WEBVTT - Episode 1: The Masked Man

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<v Speaker 1>Pushkin. About a year ago, I got my hands on

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<v Speaker 1>this novel, unpublished but apparently based on a true story.

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<v Speaker 1>It was written by this guy, Ned Timmins. The overarching

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<v Speaker 1>plot was pure pulp. I mean, you could imagine the

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<v Speaker 1>movie starring Steven Seagal and definitely straight to video. It

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<v Speaker 1>tells the story of a newbie FBI agent named Ned

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<v Speaker 1>from Detroit who grows a Fu Manchu mustache, goes undercover

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<v Speaker 1>in a violent outlaw biker gang, and infiltrates a secret

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<v Speaker 1>syndicate that's smuggling hundreds of thousands of pounds of pot

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<v Speaker 1>into the country, and all that leads eventually to the

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<v Speaker 1>invasion of a foreign country and the arrest of a

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<v Speaker 1>brutal dictator. Skeptical, Yeah, so, as I see, I'm a journalist,

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<v Speaker 1>and my specialty, if you can even call it that,

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<v Speaker 1>his stories that seem too crazy to be true, stories

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<v Speaker 1>that are on the verge of urban legend. Most of

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<v Speaker 1>them turn out to be bullshit, which doesn't bother me.

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<v Speaker 1>That's kind of the crux of my job, actually sorting

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<v Speaker 1>through the bullshit. So naturally I had to go meet

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<v Speaker 1>this guy one two one two, tell me, tell me

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<v Speaker 1>where we are. Your office, Like, describe where we are.

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<v Speaker 1>We're in a commerce township machine. Yeah, give me a

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<v Speaker 1>little bit more than that. How long have you had

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<v Speaker 1>your office here? Eighteen years? Ned is now in his

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<v Speaker 1>early seventies, walks with a limp. He's bald, but you

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<v Speaker 1>wouldn't know it because he likes to wear a weather

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<v Speaker 1>beaten camo hat. Nowadays he's a private eye. His office

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<v Speaker 1>is beige in a beige corporate park. Totally forgettable except

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<v Speaker 1>for the bear. It's the first thing you see when

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<v Speaker 1>you walk up a ten foot ground bear taxiger meat

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<v Speaker 1>in the classic rearing up to Eat You pose. Ned

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<v Speaker 1>tells me you got the bear on a hunting trip

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<v Speaker 1>in Alaska. But the real trophy that Ned keeps in

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<v Speaker 1>a plastic bag in his desk. Yeah, this is a

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<v Speaker 1>bag air penises and wolf teeth, and the Inuits believe

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<v Speaker 1>that that will protect you. The bear has a bone

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<v Speaker 1>in his penis, and I recovered these, like after you

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<v Speaker 1>shot the bear, you would not before I shut it.

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<v Speaker 1>Nobody's going to take a bear dick when he's alive.

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<v Speaker 1>The Inuits would make a necklace out of this to

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<v Speaker 1>protect him. I just keep it in a bag because

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<v Speaker 1>I'm gonna wear a bear penis necklace around the office.

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<v Speaker 1>Do do you believe in it? It means you believe

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<v Speaker 1>in the like it's power of keeping you safe. Yeah,

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<v Speaker 1>I do. I believe in it. I've been all over

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<v Speaker 1>the Arctic and lived two weeks at forty below zero

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<v Speaker 1>and all over Russia and you know where there's nothing

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<v Speaker 1>and keep a bare penis with me. I think there's

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<v Speaker 1>something out there that maybe it's only in your mind.

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<v Speaker 1>If it's in your mind and it works, I don't know.

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<v Speaker 1>I'm still here and have had many many close calls,

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<v Speaker 1>so here I am right. So at first read Ned's

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<v Speaker 1>unpublished novel seemed like a classic airport pot boiler, typical

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<v Speaker 1>cloak and dagger X cop kind of stuff, like when

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<v Speaker 1>the hero heads it on a case. It reads. A

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<v Speaker 1>quick shower and a breakfast of Alka seltzer and aspirin

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<v Speaker 1>had Ned feeling three quarters human again. That voice is

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<v Speaker 1>the actor Walton Goggins. We asked him to read from

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<v Speaker 1>Ned's novel. And in this novel there's some great characters

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<v Speaker 1>like the drug addicted pig and this pig he guards

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<v Speaker 1>a drug lab while munching on onions soaked in meth.

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<v Speaker 1>The novel tells us the dark and well bristled pig

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<v Speaker 1>was eyeing them with the disturbing, calculating look that pigs give.

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<v Speaker 1>Many of the details in the novel, like the pig,

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<v Speaker 1>were so quirky and distinctive they felt like they had

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<v Speaker 1>to be true. Other scenes seemed contrived, pure Hollywood. I

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<v Speaker 1>kind of felt like I'd gotten myself a guide book

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<v Speaker 1>that was about half accurate. There was a true story

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<v Speaker 1>in here, a real piece of history. If I could

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<v Speaker 1>just you know, extract it, Yeah, easier said than done.

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<v Speaker 1>I started making a to do list, like I was

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<v Speaker 1>going to the grocery store or something. Only mine went

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<v Speaker 1>something like this. One. Reach out to your contact at

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<v Speaker 1>the FBI, make sure ned's not a kuk. Two call

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<v Speaker 1>the CIA here like they'll tell you anything. Three visit

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<v Speaker 1>the guy who smuggled three hundred thousand pounds of pot

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<v Speaker 1>into the US in a single shipment, supposedly now lives

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<v Speaker 1>in Hawaii. Four track down that long lost mistress who's

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<v Speaker 1>living somewhere in South America. Shit. All of a sudden,

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<v Speaker 1>the story felt like one of those five thousand piece

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<v Speaker 1>puzzles that my kids like to open up on vacation

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<v Speaker 1>and just spill across the floor, and then you see

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<v Speaker 1>a corner piece and a matching edge piece, and damn

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<v Speaker 1>if they don't fit, and then well there goes your vacation.

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<v Speaker 1>I'm Jake Halbern and this is Deep Cover, Episode one,

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<v Speaker 1>The Masked Man. All that I really remembered about the

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<v Speaker 1>drug wars of the nineteen eighties was there was this

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<v Speaker 1>huge problem that the government was trying to fix with slogans.

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<v Speaker 1>You might remember, just say no. That was the battle

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<v Speaker 1>cry of President Reagan and his wife Nancy, distributed all

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<v Speaker 1>the way down to our teachers in high school. I

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<v Speaker 1>remember these lectures and thinking even then that they were

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<v Speaker 1>an idiotic remedy to the drug war. I even wrote

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<v Speaker 1>an op ed in my student newspaper just saying no.

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<v Speaker 1>Know to just say no, corny, I know, I was fourteen.

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<v Speaker 1>A little slogan was not going to kill the demand

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<v Speaker 1>for an entire drug market, and it sure as hell

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<v Speaker 1>wasn't going to stem the flow of marijuana that was

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<v Speaker 1>pouring into the country. And he kind of had to

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<v Speaker 1>wonder where was all that marijuana coming from anyway, and

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<v Speaker 1>how is it getting in? Historians are still debating this question.

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<v Speaker 1>You can find reams of conspiracy theories, like it was

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<v Speaker 1>the CIA behind all the drug smuggling. That's still a

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<v Speaker 1>hot one. In fact, the CIA will eventually figure into

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<v Speaker 1>this story, along with celebrities, politicians, heads of state. But

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<v Speaker 1>we're getting ahead of ourselves now, because this story really

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<v Speaker 1>starts in Detroit with Ned Timmins at a rowdy roadside

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<v Speaker 1>biker bar. The bar was a roadhouse out in the sticks.

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<v Speaker 1>The dirt parking lot was full, mostly with motorcycles, nearly

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<v Speaker 1>all of them Harley Davidson's Those are the opening words

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<v Speaker 1>of Ned's novel, and where we'll begin our story. It's

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<v Speaker 1>the early nineteen eighties. Ned Timmins is in his mid

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<v Speaker 1>thirties and early in his career at the FBI. He's

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<v Speaker 1>working fugitives, just basically going down at checklist and rounding

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<v Speaker 1>up wanted men. This was not a desk job. It

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<v Speaker 1>was an assignment for guys who wanted some action. As

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<v Speaker 1>Ned tells it, he got a tip about a fugitive

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<v Speaker 1>who was supposed to be at this biker bar in

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<v Speaker 1>the outskirts of Detroit. So Ned grabs his jean jacket

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<v Speaker 1>and his three fifty seven Smith and Wesson and heads out.

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<v Speaker 1>There was some mean motherfucker was in there. You know.

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<v Speaker 1>There was a hard ass, hirdcore biker bar. They're doing

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<v Speaker 1>shots and drugs. And it was a scene out of

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<v Speaker 1>a movie or a novel. In fact, here it is

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<v Speaker 1>in Ned's novel. A single sodium street light out on

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<v Speaker 1>the for edge of a parking lot, shone down on

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<v Speaker 1>a pay phone from that lonely pool of light. The

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<v Speaker 1>darkness of the parking lot reached out a good twenty

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<v Speaker 1>five yards before the glow of neon beer sign signaled

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<v Speaker 1>the borders of another America. This was the lawless America.

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<v Speaker 1>This was the rebel yell. This was easy money, fast

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<v Speaker 1>bikes and girls that were easier and faster than both. Nowadays,

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<v Speaker 1>it's hard to appreciate just how right our novelist is

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<v Speaker 1>about the lawlessness of biker botters in the eighties. Today

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<v Speaker 1>we might think of these guys as old graybeards who

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<v Speaker 1>putter around and three wheeled Harley's, but not back then.

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<v Speaker 1>These were dangerous men, drugging, partying and fighting. Here's ned

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<v Speaker 1>novelist again. The smell was the first thing that hit

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<v Speaker 1>old beer piss, bo reefer smoke and puke. The second

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<v Speaker 1>thing to hit was a cover charge two bucks and

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<v Speaker 1>a guy demanding it was the size of a freezer.

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<v Speaker 1>Bikers seemed to come in one of only two sizes,

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<v Speaker 1>big and really fucking big. Probably smells like sweat and

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<v Speaker 1>beer and Jack Daniels all mixed up together all the time.

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<v Speaker 1>That's Kathy Timmins, also an FBI agent in the Detroit

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<v Speaker 1>office and Ned's wife at the time. She remembers going

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<v Speaker 1>to one of these biker bars with Ned on another

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<v Speaker 1>night just to serve as cover, you know, his actual

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<v Speaker 1>wife pretending to be his girlfriend. And then if people

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<v Speaker 1>actually need to breathe, they go outside because the smoke

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<v Speaker 1>in the bar would be just that thick that even

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<v Speaker 1>a smoker couldn't tolerate it. You know, I mean people,

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<v Speaker 1>you know, the big fight going on over here, and

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<v Speaker 1>everybody else over here just sitting and talking. Other people

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<v Speaker 1>are shooting pool, just chaos. On this particular night, Ned

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<v Speaker 1>says he was looking for a fugitive named Toby Anderson.

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<v Speaker 1>Toby had quite a rap sheet. Apparently Toby's file was

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<v Speaker 1>about six inches deep and a lot of real violent stuff.

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<v Speaker 1>You know, someone guns down on Kentucky and you know

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<v Speaker 1>this guy was a crew of criminal. He also happened

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<v Speaker 1>to be a country western singer, and his band supposedly

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<v Speaker 1>had a gig that night. This was one of their hits,

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<v Speaker 1>snitches that Rivol must die, Vol Must Die. I've been

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<v Speaker 1>called the sucker, but I killed the pick. Motherfucker that

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<v Speaker 1>tries still something of mine. As Ned tells it, the

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<v Speaker 1>bar was crowded with outlaw bikers. Ned knew that walking

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<v Speaker 1>in here as a plainclothes agent was extremely dangerous. Everything

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<v Speaker 1>was about the brotherhood, the code, your fellow bikers, even

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<v Speaker 1>the music. So Ned had his eyes on the band,

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<v Speaker 1>looking at the singer. He knew that Toby was supposed

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<v Speaker 1>to make an appearance on stage tonight. But could it

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<v Speaker 1>be that the lead singer of this band, the guy

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<v Speaker 1>up on stage right now, was his guy. There are

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<v Speaker 1>a lot of good people sitting in jail, Mom, punk

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<v Speaker 1>to the pigs, what they've done, well, we get in

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<v Speaker 1>all of that. If it took our ball math start

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<v Speaker 1>killing the snitches for fawns, So Ned says, He saunters

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<v Speaker 1>up to the bar, takes a seat on a stool,

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<v Speaker 1>and just waits for his partner to show up. It

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<v Speaker 1>wasn't his regular partner, just a guy providing backup that

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<v Speaker 1>particular night. In the novel, Ned describes him as a

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<v Speaker 1>blue blooded preppie who arrives at this biker bar dressed

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<v Speaker 1>in penny loafers and to tie. The two of them

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<v Speaker 1>watched the stage together trying to find their fugitive, figure

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<v Speaker 1>out just who Toby was. All they had was one

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<v Speaker 1>flimsy clue, a picture that was six or seven years

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<v Speaker 1>out of date. There wasn't really any mark, scars or tattoos,

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<v Speaker 1>which is nice if the you know, the guy's got

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<v Speaker 1>a swashtick on his cheek or something that. There was

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<v Speaker 1>nothing we could look at other identifiers. We just we

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<v Speaker 1>weren't sure. Ned waited for the band to take a break,

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<v Speaker 1>and then he went to suss things out. I followed

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<v Speaker 1>him in the bathroom and um, you know, I was

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<v Speaker 1>taking a piss beside him, and I said, hey, aren't

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<v Speaker 1>you Toby Anderson. He goes, nah, yeah, okay. I was

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<v Speaker 1>down in the keys with Toby and I swear you're Toby.

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<v Speaker 1>You just canna know, man, you get the wrong guy.

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<v Speaker 1>And UH said, don't you remember Sow and Sow his

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<v Speaker 1>boat on Big Pine Key. H We partied down there

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<v Speaker 1>and he was yeah, Oh yeah, I'm Toby. You know

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<v Speaker 1>what the fucks that to? You said? We just you know,

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<v Speaker 1>had a good time the night. Will I reach out

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<v Speaker 1>to shake hands with him, and I and I get

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<v Speaker 1>his hand and I'm shaking hands with him, and I

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<v Speaker 1>just lean up to his ear and said, Toby, FBI

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<v Speaker 1>and nine. He goes, fuck you and he starts to swank. Okay,

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<v Speaker 1>let's freeze frame right there in midpunch, because this is

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<v Speaker 1>not exactly textbook or rest protocol. I mean, there were

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<v Speaker 1>other ways to handle this, like waiting until Toby headed

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<v Speaker 1>out to the parking lot, or even just following him home.

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<v Speaker 1>But this is the first thing you need to understand

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<v Speaker 1>about Ned, and it's also the first thing that Kathy

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<v Speaker 1>ever knew about him, going back to when they first

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<v Speaker 1>met as smalltown cops. If somebody was in a foot chase,

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<v Speaker 1>you know, you might you know, we got his ID,

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<v Speaker 1>we got his car, you know, we can pick him

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<v Speaker 1>up tomorrow or whatever. Ned would chase that guy down

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<v Speaker 1>until you got him. She tells the story about Ned.

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<v Speaker 1>Before they even started dating. Ned knew where her family

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<v Speaker 1>would be celebrating Saint Patrick's Day, so he just showed

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<v Speaker 1>up and blended right in as if he were some

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<v Speaker 1>long lost cousin, chatted up her dad got along famously

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<v Speaker 1>with everyone. Most people don't have that level of confidence

0:15:12.356 --> 0:15:16.236
<v Speaker 1>to be able to just walk in and just immediately

0:15:16.276 --> 0:15:20.116
<v Speaker 1>become a part of the crowd. So cornering Toby in

0:15:20.196 --> 0:15:26.276
<v Speaker 1>a bathroom aggressive a bit reckless, classic Ned okay, back

0:15:26.316 --> 0:15:32.476
<v Speaker 1>to the biker bar, and I just lean up to

0:15:32.516 --> 0:15:36.356
<v Speaker 1>his ear and said Toby, FBI and he goes, fock

0:15:36.476 --> 0:15:40.596
<v Speaker 1>you and he starts to swing, and right then Ned's

0:15:40.596 --> 0:15:44.516
<v Speaker 1>partner comes into the bathroom. We kind of overwhelmed them,

0:15:44.636 --> 0:15:48.916
<v Speaker 1>so we get him in cuffs. We're going through the

0:15:48.916 --> 0:15:51.436
<v Speaker 1>bar and everybody's starting to realize he's in handcuffs and

0:15:51.516 --> 0:15:55.116
<v Speaker 1>he's like they're superstar and people are pushing a Shelvin

0:15:55.116 --> 0:15:58.196
<v Speaker 1>and Ned says, he and his partner Frog March Toby

0:15:58.276 --> 0:16:01.356
<v Speaker 1>threw a bar of drunk bikers and out the front door.

0:16:01.636 --> 0:16:03.356
<v Speaker 1>I had Toby on the hood of the Bronco and

0:16:03.396 --> 0:16:07.396
<v Speaker 1>he's still wrestling around, but he's handcuffed behind himself, behind

0:16:07.436 --> 0:16:17.356
<v Speaker 1>his back. So we had told I actually can't be

0:16:17.436 --> 0:16:20.036
<v Speaker 1>sure if this story at the bar is one hundred

0:16:20.036 --> 0:16:23.436
<v Speaker 1>percent true. I talked to Ned's partner from that day,

0:16:23.516 --> 0:16:26.516
<v Speaker 1>and he didn't remember it. I talked to another biker

0:16:26.556 --> 0:16:29.276
<v Speaker 1>who knew Toby very well, and he remembered hearing some

0:16:29.516 --> 0:16:33.036
<v Speaker 1>version of this story at the time. Unfortunately, I can't

0:16:33.036 --> 0:16:35.876
<v Speaker 1>ask Toby himself since he died back in two thousand

0:16:35.876 --> 0:16:40.036
<v Speaker 1>and four. But I did track down Toby's son, who

0:16:40.076 --> 0:16:43.116
<v Speaker 1>gave me at least a better sense of who this

0:16:43.236 --> 0:16:50.036
<v Speaker 1>guy was. I remember right on the motorcycles with him,

0:16:50.036 --> 0:16:51.756
<v Speaker 1>with me on the back. He was just kind of

0:16:51.756 --> 0:16:54.916
<v Speaker 1>reckless and dangerous. I was screaming, holding on for dear life, right,

0:16:54.956 --> 0:16:58.116
<v Speaker 1>and he just thought it was funny. Today, Jesse Anderson

0:16:58.196 --> 0:17:01.236
<v Speaker 1>is an executive in the auto industry. Back when he

0:17:01.316 --> 0:17:03.476
<v Speaker 1>was a kid, he got out real close view of

0:17:03.516 --> 0:17:06.996
<v Speaker 1>all the madness and chaos that his father was in. Yeah.

0:17:07.036 --> 0:17:10.276
<v Speaker 1>I was afraid of my dad. Everybody's fraid. Yeah, so

0:17:10.436 --> 0:17:14.236
<v Speaker 1>yeah he was. He was reckless, which is what everyone said.

0:17:14.716 --> 0:17:17.396
<v Speaker 1>The friend of Toby's told me that Toby would cut

0:17:17.396 --> 0:17:20.756
<v Speaker 1>you or even shoot you without hesitation, and this gave

0:17:20.796 --> 0:17:23.876
<v Speaker 1>Toby's street cred in the criminal world. He was the

0:17:23.996 --> 0:17:29.116
<v Speaker 1>real deal, which appealed to Ned. When we come back,

0:17:29.516 --> 0:17:35.276
<v Speaker 1>Ned interrogates Toby the prisoner. Look at Toby here fucked. Okay,

0:17:35.436 --> 0:17:38.836
<v Speaker 1>you've been, You've done time in seven fucking federal pens.

0:17:39.836 --> 0:17:42.436
<v Speaker 1>This time you're going back for life for a long time.

0:17:43.876 --> 0:18:02.196
<v Speaker 1>So what do you want to do? Snitcher the rebolse

0:18:02.436 --> 0:18:13.156
<v Speaker 1>must die. Snitchbols must die. It's squeal all friends, so

0:18:13.556 --> 0:18:19.316
<v Speaker 1>they golf just should die. This is Toby Anderson singing

0:18:19.356 --> 0:18:22.836
<v Speaker 1>one of his hit songs with the legendary chorus Snitches

0:18:22.876 --> 0:18:27.476
<v Speaker 1>and rip Offs must die ned. Timman still remembers going

0:18:27.476 --> 0:18:31.596
<v Speaker 1>to question Toby. He brought him breakfast pancakes and he

0:18:31.716 --> 0:18:34.356
<v Speaker 1>ate him with his hands. He had syrup all over

0:18:34.396 --> 0:18:37.076
<v Speaker 1>his face and all over his fingers and probably hadn't

0:18:37.076 --> 0:18:39.716
<v Speaker 1>eaten in a day or so. You can see he

0:18:40.036 --> 0:18:42.756
<v Speaker 1>was just I mean, he's just like totally burned out

0:18:42.796 --> 0:18:44.676
<v Speaker 1>and weak. Now I didn't have all those buddies that

0:18:44.676 --> 0:18:48.596
<v Speaker 1>we're going to help him. Let's look at Toby. You're fucked. Okay,

0:18:48.756 --> 0:18:52.156
<v Speaker 1>you've been, You've done time in seven fucking federal pens.

0:18:53.196 --> 0:18:55.756
<v Speaker 1>This time you're going back for life for a long time,

0:18:57.196 --> 0:18:59.716
<v Speaker 1>So what do you want to do. We spent several

0:18:59.756 --> 0:19:02.316
<v Speaker 1>hours with him, you know, and finally says, well, there's

0:19:02.316 --> 0:19:05.156
<v Speaker 1>probably a couple of things I can do. So they

0:19:05.156 --> 0:19:08.636
<v Speaker 1>started working together. Toby knew better than anyone the dangers

0:19:08.636 --> 0:19:11.796
<v Speaker 1>of working for Ned, of becoming an informant for the FBI.

0:19:12.516 --> 0:19:14.996
<v Speaker 1>They had to be careful. Ned says. They spread a

0:19:15.076 --> 0:19:18.796
<v Speaker 1>rumor that the charges against Toby were dropped because no

0:19:18.836 --> 0:19:22.116
<v Speaker 1>one wanted to testify against him. This story would keep

0:19:22.156 --> 0:19:24.916
<v Speaker 1>any of his biker buddies from thinking that he'd flipped.

0:19:26.196 --> 0:19:29.636
<v Speaker 1>Even while cooperating, Toby tried to maintain his own kind

0:19:29.636 --> 0:19:32.476
<v Speaker 1>of biker ethics. He would not write out friends or

0:19:32.476 --> 0:19:36.276
<v Speaker 1>members of his own gang, but he willingly betrayed his enemies.

0:19:36.716 --> 0:19:39.556
<v Speaker 1>So he and Ned would find a target, for example,

0:19:39.796 --> 0:19:43.236
<v Speaker 1>a drug house we'd set up undercover surveillance, sent him

0:19:43.236 --> 0:19:47.476
<v Speaker 1>in there, and you know, we had vans and different

0:19:47.516 --> 0:19:51.516
<v Speaker 1>stuff with high tech cameras and stuff that we're on. Periscopes,

0:19:52.356 --> 0:19:54.316
<v Speaker 1>just little pariscope comes out of the top of the van.

0:19:54.836 --> 0:19:57.676
<v Speaker 1>Oh the good old days when the drug dealers didn't

0:19:57.676 --> 0:20:01.916
<v Speaker 1>know what every TV writer knew. Unmarked vans with periscopes

0:20:02.276 --> 0:20:05.276
<v Speaker 1>meant trouble. So then we'd develop a raide plan and

0:20:05.316 --> 0:20:12.316
<v Speaker 1>get a search warton, kicking the doors all the way

0:20:12.396 --> 0:20:15.596
<v Speaker 1>up to the nineteen seventies, the Bureau wasn't really focused

0:20:15.596 --> 0:20:18.356
<v Speaker 1>on drug suppliers. That had been the job of the

0:20:18.476 --> 0:20:22.756
<v Speaker 1>Drug Enforcement Agency, the d EA. Now, the DA did

0:20:22.796 --> 0:20:26.476
<v Speaker 1>have some big investigations, but they were mostly one off busts.

0:20:26.996 --> 0:20:29.556
<v Speaker 1>You know, they'd seize the drugs, lay them out on

0:20:29.556 --> 0:20:34.956
<v Speaker 1>the table, big photo op, busted, end of story. But

0:20:35.076 --> 0:20:38.076
<v Speaker 1>by the early eighties this approach wasn't cutting it anymore.

0:20:38.516 --> 0:20:42.076
<v Speaker 1>President Reagan's Attorney General empowered the FBI to get involved

0:20:42.076 --> 0:20:44.876
<v Speaker 1>in the drug wars. After all, the Bureau were the

0:20:44.916 --> 0:20:48.236
<v Speaker 1>ones taking down the mob. Something big had to be

0:20:48.236 --> 0:20:50.996
<v Speaker 1>behind all of this. The feeling was this couldn't be

0:20:50.996 --> 0:20:53.716
<v Speaker 1>just a bunch of local, mom and pop drug dealers.

0:20:54.116 --> 0:20:57.556
<v Speaker 1>Here's what the Attorney General, William French Smith said at

0:20:57.556 --> 0:21:01.076
<v Speaker 1>the time. Quote The popular notion that the syndicate or

0:21:01.116 --> 0:21:05.236
<v Speaker 1>traditional organized crime stays out of drugs is simply not true.

0:21:05.716 --> 0:21:09.396
<v Speaker 1>Many of the syndicates families have developed elaborate drug network works.

0:21:09.876 --> 0:21:13.156
<v Speaker 1>Virtually every one of them is involved in drugs in

0:21:13.156 --> 0:21:16.076
<v Speaker 1>one way or another. End quote. But that's not all.

0:21:16.436 --> 0:21:20.596
<v Speaker 1>Smith also told Americans precisely who was distributing all the

0:21:20.676 --> 0:21:25.076
<v Speaker 1>drugs for the syndicates. Quote. Over the past decade, some

0:21:25.436 --> 0:21:29.636
<v Speaker 1>eight hundred outlaw motorcycle gangs have developed around the country

0:21:29.716 --> 0:21:33.956
<v Speaker 1>and in foreign countries, and drugs represent their primary source

0:21:33.996 --> 0:21:39.076
<v Speaker 1>of revenue. The strategies of the Attorney General and Ned

0:21:39.076 --> 0:21:43.996
<v Speaker 1>Timmins had what you might call synergy. As Ned saw it,

0:21:44.356 --> 0:21:48.316
<v Speaker 1>Toby was his way in and up the ladder. So

0:21:48.476 --> 0:21:51.796
<v Speaker 1>the FBI came up with a plan Ned would go

0:21:51.876 --> 0:22:01.676
<v Speaker 1>undercover and become a biker. Ned's wife, Kathy, remembers how

0:22:01.756 --> 0:22:05.716
<v Speaker 1>quickly things changed. I didn't like that. He of course

0:22:05.756 --> 0:22:08.316
<v Speaker 1>started growing his hair out and he had a Fu

0:22:08.396 --> 0:22:11.836
<v Speaker 1>Manchu stash, and when we would go out, we'd always

0:22:11.956 --> 0:22:14.076
<v Speaker 1>people look at us and we'd get seated like way

0:22:14.076 --> 0:22:16.676
<v Speaker 1>at the back of a restaurant, you know, like like

0:22:16.796 --> 0:22:22.756
<v Speaker 1>we were creepy. The mustache was just the beginning. Ned

0:22:22.876 --> 0:22:25.516
<v Speaker 1>knew he needed to up his skills as a biker, so,

0:22:25.876 --> 0:22:29.156
<v Speaker 1>like any good FBI agent, he went to school the

0:22:29.356 --> 0:22:33.316
<v Speaker 1>Ontario Provincial Police Motorcycle School. Ned says he learned to

0:22:33.396 --> 0:22:36.516
<v Speaker 1>ride his bike upstairs and lay the bike down at

0:22:36.596 --> 0:22:39.836
<v Speaker 1>high speeds. I rode a bike a lot for the FBI,

0:22:41.156 --> 0:22:45.236
<v Speaker 1>and you're very vulnerable and after you've been to school,

0:22:45.276 --> 0:22:51.316
<v Speaker 1>you realize just how dangerous a motorcycle is. After graduation,

0:22:51.756 --> 0:22:55.276
<v Speaker 1>Ned went back to Detroit. He created a new persona

0:22:55.396 --> 0:23:04.276
<v Speaker 1>and carefully chose a new name, Ed Thomas, because you

0:23:04.316 --> 0:23:07.756
<v Speaker 1>wanted something that was close to Ned. A couple of

0:23:07.796 --> 0:23:10.636
<v Speaker 1>times I was undercovered an airport and old colleagues, buddies,

0:23:10.876 --> 0:23:14.676
<v Speaker 1>Tarryann and Tolman, they're going, hey, Ned, and it's an

0:23:14.676 --> 0:23:18.916
<v Speaker 1>awkward situation if you're with a bunch of bikers, Ed Thomas.

0:23:18.916 --> 0:23:21.596
<v Speaker 1>It was close enough that you can stumble through it.

0:23:22.556 --> 0:23:27.356
<v Speaker 1>Ed Thomas a badass biker with money and connections. If

0:23:27.356 --> 0:23:30.756
<v Speaker 1>you wanted the chemicals to make meth, Ed Thomas is

0:23:30.796 --> 0:23:35.356
<v Speaker 1>your guy, and the ruse worked. Ed helped the FBI

0:23:35.476 --> 0:23:38.876
<v Speaker 1>take down other outlaw bikers on at least one occasion.

0:23:39.156 --> 0:23:41.596
<v Speaker 1>Ned told me that they cuffed him as well at

0:23:41.596 --> 0:23:44.236
<v Speaker 1>the arrest, made sure it look like he really was

0:23:44.316 --> 0:23:48.156
<v Speaker 1>a criminal. The FBI wanted to protect his cover because

0:23:48.236 --> 0:23:51.996
<v Speaker 1>Ned he was really good at this. You know who

0:23:52.076 --> 0:23:56.876
<v Speaker 1>was not so good at this whole undercover thing. Toby,

0:24:00.276 --> 0:24:03.836
<v Speaker 1>Ned's wingman. Toby was still living the biker life, and

0:24:03.956 --> 0:24:09.276
<v Speaker 1>increasingly there were problems. Like the time that Toby was

0:24:09.316 --> 0:24:12.596
<v Speaker 1>out at a bar and watching another band play. The

0:24:12.716 --> 0:24:16.116
<v Speaker 1>lead singer was playing this fancy and very pricy less

0:24:16.196 --> 0:24:21.076
<v Speaker 1>Ball electric guitar, and Toby liked it a lot. What

0:24:21.196 --> 0:24:23.996
<v Speaker 1>happened next is kind of a legend. I heard it

0:24:24.036 --> 0:24:26.556
<v Speaker 1>from a few different people, including another biker who was

0:24:26.636 --> 0:24:29.716
<v Speaker 1>there that night at the bar, So out of nowhere,

0:24:29.876 --> 0:24:34.076
<v Speaker 1>Toby screamed FBI at the top of his lungs, whipped

0:24:34.076 --> 0:24:38.236
<v Speaker 1>out his gun and started shooting. He snatched the guitar

0:24:38.476 --> 0:24:41.876
<v Speaker 1>and bolts out of the bar like he deputized himself

0:24:41.876 --> 0:24:44.436
<v Speaker 1>as an FBI agent or something, and then totally went

0:24:44.516 --> 0:24:47.956
<v Speaker 1>rogue and for a while he got away with it.

0:24:48.476 --> 0:24:51.996
<v Speaker 1>Toby now has this sweet Les Paul electric guitar, and

0:24:52.156 --> 0:24:54.956
<v Speaker 1>right away he started touring his local haunts with it.

0:24:55.316 --> 0:24:59.316
<v Speaker 1>Not a worry in the world because that's Toby, and

0:24:59.476 --> 0:25:02.316
<v Speaker 1>because it's Toby, that's not the end of the story.

0:25:02.836 --> 0:25:06.436
<v Speaker 1>A few weeks later, Toby's performing up on stage and

0:25:06.996 --> 0:25:10.356
<v Speaker 1>he gets shot. We don't know who did it for sure,

0:25:10.476 --> 0:25:12.996
<v Speaker 1>but everyone I spoke to said it had to be

0:25:13.076 --> 0:25:15.436
<v Speaker 1>the guy he robbed and stole the guitar from a

0:25:15.436 --> 0:25:19.316
<v Speaker 1>few weeks earlier. So Toby he's shot and bleeding out

0:25:19.356 --> 0:25:24.716
<v Speaker 1>on stage across town. HiT's bedtime at dad's house when

0:25:24.956 --> 0:25:30.876
<v Speaker 1>the phone rings and I get a call again, like

0:25:30.916 --> 0:25:33.356
<v Speaker 1>ten o'clock at night, So you'd better get down to

0:25:33.396 --> 0:25:39.956
<v Speaker 1>this bar. Toby's been shot, and so I raced down.

0:25:39.996 --> 0:25:42.036
<v Speaker 1>It's like a forty five minute drive. He's still laying

0:25:42.076 --> 0:25:44.916
<v Speaker 1>on the floor in the bar shot. I get there

0:25:44.916 --> 0:25:46.836
<v Speaker 1>and say, look at you gotta go to the fucking hospital.

0:25:47.356 --> 0:25:53.396
<v Speaker 1>It's okay, I'm going of if you'd go with me. Well,

0:25:53.436 --> 0:25:55.476
<v Speaker 1>I got a call from somebody in my family to

0:25:55.716 --> 0:25:57.876
<v Speaker 1>say that my dad has been shot, and that was

0:25:58.236 --> 0:26:03.116
<v Speaker 1>that it was pretty severe. That's Jesse Anderson again, Toby's son,

0:26:03.756 --> 0:26:06.596
<v Speaker 1>and that day, the day his dad got shot, it's

0:26:06.636 --> 0:26:12.476
<v Speaker 1>always stayed with him. On the way to the hospital,

0:26:12.636 --> 0:26:16.476
<v Speaker 1>they got stopped by a train and he almost bled

0:26:16.516 --> 0:26:18.916
<v Speaker 1>out in the ambulance because the train was so long.

0:26:18.956 --> 0:26:22.076
<v Speaker 1>And at this time I now think, I think I'm

0:26:22.076 --> 0:26:26.796
<v Speaker 1>about twelve years old. But again, for me to hear

0:26:26.876 --> 0:26:30.196
<v Speaker 1>that my dad was shot, it's like going to the store.

0:26:30.356 --> 0:26:34.916
<v Speaker 1>I mean, it's the stuff happened all the time. Something

0:26:34.996 --> 0:26:40.676
<v Speaker 1>like this happened all the time. Toby recovered from being

0:26:40.716 --> 0:26:44.316
<v Speaker 1>shot and just kind of carried on. As crazy as

0:26:44.356 --> 0:26:48.076
<v Speaker 1>that sounds, this was normal life for the Anderson household.

0:26:48.716 --> 0:26:51.356
<v Speaker 1>In fact, hearing Jesse talked about his dad like this,

0:26:51.756 --> 0:26:54.476
<v Speaker 1>it helped me understand what life was like in Toby's world.

0:26:55.036 --> 0:26:58.316
<v Speaker 1>Mayhem just seemed to follow this guy everywhere. Everything was

0:26:58.396 --> 0:27:01.276
<v Speaker 1>topsy turvy. Even jumping in the car to pick up

0:27:01.276 --> 0:27:05.556
<v Speaker 1>a pizza became an event. All I remember is pulling

0:27:05.636 --> 0:27:09.116
<v Speaker 1>up to a stoplight and up in front of us

0:27:09.236 --> 0:27:13.916
<v Speaker 1>is a guy mugging another guy, and my dad's like, well,

0:27:13.956 --> 0:27:16.396
<v Speaker 1>I'm not going to stand for this, puts the car

0:27:16.396 --> 0:27:19.436
<v Speaker 1>in park, sets his beer up on top of the roof,

0:27:20.316 --> 0:27:23.876
<v Speaker 1>gets out, beats the living crap out of the guy

0:27:23.916 --> 0:27:27.196
<v Speaker 1>who was mugging the other one, stole all the money

0:27:27.196 --> 0:27:31.196
<v Speaker 1>that he had, split it with the other guy, got

0:27:31.236 --> 0:27:34.836
<v Speaker 1>back in the car with me, grabbed his beer, and

0:27:34.996 --> 0:27:37.956
<v Speaker 1>just drived on. And you know, Son, looks like we've

0:27:37.956 --> 0:27:39.796
<v Speaker 1>got some dinner money or something like that, and just

0:27:40.276 --> 0:27:44.316
<v Speaker 1>no big deal. Didn't say another word. That's my dad,

0:27:45.556 --> 0:27:50.596
<v Speaker 1>a little vigilante justice. That was a good night. But

0:27:51.196 --> 0:27:54.316
<v Speaker 1>it could get darker with Toby, a whole lot darker.

0:27:55.396 --> 0:27:59.596
<v Speaker 1>Let me come back, ned wades deeper did Toby's world.

0:28:18.916 --> 0:28:24.476
<v Speaker 1>He had that dark look you know what I'm talking about, Yeah,

0:28:24.516 --> 0:28:26.876
<v Speaker 1>that crazy look in your eyes that you think this

0:28:27.076 --> 0:28:31.916
<v Speaker 1>guy is a psychotic person. I better not push his button.

0:28:33.516 --> 0:28:36.596
<v Speaker 1>Ned's wife, Kathy met Toby on a number of occasions.

0:28:37.196 --> 0:28:40.596
<v Speaker 1>I remember telling Ned that he resembled to me Charles Manson,

0:28:41.076 --> 0:28:43.876
<v Speaker 1>and Kathy knew the telltale signs of a dangerous guy

0:28:44.396 --> 0:28:47.836
<v Speaker 1>at the FBI. She works street gangs in Flint, Michigan.

0:28:48.516 --> 0:28:52.476
<v Speaker 1>Toby didn't aspire to anything other than the moment, when

0:28:52.516 --> 0:28:56.916
<v Speaker 1>people only aspire to you know, how am I going

0:28:56.956 --> 0:28:59.556
<v Speaker 1>to get out of here in the next fifteen minutes?

0:29:00.236 --> 0:29:02.916
<v Speaker 1>And they don't care if they don't think consequence, They

0:29:02.916 --> 0:29:05.476
<v Speaker 1>don't think of any of that. Gang kids are like that.

0:29:06.076 --> 0:29:09.756
<v Speaker 1>They just do in the moment what they have to do,

0:29:10.716 --> 0:29:15.156
<v Speaker 1>and if it means killing you, they'll think about that later.

0:29:17.396 --> 0:29:20.196
<v Speaker 1>So why did Ned just walk away from him, let

0:29:20.276 --> 0:29:24.436
<v Speaker 1>him go back to prison, move on? Because Toby was, yeah,

0:29:24.436 --> 0:29:27.956
<v Speaker 1>definitely dangerous, but also kind of like a dead end.

0:29:28.356 --> 0:29:30.836
<v Speaker 1>I mean, he wasn't some kind of kingpin or even

0:29:30.876 --> 0:29:34.676
<v Speaker 1>a trusted lieutenant. He was just a violent and unpredictable guy.

0:29:35.596 --> 0:29:39.596
<v Speaker 1>But Ned, he just had a hunch he felt that

0:29:39.636 --> 0:29:44.156
<v Speaker 1>by slipping deeper and deeper into Toby's world, somewhere along

0:29:44.156 --> 0:29:47.676
<v Speaker 1>the way there'd be a payoff. And because he was

0:29:47.716 --> 0:29:51.396
<v Speaker 1>spending so much time with bikers, Ned kept hearing chatter

0:29:51.916 --> 0:29:57.436
<v Speaker 1>well ahead sources up in northern Michigan bikers, and they

0:29:57.436 --> 0:30:01.076
<v Speaker 1>would talk about, Okay, there's a shipman in or whatever.

0:30:01.316 --> 0:30:04.396
<v Speaker 1>The bikers would get their supply of weed when these

0:30:04.396 --> 0:30:06.876
<v Speaker 1>big shipments would come in, you know, which is fifty

0:30:06.876 --> 0:30:09.476
<v Speaker 1>thousand pounds, one hundred thousand pounds or whatever into the

0:30:09.516 --> 0:30:14.316
<v Speaker 1>Detroit warehouse. If such a warehouse really existed. It was

0:30:14.356 --> 0:30:18.276
<v Speaker 1>the El Dorado of drug houses and confirmed what the

0:30:18.276 --> 0:30:22.916
<v Speaker 1>Attorney General had said that elaborate drug networks lay behind

0:30:22.956 --> 0:30:26.116
<v Speaker 1>all the small drug busts that have been happening. So

0:30:26.636 --> 0:30:29.636
<v Speaker 1>Ned goes and tells his bosses, there's this huge deal

0:30:29.716 --> 0:30:34.236
<v Speaker 1>out there and involved shrimp boats and barges and airplanes.

0:30:34.396 --> 0:30:36.756
<v Speaker 1>And so I told my bosses about it, you know,

0:30:36.756 --> 0:30:38.996
<v Speaker 1>and they kind of said, yeah, you know, you know, right,

0:30:39.156 --> 0:30:42.516
<v Speaker 1>Tim is when he's smoking. Around the same time, Ned

0:30:42.516 --> 0:30:45.836
<v Speaker 1>says he arrested another biker and tried to flip him,

0:30:45.956 --> 0:30:48.716
<v Speaker 1>just like he'd done with Toby, only it didn't work.

0:30:49.076 --> 0:30:52.596
<v Speaker 1>In fact, during the arrest, the guy just taunted Ned.

0:30:53.636 --> 0:30:56.916
<v Speaker 1>He says, well, he says, you're missing the boat on

0:30:56.916 --> 0:30:59.476
<v Speaker 1>one of the biggest fucking deals going out there. You

0:30:59.476 --> 0:31:01.556
<v Speaker 1>don't even know what's under your own nose. But he

0:31:02.316 --> 0:31:06.916
<v Speaker 1>alluded to this massive deal where there's hundreds of thousands

0:31:06.956 --> 0:31:09.396
<v Speaker 1>of pounds of weed and coke coming in and then

0:31:09.476 --> 0:31:12.316
<v Speaker 1>basically said fuck you. And that was any wasn't going

0:31:12.356 --> 0:31:16.876
<v Speaker 1>to cooperating for Ned. This intel was just too enticing.

0:31:17.316 --> 0:31:20.636
<v Speaker 1>His bosses might have been skeptical, but Ned stuck with it,

0:31:21.116 --> 0:31:24.236
<v Speaker 1>kept hanging with Toby. It's just I knew he was

0:31:24.276 --> 0:31:28.236
<v Speaker 1>out with them all the time. I just until I

0:31:28.236 --> 0:31:31.556
<v Speaker 1>would hear from him. I would many many times just

0:31:31.636 --> 0:31:35.556
<v Speaker 1>sit there and think, oh my god, something's happened, and

0:31:35.596 --> 0:31:37.716
<v Speaker 1>then he'd call, and then I'd be relieved, and then

0:31:37.756 --> 0:31:42.396
<v Speaker 1>I'd be mad because because of all distress and the worry,

0:31:42.836 --> 0:31:46.436
<v Speaker 1>and it wasn't just Ned's safety that concerned her. Will

0:31:46.476 --> 0:31:48.396
<v Speaker 1>you hang around Matt Long with a bunch of bad

0:31:48.396 --> 0:31:52.196
<v Speaker 1>guys and fitting in with them, your behavior is going

0:31:52.236 --> 0:31:59.756
<v Speaker 1>to change, and your your own personal bars, you know

0:32:00.636 --> 0:32:05.116
<v Speaker 1>where you draw the line changes. This would be the first,

0:32:05.356 --> 0:32:07.956
<v Speaker 1>but not the last time that Cathy was right to

0:32:07.996 --> 0:32:11.196
<v Speaker 1>worry about her husband and where he was drawing the line,

0:32:11.916 --> 0:32:17.876
<v Speaker 1>especially when it came to Toby. You know, I was

0:32:17.916 --> 0:32:21.076
<v Speaker 1>supposed to meet him or whatever. And I went down

0:32:21.116 --> 0:32:23.756
<v Speaker 1>to the house on my motorcycle and pulled up in

0:32:23.756 --> 0:32:27.356
<v Speaker 1>the yard and put down the kickstand and walked in

0:32:27.476 --> 0:32:29.676
<v Speaker 1>and there's dead guy laying there in a pool of blood.

0:32:30.436 --> 0:32:34.116
<v Speaker 1>And I go, Toby, what the fuck? And he goes, Bros.

0:32:34.316 --> 0:32:37.516
<v Speaker 1>Masked man came through the door, shot this guy. I

0:32:37.556 --> 0:32:41.076
<v Speaker 1>guess he didn't like him and ran. That's all I know.

0:32:43.556 --> 0:32:48.236
<v Speaker 1>A masked man. Come on. Really, this was Toby's story.

0:32:48.956 --> 0:32:52.396
<v Speaker 1>A strange guy wearing a mask breaks into his apartment,

0:32:52.596 --> 0:32:55.516
<v Speaker 1>shoots this guy who's currently lying on the floor, and

0:32:55.636 --> 0:33:00.036
<v Speaker 1>then runs away, leaving Toby to take the rap. I mean,

0:33:00.276 --> 0:33:03.156
<v Speaker 1>this has got to be the homicidal equivalent of the

0:33:03.316 --> 0:33:07.516
<v Speaker 1>dog ate my homework. I later asked Toby's son about it,

0:33:07.876 --> 0:33:10.156
<v Speaker 1>whether his dad was the kind of person who was

0:33:10.596 --> 0:33:14.636
<v Speaker 1>capable of committing murder. It pains me to say it,

0:33:15.316 --> 0:33:19.036
<v Speaker 1>but I don't. I don't blink when I when I say,

0:33:19.196 --> 0:33:21.036
<v Speaker 1>you know, could he have done it? Did he do it?

0:33:21.076 --> 0:33:23.836
<v Speaker 1>Has he done it? I'm sure the answers ysked all

0:33:23.876 --> 0:33:26.956
<v Speaker 1>of them, and I don't I don't think twice about it.

0:33:28.156 --> 0:33:30.756
<v Speaker 1>Ned didn't tell Kathy about this whole episode with the

0:33:30.796 --> 0:33:34.556
<v Speaker 1>masked man and the dead body. Oddly enough, he seemed

0:33:34.556 --> 0:33:40.276
<v Speaker 1>to take the whole episode in stride. So in a way,

0:33:40.316 --> 0:33:41.996
<v Speaker 1>if you're one hundred percent certain it was Toby to

0:33:42.076 --> 0:33:44.196
<v Speaker 1>kill him, it was just a technicality that you weren't

0:33:44.236 --> 0:33:47.356
<v Speaker 1>there to witness it. I'm not a witness. I'm not

0:33:47.396 --> 0:33:53.076
<v Speaker 1>in charge of collecting evidence. FBI doesn't investigate homicides. It

0:33:53.116 --> 0:33:57.196
<v Speaker 1>wasn't my job to investigate a homicide. Just don't kill

0:33:57.236 --> 0:34:00.436
<v Speaker 1>somebody in front of me. That's it. Yeah, pretty much.

0:34:02.156 --> 0:34:05.396
<v Speaker 1>Ned says that he did call the police, and so

0:34:05.476 --> 0:34:08.196
<v Speaker 1>when De Tray police came and told him the same story,

0:34:08.236 --> 0:34:10.396
<v Speaker 1>and they didn't really give a shit. You know, it's

0:34:10.396 --> 0:34:14.916
<v Speaker 1>just some shit head biker. Ned now had his line

0:34:15.036 --> 0:34:18.916
<v Speaker 1>in the sand. The trick was keeping Toby on this

0:34:18.956 --> 0:34:23.316
<v Speaker 1>side of it, which you don't make progress. And unless

0:34:23.316 --> 0:34:29.516
<v Speaker 1>you're dealing with sociopathic, homicidal crazy people, that's who are

0:34:29.556 --> 0:34:36.596
<v Speaker 1>in the inner circle of drugs, violence and whatever. So

0:34:36.676 --> 0:34:39.396
<v Speaker 1>this is just part of the deal. It's part of

0:34:39.396 --> 0:34:46.876
<v Speaker 1>the deal. Yeah, so what are you saying to him

0:34:46.876 --> 0:34:52.916
<v Speaker 1>in that situation? You know, I just thought him would

0:34:52.956 --> 0:34:56.956
<v Speaker 1>be advantageous not to continue to have bodies laying around

0:34:57.036 --> 0:35:00.076
<v Speaker 1>in your house or in your yard, And I said,

0:35:00.196 --> 0:35:10.036
<v Speaker 1>tell the fucking mass man to stay away. After listening

0:35:10.036 --> 0:35:12.716
<v Speaker 1>to Ned's story, you know, in the shadow of his

0:35:12.756 --> 0:35:16.196
<v Speaker 1>ten foot stuff bare, I still just didn't know what

0:35:16.236 --> 0:35:18.996
<v Speaker 1>to make of it. When I got home, I reread

0:35:19.036 --> 0:35:23.396
<v Speaker 1>his novel. Ned and his ghostwriter were giving me everything

0:35:23.436 --> 0:35:26.476
<v Speaker 1>they thought I wanted, with all the film noir settings

0:35:26.476 --> 0:35:30.516
<v Speaker 1>and Raymond Chandler dialogue. In the novel, Toby's like that

0:35:30.516 --> 0:35:33.676
<v Speaker 1>two dimensional villain depicted on a target at a shooting range,

0:35:33.916 --> 0:35:37.436
<v Speaker 1>you know, lone bad guy with a gun drawn. But

0:35:37.916 --> 0:35:41.276
<v Speaker 1>what struck me most was what was missing from the novel.

0:35:41.716 --> 0:35:44.756
<v Speaker 1>There's no mention of Jesse the Sun, or what it's

0:35:44.756 --> 0:35:48.196
<v Speaker 1>like to grow up with Toby as your dad. And

0:35:48.396 --> 0:35:51.716
<v Speaker 1>Ned's wife and colleague, Kathy, she doesn't even make a

0:35:51.756 --> 0:35:55.556
<v Speaker 1>single appearance in the novel. I guess her Midwestern accent

0:35:55.636 --> 0:35:58.156
<v Speaker 1>and by the book thinking didn't fit into the hard

0:35:58.196 --> 0:36:02.636
<v Speaker 1>boiled narrative. It became clear to me that the truth,

0:36:03.196 --> 0:36:07.756
<v Speaker 1>if I could extract. It was way better. But this

0:36:07.836 --> 0:36:10.796
<v Speaker 1>wasn't going to be easy. Honestly, I didn't know if

0:36:10.836 --> 0:36:13.876
<v Speaker 1>I could fully trust all of Ned's memories. Part of

0:36:13.876 --> 0:36:17.116
<v Speaker 1>the problem was time. All of this happened thirty five

0:36:17.236 --> 0:36:20.956
<v Speaker 1>years ago. I mean, memories fade and then those same

0:36:20.996 --> 0:36:24.516
<v Speaker 1>memories had been taken off the shelf and reworked into fiction.

0:36:25.596 --> 0:36:28.076
<v Speaker 1>But I was all in, and so for the last

0:36:28.116 --> 0:36:30.196
<v Speaker 1>year and a half, I've been trying to put all

0:36:30.196 --> 0:36:34.316
<v Speaker 1>the pieces together. I've been to dive bars and horse farms,

0:36:34.356 --> 0:36:37.916
<v Speaker 1>to back water swamps and pirate museums. I've poured through

0:36:37.996 --> 0:36:41.516
<v Speaker 1>FBI reports in court transcripts. The story is taking me

0:36:41.516 --> 0:36:46.436
<v Speaker 1>to North Carolina, Maryland, Florida, Michigan, Hawaii, and the Cayman Islands.

0:36:47.036 --> 0:36:49.516
<v Speaker 1>I've talked to agents from the FBI, the d e A,

0:36:49.676 --> 0:36:53.916
<v Speaker 1>and u S, Customs, to US attorneys, pilots, ex girl friends,

0:36:53.996 --> 0:36:58.196
<v Speaker 1>Detroit felons, and a bunch of big time drug smugglers,

0:36:59.036 --> 0:37:01.996
<v Speaker 1>and all of this to find out whether a rookie

0:37:02.036 --> 0:37:04.996
<v Speaker 1>agent from Detroit could really make a random bust in

0:37:05.036 --> 0:37:08.156
<v Speaker 1>a biker bar one night and set off a cascade

0:37:08.156 --> 0:37:12.396
<v Speaker 1>of events. The discovery of a gigantic drug warehouse, the

0:37:12.476 --> 0:37:16.876
<v Speaker 1>collapse of a nationwide smuggling ring, a war in Central America,

0:37:17.436 --> 0:37:38.276
<v Speaker 1>and the overthrow of a brutal dictator. Next time a

0:37:38.516 --> 0:37:41.436
<v Speaker 1>deep cover, you know, you don't have to choose that path.

0:37:41.556 --> 0:37:44.076
<v Speaker 1>You don't have to choose to work a case in

0:37:44.156 --> 0:37:47.676
<v Speaker 1>that way. You don't have to choose to go deep cover,

0:37:47.796 --> 0:37:51.076
<v Speaker 1>you know. But I know for him, he felt like

0:37:51.196 --> 0:37:54.316
<v Speaker 1>it was just spinning into the next, into the next,

0:37:54.316 --> 0:37:57.276
<v Speaker 1>into the next, and he told me that he felt

0:37:57.356 --> 0:37:59.196
<v Speaker 1>like he didn't know how he was ever going to

0:37:59.276 --> 0:38:15.436
<v Speaker 1>get out of it. Deep Cover is produced by Jacob

0:38:15.476 --> 0:38:19.436
<v Speaker 1>Smith and edited by Karen Shakerge. Our story editor is

0:38:19.516 --> 0:38:23.236
<v Speaker 1>Jack Hitt. Original music and our theme was composed by

0:38:23.276 --> 0:38:27.396
<v Speaker 1>Louise Gera and Flawn Williams is our engineer. Fact checking

0:38:27.476 --> 0:38:32.596
<v Speaker 1>by Amy Gaines. Mia Lobell is Pushkin's executive producer. Ned's

0:38:32.636 --> 0:38:37.076
<v Speaker 1>novel is read by Walton Goggins. Special thanks to Julia Barton,

0:38:37.396 --> 0:38:42.796
<v Speaker 1>Heather Fain, Carl mcgliori, Leta Mullad, Maya Caning, Eric Sandler,

0:38:43.036 --> 0:38:47.836
<v Speaker 1>Maggie Taylor, Kadija Holland, Zoe Gwenn and Jacob Weissberg at

0:38:47.836 --> 0:38:52.716
<v Speaker 1>Pushkin Industries. Special thanks also to Jeff Singer at Stowaway Entertainment.

0:38:53.396 --> 0:38:54.396
<v Speaker 1>I'm Jake albern