1 00:00:01,940 --> 00:00:07,250 Speaker 1: We're just two unapologetically black women with an opinion who 2 00:00:07,270 --> 00:00:08,050 Speaker 1: talk back. 3 00:00:10,480 --> 00:00:12,090 Speaker 2: All right, y'all. Thank you for tuning in for a 4 00:00:12,130 --> 00:00:15,610 Speaker 2: new episode of We Talk Back. It's your girl, AJ. 5 00:00:15,630 --> 00:00:17,170 Speaker 3: Y'all, it's me, Tim Bam. 6 00:00:17,310 --> 00:00:19,810 Speaker 1: I love y'all. Guess what we doing today? We are 7 00:00:19,970 --> 00:00:22,590 Speaker 1: talking to the motherfucking moon today. 8 00:00:22,650 --> 00:00:23,810 Speaker 2: What's good? 9 00:00:23,980 --> 00:00:25,130 Speaker 4: What's good? With Jay and. 10 00:00:25,160 --> 00:00:28,600 Speaker 1: Our toy, Junior Toy. Welcome. How you doing? Thank you. 11 00:00:28,820 --> 00:00:30,040 Speaker 4: I'm good. I'm good. How are you? 12 00:00:30,720 --> 00:00:31,580 Speaker 2: Good. Good. 13 00:00:31,900 --> 00:00:36,300 Speaker 1: Now, I got to start with telling you this. I've 14 00:00:36,320 --> 00:00:38,979 Speaker 1: been singing your song for a couple months now, and 15 00:00:39,020 --> 00:00:41,229 Speaker 1: I've been singing it wrong the whole time. 16 00:00:42,850 --> 00:00:43,129 Speaker 4: Oh, wow. 17 00:00:43,150 --> 00:00:45,650 Speaker 1: So, you know, the part is like, you say, pull 18 00:00:45,690 --> 00:00:48,310 Speaker 1: up the tingle and turn up. I say, pull up 19 00:00:48,350 --> 00:00:49,250 Speaker 1: the same old vagina. 20 00:00:50,090 --> 00:00:50,350 Speaker 4: Oh, my God. 21 00:00:50,390 --> 00:00:52,270 Speaker 1: That's what I thought you was saying. Pull up the 22 00:00:52,290 --> 00:00:53,070 Speaker 1: same old vagina. 23 00:00:53,350 --> 00:00:53,880 Speaker 4: How do we get that? 24 00:00:53,900 --> 00:00:56,840 Speaker 1: I'm like, we got old vagina. Old vagina good, too. 25 00:00:56,920 --> 00:00:58,600 Speaker 4: How the hell do we get that? 26 00:00:59,820 --> 00:01:02,320 Speaker 2: It does kind of sound like that. 27 00:01:02,340 --> 00:01:02,960 Speaker 1: That's my funny. 28 00:01:03,020 --> 00:01:04,560 Speaker 4: It sounds like whatever it wants you to be, like. 29 00:01:05,120 --> 00:01:07,920 Speaker 4: The minor things I've heard. Yeah, I don't know how 30 00:01:07,959 --> 00:01:14,030 Speaker 4: you got that, but all right. 31 00:01:14,430 --> 00:01:18,690 Speaker 1: Just a little icebreaker. But that's really what I thought 32 00:01:18,709 --> 00:01:19,209 Speaker 1: you were saying. 33 00:01:19,860 --> 00:01:21,220 Speaker 4: You were singing that out loud in the club? 34 00:01:21,260 --> 00:01:24,160 Speaker 1: Yeah, yeah. Pull up the same old thing. 35 00:01:24,220 --> 00:01:24,760 Speaker 4: I'm like, hey. 36 00:01:24,940 --> 00:01:26,039 Speaker 2: It's still lit, though. 37 00:01:26,080 --> 00:01:26,500 Speaker 1: Don't worry. 38 00:01:26,540 --> 00:01:28,199 Speaker 2: We all got no choice but to pull up with 39 00:01:28,220 --> 00:01:28,819 Speaker 2: the same one. 40 00:01:28,860 --> 00:01:30,660 Speaker 4: You know what I'm saying? 41 00:01:30,720 --> 00:01:32,500 Speaker 2: I wish you could swap them out every once in 42 00:01:32,520 --> 00:01:32,840 Speaker 2: a while. 43 00:01:32,860 --> 00:01:35,060 Speaker 4: Remix, remix. 44 00:01:35,100 --> 00:01:39,030 Speaker 2: Look, I'm going to be honest with you. So when 45 00:01:39,090 --> 00:01:44,650 Speaker 2: I first saw the song, like the video, your video 46 00:01:44,670 --> 00:01:45,790 Speaker 2: just came out about a month ago, right? 47 00:01:47,620 --> 00:01:48,320 Speaker 4: Yeah, one of them. 48 00:01:48,540 --> 00:01:51,060 Speaker 2: But when I started looking, I'm like, damn. 49 00:01:51,260 --> 00:01:53,690 Speaker 1: I only saw the original... Not the original. I saw the. 50 00:01:53,640 --> 00:02:01,130 Speaker 2: Version with Favio and G Herbal. And I watched it 51 00:02:01,170 --> 00:02:04,710 Speaker 2: twice because I'm like, where is this nigga's verse? But 52 00:02:04,790 --> 00:02:07,530 Speaker 2: I didn't realize... Y'all been pushing the hell out this 53 00:02:07,550 --> 00:02:10,470 Speaker 2: song because I didn't realize it has three different videos 54 00:02:10,510 --> 00:02:12,510 Speaker 2: at this point. So you got a version with Favio 55 00:02:12,590 --> 00:02:15,139 Speaker 2: and G Herbal and then another version with.... 56 00:02:16,620 --> 00:02:17,519 Speaker 4: Gunna. Gunna. 57 00:02:17,560 --> 00:02:19,600 Speaker 2: Yeah, so how did that come about? How you work 58 00:02:19,620 --> 00:02:21,919 Speaker 2: with these United States rappers? 59 00:02:23,530 --> 00:02:24,790 Speaker 4: Just by being here, really. 60 00:02:25,010 --> 00:02:26,269 Speaker 2: You hot right now. 61 00:02:26,389 --> 00:02:29,030 Speaker 4: I was going to move out here anyway. I was 62 00:02:29,070 --> 00:02:30,310 Speaker 4: going to move out here anyway. I was going to 63 00:02:30,330 --> 00:02:32,669 Speaker 4: move to the States. But then once the song started 64 00:02:32,690 --> 00:02:35,560 Speaker 4: blowing up, I chilled for a second, stayed in the UK, 65 00:02:36,520 --> 00:02:38,660 Speaker 4: sorting out all this legal stuff, and then came over here. 66 00:02:38,860 --> 00:02:41,579 Speaker 4: But I was always coming over here. I'm a strong 67 00:02:41,600 --> 00:02:45,380 Speaker 4: believer of just being yourself wherever you need to be. Mm-hmm. 68 00:02:45,770 --> 00:02:48,530 Speaker 4: Everything's going to happen to you. So G Herbo was 69 00:02:48,570 --> 00:02:52,050 Speaker 4: in the studio with Metro. He just randomly came in 70 00:02:52,450 --> 00:02:54,690 Speaker 4: and he was like, you know who'd sound good on this? 71 00:02:54,930 --> 00:02:58,030 Speaker 4: He sent a verse over the next day. Favi was 72 00:02:58,120 --> 00:03:02,299 Speaker 4: a no-brainer. I was playing Call of Duty and my 73 00:03:02,340 --> 00:03:04,639 Speaker 4: boy was like, yo, Favi. I was like, yeah, that'd 74 00:03:04,660 --> 00:03:05,680 Speaker 4: be hard. He was like, let me put you in 75 00:03:05,700 --> 00:03:09,579 Speaker 4: concert with the manager. That happened over there. And then Gunnar, 76 00:03:09,639 --> 00:03:11,680 Speaker 4: my A & R, he's a good friend of mine. 77 00:03:12,480 --> 00:03:14,620 Speaker 4: And then he heard the song, loved the song, no-brainer. 78 00:03:15,780 --> 00:03:16,329 Speaker 4: Killed it. 79 00:03:16,340 --> 00:03:17,100 Speaker 2: Yeah, those are some good features. 80 00:03:17,120 --> 00:03:19,609 Speaker 4: Yeah, just by being, just got to be outside, man. 81 00:03:21,030 --> 00:03:24,669 Speaker 1: So I've seen athletes transition to music and I've seen 82 00:03:24,710 --> 00:03:29,369 Speaker 1: like actresses transition to music, but I've never seen models 83 00:03:29,950 --> 00:03:33,160 Speaker 1: transition to music. So first tell us how you got 84 00:03:33,240 --> 00:03:35,520 Speaker 1: into modeling and then tell us how it turned into 85 00:03:35,560 --> 00:03:37,240 Speaker 1: music for you. 86 00:03:37,260 --> 00:03:41,380 Speaker 4: For sure. Modeling, a lot of people used to tell 87 00:03:41,420 --> 00:03:43,720 Speaker 4: me that I should model. I used to have quite 88 00:03:43,740 --> 00:03:46,260 Speaker 4: a strong lack Fashion sense, like, I used to come 89 00:03:46,280 --> 00:03:49,480 Speaker 4: into college with some absurd clothing. People were like, well, 90 00:03:49,500 --> 00:03:52,120 Speaker 4: what's he got going on? And it was like, you know, 91 00:03:52,180 --> 00:03:54,840 Speaker 4: stand out. You should maybe get into fashion. You should model. 92 00:03:56,120 --> 00:03:58,120 Speaker 4: I kind of brushed it for a long time. And 93 00:03:58,140 --> 00:04:00,820 Speaker 4: then one of my friends, he really wanted to model. 94 00:04:01,400 --> 00:04:03,200 Speaker 4: So he was like, hey, I'm going to go and 95 00:04:03,580 --> 00:04:07,580 Speaker 4: check out some agencies. Basically, that interview himself, groceries, whatever. 96 00:04:07,920 --> 00:04:09,440 Speaker 4: And I was like, yeah, cool, I'll come with you. 97 00:04:10,200 --> 00:04:12,040 Speaker 4: And then, like, he was getting interviewed, and then they were, like, 98 00:04:12,060 --> 00:04:13,660 Speaker 4: trying to interview me, too. And I was like, all right, cool, 99 00:04:13,680 --> 00:04:16,039 Speaker 4: that's good. And then they all kind of, like, brushed it. 100 00:04:16,040 --> 00:04:17,480 Speaker 4: They were all like, oh, no, we think you'd be 101 00:04:17,500 --> 00:04:20,040 Speaker 4: good somewhere else. And then now I was like, hey, 102 00:04:20,080 --> 00:04:21,300 Speaker 4: hold on. Like, nah. 103 00:04:21,640 --> 00:04:22,099 Speaker 2: The rejection. 104 00:04:22,120 --> 00:04:24,720 Speaker 4: The fact they said no, kind of like, yeah, they 105 00:04:24,760 --> 00:04:26,729 Speaker 4: rejected me and they charged me. I was like, what 106 00:04:26,750 --> 00:04:30,729 Speaker 4: do you mean no? So I went back. I went back. 107 00:04:30,770 --> 00:04:34,370 Speaker 4: I'd done my research, you know. Peeped up all the agencies, 108 00:04:34,410 --> 00:04:35,789 Speaker 4: saw what they were good for. They're all good for 109 00:04:35,810 --> 00:04:39,290 Speaker 4: their own reasons. Found, like, where I would, I felt 110 00:04:39,310 --> 00:04:43,760 Speaker 4: like I'd feel most, like, comfortable in like what kind 111 00:04:43,820 --> 00:04:47,099 Speaker 4: of you know there's like editorials there's runway there's commercial 112 00:04:47,120 --> 00:04:49,000 Speaker 4: stuff so you kind of just have to like choose 113 00:04:49,040 --> 00:04:51,820 Speaker 4: your fighter i was like i'm gonna run for all 114 00:04:51,860 --> 00:04:54,120 Speaker 4: of them and then i kind of just you know 115 00:04:54,620 --> 00:04:57,960 Speaker 4: cleared my skin got ready um and then one day 116 00:04:58,000 --> 00:05:02,180 Speaker 4: i actually got scouted at work um randomly i was 117 00:05:02,200 --> 00:05:03,520 Speaker 4: working in top man i don't know if you have 118 00:05:03,560 --> 00:05:04,020 Speaker 4: these but i. 119 00:05:03,980 --> 00:05:06,760 Speaker 3: Was working in the top man i used to live. 120 00:05:06,670 --> 00:05:10,029 Speaker 4: In england yeah yeah oh fire i was working in 121 00:05:10,050 --> 00:05:13,089 Speaker 4: top man and then um Randomly, one lady come in 122 00:05:13,110 --> 00:05:14,450 Speaker 4: and was just like, yo, I think you should model. 123 00:05:14,510 --> 00:05:17,150 Speaker 4: I was like, I'll let, sign the contract the next 124 00:05:17,190 --> 00:05:17,810 Speaker 4: day and just quit. 125 00:05:18,650 --> 00:05:20,089 Speaker 1: The next day? Sheesh. 126 00:05:20,130 --> 00:05:22,240 Speaker 4: Yeah, next day. That's what's up. 127 00:05:22,380 --> 00:05:24,680 Speaker 2: So fashion and music has always went hand in hand. 128 00:05:24,690 --> 00:05:27,820 Speaker 2: So was it more intentional for you to make music 129 00:05:27,880 --> 00:05:29,220 Speaker 2: for Fashion Runway? 130 00:05:32,480 --> 00:05:34,320 Speaker 4: Music was random. Music was very like. 131 00:05:34,830 --> 00:05:37,370 Speaker 2: Because don't nobody be walking down the runway with no music. 132 00:05:40,089 --> 00:05:40,469 Speaker 1: Oh, shit. 133 00:05:40,529 --> 00:05:41,690 Speaker 4: It just go together. No, for sure. 134 00:05:42,360 --> 00:05:45,200 Speaker 1: Kanye might have motherfuckers walking down the runway in silence. 135 00:05:46,000 --> 00:05:48,740 Speaker 4: Yeah. Can you imagine? Just clapping. You know what? I've 136 00:05:48,760 --> 00:05:50,060 Speaker 4: seen that shit. I've never seen that shit. 137 00:05:50,100 --> 00:05:50,840 Speaker 3: Really? 138 00:05:51,339 --> 00:05:52,599 Speaker 2: That shit was boring as hell. 139 00:05:52,620 --> 00:05:54,620 Speaker 4: Some Balenciaga sign. Just for suspense. 140 00:05:54,640 --> 00:05:59,340 Speaker 1: So, all right. You walk for some top designers. What 141 00:05:59,380 --> 00:06:01,979 Speaker 1: was your biggest, like, oh, shit moment? Like, oh, shit. 142 00:06:02,000 --> 00:06:02,620 Speaker 1: This is crazy. 143 00:06:02,690 --> 00:06:08,890 Speaker 4: Like... I think it was Givenchy. But when Ricardo Tisci 144 00:06:08,910 --> 00:06:12,390 Speaker 4: was still in the head. Yeah, I remember just like 145 00:06:12,600 --> 00:06:16,100 Speaker 4: walking into the venue like, oh, this is not a room. 146 00:06:17,680 --> 00:06:22,220 Speaker 4: This is a whole like cathedral. So, yeah, I was 147 00:06:22,260 --> 00:06:23,110 Speaker 4: probably like, whoa. 148 00:06:23,960 --> 00:06:25,170 Speaker 1: That was your oh shit moment. 149 00:06:25,570 --> 00:06:25,750 Speaker 4: All right. 150 00:06:25,810 --> 00:06:28,170 Speaker 1: So I see like a lot of people are, you're 151 00:06:28,190 --> 00:06:31,630 Speaker 1: viral on TikTok. I just started a TikTok for myself 152 00:06:31,650 --> 00:06:34,830 Speaker 1: because I'm a little older. That ain't even my thing, right? 153 00:06:35,190 --> 00:06:37,349 Speaker 1: But I started one because my producer said I need 154 00:06:37,370 --> 00:06:40,000 Speaker 1: to be more present on social media. 155 00:06:40,040 --> 00:06:42,100 Speaker 4: I've heard that one before. 156 00:06:42,160 --> 00:06:42,460 Speaker 2: Right. 157 00:06:42,620 --> 00:06:47,440 Speaker 1: So I've been watching people dancing to your song on TikTok. 158 00:06:47,660 --> 00:06:50,080 Speaker 1: And there's a particular dance that I see people doing 159 00:06:50,100 --> 00:06:52,400 Speaker 1: where they're kicking their foot out and kicking to the side. 160 00:06:52,420 --> 00:06:53,120 Speaker 1: You know how to do it? 161 00:06:53,820 --> 00:06:55,460 Speaker 4: Nah, what's it called? The sturdy or something. 162 00:06:55,480 --> 00:06:55,840 Speaker 2: The what? 163 00:06:55,860 --> 00:06:56,220 Speaker 1: Yeah. 164 00:06:56,240 --> 00:06:56,779 Speaker 2: What's it called? 165 00:06:56,800 --> 00:06:59,479 Speaker 4: Yeah, nah. Sturdy? I don't know. I literally just come 166 00:06:59,500 --> 00:07:00,940 Speaker 4: across it recently as well. 167 00:07:01,400 --> 00:07:01,789 Speaker 1: Yeah. 168 00:07:01,880 --> 00:07:03,520 Speaker 4: I just run over it. You can't do it? 169 00:07:03,550 --> 00:07:04,270 Speaker 2: Nah. 170 00:07:04,310 --> 00:07:05,750 Speaker 1: Damn, I was hoping you could teach me, right? 171 00:07:06,170 --> 00:07:08,270 Speaker 4: I'm too tall for that. My legs will snap. I'm 172 00:07:08,770 --> 00:07:11,490 Speaker 4: too tall for that. 173 00:07:11,530 --> 00:07:15,530 Speaker 2: Do you attribute a lot of the success of To 174 00:07:15,570 --> 00:07:18,990 Speaker 2: The Moon to TikTok? Because that's when we, I feel 175 00:07:19,030 --> 00:07:22,230 Speaker 2: like that's when we first heard it in the United States. 176 00:07:22,290 --> 00:07:22,450 Speaker 1: Yeah. 177 00:07:23,570 --> 00:07:28,810 Speaker 4: It definitely helped cross the borders, for sure. I saw 178 00:07:28,850 --> 00:07:34,170 Speaker 4: that stuff in Africa, the U.S. heavy. Yeah, 100%. Help 179 00:07:34,210 --> 00:07:34,890 Speaker 4: is good. 180 00:07:35,670 --> 00:07:36,110 Speaker 1: Question. 181 00:07:36,450 --> 00:07:41,410 Speaker 3: I saw you said that your music is Afro drill. 182 00:07:42,830 --> 00:07:45,010 Speaker 1: What's Afro drill versus Afro drill? 183 00:07:45,030 --> 00:07:46,810 Speaker 2: UK drill, yeah. What's the difference? 184 00:07:48,550 --> 00:07:50,369 Speaker 4: It's an African essence in drill. 185 00:07:51,270 --> 00:07:52,350 Speaker 1: What's drill, though? 186 00:07:53,270 --> 00:07:57,410 Speaker 4: That's what everyone else is saying. I'm going to draw it. 187 00:07:57,430 --> 00:08:00,110 Speaker 2: So you're making drill music. So in Chicago, we know 188 00:08:00,150 --> 00:08:02,930 Speaker 2: what drill music is. And in New York, what drill 189 00:08:02,970 --> 00:08:03,570 Speaker 2: music is. 190 00:08:03,670 --> 00:08:05,510 Speaker 1: I don't know what that is. 191 00:08:05,510 --> 00:08:09,450 Speaker 2: I'm about to tell you. Drill music, essentially, because you 192 00:08:09,500 --> 00:08:11,440 Speaker 2: know the mirror, whatever, in New York is trying to 193 00:08:11,560 --> 00:08:15,520 Speaker 2: ban drill music. Because it's like people committing crimes and 194 00:08:15,600 --> 00:08:20,070 Speaker 2: actually rapping about it. That's what drill music is. 195 00:08:20,070 --> 00:08:21,710 Speaker 1: So that's what drill is? Like crime? 196 00:08:21,730 --> 00:08:26,130 Speaker 4: I thought that was just real music. 197 00:08:26,150 --> 00:08:29,890 Speaker 2: Nah. Most of the rappers, they rap about shit they're 198 00:08:29,910 --> 00:08:33,010 Speaker 2: not actually doing anymore. But with drill music, you have 199 00:08:33,030 --> 00:08:38,040 Speaker 2: the younger guys rapping about possibly killing somebody last week. 200 00:08:38,059 --> 00:08:41,620 Speaker 2: I'm not trying to dim the mood, but yeah, and 201 00:08:41,640 --> 00:08:43,880 Speaker 2: they'll put that shit in the song. That's what drill 202 00:08:43,900 --> 00:08:45,179 Speaker 2: music is, essentially. 203 00:08:46,720 --> 00:08:47,680 Speaker 1: Is that what it is to you? 204 00:08:48,880 --> 00:08:49,160 Speaker 4: To me? 205 00:08:49,820 --> 00:08:50,100 Speaker 2: Yeah. 206 00:08:50,840 --> 00:08:53,620 Speaker 4: No, I just hear it in the production. So it's 207 00:08:53,640 --> 00:08:57,610 Speaker 4: like the hi-hats. There's certain slides that are in there. 208 00:08:57,970 --> 00:09:02,250 Speaker 4: It's a certain tempo that has you bopping in a 209 00:09:02,290 --> 00:09:08,280 Speaker 4: certain way, which usually is, I don't know, lyrically aggressive 210 00:09:08,340 --> 00:09:12,060 Speaker 4: and gang-related. But I don't know. That's kind of why 211 00:09:12,080 --> 00:09:14,319 Speaker 4: I never really wanted to jump on that genre. Mm-hmm. 212 00:09:16,340 --> 00:09:18,059 Speaker 4: I make a lot of music. I make Afro beats, 213 00:09:18,120 --> 00:09:20,380 Speaker 4: I make R & B, I make trap. I was like, well, 214 00:09:20,400 --> 00:09:21,660 Speaker 4: if I'm going to jump on drill, I'm going to 215 00:09:21,679 --> 00:09:23,459 Speaker 4: do it my own way. And then I'm going to 216 00:09:23,480 --> 00:09:25,819 Speaker 4: do it how I feel. And I feel like an 217 00:09:25,900 --> 00:09:27,179 Speaker 4: African essence within me. 218 00:09:27,740 --> 00:09:28,100 Speaker 1: Right. 219 00:09:28,420 --> 00:09:30,220 Speaker 4: And I make it universal. 220 00:09:31,520 --> 00:09:32,880 Speaker 2: So it's more about the production. 221 00:09:32,960 --> 00:09:33,280 Speaker 4: Yeah. 222 00:09:34,280 --> 00:09:37,220 Speaker 1: Versus, like, you ain't shooting and killing nobody. 223 00:09:37,520 --> 00:09:39,480 Speaker 4: Nah. I'm too pretty for that. 224 00:09:42,360 --> 00:09:43,760 Speaker 2: Damn, you said them niggas ain't creative. 225 00:09:43,840 --> 00:09:44,339 Speaker 4: I'm enjoying life. 226 00:09:47,559 --> 00:09:51,580 Speaker 1: Or pretty. Y'all niggas ugly and ain't creative. 227 00:09:51,820 --> 00:09:54,110 Speaker 4: I'm just sipping tequila and loving life. 228 00:09:55,980 --> 00:09:57,660 Speaker 1: Right. 229 00:09:58,460 --> 00:10:03,319 Speaker 3: So you're from, you're originally from Gambia? 230 00:10:03,640 --> 00:10:06,200 Speaker 1: Yeah. So you were born and raised in Gambia. When 231 00:10:06,220 --> 00:10:07,340 Speaker 1: did you move to the UK? 232 00:10:07,660 --> 00:10:11,740 Speaker 4: Unfortunately, no, I was born and raised in the UK. Okay. Yeah, 233 00:10:11,760 --> 00:10:13,300 Speaker 4: I was born and raised in London and I moved 234 00:10:13,370 --> 00:10:16,670 Speaker 4: out to Essex. I hate Africa like every year. 235 00:10:17,940 --> 00:10:21,219 Speaker 1: Okay, so how do you feel like your culture has 236 00:10:21,280 --> 00:10:22,280 Speaker 1: influenced your sound? 237 00:10:24,480 --> 00:10:27,020 Speaker 4: Again, by bringing a lot of Afro in my essence. 238 00:10:27,160 --> 00:10:31,100 Speaker 4: Almost like every song I've been making recently has just 239 00:10:31,200 --> 00:10:38,010 Speaker 4: had that strong African gene in it. Also just the melodies. 240 00:10:38,550 --> 00:10:40,829 Speaker 4: There's a lot of melodies in African music. 241 00:10:41,470 --> 00:10:42,150 Speaker 1: Yeah. 242 00:10:42,450 --> 00:10:44,010 Speaker 4: There's a lot of melodies in my music. 243 00:10:44,030 --> 00:10:48,829 Speaker 2: So look, I literally talk to the moon, right? Trees, rivers. 244 00:10:49,530 --> 00:10:50,870 Speaker 1: Yeah. 245 00:10:51,050 --> 00:10:55,449 Speaker 2: So is there more of a esoteric or metaphorical or 246 00:10:55,530 --> 00:11:00,320 Speaker 2: metaphysical message behind the song? 247 00:11:00,440 --> 00:11:00,859 Speaker 1: The song? 248 00:11:02,100 --> 00:11:02,460 Speaker 4: No. 249 00:11:03,380 --> 00:11:06,200 Speaker 2: No? Nothing? I think there is. 250 00:11:06,220 --> 00:11:09,840 Speaker 4: People are about to slide in like, yeah. 251 00:11:09,880 --> 00:11:13,260 Speaker 2: The thing is that it may not be yet. You 252 00:11:13,280 --> 00:11:14,310 Speaker 2: don't know it, maybe. 253 00:11:14,330 --> 00:11:18,339 Speaker 4: Hmm. I believe it is for a lot of people 254 00:11:18,360 --> 00:11:23,000 Speaker 4: because I have had many messages about that stuff. And 255 00:11:23,040 --> 00:11:28,080 Speaker 4: it's something that I do too. But in the making 256 00:11:28,160 --> 00:11:29,800 Speaker 4: of it, absolutely not. There was no intention. 257 00:11:32,250 --> 00:11:35,810 Speaker 1: So, all right, you're a JNR or junior choice. Is 258 00:11:35,850 --> 00:11:36,850 Speaker 1: there a senior choice? 259 00:11:37,250 --> 00:11:38,330 Speaker 4: Is there a senior choice? 260 00:11:40,090 --> 00:11:44,860 Speaker 2: My father? Like, if we need him on We Talk Back. 261 00:11:44,880 --> 00:11:46,780 Speaker 2: I'm kind. 262 00:11:47,000 --> 00:11:48,460 Speaker 4: I'm the daddy of the house. 263 00:11:48,980 --> 00:11:59,559 Speaker 1: Alright, so when you go home, you spend a lot 264 00:11:59,600 --> 00:12:02,950 Speaker 1: of time in New York. When you go home... Are 265 00:12:02,970 --> 00:12:04,929 Speaker 1: people like, what is it like going back home? Because, 266 00:12:04,950 --> 00:12:07,330 Speaker 1: you know, you grew up there. These people know you 267 00:12:07,450 --> 00:12:09,650 Speaker 1: from childhood and all that. Do they treat you like 268 00:12:09,710 --> 00:12:12,030 Speaker 1: a celebrity or they treat you like, there go. 269 00:12:11,929 --> 00:12:12,470 Speaker 4: Junior, man. 270 00:12:12,510 --> 00:12:14,030 Speaker 1: You're trying to get some of this. 271 00:12:14,850 --> 00:12:15,610 Speaker 2: Yeah. 272 00:12:15,890 --> 00:12:16,550 Speaker 1: Or whatever y'all eat. 273 00:12:17,770 --> 00:12:19,630 Speaker 4: I'll say they treat me like, they don't know how 274 00:12:19,650 --> 00:12:23,140 Speaker 4: to act. They treat you like. They don't know how 275 00:12:23,640 --> 00:12:26,960 Speaker 4: to act. So if that's a celebrity, like. 276 00:12:27,280 --> 00:12:27,540 Speaker 1: Yeah. 277 00:12:27,980 --> 00:12:28,260 Speaker 2: Yeah. 278 00:12:28,340 --> 00:12:33,059 Speaker 4: Okay. But they'll just, they'll be like, oh. Or it 279 00:12:33,120 --> 00:12:35,500 Speaker 4: would be like, congrats. There's a lot of congratulations. There's 280 00:12:35,520 --> 00:12:37,740 Speaker 4: a lot of homage to you. There's a lot of, 281 00:12:38,000 --> 00:12:39,620 Speaker 4: I mean, seeing you working hard. 282 00:12:40,500 --> 00:12:41,210 Speaker 1: Are you single? 283 00:12:42,090 --> 00:12:42,310 Speaker 4: Yeah. 284 00:12:43,270 --> 00:12:43,630 Speaker 3: Okay. 285 00:12:43,650 --> 00:12:45,230 Speaker 1: I was about to say, is there a girl who 286 00:12:45,270 --> 00:12:48,489 Speaker 1: transitioned from regular to fame with you? 287 00:12:50,610 --> 00:12:54,170 Speaker 4: Is there a girl who transitioned? Nah. 288 00:12:54,220 --> 00:12:57,140 Speaker 1: Don't have nobody mad at you after this interview now. 289 00:12:57,160 --> 00:12:59,200 Speaker 4: No, impossible. That's my number one rule. 290 00:12:59,220 --> 00:12:59,940 Speaker 3: Impossible. 291 00:13:00,000 --> 00:13:00,460 Speaker 4: Impossible. 292 00:13:02,730 --> 00:13:05,390 Speaker 2: I know African parents be wanting their kids to be 293 00:13:06,309 --> 00:13:09,929 Speaker 2: doctors and lawyers. Is your mom proud of what you're doing? 294 00:13:11,450 --> 00:13:12,819 Speaker 4: Yeah, she's like my number one fan. 295 00:13:13,050 --> 00:13:15,780 Speaker 2: Does she listen to the drill music? 296 00:13:17,600 --> 00:13:20,300 Speaker 4: She listens to that. She listens to everything and everything 297 00:13:20,320 --> 00:13:22,140 Speaker 4: right now. It's mad funny. She'll be coming into my 298 00:13:22,160 --> 00:13:23,880 Speaker 4: pictures like P with a P emoji. 299 00:13:25,940 --> 00:13:26,800 Speaker 1: Is she pushing P? 300 00:13:27,460 --> 00:13:30,679 Speaker 4: She's pushing P. He's like, yeah, good looks, peace. 301 00:13:30,760 --> 00:13:32,380 Speaker 2: Wait, how old is your mom and shit? His mom 302 00:13:32,400 --> 00:13:35,040 Speaker 2: probably our age. No, don't do that. 303 00:13:35,080 --> 00:13:36,680 Speaker 1: Not your age, bitch. Not my age. 304 00:13:38,910 --> 00:13:42,570 Speaker 2: So, all right. 305 00:13:42,650 --> 00:13:44,809 Speaker 1: When you go to the studio, what is your vibe? Like, 306 00:13:44,850 --> 00:13:46,550 Speaker 1: do you set like a vibe when you go in 307 00:13:46,570 --> 00:13:48,090 Speaker 1: the studio? And when do you go? Are you like 308 00:13:48,130 --> 00:13:51,340 Speaker 1: an early morning studio guy or like a nighttime studio guy? Like, 309 00:13:51,380 --> 00:13:52,400 Speaker 1: what does that look like for you? 310 00:13:53,160 --> 00:13:58,800 Speaker 4: Cool. So, I prefer the evening. Mm-hmm. because it's more 311 00:13:58,820 --> 00:14:01,860 Speaker 4: acceptable to actually sip. You can't be sipping at 12 312 00:14:01,860 --> 00:14:02,880 Speaker 4: o'clock in the afternoon. 313 00:14:04,400 --> 00:14:09,209 Speaker 1: Do it by yourself. 314 00:14:09,270 --> 00:14:13,890 Speaker 4: Yeah. That was. 315 00:14:13,890 --> 00:14:16,150 Speaker 2: The word. 316 00:14:16,770 --> 00:14:19,970 Speaker 4: I'm good at adapting to whatever situation, whatever circumstance. So 317 00:14:20,740 --> 00:14:23,440 Speaker 4: if I'm in there, it's just like as long as 318 00:14:23,480 --> 00:14:26,050 Speaker 4: I can catch the vibe, with the beat and I'm good. 319 00:14:26,320 --> 00:14:28,120 Speaker 4: So we'll just go through, I don't know if it's 320 00:14:28,140 --> 00:14:30,860 Speaker 4: working with a producer, it will swing through some beats 321 00:14:30,920 --> 00:14:33,720 Speaker 4: or we'll start creating something. And then I just lock 322 00:14:33,800 --> 00:14:35,820 Speaker 4: in a hundred percent. Like I'll be like a part 323 00:14:35,840 --> 00:14:39,460 Speaker 4: of the whole process. Um, we'll get the melodies down. 324 00:14:39,480 --> 00:14:44,480 Speaker 4: I've been, I've been, I really do anything, but yeah, 325 00:14:44,500 --> 00:14:46,160 Speaker 4: we'll either get the melodies down and we'll just jump 326 00:14:46,180 --> 00:14:50,700 Speaker 4: straight in and start like freestyling, getting something off, like 327 00:14:51,120 --> 00:14:54,330 Speaker 4: getting vibes out. Um, And then before you know it, 328 00:14:54,330 --> 00:14:57,210 Speaker 4: there's like a whole track, like an hour, two hours. 329 00:14:58,110 --> 00:15:00,210 Speaker 3: So is it like a club setting? Like y'all got 330 00:15:00,270 --> 00:15:01,610 Speaker 3: girls in there dancing like. 331 00:15:01,650 --> 00:15:06,400 Speaker 4: Yeah, do your dance. No. No. When girls come to 332 00:15:06,440 --> 00:15:09,520 Speaker 4: the studio, it's mad funny. They just sit there. They 333 00:15:09,540 --> 00:15:15,400 Speaker 4: just sit there smiling like, this is good. All right. 334 00:15:15,500 --> 00:15:17,010 Speaker 4: Or they do the opposite and just try and be too, 335 00:15:17,030 --> 00:15:18,030 Speaker 4: and they're like, oh, you shouldn't. 336 00:15:18,850 --> 00:15:23,020 Speaker 1: Trying to tell you what to do. Trying to instruct you. Like, girl, 337 00:15:23,040 --> 00:15:24,660 Speaker 1: you ain't got a song out, relax. 338 00:15:26,040 --> 00:15:27,430 Speaker 4: Or the funniest one is when they have their own 339 00:15:27,470 --> 00:15:30,030 Speaker 4: music and then you never knew that. And then they 340 00:15:30,050 --> 00:15:34,750 Speaker 4: just slide it through. You're like, oh, oh, that's, okay. 341 00:15:34,790 --> 00:15:35,910 Speaker 4: That's what you do. 342 00:15:35,930 --> 00:15:37,470 Speaker 2: Shit, but when you get into management. 343 00:15:37,530 --> 00:15:38,230 Speaker 1: I'm trying to get. 344 00:15:38,110 --> 00:15:41,610 Speaker 4: You on that song. Yeah, no, 100%, 100%. But yeah, 345 00:15:42,250 --> 00:15:44,270 Speaker 4: I'm going to have some beautiful artists. I already have 346 00:15:44,310 --> 00:15:44,750 Speaker 4: a few, man. 347 00:15:44,770 --> 00:15:47,830 Speaker 2: So which is the bigger hustle? The modeling business or 348 00:15:47,950 --> 00:15:48,670 Speaker 2: music business? 349 00:15:52,450 --> 00:15:56,230 Speaker 4: Bigger hustle as harder to do or like, what. 350 00:15:56,030 --> 00:15:57,880 Speaker 2: Am I more interested in? Which one do you have 351 00:15:57,890 --> 00:15:59,820 Speaker 2: to work the hardest at, basically? 352 00:16:02,420 --> 00:16:05,800 Speaker 4: See, with music, it feels like easy work. You know, 353 00:16:05,840 --> 00:16:11,740 Speaker 4: making songs that comes out naturally. You know, doing interviews 354 00:16:11,800 --> 00:16:14,680 Speaker 4: and speaking to people and all that stuff. I kind 355 00:16:14,780 --> 00:16:17,550 Speaker 4: of enjoy it. So I think modeling because it's quite, 356 00:16:17,570 --> 00:16:19,590 Speaker 4: it leaves me in a space of like, there's too 357 00:16:19,630 --> 00:16:23,200 Speaker 4: much time on my hands to just, I think more 358 00:16:23,220 --> 00:16:25,120 Speaker 4: time I'm not shooting, I'm like, why am I shooting? 359 00:16:25,140 --> 00:16:28,859 Speaker 4: Why am I here? I'm really bad. What am I 360 00:16:28,920 --> 00:16:31,880 Speaker 4: doing here? But the outcome is always nice. The pictures 361 00:16:31,900 --> 00:16:34,980 Speaker 4: look nice and stuff and whatever. But more time I'm 362 00:16:35,000 --> 00:16:38,860 Speaker 4: just like, I'm really standing here for eight hours. enough 363 00:16:38,880 --> 00:16:40,680 Speaker 4: to be here. 364 00:16:41,620 --> 00:16:45,780 Speaker 1: Do you see yourself bridging music? I saw your album. 365 00:16:46,000 --> 00:16:51,989 Speaker 1: It sounded like a line dropping for fall. SS21. 366 00:16:52,070 --> 00:16:52,450 Speaker 4: For sure. 367 00:16:52,970 --> 00:16:57,150 Speaker 1: Do you actually see potentially creating fashion with your music 368 00:16:57,210 --> 00:16:57,730 Speaker 1: dropping at. 369 00:16:57,690 --> 00:16:58,950 Speaker 4: The same time? 370 00:16:58,950 --> 00:16:58,990 Speaker 1: 100%. 371 00:16:58,990 --> 00:17:01,030 Speaker 4: Can you imagine? I don't want to give too much. 372 00:17:01,050 --> 00:17:04,260 Speaker 4: Just imagine a collection coming out of every collection. That's crazy. 373 00:17:04,380 --> 00:17:07,620 Speaker 1: That would be super dope. It would be like Kanye West. 374 00:17:07,619 --> 00:17:08,780 Speaker 4: 100%. 375 00:17:08,780 --> 00:17:09,919 Speaker 1: I'm excited for that. 376 00:17:10,660 --> 00:17:11,200 Speaker 4: New gen. 377 00:17:12,480 --> 00:17:14,679 Speaker 3: I see you're a Taurus. You got a birthday coming soon? 378 00:17:15,280 --> 00:17:17,859 Speaker 4: Yeah. What you doing? 16 days. 379 00:17:18,280 --> 00:17:19,140 Speaker 1: What you doing? 380 00:17:19,619 --> 00:17:21,379 Speaker 4: I don't know because I'm supposed to be in Atlanta 381 00:17:21,400 --> 00:17:23,639 Speaker 4: at the time, but I don't really feel like spending 382 00:17:23,700 --> 00:17:24,739 Speaker 4: my birthday in the strip club. 383 00:17:24,760 --> 00:17:29,020 Speaker 2: What's 16 days from now? May what? 384 00:17:29,020 --> 00:17:30,340 Speaker 4: 20. 385 00:17:30,340 --> 00:17:31,260 Speaker 2: May 20? 386 00:17:31,260 --> 00:17:33,580 Speaker 1: Yeah, don't be in the strip club. That's so 2021. 387 00:17:33,580 --> 00:17:37,620 Speaker 4: Not for your birthday. I might just fly somewhere tropical. 388 00:17:37,700 --> 00:17:38,240 Speaker 4: I don't know. 389 00:17:38,430 --> 00:17:38,690 Speaker 1: Yeah. 390 00:17:39,250 --> 00:17:40,950 Speaker 4: I'm thinking about going to Jamaica or something. 391 00:17:42,410 --> 00:17:43,870 Speaker 1: Yeah, Jamaica. That sounds nice. 392 00:17:43,970 --> 00:17:46,550 Speaker 3: AJ, you're about to go to Jamaica this weekend. 393 00:17:46,570 --> 00:17:47,090 Speaker 2: Yeah, Sunday. 394 00:17:47,150 --> 00:17:48,330 Speaker 1: That's what you should do. 395 00:17:48,390 --> 00:17:53,410 Speaker 2: I'm taking a nice young lady with you. 396 00:17:53,430 --> 00:17:54,210 Speaker 4: You already know. 397 00:17:55,890 --> 00:17:57,060 Speaker 1: Pull up the same old vagina. 398 00:17:57,080 --> 00:17:57,200 Speaker 4: Oh, wow. 399 00:18:04,109 --> 00:18:07,270 Speaker 1: Oh, goodness. All right, so what are you listening to 400 00:18:07,330 --> 00:18:09,389 Speaker 1: right now outside of your own music? Like, who are 401 00:18:09,410 --> 00:18:10,350 Speaker 1: you spinning right now? 402 00:18:11,750 --> 00:18:12,130 Speaker 4: Future. 403 00:18:13,270 --> 00:18:13,629 Speaker 1: Future? 404 00:18:13,650 --> 00:18:15,430 Speaker 4: Oh, God. 405 00:18:16,369 --> 00:18:17,530 Speaker 1: Red flag. 406 00:18:17,550 --> 00:18:21,969 Speaker 2: That's a red flag all day long. Look, go to 407 00:18:22,010 --> 00:18:26,170 Speaker 2: Jamaica by your damn self. Do not harass nobody's daughter, okay? Okay. 408 00:18:26,190 --> 00:18:28,189 Speaker 4: I never liked you anyway. 409 00:18:28,609 --> 00:18:29,470 Speaker 1: I never liked you. 410 00:18:34,010 --> 00:18:36,210 Speaker 4: We just friends. That's the one. 411 00:18:36,410 --> 00:18:37,710 Speaker 2: We just friends. 412 00:18:37,730 --> 00:18:39,710 Speaker 4: What do you mean, what are we? What do you mean, 413 00:18:39,730 --> 00:18:40,909 Speaker 4: what are we? 414 00:18:41,210 --> 00:18:42,070 Speaker 2: We are farmers. 415 00:18:43,230 --> 00:18:47,410 Speaker 4: Enjoy the holiday and keep it moving, man. 416 00:18:48,350 --> 00:18:52,810 Speaker 1: Right. So, all right. Outside of future, you know, listening 417 00:18:52,830 --> 00:18:55,670 Speaker 1: to that right now, like, who are your musical inspirations 418 00:18:55,710 --> 00:18:56,450 Speaker 1: growing up, like. 419 00:18:56,530 --> 00:18:57,670 Speaker 3: Or now? 420 00:18:58,730 --> 00:18:59,830 Speaker 4: The Weeknd, St. John, Tory Lanez. 421 00:19:04,580 --> 00:19:08,500 Speaker 2: I get Travis Scott, no? You remind me of the 422 00:19:08,540 --> 00:19:09,220 Speaker 2: Travis Scott. 423 00:19:09,240 --> 00:19:13,889 Speaker 4: Do you know, I get everything. I get Travis Scott, 424 00:19:14,050 --> 00:19:16,610 Speaker 4: I get Young Thug. What was the other one? 425 00:19:16,869 --> 00:19:17,590 Speaker 1: Pop Smoke. 426 00:19:17,650 --> 00:19:20,530 Speaker 4: Yeah, oh yeah, Pop Smoke all the time. 427 00:19:20,990 --> 00:19:22,800 Speaker 1: How does that make you feel to be compared to 428 00:19:22,840 --> 00:19:23,340 Speaker 1: these people? 429 00:19:23,359 --> 00:19:25,699 Speaker 4: I mean, I try to look at the positive in 430 00:19:25,780 --> 00:19:29,100 Speaker 4: everything and to be compared to goats, I am at it. 431 00:19:29,140 --> 00:19:31,140 Speaker 1: Right, right. That's a fact. 432 00:19:32,440 --> 00:19:34,790 Speaker 4: There'll be Junior Choi comparisons on the way. 433 00:19:35,710 --> 00:19:37,790 Speaker 2: So what's next for Junior Choi? 434 00:19:40,510 --> 00:19:44,130 Speaker 4: So it's single time and there's so much music. There's 435 00:19:44,170 --> 00:19:47,010 Speaker 4: so much music coming. And it's summertime, so I'm coming 436 00:19:47,030 --> 00:19:49,550 Speaker 4: to set a vibe for summer. For sure. 437 00:19:50,400 --> 00:19:53,580 Speaker 1: That's exciting. You can't give us a little. 438 00:19:53,200 --> 00:19:58,369 Speaker 4: Snippet or nothing. Any new album this year? This year, 439 00:19:58,390 --> 00:20:00,149 Speaker 4: we're going to have a new tape. We're going to 440 00:20:00,170 --> 00:20:03,709 Speaker 4: have a new tape. Another summer tape, for sure. Sniff it. 441 00:20:04,530 --> 00:20:05,389 Speaker 4: I might even kill me. 442 00:20:07,270 --> 00:20:08,530 Speaker 1: We had to ask. 443 00:20:08,590 --> 00:20:10,350 Speaker 2: I think I'm a whole A & R. I got 444 00:20:10,369 --> 00:20:13,590 Speaker 2: to air for music now. So when you were making 445 00:20:13,630 --> 00:20:16,430 Speaker 2: To The Moon, did you know this was it? Without 446 00:20:16,470 --> 00:20:19,320 Speaker 2: anybody else telling you, did you know it was a hit? 447 00:20:19,859 --> 00:20:21,939 Speaker 2: Because certain songs you listen to, and even I can 448 00:20:22,040 --> 00:20:24,159 Speaker 2: imagine making music, you'd be like, yeah, this is the one. 449 00:20:24,180 --> 00:20:27,740 Speaker 4: I knew it was a good song. I knew it 450 00:20:27,980 --> 00:20:30,240 Speaker 4: was going to pass the vibe check, if that makes sense. 451 00:20:30,500 --> 00:20:32,100 Speaker 4: I knew it was that. I can put this in there. 452 00:20:33,020 --> 00:20:35,439 Speaker 4: it would be good for like, you know, people that 453 00:20:35,460 --> 00:20:36,459 Speaker 4: like drool or whatever. 454 00:20:37,040 --> 00:20:41,280 Speaker 1: When did you discover like, oh shit, everybody is feeling this. 455 00:20:41,300 --> 00:20:43,620 Speaker 1: Was you like outside somewhere and you walked past some 456 00:20:43,740 --> 00:20:48,120 Speaker 1: white man walking up to you? Like, what happened? 457 00:20:48,140 --> 00:20:51,330 Speaker 4: There's been, there's been a few moments. There's been, the 458 00:20:51,390 --> 00:20:53,210 Speaker 4: first one was when I, when I put it on TikTok. 459 00:20:53,609 --> 00:20:55,969 Speaker 4: Because I put it up on TikTok and it was 460 00:20:55,990 --> 00:20:58,070 Speaker 4: literally like this. I was laying in bed and then 461 00:20:58,109 --> 00:21:00,830 Speaker 4: I took a nap for like an hour and then 462 00:21:00,850 --> 00:21:04,070 Speaker 4: I woke up and it was like, Mad comments, mad views, 463 00:21:04,550 --> 00:21:07,889 Speaker 4: mad likes. I was like, oh, my friend's buzzing, blowing up. 464 00:21:08,320 --> 00:21:10,379 Speaker 4: That was the first kind of like, okay, cool. This is, 465 00:21:11,160 --> 00:21:14,200 Speaker 4: something's happening here. And then when we got to Miami, 466 00:21:14,580 --> 00:21:17,560 Speaker 4: I think it was Miami. I think it was Miami. 467 00:21:17,660 --> 00:21:19,820 Speaker 4: And then there was like, there was like three things 468 00:21:19,880 --> 00:21:23,960 Speaker 4: at once that just happened. Someone drove past, blasting it 469 00:21:24,140 --> 00:21:26,710 Speaker 4: in the car. Some girl was making a TikTok to it, 470 00:21:26,710 --> 00:21:28,790 Speaker 4: like on the beach. And then something else happened all 471 00:21:28,830 --> 00:21:31,270 Speaker 4: in one. I was like, cool, this is out of 472 00:21:31,310 --> 00:21:31,770 Speaker 4: my control. 473 00:21:32,200 --> 00:21:35,030 Speaker 2: Because you was talking to the moon you see what 474 00:21:35,050 --> 00:21:37,030 Speaker 2: I'm talking about like is this some shit that was 475 00:21:37,140 --> 00:21:41,230 Speaker 2: outside of you right yeah. 476 00:21:39,850 --> 00:21:43,590 Speaker 4: 100% 100% I see where you're going. 477 00:21:43,430 --> 00:21:49,110 Speaker 1: With this yeah so let me ask you this alright 478 00:21:49,210 --> 00:21:52,830 Speaker 1: that sample is Bruno Mars did you communicate with him 479 00:21:52,910 --> 00:21:55,010 Speaker 1: about the song like how did that conversation go or 480 00:21:55,050 --> 00:21:56,950 Speaker 1: did it not happen like it was just kind of 481 00:21:56,970 --> 00:21:58,189 Speaker 1: like we just took it. 482 00:21:58,830 --> 00:22:04,949 Speaker 4: And ran with it yeah well we didn't All right, firstly, 483 00:22:05,030 --> 00:22:07,840 Speaker 4: no disrespect, but I actually didn't know there was a sample. 484 00:22:08,040 --> 00:22:10,280 Speaker 4: I quite live under a rock. So when I heard 485 00:22:10,359 --> 00:22:13,800 Speaker 4: the beat, it was just like, it was just as 486 00:22:13,820 --> 00:22:14,260 Speaker 4: the beat is. 487 00:22:14,260 --> 00:22:15,300 Speaker 2: Because people just send you beats, right? 488 00:22:15,320 --> 00:22:17,700 Speaker 4: I was just like, oh, this is cool. Right, so 489 00:22:17,760 --> 00:22:19,300 Speaker 4: I was just going through them, and then I was 490 00:22:19,320 --> 00:22:22,110 Speaker 4: just like, oh, this is fire, bam. And I love 491 00:22:22,119 --> 00:22:23,990 Speaker 4: Bruno Mars. I used to listen to him just the 492 00:22:24,010 --> 00:22:25,030 Speaker 4: way you are all the time. He used to sing 493 00:22:25,050 --> 00:22:28,690 Speaker 4: like my little brother. But I never really tapped in 494 00:22:29,050 --> 00:22:31,440 Speaker 4: to be like, oh, yeah, that's that song. And it 495 00:22:31,480 --> 00:22:35,419 Speaker 4: was a sample of a cover of a guy called Sam. 496 00:22:37,030 --> 00:22:38,550 Speaker 4: So there was like, so it was a sample of 497 00:22:38,590 --> 00:22:41,170 Speaker 4: a sample of a sample or something like that. 498 00:22:41,850 --> 00:22:43,570 Speaker 1: Like most people today. 499 00:22:44,050 --> 00:22:44,950 Speaker 2: Exactly. 500 00:22:44,970 --> 00:22:45,170 Speaker 4: Right. 501 00:22:45,250 --> 00:22:47,630 Speaker 2: Hey, look, you see, Bruno can't even talk shit. They asked, 502 00:22:47,690 --> 00:22:53,450 Speaker 2: I got sued a couple of times. For sampling, sampling, sampling. 503 00:22:53,490 --> 00:22:57,689 Speaker 4: Bruno himself was loving it. He's happy with what we 504 00:22:57,710 --> 00:22:59,710 Speaker 4: did with it. I heard that from his team. And 505 00:22:59,730 --> 00:23:02,040 Speaker 4: I actually met one of the writers, too, that was like, yeah, 506 00:23:02,080 --> 00:23:02,540 Speaker 4: we did that. 507 00:23:04,200 --> 00:23:05,179 Speaker 2: It's definitely funny. 508 00:23:06,480 --> 00:23:09,180 Speaker 1: We have a segment on our show. It's called Dumb 509 00:23:09,200 --> 00:23:13,630 Speaker 1: Bitch Story, right? Or Simp Series. And that's where we 510 00:23:13,670 --> 00:23:17,190 Speaker 1: have our guests talk about a time they got played. 511 00:23:17,130 --> 00:23:19,570 Speaker 3: By a woman or a man, obviously by a woman 512 00:23:19,609 --> 00:23:20,429 Speaker 3: for you. 513 00:23:20,750 --> 00:23:23,210 Speaker 1: She did some shit. You were like, wow, to me? 514 00:23:23,430 --> 00:23:24,669 Speaker 3: Junior Choi, bitch? 515 00:23:24,690 --> 00:23:27,179 Speaker 4: You know what I mean? What happened to me? 516 00:23:28,790 --> 00:23:31,710 Speaker 1: Can you share a story with us about a time 517 00:23:32,170 --> 00:23:33,930 Speaker 1: you was like, wow, seriously? 518 00:23:33,950 --> 00:23:36,530 Speaker 4: I don't think I have any. 519 00:23:36,609 --> 00:23:39,690 Speaker 2: Listen, you got some because people like the older men, 520 00:23:39,710 --> 00:23:42,409 Speaker 2: they always go back around your age and tell us 521 00:23:42,470 --> 00:23:44,510 Speaker 2: a story about some shit that happened to them in college. 522 00:23:44,550 --> 00:23:47,390 Speaker 2: Like you're in college or just got out of college. 523 00:23:47,410 --> 00:23:48,750 Speaker 2: So I know you got some stories. 524 00:23:49,430 --> 00:23:51,930 Speaker 1: That age, yeah. You're in that age group. Or even 525 00:23:51,970 --> 00:23:54,950 Speaker 1: like some niggas be like, oh, in high school, this 526 00:23:54,990 --> 00:23:57,290 Speaker 1: girl did this. So you don't have a. 527 00:23:59,119 --> 00:24:02,639 Speaker 4: I never let myself get gut. No? I've never let 528 00:24:02,680 --> 00:24:03,230 Speaker 4: myself get gut. 529 00:24:03,240 --> 00:24:05,439 Speaker 2: So you've been this fly your whole life. That's what 530 00:24:05,480 --> 00:24:06,100 Speaker 2: you're trying to tell us. 531 00:24:06,100 --> 00:24:07,720 Speaker 1: You've been this fly your whole life. 532 00:24:07,740 --> 00:24:10,240 Speaker 4: I have never let myself get gut. Ever. 533 00:24:10,800 --> 00:24:12,060 Speaker 1: Well, just keep living, baby. 534 00:24:12,619 --> 00:24:13,820 Speaker 4: You'll have a good. 535 00:24:13,420 --> 00:24:15,080 Speaker 1: Chance in a minute. 536 00:24:15,140 --> 00:24:16,280 Speaker 4: I'm even trying to think. 537 00:24:16,340 --> 00:24:18,220 Speaker 2: You might have to stick somebody on him. 538 00:24:18,290 --> 00:24:21,229 Speaker 4: Is there a time where I've been like, are you 539 00:24:21,270 --> 00:24:24,590 Speaker 4: going to stick? The moment I sense it, I'm like, no, 540 00:24:24,609 --> 00:24:26,310 Speaker 4: I'm out. I'm out. I'm good. 541 00:24:27,740 --> 00:24:28,619 Speaker 2: That's a good way to be. 542 00:24:30,260 --> 00:24:30,540 Speaker 1: Yeah. 543 00:24:31,000 --> 00:24:33,360 Speaker 4: They're everywhere. Don't get me wrong. They're everywhere. 544 00:24:33,380 --> 00:24:37,500 Speaker 1: But I'm just like, nah. How do you handle that 545 00:24:37,540 --> 00:24:40,240 Speaker 1: with the fame and having women? I'm sure you have 546 00:24:40,290 --> 00:24:44,130 Speaker 1: young women just throwing themselves at you and trying to 547 00:24:44,230 --> 00:24:48,070 Speaker 1: just be clout chase and be in the vibe. 548 00:24:48,230 --> 00:24:50,210 Speaker 3: How do you handle that? 549 00:24:51,570 --> 00:24:54,050 Speaker 4: I'm quite dismissive of it. I've always kind of had 550 00:24:54,070 --> 00:24:56,649 Speaker 4: my type. I mean, my type don't like me anymore. 551 00:24:57,140 --> 00:24:59,460 Speaker 2: Hold on, what's the type? Yes, I need to know. 552 00:24:59,480 --> 00:24:59,980 Speaker 2: What's the type? 553 00:25:00,000 --> 00:25:02,460 Speaker 4: You know, just like a good woman. A good woman. 554 00:25:02,940 --> 00:25:07,830 Speaker 4: You know, their vibes. They know how to have vibes, 555 00:25:07,900 --> 00:25:12,070 Speaker 4: but they're not outside. They don't like me anymore. They 556 00:25:12,090 --> 00:25:13,810 Speaker 4: don't want to be creepy, so they don't like me anymore. 557 00:25:14,630 --> 00:25:16,570 Speaker 3: Oh, so what you like doesn't like you. How does 558 00:25:16,650 --> 00:25:17,630 Speaker 3: that make you feel? 559 00:25:17,650 --> 00:25:19,689 Speaker 4: Well, I don't know. It just happened. 560 00:25:19,730 --> 00:25:21,850 Speaker 2: Now you're stuck with thoughts. 561 00:25:21,930 --> 00:25:25,550 Speaker 4: I'm upset. I know, and I don't want that. And 562 00:25:25,590 --> 00:25:28,530 Speaker 4: I don't want them. So I'm just like, I either 563 00:25:28,550 --> 00:25:30,730 Speaker 4: have to wipe someone off right now or that's it. 564 00:25:30,810 --> 00:25:33,830 Speaker 4: I don't know. I'm upset. I've been talking about it 565 00:25:33,850 --> 00:25:38,730 Speaker 4: every day. I'm like, God. Lost all my joints. Don't 566 00:25:38,770 --> 00:25:40,070 Speaker 4: want me no more. 567 00:25:40,090 --> 00:25:43,169 Speaker 2: Look, at the end of the original video, I noticed 568 00:25:43,230 --> 00:25:49,050 Speaker 2: that you had different, it looked like different versions of you, maybe. 569 00:25:49,650 --> 00:25:50,950 Speaker 2: Do you remember? You know what I'm talking about? 570 00:25:50,970 --> 00:25:51,090 Speaker 4: Mm-hmm. 571 00:25:51,609 --> 00:25:54,090 Speaker 2: You had your glasses on, you had your nose ring 572 00:25:54,130 --> 00:25:57,410 Speaker 2: in another image, and then it was another one. Is that, 573 00:25:57,550 --> 00:26:00,129 Speaker 2: because I know you have, you said that summertime is 574 00:26:00,190 --> 00:26:02,879 Speaker 2: more for the women, right? And the club hits. And 575 00:26:02,940 --> 00:26:08,900 Speaker 2: winter is for your drill music, I guess, right? So 576 00:26:08,980 --> 00:26:11,680 Speaker 2: is this when all these different... You heard this shit? 577 00:26:11,700 --> 00:26:13,379 Speaker 2: That's for the demons. That's for the demons. 578 00:26:13,560 --> 00:26:14,820 Speaker 1: Y'all hear that? 579 00:26:15,359 --> 00:26:16,080 Speaker 4: It's for the demons. 580 00:26:16,100 --> 00:26:17,160 Speaker 2: It's demon time in the winter. 581 00:26:17,280 --> 00:26:18,100 Speaker 4: It's time to play. 582 00:26:18,340 --> 00:26:21,439 Speaker 2: Niggas should be inside. It's cold outside. I'm confused. It 583 00:26:21,460 --> 00:26:23,199 Speaker 2: seems like summertime would be for that. 584 00:26:25,040 --> 00:26:28,540 Speaker 4: Summer's just... Summer's pretty, man. Summer's like... Summer's got a 585 00:26:28,560 --> 00:26:29,850 Speaker 4: nice essence to it. You want to be chilling in 586 00:26:29,869 --> 00:26:32,650 Speaker 4: the park with some girls. It's like wintertime. You're like, 587 00:26:33,230 --> 00:26:36,790 Speaker 4: where the joint? He's brave enough to come outside. 588 00:26:39,380 --> 00:26:43,600 Speaker 1: Especially a UK winner because in London, it's not a 589 00:26:43,640 --> 00:26:46,260 Speaker 1: freezing your nose outside during the winter out there, bruh. 590 00:26:46,340 --> 00:26:46,980 Speaker 1: It's different. 591 00:26:47,000 --> 00:26:49,940 Speaker 4: Yeah, see. If a hoe is outside in that, you 592 00:26:50,080 --> 00:26:51,260 Speaker 4: know she's steaming time. 593 00:26:53,500 --> 00:26:54,580 Speaker 2: With no coat on. 594 00:26:54,600 --> 00:26:58,840 Speaker 4: No. I'm waiting outside in the QTG at a club, 595 00:26:58,880 --> 00:26:59,320 Speaker 4: you know. 596 00:26:59,340 --> 00:27:06,780 Speaker 1: That's something. So, all right. My last question. All right. 597 00:27:07,640 --> 00:27:10,560 Speaker 3: You've been in the U.S. for some time now, back 598 00:27:10,600 --> 00:27:15,330 Speaker 3: and forth. Do you prefer U.S. cuisine to U.K. 599 00:27:15,350 --> 00:27:19,649 Speaker 1: Cuisine? Because them fucking baked beans for breakfast in the U.K. 600 00:27:19,950 --> 00:27:22,310 Speaker 1: is just not my fucking thing. I used to hate 601 00:27:22,350 --> 00:27:23,209 Speaker 1: that shit. 602 00:27:23,250 --> 00:27:23,990 Speaker 4: Baked beans? 603 00:27:24,390 --> 00:27:27,260 Speaker 1: Baked beans and fucking ham calling it bacon. That is 604 00:27:27,359 --> 00:27:29,820 Speaker 1: not bacon. That's ham. That's not bacon. 605 00:27:29,880 --> 00:27:30,320 Speaker 2: What? 606 00:27:30,580 --> 00:27:31,419 Speaker 1: Or what else do you like? 607 00:27:32,340 --> 00:27:33,300 Speaker 3: They used to have a little thing. 608 00:27:33,320 --> 00:27:33,780 Speaker 4: British cuisine. 609 00:27:34,359 --> 00:27:37,409 Speaker 1: Yeah. It's like, You put like a little egg in 610 00:27:37,430 --> 00:27:40,990 Speaker 1: a cup and crack it open and like sticking bread 611 00:27:41,050 --> 00:27:43,250 Speaker 1: in that shit. I'm like, what the fuck is this? 612 00:27:43,350 --> 00:27:44,210 Speaker 2: I don't know. 613 00:27:44,310 --> 00:27:54,310 Speaker 4: It's funny. As a culture, definitely American cuisine. I mean, 614 00:27:54,350 --> 00:27:57,100 Speaker 4: I don't think British cuisine is a thing. And they 615 00:27:57,130 --> 00:27:58,419 Speaker 4: have like fish and chips. 616 00:27:59,020 --> 00:28:01,000 Speaker 3: That's the only thing that I feel like was good. 617 00:28:01,680 --> 00:28:07,369 Speaker 4: Yeah. No, I mean, food quality-wise, I prefer England. It's 618 00:28:07,390 --> 00:28:09,649 Speaker 4: kind of like New York. You have so many different 619 00:28:09,890 --> 00:28:11,690 Speaker 4: cultures in the city that you can just go and 620 00:28:11,730 --> 00:28:14,719 Speaker 4: eat at. So it's like, the food's depending on where 621 00:28:14,760 --> 00:28:17,260 Speaker 4: you go, but the quality, I thought it was better 622 00:28:17,800 --> 00:28:18,140 Speaker 4: for sure. 623 00:28:18,600 --> 00:28:21,900 Speaker 1: Yeah, for sure, for sure. All right, we took up 624 00:28:22,060 --> 00:28:24,199 Speaker 1: quite a bit of your time. Can you tell our 625 00:28:24,240 --> 00:28:25,940 Speaker 1: listeners where they can find you? 626 00:28:25,960 --> 00:28:28,740 Speaker 2: They know where we can find him at. He's everywhere 627 00:28:28,780 --> 00:28:30,420 Speaker 2: right now. He's super hot out here. 628 00:28:31,090 --> 00:28:33,170 Speaker 1: Yeah, but I mean like his Instagram, his. 629 00:28:33,369 --> 00:28:35,410 Speaker 4: You can find me in the club, Byrus Phillips. 630 00:28:35,430 --> 00:28:39,780 Speaker 2: Yeah. I better not catch your ass hanging out with Future. 631 00:28:39,840 --> 00:28:41,740 Speaker 2: I'm telling you. If I catch you hanging out with Future, 632 00:28:41,780 --> 00:28:42,820 Speaker 2: I'm pulling my belt out. 633 00:28:42,840 --> 00:28:46,500 Speaker 1: That was a closed call the other day. 634 00:28:46,600 --> 00:28:49,580 Speaker 4: After Met Gala. That was a closed call. 635 00:28:50,220 --> 00:28:53,110 Speaker 2: Oh, how was that? You attended the Met Gala? 636 00:28:54,220 --> 00:28:54,530 Speaker 3: Really? 637 00:28:55,030 --> 00:28:56,810 Speaker 4: No, I didn't attend the Met Gala, but I performed 638 00:28:56,850 --> 00:28:59,770 Speaker 4: at the after party with St. John. Wow. 639 00:29:00,390 --> 00:29:02,030 Speaker 1: Oh, well, you had the one where Cardi B was like. 640 00:29:03,170 --> 00:29:03,780 Speaker 4: Nah, not that one. 641 00:29:03,790 --> 00:29:04,930 Speaker 2: What was that? Wait, what was that? 642 00:29:04,970 --> 00:29:06,010 Speaker 4: That's when I didn't go to you. 643 00:29:06,880 --> 00:29:15,100 Speaker 1: Turkey was like, have your little drink, have your little.... 644 00:29:12,260 --> 00:29:13,920 Speaker 2: Oh, that's what happened at the after party. 645 00:29:13,980 --> 00:29:15,420 Speaker 1: That was wild. 646 00:29:15,720 --> 00:29:16,000 Speaker 4: Yeah. 647 00:29:17,140 --> 00:29:19,590 Speaker 1: But listen, yeah, don't get caught up with that Hollywood shit, 648 00:29:19,610 --> 00:29:22,030 Speaker 1: with that cocaine and stuff. It ain't safe out here. 649 00:29:22,050 --> 00:29:22,810 Speaker 1: It ain't safe out here. 650 00:29:22,830 --> 00:29:24,730 Speaker 4: I got my Azul and I'm set. Don't worry. 651 00:29:25,370 --> 00:29:26,030 Speaker 2: Yeah, okay. 652 00:29:26,710 --> 00:29:28,810 Speaker 1: And water. Keep drinking your water. I'm going to keep 653 00:29:28,830 --> 00:29:31,250 Speaker 1: drinking this right here, though. 654 00:29:31,290 --> 00:29:31,650 Speaker 4: What's that? 655 00:29:34,150 --> 00:29:37,120 Speaker 1: This is Crown, actually. That's all I had in here. 656 00:29:37,160 --> 00:29:38,910 Speaker 1: I like to have a little sippy sip while I'm 657 00:29:38,930 --> 00:29:41,120 Speaker 1: doing my interview so I can... I can say crazy 658 00:29:41,160 --> 00:29:46,000 Speaker 1: shit to y'all. 659 00:29:46,540 --> 00:29:48,760 Speaker 2: Look, but we really appreciate you for pulling up on 660 00:29:48,780 --> 00:29:49,820 Speaker 2: We Talk Back, man. 661 00:29:51,280 --> 00:29:51,800 Speaker 4: My pleasure. 662 00:29:52,020 --> 00:29:54,680 Speaker 3: Listen, you have to come back when your album drops. 663 00:29:55,040 --> 00:29:56,240 Speaker 1: Come back and see us. 664 00:29:56,880 --> 00:29:59,510 Speaker 4: Yeah, after the summer vibes come out so we can assess. 665 00:30:00,300 --> 00:30:02,790 Speaker 1: Yeah, and then you'll have a sim series for us 666 00:30:02,870 --> 00:30:04,690 Speaker 1: by that time. You're going to have a story by 667 00:30:04,710 --> 00:30:05,290 Speaker 1: that time. 668 00:30:05,970 --> 00:30:10,890 Speaker 4: I am on my game. Absolutely not. I'm on my game. Okay. 669 00:30:10,930 --> 00:30:12,350 Speaker 4: You're going to see. 670 00:30:12,430 --> 00:30:15,890 Speaker 1: You're going to see because these girls out here in 671 00:30:15,910 --> 00:30:16,260 Speaker 1: the U.S. 672 00:30:16,320 --> 00:30:18,660 Speaker 2: He probably should tell us how he's played somebody because 673 00:30:18,680 --> 00:30:20,480 Speaker 2: that's what it sounds like to me. 674 00:30:20,500 --> 00:30:22,600 Speaker 1: Yeah, that's probably the better story. 675 00:30:23,280 --> 00:30:23,920 Speaker 4: What does that mean? 676 00:30:26,180 --> 00:30:27,790 Speaker 1: I'm innocent. 677 00:30:27,810 --> 00:30:29,510 Speaker 4: I'm innocent. I've been playing all day. 678 00:30:31,930 --> 00:30:33,690 Speaker 1: So you do play all day or you don't play? 679 00:30:34,510 --> 00:30:37,410 Speaker 4: I'm playing all day. I'm playing all day. 680 00:30:37,530 --> 00:30:38,030 Speaker 1: With women? 681 00:30:40,110 --> 00:30:50,340 Speaker 4: I'm playing all day. Everything's funny. Facts. I'm just assessing. 682 00:30:50,700 --> 00:30:51,620 Speaker 4: I'm assessing changes. 683 00:30:52,400 --> 00:30:53,160 Speaker 1: No, that's good. 684 00:30:53,240 --> 00:30:55,140 Speaker 3: You're in the space where you're supposed to be at 24, honestly. 685 00:30:55,160 --> 00:30:55,230 Speaker 4: Yep. 686 00:30:56,590 --> 00:30:58,130 Speaker 1: Just don't break no hearts out here. 687 00:30:58,270 --> 00:30:58,770 Speaker 3: Too bad. 688 00:30:58,910 --> 00:31:03,280 Speaker 2: Keep them regrets to a minimum. That's all you can do. Thanks. 689 00:31:03,430 --> 00:31:06,380 Speaker 4: Yeah. 100%. I'm gentle. I'm a good time. 690 00:31:07,980 --> 00:31:08,740 Speaker 3: You know what? 691 00:31:08,760 --> 00:31:11,480 Speaker 1: What I found about British men or men living in 692 00:31:11,520 --> 00:31:15,400 Speaker 1: the UK, they are smooth. They seem like they some 693 00:31:15,460 --> 00:31:18,190 Speaker 1: nice niggas, but they be just as ratchet as these 694 00:31:18,270 --> 00:31:20,690 Speaker 1: niggas in the UK and the US. 695 00:31:22,270 --> 00:31:23,990 Speaker 2: I mean, yeah, the U.S., right. 696 00:31:24,030 --> 00:31:26,430 Speaker 1: They talk, it's the accent that make you think, oh, 697 00:31:26,450 --> 00:31:28,550 Speaker 1: he's so smart. He be saying shit like, it's brilliant. 698 00:31:29,170 --> 00:31:30,690 Speaker 2: Shit. 699 00:31:31,490 --> 00:31:34,400 Speaker 4: Shit, it's brilliant. I'm crying. 700 00:31:34,500 --> 00:31:35,720 Speaker 1: Isn't it? Isn't it? 701 00:31:35,760 --> 00:31:39,820 Speaker 4: I'm crying. No, that's funny. 702 00:31:41,020 --> 00:31:42,900 Speaker 3: Well, thank you for joining us today, man. 703 00:31:42,920 --> 00:31:43,940 Speaker 4: My pleasure. 704 00:31:43,980 --> 00:31:45,490 Speaker 1: Come back and see us, okay? 100%. 705 00:31:45,490 --> 00:31:46,770 Speaker 4: We'll see you soon. Take care. 706 00:31:46,790 --> 00:31:46,890 Speaker 1: Bye.