WEBVTT - #276 - Tink

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<v Speaker 1>It's the bluele Cat Podcast bluele Cats Show Special guest

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<v Speaker 1>tink you very talented, Thank you, thank you so much

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<v Speaker 1>historically uh leveled talented person, Like the levels of talent

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<v Speaker 1>you possess is historic. Thank you. No, I really appreciate that. Yeah.

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<v Speaker 1>I think it's been dope to just kind of witness

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<v Speaker 1>like the last few years the run you've been going

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<v Speaker 1>on doing it independently. Yes, sir, I've been a fanny

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<v Speaker 1>for a very long time. So it's good to see you. No,

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<v Speaker 1>thank you. I mean a lot, Like you said, three

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<v Speaker 1>years i've been independent. It's a different vibe, different energy. Yeah, Like,

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<v Speaker 1>how do you because you've kind of been through the

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<v Speaker 1>ring or if you will, you've had like a long

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<v Speaker 1>journey throughout the music industry, right, You've been on the

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<v Speaker 1>major label side. You've been working with guys like Timbolin,

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<v Speaker 1>guys like this guy over here who has a bad

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<v Speaker 1>cigarette smoking problem. AKA. But like for you, like, how

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<v Speaker 1>how does it feel to kind of like have a

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<v Speaker 1>little bit more freedom now? And it feels like you're

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<v Speaker 1>doing a lot of stuff on your terms now. Yeah,

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<v Speaker 1>that's what makes it fun. To be honest, it feels

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<v Speaker 1>like I'm just being myself now. Yeah, when I was

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<v Speaker 1>first like in the industry or in the game, it

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<v Speaker 1>was a lot of labelheads over my situation. So you know,

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<v Speaker 1>I'm just getting back to myself and really you know,

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<v Speaker 1>being authentic again. Yeah. With the music, I'm able to

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<v Speaker 1>say what I want to say, you know, work with

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<v Speaker 1>who I want to work with. Yeah, it's just that freedom.

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<v Speaker 1>Yeah for you, Like I feel like when you first

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<v Speaker 1>came out, too, there was like kind of it was

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<v Speaker 1>kind of like a weird time to be like a

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<v Speaker 1>female artist who does like hip hop, slash, R and B.

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<v Speaker 1>You're kind of like a hybrid artist, right, And now

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<v Speaker 1>I just feel like it's all lining up for you.

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<v Speaker 1>How do you feel about just kind of the landscape

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<v Speaker 1>of music in twenty twenty three as opposed to when

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<v Speaker 1>you first came in. Obviously the industry's changed a lot.

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<v Speaker 1>You know, Yes, I feel like it's it's more accepted.

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<v Speaker 1>Like you say, back then, it was kind of I

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<v Speaker 1>was like the I don't want to say, the only

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<v Speaker 1>one doing it, but it was rare to hear like

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<v Speaker 1>a rapper. You might have been the only one doing it, right,

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<v Speaker 1>I hate to say it like that, but maybe she

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<v Speaker 1>was a female like Lauren Hill. Yeah, so like in

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<v Speaker 1>my generation, I was the only one doing it, so

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<v Speaker 1>it was you know, it was it took me a

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<v Speaker 1>minute to really you know, just put put it out there.

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<v Speaker 1>But now it's honestly, I feel like the game is

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<v Speaker 1>just more accepting. Yeah, you know, we got like artists

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<v Speaker 1>that are doing like rock and rap. You know, I

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<v Speaker 1>feel like the music, the genres are blending together more

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<v Speaker 1>and it's I think it's resulting in better music too, exactly.

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<v Speaker 1>People are free. Yeah, so yeah, I think, uh, you know,

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<v Speaker 1>I've always just done me. I've never really put a box,

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<v Speaker 1>put myself in a box, right, But yeah, it's working.

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<v Speaker 1>It's working out for sure. You've had some dope records too.

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<v Speaker 1>Thank you. I'm glad you brought up the rap. I

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<v Speaker 1>think people forget that I can really wrap. You could

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<v Speaker 1>rap rap? Yeah, I can really rap. I mean you've

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<v Speaker 1>been on your R and B tip like some real

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<v Speaker 1>ill R and B ship, but you're you can rap.

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<v Speaker 1>That's I mean, I don't. That's what got me as

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<v Speaker 1>a fan, was like, oh this call she could bar out,

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<v Speaker 1>but she also dish. But what's so crazy? Rap is

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<v Speaker 1>like so hard to really for me, it's really hard

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<v Speaker 1>to like kick down a door and rap right like

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<v Speaker 1>the female the female rappers. You know, it's just a

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<v Speaker 1>different ball game. I feel like R and B people

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<v Speaker 1>are more like receptive to my R and B songs.

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<v Speaker 1>When you first came out, what year was it like

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<v Speaker 1>on a major label? Twenty fifteen, So twenty fifteen. The

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<v Speaker 1>landscape of being a female rapper quote unquote, it's way different,

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<v Speaker 1>way different. It was really like Nikki Yep and then

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<v Speaker 1>Queen Nick and yeah, shout out to Nikki. And then

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<v Speaker 1>there was twenty fifteen. It wasn't a lot of female rappers. Daje,

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<v Speaker 1>daj Love, she was like twenty fourteen, you know, but yeah,

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<v Speaker 1>it was definitely tough because and it kind of there

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<v Speaker 1>was like this female renaissance if you will, around twenty

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<v Speaker 1>seventeen twenty eighteen, where it was like, and I look

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<v Speaker 1>at music currently, specifically hip hop, there's like a lack

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<v Speaker 1>of real records in rapper right now. Like if you

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<v Speaker 1>really think about like what has been the smash this

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<v Speaker 1>year that you go to the club and it's like automatic,

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<v Speaker 1>like there's ship to play, for sure, there's ship to play,

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<v Speaker 1>But the days I just there's not like like these

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<v Speaker 1>dudes ain't making anthems no more at all. Now Glorilla

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<v Speaker 1>is making a fucking anthem, you know what I'm saying.

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<v Speaker 1>I love like Megan's making real records, you know what

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<v Speaker 1>I mean? Shit Coiler Ray the Players record is a dope.

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<v Speaker 1>That's a hit. It's a hit, you know what I mean.

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<v Speaker 1>I just feel like dudes are just like kind of

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<v Speaker 1>like women are taking over. To be honest, I hear

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<v Speaker 1>more of the girls rapping than I do the guys,

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<v Speaker 1>and they're making just better songs absolutely, and we know

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<v Speaker 1>our audience too, like you know, women are speaking for women.

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<v Speaker 1>So yeah, you know, do you feel like you should

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<v Speaker 1>have got nominated for a Grammy? Uh? I don't want

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<v Speaker 1>to say that now. I think you know, I'm really

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<v Speaker 1>hard on myself. I'm a hard critic, So I got

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<v Speaker 1>a lot of work to put in still right, and

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<v Speaker 1>like I say, I'm really just getting my foot in

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<v Speaker 1>that door again. Yeah, so with time, and I don't

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<v Speaker 1>really make music to like be nominated nowhere. I feel like,

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<v Speaker 1>you know, if it happens to happen, happens, it happens,

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<v Speaker 1>and I'm grateful, but you know that's not like the

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<v Speaker 1>end all for sure. Like I said, so many artists

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<v Speaker 1>that never really got there. Yeah, got their Grammy or

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<v Speaker 1>got their awards, but I mean not barely. Just won

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<v Speaker 1>the Grammy last year and it was like twenty twenty

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<v Speaker 1>five years later after he's deserve Yeah, it's crazy. Yeah no,

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<v Speaker 1>So yeah, this new album is well, first of all,

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<v Speaker 1>explain the title. So my new album is called Thanks

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<v Speaker 1>for Nothing, and it's going to be released in February.

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<v Speaker 1>And I really wanted to make a project that was

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<v Speaker 1>like geared towards the women, of course, but Valentine's Day

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<v Speaker 1>is coming up, and you know me, I'm always speaking

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<v Speaker 1>for my ladies. Yep. I'm always talking about heartbreaks and

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<v Speaker 1>relationship issues, and that's like my So I was like,

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<v Speaker 1>it's perfect time. Thanks for Nothing, it's the album. Is

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<v Speaker 1>that what you tell like X, That's what I tell

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<v Speaker 1>my ex. Get you go through a breakup, it's like,

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<v Speaker 1>thanks for nothing, thanks for wasting my fucking wasting my time.

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<v Speaker 1>That's it, you know, thanks for nothing. Is that the

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<v Speaker 1>hardest part about going through a bad breakup where it's

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<v Speaker 1>like I just wasted like some prime real estate in

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<v Speaker 1>my life with this fucking guy. Of course, that's the

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<v Speaker 1>that's the worst part about it. You can't get time back,

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<v Speaker 1>but you can get lessons from it. True, that's the upside.

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<v Speaker 1>You know you always learn, Yeah, learn from everything. But

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<v Speaker 1>I like how you said that though. It's like, man,

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<v Speaker 1>it took my time and wasted it. That's true because

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<v Speaker 1>you're in your twenties early thirties, Like you're like, yo,

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<v Speaker 1>like this is the prime of my life. Yeah, don't

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<v Speaker 1>take that lightly, don't waste my exactly, and I'm twenty seven,

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<v Speaker 1>so like it is like that prime you know that age, right,

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<v Speaker 1>you know your Yeah, but you know we don't have

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<v Speaker 1>no more time to waste. So you and a mister

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<v Speaker 1>Berg a hit maker? How many times platinum? One hundred

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<v Speaker 1>millions of I mean, where are we at berg over there?

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<v Speaker 1>Excuse one hundred and twenty So nonchal disguis crazy, super talented,

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<v Speaker 1>got a ear for hit records. How you guys have

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<v Speaker 1>been working together for a while now. But in terms

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<v Speaker 1>of your guys is cohesion. It's almost like the R

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<v Speaker 1>and B version of like DJ Premier and Goou from

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<v Speaker 1>Gang Star, or like you guys are like very much

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<v Speaker 1>like in sync with each other and putting these records together.

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<v Speaker 1>Explain like your guys' relationship and the chemistry there. You

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<v Speaker 1>know what's really dope about us working together. Were both

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<v Speaker 1>from Chicago, Yes you are, yep. So when I when

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<v Speaker 1>I met hit Maker, it was very comfortable. You know,

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<v Speaker 1>like I'm an artist where I like to kind of

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<v Speaker 1>go on the studio alone and you know, I like

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<v Speaker 1>to just kind of be free and have the room

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<v Speaker 1>to myself. Right when he came in, it was easy

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<v Speaker 1>to work with him. I didn't feel like bombarded. It

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<v Speaker 1>wasn't like, you know, singing like this, do this. A

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<v Speaker 1>lot of producers are pushy, right, and it's not like that.

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<v Speaker 1>Why and he understands me too, Like we're from the shat,

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<v Speaker 1>so he get my lingo. You know, he understand my language.

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<v Speaker 1>So it just made it really easy. Yeah, I feel

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<v Speaker 1>like you guys, are any of your guys like because

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<v Speaker 1>he is? He did he did the whole album. Yeah,

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<v Speaker 1>the whole album. Executive produced the whole album. Wow. So

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<v Speaker 1>so that's major, you know what I mean? Like, like

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<v Speaker 1>you say, one hundred and twenty million, it's a long

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<v Speaker 1>a billion, close to a billion, thirteen billion streams. Yeah,

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<v Speaker 1>that's major. It's a lot, you know. Yeah, super slept

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<v Speaker 1>on guy over there sitting on the on the rug

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<v Speaker 1>over there. We need more chairs by the way, Sorry, guys,

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<v Speaker 1>it's the first day of the new place. We need

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<v Speaker 1>more chairs. It's obvious. Yeah, congrats, it's really nice. Yeah,

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<v Speaker 1>the front building is where it's at. But nah, we're here,

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<v Speaker 1>uh for you? Is there any features on this album?

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<v Speaker 1>So I have one feature, very very very special feature.

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<v Speaker 1>Should I give away the surprise? Guys? So Ti dollar

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<v Speaker 1>sign is on his album sign? Yes, listen, that's like

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<v Speaker 1>legendary for me. I really really, you know, just always

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<v Speaker 1>have been a great fan of Alien. That's hie. He's

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<v Speaker 1>just so good. He's just like he's like a cheat code.

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<v Speaker 1>For sure. It's a cheat cheat code, but on our record,

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<v Speaker 1>we're going back and forth, so it's a real real record.

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<v Speaker 1>Did you ever think that Tye and Berg look like

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<v Speaker 1>they could be kin to each other in some capacity?

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<v Speaker 1>Like if grew out dreadlocks, like it's the eyes, he

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<v Speaker 1>might be able to have a second career as a

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<v Speaker 1>title sie stand in You know what I mean? You've

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<v Speaker 1>heard that before? Burg or am I being? Am I

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<v Speaker 1>being like ten percent racist? Right now? Like? Yo? For sure?

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<v Speaker 1>The iced tea thing? Okay, Yeah, yeah, iced t no

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<v Speaker 1>iced tea son. No, he is iced tea son. That's

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<v Speaker 1>Iceberg right there, for sure. There it is. What's up, guys, Hey,

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<v Speaker 1>Let's get back to the interview. Uh for you give

0:13:12.080 --> 0:13:18.000
<v Speaker 1>me your R and B Mount Rushmore? Oh, Beyonce Okay?

0:13:19.800 --> 0:13:25.440
<v Speaker 1>Mary J. Blige Okay, Laurie Hill m h m hm,

0:13:28.080 --> 0:13:33.839
<v Speaker 1>love me some scissor. Yes, all females on the Mount Rushmore. Yeah,

0:13:34.080 --> 0:13:36.560
<v Speaker 1>yeah for sure. Not the other guy from Chicago who's

0:13:36.559 --> 0:13:38.800
<v Speaker 1>a legend, but you know, not the best person. Who's

0:13:38.840 --> 0:13:45.800
<v Speaker 1>that Robert Kelly? You say his name? Now? I gotta

0:13:45.840 --> 0:13:47.720
<v Speaker 1>rus for the ladies. I feel like that's why I

0:13:47.760 --> 0:13:50.600
<v Speaker 1>really lean on. I want to credible. You love so os.

0:13:50.679 --> 0:13:53.120
<v Speaker 1>That's a great album. Yes, yeah, she did her ship,

0:13:53.200 --> 0:13:55.680
<v Speaker 1>you know, and says is like a pioneer. She's like

0:13:55.760 --> 0:14:00.400
<v Speaker 1>in her own laying her own world. Yeah. So yeah,

0:14:00.440 --> 0:14:02.439
<v Speaker 1>she inspired me a lot. You know what it is too,

0:14:02.440 --> 0:14:04.840
<v Speaker 1>It's like, you know, you're an amazing female R and

0:14:04.880 --> 0:14:07.520
<v Speaker 1>B artist when you can get like a dude to

0:14:07.640 --> 0:14:10.520
<v Speaker 1>like appreciate and this is true because you're you're you're

0:14:10.520 --> 0:14:12.920
<v Speaker 1>the same type of artists where you can like because

0:14:12.920 --> 0:14:14.800
<v Speaker 1>there's a lot of female R and B for me

0:14:14.960 --> 0:14:18.199
<v Speaker 1>that like, well, this is not I can't relate to this.

0:14:18.640 --> 0:14:22.960
<v Speaker 1>It's like, you know, I'm not a scorned woman. But

0:14:23.000 --> 0:14:24.640
<v Speaker 1>then when I be hearing your ship or I'll be

0:14:24.640 --> 0:14:27.320
<v Speaker 1>hearing scissors shit, I'm just in like yeah, and that's

0:14:27.400 --> 0:14:29.920
<v Speaker 1>that's the beauty of it. But what's so crazy? I

0:14:29.920 --> 0:14:32.400
<v Speaker 1>feel like a lot of guys are they get like

0:14:32.520 --> 0:14:35.240
<v Speaker 1>upset behind my music because I kind of keep it

0:14:35.240 --> 0:14:37.440
<v Speaker 1>too real and too honest. So I'm glad to have

0:14:37.560 --> 0:14:40.400
<v Speaker 1>your support, you know what I mean As a guy, Yeah,

0:14:40.600 --> 0:14:42.400
<v Speaker 1>a lot of guys I see it all the time,

0:14:42.520 --> 0:14:44.840
<v Speaker 1>like man, you know, my lady's mad at me because

0:14:44.840 --> 0:14:47.120
<v Speaker 1>of you, or you got me in trouble. You know

0:14:47.320 --> 0:14:49.400
<v Speaker 1>I would, okay, give me like a song lyric that

0:14:49.480 --> 0:14:51.320
<v Speaker 1>might've got a guy in trouble that Dave got a

0:14:51.360 --> 0:14:56.640
<v Speaker 1>record don't tell nobody with Jeremiah. So that's like dropped

0:14:56.680 --> 0:15:00.320
<v Speaker 1>it a long time ago, but to this day goes crazy,

0:15:00.560 --> 0:15:03.720
<v Speaker 1>like way the guy is cheating keeping on the DL ship.

0:15:03.800 --> 0:15:05.360
<v Speaker 1>You tell you with the bros and you out with

0:15:05.400 --> 0:15:07.360
<v Speaker 1>a bitch. Oh yeah, say you're at the crib and

0:15:07.400 --> 0:15:10.080
<v Speaker 1>you leaving her place, pull up to the crib nigga

0:15:10.120 --> 0:15:13.120
<v Speaker 1>line my face. Wow. So just real ship like that.

0:15:13.240 --> 0:15:15.680
<v Speaker 1>I I love to come round and like same way

0:15:15.720 --> 0:15:18.280
<v Speaker 1>the guys rapping like they drop bombs and shit. That's

0:15:18.280 --> 0:15:21.040
<v Speaker 1>how I'm coming for the women. I love it. So yeah,

0:15:21.240 --> 0:15:27.360
<v Speaker 1>I'm glad to have some support from the males. Might

0:15:27.400 --> 0:15:31.120
<v Speaker 1>have forgot about. Oh shit, how could I overlook? So

0:15:31.160 --> 0:15:33.920
<v Speaker 1>the last record we just wrapped it. That's why there's

0:15:33.960 --> 0:15:39.360
<v Speaker 1>another feature with Young Blue and it's called Stingy. Amazing record.

0:15:39.880 --> 0:15:42.680
<v Speaker 1>You know, working with Blue is so, you know, so easy.

0:15:42.760 --> 0:15:47.400
<v Speaker 1>He's got a super dope tone too, very unique. Come on,

0:15:48.000 --> 0:15:50.360
<v Speaker 1>So Stingy is dropping really soon. It's gonna be on

0:15:50.520 --> 0:15:53.880
<v Speaker 1>radio as well, produced by your maker and it's a vibe.

0:15:53.920 --> 0:15:55.640
<v Speaker 1>You know. Were you guys in the studio together for

0:15:55.680 --> 0:15:59.640
<v Speaker 1>that one, No, we weren't. He actually uh sent it

0:15:59.680 --> 0:16:02.320
<v Speaker 1>to me and we kind of just went back and

0:16:02.360 --> 0:16:04.760
<v Speaker 1>forth with it until it was right for you. Like,

0:16:04.840 --> 0:16:08.880
<v Speaker 1>what is your like writing process? Because obviously being able

0:16:08.880 --> 0:16:11.920
<v Speaker 1>to rap, being able to like do the lyrical shit,

0:16:12.600 --> 0:16:15.080
<v Speaker 1>but also being able to like write songs, like, are

0:16:15.120 --> 0:16:17.280
<v Speaker 1>you open to input, like when it comes to like

0:16:17.640 --> 0:16:19.960
<v Speaker 1>top lines or hooks or shit like that, because obviously

0:16:20.200 --> 0:16:23.320
<v Speaker 1>you're in the studio with Berg. Berg is obviously a

0:16:23.360 --> 0:16:27.440
<v Speaker 1>great songwriter. Yeah, because I'm open now. I used to

0:16:27.480 --> 0:16:30.720
<v Speaker 1>be really really like, you know, I kept my music

0:16:30.720 --> 0:16:33.360
<v Speaker 1>really to myself. I'd write it at home and go

0:16:33.400 --> 0:16:35.920
<v Speaker 1>to the studio cut it by myself. You know, nobody

0:16:35.960 --> 0:16:38.480
<v Speaker 1>would hear my shit until it kind of was about

0:16:38.480 --> 0:16:41.120
<v Speaker 1>to release. But now working with it, he kind of

0:16:41.160 --> 0:16:44.440
<v Speaker 1>introduced me to working with other writers. You know, He'll

0:16:44.520 --> 0:16:46.920
<v Speaker 1>he'll have the studio open and it'll be like ten

0:16:46.960 --> 0:16:50.240
<v Speaker 1>people in the booth at once. So I think it's

0:16:50.280 --> 0:16:54.840
<v Speaker 1>good in the industry. Honestly, everybody's taking taking you know. Yeah,

0:16:55.400 --> 0:16:58.440
<v Speaker 1>if you've been in like an actual studio session, you

0:16:58.560 --> 0:17:00.320
<v Speaker 1>kind of know what it is. It's like it's like

0:17:00.320 --> 0:17:03.760
<v Speaker 1>a bunch of it's just a free flowing flow of ideas. Yeah,

0:17:03.800 --> 0:17:05.639
<v Speaker 1>and we get a lot of shit done quicker. Like

0:17:05.720 --> 0:17:08.480
<v Speaker 1>it could be the engineer given ideas to exactly and

0:17:08.880 --> 0:17:10.879
<v Speaker 1>for some reason they never get any credit. Shout out

0:17:10.920 --> 0:17:13.040
<v Speaker 1>to the engineers, yeah, shout out to source. You know,

0:17:14.040 --> 0:17:18.560
<v Speaker 1>sources engineering my last album. So we've been working really

0:17:18.560 --> 0:17:24.200
<v Speaker 1>really hard. But yeah, everybody has like a input into

0:17:24.280 --> 0:17:26.919
<v Speaker 1>the ship now, so you know we're coming harder. What

0:17:27.040 --> 0:17:30.760
<v Speaker 1>is uh? So the Grammys just got wrapped up? Uh

0:17:32.720 --> 0:17:35.879
<v Speaker 1>Harry Styles when I'm in here. But for you, what

0:17:35.960 --> 0:17:38.200
<v Speaker 1>was your favorite album? Okay? I don't even want to

0:17:38.240 --> 0:17:40.440
<v Speaker 1>go Grammy cycle because it's a little confusing to remember

0:17:40.480 --> 0:17:42.800
<v Speaker 1>what came out from September to September. But what was

0:17:42.840 --> 0:17:46.320
<v Speaker 1>your favorite album last year? My favorite album last year?

0:17:46.400 --> 0:17:49.560
<v Speaker 1>I like underground like artists, not even underground, but like

0:17:49.600 --> 0:17:53.040
<v Speaker 1>Brent Fire's. Brent Fire's album is crazy toxic. I played

0:17:53.040 --> 0:17:56.640
<v Speaker 1>that ship out, very toxic, toxic album. I love it, Yes,

0:17:57.359 --> 0:18:00.239
<v Speaker 1>So for me that was my top album, you know,

0:18:01.320 --> 0:18:03.440
<v Speaker 1>and I don't mean to say underground, but I love

0:18:03.600 --> 0:18:06.159
<v Speaker 1>like you know, people that aren't may not be on

0:18:06.200 --> 0:18:09.840
<v Speaker 1>a radio twenty four to seven, so those are He's

0:18:09.880 --> 0:18:12.960
<v Speaker 1>a beast. His band is crazy too, super crazy paining.

0:18:12.960 --> 0:18:19.560
<v Speaker 1>What about on the hip hop side? Hip hop side? Man,

0:18:19.720 --> 0:18:22.399
<v Speaker 1>it might have been a light year for REP. I

0:18:22.400 --> 0:18:24.680
<v Speaker 1>mean there was some good ship. There was like a

0:18:25.320 --> 0:18:29.359
<v Speaker 1>Kendrick Pusher te okay, okay, okay, what else was dope Blast?

0:18:29.440 --> 0:18:33.640
<v Speaker 1>Year Future Okay, future, damn near R and B artist

0:18:33.680 --> 0:18:35.560
<v Speaker 1>now like wait for You, It is like a brilliant

0:18:35.640 --> 0:18:39.000
<v Speaker 1>R and B record. I feel you, But yeah, I'm

0:18:39.000 --> 0:18:40.359
<v Speaker 1>still locked in with R and B. I guess I

0:18:40.400 --> 0:18:42.639
<v Speaker 1>didn't really turn into much much better on that R

0:18:42.680 --> 0:18:46.120
<v Speaker 1>and B shit. Yeah, I've been going through it. So Okay,

0:18:46.200 --> 0:18:48.280
<v Speaker 1>the guy who won Best R and B Album that

0:18:48.680 --> 0:18:51.040
<v Speaker 1>Chris Brown did not know who he was? Did you

0:18:51.280 --> 0:18:53.760
<v Speaker 1>know who he was? I didn't know who he was

0:18:53.840 --> 0:18:59.560
<v Speaker 1>at all? Okay, but you know, did you some someone knows?

0:18:59.600 --> 0:19:03.080
<v Speaker 1>Though some one knows. Yeah, but I do feel like

0:19:03.200 --> 0:19:08.680
<v Speaker 1>Chris deserved he deserves Listen. I think Chris Brown is

0:19:09.280 --> 0:19:13.800
<v Speaker 1>probably him or Jamie Fox in terms of just talent

0:19:13.880 --> 0:19:17.880
<v Speaker 1>in one body, the most talented motherfuckers in the world,

0:19:18.880 --> 0:19:21.080
<v Speaker 1>because like, Chris Brown can dance, he can sing, he

0:19:21.160 --> 0:19:25.360
<v Speaker 1>can pay an entertainer, he could fucking uh, he could

0:19:25.359 --> 0:19:27.840
<v Speaker 1>play basketball. I just mean talent, I'm not even tomorrow,

0:19:28.119 --> 0:19:30.640
<v Speaker 1>just everything. And then you got Jamie Fox. You could

0:19:30.640 --> 0:19:32.960
<v Speaker 1>do stand up, he can act, he can that's crazy.

0:19:33.040 --> 0:19:35.000
<v Speaker 1>He is a comedian as well. Those two are like

0:19:35.320 --> 0:19:37.639
<v Speaker 1>the two unicorns. If we're just talking about raw talent,

0:19:38.560 --> 0:19:41.280
<v Speaker 1>Chris Brown's like I feel like I feel like sometimes

0:19:41.320 --> 0:19:44.280
<v Speaker 1>we don't appreciate Chris enough. Absolutely, I do feel like

0:19:44.359 --> 0:19:48.360
<v Speaker 1>he's like the closest we have to Mike. He's our Mike.

0:19:48.520 --> 0:19:51.920
<v Speaker 1>He's our Mike for sure. So yeah, to see somebody

0:19:51.960 --> 0:19:54.399
<v Speaker 1>else win like that, it did break break our hearts.

0:19:54.440 --> 0:19:56.600
<v Speaker 1>You know, I felt I felt Chris on it because

0:19:57.040 --> 0:19:59.639
<v Speaker 1>Chris Brown's almost hard it was. I mean, look, I

0:19:59.680 --> 0:20:01.359
<v Speaker 1>don't even like the other guy. I didn't listen to

0:20:01.400 --> 0:20:03.800
<v Speaker 1>his album, so it could be better. And that's the thing.

0:20:03.840 --> 0:20:06.200
<v Speaker 1>I hadn't heard of it. I didn't listen to Harry

0:20:06.200 --> 0:20:08.080
<v Speaker 1>Style's album. That's lot of Grammys. You know, we gotta

0:20:08.119 --> 0:20:12.399
<v Speaker 1>be careful giving, you know, give any award shows too much. Well,

0:20:12.440 --> 0:20:14.520
<v Speaker 1>you know what they did this year. They realized nobody

0:20:14.640 --> 0:20:17.200
<v Speaker 1>was watching, so they just made that ship hip hop

0:20:17.320 --> 0:20:20.439
<v Speaker 1>as fuck, right. I heard they had a hip hop tribute.

0:20:20.760 --> 0:20:23.120
<v Speaker 1>It was not just that, it was like the whole

0:20:23.160 --> 0:20:26.000
<v Speaker 1>show ended with like jay Z wrapping out of the

0:20:26.119 --> 0:20:30.680
<v Speaker 1>Last Supper when DJ Khalad and Little Baby did freestyle

0:20:30.760 --> 0:20:33.840
<v Speaker 1>at the Grammys. This is amazing. It was amazing. Well,

0:20:33.880 --> 0:20:35.640
<v Speaker 1>I'm glad to hear that. Though we do need more,

0:20:36.480 --> 0:20:39.400
<v Speaker 1>you know, just more involvement. I don't want to suck

0:20:39.440 --> 0:20:41.000
<v Speaker 1>up his name. I think it's Jesse Collins, the guy

0:20:41.040 --> 0:20:43.480
<v Speaker 1>who produced the Grammys, but he's the guy who always

0:20:43.480 --> 0:20:45.080
<v Speaker 1>does to be who's been doing the BT wars the

0:20:45.160 --> 0:20:46.560
<v Speaker 1>last few years. So they had to kind of tap

0:20:46.600 --> 0:20:49.040
<v Speaker 1>in because and then people were talking about the Grammys

0:20:49.359 --> 0:20:52.040
<v Speaker 1>in a positive way this year. Yeah, but that's the thing,

0:20:52.119 --> 0:20:55.199
<v Speaker 1>you know. Rap really influences everything. So you know, if

0:20:55.240 --> 0:20:57.640
<v Speaker 1>you want people to tune in, you gotta you gotta

0:20:57.680 --> 0:21:00.640
<v Speaker 1>balance it out. Yeah, for sure. Have you been able

0:21:00.720 --> 0:21:03.000
<v Speaker 1>to link with like someone like Scizzy who you're a

0:21:03.080 --> 0:21:04.840
<v Speaker 1>fan of, or like any of the other any of

0:21:04.920 --> 0:21:06.719
<v Speaker 1>your you know, because there's a lot of people who

0:21:06.760 --> 0:21:09.040
<v Speaker 1>are doing their thing that have come out kind of

0:21:09.119 --> 0:21:11.800
<v Speaker 1>after you, like a girl like Doja cad or Sure.

0:21:12.119 --> 0:21:14.960
<v Speaker 1>You know. So Miya says that we haven't met, but

0:21:15.080 --> 0:21:17.920
<v Speaker 1>she always shows love on like socials and yeah, she's

0:21:18.000 --> 0:21:21.600
<v Speaker 1>always supporting you know when I drop, So it's love there.

0:21:21.640 --> 0:21:23.760
<v Speaker 1>I can't wait to run into her. Yeah, you know,

0:21:24.200 --> 0:21:26.800
<v Speaker 1>so I can, like, you know, since we gotta go

0:21:26.880 --> 0:21:30.560
<v Speaker 1>to the studio, got to got to that'd be legendary. Yeah,

0:21:30.640 --> 0:21:33.080
<v Speaker 1>that's not a dream. Collapse is a you know she's Pioneer.

0:21:33.240 --> 0:21:36.080
<v Speaker 1>What's up, y'all, bootlet keV here. Hey look my bookie. Man,

0:21:36.400 --> 0:21:39.280
<v Speaker 1>it's a big weekend in sports. The big game is

0:21:39.440 --> 0:21:43.280
<v Speaker 1>Sunday Chiefs versus Eagles. I'm all in on the Eagles.

0:21:44.280 --> 0:21:47.360
<v Speaker 1>I like Jalen Hurts, over on the passing yards, over

0:21:47.440 --> 0:21:50.440
<v Speaker 1>on the rushing yards. Anytime touchdown score, give me Dallas Goddter.

0:21:50.480 --> 0:21:55.160
<v Speaker 1>Anytime touchdown score, give me the over. And if anyone

0:21:55.240 --> 0:21:56.639
<v Speaker 1>on the Chiefs is going to score, I like that

0:21:56.720 --> 0:21:58.760
<v Speaker 1>Pacheco kid. I like the little running back guy. And

0:21:58.840 --> 0:22:01.200
<v Speaker 1>of course you got to hand or Travis Kelce anytime

0:22:01.280 --> 0:22:03.240
<v Speaker 1>touchdown score. You could do all that at my bookie

0:22:03.359 --> 0:22:05.480
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0:22:05.840 --> 0:22:08.159
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0:22:46.040 --> 0:22:47.520
<v Speaker 1>it's a big weekend. Also, I just wanted to like

0:22:47.560 --> 0:22:49.800
<v Speaker 1>to point out everyone should be putting some of that money,

0:22:50.000 --> 0:22:52.200
<v Speaker 1>sprinkling a little bit of that action on the Phoenix

0:22:52.200 --> 0:22:53.840
<v Speaker 1>Suns to win the championship this year because we have

0:22:53.960 --> 0:22:57.679
<v Speaker 1>Kevin Durant. Oh yeah, oh yeah, my bookie sign up

0:22:57.680 --> 0:23:00.239
<v Speaker 1>with that promo code Bootleg. Also shout out to our

0:23:00.280 --> 0:23:04.520
<v Speaker 1>family at Hardean Hardean, Las Vegas. Yes, you see him.

0:23:05.320 --> 0:23:08.159
<v Speaker 1>I was just there in Vegas yesterday. This is the

0:23:08.240 --> 0:23:12.200
<v Speaker 1>best place I've ever been to in terms of dispensaries.

0:23:12.200 --> 0:23:15.040
<v Speaker 1>I've been to probably hundreds of these things, and the

0:23:15.200 --> 0:23:20.240
<v Speaker 1>experience at Hardan is like nowhere else. The customer service,

0:23:20.760 --> 0:23:24.160
<v Speaker 1>the selection of premium cannabis, the experience as a customer

0:23:24.200 --> 0:23:26.399
<v Speaker 1>that you get when you walk into the building in

0:23:26.520 --> 0:23:29.959
<v Speaker 1>Las Vegas is bar none the best. It's just the best, man,

0:23:30.040 --> 0:23:32.200
<v Speaker 1>they are the best. We got so much going on

0:23:32.359 --> 0:23:35.080
<v Speaker 1>this weekend. They're sponsoring the Rolling Stone Party on Friday,

0:23:35.119 --> 0:23:40.240
<v Speaker 1>Super Bowl Weekend, Fabulous Thursday, Offset Friday, Meek Saturday. It's

0:23:40.280 --> 0:23:42.200
<v Speaker 1>a lot going on with hard Dean. You gotta follow

0:23:42.240 --> 0:23:45.439
<v Speaker 1>him at Hardean Underscore Las Vegas right now. Shoot them

0:23:45.480 --> 0:23:47.639
<v Speaker 1>a follow on Instagram while you're at it, Go to

0:23:47.680 --> 0:23:50.560
<v Speaker 1>the website at Hardeinlasvegas dot com. So much fly gear,

0:23:51.040 --> 0:23:53.920
<v Speaker 1>so much flyweed. What are we talking about? Baby? Shout

0:23:53.960 --> 0:23:56.320
<v Speaker 1>out to Hardean. Man, that's the family. Man. Go if

0:23:56.320 --> 0:23:59.600
<v Speaker 1>you're in Vegas, pull up on them man, Hardean, Las Vegas. Yeah,

0:23:59.680 --> 0:24:03.119
<v Speaker 1>how do you feel about because obviously Chicago has is

0:24:03.240 --> 0:24:07.480
<v Speaker 1>probably man Chicago. If we just think about like the

0:24:07.600 --> 0:24:09.640
<v Speaker 1>history of hip hop that's come out of Chicago, it's

0:24:09.800 --> 0:24:12.640
<v Speaker 1>very diverse. It's vast, I mean, in my opinion. Yeah,

0:24:13.280 --> 0:24:16.320
<v Speaker 1>you know, Kanye's probably got the best discography ever. And

0:24:16.400 --> 0:24:18.040
<v Speaker 1>then you got like the new shit, which is like

0:24:18.480 --> 0:24:21.200
<v Speaker 1>you know, obviously shout out to Dirk and those guys,

0:24:21.320 --> 0:24:24.440
<v Speaker 1>Polo Gi everybody, but like is there anybody in Chicago

0:24:24.560 --> 0:24:27.360
<v Speaker 1>that you're you're checking for that maybe we haven't heard

0:24:27.359 --> 0:24:30.920
<v Speaker 1>of yet. Ah, that's a great question. You know, we

0:24:31.040 --> 0:24:33.080
<v Speaker 1>have a few singers that are really doing that thing.

0:24:34.400 --> 0:24:38.760
<v Speaker 1>John Doe is dope. There's a singer Santa and Marie.

0:24:41.119 --> 0:24:43.760
<v Speaker 1>But you know what, we really had our big run

0:24:43.880 --> 0:24:47.719
<v Speaker 1>in like twenty twelve when Keith and We're going crazy.

0:24:47.920 --> 0:24:50.479
<v Speaker 1>It was it was just different for all of us.

0:24:52.160 --> 0:24:54.520
<v Speaker 1>But yeah, Chicago, we've got very talented. I think we

0:24:54.600 --> 0:24:56.359
<v Speaker 1>get a lot of flat because like the violence and

0:24:56.400 --> 0:25:00.880
<v Speaker 1>shit or like you know, just because our nature. But yeah,

0:25:00.880 --> 0:25:02.840
<v Speaker 1>I mean listen a lot. I mean you know that

0:25:03.040 --> 0:25:04.600
<v Speaker 1>is that there is something to be said that we

0:25:04.880 --> 0:25:07.320
<v Speaker 1>think at Chicago's it goes straight to you know, the

0:25:07.400 --> 0:25:12.240
<v Speaker 1>shootings and killings. Yeah, sometimes I think that over overrides

0:25:12.359 --> 0:25:15.520
<v Speaker 1>like you know, talented sh we got going also just

0:25:15.560 --> 0:25:17.520
<v Speaker 1>the city in general, because like I know, it's not

0:25:17.720 --> 0:25:19.879
<v Speaker 1>like like I think when a lot of people think

0:25:19.920 --> 0:25:23.920
<v Speaker 1>of Chicago, they think it's like bad everywhere, and it's

0:25:24.000 --> 0:25:27.840
<v Speaker 1>like a great city, just a great city. And then

0:25:27.920 --> 0:25:29.600
<v Speaker 1>on top of that though, like you know, people coming

0:25:29.640 --> 0:25:32.280
<v Speaker 1>out of Chicago, we aren't evil people or you know,

0:25:32.720 --> 0:25:34.720
<v Speaker 1>we got great. You know, we do great things in

0:25:34.760 --> 0:25:36.480
<v Speaker 1>the city as well. How do you deal with like

0:25:36.600 --> 0:25:38.520
<v Speaker 1>nine degree weather? I'm just curious, like, what do you do?

0:25:38.680 --> 0:25:40.720
<v Speaker 1>Do you just stay inside? O? Yeah? We got like

0:25:41.040 --> 0:25:43.080
<v Speaker 1>you have to layer up. I can't tell you how

0:25:43.119 --> 0:25:47.720
<v Speaker 1>many coats and scarves and ship like that I have. Crazy,

0:25:47.840 --> 0:25:50.920
<v Speaker 1>would you like I just wouldn't leave. I'm uber eating

0:25:51.000 --> 0:25:55.480
<v Speaker 1>everything exactly, Ober eas deliver everything. No, But for me though,

0:25:55.480 --> 0:25:58.480
<v Speaker 1>I think you know, we're used to it, Like we

0:25:58.560 --> 0:26:00.320
<v Speaker 1>grew up in and we walked to school and cold

0:26:00.480 --> 0:26:04.240
<v Speaker 1>like that. So Jesus, I guess it's like accustomed to

0:26:04.320 --> 0:26:08.159
<v Speaker 1>it now. Yeah. Okay, we talked about your Mount Rushmore

0:26:08.280 --> 0:26:12.160
<v Speaker 1>R and B. What about a shy town. Oh that's good.

0:26:13.840 --> 0:26:22.600
<v Speaker 1>We gotta have yeah, of course, jesus. Mm hmm. That's

0:26:22.680 --> 0:26:24.960
<v Speaker 1>deep because we got like all like classical rappers, but

0:26:25.040 --> 0:26:28.040
<v Speaker 1>then we also got like the new generation. Like there's

0:26:28.040 --> 0:26:30.520
<v Speaker 1>two spots that should not be disputed. It should be

0:26:30.600 --> 0:26:33.240
<v Speaker 1>Kanye in Chief Keith. Keith has to be because I

0:26:33.280 --> 0:26:35.280
<v Speaker 1>think Chief Keep is one of the most influential artists

0:26:35.600 --> 0:26:40.480
<v Speaker 1>him both of them, but Derkio is also going crazy exactly.

0:26:40.840 --> 0:26:43.200
<v Speaker 1>It's so hard. You know, we got different vibes like

0:26:43.640 --> 0:26:46.000
<v Speaker 1>everybody is a goat in their own right. And that's

0:26:46.040 --> 0:26:50.120
<v Speaker 1>the thing about Chicago. Fill out too much. No, it's okay.

0:26:50.240 --> 0:26:53.879
<v Speaker 1>We got Kanye and I would have to put comedy

0:26:53.880 --> 0:26:56.960
<v Speaker 1>in like lyrics. Lyrically, one of the greatest MC's to

0:26:57.000 --> 0:26:59.320
<v Speaker 1>ever live is okay, Chief Keeth. So we got three

0:27:00.040 --> 0:27:04.280
<v Speaker 1>and it is one more. Can I get a spot

0:27:04.359 --> 0:27:07.800
<v Speaker 1>on the mountain, you know for the ladies ship? Yeah,

0:27:07.840 --> 0:27:09.919
<v Speaker 1>I'm gonna go up to Hey, shout out to Chicago

0:27:10.520 --> 0:27:14.200
<v Speaker 1>amazing female artists too. Shout out to Shauna. Shauna, Come on, No,

0:27:14.320 --> 0:27:17.920
<v Speaker 1>that's big sis. What's so crazy? Man? Life is just

0:27:18.080 --> 0:27:24.040
<v Speaker 1>like crazy had a relationship too? Oh really Yeah, I

0:27:24.080 --> 0:27:27.560
<v Speaker 1>feel like they grew up next to each other neighbors. Yeah,

0:27:27.600 --> 0:27:30.119
<v Speaker 1>so that's big sys to me as well. So shout

0:27:30.160 --> 0:27:33.159
<v Speaker 1>out to Shauna. Dreezy is from Chicago. Yeah, you know,

0:27:33.320 --> 0:27:36.880
<v Speaker 1>another dope rapper and she's hard how hip boys fire?

0:27:37.359 --> 0:27:39.920
<v Speaker 1>Hey girl, that's my point. You know, we got a

0:27:40.000 --> 0:27:43.640
<v Speaker 1>lot of talent for sure. Chicago's want to do you? Yo? Listen,

0:27:43.720 --> 0:27:48.320
<v Speaker 1>do you remember crucial conflict I do of course? Or

0:27:48.400 --> 0:27:53.480
<v Speaker 1>do do or die? Do or die? Twist man speeding

0:27:53.520 --> 0:27:58.240
<v Speaker 1>up mobsters Twister was a for a second in my life,

0:27:58.480 --> 0:28:03.960
<v Speaker 1>Twist and Do or Die was like that Heads or

0:28:04.000 --> 0:28:05.600
<v Speaker 1>Tails album, or there was an album or the penny

0:28:05.680 --> 0:28:10.000
<v Speaker 1>on it. Oh my god, fucking perfect album. Damn. And

0:28:10.040 --> 0:28:12.440
<v Speaker 1>then crucial conflict was beefing with bum Thugs and Harmony

0:28:12.480 --> 0:28:14.400
<v Speaker 1>about who was doing the sing song of fast rap

0:28:14.480 --> 0:28:19.480
<v Speaker 1>first Yeah, good times man, the Midwest Rap beef Cleveland, Verus, Chicago.

0:28:21.240 --> 0:28:24.520
<v Speaker 1>I'm old as you can tell. I see well. Listen

0:28:24.880 --> 0:28:29.600
<v Speaker 1>the new album Thanks for Nothing, Thanks for Nothing, February

0:28:29.680 --> 0:28:33.159
<v Speaker 1>twenty fourth. It's amazing, you know what I mean. Like

0:28:33.400 --> 0:28:35.480
<v Speaker 1>I'm coming for the ladies. That's all I do. So

0:28:38.240 --> 0:28:41.400
<v Speaker 1>give some ladies out there. You've been through I'm sure

0:28:41.400 --> 0:28:46.040
<v Speaker 1>you've been through heartbreaking your life. Give me your advice

0:28:46.160 --> 0:28:49.239
<v Speaker 1>to anyone listening that's going through a bad breakup. Yo,

0:28:49.440 --> 0:28:52.040
<v Speaker 1>my advice to anyone listening, if you're going through a

0:28:52.120 --> 0:28:56.240
<v Speaker 1>bad breakup, I want you to know that it is

0:28:56.320 --> 0:28:58.920
<v Speaker 1>not the end of the world. Life goes on and

0:28:59.040 --> 0:29:01.520
<v Speaker 1>life gets better. Hm. You know what I mean? Keep

0:29:01.560 --> 0:29:03.800
<v Speaker 1>your head up and you deprized, you know, don't forget

0:29:03.840 --> 0:29:06.960
<v Speaker 1>that part. Never forget that part. Mm you ever kid

0:29:06.960 --> 0:29:10.520
<v Speaker 1>a guy's car I have kiv. I hate to admit that.

0:29:11.320 --> 0:29:13.880
<v Speaker 1>I hate to admit it. I key guards I in

0:29:14.000 --> 0:29:17.200
<v Speaker 1>the past, when I was younger, I cut a couple

0:29:17.240 --> 0:29:21.680
<v Speaker 1>of tires, turp some clothes. I haven't torn clothes, but

0:29:22.320 --> 0:29:24.200
<v Speaker 1>I did get get at the car. You got at

0:29:24.240 --> 0:29:26.480
<v Speaker 1>the car? Did you break the window? No? I didn't

0:29:26.520 --> 0:29:29.120
<v Speaker 1>break the window. But I put him on a flat Damn.

0:29:29.440 --> 0:29:31.120
<v Speaker 1>What do you do like? You just get a knife

0:29:31.120 --> 0:29:34.320
<v Speaker 1>and just you know, yeah, it was a knife. Wow.

0:29:34.960 --> 0:29:37.800
<v Speaker 1>And his car was in the drive. And then I

0:29:38.080 --> 0:29:41.000
<v Speaker 1>caught him cheating. You know what, I did catch him cheating.

0:29:41.080 --> 0:29:44.760
<v Speaker 1>I actually caught him through his iPad, so you know

0:29:46.600 --> 0:29:49.080
<v Speaker 1>exactly his eye his messages went to his eye cloud

0:29:49.160 --> 0:29:51.200
<v Speaker 1>and wow, so he didn't even know. He left the

0:29:51.200 --> 0:29:53.040
<v Speaker 1>iPad back at the crib thinking he was out here,

0:29:53.640 --> 0:29:58.280
<v Speaker 1>and and I went through every message. Wow, yeah, fuck

0:29:58.360 --> 0:30:01.800
<v Speaker 1>his tires up. Yeah. I regret that. Though I'm really

0:30:01.880 --> 0:30:04.200
<v Speaker 1>a change person, A lot of people don't know that

0:30:04.360 --> 0:30:08.160
<v Speaker 1>I've changed so much, so much growth. I interviewed Gorilla

0:30:08.280 --> 0:30:10.600
<v Speaker 1>and she said that she caught her man cheating and

0:30:10.720 --> 0:30:13.400
<v Speaker 1>she snug a gun at the club and she was

0:30:13.440 --> 0:30:16.240
<v Speaker 1>about to murder in the club. She pulled a gun

0:30:16.280 --> 0:30:22.080
<v Speaker 1>out on and I love to kill real shit, right yeah,

0:30:22.200 --> 0:30:24.840
<v Speaker 1>so hey, I mean listen, who cares about a tire

0:30:24.920 --> 0:30:30.520
<v Speaker 1>or two? Right? Little yeah, just change it. Listen the album,

0:30:30.640 --> 0:30:35.200
<v Speaker 1>go run it up. And uh, I'm assuming it's early

0:30:35.280 --> 0:30:37.240
<v Speaker 1>in the year. We might get another one this year.

0:30:37.280 --> 0:30:40.800
<v Speaker 1>You never know. Absolutely, I'm working on a few more

0:30:41.040 --> 0:30:45.080
<v Speaker 1>crazy projects. My fans have been just a mixed, a

0:30:45.200 --> 0:30:49.520
<v Speaker 1>winner project, a right project, you know what, I think.

0:30:49.560 --> 0:30:51.440
<v Speaker 1>I want to do that for sure and drop it

0:30:51.480 --> 0:30:55.360
<v Speaker 1>as a tape that's not even like political eight song,

0:30:55.520 --> 0:30:58.800
<v Speaker 1>ten song where you're just going in facts. That's a

0:30:58.880 --> 0:31:01.120
<v Speaker 1>fire idea for real. Yeah, just to like you gotta

0:31:01.200 --> 0:31:04.840
<v Speaker 1>just remind people exactly and they wanted to, so yeah,

0:31:04.960 --> 0:31:07.400
<v Speaker 1>you never know. Watch out there, it is Tank. Appreciate

0:31:07.440 --> 0:31:09.280
<v Speaker 1>you pulling up. Thank you. Keev perf Lef