1 00:00:03,040 --> 00:00:07,000 Speaker 1: We're just too unapologetically black women with an opinion to 2 00:00:07,240 --> 00:00:11,639 Speaker 1: talk back. All right, y'all, thank you for tuning in 3 00:00:11,840 --> 00:00:14,640 Speaker 1: for a new episode that we talk back. It's your 4 00:00:14,680 --> 00:00:17,959 Speaker 1: girl a j y'all, it's me Tim Bam, I love y'all. 5 00:00:18,000 --> 00:00:20,720 Speaker 1: Guess what we're doing today. We are talking to the 6 00:00:20,840 --> 00:00:27,400 Speaker 1: motherfucking moved today and our toy, Junior Toy. Welcome. How 7 00:00:27,400 --> 00:00:29,720 Speaker 1: are you doing? Thank you? I'm good, I'm good. How 8 00:00:29,760 --> 00:00:33,120 Speaker 1: are you good? Good? Now, I gotta start with telling 9 00:00:33,159 --> 00:00:38,040 Speaker 1: you I've been singing your song for a couple of 10 00:00:38,040 --> 00:00:41,000 Speaker 1: months now, and I've been singing it wrong the whole time. 11 00:00:43,159 --> 00:00:45,560 Speaker 1: You know. The part is like it's you say, pull 12 00:00:45,640 --> 00:00:48,279 Speaker 1: up the team gonna turn up. I say, pull up 13 00:00:48,320 --> 00:00:59,680 Speaker 1: the same Ovagina saying get Ovagina Overgina good too, And 14 00:01:00,040 --> 00:01:04,120 Speaker 1: that's kind of sound sounds like whatever it wants you 15 00:01:04,160 --> 00:01:07,800 Speaker 1: to be, like things I've heard. Yeah, I don't know 16 00:01:07,800 --> 00:01:15,000 Speaker 1: how you got there, but all right, just a little 17 00:01:15,120 --> 00:01:18,800 Speaker 1: uh ice breaker. But that's really what I thought you 18 00:01:18,800 --> 00:01:21,840 Speaker 1: were saying you were singing out in the club. Yeah, yeah, 19 00:01:24,840 --> 00:01:28,760 Speaker 1: it's no choice about to pull out with the same one. 20 00:01:29,680 --> 00:01:32,160 Speaker 1: I wish I wish you could swap him out every 21 00:01:32,200 --> 00:01:38,480 Speaker 1: once in a while. I'm gonna be honest with you. So, uh, 22 00:01:38,800 --> 00:01:43,480 Speaker 1: when I first, um, I saw the song, like the 23 00:01:43,560 --> 00:01:47,880 Speaker 1: video your video just came up bout a month ago, right, yeah, 24 00:01:48,000 --> 00:01:51,000 Speaker 1: one of them. But when I started looking, I'm like, damn, 25 00:01:51,160 --> 00:01:53,520 Speaker 1: I only saw the original, not the original. I saw 26 00:01:53,560 --> 00:02:00,240 Speaker 1: the version with um Fabio and um g Herbo, and 27 00:02:00,280 --> 00:02:02,240 Speaker 1: I watched it twice because I'm like, where is this 28 00:02:02,320 --> 00:02:06,520 Speaker 1: Nigga's verse? But I don't realize, like y'all have been 29 00:02:06,560 --> 00:02:08,880 Speaker 1: pushing the hell out this song because I didn't realize 30 00:02:08,880 --> 00:02:11,040 Speaker 1: it has like three different videos at this point. So 31 00:02:11,080 --> 00:02:13,240 Speaker 1: you got a version with Fabio and Gie Herbo and 32 00:02:13,240 --> 00:02:18,240 Speaker 1: in another version with Umunna. Yes, So how did that 33 00:02:18,280 --> 00:02:19,600 Speaker 1: come about? How do you start? How do you work 34 00:02:19,639 --> 00:02:25,040 Speaker 1: with these United States rappers? Departed? Being here really like 35 00:02:27,160 --> 00:02:30,080 Speaker 1: here anyway. I was gonna move out here anyway. I 36 00:02:30,080 --> 00:02:32,079 Speaker 1: was going to be to the States. But then once 37 00:02:32,120 --> 00:02:33,760 Speaker 1: the song stide blowing up, like I chewed for a 38 00:02:33,800 --> 00:02:37,840 Speaker 1: second state in the UK and others like legal stuff, 39 00:02:37,840 --> 00:02:40,000 Speaker 1: and then came over here. But I was always coming 40 00:02:40,000 --> 00:02:42,520 Speaker 1: over here. And I'm a strong believer of just being 41 00:02:43,400 --> 00:02:46,400 Speaker 1: being yourself wherever you need to be it's gonna happen 42 00:02:46,400 --> 00:02:50,440 Speaker 1: to you. So g Herber was in the studio with Metro. 43 00:02:51,040 --> 00:02:53,040 Speaker 1: He just ran me, came in and then it was like, 44 00:02:53,639 --> 00:02:55,880 Speaker 1: you know who sounds good on this? You send a 45 00:02:55,960 --> 00:03:00,600 Speaker 1: verse over the next day, father was a no brainer. Um, 46 00:03:00,639 --> 00:03:03,600 Speaker 1: I was playing call a g and my boy was like, yo, father, 47 00:03:03,800 --> 00:03:05,320 Speaker 1: you know. I like, yeah, that would be hard. Let 48 00:03:05,360 --> 00:03:08,359 Speaker 1: me be in contempt with the manager. That happened over there, 49 00:03:08,480 --> 00:03:11,720 Speaker 1: and then kanna my Um, he's a good friend of him. 50 00:03:12,400 --> 00:03:14,200 Speaker 1: And then he heard the song. I love the song 51 00:03:14,400 --> 00:03:21,639 Speaker 1: brain just being it's gonna be outside having So I've 52 00:03:21,680 --> 00:03:26,400 Speaker 1: seen athletes transitioning music, and I've seen like this transition 53 00:03:26,480 --> 00:03:31,200 Speaker 1: to music, but I've never seen models transition to music. 54 00:03:31,440 --> 00:03:34,080 Speaker 1: So first tell us how you got into modeling, and 55 00:03:34,120 --> 00:03:37,240 Speaker 1: then tell us how it turned into music. For sure, 56 00:03:37,480 --> 00:03:41,240 Speaker 1: um modeling mode thing. A lot of people used to 57 00:03:41,240 --> 00:03:43,120 Speaker 1: tell me that I should model, Like I used to 58 00:03:43,120 --> 00:03:45,720 Speaker 1: have like quite a strong like fashion sense, Like I 59 00:03:45,840 --> 00:03:48,320 Speaker 1: used to come into college with some absurd clothing. People 60 00:03:49,240 --> 00:03:51,160 Speaker 1: see what she got going on, and it was like, 61 00:03:51,800 --> 00:03:53,720 Speaker 1: you know, stand out, you should you should maybe get 62 00:03:53,720 --> 00:03:56,720 Speaker 1: into fashion, you should model. Um. I kind of brushed 63 00:03:56,720 --> 00:03:59,440 Speaker 1: it for a long time. And then one of my 64 00:03:59,480 --> 00:04:01,960 Speaker 1: friends really wanted to model, so he was like, yeah, 65 00:04:01,960 --> 00:04:04,480 Speaker 1: I'm gonna go to go and check out some agencies. 66 00:04:05,680 --> 00:04:08,920 Speaker 1: Basically the interviewed himself, coaties whatever, and I was like, yeah, cool, 67 00:04:08,920 --> 00:04:11,120 Speaker 1: I'll come with you. And then like he was getting 68 00:04:11,120 --> 00:04:12,640 Speaker 1: into viewed and then they were like trying to interview 69 00:04:12,640 --> 00:04:14,080 Speaker 1: me too, and I was like all right, cool, that's good. 70 00:04:14,240 --> 00:04:16,120 Speaker 1: And then they all kind of like brushed it. They 71 00:04:16,120 --> 00:04:18,480 Speaker 1: were like, now we think you'd be good somewhere else, 72 00:04:19,080 --> 00:04:22,120 Speaker 1: and now I was like, hey, hold on, nah. The 73 00:04:22,200 --> 00:04:25,320 Speaker 1: fact they said no kind of like yeah, they rejected me, 74 00:04:25,320 --> 00:04:27,200 Speaker 1: and it charged me. I was like, what you mean? No, 75 00:04:28,800 --> 00:04:31,599 Speaker 1: I went back. I went back. I've done my research, 76 00:04:31,680 --> 00:04:34,560 Speaker 1: you know, but peeped up all the agencies, saw what 77 00:04:34,600 --> 00:04:36,480 Speaker 1: they were good for. They were good for their own reasons. 78 00:04:37,560 --> 00:04:39,720 Speaker 1: I found out where I would I felt like I'd 79 00:04:40,520 --> 00:04:44,159 Speaker 1: feel most like comfortable and what kind of you know, 80 00:04:44,160 --> 00:04:47,440 Speaker 1: there's like editorials, there's runway, there's a commercial stuff, so 81 00:04:47,440 --> 00:04:50,599 Speaker 1: you kind of have to like choose your fire. I 82 00:04:50,680 --> 00:04:52,440 Speaker 1: was like, I'm going to run for all of them. 83 00:04:52,520 --> 00:04:54,919 Speaker 1: And then I kind of just you know, cleared, my 84 00:04:54,960 --> 00:04:58,240 Speaker 1: skin got ready. Um. And then one day. I actually 85 00:04:58,200 --> 00:05:02,440 Speaker 1: got scouted at work. Okay, um random, I was working 86 00:05:02,440 --> 00:05:03,720 Speaker 1: in Talking Man. I don't know if you have these 87 00:05:03,760 --> 00:05:10,400 Speaker 1: are yeah, oh fire. I was working in Talking Man 88 00:05:10,480 --> 00:05:13,640 Speaker 1: and then randomly one lady come in and just like YO, 89 00:05:13,760 --> 00:05:16,520 Speaker 1: think you should model, was like let and signed a 90 00:05:16,560 --> 00:05:20,320 Speaker 1: country the next day and just quit the next day. Yeah, 91 00:05:20,400 --> 00:05:24,280 Speaker 1: next day. So fashion and music has always went hand 92 00:05:24,320 --> 00:05:26,479 Speaker 1: in hand. So was it more intentional for you to 93 00:05:26,560 --> 00:05:33,840 Speaker 1: make music for fashion? Runaway? Music was random? Music was 94 00:05:33,920 --> 00:05:36,560 Speaker 1: very light because don't nobody be walking down and runway 95 00:05:36,680 --> 00:05:46,200 Speaker 1: with no music? Might have motherfucker's walking down the runway. Yeah, 96 00:05:46,320 --> 00:05:49,159 Speaker 1: can you imagine just clapping you know what? I not seen? 97 00:05:49,160 --> 00:05:56,839 Speaker 1: The shawl was born just to suspense that. So all right, 98 00:05:57,120 --> 00:06:00,000 Speaker 1: you walked for some top designers. What was your biggest 99 00:06:00,120 --> 00:06:03,080 Speaker 1: like oh ship moment? Like oh ship, this is crazy? 100 00:06:04,120 --> 00:06:07,560 Speaker 1: Um I think it was Javon Shi but when um, 101 00:06:07,960 --> 00:06:11,560 Speaker 1: when recorded tis she was still in that. Yeah. I 102 00:06:11,600 --> 00:06:14,039 Speaker 1: remember just like walking into the venue like oh this 103 00:06:14,200 --> 00:06:18,320 Speaker 1: is this is not a room, this is a whole. 104 00:06:18,320 --> 00:06:22,520 Speaker 1: That confusral to that. So yeah that was probably not 105 00:06:22,640 --> 00:06:25,680 Speaker 1: like whoa that was your old ship moment? All right? 106 00:06:25,720 --> 00:06:28,080 Speaker 1: So I see like a lot of people are your 107 00:06:28,160 --> 00:06:31,200 Speaker 1: viral on TikTok. Like I just started a TikTok for 108 00:06:31,320 --> 00:06:34,880 Speaker 1: myself because I'm a little older. That ain't even my thing, right, 109 00:06:35,120 --> 00:06:37,279 Speaker 1: but I started one because my producer said, I need 110 00:06:37,279 --> 00:06:43,560 Speaker 1: to be more president social media. Right. So I've been 111 00:06:43,560 --> 00:06:47,680 Speaker 1: watching like people dancing to your song on TikTok And 112 00:06:47,720 --> 00:06:50,120 Speaker 1: there's a particular dance that I see people doing this 113 00:06:50,320 --> 00:06:52,040 Speaker 1: like where they're kicking they foot out and kicking to 114 00:06:52,080 --> 00:06:54,320 Speaker 1: the side. You know how to do it? Na, what's 115 00:06:54,360 --> 00:06:58,039 Speaker 1: it called the study or what's it called? Yeah, study, 116 00:06:58,279 --> 00:06:59,800 Speaker 1: I don't know. At least you just come across the 117 00:07:00,000 --> 00:07:04,480 Speaker 1: see me as well, Yeah, you can't do it, damn. 118 00:07:04,520 --> 00:07:07,760 Speaker 1: I was hoping you could teach them. My legs was snap. 119 00:07:11,520 --> 00:07:13,480 Speaker 1: Do you attribute a lot of this a lot of 120 00:07:13,480 --> 00:07:18,120 Speaker 1: the success of Um to the Moon to TikTok because 121 00:07:18,120 --> 00:07:20,040 Speaker 1: that's when we actuel, Like that's when we first heard 122 00:07:20,480 --> 00:07:24,679 Speaker 1: in the in the United States. Yeah, it definitely definitely 123 00:07:24,680 --> 00:07:28,880 Speaker 1: like helped across the borders for sure. I saw that 124 00:07:28,920 --> 00:07:36,040 Speaker 1: stuff in Africa, like the US heavy Yeah, focus question 125 00:07:36,120 --> 00:07:40,240 Speaker 1: all right, I saw you said that your music is 126 00:07:40,440 --> 00:07:46,320 Speaker 1: Afro drill. Was Afro drill versus UK drill? Yeah, it's 127 00:07:46,320 --> 00:07:51,680 Speaker 1: a different it's an African essence in drill. So what's 128 00:07:51,760 --> 00:07:55,520 Speaker 1: drilled though? Trust that's what everyone else they was playing 129 00:07:55,560 --> 00:07:59,120 Speaker 1: I'm gonna draw, So you're making drill music. So in 130 00:07:59,200 --> 00:08:01,840 Speaker 1: Chicago we know what drill music isn't the like in 131 00:08:01,920 --> 00:08:04,720 Speaker 1: New York with drill music is it's like people, I 132 00:08:04,760 --> 00:08:08,679 Speaker 1: don't know what I'm about to tell you. Drill music 133 00:08:08,800 --> 00:08:11,000 Speaker 1: essentially because you know the mirror whatever. New York is 134 00:08:11,040 --> 00:08:14,800 Speaker 1: trying to ban drill music because it's like people committing 135 00:08:14,880 --> 00:08:20,080 Speaker 1: crimes and actually rapping about it. That's what drill music. 136 00:08:21,800 --> 00:08:28,680 Speaker 1: So you you music god, well, most of the rappers 137 00:08:28,720 --> 00:08:31,560 Speaker 1: they rap about ship they're not actually doing anymore. But 138 00:08:31,680 --> 00:08:35,600 Speaker 1: with drill music, do you have the younger guys rapping 139 00:08:35,640 --> 00:08:39,959 Speaker 1: about possibly killing somebody last week. I'm not trying to 140 00:08:40,040 --> 00:08:43,000 Speaker 1: dim the move, but yeah, they'll put that in the song. 141 00:08:43,200 --> 00:08:47,240 Speaker 1: That's what drill music is essentially. Is that what it 142 00:08:47,280 --> 00:08:51,480 Speaker 1: is to you? To me? Yeah, no, I just hear. 143 00:08:51,640 --> 00:08:54,439 Speaker 1: I hear in the production. So it's like the high hats, 144 00:08:54,480 --> 00:08:58,040 Speaker 1: it's like the slight cutain slides. They're in there. It's 145 00:08:58,080 --> 00:09:02,240 Speaker 1: a certain like tempo that have you walking in a 146 00:09:02,320 --> 00:09:09,640 Speaker 1: certain way. Which usually is lyrically aggressive and gang related. 147 00:09:09,679 --> 00:09:12,200 Speaker 1: But I don't know. That's kind of why I never 148 00:09:12,200 --> 00:09:16,560 Speaker 1: really wanted to jump on that drama. But I make 149 00:09:16,600 --> 00:09:18,280 Speaker 1: a lot of music. I make Afric beats, I mean 150 00:09:18,400 --> 00:09:20,520 Speaker 1: R and B and make sure. I was like, I'm 151 00:09:20,520 --> 00:09:22,000 Speaker 1: gonna jump on drill. I'm gonna do it in my 152 00:09:22,040 --> 00:09:24,160 Speaker 1: own way, and then I'm going to do it how 153 00:09:24,240 --> 00:09:26,960 Speaker 1: I feel, and I feel like an African essence within 154 00:09:27,000 --> 00:09:31,840 Speaker 1: me gonna make it universal. Mm hm. So it's more 155 00:09:31,880 --> 00:09:39,400 Speaker 1: about the production. You ain't shooting to killing nobody that 156 00:09:43,640 --> 00:09:54,400 Speaker 1: creative or pretty a creative. I'm just sitping toe Kida 157 00:09:54,440 --> 00:10:01,959 Speaker 1: and right, mm hmm. So you're from you're originally from 158 00:10:02,080 --> 00:10:05,079 Speaker 1: or Gambia? Are you? Like? So you were born and 159 00:10:05,160 --> 00:10:08,400 Speaker 1: raised in Gambia? When did you move to the UK? Unfortunately? Now, 160 00:10:08,480 --> 00:10:11,839 Speaker 1: I was going in raising in the UK. Yeah, I 161 00:10:11,920 --> 00:10:13,480 Speaker 1: was going and raised in London and I moved out 162 00:10:13,480 --> 00:10:18,760 Speaker 1: to Essex and Africa like every year. Okay, So how 163 00:10:18,760 --> 00:10:24,640 Speaker 1: do you feel like your culture has influenced your sound? Um? Again, 164 00:10:24,679 --> 00:10:27,280 Speaker 1: by bringing a lot of Africa in my assets slack, 165 00:10:28,800 --> 00:10:31,120 Speaker 1: much like every song I've been making recently, it's just 166 00:10:31,160 --> 00:10:37,360 Speaker 1: had that strong African gene in it. Um. Also just 167 00:10:37,400 --> 00:10:42,160 Speaker 1: the melodies. There's a lot of melodies in African music. Yeah, 168 00:10:42,360 --> 00:10:44,360 Speaker 1: there's a lot of melodies in my music. So look, 169 00:10:44,440 --> 00:10:50,800 Speaker 1: I literally talked to the moon all right, trees rivers? Yeah, 170 00:10:51,000 --> 00:10:54,080 Speaker 1: is there like, is there more of an esoteric or 171 00:10:54,280 --> 00:11:04,760 Speaker 1: metaphorical or metaphysical UM message behind behind and the song? No? Nothing, 172 00:11:05,240 --> 00:11:11,199 Speaker 1: I think there is. The thing is The thing is 173 00:11:11,280 --> 00:11:13,800 Speaker 1: that it may not be yet. You don't know it. 174 00:11:13,960 --> 00:11:17,880 Speaker 1: Maybe I believe it. It is for a lot of 175 00:11:17,920 --> 00:11:22,160 Speaker 1: people because I have had many messages about that stuff, 176 00:11:22,840 --> 00:11:25,040 Speaker 1: and it's something I have sly. I do too know 177 00:11:25,400 --> 00:11:29,120 Speaker 1: UM form. But in the making of it absolutely there 178 00:11:29,160 --> 00:11:33,280 Speaker 1: was no intention. M hm. So all right, you're J 179 00:11:33,480 --> 00:11:43,040 Speaker 1: and R are junior? Choice is there a senior like 180 00:11:43,160 --> 00:11:57,600 Speaker 1: as we need him when we talk back? All right? 181 00:11:57,640 --> 00:11:59,480 Speaker 1: So when you go home, you it's been a lot 182 00:11:59,520 --> 00:12:03,320 Speaker 1: of time in New York, you go home or people like, 183 00:12:03,360 --> 00:12:05,200 Speaker 1: what is it like going back home? Because you know 184 00:12:05,320 --> 00:12:08,240 Speaker 1: you grew up there, These people know you from childhood 185 00:12:08,400 --> 00:12:10,319 Speaker 1: and all that. Do they treat you like a celebrity 186 00:12:10,400 --> 00:12:12,880 Speaker 1: or they treat you like that man, you're trying to 187 00:12:12,880 --> 00:12:18,440 Speaker 1: get something. But whatever, y'all eat, I'll say they treat 188 00:12:18,480 --> 00:12:33,199 Speaker 1: me like so if that's a celebrity, h just or 189 00:12:33,240 --> 00:12:35,439 Speaker 1: it will be like congrats. A lot of congratulations is 190 00:12:35,480 --> 00:12:38,440 Speaker 1: a little like homage to there's a little I've been 191 00:12:38,480 --> 00:12:43,560 Speaker 1: seeing you working home? So no, are you single? Yeah? Okay, 192 00:12:43,679 --> 00:12:45,200 Speaker 1: I was about to stay. Is there a girl who 193 00:12:45,240 --> 00:12:54,080 Speaker 1: transition from regular to fame with you now? Like a transition? Yeah? 194 00:12:54,120 --> 00:12:56,280 Speaker 1: Don't have nobody man at you after the dame of you? 195 00:12:56,440 --> 00:13:02,640 Speaker 1: Now possible, that's my number one rule. Possible. I know, 196 00:13:02,840 --> 00:13:05,280 Speaker 1: I know African parents be wanting their kids to be 197 00:13:05,600 --> 00:13:09,400 Speaker 1: uh doctors and lawyers. Is your mom proud of what 198 00:13:09,480 --> 00:13:13,280 Speaker 1: you're doing? Yeah, she's like my number one. Does she 199 00:13:13,400 --> 00:13:17,679 Speaker 1: listen to the She listened to the drill music. She 200 00:13:17,720 --> 00:13:20,520 Speaker 1: listens to that. She listens to everything and everything right now, 201 00:13:20,520 --> 00:13:22,560 Speaker 1: it's not funny. She'd be coming into my pictures like 202 00:13:22,640 --> 00:13:30,199 Speaker 1: p the PM pushing she's pushing Pete. Yeah, good looks. 203 00:13:31,080 --> 00:13:34,680 Speaker 1: How does your mama she's my prior age. No, don't 204 00:13:34,679 --> 00:13:42,840 Speaker 1: do that, not your age. So all right, when you 205 00:13:42,840 --> 00:13:44,880 Speaker 1: go to the studio, what is your vibe like, do 206 00:13:44,960 --> 00:13:47,000 Speaker 1: you set like a vibe when you go in the studio? 207 00:13:47,040 --> 00:13:48,480 Speaker 1: And when do you go are you like an early 208 00:13:48,520 --> 00:13:51,400 Speaker 1: morning studio guy, like a nighttime studio guy, Like, what 209 00:13:51,440 --> 00:13:55,120 Speaker 1: does that look like for you? Cool? So I prefer 210 00:13:55,200 --> 00:13:59,760 Speaker 1: the evening um because it's more acceptable. So she said, 211 00:14:00,880 --> 00:14:02,920 Speaker 1: I can't be sipping at twelve o'clock in the afternoon. 212 00:14:04,480 --> 00:14:16,000 Speaker 1: But yeah, that was that was the word. I kind 213 00:14:16,000 --> 00:14:19,720 Speaker 1: of I'm gonna adapt him to whatever situation, whatever circumstances. 214 00:14:19,760 --> 00:14:23,280 Speaker 1: So if I'm in there, it's just like, as long 215 00:14:23,320 --> 00:14:25,640 Speaker 1: as I can catch the vibe with the beat, and 216 00:14:25,680 --> 00:14:27,880 Speaker 1: I'm good. So we'll just go through every I don't 217 00:14:27,880 --> 00:14:30,080 Speaker 1: know if it's working with a producer, it we'll swing 218 00:14:30,160 --> 00:14:32,520 Speaker 1: through some beats or we'll start creating something and then 219 00:14:33,120 --> 00:14:35,760 Speaker 1: I just lock in, like I'll be like a part 220 00:14:35,760 --> 00:14:39,480 Speaker 1: of the whole process. Um, we're getting the melodies down. 221 00:14:40,960 --> 00:14:44,040 Speaker 1: I I mean this week I really do anything, but 222 00:14:44,280 --> 00:14:45,880 Speaker 1: it will either get the melodies down and we'll just 223 00:14:45,920 --> 00:14:50,200 Speaker 1: jump straight in and start like freestyle and getting something off, 224 00:14:51,000 --> 00:14:54,480 Speaker 1: getting vibes out, um, and then before you know, it's 225 00:14:54,480 --> 00:14:58,160 Speaker 1: like a whole track, like an hour two hours. So 226 00:14:58,280 --> 00:15:00,600 Speaker 1: is it like a club setting? Like yeah, got girls 227 00:15:00,600 --> 00:15:07,200 Speaker 1: in their days, Like when girls can see that's my funny. 228 00:15:07,240 --> 00:15:10,680 Speaker 1: They just sit there, they just said, they're smiling like 229 00:15:10,920 --> 00:15:16,320 Speaker 1: this is good all right, or they do the opposite 230 00:15:16,320 --> 00:15:17,560 Speaker 1: and just trying to be too and they're like, oh, 231 00:15:17,600 --> 00:15:23,320 Speaker 1: you shouldn't trying to trying to like girl, you ain't 232 00:15:23,320 --> 00:15:26,760 Speaker 1: got a song out relaxed, or the funniest one is 233 00:15:26,760 --> 00:15:28,240 Speaker 1: when they have their own music and then you never 234 00:15:28,320 --> 00:15:32,560 Speaker 1: knew that and then just just slide it through. Oh 235 00:15:33,000 --> 00:15:37,400 Speaker 1: that's okay, that's what you But when you get into management, 236 00:15:37,480 --> 00:15:40,880 Speaker 1: I'm trying to get your ship. Yeah a hundred percent, 237 00:15:41,000 --> 00:15:43,640 Speaker 1: hundred percent, but yeah, I'm gonna have some beautiful us 238 00:15:43,840 --> 00:15:45,480 Speaker 1: already have a few months. So which is a bigger 239 00:15:45,560 --> 00:15:52,920 Speaker 1: hustle the modeling business or music business? M big hustle 240 00:15:53,280 --> 00:15:56,800 Speaker 1: as harder to do or like yeah, like which what 241 00:15:57,040 --> 00:15:59,800 Speaker 1: which one do you have to work the hardest at? Basically, 242 00:16:02,280 --> 00:16:05,320 Speaker 1: see the music, it feels like easy work, you know, 243 00:16:05,440 --> 00:16:08,360 Speaker 1: making making songs that comes comes out my just comes 244 00:16:08,360 --> 00:16:12,200 Speaker 1: out like naturally, um, you know, doing interviews and speaking 245 00:16:12,280 --> 00:16:16,000 Speaker 1: people and that stuff. I kind of enjoy it. So 246 00:16:16,120 --> 00:16:17,960 Speaker 1: I think modeling because it's quite at least me in 247 00:16:17,960 --> 00:16:20,160 Speaker 1: the space of l there's too much time on my 248 00:16:20,880 --> 00:16:23,920 Speaker 1: just think and do, like more time I'm shooting on 249 00:16:24,320 --> 00:16:27,080 Speaker 1: my shoot my mate, why am I here? I'm really 250 00:16:27,080 --> 00:16:31,280 Speaker 1: glad I did, but it all comes always nice to 251 00:16:31,440 --> 00:16:34,400 Speaker 1: the pictures look mass and stuff and whatever. We know 252 00:16:34,520 --> 00:16:36,960 Speaker 1: more time, I'm just like, I'm just really standing at 253 00:16:37,200 --> 00:16:43,160 Speaker 1: I wasn't to be here. Do you see yourself like 254 00:16:43,480 --> 00:16:47,360 Speaker 1: bridging music Like I saw your album It sounded like like, 255 00:16:47,440 --> 00:16:52,440 Speaker 1: you know, a line dropping? Yeah for sure, for sure. 256 00:16:52,920 --> 00:16:56,720 Speaker 1: Do you actually see potentially like creating fashion with your 257 00:16:56,800 --> 00:17:00,480 Speaker 1: music dropping it? Can you imagine they want to give 258 00:17:00,520 --> 00:17:02,600 Speaker 1: too much? Just imagine like a collection coming out of 259 00:17:02,640 --> 00:17:10,960 Speaker 1: every collection that's crazy? Yeah, that would be Yes, you do, 260 00:17:12,359 --> 00:17:15,560 Speaker 1: I see your tars. You got a birthday coming soon? Yeah? 261 00:17:16,320 --> 00:17:20,359 Speaker 1: Soon sixteen days? I don't. I don't know because I'm 262 00:17:20,400 --> 00:17:22,520 Speaker 1: supposed to be in Atlanta at the time, but I 263 00:17:22,520 --> 00:17:25,360 Speaker 1: don't really feel like spending my birthday sixteen days from 264 00:17:25,400 --> 00:17:32,520 Speaker 1: now May what. Yeah, don't be in the strip club. 265 00:17:32,800 --> 00:17:36,600 Speaker 1: That's so not for your birthday. Like some might just 266 00:17:36,640 --> 00:17:43,120 Speaker 1: fly somewhere tropical. Yeah, I don't think about going Jamaica. Yeah, Jamaica. 267 00:17:43,160 --> 00:17:45,320 Speaker 1: That sounds nice. Are you You're about to go to 268 00:17:45,400 --> 00:17:49,080 Speaker 1: Jamaica Sunday? That's what That's what you take a nice 269 00:17:49,119 --> 00:18:05,240 Speaker 1: young lady with you you already know. Oh goodness, all right, 270 00:18:05,320 --> 00:18:08,119 Speaker 1: So what are you listening to right now outside of 271 00:18:08,160 --> 00:18:11,439 Speaker 1: your own music? Like? Who are you spending right now? Uh? 272 00:18:11,680 --> 00:18:21,560 Speaker 1: Future future keeping a rep play all day long? Go 273 00:18:21,760 --> 00:18:28,400 Speaker 1: to Jamaica about your damn self, not Hara Nobody's daughter. Okay, 274 00:18:28,560 --> 00:18:34,800 Speaker 1: I never liked you anyway after y'all, we're just friends. 275 00:18:36,400 --> 00:18:46,439 Speaker 1: Were just we are farmers bumping up, enjoyed the holiday, 276 00:18:46,440 --> 00:18:51,000 Speaker 1: and keep it moving right So all right, outside of 277 00:18:51,080 --> 00:18:54,000 Speaker 1: future you know, listening to that right now? Like who 278 00:18:54,080 --> 00:18:59,159 Speaker 1: are your musical inspirations growing up? Like? Now? Um? The 279 00:18:59,240 --> 00:19:05,760 Speaker 1: weekend st John Uh, Tory Lanes, I get Travis Scott. No, 280 00:19:07,680 --> 00:19:11,520 Speaker 1: you remind me of the Travis Scott. Do you know? 281 00:19:11,560 --> 00:19:13,919 Speaker 1: I get everything on that I get, I get Travis Scott, 282 00:19:13,960 --> 00:19:18,280 Speaker 1: I get young Fuck what's the other one? Every day? Yeah? 283 00:19:18,320 --> 00:19:21,320 Speaker 1: Oh yeah pot smoke with design? Yeah? How does that 284 00:19:21,359 --> 00:19:24,359 Speaker 1: make you feel to be compared to these people? I 285 00:19:24,400 --> 00:19:26,080 Speaker 1: mean I try to look at the positive and everything, 286 00:19:26,080 --> 00:19:30,560 Speaker 1: and to be compared to goats, I am at it right, Yeah, 287 00:19:30,600 --> 00:19:36,119 Speaker 1: that's a fact. Comparisons on the way. So what's so 288 00:19:36,359 --> 00:19:40,800 Speaker 1: what's next for junior choice? M hm um, So it's 289 00:19:40,840 --> 00:19:44,080 Speaker 1: it's it's single time, and there's so much music. There's 290 00:19:44,119 --> 00:19:46,960 Speaker 1: so much music coming in summertimes. I'm just I'm coming 291 00:19:47,000 --> 00:19:52,080 Speaker 1: to set a vibe for summer. For sure. You can't 292 00:19:52,119 --> 00:19:58,800 Speaker 1: give us playlist any new albums this year. We're gonna 293 00:19:58,800 --> 00:20:07,639 Speaker 1: happen you take another new take another summer tape, for sure. Sniffett, 294 00:20:07,720 --> 00:20:09,640 Speaker 1: we had the like I think I'm a whole an 295 00:20:09,760 --> 00:20:12,320 Speaker 1: r like I got an air for music now. So 296 00:20:12,359 --> 00:20:14,280 Speaker 1: when you when you were making to the moon, like 297 00:20:14,359 --> 00:20:16,119 Speaker 1: did you know this was it? Like? Did you? But 298 00:20:16,119 --> 00:20:18,760 Speaker 1: without anybody else telling you, like, did you know it 299 00:20:18,880 --> 00:20:21,359 Speaker 1: was a hit? Because certain songs you listened to him 300 00:20:21,400 --> 00:20:23,600 Speaker 1: and even I can imagine making music. He'd be like, yeah, 301 00:20:23,640 --> 00:20:26,960 Speaker 1: that's the one and it was a good song. I 302 00:20:27,000 --> 00:20:28,840 Speaker 1: knew it was like and he was gonna pass the 303 00:20:28,960 --> 00:20:31,080 Speaker 1: vibe check that makes sense. I knew it was that 304 00:20:31,240 --> 00:20:34,119 Speaker 1: I can put this in there. It'll be good for like, 305 00:20:34,320 --> 00:20:37,320 Speaker 1: you know people that like droll or whatever. When did 306 00:20:37,320 --> 00:20:40,879 Speaker 1: you discover like, oh ship, everybody is feeling like what 307 00:20:41,040 --> 00:20:43,320 Speaker 1: did you? Was you like outside somewhere you walk past 308 00:20:43,400 --> 00:20:50,320 Speaker 1: some white man. What's been There's been a few moments, 309 00:20:50,359 --> 00:20:52,359 Speaker 1: there's been the first one was when I when I 310 00:20:52,400 --> 00:20:54,359 Speaker 1: put it on TikTok, because I put it up on 311 00:20:54,400 --> 00:20:57,160 Speaker 1: TikTok and knew was like this I was naming bad 312 00:20:57,800 --> 00:20:59,720 Speaker 1: And then I took him nap for like an hour, 313 00:21:00,560 --> 00:21:03,440 Speaker 1: and then I woke up and it was like mad comments, 314 00:21:03,520 --> 00:21:08,440 Speaker 1: mad views, my blacks, my buzzing blowing up. That was 315 00:21:08,480 --> 00:21:10,240 Speaker 1: the first kind of like okay, cool this, this is 316 00:21:11,080 --> 00:21:14,160 Speaker 1: something's happened in here. And then when we got to Miami, 317 00:21:14,480 --> 00:21:17,680 Speaker 1: I think it was Miami. Little thing was Miami. And 318 00:21:17,720 --> 00:21:19,960 Speaker 1: then it was like there was like three things at 319 00:21:19,960 --> 00:21:23,800 Speaker 1: once that just happened, like someone Jove passed blasting in 320 00:21:24,200 --> 00:21:27,040 Speaker 1: the car, some girls making a TikTok to it on 321 00:21:27,080 --> 00:21:29,080 Speaker 1: the beach, and then something else happened. When when I 322 00:21:29,119 --> 00:21:31,359 Speaker 1: was a cool, this is it is out of my 323 00:21:31,400 --> 00:21:34,679 Speaker 1: control because she was talking to the moon and you 324 00:21:34,720 --> 00:21:36,640 Speaker 1: see what I'm talking about, like it's just some ship 325 00:21:36,760 --> 00:21:43,320 Speaker 1: that was outside of you, right, I seehere youre going 326 00:21:43,359 --> 00:21:48,640 Speaker 1: with it. So let me ask you this all right, 327 00:21:48,880 --> 00:21:52,800 Speaker 1: that that samples Bruno Mars. Did you communicate with him 328 00:21:52,840 --> 00:21:54,920 Speaker 1: about the song? Like how did that conversation go or 329 00:21:55,040 --> 00:21:56,920 Speaker 1: did it not happen? Like it was just kind of 330 00:21:56,960 --> 00:22:01,240 Speaker 1: like we just took a clarence with it. Yeah, well 331 00:22:01,240 --> 00:22:05,800 Speaker 1: we didn't all right. Firstly, actually no disrespect, but I 332 00:22:05,800 --> 00:22:07,960 Speaker 1: actually didn't know it was a sample. I'm quite I 333 00:22:08,040 --> 00:22:10,840 Speaker 1: quite live under a rock, so when I heard the beat, 334 00:22:11,600 --> 00:22:17,560 Speaker 1: it was just like it just oh, it's cool, right, 335 00:22:17,600 --> 00:22:19,199 Speaker 1: So I was just going through them and then I 336 00:22:19,240 --> 00:22:22,000 Speaker 1: was just like it's fire Ba and I'm I love 337 00:22:22,040 --> 00:22:24,280 Speaker 1: bream to listen to him just the way you are 338 00:22:24,280 --> 00:22:25,919 Speaker 1: all the time. He's sing like my little brother. But 339 00:22:26,000 --> 00:22:29,680 Speaker 1: like I never really like Taptin to be like, oh yeah, 340 00:22:29,720 --> 00:22:32,560 Speaker 1: that's that song. Um. And it was a sample of 341 00:22:32,800 --> 00:22:37,119 Speaker 1: a cover of a guy called Sam Um, So that 342 00:22:37,280 --> 00:22:39,720 Speaker 1: was like as a sample of example, a sample or 343 00:22:39,720 --> 00:22:45,560 Speaker 1: something like that. Um like most exactly right, Like you 344 00:22:45,640 --> 00:22:48,160 Speaker 1: see Bruo can't even talk ship. Yeah, I got sewed 345 00:22:48,200 --> 00:22:56,600 Speaker 1: a couple of times. Sample himself was was loving it. 346 00:22:56,800 --> 00:22:58,720 Speaker 1: He's happy with what we did with it. I heard 347 00:22:58,760 --> 00:23:00,320 Speaker 1: that from his team, and I actually that one of 348 00:23:00,359 --> 00:23:05,080 Speaker 1: the rides to was like, yeah, it's definitely all right. 349 00:23:06,440 --> 00:23:09,120 Speaker 1: We have a segment on our show is called dumb 350 00:23:09,160 --> 00:23:12,840 Speaker 1: Bit Story, right, and that's where or some series and 351 00:23:12,880 --> 00:23:15,480 Speaker 1: that's where we have our guests talk about the time 352 00:23:15,520 --> 00:23:19,000 Speaker 1: they got played by a woman or a man obviously 353 00:23:19,040 --> 00:23:21,600 Speaker 1: by a woman for you like she did some He 354 00:23:21,680 --> 00:23:28,480 Speaker 1: was like, wow to me, Julior choy, bit do you 355 00:23:28,480 --> 00:23:31,080 Speaker 1: have can you cheer story with us about a time? 356 00:23:31,359 --> 00:23:37,359 Speaker 1: Like he was like, wow, seriously, you listen, you got 357 00:23:37,400 --> 00:23:40,439 Speaker 1: something because people, like the older men, they always go 358 00:23:40,560 --> 00:23:43,000 Speaker 1: back around your age and tell us a story about 359 00:23:43,040 --> 00:23:44,960 Speaker 1: some ship that happened in them in college. Like you're 360 00:23:45,000 --> 00:23:47,600 Speaker 1: in college or just got out of college, so I 361 00:23:47,680 --> 00:23:50,560 Speaker 1: know you got some stories the age. Yeah, you're in 362 00:23:50,600 --> 00:23:53,920 Speaker 1: the age group or even like some niggas be like, oh, 363 00:23:53,960 --> 00:23:56,760 Speaker 1: in high school, this girl did this. Like so you 364 00:23:56,800 --> 00:24:03,640 Speaker 1: don't have a gout. No, I've never let myself even 365 00:24:03,720 --> 00:24:05,840 Speaker 1: this fly your whole life, that's what you're trying to 366 00:24:05,840 --> 00:24:08,879 Speaker 1: tell us, your whole life. I have never let myself 367 00:24:08,920 --> 00:24:12,800 Speaker 1: get gout. Ever, we'll just keep living day you have. 368 00:24:14,720 --> 00:24:17,840 Speaker 1: I'm trying. I'm even trying to think like a somebody 369 00:24:17,920 --> 00:24:23,960 Speaker 1: or him, I've been like the moment I sense it, 370 00:24:24,040 --> 00:24:31,840 Speaker 1: I'm like, that's a good way to be. Yeah everywhere. 371 00:24:31,880 --> 00:24:35,080 Speaker 1: Then get don't get wrong that everywhere, But I'm just like, so, 372 00:24:35,200 --> 00:24:37,280 Speaker 1: how do you how do you how do you handle 373 00:24:37,320 --> 00:24:39,720 Speaker 1: that with the fame and having women like I'm sure 374 00:24:39,760 --> 00:24:42,640 Speaker 1: you have like young women just throwing themselves at you 375 00:24:42,840 --> 00:24:46,560 Speaker 1: and like trying to like just be like cloud Chase 376 00:24:46,640 --> 00:24:49,520 Speaker 1: and being the vibe Like, how do you how do 377 00:24:49,560 --> 00:24:53,639 Speaker 1: you handle that? I'm quite dismissive of it. I've always 378 00:24:53,720 --> 00:24:56,000 Speaker 1: kind of had my type. I mean, my type are 379 00:24:56,080 --> 00:25:00,000 Speaker 1: not anymore. So what's the type? Yes, what's the type? 380 00:25:00,000 --> 00:25:01,639 Speaker 1: You know? It's just like a good woman, like a 381 00:25:01,680 --> 00:25:06,960 Speaker 1: good woman. You know, their vibes there they know I 382 00:25:07,000 --> 00:25:11,239 Speaker 1: have to vibe spot like they're not outside. Yeah, they 383 00:25:11,240 --> 00:25:12,760 Speaker 1: don't not mean anymore. They don't want to be greepy, 384 00:25:12,840 --> 00:25:15,200 Speaker 1: so they don't like me anymore. Oh so what you 385 00:25:15,320 --> 00:25:17,280 Speaker 1: like doesn't like you? What does that happen that make 386 00:25:17,320 --> 00:25:20,960 Speaker 1: you feel? Well? I don't know. I just happened. You 387 00:25:21,080 --> 00:25:25,359 Speaker 1: stuck with thoughts. I'm upset and I don't want them, 388 00:25:25,400 --> 00:25:28,359 Speaker 1: and I don't want them, so I'm just like I 389 00:25:28,520 --> 00:25:33,119 Speaker 1: got to watch someone off right now, that's it. I'm upset. 390 00:25:33,119 --> 00:25:37,719 Speaker 1: I've been talking about every day, like lost of my joints. 391 00:25:39,520 --> 00:25:40,800 Speaker 1: Look at the end of your at the end of 392 00:25:40,800 --> 00:25:46,720 Speaker 1: the original video, I noticed that you had different Uh 393 00:25:46,880 --> 00:25:49,760 Speaker 1: it looked like different versions of you. Maybe do you 394 00:25:49,760 --> 00:25:51,879 Speaker 1: remember you know what I'm talking about. You do you 395 00:25:51,960 --> 00:25:55,240 Speaker 1: glasses on? You had your nose ringing? Another image and 396 00:25:55,280 --> 00:25:57,919 Speaker 1: then it was another one. Is that because I know 397 00:25:58,119 --> 00:26:01,000 Speaker 1: you have you said that summertime is more for the women, 398 00:26:01,119 --> 00:26:05,679 Speaker 1: right and the club hits in winter is for your 399 00:26:05,760 --> 00:26:09,479 Speaker 1: drill music? I guess right. So is this when all 400 00:26:09,520 --> 00:26:13,359 Speaker 1: these different person your addition, that's where the demons, that's 401 00:26:16,119 --> 00:26:20,320 Speaker 1: demon time in the wind should be inside it's cold outside. 402 00:26:20,359 --> 00:26:22,879 Speaker 1: I'm confused. It seems like summertime would be for that 403 00:26:24,960 --> 00:26:28,680 Speaker 1: someone just someone's someone's pretty man, someone's like, someone's going nice? 404 00:26:28,760 --> 00:26:30,120 Speaker 1: Essens to you want to be chinning in the park 405 00:26:30,160 --> 00:26:33,800 Speaker 1: with some gold when the time you're like, what the Junes? 406 00:26:35,480 --> 00:26:40,240 Speaker 1: He's brave enough to come outside? Yeah, especially a UK 407 00:26:40,400 --> 00:26:44,400 Speaker 1: winner because in learning it's not a freezing your nose 408 00:26:44,440 --> 00:26:48,359 Speaker 1: outside didn't when you're out, it's different. Yea. If I'm 409 00:26:48,359 --> 00:26:54,399 Speaker 1: always outside and that you know, she's no code on, 410 00:26:56,240 --> 00:26:58,880 Speaker 1: no waiting outside and the keys to get a club, 411 00:26:58,920 --> 00:27:06,879 Speaker 1: you know. So all right? My last question, all right, 412 00:27:07,640 --> 00:27:10,159 Speaker 1: you've been in uh the US for some time now, 413 00:27:10,400 --> 00:27:15,200 Speaker 1: back and forth. Do you prefer US cuisine to UK 414 00:27:15,320 --> 00:27:19,520 Speaker 1: cuisine because them fucking baked beans for breakfast in the UK. 415 00:27:20,240 --> 00:27:26,000 Speaker 1: Not my fucking thing. Hate that baked beans and dam 416 00:27:26,040 --> 00:27:29,120 Speaker 1: calling it baking. That is not baking. That's ham, that's 417 00:27:29,160 --> 00:27:34,639 Speaker 1: not baking. What or what else they used to have? Yeah, 418 00:27:35,040 --> 00:27:37,439 Speaker 1: it's like you put like a little egg and a 419 00:27:37,520 --> 00:27:41,080 Speaker 1: cup and crack it open and like sticking bread and 420 00:27:41,119 --> 00:27:43,639 Speaker 1: that ship. I'm like, what the is this? I don't know. 421 00:27:48,520 --> 00:27:54,240 Speaker 1: It's funny as a culture. Definitely American cuisine, like I mean, 422 00:27:54,280 --> 00:27:57,000 Speaker 1: I don't think British British cuisine is the thing. And 423 00:27:57,040 --> 00:27:59,240 Speaker 1: they have like fish and chips and yeah that's the 424 00:27:59,240 --> 00:28:04,920 Speaker 1: only thing that good. Yeah, I mean food quality, why 425 00:28:04,960 --> 00:28:08,320 Speaker 1: is that before? It's kind of like New York you 426 00:28:08,400 --> 00:28:10,920 Speaker 1: have you have so many different cultures in the sea 427 00:28:11,080 --> 00:28:14,439 Speaker 1: you can just got so it's like the foods depending 428 00:28:14,440 --> 00:28:16,960 Speaker 1: on where you go. With the quality, it was better, 429 00:28:17,320 --> 00:28:20,960 Speaker 1: okay for sure? Yeah, for sure for sure. All Right, 430 00:28:21,000 --> 00:28:23,080 Speaker 1: we took up a quite quite a bit of your time. 431 00:28:23,440 --> 00:28:25,800 Speaker 1: Can you tell our listeners where they can find you? 432 00:28:25,880 --> 00:28:27,520 Speaker 1: We know what we can. You know, we can find 433 00:28:27,600 --> 00:28:33,760 Speaker 1: him at everywhere right now, you find you can find 434 00:28:33,800 --> 00:28:39,120 Speaker 1: me in the club. I better not catch yours hanging 435 00:28:39,120 --> 00:28:41,000 Speaker 1: out with future. I'm telling you if I can't you 436 00:28:41,040 --> 00:28:44,400 Speaker 1: hanging out with future? I'm pulling my built out. That 437 00:28:44,480 --> 00:28:50,280 Speaker 1: was a close cool the other day after met Gala? Oh, 438 00:28:50,320 --> 00:28:55,000 Speaker 1: how is that you attended? You attended the met Gala? Really? Now, 439 00:28:55,000 --> 00:28:56,880 Speaker 1: I didn't tend to Met Gala. Bye. I performed at 440 00:28:56,920 --> 00:29:00,720 Speaker 1: the after party. I'm sat John Wow. Oh, well you 441 00:29:00,760 --> 00:29:07,680 Speaker 1: had the one where Carter b was like like you 442 00:29:07,720 --> 00:29:12,640 Speaker 1: have your little drink, have your little Oh that's what 443 00:29:12,680 --> 00:29:18,040 Speaker 1: happened that at the party. Yeah, but listen, Yeah, don't 444 00:29:18,080 --> 00:29:20,320 Speaker 1: get caught up with that Hollywood ship with that cocaine. 445 00:29:20,800 --> 00:29:25,960 Speaker 1: They stay out here, they say, and I'm set. Yeah, okay, 446 00:29:26,640 --> 00:29:29,240 Speaker 1: and water keep drinking your water. I'm gonna keep right. 447 00:29:34,160 --> 00:29:37,080 Speaker 1: This is a crown. Actually, that's all I had in here. 448 00:29:37,080 --> 00:29:38,920 Speaker 1: I'd like to have a little sippy sit while I'm 449 00:29:38,920 --> 00:29:46,800 Speaker 1: doing my interview so I can crazy shall look. But 450 00:29:46,840 --> 00:29:52,280 Speaker 1: we really appreciate you for pulling up when we talked back. Man, listen, 451 00:29:52,320 --> 00:29:55,200 Speaker 1: you have to come back when your album drops, Come 452 00:29:55,240 --> 00:29:58,640 Speaker 1: back and see us after the summer vibs come out 453 00:29:58,640 --> 00:30:01,760 Speaker 1: so we can assess. Yeah, and then you'll have some 454 00:30:02,000 --> 00:30:04,000 Speaker 1: series for us by that time. You're gonna have a 455 00:30:04,080 --> 00:30:10,720 Speaker 1: story by that time. Game. Absolutely no I'm in my game, okay, 456 00:30:11,440 --> 00:30:16,640 Speaker 1: I'm Look, he probably should tell us how. He probably 457 00:30:16,680 --> 00:30:18,920 Speaker 1: should tell us how he's played somebody, because that's what 458 00:30:18,960 --> 00:30:23,920 Speaker 1: it sounds like to me. That's probably what does that mean? 459 00:30:26,040 --> 00:30:29,600 Speaker 1: I'm innesting, I'm listing. I'm just I'm be playing all day. 460 00:30:31,880 --> 00:30:34,200 Speaker 1: So you do play all day? Are you don't play? 461 00:30:34,400 --> 00:30:40,400 Speaker 1: I'm playing all day. I'm playing with women. I'm playing 462 00:30:40,400 --> 00:30:50,680 Speaker 1: the day. Everything's funny. I'm just assessing. I'm assessing. I'm 463 00:30:50,720 --> 00:30:54,040 Speaker 1: assessing changes. No, that's good. You're at the space where 464 00:30:54,040 --> 00:30:57,120 Speaker 1: you're supposed to be at twenty four hours. Don't break 465 00:30:57,160 --> 00:31:00,120 Speaker 1: no hearts out here too bad. Keep them regrets to then. 466 00:31:00,520 --> 00:31:06,400 Speaker 1: That's all you can do. Yeah, I'm gentle. Look, good time. 467 00:31:07,960 --> 00:31:10,720 Speaker 1: You know what what I found about British men or 468 00:31:10,800 --> 00:31:14,720 Speaker 1: men living in the UK. They are smooth, They seem 469 00:31:14,800 --> 00:31:17,080 Speaker 1: like they have some nice niggas, but they'd be just 470 00:31:17,160 --> 00:31:20,640 Speaker 1: as ratchet hood these diggers in the UK. In the US, 471 00:31:22,160 --> 00:31:25,640 Speaker 1: they the U s right, they talked. It's the accident 472 00:31:25,640 --> 00:31:27,320 Speaker 1: that makes you think, oh, he's so smart. He'd be 473 00:31:27,320 --> 00:31:41,120 Speaker 1: saying like it's brilliant. It's brilliant of crazy in its Well, 474 00:31:41,160 --> 00:31:44,320 Speaker 1: thank you for joining us. Today, Man come back and 475 00:31:44,320 --> 00:31:48,800 Speaker 1: see us okay.