WEBVTT - Ep 69 "To the Moon" with JNR Choi

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<v Speaker 1>We're just too unapologetically black women with an opinion to

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<v Speaker 1>talk back. All right, y'all, thank you for tuning in

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<v Speaker 1>for a new episode that we talk back. It's your

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<v Speaker 1>girl a j y'all, it's me Tim Bam, I love y'all.

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<v Speaker 1>Guess what we're doing today. We are talking to the

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<v Speaker 1>motherfucking moved today and our toy, Junior Toy. Welcome. How

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<v Speaker 1>are you doing? Thank you? I'm good, I'm good. How

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<v Speaker 1>are you good? Good? Now, I gotta start with telling

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<v Speaker 1>you I've been singing your song for a couple of

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<v Speaker 1>months now, and I've been singing it wrong the whole time.

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<v Speaker 1>You know. The part is like it's you say, pull

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<v Speaker 1>up the team gonna turn up. I say, pull up

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<v Speaker 1>the same Ovagina saying get Ovagina Overgina good too, And

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<v Speaker 1>that's kind of sound sounds like whatever it wants you

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<v Speaker 1>to be, like things I've heard. Yeah, I don't know

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<v Speaker 1>how you got there, but all right, just a little

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<v Speaker 1>uh ice breaker. But that's really what I thought you

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<v Speaker 1>were saying you were singing out in the club. Yeah, yeah,

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<v Speaker 1>it's no choice about to pull out with the same one.

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<v Speaker 1>I wish I wish you could swap him out every

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<v Speaker 1>once in a while. I'm gonna be honest with you. So, uh,

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<v Speaker 1>when I first, um, I saw the song, like the

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<v Speaker 1>video your video just came up bout a month ago, right, yeah,

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<v Speaker 1>one of them. But when I started looking, I'm like, damn,

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<v Speaker 1>I only saw the original, not the original. I saw

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<v Speaker 1>the version with um Fabio and um g Herbo, and

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<v Speaker 1>I watched it twice because I'm like, where is this

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<v Speaker 1>Nigga's verse? But I don't realize, like y'all have been

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<v Speaker 1>pushing the hell out this song because I didn't realize

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<v Speaker 1>it has like three different videos at this point. So

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<v Speaker 1>you got a version with Fabio and Gie Herbo and

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<v Speaker 1>in another version with Umunna. Yes, So how did that

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<v Speaker 1>come about? How do you start? How do you work

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<v Speaker 1>with these United States rappers? Departed? Being here really like

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<v Speaker 1>here anyway. I was gonna move out here anyway. I

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<v Speaker 1>was going to be to the States. But then once

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<v Speaker 1>the song stide blowing up, like I chewed for a

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<v Speaker 1>second state in the UK and others like legal stuff,

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<v Speaker 1>and then came over here. But I was always coming

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<v Speaker 1>over here. And I'm a strong believer of just being

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<v Speaker 1>being yourself wherever you need to be it's gonna happen

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<v Speaker 1>to you. So g Herber was in the studio with Metro.

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<v Speaker 1>He just ran me, came in and then it was like,

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<v Speaker 1>you know who sounds good on this? You send a

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<v Speaker 1>verse over the next day, father was a no brainer. Um,

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<v Speaker 1>I was playing call a g and my boy was like, yo, father,

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<v Speaker 1>you know. I like, yeah, that would be hard. Let

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<v Speaker 1>me be in contempt with the manager. That happened over there,

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<v Speaker 1>and then kanna my Um, he's a good friend of him.

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<v Speaker 1>And then he heard the song. I love the song

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<v Speaker 1>brain just being it's gonna be outside having So I've

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<v Speaker 1>seen athletes transitioning music, and I've seen like this transition

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<v Speaker 1>to music, but I've never seen models transition to music.

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<v Speaker 1>So first tell us how you got into modeling, and

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<v Speaker 1>then tell us how it turned into music. For sure,

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<v Speaker 1>um modeling mode thing. A lot of people used to

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<v Speaker 1>tell me that I should model, Like I used to

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<v Speaker 1>have like quite a strong like fashion sense, Like I

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<v Speaker 1>used to come into college with some absurd clothing. People

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<v Speaker 1>see what she got going on, and it was like,

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<v Speaker 1>you know, stand out, you should you should maybe get

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<v Speaker 1>into fashion, you should model. Um. I kind of brushed

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<v Speaker 1>it for a long time. And then one of my

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<v Speaker 1>friends really wanted to model, so he was like, yeah,

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<v Speaker 1>I'm gonna go to go and check out some agencies.

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<v Speaker 1>Basically the interviewed himself, coaties whatever, and I was like, yeah, cool,

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<v Speaker 1>I'll come with you. And then like he was getting

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<v Speaker 1>into viewed and then they were like trying to interview

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<v Speaker 1>me too, and I was like all right, cool, that's good.

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<v Speaker 1>And then they all kind of like brushed it. They

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<v Speaker 1>were like, now we think you'd be good somewhere else,

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<v Speaker 1>and now I was like, hey, hold on, nah. The

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<v Speaker 1>fact they said no kind of like yeah, they rejected me,

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<v Speaker 1>and it charged me. I was like, what you mean? No,

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<v Speaker 1>I went back. I went back. I've done my research,

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<v Speaker 1>you know, but peeped up all the agencies, saw what

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<v Speaker 1>they were good for. They were good for their own reasons.

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<v Speaker 1>I found out where I would I felt like I'd

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<v Speaker 1>feel most like comfortable and what kind of you know,

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<v Speaker 1>there's like editorials, there's runway, there's a commercial stuff, so

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<v Speaker 1>you kind of have to like choose your fire. I

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<v Speaker 1>was like, I'm going to run for all of them.

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<v Speaker 1>And then I kind of just you know, cleared, my

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<v Speaker 1>skin got ready. Um. And then one day. I actually

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<v Speaker 1>got scouted at work. Okay, um random, I was working

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<v Speaker 1>in Talking Man. I don't know if you have these

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<v Speaker 1>are yeah, oh fire. I was working in Talking Man

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<v Speaker 1>and then randomly one lady come in and just like YO,

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<v Speaker 1>think you should model, was like let and signed a

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<v Speaker 1>country the next day and just quit the next day. Yeah,

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<v Speaker 1>next day. So fashion and music has always went hand

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<v Speaker 1>in hand. So was it more intentional for you to

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<v Speaker 1>make music for fashion? Runaway? Music was random? Music was

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<v Speaker 1>very light because don't nobody be walking down and runway

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<v Speaker 1>with no music? Might have motherfucker's walking down the runway. Yeah,

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<v Speaker 1>can you imagine just clapping you know what? I not seen?

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<v Speaker 1>The shawl was born just to suspense that. So all right,

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<v Speaker 1>you walked for some top designers. What was your biggest

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<v Speaker 1>like oh ship moment? Like oh ship, this is crazy?

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<v Speaker 1>Um I think it was Javon Shi but when um,

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<v Speaker 1>when recorded tis she was still in that. Yeah. I

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<v Speaker 1>remember just like walking into the venue like oh this

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<v Speaker 1>is this is not a room, this is a whole.

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<v Speaker 1>That confusral to that. So yeah that was probably not

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<v Speaker 1>like whoa that was your old ship moment? All right?

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<v Speaker 1>So I see like a lot of people are your

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<v Speaker 1>viral on TikTok. Like I just started a TikTok for

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<v Speaker 1>myself because I'm a little older. That ain't even my thing, right,

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<v Speaker 1>but I started one because my producer said, I need

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<v Speaker 1>to be more president social media. Right. So I've been

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<v Speaker 1>watching like people dancing to your song on TikTok And

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<v Speaker 1>there's a particular dance that I see people doing this

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<v Speaker 1>like where they're kicking they foot out and kicking to

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<v Speaker 1>the side. You know how to do it? Na, what's

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<v Speaker 1>it called the study or what's it called? Yeah, study,

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<v Speaker 1>I don't know. At least you just come across the

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<v Speaker 1>see me as well, Yeah, you can't do it, damn.

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<v Speaker 1>I was hoping you could teach them. My legs was snap.

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<v Speaker 1>Do you attribute a lot of this a lot of

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<v Speaker 1>the success of Um to the Moon to TikTok because

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<v Speaker 1>that's when we actuel, Like that's when we first heard

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<v Speaker 1>in the in the United States. Yeah, it definitely definitely

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<v Speaker 1>like helped across the borders for sure. I saw that

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<v Speaker 1>stuff in Africa, like the US heavy Yeah, focus question

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<v Speaker 1>all right, I saw you said that your music is

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<v Speaker 1>Afro drill. Was Afro drill versus UK drill? Yeah, it's

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<v Speaker 1>a different it's an African essence in drill. So what's

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<v Speaker 1>drilled though? Trust that's what everyone else they was playing

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<v Speaker 1>I'm gonna draw, So you're making drill music. So in

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<v Speaker 1>Chicago we know what drill music isn't the like in

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<v Speaker 1>New York with drill music is it's like people, I

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<v Speaker 1>don't know what I'm about to tell you. Drill music

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<v Speaker 1>essentially because you know the mirror whatever. New York is

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<v Speaker 1>trying to ban drill music because it's like people committing

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<v Speaker 1>crimes and actually rapping about it. That's what drill music.

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<v Speaker 1>So you you music god, well, most of the rappers

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<v Speaker 1>they rap about ship they're not actually doing anymore. But

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<v Speaker 1>with drill music, do you have the younger guys rapping

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<v Speaker 1>about possibly killing somebody last week. I'm not trying to

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<v Speaker 1>dim the move, but yeah, they'll put that in the song.

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<v Speaker 1>That's what drill music is essentially. Is that what it

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<v Speaker 1>is to you? To me? Yeah, no, I just hear.

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<v Speaker 1>I hear in the production. So it's like the high hats,

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<v Speaker 1>it's like the slight cutain slides. They're in there. It's

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<v Speaker 1>a certain like tempo that have you walking in a

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<v Speaker 1>certain way. Which usually is lyrically aggressive and gang related.

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<v Speaker 1>But I don't know. That's kind of why I never

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<v Speaker 1>really wanted to jump on that drama. But I make

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<v Speaker 1>a lot of music. I make Afric beats, I mean

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<v Speaker 1>R and B and make sure. I was like, I'm

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<v Speaker 1>gonna jump on drill. I'm gonna do it in my

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<v Speaker 1>own way, and then I'm going to do it how

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<v Speaker 1>I feel, and I feel like an African essence within

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<v Speaker 1>me gonna make it universal. Mm hm. So it's more

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<v Speaker 1>about the production. You ain't shooting to killing nobody that

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<v Speaker 1>creative or pretty a creative. I'm just sitping toe Kida

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<v Speaker 1>and right, mm hmm. So you're from you're originally from

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<v Speaker 1>or Gambia? Are you? Like? So you were born and

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<v Speaker 1>raised in Gambia? When did you move to the UK? Unfortunately? Now,

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<v Speaker 1>I was going in raising in the UK. Yeah, I

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<v Speaker 1>was going and raised in London and I moved out

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<v Speaker 1>to Essex and Africa like every year. Okay, So how

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<v Speaker 1>do you feel like your culture has influenced your sound? Um? Again,

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<v Speaker 1>by bringing a lot of Africa in my assets slack,

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<v Speaker 1>much like every song I've been making recently, it's just

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<v Speaker 1>had that strong African gene in it. Um. Also just

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<v Speaker 1>the melodies. There's a lot of melodies in African music. Yeah,

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<v Speaker 1>there's a lot of melodies in my music. So look,

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<v Speaker 1>I literally talked to the moon all right, trees rivers? Yeah,

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<v Speaker 1>is there like, is there more of an esoteric or

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<v Speaker 1>metaphorical or metaphysical UM message behind behind and the song? No? Nothing,

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<v Speaker 1>I think there is. The thing is The thing is

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<v Speaker 1>that it may not be yet. You don't know it.

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<v Speaker 1>Maybe I believe it. It is for a lot of

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<v Speaker 1>people because I have had many messages about that stuff,

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<v Speaker 1>and it's something I have sly. I do too know

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<v Speaker 1>UM form. But in the making of it absolutely there

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<v Speaker 1>was no intention. M hm. So all right, you're J

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<v Speaker 1>and R are junior? Choice is there a senior like

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<v Speaker 1>as we need him when we talk back? All right?

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<v Speaker 1>So when you go home, you it's been a lot

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<v Speaker 1>of time in New York, you go home or people like,

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<v Speaker 1>what is it like going back home? Because you know

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<v Speaker 1>you grew up there, These people know you from childhood

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<v Speaker 1>and all that. Do they treat you like a celebrity

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<v Speaker 1>or they treat you like that man, you're trying to

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<v Speaker 1>get something. But whatever, y'all eat, I'll say they treat

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<v Speaker 1>me like so if that's a celebrity, h just or

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<v Speaker 1>it will be like congrats. A lot of congratulations is

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<v Speaker 1>a little like homage to there's a little I've been

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<v Speaker 1>seeing you working home? So no, are you single? Yeah? Okay,

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<v Speaker 1>I was about to stay. Is there a girl who

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<v Speaker 1>transition from regular to fame with you now? Like a transition? Yeah?

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<v Speaker 1>Don't have nobody man at you after the dame of you?

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<v Speaker 1>Now possible, that's my number one rule. Possible. I know,

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<v Speaker 1>I know African parents be wanting their kids to be

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<v Speaker 1>uh doctors and lawyers. Is your mom proud of what

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<v Speaker 1>you're doing? Yeah, she's like my number one. Does she

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<v Speaker 1>listen to the She listened to the drill music. She

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<v Speaker 1>listens to that. She listens to everything and everything right now,

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<v Speaker 1>it's not funny. She'd be coming into my pictures like

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<v Speaker 1>p the PM pushing she's pushing Pete. Yeah, good looks.

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<v Speaker 1>How does your mama she's my prior age. No, don't

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<v Speaker 1>do that, not your age. So all right, when you

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<v Speaker 1>go to the studio, what is your vibe like, do

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<v Speaker 1>you set like a vibe when you go in the studio?

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<v Speaker 1>And when do you go are you like an early

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<v Speaker 1>morning studio guy, like a nighttime studio guy, Like, what

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<v Speaker 1>does that look like for you? Cool? So I prefer

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<v Speaker 1>the evening um because it's more acceptable. So she said,

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<v Speaker 1>I can't be sipping at twelve o'clock in the afternoon.

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<v Speaker 1>But yeah, that was that was the word. I kind

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<v Speaker 1>of I'm gonna adapt him to whatever situation, whatever circumstances.

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<v Speaker 1>So if I'm in there, it's just like, as long

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<v Speaker 1>as I can catch the vibe with the beat, and

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<v Speaker 1>I'm good. So we'll just go through every I don't

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<v Speaker 1>know if it's working with a producer, it we'll swing

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<v Speaker 1>through some beats or we'll start creating something and then

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<v Speaker 1>I just lock in, like I'll be like a part

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<v Speaker 1>of the whole process. Um, we're getting the melodies down.

0:14:40.960 --> 0:14:44.040
<v Speaker 1>I I mean this week I really do anything, but

0:14:44.280 --> 0:14:45.880
<v Speaker 1>it will either get the melodies down and we'll just

0:14:45.920 --> 0:14:50.200
<v Speaker 1>jump straight in and start like freestyle and getting something off,

0:14:51.000 --> 0:14:54.480
<v Speaker 1>getting vibes out, um, and then before you know, it's

0:14:54.480 --> 0:14:58.160
<v Speaker 1>like a whole track, like an hour two hours. So

0:14:58.280 --> 0:15:00.600
<v Speaker 1>is it like a club setting? Like yeah, got girls

0:15:00.600 --> 0:15:07.200
<v Speaker 1>in their days, Like when girls can see that's my funny.

0:15:07.240 --> 0:15:10.680
<v Speaker 1>They just sit there, they just said, they're smiling like

0:15:10.920 --> 0:15:16.320
<v Speaker 1>this is good all right, or they do the opposite

0:15:16.320 --> 0:15:17.560
<v Speaker 1>and just trying to be too and they're like, oh,

0:15:17.600 --> 0:15:23.320
<v Speaker 1>you shouldn't trying to trying to like girl, you ain't

0:15:23.320 --> 0:15:26.760
<v Speaker 1>got a song out relaxed, or the funniest one is

0:15:26.760 --> 0:15:28.240
<v Speaker 1>when they have their own music and then you never

0:15:28.320 --> 0:15:32.560
<v Speaker 1>knew that and then just just slide it through. Oh

0:15:33.000 --> 0:15:37.400
<v Speaker 1>that's okay, that's what you But when you get into management,

0:15:37.480 --> 0:15:40.880
<v Speaker 1>I'm trying to get your ship. Yeah a hundred percent,

0:15:41.000 --> 0:15:43.640
<v Speaker 1>hundred percent, but yeah, I'm gonna have some beautiful us

0:15:43.840 --> 0:15:45.480
<v Speaker 1>already have a few months. So which is a bigger

0:15:45.560 --> 0:15:52.920
<v Speaker 1>hustle the modeling business or music business? M big hustle

0:15:53.280 --> 0:15:56.800
<v Speaker 1>as harder to do or like yeah, like which what

0:15:57.040 --> 0:15:59.800
<v Speaker 1>which one do you have to work the hardest at? Basically,

0:16:02.280 --> 0:16:05.320
<v Speaker 1>see the music, it feels like easy work, you know,

0:16:05.440 --> 0:16:08.360
<v Speaker 1>making making songs that comes comes out my just comes

0:16:08.360 --> 0:16:12.200
<v Speaker 1>out like naturally, um, you know, doing interviews and speaking

0:16:12.280 --> 0:16:16.000
<v Speaker 1>people and that stuff. I kind of enjoy it. So

0:16:16.120 --> 0:16:17.960
<v Speaker 1>I think modeling because it's quite at least me in

0:16:17.960 --> 0:16:20.160
<v Speaker 1>the space of l there's too much time on my

0:16:20.880 --> 0:16:23.920
<v Speaker 1>just think and do, like more time I'm shooting on

0:16:24.320 --> 0:16:27.080
<v Speaker 1>my shoot my mate, why am I here? I'm really

0:16:27.080 --> 0:16:31.280
<v Speaker 1>glad I did, but it all comes always nice to

0:16:31.440 --> 0:16:34.400
<v Speaker 1>the pictures look mass and stuff and whatever. We know

0:16:34.520 --> 0:16:36.960
<v Speaker 1>more time, I'm just like, I'm just really standing at

0:16:37.200 --> 0:16:43.160
<v Speaker 1>I wasn't to be here. Do you see yourself like

0:16:43.480 --> 0:16:47.360
<v Speaker 1>bridging music Like I saw your album It sounded like like,

0:16:47.440 --> 0:16:52.440
<v Speaker 1>you know, a line dropping? Yeah for sure, for sure.

0:16:52.920 --> 0:16:56.720
<v Speaker 1>Do you actually see potentially like creating fashion with your

0:16:56.800 --> 0:17:00.480
<v Speaker 1>music dropping it? Can you imagine they want to give

0:17:00.520 --> 0:17:02.600
<v Speaker 1>too much? Just imagine like a collection coming out of

0:17:02.640 --> 0:17:10.960
<v Speaker 1>every collection that's crazy? Yeah, that would be Yes, you do,

0:17:12.359 --> 0:17:15.560
<v Speaker 1>I see your tars. You got a birthday coming soon? Yeah?

0:17:16.320 --> 0:17:20.359
<v Speaker 1>Soon sixteen days? I don't. I don't know because I'm

0:17:20.400 --> 0:17:22.520
<v Speaker 1>supposed to be in Atlanta at the time, but I

0:17:22.520 --> 0:17:25.360
<v Speaker 1>don't really feel like spending my birthday sixteen days from

0:17:25.400 --> 0:17:32.520
<v Speaker 1>now May what. Yeah, don't be in the strip club.

0:17:32.800 --> 0:17:36.600
<v Speaker 1>That's so not for your birthday. Like some might just

0:17:36.640 --> 0:17:43.120
<v Speaker 1>fly somewhere tropical. Yeah, I don't think about going Jamaica. Yeah, Jamaica.

0:17:43.160 --> 0:17:45.320
<v Speaker 1>That sounds nice. Are you You're about to go to

0:17:45.400 --> 0:17:49.080
<v Speaker 1>Jamaica Sunday? That's what That's what you take a nice

0:17:49.119 --> 0:18:05.240
<v Speaker 1>young lady with you you already know. Oh goodness, all right,

0:18:05.320 --> 0:18:08.119
<v Speaker 1>So what are you listening to right now outside of

0:18:08.160 --> 0:18:11.439
<v Speaker 1>your own music? Like? Who are you spending right now? Uh?

0:18:11.680 --> 0:18:21.560
<v Speaker 1>Future future keeping a rep play all day long? Go

0:18:21.760 --> 0:18:28.400
<v Speaker 1>to Jamaica about your damn self, not Hara Nobody's daughter. Okay,

0:18:28.560 --> 0:18:34.800
<v Speaker 1>I never liked you anyway after y'all, we're just friends.

0:18:36.400 --> 0:18:46.439
<v Speaker 1>Were just we are farmers bumping up, enjoyed the holiday,

0:18:46.440 --> 0:18:51.000
<v Speaker 1>and keep it moving right So all right, outside of

0:18:51.080 --> 0:18:54.000
<v Speaker 1>future you know, listening to that right now? Like who

0:18:54.080 --> 0:18:59.159
<v Speaker 1>are your musical inspirations growing up? Like? Now? Um? The

0:18:59.240 --> 0:19:05.760
<v Speaker 1>weekend st John Uh, Tory Lanes, I get Travis Scott. No,

0:19:07.680 --> 0:19:11.520
<v Speaker 1>you remind me of the Travis Scott. Do you know?

0:19:11.560 --> 0:19:13.919
<v Speaker 1>I get everything on that I get, I get Travis Scott,

0:19:13.960 --> 0:19:18.280
<v Speaker 1>I get young Fuck what's the other one? Every day? Yeah?

0:19:18.320 --> 0:19:21.320
<v Speaker 1>Oh yeah pot smoke with design? Yeah? How does that

0:19:21.359 --> 0:19:24.359
<v Speaker 1>make you feel to be compared to these people? I

0:19:24.400 --> 0:19:26.080
<v Speaker 1>mean I try to look at the positive and everything,

0:19:26.080 --> 0:19:30.560
<v Speaker 1>and to be compared to goats, I am at it right, Yeah,

0:19:30.600 --> 0:19:36.119
<v Speaker 1>that's a fact. Comparisons on the way. So what's so

0:19:36.359 --> 0:19:40.800
<v Speaker 1>what's next for junior choice? M hm um, So it's

0:19:40.840 --> 0:19:44.080
<v Speaker 1>it's it's single time, and there's so much music. There's

0:19:44.119 --> 0:19:46.960
<v Speaker 1>so much music coming in summertimes. I'm just I'm coming

0:19:47.000 --> 0:19:52.080
<v Speaker 1>to set a vibe for summer. For sure. You can't

0:19:52.119 --> 0:19:58.800
<v Speaker 1>give us playlist any new albums this year. We're gonna

0:19:58.800 --> 0:20:07.639
<v Speaker 1>happen you take another new take another summer tape, for sure. Sniffett,

0:20:07.720 --> 0:20:09.640
<v Speaker 1>we had the like I think I'm a whole an

0:20:09.760 --> 0:20:12.320
<v Speaker 1>r like I got an air for music now. So

0:20:12.359 --> 0:20:14.280
<v Speaker 1>when you when you were making to the moon, like

0:20:14.359 --> 0:20:16.119
<v Speaker 1>did you know this was it? Like? Did you? But

0:20:16.119 --> 0:20:18.760
<v Speaker 1>without anybody else telling you, like, did you know it

0:20:18.880 --> 0:20:21.359
<v Speaker 1>was a hit? Because certain songs you listened to him

0:20:21.400 --> 0:20:23.600
<v Speaker 1>and even I can imagine making music. He'd be like, yeah,

0:20:23.640 --> 0:20:26.960
<v Speaker 1>that's the one and it was a good song. I

0:20:27.000 --> 0:20:28.840
<v Speaker 1>knew it was like and he was gonna pass the

0:20:28.960 --> 0:20:31.080
<v Speaker 1>vibe check that makes sense. I knew it was that

0:20:31.240 --> 0:20:34.119
<v Speaker 1>I can put this in there. It'll be good for like,

0:20:34.320 --> 0:20:37.320
<v Speaker 1>you know people that like droll or whatever. When did

0:20:37.320 --> 0:20:40.879
<v Speaker 1>you discover like, oh ship, everybody is feeling like what

0:20:41.040 --> 0:20:43.320
<v Speaker 1>did you? Was you like outside somewhere you walk past

0:20:43.400 --> 0:20:50.320
<v Speaker 1>some white man. What's been There's been a few moments,

0:20:50.359 --> 0:20:52.359
<v Speaker 1>there's been the first one was when I when I

0:20:52.400 --> 0:20:54.359
<v Speaker 1>put it on TikTok, because I put it up on

0:20:54.400 --> 0:20:57.160
<v Speaker 1>TikTok and knew was like this I was naming bad

0:20:57.800 --> 0:20:59.720
<v Speaker 1>And then I took him nap for like an hour,

0:21:00.560 --> 0:21:03.440
<v Speaker 1>and then I woke up and it was like mad comments,

0:21:03.520 --> 0:21:08.440
<v Speaker 1>mad views, my blacks, my buzzing blowing up. That was

0:21:08.480 --> 0:21:10.240
<v Speaker 1>the first kind of like okay, cool this, this is

0:21:11.080 --> 0:21:14.160
<v Speaker 1>something's happened in here. And then when we got to Miami,

0:21:14.480 --> 0:21:17.680
<v Speaker 1>I think it was Miami. Little thing was Miami. And

0:21:17.720 --> 0:21:19.960
<v Speaker 1>then it was like there was like three things at

0:21:19.960 --> 0:21:23.800
<v Speaker 1>once that just happened, like someone Jove passed blasting in

0:21:24.200 --> 0:21:27.040
<v Speaker 1>the car, some girls making a TikTok to it on

0:21:27.080 --> 0:21:29.080
<v Speaker 1>the beach, and then something else happened. When when I

0:21:29.119 --> 0:21:31.359
<v Speaker 1>was a cool, this is it is out of my

0:21:31.400 --> 0:21:34.679
<v Speaker 1>control because she was talking to the moon and you

0:21:34.720 --> 0:21:36.640
<v Speaker 1>see what I'm talking about, like it's just some ship

0:21:36.760 --> 0:21:43.320
<v Speaker 1>that was outside of you, right, I seehere youre going

0:21:43.359 --> 0:21:48.640
<v Speaker 1>with it. So let me ask you this all right,

0:21:48.880 --> 0:21:52.800
<v Speaker 1>that that samples Bruno Mars. Did you communicate with him

0:21:52.840 --> 0:21:54.920
<v Speaker 1>about the song? Like how did that conversation go or

0:21:55.040 --> 0:21:56.920
<v Speaker 1>did it not happen? Like it was just kind of

0:21:56.960 --> 0:22:01.240
<v Speaker 1>like we just took a clarence with it. Yeah, well

0:22:01.240 --> 0:22:05.800
<v Speaker 1>we didn't all right. Firstly, actually no disrespect, but I

0:22:05.800 --> 0:22:07.960
<v Speaker 1>actually didn't know it was a sample. I'm quite I

0:22:08.040 --> 0:22:10.840
<v Speaker 1>quite live under a rock, so when I heard the beat,

0:22:11.600 --> 0:22:17.560
<v Speaker 1>it was just like it just oh, it's cool, right,

0:22:17.600 --> 0:22:19.199
<v Speaker 1>So I was just going through them and then I

0:22:19.240 --> 0:22:22.000
<v Speaker 1>was just like it's fire Ba and I'm I love

0:22:22.040 --> 0:22:24.280
<v Speaker 1>bream to listen to him just the way you are

0:22:24.280 --> 0:22:25.919
<v Speaker 1>all the time. He's sing like my little brother. But

0:22:26.000 --> 0:22:29.680
<v Speaker 1>like I never really like Taptin to be like, oh yeah,

0:22:29.720 --> 0:22:32.560
<v Speaker 1>that's that song. Um. And it was a sample of

0:22:32.800 --> 0:22:37.119
<v Speaker 1>a cover of a guy called Sam Um, So that

0:22:37.280 --> 0:22:39.720
<v Speaker 1>was like as a sample of example, a sample or

0:22:39.720 --> 0:22:45.560
<v Speaker 1>something like that. Um like most exactly right, Like you

0:22:45.640 --> 0:22:48.160
<v Speaker 1>see Bruo can't even talk ship. Yeah, I got sewed

0:22:48.200 --> 0:22:56.600
<v Speaker 1>a couple of times. Sample himself was was loving it.

0:22:56.800 --> 0:22:58.720
<v Speaker 1>He's happy with what we did with it. I heard

0:22:58.760 --> 0:23:00.320
<v Speaker 1>that from his team, and I actually that one of

0:23:00.359 --> 0:23:05.080
<v Speaker 1>the rides to was like, yeah, it's definitely all right.

0:23:06.440 --> 0:23:09.120
<v Speaker 1>We have a segment on our show is called dumb

0:23:09.160 --> 0:23:12.840
<v Speaker 1>Bit Story, right, and that's where or some series and

0:23:12.880 --> 0:23:15.480
<v Speaker 1>that's where we have our guests talk about the time

0:23:15.520 --> 0:23:19.000
<v Speaker 1>they got played by a woman or a man obviously

0:23:19.040 --> 0:23:21.600
<v Speaker 1>by a woman for you like she did some He

0:23:21.680 --> 0:23:28.480
<v Speaker 1>was like, wow to me, Julior choy, bit do you

0:23:28.480 --> 0:23:31.080
<v Speaker 1>have can you cheer story with us about a time?

0:23:31.359 --> 0:23:37.359
<v Speaker 1>Like he was like, wow, seriously, you listen, you got

0:23:37.400 --> 0:23:40.439
<v Speaker 1>something because people, like the older men, they always go

0:23:40.560 --> 0:23:43.000
<v Speaker 1>back around your age and tell us a story about

0:23:43.040 --> 0:23:44.960
<v Speaker 1>some ship that happened in them in college. Like you're

0:23:45.000 --> 0:23:47.600
<v Speaker 1>in college or just got out of college, so I

0:23:47.680 --> 0:23:50.560
<v Speaker 1>know you got some stories the age. Yeah, you're in

0:23:50.600 --> 0:23:53.920
<v Speaker 1>the age group or even like some niggas be like, oh,

0:23:53.960 --> 0:23:56.760
<v Speaker 1>in high school, this girl did this. Like so you

0:23:56.800 --> 0:24:03.640
<v Speaker 1>don't have a gout. No, I've never let myself even

0:24:03.720 --> 0:24:05.840
<v Speaker 1>this fly your whole life, that's what you're trying to

0:24:05.840 --> 0:24:08.879
<v Speaker 1>tell us, your whole life. I have never let myself

0:24:08.920 --> 0:24:12.800
<v Speaker 1>get gout. Ever, we'll just keep living day you have.

0:24:14.720 --> 0:24:17.840
<v Speaker 1>I'm trying. I'm even trying to think like a somebody

0:24:17.920 --> 0:24:23.960
<v Speaker 1>or him, I've been like the moment I sense it,

0:24:24.040 --> 0:24:31.840
<v Speaker 1>I'm like, that's a good way to be. Yeah everywhere.

0:24:31.880 --> 0:24:35.080
<v Speaker 1>Then get don't get wrong that everywhere, But I'm just like, so,

0:24:35.200 --> 0:24:37.280
<v Speaker 1>how do you how do you how do you handle

0:24:37.320 --> 0:24:39.720
<v Speaker 1>that with the fame and having women like I'm sure

0:24:39.760 --> 0:24:42.640
<v Speaker 1>you have like young women just throwing themselves at you

0:24:42.840 --> 0:24:46.560
<v Speaker 1>and like trying to like just be like cloud Chase

0:24:46.640 --> 0:24:49.520
<v Speaker 1>and being the vibe Like, how do you how do

0:24:49.560 --> 0:24:53.639
<v Speaker 1>you handle that? I'm quite dismissive of it. I've always

0:24:53.720 --> 0:24:56.000
<v Speaker 1>kind of had my type. I mean, my type are

0:24:56.080 --> 0:25:00.000
<v Speaker 1>not anymore. So what's the type? Yes, what's the type?

0:25:00.000 --> 0:25:01.639
<v Speaker 1>You know? It's just like a good woman, like a

0:25:01.680 --> 0:25:06.960
<v Speaker 1>good woman. You know, their vibes there they know I

0:25:07.000 --> 0:25:11.239
<v Speaker 1>have to vibe spot like they're not outside. Yeah, they

0:25:11.240 --> 0:25:12.760
<v Speaker 1>don't not mean anymore. They don't want to be greepy,

0:25:12.840 --> 0:25:15.200
<v Speaker 1>so they don't like me anymore. Oh so what you

0:25:15.320 --> 0:25:17.280
<v Speaker 1>like doesn't like you? What does that happen that make

0:25:17.320 --> 0:25:20.960
<v Speaker 1>you feel? Well? I don't know. I just happened. You

0:25:21.080 --> 0:25:25.359
<v Speaker 1>stuck with thoughts. I'm upset and I don't want them,

0:25:25.400 --> 0:25:28.359
<v Speaker 1>and I don't want them, so I'm just like I

0:25:28.520 --> 0:25:33.119
<v Speaker 1>got to watch someone off right now, that's it. I'm upset.

0:25:33.119 --> 0:25:37.719
<v Speaker 1>I've been talking about every day, like lost of my joints.

0:25:39.520 --> 0:25:40.800
<v Speaker 1>Look at the end of your at the end of

0:25:40.800 --> 0:25:46.720
<v Speaker 1>the original video, I noticed that you had different Uh

0:25:46.880 --> 0:25:49.760
<v Speaker 1>it looked like different versions of you. Maybe do you

0:25:49.760 --> 0:25:51.879
<v Speaker 1>remember you know what I'm talking about. You do you

0:25:51.960 --> 0:25:55.240
<v Speaker 1>glasses on? You had your nose ringing? Another image and

0:25:55.280 --> 0:25:57.919
<v Speaker 1>then it was another one. Is that because I know

0:25:58.119 --> 0:26:01.000
<v Speaker 1>you have you said that summertime is more for the women,

0:26:01.119 --> 0:26:05.679
<v Speaker 1>right and the club hits in winter is for your

0:26:05.760 --> 0:26:09.479
<v Speaker 1>drill music? I guess right. So is this when all

0:26:09.520 --> 0:26:13.359
<v Speaker 1>these different person your addition, that's where the demons, that's

0:26:16.119 --> 0:26:20.320
<v Speaker 1>demon time in the wind should be inside it's cold outside.

0:26:20.359 --> 0:26:22.879
<v Speaker 1>I'm confused. It seems like summertime would be for that

0:26:24.960 --> 0:26:28.680
<v Speaker 1>someone just someone's someone's pretty man, someone's like, someone's going nice?

0:26:28.760 --> 0:26:30.120
<v Speaker 1>Essens to you want to be chinning in the park

0:26:30.160 --> 0:26:33.800
<v Speaker 1>with some gold when the time you're like, what the Junes?

0:26:35.480 --> 0:26:40.240
<v Speaker 1>He's brave enough to come outside? Yeah, especially a UK

0:26:40.400 --> 0:26:44.400
<v Speaker 1>winner because in learning it's not a freezing your nose

0:26:44.440 --> 0:26:48.359
<v Speaker 1>outside didn't when you're out, it's different. Yea. If I'm

0:26:48.359 --> 0:26:54.399
<v Speaker 1>always outside and that you know, she's no code on,

0:26:56.240 --> 0:26:58.880
<v Speaker 1>no waiting outside and the keys to get a club,

0:26:58.920 --> 0:27:06.879
<v Speaker 1>you know. So all right? My last question, all right,

0:27:07.640 --> 0:27:10.159
<v Speaker 1>you've been in uh the US for some time now,

0:27:10.400 --> 0:27:15.200
<v Speaker 1>back and forth. Do you prefer US cuisine to UK

0:27:15.320 --> 0:27:19.520
<v Speaker 1>cuisine because them fucking baked beans for breakfast in the UK.

0:27:20.240 --> 0:27:26.000
<v Speaker 1>Not my fucking thing. Hate that baked beans and dam

0:27:26.040 --> 0:27:29.120
<v Speaker 1>calling it baking. That is not baking. That's ham, that's

0:27:29.160 --> 0:27:34.639
<v Speaker 1>not baking. What or what else they used to have? Yeah,

0:27:35.040 --> 0:27:37.439
<v Speaker 1>it's like you put like a little egg and a

0:27:37.520 --> 0:27:41.080
<v Speaker 1>cup and crack it open and like sticking bread and

0:27:41.119 --> 0:27:43.639
<v Speaker 1>that ship. I'm like, what the is this? I don't know.

0:27:48.520 --> 0:27:54.240
<v Speaker 1>It's funny as a culture. Definitely American cuisine, like I mean,

0:27:54.280 --> 0:27:57.000
<v Speaker 1>I don't think British British cuisine is the thing. And

0:27:57.040 --> 0:27:59.240
<v Speaker 1>they have like fish and chips and yeah that's the

0:27:59.240 --> 0:28:04.920
<v Speaker 1>only thing that good. Yeah, I mean food quality, why

0:28:04.960 --> 0:28:08.320
<v Speaker 1>is that before? It's kind of like New York you

0:28:08.400 --> 0:28:10.920
<v Speaker 1>have you have so many different cultures in the sea

0:28:11.080 --> 0:28:14.439
<v Speaker 1>you can just got so it's like the foods depending

0:28:14.440 --> 0:28:16.960
<v Speaker 1>on where you go. With the quality, it was better,

0:28:17.320 --> 0:28:20.960
<v Speaker 1>okay for sure? Yeah, for sure for sure. All Right,

0:28:21.000 --> 0:28:23.080
<v Speaker 1>we took up a quite quite a bit of your time.

0:28:23.440 --> 0:28:25.800
<v Speaker 1>Can you tell our listeners where they can find you?

0:28:25.880 --> 0:28:27.520
<v Speaker 1>We know what we can. You know, we can find

0:28:27.600 --> 0:28:33.760
<v Speaker 1>him at everywhere right now, you find you can find

0:28:33.800 --> 0:28:39.120
<v Speaker 1>me in the club. I better not catch yours hanging

0:28:39.120 --> 0:28:41.000
<v Speaker 1>out with future. I'm telling you if I can't you

0:28:41.040 --> 0:28:44.400
<v Speaker 1>hanging out with future? I'm pulling my built out. That

0:28:44.480 --> 0:28:50.280
<v Speaker 1>was a close cool the other day after met Gala? Oh,

0:28:50.320 --> 0:28:55.000
<v Speaker 1>how is that you attended? You attended the met Gala? Really? Now,

0:28:55.000 --> 0:28:56.880
<v Speaker 1>I didn't tend to Met Gala. Bye. I performed at

0:28:56.920 --> 0:29:00.720
<v Speaker 1>the after party. I'm sat John Wow. Oh, well you

0:29:00.760 --> 0:29:07.680
<v Speaker 1>had the one where Carter b was like like you

0:29:07.720 --> 0:29:12.640
<v Speaker 1>have your little drink, have your little Oh that's what

0:29:12.680 --> 0:29:18.040
<v Speaker 1>happened that at the party. Yeah, but listen, Yeah, don't

0:29:18.080 --> 0:29:20.320
<v Speaker 1>get caught up with that Hollywood ship with that cocaine.

0:29:20.800 --> 0:29:25.960
<v Speaker 1>They stay out here, they say, and I'm set. Yeah, okay,

0:29:26.640 --> 0:29:29.240
<v Speaker 1>and water keep drinking your water. I'm gonna keep right.

0:29:34.160 --> 0:29:37.080
<v Speaker 1>This is a crown. Actually, that's all I had in here.

0:29:37.080 --> 0:29:38.920
<v Speaker 1>I'd like to have a little sippy sit while I'm

0:29:38.920 --> 0:29:46.800
<v Speaker 1>doing my interview so I can crazy shall look. But

0:29:46.840 --> 0:29:52.280
<v Speaker 1>we really appreciate you for pulling up when we talked back. Man, listen,

0:29:52.320 --> 0:29:55.200
<v Speaker 1>you have to come back when your album drops, Come

0:29:55.240 --> 0:29:58.640
<v Speaker 1>back and see us after the summer vibs come out

0:29:58.640 --> 0:30:01.760
<v Speaker 1>so we can assess. Yeah, and then you'll have some

0:30:02.000 --> 0:30:04.000
<v Speaker 1>series for us by that time. You're gonna have a

0:30:04.080 --> 0:30:10.720
<v Speaker 1>story by that time. Game. Absolutely no I'm in my game, okay,

0:30:11.440 --> 0:30:16.640
<v Speaker 1>I'm Look, he probably should tell us how. He probably

0:30:16.680 --> 0:30:18.920
<v Speaker 1>should tell us how he's played somebody, because that's what

0:30:18.960 --> 0:30:23.920
<v Speaker 1>it sounds like to me. That's probably what does that mean?

0:30:26.040 --> 0:30:29.600
<v Speaker 1>I'm innesting, I'm listing. I'm just I'm be playing all day.

0:30:31.880 --> 0:30:34.200
<v Speaker 1>So you do play all day? Are you don't play?

0:30:34.400 --> 0:30:40.400
<v Speaker 1>I'm playing all day. I'm playing with women. I'm playing

0:30:40.400 --> 0:30:50.680
<v Speaker 1>the day. Everything's funny. I'm just assessing. I'm assessing. I'm

0:30:50.720 --> 0:30:54.040
<v Speaker 1>assessing changes. No, that's good. You're at the space where

0:30:54.040 --> 0:30:57.120
<v Speaker 1>you're supposed to be at twenty four hours. Don't break

0:30:57.160 --> 0:31:00.120
<v Speaker 1>no hearts out here too bad. Keep them regrets to then.

0:31:00.520 --> 0:31:06.400
<v Speaker 1>That's all you can do. Yeah, I'm gentle. Look, good time.

0:31:07.960 --> 0:31:10.720
<v Speaker 1>You know what what I found about British men or

0:31:10.800 --> 0:31:14.720
<v Speaker 1>men living in the UK. They are smooth, They seem

0:31:14.800 --> 0:31:17.080
<v Speaker 1>like they have some nice niggas, but they'd be just

0:31:17.160 --> 0:31:20.640
<v Speaker 1>as ratchet hood these diggers in the UK. In the US,

0:31:22.160 --> 0:31:25.640
<v Speaker 1>they the U s right, they talked. It's the accident

0:31:25.640 --> 0:31:27.320
<v Speaker 1>that makes you think, oh, he's so smart. He'd be

0:31:27.320 --> 0:31:41.120
<v Speaker 1>saying like it's brilliant. It's brilliant of crazy in its Well,

0:31:41.160 --> 0:31:44.320
<v Speaker 1>thank you for joining us. Today, Man come back and

0:31:44.320 --> 0:31:48.800
<v Speaker 1>see us okay.