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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Did you know there were

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Speaker 1: over one million bubbles in a glass of champagne? Did

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Speaker 1: someone say brunch, Leave the egg hunting to the kid,

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Speaker 1: We'll have even more fun hunting for your brilliant brunch.

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Speaker 1: Resling Ham sweet and salty richness pairs perfectly with sweeter

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Speaker 1: wines with bold fruit. How about a juicy peanut noir.

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Speaker 1: Whether you're hosting or just bring the wine, we love

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Speaker 1: to share are always low prices and ridiculous selection this

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Speaker 1: spring at Total Wine and More, Cheers, it was some

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Speaker 1: y'all was going all he's a legendary queen's rapper, Hang sego?

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Speaker 1: Did your boy in he's a Miami hip hop pioneer?

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Speaker 1: What up is d J e f N? Together they

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Speaker 1: drink it up with some of the biggest players in

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Speaker 1: music and sport. You know what I mean? The most professional,

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Speaker 1: unprofessional podcast and your number one source for drunk facts.

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Speaker 1: This is Drinks chap Rady w Every day is New

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Speaker 1: Year's Eve. That round yo, y'alla y'alla yo. This is

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Speaker 1: your boy and up his DJ in this Drink Chance podcast.

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Speaker 1: Something so right now where a sideball shout out the sidebar,

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Speaker 1: pick up the older people at sideball for opening the

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Speaker 1: doors for us. Uh sidebars? What is this considered midtown

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Speaker 1: Miami or no? This is this is whoever you're big

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Speaker 1: up to people at sidebar. It's been an interesting we

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Speaker 1: get hip hop. We just heard the b T Awards

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Speaker 1: just just ha happened and I heard my good friend

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Speaker 1: Fat Joe has one song of the year. Also, I

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Speaker 1: want to tell the drink Champs Army I failed. When

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Speaker 1: did you fail recently? West? What happened with that? Can

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Speaker 1: you give me the you win? You didn't tell me anything?

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Speaker 1: And um, well, I seen Kanye walking, but I was

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Speaker 1: in the family I was in the family room. Courtney

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Speaker 1: guard Dash, she was there, Coldy car Dash m was there,

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Speaker 1: Fat Joe. I witness Fat Joe guests both of our

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Speaker 1: wives as well, and Fat Joe's Ryan too as well.

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Speaker 1: And um, Kanye walked by, He's seen his wife. He

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Speaker 1: grabbed his wife, walked all the way up to me

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Speaker 1: and was like this is who we named our daughter after.

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Speaker 1: And after that like this is nothing I can actually act,

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Speaker 1: Like how do you ask somebody for the get Yeah?

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Speaker 1: And I think I actually did say I need you

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Speaker 1: on the podcast, and he looked at me like, what

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Speaker 1: the is the podcast? So um, but you know, you know,

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Speaker 1: you know, usually I'm good at my job. You know,

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Speaker 1: usually have this great speeches downpack that I'm gonna say

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Speaker 1: to the artist when I see them, and the speech

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Speaker 1: were out the window. Once he named he said he

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Speaker 1: named his daughter. I always thought as a joke he

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Speaker 1: got stuck. I always thought it was a joke and

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Speaker 1: I was reading, so I always thought as a joke

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Speaker 1: that he was like, you know, um, he kept it going.

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Speaker 1: But you know, to see that it wasn't a joke

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Speaker 1: and that he was that seriously in introduced his wife

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Speaker 1: to my wife, introduced himself to my wife. Was it

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Speaker 1: was just a total beautiful thing. It was awesome moment

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Speaker 1: for me. I didn't ask for a picture. I did

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Speaker 1: ask for nothing. I just kept it moving close that door,

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Speaker 1: police and um, someone the big that. I also want

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Speaker 1: to big up all eight track, you know everybody fools

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Speaker 1: gold Foods gold Uh. I got to hang out with

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Speaker 1: Joey Badass Kirk Knight, uh statics selector who is also

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Speaker 1: a drink uh. And you know, we've got some interesting

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Speaker 1: news from bust Rhys. But you know we'll get into

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Speaker 1: that right now. Let's get into that hat. Let's play

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Speaker 1: what's going on bust the Rhymes? Right now? Hell? What up, bro?

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Speaker 1: What's going on? Bust the Bus? You live on the

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Speaker 1: Drink Chats podcast, my brother believe it. Yeah. First off,

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Speaker 1: we want to say congratulations on that big epic move man,

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Speaker 1: Thank you, family around you, absolutely congratulations. But we're here.

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Speaker 1: Wait wait wait wait wait wait wait wait wait where

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Speaker 1: another one? Really Oka in the moron and or e

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Speaker 1: with the number one fucking podcast to YouTube. Thank you.

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Speaker 1: Let me just say that. You know, no, you ain't

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Speaker 1: gonna lie. You've been really you've been trail blazing this

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Speaker 1: ship like you you're really stinking. You're thinking it out

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Speaker 1: a while ago. You know, we speak, we speak every other,

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Speaker 1: gay damn near everything. He's one of my closest friends

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Speaker 1: and then tied world We either sk them Mountain really

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Speaker 1: getting his jomies in the world. You my brother. Thanks,

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Speaker 1: But I remember the movement by nagging wait before the podcast,

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Speaker 1: ship and used calling me on the phone and be

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Speaker 1: like my lagger, I'm going to the breakfast club. I'm

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Speaker 1: gonna go right ship up, I'm gonna go. I'm gonna

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Speaker 1: go to Hot n E seven in the morn. I'm

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Speaker 1: coming to me. You're going to my lightship watch watch

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Speaker 1: and I would, I would watching doing his ship and

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Speaker 1: you know me, I don't sunk with some of the mornings. Son,

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Speaker 1: can't any mo already know why? We'll get to that

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Speaker 1: when I leave, if you when I come, yes, sir, yes, sir?

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Speaker 1: What what what over Wall? I'm proud of you because

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Speaker 1: you had Amazon, you had a plan and the most

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Speaker 1: important to about booms and you should ship phenomenally well

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Speaker 1: in an amazing needue successfully, Thank you incredible, and then

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Speaker 1: this ship is beautiful and just watch when you play

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Speaker 1: a seat as ship didn't blossom into a fucking a

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Speaker 1: major forest because you know already talking to you about

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Speaker 1: other super planers you've got going on you you're about

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Speaker 1: to turn this podcasting into a whole other a hold

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Speaker 1: of the conglomerate punicated exactly exactly your bus a bus.

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Speaker 1: You know, we're doing the Drink Champs Awards, the Official

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Speaker 1: Drink Champs Award January second in Miami, So we're gonna

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Speaker 1: need you a part of that. Oh god, this thing

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Speaker 1: we listen, we're giving Bogie of the Year Award. I'm

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Speaker 1: gonna have to put you in Boghie of the Year award.

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Speaker 1: It's me you, Joe Buttons, Matt Miller Bogie at the

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Speaker 1: Year Award. I'm gonna let you know I'm trying to win.

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Speaker 1: I'm gonna let you know I'm trying to win. You

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Speaker 1: know what I'm saying. For real, we ain't playing. Were

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Speaker 1: no awards give me, No boy show has been invited me.

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Speaker 1: So I'm starting our own ship just how That's the

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Speaker 1: way we do it. Bus world up but bust and

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Speaker 1: we heard you gotta where you got. Another announcement, another

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Speaker 1: major piece to the conglomerate, one of the best, the

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Speaker 1: Floyd Mayweathers a battle rat. I want you to announce

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Speaker 1: that real quick on drink chaps. All right, Well, first,

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Speaker 1: the foremost um, I don't like to blot that, I don't.

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Speaker 1: I'm gonna elect weren't able to see so much, so

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Speaker 1: much more incredible dynamics. Was honest that if I didn't

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Speaker 1: get to see that, and if I wasn't privileged to

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Speaker 1: being able to be around that experience for like the

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Speaker 1: last him, so he wouldn't be making this announcement right now.

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Speaker 1: But first and foremost honored to make this announcement first

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Speaker 1: one trick Champs and to be honest with you know,

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Speaker 1: the world just officially signed that people working at eight

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Speaker 1: got drying a love of being a fucking hotel out

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Speaker 1: there where we're staying at in h t L for

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Speaker 1: this BBC hip hoper once we can so congratulations to

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Speaker 1: the girl murder more fortly becoming a part of this

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Speaker 1: ever growing and expanding and evolving conglomerate fucking family. And

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Speaker 1: it is an honor to say that what we are

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Speaker 1: getting waiting to display with this little fucker, it's gonna

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Speaker 1: put a lot of city proper perspective for niggers that

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Speaker 1: just like the same you know here battle rap niggers.

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Speaker 1: Because I'm gonna be honest with you, hurry, you're right

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Speaker 1: here defloint me whether the battle rap can't never discredit that.

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Speaker 1: And Neigga works harder that he that that's what made

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Speaker 1: me fall in love with the nigga and become a

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Speaker 1: fan of them, but without become more a singing of

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Speaker 1: is this ship that we get ready to ship with niggas?

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Speaker 1: Because he get made to slack the genetic makeup out

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Speaker 1: of a lot of motherfucker's, which is what it is

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Speaker 1: to be a great, overwhelmed, overall well rounded package artists

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Speaker 1: outside of battle rap ship, like all of these greetings

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Speaker 1: in the tick to make the motherfuckers superstar, bro never

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Speaker 1: gotta opportunity to be provided with a platform to display

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Speaker 1: that ship. And I just saw, honestly be the one

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Speaker 1: blessed and put in position with just everything that I

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Speaker 1: got going on and the momentum and a succession the

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Speaker 1: strips that we fucking feel like we've got our head

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Speaker 1: and then we actually do have you here to provide

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Speaker 1: a platform like that for Murder Mobile. I also want

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Speaker 1: to shake you know. We also we should resign another

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Speaker 1: new addition to the lem of my family and broke

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Speaker 1: go by the name of Aaron Cook. She from Sherri

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Speaker 1: qu New York. Lord Jamal manager right correct, Jamal Man

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Speaker 1: Young gets to the go ahead. So so so you

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Speaker 1: know we're growing, brow we were growing, and and I

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Speaker 1: also want to congratulate you on the old T Genesis

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Speaker 1: success as well. You out there doing moving like a

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Speaker 1: mobile out there. My brother rowed up. I'm go looking.

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Speaker 1: I appreciate it. Congratulations and also want to congratulate you

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Speaker 1: on that that movie The Dance King of the Dance.

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Speaker 1: So we've been seeing the promotions out there where you

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Speaker 1: and Nick Cannon in Orleans. Oh many major chest peace moves,

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Speaker 1: my nigga. We're seeing you your my nigga, Donna looking

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Speaker 1: big on me. I ain't gonna lie. A lot of

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Speaker 1: amazing ship going on. The Kick in the Dance movie

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Speaker 1: got me Nick Cannon will be gold bergl was good, Junior.

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Speaker 1: We're just premiered at the Toronto Film Festival last weekend.

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Speaker 1: We're gonna be doing all of until festival Sundays trip

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Speaker 1: back up home festival. So we get that motherfucking oscar

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Speaker 1: now that we're looking for. That's to make some noise

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Speaker 1: that yea, most of us. We're gonna ya. Thank you

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Speaker 1: so much. We're going best to get you into this

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Speaker 1: mystical interview. Man. We had that, we had that, we had.

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Speaker 1: We heard the news, so we had to get you

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Speaker 1: on that line. My brother, we need you over here

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Speaker 1: on drea Cha. Yeah, he's gonna come October. I told

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Speaker 1: her he out here. You know, I'm saying it on

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Speaker 1: the record. Huh. I'm coming to the drink chaps. We're

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Speaker 1: gonna light a few kind of mix sticks. Were gonna

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Speaker 1: gonna pull a fewture trickers off the grenades and ship

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Speaker 1: we're gonna get. We're gonna get it, just sap if

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Speaker 1: we didn't never champion too in my whole twitter rap ship.

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Speaker 1: So looking forward to it. And by the way, like

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Speaker 1: I told Norie, we have to get wet like them

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Speaker 1: respectfully complete. I'm coming. That's right, Chris Speck, I'm tonight,

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Speaker 1: my brother, thank you so much. Family was up. He

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Speaker 1: even had his own Elia Wilson trainin Wilson was there.

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Speaker 1: Bad So also before we get into this new episode,

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Speaker 1: I want to just pick up the fact that DMX

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Speaker 1: has been on this Bad Boy tour and he hasn't

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Speaker 1: missed one day. And as a friend, we're gotta make

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Speaker 1: noise for that. You got noise, you know. They blow

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Speaker 1: up the fact that DMX doesn't come to the shows,

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Speaker 1: and they blow up the fact with DMX does you

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Speaker 1: know some negative things. I want to blow the fact

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Speaker 1: that the puzzle has been there every night for the

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Speaker 1: prayer by the way, you know what I'm saying before

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Speaker 1: the show, and as you can see, you know, people

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Speaker 1: is asking DMX to pray sometimes. Kirk Franklin's prand Big

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Speaker 1: Up Puff also has been telling me to talk about

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Speaker 1: the tour, the tour us out there being a success.

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Speaker 1: So picked him up. Whatever state they at right now,

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Speaker 1: I know they did, since he the Cincinnati, I know

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Speaker 1: they did Miami. IM so picked them up. You know.

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Speaker 1: I mean, we have some news puff coming soon. Soon,

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Speaker 1: we're gonna have some lows puff. And also the Cannabis

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Speaker 1: All Stars Cannabis also is supposed to start. I took

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Speaker 1: a fifteen from trying to move that date back to

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Speaker 1: like October nineteen. Come on, Jordan's if you're out there

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Speaker 1: in Rhode Island, you know, because you've got to Revolt

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Speaker 1: Music Weekend happing in the fourteen fifty and sixteen, and

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Speaker 1: I don't want these dates to conflicts. So I figured, Jordan's,

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Speaker 1: you know, I'm at the Cannabis All Stars every Year

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Speaker 1: album in Rhode Island. So I figured instead of me

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Speaker 1: calling you and ask you, hopefully you know the people

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Speaker 1: out there will tell you, Jordan, move your sucking date

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Speaker 1: because I want to do both. I want to do

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Speaker 1: the Revote Music Weekend, which is I took fourteen, fifteen

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Speaker 1: and sixteen, and I also want to do the cannabis

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Speaker 1: all stars. So on that note, if you've got anything

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Speaker 1: to pick up or talking about. I mean you went

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Speaker 1: to the Coming Home Vietnam premiere with Vietnam for me,

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Speaker 1: I was very impressed. Um you also, Um, I'll bring

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Speaker 1: tears in my eyes because, like you know, my father

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Speaker 1: was my hero and I didn't I don't know as

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Speaker 1: much information about my father, but it's fired me to

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Speaker 1: to actually do something like that or like you know,

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Speaker 1: go see my father's Uh where did he live in

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Speaker 1: Puerto Rico? Man? You know, things like that. But you

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Speaker 1: big you up coming home so revolt already. No, it's

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Speaker 1: not not yet, it's gonna be. What I mean is

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Speaker 1: oh yeah, yeah, so you don't have an air and date,

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Speaker 1: you know. Okay, so very soon sticking with us, we

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Speaker 1: got the errand j Ifing got that Colombian White. We're also,

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Speaker 1: um you know, doing putting together our own version of

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Speaker 1: Tiger Bone because a lot of people who requesting the

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Speaker 1: Tiger Bone to be going to Chinatown and we're gonna

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Speaker 1: walk up Big Bone. You know, we go Tygermon. We're

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Speaker 1: gonna try to get our own version of tyger Bone. Uh.

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Speaker 1: We got mystical coming um today and shout out eight

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Speaker 1: and nine. Yes when I get the cups, that's right,

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Speaker 1: go get go get that. And also big up where

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Speaker 1: we act right now side all the good people here

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Speaker 1: and just off second in New Orleans guests and both

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Speaker 1: only two New Orleans guests in came late. Let's make

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Speaker 1: some noise for that as big as he is, like

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Speaker 1: damn so uh let me see he hit he coming. Okay,

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Speaker 1: we're waiting on mystical so we'll be right back. Man.

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Speaker 1: Let's get us a commercials be sober. Yes, Welcome to

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Speaker 1: play a new podcast network featuring radio and TV personalities

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Speaker 1: talking business, sports, tech, entertainment, and more. Play it at

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Speaker 1: play dot It. We're back to Drink Champs Radio with

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Speaker 1: Rapper and R and d J F n Hey Hanks,

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Speaker 1: gripe your sa via Yo y'alla yo, y'alla y'alla yo.

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Speaker 1: This is your boy and O R. What up is

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Speaker 1: d J E f and his Drink Test podcast up

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Speaker 1: right now? We have one of the legends, Like you know,

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Speaker 1: we do shows sometimes and sometimes you know, um, we

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Speaker 1: think a person is a legend and the fans are coming,

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Speaker 1: they'll be like a legend, this is not gonna happen.

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Speaker 1: This episode. He's a solid legend, been in the game

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Speaker 1: for years, look the same. He felt the founding of

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Speaker 1: youth somewhere, he found the founting to youth. He's still

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Speaker 1: out here doing it. I'm talking about one of the

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Speaker 1: only people that had super success on a certain label

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Speaker 1: and went to like it on his own, doing his thing.

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Speaker 1: A New Orleans legend that was cool before it was cool,

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Speaker 1: he was already New Orleans. He's a staple. And not

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Speaker 1: only that, he is the energy god. I've seen him

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Speaker 1: perform the other day was because I was trying to

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Speaker 1: when I figured out he was here. I was trying

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Speaker 1: to say, should we do it after his performance, And

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Speaker 1: by the grace of our God sent me yesterday to

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Speaker 1: perform with eight Track. Eight Track told me he's bringing

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Speaker 1: his brother out and I had to sit there in

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Speaker 1: the crowd and just become a wanted percent fan again.

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Speaker 1: Like he's one of the first people that we were

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Speaker 1: playing in New York City, like from the South. Like

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Speaker 1: his energy was just so crazy. And to see him

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Speaker 1: performed yesterday and his energy still be the same. We

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Speaker 1: got to salute this man right now. We got Mr

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Speaker 1: Core and the motherfucker not the only other New Orleans

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Speaker 1: artists we had on here was currency and he came

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Speaker 1: late to. He came late to, so that's right. So

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Speaker 1: laid back. So when we started to get to him

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Speaker 1: about him being signed to No Limit, like he he

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Speaker 1: don't got the stories you got because he was a

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Speaker 1: star or No Limit. I remember at one point, like

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Speaker 1: you know how they would say deaf jam and they

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Speaker 1: would say method man. Like at one point when you

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Speaker 1: named the star from No Limit, it was hands down

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Speaker 1: you how did how did that year? Was you signing

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Speaker 1: on lit me? First off ninety seven? Wait? First of

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Speaker 1: all the intro bro come bright, listen to lessendary. Now,

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Speaker 1: that's coming from a legend. That's right, that's right. That's

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Speaker 1: what valid did. That's making offish right there, that's right,

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Speaker 1: that's right because to take one and no one, that's right.

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Speaker 1: That's love opening bottom you you ain't no fampaign, open

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Speaker 1: up passing. Yeah, I want you to question. Right. It

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Speaker 1: felt like I was doing my job. That's my job

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Speaker 1: and show up at no because at one point, at

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Speaker 1: one point, yo, I'm gonna be honest, y'all was like

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Speaker 1: destroy like that taken something like y'all move like y'all

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Speaker 1: like eighty five deep like before like for real like

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Speaker 1: and so like like how how was that error? Like? Man,

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Speaker 1: I was listening, bro traveling with master people got to

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Speaker 1: be a similar to how I, uh, President Obama squad

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Speaker 1: felt more helicoster police chase explosions and you know, for real, brother,

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Speaker 1: that's a real champaign. You know what I'm saying. But

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Speaker 1: before before No Limit, you was already doing stuff. How

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Speaker 1: many years before that were you're doing it? I started

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Speaker 1: professionally in nineties four when you had three camp that

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Speaker 1: you had, right, did you guys ever talk with duck

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Speaker 1: down and did ever gets resolved? I know it was

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Speaker 1: a little like because I didn't know. I wasn't know.

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Speaker 1: It wasn't you were in the military, and that's where

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Speaker 1: you were passing from. Listen when exactly but when I

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Speaker 1: joined the boot camp click out, that name was already established.

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Speaker 1: Had nothing to do with the fucking creating the name,

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Speaker 1: and that since I was like one of the Coltoners,

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Speaker 1: I got to charge it was just a coincidence. Exactly,

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Speaker 1: you speaking about the military because you was in the

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Speaker 1: military right with army Army Okay, Storm Kaepernick, Colin Kaepernick

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Speaker 1: right now, like he's taking a stand, like what do

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Speaker 1: you stand because you was in the military, So how

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Speaker 1: do you feel about that as far as one because

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Speaker 1: you know, I'm when was it the pledge allegiance? It's

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Speaker 1: happening he's taking yeah, right, he's saying that he doesn't

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Speaker 1: want to do that until like black black lives matter,

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Speaker 1: that black justices. How do you feel like that as

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Speaker 1: a person in the middle. You know, I'm a veteran,

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Speaker 1: so I'm definitely gonna be paid trapped. Let's make some

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Speaker 1: noise to it. You said you're a veter finger of that.

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Speaker 1: When that mother put my left hand on my lard,

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Speaker 1: you know, I went out, you know, ready to ride

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Speaker 1: out by the bulls. He does that because you know,

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Speaker 1: supposed the soldiers fight for his right to do that exactly.

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Speaker 1: So you know, I think what you're coming from, where

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Speaker 1: you're coming from? Now, when you came out the army,

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Speaker 1: was there like like what happens when you come out

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Speaker 1: the army? Like? Yeah, when I when I left the army,

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Speaker 1: I was I was ready to be a rapper. You know,

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Speaker 1: I felt like the arnor was holding me back. Wow,

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Speaker 1: he was rapping in the right. What was the coldest

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Speaker 1: that them, So I was ready the battle. Whoever from

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Speaker 1: whoever being have been a student and a fan of

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Speaker 1: the game, brother hip game seriously, So yeah, you got

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Speaker 1: out the army that was ninety four any force. You

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Speaker 1: come home and you're already wrapping. You did this your

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Speaker 1: independent stuff was I was rapping prior to the armor.

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Speaker 1: That what happened was as soon as I left to

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Speaker 1: go and listen the army because rap wasn't more like

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Speaker 1: a hobby at that time, spent to coming from the arts. Yeah, well,

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Speaker 1: y'all was at if you ain't from New York enough

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Speaker 1: that way, So we get the funk out of here,

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Speaker 1: Get the funk out of you know what I'm saying.

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Speaker 1: So I had to do my thing, and you know,

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Speaker 1: showing that ship were capable of doing that too. We

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Speaker 1: get down to god damn. Now when you met Master P.

362
00:20:29,200 --> 00:20:31,400
Speaker 1: Was he already big? Like he was on his way.

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Speaker 1: You couldn't miss him. You know, if a city bus

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Speaker 1: passed by, it was gonna be wrapping and sucking some

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Speaker 1: no limits out of here. You know, you get out

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Speaker 1: of here like like really, yes, just do the deal. Boy.

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Speaker 1: Everywhere you look was Master P. I'm like, you know

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Speaker 1: what fuck it. How's that relationship? Now you're still cool? Right? Okay?

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00:20:52,280 --> 00:20:55,159
Speaker 1: And then this back So we always heard that there

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Speaker 1: was like no limit cash money, drama. It was. It

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Speaker 1: was competition, it's different. Projects was project. We just know

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Speaker 1: I'm from I'm from uptown. Around the car in front

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Speaker 1: of projects. So that's baby, just want the car? Yea baby?

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Speaker 1: So you knew baby and them toud man, it's New Orleans,

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Speaker 1: you'll have a lot of it had to be in

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Speaker 1: a small scene there. Yeah, you know what I'm saying.

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00:21:19,160 --> 00:21:26,480
Speaker 1: Who was right? And now? So um okay, so fast

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Speaker 1: people was already on his way right and then he

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Speaker 1: steps to you. He said, what do you say? He said, Man,

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Speaker 1: I was watching your career. I'm seeing I'm watching me

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Speaker 1: as an artist. Now I'm trying to build my brand

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Speaker 1: as a company, and I see you building your brand

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Speaker 1: as an artist. Me to put this ship together and

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Speaker 1: you know, let's do our thing. Because he hired me

385
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Speaker 1: for about it about the soundtrack. He wanted me in

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Speaker 1: the movie. But I didn't get a chance to you know,

387
00:21:45,160 --> 00:21:47,160
Speaker 1: get in the movie. But I didn't make a soundtrack.

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Speaker 1: Once I got to the studio to record that soundtrack,

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Speaker 1: I never left, never Wally. Now, Now it wasn't true

390
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Speaker 1: that like No Limit had like one office with like

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Speaker 1: one worker in there. It was like one or two hers.

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Speaker 1: It was like out of one worst a round coming

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Speaker 1: to the studio. You know, when we're going to the studio,

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00:22:06,200 --> 00:22:15,040
Speaker 1: we're recovering like this. That's crazy. But yeah, brother man,

395
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Speaker 1: you'll listen. You y'all like that that we have the

396
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Speaker 1: death Row era, we have the bad Boy era, and

397
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Speaker 1: now we're kind of like still having the cash Money era.

398
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Speaker 1: But I can't, I can't. I can't compare what No

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Speaker 1: Limit did. I remember. I remember I was in the

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Speaker 1: Vegas right and Leo Colon said, I just seen the

401
00:22:35,880 --> 00:22:38,159
Speaker 1: ellest thing in the world. And I said, what's that?

402
00:22:38,920 --> 00:22:41,560
Speaker 1: He said, I've just seen a hundred fifty dudes just

403
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Speaker 1: walked through the hotel. And I said, I got a

404
00:22:44,320 --> 00:22:46,240
Speaker 1: hundred and fifty dudes when he walked through. He said,

405
00:22:46,480 --> 00:22:48,360
Speaker 1: but all of them had on the roadlex I said,

406
00:22:51,480 --> 00:22:56,880
Speaker 1: let's make told me that in Vegas somewhere he see

407
00:22:57,000 --> 00:23:00,400
Speaker 1: y'all walking through, and he understood that. He understand anybody

408
00:23:00,480 --> 00:23:03,320
Speaker 1: had a role. He understood the power of having a

409
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Speaker 1: real team and the squad with you, you know, I

410
00:23:05,640 --> 00:23:07,720
Speaker 1: was do on my whole life. I'm talking about that

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Speaker 1: by myself, who wanted but he was like, you know,

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Speaker 1: at some point, you know you're you're gonna need that

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Speaker 1: squad with you, bro. You know it's and it was

414
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Speaker 1: gonna need Well it was and it made a difference.

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00:23:18,359 --> 00:23:20,520
Speaker 1: It makes a difference. Now, how do you get your energy?

416
00:23:20,720 --> 00:23:23,880
Speaker 1: Because I feel like I got energy, but I can't

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00:23:23,920 --> 00:23:28,320
Speaker 1: sunk with you or Buster or dm MAX by the way,

418
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Speaker 1: by the way, I want to do a record with me,

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Speaker 1: mystical Buster and DMX on my like that energy. I'm

420
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Speaker 1: going I'm gonna use steroids for that. We take steroid

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Speaker 1: the music, music, the music brings it out you. But

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00:23:45,160 --> 00:23:47,200
Speaker 1: because like you've been on tracks for people and you

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00:23:47,400 --> 00:23:51,080
Speaker 1: still like, was that like a method to um to

424
00:23:51,640 --> 00:23:54,280
Speaker 1: uh like like to stand out? You know, that's just

425
00:23:54,320 --> 00:23:57,200
Speaker 1: where I was. That's where I was, man, and to

426
00:23:57,320 --> 00:23:59,439
Speaker 1: stand out Now that's she just wasn't like side effect

427
00:23:59,480 --> 00:24:02,240
Speaker 1: of it, right, Yeah, I'm sorry, just came out of

428
00:24:02,400 --> 00:24:05,320
Speaker 1: sorry sorry sorry sorry? Was that flu inspired by like

429
00:24:05,480 --> 00:24:08,040
Speaker 1: something inspired to have that flu? When I first started

430
00:24:08,119 --> 00:24:10,760
Speaker 1: the game, I was I was prototyped myself behind L

431
00:24:10,880 --> 00:24:13,399
Speaker 1: L cool J. My first I was rhyme, singing and

432
00:24:13,800 --> 00:24:19,040
Speaker 1: trainings off flinging, you know, man, Yeah, don't you develop

433
00:24:19,080 --> 00:24:21,840
Speaker 1: it falls into that ship. Yeah they had all out.

434
00:24:21,880 --> 00:24:26,200
Speaker 1: They ain't need know to l but yeah it's still

435
00:24:26,320 --> 00:24:29,200
Speaker 1: like that because yesterday, so you walk out on stage

436
00:24:30,280 --> 00:24:36,640
Speaker 1: and he's calm as hell, and then that came from

437
00:24:36,720 --> 00:24:40,920
Speaker 1: music transfer. The music speaks to you every every single

438
00:24:41,040 --> 00:24:43,840
Speaker 1: time that come out could be at home by herself.

439
00:24:44,080 --> 00:24:46,120
Speaker 1: That's how I gonna be acting. Yeah, yeah, I gotta

440
00:24:46,119 --> 00:24:47,800
Speaker 1: see this ship. Like sometimes when my show was not

441
00:24:48,119 --> 00:24:50,360
Speaker 1: super packed as they should be out like ain't tripping y'all,

442
00:24:51,160 --> 00:24:53,159
Speaker 1: y'all find to get this show. I'm gonna be sweating

443
00:24:53,240 --> 00:24:54,959
Speaker 1: and mustard when I leave this bit because I'm doing

444
00:24:55,000 --> 00:24:57,160
Speaker 1: at home by myself in the mirror with the rush, Yeah,

445
00:24:57,200 --> 00:25:00,399
Speaker 1: I didn't need a real motherfucker. So now so now

446
00:25:03,440 --> 00:25:05,160
Speaker 1: let's just get into the cash money, because I believe

447
00:25:05,200 --> 00:25:09,840
Speaker 1: you left cash money as well. Correct, So okay, so

448
00:25:09,960 --> 00:25:12,920
Speaker 1: what happened with that? Like I think it wasn't you

449
00:25:12,960 --> 00:25:16,200
Speaker 1: don't cash money mutual respect, babe, and not have respect

450
00:25:16,280 --> 00:25:18,159
Speaker 1: even when I was on no limit. He's him out, man,

451
00:25:18,480 --> 00:25:23,480
Speaker 1: we were gonna sit down. I'm already sitting down respect

452
00:25:23,880 --> 00:25:25,680
Speaker 1: and you know the funny thing when I came home

453
00:25:25,760 --> 00:25:28,600
Speaker 1: for them to you know, help me keep this ship moving.

454
00:25:29,119 --> 00:25:31,800
Speaker 1: So you came home. That was the first people was

455
00:25:31,840 --> 00:25:35,879
Speaker 1: one of the first calls like now when I left, like, man,

456
00:25:35,920 --> 00:25:38,000
Speaker 1: you gotta holdless keep keep hold this ship down the

457
00:25:38,040 --> 00:25:40,080
Speaker 1: same spot when I come back. That's what he did.

458
00:25:40,760 --> 00:25:43,480
Speaker 1: Seriously for real, you did that ship. So I'm gonna

459
00:25:43,520 --> 00:25:45,800
Speaker 1: start naming a couple of names from from New Orleans,

460
00:25:45,840 --> 00:25:47,360
Speaker 1: and I want you to tell me what you think

461
00:25:47,400 --> 00:25:52,960
Speaker 1: of them. Okay, okay, juven like like myself, Wow, he

462
00:25:53,040 --> 00:25:55,600
Speaker 1: like my counterpart. Yeah, we like a real like in

463
00:25:55,720 --> 00:25:59,840
Speaker 1: concert it's one two punch from New Orleans onus like

464
00:26:00,160 --> 00:26:05,720
Speaker 1: slide away like that. Yeah, okay, okay, Many Fresh same thing. Yeah,

465
00:26:05,720 --> 00:26:08,199
Speaker 1: he's like he's like DJ KLC. He's like the one

466
00:26:08,240 --> 00:26:11,760
Speaker 1: that did all those tracks. A little bit make him say,

467
00:26:12,000 --> 00:26:16,520
Speaker 1: you know that all driving Many Fresh is exactly that,

468
00:26:17,520 --> 00:26:20,680
Speaker 1: the same thing he used the KLC. What kelse he

469
00:26:20,840 --> 00:26:22,960
Speaker 1: was no let me he was there to cash money.

470
00:26:23,000 --> 00:26:25,920
Speaker 1: And what was he happened to do an album together? Yeah? Yeah,

471
00:26:26,200 --> 00:26:27,879
Speaker 1: especially when I when I when I got over there,

472
00:26:27,880 --> 00:26:29,920
Speaker 1: everything it was too much. It was too much of

473
00:26:30,359 --> 00:26:32,880
Speaker 1: what did you record some records? We did? We did,

474
00:26:33,119 --> 00:26:35,840
Speaker 1: we did? Okay, so see listen coming home man six.

475
00:26:36,000 --> 00:26:39,760
Speaker 1: I was in the fucking six year time laps Coulture Shock. Yeah,

476
00:26:40,119 --> 00:26:41,879
Speaker 1: everything that I told you. I was gonna like the

477
00:26:41,880 --> 00:26:43,440
Speaker 1: pimp from I'm Gonna Get You sucking when I came,

478
00:26:44,240 --> 00:26:47,200
Speaker 1: not on it yet. I was on the wal got swagging.

479
00:26:47,240 --> 00:26:52,480
Speaker 1: You don't like that getting together. And eventually I looked

480
00:26:52,520 --> 00:26:55,680
Speaker 1: around and seeing because I can't don't shooting live rounds.

481
00:26:55,680 --> 00:26:57,960
Speaker 1: I just wasn't hitting talking and I ain't. I was

482
00:26:58,000 --> 00:27:00,480
Speaker 1: talking to what they was talking to and right now,

483
00:27:00,640 --> 00:27:07,320
Speaker 1: I love I'm just saying, Okay, another name, soldier slimy bro. Yeah,

484
00:27:07,600 --> 00:27:12,920
Speaker 1: he missed a game changer, right change. Okay, I'm gonna

485
00:27:12,920 --> 00:27:16,360
Speaker 1: getting one more name. There we go see Murder come

486
00:27:16,359 --> 00:27:22,880
Speaker 1: to your Murder Murders comedian. Yeah. Yeah, he was playing

487
00:27:22,960 --> 00:27:25,440
Speaker 1: the funny name and he really had a lot of

488
00:27:25,480 --> 00:27:27,800
Speaker 1: it in the hood, like he was really life. He

489
00:27:27,880 --> 00:27:30,960
Speaker 1: was really fun about Yeah, dude, that matter of fact,

490
00:27:31,000 --> 00:27:33,720
Speaker 1: I'm trying to go see him one of my other

491
00:27:33,760 --> 00:27:35,760
Speaker 1: partners up there, okay, yeah, but I was making to

492
00:27:35,880 --> 00:27:38,840
Speaker 1: my noise up there. Yeah, and then okay, and like

493
00:27:39,000 --> 00:27:43,240
Speaker 1: just subscribe like New Orleans because y'all got the Yeah,

494
00:27:43,320 --> 00:27:46,200
Speaker 1: y'all owned like one of the only states that ball

495
00:27:46,320 --> 00:27:52,880
Speaker 1: seawater right seawater, So y'all marsa liums where people die.

496
00:27:52,960 --> 00:27:55,840
Speaker 1: It's actually a ball. So it's like the most scariest

497
00:27:55,880 --> 00:27:58,080
Speaker 1: thing in the world. Like my first time in the waters,

498
00:27:58,160 --> 00:28:01,520
Speaker 1: I've just seen dead people everywhere because us the mausoleums

499
00:28:01,600 --> 00:28:04,440
Speaker 1: is above ground. Correct, It's not like like you know,

500
00:28:04,560 --> 00:28:09,000
Speaker 1: how yeah up, yeah, Like let's described New Orleans because

501
00:28:09,240 --> 00:28:11,879
Speaker 1: we're a mountain pot of everything else though we just

502
00:28:12,080 --> 00:28:14,200
Speaker 1: you know, put you know, put it in the post

503
00:28:14,200 --> 00:28:15,879
Speaker 1: start up and when it came out, you know, we

504
00:28:15,960 --> 00:28:18,320
Speaker 1: put our own that whip on it. You know. So

505
00:28:18,680 --> 00:28:20,840
Speaker 1: how about the difference we're inspired by, you know, all

506
00:28:20,880 --> 00:28:24,000
Speaker 1: the dope ship everything because New York, California, you know,

507
00:28:24,119 --> 00:28:28,920
Speaker 1: everything everything else. It's like in the middle breakdancing, rail

508
00:28:29,040 --> 00:28:41,320
Speaker 1: rail railroad tough and you know breakdancing challenge. Man. I

509
00:28:41,400 --> 00:28:43,880
Speaker 1: think most rappers man come from all the things, all

510
00:28:43,960 --> 00:28:46,080
Speaker 1: the trends and all that was hire hoop man. You know,

511
00:28:46,160 --> 00:28:48,560
Speaker 1: it's crazy for me because I kept calling to New Orleans,

512
00:28:48,680 --> 00:28:51,600
Speaker 1: kept going to New as a black rapper and then

513
00:28:51,680 --> 00:28:55,000
Speaker 1: when I did Spanish music, I started getting booking New Orleans.

514
00:28:55,080 --> 00:28:59,840
Speaker 1: I'm like, you know, ain't no Spanish. They got it

515
00:29:00,040 --> 00:29:03,120
Speaker 1: the beat it was Spanish. Motherfucker's out. Oh oh no,

516
00:29:04,000 --> 00:29:09,160
Speaker 1: that's fun with me. I can't for that. Miss me

517
00:29:09,240 --> 00:29:12,000
Speaker 1: to that. My very next tracker was going to work

518
00:29:12,080 --> 00:29:15,240
Speaker 1: with Prell from that. That's what that. Let's make some

519
00:29:15,360 --> 00:29:23,600
Speaker 1: noise span. What's your first ill? Let me shake your take? No, no, no,

520
00:29:23,840 --> 00:29:27,960
Speaker 1: The first one was the fucking uh Danger. It was

521
00:29:28,000 --> 00:29:30,160
Speaker 1: like it was on the Olive Stone sound track. Anygether

522
00:29:30,200 --> 00:29:35,480
Speaker 1: Sunday Jump Jump, Yeah, like skateboard skateboard kid jump. But

523
00:29:35,600 --> 00:29:39,760
Speaker 1: the first hit, yeah, how much push you got off

524
00:29:39,800 --> 00:29:42,040
Speaker 1: that record out there? I'm start chaining my life. I'm

525
00:29:42,080 --> 00:29:51,800
Speaker 1: going to tradition now. Playing that that's on laps around

526
00:29:51,800 --> 00:29:53,680
Speaker 1: this globe. But that my soul right let me actually

527
00:29:53,720 --> 00:29:55,760
Speaker 1: was women just coming up to you trying to shake that.

528
00:29:56,040 --> 00:29:58,440
Speaker 1: Suck my game up now, I can't you know, I

529
00:29:58,480 --> 00:30:00,520
Speaker 1: can't practice my skills and my dad can see that.

530
00:30:02,480 --> 00:30:04,440
Speaker 1: Can I work for the pussy man? Let me work

531
00:30:04,440 --> 00:30:08,520
Speaker 1: for the pussy Man? Am I skilled? And that records

532
00:30:08,680 --> 00:30:11,160
Speaker 1: it's like when it comes on it's like brand new

533
00:30:11,280 --> 00:30:14,280
Speaker 1: still like that. It's just one of them. Sold man

534
00:30:14,320 --> 00:30:24,280
Speaker 1: good because timeless man, oh man, Man, see your concert Yester, Yeah,

535
00:30:24,440 --> 00:30:28,040
Speaker 1: you got you gotta CARDI, you got you drinking card

536
00:30:28,560 --> 00:30:34,360
Speaker 1: black black, solid black. Take a bone time. We gotta wait.

537
00:30:35,720 --> 00:30:37,840
Speaker 1: I don't want to wait to take a ball. Not

538
00:30:37,920 --> 00:30:41,520
Speaker 1: just got out, not too long ago? Was that? Don't

539
00:30:41,840 --> 00:30:44,600
Speaker 1: an issue? Right there? If you're ready right now? Gook,

540
00:30:44,760 --> 00:30:46,680
Speaker 1: it's in Chinese. Man, what tells you it's good for you?

541
00:30:46,760 --> 00:30:50,520
Speaker 1: A Chinese? You gotta read it. Let me just tell

542
00:30:50,560 --> 00:30:52,480
Speaker 1: you something, man, I'm honored for you to be here

543
00:30:52,560 --> 00:30:55,960
Speaker 1: because you are so much of a legend. You are

544
00:30:55,960 --> 00:31:01,280
Speaker 1: a guy who your sound is so unique that I

545
00:31:01,320 --> 00:31:03,280
Speaker 1: don't think you would ever have a problem making a

546
00:31:03,360 --> 00:31:06,479
Speaker 1: record or putting out a record or anything. There there

547
00:31:06,520 --> 00:31:08,560
Speaker 1: can never be another mystical, you know what I'm saying.

548
00:31:08,680 --> 00:31:10,400
Speaker 1: Like I'm just I'm just keeping it in one hunted

549
00:31:10,480 --> 00:31:13,880
Speaker 1: but there can never be another mystical. And our whole

550
00:31:13,920 --> 00:31:17,400
Speaker 1: purpose of our show is to give people the flowers

551
00:31:17,480 --> 00:31:20,120
Speaker 1: while they can smell. We give the people, give you

552
00:31:20,200 --> 00:31:22,480
Speaker 1: flowers when you can't smell, But I'm gonna give you

553
00:31:22,560 --> 00:31:24,080
Speaker 1: treats when you can. In the hell of you know

554
00:31:24,120 --> 00:31:27,400
Speaker 1: what I mean. So that's the whole purpose of our

555
00:31:27,480 --> 00:31:31,120
Speaker 1: show is because our culture are legends, you know, and

556
00:31:31,280 --> 00:31:33,280
Speaker 1: rock and roll. When you have twenty years in rock

557
00:31:33,360 --> 00:31:35,040
Speaker 1: and roll, they praise you. You know what I'm saying.

558
00:31:35,360 --> 00:31:38,280
Speaker 1: They do they do a Hall of fame. Well, you

559
00:31:38,360 --> 00:31:41,200
Speaker 1: know in our culture, we don't have that. So this

560
00:31:41,360 --> 00:31:44,320
Speaker 1: is what you know, This is a blessing that you

561
00:31:44,440 --> 00:31:46,560
Speaker 1: came by and you knew about the show because this

562
00:31:46,640 --> 00:31:47,920
Speaker 1: is what we got to continue to do. And this

563
00:31:48,000 --> 00:31:49,800
Speaker 1: is what me and my partner been doing. You know what.

564
00:31:49,800 --> 00:31:52,200
Speaker 1: I means a lot, and we're gonna continue to respect

565
00:31:52,240 --> 00:31:57,840
Speaker 1: all legends and right just coming out and I'm sorry,

566
00:31:58,320 --> 00:32:01,640
Speaker 1: I'm sorry, man, that's that's how we do man. So

567
00:32:02,280 --> 00:32:04,520
Speaker 1: but it's gonna take things. I'm gonna take all this

568
00:32:04,680 --> 00:32:07,040
Speaker 1: like you that's doing things like this, make those changes,

569
00:32:07,120 --> 00:32:10,000
Speaker 1: bro Ye Yeah, because our culture should be celebrating, you

570
00:32:10,040 --> 00:32:12,520
Speaker 1: know what I'm saying. It's gonna take somebody that's respect. Yeah,

571
00:32:12,560 --> 00:32:14,959
Speaker 1: we already do. And we know we're already doing our

572
00:32:15,160 --> 00:32:18,600
Speaker 1: own award shows right now. Drink champ Award show January second.

573
00:32:19,240 --> 00:32:21,600
Speaker 1: If we're gonna give be foul over here and really

574
00:32:21,640 --> 00:32:24,920
Speaker 1: go from the Hall of fame, like we're giving out

575
00:32:24,920 --> 00:32:26,840
Speaker 1: sicking retty of the year. You know what I'm saying,

576
00:32:27,160 --> 00:32:31,840
Speaker 1: get out asking Yeah, where's ask you to listen? I'm

577
00:32:31,840 --> 00:32:33,760
Speaker 1: pointing pup daddy your category. So I don't know if

578
00:32:33,760 --> 00:32:36,520
Speaker 1: you're gonna win. This is Eddie as I'm being puffed

579
00:32:36,560 --> 00:32:46,680
Speaker 1: daddy on just so you're going to get daddy this

580
00:32:46,960 --> 00:32:49,280
Speaker 1: on on January second, how do you feel about that

581
00:32:49,640 --> 00:32:51,800
Speaker 1: I'm taking them out, taking them out, I'm taking them out.

582
00:32:51,800 --> 00:32:54,800
Speaker 1: Are you willing to SHOs on stage? If if Puffy

583
00:32:54,880 --> 00:32:58,080
Speaker 1: wanting to do the same thing, but Puffy girl like

584
00:32:58,160 --> 00:33:06,440
Speaker 1: you exactly, I'm gonna do the just he might not

585
00:33:06,560 --> 00:33:16,280
Speaker 1: being as right, Okay, all right, yeah eating a plea,

586
00:33:16,480 --> 00:33:20,200
Speaker 1: you're gonna eat the ass plus yeah, yeah, it's gonna

587
00:33:20,200 --> 00:33:22,480
Speaker 1: be hard to beat. It's gonna be hard to go

588
00:33:22,560 --> 00:33:27,760
Speaker 1: to the bathroom. Now they say that New Orleans, I

589
00:33:27,800 --> 00:33:30,280
Speaker 1: don't hear. Do you still living in New Orleans? So no,

590
00:33:30,880 --> 00:33:33,040
Speaker 1: like prayer like in between bad and rouge and the lance,

591
00:33:33,400 --> 00:33:38,320
Speaker 1: that's the rich place, rich place. Damn, that sounds rich.

592
00:33:38,360 --> 00:33:41,400
Speaker 1: It sounds rich. Gott take. So now letscribe the food

593
00:33:41,480 --> 00:33:45,840
Speaker 1: culture for New Orleans because yeah, like I can't lie

594
00:33:45,840 --> 00:33:47,680
Speaker 1: to you. I can't lie to you. That's some of

595
00:33:47,760 --> 00:33:49,480
Speaker 1: the best food I've ever had in New Orleans. Like

596
00:33:49,520 --> 00:33:51,880
Speaker 1: I've never had a bad meal in New Orleans. I'm

597
00:33:51,920 --> 00:33:53,800
Speaker 1: sure that. I'm sure that ship ain't It's healthy is

598
00:33:53,840 --> 00:33:55,400
Speaker 1: it should be for you, but it it tastes too

599
00:33:55,440 --> 00:33:59,240
Speaker 1: fucking good. Some good as good food, good food. That's

600
00:33:59,280 --> 00:34:02,040
Speaker 1: We're definitely known for that for now. All right, So

601
00:34:02,800 --> 00:34:07,000
Speaker 1: you're sitting goes to Katrina. How how was that? I

602
00:34:07,080 --> 00:34:08,479
Speaker 1: had to I had to watch that from in prison.

603
00:34:08,520 --> 00:34:11,720
Speaker 1: I was talking prison, and that that ship on television,

604
00:34:11,800 --> 00:34:13,560
Speaker 1: Like damn, I supposed to be in the pitty water,

605
00:34:13,600 --> 00:34:17,200
Speaker 1: splashing people trying to help in order for supposed to

606
00:34:17,200 --> 00:34:18,800
Speaker 1: be out there. You know, funked up too. But this

607
00:34:18,920 --> 00:34:21,359
Speaker 1: wasn't your first hurricane, right you did you go through

608
00:34:21,480 --> 00:34:23,400
Speaker 1: the hurricane as a child, Not like that, not to

609
00:34:23,640 --> 00:34:25,960
Speaker 1: not there wasn't even the hurricane. Someone was the levies

610
00:34:26,040 --> 00:34:28,080
Speaker 1: just breaking as well. Just yet, you know that was

611
00:34:28,160 --> 00:34:31,160
Speaker 1: a fucking powerful hurricane that came through It came through

612
00:34:31,160 --> 00:34:35,000
Speaker 1: Florida first, we felt the two right sore enough to

613
00:34:35,040 --> 00:34:38,000
Speaker 1: break levies. Yeah, you know you think that was a conspiracy.

614
00:34:41,000 --> 00:34:42,719
Speaker 1: I look at the after fact a lot of good

615
00:34:42,800 --> 00:34:45,040
Speaker 1: came from it. There was you know, really pretty silver

616
00:34:45,160 --> 00:34:47,440
Speaker 1: line and you know what and that thing. A lot

617
00:34:47,520 --> 00:34:50,200
Speaker 1: of people seeing opportunities that they never would have even

618
00:34:50,280 --> 00:34:52,839
Speaker 1: thought about because they had to get the funk, had

619
00:34:52,880 --> 00:34:56,919
Speaker 1: to leave and when if I don't know, I don't

620
00:34:57,040 --> 00:34:59,360
Speaker 1: know where this is why I'm at. Then ship like

621
00:34:59,440 --> 00:35:04,279
Speaker 1: that happened. I your's gotta go and got better. It

622
00:35:04,360 --> 00:35:08,040
Speaker 1: got better phones. That's a lot of the projects. Didn't

623
00:35:08,040 --> 00:35:10,760
Speaker 1: we went to Texas direct the projects. Well, if it didn't,

624
00:35:11,280 --> 00:35:13,239
Speaker 1: we did, you know, projects out of here. We're gonna

625
00:35:13,239 --> 00:35:15,520
Speaker 1: hold that your projects for the giving up for the

626
00:35:15,560 --> 00:35:23,440
Speaker 1: project cleaning, ship up something that we're sucking the murderate

627
00:35:23,480 --> 00:35:28,799
Speaker 1: about you man. Now, Now, if you could compare CEOs,

628
00:35:28,920 --> 00:35:31,319
Speaker 1: because you know, we love CEO talk for you're one

629
00:35:31,360 --> 00:35:33,479
Speaker 1: of the only people that was like a high level

630
00:35:33,680 --> 00:35:37,279
Speaker 1: that actually dealt with no limit and then dealt with

631
00:35:37,480 --> 00:35:41,520
Speaker 1: cash money like where would you wait? Baby? First. They

632
00:35:41,600 --> 00:35:43,560
Speaker 1: have a lot of similarities, but they're different in a

633
00:35:43,640 --> 00:35:46,160
Speaker 1: lot of ways. To you know, they both had that

634
00:35:46,239 --> 00:35:49,200
Speaker 1: competitive edge, you know what I'm saying, and they have

635
00:35:49,360 --> 00:35:51,320
Speaker 1: they have the person out in their characters to do

636
00:35:51,960 --> 00:35:54,359
Speaker 1: what they've done. I don't know what could have done?

637
00:35:54,480 --> 00:35:57,879
Speaker 1: What would you compare, Like the frozen cars are being

638
00:35:57,960 --> 00:36:00,920
Speaker 1: with P and the frozen cars is being with both unds.

639
00:36:00,960 --> 00:36:02,480
Speaker 1: It was the hottest. Like when I came home, no

640
00:36:02,600 --> 00:36:04,320
Speaker 1: limit was the hot. I mean cash money was the

641
00:36:04,400 --> 00:36:06,480
Speaker 1: hottest ship. I'm like, what a better way to get

642
00:36:06,480 --> 00:36:08,759
Speaker 1: to the top than from the top right up there? Yeah,

643
00:36:08,840 --> 00:36:10,880
Speaker 1: just cut me on, you know what I'm saying. So

644
00:36:11,120 --> 00:36:14,239
Speaker 1: I didn't. How about P. I watched him grind that

645
00:36:14,280 --> 00:36:17,200
Speaker 1: ship from from brown zero from the mud, and I'm

646
00:36:17,200 --> 00:36:19,440
Speaker 1: talking out to build an empire. That ship was amazing.

647
00:36:19,719 --> 00:36:22,080
Speaker 1: He was you know, that man had about twenty three

648
00:36:22,200 --> 00:36:23,919
Speaker 1: million dollars in the bank and the bankers he still

649
00:36:23,960 --> 00:36:26,960
Speaker 1: was nap. I respected then I was like, whoa so

650
00:36:27,320 --> 00:36:30,440
Speaker 1: right chunge. Now you say it was a million dollars

651
00:36:30,480 --> 00:36:33,920
Speaker 1: deal for Mexico and you have a choice gold, cash

652
00:36:34,000 --> 00:36:38,040
Speaker 1: money or no litters. Not father's ease. I just did

653
00:36:38,120 --> 00:36:47,400
Speaker 1: cash turn. It would definitely be no limit turn. But

654
00:36:47,480 --> 00:36:49,640
Speaker 1: I still I still would be very open to talk

655
00:36:49,680 --> 00:36:51,520
Speaker 1: to them, to talk to cats mony about what we're going.

656
00:36:51,600 --> 00:36:53,720
Speaker 1: You know what I'm saying that never never closed minded,

657
00:36:54,560 --> 00:36:57,840
Speaker 1: were united too much too much like right inspired too

658
00:36:57,880 --> 00:37:00,320
Speaker 1: many motherfuckers. They still had that out of tuned to

659
00:37:00,400 --> 00:37:02,520
Speaker 1: do that right now because they change the game. They

660
00:37:02,600 --> 00:37:04,480
Speaker 1: both changed now the writing on the wall from master

661
00:37:04,520 --> 00:37:08,919
Speaker 1: p right babe, Yeah, you're saying what you did was important. Pete,

662
00:37:08,960 --> 00:37:11,040
Speaker 1: we need to come on because that's what I hear

663
00:37:11,080 --> 00:37:15,000
Speaker 1: all day. Come on misical Brown right when they right?

664
00:37:15,160 --> 00:37:17,120
Speaker 1: You know, I got it. You know that's clear. I

665
00:37:17,120 --> 00:37:19,000
Speaker 1: gotta put it out that right though, going out don't clearly?

666
00:37:19,160 --> 00:37:23,719
Speaker 1: Bit Now, how does it doing that? No video? Y'all

667
00:37:23,760 --> 00:37:25,560
Speaker 1: look like y'all have too much many and not just

668
00:37:25,680 --> 00:37:29,200
Speaker 1: the videos. We did fucking movies. Video in particular, that

669
00:37:29,320 --> 00:37:33,280
Speaker 1: was the basketball video, right that came like Shaquille O'Neil

670
00:37:33,360 --> 00:37:36,600
Speaker 1: came out to the video. So that was in the California.

671
00:37:37,360 --> 00:37:40,120
Speaker 1: He did everything longer than life, you know. He definitely

672
00:37:40,239 --> 00:37:42,080
Speaker 1: you know, had to look at the big picture in

673
00:37:42,120 --> 00:37:45,280
Speaker 1: the big way. Now. One of my favorite female artists

674
00:37:45,480 --> 00:37:51,279
Speaker 1: me Act because of the how was it working on hu?

675
00:37:52,360 --> 00:37:54,320
Speaker 1: I said? I used to tell all this, Listen, I

676
00:37:54,400 --> 00:37:56,080
Speaker 1: know you're doing the feature. It's just a feature. But

677
00:37:56,200 --> 00:37:57,919
Speaker 1: you jump on that song with that girl and don't

678
00:37:57,920 --> 00:37:59,480
Speaker 1: have your business. She's gonna cook you. Litt Bridge for

679
00:37:59,520 --> 00:38:03,759
Speaker 1: your bit fix your breakfast bit. So howdy you been there? Yeah?

680
00:38:03,760 --> 00:38:05,560
Speaker 1: What it seems like you too. It seems like every

681
00:38:05,600 --> 00:38:08,600
Speaker 1: time you got on the track, I thought about it

682
00:38:08,719 --> 00:38:11,560
Speaker 1: like that you wanted to murder everybody day. I want

683
00:38:11,600 --> 00:38:14,200
Speaker 1: to compete. So you're telling me your style wasn't developed

684
00:38:14,239 --> 00:38:18,279
Speaker 1: from trying to. I started out a wrapper. Hey, now

685
00:38:18,320 --> 00:38:20,680
Speaker 1: that makes sense, okay, because your style is so because

686
00:38:20,680 --> 00:38:22,560
Speaker 1: I was a storytelling then he was in a hardway

687
00:38:22,600 --> 00:38:26,920
Speaker 1: ballot dude just went went belliterent on bit you in

688
00:38:26,960 --> 00:38:29,440
Speaker 1: the crowd. I was trying to stick to lyrics in

689
00:38:29,480 --> 00:38:31,239
Speaker 1: my list story. I was on this eight board ride

690
00:38:35,480 --> 00:38:43,719
Speaker 1: had so okay, that's why it's that. Let's make I

691
00:38:43,960 --> 00:38:46,239
Speaker 1: never lost again. After that bet of that, I was

692
00:38:46,280 --> 00:38:49,920
Speaker 1: ready for the Now you was you disappointed that you

693
00:38:50,160 --> 00:38:51,919
Speaker 1: didn't get to put out of a project on cash

694
00:38:52,000 --> 00:38:55,839
Speaker 1: money a little bit? Well? I was, Let me see

695
00:38:55,880 --> 00:38:58,560
Speaker 1: what the best one disillusion? You know that's you don't

696
00:38:58,560 --> 00:39:00,440
Speaker 1: even know if that were me, But hall, I was

697
00:39:00,520 --> 00:39:09,080
Speaker 1: be wheeled describe a lady kind of use another fucked up.

698
00:39:09,640 --> 00:39:11,400
Speaker 1: I was discouraged and did you finish that? I was

699
00:39:11,480 --> 00:39:17,400
Speaker 1: just scpt from right. Yeah, I got it. I got

700
00:39:19,920 --> 00:39:21,440
Speaker 1: to put it over that I'm like man now with

701
00:39:21,600 --> 00:39:24,719
Speaker 1: vintage because the game still still was vintage. It might

702
00:39:24,760 --> 00:39:26,920
Speaker 1: have had a little dated town to it, you know.

703
00:39:27,000 --> 00:39:28,759
Speaker 1: And then as the year's progressing that, you know, the

704
00:39:28,800 --> 00:39:31,160
Speaker 1: more I was out here. Yeah, I see. So, now,

705
00:39:31,280 --> 00:39:34,040
Speaker 1: how do you feel about this Wayne and Baby situation?

706
00:39:34,120 --> 00:39:38,080
Speaker 1: Because they're gonna work out and j Princess in it? Yeah,

707
00:39:38,200 --> 00:39:40,360
Speaker 1: because like, did you have the scriptor sees with pe?

708
00:39:41,960 --> 00:39:44,440
Speaker 1: What you mean that you had? Like, right, we all

709
00:39:45,000 --> 00:39:47,360
Speaker 1: from my own and that's just that's that's all they conflict,

710
00:39:47,880 --> 00:39:50,120
Speaker 1: you know, that's all they conflict. We had the respect,

711
00:39:50,239 --> 00:39:51,520
Speaker 1: you know. On top of all of that though, So

712
00:39:51,719 --> 00:39:54,319
Speaker 1: the business always came out because they was managing you too,

713
00:39:54,480 --> 00:39:58,840
Speaker 1: right they didn't they didn't. Yeah, yeah that comes answers, Yeah,

714
00:39:59,040 --> 00:40:01,239
Speaker 1: like it comes. I was what the company and the

715
00:40:01,400 --> 00:40:05,080
Speaker 1: company managers and my manager too. Yeah for me, I can't, Yeah,

716
00:40:05,480 --> 00:40:08,520
Speaker 1: said right, so you start second, I mean not no limit,

717
00:40:08,560 --> 00:40:10,200
Speaker 1: but it's still you know what I was second and

718
00:40:10,239 --> 00:40:11,759
Speaker 1: never go. But it's still fund Like I was first

719
00:40:11,800 --> 00:40:13,960
Speaker 1: looking at the other rapper that wasn't in the position

720
00:40:14,000 --> 00:40:16,040
Speaker 1: I was in. So I just appreciate it. We came

721
00:40:16,080 --> 00:40:18,240
Speaker 1: with it, fucking I take that all right there, because

722
00:40:18,239 --> 00:40:20,200
Speaker 1: I got this. I think it's take the ball time

723
00:40:20,280 --> 00:40:22,840
Speaker 1: it's open. It's open. That's the Chinese ship opening up.

724
00:40:22,840 --> 00:40:26,040
Speaker 1: I want you to do by something. Jump out there.

725
00:40:27,800 --> 00:40:30,480
Speaker 1: You're good. This is the start of the show. By

726
00:40:30,520 --> 00:40:33,239
Speaker 1: the way, to take a ball? Oh this is all right?

727
00:40:33,520 --> 00:40:37,480
Speaker 1: Sounded like something to smoke. But we're gonna get into

728
00:40:37,520 --> 00:40:43,520
Speaker 1: some ship man. Yeah to go in, okay, tell me

729
00:40:43,600 --> 00:40:49,600
Speaker 1: when to stop. She stopped. Goddamnit. Alright, cool. Let you'all

730
00:40:50,440 --> 00:40:53,359
Speaker 1: that one and with me too. I'm gonna let your

731
00:40:53,440 --> 00:40:55,960
Speaker 1: cherry pick y'all take what chever shot. Y'all want the

732
00:40:56,040 --> 00:40:58,680
Speaker 1: guest first, ye shot the littlest one. I want a

733
00:40:58,680 --> 00:41:03,400
Speaker 1: little bit of bit right. This is where the interview

734
00:41:03,480 --> 00:41:05,920
Speaker 1: turns funky. We go all right, now, we gotta show

735
00:41:05,920 --> 00:41:12,960
Speaker 1: you how to do it, missico out. I got ah. Yeah,

736
00:41:13,080 --> 00:41:22,879
Speaker 1: that's it went down wrong. I tasted like Tabasco song

737
00:41:24,200 --> 00:41:30,680
Speaker 1: that's called Myself. Come on, you wan twin everybody twin

738
00:41:33,040 --> 00:41:42,320
Speaker 1: that one shot? Want some more plas twin you No, no, no,

739
00:41:42,520 --> 00:41:45,120
Speaker 1: you want another one? A little bit business? Come on, brother,

740
00:41:45,760 --> 00:41:48,319
Speaker 1: I got show to night bro alright, good, I'm gonna

741
00:41:48,320 --> 00:41:50,640
Speaker 1: be facing the crowd to night. I can't thinking about yourselves.

742
00:41:51,000 --> 00:42:04,279
Speaker 1: Then we all gotta you're ready to twin. I'm where

743
00:42:04,280 --> 00:42:13,400
Speaker 1: you at. Tiger Ball, the craziest back to back? Right,

744
00:42:13,600 --> 00:42:16,640
Speaker 1: when did it come? Break a ball? Take a bone

745
00:42:17,040 --> 00:42:20,680
Speaker 1: a ball? Let's talk about a ball like bo like

746
00:42:21,040 --> 00:42:25,799
Speaker 1: the tyger rap like mystical right now, I don't want

747
00:42:25,840 --> 00:42:30,200
Speaker 1: my hand. That my hand that got a chill. Now listen,

748
00:42:30,280 --> 00:42:34,080
Speaker 1: So how did move bitch get out the way? I

749
00:42:34,160 --> 00:42:37,120
Speaker 1: heard that was your record? Ludicrous heard it and then

750
00:42:37,320 --> 00:42:40,680
Speaker 1: asked the bife. I know, I didn't even I guess

751
00:42:40,719 --> 00:42:42,880
Speaker 1: if I went over my head, but my management and

752
00:42:42,960 --> 00:42:45,000
Speaker 1: somebody like I don't want that track. He spoke from me.

753
00:42:45,040 --> 00:42:47,320
Speaker 1: He misspoke for me. In other words, So that was

754
00:42:47,480 --> 00:42:50,279
Speaker 1: your track, my song like want that ship msic. I

755
00:42:50,400 --> 00:42:54,560
Speaker 1: never heard it. You didn't never heard it the track

756
00:42:55,120 --> 00:42:58,279
Speaker 1: Chlse recorded the track with me and mine, but I

757
00:42:58,360 --> 00:43:00,600
Speaker 1: never heard it. Just never got gave it to a

758
00:43:00,640 --> 00:43:03,879
Speaker 1: little It got to Ludicrous first just happened came through. Yeah,

759
00:43:05,120 --> 00:43:08,560
Speaker 1: that's crazy story. I heard. I heard that that was

760
00:43:08,640 --> 00:43:11,319
Speaker 1: your record and then sold it to a little Chris.

761
00:43:11,440 --> 00:43:13,920
Speaker 1: But no, the beat was what they were saying was

762
00:43:14,160 --> 00:43:16,000
Speaker 1: it was intended for me? First, it was supposed to

763
00:43:16,000 --> 00:43:17,840
Speaker 1: be mine. It never got to me. For whatever it

764
00:43:18,000 --> 00:43:20,080
Speaker 1: was you bad about that, I'd be mad about that bit.

765
00:43:20,160 --> 00:43:24,000
Speaker 1: Just still feel like, you know what record I had,

766
00:43:24,400 --> 00:43:28,360
Speaker 1: um jig jig out that it was going normy doory,

767
00:43:28,480 --> 00:43:30,520
Speaker 1: that they paid it for me. I was like that ship,

768
00:43:30,600 --> 00:43:32,600
Speaker 1: this piece of ship, and then you know, jay Z

769
00:43:33,080 --> 00:43:42,000
Speaker 1: I was like, oh God, working suckers, listen, but don't

770
00:43:42,000 --> 00:43:45,239
Speaker 1: touch your hand out. Pip. Yeah, what what was? What

771
00:43:45,400 --> 00:43:48,040
Speaker 1: was your favorite feature? You you did like one of them,

772
00:43:48,120 --> 00:43:51,960
Speaker 1: that's sucking one of them beside that, um ship? Man,

773
00:43:52,000 --> 00:43:58,959
Speaker 1: I got some good ones, uh but eight j Yeah, drama, dope,

774
00:43:59,760 --> 00:44:02,920
Speaker 1: bust stuff of course, man busses. When I came home

775
00:44:03,040 --> 00:44:05,000
Speaker 1: bus to pull it up, like days after I made

776
00:44:05,040 --> 00:44:07,320
Speaker 1: it back home was in a six years on the

777
00:44:07,400 --> 00:44:10,920
Speaker 1: tour bus with spinning wheels. I was scratching my head, like, Yo,

778
00:44:11,040 --> 00:44:16,839
Speaker 1: that was busted series with that ship, big of the bust,

779
00:44:19,400 --> 00:44:22,719
Speaker 1: incredible fucking that ship like electricity and water. They aren't

780
00:44:22,719 --> 00:44:24,040
Speaker 1: supposed to be in the stepped in the STUDI at

781
00:44:24,040 --> 00:44:25,719
Speaker 1: the same time, you know what I'm saying, ship was

782
00:44:25,840 --> 00:44:30,680
Speaker 1: like ugly bro, Now, who's your favorite producer to work with?

783
00:44:33,680 --> 00:44:36,680
Speaker 1: Ivariss it don't matter, don't but like later to have

784
00:44:36,760 --> 00:44:40,360
Speaker 1: a fall. That's see, it's more than my favorite. That

785
00:44:40,400 --> 00:44:42,600
Speaker 1: thing is you can hear the favorite too. But he liked.

786
00:44:42,640 --> 00:44:45,840
Speaker 1: That's the like my that's the meeting potatoes of you

787
00:44:45,920 --> 00:44:48,279
Speaker 1: know my album. You always be the meeting potatoes, the

788
00:44:48,280 --> 00:44:49,799
Speaker 1: ship that I really want to do and get off

789
00:44:49,840 --> 00:44:51,160
Speaker 1: my chest. He gonna has something to do with it.

790
00:44:51,480 --> 00:44:53,520
Speaker 1: Now everything else I'm trying to, you know, catch this

791
00:44:53,640 --> 00:44:56,120
Speaker 1: mark of the capture that market. But like the me

792
00:44:56,320 --> 00:44:59,120
Speaker 1: and the essences kill and who was the producer? You

793
00:44:59,160 --> 00:45:01,200
Speaker 1: wish you would have worked? Yeah, that's my next cup.

794
00:45:01,600 --> 00:45:06,759
Speaker 1: Dr Dre. Yeah, we all with something of motherfucking lund Yeah, Tim,

795
00:45:06,840 --> 00:45:12,319
Speaker 1: but I can't. I thought, you come on, man, let's

796
00:45:12,320 --> 00:45:15,280
Speaker 1: do this. Yeah. That's like to me, it's a new brainer,

797
00:45:15,360 --> 00:45:18,160
Speaker 1: right and we we we you know, we messed good

798
00:45:18,160 --> 00:45:20,560
Speaker 1: in the Studio's good. Yeah, because you know I've called

799
00:45:20,560 --> 00:45:23,440
Speaker 1: some sessions for the Math. Actually he he sent me

800
00:45:23,520 --> 00:45:25,360
Speaker 1: a song. We just never got a chance to do it.

801
00:45:25,400 --> 00:45:29,080
Speaker 1: That the Debacco happened. Debacco? What word is that? Debacco?

802
00:45:29,360 --> 00:45:32,520
Speaker 1: The funk up I called we just know a new

803
00:45:32,560 --> 00:45:42,799
Speaker 1: word debacos. I was talking football time yeah, debacco. Yeah,

804
00:45:43,680 --> 00:45:48,960
Speaker 1: sucking you be married off? Okay, nothing sing. I got

805
00:45:48,960 --> 00:45:50,960
Speaker 1: a lot of baby mamas. Oh yeah, how many baby

806
00:45:51,000 --> 00:45:52,719
Speaker 1: mamas you got? I just vote onto that. Okay, we

807
00:45:52,840 --> 00:45:56,319
Speaker 1: just got I got six kids, six and impossible kid

808
00:45:56,440 --> 00:45:58,160
Speaker 1: six too. I got a possible though I don't know

809
00:45:58,239 --> 00:46:00,440
Speaker 1: the nigger hand. Yeah, we gotta find figure it out

810
00:46:00,600 --> 00:46:03,680
Speaker 1: for blood test. You gotta figure it out. You're gonna

811
00:46:03,680 --> 00:46:08,279
Speaker 1: figure out. I'm gonna do a norm. I just gotta

812
00:46:08,320 --> 00:46:10,600
Speaker 1: just this one. This one. We gotta figure it is blonde.

813
00:46:10,800 --> 00:46:13,120
Speaker 1: We got figured it out. You got got somebody your family,

814
00:46:13,160 --> 00:46:19,560
Speaker 1: look at that. Figure it out, fire it out slow,

815
00:46:20,200 --> 00:46:21,880
Speaker 1: talk of bond. That's it. Now. This is this is

816
00:46:21,920 --> 00:46:24,320
Speaker 1: a question we asked all our guys. Do you ask

817
00:46:28,120 --> 00:46:32,600
Speaker 1: if we need no context, think about I'm sitting married up.

818
00:46:32,920 --> 00:46:36,239
Speaker 1: You're supposed be looking at your wife like baby, that's

819
00:46:36,280 --> 00:46:37,920
Speaker 1: not one part of your body in my mouth. Wouldn't

820
00:46:37,920 --> 00:46:41,719
Speaker 1: touch you, know what I'm saying. Yeah, let's make some

821
00:46:41,920 --> 00:46:46,160
Speaker 1: un I got damn but I went man. Don't said

822
00:46:46,160 --> 00:46:48,040
Speaker 1: that mad Lane saying about anybody bull that he's telling me.

823
00:46:48,120 --> 00:46:52,960
Speaker 1: He got asked you the foll that dingle berries on.

824
00:46:53,040 --> 00:46:57,480
Speaker 1: He'll take it. Yeah, dingle berries, dingle berries on but

825
00:46:57,640 --> 00:46:59,279
Speaker 1: come over here, we get here. You got into my miney.

826
00:46:59,360 --> 00:47:02,759
Speaker 1: You gotta spend commandment you think about like Crisp, you

827
00:47:02,840 --> 00:47:06,240
Speaker 1: got you, but you have done that. You plug the beres,

828
00:47:06,320 --> 00:47:12,640
Speaker 1: I mean not, he'd just be like, what kind of

829
00:47:14,040 --> 00:47:18,719
Speaker 1: but I'm missing? Cool? You must have did crazy toys? Right, yeah,

830
00:47:19,640 --> 00:47:24,040
Speaker 1: we've you must have did crazy toys? What's your most

831
00:47:24,120 --> 00:47:28,520
Speaker 1: memorable toy moment? No limit, no Limit? That was the

832
00:47:28,520 --> 00:47:30,719
Speaker 1: biggest movement that I was a part of him, you know,

833
00:47:30,920 --> 00:47:34,840
Speaker 1: tackle web, besides my personal shake ass and that was

834
00:47:35,000 --> 00:47:37,799
Speaker 1: that seeing him gentle it was dope too. I think, uh,

835
00:47:38,360 --> 00:47:41,000
Speaker 1: the no limit ship, no limit, you know, the moment

836
00:47:41,080 --> 00:47:44,840
Speaker 1: before I got to the check your ass that in Houston,

837
00:47:45,000 --> 00:47:48,200
Speaker 1: man had like five thousand people outside the mother don't

838
00:47:48,200 --> 00:47:52,520
Speaker 1: out there now? Now? Would you? Would you say that? Why?

839
00:47:52,680 --> 00:47:55,120
Speaker 1: When you worked with a roll that it took you

840
00:47:55,280 --> 00:48:00,840
Speaker 1: from like you know, just like yeah, yeah, So I

841
00:48:00,920 --> 00:48:03,239
Speaker 1: describe that in other words, I went from I guess

842
00:48:04,239 --> 00:48:06,879
Speaker 1: you couldn't call mater p h anything other than a list.

843
00:48:06,960 --> 00:48:09,719
Speaker 1: So I went from like the a urban a list

844
00:48:09,840 --> 00:48:13,320
Speaker 1: to the like pop a listing because I've seen it

845
00:48:13,440 --> 00:48:15,680
Speaker 1: to see you to the MTV. Yeah for real, for

846
00:48:15,920 --> 00:48:19,480
Speaker 1: a bunch of white kids, and they knew every word crazy.

847
00:48:19,560 --> 00:48:25,440
Speaker 1: They held out too, that the whole movement, you know

848
00:48:25,520 --> 00:48:28,400
Speaker 1: that that was just like small little like many prizes

849
00:48:28,480 --> 00:48:29,879
Speaker 1: for you know, for the ship that you were saying

850
00:48:29,880 --> 00:48:32,200
Speaker 1: at first, Man, I didn't for the right reason. I'm

851
00:48:32,200 --> 00:48:34,000
Speaker 1: telling about that music came out there because I meant it,

852
00:48:34,360 --> 00:48:37,400
Speaker 1: you know, I was. I was coming from a disposition

853
00:48:37,440 --> 00:48:40,680
Speaker 1: of and I'm saying being considered how y'all was gonna feel.

854
00:48:40,800 --> 00:48:42,359
Speaker 1: I write that ship as a fan too, like I'm

855
00:48:42,640 --> 00:48:44,880
Speaker 1: listening to when I'm when I'm when I'm recording, and

856
00:48:44,920 --> 00:48:46,640
Speaker 1: I listened to that ship, I'd be a fan that

857
00:48:46,640 --> 00:48:48,520
Speaker 1: I would be jumping around like that somebody else saying it,

858
00:48:48,640 --> 00:48:53,080
Speaker 1: you know, like when that and the fans right, So

859
00:48:53,520 --> 00:48:57,880
Speaker 1: you thin about the new generation the same way I

860
00:48:57,920 --> 00:49:00,200
Speaker 1: hold people felt about us that somebody guys got, isn't

861
00:49:00,239 --> 00:49:02,239
Speaker 1: that is? You know people told us that too. So

862
00:49:02,400 --> 00:49:04,480
Speaker 1: we can't fuss no, because they told us the same ship.

863
00:49:04,680 --> 00:49:08,080
Speaker 1: You know, you gotta people from from my aarroway, don't

864
00:49:08,120 --> 00:49:12,160
Speaker 1: just compete with it is. But I tell those artists,

865
00:49:12,200 --> 00:49:14,120
Speaker 1: if you know, if y'all making money and that's secure.

866
00:49:14,160 --> 00:49:17,160
Speaker 1: Your fac don't your thing it's about. But still it's

867
00:49:17,160 --> 00:49:19,319
Speaker 1: a craft and you know the art strich to this ship.

868
00:49:19,400 --> 00:49:20,600
Speaker 1: You know, we got a lot of We got a

869
00:49:20,600 --> 00:49:24,399
Speaker 1: lot of paintings. You need a few more artists. There's

870
00:49:24,440 --> 00:49:28,360
Speaker 1: there's something called mumble rap out there. You heard about that.

871
00:49:28,480 --> 00:49:32,759
Speaker 1: That's a legitimate term. Yeah, that's actually I shouldn't even

872
00:49:32,800 --> 00:49:37,239
Speaker 1: be calling holy ship, Like what do you feel about that?

873
00:49:38,160 --> 00:49:43,560
Speaker 1: If it's working ship? Get you that's coming from a

874
00:49:43,640 --> 00:49:45,719
Speaker 1: mother's what the bring that said? That's not wrap so

875
00:49:46,080 --> 00:49:48,719
Speaker 1: that could be almost little listen, we can hear you.

876
00:49:49,280 --> 00:49:53,080
Speaker 1: We get here still, even when you say said when

877
00:49:53,120 --> 00:49:54,920
Speaker 1: the motherfucker can't hear me, they want to hear me.

878
00:49:55,239 --> 00:49:57,239
Speaker 1: That's the difference. I don't know what you're saying, but

879
00:49:57,320 --> 00:49:59,160
Speaker 1: I want to know something. Rewind that bitch and trying

880
00:49:59,160 --> 00:50:01,640
Speaker 1: to find out what you're that's different. That's what, that's what,

881
00:50:01,680 --> 00:50:05,239
Speaker 1: that's that's what the nineties we made. We wind you

882
00:50:05,280 --> 00:50:08,719
Speaker 1: can rewind that same thing. No, we wind rap right now?

883
00:50:09,239 --> 00:50:11,840
Speaker 1: What you could just hear the same mumble? Yeah, that's crazy.

884
00:50:13,640 --> 00:50:18,920
Speaker 1: I rewind all the time. Like when the beat kick up,

885
00:50:18,960 --> 00:50:20,640
Speaker 1: so I stopped that hold on he said, hold on,

886
00:50:22,520 --> 00:50:24,719
Speaker 1: you know some of that ship jamming man? You future?

887
00:50:24,719 --> 00:50:29,120
Speaker 1: You saying if the jam and jamming? Yeah, I never

888
00:50:29,200 --> 00:50:32,160
Speaker 1: heard I never heard of bad Drake song. I know

889
00:50:32,520 --> 00:50:36,360
Speaker 1: you know on the radio. Still got to come to

890
00:50:36,440 --> 00:50:38,560
Speaker 1: the concert to Yeah, come on to the concert. Yeah,

891
00:50:39,280 --> 00:50:41,279
Speaker 1: I'm saying. So, now, how you feel about like you

892
00:50:41,440 --> 00:50:45,719
Speaker 1: speaking to Drake? Um? Uh? You know how you feel

893
00:50:45,760 --> 00:50:48,520
Speaker 1: about ghosts? Right? Because the reason why I don't like

894
00:50:48,880 --> 00:50:52,120
Speaker 1: right because nobody can't wait from that era. They can't

895
00:50:52,200 --> 00:50:55,120
Speaker 1: right for Mr. How you gonna do that? You miss that?

896
00:50:56,480 --> 00:50:58,320
Speaker 1: I need somebody missed up? Who gonna say? Like the

897
00:50:58,360 --> 00:51:02,480
Speaker 1: candle right? Last channel? I can't crooking like a road.

898
00:51:03,600 --> 00:51:05,920
Speaker 1: You aren't gonna put that in there? Put that? How

899
00:51:05,960 --> 00:51:08,560
Speaker 1: do you feel about ghosts? Right? And pay the bills?

900
00:51:08,640 --> 00:51:10,480
Speaker 1: You know, I don't even I don't have nothing to

901
00:51:10,520 --> 00:51:12,719
Speaker 1: say about something that you know that could be working

902
00:51:12,719 --> 00:51:15,200
Speaker 1: for somebody else because they don't fit what I'm doing.

903
00:51:15,360 --> 00:51:18,040
Speaker 1: You just come you come across and you sound like

904
00:51:18,440 --> 00:51:22,279
Speaker 1: you just look at everything positive and like you know

905
00:51:22,440 --> 00:51:26,560
Speaker 1: as as as good my father was. Yeah, but it's

906
00:51:27,800 --> 00:51:30,520
Speaker 1: you say. My father's always say we look up what's

907
00:51:30,560 --> 00:51:33,359
Speaker 1: good in the person for rist and like that's how

908
00:51:33,360 --> 00:51:36,520
Speaker 1: you look alive, bro, because who ain't fun? Ain't fun? Man?

909
00:51:37,520 --> 00:51:39,719
Speaker 1: You know it was from its minds and don't come

910
00:51:39,760 --> 00:51:43,439
Speaker 1: out so that So now you leave cash, buddy, what's

911
00:51:43,440 --> 00:51:46,799
Speaker 1: the Mr Coal's planning? Mr Coal? I gotta I gotta

912
00:51:46,840 --> 00:51:48,719
Speaker 1: get it together. Like I said at that point, I

913
00:51:48,840 --> 00:51:51,000
Speaker 1: was that was a little dissolute. I was a little discouraged,

914
00:51:51,160 --> 00:51:53,960
Speaker 1: like ship, do they need me fun? I'm gonna hang.

915
00:51:54,000 --> 00:51:56,400
Speaker 1: I'm gonna let uniform ship. I don't know. Now you

916
00:51:56,480 --> 00:52:00,759
Speaker 1: asked to be released. Yeah, got to your point where

917
00:52:00,840 --> 00:52:04,600
Speaker 1: too much time was being wasted and yeah, I'm just yeah, right,

918
00:52:04,640 --> 00:52:07,480
Speaker 1: you're ready to go in. Yeah, I'm doing this party.

919
00:52:08,320 --> 00:52:10,239
Speaker 1: And you when you asked them and you said, um

920
00:52:10,560 --> 00:52:13,479
Speaker 1: yeah amicably, Look boom boom. Get the same thing with Buster.

921
00:52:14,080 --> 00:52:15,799
Speaker 1: We've went over at the same time we left around

922
00:52:15,840 --> 00:52:20,640
Speaker 1: the same time it was with the Union. Yeah, in

923
00:52:20,719 --> 00:52:25,120
Speaker 1: itself for real. And now so you you you want

924
00:52:25,120 --> 00:52:27,040
Speaker 1: to go back to a major, you want to keep

925
00:52:27,040 --> 00:52:29,000
Speaker 1: it independent. I just I just need the rite. I

926
00:52:29,120 --> 00:52:31,160
Speaker 1: just need the right machine behind me. And I don't

927
00:52:31,160 --> 00:52:33,560
Speaker 1: matter what it is. So you're saying me he said

928
00:52:33,600 --> 00:52:38,359
Speaker 1: it much, Yeah, put it much. See what I'm saying

929
00:52:38,880 --> 00:52:40,439
Speaker 1: it's still gonna be open to that, but of course

930
00:52:40,480 --> 00:52:42,680
Speaker 1: the main goal would be like the biggest situation that

931
00:52:42,760 --> 00:52:46,360
Speaker 1: you can get, you know, Max Management Company. That's not

932
00:52:46,520 --> 00:52:51,960
Speaker 1: at all fucking calls though you ain't that Yeah, ship,

933
00:52:52,040 --> 00:52:54,600
Speaker 1: I do that. That that was my cash money ship. Well,

934
00:52:54,600 --> 00:52:58,480
Speaker 1: I definitely sixty women write that was the going I

935
00:52:58,560 --> 00:53:00,360
Speaker 1: had to come out check get the going rate. You know,

936
00:53:00,400 --> 00:53:02,719
Speaker 1: I couldn't come out of acting like this, digging and

937
00:53:02,840 --> 00:53:04,640
Speaker 1: digging the chet that's makes a noise, you give me chet.

938
00:53:04,680 --> 00:53:09,600
Speaker 1: I got the check that that was the thund like

939
00:53:09,680 --> 00:53:11,879
Speaker 1: that was all about, you know, more than just the music.

940
00:53:11,960 --> 00:53:14,359
Speaker 1: Get helped me. I exaid to that. Yet, man, thank

941
00:53:14,400 --> 00:53:17,880
Speaker 1: you bro exactly for man, that's right there like that.

942
00:53:18,080 --> 00:53:22,000
Speaker 1: So you because I think Empire you've ever heard of

943
00:53:22,080 --> 00:53:27,120
Speaker 1: Empire in my um uh distribution there not nothing not

944
00:53:27,239 --> 00:53:32,400
Speaker 1: the digital distribution distribution Like they're great, they're great teams.

945
00:53:32,440 --> 00:53:34,040
Speaker 1: So just okay, because I know you got hits. I

946
00:53:34,120 --> 00:53:37,160
Speaker 1: know you got hits. You see the platform that we're

947
00:53:37,160 --> 00:53:40,879
Speaker 1: staying on right here, what exactly exactly like a million

948
00:53:40,880 --> 00:53:42,480
Speaker 1: people who listened to us make some noise for the

949
00:53:42,520 --> 00:53:49,120
Speaker 1: million people got che me yo listen mystical. You're just

950
00:53:49,239 --> 00:53:51,799
Speaker 1: making a difference in my career. No, no, don't worry

951
00:53:51,800 --> 00:53:57,240
Speaker 1: about it. Yeah, yeah, you're You're second New Orleans guests

952
00:53:57,680 --> 00:54:00,120
Speaker 1: and I love New Orleans. Yeah, you know, every time

953
00:54:00,160 --> 00:54:01,960
Speaker 1: I went there, it was a dead body though. I'm

954
00:54:01,960 --> 00:54:03,480
Speaker 1: just gonna keep it real, like every time I went

955
00:54:03,560 --> 00:54:05,920
Speaker 1: in the party and already in the party and I

956
00:54:06,080 --> 00:54:12,480
Speaker 1: was like, goddamn it. And Morty Gros can you can

957
00:54:12,560 --> 00:54:15,759
Speaker 1: you describe Marty Grow for like? Listen, Marty Grow was

958
00:54:15,920 --> 00:54:17,720
Speaker 1: one of the one of the things that made growing

959
00:54:17,760 --> 00:54:20,440
Speaker 1: up in New Orleans spectacular. Now it's Marty Grow once

960
00:54:20,480 --> 00:54:24,880
Speaker 1: a year. Once a year, Okay, I'm thinking about a

961
00:54:24,880 --> 00:54:28,000
Speaker 1: week two week long event. I have parades and all

962
00:54:28,120 --> 00:54:30,719
Speaker 1: kind of games. She's gonna be you know, symbol around

963
00:54:30,760 --> 00:54:35,319
Speaker 1: this motherfucker's just so I don't know, it go way

964
00:54:35,440 --> 00:54:38,839
Speaker 1: back like French araba. Yeah, yeah, I know, I got

965
00:54:39,000 --> 00:54:41,520
Speaker 1: spiritual connotations. You know what I'm talking about, Okay, Yes,

966
00:54:42,440 --> 00:54:46,719
Speaker 1: Caribbean French colonization, going down, the celebration around telling my

967
00:54:46,840 --> 00:54:50,040
Speaker 1: life sink the Mayo. Yeah, celebrating made me made it

968
00:54:50,080 --> 00:55:03,839
Speaker 1: through some ship. That's what us to get the pus

969
00:55:03,960 --> 00:55:10,640
Speaker 1: it making home out the battle. Listen. So wow, that

970
00:55:10,760 --> 00:55:17,759
Speaker 1: was real. Listen. So y'all even like be marching at funerals? Like,

971
00:55:17,960 --> 00:55:21,120
Speaker 1: what is that called? That's the second line? Yeah, that's

972
00:55:21,120 --> 00:55:22,920
Speaker 1: the it's called the second I think the first one

973
00:55:23,239 --> 00:55:25,360
Speaker 1: video like that. Yeah, but if we did in the

974
00:55:25,360 --> 00:55:28,000
Speaker 1: Atlanta Yeah, what was man? What the funk? That ain't

975
00:55:28,000 --> 00:55:30,080
Speaker 1: no second line of fucking circus? You know? And I

976
00:55:30,200 --> 00:55:32,399
Speaker 1: was just stay because I wasn't. I didn't stay true

977
00:55:32,520 --> 00:55:35,839
Speaker 1: exactly you know the script. I was just doing the video.

978
00:55:35,840 --> 00:55:42,080
Speaker 1: I ain't had time to Yeah, what is that the point? Yeah? Anyway,

979
00:55:42,120 --> 00:55:43,959
Speaker 1: it was good. That means the second line, That means

980
00:55:44,280 --> 00:55:46,200
Speaker 1: the first line this, Yeah, we're gonna but then the

981
00:55:46,239 --> 00:55:50,200
Speaker 1: grounds over for you. So it's coming back in the

982
00:55:50,239 --> 00:55:53,200
Speaker 1: funeral park, you know, the crap or not a second? Huh?

983
00:55:55,080 --> 00:55:58,799
Speaker 1: Life exactly what you did? You know? The World Gonna

984
00:55:58,840 --> 00:56:01,320
Speaker 1: Be video? Was that then? Because you left it? You know?

985
00:56:01,520 --> 00:56:03,759
Speaker 1: So the video was that That was a bouncing back

986
00:56:03,840 --> 00:56:06,640
Speaker 1: you ain't singing? That was? That was out the nine

987
00:56:06,680 --> 00:56:08,239
Speaker 1: one one. That was my tribute to NW one one.

988
00:56:08,520 --> 00:56:10,399
Speaker 1: Yeah we're gonna be all right, We're gonna shake back.

989
00:56:10,560 --> 00:56:13,239
Speaker 1: Why people know that that was a tribute to that

990
00:56:13,320 --> 00:56:15,759
Speaker 1: one but the video was kind of like doing it

991
00:56:15,880 --> 00:56:18,080
Speaker 1: was you know it was it was collected you saying

992
00:56:18,160 --> 00:56:20,279
Speaker 1: New Orleans people was bad because you didn't keep it

993
00:56:20,320 --> 00:56:21,960
Speaker 1: just because I shouldn't do this because I didn't do

994
00:56:22,040 --> 00:56:24,879
Speaker 1: the video in the wall and something in Atlanta. Yeah, yeah,

995
00:56:25,400 --> 00:56:32,799
Speaker 1: I thought you was exactly like they know the movies

996
00:56:32,840 --> 00:56:36,160
Speaker 1: in Canada, New York about the James because ain't my

997
00:56:36,200 --> 00:56:39,279
Speaker 1: own songs? You know, you was the song and the

998
00:56:39,360 --> 00:56:40,719
Speaker 1: James felt like she could have sung on I got

999
00:56:40,840 --> 00:56:45,560
Speaker 1: have signed my song, you know in New Orleans, if

1000
00:56:45,560 --> 00:56:47,800
Speaker 1: you had the opportuny from you, you both do this.

1001
00:56:47,840 --> 00:56:49,920
Speaker 1: And I want you about Atlanta for I ain't know,

1002
00:56:50,200 --> 00:56:52,399
Speaker 1: I ain't know. Yeah, I just showed up. I read

1003
00:56:52,440 --> 00:56:53,759
Speaker 1: that tennerary and I went down what they had to

1004
00:56:53,800 --> 00:56:56,440
Speaker 1: do and kept it moving. I'm busy, baby, so that

1005
00:56:57,000 --> 00:56:59,040
Speaker 1: the heart was the heart of the twins still and

1006
00:56:59,040 --> 00:57:00,879
Speaker 1: every day I just keep looking enough it's Twain taking

1007
00:57:00,920 --> 00:57:04,360
Speaker 1: some guys like man, people keep taking something. Yeah, this

1008
00:57:04,520 --> 00:57:07,880
Speaker 1: is crazy. Now you you sponsored by Hennessy and Belbadere.

1009
00:57:07,920 --> 00:57:10,759
Speaker 1: You okay, you're a cold flow all right, let me

1010
00:57:10,840 --> 00:57:16,320
Speaker 1: know that guy got your's the most professional real unprofessional professional. Yeah,

1011
00:57:16,360 --> 00:57:18,120
Speaker 1: get it again. We slex Ki, Yeah, you will say

1012
00:57:18,120 --> 00:57:20,520
Speaker 1: it on the mike. It's okay, yeah, yeah, y'all say

1013
00:57:20,520 --> 00:57:23,960
Speaker 1: it bro yea that is yeah yeah yeah, y'all on

1014
00:57:24,040 --> 00:57:29,240
Speaker 1: cameras standing. I know you gotta have it. S What

1015
00:57:29,400 --> 00:57:33,400
Speaker 1: is that? What is that? What a right? This is

1016
00:57:33,440 --> 00:57:37,680
Speaker 1: where the can in Hennessy. Look, belbade Red got a

1017
00:57:37,760 --> 00:57:42,320
Speaker 1: Jawn Legend bottom Beloda press Bundy with me. You need

1018
00:57:42,360 --> 00:57:46,120
Speaker 1: to come on, we can do you want me to

1019
00:57:46,200 --> 00:57:49,040
Speaker 1: read that. I want me to read that. We don't

1020
00:57:49,040 --> 00:57:54,160
Speaker 1: have to content. Let's have from Belasya go alright, alright,

1021
00:57:54,200 --> 00:57:57,000
Speaker 1: So the model right there, that was we're part we're sponsor,

1022
00:57:57,120 --> 00:58:02,480
Speaker 1: we're partnered with with John Legend, John Legend, John the

1023
00:58:02,520 --> 00:58:06,400
Speaker 1: Foundation for eight. All proceeds of that, all proceeds from

1024
00:58:06,440 --> 00:58:11,400
Speaker 1: the John Legend bottle go to the eight Foundation. Rocket

1025
00:58:12,440 --> 00:58:16,160
Speaker 1: give me, give me, you're gonna do it better? Let

1026
00:58:16,240 --> 00:58:19,720
Speaker 1: me see you had right better be right the south

1027
00:58:19,760 --> 00:58:22,960
Speaker 1: flow right just the bottom park. We are streaming the

1028
00:58:23,040 --> 00:58:30,000
Speaker 1: show on tilted title titt tilted Global dot com. Tilt

1029
00:58:30,520 --> 00:58:34,880
Speaker 1: is that right over Tilo dot com, tilt Globe dot com.

1030
00:58:35,000 --> 00:58:40,040
Speaker 1: But it's kind of like an elevent rocket mortgage. I'm sorry,

1031
00:58:40,040 --> 00:58:44,240
Speaker 1: I'm sorry that I can't hearing your voice anyways, shout

1032
00:58:44,280 --> 00:58:46,920
Speaker 1: out to tilted Globe dot com. They streaming, They're not streaming, sidelo,

1033
00:58:47,120 --> 00:58:49,240
Speaker 1: Ye're not streaming this one. You're streaming the next one.

1034
00:58:52,040 --> 00:58:56,640
Speaker 1: To show the show out of that so much, so

1035
00:58:56,880 --> 00:58:59,480
Speaker 1: so much. Man, man, this is how we do it. It'sical.

1036
00:58:59,560 --> 00:59:02,360
Speaker 1: We we we don't let me too. We were talking.

1037
00:59:04,960 --> 00:59:07,600
Speaker 1: So listen, Mr cool, we have a war show that

1038
00:59:07,640 --> 00:59:10,160
Speaker 1: we're planning on January. Second, I'm gonna tell you some

1039
00:59:10,240 --> 00:59:12,240
Speaker 1: of the categories, and I want you to name a

1040
00:59:12,320 --> 00:59:15,800
Speaker 1: category for us. Okay, alright. One of the categories is

1041
00:59:15,960 --> 00:59:18,360
Speaker 1: asked Eat of the Year. He already stepped up to

1042
00:59:18,400 --> 00:59:26,480
Speaker 1: get this award. Yeah, perfect qualified and ask you. I'm

1043
00:59:26,520 --> 00:59:33,280
Speaker 1: saying I'm number one, alright. So second, yeah, one, listen,

1044
00:59:33,360 --> 00:59:35,960
Speaker 1: I didn't clear this with pump Daddy, but I'm just

1045
00:59:36,040 --> 00:59:46,320
Speaker 1: looking at just look at So it's okay, it's money.

1046
00:59:46,360 --> 00:59:48,880
Speaker 1: We got, we got, we got, we got a great

1047
00:59:48,880 --> 00:59:52,400
Speaker 1: relationship with pup Daddy. Okay, So we're gonna do asked

1048
00:59:52,440 --> 00:59:54,720
Speaker 1: you to the year. So far we have dn ask

1049
00:59:54,800 --> 00:59:58,880
Speaker 1: either follow him on Instagram. We got um pump Daddy,

1050
00:59:59,680 --> 01:00:04,120
Speaker 1: we got trick Daddy. We got Jack Thriller because Jack

1051
01:00:04,200 --> 01:00:08,760
Speaker 1: Driller not only he not only he says, but he

1052
01:00:08,920 --> 01:00:13,800
Speaker 1: likes his ask to be turned off. Because that's one category.

1053
01:00:13,880 --> 01:00:16,480
Speaker 1: I my life, I was naming the cigarette category. We

1054
01:00:16,560 --> 01:00:19,160
Speaker 1: got the cigarette man of the year. Cigarette man of

1055
01:00:19,200 --> 01:00:27,040
Speaker 1: the Year. It's going between Joe Budden's Mac Miller, Post Malone, Noriega.

1056
01:00:27,320 --> 01:00:30,440
Speaker 1: Just you're just adding people to get in there. Get

1057
01:00:31,480 --> 01:00:36,919
Speaker 1: it was the cigarette f jumps ont and Jada Kiss.

1058
01:00:37,000 --> 01:00:40,960
Speaker 1: Homeboy rolls with my nigga k And that's one category.

1059
01:00:41,360 --> 01:00:44,880
Speaker 1: I add my homeboy down with my homeboy that's smoked

1060
01:00:44,880 --> 01:00:50,160
Speaker 1: to hit you smoke dre smoke. If there's myself there,

1061
01:00:50,200 --> 01:00:52,680
Speaker 1: I'm gonna smoke a cigarette with motherfucker. Mr Clure. You're

1062
01:00:52,680 --> 01:01:01,280
Speaker 1: pulling out money, miss dress Dress pad. That know I'm

1063
01:01:01,280 --> 01:01:10,120
Speaker 1: not about the same cloth too, Mimi. It's a real

1064
01:01:10,200 --> 01:01:13,440
Speaker 1: fly sh He came you you name looked like back

1065
01:01:13,480 --> 01:01:17,439
Speaker 1: on that South fact. Oh my god, that's the worst, sire.

1066
01:01:17,520 --> 01:01:20,000
Speaker 1: And I haven't seen my life with you. Listen, we

1067
01:01:20,080 --> 01:01:22,960
Speaker 1: got to smoke that. This is the cigarettes. Well get

1068
01:01:23,000 --> 01:01:27,920
Speaker 1: you off for this. Oh my god, this is the thing.

1069
01:01:28,080 --> 01:01:31,560
Speaker 1: This is the real camels. You know what even gotta

1070
01:01:31,880 --> 01:01:35,840
Speaker 1: on your ship smoked. We gotta speak to your managed.

1071
01:01:36,880 --> 01:01:39,080
Speaker 1: We gotta change this. And by the way, Camel, we

1072
01:01:39,120 --> 01:01:41,880
Speaker 1: don't have a sponsor. So me and Mystical both smoke

1073
01:01:41,960 --> 01:01:45,600
Speaker 1: camera smoke. Camel crushed and Mystical smokes camel and young

1074
01:01:45,640 --> 01:01:50,640
Speaker 1: people do smokes that. Yeah, listen, by the way of

1075
01:01:51,520 --> 01:01:54,160
Speaker 1: our ward show or we want his foul sponsors rock

1076
01:01:54,480 --> 01:02:01,920
Speaker 1: here a fanan excuse me? Fan? Came you ever got

1077
01:02:02,040 --> 01:02:07,640
Speaker 1: to effect change fifty Si? That ship is delicious. Brover,

1078
01:02:07,760 --> 01:02:11,360
Speaker 1: that's just grong. Can't believe I'm smoking. This is the

1079
01:02:11,440 --> 01:02:14,520
Speaker 1: cowboys ship. This is the dude brought the cowbush. No,

1080
01:02:14,680 --> 01:02:17,400
Speaker 1: this is the cowboys ship, just like the gangster ship.

1081
01:02:18,200 --> 01:02:22,840
Speaker 1: Smoke this fun a lone lights which stop smoking Camel

1082
01:02:22,840 --> 01:02:25,720
Speaker 1: because he's the real came up upon going to jail.

1083
01:02:26,000 --> 01:02:28,400
Speaker 1: Yeah he never smoked a back jail sick. That sounds

1084
01:02:28,440 --> 01:02:34,560
Speaker 1: like ship guys. Sorry, second, we have miss good smoke.

1085
01:02:35,240 --> 01:02:38,360
Speaker 1: I think I'll cond of cigarette. Can't can't you light

1086
01:02:38,400 --> 01:02:43,600
Speaker 1: it the walk the wrong man in the room. It's

1087
01:02:43,600 --> 01:02:46,040
Speaker 1: actually the right way. Listen, kids, those the cool just

1088
01:02:46,120 --> 01:02:48,640
Speaker 1: gave you a cigarette. You can't light it the wrong way.

1089
01:02:48,800 --> 01:02:54,960
Speaker 1: Let's make some noise. Thatch that this is terrible. It's

1090
01:02:55,120 --> 01:02:59,240
Speaker 1: terribly good, exactly putting here, I say, he smells. I'm

1091
01:02:59,240 --> 01:03:02,000
Speaker 1: not wrong, said sip the words the word came boy.

1092
01:03:02,480 --> 01:03:04,480
Speaker 1: But sometimes I'm smoking like that too. I flipped that

1093
01:03:04,560 --> 01:03:06,640
Speaker 1: funk out that I'm gonna be like that. So you're

1094
01:03:06,640 --> 01:03:08,640
Speaker 1: smoke in a different way. Break that down again. I'm sorry.

1095
01:03:09,400 --> 01:03:11,840
Speaker 1: Normally you light the side where the camera's written. That

1096
01:03:12,520 --> 01:03:15,400
Speaker 1: burning that part of Yeah, camera gotta cut us a

1097
01:03:15,480 --> 01:03:18,000
Speaker 1: check out. Damn it up. I'll get a camera cross chain.

1098
01:03:21,720 --> 01:03:25,320
Speaker 1: Youve been smoking Mesical two thousand and folk. Yeah, I've

1099
01:03:25,320 --> 01:03:27,720
Speaker 1: been spoken just like so you started smoking late in life.

1100
01:03:27,880 --> 01:03:30,520
Speaker 1: I'm going to jail if that don't kick start your

1101
01:03:31,480 --> 01:03:35,680
Speaker 1: smoking Orleans certain capacities. Not if you don't in the

1102
01:03:35,840 --> 01:03:38,960
Speaker 1: disciplinary re part like you know the live population yet

1103
01:03:39,520 --> 01:03:42,560
Speaker 1: and you ain't getting trouble with jail. Ain't talking with

1104
01:03:42,640 --> 01:03:47,920
Speaker 1: mysical now because I'm the man that can stop at all.

1105
01:03:49,160 --> 01:03:52,280
Speaker 1: That probably didn't help. But because I was just you know, cool,

1106
01:03:52,320 --> 01:03:57,360
Speaker 1: I ain't if you down back, I have to. I

1107
01:03:57,480 --> 01:03:59,720
Speaker 1: have to think a smoke in the camp. This is

1108
01:03:59,720 --> 01:04:03,320
Speaker 1: a camel. Damn. It smells like camera. It smells like

1109
01:04:04,400 --> 01:04:11,960
Speaker 1: it's not as we we always never better. In yesterday,

1110
01:04:12,000 --> 01:04:15,080
Speaker 1: I seen you roll in with your crew, and you

1111
01:04:15,160 --> 01:04:17,520
Speaker 1: reminded me of the mysticle from back then, Like it

1112
01:04:17,560 --> 01:04:20,040
Speaker 1: ain't nothing really changed with you because I'm still me, bro.

1113
01:04:20,120 --> 01:04:21,920
Speaker 1: That's that's something. That's the thing. I think. That's the

1114
01:04:21,960 --> 01:04:24,360
Speaker 1: thing I'm most proud of that I stayed myself through

1115
01:04:24,440 --> 01:04:27,200
Speaker 1: it sucking all. Yeah, that's that's one way to know

1116
01:04:27,280 --> 01:04:29,479
Speaker 1: if that's you. You know what you know the trade,

1117
01:04:29,480 --> 01:04:31,160
Speaker 1: the kind of shift out and trade. Ye Like when

1118
01:04:31,200 --> 01:04:33,120
Speaker 1: I seed you yesterday, I said there, I was trying

1119
01:04:33,160 --> 01:04:34,840
Speaker 1: to be sneaky and ship and just watch you and

1120
01:04:34,920 --> 01:04:36,800
Speaker 1: ship because I'm trying to get things for the interview.

1121
01:04:37,040 --> 01:04:39,360
Speaker 1: And I'm like, damn, it's the same thing I seen

1122
01:04:39,480 --> 01:04:41,720
Speaker 1: back then. You're the same. It's the first thing I

1123
01:04:41,800 --> 01:04:44,440
Speaker 1: did when I saw him. I was the first remember

1124
01:04:46,080 --> 01:04:49,960
Speaker 1: yes you did, Yes you did right now getting the

1125
01:04:50,080 --> 01:04:53,560
Speaker 1: rule I see yes, yes, yes, I'm a fan too. Yes.

1126
01:04:54,920 --> 01:05:02,080
Speaker 1: My moment that I'm started to two noise each other.

1127
01:05:06,240 --> 01:05:07,880
Speaker 1: He said, you can't in the US. After after you

1128
01:05:08,000 --> 01:05:10,080
Speaker 1: did your thing like that, you know, talking about put

1129
01:05:10,120 --> 01:05:12,960
Speaker 1: the flip on that, I couldn't believe. It's mad. Last

1130
01:05:13,480 --> 01:05:16,080
Speaker 1: the wards, I didn't because you know, I go to

1131
01:05:16,160 --> 01:05:18,920
Speaker 1: the awards and the project when you don't see him there.

1132
01:05:19,000 --> 01:05:21,520
Speaker 1: But we got downtown the French Court, you know that

1133
01:05:21,720 --> 01:05:25,320
Speaker 1: crossed the world man French Court, World Marti had draws

1134
01:05:25,600 --> 01:05:29,000
Speaker 1: French Quarter, that is where a Marti. Well that's that's like,

1135
01:05:29,320 --> 01:05:32,440
Speaker 1: that's like I live. Tourists everybody, So what's the last

1136
01:05:33,440 --> 01:05:35,640
Speaker 1: at all? You know, it's right around the court. I

1137
01:05:35,760 --> 01:05:37,360
Speaker 1: try to go to him, if you know, most of

1138
01:05:37,400 --> 01:05:39,880
Speaker 1: the times I'm working doing some kind of capacity around it.

1139
01:05:39,920 --> 01:05:42,360
Speaker 1: You know, it is real festive, you know what I'm saying.

1140
01:05:43,240 --> 01:05:45,880
Speaker 1: So now, like when I first came home the first morder,

1141
01:05:45,880 --> 01:05:47,720
Speaker 1: I was at the parade, rapping at the concert. You know.

1142
01:05:47,840 --> 01:05:50,040
Speaker 1: Talking under the bridge is like, now let's break it

1143
01:05:50,120 --> 01:05:51,680
Speaker 1: down for our stupid fans. We got a lot of

1144
01:05:51,680 --> 01:05:54,480
Speaker 1: stupid fans. They hate when I say that. They hate

1145
01:05:54,480 --> 01:05:56,439
Speaker 1: when I say that. But let's just be ca he said,

1146
01:05:56,800 --> 01:05:59,720
Speaker 1: if I'm stupid, stupid to listen that I'm saying, unexperienced.

1147
01:06:00,600 --> 01:06:02,480
Speaker 1: If I'm a stupid, they stupid because they're listening to me.

1148
01:06:03,240 --> 01:06:08,360
Speaker 1: You know. So the bees, let's break down the beach thing,

1149
01:06:08,720 --> 01:06:10,680
Speaker 1: like what age was you when you realize you could

1150
01:06:10,680 --> 01:06:16,280
Speaker 1: throw bees? To a person and yea early and getting

1151
01:06:16,280 --> 01:06:18,600
Speaker 1: the blooms. They're throwing the bloons. That's like a little coin.

1152
01:06:18,800 --> 01:06:20,480
Speaker 1: It's kind of it's bigger than the corter kind of

1153
01:06:20,480 --> 01:06:23,720
Speaker 1: ship light looming the midship. You picking, you can have

1154
01:06:23,800 --> 01:06:26,400
Speaker 1: a fucking Popeye. You went Popeye's chicken, you went some

1155
01:06:26,480 --> 01:06:29,120
Speaker 1: food with this vision. I'm a little kids so like

1156
01:06:29,240 --> 01:06:31,720
Speaker 1: that man, you know the original Pooky. I can really

1157
01:06:31,720 --> 01:06:33,720
Speaker 1: I can really win some fucking food from the bloom,

1158
01:06:33,800 --> 01:06:35,920
Speaker 1: you know, catching bees and ship. It was like festival.

1159
01:06:35,960 --> 01:06:37,400
Speaker 1: Ship means something to us. Man, you know we were

1160
01:06:37,440 --> 01:06:40,200
Speaker 1: just still to this day do bees to a white girl?

1161
01:06:40,280 --> 01:06:43,520
Speaker 1: And black girls don't do that though, right, I'm sure

1162
01:06:43,520 --> 01:06:46,040
Speaker 1: they do. They do. Come on, you gotta know a

1163
01:06:46,080 --> 01:06:49,400
Speaker 1: memory and it's white girls. Let's keep it. Yeah, that's

1164
01:06:49,440 --> 01:06:52,040
Speaker 1: that's what it's. That's that's probably the bravest at first,

1165
01:06:52,440 --> 01:06:54,439
Speaker 1: come on out with their motherfucker's because it's white people.

1166
01:06:54,560 --> 01:06:57,800
Speaker 1: That's it's a majority of white people. Come. They want

1167
01:06:57,800 --> 01:07:00,960
Speaker 1: to show their tips, right right, because whip out Wednesdays.

1168
01:07:03,200 --> 01:07:05,120
Speaker 1: E don't know what about Wednesday. That's a white ship.

1169
01:07:05,440 --> 01:07:06,920
Speaker 1: The kind of love the white mishes that show they

1170
01:07:08,920 --> 01:07:11,040
Speaker 1: we got too much for that. But it isn't like

1171
01:07:11,080 --> 01:07:15,560
Speaker 1: tim percent don't getting the spirit and say fun. Yeah,

1172
01:07:17,000 --> 01:07:19,760
Speaker 1: let's pick up the tuesdays, pick them white Nubi and

1173
01:07:19,800 --> 01:07:24,280
Speaker 1: queens as well. You know what I'm saying, nicked them

1174
01:07:24,360 --> 01:07:27,840
Speaker 1: up because fans form ain't doing that. Let's say on

1175
01:07:27,920 --> 01:07:30,120
Speaker 1: South Beach and then it's different and then and then

1176
01:07:30,240 --> 01:07:33,040
Speaker 1: we can allow them to do that as well. Butt

1177
01:07:33,160 --> 01:07:38,040
Speaker 1: out mystical right, I'm coming back because minement out there,

1178
01:07:38,040 --> 01:07:41,600
Speaker 1: bro in Miami. Yes, I love my city. Look look

1179
01:07:41,600 --> 01:07:43,920
Speaker 1: at your fans that one day they can't walking up

1180
01:07:43,960 --> 01:07:46,520
Speaker 1: so fine, say man, like a superhero, you ain't give

1181
01:07:46,520 --> 01:07:48,320
Speaker 1: me a dirty right, This ain't a dirty right, got

1182
01:07:48,400 --> 01:07:55,480
Speaker 1: mad coach, don't don't Yes my last dirty book. I've

1183
01:07:55,480 --> 01:07:59,160
Speaker 1: been flipping on you lately, but get my nigger. Don't

1184
01:07:59,160 --> 01:08:02,080
Speaker 1: don't give me a dirt the dirty. I ain't gonna know.

1185
01:08:02,120 --> 01:08:03,440
Speaker 1: I ain't gonna know what. I ain't gona even know.

1186
01:08:03,520 --> 01:08:06,960
Speaker 1: You know what dirty is coming from? What did smoke me? Ya?

1187
01:08:07,720 --> 01:08:12,320
Speaker 1: See that long? Right? I think that was he was Yeah,

1188
01:08:12,400 --> 01:08:14,960
Speaker 1: kind of like what you'm did because I'm crazy as

1189
01:08:15,000 --> 01:08:21,680
Speaker 1: a motherfucker. They didn't click them, they did up. What

1190
01:08:21,760 --> 01:08:23,320
Speaker 1: do you do you dip the weed in it. They

1191
01:08:23,360 --> 01:08:25,960
Speaker 1: put that put that bit crazy. Yeah that on sound

1192
01:08:26,080 --> 01:08:29,240
Speaker 1: right that on time. That's the dead people to take

1193
01:08:29,360 --> 01:08:33,160
Speaker 1: one more shot. I'll tell you ball not three trees

1194
01:08:33,400 --> 01:08:39,800
Speaker 1: looking on. We are't drinking to that. Yeah, wid what's

1195
01:08:39,800 --> 01:08:43,439
Speaker 1: the Wilders grug? You did Mrical, not doubt I did Molly.

1196
01:08:43,520 --> 01:08:45,960
Speaker 1: I did Molly like I think that they still like

1197
01:08:46,080 --> 01:08:49,439
Speaker 1: Molly hawked up when I did. The Mojo is the

1198
01:08:49,479 --> 01:08:52,679
Speaker 1: worst moment, Like you got a bad Molly story, iep. Yeah,

1199
01:08:53,200 --> 01:08:55,639
Speaker 1: I will go back. Yeah, I don't like that. Mojo

1200
01:08:55,720 --> 01:09:06,320
Speaker 1: was the worst you try. You're bulla that that's not

1201
01:09:06,400 --> 01:09:09,680
Speaker 1: the way you bore shot. You know, give me that

1202
01:09:09,840 --> 01:09:11,560
Speaker 1: you're gonna kill yourself. This is what happened to you

1203
01:09:11,680 --> 01:09:15,880
Speaker 1: last episode. Man, that we got I'm good then yeah, okay,

1204
01:09:16,560 --> 01:09:20,760
Speaker 1: he was gonna for Yeah, you for too much. That's

1205
01:09:20,800 --> 01:09:22,800
Speaker 1: why you funked up last episode. Let me tell you

1206
01:09:22,920 --> 01:09:25,200
Speaker 1: something that I people said that was great, the lesson.

1207
01:09:25,800 --> 01:09:29,120
Speaker 1: You know, you're always great. You're always great, brother, Let's

1208
01:09:29,680 --> 01:09:40,320
Speaker 1: but you extra great last episode. You know, were worked

1209
01:09:40,360 --> 01:09:42,360
Speaker 1: up showing I confessed how you know we're up showing

1210
01:09:42,360 --> 01:09:46,400
Speaker 1: the engineer taking a shot with I ain't chance man.

1211
01:09:47,800 --> 01:09:52,360
Speaker 1: Oh my god, I feel like I just kind of

1212
01:09:52,439 --> 01:10:00,280
Speaker 1: camels that just because it's for harsh time the time

1213
01:10:00,360 --> 01:10:02,880
Speaker 1: we got it, they got they gotta they gotta do

1214
01:10:02,960 --> 01:10:05,639
Speaker 1: this all right? Tell us in Mexico, man, we don't

1215
01:10:06,120 --> 01:10:08,679
Speaker 1: what what you? What you because they're trying to rush

1216
01:10:08,760 --> 01:10:11,880
Speaker 1: us out of here. Brouse what you? How do you

1217
01:10:11,960 --> 01:10:14,120
Speaker 1: want to what you? We gotta say to the people.

1218
01:10:14,160 --> 01:10:16,280
Speaker 1: We got a million people listening to you. What you

1219
01:10:16,320 --> 01:10:18,040
Speaker 1: want to say to these people right now? First and

1220
01:10:18,120 --> 01:10:20,280
Speaker 1: formost well always the first thing out my mouth. Thank

1221
01:10:20,320 --> 01:10:21,960
Speaker 1: you man, you know we're still a supportman. Man, I

1222
01:10:22,080 --> 01:10:24,200
Speaker 1: left the people a long time, bro, Yeah, I came

1223
01:10:24,240 --> 01:10:27,880
Speaker 1: back the stills as through what's what's the future? Like?

1224
01:10:27,920 --> 01:10:29,760
Speaker 1: What are you working on now? Like? Because let's what

1225
01:10:29,840 --> 01:10:31,559
Speaker 1: I tell my fans because they you know, every day

1226
01:10:31,600 --> 01:10:32,960
Speaker 1: they see me, man, when you're gonna drop it, when

1227
01:10:32,960 --> 01:10:34,920
Speaker 1: you're gonna drop it, when you're gonnadrop? So did they

1228
01:10:34,960 --> 01:10:37,120
Speaker 1: act right? And as soon as the right situation you

1229
01:10:37,200 --> 01:10:39,560
Speaker 1: know I'm working on. Trust me, your fans don't missing you.

1230
01:10:39,640 --> 01:10:41,960
Speaker 1: They need it, got them, they need to missal got

1231
01:10:42,360 --> 01:10:44,160
Speaker 1: right now. We need we need to give them something

1232
01:10:44,240 --> 01:10:46,559
Speaker 1: now about them? Now me and you both come from

1233
01:10:46,600 --> 01:10:48,600
Speaker 1: the old school, is that you think about doing the

1234
01:10:48,680 --> 01:10:50,880
Speaker 1: mix tape just to give the fans I got even

1235
01:10:50,920 --> 01:10:52,720
Speaker 1: though you know we don't come from the mixtape. I

1236
01:10:52,760 --> 01:10:54,479
Speaker 1: don't like that mixtape ship, but I mean, you know

1237
01:10:54,640 --> 01:10:58,600
Speaker 1: you want to. I want to sell records. You have

1238
01:10:59,520 --> 01:11:05,000
Speaker 1: just keeps it. Gotta gotta gotta be over minded, you know,

1239
01:11:06,400 --> 01:11:09,360
Speaker 1: critic it can't be too but I would. I would

1240
01:11:09,400 --> 01:11:11,960
Speaker 1: love to get a mystical mixtape right now. I'm a

1241
01:11:12,040 --> 01:11:14,760
Speaker 1: fan because when I got mess y'all got man, I'm

1242
01:11:14,760 --> 01:11:16,439
Speaker 1: gonna do set. You know I got I got some

1243
01:11:16,560 --> 01:11:18,519
Speaker 1: things working, man, I got it, you know, mapped out.

1244
01:11:18,560 --> 01:11:20,479
Speaker 1: I want to do it. I'm gonna do one mixtape

1245
01:11:20,479 --> 01:11:22,639
Speaker 1: and it's gonna just be like features, but it will

1246
01:11:22,680 --> 01:11:25,400
Speaker 1: be some some new mystical fresh ship off some fresh ship,

1247
01:11:26,160 --> 01:11:28,479
Speaker 1: because you know, we never really blow up our guests,

1248
01:11:28,520 --> 01:11:30,559
Speaker 1: but you didn't. You were so special. So I sent

1249
01:11:30,640 --> 01:11:33,200
Speaker 1: out that fans and I sent a tweet and I

1250
01:11:33,280 --> 01:11:36,280
Speaker 1: said mystical questions, and the fans was like, where the

1251
01:11:36,400 --> 01:11:40,560
Speaker 1: fuck he right? Work see me? And you work. Understand

1252
01:11:41,080 --> 01:11:43,080
Speaker 1: the business part of it. You gotta go out there

1253
01:11:43,120 --> 01:11:45,160
Speaker 1: and do your shows, but the fans don't understand why

1254
01:11:45,160 --> 01:11:50,360
Speaker 1: they don't have a mystical album right, So we see, Man,

1255
01:11:50,439 --> 01:11:58,240
Speaker 1: I've been being dad and you know, holding down the forth. Bro.

1256
01:11:58,680 --> 01:12:03,479
Speaker 1: We've been doing some calamity, trouble time, several times troubles

1257
01:12:04,200 --> 01:12:08,240
Speaker 1: everyone runs records. Huh Mark, Yeah, I hope so yeah,

1258
01:12:09,040 --> 01:12:14,320
Speaker 1: I claim that. Yes, yes, how about y'all. He early

1259
01:12:14,400 --> 01:12:17,280
Speaker 1: in the schedule here, and yet we need to just

1260
01:12:17,320 --> 01:12:19,240
Speaker 1: got you. Just gotta mention you gotta be you know,

1261
01:12:19,280 --> 01:12:20,600
Speaker 1: a man of us getting there and gonna nock it

1262
01:12:20,640 --> 01:12:24,320
Speaker 1: out because we put it on the ether right now. Well,

1263
01:12:24,680 --> 01:12:27,280
Speaker 1: we need we need you, man. We got gonna mixtape.

1264
01:12:27,720 --> 01:12:29,400
Speaker 1: We need you. I'm gonna make sure we get numbers

1265
01:12:29,400 --> 01:12:33,120
Speaker 1: as well. We need you miss Cool the mixtape because

1266
01:12:33,120 --> 01:12:35,120
Speaker 1: you know why the fans, sincerely, from the bottom of

1267
01:12:35,120 --> 01:12:38,080
Speaker 1: their heart, they miss you. They want you, and you know,

1268
01:12:38,680 --> 01:12:43,160
Speaker 1: most importantly they need you. I got him, they need Bro,

1269
01:12:43,400 --> 01:12:45,240
Speaker 1: and I ain't gonna actually no funny questions like these

1270
01:12:45,240 --> 01:12:48,680
Speaker 1: other people have a funny question. Listen, man, thank you

1271
01:12:48,760 --> 01:12:50,320
Speaker 1: so much for coming and being a part of this.

1272
01:12:50,680 --> 01:12:54,200
Speaker 1: Let me pick up to sideball. Were sorry that we

1273
01:12:54,240 --> 01:12:57,040
Speaker 1: came over time, but missing who came later because you

1274
01:12:57,080 --> 01:13:00,360
Speaker 1: gotta keep it just to New Orleans. Not you gonna

1275
01:13:00,360 --> 01:13:02,880
Speaker 1: take us because listen, come back any time you want.

1276
01:13:02,920 --> 01:13:05,320
Speaker 1: When you got your single ready, why would you go

1277
01:13:05,479 --> 01:13:07,920
Speaker 1: to these radio stations? And when you got your own

1278
01:13:08,040 --> 01:13:09,760
Speaker 1: you got the rapper in the DJ right here with

1279
01:13:09,840 --> 01:13:11,800
Speaker 1: the modern day arab A rock Kim. You got a

1280
01:13:11,840 --> 01:13:14,280
Speaker 1: million people listening to us. If we want to support

1281
01:13:14,320 --> 01:13:17,720
Speaker 1: the artists and put the artists in and if you

1282
01:13:17,840 --> 01:13:20,160
Speaker 1: own the record one home percent totally, we can play

1283
01:13:20,160 --> 01:13:21,680
Speaker 1: it on the podcast. If you don't, if you go

1284
01:13:21,760 --> 01:13:25,600
Speaker 1: to the major we can't play because we're with CBS beings.

1285
01:13:27,479 --> 01:13:31,120
Speaker 1: But Mr Coal, You're welcome here any motherfucking time. We

1286
01:13:31,280 --> 01:13:33,200
Speaker 1: thank you for your time. We thank you for being

1287
01:13:33,240 --> 01:13:35,040
Speaker 1: a real dude. We thank you for being a legend.

1288
01:13:35,080 --> 01:13:37,360
Speaker 1: Thank you for thank you for holding down New Orleans.

1289
01:13:37,439 --> 01:13:39,200
Speaker 1: We thank you for holding down hip hop, and we

1290
01:13:39,320 --> 01:13:41,400
Speaker 1: thank you for maintaining who the hell you are. And

1291
01:13:41,520 --> 01:13:49,200
Speaker 1: Drink Champs, we love you over here. What up, baby?

1292
01:13:49,479 --> 01:13:57,040
Speaker 1: Hey your hats hold up one second. We'll everybody know.

1293
01:13:57,120 --> 01:13:59,760
Speaker 1: They could check us at drink Champs dot com, follow

1294
01:13:59,880 --> 01:14:03,680
Speaker 1: us at drink Champs on Twitter, Instagram, and Facebook. Check

1295
01:14:03,760 --> 01:14:07,439
Speaker 1: Noriata at the Real Norieg on Instagram at Norieg on

1296
01:14:07,520 --> 01:14:10,559
Speaker 1: Twitter and New Year Nori on Snapchat. You can check

1297
01:14:10,640 --> 01:14:12,799
Speaker 1: me d j e f n at at Who's Crazy

1298
01:14:12,880 --> 01:14:16,200
Speaker 1: Instagram at d j e f n on Twitter at

1299
01:14:16,240 --> 01:14:19,479
Speaker 1: Who's Crazy on Snapchat. Make sure you follow the team

1300
01:14:19,840 --> 01:14:23,759
Speaker 1: our visual media manager Rich Blanco at Rich Underscore Blanco

1301
01:14:24,080 --> 01:14:26,880
Speaker 1: on Instagram and Twitter. Our engineer has it As Sounds

1302
01:14:27,120 --> 01:14:30,440
Speaker 1: at hazard Its Sounds on Instagram and Twitter. Our photographer

1303
01:14:30,520 --> 01:14:34,040
Speaker 1: Big Drain at Drain on Instagram and at big Drain

1304
01:14:34,120 --> 01:14:38,720
Speaker 1: on Twitter. Are graphic artists a kz at Akz on

1305
01:14:38,800 --> 01:14:42,240
Speaker 1: Instagram and Twitter. Also shout out the whole CBS play

1306
01:14:42,320 --> 01:14:45,400
Speaker 1: dot It team. Follow them at at play it on Twitter,

1307
01:14:45,800 --> 01:14:47,920
Speaker 1: and make sure you grab yourself some Drink Champs shirts,

1308
01:14:48,240 --> 01:14:50,760
Speaker 1: shot glasses and cups and all that merch at drink

1309
01:14:50,840 --> 01:14:53,439
Speaker 1: Champs dot com or check our homies at eight nine

1310
01:14:53,520 --> 01:14:56,200
Speaker 1: dot com. Head over to iTunes and pick up the

1311
01:14:56,280 --> 01:14:59,200
Speaker 1: singles for the Win Moguls and Petty, as well as

1312
01:14:59,240 --> 01:15:02,519
Speaker 1: a Drunk Uncle project from Nori. Also, my album Another

1313
01:15:02,600 --> 01:15:05,840
Speaker 1: Time is out now available on iTunes, Spotify, Google Play

1314
01:15:05,960 --> 01:15:09,799
Speaker 1: or physicals at Crazyhood dot com. Check hasardus Sounds projects

1315
01:15:09,840 --> 01:15:12,200
Speaker 1: Save the Culture, and you can check that it Hasardous

1316
01:15:12,439 --> 01:15:15,240
Speaker 1: Sounds dot com or check it on all digital platforms.

1317
01:15:15,680 --> 01:15:18,320
Speaker 1: Also look out for Nori's cooking show coming very soon

1318
01:15:18,680 --> 01:15:21,200
Speaker 1: and My Coming Home Vietnam film which you can see

1319
01:15:21,240 --> 01:15:24,360
Speaker 1: the previous films about Haiti, Cuba, and Peru currently on

1320
01:15:24,439 --> 01:15:27,680
Speaker 1: Revolt TV. Shout out the whole dream Chats Army. We

1321
01:15:27,840 --> 01:15:30,200
Speaker 1: really appreciate your support and we out of here.