1 00:00:03,360 --> 00:00:06,000 Speaker 1: What would you talk about on your on your podcastin 2 00:00:09,280 --> 00:00:17,520 Speaker 1: mel show, it is. 3 00:00:17,480 --> 00:00:20,880 Speaker 2: The fifteen minute morning show podcast A little snaggle toothed 4 00:00:20,960 --> 00:00:24,360 Speaker 2: today because we're missing a few people. Nate and Scottie 5 00:00:24,360 --> 00:00:27,840 Speaker 2: b are out. They're both deathly ill, deathly ill. 6 00:00:28,200 --> 00:00:29,319 Speaker 1: But the rest of us made it in. 7 00:00:29,600 --> 00:00:33,599 Speaker 2: There's Danielle and Scotty and Gandhi and I see Garrett 8 00:00:33,680 --> 00:00:36,239 Speaker 2: is here and whoever else wants to stop by. So 9 00:00:36,320 --> 00:00:38,160 Speaker 2: where do we go with the podcast today? 10 00:00:38,159 --> 00:00:41,239 Speaker 1: What's on your mind? That's really it's really making you 11 00:00:41,240 --> 00:00:42,240 Speaker 1: want to get it off your chest. 12 00:00:42,880 --> 00:00:45,959 Speaker 3: I really love the balloons in this studio. They're so pretty. 13 00:00:46,280 --> 00:00:49,600 Speaker 3: Thanks forgetting them purpose, I love them. 14 00:00:49,880 --> 00:00:51,040 Speaker 2: You want to go ahead and get a shot of 15 00:00:51,040 --> 00:00:53,600 Speaker 2: those for everyone who are happening to be watching the 16 00:00:53,640 --> 00:00:57,120 Speaker 2: podcast cannot see look at those. 17 00:00:57,480 --> 00:00:58,800 Speaker 4: They really are so beautiful. 18 00:00:59,040 --> 00:01:02,480 Speaker 2: They're great. They're great, Thank you, Balloon Saloon. They really 19 00:01:02,480 --> 00:01:05,160 Speaker 2: do make a huge difference. It adds depth to the room. 20 00:01:05,319 --> 00:01:09,000 Speaker 2: I heard a rumor that some of the higher ups 21 00:01:09,040 --> 00:01:10,800 Speaker 2: at iHeart don't like them. 22 00:01:11,000 --> 00:01:12,959 Speaker 5: What really balloons and. 23 00:01:12,880 --> 00:01:17,200 Speaker 1: They were suggesting that they would be removed. Why, well, 24 00:01:17,200 --> 00:01:18,280 Speaker 1: it doesn't matter. They're still here. 25 00:01:18,319 --> 00:01:19,720 Speaker 5: So that's crazy. 26 00:01:19,920 --> 00:01:21,759 Speaker 4: But I think it's funny. Every time a guest walks 27 00:01:21,800 --> 00:01:25,240 Speaker 4: in the studio, they're like, whose birthday is it? They 28 00:01:25,319 --> 00:01:28,160 Speaker 4: always expensive, they're talking like art. 29 00:01:28,600 --> 00:01:31,200 Speaker 1: They are like are they are? I think? I don't know. 30 00:01:31,240 --> 00:01:34,520 Speaker 2: I think the overall design of our space is supposed 31 00:01:34,560 --> 00:01:36,920 Speaker 2: to be more stark and more industrial and more commercial. 32 00:01:36,959 --> 00:01:38,760 Speaker 2: I guess balloons don't fit into that equation. 33 00:01:38,840 --> 00:01:41,399 Speaker 3: So, yeah, a weird concept for a group of people 34 00:01:41,400 --> 00:01:43,119 Speaker 3: who are supposed to be creative and having a good 35 00:01:43,160 --> 00:01:45,440 Speaker 3: time all the time to make it a sterile environment. 36 00:01:45,720 --> 00:01:46,200 Speaker 5: Yeah, I don't know. 37 00:01:46,240 --> 00:01:47,000 Speaker 1: I don't know how it works. 38 00:01:47,040 --> 00:01:48,640 Speaker 2: I think it's just kind of like the flavor of 39 00:01:49,160 --> 00:01:52,600 Speaker 2: the year when it comes to architectural design and commercial design. 40 00:01:52,440 --> 00:01:54,640 Speaker 1: Things like that. It has to be that warehouse. 41 00:01:54,680 --> 00:01:57,600 Speaker 2: He look, it's kind of funny back in the day 42 00:01:57,640 --> 00:02:01,360 Speaker 2: where genes became jeans with holes in them, and people 43 00:02:01,400 --> 00:02:05,160 Speaker 2: would pay extra for holes and jeans. Yeah, you're like, well, 44 00:02:05,160 --> 00:02:08,520 Speaker 2: why would you pay more for something that basically on 45 00:02:08,560 --> 00:02:09,919 Speaker 2: the market costs less. 46 00:02:10,120 --> 00:02:13,720 Speaker 3: Right, I can put those holes in myself, especially where 47 00:02:13,720 --> 00:02:15,720 Speaker 3: my thighs rubbed together happens exactly. 48 00:02:15,960 --> 00:02:18,240 Speaker 2: So now we work in a space which I love, 49 00:02:18,280 --> 00:02:21,000 Speaker 2: our iheartspace. Don't get me wrong, But some would argue, 50 00:02:21,160 --> 00:02:24,000 Speaker 2: like twenty years ago or ten years ago, it's not finished, 51 00:02:24,160 --> 00:02:25,239 Speaker 2: like they're not finished with it. 52 00:02:25,280 --> 00:02:28,520 Speaker 4: Well, you know, I keep saying that, look, I think 53 00:02:28,560 --> 00:02:30,560 Speaker 4: it looks great. The only thing I think is the 54 00:02:30,600 --> 00:02:33,040 Speaker 4: molding on the bottom. I really think we should have 55 00:02:33,200 --> 00:02:35,840 Speaker 4: a little bit of molding going around because I just 56 00:02:35,880 --> 00:02:39,320 Speaker 4: think it. I don't know, it doesn't look done down there, and. 57 00:02:39,440 --> 00:02:40,240 Speaker 1: Well that's the point. 58 00:02:40,919 --> 00:02:44,080 Speaker 4: No, but it doesn't look done like sometimes undone is 59 00:02:44,240 --> 00:02:46,400 Speaker 4: looks cool, but I don't feel like that part is 60 00:02:46,440 --> 00:02:46,919 Speaker 4: so cool. 61 00:02:47,040 --> 00:02:48,760 Speaker 2: Right, Well, what if you walk into a building that 62 00:02:48,800 --> 00:02:50,640 Speaker 2: has no roof, it's just open to the sky. 63 00:02:51,800 --> 00:02:53,799 Speaker 1: You could easily say, oh, no, that's the look, that's 64 00:02:53,800 --> 00:02:58,000 Speaker 1: what's going right now. Roof schmoof where we don't need 65 00:02:58,040 --> 00:03:01,080 Speaker 1: protection from the elements and all the cracks. 66 00:03:01,120 --> 00:03:02,720 Speaker 3: How are the rats and roaches. 67 00:03:02,440 --> 00:03:02,920 Speaker 5: Going to get in? 68 00:03:03,160 --> 00:03:05,639 Speaker 1: Well yeah, I guess yeah, Oh they'll they'll find a way. 69 00:03:06,000 --> 00:03:09,400 Speaker 2: We had a big duty sewage leak in our ceiling 70 00:03:09,440 --> 00:03:11,880 Speaker 2: the other day in the building You saw that, right, 71 00:03:12,040 --> 00:03:15,200 Speaker 2: oh yeah, right outside of Seacrest Studio. 72 00:03:16,280 --> 00:03:17,360 Speaker 5: Just to come. 73 00:03:17,880 --> 00:03:19,680 Speaker 1: I know he was, He's never in those studios. 74 00:03:19,720 --> 00:03:22,720 Speaker 2: He finally decided to come in one day and fecal 75 00:03:22,760 --> 00:03:26,119 Speaker 2: matters falling from the sky. Oh well, sorry, we love 76 00:03:26,160 --> 00:03:29,040 Speaker 2: you well and we'll never let that happen again. Mister Seacrest, 77 00:03:29,080 --> 00:03:29,520 Speaker 2: We're sorry. 78 00:03:29,560 --> 00:03:32,320 Speaker 6: I just got a text message from our friend Tom Kelly. 79 00:03:32,520 --> 00:03:35,400 Speaker 6: He says, I'm on your floor with fresh figs. He 80 00:03:35,440 --> 00:03:36,920 Speaker 6: has figs. 81 00:03:36,640 --> 00:03:40,680 Speaker 2: Fuck, we're talking about great figs and we're now ending 82 00:03:40,760 --> 00:03:42,920 Speaker 2: this great fig season of twenty twenty three. 83 00:03:43,240 --> 00:03:45,400 Speaker 1: He's got him. He understands figs. 84 00:03:45,680 --> 00:03:47,920 Speaker 5: Might have been Yeah, I'm doing that right now now 85 00:03:48,040 --> 00:03:48,760 Speaker 5: as we speak. 86 00:03:49,680 --> 00:03:51,760 Speaker 2: Tell him that the cameras and the MIC's run. He'll 87 00:03:51,800 --> 00:03:55,760 Speaker 2: be here in a hurry. 88 00:03:56,040 --> 00:03:57,720 Speaker 5: Is that the kind of guy Tom Kelly is? 89 00:03:57,840 --> 00:03:58,160 Speaker 1: Yeah? 90 00:03:58,280 --> 00:04:00,440 Speaker 2: Yeah, a moth to light, that's what's going on with that. 91 00:04:01,200 --> 00:04:03,800 Speaker 2: So Tom Kelly with figs on the way. What else 92 00:04:03,840 --> 00:04:06,120 Speaker 2: do we want to cover something we can't cover on 93 00:04:06,200 --> 00:04:06,960 Speaker 2: air or we didn't. 94 00:04:08,240 --> 00:04:10,680 Speaker 1: I think we're okay. We'll go just waiting for figs. 95 00:04:10,760 --> 00:04:12,320 Speaker 5: Come on, bring your figs. Man. 96 00:04:12,400 --> 00:04:14,280 Speaker 3: I got an answer yesterday when you guys told me 97 00:04:14,320 --> 00:04:17,120 Speaker 3: to ask Brandon how often he thinks about the Roman Empire, 98 00:04:17,160 --> 00:04:19,840 Speaker 3: because I said, I think not at all. He said 99 00:04:19,880 --> 00:04:23,160 Speaker 3: pretty much, not at all unless he's seeing our own 100 00:04:23,200 --> 00:04:25,359 Speaker 3: government collapse and he thinks, oh, this is like the 101 00:04:25,440 --> 00:04:26,520 Speaker 3: Roman Empire. But that's it. 102 00:04:26,560 --> 00:04:29,240 Speaker 1: Okay, how was it worked? 103 00:04:29,680 --> 00:04:30,920 Speaker 5: What I said? 104 00:04:31,080 --> 00:04:33,720 Speaker 6: I said, yeah, when you come in the MIC's and 105 00:04:33,960 --> 00:04:35,919 Speaker 6: are on we're doing the podcast, he said, I'll be 106 00:04:36,000 --> 00:04:36,360 Speaker 6: right there. 107 00:04:39,200 --> 00:04:43,000 Speaker 1: Tom Kelly on a cracker. He's ready to go. He'll 108 00:04:43,000 --> 00:04:43,719 Speaker 1: be here any. 109 00:04:43,520 --> 00:04:45,960 Speaker 2: Minute now with his figs. So what got us on 110 00:04:46,000 --> 00:04:47,160 Speaker 2: the topic of figs? 111 00:04:48,120 --> 00:04:51,320 Speaker 6: I randomly asked about him? I said, Hey, is it 112 00:04:51,360 --> 00:04:54,400 Speaker 6: fig season? Because the other night I was at an 113 00:04:54,400 --> 00:04:57,000 Speaker 6: event and they had a fruit tray and you know 114 00:04:57,200 --> 00:05:00,880 Speaker 6: this pineapple and watermelon, but they were figs, fresh figs 115 00:05:01,040 --> 00:05:04,040 Speaker 6: at this party. I'm like, I've never seen fresh figs 116 00:05:04,120 --> 00:05:06,600 Speaker 6: in a fruit tray before, like that at a party. 117 00:05:06,800 --> 00:05:07,719 Speaker 5: So I started eating. 118 00:05:07,760 --> 00:05:09,680 Speaker 6: I had one, and I'm like, it just took me 119 00:05:09,680 --> 00:05:12,600 Speaker 6: back to my childhood of my great grandfather's fig tree. 120 00:05:12,800 --> 00:05:14,400 Speaker 1: And I'm like, got the parties you're going to where 121 00:05:14,400 --> 00:05:15,279 Speaker 1: they don't have figs? 122 00:05:15,360 --> 00:05:18,040 Speaker 3: Every party parties I don't have figs. 123 00:05:20,600 --> 00:05:22,120 Speaker 1: You're obviously the best thing in the world. 124 00:05:22,760 --> 00:05:26,599 Speaker 6: Yeah, but people say that bees and bugs get into 125 00:05:26,640 --> 00:05:29,000 Speaker 6: them and then they die in the fig and that's 126 00:05:29,040 --> 00:05:29,840 Speaker 6: the crunchy part. 127 00:05:30,240 --> 00:05:32,559 Speaker 1: I think that that's that's not the case. 128 00:05:32,800 --> 00:05:35,080 Speaker 3: That's what they told us in Singapore from the tree. 129 00:05:35,120 --> 00:05:35,960 Speaker 3: I remember we ate those. 130 00:05:36,120 --> 00:05:39,000 Speaker 2: Yes, well, look all fruit has the possibility of a 131 00:05:39,000 --> 00:05:39,760 Speaker 2: bug crawling in there. 132 00:05:39,760 --> 00:05:41,120 Speaker 1: But you're making it's not like all figs. 133 00:05:41,120 --> 00:05:44,360 Speaker 2: Every fig has a bug and you're gonna eat it? 134 00:05:44,400 --> 00:05:44,880 Speaker 1: Is that true? 135 00:05:45,720 --> 00:05:48,039 Speaker 5: Look at they say that these figs. 136 00:05:48,120 --> 00:05:54,400 Speaker 1: Scary general general eyes. 137 00:05:54,480 --> 00:05:57,440 Speaker 5: You hear these stories, so sometimes you. 138 00:05:57,360 --> 00:06:02,320 Speaker 2: Know, I'm I'm seeing it's impossible for an animal or 139 00:06:02,320 --> 00:06:03,640 Speaker 2: an animal an. 140 00:06:03,480 --> 00:06:04,719 Speaker 1: Insect to crawl into a fig. 141 00:06:05,160 --> 00:06:07,520 Speaker 2: But they're saying that they all are crunchy because of 142 00:06:07,880 --> 00:06:09,320 Speaker 2: they're all getting bugs in them. 143 00:06:09,640 --> 00:06:09,760 Speaker 7: Right. 144 00:06:11,240 --> 00:06:13,200 Speaker 3: Yes, I don't know if this is true or not, 145 00:06:13,360 --> 00:06:16,720 Speaker 3: but this is from Planet natural dot com. It said 146 00:06:16,760 --> 00:06:20,560 Speaker 3: since wasps pollinate the majority of commercially grown figs, yes, 147 00:06:20,839 --> 00:06:24,120 Speaker 3: edible figs do include at least one dead female wasp. 148 00:06:24,560 --> 00:06:26,920 Speaker 3: They said, when it dies inside the fig, an enzyme 149 00:06:26,920 --> 00:06:30,279 Speaker 3: known as bison in the fig breaks down the carcass 150 00:06:30,279 --> 00:06:31,000 Speaker 3: into protein. 151 00:06:32,839 --> 00:06:35,000 Speaker 1: Well, here's Tom Kelly, Tom Kelly, open a fig. Do 152 00:06:35,040 --> 00:06:35,720 Speaker 1: you see any Yes? 153 00:06:35,839 --> 00:06:35,960 Speaker 7: Hi? 154 00:06:36,040 --> 00:06:39,160 Speaker 8: I have fresh figs off the fig tree at my. 155 00:06:39,880 --> 00:06:40,960 Speaker 1: Irish father's house. 156 00:06:41,760 --> 00:06:42,839 Speaker 3: A shop right sticker on it. 157 00:06:43,920 --> 00:06:45,599 Speaker 1: Irish figs. Never heard of that. 158 00:06:45,760 --> 00:06:47,840 Speaker 8: Well, I'm half Italian, my sicilia. 159 00:06:47,960 --> 00:06:50,479 Speaker 7: I don't know why I'm putting the fig into the microphone, 160 00:06:51,440 --> 00:06:52,360 Speaker 7: but that's a good thing. 161 00:06:54,160 --> 00:06:58,760 Speaker 1: According to Gandhi's research. There's a dead animal in there. 162 00:06:59,040 --> 00:06:59,960 Speaker 1: There's a dead insect. 163 00:07:00,000 --> 00:07:01,800 Speaker 8: That's part of the tree. It's part of the excitement. 164 00:07:01,839 --> 00:07:04,160 Speaker 6: Wait a second, I've never seen a green fig. Every 165 00:07:04,200 --> 00:07:07,400 Speaker 6: fig that I've ever eaten was purple green fish. 166 00:07:07,480 --> 00:07:09,360 Speaker 8: Is a white fig is what they would call them. 167 00:07:09,520 --> 00:07:11,760 Speaker 8: This is so good. You ever had one? Have you 168 00:07:11,760 --> 00:07:12,800 Speaker 8: ever had a fresh one? Gone? 169 00:07:13,000 --> 00:07:13,320 Speaker 6: I have? 170 00:07:13,360 --> 00:07:15,400 Speaker 3: We picked one off of a tree in Singapore. 171 00:07:15,000 --> 00:07:20,320 Speaker 1: And take your tongue in there. Oh, scary, so good. 172 00:07:20,680 --> 00:07:21,960 Speaker 2: So he knew it was just a matter of time 173 00:07:22,000 --> 00:07:23,720 Speaker 2: to come down and bring your figs. I'm so glad 174 00:07:23,760 --> 00:07:25,120 Speaker 2: you brought fig I'm sorry I'm not there in the 175 00:07:25,120 --> 00:07:26,480 Speaker 2: studio to enjoy the figs with you. 176 00:07:27,120 --> 00:07:28,480 Speaker 7: That's right, you know what it is. It's just a 177 00:07:28,520 --> 00:07:30,760 Speaker 7: week for figs right now. My my grandfather used to 178 00:07:30,760 --> 00:07:33,000 Speaker 7: say that they were best the first week, and they 179 00:07:33,040 --> 00:07:36,080 Speaker 7: are and uh, you know, that's just life, my friend. 180 00:07:36,120 --> 00:07:36,720 Speaker 8: But I love him. 181 00:07:36,880 --> 00:07:38,720 Speaker 7: This is the only Italian thing I still do like. 182 00:07:38,800 --> 00:07:41,320 Speaker 7: Scary was saying on the show yesterday about all the 183 00:07:41,360 --> 00:07:44,680 Speaker 7: neighbors that wrap up fig trees and stuff like that. Uh, 184 00:07:44,800 --> 00:07:46,720 Speaker 7: that's what I used to do with my Italian grandfather. 185 00:07:46,800 --> 00:07:49,559 Speaker 7: And now you know, Grandpa passed away, and my dad 186 00:07:49,680 --> 00:07:51,520 Speaker 7: lets me keep a fig tree at his house and 187 00:07:51,880 --> 00:07:56,200 Speaker 7: it's you know, it's. 188 00:07:54,840 --> 00:07:56,600 Speaker 1: It's a nice, nice story. 189 00:07:57,480 --> 00:07:59,280 Speaker 8: And then Nate told me to bring him down. He's 190 00:07:59,320 --> 00:08:04,160 Speaker 8: not here well anyway, and these are great if you 191 00:08:04,280 --> 00:08:09,320 Speaker 8: eat them, they cling it out. Oh great, Yeah, Like 192 00:08:09,400 --> 00:08:10,200 Speaker 8: that's why I wasn't here. 193 00:08:10,200 --> 00:08:12,800 Speaker 7: A little bit earlier. I was the train. The express 194 00:08:12,840 --> 00:08:13,840 Speaker 7: train came to the station. 195 00:08:14,240 --> 00:08:16,880 Speaker 8: We call that sh yourself special, and that's what they are. 196 00:08:17,760 --> 00:08:22,520 Speaker 2: That's that's what they say, an Italian scary scary sharding 197 00:08:22,560 --> 00:08:22,960 Speaker 2: his pants. 198 00:08:23,040 --> 00:08:24,880 Speaker 5: Right now, I'm on the second one. Hey, aren't you 199 00:08:24,920 --> 00:08:25,360 Speaker 5: on strike? 200 00:08:25,400 --> 00:08:26,080 Speaker 1: Tom Kelly? 201 00:08:26,600 --> 00:08:30,840 Speaker 7: I think so, so I should probably get out of here. 202 00:08:31,320 --> 00:08:32,360 Speaker 5: They haven't figured that out yet. 203 00:08:32,400 --> 00:08:34,600 Speaker 7: Right now, I'm on it's a I'm sag after so, 204 00:08:34,640 --> 00:08:35,920 Speaker 7: I'm on a partial strike. 205 00:08:36,200 --> 00:08:38,800 Speaker 8: I can't do a movie. But nobody was calling that anyway, 206 00:08:38,880 --> 00:08:43,880 Speaker 8: so no one wanted to between on strike and unemployed. 207 00:08:43,880 --> 00:08:45,280 Speaker 8: And I am sweet spot. 208 00:08:45,679 --> 00:08:48,320 Speaker 2: We we as well are sag After, but were we 209 00:08:48,400 --> 00:08:50,760 Speaker 2: do not strike and that's they won't let us strike. 210 00:08:51,800 --> 00:08:52,200 Speaker 1: It's weird. 211 00:08:52,400 --> 00:08:55,920 Speaker 9: Did you guys about the strike that s n L 212 00:08:56,120 --> 00:08:58,880 Speaker 9: can come back technically, but they won't probably probably in 213 00:08:58,920 --> 00:09:02,439 Speaker 9: solidarity with the act like they really Yeah, they fall 214 00:09:02,520 --> 00:09:04,400 Speaker 9: under the talk show category pretty much. 215 00:09:04,440 --> 00:09:07,040 Speaker 3: But how they come back without actors. 216 00:09:06,720 --> 00:09:09,280 Speaker 7: Well, they can come back with the writers strike. I'm 217 00:09:09,320 --> 00:09:10,960 Speaker 7: obsessive about it, and you just tell me when I'm 218 00:09:11,000 --> 00:09:14,000 Speaker 7: talking too much. But uh, sag After is really two 219 00:09:14,120 --> 00:09:17,360 Speaker 7: unions with ninety different contracts. So you can work on 220 00:09:17,400 --> 00:09:19,839 Speaker 7: a radio show even though you're sag After. You can 221 00:09:19,880 --> 00:09:23,200 Speaker 7: work on a daytime talk show if you are an actor, 222 00:09:23,440 --> 00:09:25,400 Speaker 7: but if you were in a movie that's on at night, 223 00:09:25,559 --> 00:09:27,520 Speaker 7: you can be on the daytime talk show, but you're 224 00:09:27,559 --> 00:09:29,360 Speaker 7: not allowed to talk about the movie you did at night. 225 00:09:29,440 --> 00:09:31,679 Speaker 2: So they're saying Saturday Night Live, as Garrett was saying, 226 00:09:31,760 --> 00:09:35,319 Speaker 2: is more of a talk show, yes, segment talking. 227 00:09:35,040 --> 00:09:38,080 Speaker 3: Okay, yeah, okay, So no, My question was more just 228 00:09:38,080 --> 00:09:40,760 Speaker 3: who would act out the scripts. 229 00:09:40,240 --> 00:09:42,319 Speaker 7: The actors who are in sag After because you are 230 00:09:42,320 --> 00:09:45,280 Speaker 7: not on strike for acting on Saturday Night. 231 00:09:45,160 --> 00:09:47,160 Speaker 6: Live, and plus a lot of the actors are writers 232 00:09:47,280 --> 00:09:49,360 Speaker 6: and the writers thing just got cleared up. 233 00:09:49,440 --> 00:09:51,600 Speaker 7: So that's a lot of those shows like Jimmy Fallon, 234 00:09:51,720 --> 00:09:54,640 Speaker 7: Drew Barrymore, they were all on strike in solidarity with 235 00:09:54,679 --> 00:09:58,160 Speaker 7: their writers, rather than being on strike as actors, which 236 00:09:58,200 --> 00:09:58,920 Speaker 7: are on strength. 237 00:09:58,960 --> 00:10:01,560 Speaker 1: Good call me, we don't have riders on our show. 238 00:10:02,559 --> 00:10:05,080 Speaker 4: God, it's obvious we don't. 239 00:10:08,080 --> 00:10:11,680 Speaker 1: Speaking of. Are those figs going? Are they nice and tasty? 240 00:10:11,760 --> 00:10:13,880 Speaker 7: I'm a little upset that Gandhi won't eat one. It's 241 00:10:13,960 --> 00:10:16,480 Speaker 7: like that's sort of an Italian insult. You have to 242 00:10:16,480 --> 00:10:17,840 Speaker 7: like pretend to like one per year. 243 00:10:18,520 --> 00:10:20,400 Speaker 3: Okay, give me one off for ten. I like, I 244 00:10:20,400 --> 00:10:21,280 Speaker 3: don't like fig. 245 00:10:21,080 --> 00:10:22,160 Speaker 5: Do you have issues? Don't eat it? 246 00:10:22,640 --> 00:10:25,720 Speaker 1: You eat Gandhi? You don't let him pressure you pressure. 247 00:10:25,760 --> 00:10:26,160 Speaker 8: I'll look at it. 248 00:10:26,200 --> 00:10:27,400 Speaker 3: I don't want to waste it. Give it to the 249 00:10:27,440 --> 00:10:30,400 Speaker 3: people who like it. Scary loves us Garrett. 250 00:10:30,640 --> 00:10:33,360 Speaker 2: Yeah, well, how come your grandfather's figs are from Shopwright 251 00:10:33,480 --> 00:10:34,160 Speaker 2: the grocery store. 252 00:10:34,160 --> 00:10:36,959 Speaker 7: I don't get Okay, So this is what I learned 253 00:10:37,000 --> 00:10:39,600 Speaker 7: last year, and again this is my only like non comedy, 254 00:10:39,760 --> 00:10:43,680 Speaker 7: non showbiz, non radio related hobby is growing this fig tree. 255 00:10:43,920 --> 00:10:45,240 Speaker 8: Last year I realized I. 256 00:10:45,240 --> 00:10:47,920 Speaker 7: Was spending more on zip block boxes to give people 257 00:10:47,960 --> 00:10:49,200 Speaker 7: figs they didn't want to eat. 258 00:10:49,640 --> 00:10:52,040 Speaker 8: Then I was making all year like. 259 00:10:52,360 --> 00:10:54,120 Speaker 7: So now what I've been doing is and this is 260 00:10:54,120 --> 00:10:55,920 Speaker 7: what the old Italians used to do too, is you'd 261 00:10:55,920 --> 00:10:58,319 Speaker 7: save all your pieces of plastic and then you put 262 00:10:58,320 --> 00:11:00,280 Speaker 7: the figs in that it's recycling. But in the old 263 00:11:00,320 --> 00:11:01,800 Speaker 7: days they would call that just being cheap. 264 00:11:02,320 --> 00:11:07,559 Speaker 2: Okay, we've covered a lot to so yeah, I did 265 00:11:07,600 --> 00:11:08,160 Speaker 2: not see. 266 00:11:08,000 --> 00:11:11,560 Speaker 3: The carcass inside that fig when they opened it, but 267 00:11:11,600 --> 00:11:14,640 Speaker 3: apparently the fison in the fig dissolves it. 268 00:11:14,760 --> 00:11:18,400 Speaker 7: So so here's one that's sad. Is like, I picked 269 00:11:18,400 --> 00:11:20,319 Speaker 7: the very best figs because you guys are my close 270 00:11:20,360 --> 00:11:22,600 Speaker 7: friends and I want to impress you. When I get 271 00:11:22,600 --> 00:11:24,760 Speaker 7: down to the relatives, sometimes I'll give them a fig 272 00:11:24,800 --> 00:11:27,160 Speaker 7: and they'll open it up and ants will come out. Yeah, 273 00:11:27,200 --> 00:11:28,839 Speaker 7: and then they'll make faces and I'm like, but that's 274 00:11:28,840 --> 00:11:32,520 Speaker 7: how you know it's fresh, it's organic and there's no pesticides. 275 00:11:32,920 --> 00:11:36,040 Speaker 2: First, ants don't want it unless it's fresh. 276 00:11:36,080 --> 00:11:38,560 Speaker 7: No, you know what I eat the ones with the ants, Danielle, 277 00:11:38,559 --> 00:11:40,400 Speaker 7: because the one with the ants taste better. You know 278 00:11:40,400 --> 00:11:41,880 Speaker 7: they're good because the ants want to eat it. 279 00:11:41,960 --> 00:11:44,200 Speaker 4: And then what do you you have ants in your. 280 00:11:44,080 --> 00:11:46,280 Speaker 7: Stomach right, and maybe that's why I was just in 281 00:11:46,280 --> 00:11:47,520 Speaker 7: the bathroom late for the podcast. 282 00:11:48,280 --> 00:11:50,760 Speaker 5: The figs are very underrated. I'm very happy that we 283 00:11:50,800 --> 00:11:51,160 Speaker 5: had this. 284 00:11:51,400 --> 00:11:53,360 Speaker 8: This is really sad. This is really sad. 285 00:11:53,360 --> 00:11:55,600 Speaker 7: But the other thing is like sometimes the birds will 286 00:11:55,640 --> 00:11:57,240 Speaker 7: like take a bite, and you know those are the 287 00:11:57,240 --> 00:11:59,480 Speaker 7: good ones because the birds saw it from up high 288 00:11:59,600 --> 00:12:00,319 Speaker 7: and they took a bite. 289 00:12:00,360 --> 00:12:02,040 Speaker 8: And I'll eat the half that the bird didn't eat. 290 00:12:02,400 --> 00:12:05,080 Speaker 1: See you had the leftovers of other animals. You know 291 00:12:05,120 --> 00:12:08,000 Speaker 1: that they know better than we know. I love that. Well, 292 00:12:08,080 --> 00:12:12,719 Speaker 1: this has been very interesting fig talk only we have 293 00:12:12,880 --> 00:12:14,680 Speaker 1: writers exactly. 294 00:12:15,240 --> 00:12:17,120 Speaker 2: We got to get out of here. Thanks for joining 295 00:12:17,160 --> 00:12:18,959 Speaker 2: our fifteen minute morning show podcast. I don't even know 296 00:12:19,000 --> 00:12:21,600 Speaker 2: how long it was, doesn't matter. We're eating figs. Goodbye, everyone, 297 00:12:21,679 --> 00:12:25,600 Speaker 2: say goodbye bye. 298 00:12:26,160 --> 00:12:26,959 Speaker 8: Would you take them home? 299 00:12:27,000 --> 00:12:34,880 Speaker 1: To the fifteen minute Morning Show