1
00:00:00,040 --> 00:00:06,960
Speaker 1: I'm yelling Timber. Anybody want to read? What would you

2
00:00:06,960 --> 00:00:16,800
Speaker 1: talk about on your on your podcast? Firm Elvis represents

3
00:00:17,680 --> 00:00:28,200
Speaker 1: Morning show. This is the classic morning show. Student. Actually

4
00:00:28,360 --> 00:00:31,800
Speaker 1: this is two thousand eight to two studio. Can I

5
00:00:31,880 --> 00:00:35,840
Speaker 1: be the wolf that eats little red riding Hood? Don't

6
00:00:35,880 --> 00:00:40,720
Speaker 1: go look at us? So turn Donnie's minch. She's important. Hi.

7
00:00:41,159 --> 00:00:43,680
Speaker 1: What I had said was scary? Why does that sound

8
00:00:43,720 --> 00:00:47,279
Speaker 1: so inappropriate? Because you have an inappropriate sounding mind that

9
00:00:47,280 --> 00:00:51,560
Speaker 1: that little red riding Hood. You processed it as inappropriate,

10
00:00:51,640 --> 00:00:54,120
Speaker 1: so therefore it's inappropriate. But I meant it in the

11
00:00:54,160 --> 00:00:56,680
Speaker 1: simplest of g raided ways, just the way the storybook

12
00:00:56,720 --> 00:01:01,160
Speaker 1: told it. GANI what big eyes you have? You right?

13
00:01:01,400 --> 00:01:04,080
Speaker 1: The better to eat you with you? You eat with

14
00:01:04,120 --> 00:01:12,080
Speaker 1: your eyes? I mean you do you eat everything you say?

15
00:01:12,800 --> 00:01:17,440
Speaker 1: He's probably eating, but he's actually water. I'm surprised. I

16
00:01:17,480 --> 00:01:20,960
Speaker 1: don't hold it for food. I don't hold this. I

17
00:01:21,000 --> 00:01:28,600
Speaker 1: don't think you just got really close to I'm sorry. Yeah,

18
00:01:30,800 --> 00:01:34,520
Speaker 1: this is where I blue dry, Greg teas Ball, what

19
00:01:34,520 --> 00:01:41,000
Speaker 1: what what? I don't think it's blue dry, but dry.

20
00:01:43,000 --> 00:01:45,640
Speaker 1: I had this thing where when I got out of

21
00:01:45,640 --> 00:01:49,160
Speaker 1: the shower, I would take a hair dryer and drying

22
00:01:49,240 --> 00:01:52,040
Speaker 1: my balls. Did you ever do this? I don't have No,

23
00:01:52,240 --> 00:01:53,960
Speaker 1: I've never dried your balls with a head dry I

24
00:01:54,000 --> 00:01:57,800
Speaker 1: don't like the moist balls. My hair dryer is always

25
00:01:57,840 --> 00:02:01,600
Speaker 1: unplugged under the shink. I never use it drying my

26
00:02:01,640 --> 00:02:04,760
Speaker 1: balls with the hair dryer. So and I told Elvis

27
00:02:04,800 --> 00:02:06,840
Speaker 1: this one. I was drinking one time. So he had

28
00:02:06,840 --> 00:02:10,040
Speaker 1: an experiment with Greg Tea. Gregg Tea dipped his balls

29
00:02:10,040 --> 00:02:13,760
Speaker 1: and a glass of water, and then why don't I

30
00:02:13,800 --> 00:02:22,720
Speaker 1: remember this six years ago? Balls water. By the way,

31
00:02:23,000 --> 00:02:25,400
Speaker 1: you're also standing where Greg te pooped in the studio.

32
00:02:25,440 --> 00:02:27,359
Speaker 1: When we say he did it twice, The first time

33
00:02:27,400 --> 00:02:30,720
Speaker 1: was right around where you're standing. But that was because

34
00:02:30,760 --> 00:02:35,600
Speaker 1: his depends didn't work. He was he was testing water. No,

35
00:02:35,720 --> 00:02:38,359
Speaker 1: he's testing to see if depends work right. How much water?

36
00:02:39,800 --> 00:02:43,200
Speaker 1: Don't he peed? But instead of just peeing, he pooped,

37
00:02:43,240 --> 00:02:45,680
Speaker 1: which one smelled worse the first time for the second time.

38
00:02:45,720 --> 00:02:51,000
Speaker 1: The first time. The first time was all liquid and

39
00:02:51,080 --> 00:02:52,720
Speaker 1: it was like dripping out of the side of the

40
00:02:52,760 --> 00:02:55,639
Speaker 1: depends clapped in the diaper and then it leaked out

41
00:02:55,639 --> 00:02:59,600
Speaker 1: the shots like he goes on the diaperty to work.

42
00:02:59,600 --> 00:03:05,320
Speaker 1: We're like it's not for poop, it's for b mhm.

43
00:03:05,880 --> 00:03:09,520
Speaker 1: I've gone, but you're talking about like a warm manna.

44
00:03:09,760 --> 00:03:18,760
Speaker 1: That's enough. That's to move on. Pop. I have kids

45
00:03:18,800 --> 00:03:20,920
Speaker 1: who poop, so poop to me is not as bad

46
00:03:20,960 --> 00:03:26,959
Speaker 1: as mayonnaise. Okay, I'm gonna come over there. Gandhi is

47
00:03:27,000 --> 00:03:28,600
Speaker 1: the only one in this room now who didn't work

48
00:03:28,600 --> 00:03:30,560
Speaker 1: here when we were in this studio. I have never

49
00:03:30,639 --> 00:03:33,120
Speaker 1: been around for crap the floor moment, and I'm really

50
00:03:33,120 --> 00:03:34,880
Speaker 1: sad about that, and I hope that I get to see.

51
00:03:34,880 --> 00:03:36,840
Speaker 1: It's the interesting thing about this studio and why we're

52
00:03:36,880 --> 00:03:38,560
Speaker 1: not in the studio anymore, is the guests used to

53
00:03:38,600 --> 00:03:40,840
Speaker 1: sit in the middle and Elvis couldn't see them over

54
00:03:40,840 --> 00:03:43,240
Speaker 1: the monitors, and then the two female co hosts would

55
00:03:43,240 --> 00:03:45,720
Speaker 1: sit on both sides of the guest, so every picture

56
00:03:46,200 --> 00:03:48,160
Speaker 1: was the guest and the two girls on the show,

57
00:03:48,640 --> 00:03:51,240
Speaker 1: the two girls. One of those was me. Yeah. Well,

58
00:03:53,560 --> 00:03:55,080
Speaker 1: but in the course of us being in the studio,

59
00:03:55,160 --> 00:03:59,640
Speaker 1: we had multiple other females besides and the other person

60
00:04:00,240 --> 00:04:02,960
Speaker 1: called Bethany and Carolina in this studio, and they were

61
00:04:02,960 --> 00:04:04,320
Speaker 1: always in the picture with you and the guests. I

62
00:04:04,320 --> 00:04:08,320
Speaker 1: don't like when you guys talk about your exes. Okay,

63
00:04:08,400 --> 00:04:10,240
Speaker 1: what's your number of ex We don't talk about it.

64
00:04:10,480 --> 00:04:13,600
Speaker 1: Why are you wearing science experiment classes? They planned to

65
00:04:13,680 --> 00:04:17,719
Speaker 1: experiment with science Dandhi Ny the science go. Yeah. I

66
00:04:17,720 --> 00:04:22,320
Speaker 1: saw him online and I like them. Okay, guests, are

67
00:04:22,320 --> 00:04:28,240
Speaker 1: they bulletproof? Yes? Okay? Are they polarized? No? No, every

68
00:04:28,320 --> 00:04:36,520
Speaker 1: everyone hates some I your face, Nate. Do they come

69
00:04:36,520 --> 00:04:40,360
Speaker 1: with windshield washers? Yes? Okay, A hundred seven we got

70
00:04:45,680 --> 00:04:48,920
Speaker 1: I'm seriously, I'm going to go two dollars, Nate? All

71
00:04:49,040 --> 00:04:52,320
Speaker 1: the money? Yeah, they were with a purchase of something

72
00:04:52,360 --> 00:04:56,120
Speaker 1: else that I bought, So it's two dollars. How much

73
00:04:56,200 --> 00:05:00,800
Speaker 1: was what you bought? Maybe sweatsh Okay, we're getting close

74
00:05:00,839 --> 00:05:06,960
Speaker 1: to my Normally you just steal people's glasses. I do.

75
00:05:07,160 --> 00:05:09,160
Speaker 1: I try to and at least all that guy's glasses.

76
00:05:09,160 --> 00:05:11,040
Speaker 1: I didn't steal them and they were left on the ground.

77
00:05:11,040 --> 00:05:14,080
Speaker 1: You still have those you wore yet? No, because I

78
00:05:14,160 --> 00:05:17,200
Speaker 1: have to get a fix because they're broken. Yeah. Hey,

79
00:05:17,320 --> 00:05:20,760
Speaker 1: and we were talking about you, not bad jew Okay, alright,

80
00:05:20,800 --> 00:05:24,480
Speaker 1: sorry stepping in the studio. I remember Greg Tea, Remember

81
00:05:24,520 --> 00:05:27,680
Speaker 1: we play wits and Greg teas pants. Yeah, and I

82
00:05:27,680 --> 00:05:30,760
Speaker 1: had to reach in and he had put spaghettios. Yes,

83
00:05:33,440 --> 00:05:35,640
Speaker 1: that was like one of my first days here. And

84
00:05:36,120 --> 00:05:37,640
Speaker 1: he put it in the front of his pants. So

85
00:05:37,640 --> 00:05:39,600
Speaker 1: I had to reach in and I touched his wiener

86
00:05:42,960 --> 00:05:52,719
Speaker 1: for a noodle mistake, for a grammar. I know that.

87
00:05:52,760 --> 00:05:55,040
Speaker 1: When I touched it, I realized my penis wasn't as

88
00:05:55,040 --> 00:05:57,360
Speaker 1: small as I thought it was. That made you happy.

89
00:05:57,920 --> 00:05:59,520
Speaker 1: That was a happy day. Now do you touch it

90
00:05:59,600 --> 00:06:01,400
Speaker 1: every few months just to get reaffirmed that you have

91
00:06:01,440 --> 00:06:05,960
Speaker 1: a defense? What was it that Greg t did? We

92
00:06:06,000 --> 00:06:08,680
Speaker 1: had Beyonce in the studio once and we had him

93
00:06:08,760 --> 00:06:11,160
Speaker 1: dress up, either to recreate the single Ladies video or

94
00:06:11,400 --> 00:06:14,240
Speaker 1: he did something and and he came in and Beyonce

95
00:06:14,360 --> 00:06:15,760
Speaker 1: looked at him like, I don't get it. What are

96
00:06:15,760 --> 00:06:18,159
Speaker 1: you trying to do? She was not happy. No, she

97
00:06:18,200 --> 00:06:23,640
Speaker 1: didn't get it. Boo, oh that was it? Yes, So

98
00:06:23,680 --> 00:06:29,359
Speaker 1: he looked at she looked at him through the glass. Oh,

99
00:06:29,440 --> 00:06:41,120
Speaker 1: he was teance right out the window looks back. Oh.

100
00:06:43,480 --> 00:06:45,960
Speaker 1: Can I just say, this is our house, right? We

101
00:06:46,040 --> 00:06:49,320
Speaker 1: live here, every day we're here. Why do people get

102
00:06:49,320 --> 00:06:53,080
Speaker 1: to tell us what to do in our house? That's right?

103
00:06:53,360 --> 00:06:55,240
Speaker 1: Because I used to be an executive producer and that

104
00:06:55,279 --> 00:06:57,440
Speaker 1: ship would not fly. No, this is my house. You

105
00:06:57,480 --> 00:07:03,800
Speaker 1: follow my rules. Yeah, stuck? What stuck? What did you do?

106
00:07:03,839 --> 00:07:12,440
Speaker 1: What did you do? Oh? Yeah, that's so much that

107
00:07:12,520 --> 00:07:16,160
Speaker 1: goes on behind this. Nate has a lot on his

108
00:07:16,200 --> 00:07:23,320
Speaker 1: plate to like defense. Good for you, all right, since

109
00:07:23,360 --> 00:07:25,720
Speaker 1: you said you were an executive producer. There was a

110
00:07:25,760 --> 00:07:27,280
Speaker 1: time when Scary and I had to handle the guests

111
00:07:27,280 --> 00:07:29,600
Speaker 1: of the show. I had to personally get on the

112
00:07:29,640 --> 00:07:32,560
Speaker 1: phone with Jessica Simpson and her mom and tell her

113
00:07:32,560 --> 00:07:36,800
Speaker 1: she could not be on the show. She and her

114
00:07:36,840 --> 00:07:39,120
Speaker 1: mom called and kept lying to me. They're like, oh,

115
00:07:39,240 --> 00:07:41,880
Speaker 1: we just got off a red eye flight. Then they said, oh,

116
00:07:41,920 --> 00:07:44,160
Speaker 1: we were stuck in traffic. Then they said they hadn't

117
00:07:44,200 --> 00:07:46,480
Speaker 1: landed yet. Then they called back the label said they

118
00:07:46,520 --> 00:07:48,480
Speaker 1: just landed. I go really, because they told me they

119
00:07:48,560 --> 00:07:50,320
Speaker 1: landed like an hour ago. No, if they just landed,

120
00:07:50,320 --> 00:07:52,040
Speaker 1: they called from the They kept lying, So I got

121
00:07:52,040 --> 00:07:53,040
Speaker 1: on the fine I said, you know, I'm sorry, you

122
00:07:53,080 --> 00:07:54,960
Speaker 1: can't be on the show. And then I had tell

123
00:07:55,000 --> 00:07:59,000
Speaker 1: Katie Parrish couldn't on the show. That was uncomfortable because

124
00:07:59,080 --> 00:08:01,920
Speaker 1: she had a big tour bus downstairs and everything. They're

125
00:08:01,920 --> 00:08:03,320
Speaker 1: ready to go. She was an hour late. She came

126
00:08:03,360 --> 00:08:04,680
Speaker 1: back the next so they put me on the phone

127
00:08:04,680 --> 00:08:06,040
Speaker 1: with them, like, Hey, I'm sorry, you can't be on

128
00:08:06,040 --> 00:08:07,840
Speaker 1: the show. What do you mean ill you supposed to

129
00:08:07,840 --> 00:08:10,200
Speaker 1: be forty minutes ago? Yeah, but I got Yeah, Elvis

130
00:08:10,320 --> 00:08:13,040
Speaker 1: is now on the phone, so we've had to tell

131
00:08:13,080 --> 00:08:16,400
Speaker 1: him the big stars that almost happened with Ariana Grande.

132
00:08:16,840 --> 00:08:20,200
Speaker 1: Do you remember she was thirty minutes late and then

133
00:08:20,280 --> 00:08:23,440
Speaker 1: Elvis was probably ten seconds away from sad now yeh,

134
00:08:23,440 --> 00:08:26,640
Speaker 1: never again I And then she came in the door

135
00:08:28,600 --> 00:08:34,600
Speaker 1: and Elvis, so James Franco would call in his people

136
00:08:34,600 --> 00:08:39,160
Speaker 1: would call him. Five minutes turned into yeah Elvis, normally

137
00:08:39,200 --> 00:08:40,880
Speaker 1: we would we all think in this room would be

138
00:08:40,880 --> 00:08:43,520
Speaker 1: like Elvis actually waited the hour and a half and

139
00:08:43,559 --> 00:08:46,560
Speaker 1: still didn't get to talk to James Franco. Hell no, yeah,

140
00:08:46,679 --> 00:08:56,959
Speaker 1: no way. Rule number one, be attractive, attractive before you

141
00:08:57,080 --> 00:08:59,480
Speaker 1: came to I helped book the guests for years. Oh

142
00:08:59,480 --> 00:09:02,679
Speaker 1: my god, that's so I remember. So I remember. I

143
00:09:02,880 --> 00:09:06,240
Speaker 1: we had Jamie Lee Curtis in the studio, and back

144
00:09:06,280 --> 00:09:08,320
Speaker 1: in the day we had Elliott who did the show

145
00:09:08,320 --> 00:09:11,400
Speaker 1: with us, and he would he he was not he

146
00:09:11,520 --> 00:09:13,800
Speaker 1: was not my g he we hooked up. He was not,

147
00:09:13,880 --> 00:09:17,400
Speaker 1: but that's not the point of the story. By the way,

148
00:09:17,400 --> 00:09:20,240
Speaker 1: that's old school hook up, meaning just kissing, new school

149
00:09:20,240 --> 00:09:22,400
Speaker 1: hook up. Did you really hook up? Look hook No, No,

150
00:09:22,440 --> 00:09:25,400
Speaker 1: he didn't know your list of two and he's not. No,

151
00:09:25,640 --> 00:09:27,800
Speaker 1: I don't know. He didn't know I was hooking. It

152
00:09:27,880 --> 00:09:30,920
Speaker 1: was a couple of dates. I tell a story about

153
00:09:30,960 --> 00:09:35,000
Speaker 1: what happened. My gosh, it was handy. No, okay, all right,

154
00:09:38,120 --> 00:09:44,000
Speaker 1: that jackass. Don't give a ship. You didn't have my

155
00:09:44,000 --> 00:09:47,680
Speaker 1: foot up your as Daniel. The next time we do

156
00:09:47,679 --> 00:09:49,880
Speaker 1: a podcast in the studio, we rebinisced about what happened.

157
00:09:50,080 --> 00:09:54,200
Speaker 1: Let's all mention that time. Daniel punch Skier want to

158
00:09:54,200 --> 00:09:59,480
Speaker 1: hear the story. So Jamie so so Elliott would a

159
00:09:59,520 --> 00:10:01,760
Speaker 1: lot of time, I'm say things that he shouldn't say

160
00:10:01,760 --> 00:10:03,640
Speaker 1: on the air, and because I was booking a lot

161
00:10:03,640 --> 00:10:06,600
Speaker 1: of the guests, sometimes I had to apologize. So there's

162
00:10:06,640 --> 00:10:08,760
Speaker 1: the time that Jamie Lee Curtis is on and the

163
00:10:08,840 --> 00:10:11,720
Speaker 1: interview is going great, We're getting to the end and

164
00:10:11,760 --> 00:10:17,920
Speaker 1: he comes out with so are you hermaphrodite? And there

165
00:10:18,720 --> 00:10:21,360
Speaker 1: she yeah. There was silence, and she hung up, and

166
00:10:21,360 --> 00:10:23,400
Speaker 1: then all the calls happened after that I had to

167
00:10:23,480 --> 00:10:27,760
Speaker 1: answer and be like, I'm really sorry, we're not like that,

168
00:10:28,040 --> 00:10:30,760
Speaker 1: we're what happened. I don't remember that one. Oh Harry

169
00:10:30,800 --> 00:10:32,400
Speaker 1: Well I wasn't he was before I joined the show.

170
00:10:32,400 --> 00:10:35,520
Speaker 1: But there's lore, you know, scared. You know, Harry Knnick Jr.

171
00:10:35,520 --> 00:10:37,440
Speaker 1: Was in and he's married to Jill Goodacre, who's a

172
00:10:37,520 --> 00:10:39,959
Speaker 1: beautiful model. She's the model who Chandler was stuck in

173
00:10:40,000 --> 00:10:42,079
Speaker 1: the a t M with a model. It was Jill

174
00:10:42,120 --> 00:10:45,680
Speaker 1: Goodacre and on friends and uh. He made a comment

175
00:10:45,880 --> 00:10:47,800
Speaker 1: like your wife's a hot piece of ass or something

176
00:10:47,880 --> 00:10:49,800
Speaker 1: like that. And he's like, I'm a gentleman, we don't

177
00:10:49,800 --> 00:10:52,120
Speaker 1: discuss women like that. He's like, come on, marriage's hot.

178
00:10:52,520 --> 00:10:54,679
Speaker 1: And he walked out. He got up and walked out

179
00:10:54,679 --> 00:10:56,840
Speaker 1: of in the middle of the interview. He's like, I'm

180
00:10:56,840 --> 00:10:58,640
Speaker 1: a Southern gentleman. We don't talk about ladies like that.

181
00:10:58,679 --> 00:11:01,640
Speaker 1: And he's like, I don't remember this. He's like, she's hot.

182
00:11:01,679 --> 00:11:08,760
Speaker 1: That was Elliott. We had Elvis, remember Elvis in this

183
00:11:08,840 --> 00:11:12,439
Speaker 1: studio a guest Kim in set where Danielle was sitting

184
00:11:12,679 --> 00:11:17,680
Speaker 1: wouldn't take off his sunglasses. Thanks for coming. Yeah, and

185
00:11:17,760 --> 00:11:21,000
Speaker 1: he's thanks for coming. He said, what, Yeah, well, thanks appreciated,

186
00:11:21,040 --> 00:11:24,520
Speaker 1: but by and he went to commercial to be here.

187
00:11:26,640 --> 00:11:28,800
Speaker 1: You meant no, remember what I did with with Usher

188
00:11:28,840 --> 00:11:32,840
Speaker 1: and Justin Bieber? Oh my gosh. So Justin Bieber comes

189
00:11:32,840 --> 00:11:35,520
Speaker 1: in and it's his first interview with a little boy,

190
00:11:35,960 --> 00:11:38,440
Speaker 1: right and Ushers his manager, and we had just had

191
00:11:38,440 --> 00:11:40,920
Speaker 1: a bad experience with Usher. He acted like it a

192
00:11:41,000 --> 00:11:43,360
Speaker 1: douche bag when he was here. He thought, yeah, look,

193
00:11:43,520 --> 00:11:46,160
Speaker 1: he's supposed to be much nicer now, so I, you know,

194
00:11:46,160 --> 00:11:48,400
Speaker 1: hopefully we'll get to interview with him again. Whatever. So

195
00:11:48,640 --> 00:11:51,800
Speaker 1: Bieber walks in. I totally forgot that Usher was his person,

196
00:11:52,280 --> 00:11:55,040
Speaker 1: and we're talking and off the air, I'm like, dude,

197
00:11:55,080 --> 00:11:56,880
Speaker 1: just to be a favorite, don't turn out like Usher.

198
00:11:56,880 --> 00:12:04,199
Speaker 1: He's such a douchebag. Soople turns to Carolina, who was

199
00:12:04,240 --> 00:12:07,080
Speaker 1: the cohost of the time, and he's like, is that true?

200
00:12:07,280 --> 00:12:09,200
Speaker 1: Like off there is? Was he an asshole? And so

201
00:12:09,400 --> 00:12:11,280
Speaker 1: Carolina is trying to clean up from me. Yeah, he's

202
00:12:11,320 --> 00:12:14,079
Speaker 1: probably just having a bad day. Probably a bad day,

203
00:12:14,120 --> 00:12:16,840
Speaker 1: that's all. And I'm like, oh my god, what an

204
00:12:16,840 --> 00:12:23,760
Speaker 1: idiot I am? I love that? Yeah, so many I

205
00:12:23,800 --> 00:12:25,880
Speaker 1: don't even know where to start. Remember the girl to

206
00:12:26,040 --> 00:12:29,280
Speaker 1: beat the snot out of Rhonda Rousing. Yes, So she

207
00:12:29,400 --> 00:12:31,200
Speaker 1: was supposed to come into my show in Boston, and

208
00:12:31,280 --> 00:12:33,400
Speaker 1: she was late and kept doing the five minutes, five

209
00:12:33,400 --> 00:12:35,040
Speaker 1: more minutes, five minutes. So I finally was like, no,

210
00:12:35,080 --> 00:12:36,960
Speaker 1: you're not coming in because I was real bold because

211
00:12:36,960 --> 00:12:38,400
Speaker 1: it was on the phone, right so I can say

212
00:12:38,400 --> 00:12:40,680
Speaker 1: whatever I want. And then we're on the air talking

213
00:12:40,720 --> 00:12:43,200
Speaker 1: about it, and I said, I don't care if she

214
00:12:43,200 --> 00:12:44,880
Speaker 1: shows up. She's gonna have to get past me to

215
00:12:44,920 --> 00:12:47,280
Speaker 1: get into this studio and that's not happening. I'll fight her.

216
00:12:47,600 --> 00:12:52,319
Speaker 1: And then she showed up. What happened, showed up and

217
00:12:52,360 --> 00:12:53,840
Speaker 1: I walked out, and I was like, well, because they

218
00:12:53,840 --> 00:12:55,320
Speaker 1: were like, when now you gotta go pay the piper,

219
00:12:55,400 --> 00:12:57,439
Speaker 1: get your ass out there. You talked all this crap,

220
00:12:57,679 --> 00:12:58,959
Speaker 1: go out there, and I was like, first of all,

221
00:12:59,000 --> 00:13:01,360
Speaker 1: I was defending our show, but okay, So I went

222
00:13:01,360 --> 00:13:02,800
Speaker 1: out and I looked at her and I was like,

223
00:13:02,840 --> 00:13:04,319
Speaker 1: I gotta fight too if you want to come into

224
00:13:04,360 --> 00:13:06,959
Speaker 1: the studio. And she looked at me and started cracking

225
00:13:07,040 --> 00:13:09,760
Speaker 1: up laughing, and it was fine. We were good and

226
00:13:09,840 --> 00:13:11,880
Speaker 1: I had her come in and didn't that friend t

227
00:13:12,000 --> 00:13:13,720
Speaker 1: j who used to work here. Had he had with

228
00:13:13,720 --> 00:13:19,520
Speaker 1: with Chris Martin and Bruno Martin. He sent a couplet,

229
00:13:21,320 --> 00:13:25,600
Speaker 1: Oh and carry Underwood. What was the prison Chris Martin?

230
00:13:30,080 --> 00:13:36,360
Speaker 1: And yes, Chris Mark, are you okay with your music?

231
00:13:43,040 --> 00:13:47,200
Speaker 1: He is a gentleman. Yeah, that was That was the

232
00:13:47,920 --> 00:13:50,679
Speaker 1: Martin right, and then the brutal Mars didn't. He asked

233
00:13:50,720 --> 00:13:52,679
Speaker 1: him about what's it like getting all that? Ask No,

234
00:13:53,200 --> 00:13:56,240
Speaker 1: he was was it or was it the drugs thing?

235
00:13:56,440 --> 00:13:58,480
Speaker 1: He's like, oh, what's it like getting coked up in Vegas?

236
00:13:58,480 --> 00:14:03,199
Speaker 1: You guys must have drugs everywhere or something. Yeah, it

237
00:14:03,360 --> 00:14:05,680
Speaker 1: was the third one, just so he he upset Carrie

238
00:14:05,760 --> 00:14:09,439
Speaker 1: Underwood because she's a vegetarian and her husband's a hockey

239
00:14:09,480 --> 00:14:12,440
Speaker 1: player and he's not a vegetarian. And he said, she said,

240
00:14:12,559 --> 00:14:14,720
Speaker 1: he said to carry Underwood. So you ever like making

241
00:14:14,720 --> 00:14:16,080
Speaker 1: out with your husband, you can taste them meat. He

242
00:14:16,160 --> 00:14:22,480
Speaker 1: just ate these things sound funny though, like that people

243
00:14:22,560 --> 00:14:25,280
Speaker 1: get so upset about it up. And then he kept

244
00:14:25,320 --> 00:14:27,640
Speaker 1: asking pit Pole about something. Pitpole didn't want answers, like,

245
00:14:27,640 --> 00:14:29,760
Speaker 1: come on, you can tell me, Pitpole He's like, used

246
00:14:29,760 --> 00:14:31,760
Speaker 1: to sell drugs and he's like, I don't talk about that,

247
00:14:32,000 --> 00:14:34,360
Speaker 1: yes he does. His first album was all about right,

248
00:14:34,400 --> 00:14:35,960
Speaker 1: but now he doesn't want to talk about your teachers. Like,

249
00:14:36,000 --> 00:14:37,520
Speaker 1: come on man, you were like majorly you had all

250
00:14:37,560 --> 00:14:39,200
Speaker 1: these women, you were selling drugs? What was that like?

251
00:14:39,960 --> 00:14:42,960
Speaker 1: So I had to go so Bruno mars And and Pitpole.

252
00:14:42,960 --> 00:14:44,360
Speaker 1: I took him in the other room after the interview

253
00:14:44,400 --> 00:14:46,360
Speaker 1: to do I d S. Meaning hey, it's Pitpole. You're

254
00:14:46,360 --> 00:14:48,080
Speaker 1: listening up in the morning show. And the two of

255
00:14:48,120 --> 00:14:51,800
Speaker 1: them like what the funk was going on? Was that?

256
00:14:52,040 --> 00:14:54,480
Speaker 1: And people wouldn't read certain things because he don't do

257
00:14:54,560 --> 00:15:00,360
Speaker 1: cheesy shit. We have to do this again. There's something Yeah,

258
00:15:01,880 --> 00:15:10,560
Speaker 1: the fifteen minute morning show, you said, So a couple

259
00:15:10,680 --> 00:15:13,320
Speaker 1: from The Bachelor came in and Maddie had never seen

260
00:15:13,320 --> 00:15:14,080
Speaker 1: the show, so he didn't