WEBVTT - Ready to Run

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<v Speaker 1>I was gonna ask you this later, but I'm gonna

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<v Speaker 1>ask you now. Are you a horse person?

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<v Speaker 2>I do love horses. I can't say I've been around

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<v Speaker 2>them like a ton, but yeah, no, I mean I

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<v Speaker 2>my aunt had some horses, but she lived pretty far

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<v Speaker 2>so we didn't see her very often. But yeah, I

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<v Speaker 2>mean I am like, I don't not like them. I'm

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<v Speaker 2>very intrigued by them, Like I love like Carson Kresley,

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<v Speaker 2>who I worked with for in Vegas for Dancing with

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<v Speaker 2>the Stars, is like big in equestrian riding, and I

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<v Speaker 2>had a couple of friends that were It's very intriguing,

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<v Speaker 2>but I've never had like an opportunity to really get

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<v Speaker 2>into horses. I feel like, if that makes sense, what

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<v Speaker 2>about you a person?

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<v Speaker 1>No, I'm kidding. I'm not a horse person, but I'm

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<v Speaker 1>married into a very horse family.

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<v Speaker 2>Okay, Like what kind of.

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<v Speaker 1>So my wife competed growing up like a chestrian or

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<v Speaker 1>what so my wife and daughter My daughter was a

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<v Speaker 1>nationally ranked jumper. Wow, so she still rides, and I

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<v Speaker 1>mean she was like, she was very I think she

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<v Speaker 1>was like four or five in the country when she

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<v Speaker 1>was twelve. Susan also competed and won many competitions I

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<v Speaker 1>think in dressage. And then my brother in law and

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<v Speaker 1>his wife just had the last Olympics. They had a

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<v Speaker 1>dressage horse that went to the last Olympics. So it's

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<v Speaker 1>like where they're they're like a horse.

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<v Speaker 2>But that's what like racine or do they like.

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<v Speaker 1>The horse ballet? You know, where they're all are dancing.

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<v Speaker 1>I could watch that family.

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<v Speaker 2>I could totally get into watching that.

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<v Speaker 1>I really would say. She would bring me to these

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<v Speaker 1>competitions and my mother in law was the god rest

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<v Speaker 1>was the sweetest woman in the world, and she loved

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<v Speaker 1>me and she would sit next to me and go.

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<v Speaker 1>Watching these things is like watching grass grow because you'd

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<v Speaker 1>see and it's also it's so niche that it's like

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<v Speaker 1>we're sitting there and we're watching, having no idea what's happened?

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<v Speaker 2>No idea?

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<v Speaker 1>Yeah, and the horse does yeah exactly. The horse does

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<v Speaker 1>something and the whole crowd goes oh, and we're like,

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<v Speaker 1>what what just happened? We miss what's going on?

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<v Speaker 2>That's what I mean. I know I could get into

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<v Speaker 2>like all things, I just have never had the opportunity

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<v Speaker 2>or someone to really like take me into it.

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<v Speaker 1>So I married into a horse family, and wow, horse

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<v Speaker 1>people are very much horse people. Yeah.

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<v Speaker 2>It's oh yeah, it's like an absolute lifestyle.

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<v Speaker 1>It's a language and it's a fashion style. I mean

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<v Speaker 1>it's all horses all the time. Yeah.

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<v Speaker 2>Carson Kresley is like, so, I've seen pictures of his

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<v Speaker 2>house and like just the way his house is decorated,

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<v Speaker 2>it's fashion, but like there's a lot of equestrian like

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<v Speaker 2>and horseshoes and you know, things that are like mixed

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<v Speaker 2>in and it's it's pretty cool though, it's a wild world.

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<v Speaker 1>It's a micro.

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<v Speaker 2>Love to be brought into it. Maybe I need to

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<v Speaker 2>go to your family's house wherever they're from.

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<v Speaker 1>Oh it's not here, but you can check out all

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<v Speaker 1>their other ones and see what's up. But anyway, welcome

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<v Speaker 1>back to Magical Rewind, the show that makes you want

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<v Speaker 1>to grab your friends, your pjs and your popcorn and

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<v Speaker 1>go back to a time when all the houses are smart.

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<v Speaker 1>The wave tsunamis and we knew the movies we were watching.

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<v Speaker 1>I'm Wilfred Ell and.

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<v Speaker 2>I'm soa bride and you could not be more right

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<v Speaker 2>like watching today.

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<v Speaker 1>As you can imagine, since we're talking so much about horses,

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<v Speaker 1>we are obviously talking about double teamed two. This time

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<v Speaker 1>it's personal. No, I'm kidding. We're gonna get ready for

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<v Speaker 1>a photo finish because this week on Magical Rewind we're

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<v Speaker 1>riding side saddle, but not really for a very I'm

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<v Speaker 1>gonna use it again Niche two thousand horse racing drama

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<v Speaker 1>ready to run? Okay, do you go horse races? Watch racing?

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<v Speaker 1>I can't stand horse racing. I'm gonna say that right

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<v Speaker 1>out loud. It's a horrible world where they treat these

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<v Speaker 1>horses like and it's absolutely awful. So uh not for me.

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<v Speaker 1>But what about you? Do you go to horse races?

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<v Speaker 2>I don't go to horse races, but I have been

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<v Speaker 2>to one.

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<v Speaker 1>I've been to one.

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<v Speaker 2>Yeah, I've been to one. I wore the hat, you know,

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<v Speaker 2>I do like like eras, right, So I was in

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<v Speaker 2>like a hat era for the day. I wore the

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<v Speaker 2>big hat and did the whole thing. We we took

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<v Speaker 2>the train down to what is it Del Mar or whatever,

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<v Speaker 2>the one that's towards San Diego.

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<v Speaker 1>Yeah, I know the one you're talking about.

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<v Speaker 2>And I've done that. Was there for the social aspect

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<v Speaker 2>of it. Didn't watch the races very much. With up

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<v Speaker 2>and down, I loved like putting picking numbers for Jordan.

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<v Speaker 2>He is one of the luckiest people in the world,

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<v Speaker 2>a bunch of money, not knowing what he was doing,

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<v Speaker 2>but he that's just what his that's his thing.

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<v Speaker 1>People are like that, Yeah, he is.

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<v Speaker 2>He's very, very lucky, and so I loved like helping

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<v Speaker 2>him pick numbers and him trying to figure out the

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<v Speaker 2>numbers of it. But yeah, I mean I was surprised,

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<v Speaker 2>Like I was like, wait, do these horses go more

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<v Speaker 2>than once? That seems very tiring, and like when.

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<v Speaker 1>I start it. Yeah, there's documentaries you can watch that

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<v Speaker 1>are pretty.

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<v Speaker 2>It's a rough it's a rough world and lots.

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<v Speaker 1>Of drugs, and it's like, oh, the horse didn't do well,

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<v Speaker 1>let's destroy it. I mean it's like it's not whereas

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<v Speaker 1>if you look at European horse racing, like there's a

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<v Speaker 1>documentary that compares a European to American and it's just huh,

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<v Speaker 1>night and day. Where the Europeans they revere the horses,

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<v Speaker 1>they treat the horse as well. They're not allowed to

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<v Speaker 1>run until there are a certain age, they're only around

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<v Speaker 1>allowed to run a certain amount. I mean, it's like

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<v Speaker 1>as opposed to hear in the states where it's like

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<v Speaker 1>run them into the ground, make as much money as

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<v Speaker 1>you can, then grind him up and move on to

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<v Speaker 1>the next one. It's really gross.

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<v Speaker 2>Yeah, And I mean in all aspects of like any

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<v Speaker 2>like high driven sport. I feel like they do that

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<v Speaker 2>to athletes, like run them into the ground. Who cares,

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<v Speaker 2>like looking at you know, march madness. I'm like, these

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<v Speaker 2>kids are these kids are college students, not paying attention

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<v Speaker 2>to school like nothing, and we're just gonna have them

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<v Speaker 2>play like every day for like three months or however.

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<v Speaker 1>But not all of them, but a lot of them

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<v Speaker 1>are gonna go off and make one hundred million dollars

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<v Speaker 1>and it's what they've wanted to do their whole life.

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<v Speaker 1>For the prist, no horses really have no choice.

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<v Speaker 2>That's true. True, it is very different in that sense.

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<v Speaker 2>But I'm just saying, like I just feel like everything

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<v Speaker 2>gets so like anything in competition world just gets so

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<v Speaker 2>aggressive so quickly.

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<v Speaker 1>Well, they also, this is one of the things that

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<v Speaker 1>this film actually addresses that you just talked about a

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<v Speaker 1>little bit with young athletes, is the age of an

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<v Speaker 1>athlete when they're should be allowed to compete at a

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<v Speaker 1>high level. And it's one of those things where that's

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<v Speaker 1>up for debate. There's people that say, hey, we should

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<v Speaker 1>be paying high school and college athletes because you know

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<v Speaker 1>they're gonna blah blah blah and they're doing this, and yeah,

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<v Speaker 1>but your bodies can get destroyed at a young age.

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<v Speaker 1>I don't know. It's a weird combination. But anyway, that's

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<v Speaker 1>not what we're here to talk about. That's a different movie.

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<v Speaker 1>We're talking about Ready to Run, So let's do fats.

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<v Speaker 1>Ready to Run debut on July fourteenth in the year

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<v Speaker 1>two thousand and It includes some interesting names from within

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<v Speaker 1>the world of comedy, even if for what only seems

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<v Speaker 1>like a few seconds and for very strange reasons, which

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<v Speaker 1>makes it even weirder that this movie has been almost

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<v Speaker 1>completely erased from everyone's memories. We've talked about this before,

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<v Speaker 1>but when it comes to being a Disney Channel original movie,

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<v Speaker 1>there are the Brinks, the high school musicals, the Johnny Tsunamis,

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<v Speaker 1>and then there's the Ready to Runs. So there just

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<v Speaker 1>isn't a lot of information about this one, but let's

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<v Speaker 1>get through the very little we do know about it.

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<v Speaker 1>It was filmed in Auckland, New Zealand, and it was

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<v Speaker 1>nominated for a Golden Real Award in the field of

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<v Speaker 1>Best Sound Editing for a TV Movie by the Motion

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<v Speaker 1>Picture Sound Editors Union. And yes, this is a talking

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<v Speaker 1>horse movie, though it absolutely feels like that was added

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<v Speaker 1>at the last minute. Obviously a theme made famous by

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<v Speaker 1>the legendary show Mister Ed. Did you see Mister Ed? Ever? So, yeah,

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<v Speaker 1>of course. So it's like Doctor Doolittle, what did you

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<v Speaker 1>come into this movie knowing it was a talking horse

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<v Speaker 1>movie or thinking it was a talking horse movie? Or

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<v Speaker 1>do you just think it was a horse movie?

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<v Speaker 2>Well, I had no idea at all until I saw

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<v Speaker 2>just what the you know, head front picture is that's

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<v Speaker 2>on Disney, plus that there was going to be a horse.

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<v Speaker 2>And then in no way did I know that the

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<v Speaker 2>horse would be talking. I figured by what it will

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<v Speaker 2>look like it was like a horse racing movie, like

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<v Speaker 2>a sea biscuit, right, so that's the same.

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<v Speaker 1>That was it.

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<v Speaker 2>And then the horse starts talking, and I'm like, that

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<v Speaker 2>was the turn. I didn't think we were going to

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<v Speaker 2>be taking it. I started talking.

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<v Speaker 1>Like twenty minutes in and then doesn't for a long time.

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<v Speaker 2>It anyway, Yeah, we have I have real questions.

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<v Speaker 1>Yes, we'll get there. Yes, trust me, I think I

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<v Speaker 1>could assume this answer. But did you know anything about

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<v Speaker 1>this movie? For sign?

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<v Speaker 2>And then I'm assuming the same for you? Are you

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<v Speaker 2>Ready to Run? Could have been like somebody who like

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<v Speaker 2>runs marathons easily?

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<v Speaker 1>Is a kid just wanting to be the first and

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<v Speaker 1>youngest marathon winner for the Boston Marathon. I mean, it

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<v Speaker 1>could have been anything.

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<v Speaker 2>It could have been a doctor on the Dixie Chicks

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<v Speaker 2>and they're ready to Run song. I don't know. I'm

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<v Speaker 2>not just a.

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<v Speaker 1>Song called ready to I'm not even gonna I'm not

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<v Speaker 1>going down that rabbit hole. Can't do it, can't do

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<v Speaker 1>it yet, can't do it? Not filing questions away for later. Well,

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<v Speaker 1>you can now get associated with Ready to Run just

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<v Speaker 1>like we are. It is streaming on Disney Plus, so

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<v Speaker 1>you can watch it now or later pre recap or

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<v Speaker 1>post recap, or preview or postview or pre Fontaine or

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<v Speaker 1>post Fontaine. You pick. You choose your own adventure. Turn

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<v Speaker 1>a page sixty. You want to slay the dragon. Now

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<v Speaker 1>it's time to dig down deep and find your inner

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<v Speaker 1>Apologies to all Spanish speakers out there, because I'm gonna

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<v Speaker 1>butcher this La Confianza de Cabellos. Yeah, okay, well here's

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<v Speaker 1>the synopsis. Teenager Corey Ortiz discovers she can telepathically communicate

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<v Speaker 1>with a racehorse named thunder Jam and helps him become

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<v Speaker 1>a contender on the racetrack. So yes, it has a

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<v Speaker 1>little bit of similarities with Ring of Endless Light, minus

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<v Speaker 1>the dolphin at a horse. But I think the thing

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<v Speaker 1>I took away from this movie is there isn't much

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<v Speaker 1>talking horse when all is said is done? Am I right?

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<v Speaker 1>It's just like the Dolphins. It's sort of just kind

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<v Speaker 1>of a b story that the horse talks, and frankly,

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<v Speaker 1>it was completely and totally unnecessary to the story.

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<v Speaker 2>I don't Yeah, just I don't know. Well, when I

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<v Speaker 2>watched the opening credits too, I was like, oh, Sinbad's

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<v Speaker 2>in here, And then I kept looking for when he

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<v Speaker 2>was going to join the cast, and I'm like, wait,

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<v Speaker 2>is he the horses?

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<v Speaker 1>Yep?

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<v Speaker 2>One of the I couldn't even then. It made me

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<v Speaker 2>feel like, I guess I'm not that big of a

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<v Speaker 2>Sinbad fan, which I kind of thought I was. And

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<v Speaker 2>I couldn't even recognize his voice. I didn't even know

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<v Speaker 2>which one he was.

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<v Speaker 1>Was completely and totally unnecessary. Disney, go make a great

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<v Speaker 1>movie about a young girl who wants to be a jockey. Yes,

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<v Speaker 1>that would make it very cool.

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<v Speaker 2>I would like it. I think I would like it.

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<v Speaker 1>Yeah, me too. It got muddled. Both Seabiscuit and Secretariat

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<v Speaker 1>were great movies. Well, beautiful movie.

0:10:54.160 --> 0:10:56.880
<v Speaker 2>Wat This is one of my my Sabrina seas because

0:10:56.880 --> 0:10:58.719
<v Speaker 2>I was like, when did Seabiscuit come out? Cause I

0:10:58.720 --> 0:11:00.240
<v Speaker 2>feel like it was close to two thousand and we

0:11:00.400 --> 0:11:03.640
<v Speaker 2>came out in two thousand and three, So then I

0:11:03.679 --> 0:11:06.040
<v Speaker 2>was like, well, that's kind of cool that, like Disney

0:11:06.160 --> 0:11:10.239
<v Speaker 2>Channel again is ahead of the curve, because once Seabiscuit

0:11:10.320 --> 0:11:12.480
<v Speaker 2>came out, I feel like there were a couple of

0:11:12.559 --> 0:11:15.120
<v Speaker 2>horse racing type things.

0:11:15.320 --> 0:11:20.560
<v Speaker 1>Yeah, in the original Seabiscuit, the original movie came out, No, no, no,

0:11:20.600 --> 0:11:22.040
<v Speaker 1>it came out in two thousand and three, but was

0:11:22.080 --> 0:11:24.120
<v Speaker 1>also a talking horse movie and Seabiscuit was going to

0:11:24.160 --> 0:11:26.920
<v Speaker 1>be voiced by Don Delaiz and they decided not to

0:11:26.960 --> 0:11:30.840
<v Speaker 1>do that. No, I didn't get you all, damn no. No.

0:11:31.080 --> 0:11:34.000
<v Speaker 2>There is original Sea Biscuit that was that came out

0:11:34.000 --> 0:11:36.320
<v Speaker 2>way earlier. I saw there really when I looked it up.

0:11:36.320 --> 0:11:38.960
<v Speaker 2>There was like an older version of it. Wasn't the

0:11:39.000 --> 0:11:42.040
<v Speaker 2>same movie. It was just a different story on Sea Biscuit.

0:11:42.320 --> 0:11:44.560
<v Speaker 2>Okay anyway, but I was like, this is kind of cool.

0:11:44.679 --> 0:11:46.240
<v Speaker 2>That was one of my Spreece seas well. There's not

0:11:46.320 --> 0:11:48.520
<v Speaker 2>very many of them, so there might.

0:11:48.400 --> 0:11:50.720
<v Speaker 1>Be it was. There was no There was no Gensen

0:11:50.720 --> 0:11:53.240
<v Speaker 1>and Internet season this one either. There's very little information

0:11:53.240 --> 0:11:53.640
<v Speaker 1>about that.

0:11:53.679 --> 0:11:55.760
<v Speaker 2>I know, I kind of went online because I was

0:11:56.800 --> 0:11:58.360
<v Speaker 2>started sort of needing to do something.

0:11:58.880 --> 0:12:02.559
<v Speaker 1>I know I watched this movie in nine minute increments. Anyway,

0:12:02.760 --> 0:12:04.480
<v Speaker 1>all right, here we go. You're ready to run as

0:12:04.520 --> 0:12:07.640
<v Speaker 1>directed by a very familiar name to Magical rewind, Dwayne Dunham,

0:12:07.640 --> 0:12:09.040
<v Speaker 1>who I hope we can have on at some point.

0:12:09.200 --> 0:12:10.920
<v Speaker 1>We've talked about him a bunch in the past. The

0:12:10.960 --> 0:12:14.240
<v Speaker 1>award winning editor was a frequent David Lynch collaborator, and

0:12:14.280 --> 0:12:16.720
<v Speaker 1>he edited Star Wars Return of the Jedi and Bill

0:12:16.760 --> 0:12:19.680
<v Speaker 1>and Ted's Excellent Adventure. I don't know if you knew this, Sabrina,

0:12:19.679 --> 0:12:23.320
<v Speaker 1>but the original Star Wars starred Dom de Luiz. Dunham

0:12:23.320 --> 0:12:26.079
<v Speaker 1>would eventually It's not true either, but Dunham would eventually

0:12:26.120 --> 0:12:29.160
<v Speaker 1>transition into directing and was behind the camera for d

0:12:29.240 --> 0:12:32.400
<v Speaker 1>COM's Like Is another Legend, Halloween Town right on Track,

0:12:32.480 --> 0:12:35.679
<v Speaker 1>Tiger Cruz and the Thirteenth Year. One of the real

0:12:35.800 --> 0:12:39.520
<v Speaker 1>I mean just the o Geez. I have to argue

0:12:39.559 --> 0:12:42.640
<v Speaker 1>if we do a director's Mount Rushmore of d Comm's,

0:12:43.480 --> 0:12:50.360
<v Speaker 1>he'd be up there, up there, of course, the man

0:12:50.480 --> 0:12:52.400
<v Speaker 1>Kenny Ortega. That's three. We'd have to figure out who

0:12:52.480 --> 0:12:55.360
<v Speaker 1>number four would because there's been a bunch, but Dwayn

0:12:55.400 --> 0:12:56.560
<v Speaker 1>Dunham would have to be up there.

0:12:56.679 --> 0:12:56.959
<v Speaker 2>Yeah.

0:12:57.000 --> 0:12:59.360
<v Speaker 1>The movie stars Chrissy Perez, who you can also see

0:12:59.440 --> 0:13:03.600
<v Speaker 1>is sometimes Crystal Perez and sometimes Crystal Poe. The names

0:13:03.600 --> 0:13:06.240
<v Speaker 1>are it depends on where you look at it. She's

0:13:06.280 --> 0:13:09.280
<v Speaker 1>the horse talker Cory Ortiz. This was her first job

0:13:09.480 --> 0:13:11.760
<v Speaker 1>ever in Hollywood, and after this she only appeared on

0:13:11.760 --> 0:13:14.319
<v Speaker 1>a TV show called The Division and an episode of

0:13:14.400 --> 0:13:17.480
<v Speaker 1>General Hospital and then that's it. I'm not sure we've

0:13:17.480 --> 0:13:19.800
<v Speaker 1>ever had any dcoms where the star was only an

0:13:19.800 --> 0:13:21.720
<v Speaker 1>actor for two years. Kind of cool, just kind of

0:13:21.760 --> 0:13:25.560
<v Speaker 1>came in, did some stuff and then was like the off. Yeah.

0:13:25.559 --> 0:13:25.839
<v Speaker 3>Wow.

0:13:26.600 --> 0:13:29.640
<v Speaker 1>Jason Doring plays b Moody. Jason is best known for

0:13:29.679 --> 0:13:32.160
<v Speaker 1>his role in the movie Deep Impact and as Logan

0:13:32.240 --> 0:13:34.560
<v Speaker 1>on Veronica Mars. He is a TV Vet with a

0:13:34.600 --> 0:13:37.800
<v Speaker 1>ton of credits including I Zombie, Roswell, Party Down, and

0:13:37.880 --> 0:13:40.280
<v Speaker 1>Seal Team. He is also the voice of Terra in

0:13:40.320 --> 0:13:42.920
<v Speaker 1>the American Kingdom Hearts games, and I was in those

0:13:42.960 --> 0:13:46.880
<v Speaker 1>games as well. I played Cipher. Lillian Hurst is lords

0:13:46.920 --> 0:13:49.440
<v Speaker 1>Corey's mom. You may recognize hers from Lost, where she

0:13:49.600 --> 0:13:52.240
<v Speaker 1>was one of the B Team Island Castaways. She was

0:13:52.280 --> 0:13:54.720
<v Speaker 1>also a regular on Dharma and Greg, True Blood, and

0:13:54.760 --> 0:13:58.600
<v Speaker 1>the Incredible Lisa Kudrou Show, The Comeback. Nestor Serrano is

0:13:58.679 --> 0:14:02.240
<v Speaker 1>Hector Machado. They're always working character actors. Srano is in

0:14:02.280 --> 0:14:04.520
<v Speaker 1>movies like Bringing Out the Dead, The Day After Tomorrow,

0:14:04.559 --> 0:14:08.320
<v Speaker 1>Bad Boys, and another horse movie. We just talked about Secretariat,

0:14:08.360 --> 0:14:11.360
<v Speaker 1>starring him and Don de Luiz. I'm kidding. I'm just

0:14:11.360 --> 0:14:13.599
<v Speaker 1>gonna keep throwing Don Delawiz. But also for all of

0:14:13.640 --> 0:14:15.920
<v Speaker 1>our listeners out there, like who the Guy? Google them.

0:14:16.280 --> 0:14:19.080
<v Speaker 1>He also has been on TV shows like Blue Blood's Revenge,

0:14:19.160 --> 0:14:22.400
<v Speaker 1>Law and Order Er, and a very little known show

0:14:22.560 --> 0:14:25.560
<v Speaker 1>called True Blue Shot back in New York, starring a

0:14:25.760 --> 0:14:28.960
<v Speaker 1>very young Wilfridell in his first ever TV appearance, Thank

0:14:29.000 --> 0:14:32.000
<v Speaker 1>you much, I was eleven years old.

0:14:32.360 --> 0:14:33.320
<v Speaker 2>That's awesome, And.

0:14:33.360 --> 0:14:35.880
<v Speaker 1>Here comes quite a run of comedians and voiceover rolls.

0:14:35.960 --> 0:14:39.520
<v Speaker 1>All of them are horses. First, Rick to Common is

0:14:39.520 --> 0:14:41.640
<v Speaker 1>the voice of Cyclone. He appeared in a bunch of

0:14:41.680 --> 0:14:45.600
<v Speaker 1>classic comedies, including Spaceballs, Groundhog Day, and Sino Man, and

0:14:45.640 --> 0:14:48.880
<v Speaker 1>the movie he's best known for The Urbs sadly Do.

0:14:49.000 --> 0:14:51.240
<v Speaker 1>Common died in twenty fifteen at the age of sixty

0:14:51.240 --> 0:14:54.800
<v Speaker 1>two from complications from diabetes and then comedian Paul Rodriguez

0:14:54.800 --> 0:14:57.160
<v Speaker 1>is the voice of TJ or thunder Jam. He's one

0:14:57.200 --> 0:14:59.240
<v Speaker 1>of the eighties and nineties biggest names in stand up,

0:14:59.280 --> 0:15:02.000
<v Speaker 1>also appearing in movie He's Like a Cinderella Story, Ali

0:15:02.320 --> 0:15:05.040
<v Speaker 1>rat Race and born in East LA. Nowadays he is

0:15:05.120 --> 0:15:08.080
<v Speaker 1>known as p Rod's Dad and had to Google that

0:15:08.440 --> 0:15:10.600
<v Speaker 1>his son has become one of the greatest skateboarders of

0:15:10.600 --> 0:15:14.120
<v Speaker 1>all time, the first skater with his own Nike shoe. Incredible.

0:15:14.600 --> 0:15:17.600
<v Speaker 1>And finally, we have Sindbad as the voice of Hollywood Shuffle.

0:15:17.880 --> 0:15:20.240
<v Speaker 1>Sindbad also one of the eighties biggest names in stand

0:15:20.320 --> 0:15:22.440
<v Speaker 1>up who then transitioned into acting as one of the

0:15:22.440 --> 0:15:24.680
<v Speaker 1>stars of The Cosby Show spin off A Different World.

0:15:25.040 --> 0:15:27.200
<v Speaker 1>He also had his own sitcom, The Sinbad Show, and

0:15:27.240 --> 0:15:30.400
<v Speaker 1>started movies like necessary roughness, house guests, good Burger jingle

0:15:30.440 --> 0:15:32.680
<v Speaker 1>all the way and first kid. This is a big

0:15:32.720 --> 0:15:35.120
<v Speaker 1>get for Disney. But since it's just his voice, he's

0:15:35.560 --> 0:15:38.520
<v Speaker 1>barely in this movie. He cannot sit in the Dabney

0:15:38.560 --> 0:15:40.840
<v Speaker 1>Reynolds chair. Sorry, those are the rules. We all know it.

0:15:41.240 --> 0:15:43.280
<v Speaker 1>Sindbad suffered a stroke in twenty twenty, caused by a

0:15:43.320 --> 0:15:45.960
<v Speaker 1>blood clot, but is reportedly doing okay in recovery, and

0:15:46.400 --> 0:15:48.600
<v Speaker 1>many consider it to be a miracle. We're glad he's

0:15:48.640 --> 0:15:51.400
<v Speaker 1>doing well. He's a very funny guy. But still the

0:15:51.440 --> 0:15:53.440
<v Speaker 1>thing I'm wondering about how long is ready to run?

0:15:53.600 --> 0:15:55.880
<v Speaker 1>How many horse lengths? As you know, we hear magical

0:15:55.880 --> 0:15:57.800
<v Speaker 1>rewind consider ninety minutes to be the perfect length of

0:15:57.840 --> 0:16:01.440
<v Speaker 1>a movie. Anything else is stupid, and so this one,

0:16:01.640 --> 0:16:06.200
<v Speaker 1>the horse d com runs ninety six minutes. It's a

0:16:06.240 --> 0:16:07.000
<v Speaker 1>horrible reality.

0:16:07.040 --> 0:16:09.600
<v Speaker 2>Takes extra minutes, felt like four hours.

0:16:09.720 --> 0:16:12.360
<v Speaker 1>It did, it really did six minutes over the target

0:16:12.360 --> 0:16:15.080
<v Speaker 1>and just horribly disappointing. I appreciate as much Sinbad as

0:16:15.080 --> 0:16:17.360
<v Speaker 1>anyone can get, but not hear people not in this movie.

0:16:17.520 --> 0:16:20.320
<v Speaker 1>Keep it ninety guys, and we have one writer here.

0:16:20.400 --> 0:16:22.920
<v Speaker 1>The credit goes to John Werick, John was a writer

0:16:23.040 --> 0:16:25.360
<v Speaker 1>on Step by Step with thirty three episodes to his name,

0:16:25.480 --> 0:16:28.160
<v Speaker 1>and he has another d comm on his resume. Double

0:16:28.200 --> 0:16:31.640
<v Speaker 1>Teamed Got some things to say to John. As far

0:16:31.720 --> 0:16:34.600
<v Speaker 1>as other TV movies, he also wrote Too Legit, the

0:16:34.760 --> 0:16:38.360
<v Speaker 1>mc hammer Story, and the very serious Matthew Shepherd's Story.

0:16:38.560 --> 0:16:41.200
<v Speaker 1>Nowadays he writes a lot of Hallmark Christmas movies. So

0:16:41.280 --> 0:16:42.880
<v Speaker 1>I take you back, I love you John. Put me

0:16:42.920 --> 0:16:43.800
<v Speaker 1>on Hallmark Christmas movie.

0:16:43.880 --> 0:16:46.320
<v Speaker 2>Put me in one of those I love Christmas movies.

0:16:47.440 --> 0:16:49.840
<v Speaker 2>It is just so Double Team is just so personal

0:16:49.880 --> 0:16:51.200
<v Speaker 2>for you now it is.

0:16:51.920 --> 0:16:54.280
<v Speaker 1>I gotta talk to you. I got some things to

0:16:54.320 --> 0:16:56.160
<v Speaker 1>talk about. I also love that it just pisses off

0:16:56.160 --> 0:16:57.040
<v Speaker 1>producer Micaelibs.

0:16:57.880 --> 0:17:03.000
<v Speaker 4>I know she's so sweet because it's fun because I'm

0:17:03.000 --> 0:17:04.679
<v Speaker 4>a little brother and always will be.

0:17:13.240 --> 0:17:15.600
<v Speaker 1>We open in a race track tunnel with horses making

0:17:15.600 --> 0:17:18.040
<v Speaker 1>their way to the track at Sonora Downs, a beautiful

0:17:18.080 --> 0:17:20.560
<v Speaker 1>group of animals steered by jockeys, but no horses are

0:17:20.600 --> 0:17:22.919
<v Speaker 1>talking yet, which is false advertising if you ask me.

0:17:23.480 --> 0:17:25.440
<v Speaker 1>We see the day's first race begin, fans in the

0:17:25.480 --> 0:17:28.439
<v Speaker 1>stands excited to cheer on their favorites and announce their credits.

0:17:28.440 --> 0:17:30.720
<v Speaker 1>Thunder Jam as the heavy favorite, but now the horse

0:17:30.760 --> 0:17:33.120
<v Speaker 1>doesn't even want to get into the starting gate. Teenager

0:17:33.160 --> 0:17:35.560
<v Speaker 1>Corey works at the track helping mister Hector Machado with

0:17:35.600 --> 0:17:38.760
<v Speaker 1>his horses. She's currently guiding one thoroughbred into the starting

0:17:38.760 --> 0:17:42.320
<v Speaker 1>position and notices the struggling number nine horse, Thunderjam. She

0:17:42.359 --> 0:17:44.800
<v Speaker 1>expresses her desire to one day be a jockey herself.

0:17:45.080 --> 0:17:48.280
<v Speaker 1>The horses are finally locked away and boom away we go,

0:17:48.800 --> 0:17:51.320
<v Speaker 1>and as one would have assumed, Thunderjam is still in

0:17:51.400 --> 0:17:53.520
<v Speaker 1>the gate even a few minutes later. What a bust.

0:17:53.800 --> 0:17:55.720
<v Speaker 1>Eventually he starts the race, but the horse is still

0:17:55.760 --> 0:17:58.600
<v Speaker 1>bucking and nowhere near in competition. Eventually, in the last

0:17:58.640 --> 0:18:01.760
<v Speaker 1>leg a traffic jam caused is another horse, Mandalay Bride,

0:18:02.200 --> 0:18:04.800
<v Speaker 1>who we will refer to as Mandalay Bay sometimes and

0:18:04.880 --> 0:18:07.520
<v Speaker 1>mandale Bride other times. Doesn't matter. To smash into the

0:18:07.560 --> 0:18:09.520
<v Speaker 1>gate and go down. Luckily, the horse is quick to

0:18:09.560 --> 0:18:11.919
<v Speaker 1>get up, as is the jockey. We so far have

0:18:12.040 --> 0:18:14.840
<v Speaker 1>Mandalay Bay see cyclone and thunder Jam. Sabrina, if you

0:18:14.840 --> 0:18:17.200
<v Speaker 1>had a racehorse, what are you naming your racehorse? Oh

0:18:17.240 --> 0:18:18.959
<v Speaker 1>my god, top of your head, quick, don't even think

0:18:19.000 --> 0:18:19.320
<v Speaker 1>what's name?

0:18:24.400 --> 0:18:32.560
<v Speaker 2>Come on, oh, racehorse, racehorse. Uh try something like lightning something.

0:18:32.840 --> 0:18:34.520
<v Speaker 1>Oh really, you wouldn't make it personal. Wouldn't be like

0:18:34.600 --> 0:18:36.200
<v Speaker 1>dough the cheetah or something like that.

0:18:37.200 --> 0:18:39.439
<v Speaker 2>Cheetah lightning, Cheetah lightning.

0:18:39.480 --> 0:18:42.560
<v Speaker 1>There you go. I love that Mine would be boy

0:18:42.560 --> 0:18:46.119
<v Speaker 1>Meet's last place. I think that'd be the best one

0:18:46.119 --> 0:18:49.960
<v Speaker 1>they could possibly do. Uh. No, be plays with horses.

0:18:50.000 --> 0:18:51.879
<v Speaker 1>That's what'd be. After plays with squirrels from Boymans for ol,

0:18:51.880 --> 0:18:52.760
<v Speaker 1>they'd be plays with horses.

0:18:52.840 --> 0:18:53.320
<v Speaker 2>There you go.

0:18:54.440 --> 0:18:56.400
<v Speaker 1>We are now back at the stables. Corey is talking

0:18:56.400 --> 0:18:58.639
<v Speaker 1>to mister Machado about the race and begging him for

0:18:58.680 --> 0:19:01.200
<v Speaker 1>a chance to jockey, but he thinks it's just too dangerous.

0:19:01.440 --> 0:19:03.320
<v Speaker 1>She worked for him the last two years and swear

0:19:03.400 --> 0:19:05.720
<v Speaker 1>she knows everything that's needed from her, but he's not

0:19:05.800 --> 0:19:10.120
<v Speaker 1>changing his mind yet. Meanwhile, Mandalay Bride's owner, mister Garris,

0:19:10.280 --> 0:19:11.959
<v Speaker 1>is with a nurse who says the horse will never

0:19:12.040 --> 0:19:15.159
<v Speaker 1>race again. She suggests making her a riding pony, but

0:19:15.160 --> 0:19:17.359
<v Speaker 1>the jerk just wants to put the horse down because

0:19:17.359 --> 0:19:19.200
<v Speaker 1>it can't race. He walks away, and this guy is

0:19:19.280 --> 0:19:22.080
<v Speaker 1>such an I was hoping somebody just beat him over

0:19:22.119 --> 0:19:26.320
<v Speaker 1>the head with a bat he's a horrible, horrible We

0:19:26.359 --> 0:19:29.320
<v Speaker 1>could hope this guy was because again, I have a

0:19:29.359 --> 0:19:31.560
<v Speaker 1>real problem and I didn't have a problem with it

0:19:31.600 --> 0:19:34.480
<v Speaker 1>really before I got married, but Sue has a huge

0:19:34.480 --> 0:19:37.000
<v Speaker 1>problem with any kind of movie or anything where animals

0:19:37.040 --> 0:19:39.440
<v Speaker 1>are hurt. And it never bothered me before just because

0:19:39.480 --> 0:19:41.400
<v Speaker 1>it's fake. You know, I know it's movies and it's movie.

0:19:41.440 --> 0:19:43.880
<v Speaker 1>Maybe I just that's where my head goes. But it's

0:19:43.920 --> 0:19:46.199
<v Speaker 1>starting to bother me the older I'm getting. And so

0:19:46.320 --> 0:19:49.320
<v Speaker 1>a movie where they're openly talking about just let's kill

0:19:49.359 --> 0:19:52.240
<v Speaker 1>this horse and grind it up and horses are flipping

0:19:52.240 --> 0:19:53.919
<v Speaker 1>over it. This movie freaked me out a little bit.

0:19:54.000 --> 0:19:57.360
<v Speaker 2>It was just it was very off putting. It was

0:19:57.640 --> 0:20:01.080
<v Speaker 2>it was it was literally, I didn't this is like

0:20:01.119 --> 0:20:03.920
<v Speaker 2>another one of the very cut, cut up the horse

0:20:04.000 --> 0:20:10.040
<v Speaker 2>to meet like that said, actual said, and it felt weird. Yeah,

0:20:10.080 --> 0:20:11.720
<v Speaker 2>you're rightfully of.

0:20:11.680 --> 0:20:14.520
<v Speaker 1>Those moments where I was just like ew yeah. But anyway,

0:20:14.880 --> 0:20:16.919
<v Speaker 1>mister Machatta swings by, still talking to Corey about her

0:20:16.920 --> 0:20:19.080
<v Speaker 1>future in racing. He suggests she gets her mom's permission

0:20:19.080 --> 0:20:20.920
<v Speaker 1>and then come back to him. He stops to talk

0:20:20.960 --> 0:20:22.960
<v Speaker 1>to the nurse and finds out Garris wants to put

0:20:23.000 --> 0:20:25.960
<v Speaker 1>Mandalay Bride down and assumes it's just for the insurance money.

0:20:25.960 --> 0:20:28.760
<v Speaker 1>You can't get paid if the horse is still alive. Meanwhile,

0:20:28.800 --> 0:20:31.560
<v Speaker 1>thunder Jam's jockey is complaining he'll never ride that pathetic

0:20:31.600 --> 0:20:34.000
<v Speaker 1>horse again. It doesn't care what mister Michatdo thinks about it.

0:20:34.200 --> 0:20:36.120
<v Speaker 1>He walks out, leaving Corey to pick up the pieces.

0:20:36.359 --> 0:20:38.480
<v Speaker 1>She talks with thunder Jam, giving him words of encouragement.

0:20:38.560 --> 0:20:41.160
<v Speaker 1>He still doesn't answer. Mister Michatdo overhears her and laughs

0:20:41.160 --> 0:20:44.440
<v Speaker 1>at the optimism. He knows that Thoroughbread needs more heart.

0:20:44.800 --> 0:20:46.800
<v Speaker 1>Corey isn't ready to give up on TJ just yet

0:20:46.800 --> 0:20:49.320
<v Speaker 1>and is devastated to hear what's gonna happen at Mandalai Bride.

0:20:49.760 --> 0:20:52.040
<v Speaker 1>Corey thinks there has to be something they can do,

0:20:52.160 --> 0:20:55.880
<v Speaker 1>but her boss reminds her Mandalay Bride isn't their problem now.

0:20:55.920 --> 0:20:58.240
<v Speaker 1>Back at Corey's house, her brother Gabby is watching a

0:20:58.320 --> 0:21:00.800
<v Speaker 1>horse race on TV with her underwear ondd as a helmet.

0:21:01.040 --> 0:21:05.040
<v Speaker 1>He's pretending to be a jockey. Corey's Abulita, is that right?

0:21:05.119 --> 0:21:07.399
<v Speaker 1>Lord's I think I'm saying that right. Abolita Lords is

0:21:07.440 --> 0:21:10.080
<v Speaker 1>watching as well and betting with toothpicks. She's already down

0:21:10.119 --> 0:21:12.800
<v Speaker 1>two thousand. Now. In her room, Corey puts her money

0:21:12.840 --> 0:21:14.600
<v Speaker 1>in a box and pulls out a pamphlet for Sonora

0:21:14.680 --> 0:21:16.760
<v Speaker 1>Holmes and a photo of her dad, a former jockey.

0:21:16.920 --> 0:21:18.840
<v Speaker 1>She looks at it with sadness in her eyes and says,

0:21:18.960 --> 0:21:21.560
<v Speaker 1>I won't let you down, Dad. At the dinner table,

0:21:21.600 --> 0:21:23.439
<v Speaker 1>Corey and her mom talk about her losing day at

0:21:23.480 --> 0:21:26.119
<v Speaker 1>the track. Sonia tells Corey that Hector Maachado is a

0:21:26.160 --> 0:21:28.200
<v Speaker 1>good man and God will reward him at some point.

0:21:28.400 --> 0:21:30.800
<v Speaker 1>Abolita Lords says she was a good woman, but her

0:21:30.880 --> 0:21:33.240
<v Speaker 1>luck still stinks, and Sonya reminds her that God will

0:21:33.280 --> 0:21:36.480
<v Speaker 1>reward her with grandchildren, but Lord says she would trade

0:21:36.520 --> 0:21:40.359
<v Speaker 1>them for a winning horse. A man's sister, says the

0:21:40.400 --> 0:21:43.160
<v Speaker 1>guy with no kids. Corey sees her opening and mentions

0:21:43.240 --> 0:21:46.760
<v Speaker 1>that she's been thinking about getting a new job, becoming

0:21:46.880 --> 0:21:49.399
<v Speaker 1>a jockey. Her mom quickly tells her she won't allow it.

0:21:49.520 --> 0:21:51.640
<v Speaker 1>Sonia lists some of the other career paths that Corey

0:21:51.680 --> 0:21:53.600
<v Speaker 1>should look into, like being a doctor or a teacher,

0:21:53.760 --> 0:21:55.879
<v Speaker 1>but Corey just wants to be a jockey. The answer

0:21:55.920 --> 0:21:58.359
<v Speaker 1>is no, and that's final. Corey insays she can be

0:21:58.359 --> 0:22:00.760
<v Speaker 1>anything she wants, it's what she learn from her dad.

0:22:00.840 --> 0:22:02.560
<v Speaker 1>But then her mom reminds her all her dad got

0:22:02.560 --> 0:22:06.080
<v Speaker 1>from being a jockey was a nice headstone about to cry.

0:22:06.200 --> 0:22:08.320
<v Speaker 1>So Sonya asked Corey if she wants to break her

0:22:08.320 --> 0:22:10.879
<v Speaker 1>heart again, and ladies and gentlemen, it's official. We have

0:22:10.920 --> 0:22:13.920
<v Speaker 1>a dead dad. Corey storms off to her room and

0:22:13.960 --> 0:22:16.680
<v Speaker 1>Abulita Lord's points out the similarities that Corey has with

0:22:16.720 --> 0:22:19.560
<v Speaker 1>her dad, but Sony isn't hearing it. Lord's wonders out loud,

0:22:19.800 --> 0:22:21.840
<v Speaker 1>what if she has the gift? And this is the

0:22:21.840 --> 0:22:24.920
<v Speaker 1>first time we're hearing about it. Now in Corey's room,

0:22:24.960 --> 0:22:27.199
<v Speaker 1>she's laying in her bed, watching her mobile of glass

0:22:27.200 --> 0:22:30.320
<v Speaker 1>figures glisten in the moonlight. The crystal horse specifically catches

0:22:30.359 --> 0:22:32.040
<v Speaker 1>her eye. After peeking out her window at the stables

0:22:32.080 --> 0:22:34.280
<v Speaker 1>across the street, she decides to sneak out because the

0:22:34.280 --> 0:22:36.600
<v Speaker 1>horse looks like a you know, what do you call it?

0:22:36.600 --> 0:22:41.480
<v Speaker 1>A pegasus? You know, the a winged horse. So that's

0:22:41.480 --> 0:22:42.919
<v Speaker 1>what the guy said. The only word's gonna got off

0:22:42.960 --> 0:22:45.639
<v Speaker 1>a girl's wings. Still in her pajamas, but now with

0:22:45.680 --> 0:22:48.000
<v Speaker 1>the horses, Corey tells Mandalay Bride that everything will be

0:22:48.000 --> 0:22:50.040
<v Speaker 1>okay and she won't let anyone hurt her, then guides

0:22:50.080 --> 0:22:51.879
<v Speaker 1>her out of the stables. Corey takes the halter off

0:22:51.920 --> 0:22:53.600
<v Speaker 1>the horse, saying it's for her own good, and with that,

0:22:53.640 --> 0:22:56.240
<v Speaker 1>the horse takes off into the night, giving one last

0:22:56.280 --> 0:22:58.720
<v Speaker 1>buck and nay as a thank you. Then we're back

0:22:58.760 --> 0:23:01.520
<v Speaker 1>in the stables and the horses start talking to each other.

0:23:02.359 --> 0:23:06.359
<v Speaker 1>It's begun people. They all seem very happy for Mandelay Bride.

0:23:06.359 --> 0:23:08.800
<v Speaker 1>When Corey comes back in, the horses get instantly quiet,

0:23:08.840 --> 0:23:11.959
<v Speaker 1>but she heard the whispering. She's scared, thinks someone might

0:23:12.000 --> 0:23:14.160
<v Speaker 1>be in the stables. She starts walking back to her room.

0:23:14.400 --> 0:23:16.480
<v Speaker 1>Thunder Jen speaks story again and tells her she did

0:23:16.480 --> 0:23:20.040
<v Speaker 1>a very brave thing. Corey obviously startled wonders who said that.

0:23:20.200 --> 0:23:23.720
<v Speaker 1>Thunder Jem tells her I did me, tj. Corey assumes

0:23:23.760 --> 0:23:25.679
<v Speaker 1>she's going crazy, and frankly, I don't blame her. The

0:23:25.840 --> 0:23:28.560
<v Speaker 1>entire effect of the horse talking this movie is weird.

0:23:29.160 --> 0:23:31.480
<v Speaker 1>It's just their head kind of moving and you hear

0:23:31.480 --> 0:23:34.000
<v Speaker 1>a voice. It's like it's nothing. Was that weird to you?

0:23:34.040 --> 0:23:36.600
<v Speaker 1>I mean, it wasn't like it's weird.

0:23:36.359 --> 0:23:40.560
<v Speaker 2>Because now, like the animation that they can add to

0:23:40.800 --> 0:23:44.439
<v Speaker 2>act like the animals in movies is so good that

0:23:44.520 --> 0:23:46.719
<v Speaker 2>it's weird to see what it was like before they

0:23:46.720 --> 0:23:47.280
<v Speaker 2>could do that.

0:23:47.400 --> 0:23:50.639
<v Speaker 1>But even Ed they would fill the horse's mouth with

0:23:50.680 --> 0:23:52.840
<v Speaker 1>peanut butter, so even the mouth moved.

0:23:53.240 --> 0:23:55.280
<v Speaker 2>Yeah, but I feel like that was like an old

0:23:55.320 --> 0:23:57.760
<v Speaker 2>school way of doing it, and it didn't actually ever

0:23:57.840 --> 0:24:00.600
<v Speaker 2>look like the horse was actually really talking. When mister

0:24:00.800 --> 0:24:01.240
<v Speaker 2>Ed did.

0:24:01.119 --> 0:24:04.200
<v Speaker 1>That, he was just like, this is weird. Well, first

0:24:04.200 --> 0:24:06.960
<v Speaker 1>of all, don't don't denigrate peanut butter, because I will

0:24:07.000 --> 0:24:09.040
<v Speaker 1>I will talk for anybody for peanut butter. It's brilliant.

0:24:09.560 --> 0:24:12.800
<v Speaker 2>No, I'm I love peanut butter. But I'm saying it

0:24:12.920 --> 0:24:16.440
<v Speaker 2>never really looked like it was actually talking. So it's

0:24:16.520 --> 0:24:19.720
<v Speaker 2>kind of like what's the worst, Like, what what's the

0:24:19.760 --> 0:24:24.040
<v Speaker 2>better evil in this situation? Yeah, and was great because now,

0:24:24.200 --> 0:24:27.040
<v Speaker 2>especially like looking at like a movie like The Lion

0:24:27.119 --> 0:24:29.600
<v Speaker 2>King that they can do where it's all the animals

0:24:29.640 --> 0:24:33.520
<v Speaker 2>they all look talking, it's like, it's so good. It's

0:24:33.560 --> 0:24:35.439
<v Speaker 2>weird to now look back. And I just took it

0:24:35.480 --> 0:24:36.359
<v Speaker 2>as that it's like dated.

0:24:36.600 --> 0:24:39.480
<v Speaker 1>Yeah, okay, it was two thousand, cour it just looked

0:24:39.520 --> 0:24:41.159
<v Speaker 1>like it was added at the end, like let's just

0:24:41.200 --> 0:24:41.960
<v Speaker 1>make the horses come.

0:24:42.600 --> 0:24:46.000
<v Speaker 2>Yes, it actually did once we Once you said that,

0:24:46.040 --> 0:24:48.600
<v Speaker 2>I was like, it really actually did look like it.

0:24:48.560 --> 0:24:50.720
<v Speaker 1>Was like they just like something that was thought.

0:24:50.520 --> 0:24:54.200
<v Speaker 2>Of ahead of times, like this is missing something. Her

0:24:54.400 --> 0:24:58.280
<v Speaker 2>just talking, but we I would prefer this than the

0:24:59.080 --> 0:25:02.000
<v Speaker 2>dog that was supposed to be talking to him, and

0:25:02.040 --> 0:25:04.160
<v Speaker 2>we can never underhear who what he was saying.

0:25:04.280 --> 0:25:08.000
<v Speaker 1>Oh yeah that for uh, the one with Kirk Cameron. Yeah, yes,

0:25:08.359 --> 0:25:09.560
<v Speaker 1>I prefer this than that.

0:25:09.840 --> 0:25:12.080
<v Speaker 2>I prefer this than that, because that was that.

0:25:12.200 --> 0:25:16.520
<v Speaker 1>Was prefer anything to that. Corey doesn't believe she's actually

0:25:16.520 --> 0:25:18.159
<v Speaker 1>talking to a horse. She thinks maybe the fumes are

0:25:18.200 --> 0:25:20.320
<v Speaker 1>getting to her head. What fumes make you think horses

0:25:20.359 --> 0:25:23.240
<v Speaker 1>are talking to you? Because I want some. The next day,

0:25:23.240 --> 0:25:25.600
<v Speaker 1>back at the stables, one of mister Garrison's employees is

0:25:25.600 --> 0:25:27.720
<v Speaker 1>talking to a prospective horse killer who drove through the

0:25:27.800 --> 0:25:29.840
<v Speaker 1>night to pick up Mandalay Bride, but now they have

0:25:29.880 --> 0:25:31.720
<v Speaker 1>no idea where the animal is. The man threatens to

0:25:31.720 --> 0:25:34.439
<v Speaker 1>tell mister Garris unless he can find him. Corey overhears this,

0:25:34.480 --> 0:25:36.720
<v Speaker 1>and mister Machatto asks if she's seen the missing horse.

0:25:37.000 --> 0:25:40.080
<v Speaker 1>She gets nervous, and you can tell Machado's actually very impressed. Joking,

0:25:40.119 --> 0:25:43.600
<v Speaker 1>Mandalay probably just grew wings and flew away. Later that day,

0:25:43.640 --> 0:25:45.520
<v Speaker 1>Corey is washing one of the horses when a talkative,

0:25:45.560 --> 0:25:48.560
<v Speaker 1>smooth talker named mister Flanagan and a boy in a

0:25:48.680 --> 0:25:52.560
<v Speaker 1>very theatrical cowboy outfit arrive. Flannagan leaves to see mister Machado,

0:25:52.560 --> 0:25:54.679
<v Speaker 1>and the boy starts putting on a lasso show, clearly

0:25:54.720 --> 0:25:57.720
<v Speaker 1>to impress Corey. In the stables, mister Flanagan tries to

0:25:57.720 --> 0:26:00.399
<v Speaker 1>sell Machado on a new impressive jockey he's wrapped, named

0:26:00.400 --> 0:26:03.800
<v Speaker 1>Bee Moody, but mister Michatdo's not interested. Mister Flanagan insists,

0:26:03.800 --> 0:26:05.919
<v Speaker 1>mister Machatdo, look at what the boy can do, and

0:26:05.960 --> 0:26:08.640
<v Speaker 1>when we realize they're talking about that weird lasso kid outside,

0:26:08.720 --> 0:26:11.400
<v Speaker 1>that's where we're like, whoa. Even after seeing b Moody

0:26:11.440 --> 0:26:13.760
<v Speaker 1>dance her out of the rope, mister Michado's still uninterested,

0:26:13.800 --> 0:26:17.200
<v Speaker 1>suggesting they try the rodeo. Mister Flanagan wonders, you don't

0:26:17.240 --> 0:26:19.200
<v Speaker 1>need a new jockey. You don't need a new jockey,

0:26:19.359 --> 0:26:24.440
<v Speaker 1>or you can't afford one. Ooh, harsh. Mister Flanagan reminds

0:26:24.520 --> 0:26:26.280
<v Speaker 1>him that it's been two years. If he doesn't get

0:26:26.280 --> 0:26:28.679
<v Speaker 1>a win soon, he'll lose the barn. Knowing he's right,

0:26:28.720 --> 0:26:31.639
<v Speaker 1>mister Macchado asked what kind of experience b Moody actually has.

0:26:31.840 --> 0:26:34.160
<v Speaker 1>He was apparently born in the saddle and has experience

0:26:34.400 --> 0:26:38.440
<v Speaker 1>in Florida at the Ringling Brothers barnman Bailey Circus. He's

0:26:38.440 --> 0:26:41.480
<v Speaker 1>a circus rider, not a horse racer. Machado slightly offended,

0:26:41.480 --> 0:26:43.240
<v Speaker 1>but Flanagan wants to know if they have a deal,

0:26:43.480 --> 0:26:44.919
<v Speaker 1>and instead of taking you up on the offer, he

0:26:44.960 --> 0:26:48.360
<v Speaker 1>threatens Flannagan with a giant needle. Back. At the racetrack,

0:26:48.400 --> 0:26:50.720
<v Speaker 1>it's another big day and Lord says joined Corey to

0:26:50.760 --> 0:26:52.840
<v Speaker 1>scout some of the day's entries. She likes one horse

0:26:52.880 --> 0:26:55.840
<v Speaker 1>named Juicy Fruity because of his name. Corey tells her

0:26:55.920 --> 0:26:59.480
<v Speaker 1>Abulita that Juicy Fruity is a terrible bet. He's worn out.

0:26:59.520 --> 0:27:02.919
<v Speaker 1>Lord said, She'll still put two hundred toothpicks on Juicy Fruity?

0:27:03.040 --> 0:27:04.200
<v Speaker 1>Did you get the toothpicks? Sing?

0:27:04.240 --> 0:27:06.280
<v Speaker 2>It was just her bet, but at all it was

0:27:06.320 --> 0:27:09.480
<v Speaker 2>one of my Sabrinas sees too of like what am

0:27:09.480 --> 0:27:14.000
<v Speaker 2>I missing that I don't understand this toothpick sich jar

0:27:14.080 --> 0:27:16.160
<v Speaker 2>of toothpicks, that this lady takes everywhere I.

0:27:16.119 --> 0:27:18.840
<v Speaker 1>Know, I didn't. I didn't get it either. Corey wonders

0:27:18.840 --> 0:27:21.240
<v Speaker 1>if Lord thinks horses can talk, which is quite a

0:27:21.320 --> 0:27:23.840
<v Speaker 1>random question to ask out of nowhere, but without hesitation,

0:27:23.960 --> 0:27:26.479
<v Speaker 1>Lord says, of course they do. Corey clarifies that she

0:27:26.480 --> 0:27:29.600
<v Speaker 1>meant if horses could talk to humans in English. Lords

0:27:29.640 --> 0:27:31.879
<v Speaker 1>wonders if she's trying to tell her Abbeli to something.

0:27:32.280 --> 0:27:34.040
<v Speaker 1>Corey's about to reveal what happened the other night, but

0:27:34.080 --> 0:27:37.280
<v Speaker 1>then reminds herself that horses do not talk. As it Confused,

0:27:37.280 --> 0:27:39.560
<v Speaker 1>Corey is about to leave. Lord speaks up. They call it,

0:27:39.600 --> 0:27:43.920
<v Speaker 1>and again I'm apologies. They call it la confianza de by,

0:27:44.320 --> 0:27:48.520
<v Speaker 1>La confianza deca bios, the confidence of horses. Lord says

0:27:48.520 --> 0:27:50.879
<v Speaker 1>that many generations of their family have had this special

0:27:50.880 --> 0:27:54.840
<v Speaker 1>bond with horses, and this, to me is the story.

0:27:55.160 --> 0:27:57.199
<v Speaker 1>And you don't need the talking horse. It's just a

0:27:57.240 --> 0:28:01.600
<v Speaker 1>connection with an animal that is like this spiritual connection

0:28:01.640 --> 0:28:04.520
<v Speaker 1>with it. You didn't need to have then voiceover of

0:28:04.560 --> 0:28:06.679
<v Speaker 1>other things. Just do a beautiful horse story about this

0:28:06.720 --> 0:28:09.520
<v Speaker 1>girl and this horse that have this connection that she

0:28:09.600 --> 0:28:11.359
<v Speaker 1>learns to ride. That would have been a great movie,

0:28:11.359 --> 0:28:14.639
<v Speaker 1>but I don't know, just got muddled. Yeah, it was

0:28:14.680 --> 0:28:17.320
<v Speaker 1>really strange, but not Lord's because if they spoke to her,

0:28:17.359 --> 0:28:20.680
<v Speaker 1>she wouldn't lose so many toothpicks. Who's she betting against?

0:28:23.119 --> 0:28:26.160
<v Speaker 1>I don't get it. Lord says that horses only tell

0:28:26.160 --> 0:28:29.320
<v Speaker 1>their secrets to worthy people like Corey's dad. He had

0:28:29.359 --> 0:28:35.440
<v Speaker 1>the gift. Then the bugle is played, thank you, it's

0:28:35.440 --> 0:28:38.760
<v Speaker 1>time for the races. Corey rushes off to her job.

0:28:38.800 --> 0:28:40.920
<v Speaker 1>That was me, by the way, not an awesome bugle

0:28:40.920 --> 0:28:44.280
<v Speaker 1>guy sitting in my hot booth of me. At the

0:28:44.320 --> 0:28:46.800
<v Speaker 1>starting gate, the horses are lining up, and holy they're

0:28:46.840 --> 0:28:49.480
<v Speaker 1>all talking again. One is repeating they think they can

0:28:49.640 --> 0:28:51.800
<v Speaker 1>over and over and over again, while Hollywood shuffle is

0:28:51.840 --> 0:28:54.440
<v Speaker 1>his confidence can be. There's really no connection between the

0:28:54.480 --> 0:28:57.320
<v Speaker 1>voiceovers at all and what we're seeing. It's almost not

0:28:57.440 --> 0:28:58.920
<v Speaker 1>needed in the movie at all. It just feels like

0:28:58.960 --> 0:29:02.280
<v Speaker 1>the actors are rushing to all the words. It's really strange.

0:29:02.600 --> 0:29:04.680
<v Speaker 1>Corey here's the horse is chatting again and asks Pete,

0:29:04.720 --> 0:29:06.480
<v Speaker 1>the guy at the starting gate, if he hears anything.

0:29:06.560 --> 0:29:10.440
<v Speaker 1>Pete laughs and assumes she's on LSD. Now in the bleachers,

0:29:10.600 --> 0:29:13.160
<v Speaker 1>mister Garris tells Machado that every race needs a loser

0:29:13.200 --> 0:29:15.720
<v Speaker 1>and that's why Machado was invited. These two clearly have

0:29:15.800 --> 0:29:18.320
<v Speaker 1>some tension. Garris says he wants to buy his horse

0:29:18.320 --> 0:29:21.920
<v Speaker 1>barn for extra stalls, but mister Machado assures Garris that

0:29:21.960 --> 0:29:31.840
<v Speaker 1>his barn is not for sale. Garris adds yet, Garris

0:29:31.840 --> 0:29:34.280
<v Speaker 1>remembers the old mister Machado and how he used to

0:29:34.280 --> 0:29:36.840
<v Speaker 1>be dedicated to building a champion. What happened to that guy?

0:29:37.080 --> 0:29:39.680
<v Speaker 1>Machado says he knows what it was, and Garris tells

0:29:39.720 --> 0:29:42.680
<v Speaker 1>him to get over himself. Accidents happen, so obviously there's

0:29:42.680 --> 0:29:45.600
<v Speaker 1>something there. Garris walks away, but not before inviting Machado

0:29:45.680 --> 0:29:48.040
<v Speaker 1>to the winner circle later so he can show him around,

0:29:48.320 --> 0:29:52.160
<v Speaker 1>since he'll never get down there himself. Ooh. After the

0:29:52.240 --> 0:29:54.240
<v Speaker 1>race is back at the stables, Garris complains to his

0:29:54.240 --> 0:29:56.920
<v Speaker 1>employee that he's dumping his horse, thunder Jam. He got

0:29:57.000 --> 0:29:59.080
<v Speaker 1>stuck in the starting gate and is now embarrassed by

0:29:59.160 --> 0:30:02.040
<v Speaker 1>him again, but mc affrey reminds him insurance doesn't work

0:30:02.080 --> 0:30:05.200
<v Speaker 1>that way. While Garris steps into a pile of horse dung,

0:30:05.240 --> 0:30:06.880
<v Speaker 1>which they make like it's the worst thing in the world.

0:30:06.920 --> 0:30:09.120
<v Speaker 1>But apparently if that actually happens, it's good luck. If

0:30:09.280 --> 0:30:11.520
<v Speaker 1>it happens by accident in a horse stable, it's good luck.

0:30:11.880 --> 0:30:14.200
<v Speaker 1>Corey sees it and laughs. But now a frustrated Garrison

0:30:14.200 --> 0:30:16.320
<v Speaker 1>insists this horse is out of his life. He doesn't

0:30:16.360 --> 0:30:18.440
<v Speaker 1>care if he's shot, grind it into dog food, or

0:30:18.480 --> 0:30:21.240
<v Speaker 1>sold for peanuts, and again it's just like gross. Seeing

0:30:21.240 --> 0:30:23.720
<v Speaker 1>an opportunity, Corey jumps up. She'll take thunder Jam, and

0:30:23.760 --> 0:30:26.760
<v Speaker 1>coincidentally she has a bag of peanuts. She hands on

0:30:26.840 --> 0:30:29.000
<v Speaker 1>the bag and now officially Thunderjam is hers. And I

0:30:29.000 --> 0:30:30.880
<v Speaker 1>want the record to show that per law, this could

0:30:30.880 --> 0:30:33.440
<v Speaker 1>never happen. You can't just sell a horse for peanuts.

0:30:33.480 --> 0:30:36.760
<v Speaker 1>There's been no paperwork, nothing. This is just not a thing.

0:30:37.160 --> 0:30:38.840
<v Speaker 1>And I was just waiting for that moment in the

0:30:38.840 --> 0:30:40.400
<v Speaker 1>movie later where the horse starts to win and the

0:30:40.400 --> 0:30:42.440
<v Speaker 1>guy's like, it's my horse. You gave me peanuts. We

0:30:42.480 --> 0:30:44.200
<v Speaker 1>didn't sign anything, like. I was waiting for that.

0:30:44.080 --> 0:30:46.240
<v Speaker 2>Moment, and it just never came true. True.

0:30:46.520 --> 0:30:48.880
<v Speaker 1>Still thought that was gonna come. Corey tells thunder Jam

0:30:49.000 --> 0:30:51.120
<v Speaker 1>not to listen to the hater, He's not a loser.

0:30:51.560 --> 0:30:54.440
<v Speaker 1>We cut to a diner, Little Gabby, Corey's brother runs

0:30:54.440 --> 0:30:56.560
<v Speaker 1>in and tell his mom, Sonya, who's working as a waitress,

0:30:56.600 --> 0:30:58.840
<v Speaker 1>that she needs to come out and see something. It's Corey.

0:30:59.080 --> 0:31:02.080
<v Speaker 1>She bought a horse over at the stables. Corey is

0:31:02.120 --> 0:31:04.200
<v Speaker 1>so excited, going on and on about how they're are

0:31:04.320 --> 0:31:06.880
<v Speaker 1>dream team and she'll one day buy her mom the

0:31:06.920 --> 0:31:09.600
<v Speaker 1>house she's always wanted. But right on cue, Sonya storms

0:31:09.600 --> 0:31:12.160
<v Speaker 1>in and tells Corey to just give it back. Corey wine,

0:31:12.200 --> 0:31:14.680
<v Speaker 1>she can't return thunder Jam, they'll kill him, but Sonya

0:31:14.720 --> 0:31:16.440
<v Speaker 1>puts her foot down. She can barely take care of

0:31:16.440 --> 0:31:19.720
<v Speaker 1>her family, let alone a horse. But which is It's true?

0:31:19.920 --> 0:31:21.520
<v Speaker 2>Super so expensive?

0:31:21.640 --> 0:31:23.360
<v Speaker 1>Yeah, it's crazy.

0:31:24.000 --> 0:31:26.120
<v Speaker 2>That's what makes I think the whole joke of like

0:31:26.120 --> 0:31:28.520
<v Speaker 2>when little girls say I want a pony for my birthday,

0:31:28.600 --> 0:31:31.760
<v Speaker 2>and it's like, not only is the like initial cost

0:31:31.880 --> 0:31:35.920
<v Speaker 2>very expensive, but like the upkeep, yeah, but Julians where

0:31:35.960 --> 0:31:37.280
<v Speaker 2>you keep it and all that?

0:31:37.360 --> 0:31:41.600
<v Speaker 1>Yeah, so very very expensive. Hobby or sport, depending on

0:31:41.600 --> 0:31:44.280
<v Speaker 1>how into it you are. But Corey promises there she'll

0:31:44.280 --> 0:31:46.360
<v Speaker 1>take care of TJ. Mister Machatda then chimes in the

0:31:46.360 --> 0:31:48.880
<v Speaker 1>horse can stay in stalls if it's okay with Sonya,

0:31:48.920 --> 0:31:51.320
<v Speaker 1>but the answer is still no. Corey tries to explain

0:31:51.360 --> 0:31:53.560
<v Speaker 1>that thunder Jam can pay his own way in race winnings,

0:31:53.600 --> 0:31:57.600
<v Speaker 1>something mister Machatto says is actually possible. Sonya still isn't sold,

0:31:57.640 --> 0:32:00.640
<v Speaker 1>but mister Machatda assures her even if thunder Jam doesn't win,

0:32:00.760 --> 0:32:03.320
<v Speaker 1>he can still live at the barn. Sonya agrees for now,

0:32:03.360 --> 0:32:06.400
<v Speaker 1>and Corey is elated. Now in Corey's bedroom before bed,

0:32:06.480 --> 0:32:08.520
<v Speaker 1>Sonya reminds her daughter that having a horse does not

0:32:08.560 --> 0:32:10.800
<v Speaker 1>make her a jockey, and if she catches Corey on

0:32:11.000 --> 0:32:14.000
<v Speaker 1>any horse in a race, including thunder Jam, she's gonna

0:32:14.000 --> 0:32:16.440
<v Speaker 1>give it away herself. The next morning, at the stables,

0:32:16.440 --> 0:32:18.520
<v Speaker 1>Corey arrives to wish thunder Jam a good morning. Then

0:32:18.600 --> 0:32:22.680
<v Speaker 1>Thunderjam responds, he yawns and says good morning back, completely

0:32:22.720 --> 0:32:25.400
<v Speaker 1>shocking Corey. She stares deep into his eyes, what the

0:32:25.440 --> 0:32:27.240
<v Speaker 1>hell is going on? She gets a jump scare when

0:32:27.240 --> 0:32:30.080
<v Speaker 1>the horse jokingly says boo. Shej keeps talking to her

0:32:30.080 --> 0:32:32.280
<v Speaker 1>and she can't believe what she's hearing. She realizes she

0:32:32.320 --> 0:32:35.280
<v Speaker 1>probably has the gift like her dad and Thunderjam admits

0:32:35.320 --> 0:32:37.840
<v Speaker 1>he stinks at racing, but she's ready to coach him.

0:32:38.120 --> 0:32:40.160
<v Speaker 1>Just then, mister Machado walks in and Corey pretends she

0:32:40.200 --> 0:32:42.040
<v Speaker 1>wasn't talking to a horse by letting him know she

0:32:42.080 --> 0:32:44.000
<v Speaker 1>was not talking to a horse, which is definitely something

0:32:44.040 --> 0:32:47.280
<v Speaker 1>someone who was talking to a horse would say. Thunderjam

0:32:47.320 --> 0:32:49.800
<v Speaker 1>reveals to Corey that she's the only one that can

0:32:49.840 --> 0:32:52.360
<v Speaker 1>hear him. He yells at mister Machado, hey, you goat face,

0:32:52.440 --> 0:32:56.440
<v Speaker 1>but no reaction. Corey repeats goat face, mostly in confusion,

0:32:56.640 --> 0:32:59.600
<v Speaker 1>and mister Machatdo is offended. Corey blames thunder Jam, and

0:32:59.640 --> 0:33:03.200
<v Speaker 1>now mister Richatto's wonders if she's mentally ill. Corey admits

0:33:03.240 --> 0:33:05.480
<v Speaker 1>she's not sure and says she's talking to Thunderjam on

0:33:05.520 --> 0:33:08.120
<v Speaker 1>a workout, but mister Mitchatto says that won't be necessary.

0:33:08.360 --> 0:33:11.080
<v Speaker 1>Thunder Jam will not be racing again. He's a plug,

0:33:11.280 --> 0:33:13.360
<v Speaker 1>not a race horse, and I assume a plug means

0:33:13.680 --> 0:33:17.000
<v Speaker 1>a non raceable horse. Thunder Jam scoffs plug is a

0:33:17.040 --> 0:33:19.920
<v Speaker 1>little strong. Corey is confused, though mister Michatdo said thunder

0:33:19.960 --> 0:33:22.200
<v Speaker 1>Jam could pay his way with his winnings, but he

0:33:22.240 --> 0:33:24.320
<v Speaker 1>admits he only said that to her mom so that

0:33:24.360 --> 0:33:27.000
<v Speaker 1>she could keep the horse. Corey still wants to at

0:33:27.040 --> 0:33:29.760
<v Speaker 1>least exercise him, and mister Mitchatdo says that's fine, just

0:33:29.800 --> 0:33:33.320
<v Speaker 1>be careful. Now. On the practice track, Corey is riding

0:33:33.320 --> 0:33:36.400
<v Speaker 1>Thunderjam around the circle. He's pretty slow, and he eventually

0:33:36.440 --> 0:33:38.400
<v Speaker 1>comes to a screeching halt when he's scared by an

0:33:38.480 --> 0:33:41.120
<v Speaker 1>ugly dog and almost completely knocking Corey off the horse.

0:33:41.440 --> 0:33:43.400
<v Speaker 1>Thunder Jam takes off running for the dog, and mister

0:33:43.440 --> 0:33:46.240
<v Speaker 1>Mitchatda notices how fast the horse is actually running. He

0:33:46.280 --> 0:33:49.360
<v Speaker 1>gets out his timer and is beyond impressed. Mister Michatdo

0:33:49.360 --> 0:33:51.640
<v Speaker 1>tells Corey Thunderjam might be a race horse after all.

0:33:51.760 --> 0:33:53.360
<v Speaker 1>Corey is so happy and wants to know when they

0:33:53.360 --> 0:33:55.120
<v Speaker 1>can start training her, and her boss says, as soon

0:33:55.160 --> 0:33:57.840
<v Speaker 1>as we find a jockey. Corey's not phazed. She tells

0:33:57.880 --> 0:34:00.960
<v Speaker 1>him me, me, you're looking at her. Mister mcchatdow reminds

0:34:00.960 --> 0:34:02.960
<v Speaker 1>Corey that she knows better than that, but Corey doesn't

0:34:02.960 --> 0:34:06.200
<v Speaker 1>get it. If not me, then who? We quickly cut

0:34:06.240 --> 0:34:08.879
<v Speaker 1>to the cowboy rodeo kid b Moody standing up while

0:34:08.960 --> 0:34:11.319
<v Speaker 1>riding thunder Jam, dancing around like a main performer in

0:34:11.360 --> 0:34:14.320
<v Speaker 1>the circus. Corey admits that Bee Moody is obviously performer,

0:34:14.400 --> 0:34:17.480
<v Speaker 1>but he's not a jockey. Mister Michado swears as a

0:34:17.560 --> 0:34:19.960
<v Speaker 1>jockey in there somewhere, he just needs some help. Once

0:34:20.000 --> 0:34:22.080
<v Speaker 1>b Moody is done with the first ride, both Corey

0:34:22.120 --> 0:34:24.439
<v Speaker 1>and TJ are a little bit annoyed. Mister Macchatdo tells

0:34:24.480 --> 0:34:26.520
<v Speaker 1>the kid to not take it personally. Corey's just jealous,

0:34:26.560 --> 0:34:29.160
<v Speaker 1>and just like that, B Moody gets the job because

0:34:29.200 --> 0:34:31.960
<v Speaker 1>he's a man. He jumps up to celebrate, eventually hugging

0:34:31.960 --> 0:34:34.800
<v Speaker 1>and kissing the horse, to which thunder Jam says, ew yuck.

0:34:35.480 --> 0:34:39.560
<v Speaker 1>And it's like okay, I guess she's not allowed to ride,

0:34:40.000 --> 0:34:43.840
<v Speaker 1>but okay, anyway, we're back at the stables. Mister Macchatdo

0:34:43.920 --> 0:34:46.919
<v Speaker 1>looks through thunder Jam's file and notices his father won

0:34:47.000 --> 0:34:50.360
<v Speaker 1>the Kentucky Derby, so he's got an impressive bloodline. Corey

0:34:50.400 --> 0:34:53.000
<v Speaker 1>wonders what's wrong with TJ then, and mister Machado assumes

0:34:53.040 --> 0:34:56.600
<v Speaker 1>that Garris random way too often. Good news is Machado's

0:34:56.600 --> 0:34:59.400
<v Speaker 1>optimistic They can turn Thunderjam back into a good race horse,

0:34:59.520 --> 0:35:02.280
<v Speaker 1>but he'll Corey's help even if she won't be the jockey.

0:35:02.400 --> 0:35:05.160
<v Speaker 1>It's not ideal, but of course wants to help because

0:35:05.200 --> 0:35:08.320
<v Speaker 1>it's her horse. So the team is set now on

0:35:08.360 --> 0:35:10.640
<v Speaker 1>the practice track. They're working to get TJ into a gate.

0:35:10.920 --> 0:35:13.680
<v Speaker 1>He's still pulling away and yelling to Corey he's scared.

0:35:14.000 --> 0:35:15.719
<v Speaker 1>Eventually they do get him in a position with b

0:35:15.880 --> 0:35:18.919
<v Speaker 1>Moody riding him. After multiple tries opening the gates, thunder

0:35:19.000 --> 0:35:21.760
<v Speaker 1>Jam just goes nowhere. On the third try, Thunderjam throws

0:35:21.760 --> 0:35:24.520
<v Speaker 1>be Moody into the dirt, announcing always wear a seatbelt.

0:35:24.920 --> 0:35:28.719
<v Speaker 1>Mister Machado admits this is gonna take a while. I'm

0:35:28.719 --> 0:35:31.000
<v Speaker 1>gonna stop real quick. So I'm just curious where was

0:35:31.040 --> 0:35:34.160
<v Speaker 1>your head during this part of the film. Were you

0:35:34.920 --> 0:35:38.040
<v Speaker 1>were you in at this park? Did you were you

0:35:38.120 --> 0:35:38.880
<v Speaker 1>getting the movie?

0:35:39.520 --> 0:35:41.719
<v Speaker 2>I was getting it. It just was kind of like,

0:35:42.680 --> 0:35:44.920
<v Speaker 2>h like it was just kind of mediocre for me

0:35:45.120 --> 0:35:48.279
<v Speaker 2>at this point. It wasn't it all. I didn't hate it. Yeah,

0:35:48.280 --> 0:35:51.640
<v Speaker 2>I completely I could understand. I agree with you about

0:35:51.680 --> 0:35:54.640
<v Speaker 2>the like the horse stuff, even like when he went

0:35:54.719 --> 0:35:57.080
<v Speaker 2>ill yack, like it was just kind of like it

0:35:57.239 --> 0:35:59.440
<v Speaker 2>just a lot of it was just not necessary. So

0:35:59.480 --> 0:36:02.360
<v Speaker 2>it's kind of at this point, just like we just

0:36:02.440 --> 0:36:03.400
<v Speaker 2>hit a flat line.

0:36:03.560 --> 0:36:07.840
<v Speaker 1>I can see watching I could completely see why this

0:36:07.960 --> 0:36:10.799
<v Speaker 1>movie is was just forgettable. Yeah, that was the thing.

0:36:10.840 --> 0:36:13.680
<v Speaker 1>It was like, I just I was like, I understand

0:36:13.680 --> 0:36:15.480
<v Speaker 1>why nobody kind of right, and.

0:36:15.640 --> 0:36:17.520
<v Speaker 2>It made sense to me when I looked and saw

0:36:17.520 --> 0:36:19.080
<v Speaker 2>that it was made in the two thousands, Like it

0:36:19.120 --> 0:36:21.399
<v Speaker 2>was made in two thousands. It was made before they

0:36:21.440 --> 0:36:25.760
<v Speaker 2>found that perfect like remedy that like before the Banks.

0:36:25.680 --> 0:36:28.120
<v Speaker 1>After the Breaks, and before the Cheetah Girls. That kind

0:36:28.120 --> 0:36:32.000
<v Speaker 1>of that weird the two thousand and one kind of just.

0:36:32.000 --> 0:36:35.120
<v Speaker 2>The they were kind of throwing, you know, things at

0:36:35.160 --> 0:36:38.080
<v Speaker 2>a wall and seeing what's stuck, not necessarily had that

0:36:38.160 --> 0:36:41.120
<v Speaker 2>perfect formula that they found later on.

0:36:41.320 --> 0:36:42.439
<v Speaker 1>I agree with you one hundred percent.

0:36:42.640 --> 0:36:43.520
<v Speaker 2>Yeah.

0:36:43.560 --> 0:36:45.440
<v Speaker 1>We are now at the diner. Machado gets a cup

0:36:45.480 --> 0:36:47.560
<v Speaker 1>of coffee from Sonia and she thanks him for keeping

0:36:47.560 --> 0:36:50.040
<v Speaker 1>Corey's horse in the barn. Sonya insists on giving mister

0:36:50.040 --> 0:36:52.200
<v Speaker 1>Machatdo coffee on the house and encourages him to stop

0:36:52.239 --> 0:36:56.080
<v Speaker 1>working too much, maybe he'll meet somebody. Mister Machado encourages

0:36:56.160 --> 0:36:57.840
<v Speaker 1>only to do the same, but she says it's different

0:36:57.840 --> 0:37:00.360
<v Speaker 1>because she has a family to provide for mister Shatto

0:37:00.400 --> 0:37:03.120
<v Speaker 1>has no excuse. He does start to hint that there

0:37:03.280 --> 0:37:05.520
<v Speaker 1>is someone he has an interest in. Sonya wonders two

0:37:05.600 --> 0:37:08.280
<v Speaker 1>legs or four? Machado laughs, it's very much a woman,

0:37:08.600 --> 0:37:11.000
<v Speaker 1>and she is wonderful. He fell in love at first sight,

0:37:11.080 --> 0:37:14.160
<v Speaker 1>with obvious tension now between them, So Sonya asks what's

0:37:14.239 --> 0:37:15.399
<v Speaker 1>up with this wonderful woman?

0:37:15.440 --> 0:37:15.640
<v Speaker 3>Then?

0:37:15.920 --> 0:37:17.920
<v Speaker 1>And he gets flustered and rushes off to check on

0:37:18.000 --> 0:37:21.600
<v Speaker 1>thunder Jam, a real missed connection at the stables. Corey's

0:37:21.640 --> 0:37:24.040
<v Speaker 1>letting Thunderjam have it. What is his problem? She reminds

0:37:24.080 --> 0:37:25.640
<v Speaker 1>her horse that the first rule of racing is that

0:37:25.680 --> 0:37:27.400
<v Speaker 1>you can't win if you don't leave the starting gate.

0:37:27.719 --> 0:37:30.080
<v Speaker 1>Thunder Jam reminds her you can't win with him period.

0:37:30.120 --> 0:37:32.200
<v Speaker 1>He's too old. It's time to put him out to

0:37:32.239 --> 0:37:35.520
<v Speaker 1>stud Corey changes her tune, Hey, maybe TJ's right. We

0:37:36.200 --> 0:37:38.759
<v Speaker 1>quickly cut to a kid's party with balloons, train rides,

0:37:38.800 --> 0:37:41.200
<v Speaker 1>and bouncy houses. Corey is walking TJ in a circle

0:37:41.239 --> 0:37:43.000
<v Speaker 1>with a little kid in his back, but thunder Jam

0:37:43.040 --> 0:37:46.040
<v Speaker 1>is disappointed. He expected more studs at this stud farm,

0:37:46.200 --> 0:37:48.040
<v Speaker 1>but this isn't a stud farm. He can't even get

0:37:48.040 --> 0:37:50.920
<v Speaker 1>into a stud farm. He's not a stud. She warns him,

0:37:51.080 --> 0:37:54.000
<v Speaker 1>you better start trying or pony rides are his future.

0:37:54.480 --> 0:37:56.799
<v Speaker 1>Back at Machado's, TJ gets into the starting gate and

0:37:56.840 --> 0:37:59.120
<v Speaker 1>finally takes off perfectly. The team is thrilled, and then

0:37:59.160 --> 0:38:01.680
<v Speaker 1>we get a little monto and normally I love a montage,

0:38:01.680 --> 0:38:06.000
<v Speaker 1>but it's just a montage where TJ even outruns Hollywood Dream.

0:38:06.360 --> 0:38:08.319
<v Speaker 1>The next day, at Corey's house, B Moody tries on

0:38:08.360 --> 0:38:10.840
<v Speaker 1>different uniforms in front of lords mister Machado and Corey.

0:38:11.200 --> 0:38:13.520
<v Speaker 1>While looking for his jockey look. He tries a dozen

0:38:13.560 --> 0:38:17.080
<v Speaker 1>different vibes, from Midlife, Elvis to Matador. He eventually lands

0:38:17.120 --> 0:38:19.600
<v Speaker 1>on a shiny red number with musical notes printed, and

0:38:19.719 --> 0:38:22.800
<v Speaker 1>everyone loves it. Machado then visits Pete, the man in

0:38:22.880 --> 0:38:24.680
<v Speaker 1>charge of setting races at the track, but he wasn't

0:38:24.680 --> 0:38:27.960
<v Speaker 1>impressed with thunder Jam's past performances. Races are for race horses.

0:38:28.239 --> 0:38:30.640
<v Speaker 1>Mister Machado promises that thunder Jam was just in the

0:38:30.680 --> 0:38:34.000
<v Speaker 1>wrong races. Corey and B Moody got him ready. This

0:38:34.080 --> 0:38:36.640
<v Speaker 1>does not impress Pete Moody as a circus rider, not

0:38:36.719 --> 0:38:38.720
<v Speaker 1>a jockey, and now he has a kid as a trainer,

0:38:38.960 --> 0:38:41.520
<v Speaker 1>Thunderjam is just a waste of time, but mister Machado

0:38:41.520 --> 0:38:43.120
<v Speaker 1>won't take no for an answer. He points to a

0:38:43.120 --> 0:38:45.279
<v Speaker 1>picture of a horse on Pete's wall. He trained that

0:38:45.360 --> 0:38:47.200
<v Speaker 1>champ and when he first got him, he wouldn't cross

0:38:47.239 --> 0:38:49.520
<v Speaker 1>the street. But eventually mister Machado got him to be

0:38:49.560 --> 0:38:51.920
<v Speaker 1>the best horse the track has ever seen. He begs

0:38:51.960 --> 0:38:53.840
<v Speaker 1>for a chance, and Pete says he'll see what he

0:38:53.880 --> 0:38:57.640
<v Speaker 1>can do. Back on the track, Corey is yelling out

0:38:57.640 --> 0:38:59.720
<v Speaker 1>advice to Moody, but he can't hear her. He's wearing headphones,

0:38:59.719 --> 0:39:02.080
<v Speaker 1>listening in music. It helps him become one with the horse.

0:39:02.320 --> 0:39:04.719
<v Speaker 1>It helps him to feel the rhythms, whether it's Pearl

0:39:04.760 --> 0:39:07.879
<v Speaker 1>Jam or the Chili Peppers, who said whether it's Pearl

0:39:07.960 --> 0:39:09.880
<v Speaker 1>Jam or the Chili Peppers, who he says, is a

0:39:09.880 --> 0:39:13.960
<v Speaker 1>band who can quote unquote crank. We enter another montage

0:39:14.040 --> 0:39:16.400
<v Speaker 1>now with Corey and b Moody trading Thunderjam over a

0:39:16.440 --> 0:39:18.799
<v Speaker 1>motivational rock song. And this is where I loved, where

0:39:18.840 --> 0:39:21.839
<v Speaker 1>he could talk about all these bands. It's like it's

0:39:21.880 --> 0:39:24.680
<v Speaker 1>led Zeppelin, it's Pearl Jam, It's the greatest. And then

0:39:24.719 --> 0:39:27.800
<v Speaker 1>they cut to the most generic like we're rock band

0:39:27.840 --> 0:39:29.080
<v Speaker 1>singing in a battle horse.

0:39:29.120 --> 0:39:35.799
<v Speaker 2>So it's like, okay, oh man, you couldn't be more right.

0:39:35.920 --> 0:39:41.960
<v Speaker 2>It was like just the style of the music in

0:39:42.000 --> 0:39:47.680
<v Speaker 2>the score changed. Yes, so many different times, Yes, so many.

0:39:47.960 --> 0:39:50.600
<v Speaker 2>We had like a sort of ska band at one

0:39:50.640 --> 0:39:53.480
<v Speaker 2>point when they were racing, like it just was.

0:39:55.239 --> 0:39:58.080
<v Speaker 1>It was weird. It was it was strange musically.

0:39:58.280 --> 0:40:00.640
<v Speaker 2>It was again like it was like they didn't know

0:40:00.680 --> 0:40:03.400
<v Speaker 2>what kind of music needed to be in this specific movie.

0:40:03.480 --> 0:40:05.240
<v Speaker 2>They didn't have the formula.

0:40:05.000 --> 0:40:05.920
<v Speaker 1>Right, you're right.

0:40:05.960 --> 0:40:08.360
<v Speaker 2>They tried to pull in what they've done with Brink,

0:40:08.360 --> 0:40:10.920
<v Speaker 2>where it was more of that like ska band skater stuff.

0:40:11.000 --> 0:40:13.440
<v Speaker 2>It's like, this is a worse movie and they could

0:40:13.760 --> 0:40:14.279
<v Speaker 2>doesn't go.

0:40:14.280 --> 0:40:19.040
<v Speaker 1>Here, don't don't actually reference real bands and say like

0:40:19.520 --> 0:40:22.000
<v Speaker 1>it's Pearl Jam, it's Chili Peppers, and then do that

0:40:22.080 --> 0:40:24.600
<v Speaker 1>just be like, oh, it's rock and roll. It's just

0:40:24.640 --> 0:40:26.239
<v Speaker 1>the beat gets me going. So then when you just

0:40:26.320 --> 0:40:29.479
<v Speaker 1>hear rock and roll music as opposed to somebody right, yes,

0:40:29.719 --> 0:40:31.759
<v Speaker 1>I got you the best Christmas present in the world,

0:40:31.840 --> 0:40:34.600
<v Speaker 1>and then it sucks. So it's like, okay, you're not

0:40:34.719 --> 0:40:38.400
<v Speaker 1>helping me out, right, So then we enter another montage

0:40:38.480 --> 0:40:40.719
<v Speaker 1>now with Corey and B Moody training thunder Jam over

0:40:40.760 --> 0:40:43.840
<v Speaker 1>a motivational rock song. I'm putting motivational on quotes. Corey

0:40:43.880 --> 0:40:47.600
<v Speaker 1>loves wearing the headphones now too. At the diner, Machado's

0:40:47.600 --> 0:40:49.640
<v Speaker 1>back getting coffee. This guy drinks a lot of coffee

0:40:49.640 --> 0:40:50.960
<v Speaker 1>because he's kind of trying to get a little bit

0:40:51.000 --> 0:40:53.320
<v Speaker 1>of love and chatting with Sonya. When B. Moody and

0:40:53.360 --> 0:40:55.360
<v Speaker 1>Corey come running in. They want to know when TJ

0:40:55.480 --> 0:40:57.840
<v Speaker 1>will get a shot. The kids think the horse is ready,

0:40:57.840 --> 0:41:00.600
<v Speaker 1>and their boss reveals this weekend and the number seven

0:41:00.640 --> 0:41:04.120
<v Speaker 1>horse will be thunder jam Be. Moody thinks, ah Man,

0:41:04.160 --> 0:41:06.719
<v Speaker 1>somebody stole their horse's name, but eventually he figures it out,

0:41:06.760 --> 0:41:09.080
<v Speaker 1>and that might have been the funniest part of the movie.

0:41:09.560 --> 0:41:11.959
<v Speaker 1>That night, Machado and Corey are scouting their opponent's tapes,

0:41:12.040 --> 0:41:14.560
<v Speaker 1>learning their big moves. Garris apparently has a real stud

0:41:14.560 --> 0:41:17.239
<v Speaker 1>with Cyclone and they need to keep TJ away from him.

0:41:17.400 --> 0:41:19.520
<v Speaker 1>Corey wants to know the deal with mister Garris. Machado

0:41:19.600 --> 0:41:21.759
<v Speaker 1>calls it a friendly rivalry, but it's obviously so much

0:41:21.760 --> 0:41:23.880
<v Speaker 1>more than that. Machado admits he used to work for

0:41:23.920 --> 0:41:26.080
<v Speaker 1>Garris when he was young, it was his chance to

0:41:26.120 --> 0:41:28.279
<v Speaker 1>train a champ and they had a falling out over

0:41:28.320 --> 0:41:30.359
<v Speaker 1>a colt. It was a great horse, but the morning

0:41:30.360 --> 0:41:33.040
<v Speaker 1>of the race, Machado noticed an injured hoof, but since

0:41:33.040 --> 0:41:35.160
<v Speaker 1>the vet missed it, Garris wanted to race him anyway,

0:41:35.239 --> 0:41:37.759
<v Speaker 1>so Machado quit. He tried to warn the jockey, but

0:41:37.800 --> 0:41:39.480
<v Speaker 1>it was too late. Near the end of the race,

0:41:39.520 --> 0:41:41.600
<v Speaker 1>the horse went over the rail and crashed out. Corey

0:41:41.640 --> 0:41:44.040
<v Speaker 1>realizes that was her dad. That was the race that

0:41:44.160 --> 0:41:46.440
<v Speaker 1>killed him. Machado says, her dad was a good man

0:41:46.480 --> 0:41:48.080
<v Speaker 1>and a great rider. He knew what to do and

0:41:48.120 --> 0:41:50.239
<v Speaker 1>when to do it. He even used to say he

0:41:50.320 --> 0:41:53.960
<v Speaker 1>knew what the horses were saying. Oh sound familiar. Sonya

0:41:54.040 --> 0:41:56.480
<v Speaker 1>arrives with some food and coffee. She says, Machado did

0:41:56.480 --> 0:41:58.200
<v Speaker 1>what he could do to stop the accident. It wasn't

0:41:58.200 --> 0:42:00.359
<v Speaker 1>at all his fault. She hopes they find a way

0:42:00.360 --> 0:42:02.160
<v Speaker 1>to win, and Corey begs her mom to come to

0:42:02.200 --> 0:42:04.200
<v Speaker 1>the race, but she has too many memories there maybe

0:42:04.200 --> 0:42:07.000
<v Speaker 1>another time. Now in the track, races have already begun

0:42:07.040 --> 0:42:09.080
<v Speaker 1>and Corey is bringing b. Moody now in his uniform

0:42:09.120 --> 0:42:12.400
<v Speaker 1>and TJ to the gate, while Machado waits, he exchanges words.

0:42:12.440 --> 0:42:15.000
<v Speaker 1>As thunderjm enters the starting position, he tells Corey he

0:42:15.040 --> 0:42:17.560
<v Speaker 1>feels perfect, almost like he has wings. Some of the

0:42:17.600 --> 0:42:19.880
<v Speaker 1>other horses are already talking trash though with this cool

0:42:19.880 --> 0:42:24.200
<v Speaker 1>guy Cyclone calling TJ thunder Jerk. Unfortunately, just so it

0:42:24.239 --> 0:42:26.120
<v Speaker 1>looks like the horse is a bully too. He can't

0:42:26.120 --> 0:42:29.680
<v Speaker 1>even avoid bullies in the horse world, No, Unfortunately, just

0:42:29.719 --> 0:42:31.759
<v Speaker 1>before the race, TJ starts to have some doubts. In

0:42:31.800 --> 0:42:33.799
<v Speaker 1>a fun plot point moment, as Corey is talking to

0:42:33.800 --> 0:42:35.600
<v Speaker 1>the horse, b Moody is wearing his headphones so we

0:42:35.600 --> 0:42:37.879
<v Speaker 1>can't really hear them. Corey gives her long shot horse

0:42:37.880 --> 0:42:39.680
<v Speaker 1>some last minute words of encouragement and gets him to

0:42:39.719 --> 0:42:42.560
<v Speaker 1>the gate. Right before the race, we see Abulita and

0:42:42.640 --> 0:42:45.080
<v Speaker 1>Corey's brother in the crowd, and just before the starting flag,

0:42:45.120 --> 0:42:48.040
<v Speaker 1>Corey has an idea. She places the headphones on TJ's

0:42:48.080 --> 0:42:50.000
<v Speaker 1>ears and he's now blocking out his thoughts with some

0:42:50.160 --> 0:42:53.160
<v Speaker 1>again generic kind of pop punk music, and it's worked.

0:42:53.400 --> 0:42:54.839
<v Speaker 1>He's hot out of the gate and in the lead.

0:42:55.040 --> 0:42:57.399
<v Speaker 1>TJ is finally showing off his pedigree in the end.

0:42:57.480 --> 0:42:59.719
<v Speaker 1>Just before the finish line, Cyclone gives TJ a little

0:42:59.719 --> 0:43:02.680
<v Speaker 1>push injuring him and stopping the horse dead in his tracks.

0:43:02.880 --> 0:43:05.040
<v Speaker 1>Machado and Corey run out from the stands to help.

0:43:05.239 --> 0:43:07.680
<v Speaker 1>The nurse gets there a few seconds later, and they

0:43:07.719 --> 0:43:10.320
<v Speaker 1>all work on his calf back in the stalls. The

0:43:10.400 --> 0:43:12.560
<v Speaker 1>nurse diagnosed him with just some tendon swelling. There's no

0:43:12.600 --> 0:43:14.520
<v Speaker 1>real damage. All he's gonna need is some rest, but

0:43:14.560 --> 0:43:17.000
<v Speaker 1>it was quite a scare. Corey decides to stay with him,

0:43:17.040 --> 0:43:19.040
<v Speaker 1>and she ends up talking to the horse about everything.

0:43:19.400 --> 0:43:21.440
<v Speaker 1>TJ thinks he let her down, but she insists he

0:43:21.560 --> 0:43:24.480
<v Speaker 1>ran great. He liked the music. It suedhim and got

0:43:24.560 --> 0:43:26.720
<v Speaker 1>him in the groove. But while they're chatting and laughing,

0:43:26.800 --> 0:43:30.879
<v Speaker 1>Sonia walks in undetected and realizes Corey has the same

0:43:30.960 --> 0:43:34.920
<v Speaker 1>gift as her husband. The next morning, at the stables,

0:43:35.000 --> 0:43:37.560
<v Speaker 1>Corey is still working on TJ's calf when Machado arrives.

0:43:37.719 --> 0:43:40.279
<v Speaker 1>B Moody comes running in with the newspaper thunder Jam

0:43:40.440 --> 0:43:43.840
<v Speaker 1>is on the cover. You just love the name, huh,

0:43:44.080 --> 0:43:47.239
<v Speaker 1>be Moody, Be Moody. That's all right, I'm gonna say

0:43:47.239 --> 0:43:50.600
<v Speaker 1>it every time. Be Moody comes running in with his newspaper.

0:43:50.640 --> 0:43:52.600
<v Speaker 1>Thunder Jam's on the cover. The sports page for his

0:43:52.640 --> 0:43:56.600
<v Speaker 1>heroic attempt. So he made the cover because he didn't

0:43:56.640 --> 0:43:57.480
<v Speaker 1>finish the race.

0:43:59.360 --> 0:44:04.200
<v Speaker 2>I think yeah, I mean because phones No, I think

0:44:04.239 --> 0:44:07.759
<v Speaker 2>it was because like he was like a new up

0:44:07.800 --> 0:44:09.960
<v Speaker 2>and comer, you know how they would kind of talk

0:44:10.000 --> 0:44:13.000
<v Speaker 2>about like, oh, someone knew has entered the race, you

0:44:13.040 --> 0:44:15.200
<v Speaker 2>know kind of thing. Even though he didn't end up winning,

0:44:15.760 --> 0:44:18.160
<v Speaker 2>he did really, really well and no one had even

0:44:18.200 --> 0:44:20.319
<v Speaker 2>heard of this horse because he But.

0:44:20.320 --> 0:44:22.960
<v Speaker 1>He didn't do well because he didn't finish, But.

0:44:22.920 --> 0:44:24.800
<v Speaker 2>He didn't do well towards the end. At one point

0:44:24.800 --> 0:44:27.960
<v Speaker 2>he was leading, leading most of the time.

0:44:28.160 --> 0:44:32.239
<v Speaker 1>But he's still a DNF. He's still dropped anyway. But

0:44:32.360 --> 0:44:34.440
<v Speaker 1>you're right, and now they have to rehab him for

0:44:34.480 --> 0:44:36.840
<v Speaker 1>his next big race. Not only is he winning some qualifiers,

0:44:36.880 --> 0:44:39.480
<v Speaker 1>but Corey's figure out exactly what music he likes. We

0:44:39.560 --> 0:44:42.319
<v Speaker 1>get another montage now, with thunder Jam winning race after

0:44:42.400 --> 0:44:45.920
<v Speaker 1>race and newspapers even calling him a possible Derby contender.

0:44:46.320 --> 0:44:49.279
<v Speaker 1>The only person not celebrating is Garris. He should have

0:44:49.280 --> 0:44:53.279
<v Speaker 1>gotten two bags of peanuts. Later, the track holds a

0:44:53.320 --> 0:44:55.520
<v Speaker 1>little party for the teams and Sonya actually comes. She

0:44:55.560 --> 0:44:57.799
<v Speaker 1>tells Machadou how great he's been with Corey, and it's

0:44:57.840 --> 0:44:59.719
<v Speaker 1>so thankful for everything he's done for her. And in

0:44:59.719 --> 0:45:01.719
<v Speaker 1>a moment of connection, he wonders if the woman he

0:45:01.760 --> 0:45:03.879
<v Speaker 1>spoke about the other day, the one he's always liked,

0:45:03.920 --> 0:45:07.280
<v Speaker 1>would want to dance with him. That's when she smiles.

0:45:07.360 --> 0:45:09.560
<v Speaker 1>He turns around, grabs another woman and says, meet her.

0:45:09.600 --> 0:45:11.400
<v Speaker 1>This is the woman I've been in love. I'm kidding,

0:45:13.239 --> 0:45:15.080
<v Speaker 1>That's not what happens at all. They start to dance,

0:45:15.120 --> 0:45:17.239
<v Speaker 1>and finally, this relationship between a woman and her dead

0:45:17.320 --> 0:45:21.439
<v Speaker 1>husband's best friend is on. Eventually, the track manager takes

0:45:21.440 --> 0:45:23.480
<v Speaker 1>the mic and talks about how incredible thunder Jam has

0:45:23.480 --> 0:45:25.680
<v Speaker 1>been for business. He admits he was wrong about TJ

0:45:25.800 --> 0:45:28.399
<v Speaker 1>and praises the team. He calls up the Sonora Downs owner,

0:45:28.400 --> 0:45:31.040
<v Speaker 1>who announces he submitted TJ to a RaSE the gold

0:45:31.120 --> 0:45:34.520
<v Speaker 1>Rush Derby, but the derby's in two days. Machato isn't

0:45:34.560 --> 0:45:36.880
<v Speaker 1>sure he can do this, but when pressured with the opportunity,

0:45:36.880 --> 0:45:40.520
<v Speaker 1>he reluctantly says yes. But Garris is furious. He says

0:45:40.520 --> 0:45:42.800
<v Speaker 1>the gold Rush Derby is for five hundred thousand dollars

0:45:42.800 --> 0:45:45.880
<v Speaker 1>and thunder Jam doesn't deserve it. Cyclone does, so turns

0:45:45.920 --> 0:45:49.560
<v Speaker 1>out they're both gonna compete. Machado and Sonya go back

0:45:49.560 --> 0:45:52.680
<v Speaker 1>to slow dancing with romantic mariachi music, while Corey and

0:45:52.800 --> 0:45:56.080
<v Speaker 1>Be Moody talk about the derby. She says she's excited,

0:45:56.080 --> 0:46:00.239
<v Speaker 1>but Be Moody wonders if Kay just doing it for you.

0:46:01.640 --> 0:46:04.520
<v Speaker 1>I'm just doing it for you, wonders if she's mad

0:46:04.640 --> 0:46:07.560
<v Speaker 1>and she can't race it herself. At first, she doesn't understand,

0:46:07.560 --> 0:46:11.080
<v Speaker 1>but eventually realizes she wishes she had the shot. Be Moody,

0:46:11.120 --> 0:46:13.080
<v Speaker 1>I'll just say it like that, tells her she's a

0:46:13.080 --> 0:46:15.880
<v Speaker 1>great Bee Moody tells her she's a great rider and

0:46:16.040 --> 0:46:18.080
<v Speaker 1>understands what it's like not to get a chance that

0:46:18.120 --> 0:46:20.640
<v Speaker 1>you deserve. And then she reveals the big secret. She

0:46:20.680 --> 0:46:22.839
<v Speaker 1>can talk to horses and they can talk to her.

0:46:24.120 --> 0:46:27.600
<v Speaker 1>Weird reveal right away, But also, did you see did

0:46:27.600 --> 0:46:28.880
<v Speaker 1>you think there was gonna be some kind of a

0:46:28.960 --> 0:46:31.080
<v Speaker 1>romantic something or the other between these two or did

0:46:31.080 --> 0:46:35.080
<v Speaker 1>you not think that was gonna happen between between.

0:46:34.800 --> 0:46:39.480
<v Speaker 2>Bee mood Cory and Be Moody, Corey and R and

0:46:39.560 --> 0:46:44.600
<v Speaker 2>Bee Moody. I kind of did, it seemed like, but

0:46:44.760 --> 0:46:47.160
<v Speaker 2>it was like, at this point, we have so many

0:46:47.320 --> 0:46:51.719
<v Speaker 2>offset input things. I was like sort of like relieved,

0:46:52.000 --> 0:46:54.239
<v Speaker 2>relieve that there wasn't another thing I had to keep

0:46:54.280 --> 0:46:56.920
<v Speaker 2>track of at this point, like I'm a little tapped

0:46:56.920 --> 0:46:58.560
<v Speaker 2>out with like how many things I've got to?

0:46:58.640 --> 0:47:00.880
<v Speaker 1>Like, I remember, He'll try to figure out what the

0:47:00.960 --> 0:47:02.759
<v Speaker 1>Aboalita is betting on with toothpicks.

0:47:02.840 --> 0:47:07.160
<v Speaker 2>Ye, she's still taking that jar of tooth picks around

0:47:07.200 --> 0:47:10.160
<v Speaker 2>everywhere that I'm just like, I just I'm kind of

0:47:10.160 --> 0:47:12.920
<v Speaker 2>glad that this isn't something I'm having to say attention

0:47:13.000 --> 0:47:13.439
<v Speaker 2>too much.

0:47:13.560 --> 0:47:15.600
<v Speaker 1>I agree. I couldn't agree with you more. At the

0:47:15.640 --> 0:47:18.239
<v Speaker 1>same time, Evil Garris enters the stable and I was like,

0:47:18.280 --> 0:47:20.120
<v Speaker 1>where's this. I was like, I'm gonna shut this off

0:47:20.160 --> 0:47:22.880
<v Speaker 1>if he's gonna arm the horse and shut out seriously,

0:47:23.600 --> 0:47:26.319
<v Speaker 1>Uh enters thissable to see TJ. He admits that maybe

0:47:26.320 --> 0:47:28.080
<v Speaker 1>the horse is worth more than a bag of peanuts

0:47:28.080 --> 0:47:29.799
<v Speaker 1>after all, but no one makes a fool of them.

0:47:30.040 --> 0:47:32.719
<v Speaker 1>He ashes his cigar in the hay and leaves it

0:47:32.800 --> 0:47:35.360
<v Speaker 1>quickly catches fire, and of course this isn't good. TJ

0:47:35.480 --> 0:47:37.719
<v Speaker 1>starts freaking out and yelling, and Corey senses something is

0:47:37.760 --> 0:47:40.799
<v Speaker 1>wrong and the barn starts to burn down. Thunder Jam

0:47:40.880 --> 0:47:42.520
<v Speaker 1>doesn't know what to do. By the time Corey and

0:47:42.560 --> 0:47:45.240
<v Speaker 1>b Moody get there, things have gotten pretty serious. Moody

0:47:45.320 --> 0:47:47.320
<v Speaker 1>rushes to get TJ out while Corey tends to the

0:47:47.360 --> 0:47:51.000
<v Speaker 1>other animals. Machado arrives and helps. Just as he sees

0:47:51.239 --> 0:47:55.279
<v Speaker 1>the horse is literally on fire. His his blanket is

0:47:55.320 --> 0:47:55.880
<v Speaker 1>on fire.

0:47:56.120 --> 0:47:57.960
<v Speaker 2>Yes and so or something.

0:47:58.120 --> 0:48:02.600
<v Speaker 1>Yeah. Moody grabs the grabs the blanket and badly burns

0:48:02.640 --> 0:48:04.960
<v Speaker 1>his hands, and I was like, what the is this movie?

0:48:05.200 --> 0:48:07.200
<v Speaker 1>At this point, I was like, what is actually happening?

0:48:07.760 --> 0:48:10.600
<v Speaker 1>So he throws it off, but seriously exactly.

0:48:10.280 --> 0:48:12.000
<v Speaker 2>It was like, oh he burned his hands, now he

0:48:12.000 --> 0:48:12.600
<v Speaker 2>can't ride.

0:48:12.800 --> 0:48:15.719
<v Speaker 1>I knew where they were going. He's like, god, it

0:48:15.760 --> 0:48:18.560
<v Speaker 1>was It's like, now they're going to burn the horses alive?

0:48:18.640 --> 0:48:24.359
<v Speaker 1>What is this crazy nightmare of a film? Oh? So yeah,

0:48:24.400 --> 0:48:27.520
<v Speaker 1>he throws it off and seriously burns himself. Machada pulls

0:48:27.520 --> 0:48:29.879
<v Speaker 1>Moody and TJ to safety, and the firefighters then tend

0:48:29.880 --> 0:48:32.719
<v Speaker 1>to Moody. Paramedics have now fully wrapped Moody's hands. He

0:48:32.760 --> 0:48:35.120
<v Speaker 1>has some very serious burns, and everyone realizes he won't

0:48:35.160 --> 0:48:37.560
<v Speaker 1>be able to race. Sonya is adamant that they drop

0:48:37.600 --> 0:48:39.480
<v Speaker 1>out of the derby. It's too late for a backup

0:48:39.560 --> 0:48:43.680
<v Speaker 1>jockey unless Corey steps up. She begs her mom for

0:48:43.719 --> 0:48:45.839
<v Speaker 1>the chance. Machado says it's up to her mom, who

0:48:45.920 --> 0:48:47.759
<v Speaker 1>tells her she's not ready. It turns into a big fight,

0:48:47.800 --> 0:48:49.920
<v Speaker 1>but the whole family knows that she was born for this.

0:48:50.400 --> 0:48:52.560
<v Speaker 1>Corey rushes off to the empty racetrack just to think,

0:48:52.600 --> 0:48:55.080
<v Speaker 1>and it's eventually joined by her mom Sonya knows how

0:48:55.080 --> 0:48:57.000
<v Speaker 1>hard her daughter worked, but if she learned anything from

0:48:57.000 --> 0:48:59.879
<v Speaker 1>her late husband's death, it's that nothing is ever really over.

0:49:00.360 --> 0:49:02.520
<v Speaker 1>She sees a lot of him and Corey. She knows

0:49:02.520 --> 0:49:04.440
<v Speaker 1>she has her father's gift and has tried to ignore it,

0:49:04.480 --> 0:49:06.319
<v Speaker 1>but she can't ny more. She doesn't want to stand

0:49:06.320 --> 0:49:08.360
<v Speaker 1>in the way of that gift. With that, she hands

0:49:08.360 --> 0:49:10.239
<v Speaker 1>Corey her father's racing suit. He would want her to

0:49:10.280 --> 0:49:12.680
<v Speaker 1>wear it in the derby. She has permission to ride,

0:49:12.760 --> 0:49:14.840
<v Speaker 1>and now Machado and Moody are waiting for her in

0:49:14.920 --> 0:49:16.960
<v Speaker 1>the barn. The gang is packed up and ready for

0:49:16.960 --> 0:49:18.600
<v Speaker 1>the drive, ready to leave for the derby, and they

0:49:18.680 --> 0:49:21.400
<v Speaker 1>make sure they have the disc men the one that

0:49:21.440 --> 0:49:24.759
<v Speaker 1>they obviously put on to TJ's ears, so he can

0:49:24.800 --> 0:49:27.200
<v Speaker 1>run the race. Corey and TJ talk too. He swears

0:49:27.200 --> 0:49:29.120
<v Speaker 1>she has everything she needs to win and he'll take

0:49:29.120 --> 0:49:31.480
<v Speaker 1>care of her. The whole family's going and even the

0:49:31.520 --> 0:49:33.879
<v Speaker 1>townsfolk have come out to see them off. We get

0:49:34.000 --> 0:49:38.800
<v Speaker 1>yet another drive, another driving montage, definitely the nineteenth montage.

0:49:38.800 --> 0:49:41.520
<v Speaker 1>We don't need it specifically since this movie six minutes

0:49:41.560 --> 0:49:45.600
<v Speaker 1>over ninety, but whatever. When they arrive, TJ immediately complains

0:49:45.600 --> 0:49:47.200
<v Speaker 1>he needs a pit stop. He's had to pee the

0:49:47.200 --> 0:49:49.360
<v Speaker 1>whole way. There's a lot of horse peeing jokes in

0:49:49.400 --> 0:49:52.400
<v Speaker 1>this movie. Pee and poop, pee and poop in the lot.

0:49:53.760 --> 0:49:55.920
<v Speaker 2>That's the thing to get little kids just cracking up.

0:49:56.040 --> 0:49:58.040
<v Speaker 1>Pe It is God, how many peas and poops are

0:49:58.040 --> 0:50:00.399
<v Speaker 1>we gonna rate this movie. In the lock her room,

0:50:00.440 --> 0:50:02.800
<v Speaker 1>Corey tries on her dad's uniform and it looks great.

0:50:03.160 --> 0:50:05.279
<v Speaker 1>And now the horses are getting into place. Everyone back

0:50:05.320 --> 0:50:07.400
<v Speaker 1>home is watching on TV, and even the other horses

0:50:07.400 --> 0:50:09.319
<v Speaker 1>are rounding each other up to watch. They don't want

0:50:09.320 --> 0:50:11.640
<v Speaker 1>to miss it. But bad news at the track. It's

0:50:11.640 --> 0:50:14.480
<v Speaker 1>been ruled that TJ cannot use his trademark headphones in

0:50:14.520 --> 0:50:17.400
<v Speaker 1>the race. It's a serious setback, and Machotto is furious

0:50:17.440 --> 0:50:21.120
<v Speaker 1>and guests who filed the original complaint. That's right, that's Garris.

0:50:21.840 --> 0:50:24.120
<v Speaker 1>So now they must decide if it's still worth racing.

0:50:24.160 --> 0:50:27.160
<v Speaker 1>Machado asks Corey, who in turn asks thunder Jam. The

0:50:27.200 --> 0:50:29.120
<v Speaker 1>horse says they've worked too hard and they've come too

0:50:29.160 --> 0:50:32.239
<v Speaker 1>far to quit. In turn, Corey announces, let's ride. They

0:50:32.280 --> 0:50:34.960
<v Speaker 1>have some strategy talk about Cyclone and his dirty nature,

0:50:35.160 --> 0:50:36.799
<v Speaker 1>and then they make their way to the starting gate.

0:50:37.320 --> 0:50:40.560
<v Speaker 1>Machado and Garris have a little of their signature trash talk,

0:50:40.600 --> 0:50:42.600
<v Speaker 1>but more than anything, everyone's ready for the big race.

0:50:42.840 --> 0:50:45.759
<v Speaker 1>Cyclone tells Corey and Thunderjam they're going down. Just as

0:50:45.760 --> 0:50:49.319
<v Speaker 1>the flag goes up and they are off. Thunderjam has

0:50:49.360 --> 0:50:50.600
<v Speaker 1>some trouble out of the gate and now is in

0:50:50.680 --> 0:50:53.120
<v Speaker 1>last place. Cyclone is a lead, and things look pretty

0:50:53.120 --> 0:50:56.000
<v Speaker 1>dismal for TJ. But then be Moody has an idea.

0:50:56.360 --> 0:50:58.800
<v Speaker 1>He rushes the discman to the PA announcer and blasts

0:50:58.800 --> 0:51:01.600
<v Speaker 1>the song over the loudspeaker. The crowd goes wild, and

0:51:01.640 --> 0:51:04.480
<v Speaker 1>Thunderjam feeds off the energy. The terrible song is the

0:51:04.480 --> 0:51:07.840
<v Speaker 1>motivation he needed, and is a terrible song. He gains

0:51:07.880 --> 0:51:11.200
<v Speaker 1>ground at record speed. Cyclone is finally in his sights.

0:51:11.400 --> 0:51:14.239
<v Speaker 1>It's a barn burner, which is a horrible way to

0:51:14.239 --> 0:51:16.600
<v Speaker 1>put it after what just happened. As they come down

0:51:16.640 --> 0:51:19.600
<v Speaker 1>the stretch, TJ hones in on cyclone, right where he

0:51:19.640 --> 0:51:21.759
<v Speaker 1>was injured last time, but instead the two horses go

0:51:21.800 --> 0:51:23.680
<v Speaker 1>back and forth with the lead. As they passed the

0:51:23.680 --> 0:51:26.080
<v Speaker 1>finish line, TJ and Corey remember all they have to

0:51:26.120 --> 0:51:28.799
<v Speaker 1>do is believe in themselves. It's a photo finish, and

0:51:28.880 --> 0:51:32.600
<v Speaker 1>Thunderjam wins with a final spurt. Everyone celebrates as it's

0:51:32.640 --> 0:51:35.399
<v Speaker 1>announced that her father was champion and now she is two.

0:51:35.920 --> 0:51:37.759
<v Speaker 1>The horses back home are thrilled, and so is their

0:51:37.920 --> 0:51:40.239
<v Speaker 1>entire town. The family celebrates in the winter circle. As

0:51:40.320 --> 0:51:43.239
<v Speaker 1>Machado is finally handed a trophy, Corey holds it over

0:51:43.280 --> 0:51:45.799
<v Speaker 1>her head for one final picture. We cut to a

0:51:45.840 --> 0:51:48.040
<v Speaker 1>new construction on a house, with the picture now hanging

0:51:48.040 --> 0:51:49.960
<v Speaker 1>on a piece of wood. It seems they've made enough

0:51:49.960 --> 0:51:52.160
<v Speaker 1>money to build that house that she's always wanted to

0:51:52.160 --> 0:51:54.560
<v Speaker 1>get her mom. Which is quite a big horse race win,

0:51:54.680 --> 0:51:57.440
<v Speaker 1>I guess, but hey, it's possible. They said it was

0:51:57.480 --> 0:51:59.600
<v Speaker 1>five hundred thousand dollars, right, but I mean you split

0:51:59.640 --> 0:52:01.800
<v Speaker 1>that among the horses. But she probably won some good money,

0:52:02.080 --> 0:52:04.880
<v Speaker 1>and they showed him winning races before, so she's been saving.

0:52:05.360 --> 0:52:08.800
<v Speaker 1>Moody is blasting music over the stables, which is super annoying,

0:52:08.840 --> 0:52:11.080
<v Speaker 1>and now he's a DJ using music to not only

0:52:11.200 --> 0:52:14.320
<v Speaker 1>exercise thunder Jam, but all the horses together. And thankfully

0:52:14.440 --> 0:52:24.080
<v Speaker 1>that's our film, Sabrina. Can we do some real reviews?

0:52:25.320 --> 0:52:25.640
<v Speaker 2>Sure?

0:52:25.960 --> 0:52:26.080
<v Speaker 1>Who?

0:52:27.760 --> 0:52:30.120
<v Speaker 2>All right? Mine's the five star today.

0:52:30.080 --> 0:52:36.960
<v Speaker 4>By Ali La La all la a l l a y.

0:52:37.200 --> 0:52:40.840
<v Speaker 4>Before C Biscuit, there was TJ from Ready to Run.

0:52:41.440 --> 0:52:43.920
<v Speaker 2>It had to be my favorite horse racing movie, but

0:52:44.200 --> 0:52:47.080
<v Speaker 2>Disney Channel has stopped showing it a lot, so I

0:52:47.120 --> 0:52:50.000
<v Speaker 2>haven't seen it in a while. Though the talking horse

0:52:50.040 --> 0:52:53.200
<v Speaker 2>and listening to music while racing was not that creative.

0:52:53.800 --> 0:52:56.320
<v Speaker 2>It has great music, pretty horses.

0:52:57.880 --> 0:53:01.000
<v Speaker 1>Okay, well, I have the it's a five star review.

0:53:01.440 --> 0:53:03.319
<v Speaker 3>Yeah, I don't know about that. I know if I

0:53:03.320 --> 0:53:12.919
<v Speaker 3>agree with you, laay Bal, I have the one star.

0:53:12.960 --> 0:53:13.720
<v Speaker 3>It's from Brandy.

0:53:15.040 --> 0:53:19.520
<v Speaker 1>I'm kidding, that's Brandy f and it reads dustly oh man.

0:53:19.840 --> 0:53:22.360
<v Speaker 1>I am embarrassed for Jason d Ring for this movie.

0:53:22.480 --> 0:53:25.280
<v Speaker 1>His character is super cheesy, like so many Disney movies.

0:53:25.320 --> 0:53:27.200
<v Speaker 1>It starts off fine and then goes off the deep end.

0:53:27.560 --> 0:53:29.160
<v Speaker 1>It can't just be a movie about a girl who

0:53:29.160 --> 0:53:31.960
<v Speaker 1>wants to be a jockey and is especially talented at it.

0:53:31.960 --> 0:53:34.560
<v Speaker 1>It has to turn into a talking horse movie. Also,

0:53:34.640 --> 0:53:37.280
<v Speaker 1>even by two thousand and one standards, five dollars seems

0:53:37.280 --> 0:53:39.080
<v Speaker 1>way too low for a day of working with horses.

0:53:39.239 --> 0:53:41.440
<v Speaker 1>I'm trying to think of something nice to say about

0:53:41.480 --> 0:53:43.200
<v Speaker 1>the movie One.

0:53:43.000 --> 0:53:47.320
<v Speaker 2>Star, kind of right there with you, Brandy.

0:53:47.800 --> 0:53:50.879
<v Speaker 1>I don't know about one star, but wow, I.

0:53:50.800 --> 0:53:53.320
<v Speaker 2>Don't know about well when it's only five one to five?

0:53:53.560 --> 0:53:56.360
<v Speaker 1>Yeah, maybe I don't know. And now we come to

0:53:56.400 --> 0:53:59.160
<v Speaker 1>Sabrina's favorite part of our program, which is the feature presentation,

0:53:59.280 --> 0:54:01.480
<v Speaker 1>and we are back Sabrina to one we have played

0:54:01.520 --> 0:54:04.719
<v Speaker 1>several times before. When it comes to world, this is

0:54:04.760 --> 0:54:07.839
<v Speaker 1>hang four, an old favorite, our most repeated game. We've

0:54:07.840 --> 0:54:11.360
<v Speaker 1>played with Teen Beach Movie and motocrossed. Really, any sport

0:54:11.360 --> 0:54:13.480
<v Speaker 1>film where there are teams we don't understand will be

0:54:13.480 --> 0:54:16.000
<v Speaker 1>given a word from horse racing with multiple choice answers,

0:54:16.120 --> 0:54:18.160
<v Speaker 1>and we have to pick which is the correct definition.

0:54:18.400 --> 0:54:20.400
<v Speaker 1>Why do we play with Teen Beach Movie? Oh? I

0:54:20.400 --> 0:54:22.400
<v Speaker 1>guess it was surfing, that's right, But then why wouldn't

0:54:22.400 --> 0:54:24.359
<v Speaker 1>we have played that with Johnny Tsunami because he didn't surf.

0:54:24.440 --> 0:54:27.320
<v Speaker 1>Okay anyway, I'm off on a tangent. We have to

0:54:27.360 --> 0:54:31.920
<v Speaker 1>pick the correct definition. Per the website Saratoga Racetrack dot com,

0:54:31.920 --> 0:54:37.200
<v Speaker 1>that old chestnut three out of side educational, I too,

0:54:37.239 --> 0:54:39.279
<v Speaker 1>So here we go. Number Who are we playing with today?

0:54:39.280 --> 0:54:44.759
<v Speaker 1>By the way, it's me Tara, Hey, hi, producer. Here

0:54:44.800 --> 0:54:47.480
<v Speaker 1>we go. By the way, I don't want to embarrass Tar,

0:54:47.600 --> 0:54:51.960
<v Speaker 1>but this was her favorite dcom of all times. It's

0:54:52.000 --> 0:54:56.560
<v Speaker 1>not okay, so here we go. Number one. Ac deocey

0:54:57.280 --> 0:55:00.000
<v Speaker 1>is that a a term given to horses trading first

0:55:00.040 --> 0:55:03.520
<v Speaker 1>place back and forth. B when one owner has a

0:55:03.560 --> 0:55:07.640
<v Speaker 1>horse finish in both first and second place see uneven

0:55:07.680 --> 0:55:10.600
<v Speaker 1>stirrups on a jockey or d used for when a

0:55:10.640 --> 0:55:14.920
<v Speaker 1>horse wins my more than seven horse lengths. Ac deucy.

0:55:16.680 --> 0:55:17.480
<v Speaker 2>I'm gonna go with B.

0:55:19.640 --> 0:55:25.279
<v Speaker 1>I shouldn't agree with you, but I kind of do it.

0:55:26.200 --> 0:55:27.600
<v Speaker 1>Does it? Does hurt?

0:55:27.880 --> 0:55:31.640
<v Speaker 2>Agree with you because you're always wrong, not always, just

0:55:31.880 --> 0:55:32.839
<v Speaker 2>most of the time.

0:55:35.239 --> 0:55:41.279
<v Speaker 1>You're probably in the low eighties. But I am gonna

0:55:41.280 --> 0:55:43.399
<v Speaker 1>agree with you. I'm gonna say B when finish both

0:55:43.400 --> 0:55:44.600
<v Speaker 1>first and second place.

0:55:44.400 --> 0:55:46.239
<v Speaker 2>Because AC doucy seems like one. T.

0:55:46.480 --> 0:55:51.600
<v Speaker 1>Yeah, well, you're both wrong. It's it's c even and

0:55:51.719 --> 0:55:55.600
<v Speaker 1>even stirrups on a jockey. Okay. Number two hot walker,

0:55:55.680 --> 0:55:58.080
<v Speaker 1>which I'm sorry sounds like a weird sex thing when

0:55:58.080 --> 0:55:59.880
<v Speaker 1>a horse looks like, oh man, did you give you

0:55:59.920 --> 0:56:03.600
<v Speaker 1>a hot walker? When C you don't even know what

0:56:03.680 --> 0:56:11.360
<v Speaker 1>it is, it's still weird, right, am I wrong? Doesn't

0:56:11.400 --> 0:56:13.680
<v Speaker 1>it doesn't it You don't even have to know what

0:56:13.719 --> 0:56:22.680
<v Speaker 1>it is. It just sounds wrong. Exactly. Turn red A

0:56:23.040 --> 0:56:25.200
<v Speaker 1>when a horse looks like a winner on their way

0:56:25.239 --> 0:56:28.040
<v Speaker 1>to the starting gate. B a person who walks a

0:56:28.080 --> 0:56:31.239
<v Speaker 1>horse after a race to cool them down. C a

0:56:31.320 --> 0:56:33.840
<v Speaker 1>horse who has placed in more than five races in

0:56:33.880 --> 0:56:36.920
<v Speaker 1>a row. Or D a stud who has impregnated more

0:56:36.960 --> 0:56:40.600
<v Speaker 1>than two horses. I'll go first this time. I think

0:56:40.600 --> 0:56:40.960
<v Speaker 1>it's B.

0:56:41.680 --> 0:56:42.319
<v Speaker 2>I think it is.

0:56:42.520 --> 0:56:44.319
<v Speaker 1>I think it's a person who walks a horse after

0:56:44.360 --> 0:56:45.359
<v Speaker 1>a race to cool them down.

0:56:46.320 --> 0:56:49.040
<v Speaker 2>The answer is B, Hey.

0:56:48.560 --> 0:56:49.919
<v Speaker 1>We got one. There we go.

0:56:52.000 --> 0:56:55.799
<v Speaker 2>Jensen's doing some real good Like this makes sense.

0:56:55.840 --> 0:56:59.440
<v Speaker 1>It's crazy. Three Oh, it could also be a sex thing.

0:56:59.480 --> 0:57:06.120
<v Speaker 1>Grab a order. Is that a injury to the back

0:57:06.160 --> 0:57:08.560
<v Speaker 1>of a hoof caused by a horse stepping on itself.

0:57:09.320 --> 0:57:11.480
<v Speaker 1>B when a horse came back to win in the

0:57:11.520 --> 0:57:15.320
<v Speaker 1>final quarter mile see a horse that wins with twenty

0:57:15.320 --> 0:57:19.240
<v Speaker 1>five to one or higher odds. Or D when a

0:57:19.280 --> 0:57:22.560
<v Speaker 1>horse owner racks up twenty five wins in a year.

0:57:23.640 --> 0:57:34.120
<v Speaker 1>You pick first. Huh C, I kind of agree with you.

0:57:34.160 --> 0:57:36.600
<v Speaker 1>I'm gonna, I'm gonna, I'm gonna, I'm gonna say C.

0:57:38.080 --> 0:57:40.480
<v Speaker 2>The answer is a.

0:57:39.680 --> 0:57:42.720
<v Speaker 1>Ah, an injury. That doesn't make any sense. You're not

0:57:42.760 --> 0:57:46.880
<v Speaker 1>grabbing any other I'm changing all of these. Uh so

0:57:46.880 --> 0:57:49.320
<v Speaker 1>we've already lost. Well, No, I guess if we get

0:57:49.320 --> 0:57:54.040
<v Speaker 1>the next two right, we'll win. Number four. Blaze is

0:57:54.080 --> 0:57:56.640
<v Speaker 1>it a referring to a hot start out of the gate.

0:57:57.280 --> 0:57:59.960
<v Speaker 1>B When you correctly predict the first, second, and third

0:58:00.000 --> 0:58:03.720
<v Speaker 1>third places in a bet see a large white vertical

0:58:03.760 --> 0:58:07.080
<v Speaker 1>marking on a horse's face. Or D a jockey who

0:58:07.200 --> 0:58:12.880
<v Speaker 1>is placed in five races in a row. Blaze I'll

0:58:12.880 --> 0:58:17.360
<v Speaker 1>go first. I'm gonna say I don't think Jensen would

0:58:17.360 --> 0:58:22.480
<v Speaker 1>put two a's in a row, so I'm gonna say it's.

0:58:23.520 --> 0:58:26.000
<v Speaker 1>I'm gonna say it's when you correctly predict first, second,

0:58:26.000 --> 0:58:27.480
<v Speaker 1>and third place in a bet. I'm gonna say it's

0:58:27.520 --> 0:58:28.760
<v Speaker 1>b okay.

0:58:30.120 --> 0:58:32.120
<v Speaker 2>I'm gonna go with A because it makes the most

0:58:32.160 --> 0:58:35.080
<v Speaker 2>sense to me. The answer is C.

0:58:36.880 --> 0:58:38.919
<v Speaker 1>None of these makes sense. That's a blaze. We suck

0:58:38.960 --> 0:58:41.920
<v Speaker 1>at this. But also, whoever named these horse things sucks

0:58:41.960 --> 0:58:46.840
<v Speaker 1>at this. They're stupid, stupid. Number five a maiden So

0:58:46.880 --> 0:58:48.880
<v Speaker 1>we've already lost, so this doesn't matter. Number five. A

0:58:48.920 --> 0:58:52.360
<v Speaker 1>maiden race is at A the first race for a horse.

0:58:53.160 --> 0:58:55.640
<v Speaker 1>B A race filled with only horses who have not

0:58:55.760 --> 0:58:59.400
<v Speaker 1>yet won, or ce sorry see a race with only

0:58:59.480 --> 0:59:02.160
<v Speaker 1>female horse horses, or D a member of Iron Maiden

0:59:02.160 --> 0:59:05.440
<v Speaker 1>in a foot race. I'm guessing it's not D. A

0:59:05.560 --> 0:59:07.800
<v Speaker 1>maiden race, the first race for a horse.

0:59:07.840 --> 0:59:09.520
<v Speaker 2>All of them makes sense.

0:59:09.320 --> 0:59:11.600
<v Speaker 1>Right, A race filled with only horses who have not

0:59:11.680 --> 0:59:18.000
<v Speaker 1>yet won, or a race with only female horses. You

0:59:18.080 --> 0:59:20.760
<v Speaker 1>go first.

0:59:23.800 --> 0:59:25.560
<v Speaker 2>I'm gonna do the first race for a horse.

0:59:25.640 --> 0:59:27.120
<v Speaker 1>That's what I'm gonna say too. I'm gonna say A

0:59:27.280 --> 0:59:29.600
<v Speaker 1>the first rate, we're gonna we're going down. We are

0:59:29.760 --> 0:59:32.600
<v Speaker 1>holding hands after we hit the the we're on the

0:59:32.600 --> 0:59:35.400
<v Speaker 1>Titanic and it's just flooding. Here we go. I'm gonna

0:59:35.400 --> 0:59:40.560
<v Speaker 1>say A two, hold on tight. It's b ah okay.

0:59:40.600 --> 0:59:43.200
<v Speaker 2>A race, though, that makes sense.

0:59:43.360 --> 0:59:45.479
<v Speaker 1>All right, all right, there we go. Well we suck,

0:59:45.960 --> 0:59:48.080
<v Speaker 1>thank you very much. Can we do some Sabrina seas?

0:59:52.520 --> 0:59:56.360
<v Speaker 2>Yes, there are not very much. We talked again about that.

0:59:56.440 --> 0:59:59.160
<v Speaker 2>We talked about well, I just kind of talked a little.

0:59:59.200 --> 1:00:05.440
<v Speaker 2>But whatever. The music part really was jarring for me.

1:00:05.600 --> 1:00:09.320
<v Speaker 2>I did hear one of the songs. First of all,

1:00:09.360 --> 1:00:11.480
<v Speaker 2>they had the same producer writer like I went on

1:00:11.560 --> 1:00:14.880
<v Speaker 2>I am I DMB IMDb because I thought it was

1:00:15.400 --> 1:00:18.360
<v Speaker 2>the voice sounded very similar to a guy named Rob

1:00:19.480 --> 1:00:23.760
<v Speaker 2>Robbie Neville who worked on us. Yeah he yeah, yes,

1:00:23.880 --> 1:00:27.240
<v Speaker 2>So he ended up being a big Disney Channel producer

1:00:27.320 --> 1:00:29.560
<v Speaker 2>that did a lot of music, and a lot of

1:00:29.600 --> 1:00:32.440
<v Speaker 2>the songs in a lot of the musicals are his songs,

1:00:32.480 --> 1:00:36.200
<v Speaker 2>so I recognize his voice, but that wasn't him. It

1:00:36.240 --> 1:00:38.920
<v Speaker 2>was a different guy, and he was in like most

1:00:38.960 --> 1:00:41.400
<v Speaker 2>of the songs that are well really almost all of

1:00:41.480 --> 1:00:43.720
<v Speaker 2>them that are listed on I D I m dB.

1:00:44.320 --> 1:00:46.080
<v Speaker 2>But there was a song that was called ready to

1:00:46.160 --> 1:00:49.560
<v Speaker 2>Run on this soundtrack that I didn't see on IMDb because.

1:00:49.320 --> 1:00:50.800
<v Speaker 1>I, yeah, that was the first the first song I

1:00:50.840 --> 1:00:51.640
<v Speaker 1>think that opens up.

1:00:51.880 --> 1:00:53.800
<v Speaker 2>Right, which I would have thought they would have used

1:00:53.800 --> 1:00:57.120
<v Speaker 2>a little bit more because it was obviously made for

1:00:57.200 --> 1:01:02.320
<v Speaker 2>this movie. And then okay, I had questions about the

1:01:04.320 --> 1:01:09.280
<v Speaker 2>rules of this situation with the talking horse, so she

1:01:10.360 --> 1:01:12.320
<v Speaker 2>couldn't hear him for a while. Then all of a sudden,

1:01:12.320 --> 1:01:14.600
<v Speaker 2>like you said, it happens like twenty thirty minutes into

1:01:14.600 --> 1:01:17.240
<v Speaker 2>the movie and then it stops for a minute, like

1:01:17.800 --> 1:01:21.160
<v Speaker 2>she's around him, there's conversations happening, and she can't hear

1:01:21.240 --> 1:01:26.360
<v Speaker 2>him anymore. Then we obviously know their relationship grows and

1:01:26.440 --> 1:01:29.320
<v Speaker 2>she can hear him. But then when did it turn

1:01:29.320 --> 1:01:34.600
<v Speaker 2>into like being telepathic like she with the fire, There's

1:01:34.640 --> 1:01:37.480
<v Speaker 2>no way where they were didn't seem like an equal

1:01:37.520 --> 1:01:40.000
<v Speaker 2>amount of distance where she could hear him because she

1:01:40.080 --> 1:01:44.800
<v Speaker 2>was the only one who heard the horse, right, all

1:01:44.840 --> 1:01:47.080
<v Speaker 2>of a sudden, she's like there's something wrong. Yeah, I'm like,

1:01:47.800 --> 1:01:49.800
<v Speaker 2>oh she can like.

1:01:50.520 --> 1:01:51.840
<v Speaker 1>Now it's just telepathy. Yeah.

1:01:51.920 --> 1:01:54.280
<v Speaker 2>So yeah, like it was weird. So they it kind

1:01:54.280 --> 1:01:58.000
<v Speaker 2>of went. They did not do that again. Like another

1:01:58.040 --> 1:01:59.880
<v Speaker 2>thing that I had a hard time doing. You have

1:02:00.400 --> 1:02:04.400
<v Speaker 2>sindbad in this movie, and you didn't use him really

1:02:04.480 --> 1:02:07.360
<v Speaker 2>at all. He's there, he's like not even a B character,

1:02:07.480 --> 1:02:08.360
<v Speaker 2>He's like a.

1:02:08.280 --> 1:02:10.720
<v Speaker 1>C or D. I bet you he recorded for like

1:02:10.760 --> 1:02:11.560
<v Speaker 1>an hour for this.

1:02:11.640 --> 1:02:15.480
<v Speaker 2>Entirea he had just literally maybe like a half of

1:02:15.520 --> 1:02:19.960
<v Speaker 2>a page or maybe two pages at max, which was

1:02:20.040 --> 1:02:24.000
<v Speaker 2>really odd to me because because I also thought when

1:02:24.040 --> 1:02:26.720
<v Speaker 2>I saw him on the credits in the beginning, and

1:02:26.760 --> 1:02:29.480
<v Speaker 2>I was like, oh, cool, thinking it was gonna be

1:02:29.520 --> 1:02:32.280
<v Speaker 2>kind of a comedy, and it really wasn't a comedy

1:02:32.320 --> 1:02:35.120
<v Speaker 2>at all. It flipped into like some of the stuff

1:02:35.160 --> 1:02:39.040
<v Speaker 2>with the horse voiceover work was signed out, some of

1:02:39.160 --> 1:02:43.720
<v Speaker 2>the comedic aspect, but not enough to be considered super funny.

1:02:43.880 --> 1:02:48.400
<v Speaker 2>It was weird. And then my biggest thing with this movie,

1:02:48.440 --> 1:02:50.800
<v Speaker 2>and this is probably gonna be weird, I just felt

1:02:50.800 --> 1:02:53.000
<v Speaker 2>like it was it involved too many adults.

1:02:53.920 --> 1:02:56.080
<v Speaker 1>Oh, I can see that for a for a.

1:02:56.080 --> 1:02:58.560
<v Speaker 2>D com, we are so used to seeing the kids

1:02:58.600 --> 1:03:03.400
<v Speaker 2>really run and drive the storytelling of this, and honestly,

1:03:03.440 --> 1:03:06.440
<v Speaker 2>her mom kind of did the most of the like

1:03:06.600 --> 1:03:12.520
<v Speaker 2>story telling of what's happening and Machado, and then there's

1:03:12.560 --> 1:03:17.440
<v Speaker 2>so many adults that the guy that sold Machado on

1:03:17.680 --> 1:03:25.640
<v Speaker 2>getting this rodeo course circus guy seemed so similar. When

1:03:25.720 --> 1:03:27.959
<v Speaker 2>the guy then I put him, I think I thought

1:03:27.960 --> 1:03:29.760
<v Speaker 2>I was like, oh, he's the one that sold him

1:03:29.800 --> 1:03:32.280
<v Speaker 2>on getting this writ and I'm like, oh, wait, are

1:03:32.320 --> 1:03:33.160
<v Speaker 2>they different?

1:03:33.600 --> 1:03:34.760
<v Speaker 1>Was it be twins?

1:03:35.120 --> 1:03:37.280
<v Speaker 2>They could have been. There was just that was how

1:03:37.320 --> 1:03:39.960
<v Speaker 2>many adults there were in this movie that like they

1:03:39.960 --> 1:03:42.720
<v Speaker 2>were starting to just get muffled, like just kind of

1:03:42.760 --> 1:03:45.479
<v Speaker 2>like didn't really understand who the characters were. That's that's

1:03:45.560 --> 1:03:48.480
<v Speaker 2>kind of just my opinion on that. And then another

1:03:48.640 --> 1:03:51.200
<v Speaker 2>thing that I saw and this was actually reviewing when

1:03:51.200 --> 1:03:52.960
<v Speaker 2>I was on IMDb, and then I saw it on

1:03:53.040 --> 1:03:56.840
<v Speaker 2>Mikayla's notes that she senses So you mentioned it a

1:03:56.840 --> 1:03:58.120
<v Speaker 2>little bit. I thought you were going to get into

1:03:58.200 --> 1:04:02.720
<v Speaker 2>it where she buys the horse for a thing of peanuts. Well,

1:04:03.000 --> 1:04:05.640
<v Speaker 2>there's actually like a law that a miner can't buy

1:04:05.640 --> 1:04:07.560
<v Speaker 2>a horse in general. So even if she had offered

1:04:07.640 --> 1:04:11.520
<v Speaker 2>him here's five dollars, you can't, like her mom would

1:04:11.560 --> 1:04:14.600
<v Speaker 2>have had the opportunity to get the money back and

1:04:14.880 --> 1:04:16.560
<v Speaker 2>give it back because it's like against the law for

1:04:16.600 --> 1:04:18.479
<v Speaker 2>a miner to actually buy a horse, which I thought

1:04:18.520 --> 1:04:22.360
<v Speaker 2>was really interesting that miners can't buy horses. Like by

1:04:22.400 --> 1:04:25.240
<v Speaker 2>the time you're like fifteen sixteen, you're really into the sport,

1:04:25.600 --> 1:04:27.960
<v Speaker 2>but you can't own your own horse yet. That was interesting.

1:04:27.920 --> 1:04:29.680
<v Speaker 1>To own your own car why can't you own your

1:04:29.720 --> 1:04:30.120
<v Speaker 1>own horse?

1:04:30.160 --> 1:04:34.960
<v Speaker 2>That's what I mean. That's what I mean, And that's it.

1:04:35.400 --> 1:04:37.960
<v Speaker 2>I already said the thing about Seabiscuit, but that's it.

1:04:38.160 --> 1:04:41.120
<v Speaker 1>Okay, Well, there we go. Now we get to the

1:04:41.120 --> 1:04:44.720
<v Speaker 1>fun part of actually scoring our film, rating our film.

1:04:45.040 --> 1:04:50.560
<v Speaker 1>For this we're going to do one, yeah, one out

1:04:50.560 --> 1:04:53.480
<v Speaker 1>of ten. Okay, and ten's going to be the biggest

1:04:53.480 --> 1:04:56.880
<v Speaker 1>this time. Okay, okay. So our options this week are

1:04:57.040 --> 1:04:59.920
<v Speaker 1>one out of ten, horse girls one out of ten,

1:05:00.120 --> 1:05:03.520
<v Speaker 1>barely talking horses, underwear helmets.

1:05:03.560 --> 1:05:04.360
<v Speaker 2>Oh yeah, we did.

1:05:04.880 --> 1:05:06.640
<v Speaker 1>We didn't even get into that. I'm not going to

1:05:06.640 --> 1:05:10.240
<v Speaker 1>touch that one. It says toothpicks, but I'm going to

1:05:10.320 --> 1:05:17.760
<v Speaker 1>change it to undecipherable toothpicked bedding, nice headstones one out

1:05:17.760 --> 1:05:20.680
<v Speaker 1>of ten, fume drugs one at a ten, horse confidence,

1:05:21.360 --> 1:05:24.200
<v Speaker 1>piles of horse dung one out of ten, chili pepper

1:05:24.200 --> 1:05:27.040
<v Speaker 1>cranks one out of ten, thunder jerks, or I'm going

1:05:27.080 --> 1:05:29.560
<v Speaker 1>to add one out of ten. She gave me a

1:05:29.560 --> 1:05:36.480
<v Speaker 1>hot walkers. What would you like to do this week, Sabrina?

1:05:38.000 --> 1:05:41.680
<v Speaker 1>Is that your pick? Oh? My god, she picked it,

1:05:42.640 --> 1:05:43.320
<v Speaker 1>she did.

1:05:43.800 --> 1:05:45.560
<v Speaker 2>I thought you were going to do peas and poops, but.

1:05:48.440 --> 1:05:50.800
<v Speaker 1>She gave me, a hot walker is the way to go.

1:05:51.920 --> 1:05:55.360
<v Speaker 1>I think, do I go first this time? I can't remember?

1:05:57.560 --> 1:05:58.240
<v Speaker 2>Yes I did?

1:05:58.720 --> 1:06:00.840
<v Speaker 1>I think so, so I go first this time?

1:06:00.960 --> 1:06:01.240
<v Speaker 2>Yes?

1:06:01.280 --> 1:06:05.440
<v Speaker 1>Okay, Ah, here's the thing about this movie. It's it's fine.

1:06:06.000 --> 1:06:06.600
<v Speaker 2>It's fine.

1:06:07.640 --> 1:06:11.560
<v Speaker 1>It's completely it is fine. It's fine. It is completely

1:06:11.560 --> 1:06:15.720
<v Speaker 1>and totally forgettable. It doesn't know what it is. Like

1:06:15.760 --> 1:06:18.480
<v Speaker 1>you said, it's a drama, but they got all of

1:06:18.520 --> 1:06:24.680
<v Speaker 1>these comedy actors to voice horses kind of because there

1:06:24.800 --> 1:06:28.120
<v Speaker 1>don't really it's not Doctor Doolittle where the horses are funny,

1:06:28.160 --> 1:06:30.760
<v Speaker 1>and it's kind of like you said, Lion King, like

1:06:30.760 --> 1:06:33.600
<v Speaker 1>you get Timon and Pumba coming in who are really funny,

1:06:33.640 --> 1:06:37.280
<v Speaker 1>and it's it's not that none of the horses really

1:06:37.320 --> 1:06:41.440
<v Speaker 1>have any magical personalities that are worthy of anything. It

1:06:41.560 --> 1:06:44.000
<v Speaker 1>seemed like it was tacked on, like it should have

1:06:44.080 --> 1:06:47.000
<v Speaker 1>just been a nice Disney movie about a girl who

1:06:47.440 --> 1:06:50.840
<v Speaker 1>has this connection with a horse and and wants to

1:06:50.840 --> 1:06:52.920
<v Speaker 1>follow in her father's footsteps. I mean that that's a

1:06:53.000 --> 1:06:56.400
<v Speaker 1>dcom that writes itself. So it's like, why then add

1:06:56.440 --> 1:07:00.120
<v Speaker 1>this thing to this movie. I find it dragged at

1:07:00.160 --> 1:07:03.200
<v Speaker 1>quite a few places. Yeah, it just didn't know what

1:07:03.280 --> 1:07:06.400
<v Speaker 1>it was at the same time, it was fine. This movie,

1:07:06.400 --> 1:07:11.480
<v Speaker 1>to me is absolutely the perfect five she gave me

1:07:12.000 --> 1:07:16.640
<v Speaker 1>Hot Walkers, cause it's like it's it's it's not good.

1:07:16.880 --> 1:07:21.120
<v Speaker 1>It's not bad. The acting is fine. The story doesn't

1:07:21.120 --> 1:07:25.320
<v Speaker 1>make a whole lot of sense. I don't like stuff

1:07:25.360 --> 1:07:27.520
<v Speaker 1>about animals being hurt. I easily could have made this

1:07:27.560 --> 1:07:31.760
<v Speaker 1>a three just based on that. But it's fine. It's

1:07:31.840 --> 1:07:35.080
<v Speaker 1>I'm gonna the second this movie ended and this podcast

1:07:35.120 --> 1:07:38.240
<v Speaker 1>is over, I'm not gonna remember a thing about this movie. No,

1:07:38.800 --> 1:07:40.440
<v Speaker 1>And that's where that's where I am. So that's my

1:07:40.480 --> 1:07:41.760
<v Speaker 1>score is five. How about you?

1:07:42.760 --> 1:07:46.040
<v Speaker 2>I am right there with you. I just feel like

1:07:46.160 --> 1:07:49.600
<v Speaker 2>this movie, like you said, it's unforgettable, or it's not unforgettable,

1:07:49.600 --> 1:07:54.360
<v Speaker 2>that this movie is forgettable. And again it makes me

1:07:54.520 --> 1:07:57.800
<v Speaker 2>remember too that this was the time on the channel

1:07:57.880 --> 1:08:00.920
<v Speaker 2>that these d coms were not like what they're doing

1:08:00.920 --> 1:08:04.640
<v Speaker 2>with d coms now, where they're coming out like every

1:08:04.680 --> 1:08:08.960
<v Speaker 2>couple of months maybe or six months between now and

1:08:09.040 --> 1:08:11.960
<v Speaker 2>the next one. This is the time where the dcoms

1:08:11.960 --> 1:08:15.800
<v Speaker 2>were coming out on like the first Friday of the month.

1:08:15.840 --> 1:08:18.519
<v Speaker 2>They were coming out every thirty days, so they weren't

1:08:19.160 --> 1:08:22.799
<v Speaker 2>necessarily I guess maybe not putting as much effort into

1:08:22.800 --> 1:08:25.200
<v Speaker 2>making these, you know what I mean? They were again

1:08:25.280 --> 1:08:27.920
<v Speaker 2>it's the time of the the era of the channel

1:08:27.960 --> 1:08:30.479
<v Speaker 2>that they were throwing against the wall seeing what stuck.

1:08:30.840 --> 1:08:33.040
<v Speaker 2>If it did, great, If not, it's okay because we've

1:08:33.040 --> 1:08:37.479
<v Speaker 2>got an next one coming out last month anyway. So yeah,

1:08:37.520 --> 1:08:39.679
<v Speaker 2>so that's what I agree with you. I'm gonna match

1:08:39.680 --> 1:08:44.720
<v Speaker 2>your five. She gave me hot walkers, she gave me

1:08:44.760 --> 1:08:50.240
<v Speaker 2>hot logger, she gave me hot logger or piece and poops. Yeah,

1:08:50.240 --> 1:08:52.000
<v Speaker 2>I'm gonna imagine. And that's kind of it.

1:08:52.760 --> 1:08:53.040
<v Speaker 1>Again.

1:08:53.120 --> 1:08:56.360
<v Speaker 2>I didn't hate it. I just didn't really like love it,

1:08:56.720 --> 1:08:58.960
<v Speaker 2>you know. And it was fine, you know, it didn't

1:08:58.960 --> 1:09:01.040
<v Speaker 2>put me in as bad of a mood. Is the

1:09:01.040 --> 1:09:01.840
<v Speaker 2>class one?

1:09:02.040 --> 1:09:05.120
<v Speaker 1>So I feel like that to step up right exactly

1:09:05.200 --> 1:09:10.519
<v Speaker 1>what was the last one? Again? I can remember the story,

1:09:10.560 --> 1:09:13.920
<v Speaker 1>but it was oh starstruck. Yeah, I can coindly remember

1:09:13.920 --> 1:09:15.680
<v Speaker 1>the story. I couldn't remember the name. Yeah, yeah, no,

1:09:15.760 --> 1:09:17.120
<v Speaker 1>I agree, There you go.

1:09:17.720 --> 1:09:18.920
<v Speaker 2>All right, that's it.

1:09:19.040 --> 1:09:22.640
<v Speaker 1>Five? There we go? Two five's U two fives? She

1:09:22.720 --> 1:09:26.840
<v Speaker 1>gave me? Do not equal attend? Our next movie is

1:09:26.840 --> 1:09:30.000
<v Speaker 1>a twenty fifteen entry. We're going kind of Newish. It's

1:09:30.040 --> 1:09:33.519
<v Speaker 1>the adventure fantasy dcom about science, starring a former co

1:09:33.640 --> 1:09:35.680
<v Speaker 1>star of mine who actually just ran into like a

1:09:35.680 --> 1:09:40.120
<v Speaker 1>week ago. She's doing great on her new show, Rowan Blanchard.

1:09:40.479 --> 1:09:44.360
<v Speaker 1>It's Invisible Sister. It's also a Paul Holland joint. Daddy

1:09:45.479 --> 1:09:48.360
<v Speaker 1>Daddy Dam is back, so that is exciting. It's currently

1:09:48.439 --> 1:09:50.160
<v Speaker 1>on Disney Plus so you can get ahead, start and

1:09:50.200 --> 1:09:53.120
<v Speaker 1>watch it before the podcast airs. And as always, we

1:09:53.160 --> 1:09:56.200
<v Speaker 1>have a beautifully huge backlog of recaps and interviews featuring

1:09:56.240 --> 1:09:58.679
<v Speaker 1>some of the biggest names in d coms, and every

1:09:58.720 --> 1:10:01.320
<v Speaker 1>single one is just waiting for to stream. Just search

1:10:01.320 --> 1:10:04.640
<v Speaker 1>for Magical Rewind wherever you get your podcasts and subscribe asap.

1:10:04.720 --> 1:10:08.519
<v Speaker 1>That's asap people. That way you never miss another episode.

1:10:08.520 --> 1:10:10.599
<v Speaker 1>And for more info, you can follow us at Magical

1:10:10.680 --> 1:10:13.200
<v Speaker 1>Rewind Pod on the Instagram Machine. It's the one with

1:10:13.240 --> 1:10:15.439
<v Speaker 1>all the flashy lights that makes it where I can't sleep.

1:10:15.840 --> 1:10:17.920
<v Speaker 1>Enjoy Hi everybody.

1:10:17.920 --> 1:10:30.400
<v Speaker 2>Bye,