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Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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Speaker 2: Hey, welcome to Weird House Cinema. This is Rob Lamb.

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Speaker 3: And this is Joe McCormick.

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Speaker 2: And we have a really fun film to talk about

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Speaker 2: here today. We're going to be chatting about 1974's Evil

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Speaker 2: of Dracula. This is a Japanese response to the popularity

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Speaker 2: of Hammer Horror Films. Hammer Horror Films, of course, originated

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Speaker 2: in England. They were extremely popular in the 50s, 60s,

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Speaker 2: and 70s, especially that's the heyday of Hammer Horror. And

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Speaker 2: of course, they were highly influential. They were very popular

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Speaker 2: around the world, pretty vast international audience. And not only

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Speaker 2: were they consumed internationally, but they inspired new films to

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Speaker 2: pop up. Everybody loved Dracula and Frankenstein, and so you'd

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Speaker 2: get localized takes on these. And Japan was no exception

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Speaker 2: to this. And so today we're going to be talking

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Speaker 2: about one of three notable examples of, essentially, you could

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Speaker 2: call it, I guess, J-Hammer. Japanese hammer-flavored horror. Lots of

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Speaker 2: gothic features, you know, very much inspired by the hammer productions,

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Speaker 2: but with Japanese settings, with Japanese cast, and with distinct

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Speaker 2: Japanese touches.

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Speaker 3: Yeah, I can see exactly why people make this comparison.

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Speaker 3: So I had never seen any of the trilogy of

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Speaker 3: movies this belongs to. I guess we'll talk about that

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Speaker 3: trilogy in a moment. But yeah, it's a trilogy of

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Speaker 3: movies that are sometimes referred to as a Japanese take

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Speaker 3: on the Hammer Horror aesthetic. And once you're like 10

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Speaker 3: minutes into the movie, you can absolutely see it. It

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Speaker 3: has a huge aesthetic overlap. There are sets in this film,

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Speaker 3: in Evil of Dracula... that feel like Peter Cushing and

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Speaker 3: Christopher Lee are about to wander on screen. It has

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Speaker 3: that roaring fireplace, ancient tome, kind of dignified smoking jacket,

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Speaker 3: gothic horror feeling, except with, like you say, a lot

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Speaker 3: of these distinctive Japanese flourishes. And so I thought this

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Speaker 3: was a lot of fun. I'd never seen a movie

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Speaker 3: like this before, and it was really cool. Yeah, yeah.

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Speaker 2: I don't want people to get the wrong impression and

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Speaker 2: think that this is going to in some way be

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Speaker 2: just like a pure knockoff of Hammer. Like this is,

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Speaker 2: I think one of the things that makes this film

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Speaker 2: so fun is that it's really like taking all of

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Speaker 2: these aspects of a Hammer film and then breathing a

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Speaker 2: certain new life into them. So like I said, these

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Speaker 2: wonderful Japanese locations, like so, you know, very rural mountainous

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Speaker 2: or near the mountains anyway, some wonderful performances, just very

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Speaker 2: well done Toho production. Now, you mentioned the trilogy here.

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Speaker 2: This is, of course, the Bloodthirsty trilogy. We both watched

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Speaker 2: it on the Arrow Blu-ray. And that featured a nice

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Speaker 2: little featurette with Kim Newman, the film critic and vampire expert.

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Speaker 2: And he chats a little about where this film and

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Speaker 2: where this trilogy fits into Japanese vampire films. And he

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Speaker 2: points out that there'd been vampire-like beings more in line

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Speaker 2: with Japanese traditions of the supernatural. in Japanese cinema, of course.

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Speaker 2: And there had also been sci-fi concepts of vampire-like creatures,

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Speaker 2: like 68's, what is it, Goki, Body Snatcher of Hell?

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Speaker 3: I haven't watched this yet, but this has been on

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Speaker 3: the list to do for Weird House Cinema for a while.

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Speaker 3: I feel like every time we're about to do it,

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Speaker 3: one of us is about to go on an airplane.

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Speaker 3: It's a movie where terrible things happen on an airplane,

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Speaker 3: so we'll have to find a time.

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Speaker 2: Yeah, we got to look at our schedules and figure

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Speaker 2: out the right time to go after it because it

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Speaker 2: is notable for being like a sci-fi vampire take. Newman

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Speaker 2: points out that there was a 1959 attempt at a

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Speaker 2: Japanese Hammer-style gothic horror film with 1959's The Lady Vampire.

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Speaker 2: And that apparently wasn't all that successful. But then we

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Speaker 2: get the Bloodthirsty trilogy from Toho consisting of 1970's The

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Speaker 2: Vampire Doll. Lake of Dracula in 71, and then today's film,

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Speaker 2: Evil of Dracula in 74. And these are standalone pictures.

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Speaker 2: This is not like a narrative trilogy where you need

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Speaker 2: to watch them in order. If you're interested at all,

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Speaker 2: you can go straight to Evil of Dracula. That's essentially

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Speaker 2: what I did. So don't feel like you have to

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Speaker 2: watch these in order. And these were successful, but Still,

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Speaker 2: these three films largely present their own sort of self-contained

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Speaker 2: 1970s Jay Hammer universe. So again, blending the gothic European

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Speaker 2: sensibilities of Hammer with a contemporary Japanese setting and at

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Speaker 2: times like subtler Japanese touches as well. And just overall,

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Speaker 2: I think some nice filmmaking excellence.

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Speaker 3: Now, one thing we should mention near the top because

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Speaker 3: we don't want to mislead people is that despite the

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Speaker 3: fact that this movie is called evil of Dracula in English,

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Speaker 3: there's no Dracula and it's not about Dracula. Yeah. There

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Speaker 3: is not a vampire, but right. Right.

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Speaker 2: There is no character named Dracula in this. Uh, there

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Speaker 2: is a Dracula like character, so you won't be disappointed

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Speaker 2: in that regard. Uh, but, but his name's not Dracula. The,

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Speaker 2: and the film's actual title translates to the bloodthirsty Rose, uh,

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Speaker 2: And it's a good title, and that definitely matches up

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Speaker 2: with some of the visual elements that we see throughout

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Speaker 2: the picture. But again, no actual Dracula. I think that

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Speaker 2: the evil of Dracula is kind of like a take

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Speaker 2: on the actual Hammer title, Evil of Frankenstein from 1964.

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Speaker 3: Yeah. I can get the sense that producers may have

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Speaker 3: been worried that if you don't mention the word Dracula

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Speaker 3: or vampire in the title, audiences might not really know

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Speaker 3: what they were in for. And so even though it

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Speaker 3: is explicitly false to call this a Dracula movie that

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Speaker 3: that's more in the right direction that suggests to people

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Speaker 3: the kind of thing they're getting. Yeah.

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Speaker 2: And so this, again, this is a, I thought a

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Speaker 2: very entertaining film. I think the pacing's great, love the

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Speaker 2: atmosphere and the, the, the actors are wonderful as well.

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Speaker 2: And it takes the story very, very seriously. Uh, there

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Speaker 2: may be some unintentional laughs at times, you know, sort

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Speaker 2: of by virtue of, uh, its place in cinema history

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Speaker 2: and its 1970s setting. But on the whole, very serious

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Speaker 2: film that sets out to tell its tale without any

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Speaker 2: unnecessary comedic flourishes. But so far, we've just been talking

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Speaker 2: about the general vibe. I guess we should give a

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Speaker 2: little idea what the story is about as well.

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Speaker 3: Sure. Well, so it's, of course, a vampire story, and

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Speaker 3: it takes place at a school. So our hero is Shiraki,

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Speaker 3: a very handsome professor of psychology who has just been

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Speaker 3: hired to fill an open faculty position at a women's

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Speaker 3: junior college out in the country. But upon arriving, he

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Speaker 3: learns that some strange things are afoot at this school.

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Speaker 3: The principal's wife has just died right before he got there.

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Speaker 3: and her body is being kept, he learns, in a

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Speaker 3: coffin in the basement of the principal's house due to

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Speaker 3: a local custom. He also learns that a young woman

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Speaker 3: has recently vanished from the dormitories, and another group of

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Speaker 3: students seems to be falling victim to a bizarre series

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Speaker 3: of illnesses. Vampire movie fans will recognize these tropes. So

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Speaker 3: Shiraki and a friend named Dr. Shinomura investigate to solve

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Speaker 3: the mysteries and find the source of the evil of

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Speaker 3: the principal or not Dracula, but something, something Dracula ish.

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Speaker 2: My, um, and my elevator pitch for this or my,

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Speaker 2: my alternate title, if you will, is bloodthirsty three. Your

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Speaker 2: principal is a Dracula, which I think is, is, is

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Speaker 2: more or less accurate here.

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Speaker 3: It's either your sister is a werewolf. Yes. Yes.

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Speaker 2: Now, again, Evil of Dracula has been available on that

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Speaker 2: Arrow Blu-ray of the Bloodthirsty trilogy, which you can still

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Speaker 2: order at places. That's what we did. But it's becoming

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Speaker 2: harder to find, I think. And I don't know if

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Speaker 2: there's a good streaming option at the moment either, at

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Speaker 2: least at the time of this recording. But if you're

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Speaker 2: interested in Hammer Horror and you're interested in Japanese horror,

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Speaker 2: then you should definitely seek this out. Maybe a reprint

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Speaker 2: or a new edition is on the horizon.

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Speaker 3: We'll see.

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Speaker 1: Hmm.

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Speaker 2: Now, let's talk about the folks involved in this production.

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Speaker 2: This is, again, a Toho film of the 1970s, so

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Speaker 2: there are going to be a number of connections to

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Speaker 2: Godzilla and samurai movies. With this film, I guess being,

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Speaker 2: if you think about sort of the pecking order of

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Speaker 2: these different productions, it's somewhere below Kurosawa, but maybe above

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Speaker 2: some of the lesser kaiju movies. Hard to say, but

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Speaker 2: it's got some fine actors in it. And again, the

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Speaker 2: production values are excellent. So let's start at the top

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Speaker 2: with the director. It is Michio Yamamoto, who lived 1933

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Speaker 2: through 2004. As an assistant director, he had been one

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Speaker 2: of several on Kurosawa's 1957 classic, Throne of Blood. His

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Speaker 2: first full directorial credit was the action drama Resurrection of

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Speaker 2: the Beast. And then the Bloodthirsty trilogy began with 1970's

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Speaker 2: The Vampire Doll. originally released in the U.S. as The

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Speaker 2: Night of the Vampire, which is a bit confusing because

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Speaker 2: I think a number of films have essentially had that title.

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Speaker 3: And the title of a Rocky Erickson film.

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Speaker 2: Yeah, yeah. And I can't remember which Night of the

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Speaker 2: Vampire movie he was directly inspired by for that one,

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Speaker 2: but it was one of them. Not this one. Or

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Speaker 2: not the, not the, not a, film in the Bloodthirsty trilogy.

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Speaker 3: Is there any scene where it's raining, somebody's running, and

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Speaker 3: they slip in the mud? I don't think so. No,

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Speaker 3: not at all. This is actually not a very rainy movie.

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Speaker 3: It's rather dry.

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Speaker 2: Yeah, it might happen in Vampire Doll. I started watching

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Speaker 2: part of Vampire Doll... And it, I mean, not to

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Speaker 2: say it was bad or anything, but I just quickly

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Speaker 2: realized like, this is not the one I'm going to select.

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Speaker 2: So I skipped from there to evil of Dracula. And

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Speaker 2: that one quickly sucked me. And I was like, oh yeah,

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Speaker 2: this is it all the way.

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Speaker 3: Cool.

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Speaker 2: So he followed vampire doll up with the 1970 mystery

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Speaker 2: thriller terror in the streets. Then back to the bloodthirsty

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Speaker 2: trilogy for 71s lake of Dracula, which also has no

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Speaker 2: actual Dracula character. Uh, but it does have a Dracula

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Speaker 2: light character. And then the actual title for that one

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Speaker 2: translates to something like Cursed Mansion, Bloodthirsty Eyes. Then a

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Speaker 2: couple of more action dramas before today's film, Evil of

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Speaker 2: Dracula in 74, concluding what would become known as the

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Speaker 2: Bloodthirsty Trilogy. And afterwards, due to changes in the film

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Speaker 2: output of Toho and other major film studios at the time,

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Speaker 2: he ends up moving into television production and eventually retiring.

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Speaker 2: But these Jay Hammer movies, if you will, remain his

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Speaker 2: best remembered work. and are somewhat kind of three of

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Speaker 2: a kind, you know, not one of a kind, but

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Speaker 2: three of a kind. Like I say, they're kind of

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Speaker 2: their own little self-contained universe. All right, let's talk about

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Speaker 2: the writers here. We have Ai Ogawa, who lived 1930

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Speaker 2: through 1995, Toho screenwriter who worked on all three of

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Speaker 2: the Bloodthirsty Trilogy films, and his other credits include 1970's

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Speaker 2: Space Amoeba and 82's Ninja Wars.

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Speaker 3: I've optioned Space Amoeba for the show before.

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Speaker 2: It looks fun. I've never seen it, but I love

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Speaker 2: the cover.

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Speaker 3: Yeah.

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Speaker 2: And then we have Masaru Tatsu, who lived 1936 through 2015.

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Speaker 2: Also worked on the screenplay for Lake of Dracula in

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Speaker 2: addition to Evil of Dracula. His other credits include Udamaro's

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Speaker 2: World from 77. This is an historic biopic about the

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Speaker 2: controversial and censored 18th century artist Udamaro. And that one

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Speaker 2: starred Shinkashita in the title role, an actor we're going

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Speaker 2: to be talking about here in a minute, who we've

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Speaker 2: talked about on the show before, who plays the Dracula-like

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Speaker 2: principal in this movie.

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Speaker 3: Nice.

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Speaker 2: All right, let's get into the cast then. We have

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Speaker 2: Toshio Kurosawa playing Professor Shiraki, born 1944. This is our

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Speaker 2: lead character. This is our protagonist. This is our man

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Speaker 2: from the outside who has been assigned to this strange

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Speaker 2: school in the north, where Sinister goings on or afoot.

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Speaker 3: I don't know if I have seen another movie with

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Speaker 3: this guy in it, maybe, but he was very cool.

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Speaker 3: He's got great screen charisma, just super handsome, kind of

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Speaker 3: just swabs up every scene. Oh, yeah.

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Speaker 2: Yeah, he's great. I think he does a good job.

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Speaker 2: You know, he's a solid, solid job here in the

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Speaker 2: lead role. You know, he's suspicious, skeptical, You know, at

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Speaker 2: times a little befuddled by the weird things that are happening,

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Speaker 2: but good performance. Not surprising at all that he was

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Speaker 2: also a singer. If you look him up on Discogs,

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Speaker 2: you'll see these various 1970s and late 60s album covers

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Speaker 2: where he's, again, just looking super cool. And then more recently,

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Speaker 2: I think he's still putting out music. There's something like,

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Speaker 2: I don't have the translation in front of me, but

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Speaker 2: it's like something like Fun Grandpa or Cool Grandpa. So

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Speaker 2: he's still out there. He's still creating music and still,

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Speaker 2: at least until very recently, was still doing some form

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Speaker 2: of acting. But yeah, Japanese actor and singer who had

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Speaker 2: a long stint with Toho Pictures. And his other credits

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Speaker 2: include 69's Too Young to Die and also 1973's Lady

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Speaker 2: Snowblood and also 1973's Horror of the Wolf.

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Speaker 3: This album cover on the left, you've got like a

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Speaker 3: sailboat mask in the background and he's wearing a captain's hat.

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Speaker 3: It looks like a Jimmy Buffett album.

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Speaker 2: Yeah, I didn't have a chance to look up his

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Speaker 2: music and listen to it. But I don't want to

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Speaker 2: spoil it. I would be disappointed if it didn't sound

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Speaker 2: really cool. All right, so that's the good guy here.

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Speaker 2: And then we also have, again, the principal played by

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Speaker 2: Shin Kishida, who lived 1939 through 1982. We previously talked

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Speaker 2: about him because he played the shades-wearing Interpol agent Nabara

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Speaker 2: in 74's Godzilla vs. Mechagodzilla.

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Speaker 3: Yeah, the Interpol agent. That movie posits that Interpol agents

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Speaker 3: are like James Bond. They're running around doing assassinations and stuff.

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Speaker 2: Yeah, but I remember watching that film for the first time,

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Speaker 2: and I remember thinking, who is this really cool dude

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Speaker 2: in the shades? And early in the film, We don't

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Speaker 2: know who he is. We don't know that he's Interpol.

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Speaker 2: We think he might be an alien operative or something

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Speaker 2: or a gangster. We don't know. But just effortlessly cool.

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Speaker 2: And when I saw that he played at least a

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Speaker 2: Dracula-like character in both Lake of Dracula and Evil of Dracula,

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Speaker 2: that's when I knew we had to get into the

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Speaker 2: Bloodthirsty Trilogy business.

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Speaker 3: A good choice, sir. Yes.

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Speaker 2: So he was a very well-regarded actor whose ultimately short career,

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Speaker 2: short life leaves us Wondering where else his work might

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Speaker 2: have taken him, but still had a pretty solid short

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Speaker 2: career here. Played one of the masters of death in

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Speaker 2: 1980's Shogun Assassin, the one with the iron fist weapons.

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Speaker 2: We talked about this movie on the show, this role

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Speaker 2: being from 72's Lone Wolf and Cub, Baby Cart at

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Speaker 2: the River Styx. Because, of course, that movie is an

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Speaker 2: edit of a couple of Lone Wolf movies.

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Speaker 3: You mean Shogun Assassin is like an edit together of

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Speaker 3: multiple of the Lone Wolf and Cubs. Yeah, yeah, that's it.

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Speaker 2: Uh, so, uh, so yeah, he's in there. Uh, and

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Speaker 2: then he's, he's also in, let's see, uh, Lady Snowblood 2,

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Speaker 2: Love Song of Vengeance from 74. Um, and then, uh,

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Speaker 2: Zatoichi meets Yojimbo from 1970. And then I already mentioned

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Speaker 2: the biopic that he was in. So I think Kushida

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Speaker 2: rules in this. Uh, he's, he's kind of the Japanese

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Speaker 2: Christopher Lee in, in all the best possible ways. And

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Speaker 2: a shame that he lived less than half as long

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Speaker 2: as Lee, because I like to imagine him continuing to

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Speaker 2: play characters like of this stature, if not actual Dracula characters. Then,

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Speaker 2: you know, having the sort of the longstanding villain.

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Speaker 3: Career that Christopher Lee did. Totally. Yes.

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Speaker 2: Yeah. I mean, the principal's eyes contain such dark depths

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Speaker 2: when he strikes. You know, there's a there's this ferocity

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Speaker 2: to him. Um, and, and Kashida is one of those

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Speaker 2: actors who, uh, you know, I believe was not especially

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Speaker 2: tall in real life. I think it was just like five, seven,

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Speaker 2: but through a mix of staging and performance, he seems

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Speaker 2: to just tower over everyone in this film. Uh, similar

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Speaker 2: to how Karloff does like, uh, you know, we were

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Speaker 2: talking about the mummy earlier in the month. Karloff is only,

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Speaker 2: I think five was only five 11, but in the

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Speaker 2: mummy appears to just tower over everyone. Uh, whilst on

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Speaker 2: the other hand, Christopher Lee was legitimately like six, five. during,

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Speaker 2: you know, at his tallest and certainly looks it on

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Speaker 2: the screen.

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Speaker 3: Well, certainly here, Shin Kishida is a huge presence. Yeah,

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Speaker 3: they photograph him in a way, but he also fills

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Speaker 3: the screen with an evil, malignant charisma. And he, I

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Speaker 3: like his I like his Dracula face. He does a

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Speaker 3: hissing like a snake thing. I guess that he's not

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Speaker 3: the only Dracula performer to do that, or I guess

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Speaker 3: vampire performer to do that, but he does it quite well.

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Speaker 3: And he also does something kind of, I was trying

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Speaker 3: to put my finger on what this is. He does

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Speaker 3: a thing with his jaw. That's kind of weird. Like

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Speaker 3: even in scenes where he's not overtly vamping out, he's,

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Speaker 3: you know, where he's kind of appearing human, he kind of,

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Speaker 3: you know, works his jaw in a strange way that

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Speaker 3: makes you think it was like, what's going on in

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Speaker 3: his mouth. And it kind of reminded me of the character, uh,

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Speaker 3: jaws played by Richard Keel and the James Bond movies. Uh, yeah,

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Speaker 3: that's just like, there's, there's something menacing happening inside his mouth,

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Speaker 3: even in the scenes where he's not showing his fangs.

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Speaker 2: Yeah.

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Speaker 3: Yeah.

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Speaker 2: So I, I, I loved whatever he was on screen.

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Speaker 3: It's tremendous here.

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Speaker 2: And at some point I'm going to sit down and

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Speaker 2: watch Lake of Dracula as well. which again is a

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Speaker 2: different character, but played with like similar style.

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Speaker 3: Oh, and I just did want to make a note

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Speaker 3: here about this character because I was getting confused about

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Speaker 3: this in looking at different sources online. I think some

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Speaker 3: sources call this character like the Dean of the school

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Speaker 3: or the president or something, but my subtitles on the

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Speaker 3: disc said principal. So that's just what I'm going with.

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Speaker 3: But I think it principal sounds a little weird because

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Speaker 3: that makes it sound like a lower level school. And

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Speaker 3: I think this is supposed to be like a two

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Speaker 3: year college, but.

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Speaker 2: Plus, Principal has pal in it, and this guy is

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Speaker 2: not your pal.

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Speaker 3: No, he's not your pal.

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Speaker 2: But if he's a dean, he's a bad dean. All right. Well,

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Speaker 2: that's our Dracula character, our Dracula-like character for the film.

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Speaker 2: Let's get into the supporting cast. We have Kuni Tanaka,

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Speaker 2: who lived 1932 through 2021, playing Dr. Shimomura. We mentioned

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Speaker 2: this character already. This is a guy who already works

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Speaker 2: at the school, who's going to help in these vampiric investigations.

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Speaker 2: Acclaimed Japanese actor who was nominated for several Japanese Academy

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Speaker 2: Awards for Best Supporting Actor. And he won the award

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Speaker 2: in 1994 for 93's A Class to Remember. He played

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Speaker 2: a villain in what's apparently a 17-film comedy series They

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Speaker 2: ran 61 through 81 of the Wakadesho films. I don't

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Speaker 2: know much about these. I don't know if these have

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Speaker 2: really circulated outside of Japan, but apparently it was a

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Speaker 2: big hit and kind of helped establish him. And his

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Speaker 2: other credits include, let's see, the Psychedelic Horror Anthology, Quiden

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Speaker 2: from 64, And then there's also Kenji Fukasako's Battles Without

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Speaker 2: Honor and Humanity, a series of these from 73 through 74.

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Speaker 2: And then just a very long and respected career in

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Speaker 2: Japanese television and film. His other horror credits include 77's

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Speaker 2: Village of Eight Gravestones, 79's Murder in the Dollhouse, 79's

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Speaker 2: The Inferno, and then another one from the director Yamamoto, uh,

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Speaker 2: the horror comedy ghost festival in Zinjin village in 79.

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Speaker 3: Well, I don't really understand the idea of a 17

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Speaker 3: film series, but, uh, but putting that aside, uh, Kunia

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Speaker 3: Tanaka is great in this. I really love him. Powerful,

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Speaker 3: positive energy. And he almost has a, a holy or

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Speaker 3: vampire repelling, uh, character within his very body. Ultimately, it

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Speaker 3: doesn't work because he gets got by a vampire. But

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Speaker 3: as I was telling you off mic, I feel like

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Speaker 3: his sideburns are more powerful than any crucifix.

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Speaker 2: Yeah, we lose this character too soon in the film,

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Speaker 2: but he gets a lot of great screen time before

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Speaker 2: that happens. So yeah, he's wonderful. The sort of well-rounded

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Speaker 2: character performance that you need, I think, in a movie

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Speaker 2: like this. You could very loosely think of him as

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Speaker 2: the film's Van Helsing character. I mean, he's not quite

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Speaker 2: to that level, but he is an expert who knows

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Speaker 2: something about local history, knows something about supernatural lore, and

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Speaker 2: is able to help our protagonist in understanding and ultimately

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Speaker 2: solving the vampire curse.

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Speaker 3: Yeah, he is the Van Helsing character in that he

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Speaker 3: is both a medical doctor and an expert in the

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Speaker 3: supernatural and the occult. But he's not the Van Helsing

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Speaker 3: in that he kind of takes over the story and

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Speaker 3: commands the battle against the vampire. Really, I would say

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Speaker 3: that Shiraki ultimately remains in kind of the leadership role

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Speaker 3: of the good guys. Absolutely, yeah.

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Speaker 2: But Tanaka, again, is wonderful here. And beyond delivering on

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Speaker 2: all of this, he just brings a nuanced believability to

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Speaker 2: his performance. And in doing so, you know, helps ground

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Speaker 2: the rest of the narrative in reality, I think.

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Speaker 3: Yeah.

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Speaker 2: All right. We have some other professors, though. There's Professor Yoshi,

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Speaker 2: played by Katsuhiko Sasuke, born 1944. And everybody hates Yoshi.

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Speaker 3: The campus creep.

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Speaker 2: The campus creep. The faculty doesn't seem to like him.

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Speaker 2: And the students think he's a creepy dude that just

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Speaker 2: stares at all the students. Yeah. So Soski's credits include

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Speaker 2: Godzilla vs. Megalon from 73, Carer of Mechagodzilla from 75.

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Speaker 2: I haven't gotten to that one yet, but that I

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Speaker 2: think is the next Godzilla film I'm going to watch,

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Speaker 2: at least on my own time. I don't know if

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Speaker 2: it'll be Weird House or not, but for my own purposes.

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Speaker 2: And then he also pops up in 89's Godzilla vs. Biollante.

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Speaker 2: And then as a voice actor, he also has a

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Speaker 2: number of credits, including The Boy and the Beast from 2015.

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Speaker 2: I've seen that one. It's quite good. And his other

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Speaker 2: horror credits include 78's Queen Bee.

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Speaker 3: Is that a bee monster movie?

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Speaker 2: I'm not sure. I just glanced at it. Just enough

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Speaker 2: to see that it's horror, it has bees in it,

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Speaker 2: and it might have bee women. I'm not sure. But

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Speaker 2: I'll have to come back to that one. All right,

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Speaker 2: we mentioned The Principal. The Principal's wife is also a

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Speaker 2: character as well, played by Mika Katsuragi, born 1949. She

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Speaker 2: did 50 episodes of Return of Ultraman, and she was

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Speaker 2: also in 73's The Petrified Forest. This is a Japanese

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Speaker 2: drama unrelated to the 1936 film of the same title,

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Speaker 2: and she also had a small part in Lake of Dracula.

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Speaker 2: And then we have a trio of female students. We

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Speaker 2: have Kumi, we have Yukiko, and then we have Kyoko.

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Speaker 2: And let's run through them real quick. One of them

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Speaker 2: is going to survive, the other two not so much.

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Speaker 2: But all three seem to have been played by actresses

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Speaker 2: who just had like a brief period of activity, really.

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Speaker 2: So we have, playing Kumi, we have Mariko Mochizuki. I

423
00:24:24,380 --> 00:24:26,680
Speaker 2: don't know when she was born, but she apparently died

424
00:24:26,720 --> 00:24:29,639
Speaker 2: in 2000. Her TV and film credits only cover the

425
00:24:29,660 --> 00:24:32,900
Speaker 2: years 74 through 76, this being one of only three

426
00:24:32,960 --> 00:24:33,500
Speaker 2: film roles.

427
00:24:33,520 --> 00:24:36,830
Speaker 3: So she's the main one of the student characters.

428
00:24:36,869 --> 00:24:40,250
Speaker 2: She's the main one, and Wink Wink might be the

429
00:24:40,330 --> 00:24:43,700
Speaker 2: most likely to survive the film. We'll see how it goes.

430
00:24:44,980 --> 00:24:49,720
Speaker 2: Then we also have, playing Yukiko, we have Mio Ota,

431
00:24:49,800 --> 00:24:53,580
Speaker 2: who lived 1949 through 2019. And this is one of

432
00:24:53,619 --> 00:24:58,139
Speaker 2: only four credits from the period of 74 through 77.

433
00:24:58,140 --> 00:25:04,310
Speaker 2: And then we have Kiko Aramaki playing Kyoko. Dates, not

434
00:25:04,350 --> 00:25:08,650
Speaker 2: public record. So I don't know. She may still be around. Also,

435
00:25:08,710 --> 00:25:11,210
Speaker 2: just a very brief period of screen and TV activity,

436
00:25:11,210 --> 00:25:17,230
Speaker 2: 72 through 75, including credits for 73's Terrifying Girls High

437
00:25:17,270 --> 00:25:21,030
Speaker 2: School Animal Classmates. Don't know what that's about. Don't know

438
00:25:21,050 --> 00:25:23,410
Speaker 2: if that's an appropriate film or not, but the title

439
00:25:23,570 --> 00:25:26,510
Speaker 2: is pretty great. And then 1974's Demon Spies.

440
00:25:27,690 --> 00:25:28,649
Speaker 3: Demon Classmates?

441
00:25:29,970 --> 00:25:34,020
Speaker 2: I assume. Well, Demon Spies, I guess it's just spies

442
00:25:34,040 --> 00:25:36,400
Speaker 2: that are demons. I don't know about the Terrifying Girls

443
00:25:36,420 --> 00:25:40,100
Speaker 2: High School. There are animal classmates there. That's all I

444
00:25:40,140 --> 00:25:43,800
Speaker 2: know from the title. All right. And then getting into,

445
00:25:44,320 --> 00:25:46,780
Speaker 2: there are plenty of other supporting characters, but I do

446
00:25:46,800 --> 00:25:48,869
Speaker 2: want to point out there is a detective that shows

447
00:25:48,940 --> 00:25:53,909
Speaker 2: up pretty late in the picture. Detective Takakura. And he

448
00:25:54,190 --> 00:25:57,490
Speaker 2: is played by Yonosuke Ito, who lived 1919 through 1980.

449
00:25:57,470 --> 00:25:58,510
Speaker 2: It is the Shogun from 1980's Shogun Assassins.

450
00:26:03,900 --> 00:26:06,620
Speaker 3: The boss of the bad guys.

451
00:26:06,660 --> 00:26:10,990
Speaker 2: Yeah, this very, very stern character who does a lot

452
00:26:11,010 --> 00:26:15,010
Speaker 2: of staring directly into the camera and grinding his teeth

453
00:26:15,070 --> 00:26:18,869
Speaker 2: as he delivers ominous statements about what's going to happen

454
00:26:18,910 --> 00:26:23,169
Speaker 2: to our main character. And that main character, as we

455
00:26:23,210 --> 00:26:26,480
Speaker 2: pointed out in our episode on Shogun Assassin, is originally

456
00:26:26,760 --> 00:26:30,020
Speaker 2: in 72's Lone Wolf and Cub's Sword of Vengeance a

457
00:26:30,140 --> 00:26:35,160
Speaker 2: non-Shogun character. The Shogun doesn't actually factor in to that

458
00:26:35,240 --> 00:26:39,359
Speaker 2: film all that much. His character is actually Yagyu Retsudo,

459
00:26:39,940 --> 00:26:43,439
Speaker 2: who is like the long-standing villain in the Wolf and

460
00:26:43,480 --> 00:26:44,140
Speaker 2: Cub series.

461
00:26:45,300 --> 00:26:48,520
Speaker 3: But portrayed in Shogun Assassin as this boss of the

462
00:26:48,560 --> 00:26:53,290
Speaker 3: bad guys who has just gone mad and consumed with revenge.

463
00:26:53,390 --> 00:26:59,090
Speaker 2: Yeah, yeah. Very serious and grim character. So basically, as

464
00:26:59,109 --> 00:27:01,530
Speaker 2: we discussed in our episode of Shogun Assassin, this is

465
00:27:01,570 --> 00:27:04,570
Speaker 2: an actor who had pretty wide range and could often

466
00:27:04,630 --> 00:27:08,669
Speaker 2: play hammy, I understand they're called radish roles in Japanese cinema,

467
00:27:10,570 --> 00:27:17,430
Speaker 2: as well as serious characters as well. Here, he's easily duped.

468
00:27:17,900 --> 00:27:22,820
Speaker 2: He's a detective who has good intentions, but is really

469
00:27:22,900 --> 00:27:26,480
Speaker 2: not on the ball enough to overcome an active vampire lord.

470
00:27:26,960 --> 00:27:31,140
Speaker 3: Yeah, he is well-meaning, but proves useless to our heroes. Yeah.

471
00:27:31,760 --> 00:27:34,880
Speaker 2: All right. And then, oh, special effects of note here.

472
00:27:34,920 --> 00:27:39,609
Speaker 2: We have Teruyoshi Nakano, who lived 1935 through 2022. We

473
00:27:40,150 --> 00:27:44,330
Speaker 2: previously mentioned him on Weird House Cinema because he's the

474
00:27:44,369 --> 00:27:47,929
Speaker 2: guy who created the look of Mechagodzilla by taking a

475
00:27:47,990 --> 00:27:51,740
Speaker 2: Godzilla toy made out of tin, beating it with a hammer,

476
00:27:52,200 --> 00:27:54,860
Speaker 2: to deform the surfaces and then using that as sort

477
00:27:54,880 --> 00:27:58,520
Speaker 2: of like the style guide for designing the look of Mechagodzilla.

478
00:27:58,980 --> 00:28:00,040
Speaker 3: Very nice. Yeah.

479
00:28:00,520 --> 00:28:02,900
Speaker 2: So he was a Japanese special effects director who helmed

480
00:28:02,920 --> 00:28:06,190
Speaker 2: the special effects on the last six Showa era Godzilla films,

481
00:28:06,890 --> 00:28:10,250
Speaker 2: as well as 84's The Return of Godzilla. You know,

482
00:28:10,330 --> 00:28:13,169
Speaker 2: obviously those are big kaiju movies with kaiju special effects,

483
00:28:13,869 --> 00:28:16,010
Speaker 2: but he also worked on all three of the Bloodthirsty

484
00:28:16,050 --> 00:28:18,929
Speaker 2: trilogy films where special effects are, you know, going to

485
00:28:18,970 --> 00:28:21,460
Speaker 2: be on a different sort of level. You know, these

486
00:28:21,500 --> 00:28:25,619
Speaker 2: are largely, you know, vampire effects, vampire blood effects, as

487
00:28:25,680 --> 00:28:30,450
Speaker 2: well as, you know, we also have some very interesting, uh, uh,

488
00:28:30,630 --> 00:28:33,910
Speaker 2: subtler effects in this film in particular, but, uh, I'm

489
00:28:33,950 --> 00:28:36,970
Speaker 2: thinking especially of the roses that we encounter and also

490
00:28:37,010 --> 00:28:40,100
Speaker 2: some of the, so there's some animated sequences as well

491
00:28:40,140 --> 00:28:44,200
Speaker 2: that are rather nice. Yeah. And then the music is, uh,

492
00:28:44,900 --> 00:28:50,180
Speaker 2: with Chiro Manabe who lived 1924 through 2015. Japanese film

493
00:28:50,200 --> 00:28:53,209
Speaker 2: composer who worked on both of the other Bloodthirsty Trilogy

494
00:28:53,230 --> 00:28:56,010
Speaker 2: films as well. And his other credits include Horror of

495
00:28:56,050 --> 00:29:00,290
Speaker 2: the Wolf, 71's Godzilla vs. Hedera, which we covered on

496
00:29:00,330 --> 00:29:01,170
Speaker 2: Weird House Cinema.

497
00:29:01,510 --> 00:29:06,230
Speaker 3: That's some notable music. It has a psychedelic hippie club

498
00:29:06,330 --> 00:29:07,209
Speaker 3: freakout scene.

499
00:29:07,630 --> 00:29:10,170
Speaker 2: Yeah, that's kind of, you could think of Godzilla vs.

500
00:29:10,210 --> 00:29:14,450
Speaker 2: Hedera as kind of the counterculture Godzilla movie, as we discussed.

501
00:29:15,410 --> 00:29:17,330
Speaker 2: And it kind of has the score to back that up.

502
00:29:17,840 --> 00:29:18,040
Speaker 3: Yeah.

503
00:29:18,260 --> 00:29:20,950
Speaker 2: Yeah. And then he also did the score for 73's

504
00:29:21,210 --> 00:29:26,080
Speaker 2: Godzilla vs. Megalon. I loved the score for Evil of Dracula.

505
00:29:26,100 --> 00:29:29,720
Speaker 2: It's nice and brooding in a traditional manner in a

506
00:29:29,760 --> 00:29:33,380
Speaker 2: number of stretches, capturing a sort of lonely beauty of

507
00:29:33,420 --> 00:29:36,950
Speaker 2: the countryside. But with just a certainly a splash of

508
00:29:36,990 --> 00:29:41,590
Speaker 2: that 70s night gallery jazz energy but without overdoing it.

509
00:29:42,780 --> 00:29:44,880
Speaker 3: I mean i i was really noticing some of the

510
00:29:44,920 --> 00:29:47,700
Speaker 3: more uh i don't mean this in an insulting way

511
00:29:47,720 --> 00:29:50,760
Speaker 3: but the elevator music e types of things like in

512
00:29:50,800 --> 00:29:52,820
Speaker 3: the scene where they're driving down the highway and they

513
00:29:52,840 --> 00:29:55,200
Speaker 3: see the car crash and it's playing that jazz it

514
00:29:55,240 --> 00:29:57,640
Speaker 3: sounds kind of like girl from empanema.

515
00:29:57,000 --> 00:30:00,380
Speaker 2: Yeah yeah yeah Yeah. I dug it. I liked it. Uh,

516
00:30:00,720 --> 00:30:03,360
Speaker 2: but then in the weirder moments, uh, it's like anytime

517
00:30:03,420 --> 00:30:06,459
Speaker 2: anyone opens a casket, we get something rather different. We

518
00:30:06,480 --> 00:30:09,980
Speaker 2: get this kind of reverberating synth sound. Uh, other times

519
00:30:10,020 --> 00:30:13,600
Speaker 2: we get like the sinister minimalist percussion. So I thought

520
00:30:13,620 --> 00:30:14,700
Speaker 2: it was a really good score.

521
00:30:15,300 --> 00:30:18,400
Speaker 3: Yeah. A very, a variety of textures.

522
00:30:18,440 --> 00:30:18,620
Speaker 1: Yeah.

523
00:30:18,660 --> 00:30:21,340
Speaker 2: Yeah. I don't know that it's ever been released on,

524
00:30:21,500 --> 00:30:23,480
Speaker 2: on vinyl or if anyone's ever done any kind of

525
00:30:23,530 --> 00:30:26,770
Speaker 2: proper release or if you can, you know, officially stream

526
00:30:26,810 --> 00:30:29,230
Speaker 2: it anywhere, but I did find some score selections for

527
00:30:29,270 --> 00:30:30,230
Speaker 2: this film on YouTube.

528
00:30:41,120 --> 00:30:43,100
Speaker 3: Okay. Well, are you ready to talk about the plot?

529
00:30:43,280 --> 00:30:43,740
Speaker 2: Let's do it.

530
00:30:44,420 --> 00:30:48,560
Speaker 3: So the opening shot is of a lonely rural train

531
00:30:48,640 --> 00:30:52,120
Speaker 3: station with mountains in the background, no one on the platform.

532
00:30:52,820 --> 00:30:55,540
Speaker 3: And slowly we see a train appear over the horizon

533
00:30:55,620 --> 00:30:59,250
Speaker 3: and decelerate into the station. The title flashes up in

534
00:30:59,370 --> 00:31:03,430
Speaker 3: blood red. And we get the translation, Evil of Dracula.

535
00:31:03,450 --> 00:31:05,330
Speaker 3: But I wonder if that's what the Japanese on the

536
00:31:05,370 --> 00:31:08,310
Speaker 3: screen actually says. You think maybe that on the screen

537
00:31:08,350 --> 00:31:09,670
Speaker 3: says Bloodthirsty Rose?

538
00:31:09,790 --> 00:31:12,650
Speaker 2: Yeah, maybe. I was tempted to get my camera phone

539
00:31:12,810 --> 00:31:14,700
Speaker 2: out and do the whole translation thing. But then I

540
00:31:14,720 --> 00:31:16,170
Speaker 2: was like, I'm just going to sit back and watch it.

541
00:31:16,560 --> 00:31:21,320
Speaker 3: Whatever. Whatever. So only one passenger disembarks at this stop.

542
00:31:21,580 --> 00:31:24,360
Speaker 3: It is a guy who looks very cool, dressed in

543
00:31:24,420 --> 00:31:27,220
Speaker 3: a light gray suit with a burgundy tie, one of

544
00:31:27,260 --> 00:31:30,330
Speaker 3: those wide 70s ties with a big knot, you know,

545
00:31:30,370 --> 00:31:34,750
Speaker 3: that big boxy knot. Huge points on his shirt collar

546
00:31:34,910 --> 00:31:39,070
Speaker 3: under a tan trench coat. Again, excellent look. This is

547
00:31:39,130 --> 00:31:44,370
Speaker 3: Professor Shiraki. At the ticket office, Shiraki approaches the shifty,

548
00:31:44,450 --> 00:31:48,960
Speaker 3: rather odd-looking cashier. This guy is peeking out from behind

549
00:31:49,020 --> 00:31:51,900
Speaker 3: a curtain in his booth like he's spying on somebody

550
00:31:52,640 --> 00:31:55,590
Speaker 3: and shiraki asks him how to get to the same

551
00:31:55,630 --> 00:31:59,930
Speaker 3: school and the cashier just brusquely tells him there are

552
00:31:59,970 --> 00:32:02,570
Speaker 3: no buses today and then he yanks the curtain shut

553
00:32:02,610 --> 00:32:05,970
Speaker 3: it was very there ain't no monorail and there never was.

554
00:32:05,600 --> 00:32:08,100
Speaker 2: Yeah he's offering no solutions to the problem he's just

555
00:32:08,140 --> 00:32:10,100
Speaker 2: like no buses today yeah.

556
00:32:11,000 --> 00:32:15,040
Speaker 3: So Professor Shiraki steps out of the station house onto

557
00:32:15,100 --> 00:32:17,790
Speaker 3: the street and then a car arrives. It's a black

558
00:32:17,850 --> 00:32:21,210
Speaker 3: sedan driven by another kind of strange looking man. A

559
00:32:22,050 --> 00:32:26,770
Speaker 3: man with a boyish face, smooth skin and shaggy hair

560
00:32:26,850 --> 00:32:30,300
Speaker 3: wearing a black suit and another wide tie, black and

561
00:32:30,340 --> 00:32:33,340
Speaker 3: white tie. We will later find out that this is

562
00:32:33,380 --> 00:32:36,720
Speaker 3: another professor at the school named Professor Yoshi or Yoshii.

563
00:32:37,880 --> 00:32:40,270
Speaker 3: And again, this guy we're going to learn is the

564
00:32:40,310 --> 00:32:43,910
Speaker 3: campus pervert. His favorite hobby is like leering at the

565
00:32:43,950 --> 00:32:48,410
Speaker 3: young women during tennis practice. But we don't know that yet. Yeah.

566
00:32:48,690 --> 00:32:50,970
Speaker 2: In my second viewing of the film, I really noticed

567
00:32:51,030 --> 00:32:55,010
Speaker 2: that Yoshi is set up to be like the suspect, really,

568
00:32:55,150 --> 00:32:57,490
Speaker 2: in many ways. But I don't know. I went into

569
00:32:57,560 --> 00:33:00,100
Speaker 2: it knowing that it was going to be Kushida as

570
00:33:00,160 --> 00:33:03,900
Speaker 2: the central vampire. So it didn't work on me.

571
00:33:04,320 --> 00:33:06,660
Speaker 3: Yeah, it's very obvious the principal is going to be

572
00:33:06,680 --> 00:33:10,870
Speaker 3: the vampire. Yoshi, I mean, well, I think we can

573
00:33:10,910 --> 00:33:13,320
Speaker 3: just tell from the beginning the way he is servile

574
00:33:13,390 --> 00:33:15,660
Speaker 3: toward the guy who's obviously the big bad that this

575
00:33:15,740 --> 00:33:17,860
Speaker 3: is going to be the Renfield character. Yeah.

576
00:33:18,240 --> 00:33:22,160
Speaker 2: Yeah. But instead of eating flies, he's leering at students.

577
00:33:22,220 --> 00:33:25,480
Speaker 3: Yeah. Yeah. So on the way to school, they drive

578
00:33:25,510 --> 00:33:29,090
Speaker 3: down this long road through some desolate fields. And Shiraki

579
00:33:29,130 --> 00:33:32,090
Speaker 3: comments on how it's very quiet out here. We know

580
00:33:32,130 --> 00:33:34,290
Speaker 3: he's from the big city. He came from Tokyo. So

581
00:33:34,350 --> 00:33:37,720
Speaker 3: obviously this is a change for him. And suddenly they

582
00:33:37,780 --> 00:33:41,340
Speaker 3: pass the scene of a horrible car accident where there

583
00:33:41,400 --> 00:33:43,620
Speaker 3: is one car still askew on the side of the

584
00:33:43,700 --> 00:33:48,330
Speaker 3: road with the windshield smashed through. And Yoshii explains that

585
00:33:48,590 --> 00:33:51,090
Speaker 3: the car was hit by a truck two days ago.

586
00:33:51,190 --> 00:33:54,870
Speaker 3: He says the driver was drunk. The driver was killed instantly.

587
00:33:54,950 --> 00:33:59,050
Speaker 3: And the passenger also died. And the passenger was the

588
00:33:59,070 --> 00:34:02,420
Speaker 3: school principal's wife. Whoa, that's intense news.

589
00:34:03,540 --> 00:34:05,610
Speaker 2: Yeah, the movie doesn't waste any time. We get a

590
00:34:05,630 --> 00:34:08,450
Speaker 2: lot of intrigue early on. Like, there's no bus, the

591
00:34:08,510 --> 00:34:11,130
Speaker 2: principal has a dead wife, there was a wreck, and

592
00:34:11,150 --> 00:34:12,770
Speaker 2: we haven't even gotten to the vampires yet.

593
00:34:13,290 --> 00:34:15,940
Speaker 3: And this all just happened like one or two days ago.

594
00:34:17,100 --> 00:34:21,040
Speaker 3: So Shiraki is driven through the campus as night begins

595
00:34:21,100 --> 00:34:24,160
Speaker 3: to fall and the atmosphere is very gloomy. The school

596
00:34:24,200 --> 00:34:27,730
Speaker 3: buildings are surrounded by this eerie forest with mountains in

597
00:34:27,770 --> 00:34:31,730
Speaker 3: the distance. And eventually they arrive at the principal's residence,

598
00:34:31,810 --> 00:34:36,170
Speaker 3: which is an old mansion on campus. And inside, this

599
00:34:36,230 --> 00:34:38,189
Speaker 3: is one of these sets that looks like a place

600
00:34:38,230 --> 00:34:41,529
Speaker 3: Peter Cushing would live in a classic Hammer movie from

601
00:34:41,550 --> 00:34:46,049
Speaker 3: the 60s. So it's got old oil paintings, portraits of

602
00:34:46,250 --> 00:34:51,760
Speaker 3: ancestors in these ornate gold painted frames, dark satin finished

603
00:34:51,950 --> 00:34:55,960
Speaker 3: wood everywhere with elaborate carvings on everything from the chair

604
00:34:56,020 --> 00:35:00,890
Speaker 3: backs to the banisters. Persian rugs on the floor, furniture

605
00:35:01,010 --> 00:35:05,620
Speaker 3: upholstered with red velvet and brass rivets, stained glass windows

606
00:35:05,700 --> 00:35:07,580
Speaker 3: on the staircase. That's a cool thing to have in

607
00:35:07,600 --> 00:35:11,180
Speaker 3: your house. And so it's just like a place to

608
00:35:11,480 --> 00:35:18,450
Speaker 3: puff a pipe and examine an old tome by the fireplace. Eventually, so, well,

609
00:35:18,489 --> 00:35:21,370
Speaker 3: first of all, Professor Shiraki wanders in and looks around.

610
00:35:21,390 --> 00:35:23,870
Speaker 3: There's nobody to greet him, so he's just taking it

611
00:35:23,950 --> 00:35:26,870
Speaker 3: all in. And he calls out to announce his arrival

612
00:35:26,890 --> 00:35:31,529
Speaker 3: and He notices one of these decorative flourishes is a

613
00:35:31,610 --> 00:35:34,569
Speaker 3: painting of a young woman displayed on the wall. And

614
00:35:34,730 --> 00:35:37,570
Speaker 3: underneath it, there is a flower lying on the shelf.

615
00:35:37,730 --> 00:35:42,420
Speaker 3: It's a pale white rose. Eventually, the principal, this is

616
00:35:42,480 --> 00:35:47,200
Speaker 3: Shin Kishida, descends the stairs. He welcomes Professor Shiraki. The

617
00:35:47,239 --> 00:35:51,000
Speaker 3: principal is wearing a black jacket with a white turtleneck underneath.

618
00:35:51,020 --> 00:35:53,839
Speaker 3: A lot of shaggy haircuts in this movie. And he's

619
00:35:53,880 --> 00:35:56,859
Speaker 3: got another one more, you know, kind of longest shaggy hair.

620
00:35:58,160 --> 00:36:00,440
Speaker 2: Twas the style in those days, I imagine.

621
00:36:00,660 --> 00:36:02,930
Speaker 3: Well, I think it's not just in this movie. Shin Kishida,

622
00:36:03,230 --> 00:36:05,610
Speaker 3: didn't he have the same hair in the Godzilla movie?

623
00:36:05,790 --> 00:36:07,710
Speaker 2: I believe he did. Yeah, pretty much the same haircut.

624
00:36:07,750 --> 00:36:10,730
Speaker 2: I think he has a shorter haircut in Lake of Dracula.

625
00:36:10,790 --> 00:36:12,430
Speaker 2: But again, I haven't watched it in full yet.

626
00:36:13,570 --> 00:36:17,459
Speaker 3: So Shiraki acknowledges that he just learned the principal's wife

627
00:36:17,500 --> 00:36:20,680
Speaker 3: had died two days before and he offers his condolences.

628
00:36:20,760 --> 00:36:23,160
Speaker 3: He asks if he can visit her grave to pay

629
00:36:23,200 --> 00:36:27,430
Speaker 3: his respects. And the principal says, quote, I appreciate your sentiment,

630
00:36:27,550 --> 00:36:30,660
Speaker 3: but she is at rest in the cellar for now.

631
00:36:31,140 --> 00:36:33,540
Speaker 3: It's an old local custom. The corpse has to be

632
00:36:33,580 --> 00:36:36,540
Speaker 3: left in a coffin for seven days. We also offer

633
00:36:36,620 --> 00:36:42,660
Speaker 3: prayers for the body's revival. So Shiraki is trying to

634
00:36:42,680 --> 00:36:45,920
Speaker 3: be respectful, but obviously this strikes him as weird. He's

635
00:36:46,100 --> 00:36:49,610
Speaker 3: at a loss for words. After this, the principal says, okay,

636
00:36:50,170 --> 00:36:52,270
Speaker 3: I know you're tired. You don't have to get moved

637
00:36:52,310 --> 00:36:55,049
Speaker 3: into your apartment tonight. You can stay here at my

638
00:36:55,090 --> 00:36:59,190
Speaker 3: house for the night. Oh, thanks. That sounds great. So

639
00:36:59,270 --> 00:37:03,940
Speaker 3: before Shiraki can reply, the principal launches into a history

640
00:37:03,960 --> 00:37:08,060
Speaker 3: of the school. He starts explaining that Dr. Kimoto established

641
00:37:08,120 --> 00:37:11,700
Speaker 3: the school 80 years ago. Quote, it has survived long

642
00:37:11,780 --> 00:37:13,739
Speaker 3: in this bleak northern land.

643
00:37:13,760 --> 00:37:16,540
Speaker 2: I want to add one thing here. Well, two things,

644
00:37:16,600 --> 00:37:20,759
Speaker 2: first of all. During my rewatch, I realized that the

645
00:37:21,300 --> 00:37:24,300
Speaker 2: disc also had a dub of this film. So there

646
00:37:24,360 --> 00:37:27,700
Speaker 2: is an English language dub available, but I highly recommend

647
00:37:27,860 --> 00:37:31,060
Speaker 2: watching it with subtitles because the performances are so good.

648
00:37:31,080 --> 00:37:36,660
Speaker 2: And even not understanding, not speaking Japanese, you can still

649
00:37:36,950 --> 00:37:40,730
Speaker 2: pick up on all the nuances of their performance. One

650
00:37:40,750 --> 00:37:45,130
Speaker 2: thing that I really like about Kurosawa's performance as Shiraki

651
00:37:45,350 --> 00:37:49,660
Speaker 2: is that He's great at those moments where he clearly

652
00:37:49,800 --> 00:37:54,410
Speaker 2: doesn't know either doesn't know what to say or cannot

653
00:37:54,550 --> 00:37:56,770
Speaker 2: say the thing that they're talking about. We see that

654
00:37:56,790 --> 00:37:59,310
Speaker 2: in a later scene when they're really discovering the vampirism

655
00:37:59,350 --> 00:38:02,390
Speaker 2: in play. It's a very subtle thing in his performance,

656
00:38:02,430 --> 00:38:03,410
Speaker 2: but I thought it was very well done.

657
00:38:04,010 --> 00:38:08,549
Speaker 3: Yeah. Yeah. So after this, the. principal tries to get

658
00:38:08,620 --> 00:38:11,600
Speaker 3: Shiraki drinking brandy. He says this stuff is, is as

659
00:38:11,700 --> 00:38:14,319
Speaker 3: old as Dr. Komodo. So I guess that's 80 years

660
00:38:14,380 --> 00:38:16,940
Speaker 3: or more. I guess Dr. Komodo was old when he started.

661
00:38:16,960 --> 00:38:20,040
Speaker 3: So old liquor. And there, so they poured into some

662
00:38:20,120 --> 00:38:23,620
Speaker 3: goblets and discuss things. Uh, like they talk about the

663
00:38:23,640 --> 00:38:27,009
Speaker 3: man who drove Shiraki from the train station. Uh, the

664
00:38:27,050 --> 00:38:30,310
Speaker 3: principal says, Oh, that's Yoshi. He's a professor of French

665
00:38:30,430 --> 00:38:35,000
Speaker 3: literature at the school. and is also the principal's assistant.

666
00:38:35,200 --> 00:38:38,060
Speaker 3: So I guess he's a professor of French literature and driving.

667
00:38:38,500 --> 00:38:41,700
Speaker 2: Well, you know, he only had two classes this semester,

668
00:38:41,820 --> 00:38:44,040
Speaker 2: so he had to pick up some additional duties.

669
00:38:44,719 --> 00:38:49,899
Speaker 3: Yeah. And then the principal springs something on Chiraki. He's like,

670
00:38:49,980 --> 00:38:52,299
Speaker 3: by the way, you're my successor. You're going to be

671
00:38:52,340 --> 00:38:54,520
Speaker 3: the next principal. Yeah.

672
00:38:56,140 --> 00:38:59,410
Speaker 2: I love it. Again, the screenplay just hits you with

673
00:38:59,610 --> 00:39:01,250
Speaker 2: something new over and over again.

674
00:39:02,150 --> 00:39:05,979
Speaker 3: Shiraki is taken aback. He tries to decline this, explaining

675
00:39:06,020 --> 00:39:08,960
Speaker 3: that he's not qualified for that kind of position. But

676
00:39:08,980 --> 00:39:12,160
Speaker 3: the principal insists. He says, I'm ill. I can't stay

677
00:39:12,180 --> 00:39:14,779
Speaker 3: in the job much longer. I need somebody to replace me,

678
00:39:14,800 --> 00:39:17,440
Speaker 3: and it's going to be you. He says, I'm sure

679
00:39:17,480 --> 00:39:23,930
Speaker 3: you'll be fine. He's also repeatedly insisting that Shiraki drink

680
00:39:23,969 --> 00:39:27,660
Speaker 3: the brandy. I think maybe he's trying to get him sleepy. Uh,

681
00:39:27,719 --> 00:39:30,380
Speaker 3: so later that night, Shiraki is sleeping in the guest

682
00:39:30,420 --> 00:39:32,379
Speaker 3: room in his clothes, by the way. So he's still

683
00:39:32,420 --> 00:39:34,739
Speaker 3: got his shirt tucked in and his tie on while

684
00:39:34,760 --> 00:39:37,020
Speaker 3: he's sleeping. That's yeah.

685
00:39:37,640 --> 00:39:41,330
Speaker 2: They, by virtue of the brandy, uh, this is all

686
00:39:41,350 --> 00:39:44,230
Speaker 2: of course, wonderful because of course we know in the

687
00:39:44,290 --> 00:39:48,180
Speaker 2: original Dracula, um, that one of the whole things is

688
00:39:48,200 --> 00:39:50,580
Speaker 2: you show up at Dracula's castle and Dracula has no

689
00:39:50,620 --> 00:39:52,700
Speaker 2: servants working for him. It's just him in this big

690
00:39:52,760 --> 00:39:55,469
Speaker 2: lonely house. And so we see that reflected here in

691
00:39:55,489 --> 00:39:58,330
Speaker 2: the principal's house as well. In fact, he tells Shiraki

692
00:39:58,350 --> 00:40:00,569
Speaker 2: when he first arrives, it's like, you know, there's no

693
00:40:00,610 --> 00:40:02,950
Speaker 2: one else here to look after you, but it's fine.

694
00:40:02,969 --> 00:40:03,650
Speaker 2: You can stay here.

695
00:40:04,250 --> 00:40:08,580
Speaker 3: Yeah. So in the middle of the night, Shiraki hears

696
00:40:08,600 --> 00:40:10,859
Speaker 3: a sound. He wakes up and he hears the sound

697
00:40:10,880 --> 00:40:15,800
Speaker 3: of singing. high breathy ghostly voice that sort of blends

698
00:40:15,980 --> 00:40:18,280
Speaker 3: in and out with the sound of the breeze outside

699
00:40:18,300 --> 00:40:22,260
Speaker 3: the window shiraki goes to investigate he leaves his room

700
00:40:22,460 --> 00:40:25,180
Speaker 3: he walks down the hall he goes into the room

701
00:40:25,219 --> 00:40:27,969
Speaker 3: where the singing is loudest and just inside the door

702
00:40:28,110 --> 00:40:31,790
Speaker 3: there is a shattered mirror where the cracks in the

703
00:40:31,870 --> 00:40:36,150
Speaker 3: glass reflect shiraki's face back to him in this wheel

704
00:40:36,210 --> 00:40:40,359
Speaker 3: of separated fragments so it's very creepy thing to react to.

705
00:40:40,400 --> 00:40:42,080
Speaker 3: He sees his own face, but broken.

706
00:40:42,100 --> 00:40:44,520
Speaker 2: Yeah, there are a number of scenes in the film

707
00:40:44,540 --> 00:40:46,870
Speaker 2: that remind me a little bit of Mario Bava, in

708
00:40:46,890 --> 00:40:50,730
Speaker 2: that there's an obsession with reflections and portals of one

709
00:40:50,770 --> 00:40:51,490
Speaker 2: sort or another.

710
00:40:52,489 --> 00:40:57,010
Speaker 3: Yeah. So further into the room, Shiraki finds the balcony

711
00:40:57,070 --> 00:41:00,390
Speaker 3: doors open to the night air, and then standing just

712
00:41:00,450 --> 00:41:03,339
Speaker 3: inside them, there is a figure in the dark. It's

713
00:41:03,380 --> 00:41:07,220
Speaker 3: a woman in a sheer blue nightgown, gazing out toward

714
00:41:07,260 --> 00:41:09,580
Speaker 3: the moon. So is this the woman who was singing?

715
00:41:10,300 --> 00:41:13,520
Speaker 3: She turns to face Shiraki. We see her skin is

716
00:41:13,680 --> 00:41:18,410
Speaker 3: pale with a tinge of sickly blue-green, and her nightgown

717
00:41:18,450 --> 00:41:21,410
Speaker 3: hangs open, and we can see on her chest there

718
00:41:21,489 --> 00:41:25,310
Speaker 3: are two puncture wounds with a stream of blood running

719
00:41:25,370 --> 00:41:28,330
Speaker 3: down from each. So we all know what this means,

720
00:41:28,390 --> 00:41:31,200
Speaker 3: but Shiraki does not. One of those awkward things about

721
00:41:31,239 --> 00:41:35,140
Speaker 3: vampire movies, not unique to this, of course, that the

722
00:41:35,260 --> 00:41:38,200
Speaker 3: audience is always ahead of the characters. As we see

723
00:41:38,219 --> 00:41:40,880
Speaker 3: the puncture wounds, we're like, oh, vampire fangs. But the

724
00:41:40,920 --> 00:41:42,920
Speaker 3: characters are like, what is this wound?

725
00:41:43,100 --> 00:41:45,100
Speaker 2: I mean, we know we're in a vampire movie and

726
00:41:45,120 --> 00:41:45,920
Speaker 2: the characters don't.

727
00:41:46,640 --> 00:41:50,799
Speaker 3: Yeah. Though it's an interesting variation here because we're very

728
00:41:50,920 --> 00:41:54,410
Speaker 3: used to seeing these fang punctures on the neck in

729
00:41:54,450 --> 00:41:59,219
Speaker 3: the movies. In this movie, they are Always or pretty

730
00:41:59,260 --> 00:42:02,280
Speaker 3: much always on the upper chest to just above the breast.

731
00:42:02,380 --> 00:42:06,060
Speaker 3: They say it's like over the heart. And I was wondering,

732
00:42:06,360 --> 00:42:11,130
Speaker 3: is that a preexisting alternate vampire tradition? I didn't have

733
00:42:11,170 --> 00:42:14,450
Speaker 3: time to really research this, but I think maybe that

734
00:42:14,710 --> 00:42:17,910
Speaker 3: I feel like I've read before that that is there.

735
00:42:17,969 --> 00:42:20,610
Speaker 3: There are vampire traditions for the vampire bites on the

736
00:42:20,650 --> 00:42:21,950
Speaker 3: chest instead of the neck.

737
00:42:22,440 --> 00:42:25,620
Speaker 2: I didn't have a chance to look into actual non-cinematic

738
00:42:25,660 --> 00:42:28,110
Speaker 2: vampire lore, but I know it shows up in the

739
00:42:28,160 --> 00:42:33,530
Speaker 2: Hammer film from 1970, The Vampire Lovers. That's where Ingrid

740
00:42:33,570 --> 00:42:39,810
Speaker 2: Pitt plays the vampire Carmilla, and she's always biting ladies

741
00:42:39,870 --> 00:42:41,629
Speaker 2: on the breast to get the blood.

742
00:42:42,410 --> 00:42:44,570
Speaker 3: Well, I know Carmilla, I think, is based on an

743
00:42:44,630 --> 00:42:46,310
Speaker 3: older work of literature. It is. So I wonder if

744
00:42:46,370 --> 00:42:47,239
Speaker 3: it's that way. Yeah.

745
00:42:47,380 --> 00:42:48,700
Speaker 2: Oh, I mean, I don't know to what extent this

746
00:42:48,760 --> 00:42:53,420
Speaker 2: is truly based on Carmilla, but the character is named

747
00:42:53,680 --> 00:42:56,980
Speaker 2: after them at any rate. But, yeah, outside of this,

748
00:42:57,540 --> 00:43:03,600
Speaker 2: whatever the decision-making involved here, you do see vampires occasionally

749
00:43:03,760 --> 00:43:07,839
Speaker 2: biting people, other places besides the neck. Often things like

750
00:43:07,880 --> 00:43:11,690
Speaker 2: the breast or the inner thigh. Yeah. Just to mix

751
00:43:11,710 --> 00:43:14,009
Speaker 2: things up and also maybe to enhance the sort of

752
00:43:14,070 --> 00:43:20,810
Speaker 2: erotic nature, the eroticism of vampirism that's always a part

753
00:43:20,850 --> 00:43:22,610
Speaker 2: of the scenario on one level or another.

754
00:43:23,380 --> 00:43:25,880
Speaker 3: Certainly couldn't rule out that was part of the decision

755
00:43:25,980 --> 00:43:26,640
Speaker 3: process here.

756
00:43:26,700 --> 00:43:26,879
Speaker 1: Yeah.

757
00:43:28,530 --> 00:43:32,450
Speaker 3: So anyway, the woman faces Shiraki expressionless as if in

758
00:43:32,489 --> 00:43:35,270
Speaker 3: a trance and he approaches her with concern. He tells

759
00:43:35,310 --> 00:43:38,660
Speaker 3: her that she's bleeding and she doesn't respond, but silently

760
00:43:38,739 --> 00:43:41,660
Speaker 3: raises her arms toward him as if to embrace him.

761
00:43:42,320 --> 00:43:45,720
Speaker 3: Then suddenly that's when the attack comes, not from the front,

762
00:43:45,860 --> 00:43:52,219
Speaker 3: but from the side. And another previously hidden vampire woman comes.

763
00:43:52,760 --> 00:43:55,650
Speaker 3: lunges at shiraki from his left so it's like the

764
00:43:55,710 --> 00:43:57,270
Speaker 3: raptors in jurassic park.

765
00:43:57,489 --> 00:44:00,370
Speaker 2: I think they're clever girls and i love how we

766
00:44:00,390 --> 00:44:02,690
Speaker 2: have this nice gliding effect you know like you know

767
00:44:02,750 --> 00:44:05,720
Speaker 2: obviously she's on sort of dolly or rollers uh but

768
00:44:05,760 --> 00:44:07,719
Speaker 2: it creates that feeling you know like the feet are

769
00:44:07,760 --> 00:44:11,100
Speaker 2: not touching the ground totally then the vampire ladies here

770
00:44:11,120 --> 00:44:14,279
Speaker 2: you know obviously predominantly inspired by hammer har but there's

771
00:44:14,320 --> 00:44:17,870
Speaker 2: a sense of more traditional japanese ghost forms here as well.

772
00:44:18,310 --> 00:44:20,590
Speaker 3: Yeah, totally. I think, I think you can see those

773
00:44:20,989 --> 00:44:24,990
Speaker 3: Japanese malevolent spirit, uh, aesthetics in like the, the pale

774
00:44:25,050 --> 00:44:28,029
Speaker 3: face makeup makeup and the white robes and stuff and

775
00:44:28,050 --> 00:44:32,969
Speaker 3: the gliding. Um, so, uh, anyway, uh, the second woman

776
00:44:32,989 --> 00:44:36,569
Speaker 3: I would say is more unambiguously a vampire. We don't

777
00:44:36,610 --> 00:44:38,690
Speaker 3: know exactly what was going on with the first lady,

778
00:44:38,730 --> 00:44:41,569
Speaker 3: but this lady is, she's wearing a white kimono. It's

779
00:44:41,700 --> 00:44:45,739
Speaker 3: she's got the same kind of pale white, green, blue skin, uh,

780
00:44:46,370 --> 00:44:50,730
Speaker 3: Long fingernails like claws and fangs bared like a hissing viper.

781
00:44:51,710 --> 00:44:54,319
Speaker 3: And Shiraki runs out of the room in terror, but

782
00:44:54,340 --> 00:44:56,980
Speaker 3: the two ghostly women chase him into the hall. And

783
00:44:57,000 --> 00:44:59,940
Speaker 3: then the vampire woman in white seems to inflict a

784
00:44:59,960 --> 00:45:02,980
Speaker 3: kind of magical attack on him and he falls unconscious.

785
00:45:03,960 --> 00:45:06,180
Speaker 3: So we cut to the next morning. Shiraki wakes up

786
00:45:06,219 --> 00:45:08,620
Speaker 3: in his room and he's like, did that really happen?

787
00:45:08,719 --> 00:45:11,279
Speaker 3: Or was that just a dream? I just had to

788
00:45:11,390 --> 00:45:15,070
Speaker 3: note the wallpaper in his room looks like the Dolan

789
00:45:15,170 --> 00:45:16,470
Speaker 3: red vermouth label.

790
00:45:17,190 --> 00:45:18,290
Speaker 2: Yeah, it does kind of, yeah.

791
00:45:18,950 --> 00:45:21,529
Speaker 3: These red fleur-de-lis kind of flourishes.

792
00:45:22,230 --> 00:45:24,989
Speaker 2: But I love that, yeah, he's trying to decide was

793
00:45:25,010 --> 00:45:27,690
Speaker 2: this real or was it a dream? Very quickly, he's

794
00:45:27,730 --> 00:45:32,540
Speaker 2: going to decide was a dream. And we were chatting

795
00:45:32,580 --> 00:45:35,060
Speaker 2: about this back and forth elsewhere in the outline. But

796
00:45:35,600 --> 00:45:38,680
Speaker 2: my read on this was he's a skeptical guy. He's

797
00:45:38,719 --> 00:45:41,700
Speaker 2: a rational guy. And I think the more he analyzes

798
00:45:41,840 --> 00:45:45,959
Speaker 2: what appeared to happen, like it, the most likely explanation

799
00:45:46,100 --> 00:45:48,340
Speaker 2: to him is it had to be a dream because

800
00:45:48,760 --> 00:45:51,960
Speaker 2: otherwise that's just not the rational world that he knows.

801
00:45:52,600 --> 00:45:56,450
Speaker 3: Yeah. I think that's basically correct as far as the

802
00:45:56,469 --> 00:45:59,589
Speaker 3: characterization goes, but that'll get complicated by some things that

803
00:45:59,630 --> 00:46:03,029
Speaker 3: happen in a moment. So Shiraki goes to investigate the

804
00:46:03,090 --> 00:46:06,319
Speaker 3: room where the stuff happened the night before. And the

805
00:46:06,380 --> 00:46:08,140
Speaker 3: room is just like we saw it. So there's a

806
00:46:08,180 --> 00:46:11,080
Speaker 3: shattered mirror in the entryway, the balcony with the French

807
00:46:11,120 --> 00:46:14,120
Speaker 3: doors hanging open. We can now see in the daylight

808
00:46:14,160 --> 00:46:18,610
Speaker 3: that this room is intensely busy with flowers and floral decorations.

809
00:46:18,670 --> 00:46:21,150
Speaker 3: So there are these yellow flowers in a vase over

810
00:46:21,190 --> 00:46:24,529
Speaker 3: the mantle, white roses in a metal cage on the

811
00:46:24,590 --> 00:46:27,610
Speaker 3: tea table. And then in the background, there's a folding

812
00:46:27,710 --> 00:46:31,719
Speaker 3: privacy screen with lively pink and red flower designs on it.

813
00:46:31,780 --> 00:46:36,570
Speaker 3: Just a lot of flowers everywhere. And Shiraki says to himself, no,

814
00:46:36,590 --> 00:46:39,230
Speaker 3: it must have been a dream. And the reason I

815
00:46:39,270 --> 00:46:43,130
Speaker 3: was a little confused about this was not the impulse

816
00:46:43,210 --> 00:46:45,850
Speaker 3: to say that couldn't have happened, you know, because I

817
00:46:45,910 --> 00:46:49,250
Speaker 3: encountered two vampire women. It's that he goes into the

818
00:46:49,310 --> 00:46:51,930
Speaker 3: room and he sees the details of the room that

819
00:46:51,989 --> 00:46:55,350
Speaker 3: he has not entered before otherwise are exactly like he

820
00:46:55,390 --> 00:46:58,140
Speaker 3: remembers from the night before. Mm-hmm. So the only way

821
00:46:58,200 --> 00:47:00,239
Speaker 3: I can make sense of that is if he's saying, well,

822
00:47:00,280 --> 00:47:03,239
Speaker 3: maybe I really did wander into this room last night

823
00:47:03,300 --> 00:47:05,799
Speaker 3: half awake, but then I dreamed the part about the

824
00:47:05,860 --> 00:47:07,460
Speaker 3: women with fangs attacking me.

825
00:47:08,989 --> 00:47:11,290
Speaker 2: I mean, it must have been some pretty stout brandy

826
00:47:11,390 --> 00:47:11,989
Speaker 2: one way or another.

827
00:47:12,430 --> 00:47:16,690
Speaker 3: Yeah. Anyway, Shiraki goes downstairs. Nobody seems to be around.

828
00:47:16,950 --> 00:47:19,970
Speaker 3: And while he's staring at a picture of a creepy

829
00:47:20,010 --> 00:47:23,250
Speaker 3: looking woman on the wall, suddenly a door thuds and

830
00:47:23,270 --> 00:47:26,460
Speaker 3: then creaks open behind him. It is the door to

831
00:47:26,700 --> 00:47:29,520
Speaker 3: the cellar. Uh, it is, uh, so, and it's one

832
00:47:29,540 --> 00:47:31,830
Speaker 3: of those doors that's like, it has an angled top

833
00:47:31,910 --> 00:47:34,089
Speaker 3: so that it fits under the staircase. I like that.

834
00:47:34,110 --> 00:47:37,009
Speaker 3: It's almost beckoning, right? You got to go down there.

835
00:47:37,130 --> 00:47:39,610
Speaker 3: So of course the hero goes down the staircase to

836
00:47:39,630 --> 00:47:42,009
Speaker 3: the cellar to have a look. Uh, now remember what

837
00:47:42,050 --> 00:47:45,040
Speaker 3: the principal said that his dead wife was being kept

838
00:47:45,140 --> 00:47:47,719
Speaker 3: in a coffin down there for seven days, part of

839
00:47:47,760 --> 00:47:52,299
Speaker 3: an old custom. Uh, so Shiraki descends, the stairwell has

840
00:47:52,400 --> 00:47:55,180
Speaker 3: stone walls. And then once he gets to the bottom,

841
00:47:55,219 --> 00:47:59,069
Speaker 3: he goes through this kind of heavy dungeon door and

842
00:47:59,090 --> 00:48:01,950
Speaker 3: the cellar seems to be full of wine bottles there

843
00:48:01,969 --> 00:48:05,390
Speaker 3: are these shelves of tinctures and liquors and there's also

844
00:48:05,489 --> 00:48:08,570
Speaker 3: a noisy crow there's a crow in there that squawks

845
00:48:08,710 --> 00:48:10,870
Speaker 3: at him and then flies away where does it fly.

846
00:48:10,650 --> 00:48:13,490
Speaker 2: To it just must live in the basement i guess

847
00:48:13,730 --> 00:48:17,150
Speaker 2: we'll see this crow again i will i mean i

848
00:48:17,170 --> 00:48:18,569
Speaker 2: guess now i'm thinking about it for the first time

849
00:48:18,610 --> 00:48:20,970
Speaker 2: maybe this is some sort of like a vampire's familiar

850
00:48:21,050 --> 00:48:25,250
Speaker 2: or something um there is some suspicious activity from this

851
00:48:25,310 --> 00:48:27,320
Speaker 2: crow later on. So we'll leave it at that.

852
00:48:28,700 --> 00:48:32,000
Speaker 3: So next he sees the coffin on top of the

853
00:48:32,040 --> 00:48:37,120
Speaker 3: coffin lid lies a white rose. Shiraki is moved by curiosity.

854
00:48:37,239 --> 00:48:39,319
Speaker 3: And so he goes to the coffin. He tosses the

855
00:48:39,360 --> 00:48:43,990
Speaker 3: rose aside. He removes the cloth drapery that's hanging over

856
00:48:44,050 --> 00:48:47,840
Speaker 3: the lid. And then he opens the coffin and, And inside,

857
00:48:48,120 --> 00:48:50,740
Speaker 3: it is the vampire woman. It is the same woman

858
00:48:50,780 --> 00:48:53,540
Speaker 3: who attacked him from the side like a raptor the

859
00:48:53,580 --> 00:48:57,279
Speaker 3: night before. She is lying peacefully in the box with

860
00:48:57,320 --> 00:49:01,710
Speaker 3: her hands folded like a typical corpse now. Shiraki reaches

861
00:49:01,790 --> 00:49:06,270
Speaker 3: out to touch her. What? And then he recoils from

862
00:49:06,310 --> 00:49:09,570
Speaker 3: the coldness of her flesh. And he says to himself,

863
00:49:09,650 --> 00:49:13,219
Speaker 3: she's dead. It must have been a dream. And then

864
00:49:13,260 --> 00:49:18,859
Speaker 3: he smiles to himself like, well, okay. Problem solved. But like,

865
00:49:18,989 --> 00:49:22,109
Speaker 3: why does this. dead woman you've never seen before look

866
00:49:22,170 --> 00:49:27,359
Speaker 3: exactly like the vampire you dreamed about? And then suddenly

867
00:49:27,890 --> 00:49:31,060
Speaker 3: somebody shouts at Shiraki. Somebody says, what are you doing?

868
00:49:31,440 --> 00:49:34,420
Speaker 3: And it's the principal. He's standing behind Shiraki at the

869
00:49:34,480 --> 00:49:36,790
Speaker 3: other end of the room. And I was thinking, yeah,

870
00:49:36,850 --> 00:49:40,690
Speaker 3: what are you doing right here? The hero's behavior in

871
00:49:40,730 --> 00:49:42,490
Speaker 3: this scene is way out of line.

872
00:49:42,920 --> 00:49:46,680
Speaker 2: Yeah, it seems like a pretty severe transgression here. And

873
00:49:47,020 --> 00:49:50,219
Speaker 2: hard to maintain the moral high ground when you just

874
00:49:50,300 --> 00:49:53,200
Speaker 2: threw open a casket and laid hands on the corpse.

875
00:49:54,420 --> 00:49:59,469
Speaker 3: Shiraki apologizes. He begs forgiveness. And The scene has a

876
00:49:59,530 --> 00:50:01,910
Speaker 3: great detail. While his back is now turned to the

877
00:50:01,930 --> 00:50:04,049
Speaker 3: coffin and he's talking to the principal, we see the

878
00:50:04,090 --> 00:50:08,209
Speaker 3: body inside suddenly flexing her hands, like her hands come open.

879
00:50:08,230 --> 00:50:12,509
Speaker 3: So she's not dead after all, but Shiraki remains oblivious

880
00:50:12,530 --> 00:50:14,029
Speaker 3: because it's happening behind his back.

881
00:50:14,150 --> 00:50:18,220
Speaker 2: I can only imagine this eliciting some cries of fear

882
00:50:18,580 --> 00:50:22,020
Speaker 2: when this was shown in the theater. And speaking of theater,

883
00:50:22,040 --> 00:50:23,819
Speaker 2: I do want to mention one of the posters that

884
00:50:23,840 --> 00:50:28,950
Speaker 2: you shared in our outline was advertising Evil of Dracula

885
00:50:30,010 --> 00:50:34,750
Speaker 2: with English dubbing to be played at the Toho Theater.

886
00:50:35,690 --> 00:50:39,590
Speaker 2: And then this combined with the English dub mission on

887
00:50:39,610 --> 00:50:42,390
Speaker 2: the poster, I looked at the details and this is

888
00:50:42,430 --> 00:50:45,610
Speaker 2: not something I was aware of, but apparently Toho Studios

889
00:50:45,710 --> 00:50:50,650
Speaker 2: built and operated a theater in Hawaii from like 1964

890
00:50:50,650 --> 00:50:56,850
Speaker 2: through 1976, I think, or thereabouts. And they exclusively played

891
00:50:56,989 --> 00:51:02,000
Speaker 2: Toho films. And yeah, I can only imagine how cool

892
00:51:02,020 --> 00:51:04,739
Speaker 2: that must have been. I was reading about it on cinematreasures.org.

893
00:51:05,280 --> 00:51:07,780
Speaker 3: I really wish I could have gone to that. That's amazing.

894
00:51:07,980 --> 00:51:10,600
Speaker 2: Yeah. I had no idea that that existed until I

895
00:51:10,620 --> 00:51:11,280
Speaker 2: saw that poster.

896
00:51:11,960 --> 00:51:14,910
Speaker 3: On the other hand, so this poster is cool to see,

897
00:51:14,950 --> 00:51:17,890
Speaker 3: but it also has one of the weakest movie poster

898
00:51:17,930 --> 00:51:21,390
Speaker 3: taglines I've ever seen. I'm going to read exactly what

899
00:51:21,430 --> 00:51:26,759
Speaker 3: it says. Cries of death. scent of death are found

900
00:51:26,780 --> 00:51:31,560
Speaker 3: in evil of Dracula. What? Yeah. I don't know.

901
00:51:32,120 --> 00:51:34,400
Speaker 2: I mean, I guess there are sounds of death and

902
00:51:35,100 --> 00:51:35,759
Speaker 2: sense of death.

903
00:51:35,780 --> 00:51:36,240
Speaker 3: Yeah.

904
00:51:36,280 --> 00:51:38,020
Speaker 2: Kind of have to imagine the smell.

905
00:51:38,060 --> 00:51:39,740
Speaker 3: Is it presented in smell of vision?

906
00:51:39,760 --> 00:51:41,779
Speaker 2: I don't think it was. Yeah.

907
00:51:43,219 --> 00:51:45,120
Speaker 3: All right. Let's see. Where were we? Oh yeah. Yeah.

908
00:51:45,140 --> 00:51:48,780
Speaker 3: So in this scene, the principal scolds Shiraki for touching

909
00:51:48,820 --> 00:51:51,520
Speaker 3: his dead wife. Obviously he says it's, you know, a

910
00:51:51,580 --> 00:51:54,700
Speaker 3: great sacrilege to, disturb the peace of the dead and

911
00:51:54,719 --> 00:51:56,680
Speaker 3: he tells him don't come in here again.

912
00:51:56,600 --> 00:52:00,340
Speaker 2: Ever but this doesn't seem to otherwise mess up plans

913
00:52:01,180 --> 00:52:03,799
Speaker 2: that the principal has like the secession still seems to

914
00:52:03,820 --> 00:52:04,980
Speaker 2: be in place as we'll see.

915
00:52:04,880 --> 00:52:06,860
Speaker 3: Yeah I'm still going to make you the next principal

916
00:52:07,050 --> 00:52:09,009
Speaker 3: no worries you can touch my dead wife and I'll

917
00:52:09,030 --> 00:52:13,050
Speaker 3: still make you the principal next so that's the setup

918
00:52:13,090 --> 00:52:14,450
Speaker 3: for the story and now we're going to meet some

919
00:52:14,489 --> 00:52:18,029
Speaker 3: more characters there so there are three main students in

920
00:52:18,150 --> 00:52:23,110
Speaker 3: the cast there is Yukiko Kyoko and Kumi and And

921
00:52:23,150 --> 00:52:26,890
Speaker 3: we first encounter them at tennis practice where they're out

922
00:52:27,150 --> 00:52:31,629
Speaker 3: playing with their coach and they meet Professor Shiraki when

923
00:52:31,730 --> 00:52:35,330
Speaker 3: he retrieves a lost ball for them. We learn these

924
00:52:35,390 --> 00:52:38,170
Speaker 3: three are roommates in the dormitory and they all end

925
00:52:38,210 --> 00:52:40,830
Speaker 3: up running up to Shiraki. They run up to meet

926
00:52:40,850 --> 00:52:44,790
Speaker 3: the professor. Kumi comes last. Kumi is the more modest

927
00:52:44,870 --> 00:52:50,560
Speaker 3: and reserved of the three. And when they're speaking, Yukiko

928
00:52:50,960 --> 00:52:54,500
Speaker 3: immediately offers to go on a date with Professor Shiraki

929
00:52:54,620 --> 00:52:59,750
Speaker 3: if he lets her stay out past curfew. Shiraki doesn't

930
00:52:59,810 --> 00:53:03,950
Speaker 3: comment on this, but Kumi scolds Yukiko. It's like bad form.

931
00:53:05,330 --> 00:53:10,310
Speaker 3: And then suddenly from this terrible exchange, everybody's attention turns

932
00:53:10,810 --> 00:53:14,719
Speaker 3: across the way to Professor Yoshii. Remember, that's the man

933
00:53:14,780 --> 00:53:19,140
Speaker 3: who drove Shiraki from the train station. Well, now this

934
00:53:19,180 --> 00:53:21,620
Speaker 3: guy is standing just past the fence at the edge

935
00:53:21,660 --> 00:53:24,740
Speaker 3: of the tennis courts, just leaning on a tree and creeping.

936
00:53:24,780 --> 00:53:29,480
Speaker 3: He's just staring at the students. And Kyoko and Yukiko

937
00:53:29,540 --> 00:53:32,040
Speaker 3: comment on how he does this all the time and

938
00:53:32,060 --> 00:53:35,180
Speaker 3: he gives them the creeps. And then Shiraki chooses one

939
00:53:35,200 --> 00:53:37,919
Speaker 3: of the worst answers I could possibly imagine to this.

940
00:53:38,200 --> 00:53:40,980
Speaker 3: He says, first of all, you shouldn't talk about teachers

941
00:53:41,060 --> 00:53:44,040
Speaker 3: like that. And then second, he says, he's only staring

942
00:53:44,080 --> 00:53:45,240
Speaker 3: because you're all so pretty.

943
00:53:46,620 --> 00:53:50,580
Speaker 2: Yeah, forgive his creepiness. It's because you're beautiful.

944
00:53:51,660 --> 00:53:54,250
Speaker 3: But in the way the scene is written, the three

945
00:53:54,290 --> 00:53:56,450
Speaker 3: young women take this as a compliment and they run

946
00:53:56,489 --> 00:54:08,720
Speaker 3: away laughing. So once the students are gone, Shiraki walks

947
00:54:08,980 --> 00:54:13,439
Speaker 3: suspiciously over to Yoshii, who's still standing there. And then

948
00:54:13,620 --> 00:54:17,779
Speaker 3: with a dreamy tone, Yoshii begins to quote Baudelaire at him.

949
00:54:18,200 --> 00:54:22,810
Speaker 3: He says, as if a poignant dagger stabbed my moaning heart,

950
00:54:23,270 --> 00:54:27,010
Speaker 3: kiss to retrieve the devil's corpse whose blood you sucked.

951
00:54:27,770 --> 00:54:30,870
Speaker 3: And then he says, wonderful. Baudelaire truly is a wonder.

952
00:54:31,250 --> 00:54:34,980
Speaker 3: He calmly walks away while these oboes play on the soundtrack.

953
00:54:35,600 --> 00:54:38,770
Speaker 3: And Shiraki says to himself, they're right. He is weird.

954
00:54:39,070 --> 00:54:41,310
Speaker 3: It's like, he didn't take their word for it until

955
00:54:41,330 --> 00:54:44,150
Speaker 3: the guy quoted Baudelaire. Now, now he knows.

956
00:54:44,190 --> 00:54:46,070
Speaker 2: Walked over there. I gave him a chance to redeem

957
00:54:46,110 --> 00:54:48,600
Speaker 2: himself and just instantly proved how weird he is.

958
00:54:48,640 --> 00:54:48,819
Speaker 3: Yeah.

959
00:54:49,080 --> 00:54:49,259
Speaker 1: Yeah.

960
00:54:51,370 --> 00:54:54,810
Speaker 3: Anyway, later we get a scene at the dormitory Dean's

961
00:54:54,890 --> 00:54:59,190
Speaker 3: office where Shiraki meets yet another character, Dr. Shinomura played

962
00:54:59,270 --> 00:55:03,030
Speaker 3: by Kunie Tanaka. And again, I love this guy's energy.

963
00:55:03,430 --> 00:55:06,489
Speaker 3: So he is, the character is a medical doctor. In

964
00:55:06,530 --> 00:55:08,640
Speaker 3: addition to being a Dean at the dorms here, he

965
00:55:09,520 --> 00:55:12,780
Speaker 3: wears a tweed jacket. He has these long bushy sideburns

966
00:55:12,920 --> 00:55:16,299
Speaker 3: and his personality is kind hearted and ironic. He's got

967
00:55:16,340 --> 00:55:20,189
Speaker 3: a sense of humor. And we're presented back to back

968
00:55:20,239 --> 00:55:23,000
Speaker 3: here with a kind of faculty duality, aren't we? So

969
00:55:23,020 --> 00:55:28,980
Speaker 3: we get Yoshii, the cold, ethereal, predatory creep, and Shinomura,

970
00:55:29,060 --> 00:55:34,410
Speaker 3: the warm, earthy ally and friend. So Shiraki and Shinomura

971
00:55:34,450 --> 00:55:39,250
Speaker 3: hit it off immediately. Shinomura fills Shiraki in on recent

972
00:55:39,330 --> 00:55:42,810
Speaker 3: events in the dormitory. He tells him that five days ago,

973
00:55:42,830 --> 00:55:46,270
Speaker 3: a student named Keiko disappeared and no one knows where

974
00:55:46,310 --> 00:55:50,120
Speaker 3: she went. Uh-oh. Why didn't the principal mention that to

975
00:55:50,160 --> 00:55:52,520
Speaker 3: Shiraki when they met the other night? That would be

976
00:55:52,540 --> 00:55:55,900
Speaker 3: a strange thing to leave out. Shinomura says the principal

977
00:55:55,960 --> 00:56:01,770
Speaker 3: likes secrets but hates rumors. Well, that's a problem. And

978
00:56:02,130 --> 00:56:05,810
Speaker 3: Shinomura then says it's normal for one or two students

979
00:56:05,890 --> 00:56:09,130
Speaker 3: to disappear every year, but he implies that this is

980
00:56:09,219 --> 00:56:13,540
Speaker 3: not like a case where foul play is suspected. It's

981
00:56:13,600 --> 00:56:17,799
Speaker 3: generally understood as students running away because they get bored,

982
00:56:17,880 --> 00:56:20,339
Speaker 3: because campus life is very quiet. There's not a lot

983
00:56:20,380 --> 00:56:23,850
Speaker 3: of excitement going on. So because of this boredom, every year,

984
00:56:23,950 --> 00:56:26,150
Speaker 3: one or two of the students, they flee.

985
00:56:26,830 --> 00:56:29,250
Speaker 2: Well, I mean, it seems like a lot to me

986
00:56:29,570 --> 00:56:31,990
Speaker 2: because it doesn't look like the school is that big.

987
00:56:32,090 --> 00:56:35,890
Speaker 2: So I would think either way you cut it, like

988
00:56:36,000 --> 00:56:39,650
Speaker 2: two student disappearances a year Like, not just like they

989
00:56:39,710 --> 00:56:42,500
Speaker 2: go back home or even like student deaths of one

990
00:56:42,540 --> 00:56:44,580
Speaker 2: sort or another, but just students straight.

991
00:56:44,380 --> 00:56:46,299
Speaker 3: Up vanishing, never to be seen again.

992
00:56:46,860 --> 00:56:48,879
Speaker 2: Not a great sign, but hey, maybe it's just that's

993
00:56:48,900 --> 00:56:51,540
Speaker 2: the quality of education you get at this school. It's

994
00:56:51,600 --> 00:56:53,700
Speaker 2: worth putting up with a few disappearances.

995
00:56:55,370 --> 00:57:00,890
Speaker 3: But again, well, yeah, okay. So Shinomura, after this, he

996
00:57:00,930 --> 00:57:04,230
Speaker 3: mentions that he has a personal interest in ancient legends

997
00:57:04,270 --> 00:57:08,790
Speaker 3: and folklore. Here's the Van Helsing aspect. And he says

998
00:57:08,870 --> 00:57:11,549
Speaker 3: that the old folks around town say that when people

999
00:57:11,610 --> 00:57:14,550
Speaker 3: disappear from the school, it's because, quote, the devil's having

1000
00:57:14,590 --> 00:57:19,890
Speaker 3: his fun. So Shinomura promises to tell Shiraki some cool

1001
00:57:19,950 --> 00:57:22,990
Speaker 3: stories he's heard about vampires next time they get together.

1002
00:57:23,010 --> 00:57:27,690
Speaker 3: And then there are more scenes with Kyoko, Yukiko, and Kumi.

1003
00:57:27,730 --> 00:57:31,230
Speaker 3: They discuss the disappearance of their friend from the dormitories,

1004
00:57:31,270 --> 00:57:35,230
Speaker 3: their friend Keiko. They say maybe Professor Yoshii kidnapped her.

1005
00:57:35,980 --> 00:57:40,660
Speaker 3: And Yukiko asserts that Professor Shiraki would protect her from Yoshii.

1006
00:57:41,440 --> 00:57:43,620
Speaker 3: And then they're frightened when they see a shadow at

1007
00:57:43,660 --> 00:57:46,260
Speaker 3: their dorm window. Who is that? They go to look,

1008
00:57:46,300 --> 00:57:48,570
Speaker 3: but the person has disappeared before they can see who

1009
00:57:48,610 --> 00:57:49,010
Speaker 3: it was.

1010
00:57:49,280 --> 00:57:51,740
Speaker 2: Oh, yeah. Then we get a great line here from Yukiko, right?

1011
00:57:52,050 --> 00:57:55,110
Speaker 2: Because she's not concerned about the peeping Tom. She's like,

1012
00:57:55,910 --> 00:57:57,650
Speaker 2: take it as a compliment. That just means you're pretty.

1013
00:57:58,430 --> 00:58:00,930
Speaker 3: Oh, yeah. She picked this up from Shiraki earlier. What

1014
00:58:00,970 --> 00:58:06,840
Speaker 3: a terrible meme to inject. Horrible idea. So then later

1015
00:58:06,900 --> 00:58:12,060
Speaker 3: that night, Shiraki investigates the empty room of Keiko. This

1016
00:58:12,100 --> 00:58:14,520
Speaker 3: is the student who disappeared and he finds her ID

1017
00:58:14,580 --> 00:58:19,070
Speaker 3: card and realizes that Keiko was the other woman he

1018
00:58:19,130 --> 00:58:21,670
Speaker 3: saw the night of his dream. She was the one

1019
00:58:21,730 --> 00:58:25,360
Speaker 3: standing at the window with the bite marks. He's disturbed

1020
00:58:25,440 --> 00:58:28,620
Speaker 3: by this, and he ends up meeting Kumi in the hallway,

1021
00:58:28,890 --> 00:58:32,750
Speaker 3: and they sit down in this lounge area and discuss

1022
00:58:32,790 --> 00:58:35,190
Speaker 3: these strange facts, like how could he have seen this

1023
00:58:35,230 --> 00:58:39,810
Speaker 3: girl in his dream? Meanwhile, Kyoko and Yukiko are in

1024
00:58:39,830 --> 00:58:42,180
Speaker 3: their room, and they begin to wonder where Kumi is.

1025
00:58:42,600 --> 00:58:45,740
Speaker 3: Kyoko goes out into the hall looking for her, and

1026
00:58:45,880 --> 00:58:50,180
Speaker 3: finds instead a single blooming white rose on the floor

1027
00:58:50,220 --> 00:58:53,900
Speaker 3: of the corridor. She accidentally nicks her ankle with one

1028
00:58:53,940 --> 00:58:56,260
Speaker 3: of the thorns on the rose stem when she picks

1029
00:58:56,340 --> 00:58:58,820
Speaker 3: it up. And we see blood run down from her

1030
00:58:58,890 --> 00:59:04,590
Speaker 3: leg onto her slipper. Now, Rob, question here, because the

1031
00:59:05,370 --> 00:59:09,300
Speaker 3: students who are attacked by the vampires later will die.

1032
00:59:10,020 --> 00:59:13,820
Speaker 3: be will go through transformations they will start to become

1033
00:59:13,900 --> 00:59:16,550
Speaker 3: these half vampire type creatures like we see in a

1034
00:59:16,590 --> 00:59:18,750
Speaker 3: lot of these stories like it's a progressive kind of

1035
00:59:18,790 --> 00:59:23,160
Speaker 3: disease um And I noticed that all the characters who

1036
00:59:23,200 --> 00:59:26,550
Speaker 3: go through this get pricked by the rose. So it

1037
00:59:26,590 --> 00:59:28,930
Speaker 3: made me wonder, wait, is it the bite or is

1038
00:59:29,010 --> 00:59:31,950
Speaker 3: it the rose actually that does this to them?

1039
00:59:32,670 --> 00:59:35,330
Speaker 2: Yeah, I guess I mostly interpreted the rose as being

1040
00:59:35,370 --> 00:59:41,140
Speaker 2: kind of a surreal visual element that's added here. I mean,

1041
00:59:41,160 --> 00:59:45,040
Speaker 2: we do see the rose pricking their skin.

1042
00:59:45,060 --> 00:59:45,140
Speaker 3: Yeah.

1043
00:59:47,440 --> 00:59:49,439
Speaker 2: And then later on, of course, we'll see the white

1044
00:59:49,520 --> 00:59:53,110
Speaker 2: rose bloom into a red rose when a character is

1045
00:59:53,160 --> 01:00:02,130
Speaker 2: not just ensorcelled by the vampire, but fully turned or consumed. So, yeah,

1046
01:00:02,150 --> 01:00:04,110
Speaker 2: it's hard to, but it's hard to figure out what,

1047
01:00:04,130 --> 01:00:07,210
Speaker 2: if we were to give a rational explanation for what's happening,

1048
01:00:07,310 --> 01:00:11,090
Speaker 2: it kind of defies rational explanation. Like, it's not a

1049
01:00:11,130 --> 01:00:14,490
Speaker 2: situation where you can say, oh, the vampires have both

1050
01:00:14,670 --> 01:00:17,880
Speaker 2: a crow familiar and also rose familiar. It's like, that

1051
01:00:17,910 --> 01:00:22,000
Speaker 2: doesn't make sense. But in a non-rational sense, in a

1052
01:00:22,040 --> 01:00:25,000
Speaker 2: dreamlike quality, it does work that way. I don't know.

1053
01:00:26,960 --> 01:00:29,510
Speaker 2: And I guess also maybe a vampire is like a

1054
01:00:29,570 --> 01:00:34,910
Speaker 2: cut rose, especially the white one. Pale, cut off from

1055
01:00:35,010 --> 01:00:39,450
Speaker 2: organic life, but kind of sustained in a lifelike death.

1056
01:00:40,270 --> 01:00:42,890
Speaker 2: but then one that must be sustained in some sort

1057
01:00:42,910 --> 01:00:44,350
Speaker 2: of artificial means. I don't know.

1058
01:00:45,240 --> 01:00:46,700
Speaker 3: Put in the face with the water.

1059
01:00:47,020 --> 01:00:50,460
Speaker 2: Yeah. So it's kind of like an out-of-control visual metaphor

1060
01:00:50,500 --> 01:00:55,160
Speaker 2: that breaks free and starts physically injuring characters in the film.

1061
01:00:56,040 --> 01:00:58,100
Speaker 3: Well, I mean, one reason I asked is that there's

1062
01:00:58,140 --> 01:01:01,480
Speaker 3: a later scene where we see Yukiko, she seems to

1063
01:01:01,600 --> 01:01:05,810
Speaker 3: start being influenced by the vampires even before she's bitten.

1064
01:01:05,890 --> 01:01:07,650
Speaker 3: The only thing that's happened to her is she's been

1065
01:01:07,710 --> 01:01:08,550
Speaker 3: nicked by the rose.

1066
01:01:08,570 --> 01:01:08,670
Speaker 1: Hmm.

1067
01:01:09,320 --> 01:01:11,760
Speaker 3: Yeah. So I don't know. Yeah.

1068
01:01:12,120 --> 01:01:13,640
Speaker 2: I've watched it twice and I don't have an answer.

1069
01:01:14,120 --> 01:01:16,740
Speaker 3: But anyway, yeah. So Yoko goes out, she cuts herself

1070
01:01:16,820 --> 01:01:20,250
Speaker 3: on the rose thorn and then eerie music begins to play. Oh,

1071
01:01:20,750 --> 01:01:23,150
Speaker 3: so she wanders down the hall into an empty room.

1072
01:01:23,330 --> 01:01:26,870
Speaker 3: The window is open. The breeze is blowing the curtains

1073
01:01:27,330 --> 01:01:30,930
Speaker 3: and suddenly she turns and the principal is behind her.

1074
01:01:31,610 --> 01:01:34,560
Speaker 3: So he has fangs out and he attacks. She's frozen

1075
01:01:34,620 --> 01:01:36,780
Speaker 3: in place and he bites her over the heart.

1076
01:01:37,380 --> 01:01:39,500
Speaker 2: Now, is this the first scene in the film where

1077
01:01:39,520 --> 01:01:42,520
Speaker 2: we get to see the principal in full vampire mode

1078
01:01:42,940 --> 01:01:46,300
Speaker 2: wearing a snazzy white scarf instead of a Dracula cape?

1079
01:01:46,950 --> 01:01:48,650
Speaker 3: I don't know if this is the first time, but

1080
01:01:48,670 --> 01:01:49,350
Speaker 3: it would make sense.

1081
01:01:49,410 --> 01:01:52,090
Speaker 2: Yeah, it's certainly a part of his style and it

1082
01:01:52,130 --> 01:01:56,669
Speaker 2: works very well. I love the idea of this Dracula-like

1083
01:01:56,730 --> 01:01:59,810
Speaker 2: character having his own distinct style. And it matches up

1084
01:01:59,870 --> 01:02:02,710
Speaker 2: to earlier he had the white turtleneck on. Now he

1085
01:02:02,730 --> 01:02:05,700
Speaker 2: has the white scarf. matches up with the white rose.

1086
01:02:06,080 --> 01:02:08,020
Speaker 2: I like the way the film's putting all these visual

1087
01:02:08,040 --> 01:02:08,740
Speaker 2: elements together.

1088
01:02:09,200 --> 01:02:12,020
Speaker 3: They do have a lot of garments that cover the neck. Yeah,

1089
01:02:12,040 --> 01:02:15,520
Speaker 3: the turtlenecks, the high collars, the scarves, even though, I

1090
01:02:15,540 --> 01:02:19,110
Speaker 3: don't know why these vampires, they wouldn't have, they're the vampires,

1091
01:02:19,150 --> 01:02:21,510
Speaker 3: so they wouldn't have the wounds on the neck. And also,

1092
01:02:21,550 --> 01:02:23,330
Speaker 3: they're not biting on the neck in this movie. They're

1093
01:02:23,350 --> 01:02:24,150
Speaker 3: biting on the chest.

1094
01:02:25,010 --> 01:02:26,810
Speaker 2: Well, maybe we'll come back to that question later when

1095
01:02:26,830 --> 01:02:27,730
Speaker 2: more things are revealed.

1096
01:02:28,350 --> 01:02:31,340
Speaker 3: Okay. Oh, wait a minute. Yes, I think I know

1097
01:02:31,360 --> 01:02:34,600
Speaker 3: what you're talking about. Okay, we'll save that for later. Anyway,

1098
01:02:34,960 --> 01:02:37,380
Speaker 3: Kumi finally comes back to her room later after the

1099
01:02:37,420 --> 01:02:40,930
Speaker 3: conversation with Shiraki, and she finds her two roommates in bed.

1100
01:02:41,050 --> 01:02:44,090
Speaker 3: Kyoko is already asleep. Apparently she came back to the

1101
01:02:44,130 --> 01:02:46,950
Speaker 3: room without saying anything and went straight to bed, and

1102
01:02:47,030 --> 01:02:50,890
Speaker 3: Kumi observes that this is weird because Kyoko normally stays

1103
01:02:50,970 --> 01:02:53,800
Speaker 3: up late. They also notice something new in the room.

1104
01:02:53,950 --> 01:02:56,320
Speaker 3: There is a white rose and a glass of water

1105
01:02:56,440 --> 01:03:01,690
Speaker 3: on the shelf above Kyoko's bed. Anyway, time for psychology class.

1106
01:03:01,730 --> 01:03:04,810
Speaker 3: So this is our first classroom scene with Professor Shiraki,

1107
01:03:05,190 --> 01:03:08,470
Speaker 3: and he is explaining the concept of a Rorschach test.

1108
01:03:08,630 --> 01:03:11,550
Speaker 3: So he is putting up slides on the blackboard in

1109
01:03:11,610 --> 01:03:15,190
Speaker 3: front of the room to demonstrate, you know, ink blots

1110
01:03:15,230 --> 01:03:17,370
Speaker 3: and asking the students to write down what they see.

1111
01:03:17,810 --> 01:03:20,290
Speaker 2: Now we get some more hot for teacher antics in

1112
01:03:20,330 --> 01:03:21,910
Speaker 2: this scene, right? Is it Yukiko again?

1113
01:03:22,840 --> 01:03:25,280
Speaker 3: Yeah, she stands up and they've got one of the

1114
01:03:25,380 --> 01:03:27,100
Speaker 3: ink blots up. She says, what if I said it

1115
01:03:27,180 --> 01:03:28,560
Speaker 3: revealed I was in love with you?

1116
01:03:30,080 --> 01:03:34,390
Speaker 2: Because he's teaching about the Rorschach test. So he's having

1117
01:03:34,410 --> 01:03:38,090
Speaker 2: them all take it. He's showing these different ink blots

1118
01:03:38,190 --> 01:03:42,650
Speaker 2: up on the overhead projector. And they're all writing down

1119
01:03:42,690 --> 01:03:45,250
Speaker 2: what they see. And it's a great sequence with these

1120
01:03:45,590 --> 01:03:50,730
Speaker 2: haunting blots resembling bats and blood and the, The students

1121
01:03:50,770 --> 01:03:55,070
Speaker 2: are writing down these sorts of answers. And then Kyoko

1122
01:03:55,190 --> 01:03:58,669
Speaker 2: is watching and we see this. She sees and we

1123
01:03:58,730 --> 01:04:01,910
Speaker 2: see this, too, as the viewer, a red stain spread

1124
01:04:01,950 --> 01:04:05,490
Speaker 2: across the screen. And then she she cries out and

1125
01:04:05,530 --> 01:04:07,430
Speaker 2: she faints right there on the classroom floor.

1126
01:04:07,930 --> 01:04:10,640
Speaker 3: When they're all writing down what they see, somebody I

1127
01:04:10,680 --> 01:04:13,860
Speaker 3: think it's Kyoko writes the devil. She sees the devil

1128
01:04:13,940 --> 01:04:17,710
Speaker 3: in the inkblots. But anyway, so she, did you mention,

1129
01:04:17,790 --> 01:04:21,290
Speaker 3: so she gets up and screams and faints. And then

1130
01:04:21,430 --> 01:04:24,510
Speaker 3: the next scene is a checkup with Dr. Shinomura. So

1131
01:04:24,550 --> 01:04:28,230
Speaker 3: Kyoko is unconscious in her bed. Shinomura says she probably

1132
01:04:28,270 --> 01:04:31,390
Speaker 3: just pushed herself too hard studying for exams. And then

1133
01:04:31,410 --> 01:04:34,850
Speaker 3: he notices something, or at least Shiraki notices the puncture

1134
01:04:34,890 --> 01:04:38,730
Speaker 3: wounds again on her chest. And so they say, well,

1135
01:04:38,750 --> 01:04:40,790
Speaker 3: Kyoko needs to recover in bed for a few days

1136
01:04:40,950 --> 01:04:43,510
Speaker 3: and it's about to be a school vacation. So everybody

1137
01:04:43,590 --> 01:04:46,060
Speaker 3: is going to go home or travel to somewhere. But

1138
01:04:46,140 --> 01:04:49,439
Speaker 3: Kumi and Yukiko offer to stay at school to take

1139
01:04:49,520 --> 01:04:52,600
Speaker 3: care of their roommate while she recovers. Very nice of them.

1140
01:04:53,500 --> 01:04:56,980
Speaker 3: So the next day, Shiraki goes to visit Shinomura at

1141
01:04:57,080 --> 01:05:00,540
Speaker 3: his office off campus in town and they talk about

1142
01:05:00,580 --> 01:05:04,430
Speaker 3: Kyoko's wound. They say, what could it mean? Shinomura says

1143
01:05:04,470 --> 01:05:08,360
Speaker 3: doctors often tend to wounds they don't understand. However, when, uh,

1144
01:05:08,390 --> 01:05:11,790
Speaker 3: Shiraki tells his friend about his experiences the first night

1145
01:05:11,850 --> 01:05:14,380
Speaker 3: in the principal's house, uh, and the connection to the

1146
01:05:14,420 --> 01:05:18,900
Speaker 3: missing student, things seem to change. And then Shinomura, uh,

1147
01:05:19,060 --> 01:05:22,120
Speaker 3: takes Shiraki out to a graveyard on a hilltop and

1148
01:05:22,220 --> 01:05:25,380
Speaker 3: fills him in on a local legend. So here we

1149
01:05:25,400 --> 01:05:27,970
Speaker 3: get the, the backstory scene. Yeah.

1150
01:05:28,030 --> 01:05:30,150
Speaker 2: And I, I loved this. Again, we get the, these

1151
01:05:30,190 --> 01:05:33,850
Speaker 2: beautiful haunting shots of this, uh, It's supposed to be

1152
01:05:33,870 --> 01:05:38,450
Speaker 2: a northern Japan countryside. And it takes him out to

1153
01:05:38,510 --> 01:05:41,430
Speaker 2: where we have this old busted casket, like some sort of,

1154
01:05:41,430 --> 01:05:44,020
Speaker 2: like some sort of, the remains of like some sort

1155
01:05:44,040 --> 01:05:47,600
Speaker 2: of iron casket or something, partially buried in the earth.

1156
01:05:48,260 --> 01:05:50,040
Speaker 2: And this is where we get the telling of the

1157
01:05:50,120 --> 01:05:55,380
Speaker 2: vampire's origin story. And I loved all of this because

1158
01:05:55,510 --> 01:06:01,110
Speaker 2: we have a vision of vampirism here where we have

1159
01:06:01,310 --> 01:06:05,680
Speaker 2: Western vampirism that is described as kind of an invasive

1160
01:06:05,740 --> 01:06:10,439
Speaker 2: infection brought on by a Christian outsider. And it's fitting

1161
01:06:10,480 --> 01:06:13,990
Speaker 2: because remember in Dracula, in Bram Stoker's Dracula, the vampire

1162
01:06:14,330 --> 01:06:17,050
Speaker 2: is inherently a foreigner. That's part of it. He is

1163
01:06:17,110 --> 01:06:21,670
Speaker 2: a foreigner who has arrived in England. And so here

1164
01:06:21,690 --> 01:06:23,870
Speaker 2: we get a kind of interesting twist on all of that.

1165
01:06:24,640 --> 01:06:27,640
Speaker 2: And then we get this idea too of vampirism as

1166
01:06:27,700 --> 01:06:31,900
Speaker 2: a curse for blasphemy, even blasphemy under torture. which I

1167
01:06:31,920 --> 01:06:34,860
Speaker 2: thought was a pretty dark and riveting origin story here.

1168
01:06:35,440 --> 01:06:38,300
Speaker 3: Yeah. Similar to the kind of thing we get in

1169
01:06:38,320 --> 01:06:41,600
Speaker 3: that backstory of Coppola's Dracula, which we talked about recently

1170
01:06:41,640 --> 01:06:45,340
Speaker 3: on the show, that also has a blasphemy, brings the

1171
01:06:45,580 --> 01:06:49,760
Speaker 3: curse of the devil upon Dracula, and he becomes a vampire.

1172
01:06:49,780 --> 01:06:54,590
Speaker 3: I actually transcribed this backstory. Should we just read it here? Okay,

1173
01:06:54,670 --> 01:06:57,930
Speaker 3: so the way Shinomura tells it is, it was about

1174
01:06:57,930 --> 01:07:00,990
Speaker 3: 200 years ago. A foreign ship was wrecked and a

1175
01:07:01,030 --> 01:07:05,330
Speaker 3: white man swam to shore. His name and nationality were unknown.

1176
01:07:05,650 --> 01:07:08,950
Speaker 3: All we know was that he was a Christian. Christianity

1177
01:07:09,180 --> 01:07:12,990
Speaker 3: was banned and he was badly tortured. He betrayed his

1178
01:07:13,070 --> 01:07:16,900
Speaker 3: faith and spat on the cross. Then he became a demon.

1179
01:07:17,300 --> 01:07:20,600
Speaker 3: He sucked human blood. According to the legend, the white

1180
01:07:20,640 --> 01:07:24,100
Speaker 3: man lost his God, then lost his mind. He went

1181
01:07:24,220 --> 01:07:27,660
Speaker 3: into the wilderness to flee from his persecutors. And here

1182
01:07:27,700 --> 01:07:29,760
Speaker 3: we see these shots of him wandering out in this

1183
01:07:29,900 --> 01:07:33,420
Speaker 3: desert just over these sand dunes and this totally dry,

1184
01:07:33,480 --> 01:07:34,500
Speaker 3: parched landscape.

1185
01:07:34,600 --> 01:07:37,400
Speaker 2: Yeah, and I looked this guy up. We have a

1186
01:07:37,600 --> 01:07:40,920
Speaker 2: Caucasian actor playing the role here. I don't think he

1187
01:07:40,940 --> 01:07:44,540
Speaker 2: was in anything else. But we're to presume this might

1188
01:07:44,600 --> 01:07:49,580
Speaker 2: be a Portuguese seaman or an English clergy member. We're

1189
01:07:49,600 --> 01:07:53,419
Speaker 2: not entirely sure, and neither is anyone that's telling the story.

1190
01:07:54,080 --> 01:07:57,560
Speaker 3: I mean, I guess it could be Dracula. Oh, no.

1191
01:07:57,580 --> 01:07:58,540
Speaker 3: Could be the Count. No.

1192
01:07:59,840 --> 01:08:01,420
Speaker 2: Because he's not a vampire yet. He's just a dude.

1193
01:08:01,440 --> 01:08:03,780
Speaker 3: He's not a vampire yet. That's true. He becomes a

1194
01:08:03,820 --> 01:08:08,350
Speaker 3: vampire later. That's true. Yeah. So the Dracula theory doesn't work. Anyway,

1195
01:08:08,690 --> 01:08:11,390
Speaker 3: so it says, yeah, he went into the wilderness. Quote,

1196
01:08:11,450 --> 01:08:16,330
Speaker 3: he suffered from hunger, thirst, and despair. He wandered seeking salvation,

1197
01:08:16,430 --> 01:08:20,679
Speaker 3: but nowhere could he find peace. Nowhere. In order to survive,

1198
01:08:20,729 --> 01:08:24,750
Speaker 3: he had to suck his own blood. The legend says

1199
01:08:24,830 --> 01:08:28,470
Speaker 3: his first victim was a 15-year-old girl. He held the

1200
01:08:28,530 --> 01:08:31,910
Speaker 3: dead girl tightly in his arms and wept. Then, by

1201
01:08:31,950 --> 01:08:35,530
Speaker 3: the immortal hand of the devil, she was revived. As

1202
01:08:35,590 --> 01:08:38,849
Speaker 3: soon as the villagers realized, they killed them both. They

1203
01:08:38,930 --> 01:08:42,450
Speaker 3: locked their bodies in a huge stout coffin. They buried

1204
01:08:42,490 --> 01:08:45,540
Speaker 3: it here. And then he shows him right here at

1205
01:08:45,600 --> 01:08:48,100
Speaker 3: this grave and brings him to a place where the

1206
01:08:48,140 --> 01:08:50,889
Speaker 3: ground has been dug up. And there is an old

1207
01:08:50,970 --> 01:08:54,460
Speaker 3: coffin on the earth right in front of them. And

1208
01:08:54,520 --> 01:08:58,110
Speaker 3: Shiraki opens it and there's nothing inside. It's empty. Not

1209
01:08:58,130 --> 01:09:02,250
Speaker 3: a single bone. Shinomura says, according to the villagers, this

1210
01:09:02,330 --> 01:09:06,180
Speaker 3: proves they came back to life. And then after this,

1211
01:09:06,380 --> 01:09:09,700
Speaker 3: Shiraki and Shinomura go out to dinner and they go

1212
01:09:09,729 --> 01:09:12,910
Speaker 3: out for dinner and sake to further strategize. And I

1213
01:09:12,950 --> 01:09:15,310
Speaker 3: really like the scene at the restaurant. It's so cozy.

1214
01:09:15,330 --> 01:09:17,150
Speaker 3: It makes me want to like take down a vampire

1215
01:09:17,170 --> 01:09:17,729
Speaker 3: with a friend.

1216
01:09:17,750 --> 01:09:21,750
Speaker 2: Yeah, it is. Yeah, it feels very authentic. And it's

1217
01:09:21,790 --> 01:09:24,769
Speaker 2: well acted, too, because they're clearly hitting the sake a

1218
01:09:24,790 --> 01:09:28,310
Speaker 2: bit hard because they are finding themselves in a very

1219
01:09:28,370 --> 01:09:32,920
Speaker 2: unusual and terrifying circumstance here. But at one point, there's like, OK,

1220
01:09:32,939 --> 01:09:35,800
Speaker 2: slow down. Let's not drink anymore. Let's get serious about this.

1221
01:09:35,900 --> 01:09:36,780
Speaker 2: We've got to act.

1222
01:09:37,720 --> 01:09:42,479
Speaker 3: So they decide that the vampires previously targeted Keiko, and

1223
01:09:42,590 --> 01:09:47,210
Speaker 3: now they're attacking Kyoko, and that these two professors are

1224
01:09:47,250 --> 01:09:49,730
Speaker 3: going to have to intervene to save the students. So

1225
01:09:50,229 --> 01:09:53,229
Speaker 3: there is some discussion here of what it meant that

1226
01:09:53,330 --> 01:09:56,950
Speaker 3: Shiraki was told he would be the next principal. Shinomura

1227
01:09:57,010 --> 01:09:59,610
Speaker 3: remembers something. He says there was another teacher who was

1228
01:09:59,670 --> 01:10:02,260
Speaker 3: told he'd be the next principal. Now he's in a

1229
01:10:02,320 --> 01:10:04,559
Speaker 3: mental hospital on the other side of the mountains.

1230
01:10:05,280 --> 01:10:06,260
Speaker 2: Oh, not a good sign.

1231
01:10:06,880 --> 01:10:10,800
Speaker 3: Yeah. So they set up an ambush for vampires. Shiraki

1232
01:10:10,860 --> 01:10:13,580
Speaker 3: and Shinemura collect a bunch of gear and they plan

1233
01:10:13,600 --> 01:10:16,309
Speaker 3: to keep watch in the dormitory all night to make

1234
01:10:16,350 --> 01:10:19,950
Speaker 3: sure nothing happens to Kumi, Yukiko and Kyoko, who again

1235
01:10:19,990 --> 01:10:22,510
Speaker 3: are the three that are remaining behind at the school

1236
01:10:22,530 --> 01:10:26,479
Speaker 3: while everybody else has gone home. Shinomura brings a clue.

1237
01:10:27,000 --> 01:10:29,960
Speaker 3: So they're sitting around having tea, talking, and he brings

1238
01:10:30,020 --> 01:10:33,320
Speaker 3: out the diary of the previous professor who went mad,

1239
01:10:33,920 --> 01:10:35,929
Speaker 3: the one who was going to be the new principal.

1240
01:10:36,570 --> 01:10:39,770
Speaker 3: And the last entry reads, it is certain the principal

1241
01:10:39,850 --> 01:10:43,530
Speaker 3: and his wife had changed since they got married. They

1242
01:10:43,630 --> 01:10:46,889
Speaker 3: stopped going out during the day. The same thing happened

1243
01:10:46,930 --> 01:10:50,020
Speaker 3: to the former principal, too. So then we get this

1244
01:10:50,100 --> 01:10:53,130
Speaker 3: explanation about how there were actually three principles in a

1245
01:10:53,170 --> 01:10:56,250
Speaker 3: row who all changed like this. And so that's a lot.

1246
01:10:56,290 --> 01:10:59,710
Speaker 3: They've been through a lot of principles. But anyway, the

1247
01:10:59,810 --> 01:11:02,849
Speaker 3: entry reads, if the devil is to exist in the world,

1248
01:11:03,030 --> 01:11:06,340
Speaker 3: it cannot look like a devil. It must be in disguise.

1249
01:11:06,760 --> 01:11:10,340
Speaker 3: It must live in the disguise of an ordinary human being.

1250
01:11:12,280 --> 01:11:14,880
Speaker 3: So anyway, I guess I'll narrate the following bit of

1251
01:11:14,900 --> 01:11:17,340
Speaker 3: the movie more lightly. Later that night, there is a

1252
01:11:17,360 --> 01:11:20,680
Speaker 3: vampire attack on the dorm. Kumi is out of the

1253
01:11:20,740 --> 01:11:25,660
Speaker 3: room making dinner. And then suddenly Kyoko begins to act strangely.

1254
01:11:25,760 --> 01:11:28,550
Speaker 3: She says to Yukiko, he is calling you and grabs

1255
01:11:28,590 --> 01:11:32,710
Speaker 3: her wrist. And then the principal appears and attacks Yukiko.

1256
01:11:33,150 --> 01:11:37,790
Speaker 3: And the men come running, Shinemura and Shiraki come running.

1257
01:11:38,150 --> 01:11:40,610
Speaker 3: And the principal jumps out the window when he is caught.

1258
01:11:41,150 --> 01:11:44,189
Speaker 3: So Shinomura and the night watchman, who's there with them,

1259
01:11:44,310 --> 01:11:47,570
Speaker 3: run out into the woods chasing the principal. Shiraki and

1260
01:11:47,640 --> 01:11:51,040
Speaker 3: Kumi stay behind to take care of Yukiko. And Kyoko

1261
01:11:51,100 --> 01:11:54,080
Speaker 3: tries to stab Shiraki with a pair of scissors and

1262
01:11:54,120 --> 01:11:56,920
Speaker 3: then throws herself from the top of the stairwell and

1263
01:11:57,040 --> 01:11:58,660
Speaker 3: dies when she hits the bottom.

1264
01:11:58,820 --> 01:12:01,180
Speaker 2: Now, an important plot point at this point is that

1265
01:12:01,500 --> 01:12:04,670
Speaker 2: they saw the vampire principal jump out the window only

1266
01:12:04,729 --> 01:12:07,330
Speaker 2: from behind. There'll be much talk of this later when

1267
01:12:07,350 --> 01:12:08,360
Speaker 2: the detective shows up.

1268
01:12:09,090 --> 01:12:14,710
Speaker 3: Yes. So, meanwhile, Yukiko disappears out the window. And then

1269
01:12:14,770 --> 01:12:19,010
Speaker 3: later in the woods, Shinomura spies Yukiko and the principal together.

1270
01:12:19,590 --> 01:12:22,610
Speaker 3: He takes a picture with his camera as the principal

1271
01:12:22,729 --> 01:12:27,720
Speaker 3: embraces Yukiko to suck her blood. But then Shinomura is caught.

1272
01:12:27,820 --> 01:12:30,860
Speaker 3: The principal sees him and pins him against a tree

1273
01:12:30,960 --> 01:12:33,000
Speaker 3: and strangles him. So, no.

1274
01:12:33,920 --> 01:12:36,700
Speaker 2: Yeah, I was saddened to see this character go. He

1275
01:12:36,740 --> 01:12:37,340
Speaker 2: was so much fun.

1276
01:12:47,460 --> 01:12:50,839
Speaker 3: So police arrive on the scene. Shiraki tries to explain

1277
01:12:50,880 --> 01:12:54,700
Speaker 3: what happened, but the detective does not accept, not only

1278
01:12:54,740 --> 01:12:57,689
Speaker 3: does not accept what Shiraki is saying, he doesn't even

1279
01:12:57,729 --> 01:13:00,309
Speaker 3: accept this is a murder case. He's saying from the

1280
01:13:00,370 --> 01:13:03,270
Speaker 3: evidence available, it looks like an accidental death. You're saying

1281
01:13:03,330 --> 01:13:05,950
Speaker 3: she threw herself from the top of the stairs, but

1282
01:13:05,990 --> 01:13:10,469
Speaker 3: it was the principal's fault. Yeah, it's hard to explain

1283
01:13:10,490 --> 01:13:15,450
Speaker 3: this like vampire hypnotism. So then Shiraki accuses the principal

1284
01:13:15,770 --> 01:13:18,750
Speaker 3: of being in the student's room and jumping out the window.

1285
01:13:18,810 --> 01:13:21,750
Speaker 3: But again, says he saw him from behind. So they

1286
01:13:21,950 --> 01:13:25,410
Speaker 3: the police go to interview the principal at his mansion. Principal,

1287
01:13:25,430 --> 01:13:28,940
Speaker 3: of course, denies everything. And he has an alibi. Why,

1288
01:13:29,100 --> 01:13:33,080
Speaker 3: Professor Yoshi was here with me all night. We've been

1289
01:13:33,120 --> 01:13:35,479
Speaker 3: here together. So I couldn't have gone out and done

1290
01:13:35,540 --> 01:13:39,260
Speaker 3: any of that. Oh, and then Yoshi says, uh, says

1291
01:13:39,300 --> 01:13:42,280
Speaker 3: to the detective, in fact, I know someone who looks

1292
01:13:42,380 --> 01:13:47,250
Speaker 3: like the principal from behind implying Shiraki himself and the

1293
01:13:47,570 --> 01:13:50,470
Speaker 3: cops all have a good laugh at this. Like, oh yeah,

1294
01:13:50,490 --> 01:13:51,270
Speaker 3: maybe it was you.

1295
01:13:51,370 --> 01:13:54,650
Speaker 2: There's a great, uh, sense that the detective and, and, uh,

1296
01:13:54,729 --> 01:13:57,210
Speaker 2: and his fellow policemen here are really not going to

1297
01:13:57,250 --> 01:13:59,809
Speaker 2: shake any rock the boat at all. Like they're just

1298
01:13:59,850 --> 01:14:03,490
Speaker 2: here to sort of as a formality. And they're just like, oh, yeah,

1299
01:14:03,510 --> 01:14:06,850
Speaker 2: this kind of thing happens, and we're just going to

1300
01:14:07,210 --> 01:14:08,330
Speaker 2: ride it up and move on.

1301
01:14:09,470 --> 01:14:13,160
Speaker 3: There's a later scene where Yoshii goes downstairs, and he

1302
01:14:13,320 --> 01:14:16,560
Speaker 3: gets the body of the principal's wife out of her coffin,

1303
01:14:16,640 --> 01:14:18,640
Speaker 3: and he's doing something to it. Is he trying to

1304
01:14:18,760 --> 01:14:21,549
Speaker 3: drink blood from the vampire's body?

1305
01:14:21,560 --> 01:14:22,030
Speaker 2: Mm-hmm.

1306
01:14:22,890 --> 01:14:25,370
Speaker 3: She wakes up and embraces him, but I couldn't tell

1307
01:14:25,430 --> 01:14:26,770
Speaker 3: exactly what was happening here.

1308
01:14:27,170 --> 01:14:29,870
Speaker 2: Well, we're beginning to understand, and then it's more properly

1309
01:14:29,950 --> 01:14:32,230
Speaker 2: revealed in a bit, that I think Yoshi is not

1310
01:14:32,270 --> 01:14:35,800
Speaker 2: a full-blown vampire, but maybe like a vampire spawn. So

1311
01:14:36,340 --> 01:14:39,180
Speaker 2: maybe there is some sort of a feeding of Yoshi

1312
01:14:39,240 --> 01:14:43,390
Speaker 2: that has to take place. But yeah, he's the ultimate

1313
01:14:43,729 --> 01:14:44,770
Speaker 2: vampire toady here.

1314
01:14:46,140 --> 01:14:49,000
Speaker 3: But we're closing in on the, the climax of the film.

1315
01:14:49,060 --> 01:14:51,439
Speaker 3: So there is a dark room scene, kind of a

1316
01:14:51,510 --> 01:14:55,010
Speaker 3: research scene where Shiraki and Kumi together develop the role

1317
01:14:55,050 --> 01:14:58,890
Speaker 3: of film from Dr. Shinomura's camera. And they find a

1318
01:14:58,970 --> 01:15:02,290
Speaker 3: photo of Yukiko with her arms outstretched in the air.

1319
01:15:02,750 --> 01:15:05,170
Speaker 3: And then by kind of posing themselves, they figure out

1320
01:15:05,189 --> 01:15:09,320
Speaker 3: what's happening. They say she's embracing someone who is invisible. Yeah.

1321
01:15:09,340 --> 01:15:12,820
Speaker 2: Cannot be captured on film as sometimes how the, like

1322
01:15:12,939 --> 01:15:16,510
Speaker 2: no reflection in the mirror thing is, uh, is utilized

1323
01:15:16,570 --> 01:15:17,169
Speaker 2: in films.

1324
01:15:16,970 --> 01:15:20,950
Speaker 3: Like this right unfortunately that does not provide good evidence

1325
01:15:21,030 --> 01:15:24,450
Speaker 3: that the police can use against the principal um so

1326
01:15:24,770 --> 01:15:28,300
Speaker 3: uh now kumi has to keep watch over yukiko who

1327
01:15:28,380 --> 01:15:31,280
Speaker 3: is unwell and in bed while shiraki drives over the

1328
01:15:31,320 --> 01:15:34,140
Speaker 3: mountains to the mental hospital to meet the other man

1329
01:15:34,220 --> 01:15:38,050
Speaker 3: who is slated to become the principal and they meet

1330
01:15:38,120 --> 01:15:41,590
Speaker 3: shiraki prods him but the man does not speak eventually

1331
01:15:41,610 --> 01:15:46,530
Speaker 3: the man turns his head and reveals a long gash

1332
01:15:46,670 --> 01:15:49,510
Speaker 3: in his, like a scar under his jawbone. It looks

1333
01:15:49,530 --> 01:15:52,030
Speaker 3: like someone tried to cut his throat or cut under

1334
01:15:52,090 --> 01:15:55,990
Speaker 3: his jaw. What could that be? And then back at

1335
01:15:56,030 --> 01:15:59,660
Speaker 3: the dorms, Yukiko is called away by the vampire, so

1336
01:15:59,700 --> 01:16:03,280
Speaker 3: she wanders off. Kumi tries to stop her, but Kumi

1337
01:16:03,340 --> 01:16:06,600
Speaker 3: is prevented by Professor Yoshii, who obstructs her path and

1338
01:16:06,640 --> 01:16:09,360
Speaker 3: then quotes Baudelaire at her until she faints on the floor,

1339
01:16:09,380 --> 01:16:14,230
Speaker 3: you know. So finally, we see Yukiko going to the

1340
01:16:14,260 --> 01:16:19,920
Speaker 3: vampire's crypt, where not only does the principal's wife drink

1341
01:16:20,220 --> 01:16:25,080
Speaker 3: her blood, she places Yukiko's body on a table and

1342
01:16:25,120 --> 01:16:29,280
Speaker 3: then begins to cut into the flesh under her jaw.

1343
01:16:29,400 --> 01:16:31,780
Speaker 3: What's this that's happening? Here's a big twist.

1344
01:16:31,820 --> 01:16:34,099
Speaker 2: Yeah, yeah. I was not prepared for this at all.

1345
01:16:34,120 --> 01:16:37,970
Speaker 2: She's cutting in the same place as that mysterious scar

1346
01:16:38,170 --> 01:16:42,139
Speaker 2: on the gentleman in the asylum. Uh, and so what we,

1347
01:16:42,380 --> 01:16:45,519
Speaker 2: we quickly watch as she, and fairly in a mix

1348
01:16:45,590 --> 01:16:49,870
Speaker 2: of like graphic bloody detail and implied shadow play, we

1349
01:16:49,970 --> 01:16:53,689
Speaker 2: see her cut the face off of the girl and

1350
01:16:53,729 --> 01:16:57,290
Speaker 2: then pull this face up over her own face and

1351
01:16:57,310 --> 01:17:00,269
Speaker 2: begin to kind of like meld it into place, like

1352
01:17:00,490 --> 01:17:03,770
Speaker 2: on top of, or into her own, her own face,

1353
01:17:04,250 --> 01:17:08,840
Speaker 2: assuming the girl's likeness. And we can tell already ultimately

1354
01:17:08,910 --> 01:17:13,769
Speaker 2: her identity. Presumably, this is how this pair of vampires

1355
01:17:14,250 --> 01:17:17,790
Speaker 2: have been surviving all of this time. They keep claiming

1356
01:17:17,830 --> 01:17:22,910
Speaker 2: new victims, stealing new faces, and maintaining a position of

1357
01:17:22,970 --> 01:17:26,400
Speaker 2: authority within the school where they just happen to continually

1358
01:17:26,439 --> 01:17:30,059
Speaker 2: get all of this fresh meat each and every semester.

1359
01:17:30,800 --> 01:17:33,680
Speaker 3: So whenever there's a new principal, it's actually just the

1360
01:17:33,720 --> 01:17:36,439
Speaker 3: same vampire who has taken someone else's face.

1361
01:17:36,520 --> 01:17:37,230
Speaker 2: Right, right.

1362
01:17:37,270 --> 01:17:39,650
Speaker 3: You can see why they wanted Shiraki because he's so handsome.

1363
01:17:39,689 --> 01:17:42,230
Speaker 2: Yeah, and I guess they kind of like use, they

1364
01:17:42,310 --> 01:17:44,450
Speaker 2: use identities up after a little bit and they need

1365
01:17:44,470 --> 01:17:47,790
Speaker 2: something fresh. And also it helps to partially cover for

1366
01:17:47,810 --> 01:17:50,980
Speaker 2: the murders because I guess they figured out we can, what,

1367
01:17:51,020 --> 01:17:53,680
Speaker 2: we can kill one student per semester, I guess.

1368
01:17:54,540 --> 01:18:00,030
Speaker 3: Yeah, they're being, they're rationing it. Yeah. So the vampire

1369
01:18:00,490 --> 01:18:04,150
Speaker 3: now wearing Yukiko's face appears to Kumi in the dormitory.

1370
01:18:05,010 --> 01:18:07,850
Speaker 3: But Kumi, because she is virtuous and true, she knows

1371
01:18:07,930 --> 01:18:10,860
Speaker 3: it is not really Yukiko. You know, virtue sees through

1372
01:18:10,900 --> 01:18:13,620
Speaker 3: the illusion. There's a lot of that in movies like this.

1373
01:18:14,380 --> 01:18:16,479
Speaker 3: And so the vampire says, fine, I guess I can't

1374
01:18:16,540 --> 01:18:18,500
Speaker 3: fool you, you know, but I'm going to be the

1375
01:18:18,540 --> 01:18:20,900
Speaker 3: new principal's wife and the new principal is going to

1376
01:18:20,920 --> 01:18:24,350
Speaker 3: be Principal Shiraki. So I think she's trying to make

1377
01:18:24,650 --> 01:18:29,100
Speaker 3: Kumi jealous because she knows Kumi likes Shiraki. So the

1378
01:18:29,240 --> 01:18:32,760
Speaker 3: vampire woman steals Yukiko's face. The principal is going to

1379
01:18:32,780 --> 01:18:35,559
Speaker 3: steal Shiraki's face. And then they're going to pose as

1380
01:18:35,600 --> 01:18:38,810
Speaker 3: a married couple and live in the school principal's mansion

1381
01:18:39,210 --> 01:18:40,549
Speaker 3: and just keep trading faces.

1382
01:18:41,390 --> 01:18:43,710
Speaker 2: I like it. I think it's rather clever because it's,

1383
01:18:43,890 --> 01:18:46,229
Speaker 2: you know, this is this idea that like these two

1384
01:18:46,290 --> 01:18:50,700
Speaker 2: vampires were, you know, they faced a two. a terrible

1385
01:18:50,800 --> 01:18:54,540
Speaker 2: fate initially because they were found out. And so once

1386
01:18:54,560 --> 01:18:56,700
Speaker 2: they escape from that iron casket, you know, they have

1387
01:18:56,740 --> 01:18:59,460
Speaker 2: to live in secret. They have to feed in secret.

1388
01:18:59,500 --> 01:19:02,140
Speaker 2: And they found themselves a very clever scheme that they

1389
01:19:02,160 --> 01:19:05,780
Speaker 2: can they hope to maintain for some number of years

1390
01:19:05,840 --> 01:19:07,470
Speaker 2: before they have to move on to some other kind

1391
01:19:07,510 --> 01:19:10,610
Speaker 2: of cover. And yeah, I thought this was rather clever.

1392
01:19:10,650 --> 01:19:13,670
Speaker 3: I liked it. So when Shiraki finally gets back to

1393
01:19:13,710 --> 01:19:17,219
Speaker 3: the dorm, the vampire with Yukiko's face tries to fool him.

1394
01:19:18,120 --> 01:19:20,240
Speaker 3: She says she has something she needs to show him

1395
01:19:20,300 --> 01:19:22,519
Speaker 3: and leads him to the edge of a spooky lake

1396
01:19:22,680 --> 01:19:26,260
Speaker 3: covered in mist. And then she asks him to marry her.

1397
01:19:26,280 --> 01:19:29,340
Speaker 3: He doesn't go for it. He reveals what he knows.

1398
01:19:29,400 --> 01:19:32,940
Speaker 3: He says, you're not Yukiko. You're the principal's wife. And

1399
01:19:33,020 --> 01:19:35,460
Speaker 3: she laughs at him. She says, you sound like a fantasy.

1400
01:19:35,540 --> 01:19:40,019
Speaker 3: Nobody would believe you. But she reveals Dr. Shinomura is

1401
01:19:40,070 --> 01:19:42,519
Speaker 3: here at the bottom of the lake, like so many others.

1402
01:19:42,580 --> 01:19:44,760
Speaker 3: When people mess with us, they die. We put them

1403
01:19:44,780 --> 01:19:47,519
Speaker 3: in the lake. And she says, we have Kumi also.

1404
01:19:47,600 --> 01:19:50,719
Speaker 3: She's at the house. So you're toast.

1405
01:19:50,860 --> 01:19:53,840
Speaker 2: This reminds me, I think there's some distinct bits of

1406
01:19:53,880 --> 01:19:57,260
Speaker 2: Japanese folklore about bodies at the bottom of a lake

1407
01:19:57,340 --> 01:19:58,380
Speaker 2: that they're drawing on here.

1408
01:19:59,060 --> 01:20:02,220
Speaker 3: After this, we have a fight between Shiraki and Yoshii.

1409
01:20:02,260 --> 01:20:06,360
Speaker 3: Yoshii shows up and they punch up and wrestle around

1410
01:20:06,420 --> 01:20:09,269
Speaker 3: on the banks here. The fight ends when Shiraki throws

1411
01:20:09,330 --> 01:20:12,470
Speaker 3: Yoshii into the water. It seems he has no defense

1412
01:20:12,530 --> 01:20:15,090
Speaker 3: against water. He just sort of freezes and then sinks

1413
01:20:15,189 --> 01:20:18,150
Speaker 3: into the deep. That's a kind of creepy image. Yeah, yeah.

1414
01:20:18,250 --> 01:20:21,929
Speaker 2: And it does play on some beliefs about vampires. Often

1415
01:20:21,950 --> 01:20:24,410
Speaker 2: at times it's running water, but I think other times

1416
01:20:24,430 --> 01:20:25,870
Speaker 2: just water in general may do the trick.

1417
01:20:26,630 --> 01:20:31,170
Speaker 3: Even stagnant water will get this one. But anyway, we're

1418
01:20:31,189 --> 01:20:33,259
Speaker 3: up to the climax now. Shiraki has to take the

1419
01:20:33,310 --> 01:20:37,270
Speaker 3: fight to the principal's house. So we come there, and

1420
01:20:37,290 --> 01:20:39,680
Speaker 3: there's going to be a final confrontation and battle.

1421
01:20:40,110 --> 01:20:43,820
Speaker 2: Yeah, and this is pretty great. It's pretty action-packed. We

1422
01:20:43,860 --> 01:20:47,439
Speaker 2: have the sort of hammer house of horror setting. But

1423
01:20:47,520 --> 01:20:52,560
Speaker 2: the action is pretty intense. It covers multiple floors of

1424
01:20:52,840 --> 01:20:57,900
Speaker 2: the house, I believe. And we're going to have Shiraki

1425
01:20:57,960 --> 01:21:02,150
Speaker 2: battling the principal. And then also Kumi's battling the female

1426
01:21:02,210 --> 01:21:03,849
Speaker 2: vamp as well. So we have like kind of two

1427
01:21:03,870 --> 01:21:06,110
Speaker 2: different battles going on that are eventually going to converge

1428
01:21:06,150 --> 01:21:12,340
Speaker 2: into the one battle. And yeah, just full of attempted stakings,

1429
01:21:12,840 --> 01:21:16,620
Speaker 2: axe throwing, furniture busting. It's really good.

1430
01:21:17,610 --> 01:21:20,830
Speaker 3: There are weapons that appear that have not been Chekhov'd

1431
01:21:20,890 --> 01:21:24,140
Speaker 3: at all. Like at some point. Shiraki ends up with

1432
01:21:24,180 --> 01:21:26,840
Speaker 3: an ax that we've never seen before in the movie.

1433
01:21:26,860 --> 01:21:28,660
Speaker 3: He just picks it up and he throws it at

1434
01:21:28,700 --> 01:21:31,860
Speaker 3: the principal and hits him in the heart. And we think, oh,

1435
01:21:31,920 --> 01:21:34,799
Speaker 3: we got him. And you see the principal's wife upstairs.

1436
01:21:34,840 --> 01:21:39,390
Speaker 3: She's attacking Kumi and suddenly she seizes up and they collapse. Like, okay,

1437
01:21:39,750 --> 01:21:42,090
Speaker 3: it's going to be all right now. But then they recover.

1438
01:21:42,410 --> 01:21:45,950
Speaker 3: It's like that wasn't enough. And finally, Shiraki has to

1439
01:21:46,030 --> 01:21:48,689
Speaker 3: kill the principal with a fire poker, which he hammers

1440
01:21:48,790 --> 01:21:51,390
Speaker 3: into the principal's chest with a stool. Yeah.

1441
01:21:52,200 --> 01:21:54,880
Speaker 2: And then the final moments with the two vampires is

1442
01:21:55,140 --> 01:21:59,920
Speaker 2: I think it's horrifying, but also fittingly sad. And because,

1443
01:22:00,040 --> 01:22:03,830
Speaker 2: you know, they're they're slowly reduced to like these elder forms,

1444
01:22:03,990 --> 01:22:09,129
Speaker 2: especially the principal. Suddenly he's white haired and white flaky skin.

1445
01:22:09,790 --> 01:22:12,990
Speaker 2: And and he's reaching out not to try and hurt

1446
01:22:13,010 --> 01:22:17,300
Speaker 2: our protagonist, but to to touch the hand of this

1447
01:22:17,500 --> 01:22:20,420
Speaker 2: female vampire that he's he's been with all this time.

1448
01:22:21,200 --> 01:22:25,290
Speaker 2: And it implies a rather complex relationship between these two vampires,

1449
01:22:25,310 --> 01:22:29,330
Speaker 2: you know, born out of blasphemy and curse, out of predation, shame,

1450
01:22:29,350 --> 01:22:33,350
Speaker 2: and then mutual imprisonment. And again, here they are, presumably

1451
01:22:33,410 --> 01:22:37,979
Speaker 2: like the only two of their kind, truly, in this country,

1452
01:22:38,860 --> 01:22:40,760
Speaker 2: you know, that were locked in a casket together for

1453
01:22:40,820 --> 01:22:43,099
Speaker 2: so long and now have, you know, had to live

1454
01:22:43,140 --> 01:22:47,179
Speaker 2: in secret in this strange new world that they emerged into. Yeah.

1455
01:22:47,640 --> 01:22:50,820
Speaker 3: And then we see them decay rapidly, of course. So

1456
01:22:50,840 --> 01:22:53,660
Speaker 3: we go through, we get the dry oatmeal face, and

1457
01:22:53,700 --> 01:22:56,680
Speaker 3: then that turns into melting face. And we see their

1458
01:22:56,720 --> 01:22:59,900
Speaker 3: flesh liquefy and melt off, and finally just bones are

1459
01:22:59,939 --> 01:23:01,969
Speaker 3: left with a big fire poker sticking out of one

1460
01:23:01,979 --> 01:23:02,450
Speaker 3: of them. Yeah.

1461
01:23:02,610 --> 01:23:05,030
Speaker 2: They're turned to bones and ash on the floor. And

1462
01:23:05,070 --> 01:23:09,429
Speaker 2: then Shiraki and Kumi embrace. I guess teacher and student

1463
01:23:09,450 --> 01:23:11,350
Speaker 2: will now become married. I don't know.

1464
01:23:11,979 --> 01:23:15,439
Speaker 3: He doesn't say that. There's a lot of talk of

1465
01:23:15,479 --> 01:23:16,240
Speaker 3: that in the film.

1466
01:23:16,280 --> 01:23:19,390
Speaker 2: Yeah, I don't know how we're supposed to assume what

1467
01:23:19,430 --> 01:23:21,809
Speaker 2: this ending means for these two characters, but they've been

1468
01:23:21,830 --> 01:23:25,590
Speaker 2: through a lot. Certainly an experience like this could bring

1469
01:23:25,630 --> 01:23:27,430
Speaker 2: you closer together. I just, I don't know what the

1470
01:23:27,450 --> 01:23:30,410
Speaker 2: school's policies are in this sort of thing. There's probably

1471
01:23:30,450 --> 01:23:35,840
Speaker 2: a clause, like in case of encountering vampires, werewolves, or Frankensteins,

1472
01:23:36,740 --> 01:23:40,800
Speaker 2: you know, we'll give a pass. Student-teacher romances, I don't know.

1473
01:23:41,770 --> 01:23:43,510
Speaker 3: Is he still going to become the next principal?

1474
01:23:43,530 --> 01:23:47,050
Speaker 2: I don't know if he got that in writing. It's

1475
01:23:47,090 --> 01:23:49,590
Speaker 2: going to be a hard one to convince, right? To

1476
01:23:49,630 --> 01:23:54,490
Speaker 2: convince people on. So I'm not sure. I'm thinking maybe not.

1477
01:23:54,550 --> 01:23:57,450
Speaker 2: He might decide he really wants a different school for

1478
01:23:57,490 --> 01:23:58,690
Speaker 2: his next posting after all.

1479
01:23:59,390 --> 01:24:00,070
Speaker 3: Yeah.

1480
01:24:00,260 --> 01:24:01,910
Speaker 2: Though there are a number of openings. They also need

1481
01:24:01,939 --> 01:24:03,280
Speaker 2: a new French literature professor.

1482
01:24:03,920 --> 01:24:04,800
Speaker 3: Oh, that's true. Yeah.

1483
01:24:06,000 --> 01:24:09,519
Speaker 2: So yeah, that is Evil of Dracula. Again, just a

1484
01:24:09,800 --> 01:24:13,530
Speaker 2: rollicking good time. I loved it. The only, it just

1485
01:24:13,570 --> 01:24:16,050
Speaker 2: makes me, I mean, I'm happy that I still have

1486
01:24:16,550 --> 01:24:19,570
Speaker 2: two full Bloodthirsty Trilogy films to watch at some point,

1487
01:24:19,870 --> 01:24:22,050
Speaker 2: but I'm also kind of saddened because I kind of

1488
01:24:22,070 --> 01:24:24,990
Speaker 2: want there to be like a full Jayhammer universe in

1489
01:24:25,030 --> 01:24:28,220
Speaker 2: which we also get a Frankenstein film with this kind

1490
01:24:28,240 --> 01:24:31,180
Speaker 2: of flavor, a werewolf film with this kind of flavor

1491
01:24:31,240 --> 01:24:32,340
Speaker 2: and everything else as well.

1492
01:24:33,320 --> 01:24:34,080
Speaker 3: That would be great.

1493
01:24:34,220 --> 01:24:36,830
Speaker 2: Yeah. in the same way, you know, that we kind of,

1494
01:24:36,850 --> 01:24:38,670
Speaker 2: that we have like the whole sort of Nashy verse,

1495
01:24:38,890 --> 01:24:40,870
Speaker 2: you know, I really wanted it. I kind of wanted

1496
01:24:40,930 --> 01:24:43,070
Speaker 2: that here as well, but Hey, three films is still

1497
01:24:43,090 --> 01:24:44,750
Speaker 2: a blessing. So I'm happy that we got them.

1498
01:24:45,270 --> 01:24:48,330
Speaker 3: Okay. Well, do we have anything else on the horror,

1499
01:24:48,470 --> 01:24:51,250
Speaker 3: not horror of Dracula, evil of Dracula, horror of Dracula

1500
01:24:51,350 --> 01:24:52,750
Speaker 3: is a hammer. Yeah. Yeah.

1501
01:24:53,530 --> 01:24:55,730
Speaker 2: Uh, no, I think that does it. Uh, but again,

1502
01:24:55,760 --> 01:24:57,019
Speaker 2: this was a lot of fun. I'd love to hear

1503
01:24:57,070 --> 01:24:59,140
Speaker 2: anyone out there from anyone out there who has thoughts

1504
01:24:59,220 --> 01:25:02,540
Speaker 2: on this film, um, other films in the bloodthirsty trilogy, uh,

1505
01:25:02,810 --> 01:25:06,530
Speaker 2: or just other takes on the Hammer formula, if you will.

1506
01:25:07,150 --> 01:25:09,200
Speaker 2: Write in, love to hear from you. If anyone ever

1507
01:25:09,260 --> 01:25:12,460
Speaker 2: went to that Toho Theater in Hawaii, I definitely want

1508
01:25:12,500 --> 01:25:13,260
Speaker 2: to hear about that.

1509
01:25:13,280 --> 01:25:14,259
Speaker 3: Please.

1510
01:25:14,640 --> 01:25:17,160
Speaker 2: Yeah, and always feel free to write in with your

1511
01:25:17,240 --> 01:25:20,879
Speaker 2: recommendations for the future or comments on current and past

1512
01:25:21,000 --> 01:25:24,439
Speaker 2: episodes of Weird House Cinema, which publishes every Friday in

1513
01:25:24,460 --> 01:25:26,740
Speaker 2: the Stuff to Blow Your Mind podcast feed. We're normally

1514
01:25:26,780 --> 01:25:29,320
Speaker 2: a science and culture podcast, but on Fridays we said

1515
01:25:29,400 --> 01:25:31,410
Speaker 2: most of that aside and we just focused in on

1516
01:25:31,450 --> 01:25:34,120
Speaker 2: a weird movie. during the month of October. These are

1517
01:25:34,140 --> 01:25:36,740
Speaker 2: all going to be horror movies, of course. So stick

1518
01:25:36,780 --> 01:25:39,100
Speaker 2: with us. We've still got a couple of selections to

1519
01:25:39,140 --> 01:25:41,970
Speaker 2: go this month. And yeah, who knows? Sometimes we carry

1520
01:25:41,979 --> 01:25:43,660
Speaker 2: it over into the first week of November as well.

1521
01:25:43,700 --> 01:25:44,630
Speaker 2: We'll see how we feel.

1522
01:25:46,250 --> 01:25:49,970
Speaker 3: Huge thanks, as always, to our excellent audio producer, J.J. Posway.

1523
01:25:50,250 --> 01:25:51,570
Speaker 3: If you would like to get in touch with us

1524
01:25:51,610 --> 01:25:54,070
Speaker 3: with feedback on this episode or any other, to suggest

1525
01:25:54,150 --> 01:25:56,110
Speaker 3: a topic for the future, or just to say hello,

1526
01:25:56,170 --> 01:25:59,210
Speaker 3: you can email us at contact at stufftoblowyourmind.com.

1527
01:26:06,640 --> 01:26:09,080
Speaker 1: Stuff to Blow Your Mind is a production of iHeartRadio.

1528
01:26:09,439 --> 01:26:12,790
Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app. Apple

1529
01:26:12,810 --> 01:26:15,150
Speaker 1: Podcasts are wherever you listen to your favorite shows.