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Speaker 1: I was gonna ask you this later, but I'm gonna

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Speaker 1: ask you now. Are you a horse person?

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Speaker 2: I do love horses. I can't say I've been around

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Speaker 2: them like a ton, but yeah, no, I mean I

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Speaker 2: my aunt had some horses, but she lived pretty far

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Speaker 2: so we didn't see her very often. But yeah, I

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Speaker 2: mean I am like, I don't not like them. I'm

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Speaker 2: very intrigued by them, Like I love like Carson Kresley,

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Speaker 2: who I worked with for in Vegas for Dancing with

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Speaker 2: the Stars, is like big in equestrian riding, and I

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Speaker 2: had a couple of friends that were It's very intriguing,

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Speaker 2: but I've never had like an opportunity to really get

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Speaker 2: into horses. I feel like, if that makes sense, what

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Speaker 2: about you a person?

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Speaker 1: No, I'm kidding. I'm not a horse person, but I'm

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Speaker 1: married into a very horse family.

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Speaker 2: Okay, Like what kind of.

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Speaker 1: So my wife competed growing up like a chestrian or

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Speaker 1: what so my wife and daughter My daughter was a

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Speaker 1: nationally ranked jumper. Wow, so she still rides, and I

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Speaker 1: mean she was like, she was very I think she

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Speaker 1: was like four or five in the country when she

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Speaker 1: was twelve. Susan also competed and won many competitions I

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Speaker 1: think in dressage. And then my brother in law and

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Speaker 1: his wife just had the last Olympics. They had a

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Speaker 1: dressage horse that went to the last Olympics. So it's

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Speaker 1: like where they're they're like a horse.

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Speaker 2: But that's what like racine or do they like.

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Speaker 1: The horse ballet? You know, where they're all are dancing.

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Speaker 1: I could watch that family.

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Speaker 2: I could totally get into watching that.

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Speaker 1: I really would say. She would bring me to these

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Speaker 1: competitions and my mother in law was the god rest

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Speaker 1: was the sweetest woman in the world, and she loved

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Speaker 1: me and she would sit next to me and go.

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Speaker 1: Watching these things is like watching grass grow because you'd

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Speaker 1: see and it's also it's so niche that it's like

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Speaker 1: we're sitting there and we're watching, having no idea what's happened?

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Speaker 2: No idea?

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Speaker 1: Yeah, and the horse does yeah exactly. The horse does

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Speaker 1: something and the whole crowd goes oh, and we're like,

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Speaker 1: what what just happened? We miss what's going on?

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Speaker 2: That's what I mean. I know I could get into

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Speaker 2: like all things, I just have never had the opportunity

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Speaker 2: or someone to really like take me into it.

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Speaker 1: So I married into a horse family, and wow, horse

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Speaker 1: people are very much horse people. Yeah.

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Speaker 2: It's oh yeah, it's like an absolute lifestyle.

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Speaker 1: It's a language and it's a fashion style. I mean

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Speaker 1: it's all horses all the time. Yeah.

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Speaker 2: Carson Kresley is like, so, I've seen pictures of his

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Speaker 2: house and like just the way his house is decorated,

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Speaker 2: it's fashion, but like there's a lot of equestrian like

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Speaker 2: and horseshoes and you know, things that are like mixed

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Speaker 2: in and it's it's pretty cool though, it's a wild world.

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Speaker 1: It's a micro.

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Speaker 2: Love to be brought into it. Maybe I need to

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Speaker 2: go to your family's house wherever they're from.

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Speaker 1: Oh it's not here, but you can check out all

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Speaker 1: their other ones and see what's up. But anyway, welcome

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Speaker 1: back to Magical Rewind, the show that makes you want

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Speaker 1: to grab your friends, your pjs and your popcorn and

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Speaker 1: go back to a time when all the houses are smart.

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Speaker 1: The wave tsunamis and we knew the movies we were watching.

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Speaker 1: I'm Wilfred Ell and.

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Speaker 2: I'm soa bride and you could not be more right

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Speaker 2: like watching today.

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Speaker 1: As you can imagine, since we're talking so much about horses,

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Speaker 1: we are obviously talking about double teamed two. This time

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Speaker 1: it's personal. No, I'm kidding. We're gonna get ready for

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Speaker 1: a photo finish because this week on Magical Rewind we're

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Speaker 1: riding side saddle, but not really for a very I'm

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Speaker 1: gonna use it again Niche two thousand horse racing drama

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Speaker 1: ready to run? Okay, do you go horse races? Watch racing?

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Speaker 1: I can't stand horse racing. I'm gonna say that right

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Speaker 1: out loud. It's a horrible world where they treat these

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Speaker 1: horses like and it's absolutely awful. So uh not for me.

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Speaker 1: But what about you? Do you go to horse races?

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Speaker 2: I don't go to horse races, but I have been

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Speaker 2: to one.

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Speaker 1: I've been to one.

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Speaker 2: Yeah, I've been to one. I wore the hat, you know,

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Speaker 2: I do like like eras, right, So I was in

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Speaker 2: like a hat era for the day. I wore the

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Speaker 2: big hat and did the whole thing. We we took

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Speaker 2: the train down to what is it Del Mar or whatever,

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Speaker 2: the one that's towards San Diego.

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Speaker 1: Yeah, I know the one you're talking about.

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Speaker 2: And I've done that. Was there for the social aspect

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Speaker 2: of it. Didn't watch the races very much. With up

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Speaker 2: and down, I loved like putting picking numbers for Jordan.

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Speaker 2: He is one of the luckiest people in the world,

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Speaker 2: a bunch of money, not knowing what he was doing,

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Speaker 2: but he that's just what his that's his thing.

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Speaker 1: People are like that, Yeah, he is.

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Speaker 2: He's very, very lucky, and so I loved like helping

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Speaker 2: him pick numbers and him trying to figure out the

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Speaker 2: numbers of it. But yeah, I mean I was surprised,

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Speaker 2: Like I was like, wait, do these horses go more

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Speaker 2: than once? That seems very tiring, and like when.

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Speaker 1: I start it. Yeah, there's documentaries you can watch that

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Speaker 1: are pretty.

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Speaker 2: It's a rough it's a rough world and lots.

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Speaker 1: Of drugs, and it's like, oh, the horse didn't do well,

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Speaker 1: let's destroy it. I mean it's like it's not whereas

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Speaker 1: if you look at European horse racing, like there's a

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Speaker 1: documentary that compares a European to American and it's just huh,

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Speaker 1: night and day. Where the Europeans they revere the horses,

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Speaker 1: they treat the horse as well. They're not allowed to

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Speaker 1: run until there are a certain age, they're only around

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Speaker 1: allowed to run a certain amount. I mean, it's like

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Speaker 1: as opposed to hear in the states where it's like

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Speaker 1: run them into the ground, make as much money as

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Speaker 1: you can, then grind him up and move on to

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Speaker 1: the next one. It's really gross.

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Speaker 2: Yeah, And I mean in all aspects of like any

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Speaker 2: like high driven sport. I feel like they do that

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Speaker 2: to athletes, like run them into the ground. Who cares,

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Speaker 2: like looking at you know, march madness. I'm like, these

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Speaker 2: kids are these kids are college students, not paying attention

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Speaker 2: to school like nothing, and we're just gonna have them

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Speaker 2: play like every day for like three months or however.

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Speaker 1: But not all of them, but a lot of them

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Speaker 1: are gonna go off and make one hundred million dollars

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Speaker 1: and it's what they've wanted to do their whole life.

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Speaker 1: For the prist, no horses really have no choice.

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Speaker 2: That's true. True, it is very different in that sense.

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Speaker 2: But I'm just saying, like I just feel like everything

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Speaker 2: gets so like anything in competition world just gets so

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Speaker 2: aggressive so quickly.

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Speaker 1: Well, they also, this is one of the things that

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Speaker 1: this film actually addresses that you just talked about a

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Speaker 1: little bit with young athletes, is the age of an

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Speaker 1: athlete when they're should be allowed to compete at a

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Speaker 1: high level. And it's one of those things where that's

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Speaker 1: up for debate. There's people that say, hey, we should

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Speaker 1: be paying high school and college athletes because you know

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Speaker 1: they're gonna blah blah blah and they're doing this, and yeah,

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Speaker 1: but your bodies can get destroyed at a young age.

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Speaker 1: I don't know. It's a weird combination. But anyway, that's

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Speaker 1: not what we're here to talk about. That's a different movie.

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Speaker 1: We're talking about Ready to Run, So let's do fats.

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Speaker 1: Ready to Run debut on July fourteenth in the year

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Speaker 1: two thousand and It includes some interesting names from within

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Speaker 1: the world of comedy, even if for what only seems

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Speaker 1: like a few seconds and for very strange reasons, which

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Speaker 1: makes it even weirder that this movie has been almost

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Speaker 1: completely erased from everyone's memories. We've talked about this before,

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Speaker 1: but when it comes to being a Disney Channel original movie,

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Speaker 1: there are the Brinks, the high school musicals, the Johnny Tsunamis,

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Speaker 1: and then there's the Ready to Runs. So there just

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Speaker 1: isn't a lot of information about this one, but let's

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Speaker 1: get through the very little we do know about it.

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Speaker 1: It was filmed in Auckland, New Zealand, and it was

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Speaker 1: nominated for a Golden Real Award in the field of

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Speaker 1: Best Sound Editing for a TV Movie by the Motion

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Speaker 1: Picture Sound Editors Union. And yes, this is a talking

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Speaker 1: horse movie, though it absolutely feels like that was added

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Speaker 1: at the last minute. Obviously a theme made famous by

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Speaker 1: the legendary show Mister Ed. Did you see Mister Ed? Ever? So, yeah,

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Speaker 1: of course. So it's like Doctor Doolittle, what did you

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Speaker 1: come into this movie knowing it was a talking horse

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Speaker 1: movie or thinking it was a talking horse movie? Or

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Speaker 1: do you just think it was a horse movie?

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Speaker 2: Well, I had no idea at all until I saw

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Speaker 2: just what the you know, head front picture is that's

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Speaker 2: on Disney, plus that there was going to be a horse.

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Speaker 2: And then in no way did I know that the

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Speaker 2: horse would be talking. I figured by what it will

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Speaker 2: look like it was like a horse racing movie, like

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Speaker 2: a sea biscuit, right, so that's the same.

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Speaker 1: That was it.

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Speaker 2: And then the horse starts talking, and I'm like, that

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Speaker 2: was the turn. I didn't think we were going to

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Speaker 2: be taking it. I started talking.

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Speaker 1: Like twenty minutes in and then doesn't for a long time.

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Speaker 2: It anyway, Yeah, we have I have real questions.

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Speaker 1: Yes, we'll get there. Yes, trust me, I think I

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Speaker 1: could assume this answer. But did you know anything about

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Speaker 1: this movie? For sign?

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Speaker 2: And then I'm assuming the same for you? Are you

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Speaker 2: Ready to Run? Could have been like somebody who like

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Speaker 2: runs marathons easily?

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Speaker 1: Is a kid just wanting to be the first and

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Speaker 1: youngest marathon winner for the Boston Marathon. I mean, it

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Speaker 1: could have been anything.

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Speaker 2: It could have been a doctor on the Dixie Chicks

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Speaker 2: and they're ready to Run song. I don't know. I'm

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Speaker 2: not just a.

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Speaker 1: Song called ready to I'm not even gonna I'm not

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Speaker 1: going down that rabbit hole. Can't do it, can't do

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Speaker 1: it yet, can't do it? Not filing questions away for later. Well,

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Speaker 1: you can now get associated with Ready to Run just

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Speaker 1: like we are. It is streaming on Disney Plus, so

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Speaker 1: you can watch it now or later pre recap or

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Speaker 1: post recap, or preview or postview or pre Fontaine or

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Speaker 1: post Fontaine. You pick. You choose your own adventure. Turn

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Speaker 1: a page sixty. You want to slay the dragon. Now

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Speaker 1: it's time to dig down deep and find your inner

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Speaker 1: Apologies to all Spanish speakers out there, because I'm gonna

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Speaker 1: butcher this La Confianza de Cabellos. Yeah, okay, well here's

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Speaker 1: the synopsis. Teenager Corey Ortiz discovers she can telepathically communicate

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Speaker 1: with a racehorse named thunder Jam and helps him become

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Speaker 1: a contender on the racetrack. So yes, it has a

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Speaker 1: little bit of similarities with Ring of Endless Light, minus

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Speaker 1: the dolphin at a horse. But I think the thing

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Speaker 1: I took away from this movie is there isn't much

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Speaker 1: talking horse when all is said is done? Am I right?

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Speaker 1: It's just like the Dolphins. It's sort of just kind

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Speaker 1: of a b story that the horse talks, and frankly,

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Speaker 1: it was completely and totally unnecessary to the story.

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Speaker 2: I don't Yeah, just I don't know. Well, when I

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Speaker 2: watched the opening credits too, I was like, oh, Sinbad's

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Speaker 2: in here, And then I kept looking for when he

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Speaker 2: was going to join the cast, and I'm like, wait,

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Speaker 2: is he the horses?

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Speaker 1: Yep?

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Speaker 2: One of the I couldn't even then. It made me

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Speaker 2: feel like, I guess I'm not that big of a

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Speaker 2: Sinbad fan, which I kind of thought I was. And

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Speaker 2: I couldn't even recognize his voice. I didn't even know

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Speaker 2: which one he was.

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Speaker 1: Was completely and totally unnecessary. Disney, go make a great

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Speaker 1: movie about a young girl who wants to be a jockey. Yes,

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Speaker 1: that would make it very cool.

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Speaker 2: I would like it. I think I would like it.

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Speaker 1: Yeah, me too. It got muddled. Both Seabiscuit and Secretariat

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Speaker 1: were great movies. Well, beautiful movie.

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Speaker 2: Wat This is one of my my Sabrina seas because

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Speaker 2: I was like, when did Seabiscuit come out? Cause I

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Speaker 2: feel like it was close to two thousand and we

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Speaker 2: came out in two thousand and three, So then I

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Speaker 2: was like, well, that's kind of cool that, like Disney

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Speaker 2: Channel again is ahead of the curve, because once Seabiscuit

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Speaker 2: came out, I feel like there were a couple of

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Speaker 2: horse racing type things.

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Speaker 1: Yeah, in the original Seabiscuit, the original movie came out, No, no, no,

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Speaker 1: it came out in two thousand and three, but was

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Speaker 1: also a talking horse movie and Seabiscuit was going to

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Speaker 1: be voiced by Don Delaiz and they decided not to

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Speaker 1: do that. No, I didn't get you all, damn no. No.

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Speaker 2: There is original Sea Biscuit that was that came out

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Speaker 2: way earlier. I saw there really when I looked it up.

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Speaker 2: There was like an older version of it. Wasn't the

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Speaker 2: same movie. It was just a different story on Sea Biscuit.

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Speaker 2: Okay anyway, but I was like, this is kind of cool.

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Speaker 2: That was one of my Spreece seas well. There's not

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Speaker 2: very many of them, so there might.

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Speaker 1: Be it was. There was no There was no Gensen

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Speaker 1: and Internet season this one either. There's very little information

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Speaker 1: about that.

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Speaker 2: I know, I kind of went online because I was

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Speaker 2: started sort of needing to do something.

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Speaker 1: I know I watched this movie in nine minute increments. Anyway,

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Speaker 1: all right, here we go. You're ready to run as

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Speaker 1: directed by a very familiar name to Magical rewind, Dwayne Dunham,

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Speaker 1: who I hope we can have on at some point.

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Speaker 1: We've talked about him a bunch in the past. The

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Speaker 1: award winning editor was a frequent David Lynch collaborator, and

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Speaker 1: he edited Star Wars Return of the Jedi and Bill

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Speaker 1: and Ted's Excellent Adventure. I don't know if you knew this, Sabrina,

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Speaker 1: but the original Star Wars starred Dom de Luiz. Dunham

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Speaker 1: would eventually It's not true either, but Dunham would eventually

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Speaker 1: transition into directing and was behind the camera for d

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Speaker 1: COM's Like Is another Legend, Halloween Town right on Track,

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Speaker 1: Tiger Cruz and the Thirteenth Year. One of the real

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Speaker 1: I mean just the o Geez. I have to argue

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Speaker 1: if we do a director's Mount Rushmore of d Comm's,

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Speaker 1: he'd be up there, up there, of course, the man

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Speaker 1: Kenny Ortega. That's three. We'd have to figure out who

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Speaker 1: number four would because there's been a bunch, but Dwayn

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Speaker 1: Dunham would have to be up there.

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Speaker 2: Yeah.

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Speaker 1: The movie stars Chrissy Perez, who you can also see

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Speaker 1: is sometimes Crystal Perez and sometimes Crystal Poe. The names

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Speaker 1: are it depends on where you look at it. She's

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Speaker 1: the horse talker Cory Ortiz. This was her first job

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Speaker 1: ever in Hollywood, and after this she only appeared on

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Speaker 1: a TV show called The Division and an episode of

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Speaker 1: General Hospital and then that's it. I'm not sure we've

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Speaker 1: ever had any dcoms where the star was only an

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Speaker 1: actor for two years. Kind of cool, just kind of

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Speaker 1: came in, did some stuff and then was like the off. Yeah.

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Speaker 3: Wow.

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Speaker 1: Jason Doring plays b Moody. Jason is best known for

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Speaker 1: his role in the movie Deep Impact and as Logan

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Speaker 1: on Veronica Mars. He is a TV Vet with a

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Speaker 1: ton of credits including I Zombie, Roswell, Party Down, and

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Speaker 1: Seal Team. He is also the voice of Terra in

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Speaker 1: the American Kingdom Hearts games, and I was in those

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Speaker 1: games as well. I played Cipher. Lillian Hurst is lords

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Speaker 1: Corey's mom. You may recognize hers from Lost, where she

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Speaker 1: was one of the B Team Island Castaways. She was

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Speaker 1: also a regular on Dharma and Greg, True Blood, and

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Speaker 1: the Incredible Lisa Kudrou Show, The Comeback. Nestor Serrano is

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Speaker 1: Hector Machado. They're always working character actors. Srano is in

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Speaker 1: movies like Bringing Out the Dead, The Day After Tomorrow,

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Speaker 1: Bad Boys, and another horse movie. We just talked about Secretariat,

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Speaker 1: starring him and Don de Luiz. I'm kidding. I'm just

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Speaker 1: gonna keep throwing Don Delawiz. But also for all of

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Speaker 1: our listeners out there, like who the Guy? Google them.

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Speaker 1: He also has been on TV shows like Blue Blood's Revenge,

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Speaker 1: Law and Order Er, and a very little known show

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Speaker 1: called True Blue Shot back in New York, starring a

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Speaker 1: very young Wilfridell in his first ever TV appearance, Thank

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Speaker 1: you much, I was eleven years old.

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Speaker 2: That's awesome, And.

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Speaker 1: Here comes quite a run of comedians and voiceover rolls.

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Speaker 1: All of them are horses. First, Rick to Common is

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Speaker 1: the voice of Cyclone. He appeared in a bunch of

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Speaker 1: classic comedies, including Spaceballs, Groundhog Day, and Sino Man, and

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Speaker 1: the movie he's best known for The Urbs sadly Do.

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Speaker 1: Common died in twenty fifteen at the age of sixty

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Speaker 1: two from complications from diabetes and then comedian Paul Rodriguez

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Speaker 1: is the voice of TJ or thunder Jam. He's one

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Speaker 1: of the eighties and nineties biggest names in stand up,

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Speaker 1: also appearing in movie He's Like a Cinderella Story, Ali

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Speaker 1: rat Race and born in East LA. Nowadays he is

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Speaker 1: known as p Rod's Dad and had to Google that

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Speaker 1: his son has become one of the greatest skateboarders of

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Speaker 1: all time, the first skater with his own Nike shoe. Incredible.

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Speaker 1: And finally, we have Sindbad as the voice of Hollywood Shuffle.

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Speaker 1: Sindbad also one of the eighties biggest names in stand

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Speaker 1: up who then transitioned into acting as one of the

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Speaker 1: stars of The Cosby Show spin off A Different World.

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Speaker 1: He also had his own sitcom, The Sinbad Show, and

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Speaker 1: started movies like necessary roughness, house guests, good Burger jingle

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Speaker 1: all the way and first kid. This is a big

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Speaker 1: get for Disney. But since it's just his voice, he's

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Speaker 1: barely in this movie. He cannot sit in the Dabney

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Speaker 1: Reynolds chair. Sorry, those are the rules. We all know it.

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Speaker 1: Sindbad suffered a stroke in twenty twenty, caused by a

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Speaker 1: blood clot, but is reportedly doing okay in recovery, and

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Speaker 1: many consider it to be a miracle. We're glad he's

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Speaker 1: doing well. He's a very funny guy. But still the

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Speaker 1: thing I'm wondering about how long is ready to run?

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Speaker 1: How many horse lengths? As you know, we hear magical

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Speaker 1: rewind consider ninety minutes to be the perfect length of

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Speaker 1: a movie. Anything else is stupid, and so this one,

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Speaker 1: the horse d com runs ninety six minutes. It's a

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Speaker 1: horrible reality.

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Speaker 2: Takes extra minutes, felt like four hours.

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Speaker 1: It did, it really did six minutes over the target

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Speaker 1: and just horribly disappointing. I appreciate as much Sinbad as

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Speaker 1: anyone can get, but not hear people not in this movie.

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Speaker 1: Keep it ninety guys, and we have one writer here.

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Speaker 1: The credit goes to John Werick, John was a writer

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Speaker 1: on Step by Step with thirty three episodes to his name,

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Speaker 1: and he has another d comm on his resume. Double

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Speaker 1: Teamed Got some things to say to John. As far

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Speaker 1: as other TV movies, he also wrote Too Legit, the

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Speaker 1: mc hammer Story, and the very serious Matthew Shepherd's Story.

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Speaker 1: Nowadays he writes a lot of Hallmark Christmas movies. So

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Speaker 1: I take you back, I love you John. Put me

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Speaker 1: on Hallmark Christmas movie.

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Speaker 2: Put me in one of those I love Christmas movies.

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Speaker 2: It is just so Double Team is just so personal

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Speaker 2: for you now it is.

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Speaker 1: I gotta talk to you. I got some things to

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Speaker 1: talk about. I also love that it just pisses off

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Speaker 1: producer Micaelibs.

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Speaker 4: I know she's so sweet because it's fun because I'm

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Speaker 4: a little brother and always will be.

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Speaker 1: We open in a race track tunnel with horses making

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Speaker 1: their way to the track at Sonora Downs, a beautiful

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Speaker 1: group of animals steered by jockeys, but no horses are

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Speaker 1: talking yet, which is false advertising if you ask me.

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Speaker 1: We see the day's first race begin, fans in the

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Speaker 1: stands excited to cheer on their favorites and announce their credits.

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Speaker 1: Thunder Jam as the heavy favorite, but now the horse

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Speaker 1: doesn't even want to get into the starting gate. Teenager

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Speaker 1: Corey works at the track helping mister Hector Machado with

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Speaker 1: his horses. She's currently guiding one thoroughbred into the starting

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Speaker 1: position and notices the struggling number nine horse, Thunderjam. She

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Speaker 1: expresses her desire to one day be a jockey herself.

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Speaker 1: The horses are finally locked away and boom away we go,

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Speaker 1: and as one would have assumed, Thunderjam is still in

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Speaker 1: the gate even a few minutes later. What a bust.

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Speaker 1: Eventually he starts the race, but the horse is still

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Speaker 1: bucking and nowhere near in competition. Eventually, in the last

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Speaker 1: leg a traffic jam caused is another horse, Mandalay Bride,

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Speaker 1: who we will refer to as Mandalay Bay sometimes and

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Speaker 1: mandale Bride other times. Doesn't matter. To smash into the

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Speaker 1: gate and go down. Luckily, the horse is quick to

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Speaker 1: get up, as is the jockey. We so far have

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Speaker 1: Mandalay Bay see cyclone and thunder Jam. Sabrina, if you

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Speaker 1: had a racehorse, what are you naming your racehorse? Oh

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Speaker 1: my god, top of your head, quick, don't even think

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Speaker 1: what's name?

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Speaker 2: Come on, oh, racehorse, racehorse. Uh try something like lightning something.

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Speaker 1: Oh really, you wouldn't make it personal. Wouldn't be like

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Speaker 1: dough the cheetah or something like that.

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Speaker 2: Cheetah lightning, Cheetah lightning.

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Speaker 1: There you go. I love that Mine would be boy

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Speaker 1: Meet's last place. I think that'd be the best one

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Speaker 1: they could possibly do. Uh. No, be plays with horses.

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Speaker 1: That's what'd be. After plays with squirrels from Boymans for ol,

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Speaker 1: they'd be plays with horses.

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Speaker 2: There you go.

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Speaker 1: We are now back at the stables. Corey is talking

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Speaker 1: to mister Machado about the race and begging him for

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Speaker 1: a chance to jockey, but he thinks it's just too dangerous.

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Speaker 1: She worked for him the last two years and swear

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Speaker 1: she knows everything that's needed from her, but he's not

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Speaker 1: changing his mind yet. Meanwhile, Mandalay Bride's owner, mister Garris,

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Speaker 1: is with a nurse who says the horse will never

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Speaker 1: race again. She suggests making her a riding pony, but

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Speaker 1: the jerk just wants to put the horse down because

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Speaker 1: it can't race. He walks away, and this guy is

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Speaker 1: such an I was hoping somebody just beat him over

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Speaker 1: the head with a bat he's a horrible, horrible We

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Speaker 1: could hope this guy was because again, I have a

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Speaker 1: real problem and I didn't have a problem with it

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Speaker 1: really before I got married, but Sue has a huge

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Speaker 1: problem with any kind of movie or anything where animals

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Speaker 1: are hurt. And it never bothered me before just because

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Speaker 1: it's fake. You know, I know it's movies and it's movie.

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Speaker 1: Maybe I just that's where my head goes. But it's

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Speaker 1: starting to bother me the older I'm getting. And so

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Speaker 1: a movie where they're openly talking about just let's kill

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Speaker 1: this horse and grind it up and horses are flipping

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Speaker 1: over it. This movie freaked me out a little bit.

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Speaker 2: It was just it was very off putting. It was

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Speaker 2: it was it was literally, I didn't this is like

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Speaker 2: another one of the very cut, cut up the horse

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Speaker 2: to meet like that said, actual said, and it felt weird. Yeah,

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Speaker 2: you're rightfully of.

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Speaker 1: Those moments where I was just like ew yeah. But anyway,

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Speaker 1: mister Machatta swings by, still talking to Corey about her

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Speaker 1: future in racing. He suggests she gets her mom's permission

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Speaker 1: and then come back to him. He stops to talk

432
00:20:20,960 --> 00:20:22,960
Speaker 1: to the nurse and finds out Garris wants to put

433
00:20:23,000 --> 00:20:25,960
Speaker 1: Mandalay Bride down and assumes it's just for the insurance money.

434
00:20:25,960 --> 00:20:28,760
Speaker 1: You can't get paid if the horse is still alive. Meanwhile,

435
00:20:28,800 --> 00:20:31,560
Speaker 1: thunder Jam's jockey is complaining he'll never ride that pathetic

436
00:20:31,600 --> 00:20:34,000
Speaker 1: horse again. It doesn't care what mister Michatdo thinks about it.

437
00:20:34,200 --> 00:20:36,120
Speaker 1: He walks out, leaving Corey to pick up the pieces.

438
00:20:36,359 --> 00:20:38,480
Speaker 1: She talks with thunder Jam, giving him words of encouragement.

439
00:20:38,560 --> 00:20:41,160
Speaker 1: He still doesn't answer. Mister Michatdo overhears her and laughs

440
00:20:41,160 --> 00:20:44,440
Speaker 1: at the optimism. He knows that Thoroughbread needs more heart.

441
00:20:44,800 --> 00:20:46,800
Speaker 1: Corey isn't ready to give up on TJ just yet

442
00:20:46,800 --> 00:20:49,320
Speaker 1: and is devastated to hear what's gonna happen at Mandalai Bride.

443
00:20:49,760 --> 00:20:52,040
Speaker 1: Corey thinks there has to be something they can do,

444
00:20:52,160 --> 00:20:55,880
Speaker 1: but her boss reminds her Mandalay Bride isn't their problem now.

445
00:20:55,920 --> 00:20:58,240
Speaker 1: Back at Corey's house, her brother Gabby is watching a

446
00:20:58,320 --> 00:21:00,800
Speaker 1: horse race on TV with her underwear ondd as a helmet.

447
00:21:01,040 --> 00:21:05,040
Speaker 1: He's pretending to be a jockey. Corey's Abulita, is that right?

448
00:21:05,119 --> 00:21:07,399
Speaker 1: Lord's I think I'm saying that right. Abolita Lords is

449
00:21:07,440 --> 00:21:10,080
Speaker 1: watching as well and betting with toothpicks. She's already down

450
00:21:10,119 --> 00:21:12,800
Speaker 1: two thousand. Now. In her room, Corey puts her money

451
00:21:12,840 --> 00:21:14,600
Speaker 1: in a box and pulls out a pamphlet for Sonora

452
00:21:14,680 --> 00:21:16,760
Speaker 1: Holmes and a photo of her dad, a former jockey.

453
00:21:16,920 --> 00:21:18,840
Speaker 1: She looks at it with sadness in her eyes and says,

454
00:21:18,960 --> 00:21:21,560
Speaker 1: I won't let you down, Dad. At the dinner table,

455
00:21:21,600 --> 00:21:23,439
Speaker 1: Corey and her mom talk about her losing day at

456
00:21:23,480 --> 00:21:26,119
Speaker 1: the track. Sonia tells Corey that Hector Maachado is a

457
00:21:26,160 --> 00:21:28,200
Speaker 1: good man and God will reward him at some point.

458
00:21:28,400 --> 00:21:30,800
Speaker 1: Abolita Lords says she was a good woman, but her

459
00:21:30,880 --> 00:21:33,240
Speaker 1: luck still stinks, and Sonya reminds her that God will

460
00:21:33,280 --> 00:21:36,480
Speaker 1: reward her with grandchildren, but Lord says she would trade

461
00:21:36,520 --> 00:21:40,359
Speaker 1: them for a winning horse. A man's sister, says the

462
00:21:40,400 --> 00:21:43,160
Speaker 1: guy with no kids. Corey sees her opening and mentions

463
00:21:43,240 --> 00:21:46,760
Speaker 1: that she's been thinking about getting a new job, becoming

464
00:21:46,880 --> 00:21:49,399
Speaker 1: a jockey. Her mom quickly tells her she won't allow it.

465
00:21:49,520 --> 00:21:51,640
Speaker 1: Sonia lists some of the other career paths that Corey

466
00:21:51,680 --> 00:21:53,600
Speaker 1: should look into, like being a doctor or a teacher,

467
00:21:53,760 --> 00:21:55,879
Speaker 1: but Corey just wants to be a jockey. The answer

468
00:21:55,920 --> 00:21:58,359
Speaker 1: is no, and that's final. Corey insays she can be

469
00:21:58,359 --> 00:22:00,760
Speaker 1: anything she wants, it's what she learn from her dad.

470
00:22:00,840 --> 00:22:02,560
Speaker 1: But then her mom reminds her all her dad got

471
00:22:02,560 --> 00:22:06,080
Speaker 1: from being a jockey was a nice headstone about to cry.

472
00:22:06,200 --> 00:22:08,320
Speaker 1: So Sonya asked Corey if she wants to break her

473
00:22:08,320 --> 00:22:10,879
Speaker 1: heart again, and ladies and gentlemen, it's official. We have

474
00:22:10,920 --> 00:22:13,920
Speaker 1: a dead dad. Corey storms off to her room and

475
00:22:13,960 --> 00:22:16,680
Speaker 1: Abulita Lord's points out the similarities that Corey has with

476
00:22:16,720 --> 00:22:19,560
Speaker 1: her dad, but Sony isn't hearing it. Lord's wonders out loud,

477
00:22:19,800 --> 00:22:21,840
Speaker 1: what if she has the gift? And this is the

478
00:22:21,840 --> 00:22:24,920
Speaker 1: first time we're hearing about it. Now in Corey's room,

479
00:22:24,960 --> 00:22:27,199
Speaker 1: she's laying in her bed, watching her mobile of glass

480
00:22:27,200 --> 00:22:30,320
Speaker 1: figures glisten in the moonlight. The crystal horse specifically catches

481
00:22:30,359 --> 00:22:32,040
Speaker 1: her eye. After peeking out her window at the stables

482
00:22:32,080 --> 00:22:34,280
Speaker 1: across the street, she decides to sneak out because the

483
00:22:34,280 --> 00:22:36,600
Speaker 1: horse looks like a you know, what do you call it?

484
00:22:36,600 --> 00:22:41,480
Speaker 1: A pegasus? You know, the a winged horse. So that's

485
00:22:41,480 --> 00:22:42,919
Speaker 1: what the guy said. The only word's gonna got off

486
00:22:42,960 --> 00:22:45,639
Speaker 1: a girl's wings. Still in her pajamas, but now with

487
00:22:45,680 --> 00:22:48,000
Speaker 1: the horses, Corey tells Mandalay Bride that everything will be

488
00:22:48,000 --> 00:22:50,040
Speaker 1: okay and she won't let anyone hurt her, then guides

489
00:22:50,080 --> 00:22:51,879
Speaker 1: her out of the stables. Corey takes the halter off

490
00:22:51,920 --> 00:22:53,600
Speaker 1: the horse, saying it's for her own good, and with that,

491
00:22:53,640 --> 00:22:56,240
Speaker 1: the horse takes off into the night, giving one last

492
00:22:56,280 --> 00:22:58,720
Speaker 1: buck and nay as a thank you. Then we're back

493
00:22:58,760 --> 00:23:01,520
Speaker 1: in the stables and the horses start talking to each other.

494
00:23:02,359 --> 00:23:06,359
Speaker 1: It's begun people. They all seem very happy for Mandelay Bride.

495
00:23:06,359 --> 00:23:08,800
Speaker 1: When Corey comes back in, the horses get instantly quiet,

496
00:23:08,840 --> 00:23:11,959
Speaker 1: but she heard the whispering. She's scared, thinks someone might

497
00:23:12,000 --> 00:23:14,160
Speaker 1: be in the stables. She starts walking back to her room.

498
00:23:14,400 --> 00:23:16,480
Speaker 1: Thunder Jen speaks story again and tells her she did

499
00:23:16,480 --> 00:23:20,040
Speaker 1: a very brave thing. Corey obviously startled wonders who said that.

500
00:23:20,200 --> 00:23:23,720
Speaker 1: Thunder Jem tells her I did me, tj. Corey assumes

501
00:23:23,760 --> 00:23:25,679
Speaker 1: she's going crazy, and frankly, I don't blame her. The

502
00:23:25,840 --> 00:23:28,560
Speaker 1: entire effect of the horse talking this movie is weird.

503
00:23:29,160 --> 00:23:31,480
Speaker 1: It's just their head kind of moving and you hear

504
00:23:31,480 --> 00:23:34,000
Speaker 1: a voice. It's like it's nothing. Was that weird to you?

505
00:23:34,040 --> 00:23:36,600
Speaker 1: I mean, it wasn't like it's weird.

506
00:23:36,359 --> 00:23:40,560
Speaker 2: Because now, like the animation that they can add to

507
00:23:40,800 --> 00:23:44,439
Speaker 2: act like the animals in movies is so good that

508
00:23:44,520 --> 00:23:46,719
Speaker 2: it's weird to see what it was like before they

509
00:23:46,720 --> 00:23:47,280
Speaker 2: could do that.

510
00:23:47,400 --> 00:23:50,639
Speaker 1: But even Ed they would fill the horse's mouth with

511
00:23:50,680 --> 00:23:52,840
Speaker 1: peanut butter, so even the mouth moved.

512
00:23:53,240 --> 00:23:55,280
Speaker 2: Yeah, but I feel like that was like an old

513
00:23:55,320 --> 00:23:57,760
Speaker 2: school way of doing it, and it didn't actually ever

514
00:23:57,840 --> 00:24:00,600
Speaker 2: look like the horse was actually really talking. When mister

515
00:24:00,800 --> 00:24:01,240
Speaker 2: Ed did.

516
00:24:01,119 --> 00:24:04,200
Speaker 1: That, he was just like, this is weird. Well, first

517
00:24:04,200 --> 00:24:06,960
Speaker 1: of all, don't don't denigrate peanut butter, because I will

518
00:24:07,000 --> 00:24:09,040
Speaker 1: I will talk for anybody for peanut butter. It's brilliant.

519
00:24:09,560 --> 00:24:12,800
Speaker 2: No, I'm I love peanut butter. But I'm saying it

520
00:24:12,920 --> 00:24:16,440
Speaker 2: never really looked like it was actually talking. So it's

521
00:24:16,520 --> 00:24:19,720
Speaker 2: kind of like what's the worst, Like, what what's the

522
00:24:19,760 --> 00:24:24,040
Speaker 2: better evil in this situation? Yeah, and was great because now,

523
00:24:24,200 --> 00:24:27,040
Speaker 2: especially like looking at like a movie like The Lion

524
00:24:27,119 --> 00:24:29,600
Speaker 2: King that they can do where it's all the animals

525
00:24:29,640 --> 00:24:33,520
Speaker 2: they all look talking, it's like, it's so good. It's

526
00:24:33,560 --> 00:24:35,439
Speaker 2: weird to now look back. And I just took it

527
00:24:35,480 --> 00:24:36,359
Speaker 2: as that it's like dated.

528
00:24:36,600 --> 00:24:39,480
Speaker 1: Yeah, okay, it was two thousand, cour it just looked

529
00:24:39,520 --> 00:24:41,159
Speaker 1: like it was added at the end, like let's just

530
00:24:41,200 --> 00:24:41,960
Speaker 1: make the horses come.

531
00:24:42,600 --> 00:24:46,000
Speaker 2: Yes, it actually did once we Once you said that,

532
00:24:46,040 --> 00:24:48,600
Speaker 2: I was like, it really actually did look like it.

533
00:24:48,560 --> 00:24:50,720
Speaker 1: Was like they just like something that was thought.

534
00:24:50,520 --> 00:24:54,200
Speaker 2: Of ahead of times, like this is missing something. Her

535
00:24:54,400 --> 00:24:58,280
Speaker 2: just talking, but we I would prefer this than the

536
00:24:59,080 --> 00:25:02,000
Speaker 2: dog that was supposed to be talking to him, and

537
00:25:02,040 --> 00:25:04,160
Speaker 2: we can never underhear who what he was saying.

538
00:25:04,280 --> 00:25:08,000
Speaker 1: Oh yeah that for uh, the one with Kirk Cameron. Yeah, yes,

539
00:25:08,359 --> 00:25:09,560
Speaker 1: I prefer this than that.

540
00:25:09,840 --> 00:25:12,080
Speaker 2: I prefer this than that, because that was that.

541
00:25:12,200 --> 00:25:16,520
Speaker 1: Was prefer anything to that. Corey doesn't believe she's actually

542
00:25:16,520 --> 00:25:18,159
Speaker 1: talking to a horse. She thinks maybe the fumes are

543
00:25:18,200 --> 00:25:20,320
Speaker 1: getting to her head. What fumes make you think horses

544
00:25:20,359 --> 00:25:23,240
Speaker 1: are talking to you? Because I want some. The next day,

545
00:25:23,240 --> 00:25:25,600
Speaker 1: back at the stables, one of mister Garrison's employees is

546
00:25:25,600 --> 00:25:27,720
Speaker 1: talking to a prospective horse killer who drove through the

547
00:25:27,800 --> 00:25:29,840
Speaker 1: night to pick up Mandalay Bride, but now they have

548
00:25:29,880 --> 00:25:31,720
Speaker 1: no idea where the animal is. The man threatens to

549
00:25:31,720 --> 00:25:34,439
Speaker 1: tell mister Garris unless he can find him. Corey overhears this,

550
00:25:34,480 --> 00:25:36,720
Speaker 1: and mister Machatto asks if she's seen the missing horse.

551
00:25:37,000 --> 00:25:40,080
Speaker 1: She gets nervous, and you can tell Machado's actually very impressed. Joking,

552
00:25:40,119 --> 00:25:43,600
Speaker 1: Mandalay probably just grew wings and flew away. Later that day,

553
00:25:43,640 --> 00:25:45,520
Speaker 1: Corey is washing one of the horses when a talkative,

554
00:25:45,560 --> 00:25:48,560
Speaker 1: smooth talker named mister Flanagan and a boy in a

555
00:25:48,680 --> 00:25:52,560
Speaker 1: very theatrical cowboy outfit arrive. Flannagan leaves to see mister Machado,

556
00:25:52,560 --> 00:25:54,679
Speaker 1: and the boy starts putting on a lasso show, clearly

557
00:25:54,720 --> 00:25:57,720
Speaker 1: to impress Corey. In the stables, mister Flanagan tries to

558
00:25:57,720 --> 00:26:00,399
Speaker 1: sell Machado on a new impressive jockey he's wrapped, named

559
00:26:00,400 --> 00:26:03,800
Speaker 1: Bee Moody, but mister Michatdo's not interested. Mister Flanagan insists,

560
00:26:03,800 --> 00:26:05,919
Speaker 1: mister Machatdo, look at what the boy can do, and

561
00:26:05,960 --> 00:26:08,640
Speaker 1: when we realize they're talking about that weird lasso kid outside,

562
00:26:08,720 --> 00:26:11,400
Speaker 1: that's where we're like, whoa. Even after seeing b Moody

563
00:26:11,440 --> 00:26:13,760
Speaker 1: dance her out of the rope, mister Michado's still uninterested,

564
00:26:13,800 --> 00:26:17,200
Speaker 1: suggesting they try the rodeo. Mister Flanagan wonders, you don't

565
00:26:17,240 --> 00:26:19,200
Speaker 1: need a new jockey. You don't need a new jockey,

566
00:26:19,359 --> 00:26:24,440
Speaker 1: or you can't afford one. Ooh, harsh. Mister Flanagan reminds

567
00:26:24,520 --> 00:26:26,280
Speaker 1: him that it's been two years. If he doesn't get

568
00:26:26,280 --> 00:26:28,679
Speaker 1: a win soon, he'll lose the barn. Knowing he's right,

569
00:26:28,720 --> 00:26:31,639
Speaker 1: mister Macchado asked what kind of experience b Moody actually has.

570
00:26:31,840 --> 00:26:34,160
Speaker 1: He was apparently born in the saddle and has experience

571
00:26:34,400 --> 00:26:38,440
Speaker 1: in Florida at the Ringling Brothers barnman Bailey Circus. He's

572
00:26:38,440 --> 00:26:41,480
Speaker 1: a circus rider, not a horse racer. Machado slightly offended,

573
00:26:41,480 --> 00:26:43,240
Speaker 1: but Flanagan wants to know if they have a deal,

574
00:26:43,480 --> 00:26:44,919
Speaker 1: and instead of taking you up on the offer, he

575
00:26:44,960 --> 00:26:48,360
Speaker 1: threatens Flannagan with a giant needle. Back. At the racetrack,

576
00:26:48,400 --> 00:26:50,720
Speaker 1: it's another big day and Lord says joined Corey to

577
00:26:50,760 --> 00:26:52,840
Speaker 1: scout some of the day's entries. She likes one horse

578
00:26:52,880 --> 00:26:55,840
Speaker 1: named Juicy Fruity because of his name. Corey tells her

579
00:26:55,920 --> 00:26:59,480
Speaker 1: Abulita that Juicy Fruity is a terrible bet. He's worn out.

580
00:26:59,520 --> 00:27:02,919
Speaker 1: Lord said, She'll still put two hundred toothpicks on Juicy Fruity?

581
00:27:03,040 --> 00:27:04,200
Speaker 1: Did you get the toothpicks? Sing?

582
00:27:04,240 --> 00:27:06,280
Speaker 2: It was just her bet, but at all it was

583
00:27:06,320 --> 00:27:09,480
Speaker 2: one of my Sabrinas sees too of like what am

584
00:27:09,480 --> 00:27:14,000
Speaker 2: I missing that I don't understand this toothpick sich jar

585
00:27:14,080 --> 00:27:16,160
Speaker 2: of toothpicks, that this lady takes everywhere I.

586
00:27:16,119 --> 00:27:18,840
Speaker 1: Know, I didn't. I didn't get it either. Corey wonders

587
00:27:18,840 --> 00:27:21,240
Speaker 1: if Lord thinks horses can talk, which is quite a

588
00:27:21,320 --> 00:27:23,840
Speaker 1: random question to ask out of nowhere, but without hesitation,

589
00:27:23,960 --> 00:27:26,479
Speaker 1: Lord says, of course they do. Corey clarifies that she

590
00:27:26,480 --> 00:27:29,600
Speaker 1: meant if horses could talk to humans in English. Lords

591
00:27:29,640 --> 00:27:31,879
Speaker 1: wonders if she's trying to tell her Abbeli to something.

592
00:27:32,280 --> 00:27:34,040
Speaker 1: Corey's about to reveal what happened the other night, but

593
00:27:34,080 --> 00:27:37,280
Speaker 1: then reminds herself that horses do not talk. As it Confused,

594
00:27:37,280 --> 00:27:39,560
Speaker 1: Corey is about to leave. Lord speaks up. They call it,

595
00:27:39,600 --> 00:27:43,920
Speaker 1: and again I'm apologies. They call it la confianza de by,

596
00:27:44,320 --> 00:27:48,520
Speaker 1: La confianza deca bios, the confidence of horses. Lord says

597
00:27:48,520 --> 00:27:50,879
Speaker 1: that many generations of their family have had this special

598
00:27:50,880 --> 00:27:54,840
Speaker 1: bond with horses, and this, to me is the story.

599
00:27:55,160 --> 00:27:57,199
Speaker 1: And you don't need the talking horse. It's just a

600
00:27:57,240 --> 00:28:01,600
Speaker 1: connection with an animal that is like this spiritual connection

601
00:28:01,640 --> 00:28:04,520
Speaker 1: with it. You didn't need to have then voiceover of

602
00:28:04,560 --> 00:28:06,679
Speaker 1: other things. Just do a beautiful horse story about this

603
00:28:06,720 --> 00:28:09,520
Speaker 1: girl and this horse that have this connection that she

604
00:28:09,600 --> 00:28:11,359
Speaker 1: learns to ride. That would have been a great movie,

605
00:28:11,359 --> 00:28:14,639
Speaker 1: but I don't know, just got muddled. Yeah, it was

606
00:28:14,680 --> 00:28:17,320
Speaker 1: really strange, but not Lord's because if they spoke to her,

607
00:28:17,359 --> 00:28:20,680
Speaker 1: she wouldn't lose so many toothpicks. Who's she betting against?

608
00:28:23,119 --> 00:28:26,160
Speaker 1: I don't get it. Lord says that horses only tell

609
00:28:26,160 --> 00:28:29,320
Speaker 1: their secrets to worthy people like Corey's dad. He had

610
00:28:29,359 --> 00:28:35,440
Speaker 1: the gift. Then the bugle is played, thank you, it's

611
00:28:35,440 --> 00:28:38,760
Speaker 1: time for the races. Corey rushes off to her job.

612
00:28:38,800 --> 00:28:40,920
Speaker 1: That was me, by the way, not an awesome bugle

613
00:28:40,920 --> 00:28:44,280
Speaker 1: guy sitting in my hot booth of me. At the

614
00:28:44,320 --> 00:28:46,800
Speaker 1: starting gate, the horses are lining up, and holy they're

615
00:28:46,840 --> 00:28:49,480
Speaker 1: all talking again. One is repeating they think they can

616
00:28:49,640 --> 00:28:51,800
Speaker 1: over and over and over again, while Hollywood shuffle is

617
00:28:51,840 --> 00:28:54,440
Speaker 1: his confidence can be. There's really no connection between the

618
00:28:54,480 --> 00:28:57,320
Speaker 1: voiceovers at all and what we're seeing. It's almost not

619
00:28:57,440 --> 00:28:58,920
Speaker 1: needed in the movie at all. It just feels like

620
00:28:58,960 --> 00:29:02,280
Speaker 1: the actors are rushing to all the words. It's really strange.

621
00:29:02,600 --> 00:29:04,680
Speaker 1: Corey here's the horse is chatting again and asks Pete,

622
00:29:04,720 --> 00:29:06,480
Speaker 1: the guy at the starting gate, if he hears anything.

623
00:29:06,560 --> 00:29:10,440
Speaker 1: Pete laughs and assumes she's on LSD. Now in the bleachers,

624
00:29:10,600 --> 00:29:13,160
Speaker 1: mister Garris tells Machado that every race needs a loser

625
00:29:13,200 --> 00:29:15,720
Speaker 1: and that's why Machado was invited. These two clearly have

626
00:29:15,800 --> 00:29:18,320
Speaker 1: some tension. Garris says he wants to buy his horse

627
00:29:18,320 --> 00:29:21,920
Speaker 1: barn for extra stalls, but mister Machado assures Garris that

628
00:29:21,960 --> 00:29:31,840
Speaker 1: his barn is not for sale. Garris adds yet, Garris

629
00:29:31,840 --> 00:29:34,280
Speaker 1: remembers the old mister Machado and how he used to

630
00:29:34,280 --> 00:29:36,840
Speaker 1: be dedicated to building a champion. What happened to that guy?

631
00:29:37,080 --> 00:29:39,680
Speaker 1: Machado says he knows what it was, and Garris tells

632
00:29:39,720 --> 00:29:42,680
Speaker 1: him to get over himself. Accidents happen, so obviously there's

633
00:29:42,680 --> 00:29:45,600
Speaker 1: something there. Garris walks away, but not before inviting Machado

634
00:29:45,680 --> 00:29:48,040
Speaker 1: to the winner circle later so he can show him around,

635
00:29:48,320 --> 00:29:52,160
Speaker 1: since he'll never get down there himself. Ooh. After the

636
00:29:52,240 --> 00:29:54,240
Speaker 1: race is back at the stables, Garris complains to his

637
00:29:54,240 --> 00:29:56,920
Speaker 1: employee that he's dumping his horse, thunder Jam. He got

638
00:29:57,000 --> 00:29:59,080
Speaker 1: stuck in the starting gate and is now embarrassed by

639
00:29:59,160 --> 00:30:02,040
Speaker 1: him again, but mc affrey reminds him insurance doesn't work

640
00:30:02,080 --> 00:30:05,200
Speaker 1: that way. While Garris steps into a pile of horse dung,

641
00:30:05,240 --> 00:30:06,880
Speaker 1: which they make like it's the worst thing in the world.

642
00:30:06,920 --> 00:30:09,120
Speaker 1: But apparently if that actually happens, it's good luck. If

643
00:30:09,280 --> 00:30:11,520
Speaker 1: it happens by accident in a horse stable, it's good luck.

644
00:30:11,880 --> 00:30:14,200
Speaker 1: Corey sees it and laughs. But now a frustrated Garrison

645
00:30:14,200 --> 00:30:16,320
Speaker 1: insists this horse is out of his life. He doesn't

646
00:30:16,360 --> 00:30:18,440
Speaker 1: care if he's shot, grind it into dog food, or

647
00:30:18,480 --> 00:30:21,240
Speaker 1: sold for peanuts, and again it's just like gross. Seeing

648
00:30:21,240 --> 00:30:23,720
Speaker 1: an opportunity, Corey jumps up. She'll take thunder Jam, and

649
00:30:23,760 --> 00:30:26,760
Speaker 1: coincidentally she has a bag of peanuts. She hands on

650
00:30:26,840 --> 00:30:29,000
Speaker 1: the bag and now officially Thunderjam is hers. And I

651
00:30:29,000 --> 00:30:30,880
Speaker 1: want the record to show that per law, this could

652
00:30:30,880 --> 00:30:33,440
Speaker 1: never happen. You can't just sell a horse for peanuts.

653
00:30:33,480 --> 00:30:36,760
Speaker 1: There's been no paperwork, nothing. This is just not a thing.

654
00:30:37,160 --> 00:30:38,840
Speaker 1: And I was just waiting for that moment in the

655
00:30:38,840 --> 00:30:40,400
Speaker 1: movie later where the horse starts to win and the

656
00:30:40,400 --> 00:30:42,440
Speaker 1: guy's like, it's my horse. You gave me peanuts. We

657
00:30:42,480 --> 00:30:44,200
Speaker 1: didn't sign anything, like. I was waiting for that.

658
00:30:44,080 --> 00:30:46,240
Speaker 2: Moment, and it just never came true. True.

659
00:30:46,520 --> 00:30:48,880
Speaker 1: Still thought that was gonna come. Corey tells thunder Jam

660
00:30:49,000 --> 00:30:51,120
Speaker 1: not to listen to the hater, He's not a loser.

661
00:30:51,560 --> 00:30:54,440
Speaker 1: We cut to a diner, Little Gabby, Corey's brother runs

662
00:30:54,440 --> 00:30:56,560
Speaker 1: in and tell his mom, Sonya, who's working as a waitress,

663
00:30:56,600 --> 00:30:58,840
Speaker 1: that she needs to come out and see something. It's Corey.

664
00:30:59,080 --> 00:31:02,080
Speaker 1: She bought a horse over at the stables. Corey is

665
00:31:02,120 --> 00:31:04,200
Speaker 1: so excited, going on and on about how they're are

666
00:31:04,320 --> 00:31:06,880
Speaker 1: dream team and she'll one day buy her mom the

667
00:31:06,920 --> 00:31:09,600
Speaker 1: house she's always wanted. But right on cue, Sonya storms

668
00:31:09,600 --> 00:31:12,160
Speaker 1: in and tells Corey to just give it back. Corey wine,

669
00:31:12,200 --> 00:31:14,680
Speaker 1: she can't return thunder Jam, they'll kill him, but Sonya

670
00:31:14,720 --> 00:31:16,440
Speaker 1: puts her foot down. She can barely take care of

671
00:31:16,440 --> 00:31:19,720
Speaker 1: her family, let alone a horse. But which is It's true?

672
00:31:19,920 --> 00:31:21,520
Speaker 2: Super so expensive?

673
00:31:21,640 --> 00:31:23,360
Speaker 1: Yeah, it's crazy.

674
00:31:24,000 --> 00:31:26,120
Speaker 2: That's what makes I think the whole joke of like

675
00:31:26,120 --> 00:31:28,520
Speaker 2: when little girls say I want a pony for my birthday,

676
00:31:28,600 --> 00:31:31,760
Speaker 2: and it's like, not only is the like initial cost

677
00:31:31,880 --> 00:31:35,920
Speaker 2: very expensive, but like the upkeep, yeah, but Julians where

678
00:31:35,960 --> 00:31:37,280
Speaker 2: you keep it and all that?

679
00:31:37,360 --> 00:31:41,600
Speaker 1: Yeah, so very very expensive. Hobby or sport, depending on

680
00:31:41,600 --> 00:31:44,280
Speaker 1: how into it you are. But Corey promises there she'll

681
00:31:44,280 --> 00:31:46,360
Speaker 1: take care of TJ. Mister Machatda then chimes in the

682
00:31:46,360 --> 00:31:48,880
Speaker 1: horse can stay in stalls if it's okay with Sonya,

683
00:31:48,920 --> 00:31:51,320
Speaker 1: but the answer is still no. Corey tries to explain

684
00:31:51,360 --> 00:31:53,560
Speaker 1: that thunder Jam can pay his own way in race winnings,

685
00:31:53,600 --> 00:31:57,600
Speaker 1: something mister Machatto says is actually possible. Sonya still isn't sold,

686
00:31:57,640 --> 00:32:00,640
Speaker 1: but mister Machatda assures her even if thunder Jam doesn't win,

687
00:32:00,760 --> 00:32:03,320
Speaker 1: he can still live at the barn. Sonya agrees for now,

688
00:32:03,360 --> 00:32:06,400
Speaker 1: and Corey is elated. Now in Corey's bedroom before bed,

689
00:32:06,480 --> 00:32:08,520
Speaker 1: Sonya reminds her daughter that having a horse does not

690
00:32:08,560 --> 00:32:10,800
Speaker 1: make her a jockey, and if she catches Corey on

691
00:32:11,000 --> 00:32:14,000
Speaker 1: any horse in a race, including thunder Jam, she's gonna

692
00:32:14,000 --> 00:32:16,440
Speaker 1: give it away herself. The next morning, at the stables,

693
00:32:16,440 --> 00:32:18,520
Speaker 1: Corey arrives to wish thunder Jam a good morning. Then

694
00:32:18,600 --> 00:32:22,680
Speaker 1: Thunderjam responds, he yawns and says good morning back, completely

695
00:32:22,720 --> 00:32:25,400
Speaker 1: shocking Corey. She stares deep into his eyes, what the

696
00:32:25,440 --> 00:32:27,240
Speaker 1: hell is going on? She gets a jump scare when

697
00:32:27,240 --> 00:32:30,080
Speaker 1: the horse jokingly says boo. Shej keeps talking to her

698
00:32:30,080 --> 00:32:32,280
Speaker 1: and she can't believe what she's hearing. She realizes she

699
00:32:32,320 --> 00:32:35,280
Speaker 1: probably has the gift like her dad and Thunderjam admits

700
00:32:35,320 --> 00:32:37,840
Speaker 1: he stinks at racing, but she's ready to coach him.

701
00:32:38,120 --> 00:32:40,160
Speaker 1: Just then, mister Machado walks in and Corey pretends she

702
00:32:40,200 --> 00:32:42,040
Speaker 1: wasn't talking to a horse by letting him know she

703
00:32:42,080 --> 00:32:44,000
Speaker 1: was not talking to a horse, which is definitely something

704
00:32:44,040 --> 00:32:47,280
Speaker 1: someone who was talking to a horse would say. Thunderjam

705
00:32:47,320 --> 00:32:49,800
Speaker 1: reveals to Corey that she's the only one that can

706
00:32:49,840 --> 00:32:52,360
Speaker 1: hear him. He yells at mister Machado, hey, you goat face,

707
00:32:52,440 --> 00:32:56,440
Speaker 1: but no reaction. Corey repeats goat face, mostly in confusion,

708
00:32:56,640 --> 00:32:59,600
Speaker 1: and mister Machatdo is offended. Corey blames thunder Jam, and

709
00:32:59,640 --> 00:33:03,200
Speaker 1: now mister Richatto's wonders if she's mentally ill. Corey admits

710
00:33:03,240 --> 00:33:05,480
Speaker 1: she's not sure and says she's talking to Thunderjam on

711
00:33:05,520 --> 00:33:08,120
Speaker 1: a workout, but mister Mitchatto says that won't be necessary.

712
00:33:08,360 --> 00:33:11,080
Speaker 1: Thunder Jam will not be racing again. He's a plug,

713
00:33:11,280 --> 00:33:13,360
Speaker 1: not a race horse, and I assume a plug means

714
00:33:13,680 --> 00:33:17,000
Speaker 1: a non raceable horse. Thunder Jam scoffs plug is a

715
00:33:17,040 --> 00:33:19,920
Speaker 1: little strong. Corey is confused, though mister Michatdo said thunder

716
00:33:19,960 --> 00:33:22,200
Speaker 1: Jam could pay his way with his winnings, but he

717
00:33:22,240 --> 00:33:24,320
Speaker 1: admits he only said that to her mom so that

718
00:33:24,360 --> 00:33:27,000
Speaker 1: she could keep the horse. Corey still wants to at

719
00:33:27,040 --> 00:33:29,760
Speaker 1: least exercise him, and mister Mitchatdo says that's fine, just

720
00:33:29,800 --> 00:33:33,320
Speaker 1: be careful. Now. On the practice track, Corey is riding

721
00:33:33,320 --> 00:33:36,400
Speaker 1: Thunderjam around the circle. He's pretty slow, and he eventually

722
00:33:36,440 --> 00:33:38,400
Speaker 1: comes to a screeching halt when he's scared by an

723
00:33:38,480 --> 00:33:41,120
Speaker 1: ugly dog and almost completely knocking Corey off the horse.

724
00:33:41,440 --> 00:33:43,400
Speaker 1: Thunder Jam takes off running for the dog, and mister

725
00:33:43,440 --> 00:33:46,240
Speaker 1: Mitchatda notices how fast the horse is actually running. He

726
00:33:46,280 --> 00:33:49,360
Speaker 1: gets out his timer and is beyond impressed. Mister Michatdo

727
00:33:49,360 --> 00:33:51,640
Speaker 1: tells Corey Thunderjam might be a race horse after all.

728
00:33:51,760 --> 00:33:53,360
Speaker 1: Corey is so happy and wants to know when they

729
00:33:53,360 --> 00:33:55,120
Speaker 1: can start training her, and her boss says, as soon

730
00:33:55,160 --> 00:33:57,840
Speaker 1: as we find a jockey. Corey's not phazed. She tells

731
00:33:57,880 --> 00:34:00,960
Speaker 1: him me, me, you're looking at her. Mister mcchatdow reminds

732
00:34:00,960 --> 00:34:02,960
Speaker 1: Corey that she knows better than that, but Corey doesn't

733
00:34:02,960 --> 00:34:06,200
Speaker 1: get it. If not me, then who? We quickly cut

734
00:34:06,240 --> 00:34:08,879
Speaker 1: to the cowboy rodeo kid b Moody standing up while

735
00:34:08,960 --> 00:34:11,319
Speaker 1: riding thunder Jam, dancing around like a main performer in

736
00:34:11,360 --> 00:34:14,320
Speaker 1: the circus. Corey admits that Bee Moody is obviously performer,

737
00:34:14,400 --> 00:34:17,480
Speaker 1: but he's not a jockey. Mister Michado swears as a

738
00:34:17,560 --> 00:34:19,960
Speaker 1: jockey in there somewhere, he just needs some help. Once

739
00:34:20,000 --> 00:34:22,080
Speaker 1: b Moody is done with the first ride, both Corey

740
00:34:22,120 --> 00:34:24,439
Speaker 1: and TJ are a little bit annoyed. Mister Macchatdo tells

741
00:34:24,480 --> 00:34:26,520
Speaker 1: the kid to not take it personally. Corey's just jealous,

742
00:34:26,560 --> 00:34:29,160
Speaker 1: and just like that, B Moody gets the job because

743
00:34:29,200 --> 00:34:31,960
Speaker 1: he's a man. He jumps up to celebrate, eventually hugging

744
00:34:31,960 --> 00:34:34,800
Speaker 1: and kissing the horse, to which thunder Jam says, ew yuck.

745
00:34:35,480 --> 00:34:39,560
Speaker 1: And it's like okay, I guess she's not allowed to ride,

746
00:34:40,000 --> 00:34:43,840
Speaker 1: but okay, anyway, we're back at the stables. Mister Macchatdo

747
00:34:43,920 --> 00:34:46,919
Speaker 1: looks through thunder Jam's file and notices his father won

748
00:34:47,000 --> 00:34:50,360
Speaker 1: the Kentucky Derby, so he's got an impressive bloodline. Corey

749
00:34:50,400 --> 00:34:53,000
Speaker 1: wonders what's wrong with TJ then, and mister Machado assumes

750
00:34:53,040 --> 00:34:56,600
Speaker 1: that Garris random way too often. Good news is Machado's

751
00:34:56,600 --> 00:34:59,400
Speaker 1: optimistic They can turn Thunderjam back into a good race horse,

752
00:34:59,520 --> 00:35:02,280
Speaker 1: but he'll Corey's help even if she won't be the jockey.

753
00:35:02,400 --> 00:35:05,160
Speaker 1: It's not ideal, but of course wants to help because

754
00:35:05,200 --> 00:35:08,320
Speaker 1: it's her horse. So the team is set now on

755
00:35:08,360 --> 00:35:10,640
Speaker 1: the practice track. They're working to get TJ into a gate.

756
00:35:10,920 --> 00:35:13,680
Speaker 1: He's still pulling away and yelling to Corey he's scared.

757
00:35:14,000 --> 00:35:15,719
Speaker 1: Eventually they do get him in a position with b

758
00:35:15,880 --> 00:35:18,919
Speaker 1: Moody riding him. After multiple tries opening the gates, thunder

759
00:35:19,000 --> 00:35:21,760
Speaker 1: Jam just goes nowhere. On the third try, Thunderjam throws

760
00:35:21,760 --> 00:35:24,520
Speaker 1: be Moody into the dirt, announcing always wear a seatbelt.

761
00:35:24,920 --> 00:35:28,719
Speaker 1: Mister Machado admits this is gonna take a while. I'm

762
00:35:28,719 --> 00:35:31,000
Speaker 1: gonna stop real quick. So I'm just curious where was

763
00:35:31,040 --> 00:35:34,160
Speaker 1: your head during this part of the film. Were you

764
00:35:34,920 --> 00:35:38,040
Speaker 1: were you in at this park? Did you were you

765
00:35:38,120 --> 00:35:38,880
Speaker 1: getting the movie?

766
00:35:39,520 --> 00:35:41,719
Speaker 2: I was getting it. It just was kind of like,

767
00:35:42,680 --> 00:35:44,920
Speaker 2: h like it was just kind of mediocre for me

768
00:35:45,120 --> 00:35:48,279
Speaker 2: at this point. It wasn't it all. I didn't hate it. Yeah,

769
00:35:48,280 --> 00:35:51,640
Speaker 2: I completely I could understand. I agree with you about

770
00:35:51,680 --> 00:35:54,640
Speaker 2: the like the horse stuff, even like when he went

771
00:35:54,719 --> 00:35:57,080
Speaker 2: ill yack, like it was just kind of like it

772
00:35:57,239 --> 00:35:59,440
Speaker 2: just a lot of it was just not necessary. So

773
00:35:59,480 --> 00:36:02,360
Speaker 2: it's kind of at this point, just like we just

774
00:36:02,440 --> 00:36:03,400
Speaker 2: hit a flat line.

775
00:36:03,560 --> 00:36:07,840
Speaker 1: I can see watching I could completely see why this

776
00:36:07,960 --> 00:36:10,799
Speaker 1: movie is was just forgettable. Yeah, that was the thing.

777
00:36:10,840 --> 00:36:13,680
Speaker 1: It was like, I just I was like, I understand

778
00:36:13,680 --> 00:36:15,480
Speaker 1: why nobody kind of right, and.

779
00:36:15,640 --> 00:36:17,520
Speaker 2: It made sense to me when I looked and saw

780
00:36:17,520 --> 00:36:19,080
Speaker 2: that it was made in the two thousands, Like it

781
00:36:19,120 --> 00:36:21,399
Speaker 2: was made in two thousands. It was made before they

782
00:36:21,440 --> 00:36:25,760
Speaker 2: found that perfect like remedy that like before the Banks.

783
00:36:25,680 --> 00:36:28,120
Speaker 1: After the Breaks, and before the Cheetah Girls. That kind

784
00:36:28,120 --> 00:36:32,000
Speaker 1: of that weird the two thousand and one kind of just.

785
00:36:32,000 --> 00:36:35,120
Speaker 2: The they were kind of throwing, you know, things at

786
00:36:35,160 --> 00:36:38,080
Speaker 2: a wall and seeing what's stuck, not necessarily had that

787
00:36:38,160 --> 00:36:41,120
Speaker 2: perfect formula that they found later on.

788
00:36:41,320 --> 00:36:42,439
Speaker 1: I agree with you one hundred percent.

789
00:36:42,640 --> 00:36:43,520
Speaker 2: Yeah.

790
00:36:43,560 --> 00:36:45,440
Speaker 1: We are now at the diner. Machado gets a cup

791
00:36:45,480 --> 00:36:47,560
Speaker 1: of coffee from Sonia and she thanks him for keeping

792
00:36:47,560 --> 00:36:50,040
Speaker 1: Corey's horse in the barn. Sonya insists on giving mister

793
00:36:50,040 --> 00:36:52,200
Speaker 1: Machatdo coffee on the house and encourages him to stop

794
00:36:52,239 --> 00:36:56,080
Speaker 1: working too much, maybe he'll meet somebody. Mister Machado encourages

795
00:36:56,160 --> 00:36:57,840
Speaker 1: only to do the same, but she says it's different

796
00:36:57,840 --> 00:37:00,360
Speaker 1: because she has a family to provide for mister Shatto

797
00:37:00,400 --> 00:37:03,120
Speaker 1: has no excuse. He does start to hint that there

798
00:37:03,280 --> 00:37:05,520
Speaker 1: is someone he has an interest in. Sonya wonders two

799
00:37:05,600 --> 00:37:08,280
Speaker 1: legs or four? Machado laughs, it's very much a woman,

800
00:37:08,600 --> 00:37:11,000
Speaker 1: and she is wonderful. He fell in love at first sight,

801
00:37:11,080 --> 00:37:14,160
Speaker 1: with obvious tension now between them, So Sonya asks what's

802
00:37:14,239 --> 00:37:15,399
Speaker 1: up with this wonderful woman?

803
00:37:15,440 --> 00:37:15,640
Speaker 3: Then?

804
00:37:15,920 --> 00:37:17,920
Speaker 1: And he gets flustered and rushes off to check on

805
00:37:18,000 --> 00:37:21,600
Speaker 1: thunder Jam, a real missed connection at the stables. Corey's

806
00:37:21,640 --> 00:37:24,040
Speaker 1: letting Thunderjam have it. What is his problem? She reminds

807
00:37:24,080 --> 00:37:25,640
Speaker 1: her horse that the first rule of racing is that

808
00:37:25,680 --> 00:37:27,400
Speaker 1: you can't win if you don't leave the starting gate.

809
00:37:27,719 --> 00:37:30,080
Speaker 1: Thunder Jam reminds her you can't win with him period.

810
00:37:30,120 --> 00:37:32,200
Speaker 1: He's too old. It's time to put him out to

811
00:37:32,239 --> 00:37:35,520
Speaker 1: stud Corey changes her tune, Hey, maybe TJ's right. We

812
00:37:36,200 --> 00:37:38,759
Speaker 1: quickly cut to a kid's party with balloons, train rides,

813
00:37:38,800 --> 00:37:41,200
Speaker 1: and bouncy houses. Corey is walking TJ in a circle

814
00:37:41,239 --> 00:37:43,000
Speaker 1: with a little kid in his back, but thunder Jam

815
00:37:43,040 --> 00:37:46,040
Speaker 1: is disappointed. He expected more studs at this stud farm,

816
00:37:46,200 --> 00:37:48,040
Speaker 1: but this isn't a stud farm. He can't even get

817
00:37:48,040 --> 00:37:50,920
Speaker 1: into a stud farm. He's not a stud. She warns him,

818
00:37:51,080 --> 00:37:54,000
Speaker 1: you better start trying or pony rides are his future.

819
00:37:54,480 --> 00:37:56,799
Speaker 1: Back at Machado's, TJ gets into the starting gate and

820
00:37:56,840 --> 00:37:59,120
Speaker 1: finally takes off perfectly. The team is thrilled, and then

821
00:37:59,160 --> 00:38:01,680
Speaker 1: we get a little monto and normally I love a montage,

822
00:38:01,680 --> 00:38:06,000
Speaker 1: but it's just a montage where TJ even outruns Hollywood Dream.

823
00:38:06,360 --> 00:38:08,319
Speaker 1: The next day, at Corey's house, B Moody tries on

824
00:38:08,360 --> 00:38:10,840
Speaker 1: different uniforms in front of lords mister Machado and Corey.

825
00:38:11,200 --> 00:38:13,520
Speaker 1: While looking for his jockey look. He tries a dozen

826
00:38:13,560 --> 00:38:17,080
Speaker 1: different vibes, from Midlife, Elvis to Matador. He eventually lands

827
00:38:17,120 --> 00:38:19,600
Speaker 1: on a shiny red number with musical notes printed, and

828
00:38:19,719 --> 00:38:22,800
Speaker 1: everyone loves it. Machado then visits Pete, the man in

829
00:38:22,880 --> 00:38:24,680
Speaker 1: charge of setting races at the track, but he wasn't

830
00:38:24,680 --> 00:38:27,960
Speaker 1: impressed with thunder Jam's past performances. Races are for race horses.

831
00:38:28,239 --> 00:38:30,640
Speaker 1: Mister Machado promises that thunder Jam was just in the

832
00:38:30,680 --> 00:38:34,000
Speaker 1: wrong races. Corey and B Moody got him ready. This

833
00:38:34,080 --> 00:38:36,640
Speaker 1: does not impress Pete Moody as a circus rider, not

834
00:38:36,719 --> 00:38:38,720
Speaker 1: a jockey, and now he has a kid as a trainer,

835
00:38:38,960 --> 00:38:41,520
Speaker 1: Thunderjam is just a waste of time, but mister Machado

836
00:38:41,520 --> 00:38:43,120
Speaker 1: won't take no for an answer. He points to a

837
00:38:43,120 --> 00:38:45,279
Speaker 1: picture of a horse on Pete's wall. He trained that

838
00:38:45,360 --> 00:38:47,200
Speaker 1: champ and when he first got him, he wouldn't cross

839
00:38:47,239 --> 00:38:49,520
Speaker 1: the street. But eventually mister Machado got him to be

840
00:38:49,560 --> 00:38:51,920
Speaker 1: the best horse the track has ever seen. He begs

841
00:38:51,960 --> 00:38:53,840
Speaker 1: for a chance, and Pete says he'll see what he

842
00:38:53,880 --> 00:38:57,640
Speaker 1: can do. Back on the track, Corey is yelling out

843
00:38:57,640 --> 00:38:59,720
Speaker 1: advice to Moody, but he can't hear her. He's wearing headphones,

844
00:38:59,719 --> 00:39:02,080
Speaker 1: listening in music. It helps him become one with the horse.

845
00:39:02,320 --> 00:39:04,719
Speaker 1: It helps him to feel the rhythms, whether it's Pearl

846
00:39:04,760 --> 00:39:07,879
Speaker 1: Jam or the Chili Peppers, who said whether it's Pearl

847
00:39:07,960 --> 00:39:09,880
Speaker 1: Jam or the Chili Peppers, who he says, is a

848
00:39:09,880 --> 00:39:13,960
Speaker 1: band who can quote unquote crank. We enter another montage

849
00:39:14,040 --> 00:39:16,400
Speaker 1: now with Corey and b Moody trading Thunderjam over a

850
00:39:16,440 --> 00:39:18,799
Speaker 1: motivational rock song. And this is where I loved, where

851
00:39:18,840 --> 00:39:21,839
Speaker 1: he could talk about all these bands. It's like it's

852
00:39:21,880 --> 00:39:24,680
Speaker 1: led Zeppelin, it's Pearl Jam, It's the greatest. And then

853
00:39:24,719 --> 00:39:27,800
Speaker 1: they cut to the most generic like we're rock band

854
00:39:27,840 --> 00:39:29,080
Speaker 1: singing in a battle horse.

855
00:39:29,120 --> 00:39:35,799
Speaker 2: So it's like, okay, oh man, you couldn't be more right.

856
00:39:35,920 --> 00:39:41,960
Speaker 2: It was like just the style of the music in

857
00:39:42,000 --> 00:39:47,680
Speaker 2: the score changed. Yes, so many different times, Yes, so many.

858
00:39:47,960 --> 00:39:50,600
Speaker 2: We had like a sort of ska band at one

859
00:39:50,640 --> 00:39:53,480
Speaker 2: point when they were racing, like it just was.

860
00:39:55,239 --> 00:39:58,080
Speaker 1: It was weird. It was it was strange musically.

861
00:39:58,280 --> 00:40:00,640
Speaker 2: It was again like it was like they didn't know

862
00:40:00,680 --> 00:40:03,400
Speaker 2: what kind of music needed to be in this specific movie.

863
00:40:03,480 --> 00:40:05,240
Speaker 2: They didn't have the formula.

864
00:40:05,000 --> 00:40:05,920
Speaker 1: Right, you're right.

865
00:40:05,960 --> 00:40:08,360
Speaker 2: They tried to pull in what they've done with Brink,

866
00:40:08,360 --> 00:40:10,920
Speaker 2: where it was more of that like ska band skater stuff.

867
00:40:11,000 --> 00:40:13,440
Speaker 2: It's like, this is a worse movie and they could

868
00:40:13,760 --> 00:40:14,279
Speaker 2: doesn't go.

869
00:40:14,280 --> 00:40:19,040
Speaker 1: Here, don't don't actually reference real bands and say like

870
00:40:19,520 --> 00:40:22,000
Speaker 1: it's Pearl Jam, it's Chili Peppers, and then do that

871
00:40:22,080 --> 00:40:24,600
Speaker 1: just be like, oh, it's rock and roll. It's just

872
00:40:24,640 --> 00:40:26,239
Speaker 1: the beat gets me going. So then when you just

873
00:40:26,320 --> 00:40:29,479
Speaker 1: hear rock and roll music as opposed to somebody right, yes,

874
00:40:29,719 --> 00:40:31,759
Speaker 1: I got you the best Christmas present in the world,

875
00:40:31,840 --> 00:40:34,600
Speaker 1: and then it sucks. So it's like, okay, you're not

876
00:40:34,719 --> 00:40:38,400
Speaker 1: helping me out, right, So then we enter another montage

877
00:40:38,480 --> 00:40:40,719
Speaker 1: now with Corey and B Moody training thunder Jam over

878
00:40:40,760 --> 00:40:43,840
Speaker 1: a motivational rock song. I'm putting motivational on quotes. Corey

879
00:40:43,880 --> 00:40:47,600
Speaker 1: loves wearing the headphones now too. At the diner, Machado's

880
00:40:47,600 --> 00:40:49,640
Speaker 1: back getting coffee. This guy drinks a lot of coffee

881
00:40:49,640 --> 00:40:50,960
Speaker 1: because he's kind of trying to get a little bit

882
00:40:51,000 --> 00:40:53,320
Speaker 1: of love and chatting with Sonya. When B. Moody and

883
00:40:53,360 --> 00:40:55,360
Speaker 1: Corey come running in. They want to know when TJ

884
00:40:55,480 --> 00:40:57,840
Speaker 1: will get a shot. The kids think the horse is ready,

885
00:40:57,840 --> 00:41:00,600
Speaker 1: and their boss reveals this weekend and the number seven

886
00:41:00,640 --> 00:41:04,120
Speaker 1: horse will be thunder jam Be. Moody thinks, ah Man,

887
00:41:04,160 --> 00:41:06,719
Speaker 1: somebody stole their horse's name, but eventually he figures it out,

888
00:41:06,760 --> 00:41:09,080
Speaker 1: and that might have been the funniest part of the movie.

889
00:41:09,560 --> 00:41:11,959
Speaker 1: That night, Machado and Corey are scouting their opponent's tapes,

890
00:41:12,040 --> 00:41:14,560
Speaker 1: learning their big moves. Garris apparently has a real stud

891
00:41:14,560 --> 00:41:17,239
Speaker 1: with Cyclone and they need to keep TJ away from him.

892
00:41:17,400 --> 00:41:19,520
Speaker 1: Corey wants to know the deal with mister Garris. Machado

893
00:41:19,600 --> 00:41:21,759
Speaker 1: calls it a friendly rivalry, but it's obviously so much

894
00:41:21,760 --> 00:41:23,880
Speaker 1: more than that. Machado admits he used to work for

895
00:41:23,920 --> 00:41:26,080
Speaker 1: Garris when he was young, it was his chance to

896
00:41:26,120 --> 00:41:28,279
Speaker 1: train a champ and they had a falling out over

897
00:41:28,320 --> 00:41:30,359
Speaker 1: a colt. It was a great horse, but the morning

898
00:41:30,360 --> 00:41:33,040
Speaker 1: of the race, Machado noticed an injured hoof, but since

899
00:41:33,040 --> 00:41:35,160
Speaker 1: the vet missed it, Garris wanted to race him anyway,

900
00:41:35,239 --> 00:41:37,759
Speaker 1: so Machado quit. He tried to warn the jockey, but

901
00:41:37,800 --> 00:41:39,480
Speaker 1: it was too late. Near the end of the race,

902
00:41:39,520 --> 00:41:41,600
Speaker 1: the horse went over the rail and crashed out. Corey

903
00:41:41,640 --> 00:41:44,040
Speaker 1: realizes that was her dad. That was the race that

904
00:41:44,160 --> 00:41:46,440
Speaker 1: killed him. Machado says, her dad was a good man

905
00:41:46,480 --> 00:41:48,080
Speaker 1: and a great rider. He knew what to do and

906
00:41:48,120 --> 00:41:50,239
Speaker 1: when to do it. He even used to say he

907
00:41:50,320 --> 00:41:53,960
Speaker 1: knew what the horses were saying. Oh sound familiar. Sonya

908
00:41:54,040 --> 00:41:56,480
Speaker 1: arrives with some food and coffee. She says, Machado did

909
00:41:56,480 --> 00:41:58,200
Speaker 1: what he could do to stop the accident. It wasn't

910
00:41:58,200 --> 00:42:00,359
Speaker 1: at all his fault. She hopes they find a way

911
00:42:00,360 --> 00:42:02,160
Speaker 1: to win, and Corey begs her mom to come to

912
00:42:02,200 --> 00:42:04,200
Speaker 1: the race, but she has too many memories there maybe

913
00:42:04,200 --> 00:42:07,000
Speaker 1: another time. Now in the track, races have already begun

914
00:42:07,040 --> 00:42:09,080
Speaker 1: and Corey is bringing b. Moody now in his uniform

915
00:42:09,120 --> 00:42:12,400
Speaker 1: and TJ to the gate, while Machado waits, he exchanges words.

916
00:42:12,440 --> 00:42:15,000
Speaker 1: As thunderjm enters the starting position, he tells Corey he

917
00:42:15,040 --> 00:42:17,560
Speaker 1: feels perfect, almost like he has wings. Some of the

918
00:42:17,600 --> 00:42:19,880
Speaker 1: other horses are already talking trash though with this cool

919
00:42:19,880 --> 00:42:24,200
Speaker 1: guy Cyclone calling TJ thunder Jerk. Unfortunately, just so it

920
00:42:24,239 --> 00:42:26,120
Speaker 1: looks like the horse is a bully too. He can't

921
00:42:26,120 --> 00:42:29,680
Speaker 1: even avoid bullies in the horse world, No, Unfortunately, just

922
00:42:29,719 --> 00:42:31,759
Speaker 1: before the race, TJ starts to have some doubts. In

923
00:42:31,800 --> 00:42:33,799
Speaker 1: a fun plot point moment, as Corey is talking to

924
00:42:33,800 --> 00:42:35,600
Speaker 1: the horse, b Moody is wearing his headphones so we

925
00:42:35,600 --> 00:42:37,879
Speaker 1: can't really hear them. Corey gives her long shot horse

926
00:42:37,880 --> 00:42:39,680
Speaker 1: some last minute words of encouragement and gets him to

927
00:42:39,719 --> 00:42:42,560
Speaker 1: the gate. Right before the race, we see Abulita and

928
00:42:42,640 --> 00:42:45,080
Speaker 1: Corey's brother in the crowd, and just before the starting flag,

929
00:42:45,120 --> 00:42:48,040
Speaker 1: Corey has an idea. She places the headphones on TJ's

930
00:42:48,080 --> 00:42:50,000
Speaker 1: ears and he's now blocking out his thoughts with some

931
00:42:50,160 --> 00:42:53,160
Speaker 1: again generic kind of pop punk music, and it's worked.

932
00:42:53,400 --> 00:42:54,839
Speaker 1: He's hot out of the gate and in the lead.

933
00:42:55,040 --> 00:42:57,399
Speaker 1: TJ is finally showing off his pedigree in the end.

934
00:42:57,480 --> 00:42:59,719
Speaker 1: Just before the finish line, Cyclone gives TJ a little

935
00:42:59,719 --> 00:43:02,680
Speaker 1: push injuring him and stopping the horse dead in his tracks.

936
00:43:02,880 --> 00:43:05,040
Speaker 1: Machado and Corey run out from the stands to help.

937
00:43:05,239 --> 00:43:07,680
Speaker 1: The nurse gets there a few seconds later, and they

938
00:43:07,719 --> 00:43:10,320
Speaker 1: all work on his calf back in the stalls. The

939
00:43:10,400 --> 00:43:12,560
Speaker 1: nurse diagnosed him with just some tendon swelling. There's no

940
00:43:12,600 --> 00:43:14,520
Speaker 1: real damage. All he's gonna need is some rest, but

941
00:43:14,560 --> 00:43:17,000
Speaker 1: it was quite a scare. Corey decides to stay with him,

942
00:43:17,040 --> 00:43:19,040
Speaker 1: and she ends up talking to the horse about everything.

943
00:43:19,400 --> 00:43:21,440
Speaker 1: TJ thinks he let her down, but she insists he

944
00:43:21,560 --> 00:43:24,480
Speaker 1: ran great. He liked the music. It suedhim and got

945
00:43:24,560 --> 00:43:26,720
Speaker 1: him in the groove. But while they're chatting and laughing,

946
00:43:26,800 --> 00:43:30,879
Speaker 1: Sonia walks in undetected and realizes Corey has the same

947
00:43:30,960 --> 00:43:34,920
Speaker 1: gift as her husband. The next morning, at the stables,

948
00:43:35,000 --> 00:43:37,560
Speaker 1: Corey is still working on TJ's calf when Machado arrives.

949
00:43:37,719 --> 00:43:40,279
Speaker 1: B Moody comes running in with the newspaper thunder Jam

950
00:43:40,440 --> 00:43:43,840
Speaker 1: is on the cover. You just love the name, huh,

951
00:43:44,080 --> 00:43:47,239
Speaker 1: be Moody, Be Moody. That's all right, I'm gonna say

952
00:43:47,239 --> 00:43:50,600
Speaker 1: it every time. Be Moody comes running in with his newspaper.

953
00:43:50,640 --> 00:43:52,600
Speaker 1: Thunder Jam's on the cover. The sports page for his

954
00:43:52,640 --> 00:43:56,600
Speaker 1: heroic attempt. So he made the cover because he didn't

955
00:43:56,640 --> 00:43:57,480
Speaker 1: finish the race.

956
00:43:59,360 --> 00:44:04,200
Speaker 2: I think yeah, I mean because phones No, I think

957
00:44:04,239 --> 00:44:07,759
Speaker 2: it was because like he was like a new up

958
00:44:07,800 --> 00:44:09,960
Speaker 2: and comer, you know how they would kind of talk

959
00:44:10,000 --> 00:44:13,000
Speaker 2: about like, oh, someone knew has entered the race, you

960
00:44:13,040 --> 00:44:15,200
Speaker 2: know kind of thing. Even though he didn't end up winning,

961
00:44:15,760 --> 00:44:18,160
Speaker 2: he did really, really well and no one had even

962
00:44:18,200 --> 00:44:20,319
Speaker 2: heard of this horse because he But.

963
00:44:20,320 --> 00:44:22,960
Speaker 1: He didn't do well because he didn't finish, But.

964
00:44:22,920 --> 00:44:24,800
Speaker 2: He didn't do well towards the end. At one point

965
00:44:24,800 --> 00:44:27,960
Speaker 2: he was leading, leading most of the time.

966
00:44:28,160 --> 00:44:32,239
Speaker 1: But he's still a DNF. He's still dropped anyway. But

967
00:44:32,360 --> 00:44:34,440
Speaker 1: you're right, and now they have to rehab him for

968
00:44:34,480 --> 00:44:36,840
Speaker 1: his next big race. Not only is he winning some qualifiers,

969
00:44:36,880 --> 00:44:39,480
Speaker 1: but Corey's figure out exactly what music he likes. We

970
00:44:39,560 --> 00:44:42,319
Speaker 1: get another montage now, with thunder Jam winning race after

971
00:44:42,400 --> 00:44:45,920
Speaker 1: race and newspapers even calling him a possible Derby contender.

972
00:44:46,320 --> 00:44:49,279
Speaker 1: The only person not celebrating is Garris. He should have

973
00:44:49,280 --> 00:44:53,279
Speaker 1: gotten two bags of peanuts. Later, the track holds a

974
00:44:53,320 --> 00:44:55,520
Speaker 1: little party for the teams and Sonya actually comes. She

975
00:44:55,560 --> 00:44:57,799
Speaker 1: tells Machadou how great he's been with Corey, and it's

976
00:44:57,840 --> 00:44:59,719
Speaker 1: so thankful for everything he's done for her. And in

977
00:44:59,719 --> 00:45:01,719
Speaker 1: a moment of connection, he wonders if the woman he

978
00:45:01,760 --> 00:45:03,879
Speaker 1: spoke about the other day, the one he's always liked,

979
00:45:03,920 --> 00:45:07,280
Speaker 1: would want to dance with him. That's when she smiles.

980
00:45:07,360 --> 00:45:09,560
Speaker 1: He turns around, grabs another woman and says, meet her.

981
00:45:09,600 --> 00:45:11,400
Speaker 1: This is the woman I've been in love. I'm kidding,

982
00:45:13,239 --> 00:45:15,080
Speaker 1: That's not what happens at all. They start to dance,

983
00:45:15,120 --> 00:45:17,239
Speaker 1: and finally, this relationship between a woman and her dead

984
00:45:17,320 --> 00:45:21,439
Speaker 1: husband's best friend is on. Eventually, the track manager takes

985
00:45:21,440 --> 00:45:23,480
Speaker 1: the mic and talks about how incredible thunder Jam has

986
00:45:23,480 --> 00:45:25,680
Speaker 1: been for business. He admits he was wrong about TJ

987
00:45:25,800 --> 00:45:28,399
Speaker 1: and praises the team. He calls up the Sonora Downs owner,

988
00:45:28,400 --> 00:45:31,040
Speaker 1: who announces he submitted TJ to a RaSE the gold

989
00:45:31,120 --> 00:45:34,520
Speaker 1: Rush Derby, but the derby's in two days. Machato isn't

990
00:45:34,560 --> 00:45:36,880
Speaker 1: sure he can do this, but when pressured with the opportunity,

991
00:45:36,880 --> 00:45:40,520
Speaker 1: he reluctantly says yes. But Garris is furious. He says

992
00:45:40,520 --> 00:45:42,800
Speaker 1: the gold Rush Derby is for five hundred thousand dollars

993
00:45:42,800 --> 00:45:45,880
Speaker 1: and thunder Jam doesn't deserve it. Cyclone does, so turns

994
00:45:45,920 --> 00:45:49,560
Speaker 1: out they're both gonna compete. Machado and Sonya go back

995
00:45:49,560 --> 00:45:52,680
Speaker 1: to slow dancing with romantic mariachi music, while Corey and

996
00:45:52,800 --> 00:45:56,080
Speaker 1: Be Moody talk about the derby. She says she's excited,

997
00:45:56,080 --> 00:46:00,239
Speaker 1: but Be Moody wonders if Kay just doing it for you.

998
00:46:01,640 --> 00:46:04,520
Speaker 1: I'm just doing it for you, wonders if she's mad

999
00:46:04,640 --> 00:46:07,560
Speaker 1: and she can't race it herself. At first, she doesn't understand,

1000
00:46:07,560 --> 00:46:11,080
Speaker 1: but eventually realizes she wishes she had the shot. Be Moody,

1001
00:46:11,120 --> 00:46:13,080
Speaker 1: I'll just say it like that, tells her she's a

1002
00:46:13,080 --> 00:46:15,880
Speaker 1: great Bee Moody tells her she's a great rider and

1003
00:46:16,040 --> 00:46:18,080
Speaker 1: understands what it's like not to get a chance that

1004
00:46:18,120 --> 00:46:20,640
Speaker 1: you deserve. And then she reveals the big secret. She

1005
00:46:20,680 --> 00:46:22,839
Speaker 1: can talk to horses and they can talk to her.

1006
00:46:24,120 --> 00:46:27,600
Speaker 1: Weird reveal right away, But also, did you see did

1007
00:46:27,600 --> 00:46:28,880
Speaker 1: you think there was gonna be some kind of a

1008
00:46:28,960 --> 00:46:31,080
Speaker 1: romantic something or the other between these two or did

1009
00:46:31,080 --> 00:46:35,080
Speaker 1: you not think that was gonna happen between between.

1010
00:46:34,800 --> 00:46:39,480
Speaker 2: Bee mood Cory and Be Moody, Corey and R and

1011
00:46:39,560 --> 00:46:44,600
Speaker 2: Bee Moody. I kind of did, it seemed like, but

1012
00:46:44,760 --> 00:46:47,160
Speaker 2: it was like, at this point, we have so many

1013
00:46:47,320 --> 00:46:51,719
Speaker 2: offset input things. I was like sort of like relieved,

1014
00:46:52,000 --> 00:46:54,239
Speaker 2: relieve that there wasn't another thing I had to keep

1015
00:46:54,280 --> 00:46:56,920
Speaker 2: track of at this point, like I'm a little tapped

1016
00:46:56,920 --> 00:46:58,560
Speaker 2: out with like how many things I've got to?

1017
00:46:58,640 --> 00:47:00,880
Speaker 1: Like, I remember, He'll try to figure out what the

1018
00:47:00,960 --> 00:47:02,759
Speaker 1: Aboalita is betting on with toothpicks.

1019
00:47:02,840 --> 00:47:07,160
Speaker 2: Ye, she's still taking that jar of tooth picks around

1020
00:47:07,200 --> 00:47:10,160
Speaker 2: everywhere that I'm just like, I just I'm kind of

1021
00:47:10,160 --> 00:47:12,920
Speaker 2: glad that this isn't something I'm having to say attention

1022
00:47:13,000 --> 00:47:13,439
Speaker 2: too much.

1023
00:47:13,560 --> 00:47:15,600
Speaker 1: I agree. I couldn't agree with you more. At the

1024
00:47:15,640 --> 00:47:18,239
Speaker 1: same time, Evil Garris enters the stable and I was like,

1025
00:47:18,280 --> 00:47:20,120
Speaker 1: where's this. I was like, I'm gonna shut this off

1026
00:47:20,160 --> 00:47:22,880
Speaker 1: if he's gonna arm the horse and shut out seriously,

1027
00:47:23,600 --> 00:47:26,319
Speaker 1: Uh enters thissable to see TJ. He admits that maybe

1028
00:47:26,320 --> 00:47:28,080
Speaker 1: the horse is worth more than a bag of peanuts

1029
00:47:28,080 --> 00:47:29,799
Speaker 1: after all, but no one makes a fool of them.

1030
00:47:30,040 --> 00:47:32,719
Speaker 1: He ashes his cigar in the hay and leaves it

1031
00:47:32,800 --> 00:47:35,360
Speaker 1: quickly catches fire, and of course this isn't good. TJ

1032
00:47:35,480 --> 00:47:37,719
Speaker 1: starts freaking out and yelling, and Corey senses something is

1033
00:47:37,760 --> 00:47:40,799
Speaker 1: wrong and the barn starts to burn down. Thunder Jam

1034
00:47:40,880 --> 00:47:42,520
Speaker 1: doesn't know what to do. By the time Corey and

1035
00:47:42,560 --> 00:47:45,240
Speaker 1: b Moody get there, things have gotten pretty serious. Moody

1036
00:47:45,320 --> 00:47:47,320
Speaker 1: rushes to get TJ out while Corey tends to the

1037
00:47:47,360 --> 00:47:51,000
Speaker 1: other animals. Machado arrives and helps. Just as he sees

1038
00:47:51,239 --> 00:47:55,279
Speaker 1: the horse is literally on fire. His his blanket is

1039
00:47:55,320 --> 00:47:55,880
Speaker 1: on fire.

1040
00:47:56,120 --> 00:47:57,960
Speaker 2: Yes and so or something.

1041
00:47:58,120 --> 00:48:02,600
Speaker 1: Yeah. Moody grabs the grabs the blanket and badly burns

1042
00:48:02,640 --> 00:48:04,960
Speaker 1: his hands, and I was like, what the is this movie?

1043
00:48:05,200 --> 00:48:07,200
Speaker 1: At this point, I was like, what is actually happening?

1044
00:48:07,760 --> 00:48:10,600
Speaker 1: So he throws it off, but seriously exactly.

1045
00:48:10,280 --> 00:48:12,000
Speaker 2: It was like, oh he burned his hands, now he

1046
00:48:12,000 --> 00:48:12,600
Speaker 2: can't ride.

1047
00:48:12,800 --> 00:48:15,719
Speaker 1: I knew where they were going. He's like, god, it

1048
00:48:15,760 --> 00:48:18,560
Speaker 1: was It's like, now they're going to burn the horses alive?

1049
00:48:18,640 --> 00:48:24,359
Speaker 1: What is this crazy nightmare of a film? Oh? So yeah,

1050
00:48:24,400 --> 00:48:27,520
Speaker 1: he throws it off and seriously burns himself. Machada pulls

1051
00:48:27,520 --> 00:48:29,879
Speaker 1: Moody and TJ to safety, and the firefighters then tend

1052
00:48:29,880 --> 00:48:32,719
Speaker 1: to Moody. Paramedics have now fully wrapped Moody's hands. He

1053
00:48:32,760 --> 00:48:35,120
Speaker 1: has some very serious burns, and everyone realizes he won't

1054
00:48:35,160 --> 00:48:37,560
Speaker 1: be able to race. Sonya is adamant that they drop

1055
00:48:37,600 --> 00:48:39,480
Speaker 1: out of the derby. It's too late for a backup

1056
00:48:39,560 --> 00:48:43,680
Speaker 1: jockey unless Corey steps up. She begs her mom for

1057
00:48:43,719 --> 00:48:45,839
Speaker 1: the chance. Machado says it's up to her mom, who

1058
00:48:45,920 --> 00:48:47,759
Speaker 1: tells her she's not ready. It turns into a big fight,

1059
00:48:47,800 --> 00:48:49,920
Speaker 1: but the whole family knows that she was born for this.

1060
00:48:50,400 --> 00:48:52,560
Speaker 1: Corey rushes off to the empty racetrack just to think,

1061
00:48:52,600 --> 00:48:55,080
Speaker 1: and it's eventually joined by her mom Sonya knows how

1062
00:48:55,080 --> 00:48:57,000
Speaker 1: hard her daughter worked, but if she learned anything from

1063
00:48:57,000 --> 00:48:59,879
Speaker 1: her late husband's death, it's that nothing is ever really over.

1064
00:49:00,360 --> 00:49:02,520
Speaker 1: She sees a lot of him and Corey. She knows

1065
00:49:02,520 --> 00:49:04,440
Speaker 1: she has her father's gift and has tried to ignore it,

1066
00:49:04,480 --> 00:49:06,319
Speaker 1: but she can't ny more. She doesn't want to stand

1067
00:49:06,320 --> 00:49:08,360
Speaker 1: in the way of that gift. With that, she hands

1068
00:49:08,360 --> 00:49:10,239
Speaker 1: Corey her father's racing suit. He would want her to

1069
00:49:10,280 --> 00:49:12,680
Speaker 1: wear it in the derby. She has permission to ride,

1070
00:49:12,760 --> 00:49:14,840
Speaker 1: and now Machado and Moody are waiting for her in

1071
00:49:14,920 --> 00:49:16,960
Speaker 1: the barn. The gang is packed up and ready for

1072
00:49:16,960 --> 00:49:18,600
Speaker 1: the drive, ready to leave for the derby, and they

1073
00:49:18,680 --> 00:49:21,400
Speaker 1: make sure they have the disc men the one that

1074
00:49:21,440 --> 00:49:24,759
Speaker 1: they obviously put on to TJ's ears, so he can

1075
00:49:24,800 --> 00:49:27,200
Speaker 1: run the race. Corey and TJ talk too. He swears

1076
00:49:27,200 --> 00:49:29,120
Speaker 1: she has everything she needs to win and he'll take

1077
00:49:29,120 --> 00:49:31,480
Speaker 1: care of her. The whole family's going and even the

1078
00:49:31,520 --> 00:49:33,879
Speaker 1: townsfolk have come out to see them off. We get

1079
00:49:34,000 --> 00:49:38,800
Speaker 1: yet another drive, another driving montage, definitely the nineteenth montage.

1080
00:49:38,800 --> 00:49:41,520
Speaker 1: We don't need it specifically since this movie six minutes

1081
00:49:41,560 --> 00:49:45,600
Speaker 1: over ninety, but whatever. When they arrive, TJ immediately complains

1082
00:49:45,600 --> 00:49:47,200
Speaker 1: he needs a pit stop. He's had to pee the

1083
00:49:47,200 --> 00:49:49,360
Speaker 1: whole way. There's a lot of horse peeing jokes in

1084
00:49:49,400 --> 00:49:52,400
Speaker 1: this movie. Pee and poop, pee and poop in the lot.

1085
00:49:53,760 --> 00:49:55,920
Speaker 2: That's the thing to get little kids just cracking up.

1086
00:49:56,040 --> 00:49:58,040
Speaker 1: Pe It is God, how many peas and poops are

1087
00:49:58,040 --> 00:50:00,399
Speaker 1: we gonna rate this movie. In the lock her room,

1088
00:50:00,440 --> 00:50:02,800
Speaker 1: Corey tries on her dad's uniform and it looks great.

1089
00:50:03,160 --> 00:50:05,279
Speaker 1: And now the horses are getting into place. Everyone back

1090
00:50:05,320 --> 00:50:07,400
Speaker 1: home is watching on TV, and even the other horses

1091
00:50:07,400 --> 00:50:09,319
Speaker 1: are rounding each other up to watch. They don't want

1092
00:50:09,320 --> 00:50:11,640
Speaker 1: to miss it. But bad news at the track. It's

1093
00:50:11,640 --> 00:50:14,480
Speaker 1: been ruled that TJ cannot use his trademark headphones in

1094
00:50:14,520 --> 00:50:17,400
Speaker 1: the race. It's a serious setback, and Machotto is furious

1095
00:50:17,440 --> 00:50:21,120
Speaker 1: and guests who filed the original complaint. That's right, that's Garris.

1096
00:50:21,840 --> 00:50:24,120
Speaker 1: So now they must decide if it's still worth racing.

1097
00:50:24,160 --> 00:50:27,160
Speaker 1: Machado asks Corey, who in turn asks thunder Jam. The

1098
00:50:27,200 --> 00:50:29,120
Speaker 1: horse says they've worked too hard and they've come too

1099
00:50:29,160 --> 00:50:32,239
Speaker 1: far to quit. In turn, Corey announces, let's ride. They

1100
00:50:32,280 --> 00:50:34,960
Speaker 1: have some strategy talk about Cyclone and his dirty nature,

1101
00:50:35,160 --> 00:50:36,799
Speaker 1: and then they make their way to the starting gate.

1102
00:50:37,320 --> 00:50:40,560
Speaker 1: Machado and Garris have a little of their signature trash talk,

1103
00:50:40,600 --> 00:50:42,600
Speaker 1: but more than anything, everyone's ready for the big race.

1104
00:50:42,840 --> 00:50:45,759
Speaker 1: Cyclone tells Corey and Thunderjam they're going down. Just as

1105
00:50:45,760 --> 00:50:49,319
Speaker 1: the flag goes up and they are off. Thunderjam has

1106
00:50:49,360 --> 00:50:50,600
Speaker 1: some trouble out of the gate and now is in

1107
00:50:50,680 --> 00:50:53,120
Speaker 1: last place. Cyclone is a lead, and things look pretty

1108
00:50:53,120 --> 00:50:56,000
Speaker 1: dismal for TJ. But then be Moody has an idea.

1109
00:50:56,360 --> 00:50:58,800
Speaker 1: He rushes the discman to the PA announcer and blasts

1110
00:50:58,800 --> 00:51:01,600
Speaker 1: the song over the loudspeaker. The crowd goes wild, and

1111
00:51:01,640 --> 00:51:04,480
Speaker 1: Thunderjam feeds off the energy. The terrible song is the

1112
00:51:04,480 --> 00:51:07,840
Speaker 1: motivation he needed, and is a terrible song. He gains

1113
00:51:07,880 --> 00:51:11,200
Speaker 1: ground at record speed. Cyclone is finally in his sights.

1114
00:51:11,400 --> 00:51:14,239
Speaker 1: It's a barn burner, which is a horrible way to

1115
00:51:14,239 --> 00:51:16,600
Speaker 1: put it after what just happened. As they come down

1116
00:51:16,640 --> 00:51:19,600
Speaker 1: the stretch, TJ hones in on cyclone, right where he

1117
00:51:19,640 --> 00:51:21,759
Speaker 1: was injured last time, but instead the two horses go

1118
00:51:21,800 --> 00:51:23,680
Speaker 1: back and forth with the lead. As they passed the

1119
00:51:23,680 --> 00:51:26,080
Speaker 1: finish line, TJ and Corey remember all they have to

1120
00:51:26,120 --> 00:51:28,799
Speaker 1: do is believe in themselves. It's a photo finish, and

1121
00:51:28,880 --> 00:51:32,600
Speaker 1: Thunderjam wins with a final spurt. Everyone celebrates as it's

1122
00:51:32,640 --> 00:51:35,399
Speaker 1: announced that her father was champion and now she is two.

1123
00:51:35,920 --> 00:51:37,759
Speaker 1: The horses back home are thrilled, and so is their

1124
00:51:37,920 --> 00:51:40,239
Speaker 1: entire town. The family celebrates in the winter circle. As

1125
00:51:40,320 --> 00:51:43,239
Speaker 1: Machado is finally handed a trophy, Corey holds it over

1126
00:51:43,280 --> 00:51:45,799
Speaker 1: her head for one final picture. We cut to a

1127
00:51:45,840 --> 00:51:48,040
Speaker 1: new construction on a house, with the picture now hanging

1128
00:51:48,040 --> 00:51:49,960
Speaker 1: on a piece of wood. It seems they've made enough

1129
00:51:49,960 --> 00:51:52,160
Speaker 1: money to build that house that she's always wanted to

1130
00:51:52,160 --> 00:51:54,560
Speaker 1: get her mom. Which is quite a big horse race win,

1131
00:51:54,680 --> 00:51:57,440
Speaker 1: I guess, but hey, it's possible. They said it was

1132
00:51:57,480 --> 00:51:59,600
Speaker 1: five hundred thousand dollars, right, but I mean you split

1133
00:51:59,640 --> 00:52:01,800
Speaker 1: that among the horses. But she probably won some good money,

1134
00:52:02,080 --> 00:52:04,880
Speaker 1: and they showed him winning races before, so she's been saving.

1135
00:52:05,360 --> 00:52:08,800
Speaker 1: Moody is blasting music over the stables, which is super annoying,

1136
00:52:08,840 --> 00:52:11,080
Speaker 1: and now he's a DJ using music to not only

1137
00:52:11,200 --> 00:52:14,320
Speaker 1: exercise thunder Jam, but all the horses together. And thankfully

1138
00:52:14,440 --> 00:52:24,080
Speaker 1: that's our film, Sabrina. Can we do some real reviews?

1139
00:52:25,320 --> 00:52:25,640
Speaker 2: Sure?

1140
00:52:25,960 --> 00:52:26,080
Speaker 1: Who?

1141
00:52:27,760 --> 00:52:30,120
Speaker 2: All right? Mine's the five star today.

1142
00:52:30,080 --> 00:52:36,960
Speaker 4: By Ali La La all la a l l a y.

1143
00:52:37,200 --> 00:52:40,840
Speaker 4: Before C Biscuit, there was TJ from Ready to Run.

1144
00:52:41,440 --> 00:52:43,920
Speaker 2: It had to be my favorite horse racing movie, but

1145
00:52:44,200 --> 00:52:47,080
Speaker 2: Disney Channel has stopped showing it a lot, so I

1146
00:52:47,120 --> 00:52:50,000
Speaker 2: haven't seen it in a while. Though the talking horse

1147
00:52:50,040 --> 00:52:53,200
Speaker 2: and listening to music while racing was not that creative.

1148
00:52:53,800 --> 00:52:56,320
Speaker 2: It has great music, pretty horses.

1149
00:52:57,880 --> 00:53:01,000
Speaker 1: Okay, well, I have the it's a five star review.

1150
00:53:01,440 --> 00:53:03,319
Speaker 3: Yeah, I don't know about that. I know if I

1151
00:53:03,320 --> 00:53:12,919
Speaker 3: agree with you, laay Bal, I have the one star.

1152
00:53:12,960 --> 00:53:13,720
Speaker 3: It's from Brandy.

1153
00:53:15,040 --> 00:53:19,520
Speaker 1: I'm kidding, that's Brandy f and it reads dustly oh man.

1154
00:53:19,840 --> 00:53:22,360
Speaker 1: I am embarrassed for Jason d Ring for this movie.

1155
00:53:22,480 --> 00:53:25,280
Speaker 1: His character is super cheesy, like so many Disney movies.

1156
00:53:25,320 --> 00:53:27,200
Speaker 1: It starts off fine and then goes off the deep end.

1157
00:53:27,560 --> 00:53:29,160
Speaker 1: It can't just be a movie about a girl who

1158
00:53:29,160 --> 00:53:31,960
Speaker 1: wants to be a jockey and is especially talented at it.

1159
00:53:31,960 --> 00:53:34,560
Speaker 1: It has to turn into a talking horse movie. Also,

1160
00:53:34,640 --> 00:53:37,280
Speaker 1: even by two thousand and one standards, five dollars seems

1161
00:53:37,280 --> 00:53:39,080
Speaker 1: way too low for a day of working with horses.

1162
00:53:39,239 --> 00:53:41,440
Speaker 1: I'm trying to think of something nice to say about

1163
00:53:41,480 --> 00:53:43,200
Speaker 1: the movie One.

1164
00:53:43,000 --> 00:53:47,320
Speaker 2: Star, kind of right there with you, Brandy.

1165
00:53:47,800 --> 00:53:50,879
Speaker 1: I don't know about one star, but wow, I.

1166
00:53:50,800 --> 00:53:53,320
Speaker 2: Don't know about well when it's only five one to five?

1167
00:53:53,560 --> 00:53:56,360
Speaker 1: Yeah, maybe I don't know. And now we come to

1168
00:53:56,400 --> 00:53:59,160
Speaker 1: Sabrina's favorite part of our program, which is the feature presentation,

1169
00:53:59,280 --> 00:54:01,480
Speaker 1: and we are back Sabrina to one we have played

1170
00:54:01,520 --> 00:54:04,719
Speaker 1: several times before. When it comes to world, this is

1171
00:54:04,760 --> 00:54:07,839
Speaker 1: hang four, an old favorite, our most repeated game. We've

1172
00:54:07,840 --> 00:54:11,360
Speaker 1: played with Teen Beach Movie and motocrossed. Really, any sport

1173
00:54:11,360 --> 00:54:13,480
Speaker 1: film where there are teams we don't understand will be

1174
00:54:13,480 --> 00:54:16,000
Speaker 1: given a word from horse racing with multiple choice answers,

1175
00:54:16,120 --> 00:54:18,160
Speaker 1: and we have to pick which is the correct definition.

1176
00:54:18,400 --> 00:54:20,400
Speaker 1: Why do we play with Teen Beach Movie? Oh? I

1177
00:54:20,400 --> 00:54:22,400
Speaker 1: guess it was surfing, that's right, But then why wouldn't

1178
00:54:22,400 --> 00:54:24,359
Speaker 1: we have played that with Johnny Tsunami because he didn't surf.

1179
00:54:24,440 --> 00:54:27,320
Speaker 1: Okay anyway, I'm off on a tangent. We have to

1180
00:54:27,360 --> 00:54:31,920
Speaker 1: pick the correct definition. Per the website Saratoga Racetrack dot com,

1181
00:54:31,920 --> 00:54:37,200
Speaker 1: that old chestnut three out of side educational, I too,

1182
00:54:37,239 --> 00:54:39,279
Speaker 1: So here we go. Number Who are we playing with today?

1183
00:54:39,280 --> 00:54:44,759
Speaker 1: By the way, it's me Tara, Hey, hi, producer. Here

1184
00:54:44,800 --> 00:54:47,480
Speaker 1: we go. By the way, I don't want to embarrass Tar,

1185
00:54:47,600 --> 00:54:51,960
Speaker 1: but this was her favorite dcom of all times. It's

1186
00:54:52,000 --> 00:54:56,560
Speaker 1: not okay, so here we go. Number one. Ac deocey

1187
00:54:57,280 --> 00:55:00,000
Speaker 1: is that a a term given to horses trading first

1188
00:55:00,040 --> 00:55:03,520
Speaker 1: place back and forth. B when one owner has a

1189
00:55:03,560 --> 00:55:07,640
Speaker 1: horse finish in both first and second place see uneven

1190
00:55:07,680 --> 00:55:10,600
Speaker 1: stirrups on a jockey or d used for when a

1191
00:55:10,640 --> 00:55:14,920
Speaker 1: horse wins my more than seven horse lengths. Ac deucy.

1192
00:55:16,680 --> 00:55:17,480
Speaker 2: I'm gonna go with B.

1193
00:55:19,640 --> 00:55:25,279
Speaker 1: I shouldn't agree with you, but I kind of do it.

1194
00:55:26,200 --> 00:55:27,600
Speaker 1: Does it? Does hurt?

1195
00:55:27,880 --> 00:55:31,640
Speaker 2: Agree with you because you're always wrong, not always, just

1196
00:55:31,880 --> 00:55:32,839
Speaker 2: most of the time.

1197
00:55:35,239 --> 00:55:41,279
Speaker 1: You're probably in the low eighties. But I am gonna

1198
00:55:41,280 --> 00:55:43,399
Speaker 1: agree with you. I'm gonna say B when finish both

1199
00:55:43,400 --> 00:55:44,600
Speaker 1: first and second place.

1200
00:55:44,400 --> 00:55:46,239
Speaker 2: Because AC doucy seems like one. T.

1201
00:55:46,480 --> 00:55:51,600
Speaker 1: Yeah, well, you're both wrong. It's it's c even and

1202
00:55:51,719 --> 00:55:55,600
Speaker 1: even stirrups on a jockey. Okay. Number two hot walker,

1203
00:55:55,680 --> 00:55:58,080
Speaker 1: which I'm sorry sounds like a weird sex thing when

1204
00:55:58,080 --> 00:55:59,880
Speaker 1: a horse looks like, oh man, did you give you

1205
00:55:59,920 --> 00:56:03,600
Speaker 1: a hot walker? When C you don't even know what

1206
00:56:03,680 --> 00:56:11,360
Speaker 1: it is, it's still weird, right, am I wrong? Doesn't

1207
00:56:11,400 --> 00:56:13,680
Speaker 1: it doesn't it You don't even have to know what

1208
00:56:13,719 --> 00:56:22,680
Speaker 1: it is. It just sounds wrong. Exactly. Turn red A

1209
00:56:23,040 --> 00:56:25,200
Speaker 1: when a horse looks like a winner on their way

1210
00:56:25,239 --> 00:56:28,040
Speaker 1: to the starting gate. B a person who walks a

1211
00:56:28,080 --> 00:56:31,239
Speaker 1: horse after a race to cool them down. C a

1212
00:56:31,320 --> 00:56:33,840
Speaker 1: horse who has placed in more than five races in

1213
00:56:33,880 --> 00:56:36,920
Speaker 1: a row. Or D a stud who has impregnated more

1214
00:56:36,960 --> 00:56:40,600
Speaker 1: than two horses. I'll go first this time. I think

1215
00:56:40,600 --> 00:56:40,960
Speaker 1: it's B.

1216
00:56:41,680 --> 00:56:42,319
Speaker 2: I think it is.

1217
00:56:42,520 --> 00:56:44,319
Speaker 1: I think it's a person who walks a horse after

1218
00:56:44,360 --> 00:56:45,359
Speaker 1: a race to cool them down.

1219
00:56:46,320 --> 00:56:49,040
Speaker 2: The answer is B, Hey.

1220
00:56:48,560 --> 00:56:49,919
Speaker 1: We got one. There we go.

1221
00:56:52,000 --> 00:56:55,799
Speaker 2: Jensen's doing some real good Like this makes sense.

1222
00:56:55,840 --> 00:56:59,440
Speaker 1: It's crazy. Three Oh, it could also be a sex thing.

1223
00:56:59,480 --> 00:57:06,120
Speaker 1: Grab a order. Is that a injury to the back

1224
00:57:06,160 --> 00:57:08,560
Speaker 1: of a hoof caused by a horse stepping on itself.

1225
00:57:09,320 --> 00:57:11,480
Speaker 1: B when a horse came back to win in the

1226
00:57:11,520 --> 00:57:15,320
Speaker 1: final quarter mile see a horse that wins with twenty

1227
00:57:15,320 --> 00:57:19,240
Speaker 1: five to one or higher odds. Or D when a

1228
00:57:19,280 --> 00:57:22,560
Speaker 1: horse owner racks up twenty five wins in a year.

1229
00:57:23,640 --> 00:57:34,120
Speaker 1: You pick first. Huh C, I kind of agree with you.

1230
00:57:34,160 --> 00:57:36,600
Speaker 1: I'm gonna, I'm gonna, I'm gonna, I'm gonna say C.

1231
00:57:38,080 --> 00:57:40,480
Speaker 2: The answer is a.

1232
00:57:39,680 --> 00:57:42,720
Speaker 1: Ah, an injury. That doesn't make any sense. You're not

1233
00:57:42,760 --> 00:57:46,880
Speaker 1: grabbing any other I'm changing all of these. Uh so

1234
00:57:46,880 --> 00:57:49,320
Speaker 1: we've already lost. Well, No, I guess if we get

1235
00:57:49,320 --> 00:57:54,040
Speaker 1: the next two right, we'll win. Number four. Blaze is

1236
00:57:54,080 --> 00:57:56,640
Speaker 1: it a referring to a hot start out of the gate.

1237
00:57:57,280 --> 00:57:59,960
Speaker 1: B When you correctly predict the first, second, and third

1238
00:58:00,000 --> 00:58:03,720
Speaker 1: third places in a bet see a large white vertical

1239
00:58:03,760 --> 00:58:07,080
Speaker 1: marking on a horse's face. Or D a jockey who

1240
00:58:07,200 --> 00:58:12,880
Speaker 1: is placed in five races in a row. Blaze I'll

1241
00:58:12,880 --> 00:58:17,360
Speaker 1: go first. I'm gonna say I don't think Jensen would

1242
00:58:17,360 --> 00:58:22,480
Speaker 1: put two a's in a row, so I'm gonna say it's.

1243
00:58:23,520 --> 00:58:26,000
Speaker 1: I'm gonna say it's when you correctly predict first, second,

1244
00:58:26,000 --> 00:58:27,480
Speaker 1: and third place in a bet. I'm gonna say it's

1245
00:58:27,520 --> 00:58:28,760
Speaker 1: b okay.

1246
00:58:30,120 --> 00:58:32,120
Speaker 2: I'm gonna go with A because it makes the most

1247
00:58:32,160 --> 00:58:35,080
Speaker 2: sense to me. The answer is C.

1248
00:58:36,880 --> 00:58:38,919
Speaker 1: None of these makes sense. That's a blaze. We suck

1249
00:58:38,960 --> 00:58:41,920
Speaker 1: at this. But also, whoever named these horse things sucks

1250
00:58:41,960 --> 00:58:46,840
Speaker 1: at this. They're stupid, stupid. Number five a maiden So

1251
00:58:46,880 --> 00:58:48,880
Speaker 1: we've already lost, so this doesn't matter. Number five. A

1252
00:58:48,920 --> 00:58:52,360
Speaker 1: maiden race is at A the first race for a horse.

1253
00:58:53,160 --> 00:58:55,640
Speaker 1: B A race filled with only horses who have not

1254
00:58:55,760 --> 00:58:59,400
Speaker 1: yet won, or ce sorry see a race with only

1255
00:58:59,480 --> 00:59:02,160
Speaker 1: female horse horses, or D a member of Iron Maiden

1256
00:59:02,160 --> 00:59:05,440
Speaker 1: in a foot race. I'm guessing it's not D. A

1257
00:59:05,560 --> 00:59:07,800
Speaker 1: maiden race, the first race for a horse.

1258
00:59:07,840 --> 00:59:09,520
Speaker 2: All of them makes sense.

1259
00:59:09,320 --> 00:59:11,600
Speaker 1: Right, A race filled with only horses who have not

1260
00:59:11,680 --> 00:59:18,000
Speaker 1: yet won, or a race with only female horses. You

1261
00:59:18,080 --> 00:59:20,760
Speaker 1: go first.

1262
00:59:23,800 --> 00:59:25,560
Speaker 2: I'm gonna do the first race for a horse.

1263
00:59:25,640 --> 00:59:27,120
Speaker 1: That's what I'm gonna say too. I'm gonna say A

1264
00:59:27,280 --> 00:59:29,600
Speaker 1: the first rate, we're gonna we're going down. We are

1265
00:59:29,760 --> 00:59:32,600
Speaker 1: holding hands after we hit the the we're on the

1266
00:59:32,600 --> 00:59:35,400
Speaker 1: Titanic and it's just flooding. Here we go. I'm gonna

1267
00:59:35,400 --> 00:59:40,560
Speaker 1: say A two, hold on tight. It's b ah okay.

1268
00:59:40,600 --> 00:59:43,200
Speaker 2: A race, though, that makes sense.

1269
00:59:43,360 --> 00:59:45,479
Speaker 1: All right, all right, there we go. Well we suck,

1270
00:59:45,960 --> 00:59:48,080
Speaker 1: thank you very much. Can we do some Sabrina seas?

1271
00:59:52,520 --> 00:59:56,360
Speaker 2: Yes, there are not very much. We talked again about that.

1272
00:59:56,440 --> 00:59:59,160
Speaker 2: We talked about well, I just kind of talked a little.

1273
00:59:59,200 --> 01:00:05,440
Speaker 2: But whatever. The music part really was jarring for me.

1274
01:00:05,600 --> 01:00:09,320
Speaker 2: I did hear one of the songs. First of all,

1275
01:00:09,360 --> 01:00:11,480
Speaker 2: they had the same producer writer like I went on

1276
01:00:11,560 --> 01:00:14,880
Speaker 2: I am I DMB IMDb because I thought it was

1277
01:00:15,400 --> 01:00:18,360
Speaker 2: the voice sounded very similar to a guy named Rob

1278
01:00:19,480 --> 01:00:23,760
Speaker 2: Robbie Neville who worked on us. Yeah he yeah, yes,

1279
01:00:23,880 --> 01:00:27,240
Speaker 2: So he ended up being a big Disney Channel producer

1280
01:00:27,320 --> 01:00:29,560
Speaker 2: that did a lot of music, and a lot of

1281
01:00:29,600 --> 01:00:32,440
Speaker 2: the songs in a lot of the musicals are his songs,

1282
01:00:32,480 --> 01:00:36,200
Speaker 2: so I recognize his voice, but that wasn't him. It

1283
01:00:36,240 --> 01:00:38,920
Speaker 2: was a different guy, and he was in like most

1284
01:00:38,960 --> 01:00:41,400
Speaker 2: of the songs that are well really almost all of

1285
01:00:41,480 --> 01:00:43,720
Speaker 2: them that are listed on I D I m dB.

1286
01:00:44,320 --> 01:00:46,080
Speaker 2: But there was a song that was called ready to

1287
01:00:46,160 --> 01:00:49,560
Speaker 2: Run on this soundtrack that I didn't see on IMDb because.

1288
01:00:49,320 --> 01:00:50,800
Speaker 1: I, yeah, that was the first the first song I

1289
01:00:50,840 --> 01:00:51,640
Speaker 1: think that opens up.

1290
01:00:51,880 --> 01:00:53,800
Speaker 2: Right, which I would have thought they would have used

1291
01:00:53,800 --> 01:00:57,120
Speaker 2: a little bit more because it was obviously made for

1292
01:00:57,200 --> 01:01:02,320
Speaker 2: this movie. And then okay, I had questions about the

1293
01:01:04,320 --> 01:01:09,280
Speaker 2: rules of this situation with the talking horse, so she

1294
01:01:10,360 --> 01:01:12,320
Speaker 2: couldn't hear him for a while. Then all of a sudden,

1295
01:01:12,320 --> 01:01:14,600
Speaker 2: like you said, it happens like twenty thirty minutes into

1296
01:01:14,600 --> 01:01:17,240
Speaker 2: the movie and then it stops for a minute, like

1297
01:01:17,800 --> 01:01:21,160
Speaker 2: she's around him, there's conversations happening, and she can't hear

1298
01:01:21,240 --> 01:01:26,360
Speaker 2: him anymore. Then we obviously know their relationship grows and

1299
01:01:26,440 --> 01:01:29,320
Speaker 2: she can hear him. But then when did it turn

1300
01:01:29,320 --> 01:01:34,600
Speaker 2: into like being telepathic like she with the fire, There's

1301
01:01:34,640 --> 01:01:37,480
Speaker 2: no way where they were didn't seem like an equal

1302
01:01:37,520 --> 01:01:40,000
Speaker 2: amount of distance where she could hear him because she

1303
01:01:40,080 --> 01:01:44,800
Speaker 2: was the only one who heard the horse, right, all

1304
01:01:44,840 --> 01:01:47,080
Speaker 2: of a sudden, she's like there's something wrong. Yeah, I'm like,

1305
01:01:47,800 --> 01:01:49,800
Speaker 2: oh she can like.

1306
01:01:50,520 --> 01:01:51,840
Speaker 1: Now it's just telepathy. Yeah.

1307
01:01:51,920 --> 01:01:54,280
Speaker 2: So yeah, like it was weird. So they it kind

1308
01:01:54,280 --> 01:01:58,000
Speaker 2: of went. They did not do that again. Like another

1309
01:01:58,040 --> 01:01:59,880
Speaker 2: thing that I had a hard time doing. You have

1310
01:02:00,400 --> 01:02:04,400
Speaker 2: sindbad in this movie, and you didn't use him really

1311
01:02:04,480 --> 01:02:07,360
Speaker 2: at all. He's there, he's like not even a B character,

1312
01:02:07,480 --> 01:02:08,360
Speaker 2: He's like a.

1313
01:02:08,280 --> 01:02:10,720
Speaker 1: C or D. I bet you he recorded for like

1314
01:02:10,760 --> 01:02:11,560
Speaker 1: an hour for this.

1315
01:02:11,640 --> 01:02:15,480
Speaker 2: Entirea he had just literally maybe like a half of

1316
01:02:15,520 --> 01:02:19,960
Speaker 2: a page or maybe two pages at max, which was

1317
01:02:20,040 --> 01:02:24,000
Speaker 2: really odd to me because because I also thought when

1318
01:02:24,040 --> 01:02:26,720
Speaker 2: I saw him on the credits in the beginning, and

1319
01:02:26,760 --> 01:02:29,480
Speaker 2: I was like, oh, cool, thinking it was gonna be

1320
01:02:29,520 --> 01:02:32,280
Speaker 2: kind of a comedy, and it really wasn't a comedy

1321
01:02:32,320 --> 01:02:35,120
Speaker 2: at all. It flipped into like some of the stuff

1322
01:02:35,160 --> 01:02:39,040
Speaker 2: with the horse voiceover work was signed out, some of

1323
01:02:39,160 --> 01:02:43,720
Speaker 2: the comedic aspect, but not enough to be considered super funny.

1324
01:02:43,880 --> 01:02:48,400
Speaker 2: It was weird. And then my biggest thing with this movie,

1325
01:02:48,440 --> 01:02:50,800
Speaker 2: and this is probably gonna be weird, I just felt

1326
01:02:50,800 --> 01:02:53,000
Speaker 2: like it was it involved too many adults.

1327
01:02:53,920 --> 01:02:56,080
Speaker 1: Oh, I can see that for a for a.

1328
01:02:56,080 --> 01:02:58,560
Speaker 2: D com, we are so used to seeing the kids

1329
01:02:58,600 --> 01:03:03,400
Speaker 2: really run and drive the storytelling of this, and honestly,

1330
01:03:03,440 --> 01:03:06,440
Speaker 2: her mom kind of did the most of the like

1331
01:03:06,600 --> 01:03:12,520
Speaker 2: story telling of what's happening and Machado, and then there's

1332
01:03:12,560 --> 01:03:17,440
Speaker 2: so many adults that the guy that sold Machado on

1333
01:03:17,680 --> 01:03:25,640
Speaker 2: getting this rodeo course circus guy seemed so similar. When

1334
01:03:25,720 --> 01:03:27,959
Speaker 2: the guy then I put him, I think I thought

1335
01:03:27,960 --> 01:03:29,760
Speaker 2: I was like, oh, he's the one that sold him

1336
01:03:29,800 --> 01:03:32,280
Speaker 2: on getting this writ and I'm like, oh, wait, are

1337
01:03:32,320 --> 01:03:33,160
Speaker 2: they different?

1338
01:03:33,600 --> 01:03:34,760
Speaker 1: Was it be twins?

1339
01:03:35,120 --> 01:03:37,280
Speaker 2: They could have been. There was just that was how

1340
01:03:37,320 --> 01:03:39,960
Speaker 2: many adults there were in this movie that like they

1341
01:03:39,960 --> 01:03:42,720
Speaker 2: were starting to just get muffled, like just kind of

1342
01:03:42,760 --> 01:03:45,479
Speaker 2: like didn't really understand who the characters were. That's that's

1343
01:03:45,560 --> 01:03:48,480
Speaker 2: kind of just my opinion on that. And then another

1344
01:03:48,640 --> 01:03:51,200
Speaker 2: thing that I saw and this was actually reviewing when

1345
01:03:51,200 --> 01:03:52,960
Speaker 2: I was on IMDb, and then I saw it on

1346
01:03:53,040 --> 01:03:56,840
Speaker 2: Mikayla's notes that she senses So you mentioned it a

1347
01:03:56,840 --> 01:03:58,120
Speaker 2: little bit. I thought you were going to get into

1348
01:03:58,200 --> 01:04:02,720
Speaker 2: it where she buys the horse for a thing of peanuts. Well,

1349
01:04:03,000 --> 01:04:05,640
Speaker 2: there's actually like a law that a miner can't buy

1350
01:04:05,640 --> 01:04:07,560
Speaker 2: a horse in general. So even if she had offered

1351
01:04:07,640 --> 01:04:11,520
Speaker 2: him here's five dollars, you can't, like her mom would

1352
01:04:11,560 --> 01:04:14,600
Speaker 2: have had the opportunity to get the money back and

1353
01:04:14,880 --> 01:04:16,560
Speaker 2: give it back because it's like against the law for

1354
01:04:16,600 --> 01:04:18,479
Speaker 2: a miner to actually buy a horse, which I thought

1355
01:04:18,520 --> 01:04:22,360
Speaker 2: was really interesting that miners can't buy horses. Like by

1356
01:04:22,400 --> 01:04:25,240
Speaker 2: the time you're like fifteen sixteen, you're really into the sport,

1357
01:04:25,600 --> 01:04:27,960
Speaker 2: but you can't own your own horse yet. That was interesting.

1358
01:04:27,920 --> 01:04:29,680
Speaker 1: To own your own car why can't you own your

1359
01:04:29,720 --> 01:04:30,120
Speaker 1: own horse?

1360
01:04:30,160 --> 01:04:34,960
Speaker 2: That's what I mean. That's what I mean, And that's it.

1361
01:04:35,400 --> 01:04:37,960
Speaker 2: I already said the thing about Seabiscuit, but that's it.

1362
01:04:38,160 --> 01:04:41,120
Speaker 1: Okay, Well, there we go. Now we get to the

1363
01:04:41,120 --> 01:04:44,720
Speaker 1: fun part of actually scoring our film, rating our film.

1364
01:04:45,040 --> 01:04:50,560
Speaker 1: For this we're going to do one, yeah, one out

1365
01:04:50,560 --> 01:04:53,480
Speaker 1: of ten. Okay, and ten's going to be the biggest

1366
01:04:53,480 --> 01:04:56,880
Speaker 1: this time. Okay, okay. So our options this week are

1367
01:04:57,040 --> 01:04:59,920
Speaker 1: one out of ten, horse girls one out of ten,

1368
01:05:00,120 --> 01:05:03,520
Speaker 1: barely talking horses, underwear helmets.

1369
01:05:03,560 --> 01:05:04,360
Speaker 2: Oh yeah, we did.

1370
01:05:04,880 --> 01:05:06,640
Speaker 1: We didn't even get into that. I'm not going to

1371
01:05:06,640 --> 01:05:10,240
Speaker 1: touch that one. It says toothpicks, but I'm going to

1372
01:05:10,320 --> 01:05:17,760
Speaker 1: change it to undecipherable toothpicked bedding, nice headstones one out

1373
01:05:17,760 --> 01:05:20,680
Speaker 1: of ten, fume drugs one at a ten, horse confidence,

1374
01:05:21,360 --> 01:05:24,200
Speaker 1: piles of horse dung one out of ten, chili pepper

1375
01:05:24,200 --> 01:05:27,040
Speaker 1: cranks one out of ten, thunder jerks, or I'm going

1376
01:05:27,080 --> 01:05:29,560
Speaker 1: to add one out of ten. She gave me a

1377
01:05:29,560 --> 01:05:36,480
Speaker 1: hot walkers. What would you like to do this week, Sabrina?

1378
01:05:38,000 --> 01:05:41,680
Speaker 1: Is that your pick? Oh? My god, she picked it,

1379
01:05:42,640 --> 01:05:43,320
Speaker 1: she did.

1380
01:05:43,800 --> 01:05:45,560
Speaker 2: I thought you were going to do peas and poops, but.

1381
01:05:48,440 --> 01:05:50,800
Speaker 1: She gave me, a hot walker is the way to go.

1382
01:05:51,920 --> 01:05:55,360
Speaker 1: I think, do I go first this time? I can't remember?

1383
01:05:57,560 --> 01:05:58,240
Speaker 2: Yes I did?

1384
01:05:58,720 --> 01:06:00,840
Speaker 1: I think so, so I go first this time?

1385
01:06:00,960 --> 01:06:01,240
Speaker 2: Yes?

1386
01:06:01,280 --> 01:06:05,440
Speaker 1: Okay, Ah, here's the thing about this movie. It's it's fine.

1387
01:06:06,000 --> 01:06:06,600
Speaker 2: It's fine.

1388
01:06:07,640 --> 01:06:11,560
Speaker 1: It's completely it is fine. It's fine. It is completely

1389
01:06:11,560 --> 01:06:15,720
Speaker 1: and totally forgettable. It doesn't know what it is. Like

1390
01:06:15,760 --> 01:06:18,480
Speaker 1: you said, it's a drama, but they got all of

1391
01:06:18,520 --> 01:06:24,680
Speaker 1: these comedy actors to voice horses kind of because there

1392
01:06:24,800 --> 01:06:28,120
Speaker 1: don't really it's not Doctor Doolittle where the horses are funny,

1393
01:06:28,160 --> 01:06:30,760
Speaker 1: and it's kind of like you said, Lion King, like

1394
01:06:30,760 --> 01:06:33,600
Speaker 1: you get Timon and Pumba coming in who are really funny,

1395
01:06:33,640 --> 01:06:37,280
Speaker 1: and it's it's not that none of the horses really

1396
01:06:37,320 --> 01:06:41,440
Speaker 1: have any magical personalities that are worthy of anything. It

1397
01:06:41,560 --> 01:06:44,000
Speaker 1: seemed like it was tacked on, like it should have

1398
01:06:44,080 --> 01:06:47,000
Speaker 1: just been a nice Disney movie about a girl who

1399
01:06:47,440 --> 01:06:50,840
Speaker 1: has this connection with a horse and and wants to

1400
01:06:50,840 --> 01:06:52,920
Speaker 1: follow in her father's footsteps. I mean that that's a

1401
01:06:53,000 --> 01:06:56,400
Speaker 1: dcom that writes itself. So it's like, why then add

1402
01:06:56,440 --> 01:07:00,120
Speaker 1: this thing to this movie. I find it dragged at

1403
01:07:00,160 --> 01:07:03,200
Speaker 1: quite a few places. Yeah, it just didn't know what

1404
01:07:03,280 --> 01:07:06,400
Speaker 1: it was at the same time, it was fine. This movie,

1405
01:07:06,400 --> 01:07:11,480
Speaker 1: to me is absolutely the perfect five she gave me

1406
01:07:12,000 --> 01:07:16,640
Speaker 1: Hot Walkers, cause it's like it's it's it's not good.

1407
01:07:16,880 --> 01:07:21,120
Speaker 1: It's not bad. The acting is fine. The story doesn't

1408
01:07:21,120 --> 01:07:25,320
Speaker 1: make a whole lot of sense. I don't like stuff

1409
01:07:25,360 --> 01:07:27,520
Speaker 1: about animals being hurt. I easily could have made this

1410
01:07:27,560 --> 01:07:31,760
Speaker 1: a three just based on that. But it's fine. It's

1411
01:07:31,840 --> 01:07:35,080
Speaker 1: I'm gonna the second this movie ended and this podcast

1412
01:07:35,120 --> 01:07:38,240
Speaker 1: is over, I'm not gonna remember a thing about this movie. No,

1413
01:07:38,800 --> 01:07:40,440
Speaker 1: And that's where that's where I am. So that's my

1414
01:07:40,480 --> 01:07:41,760
Speaker 1: score is five. How about you?

1415
01:07:42,760 --> 01:07:46,040
Speaker 2: I am right there with you. I just feel like

1416
01:07:46,160 --> 01:07:49,600
Speaker 2: this movie, like you said, it's unforgettable, or it's not unforgettable,

1417
01:07:49,600 --> 01:07:54,360
Speaker 2: that this movie is forgettable. And again it makes me

1418
01:07:54,520 --> 01:07:57,800
Speaker 2: remember too that this was the time on the channel

1419
01:07:57,880 --> 01:08:00,920
Speaker 2: that these d coms were not like what they're doing

1420
01:08:00,920 --> 01:08:04,640
Speaker 2: with d coms now, where they're coming out like every

1421
01:08:04,680 --> 01:08:08,960
Speaker 2: couple of months maybe or six months between now and

1422
01:08:09,040 --> 01:08:11,960
Speaker 2: the next one. This is the time where the dcoms

1423
01:08:11,960 --> 01:08:15,800
Speaker 2: were coming out on like the first Friday of the month.

1424
01:08:15,840 --> 01:08:18,519
Speaker 2: They were coming out every thirty days, so they weren't

1425
01:08:19,160 --> 01:08:22,799
Speaker 2: necessarily I guess maybe not putting as much effort into

1426
01:08:22,800 --> 01:08:25,200
Speaker 2: making these, you know what I mean? They were again

1427
01:08:25,280 --> 01:08:27,920
Speaker 2: it's the time of the the era of the channel

1428
01:08:27,960 --> 01:08:30,479
Speaker 2: that they were throwing against the wall seeing what stuck.

1429
01:08:30,840 --> 01:08:33,040
Speaker 2: If it did, great, If not, it's okay because we've

1430
01:08:33,040 --> 01:08:37,479
Speaker 2: got an next one coming out last month anyway. So yeah,

1431
01:08:37,520 --> 01:08:39,679
Speaker 2: so that's what I agree with you. I'm gonna match

1432
01:08:39,680 --> 01:08:44,720
Speaker 2: your five. She gave me hot walkers, she gave me

1433
01:08:44,760 --> 01:08:50,240
Speaker 2: hot logger, she gave me hot logger or piece and poops. Yeah,

1434
01:08:50,240 --> 01:08:52,000
Speaker 2: I'm gonna imagine. And that's kind of it.

1435
01:08:52,760 --> 01:08:53,040
Speaker 1: Again.

1436
01:08:53,120 --> 01:08:56,360
Speaker 2: I didn't hate it. I just didn't really like love it,

1437
01:08:56,720 --> 01:08:58,960
Speaker 2: you know. And it was fine, you know, it didn't

1438
01:08:58,960 --> 01:09:01,040
Speaker 2: put me in as bad of a mood. Is the

1439
01:09:01,040 --> 01:09:01,840
Speaker 2: class one?

1440
01:09:02,040 --> 01:09:05,120
Speaker 1: So I feel like that to step up right exactly

1441
01:09:05,200 --> 01:09:10,519
Speaker 1: what was the last one? Again? I can remember the story,

1442
01:09:10,560 --> 01:09:13,920
Speaker 1: but it was oh starstruck. Yeah, I can coindly remember

1443
01:09:13,920 --> 01:09:15,680
Speaker 1: the story. I couldn't remember the name. Yeah, yeah, no,

1444
01:09:15,760 --> 01:09:17,120
Speaker 1: I agree, There you go.

1445
01:09:17,720 --> 01:09:18,920
Speaker 2: All right, that's it.

1446
01:09:19,040 --> 01:09:22,640
Speaker 1: Five? There we go? Two five's U two fives? She

1447
01:09:22,720 --> 01:09:26,840
Speaker 1: gave me? Do not equal attend? Our next movie is

1448
01:09:26,840 --> 01:09:30,000
Speaker 1: a twenty fifteen entry. We're going kind of Newish. It's

1449
01:09:30,040 --> 01:09:33,519
Speaker 1: the adventure fantasy dcom about science, starring a former co

1450
01:09:33,640 --> 01:09:35,680
Speaker 1: star of mine who actually just ran into like a

1451
01:09:35,680 --> 01:09:40,120
Speaker 1: week ago. She's doing great on her new show, Rowan Blanchard.

1452
01:09:40,479 --> 01:09:44,360
Speaker 1: It's Invisible Sister. It's also a Paul Holland joint. Daddy

1453
01:09:45,479 --> 01:09:48,360
Speaker 1: Daddy Dam is back, so that is exciting. It's currently

1454
01:09:48,439 --> 01:09:50,160
Speaker 1: on Disney Plus so you can get ahead, start and

1455
01:09:50,200 --> 01:09:53,120
Speaker 1: watch it before the podcast airs. And as always, we

1456
01:09:53,160 --> 01:09:56,200
Speaker 1: have a beautifully huge backlog of recaps and interviews featuring

1457
01:09:56,240 --> 01:09:58,679
Speaker 1: some of the biggest names in d coms, and every

1458
01:09:58,720 --> 01:10:01,320
Speaker 1: single one is just waiting for to stream. Just search

1459
01:10:01,320 --> 01:10:04,640
Speaker 1: for Magical Rewind wherever you get your podcasts and subscribe asap.

1460
01:10:04,720 --> 01:10:08,519
Speaker 1: That's asap people. That way you never miss another episode.

1461
01:10:08,520 --> 01:10:10,599
Speaker 1: And for more info, you can follow us at Magical

1462
01:10:10,680 --> 01:10:13,200
Speaker 1: Rewind Pod on the Instagram Machine. It's the one with

1463
01:10:13,240 --> 01:10:15,439
Speaker 1: all the flashy lights that makes it where I can't sleep.

1464
01:10:15,840 --> 01:10:17,920
Speaker 1: Enjoy Hi everybody.

1465
01:10:17,920 --> 01:10:30,400
Speaker 2: Bye,