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Speaker 1: So I'm with the Chief Keith and Big Chief Amino.

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Speaker 2: And Missus Bean. Missus Bean, mister Bean's wife who you

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Speaker 2: don't see much.

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Speaker 1: No, doesn't love the spotlight so much. But we were going.

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Speaker 2: Through her head stuck in a Well, that's another reason

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Speaker 2: you don't see her is because when the turkey did

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Speaker 2: come up, and this is off screen, but when the

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Speaker 2: turkey does finally come off his head, it gets stuck on.

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Speaker 1: Her head and as you've seen, it's very difficult to remove.

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Speaker 2: Uh. They've drilled a hole in through the butt area

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Speaker 2: of the turkey. Yeah, and she can breathe. There's like

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Speaker 2: a straw running in it. She can drink smoothies and stuff.

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Speaker 1: Wow. Yeah, But anyway, she and his is not big

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Speaker 1: enough for hers. The other that's yes.

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Speaker 2: So she's onfit skitching behind it on like not even

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Speaker 2: on a true skateboard, but on like a palette like

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Speaker 2: you know, like those wooden with four wheels that you'd

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Speaker 2: move like a big box of paper on.

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Speaker 1: Well, that's what she's on. But anyway, it's her myself.

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Speaker 1: The two chiefs, one.

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Speaker 2: From the Portland Trailblazer and one from the world of

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Speaker 2: hip hop.

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Speaker 1: They call him Big Chief of me. Now they do.

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Speaker 2: They call him that on the broadcast. His name he's

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Speaker 2: descended from African kings and his name Alpha up means

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Speaker 2: big Chief, means the big Chief.

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Speaker 1: Oh okay, what were you doing?

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Speaker 2: We were going through FDA trials trying to get our

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Speaker 2: new approved.

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Speaker 1: Yes the drugs.

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Speaker 2: Yes, we have these drugs, which guys well, and here's

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Speaker 2: the thing.

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Speaker 1: With the FDA.

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Speaker 2: They're so there's such pencil pushing geebies and they're all like, well,

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Speaker 2: what is the drug just supposed to?

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Speaker 1: Just try it? Yeah, I'm like, I don't know what

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Speaker 1: it does.

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Speaker 2: Let's get it approved and then we'll sell it to

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Speaker 2: people who want it, you know what I mean. I'm like,

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Speaker 2: tell me if there's any really bad side effect, just

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Speaker 2: try it, and maybe that's.

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Speaker 1: What it does.

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Speaker 2: Try a little piece of one, literally eat it, and

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Speaker 2: then let's talk about a tiny piece. It's so rude.

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Speaker 2: Imagine I came to your house for dinner and you

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Speaker 2: slid something from me and I go, oh, what does

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Speaker 2: this do? What is this made of? It's like, take

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Speaker 2: a bite of it. Okay, I have a mouse eat

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Speaker 2: it first. Oh yeah, let me feed it to my

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Speaker 2: I pull a mouse out of my pocket the mouse.

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Speaker 2: I go, hang on, hang on, this isn't a good dinner.

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Speaker 2: And that's what it's like at the FDA with those trials,

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Speaker 2: and so we're getting pissed. I started that way and

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Speaker 2: finally I go, fine, you guys are so mad. I'll

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Speaker 2: eat it and you just watch me. I take a

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Speaker 2: big handful, and I'm and I'm chowing down. I'm going

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Speaker 2: as lunch for you.

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Speaker 1: Yeah, I'm scar Yeah, And it did turn out to be.

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Speaker 3: Chewy spree.

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Speaker 2: Hey.

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Speaker 4: Welcome to Hollywood Handbook and Insider's Guide to kicking button

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Speaker 4: dropping names in the red carpet line back hallways in.

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Speaker 1: This industry we call.

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Speaker 3: I want to. I have so many questions about your experience.

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Speaker 1: I want to, Tony, right, are you going through this process?

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Speaker 4: Veep is done? You're trying to get in the game

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Speaker 4: a little bit.

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Speaker 1: What's next? What's the next chapter? And it must be

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Speaker 1: pill these pills, these big pharma. It's big money.

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Speaker 3: It is big money. How did you get in the FDA? Though,

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Speaker 3: I'm curious, like what credentials you use to like get

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Speaker 3: in there? Yeah, that has to have some tight security,

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Speaker 3: you know.

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Speaker 2: Yeah, I did. Actually, it's a really crazy story. I

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Speaker 2: uh used the front door.

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Speaker 3: Wow, you just have that kind of face that they're like,

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Speaker 3: just let you in.

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Speaker 5: I am somebody who people inherently trust, and he can

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Speaker 5: sort of flatten out and like crawl in a way

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Speaker 5: that really silent and that the security guy at the

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Speaker 5: desk would not be able to see.

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Speaker 3: What a skille An x men thing.

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Speaker 1: Yeah, I was like flat Stanley.

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Speaker 3: More like flat Stanley, Right, I see that. I do.

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Speaker 3: People take pictures of you a lot and kind of carry.

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Speaker 2: Well when I'm pretending to be an important piece of

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Speaker 2: art at an art museum because I've flattened out and

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Speaker 2: got up and wall people are.

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Speaker 3: Taking pictures of me. Sure what a chameleon? Yeah, Tony

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Speaker 3: Yes engineered Jordan Jordan I just mentioned. I just heard

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Speaker 3: Jordan is a vocal performance, local performance.

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Speaker 1: She brought it up before you even finished saying hello.

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Speaker 1: It was so fast.

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Speaker 2: Sometimes she treats us like we're the ones bringing it up,

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Speaker 2: bringing up it was.

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Speaker 3: She did not bring it up. You brought it up.

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Speaker 1: And Chef Cavin.

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Speaker 3: Then we're all around the chef Kevin is chef? Is

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Speaker 3: he actually a chef?

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Speaker 1: He is?

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Speaker 4: This has come up on a recent episode and I'm

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Speaker 4: afraid we can't go.

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Speaker 2: Oh really, it's very painful to hear him explain the

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Speaker 2: whole FDA process of allowing a drug.

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Speaker 3: That just only decide, well, this.

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Speaker 4: Is the thing where we don't like that. We're trying

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Speaker 4: to circumvent that.

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Speaker 3: It didn't sound like you did effect this drug was

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Speaker 3: that you get a little bit hyper.

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Speaker 1: Oh well that's and then you crash pretty hardy.

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Speaker 3: So it's so it's like any other drug.

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Speaker 1: Tony chef Kevin has started saying T instead of that's

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Speaker 1: the T. What do you think about that?

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Speaker 3: Interesting slati So just really just switching the language.

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Speaker 4: Yeah, I mean, and he'll like you'll give him like

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Speaker 4: a lot, just like a little piece of information exactly

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Speaker 4: a big.

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Speaker 1: Girl. And that is what he's been doing around the office.

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Speaker 2: Yeah, and I, hey, market, I'm offended, but I don't

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Speaker 2: know why, like on who I don't why would.

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Speaker 3: You be offended? That's like that's a very popular phrase.

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Speaker 3: That's the tea. I just guest judged on RuPaul's drag

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Speaker 3: race and I heard that's the tea.

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Speaker 4: Okay, I think I saw some clipse of you blasting

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Speaker 4: through my feed.

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Speaker 1: Well you got through there so fast, did I?

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Speaker 3: Yes, it was very temporal.

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Speaker 1: Yeah yeah, I mean but in like a cool way.

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Speaker 2: You're just like rocket ship and through the feed is

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Speaker 2: gone and the boosters on.

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Speaker 1: Yeah got it.

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Speaker 3: Do you get off for a permanent judge position? No,

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Speaker 3: I would have liked one, though. I had a blast

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Speaker 3: doing it.

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Speaker 1: Yeah, it really well.

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Speaker 3: In the episode I was on.

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Speaker 4: You had a blast telling people that their drag was

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Speaker 4: not good enough.

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Speaker 3: No, I didn't, so.

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Speaker 1: For me that would not be fun for me.

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Speaker 2: Well, I know they worked hard on it, so I

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Speaker 2: kind of want them to feel good.

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Speaker 3: Yeah. I kind of became the Paula Abdul of the panel.

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Speaker 3: I was kind of a man, kind of encourager. But

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Speaker 3: on my for you my not watch it, But I

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Speaker 3: was the episode where there was called Snatch Game and

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Speaker 3: you they impersonate people and the film just from the

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Speaker 3: film Snatch. That would have actually been a great angle,

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Speaker 3: but it was. It was kind of rough. But then

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Speaker 3: there was this epic lip sync after it that they

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Speaker 3: threw down and that was super entertaining.

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Speaker 4: That's the one where they do the freaking spleets and

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Speaker 4: they spleets. Yes, yeah they can, I saw them do it.

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Speaker 4: Are you actually like that didn't happen?

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Speaker 1: I saw that. I saw it. I just have to

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Speaker 1: call it.

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Speaker 3: My favorite thing about you right now watching you is

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Speaker 3: you're about to laugh and it's like you swallow laugh

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Speaker 3: because you don't want to go to it. You go

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Speaker 3: you like you're about to and then you can see.

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Speaker 1: People love it.

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Speaker 4: It's very fall down your throat and then you keep

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Speaker 4: doing very finely tuned.

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Speaker 3: It is finally toned. It's I don't have that skill.

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Speaker 3: I'm the one that breaks the most when I'm working

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Speaker 3: and I don't have that skill that you have.

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Speaker 4: But you got to make working. Couldn't you really even

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Speaker 4: call it working? It's and it's freaking.

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Speaker 2: Recess job right honestly, Yes, as writers, of course we

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Speaker 2: are playground architects.

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Speaker 1: And is beautiful You're really just the child.

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Speaker 3: Yes, wow, that is kind of true.

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Speaker 2: But I have to say I love hearing that you

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Speaker 2: are the person who breaks the most at work when

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Speaker 2: we are how many minutes into the show and I

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Speaker 2: have not heard your laugh, And for me, that's a

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Speaker 2: nice challenge, isn't.

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Speaker 1: It to sort of put that out there?

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Speaker 2: And I love that you've presented that from me, and

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Speaker 2: I well to hear you there you go, you just

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Speaker 2: did it.

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Speaker 3: Mission accomplished.

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Speaker 1: That's maxing out. It'll get really big.

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Speaker 3: I have silenced Mile. I haven't swallowed it like you have, Haes.

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Speaker 3: I've silenced it so I will feel free to vocalize

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Speaker 3: it next time. Who's making you buss up?

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Speaker 1: Yeah? Who's cragging you up?

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Speaker 3: I'm not gonna judge you. I'm gonna be the pall

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Speaker 3: abduel of this podcast today. Make it gonna encourage you

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Speaker 3: when you's busting you up?

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Speaker 1: Just insane.

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Speaker 3: I just came from a cold to my laughs A

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Speaker 3: little bit.

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Speaker 1: Uh, a little muttley to it.

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Speaker 3: A little muley who busts who makes me bust them?

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Speaker 3: I would say that's a that's an unfortunate way to say.

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Speaker 3: It makes who laughed? Yeah, I'd say Julia, Julian, Tim,

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Speaker 3: Tim makes me well, Tim, I feel bad for he

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Speaker 3: gets the most names called to him. That's gets He

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Speaker 3: was called jelly green, his face, he was called he

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Speaker 3: was called Frankenstein, and Frankenstein was made entirely of dead

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Speaker 3: dis I mean that's kind of I was called a

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Speaker 3: bitchy mime on the show, and I was also called cowies.

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Speaker 4: Do they ever like take you aside and be like,

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Speaker 4: you know, we're just playing around.

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Speaker 1: They never did that.

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Speaker 3: And sometimes get he was Tim Was once said to him,

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Speaker 3: they said, you just have a weird shape.

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Speaker 4: Oh wow, Yeah, that's something you just carry with you.

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Speaker 4: That's real, that is real. Yeah, that's It's not the character.

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Speaker 3: No, they they're grabbing physical attributes of yourself put in

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Speaker 3: the show.

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Speaker 1: When they call it.

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Speaker 2: When they add something like Frankenstein Dick's there is a

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Speaker 2: sort of childish playfulness to it, but something as general

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Speaker 2: as weird shape.

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Speaker 1: You go, this came from looking at me. Oh, pulled

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Speaker 1: up a picture of me.

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Speaker 3: Yeah, that's right. Wow, those are some eyes from a cow.

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Speaker 1: Because beautiful smile.

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Speaker 2: I have smile like I'm having a good People tune

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Speaker 2: into the show up and down.

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Speaker 1: I hear this guy show restraint.

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Speaker 3: That's what popular podcast pops it out.

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Speaker 1: Jordan. Yes, that has been a big addition to the show.

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Speaker 2: We had Sam Richards on the show recently. We also

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Speaker 2: didn't mention him and soon make you u up. Yeah,

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Speaker 2: because it was Julia, it wasn't Tim, It wasn't Sam.

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Speaker 3: That does make me laugh. They all make me laugh.

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Speaker 3: They really wuld not bust up.

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Speaker 2: M h.

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Speaker 3: Well, I just don't like that phrase. That phrase. It's

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Speaker 3: just kind of dark.

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Speaker 1: The busting up.

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Speaker 3: The busting up, I don't know, it's like, oh, yeah,

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Speaker 3: you made me busting.

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Speaker 2: Well, because you can't bust up in a bad way

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Speaker 2: as well if you're crying, and that will make.

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Speaker 1: You buss up, and that's in a sad one.

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Speaker 3: When was the last time you had a cry where

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Speaker 3: it came out of nowhere and you just fell apart?

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Speaker 1: This morning?

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Speaker 4: Oh yeah, I kind of try to go through the

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Speaker 4: door at the same time.

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Speaker 1: And squashed each other a little bit.

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Speaker 4: Yeah, in a way that it's interesting for me to

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Speaker 4: hear because at the time you said that you were

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Speaker 4: not crying.

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Speaker 2: Well, and that is probably the first thing you'll hear

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Speaker 2: me say when I start crying, especially when I'm completely out.

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Speaker 3: Of control, as you say, I'm not crying.

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Speaker 2: Yes, I could get just enough oxygen to say I'm

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Speaker 2: not cry and the truth is that I was, and

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Speaker 2: that on a certain level I still am.

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Speaker 3: Oh wow, that must have really hurt.

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Speaker 2: So when Sam was on, we did fix veep. Okay

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Speaker 2: it is coming back.

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Speaker 3: Do they not tell you?

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Speaker 2: Okay, well, one of the fixes we have, let's lose

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Speaker 2: some of the dead weight. Oh, Tony, I mean, we

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Speaker 2: did not mean you, but we didn't say you specifically,

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Speaker 2: but the Sam and Sam's I said that Sam was

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Speaker 2: in the room, so we had to keep Sam who

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Speaker 2: he's like, he was in the room.

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Speaker 1: And at a certain point you got to pick one

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Speaker 1: of you guys.

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Speaker 3: Oh wow, all right you and Sam on the show?

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Speaker 3: Was is Sam coming back?

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Speaker 1: We had we had to Yeah.

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Speaker 3: And you've talked about this whole thing with the HBO

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Speaker 3: execs and stuff like that, and they were like, and

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Speaker 3: they definitely said, okay, you guys between us, we're keeping

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Speaker 3: Julia the rest of the team, but we are cutting

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Speaker 3: the fat of Sam and Tony.

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Speaker 1: Sam stick. I know you want.

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Speaker 2: Because that would move like you felt bad.

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Speaker 1: He was in the room. He was in the room.

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Speaker 1: Let's get rid of you.

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Speaker 2: Probably, I mean, I think I haven't seen all the

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Speaker 2: storyboards yet, but there are plants to excize him pretty

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Speaker 2: early in the full episodes.

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Speaker 3: Spoiler alert.

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Speaker 2: Well, it's you know, the cold open is Sam starts

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Speaker 2: his car and the car has a rock fall on it. Oh,

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Speaker 2: you think it's gonna explode, but it does. It is

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Speaker 2: triggered by it's like a machine. Yeah, okay, Yeah, the

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Speaker 2: engine turns and you see a rope sort of go

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Speaker 2: around one of those worlds dark.

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Speaker 1: Yeah, it really is off theme and you did it.

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Speaker 3: Yeah. Oh, I'm just like pushing a button next to

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Speaker 3: the cave and I'm like, yeah.

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Speaker 1: You do your Muttley laugh that you've been doing for us.

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Speaker 2: Yeah, so that is how it's going to start. As

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Speaker 2: far as HBO exacts, they're over the moon for it.

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Speaker 2: Steve Baker fill out of his chair, really Baker his chair,

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Speaker 2: he's under his desk, football play.

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Speaker 1: He's a football player.

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Speaker 2: What so to whole job, that's the entire job is

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Speaker 2: don't fall down. That's all of the HBO's job is

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Speaker 2: to know I was I was meaning football player. But

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Speaker 2: it is also also part of HBO's job don't fall down.

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Speaker 3: Okay mm hmm man, I'm going to see football game

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Speaker 3: is in a totally different light now, right, because it's

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Speaker 3: kind of like an actor's objective, like you have, like

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Speaker 3: all right, Gary just wants to be loved by Selena,

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Speaker 3: and like a football player just doesn't want to fall down.

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Speaker 3: And also actors aren't supposed unless you're chevvy. Well that's

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Speaker 3: like a that's a what's it called.

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Speaker 1: The exception that proves the rule when you spin go

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Speaker 1: ahead and vertigo not vertigo?

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Speaker 3: Is it vertigo?

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Speaker 1: Vertigo? Yes, vertigo?

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Speaker 3: When you spend it's an ery are issue?

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Speaker 1: Come on, you gotta know vertigo. That's storyline from Arrested,

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Speaker 1: is it?

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Speaker 3: Yes?

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Speaker 6: Yes?

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Speaker 1: Oh yes, yes, yes, you have to watch this show.

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Speaker 2: You in particular would love it. Lucille too, she's freaking

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Speaker 2: going nuts and I think she's your wife at one point.

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Speaker 3: Girlfriend. Yeah, we got we made out.

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Speaker 1: You don't believe in that marriage.

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Speaker 3: I'm so glad we're talking. Please a girlfriend?

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Speaker 2: Yeah, okay, ladies, I'm available.

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Speaker 3: We fixed girlfriend. We are also so interested. How you

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Speaker 3: fix vieb. I want to hear more about that, but

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Speaker 3: I guess you remember podcast. I mean my guess is

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Speaker 3: we probably changed the name to Carmel by the.

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Speaker 4: Sea, so this is by Carmel. So we originally fixed

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Speaker 4: Atlanta and we were like Atlanta, you know.

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Speaker 3: I was like, how.

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Speaker 2: About the show is Carmel by the Seat, Okay, and

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Speaker 2: it's set and this if you've been to this place,

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Speaker 2: Carmel Cobblestone Streets and the mayor Clint Eastwood's.

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Speaker 1: Well, he's friends was a dog though we have to acknowledge.

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Speaker 3: Yeah, Okay, I have been to Carmel. It's beautiful, right.

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Speaker 3: I don't remember Cobblestone Streets though, but I'm sure it's.

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Speaker 2: And I'm wondering if they actually let you in or

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Speaker 2: if they showed you to the fake one. Yeah, Carmel,

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Speaker 2: right this way, mister Tony. What the guide you into?

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Speaker 1: What did it look look like? Just your kitchen navy

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Speaker 1: of the restaurant?

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Speaker 3: You're a Carmel by the sea, Like, give me five

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Speaker 3: top attributes of it.

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Speaker 4: Character Cobblestone Streets, Clint Eastwood is the mayor. He's friends

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Speaker 4: with the dog as well.

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Speaker 3: Who's the mayor? Okay, there's storyline.

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Speaker 1: The library and the.

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Speaker 3: Sea, yes, and the sea. The sea. Wow. So I

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Speaker 3: mean it sounds very European.

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Speaker 2: Oh god, yes, yes, that's part of what's so nice,

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Speaker 2: a little slice of Europe.

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Speaker 1: Se la te t.

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Speaker 4: We do have to get down to business, Tony. I'm

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00:17:04,840 --> 00:17:07,280
Speaker 4: so sorry, but that's part of it. Is like we're

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Speaker 4: recording a podcast and we'll release the podcast, but.

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Speaker 1: Also we're multitasking.

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Speaker 4: We did do punch up on t S four for

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Speaker 4: and we just want to u they said, while Tony's

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00:17:21,240 --> 00:17:23,280
Speaker 4: in here, we got the mics, we got everything all

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Speaker 4: set up. We were mostly focused on your character. You

362
00:17:28,320 --> 00:17:30,560
Speaker 4: can punch up for your guy.

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Speaker 3: Is this something that they assigned to you?

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Speaker 1: This we they had us.

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Speaker 3: This is another touchy situation that I member.

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Speaker 1: Yeah, it's just a.

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Speaker 3: I don't understand why these conversations are happening now with me.

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Speaker 1: Well, this is when we have you again time.

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Speaker 3: But you know what, all Hollywood wants to avoid conflict,

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Speaker 3: So I can see that they gave it to you guys.

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Speaker 3: I know, tell me because we yeah, we embrace conflict.

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Speaker 2: Conflict speaking of conflict, just something we like to mention

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Speaker 2: on the show. Obviously, I don't know how you feel

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Speaker 2: about this. This show is a full UTA package. Yes,

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00:18:07,880 --> 00:18:10,919
Speaker 2: it's a full package. We didn't split the package. Yeah, no,

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Speaker 2: they didn't have to. So that's just and that's in

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00:18:13,760 --> 00:18:16,280
Speaker 2: the past, and that's an existing deal that was made

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00:18:16,359 --> 00:18:19,119
Speaker 2: obviously before the whole conflict. And we don't get into

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Speaker 2: any part of it.

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00:18:20,160 --> 00:18:22,920
Speaker 3: And if you think you could do it without them, okay,

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00:18:23,280 --> 00:18:25,920
Speaker 3: good luck to you. Have you. Okay, what are your

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Speaker 3: thoughts on this whole packaging?

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Speaker 2: And my thoughts are listen to the podcast, yeah and

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Speaker 2: tell me if you think it's good and that's a

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Speaker 2: product of the old system.

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Speaker 3: Listen to the podcast we're doing right, this podcast olhway

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Speaker 3: is a product the old system.

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Speaker 1: It's full package.

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Speaker 3: Okay, it's a full package, right, And.

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Speaker 1: My thoughts on are basically chopoid carry water.

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Speaker 3: I just do the work, Just do the damn thing. Baby.

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Speaker 3: Oh my, there it is. There's that swallow that. It's good, right,

393
00:18:53,680 --> 00:18:54,440
Speaker 3: it's really good.

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Speaker 2: He's swallowing it because it is at his own joke.

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Speaker 2: Happy to laugh with someone else is if that comes up?

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00:19:02,680 --> 00:19:06,480
Speaker 2: Oh sure, right, and it has its definitely has.

397
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Speaker 4: So they basically gave us.

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Speaker 1: Sort of prima knock day on this thing. On this script.

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00:19:14,080 --> 00:19:19,040
Speaker 1: They were like, just go in there, uh, and you find.

400
00:19:18,880 --> 00:19:22,880
Speaker 4: The areas that need help, like, for example, like what's

401
00:19:22,920 --> 00:19:24,439
Speaker 4: your guy?

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00:19:24,640 --> 00:19:28,119
Speaker 1: And he is he's like, my big issue, this is

403
00:19:28,160 --> 00:19:31,719
Speaker 1: not a toy And oh he's not a toy. Well

404
00:19:31,760 --> 00:19:32,040
Speaker 1: he's not.

405
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Speaker 3: He doesn't think he's a toy.

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00:19:34,200 --> 00:19:37,120
Speaker 4: Well, so then I mean, basically, what's he doing here?

407
00:19:37,880 --> 00:19:43,359
Speaker 2: They're actually not a big question really called freaking fork story.

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00:19:44,640 --> 00:19:45,280
Speaker 3: That's a good point.

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00:19:45,800 --> 00:19:47,639
Speaker 2: That's a good point, and everyone, you don't tend to

410
00:19:47,760 --> 00:19:51,760
Speaker 2: change it because we have a brand already that works well, you.

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00:19:51,720 --> 00:19:54,560
Speaker 4: Have a okay, so, and I'm gonna mentioned changing to

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00:19:54,560 --> 00:19:57,840
Speaker 4: toy straight forward to toy story fork just to find

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Speaker 4: a way.

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00:19:59,119 --> 00:20:01,960
Speaker 1: To get you in there. Yeah, because we love the

415
00:20:02,040 --> 00:20:03,720
Speaker 1: idea of you being involved.

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00:20:04,119 --> 00:20:07,760
Speaker 3: Okay, okay, can, because so can. I'm gonna keep bringing

417
00:20:07,760 --> 00:20:09,960
Speaker 3: this to its simplest forms. I want to understand.

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00:20:10,040 --> 00:20:11,000
Speaker 1: Chop wood carry water.

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00:20:11,160 --> 00:20:12,920
Speaker 3: That's right, that's right.

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00:20:13,320 --> 00:20:14,080
Speaker 1: Do you know about that?

421
00:20:14,320 --> 00:20:17,760
Speaker 3: Chop wood carry water? Do you know about that? Only that?

422
00:20:17,760 --> 00:20:19,639
Speaker 3: That's like? Is that a phrase of saying, you just

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00:20:19,640 --> 00:20:21,920
Speaker 3: do what needs to get done, the damn thing?

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Speaker 2: To just do the damn damn thing, Tony, Can I

425
00:20:24,720 --> 00:20:30,960
Speaker 2: ask you what does the monk do prior to enlightenment? Wait?

426
00:20:31,320 --> 00:20:34,000
Speaker 1: If you know what does the monk do prior to enlightenment?

427
00:20:34,040 --> 00:20:37,360
Speaker 3: What the monk does prior to having like a revelation?

428
00:20:37,920 --> 00:20:38,760
Speaker 1: Prior to enlightenment?

429
00:20:38,760 --> 00:20:42,160
Speaker 3: And try to enlightenment? He chops wood and carries water.

430
00:20:42,280 --> 00:20:42,840
Speaker 1: That's correct.

431
00:20:42,920 --> 00:20:48,320
Speaker 2: And then quick follow up after enlightenment, what does the

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00:20:48,359 --> 00:20:48,720
Speaker 2: monk do?

433
00:20:49,720 --> 00:20:57,000
Speaker 3: He sits and and with God he carry water. Yes, okay,

434
00:20:57,040 --> 00:20:57,719
Speaker 3: but he does it.

435
00:20:57,800 --> 00:21:01,199
Speaker 2: The job stays the same, Tony, but he does it

436
00:21:01,240 --> 00:21:04,600
Speaker 2: with like the swag he's got a little Oh he's

437
00:21:04,640 --> 00:21:07,080
Speaker 2: like pimping a little bit. Oh yeah, he's got a

438
00:21:07,080 --> 00:21:09,159
Speaker 2: little bit of a gangster limp.

439
00:21:09,840 --> 00:21:10,679
Speaker 3: Okay, but.

440
00:21:13,840 --> 00:21:15,760
Speaker 1: He's carrying the water afterwards.

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00:21:15,800 --> 00:21:17,560
Speaker 3: I would think it would be just the opposite. It

442
00:21:17,560 --> 00:21:24,000
Speaker 3: would be more of like a peaceful kind of it's peaceful.

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Speaker 1: As hell, man.

444
00:21:24,240 --> 00:21:29,160
Speaker 3: Yeah yeah, Okay, have you guys been to a monastery?

445
00:21:30,520 --> 00:21:33,359
Speaker 1: Okay? This is another touchy subject for it?

446
00:21:33,600 --> 00:21:35,720
Speaker 3: Is faith a subject for you? Yes?

447
00:21:36,000 --> 00:21:38,480
Speaker 2: Yes? Really, Well, we've been on quite a journey on

448
00:21:38,520 --> 00:21:41,640
Speaker 2: this show. I mean, of course, as you know, religion

449
00:21:41,720 --> 00:21:43,680
Speaker 2: is the cause of all wars. It's killed more people

450
00:21:43,680 --> 00:21:44,560
Speaker 2: than every disease.

451
00:21:44,880 --> 00:21:47,720
Speaker 1: A church is pretty screwed up sometimes can be tough.

452
00:21:48,520 --> 00:21:52,840
Speaker 2: At the same time, when I did confront the church

453
00:21:52,920 --> 00:21:56,160
Speaker 2: about this, they frequently met my anger with love.

454
00:21:57,520 --> 00:22:01,480
Speaker 3: Oh wow, that was and and what did you would

455
00:22:01,480 --> 00:22:04,199
Speaker 3: you say? Is? What is how? Why do you have

456
00:22:04,240 --> 00:22:05,399
Speaker 3: a hard time receiving that?

457
00:22:06,520 --> 00:22:07,840
Speaker 1: Oh wow?

458
00:22:07,960 --> 00:22:10,640
Speaker 2: And we're digging in on this, this is We're never

459
00:22:10,680 --> 00:22:13,080
Speaker 2: going to get to t s Fork at this point.

460
00:22:14,040 --> 00:22:15,760
Speaker 1: Why do I have a tough time receiving that?

461
00:22:16,000 --> 00:22:16,119
Speaker 3: Like?

462
00:22:16,160 --> 00:22:16,400
Speaker 1: Why?

463
00:22:16,440 --> 00:22:19,480
Speaker 3: What? Enough room? Not enough room for their love? There're

464
00:22:19,480 --> 00:22:23,280
Speaker 3: too many muscles in there. Yeah, Okay, I can see

465
00:22:23,320 --> 00:22:26,080
Speaker 3: that ivan chopping wood, carrying water. Got it, got it,

466
00:22:26,160 --> 00:22:27,120
Speaker 3: got it? Okay.

467
00:22:27,440 --> 00:22:30,199
Speaker 1: We It really feels like you're like avoiding.

468
00:22:31,680 --> 00:22:34,239
Speaker 2: It's like you don't want to fix the movie and

469
00:22:34,280 --> 00:22:38,480
Speaker 2: possibly save your roll roll Okay, because what we have

470
00:22:38,680 --> 00:22:41,560
Speaker 2: for the fork, ye, that's gone.

471
00:22:42,960 --> 00:22:46,400
Speaker 3: Wait, what you have for the fork is gone? Meaning

472
00:22:47,000 --> 00:22:49,159
Speaker 3: you pitch something to them and they said no, can't do.

473
00:22:49,440 --> 00:22:53,040
Speaker 2: What I'm saying is the original version. What you think

474
00:22:53,080 --> 00:22:54,440
Speaker 2: the fork is doing in the movie?

475
00:22:54,520 --> 00:22:55,800
Speaker 3: Uh huh, who's a sport?

476
00:22:55,920 --> 00:23:01,320
Speaker 2: I guess yeah, it's like, yeah, what but what you

477
00:23:01,359 --> 00:23:05,239
Speaker 2: think he's doing in the movie? That ays? And I

478
00:23:05,240 --> 00:23:09,040
Speaker 2: saw it, we're doing you a favor. It didn't work.

479
00:23:09,280 --> 00:23:11,440
Speaker 2: It didn't because it's not a toy. God, I'm so

480
00:23:11,480 --> 00:23:14,560
Speaker 2: glad you guys are here. We didn't get it right,

481
00:23:15,960 --> 00:23:18,560
Speaker 2: We didn't see a lot of it.

482
00:23:18,640 --> 00:23:21,679
Speaker 1: We were like on our phones, yeah wow, because I

483
00:23:21,720 --> 00:23:21,960
Speaker 1: saw it.

484
00:23:22,400 --> 00:23:25,200
Speaker 3: Really I got it, like I loved it.

485
00:23:26,480 --> 00:23:27,800
Speaker 1: Are you maybe too close to it?

486
00:23:27,880 --> 00:23:30,000
Speaker 3: I think, yeah, maybe I'm too close. And there are

487
00:23:30,040 --> 00:23:32,240
Speaker 3: people like not texting you that much? Is that the other?

488
00:23:32,440 --> 00:23:34,560
Speaker 4: Is that like the other issue, because we have to

489
00:23:34,600 --> 00:23:37,399
Speaker 4: be assuming that other people are going to be watching

490
00:23:37,440 --> 00:23:39,240
Speaker 4: this and people are going to be hitting them up

491
00:23:39,960 --> 00:23:41,280
Speaker 4: like they're actual friends.

492
00:23:41,560 --> 00:23:43,120
Speaker 1: So that this is what we're competing.

493
00:23:43,160 --> 00:23:45,240
Speaker 3: And when you say people are going to be hitting

494
00:23:45,280 --> 00:23:47,040
Speaker 3: them up, you mean hitting Disney up.

495
00:23:47,160 --> 00:23:49,880
Speaker 1: No, people watching the movie are getting hit up.

496
00:23:49,920 --> 00:23:53,600
Speaker 2: They're going to directly hit up by their friend movies guy. No,

497
00:23:53,680 --> 00:23:56,200
Speaker 2: they're getting hit up by their friends friends. Yes, they're

498
00:23:56,200 --> 00:23:57,760
Speaker 2: gonna directly hit up the movies.

499
00:23:57,800 --> 00:24:01,400
Speaker 1: Guys. The friends are watching, watching it and hitting them up.

500
00:24:01,760 --> 00:24:02,880
Speaker 1: And so this is what I'm saying.

501
00:24:03,000 --> 00:24:05,720
Speaker 4: Yeah, you're watching this movie, nobody's hitting you up, and

502
00:24:05,760 --> 00:24:07,000
Speaker 4: so you're like enjoying it.

503
00:24:07,040 --> 00:24:07,920
Speaker 3: You're having a good time.

504
00:24:08,000 --> 00:24:10,960
Speaker 4: Sean and I are watching, we're getting hit up constantly.

505
00:24:11,119 --> 00:24:12,920
Speaker 3: Well, let me let me ask you this. So when

506
00:24:12,960 --> 00:24:15,800
Speaker 3: you see a movie, so your goal is seeing something

507
00:24:15,840 --> 00:24:17,000
Speaker 3: and to get hit up.

508
00:24:17,560 --> 00:24:22,119
Speaker 4: Now, my goal is in writing producing a movie, is

509
00:24:22,160 --> 00:24:27,200
Speaker 4: to create something that will be more appealing, will get

510
00:24:27,240 --> 00:24:30,720
Speaker 4: my attention more than all the people hitting me up,

511
00:24:30,720 --> 00:24:33,199
Speaker 4: all my friends, my wife, and my girlfriend who are

512
00:24:33,240 --> 00:24:33,760
Speaker 4: hitting me up.

513
00:24:34,080 --> 00:24:36,880
Speaker 3: I see. So you're saying that you wanted to be

514
00:24:38,200 --> 00:24:42,080
Speaker 3: so interesting that you're you're not getting distracted by the day.

515
00:24:42,080 --> 00:24:46,240
Speaker 2: It is ruining immersive world that you are sucked into

516
00:24:46,359 --> 00:24:49,080
Speaker 2: to the extent that it destroys your personal relationships with

517
00:24:49,160 --> 00:24:54,880
Speaker 2: your friend's family. Loved once and that is the ultimate movie.

518
00:24:54,960 --> 00:24:56,480
Speaker 2: And I think we've come close with some of these

519
00:24:56,520 --> 00:24:58,560
Speaker 2: wild lines and stuff that we're going to record for

520
00:24:58,680 --> 00:24:59,399
Speaker 2: four Key today.

521
00:24:59,520 --> 00:25:01,760
Speaker 3: Okay, can you tell me some of them?

522
00:25:02,200 --> 00:25:02,600
Speaker 2: Uh?

523
00:25:02,680 --> 00:25:04,679
Speaker 1: Yeah, yeah, that's kind of a big part of it.

524
00:25:04,800 --> 00:25:07,399
Speaker 2: Yeah, Okay, we're going to have you record them, so

525
00:25:07,480 --> 00:25:08,440
Speaker 2: you'll have to know them.

526
00:25:08,520 --> 00:25:11,600
Speaker 3: I don't think I can record them, but I would love. Okay, Really,

527
00:25:11,720 --> 00:25:14,560
Speaker 3: the entire thing that we're doing here, which so today

528
00:25:14,640 --> 00:25:15,720
Speaker 3: is an ad R session.

529
00:25:15,760 --> 00:25:17,920
Speaker 2: Yeah, we're just getting pick up right off the top.

530
00:25:18,040 --> 00:25:20,159
Speaker 2: Your name is Forky Romano. We're going to try to

531
00:25:20,240 --> 00:25:24,800
Speaker 2: tie it in with another successful thing that already.

532
00:25:24,440 --> 00:25:28,800
Speaker 3: Exists, Forky Romano.

533
00:25:27,960 --> 00:25:29,679
Speaker 1: We say we are going to do.

534
00:25:30,000 --> 00:25:32,120
Speaker 2: We are going to have a CGI version of Chris

535
00:25:32,119 --> 00:25:34,840
Speaker 2: Penn and Peter Berg, who played Corky Romano's brothers of

536
00:25:34,920 --> 00:25:36,800
Speaker 2: that film.

537
00:25:36,840 --> 00:25:40,480
Speaker 3: Okay, what about the other characters like Woody and all

538
00:25:40,520 --> 00:25:45,040
Speaker 3: those guys, are they they're fine? They work? Oh, everybody works,

539
00:25:45,080 --> 00:25:46,840
Speaker 3: except you think for Ky.

540
00:25:47,160 --> 00:25:53,160
Speaker 2: Forky again works now sorry, Yeah, we've got Forky Romano working.

541
00:25:53,720 --> 00:25:56,800
Speaker 1: So the first wildlight, of course, and keeping with this

542
00:25:56,960 --> 00:26:03,360
Speaker 1: is you guys want some If you recall.

543
00:26:06,280 --> 00:26:09,400
Speaker 2: Corgi Romando had to pose as a girl scout selling

544
00:26:09,480 --> 00:26:12,760
Speaker 2: cookies in order to like infiltrate the home where the

545
00:26:12,800 --> 00:26:14,200
Speaker 2: microfilm was or something.

546
00:26:14,280 --> 00:26:17,080
Speaker 4: Yeah, or he's working for the Mob, but I think

547
00:26:17,080 --> 00:26:18,040
Speaker 4: he was also working for this.

548
00:26:18,240 --> 00:26:21,040
Speaker 1: His family's the mob. Yeah, and he's tied in with

549
00:26:21,119 --> 00:26:21,639
Speaker 1: the FBI.

550
00:26:21,840 --> 00:26:24,720
Speaker 3: Yeah, and that you see this as the same age

551
00:26:24,800 --> 00:26:29,800
Speaker 3: range that Toy Story four is, or like appealing to

552
00:26:30,240 --> 00:26:31,560
Speaker 3: kind of a younger crowd.

553
00:26:31,840 --> 00:26:35,159
Speaker 2: Question, So all generations, So well, I guess can I

554
00:26:35,359 --> 00:26:38,719
Speaker 2: try something? Because a lot of times what happens is

555
00:26:38,840 --> 00:26:42,000
Speaker 2: I sort of layout sort of a really clear cool

556
00:26:42,040 --> 00:26:43,120
Speaker 2: idea to Tony.

557
00:26:43,240 --> 00:26:45,439
Speaker 1: Oh okay, and then Tony will go.

558
00:26:47,000 --> 00:26:49,359
Speaker 3: And you think blah blah.

559
00:26:49,640 --> 00:26:52,159
Speaker 2: So like when you're asking so when so you just

560
00:26:52,200 --> 00:26:54,000
Speaker 2: asked me, and you see this as the same age

561
00:26:54,119 --> 00:26:56,280
Speaker 2: as Toy Story four. So I'm going to try something

562
00:26:56,280 --> 00:27:00,920
Speaker 2: and see if this is just how you like to communicate, okay,

563
00:27:01,520 --> 00:27:03,680
Speaker 2: And so you see that question of whether the age

564
00:27:03,760 --> 00:27:08,520
Speaker 2: range if Toy Story four is gonna be the same

565
00:27:08,640 --> 00:27:10,120
Speaker 2: as the fan base for.

566
00:27:10,280 --> 00:27:12,159
Speaker 3: Cookery Romano to make a him movie star.

567
00:27:12,119 --> 00:27:14,560
Speaker 1: Chris Catan as a.

568
00:27:16,320 --> 00:27:19,160
Speaker 2: Relevant question that's going to help us get these lines recorded.

569
00:27:20,000 --> 00:27:23,000
Speaker 3: And you know what, I hear you and I and

570
00:27:23,040 --> 00:27:26,000
Speaker 3: I can understand that that sounds really aggressive, and I'm

571
00:27:26,040 --> 00:27:29,199
Speaker 3: sorry about that. Maybe let me see if I can

572
00:27:29,200 --> 00:27:31,679
Speaker 3: phrase it. I do have a I do have a question.

573
00:27:33,280 --> 00:27:39,560
Speaker 3: It doesn't sound like it's the same tone as the

574
00:27:39,920 --> 00:27:44,600
Speaker 3: toy story for really the beauty of the franchise has created.

575
00:27:45,720 --> 00:27:50,640
Speaker 3: And I am curious what demographic you're thinking? Okay, does

576
00:27:50,640 --> 00:27:51,960
Speaker 3: that kind of Romano?

577
00:27:52,240 --> 00:27:53,120
Speaker 1: Yeah? Exactly.

578
00:27:53,160 --> 00:27:55,640
Speaker 4: People that like going to the movies, people that will

579
00:27:55,640 --> 00:27:57,240
Speaker 4: pay to watch a movie.

580
00:27:56,960 --> 00:27:59,760
Speaker 1: People who are ready to laugh again, Oh what are

581
00:27:59,800 --> 00:28:00,240
Speaker 1: we like?

582
00:28:00,320 --> 00:28:03,800
Speaker 4: If if Corky Romano is not working for you, what

583
00:28:03,880 --> 00:28:07,560
Speaker 4: direction would you prefer with? Like mister Peepers, you say, Mango,

584
00:28:09,280 --> 00:28:11,200
Speaker 4: the host of the how do you say?

585
00:28:11,200 --> 00:28:12,000
Speaker 3: Ies? Show?

586
00:28:12,680 --> 00:28:14,200
Speaker 1: Like what Antonio Bandaris?

587
00:28:14,280 --> 00:28:17,520
Speaker 3: I guess? Yeah? Like what is wow? You said that

588
00:28:17,640 --> 00:28:22,040
Speaker 3: with a lot of subtexts. You don't like Antonio Benders.

589
00:28:21,720 --> 00:28:26,439
Speaker 2: I'm saying, of all the iconic Criscapica characters, we could

590
00:28:26,720 --> 00:28:30,320
Speaker 2: mold Forky into uh huh, Antonio Banderies, to me, would

591
00:28:30,359 --> 00:28:32,760
Speaker 2: be the most confusing one to approach.

592
00:28:33,000 --> 00:28:35,240
Speaker 3: I just think if Antonio Bandariz was in this room

593
00:28:35,280 --> 00:28:37,200
Speaker 3: and you went Antonio Benderis.

594
00:28:37,480 --> 00:28:39,840
Speaker 1: But I'm not talking about Antonio. I'm talking about the

595
00:28:39,880 --> 00:28:43,640
Speaker 1: Chris Catan version of Antonio Banderas. From your Lips to

596
00:28:43,720 --> 00:28:45,840
Speaker 1: Buddhas ears. We have spent time in a monastery. By

597
00:28:45,840 --> 00:28:48,800
Speaker 1: the way, we never really answered that question before. Yeah,

598
00:28:49,240 --> 00:28:50,800
Speaker 1: I'm just not welcome back.

599
00:28:51,240 --> 00:28:53,080
Speaker 3: Oh, I'm sorry about that.

600
00:28:53,280 --> 00:28:55,920
Speaker 4: So we were saying, we were saying, you guys, watch

601
00:28:55,920 --> 00:28:56,520
Speaker 4: some cookies.

602
00:29:00,000 --> 00:29:01,440
Speaker 2: I had to kick the gong and it went flying

603
00:29:01,480 --> 00:29:03,440
Speaker 2: off the thing and rolled down all the temple steps.

604
00:29:03,760 --> 00:29:05,440
Speaker 3: Oh wow, Yeah, that's unfortunate.

605
00:29:05,680 --> 00:29:07,760
Speaker 1: Yeah, and no one was recording it.

606
00:29:08,080 --> 00:29:11,640
Speaker 2: Yep, no one was recording it, which helped me in court.

607
00:29:12,000 --> 00:29:16,800
Speaker 4: And the sound A bunch of people got Nirvana something

608
00:29:16,800 --> 00:29:20,080
Speaker 4: who had like just shown up, people like had just

609
00:29:20,160 --> 00:29:21,880
Speaker 4: walked in and they heard the sound of the gong

610
00:29:22,000 --> 00:29:25,360
Speaker 4: going down the steps and they were like, wow, I

611
00:29:25,440 --> 00:29:25,880
Speaker 4: got it.

612
00:29:26,760 --> 00:29:28,480
Speaker 3: Oh they got Nirvana.

613
00:29:28,520 --> 00:29:31,040
Speaker 1: After seeing it, you were thinking like Nirvana unplugged.

614
00:29:31,440 --> 00:29:36,120
Speaker 3: No, I wasn't, actually, but I think he might have been.

615
00:29:36,360 --> 00:29:39,560
Speaker 3: Oh but I well, I won't break this down because

616
00:29:39,560 --> 00:29:39,800
Speaker 3: I am.

617
00:29:39,800 --> 00:29:41,320
Speaker 2: And you're and I could see you in your head

618
00:29:41,360 --> 00:29:47,240
Speaker 2: going two flannels. Hmmm, because then Nirvana unplugged. It's like

619
00:29:47,600 --> 00:29:50,320
Speaker 2: there's so many flannels. There was a lot of flannels

620
00:29:50,640 --> 00:29:51,840
Speaker 2: that hasn't stopped either.

621
00:29:52,160 --> 00:29:54,520
Speaker 1: You know, we stuck with it.

622
00:29:55,200 --> 00:29:55,600
Speaker 3: We're dead.

623
00:29:56,320 --> 00:29:59,280
Speaker 2: So here's another line for Forky that we just want

624
00:29:59,280 --> 00:30:02,880
Speaker 2: to get out of the way, and it's and it's don't.

625
00:30:02,560 --> 00:30:08,920
Speaker 1: Tell your parents. And that's two camera wait.

626
00:30:10,200 --> 00:30:14,840
Speaker 3: Wait, so for so something happens. Can you can you

627
00:30:14,960 --> 00:30:17,120
Speaker 3: kind of create that world a little bit for me?

628
00:30:17,200 --> 00:30:19,000
Speaker 3: Why he would say don't tell your parents.

629
00:30:19,040 --> 00:30:20,600
Speaker 1: I mean, I don't want to spoil too much.

630
00:30:20,720 --> 00:30:24,440
Speaker 4: Yeah, and we're actually not even really allowed to like

631
00:30:24,880 --> 00:30:27,240
Speaker 4: share too much of like the plot details.

632
00:30:27,360 --> 00:30:28,320
Speaker 3: Uh huh.

633
00:30:28,320 --> 00:30:31,320
Speaker 2: But basically by the time you're finished, yeah, and they've

634
00:30:31,320 --> 00:30:34,400
Speaker 2: caught you cleaning it up, you kind of just go,

635
00:30:34,800 --> 00:30:36,080
Speaker 2: don't tell your parents.

636
00:30:37,360 --> 00:30:40,240
Speaker 4: Wow, that sounds And there's a new like you know

637
00:30:40,240 --> 00:30:42,880
Speaker 4: they have like this new technology. There's like a camera

638
00:30:42,920 --> 00:30:46,960
Speaker 4: effect where uh, the fork you will.

639
00:30:46,760 --> 00:30:48,760
Speaker 1: Be saying, so if you could just basically say the

640
00:30:48,840 --> 00:30:49,840
Speaker 1: name of.

641
00:30:49,800 --> 00:30:53,520
Speaker 4: Every child, okay, and then we have a way to

642
00:30:53,760 --> 00:30:57,560
Speaker 4: fill in that child's name at the end.

643
00:30:57,480 --> 00:30:59,960
Speaker 3: Of you're saying the other child in the world.

644
00:31:00,240 --> 00:31:01,840
Speaker 1: Yes, if you could just say the name of everything

645
00:31:02,520 --> 00:31:03,160
Speaker 1: really fast.

646
00:31:03,200 --> 00:31:07,640
Speaker 3: It's yeah, first and last, yes, yes, sorry full made

647
00:31:07,760 --> 00:31:08,960
Speaker 3: that sounds like a lot, guys.

648
00:31:09,640 --> 00:31:12,440
Speaker 4: And so then the barrel I was going to say

649
00:31:12,680 --> 00:31:16,880
Speaker 4: the child's full name, because they, you know, scan some

650
00:31:16,920 --> 00:31:19,560
Speaker 4: of them, we can scan as they're walking into the theater.

651
00:31:19,880 --> 00:31:22,680
Speaker 3: And then but then, if there's a lot of people

652
00:31:22,760 --> 00:31:26,040
Speaker 3: in the crowd, how would it be specific to each child?

653
00:31:26,120 --> 00:31:27,760
Speaker 1: Target a Dolby blast.

654
00:31:29,320 --> 00:31:34,240
Speaker 2: Wow, okay, the Dolby technology now is out of this world.

655
00:31:34,320 --> 00:31:36,400
Speaker 2: I mean obviously you're not on that side of things,

656
00:31:36,440 --> 00:31:38,560
Speaker 2: so you haven't necessarily been tracking the updates. But they

657
00:31:38,600 --> 00:31:41,680
Speaker 2: can target the blast in such a way that each

658
00:31:41,720 --> 00:31:44,360
Speaker 2: individual seat in the theater is receiving their own name.

659
00:31:44,640 --> 00:31:49,480
Speaker 3: Wait, but seeing it I see and hearing it differently. Yeah,

660
00:31:49,480 --> 00:31:49,960
Speaker 3: oh wow.

661
00:31:50,440 --> 00:31:52,920
Speaker 2: Yeah, we're going to fudge the mouth movement so that

662
00:31:53,000 --> 00:31:55,720
Speaker 2: it sort of it can match a lot and some

663
00:31:55,760 --> 00:31:57,360
Speaker 2: of the names. We don't have to get everything, you know,

664
00:31:58,480 --> 00:32:01,000
Speaker 2: Jade and Caden, Braiden, Aiden, you.

665
00:32:00,960 --> 00:32:02,200
Speaker 1: Know, we'll just get it.

666
00:32:02,280 --> 00:32:05,080
Speaker 2: That's yeah, that's most of them, and we're just getting

667
00:32:05,080 --> 00:32:08,600
Speaker 2: Shepherd in middle school, you knew a shepherd. I knew

668
00:32:08,600 --> 00:32:12,840
Speaker 2: a shepherd. It was shep Shepherd in from my hometown.

669
00:32:13,000 --> 00:32:17,720
Speaker 4: Wow, is it possible that the name Shep was a

670
00:32:17,840 --> 00:32:19,960
Speaker 4: nickname based on the last name.

671
00:32:20,080 --> 00:32:23,560
Speaker 3: I don't think so, Okay, I mean, but if possible,

672
00:32:24,640 --> 00:32:26,600
Speaker 3: if it's possible at all, that's what happened.

673
00:32:31,520 --> 00:32:33,040
Speaker 1: Because it means you don't know.

674
00:32:33,520 --> 00:32:35,640
Speaker 3: You know, I have to say. I so admire the

675
00:32:35,840 --> 00:32:42,680
Speaker 3: certainty it really I think if more people could have

676
00:32:42,760 --> 00:32:45,000
Speaker 3: this kind of certainty when they speak, I think it

677
00:32:45,080 --> 00:32:49,440
Speaker 3: would create such a more confident and loving environment.

678
00:32:49,600 --> 00:32:52,320
Speaker 4: So we have one name, which is Shep Shepherd. That

679
00:32:52,360 --> 00:32:53,960
Speaker 4: what is odd that.

680
00:32:54,680 --> 00:32:57,800
Speaker 3: We got Oh oh, I didn't even do it in

681
00:32:57,840 --> 00:33:02,160
Speaker 3: four key's voice. Okay, yeah, I'm sure it's so different.

682
00:33:02,240 --> 00:33:03,560
Speaker 1: So it's.

683
00:33:07,640 --> 00:33:08,000
Speaker 3: I do.

684
00:33:09,520 --> 00:33:12,920
Speaker 4: That's another note, by the way, to change it, we

685
00:33:12,960 --> 00:33:15,840
Speaker 4: need to lamp up the vocal fry.

686
00:33:17,160 --> 00:33:17,800
Speaker 1: Big time.

687
00:33:17,960 --> 00:33:21,520
Speaker 2: Yeah really yeah, oh yeah, all right, So, like, can

688
00:33:21,560 --> 00:33:24,600
Speaker 2: we hear the old version? I kind of need to

689
00:33:24,880 --> 00:33:28,160
Speaker 2: the trailer. You're allowed to you you're allowed to do it.

690
00:33:28,320 --> 00:33:29,200
Speaker 2: That's out of the bag.

691
00:33:29,560 --> 00:33:31,560
Speaker 3: I need to I kind of need to hear more

692
00:33:31,560 --> 00:33:34,080
Speaker 3: of the world that you guys are coming from a

693
00:33:34,120 --> 00:33:36,320
Speaker 3: little bit. I don't know, it's I mean, I hear

694
00:33:36,320 --> 00:33:42,080
Speaker 3: what you're saying, but get both actors, right, wow, if

695
00:33:42,120 --> 00:33:42,960
Speaker 3: you think.

696
00:33:43,720 --> 00:33:46,840
Speaker 1: Geez, why did you have something that you thought I'd be.

697
00:33:49,320 --> 00:33:51,680
Speaker 3: Right for? Or but I can tell that you're both

698
00:33:51,880 --> 00:33:52,480
Speaker 3: really good.

699
00:33:53,040 --> 00:33:59,800
Speaker 2: Oh my god, I guess like the kind of performance yeah,

700
00:34:00,080 --> 00:34:03,360
Speaker 2: and actually because people don't have the visual components.

701
00:34:02,880 --> 00:34:05,160
Speaker 1: So yeah, I know you like creating the whole thing,

702
00:34:06,000 --> 00:34:10,879
Speaker 1: but that's sort of yeah. I just feel like, yeah, yeah,

703
00:34:10,880 --> 00:34:13,040
Speaker 1: I know. I guess I'm an actor, right, yeah you are.

704
00:34:13,440 --> 00:34:15,799
Speaker 3: Yeah, But I feel like when you're do acting, which

705
00:34:15,880 --> 00:34:17,920
Speaker 3: clearly you have because I've looked at both of your

706
00:34:17,960 --> 00:34:22,520
Speaker 3: IMDb pages. Wow, And I feel like when you have

707
00:34:22,760 --> 00:34:24,279
Speaker 3: you kind of have to have a little bit of

708
00:34:24,280 --> 00:34:28,800
Speaker 3: an intention before you say something, right, intention and an obstacle, Yeah,

709
00:34:28,840 --> 00:34:31,360
Speaker 3: and kind of know the world of what you're talking about,

710
00:34:31,680 --> 00:34:34,480
Speaker 3: right yeah yeah earth Yeah.

711
00:34:34,160 --> 00:34:36,680
Speaker 4: Well that's then I'd be that general in some of

712
00:34:36,680 --> 00:34:39,279
Speaker 4: the movies I've done, or space as well.

713
00:34:39,400 --> 00:34:39,880
Speaker 1: Yeah.

714
00:34:40,000 --> 00:34:43,439
Speaker 3: Okay, So like, what would you say, is the kind

715
00:34:43,480 --> 00:34:49,120
Speaker 3: of what is this this forky world you've created? What

716
00:34:49,160 --> 00:34:55,200
Speaker 3: would be his kind of both challenges and intentions?

717
00:34:55,360 --> 00:35:01,760
Speaker 2: Uh? His intention, I think is to finish, finish, finish

718
00:35:01,840 --> 00:35:02,239
Speaker 2: the job.

719
00:35:03,719 --> 00:35:08,239
Speaker 4: Okay, he also wants to save He of course has

720
00:35:08,280 --> 00:35:09,440
Speaker 4: a bar called four keys.

721
00:35:10,480 --> 00:35:11,080
Speaker 3: He has a bar.

722
00:35:11,520 --> 00:35:17,520
Speaker 4: Yeah, and there is a hole in the wall with that.

723
00:35:17,600 --> 00:35:20,640
Speaker 4: I think connects. I haven't seen. I forget exactly what

724
00:35:20,960 --> 00:35:21,439
Speaker 4: we did.

725
00:35:22,239 --> 00:35:27,280
Speaker 6: Yes, Jordan doesn't he have a like multi personality because

726
00:35:27,320 --> 00:35:29,320
Speaker 6: he can never figure out if he's really a spoon

727
00:35:29,480 --> 00:35:32,320
Speaker 6: or a fork, so he's always battling back and forth.

728
00:35:33,960 --> 00:35:34,719
Speaker 1: He does have a lot.

729
00:35:34,760 --> 00:35:36,839
Speaker 3: I mean here, he does have both worlds.

730
00:35:37,280 --> 00:35:42,280
Speaker 1: Jordan, We oh god, we signed a document.

731
00:35:42,520 --> 00:35:46,800
Speaker 3: Do we remember this? That's right, that's right, Yeah, I'm sorry, Jordan,

732
00:35:47,280 --> 00:35:48,000
Speaker 3: do we remember?

733
00:35:48,080 --> 00:35:51,560
Speaker 4: And when we were sharing our ideas for the movie,

734
00:35:51,719 --> 00:35:54,359
Speaker 4: that we were deciding that we weren't going to take

735
00:35:54,520 --> 00:35:59,160
Speaker 4: individual credit for ideas, and that just the fact that

736
00:35:59,239 --> 00:36:01,759
Speaker 4: you were invited to the idea sharing session was a

737
00:36:01,920 --> 00:36:02,720
Speaker 4: huge honor.

738
00:36:02,960 --> 00:36:06,279
Speaker 2: And whether or not most who can remember whether or

739
00:36:06,320 --> 00:36:08,319
Speaker 2: not most of the ideas are in fact all of

740
00:36:08,320 --> 00:36:12,160
Speaker 2: the ideas that wound up being incorporated in the film

741
00:36:12,200 --> 00:36:14,600
Speaker 2: came from you, or whether some of them we actually

742
00:36:14,600 --> 00:36:17,480
Speaker 2: helped with a little bit, Yeah, doesn't matter, but that you,

743
00:36:17,640 --> 00:36:19,400
Speaker 2: in fact were going to pretend that you hadn't been

744
00:36:19,400 --> 00:36:21,640
Speaker 2: there and that they had all been me and Hayes's ideas.

745
00:36:22,280 --> 00:36:23,239
Speaker 1: I've forgotten that part.

746
00:36:23,920 --> 00:36:27,680
Speaker 2: Yeah, well that's kind of why the document exists, isn't it,

747
00:36:28,120 --> 00:36:28,560
Speaker 2: so that we.

748
00:36:28,560 --> 00:36:31,919
Speaker 1: Don't forget that part. So I remember, I remember.

749
00:36:31,680 --> 00:36:34,600
Speaker 3: In every session with Jordan where there's just a lot

750
00:36:34,640 --> 00:36:38,239
Speaker 3: of shame dumped on her because I wouldn't want to

751
00:36:38,280 --> 00:36:38,480
Speaker 3: be in this.

752
00:36:38,800 --> 00:36:46,279
Speaker 2: So we don't answer that organ I will feel this one. No,

753
00:36:46,360 --> 00:36:49,080
Speaker 2: it doesn't happen every session. We have other engineers at

754
00:36:49,120 --> 00:36:49,439
Speaker 2: the time.

755
00:36:49,840 --> 00:36:52,480
Speaker 3: Oh okay, I just what does it say about you

756
00:36:52,520 --> 00:36:53,839
Speaker 3: guys that you feel like you have to do that

757
00:36:53,880 --> 00:36:54,919
Speaker 3: to somebody each time?

758
00:36:55,719 --> 00:36:59,920
Speaker 4: I remember the plot now, okay that we did for

759
00:37:00,120 --> 00:37:04,600
Speaker 4: or So Forkys. Uh, there's a group of Florida high

760
00:37:04,600 --> 00:37:06,240
Speaker 4: school students.

761
00:37:08,160 --> 00:37:09,359
Speaker 3: Do they live in Tallahassee?

762
00:37:09,400 --> 00:37:09,600
Speaker 1: They?

763
00:37:09,760 --> 00:37:12,319
Speaker 4: Yes, they And they go to Forky's, which is sort

764
00:37:12,320 --> 00:37:16,799
Speaker 4: of a nightclub in the Everglades. Yes, there's a far

765
00:37:17,000 --> 00:37:17,479
Speaker 4: in there.

766
00:37:17,560 --> 00:37:20,640
Speaker 3: Well that's not in Tallahassee. Then Everglades is South Florida.

767
00:37:22,040 --> 00:37:23,799
Speaker 3: Then yes, then it's the Everglades.

768
00:37:24,080 --> 00:37:27,799
Speaker 2: Okay, it's closer to the Everglades. They're in more of

769
00:37:27,840 --> 00:37:30,200
Speaker 2: a general town. They have sort of a suburban looking

770
00:37:30,280 --> 00:37:33,120
Speaker 2: high school, but at the same time, there is just

771
00:37:33,239 --> 00:37:36,960
Speaker 2: on the outskirts of town Forky's, which is a nightclub

772
00:37:37,600 --> 00:37:40,040
Speaker 2: that can be a little raunchy, and they're.

773
00:37:39,800 --> 00:37:43,080
Speaker 4: Looking to have a learning experience with one of these

774
00:37:43,160 --> 00:37:45,840
Speaker 4: ladies of the night at Forky's club, and you Forky,

775
00:37:46,280 --> 00:37:50,680
Speaker 4: take their money and then you dump them in the swamp.

776
00:37:51,800 --> 00:37:55,160
Speaker 3: Okay, uh, if it's okay, I need to break that

777
00:37:55,239 --> 00:37:57,400
Speaker 3: down a little bit just to kind of get to it.

778
00:37:58,160 --> 00:38:03,960
Speaker 3: Let's get into chool. So I live in the Everglades. Yeah,

779
00:38:04,760 --> 00:38:06,759
Speaker 3: suburbs and the Everglades on the other side of the truck.

780
00:38:08,360 --> 00:38:11,919
Speaker 2: Yeah, the kids live in the in the suburbs. The kids,

781
00:38:12,120 --> 00:38:15,320
Speaker 2: they're looking for a special experience at Forks.

782
00:38:15,719 --> 00:38:17,800
Speaker 3: Okay, you run that.

783
00:38:17,320 --> 00:38:18,560
Speaker 1: That is in the Everglades.

784
00:38:18,600 --> 00:38:20,799
Speaker 2: We don't really establish where you live, but I can

785
00:38:20,880 --> 00:38:25,320
Speaker 2: assume that it's near Forky's, the hoppy night club where

786
00:38:25,880 --> 00:38:26,960
Speaker 2: prostitution occurs.

787
00:38:27,160 --> 00:38:30,920
Speaker 3: Okay, guys, I have to say, this can't happen. This

788
00:38:31,120 --> 00:38:35,160
Speaker 3: can't happen. I won't let this happen. I mean, it's like,

789
00:38:35,320 --> 00:38:39,880
Speaker 3: uh huh, it's uh, it's it's it's a beautiful story

790
00:38:39,920 --> 00:38:42,680
Speaker 3: that Disney is created, and I feel like this. I

791
00:38:42,680 --> 00:38:44,520
Speaker 3: don't know if they needed you guys to come in

792
00:38:44,560 --> 00:38:45,600
Speaker 3: and step in and do this.

793
00:38:45,800 --> 00:38:50,680
Speaker 1: Okay, I wonder if that's above your pig grade, But

794
00:38:50,719 --> 00:38:51,919
Speaker 1: I just feel like you.

795
00:38:52,239 --> 00:38:54,719
Speaker 3: I really think you bring a lot of good attributes

796
00:38:55,000 --> 00:38:56,359
Speaker 3: into what you guys.

797
00:38:56,080 --> 00:38:58,319
Speaker 1: Do with acting. You it said, that's right.

798
00:38:58,400 --> 00:39:01,640
Speaker 3: Yeah, I don't know if the toyster franchise is one

799
00:39:01,680 --> 00:39:03,160
Speaker 3: of those venues for you.

800
00:39:03,320 --> 00:39:06,200
Speaker 2: The guy who does the voice is telling Bob Iger

801
00:39:07,080 --> 00:39:08,480
Speaker 2: how to do his job.

802
00:39:08,600 --> 00:39:10,919
Speaker 3: Well, you're telling me that you guys had this meeting

803
00:39:11,000 --> 00:39:11,920
Speaker 3: with Bob Iger.

804
00:39:13,000 --> 00:39:18,760
Speaker 1: We is we've been trading, trading.

805
00:39:19,160 --> 00:39:22,279
Speaker 2: Bob's obviously insanely busy, and he's not the only one.

806
00:39:23,480 --> 00:39:26,040
Speaker 1: Like you said, we're acting and other stuff.

807
00:39:26,239 --> 00:39:27,720
Speaker 3: Yeah, yeah, yeah, yeah yeah.

808
00:39:27,719 --> 00:39:33,440
Speaker 2: And so we're trading and we're at a point where

809
00:39:33,719 --> 00:39:37,040
Speaker 2: this version of it has to be locked and loaded

810
00:39:37,719 --> 00:39:39,320
Speaker 2: when we do sit down with Bob.

811
00:39:40,120 --> 00:39:41,960
Speaker 1: So we need some wild grunts from you.

812
00:39:42,360 --> 00:39:46,680
Speaker 2: Oh, just just a dozen or so different kinds of grunts.

813
00:39:46,719 --> 00:39:53,120
Speaker 3: I'm not gonna give that to you. I mean, I

814
00:39:53,160 --> 00:39:55,879
Speaker 3: can appreciate, you know, it's one of those things that

815
00:39:56,239 --> 00:39:58,000
Speaker 3: I need to speak up. This is the time I

816
00:39:58,040 --> 00:40:00,000
Speaker 3: need to speak up, my person.

817
00:40:00,080 --> 00:40:01,480
Speaker 1: You cut up with this stuff.

818
00:40:01,520 --> 00:40:04,959
Speaker 4: Everything they did on Veep, you just swallowed it.

819
00:40:05,280 --> 00:40:07,200
Speaker 1: And now cowies et cetera.

820
00:40:07,320 --> 00:40:11,360
Speaker 4: Yeah, and now it's time now for toy story four.

821
00:40:12,080 --> 00:40:14,719
Speaker 1: Now's the tie when we're speaking up?

822
00:40:14,880 --> 00:40:20,520
Speaker 2: And does this make you think that perhaps we you're loving,

823
00:40:20,560 --> 00:40:24,319
Speaker 2: caring partners in this venture who are trying to help you,

824
00:40:24,960 --> 00:40:29,480
Speaker 2: are now suffering the consequence of the abusive relationship a

825
00:40:29,560 --> 00:40:32,600
Speaker 2: veep and the emotional baggage where you now don't trust

826
00:40:32,719 --> 00:40:35,920
Speaker 2: us because you were betrayed by someone completely different, when

827
00:40:36,080 --> 00:40:38,080
Speaker 2: actually what we're giving you is.

828
00:40:38,560 --> 00:40:42,080
Speaker 1: A way out of that, really a path to freedom.

829
00:40:42,480 --> 00:40:47,759
Speaker 3: So you have mine and Jordan's best intentions with all

830
00:40:48,080 --> 00:40:50,040
Speaker 3: this world you've created.

831
00:40:50,160 --> 00:40:53,239
Speaker 1: Jordan, I'll tell you a little story. Yeah you might

832
00:40:53,360 --> 00:40:53,640
Speaker 1: like this.

833
00:40:53,960 --> 00:40:54,400
Speaker 3: Okay.

834
00:40:54,920 --> 00:40:58,560
Speaker 4: I got a text a few days ago from someone

835
00:40:58,680 --> 00:41:01,560
Speaker 4: saying your picture is in somebody's tender profile.

836
00:41:03,000 --> 00:41:03,960
Speaker 3: Oh no.

837
00:41:07,080 --> 00:41:11,319
Speaker 2: Wait, so that is the kind of relationship that that

838
00:41:11,400 --> 00:41:11,959
Speaker 2: we have.

839
00:41:12,280 --> 00:41:16,439
Speaker 1: So you're sitting here, okay a tait week.

840
00:41:16,440 --> 00:41:19,640
Speaker 6: Can I just add I am deleted all dating apps

841
00:41:20,000 --> 00:41:22,839
Speaker 6: because I can't I can't do it anymore, but I.

842
00:41:22,560 --> 00:41:26,520
Speaker 1: Yes, okay, so someone is posing as you? Sure? Yeah?

843
00:41:26,560 --> 00:41:27,320
Speaker 1: Oh wow.

844
00:41:28,120 --> 00:41:30,759
Speaker 4: And weird Al is in there too, So that is

845
00:41:31,080 --> 00:41:35,520
Speaker 4: the core four basically is the two of us, weird

846
00:41:35,560 --> 00:41:36,840
Speaker 4: Al and engineer Jordan.

847
00:41:37,120 --> 00:41:38,880
Speaker 3: How did you guys meet your wives?

848
00:41:40,160 --> 00:41:45,560
Speaker 4: So this is a great a little backstory. I am

849
00:41:45,560 --> 00:41:49,080
Speaker 4: married to Carrie and Moss, but she is not technically

850
00:41:49,120 --> 00:41:51,799
Speaker 4: married to me. We have kind of a progressive twenty

851
00:41:51,880 --> 00:41:57,040
Speaker 4: nineteen relationship where the arrangement that she requested is that

852
00:41:57,120 --> 00:41:59,120
Speaker 4: I am her husband, but she is not my wife.

853
00:42:00,000 --> 00:42:00,720
Speaker 1: Does that make sense?

854
00:42:00,760 --> 00:42:03,279
Speaker 3: And you both did not meet your partners on a

855
00:42:03,360 --> 00:42:03,960
Speaker 3: dating app?

856
00:42:04,560 --> 00:42:05,720
Speaker 1: No, I met.

857
00:42:06,440 --> 00:42:11,640
Speaker 2: We met during warm ups at the French Open in

858
00:42:13,800 --> 00:42:18,600
Speaker 2: I want to say ninety nine, two thousand and one

859
00:42:18,640 --> 00:42:22,960
Speaker 2: around there. But our coaches, my coach Brad Gilbert, had

860
00:42:23,239 --> 00:42:27,319
Speaker 2: arranged through her coach that we would go out and

861
00:42:27,400 --> 00:42:29,759
Speaker 2: have a bit of a hit around. I showed up

862
00:42:29,800 --> 00:42:31,480
Speaker 2: kind of at the end of her practice and it

863
00:42:31,520 --> 00:42:33,680
Speaker 2: was like, oh, maybe we hit together. And I was

864
00:42:33,719 --> 00:42:35,960
Speaker 2: so distracted. I mean that thing was flying all over

865
00:42:36,000 --> 00:42:39,879
Speaker 2: the court. I'm married to Steffie Kraff. Okay, And that's

866
00:42:39,880 --> 00:42:42,439
Speaker 2: how you got I mean I did me. We met

867
00:42:42,440 --> 00:42:44,279
Speaker 2: on an app. There's like a special app for people

868
00:42:44,320 --> 00:42:46,600
Speaker 2: that were in the Matrix in the movie.

869
00:42:47,800 --> 00:42:49,840
Speaker 3: Okay, wow, wow, it's interesting.

870
00:42:49,880 --> 00:42:51,719
Speaker 4: I was in you know, at the beginning of Reloaded.

871
00:42:51,760 --> 00:42:55,640
Speaker 4: There's like that insane party scene. Hmm, I'm sort of

872
00:42:55,680 --> 00:42:58,080
Speaker 4: like djaying that party wow.

873
00:42:59,120 --> 00:43:01,280
Speaker 3: I just I mean, I felt a lot of shame

874
00:43:01,400 --> 00:43:03,960
Speaker 3: about your dating apps, and I don't think there's anything

875
00:43:03,960 --> 00:43:05,279
Speaker 3: wrong with you being on those dating apps.

876
00:43:05,280 --> 00:43:07,880
Speaker 6: I have a shame because multiple times that has been

877
00:43:07,920 --> 00:43:08,799
Speaker 6: brought up on the show.

878
00:43:08,880 --> 00:43:13,000
Speaker 3: Come on, and yet he met Carrie and Moss on

879
00:43:13,040 --> 00:43:14,319
Speaker 3: a dating shame.

880
00:43:14,440 --> 00:43:16,480
Speaker 1: There's no shame in using a dating app.

881
00:43:16,600 --> 00:43:17,520
Speaker 3: It's twenty nineteen.

882
00:43:17,640 --> 00:43:19,920
Speaker 2: I guess if you consider Brad Gilbert, author of the

883
00:43:19,960 --> 00:43:25,440
Speaker 2: book Winning Ugly Tips from a Master on Tennis tournament play,

884
00:43:26,880 --> 00:43:29,120
Speaker 2: if you think of him as a dating app, which

885
00:43:29,160 --> 00:43:32,560
Speaker 2: I hadn't, but in a way, that's the old version

886
00:43:32,560 --> 00:43:37,799
Speaker 2: of the dating app, is that Brad would dial up

887
00:43:38,640 --> 00:43:42,040
Speaker 2: Stevey's coach whose name skips me now, and to you

888
00:43:42,080 --> 00:43:44,560
Speaker 2: would whack it around.

889
00:43:45,640 --> 00:43:47,760
Speaker 4: To your question about what does it say about us

890
00:43:48,160 --> 00:43:52,240
Speaker 4: that we have to do this to every engineer and also, don't.

891
00:43:52,120 --> 00:43:54,719
Speaker 3: Forget our producer. I know we haven't even touched on

892
00:43:54,840 --> 00:43:55,359
Speaker 3: Chef Kevin.

893
00:43:55,400 --> 00:43:58,640
Speaker 4: I know, and that is so sad because we are

894
00:43:59,160 --> 00:44:02,120
Speaker 4: out of time. We have we have a heart out today.

895
00:44:02,200 --> 00:44:02,680
Speaker 1: Is that right?

896
00:44:03,960 --> 00:44:09,239
Speaker 2: They're doing the comedy Bang Bang, the special anniversary thing were.

897
00:44:09,239 --> 00:44:12,640
Speaker 3: Invited to that, I was not. Uh huh, I was not.

898
00:44:12,960 --> 00:44:16,319
Speaker 2: Yeah, I think they they checked the schedule and I

899
00:44:16,320 --> 00:44:18,160
Speaker 2: think they saw that we already had a record.

900
00:44:19,120 --> 00:44:20,399
Speaker 1: So maybe that's for you too.

901
00:44:20,440 --> 00:44:22,600
Speaker 3: Are you guys going to that right now? Is that

902
00:44:22,680 --> 00:44:24,160
Speaker 3: why you have have to leave?

903
00:44:24,600 --> 00:44:28,200
Speaker 4: I am sort of playing on walking out very slowly

904
00:44:29,040 --> 00:44:33,400
Speaker 4: in a way that leaves me open to being sort.

905
00:44:33,160 --> 00:44:33,840
Speaker 1: Of pulled in.

906
00:44:34,400 --> 00:44:37,440
Speaker 2: I'm going to be standing in the doorway very intently,

907
00:44:37,600 --> 00:44:40,240
Speaker 2: like sort of responding to an email.

908
00:44:41,360 --> 00:44:44,040
Speaker 1: And getting bumped into.

909
00:44:44,040 --> 00:44:47,800
Speaker 2: Hopefully by some of these characters, some of these guys,

910
00:44:48,520 --> 00:44:54,040
Speaker 2: and we are going to be hovering in a way

911
00:44:54,280 --> 00:44:58,040
Speaker 2: where if we accidentally get shoved into the room or you.

912
00:44:58,000 --> 00:45:00,719
Speaker 3: Know what, there's really a full all makes sense. I

913
00:45:00,719 --> 00:45:03,200
Speaker 3: feel like that's how you got into the FDA, That's

914
00:45:03,239 --> 00:45:04,920
Speaker 3: how you got into the tennis tournament.

915
00:45:05,040 --> 00:45:08,919
Speaker 1: Know Dockerman, what, knowing Scott Ackerman.

916
00:45:08,680 --> 00:45:11,560
Speaker 3: Knowing Scott Ackerman. You just kind of stand outside and

917
00:45:11,600 --> 00:45:13,799
Speaker 3: then get bumped into these places. Is that kind of

918
00:45:13,800 --> 00:45:14,360
Speaker 3: how it works?

919
00:45:14,680 --> 00:45:18,560
Speaker 1: It doesn't hurt, all right, I'm gonna try it.

920
00:45:19,120 --> 00:45:23,560
Speaker 4: So Unfortunately, we I guess Forky's character is now just

921
00:45:23,600 --> 00:45:27,919
Speaker 4: based on what we have someone who refuses to say

922
00:45:27,960 --> 00:45:28,920
Speaker 4: the lines.

923
00:45:28,880 --> 00:45:32,000
Speaker 1: That he's told you we gotta use we gotta use this.

924
00:45:32,160 --> 00:45:33,920
Speaker 1: The all the old stuff is deleted.

925
00:45:34,040 --> 00:45:40,840
Speaker 2: So Forky now basically enters the film says, hey, Shep Shepherds,

926
00:45:42,480 --> 00:45:47,440
Speaker 2: I'm not going to say that, and then so.

927
00:45:47,440 --> 00:45:51,240
Speaker 4: He talks about how his like his co stars, only

928
00:45:51,320 --> 00:45:52,880
Speaker 4: one of them ever made him laugh.

929
00:45:53,360 --> 00:45:56,239
Speaker 3: Yeah, okay, Well, so all of this podcast is going

930
00:45:56,320 --> 00:45:59,759
Speaker 3: to be cut into however, you guys.

931
00:45:59,320 --> 00:46:01,160
Speaker 1: My hands are hot. Yeah, we got this is what

932
00:46:01,160 --> 00:46:01,360
Speaker 1: we do.

933
00:46:01,440 --> 00:46:04,200
Speaker 3: This is what we got. Disney owns this and it's

934
00:46:04,280 --> 00:46:06,520
Speaker 3: just going to use this as it's a ut package.

935
00:46:06,560 --> 00:46:09,840
Speaker 3: So well, right, right, and you're just gonna cut this

936
00:46:09,960 --> 00:46:12,120
Speaker 3: into your story.

937
00:46:12,280 --> 00:46:15,000
Speaker 2: Well, we're gonna make the most I mean, we're gonna

938
00:46:15,200 --> 00:46:16,919
Speaker 2: you know, lemonade, et cetera.

939
00:46:17,680 --> 00:46:22,719
Speaker 3: Okay, all right, I haven't signed off on that, but

940
00:46:22,800 --> 00:46:25,719
Speaker 3: I mean, and I don't even think I know they

941
00:46:25,760 --> 00:46:31,720
Speaker 3: haven't signed they speaking of signing off. Bye Hamburg