1 00:00:00,560 --> 00:00:03,800 Speaker 1: Welcome to Stuff You Missed in History Class from house 2 00:00:03,800 --> 00:00:13,880 Speaker 1: Stuff Works dot Com. Hello, and welcome to the podcast. 3 00:00:13,960 --> 00:00:16,720 Speaker 1: I'm Katie Lambert and I'm Sarah Dowdy. And today we're 4 00:00:16,720 --> 00:00:18,880 Speaker 1: going to start with some of the best opening lines 5 00:00:18,920 --> 00:00:22,800 Speaker 1: for a pole. It's from Samuel Taylor Coleridge's Kubla Khan 6 00:00:23,480 --> 00:00:26,400 Speaker 1: in Santa Do to Kubla Khan, a stately pleasure dome 7 00:00:26,520 --> 00:00:30,120 Speaker 1: decree where alf the Sacred River ran through caverns measure 8 00:00:30,160 --> 00:00:33,960 Speaker 1: list man down to a sunless sea. And while Coleridge 9 00:00:34,000 --> 00:00:36,080 Speaker 1: may have been high on opium while he wrote this, 10 00:00:36,280 --> 00:00:39,000 Speaker 1: Zanna Do was a real place. It was the summer 11 00:00:39,000 --> 00:00:42,239 Speaker 1: castle of Kubla Khan, which Marco Polo visited, but it 12 00:00:42,360 --> 00:00:45,960 Speaker 1: was also a fictional pleasure palace that you might know 13 00:00:46,520 --> 00:00:51,000 Speaker 1: as Charles Foster Kane's house in Citizen Kane. And while 14 00:00:51,120 --> 00:00:54,760 Speaker 1: Orson Wells's version of Sannah Do was compiled from exterior 15 00:00:54,800 --> 00:00:58,520 Speaker 1: shots of a castle in New York and surrealist Matt paintings, 16 00:00:58,680 --> 00:01:02,400 Speaker 1: it was meant to be William Randolph Hurst's La Cuista 17 00:01:02,480 --> 00:01:06,360 Speaker 1: and Cantata, or the Enchanted Hill, which is high above 18 00:01:06,520 --> 00:01:10,880 Speaker 1: California's specific coast, and Hearst lovingly called it the ranch. 19 00:01:11,240 --> 00:01:14,520 Speaker 1: It's sometimes called San Simeon, which is also the town 20 00:01:14,520 --> 00:01:18,720 Speaker 1: where it's located, but we know it best as Hearst Castle. 21 00:01:19,319 --> 00:01:22,560 Speaker 1: So where did this castle come from? Well, William Randolph 22 00:01:22,640 --> 00:01:27,040 Speaker 1: Hurst's father, George Hurst, purchased Rancho Piedros Blancas in eighteen 23 00:01:27,120 --> 00:01:30,200 Speaker 1: sixty five. It had been part of the Mexican Land 24 00:01:30,200 --> 00:01:32,959 Speaker 1: Grant of eighteen forty, and he later bought the adjoining 25 00:01:33,040 --> 00:01:36,959 Speaker 1: ranchos Santa Rosa and San Simeon. So when William was 26 00:01:37,040 --> 00:01:41,480 Speaker 1: in kind of this his middle age, he inherited this 27 00:01:41,760 --> 00:01:44,640 Speaker 1: enormous estate by this point from his mother. It's two 28 00:01:44,720 --> 00:01:49,000 Speaker 1: hundred and fifty thousand acres and um. By nineteen nineteen 29 00:01:49,120 --> 00:01:52,240 Speaker 1: he starts construction, which is the same year that he's 30 00:01:52,320 --> 00:01:56,240 Speaker 1: kind of making his first forays into the movie business, 31 00:01:56,280 --> 00:01:58,600 Speaker 1: trying to promote the career of his twenty two year 32 00:01:58,640 --> 00:02:02,280 Speaker 1: old mistress, Marion Dave These. So this is his entry 33 00:02:02,320 --> 00:02:05,760 Speaker 1: to Hollywood. And the land was originally known as Camp 34 00:02:05,840 --> 00:02:07,880 Speaker 1: Hill and had been a place for the family to 35 00:02:07,960 --> 00:02:10,360 Speaker 1: go on camping trips, you know, Mrs Hurst and the boys. 36 00:02:10,919 --> 00:02:13,720 Speaker 1: Although it's not my kind of a camping trip, it's 37 00:02:13,720 --> 00:02:16,600 Speaker 1: a little cushier. They've got separate sleeping and dining tents, 38 00:02:16,639 --> 00:02:20,239 Speaker 1: which actually is my idea of camping. That sounds love like, 39 00:02:20,440 --> 00:02:23,440 Speaker 1: that's pretty comfortable. But Hurst once more than that. Yeah, 40 00:02:23,680 --> 00:02:27,760 Speaker 1: he spends instructions to his architect, Julian Morrigan in nineteen nineteen, 41 00:02:28,240 --> 00:02:30,440 Speaker 1: Miss Morgan, we are tired of camping out in the 42 00:02:30,480 --> 00:02:32,919 Speaker 1: open at the ranch in San Simeon, and I would 43 00:02:32,960 --> 00:02:36,080 Speaker 1: like to build a little something. That's a major understatement, 44 00:02:36,160 --> 00:02:39,480 Speaker 1: but she spends the next twenty eight years working on 45 00:02:39,520 --> 00:02:44,040 Speaker 1: the project, which by seven is a complex of one 46 00:02:44,120 --> 00:02:47,440 Speaker 1: hundred and sixty five rooms and one hundred and twenty 47 00:02:47,520 --> 00:02:52,840 Speaker 1: seven acres of gardens, terraces, pools, and walkways. So before 48 00:02:53,120 --> 00:02:55,000 Speaker 1: we get into the house, we should talk about the 49 00:02:55,040 --> 00:02:57,680 Speaker 1: woman who spent twenty eight years of her life working 50 00:02:57,680 --> 00:03:00,320 Speaker 1: on this project, right, And Julie Morgan is a pretty 51 00:03:00,360 --> 00:03:03,240 Speaker 1: interesting person. She was born in eighteen seventy two in 52 00:03:03,280 --> 00:03:06,920 Speaker 1: San Francisco at a little, small, sickly child, but she 53 00:03:07,080 --> 00:03:10,480 Speaker 1: sneaked into her brother's gym and exercised, and she was 54 00:03:10,600 --> 00:03:13,160 Speaker 1: very well educated by her well to do parents. As 55 00:03:13,200 --> 00:03:16,160 Speaker 1: a teen, she spent the summer with her New York relatives, 56 00:03:16,639 --> 00:03:19,239 Speaker 1: and that's when she first discovered her love of architecture 57 00:03:19,320 --> 00:03:21,760 Speaker 1: when she visited the office of Pierre Lebroun, who was 58 00:03:21,800 --> 00:03:25,400 Speaker 1: her cousin's husband. She likes the drawing, she likes the designs, 59 00:03:25,440 --> 00:03:28,560 Speaker 1: and she thinks, hey, maybe that could be for me. Yeah. 60 00:03:28,600 --> 00:03:33,079 Speaker 1: So she attends UC Berkeley and studies civil engineering, and 61 00:03:33,440 --> 00:03:38,760 Speaker 1: her senior year she meets Bernard maybeck Um, who, by 62 00:03:38,760 --> 00:03:41,680 Speaker 1: the way, is an interesting character himself. He wore Greek 63 00:03:41,800 --> 00:03:46,800 Speaker 1: robes and had a waste long beard. But after graduation 64 00:03:47,000 --> 00:03:51,240 Speaker 1: she studies architecture with him privately, and by eighteen ninety 65 00:03:51,320 --> 00:03:54,560 Speaker 1: six she goes to Paris and starts preparing for exams 66 00:03:54,560 --> 00:03:58,720 Speaker 1: to enter the Ecole de boz arts Um. She has 67 00:03:58,760 --> 00:04:02,240 Speaker 1: to take the test a few times um most people do, 68 00:04:02,600 --> 00:04:05,680 Speaker 1: but she ends up being the first woman enrolled in 69 00:04:05,720 --> 00:04:09,640 Speaker 1: their architecture section and graduates in nineteen o two. And 70 00:04:09,680 --> 00:04:12,040 Speaker 1: she took a lot of trips in Europe while she 71 00:04:12,120 --> 00:04:14,960 Speaker 1: was there to study classical architecture, and she wanted to 72 00:04:15,000 --> 00:04:18,040 Speaker 1: sketch a lot of these gorgeous buildings because she couldn't 73 00:04:18,040 --> 00:04:20,839 Speaker 1: always afford the books she needed. Yeah, so she really 74 00:04:21,040 --> 00:04:26,120 Speaker 1: learns a lot about classical architecture, and she returns to 75 00:04:26,160 --> 00:04:31,120 Speaker 1: California and becomes the first woman again uh to be 76 00:04:31,200 --> 00:04:34,520 Speaker 1: granted an architect's license in the state. Go Julia Yeah 77 00:04:34,680 --> 00:04:38,760 Speaker 1: and her. She eventually establishes her own practice, and it 78 00:04:38,839 --> 00:04:42,520 Speaker 1: really takes off after the San Francisco earthquake of nineteen 79 00:04:42,520 --> 00:04:44,599 Speaker 1: o six. For one thing, you can imagine there are 80 00:04:44,640 --> 00:04:47,320 Speaker 1: a lot of buildings that need to be rebuilt, but 81 00:04:47,400 --> 00:04:50,839 Speaker 1: also some of her earlier designs had weathered pretty well. 82 00:04:51,160 --> 00:04:54,960 Speaker 1: She had been using reinforced concrete, so it wasn't all 83 00:04:55,240 --> 00:04:58,760 Speaker 1: um crumbled from the earthquake, right. And her connection to 84 00:04:58,800 --> 00:05:01,919 Speaker 1: the hers starts with Phoebe Hurst, who's really involved in 85 00:05:01,960 --> 00:05:06,200 Speaker 1: the YWS. This is William Randolph hurts mother, right, And 86 00:05:06,320 --> 00:05:09,159 Speaker 1: it's not like she was just working on the Hearst 87 00:05:09,200 --> 00:05:11,200 Speaker 1: Castle during this twenty eight years. We want to make 88 00:05:11,240 --> 00:05:14,480 Speaker 1: that clear because she's also working with other clients and 89 00:05:14,480 --> 00:05:18,440 Speaker 1: on other projects for the Hearsts, like the Hacienda in California, 90 00:05:18,560 --> 00:05:23,000 Speaker 1: wind Tune fairy Tale Houses in Northern California's so pretty 91 00:05:23,080 --> 00:05:25,719 Speaker 1: Google image that one. There's a Hopie residence of the 92 00:05:25,720 --> 00:05:29,280 Speaker 1: Grand Canyon Um. She does the Los Angeles Examiner Building, 93 00:05:29,720 --> 00:05:33,120 Speaker 1: several of William Randolph Herst, Beverly Hills Residences and Marian 94 00:05:33,200 --> 00:05:36,200 Speaker 1: Davies Beach House in Santa Monica. But yeah, like like 95 00:05:36,240 --> 00:05:39,000 Speaker 1: we said, she's also got other clients. So when Hurst 96 00:05:39,680 --> 00:05:42,839 Speaker 1: eventually loses a lot of his money later in life, 97 00:05:42,880 --> 00:05:45,960 Speaker 1: it's not like she's out of work. She's got a 98 00:05:46,600 --> 00:05:50,320 Speaker 1: successful business side. She was a smart cookie. But we 99 00:05:50,320 --> 00:05:53,520 Speaker 1: we wanted we're here to talk about her most famous project, 100 00:05:53,680 --> 00:05:57,799 Speaker 1: which is the Hearst Castle. So Hurst was really into 101 00:05:57,800 --> 00:06:01,720 Speaker 1: collecting art and antiquities, and it's something that had appealed 102 00:06:01,760 --> 00:06:04,240 Speaker 1: to him ever since he visited Europe with his mother 103 00:06:04,360 --> 00:06:08,080 Speaker 1: at age ten. He been interested in art history. So 104 00:06:08,279 --> 00:06:11,000 Speaker 1: whatever he built, it wasn't just going to be a 105 00:06:11,040 --> 00:06:14,560 Speaker 1: little something like he sent in that telegram to Morgan. 106 00:06:15,040 --> 00:06:18,240 Speaker 1: It was gonna be a museum for his art and 107 00:06:18,480 --> 00:06:23,640 Speaker 1: statutory tapestries and pottery, and also a place to display 108 00:06:24,120 --> 00:06:27,919 Speaker 1: these architectural elements that he had accumulated. And this is 109 00:06:28,120 --> 00:06:31,760 Speaker 1: big stuff. It's not it's not little pictures to hang 110 00:06:31,760 --> 00:06:34,760 Speaker 1: on the wall. Now we're talking entire ceilings, ceilings and 111 00:06:34,839 --> 00:06:37,919 Speaker 1: doors and even temples. So he's got to have a 112 00:06:37,960 --> 00:06:41,320 Speaker 1: place to integrate all of the things that he's collected, 113 00:06:41,839 --> 00:06:44,360 Speaker 1: and Sarah had found a really cool New York Times 114 00:06:44,480 --> 00:06:48,560 Speaker 1: article that called his home cinematic because it's not arranged 115 00:06:48,600 --> 00:06:52,080 Speaker 1: as a whole. There's not one huge idea that all 116 00:06:52,120 --> 00:06:54,200 Speaker 1: of the rooms sort of play into. It's more like 117 00:06:54,839 --> 00:06:57,000 Speaker 1: you walk into one room and it's Gothic, and you 118 00:06:57,040 --> 00:06:59,680 Speaker 1: walk into the next room and it's very Renaissance. So 119 00:06:59,760 --> 00:07:04,279 Speaker 1: more like a series of vignettes. And it's um that 120 00:07:04,400 --> 00:07:08,800 Speaker 1: makes sense when you consider he's building it to house 121 00:07:08,960 --> 00:07:12,760 Speaker 1: his collections and to display them, so he's got all 122 00:07:12,800 --> 00:07:16,840 Speaker 1: this different stuff. It's going to end up looking very diverse. 123 00:07:17,480 --> 00:07:19,520 Speaker 1: But let's talk about the biggest part of the house, 124 00:07:19,560 --> 00:07:23,120 Speaker 1: which is the main house, La Cassa Grande, sixty tho 125 00:07:23,440 --> 00:07:27,040 Speaker 1: square feet and it's built in a Mediterranean Revival style. Yeah, 126 00:07:27,080 --> 00:07:30,440 Speaker 1: as are the three guest homes, which are called cottages, 127 00:07:30,640 --> 00:07:34,560 Speaker 1: and that must be very ironic because they're each mansions 128 00:07:34,560 --> 00:07:38,120 Speaker 1: in their own right. But the Casa Grande has thirty 129 00:07:38,120 --> 00:07:41,760 Speaker 1: eight bedrooms in forty one bathrooms, and it's probably most 130 00:07:41,800 --> 00:07:46,960 Speaker 1: distinctive feature is the Spanish towers, like a Spanish cathedral. 131 00:07:47,360 --> 00:07:49,400 Speaker 1: It's you can see it up on the on the 132 00:07:49,480 --> 00:07:52,280 Speaker 1: hillside when you drive by, and there are even rooms 133 00:07:52,600 --> 00:07:56,400 Speaker 1: in the towers, the hexagonal celestial suites as they're known. 134 00:07:56,760 --> 00:07:59,400 Speaker 1: One was a favorite of Clark Gable and Carol Lombard, 135 00:07:59,480 --> 00:08:02,400 Speaker 1: and they could take up to these eighteen huge bells 136 00:08:02,480 --> 00:08:05,080 Speaker 1: above them, which I think might be kind of terrifying, 137 00:08:05,640 --> 00:08:09,760 Speaker 1: were wonderful. Um. A lot of the rooms had the 138 00:08:09,880 --> 00:08:13,880 Speaker 1: antique cofford ceilings, like we were talking about, Oriental carpets 139 00:08:13,960 --> 00:08:19,360 Speaker 1: and the colorful tapestry hangings on wood paneled walls, and um. 140 00:08:19,400 --> 00:08:23,400 Speaker 1: A lot of the decorative elements originated from Spain or Italy, 141 00:08:23,440 --> 00:08:27,840 Speaker 1: which played into that Mediterranean revival theme. Hurst was trying to. 142 00:08:28,440 --> 00:08:30,600 Speaker 1: I don't think he was a big fan of the 143 00:08:30,640 --> 00:08:35,520 Speaker 1: Spanish mission style, UM, but he wanted to stay true 144 00:08:35,600 --> 00:08:39,200 Speaker 1: to the California look and not you know, not go 145 00:08:39,360 --> 00:08:44,000 Speaker 1: completely off course. UM. But every week railroad cars would 146 00:08:44,000 --> 00:08:46,480 Speaker 1: come in with different things. It wasn't all just from 147 00:08:46,520 --> 00:08:50,680 Speaker 1: Spain or Italy. He would have, UM, Flemish tapestries and 148 00:08:50,800 --> 00:08:55,079 Speaker 1: antique French furniture as well as the Roman temple fragments 149 00:08:55,080 --> 00:08:58,960 Speaker 1: and the ceilings from Italian monasteries. UM. So all of 150 00:08:58,960 --> 00:09:02,520 Speaker 1: the even just imagine and trucks coming up the hill 151 00:09:02,880 --> 00:09:09,079 Speaker 1: with just overflowing luxuries. But despite this ornate setting in 152 00:09:09,120 --> 00:09:12,400 Speaker 1: this ornate building that he had, he maintained a surprisingly 153 00:09:12,480 --> 00:09:15,240 Speaker 1: casual atmosphere. He really liked this idea of it being 154 00:09:15,760 --> 00:09:19,080 Speaker 1: a ranch. So you know, the refectory table, which is 155 00:09:19,120 --> 00:09:23,080 Speaker 1: in this lovely gorgeous room that looks like it should 156 00:09:23,080 --> 00:09:26,640 Speaker 1: be in a monastery, is set with paper napkins and 157 00:09:26,679 --> 00:09:30,240 Speaker 1: bottled ketchup. Yeah, like it's a campsite. And he has 158 00:09:30,320 --> 00:09:33,960 Speaker 1: this really impressive collection of ancient Greek pottery, some of 159 00:09:33,960 --> 00:09:38,680 Speaker 1: it is from eight hundred BC, and it's arranged among 160 00:09:38,800 --> 00:09:42,559 Speaker 1: his books like you or I would put little knickknacks 161 00:09:42,679 --> 00:09:47,320 Speaker 1: like postcards or something on our bookshelves. It's not it's 162 00:09:47,360 --> 00:09:50,000 Speaker 1: not set up like a museum now, but it is 163 00:09:50,040 --> 00:09:53,160 Speaker 1: this gorgeous setting and it's perfect for entertaining. And Hurst 164 00:09:53,280 --> 00:09:57,280 Speaker 1: entertained a lot of people, including some of the shining 165 00:09:57,360 --> 00:10:02,520 Speaker 1: star names Lionel and John Barrymore, Harley Chaplin, Gary Cooper, Clark, Gable, 166 00:10:02,600 --> 00:10:06,040 Speaker 1: Greta Garbo, Carrie Grant, and Harpo Marx. And probably his 167 00:10:06,120 --> 00:10:10,520 Speaker 1: most famous guest was Winston Churchill. And by the time 168 00:10:10,640 --> 00:10:15,120 Speaker 1: Churchill was visiting. Hurst and his wife Millicent were estranged. 169 00:10:15,720 --> 00:10:19,320 Speaker 1: She was tired of him carrying on this very open 170 00:10:19,520 --> 00:10:22,440 Speaker 1: affair with Marion Davies and had moved to New York. 171 00:10:22,800 --> 00:10:25,839 Speaker 1: But she she made sure to come home when when 172 00:10:25,920 --> 00:10:29,439 Speaker 1: Churchill was visiting and entertained as as the lady of 173 00:10:29,480 --> 00:10:33,200 Speaker 1: the house. I was too, but usually it was Davies 174 00:10:33,200 --> 00:10:35,640 Speaker 1: who was entertaining with Hurst, and they had very elaborate 175 00:10:35,679 --> 00:10:38,640 Speaker 1: costume parties, including one of the big ones was called 176 00:10:38,679 --> 00:10:41,560 Speaker 1: the Circus Party, and that was for William Randolph hurst 177 00:10:41,720 --> 00:10:45,040 Speaker 1: seventy five birthday, and Betty Davis came as a bearded lady, 178 00:10:45,240 --> 00:10:49,520 Speaker 1: which sounds pretty like a pretty devoted costume. We do love. 179 00:10:49,559 --> 00:10:52,920 Speaker 1: We can appreciate that. Um. He also has a huge 180 00:10:52,960 --> 00:10:55,560 Speaker 1: wine cellar. You would think that that a lot of 181 00:10:55,559 --> 00:10:59,800 Speaker 1: these parties would be very alcohol fueled, but surprisingly they weren't. 182 00:10:59,840 --> 00:11:02,480 Speaker 1: He was not a big drinker himself. And even though 183 00:11:02,520 --> 00:11:06,280 Speaker 1: he does have this impressive wine seller which Morgan designs, 184 00:11:06,320 --> 00:11:10,360 Speaker 1: so it's in compartment, so it's fireproof and theft proof, 185 00:11:10,720 --> 00:11:13,480 Speaker 1: and he's he's really concerned about theft, by the way, 186 00:11:13,520 --> 00:11:15,920 Speaker 1: with his with his wine celler, he holds the key 187 00:11:16,000 --> 00:11:19,840 Speaker 1: even his Butler complains that you have to really order 188 00:11:19,880 --> 00:11:22,240 Speaker 1: ahead of time because you have to get the master 189 00:11:22,320 --> 00:11:25,160 Speaker 1: of the house to to get the wine out for you. 190 00:11:25,440 --> 00:11:27,440 Speaker 1: But there were ways to get around it. If you 191 00:11:27,480 --> 00:11:30,240 Speaker 1: were David Niven, the English actor who you might know 192 00:11:30,360 --> 00:11:33,040 Speaker 1: from The Pink Panther. He got in trouble once for 193 00:11:33,080 --> 00:11:36,040 Speaker 1: bringing in his own liquor and tossing his empties under 194 00:11:36,120 --> 00:11:38,720 Speaker 1: his bed, which of course was the bed formerly owned 195 00:11:38,760 --> 00:11:41,480 Speaker 1: by Cardinal reach Lee. But there was a lot to 196 00:11:41,520 --> 00:11:45,000 Speaker 1: do with the castle. Besides, drink Hurst would actually kick 197 00:11:45,080 --> 00:11:48,840 Speaker 1: people out sometimes if they were too inebriated. But we're 198 00:11:48,880 --> 00:11:52,160 Speaker 1: going to go over some of the most famous features. 199 00:11:52,840 --> 00:11:56,040 Speaker 1: Probably the castle's most famous feature of all is the 200 00:11:56,120 --> 00:11:59,800 Speaker 1: Neptune Pool. There are actually three pools that were built 201 00:11:59,800 --> 00:12:03,120 Speaker 1: on site, each successively larger than the last. Because the 202 00:12:03,160 --> 00:12:06,480 Speaker 1: initial plan was just a little ornamental pool. But in 203 00:12:07,520 --> 00:12:10,400 Speaker 1: Hurst wrote to Julia Morgan and said, I am sending 204 00:12:10,440 --> 00:12:12,720 Speaker 1: back the plan of the Temple Garden with the suggestion 205 00:12:12,760 --> 00:12:15,080 Speaker 1: that we make the pool longer than it is, as 206 00:12:15,120 --> 00:12:17,520 Speaker 1: long as a swimming pool. Mrs Hurst and the children 207 00:12:17,559 --> 00:12:20,640 Speaker 1: are extremely anxious to have a swimming pool, so the 208 00:12:20,679 --> 00:12:25,040 Speaker 1: second version sounds pretty awesome, has a cascade and statues 209 00:12:25,160 --> 00:12:29,840 Speaker 1: of Neptune in an aread um. But the present version, 210 00:12:30,160 --> 00:12:32,959 Speaker 1: which was built in nineteen thirty four to thirty six, 211 00:12:33,679 --> 00:12:37,720 Speaker 1: is pretty amazing. It's a hundred and four ft long 212 00:12:37,920 --> 00:12:41,320 Speaker 1: fifty eight feet wide, and it holds three and forty 213 00:12:41,360 --> 00:12:45,000 Speaker 1: five thousand gallons of water. And that's not the only 214 00:12:45,040 --> 00:12:48,240 Speaker 1: cool thing about it. There's also this oil burning heating system, 215 00:12:48,240 --> 00:12:50,400 Speaker 1: which Sarah and I liked because it sounds at the 216 00:12:50,440 --> 00:12:53,280 Speaker 1: same time both so modern and so old fashioned. It 217 00:12:53,320 --> 00:12:57,200 Speaker 1: sounds very quaint oil burning, but um nice to have 218 00:12:57,200 --> 00:12:59,880 Speaker 1: a heated pool too, it exactly and picture lots of 219 00:13:00,080 --> 00:13:04,640 Speaker 1: Vermont marble and four seventeenth century Italian bas reliefs on 220 00:13:04,679 --> 00:13:07,160 Speaker 1: the sides of the colonnades. Yeah, and of course there's 221 00:13:07,200 --> 00:13:10,320 Speaker 1: a whole temple thod on one side of the pool. 222 00:13:10,360 --> 00:13:11,600 Speaker 1: And if you don't want to look at that, if 223 00:13:11,600 --> 00:13:15,920 Speaker 1: you get tired of the gorgeous temple, you can turn 224 00:13:16,000 --> 00:13:18,880 Speaker 1: around in the pool and look at a beautiful view 225 00:13:19,000 --> 00:13:22,360 Speaker 1: of the Pacific. Or if you're more of an indoor swimmer, 226 00:13:22,640 --> 00:13:25,960 Speaker 1: if the sun is not shining in California, you could 227 00:13:26,120 --> 00:13:29,400 Speaker 1: change locations and go to the indoor Roman pool, which 228 00:13:29,440 --> 00:13:32,360 Speaker 1: is also huge one thousand, six hundred and sixty five 229 00:13:32,480 --> 00:13:36,120 Speaker 1: square feet, and there are eight statues of Roman gods, 230 00:13:36,160 --> 00:13:41,640 Speaker 1: goddesses and heroes. They're lifeguards watching, but not entirely as helpful. 231 00:13:42,120 --> 00:13:45,000 Speaker 1: It was probably styled after ancient Roman baths, like the 232 00:13:45,040 --> 00:13:49,040 Speaker 1: baths of caracalla Um in the mosaics were inspired by 233 00:13:49,600 --> 00:13:53,880 Speaker 1: fifth century mausoleum in Ravenna. And this is our very, 234 00:13:54,000 --> 00:13:56,640 Speaker 1: very favorite part of all. It has a traditional marine 235 00:13:56,760 --> 00:13:59,719 Speaker 1: monster theme and I'm thinking about changing my bathrooms with 236 00:14:00,000 --> 00:14:02,680 Speaker 1: love to have a marine monster theme in my bathroom. 237 00:14:02,920 --> 00:14:06,600 Speaker 1: So great. It's decorated floor to ceiling with mosaic tiles, 238 00:14:06,640 --> 00:14:09,640 Speaker 1: some of them are colored, some of them fused gold inside, 239 00:14:10,160 --> 00:14:13,120 Speaker 1: and the designs are created by a well known muralist, 240 00:14:13,240 --> 00:14:17,520 Speaker 1: Kneel Salon. But if swimming is not what you're up to, 241 00:14:17,960 --> 00:14:21,640 Speaker 1: there's also a zoo, and the zoo at various points 242 00:14:21,640 --> 00:14:28,320 Speaker 1: had antelope, zebras, camels, llamas, kangaroos, ostriches, EMUs, barbary sheep, 243 00:14:28,360 --> 00:14:32,480 Speaker 1: Alaskan bighorn sheep. Katie. You want to pick it up? Yeah, 244 00:14:32,480 --> 00:14:36,000 Speaker 1: there are more. We're not done, musk oxen, yaks, giraffes, 245 00:14:36,160 --> 00:14:42,480 Speaker 1: black bears, grizzly bears, Which bears best, Sarah Lions, tigers, leopards, jaguars, cougars, 246 00:14:42,600 --> 00:14:49,800 Speaker 1: chimpanzees orangutangs, monkeys, macaws, can't use swans, storks and an 247 00:14:49,800 --> 00:14:52,560 Speaker 1: elephant just to round out the cast, so Hers kept 248 00:14:52,560 --> 00:14:54,760 Speaker 1: a vet on staff, as you would have to if 249 00:14:54,800 --> 00:14:57,520 Speaker 1: you had all these animals. Most of them, or at 250 00:14:57,600 --> 00:15:01,840 Speaker 1: least the grazing type, just kind of went around in enclosures, 251 00:15:01,840 --> 00:15:05,160 Speaker 1: but there were you know, he didn't let the bears 252 00:15:05,280 --> 00:15:08,160 Speaker 1: roam their property and like eat Charlie Chaplin or something. 253 00:15:08,600 --> 00:15:12,560 Speaker 1: But by nineteen thirty seven he started losing a lot 254 00:15:12,560 --> 00:15:15,760 Speaker 1: of money and dismantled his zoo. He I think he 255 00:15:15,880 --> 00:15:19,560 Speaker 1: sold most of them to zoo like public zoos or 256 00:15:19,600 --> 00:15:24,680 Speaker 1: private collections. But there's still a few animals left, including zebras. 257 00:15:24,720 --> 00:15:28,440 Speaker 1: Hers castle is famous for um the occasional zebra that 258 00:15:29,160 --> 00:15:32,280 Speaker 1: strolls by, and if you don't feel like driving to 259 00:15:32,320 --> 00:15:35,640 Speaker 1: go see those zebras, you could land at the airport, 260 00:15:36,200 --> 00:15:39,440 Speaker 1: which some very famous people like Sir Charles Kingford Smith, 261 00:15:39,520 --> 00:15:43,280 Speaker 1: Howard Hughes, Amelia Earhart and Charles Lindbergh flew into visit 262 00:15:43,920 --> 00:15:48,040 Speaker 1: so Herst died in nineteen fifty one, just shortly after 263 00:15:48,240 --> 00:15:53,320 Speaker 1: this project is officially completed. UM in nineteen fifty eight, 264 00:15:53,400 --> 00:15:56,400 Speaker 1: his heirs gave a hundred and thirty seven acres of 265 00:15:56,440 --> 00:16:00,000 Speaker 1: the holdings, including the castle, to the State of California 266 00:16:00,040 --> 00:16:03,560 Speaker 1: and you as the her San Simeon Historical Monument. And 267 00:16:03,800 --> 00:16:06,440 Speaker 1: today you can go and tour the castle. I actually 268 00:16:06,480 --> 00:16:10,760 Speaker 1: really recommend visiting UM the Castle's official site, and you 269 00:16:10,800 --> 00:16:14,320 Speaker 1: can do three sixty degree tours and to pick through 270 00:16:14,320 --> 00:16:16,360 Speaker 1: all the rooms. It's really cool. It gives you a 271 00:16:16,400 --> 00:16:19,480 Speaker 1: good sense of how you install a ceiling from an 272 00:16:19,480 --> 00:16:22,040 Speaker 1: Italian monastery into your own home. I had so many 273 00:16:22,120 --> 00:16:24,520 Speaker 1: questions for Sarah about that, like, no, really, once you 274 00:16:24,600 --> 00:16:27,200 Speaker 1: buy a ceiling, where do you put it? I'd like 275 00:16:27,240 --> 00:16:30,800 Speaker 1: someone to answer that for me. But it makes sense 276 00:16:30,840 --> 00:16:34,280 Speaker 1: that they transferred this to the state, just as Zanna 277 00:16:34,360 --> 00:16:38,160 Speaker 1: do and Citizen Kane shows signs of decay by the 278 00:16:38,440 --> 00:16:40,760 Speaker 1: By the end of the story, you can imagine it 279 00:16:40,760 --> 00:16:45,200 Speaker 1: would cost a fortune to maintain a home like this privately. Exactly. 280 00:16:45,440 --> 00:16:48,240 Speaker 1: So that is the story of Hearst Castle. And this 281 00:16:48,400 --> 00:16:51,520 Speaker 1: was a listeners suggestion for which we think too. If 282 00:16:51,520 --> 00:16:54,080 Speaker 1: you have ideas, feel free to email us at History 283 00:16:54,160 --> 00:16:57,080 Speaker 1: podcast at how step works dot com, and if you'd 284 00:16:57,120 --> 00:17:00,200 Speaker 1: like to read more about some adulously wealthy residence is 285 00:17:00,560 --> 00:17:03,120 Speaker 1: go to our homepage and search for top ten most 286 00:17:03,160 --> 00:17:08,120 Speaker 1: expensive houses at www dot how stuff works dot com. 287 00:17:08,160 --> 00:17:10,720 Speaker 1: For more on this and thousands of other topics, visit 288 00:17:10,760 --> 00:17:13,000 Speaker 1: how stuff works dot com and be sure to check 289 00:17:13,040 --> 00:17:15,240 Speaker 1: out the stuff you missed in History Class blog on 290 00:17:15,359 --> 00:17:25,920 Speaker 1: the how stuff works dot com home page