WEBVTT - RIP D’Angelo + Netflix is getting into the podcast game

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<v Speaker 1>I'm a homegrow that knows a little bit about everything

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<v Speaker 1>and everybody. You don't know if you don't lie about that. Right, Hey, y'all,

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<v Speaker 1>what's up. It's Laura la Rosa and this is the

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<v Speaker 1>latest with Laura le Rosa. This is your daily dig

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<v Speaker 1>on all things pop culture, entertainment, news and all of

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<v Speaker 1>the conversations that shake the room. Now getting started this episode,

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<v Speaker 1>I just want to before we hop into any you know,

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<v Speaker 1>topics or just anything, I do want to take the

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<v Speaker 1>time to say rest in peace to Dangelo neo soul legend.

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<v Speaker 1>I saw some people referring to him as an R

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<v Speaker 1>and B singer, but you know, I think I was

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<v Speaker 1>talking to one of the breakfast club producers, Nick who

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<v Speaker 1>you know, he plays guitar and like all these different things,

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<v Speaker 1>and we were talking about the Soul Aquarians, which it

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<v Speaker 1>was like a like a creative collective that D'Angelo was

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<v Speaker 1>a part of. And I recently watched an interview with

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<v Speaker 1>rikabay Do. She was on Please Explain, and I love

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<v Speaker 1>Please Explain because it's a it's complex, so it's pop culture,

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<v Speaker 1>but it's very artsy fashion conversations. And I love the

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<v Speaker 1>host I love the way that she curates conversations with

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<v Speaker 1>the black artists and creators that come on and and

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<v Speaker 1>it's always like a history lesson in educational but it's

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<v Speaker 1>very like trendy on topic stuff and you learn things,

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<v Speaker 1>but you also like getting new news, like in the

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<v Speaker 1>same episode, we found out that er Kabadu was going

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<v Speaker 1>to redo the bag Lady video with tel Far, which

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<v Speaker 1>is a black owned handbag brand. The host Aria Hughes,

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<v Speaker 1>So I love watching her conversations, but Ericabadu was on there.

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<v Speaker 1>I watched this last week actually, and she was talking

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<v Speaker 1>about this aquarians, which a lot of people don't talk

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<v Speaker 1>about then when they speak to these artists. So you

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<v Speaker 1>had and I'm not going to name all of them

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<v Speaker 1>because I don't know everybody off top. I know er

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<v Speaker 1>Kabay do DiAngelo, which is how we got hair and

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<v Speaker 1>conversation because you know this is I just want to

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<v Speaker 1>send the recipes to d Angelo. But in talking about

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<v Speaker 1>him and just you know, seeing so many people like

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<v Speaker 1>recap a lot of his work, his music, his impact culturally, musically,

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<v Speaker 1>just everything. It made me think a lot about the

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<v Speaker 1>people that are around you as you were making different

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<v Speaker 1>decisions to express yourself and how you express yourself and

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<v Speaker 1>just how you touch the world and what your impact

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<v Speaker 1>is there. And I just was thinking, I'm like, damn, Like,

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<v Speaker 1>so she's describing these GM sessions between y'asinbe talib Qualiti

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<v Speaker 1>common Questlove D'Angelo, Like, imagine that group of people in

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<v Speaker 1>the studio, and I believe it was an electric lady

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<v Speaker 1>that they were talking about that they would like shoot at,

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<v Speaker 1>you know, or shoot at that they would you know,

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<v Speaker 1>just just be at and run into each other to

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<v Speaker 1>each other at all the time. But it was a

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<v Speaker 1>collective of great minds and great thought seekerts.

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<v Speaker 2>So the original so aquariums are Questlove, j Dilla DeAngelo

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<v Speaker 2>and Ali Shahi Mah got it. And then came James

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<v Speaker 2>Poyser because they're all Aquarius.

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<v Speaker 3>Yes yes, yes, yes, and you were the Pisces and

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<v Speaker 3>the only woman right yes yes. How did they how

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<v Speaker 3>to being around them? How did that change your approach

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<v Speaker 3>to the making of the music? Like did they push

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<v Speaker 3>you in any type of way?

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<v Speaker 1>Absolutely?

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<v Speaker 3>Yeah.

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<v Speaker 2>Before I met any of them, before I had bodyism,

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<v Speaker 2>they were the audience that I sought out, like I

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<v Speaker 2>just want these people to hear this, you know, because

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<v Speaker 2>it didn't mean anything else. You know, it didn't mean

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<v Speaker 2>much for anyone else at that time. For me to

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<v Speaker 2>hear it, it meant a lot for them, those people

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<v Speaker 2>to hear it because I admired them so much and

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<v Speaker 2>continue to learn from them and grow.

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<v Speaker 1>Yeah, I just I don't know, just made me think

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<v Speaker 1>of that clip, so, you know, wanted to play that

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<v Speaker 1>clip here and sending him a rest in piece. D

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<v Speaker 1>Angelo passed away at age fifty one of pancreatic cancer yesterday,

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<v Speaker 1>October fourteenth, twenty twenty five, and there's just been an

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<v Speaker 1>outpouring of love for him all over the place from

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<v Speaker 1>all different types of artists, whether you you know they

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<v Speaker 1>had the honor to meet him to you know, just

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<v Speaker 1>watch his work from afar all of the things. And

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<v Speaker 1>his career began at eighteen, he was in a group

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<v Speaker 1>and they won an R and B composition at Showtime

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<v Speaker 1>Showtime of the Apollo Fast Forward drops brown Sugar, which

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<v Speaker 1>is like his debut that debuted his debut album that

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<v Speaker 1>debut number six on the Billboard chart and went platinum

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<v Speaker 1>back in nineteen ninety six. And on that album, you Had, Lady,

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<v Speaker 1>You had Brown Sugar, You had Cruising brown Sugar actually

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<v Speaker 1>earned him a Grammy nomination for R and B Album

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<v Speaker 1>of the Year. I mean that song. Even as I'm

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<v Speaker 1>talking about that song, you just hear it. Like I

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<v Speaker 1>think the music of a certain time really illustrates your life,

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<v Speaker 1>no matter what your age is. Like the old heads,

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<v Speaker 1>like the OG's always like y'all wasn't outside y'all don't

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<v Speaker 1>even understand the feeling. But I think, you know, we

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<v Speaker 1>might not have been around when the songs were charting,

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<v Speaker 1>and like the artists were really you know, running around

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<v Speaker 1>and it was new and they were breaking and they

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<v Speaker 1>were getting the world to love it. But good music

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<v Speaker 1>has lasted, and good art last generations the generation, and

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<v Speaker 1>that's what that's what made me think about the story

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<v Speaker 1>that I heard Erica, but BA do tell about working

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<v Speaker 1>within that collective and just wanting to, you know, throw

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<v Speaker 1>your art not even at the wall and see if

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<v Speaker 1>it's stuck, but within a group of your peers that

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<v Speaker 1>you respected, and all of those people have created things

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<v Speaker 1>and brands and conversations that have impacted, touch and influenced

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<v Speaker 1>people for generations to come. Because I gotta I get

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<v Speaker 1>a feeling when I hear Brown Sugar, and I have

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<v Speaker 1>been also to the Brown Sugar movie is my favorite movie.

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<v Speaker 1>But yeah, I just you know it. It's always one

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<v Speaker 1>of those things that you think about as a person

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<v Speaker 1>that is creating something that you're putting into the world.

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<v Speaker 1>Conversation is my art at this point SI music not

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<v Speaker 1>a music artist, but I always think about how is

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<v Speaker 1>what I'm doing impacting people? And when you see and

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<v Speaker 1>it's sad though that you really had this conversation about

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<v Speaker 1>a lot of people once they're not here anymore. But

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<v Speaker 1>I won't go down that rabbit hole. I just yesterday

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<v Speaker 1>when I was seeing a lot of the you know,

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<v Speaker 1>outpouring of artists that we're talking about how what Dangelo

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<v Speaker 1>did in his career just by waking up and being

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<v Speaker 1>himself and deciding to explore instruments and show the world

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<v Speaker 1>that and explore you know, his sex appeal, his his neo,

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<v Speaker 1>so all the things like how it has impacted so

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<v Speaker 1>many people. So, you know, making sure we send a

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<v Speaker 1>rest in peace to him, some love to the family,

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<v Speaker 1>to his family. Yeah, the only right way to start

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<v Speaker 1>off an episode on a day like today is to

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<v Speaker 1>do that, is to take that time. Now. In other news,

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<v Speaker 1>as we shift gears, there's been a new announcement Netflix

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<v Speaker 1>is getting into the podcasting business. Now you're probably like, what,

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<v Speaker 1>Like I hear so many people say please defund the

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<v Speaker 1>podcast mics. Too many people have podcast mics. And then

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<v Speaker 1>you get this story about Netflix getting into the podcast

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<v Speaker 1>of business because they just in ink to deal with Spotify.

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<v Speaker 1>It doesn't mean that they're gonna run around giving everybody

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<v Speaker 1>more podcasts. Spotify is already doing that black effect. Does

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<v Speaker 1>it better shout out to you know, ganggang. But what

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<v Speaker 1>is gonna happen is major podcasts with viewership with the video.

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<v Speaker 1>Netflix is going to come in and say, come on

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<v Speaker 1>over here, we got a home for y'all, and how's

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<v Speaker 1>the video podcast? And this is interesting to me because

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<v Speaker 1>you guys know, and I've talked about this and you know,

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<v Speaker 1>several different conversations here on the podcast. When I went

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<v Speaker 1>to Memphis to the podcast fest, the pot Box Podcast

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<v Speaker 1>Festival in Memphis, one of the things I talked about

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<v Speaker 1>was and when I got in the you know, got

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<v Speaker 1>into all of this podcasting because of the latest with

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<v Speaker 1>Lon La Rosa, I didn't really understand the like, what

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<v Speaker 1>was the big deal about the audio? For me, I'm

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<v Speaker 1>a visual person. I like to see things. I like

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<v Speaker 1>to see people's reactions. I like to see the laugh,

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<v Speaker 1>the upset, the cries. Like I just attached to things

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<v Speaker 1>I can see. I like to see the coloring, the

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<v Speaker 1>you know all of that podcasts that are only audio,

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<v Speaker 1>I can't really think of too many of them. Besides,

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<v Speaker 1>I will say The Read, The Read, and not necessarily recently,

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<v Speaker 1>but I remember The Read being one of the first

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<v Speaker 1>podcasts years ago that I was actually listening to religiously.

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<v Speaker 1>And I don't even know what the people look like

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<v Speaker 1>because I could only listen to it. And even right now,

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<v Speaker 1>as I'm talking about The Read, I don't think about

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<v Speaker 1>what the hosts look like. I think about what their

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<v Speaker 1>art of their podcast is, you know, the two head

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<v Speaker 1>figures that like pinkish salmon color, like it's branded around

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<v Speaker 1>just the art of the podcast because they never had video.

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<v Speaker 1>They still don't have video. Crystal who now has stepped

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<v Speaker 1>off and she's doing her own podcast that will be video,

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<v Speaker 1>but they've never had video. And it's very successful podcast.

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<v Speaker 1>But I didn't really understand, you know, what the business

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<v Speaker 1>was behind the audio. So I feel like I'm learning

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<v Speaker 1>that as I'm going and I really begin to understand

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<v Speaker 1>that with us and our success here at the Latest

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<v Speaker 1>with Lona Rosa. But I always thought video was like

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<v Speaker 1>the utmost and foremost important and then I kind of

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<v Speaker 1>took a step back from that. Y'all know, we're back.

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<v Speaker 1>We do have a video component. But when I saw

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<v Speaker 1>this Netflix deal with Spotify, I'm like, yeah, there it is.

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<v Speaker 1>That's why, because I mean, you're it's always been a

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<v Speaker 1>thing that you can do deals for the video side

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<v Speaker 1>of your podcast with networks and like all the people.

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<v Speaker 1>But for a big platform like Netflix, it be like,

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<v Speaker 1>come here, we need to be in business with y'all.

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<v Speaker 1>That means that there is growth happening on the video

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<v Speaker 1>side of podcasts, and it's possibly growing to not just

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<v Speaker 1>be a marketing tool, but an actual force in podcasting

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<v Speaker 1>because audio is a force. Like I can't even describe

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<v Speaker 1>to you guys how much audio from the radio to

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<v Speaker 1>podcasting has changed my whole life in three sixty five,

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<v Speaker 1>but it really has. And now I'm reading this article

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<v Speaker 1>and I'm hearing from you know, the execs at Netflix

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<v Speaker 1>and Ted Sarandos, who is the co CEO of Netflix.

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<v Speaker 1>He gave Deadline a quote when they made this announcement.

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<v Speaker 1>He says, as a popularity of video podcasts grow, I

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<v Speaker 1>suspect you'll see some of them find their way to

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<v Speaker 1>Netflix and then they have some information here in the

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<v Speaker 1>article that says last year, Spotify founder and CEO Daniel

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<v Speaker 1>Ck said that the number of creators publishing video on

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<v Speaker 1>Spotify had grown by more than fifty percent year on year.

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<v Speaker 1>So with this deal, we will now see Spotify produce

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<v Speaker 1>series from its Spotify studios and the Ringer launch on

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<v Speaker 1>another platform. One of these shows that will be coming

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<v Speaker 1>on over to Netflix is the Bill Simmons Podcast. Anytime

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<v Speaker 1>you see something like this where a major platform is

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<v Speaker 1>reevaluating their business structure and bringing something in because it's growing,

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<v Speaker 1>that means that there's about to be such a centered

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<v Speaker 1>focus around just that. And don't get me wrong, podcasts

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<v Speaker 1>or that they everybody's got one. Everybody. There's a lot

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<v Speaker 1>of people who only do video podcasts, right, they don't

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<v Speaker 1>even they're not focused on the audio. For a long time,

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<v Speaker 1>you know, that has been the that's been a big

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<v Speaker 1>no no to not be focused on audio. And I

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<v Speaker 1>still think with Netflix getting in the game, that'll still

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<v Speaker 1>be a thing. Like I think the way that podcasts, uh,

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<v Speaker 1>the way that podcasts. The way that podcasts have been

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<v Speaker 1>set up and positioned, audio is literally become like a

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<v Speaker 1>daily part of people's lives. It's not live like radio.

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<v Speaker 1>And I've learned that radio is that it's a daily

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<v Speaker 1>part of people's lives, but it's live, like you can

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<v Speaker 1>turn you on and hear me while you're headed to

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<v Speaker 1>your job. Right. Podcasting is that, but it's a bit

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<v Speaker 1>more like schedule. You maybe get them once a week,

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<v Speaker 1>you know, maybe twice a month the latest to Lana

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<v Speaker 1>Roads that we are every day and I try to

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<v Speaker 1>keep up with It's like I don't like doing anything

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<v Speaker 1>that is going to date itself that may seem old,

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<v Speaker 1>because I want to get as close to in the

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<v Speaker 1>now as I can because of what I've experienced with growth,

0:13:11.280 --> 0:13:13.920
<v Speaker 1>like just from being on the radio and being in

0:13:13.960 --> 0:13:17.439
<v Speaker 1>that space. I say all that to say, I don't

0:13:17.480 --> 0:13:19.719
<v Speaker 1>think the way that people connect with audio, and they're

0:13:19.800 --> 0:13:22.600
<v Speaker 1>very intimate and personal moments, whether you're in the car

0:13:22.679 --> 0:13:25.040
<v Speaker 1>with your children or you know, you got something in

0:13:25.080 --> 0:13:27.600
<v Speaker 1>your ears while you're cleaning up. I don't think that

0:13:27.720 --> 0:13:30.080
<v Speaker 1>there's anything that can trump that, to be honest with you,

0:13:30.200 --> 0:13:33.840
<v Speaker 1>not podcasts that have been here and that have built

0:13:34.520 --> 0:13:40.560
<v Speaker 1>really strong listener foundations. However, I do think with the

0:13:40.640 --> 0:13:44.840
<v Speaker 1>right platform aka Netflix behind it, the right brands that

0:13:44.880 --> 0:13:47.120
<v Speaker 1>will come because not only do these podcasts that are

0:13:47.120 --> 0:13:50.080
<v Speaker 1>coming over already have their own numbers, but Netflix is

0:13:50.080 --> 0:13:54.200
<v Speaker 1>going to bring a whole other level of advertising podcast video.

0:13:55.160 --> 0:13:58.920
<v Speaker 1>In my opinion, on a major streamer like a Netflix,

0:14:01.600 --> 0:14:03.880
<v Speaker 1>it's good. It can potentially if done right, it could

0:14:03.880 --> 0:14:08.240
<v Speaker 1>potentially take over talk shows in the TV space, which

0:14:08.280 --> 0:14:11.000
<v Speaker 1>I will say there's always been reports about how well

0:14:11.120 --> 0:14:13.200
<v Speaker 1>talk shows in the TV space are doing, whether it's

0:14:13.240 --> 0:14:16.480
<v Speaker 1>daytime talk show or nighttime talk shows. Right, but imagine

0:14:16.520 --> 0:14:21.239
<v Speaker 1>if your favorite streamer, your favorite your favorite streaming platform

0:14:21.960 --> 0:14:24.480
<v Speaker 1>aired a daily talk show that kept you up to

0:14:24.560 --> 0:14:26.720
<v Speaker 1>date with whatever it is you love to know about

0:14:27.440 --> 0:14:31.280
<v Speaker 1>the same way your favorite local CBS or ABC or

0:14:31.920 --> 0:14:35.000
<v Speaker 1>you know, Fox channel did. That's where I always when

0:14:35.040 --> 0:14:37.960
<v Speaker 1>I thought about, you know, a podcast and a show,

0:14:38.440 --> 0:14:41.440
<v Speaker 1>That's what I always thought. I wasn't audio focused first

0:14:41.520 --> 0:14:43.640
<v Speaker 1>until I got in it and realized the impact of it.

0:14:44.440 --> 0:14:46.320
<v Speaker 1>But coming into this, I was always like, if we

0:14:46.360 --> 0:14:48.480
<v Speaker 1>build out the video, we can end up on a

0:14:48.480 --> 0:14:51.760
<v Speaker 1>streaming platform because that's where people are and people used

0:14:51.760 --> 0:14:54.040
<v Speaker 1>to like even when people ask me, like, what's your goal,

0:14:54.080 --> 0:14:56.760
<v Speaker 1>and I'm like, one of my goals and storytelling is

0:14:56.760 --> 0:14:59.480
<v Speaker 1>to have a TV show and to be on TV

0:14:59.680 --> 0:15:02.160
<v Speaker 1>not just as a talk show host, but as an

0:15:02.240 --> 0:15:04.680
<v Speaker 1>actress and all these things. When I'm thinking about it,

0:15:04.720 --> 0:15:07.560
<v Speaker 1>I'm like, it's not TV, though not in a general

0:15:07.640 --> 0:15:10.240
<v Speaker 1>and like traditional way that we think of a TV

0:15:10.360 --> 0:15:13.880
<v Speaker 1>show or if I'm acting in a TV series, It's

0:15:13.920 --> 0:15:18.120
<v Speaker 1>like it's streaming. But think about how many daily talk

0:15:18.160 --> 0:15:23.320
<v Speaker 1>shows you have on streaming platforms. This is going to

0:15:23.440 --> 0:15:26.880
<v Speaker 1>unlock a new character. Netflix is onto something here, I

0:15:26.920 --> 0:15:29.640
<v Speaker 1>do think, and I'm interested to see. I was reading

0:15:29.680 --> 0:15:32.080
<v Speaker 1>some of the shows that they have and that they

0:15:32.080 --> 0:15:34.440
<v Speaker 1>will be leaning to in this you know, first round

0:15:34.440 --> 0:15:36.720
<v Speaker 1>of this partnership. I do think it's going to be

0:15:36.760 --> 0:15:42.480
<v Speaker 1>interesting to see what show served best from Spotify and

0:15:42.640 --> 0:15:45.720
<v Speaker 1>or YouTube and you know audio and just doing video

0:15:45.760 --> 0:15:48.600
<v Speaker 1>as like their marketing piece and a visual piece now

0:15:48.640 --> 0:15:52.400
<v Speaker 1>coming over to Netflix. But I'm also interested to see

0:15:52.520 --> 0:15:54.840
<v Speaker 1>who's the first platform that's going to do it in

0:15:54.840 --> 0:15:57.560
<v Speaker 1>a way where we can watch it live. Like imagine

0:15:57.560 --> 0:16:00.560
<v Speaker 1>if you take like a Wendy Williams stole show, a

0:16:00.640 --> 0:16:03.920
<v Speaker 1>Ladies with Laura l Roza and you put that show

0:16:04.000 --> 0:16:08.360
<v Speaker 1>daily on a streaming platform, but you do it live

0:16:08.720 --> 0:16:12.040
<v Speaker 1>with a live audience, so you're able to watch me

0:16:12.200 --> 0:16:17.520
<v Speaker 1>on your favorite streaming or your Netflix, Amazon Prime. And

0:16:17.560 --> 0:16:21.480
<v Speaker 1>then whenever you miss the live episodes, it's just like

0:16:21.520 --> 0:16:24.040
<v Speaker 1>on demand essentially, but it's meeting people where they already are,

0:16:24.040 --> 0:16:26.960
<v Speaker 1>which is streaming. Whenever you miss my live episode, you

0:16:27.040 --> 0:16:29.480
<v Speaker 1>go back and you binge via Netflix or via Amazon

0:16:29.520 --> 0:16:34.520
<v Speaker 1>Prime to be wherever. So we look, who knows I'm

0:16:34.560 --> 0:16:37.720
<v Speaker 1>over here trying to speak things into existence. But more so,

0:16:39.160 --> 0:16:42.640
<v Speaker 1>what do you guys think? Where does this new partnership

0:16:42.680 --> 0:16:45.720
<v Speaker 1>with Netflix and Spotify? Where does this end us in

0:16:45.760 --> 0:16:49.640
<v Speaker 1>a year we'll talk shows and TV shows be as

0:16:49.680 --> 0:16:51.680
<v Speaker 1>relevant or will everybody be going to streaming for those

0:16:51.720 --> 0:16:54.160
<v Speaker 1>two I want to know. Get out there in the

0:16:54.160 --> 0:16:56.240
<v Speaker 1>streets and the tweets. Let me know how y'all feeling.

0:16:56.280 --> 0:17:02.360
<v Speaker 1>It's Laurna l Roza outside, We outside every other page.

0:17:03.120 --> 0:17:04.840
<v Speaker 1>This is the latest with Lona Rosa. And at the

0:17:04.920 --> 0:17:07.080
<v Speaker 1>end of the day, y'all could be anywhere with anybody

0:17:07.480 --> 0:17:09.920
<v Speaker 1>listening to all these things, talking about all these things,

0:17:09.960 --> 0:17:12.240
<v Speaker 1>But lowriders, y'all choose to be right here with me,

0:17:12.720 --> 0:17:14.720
<v Speaker 1>and I appreciate y'all for that. I will see you

0:17:14.760 --> 0:17:15.880
<v Speaker 1>in my next episode.