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Speaker 1: I am all in. I want to kiss you. I

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Speaker 1: am all in with Scott Patterson and I heart radio podcast.

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Speaker 1: Hey everybody, welcome back on Scott Patterson. This is I

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Speaker 1: Am all In Podcast. We are going to recap episode six,

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Speaker 1: season one of the Rory's birthday parties. Not party parties.

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Speaker 1: She had more than one. Um and listen, if I

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Speaker 1: could just take a moment, uh to discuss this, Maxi Medina,

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Speaker 1: ranting that I've been doing. I you know, we we

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Speaker 1: did a special episode with Scott, who was a lovely,

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Speaker 1: lovely human being on top of being one of the

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Speaker 1: better jazz piano players. Um of anybody, much less actors.

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Speaker 1: But he can play a mean jazz piano. This guy, Uh,

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Speaker 1: just a lovely, lovely guy, terrific actor. UM. So it

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Speaker 1: was never it was never personal against Scott. It's just

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Speaker 1: the character. That's That's what I'm responding to. So, UM,

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Speaker 1: you know, we had a we had a nice discussion

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Speaker 1: on we made a special podcast out of it, and uh,

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Speaker 1: and I feel a lot better about it. I do.

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Speaker 1: I he said that he was willing to walk away

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Speaker 1: from his job at Chiltern. He for Laurel. I I

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Speaker 1: respect that. I respect his perspective on that. I respect

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Speaker 1: the choices that he made. I still want to throttle

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Speaker 1: him because his arrival don't that's not gonna go away.

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Speaker 1: That's always gonna be here. I'm serious about that. Man.

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Speaker 1: There's something that right, you know, it's the Scotch Irish

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Speaker 1: in me on you know, on my dad's side. It

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Speaker 1: just rises up and um and you know he he

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Speaker 1: invokes that and so um. But I gotta say, man,

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Speaker 1: I mean, if you're in love with somebody, I I

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Speaker 1: can kind of dig where he's coming from. You know,

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Speaker 1: it was for him, it was all about romance. He

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Speaker 1: was willing to throw it all away. But I still

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Speaker 1: have a bone to pick with him. I gotta tell you,

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Speaker 1: I'm gonna be watching these episodes and he better be

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Speaker 1: real careful. MAXI Medina. I'm warning you. You got a

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Speaker 1: little break from Max and this episode I did. I

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Speaker 1: got a little break. So let's let's talk about Roy's

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Speaker 1: birthday parties because it's uh my god, We're gonna impact.

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Speaker 1: We're gonna impact one heck of a show. This this

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Speaker 1: so far has been my favorite episode. I mean, it

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Speaker 1: is so filled, so filled with conflict, and so filled

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Speaker 1: with so many great lines. I don't know how we're

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Speaker 1: gonna pick a great line, but there are a million

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Speaker 1: great lines in this in this episode. Um. You know

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Speaker 1: the thing that really struck me about this episode, and

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Speaker 1: I think you guys will agree with me, is is

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Speaker 1: the level of vitriol between mother and daughter. I mean,

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Speaker 1: between Emily and law I mean it's like and it's

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Speaker 1: almost like, I don't know how Emily tolerated Laura even

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Speaker 1: from the get go, from the very first scene. Uh,

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Speaker 1: you know, my daughter, Hannay youngman, everything's a joke, everything's

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Speaker 1: I mean, all she's trying to do, is you know.

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Speaker 1: I think Richard and Emily got together a long long

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Speaker 1: time ago, uh, and have for years, have have sort

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Speaker 1: of shrugged the shoulders that acknowledge that lauraize the lost

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Speaker 1: cause that she's never going to be pleasant company. She's

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Speaker 1: never going to be a loving daughter to them. But Rory.

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Speaker 1: They can work on Rory. They can they can get

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Speaker 1: it right with her. So everything they did wrong maybe

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Speaker 1: or apply the same kind of discipline, of the same

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Speaker 1: kind of cultural opportunities. Uh. From their perspective for Rory,

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Speaker 1: I think they feel like they're going to save her life.

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Speaker 1: I understand though, why Emily makes Laura lie crazy. So

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Speaker 1: I get what you're saying. But at the on the

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Speaker 1: same token, it's like Emily is tough. She's yes, she's

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Speaker 1: tough as now. She does a lot of things for

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Speaker 1: herself and it drives. But but here's the thing that

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Speaker 1: watching this episode, watching just the first couple of scenes,

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Speaker 1: I started asking questions, where is Emily from? What was

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Speaker 1: her mother, like, what was her grandmother? Like? What what

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Speaker 1: is that bloodline like for her to for them to

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Speaker 1: produce an Emily Gilmore Where it was just it's a perfectionist.

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Speaker 1: It's about manners, it's about appearance. It's about education, it's

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Speaker 1: about wealth, it's about being elite. It's about maintaining culture.

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Speaker 1: It's about protecting culture. It's about protecting education, it's about

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Speaker 1: donating to Harvard, donating to this private schools, this that

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Speaker 1: it's about culture, keeping culture, and that's the responsibility. So

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Speaker 1: I started wondering where Emily came from and I and

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Speaker 1: I must have been And I thought one scenario. Here,

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Speaker 1: here's a possible scenario. Emily's bloodline came from nothing and somebody,

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Speaker 1: somebody right, and somebody made it to Asian couple hundred

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Speaker 1: years ago a woman who said enough is enough and

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Speaker 1: education is the key, and I'm going to crack the

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Speaker 1: whip on all my children there might hate me, but

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Speaker 1: by golly, they're getting into Harvard. And she works hard, Yes,

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Speaker 1: she works hard to make it perfect and the perfect

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Speaker 1: room and social experience for Richard, you know, and the

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Speaker 1: she works hard at that. It's her full time job. Absolutely,

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Speaker 1: appearances are everything. And and you know, they're a powerful couple.

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Speaker 1: They are a power couple and they have extraordinary wealth

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Speaker 1: and that just didn't happen. That happened over generations and

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Speaker 1: Laura Lie hates it. Laura Lie hates it so much. Well, yeah,

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Speaker 1: so the only explanation for Emily is there must be

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Speaker 1: something wrong with her. So she's a lost cause. But right, Rory,

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Speaker 1: isn't I mean, who gets pregnant at sixteen and has

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Speaker 1: the baby when they come from that? Not a Gilmore,

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Speaker 1: you know what I mean? Like, not a Gilmore and

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Speaker 1: it happens them. And it also led me to wonder

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Speaker 1: about the origin of the name Gilmore. Where comes from?

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Speaker 1: And it's Scottish and it's also Irish and it's and

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Speaker 1: it's remolster as well. But if you're it's a Scottish Highlander.

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Speaker 1: And you wonder. You know, Scots are the smallest people

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Speaker 1: in the UK, the average about five ft eight five

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Speaker 1: ft nine. But why is Richards so told he's a

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Speaker 1: gil More? Why why he's six four? I mean he's

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Speaker 1: a giant. So then I went back and read a

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Speaker 1: little history on the region, and Norwegian vikings invaded Scotland

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Speaker 1: in seven thirty nine and that was four I mean,

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Speaker 1: it wasn't until twelve sixty six or something that they

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Speaker 1: got beaten back and the Scots held from and it's

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Speaker 1: there's there are a lot of details to go to

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Speaker 1: go into this that I'm skipping over, but it wasn't

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Speaker 1: really until fourteen seven, fourteen o eight when they got

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Speaker 1: their lands back, when the Scott's really got their lands back,

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Speaker 1: because somebody forgot to make a payment. Rich Yes, so

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Speaker 1: there's that d n A. So I'm thinking, okay, so

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Speaker 1: that DNA is in is in Laurela. She's she's fighting mad.

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Speaker 1: So there's this sort of push pull thing within her

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Speaker 1: to fight against it. She is one, you know, there's

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Speaker 1: an identity crisis there. But I think Emily comes from

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Speaker 1: really tough stock and she doesn't and She's seen how

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Speaker 1: people destroy themselves, and when she sees that, Laurel i

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Speaker 1: um antagonizes every single line of her every time she's

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Speaker 1: trying to help Rory. At the dinner table, you know,

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Speaker 1: Laurel has got a comment. It's this negative comment. I mean,

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Speaker 1: in the real world, a grandmother would stand up and

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Speaker 1: say leave right now, shut up or leave stop you know,

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Speaker 1: stop tittering away over there, because I'm trying to help

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Speaker 1: your daughter. I mean, that would lead to a big fight,

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Speaker 1: it wouldn't. I mean. The amount of patients that Emily

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Speaker 1: is displaying at the dinner table and throughout the episode

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Speaker 1: is kind of so interesting. You see it that way

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Speaker 1: because I felt Emily did a lot of things wrong

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Speaker 1: in this episode with good intentions, but she really crosses

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Speaker 1: the line inviting all the kids to the party, throwing

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Speaker 1: this party that Rory doesn't want or light. She's trying

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Speaker 1: to save Rory. That's her intention. She doesn't want Laurela

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Speaker 1: to destroy Rory in her right. In her perspective, she

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Speaker 1: sees a glimmer of hope in Rory that she responds

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Speaker 1: to me. She thinks, I'm funny. Sometimes I can win

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Speaker 1: her over. I can maybe gain a little bit of

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Speaker 1: control by giving you know, the post it notes on

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Speaker 1: the things, the lawyers coming for the will and you

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Speaker 1: can have anything you want the desk, this that right

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Speaker 1: and there seene. But it's like they're being very risk

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Speaker 1: that's very generous to say something like totally, they are generous.

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Speaker 1: Richard just keeps giving the checks for Fez. Here's another

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Speaker 1: check for Fez. They're super generous. Emily wants to buy

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Speaker 1: her some extravagant mob block pen when really she just

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Speaker 1: wants the five dollar bracelet. But Emily wants to do

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Speaker 1: things Emily's way. She doesn't bend to what someone else

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Speaker 1: wants until she shows up at the other party. That

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Speaker 1: was cool, yeah, yeah, yes, But the pudding she's trying,

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Speaker 1: she's trying. She's just not good at I think the

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Speaker 1: party was. Yeah, I think the party had a lot

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Speaker 1: a big impact that I'm like, of course, but it

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Speaker 1: was more for me. It was more about I'm a

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Speaker 1: strange for my daughter. I don't know my daughter. Maybe

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Speaker 1: I need to give my daughter a little bit of

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Speaker 1: a break here. Maybe she isn't a complete screw up,

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Speaker 1: you know, maybe she's missing because you know, because people

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Speaker 1: that live at that level where Emily and Richard live.

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Speaker 1: They they don't have a great deal of freedom to

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Speaker 1: let their hair down and really speak their minds. They

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Speaker 1: don't get to be themselves. I think a lot of

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Speaker 1: them are that way because they and I think that

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Speaker 1: they both come from a tradition of keeping culture. And

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Speaker 1: that's a great responsibility. It's a ton of work. It's

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Speaker 1: just what people expect at that level. And it's like, well,

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Speaker 1: you have to make a little bit of speech to

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Speaker 1: our guests, and you have to say thank you, because

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Speaker 1: that's what a hostess does, and um, that's the proper

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Speaker 1: way to do it. That's how you have to manners.

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Speaker 1: That's what a good high society girl would do. Right,

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Speaker 1: manners in general. I mean, it's what it's what separates

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Speaker 1: the elite from everybody else. It's it's the level of

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Speaker 1: manners and it's and it's but they can afford to

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Speaker 1: have those kind of there's nobody else but you know.

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Speaker 1: And then she saw right when she came to Rory's

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Speaker 1: birthday party, what what regular people do, How they easily,

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Speaker 1: how how easily they love each other? Which party would

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Speaker 1: you rather go to? I want to go to the

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Speaker 1: snooty party, I've been to so many of those other

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Speaker 1: parties and they're fun, but I want to go to

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Speaker 1: the snooty party. Those are hard to get into, you know.

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Speaker 1: But there's something to that, right There is an appeal

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Speaker 1: to what Richard and Emily have in that life and

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Speaker 1: Rory and we don't want to give too much away,

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Speaker 1: but we know that she's intrigued by that life and

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Speaker 1: she's drawn to that life, which will see over the

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Speaker 1: next few years she likes that. And then yes, and

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Speaker 1: it and it and it begs the question was Laurel

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Speaker 1: strong or weak? Breaking away from that, she displayed strength

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Speaker 1: and weakness at the same time as it possible to

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Speaker 1: do that. I mean, what did she do? And she's

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Speaker 1: and and and and and Rory is cleaved so close

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Speaker 1: to Laura la she won't let her go. She what

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Speaker 1: s her up At four or three am, she gets

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Speaker 1: in bed, she recites all this stuff about the night

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Speaker 1: she was which is a very moving, touching scene. But

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Speaker 1: you see that no one, but no one is getting

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Speaker 1: near her. Kid, She's nobody. And how about the end

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Speaker 1: of the episode, Scott, Laura Lae is devastated when she

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Speaker 1: sees Rory with Dean devastated might not be the right word.

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Speaker 1: It's new territory for you. She's a little terrified. Yeah,

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Speaker 1: that gave me chills even when you just said that.

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Speaker 1: It's like, is she worried she's losing Rory or is

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Speaker 1: she worried that Rory could become Laura? And what happened

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Speaker 1: to Laura? The acting is brilliant because even now as

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Speaker 1: I'm thinking about it, I have like chills because I

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Speaker 1: can see her face perfectly and it expressed so much.

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Speaker 1: You're like, oh, it's right, it's the babette line. What

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Speaker 1: are you going to do when she leaves, when she

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Speaker 1: goes to college? What are you going to have? What's

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Speaker 1: she going to have? And that's what Emily fills in

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Speaker 1: the blanks for for all of those types of questions.

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Speaker 1: What you have is friends, You have um activities, you

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Speaker 1: have fundraisers, you have you know, you want to raise

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Speaker 1: money for the ballet, you want to raise money for

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Speaker 1: the for the for the orchestra, you want to raise

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Speaker 1: money for this or that. Right, you are keeping culture.

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Speaker 1: That's what they do. They raise money to keep culture,

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Speaker 1: to keep it alive, to keep it high quality, to

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Speaker 1: get the great conductor to come visit to or to

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Speaker 1: be in house, or to get the top violence, the

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Speaker 1: top dancers, you know this kind of thing. That's that's

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Speaker 1: what they do. They spend a great deal of their

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Speaker 1: time doing that, now that I think about it. They

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Speaker 1: need to win over Rory to keep the line, the

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Speaker 1: tradition going because Laura Lia went sideways, so she's not

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Speaker 1: going to be the heir that they Great Point want

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Speaker 1: to carry. The great point. The bloodline is the blood

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Speaker 1: thinned out. It's breaking the Laura I considers it breaking

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Speaker 1: the neurotic chain. The Gilmore's think it's like, you know,

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Speaker 1: that's the end of us, that's the end of our bloodline,

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Speaker 1: and we have a Yeah, they're fighting for the soul

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Speaker 1: of Rory so that she comes back to them or

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Speaker 1: their way of life. It's fascinating. You know, look, any

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Speaker 1: great trauma, UH needs a good bad guy. And you

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Speaker 1: know there's a couple of men Gilmore, I mean, Emily

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Speaker 1: could be considered a bad guy. What a great antagonist, right,

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Speaker 1: Sometimes Laurala I could be considered a bad guy. It's not,

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Speaker 1: it's not, it's not. Richard is so kind and he

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Speaker 1: just loves all of them. He loves all of them

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Speaker 1: and is trying to sort of keep the peace, you know,

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Speaker 1: those scenes with and especially when when they arrive at

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Speaker 1: the party they're still tent. I mean they just spend

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Speaker 1: a day shopping and kind of connecting a little bit

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Speaker 1: of Emily and and Laurela. And she was surprised by it,

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Speaker 1: and um, she comes in. It's like that dress, you know,

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Speaker 1: did you make your daughter a hat out of it?

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Speaker 1: I mean, like, what's going on? And I mean it's

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Speaker 1: like then now we're back to normal. We're back to

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Speaker 1: mother daughter hating each other. And I just don't approve

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Speaker 1: of you, and you're inappropriate and get out of my face.

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Speaker 1: And the party, despite your desire to go, is so

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Speaker 1: anti Laurela. But we don't, I think Rory, there are

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Speaker 1: things she likes about it. You know, she has her

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Speaker 1: blow up, but like, like you're saying, it is a

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Speaker 1: fancy affair, I mean, what do you think she spent

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Speaker 1: on that thing? Graham? Really? But that's a lot of

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Speaker 1: servants you gotta pay. That's great, the food, the the

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Speaker 1: all the detail. I'm sure the embossed invitations and that

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Speaker 1: it's they she I don't know if it's a hundred grand,

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Speaker 1: but she plunked down some that's expense. It is to

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Speaker 1: put on an affair like that, that's no joke. And

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Speaker 1: all their friends are there. That's the thing too. She

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Speaker 1: uses uses this as her way to not just have

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Speaker 1: the kids from school, but all their friends and look

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Speaker 1: at us and look at Rory. And she goes to

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Speaker 1: children with all these kids. And Richard knows Tristan's grandfather,

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Speaker 1: of course he does. But I think, but but also,

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Speaker 1: you know, another thought popped in my mind when I'm

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Speaker 1: watching it, is they are making these people so abhorrent,

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Speaker 1: uh that you know, you say to yourself, no wonder, Laura.

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Speaker 1: I didn't want any of the thing to do with

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Speaker 1: it because there's just a woman off That woman that

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Speaker 1: comes up to Laura. That was the best scene of

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Speaker 1: the whole season. So Mitzi, that was genius. That was

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Speaker 1: Janius who was that actress? But how great was it.

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Speaker 1: I'm trying to grow steps the finger, like where's the servant?

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Speaker 1: You know, I've been working on myself a lot, Laurel,

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Speaker 1: you know, and since my divorce, and I'm trying to

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Speaker 1: grow just bringing up Christopher and good for us because

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Speaker 1: we get to learn more. Who does that? Let me

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Speaker 1: put a dagger in your heart and bring up your act,

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Speaker 1: baby Daddy. That was absolutely my favorite scene of the

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Speaker 1: whole the whole six episodes so far. I love snapping.

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Speaker 1: I watched the Snapping twenty time. I kept replaying and

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Speaker 1: I said, this is just this girl's brilliant. This is

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Speaker 1: just the best moment of the whole thing. But the

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Speaker 1: two of them together, I mean, that was a masterclass

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Speaker 1: in comedy acting because it was just so subtle and

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Speaker 1: Nuance Day was so great. I mean, I know we're

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Speaker 1: going backwards, but the sticky noting the furniture they want

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Speaker 1: when Richard and Emily pass on, Oh my god. But

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Speaker 1: you would only hope that it would be so organized,

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Speaker 1: right and determined, because you know what these things due

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Speaker 1: to families. If people aren't detailed about it, you know,

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Speaker 1: it breaks families apart. And they want to make sure

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Speaker 1: that she's going to get what they want to give

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Speaker 1: her answer question Bridget White played was fantastic. Could anything

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Speaker 1: be better than Mitsy? I mean, did she did she

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Speaker 1: have a recurring role? I think we only see her

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Speaker 1: that time. Oh wow, that girl needed to get her

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Speaker 1: own series, or she at least needed to have a

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Speaker 1: recurring role on the show because it was the it

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Speaker 1: was the funniest scene, and you have to assume that

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Speaker 1: she was written in for a reason to show why

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Speaker 1: Laura ran away this crap. So that's why, that's what

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Speaker 1: the character's purpose served, exactly, Tristan's character serving that purpose

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Speaker 1: as well. So it's Liza Wheels those Paris. That's like,

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Speaker 1: let's talk about here is after this, because there's some

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Speaker 1: juicy Pearis stuff in this. Yeah, there's juicy stuff, but um,

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Speaker 1: but it's you know, it's a world unto itself. It's

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Speaker 1: a world few people really know. Uh, and it is

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Speaker 1: it's I mean, I don't know how accurate uh it

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Speaker 1: is portraying it that way, but I'm sure it's it's

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Speaker 1: not inaccurate at times. Let's just put it that way,

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Speaker 1: I think. Yeah, I think it's there's a lot of accuracy. Yeah. Anyway,

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Speaker 1: So we're gonna take a little break. We'll be back

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Speaker 1: after these messages. Yeah, all right, everybody, we're back. I'm

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Speaker 1: Scott Patterson. I am all in podcast. We're getting into

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Speaker 1: Rory's birthday parties. This is episode six Rory's Birthday Parties

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Speaker 1: air date November nine. Rory clashes with Emily when Emily

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Speaker 1: plans a formal birthday party for her. Meanwhile, Laura La

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Speaker 1: organized a casual get together to celebrate. Some people have

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Speaker 1: called this one of the best episodes of The Gilmore Girls.

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Speaker 1: It's fantastic. I mean it's shockingly good and again and

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Speaker 1: I you know, I don't mean to be the dead horse,

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Speaker 1: but how on earth did this show not get nominated

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Speaker 1: for major awards? I mean, it's unbelievably great. Every single

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Speaker 1: second of this episode, and this series pretty much so

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Speaker 1: far has been perfection, absolute comedic and dramatic perfection. I mean,

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Speaker 1: what a what a balancing act, what a show? Um,

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Speaker 1: just this one really knocked me out. So I'm gonna anyway,

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Speaker 1: So let's get into Rory's reaction. She got a little

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Speaker 1: snippy with Emily the party. Wow, she left. I mean

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Speaker 1: that was both barrels. I mean that was like, that

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Speaker 1: was like an uppercut. That was like a left hook

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Speaker 1: and then a right hand over hand right to the nose,

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Speaker 1: knocked her out and then just left. Emily was flattened.

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Speaker 1: It was just terrible. It was it was shocking, shocking moment.

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Speaker 1: I felt she was being a little ungrateful. I she

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Speaker 1: took it was it was like it was like the

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Speaker 1: Laurelie rising up in her and speaking through her. How

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Speaker 1: would you feel you're the sixteen year old you just

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Speaker 1: want to like have your birthday. Every kid from your

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Speaker 1: schools invited that hates you, that you hate, and now

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Speaker 1: your grandma wants you to make a freaking toast at

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Speaker 1: at this fancy affair that you're like, oh my god. No.

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Speaker 1: So there's you know, there's there's the gap in Emily's process.

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Speaker 1: Emily should have had the talk with Rory at the

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Speaker 1: dinner saying listen, I'm going to and would it be okay?

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Speaker 1: Or I'm going to invite all of your friends? That

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Speaker 1: should have been a conversation. I agree with that, um,

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Speaker 1: but I think she just does things. I don't think

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Speaker 1: she did it in any I mean she did it

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Speaker 1: with with a good heart, right with goodtentions. She wants

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Speaker 1: were to fit in. And I don't know if if

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Speaker 1: Emily is even aware of the tension that Rory's having

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Speaker 1: or the conflict that Rory's having at school. She invited

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Speaker 1: everybody because that's what you do. That's what you do.

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Speaker 1: It's more it's like, hey, we're playing, She's arrived. She's

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Speaker 1: to be taken seriously, this is what kind of wealth

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Speaker 1: she comes from. Don't even think about not coming. And

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Speaker 1: you make that speech toast whatever you want to call it,

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Speaker 1: because that's what you do. Because yes, because it's because

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Speaker 1: it's really a cannon shot over the bow of the

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Speaker 1: other wealthy families that are sending their kids to children's like, hey,

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Speaker 1: we're players. She's just not a girl. She see. Rory

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Speaker 1: didn't understand Laurel I didn't understand that the Gilmour's had

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Speaker 1: their back by throwing that party because they're they're saying

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Speaker 1: to the other families, don't mess with this girl anymore.

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Speaker 1: She's somebody and this is this is who her grandparents are.

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Speaker 1: Don't mess with us. My parents made me come, same thing.

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Speaker 1: There's no difference between Harris's parents and the Gilmore grandparents.

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Speaker 1: You make this speech because that's what you do. Harris.

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Speaker 1: You go to this party we're making and Emily and

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Speaker 1: Richards providing Rory the protection, the pedigree that that Laura

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Speaker 1: I can't give her because Laura, you know, as they

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Speaker 1: you know, Emily probably already assumed that you know, Laurel

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Speaker 1: I was being mocked at school and Uh, and Rory

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Speaker 1: was getting bullied. I mean, it's it's a no brainer

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Speaker 1: for her. So it's like throw that party, send the invitation,

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Speaker 1: send a message to everybody. This is who this girl

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Speaker 1: is and you can't mess with her anymore. She's somebody.

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Speaker 1: So in that world, that's like Emily declaring war and

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Speaker 1: the other families and say careful, we have nuclear weapons too,

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Speaker 1: you know what I mean. So you give us your

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Speaker 1: respect because you're not going to give Laurela that respect,

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Speaker 1: and therefore her daughter, our granddaughter, is going to suffer

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Speaker 1: because of what our daughter did when she was sixteen

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Speaker 1: and had a baby. Now, let's fix this. We can.

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Speaker 1: We can't fix it with our daughter, but we can

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Speaker 1: fix it with our granddaughter to make sure that nobody

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Speaker 1: beats her up. I've looked at it. I see what

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Speaker 1: you're saying, and I think you have a great perspective.

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Speaker 1: I looked at it. Is the Gilmore's are showing off

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Speaker 1: that Rory is not a scholarship kid. We are just

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Speaker 1: the same as you all are. And uh, it's kind

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Speaker 1: of like flexing Ror like she comes from the right. Yes,

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Speaker 1: it is a power move and it's meant to protect

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Speaker 1: the Gilmore name. It's meant to protect Rory. It's it's

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Speaker 1: it's it's enveloping her in. They're loving very powerful arms.

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Speaker 1: They're flexing your muscle, right, I guess it's don't mess

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Speaker 1: with Rory because then ultimately you're messing with your father's

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Speaker 1: insurance that Richard sells it and that's global because he

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Speaker 1: just got off the phone with China. We're having a

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Speaker 1: little trouble with her. Don't mess with the Gilmore's. We

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Speaker 1: defeated the Vikings. We absorbed their DNA, which is why

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Speaker 1: I'm so tall. We will mess you up. Now. What

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Speaker 1: I have a few questions where you Stott. One is

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Speaker 1: I'm going backwards again. But what was your opinion on

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Speaker 1: the pudding? Um? Yeah, I mean it's it's a great line.

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Speaker 1: That's one of the great It's an inspired one the

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Speaker 1: great ones. It's like tannam out to hospital food. It's

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Speaker 1: her major search. Such a snub. I mean, I'm really

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Speaker 1: kind of digging Emily. I really like her. I really

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Speaker 1: like her. Um, what was the pudding? Was the pudding?

421
00:26:19,359 --> 00:26:24,399
Speaker 1: Because because because Laurel I likes it, she can't understand why,

422
00:26:24,520 --> 00:26:27,600
Speaker 1: but she likes like was Emily doing it to say,

423
00:26:27,720 --> 00:26:31,399
Speaker 1: I'm serving putting in fancy bulls because you all like

424
00:26:31,560 --> 00:26:36,960
Speaker 1: pudding and I am trying. It's a concession. Yeah, absolutely, absolutely,

425
00:26:37,000 --> 00:26:39,640
Speaker 1: it's a concession. Why wouldn't you want him to keep

426
00:26:39,640 --> 00:26:42,320
Speaker 1: coming back without giving you so much crap on the time,

427
00:26:42,560 --> 00:26:45,439
Speaker 1: Maybe laurel I will shut up for five minutes and

428
00:26:45,520 --> 00:26:48,000
Speaker 1: start getting grateful a little bit. But it's like everything

429
00:26:48,040 --> 00:26:50,400
Speaker 1: this woman comes out of her mouth. You know, there's

430
00:26:50,480 --> 00:26:52,760
Speaker 1: laurel Ize saying, really, mom is a really the smart

431
00:26:52,840 --> 00:26:56,639
Speaker 1: you know, she's like a nut. It's so interesting to

432
00:26:56,720 --> 00:27:01,320
Speaker 1: me because you hate Max Medinas oh much, but you

433
00:27:01,600 --> 00:27:05,720
Speaker 1: are always siding with Emily when Emily is tough on

434
00:27:05,840 --> 00:27:10,400
Speaker 1: your girl. Do you know why? I'll tell you why.

435
00:27:10,520 --> 00:27:12,520
Speaker 1: Let me make a little confession right here on the air.

436
00:27:12,600 --> 00:27:14,560
Speaker 1: I did not like the way she talked to me

437
00:27:14,840 --> 00:27:18,080
Speaker 1: when she came into the diner. She said, dance from me,

438
00:27:18,160 --> 00:27:20,080
Speaker 1: burger boy. And then he came up to the table.

439
00:27:20,400 --> 00:27:23,119
Speaker 1: And this is after he made balloons in the table

440
00:27:23,200 --> 00:27:25,919
Speaker 1: and and ferrari and all that kind of stuff, and

441
00:27:25,960 --> 00:27:29,040
Speaker 1: all he got was Lukey Will and Softie. You know,

442
00:27:29,200 --> 00:27:33,440
Speaker 1: they don't respect Luke. I felt that they did not

443
00:27:33,560 --> 00:27:37,840
Speaker 1: really respect him. Uh, when they were sort of playing

444
00:27:37,880 --> 00:27:40,560
Speaker 1: around with him. Oh the eighth grade birthday party and

445
00:27:40,800 --> 00:27:42,520
Speaker 1: the cops came. Oh, it was really something. Look, I

446
00:27:42,560 --> 00:27:44,480
Speaker 1: mean they didn't respect him enough to talk to him

447
00:27:45,200 --> 00:27:47,320
Speaker 1: in playing English the way he wants to talk to him,

448
00:27:47,320 --> 00:27:49,520
Speaker 1: you know, the way because he doesn't do all that banter.

449
00:27:49,680 --> 00:27:51,800
Speaker 1: He doesn't do the banter back and forth. He doesn't

450
00:27:51,840 --> 00:27:56,040
Speaker 1: do that stuff. He's not a sophisticated guy, but he's not.

451
00:27:56,119 --> 00:27:59,440
Speaker 1: It's not that he doesn't read. He reads, he knows thinks,

452
00:27:59,520 --> 00:28:04,320
Speaker 1: but he's not you know, Mr chit chatty. Life is Uh,

453
00:28:04,359 --> 00:28:07,440
Speaker 1: it's funny and let's just create funny lines and and

454
00:28:07,440 --> 00:28:10,359
Speaker 1: and go to country club and this it's this country

455
00:28:10,359 --> 00:28:12,960
Speaker 1: club attitude where nobody takes anything seriously. We see the

456
00:28:13,000 --> 00:28:14,760
Speaker 1: same attitude and the way we were It's like, is

457
00:28:14,760 --> 00:28:16,639
Speaker 1: everything a joke to you people? It's like, you know,

458
00:28:18,480 --> 00:28:24,119
Speaker 1: yeah what Emily experiences, Yeah, a little bit. And he

459
00:28:24,160 --> 00:28:26,200
Speaker 1: walked away. He even said, you know, I'm not I'm

460
00:28:26,240 --> 00:28:28,160
Speaker 1: not listening to this anymore. And he walked away because

461
00:28:28,160 --> 00:28:31,840
Speaker 1: he knew that they weren't. They were talking at him.

462
00:28:31,880 --> 00:28:34,040
Speaker 1: You know, they want to push pole with Luke and

463
00:28:34,080 --> 00:28:38,640
Speaker 1: moral where it's such a fine line because she does

464
00:28:38,680 --> 00:28:41,120
Speaker 1: that ribbing to him, and do that to her. But

465
00:28:41,160 --> 00:28:43,920
Speaker 1: then you're getting a little but hurt by it. Yeah,

466
00:28:43,960 --> 00:28:47,720
Speaker 1: I'm not good at it. I go too hard with it,

467
00:28:47,760 --> 00:28:49,640
Speaker 1: you know what I mean, because I I do. I'm

468
00:28:50,080 --> 00:28:52,840
Speaker 1: because I'm like, I know, I'm out of my league

469
00:28:52,920 --> 00:28:56,040
Speaker 1: with this girl. I'm out of my depth. Although not

470
00:28:56,160 --> 00:28:58,479
Speaker 1: when you showed up at the party, because in that

471
00:28:58,640 --> 00:29:01,600
Speaker 1: scene at the party at Oralizes number one, you had

472
00:29:01,600 --> 00:29:05,520
Speaker 1: the ice, which was epic. You're like, you know you

473
00:29:05,560 --> 00:29:09,840
Speaker 1: should always bring ice. Number two, you threw her off

474
00:29:09,840 --> 00:29:15,640
Speaker 1: her game with the will you marry me? Whoa? So

475
00:29:16,280 --> 00:29:19,000
Speaker 1: it's almost like after the diner scene you came back

476
00:29:19,440 --> 00:29:23,120
Speaker 1: and you owned that scene. Yeah they marry me line?

477
00:29:23,200 --> 00:29:26,920
Speaker 1: Huh will you marry me? And then Emily sees you

478
00:29:27,000 --> 00:29:31,920
Speaker 1: two like each other. I mean Emily immediately says, what

479
00:29:32,080 --> 00:29:36,240
Speaker 1: is going on with you and the ice? Man? It's

480
00:29:36,240 --> 00:29:38,920
Speaker 1: like she saw it before either of you were really

481
00:29:39,360 --> 00:29:43,520
Speaker 1: ready to even acknowledge it. Well, there's something about Christopher.

482
00:29:44,840 --> 00:29:48,000
Speaker 1: I mean, let's let's compare Christopher to Luke. Okay, so

483
00:29:48,040 --> 00:29:52,640
Speaker 1: there's something about Christopher, his rebellious nature, you know, knocking

484
00:29:52,720 --> 00:29:55,200
Speaker 1: Laurela up when they were both sixteen and juniors in

485
00:29:55,280 --> 00:29:57,880
Speaker 1: high school, and you know he went off. I mean

486
00:29:57,960 --> 00:30:02,680
Speaker 1: his life was altered as well. Um, now educate me here.

487
00:30:03,360 --> 00:30:08,280
Speaker 1: I apologize. But Christophers of that ilk, isn't he? Yes? Yes?

488
00:30:08,320 --> 00:30:11,320
Speaker 1: And and I was always surprised And we're getting ahead

489
00:30:11,320 --> 00:30:15,760
Speaker 1: of ourselves by how much the Gilmore's like him, like

490
00:30:15,880 --> 00:30:22,000
Speaker 1: they forgave him. Yeah, they wanted Laura to marry him.

491
00:30:24,520 --> 00:30:26,240
Speaker 1: You would have given him a job. It was the

492
00:30:26,400 --> 00:30:29,280
Speaker 1: next it was the only it was the only thing

493
00:30:29,320 --> 00:30:32,360
Speaker 1: to do to cover the mistake. I mean, it was

494
00:30:32,400 --> 00:30:36,920
Speaker 1: still gonna be uh you know, it was still going

495
00:30:37,000 --> 00:30:40,320
Speaker 1: to be a black mark against the family name, right

496
00:30:40,480 --> 00:30:42,880
Speaker 1: and for sure for Laura la But I mean they

497
00:30:42,880 --> 00:30:44,880
Speaker 1: could cover up that mistake in a matter of years.

498
00:30:45,280 --> 00:30:47,480
Speaker 1: You know, Chris goes to college. You know, he'll go

499
00:30:47,520 --> 00:30:50,200
Speaker 1: to Yale, He'll go to Harvard. Richard will pull some strings,

500
00:30:50,520 --> 00:30:53,520
Speaker 1: He'll end up being a VP at the insurance company,

501
00:30:53,560 --> 00:30:55,760
Speaker 1: and you know everybody will forget about it. And if

502
00:30:55,800 --> 00:30:58,960
Speaker 1: anybody talks about it, Richard will and Emily will crush them.

503
00:30:59,000 --> 00:31:02,840
Speaker 1: So they lost control. Christopher should have married Laura Lai

504
00:31:02,960 --> 00:31:06,800
Speaker 1: because it's what you do. And that the reason I'm

505
00:31:06,960 --> 00:31:10,760
Speaker 1: team Lorelai is because I love that she does what

506
00:31:11,040 --> 00:31:15,880
Speaker 1: she wants. She doesn't conform to any of it other

507
00:31:15,920 --> 00:31:19,240
Speaker 1: than what she wants. And she didn't want Christopher to

508
00:31:19,320 --> 00:31:24,560
Speaker 1: marry her because that would have been ruining Christopher's life. No,

509
00:31:25,120 --> 00:31:29,400
Speaker 1: give me a break, he wasn't rebellious enough. She wanted

510
00:31:29,400 --> 00:31:33,400
Speaker 1: to She wanted Marlon Brando. She wanted to go off,

511
00:31:33,560 --> 00:31:36,040
Speaker 1: way off. I mean, she just wanted to go find

512
00:31:36,040 --> 00:31:38,600
Speaker 1: a guy who was going to rock her world. You

513
00:31:38,640 --> 00:31:41,120
Speaker 1: know what I mean. You know what I'm saying. And

514
00:31:41,920 --> 00:31:47,840
Speaker 1: it wasn't Christopher. I think she's saying, I'm not This happened.

515
00:31:48,120 --> 00:31:53,040
Speaker 1: She needed Laura. I needed a blue collar guy. That's

516
00:31:53,080 --> 00:31:55,920
Speaker 1: what she needed. That's what she wanted. That's what she

517
00:31:56,120 --> 00:31:58,800
Speaker 1: wanted when she to get away from that world. I've

518
00:31:58,880 --> 00:32:03,640
Speaker 1: seen it million times. I've seen it a million times.

519
00:32:04,040 --> 00:32:08,320
Speaker 1: There are there's there's a whole u population of kids

520
00:32:08,320 --> 00:32:10,280
Speaker 1: that comes from these great families and they end up

521
00:32:10,280 --> 00:32:11,920
Speaker 1: in New York City or in l A, living in

522
00:32:12,280 --> 00:32:18,240
Speaker 1: hovels and denying where they're from and not wanting to associate.

523
00:32:19,080 --> 00:32:22,480
Speaker 1: And they have they have a different experience. We know

524
00:32:22,600 --> 00:32:25,400
Speaker 1: how this thing ends. So ultimately, I can't argue with

525
00:32:25,440 --> 00:32:29,120
Speaker 1: you because I know you're right. But surely along the

526
00:32:29,160 --> 00:32:33,200
Speaker 1: way you'll we're gonna see it. And we're starting with

527
00:32:33,320 --> 00:32:41,760
Speaker 1: Max Medina, but you know, she definitely is attracted to Jason,

528
00:32:41,960 --> 00:32:43,360
Speaker 1: and I don't want to, you know, get ahead, but

529
00:32:43,360 --> 00:32:46,440
Speaker 1: everyone listening has probably already seen it too. And Christopher

530
00:32:46,560 --> 00:32:50,280
Speaker 1: like she there is something she likes about her old

531
00:32:50,320 --> 00:32:56,840
Speaker 1: life or her a great upbringing, but she rebels against it. Yeah,

532
00:32:56,960 --> 00:33:00,760
Speaker 1: that's she can't go back. She will never go back.

533
00:33:00,800 --> 00:33:03,720
Speaker 1: She cannot go back. There's just too much water under

534
00:33:03,760 --> 00:33:07,840
Speaker 1: the bridge with her mother. It's just she can't. And

535
00:33:08,000 --> 00:33:11,400
Speaker 1: who knows, uh, And maybe we'll find out this is

536
00:33:11,440 --> 00:33:14,280
Speaker 1: a watch episode, but who knows when she made that

537
00:33:14,360 --> 00:33:16,680
Speaker 1: decision in her life. And she probably made it the

538
00:33:16,800 --> 00:33:19,440
Speaker 1: night she was with Christopher, well before, maybe she was

539
00:33:19,480 --> 00:33:21,400
Speaker 1: trying to get pregnant, so she had an excuse to

540
00:33:21,440 --> 00:33:25,120
Speaker 1: get the hell out of there. And Christopher, I mean,

541
00:33:25,240 --> 00:33:28,320
Speaker 1: Christopher is doing the same thing. He's always rebelling against

542
00:33:28,760 --> 00:33:35,360
Speaker 1: traditional Can you imagine what Emily was like fifteen, sixteen,

543
00:33:35,360 --> 00:33:39,080
Speaker 1: seventeen years ago, eighteen twenty years ago, I mean before

544
00:33:39,520 --> 00:33:45,440
Speaker 1: Laura Lae had the baby. Can you imagine imagine Emily

545
00:33:45,520 --> 00:33:50,200
Speaker 1: with the Cotillion or the Debutante ball or the oh yeah,

546
00:33:50,680 --> 00:33:56,240
Speaker 1: I mean talk about overbearing. I mean, she's intense now

547
00:33:57,120 --> 00:33:59,560
Speaker 1: and she's a grandmother. Imagine what she was like as

548
00:33:59,600 --> 00:34:02,040
Speaker 1: a young mother. I feel like you're not giving me

549
00:34:02,200 --> 00:34:08,040
Speaker 1: enough about that scene in the entryway to Lorealize with

550
00:34:08,120 --> 00:34:12,080
Speaker 1: the Ice, with the will you marry me? With the

551
00:34:13,600 --> 00:34:16,560
Speaker 1: can you remember anything about that? I mean that scene

552
00:34:17,520 --> 00:34:22,279
Speaker 1: is so at the will you marry Me? See yes,

553
00:34:22,360 --> 00:34:25,759
Speaker 1: because I think it's just basic foreshadowing. I think it's

554
00:34:25,840 --> 00:34:30,319
Speaker 1: just really basic foreshadowing. Um. I think it's it's a

555
00:34:30,360 --> 00:34:34,800
Speaker 1: line that was written to prepare an audience, to open

556
00:34:34,880 --> 00:34:37,440
Speaker 1: up possibilities. Not that it necessarily was going to go there,

557
00:34:37,480 --> 00:34:39,239
Speaker 1: but I think it was something. It was like an

558
00:34:39,239 --> 00:34:46,319
Speaker 1: injection into the audiences bloodstream, okay, like Luke's and play

559
00:34:46,480 --> 00:34:49,720
Speaker 1: maybe Yes. And I think as a fan or a viewer,

560
00:34:50,600 --> 00:34:54,480
Speaker 1: I liked Luke so much. I liked him from the

561
00:34:54,840 --> 00:34:58,160
Speaker 1: very start, and so this is always giving me that

562
00:34:58,280 --> 00:35:02,120
Speaker 1: hope or that moving it forward, like I'm not wrong.

563
00:35:02,200 --> 00:35:04,480
Speaker 1: I'm not wrong when I'm sitting at home going Luke's

564
00:35:04,520 --> 00:35:08,160
Speaker 1: the guy, and then for Emily to see it too,

565
00:35:08,520 --> 00:35:12,480
Speaker 1: it's so vindicating for the fan. You're like, it's very clever.

566
00:35:12,719 --> 00:35:15,960
Speaker 1: It helps the audience to participate in the drama as

567
00:35:15,960 --> 00:35:18,319
Speaker 1: opposed to just watching it. It's it's it's a whole

568
00:35:18,360 --> 00:35:21,600
Speaker 1: different style of writing, especially coming off of the Big

569
00:35:21,719 --> 00:35:25,920
Speaker 1: Max episode. It's like we put a pause on that completely,

570
00:35:25,960 --> 00:35:28,239
Speaker 1: and all of a sudden, we're like, I knew it.

571
00:35:28,440 --> 00:35:31,239
Speaker 1: I knew she likes Luke. I knew it. But the

572
00:35:31,320 --> 00:35:33,280
Speaker 1: thing is if you give, if you give the audience

573
00:35:33,320 --> 00:35:39,160
Speaker 1: what they want right away, they don't want that. They

574
00:35:39,200 --> 00:35:44,600
Speaker 1: want to be tortured. Will you marry me? It's like

575
00:35:45,400 --> 00:35:48,799
Speaker 1: you just mailed it. And then Emily just being priceless,

576
00:35:48,840 --> 00:35:51,440
Speaker 1: like who's the guy with the ice and why is

577
00:35:51,480 --> 00:35:53,759
Speaker 1: he looking at you? And you're about to give him

578
00:35:53,760 --> 00:35:56,520
Speaker 1: a lap dance and it's just like, but he gave

579
00:35:56,600 --> 00:35:59,200
Speaker 1: when she when she invited him to the party, he

580
00:35:59,280 --> 00:36:01,880
Speaker 1: was pleased. He doesn't smile a lot, and he smirked

581
00:36:01,920 --> 00:36:04,440
Speaker 1: a little, like, wow, I got invited. That was a

582
00:36:04,480 --> 00:36:06,799
Speaker 1: big deal for him because I remember how I played.

583
00:36:06,800 --> 00:36:09,439
Speaker 1: It's like, okay, be really happy, but cover cover, cover,

584
00:36:09,560 --> 00:36:12,319
Speaker 1: let a little smile out. That's exciting for him. He

585
00:36:12,360 --> 00:36:14,680
Speaker 1: gets he gets to be invited because not a lot

586
00:36:14,680 --> 00:36:17,879
Speaker 1: of people are inviting him anywhere. He's going to town

587
00:36:17,920 --> 00:36:20,080
Speaker 1: hall meetings because everybody goes. But it's like, is he

588
00:36:20,120 --> 00:36:22,200
Speaker 1: being invited to a lot of places. He's you know,

589
00:36:22,239 --> 00:36:26,279
Speaker 1: he's grumpy, luke um. And just the ice, I mean,

590
00:36:26,320 --> 00:36:28,520
Speaker 1: the fact that she was getting in the car to

591
00:36:28,600 --> 00:36:31,960
Speaker 1: go get the ice and here comes loose the ice.

592
00:36:32,280 --> 00:36:37,240
Speaker 1: It's like that was so major. It's like he knows

593
00:36:37,320 --> 00:36:42,720
Speaker 1: what she needs, whereas in the world she comes from,

594
00:36:42,840 --> 00:36:45,600
Speaker 1: they shove it down your throat and they tell you

595
00:36:45,640 --> 00:36:50,720
Speaker 1: what you need. Here in this world, their actual feeling

596
00:36:51,120 --> 00:36:54,359
Speaker 1: beings who maybe really care about who I am, and

597
00:36:54,400 --> 00:36:56,920
Speaker 1: they will give me what I need, the little things

598
00:36:57,840 --> 00:37:01,520
Speaker 1: important we haven't even talked about yet. The party at

599
00:37:01,560 --> 00:37:06,319
Speaker 1: Lower Lies, it really sums up stars hollow, and that

600
00:37:06,400 --> 00:37:08,839
Speaker 1: these people have all known each other and they know

601
00:37:09,000 --> 00:37:12,080
Speaker 1: Rory since she was born, and this is a family.

602
00:37:12,520 --> 00:37:15,000
Speaker 1: And that's why Emily is sitting in that wing chair

603
00:37:15,080 --> 00:37:21,200
Speaker 1: to the side going just blown away. I missed all

604
00:37:21,280 --> 00:37:26,480
Speaker 1: of this and these people are her people. She felt powerless,

605
00:37:27,560 --> 00:37:31,080
Speaker 1: and she put down her sword a little bit. She

606
00:37:31,200 --> 00:37:33,440
Speaker 1: just kind of like a zombie, walked upstairs to just

607
00:37:33,480 --> 00:37:36,080
Speaker 1: look at her room. She just she was that was

608
00:37:36,640 --> 00:37:38,640
Speaker 1: she was on a Columbo. She was Columbo and the

609
00:37:38,640 --> 00:37:41,760
Speaker 1: whole time. So she went upstairs. It's all the broken

610
00:37:41,840 --> 00:37:44,239
Speaker 1: leg photo. I didn't know you had a broken leg. Well,

611
00:37:44,280 --> 00:37:46,440
Speaker 1: if you know, look, if I had something really serious,

612
00:37:46,440 --> 00:37:48,080
Speaker 1: you would have known. But it was just a broken leg.

613
00:37:48,080 --> 00:37:50,520
Speaker 1: And I was just like, wow, there's there's so much.

614
00:37:50,600 --> 00:37:56,080
Speaker 1: And Rory gets Richard. Rory gets Richard so well. She's like,

615
00:37:56,160 --> 00:37:59,680
Speaker 1: here's the Cosmo magazine. Do the quiz? Are you a winner?

616
00:38:00,520 --> 00:38:03,879
Speaker 1: It's like she gets him and he likes her so much.

617
00:38:04,440 --> 00:38:10,160
Speaker 1: They are and he says, and I loved his his reaction, Well, Rory,

618
00:38:10,320 --> 00:38:17,439
Speaker 1: I discovered that I am an autumn. I mean, they're

619
00:38:17,520 --> 00:38:22,480
Speaker 1: so they're so cool together. It's a great dynamic with

620
00:38:22,520 --> 00:38:28,000
Speaker 1: those two. There's nothing for her not to love about

621
00:38:28,800 --> 00:38:32,560
Speaker 1: her grandparents except that, you know, and I think she

622
00:38:32,680 --> 00:38:36,760
Speaker 1: kind of stays out of the Ted for Ted bickering

623
00:38:36,920 --> 00:38:39,399
Speaker 1: between the two of them at the dinner table or ever.

624
00:38:39,520 --> 00:38:43,280
Speaker 1: But it's just I think she's, you know, she really

625
00:38:43,320 --> 00:38:46,160
Speaker 1: loves her grandma. She wants to love her grandparents, and

626
00:38:46,200 --> 00:38:48,439
Speaker 1: she loves Richard. She loves Emily, but she really wants

627
00:38:48,440 --> 00:38:51,759
Speaker 1: her I think she's starting to learn that they have

628
00:38:52,000 --> 00:38:56,120
Speaker 1: loyalty to Rory, they have her back, which, as we

629
00:38:56,160 --> 00:38:58,440
Speaker 1: all know, as we go on, we will see that

630
00:38:58,520 --> 00:39:02,640
Speaker 1: more and more. And I think we're seeing the important

631
00:39:02,680 --> 00:39:06,400
Speaker 1: beginnings of that. Yeah, and I want to go and

632
00:39:06,440 --> 00:39:07,840
Speaker 1: I want to go back to there was a scene

633
00:39:08,400 --> 00:39:12,160
Speaker 1: in the diner where Rory comes up with Lane and

634
00:39:12,200 --> 00:39:18,719
Speaker 1: I and the balloons could die like this is adorable.

635
00:39:18,880 --> 00:39:22,360
Speaker 1: So I'm in a foul mood right again. I'm in

636
00:39:22,400 --> 00:39:25,480
Speaker 1: a foul mood, and I'm thinking, Jesus, this guy is

637
00:39:25,520 --> 00:39:27,480
Speaker 1: in a foul mood any kind of snippy at Rory

638
00:39:27,520 --> 00:39:30,000
Speaker 1: and well, these stupid balloons I had to blow up

639
00:39:30,000 --> 00:39:31,839
Speaker 1: and then go to sit over you get out of here.

640
00:39:32,520 --> 00:39:36,080
Speaker 1: You know what he was pissed about. It was again

641
00:39:36,239 --> 00:39:39,920
Speaker 1: this this the wealth gap. It's like you and your

642
00:39:39,960 --> 00:39:43,360
Speaker 1: mom are from this world. I'm trying to overcome that.

643
00:39:43,480 --> 00:39:45,439
Speaker 1: I'm trying to give you the benefit of the doubt.

644
00:39:45,960 --> 00:39:49,160
Speaker 1: I love you, guys. I love you Laurela, I love

645
00:39:49,200 --> 00:39:51,359
Speaker 1: you Rory. I want to be a part of that.

646
00:39:51,480 --> 00:39:53,520
Speaker 1: I want to help raise you. I want to help

647
00:39:53,560 --> 00:39:55,560
Speaker 1: and I have helped raise you, but I want to

648
00:39:55,640 --> 00:39:58,160
Speaker 1: be you know, I want to make a family with

649
00:39:58,239 --> 00:40:02,160
Speaker 1: you guys, and do you play with me? And you

650
00:40:02,320 --> 00:40:04,840
Speaker 1: mock me at the table, and you don't talk to

651
00:40:04,880 --> 00:40:08,880
Speaker 1: me with respect, And yet here I am delivering ice

652
00:40:08,920 --> 00:40:14,040
Speaker 1: and doing this and and and um blowing up balloons

653
00:40:14,080 --> 00:40:16,040
Speaker 1: and making your cake, and yet you won't even talk

654
00:40:16,080 --> 00:40:19,400
Speaker 1: to me like I'm a real person when I'm serving

655
00:40:19,400 --> 00:40:22,840
Speaker 1: your food. That really got your goat. That was the

656
00:40:22,880 --> 00:40:25,760
Speaker 1: next morning, and and he was just like, you know, yeah,

657
00:40:25,800 --> 00:40:28,680
Speaker 1: you know, I'm I felt like they just have that

658
00:40:28,760 --> 00:40:35,120
Speaker 1: sort of snanarchy pitter pattern back and forth. But because

659
00:40:35,160 --> 00:40:39,720
Speaker 1: you are Luke, ultimately like you feel what Luke feels,

660
00:40:40,120 --> 00:40:42,840
Speaker 1: you look at it in such a different way where

661
00:40:42,880 --> 00:40:46,840
Speaker 1: I really am watching always from moralized perspective. Why is

662
00:40:46,920 --> 00:40:50,840
Speaker 1: Luke always grumpy? Answer the question why is he grumpy?

663
00:40:51,040 --> 00:40:53,160
Speaker 1: He's not. He's grumpy because he's in love with a

664
00:40:53,200 --> 00:40:55,880
Speaker 1: woman that he can't get, who doesn't really respect him.

665
00:40:55,880 --> 00:40:58,399
Speaker 1: Who And I've been in this situation where somebody said

666
00:40:58,440 --> 00:41:00,879
Speaker 1: to me, I can't take you seriously at one point

667
00:41:00,880 --> 00:41:05,080
Speaker 1: in my life when I before I became successful. Um, yeah,

668
00:41:05,120 --> 00:41:07,200
Speaker 1: I can't take you seriously. You don't even make fifty

669
00:41:07,640 --> 00:41:12,080
Speaker 1: dollars a year. Yeah, I've heard that. I've heard that,

670
00:41:12,520 --> 00:41:17,319
Speaker 1: and and and that's kind of how he feels. It's like,

671
00:41:18,480 --> 00:41:21,600
Speaker 1: she'll never take me seriously. The daughter doesn't take me seriously.

672
00:41:23,360 --> 00:41:26,719
Speaker 1: And I'm grumpy because I'm never going to get this

673
00:41:26,760 --> 00:41:29,560
Speaker 1: woman because she's gonna date a million guys and now

674
00:41:29,600 --> 00:41:31,840
Speaker 1: she's with this Max guy. And every time he resolves

675
00:41:31,880 --> 00:41:33,480
Speaker 1: it in his own mind just to sort of all right,

676
00:41:33,600 --> 00:41:38,439
Speaker 1: screw it, except it. You know, that's an important had

677
00:41:38,480 --> 00:41:41,680
Speaker 1: this like oprah aha moment because here I am looking

678
00:41:41,680 --> 00:41:45,320
Speaker 1: at it six episodes. He's only liked her for six episode,

679
00:41:46,040 --> 00:41:48,719
Speaker 1: But I'm so wrong that I was looking at it

680
00:41:48,760 --> 00:41:53,440
Speaker 1: like that. He's liked her for a decade, sixteen years. Okay,

681
00:41:53,440 --> 00:41:56,560
Speaker 1: so four seasons in he finally kisses her there, finally,

682
00:41:56,640 --> 00:41:59,680
Speaker 1: you know, it finally happens. That's twenty years he's been

683
00:41:59,680 --> 00:42:05,320
Speaker 1: sitting there twenty years in love with that woman, yeah,

684
00:42:05,360 --> 00:42:10,239
Speaker 1: and not feeling worthy and being you know, knowing that

685
00:42:10,480 --> 00:42:14,960
Speaker 1: the uh, the gap in class and wealth and is

686
00:42:15,040 --> 00:42:18,239
Speaker 1: keeping them apart because he's terrified over. He's terrified over.

687
00:42:18,800 --> 00:42:23,200
Speaker 1: I literally just realized because when you first said it

688
00:42:23,239 --> 00:42:25,400
Speaker 1: in this conversation, you're like, why do you think he's rumpy.

689
00:42:25,400 --> 00:42:27,400
Speaker 1: It's because he's in love with her. I was like, oh,

690
00:42:27,560 --> 00:42:31,439
Speaker 1: Scott's being so like dramatic, and now I'm like, oh

691
00:42:31,480 --> 00:42:35,080
Speaker 1: my god, you've loved her since she moved to stars Hala.

692
00:42:35,480 --> 00:42:39,960
Speaker 1: Why yell? Why yell at Suki with so much ferocity

693
00:42:40,000 --> 00:42:42,960
Speaker 1: for being behind the counter and then getting a laulized

694
00:42:42,960 --> 00:42:44,719
Speaker 1: face and say, next time you bring her in here

695
00:42:44,719 --> 00:42:47,759
Speaker 1: and put her on a chain. It's it's like, it's like,

696
00:42:48,000 --> 00:42:52,000
Speaker 1: f you to where you come from. F Max Medina,

697
00:42:52,880 --> 00:42:56,279
Speaker 1: F your conversations that I can over here. You don't

698
00:42:56,280 --> 00:42:58,520
Speaker 1: even have enough respect for me not to talk about

699
00:42:58,560 --> 00:43:00,239
Speaker 1: this stuff when I'm serving you and I'm been in

700
00:43:00,280 --> 00:43:05,279
Speaker 1: love with you for you know, six years. Didn't it's

701
00:43:05,360 --> 00:43:08,080
Speaker 1: it's it's it's it's it's amazing the guy didn't explode

702
00:43:08,120 --> 00:43:17,880
Speaker 1: before season two spontaneously completely issues. Oh my god, I

703
00:43:18,000 --> 00:43:20,160
Speaker 1: need to ask you about this, because I do think

704
00:43:20,239 --> 00:43:23,840
Speaker 1: Paris and Rory had a bit of a breakthrough. When

705
00:43:23,840 --> 00:43:27,440
Speaker 1: Paris said, nice party, you don't like Tristan? Do you

706
00:43:27,600 --> 00:43:31,160
Speaker 1: like that? Or do you like Tristan? That was pretty major.

707
00:43:31,200 --> 00:43:33,920
Speaker 1: And the ice is like speaking of ice, ice man,

708
00:43:34,480 --> 00:43:38,880
Speaker 1: The ice between them is thawing a little bit. Uh yeah, well,

709
00:43:39,000 --> 00:43:43,279
Speaker 1: I mean I think it's really you know, Paris is

710
00:43:43,320 --> 00:43:49,040
Speaker 1: beginning to realize that this rival could win, and she

711
00:43:49,160 --> 00:43:53,359
Speaker 1: is winning. She's hey, she's better looking, she's a very

712
00:43:53,400 --> 00:43:59,360
Speaker 1: attractive young girl. She's as smart, if not smarter. She

713
00:43:59,480 --> 00:44:05,080
Speaker 1: appears to harbor no resentment against anyone. She's a very pleasant, pleasing,

714
00:44:05,480 --> 00:44:10,399
Speaker 1: open personality. She's a vulnerable person. She's not like me,

715
00:44:11,120 --> 00:44:15,319
Speaker 1: so she's better than me. Paris knows that Rory is

716
00:44:15,360 --> 00:44:19,520
Speaker 1: a better version of a human way, and she's seeing

717
00:44:19,560 --> 00:44:23,800
Speaker 1: that Tristan's paying attention to Rory, and Paris likes Tristan,

718
00:44:24,239 --> 00:44:26,640
Speaker 1: So why better to keep your friends close and your

719
00:44:26,719 --> 00:44:31,880
Speaker 1: enemies closer. She's like, I better get close to this

720
00:44:32,000 --> 00:44:35,280
Speaker 1: girl so I can stop her from liking the dude.

721
00:44:35,360 --> 00:44:43,840
Speaker 1: I like another manipulator over there at Chilton. It's like Jesus, course, Paris,

722
00:44:43,880 --> 00:44:48,000
Speaker 1: who you'd expect to be smarter, falls for Tristan. It's like,

723
00:44:48,440 --> 00:44:57,239
Speaker 1: oh god, how does anybody fall from? I mean, what

724
00:44:57,440 --> 00:45:00,600
Speaker 1: an episode? You know you like me, Mary, stop fighting it.

725
00:45:00,800 --> 00:45:02,360
Speaker 1: You know you know we're going to go out. You

726
00:45:02,360 --> 00:45:06,080
Speaker 1: know you're gonna love it. It's like wow, that's like really,

727
00:45:08,600 --> 00:45:12,520
Speaker 1: Oh my god, and we forgot another major thing, the

728
00:45:12,560 --> 00:45:17,920
Speaker 1: freaking bracelet. It's the first appearance of the bracelet. That's

729
00:45:17,920 --> 00:45:20,640
Speaker 1: one of the best lines in the whole thing. Isn't

730
00:45:20,640 --> 00:45:26,360
Speaker 1: this something that you would buy a car wash? You

731
00:45:26,440 --> 00:45:27,920
Speaker 1: want me to get her something that you would find

732
00:45:27,960 --> 00:45:31,160
Speaker 1: it a car wash, not that bracelet. That bracelet there.

733
00:45:31,200 --> 00:45:33,840
Speaker 1: I forgot. There's two bracelets. She bought the bracelet. What

734
00:45:33,960 --> 00:45:37,319
Speaker 1: talking means bracelet? Oh no, no, I thought you were

735
00:45:37,320 --> 00:45:40,080
Speaker 1: talking about Rory's bracelet. I know I messed up. You're right,

736
00:45:40,600 --> 00:45:46,920
Speaker 1: it is right. There's that looks like something about a quarter?

737
00:45:47,239 --> 00:45:49,120
Speaker 1: Was it? What did he drill a hole in a quarter?

738
00:45:49,600 --> 00:45:52,680
Speaker 1: What did he say? He said he found the it

739
00:45:52,760 --> 00:45:55,279
Speaker 1: was a coin. It was a coin. It was it

740
00:45:55,320 --> 00:45:58,160
Speaker 1: was It was not a quarter. Could have been like

741
00:45:58,200 --> 00:46:01,359
Speaker 1: a what was it, susan b m any dollar? It's

742
00:46:01,400 --> 00:46:05,399
Speaker 1: like it wasn't it was a quarter. Did anyone see

743
00:46:05,400 --> 00:46:08,279
Speaker 1: the clown pillow? I didn't see it. I did look

744
00:46:08,320 --> 00:46:10,279
Speaker 1: for it. I did. I'm now I'm trained to look

745
00:46:10,320 --> 00:46:14,919
Speaker 1: for it. I didn't say it. Um, But anyway, Yeah,

746
00:46:14,920 --> 00:46:16,640
Speaker 1: I don't know. I don't know how you make a

747
00:46:16,680 --> 00:46:18,640
Speaker 1: better episode than that. I really don't. All right, we're

748
00:46:18,640 --> 00:46:25,400
Speaker 1: gonna take a break. We'll be right back. All right, everybody,

749
00:46:25,400 --> 00:46:28,120
Speaker 1: we're back. Scott Patterson here, I am all in podcast.

750
00:46:28,160 --> 00:46:31,560
Speaker 1: I hurt radio Riley. Where are we going? Let's go

751
00:46:31,600 --> 00:46:34,560
Speaker 1: to pop culture. Let's do it, Emily says, my daughter,

752
00:46:34,600 --> 00:46:38,680
Speaker 1: Henny Youngman. Is that because take my wife? This is

753
00:46:39,000 --> 00:46:40,960
Speaker 1: you know. My wife came to me and said, I

754
00:46:40,960 --> 00:46:42,680
Speaker 1: want to go someplace I've never been, so I gave

755
00:46:42,680 --> 00:46:45,920
Speaker 1: her directions to the kitchen. You're a great audience, everybody,

756
00:46:45,960 --> 00:46:50,320
Speaker 1: You're lovely. And the king of the one liners. He

757
00:46:50,360 --> 00:46:52,800
Speaker 1: would stand up there for hours. Well I think he

758
00:46:52,800 --> 00:46:54,560
Speaker 1: would stand up there for an hour and just do

759
00:46:54,640 --> 00:46:57,319
Speaker 1: one liners and people would just fall over. They'd fall

760
00:46:57,360 --> 00:46:59,880
Speaker 1: over their tables. They'd lave and so hard. You guys.

761
00:47:00,000 --> 00:47:02,839
Speaker 1: The Rory says, you couldn't get her to cave Lorrea

762
00:47:02,880 --> 00:47:04,600
Speaker 1: l I says no, but she agreed to make a

763
00:47:04,640 --> 00:47:12,160
Speaker 1: string quartet of like a Virgin Madonna, I mean Madonna Madonna.

764
00:47:12,480 --> 00:47:15,200
Speaker 1: Lorea I says not really. The government will close that day,

765
00:47:15,280 --> 00:47:18,319
Speaker 1: flags will five hat mass Barbera streisand will give her

766
00:47:18,360 --> 00:47:21,719
Speaker 1: final concert again, right which I think Barbera Streisen is

767
00:47:21,760 --> 00:47:26,080
Speaker 1: still giving her final performance. She's still prepping twenty years later. Like,

768
00:47:26,160 --> 00:47:30,360
Speaker 1: I love Babs. What a singer, right, Oh, what a singer.

769
00:47:30,600 --> 00:47:31,960
Speaker 1: And I really thought that she really made it work

770
00:47:32,000 --> 00:47:34,279
Speaker 1: with James Roland. I never thought that would last. And

771
00:47:34,320 --> 00:47:37,040
Speaker 1: look at it. Had dinner with him one night. He's

772
00:47:37,120 --> 00:47:39,120
Speaker 1: kind of cool, right, He's kind of cool. He's a

773
00:47:39,120 --> 00:47:41,359
Speaker 1: cool guy. But I mean it wasn't it was at

774
00:47:41,360 --> 00:47:43,279
Speaker 1: a party. But it was a dinner party and he

775
00:47:43,320 --> 00:47:45,360
Speaker 1: was there. Was it a snooty affair or was it

776
00:47:45,440 --> 00:47:47,560
Speaker 1: more like a party of I think they were trying

777
00:47:47,560 --> 00:47:50,960
Speaker 1: to have a snooty affair. It was in Beverly Hills,

778
00:47:51,000 --> 00:47:53,040
Speaker 1: but it was. It was. But he was a cool guy.

779
00:47:53,360 --> 00:47:56,840
Speaker 1: He was. He was really cool guy. He was very up.

780
00:47:57,200 --> 00:47:59,640
Speaker 1: He scored, He scored with Babs. I mean, way to go.

781
00:48:00,040 --> 00:48:02,520
Speaker 1: She continues. However, Elvis and Jim Morrison are coming in

782
00:48:02,560 --> 00:48:08,160
Speaker 1: the brain chips. Well, everybody knows Elvin, Elvis and uh

783
00:48:08,520 --> 00:48:11,560
Speaker 1: and you know Jim Morrison. For those of you who

784
00:48:11,680 --> 00:48:13,719
Speaker 1: don't know who Jim Morrison is, he's the lead singer

785
00:48:13,719 --> 00:48:18,680
Speaker 1: of The Doors. You know, l a Woman and many

786
00:48:18,719 --> 00:48:22,480
Speaker 1: other monster hits of the sixties and set late sixties

787
00:48:22,480 --> 00:48:25,399
Speaker 1: and early seventies, And yes, dreamed the Val Kilmer movie.

788
00:48:25,440 --> 00:48:29,360
Speaker 1: He yeah, he he exposed himself to a crowd in

789
00:48:29,400 --> 00:48:32,480
Speaker 1: Miami who was arrested and then charged, and then he

790
00:48:32,600 --> 00:48:35,480
Speaker 1: fled the country and moved to Paris with his girlfriends.

791
00:48:36,080 --> 00:48:41,960
Speaker 1: Jim Morrison knowledge he was a film student at u c.

792
00:48:42,120 --> 00:48:44,640
Speaker 1: L A. And that's how he meant he met Raymond

793
00:48:44,719 --> 00:48:50,640
Speaker 1: z Eric. Then they formed their little band Come on Baby,

794
00:48:50,719 --> 00:48:54,279
Speaker 1: let My Fire. Yeah. Suki says, it's too bad you

795
00:48:54,320 --> 00:48:57,759
Speaker 1: couldn't get your Mondrool English Friday, and Laura Lie says no,

796
00:48:57,880 --> 00:49:05,839
Speaker 1: she has her Vulcan grip on that one started Vulcan Spook. Yeah,

797
00:49:06,040 --> 00:49:09,799
Speaker 1: that's Vulcan Death Grip Leonard Nimoy And then we've had

798
00:49:09,840 --> 00:49:13,320
Speaker 1: all the reincarnations with the movie the Bulcan Grit. You

799
00:49:13,440 --> 00:49:15,319
Speaker 1: just come up and touch the shoulder. You could just

800
00:49:15,360 --> 00:49:20,000
Speaker 1: go like that. Persons like the Vulcan Death Grip. Riley,

801
00:49:20,040 --> 00:49:22,520
Speaker 1: do yourself a favorite, and watch Star Trek for the

802
00:49:22,600 --> 00:49:27,120
Speaker 1: Voyage Home. I know the hand signal first. Star Trek

803
00:49:28,480 --> 00:49:32,640
Speaker 1: just apparently not. They have some special they're special people

804
00:49:34,040 --> 00:49:37,440
Speaker 1: if they're half people, half people. Laura I says, Lucy,

805
00:49:37,480 --> 00:49:42,080
Speaker 1: I'm home. Oh that was great. Lucky Ricardo Ye I

806
00:49:42,120 --> 00:49:46,400
Speaker 1: love Lucy famous TV show Laura, I says, and Justin

807
00:49:46,560 --> 00:49:49,240
Speaker 1: is just so dreamy he can't marry Brittany. I'll just cry,

808
00:49:49,320 --> 00:49:55,520
Speaker 1: cry and cry. That was a good Timberlake Spears and

809
00:49:55,640 --> 00:49:59,120
Speaker 1: still going today. It's like no one has forgotten Timberlake

810
00:49:59,239 --> 00:50:02,880
Speaker 1: and Spears. They're matching. Denim will last forever. You know,

811
00:50:02,920 --> 00:50:05,799
Speaker 1: I got a message in two thousand and three. I

812
00:50:05,800 --> 00:50:08,120
Speaker 1: got a message on my answering machine from Britney Spears.

813
00:50:08,320 --> 00:50:13,000
Speaker 1: Are you serious? Yes? What did she say? She just

814
00:50:13,440 --> 00:50:16,360
Speaker 1: I thought it was her. I never called back. I

815
00:50:16,400 --> 00:50:19,680
Speaker 1: thought it was a joke. So I don't know if

816
00:50:19,680 --> 00:50:23,120
Speaker 1: there's any way to confirm you save the message tape.

817
00:50:23,680 --> 00:50:25,720
Speaker 1: I just thought it was you know, because I I

818
00:50:26,440 --> 00:50:28,839
Speaker 1: you know, my buddies back home, they play a lot

819
00:50:28,840 --> 00:50:31,480
Speaker 1: of jokes on me, man like phone jokes and stuff

820
00:50:31,520 --> 00:50:34,400
Speaker 1: like that. They get me wound up. Like she was

821
00:50:34,440 --> 00:50:37,440
Speaker 1: a fan of Gilmore. I don't know, she just wasn't

822
00:50:37,560 --> 00:50:39,600
Speaker 1: calling you. I don't know it was her. It probably

823
00:50:39,719 --> 00:50:41,520
Speaker 1: wasn't her. I mean, the chances that it was her,

824
00:50:42,640 --> 00:50:45,120
Speaker 1: I mean, why would somebody that young be calling somebody

825
00:50:45,160 --> 00:50:48,200
Speaker 1: in their early forties. Because maybe she just loved Gilmore.

826
00:50:49,120 --> 00:50:52,520
Speaker 1: Maybe yeah. She said, it was a pleasure encountering you, Scott.

827
00:50:55,400 --> 00:50:59,360
Speaker 1: I never encountered her and her mat her because online

828
00:50:59,480 --> 00:51:07,879
Speaker 1: from Oh my god, that was a great, great one. Riley,

829
00:51:08,920 --> 00:51:12,719
Speaker 1: nice one. Laura I says, you're shopping for your imaginary granddaughter.

830
00:51:12,800 --> 00:51:19,120
Speaker 1: Barbara Hutton. She's a popular socialite. She's hundreds. There were

831
00:51:19,160 --> 00:51:22,120
Speaker 1: certain you know, Life magazine and Look magazine used to

832
00:51:22,160 --> 00:51:25,319
Speaker 1: do profiles of New York socialites, and she was one

833
00:51:25,320 --> 00:51:28,720
Speaker 1: of the more popular ones there were. There were several.

834
00:51:29,239 --> 00:51:31,440
Speaker 1: Rory says, I wonder if the Waltons ever did this

835
00:51:31,640 --> 00:51:34,520
Speaker 1: while they were laying in bed can night John Boy,

836
00:51:36,520 --> 00:51:40,319
Speaker 1: good night Mom, and night Dad. The Waltons was the

837
00:51:40,520 --> 00:51:45,359
Speaker 1: show of the seventies, by the way, Emily says, well,

838
00:51:45,360 --> 00:51:47,480
Speaker 1: what do you think? And Laura I says, I think

839
00:51:47,719 --> 00:51:50,360
Speaker 1: Edith Wharton would have been proud and busy taking notes.

840
00:51:51,040 --> 00:51:53,959
Speaker 1: Eden Thornton is American novelists. She was best known for

841
00:51:54,480 --> 00:51:57,120
Speaker 1: the Age of Innocence. You have to be smart a

842
00:51:57,440 --> 00:52:01,680
Speaker 1: f to know everything in this show Cattle a f. Yes,

843
00:52:01,920 --> 00:52:05,600
Speaker 1: like you got to know a lot of stuff. Rory says,

844
00:52:05,719 --> 00:52:08,160
Speaker 1: what are you drinking? Laura I says a Shirley Temple

845
00:52:08,200 --> 00:52:11,640
Speaker 1: Black I got your good good Ship lollipop right here.

846
00:52:12,960 --> 00:52:16,040
Speaker 1: That was a good line, very good. Yeah, Surely Temple Black.

847
00:52:16,080 --> 00:52:20,760
Speaker 1: That's when she was she married, Yeah, that was her married.

848
00:52:21,400 --> 00:52:24,160
Speaker 1: So a Shirley Temple with alcohol is a Shirley Surely

849
00:52:24,239 --> 00:52:26,080
Speaker 1: Temple for those of you who do not know, was

850
00:52:26,120 --> 00:52:31,279
Speaker 1: a child sensation, child star, singing, dancing, cutest thing in

851
00:52:31,320 --> 00:52:33,400
Speaker 1: the world. She's sang The good Ship Lollipop was the

852
00:52:33,520 --> 00:52:36,640
Speaker 1: number one hit song in the country for years and

853
00:52:36,719 --> 00:52:38,279
Speaker 1: years and years. And she did you know who she was?

854
00:52:38,360 --> 00:52:43,320
Speaker 1: Riley I did the animal Crackers. It seems like everyone

855
00:52:43,400 --> 00:52:48,239
Speaker 1: must know Shirley Temple drink. Laura I says, next year

856
00:52:48,280 --> 00:52:51,400
Speaker 1: it's McDonald's with a slide, which is a great party.

857
00:52:51,800 --> 00:52:54,760
Speaker 1: Laura I says, that was a pretty Freaky Friday moment.

858
00:52:55,000 --> 00:52:58,080
Speaker 1: I don't, I don't know that film. I know, I know,

859
00:52:58,160 --> 00:53:00,880
Speaker 1: I don't Freaky Friday, I don't, I don't is this switch?

860
00:53:01,040 --> 00:53:03,439
Speaker 1: So what was she referring to some sort of mother

861
00:53:03,600 --> 00:53:07,239
Speaker 1: daughter switch after you know the blow up that Rory had,

862
00:53:07,760 --> 00:53:11,200
Speaker 1: Oh right, right right, because she became so oh my god, Scott,

863
00:53:11,200 --> 00:53:13,040
Speaker 1: what are you talking about? You don't know Freaky Friday

864
00:53:13,120 --> 00:53:15,759
Speaker 1: with Jodie Foster took from the seventies. Why are you

865
00:53:15,880 --> 00:53:19,360
Speaker 1: yelling at me? I'm very sensitive you're yelling. This is

866
00:53:19,400 --> 00:53:22,160
Speaker 1: a classic. All right, I'll watch it good. It's from

867
00:53:22,239 --> 00:53:26,400
Speaker 1: ninete Okay, So all right, I was in high school,

868
00:53:26,440 --> 00:53:31,040
Speaker 1: but I just you know, I the title alone kept

869
00:53:31,080 --> 00:53:33,560
Speaker 1: me away from it, Freaky Friday. It's like, what what

870
00:53:33,719 --> 00:53:36,359
Speaker 1: is that title? Oh my god. That's why they made

871
00:53:36,360 --> 00:53:39,359
Speaker 1: the reference to it in Gilmore Girls, because it's so

872
00:53:39,440 --> 00:53:41,960
Speaker 1: well known that if Freaky Friday is a is a

873
00:53:42,000 --> 00:53:45,879
Speaker 1: mom daughter body switch. No, No, we weren't watching those

874
00:53:45,920 --> 00:53:49,439
Speaker 1: movies back then. We're watching Jaws and Star Wars and

875
00:53:49,560 --> 00:53:52,080
Speaker 1: you know, all that kind of stuff. Yeah, for the

876
00:53:52,160 --> 00:53:54,640
Speaker 1: next episode, I need to know if Riley enjoyed Star

877
00:53:54,719 --> 00:53:56,600
Speaker 1: Trek for the Voyage, and I need to know if

878
00:53:56,640 --> 00:54:00,880
Speaker 1: you enjoyed the original Jodie Foster Freaky Friday. We'll compare

879
00:54:00,960 --> 00:54:04,040
Speaker 1: notes Scott. All right, guys, now we're at the point

880
00:54:04,040 --> 00:54:06,520
Speaker 1: of the podcast where everybody's been waiting for this. The

881
00:54:06,600 --> 00:54:09,680
Speaker 1: only reason we're doing the show is we want to

882
00:54:09,719 --> 00:54:12,399
Speaker 1: talk about what our favorite lines are. So this this

883
00:54:12,480 --> 00:54:14,719
Speaker 1: is what we're going to call this uh what do

884
00:54:14,760 --> 00:54:16,640
Speaker 1: we call it? Which is called best Lines? From the show.

885
00:54:16,680 --> 00:54:19,880
Speaker 1: Go ahead, let's start. I mean, mine, is you smiled?

886
00:54:20,440 --> 00:54:22,840
Speaker 1: You're pleased that the iceman looked at you like a

887
00:54:22,880 --> 00:54:28,680
Speaker 1: Porterhouse steak? I mean, are you kidding me? Emily nails it,

888
00:54:28,760 --> 00:54:30,800
Speaker 1: and this is I mean, we're just seeing Luke and

889
00:54:30,880 --> 00:54:34,879
Speaker 1: Laurel I admitting like starting to have their love. I'll

890
00:54:34,920 --> 00:54:38,520
Speaker 1: follow up with a second Emily line, doesn't it look

891
00:54:38,560 --> 00:54:40,520
Speaker 1: like something you can get it at a car wash?

892
00:54:41,320 --> 00:54:44,280
Speaker 1: It's only twelve dollars. Twelve dollars is not a present.

893
00:54:46,200 --> 00:54:48,680
Speaker 1: And I have a laure Lie line. It's not official

894
00:54:48,760 --> 00:54:52,680
Speaker 1: until you're huddling a corner eating your hair. Great line.

895
00:54:53,360 --> 00:54:57,160
Speaker 1: Great line. Okay, So I have a couple when I

896
00:54:57,280 --> 00:55:01,719
Speaker 1: laughed out loud and just bellowed. Uh. Was when Michelle

897
00:55:01,719 --> 00:55:05,360
Speaker 1: came in and said, please to to Jackson. Please no,

898
00:55:05,640 --> 00:55:08,480
Speaker 1: I want to stay ignorant. You know, I don't want

899
00:55:08,520 --> 00:55:11,239
Speaker 1: to know why your arms are up above your head.

900
00:55:12,640 --> 00:55:16,000
Speaker 1: It's like, I love that guy. Man, he just you know,

901
00:55:16,120 --> 00:55:18,840
Speaker 1: he just settles their wagon. A couple of lines, I

902
00:55:18,960 --> 00:55:22,680
Speaker 1: just laugh out loud. And then the other line where

903
00:55:22,719 --> 00:55:27,560
Speaker 1: I just just freaked out was was Mitzi with the

904
00:55:27,600 --> 00:55:32,680
Speaker 1: snapping of the fingers, growing growth. I want to grow. No,

905
00:55:32,800 --> 00:55:36,279
Speaker 1: she snapped first, I've been wanting to grow and I

906
00:55:36,280 --> 00:55:40,560
Speaker 1: mean it was just perfect. That was perfect. So laughed

907
00:55:40,560 --> 00:55:43,839
Speaker 1: out loud. And the little breaking news before we go,

908
00:55:44,080 --> 00:55:48,960
Speaker 1: how about your nephew is going to be on masal

909
00:55:49,560 --> 00:55:53,560
Speaker 1: Mi Low. We've got pictures, so some pictures have been

910
00:55:53,560 --> 00:55:56,360
Speaker 1: released from I think it's season four that they're shooting

911
00:55:56,440 --> 00:56:01,400
Speaker 1: right now of the marvelous Mrs Nasal And there's our guy,

912
00:56:02,080 --> 00:56:06,200
Speaker 1: and it looks to me like my Lows character is

913
00:56:07,120 --> 00:56:12,040
Speaker 1: having a thing with Rachel Brosenhan this is but he's

914
00:56:12,120 --> 00:56:15,799
Speaker 1: I don't know that he's going to be too involved

915
00:56:15,880 --> 00:56:17,920
Speaker 1: with that show because he's got his own show. I mean,

916
00:56:17,920 --> 00:56:20,759
Speaker 1: he doesn't have true but I think he's doing multiple episodes.

917
00:56:21,360 --> 00:56:24,640
Speaker 1: Oh really, I mean yeah, because he's not shooting This

918
00:56:24,760 --> 00:56:27,640
Speaker 1: is Us right now summer hiatus, so he's doing Mazel.

919
00:56:27,960 --> 00:56:31,200
Speaker 1: There's only one more season of This is Us. Yeah,

920
00:56:31,239 --> 00:56:34,520
Speaker 1: but he but he's I know him. He's not gonna

921
00:56:34,800 --> 00:56:36,640
Speaker 1: I don't think. I mean, I could be wrong, but

922
00:56:36,760 --> 00:56:39,360
Speaker 1: I don't know that he's gonna want a production schedule

923
00:56:39,640 --> 00:56:43,600
Speaker 1: all summer. He's well, he needs to go away sting

924
00:56:43,719 --> 00:56:47,640
Speaker 1: Mazel and his hair is off taking no no I

925
00:56:47,640 --> 00:56:49,360
Speaker 1: saw I know, I saw it. I saw it, and

926
00:56:49,800 --> 00:56:53,120
Speaker 1: it looks so good. But but it's you know, he's

927
00:56:53,160 --> 00:56:56,359
Speaker 1: going to need a break. You know, you can't. You

928
00:56:56,400 --> 00:56:58,880
Speaker 1: can't just do that for a solid year without a break.

929
00:57:00,480 --> 00:57:05,480
Speaker 1: You are now, Uncle Luke, like you just cannot surrender

930
00:57:05,600 --> 00:57:09,400
Speaker 1: who you are because now you're worried about Milos. But

931
00:57:09,480 --> 00:57:13,640
Speaker 1: it's like the kid needs a break, break the kid.

932
00:57:13,719 --> 00:57:17,800
Speaker 1: These schedules are tough. You know, he can't just go.

933
00:57:18,000 --> 00:57:20,120
Speaker 1: He's not like a machine. He's not a robot. You

934
00:57:20,160 --> 00:57:23,200
Speaker 1: can't just like, oh, well, his show ended. He's he

935
00:57:23,240 --> 00:57:25,680
Speaker 1: doesn't get to have a hiatus. So let's send him

936
00:57:25,680 --> 00:57:27,880
Speaker 1: to New York and wind him up and let him

937
00:57:27,880 --> 00:57:30,200
Speaker 1: go on Masil and then then after he's done there,

938
00:57:30,360 --> 00:57:33,520
Speaker 1: you know he can have a day off an now

939
00:57:33,920 --> 00:57:39,120
Speaker 1: it doesn't matter. Look, Uncle Luke, he's forty three. Yeah

940
00:57:39,320 --> 00:57:41,520
Speaker 1: he wants to do two shows, he can do it.

941
00:57:42,240 --> 00:57:44,480
Speaker 1: I don't think he's gonna want to do it. I

942
00:57:44,480 --> 00:57:48,200
Speaker 1: think he'll do an episode here and there. All right, everybody,

943
00:57:48,240 --> 00:57:50,640
Speaker 1: that's uh, that's pretty much it. Next week we're gonna

944
00:57:50,960 --> 00:57:56,000
Speaker 1: we're gonna break down Episode seven, Season one, Kiss and Tell,

945
00:57:57,040 --> 00:58:01,120
Speaker 1: Oh boy, what's that going to be about. We'll find out.

946
00:58:01,680 --> 00:58:07,240
Speaker 1: Fasten your seatbelts. It could be a Maxi Medina situation. Again,

947
00:58:07,920 --> 00:58:11,520
Speaker 1: I have a feeling this, this gentleman, this friend of mine,

948
00:58:11,880 --> 00:58:14,760
Speaker 1: this lovely man, it's got calling. It's going to be

949
00:58:14,840 --> 00:58:18,160
Speaker 1: driving me a little betty. And they're not too distant future.

950
00:58:18,520 --> 00:58:53,000
Speaker 1: It's not funny, Amy, It's not funny. Hey, everybody, and

951
00:58:53,000 --> 00:58:56,520
Speaker 1: don't forget Follow us on Instagram at I Am all

952
00:58:56,640 --> 00:59:01,280
Speaker 1: In podcast and Emailie at Gilmore at I heart radio

953
00:59:01,640 --> 00:59:04,040
Speaker 1: dot com. Oh you give more, fans. If you're looking

954
00:59:04,080 --> 00:59:05,840
Speaker 1: for the best cup of coffee in the world, go

955
00:59:05,920 --> 00:59:09,680
Speaker 1: to my website for my company scott EP dot com

956
00:59:09,800 --> 00:59:11,960
Speaker 1: s C O T T y P dot com, scott

957
00:59:11,960 --> 00:59:24,960
Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.