1 00:00:06,180 --> 00:00:08,920 Speaker 1: Hey, welcome to Stuff to Blow Your Mind. My name 2 00:00:08,980 --> 00:00:11,100 Speaker 1: is Robert Lamb. It's Saturday, so we have a vault 3 00:00:11,140 --> 00:00:13,100 Speaker 1: episode for you. This is going to be an episode 4 00:00:13,140 --> 00:00:16,160 Speaker 1: from last year's Star Trek week, as we're about to 5 00:00:16,200 --> 00:00:19,579 Speaker 1: venture into an all-new Star Trek week. This is our episode, 6 00:00:19,620 --> 00:00:23,880 Speaker 1: The Salt Vampires of Star Trek. This one originally published 9-9-2025, 7 00:00:23,900 --> 00:00:28,360 Speaker 1: and we're going to discuss The Salt Vampires of M-1. 8 00:00:30,500 --> 00:00:33,940 Speaker 1: from Star Trek, the original series. Let's dive right in. 9 00:00:37,600 --> 00:00:47,900 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. Hey, 10 00:00:47,940 --> 00:00:50,260 Speaker 1: welcome to Stuff to Blow Your Mind. My name is 11 00:00:50,300 --> 00:00:50,900 Speaker 1: Robert Lamb. 12 00:00:51,200 --> 00:00:52,600 Speaker 2: And my name is Joe McCormick. 13 00:00:53,050 --> 00:00:55,750 Speaker 1: Welcome to Star Trek Week right here on Stuff to 14 00:00:55,790 --> 00:01:00,750 Speaker 1: Blow Your Mind. Yesterday was Star Trek Day. So-called because 15 00:01:00,850 --> 00:01:04,280 Speaker 1: Star Trek, the original series, debuted on September 8th, way 16 00:01:04,310 --> 00:01:09,080 Speaker 1: back in 1966. And the episode in question was The 17 00:01:09,120 --> 00:01:12,819 Speaker 1: Man Trap, which sounds maybe like it's going to be 18 00:01:12,860 --> 00:01:16,760 Speaker 1: some sort of a dating-based episode, but it's not. It 19 00:01:16,860 --> 00:01:21,720 Speaker 1: is really more of a horror-flavored creature feature episode. 20 00:01:22,340 --> 00:01:24,620 Speaker 2: I thought it would be about a trap, like a 21 00:01:24,840 --> 00:01:27,360 Speaker 2: literal trap. It really doesn't. Is there a trap in it? 22 00:01:27,410 --> 00:01:28,170 Speaker 2: I don't recall one. 23 00:01:28,800 --> 00:01:32,850 Speaker 1: I think the title goes back to earlier stages of 24 00:01:32,870 --> 00:01:36,250 Speaker 1: the script, I understand, where the basic idea is that 25 00:01:36,270 --> 00:01:38,270 Speaker 1: there would be some sort of an alien creature that 26 00:01:38,310 --> 00:01:43,410 Speaker 1: was using various illusion-based deceptions that were essentially a series 27 00:01:43,450 --> 00:01:43,950 Speaker 1: of traps. 28 00:01:44,410 --> 00:01:46,610 Speaker 2: But this is actually the episode that we're going to 29 00:01:46,650 --> 00:01:49,780 Speaker 2: be talking about on the podcast today. Now, I got 30 00:01:49,800 --> 00:01:52,900 Speaker 2: to go full disclosure for all of Star Trek Week. 31 00:01:53,490 --> 00:01:56,270 Speaker 2: I think, Rob, you're more of a Trekkie than I am. 32 00:01:56,810 --> 00:01:59,450 Speaker 2: I'm not like anti-Star Trek. I've always liked Star Trek. 33 00:01:59,470 --> 00:02:02,610 Speaker 2: I just, for whatever reason, never got deep into it 34 00:02:02,850 --> 00:02:04,590 Speaker 2: like a lot of people do. I think you have 35 00:02:04,630 --> 00:02:07,010 Speaker 2: maybe watched like a lot of The Next Generation at 36 00:02:07,050 --> 00:02:08,090 Speaker 2: least or something. 37 00:02:08,330 --> 00:02:11,370 Speaker 1: Yeah, I was definitely a Next Generation kid. I would 38 00:02:11,410 --> 00:02:14,290 Speaker 1: watch it every night on cable at like 9 p.m. 39 00:02:14,850 --> 00:02:16,970 Speaker 1: before I went to sleep. So I watched tons of 40 00:02:17,030 --> 00:02:20,680 Speaker 1: Next Generation, quite a lot of Deep Space Nine, and 41 00:02:20,900 --> 00:02:26,179 Speaker 1: then various films. But in terms of watching the original series, 42 00:02:26,200 --> 00:02:29,200 Speaker 1: it's just really only one or two episodes, three or 43 00:02:29,240 --> 00:02:32,640 Speaker 1: four episodes tops that I had ever seen that just 44 00:02:32,680 --> 00:02:34,340 Speaker 1: wasn't part of my Star Trek diet. 45 00:02:34,780 --> 00:02:36,960 Speaker 2: Yeah, I've seen a lot less than you. I've seen 46 00:02:37,040 --> 00:02:40,250 Speaker 2: like four or five episodes of the original series. I 47 00:02:40,290 --> 00:02:44,630 Speaker 2: watched all of the first season of The Next Generation, 48 00:02:44,690 --> 00:02:47,210 Speaker 2: which I'm to understand is not necessarily the cream of 49 00:02:47,230 --> 00:02:51,490 Speaker 2: the crop. And then I've seen most of the, at 50 00:02:51,530 --> 00:02:55,150 Speaker 2: least the original series cast movies. So I guess throughout 51 00:02:55,270 --> 00:02:57,510 Speaker 2: this week in our Star Trek episodes, you're going to 52 00:02:57,530 --> 00:02:59,900 Speaker 2: have to fill me in more where my Star Trek 53 00:02:59,940 --> 00:03:03,799 Speaker 2: knowledge has gaps. But anyway, I had the idea to 54 00:03:03,880 --> 00:03:06,540 Speaker 2: do this episode because I was reading about various Star 55 00:03:06,580 --> 00:03:10,260 Speaker 2: Trek creatures and I came across the idea of a 56 00:03:10,660 --> 00:03:15,940 Speaker 2: salt vampire. the creature that appears in the very first 57 00:03:16,020 --> 00:03:19,030 Speaker 2: episode of the show that ever aired, right? Because this one, 58 00:03:19,040 --> 00:03:22,970 Speaker 2: the man trap went on air before the pilot, right? 59 00:03:23,470 --> 00:03:26,669 Speaker 1: Right, right. The pilot episode, The Cage, wouldn't air until 60 00:03:26,710 --> 00:03:31,169 Speaker 1: I believe 1988 after receiving a VHS release in 86. 61 00:03:31,169 --> 00:03:34,890 Speaker 1: So this was indeed the public's first taste of Star Trek. Now, 62 00:03:34,950 --> 00:03:38,070 Speaker 1: narratively speaking, there's no particular reason this episode comes first. 63 00:03:38,090 --> 00:03:39,570 Speaker 1: This is not one of those episodes where it's like, 64 00:03:39,930 --> 00:03:43,250 Speaker 1: how did Spock meet Kirk or anything like that? Rather, 65 00:03:43,370 --> 00:03:46,050 Speaker 1: I'm to understand it was largely the network's call. They're like, OK, 66 00:03:46,070 --> 00:03:48,950 Speaker 1: here's one that feels a little scary. It's a little dark. 67 00:03:49,930 --> 00:03:51,190 Speaker 1: This is going to be the one we're going to 68 00:03:51,250 --> 00:03:53,790 Speaker 1: launch with. And it seems like it was the right 69 00:03:54,230 --> 00:03:57,850 Speaker 1: choice because it struck a chord with viewers and also 70 00:03:58,390 --> 00:04:01,110 Speaker 1: the press seemed to like it. So it must have 71 00:04:01,130 --> 00:04:01,810 Speaker 1: been the right choice. 72 00:04:02,270 --> 00:04:05,190 Speaker 2: There are some things about this episode that feel very 73 00:04:05,290 --> 00:04:08,330 Speaker 2: first episode, though. One example, if you know what I'm 74 00:04:08,370 --> 00:04:11,600 Speaker 2: talking about, is that We would later get this dynamic 75 00:04:11,920 --> 00:04:16,320 Speaker 2: throughout the original series where Spock there are constantly references 76 00:04:16,380 --> 00:04:19,900 Speaker 2: to Spock being unemotional. And there are sort of jokes 77 00:04:19,980 --> 00:04:22,640 Speaker 2: about this where, you know, he's kind of puzzled by 78 00:04:22,760 --> 00:04:27,330 Speaker 2: other characters having an illogical emotional reaction to something in 79 00:04:27,550 --> 00:04:30,010 Speaker 2: the man trap. It actually goes a bit beyond that. 80 00:04:30,910 --> 00:04:34,150 Speaker 2: And there are moments where he seems confused by what 81 00:04:34,290 --> 00:04:37,730 Speaker 2: emotions are. It's like he's not even sure what you're 82 00:04:37,750 --> 00:04:39,980 Speaker 2: talking about when you explain having an emotion. 83 00:04:40,000 --> 00:04:45,940 Speaker 1: Yeah, that's true. In a way, compared to other episodes 84 00:04:45,980 --> 00:04:50,440 Speaker 1: or movies that I've seen, it seemed maybe Spock's relationship 85 00:04:50,460 --> 00:04:53,400 Speaker 1: to emotions was less developed at this point. Yeah. 86 00:04:54,000 --> 00:04:56,750 Speaker 2: That's why it feels distinctly early to me. There are 87 00:04:56,790 --> 00:04:59,590 Speaker 2: some elements that feel like they're still being worked out. 88 00:05:00,140 --> 00:05:03,089 Speaker 1: Yeah. It's also interesting how, at least in my viewing, 89 00:05:03,670 --> 00:05:06,930 Speaker 1: it really didn't feel like Kirk was a centerpiece to 90 00:05:06,950 --> 00:05:09,870 Speaker 1: the episode at all. I mean, insofar as he's the captain, 91 00:05:09,930 --> 00:05:14,230 Speaker 1: he's the centerpiece, but it really wasn't a Kirk-centric episode. 92 00:05:14,630 --> 00:05:17,670 Speaker 2: It's very ensemble, I'd say. You get time with a 93 00:05:17,690 --> 00:05:21,489 Speaker 2: lot of the characters. You get time with Kirk, especially 94 00:05:21,670 --> 00:05:25,390 Speaker 2: McCoy is kind of almost the centerpiece of it. But 95 00:05:25,470 --> 00:05:29,950 Speaker 2: also with Uhura, with Sulu, with Spock, and with some 96 00:05:29,990 --> 00:05:32,290 Speaker 2: other characters we never meet again. Or at least I 97 00:05:32,310 --> 00:05:33,969 Speaker 2: don't remember from other episodes. 98 00:05:34,430 --> 00:05:37,799 Speaker 1: So this episode was directed by Mark Daniels, who directed 99 00:05:37,800 --> 00:05:40,500 Speaker 1: 15 episodes of the original Star Trek, I believe. And 100 00:05:40,520 --> 00:05:43,660 Speaker 1: it was written by George Clayton Johnson, who had previously 101 00:05:43,700 --> 00:05:48,020 Speaker 1: penned seven episodes of the original Twilight Zone. And also 102 00:05:48,870 --> 00:05:51,609 Speaker 1: he wrote the story that served as the basis for 103 00:05:51,670 --> 00:05:54,930 Speaker 1: 1960s Ocean's Eleven. And then, of course, various remakes of that. 104 00:05:55,690 --> 00:05:58,110 Speaker 1: And he'd go on to co-author the novel that served 105 00:05:58,170 --> 00:06:02,469 Speaker 1: as the basis for 1976's Logan's Run. So the Twilight 106 00:06:02,490 --> 00:06:05,969 Speaker 1: Zone connection especially is often stressed in discussions of this 107 00:06:06,050 --> 00:06:07,750 Speaker 1: episode's darker take on things. 108 00:06:08,370 --> 00:06:12,360 Speaker 2: I might understand that there are some similarities in the 109 00:06:12,450 --> 00:06:15,280 Speaker 2: story of this episode to a Twilight Zone episode that 110 00:06:15,300 --> 00:06:15,700 Speaker 2: he wrote. 111 00:06:16,380 --> 00:06:19,000 Speaker 1: Yes, I believe you're right. There's an episode that he 112 00:06:19,060 --> 00:06:22,140 Speaker 1: penned for the Twilight Zone, season one, episode 13, the 113 00:06:22,220 --> 00:06:24,700 Speaker 1: four of us are dying. That has to do with, 114 00:06:25,360 --> 00:06:27,310 Speaker 1: this is one that I may have seen, but I 115 00:06:27,320 --> 00:06:30,390 Speaker 1: don't remember it really strongly, but it has a con 116 00:06:30,430 --> 00:06:33,570 Speaker 1: man that I believe has a shape-shifting ability. And so 117 00:06:33,589 --> 00:06:36,630 Speaker 1: you can see threads of that in the form this 118 00:06:36,730 --> 00:06:37,810 Speaker 1: episode ends up taking. 119 00:06:38,210 --> 00:06:41,540 Speaker 2: Right. Because that's a major theme. It's like the, Main 120 00:06:41,680 --> 00:06:44,940 Speaker 2: other thing about the alien in this episode, it is 121 00:06:44,980 --> 00:06:47,640 Speaker 2: a salt vampire, but also it is a shapeshifter. 122 00:06:48,000 --> 00:06:50,420 Speaker 1: Yeah. Now, we mentioned that this one has a has 123 00:06:50,520 --> 00:06:52,860 Speaker 1: a darker tone, maybe compared to some of the other 124 00:06:52,960 --> 00:06:57,180 Speaker 1: original series of Star Trek episodes. And it is notable because, 125 00:06:57,200 --> 00:07:00,370 Speaker 1: I mean, there's plenty of darkness in the Star Trek universe. 126 00:07:00,910 --> 00:07:02,590 Speaker 1: And certainly if you start making a list of things 127 00:07:02,630 --> 00:07:04,630 Speaker 1: that are dark about it, you can make a pretty 128 00:07:04,670 --> 00:07:07,640 Speaker 1: exhaustive list. But as we've come to know it over 129 00:07:07,680 --> 00:07:11,520 Speaker 1: the decades, it's the franchise's light that often captivates us 130 00:07:11,560 --> 00:07:14,780 Speaker 1: the most, right? It's that sense of optimism, even in 131 00:07:14,820 --> 00:07:19,980 Speaker 1: divided or troubled times, be it 1966 or 2025. Because 132 00:07:20,020 --> 00:07:24,290 Speaker 1: Star Trek depicts a post-scarcity world in which the entire 133 00:07:24,330 --> 00:07:28,130 Speaker 1: planet Earth benefits from a united government and serves as 134 00:07:28,170 --> 00:07:31,610 Speaker 1: a key member of a largely benevolent United Federation of Planets. 135 00:07:32,330 --> 00:07:36,230 Speaker 1: And while we encounter plenty of philosophical conundrums and ethical dilemmas, 136 00:07:36,730 --> 00:07:40,230 Speaker 1: there's always this intense striving to do right by everyone. 137 00:07:40,550 --> 00:07:44,310 Speaker 2: You know, this weekend, I also, in addition to watching 138 00:07:44,360 --> 00:07:47,140 Speaker 2: this episode for the first time, I also watched the 139 00:07:47,240 --> 00:07:51,460 Speaker 2: first episode with the appearance of Ricardo Montalban as Khan. 140 00:07:52,320 --> 00:07:56,160 Speaker 2: He plays a spoiler alert for this old episode. He 141 00:07:56,200 --> 00:08:02,000 Speaker 2: plays a ruthless dictator reawakened from the 20th century, reawakened 142 00:08:02,040 --> 00:08:05,340 Speaker 2: far in the future. And he's sort of describing his 143 00:08:05,440 --> 00:08:08,160 Speaker 2: ideals to the crew of the Enterprise. And one thing 144 00:08:08,200 --> 00:08:11,200 Speaker 2: they tell him is basically, you're not going to like 145 00:08:11,300 --> 00:08:15,270 Speaker 2: the world you've just been awakened into. And there's a 146 00:08:15,940 --> 00:08:17,580 Speaker 2: nice bit of humor in there. It's kind of like 147 00:08:18,070 --> 00:08:21,930 Speaker 2: we've improved many things that make the world less amenable 148 00:08:22,010 --> 00:08:24,430 Speaker 2: to the ruthless dictators among us. Yeah. 149 00:08:25,890 --> 00:08:28,100 Speaker 1: That's a good point. And we'll come back to that 150 00:08:28,140 --> 00:08:30,360 Speaker 1: episode later on in the week. Now, how much of 151 00:08:30,380 --> 00:08:34,220 Speaker 1: that optimism is present in this episode? I would argue 152 00:08:34,460 --> 00:08:37,359 Speaker 1: quite a bit because on one hand, yes, it's an 153 00:08:37,420 --> 00:08:40,590 Speaker 1: alien threat episode. And the way they ultimately deal with 154 00:08:40,620 --> 00:08:42,870 Speaker 1: that alien threat is going to be on par with 155 00:08:42,890 --> 00:08:46,829 Speaker 1: the way alien threats are treated in most fiction. Despite 156 00:08:46,870 --> 00:08:50,830 Speaker 1: all of that, they apply logic and they apply compassion 157 00:08:51,230 --> 00:08:54,650 Speaker 1: in what I would argue would be the uniquely Star 158 00:08:54,670 --> 00:08:55,110 Speaker 1: Trek way. 159 00:08:55,440 --> 00:08:58,350 Speaker 2: Yeah, I would agree with that. And especially to zero 160 00:08:58,429 --> 00:09:01,890 Speaker 2: in on what you say about the deployment of logic 161 00:09:02,210 --> 00:09:05,109 Speaker 2: in the execution of the plot. That's a thing I 162 00:09:05,170 --> 00:09:06,849 Speaker 2: like in a lot of the Star Trek that I 163 00:09:06,890 --> 00:09:10,690 Speaker 2: have seen. Not just logic in the sense of being 164 00:09:10,730 --> 00:09:16,860 Speaker 2: the opposite of being the thing that Spock possesses, not 165 00:09:17,320 --> 00:09:21,360 Speaker 2: thinking emotionally, but also logic as a process, like seeing 166 00:09:21,400 --> 00:09:25,339 Speaker 2: the characters methodically work through steps in how to solve 167 00:09:25,400 --> 00:09:28,920 Speaker 2: a problem something that's often not depicted in you know 168 00:09:28,960 --> 00:09:31,040 Speaker 2: a lot of genre fiction where it's all action a 169 00:09:31,520 --> 00:09:35,000 Speaker 2: lot of my favorite stuff i've seen in star trek 170 00:09:35,070 --> 00:09:38,630 Speaker 2: art scenes of characters like sitting around a table discussing 171 00:09:38,730 --> 00:09:41,670 Speaker 2: what they're going to do to solve a problem. 172 00:09:41,530 --> 00:09:43,670 Speaker 1: Yeah and then as we see in this episode too 173 00:09:43,690 --> 00:09:48,609 Speaker 1: discussing the ramifications of all that. So, yeah, it's the 174 00:09:48,630 --> 00:09:51,620 Speaker 1: kind of stuff that makes an episode like this more memorable, 175 00:09:51,980 --> 00:09:54,520 Speaker 1: even after the dust is settled from the action itself. 176 00:09:55,160 --> 00:09:58,710 Speaker 1: All right, well, I'm going to provide a quick summary 177 00:09:58,830 --> 00:10:02,179 Speaker 1: of this episode. So, you know, fair warning, if you 178 00:10:02,220 --> 00:10:03,980 Speaker 1: haven't seen The Man Trap and you would like to 179 00:10:04,020 --> 00:10:06,340 Speaker 1: watch The Man Trap before we proceed with this episode 180 00:10:06,360 --> 00:10:08,770 Speaker 1: and then get into some of the science, because ultimately 181 00:10:08,809 --> 00:10:10,870 Speaker 1: that's where we're headed with this. We're going to talk 182 00:10:10,910 --> 00:10:15,470 Speaker 1: about how we might interpret some of the plot elements 183 00:10:15,530 --> 00:10:18,510 Speaker 1: and the creature through the lens of natural world science. 184 00:10:19,030 --> 00:10:21,900 Speaker 1: But Spoiler warning, if you want to dip out now, 185 00:10:21,960 --> 00:10:24,179 Speaker 1: watch the episode and come back, go ahead and do that. 186 00:10:24,520 --> 00:10:27,020 Speaker 1: All right, so this is not an episode I'd ever 187 00:10:27,070 --> 00:10:30,480 Speaker 1: watched before. And in my opinion, it's a pretty fun one. 188 00:10:31,250 --> 00:10:34,150 Speaker 1: The episode, having been digitally remastered like the rest of 189 00:10:34,190 --> 00:10:36,590 Speaker 1: the original series, I believe, looks great. And we have 190 00:10:36,630 --> 00:10:41,679 Speaker 1: some very vibrant colors as we orbit the mysterious planet M113, 191 00:10:42,360 --> 00:10:45,720 Speaker 1: as we venture into the gel-lit caverns on its surface. 192 00:10:46,450 --> 00:10:48,490 Speaker 1: And even aboard the Enterprise, we get to venture into 193 00:10:48,530 --> 00:10:51,210 Speaker 1: the botany department where we have a bunch of really 194 00:10:51,309 --> 00:10:53,929 Speaker 1: vibrantly colored plants on display. 195 00:10:54,200 --> 00:10:57,719 Speaker 2: That was one of my favorite moments. Sulu has a 196 00:10:57,760 --> 00:11:01,520 Speaker 2: screaming pet plant in this episode that's really good. That 197 00:11:01,580 --> 00:11:04,700 Speaker 2: kind of works like the dogs in Terminator. Like the 198 00:11:04,720 --> 00:11:07,540 Speaker 2: plant begins to scream when something is not right with 199 00:11:07,600 --> 00:11:08,600 Speaker 2: one of the people in the room. 200 00:11:09,230 --> 00:11:11,270 Speaker 1: But you're right, we do get some nice George Takei 201 00:11:11,309 --> 00:11:14,290 Speaker 1: scenes here with his Sulu. We also get, as we 202 00:11:14,309 --> 00:11:18,080 Speaker 1: mentioned already, some nice scenes with Nichelle Nichols' Uhura. And 203 00:11:18,120 --> 00:11:21,320 Speaker 1: then some nice Spock scenes with Leonard Nimoy. And then 204 00:11:21,640 --> 00:11:26,080 Speaker 1: DeForest Kelly's Dr. McCoy is arguably the centerpiece of the episode. 205 00:11:26,600 --> 00:11:29,730 Speaker 1: And as far as Shatner's Captain Kirk is concerned, it's 206 00:11:29,780 --> 00:11:31,809 Speaker 1: easy to look for all the cliches in any given 207 00:11:31,850 --> 00:11:35,850 Speaker 1: Kirk role, any Kirk performance, you know. But I don't know, 208 00:11:35,870 --> 00:11:37,650 Speaker 1: I feel like he was perfectly fine here, if not 209 00:11:37,670 --> 00:11:41,560 Speaker 1: a little bit in the background. Though I did find 210 00:11:41,600 --> 00:11:44,640 Speaker 1: it amusing that the whole episode and therefore all of 211 00:11:44,679 --> 00:11:47,230 Speaker 1: Star Trek kicks off with him being kind of a 212 00:11:47,290 --> 00:11:50,950 Speaker 1: real jerk to McCoy. They're going on this mission, as 213 00:11:51,210 --> 00:11:53,130 Speaker 1: we're going to discuss. He's essentially going to visit an 214 00:11:53,250 --> 00:11:56,229 Speaker 1: ex and he's a little nervous about it. And so 215 00:11:56,370 --> 00:11:59,150 Speaker 1: he says, shall we pick some flowers, doctor? When a 216 00:11:59,190 --> 00:12:02,120 Speaker 1: man visits an old girlfriend, she usually expects something like that. 217 00:12:02,559 --> 00:12:03,920 Speaker 1: And I don't know, it just felt off like, oh 218 00:12:03,940 --> 00:12:07,320 Speaker 1: my God, that seems like a little cruel, Kirk. By 219 00:12:07,360 --> 00:12:08,760 Speaker 1: the end of the episode, I feel like maybe they've 220 00:12:08,800 --> 00:12:11,720 Speaker 1: grounded a little more in their rapport. But right off 221 00:12:11,740 --> 00:12:13,860 Speaker 1: the bat here, it felt a little mean. 222 00:12:14,480 --> 00:12:16,520 Speaker 2: If I have a critique, one thing I'll say about 223 00:12:16,570 --> 00:12:18,630 Speaker 2: the writing in this episode is that I think it's 224 00:12:18,730 --> 00:12:23,630 Speaker 2: pretty good, decent to good when it's on plot. And 225 00:12:23,670 --> 00:12:27,030 Speaker 2: when the characters are just chit-chatting, that's not some of 226 00:12:27,070 --> 00:12:30,770 Speaker 2: the best stuff. Yeah. And this is an example here. 227 00:12:31,260 --> 00:12:34,260 Speaker 2: But yeah, one thing I sometimes notice when I go 228 00:12:34,300 --> 00:12:39,270 Speaker 2: back and watch these original series episodes is that, especially 229 00:12:39,309 --> 00:12:43,010 Speaker 2: because I came to the original series cast backwards. I 230 00:12:43,130 --> 00:12:47,170 Speaker 2: saw the original series cast movies before I really ever 231 00:12:47,210 --> 00:12:48,790 Speaker 2: watched any of the show. And as I said, I 232 00:12:48,809 --> 00:12:51,110 Speaker 2: still haven't seen that much of the show. But I'm 233 00:12:51,190 --> 00:12:57,010 Speaker 2: often struck by how... How much more hot blooded and 234 00:12:57,150 --> 00:13:01,130 Speaker 2: emotional Kirk is in the movies than he is in 235 00:13:01,170 --> 00:13:03,100 Speaker 2: the show? Usually in the show, it seems to me 236 00:13:03,140 --> 00:13:06,140 Speaker 2: like he's closer to the Spock end of the spectrum. 237 00:13:06,179 --> 00:13:11,000 Speaker 2: He's kind of cool and logical and methodical and occasionally 238 00:13:11,040 --> 00:13:14,179 Speaker 2: a bit, you know, acerbic or something. But he's not 239 00:13:14,240 --> 00:13:15,939 Speaker 2: like he is in the movies where he's more like 240 00:13:15,980 --> 00:13:19,420 Speaker 2: a hot blooded, you know, just bursting with feeling. 241 00:13:20,020 --> 00:13:23,059 Speaker 1: Yeah, yeah, he is rather casual in this episode, even 242 00:13:23,080 --> 00:13:27,100 Speaker 1: when things get stressful. You know, he's kind of cool 243 00:13:27,160 --> 00:13:39,020 Speaker 1: as a cucumber and by the books. All right, so 244 00:13:39,370 --> 00:13:41,990 Speaker 1: the basic plot summary goes as follows. So the Enterprise 245 00:13:42,050 --> 00:13:46,870 Speaker 1: is conducting a routine medical check-in with Professor Robert Crater, 246 00:13:47,050 --> 00:13:51,580 Speaker 1: played by Alfred Ryder. and his wife, Nancy Crater, played 247 00:13:51,620 --> 00:13:55,660 Speaker 1: by Janine Ball, on the desolate planet of M113. So 248 00:13:55,740 --> 00:13:59,700 Speaker 1: it's a task that's low-stakes socially complicated, again, by the 249 00:13:59,740 --> 00:14:02,400 Speaker 1: fact that Nancy is McCoy's old flame from like a 250 00:14:02,460 --> 00:14:06,800 Speaker 1: decade ago. Our first hint of intrigue is that when 251 00:14:06,900 --> 00:14:11,300 Speaker 1: Nancy's introduced, she looks like a beautiful middle-aged woman to Kirk, 252 00:14:11,450 --> 00:14:14,370 Speaker 1: but to McCoy, she looks at least 10 years younger, 253 00:14:14,830 --> 00:14:18,390 Speaker 1: as young as he remembers her from their past relationships. And, 254 00:14:18,450 --> 00:14:19,970 Speaker 1: you know, that's all well and good, right? I mean, 255 00:14:19,990 --> 00:14:22,430 Speaker 1: the music, there's a little music sting here that makes 256 00:14:22,510 --> 00:14:25,570 Speaker 1: us think something's not right. But still, it's subjective how 257 00:14:25,610 --> 00:14:29,090 Speaker 1: you interpret someone's appearance. But then we have this crewman 258 00:14:29,170 --> 00:14:32,030 Speaker 1: Darnell with them, who is a total red shirt, even 259 00:14:32,050 --> 00:14:35,200 Speaker 1: though he's wearing a blue shirt. And he sees her 260 00:14:35,340 --> 00:14:38,280 Speaker 1: as an entirely different woman, a blonde lady that he 261 00:14:38,320 --> 00:14:40,980 Speaker 1: met on Wrigley's Pleasure Planet. 262 00:14:43,440 --> 00:14:45,520 Speaker 2: Yeah, he actually says this out loud and he is 263 00:14:45,540 --> 00:14:48,210 Speaker 2: like scolded by Kirk. He's like, you can't say that. 264 00:14:48,950 --> 00:14:52,270 Speaker 2: He's sent outside to think about his sins. 265 00:14:52,910 --> 00:14:56,229 Speaker 1: Yeah, so we eventually come to learn that this creature 266 00:14:56,330 --> 00:14:59,190 Speaker 1: killed the real Nancy a year prior, but it took 267 00:14:59,230 --> 00:15:02,470 Speaker 1: on her form and continued on with the Professor. And 268 00:15:02,490 --> 00:15:04,170 Speaker 1: I think this is one of the more interesting wrinkles 269 00:15:04,210 --> 00:15:06,570 Speaker 1: in the plot here. So the Professor knows this is 270 00:15:06,630 --> 00:15:10,260 Speaker 1: not the real Nancy. The relationship between the Professor and 271 00:15:10,280 --> 00:15:13,560 Speaker 1: the shape-shifting alien is is one of kind of consensual 272 00:15:13,620 --> 00:15:15,900 Speaker 1: delusion and ultimately real affection. 273 00:15:16,380 --> 00:15:21,210 Speaker 2: Yeah, because the professor is, so the creature begins killing 274 00:15:21,270 --> 00:15:24,810 Speaker 2: people in the Enterprise, of course. And they are, the people, 275 00:15:25,150 --> 00:15:28,070 Speaker 2: the crew members are found with these weird modeled faces. 276 00:15:28,130 --> 00:15:31,450 Speaker 2: They've got these circles on their faces. And there's a 277 00:15:31,510 --> 00:15:34,100 Speaker 2: mystery plot throughout the whole middle of the episode where 278 00:15:34,120 --> 00:15:36,120 Speaker 2: Kirk and Spock and everyone are trying to figure out 279 00:15:36,180 --> 00:15:38,200 Speaker 2: what's going on with these dead people. At first, they 280 00:15:38,240 --> 00:15:41,140 Speaker 2: think that they have eaten a poisonous plant on the 281 00:15:41,180 --> 00:15:44,440 Speaker 2: surface of the planet. And then they rule that out. 282 00:15:44,480 --> 00:15:46,970 Speaker 2: They say that doesn't make sense. And they realize they're 283 00:15:46,990 --> 00:15:49,210 Speaker 2: being attacked by some creature and they think the creature 284 00:15:49,270 --> 00:15:52,510 Speaker 2: is down on the planet, threatening the professor. Uh, but 285 00:15:52,550 --> 00:15:55,850 Speaker 2: then eventually they figure out, oh, it was there with 286 00:15:55,910 --> 00:15:58,390 Speaker 2: him all along. And when he is brought on board 287 00:15:58,410 --> 00:16:01,440 Speaker 2: the enterprise, they're trying to get his help in capturing 288 00:16:01,480 --> 00:16:04,820 Speaker 2: the creature, which is shape-shifting and blending in among the crew, 289 00:16:04,840 --> 00:16:07,100 Speaker 2: you know, trying to prey on members of the crew. 290 00:16:08,100 --> 00:16:10,880 Speaker 2: But the professor doesn't want to help because he loves 291 00:16:10,960 --> 00:16:14,000 Speaker 2: the creature, the creature that killed his real wife. But 292 00:16:14,480 --> 00:16:17,420 Speaker 2: in his lonely years there on the planet, because this 293 00:16:17,480 --> 00:16:20,360 Speaker 2: creature can assume the shape of his wife, it has 294 00:16:20,420 --> 00:16:22,840 Speaker 2: just replaced her. It has just become her. 295 00:16:23,380 --> 00:16:26,330 Speaker 1: Yeah. And and so he's like, yes, I know it's 296 00:16:26,570 --> 00:16:29,010 Speaker 1: just it's an alien shapeshifter, but it's the closest thing 297 00:16:29,070 --> 00:16:31,910 Speaker 1: I have to the person I lost. And there's a sense, too, 298 00:16:31,970 --> 00:16:35,710 Speaker 1: that the alien like loves him as well, like needs 299 00:16:35,730 --> 00:16:40,520 Speaker 1: him as well. So it's again, the various other treatments 300 00:16:40,560 --> 00:16:44,460 Speaker 1: of this basic idea would not have included this much compassion. 301 00:16:44,940 --> 00:16:47,500 Speaker 1: But of course, like you said, there's a lot of 302 00:16:47,580 --> 00:16:51,350 Speaker 1: running about in disguise on the Enterprise itself, chasing salt 303 00:16:51,380 --> 00:16:55,170 Speaker 1: shakers around even because that's what it wants, salt. And 304 00:16:55,210 --> 00:16:57,650 Speaker 1: eventually we're going to get to the point where McCoy 305 00:16:57,710 --> 00:17:00,410 Speaker 1: has to put the alien down with a phaser and 306 00:17:00,430 --> 00:17:02,130 Speaker 1: in doing so reveal its true form. 307 00:17:02,550 --> 00:17:05,190 Speaker 2: That's right. So through most of the episode, the creature 308 00:17:05,390 --> 00:17:07,859 Speaker 2: is a shapeshifter and we are only seeing it in 309 00:17:07,880 --> 00:17:10,620 Speaker 2: the forms it takes. It basically it tries to take 310 00:17:10,720 --> 00:17:13,639 Speaker 2: whatever form it thinks would be most appealing to the 311 00:17:13,680 --> 00:17:17,460 Speaker 2: person it's dealing with. Often someone from the person's past 312 00:17:17,520 --> 00:17:20,660 Speaker 2: or someone who reminds them of someone from their past 313 00:17:20,720 --> 00:17:24,979 Speaker 2: or would seem familiar to them. And then in the end, 314 00:17:25,020 --> 00:17:27,659 Speaker 2: you finally see what it looks like. And it is 315 00:17:27,700 --> 00:17:31,899 Speaker 2: somewhat Morlock-ish, as we mentioned in our episode on the 316 00:17:31,940 --> 00:17:37,550 Speaker 2: time machine from 1960. It kind of has a gray-green skin, 317 00:17:37,570 --> 00:17:40,859 Speaker 2: a kind of puckered mouth with these fangs in it. 318 00:17:41,170 --> 00:17:43,429 Speaker 2: And you would think, oh, the fangs there, that's the 319 00:17:43,470 --> 00:17:46,530 Speaker 2: vampire part, right? That's what it's feeding. But no, remember, 320 00:17:46,570 --> 00:17:49,770 Speaker 2: the crew members who were found dead have these circles 321 00:17:49,869 --> 00:17:53,300 Speaker 2: on their skin, on their faces. What's all that about? Well, 322 00:17:53,340 --> 00:17:56,560 Speaker 2: we discover when we see the creature's final form, that 323 00:17:56,580 --> 00:18:00,240 Speaker 2: the creature is using its fingers for sucking the salt 324 00:18:00,400 --> 00:18:03,679 Speaker 2: out of its victims. It has suction cups like on 325 00:18:03,720 --> 00:18:06,570 Speaker 2: the arms of an octopus. And these are the cause 326 00:18:06,630 --> 00:18:09,270 Speaker 2: of the circles and the modeling on the face. It 327 00:18:09,330 --> 00:18:12,950 Speaker 2: is attaching to the victim's face, sucking all the salt 328 00:18:13,130 --> 00:18:16,530 Speaker 2: out of the victim's body and leaving them dead, which 329 00:18:16,609 --> 00:18:19,320 Speaker 2: by the way, I don't know if salt can be 330 00:18:19,380 --> 00:18:22,919 Speaker 2: extracted by itself in that way, but that would absolutely 331 00:18:22,960 --> 00:18:24,400 Speaker 2: kill you. You need salt to live. 332 00:18:24,880 --> 00:18:25,060 Speaker 1: Yeah. 333 00:18:25,220 --> 00:18:25,400 Speaker 2: Yeah. 334 00:18:25,580 --> 00:18:28,550 Speaker 1: Yeah. I, uh, A lot of questions about the extraction 335 00:18:30,130 --> 00:18:32,810 Speaker 1: mechanism here. But, yeah, the idea that it would be 336 00:18:32,890 --> 00:18:37,040 Speaker 1: fatal absolutely checks out. Yeah, it's a pretty great monster design. 337 00:18:37,300 --> 00:18:42,120 Speaker 1: Clearly steering firmly into the monster category. Sad face, gray 338 00:18:42,140 --> 00:18:46,400 Speaker 1: hair and fur, suckers on those three fingers. One wonders, again, 339 00:18:46,460 --> 00:18:49,700 Speaker 1: what the teeth are for, if it feeds exclusively through 340 00:18:49,740 --> 00:18:53,120 Speaker 1: its fingers. But, I don't know, maybe the teeth stuck 341 00:18:53,140 --> 00:18:54,180 Speaker 1: around for one reason or another. 342 00:18:54,740 --> 00:18:58,359 Speaker 2: Well, as we will discover with, um, some of the 343 00:18:58,400 --> 00:19:01,520 Speaker 2: creatures we'll get to in the scientific portion of this episode, 344 00:19:02,100 --> 00:19:05,060 Speaker 2: it may be that this, this creature actually has two 345 00:19:05,100 --> 00:19:08,139 Speaker 2: different feeding mechanisms. It has one for salt and another 346 00:19:08,280 --> 00:19:12,600 Speaker 2: for the energy containing macronutrients that it consumes to live. 347 00:19:12,680 --> 00:19:16,100 Speaker 2: So maybe it's getting its energy from sugars or proteins 348 00:19:16,140 --> 00:19:18,840 Speaker 2: or whatever, but then it also has salt suckers on 349 00:19:18,880 --> 00:19:21,260 Speaker 2: its fingers for the salt that it needs to survive. 350 00:19:21,850 --> 00:19:25,770 Speaker 1: Yeah. At least on its fingers. Um, I was wondering 351 00:19:25,810 --> 00:19:28,230 Speaker 1: about this. I was thinking, well, I don't think we 352 00:19:28,260 --> 00:19:31,359 Speaker 1: ever see its feet, or certainly the bottoms of its feet. 353 00:19:32,040 --> 00:19:35,760 Speaker 1: Might it have salt-absorbing suckers down there as well? And 354 00:19:35,780 --> 00:19:38,320 Speaker 1: I would argue, I think it would be reasonable to 355 00:19:38,359 --> 00:19:42,369 Speaker 1: expect it might, especially if, on some level, salt absorption 356 00:19:42,380 --> 00:19:45,510 Speaker 1: through the hands and or the feet here originally evolved 357 00:19:45,550 --> 00:19:48,669 Speaker 1: as a kind of passive feeding or sensing from at 358 00:19:48,710 --> 00:19:53,000 Speaker 1: least a partially quadrilateral organism as it traversed its environment 359 00:19:53,540 --> 00:19:56,960 Speaker 1: before it, you know, became steadily became its presumably primary 360 00:19:57,020 --> 00:20:01,540 Speaker 1: mode of ingestion, its primary diet. Because we can look to, 361 00:20:01,540 --> 00:20:04,320 Speaker 1: you know, various natural world organisms that can, you know, 362 00:20:04,359 --> 00:20:07,840 Speaker 1: quote unquote, taste with their feet in that includes, as 363 00:20:07,859 --> 00:20:12,480 Speaker 1: we'll be getting into, butterflies, flies, bees, and crayfish. Additionally, 364 00:20:12,520 --> 00:20:15,360 Speaker 1: we have organisms that can absorb water through drinking patches 365 00:20:15,420 --> 00:20:18,959 Speaker 1: on their skin, as we see in amphibians. And we 366 00:20:19,010 --> 00:20:21,330 Speaker 1: also have the thorny devil lizard of Australia that can 367 00:20:21,369 --> 00:20:25,070 Speaker 1: draw water up from its feet via capillary action. So 368 00:20:25,150 --> 00:20:26,969 Speaker 1: all it has to do is touch water with any 369 00:20:27,010 --> 00:20:29,610 Speaker 1: part of its body, and it can channel that water. 370 00:20:29,630 --> 00:20:33,669 Speaker 1: The channels in its skin will move that water up 371 00:20:33,710 --> 00:20:37,270 Speaker 1: to its mouth. So I don't know. I like to 372 00:20:37,290 --> 00:20:39,710 Speaker 1: think that it probably has suckers on the bottoms of 373 00:20:39,750 --> 00:20:40,430 Speaker 1: its feet as well. 374 00:20:41,150 --> 00:20:42,409 Speaker 2: I bet it's got suckers everywhere. 375 00:20:42,600 --> 00:20:46,260 Speaker 1: I mean, why not? I included a few images of 376 00:20:46,300 --> 00:20:49,480 Speaker 1: the monster in our outline here, Joe. The fourth one 377 00:20:49,520 --> 00:20:52,820 Speaker 1: you'll note is apparently, and listeners, you can find this 378 00:20:52,859 --> 00:20:55,350 Speaker 1: as well if you go to Memory Alpha and look 379 00:20:55,390 --> 00:20:58,370 Speaker 1: up the Salt Vampire, but apparently they did a redesign 380 00:20:58,609 --> 00:21:02,250 Speaker 1: of this creature for the 2009 Star Trek film but 381 00:21:02,290 --> 00:21:04,109 Speaker 1: ended up not using it. Hmm. 382 00:21:04,900 --> 00:21:07,100 Speaker 2: Is it going to be major plot element or just 383 00:21:07,119 --> 00:21:08,740 Speaker 2: like a fan service cameo? 384 00:21:08,780 --> 00:21:11,879 Speaker 1: I guess it was more of a cameo, uh, because it, it, it's, 385 00:21:12,060 --> 00:21:14,310 Speaker 1: it seemed to have never made it into even any 386 00:21:14,350 --> 00:21:17,169 Speaker 1: deleted scenes as far as I know. But you can 387 00:21:17,190 --> 00:21:20,129 Speaker 1: see the design here and it, it, it looks obviously 388 00:21:20,190 --> 00:21:23,790 Speaker 1: updated still, I guess, true enough to the original concept. Uh, 389 00:21:23,869 --> 00:21:27,630 Speaker 1: but I don't know, lacking that signature sad face because 390 00:21:27,670 --> 00:21:29,850 Speaker 1: we should get that sense of sadness. It's a survivor 391 00:21:29,869 --> 00:21:32,790 Speaker 1: and the last survivor of a now, uh, you know, 392 00:21:32,890 --> 00:21:33,810 Speaker 1: vanished species. 393 00:21:34,300 --> 00:21:37,520 Speaker 2: Well, yeah, and there are many sad things in this episode. 394 00:21:37,619 --> 00:21:41,120 Speaker 2: For example, I think we were talking about this off mic, 395 00:21:41,140 --> 00:21:42,899 Speaker 2: I think. We haven't said this in the episode yet. 396 00:21:42,940 --> 00:21:46,600 Speaker 2: There is one scene where the leaders of the Enterprise 397 00:21:46,640 --> 00:21:49,420 Speaker 2: are sitting around a table discussing what to do. They're 398 00:21:49,500 --> 00:21:53,310 Speaker 2: aware now that the shape-shifting creature is among them on 399 00:21:53,350 --> 00:21:56,100 Speaker 2: the ship and what they're going to do to stop it. 400 00:21:56,790 --> 00:22:00,629 Speaker 2: And the creature in disguise, I believe as McCoy says, 401 00:22:01,000 --> 00:22:03,420 Speaker 2: suggests why don't we just give this creature the salt 402 00:22:03,480 --> 00:22:07,780 Speaker 2: it needs and let it go away yeah and it's 403 00:22:07,800 --> 00:22:10,100 Speaker 2: already killed many of their friends at this point so 404 00:22:10,510 --> 00:22:14,970 Speaker 2: maybe he's not grasping why exactly that they wouldn't want 405 00:22:14,990 --> 00:22:17,250 Speaker 2: to just let it go but at the same time 406 00:22:17,869 --> 00:22:21,630 Speaker 2: You get a plea for mercy, essentially, from the monster's 407 00:22:21,710 --> 00:22:23,760 Speaker 2: own lips. It's just like, it just needs the salt 408 00:22:23,780 --> 00:22:25,679 Speaker 2: to survive. Why not just give it the salt and 409 00:22:25,859 --> 00:22:26,420 Speaker 2: let it go? 410 00:22:26,520 --> 00:22:29,400 Speaker 1: Like, it does what it needs to survive. And it's 411 00:22:29,440 --> 00:22:34,390 Speaker 1: also brought up, well, look at humans. Humans also historically 412 00:22:34,650 --> 00:22:37,689 Speaker 1: killed to survive and killed to eat and so forth. So, yeah, 413 00:22:37,710 --> 00:22:41,750 Speaker 1: we do get some nice logical consideration here of everything. But, yeah, 414 00:22:41,830 --> 00:22:43,369 Speaker 1: I kept coming back to the idea that it's like, 415 00:22:43,410 --> 00:22:45,800 Speaker 1: this could have all been avoided if we just had 416 00:22:45,820 --> 00:22:48,729 Speaker 1: been honest about all of this. and the Federation could 417 00:22:48,750 --> 00:22:51,930 Speaker 1: have just supplied this one creature with just unlimited salt. 418 00:22:52,350 --> 00:22:54,510 Speaker 1: How much salt would be required to keep it from 419 00:22:54,550 --> 00:22:57,410 Speaker 1: killing people? Surely that is a price that the Federation 420 00:22:57,450 --> 00:22:58,250 Speaker 1: would be willing to pay. 421 00:22:58,710 --> 00:23:02,760 Speaker 2: Yeah, and also I would say, general plausibility question, I 422 00:23:02,800 --> 00:23:05,620 Speaker 2: feel like on a barren planet like you see with 423 00:23:05,920 --> 00:23:09,240 Speaker 2: M113 here, it would probably be harder to find food 424 00:23:09,300 --> 00:23:11,220 Speaker 2: than it would be to find salt. The food is 425 00:23:11,340 --> 00:23:13,399 Speaker 2: in energy-containing molecules. 426 00:23:14,700 --> 00:23:17,350 Speaker 1: And it's just also hard to imagine a world where 427 00:23:17,369 --> 00:23:20,430 Speaker 1: the salt has been used up. I was looking into 428 00:23:20,470 --> 00:23:23,850 Speaker 1: this a little bit. Where'd all the salt go? Again, 429 00:23:23,910 --> 00:23:28,970 Speaker 1: salt is cheap and readily available in most places. And 430 00:23:28,990 --> 00:23:32,930 Speaker 1: I was reading about this in an article, or I 431 00:23:32,950 --> 00:23:35,560 Speaker 1: guess this was a chapter, in Chemistry and Science Fiction 432 00:23:35,619 --> 00:23:40,420 Speaker 1: from 2025 by Karsten Mueller. And the author here points 433 00:23:40,460 --> 00:23:42,859 Speaker 1: out that, yeah, we have to tweak our interpretation of 434 00:23:42,900 --> 00:23:45,980 Speaker 1: this to file it away logically. The author here writes, 435 00:23:46,600 --> 00:23:48,959 Speaker 1: The salt requirement seems to be so high that the 436 00:23:49,000 --> 00:23:53,330 Speaker 1: species eventually became extinct because all the salt on M113 437 00:23:53,369 --> 00:23:55,929 Speaker 1: was used up at some point. It can't really be 438 00:23:56,070 --> 00:23:58,930 Speaker 1: used up. No matter what chemical reaction you do with salt, 439 00:23:58,990 --> 00:24:02,080 Speaker 1: the sodium and chlorine atoms from which it is built 440 00:24:02,190 --> 00:24:04,720 Speaker 1: remain as such, and the total amount on the planet 441 00:24:04,780 --> 00:24:08,300 Speaker 1: does not change. Nevertheless, it is conceivable that at some 442 00:24:08,359 --> 00:24:11,639 Speaker 1: point all the table salt is used up in the 443 00:24:11,700 --> 00:24:14,939 Speaker 1: sense that we use up water. Water is not destroyed 444 00:24:14,980 --> 00:24:17,850 Speaker 1: when washing and drinking. It is still water. However, it 445 00:24:17,890 --> 00:24:22,150 Speaker 1: becomes contaminated, meaning it is dirtier after use than before. 446 00:24:22,690 --> 00:24:24,649 Speaker 1: It is used up in the sense that it is 447 00:24:24,690 --> 00:24:27,869 Speaker 1: still there but can no longer be used immediately. Something 448 00:24:27,930 --> 00:24:30,550 Speaker 1: similar could have happened with the salt on M113. 449 00:24:31,950 --> 00:24:36,170 Speaker 2: So some kind of planet-wide contamination process by which all 450 00:24:36,210 --> 00:24:39,820 Speaker 2: of the salt is fouled throughout the whole environment. 451 00:24:40,630 --> 00:24:42,900 Speaker 1: And I also get the sense maybe salt is more 452 00:24:42,940 --> 00:24:45,460 Speaker 1: delicious if you pull it out of a humanoid's face. 453 00:24:45,950 --> 00:24:50,040 Speaker 1: Because she only chases salt shakers around so much. And 454 00:24:50,080 --> 00:24:53,580 Speaker 1: I don't remember any comment of anybody saying the storehouses 455 00:24:53,640 --> 00:24:57,860 Speaker 1: of salt on the Enterprise have been completely depleted. The 456 00:24:57,920 --> 00:25:03,640 Speaker 1: replicators are all fried because somebody's been replicating nonstop salt. No, 457 00:25:03,660 --> 00:25:05,040 Speaker 1: it just goes straight for the face anyway. 458 00:25:05,440 --> 00:25:07,639 Speaker 2: Well, in the same way that like a teaspoon of 459 00:25:07,720 --> 00:25:10,580 Speaker 2: salt by itself is disgusting, but a teaspoon of salt 460 00:25:10,660 --> 00:25:13,619 Speaker 2: on food with other natural flavors with some sweetness and 461 00:25:13,640 --> 00:25:15,980 Speaker 2: some acidity balancing it all out is delicious. 462 00:25:16,080 --> 00:25:18,000 Speaker 1: You get some of that face oil in there. It 463 00:25:18,040 --> 00:25:19,379 Speaker 1: really flavors it up nicely. 464 00:25:19,700 --> 00:25:19,880 Speaker 2: Right. 465 00:25:30,140 --> 00:25:32,070 Speaker 1: All right. Well, let's go ahead and make our transition 466 00:25:32,310 --> 00:25:34,850 Speaker 1: out of the world of science fiction and into the 467 00:25:34,900 --> 00:25:36,290 Speaker 1: natural world of biology. 468 00:25:36,640 --> 00:25:40,750 Speaker 2: Right. So I found the idea of a salt vampire 469 00:25:40,830 --> 00:25:43,290 Speaker 2: so intriguing. I had to wonder, as we often do, 470 00:25:43,869 --> 00:25:46,949 Speaker 2: is there such an organism in the real world on 471 00:25:47,190 --> 00:25:51,110 Speaker 2: our planet? I think there's nothing exactly like the salt 472 00:25:51,150 --> 00:25:54,149 Speaker 2: monster in the episode, but there are things that are 473 00:25:54,210 --> 00:25:57,370 Speaker 2: close and there are a number of fascinating animal adaptations 474 00:25:57,430 --> 00:26:01,770 Speaker 2: that have evolved in nature's desperate quest for salt. Because 475 00:26:01,850 --> 00:26:05,270 Speaker 2: as we mentioned earlier, in the real world, salt is 476 00:26:05,350 --> 00:26:10,010 Speaker 2: very important. Animals need salt. We need many dietary minerals 477 00:26:10,090 --> 00:26:13,780 Speaker 2: in some quantities, magnesium, potassium, and things like that. But 478 00:26:14,220 --> 00:26:18,520 Speaker 2: sodium chloride is especially important because salt is necessary for 479 00:26:18,540 --> 00:26:22,960 Speaker 2: the proper functioning of nerves and muscles. Sodium ions present 480 00:26:23,040 --> 00:26:26,419 Speaker 2: in the water content of our bodies, they help us 481 00:26:26,900 --> 00:26:30,760 Speaker 2: regulate fluid pressure. So if an animal has a serious 482 00:26:30,820 --> 00:26:33,980 Speaker 2: enough deficiency of salt, that will kill it. It will 483 00:26:34,020 --> 00:26:37,919 Speaker 2: suffer systematic collapse and eventually die. So again, like it's 484 00:26:38,280 --> 00:26:40,119 Speaker 2: shown in the episode, if you suck all the salt 485 00:26:40,200 --> 00:26:43,580 Speaker 2: out of a person, that will kill them. Salt deficiency 486 00:26:43,760 --> 00:26:48,139 Speaker 2: is not usually a problem for humans in industrialized societies 487 00:26:48,600 --> 00:26:50,680 Speaker 2: because we tend to get a lot of extra salt 488 00:26:50,740 --> 00:26:52,060 Speaker 2: in our diet. Oh, yeah. 489 00:26:52,140 --> 00:26:54,629 Speaker 1: Like we're hardwired to want it because we need it, 490 00:26:55,060 --> 00:26:58,410 Speaker 1: and therefore we like a lot of it. Yeah. Think 491 00:26:58,450 --> 00:27:01,390 Speaker 1: about what you had to eat during the last 48 hours. 492 00:27:01,670 --> 00:27:05,040 Speaker 1: And there was probably a fair amount of salt involved 493 00:27:05,080 --> 00:27:05,720 Speaker 1: in the process. 494 00:27:06,060 --> 00:27:08,340 Speaker 2: Yeah. And a lot of foods we eat have some 495 00:27:08,400 --> 00:27:11,080 Speaker 2: salt content naturally, but then we add even a lot 496 00:27:11,119 --> 00:27:13,460 Speaker 2: more extra salt to that because, I mean, because it 497 00:27:13,500 --> 00:27:17,340 Speaker 2: tastes good. It boosts flavors. It makes things taste more 498 00:27:17,400 --> 00:27:21,140 Speaker 2: like themselves. You know, it's a great dietary additive. So 499 00:27:21,260 --> 00:27:24,440 Speaker 2: it's no mystery why chefs use a lot of salt. 500 00:27:24,500 --> 00:27:27,700 Speaker 2: It is a great part of the pleasure sensation of eating. 501 00:27:28,420 --> 00:27:31,240 Speaker 2: But yeah, it's much more likely that you're getting way 502 00:27:31,320 --> 00:27:34,280 Speaker 2: more salt than you need than that you're not getting enough. 503 00:27:35,440 --> 00:27:37,940 Speaker 2: But of course there are exceptions to this. I mean, 504 00:27:38,340 --> 00:27:41,479 Speaker 2: you can, for example, we've talked on the show before 505 00:27:41,660 --> 00:27:46,810 Speaker 2: about hyponatremia, where maybe you go out hiking, you're sweating 506 00:27:46,850 --> 00:27:49,850 Speaker 2: a lot, you're drinking a lot of water, and You 507 00:27:49,900 --> 00:27:53,750 Speaker 2: find yourself getting, oh, experiencing unpleasant symptoms. Maybe you feel dizzy. 508 00:27:53,770 --> 00:27:56,410 Speaker 2: You've got a headache. You feel like, what, am I dehydrated? 509 00:27:56,450 --> 00:28:00,210 Speaker 2: So you just keep drinking more water and that's not helping. 510 00:28:00,250 --> 00:28:03,270 Speaker 2: In fact, maybe you're feeling worse. And it turns out 511 00:28:03,690 --> 00:28:06,310 Speaker 2: what sometimes is happening in these cases is actually your body, 512 00:28:06,350 --> 00:28:08,750 Speaker 2: you've had too much water and not enough salt and 513 00:28:08,770 --> 00:28:10,710 Speaker 2: you've been sweating a lot. So you're losing a lot 514 00:28:10,760 --> 00:28:13,180 Speaker 2: of salt and now your body is salt deficient. You're 515 00:28:13,220 --> 00:28:16,270 Speaker 2: not like in the state of death yet. but you 516 00:28:16,690 --> 00:28:18,550 Speaker 2: are critically low on salt and you need to eat 517 00:28:18,570 --> 00:28:22,570 Speaker 2: some pretzels or something. This has actually happened to people 518 00:28:22,609 --> 00:28:27,460 Speaker 2: I know while hiking in the desert. They were being 519 00:28:27,500 --> 00:28:30,220 Speaker 2: very careful to stay hydrated, didn't think about the other 520 00:28:30,280 --> 00:28:33,939 Speaker 2: end of the scale. You need water and salt. But 521 00:28:34,260 --> 00:28:38,780 Speaker 2: in nature, also, you can run into real salt deficiency issues. 522 00:28:39,380 --> 00:28:41,760 Speaker 2: And so turning to nature, I would like to look 523 00:28:41,960 --> 00:28:46,670 Speaker 2: at some moths that crave salt. And we'll go to shocking, 524 00:28:46,890 --> 00:28:50,970 Speaker 2: disgusting lengths to get it. So as a bit of 525 00:28:51,030 --> 00:28:55,380 Speaker 2: background here, moths are a large group of insects in 526 00:28:55,400 --> 00:28:59,720 Speaker 2: the order Lepidoptera, along with their cousins, the butterflies. Exactly 527 00:28:59,840 --> 00:29:03,720 Speaker 2: how to taxonomize moths is a problem that has existed 528 00:29:03,760 --> 00:29:06,960 Speaker 2: for a while. But the insects that we call moths 529 00:29:07,260 --> 00:29:11,720 Speaker 2: are sometimes described as like those species of order Lepidoptera 530 00:29:11,780 --> 00:29:15,070 Speaker 2: that are not butterflies. The reality is a little more 531 00:29:15,110 --> 00:29:18,540 Speaker 2: complicated because it seems basically that butterflies are a type 532 00:29:18,700 --> 00:29:21,880 Speaker 2: of moth, like butterflies are a branch from the moth 533 00:29:21,940 --> 00:29:26,260 Speaker 2: family tree. There are thought to be more than 160,000 534 00:29:26,260 --> 00:29:31,160 Speaker 2: species of moths, most but not all of which are nocturnal, 535 00:29:31,180 --> 00:29:34,430 Speaker 2: so generally moths are among the children of the night. 536 00:29:35,070 --> 00:29:38,750 Speaker 2: And along with butterflies, moths go through a multi-stage life 537 00:29:38,810 --> 00:29:42,520 Speaker 2: cycle where they hatch from eggs, they become caterpillars, which 538 00:29:42,580 --> 00:29:47,040 Speaker 2: are these fat larval eating machines. And then when sufficiently fed, 539 00:29:47,060 --> 00:29:49,410 Speaker 2: they find a place to chill out and enter the 540 00:29:49,450 --> 00:29:52,970 Speaker 2: pupa stage where their outside usually hardens into a shell 541 00:29:53,010 --> 00:29:56,570 Speaker 2: of some sort. Their insides basically turn into full goo. 542 00:29:56,970 --> 00:30:01,210 Speaker 2: This is called histolysis. And then they reform and emerge 543 00:30:01,430 --> 00:30:06,150 Speaker 2: as a sexually mature moth with wings, which will fly around, mate, 544 00:30:06,430 --> 00:30:09,469 Speaker 2: and if female, lay eggs and eventually die. And then 545 00:30:09,510 --> 00:30:10,610 Speaker 2: the cycle begins again. 546 00:30:11,270 --> 00:30:13,930 Speaker 1: Moths are amazing. And it is kind of interesting to 547 00:30:13,970 --> 00:30:18,340 Speaker 1: think about butterflies and moths from the human perspective. We often, 548 00:30:18,630 --> 00:30:21,700 Speaker 1: I think maybe it's because we see butterflies as denizens 549 00:30:21,740 --> 00:30:24,800 Speaker 1: of the day and moths as nuisances of the night. 550 00:30:25,180 --> 00:30:27,820 Speaker 1: You know, we tend to go gaga over butterflies, and 551 00:30:27,860 --> 00:30:30,310 Speaker 1: maybe we find the moths a little annoying, quit trying 552 00:30:30,330 --> 00:30:32,670 Speaker 1: to come into my house when the doors open at night, 553 00:30:34,850 --> 00:30:36,670 Speaker 1: get away from my light bulbs and all that. But, 554 00:30:36,710 --> 00:30:39,770 Speaker 1: of course, we've talked about some amazing moths on here before, 555 00:30:39,790 --> 00:30:44,500 Speaker 1: you know, ant colony infiltrators and so forth. And, you know, 556 00:30:44,560 --> 00:30:49,120 Speaker 1: it was just maybe several weeks back, my wife spotted 557 00:30:49,140 --> 00:30:53,720 Speaker 1: a hummingbird moth. in our yard. And those are amazing. 558 00:30:53,940 --> 00:30:55,400 Speaker 1: At first you think it is a hummingbird, but it 559 00:30:55,460 --> 00:30:59,340 Speaker 1: is in fact a moth. So there's so many amazing 560 00:31:00,060 --> 00:31:03,720 Speaker 1: body morphs and lifestyles out there among the moth kind. 561 00:31:04,030 --> 00:31:06,370 Speaker 2: Absolutely true. And I like that you went to the 562 00:31:06,410 --> 00:31:09,930 Speaker 2: hummingbird moth because one thing that the hummingbird has that 563 00:31:09,970 --> 00:31:13,390 Speaker 2: makes it notable, of course, is that long needle-like beak. 564 00:31:14,470 --> 00:31:16,770 Speaker 2: And the studies that we're going to be looking at 565 00:31:16,830 --> 00:31:19,730 Speaker 2: here about moths are very concerned with a moth body 566 00:31:19,770 --> 00:31:24,360 Speaker 2: part that's equivalent called the proboscis. This is the elongated 567 00:31:24,420 --> 00:31:27,550 Speaker 2: appendage coming off of the animal's head. It's sort of 568 00:31:27,590 --> 00:31:30,850 Speaker 2: a tubular mouth part used for feeding, like a big 569 00:31:30,930 --> 00:31:36,080 Speaker 2: hollow needle or a biological straw. Many insects will use 570 00:31:36,130 --> 00:31:39,400 Speaker 2: a proboscis to eat, for example, to suck nectar up 571 00:31:39,520 --> 00:31:44,040 Speaker 2: from inside a flower. And moths have a proboscis as well, 572 00:31:44,080 --> 00:31:48,230 Speaker 2: which is used for various things. To kick off this 573 00:31:48,470 --> 00:31:51,490 Speaker 2: spooky moth journey, I want to begin by looking at 574 00:31:51,570 --> 00:31:55,690 Speaker 2: some papers I found from the late 1960s by a 575 00:31:55,810 --> 00:32:00,830 Speaker 2: Swiss entomologist named Hans Bonsicker, at the time affiliated with 576 00:32:00,870 --> 00:32:04,580 Speaker 2: the Federal Institute of Technology in Zurich, who seems to 577 00:32:04,600 --> 00:32:08,600 Speaker 2: have specialized in moths. And this part was what made 578 00:32:08,640 --> 00:32:10,480 Speaker 2: me think we've really got to talk about these papers today. 579 00:32:11,060 --> 00:32:15,990 Speaker 2: Specialized in letting moths access his own personal body fluids 580 00:32:16,330 --> 00:32:20,250 Speaker 2: with biological equipment that seems to come from the Hellraiser universe. 581 00:32:21,170 --> 00:32:22,870 Speaker 2: So the first paper I want to look at is 582 00:32:22,950 --> 00:32:27,459 Speaker 2: from 1969. This was published in the Journal of Medical 583 00:32:27,500 --> 00:32:31,940 Speaker 2: Entomology by Hans Banziger and a co-author named Wilhelm Budecker. 584 00:32:32,560 --> 00:32:37,200 Speaker 2: And it's called Records of Eye-Frequenting Lepidoptera from Man. 585 00:32:37,640 --> 00:32:37,870 Speaker 1: Hmm. 586 00:32:38,390 --> 00:32:41,830 Speaker 2: The authors start this paper off by discussing a curious 587 00:32:41,950 --> 00:32:46,360 Speaker 2: observation among a big family of moths. The first ones 588 00:32:46,380 --> 00:32:50,020 Speaker 2: they identify are the ones called the noctuids. A number 589 00:32:50,040 --> 00:32:55,700 Speaker 2: of species of noctuid moths have been observed swarming around 590 00:32:55,880 --> 00:33:01,440 Speaker 2: the eyes of large vertebrate animals. This is not just 591 00:33:01,480 --> 00:33:05,960 Speaker 2: in one place or in one species. It's a semi-global phenomenon. 592 00:33:05,980 --> 00:33:10,140 Speaker 2: It's been documented among various noctuids in South Africa, in 593 00:33:10,500 --> 00:33:16,400 Speaker 2: modern-day Tanzania, in Cambodia, Thailand, India, and elsewhere since throughout 594 00:33:16,500 --> 00:33:20,020 Speaker 2: Africa and Asia. What kind of animal eyes do these 595 00:33:20,080 --> 00:33:23,700 Speaker 2: moths seek out? Well, they don't seem to be super picky. 596 00:33:24,050 --> 00:33:28,470 Speaker 2: The eye swarming has been observed in domestic cattle, sheep, deer, 597 00:33:28,650 --> 00:33:33,870 Speaker 2: water buffalo, pigs, antelope, mules, horses, and elephants. It seems 598 00:33:33,930 --> 00:33:37,740 Speaker 2: the most common observations are in bovines, like cows. And 599 00:33:37,820 --> 00:33:40,800 Speaker 2: the authors note that there are some cases where you'd 600 00:33:40,840 --> 00:33:43,280 Speaker 2: come up on a single cow and it would have 601 00:33:43,380 --> 00:33:46,660 Speaker 2: literally a dozen moths crowded around the edge of a 602 00:33:46,740 --> 00:33:49,820 Speaker 2: single eye at one time. So it's like, imagine, you know, 603 00:33:49,960 --> 00:33:53,250 Speaker 2: animals crowded around a shrinking watering hole in the desert 604 00:33:53,570 --> 00:33:56,870 Speaker 2: with just moths around a cow's eye. Now, why would 605 00:33:56,910 --> 00:33:59,930 Speaker 2: a moth want to land on a cow's eye or 606 00:33:59,950 --> 00:34:02,410 Speaker 2: a pig's eye or an elephant's eye and try to 607 00:34:02,450 --> 00:34:07,080 Speaker 2: hang out there? Wouldn't delicate moths usually want to avoid 608 00:34:07,140 --> 00:34:11,330 Speaker 2: large animals entirely for fear of being eaten or swatted 609 00:34:11,430 --> 00:34:14,049 Speaker 2: or crushed? You would think this is the danger zone 610 00:34:14,090 --> 00:34:14,450 Speaker 2: for them. 611 00:34:14,530 --> 00:34:17,370 Speaker 1: Yeah, yeah, you would think. Stay away from the large 612 00:34:17,430 --> 00:34:20,740 Speaker 1: creatures that, you know, they might not have opposable thumbs 613 00:34:20,980 --> 00:34:23,560 Speaker 1: and fingers to swat at their own faces, but they 614 00:34:23,600 --> 00:34:26,819 Speaker 1: still have ways of fighting you off. You know, an 615 00:34:26,900 --> 00:34:28,620 Speaker 1: elephant certainly can use that trunk. 616 00:34:29,310 --> 00:34:31,010 Speaker 2: I mean, they can certainly just shake around. 617 00:34:31,050 --> 00:34:31,230 Speaker 1: Yeah. 618 00:34:31,270 --> 00:34:34,790 Speaker 2: I mean, yeah. Or they could roll over on you. Like, yeah, you, you, 619 00:34:35,010 --> 00:34:37,380 Speaker 2: these are big. These animals are big compared to you. 620 00:34:37,450 --> 00:34:40,160 Speaker 2: Like it seems evident there must be something of value 621 00:34:40,239 --> 00:34:43,640 Speaker 2: to the moth around the animal's eye that would justify 622 00:34:43,660 --> 00:34:46,719 Speaker 2: the risk of doing like the human equivalent of parachute 623 00:34:46,760 --> 00:34:48,360 Speaker 2: landing on Godzilla's face. 624 00:34:48,800 --> 00:34:48,960 Speaker 1: Yeah. 625 00:34:49,680 --> 00:34:52,840 Speaker 2: Uh, so the authors note what the draw for the 626 00:34:52,880 --> 00:34:58,520 Speaker 2: moth seems to be, and it is lacrimal secretions, a.k.a. 627 00:34:59,010 --> 00:34:59,490 Speaker 1: Tears. 628 00:35:00,460 --> 00:35:03,420 Speaker 2: These moths are crawling up to the elephant's eye or 629 00:35:03,460 --> 00:35:06,160 Speaker 2: the pig's eye to drink its tears. 630 00:35:08,340 --> 00:35:09,980 Speaker 1: It's suffering. They want the suffering. 631 00:35:11,360 --> 00:35:13,920 Speaker 2: The suffering may or may not be incidental. Actually, the 632 00:35:13,960 --> 00:35:16,520 Speaker 2: suffering does seem to me to be part of the 633 00:35:16,560 --> 00:35:20,200 Speaker 2: process because you've got to kind of make sure that 634 00:35:20,219 --> 00:35:24,770 Speaker 2: the eyes are watering enough. So they also note that 635 00:35:24,850 --> 00:35:28,640 Speaker 2: some species of Lepidoptera have been found with traces of 636 00:35:28,820 --> 00:35:31,540 Speaker 2: blood detected in their stomachs. We'll come back to that 637 00:35:31,560 --> 00:35:34,299 Speaker 2: in just a bit. But the real focus of this 638 00:35:34,340 --> 00:35:39,500 Speaker 2: paper begins with a curious, almost offhand comment. So Bonsegger 639 00:35:39,700 --> 00:35:45,200 Speaker 2: and Budecker write, quote, during nocturnal field studies of the biology, behavior, etc. 640 00:35:45,360 --> 00:35:50,400 Speaker 2: of eye-frequenting lepidoptera-infesting mammals, it often happens that such moths 641 00:35:50,880 --> 00:35:53,520 Speaker 2: fly about near the face of the human observer and 642 00:35:53,580 --> 00:35:57,320 Speaker 2: try to alight at its eyes. My God, I love 643 00:35:57,440 --> 00:36:01,160 Speaker 2: when I'm reading of like an older biology paper and 644 00:36:01,200 --> 00:36:03,739 Speaker 2: you get to a comment like this and it's like 645 00:36:03,760 --> 00:36:06,620 Speaker 2: at the beginning of the experimental section and you can 646 00:36:06,640 --> 00:36:08,540 Speaker 2: start to feel it shifting. It's like, is this going 647 00:36:08,580 --> 00:36:09,480 Speaker 2: where I think it's going? 648 00:36:10,550 --> 00:36:11,120 Speaker 1: Yes, it is. 649 00:36:11,200 --> 00:36:15,169 Speaker 2: The rest of this paper is about observations of these 650 00:36:15,230 --> 00:36:18,730 Speaker 2: moths trying to get access to human eyes and the 651 00:36:18,850 --> 00:36:22,190 Speaker 2: author just letting them going the extra step and seeing 652 00:36:22,250 --> 00:36:25,340 Speaker 2: what happens if he lets the moths go. So I'm 653 00:36:25,360 --> 00:36:27,620 Speaker 2: going to read from a few of these examples experienced 654 00:36:27,690 --> 00:36:31,109 Speaker 2: by the authors, mainly Banziger himself, but also there are 655 00:36:32,190 --> 00:36:38,360 Speaker 2: some experiences described by his co-authors and employees and collaborators. Warning, 656 00:36:38,380 --> 00:36:39,940 Speaker 2: there is some eye squick coming. 657 00:36:40,380 --> 00:36:41,820 Speaker 1: And I want to go ahead and front load a 658 00:36:41,840 --> 00:36:44,200 Speaker 1: little additional squick here. We'll get into this, but I 659 00:36:44,239 --> 00:36:48,220 Speaker 1: just want to remind everyone, butterflies don't just land on flowers. 660 00:36:48,719 --> 00:36:53,569 Speaker 1: Moths don't just land around lightbulbs. these creatures land on 661 00:36:53,710 --> 00:36:57,089 Speaker 1: very gross things. So keep that in mind when all 662 00:36:57,130 --> 00:36:58,890 Speaker 1: the eyeball drinking takes place. 663 00:36:59,250 --> 00:37:03,839 Speaker 2: That's part of this paper's conclusion, actually. So, yeah. So, 664 00:37:04,460 --> 00:37:07,140 Speaker 2: first case he describes, this takes place in Muag Lek, 665 00:37:07,260 --> 00:37:12,080 Speaker 2: which is in central Thailand, in August 1965. And this 666 00:37:12,140 --> 00:37:14,739 Speaker 2: is Hans Bonsiger talking about his own experience. He says, quote, 667 00:37:15,380 --> 00:37:19,480 Speaker 2: while I was collecting specimens of three different eye-frequenting species... 668 00:37:19,850 --> 00:37:29,100 Speaker 2: Lobocraspis grisifusa, Philodes fulvidorsalis, and Peonea aureolalis. In a herd 669 00:37:29,140 --> 00:37:33,440 Speaker 2: of cattle, the latter pyrolid made continuous attempts for several 670 00:37:33,500 --> 00:37:36,940 Speaker 2: minutes to alight on my face. Finally, it alighted on 671 00:37:36,980 --> 00:37:39,960 Speaker 2: my left cheek near the nose and started immediately to 672 00:37:40,020 --> 00:37:43,540 Speaker 2: climb to the lower eyelid, where it imbibed the lacrimal 673 00:37:43,560 --> 00:37:47,390 Speaker 2: secretion for about 15 seconds. The proboscis of the moth 674 00:37:48,340 --> 00:37:52,100 Speaker 2: could be felt probing over the eye surface. The eye 675 00:37:52,180 --> 00:37:56,900 Speaker 2: produced a considerable flow of lacrimation, and the irritation caused 676 00:37:56,960 --> 00:38:00,360 Speaker 2: by the moth was uncomfortable, although not at all painful. 677 00:38:00,960 --> 00:38:03,969 Speaker 2: The moth remained feeding for 15 seconds, after which it 678 00:38:04,010 --> 00:38:08,029 Speaker 2: was collected for identification and fixation prior to dissection. So 679 00:38:08,070 --> 00:38:13,270 Speaker 2: joke's on you, moth. Then he describes another case, this 680 00:38:13,310 --> 00:38:17,270 Speaker 2: next one at the Chiang Mai Zoological Gardens in northern Thailand. 681 00:38:17,350 --> 00:38:21,030 Speaker 2: This is October 1965, where he says he's collecting some 682 00:38:21,180 --> 00:38:24,660 Speaker 2: eye-frequencing moths from the enclosure of a sambar deer. He 683 00:38:25,500 --> 00:38:28,380 Speaker 2: says one of the moths suddenly landed on his lips, 684 00:38:29,060 --> 00:38:32,430 Speaker 2: Bonsiger's lips, not the deer's, started trying to insert its 685 00:38:32,489 --> 00:38:36,230 Speaker 2: proboscis into his nose. And then after trying this for 686 00:38:36,250 --> 00:38:38,240 Speaker 2: a few seconds, it crawled up to his left eye, 687 00:38:38,760 --> 00:38:42,489 Speaker 2: started stabbing his eyelid and his eyeball with its proboscis 688 00:38:42,550 --> 00:38:45,810 Speaker 2: at intervals of one to two seconds, which caused Banziger 689 00:38:45,850 --> 00:38:48,890 Speaker 2: to tear up, and then the moth drank the tears. Quote, 690 00:38:49,290 --> 00:38:52,250 Speaker 2: the painful effects could be described as resembling the pricks 691 00:38:52,350 --> 00:38:55,469 Speaker 2: of minute pins on the surface of the eye, not 692 00:38:55,530 --> 00:38:58,950 Speaker 2: the lid, although the proboscis was felt on the eyelids too. 693 00:38:59,950 --> 00:39:02,230 Speaker 2: And it drank his tears for about three minutes and 694 00:39:02,270 --> 00:39:06,370 Speaker 2: then flew away. There are a lot more accounts, again, 695 00:39:06,910 --> 00:39:11,009 Speaker 2: both firsthand of the author, And collaborators and employees, where 696 00:39:11,030 --> 00:39:14,350 Speaker 2: the moth attacks the eye, it inserts the feeding proboscis 697 00:39:14,570 --> 00:39:18,030 Speaker 2: into or around, like, into the eye, around the eyelid. 698 00:39:18,489 --> 00:39:22,230 Speaker 2: It stabs or scrapes for several minutes, causing varying degrees 699 00:39:22,270 --> 00:39:25,630 Speaker 2: of pain, irritation, and tearing up. And then eventually it 700 00:39:25,670 --> 00:39:27,190 Speaker 2: gets enough and it flies away. 701 00:39:27,989 --> 00:39:30,460 Speaker 1: Even in the name of science, they're just... like they're 702 00:39:30,480 --> 00:39:31,700 Speaker 1: being way too lenient here. 703 00:39:31,980 --> 00:39:34,819 Speaker 2: There's one final case I have to mention. This is 704 00:39:34,900 --> 00:39:37,880 Speaker 2: the best one. This is the sixth case he describes. 705 00:39:38,500 --> 00:39:42,000 Speaker 2: This was in northern Thailand in October 1966, and I'm 706 00:39:42,020 --> 00:39:46,540 Speaker 2: just going to read from his description here. Quote, In 707 00:39:46,580 --> 00:39:49,940 Speaker 2: this experiment in my bungalow, I kept, he mentions two 708 00:39:50,000 --> 00:39:54,260 Speaker 2: species of eye-frequenting moths, in my mosquito net for about 709 00:39:54,260 --> 00:39:56,650 Speaker 2: 50 hours without offering them any food. 710 00:39:56,910 --> 00:39:57,250 Speaker 1: Oh, no. 711 00:39:57,550 --> 00:40:00,530 Speaker 2: After having slept the entire night undisturbed by the moths, 712 00:40:00,690 --> 00:40:03,890 Speaker 2: I was attacked in the early morning by L. grisifusa. 713 00:40:04,550 --> 00:40:06,890 Speaker 2: I suddenly tried to drive the moth away, but it 714 00:40:06,950 --> 00:40:10,760 Speaker 2: returned instantly and endeavored to attach itself near my nose, lips, 715 00:40:10,840 --> 00:40:14,340 Speaker 2: or ears. After a few minutes of unsuccessful probing, it 716 00:40:14,440 --> 00:40:18,300 Speaker 2: located my left eye and immediately started to feed, remaining 717 00:40:18,380 --> 00:40:22,400 Speaker 2: quietly below the eyelid. I felt the usual irritating stings 718 00:40:22,480 --> 00:40:25,009 Speaker 2: of short duration and closed my eyes in order to 719 00:40:25,070 --> 00:40:27,510 Speaker 2: find out whether this would cause the moth to withdraw 720 00:40:27,570 --> 00:40:30,709 Speaker 2: its proboscis. Interesting experiment. Close your eyes, see what it does. 721 00:40:30,890 --> 00:40:32,930 Speaker 2: I would have thought that he would have closed his 722 00:40:33,030 --> 00:40:35,460 Speaker 2: eyes in one of the earlier experiments, like he was 723 00:40:35,520 --> 00:40:38,650 Speaker 2: able to resist earlier. But he goes on, he's like, 724 00:40:38,670 --> 00:40:42,250 Speaker 2: I'm going to try closing my eyes, see what happens. Quote, however, 725 00:40:42,330 --> 00:40:45,290 Speaker 2: the insect continued to suck from the eyelid from whence 726 00:40:45,350 --> 00:40:48,730 Speaker 2: I felt extremely sharp pain, which could be compared with 727 00:40:48,790 --> 00:40:52,870 Speaker 2: gradually penetrating stings. Whenever I opened my eyes, the pains 728 00:40:52,930 --> 00:40:55,230 Speaker 2: were felt on the surface of the eye. When I 729 00:40:55,330 --> 00:40:58,030 Speaker 2: closed them again, the moth resumed feeding on the lid. 730 00:40:58,489 --> 00:41:00,950 Speaker 2: The pains were relatively slight at the beginning of each 731 00:41:01,030 --> 00:41:04,149 Speaker 2: resumption of feeding on the lid. but they commenced immediately 732 00:41:04,270 --> 00:41:08,240 Speaker 2: and increased in strength considerably as feeding continued. The lacrimal 733 00:41:08,280 --> 00:41:10,460 Speaker 2: secretion was very much stimulated by. 734 00:41:10,400 --> 00:41:12,540 Speaker 1: The activity of the moths. 735 00:41:12,920 --> 00:41:17,940 Speaker 2: I cried a lot. I cried so much. After 30 minutes, 736 00:41:18,060 --> 00:41:20,430 Speaker 2: my eye was so irritated that I was forced to 737 00:41:20,510 --> 00:41:24,230 Speaker 2: interrupt the experiment. A red discoloration of the eye and 738 00:41:24,290 --> 00:41:26,980 Speaker 2: the inner side of the eyelid was then apparent. The 739 00:41:27,020 --> 00:41:30,290 Speaker 2: inflammation lasted for the entire day, during which difficulty was 740 00:41:30,350 --> 00:41:32,470 Speaker 2: experienced in keeping the eye open. 741 00:41:32,730 --> 00:41:33,450 Speaker 1: Oh, my Lord. 742 00:41:33,630 --> 00:41:37,569 Speaker 2: And then he's got selfies. In 1960, whatever this is, 743 00:41:37,660 --> 00:41:40,640 Speaker 2: the 60s, it's got selfies of the author with a 744 00:41:40,680 --> 00:41:43,920 Speaker 2: moth in his eye with the proboscis stabbing in. 745 00:41:43,940 --> 00:41:48,049 Speaker 1: Oh, yeah. And the second photo especially looking pretty rough. Yeah. Yeah. 746 00:41:48,790 --> 00:41:52,070 Speaker 2: Anyway, so the authors document a bunch of these attacks 747 00:41:52,390 --> 00:41:55,250 Speaker 2: on eyeballs of animals and humans, and they make a 748 00:41:55,290 --> 00:41:58,170 Speaker 2: few general comments at the end of the paper. They 749 00:41:58,190 --> 00:42:00,960 Speaker 2: say the attacks would be infrequent. You know, it's not 750 00:42:01,160 --> 00:42:03,700 Speaker 2: all the time, and it doesn't seem to be all 751 00:42:03,900 --> 00:42:07,859 Speaker 2: of the individuals of this species. Sometimes you might get 752 00:42:07,980 --> 00:42:11,439 Speaker 2: no attacks for weeks, sometimes multiple attacks in the same night. 753 00:42:12,250 --> 00:42:17,060 Speaker 2: Some species seem to explore the face more, crawling around 754 00:42:17,080 --> 00:42:20,799 Speaker 2: to various wet spots or spots of dried secretions on 755 00:42:20,820 --> 00:42:23,100 Speaker 2: the face. I think that would mean like snot or 756 00:42:23,180 --> 00:42:27,859 Speaker 2: sweat or saliva before tending to gravitate toward the eye. 757 00:42:28,390 --> 00:42:31,089 Speaker 2: Others are more like a heat seeking missile straight to 758 00:42:31,110 --> 00:42:35,680 Speaker 2: the eye. No funny business. Different species produce different levels 759 00:42:35,739 --> 00:42:38,990 Speaker 2: of pain. Only some seem to be able to attack 760 00:42:39,030 --> 00:42:41,549 Speaker 2: through closed lids, like he was talking about in the 761 00:42:41,870 --> 00:42:46,860 Speaker 2: mosquito net example. And the authors note the relevance of 762 00:42:46,900 --> 00:42:50,560 Speaker 2: this behavior to animal and human epidemiology. They say insects 763 00:42:50,620 --> 00:42:54,540 Speaker 2: like this may actually be an important vector for infections. 764 00:42:54,890 --> 00:42:57,010 Speaker 2: They say some of the moths that feed on mammal 765 00:42:57,030 --> 00:43:00,870 Speaker 2: eyes may also be sticking their proboscis, if that's the plural, 766 00:43:00,910 --> 00:43:04,830 Speaker 2: I guess, their nose parts, their mouth parts, into animal dung, 767 00:43:04,989 --> 00:43:09,640 Speaker 2: into decaying organic matter such as rotting bodies. Those tubes 768 00:43:09,680 --> 00:43:11,100 Speaker 2: are going in all kinds of stuff. 769 00:43:11,360 --> 00:43:15,600 Speaker 1: Yeah, they're gross. This is butterflies and moths, by the way. 770 00:43:15,680 --> 00:43:18,960 Speaker 1: So don't think for a second that your daytime butterflies 771 00:43:19,080 --> 00:43:22,100 Speaker 1: are somehow immune to this behavior. 772 00:43:22,650 --> 00:43:25,170 Speaker 2: My daughter actually has a children's book that we received 773 00:43:25,250 --> 00:43:28,399 Speaker 2: as a gift from our co-worker Tracy Wilson of Stuff 774 00:43:28,420 --> 00:43:31,020 Speaker 2: You Missed in History class called Butterflies Are Pretty Gross. 775 00:43:31,060 --> 00:43:33,340 Speaker 2: It's about how they're pretty and they're gross. 776 00:43:33,480 --> 00:43:34,040 Speaker 1: Oh, that's awesome. 777 00:43:34,280 --> 00:43:37,819 Speaker 2: Yeah, and it's a great book, and it has all 778 00:43:37,860 --> 00:43:41,250 Speaker 2: kinds of stuff about this in it. They are pretty gross. Anyway, 779 00:43:42,230 --> 00:43:47,390 Speaker 2: this tear-drinking activity is known as lacrophagy, which comes from 780 00:43:47,410 --> 00:43:52,410 Speaker 2: the words meaning tear-eating, tear-consumption. It is seen most often 781 00:43:52,610 --> 00:43:55,590 Speaker 2: in moths and butterflies, but it has also been observed 782 00:43:55,730 --> 00:44:00,109 Speaker 2: in flies and some bees. And while tears contain some 783 00:44:00,170 --> 00:44:05,459 Speaker 2: amount of protein and other dietary nutrients, entomologists generally think 784 00:44:05,560 --> 00:44:09,120 Speaker 2: that one of the main reasons for drinking tears, this 785 00:44:09,160 --> 00:44:12,220 Speaker 2: brings us back to the salt monster, is to acquire sodium. 786 00:44:13,280 --> 00:44:17,040 Speaker 2: Fluids that come from animal bodies are salty. They have 787 00:44:17,080 --> 00:44:19,509 Speaker 2: to be for the reasons we talked about earlier. Salt 788 00:44:19,620 --> 00:44:23,570 Speaker 2: is so important for the functioning of muscles and nerve 789 00:44:23,630 --> 00:44:27,850 Speaker 2: cells and fluid maintenance. It is not very hard for 790 00:44:28,050 --> 00:44:32,040 Speaker 2: carnivorous animals to get the salt they need because animal 791 00:44:32,080 --> 00:44:34,939 Speaker 2: bodies are salty. So if you eat animals, you get 792 00:44:35,060 --> 00:44:39,020 Speaker 2: salt naturally from your diet. Herbivores, on the other hand, 793 00:44:39,719 --> 00:44:42,100 Speaker 2: are often at the more desperate end of the quest 794 00:44:42,160 --> 00:44:45,350 Speaker 2: for salt. Plants tend to be low in sodium content. 795 00:44:45,780 --> 00:44:49,360 Speaker 2: So herbivores have to find other ways to acquire salt 796 00:44:49,460 --> 00:44:50,460 Speaker 2: from the environment. 797 00:44:50,800 --> 00:44:54,560 Speaker 1: Yeah, and that leads to the reality of salt licks, 798 00:44:55,420 --> 00:45:02,480 Speaker 1: various herbivores seeking out salt even in caves over vast distances. 799 00:45:02,700 --> 00:45:06,100 Speaker 1: I imagine a number of you have seen documentary footage 800 00:45:06,280 --> 00:45:09,069 Speaker 1: at this point of elephants seeking out salt in caves. 801 00:45:09,660 --> 00:45:12,609 Speaker 1: It's quite remarkable. But yeah, when you understand that it's 802 00:45:12,630 --> 00:45:16,930 Speaker 1: just not as... potent a part of their natural diet, 803 00:45:16,969 --> 00:45:19,290 Speaker 1: you understand why they have to supplement it this way. 804 00:45:19,570 --> 00:45:21,890 Speaker 1: And sometimes carnivores, of course, have to supplement as well. 805 00:45:21,989 --> 00:45:25,690 Speaker 1: But when they eat the meat, they get the salt. 806 00:45:26,350 --> 00:45:29,689 Speaker 2: Right. But tear drinking moths, if they eat anything other 807 00:45:29,730 --> 00:45:32,850 Speaker 2: than tears in their winged adult stage, they're herbivores. So 808 00:45:33,250 --> 00:45:36,509 Speaker 2: they need the salt. Now, of course, tears are not 809 00:45:36,570 --> 00:45:40,710 Speaker 2: the only way to get extra salt. There are other 810 00:45:40,770 --> 00:45:44,069 Speaker 2: places an insect could probe if looking for salt. And 811 00:45:44,150 --> 00:45:48,290 Speaker 2: that brings me to something called the vampire moth. I 812 00:45:48,330 --> 00:45:51,049 Speaker 2: think this might be the closest example in nature to 813 00:45:51,150 --> 00:45:55,319 Speaker 2: something like the salt vampire from Star Trek. The term 814 00:45:55,340 --> 00:45:58,600 Speaker 2: vampire moth has been used to refer to several species 815 00:45:58,780 --> 00:46:03,920 Speaker 2: of the moth genus Calyptra. Most often the species Calyptra thalictree. 816 00:46:04,540 --> 00:46:09,370 Speaker 2: These are moths mostly found in tropical and subtropical Asia that, yes, 817 00:46:09,550 --> 00:46:13,609 Speaker 2: actually do drink blood. And by golly, you know what? 818 00:46:14,320 --> 00:46:17,100 Speaker 2: I found a paper from the 60s where good old 819 00:46:17,160 --> 00:46:20,569 Speaker 2: Hans Bonsiger is like, what happens if I let one 820 00:46:20,590 --> 00:46:22,470 Speaker 2: of these guys go to town on my flesh? 821 00:46:22,630 --> 00:46:25,550 Speaker 1: Oh my God, he's just far too lenient. Of course 822 00:46:25,590 --> 00:46:26,189 Speaker 1: it's this guy. 823 00:46:27,550 --> 00:46:32,490 Speaker 2: The paper is called Preliminary Observations on a Skin-Piercing Blood-Sucking Moth. 824 00:46:32,860 --> 00:46:36,819 Speaker 2: He gives the taxonomy in Malaya. This is in the 825 00:46:37,040 --> 00:46:41,600 Speaker 2: Bulletin of Entomological Research, 1968. So this paper starts off 826 00:46:41,620 --> 00:46:44,529 Speaker 2: with the author talking about how Among some of the 827 00:46:44,810 --> 00:46:49,410 Speaker 2: eye-frequenting moths discussed previously, dead specimens have been found with 828 00:46:49,550 --> 00:46:52,669 Speaker 2: blood in their stomachs. Remember that? It came up last time. 829 00:46:53,050 --> 00:46:57,970 Speaker 2: How'd that get there? What's that doing there? Well, entomologists 830 00:46:58,170 --> 00:47:02,870 Speaker 2: observed the answer in fieldwork in Southeast Asia between 1965 831 00:47:02,870 --> 00:47:07,170 Speaker 2: and 67, where they saw firsthand two different kinds of 832 00:47:07,320 --> 00:47:12,310 Speaker 2: blood-consuming behavior in moths. what the authors call bloodsuckers and 833 00:47:12,590 --> 00:47:18,900 Speaker 2: skin lickers. Bloodsuckers have a strong proboscis, which pierces animal 834 00:47:18,940 --> 00:47:21,940 Speaker 2: skin like a needle, allowing them to suck blood out 835 00:47:22,020 --> 00:47:25,800 Speaker 2: like a mosquito. Except these moths are, of course, larger 836 00:47:25,840 --> 00:47:29,990 Speaker 2: than mosquitoes. So, you know, you're dealing with a meatier 837 00:47:30,050 --> 00:47:34,549 Speaker 2: kind of piercing organ, usually. Skin lickers, on the other hand, 838 00:47:34,730 --> 00:47:38,750 Speaker 2: tend to have a weaker proboscis, incapable of punching through 839 00:47:38,770 --> 00:47:41,939 Speaker 2: an animal's skin, And these moths instead get their blood 840 00:47:42,140 --> 00:47:46,310 Speaker 2: either by sucking it from an open wound or by 841 00:47:46,570 --> 00:47:50,950 Speaker 2: sucking up little droplets left behind on a mammal's skin 842 00:47:50,969 --> 00:47:56,480 Speaker 2: by mosquitoes. Kind of a mosquito cleanup crew. And some 843 00:47:56,500 --> 00:47:58,880 Speaker 2: of these skin lickers, by the way, also drink tears 844 00:47:58,920 --> 00:48:00,940 Speaker 2: from the eyes like the ones we talked about earlier. 845 00:48:01,020 --> 00:48:05,680 Speaker 2: So there are multiple strategies. This paper is particularly focused 846 00:48:05,940 --> 00:48:12,590 Speaker 2: on a blood-sucking moth called Calyptra eustrigata. This kind has 847 00:48:12,730 --> 00:48:16,270 Speaker 2: a powerful proboscis that can puncture skin and suck blood directly. 848 00:48:16,890 --> 00:48:19,230 Speaker 2: And these moths have been observed to drink blood from 849 00:48:19,350 --> 00:48:23,810 Speaker 2: large mammals like deer, antelope, water buffalo, and the tapir. 850 00:48:25,090 --> 00:48:29,819 Speaker 2: After cataloging field observations, the author is like, Raider, yes, yes, 851 00:48:29,920 --> 00:48:32,970 Speaker 2: I will let this moth suck my blood. And so here, 852 00:48:33,030 --> 00:48:35,600 Speaker 2: once again, I just have to read from Banziger's firsthand 853 00:48:35,640 --> 00:48:38,080 Speaker 2: account of how he gets it to drink his blood. 854 00:48:39,700 --> 00:48:44,080 Speaker 2: He says, quote, By breathing upon the moths, their attention 855 00:48:44,120 --> 00:48:48,930 Speaker 2: was drawn to moistened fingers held inside the cages. Isn't 856 00:48:48,969 --> 00:48:54,210 Speaker 2: there something kind of almost romantic about that? Anyway, as 857 00:48:54,290 --> 00:48:57,330 Speaker 2: soon as the moth encountered the fingers, it settled on 858 00:48:57,450 --> 00:48:59,650 Speaker 2: one of them and began to palpate the skin with 859 00:48:59,710 --> 00:49:04,530 Speaker 2: its proboscis. and shortly thereafter thrust the proboscis vertically against 860 00:49:04,610 --> 00:49:07,839 Speaker 2: the skin and tried to pierce it. The spots most 861 00:49:07,920 --> 00:49:10,780 Speaker 2: commonly pierced appeared to be the pores of the hairs. 862 00:49:11,400 --> 00:49:15,710 Speaker 2: The dagger-shaped sclerotized tip of the proboscis was pressed against 863 00:49:15,790 --> 00:49:19,569 Speaker 2: the skin, so the whole proboscis became curved. At the 864 00:49:19,610 --> 00:49:23,000 Speaker 2: same time, the moth's head began to oscillate, rather like 865 00:49:23,060 --> 00:49:26,779 Speaker 2: the balance wheel of a watch. This movement induced the 866 00:49:26,880 --> 00:49:29,810 Speaker 2: middle part of the proboscis to vibrate so rapidly that 867 00:49:29,850 --> 00:49:34,910 Speaker 2: the whole resembled a spindle. Whenever the skin proved impenetrable, 868 00:49:34,950 --> 00:49:38,489 Speaker 2: the moth tried again at another point nearby. As soon 869 00:49:38,530 --> 00:49:42,009 Speaker 2: as the proboscis successfully perforated the skin, the subject felt 870 00:49:42,130 --> 00:49:45,340 Speaker 2: strong burning pains, which were described as being like those 871 00:49:45,400 --> 00:49:49,040 Speaker 2: caused by a hot needle. Thereafter, the rate of penetration 872 00:49:49,080 --> 00:49:52,620 Speaker 2: was more rapid, probably because the tissue encountered was softer, 873 00:49:53,020 --> 00:49:56,180 Speaker 2: and the sawing mechanism worked more efficiently as the barbs 874 00:49:56,239 --> 00:50:00,210 Speaker 2: of the proboscis gripped the tissues. Once inserted, the proboscis 875 00:50:00,270 --> 00:50:04,030 Speaker 2: remained straight, whilst the oscillating movements of the head continued. 876 00:50:04,590 --> 00:50:07,219 Speaker 2: It was possible to study the working of the mouthparts 877 00:50:07,280 --> 00:50:10,620 Speaker 2: with a magnifying glass. When they were in operation, the 878 00:50:10,660 --> 00:50:13,940 Speaker 2: two halves of the proboscis moved rapidly along their longer 879 00:50:14,100 --> 00:50:18,640 Speaker 2: axis in opposite directions. This mechanism was effective, provided that 880 00:50:18,660 --> 00:50:21,450 Speaker 2: at the outset sufficient force could be brought to bear 881 00:50:21,530 --> 00:50:25,310 Speaker 2: to thrust the proboscis into the tissues, because one half 882 00:50:25,530 --> 00:50:28,570 Speaker 2: of the proboscis could then anchor itself within the tissues 883 00:50:28,630 --> 00:50:32,719 Speaker 2: whilst the other penetrated more deeply. It goes on describing 884 00:50:32,760 --> 00:50:36,240 Speaker 2: the action, the oscillating motion of the head, the boring 885 00:50:36,440 --> 00:50:39,320 Speaker 2: action of the proboscis going up and down at regular 886 00:50:39,420 --> 00:50:43,000 Speaker 2: intervals with a hole in the skin. There's a lot 887 00:50:43,020 --> 00:50:45,719 Speaker 2: of stuff about the fluids here. Like sometimes the moth 888 00:50:45,780 --> 00:50:49,239 Speaker 2: is leaking some saliva out around the wound. Sometimes some 889 00:50:49,300 --> 00:50:52,620 Speaker 2: blood gets out, like it maybe regurgitates some blood and 890 00:50:52,660 --> 00:50:56,710 Speaker 2: then sucks it back up. He says, yeah, after the 891 00:50:56,790 --> 00:51:00,489 Speaker 2: blood was regurgitated, it was quickly re-ingested. Uh, the sawing 892 00:51:00,550 --> 00:51:03,700 Speaker 2: motion continues. So there's a lot going on here. It 893 00:51:03,780 --> 00:51:06,700 Speaker 2: is a laborious process from the moth's point of view. Uh, 894 00:51:07,340 --> 00:51:10,560 Speaker 2: and apparently feels like a hot needle going into the skin. 895 00:51:11,380 --> 00:51:15,560 Speaker 2: Bonsaker did this 26 times. In 16 of those times, 896 00:51:15,640 --> 00:51:18,900 Speaker 2: the moth sucked his blood. In four, the moth sucked 897 00:51:18,940 --> 00:51:21,940 Speaker 2: blood from an existing open wound that he made with 898 00:51:21,980 --> 00:51:25,950 Speaker 2: a knife. Um, In six cases, the moth did not 899 00:51:26,010 --> 00:51:28,330 Speaker 2: seem to care. It either did not pierce his skin 900 00:51:28,410 --> 00:51:33,450 Speaker 2: because it wasn't trying or because it wasn't able to. Eventually, 901 00:51:33,590 --> 00:51:35,989 Speaker 2: in each case, the wound would start to swell. He 902 00:51:36,030 --> 00:51:39,739 Speaker 2: says the penetration was generally about six millimeters deep. And 903 00:51:39,760 --> 00:51:42,700 Speaker 2: across these different feeding events, blood sucking went on anywhere 904 00:51:42,719 --> 00:51:55,830 Speaker 2: from 10 to 60 minutes. Now, the really interesting thing 905 00:51:55,890 --> 00:52:01,030 Speaker 2: about these blood-sucking vampire moths is that they come from taxa, 906 00:52:01,110 --> 00:52:06,089 Speaker 2: from insect groups that typically use their sharp mouthparts to 907 00:52:06,350 --> 00:52:11,920 Speaker 2: pierce and suck fruit, not animal flesh. And even Calyptra 908 00:52:12,040 --> 00:52:16,239 Speaker 2: eustrogata itself has been observed piercing fruit. So these are 909 00:52:16,360 --> 00:52:20,420 Speaker 2: also fruit suckers in addition to being blood suckers. The 910 00:52:20,560 --> 00:52:24,620 Speaker 2: author argues it is likely. that these vampire moths evolved 911 00:52:24,680 --> 00:52:29,319 Speaker 2: the blood sucking behavior as a repurposing of adaptations that 912 00:52:29,360 --> 00:52:33,379 Speaker 2: were originally for fruit sucking. And there are a couple 913 00:52:33,400 --> 00:52:37,440 Speaker 2: of possible benefits to switching from fruit to blood, or 914 00:52:37,460 --> 00:52:40,200 Speaker 2: at least adding blood to the repertoire of your fruit 915 00:52:40,239 --> 00:52:44,279 Speaker 2: piercing behaviors. First of all, ripe fruit can in some 916 00:52:44,320 --> 00:52:47,040 Speaker 2: cases be seasonally limited. Animal blood is going to be 917 00:52:47,080 --> 00:52:51,649 Speaker 2: available throughout the year generally. And also, blood has some 918 00:52:52,010 --> 00:52:54,990 Speaker 2: things that you don't usually get in fruit. It's likely 919 00:52:55,030 --> 00:52:57,410 Speaker 2: to have some protein that is not present in fruit 920 00:52:58,030 --> 00:53:03,940 Speaker 2: and precious salts. So again, most moths are herbivores. As 921 00:53:04,000 --> 00:53:08,219 Speaker 2: with other herbivores, acquiring salt is a major concern. And 922 00:53:08,280 --> 00:53:11,620 Speaker 2: whether through tears or blood, animal body fluids are an 923 00:53:11,900 --> 00:53:17,950 Speaker 2: excellent place for otherwise herbivorous animals to stock up on salt. Now, 924 00:53:18,150 --> 00:53:21,719 Speaker 2: the question is, how did these different behaviors evolve? We 925 00:53:21,760 --> 00:53:24,700 Speaker 2: looked at the idea that blood drinking is probably an 926 00:53:24,960 --> 00:53:28,780 Speaker 2: exaptation of mouthparts originally used to pierce and suck juices 927 00:53:28,860 --> 00:53:32,000 Speaker 2: from ripe fruits. But when we go back to the 928 00:53:32,120 --> 00:53:37,390 Speaker 2: tear drinking example, a commonly accepted theory is that lacrophagy 929 00:53:37,489 --> 00:53:43,270 Speaker 2: evolved from mud puddling behavior. where these lepidopterans, these moths 930 00:53:43,310 --> 00:53:46,210 Speaker 2: and butterflies, would get salts and other nutrients by consuming 931 00:53:46,430 --> 00:53:50,190 Speaker 2: mud or damp soil, because generally there is some salt 932 00:53:50,310 --> 00:53:50,990 Speaker 2: in the soil. 933 00:53:51,610 --> 00:53:54,390 Speaker 1: Yeah, this is something you can observe on nature walks. 934 00:53:54,489 --> 00:53:57,150 Speaker 1: There'll be some gross mud, and the butterflies are all 935 00:53:57,230 --> 00:54:00,390 Speaker 1: over it, or the moths are on it. And it's 936 00:54:00,430 --> 00:54:03,049 Speaker 1: my understanding, too, that the term puddling is kind of 937 00:54:03,090 --> 00:54:06,890 Speaker 1: a catch-all for not only lighting on mud and mud puddles, 938 00:54:06,950 --> 00:54:09,490 Speaker 1: but also dung and carrion, like we've been discussing. 939 00:54:10,170 --> 00:54:12,090 Speaker 2: That's right. I mean, even when it's just mud, it 940 00:54:12,130 --> 00:54:15,460 Speaker 2: seems to be it's it looks like they're intentionally choosing 941 00:54:15,520 --> 00:54:18,580 Speaker 2: the grossest patches of mud. When I've seen this in nature, 942 00:54:18,640 --> 00:54:21,219 Speaker 2: it always looks like it's somewhere really nasty. Yeah. 943 00:54:21,380 --> 00:54:24,240 Speaker 1: Yeah. Like there's probably something dead in there, too. Yeah. 944 00:54:24,300 --> 00:54:27,080 Speaker 1: So so you can imagine if these things are landing 945 00:54:27,300 --> 00:54:31,200 Speaker 1: on gross mud and certainly if they're landing on rotting bodies, 946 00:54:32,140 --> 00:54:33,780 Speaker 1: it's not that big of a step to then move 947 00:54:33,910 --> 00:54:37,070 Speaker 1: on to just sleeping bodies or the bodies of scientists 948 00:54:37,110 --> 00:54:41,100 Speaker 1: that seem surprisingly inviting. and open-eyed. 949 00:54:43,410 --> 00:54:45,810 Speaker 2: So there are some more interesting things about this I 950 00:54:45,850 --> 00:54:48,590 Speaker 2: want to get into. So there's one last paper I'm 951 00:54:48,610 --> 00:54:51,870 Speaker 2: going to bring up. This one is by Sharon R. Hill, 952 00:54:51,969 --> 00:54:57,509 Speaker 2: Jennifer Zaspel, Susan Weller, Bill Hansen, and Richard Ignell called 953 00:54:57,680 --> 00:55:01,120 Speaker 2: To Be or Not to Be a Vampire, a Matter 954 00:55:01,219 --> 00:55:05,980 Speaker 2: of Syncyllum Numbers in Calypterothelictry. This was published in Arthropod 955 00:55:06,000 --> 00:55:09,690 Speaker 2: Structure and Development in the year 2010. couple of things 956 00:55:09,750 --> 00:55:12,029 Speaker 2: I want to discuss from this paper. One is the 957 00:55:12,170 --> 00:55:15,630 Speaker 2: purpose of the blood meal. And the second thing is 958 00:55:15,950 --> 00:55:22,620 Speaker 2: what separates the vampire moths from non-vampires of the same species. 959 00:55:23,940 --> 00:55:26,779 Speaker 2: So for the first question, the authors get into this 960 00:55:26,820 --> 00:55:31,759 Speaker 2: in their background section. Generally, in the Calyptra species that 961 00:55:31,780 --> 00:55:36,350 Speaker 2: suck blood, only the males do it. That's interesting. And 962 00:55:36,390 --> 00:55:38,370 Speaker 2: that's kind of an inversion of things we've seen in 963 00:55:38,430 --> 00:55:42,250 Speaker 2: other species. Like, Rob, isn't it the case with mosquitoes 964 00:55:42,350 --> 00:55:45,010 Speaker 2: that generally only the females consume a blood meal? 965 00:55:45,410 --> 00:55:46,290 Speaker 1: This is true. Yes. 966 00:55:46,810 --> 00:55:49,750 Speaker 2: Opposite thing going on here. In the Calyptra, only the 967 00:55:49,790 --> 00:55:52,259 Speaker 2: males drink blood. And in the cases where they do 968 00:55:52,300 --> 00:55:56,299 Speaker 2: drink blood, most insects that suck blood are, of course, 969 00:55:56,380 --> 00:55:59,500 Speaker 2: able to digest that blood. That makes sense. You want 970 00:55:59,520 --> 00:56:01,239 Speaker 2: to get nutrition from the blood. So there's going to 971 00:56:01,260 --> 00:56:04,319 Speaker 2: be protein content in the blood. And you want your 972 00:56:04,360 --> 00:56:07,760 Speaker 2: digestive system to break down that protein and get energy 973 00:56:07,800 --> 00:56:11,180 Speaker 2: from it. So you have these enzymes called proteases. These 974 00:56:11,239 --> 00:56:15,590 Speaker 2: enzymes break down and get energy from proteins. But calyptromoths 975 00:56:16,070 --> 00:56:20,070 Speaker 2: do not express these proteases. So they are not actually 976 00:56:20,170 --> 00:56:25,310 Speaker 2: getting a caloric nutritional benefit from the protein content of 977 00:56:25,350 --> 00:56:30,450 Speaker 2: the blood they drink. The author is right, quote, And 978 00:56:30,510 --> 00:56:33,390 Speaker 2: in fact, the majority of red blood cells are found 979 00:56:33,530 --> 00:56:37,390 Speaker 2: densely packed and intact in the anal excreta from the 980 00:56:37,430 --> 00:56:41,930 Speaker 2: male post-blood meal. So they're drinking blood, but they're not 981 00:56:41,969 --> 00:56:45,730 Speaker 2: getting protein nutrition from the blood. They're just pooping out 982 00:56:45,770 --> 00:56:50,370 Speaker 2: the red blood cells. On the other hand, male moths 983 00:56:50,410 --> 00:56:54,730 Speaker 2: have been found to be incredibly efficient at storing salt 984 00:56:54,870 --> 00:56:59,060 Speaker 2: contents from various sources. from a blood meal, or from 985 00:56:59,100 --> 00:57:04,580 Speaker 2: other sources, preserving up to 95% of the salt consumed. 986 00:57:04,700 --> 00:57:08,259 Speaker 2: Like males of other moth species have been observed keeping 987 00:57:08,340 --> 00:57:12,450 Speaker 2: internal salt caches from things like tear drinking. Now we 988 00:57:12,489 --> 00:57:15,770 Speaker 2: know that salt is important for organisms, that you need 989 00:57:15,810 --> 00:57:18,050 Speaker 2: it for various things in the body, but what are 990 00:57:18,090 --> 00:57:22,070 Speaker 2: the males doing with all that stored up salt? Well, 991 00:57:22,190 --> 00:57:24,790 Speaker 2: some researchers named Adler and Pearson in 1982 proposed an 992 00:57:24,810 --> 00:57:31,020 Speaker 2: answer here. And it's called the male dowry hypothesis, or 993 00:57:31,080 --> 00:57:35,420 Speaker 2: what you might call like romantic salt gift, the sexy salt. 994 00:57:36,340 --> 00:57:40,870 Speaker 2: Under this model, in habitats where access to sodium through 995 00:57:40,890 --> 00:57:45,970 Speaker 2: the moth's normal plant diet is limited, sequestered salts held 996 00:57:46,050 --> 00:57:49,900 Speaker 2: in reserve by a male moth are transferred to a 997 00:57:50,000 --> 00:57:54,410 Speaker 2: female during reproduction as a gift to help the female 998 00:57:54,510 --> 00:57:57,690 Speaker 2: replenish salts that she's going to lose during the production 999 00:57:57,730 --> 00:58:00,850 Speaker 2: of eggs. And the authors of the paper here cite 1000 00:58:00,910 --> 00:58:04,960 Speaker 2: Banzaker for the idea that this general principle is also 1001 00:58:05,020 --> 00:58:08,220 Speaker 2: what's seen in the sequestration of salts by male calyptra 1002 00:58:08,260 --> 00:58:11,720 Speaker 2: moths after a blood meal. So it seems very possible 1003 00:58:11,760 --> 00:58:15,040 Speaker 2: that's what's going on here. When these male calyptra moths 1004 00:58:15,180 --> 00:58:17,720 Speaker 2: come up to a guy and they pierce his finger 1005 00:58:17,780 --> 00:58:20,310 Speaker 2: and drink blood from it yet again, They are hoping 1006 00:58:20,350 --> 00:58:22,890 Speaker 2: to be able to store this up as a gift 1007 00:58:22,990 --> 00:58:26,530 Speaker 2: for a future mating partner to help her replenish salt's 1008 00:58:26,630 --> 00:58:31,560 Speaker 2: loss during oviposition. Oh, wow. Now, that second question I 1009 00:58:31,660 --> 00:58:35,880 Speaker 2: posed was, what separates the vampire moths from the non-vampires 1010 00:58:36,100 --> 00:58:39,850 Speaker 2: of the same species? To set that up, I'm going 1011 00:58:39,870 --> 00:58:42,630 Speaker 2: to read from the author's abstract here because they sort 1012 00:58:42,650 --> 00:58:45,710 Speaker 2: of explain how they get to this question. Quote, The 1013 00:58:45,810 --> 00:58:49,350 Speaker 2: mechanisms by which blood feeding in insects has evolved are unclear, 1014 00:58:49,450 --> 00:58:52,820 Speaker 2: primarily because there has been no access to species in 1015 00:58:52,860 --> 00:58:56,140 Speaker 2: which there is a mixture of same-sex blood feeding and 1016 00:58:56,260 --> 00:59:00,580 Speaker 2: non-blood feeding individuals. The discovery of a subset of male 1017 00:59:00,660 --> 00:59:06,230 Speaker 2: Calyptera thalictarii that blood feed under constrained experimental conditions, while 1018 00:59:06,270 --> 00:59:09,710 Speaker 2: the majority of these males do not, provides a unique 1019 00:59:09,730 --> 00:59:01,190 Speaker 2: opportunity I like that two-word verb there, blood feed. So 1020 00:59:01,210 --> 00:59:02,610 Speaker 2: what made the difference here? Why do some of these 1021 00:59:02,670 --> 00:59:28,189 Speaker 2: moths eat blood and some don't? Previously, researchers could not 1022 00:59:28,250 --> 00:59:31,590 Speaker 2: find any morphological differences between males that drank blood and 1023 00:59:31,610 --> 00:59:34,060 Speaker 2: those that did not. But in this experiment, the authors 1024 00:59:34,200 --> 00:59:38,280 Speaker 2: did find a difference. They found that males that drank 1025 00:59:38,340 --> 00:59:43,140 Speaker 2: blood had differences on their antennae, which made them less 1026 00:59:43,580 --> 00:59:48,860 Speaker 2: sensitive to particular olfactory compounds. They were less sensitive to 1027 00:59:48,900 --> 00:59:54,410 Speaker 2: certain smells. What smells are those? Well, the volatiles associated 1028 00:59:54,530 --> 00:59:58,990 Speaker 2: with vertebrate animal bodies, things the authors mentioned like ammonia 1029 00:59:59,270 --> 01:00:04,090 Speaker 2: and short chain carboxylic acids. These are compounds that I 1030 01:00:04,110 --> 01:00:06,110 Speaker 2: guess they're going to be hovering in the air, I think, 1031 01:00:06,150 --> 01:00:10,230 Speaker 2: around most vertebrates. And the normal reaction of a moth 1032 01:00:10,370 --> 01:00:14,360 Speaker 2: to these chemical cues in the air is repulsion. I 1033 01:00:14,430 --> 01:00:17,250 Speaker 2: smell a Godzilla. I smell a big thing around me. 1034 01:00:17,260 --> 01:00:17,960 Speaker 1: Stay out of its face. 1035 01:00:18,200 --> 01:00:20,720 Speaker 2: Yeah. Get away from it. Avoid this thing. It could 1036 01:00:20,760 --> 01:00:24,220 Speaker 2: hurt me. Because the big animal is usually only a threat, 1037 01:00:24,380 --> 01:00:29,760 Speaker 2: not an opportunity. The morphological difference in blood-drinking moths of 1038 01:00:29,840 --> 01:00:32,950 Speaker 2: the same species is that they are the ones that 1039 01:00:33,050 --> 01:00:38,930 Speaker 2: are less sensitive, apparently, to big vertebrate animal smell. Thus, 1040 01:00:38,990 --> 01:00:43,050 Speaker 2: the repulsion reaction is less likely to be triggered. Thus, 1041 01:00:43,160 --> 01:00:45,980 Speaker 2: they're more likely to just land on you and start 1042 01:00:46,100 --> 01:00:47,760 Speaker 2: probing around for salt juice. 1043 01:00:47,780 --> 01:00:48,660 Speaker 1: Yeah. 1044 01:00:49,660 --> 01:00:52,180 Speaker 2: So I like that too. You might've, you might've imagined 1045 01:00:52,220 --> 01:00:54,400 Speaker 2: a different mechanism making the difference. I don't know, like 1046 01:00:54,420 --> 01:00:57,500 Speaker 2: a special need for salt or something else, but it 1047 01:00:57,560 --> 01:01:00,600 Speaker 2: seems like maybe the big difference here is that all 1048 01:01:00,640 --> 01:01:03,620 Speaker 2: these moths could benefit from getting some extra salt and 1049 01:01:03,660 --> 01:01:06,340 Speaker 2: they have the, you know, the needle like mouth parts 1050 01:01:06,430 --> 01:01:08,280 Speaker 2: to jab in through the skin and get to it. 1051 01:01:08,630 --> 01:01:12,690 Speaker 2: But some of the moths, uh, are more fearless than others. 1052 01:01:12,770 --> 01:01:16,950 Speaker 2: They're less afraid of the, to them, Godzilla sized vertebrate 1053 01:01:17,030 --> 01:01:18,230 Speaker 2: animal wandering around. 1054 01:01:18,250 --> 01:01:19,190 Speaker 1: Oh, wow. 1055 01:01:19,930 --> 01:01:22,950 Speaker 2: So tear drinking moths and blood drinking moths. I propose 1056 01:01:23,010 --> 01:01:27,520 Speaker 2: these as the best real world counterpart to the salt 1057 01:01:27,580 --> 01:01:29,100 Speaker 2: vampire of Star Trek. 1058 01:01:29,720 --> 01:01:31,480 Speaker 1: Wow. I think so. I think that's a, it's a 1059 01:01:31,520 --> 01:01:34,280 Speaker 1: pretty solid lock and hopefully everyone will look at moths 1060 01:01:34,320 --> 01:01:37,120 Speaker 1: a little differently now too. And again, not all moths 1061 01:01:37,180 --> 01:01:41,040 Speaker 1: do this, but, uh, but, you know, now you might 1062 01:01:41,100 --> 01:01:45,400 Speaker 1: imagine them on their behavior a little differently. Um, Man, 1063 01:01:45,440 --> 01:01:50,080 Speaker 1: and this whole bit about Dr. Hans Banziger, fascinating. I 1064 01:01:50,120 --> 01:01:52,500 Speaker 1: had to look him up. I couldn't find, I think 1065 01:01:52,540 --> 01:01:55,320 Speaker 1: he might still be with us. Really? Yeah, it looks 1066 01:01:55,360 --> 01:01:59,430 Speaker 1: like he was, at least as recently as 2012, he 1067 01:01:59,470 --> 01:02:03,430 Speaker 1: was still active, living in Thailand, but getting up in age. 1068 01:02:04,230 --> 01:02:09,790 Speaker 1: I did not find anything concerning his obituary, so maybe 1069 01:02:09,830 --> 01:02:14,430 Speaker 1: he's out there right now. Still discovering and chronicling new 1070 01:02:14,470 --> 01:02:16,590 Speaker 1: species of moth in the wild. Maybe. 1071 01:02:16,650 --> 01:02:18,250 Speaker 2: I didn't follow up on his biography. 1072 01:02:18,990 --> 01:02:24,070 Speaker 1: There's an interesting article titled Vampire Moths, Dastardly Orchids, and 1073 01:02:24,150 --> 01:02:29,170 Speaker 1: Tear-Sipping Bees, Dr. Hans Banziger's Fascinating Finds. And this was 1074 01:02:29,550 --> 01:02:31,370 Speaker 1: published in City Life Chiang Mai. 1075 01:02:31,910 --> 01:02:33,490 Speaker 2: Oh, you'll have to share that in the chat. I 1076 01:02:33,510 --> 01:02:35,050 Speaker 2: want to read that after we're done recording here. 1077 01:02:35,430 --> 01:02:38,190 Speaker 1: Yeah, yeah. It's brief. It goes over some of the 1078 01:02:38,210 --> 01:02:41,310 Speaker 1: stuff we already talked about here, but gives a little 1079 01:02:41,350 --> 01:02:46,030 Speaker 1: more biographical information about him. So I do recommend it. Well, 1080 01:02:46,070 --> 01:02:47,760 Speaker 1: you know, I'd say I don't have too much else 1081 01:02:47,780 --> 01:02:51,660 Speaker 1: to say about salt vampires other than in the Star 1082 01:02:51,680 --> 01:02:57,040 Speaker 1: Trek episode, coming back again to its desire and maybe 1083 01:02:57,160 --> 01:03:00,580 Speaker 1: need to be loved. I couldn't help but think about 1084 01:03:01,540 --> 01:03:05,350 Speaker 1: the way Various non-human animals, but especially dogs and cats, 1085 01:03:05,910 --> 01:03:10,090 Speaker 1: worm their way into our affection by essentially mimicking lovable 1086 01:03:10,170 --> 01:03:13,930 Speaker 1: or cute features that we find admirable in human infants, 1087 01:03:14,030 --> 01:03:16,840 Speaker 1: you know? Yeah, yeah. The cat, and certainly the kitten, 1088 01:03:16,910 --> 01:03:19,800 Speaker 1: kind of looks like a baby. The puppy feels like 1089 01:03:19,840 --> 01:03:22,920 Speaker 1: a baby. And so they manage to hijack our emotions. 1090 01:03:23,660 --> 01:03:26,500 Speaker 1: The salt vampire engages, though, obviously, in a more direct 1091 01:03:26,600 --> 01:03:27,240 Speaker 1: form of this. 1092 01:03:27,860 --> 01:03:31,910 Speaker 2: Right, because the salt vampire... doesn't just have to resemble 1093 01:03:31,970 --> 01:03:34,880 Speaker 2: a human baby in some kind of, you know, in 1094 01:03:35,340 --> 01:03:38,580 Speaker 2: physical appearance or affect. It can literally look exactly like 1095 01:03:38,640 --> 01:03:40,820 Speaker 2: your actual family members or loved ones. 1096 01:03:41,120 --> 01:03:41,640 Speaker 1: Yeah. Yeah. 1097 01:03:42,440 --> 01:03:44,860 Speaker 2: And I, well, you know what? I was going to say, 1098 01:03:44,920 --> 01:03:47,240 Speaker 2: I wonder if there is anything like this in nature, 1099 01:03:47,280 --> 01:03:49,560 Speaker 2: but there are things like this in nature, especially in 1100 01:03:49,980 --> 01:03:50,820 Speaker 2: the insect world. 1101 01:03:51,050 --> 01:03:51,760 Speaker 1: Yeah. 1102 01:03:52,120 --> 01:03:54,890 Speaker 2: You know, I didn't research this going into the episode, 1103 01:03:54,910 --> 01:03:58,220 Speaker 2: but I know I've read before about... In fact, some lepidopterans, 1104 01:03:58,280 --> 01:04:02,930 Speaker 2: I believe. Aren't there butterflies and caterpillars that can mimic 1105 01:04:03,010 --> 01:04:05,430 Speaker 2: the scent of an ant queen and be taken into 1106 01:04:05,470 --> 01:04:08,770 Speaker 2: the ant's hive or colony and be accepted as the queen? Like, 1107 01:04:08,950 --> 01:04:10,270 Speaker 2: I am the one you really care about. 1108 01:04:10,830 --> 01:04:14,350 Speaker 1: Absolutely, yeah. And another example is, of course, the famous 1109 01:04:14,450 --> 01:04:18,730 Speaker 1: death's head hawk moth. This is the silence of the 1110 01:04:18,770 --> 01:04:22,490 Speaker 1: lambs moth, for those of you who are unfamiliar. These 1111 01:04:22,550 --> 01:04:25,070 Speaker 1: are famous infiltrators of beehives. 1112 01:04:25,590 --> 01:04:26,130 Speaker 2: Mm, yeah. 1113 01:04:26,790 --> 01:04:29,850 Speaker 1: Yeah, so there's all manner of deception that goes on 1114 01:04:29,870 --> 01:04:32,450 Speaker 1: in the moth world. All right, we're going to go 1115 01:04:32,470 --> 01:04:36,150 Speaker 1: ahead and close things up here. But stay tuned. Star 1116 01:04:36,190 --> 01:04:40,810 Speaker 1: Trek Week continues. Tomorrow's Monster Fact episode is, of course, 1117 01:04:40,850 --> 01:04:42,290 Speaker 1: going to be Star Trek themed. We're going to be 1118 01:04:42,330 --> 01:04:45,230 Speaker 1: back on Thursday with another Star Trek themed core episode. 1119 01:04:45,570 --> 01:04:48,190 Speaker 1: And then on Friday on Weird House Cinema. We will 1120 01:04:48,250 --> 01:04:52,010 Speaker 1: discuss a Star Trek motion picture, and based on some 1121 01:04:52,030 --> 01:04:53,790 Speaker 1: of the things we discussed in this episode, you may 1122 01:04:53,870 --> 01:04:56,990 Speaker 1: already be able to guess what that movie is going 1123 01:04:57,010 --> 01:04:57,270 Speaker 1: to be. 1124 01:04:57,750 --> 01:05:01,680 Speaker 2: Huge thanks, as always, to our excellent audio producer, J.J. Posway. 1125 01:05:02,080 --> 01:05:03,440 Speaker 2: If you would like to get in touch with us 1126 01:05:03,480 --> 01:05:05,900 Speaker 2: with feedback on this episode or any other, to suggest 1127 01:05:05,980 --> 01:05:08,000 Speaker 2: a topic for the future, or just to say hello, 1128 01:05:08,080 --> 01:05:19,520 Speaker 2: you can email us at contact at stufftoblowyourmind.com. Stuff to 1129 01:05:19,540 --> 01:05:22,300 Speaker 2: Blow Your Mind is a production of iHeartRadio. For more 1130 01:05:22,320 --> 01:05:26,130 Speaker 2: podcasts from iHeartRadio, visit the iHeartRadio app. Apple Podcasts are 1131 01:05:26,150 --> 01:05:27,770 Speaker 2: wherever you listen to your favorite shows.