the Robinson. I'm like, yeah, let's hang with the calendar.

0:23:45.920 --> 0:23:48.280
<v Speaker 1>And it's it's way upstairs and so we don't see it,

0:23:48.280 --> 0:23:51.080
<v Speaker 1>but yeah, so you can see both sides because it's awesome.

0:23:51.359 --> 0:23:56.960
<v Speaker 1>So so um, I'd say to two more questions, I'd say,

0:23:56.960 --> 0:24:01.280
<v Speaker 1>where is the line for you? Like you mentioned this

0:24:01.320 --> 0:24:04.200
<v Speaker 1>a little earlier, Like you're you're not really gonna nail

0:24:04.280 --> 0:24:09.320
<v Speaker 1>them to the ceiling, and you probably are well stocked

0:24:09.359 --> 0:24:12.560
<v Speaker 1>on what you've your curation, but it sounds like it's

0:24:12.600 --> 0:24:15.800
<v Speaker 1>a very big passion. So is there a point at

0:24:15.800 --> 0:24:19.760
<v Speaker 1>which you started pre apologizing to your son for the

0:24:19.840 --> 0:24:27.080
<v Speaker 1>amount of folk art you've just purchased with his college, Like,

0:24:27.119 --> 0:24:31.400
<v Speaker 1>where's the line for what you're doing? Hey, what point

0:24:31.440 --> 0:24:34.920
<v Speaker 1>do you become crazy? At what point do I become crazy?

0:24:35.200 --> 0:24:38.520
<v Speaker 1>I think the point that you become crazy is for collecting,

0:24:38.560 --> 0:24:43.800
<v Speaker 1>probably collecting anything where you start to disregard everything else

0:24:43.920 --> 0:24:47.119
<v Speaker 1>in your life, and there's not much of a balance,

0:24:48.640 --> 0:24:51.960
<v Speaker 1>you know. I'm just thinking about, like, how many stamps

0:24:52.040 --> 0:24:53.920
<v Speaker 1>is too many? Once I have all the damps, are

0:24:53.960 --> 0:24:57.120
<v Speaker 1>all the cars? I mean, do you really need fifteen?

0:24:57.440 --> 0:24:59.320
<v Speaker 1>I mean a guy who taught me in business school,

0:24:59.480 --> 0:25:04.840
<v Speaker 1>you know, he a beautiful collection of Porsche um and

0:25:05.480 --> 0:25:07.160
<v Speaker 1>you know, now it's a lot of work for him

0:25:07.160 --> 0:25:09.520
<v Speaker 1>because you gotta keep driving him, you gotta rotate him

0:25:09.560 --> 0:25:11.920
<v Speaker 1>and all the rest of that stuff. So I'm sure

0:25:11.960 --> 0:25:14.119
<v Speaker 1>there's a point. I'm sure that my son will one

0:25:14.160 --> 0:25:16.560
<v Speaker 1>day come to me like I recently did with my mother,

0:25:16.640 --> 0:25:19.960
<v Speaker 1>and I said, okay, she my mother likes pets, and

0:25:20.040 --> 0:25:22.840
<v Speaker 1>so I said, Mom, you can do anything you want.

0:25:23.160 --> 0:25:24.720
<v Speaker 1>But the day I walk in here and there's an

0:25:24.760 --> 0:25:28.280
<v Speaker 1>albino python cruising around the house, that's it. You're done.

0:25:29.440 --> 0:25:31.280
<v Speaker 1>So so when your son comes to you, what is

0:25:31.320 --> 0:25:33.639
<v Speaker 1>he gonna say. He's like, look, I see that you

0:25:33.640 --> 0:25:35.760
<v Speaker 1>You took a screwdriver out and you were trying to

0:25:35.800 --> 0:25:38.000
<v Speaker 1>take the light switch off the wall to make more

0:25:38.040 --> 0:25:42.040
<v Speaker 1>space for more folk art. Yes, dad, you need to

0:25:42.080 --> 0:25:45.080
<v Speaker 1>sit down, there's there's a number, or there's an activity,

0:25:45.280 --> 0:25:47.960
<v Speaker 1>and if you hit that, then that's it and you

0:25:48.000 --> 0:25:49.879
<v Speaker 1>can And with my mom, I was like, look, you

0:25:49.920 --> 0:25:51.399
<v Speaker 1>can walk up to the line. You want to have

0:25:51.480 --> 0:25:53.800
<v Speaker 1>dogs that are paralyzed from the back forward, and you're

0:25:53.800 --> 0:25:55.399
<v Speaker 1>gonna take care of him the next five years and

0:25:55.400 --> 0:25:57.720
<v Speaker 1>you're gonna hold them every time they need to go outside.

0:25:58.359 --> 0:26:00.640
<v Speaker 1>Who am I to be in your if that brings

0:26:00.680 --> 0:26:03.719
<v Speaker 1>you joy? Oh my gosh, But I'm telling you and

0:26:03.760 --> 0:26:05.679
<v Speaker 1>so now and now, and so I tell that it's

0:26:05.720 --> 0:26:07.280
<v Speaker 1>like four or five years ago. And so now every

0:26:07.320 --> 0:26:09.840
<v Speaker 1>once in a while she'll say something. I'm like, I'll

0:26:09.840 --> 0:26:14.320
<v Speaker 1>buy a python just and so now it's shorthand for moms,

0:26:14.400 --> 0:26:17.680
<v Speaker 1>totally shorthand for you know. I'm kidding until I'm not,

0:26:17.800 --> 0:26:21.160
<v Speaker 1>and then that's it. That's funny. So have you ever

0:26:21.240 --> 0:26:27.359
<v Speaker 1>considered becoming a folk artist? Oh? No, I'm terrible. I

0:26:27.400 --> 0:26:29.920
<v Speaker 1>couldn't be an artist to save my life. I've tried

0:26:29.960 --> 0:26:31.359
<v Speaker 1>a couple of times because I think it would be

0:26:31.359 --> 0:26:33.560
<v Speaker 1>cool to be able to produce some of these things.

0:26:33.920 --> 0:26:36.600
<v Speaker 1>And I look at my work and I'm like, that's awful,

0:26:36.880 --> 0:26:39.520
<v Speaker 1>do you doodle? No, I'm not. I mean, I'd make

0:26:39.560 --> 0:26:42.600
<v Speaker 1>a lot of boxes. So basically, um so instead of

0:26:42.600 --> 0:26:46.639
<v Speaker 1>being an artist, I'm an artistic supporter. Okay, that is

0:26:46.800 --> 0:26:49.000
<v Speaker 1>that is that is my job. But I think it's

0:26:49.000 --> 0:26:51.760
<v Speaker 1>interesting that people can do things that I can't do,

0:26:52.960 --> 0:26:55.719
<v Speaker 1>Like you can sing and you can play guitar, and

0:26:55.760 --> 0:26:58.240
<v Speaker 1>you can write songs, and you can do all these

0:26:58.280 --> 0:27:01.720
<v Speaker 1>things and if you break them down, I mean hemming

0:27:01.760 --> 0:27:03.280
<v Speaker 1>ways a little bit like this as well, you know,

0:27:03.280 --> 0:27:05.240
<v Speaker 1>to break it down. None of those words are new.

0:27:05.280 --> 0:27:06.960
<v Speaker 1>They were all in the dictionary and everyone knows what

0:27:07.000 --> 0:27:10.240
<v Speaker 1>everyone where it does mean. But y'all did that song

0:27:10.280 --> 0:27:14.280
<v Speaker 1>about you know, Tennessee, you know and called into the

0:27:14.359 --> 0:27:16.720
<v Speaker 1>radio show and tell her I love her and a

0:27:16.760 --> 0:27:21.160
<v Speaker 1>girl called Tennessee. And every time I hear that, I'm like, man,

0:27:21.760 --> 0:27:25.199
<v Speaker 1>think about how cool that must be to take words

0:27:25.280 --> 0:27:28.520
<v Speaker 1>that we all know and notes that already pre exist

0:27:29.080 --> 0:27:31.320
<v Speaker 1>and being able to know how to put them together

0:27:31.720 --> 0:27:34.800
<v Speaker 1>and evoke a whole story. And it runs like a

0:27:34.880 --> 0:27:38.359
<v Speaker 1>movie in my head. And I mean, I think artists

0:27:38.400 --> 0:27:40.280
<v Speaker 1>are like that, and I think I think people who

0:27:40.280 --> 0:27:42.240
<v Speaker 1>were chefs that are like that. Like I'm trying to

0:27:42.320 --> 0:27:44.880
<v Speaker 1>voke a particular feeling, so I'm gonna figure out how

0:27:44.880 --> 0:27:47.600
<v Speaker 1>to make this cocktail or tying to make this food.

0:27:47.960 --> 0:27:50.639
<v Speaker 1>I'm gonna make this movie, I'm gonna write this book.

0:27:51.680 --> 0:27:53.600
<v Speaker 1>I think I think it's neat that people can do

0:27:53.680 --> 0:27:56.919
<v Speaker 1>that because I totally cannot That is not that is

0:27:56.920 --> 0:27:59.040
<v Speaker 1>not my gift. So I think I think it's cool

0:27:59.040 --> 0:28:01.000
<v Speaker 1>that people gonna do stuff to I can't do. So

0:28:01.040 --> 0:28:03.760
<v Speaker 1>I like to hang out and watch. Maybe that's why

0:28:03.760 --> 0:28:08.480
<v Speaker 1>I like sports too. I'll never be Julio Joe, but dude,

0:28:08.480 --> 0:28:10.600
<v Speaker 1>the guy can stretch out and he'd stick his feet

0:28:10.640 --> 0:28:13.200
<v Speaker 1>out there. I'm like, how he do that? And so

0:28:13.359 --> 0:28:15.639
<v Speaker 1>I will totally pay eighty bucks for a ticket or

0:28:15.680 --> 0:28:18.480
<v Speaker 1>I'll sit there for three hours on TV and to

0:28:18.680 --> 0:28:21.560
<v Speaker 1>watch twenty minutes of people do stuff that I can't do.

0:28:22.320 --> 0:28:23.959
<v Speaker 1>And I think it's neat that they can do it.

0:28:24.600 --> 0:28:27.679
<v Speaker 1>That's awesome And I love that you probably I imagine

0:28:27.720 --> 0:28:29.320
<v Speaker 1>you walk around your house and look at the walls

0:28:29.320 --> 0:28:32.040
<v Speaker 1>and go, that's stuff I can't do, but stuff that

0:28:32.080 --> 0:28:36.520
<v Speaker 1>these people couldn't keep from doing. Yeah, you really do.

0:28:36.720 --> 0:28:42.920
<v Speaker 1>Kind You're you're walking around compulsion and kind of it's

0:28:43.000 --> 0:28:46.360
<v Speaker 1>kind of beautiful knowing you and and knowing that you

0:28:46.440 --> 0:28:50.520
<v Speaker 1>said this today. It's all is a nice beautiful bow

0:28:51.280 --> 0:28:53.440
<v Speaker 1>of of Ted Wright. And thank you for being here,

0:28:53.960 --> 0:29:02.200
<v Speaker 1>thank you for having me. Apter two in every episode

0:29:02.200 --> 0:29:04.640
<v Speaker 1>of Gigging Out. I see if I can trade one

0:29:04.680 --> 0:29:07.920
<v Speaker 1>thing I've discovered recently with one thing that my guest

0:29:07.960 --> 0:29:11.960
<v Speaker 1>has discovered. Anything is admissible in this friendly exchange I

0:29:12.080 --> 0:29:16.160
<v Speaker 1>call trade you. All right, So this is the section

0:29:16.240 --> 0:29:19.560
<v Speaker 1>of of the podcast that I call trade you. And

0:29:19.880 --> 0:29:23.040
<v Speaker 1>this section is I'm going to trade you one thing

0:29:23.080 --> 0:29:26.360
<v Speaker 1>that I'm currently into in exchange for one thing you're

0:29:26.400 --> 0:29:29.640
<v Speaker 1>currently into, a right, okay, And I'll go first, which

0:29:29.640 --> 0:29:31.440
<v Speaker 1>will give you a little bit of time for you

0:29:31.480 --> 0:29:34.000
<v Speaker 1>to kind of figure out what you want to trade me.

0:29:34.920 --> 0:29:37.240
<v Speaker 1>I think you know this about me already that I

0:29:37.280 --> 0:29:40.680
<v Speaker 1>am a board game guy. I am interested in board games,

0:29:40.680 --> 0:29:44.959
<v Speaker 1>which is not necessarily Clue or Monopoly. This is like

0:29:45.040 --> 0:29:47.760
<v Speaker 1>a whole different level and a whole different section of

0:29:47.760 --> 0:29:51.640
<v Speaker 1>Barnes and Noble, you know. And um, what I have

0:29:51.760 --> 0:29:55.360
<v Speaker 1>found is there is a new type of game that

0:29:55.520 --> 0:30:00.120
<v Speaker 1>I didn't know existed until recently, and it has been developed.

0:30:00.280 --> 0:30:02.320
<v Speaker 1>I mean, it is a new idea. This is not

0:30:02.400 --> 0:30:06.520
<v Speaker 1>an old idea. And interestingly, I think the idea itself

0:30:07.040 --> 0:30:10.840
<v Speaker 1>kind of came into board gaming from the computer gaming world.

0:30:11.040 --> 0:30:13.800
<v Speaker 1>I think it came backwards, which is a very weird

0:30:13.840 --> 0:30:17.480
<v Speaker 1>way to develop. This particular new kind of board game

0:30:17.840 --> 0:30:20.680
<v Speaker 1>has a designation, so you'll you'll see the name of

0:30:20.680 --> 0:30:24.200
<v Speaker 1>the game and then you will see this designation legacy

0:30:24.360 --> 0:30:29.080
<v Speaker 1>after it, and a legacy board game UM is a

0:30:29.120 --> 0:30:33.600
<v Speaker 1>game that changes while you play it. So, for instance,

0:30:34.040 --> 0:30:36.840
<v Speaker 1>the one that I'm going to recommend to you, and

0:30:36.840 --> 0:30:40.360
<v Speaker 1>I'm only saying this because it's the they've just released

0:30:40.480 --> 0:30:43.760
<v Speaker 1>season two of the board game. Board games come in

0:30:43.800 --> 0:30:46.840
<v Speaker 1>season well they now, so this is a little bit

0:30:46.880 --> 0:30:50.840
<v Speaker 1>like neck Netflix, but a board game UM season one.

0:30:50.880 --> 0:30:53.719
<v Speaker 1>The name of this board game is called Pandemic, and

0:30:53.800 --> 0:30:56.880
<v Speaker 1>it's uh what you need to get. There's there's Pandemic,

0:30:56.960 --> 0:31:00.400
<v Speaker 1>which is normal Pandemic, which is a game in which

0:31:00.440 --> 0:31:02.720
<v Speaker 1>you see a map of the world and you start

0:31:02.760 --> 0:31:05.920
<v Speaker 1>at the CDC here in Atlanta, and there's an outbreak

0:31:05.960 --> 0:31:10.640
<v Speaker 1>that goes on across the globe, and the players are cooperative,

0:31:11.000 --> 0:31:15.040
<v Speaker 1>so you're not playing against anyone, You're you're all playing characters.

0:31:15.560 --> 0:31:18.120
<v Speaker 1>They each have different skills or different special powers, and

0:31:18.160 --> 0:31:20.440
<v Speaker 1>you have to combine them with the in a certain number,

0:31:20.440 --> 0:31:24.440
<v Speaker 1>it turns to save the world. Well, then they kept saying, well,

0:31:24.560 --> 0:31:26.560
<v Speaker 1>have you played Pandemic Legacy. I was like, no, already

0:31:26.560 --> 0:31:28.280
<v Speaker 1>played it, and they're like no, no, no, no, no no,

0:31:28.400 --> 0:31:30.800
<v Speaker 1>you gotta do the legacy bit. So I bought it

0:31:31.280 --> 0:31:34.680
<v Speaker 1>because it was on the shelf, and I brought it home.

0:31:34.800 --> 0:31:37.440
<v Speaker 1>And what happens is after the first time you play,

0:31:37.480 --> 0:31:41.440
<v Speaker 1>it says all right, open up box number one, and

0:31:41.560 --> 0:31:44.280
<v Speaker 1>you dig into the thing and there's a box with

0:31:44.320 --> 0:31:48.040
<v Speaker 1>a perforated top. It hasn't been opened, and you open

0:31:48.120 --> 0:31:50.560
<v Speaker 1>it up and it has stickers in it, and it

0:31:50.600 --> 0:31:54.640
<v Speaker 1>has new cards and it has new rules, and you

0:31:54.680 --> 0:31:59.320
<v Speaker 1>put stickers on the actual game board on top of

0:31:59.400 --> 0:32:01.360
<v Speaker 1>things that were already there that you thought that's how

0:32:01.400 --> 0:32:03.440
<v Speaker 1>it worked. And one of the cards says, these are

0:32:03.440 --> 0:32:08.640
<v Speaker 1>the new rules. Tear up the card for the old rules,

0:32:09.400 --> 0:32:12.200
<v Speaker 1>So you actually destroy You tear up the card and

0:32:12.200 --> 0:32:15.440
<v Speaker 1>you throw it in the trash can. Right, And then

0:32:15.600 --> 0:32:17.720
<v Speaker 1>now you're playing a game which you kind of know

0:32:17.800 --> 0:32:21.200
<v Speaker 1>the parameters of, but it just changed. And then once

0:32:21.240 --> 0:32:23.440
<v Speaker 1>you do that one round, you said, okay, you're on

0:32:23.560 --> 0:32:26.880
<v Speaker 1>round number three. Did you survive? And if you survived,

0:32:27.360 --> 0:32:29.920
<v Speaker 1>then suddenly they're like, open up box number two, which

0:32:30.000 --> 0:32:34.920
<v Speaker 1>suddenly says, tear up your characters, throw away this, and

0:32:35.040 --> 0:32:39.600
<v Speaker 1>these are your new rules, so and here's new stories,

0:32:39.680 --> 0:32:42.200
<v Speaker 1>and here's new interesting things about where you are. So

0:32:42.240 --> 0:32:45.640
<v Speaker 1>there's a story layered over the top of the game,

0:32:45.720 --> 0:32:48.800
<v Speaker 1>which is also changing every time you play it, so

0:32:49.320 --> 0:32:51.520
<v Speaker 1>you can't go back to the beginning and play it

0:32:51.600 --> 0:32:56.200
<v Speaker 1>again like you would a normal board game. So Pandemic

0:32:56.480 --> 0:33:01.680
<v Speaker 1>Season two Legacy was released really a week and a

0:33:01.720 --> 0:33:05.280
<v Speaker 1>half ago, okay, And of course, now that I'm a

0:33:05.360 --> 0:33:08.880
<v Speaker 1>dork about this, I pre ordered it and it showed

0:33:08.960 --> 0:33:13.160
<v Speaker 1>up and I'm like seven games in and no one

0:33:13.200 --> 0:33:15.800
<v Speaker 1>can touch it at the house. No one is allowed

0:33:15.840 --> 0:33:19.120
<v Speaker 1>to because I have to remember where I am and done.

0:33:20.240 --> 0:33:22.560
<v Speaker 1>So if I had to turn you onto something right now,

0:33:22.920 --> 0:33:26.400
<v Speaker 1>I would turn you onto the Pandemic Legacy series board games.

0:33:26.880 --> 0:33:30.400
<v Speaker 1>Do I start with the very first Pandemic? No, you can.

0:33:30.560 --> 0:33:32.360
<v Speaker 1>So the way that works is when you first open

0:33:32.440 --> 0:33:36.280
<v Speaker 1>up the box, it says, pray play a pregame. But

0:33:36.480 --> 0:33:40.160
<v Speaker 1>for you, do you think, as the person who's recommending

0:33:40.320 --> 0:33:43.400
<v Speaker 1>to me that I should do Pandemic and then Pandemic

0:33:44.480 --> 0:33:47.960
<v Speaker 1>just but just don't start when you get there. It

0:33:47.960 --> 0:33:49.400
<v Speaker 1>tells you to play two or three games so that

0:33:49.400 --> 0:33:52.400
<v Speaker 1>you understand the mechanics without opening up any of the

0:33:52.560 --> 0:33:57.400
<v Speaker 1>legacy pieces and just followed the directions. I mean, it's unbelievable.

0:33:57.440 --> 0:34:00.880
<v Speaker 1>What an experience this will be. Okay, Okay, now it's return.

0:34:02.960 --> 0:34:08.879
<v Speaker 1>So I want to talk to you about water because

0:34:09.200 --> 0:34:13.520
<v Speaker 1>it is so it has come to my attention that

0:34:14.800 --> 0:34:19.600
<v Speaker 1>water is not always water, that there's a lot of

0:34:19.840 --> 0:34:23.719
<v Speaker 1>stuff that floats around in water, and that we use

0:34:23.800 --> 0:34:26.759
<v Speaker 1>a lot of water, especially here in America where we're

0:34:26.800 --> 0:34:31.279
<v Speaker 1>starting to drink less and less soda. And I got

0:34:31.280 --> 0:34:33.960
<v Speaker 1>a little loud there for Christian just for fun. He hasn't.

0:34:33.960 --> 0:34:38.360
<v Speaker 1>He has a diet coke thing that he has. He's

0:34:38.400 --> 0:34:43.319
<v Speaker 1>it's gone, all right, very good. So water is kind

0:34:43.320 --> 0:34:46.160
<v Speaker 1>of interesting, right because it's everywhere, and also you use

0:34:46.239 --> 0:34:48.759
<v Speaker 1>in lots of places, like when you make rice at home,

0:34:49.440 --> 0:34:53.919
<v Speaker 1>rice is sixt water, or you're making pasta, or you're

0:34:54.000 --> 0:34:59.800
<v Speaker 1>drinking you know, milk is seventy water water, um, depending

0:34:59.840 --> 0:35:02.920
<v Speaker 1>on what is you're doing. So you know, it turns

0:35:02.920 --> 0:35:05.800
<v Speaker 1>out that we really need to make choices about where

0:35:05.840 --> 0:35:09.240
<v Speaker 1>we get our water from and what are we doing

0:35:09.320 --> 0:35:13.560
<v Speaker 1>with that water? So like there's tap water and it

0:35:13.600 --> 0:35:16.040
<v Speaker 1>depends on where you are and not like Flint, Michigan

0:35:16.120 --> 0:35:19.040
<v Speaker 1>gross stuff or like like obviously grows stuff where you

0:35:19.080 --> 0:35:23.360
<v Speaker 1>got like flames coming out like a Simpsons cartoon, but

0:35:24.239 --> 0:35:27.160
<v Speaker 1>or in real life when that happens that people. But

0:35:27.239 --> 0:35:29.200
<v Speaker 1>you know, there's so there's tap water, and then you

0:35:29.239 --> 0:35:31.320
<v Speaker 1>can get water out of bottles and you could do it.

0:35:31.520 --> 0:35:34.919
<v Speaker 1>Different companies have filters. And then there's this company out

0:35:34.960 --> 0:35:38.080
<v Speaker 1>there that have you know, those big machines that you

0:35:38.120 --> 0:35:40.319
<v Speaker 1>see at the grocery store where you can go up

0:35:40.320 --> 0:35:42.240
<v Speaker 1>and you know, you can fill up a gallon jug

0:35:42.320 --> 0:35:46.040
<v Speaker 1>for fifteen cents, or you can get big those big

0:35:46.080 --> 0:35:49.920
<v Speaker 1>five gallon things delivered to your house. So it's interesting

0:35:49.960 --> 0:35:51.680
<v Speaker 1>to me. So somebody brought this up to me about

0:35:51.680 --> 0:35:54.080
<v Speaker 1>six months ago, and so I've been kind of looking

0:35:54.120 --> 0:35:56.720
<v Speaker 1>at it, and I'm starting to be a big fan

0:35:57.440 --> 0:36:00.719
<v Speaker 1>of getting those big things of water at the grocery

0:36:00.760 --> 0:36:06.200
<v Speaker 1>store and then having a dispensary um at your house

0:36:06.920 --> 0:36:09.440
<v Speaker 1>and getting your water that you drink and you news

0:36:09.520 --> 0:36:12.920
<v Speaker 1>out of those And I'm interested in this, and this

0:36:13.000 --> 0:36:17.400
<v Speaker 1>is for real. I'm interested in this because one like

0:36:17.560 --> 0:36:20.719
<v Speaker 1>consumption so average, So I got kind of went down

0:36:20.719 --> 0:36:22.680
<v Speaker 1>the rabbit hole and looked at all of stuff. So

0:36:22.920 --> 0:36:26.600
<v Speaker 1>water and if you if you have one of those

0:36:26.640 --> 0:36:29.120
<v Speaker 1>dispensers in America, this is one of those five gallon

0:36:29.200 --> 0:36:31.320
<v Speaker 1>things and you've got the little dispenser in your kitchen

0:36:31.400 --> 0:36:33.719
<v Speaker 1>or whatever, um, and it's those ones that you have

0:36:33.760 --> 0:36:35.279
<v Speaker 1>to take off the top and you have to go

0:36:35.400 --> 0:36:37.600
<v Speaker 1>really fast, you know, splash all over the floor. That's

0:36:37.640 --> 0:36:40.840
<v Speaker 1>what we're talking about. So people drink like like your

0:36:40.920 --> 0:36:45.719
<v Speaker 1>kids will drink more water if that's just out there

0:36:45.760 --> 0:36:48.799
<v Speaker 1>in front of them, right, And there's there's a guy

0:36:48.840 --> 0:36:50.600
<v Speaker 1>out there. His name is Dick Taylor, and he just

0:36:50.920 --> 0:36:53.680
<v Speaker 1>won the Nobel Prize for Economics. But his idea forty

0:36:53.760 --> 0:36:56.000
<v Speaker 1>years ago, which he then wrote in a book called Nudge,

0:36:56.840 --> 0:37:00.360
<v Speaker 1>and basically his concept that he won the Nobel Prize

0:37:00.360 --> 0:37:02.399
<v Speaker 1>for it because now it has been proven, is if

0:37:02.440 --> 0:37:04.560
<v Speaker 1>you make it easy for somebody to due to the

0:37:04.680 --> 0:37:09.000
<v Speaker 1>right thing, they'll do it much more often. So water

0:37:09.280 --> 0:37:12.000
<v Speaker 1>is it turns out we should be every American should

0:37:12.080 --> 0:37:14.680
<v Speaker 1>most likely be drinking more water than they already do.

0:37:15.239 --> 0:37:17.560
<v Speaker 1>And so water because water is everywhere, because we need

0:37:17.600 --> 0:37:19.880
<v Speaker 1>to consume all out of water. Water really becomes a

0:37:20.000 --> 0:37:23.840
<v Speaker 1>choice like why am I drinking water out of this place?

0:37:24.000 --> 0:37:26.040
<v Speaker 1>And do I need to make sure that that is

0:37:26.080 --> 0:37:29.359
<v Speaker 1>something I want to do? So an average, so one

0:37:29.360 --> 0:37:31.879
<v Speaker 1>of those five gallon if you drink your water out

0:37:31.880 --> 0:37:33.920
<v Speaker 1>of one of those five gallon things, and that's how

0:37:33.960 --> 0:37:36.480
<v Speaker 1>you consume much of your water. Your a praise like

0:37:36.600 --> 0:37:40.040
<v Speaker 1>fifteen hundred of those water bottles that you buy, you know,

0:37:40.040 --> 0:37:44.000
<v Speaker 1>in the big case packs and so and if you

0:37:44.080 --> 0:37:47.000
<v Speaker 1>get one of those. So there's particular matter, and there's

0:37:47.000 --> 0:37:49.440
<v Speaker 1>stuff like chlorine and stuff that is put in big

0:37:49.600 --> 0:37:52.759
<v Speaker 1>lots of water and municipalities. But do you really want

0:37:52.760 --> 0:37:55.160
<v Speaker 1>to be putting all that chlorine in your body? So

0:37:55.200 --> 0:37:57.759
<v Speaker 1>maybe you want to use you know, some company who

0:37:57.760 --> 0:37:59.759
<v Speaker 1>has a filter where you put the stuff in the

0:37:59.800 --> 0:38:02.279
<v Speaker 1>top up and then the water kind of percolates down

0:38:02.360 --> 0:38:05.120
<v Speaker 1>with gravity. So that's one way of filtering. But do

0:38:05.160 --> 0:38:08.200
<v Speaker 1>you want more filters because maybe that doesn't take out everything.

0:38:08.280 --> 0:38:10.520
<v Speaker 1>So do you want a company to filter the water

0:38:10.640 --> 0:38:13.120
<v Speaker 1>for you, like you know one of those companies that

0:38:13.120 --> 0:38:15.160
<v Speaker 1>has the big water and you just go to lows

0:38:15.400 --> 0:38:17.920
<v Speaker 1>or you go to you know, when your whole foods

0:38:18.239 --> 0:38:20.680
<v Speaker 1>and just pull one out and put the empty back

0:38:20.719 --> 0:38:24.960
<v Speaker 1>and you go do that. So water you really need

0:38:25.040 --> 0:38:27.600
<v Speaker 1>to think about. So my gift to you is you

0:38:27.640 --> 0:38:30.759
<v Speaker 1>really need to be thinking about where it is you

0:38:30.800 --> 0:38:33.359
<v Speaker 1>get your water and how you get your water and

0:38:33.400 --> 0:38:36.120
<v Speaker 1>what does that mean for what you are trying to do.

0:38:36.800 --> 0:38:38.759
<v Speaker 1>Like I know you're on the road a lot, right,

0:38:38.800 --> 0:38:40.359
<v Speaker 1>So this is why I'm talking about you. If there's

0:38:40.360 --> 0:38:45.120
<v Speaker 1>no water, you need to drink more water. And also

0:38:45.280 --> 0:38:47.200
<v Speaker 1>you burn You've told me before, you know you burned

0:38:47.280 --> 0:38:50.439
<v Speaker 1>six or seven thousand galleries during the show. So you've

0:38:50.440 --> 0:38:52.680
<v Speaker 1>got water coming in and out all the time. So

0:38:52.800 --> 0:38:54.560
<v Speaker 1>what is the quality of the water that you're putting

0:38:54.560 --> 0:38:57.239
<v Speaker 1>in and out of your system? So for you in

0:38:57.280 --> 0:38:59.800
<v Speaker 1>particular in America, you can listen in if this works

0:38:59.800 --> 0:39:02.040
<v Speaker 1>for you too, we really think about it. And for

0:39:02.200 --> 0:39:05.000
<v Speaker 1>us at our house, you know, since we're recommending stuff,

0:39:05.200 --> 0:39:09.080
<v Speaker 1>we have moved to that big water thing, the diyant

0:39:09.120 --> 0:39:11.120
<v Speaker 1>water thing, and we're putting it and we got one

0:39:11.160 --> 0:39:14.280
<v Speaker 1>of those machines and my wife does not like the machine,

0:39:14.320 --> 0:39:15.920
<v Speaker 1>but I put over in the closet. We drink on

0:39:15.960 --> 0:39:18.960
<v Speaker 1>a lot more water. And for me, and who knows

0:39:19.040 --> 0:39:21.520
<v Speaker 1>it's if it's mental or not, but I can I

0:39:21.560 --> 0:39:24.800
<v Speaker 1>feel better. I'm no, I'm drinking more water. I'm probably

0:39:24.800 --> 0:39:27.600
<v Speaker 1>more hydrated. I got them for the office we have.

0:39:27.680 --> 0:39:29.880
<v Speaker 1>I put four of them into the office and I

0:39:29.960 --> 0:39:31.680
<v Speaker 1>ripped out. We guys blow through a bunch of water

0:39:31.719 --> 0:39:34.040
<v Speaker 1>on that, and so we're probably blowing through, you know,

0:39:34.120 --> 0:39:36.239
<v Speaker 1>to on the gallons of water that I know of,

0:39:36.280 --> 0:39:40.520
<v Speaker 1>probably a week. I accept your gift. Pandemic and water.

0:39:40.960 --> 0:39:42.799
<v Speaker 1>Two things are made for each other. Thank you for

0:39:42.840 --> 0:39:44.719
<v Speaker 1>being here man, Thank you, Christian. I appreciate it's a

0:39:44.760 --> 0:39:54.840
<v Speaker 1>lot of fun. Chapter three me geeking out on music

0:39:55.920 --> 0:40:00.319
<v Speaker 1>the long way. There's nothing quite like cheering for your

0:40:00.360 --> 0:40:04.000
<v Speaker 1>favorite team. Where in the shirt, knowing the chant, following

0:40:04.040 --> 0:40:07.000
<v Speaker 1>the story, you feel like you're a part of something,

0:40:07.480 --> 0:40:11.319
<v Speaker 1>a tribe. You give the team your support and exchange.

0:40:11.600 --> 0:40:15.840
<v Speaker 1>They carry the flag, and the dreams of winning. Bands

0:40:15.920 --> 0:40:19.440
<v Speaker 1>from your hometown functioned kind of like sports teams. If

0:40:19.440 --> 0:40:23.239
<v Speaker 1>you're from Texas, maybe it was Robert O'Keene or Seattle.

0:40:23.400 --> 0:40:27.560
<v Speaker 1>It was Pearl Jam or Mud Honey Portland, the Decembrist Minneapolis,

0:40:27.600 --> 0:40:30.399
<v Speaker 1>maybe it was the Replacements or Prince. Their bands from

0:40:30.400 --> 0:40:33.879
<v Speaker 1>the place you call home, and as they become successful,

0:40:34.000 --> 0:40:37.400
<v Speaker 1>you cheer them on until They're almost like an extension

0:40:37.400 --> 0:40:40.080
<v Speaker 1>of you, an extension of your hometown, part of the

0:40:40.080 --> 0:40:45.320
<v Speaker 1>town's identity and yours. This brings me to Athens, Georgia

0:40:45.680 --> 0:40:49.560
<v Speaker 1>and their home team, not the Georgia Bulldogs, but r

0:40:49.560 --> 0:40:57.440
<v Speaker 1>E M M. The culture of going the long way

0:40:57.560 --> 0:41:00.160
<v Speaker 1>is what is birth many, if not all, of the

0:41:00.239 --> 0:41:04.600
<v Speaker 1>significant bands in America, and each of these bands I mentioned,

0:41:04.680 --> 0:41:07.640
<v Speaker 1>you're likely to hear the same story. A group of

0:41:07.640 --> 0:41:11.000
<v Speaker 1>people gathered in a basement, played music together for a

0:41:11.200 --> 0:41:15.000
<v Speaker 1>determinate amount of time, invited their friends over to listen,

0:41:15.080 --> 0:41:19.279
<v Speaker 1>and said basement eventually played somewhere for free until enough

0:41:19.320 --> 0:41:23.759
<v Speaker 1>people that they didn't know started enjoying listening. Then they

0:41:23.880 --> 0:41:27.600
<v Speaker 1>kept playing, and eventually, between playing house parties and local

0:41:27.680 --> 0:41:30.680
<v Speaker 1>clubs and bowling alleys, learned how to parallel park of

0:41:30.760 --> 0:41:33.600
<v Speaker 1>van and a trailer, make a T shirt, and even

0:41:33.680 --> 0:41:37.520
<v Speaker 1>learn to make collections of songs and release albums. R

0:41:37.760 --> 0:41:41.560
<v Speaker 1>M started in nineteen eighty and went the long way.

0:41:41.960 --> 0:41:45.080
<v Speaker 1>They learned which songs made people sing along, which made

0:41:45.120 --> 0:41:48.800
<v Speaker 1>them dance, which board their audience to tears, and which

0:41:48.800 --> 0:41:51.919
<v Speaker 1>songs they had to finish their show with every night.

0:41:52.840 --> 0:42:07.879
<v Speaker 1>This is them in Raleigh in two songs for some

0:42:07.960 --> 0:42:10.920
<v Speaker 1>people will tell you that you need to learn the ropes,

0:42:11.040 --> 0:42:15.040
<v Speaker 1>pay your dues, put in your ten thousand Gladwell hours

0:42:15.080 --> 0:42:19.000
<v Speaker 1>to get there. Truly, in my experience, you're just trying

0:42:19.120 --> 0:42:22.239
<v Speaker 1>everything you can to get a big break. There's a

0:42:22.280 --> 0:42:24.800
<v Speaker 1>certain amount of pride when you start to see something

0:42:24.960 --> 0:42:27.640
<v Speaker 1>from your hometown show up on the radio or even

0:42:27.880 --> 0:42:31.320
<v Speaker 1>on television. But to get there, these bands are putting

0:42:31.320 --> 0:42:35.280
<v Speaker 1>in thousands of hours touring and even more making music together.

0:42:36.200 --> 0:42:39.239
<v Speaker 1>This is R E M three years in on their

0:42:39.360 --> 0:42:43.759
<v Speaker 1>national television debut on Letterman Please Welcome R E M.

0:42:59.040 --> 0:43:02.480
<v Speaker 1>R E M actually spent seven albums of Time getting

0:43:02.520 --> 0:43:05.240
<v Speaker 1>better and better and better on an independent label before

0:43:05.280 --> 0:43:08.280
<v Speaker 1>they ever signed with Warner Brothers and release their major

0:43:08.360 --> 0:43:13.480
<v Speaker 1>label debut Green. Their most successful albums actually came as

0:43:13.480 --> 0:43:15.880
<v Speaker 1>their two follow ups to Green, Out of Time and

0:43:15.920 --> 0:43:19.680
<v Speaker 1>Automatic For the people. They were going the long way.

0:43:20.400 --> 0:43:22.680
<v Speaker 1>You can actually hear it if you go backward in

0:43:22.719 --> 0:43:35.279
<v Speaker 1>their catalog, from the Sounds of Murmur, two Fables of

0:43:35.320 --> 0:43:59.320
<v Speaker 1>the Reconstruction and to Life's Rich Pageant, and then to

0:43:59.440 --> 0:44:13.200
<v Speaker 1>an album called Document. They released an album a year

0:44:14.200 --> 0:44:25.799
<v Speaker 1>and toured like crazy. I looked up to people like R. E. M.

0:44:25.800 --> 0:44:29.560
<v Speaker 1>I came to college in Atlanta in and was able

0:44:29.600 --> 0:44:32.680
<v Speaker 1>to not only here but actually see the habits that

0:44:32.760 --> 0:44:36.000
<v Speaker 1>they had formed. I saw clubs where they played and

0:44:36.040 --> 0:44:39.120
<v Speaker 1>the bands after them. They were actually playing the same clubs,

0:44:39.760 --> 0:44:43.520
<v Speaker 1>college stations that played their music, who welcomed new bands

0:44:43.600 --> 0:44:46.480
<v Speaker 1>to send them music, bands who R. E M Had

0:44:46.520 --> 0:44:50.879
<v Speaker 1>helped that were in turn now helping me. I could

0:44:50.880 --> 0:44:54.680
<v Speaker 1>actually feel what going the long way actually created in

0:44:54.760 --> 0:45:01.440
<v Speaker 1>its wake. It created opportunity, encouragement, so coard, and most importantly,

0:45:02.200 --> 0:45:06.919
<v Speaker 1>someone saying that this crazy dream is not impossible. I've

0:45:06.960 --> 0:45:10.320
<v Speaker 1>lived in what they taught, from coffee houses to clubs

0:45:10.320 --> 0:45:13.359
<v Speaker 1>to frat houses across the South to rock clubs in

0:45:13.360 --> 0:45:17.000
<v Speaker 1>Berlin or even arenas in the Midwest. Work harder to

0:45:17.080 --> 0:45:21.399
<v Speaker 1>make a better song right, thousands of them constantly try

0:45:21.440 --> 0:45:24.759
<v Speaker 1>to find a new audience. Understand you may play to

0:45:24.840 --> 0:45:27.680
<v Speaker 1>no one in each city or country until people start

0:45:27.719 --> 0:45:31.640
<v Speaker 1>to become fans. Never stop moving the dream forward, Never

0:45:31.680 --> 0:45:34.480
<v Speaker 1>take your fans for granted, make a better T shirt,

0:45:34.920 --> 0:45:38.040
<v Speaker 1>help those who come behind you, be the team from

0:45:38.040 --> 0:45:42.880
<v Speaker 1>your hometown, and never forget it. I still can't believe

0:45:42.960 --> 0:45:45.520
<v Speaker 1>that my name is even next to their name and

0:45:45.520 --> 0:45:48.160
<v Speaker 1>the Georgia Music Hall of Fame. I owe them so

0:45:48.280 --> 0:45:50.720
<v Speaker 1>much as a fan, as a student, as a creator.

0:45:51.040 --> 0:45:53.799
<v Speaker 1>I'm not sure I would be who I am or

0:45:53.920 --> 0:45:57.919
<v Speaker 1>where I am without their music. It's a shame that

0:45:58.120 --> 0:46:01.480
<v Speaker 1>nowadays very few bands to get the opportunity to go

0:46:01.600 --> 0:46:05.080
<v Speaker 1>the long way. No one gives young bands a chance anymore.

0:46:05.480 --> 0:46:07.560
<v Speaker 1>Even if you have a big break and a successful

0:46:07.680 --> 0:46:11.560
<v Speaker 1>radio song, if your sophomore album tanks, you're kind of

0:46:11.600 --> 0:46:16.600
<v Speaker 1>considered over. What if we said, hey, how about you

0:46:16.640 --> 0:46:18.960
<v Speaker 1>put out an album for a year, for five years,

0:46:19.200 --> 0:46:21.800
<v Speaker 1>play a hundred and fifties shows a year, and then decide,

0:46:21.840 --> 0:46:24.239
<v Speaker 1>if you're any good, what kind of music do you

0:46:24.280 --> 0:46:28.360
<v Speaker 1>think would be created? What kind of culture? There is

0:46:28.400 --> 0:46:31.960
<v Speaker 1>some good news. College bars still exists, and people like

0:46:32.239 --> 0:46:35.120
<v Speaker 1>Luke Combs or Ashley McBride have been playing them and

0:46:35.160 --> 0:46:39.480
<v Speaker 1>building fan bases for years. The dreams not dead. The

0:46:39.520 --> 0:46:42.680
<v Speaker 1>technology that many say is a setback to the music

0:46:42.719 --> 0:46:46.120
<v Speaker 1>industry might be the same technology that can give the

0:46:46.160 --> 0:46:48.640
<v Speaker 1>next R. E. M the chance to make their first

0:46:48.680 --> 0:46:53.560
<v Speaker 1>five records without anybody's help. But most importantly, there are

0:46:53.640 --> 0:46:57.960
<v Speaker 1>basements everywhere in every hometown that still have dreams in

0:46:58.000 --> 0:47:00.680
<v Speaker 1>them where a group of people will make a band

0:47:01.080 --> 0:47:04.640
<v Speaker 1>and maybe go the long way. If you want to

0:47:04.680 --> 0:47:08.640
<v Speaker 1>help find a band, support him, tell your friends, bring

0:47:08.719 --> 0:47:12.520
<v Speaker 1>your friends. This is how things start. You never know

0:47:12.560 --> 0:47:14.960
<v Speaker 1>where things might end up. You never know where your

0:47:14.960 --> 0:47:17.680
<v Speaker 1>favorite song might come from. You never know if something

0:47:17.760 --> 0:47:25.919
<v Speaker 1>from your own street might change the world. I hope

0:47:25.960 --> 0:47:28.239
<v Speaker 1>you enjoyed this episode of Geeking Out and we are

0:47:28.360 --> 0:47:30.759
<v Speaker 1>all hard at work here on the next one. Are

0:47:30.840 --> 0:47:33.400
<v Speaker 1>you obsessed with something amazing? I want to tell us

0:47:33.400 --> 0:47:36.440
<v Speaker 1>about it? Right to us at geeking Out with KB

0:47:36.760 --> 0:47:39.800
<v Speaker 1>at gmail dot com and you might be a guest

0:47:39.920 --> 0:47:43.680
<v Speaker 1>on an upcoming episode. Come find out more about me

0:47:43.800 --> 0:47:47.040
<v Speaker 1>and this podcast at Christian Bush dot com, Christian with

0:47:47.080 --> 0:47:50.920
<v Speaker 1>a K, follow me at Christian Bush on Twitter, Christian

0:47:50.960 --> 0:47:54.960
<v Speaker 1>Bush on Instagram, Christian Bush on Facebook, and Christian M.

0:47:55.040 --> 0:47:58.719
<v Speaker 1>Bush on Snapchat. Thanks to Bobby Bones for the opportunity

0:47:58.760 --> 0:48:00.680
<v Speaker 1>to build this podcast, for In a Bush for the

0:48:00.800 --> 0:48:04.160
<v Speaker 1>editing and the soundtrack, Tom Tapley for the audio wizardry,

0:48:04.160 --> 0:48:07.200
<v Speaker 1>and Whitney Pastrick for being a great producer and making

0:48:07.239 --> 0:48:10.760
<v Speaker 1>this whole thing possible. This is Christian Bush gigging out.

0:48:11.400 --> 0:48:12.320
<v Speaker 1>Thank you for listening.