WEBVTT - Creepypasta 3: The SCP Foundation

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<v Speaker 1>Welcome to stuff to blow your mind from how stuff

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<v Speaker 1>works dot com. Mankind in its present state has been

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<v Speaker 1>around for a quarter of a million years, yet only

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<v Speaker 1>the last four thousand have been of any significance. So

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<v Speaker 1>what did we do? For nearly two hundred and fifty

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<v Speaker 1>thousand years? We huddled in cades and around small fires,

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<v Speaker 1>fearful of things that we didn't understand. It was more

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<v Speaker 1>than explaining why the sun came up. It was the

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<v Speaker 1>mystery of enormous birds with heads of men and rocks

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<v Speaker 1>that came to life. So we called them gods and demons,

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<v Speaker 1>begged them to spare us, and prayed for salvation. In time,

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<v Speaker 1>their numbers dwindled in ours rose. The world began to

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<v Speaker 1>make more sense when there were fewer things to fear.

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<v Speaker 1>Yet the unexplained can never truly go away, as if

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<v Speaker 1>the universe demands the absurd and impossible. Mankind must not

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<v Speaker 1>go back to hiding in fear. No one else will

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<v Speaker 1>protect us, and we must stand up for ourselves. While

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<v Speaker 1>the rest of mankind dwells in the light, we must

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<v Speaker 1>stand in the darkness to fight it, contain it, and

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<v Speaker 1>shield it from the eyes of the public, so that

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<v Speaker 1>others may live in a sane and normal world. Hey,

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<v Speaker 1>welcome to Stuff to Bloil Your Mind. My name is

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<v Speaker 1>Robert Lamb and I am Christian Sager, and we are

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<v Speaker 1>on our third episode about creepy pastas. This uh, I

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<v Speaker 1>want to say it was this time last year that

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<v Speaker 1>we did the first one and people really liked it,

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<v Speaker 1>so we did a second one, and then I would say,

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<v Speaker 1>especially this time of year, we get about an email

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<v Speaker 1>or two a week suggesting different creepy pastas that we

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<v Speaker 1>read and possibly do on the show. And the one

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<v Speaker 1>that we have been hearing about the most is called SCP,

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<v Speaker 1>and we looked into it and it fit the show perfectly.

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<v Speaker 1>It's almost like they designed it just for us. So

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<v Speaker 1>I hope that the creators of SCP, the writers of

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<v Speaker 1>these various creepy pastas, are out there listening. We love

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<v Speaker 1>what you're doing. Yeah, SCP Foundation. SCP stands for Special

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<v Speaker 1>Containment Procedures. Uh. It's uh. And you can find this

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<v Speaker 1>by the way at SCP slash wiki dot wiki dot

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<v Speaker 1>dot com, or just do a web search for u

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<v Speaker 1>SEP Foundation or will also include a link to it

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<v Speaker 1>on the landing bach for this episode of Stuff to

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<v Speaker 1>Blow Your mind dot com. It's a fabulous uh, just

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<v Speaker 1>a catalog encyclopedia of all these weird specimens that are

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<v Speaker 1>presented presented as if they are under scientific scrutiny. Is

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<v Speaker 1>if these specimens are being uh investigated very cautiously by

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<v Speaker 1>by by individuals who have scientific curiosity about the specimens

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<v Speaker 1>but also the best interests of mankind and its sanity

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<v Speaker 1>at heart. Yeah, they pitched it as being kind of

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<v Speaker 1>like that TV show Warehouse thirteen, but what I thought

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<v Speaker 1>more of was spoilers Cabin in the Woods, uh, and

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<v Speaker 1>and what's going on behind the scenes in that movie. Um. So, okay,

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<v Speaker 1>maybe you have never heard one of our Creepy Pasta

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<v Speaker 1>episodes before, so we're gonna give you a real quick

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<v Speaker 1>intro to it, although I recommend that you go check

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<v Speaker 1>out the ones that we've done previously. Creepy Pastas are

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<v Speaker 1>viral copy and paste text in the form of horror stories.

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<v Speaker 1>They evolved from copy pasta, which is another sort of

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<v Speaker 1>viral copy and paste text thing. They take the shape

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<v Speaker 1>of urban legends, mainly appearing as if there's something that

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<v Speaker 1>actually happened, uh, and they mimic first person accounts, especially

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<v Speaker 1>scientific ones, which is why we're attracted to them because

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<v Speaker 1>we like to on these episodes take the scientific ones

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<v Speaker 1>and kind of extrapolate out what's actually going on here

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<v Speaker 1>science wise. Uh. So we have a penchant for this genre.

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<v Speaker 1>The most popular one that you've probably heard of is

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<v Speaker 1>slender Man. Then the genre really seems to have hit

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<v Speaker 1>its peak into one ten, but it is still chugging

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<v Speaker 1>along as SCP is total evidence. Oh yeah, there's a

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<v Speaker 1>new television series that's right. Yeah. In fact, Robert and

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<v Speaker 1>I jested an interview with Playboy magazine of all places,

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<v Speaker 1>about this upcoming sci fi TV show, Channel zero that's

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<v Speaker 1>all about different creepy pastas, and I guess the first

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<v Speaker 1>one that they're gonna do is Candle Cove. They're basically

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<v Speaker 1>gonna take some of these creepypastas and adapt them for television. Yeah.

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<v Speaker 1>I haven't seen it myself yet, but I've heard great things.

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<v Speaker 1>Yeah me neither. Um. But back to SCP. So, the

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<v Speaker 1>basic idea here is that it's a foundation that is

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<v Speaker 1>trying to contain and protect us from all these various

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<v Speaker 1>entities that are sort of weird horror abstractions. Right, it's

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<v Speaker 1>not fair, Yeah, and it's I think it's kind of

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<v Speaker 1>I see SCP Foundation is kind of an evolution of

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<v Speaker 1>the form because the more classic examples of pasta and

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<v Speaker 1>creepy pasta, they're they're such I mean, they straddle fiction

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<v Speaker 1>and reality in such a way to supposed to misinterpret them.

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<v Speaker 1>Like it's the kind of thing where someone is pasting

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<v Speaker 1>it onto a message board, like an individual saying, hey,

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<v Speaker 1>has anyone ever had a bad experience with this medication?

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<v Speaker 1>And then someone pace as in copy and paste pasta,

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<v Speaker 1>they paste this this, uh, this ridiculous story of something

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<v Speaker 1>that happened to somebody, and then you're supposed to potentially

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<v Speaker 1>think it's real. Whereas SCP STP Foundation, it's not so

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<v Speaker 1>much they're not really pushing the these this is real,

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<v Speaker 1>this really happened angle but they're playing with the genre.

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<v Speaker 1>There's still I believe anonymous entries. I think so yeah. Uh,

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<v Speaker 1>they basically are cataloging all of these creatures, entities, whatever

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<v Speaker 1>they are, as if they're all in containment. And so

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<v Speaker 1>the guidelines for writing one of these is that the

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<v Speaker 1>articles should have an interesting idea, a reasonable containment procedure

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<v Speaker 1>for whatever it is it's being contained, and a clear

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<v Speaker 1>description of each entry They also operate on a rating system,

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<v Speaker 1>which was really nice for us to be able to

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<v Speaker 1>get like a good dive in UM. If the page

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<v Speaker 1>is low rated, they're deleted from the site if they

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<v Speaker 1>receive a negative nine rating or lower UM. So these

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<v Speaker 1>people are very focused on quality, more so than a

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<v Speaker 1>lot of the creepy pasta sites that we've been to before.

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<v Speaker 1>There's also a spinoff game. I haven't had a chance

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<v Speaker 1>to play it yet, but it's called Containment Breach, where

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<v Speaker 1>you play a disposable human guinea pig that's stuck in

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<v Speaker 1>the facility and the it undergoes a containment breach, so

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<v Speaker 1>you're alone with all the escaped entities. I I just

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<v Speaker 1>really liked a lot of these. They play to the

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<v Speaker 1>weirdness of horror rather than to the gore of some

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<v Speaker 1>of the creepy pastas, and I that appealed to me. Yeah,

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<v Speaker 1>I mean I. I I also love the emphasis on humor

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<v Speaker 1>and absurdity. There's still plenty of unsettling aspects to the

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<v Speaker 1>various specimens, but more often than not, the entries put

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<v Speaker 1>a smile on my face or even elect a giggle. UM. Plus,

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<v Speaker 1>there's a fair amount of a variety in the style.

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<v Speaker 1>Most of the top entries retain that case report format,

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<v Speaker 1>but but there are tones shifts here and there, and uh,

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<v Speaker 1>and some rely on visuals more so than others. There's

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<v Speaker 1>even one entry at least STP that's entirely it's told

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<v Speaker 1>entirely through visuals, through the sequential use of like industrial

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<v Speaker 1>hazard signs to tell the story of a deadly but

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<v Speaker 1>perhaps loving shadow entity that creeps in and and terrifies

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<v Speaker 1>and potentially consumes one of the researchers. Yeah, I really

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<v Speaker 1>love the creativity on this site. Definitely recommend that you

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<v Speaker 1>go visit it. So our mission today and on this

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<v Speaker 1>episode is we each took three of our favorite specimens

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<v Speaker 1>and then we extrapolated out scientific lessons that we can

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<v Speaker 1>learn from them. Yeah, so view it as a celebration

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<v Speaker 1>of step foundation materials, but also using different examples from

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<v Speaker 1>SEP as a as a stepping stone to then discuss

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<v Speaker 1>some equally fascinating and weird science, real world science behind

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<v Speaker 1>the fiction. Okay, so we're gonna start off with one

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<v Speaker 1>of Roberts and this one is called the Sculpture. Yeah,

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<v Speaker 1>this one's pretty cool because it not only is the

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<v Speaker 1>idea interesting, it's also the original specimen. This was the

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<v Speaker 1>first CP Foundation specimen to have a ride up. And

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<v Speaker 1>I'm just gonna read from the description quote move to

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<v Speaker 1>site nineteen. Origin is of yet unknown. It is constructed

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<v Speaker 1>from concrete and rebar with faces of Crylon brand spray paint.

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<v Speaker 1>SEP one seventy three. Is an is animate and extremely hostile.

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<v Speaker 1>The object cannot move while within a direct line of sight.

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<v Speaker 1>Line of sight must not be broken at any time.

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<v Speaker 1>With SCP one seventy three, personnel assigned to inter container

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<v Speaker 1>are instructed to alert one other before blinking object is

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<v Speaker 1>reported to attack by snapping the neck at the base

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<v Speaker 1>of the skull or by strangulation. In the event of

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<v Speaker 1>an attack, personnel are to observe Class four hazardous object

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<v Speaker 1>containment procedures. So uh. A lot of these remind me

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<v Speaker 1>of like the premises for Doctor Who episodes, and this

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<v Speaker 1>one immediately made me think of the weeping Angels, which

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<v Speaker 1>are sort of a favorite on the newer Doctor Who episodes. Yeah, indeed,

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<v Speaker 1>like this is the trope, right, the the entity that

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<v Speaker 1>cannot move as long as you're looking at it, but

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<v Speaker 1>if you look away, it's going to creep in with

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<v Speaker 1>alarming speed. Another big example of this are the hedge

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<v Speaker 1>creatures from Stephen King's novel The Shine. Oh yeah, that's right.

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<v Speaker 1>But one of the things The Shining movie is my

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<v Speaker 1>favorite movie of all time. But that is the one

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<v Speaker 1>thing from the novel I really wish had made it

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<v Speaker 1>in there. That's right, because in the in the in

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<v Speaker 1>the movie, the original Kubrick film, we we got this hedgemazed,

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<v Speaker 1>and certainly that works very well within the the you know,

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<v Speaker 1>the that adaptation. But in the original novel, they're these

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<v Speaker 1>hedge animals and if you look away, then you look back,

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<v Speaker 1>and they moved closer, and they get closer and closer.

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<v Speaker 1>And I haven't seen it yet, but you know, Stephen

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<v Speaker 1>King made his own adaptation of it, and I believe

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<v Speaker 1>the hedge creatures are in that. I think so. I

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<v Speaker 1>think they kept it, but I've not seen one of

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<v Speaker 1>these days, I'll get to it now. SCP One three,

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<v Speaker 1>as the picture seems to illustrate, is kind of this

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<v Speaker 1>giant space baby from a Young smunk Meyer film. At

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<v Speaker 1>the image is pretty crazy. Yeah, it's it's like it's

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<v Speaker 1>it's a little bit bad, but it's also it's it's

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<v Speaker 1>creepy to look at because you're trying to imagine this

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<v Speaker 1>thing moving when your eyes are adverted. And they believe

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<v Speaker 1>this is also the most popular one, right or one

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<v Speaker 1>of the most pop's. It's right up there on the

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<v Speaker 1>top of the list, if not the most popular, and

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<v Speaker 1>certainly it's been around the longest, and it is a

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<v Speaker 1>good it's a really good like template for other U

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<v Speaker 1>imagine for anyone creating one of these now. In addition

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<v Speaker 1>to the head creatures from Stephen King's The Shining and

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<v Speaker 1>the Weeping Angels from Doctor Who, which which, as you

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<v Speaker 1>pointed out, these are these on the show where ancient

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<v Speaker 1>alien predators who resemble winged humans and they make use

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<v Speaker 1>of time paradoxes. They move swiftly, but only if nothing

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<v Speaker 1>is looking at them, and apparently if two weeping angels

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<v Speaker 1>look at each other at the same time, they get

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<v Speaker 1>trapped in their stone forms. But then, on top of

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<v Speaker 1>these sational examples, there's Ninja Cat from YouTube. It's exactly

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<v Speaker 1>the same premise. It's it's uh, somebody pointing their camera

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<v Speaker 1>at this cat is peeking around a corner at them

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<v Speaker 1>down the hall, and then the camera moves away for

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<v Speaker 1>a second, moves back, and the cat is peeking around

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<v Speaker 1>a closer corner, and they move away, and then when

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<v Speaker 1>they come back, the cat is even closer. But just

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<v Speaker 1>like the hedge creatures of the Weeping Angels or this

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<v Speaker 1>particular SEP specimen, you never actually see it move. It

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<v Speaker 1>just gets closer and closer and closer to much right

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<v Speaker 1>on you. No, I haven't seen that one, but that

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<v Speaker 1>sounds like it would be very amusing. Yeah, it is,

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<v Speaker 1>it's it's it's wonderful. But this last example, ninja cat. Uh,

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<v Speaker 1>given that it's a natural world predator as opposed to

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<v Speaker 1>another worldly when it raises, the question, does direct line

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<v Speaker 1>of sight, direct eyesight even protect a prey animal such

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<v Speaker 1>as a human from a predator such as a tiger

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<v Speaker 1>or a jumping angel or a hedge monster. Yeah, it's

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<v Speaker 1>a it's a wonderful question. And uh, and indeed we

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<v Speaker 1>have some answers to that. So eye contact is of

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<v Speaker 1>course something that creepily transcends species. And and I mean

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<v Speaker 1>it's creepy enough with with humans, right, it's weird to

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<v Speaker 1>humans lot gazes and there's this sense of connection, sense

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<v Speaker 1>of openness for an attempt to dominate. Numerous studies have

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<v Speaker 1>revealed that that it that it has various influences over

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<v Speaker 1>trust persuasion. A two thousand eleven study even show that

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<v Speaker 1>eye contact can serve as an invitation to mimicry, which

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<v Speaker 1>which has an impact on the way we learn, but

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<v Speaker 1>also potentially on how people with autism struggle to grasp

0:12:42.720 --> 0:12:45.320
<v Speaker 1>when they're expected to copy the actions of another person.

0:12:45.520 --> 0:12:49.280
<v Speaker 1>Oh yeah, yeah, certainly. I mainly think of the sort

0:12:49.320 --> 0:12:52.040
<v Speaker 1>of quote science of eye contact because I used to

0:12:52.080 --> 0:12:54.080
<v Speaker 1>teach public speaking, and it's a big part of that,

0:12:54.200 --> 0:12:57.880
<v Speaker 1>like how much eye contact should you have with your audience? Um,

0:12:57.920 --> 0:13:00.680
<v Speaker 1>where should you be moving your eyes through the audience?

0:13:00.720 --> 0:13:03.680
<v Speaker 1>Would you just stare at one person? Obviously not. So

0:13:03.760 --> 0:13:06.200
<v Speaker 1>there's a lot of there's a lot of rules to

0:13:06.280 --> 0:13:09.040
<v Speaker 1>it to be an effective public speaker, right. But but

0:13:09.440 --> 0:13:11.880
<v Speaker 1>related to that, there's there's also this mix of a

0:13:12.000 --> 0:13:16.880
<v Speaker 1>continuing study into how uh, direct eye contact influences are

0:13:16.880 --> 0:13:20.400
<v Speaker 1>are speaking abilities, but also there's a fair amount of

0:13:20.440 --> 0:13:23.959
<v Speaker 1>sort of folk mythology about yeah. Well, for instance, the

0:13:24.000 --> 0:13:26.400
<v Speaker 1>whole idea that you should make direct eye contact when

0:13:26.400 --> 0:13:28.480
<v Speaker 1>trying to convince somebody of something you see it in

0:13:28.520 --> 0:13:30.880
<v Speaker 1>a speech or whatever. There was actually a two thousand

0:13:30.920 --> 0:13:34.360
<v Speaker 1>thirteen University of Freiburg study that found that direct eye

0:13:34.360 --> 0:13:38.000
<v Speaker 1>contact makes skeptical listeners less likely to change their minds.

0:13:38.360 --> 0:13:40.600
<v Speaker 1>I believe it. So it's just it's like, oh, you're

0:13:40.640 --> 0:13:43.520
<v Speaker 1>you're boring into me with your with your ideas and

0:13:43.559 --> 0:13:46.800
<v Speaker 1>your creepy eyes. I'm just gonna shut you out. I remember,

0:13:47.559 --> 0:13:48.920
<v Speaker 1>I don't have them in the notes here, but I

0:13:48.960 --> 0:13:52.680
<v Speaker 1>remember reading studies that like have quantified the exact amount

0:13:52.720 --> 0:13:55.200
<v Speaker 1>of seconds that human beings can look at each other

0:13:55.280 --> 0:13:57.839
<v Speaker 1>in the eyes before it becomes so uncomfortable that they

0:13:57.840 --> 0:14:01.679
<v Speaker 1>just immediately shut down. Yeah. But the crazy part though, right,

0:14:01.840 --> 0:14:04.720
<v Speaker 1>is that that if you've ever made eye contact with

0:14:04.760 --> 0:14:07.360
<v Speaker 1>a dog or a cat or a zoo animal, then

0:14:07.360 --> 0:14:11.000
<v Speaker 1>you felt that inner species connection as well. Yeah, yeah, definitely.

0:14:11.040 --> 0:14:13.160
<v Speaker 1>I look, that's funny that you you bring that up,

0:14:13.160 --> 0:14:15.400
<v Speaker 1>because you know, I have two dogs. I hang out

0:14:15.400 --> 0:14:18.040
<v Speaker 1>with them all the time, and uh look them in

0:14:18.040 --> 0:14:20.640
<v Speaker 1>the eyes all the time, a lot longer than a

0:14:20.720 --> 0:14:22.400
<v Speaker 1>human and I would be able to look each other

0:14:22.400 --> 0:14:24.240
<v Speaker 1>in the eyes. But I think it's because the dogs

0:14:24.280 --> 0:14:28.360
<v Speaker 1>are connecting differently, but it still means something to them. Yeah.

0:14:28.360 --> 0:14:30.320
<v Speaker 1>I have the same experience with our cat, who like

0:14:30.520 --> 0:14:33.400
<v Speaker 1>who I know, you know, I do not this cat, especially,

0:14:33.440 --> 0:14:36.640
<v Speaker 1>I do not anthropomorphizes too much, like she's she's a

0:14:36.640 --> 0:14:40.320
<v Speaker 1>monster who attacks my feet, and uh, it just came

0:14:40.320 --> 0:14:43.360
<v Speaker 1>around at the long wrong point in our lives. I mean,

0:14:43.440 --> 0:14:46.160
<v Speaker 1>I love her, she's wonderful, but she's kind of kind

0:14:46.160 --> 0:14:49.840
<v Speaker 1>of right. Both my cats are similar, but you make

0:14:49.880 --> 0:14:52.360
<v Speaker 1>eye contact with them and it's like, oh, it's like,

0:14:52.400 --> 0:14:55.720
<v Speaker 1>I know that we have totally different minds and totally

0:14:55.720 --> 0:14:58.080
<v Speaker 1>different brains, totally different views of the world, and yet

0:14:58.160 --> 0:15:01.840
<v Speaker 1>right now we're sharing this profound activity. You're staring into

0:15:01.920 --> 0:15:04.160
<v Speaker 1>eyes and you have no word for eyes. All right,

0:15:04.160 --> 0:15:05.560
<v Speaker 1>you can just go down the rabbit hole on it.

0:15:06.440 --> 0:15:09.560
<v Speaker 1>But at at the basic right, like the bedrock here,

0:15:09.680 --> 0:15:12.680
<v Speaker 1>is that when you when two creatures make eye contact,

0:15:13.040 --> 0:15:16.160
<v Speaker 1>there's this idea that one has been seen, that one

0:15:16.280 --> 0:15:18.280
<v Speaker 1>is being seen, that one is your you're know, not

0:15:18.400 --> 0:15:20.720
<v Speaker 1>hiding from that other creature, the other creature is aware.

0:15:20.920 --> 0:15:24.560
<v Speaker 1>And then what comes next. So there are two main

0:15:24.600 --> 0:15:27.640
<v Speaker 1>distinctions in what should come next? First matching up the

0:15:27.960 --> 0:15:30.520
<v Speaker 1>with with the idea of the weeping angels and uh

0:15:30.560 --> 0:15:35.000
<v Speaker 1>and topiary animals and sep one. See, there's this reality

0:15:35.280 --> 0:15:38.880
<v Speaker 1>that certain creatures depend on stealth to acquire their prey.

0:15:39.840 --> 0:15:43.560
<v Speaker 1>And if if they know that you see them, that

0:15:43.760 --> 0:15:46.480
<v Speaker 1>is going to take away their advantage. They they are

0:15:46.520 --> 0:15:50.600
<v Speaker 1>stealth hunters, they are surprised um predators, and if they

0:15:50.640 --> 0:15:54.600
<v Speaker 1>don't have that surprise, then they may back off. And

0:15:54.640 --> 0:15:57.160
<v Speaker 1>I can't help but think of these attacks in um

0:15:57.200 --> 0:16:02.080
<v Speaker 1>an x COOM terms video games. That was I was

0:16:02.120 --> 0:16:04.720
<v Speaker 1>immediately thinking of video game. Different video game. But yeah,

0:16:04.800 --> 0:16:06.920
<v Speaker 1>when you're trying to sneak up on somebody, Yeah, or

0:16:07.040 --> 0:16:09.200
<v Speaker 1>d n D as well, where you have a bonus. Uh,

0:16:09.280 --> 0:16:11.240
<v Speaker 1>there's a damage bonus or an attack bonus to a

0:16:11.280 --> 0:16:14.920
<v Speaker 1>sneak attack, like in video games. Like Yeah, if it's

0:16:14.960 --> 0:16:17.880
<v Speaker 1>a video games role playing, if the stakes are high enough,

0:16:18.320 --> 0:16:22.880
<v Speaker 1>that surprise attack can make all the difference. Uh. But

0:16:22.880 --> 0:16:25.880
<v Speaker 1>but but you know, within the game it's still a game, right, Well,

0:16:26.360 --> 0:16:29.640
<v Speaker 1>for predators it's uh, it's even more important because first

0:16:29.680 --> 0:16:31.840
<v Speaker 1>of all, nothing beats a sure thing, right or even

0:16:31.920 --> 0:16:34.440
<v Speaker 1>a near sure thing. If an attack, but if an

0:16:34.440 --> 0:16:37.360
<v Speaker 1>attack does not go as exactly planned, a number of

0:16:37.400 --> 0:16:40.960
<v Speaker 1>consequences can occur. So the prey might get away, in

0:16:41.000 --> 0:16:44.680
<v Speaker 1>which case you've lost energy, you've lost time. Other prey

0:16:44.760 --> 0:16:46.840
<v Speaker 1>in the area might be alerted to your presence and

0:16:46.880 --> 0:16:50.600
<v Speaker 1>they're frightened away, We're still an alert prey animal could

0:16:50.640 --> 0:16:54.240
<v Speaker 1>have the chance to counterattack and inflict damage, and that

0:16:54.320 --> 0:16:57.680
<v Speaker 1>kind of injury can prove deadly. Cheatahs, for instance, rarely

0:16:57.720 --> 0:17:01.120
<v Speaker 1>go after larger prey like an austria. There are some

0:17:01.240 --> 0:17:04.080
<v Speaker 1>very interesting examples where they do develop strategies to to

0:17:04.119 --> 0:17:06.400
<v Speaker 1>do that, but for the most part they don't because

0:17:06.440 --> 0:17:08.920
<v Speaker 1>while to pay off for catching that off striach is

0:17:08.960 --> 0:17:11.880
<v Speaker 1>wonderful if you get if they get injured, it basically

0:17:11.960 --> 0:17:14.720
<v Speaker 1>can mean starvation because they are a high speed predator

0:17:14.840 --> 0:17:18.160
<v Speaker 1>and a limping cheetah is not going to eat. Yeah.

0:17:18.240 --> 0:17:21.360
<v Speaker 1>This reminds me of a video that I shot here

0:17:21.400 --> 0:17:24.440
<v Speaker 1>for work a couple of weeks ago about killer whales

0:17:24.560 --> 0:17:27.280
<v Speaker 1>and humpback whales. There's a similar thing going on, and

0:17:27.320 --> 0:17:30.600
<v Speaker 1>that killer whales trying to sneak up and take out

0:17:31.240 --> 0:17:35.080
<v Speaker 1>humpback whale calves. But now humpback whales have started to

0:17:35.880 --> 0:17:39.240
<v Speaker 1>fight back. Uh, to the point that humpback whales will

0:17:39.240 --> 0:17:42.840
<v Speaker 1>actually interfere with killer whale attacks on other animals, like

0:17:42.880 --> 0:17:47.679
<v Speaker 1>they're saving seals from killer whale attacks. Uh, and go

0:17:47.760 --> 0:17:49.679
<v Speaker 1>watch the video. But there's a lot of science to it,

0:17:49.680 --> 0:17:52.879
<v Speaker 1>trying to figure out what's going on there exactly to

0:17:52.920 --> 0:17:55.800
<v Speaker 1>this point. The killer whales are expending all this energy

0:17:56.200 --> 0:18:00.280
<v Speaker 1>and then the humpbacks just basically pummel them down to

0:18:00.320 --> 0:18:03.040
<v Speaker 1>make sure that they stay away, and they're basically teaching

0:18:03.040 --> 0:18:07.080
<v Speaker 1>them a lesson like don't go after our children. Yeah,

0:18:07.119 --> 0:18:11.040
<v Speaker 1>and certainly I have a hard time sympathizing with the

0:18:11.680 --> 0:18:16.120
<v Speaker 1>mammal eating killer whales. They got to eat somehow. But

0:18:16.119 --> 0:18:18.600
<v Speaker 1>but then you have the fish eating killer whales where

0:18:19.359 --> 0:18:21.720
<v Speaker 1>in my household, my four year old is very is

0:18:21.840 --> 0:18:24.560
<v Speaker 1>very into into nature right now, and he likes killer whales,

0:18:24.560 --> 0:18:28.760
<v Speaker 1>but he's very firm that he only likes fish eating. Yeah,

0:18:28.920 --> 0:18:32.400
<v Speaker 1>despite the fact that the there's a particular to tie

0:18:32.400 --> 0:18:36.480
<v Speaker 1>back into viewing prey killer whales that that prey on

0:18:36.560 --> 0:18:40.359
<v Speaker 1>seals will do this thing called spy hopping, and my

0:18:40.400 --> 0:18:42.199
<v Speaker 1>son's very intrigued by that. And this is where they

0:18:42.240 --> 0:18:44.480
<v Speaker 1>will they'll they'll they're they'll poke their heads out of

0:18:44.480 --> 0:18:48.399
<v Speaker 1>the water kind of like peek over the top and

0:18:48.480 --> 0:18:52.080
<v Speaker 1>see what their prey is up to. Well, maybe if

0:18:52.119 --> 0:18:56.000
<v Speaker 1>that seal just made direct eye contact with the killer whale,

0:18:56.040 --> 0:18:59.520
<v Speaker 1>it would swim away. Yeah, that's right. Now, that's one possibility, right,

0:18:59.640 --> 0:19:01.800
<v Speaker 1>if you know, if you know that the predators after

0:19:01.840 --> 0:19:04.160
<v Speaker 1>you just make eye contact with it at all times,

0:19:04.560 --> 0:19:06.960
<v Speaker 1>it's great, but you're that's going to be quite a

0:19:07.000 --> 0:19:11.040
<v Speaker 1>resource drain. You can't constantly be on the lookout for predators.

0:19:11.840 --> 0:19:15.359
<v Speaker 1>So the next best tactic, of perhaps the better tactic,

0:19:15.480 --> 0:19:18.119
<v Speaker 1>is to fool your enemies into thinking someone's watching you

0:19:18.200 --> 0:19:21.600
<v Speaker 1>all the time. And we actually see countless examples of

0:19:21.640 --> 0:19:27.040
<v Speaker 1>this uh in the evolution of eye spots across various species.

0:19:27.760 --> 0:19:29.640
<v Speaker 1>So these are just you know, dots on a creature

0:19:29.720 --> 0:19:32.600
<v Speaker 1>that look like eyes. Now, to be clear, not all

0:19:32.600 --> 0:19:35.480
<v Speaker 1>eye spots are there to mimic watching eyes. Sometimes they're

0:19:35.480 --> 0:19:38.040
<v Speaker 1>there to fool a predator and attacking a less vulnerable

0:19:38.080 --> 0:19:40.280
<v Speaker 1>part of the animal. You know, don't attack my head,

0:19:40.359 --> 0:19:44.439
<v Speaker 1>attack my rump, or they play into mate selection. But

0:19:44.520 --> 0:19:48.280
<v Speaker 1>in some cases, yes, eye spots definitely serve as anti

0:19:48.320 --> 0:19:52.320
<v Speaker 1>predator adaptations. And we also see examples of the strategy's

0:19:52.320 --> 0:19:56.480
<v Speaker 1>effectiveness outside of natural adaptation. For instance, in India, you

0:19:56.520 --> 0:19:59.760
<v Speaker 1>have individuals who happen to live and work in Bengal

0:19:59.800 --> 0:20:03.720
<v Speaker 1>Ti tiger country and they've long reported success with these

0:20:03.760 --> 0:20:05.960
<v Speaker 1>wooden human masks that they wear in the back of

0:20:06.000 --> 0:20:10.520
<v Speaker 1>their heads with wide open eyes. That the idea here

0:20:10.600 --> 0:20:12.840
<v Speaker 1>is that the tiger will try and self attack them,

0:20:12.920 --> 0:20:15.479
<v Speaker 1>but it sees this face staring back at them, and

0:20:15.560 --> 0:20:18.440
<v Speaker 1>so they realize, oh, well, my percentage, my percentage to

0:20:18.520 --> 0:20:22.480
<v Speaker 1>hit is less, I'm not going to take the risk. Um.

0:20:22.560 --> 0:20:25.240
<v Speaker 1>And and you know, various animal species have evolved eye

0:20:25.240 --> 0:20:27.479
<v Speaker 1>spots that in many cases they serve to protect them

0:20:27.480 --> 0:20:31.440
<v Speaker 1>from creeping predators, as I already mentioned. Uh. Currently there's

0:20:31.440 --> 0:20:35.720
<v Speaker 1>this really cool project Australian conservation biologist Dr Neil Jordan's

0:20:35.760 --> 0:20:38.160
<v Speaker 1>is experimenting with the use of painted on eye spots

0:20:38.680 --> 0:20:43.560
<v Speaker 1>painted and then just black paint into grazing cattle. And

0:20:43.600 --> 0:20:45.960
<v Speaker 1>the idea here is to protect them from lion attacks,

0:20:46.359 --> 0:20:49.080
<v Speaker 1>because lions end up attacking cattle uh. And then the

0:20:49.400 --> 0:20:52.200
<v Speaker 1>humans counterattack at least all this violence, and then the

0:20:52.720 --> 0:20:56.040
<v Speaker 1>lions are already endangered anyway. It's a bad situation for everyone.

0:20:56.880 --> 0:21:00.359
<v Speaker 1>But so far he has reported a fair out of

0:21:00.640 --> 0:21:03.439
<v Speaker 1>success with this. Say he holds a position with the

0:21:03.480 --> 0:21:07.480
<v Speaker 1>Botswana Predator Conservation Trust and he recently held a ten

0:21:07.480 --> 0:21:10.439
<v Speaker 1>week trial of the strategy painting eyes on one third

0:21:10.480 --> 0:21:14.240
<v Speaker 1>of the sixty two cattle herd, three unpainted cows wild

0:21:14.280 --> 0:21:16.840
<v Speaker 1>wound up as lion chow, but none of the eye

0:21:16.840 --> 0:21:21.600
<v Speaker 1>cows fell to bradation. So, uh, correct me if I'm wrong,

0:21:21.680 --> 0:21:24.040
<v Speaker 1>But didn't we do it? Now we do? And this

0:21:24.119 --> 0:21:28.960
<v Speaker 1>was it? You? Who? Yeah? So why it's in your mind? Yeah,

0:21:29.000 --> 0:21:31.200
<v Speaker 1>I remember this from a couple of weeks ago. So yeah,

0:21:31.240 --> 0:21:32.879
<v Speaker 1>we have a small video out there that you can

0:21:32.880 --> 0:21:34.959
<v Speaker 1>go check out at how stuff works. Now they're going

0:21:35.000 --> 0:21:37.200
<v Speaker 1>to do a follow up on it. Hopefully we'll see

0:21:37.200 --> 0:21:40.160
<v Speaker 1>the results of that in the the weeks and months ahead.

0:21:40.200 --> 0:21:44.000
<v Speaker 1>But uh, you know they're gonna use GPS, cattle trackers,

0:21:44.000 --> 0:21:47.679
<v Speaker 1>etcetera to really see how effective this, uh, this strategy is.

0:21:48.080 --> 0:21:49.520
<v Speaker 1>But it does drive on the fact that, yes, there

0:21:49.560 --> 0:21:52.280
<v Speaker 1>are predatory creatures where they know that you're watching, they

0:21:52.280 --> 0:21:54.199
<v Speaker 1>will back they will back off where they will they

0:21:54.200 --> 0:21:58.920
<v Speaker 1>will they will hold off their attack. However, that doesn't

0:21:58.920 --> 0:22:02.560
<v Speaker 1>mean the direct icon atack with your specimen is always

0:22:02.560 --> 0:22:05.200
<v Speaker 1>a good thing. There are also plenty of examples where

0:22:05.600 --> 0:22:11.000
<v Speaker 1>it will force violent actions out of the other species.

0:22:11.119 --> 0:22:13.720
<v Speaker 1>I mean, essentially, you're making eye contact with another animal

0:22:14.119 --> 0:22:16.679
<v Speaker 1>if they are if if if they might see you

0:22:16.720 --> 0:22:18.800
<v Speaker 1>as prey, they're going to hold off their attack. But

0:22:18.920 --> 0:22:21.000
<v Speaker 1>if they think that you were the predator, they think

0:22:21.000 --> 0:22:23.600
<v Speaker 1>you might be the aggressor, they may just go ahead

0:22:23.600 --> 0:22:27.800
<v Speaker 1>and counter attack. So dogs, for instance, they key into

0:22:27.840 --> 0:22:30.200
<v Speaker 1>human eye movements. Have been a number of studies about this.

0:22:30.520 --> 0:22:32.720
<v Speaker 1>They're able to track our eye movements and infer intent.

0:22:33.040 --> 0:22:38.720
<v Speaker 1>And this has also been documented in in other species primates, goats, dolphins, seals,

0:22:39.320 --> 0:22:42.399
<v Speaker 1>even some tortoises. But of course dogs that are that

0:22:42.480 --> 0:22:45.480
<v Speaker 1>feel especially threatened can actually be provoked into attacking the

0:22:45.640 --> 0:22:49.200
<v Speaker 1>eye contact. UM and I imagine anyone who's ever spent

0:22:49.240 --> 0:22:51.240
<v Speaker 1>a lot of time around dogs, especially around a dog

0:22:51.280 --> 0:22:56.400
<v Speaker 1>that is nervous, is already feels threatened. Like you most adults,

0:22:56.440 --> 0:22:58.160
<v Speaker 1>I think, no not to just go and like get

0:22:58.200 --> 0:23:01.080
<v Speaker 1>in its face and stare at it. However, according to

0:23:01.119 --> 0:23:05.080
<v Speaker 1>a two thousand seven New Zealand Medical Journal report, UM

0:23:05.080 --> 0:23:07.480
<v Speaker 1>this I have. This actually can also be one of

0:23:07.480 --> 0:23:10.320
<v Speaker 1>the reasons that the young children are the ones who

0:23:10.560 --> 0:23:13.359
<v Speaker 1>are often victims of dog attacks. When you have one

0:23:13.400 --> 0:23:16.000
<v Speaker 1>of these threatened animals. I mean, on one hand, yes,

0:23:16.040 --> 0:23:17.920
<v Speaker 1>the child is going to be smaller more on the

0:23:18.200 --> 0:23:22.359
<v Speaker 1>dog's scale. There's more of a possibility for for for

0:23:22.480 --> 0:23:25.800
<v Speaker 1>more grievous injuries because of the attack. But also they

0:23:25.800 --> 0:23:27.800
<v Speaker 1>say that a child is going to be less likely

0:23:27.840 --> 0:23:31.400
<v Speaker 1>to avert their gates. So this is like the Kujo

0:23:31.600 --> 0:23:36.320
<v Speaker 1>lesson of science, right, Like Kujo is a different situation.

0:23:36.359 --> 0:23:39.040
<v Speaker 1>But I can't remember back to that book or the

0:23:39.040 --> 0:23:41.360
<v Speaker 1>movie if there's points where they just make direct eye

0:23:41.400 --> 0:23:45.160
<v Speaker 1>contact with it. Yeah. Now, but there's a kid, right,

0:23:45.200 --> 0:23:47.120
<v Speaker 1>it's the mom and the kid. Yeah, they're like stuck

0:23:47.119 --> 0:23:49.240
<v Speaker 1>in a car. I think I never read or saw it,

0:23:49.280 --> 0:23:51.880
<v Speaker 1>so I can't. I can't comment too much on Kujo. However,

0:23:51.920 --> 0:23:54.639
<v Speaker 1>I did see the movie Congo, in which they're a

0:23:54.760 --> 0:23:58.359
<v Speaker 1>number of human guerrilla interactions, and that's of course in

0:23:58.440 --> 0:24:00.520
<v Speaker 1>a well known case as well, like if you encounter

0:24:00.520 --> 0:24:03.280
<v Speaker 1>a guerrilla in the wild, don't make direct eye contact

0:24:03.359 --> 0:24:06.840
<v Speaker 1>with it because you're going to enrage it. And uh,

0:24:06.880 --> 0:24:09.280
<v Speaker 1>and this is this is actually you know, pretty well

0:24:09.320 --> 0:24:13.119
<v Speaker 1>proven in fact back in two thousand seven, Uh, the

0:24:13.240 --> 0:24:17.480
<v Speaker 1>Rotterdam Zoo engage in a wonderful reversal of the aforementioned

0:24:17.720 --> 0:24:21.879
<v Speaker 1>tiger fooling masks. They they gave all these these visitors

0:24:21.880 --> 0:24:25.360
<v Speaker 1>to the zoo shades like little paper shades that look

0:24:25.480 --> 0:24:29.200
<v Speaker 1>like averted eyes, so they're they're super goofy looking because

0:24:29.400 --> 0:24:33.000
<v Speaker 1>oh yeah, there's pictures here that notes wow. Okay, so

0:24:33.040 --> 0:24:35.520
<v Speaker 1>it looks like you're looking the other direction, but you're

0:24:35.560 --> 0:24:38.800
<v Speaker 1>looking straight at the gorilla, so that the gorilla doesn't

0:24:38.840 --> 0:24:42.320
<v Speaker 1>want like run towards the because because people were you know,

0:24:42.320 --> 0:24:44.000
<v Speaker 1>you're there to see the gorilla. You stare at the

0:24:44.000 --> 0:24:47.400
<v Speaker 1>gorilla and at the stair guerrilla stares back sees you staring.

0:24:47.840 --> 0:24:50.280
<v Speaker 1>Then then it's gonna enrage the gorilla. It's gonna upset

0:24:50.280 --> 0:24:54.480
<v Speaker 1>the animal, et cetera. Uh So, even discounting actual human

0:24:54.520 --> 0:24:58.119
<v Speaker 1>guerrilla physical interaction, you don't want these creatures to be

0:24:58.160 --> 0:25:01.920
<v Speaker 1>disrupted more than than they already are artificial environment. Yeah,

0:25:02.000 --> 0:25:04.720
<v Speaker 1>especially in the wake of the whole Harambe incident, this

0:25:04.800 --> 0:25:07.320
<v Speaker 1>seems like something that would make a lot of sense

0:25:07.359 --> 0:25:11.199
<v Speaker 1>for most suits to implement. Yeah, but I will to

0:25:11.280 --> 0:25:14.520
<v Speaker 1>go back to SCP one seventy three would not make sense,

0:25:14.560 --> 0:25:17.120
<v Speaker 1>I think, to where these in the presence of that specimen,

0:25:17.680 --> 0:25:20.120
<v Speaker 1>because that would mean even though you are making direct

0:25:20.160 --> 0:25:22.679
<v Speaker 1>eye contact with it, it thinks you are not, and

0:25:22.760 --> 0:25:25.199
<v Speaker 1>it might attack and strangle you. Yeah, it seems like

0:25:25.200 --> 0:25:27.520
<v Speaker 1>what you should do with SCP one seventy three is

0:25:27.560 --> 0:25:31.280
<v Speaker 1>paint your body or your clothes with eyeballs all over

0:25:31.320 --> 0:25:34.800
<v Speaker 1>it that's pointing directly forward, so just in case you blink,

0:25:35.200 --> 0:25:37.640
<v Speaker 1>it still thinks that you're looking at it. Yeah, I would.

0:25:37.680 --> 0:25:41.399
<v Speaker 1>I would imagine that would be a decent addition to

0:25:41.640 --> 0:25:47.800
<v Speaker 1>the containment procedures procedures. Yeah cool, all right. Well, the

0:25:47.840 --> 0:25:51.760
<v Speaker 1>first one that I have is SCP eight seven, and

0:25:51.800 --> 0:25:56.600
<v Speaker 1>it is also referred to as the stairwell. The entity

0:25:56.640 --> 0:26:01.919
<v Speaker 1>itself is just a platform staircase of thirteen steps that

0:26:02.000 --> 0:26:04.080
<v Speaker 1>has a platform in the middle that rotates a hundred

0:26:04.119 --> 0:26:07.200
<v Speaker 1>and eighty degrees to another staircase. Right, So it's two

0:26:07.240 --> 0:26:10.879
<v Speaker 1>staircases like we we know from the apartment buildings, but

0:26:11.000 --> 0:26:14.760
<v Speaker 1>the bottom one just leads into total darkness, and after

0:26:15.000 --> 0:26:19.040
<v Speaker 1>one point five flights of stairs, the staircase limits your

0:26:19.119 --> 0:26:22.359
<v Speaker 1>visual range. Even if you bring a light source with you,

0:26:22.880 --> 0:26:26.240
<v Speaker 1>it won't always work. In fact, any light source that's

0:26:26.320 --> 0:26:31.040
<v Speaker 1>over seventy five watts has its excess light absorbed by

0:26:31.080 --> 0:26:37.040
<v Speaker 1>the stairwell. Subjects have reported hearing distressed children uh when

0:26:37.040 --> 0:26:40.199
<v Speaker 1>they're on the stairs below the initial platform and on

0:26:40.320 --> 0:26:44.600
<v Speaker 1>into the darkness, and the staircases depth seems to be

0:26:44.720 --> 0:26:48.399
<v Speaker 1>unmeasurable and infinite, so it reminds me of House of Leaves.

0:26:48.680 --> 0:26:53.800
<v Speaker 1>I was just thinking, Uh, sometimes however, explorers who have gone,

0:26:54.600 --> 0:26:57.080
<v Speaker 1>you know, very far down the stairs, they all of

0:26:57.160 --> 0:27:01.560
<v Speaker 1>a sudden run into a face with no pupil, no nostrils,

0:27:01.560 --> 0:27:04.879
<v Speaker 1>and no mouth. So it just kind of pops up.

0:27:04.880 --> 0:27:07.480
<v Speaker 1>It's like the jump scare of this of the stairwell.

0:27:08.040 --> 0:27:10.760
<v Speaker 1>Um doesn't seem to hurt people. It just goes and

0:27:10.800 --> 0:27:14.800
<v Speaker 1>then it sounds like something he would encounter the Miyazaki films. Yeah, yeah,

0:27:14.840 --> 0:27:16.439
<v Speaker 1>it does. It looks like it too. Yeah. They have

0:27:16.480 --> 0:27:19.080
<v Speaker 1>a little image on the on the Sep. Eight seven page.

0:27:19.680 --> 0:27:23.320
<v Speaker 1>So all right, this one fascinated me and made me

0:27:23.359 --> 0:27:27.040
<v Speaker 1>think about light absorbtion and want to understand a little

0:27:27.040 --> 0:27:29.200
<v Speaker 1>bit more about how it worked, so I could try

0:27:29.200 --> 0:27:32.000
<v Speaker 1>to extrapolate out maybe what's going on with a staircase,

0:27:32.160 --> 0:27:35.439
<v Speaker 1>because again, it is a staircase that goes to a

0:27:35.720 --> 0:27:40.640
<v Speaker 1>lightless darkness that may be haunted and possibly inhabited by

0:27:40.680 --> 0:27:45.280
<v Speaker 1>a weird Miyazaki exactly. Yeah, yeah, so what's the deal.

0:27:45.359 --> 0:27:48.840
<v Speaker 1>How is light absorbed? Well, Uh, the way that light

0:27:48.920 --> 0:27:51.600
<v Speaker 1>is absorbed can be used to identify different types of

0:27:51.640 --> 0:27:55.200
<v Speaker 1>gas in space because atoms and molecules absorb it at

0:27:55.240 --> 0:27:59.760
<v Speaker 1>specific wavelengths. So how the spectra of light is absorbed

0:27:59.800 --> 0:28:02.399
<v Speaker 1>can tell us a lot about the energy levels of

0:28:02.440 --> 0:28:05.399
<v Speaker 1>the atoms and molecules that were observing, or about the

0:28:05.440 --> 0:28:08.399
<v Speaker 1>number that are present. So perhaps this staircase has a

0:28:08.800 --> 0:28:14.000
<v Speaker 1>some unique attributes regarding its atomic structure. Let's consider atoms

0:28:14.000 --> 0:28:16.280
<v Speaker 1>for a second to try to figure this out. They've

0:28:16.320 --> 0:28:19.600
<v Speaker 1>got a positively charged nucleus that's made up of protons

0:28:19.600 --> 0:28:25.000
<v Speaker 1>and neutrons, and they're orbited by negatively charged electrons. Usually

0:28:25.080 --> 0:28:28.040
<v Speaker 1>the number of protons and electrons are equal, so the

0:28:28.080 --> 0:28:31.000
<v Speaker 1>atom has a neutral charge. Now I'm going to skip

0:28:31.040 --> 0:28:33.560
<v Speaker 1>a lot of physics here. Okay, there was a lot

0:28:33.640 --> 0:28:36.680
<v Speaker 1>to read about this, and I think it's it's over

0:28:36.760 --> 0:28:39.560
<v Speaker 1>my head and I don't want to bore our audience.

0:28:40.200 --> 0:28:43.840
<v Speaker 1>But if an atom has energy added to it, that

0:28:43.880 --> 0:28:48.200
<v Speaker 1>can excite it by removing an electron, This is a

0:28:48.200 --> 0:28:54.240
<v Speaker 1>process called ionization, and excitation is temporary though. When the

0:28:54.280 --> 0:28:57.560
<v Speaker 1>atom drops back to its ground state, it gives off

0:28:57.800 --> 0:29:01.040
<v Speaker 1>excess energy, which is usually like Okay, so this is

0:29:01.520 --> 0:29:06.320
<v Speaker 1>how light can be generated. Each atom emits a unique

0:29:06.320 --> 0:29:09.320
<v Speaker 1>fingerprint on the light spectrum, and so that's how we're

0:29:09.360 --> 0:29:12.640
<v Speaker 1>able to identify these different gases based on their atomic

0:29:12.640 --> 0:29:15.720
<v Speaker 1>structure what elements they might be. Now, visible light is

0:29:15.760 --> 0:29:19.880
<v Speaker 1>a type of electromagnetic radiation. Light is composed of photons,

0:29:19.920 --> 0:29:22.880
<v Speaker 1>and photons are just packets of energy that move at

0:29:22.880 --> 0:29:25.360
<v Speaker 1>the speed of light. But if they're stopped, they cease

0:29:25.440 --> 0:29:29.280
<v Speaker 1>to exist. So if a photon strikes an atom, it

0:29:29.400 --> 0:29:33.120
<v Speaker 1>can give up its energy under the right circumstances, and

0:29:33.160 --> 0:29:36.440
<v Speaker 1>in this process, the photon ceases to exist and the

0:29:36.480 --> 0:29:40.120
<v Speaker 1>electron gets excited. This is absorption. This is when light

0:29:40.120 --> 0:29:46.400
<v Speaker 1>gets absorbed. Okay, absorption occurs at specific energies in specific wavelengths,

0:29:46.440 --> 0:29:49.600
<v Speaker 1>and this is how we identify these gases that light

0:29:49.640 --> 0:29:52.760
<v Speaker 1>is passing through in space. Depending on what they are,

0:29:52.920 --> 0:29:57.000
<v Speaker 1>certain wavelengths will be removed from the light, which results

0:29:57.000 --> 0:30:00.760
<v Speaker 1>in dark lines. That's what they're referred to within the spectrum.

0:30:00.800 --> 0:30:04.080
<v Speaker 1>So let's apply this to s c P seven. Again,

0:30:04.160 --> 0:30:06.480
<v Speaker 1>this feels like a doctor who episode to me, like

0:30:06.480 --> 0:30:08.600
<v Speaker 1>like this creeping darkness and they're trying to figure out

0:30:08.600 --> 0:30:10.360
<v Speaker 1>how to get past it. So I looked into the

0:30:10.360 --> 0:30:13.400
<v Speaker 1>math of figuring out how many photons are admitted per

0:30:13.520 --> 0:30:17.440
<v Speaker 1>second by a seventy five watt bulb. It's possible to

0:30:17.440 --> 0:30:19.800
<v Speaker 1>figure this out as a chemistry problem. That's beyond our

0:30:19.800 --> 0:30:21.480
<v Speaker 1>scope here. I'm not gonna walk all the way through

0:30:21.520 --> 0:30:23.480
<v Speaker 1>the math, but I found someone else who did the

0:30:23.520 --> 0:30:26.280
<v Speaker 1>answer for us, and I think it's three point one

0:30:26.320 --> 0:30:31.280
<v Speaker 1>one four eight six e plus nineteen photons per second. So,

0:30:31.520 --> 0:30:34.680
<v Speaker 1>based on what we know about light absorption on the

0:30:34.720 --> 0:30:38.640
<v Speaker 1>atomic level, it sounds like the stairwell has some kind

0:30:38.640 --> 0:30:42.680
<v Speaker 1>of element and it maybe it's a gas that absorbs photons.

0:30:42.880 --> 0:30:45.800
<v Speaker 1>Above that level of three point one one four eight

0:30:45.880 --> 0:30:51.200
<v Speaker 1>six e plus nineteen, then something changes about the stairwells

0:30:51.240 --> 0:30:54.880
<v Speaker 1>atoms so they no longer absorb light and they create

0:30:55.040 --> 0:30:59.280
<v Speaker 1>dark lines in the spectrum. Maybe the electrons in this

0:30:59.440 --> 0:31:03.320
<v Speaker 1>darkness area are just returning to their ground state, or

0:31:03.880 --> 0:31:06.920
<v Speaker 1>is there something altering the wavelength of light as it's

0:31:07.040 --> 0:31:10.240
<v Speaker 1>entering this area. So another possibility is the Doppler effect.

0:31:10.480 --> 0:31:13.080
<v Speaker 1>This is the phenomenon of a shift in the frequency

0:31:13.240 --> 0:31:16.680
<v Speaker 1>or wavelength of light caused by motion at its source right,

0:31:17.280 --> 0:31:21.520
<v Speaker 1>So this can shift the spectrum towards blue or red ends,

0:31:21.560 --> 0:31:25.320
<v Speaker 1>creating different hues within light. It doesn't seem likely to

0:31:25.400 --> 0:31:27.040
<v Speaker 1>me that this is the case, because it would mean,

0:31:27.360 --> 0:31:29.280
<v Speaker 1>first of all, that there's something in the stairwell that

0:31:29.320 --> 0:31:31.400
<v Speaker 1>would be moving the light source. You'd think you'd be

0:31:31.480 --> 0:31:34.280
<v Speaker 1>aware of that. Maybe it's maybe it's the distressed children

0:31:34.400 --> 0:31:37.320
<v Speaker 1>or the Miyazaki monster, but but you don't seem to

0:31:37.360 --> 0:31:40.120
<v Speaker 1>see it at that point. The other reason is, even

0:31:40.160 --> 0:31:42.680
<v Speaker 1>if blue and red war shifted, you'd still have visible

0:31:42.800 --> 0:31:47.080
<v Speaker 1>light from the remaining photons. This seems to create total darkness.

0:31:47.280 --> 0:31:49.040
<v Speaker 1>So so, based on what you've said so far, it

0:31:49.080 --> 0:31:52.800
<v Speaker 1>sounds like the best case here is some sort of

0:31:52.840 --> 0:31:56.200
<v Speaker 1>gas combined with maybe some sort of meta material that's

0:31:56.240 --> 0:32:00.920
<v Speaker 1>coding the just the structures it's themselves. I think so, yeah,

0:32:01.120 --> 0:32:03.800
<v Speaker 1>I think that's my best guess that was at what

0:32:04.000 --> 0:32:07.120
<v Speaker 1>is going on here with the stairwell now, regarding the

0:32:07.160 --> 0:32:10.360
<v Speaker 1>weird face and the sound of the distress child and

0:32:10.400 --> 0:32:13.760
<v Speaker 1>the infinite stairwell, I'm I'm at a total loss. My

0:32:13.760 --> 0:32:17.600
<v Speaker 1>My best guest there is maybe because the stairwell is infinite,

0:32:17.680 --> 0:32:21.680
<v Speaker 1>the generated photons from the light source can't reach its

0:32:21.880 --> 0:32:25.360
<v Speaker 1>end even at light speed because it's infinite. But I'm

0:32:25.360 --> 0:32:27.880
<v Speaker 1>not sure My best guess though, is what you just

0:32:27.920 --> 0:32:30.840
<v Speaker 1>said that there's there's something going on with the amount

0:32:30.840 --> 0:32:33.960
<v Speaker 1>of photons that are generated per second, uh, and how

0:32:34.040 --> 0:32:37.080
<v Speaker 1>much can be absorbed by whatever material is in there.

0:32:38.120 --> 0:32:41.040
<v Speaker 1>So the stairwell is is generating something a field, some

0:32:41.120 --> 0:32:44.640
<v Speaker 1>kind of gas. Okay, Robert's got another one here. And

0:32:44.680 --> 0:32:48.120
<v Speaker 1>if you have also listened to our Frankenstein episode that's

0:32:48.120 --> 0:32:51.479
<v Speaker 1>been released this week, this will be familiar. It is

0:32:51.880 --> 0:32:55.800
<v Speaker 1>the homunculous, yes, and I'm gonna try not to repeat

0:32:55.840 --> 0:32:58.959
<v Speaker 1>myself on the two episodes too much here, So if

0:32:59.000 --> 0:33:01.800
<v Speaker 1>you have any questions from any about Homunculi, tune into

0:33:01.840 --> 0:33:06.880
<v Speaker 1>our Frankenstein episode as well. So this is SEP thirty

0:33:06.920 --> 0:33:10.720
<v Speaker 1>and here's the description. Sep thirty appears as a hairless, genderless,

0:33:10.760 --> 0:33:15.080
<v Speaker 1>grave toned humans, seventy one centimeter in height and weighing

0:33:15.160 --> 0:33:20.320
<v Speaker 1>twelve to British stones in antiquated measure. It's solid blue eyes,

0:33:20.400 --> 0:33:24.320
<v Speaker 1>lacked discernible irises or pupils, and remember and resemble small

0:33:24.360 --> 0:33:29.160
<v Speaker 1>cut sapphires. SEP thirty possesses an androgynous voice with a

0:33:29.200 --> 0:33:33.120
<v Speaker 1>pronounced English accident, not currently identifiable as specific to any

0:33:33.160 --> 0:33:35.920
<v Speaker 1>modern region. It is able to converse, read, and write

0:33:35.920 --> 0:33:39.840
<v Speaker 1>in Ancient Greek, Latin, Italian, English, Spanish, and Portuguese, as

0:33:39.880 --> 0:33:43.160
<v Speaker 1>well as two additional languages that have not yet been identified,

0:33:43.400 --> 0:33:47.360
<v Speaker 1>despite SEP thirties insistence that they should be quote common knowledge.

0:33:47.840 --> 0:33:52.400
<v Speaker 1>STP thirty also demonstrated knowledge of physics, chemistry, astronomy, mathematics,

0:33:52.440 --> 0:33:56.560
<v Speaker 1>and horticulture roughly equivalent to that of a seventeenth century academic.

0:33:56.800 --> 0:33:59.680
<v Speaker 1>In addition, SEP thirty has demonstrated knowledge of these topics

0:33:59.720 --> 0:34:02.640
<v Speaker 1>along research lines that do not appear in the historical record.

0:34:02.960 --> 0:34:06.080
<v Speaker 1>These alternative or entirely unknown approaches to research in the

0:34:06.160 --> 0:34:12.880
<v Speaker 1>natural sciences are one source of SEP thirties utility and consultation. Okay,

0:34:12.920 --> 0:34:16.480
<v Speaker 1>so this immediately reminds me. You know the hell Boy

0:34:16.600 --> 0:34:21.120
<v Speaker 1>universe right? Oh? Yes, what Norman Roger Roger. Yeah, it

0:34:21.120 --> 0:34:25.000
<v Speaker 1>immediately makes me think of Roger the homunculus. Uh uh.

0:34:25.560 --> 0:34:28.280
<v Speaker 1>If anybody out there is not familiar with hell Boy.

0:34:28.320 --> 0:34:30.799
<v Speaker 1>In that universe, there's the bpr D, which is very

0:34:30.840 --> 0:34:34.960
<v Speaker 1>much like the SCP actually uh and uh. Roger is

0:34:35.000 --> 0:34:38.480
<v Speaker 1>one of their discoveries, but he's also an agent. Uh.

0:34:38.520 --> 0:34:42.399
<v Speaker 1>And he's he's a homunculous yeah, and that's that is Uh,

0:34:42.520 --> 0:34:47.560
<v Speaker 1>that's what we have here in Sep. Thirty an ammunculus homunculus. Uh,

0:34:47.719 --> 0:34:52.279
<v Speaker 1>that does seem to have a level intellivigence and alchemical

0:34:52.360 --> 0:34:57.319
<v Speaker 1>understanding that surpasses what typically passes for an amunculus in

0:34:57.400 --> 0:35:00.120
<v Speaker 1>most texts. Again more in common with with rod Or,

0:35:00.400 --> 0:35:04.360
<v Speaker 1>who is very much an intelligent individual. Well, I like

0:35:04.440 --> 0:35:07.719
<v Speaker 1>the idea that these things are built and then they're

0:35:07.760 --> 0:35:11.080
<v Speaker 1>effectively immortal, so they're hanging around for a long time.

0:35:11.120 --> 0:35:13.759
<v Speaker 1>They're just absorbing knowledge like a sponge. So of course

0:35:13.800 --> 0:35:16.279
<v Speaker 1>they'd be smart. Yeah, if you let one one live

0:35:16.360 --> 0:35:20.080
<v Speaker 1>long enough. So homuncular are one of my favorite subjects.

0:35:20.160 --> 0:35:23.960
<v Speaker 1>They're mean, creepy, weird little goblinoids that are made by wizards.

0:35:23.960 --> 0:35:27.800
<v Speaker 1>I mean, what's not to love. Um, it's an artificial

0:35:27.880 --> 0:35:31.920
<v Speaker 1>humanoid created through alchemy, which again is that sixte through

0:35:31.960 --> 0:35:36.440
<v Speaker 1>eighteen century hodgepodge of occultist lower superstition and pre scientific chemistry.

0:35:37.000 --> 0:35:39.759
<v Speaker 1>So it's not quite a human. Uh, the creature is

0:35:39.800 --> 0:35:42.560
<v Speaker 1>a rational animal as it as it often was described.

0:35:42.640 --> 0:35:45.960
<v Speaker 1>And uh, you know, another fictional page and humanity's dream

0:35:46.000 --> 0:35:49.560
<v Speaker 1>of mastering life and death. But one of the cool

0:35:49.560 --> 0:35:51.520
<v Speaker 1>things is that you when you start getting into the text.

0:35:51.520 --> 0:35:53.440
<v Speaker 1>Of course, you get into any alchemical text, and there's

0:35:53.480 --> 0:35:57.120
<v Speaker 1>all sorts of weirdness and absurdity um and as well

0:35:57.120 --> 0:36:01.080
<v Speaker 1>as stuff that seems to be code for for other secrets.

0:36:01.400 --> 0:36:05.319
<v Speaker 1>It gets, you know, very byzantine. But the one one

0:36:05.360 --> 0:36:07.320
<v Speaker 1>that I was looking at in particular is the liberal

0:36:07.320 --> 0:36:09.880
<v Speaker 1>of the Libra of a cad the Book of the Cow,

0:36:10.280 --> 0:36:13.719
<v Speaker 1>and it lays out some rather grotesque and confusing instructions

0:36:13.719 --> 0:36:17.080
<v Speaker 1>in the art of do it yourself, homuncula brewing and

0:36:17.360 --> 0:36:22.480
<v Speaker 1>m Makey van der Gluck's Abominable Mixtures, the liber Vock

0:36:22.800 --> 0:36:25.920
<v Speaker 1>in the Medieval West, or the Dangers and Attractions of

0:36:26.000 --> 0:36:29.799
<v Speaker 1>Natural Magic really lays out some excellent commentary on what

0:36:29.880 --> 0:36:31.640
<v Speaker 1>it all means. That sounds like the kind of book

0:36:31.680 --> 0:36:35.680
<v Speaker 1>that you would find at Hogwarts Academy in the library. Indeed,

0:36:36.320 --> 0:36:40.240
<v Speaker 1>So I'm just gonna briefly roll through, uh the recipe

0:36:40.320 --> 0:36:43.120
<v Speaker 1>that is presented for the creation of a moncula. Do

0:36:43.160 --> 0:36:45.479
<v Speaker 1>not attempt this at home. You can, but you're gonna

0:36:45.480 --> 0:36:49.600
<v Speaker 1>reach the point where the ingredients do not exist, so

0:36:49.640 --> 0:36:51.959
<v Speaker 1>good luck with it. Uh So, yeah, you're gonna create

0:36:52.080 --> 0:36:57.040
<v Speaker 1>one homunculi. You're gonna need a magicians semen. Okay, you're

0:36:57.080 --> 0:36:59.640
<v Speaker 1>gonna need animal blood. You're gonna need need a cow,

0:36:59.680 --> 0:37:02.040
<v Speaker 1>you can need us. You need some sulfur, a magnet.

0:37:02.680 --> 0:37:05.400
<v Speaker 1>But here's where it starts getting complicated. First, a large

0:37:05.400 --> 0:37:07.440
<v Speaker 1>glass or lead vessel, all right, it's gonna be a

0:37:07.480 --> 0:37:11.879
<v Speaker 1>little expensive. Then you're gonna need green tutuia tutilla, which

0:37:11.920 --> 0:37:14.680
<v Speaker 1>is a sulfite of iron. Right, you're gonna hunt around

0:37:14.680 --> 0:37:17.040
<v Speaker 1>for that. And oh yeah, you're gonna need the sunstone,

0:37:17.400 --> 0:37:21.480
<v Speaker 1>which is a mystical phosphorescent elicks sir. This is always

0:37:21.480 --> 0:37:24.879
<v Speaker 1>the case with alchemists, Right, It's like, here's a bunch

0:37:24.960 --> 0:37:27.560
<v Speaker 1>of like stuff that you put in this casserole. And

0:37:27.600 --> 0:37:30.600
<v Speaker 1>then oh yeah, you need this magical item that nobody

0:37:30.680 --> 0:37:33.080
<v Speaker 1>knows where it is yet, like a philosopher's by the way,

0:37:33.080 --> 0:37:36.799
<v Speaker 1>you're gonna need the Philosopher's stone, or you know what,

0:37:37.160 --> 0:37:39.600
<v Speaker 1>or some other magical album that doesn't quite exist. Right.

0:37:40.000 --> 0:37:42.560
<v Speaker 1>See it mixed the semen in the sunstone, and you

0:37:42.640 --> 0:37:46.480
<v Speaker 1>inseminate a cow. You carefully plug the animal up with

0:37:46.640 --> 0:37:50.000
<v Speaker 1>the sunstone, You smear the animal with with the blood

0:37:50.040 --> 0:37:53.160
<v Speaker 1>of another animal. You place the artificially inseminated animal. Then

0:37:53.239 --> 0:37:55.920
<v Speaker 1>inside a dark house where the sun never shines. Makes sense.

0:37:56.280 --> 0:37:59.279
<v Speaker 1>Then you feed the cow exclusively on the blood of

0:37:59.280 --> 0:38:02.759
<v Speaker 1>another animal. Then you prepare a powder of the ground sunstone,

0:38:02.800 --> 0:38:05.960
<v Speaker 1>sulfur magnet, and green tutilla, and then you stir with

0:38:06.000 --> 0:38:09.800
<v Speaker 1>the sap of a wide willow. Now at this point

0:38:09.880 --> 0:38:12.520
<v Speaker 1>the text indicates that the cow should give birth and

0:38:12.640 --> 0:38:17.080
<v Speaker 1>resulting unformed substance should be placed in the powder that

0:38:17.120 --> 0:38:20.160
<v Speaker 1>you just prepared, which will cause the amorphous blob to

0:38:20.239 --> 0:38:24.080
<v Speaker 1>grow human skin. And then you have a newborn humunculus

0:38:24.120 --> 0:38:26.640
<v Speaker 1>and a large glass or lead container, depending on which

0:38:26.640 --> 0:38:29.560
<v Speaker 1>one you used, and the creature will become crazy hungry

0:38:29.560 --> 0:38:31.600
<v Speaker 1>in this time. So you need to feed the blood

0:38:31.600 --> 0:38:34.680
<v Speaker 1>of its decapitated mother for seven days, and in this

0:38:34.840 --> 0:38:38.000
<v Speaker 1>time it should develop into a fully grown, tiny, grotesque

0:38:38.080 --> 0:38:41.000
<v Speaker 1>humanoid with some fragment of a human soul. All right,

0:38:41.080 --> 0:38:43.680
<v Speaker 1>I think I think I just got the idea for

0:38:43.960 --> 0:38:47.960
<v Speaker 1>a season five of Monster Science. How Dr Anton Jessup

0:38:48.040 --> 0:38:50.560
<v Speaker 1>can introduce the homunculous. You gotta do it like a

0:38:50.600 --> 0:38:54.319
<v Speaker 1>cooking show. It's like as if a Guy Fieri is

0:38:54.360 --> 0:38:57.000
<v Speaker 1>making a homunculous. Oh, I bet he has. I bet

0:38:57.000 --> 0:39:00.000
<v Speaker 1>he has made one before. Uh. The crazy thing though,

0:39:00.280 --> 0:39:02.319
<v Speaker 1>is that, you know, we get wrapped up in these

0:39:02.360 --> 0:39:04.879
<v Speaker 1>ideas of the creation of life, you know, the Frankenstein

0:39:05.320 --> 0:39:07.759
<v Speaker 1>myth that we uh we we discussed at length in

0:39:07.760 --> 0:39:12.080
<v Speaker 1>our in our other episode this week. But the creation

0:39:12.080 --> 0:39:15.520
<v Speaker 1>of the homunculi is not necessarily a means, you know,

0:39:15.520 --> 0:39:18.600
<v Speaker 1>it's not necessarily the end product. The idea then, is

0:39:18.640 --> 0:39:20.920
<v Speaker 1>that now that you have this homunculi, you're gonna use

0:39:20.960 --> 0:39:24.000
<v Speaker 1>it to create other things. So you're essentially going to

0:39:24.120 --> 0:39:28.680
<v Speaker 1>render it down and and use it in other recipes.

0:39:29.200 --> 0:39:31.680
<v Speaker 1>So in the in the text that I mentioned earlier,

0:39:31.719 --> 0:39:33.720
<v Speaker 1>they say, quote, if it is placed on a white

0:39:33.719 --> 0:39:36.799
<v Speaker 1>cloth with a mirror in its hands, uh and uh,

0:39:37.200 --> 0:39:40.640
<v Speaker 1>and suffumigated with a mixture of human blood and other ingredients,

0:39:40.800 --> 0:39:42.799
<v Speaker 1>the moon will appear to be full on the last

0:39:42.880 --> 0:39:46.000
<v Speaker 1>day of the month if you need to get around

0:39:46.040 --> 0:39:47.759
<v Speaker 1>at night, like maybe you need that for another spell.

0:39:47.840 --> 0:39:50.800
<v Speaker 1>I don't know. If it is decapitated and it's blood

0:39:50.840 --> 0:39:52.680
<v Speaker 1>is given to a man to drink, the man will

0:39:52.680 --> 0:39:55.680
<v Speaker 1>assume the form of a bovine or a sheep. But

0:39:55.719 --> 0:39:57.799
<v Speaker 1>if he is anointed with it, he will have the

0:39:57.840 --> 0:40:00.640
<v Speaker 1>form of an ape. So this is like some searcy

0:40:00.800 --> 0:40:03.759
<v Speaker 1>one oh one stuff right here. Now, this is where

0:40:03.760 --> 0:40:07.399
<v Speaker 1>it starts getting potentially useful. If the homunculus is fed

0:40:07.440 --> 0:40:09.640
<v Speaker 1>for forty days in a dark house on a diet

0:40:09.680 --> 0:40:12.120
<v Speaker 1>of blood and milk, and then it's guts are extracted

0:40:12.160 --> 0:40:14.600
<v Speaker 1>from its belly and rubbed onto someone's hands and feet,

0:40:14.960 --> 0:40:17.680
<v Speaker 1>he may walk on water or travel around the world.

0:40:17.680 --> 0:40:20.120
<v Speaker 1>And the winking of an eye kept alive for a

0:40:20.200 --> 0:40:23.080
<v Speaker 1>year and then placed in a bath of milk and rainwater,

0:40:23.560 --> 0:40:26.680
<v Speaker 1>the homunculi will tell things that happened far away. Now

0:40:26.760 --> 0:40:29.960
<v Speaker 1>that that's your Homunculi horror movie right there, Like you

0:40:30.080 --> 0:40:34.240
<v Speaker 1>base it around that premise, and then somebody stumbles across

0:40:34.800 --> 0:40:39.160
<v Speaker 1>the dark house and they mess up this experiment. It

0:40:39.239 --> 0:40:41.680
<v Speaker 1>does create an even more horrific view of alchemy, like

0:40:41.760 --> 0:40:44.960
<v Speaker 1>not only are they creating horrible little abominations, but then

0:40:45.000 --> 0:40:50.160
<v Speaker 1>you're tormenting the abomination to pull off various other sorceress schemes.

0:40:50.200 --> 0:40:51.759
<v Speaker 1>Oh yeah, well it gets back to what we talked

0:40:51.800 --> 0:40:54.760
<v Speaker 1>about in the Frankenstein episode, the ethics of creating life

0:40:54.800 --> 0:40:59.200
<v Speaker 1>from nothing. So yeah, it is we've discussed in that

0:40:59.320 --> 0:41:01.120
<v Speaker 1>Like we have this base the idea, you know, the

0:41:01.200 --> 0:41:06.840
<v Speaker 1>basic human ability to to imbue on living things with life.

0:41:07.120 --> 0:41:09.120
<v Speaker 1>You know, you paint a picture and then that picture

0:41:09.280 --> 0:41:11.960
<v Speaker 1>becomes the thing to a certain extent. So we kind

0:41:11.960 --> 0:41:14.480
<v Speaker 1>of create communcula every day, but it takes something like

0:41:14.560 --> 0:41:18.759
<v Speaker 1>the true mythic communculus or SCP thirty to drive home

0:41:18.840 --> 0:41:23.000
<v Speaker 1>just how weird that really is. All right, So my

0:41:23.200 --> 0:41:26.640
<v Speaker 1>next one is a far step from a homunculi, although

0:41:26.880 --> 0:41:31.040
<v Speaker 1>well we just don't know, because this is SCP fifty one,

0:41:31.440 --> 0:41:35.600
<v Speaker 1>which is cataloged as unknown because no one knows what

0:41:35.719 --> 0:41:38.920
<v Speaker 1>it is, and in fact, no one can remember that

0:41:39.000 --> 0:41:42.520
<v Speaker 1>it even exists. Half the time, no one can describe

0:41:42.560 --> 0:41:46.520
<v Speaker 1>what it is or its appearance. Somehow it erases any

0:41:46.520 --> 0:41:50.160
<v Speaker 1>memory of itself from a subject's mind. They can't describe it.

0:41:50.480 --> 0:41:53.319
<v Speaker 1>Even those who try to sketch a copy of a

0:41:53.360 --> 0:41:57.320
<v Speaker 1>photograph are unable to remember what it looks like. Watching

0:41:57.320 --> 0:42:02.520
<v Speaker 1>it on closed circuit cameras causes amnesia, and it's basically

0:42:02.560 --> 0:42:06.080
<v Speaker 1>called the self keeping secret. No one remembers how it

0:42:06.160 --> 0:42:09.680
<v Speaker 1>was brought to SCP or who built its containment room.

0:42:09.680 --> 0:42:12.480
<v Speaker 1>There's a lot in the in the file on it

0:42:12.920 --> 0:42:16.239
<v Speaker 1>on the containment unit in the very particular ways it

0:42:16.280 --> 0:42:18.880
<v Speaker 1>has to be contained. But the most important thing is

0:42:18.920 --> 0:42:22.239
<v Speaker 1>that all personnel have to stay at least fifty meters

0:42:22.239 --> 0:42:24.640
<v Speaker 1>from the center of the room. Otherwise they just forget

0:42:24.680 --> 0:42:27.720
<v Speaker 1>that it exists. Oh I, I love this. It's very

0:42:27.920 --> 0:42:30.000
<v Speaker 1>It sounds like something Borhees would have come up. You know,

0:42:30.040 --> 0:42:32.920
<v Speaker 1>it's like it's a paradox. It's the thought experiment. Even

0:42:32.960 --> 0:42:35.600
<v Speaker 1>those who talk about it, just the act of talking

0:42:35.640 --> 0:42:40.040
<v Speaker 1>about it seemed to forget that it existed shortly thereafter. Okay,

0:42:40.360 --> 0:42:44.560
<v Speaker 1>so what's the possible scientific tieing. Well, we can look

0:42:44.600 --> 0:42:48.160
<v Speaker 1>at amnesia or how to erase memories, and there are

0:42:48.200 --> 0:42:51.359
<v Speaker 1>a lot of ways to erase human memories, and in fact,

0:42:51.360 --> 0:42:53.640
<v Speaker 1>we're making a lot of headway with it right now

0:42:54.000 --> 0:42:57.839
<v Speaker 1>in modern science. But let's do a quick look at amnesia.

0:42:57.920 --> 0:43:00.160
<v Speaker 1>What is it. Well, it's a loss of memory from

0:43:00.160 --> 0:43:04.480
<v Speaker 1>physical or psychological conditions. Usually we're talking about a head trauma,

0:43:04.800 --> 0:43:08.799
<v Speaker 1>but sometimes disease or emotional trauma contributes to it as well. Now,

0:43:08.840 --> 0:43:13.480
<v Speaker 1>given the circumstances of SCP fifty five, I'm assuming it

0:43:13.520 --> 0:43:17.279
<v Speaker 1>has to do with emotional trauma, Like it's so emotionally

0:43:17.280 --> 0:43:19.719
<v Speaker 1>traumatizing to look at it or even talk about it

0:43:19.800 --> 0:43:23.279
<v Speaker 1>or think about it that your brain just just erases it.

0:43:23.800 --> 0:43:27.200
<v Speaker 1>But I don't know, UM, or could also be reaching

0:43:27.200 --> 0:43:33.040
<v Speaker 1>in with spores or something. They don't mention any traces

0:43:33.080 --> 0:43:36.040
<v Speaker 1>of physical signs, but that is possible as well. It

0:43:36.120 --> 0:43:38.080
<v Speaker 1>could be a disease, or maybe it's some kind of

0:43:38.080 --> 0:43:42.160
<v Speaker 1>physical manifestation that's localized to a fifty meteor radius. I

0:43:42.200 --> 0:43:46.759
<v Speaker 1>don't know, UM, But SCP fifty five doesn't seem to

0:43:46.800 --> 0:43:50.880
<v Speaker 1>be causing what's known as anterior grade amnesia because people

0:43:51.280 --> 0:43:55.440
<v Speaker 1>can form new memories. People with anterior grade amnesia cannot

0:43:55.440 --> 0:43:58.879
<v Speaker 1>form new memories. Retrograde amnesia seems to be what's going

0:43:58.920 --> 0:44:03.040
<v Speaker 1>on here. That's when you're impeded from retrieving your previous memories.

0:44:03.680 --> 0:44:07.800
<v Speaker 1>If it's any kind of psychogenic amnesia, then it could

0:44:07.840 --> 0:44:10.520
<v Speaker 1>be dissociative or it could be like a fugue state,

0:44:10.880 --> 0:44:14.440
<v Speaker 1>possibly as a result of post traumatic stress disorder. So

0:44:14.480 --> 0:44:18.680
<v Speaker 1>I'm thinking again, it's causing such emotional stress that people

0:44:18.760 --> 0:44:22.800
<v Speaker 1>just completely forget about it. The reported symptoms, however, don't

0:44:22.840 --> 0:44:27.120
<v Speaker 1>seem to indicate that the creation of a dissociative identity

0:44:27.200 --> 0:44:29.319
<v Speaker 1>is going on here, So it's not like you go

0:44:29.360 --> 0:44:31.240
<v Speaker 1>in and you see it, and you create an entire

0:44:31.320 --> 0:44:34.160
<v Speaker 1>identity while you're seeing it, and then you're unable to

0:44:34.160 --> 0:44:37.840
<v Speaker 1>recall the memories of your identity that interacts with SCP

0:44:38.000 --> 0:44:41.720
<v Speaker 1>fifty five. It's probably not ahead trauma like I was saying,

0:44:41.760 --> 0:44:45.120
<v Speaker 1>because we think there would be Yeah, there'd be evidence

0:44:45.360 --> 0:44:50.040
<v Speaker 1>unless it's electric. But even electro convulsive treatments usually lead

0:44:50.080 --> 0:44:54.600
<v Speaker 1>to interrograde amnesia and not retrograde. So okay, you could

0:44:54.640 --> 0:44:58.319
<v Speaker 1>possibly treat this as memory loss with drugs that use

0:44:58.480 --> 0:45:04.160
<v Speaker 1>active neuroep and nephron, But would the subject recall immediately

0:45:04.160 --> 0:45:06.960
<v Speaker 1>shut down their memories? Again, I don't know what if

0:45:07.000 --> 0:45:09.600
<v Speaker 1>they took the drugs though. What if they took drugs

0:45:09.640 --> 0:45:13.239
<v Speaker 1>that limited their perception skills while they were in contact

0:45:13.239 --> 0:45:17.160
<v Speaker 1>with SCPT, so maybe then they'd be able to remember it.

0:45:17.600 --> 0:45:21.920
<v Speaker 1>I'm not sure. Um. I looked to an article called

0:45:22.000 --> 0:45:25.360
<v Speaker 1>wiping the slate? Is playing with memory humane or is

0:45:25.400 --> 0:45:29.680
<v Speaker 1>it just wrong? From psychology today? And it's it covers

0:45:29.800 --> 0:45:32.920
<v Speaker 1>the the broad spectrum of ways in which we're able

0:45:32.960 --> 0:45:37.640
<v Speaker 1>to start erasing memories. Today, scientists have been using behavioral

0:45:37.640 --> 0:45:41.480
<v Speaker 1>conditioning and drugs that alter memory consolidation on the molecular

0:45:41.600 --> 0:45:45.200
<v Speaker 1>level to erase memories. They can delete memories and rats,

0:45:45.239 --> 0:45:49.200
<v Speaker 1>but we haven't really figured out how to target specific

0:45:49.239 --> 0:45:51.840
<v Speaker 1>memories yet. And there's three ways that they're doing it.

0:45:52.239 --> 0:45:54.919
<v Speaker 1>Propran and All is a beta blocker that they use,

0:45:55.040 --> 0:45:57.319
<v Speaker 1>and it can weaken the link between the facts of

0:45:57.320 --> 0:46:01.600
<v Speaker 1>a memory and its emotional impact by blocking adrenaline and

0:46:01.760 --> 0:46:06.520
<v Speaker 1>other substances that ignite our fear response. Another possibility is

0:46:06.640 --> 0:46:10.279
<v Speaker 1>zeta inhibitor peptides. So what happens with these is they

0:46:10.280 --> 0:46:13.920
<v Speaker 1>inhibit our p k M zeta enzymes so that they

0:46:13.960 --> 0:46:18.440
<v Speaker 1>can't maintain or strengthen long term memories in our brains. So,

0:46:18.480 --> 0:46:21.080
<v Speaker 1>for instance, rats that are injected with this will walk

0:46:21.400 --> 0:46:27.080
<v Speaker 1>right into shock rigged obstacles that they've previously learned to avoid. Uh.

0:46:27.200 --> 0:46:30.520
<v Speaker 1>The last one is that our amygdala's seem to be

0:46:30.600 --> 0:46:35.640
<v Speaker 1>able to be overwritten by genetically disarmed herpes. UH. It

0:46:35.760 --> 0:46:38.880
<v Speaker 1>infiltrates and cripples the neural networks and a human brain,

0:46:39.280 --> 0:46:43.640
<v Speaker 1>but the current human application seems very far fetched to

0:46:43.680 --> 0:46:47.440
<v Speaker 1>be able to like isolate specific memories such as SCPT.

0:46:49.160 --> 0:46:52.000
<v Speaker 1>Could be an alien with some sort of space herpes maybe,

0:46:52.320 --> 0:46:56.480
<v Speaker 1>or or maybe it's just emitting propaninal or zeta inhibitors.

0:46:56.480 --> 0:47:00.200
<v Speaker 1>Who knows. Uh, let's look a little bit more at us.

0:47:00.200 --> 0:47:02.600
<v Speaker 1>We've talked about this on the show before, especially with

0:47:02.760 --> 0:47:06.160
<v Speaker 1>relation to PTSD and the use of m d m

0:47:06.200 --> 0:47:12.000
<v Speaker 1>A to treat it. Because PTSD memories remain horribly intense,

0:47:12.440 --> 0:47:15.400
<v Speaker 1>they're considered a disease of how memory works and in

0:47:15.400 --> 0:47:19.160
<v Speaker 1>the sense that they can't be forgotten. So PTSD subjects

0:47:19.160 --> 0:47:21.919
<v Speaker 1>are actually often counseled to share their memories to try

0:47:21.920 --> 0:47:24.320
<v Speaker 1>to help in the act of forgetting. But this actually

0:47:24.400 --> 0:47:28.880
<v Speaker 1>rarely seems to help. However, I will acknowledge through our

0:47:29.000 --> 0:47:31.000
<v Speaker 1>m d m A episodes that does seem to help

0:47:31.040 --> 0:47:32.600
<v Speaker 1>them if they take m d M A and then

0:47:32.640 --> 0:47:35.560
<v Speaker 1>they go through counseling. Uh, because the m d m

0:47:35.560 --> 0:47:39.240
<v Speaker 1>A helps them forget by associating those memories with trust

0:47:39.239 --> 0:47:41.440
<v Speaker 1>and a lack of fear. As we've talked about in

0:47:41.440 --> 0:47:43.719
<v Speaker 1>that if you haven't listened to it, I highly recommended

0:47:43.719 --> 0:47:45.359
<v Speaker 1>our our two parter on m d M A and

0:47:45.680 --> 0:47:48.000
<v Speaker 1>the science behind it. This would you know thinking of it?

0:47:48.120 --> 0:47:52.080
<v Speaker 1>Of of this entity the specimen SPC fifty five as

0:47:52.120 --> 0:47:55.080
<v Speaker 1>an as a potential alien creature that emits some sort

0:47:55.080 --> 0:47:59.240
<v Speaker 1>of psychoactive substance. Yeah, like clearly it's it's not emitting

0:47:59.360 --> 0:48:01.400
<v Speaker 1>m D M A. But that would be a wonderful

0:48:01.400 --> 0:48:03.279
<v Speaker 1>set out for some sort of science fiction. And maybe

0:48:03.280 --> 0:48:06.280
<v Speaker 1>it's before and alien just to be in its presence

0:48:06.320 --> 0:48:09.440
<v Speaker 1>without like a containment suit used to know, pure euphoria

0:48:09.480 --> 0:48:12.080
<v Speaker 1>and bliss. Right. Well, yeah, it automatic, it's like a

0:48:12.320 --> 0:48:15.719
<v Speaker 1>like like using pharama. Oh you know what it's like.

0:48:15.840 --> 0:48:20.239
<v Speaker 1>It's like um, David Tennant's character on Jessica Jones. It

0:48:20.440 --> 0:48:24.400
<v Speaker 1>creates trust and yeah, the Purple Man, I believe Killgrave.

0:48:25.000 --> 0:48:28.400
<v Speaker 1>Uh yeah, it's like he's emitting uh something that makes

0:48:28.400 --> 0:48:30.880
<v Speaker 1>you trust him and have a lack of fear, total

0:48:30.960 --> 0:48:33.040
<v Speaker 1>lack of fear. But I don't know if that's what's

0:48:33.040 --> 0:48:36.120
<v Speaker 1>going on with that. CP fifty five could be uh,

0:48:36.320 --> 0:48:40.120
<v Speaker 1>memories themselves. Let's remember this. No, I didn't mean to

0:48:40.160 --> 0:48:43.080
<v Speaker 1>do that as a pun. They're not packets of data,

0:48:43.160 --> 0:48:47.120
<v Speaker 1>they're not constant. The very act of remembering changes a

0:48:47.200 --> 0:48:50.480
<v Speaker 1>memory itself. This model has been shown at a molecular

0:48:50.600 --> 0:48:55.000
<v Speaker 1>level by neuroscientists, so therefore, memories can be altered by

0:48:55.120 --> 0:49:00.520
<v Speaker 1>other chemicals, specifically that those that inhibit proteins sin the cysts.

0:49:00.560 --> 0:49:04.520
<v Speaker 1>So if new proteins can't be created during the act

0:49:04.560 --> 0:49:09.960
<v Speaker 1>of remembering, the original memory ceases to exist. So maybe

0:49:10.000 --> 0:49:13.200
<v Speaker 1>a SCP fifty five is suppressing protein creation. This would

0:49:13.280 --> 0:49:16.200
<v Speaker 1>make sense because based on what I've covered in the

0:49:16.239 --> 0:49:22.560
<v Speaker 1>past on potential memory erasure, like memories become susceptible to

0:49:22.560 --> 0:49:25.920
<v Speaker 1>to tweaking, to treating, or erasure when they are recalled.

0:49:26.280 --> 0:49:28.440
<v Speaker 1>Like if everyone I always think of memories is like

0:49:28.440 --> 0:49:31.360
<v Speaker 1>a clay sculpture. It's in a drawer, and anytime you

0:49:31.360 --> 0:49:33.440
<v Speaker 1>get it out, that's when you end up changing the

0:49:33.480 --> 0:49:36.080
<v Speaker 1>shape with your hands just by remembering it, and then

0:49:36.080 --> 0:49:37.600
<v Speaker 1>you put it back in the drawer. If it's in

0:49:37.600 --> 0:49:39.560
<v Speaker 1>the drawer, it's harder to get to. But if you

0:49:39.760 --> 0:49:41.920
<v Speaker 1>retrieve it, if you're retrieving the memory, if you're engaged

0:49:41.960 --> 0:49:44.879
<v Speaker 1>with the memory, then it's susceptible. Well, the thing about

0:49:45.000 --> 0:49:48.839
<v Speaker 1>SCP fifty five that makes it difficult to quantify this

0:49:48.880 --> 0:49:52.760
<v Speaker 1>way is it somehow mimetic, because even the very mention

0:49:52.920 --> 0:49:57.440
<v Speaker 1>of it like that somehow passes on this possible protein

0:49:57.480 --> 0:50:00.680
<v Speaker 1>inhibition to other people, so they forget it too, Like

0:50:00.719 --> 0:50:03.239
<v Speaker 1>if you've never even encountered it and I tell you

0:50:03.280 --> 0:50:07.319
<v Speaker 1>about it, you'll forget about it. Uh So, perhaps the

0:50:07.400 --> 0:50:10.839
<v Speaker 1>act of speaking about it somehow is passing along the

0:50:10.880 --> 0:50:14.000
<v Speaker 1>protein suppression. I don't know, like you get infected with

0:50:14.080 --> 0:50:17.920
<v Speaker 1>this protein suppression and then speaking passes that along to

0:50:17.920 --> 0:50:21.160
<v Speaker 1>another person. Not sure what's going on. If you couple

0:50:21.239 --> 0:50:25.480
<v Speaker 1>the drugs mentioned that I mentioned above U with what's

0:50:25.520 --> 0:50:30.000
<v Speaker 1>known as reconsolidation memory therapy, you can get very specific

0:50:30.120 --> 0:50:33.000
<v Speaker 1>about which memories you want to erase. In fact, if

0:50:33.040 --> 0:50:38.319
<v Speaker 1>you inject a protein synthesis inhibitor in rats before they're

0:50:38.360 --> 0:50:42.560
<v Speaker 1>exposed to reconsolidation, they can be trained to forget all

0:50:42.600 --> 0:50:45.680
<v Speaker 1>their fear associations with something. So maybe what's going on

0:50:45.800 --> 0:50:51.320
<v Speaker 1>is SCP fifty five reconsolidates your memories about it while

0:50:51.560 --> 0:50:56.000
<v Speaker 1>it's also emitting either protein inhibitors or one of these chemicals.

0:50:56.800 --> 0:51:00.919
<v Speaker 1>It's basically providing you with therapy about it while you're

0:51:00.960 --> 0:51:04.520
<v Speaker 1>interacting with it. And depending on the ultimate nature of it,

0:51:05.080 --> 0:51:08.080
<v Speaker 1>maybe this is a beneficial thing. Yeah, yeah, absolutely, Like

0:51:08.120 --> 0:51:10.160
<v Speaker 1>it's like, I know I'm horrible and you can't really

0:51:10.200 --> 0:51:12.440
<v Speaker 1>comprehend me without going mad. So I'm gonna meet you

0:51:12.480 --> 0:51:14.920
<v Speaker 1>halfway here, right here, I'll give you some drugs, and

0:51:14.960 --> 0:51:20.080
<v Speaker 1>I'll also talk you through it. Uh. There's a study

0:51:20.080 --> 0:51:22.720
<v Speaker 1>where a team at Ricken m i t S. Center

0:51:23.040 --> 0:51:26.000
<v Speaker 1>for Neural Circuit Genetics. They were able to alter bad

0:51:26.040 --> 0:51:31.000
<v Speaker 1>memories in mice using something called optogenetics. They inserted genetically

0:51:31.120 --> 0:51:35.680
<v Speaker 1>encoded light responsive proteins into cells so they could pinpoint

0:51:35.880 --> 0:51:39.880
<v Speaker 1>where in the mouse's brain a negative memory was formed.

0:51:40.360 --> 0:51:44.759
<v Speaker 1>Then they used lasers to manipulate the neurons in the

0:51:44.800 --> 0:51:49.239
<v Speaker 1>mouse brain so it forgot that memory completely. Another team

0:51:49.239 --> 0:51:52.880
<v Speaker 1>in ten use xenon gas as an anesthetic on mice

0:51:53.200 --> 0:51:57.480
<v Speaker 1>to modify their memory consolidation, and that inhibited their n

0:51:57.760 --> 0:52:01.120
<v Speaker 1>m d A receptor brain activity in their brains, again

0:52:01.560 --> 0:52:05.239
<v Speaker 1>reducing fear reactions. So this is something that science is

0:52:05.280 --> 0:52:08.520
<v Speaker 1>playing around with a lot right now. And every article

0:52:08.560 --> 0:52:11.920
<v Speaker 1>I wrote read about it was like, yeah, it's not

0:52:12.000 --> 0:52:15.600
<v Speaker 1>eternal sunshine of the spotless mind, YadA, YadA YadA, But

0:52:15.800 --> 0:52:20.480
<v Speaker 1>it seems like lasers, drugs, protein inhibitors, zenon gas, you

0:52:20.600 --> 0:52:23.360
<v Speaker 1>name it. There are a lot of ways to biologically

0:52:23.400 --> 0:52:27.960
<v Speaker 1>alter our brains so we forget things. So SCP fifty

0:52:28.000 --> 0:52:31.759
<v Speaker 1>five could be any combination of things. Uh that you

0:52:31.760 --> 0:52:35.400
<v Speaker 1>could either use chemicals or lasers or whatever. I'm gonna

0:52:35.440 --> 0:52:39.040
<v Speaker 1>go though with that, it causes such emotional trauma that

0:52:39.120 --> 0:52:42.920
<v Speaker 1>you don't remember it. The big question is how is

0:52:42.960 --> 0:52:46.480
<v Speaker 1>it transmittable? Like, how does anybody out there? I'd love

0:52:46.520 --> 0:52:51.680
<v Speaker 1>to know, how could something like this be a transmittable

0:52:52.520 --> 0:52:56.200
<v Speaker 1>um memory erasure? How about this? Maybe it's not so

0:52:56.280 --> 0:53:01.160
<v Speaker 1>much transmitted. What if this is this entity you is

0:53:01.160 --> 0:53:03.960
<v Speaker 1>is something that has already been experienced by everyone, and

0:53:03.960 --> 0:53:06.640
<v Speaker 1>therefore it's not so much that you're introducing me to

0:53:06.680 --> 0:53:09.680
<v Speaker 1>the idea of it, but you're reintroducing it. And and

0:53:09.800 --> 0:53:13.560
<v Speaker 1>any reintroduction to the specimen either it's it's actually now

0:53:13.560 --> 0:53:16.120
<v Speaker 1>you're either an actual encounter or just discussion of it

0:53:16.160 --> 0:53:18.839
<v Speaker 1>of course ends up self deleting. So like what if

0:53:18.840 --> 0:53:22.560
<v Speaker 1>it you know, what if it's God and you see

0:53:22.560 --> 0:53:25.719
<v Speaker 1>this God right before you're born and then then you

0:53:25.880 --> 0:53:29.080
<v Speaker 1>enter this world, so everyone has a as a as

0:53:29.080 --> 0:53:31.160
<v Speaker 1>an existing memory, or maybe if you want to go

0:53:31.239 --> 0:53:34.960
<v Speaker 1>even more fanciful and psychedelic, like everyone has like a

0:53:35.040 --> 0:53:38.760
<v Speaker 1>race memory of this entity. Right, yeah, yeah, that would

0:53:38.760 --> 0:53:42.600
<v Speaker 1>make sense as well. Well, it's currently under containment, although

0:53:43.239 --> 0:53:47.120
<v Speaker 1>probably thirty seconds after Robert and I uh finished talking

0:53:47.160 --> 0:53:50.160
<v Speaker 1>about this We'll completely forget about SCP fifty five. We're

0:53:50.160 --> 0:53:53.719
<v Speaker 1>going to talk about SCP to five eight four. Yes,

0:53:53.880 --> 0:53:57.799
<v Speaker 1>SCP to five eight four. And this one, like like

0:53:57.840 --> 0:54:01.239
<v Speaker 1>the last specimen we looked at, it's interesting because it

0:54:01.320 --> 0:54:06.319
<v Speaker 1>represents a paradox. Here's the description. SCP to five eight

0:54:06.320 --> 0:54:08.919
<v Speaker 1>four is a species of snake that has been classified

0:54:09.800 --> 0:54:14.399
<v Speaker 1>oxy Uranus or a boris. SCP four has no head

0:54:14.480 --> 0:54:19.160
<v Speaker 1>or tail, as its body forms a continuous closed loop. Otherwise,

0:54:19.360 --> 0:54:23.239
<v Speaker 1>SCP fours tissue and anatomy is completely normal, safe for

0:54:23.280 --> 0:54:27.960
<v Speaker 1>its circular spine, circulatory system, and digestive track. SCPO S

0:54:29.000 --> 0:54:31.760
<v Speaker 1>four is able to achieve locomotion, but has no brain

0:54:31.960 --> 0:54:35.120
<v Speaker 1>sense of sight, hearing, taste, or smell, and thus is

0:54:35.160 --> 0:54:39.840
<v Speaker 1>only capable of reflective movements to flee from danger after

0:54:39.880 --> 0:54:44.520
<v Speaker 1>injury or move towards warmer areas. Otherwise, instances tend to

0:54:44.560 --> 0:54:49.080
<v Speaker 1>remain still or spin in place. So I'm just imagining

0:54:49.560 --> 0:54:53.960
<v Speaker 1>it's a circular snake body with no head, no tail,

0:54:54.200 --> 0:54:56.440
<v Speaker 1>but when it moves it is just kind of rolling

0:54:56.480 --> 0:54:58.759
<v Speaker 1>around like a hula hoop on the ground. Basically, yeah,

0:54:58.840 --> 0:55:01.920
<v Speaker 1>imagine a snake who hoop, Yeah, and that's what this

0:55:02.120 --> 0:55:05.200
<v Speaker 1>thing is. So the description goes into state that it

0:55:05.239 --> 0:55:10.720
<v Speaker 1>doesn't it doesn't breathe, It depends on an unknown energy source. Again,

0:55:10.760 --> 0:55:14.560
<v Speaker 1>it has no brain. Yeah, and uh, the detective it's

0:55:14.600 --> 0:55:19.560
<v Speaker 1>digestive tracks seems to cycle the same matter continuously, but

0:55:19.600 --> 0:55:22.840
<v Speaker 1>it's somehow able to gain metabolic energy with each cycle

0:55:22.920 --> 0:55:27.040
<v Speaker 1>without without expending any of the nutrients. And it reproduces

0:55:27.160 --> 0:55:32.759
<v Speaker 1>via as osmosis into two hoops. So, uh, what we

0:55:32.840 --> 0:55:35.200
<v Speaker 1>have here is they've actually got a room full of

0:55:35.239 --> 0:55:37.480
<v Speaker 1>these things. It's not just one, I guess, or at

0:55:37.520 --> 0:55:40.560
<v Speaker 1>least they have, you know, and given point, I don't

0:55:40.560 --> 0:55:42.520
<v Speaker 1>know if they sell them in the SEP gifts. Maybe

0:55:42.520 --> 0:55:46.000
<v Speaker 1>the SEP employees use them as hula hoops for their kids.

0:55:46.800 --> 0:55:48.920
<v Speaker 1>They only keep one in the containment solid a time

0:55:48.960 --> 0:55:51.200
<v Speaker 1>because they're kind of like troubles right in that sense.

0:55:51.280 --> 0:55:55.680
<v Speaker 1>They seem to have no they lack the necessary openings,

0:55:55.760 --> 0:56:00.560
<v Speaker 1>right Yeah. Yeah, there's no obvious reproductive capabilities. Yeah. So

0:56:00.640 --> 0:56:02.040
<v Speaker 1>so what we have here, and one of this is

0:56:02.040 --> 0:56:05.280
<v Speaker 1>I think interesting, is that you basically have an imaginative

0:56:05.719 --> 0:56:09.040
<v Speaker 1>sci Fi send up of the mythical or a boris

0:56:09.120 --> 0:56:12.880
<v Speaker 1>the tail consuming serpent, which has been a potent symbol

0:56:12.960 --> 0:56:15.560
<v Speaker 1>since ancient times. I mean, you see examples of it

0:56:15.680 --> 0:56:21.560
<v Speaker 1>from you know, neolithic cultures, you see it in ancient Egypt. Um.

0:56:21.640 --> 0:56:24.520
<v Speaker 1>It kind of it basically emerged in ancient times as

0:56:25.480 --> 0:56:28.280
<v Speaker 1>basically a symbol or a motif, and then as human

0:56:28.320 --> 0:56:31.560
<v Speaker 1>culture advances, we end up applying all sorts of different

0:56:31.600 --> 0:56:35.320
<v Speaker 1>reads to what it might mean. Uh. Plutarch, for instance,

0:56:35.600 --> 0:56:38.640
<v Speaker 1>when when it came around his time, he described it

0:56:38.680 --> 0:56:41.000
<v Speaker 1>as like this, he said, quote it feeds upon its

0:56:41.040 --> 0:56:44.520
<v Speaker 1>own body. Even so all things spring from God and

0:56:44.560 --> 0:56:51.279
<v Speaker 1>will be resolved into the Deity. Again, so interpretations vary,

0:56:51.320 --> 0:56:57.040
<v Speaker 1>they get increasingly more complex and spiritual. UM in Hinduism

0:56:57.239 --> 0:57:00.920
<v Speaker 1>or a boras symbolism is sometimes ties in to Kundalini

0:57:01.040 --> 0:57:05.040
<v Speaker 1>energy with the Kundalini serpent um. You see it in

0:57:05.480 --> 0:57:09.160
<v Speaker 1>South American art um. You see it in the a

0:57:09.239 --> 0:57:12.680
<v Speaker 1>Gnostic beliefs. The aura borus is the soul of the world.

0:57:13.280 --> 0:57:16.120
<v Speaker 1>It's um. So it goes from just being this idea,

0:57:16.320 --> 0:57:19.120
<v Speaker 1>almost this kind of primitive childlike idea of like what

0:57:19.200 --> 0:57:21.080
<v Speaker 1>if a snake bit its own tail, where the snake

0:57:21.120 --> 0:57:23.560
<v Speaker 1>try to eat its own tail, and then it evolves

0:57:23.600 --> 0:57:28.960
<v Speaker 1>into this paradoxical idea of something without beginning or end. Yeah,

0:57:29.880 --> 0:57:33.040
<v Speaker 1>it's um. I've always thought of it as being both

0:57:33.080 --> 0:57:35.760
<v Speaker 1>like a symbol of the circle of life, which I

0:57:35.800 --> 0:57:38.520
<v Speaker 1>guess you could see SCP two five eight four is

0:57:38.560 --> 0:57:42.000
<v Speaker 1>being a perfect representation of. But but it's also like

0:57:42.960 --> 0:57:46.040
<v Speaker 1>representative of just like the quixotic nature of doing things

0:57:46.080 --> 0:57:49.360
<v Speaker 1>over and over again and expecting different results. Yeah, that's true.

0:57:49.560 --> 0:57:52.720
<v Speaker 1>It kind of depends what your your take on infinity

0:57:52.880 --> 0:57:55.040
<v Speaker 1>is because you can look at the oora borus, Oh,

0:57:55.040 --> 0:57:57.960
<v Speaker 1>that poor snake, it's constantly being eaten eaten, or you

0:57:58.000 --> 0:57:59.840
<v Speaker 1>can say, oh, that's snake, he's really got it made.

0:57:59.840 --> 0:58:03.000
<v Speaker 1>It always has a meals never hungry, because it also

0:58:03.120 --> 0:58:06.520
<v Speaker 1>never the glass half full kind of situation. Because I

0:58:06.520 --> 0:58:07.760
<v Speaker 1>guess you can look at it too and say that

0:58:07.800 --> 0:58:10.800
<v Speaker 1>the ara borus never vanishes in the araborus doesn't blink

0:58:10.800 --> 0:58:16.800
<v Speaker 1>out of existence because it cannot digest itself. Fun fact

0:58:16.880 --> 0:58:20.760
<v Speaker 1>from our X Files episode Agent Scully has one tattoo

0:58:20.840 --> 0:58:23.120
<v Speaker 1>and it is the Ora boros. Oh where does she

0:58:23.200 --> 0:58:26.200
<v Speaker 1>have the tattoo. It's on the back of her neck,

0:58:26.280 --> 0:58:28.960
<v Speaker 1>I think, And there's some implication that she may be

0:58:29.000 --> 0:58:33.720
<v Speaker 1>immortal because she has it. Really well that that again

0:58:33.800 --> 0:58:37.600
<v Speaker 1>there are ties to undying nature. Uh, as we saw

0:58:37.600 --> 0:58:41.479
<v Speaker 1>in that Plutarch quote. Um. You you also see other

0:58:42.040 --> 0:58:44.640
<v Speaker 1>sort of mythical and folklore creatures that coming from time

0:58:44.680 --> 0:58:48.280
<v Speaker 1>to time. There's the hoop snake, which was a creature

0:58:48.320 --> 0:58:52.080
<v Speaker 1>from the lumberjack folklore of Wisconsin and Minnesota during the

0:58:52.120 --> 0:58:56.320
<v Speaker 1>nineteenth and twentieth century, the centuries the fearsome critters as

0:58:56.360 --> 0:58:58.320
<v Speaker 1>they were called, and this was a snake that would

0:58:58.320 --> 0:59:00.880
<v Speaker 1>bite its own tail and roll around on ground like

0:59:00.920 --> 0:59:04.840
<v Speaker 1>a like a who um. But we also see some

0:59:04.920 --> 0:59:09.520
<v Speaker 1>interesting scientific examples, so you'll you'll obviously you'll occasionally run

0:59:09.560 --> 0:59:12.720
<v Speaker 1>across tails of auto cannibalism and snakes of snakes actually

0:59:12.720 --> 0:59:15.880
<v Speaker 1>biting or trying to eat their tail, particularly when you're

0:59:15.880 --> 0:59:18.880
<v Speaker 1>dealing with snakes in captivity. But you but you also

0:59:18.920 --> 0:59:22.520
<v Speaker 1>have a few animals that engage in or a boris

0:59:22.680 --> 0:59:27.840
<v Speaker 1>like actions. So there's the South African armadillo girdled lizard

0:59:27.920 --> 0:59:32.200
<v Speaker 1>that actually bites its own tail, curls up and uses

0:59:32.240 --> 0:59:35.400
<v Speaker 1>the bite to keep hold of its tail. So it's

0:59:35.400 --> 0:59:39.280
<v Speaker 1>a beautiful little creature. It doesn't roll around like this,

0:59:39.480 --> 0:59:41.360
<v Speaker 1>but it just uses its way to protect itself. But

0:59:41.800 --> 0:59:46.720
<v Speaker 1>bite onto its own tail, like maximizes its defensive capabilities. Yeah,

0:59:46.760 --> 0:59:49.560
<v Speaker 1>and then you'll find other lizards and animals that curl

0:59:49.680 --> 0:59:53.120
<v Speaker 1>up and sometimes even roll, but don't actually bite under

0:59:53.160 --> 0:59:56.440
<v Speaker 1>their tail. For instance, mount Lyle salamanders, they'll curl up

0:59:56.440 --> 1:00:00.520
<v Speaker 1>and roll downhill, but there's no biting or But back

1:00:00.520 --> 1:00:05.080
<v Speaker 1>to the specimen here. So it becomes difficult to try

1:00:05.160 --> 1:00:09.520
<v Speaker 1>and imagine how this creature could actually exist because it's

1:00:09.680 --> 1:00:13.400
<v Speaker 1>um it's an impossibility. It's a self sustaining system, a

1:00:13.400 --> 1:00:17.720
<v Speaker 1>perpetual motion a machine. Uh, And of course perpetual motion

1:00:17.720 --> 1:00:21.280
<v Speaker 1>design machines cannot exist because of friction and energy dissipation.

1:00:21.440 --> 1:00:23.600
<v Speaker 1>Like you can't make a machine that will work forever

1:00:23.960 --> 1:00:28.120
<v Speaker 1>without having some energy input coming along and and charging

1:00:28.160 --> 1:00:30.120
<v Speaker 1>it back up again. Likewise, even if you took out

1:00:30.320 --> 1:00:33.800
<v Speaker 1>breathing concerns lack of a brain, if you just had

1:00:33.840 --> 1:00:38.160
<v Speaker 1>this hoop snake creature like this specimen, and it had

1:00:38.320 --> 1:00:41.640
<v Speaker 1>a meal in its belly going round and round like how,

1:00:41.800 --> 1:00:43.960
<v Speaker 1>you couldn't draw on that meal forever. I mean, even

1:00:44.000 --> 1:00:46.920
<v Speaker 1>if it were an everlasting god stopper, right, it would

1:00:48.000 --> 1:00:51.160
<v Speaker 1>could not sustain itself unless the meal and its belly

1:00:51.280 --> 1:00:54.400
<v Speaker 1>was like a wormhole opening up to a like a

1:00:54.440 --> 1:00:57.800
<v Speaker 1>food world. But no, these are similar questions, like you

1:00:57.880 --> 1:01:01.320
<v Speaker 1>can't have the same meal digestive eternally it's right, and

1:01:01.360 --> 1:01:07.280
<v Speaker 1>they're diminishing returns and uh. And likewise, spur if it

1:01:07.360 --> 1:01:09.200
<v Speaker 1>just says that one thing and it's belly, it's not,

1:01:09.360 --> 1:01:12.720
<v Speaker 1>I mean, how would that possibly work? Yeah, some kind

1:01:12.760 --> 1:01:16.959
<v Speaker 1>of food is being teleported into its belly from somewhere. Yeah. Yeah,

1:01:17.000 --> 1:01:21.080
<v Speaker 1>we're faced with maybe another SCP is responsible for there

1:01:21.080 --> 1:01:23.360
<v Speaker 1>you go. If there's some sort of an SCP mouse

1:01:24.080 --> 1:01:29.600
<v Speaker 1>that is eternally regenerating, perhaps through a wormhole, then this

1:01:29.640 --> 1:01:31.400
<v Speaker 1>creature eats it at some point. But then how does

1:01:31.520 --> 1:01:33.240
<v Speaker 1>how does it eat? It doesn't have a mouth it

1:01:33.280 --> 1:01:36.120
<v Speaker 1>would have. That's the wonderful nature of it. Is just

1:01:36.160 --> 1:01:40.400
<v Speaker 1>a complete paradox. Yeah yeah, um, well, it's certainly worth

1:01:40.400 --> 1:01:45.120
<v Speaker 1>thinking about as an exercise and understanding anatomy, and and

1:01:45.240 --> 1:01:49.360
<v Speaker 1>definitely energy consumption to that's for sure. I guess the

1:01:49.440 --> 1:01:53.320
<v Speaker 1>only the only answer I can get for SP eight

1:01:53.440 --> 1:01:55.960
<v Speaker 1>four is that it might be God to go back

1:01:56.000 --> 1:01:59.360
<v Speaker 1>to polutar. This might be a manifestation of the mystery

1:01:59.400 --> 1:02:04.880
<v Speaker 1>of the divine. Mmmm. That is worth chewing on literally.

1:02:05.920 --> 1:02:13.560
<v Speaker 1>I wonder what SCP for tastes like chicken. Probably probably Yeah. Well,

1:02:13.600 --> 1:02:18.120
<v Speaker 1>speaking of the ethics of science, that leads us to

1:02:18.440 --> 1:02:22.840
<v Speaker 1>our last s CP specimen to thirty one, which is

1:02:22.880 --> 1:02:27.920
<v Speaker 1>referred to as Special Personnel Requirements. I really like this

1:02:27.960 --> 1:02:32.600
<v Speaker 1>one because it leads us to talking about the Millgrim

1:02:32.600 --> 1:02:36.480
<v Speaker 1>experiment and a lot about the ethics and sort of

1:02:36.600 --> 1:02:41.200
<v Speaker 1>point of scientific experimentation. Here's the description of SCP two

1:02:41.280 --> 1:02:44.360
<v Speaker 1>thirty one. It's a it's a girl, possibly a baby,

1:02:44.400 --> 1:02:47.200
<v Speaker 1>that has to be subjected to something called the mon

1:02:47.320 --> 1:02:51.080
<v Speaker 1>Talk procedure. Now we're never told what the details of

1:02:51.120 --> 1:02:54.240
<v Speaker 1>this are, but it sounds awful. Uh. Most of the

1:02:54.280 --> 1:02:57.600
<v Speaker 1>detail in the description goes into the requirements for the

1:02:57.640 --> 1:03:01.880
<v Speaker 1>personnel that are attending to s C. They have to

1:03:02.000 --> 1:03:06.240
<v Speaker 1>undergo heavy psychological testing. They have to be unmarried, have

1:03:06.480 --> 1:03:11.400
<v Speaker 1>no children, and express total loyalty to the SCP, and

1:03:11.520 --> 1:03:15.280
<v Speaker 1>if they express any sympathy to the subject, they're immediately

1:03:15.320 --> 1:03:18.560
<v Speaker 1>transferred off the project. When they're on site, they wear

1:03:18.640 --> 1:03:23.320
<v Speaker 1>helmets to conceal their identity and voice, and basically STP

1:03:23.480 --> 1:03:27.400
<v Speaker 1>two thirte whatever it is, is strapped down all the

1:03:27.480 --> 1:03:31.360
<v Speaker 1>time except for when they're subjected to this horrible procedure

1:03:31.520 --> 1:03:35.600
<v Speaker 1>once every twenty four hours. The subject doesn't actually seem

1:03:35.640 --> 1:03:39.160
<v Speaker 1>to be that important to the entry. The story goes

1:03:39.280 --> 1:03:42.160
<v Speaker 1>that they're the seventh child born out of some kind

1:03:42.160 --> 1:03:46.520
<v Speaker 1>of cult organization, that the first six subjects were its siblings,

1:03:46.560 --> 1:03:49.840
<v Speaker 1>and they were killed in various results from this procedure

1:03:49.960 --> 1:03:54.480
<v Speaker 1>or the containment this mon Tauk procedure. The personnel that

1:03:54.560 --> 1:03:57.120
<v Speaker 1>work on this are told that if they don't subject

1:03:57.520 --> 1:04:01.840
<v Speaker 1>SCP two one to this horrible mont talk procedure, it

1:04:01.880 --> 1:04:04.080
<v Speaker 1>will result in the end of the world. So some

1:04:04.200 --> 1:04:08.200
<v Speaker 1>of the personnel also have their memory is altered, maybe

1:04:08.200 --> 1:04:13.080
<v Speaker 1>by SCP fift We're not sure. Uh, but they basically

1:04:13.160 --> 1:04:16.040
<v Speaker 1>forget that they ever performed their duties in relation to

1:04:16.200 --> 1:04:21.320
<v Speaker 1>this project. This pop culture wise, immediately made me think

1:04:21.320 --> 1:04:23.400
<v Speaker 1>of Stranger Things. Now. I don't want to I don't

1:04:23.400 --> 1:04:26.560
<v Speaker 1>want to spoil Stranger Things at all, but uh, you know,

1:04:26.960 --> 1:04:31.160
<v Speaker 1>the original title for the show was montalk Um, So

1:04:31.280 --> 1:04:33.520
<v Speaker 1>I wonder I don't know which came first, s CP

1:04:33.640 --> 1:04:36.560
<v Speaker 1>to thirty one or the TV show, or maybe they're

1:04:36.600 --> 1:04:39.080
<v Speaker 1>somehow connected, like maybe the anonymous author is one of

1:04:39.080 --> 1:04:42.520
<v Speaker 1>the people behind Stranger things. But um, yeah, the show

1:04:42.560 --> 1:04:46.080
<v Speaker 1>was originally called Montalk and Uh, the idea of this

1:04:46.160 --> 1:04:50.160
<v Speaker 1>secret project that's working, you know, doing terrible unethical things

1:04:50.200 --> 1:04:54.000
<v Speaker 1>to a girl, it's interesting. It brings us right around

1:04:54.000 --> 1:04:56.360
<v Speaker 1>to the Millgrim experiment. The reason why is one of

1:04:56.360 --> 1:04:59.920
<v Speaker 1>the things they say about this SCP is that all

1:05:00.000 --> 1:05:04.680
<v Speaker 1>of the personnel have to pass the Milgram experiment, meaning

1:05:05.080 --> 1:05:07.480
<v Speaker 1>that they have to take it all the way. Uh.

1:05:07.600 --> 1:05:10.480
<v Speaker 1>If you are unfamiliar with the Milgram experiment, it is

1:05:10.640 --> 1:05:15.920
<v Speaker 1>one of the most controversial and highly publicized psychological studies

1:05:16.480 --> 1:05:19.120
<v Speaker 1>ever conducted. I would say, yeah, yeah, it's it's definitely

1:05:19.240 --> 1:05:22.600
<v Speaker 1>up there. We've we've touched on it in past episodes before. Um,

1:05:22.640 --> 1:05:25.560
<v Speaker 1>it's anytime you see a list of like the the

1:05:25.600 --> 1:05:29.760
<v Speaker 1>most the weirdest, most unethical experiments, it tends to show

1:05:29.840 --> 1:05:32.360
<v Speaker 1>upright at the top. Yeah. So if you've never heard

1:05:32.360 --> 1:05:35.040
<v Speaker 1>of it, this is how it goes. It was performed

1:05:35.080 --> 1:05:37.720
<v Speaker 1>in nineteen sixty one and nineteen sixty two, and it

1:05:37.760 --> 1:05:41.080
<v Speaker 1>was designed to measure the extent to which ordinary people

1:05:41.440 --> 1:05:45.120
<v Speaker 1>would inflict pain on other people when they are instructed

1:05:45.120 --> 1:05:49.080
<v Speaker 1>to do so by an authoritative figure. It was very

1:05:49.080 --> 1:05:53.920
<v Speaker 1>controversial because the people were putting these situations without informed consent,

1:05:54.320 --> 1:05:58.600
<v Speaker 1>and it was influenced by accounts Milgram heard of Nazi atrocities.

1:05:58.920 --> 1:06:02.440
<v Speaker 1>He wanted to measure how willing the average person would

1:06:02.440 --> 1:06:06.720
<v Speaker 1>be to obey institutionalized authority, and he actually received a

1:06:06.760 --> 1:06:09.680
<v Speaker 1>grant from the National Science Foundation to do this. Conducted

1:06:09.720 --> 1:06:12.680
<v Speaker 1>the experiments at Yale from sixty one to sixty two.

1:06:13.120 --> 1:06:15.400
<v Speaker 1>Now you may have heard of this in relation to

1:06:15.440 --> 1:06:19.160
<v Speaker 1>the phrase the banality of evil. It's often attributed to

1:06:19.200 --> 1:06:21.640
<v Speaker 1>this study, but it was actually coined by Hannah Arrant

1:06:21.760 --> 1:06:25.440
<v Speaker 1>in her book Aikman in Jerusalem. She was reporting on

1:06:25.520 --> 1:06:29.360
<v Speaker 1>Adolph Aikman's trial in nineteen sixty one. Aikman was a

1:06:29.480 --> 1:06:34.240
<v Speaker 1>Nazi commander who helped orchestrate the Holocaust. Now, Arrant's theory

1:06:34.640 --> 1:06:37.680
<v Speaker 1>was that Aikman was an associopath. He was just an

1:06:37.720 --> 1:06:42.400
<v Speaker 1>average person following orders. Milgram speaks to these ideas in

1:06:42.520 --> 1:06:44.880
<v Speaker 1>his book Obedience to Authority, which is sort of the

1:06:44.920 --> 1:06:49.400
<v Speaker 1>publication of his his results, but he published it much later,

1:06:49.400 --> 1:06:51.360
<v Speaker 1>I let's say, like ten years later. So basically, the

1:06:51.440 --> 1:06:54.840
<v Speaker 1>question raised by the experiment is could basically any office

1:06:55.200 --> 1:06:58.360
<v Speaker 1>uh be a part of some atrocity chain who were

1:06:58.400 --> 1:07:01.160
<v Speaker 1>just in the in the position to to receive those

1:07:01.280 --> 1:07:04.680
<v Speaker 1>orders exactly. And this is how the experiment worked. There

1:07:04.680 --> 1:07:08.640
<v Speaker 1>were three people in each situation, a supervisor, a learner,

1:07:08.680 --> 1:07:12.920
<v Speaker 1>and a teacher. However, the only subject that was actually

1:07:13.000 --> 1:07:15.400
<v Speaker 1>under scrutiny was the teacher. The other two people were

1:07:15.440 --> 1:07:19.040
<v Speaker 1>just actors. The teacher was uninformed about the true nature

1:07:19.080 --> 1:07:21.880
<v Speaker 1>of the experiment, and the supervisor would tell them that

1:07:21.920 --> 1:07:24.320
<v Speaker 1>what they were doing was determining whether punishment in the

1:07:24.320 --> 1:07:28.520
<v Speaker 1>form of electric shocks would promote learning. So usually the

1:07:28.560 --> 1:07:30.760
<v Speaker 1>person playing the role of the learner was in another

1:07:30.840 --> 1:07:33.240
<v Speaker 1>room and the teacher was seated in front of an

1:07:33.240 --> 1:07:36.800
<v Speaker 1>apparatus that would pretend to shock the learner with somewhere

1:07:36.840 --> 1:07:40.080
<v Speaker 1>between fifteen and four hundred and fifty volts. The teacher

1:07:40.160 --> 1:07:43.560
<v Speaker 1>was then instructed to give a long multiple choice test

1:07:43.640 --> 1:07:47.600
<v Speaker 1>to the learner, and every time they had an incorrect answer,

1:07:47.920 --> 1:07:50.600
<v Speaker 1>the teacher was supposed to administer the shock, upping the

1:07:50.680 --> 1:07:55.000
<v Speaker 1>voltage fifteen volts each time. No one was actually shocked

1:07:55.000 --> 1:07:57.880
<v Speaker 1>in this experiment. The learner just pretended that they were

1:07:57.920 --> 1:08:01.120
<v Speaker 1>being shocked until it reached three fifteen volts. They would

1:08:01.200 --> 1:08:05.240
<v Speaker 1>scream and you know, pretend like they're in agony at

1:08:05.400 --> 1:08:08.720
<v Speaker 1>volts though, they would just stop making sounds like presumably

1:08:08.760 --> 1:08:11.160
<v Speaker 1>they passed out or something. And I think a lot

1:08:11.160 --> 1:08:13.320
<v Speaker 1>of these instances they were in a separate room and

1:08:13.600 --> 1:08:18.160
<v Speaker 1>they couldn't see each other if they refused. If the

1:08:18.280 --> 1:08:22.800
<v Speaker 1>if the learner refused, the experiments stopped, but the supervisor

1:08:23.000 --> 1:08:26.920
<v Speaker 1>usually would direct them to just keep continuing. Otherwise they

1:08:26.920 --> 1:08:31.240
<v Speaker 1>would keep going until they reached four hundred and fifty volts. Uh. Now,

1:08:31.400 --> 1:08:34.439
<v Speaker 1>let's be clear, the truth was always revealed to the

1:08:34.479 --> 1:08:37.040
<v Speaker 1>teacher afterwards. They always told them what was actually going

1:08:37.080 --> 1:08:41.599
<v Speaker 1>on um And the results were as such, sixty five

1:08:42.200 --> 1:08:45.400
<v Speaker 1>of the participants kept going all the way to four

1:08:45.479 --> 1:08:48.879
<v Speaker 1>hundred and fifty volts. None of them insisted on stopping

1:08:49.000 --> 1:08:53.960
<v Speaker 1>before three hundred volts. Whether or not Milgram used women

1:08:54.320 --> 1:08:57.120
<v Speaker 1>or men in this experiment did not change the results.

1:08:57.479 --> 1:09:02.960
<v Speaker 1>But when the physical proximity increase, the obedience factor decreased slightly,

1:09:03.000 --> 1:09:05.120
<v Speaker 1>meaning when the teacher and the learner were closer to

1:09:05.160 --> 1:09:07.840
<v Speaker 1>each other, they were less likely to go all the

1:09:07.840 --> 1:09:10.639
<v Speaker 1>way with the shocks. This one is where it gets

1:09:10.680 --> 1:09:14.640
<v Speaker 1>really scary. When a teacher was joined by actors posing

1:09:14.880 --> 1:09:18.920
<v Speaker 1>as other teachers, their conformity rose all the way to

1:09:19.080 --> 1:09:24.439
<v Speaker 1>n So. Okay, the reason why we all know about

1:09:24.439 --> 1:09:27.439
<v Speaker 1>this experiment is it's been highly criticized for its ethics,

1:09:27.439 --> 1:09:31.280
<v Speaker 1>specifically that it did not supply the subjects with informed

1:09:31.320 --> 1:09:38.000
<v Speaker 1>consent and it exposed them to overly stressful and embarrassing situations. Milgram, however,

1:09:38.080 --> 1:09:40.799
<v Speaker 1>defended it, and he said, look, we've got this survey.

1:09:40.880 --> 1:09:43.360
<v Speaker 1>It's an exit survey that we do with with everybody

1:09:43.360 --> 1:09:47.600
<v Speaker 1>that's done it, of those people were glad to have participated.

1:09:47.920 --> 1:09:50.640
<v Speaker 1>Some of them even said by doing the experiment it

1:09:50.720 --> 1:09:55.200
<v Speaker 1>made them more ethically sensitive. Now, we talked about this

1:09:55.240 --> 1:09:58.880
<v Speaker 1>in the Frankenstein episode. We were sort of pretending what

1:09:59.000 --> 1:10:01.720
<v Speaker 1>if Frankenstein had to apply for an i RB. This

1:10:01.800 --> 1:10:04.520
<v Speaker 1>is one of those studies that led to the Belmont

1:10:04.560 --> 1:10:08.320
<v Speaker 1>Report and having to have IRB approval before you do

1:10:08.400 --> 1:10:11.920
<v Speaker 1>any kind of scientific experiment in an institutional stucause, you

1:10:11.920 --> 1:10:14.559
<v Speaker 1>don't want to conduct an experiment that is putting people

1:10:14.560 --> 1:10:17.679
<v Speaker 1>through the emotional ringer. Yeah, unless that mean, unless there's

1:10:18.320 --> 1:10:21.200
<v Speaker 1>full uh you know, knowledge of it going in, which

1:10:21.439 --> 1:10:23.519
<v Speaker 1>which is part of the experiment is that they did

1:10:23.520 --> 1:10:26.640
<v Speaker 1>not have that noted exactly. Uh. This is why the

1:10:26.680 --> 1:10:31.080
<v Speaker 1>American Psychological Association formulated its principles for research with humans.

1:10:31.360 --> 1:10:34.519
<v Speaker 1>This is why it requires all research to receive approval

1:10:34.520 --> 1:10:38.720
<v Speaker 1>by RBS. UH. In fact, uh an I RB did

1:10:38.840 --> 1:10:43.880
<v Speaker 1>approve social psychologist Jerry M. Berger to obtain permission to

1:10:44.000 --> 1:10:47.320
<v Speaker 1>partially replicate the experiment, but he stopped at a hundred

1:10:47.400 --> 1:10:50.719
<v Speaker 1>and fifty volts when the actor began to scream. However,

1:10:51.240 --> 1:10:54.400
<v Speaker 1>his results up until that point were similar to millgrooms.

1:10:54.400 --> 1:10:57.320
<v Speaker 1>So this is something that's worth considering. And in fact,

1:10:57.640 --> 1:10:59.800
<v Speaker 1>I want, once upon a time pitched a show here

1:10:59.800 --> 1:11:03.200
<v Speaker 1>at out stuff works that would would be entirely about

1:11:03.240 --> 1:11:07.559
<v Speaker 1>studies like this. This study could never be done legally today,

1:11:07.600 --> 1:11:09.080
<v Speaker 1>and that's that's a good thing. I think we can

1:11:09.120 --> 1:11:12.680
<v Speaker 1>all agree on that. And yet it is incredibly influential

1:11:12.760 --> 1:11:17.719
<v Speaker 1>on our understanding of human psychology. Our overall knowledge of

1:11:17.920 --> 1:11:21.800
<v Speaker 1>things has has uh improved, I think you could say

1:11:21.920 --> 1:11:25.280
<v Speaker 1>based on this study. So what other lessons have we

1:11:25.439 --> 1:11:30.040
<v Speaker 1>learned from unethical science? And what lessons are we missing?

1:11:30.200 --> 1:11:33.320
<v Speaker 1>And then let's get back to this SCP, like, what

1:11:33.479 --> 1:11:35.800
<v Speaker 1>is it ultimately about? I don't think it's about the girl.

1:11:35.840 --> 1:11:38.799
<v Speaker 1>It's more about the personnel, right, It's about the horror

1:11:39.840 --> 1:11:43.960
<v Speaker 1>that is this great social significance of what human beings

1:11:44.000 --> 1:11:47.840
<v Speaker 1>are capable of. Well, and supposedly they're saving the world. Yeah, exactly,

1:11:48.200 --> 1:11:51.160
<v Speaker 1>that's what they're told. Yeah, and that's where it gets

1:11:51.160 --> 1:11:53.360
<v Speaker 1>really interesting. There's there's a couple of studies here I

1:11:53.360 --> 1:11:56.400
<v Speaker 1>want to get into. Uh. I have two studies I

1:11:56.400 --> 1:11:58.680
<v Speaker 1>want to talk about that are related to Millgram that

1:11:58.720 --> 1:12:02.400
<v Speaker 1>have recently been published. The first is called why People Kill,

1:12:02.600 --> 1:12:06.000
<v Speaker 1>and it was published in the Chronicle of Higher Education. Uh.

1:12:06.040 --> 1:12:09.680
<v Speaker 1>It reminds us as well of another infamous case, the

1:12:09.720 --> 1:12:14.720
<v Speaker 1>Stanford Prison Experiment. In nineteen Yeah, if you're unfamiliar with that,

1:12:14.760 --> 1:12:18.960
<v Speaker 1>one psychologist Philip G. S Embardo randomly assigned Stanford University

1:12:18.960 --> 1:12:22.400
<v Speaker 1>students to play roles as prisoners and guards. Within days,

1:12:22.520 --> 1:12:25.400
<v Speaker 1>the people who are playing guards were abusing the prisoners.

1:12:25.600 --> 1:12:28.760
<v Speaker 1>The prisoners themselves became passive. The study actually had to

1:12:28.800 --> 1:12:31.040
<v Speaker 1>be called off. There's another study as well that I

1:12:31.080 --> 1:12:35.080
<v Speaker 1>was unfamiliar with. Its referenced in here Muzafar Sheriff's nineteen

1:12:35.120 --> 1:12:38.400
<v Speaker 1>fifty four study on how competition can escalate into conflict.

1:12:38.680 --> 1:12:41.599
<v Speaker 1>He divided adolescent boys into two teams, and he pitted

1:12:41.600 --> 1:12:45.200
<v Speaker 1>them against each other at certain tasks. Uh, it also

1:12:45.320 --> 1:12:48.000
<v Speaker 1>had to be called off because violence started between the boys.

1:12:48.720 --> 1:12:51.080
<v Speaker 1>So what's going on here? Why are we circling around

1:12:51.160 --> 1:12:55.360
<v Speaker 1>back to these projects? Because it feels like this, and

1:12:55.400 --> 1:12:58.200
<v Speaker 1>this is the argument of this paper, it feels like

1:12:58.320 --> 1:13:01.200
<v Speaker 1>we're at a time where we're very concerned about violence

1:13:01.240 --> 1:13:04.479
<v Speaker 1>and the possibility that good people will do bad things. Right, So,

1:13:04.840 --> 1:13:07.160
<v Speaker 1>think of the presidential election right now, and like the

1:13:07.280 --> 1:13:10.759
<v Speaker 1>rhetoric that's being tossed around about what people are capable

1:13:10.800 --> 1:13:13.040
<v Speaker 1>of and how we have to defend ourselves against them.

1:13:13.280 --> 1:13:15.800
<v Speaker 1>So this kind of stuff is in the air. People

1:13:15.800 --> 1:13:20.479
<v Speaker 1>are thinking about it a lot. There's very apocalyptic thoughts

1:13:20.479 --> 1:13:22.920
<v Speaker 1>in people's minds about what we're all capable of doing

1:13:22.960 --> 1:13:25.040
<v Speaker 1>to one another. I mean, I would say that that

1:13:25.160 --> 1:13:29.759
<v Speaker 1>is generally more of the like the standard human experience,

1:13:29.800 --> 1:13:33.280
<v Speaker 1>and we in this country and in other countries, we've

1:13:33.320 --> 1:13:37.000
<v Speaker 1>just been lucky to not have that being unconscious us.

1:13:37.520 --> 1:13:39.960
<v Speaker 1>I think, I think you're probably right. Yeah, it's only

1:13:40.000 --> 1:13:42.320
<v Speaker 1>now that we're we're having to come to grips with

1:13:42.360 --> 1:13:47.599
<v Speaker 1>this reality. Um, the studies themselves presume that people aren't

1:13:47.800 --> 1:13:52.240
<v Speaker 1>born bad necessarily, but that we're all coerced or seduced,

1:13:52.600 --> 1:13:56.320
<v Speaker 1>or otherwise lead into violent behavior. Now, the author of

1:13:56.360 --> 1:13:58.559
<v Speaker 1>this article, not Milgram, but the author of this one.

1:13:58.840 --> 1:14:02.280
<v Speaker 1>He argues this is out of date thinking as well

1:14:02.320 --> 1:14:05.639
<v Speaker 1>as the idea of any kind of pure nature oriented view.

1:14:06.120 --> 1:14:08.960
<v Speaker 1>So that's worth thinking about. In conjunction with this SCP,

1:14:09.760 --> 1:14:11.800
<v Speaker 1>I want to give you a Millgrim quote though, to

1:14:11.800 --> 1:14:14.679
<v Speaker 1>to pause and sort of think about here. Milgrim himself said,

1:14:14.800 --> 1:14:18.760
<v Speaker 1>ordinary people simply doing their jobs and without any particular

1:14:18.840 --> 1:14:22.439
<v Speaker 1>hostility on their part, can become agents in a terrible

1:14:22.479 --> 1:14:27.320
<v Speaker 1>destructive process. Moreover, even when the destructive effects of their

1:14:27.360 --> 1:14:31.120
<v Speaker 1>work become patently clear and they are asked to carry

1:14:31.120 --> 1:14:36.120
<v Speaker 1>out actions incompatible with the fundamental standards of morality, relatively

1:14:36.200 --> 1:14:41.080
<v Speaker 1>few people have the resources needed to resist authority. That's

1:14:41.120 --> 1:14:43.280
<v Speaker 1>really interesting to think about. I mean think about it,

1:14:44.000 --> 1:14:47.560
<v Speaker 1>not not just from this level of like Nazis committing atrocities,

1:14:47.600 --> 1:14:51.800
<v Speaker 1>but like your jobs, like think about the like hierarchical

1:14:51.840 --> 1:14:55.000
<v Speaker 1>structure in a job, workplace or whatever. Because it's one

1:14:55.000 --> 1:14:58.679
<v Speaker 1>thing to imagine Nazis and have your your idea colored

1:14:58.720 --> 1:15:01.840
<v Speaker 1>by all these story worry about portrayals of Nazis, and

1:15:01.880 --> 1:15:03.640
<v Speaker 1>you can easily think oh, I would stand up for that.

1:15:03.680 --> 1:15:06.240
<v Speaker 1>I would be one of the good people. But but yeah,

1:15:06.280 --> 1:15:14.160
<v Speaker 1>I think of all the smaller, mundane actions of authority. Yeah, yeah,

1:15:14.240 --> 1:15:16.479
<v Speaker 1>it's it's really worth thinking about. And that brought me

1:15:16.600 --> 1:15:20.920
<v Speaker 1>to um. This article called just Obeying Orders out of

1:15:20.960 --> 1:15:24.679
<v Speaker 1>New Scientists. It was published in and they took the point,

1:15:24.720 --> 1:15:27.960
<v Speaker 1>they said. Milgram later developed his idea of a mundane

1:15:28.040 --> 1:15:31.000
<v Speaker 1>inclination to obey orders of authority into something he called

1:15:31.040 --> 1:15:34.679
<v Speaker 1>a gentic state theory. This was in his nineteen seventy

1:15:34.720 --> 1:15:37.080
<v Speaker 1>four book Obedience to Authority, the same one where he

1:15:37.120 --> 1:15:41.120
<v Speaker 1>talks about Hannah Aaron's finality of evil. And according to Milgram,

1:15:41.160 --> 1:15:43.880
<v Speaker 1>the essence of obedience consists in the fact that a

1:15:43.960 --> 1:15:47.960
<v Speaker 1>person comes to view themselves as the instrument for carrying

1:15:47.960 --> 1:15:51.400
<v Speaker 1>out another person's wishes, and they therefore no longer see

1:15:51.439 --> 1:15:56.639
<v Speaker 1>themselves as responsible for their actions. Once this critical shift

1:15:56.640 --> 1:15:59.920
<v Speaker 1>of viewpoint has occurred in a person, all of the

1:16:00.080 --> 1:16:03.160
<v Speaker 1>essential features of obedience follow. So when you go back

1:16:03.200 --> 1:16:06.040
<v Speaker 1>to this SCP, right, we've got this I don't know

1:16:06.360 --> 1:16:09.559
<v Speaker 1>cultist child strapped down to a gurney and she has

1:16:09.640 --> 1:16:12.720
<v Speaker 1>to be tortured with the Montauk experiment once a day

1:16:12.880 --> 1:16:16.000
<v Speaker 1>basically gets back to it that the reason why is

1:16:16.040 --> 1:16:19.439
<v Speaker 1>because the personnel are all willing to shift viewpoints like

1:16:19.520 --> 1:16:25.320
<v Speaker 1>this right now. The authors of this article and new scientists,

1:16:25.360 --> 1:16:28.559
<v Speaker 1>they argue against Milgram's theory actually, and they cite recent

1:16:28.640 --> 1:16:33.320
<v Speaker 1>historical studies that question Errant's interpretation of Aikman as well

1:16:33.360 --> 1:16:37.280
<v Speaker 1>as Milgram's claim that human beings are programmed to obey authority.

1:16:37.800 --> 1:16:40.160
<v Speaker 1>I just want to pause here for I never took

1:16:40.200 --> 1:16:43.760
<v Speaker 1>that to be his claim. I always thought, um that

1:16:44.040 --> 1:16:47.240
<v Speaker 1>the fact that they recognize that he saw these as

1:16:47.280 --> 1:16:51.960
<v Speaker 1>studies as disobedience as much as obedience, his argument to

1:16:52.040 --> 1:16:55.080
<v Speaker 1>me doesn't seem to be deterministic about human nature, right that.

1:16:55.760 --> 1:16:57.800
<v Speaker 1>I mean, he makes the point like at least ten

1:16:57.840 --> 1:17:01.559
<v Speaker 1>percent of people, even when there's these actors involved, are

1:17:01.600 --> 1:17:05.559
<v Speaker 1>going to disobey authority. Right, So it's not necessarily like

1:17:05.640 --> 1:17:08.599
<v Speaker 1>he's saying this is this is it, this is exactly

1:17:08.600 --> 1:17:10.880
<v Speaker 1>what humanity is. No. Yeah, he's saying that, I mean,

1:17:10.920 --> 1:17:13.439
<v Speaker 1>there's it is a silver lining, and that a certain

1:17:13.439 --> 1:17:17.040
<v Speaker 1>percentage of individuals would seemingly always stand up to some

1:17:17.080 --> 1:17:20.160
<v Speaker 1>sort of injustice like this. Yeah, I guess the the

1:17:20.200 --> 1:17:22.360
<v Speaker 1>depressing part is when you have to ask, well, is

1:17:22.439 --> 1:17:25.519
<v Speaker 1>that percentage high enough to make a difference? And even

1:17:25.840 --> 1:17:29.160
<v Speaker 1>a very democratic process much less you know the inner

1:17:29.200 --> 1:17:35.599
<v Speaker 1>workings of a shadowy organization that tends to weird alien Exactly, Yeah, exactly,

1:17:35.640 --> 1:17:38.720
<v Speaker 1>And that's why I love this one. It's like, you know,

1:17:38.760 --> 1:17:41.760
<v Speaker 1>when you really think about it, beyond just like you know,

1:17:41.840 --> 1:17:47.280
<v Speaker 1>the idea of this mysterious cultists, uh, with a experiment

1:17:47.320 --> 1:17:50.240
<v Speaker 1>performed against their will every twenty four hours, there's like

1:17:50.280 --> 1:17:54.680
<v Speaker 1>a lot of meat on the bone, like ethically thematically

1:17:55.080 --> 1:17:57.719
<v Speaker 1>going on with just the short, little creepy pasta yeah,

1:17:57.760 --> 1:18:01.479
<v Speaker 1>and and asking basic ethical questions, does like this is

1:18:01.520 --> 1:18:05.800
<v Speaker 1>saving the world worth this? This one individual injustice? Does

1:18:05.880 --> 1:18:09.479
<v Speaker 1>we do do the rights of all outweigh the rights

1:18:09.520 --> 1:18:12.240
<v Speaker 1>of one? Well, let's factor this in because I think

1:18:12.240 --> 1:18:15.519
<v Speaker 1>this is where it gets even more complicated. Uh. Has

1:18:15.600 --> 1:18:18.080
<v Speaker 1>Leam and Rich are the authors of this study from

1:18:19.320 --> 1:18:23.400
<v Speaker 1>They argue, what's really going on is a balance between

1:18:23.520 --> 1:18:27.240
<v Speaker 1>obedience and disobedience that's based on whether or not the

1:18:27.280 --> 1:18:31.040
<v Speaker 1>person in the teacher role prioritizes the voice of the

1:18:31.120 --> 1:18:35.360
<v Speaker 1>supervisor over the voice of the learner. And to them,

1:18:35.439 --> 1:18:39.680
<v Speaker 1>this reflects whether the person identifies with the cause of

1:18:39.880 --> 1:18:44.040
<v Speaker 1>science or more with the plight of the ordinary citizens.

1:18:44.040 --> 1:18:46.400
<v Speaker 1>So this is really interesting to me. It's like it

1:18:46.439 --> 1:18:48.760
<v Speaker 1>puts them in in one of two camps, right that

1:18:48.880 --> 1:18:54.160
<v Speaker 1>the in this case with the SCP, that this science

1:18:54.360 --> 1:18:56.840
<v Speaker 1>is going to save the world, right at least that's

1:18:56.840 --> 1:18:59.639
<v Speaker 1>what they're told, or the plight of this ordinary girl

1:18:59.800 --> 1:19:04.160
<v Speaker 1>who is being tortured by the Montauk experiment, in which case,

1:19:04.320 --> 1:19:07.320
<v Speaker 1>if that's it, the order's position the experiment as being

1:19:07.840 --> 1:19:11.240
<v Speaker 1>a worthy cause that must be pursued. So the level

1:19:11.240 --> 1:19:15.000
<v Speaker 1>of identification between the supervisor and the learner is really important,

1:19:15.040 --> 1:19:18.320
<v Speaker 1>but so too is how much they identify with the

1:19:18.400 --> 1:19:23.080
<v Speaker 1>cause of capital s science. It's very interesting, especially like

1:19:23.320 --> 1:19:28.320
<v Speaker 1>I think from our our shows sort of viewpoint. Yeah, yeah,

1:19:28.320 --> 1:19:31.320
<v Speaker 1>I mean what what ultimately is driving the research and

1:19:31.360 --> 1:19:34.679
<v Speaker 1>the researchers this idea that that science is this thing

1:19:35.479 --> 1:19:39.560
<v Speaker 1>beyond us and then we're just near vessels for its

1:19:39.720 --> 1:19:44.520
<v Speaker 1>inquisitive nature, or are we individuals engaging in a collective

1:19:44.680 --> 1:19:49.760
<v Speaker 1>effort to better the human experience and human knowledge? Absolutely, yeah,

1:19:49.920 --> 1:19:52.400
<v Speaker 1>it makes I think that this is one of those

1:19:52.439 --> 1:19:54.480
<v Speaker 1>things that like we can pull out and it's applicable

1:19:54.520 --> 1:19:57.920
<v Speaker 1>to almost every episode we've done, right, Like, what, what's

1:19:57.960 --> 1:20:01.120
<v Speaker 1>the goal of this project? What's the what's the reason

1:20:01.200 --> 1:20:03.640
<v Speaker 1>are we doing this for sciences? SACA? It brings us

1:20:03.640 --> 1:20:07.080
<v Speaker 1>back to cargo cult science, right or is it you know,

1:20:07.720 --> 1:20:11.040
<v Speaker 1>is it somehow affecting the ordinary man somehow? So to

1:20:11.120 --> 1:20:13.360
<v Speaker 1>this end, these authors did three studies and one they

1:20:13.439 --> 1:20:16.799
<v Speaker 1>used virtual reality to replicate millgram set up, and another

1:20:16.880 --> 1:20:20.240
<v Speaker 1>they asked people to describe groups of other people using

1:20:20.280 --> 1:20:24.160
<v Speaker 1>pejorative terms, and this range from the KKK to a

1:20:24.240 --> 1:20:27.479
<v Speaker 1>family walking in the park. In their final study, they

1:20:27.520 --> 1:20:30.719
<v Speaker 1>had actors perform all of Milgram's set up, so even

1:20:30.760 --> 1:20:33.800
<v Speaker 1>the teacher role was performed by an actor. When they

1:20:33.800 --> 1:20:37.599
<v Speaker 1>recorded the reactions as if the actors were inhabiting these characters,

1:20:37.600 --> 1:20:41.880
<v Speaker 1>and they found, once again, Milgram's results were almost exactly

1:20:42.040 --> 1:20:46.559
<v Speaker 1>reproduced with these actors. So they basically found an increase

1:20:46.560 --> 1:20:51.559
<v Speaker 1>in identification with science leads people to persist longer in

1:20:51.600 --> 1:20:55.000
<v Speaker 1>these unpleasant tasks. Uh. And the last thing I want

1:20:55.040 --> 1:20:58.599
<v Speaker 1>to say about this, there's a researcher named Matthew Hollander,

1:20:58.800 --> 1:21:01.920
<v Speaker 1>and he took the audio tapes from Milgram's study and

1:21:01.920 --> 1:21:05.800
<v Speaker 1>he researched all He listened to the whole thing, like

1:21:05.960 --> 1:21:09.360
<v Speaker 1>a year and a half worth of these studies, and

1:21:09.400 --> 1:21:13.120
<v Speaker 1>he identified six types of resistance that were shown by

1:21:13.160 --> 1:21:15.440
<v Speaker 1>the people involved with them, three of which were implicit

1:21:15.800 --> 1:21:21.360
<v Speaker 1>and three were explicit. The implicit ones were silence or hesitation, imprecations,

1:21:21.720 --> 1:21:24.360
<v Speaker 1>or laughter. And some people who have listened to these

1:21:24.360 --> 1:21:27.360
<v Speaker 1>tapes they interpret the laughter as being sadism, but he said, no,

1:21:27.439 --> 1:21:31.280
<v Speaker 1>the laughter is just this like uncomfortablelity of obeying the orders.

1:21:32.000 --> 1:21:35.640
<v Speaker 1>The explicit ones were when they addressed the learner and

1:21:35.640 --> 1:21:37.320
<v Speaker 1>they would say things like are you sure you want

1:21:37.360 --> 1:21:40.040
<v Speaker 1>me to continue with this? Or when they prompted the

1:21:40.080 --> 1:21:43.200
<v Speaker 1>supervisor and would say is it really necessary for me

1:21:43.240 --> 1:21:45.840
<v Speaker 1>to continue doing this? Uh? And the last one was

1:21:45.880 --> 1:21:47.720
<v Speaker 1>when they would just stop and they'd say, look, I'm

1:21:47.720 --> 1:21:50.560
<v Speaker 1>not going to continue doing this. I'm done. Here's the

1:21:50.600 --> 1:21:54.280
<v Speaker 1>really interesting thing from his study. Those who participated all

1:21:54.439 --> 1:21:57.559
<v Speaker 1>the way to the end, the four fifty volts, they

1:21:57.600 --> 1:22:02.280
<v Speaker 1>all used the implicit strategy is the silence, laughter, etcetera.

1:22:02.520 --> 1:22:05.479
<v Speaker 1>The participants who actually addressed the learners and tried to

1:22:05.479 --> 1:22:08.240
<v Speaker 1>have a dialogue with them, they were the only people

1:22:08.280 --> 1:22:12.439
<v Speaker 1>who stopped in Milgram's experiment, So that speaks something to

1:22:12.560 --> 1:22:16.519
<v Speaker 1>our again the identification do you identify with the person

1:22:16.680 --> 1:22:19.000
<v Speaker 1>or do you identify with the cause? Right? Yeah? And

1:22:19.000 --> 1:22:20.639
<v Speaker 1>to what degree is there going to be any kind

1:22:20.680 --> 1:22:23.560
<v Speaker 1>of back and forth communication over any of this? Is

1:22:23.600 --> 1:22:26.360
<v Speaker 1>it just becoming a vessel for the orders? So this

1:22:26.439 --> 1:22:29.679
<v Speaker 1>is to wrap it up, my one of my favorite

1:22:29.680 --> 1:22:32.920
<v Speaker 1>creepy pastas I've ever looked at. Whoever out there wrote

1:22:32.960 --> 1:22:37.719
<v Speaker 1>it anonymously, bravo. Uh it really made me think pretty

1:22:37.720 --> 1:22:41.600
<v Speaker 1>deeply about the ethics of what what the goals of

1:22:41.640 --> 1:22:45.320
<v Speaker 1>science are, not just in terms of like, you know,

1:22:45.360 --> 1:22:46.920
<v Speaker 1>the fact based stuff of like well I got to

1:22:46.960 --> 1:22:49.840
<v Speaker 1>fill out this i RB protocol, you know, but more

1:22:49.880 --> 1:22:52.400
<v Speaker 1>along the lines of like what's the point and what

1:22:52.400 --> 1:22:54.439
<v Speaker 1>are we willing to do to get to it? Yeah?

1:22:54.479 --> 1:22:56.719
<v Speaker 1>And I think in this this is another example of

1:22:56.840 --> 1:23:01.240
<v Speaker 1>how SEP foundation entries are kind of enough relation evolution

1:23:01.280 --> 1:23:04.599
<v Speaker 1>of the form. Uh So instead of them just being

1:23:04.680 --> 1:23:10.000
<v Speaker 1>like individual creepy bits of you know, semi wicky type material,

1:23:10.640 --> 1:23:15.040
<v Speaker 1>they are little thought experiments, little paradoxes um that are

1:23:15.080 --> 1:23:19.000
<v Speaker 1>flavored with sci fi intrigue. And so I would I

1:23:19.000 --> 1:23:22.360
<v Speaker 1>would definitely recommend anyone who who found these interesting to

1:23:22.439 --> 1:23:25.800
<v Speaker 1>check out That website will include links on the landing

1:23:25.840 --> 1:23:27.559
<v Speaker 1>page for this episode of Stuff to About Your Mind

1:23:27.600 --> 1:23:31.080
<v Speaker 1>dot Com to the individual entries that we profiled here.

1:23:31.800 --> 1:23:34.360
<v Speaker 1>So check those out, explore some more and if you

1:23:34.520 --> 1:23:36.840
<v Speaker 1>find some then and you think to yourself, oh well

1:23:36.840 --> 1:23:38.599
<v Speaker 1>these are these are perfect. If you guys do another

1:23:38.680 --> 1:23:41.559
<v Speaker 1>STP episode, you should do these. You should let us

1:23:41.560 --> 1:23:45.519
<v Speaker 1>know about that. Yeah, definitely keep the messages coming about

1:23:45.600 --> 1:23:48.360
<v Speaker 1>Creepy Pasta's we you know, if you keep wanting to

1:23:48.360 --> 1:23:51.160
<v Speaker 1>hear them, we'll keep doing them. Uh So, let us know.

1:23:51.320 --> 1:23:53.920
<v Speaker 1>Maybe it's an STP, maybe it's another creepy Pasta, but

1:23:54.280 --> 1:23:56.280
<v Speaker 1>point out stuff to us and we'll look into it

1:23:56.360 --> 1:24:01.280
<v Speaker 1>and maybe Creepy Pasta for the Revenge will be coming

1:24:01.360 --> 1:24:04.000
<v Speaker 1>up down the road. Uh So, if you want to

1:24:04.000 --> 1:24:06.280
<v Speaker 1>reach out to us, well some of the best ways

1:24:06.360 --> 1:24:07.840
<v Speaker 1>or to just go to stuff to Blow your Mind

1:24:07.880 --> 1:24:10.120
<v Speaker 1>dot com. That's where we've got all our articles, our

1:24:10.200 --> 1:24:13.040
<v Speaker 1>videos or podcasts, as well as links to all of

1:24:13.040 --> 1:24:15.120
<v Speaker 1>our social media. Yeah, and if you're listening to your

1:24:15.160 --> 1:24:18.479
<v Speaker 1>in Halloween, we also have the new episodes of Monster

1:24:18.560 --> 1:24:24.000
<v Speaker 1>Science there for you. Explorations of the connections between fictional

1:24:24.040 --> 1:24:27.879
<v Speaker 1>monsters and real world Science. Yeah, absolutely, I highly recommend

1:24:27.880 --> 1:24:30.479
<v Speaker 1>Monster Science. My favorite thing that we do here at

1:24:30.479 --> 1:24:33.000
<v Speaker 1>how Stuff Works. It's uh this is a treat to me.

1:24:33.040 --> 1:24:36.240
<v Speaker 1>This is my Christmas. Uh So, if you want to

1:24:36.240 --> 1:24:38.000
<v Speaker 1>write us the old fashioned way, though, and you want

1:24:38.000 --> 1:24:41.320
<v Speaker 1>to tell us about creepy pastas, maybe praise Robert for

1:24:41.400 --> 1:24:44.800
<v Speaker 1>his performance and Monster Science, or you've got some experiments

1:24:44.800 --> 1:24:47.360
<v Speaker 1>that you'd like us to conduct, you can always write

1:24:47.360 --> 1:24:49.519
<v Speaker 1>to us at blow the Mind at how stuff works

1:24:49.520 --> 1:25:01.360
<v Speaker 1>dot com. Well more on this and thousands of other topics.

1:25:01.640 --> 1:25:17.960
<v Speaker 1>Is that how stuff works dot com. The f