WEBVTT - "Straight Up Menace" The MC EIHT Episode

0:00:00.160 --> 0:00:04.320
<v Speaker 1>You're tuned into The Gangster Chronicles. Well, James McDonald, REXI,

0:00:04.400 --> 0:00:08.200
<v Speaker 1>Rei Jr. And Alex Tomanso on the Digital Soapbox Network

0:00:08.640 --> 0:00:12.600
<v Speaker 1>material witness on an aggregated battery, I was a hang

0:00:12.680 --> 0:00:15.920
<v Speaker 1>gun and um they believe this might be in retaliation

0:00:16.840 --> 0:00:25.200
<v Speaker 1>to our testimony. Welcome to another episode of The Gangster Chronicles.

0:00:25.200 --> 0:00:27.479
<v Speaker 1>Good morning, good afternoon, and good evening wherever you may

0:00:27.560 --> 0:00:30.560
<v Speaker 1>be listening from. You're listening to Alex Alonso from Street

0:00:30.560 --> 0:00:33.080
<v Speaker 1>Gangs dot Com a k a. Street TV and I'm

0:00:33.120 --> 0:00:36.319
<v Speaker 1>here with my co host James McDonald. Yes, and this

0:00:36.400 --> 0:00:39.199
<v Speaker 1>is episode forty three. And for all your listeners out

0:00:39.200 --> 0:00:41.320
<v Speaker 1>there that are new to the podcast, please go back

0:00:41.360 --> 0:00:44.519
<v Speaker 1>and binge listened to some previous episodes because most of

0:00:44.560 --> 0:00:47.120
<v Speaker 1>them are into related. If you're listening to us on

0:00:47.280 --> 0:00:50.080
<v Speaker 1>Apple Podcasts, please give us a rating and a review

0:00:50.080 --> 0:00:52.640
<v Speaker 1>so that we can continue bringing you this amazing content.

0:00:53.080 --> 0:00:55.800
<v Speaker 1>Give us a star rating from one to five stars,

0:00:55.880 --> 0:00:58.520
<v Speaker 1>five meaning you love the show. And if you don't

0:00:58.520 --> 0:01:01.640
<v Speaker 1>have Apple, we're also eliable on Google Play for you

0:01:01.840 --> 0:01:05.880
<v Speaker 1>Samsung and Android users. And also you can listen to

0:01:05.880 --> 0:01:09.400
<v Speaker 1>the show on the Himalaya app. You have to download

0:01:09.440 --> 0:01:12.360
<v Speaker 1>the app, and then you can subscribe to our show

0:01:12.400 --> 0:01:14.720
<v Speaker 1>through the Himalaya app, or you can listen to the

0:01:14.720 --> 0:01:17.319
<v Speaker 1>show like my mom does. And she used a sirie.

0:01:17.440 --> 0:01:20.080
<v Speaker 1>She just says, sirie. Can you play my son's show,

0:01:20.120 --> 0:01:23.480
<v Speaker 1>The Gangster Chronicles? And you can watch portions of this

0:01:23.520 --> 0:01:27.959
<v Speaker 1>show on the Digital Soapbox Network. Video clips produced by

0:01:28.120 --> 0:01:32.600
<v Speaker 1>Smooth Cut Production. So let's get right into episode forty three.

0:01:32.640 --> 0:01:37.680
<v Speaker 1>We gotta guess m C eight, what's up? You tell me? Man?

0:01:38.520 --> 0:01:43.440
<v Speaker 1>Just chilling? And uh we we can't not just you know,

0:01:43.520 --> 0:01:47.840
<v Speaker 1>acknowledge one of the biggest tragedies in sports history, especially

0:01:47.880 --> 0:01:51.560
<v Speaker 1>for Los Angeles man, one of the greatest to ever

0:01:51.600 --> 0:01:56.200
<v Speaker 1>do it. If anybody came close to Michael Jordan's, uh,

0:01:56.280 --> 0:01:59.880
<v Speaker 1>it's Kobe Bryant. And sometimes even say some can go

0:02:00.000 --> 0:02:02.040
<v Speaker 1>and say maybe he was a little better than Jordan's.

0:02:02.200 --> 0:02:04.560
<v Speaker 1>A lot of people got their opinions. Yeah, I wouldn't

0:02:04.600 --> 0:02:07.520
<v Speaker 1>say that, but he was a hell of a player.

0:02:08.000 --> 0:02:11.120
<v Speaker 1>Well you know, um, Jordan was always surrounded by a

0:02:11.120 --> 0:02:13.360
<v Speaker 1>hell of a cast, so it's kind of hard to compare,

0:02:13.919 --> 0:02:15.959
<v Speaker 1>you know. And and and Kobe came right out of

0:02:16.000 --> 0:02:19.080
<v Speaker 1>high school, straight out of high school, eighteen years old

0:02:19.160 --> 0:02:21.720
<v Speaker 1>playing with big boys. He definitely did it. He definitely

0:02:21.760 --> 0:02:24.000
<v Speaker 1>did it. So, I mean, you know, I just I

0:02:24.080 --> 0:02:27.640
<v Speaker 1>just think it's sad we don't know when we're going.

0:02:28.200 --> 0:02:30.839
<v Speaker 1>We don't know our time man and going to take

0:02:30.880 --> 0:02:34.600
<v Speaker 1>his daughter too. That that that really you know, hit on.

0:02:35.080 --> 0:02:36.520
<v Speaker 1>You know, it really pissed me off about that. Thing

0:02:36.560 --> 0:02:38.240
<v Speaker 1>is you know how the news is always so quick

0:02:38.240 --> 0:02:40.519
<v Speaker 1>to be the first ones to beat everyone else to

0:02:40.600 --> 0:02:44.119
<v Speaker 1>the story, and the process of doing that, they threw

0:02:44.200 --> 0:02:47.000
<v Speaker 1>Rick Fox under the bus. Oh yeah, we heard Rick Fox.

0:02:47.040 --> 0:02:49.120
<v Speaker 1>We heard a couple of you know, a couple of

0:02:49.160 --> 0:02:51.160
<v Speaker 1>tales out there. You know, they just wanted to be

0:02:51.200 --> 0:02:53.440
<v Speaker 1>the first ones with the story, y'all believe, So you know,

0:02:53.560 --> 0:02:56.880
<v Speaker 1>news team's gonna report whatever it is first hand so

0:02:56.919 --> 0:02:58.880
<v Speaker 1>they can be the first jump on it. Did you

0:02:58.919 --> 0:03:01.200
<v Speaker 1>hear Rick Fox telling us story that his phone started

0:03:01.240 --> 0:03:03.920
<v Speaker 1>blowing up and everybody who loved him was like, what

0:03:04.400 --> 0:03:06.880
<v Speaker 1>I mean, can you imagine what if they were going through?

0:03:07.080 --> 0:03:08.880
<v Speaker 1>I don't look I don't look at TV like y'all do.

0:03:08.919 --> 0:03:14.520
<v Speaker 1>I only watch Western, so so I didn't know. Somebody

0:03:14.560 --> 0:03:18.480
<v Speaker 1>showing me a little clip about one one h lady

0:03:18.919 --> 0:03:23.079
<v Speaker 1>anchor and she was like the nigger. Oh yeah. I

0:03:23.120 --> 0:03:26.000
<v Speaker 1>was like, wow, did she really say that ship? She

0:03:26.040 --> 0:03:29.400
<v Speaker 1>really didn't say it? Yeah, And that just lets you

0:03:29.400 --> 0:03:33.359
<v Speaker 1>know what people really at man, Yeah, exactly did you

0:03:34.400 --> 0:03:36.240
<v Speaker 1>I heard it? You know a lot of people have

0:03:36.360 --> 0:03:40.680
<v Speaker 1>disputes about it, saying that she mixed Lakers with the

0:03:40.760 --> 0:03:44.360
<v Speaker 1>knicker Bockers. So that's how it came about to be names.

0:03:44.920 --> 0:03:48.480
<v Speaker 1>You know, Look, that's her story. You can't mix that,

0:03:48.560 --> 0:03:50.400
<v Speaker 1>you know what. I listened to it about eight times

0:03:50.520 --> 0:03:52.800
<v Speaker 1>just to see if there was an explanation that would

0:03:52.840 --> 0:03:56.160
<v Speaker 1>sit well with men. I couldn't find one. No, not

0:03:56.280 --> 0:03:59.280
<v Speaker 1>at that's that's yeah. They'll tell us she makes nicker

0:03:59.520 --> 0:04:02.480
<v Speaker 1>Nick's with the Lakers and came up with Nickers. All right,

0:04:02.520 --> 0:04:07.040
<v Speaker 1>Can we all start off with a Kobe Bryant memory? Thought, like, James,

0:04:08.160 --> 0:04:12.360
<v Speaker 1>I mean not just the sixty points, I mean when

0:04:12.400 --> 0:04:14.840
<v Speaker 1>you watch him, I mean you got a lot of memories.

0:04:15.280 --> 0:04:18.400
<v Speaker 1>I mean his dunks, you know, just you know him

0:04:18.400 --> 0:04:21.719
<v Speaker 1>and shock the ship they did on on court, you know,

0:04:21.960 --> 0:04:24.080
<v Speaker 1>and then you know, I didn't like the paul out

0:04:24.120 --> 0:04:26.920
<v Speaker 1>between them two, and you know, you watch all that

0:04:26.960 --> 0:04:30.400
<v Speaker 1>ship and then you're like typical us that fall out

0:04:30.400 --> 0:04:32.960
<v Speaker 1>costing some rings, but it's typical. I think they could

0:04:32.960 --> 0:04:36.360
<v Speaker 1>have got at least another two. At least they could

0:04:36.400 --> 0:04:39.000
<v Speaker 1>have got three more. Hey, what's uh, what's the Kobe

0:04:39.000 --> 0:04:43.679
<v Speaker 1>Bryant memory? Uh? My memories of Kobe is just being

0:04:43.720 --> 0:04:47.320
<v Speaker 1>able to, you know, bring championships back to l A.

0:04:47.520 --> 0:04:50.280
<v Speaker 1>Seeing the drop we had for a while. You know,

0:04:50.440 --> 0:04:53.320
<v Speaker 1>we had some good players that came through, but we

0:04:53.400 --> 0:04:55.840
<v Speaker 1>just couldn't get over that hump until we got Kobe

0:04:55.880 --> 0:04:59.440
<v Speaker 1>and Shocked together. So that that was a big contribution

0:04:59.520 --> 0:05:02.080
<v Speaker 1>to you know, the Lakers getting back on track with

0:05:02.160 --> 0:05:04.520
<v Speaker 1>the championships. What we've known for Well, how much do

0:05:04.560 --> 0:05:06.760
<v Speaker 1>you credit do you give to Phil Jackson? Because Kobe

0:05:06.800 --> 0:05:10.120
<v Speaker 1>and Shaq got together in ninety six? They didn't win

0:05:10.200 --> 0:05:14.520
<v Speaker 1>a ring until Phil Jackson came and they needed that.

0:05:14.560 --> 0:05:17.919
<v Speaker 1>They needed that veteran leadership, you know what I'm saying, Uh,

0:05:18.000 --> 0:05:20.480
<v Speaker 1>who else was it before them? Uh? The day all

0:05:20.640 --> 0:05:23.560
<v Speaker 1>or whoever he was the coach was before him. They

0:05:23.600 --> 0:05:26.440
<v Speaker 1>just need they just needed that veteran leadership, you know,

0:05:26.600 --> 0:05:28.839
<v Speaker 1>with him being over at the Bulls and having that

0:05:28.960 --> 0:05:31.760
<v Speaker 1>experience of how to run a team like that. We're

0:05:31.800 --> 0:05:34.440
<v Speaker 1>having so many high profiles, you know what I'm saying.

0:05:34.520 --> 0:05:37.000
<v Speaker 1>So when he came in, he was able to tone

0:05:37.000 --> 0:05:40.640
<v Speaker 1>it down a little bit, get everybody on one track, right,

0:05:40.680 --> 0:05:42.560
<v Speaker 1>That's what I was gonna say. He was able to

0:05:42.600 --> 0:05:45.400
<v Speaker 1>balance the two amount, you know what I'm saying, got

0:05:45.480 --> 0:05:47.920
<v Speaker 1>to be able to buy into the program, so to speak.

0:05:47.960 --> 0:05:50.480
<v Speaker 1>So he got them all to buy in. But funny

0:05:50.640 --> 0:05:53.040
<v Speaker 1>you said we had a drought. It was from eighty

0:05:53.160 --> 0:05:57.120
<v Speaker 1>eight to two thousand. A city like without championship for

0:05:57.200 --> 0:05:59.760
<v Speaker 1>twelve years is usually not considered a drought. But for

0:06:00.080 --> 0:06:03.039
<v Speaker 1>l A, we're expecting him every year exactly. I mean,

0:06:03.120 --> 0:06:05.640
<v Speaker 1>you know with the Lakers and then with football and

0:06:05.640 --> 0:06:08.480
<v Speaker 1>all that, we're just known for winning the Dodgers all that,

0:06:08.720 --> 0:06:13.680
<v Speaker 1>So to be without championships is hartful. You know, the

0:06:13.680 --> 0:06:16.719
<v Speaker 1>Dodgers and the Lakers both ones indeed, and the Dodgers

0:06:16.760 --> 0:06:20.240
<v Speaker 1>ain't won one since well, actually, let's say they did.

0:06:20.279 --> 0:06:23.919
<v Speaker 1>They just got cheated at it two maybe exactly. We

0:06:23.960 --> 0:06:26.800
<v Speaker 1>had to. We had the Billy Check videos going on

0:06:26.920 --> 0:06:29.880
<v Speaker 1>in the baseball scam, so we had that going on.

0:06:29.960 --> 0:06:32.359
<v Speaker 1>So it probably cost us a couple of championships on

0:06:32.400 --> 0:06:34.840
<v Speaker 1>that level too. Yeah, let's they cheated us at the

0:06:34.880 --> 0:06:37.920
<v Speaker 1>two of the championship I just want to do a

0:06:38.000 --> 0:06:41.080
<v Speaker 1>quick fact check from last episode. I mentioned this brother

0:06:41.120 --> 0:06:43.880
<v Speaker 1>that was skateboarding from Long Beas, but I couldn't get

0:06:43.880 --> 0:06:48.520
<v Speaker 1>his name. Terry Kennedy from Long Beach tern Pro and

0:06:48.680 --> 0:06:52.559
<v Speaker 1>uh actually had a reality show on BT called Being

0:06:52.640 --> 0:06:54.840
<v Speaker 1>Terry Kennedy. He's one of the first black dudes. It's

0:06:54.839 --> 0:06:57.280
<v Speaker 1>the black skateboard Yeah. I don't know if anyone predates him.

0:06:57.279 --> 0:06:59.080
<v Speaker 1>I don't want to say he's the first black dude

0:06:59.080 --> 0:07:01.240
<v Speaker 1>to go pro, but the first one that I've seen

0:07:02.320 --> 0:07:08.760
<v Speaker 1>skateboard on the skateboarding yeah, do skateboards? That what you

0:07:08.800 --> 0:07:11.840
<v Speaker 1>got to say? He's not what? Oh yeah, he's definitely

0:07:11.840 --> 0:07:13.920
<v Speaker 1>not the first, but he's the first one that I

0:07:13.960 --> 0:07:17.960
<v Speaker 1>was exposed to. Terry Kennedy got shot in two thousand

0:07:18.000 --> 0:07:19.600
<v Speaker 1>five in the face. You know, grew up in the

0:07:19.600 --> 0:07:22.480
<v Speaker 1>hood and Long Beach and who would have thought a

0:07:22.560 --> 0:07:26.120
<v Speaker 1>brother like that from Long Beach returned pro skateboarding. Um,

0:07:26.160 --> 0:07:28.400
<v Speaker 1>so that's that's the guy's name that I couldn't remember.

0:07:28.480 --> 0:07:31.560
<v Speaker 1>Terry Kennedy. And James he was right on point last

0:07:31.560 --> 0:07:35.000
<v Speaker 1>week about that Double Jeopardy. Even though O. J. Simpson

0:07:35.040 --> 0:07:37.720
<v Speaker 1>got tried in criminal court was found not guilty, but

0:07:37.800 --> 0:07:40.280
<v Speaker 1>they tried him in civil court and found him well,

0:07:40.320 --> 0:07:44.480
<v Speaker 1>they don't use that terminology and civil they found him responsible,

0:07:44.920 --> 0:07:48.280
<v Speaker 1>you know. But here's here's the fifth. This is what

0:07:48.320 --> 0:07:51.000
<v Speaker 1>double jeopardy is. No person shall be subject for the

0:07:51.080 --> 0:07:54.120
<v Speaker 1>same offense to be put twice in jeopardy of life

0:07:54.160 --> 0:07:57.600
<v Speaker 1>for Limb. Now here's the trick thing to that offense

0:07:58.160 --> 0:08:01.320
<v Speaker 1>to some is considered something criminal. On when he went

0:08:01.360 --> 0:08:03.440
<v Speaker 1>to civil court, they weren't trying him for anything criminal.

0:08:03.520 --> 0:08:05.760
<v Speaker 1>They were trying him for the wrongful death, which is

0:08:06.240 --> 0:08:08.880
<v Speaker 1>a civil matter. But some people say that's just a

0:08:08.880 --> 0:08:12.040
<v Speaker 1>tricky way to get around ship. But you can't. It's

0:08:12.080 --> 0:08:16.760
<v Speaker 1>the same ship. It's the same thing, terminology, different, same thing. Man,

0:08:17.080 --> 0:08:20.200
<v Speaker 1>If I got found not guilty for murder, how can

0:08:20.400 --> 0:08:23.800
<v Speaker 1>your parents or anybody else say you killed my kids

0:08:23.840 --> 0:08:26.720
<v Speaker 1>wrong for death and they won't assume me you can't

0:08:26.760 --> 0:08:30.000
<v Speaker 1>do that. But they did even like that, you feel me.

0:08:30.280 --> 0:08:33.640
<v Speaker 1>So that's the first one I went through that It's

0:08:33.640 --> 0:08:36.680
<v Speaker 1>just it's just a loophole in the system. It only

0:08:36.679 --> 0:08:40.240
<v Speaker 1>happened with rich people, man, And some people don't look

0:08:40.240 --> 0:08:42.280
<v Speaker 1>at it this double jeopardy and say, well, double jeopardy

0:08:42.280 --> 0:08:45.400
<v Speaker 1>could only be criminal like he can never he can

0:08:45.480 --> 0:08:49.959
<v Speaker 1>never be tried for anything criminal together, Like he can

0:08:50.000 --> 0:08:52.160
<v Speaker 1>go on TV and say I did kill her and

0:08:52.200 --> 0:08:57.000
<v Speaker 1>they can't try umph criminal. But the civil thing is

0:08:57.000 --> 0:08:59.120
<v Speaker 1>a little different. But a lot of people, a lot

0:08:59.160 --> 0:09:02.720
<v Speaker 1>of even legal expert come if they if they found

0:09:02.760 --> 0:09:05.720
<v Speaker 1>him not guilty, so how can you go They're going

0:09:05.800 --> 0:09:09.480
<v Speaker 1>here and the civil and say, uh, we know you

0:09:09.520 --> 0:09:12.520
<v Speaker 1>did it. What proof do they have he did it

0:09:12.559 --> 0:09:15.200
<v Speaker 1>if you got found not guilty. To me, it's just

0:09:15.240 --> 0:09:18.439
<v Speaker 1>a way for them to take your bread you have.

0:09:18.640 --> 0:09:21.960
<v Speaker 1>Some people say it ain't about the money. Some people

0:09:22.080 --> 0:09:25.880
<v Speaker 1>want to do that civil because it's a way for

0:09:25.920 --> 0:09:31.560
<v Speaker 1>them to get that feeling of you being convicted guilty,

0:09:31.920 --> 0:09:36.720
<v Speaker 1>even though they said in the criminal law he wasn't guilty.

0:09:37.360 --> 0:09:40.000
<v Speaker 1>A lot of cases when his high profile celebrities, they

0:09:40.080 --> 0:09:44.000
<v Speaker 1>usually turned around and do civil cases because and then

0:09:44.000 --> 0:09:47.040
<v Speaker 1>they'll turn around and say, well, it's not about the money.

0:09:47.160 --> 0:09:50.120
<v Speaker 1>To some it's a way of being able to get

0:09:50.240 --> 0:09:54.079
<v Speaker 1>some kind of verdict to say this motherfucker has something

0:09:54.120 --> 0:09:59.679
<v Speaker 1>to do. Period. I just need something because when a

0:09:59.760 --> 0:10:03.040
<v Speaker 1>mother fuck go he's not guilty in front of the

0:10:03.080 --> 0:10:05.719
<v Speaker 1>world and the cameras and all that the motherfucker's just

0:10:05.800 --> 0:10:09.080
<v Speaker 1>sitting over there like fuck. So now I gotta be

0:10:09.120 --> 0:10:14.199
<v Speaker 1>able to do something to feel like I gotta get that.

0:10:14.600 --> 0:10:17.680
<v Speaker 1>I gotta get something that lets the world, because you know,

0:10:17.720 --> 0:10:19.480
<v Speaker 1>half for the world is out there ready to tear

0:10:19.480 --> 0:10:22.280
<v Speaker 1>it up because the motherfucker's found out guilty. So now

0:10:22.360 --> 0:10:25.600
<v Speaker 1>let's go try him in civil case. Take his money.

0:10:25.880 --> 0:10:28.520
<v Speaker 1>Say it ain't about his money. Say it's about just

0:10:28.559 --> 0:10:31.160
<v Speaker 1>saying the fact that he had something to do with it.

0:10:31.400 --> 0:10:34.400
<v Speaker 1>That's it. So to some of some kind of justification,

0:10:34.480 --> 0:10:37.640
<v Speaker 1>like you said. But I think also they want to punish.

0:10:37.640 --> 0:10:39.880
<v Speaker 1>The family wants him punished, and I gotta punish this

0:10:39.920 --> 0:10:42.120
<v Speaker 1>motherfucker's some kind of way. So fuck it. If you

0:10:42.200 --> 0:10:44.360
<v Speaker 1>got money, I'm gonna take your money. Just because the

0:10:44.440 --> 0:10:47.560
<v Speaker 1>family believed that he did it. It's not enough to

0:10:47.679 --> 0:10:51.840
<v Speaker 1>say we're want fifty million dollars. I believe that too.

0:10:51.880 --> 0:10:54.360
<v Speaker 1>If you found that guilty of the criminal case, how

0:10:54.360 --> 0:10:56.800
<v Speaker 1>can you turn it around? It soon be for buddy

0:10:56.840 --> 0:11:00.040
<v Speaker 1>and the civil case and they go, okay, yeah, you

0:11:00.120 --> 0:11:02.680
<v Speaker 1>had something to do with it. How I just was

0:11:02.720 --> 0:11:06.480
<v Speaker 1>acquitted of murder. So you mean to tell me you

0:11:06.520 --> 0:11:09.000
<v Speaker 1>can go around and go funck that, Yeah, I believe

0:11:09.040 --> 0:11:11.760
<v Speaker 1>he has something to do it. And in any fucking

0:11:11.840 --> 0:11:16.920
<v Speaker 1>high profile conviction, when motherfucker's feel they wrong nine times

0:11:16.920 --> 0:11:19.320
<v Speaker 1>a teen, what the fucking jury gonna do. They're gonna

0:11:19.360 --> 0:11:23.440
<v Speaker 1>award him that civil case because they don't happen as

0:11:23.440 --> 0:11:30.319
<v Speaker 1>to rich people. You don't know nobody around the corner

0:11:30.320 --> 0:11:33.920
<v Speaker 1>who killed your daughter in the accidental dry and he

0:11:34.040 --> 0:11:36.520
<v Speaker 1>get acquitted. You don't see a motherfucker going, yeah, I

0:11:36.920 --> 0:11:39.280
<v Speaker 1>take you the motherfucker civil court. I'm gonna take your

0:11:39.280 --> 0:11:41.760
<v Speaker 1>low rider or your dope spot fucking I'm gonna do

0:11:41.800 --> 0:11:44.920
<v Speaker 1>all that. But you know what, they should do it

0:11:44.920 --> 0:11:46.680
<v Speaker 1>because you never know when someone might come up on

0:11:46.720 --> 0:11:50.040
<v Speaker 1>the lottery or something. Because you have that judgment there,

0:11:50.160 --> 0:11:53.160
<v Speaker 1>that's forever. That's what you have, that judgment there, that's forever.

0:11:53.200 --> 0:11:54.720
<v Speaker 1>And then all of a sudden, ten years later he

0:11:54.760 --> 0:11:58.320
<v Speaker 1>came across fifty million. Boom that right off the top

0:11:58.800 --> 0:12:01.319
<v Speaker 1>to whoever did do that. But you're right, no one's

0:12:01.400 --> 0:12:07.400
<v Speaker 1>thinking like this, dude, Yeah all right, but you you

0:12:07.520 --> 0:12:10.720
<v Speaker 1>was on point though on that double jeopardy. Most people believe,

0:12:10.840 --> 0:12:13.600
<v Speaker 1>even though it's civil cord, that is still a violation

0:12:13.640 --> 0:12:16.040
<v Speaker 1>of double jeopardy. All right, And the last thing I

0:12:16.040 --> 0:12:18.679
<v Speaker 1>wanted to fact check was you. You asked an interesting

0:12:18.760 --> 0:12:23.000
<v Speaker 1>question about does alcohol affect the sperm count and men

0:12:23.360 --> 0:12:26.319
<v Speaker 1>when they're trying to get women pregnant. We were talking

0:12:26.320 --> 0:12:28.240
<v Speaker 1>about marijuana, but then you said what about drinking? And

0:12:28.320 --> 0:12:31.520
<v Speaker 1>I don't know it does actually Listen to this, five

0:12:31.679 --> 0:12:34.840
<v Speaker 1>five or more drinks in a two hour period will

0:12:34.880 --> 0:12:37.800
<v Speaker 1>have a direct and negative effect on your sperm count,

0:12:38.200 --> 0:12:41.439
<v Speaker 1>and fourteen drinks within a one week period will lawyer

0:12:41.760 --> 0:12:45.000
<v Speaker 1>testosterone and lawerr sperm. Well, let me tell you something

0:12:45.160 --> 0:12:46.959
<v Speaker 1>when back in the days when I was drinking that

0:12:47.200 --> 0:12:51.160
<v Speaker 1>that that Supercyco and gin. I think all my kids

0:12:51.240 --> 0:12:55.600
<v Speaker 1>came around the same time. So because they had you strong,

0:12:55.880 --> 0:12:59.839
<v Speaker 1>you was off that ship. Christian, I don't know what

0:13:00.000 --> 0:13:04.760
<v Speaker 1>showed you when well that it's pretty unanimous and all

0:13:04.800 --> 0:13:07.920
<v Speaker 1>the medical journals that you don't want to be impregnant

0:13:07.920 --> 0:13:14.040
<v Speaker 1>aty woman on Hennessey that that much like I said,

0:13:14.240 --> 0:13:16.800
<v Speaker 1>like he said in our era, that that might have

0:13:16.880 --> 0:13:19.480
<v Speaker 1>not happened because a lot of kids was conceived off

0:13:19.559 --> 0:13:23.760
<v Speaker 1>of some some some some some eight ball and some

0:13:23.920 --> 0:13:27.480
<v Speaker 1>Christian brothers. I'm telling you all right, so let's get

0:13:27.520 --> 0:13:29.600
<v Speaker 1>into it. Eight man, you're the guests, You're the man

0:13:29.679 --> 0:13:32.360
<v Speaker 1>of the hour. James, you want to start it off,

0:13:32.720 --> 0:13:35.520
<v Speaker 1>go ahead? I mean I got to say, go ahead.

0:13:36.720 --> 0:13:39.560
<v Speaker 1>You against the rapper. There's no way around it. Listening

0:13:39.600 --> 0:13:41.480
<v Speaker 1>to your first few albums when you was with Constant

0:13:41.520 --> 0:13:45.040
<v Speaker 1>most wanted check this out. A lot of people say

0:13:45.120 --> 0:13:47.000
<v Speaker 1>the history of gangster rapping l A goes back to

0:13:47.240 --> 0:13:49.719
<v Speaker 1>n w A or Iced Tea, But I'm gonna go

0:13:49.760 --> 0:13:52.400
<v Speaker 1>out on a limb and say, gangster rap started from

0:13:52.400 --> 0:13:55.920
<v Speaker 1>a dude from your neighborhood. Gangster rap started with Toddy

0:13:56.000 --> 0:14:02.000
<v Speaker 1>T and Nick mixed Map the Ken, then they they

0:14:02.080 --> 0:14:09.720
<v Speaker 1>started gangster ed te Iced Tea came around eighty seven

0:14:09.800 --> 0:14:13.400
<v Speaker 1>with Dog in the Wax You Don't Quit Um and rhymes.

0:14:13.600 --> 0:14:20.480
<v Speaker 1>Uh yeah uh. Iced Tea was working with Unknown so

0:14:21.120 --> 0:14:25.000
<v Speaker 1>he was like label type of ship. Tott T and

0:14:25.080 --> 0:14:27.200
<v Speaker 1>them was straight T d K tapes in the garage.

0:14:27.400 --> 0:14:30.040
<v Speaker 1>You know, we used to bottom motherfucker's for ten dollars

0:14:30.120 --> 0:14:35.920
<v Speaker 1>and ship, so to us, that was our rendition the

0:14:36.000 --> 0:14:38.880
<v Speaker 1>first gangster roup because you know Todd and Spade and

0:14:39.040 --> 0:14:41.960
<v Speaker 1>Ken and then they talked about the dope sales in

0:14:42.080 --> 0:14:45.600
<v Speaker 1>the hood. They talked about the raids. With the Battle Ram,

0:14:46.200 --> 0:14:49.080
<v Speaker 1>they talked about the clucks and the strawberries and ship.

0:14:49.560 --> 0:14:52.560
<v Speaker 1>They basically gave us the info as young Motherfucker's I

0:14:52.680 --> 0:14:56.480
<v Speaker 1>was a young dude. I was probably like nine ten,

0:14:56.800 --> 0:15:00.840
<v Speaker 1>So they gave us the info on was really going

0:15:00.920 --> 0:15:02.880
<v Speaker 1>on in the neighborhood. You know what I'm saying for

0:15:03.080 --> 0:15:05.200
<v Speaker 1>kids whose parents were still trying to keep them on

0:15:05.280 --> 0:15:07.600
<v Speaker 1>the ground and ship, you know, like my mom did

0:15:07.720 --> 0:15:11.520
<v Speaker 1>until I was about toy or thirteen. So yeah, was

0:15:11.600 --> 0:15:13.840
<v Speaker 1>more considered a one hit wonder. You don't remember the

0:15:13.880 --> 0:15:18.840
<v Speaker 1>Battle Ram song Ram that was gangster and that predates

0:15:19.160 --> 0:15:21.840
<v Speaker 1>pretty much all of the mainstream gangster wrap that put

0:15:22.160 --> 0:15:24.040
<v Speaker 1>l A and Compton on the map. Tom made it

0:15:24.120 --> 0:15:27.480
<v Speaker 1>as far as to what Epic he his single, I mean,

0:15:27.560 --> 0:15:30.000
<v Speaker 1>it went through the channels, It came from the mix

0:15:30.040 --> 0:15:32.160
<v Speaker 1>tapes in the street. Then he made it to an

0:15:32.200 --> 0:15:36.040
<v Speaker 1>independent label, Eve Gym, and then about a year later

0:15:36.960 --> 0:15:39.280
<v Speaker 1>Epic put his single out, the Battle Round. So if

0:15:39.280 --> 0:15:41.360
<v Speaker 1>there any other sort of rapper that was grapping that

0:15:41.480 --> 0:15:44.560
<v Speaker 1>gangster stuff that inspired Toddy T, or was that just

0:15:44.680 --> 0:15:47.960
<v Speaker 1>a Toddy T Hibben Spade mixed Master Spade. They was

0:15:48.080 --> 0:15:50.680
<v Speaker 1>like a crew that that's what it was Hibben Spade

0:15:50.680 --> 0:15:53.360
<v Speaker 1>and with Spade also from Track. Now Spade was from

0:15:53.440 --> 0:15:59.680
<v Speaker 1>where Uh yeah, so Spade was. But they just hooked

0:15:59.760 --> 0:16:02.200
<v Speaker 1>up and they, like I said, that was our first

0:16:02.320 --> 0:16:06.600
<v Speaker 1>introduction to gangster rap. And then from THEE and ship

0:16:06.880 --> 0:16:09.280
<v Speaker 1>all kinds of ship came along. Do you hear often

0:16:09.360 --> 0:16:12.720
<v Speaker 1>that that Track News is considered pretty much the history

0:16:13.040 --> 0:16:16.120
<v Speaker 1>of the foundation of the first gangster rap on wax

0:16:17.440 --> 0:16:20.360
<v Speaker 1>on record. I don't really hear people say that. I mean,

0:16:20.400 --> 0:16:23.040
<v Speaker 1>tyd t doesn't really get mentioned as often as I mean,

0:16:23.120 --> 0:16:25.560
<v Speaker 1>I think Todd is satisfied for what he did, as

0:16:25.640 --> 0:16:29.960
<v Speaker 1>far as Compton is conserved, as far as rapp is concerned,

0:16:30.000 --> 0:16:33.640
<v Speaker 1>because he knew he was like one of the godfathers

0:16:33.720 --> 0:16:36.920
<v Speaker 1>of comping gangster rap. Because Ice Tea gives credit to

0:16:37.160 --> 0:16:41.240
<v Speaker 1>uh Philly Rappern and SCHOOLI D for inspiring him. And

0:16:41.320 --> 0:16:43.040
<v Speaker 1>you know, I don't think I don't think I ever.

0:16:43.280 --> 0:16:46.440
<v Speaker 1>I think Ice Tea came from New York. I think

0:16:47.120 --> 0:16:50.520
<v Speaker 1>so that would be his influence. It wouldn't be a

0:16:51.480 --> 0:16:56.040
<v Speaker 1>h young, you know, dope selling, you know, gang banging

0:16:56.120 --> 0:16:58.760
<v Speaker 1>nigga from Track New Park but was moved to l

0:16:58.840 --> 0:17:02.320
<v Speaker 1>A when he was at least twelve, but he but

0:17:02.480 --> 0:17:05.159
<v Speaker 1>to me he still had that New York influence and

0:17:05.400 --> 0:17:09.040
<v Speaker 1>his influence of coming up on gangster rap because ship

0:17:09.280 --> 0:17:12.240
<v Speaker 1>we listened to fucking school d d. He was gangster

0:17:12.320 --> 0:17:15.000
<v Speaker 1>rap to us though, you know so. But as far

0:17:15.080 --> 0:17:18.879
<v Speaker 1>as who we considered was our pioneer was Todd in Spade.

0:17:19.000 --> 0:17:23.000
<v Speaker 1>Now we were said gainst rap way back then, gainst

0:17:23.080 --> 0:17:25.560
<v Speaker 1>rep wouldn't like the rev we got today. No, this

0:17:25.760 --> 0:17:29.600
<v Speaker 1>gainst rap rapping and gainst repp is two different things.

0:17:30.560 --> 0:17:33.840
<v Speaker 1>And and what you heard them, dude, they were They

0:17:33.920 --> 0:17:39.800
<v Speaker 1>weren't talking about pulling up on the blocks. Todd and

0:17:39.880 --> 0:17:44.000
<v Speaker 1>them wasn't talking about drive bys and ship like that.

0:17:44.560 --> 0:17:47.480
<v Speaker 1>They was basically just talking about what was going on

0:17:47.720 --> 0:17:52.520
<v Speaker 1>in any Nega neighborhood. Who was selling dough. Yeah, they

0:17:52.600 --> 0:17:56.000
<v Speaker 1>were talking to hustle and you know, the cluckheads, and

0:17:56.320 --> 0:18:00.720
<v Speaker 1>we're trying to get money. And Compton City they they

0:18:01.000 --> 0:18:05.200
<v Speaker 1>never glory, They never spoke on being from trag new

0:18:05.400 --> 0:18:08.560
<v Speaker 1>They never did that because to me, they were smart.

0:18:09.359 --> 0:18:15.080
<v Speaker 1>They wanted to gather everybody crips bloods essays, we want

0:18:15.119 --> 0:18:19.200
<v Speaker 1>everybody in the city of Compton to float with our ship.

0:18:19.640 --> 0:18:22.880
<v Speaker 1>So we're not gonna say we're from trag New part

0:18:22.920 --> 0:18:25.159
<v Speaker 1>even though motherfucker's know where we're from, but we're not

0:18:25.240 --> 0:18:27.760
<v Speaker 1>gonna say that. That was something about what We didn't

0:18:27.760 --> 0:18:31.119
<v Speaker 1>have to do that. Even me as a rapper coming up,

0:18:31.480 --> 0:18:33.640
<v Speaker 1>I never had to say I was from trag New Park.

0:18:33.960 --> 0:18:37.840
<v Speaker 1>I didn't feel we needed to do that. We we

0:18:38.160 --> 0:18:41.520
<v Speaker 1>we we didn't feel we needed to glorify that ship

0:18:41.720 --> 0:18:44.640
<v Speaker 1>because for niggas who was really in the neighborhood every

0:18:44.760 --> 0:18:47.040
<v Speaker 1>day or on the block or was used to hanging

0:18:47.160 --> 0:18:50.320
<v Speaker 1>over there, we didn't feel we needed that type of identity.

0:18:50.440 --> 0:18:53.240
<v Speaker 1>We wanted to be fucking. We didn't look at ourselves

0:18:53.280 --> 0:18:57.000
<v Speaker 1>as gangster rappers. Niggas was just rapping. We was just

0:18:57.160 --> 0:18:59.600
<v Speaker 1>rappling about what we was doing. Every day. We was

0:18:59.680 --> 0:19:02.600
<v Speaker 1>in an neighborhood, we was hanging out. Niggas was doing

0:19:02.760 --> 0:19:06.480
<v Speaker 1>dry bys and selling dope, and we was fucking hood rats.

0:19:06.600 --> 0:19:12.560
<v Speaker 1>And that's where we pretty much as everything. That's what

0:19:13.119 --> 0:19:16.919
<v Speaker 1>and on the ground out there, and for and for us,

0:19:17.080 --> 0:19:20.600
<v Speaker 1>we didn't want to We wanted that ship too. Niggas

0:19:20.680 --> 0:19:23.560
<v Speaker 1>knew where we was from, but we wanted to capture

0:19:23.840 --> 0:19:27.520
<v Speaker 1>every gangster. We wasn't after just man, we're just trying

0:19:27.520 --> 0:19:30.440
<v Speaker 1>to make music for the crips. We wasn't on that.

0:19:30.880 --> 0:19:33.159
<v Speaker 1>We want to fucking I want them niggas to like

0:19:33.359 --> 0:19:36.600
<v Speaker 1>my ship, the blood niggas, the hood niggas in Texas

0:19:36.680 --> 0:19:39.280
<v Speaker 1>and New York. And that's what we was looking for.

0:19:39.600 --> 0:19:42.840
<v Speaker 1>So back in our days, we didn't feel we had

0:19:42.920 --> 0:19:45.760
<v Speaker 1>to say, oh we was a crip or blood or

0:19:45.880 --> 0:19:48.960
<v Speaker 1>whatever whatever. But that's where rap is nowadays. You know,

0:19:49.240 --> 0:19:51.600
<v Speaker 1>a lot of niggas want to signify where they from.

0:19:51.840 --> 0:19:55.320
<v Speaker 1>You know, I get it, you know, because you want

0:19:55.359 --> 0:19:57.960
<v Speaker 1>to say it's toned down or whatever. I think it's

0:19:58.000 --> 0:20:02.240
<v Speaker 1>too late to to become like a straight gangster rapper

0:20:02.320 --> 0:20:04.960
<v Speaker 1>because all these little figures cats coming out of here

0:20:05.520 --> 0:20:08.240
<v Speaker 1>and they start making money now, they want to find

0:20:08.280 --> 0:20:13.600
<v Speaker 1>their hood to identify exactly. You gotta be like from

0:20:13.640 --> 0:20:16.040
<v Speaker 1>the ground up. You gotta be like in the field

0:20:16.119 --> 0:20:19.720
<v Speaker 1>already exactly. See. You know what it's like you you

0:20:19.800 --> 0:20:22.000
<v Speaker 1>all that game from the hood. You know what I'm saying.

0:20:22.680 --> 0:20:25.639
<v Speaker 1>So these little cats coming in here now today, and

0:20:25.720 --> 0:20:29.520
<v Speaker 1>this is what I'll be trying to get him to understand. Like, uh,

0:20:29.880 --> 0:20:32.000
<v Speaker 1>I don't even want to see his name. That's six

0:20:32.119 --> 0:20:34.760
<v Speaker 1>nine little cats. You know what I'm saying, You got

0:20:34.920 --> 0:20:36.640
<v Speaker 1>you got all these know I'm serious, you got all

0:20:36.640 --> 0:20:39.560
<v Speaker 1>of these these cats coming to the hood. But then

0:20:39.640 --> 0:20:44.360
<v Speaker 1>we let the men the hood, and then you find out, man,

0:20:44.440 --> 0:20:47.119
<v Speaker 1>what but for the money. Yeah, a lot of a

0:20:47.160 --> 0:20:50.520
<v Speaker 1>lot of niggers feel like, you know, get pressured into

0:20:50.600 --> 0:20:54.119
<v Speaker 1>that motherfucking position. And then a lot of dudes who

0:20:54.800 --> 0:20:58.200
<v Speaker 1>want to be authentic, so to speak, they try to

0:20:58.480 --> 0:21:02.879
<v Speaker 1>latch on to hurting dudes who might be affiliated or

0:21:02.960 --> 0:21:05.199
<v Speaker 1>have some kind of you know, they only gotta they

0:21:05.280 --> 0:21:08.639
<v Speaker 1>only they gotta work with the real. So some niggas

0:21:08.680 --> 0:21:11.160
<v Speaker 1>feel like, hey, maybe if I start hanging or pay

0:21:11.280 --> 0:21:13.760
<v Speaker 1>my way in or give niggas some ship, or buy

0:21:13.800 --> 0:21:15.960
<v Speaker 1>a couple of niggas and chains and put them on

0:21:16.080 --> 0:21:19.520
<v Speaker 1>the playroll, that gets me in. You know. That's that's

0:21:19.560 --> 0:21:22.640
<v Speaker 1>what the that's what the motto is today. I'm I'm

0:21:22.720 --> 0:21:25.720
<v Speaker 1>a I'm a firm believer that it don't work. But

0:21:26.320 --> 0:21:27.920
<v Speaker 1>you know, when you got a lot of brothers, that's

0:21:28.040 --> 0:21:30.680
<v Speaker 1>that's hanging on the block. Ain't doing ship going back

0:21:30.720 --> 0:21:33.720
<v Speaker 1>and forth to prison, And when the opportunity comes, it's

0:21:33.720 --> 0:21:37.199
<v Speaker 1>always opportunity ship jumping on it. But at the end

0:21:37.240 --> 0:21:39.119
<v Speaker 1>of the day, each and every last one of us

0:21:39.200 --> 0:21:41.840
<v Speaker 1>that dealt like that and brung a cat in like

0:21:41.960 --> 0:21:45.000
<v Speaker 1>that or somebody else. The short you always lose at

0:21:45.000 --> 0:21:46.960
<v Speaker 1>the end of the day. You know what I'm saying,

0:21:47.400 --> 0:21:51.240
<v Speaker 1>Letting people in your neighborhood, letting people be a part

0:21:51.320 --> 0:21:54.920
<v Speaker 1>of what you know, your bloodsho and tears. I know

0:21:55.000 --> 0:21:59.040
<v Speaker 1>what it was because for me and for niggas like

0:21:59.240 --> 0:22:02.320
<v Speaker 1>I grew up with it, getting into the gang means

0:22:02.440 --> 0:22:04.560
<v Speaker 1>you had to get your ass jumped in and put

0:22:04.640 --> 0:22:06.960
<v Speaker 1>in work. That's how you got into the game. It

0:22:07.080 --> 0:22:10.639
<v Speaker 1>wasn't about buying your way in or let me go

0:22:10.720 --> 0:22:12.600
<v Speaker 1>over here and buy a couple of niggas and chains

0:22:12.640 --> 0:22:15.480
<v Speaker 1>and watches and ship and take them on tour. And

0:22:15.760 --> 0:22:18.720
<v Speaker 1>we started hanging out and now, fuck it, I'm from

0:22:18.760 --> 0:22:22.639
<v Speaker 1>the neighborhood. Ship. It wasn't that that, That wasn't that

0:22:23.080 --> 0:22:30.760
<v Speaker 1>wasn't the cold. You're talking about the eighties now and

0:22:30.840 --> 0:22:34.159
<v Speaker 1>we ain't never seen a decade now. I wanted to

0:22:34.240 --> 0:22:38.480
<v Speaker 1>say mention all the eighties rappers never mentioned the gang

0:22:38.600 --> 0:22:40.760
<v Speaker 1>name on WAX. I don't think it was. I think

0:22:40.880 --> 0:22:43.639
<v Speaker 1>DJ Quick is the first one that's ninety one when

0:22:43.680 --> 0:22:46.320
<v Speaker 1>he came out with his first album and he said

0:22:46.359 --> 0:22:49.879
<v Speaker 1>second like tree top swinging from the trees. But n

0:22:50.040 --> 0:22:52.840
<v Speaker 1>w A iced t seeing comes the most one. No

0:22:52.960 --> 0:22:56.000
<v Speaker 1>one said gang names in the eighties. And I don't

0:22:56.040 --> 0:22:58.600
<v Speaker 1>know if DJ Quick changed the game in ninety one.

0:22:58.920 --> 0:23:01.320
<v Speaker 1>And and I think that's ro started to say a

0:23:01.400 --> 0:23:08.080
<v Speaker 1>couple of gangs stuff, you know, I right, I mean,

0:23:08.680 --> 0:23:12.639
<v Speaker 1>if you wanna. I mean, we're not true because everybody

0:23:12.760 --> 0:23:16.359
<v Speaker 1>around here knows about the banging on Wax records. Yeah,

0:23:16.440 --> 0:23:18.640
<v Speaker 1>and a lot of them, a lot of them cats

0:23:18.720 --> 0:23:22.360
<v Speaker 1>was claiming their neighborhood there. So that's my first rendition

0:23:22.440 --> 0:23:25.680
<v Speaker 1>of niggas claiming sets on records because they were out

0:23:25.840 --> 0:23:28.680
<v Speaker 1>just this is my hood, Okay, so let's let's change it.

0:23:29.080 --> 0:23:33.520
<v Speaker 1>They that's independent, independent, also signed to major labels. So

0:23:33.800 --> 0:23:37.200
<v Speaker 1>no major label rapper and no Quick set a gang

0:23:37.280 --> 0:23:40.320
<v Speaker 1>name on Wax, right, And I think that changed the game.

0:23:42.960 --> 0:23:45.600
<v Speaker 1>I don't think it changed the game. I just think

0:23:45.720 --> 0:23:51.159
<v Speaker 1>it was, you know, something Quick wanted to do. I mean,

0:23:51.520 --> 0:23:54.440
<v Speaker 1>I mean as far as if you look at after that,

0:23:55.040 --> 0:23:57.800
<v Speaker 1>I don't think as far as we was concerned, we

0:23:57.960 --> 0:24:00.359
<v Speaker 1>still was on the same pattern. We still it didn't

0:24:00.400 --> 0:24:04.200
<v Speaker 1>start speaking about trag New and I mean maybe after

0:24:04.640 --> 0:24:07.600
<v Speaker 1>some dudes mighty start saying what street they was from

0:24:07.760 --> 0:24:10.560
<v Speaker 1>or grew up on or stuff like that. But but

0:24:11.000 --> 0:24:16.040
<v Speaker 1>you know that really just like I'm from tree Top

0:24:16.200 --> 0:24:19.480
<v Speaker 1>or trag New or I'm from the motherfucking this block

0:24:19.600 --> 0:24:22.320
<v Speaker 1>or that block. I think that started like down the

0:24:22.440 --> 0:24:25.520
<v Speaker 1>line something, you know what I'm saying. After after quick

0:24:25.640 --> 0:24:30.439
<v Speaker 1>and after a lot of dudes, Snoop was started mentioning

0:24:30.560 --> 0:24:33.639
<v Speaker 1>twenty one three. But if you notice, Snoop didn't do

0:24:33.680 --> 0:24:36.160
<v Speaker 1>a lot of that too in the beginning. But then,

0:24:36.320 --> 0:24:39.119
<v Speaker 1>you know, like some dudes just it just it just

0:24:39.200 --> 0:24:42.239
<v Speaker 1>started to transition. Fucking Oh did I hear him? Oh

0:24:42.359 --> 0:24:44.480
<v Speaker 1>he said he was from so and so. Well, fuck it,

0:24:44.920 --> 0:24:48.879
<v Speaker 1>now I'm from a fucking street. Or then next thing,

0:24:48.960 --> 0:24:51.280
<v Speaker 1>you know, my nigga game came along and it was

0:24:51.400 --> 0:24:54.639
<v Speaker 1>Cedar Block. And then next thing, you know, you know,

0:24:55.000 --> 0:24:57.119
<v Speaker 1>y g and it was Tree Top and it was

0:24:57.200 --> 0:25:00.440
<v Speaker 1>four hundred block. And then everybody's you know, fuck it,

0:25:00.480 --> 0:25:02.840
<v Speaker 1>I'm gonna represent my neighborhood. Fuck it. And I think

0:25:02.880 --> 0:25:11.919
<v Speaker 1>Pop was shouting out the mob man, you you that Now,

0:25:11.920 --> 0:25:14.560
<v Speaker 1>I'm just saying, I think the nineties kind of we

0:25:14.840 --> 0:25:18.120
<v Speaker 1>saw it kind of slowly. It started slowly evolving. Yeah,

0:25:18.320 --> 0:25:20.760
<v Speaker 1>because motherfucker's want to let you know. Fuck it. You know,

0:25:21.280 --> 0:25:23.800
<v Speaker 1>if it's like that ship, I'm gonna start letting people

0:25:23.880 --> 0:25:27.399
<v Speaker 1>know where I'm from. Fucking and and and that was

0:25:27.480 --> 0:25:31.320
<v Speaker 1>the crazy part. Like when you were uh quick, little

0:25:31.359 --> 0:25:36.160
<v Speaker 1>beef man, you never crossed paths, and and you had

0:25:36.560 --> 0:25:39.600
<v Speaker 1>pretty much a little bit of everybody taking sides. And

0:25:39.640 --> 0:25:42.440
<v Speaker 1>now this is me from this day, from back then,

0:25:42.520 --> 0:25:45.399
<v Speaker 1>and now that was the beef. You had bloods and

0:25:45.440 --> 0:25:48.480
<v Speaker 1>crips going at him when you had this beef. And

0:25:48.640 --> 0:25:51.359
<v Speaker 1>then you know, you got niggas got sucked up. Now

0:25:51.840 --> 0:25:53.960
<v Speaker 1>now you're all good. Oh no, we're good as my

0:25:54.080 --> 0:25:58.200
<v Speaker 1>fun exactly. I mean, I mean with the truth and

0:25:58.280 --> 0:26:00.200
<v Speaker 1>all of this stuff. The kitchens in the east, those

0:26:00.280 --> 0:26:04.080
<v Speaker 1>guys and you know, everybody trying to to make and

0:26:04.240 --> 0:26:08.159
<v Speaker 1>half peace, but they can't get over the humph they

0:26:08.280 --> 0:26:11.040
<v Speaker 1>killed the homie or they did this. You got a

0:26:11.080 --> 0:26:16.359
<v Speaker 1>guy right here that's making money, DJ Quick, you know

0:26:16.400 --> 0:26:19.479
<v Speaker 1>what I'm saying, making money. They got this feud. They

0:26:19.680 --> 0:26:25.520
<v Speaker 1>feud involved everybody, it did, but I mean everybody. But

0:26:25.600 --> 0:26:28.080
<v Speaker 1>then at the end of the day, just say I

0:26:28.200 --> 0:26:31.040
<v Speaker 1>lost my cousin behind this feud. But these dudes are

0:26:31.160 --> 0:26:33.800
<v Speaker 1>right here today and they're cool. They're cool as hell,

0:26:34.200 --> 0:26:36.840
<v Speaker 1>So it don't make no sense to even create this

0:26:37.680 --> 0:26:41.399
<v Speaker 1>this this look at Tupac and Biggie. You know that

0:26:41.600 --> 0:26:43.880
<v Speaker 1>beat was half as it was just full of ship,

0:26:44.440 --> 0:26:47.399
<v Speaker 1>but look what it cost. And then at the end

0:26:47.440 --> 0:26:50.840
<v Speaker 1>of the day they were hooking up and getting back together,

0:26:50.960 --> 0:26:54.240
<v Speaker 1>but it didn't happen. But then here you got other

0:26:54.359 --> 0:26:59.119
<v Speaker 1>people talking and and like like nothing ever happened. You

0:26:59.160 --> 0:27:01.440
<v Speaker 1>know what I'm saying, And I don't know what I'm

0:27:01.440 --> 0:27:03.160
<v Speaker 1>trying to say. I'm just trying to say they're worth

0:27:03.440 --> 0:27:06.199
<v Speaker 1>the beefs ain't worth it. No, definitely at the end

0:27:06.240 --> 0:27:09.560
<v Speaker 1>of the day, especially if if it comes down to

0:27:09.720 --> 0:27:13.639
<v Speaker 1>Nigga's losing their lives and ship over. You know, I

0:27:14.359 --> 0:27:18.919
<v Speaker 1>credited to just being young and immature and basically wanting

0:27:19.040 --> 0:27:23.000
<v Speaker 1>to again, I won't to represent where you're from. I mean,

0:27:23.160 --> 0:27:26.560
<v Speaker 1>you know, uh us, I mean me as a young

0:27:26.720 --> 0:27:29.919
<v Speaker 1>rapper and ship even out you know, in the streets

0:27:30.000 --> 0:27:32.879
<v Speaker 1>going on tour, I still wanted to hang with the

0:27:32.960 --> 0:27:37.040
<v Speaker 1>homies and be associated to the neighborhood even though we

0:27:37.240 --> 0:27:40.160
<v Speaker 1>was making money. I'm saying in movie screens and ship,

0:27:40.840 --> 0:27:44.920
<v Speaker 1>our our identity was still compting in the neighborhood, and

0:27:45.040 --> 0:27:47.920
<v Speaker 1>we didn't want to forget that. But then, like you said,

0:27:48.480 --> 0:27:52.119
<v Speaker 1>beefs come over territories and rivalries and ship like that.

0:27:52.720 --> 0:27:56.840
<v Speaker 1>And then it spread to records and then innocent bystanders

0:27:57.000 --> 0:27:59.159
<v Speaker 1>or niggas who ain't even got shipped to do it

0:27:59.640 --> 0:28:03.000
<v Speaker 1>the by spit or the rap he wrote. Now niggas

0:28:03.080 --> 0:28:05.960
<v Speaker 1>is losing their lives, are getting fucked up behind it,

0:28:06.119 --> 0:28:08.760
<v Speaker 1>So I think you you know, and then you got

0:28:08.840 --> 0:28:11.760
<v Speaker 1>some niggas who instigate the ship, you know what I'm saying.

0:28:12.240 --> 0:28:15.280
<v Speaker 1>And then he got homies, and I got homies who

0:28:15.400 --> 0:28:19.800
<v Speaker 1>feel like we gotta represent And even when motherfucker's ain't around,

0:28:20.160 --> 0:28:22.600
<v Speaker 1>that's how the beach still goes on because now you've

0:28:22.600 --> 0:28:24.760
<v Speaker 1>got people on the outside to feel like, fuck it,

0:28:24.840 --> 0:28:28.880
<v Speaker 1>we gotta partake too. So it comes with just trying

0:28:28.920 --> 0:28:33.240
<v Speaker 1>to overtime and just being mature enough to grow the

0:28:33.359 --> 0:28:36.600
<v Speaker 1>funk up. Really, And you know, some of us when

0:28:36.640 --> 0:28:39.520
<v Speaker 1>we get into that age bracket to where we start,

0:28:40.040 --> 0:28:43.920
<v Speaker 1>you know, getting a little gray hair and kids running around,

0:28:44.120 --> 0:28:47.240
<v Speaker 1>and you know, we're still able to sit around here

0:28:47.280 --> 0:28:50.080
<v Speaker 1>and be like, God, damn, I'm getting old and got

0:28:50.120 --> 0:28:53.000
<v Speaker 1>a teenage daughter or daughter who got a kid now

0:28:53.240 --> 0:28:55.760
<v Speaker 1>or blah blah blah. I guess we started getting them

0:28:55.760 --> 0:28:58.200
<v Speaker 1>a little mature to where nigga don't want to have

0:28:58.320 --> 0:29:01.320
<v Speaker 1>no motherfucking beach as a grown man. I want to

0:29:01.360 --> 0:29:02.920
<v Speaker 1>be able to go where the funk I want to

0:29:03.000 --> 0:29:06.560
<v Speaker 1>go and go hang with whoever and whatever neighborhood without

0:29:06.640 --> 0:29:11.280
<v Speaker 1>it having a result into the situation of you know, ship.

0:29:11.400 --> 0:29:13.160
<v Speaker 1>I used to be a crip and you used to

0:29:13.240 --> 0:29:15.360
<v Speaker 1>be a blood and niggas used to shoot at me

0:29:15.560 --> 0:29:18.440
<v Speaker 1>and we used to shoot back and somebody lost their life.

0:29:18.800 --> 0:29:21.400
<v Speaker 1>I get it, but that's like warfare to me. The

0:29:21.520 --> 0:29:25.480
<v Speaker 1>casualties of war. You give me, don't fall don't fault

0:29:25.560 --> 0:29:27.680
<v Speaker 1>me for what I did when I was following the

0:29:27.760 --> 0:29:31.080
<v Speaker 1>motherfucking street code and the rag and whate because now

0:29:31.120 --> 0:29:33.360
<v Speaker 1>I'm a mature man and I know it ain't about

0:29:33.480 --> 0:29:37.400
<v Speaker 1>that ship. So casualties of war, mom, nigga, if you

0:29:37.440 --> 0:29:40.360
<v Speaker 1>feel me. We just saw the Florences and the East

0:29:40.400 --> 0:29:44.880
<v Speaker 1>Coast Crips in their twenty year war. We're talking about

0:29:45.240 --> 0:29:48.280
<v Speaker 1>probably one of the most bloody conflicts in the last

0:29:48.320 --> 0:29:54.080
<v Speaker 1>two decades that Florence's were playing East and the East

0:29:54.120 --> 0:29:57.240
<v Speaker 1>Coast is gang bag bang like a mother. So these

0:29:57.320 --> 0:29:59.959
<v Speaker 1>guys came to the table in September two thousand nine

0:30:00.080 --> 0:30:02.600
<v Speaker 1>teen and ended it. So if they can do it,

0:30:03.120 --> 0:30:05.160
<v Speaker 1>But just that just goes back to what I'm saying.

0:30:05.200 --> 0:30:08.400
<v Speaker 1>Look how lone that was. And now they they're not type.

0:30:08.440 --> 0:30:10.920
<v Speaker 1>But they didn't, you know, so crazy. I said it

0:30:11.000 --> 0:30:14.840
<v Speaker 1>on this podcast like a few months before that, that

0:30:15.640 --> 0:30:18.040
<v Speaker 1>we're gonna bring the East Coasts and the Florences together.

0:30:18.320 --> 0:30:20.120
<v Speaker 1>And when I said it, I didn't know how what

0:30:20.240 --> 0:30:22.480
<v Speaker 1>was gonna happen. I didn't know what was gonna happen.

0:30:22.520 --> 0:30:26.040
<v Speaker 1>I didn't know anything. And then like I talked it

0:30:26.040 --> 0:30:30.360
<v Speaker 1>into existence, and then people sometimes happen. You know how

0:30:30.400 --> 0:30:33.160
<v Speaker 1>many people hit me in the inbox saying are you crazy?

0:30:33.320 --> 0:30:36.680
<v Speaker 1>The East Coast and the Florence will never truce? And

0:30:36.760 --> 0:30:39.040
<v Speaker 1>then with three months later, boom they have to take

0:30:40.000 --> 0:30:42.440
<v Speaker 1>Now they're still good, right now, They're still good right now.

0:30:42.560 --> 0:30:48.040
<v Speaker 1>In fact, um myself and Skip Townsend brought the Inglewood Thirteens,

0:30:48.120 --> 0:30:50.760
<v Speaker 1>the Queen Street Bloods and the Neighborhood Pirus and Inglewood

0:30:51.000 --> 0:30:54.360
<v Speaker 1>to the table last Friday for the first time, and

0:30:54.680 --> 0:30:57.360
<v Speaker 1>that was the first meeting for them to have a

0:30:57.440 --> 0:31:00.440
<v Speaker 1>three way truce. So we got another meeting this week,

0:31:00.560 --> 0:31:03.280
<v Speaker 1>the second meeting to kind of solidify that. So I

0:31:03.360 --> 0:31:06.680
<v Speaker 1>think it's gonna start spreading. Man, like the eighties gang

0:31:06.720 --> 0:31:10.120
<v Speaker 1>banging in early nineties, gang banging has been over and

0:31:10.560 --> 0:31:13.520
<v Speaker 1>just treacherous day. Yeah, And like you said, we got

0:31:13.640 --> 0:31:19.360
<v Speaker 1>to get over the casualties. But everybody ain't. If anybody

0:31:19.440 --> 0:31:22.680
<v Speaker 1>ever get you ain't got a gang banging history. I'm

0:31:22.680 --> 0:31:25.040
<v Speaker 1>gonna tell you some catching and who would be like

0:31:25.200 --> 0:31:28.080
<v Speaker 1>Funk that they don't want to let it go all

0:31:28.680 --> 0:31:31.880
<v Speaker 1>you have to have somebody there to get him to

0:31:31.960 --> 0:31:34.640
<v Speaker 1>let it exactly. You know what I'm saying. If black

0:31:34.720 --> 0:31:36.400
<v Speaker 1>man are gonna kick it in one room like this

0:31:37.600 --> 0:31:40.760
<v Speaker 1>years ago, I never saw this exactly. Oh no, I'm

0:31:40.800 --> 0:31:43.240
<v Speaker 1>not going nowhere with this dude. I didn't like his

0:31:43.400 --> 0:31:45.959
<v Speaker 1>music because he was talking about quick. Okay. If if

0:31:46.040 --> 0:31:48.840
<v Speaker 1>this is a blood and crypt than everybody knows who

0:31:48.920 --> 0:31:51.920
<v Speaker 1>they ride with exactly saw each other. It's a problem.

0:31:52.320 --> 0:31:54.840
<v Speaker 1>And niggas was getting beat up cars shot up there

0:31:54.880 --> 0:31:58.600
<v Speaker 1>exactly playing their song. You know what I'm saying, We're

0:31:58.680 --> 0:32:01.920
<v Speaker 1>going up Chris Shaw playing his song I had a

0:32:02.000 --> 0:32:04.840
<v Speaker 1>seventy seven call at the time, and I'm bumping DJ

0:32:05.040 --> 0:32:06.840
<v Speaker 1>quick as soon as he was talking about the dice

0:32:07.240 --> 0:32:11.800
<v Speaker 1>pop pop Pop swerved off Hits Central. I don't know

0:32:11.880 --> 0:32:14.120
<v Speaker 1>where the funk it is, but it's somebody that didn't

0:32:14.160 --> 0:32:17.960
<v Speaker 1>like that. So you've got people mad, you've got people

0:32:18.120 --> 0:32:21.600
<v Speaker 1>understanding and needs meet all the time, and and at

0:32:21.680 --> 0:32:24.600
<v Speaker 1>this point it's good. It's like we don't care anymore

0:32:24.640 --> 0:32:29.200
<v Speaker 1>about that because majorities. There's more brothers that don't want

0:32:29.240 --> 0:32:31.160
<v Speaker 1>to do it anymore than there are that one to

0:32:31.240 --> 0:32:35.200
<v Speaker 1>keep pushing that, and in these meetings, the majority rules.

0:32:35.760 --> 0:32:42.080
<v Speaker 1>Now I'm not a I'm talking about the streets right now,

0:32:42.280 --> 0:32:44.440
<v Speaker 1>but the meetings are the dudes from the streets. They

0:32:44.560 --> 0:32:46.440
<v Speaker 1>come into the table and then they're going back to

0:32:46.520 --> 0:32:48.800
<v Speaker 1>the streets saying, look, we just had this meeting. Hopefully

0:32:49.200 --> 0:32:54.760
<v Speaker 1>they are strong enough in the presence that they can

0:32:55.200 --> 0:33:00.280
<v Speaker 1>articulate the dudes because like like he said, it's just

0:33:00.520 --> 0:33:04.880
<v Speaker 1>motherfucker's who are like fuck that. You have to have

0:33:05.160 --> 0:33:09.360
<v Speaker 1>that motherfucking person who was able to go to the

0:33:09.760 --> 0:33:12.560
<v Speaker 1>because it's all it's it's usually some young dude or

0:33:12.640 --> 0:33:15.600
<v Speaker 1>some dude from way back in the day who feel

0:33:15.680 --> 0:33:19.800
<v Speaker 1>like funk, that brother was killed, cousin was killed, family

0:33:20.000 --> 0:33:22.880
<v Speaker 1>was killed, and y'all trying to sit down with the

0:33:23.000 --> 0:33:27.320
<v Speaker 1>hood that done it. I am not for it. And

0:33:27.480 --> 0:33:29.480
<v Speaker 1>like you said, there are just some dudes they go,

0:33:29.680 --> 0:33:32.600
<v Speaker 1>we can't do this ship no more. But you always

0:33:32.720 --> 0:33:35.520
<v Speaker 1>got that one or two that cannot let go the

0:33:35.680 --> 0:33:39.960
<v Speaker 1>casualty of war that I can't do it. So they

0:33:40.120 --> 0:33:43.480
<v Speaker 1>have to be able to show him that it's a

0:33:43.600 --> 0:33:46.959
<v Speaker 1>better way, in a better side than keeping the fucking

0:33:47.000 --> 0:33:50.200
<v Speaker 1>animosity and the anger to still want to pop every

0:33:50.280 --> 0:33:52.760
<v Speaker 1>time you see a nigger from that neighborhood. And that's

0:33:52.800 --> 0:33:54.959
<v Speaker 1>what they're doing. And a lot of these brothers are

0:33:55.520 --> 0:33:59.080
<v Speaker 1>This is risky work, these truces. These truces can't get

0:33:59.120 --> 0:34:01.680
<v Speaker 1>you killed because you go back to the neighborhood and say,

0:34:01.720 --> 0:34:03.640
<v Speaker 1>we just had a meeting and you bump into someone

0:34:03.720 --> 0:34:06.280
<v Speaker 1>like you're talking about you don't know what he's feeling

0:34:06.360 --> 0:34:09.600
<v Speaker 1>that day, you know, So it's pretty risk it's pretty dangerous.

0:34:09.640 --> 0:34:12.560
<v Speaker 1>But you know, we're pushing, we're pushing, and uh, at

0:34:12.600 --> 0:34:14.880
<v Speaker 1>the end of the day, there's there's too many people

0:34:15.040 --> 0:34:17.439
<v Speaker 1>that want to end the animosity. There's too many people

0:34:17.560 --> 0:34:21.640
<v Speaker 1>from these neighborhoods, from these sets that come to these meetings. Man,

0:34:21.840 --> 0:34:23.800
<v Speaker 1>every time we do a meeting, there's more people. The

0:34:23.880 --> 0:34:26.359
<v Speaker 1>following week there's more people, ten more people come. Well

0:34:26.400 --> 0:34:29.800
<v Speaker 1>that's because you got, oh the older cats trying to

0:34:29.880 --> 0:34:32.880
<v Speaker 1>jump on the bandwagon, and because they tired. You know,

0:34:33.080 --> 0:34:36.080
<v Speaker 1>we got kids, we got grandkids. I'm raising my two

0:34:36.200 --> 0:34:39.120
<v Speaker 1>year old man son three years over. He's three. I

0:34:39.200 --> 0:34:43.280
<v Speaker 1>hadn't boy what two years and and man, I'm enjoying

0:34:43.400 --> 0:34:45.920
<v Speaker 1>that more than I did anything in my life. So

0:34:46.480 --> 0:34:50.080
<v Speaker 1>when you get fifty five, you on your way. You

0:34:50.200 --> 0:34:53.080
<v Speaker 1>can't be looking stupid out there on the block no more. So.

0:34:53.320 --> 0:34:55.960
<v Speaker 1>You know, these guys coming home from prison after doing

0:34:57.160 --> 0:34:59.200
<v Speaker 1>I don't know which way to go, and then all

0:34:59.239 --> 0:35:01.640
<v Speaker 1>they see is a little homes and their nephews and

0:35:01.719 --> 0:35:07.000
<v Speaker 1>all that. But while killing each other. It's time. But

0:35:07.440 --> 0:35:09.360
<v Speaker 1>you just got a lot of cats. And then you

0:35:09.520 --> 0:35:13.920
<v Speaker 1>have some older catch that's out there still pushing the line.

0:35:14.480 --> 0:35:17.719
<v Speaker 1>You know what I'm saying, it's just ridiculous. Well, I'd

0:35:17.719 --> 0:35:19.600
<v Speaker 1>like to see um A lot of you do. His

0:35:19.719 --> 0:35:22.000
<v Speaker 1>father's and the number one thing that comes up is

0:35:22.080 --> 0:35:26.600
<v Speaker 1>like my son is twelve. My son'st the gang ages,

0:35:26.680 --> 0:35:29.600
<v Speaker 1>the gang joining ages, and most people don't want this

0:35:29.719 --> 0:35:32.080
<v Speaker 1>for their kids. So that's why they come into these meetings,

0:35:32.120 --> 0:35:34.200
<v Speaker 1>and that's why they're saying, we're gonna end this truth.

0:35:34.280 --> 0:35:36.439
<v Speaker 1>We're gonna end this rival because I want my son

0:35:36.800 --> 0:35:38.520
<v Speaker 1>to be able to walk from point A to point

0:35:38.560 --> 0:35:40.239
<v Speaker 1>B and not have to deal with the things that

0:35:40.400 --> 0:35:42.040
<v Speaker 1>I had to deal with when I was coming up

0:35:42.120 --> 0:35:44.320
<v Speaker 1>during that time. So a lot of these guys that

0:35:44.400 --> 0:35:48.120
<v Speaker 1>have sons, that's a huge motivator. And how can you

0:35:48.239 --> 0:35:50.400
<v Speaker 1>not how can you go against that? Because if you

0:35:50.520 --> 0:35:54.600
<v Speaker 1>got a son and you still living in that situation,

0:35:55.280 --> 0:35:57.719
<v Speaker 1>then nine times out of ten he gonna have to

0:35:57.840 --> 0:36:00.359
<v Speaker 1>deal with what you dealt with as a young stir

0:36:00.400 --> 0:36:03.920
<v Speaker 1>banging and whatever. So if you're trying to see a

0:36:04.000 --> 0:36:06.800
<v Speaker 1>better life for your kids and you're still living in

0:36:06.920 --> 0:36:10.920
<v Speaker 1>that situation, you know, because some dudes don't migrate out,

0:36:11.160 --> 0:36:13.480
<v Speaker 1>fuck it. I stay right here in the neighborhood or

0:36:13.560 --> 0:36:17.000
<v Speaker 1>in in l a still or whatever. So knowing how

0:36:17.080 --> 0:36:20.280
<v Speaker 1>the streets was when we came up, and how easy

0:36:20.400 --> 0:36:24.279
<v Speaker 1>it is for you to get motherfucking got it. It

0:36:24.440 --> 0:36:27.200
<v Speaker 1>has to be a situation to where they come together because,

0:36:27.280 --> 0:36:28.759
<v Speaker 1>like you said, yeah, I don't want to have my

0:36:28.920 --> 0:36:32.160
<v Speaker 1>fourteen year old son walking to the store and the

0:36:32.280 --> 0:36:35.799
<v Speaker 1>motherfucker pull up just because last night somebody went through

0:36:35.840 --> 0:36:39.359
<v Speaker 1>their neighborhood and shot up. Now my innocent fourteen son

0:36:39.600 --> 0:36:41.800
<v Speaker 1>is going to get shot because he's just walking to

0:36:41.880 --> 0:36:44.680
<v Speaker 1>the store. So it's a lot of innocent by standardship.

0:36:44.800 --> 0:36:46.640
<v Speaker 1>So if you want to kill that, you gotta be

0:36:46.719 --> 0:36:48.960
<v Speaker 1>able to come to some kind of agreement, at least

0:36:49.000 --> 0:36:51.239
<v Speaker 1>for the kids, you know what I'm saying. There's been

0:36:51.239 --> 0:36:53.799
<v Speaker 1>a lot of talks. And Compton also a few six

0:36:53.840 --> 0:36:56.160
<v Speaker 1>months ago. I think these two neighborhoods are close to you,

0:36:56.480 --> 0:37:00.719
<v Speaker 1>the Swamps and the Campanella's, I believe, had a couple

0:37:00.760 --> 0:37:03.000
<v Speaker 1>of meetings. I'm not sure what. I wasn't president at though,

0:37:03.000 --> 0:37:04.719
<v Speaker 1>so I don't know what happened, but a lot of

0:37:04.760 --> 0:37:08.320
<v Speaker 1>compon neighborhoods that were rivals. I'll come to the table

0:37:08.400 --> 0:37:12.440
<v Speaker 1>at least having some discussions, preliminary talks. I mean, it's

0:37:12.480 --> 0:37:15.120
<v Speaker 1>only it's the only way for you to try to

0:37:15.239 --> 0:37:19.680
<v Speaker 1>survive the next generation and to leave something behind or

0:37:19.760 --> 0:37:23.560
<v Speaker 1>to try to stay you know, foundation strong, incounting you

0:37:23.680 --> 0:37:26.560
<v Speaker 1>get me. So you know, we just can't like, we

0:37:26.719 --> 0:37:30.359
<v Speaker 1>just can't kill each other off until motherfucker's like dinosaurs

0:37:30.400 --> 0:37:33.520
<v Speaker 1>and extinct, you know what I'm saying. That's what's happening.

0:37:33.680 --> 0:37:36.400
<v Speaker 1>In the early history of UH when Swamp was just

0:37:36.480 --> 0:37:39.960
<v Speaker 1>swamp boys and Campanella was just Campanella boys, they was

0:37:40.000 --> 0:37:43.000
<v Speaker 1>all together in the in the seventies. It usually like that,

0:37:43.280 --> 0:37:46.400
<v Speaker 1>and then something happened, somebody get killed, the funked up

0:37:46.560 --> 0:37:48.919
<v Speaker 1>or whatever, and then there goes to split or there

0:37:49.000 --> 0:37:52.719
<v Speaker 1>goes the community unity of whatever, and the next thing,

0:37:52.800 --> 0:37:56.239
<v Speaker 1>you know, motherfucker's is worn. Well. Well, nowadays you got

0:37:56.880 --> 0:38:00.360
<v Speaker 1>even in and everywhere, you got a homie killing the homie.

0:38:00.719 --> 0:38:02.759
<v Speaker 1>It's so watered down now then whether it used to

0:38:02.840 --> 0:38:06.600
<v Speaker 1>be in the eighties, it's so watered down. So you

0:38:06.880 --> 0:38:09.800
<v Speaker 1>you you got homies killing the homies, you got you

0:38:09.920 --> 0:38:14.480
<v Speaker 1>got cats from another hood. Y'all was tight down. We

0:38:14.520 --> 0:38:17.520
<v Speaker 1>didn't now we're killing each other. And and and one

0:38:17.560 --> 0:38:19.440
<v Speaker 1>thing about the Crypts and Compton, I can tell you

0:38:19.560 --> 0:38:22.080
<v Speaker 1>they was all good, you know what I'm saying, because

0:38:22.120 --> 0:38:24.640
<v Speaker 1>they knew it was its number of bloods and Compton,

0:38:25.200 --> 0:38:27.960
<v Speaker 1>but all the Crypts, especially Santana's and I say this

0:38:28.080 --> 0:38:30.880
<v Speaker 1>all the time. Them cats was right by us, you

0:38:30.920 --> 0:38:33.080
<v Speaker 1>know what I'm saying. And them cats, if we don't,

0:38:33.160 --> 0:38:36.680
<v Speaker 1>they're coming back. Baby games I had. I mean, those

0:38:36.800 --> 0:38:39.520
<v Speaker 1>cats had each other, them had it. They were solid.

0:38:39.920 --> 0:38:42.600
<v Speaker 1>You know what I'm saying, those them to cash. I

0:38:42.719 --> 0:38:45.680
<v Speaker 1>gotta go after these dudes. Banion was game banging. Was

0:38:45.760 --> 0:38:49.480
<v Speaker 1>game banging and not killing the little kid. Back then,

0:38:50.160 --> 0:38:53.120
<v Speaker 1>if if I saw you with your baby, we had

0:38:53.200 --> 0:38:56.959
<v Speaker 1>what you call you get a pass. Now they're gonna

0:38:57.080 --> 0:38:59.920
<v Speaker 1>you and your baby down in your arm. These cat

0:39:00.560 --> 0:39:03.560
<v Speaker 1>we didn't have. We didn't have too many innocent kids

0:39:03.640 --> 0:39:07.000
<v Speaker 1>getting killed and ship, I mean, niggas was worn like

0:39:07.120 --> 0:39:10.680
<v Speaker 1>a motherfucker. But it was something about, like you said,

0:39:10.680 --> 0:39:13.920
<v Speaker 1>at the level of of of respect for kids and

0:39:14.200 --> 0:39:17.400
<v Speaker 1>fucking situations like Nick ain't going to see you in

0:39:17.480 --> 0:39:19.680
<v Speaker 1>the car with your kid and just be like fuck it,

0:39:19.760 --> 0:39:22.560
<v Speaker 1>We're still gonna dump on the nigga. It was some

0:39:22.800 --> 0:39:25.680
<v Speaker 1>kind of some kind of respect or code of the

0:39:25.800 --> 0:39:29.320
<v Speaker 1>streets we had with motherfucker's don't give a fuck kids

0:39:29.360 --> 0:39:33.560
<v Speaker 1>and everything out we're shooting up now fucking exactly now. Um.

0:39:33.920 --> 0:39:38.920
<v Speaker 1>A few episodes ago, we interviewed Alonso Williams, and I

0:39:39.080 --> 0:39:43.640
<v Speaker 1>think that almost every artist went through the world crist

0:39:43.840 --> 0:39:46.960
<v Speaker 1>Wrecking Crew at some point every artist that became relevant,

0:39:47.680 --> 0:39:53.600
<v Speaker 1>you did you have your path went through Alonso at

0:39:53.880 --> 0:39:58.279
<v Speaker 1>at some point our path went through Unknown and Alonzo. Yeah,

0:39:58.320 --> 0:40:01.440
<v Speaker 1>it did. Um. I told him when he was on

0:40:01.520 --> 0:40:03.960
<v Speaker 1>the show that if you total up the value of

0:40:04.040 --> 0:40:08.640
<v Speaker 1>all the artists that you've ever dealt with, the billions,

0:40:08.760 --> 0:40:11.360
<v Speaker 1>he'd declide he'd be the black Clive Davis right now,

0:40:12.080 --> 0:40:15.800
<v Speaker 1>real ship. Let me tell you something in our days,

0:40:16.680 --> 0:40:18.880
<v Speaker 1>and I say this about every artist, we all got

0:40:19.000 --> 0:40:21.200
<v Speaker 1>to go through it. You go through to getting fun stage,

0:40:21.200 --> 0:40:23.480
<v Speaker 1>I'm gonna funk who you are. You're gonna have that

0:40:23.640 --> 0:40:27.719
<v Speaker 1>nigger who the manager or whatever, and he's gonna fuck you.

0:40:28.480 --> 0:40:32.440
<v Speaker 1>And not to discredit them niggas. But we didn't get

0:40:32.520 --> 0:40:37.440
<v Speaker 1>ship just we was just happy. But the motherfucking we

0:40:37.640 --> 0:40:43.480
<v Speaker 1>was just happy to get on. Now. Look, I deal

0:40:43.600 --> 0:40:46.160
<v Speaker 1>with Mac. I mean Mac was cool to me. He

0:40:46.320 --> 0:40:49.440
<v Speaker 1>was a cool person. Now being on as far as

0:40:49.520 --> 0:40:52.520
<v Speaker 1>business and being on who banging. I mean, as far

0:40:52.600 --> 0:40:55.920
<v Speaker 1>as our artist is concerned, you always gonna want the

0:40:56.040 --> 0:40:59.000
<v Speaker 1>best of feel. You want to the ship for yourself

0:40:59.080 --> 0:41:02.719
<v Speaker 1>as an artist and on the business side. You know,

0:41:03.680 --> 0:41:06.440
<v Speaker 1>one of my things was never take ship personal if

0:41:06.520 --> 0:41:09.880
<v Speaker 1>it's business, and in situations with me knowing how to

0:41:09.960 --> 0:41:13.280
<v Speaker 1>run my business and my record ship, it's just something

0:41:13.440 --> 0:41:17.279
<v Speaker 1>motherfucker's ain't gonna go for. And then sometimes when you're

0:41:17.280 --> 0:41:20.520
<v Speaker 1>a young business owner and you first started starting in

0:41:20.600 --> 0:41:24.719
<v Speaker 1>the business, you know, you don't really know you know

0:41:25.160 --> 0:41:28.839
<v Speaker 1>how to just handle fucking business. I mean a lot

0:41:28.920 --> 0:41:32.319
<v Speaker 1>of motherfucker's go through that though, start businesses and they

0:41:32.400 --> 0:41:35.239
<v Speaker 1>failed because you guys were like teenagers. When when you

0:41:35.520 --> 0:41:39.040
<v Speaker 1>was dealing with Alonzo, I'm guessing you I was a mocker,

0:41:39.840 --> 0:41:43.480
<v Speaker 1>was about seventeen. It was about sixteen seventeen when I

0:41:43.560 --> 0:41:48.000
<v Speaker 1>started dealing with Alonzo. We met Alonzo fucking around with

0:41:48.239 --> 0:41:51.479
<v Speaker 1>some niggers that funked around across the street from Chill,

0:41:52.160 --> 0:41:55.600
<v Speaker 1>and we wanted to form this group compence most wanted.

0:41:55.719 --> 0:41:58.600
<v Speaker 1>So we did that and they took us. We went

0:41:58.760 --> 0:42:01.120
<v Speaker 1>made a fucking little dim old tape or some ship,

0:42:01.760 --> 0:42:04.040
<v Speaker 1>and they had a meet. They was trying to get

0:42:04.120 --> 0:42:07.200
<v Speaker 1>on their singers and we just happened to be riding

0:42:07.280 --> 0:42:10.480
<v Speaker 1>with the motherfucker's and they ended up at Alonso house.

0:42:10.880 --> 0:42:13.160
<v Speaker 1>We had to tape on us. We played it for

0:42:13.320 --> 0:42:16.279
<v Speaker 1>him Ship. A week later, Alonso was hitting us up,

0:42:16.320 --> 0:42:19.080
<v Speaker 1>telling us to come back to the studio, but Alonzo

0:42:19.200 --> 0:42:22.640
<v Speaker 1>then funk with us. Alonzo pushed us off to Unknown DJ,

0:42:23.239 --> 0:42:26.840
<v Speaker 1>and that's how we got on. So who are some

0:42:26.920 --> 0:42:28.600
<v Speaker 1>of the early artists that you met back in the

0:42:28.680 --> 0:42:31.759
<v Speaker 1>day when you was with with Alonso that before they

0:42:31.800 --> 0:42:34.200
<v Speaker 1>blew up and before they came up, you must have

0:42:34.239 --> 0:42:36.480
<v Speaker 1>seen a little bit of everybody. We know Easy and

0:42:36.600 --> 0:42:39.319
<v Speaker 1>Ren because Rin used to come across the street from

0:42:39.400 --> 0:42:41.319
<v Speaker 1>Chill's house all the time, So we used to see

0:42:41.360 --> 0:42:44.400
<v Speaker 1>Easy and n all the time. And then uh fucking

0:42:44.480 --> 0:42:49.440
<v Speaker 1>with Unknown I mean in Alonzo, I mean Ship. It

0:42:49.600 --> 0:42:52.759
<v Speaker 1>was all kind of motherfucking independent artists we've seen on

0:42:52.920 --> 0:42:55.359
<v Speaker 1>the way up, you know what I'm saying. Uh Dub

0:42:55.640 --> 0:42:59.560
<v Speaker 1>was on his way up, fucking like I said, Iced

0:42:59.560 --> 0:43:02.400
<v Speaker 1>Tea was on his way up because he funked with Unknown,

0:43:02.480 --> 0:43:05.560
<v Speaker 1>because Unknown had a little independent label called Techno Hop.

0:43:05.719 --> 0:43:08.799
<v Speaker 1>So we used to see all kind of motherfucker's going

0:43:08.880 --> 0:43:11.920
<v Speaker 1>around the little little motherfucking We used to go to

0:43:12.000 --> 0:43:14.160
<v Speaker 1>the clubs and Ship and Water the Bush and the

0:43:14.280 --> 0:43:16.440
<v Speaker 1>Paradise and all that. Ship. So we used to see

0:43:16.440 --> 0:43:19.200
<v Speaker 1>a lot of motherfucking niggers on the come up. He

0:43:19.480 --> 0:43:26.920
<v Speaker 1>is Wren the best lyricists from n w A. It's

0:43:26.960 --> 0:43:30.640
<v Speaker 1>really the best lyricists from n w A. It all

0:43:30.719 --> 0:43:33.680
<v Speaker 1>depends because go back and listen to all them songs.

0:43:34.440 --> 0:43:38.080
<v Speaker 1>It was was the Ren to me, was the motherfucker

0:43:38.239 --> 0:43:40.839
<v Speaker 1>who that was the MAGA union funk with when they

0:43:40.920 --> 0:43:45.160
<v Speaker 1>came to the Cube was the clever motherfucker. Cube was

0:43:45.239 --> 0:43:49.720
<v Speaker 1>the clever storytelling motherfucker. He could put the clever stories

0:43:49.760 --> 0:43:52.880
<v Speaker 1>about the dope ship and what because Cube was an artist.

0:43:53.160 --> 0:43:56.760
<v Speaker 1>Rin was the motherfucking killer battle rat nigger. He wrote

0:43:57.000 --> 0:44:00.640
<v Speaker 1>just straight up fucking fear ship. So to me coming

0:44:00.760 --> 0:44:03.040
<v Speaker 1>up in the n w A days, to me, yeah,

0:44:03.320 --> 0:44:06.000
<v Speaker 1>he probably I probably was. He probably was considered hard

0:44:06.080 --> 0:44:09.160
<v Speaker 1>this to me as far as lyricists concerned, because he

0:44:09.440 --> 0:44:12.920
<v Speaker 1>was a fucking lyricist. I mean, Cube was clever, but

0:44:13.360 --> 0:44:16.000
<v Speaker 1>I didn't I didn't start bumping real Cube heavy until

0:44:16.040 --> 0:44:19.280
<v Speaker 1>the motherfucking's Steady Mobbing album. Who was the real gangster?

0:44:19.400 --> 0:44:26.040
<v Speaker 1>All them out of n w A easy, I mean

0:44:26.280 --> 0:44:29.200
<v Speaker 1>easy if you asked me, we all know we're usually

0:44:29.239 --> 0:44:32.719
<v Speaker 1>come from Compton, I mean, but the rest of them.

0:44:33.360 --> 0:44:35.840
<v Speaker 1>I mean RN was in Compton all the time, but

0:44:35.920 --> 0:44:37.920
<v Speaker 1>it was never a game bager though. I don't think

0:44:38.040 --> 0:44:40.799
<v Speaker 1>RN ever, I mean, chill you would know more than

0:44:40.880 --> 0:44:44.880
<v Speaker 1>I do. He ran around with Tramor and south Side

0:44:45.080 --> 0:44:47.919
<v Speaker 1>or was he? I see this is this in first

0:44:48.000 --> 0:44:55.520
<v Speaker 1>to me? Uh, what about Ice Cube? I mean, yeah,

0:44:55.640 --> 0:44:58.520
<v Speaker 1>Cube wasn't from Compton. Now, I used to funk with

0:44:58.640 --> 0:45:01.279
<v Speaker 1>my nigga j D, who used to live over there

0:45:01.320 --> 0:45:03.120
<v Speaker 1>in the South. That was my nigga. I used to

0:45:03.200 --> 0:45:06.200
<v Speaker 1>run with j D all the fucking time. Um, but

0:45:06.440 --> 0:45:11.040
<v Speaker 1>Cube never really Cube really never claimed to be a banger.

0:45:11.680 --> 0:45:16.440
<v Speaker 1>I mean people just took that assumption because of in

0:45:16.880 --> 0:45:23.719
<v Speaker 1>way too Crippin to every movie he did. He did

0:45:23.840 --> 0:45:26.279
<v Speaker 1>this in every movie. He made sure he threw up

0:45:26.320 --> 0:45:30.920
<v Speaker 1>with c he he was he let me tell you something.

0:45:31.040 --> 0:45:33.880
<v Speaker 1>Cube was one of the Cube to me was the

0:45:34.080 --> 0:45:37.720
<v Speaker 1>nigga who grew up in the hood, who hung around

0:45:37.840 --> 0:45:43.520
<v Speaker 1>the bangers, and he was he was accepted. You don't

0:45:43.560 --> 0:45:47.759
<v Speaker 1>have to claim one. He left or whatever, and to him,

0:45:48.520 --> 0:45:53.080
<v Speaker 1>that's where he came. Like if I wasn't claiming Track

0:45:53.160 --> 0:45:56.680
<v Speaker 1>knew and I still My cousin was from Tragnew and

0:45:56.840 --> 0:45:59.000
<v Speaker 1>we lived over there, and niggas knew I was a

0:45:59.120 --> 0:46:02.799
<v Speaker 1>rapper and all, and I get in fucking videos. Oh yeah,

0:46:02.800 --> 0:46:06.160
<v Speaker 1>I'm gonna throw up to see and everything because they're

0:46:06.200 --> 0:46:09.480
<v Speaker 1>gonna accept it because to them it looks like I'm

0:46:09.600 --> 0:46:15.719
<v Speaker 1>representing for us. You don't need to you're representing for us.

0:46:15.880 --> 0:46:18.520
<v Speaker 1>So that's how we took it. But as as far

0:46:18.600 --> 0:46:22.799
<v Speaker 1>as artists and banging and all that, Ship I never

0:46:23.080 --> 0:46:25.560
<v Speaker 1>my personally, I never And I used to hang with

0:46:25.680 --> 0:46:28.200
<v Speaker 1>Cube in the early days when it was street knowledge

0:46:28.239 --> 0:46:31.040
<v Speaker 1>and all that. I never got the assumption that Cube

0:46:31.160 --> 0:46:34.160
<v Speaker 1>was a banger. You know, niggas like us were still

0:46:34.239 --> 0:46:37.000
<v Speaker 1>wearing bandanas in our pockets and ship like that we

0:46:37.120 --> 0:46:40.759
<v Speaker 1>were banging. He definitely took gainst the rap and and

0:46:41.040 --> 0:46:46.319
<v Speaker 1>use it to his his potential. He's a millionaire out

0:46:46.360 --> 0:46:50.520
<v Speaker 1>of gains rap straight banging out of conting. But says,

0:46:50.760 --> 0:46:52.560
<v Speaker 1>if you look at it, it's a lot of niggas

0:46:52.719 --> 0:46:56.200
<v Speaker 1>right now, who's who's as we would call them in

0:46:56.320 --> 0:46:59.759
<v Speaker 1>our in our banging days, it's a lot of perpetrating

0:46:59.800 --> 0:47:03.240
<v Speaker 1>and is now who do ship that ain't whatever authentic

0:47:03.680 --> 0:47:06.520
<v Speaker 1>and ain't making a gang of bread off? You know?

0:47:06.760 --> 0:47:11.400
<v Speaker 1>Ship Now it's like Ship, Uh, Hollywood acting and imagery

0:47:11.560 --> 0:47:14.480
<v Speaker 1>is everything. Now, you know, you don't have to be authentic.

0:47:15.040 --> 0:47:18.000
<v Speaker 1>You can just look the fucking park. Yeah, there were

0:47:18.040 --> 0:47:21.440
<v Speaker 1>like no real bangers in the movie Colors. That was like,

0:47:21.960 --> 0:47:28.839
<v Speaker 1>I'm it's it's like in the sports world when you're

0:47:28.880 --> 0:47:31.440
<v Speaker 1>coming up through high school and all that, and they

0:47:31.560 --> 0:47:35.359
<v Speaker 1>call it. This motherfucker passing the eye test. I don't

0:47:35.360 --> 0:47:38.520
<v Speaker 1>know what fucking skills he got, but this motherfucker six

0:47:38.680 --> 0:47:43.160
<v Speaker 1>five two and something pounds. God damn, he passed the

0:47:43.239 --> 0:47:45.440
<v Speaker 1>eye test. Signed him up. So a lot of niggas

0:47:45.440 --> 0:47:47.800
<v Speaker 1>passed the eye test. You give me, I put on

0:47:47.880 --> 0:47:50.680
<v Speaker 1>a couple of gold chains and some tattoos, with my

0:47:50.800 --> 0:47:53.400
<v Speaker 1>shirt off and put a rag in my back pocket

0:47:53.480 --> 0:47:57.000
<v Speaker 1>and be from any fuckingwhere. But nowadays you put me

0:47:57.080 --> 0:48:00.640
<v Speaker 1>on YouTube and motherfucker's don't know, Ship, I'm passing the

0:48:00.719 --> 0:48:03.480
<v Speaker 1>eye test to a lot of motherfucker's. Oh look at

0:48:03.520 --> 0:48:06.759
<v Speaker 1>this nigga. Stick got the chains on and standing in

0:48:06.880 --> 0:48:10.000
<v Speaker 1>front of the Ferrari nigger got the tats and the

0:48:10.160 --> 0:48:13.839
<v Speaker 1>fucking rag in his back pocket. Everybody accepting that, did

0:48:13.920 --> 0:48:16.480
<v Speaker 1>you hear what he's saying? That nigga said, I will

0:48:16.560 --> 0:48:19.759
<v Speaker 1>smoke you with the drade. Cold nigga, nigga hardest and

0:48:19.840 --> 0:48:24.840
<v Speaker 1>motherfucker please nigga, I'm for motherfucking Rhode Island, Connecticut. It

0:48:24.960 --> 0:48:27.560
<v Speaker 1>don't fuck it, give me, it don't matter. You could

0:48:27.600 --> 0:48:31.799
<v Speaker 1>pass the eye test, now fuck it true, man, I'm

0:48:31.840 --> 0:48:35.640
<v Speaker 1>thinking of a guy who seriously passed the eye motherfucker's

0:48:35.640 --> 0:48:38.680
<v Speaker 1>passed the eye test. Man. I ain't gonna even say no, no, no,

0:48:38.840 --> 0:48:41.040
<v Speaker 1>that's on six Nine's talk about somebody who made hundreds

0:48:41.080 --> 0:48:43.759
<v Speaker 1>of millions of dollars passed the eye tests. I don't

0:48:44.200 --> 0:48:47.200
<v Speaker 1>he gonna be mad. He he's already pissed at us. Man,

0:48:47.520 --> 0:48:50.920
<v Speaker 1>he's already. Yeah, you're mad at us, because, yeah, you

0:48:50.960 --> 0:48:52.879
<v Speaker 1>know who I'm talking about. He passed the eye test

0:48:52.960 --> 0:48:57.440
<v Speaker 1>because he didn't bang with y'all. He didn't um, he

0:48:57.560 --> 0:49:00.360
<v Speaker 1>didn't put in no work with y'all, but he passed

0:49:00.360 --> 0:49:03.560
<v Speaker 1>that eye test. Well, when, well, that's something totally different.

0:49:03.960 --> 0:49:11.560
<v Speaker 1>Explain that when when when let me let me let

0:49:11.600 --> 0:49:15.880
<v Speaker 1>me explain ship. Sheil lived in the hood, just like

0:49:16.040 --> 0:49:19.160
<v Speaker 1>he said, like like I already got a pass because there,

0:49:19.640 --> 0:49:22.279
<v Speaker 1>but she went off to college. She'll had both his

0:49:22.400 --> 0:49:26.400
<v Speaker 1>parents when she went off to college. Everybody doing anything.

0:49:26.920 --> 0:49:30.399
<v Speaker 1>When I say she wasn't a bona fide a one

0:49:30.520 --> 0:49:33.560
<v Speaker 1>hunted should win. That dude that's standing on the block

0:49:33.960 --> 0:49:36.600
<v Speaker 1>with a pistol should when that dude that was in

0:49:36.680 --> 0:49:39.040
<v Speaker 1>the car or in the back seat ready to hang out,

0:49:39.080 --> 0:49:42.680
<v Speaker 1>that motherfucker he never put a red band down in

0:49:42.760 --> 0:49:45.360
<v Speaker 1>his back pocket on his forehead and say let's go

0:49:45.480 --> 0:49:48.600
<v Speaker 1>to to swap me. Sheild was never want to look

0:49:48.719 --> 0:49:52.640
<v Speaker 1>for a compromsation from the other side. You ain't never

0:49:52.760 --> 0:49:55.520
<v Speaker 1>had a problem with the other side, you know what

0:49:55.600 --> 0:49:58.960
<v Speaker 1>I'm saying. So he didn't live like we lived. You

0:49:59.040 --> 0:50:01.560
<v Speaker 1>know what I'm saying. When he came, he came with money,

0:50:02.480 --> 0:50:05.120
<v Speaker 1>and he bring that money and then he he got

0:50:05.239 --> 0:50:08.640
<v Speaker 1>with me, and he said, but when he got with you,

0:50:08.800 --> 0:50:10.440
<v Speaker 1>he didn't have no money. When it was fern Hill

0:50:10.520 --> 0:50:13.240
<v Speaker 1>records and so you don't know what you're talking about.

0:50:13.360 --> 0:50:17.000
<v Speaker 1>Was the very early records. He was, I ain't gonna

0:50:17.000 --> 0:50:19.279
<v Speaker 1>put his business out there. He had money. When I

0:50:19.360 --> 0:50:22.399
<v Speaker 1>got out of prison, he looked out for me. That's

0:50:22.440 --> 0:50:24.680
<v Speaker 1>when me and SI hooked up. Now I'm going to

0:50:24.840 --> 0:50:27.560
<v Speaker 1>Vegas with ship. Now I'm getting on that damn airplane

0:50:27.640 --> 0:50:31.200
<v Speaker 1>with ship. So now we we met this meet this

0:50:32.080 --> 0:50:36.799
<v Speaker 1>rich white guy giving up money and and down here

0:50:36.840 --> 0:50:39.960
<v Speaker 1>I am. I'm when I went to prison. It was like, man,

0:50:40.080 --> 0:50:42.320
<v Speaker 1>I ain't had nothing. I'm a young kid, I'm nineteen

0:50:42.360 --> 0:50:46.920
<v Speaker 1>years old. I'm you know, fully active into this. Coming

0:50:47.000 --> 0:50:52.560
<v Speaker 1>home two years old. He goes shop. You know what

0:50:52.640 --> 0:50:57.040
<v Speaker 1>I'm saying. Now, that's what should run to to our neighborhood.

0:50:57.280 --> 0:50:59.480
<v Speaker 1>She'll didn't bring no gangster ship to the hood. Ship

0:50:59.560 --> 0:51:02.560
<v Speaker 1>didn't come and go wild. She came to the hood

0:51:02.600 --> 0:51:04.840
<v Speaker 1>and say I got a dream. I need you to

0:51:04.920 --> 0:51:09.520
<v Speaker 1>help me build this dream. And that's what happened, you

0:51:09.600 --> 0:51:11.960
<v Speaker 1>know what I'm saying. So that's that's that's the only

0:51:12.040 --> 0:51:15.120
<v Speaker 1>thing that kept brought to that table, all that other ship.

0:51:15.480 --> 0:51:18.560
<v Speaker 1>That's what everybody else wanted to think. She'll was never

0:51:18.680 --> 0:51:22.759
<v Speaker 1>a game member. She can She don't have days where

0:51:22.800 --> 0:51:24.439
<v Speaker 1>he could sit with the homing and drank a beer

0:51:24.760 --> 0:51:27.680
<v Speaker 1>and talk about remember this time we was wo He

0:51:27.760 --> 0:51:31.040
<v Speaker 1>don't have no days like that, so he could talk

0:51:31.080 --> 0:51:33.480
<v Speaker 1>about being on the plane and flying here and flying there.

0:51:33.880 --> 0:51:36.840
<v Speaker 1>But all that other ship, no, no gangster ship, and

0:51:37.000 --> 0:51:38.719
<v Speaker 1>the death thrower showing the interest in you guys. But

0:51:38.760 --> 0:51:40.799
<v Speaker 1>you guys already had like three albums out before Death

0:51:40.840 --> 0:51:45.919
<v Speaker 1>Throwers was established. Three or four had uh what four?

0:51:46.480 --> 0:51:51.520
<v Speaker 1>I think we was working on. No, we was working

0:51:51.680 --> 0:51:57.279
<v Speaker 1>on Actually we was working on was it was it?

0:51:57.440 --> 0:52:02.239
<v Speaker 1>Music to drive By? We were working on Music to

0:52:02.480 --> 0:52:09.640
<v Speaker 1>drive By? When death Row formed because Shug put Unknown

0:52:09.800 --> 0:52:13.520
<v Speaker 1>on the payroll as a producer. That's when they had

0:52:13.640 --> 0:52:17.359
<v Speaker 1>to That's when they was with the GF ship too,

0:52:17.960 --> 0:52:20.799
<v Speaker 1>because they got they had coats. I remember Ann came

0:52:20.880 --> 0:52:23.279
<v Speaker 1>to the studio they had the black leather coats with

0:52:23.400 --> 0:52:25.600
<v Speaker 1>the hooks on them with the turk coise patches on

0:52:25.680 --> 0:52:29.919
<v Speaker 1>the back and said death Row. Um, that's when death

0:52:30.000 --> 0:52:34.880
<v Speaker 1>Row first formed. Um. So we was already three albums in,

0:52:35.480 --> 0:52:41.839
<v Speaker 1>you know, and m Unknown was dealing with Sugar as

0:52:41.880 --> 0:52:44.279
<v Speaker 1>far as production because you know, he was trying to

0:52:44.320 --> 0:52:47.280
<v Speaker 1>work on the compter on our Music to drive By record,

0:52:47.840 --> 0:52:50.480
<v Speaker 1>but he was also supposed to be doing beats for

0:52:50.640 --> 0:52:54.279
<v Speaker 1>Sugar and them for the Convicts when they were over there,

0:52:54.280 --> 0:52:56.440
<v Speaker 1>because they were supposed to be the first group. I guess,

0:52:57.360 --> 0:53:02.120
<v Speaker 1>and uh, I know On got into a little confrontation

0:53:02.320 --> 0:53:05.120
<v Speaker 1>with Shug because he didn't turn beats in on time,

0:53:05.239 --> 0:53:09.239
<v Speaker 1>so that didn't work out. Pretty good. So, but we

0:53:10.000 --> 0:53:13.200
<v Speaker 1>I never had any issues with Shook. Everything was good. Yeah,

0:53:13.360 --> 0:53:15.200
<v Speaker 1>because he was looking for an artist at that time.

0:53:15.280 --> 0:53:17.680
<v Speaker 1>Did he ever consider you guys know because we were

0:53:17.680 --> 0:53:21.560
<v Speaker 1>already signed to Sony, did that matter? I mean, we

0:53:21.680 --> 0:53:27.360
<v Speaker 1>were signed to two epics Sony. You know, our contract

0:53:27.480 --> 0:53:31.360
<v Speaker 1>was straight with them, So it wasn't a situation to

0:53:31.480 --> 0:53:34.880
<v Speaker 1>where we were signed to an independent and you know,

0:53:35.160 --> 0:53:38.120
<v Speaker 1>something to where you can walk up on some nigga

0:53:38.239 --> 0:53:40.680
<v Speaker 1>from the neighborhood and be like, hey, you're gonna let

0:53:40.800 --> 0:53:45.239
<v Speaker 1>see him dub about the contract or whatever. We We

0:53:45.360 --> 0:53:48.440
<v Speaker 1>were straight. We were straight signed to Sony, So it

0:53:48.600 --> 0:53:51.120
<v Speaker 1>wasn't you wasn't going to walk up to Dave Glues

0:53:51.239 --> 0:53:54.080
<v Speaker 1>office and do no ship like that. How hard was

0:53:54.160 --> 0:53:56.760
<v Speaker 1>it back then to get signed to a major label

0:53:56.840 --> 0:54:00.279
<v Speaker 1>like that because it didn't seem too common like it

0:54:00.480 --> 0:54:03.520
<v Speaker 1>wasn't in our days of wrapping, you know, it was

0:54:03.640 --> 0:54:07.000
<v Speaker 1>the like like it is now, which is crazy because

0:54:07.040 --> 0:54:10.720
<v Speaker 1>now it's the world of independent labels. When we first started,

0:54:10.760 --> 0:54:14.760
<v Speaker 1>it was the world of independence. Techno hop uh Alonzo

0:54:14.880 --> 0:54:18.320
<v Speaker 1>with Crew cut u l A Dream Team had a label.

0:54:18.680 --> 0:54:24.279
<v Speaker 1>Egypt had Egyptian Empire. Uh Ruthless was started. Uh, it

0:54:24.440 --> 0:54:29.880
<v Speaker 1>was nothing but independent labels. So um it was. It

0:54:30.120 --> 0:54:33.600
<v Speaker 1>wasn't heard of for niggas to get major label deals.

0:54:34.160 --> 0:54:37.680
<v Speaker 1>You know, major label deals was fucking run DMC. You

0:54:37.800 --> 0:54:40.959
<v Speaker 1>get me h L L COO J with Deaf Jam

0:54:41.120 --> 0:54:44.839
<v Speaker 1>I mean Beastie Boys, those were major labels. Because even

0:54:45.080 --> 0:54:47.800
<v Speaker 1>niggas like Eric B and Rock Him and fucking E. P.

0:54:48.000 --> 0:54:50.800
<v Speaker 1>M D and them cats, they were on independent record labels.

0:54:51.600 --> 0:54:58.960
<v Speaker 1>I mean. So we just happened to Unknown, who used

0:54:59.000 --> 0:55:03.240
<v Speaker 1>to wor his way through fucking Hollywood. For some reason,

0:55:04.120 --> 0:55:07.840
<v Speaker 1>he had a hook up with Orpheus Records, which was

0:55:08.600 --> 0:55:14.680
<v Speaker 1>independent but had major distribution through Capitol Records, so he

0:55:14.840 --> 0:55:21.840
<v Speaker 1>knew the guy who basically worked who owned Orpheus Records.

0:55:22.160 --> 0:55:26.120
<v Speaker 1>Orpheus Records was the home of Melbourne Moore. Okay, so

0:55:26.480 --> 0:55:32.280
<v Speaker 1>her husband, Charles Huggins owned Orpheus Records. So somehow Unknown

0:55:32.880 --> 0:55:35.800
<v Speaker 1>knew the dude who worked for Orpheus. We had a

0:55:35.920 --> 0:55:40.200
<v Speaker 1>fucking what MAXI single out, This is Compton, give it up,

0:55:40.239 --> 0:55:43.520
<v Speaker 1>I give up nothing. They took that ship up to Orpheus.

0:55:43.800 --> 0:55:47.279
<v Speaker 1>They heard it and because the street buzz on nick

0:55:47.400 --> 0:55:51.200
<v Speaker 1>gangster niggers in the streets was going because Easy was cracking,

0:55:51.920 --> 0:55:55.799
<v Speaker 1>n w A was cracking, King T was cracking, Ice

0:55:55.960 --> 0:55:59.359
<v Speaker 1>Tea was cracking. So they were one of the motherfucker's all,

0:55:59.400 --> 0:56:02.320
<v Speaker 1>we gotta give us one of them. Real talk, we

0:56:02.400 --> 0:56:04.840
<v Speaker 1>gotta get us one of them. So we got signed

0:56:04.880 --> 0:56:08.360
<v Speaker 1>to Orpheus Records, which had a deal with Capital, and

0:56:08.480 --> 0:56:10.840
<v Speaker 1>that's how we got our major label deal. Damn that

0:56:10.960 --> 0:56:14.000
<v Speaker 1>just sounds were just in the right place at the

0:56:14.080 --> 0:56:17.000
<v Speaker 1>right time. Gangster rap was was going off in l

0:56:17.080 --> 0:56:20.240
<v Speaker 1>A Like after Easy and them hit with fucking boys

0:56:20.320 --> 0:56:24.200
<v Speaker 1>in the hood, Fucking labels wanted them a fucking gangster rapper,

0:56:24.560 --> 0:56:26.439
<v Speaker 1>and we just happened to be in the right place

0:56:26.480 --> 0:56:28.960
<v Speaker 1>because we was already making tapes in the hood and

0:56:29.040 --> 0:56:32.319
<v Speaker 1>the garage and ship like that, and we was able

0:56:32.360 --> 0:56:35.440
<v Speaker 1>to put together some ship wearing fucking and then ship

0:56:35.600 --> 0:56:38.840
<v Speaker 1>was like, Okay, it's pretty cool until you know a label.

0:56:38.960 --> 0:56:42.600
<v Speaker 1>They like our ship. Some motherfucker's got on khaki suits

0:56:43.080 --> 0:56:46.120
<v Speaker 1>and fucking band damas and ship. They looked like them

0:56:46.160 --> 0:56:51.080
<v Speaker 1>in w A Fox sign them. Motherfucker's up man, Ship.

0:56:52.160 --> 0:56:54.400
<v Speaker 1>I'm on the plane. Three months later they got my

0:56:54.520 --> 0:56:56.640
<v Speaker 1>first They're on the plane in New York and walking

0:56:56.719 --> 0:57:01.480
<v Speaker 1>around Manhattan and Ship like we was neighborhood niggas. We

0:57:01.640 --> 0:57:04.120
<v Speaker 1>tore up the motherfucking room like it wasn't Ship nig

0:57:04.239 --> 0:57:07.520
<v Speaker 1>We some neighborhood niggas throwing motherfucking chicken out them win

0:57:07.640 --> 0:57:09.960
<v Speaker 1>doing Ship off the thirty fifth floor, and Ship we

0:57:10.000 --> 0:57:12.280
<v Speaker 1>didn't know how to act. We were some niggas from Compton.

0:57:12.360 --> 0:57:16.120
<v Speaker 1>We didn't give a fuck down out there on the road.

0:57:16.200 --> 0:57:19.280
<v Speaker 1>How many I know, everybody got to ask what that there?

0:57:19.320 --> 0:57:23.040
<v Speaker 1>How many niggas? I mean, it's always somebody to tell

0:57:23.080 --> 0:57:30.240
<v Speaker 1>you something on the reel. In my fucking twenty years

0:57:30.440 --> 0:57:33.640
<v Speaker 1>or thirty years of touring, we never had a fucking

0:57:33.760 --> 0:57:39.960
<v Speaker 1>confrontation with nothing. Probably one in tuc signs Nigga. And

0:57:40.040 --> 0:57:42.920
<v Speaker 1>when that's when nigga, we was banged out to the fullest,

0:57:43.200 --> 0:57:49.880
<v Speaker 1>you know, and to sign was full of bloods. And

0:57:50.040 --> 0:57:53.600
<v Speaker 1>when I say that was probably I mean everybody in

0:57:53.680 --> 0:57:56.440
<v Speaker 1>that motherfucker. It was about a theater that held about

0:57:56.480 --> 0:58:00.880
<v Speaker 1>three thousand people. Every motherfucking there had on head bandamas.

0:58:01.760 --> 0:58:05.080
<v Speaker 1>I kid you not that y'all performing. Oh they loved

0:58:05.160 --> 0:58:07.920
<v Speaker 1>us performing. But when it was trying to get up

0:58:07.920 --> 0:58:11.120
<v Speaker 1>out of there, it was a couple of shots went off.

0:58:12.000 --> 0:58:15.280
<v Speaker 1>We had to because ship, I mean, niggas, let us perform.

0:58:15.400 --> 0:58:19.520
<v Speaker 1>That's the crazy ship. We performed through the show. Everything

0:58:19.800 --> 0:58:22.400
<v Speaker 1>was gravy, but when it was trying to lead that

0:58:22.600 --> 0:58:27.600
<v Speaker 1>motherfucker man. But other than that man, we didn't travel

0:58:27.800 --> 0:58:33.040
<v Speaker 1>the country the overseas. That was our only incident. I've

0:58:33.120 --> 0:58:35.440
<v Speaker 1>never gotten into it with mother. Usually I go to

0:58:35.520 --> 0:58:38.280
<v Speaker 1>a nigga. Usually I go to a nigga town. I

0:58:38.280 --> 0:58:41.200
<v Speaker 1>don't give a funk if it's crip or blood affiliated.

0:58:41.880 --> 0:58:45.160
<v Speaker 1>I go to a nigga's neighborhood and hang with them.

0:58:45.560 --> 0:58:50.400
<v Speaker 1>That's how we get motherfucking cool with niggas because we

0:58:50.720 --> 0:58:53.400
<v Speaker 1>go because back then you had to do in stores

0:58:53.880 --> 0:58:56.680
<v Speaker 1>and promo tours and go to record stores and signed

0:58:56.800 --> 0:59:00.880
<v Speaker 1>fucking autographs. And so I'm trying. You're just happen to

0:59:00.960 --> 0:59:05.600
<v Speaker 1>pull up somewhere with niggas banging, and then they want

0:59:05.640 --> 0:59:08.560
<v Speaker 1>to be bloods. They want to be crips most of

0:59:08.600 --> 0:59:13.080
<v Speaker 1>the time. Right, most of the time here nigga's come in,

0:59:13.280 --> 0:59:16.160
<v Speaker 1>they actually for autographs. You go out in the back,

0:59:16.240 --> 0:59:19.480
<v Speaker 1>smoke a joint with them. They like, this is our hood,

0:59:20.000 --> 0:59:22.280
<v Speaker 1>you know, we're cool with it. And then from there

0:59:22.440 --> 0:59:25.760
<v Speaker 1>it's just a respect thing. So we tried not to

0:59:27.320 --> 0:59:29.800
<v Speaker 1>I don't know how you want to put it. We

0:59:29.960 --> 0:59:35.640
<v Speaker 1>try not to go motherfucking places and agitate motherfucker's and

0:59:36.000 --> 0:59:39.960
<v Speaker 1>we My thing is, look, we gotta come out here.

0:59:40.360 --> 0:59:43.160
<v Speaker 1>We gotta make some more fucking money, and we gotta

0:59:43.200 --> 0:59:45.840
<v Speaker 1>get the funk up out of here. We ain't nowhere

0:59:46.000 --> 0:59:50.640
<v Speaker 1>near fucking Compton, So let's get through this, motherfucker. Nobody

0:59:50.760 --> 0:59:53.680
<v Speaker 1>go to jail, nobody ends up in the fucking hospital,

0:59:54.360 --> 0:59:57.280
<v Speaker 1>and we're on the plane the next morning. So let's

0:59:57.320 --> 1:00:00.800
<v Speaker 1>go do the show. Nigga smoked. They we meet a

1:00:00.880 --> 1:00:04.320
<v Speaker 1>couple of fans, and then niggas would tell you, nigga,

1:00:04.400 --> 1:00:06.800
<v Speaker 1>I'm on your door at six o'clock in the morning.

1:00:06.960 --> 1:00:10.240
<v Speaker 1>Let's get the funk up out of here. We don't

1:00:10.520 --> 1:00:13.120
<v Speaker 1>you know, that's my thing. Don't like you don't know

1:00:13.240 --> 1:00:17.040
<v Speaker 1>what the fun is going on? Now, we always had that.

1:00:17.520 --> 1:00:21.280
<v Speaker 1>You know, we're from Compton. Compton is the greatest motherfucking

1:00:23.400 --> 1:00:26.200
<v Speaker 1>get me, Compton is the greatest place. And then when

1:00:26.200 --> 1:00:29.400
<v Speaker 1>you talk about banging, we don't give a fuck. We

1:00:29.560 --> 1:00:32.120
<v Speaker 1>pull up in your motherfucking town. Get out, nigger, and

1:00:32.160 --> 1:00:35.440
<v Speaker 1>it's only five of us, and we whoop every motherfucker

1:00:35.480 --> 1:00:38.120
<v Speaker 1>in here. We won't give fun. That's our feeling. But

1:00:38.440 --> 1:00:43.480
<v Speaker 1>my thing was, you know some professional ship. You get me.

1:00:43.960 --> 1:00:47.760
<v Speaker 1>We got these motherfucking white executives out here, You got

1:00:47.840 --> 1:00:52.120
<v Speaker 1>the road managers out here. Motherfucker's scared, man, So you

1:00:52.320 --> 1:00:56.560
<v Speaker 1>can't get into situations that these other motherfucker's can't handle.

1:00:56.960 --> 1:00:58.760
<v Speaker 1>And then you don't want to go home. And next thing,

1:00:58.800 --> 1:01:01.040
<v Speaker 1>you know what, motherfucker dropping you from the label because

1:01:01.080 --> 1:01:04.360
<v Speaker 1>every time you go somewhere, you're beating on motherfucker's, are

1:01:04.400 --> 1:01:07.360
<v Speaker 1>getting in the shootouts and ship like that. Now that's

1:01:07.440 --> 1:01:10.120
<v Speaker 1>giving us a bad name. Now we're all in the news.

1:01:10.560 --> 1:01:13.240
<v Speaker 1>And then back then it's all about gangster wrap is

1:01:13.320 --> 1:01:16.120
<v Speaker 1>bad and there's bitches, and it's all this type of ship.

1:01:16.480 --> 1:01:18.680
<v Speaker 1>So I didn't want to. I didn't want to bring

1:01:18.760 --> 1:01:21.439
<v Speaker 1>no motherfucking drama to that because we was already getting

1:01:21.480 --> 1:01:23.280
<v Speaker 1>a hard time just trying to be who we were

1:01:23.320 --> 1:01:25.960
<v Speaker 1>as artists. You get me. I'm not trying to be

1:01:26.080 --> 1:01:28.600
<v Speaker 1>a motherfucker that think I'm battered than the niggas in

1:01:28.720 --> 1:01:33.240
<v Speaker 1>Chicago or New York or Texas or wherever. But nigga,

1:01:33.280 --> 1:01:37.200
<v Speaker 1>we were hard nigga were hard with the lord's tucker

1:01:37.280 --> 1:01:40.400
<v Speaker 1>on your heads like she wasn't everybody else's. She wasn't

1:01:40.440 --> 1:01:42.840
<v Speaker 1>on my head. But I had a nigger who one

1:01:42.920 --> 1:01:45.640
<v Speaker 1>of them Centator niggas was talking about the Week Comes

1:01:45.680 --> 1:01:49.400
<v Speaker 1>Strapped album and all that ship. I mean, we felt like,

1:01:50.840 --> 1:01:54.120
<v Speaker 1>I don't know ship. We wasn't trying to say fucking

1:01:54.200 --> 1:01:56.920
<v Speaker 1>every lady is a bitch or a whore or hood rap,

1:01:57.400 --> 1:01:59.840
<v Speaker 1>but ship in my neighborhood, it's a couple of hood

1:02:00.640 --> 1:02:04.440
<v Speaker 1>fucking ship like not you, You're not one. I'm not

1:02:04.560 --> 1:02:07.600
<v Speaker 1>saying that about you, miss or you lady. You know

1:02:07.840 --> 1:02:10.840
<v Speaker 1>you sophisticated. I'm not meaning that, So don't take what

1:02:10.960 --> 1:02:13.600
<v Speaker 1>I say on my fucking record is every fucking female

1:02:13.680 --> 1:02:15.800
<v Speaker 1>on our planet Earth is a bit or horror. No,

1:02:16.400 --> 1:02:19.760
<v Speaker 1>but god damnit this. Some girls in my neighborhood funked

1:02:19.800 --> 1:02:22.680
<v Speaker 1>with me, funk with my nigga from the mob, funk

1:02:22.760 --> 1:02:25.120
<v Speaker 1>with the bitch from south Side. She funk with all

1:02:25.680 --> 1:02:29.240
<v Speaker 1>she then't got around. So to me, that's a hood rat.

1:02:29.360 --> 1:02:30.960
<v Speaker 1>I don't know what you want me to call her

1:02:31.080 --> 1:02:34.440
<v Speaker 1>other than that youven get me, So that's our term.

1:02:34.720 --> 1:02:37.520
<v Speaker 1>Don't take it personal. You get me, So we had

1:02:37.560 --> 1:02:39.440
<v Speaker 1>to deal with that. But it's just an expression of

1:02:39.520 --> 1:02:41.600
<v Speaker 1>what I like. I said, that's what we grew up knowing.

1:02:42.040 --> 1:02:43.720
<v Speaker 1>You know what I'm saying. I wasn't going to get

1:02:43.760 --> 1:02:45.800
<v Speaker 1>on record and be like our grandmama and know that

1:02:45.880 --> 1:02:49.360
<v Speaker 1>girls are hardly or she's a fucking funk, that she's

1:02:49.360 --> 1:02:51.560
<v Speaker 1>a hood rat. That's what we grew up on. That's

1:02:51.600 --> 1:02:53.880
<v Speaker 1>what they taught us in the hood. So I mean

1:02:54.320 --> 1:02:56.640
<v Speaker 1>a lot and a lot of motherfucker's got on us

1:02:56.720 --> 1:03:00.400
<v Speaker 1>because what we represented we was gang banging. All these

1:03:00.480 --> 1:03:03.680
<v Speaker 1>guys talking and the bad influence. And now kids across

1:03:03.760 --> 1:03:07.400
<v Speaker 1>the country is gang banging and killing motherfucker's and blame

1:03:07.480 --> 1:03:09.880
<v Speaker 1>it and on rap music. It's the dumbest ship I've

1:03:09.920 --> 1:03:13.560
<v Speaker 1>ever fucking heard in my life. Motherfucker. I don't watch

1:03:13.640 --> 1:03:15.760
<v Speaker 1>Superman in the morning and put on the cape and

1:03:15.840 --> 1:03:17.960
<v Speaker 1>go to the top of the roof and be like, motherfucker,

1:03:19.120 --> 1:03:22.000
<v Speaker 1>you get me. You gotta have fucking sense. And I

1:03:22.080 --> 1:03:24.280
<v Speaker 1>feel if you raise your kid right, motherfucker, you know

1:03:24.480 --> 1:03:27.440
<v Speaker 1>you can't. Gang banging is real ship. But at the

1:03:27.480 --> 1:03:30.800
<v Speaker 1>same time, music has influence. Man, I never tell you

1:03:30.920 --> 1:03:33.440
<v Speaker 1>somebody never heard a motherfucking's song in my life that

1:03:33.560 --> 1:03:36.280
<v Speaker 1>makes me want to take something or do something stupid whatever.

1:03:36.560 --> 1:03:38.720
<v Speaker 1>It's fucking You could be crying your heart out on

1:03:38.800 --> 1:03:41.080
<v Speaker 1>the record and saying you went through that, ain't me.

1:03:42.120 --> 1:03:44.480
<v Speaker 1>You get me. I got the sense to know that

1:03:44.600 --> 1:03:48.880
<v Speaker 1>ain't me. Or I'm feeling this fucking musician or artists

1:03:48.960 --> 1:03:51.840
<v Speaker 1>so bad, I feel your pain. Or you're talking about

1:03:51.920 --> 1:03:54.440
<v Speaker 1>some heartache or a breakup. Okay, yeah, I might have

1:03:54.520 --> 1:03:57.040
<v Speaker 1>went through some ship like that, but that don't mean,

1:03:57.120 --> 1:04:00.520
<v Speaker 1>motherfucker I want to go motherfucking shoot up everybody around

1:04:00.560 --> 1:04:03.400
<v Speaker 1>the corner. Because on the records you said something, Then,

1:04:03.520 --> 1:04:06.520
<v Speaker 1>motherfucker that means fucking I can go watch Arnold Schwartz

1:04:06.560 --> 1:04:09.560
<v Speaker 1>and Ager and watch him kill up every motherfucking America

1:04:09.920 --> 1:04:14.280
<v Speaker 1>and go le me grab my motherfucking A K forty

1:04:14.320 --> 1:04:17.200
<v Speaker 1>seven and just start killing motherfucker's and then I'm gonna

1:04:17.200 --> 1:04:19.760
<v Speaker 1>get away with it. It happened like that in the movies.

1:04:20.240 --> 1:04:22.439
<v Speaker 1>I mean, so sometimes on records you have to dig

1:04:22.520 --> 1:04:25.400
<v Speaker 1>deep into it and just listen to the explanation or

1:04:25.520 --> 1:04:27.280
<v Speaker 1>listen to what they're trying to do. They're trying to

1:04:27.360 --> 1:04:30.440
<v Speaker 1>tell you what I went through. Necessarily, you don't have

1:04:30.600 --> 1:04:33.600
<v Speaker 1>to go through that. But it might be a motherfucking

1:04:33.680 --> 1:04:36.720
<v Speaker 1>this situation that might ben like minds or whatever. So

1:04:36.920 --> 1:04:40.200
<v Speaker 1>just hear my story. That's it. Well, you still got

1:04:40.480 --> 1:04:45.720
<v Speaker 1>reminded kids out here today and that believes in what

1:04:45.880 --> 1:04:49.280
<v Speaker 1>you're saying, that believes in the pistol, believe that they

1:04:49.400 --> 1:04:53.040
<v Speaker 1>have to identify themselves with the hood. A lot of

1:04:53.120 --> 1:04:56.600
<v Speaker 1>them in my neighborhood. Everybody go through it. You have

1:04:56.720 --> 1:04:59.000
<v Speaker 1>a you have a lot of kids just don't understand

1:04:59.360 --> 1:05:02.960
<v Speaker 1>and getting leadership from a father. Pickre, you know what

1:05:03.000 --> 1:05:05.640
<v Speaker 1>I'm saying. Some don't have a father Pigre. You know

1:05:05.680 --> 1:05:08.280
<v Speaker 1>what I'm saying. But is that an excuse for you

1:05:08.360 --> 1:05:12.120
<v Speaker 1>to go and terrorize. No, No, definitely not. I mean

1:05:12.240 --> 1:05:15.240
<v Speaker 1>you have to be able to differentiate what's real and

1:05:15.520 --> 1:05:18.200
<v Speaker 1>in fiction or what happens you get kids. I don't

1:05:18.240 --> 1:05:20.200
<v Speaker 1>think you can blame the art, but I do believe

1:05:20.240 --> 1:05:23.000
<v Speaker 1>the art has influence on all kind of negative things.

1:05:23.160 --> 1:05:25.360
<v Speaker 1>The two dudes that had that forty four minute shootout

1:05:25.400 --> 1:05:27.720
<v Speaker 1>with the L A. P. D. Back in that was

1:05:28.320 --> 1:05:31.640
<v Speaker 1>they was watching Heat. They was loving the movie Heat.

1:05:32.280 --> 1:05:35.200
<v Speaker 1>Dude when strapped and they went strapped and look what

1:05:35.320 --> 1:05:38.160
<v Speaker 1>the funk happened at the end. Your movie script is done.

1:05:38.280 --> 1:05:41.360
<v Speaker 1>Motherfucker you did me. You ain't coming out of this

1:05:41.560 --> 1:05:44.000
<v Speaker 1>safe and flying off the cube, but with a hundred

1:05:44.040 --> 1:05:46.880
<v Speaker 1>million in your backpack, you're fucking dead in the middle

1:05:46.880 --> 1:05:50.320
<v Speaker 1>of the street. Real life is real life. I get it.

1:05:50.920 --> 1:05:55.400
<v Speaker 1>Listen to my art whatever, and be influenced or be educated,

1:05:55.840 --> 1:06:00.439
<v Speaker 1>But motherfucker, don't take some ship that is like I'm

1:06:00.480 --> 1:06:03.520
<v Speaker 1>on a fucking record. You get me. You're watching the

1:06:03.680 --> 1:06:06.919
<v Speaker 1>movie and it might say true life story, and most

1:06:06.960 --> 1:06:09.320
<v Speaker 1>of the time when it's true life, it don't end

1:06:09.400 --> 1:06:12.919
<v Speaker 1>up in the fucking fairy tale. So learn from this ship.

1:06:13.320 --> 1:06:15.840
<v Speaker 1>And like you said, as a youth, motherfucker you just

1:06:15.920 --> 1:06:19.560
<v Speaker 1>got as a kid. We gotta be able to direct

1:06:19.600 --> 1:06:21.960
<v Speaker 1>our kids in a different fashion. And like I said,

1:06:22.040 --> 1:06:24.520
<v Speaker 1>I was one of them lost kids too. In the neighborhood.

1:06:24.720 --> 1:06:27.720
<v Speaker 1>My father wasn't sucking around. I had a single parent.

1:06:27.920 --> 1:06:30.320
<v Speaker 1>My mom went to work at eleven o'clock at night

1:06:30.600 --> 1:06:32.840
<v Speaker 1>to seven o'clock in the morning. We used to have

1:06:32.920 --> 1:06:36.360
<v Speaker 1>a fucking ball at my career. And I was fucking fifteen,

1:06:36.480 --> 1:06:38.959
<v Speaker 1>sixteen years old, So I was one of them lost

1:06:39.080 --> 1:06:42.160
<v Speaker 1>kids too. Out in the street. You know, joining the

1:06:42.320 --> 1:06:45.720
<v Speaker 1>gang because but then I still was one of my

1:06:45.880 --> 1:06:49.880
<v Speaker 1>fucker's who was able to differentiate and know that I

1:06:50.000 --> 1:06:52.840
<v Speaker 1>wanted something better. You get me. A lot of us

1:06:52.920 --> 1:06:54.600
<v Speaker 1>don't make it out of that because some of us

1:06:54.640 --> 1:06:59.160
<v Speaker 1>don't get the opportunity. Rap was my opportunity. Fuck it well,

1:06:59.200 --> 1:07:00.919
<v Speaker 1>I think James right, there's a lot of weak money

1:07:00.960 --> 1:07:04.280
<v Speaker 1>people out there that some people are just easier influencing

1:07:04.360 --> 1:07:07.080
<v Speaker 1>other people. So definitely there's a lot of motherfucker's that's

1:07:07.120 --> 1:07:09.760
<v Speaker 1>followers and want to be loan. We've got you got

1:07:09.920 --> 1:07:13.640
<v Speaker 1>even even the police they're finding a way through rap

1:07:13.800 --> 1:07:16.840
<v Speaker 1>music to convict you. They're finding a way in your

1:07:16.960 --> 1:07:19.880
<v Speaker 1>video to convict you. Or you got guns and money,

1:07:20.000 --> 1:07:22.800
<v Speaker 1>they're coming to take your ass to jail. That's the

1:07:23.400 --> 1:07:28.520
<v Speaker 1>that's the dumb ship nowadays, that doing like our ship was.

1:07:28.840 --> 1:07:30.520
<v Speaker 1>I don't know, we didn't do that ship back in

1:07:30.600 --> 1:07:32.800
<v Speaker 1>our days. But like I said, now you've got access

1:07:32.840 --> 1:07:36.520
<v Speaker 1>to the internet and social media, it's wide open. You

1:07:36.640 --> 1:07:40.000
<v Speaker 1>get me. So now you got dudes who feel like,

1:07:40.160 --> 1:07:42.680
<v Speaker 1>fucking I'm gonna post my guns and we're standing on

1:07:42.840 --> 1:07:45.880
<v Speaker 1>this block and we over here and over here. It's

1:07:45.920 --> 1:07:48.160
<v Speaker 1>just an easy way for the motherfucking police to be like,

1:07:48.280 --> 1:07:50.240
<v Speaker 1>oh there they go, go get them. Now. I know

1:07:50.360 --> 1:07:52.160
<v Speaker 1>a g I know a gang of niggas like that

1:07:52.360 --> 1:07:55.160
<v Speaker 1>right now, youngsters, though you give me so how do

1:07:55.280 --> 1:07:58.640
<v Speaker 1>you educate? You gotta tell them, motherfucker's that ain't the

1:07:58.720 --> 1:08:01.600
<v Speaker 1>way to go. I don't give a funk what you're

1:08:01.640 --> 1:08:05.000
<v Speaker 1>seeing or you thinking, or getting money or whatever. That

1:08:05.160 --> 1:08:08.000
<v Speaker 1>ship is. Nine times out of ten, that ship gets

1:08:08.040 --> 1:08:10.920
<v Speaker 1>you dead or locked the funk up. And if you

1:08:11.120 --> 1:08:14.080
<v Speaker 1>have a vision of trying to be somebody one day,

1:08:14.240 --> 1:08:17.080
<v Speaker 1>because motherfucker, I'm telling you, don't let it be prisoned

1:08:17.200 --> 1:08:19.599
<v Speaker 1>that you'd be sitting in and then fifteen years later

1:08:19.720 --> 1:08:22.600
<v Speaker 1>you go, oh yeah, man, I should have fucking you

1:08:22.760 --> 1:08:26.120
<v Speaker 1>know what I'm saying. Now is your opportunity because before

1:08:26.200 --> 1:08:29.120
<v Speaker 1>some ship goes down and you sink into that pitfall,

1:08:29.600 --> 1:08:32.760
<v Speaker 1>you gotta be able to to open up your brain

1:08:32.920 --> 1:08:36.200
<v Speaker 1>to understand that, yeah we are. I struggle like a

1:08:36.320 --> 1:08:40.519
<v Speaker 1>motherfucker as a kid coming up. My mama, my mama

1:08:40.640 --> 1:08:43.479
<v Speaker 1>was one of them, you know, mama, single mama, you know,

1:08:44.680 --> 1:08:47.600
<v Speaker 1>food stamps sometimes and that type of ship. It was

1:08:47.680 --> 1:08:50.880
<v Speaker 1>hard growing up in Compton as a single parent with

1:08:51.080 --> 1:08:56.040
<v Speaker 1>motherfucking man. But you you you, I had a mom

1:08:56.120 --> 1:08:58.760
<v Speaker 1>who always stayed on a nigger. That's what happened for me.

1:08:59.520 --> 1:09:02.320
<v Speaker 1>You get me. I don't give for how old I

1:09:02.439 --> 1:09:04.639
<v Speaker 1>got till I was in the house. I got threatened

1:09:04.680 --> 1:09:08.080
<v Speaker 1>with fucking beatens and whoopings and phone stone at your

1:09:08.160 --> 1:09:11.400
<v Speaker 1>motherfucking head and all type of ships. So you you

1:09:11.560 --> 1:09:14.240
<v Speaker 1>have to you have to have somebody in your motherfucking

1:09:14.320 --> 1:09:17.400
<v Speaker 1>corner too. Also, we did an interview with you for

1:09:17.760 --> 1:09:20.200
<v Speaker 1>that's posted on the Digital soapbas Network, and we learned

1:09:20.240 --> 1:09:22.879
<v Speaker 1>that your your parents are married. Even though they divorced

1:09:22.960 --> 1:09:24.960
<v Speaker 1>at the same point, you still had your father in

1:09:25.000 --> 1:09:28.000
<v Speaker 1>your life. And half the brothers in Compton don't don't

1:09:28.040 --> 1:09:31.400
<v Speaker 1>even know who their father. I even though my parents

1:09:31.520 --> 1:09:35.000
<v Speaker 1>divorced and my father moved away, I still feared my

1:09:35.120 --> 1:09:37.559
<v Speaker 1>fucking father. He could get on the phone and call

1:09:37.680 --> 1:09:41.040
<v Speaker 1>me and I get terrified. So I still had that

1:09:41.240 --> 1:09:43.840
<v Speaker 1>fear because he was in the house when us with

1:09:44.080 --> 1:09:47.519
<v Speaker 1>us before they separated, and my mom's had to do

1:09:47.800 --> 1:09:50.920
<v Speaker 1>everything on her own. But and he was in fucking

1:09:51.080 --> 1:09:57.040
<v Speaker 1>Oklahoma somewhere. But he's still instilled in me some kind

1:09:57.080 --> 1:10:01.639
<v Speaker 1>of fatherhood type of ship to where I felt threatened

1:10:01.680 --> 1:10:03.720
<v Speaker 1>if I did something wrong, And even though I was

1:10:03.760 --> 1:10:06.080
<v Speaker 1>out there trying to gang bang, you know, I didn't

1:10:06.120 --> 1:10:08.360
<v Speaker 1>give a funk. But let him call and find out.

1:10:08.840 --> 1:10:12.040
<v Speaker 1>Oh uh, Mom saw me on the corner with the

1:10:12.160 --> 1:10:14.920
<v Speaker 1>rag in my back pocket and hanging with like five

1:10:15.080 --> 1:10:17.680
<v Speaker 1>or six dudes, and ship, I get a call when

1:10:17.720 --> 1:10:19.640
<v Speaker 1>I get home, and it'd be murder. I think I

1:10:19.680 --> 1:10:21.519
<v Speaker 1>canna come out there and fuck you up. Did your

1:10:21.600 --> 1:10:24.160
<v Speaker 1>mom ever want to send you to Oklahoma? Uh? Yeah,

1:10:24.560 --> 1:10:31.320
<v Speaker 1>I went fucking moms didn't play. But my father was

1:10:32.200 --> 1:10:35.200
<v Speaker 1>one of them, you know, one of them dudes was

1:10:35.560 --> 1:10:38.680
<v Speaker 1>you know, Army went to Vietnam type of ship, so

1:10:39.880 --> 1:10:42.080
<v Speaker 1>he he was kind of he was kind of fucked up.

1:10:43.080 --> 1:10:46.519
<v Speaker 1>So I think I was in Oklahoma for about three

1:10:46.640 --> 1:10:48.560
<v Speaker 1>months and I was like, man, if you're give me

1:10:48.640 --> 1:10:51.479
<v Speaker 1>the funk about of here, you don't get me the

1:10:51.560 --> 1:10:54.080
<v Speaker 1>funk up out of here, man, this motherfucker. Man. I

1:10:54.200 --> 1:10:56.160
<v Speaker 1>love my post to death, rest in peace. But I

1:10:56.280 --> 1:10:57.960
<v Speaker 1>was like, Mom, if you don't send me a plane

1:10:58.000 --> 1:11:00.960
<v Speaker 1>ticket tomorrow, are you? Was telling Mom, I'm gonna change.

1:11:02.800 --> 1:11:04.960
<v Speaker 1>I'm gonna be everything you wanted. Man, get me the

1:11:05.120 --> 1:11:07.920
<v Speaker 1>funk up out of here. So, like I said, you

1:11:08.000 --> 1:11:10.120
<v Speaker 1>just have to have somebody in your corner. And luckily

1:11:10.200 --> 1:11:12.640
<v Speaker 1>for me, I had a strong moms, even though she

1:11:12.800 --> 1:11:15.519
<v Speaker 1>was a single parent. You know, we was out there

1:11:15.600 --> 1:11:18.320
<v Speaker 1>gang banging like a motherfucking me and chill the motherfucker's

1:11:18.400 --> 1:11:21.120
<v Speaker 1>be like, Liz, I saw your son on the corner

1:11:21.240 --> 1:11:23.439
<v Speaker 1>with them dudes, and whoop the whoop is he would

1:11:23.560 --> 1:11:26.280
<v Speaker 1>my mom be like my son on gang bang? I

1:11:26.320 --> 1:11:28.200
<v Speaker 1>think I'll be walking in the house with the hood

1:11:28.320 --> 1:11:30.600
<v Speaker 1>hit up all on my sweatshirt and all kind of

1:11:30.840 --> 1:11:33.800
<v Speaker 1>my son don't gang bang. It was just a way

1:11:33.840 --> 1:11:36.439
<v Speaker 1>of life for us, man. I mean that's what you did.

1:11:37.160 --> 1:11:39.599
<v Speaker 1>I wasn't on sports. Motherfucker. I don't give a fuck.

1:11:39.880 --> 1:11:43.439
<v Speaker 1>And I didn't start rapping until I was about seventeen eighteen.

1:11:43.920 --> 1:11:47.759
<v Speaker 1>So from thirteen until then, all I knew was gang banging.

1:11:47.840 --> 1:11:52.200
<v Speaker 1>That's it. I didn't know ship else. That's it. How's

1:11:52.240 --> 1:11:54.400
<v Speaker 1>your music changed because you just put out an album

1:11:54.640 --> 1:11:56.920
<v Speaker 1>when you go twenty years ago now or do you

1:11:57.080 --> 1:12:00.880
<v Speaker 1>feel like you're still the same. We we try to,

1:12:01.240 --> 1:12:03.400
<v Speaker 1>like I said, I try to evolve, you know, grow

1:12:03.560 --> 1:12:06.439
<v Speaker 1>up as a as a father with with daughters and

1:12:06.520 --> 1:12:10.840
<v Speaker 1>the fucking son and you know, being able to move

1:12:10.960 --> 1:12:15.040
<v Speaker 1>out of Compton and be in a different situation. Uh,

1:12:15.320 --> 1:12:19.320
<v Speaker 1>my music, you know, it stays on the same track because,

1:12:19.439 --> 1:12:22.479
<v Speaker 1>let's face it, you cannot forget the fans who get

1:12:22.560 --> 1:12:26.360
<v Speaker 1>you to a certain point. I mean, motherfucker's I grew

1:12:26.479 --> 1:12:29.280
<v Speaker 1>up with is my fans. My age limit is my fans.

1:12:29.520 --> 1:12:31.720
<v Speaker 1>They love my music. They still want me to do

1:12:31.880 --> 1:12:35.320
<v Speaker 1>records like music to dry buying songs like that. And

1:12:35.439 --> 1:12:39.439
<v Speaker 1>I try to explain to them today, man, the age

1:12:39.439 --> 1:12:42.840
<v Speaker 1>I am. You want me to rap about drive by

1:12:43.040 --> 1:12:45.280
<v Speaker 1>Ms Daisy and hitting the corner with an A K

1:12:45.479 --> 1:12:49.120
<v Speaker 1>forty seven and ship like that? I said, I can't.

1:12:49.280 --> 1:12:52.120
<v Speaker 1>I can't rap about ship like that no more. But

1:12:52.320 --> 1:12:55.479
<v Speaker 1>I can rap about what I feel is situations that

1:12:55.600 --> 1:12:58.479
<v Speaker 1>still going on as far as with niggas who still

1:12:58.520 --> 1:13:01.840
<v Speaker 1>stuck in the hood or you know, the poverty, or

1:13:01.920 --> 1:13:04.680
<v Speaker 1>motherfucker's just trying to get ahead or just trying to,

1:13:04.920 --> 1:13:08.000
<v Speaker 1>you know, represent the West Coast with my music into

1:13:08.040 --> 1:13:11.840
<v Speaker 1>an influential way that it's still trying to stick on

1:13:11.960 --> 1:13:15.600
<v Speaker 1>the lines of representing content. But it ain't so it

1:13:15.720 --> 1:13:21.679
<v Speaker 1>ain't so fucking The Tale of the heartbroken, lost, innocent

1:13:22.280 --> 1:13:26.439
<v Speaker 1>adolescent young gang banging niggers in the hood. You get

1:13:26.520 --> 1:13:29.960
<v Speaker 1>me like there's no future with us. Everything is you know,

1:13:30.600 --> 1:13:33.639
<v Speaker 1>yes to still struggle out there, but we can't take

1:13:33.680 --> 1:13:36.360
<v Speaker 1>it on like you know, innocence lost in the hood

1:13:36.439 --> 1:13:39.560
<v Speaker 1>with no fathers around, So we gotta walk around with

1:13:39.840 --> 1:13:43.840
<v Speaker 1>with with with guns all day and protect the neighborhood

1:13:43.920 --> 1:13:46.679
<v Speaker 1>and this funk everybody and it's nothing but the hood.

1:13:46.800 --> 1:13:48.960
<v Speaker 1>And you gotta show to you because, like I said,

1:13:48.960 --> 1:13:51.679
<v Speaker 1>I got a son, So I can't be rapping about

1:13:51.800 --> 1:13:53.880
<v Speaker 1>a k and niggas up and hitting the block with

1:13:54.120 --> 1:13:56.800
<v Speaker 1>with cavvy and my sock and ship like that and

1:13:56.920 --> 1:14:00.040
<v Speaker 1>running from the police because I don't want him to

1:14:00.080 --> 1:14:02.639
<v Speaker 1>get influenced by that. So you just try to make

1:14:02.720 --> 1:14:05.760
<v Speaker 1>your music in a way that your old fans can

1:14:05.880 --> 1:14:08.960
<v Speaker 1>respect it and then the new motherfucker's who are listening

1:14:09.040 --> 1:14:12.960
<v Speaker 1>to music today can adapt to it into what is

1:14:13.080 --> 1:14:16.640
<v Speaker 1>going on today. So you just said that it's not

1:14:17.000 --> 1:14:19.080
<v Speaker 1>that influential, but at the same time, you don't want

1:14:19.120 --> 1:14:23.960
<v Speaker 1>to influencing your son exactly, I can't. I mean, you

1:14:24.120 --> 1:14:27.519
<v Speaker 1>have to show people that you can be you know,

1:14:27.880 --> 1:14:30.680
<v Speaker 1>as a father. You you have to be able to

1:14:30.760 --> 1:14:33.000
<v Speaker 1>balance it. You give mo what I'm saying because I

1:14:33.120 --> 1:14:36.479
<v Speaker 1>want to remain true to my fans who got me

1:14:37.000 --> 1:14:40.559
<v Speaker 1>to this point where I am. But like I said,

1:14:40.760 --> 1:14:45.360
<v Speaker 1>I can't funk around and give them music to drive

1:14:45.520 --> 1:14:48.320
<v Speaker 1>by you give me now. I can give you music

1:14:48.439 --> 1:14:50.920
<v Speaker 1>on the line of where it's still a struggle and

1:14:51.000 --> 1:14:54.519
<v Speaker 1>niggas are still stuck in the neighborhood. But I can't

1:14:54.640 --> 1:14:57.639
<v Speaker 1>show you that I am still one of them dudes

1:14:57.760 --> 1:15:02.000
<v Speaker 1>that it is influenced by like the Rag, the A

1:15:02.240 --> 1:15:05.000
<v Speaker 1>K and all that ship because I grew up now

1:15:05.280 --> 1:15:08.240
<v Speaker 1>you get me. Definitely. I think you could say you've

1:15:08.280 --> 1:15:12.080
<v Speaker 1>evolved exactly. Music has to evolve with your men. You

1:15:12.200 --> 1:15:14.360
<v Speaker 1>have to be able to balance it out. Like I said,

1:15:14.840 --> 1:15:17.200
<v Speaker 1>you know for the motherfucker's who loved you when you

1:15:17.360 --> 1:15:20.920
<v Speaker 1>first started into the new motherfucker's who are listening to

1:15:21.120 --> 1:15:25.360
<v Speaker 1>your music and go, okay, well ship, who is this motherfucker?

1:15:25.479 --> 1:15:28.880
<v Speaker 1>You know what I'm saying, And if what's going on nowadays,

1:15:29.080 --> 1:15:31.040
<v Speaker 1>like we can't do that ship because you could lose

1:15:31.080 --> 1:15:34.000
<v Speaker 1>your family. And yeah, like the way Hammer did when

1:15:34.000 --> 1:15:36.840
<v Speaker 1>he wanted to go gangster man, motherfucker you put on

1:15:36.960 --> 1:15:40.479
<v Speaker 1>pants and you better dance for us. That's what got him. No,

1:15:40.479 --> 1:15:42.400
<v Speaker 1>I don't want to hear no motherfucker you better not

1:15:42.520 --> 1:15:45.200
<v Speaker 1>come out no khaki suit talking about riding in the

1:15:45.320 --> 1:15:47.200
<v Speaker 1>sixth four and all that ship or see him in

1:15:47.240 --> 1:15:50.760
<v Speaker 1>the speed though I know sitting in the pool. I mean,

1:15:51.160 --> 1:15:53.120
<v Speaker 1>if you gett't to order, that's when you just gotta

1:15:53.160 --> 1:15:55.680
<v Speaker 1>buy out. Fuck it. I mean, if you buy out

1:15:55.720 --> 1:15:58.240
<v Speaker 1>with that good record, don't buy out trying to be

1:15:58.439 --> 1:16:02.160
<v Speaker 1>somebody you ain't, just to ease the motherfucker' it's the transition.

1:16:02.680 --> 1:16:04.760
<v Speaker 1>Like me, I'm not gonna color my hair like a

1:16:04.920 --> 1:16:07.960
<v Speaker 1>rainbow and god what, that's what they're doing, So fuck it,

1:16:08.080 --> 1:16:10.160
<v Speaker 1>I might as well do that ship too, because I

1:16:10.280 --> 1:16:12.720
<v Speaker 1>gotta be on the funk that man. If If a

1:16:12.800 --> 1:16:15.559
<v Speaker 1>motherfucker who don't like me from back then and don't

1:16:15.640 --> 1:16:17.800
<v Speaker 1>like the pattern of what I'm doing, that's when it's

1:16:17.840 --> 1:16:20.519
<v Speaker 1>just time to buy all gracefully, because you can't do

1:16:20.680 --> 1:16:22.720
<v Speaker 1>what the other motherfucker's do. You don't want to be

1:16:22.840 --> 1:16:25.679
<v Speaker 1>no follower funk that all right? Let me tell everybody

1:16:25.720 --> 1:16:28.800
<v Speaker 1>where they can find us at James McDonald's on Facebook.

1:16:29.160 --> 1:16:31.840
<v Speaker 1>And I know James McDonald's a common name, but he's

1:16:31.880 --> 1:16:34.639
<v Speaker 1>the one with the Red Harley and the profile picture.

1:16:34.720 --> 1:16:37.080
<v Speaker 1>And you could also hit James on Instagram at B

1:16:37.280 --> 1:16:40.560
<v Speaker 1>I G G J thirty six thirty six and he

1:16:40.640 --> 1:16:42.680
<v Speaker 1>still has those shirts. James, give them the number for

1:16:42.720 --> 1:16:45.920
<v Speaker 1>them shirts one more time, because I didn't. I didn't

1:16:45.960 --> 1:16:49.880
<v Speaker 1>tell people twice on the shows, I had seventy calls.

1:16:50.640 --> 1:16:55.080
<v Speaker 1>I sent out forty three shirts in a week. In

1:16:55.160 --> 1:16:59.320
<v Speaker 1>a week just by saying the first five callers get

1:16:59.400 --> 1:17:02.040
<v Speaker 1>a free shirt. So I wind up taking all of

1:17:02.120 --> 1:17:07.920
<v Speaker 1>those defective shirts and giving them away. But and I'm i'm, I'm,

1:17:08.080 --> 1:17:11.840
<v Speaker 1>I'm sending the posts some of them sending on them,

1:17:11.960 --> 1:17:14.599
<v Speaker 1>sending me fifty bucks. No, I don't want to free

1:17:14.920 --> 1:17:18.400
<v Speaker 1>I'm supporting. But at the end of the day, my

1:17:18.560 --> 1:17:22.360
<v Speaker 1>receipt yesterday was a hundred and thirty eight bucks at

1:17:22.400 --> 1:17:26.600
<v Speaker 1>the post office. Shipping costs just sipping. Man. All right,

1:17:26.640 --> 1:17:28.160
<v Speaker 1>So what you're saying is you don't you don't want

1:17:28.160 --> 1:17:32.479
<v Speaker 1>to know. Okay, they already they already got your number.

1:17:32.520 --> 1:17:35.639
<v Speaker 1>And then you can find me Alex Alonso at Alex

1:17:35.680 --> 1:17:39.320
<v Speaker 1>Alonso one zero one on Twitter, Instagram, and Facebook. You

1:17:39.360 --> 1:17:41.519
<v Speaker 1>could also find me on street Gangs dot Com and

1:17:41.760 --> 1:17:44.960
<v Speaker 1>on the platform street TV or maybe one day, I'll

1:17:45.040 --> 1:17:47.479
<v Speaker 1>interview eight on Street TV and where can they find

1:17:47.520 --> 1:17:51.080
<v Speaker 1>you at and get your latest album? You can hit

1:17:51.160 --> 1:17:55.679
<v Speaker 1>me up on Instagram at eight oh eight eight Compton

1:17:56.320 --> 1:17:58.960
<v Speaker 1>and you can hit up hit me up in the

1:17:59.080 --> 1:18:01.760
<v Speaker 1>link and at a at you the latest album We

1:18:01.840 --> 1:18:05.200
<v Speaker 1>got to c MW album right now, Gangster Business. You

1:18:05.280 --> 1:18:08.120
<v Speaker 1>can also get that in the link or go follow

1:18:08.200 --> 1:18:10.000
<v Speaker 1>the link in it to take you to the website

1:18:10.040 --> 1:18:13.679
<v Speaker 1>Blue Stamp h blue Stamp Official dot com. And also

1:18:13.760 --> 1:18:16.400
<v Speaker 1>let me remind people that they could watch video portions

1:18:16.479 --> 1:18:19.960
<v Speaker 1>of this show on the Digital Soapbox Network that's on YouTube.

1:18:20.280 --> 1:18:23.800
<v Speaker 1>And we also have our own Gangster Chronicles merchandise on

1:18:23.960 --> 1:18:26.680
<v Speaker 1>that page as well. And don't forget to download the

1:18:26.760 --> 1:18:30.160
<v Speaker 1>Himalaya app and you can also listen to the podcast

1:18:30.200 --> 1:18:33.400
<v Speaker 1>with the Himalaya app just downloaded, and you could subscribe

1:18:33.439 --> 1:18:36.960
<v Speaker 1>to the Gangster Chronicles through there. And eight. Where is

1:18:37.000 --> 1:18:39.800
<v Speaker 1>the most interesting city, whether it's in the United States

1:18:39.880 --> 1:18:42.240
<v Speaker 1>or abroad, that you performed at and that you you

1:18:42.280 --> 1:18:44.479
<v Speaker 1>will you'll love to go back and visit it again.

1:18:45.840 --> 1:18:55.240
<v Speaker 1>M hm. Honestly, ship Japan. I don't know what city,

1:18:55.320 --> 1:18:58.639
<v Speaker 1>but every time we go to Japan, motherfucker. The fans

1:18:58.800 --> 1:19:04.120
<v Speaker 1>is ridiculous. Understand them. We usually have an interpreter, but

1:19:04.240 --> 1:19:08.040
<v Speaker 1>as far as the fans at the concerts, they know

1:19:08.160 --> 1:19:10.519
<v Speaker 1>all the words to your fucking songs, but when you

1:19:10.600 --> 1:19:12.760
<v Speaker 1>get to talk and you don't know what the funk.

1:19:12.840 --> 1:19:15.639
<v Speaker 1>We were talking on a previous episode, James about how

1:19:15.760 --> 1:19:18.920
<v Speaker 1>the Japanese people are fascinated with l a gang culture.

1:19:19.360 --> 1:19:21.920
<v Speaker 1>They called the low Riders about all the games, the

1:19:22.000 --> 1:19:24.519
<v Speaker 1>low Riders from over here. And I remember the late

1:19:25.040 --> 1:19:28.679
<v Speaker 1>eighties they was coming. They was coming from China, Japan,

1:19:29.320 --> 1:19:31.559
<v Speaker 1>and it was buying all the little riders the cats

1:19:31.640 --> 1:19:34.280
<v Speaker 1>had every when you go to a little rider show.

1:19:34.320 --> 1:19:36.960
<v Speaker 1>They was coming up and they was buying five at

1:19:37.000 --> 1:19:40.280
<v Speaker 1>a time. And when motherfucker's got upon it, they were

1:19:40.360 --> 1:19:46.080
<v Speaker 1>selling their cards for eight all the neighborhood and started

1:19:46.120 --> 1:19:48.439
<v Speaker 1>selling their cars. New York Cats was coming out of

1:19:48.439 --> 1:19:50.920
<v Speaker 1>here buying three, four or five at a time. Oh,

1:19:50.960 --> 1:19:55.360
<v Speaker 1>you could easily sell your ship fort Do you think

1:19:55.439 --> 1:19:58.040
<v Speaker 1>that your Japanese fan base as a result that your

1:19:58.120 --> 1:20:00.519
<v Speaker 1>music coming out in the late eighties or nineties, or

1:20:00.600 --> 1:20:03.400
<v Speaker 1>just the genre of your music itself. Do you think

1:20:03.439 --> 1:20:05.280
<v Speaker 1>the eighties is will kind of give that stamp to

1:20:06.800 --> 1:20:10.280
<v Speaker 1>the eighties. I just a lot of my ship I

1:20:10.439 --> 1:20:14.760
<v Speaker 1>credited to the UH, to the movie Minister Society going worldwide,

1:20:15.479 --> 1:20:20.160
<v Speaker 1>and just for our culture. They like, they love our culture.

1:20:20.520 --> 1:20:25.040
<v Speaker 1>I mean, you seem like if you go overseas to Europe,

1:20:25.479 --> 1:20:27.880
<v Speaker 1>you know, they're kind of diverse. They like a lot

1:20:28.000 --> 1:20:31.120
<v Speaker 1>of East Coast whatever it is. You know, sometimes a

1:20:31.160 --> 1:20:33.679
<v Speaker 1>few West Coast artists, but when it comes to Japan,

1:20:34.080 --> 1:20:37.000
<v Speaker 1>they love l a culture as far as the Raiders

1:20:37.040 --> 1:20:40.560
<v Speaker 1>ship and the Low Riders and listening to Easy and

1:20:40.720 --> 1:20:44.120
<v Speaker 1>Comptence most wanted in that time. They and I think

1:20:44.200 --> 1:20:49.320
<v Speaker 1>that's just the nature of them being able to listen

1:20:49.439 --> 1:20:54.439
<v Speaker 1>to West Coast Musich music over the years, and you know,

1:20:55.200 --> 1:20:57.800
<v Speaker 1>se our difference in the way we be in our

1:20:57.880 --> 1:21:00.720
<v Speaker 1>culture and the gang lifestyle and the ruggle and all that,

1:21:00.840 --> 1:21:03.680
<v Speaker 1>and I think it's more fascinating to them. So they

1:21:03.840 --> 1:21:06.040
<v Speaker 1>really love the ship that we do. I wonder if

1:21:06.080 --> 1:21:08.320
<v Speaker 1>it's all the soldiers, the American soldiers that live over

1:21:08.360 --> 1:21:11.519
<v Speaker 1>there in Okinawa and don't know what it is, but

1:21:11.640 --> 1:21:15.160
<v Speaker 1>their motherfucker's they love West Coast music. They love West

1:21:15.200 --> 1:21:17.760
<v Speaker 1>Coast music, and you know, so you gotta appreciate them.

1:21:18.120 --> 1:21:20.240
<v Speaker 1>And every time I go over there, you know, sold

1:21:20.280 --> 1:21:22.920
<v Speaker 1>out shows. You know, they don't know every words to

1:21:23.040 --> 1:21:25.560
<v Speaker 1>your song. They might can't speak a liquid English, but

1:21:25.680 --> 1:21:28.120
<v Speaker 1>they know them rap songs like it ain't ship. I

1:21:28.200 --> 1:21:31.040
<v Speaker 1>think the Japanese culture, out of all the different Asian

1:21:31.080 --> 1:21:34.679
<v Speaker 1>groups there are, there's Korean, Chinese, I think the Japanese

1:21:34.720 --> 1:21:37.560
<v Speaker 1>are the most open minded. You see a lot of

1:21:37.640 --> 1:21:40.240
<v Speaker 1>Japanese dating black people, the Japanese that moved to the

1:21:40.360 --> 1:21:42.760
<v Speaker 1>United States, and it does kind of make sense that

1:21:42.840 --> 1:21:47.000
<v Speaker 1>they would be big fans of hip hop. Definitely. Alright,

1:21:47.200 --> 1:21:51.599
<v Speaker 1>so uh before we wrap it up, um, just give

1:21:51.680 --> 1:21:54.920
<v Speaker 1>us uh the information again where all your fans can

1:21:55.000 --> 1:21:57.040
<v Speaker 1>check out your music. They can check us out on

1:21:57.960 --> 1:22:00.640
<v Speaker 1>my page is eight Compton on inch the gram you

1:22:00.680 --> 1:22:02.760
<v Speaker 1>can check us out at you can need to check

1:22:02.840 --> 1:22:05.840
<v Speaker 1>us out on my page on Chills page Chill or

1:22:05.920 --> 1:22:10.720
<v Speaker 1>CMW the Boomdocks. We got a blue stamp Official which

1:22:10.760 --> 1:22:15.480
<v Speaker 1>is the website. Uh, merchandise on that. We got merchandise,

1:22:15.640 --> 1:22:18.960
<v Speaker 1>We got hats, we got CDs, we got everything cracking.

1:22:19.120 --> 1:22:22.760
<v Speaker 1>So uh going near order up some ship. I mean

1:22:22.840 --> 1:22:25.240
<v Speaker 1>the new records is out. I got a record getting

1:22:25.240 --> 1:22:29.120
<v Speaker 1>ready to drop called Official. Chills, got a project getting

1:22:29.160 --> 1:22:32.479
<v Speaker 1>ready to drop called foehead. Um. We're working on some

1:22:32.600 --> 1:22:34.599
<v Speaker 1>other stuff. Like I said, we got a conference most

1:22:34.640 --> 1:22:37.400
<v Speaker 1>wanted record we just dropped called Gangster Business. So we're

1:22:37.439 --> 1:22:39.880
<v Speaker 1>just trying to move still keeping a gangsters. There's somebody

1:22:39.960 --> 1:22:42.800
<v Speaker 1>that's trolling on every video that I put out on

1:22:42.960 --> 1:22:48.400
<v Speaker 1>street TV about get M album. Is every video I

1:22:48.439 --> 1:22:50.720
<v Speaker 1>think I've seen a couple of This guy hits my

1:22:50.960 --> 1:22:54.280
<v Speaker 1>channel up at least like ten times per interview. That's true.

1:22:54.360 --> 1:22:56.920
<v Speaker 1>That that's a true fan. Yeah, he's really pushing you

1:22:57.560 --> 1:23:00.280
<v Speaker 1>whoever that that's that's a true fan. I eat it

1:23:00.439 --> 1:23:03.360
<v Speaker 1>right there, definitely, all right, So he's still keeping it

1:23:03.640 --> 1:23:08.080
<v Speaker 1>um Gangster Blue Stamp Official the website Blue Stamp. Blue

1:23:08.120 --> 1:23:11.240
<v Speaker 1>Stamp Official is the website, and we're about to start

1:23:11.360 --> 1:23:14.559
<v Speaker 1>this podcast. To man, it's coming. So yeah, we're about

1:23:14.600 --> 1:23:17.120
<v Speaker 1>to do that. It's called staff Spot Radio. So we're

1:23:17.120 --> 1:23:20.439
<v Speaker 1>gonna get that cracking um probably in the next month

1:23:20.520 --> 1:23:22.519
<v Speaker 1>or two. We're just trying to put it together right now.

1:23:22.640 --> 1:23:24.760
<v Speaker 1>So we we got a lot of things coming, man.

1:23:25.240 --> 1:23:27.600
<v Speaker 1>We got more stuff coming in just music, man, we

1:23:27.680 --> 1:23:29.840
<v Speaker 1>got a lot more to offer. What kind of what

1:23:29.960 --> 1:23:31.400
<v Speaker 1>kind of content you gonna have on your part. Now

1:23:31.439 --> 1:23:33.920
<v Speaker 1>we're gonna be talking about you know, uh, you know,

1:23:34.160 --> 1:23:37.080
<v Speaker 1>hip hop pass and presents. We're gonna be talking about

1:23:37.240 --> 1:23:40.679
<v Speaker 1>you know, hip hop news. We're gonna be talking about

1:23:40.840 --> 1:23:44.400
<v Speaker 1>health and hip hop and and find and financial ship

1:23:44.640 --> 1:23:47.920
<v Speaker 1>and and you know health. I gotta do that, be

1:23:48.040 --> 1:23:49.960
<v Speaker 1>in the in the gym all the time, trying to

1:23:50.040 --> 1:23:52.439
<v Speaker 1>put you down on the health and the good eating

1:23:52.520 --> 1:23:55.840
<v Speaker 1>ship and spots where to eat at black owned businesses

1:23:55.880 --> 1:23:58.439
<v Speaker 1>in the city that we funk with, you know, trying

1:23:58.479 --> 1:24:00.760
<v Speaker 1>to just give people an insight on something different than

1:24:00.880 --> 1:24:03.840
<v Speaker 1>just rap music. You know what I'm saying. Real quick,

1:24:03.880 --> 1:24:06.040
<v Speaker 1>real quick, before we wrap it up. You mentioned earlier

1:24:06.200 --> 1:24:09.240
<v Speaker 1>everyone that comes into the game is gonna get ripped

1:24:09.280 --> 1:24:11.800
<v Speaker 1>off at some point in the beginning. How do we

1:24:11.840 --> 1:24:15.360
<v Speaker 1>avoid that for the future artists that young late teens

1:24:15.640 --> 1:24:17.920
<v Speaker 1>coming into the game, or is that just inevitable. Every

1:24:18.160 --> 1:24:20.880
<v Speaker 1>artist that's new is gonna get ripped off. I mean

1:24:20.960 --> 1:24:25.160
<v Speaker 1>in my days now now nowadays the game is wide open,

1:24:25.280 --> 1:24:27.840
<v Speaker 1>so you can prevent some of those pitfalls because a

1:24:27.880 --> 1:24:30.439
<v Speaker 1>lot of dudes can control all their own ship right now.

1:24:30.800 --> 1:24:33.560
<v Speaker 1>But back in my days, in order for you to

1:24:33.640 --> 1:24:35.920
<v Speaker 1>get on, you have to go through somebody, you know,

1:24:36.479 --> 1:24:40.080
<v Speaker 1>so either dude signed you the production deals or management

1:24:40.160 --> 1:24:44.240
<v Speaker 1>deals or whatever, and you never got the right accounting

1:24:44.280 --> 1:24:46.920
<v Speaker 1>on royalties. You never got to You know. We were

1:24:47.040 --> 1:24:49.920
<v Speaker 1>young naive cats, you know. And I could say that

1:24:50.439 --> 1:24:54.120
<v Speaker 1>for myself. I was the young naive motherfucker. I was

1:24:54.160 --> 1:24:56.800
<v Speaker 1>seventeen years old when I signed a major label deal,

1:24:57.240 --> 1:25:00.640
<v Speaker 1>you know, And I supposed to you you couldn't have

1:25:00.760 --> 1:25:03.400
<v Speaker 1>your parents permission. You have to have your parents permission

1:25:03.439 --> 1:25:05.920
<v Speaker 1>to sign the deal. I didn't do that. I signed

1:25:05.920 --> 1:25:08.240
<v Speaker 1>a fucking record deal. I didn't give a fuck, but

1:25:08.320 --> 1:25:10.560
<v Speaker 1>I signed a production deal. What I known. You know,

1:25:10.800 --> 1:25:14.439
<v Speaker 1>he knew that ship and we got fucked. Period. Now

1:25:14.520 --> 1:25:17.960
<v Speaker 1>do you guys own all of Comfortence? Most wanted those

1:25:18.000 --> 1:25:22.240
<v Speaker 1>four albums? Those are owned by Epic because we were,

1:25:22.400 --> 1:25:24.200
<v Speaker 1>like I said, we were young naive kid. We didn't

1:25:24.200 --> 1:25:27.679
<v Speaker 1>know ship about publishing and writers and all that motherfucker's

1:25:27.760 --> 1:25:30.200
<v Speaker 1>was still in all that ship. We was just some

1:25:30.360 --> 1:25:32.960
<v Speaker 1>young niggas from Campton who had dreams of riding in

1:25:33.000 --> 1:25:35.360
<v Speaker 1>the fucking limo and putting a gold chain on our

1:25:35.439 --> 1:25:39.200
<v Speaker 1>neck and doing a video. We didn't know the pitfalls

1:25:39.240 --> 1:25:42.680
<v Speaker 1>and contracts and managers and publishing and splits and all that,

1:25:43.120 --> 1:25:45.439
<v Speaker 1>and knowing that you get paid if you write your

1:25:45.479 --> 1:25:48.599
<v Speaker 1>own motherfucking material because we was writing all on ship.

1:25:49.080 --> 1:25:52.479
<v Speaker 1>Nobody ever wrote our own ship, but other motherfucker's was

1:25:52.520 --> 1:25:55.280
<v Speaker 1>getting the publishing, So you'd have to buy your own

1:25:55.360 --> 1:25:58.600
<v Speaker 1>music back from him if you wanted it. Yes, and

1:25:59.000 --> 1:26:02.120
<v Speaker 1>that's the probably. It's not even an offering, definitely not.

1:26:02.320 --> 1:26:05.439
<v Speaker 1>Why would they do that. We're making, motherfucker we get

1:26:05.479 --> 1:26:07.880
<v Speaker 1>the motherfucking licensed this ship out and do all this

1:26:08.040 --> 1:26:10.840
<v Speaker 1>other ship. So do you think that ownership of someone

1:26:10.880 --> 1:26:13.240
<v Speaker 1>else's art should expire after a while, even though you

1:26:13.320 --> 1:26:15.360
<v Speaker 1>know they did do I'm sure they did a lot

1:26:15.400 --> 1:26:17.880
<v Speaker 1>of things for your career, but at some point should

1:26:17.920 --> 1:26:21.000
<v Speaker 1>that ownership expiring and go back to the original artists?

1:26:21.360 --> 1:26:26.320
<v Speaker 1>I feel, especially if you write and everything, you should

1:26:26.400 --> 1:26:30.360
<v Speaker 1>have ownership of your ship. Like you didn't write this ship,

1:26:30.560 --> 1:26:33.400
<v Speaker 1>you didn't produce the music. So why should just the

1:26:33.520 --> 1:26:37.200
<v Speaker 1>motherfucker who basically is giving you a loan or an

1:26:37.280 --> 1:26:41.360
<v Speaker 1>investment because they won't they returned, right, So why should

1:26:41.400 --> 1:26:43.920
<v Speaker 1>they be able to declare eighty percent of your fucking,

1:26:44.320 --> 1:26:46.880
<v Speaker 1>your fucking art or your work. Okay, you give me

1:26:46.920 --> 1:26:49.439
<v Speaker 1>an investment, not pay you back. Now you want to

1:26:49.520 --> 1:26:53.920
<v Speaker 1>control of the funds, and that's forever, right, like y'ad

1:26:54.000 --> 1:26:57.400
<v Speaker 1>damn some of them is, you know, forever. Some motherfucker's

1:26:57.439 --> 1:26:59.800
<v Speaker 1>may cut you a deal seven years or eight years

1:26:59.880 --> 1:27:03.040
<v Speaker 1>or whatever. But still, like, why should you get to

1:27:03.120 --> 1:27:05.800
<v Speaker 1>collect money off of the ship? I thought up in

1:27:05.840 --> 1:27:09.640
<v Speaker 1>the wrote like that's crazy. Take your investment back or

1:27:09.800 --> 1:27:12.080
<v Speaker 1>or whatever, and then let's go from there. But a

1:27:12.200 --> 1:27:14.400
<v Speaker 1>lot of us ain't smart, like I said, a lot

1:27:14.479 --> 1:27:16.439
<v Speaker 1>of us just had dreams of trying to make it

1:27:16.520 --> 1:27:19.040
<v Speaker 1>and get out, you know, so we didn't have the

1:27:19.160 --> 1:27:22.479
<v Speaker 1>knowledge to get managers or lawyers or motherfucker's in our corner.

1:27:22.560 --> 1:27:25.240
<v Speaker 1>It was like steying on the dotted line. Hell yeah,

1:27:25.479 --> 1:27:27.640
<v Speaker 1>like a motherfucker's saying, here go your forty ounce and

1:27:27.720 --> 1:27:30.560
<v Speaker 1>your gold chain. Nigger, here come to limol around the

1:27:30.680 --> 1:27:32.920
<v Speaker 1>corner and they can take your ride around the corner.

1:27:32.960 --> 1:27:35.559
<v Speaker 1>They you made it, and we was like fuck yeah.

1:27:36.560 --> 1:27:39.280
<v Speaker 1>We didn't start learning about the business and publishing and

1:27:39.400 --> 1:27:42.599
<v Speaker 1>ship till after, Like you said, we're still sitting at

1:27:42.720 --> 1:27:46.559
<v Speaker 1>motherfucking home and got three fucking albums out and touring

1:27:46.640 --> 1:27:49.080
<v Speaker 1>the fucking country and shipping, and we were getting off

1:27:49.160 --> 1:27:52.120
<v Speaker 1>the plane, we're going back to mom's house, pulling up

1:27:52.160 --> 1:27:56.160
<v Speaker 1>in the garage. Something the funk ain't right, especially when

1:27:56.200 --> 1:27:59.559
<v Speaker 1>the nigga righting. I'm writing all my fucking own music.

1:27:59.800 --> 1:28:03.200
<v Speaker 1>So why ain't we getting them hundred thousand dollar advances

1:28:03.240 --> 1:28:05.920
<v Speaker 1>and them two hundred and fifty dollars. That's because another

1:28:06.000 --> 1:28:08.720
<v Speaker 1>nigga was collecting it. Another motherfucker collecting the money and

1:28:08.800 --> 1:28:11.360
<v Speaker 1>pocketing in and here go, Hey, take this three grand,

1:28:11.680 --> 1:28:14.639
<v Speaker 1>take this four grand. But ship to a young hustler

1:28:14.680 --> 1:28:19.400
<v Speaker 1>who on the block every fucking day, Nigga, folk grand, Nigga, Please,

1:28:19.840 --> 1:28:22.840
<v Speaker 1>I'm not to swap me with khakis and white teas. Nigga,

1:28:23.160 --> 1:28:25.920
<v Speaker 1>give me a couple of packs to flip. Nigga, rent

1:28:25.960 --> 1:28:28.840
<v Speaker 1>me a cluck car ship for about sixty piece a night.

1:28:29.280 --> 1:28:31.960
<v Speaker 1>Nig I'm on you was actually wearing house shoes on

1:28:32.000 --> 1:28:34.639
<v Speaker 1>one of your videos. I was shopping at the swap

1:28:34.720 --> 1:28:37.080
<v Speaker 1>me mall. Look at that ship costs a hundred two

1:28:37.160 --> 1:28:42.280
<v Speaker 1>hundred dollars for some ship. If we don't go get

1:28:42.320 --> 1:28:45.960
<v Speaker 1>you some motherfucking you, don't go get you some cortels,

1:28:46.479 --> 1:28:49.479
<v Speaker 1>a couple of pair of khakis, some a pack of

1:28:49.600 --> 1:28:53.280
<v Speaker 1>white teas and maybe maybe, and now you was bawling

1:28:53.720 --> 1:28:55.800
<v Speaker 1>if you was able to get you a hoodie too,

1:28:56.320 --> 1:28:59.560
<v Speaker 1>But usually you got your motherfucking couple of packs of

1:28:59.640 --> 1:29:03.080
<v Speaker 1>white tease, a couple of pair of khakis, get you

1:29:03.200 --> 1:29:07.320
<v Speaker 1>some of them cortess and maybe a cap and nigga,

1:29:07.360 --> 1:29:11.599
<v Speaker 1>you nigga that sid sneake skin belt nigging you in, Nigga,

1:29:11.680 --> 1:29:17.400
<v Speaker 1>that's the most expensive. What about the silk shirt? We wasn't.

1:29:17.760 --> 1:29:20.960
<v Speaker 1>It wasn't affordable. Man, You gotta manage cause, nigga, you

1:29:21.080 --> 1:29:24.160
<v Speaker 1>still you still gotta get you a sack now too.

1:29:24.920 --> 1:29:27.360
<v Speaker 1>You gotta get you a little nickel bag or something.

1:29:27.680 --> 1:29:30.120
<v Speaker 1>And then for us who was on the block, we

1:29:30.240 --> 1:29:34.120
<v Speaker 1>got to get a fifty pack. Nigga. That wasn't. That wasn't. Man.

1:29:34.400 --> 1:29:37.439
<v Speaker 1>When you're working with limited funds, there's certain ships you

1:29:37.560 --> 1:29:40.639
<v Speaker 1>gotta do. So you have to follow that colde. Nigga.

1:29:41.080 --> 1:29:43.040
<v Speaker 1>Can you stretch a double up into a triple up?

1:29:43.040 --> 1:29:48.560
<v Speaker 1>If you cut it right, and you you're gonna be

1:29:48.640 --> 1:29:53.080
<v Speaker 1>You're gonna be out all night. Yeah, because you're gonna be.

1:29:53.320 --> 1:29:56.320
<v Speaker 1>You're gonna be sitting up in the car or somewhere

1:29:56.680 --> 1:29:59.240
<v Speaker 1>on the nigger it's gonna be cold. It's motherfuck about

1:29:59.280 --> 1:30:02.960
<v Speaker 1>two o'clock in the morning. But you know somebody coming through.

1:30:03.479 --> 1:30:06.680
<v Speaker 1>Remember when you're coming, they're coming. I don't give a

1:30:06.760 --> 1:30:08.960
<v Speaker 1>funk they coming. I don't give a damn. It might

1:30:09.000 --> 1:30:12.000
<v Speaker 1>be six of us on the block, but fucking nigga,

1:30:12.040 --> 1:30:14.800
<v Speaker 1>we're rushing the car. Whoever got the goods, he gonna

1:30:14.920 --> 1:30:17.799
<v Speaker 1>choose and pick and nigger. That's it now. I remember

1:30:17.840 --> 1:30:19.439
<v Speaker 1>in the late eighties, if you had an ounce, you

1:30:19.520 --> 1:30:21.439
<v Speaker 1>might have paid five hundred four and the and the

1:30:22.040 --> 1:30:24.120
<v Speaker 1>goal was who can cut who can cut more than

1:30:24.160 --> 1:30:25.920
<v Speaker 1>a thousand out of it? Who can get eleven? Who

1:30:25.960 --> 1:30:28.160
<v Speaker 1>can get twelve? And if you if you was a

1:30:28.240 --> 1:30:31.639
<v Speaker 1>master with that razor blade, and that's that's daddy, that's

1:30:31.760 --> 1:30:34.559
<v Speaker 1>rich right there. Richard was mastered with that razor blade.

1:30:34.880 --> 1:30:40.720
<v Speaker 1>That montherfuck cut it down the motherfucking thirteen thousand pieces. Ever,

1:30:40.840 --> 1:30:46.400
<v Speaker 1>we're coming down thousand pieces of a man. All nickels,

1:30:46.439 --> 1:30:52.679
<v Speaker 1>they can fuck my nigga, want the full fucking extent

1:30:52.880 --> 1:30:56.480
<v Speaker 1>of that motherfucking double up. I'm fucking cutting this motherfucking

1:30:56.520 --> 1:30:59.280
<v Speaker 1>this ounce all the way. I'm gonna be here from

1:30:59.360 --> 1:31:03.400
<v Speaker 1>motherfucker and four o'clock in the afternoon to tomorrow. You

1:31:03.439 --> 1:31:06.080
<v Speaker 1>can probably get out of the ounce cutting all Nichols

1:31:06.280 --> 1:31:09.519
<v Speaker 1>and if you're gonna sell them, fucking they're gonna come through.

1:31:09.600 --> 1:31:12.320
<v Speaker 1>You just gonna be there all fucking night, all right,

1:31:12.840 --> 1:31:17.280
<v Speaker 1>m C We're gonna be looking out for stash Spot Radio. Indeed, James,

1:31:17.479 --> 1:31:19.920
<v Speaker 1>I'm definitely gonna check it out. We appreciate you coming

1:31:19.960 --> 1:31:23.559
<v Speaker 1>against Chronicle all day. Man, you know it's been a minute.

1:31:23.600 --> 1:31:25.360
<v Speaker 1>You know, people have been asking me to come through.

1:31:25.439 --> 1:31:28.960
<v Speaker 1>So Ship, I'm like, fun it, let's do it, man. Man,

1:31:29.080 --> 1:31:32.120
<v Speaker 1>I'm we'll be moving man. I'm what it is. Man.

1:31:32.160 --> 1:31:35.000
<v Speaker 1>I've been coaching football, man for the last fucking but

1:31:35.240 --> 1:31:38.479
<v Speaker 1>ten years. So when you're working with kids and football

1:31:38.600 --> 1:31:41.400
<v Speaker 1>and schedules and you're the head coach and you know,

1:31:41.600 --> 1:31:44.040
<v Speaker 1>you gotta be at the park at five o'clock till

1:31:44.120 --> 1:31:47.240
<v Speaker 1>nine o'clock at night, and then you gotta travel and

1:31:47.280 --> 1:31:50.280
<v Speaker 1>then you got thirty kids on the team, and you know,

1:31:50.600 --> 1:31:54.479
<v Speaker 1>it's a lot. But that was something that I started doing.

1:31:54.600 --> 1:31:56.719
<v Speaker 1>So it was taking a lot of my time because

1:31:56.760 --> 1:32:00.639
<v Speaker 1>I was like music. Ship was still there, but niggas

1:32:00.720 --> 1:32:03.080
<v Speaker 1>was letting other niggas do what they do because music

1:32:03.200 --> 1:32:05.960
<v Speaker 1>just started turning crazy for a minute, so I was like, man,

1:32:06.000 --> 1:32:08.559
<v Speaker 1>I'm gonna do something else for a minute. So having

1:32:08.600 --> 1:32:11.920
<v Speaker 1>a son and him coming up and started playing football

1:32:11.960 --> 1:32:14.200
<v Speaker 1>since he was five years old, that was something I

1:32:14.280 --> 1:32:16.840
<v Speaker 1>got into. So that took a lot of my time.

1:32:17.040 --> 1:32:21.840
<v Speaker 1>But I hooked up with my men Big Steal, and uh,

1:32:22.080 --> 1:32:24.599
<v Speaker 1>we just started getting the cracking from there. So we're

1:32:24.600 --> 1:32:27.360
<v Speaker 1>gonna do Stash spot Radio and he got me to

1:32:27.439 --> 1:32:30.720
<v Speaker 1>come up here and do Gangster Chronicles and I did

1:32:30.880 --> 1:32:32.920
<v Speaker 1>Still in the Spotlight. So I'm just trying to get

1:32:32.960 --> 1:32:34.720
<v Speaker 1>out there and get it moving. Yeah, that's Still in

1:32:34.760 --> 1:32:37.879
<v Speaker 1>the Spotlight is right now on the Digital Soapbox Network.

1:32:37.960 --> 1:32:41.519
<v Speaker 1>So after you finished listening and watching this episode, go

1:32:41.720 --> 1:32:43.840
<v Speaker 1>check out that episode of m C eight as well.

1:32:44.400 --> 1:32:46.160
<v Speaker 1>And on that note, we're out