WEBVTT - Sequels That Shouldn’t Exist + Movie Review: Challengers + Trailer Park: Transformers One

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<v Speaker 1>Hello, and welcome back to Movie Mike's movie podcast. I

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<v Speaker 1>am your host Movie Mike. Today, I want to share

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<v Speaker 1>with you a list of sequels that should not exist

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<v Speaker 1>because Ben Stiller was out recently saying he didn't expect

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<v Speaker 1>all the backlash and hate that he ended up getting

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<v Speaker 1>for Zoolander two, to which I say, really in the

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<v Speaker 1>movie review, we'll be talking about Zendaya in Challengers. Was

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<v Speaker 1>it as steamy as the trailer led on? And in

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<v Speaker 1>the trailer park? Why I am sad after watching the

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<v Speaker 1>new Transformers one trailer, even though the story looks pretty interesting.

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<v Speaker 1>So thank you for being here, Thank you for being subscribed.

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<v Speaker 1>Shout out to the Monday Morning movie crew. He now,

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<v Speaker 1>let's talk movies.

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<v Speaker 2>In a world where everyone and their mother has a podcast,

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<v Speaker 2>one man stands to infiltrate the ears of listeners like

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<v Speaker 2>never before in a movie podcast. A man with so

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<v Speaker 2>much movie knowledge, he's basically like a walking IMTB with

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<v Speaker 2>glasses from the Nashville Podcast Network. This is Movie Mike's movie.

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<v Speaker 1>Ben Steller was blindsided by the hate and the fact

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<v Speaker 1>that Zulander too flop. He said, whenever it came out,

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<v Speaker 1>he was convinced it was going to be a hit,

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<v Speaker 1>and when it flopped it blindsided him. First, Zulander came

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<v Speaker 1>out back in two thousand and one, and when you

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<v Speaker 1>break down legacy comedies, oh that one's I was making

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<v Speaker 1>a list of my top fifty favorite comedy. I don't

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<v Speaker 1>even think Zulander would be on that list, maybe if

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<v Speaker 1>it was specific to the two thousands or cult comedy hits.

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<v Speaker 1>But he said this on the David Ducoveny Fail Better

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<v Speaker 1>podcast and quote, I thought everybody wanted this, which I

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<v Speaker 1>think that is the part of a statement that makes

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<v Speaker 1>me see that sometimes even though to me, movies like

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<v Speaker 1>this seem like cash grabs, but whenever you have somebody

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<v Speaker 1>like Ben Steller heavily involved, I feel like that carries

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<v Speaker 1>a little bit more way to it. And I assume

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<v Speaker 1>having a movie like that in his filmography, that is

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<v Speaker 1>probably a question. He was asked a lot of interviews,

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<v Speaker 1>when are you going to make another Zoolander? When are

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<v Speaker 1>you going to make another Zoolander? So much so that

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<v Speaker 1>you start to believe, like he said that people wanted this,

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<v Speaker 1>and then he said when the movie came out and

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<v Speaker 1>it flopped, it really hurt him, but it allowed him

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<v Speaker 1>to go and do other things and focus on things

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<v Speaker 1>that he kind of had in the back burner, one

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<v Speaker 1>of those being Severance, which came out on Apple TV

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<v Speaker 1>Plus and dominated and people loved that show waiting for

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<v Speaker 1>season two right now. So it kind of goes to

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<v Speaker 1>show you how good things can come out of bad things.

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<v Speaker 1>I think if you do make a sequel to a comedy,

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<v Speaker 1>it should come out within five years of that original one. Otherwise,

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<v Speaker 1>once you start making comedies in different decades, that is

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<v Speaker 1>where you set yourself up for failure. And why do

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<v Speaker 1>I think that is is because comedy is a reflection

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<v Speaker 1>of that time period. And when you start making movies

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<v Speaker 1>in the two thousands and then wait another decade to

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<v Speaker 1>follow up with that, the humor is not going to

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<v Speaker 1>match up. What was funny in two thousand and one

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<v Speaker 1>with Zoolander is not going to be funny in twenty sixteen.

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<v Speaker 1>So I think that is a recipe for disaster. And

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<v Speaker 1>also when it comes to comedies, more so than any

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<v Speaker 1>other genre, they are very nostalgic, and what we are

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<v Speaker 1>really asking for when we want a sequel to a

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<v Speaker 1>comedy movie, we don't really want it. We just want

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<v Speaker 1>to be transported into a time where we found that

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<v Speaker 1>movie funny. I would love to go back to two

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<v Speaker 1>thousand and one being ten years old, all the things

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<v Speaker 1>I found hilarious. Then that is really what I want.

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<v Speaker 1>I've never seen a sequel come out fifteen years after

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<v Speaker 1>that is better than the original one. Can it still

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<v Speaker 1>have its moments? Can it still be fun and quirky

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<v Speaker 1>like Bill and Teded coming out with one in twenty twenty. Yes,

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<v Speaker 1>that can happen, but it's never listened to me. What

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<v Speaker 1>I say is it's never going to match that original

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<v Speaker 1>one because what we want is that nostalgic factor. With

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<v Speaker 1>that being said, I have come up with the list

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<v Speaker 1>of sequels that should have never been made. Some of

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<v Speaker 1>these are outright offence because not only are they bad movies,

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<v Speaker 1>but they tarnished the legacy of the original movie. So

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<v Speaker 1>for this list, it is all sequels that I believe

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<v Speaker 1>have not only been worse than its predecessor, but should

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<v Speaker 1>be burned into the ground because they were either cash

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<v Speaker 1>grabs or nostalgia base. Starting with the worst offender, the

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<v Speaker 1>movie I bring up so much because I hate it

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<v Speaker 1>with a burning passion. It is Dumb and Dumber two,

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<v Speaker 1>and that is to that came out back in twenty fourteen,

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<v Speaker 1>and this is where I learned. What I've just been

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<v Speaker 1>talking about is as much as you want to see

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<v Speaker 1>your favorite actors come back and portray the characters that

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<v Speaker 1>made you laugh, Jim Carrey and Jeff Daniels are incredible together,

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<v Speaker 1>and this was one. I was on that bandwagon. I

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<v Speaker 1>was on Reddit, following every storyline, with every script update.

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<v Speaker 1>I was all in on the Dumb and Dumber sequel. Now,

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<v Speaker 1>technically it's not a direct sequel because they came out

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<v Speaker 1>with the prequel Dumb and Dumber or in two thousand

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<v Speaker 1>and three, which is even worse because they aren't even

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<v Speaker 1>associated with that movie. That's another one that should have

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<v Speaker 1>been made. But this is the sequel to Dumb and

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<v Speaker 1>Dumber that came out in ninety four and I remember

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<v Speaker 1>seeing that first image of them back in the Harry

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<v Speaker 1>and Lloyd costumes and being so excited. And I've never

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<v Speaker 1>been so disappointed in a sequel because none of the

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<v Speaker 1>jokes landed, and all the movie was was poking fun

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<v Speaker 1>and reminding audiences of what they did in the original one,

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<v Speaker 1>and that is not what we want. It's hard to

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<v Speaker 1>do a sequel because you need to advance what you

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<v Speaker 1>did in the first one and not just remind people

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<v Speaker 1>why that one was great and dumb and Dumber two

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<v Speaker 1>is the biggest offender of that Along those same lines,

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<v Speaker 1>will stick to Jim carrey movies Son of the Mask

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<v Speaker 1>in two thousand and five with Jamie Kennedy. Oh, this

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<v Speaker 1>movie does tarnish the legacy of the Mask, which is

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<v Speaker 1>also a nineteen ninety four movie when Jim Carrey was

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<v Speaker 1>really on his run of dominance. Son of the Mask

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<v Speaker 1>was nothing more than a cash grab because in the

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<v Speaker 1>first one it's so quirky and funny, but what it

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<v Speaker 1>does well is all of the little side gags, and

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<v Speaker 1>really you need Jim Carrey in that mask to make

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<v Speaker 1>it funny. Son of the Mask is one of the

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<v Speaker 1>most brutal experiences I've ever had watching a movie, even

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<v Speaker 1>in two thousand and five, where you could throw anything

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<v Speaker 1>on the screen and my fourteen year old self would

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<v Speaker 1>probably laugh at it. But this one was straight awful,

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<v Speaker 1>mostly due to the mask looking like a rubbery playto

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<v Speaker 1>piece of crap. So that is my second big offender.

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<v Speaker 1>My third biggest offender is one that came out pretty recently,

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<v Speaker 1>Hocus Pocus two is a movie that I just hate

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<v Speaker 1>that it exists because hocus Pocus won. The original has

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<v Speaker 1>been one of my go to Halloween movies since I

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<v Speaker 1>can remember. It was always Halloween time for me. When ever,

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<v Speaker 1>I'd go to school and we'd throw on hocus Pocus

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<v Speaker 1>Great Memories with this movie, I'd watch it every single year,

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<v Speaker 1>And to me, this movie is perfect. It should not

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<v Speaker 1>have been touched and right now, Disney isn't a weird

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<v Speaker 1>place of movies that come out on Disney Plus and

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<v Speaker 1>movies that come out in theaters, And what they have

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<v Speaker 1>really done is kind of replaced their straight to VHS

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<v Speaker 1>straight to DVD movies and made those Disney Plus exclusives.

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<v Speaker 1>Hocus Pocus two fell victim to that. The movie just

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<v Speaker 1>looks terrible. It looks like it had zero budget. You

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<v Speaker 1>bring back all the originals and completely waste them to

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<v Speaker 1>make a movie that looks like a Saturday Morning special.

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<v Speaker 1>And Disney has done this a lot, so much so

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<v Speaker 1>that I almost don't count some of these sequels that

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<v Speaker 1>they have done because they are pretty bad. It really

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<v Speaker 1>shows me how much Disney has changed and has suffered

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<v Speaker 1>at the box office as of late, because they used

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<v Speaker 1>to be so dominant that they would only put out

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<v Speaker 1>their biggest movies in theaters, and all the sequels would

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<v Speaker 1>go straight to VHS, which they also crushed in because

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<v Speaker 1>they would sell so many of them, so they would

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<v Speaker 1>create classics, and then they would have cheaply made sequels

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<v Speaker 1>with less money spent on animation. You wouldn't have the

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<v Speaker 1>same caliber of voice actors. You would rarely have people

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<v Speaker 1>from the original ones be on these sequels. But all

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<v Speaker 1>these movies I would consider should not have been remade.

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<v Speaker 1>And I bet they regret some of these because they

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<v Speaker 1>could have made sequels now instead of remaking the original ones,

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<v Speaker 1>which we are seeing an influx up still. But Lion

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<v Speaker 1>King two, Cinderella to Little Mermaid two, Hunchback of Notre

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<v Speaker 1>Dame to move on to Bamby two, some of these

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<v Speaker 1>you probably forgot even happened because they were really just

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<v Speaker 1>a way for them to sell more DVDs and Bhs's

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<v Speaker 1>the only one of these movies that I liked, and

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<v Speaker 1>I remember going to the flea market in Dallas to

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<v Speaker 1>get a copy of this. Out of all these movies,

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<v Speaker 1>this is the only one I was excited for as

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<v Speaker 1>a kid, and it was Lion King one and a half,

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<v Speaker 1>which is a great movie. I haven't watch it in

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<v Speaker 1>a very long time. I'm not sure if it's still

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<v Speaker 1>available on Disney Plus, but it was Lion King from

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<v Speaker 1>the perspective of Timone and Poomba, which as a kid,

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<v Speaker 1>that is what I love the most from Lion King

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<v Speaker 1>because Poomba and Timone are hilarious. They were the best

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<v Speaker 1>part of that movie. They were the comedic relief. So

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<v Speaker 1>what you had in Lion King one and a half

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<v Speaker 1>was their storyline from before they meet Simba, because they

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<v Speaker 1>really don't encounter him until about the start of the

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<v Speaker 1>second act of the movie, so you get to see

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<v Speaker 1>all of their life before that, and then you get

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<v Speaker 1>to see their perspective from the final battle, which is great.

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<v Speaker 1>So all the other ones should not have happened. Just

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<v Speaker 1>give me Lion King one and a half. Another more

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<v Speaker 1>recent offender is Aquaman two, which is one of the

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<v Speaker 1>worst superhero movies I've ever seen. I was quite honestly

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<v Speaker 1>surprised how big of a hit Aquaman one was. And

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<v Speaker 1>this one also came at a weird time of Warner

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<v Speaker 1>Brothers kind of closing the chapter on this DC era,

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<v Speaker 1>and I feel like this movie was dead on arrival.

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<v Speaker 1>It had no real chance of success. But even that

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<v Speaker 1>being said, I was not prepared for the annihilation on

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<v Speaker 1>my eyes from watching such a weak performance from Jason Momoa,

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<v Speaker 1>but also the worst visual effects in the last decade

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<v Speaker 1>when it comes to superhero movies, I thought we were

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<v Speaker 1>past making superhero movies this bad at a time where

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<v Speaker 1>people are starting to be fatigued with these movies. Really

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<v Speaker 1>good to put this one out. They should have shelled

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<v Speaker 1>this movie. So I think a lot of people right

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<v Speaker 1>now would say any sequel to any superhero movie is

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<v Speaker 1>one that should not be made. Even though there's so

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<v Speaker 1>much hype around the latest Deadpool and Wolverine trailer in

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<v Speaker 1>that franchise, I actually think Deadpool two is a pretty

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<v Speaker 1>weak spot, and I think it brings up a great

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<v Speaker 1>point of in Deadpool. The first one was so successful

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<v Speaker 1>because it was made on a fifty eight million dollar

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<v Speaker 1>budget and went on to make seven hundred and eighty

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<v Speaker 1>two million dollars at the box office. So then you

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<v Speaker 1>get the sequel of Deadpool two, which I feel is

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<v Speaker 1>really forgettable because the charm of the first one was

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<v Speaker 1>due to the fact that they were working with a

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<v Speaker 1>smaller budget. A lot of the comedy comes from that.

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<v Speaker 1>In the final act, whenever Deadpool is going to that

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<v Speaker 1>final battle, they were running out of money. They had

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<v Speaker 1>to cut a big amount of the budget. That's why

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<v Speaker 1>he forgets his guns, which leads to a much funnier

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<v Speaker 1>sequence of events to close out that movie and became

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<v Speaker 1>quintessential Deadpool. Then in the second one, they went from

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<v Speaker 1>fifty eight million dollars to one hundred and ten million

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<v Speaker 1>dollar budget, but it didn't really change much because you

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<v Speaker 1>have more room to breathe with a visual aspect, and

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<v Speaker 1>it did not really translate to much more box office

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<v Speaker 1>success because I think it only made four or five

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<v Speaker 1>more million dollars worldwide, even though they spent so much

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<v Speaker 1>more money on it. But in this case, sometimes I

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<v Speaker 1>believe a bad sequel is the bridge to a third

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<v Speaker 1>batter movie. So I think Deadpool two I could probably

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<v Speaker 1>do without. But now we get Deadpool and Wolverine, which

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<v Speaker 1>looks fantastic in the new trailer, which they aren't calling

0:12:02.440 --> 0:12:05.200
<v Speaker 1>this movie Deadpool three. That is what the director said.

0:12:05.640 --> 0:12:08.080
<v Speaker 1>He said, this is kind of its own thing. And

0:12:08.120 --> 0:12:10.680
<v Speaker 1>I remember giving the suit so much grief whenever we

0:12:10.760 --> 0:12:12.920
<v Speaker 1>had that first look at it because I thought it

0:12:12.960 --> 0:12:16.600
<v Speaker 1>looked like a motocross suit and didn't really feel like

0:12:16.679 --> 0:12:20.400
<v Speaker 1>the comic book accurate version that I was promised, And

0:12:21.360 --> 0:12:24.920
<v Speaker 1>even though the colors are pretty similar, I just felt

0:12:24.920 --> 0:12:26.559
<v Speaker 1>like that is not what I had in my head.

0:12:27.000 --> 0:12:30.760
<v Speaker 1>I wanted him to look like the iconic nineties Wolverine

0:12:30.800 --> 0:12:33.120
<v Speaker 1>that we all fell in love with back in the day.

0:12:33.240 --> 0:12:36.000
<v Speaker 1>But after watching the trailer and seeing that they ripped

0:12:36.040 --> 0:12:38.240
<v Speaker 1>off the sleeves, I have to say it does look

0:12:38.280 --> 0:12:40.520
<v Speaker 1>a lot better. I still wish he had the pointy boots,

0:12:40.920 --> 0:12:43.760
<v Speaker 1>and I hope at some point he has the mask on,

0:12:44.640 --> 0:12:47.240
<v Speaker 1>even if it's a quick joke. I think with that

0:12:47.320 --> 0:12:50.120
<v Speaker 1>I would be satisfied. We have had some looks at

0:12:50.160 --> 0:12:53.959
<v Speaker 1>the posters. Maybe we are gonna get Wolverine in a mask.

0:12:54.040 --> 0:12:57.240
<v Speaker 1>I also think we're gonna get that Hulk cameo in

0:12:57.280 --> 0:12:59.360
<v Speaker 1>Dead Pull and Wolverine. There's been a lot of little

0:12:59.360 --> 0:13:03.000
<v Speaker 1>Easter eggs put out some new posters wherever you see

0:13:03.080 --> 0:13:06.520
<v Speaker 1>the reflection of Deadpool and the reflection of Wolverine in

0:13:06.559 --> 0:13:09.079
<v Speaker 1>each of their blades, which I believe is in homage

0:13:09.120 --> 0:13:13.440
<v Speaker 1>to an iconic, Incredible Hulk comic book cover. Wherever you

0:13:13.480 --> 0:13:16.760
<v Speaker 1>see Wolverine with this blades out and you see the

0:13:16.880 --> 0:13:19.880
<v Speaker 1>Hulk's reflection in the blades, one of the best comic

0:13:19.880 --> 0:13:23.040
<v Speaker 1>book covers of all time. Also, in the first trailer

0:13:23.080 --> 0:13:26.480
<v Speaker 1>we had from Deadpool and Wolverine, you see Wolverine sitting

0:13:26.520 --> 0:13:29.120
<v Speaker 1>at a table in an all white tux, which is

0:13:29.160 --> 0:13:31.720
<v Speaker 1>another reference to a comic book cover with him and

0:13:31.720 --> 0:13:34.360
<v Speaker 1>the Incredible Hulk. So I'm hoping we get that cameo.

0:13:34.480 --> 0:13:37.280
<v Speaker 1>But anyway, all that to say, sometimes you need a

0:13:37.320 --> 0:13:40.960
<v Speaker 1>bad sequel to get to a better third movie. Another

0:13:41.000 --> 0:13:44.640
<v Speaker 1>instance in that is The Hangover two, which I don't

0:13:44.640 --> 0:13:47.400
<v Speaker 1>think that movie needed to be made. It is the

0:13:47.559 --> 0:13:50.760
<v Speaker 1>exact same thing as the first one, but in Bangkok.

0:13:51.000 --> 0:13:53.719
<v Speaker 1>And I remember being disappointed with The Hangover two in

0:13:53.800 --> 0:13:57.400
<v Speaker 1>twenty eleven because I love The Hangover Part one, one

0:13:57.400 --> 0:14:00.000
<v Speaker 1>of my favorite comedies of all time, And even though

0:14:00.040 --> 0:14:02.560
<v Speaker 1>I didn't love the sequel, they should have done without that.

0:14:03.000 --> 0:14:07.280
<v Speaker 1>I actually really enjoy The Hangover three because it goes

0:14:07.320 --> 0:14:09.480
<v Speaker 1>back to Vegas, because it goes back to what made

0:14:09.480 --> 0:14:12.160
<v Speaker 1>the first one great. But the only reason I love

0:14:12.320 --> 0:14:15.360
<v Speaker 1>that one is because we have that bad sequel in

0:14:15.400 --> 0:14:18.280
<v Speaker 1>the middle. You couldn't have gone from the Hangover one

0:14:18.360 --> 0:14:21.160
<v Speaker 1>to the Hangover three, because even more so than the

0:14:21.240 --> 0:14:22.880
<v Speaker 1>jump from one to two, it would have felt like

0:14:22.920 --> 0:14:25.720
<v Speaker 1>the exact same movie. So you get that part three

0:14:26.160 --> 0:14:28.600
<v Speaker 1>and it almost feels, even though they weren't that far apart,

0:14:28.720 --> 0:14:32.040
<v Speaker 1>kind of nostalgic for going back and reliving their days

0:14:32.080 --> 0:14:35.280
<v Speaker 1>of going to Vegas and having more and reliving some

0:14:35.360 --> 0:14:38.320
<v Speaker 1>moments from that Vegas trip. I know, on paper, it's

0:14:38.360 --> 0:14:41.080
<v Speaker 1>probably not a great movie and probably would go on

0:14:41.120 --> 0:14:43.440
<v Speaker 1>the list of trilogies that should not exist, but for me,

0:14:43.960 --> 0:14:46.240
<v Speaker 1>I like it. I also think sometimes you can make

0:14:46.280 --> 0:14:51.080
<v Speaker 1>a movie that is so iconic that studios feel pressure

0:14:51.600 --> 0:14:54.560
<v Speaker 1>to make a sequel, movies like Jaws. You got a

0:14:54.600 --> 0:14:57.560
<v Speaker 1>sequel to it in nineteen seventy eight. You didn't have

0:14:57.640 --> 0:15:02.680
<v Speaker 1>Steven Spielberg directing this movie, and it paled in comparison

0:15:02.720 --> 0:15:06.440
<v Speaker 1>to that original one. Didn't have any great characters, didn't

0:15:06.480 --> 0:15:10.960
<v Speaker 1>have any excitement, and somehow, with a better budget, managed

0:15:11.000 --> 0:15:14.600
<v Speaker 1>to make Jaws look worse. And at one point, whenever

0:15:14.640 --> 0:15:19.120
<v Speaker 1>they finally kill Jaws again, for some reason, they made

0:15:19.200 --> 0:15:25.640
<v Speaker 1>Jaws roar. Here's that moment. If you haven't seen this movie,

0:15:30.480 --> 0:15:35.600
<v Speaker 1>smile your this whole movie was chaotic, but for some

0:15:35.640 --> 0:15:39.520
<v Speaker 1>reason Jaws roaring like a lion and then flashing back

0:15:39.560 --> 0:15:42.160
<v Speaker 1>to the first one, the movie made no sense. So

0:15:42.280 --> 0:15:44.600
<v Speaker 1>not only is it hard to recapture what makes a

0:15:44.640 --> 0:15:48.680
<v Speaker 1>comedy great, it's also hard to recapture what makes a

0:15:48.800 --> 0:15:52.120
<v Speaker 1>thriller or horror movie great. Another case of this is

0:15:52.160 --> 0:15:55.880
<v Speaker 1>Speed to Cruise Control, which came out in nineteen ninety seven.

0:15:56.320 --> 0:15:59.000
<v Speaker 1>So in the first one, they can't slow down on

0:15:59.080 --> 0:16:01.400
<v Speaker 1>the bus because there's a bomb on board and if

0:16:01.440 --> 0:16:04.280
<v Speaker 1>they slow down, it's going to explode and kill everybody

0:16:04.280 --> 0:16:08.320
<v Speaker 1>in it. They took that exact same concept and moved

0:16:08.360 --> 0:16:12.120
<v Speaker 1>it to a boat. Who thought audiences wanted to see

0:16:12.440 --> 0:16:15.920
<v Speaker 1>Speed again, but on a boat terrible. I also wanted

0:16:15.920 --> 0:16:20.080
<v Speaker 1>to include on this list sequels you probably forgot even happened.

0:16:20.680 --> 0:16:25.119
<v Speaker 1>In some of these cases, people are still demanding sequels

0:16:25.120 --> 0:16:28.400
<v Speaker 1>to these movies, even though they already came out. I'm

0:16:28.400 --> 0:16:31.000
<v Speaker 1>talking about Mean Girls two came out in twenty eleven.

0:16:31.480 --> 0:16:34.400
<v Speaker 1>Nobody made a peep about this, even with the musical

0:16:34.480 --> 0:16:37.720
<v Speaker 1>version coming out earlier this year. I feel most people

0:16:37.800 --> 0:16:40.600
<v Speaker 1>wanted it to be a direct sequel to the Lindsay

0:16:40.640 --> 0:16:44.480
<v Speaker 1>Lohan version, not knowing we actually got this over fifteen

0:16:44.560 --> 0:16:47.400
<v Speaker 1>years ago. Or movies like The Sandlot two, which came

0:16:47.440 --> 0:16:50.400
<v Speaker 1>out in two thousand and five, and not only did

0:16:50.440 --> 0:16:52.360
<v Speaker 1>they do this movie, but they followed it up in

0:16:52.360 --> 0:16:55.520
<v Speaker 1>two thousand and seven with The Sandlot three. So again,

0:16:55.600 --> 0:16:58.200
<v Speaker 1>you can create a movie that is so iconic that

0:16:58.240 --> 0:17:01.480
<v Speaker 1>there will always be a demand there, but just because

0:17:01.520 --> 0:17:04.320
<v Speaker 1>you could doesn't mean you should in the cases of

0:17:04.359 --> 0:17:09.240
<v Speaker 1>these movies. We also fairly recently got a Christmas story Christmas,

0:17:09.440 --> 0:17:12.560
<v Speaker 1>which I feel also applies to this list, But before

0:17:12.640 --> 0:17:15.719
<v Speaker 1>that we did have a direct sequel to a Christmas story.

0:17:16.040 --> 0:17:18.600
<v Speaker 1>We got a Christmas Story too, which again is a

0:17:18.640 --> 0:17:20.840
<v Speaker 1>case where I feel like people forgot that that movie

0:17:20.880 --> 0:17:23.240
<v Speaker 1>happened in the middle of that. There are also some

0:17:23.440 --> 0:17:27.159
<v Speaker 1>cases of sequels that I appreciated as a kid but

0:17:27.320 --> 0:17:29.960
<v Speaker 1>now are a chore and a pain to watch, one

0:17:30.000 --> 0:17:34.800
<v Speaker 1>of those being Mortal Kombat Annihilation. I loved the Mortal

0:17:34.840 --> 0:17:37.520
<v Speaker 1>Kombat movies in the nineties as a kid, and I

0:17:37.560 --> 0:17:40.439
<v Speaker 1>remember when Annihilation came out. I thought it was a

0:17:40.480 --> 0:17:42.800
<v Speaker 1>pretty good movie because I loved the first one so much,

0:17:42.840 --> 0:17:45.159
<v Speaker 1>played the video game so much, and I was a

0:17:45.160 --> 0:17:48.439
<v Speaker 1>big fan of the character Raptor who just looks like

0:17:48.480 --> 0:17:51.560
<v Speaker 1>sub Zero and Scorpion, but his suit is green. I

0:17:51.560 --> 0:17:53.840
<v Speaker 1>thought that was so cool. I don't know why green

0:17:53.960 --> 0:17:56.320
<v Speaker 1>was such a cool color in the nineties. It also

0:17:56.359 --> 0:17:59.920
<v Speaker 1>reminds me of the Green Ranger from Mighty morphin Power Rangers.

0:18:00.200 --> 0:18:02.000
<v Speaker 1>But I thought that movie was good as a kid.

0:18:02.240 --> 0:18:06.320
<v Speaker 1>Rewatching it as an adult, it is so so painful.

0:18:06.880 --> 0:18:10.000
<v Speaker 1>And they are making another Mortal Kombat now, which is

0:18:10.040 --> 0:18:11.720
<v Speaker 1>a sequel to the one that came out in twenty

0:18:11.760 --> 0:18:14.840
<v Speaker 1>twenty one, which I actually thought was pretty good because

0:18:14.880 --> 0:18:16.919
<v Speaker 1>I think for these movies to work, they have to

0:18:17.000 --> 0:18:20.080
<v Speaker 1>feel less like the video game and more like their

0:18:20.080 --> 0:18:23.160
<v Speaker 1>own thing. So put them inside the world, but don't

0:18:23.160 --> 0:18:25.200
<v Speaker 1>try to do what they did back in the nineties.

0:18:25.720 --> 0:18:29.080
<v Speaker 1>They have officially wrapped on Mortal Kombat too, so hopefully

0:18:29.320 --> 0:18:31.359
<v Speaker 1>soon we get some kind of a release date of

0:18:31.400 --> 0:18:34.000
<v Speaker 1>when that movie is coming. Also, as a kid, I

0:18:34.040 --> 0:18:37.200
<v Speaker 1>remember loving an extremely goofy movie, which is a sequel

0:18:37.240 --> 0:18:39.640
<v Speaker 1>to one of my favorite Disney movies of all time,

0:18:39.680 --> 0:18:42.760
<v Speaker 1>the Goofy Movie, And this was really just cashing in

0:18:42.840 --> 0:18:45.280
<v Speaker 1>on a time in the late nineties early two thousands

0:18:45.280 --> 0:18:49.600
<v Speaker 1>where extreme sports were everything. Back in the Tony Hawk days.

0:18:49.880 --> 0:18:53.080
<v Speaker 1>Matt Hoffman and you could turn on the TV, primarily

0:18:53.119 --> 0:18:55.920
<v Speaker 1>on Disney Channel and see Extreme Sports because they were

0:18:56.000 --> 0:18:59.120
<v Speaker 1>so huge back then. So a lot of movies came

0:18:59.200 --> 0:19:02.480
<v Speaker 1>out year towards kids to get them excited about this.

0:19:02.640 --> 0:19:05.840
<v Speaker 1>So not the sequel I wanted to see, because it

0:19:05.880 --> 0:19:08.600
<v Speaker 1>was really just Max going to college and then competing

0:19:08.640 --> 0:19:11.320
<v Speaker 1>in a version of the X Games and Goofy comes in,

0:19:11.600 --> 0:19:14.040
<v Speaker 1>So yeah, that one not so good. I also remember

0:19:14.400 --> 0:19:17.240
<v Speaker 1>in twenty fifteen, Joe Dirt two came out, which is

0:19:17.280 --> 0:19:21.240
<v Speaker 1>another instance of trying to make a comedy happen again

0:19:21.680 --> 0:19:25.280
<v Speaker 1>ten plus years later. I also wanted to include sequels.

0:19:25.280 --> 0:19:27.720
<v Speaker 1>I'm glad were never made along those same lines because

0:19:27.760 --> 0:19:31.119
<v Speaker 1>we got movies like Joe Dirt to Zoolander two. But

0:19:31.240 --> 0:19:34.640
<v Speaker 1>sometimes it's okay to know when not to make a sequel.

0:19:35.040 --> 0:19:37.160
<v Speaker 1>On this list I have, I'm glad they never made

0:19:37.560 --> 0:19:41.320
<v Speaker 1>Super Bad Too, Wedding Crashers Too, which has been rumored

0:19:41.440 --> 0:19:45.080
<v Speaker 1>a lot with Vince Vaughn and Owen Wilson back. I

0:19:45.119 --> 0:19:47.120
<v Speaker 1>don't think this movie should be made. It's not going

0:19:47.160 --> 0:19:49.520
<v Speaker 1>to be what we wanted to be. Even movies like

0:19:49.560 --> 0:19:52.680
<v Speaker 1>Old School, two Bridesmaids two Knocked up to forty year

0:19:52.720 --> 0:19:57.000
<v Speaker 1>old version two. They would just not do well. So

0:19:57.040 --> 0:19:59.040
<v Speaker 1>every now and then we'll see these headlines come out,

0:19:59.080 --> 0:20:02.320
<v Speaker 1>we'll see actors be interviewed, are you gonna make another one?

0:20:02.520 --> 0:20:05.360
<v Speaker 1>Calm down with those questions, because we don't need them

0:20:05.359 --> 0:20:08.800
<v Speaker 1>in our lives. Although I do think a Pineapple Express

0:20:08.840 --> 0:20:11.920
<v Speaker 1>two would actually work because it's not so much about

0:20:11.960 --> 0:20:15.480
<v Speaker 1>the comedy in Pineapple Express. It's all the action, the

0:20:15.520 --> 0:20:18.040
<v Speaker 1>stoner comedy at its core. But it has so much

0:20:18.600 --> 0:20:21.600
<v Speaker 1>fighting and car chase scenes and people shooting each other

0:20:21.920 --> 0:20:24.400
<v Speaker 1>that I think a movie like that would actually work.

0:20:24.600 --> 0:20:26.720
<v Speaker 1>But I don't really see James Franco doing a whole

0:20:26.760 --> 0:20:29.119
<v Speaker 1>lot right now. We do have some sequels that are

0:20:29.119 --> 0:20:33.320
<v Speaker 1>already announced that I'm hesitant about. Beatlejuice two, which we're

0:20:33.320 --> 0:20:37.240
<v Speaker 1>getting out later this year. That last trailer looked promising,

0:20:37.480 --> 0:20:40.920
<v Speaker 1>but it also has all of the recipe of disaster

0:20:41.200 --> 0:20:44.719
<v Speaker 1>to not live up to the original movie from Disney.

0:20:44.720 --> 0:20:47.520
<v Speaker 1>We're also getting Inside Out too later this year. Pretty

0:20:47.560 --> 0:20:51.840
<v Speaker 1>soon we're getting Zootopia two, which that's a perfect animated

0:20:51.880 --> 0:20:54.200
<v Speaker 1>movie that I don't think needs another one. That one

0:20:54.200 --> 0:20:56.560
<v Speaker 1>really hits me in the fields. So did Inside Out.

0:20:56.680 --> 0:20:59.399
<v Speaker 1>But the thing with Inside Out. I think there's actually

0:20:59.480 --> 0:21:02.040
<v Speaker 1>a story to be told there because it's Riley getting

0:21:02.040 --> 0:21:05.240
<v Speaker 1>older and having these new emotions move in. I actually

0:21:05.280 --> 0:21:08.400
<v Speaker 1>think that could be pretty powerful for kids. Later this year,

0:21:08.400 --> 0:21:11.080
<v Speaker 1>we're also getting Gladiator to the thing that worries me

0:21:11.080 --> 0:21:13.920
<v Speaker 1>about that movie is I feel like it's a sequel

0:21:14.040 --> 0:21:16.680
<v Speaker 1>unlike all these other ones that no one really asks for.

0:21:17.040 --> 0:21:21.000
<v Speaker 1>There's not a passionate Gladiator fan base, but maybe Ridley

0:21:21.000 --> 0:21:23.920
<v Speaker 1>Scott just had a vision for this movie. At least

0:21:23.920 --> 0:21:26.919
<v Speaker 1>the cast looks pretty promising in that movie. And a

0:21:26.920 --> 0:21:30.320
<v Speaker 1>sequel I've been waiting for is a Detective Pikachu too.

0:21:30.560 --> 0:21:34.440
<v Speaker 1>It's the only live action Pokemon movie that we've ever got.

0:21:34.720 --> 0:21:37.159
<v Speaker 1>Not that they completely nailed it with that movie, but

0:21:37.240 --> 0:21:40.720
<v Speaker 1>it's the closest we've ever been as lifelong Pokemon fans

0:21:40.720 --> 0:21:44.520
<v Speaker 1>of having something that truly checks all the boxes. And

0:21:44.560 --> 0:21:47.920
<v Speaker 1>I feel like, now, with visual effects getting better, maybe

0:21:47.920 --> 0:21:50.000
<v Speaker 1>they could go back and retool some of the character

0:21:50.040 --> 0:21:52.800
<v Speaker 1>designs to make them a little bit more accurate to

0:21:52.960 --> 0:21:56.000
<v Speaker 1>the cartoon and the card game. And finally, to wrap

0:21:56.080 --> 0:21:58.880
<v Speaker 1>up here, I did see Ryan Gosling talking about why

0:21:58.920 --> 0:22:02.560
<v Speaker 1>his movie with Russell the nice Guys never got a sequel,

0:22:02.880 --> 0:22:04.879
<v Speaker 1>he said, because when it came out, it went up

0:22:04.880 --> 0:22:08.199
<v Speaker 1>against Angry Birds and got destroyed at the box office

0:22:08.240 --> 0:22:11.920
<v Speaker 1>in its opening weekend. And The Nice Guys this movie

0:22:11.960 --> 0:22:14.520
<v Speaker 1>came out back in twenty sixteen, and I feel is

0:22:14.600 --> 0:22:18.119
<v Speaker 1>one that really gets overlooked. I think the title really

0:22:18.160 --> 0:22:20.919
<v Speaker 1>doesn't help it a lot. The trailer didn't really do

0:22:21.040 --> 0:22:23.840
<v Speaker 1>the movie justice. But it is a fun crime movie

0:22:24.200 --> 0:22:27.240
<v Speaker 1>and one that I could see translate into a franchise,

0:22:27.400 --> 0:22:30.520
<v Speaker 1>much like John Wick did, even like the Knives Out movies,

0:22:30.600 --> 0:22:33.080
<v Speaker 1>where you could keep the duo together with Ryan Gosling

0:22:33.080 --> 0:22:36.160
<v Speaker 1>and Russell Crowe and just swap out the mystery. I mean,

0:22:36.160 --> 0:22:38.719
<v Speaker 1>if we keep getting all these death on the Nile movies,

0:22:38.760 --> 0:22:42.040
<v Speaker 1>why couldn't we get a franchise. It has that slapstick

0:22:42.160 --> 0:22:45.320
<v Speaker 1>humor but also some really solid action. So if you've

0:22:45.359 --> 0:22:48.560
<v Speaker 1>never seen The Nice Guys, and if you're like me,

0:22:49.000 --> 0:22:51.520
<v Speaker 1>really on a Ryan Gosling kick who I thought he

0:22:51.760 --> 0:22:55.160
<v Speaker 1>crushed on Saturday Night Live promoting The Fall Guy, which

0:22:55.200 --> 0:22:57.800
<v Speaker 1>is coming out this weekend, which I believe was their

0:22:57.840 --> 0:23:01.320
<v Speaker 1>most successful Saturday Night Live episode since twenty twenty one.

0:23:01.480 --> 0:23:03.680
<v Speaker 1>This is definitely one of his movies that went under

0:23:03.760 --> 0:23:06.280
<v Speaker 1>the radar. So that is the list. We'll come back.

0:23:06.320 --> 0:23:08.919
<v Speaker 1>I'll give my thoughts on Challengers and in the trailer

0:23:08.960 --> 0:23:12.160
<v Speaker 1>park why I'm sad after watching The Transformers one trailer.

0:23:15.840 --> 0:23:18.639
<v Speaker 1>Let's get into it now, a spoiler free review of Challengers,

0:23:18.680 --> 0:23:21.479
<v Speaker 1>one of my most anticipated movies of the year. That

0:23:21.560 --> 0:23:24.840
<v Speaker 1>trailer alone, I instantly pre ordered my tickets, even though

0:23:24.880 --> 0:23:27.000
<v Speaker 1>it was months before I could even pre order my tickets.

0:23:27.240 --> 0:23:29.760
<v Speaker 1>I'm a huge Zendea fan, which I'll get into later,

0:23:30.080 --> 0:23:31.879
<v Speaker 1>But what I knew about this movie going into it

0:23:31.920 --> 0:23:35.240
<v Speaker 1>given from the trailer. She plays a tennis star on

0:23:35.320 --> 0:23:37.760
<v Speaker 1>the rise, but her career gets cut short due to

0:23:37.800 --> 0:23:40.240
<v Speaker 1>an injury. You get a little glimpse of that in

0:23:40.280 --> 0:23:44.160
<v Speaker 1>the trailer, and I am somebody who struggles with any

0:23:44.240 --> 0:23:47.159
<v Speaker 1>kind of injury involving any kind of bone, and just

0:23:47.200 --> 0:23:49.000
<v Speaker 1>from that glimpse they gave us in the trailer, I

0:23:49.080 --> 0:23:52.200
<v Speaker 1>was anticipating that moment throughout the movie and I didn't

0:23:52.200 --> 0:23:54.120
<v Speaker 1>want to see it. But her career gets cut short.

0:23:54.160 --> 0:23:56.440
<v Speaker 1>Her name is Tashi, and then there are these two

0:23:56.480 --> 0:24:00.520
<v Speaker 1>other guys who kind of parallel her career around the

0:24:00.560 --> 0:24:04.360
<v Speaker 1>same age. One guy's name Patrick, who is very confident,

0:24:04.720 --> 0:24:07.040
<v Speaker 1>has a lot of raw talent, just kind of is

0:24:07.080 --> 0:24:09.680
<v Speaker 1>trying to play tennis as a way to make money

0:24:09.720 --> 0:24:11.720
<v Speaker 1>because it's all he is good at. His friend is

0:24:11.920 --> 0:24:15.640
<v Speaker 1>Art who they've been childhood friends since they were pre teenagers,

0:24:16.000 --> 0:24:19.480
<v Speaker 1>and they are both on the rise in the tennis scene.

0:24:19.720 --> 0:24:21.480
<v Speaker 1>They are starting to win, starting to make a name

0:24:21.480 --> 0:24:24.840
<v Speaker 1>from themselves, and they encounters in Deya's character about to

0:24:24.880 --> 0:24:27.160
<v Speaker 1>go to college, and they see her at this event

0:24:27.200 --> 0:24:29.320
<v Speaker 1>where she is crushing it. She has a very unique

0:24:29.320 --> 0:24:32.640
<v Speaker 1>playing style, and they approach her because she is one

0:24:32.680 --> 0:24:35.159
<v Speaker 1>beautiful and two because she is really good at tennis,

0:24:35.520 --> 0:24:38.119
<v Speaker 1>and they want to hang out with her. And that

0:24:38.240 --> 0:24:40.760
<v Speaker 1>is about where you get to in the trailer. We've

0:24:40.800 --> 0:24:42.400
<v Speaker 1>all seen a little bit of the scene of them

0:24:42.480 --> 0:24:44.520
<v Speaker 1>laying on the bed, and I won't get into all that.

0:24:44.760 --> 0:24:47.119
<v Speaker 1>It is an R rated movie, not as hard of

0:24:47.119 --> 0:24:49.040
<v Speaker 1>an R as the trailer leads it on to be,

0:24:49.160 --> 0:24:51.080
<v Speaker 1>which I'll get into a little bit more later. But

0:24:51.119 --> 0:24:53.560
<v Speaker 1>given the nature of this review, if there are younger

0:24:53.600 --> 0:24:56.040
<v Speaker 1>ears around, we are going to get into some of

0:24:56.080 --> 0:24:58.720
<v Speaker 1>that later in the review, so just be aware of that.

0:24:59.040 --> 0:25:02.280
<v Speaker 1>But again, the movie is rated R. So what this

0:25:02.359 --> 0:25:05.280
<v Speaker 1>movie does It may not come across in the trailer,

0:25:05.720 --> 0:25:08.280
<v Speaker 1>but it jumps around in time a lot, because it

0:25:08.320 --> 0:25:10.159
<v Speaker 1>starts out that she ends up with one of the

0:25:10.200 --> 0:25:13.600
<v Speaker 1>guys he is trying to win a Grand Slam title

0:25:14.080 --> 0:25:15.960
<v Speaker 1>and he is struggling. He is in a rut, he

0:25:16.040 --> 0:25:18.679
<v Speaker 1>is not able to win, so she is trying to

0:25:18.720 --> 0:25:20.840
<v Speaker 1>build up his confidence and signs him up for one

0:25:20.880 --> 0:25:23.320
<v Speaker 1>of these Challengers events, which that is what the movie

0:25:23.359 --> 0:25:27.000
<v Speaker 1>is named after. They are a lower tier competition in

0:25:27.040 --> 0:25:31.080
<v Speaker 1>the tennis world where somebody at the caliber that Art

0:25:31.080 --> 0:25:33.760
<v Speaker 1>has now achieved, being a pro, being famous, having all

0:25:33.800 --> 0:25:37.280
<v Speaker 1>the money, doesn't really compete in but because he is struggling,

0:25:37.560 --> 0:25:41.120
<v Speaker 1>she coaches him, because she's now his coach, to go

0:25:41.960 --> 0:25:45.040
<v Speaker 1>win at one of these events, crush the competition, therefore

0:25:45.080 --> 0:25:49.320
<v Speaker 1>giving you the confidence you need to go win another championship.

0:25:49.480 --> 0:25:52.240
<v Speaker 1>Art goes to this competition where his former best friend

0:25:52.240 --> 0:25:56.480
<v Speaker 1>Patrick is there, who is had the complete opposite trajectory

0:25:56.640 --> 0:25:59.159
<v Speaker 1>in his career. So that is about the first ten

0:25:59.200 --> 0:26:01.639
<v Speaker 1>to fifteen minutes of the movie, and then the movie

0:26:01.680 --> 0:26:04.879
<v Speaker 1>starts going back in time to fill you in on

0:26:04.920 --> 0:26:08.160
<v Speaker 1>all the gaps of how they got here, why all

0:26:08.200 --> 0:26:12.360
<v Speaker 1>of their relationships are so complicated why there's so much

0:26:12.400 --> 0:26:15.639
<v Speaker 1>tension between all of them. And I actually enjoyed the

0:26:15.760 --> 0:26:18.399
<v Speaker 1>jump around in time because it creates this level of

0:26:18.480 --> 0:26:22.439
<v Speaker 1>tension and anticipation to peel back the layers. It's a

0:26:22.480 --> 0:26:25.360
<v Speaker 1>really hard thing to do because you have to pay

0:26:25.400 --> 0:26:28.520
<v Speaker 1>attention while watching the movie, because at times even I

0:26:28.560 --> 0:26:31.240
<v Speaker 1>got a little bit confused on exactly what was happening

0:26:31.280 --> 0:26:35.040
<v Speaker 1>in real time and what was a flashback. But they

0:26:35.080 --> 0:26:38.960
<v Speaker 1>do a pretty good job at changing their wardrobe, changing

0:26:39.000 --> 0:26:43.320
<v Speaker 1>their hairstyle, and making a visual effort to let you

0:26:43.440 --> 0:26:45.600
<v Speaker 1>know that this is something happening in the past too,

0:26:45.960 --> 0:26:50.560
<v Speaker 1>this is something happening now. Cinematography in this movie is beautiful.

0:26:50.600 --> 0:26:54.480
<v Speaker 1>It really creates that sense of realism and something you

0:26:54.560 --> 0:26:56.880
<v Speaker 1>don't really see a whole lot of, or at least

0:26:56.920 --> 0:26:59.560
<v Speaker 1>a whole lot of emphasis on, is the beauty of

0:26:59.600 --> 0:27:01.920
<v Speaker 1>the clobe, which is one of the most classic things

0:27:01.920 --> 0:27:06.120
<v Speaker 1>in cinema. I'm ready for my closeup, and sometimes it's

0:27:06.200 --> 0:27:08.399
<v Speaker 1>just kind of a throwaway, just put the camera on

0:27:08.480 --> 0:27:11.359
<v Speaker 1>your biggest hector at any given time. But the way

0:27:11.440 --> 0:27:14.280
<v Speaker 1>they use the close ups in this movie was so powerful.

0:27:14.560 --> 0:27:18.320
<v Speaker 1>Because it's such an intimate movie, it has a relatively

0:27:19.280 --> 0:27:22.040
<v Speaker 1>low cast, but to make a movie where it's so

0:27:22.320 --> 0:27:25.800
<v Speaker 1>focused on these strong leads, giving them all a time

0:27:25.840 --> 0:27:29.000
<v Speaker 1>to shine, not just from their performance, but also from

0:27:29.280 --> 0:27:31.920
<v Speaker 1>putting the camera right in their face and showcasing them.

0:27:32.200 --> 0:27:35.760
<v Speaker 1>There were some really beautifully framed shots that created that

0:27:35.880 --> 0:27:39.040
<v Speaker 1>level of intimacy that you get. And what is the

0:27:39.080 --> 0:27:42.679
<v Speaker 1>most dangerous of geometric shapes, the love triangle, and that

0:27:42.840 --> 0:27:46.399
<v Speaker 1>is what this movie did. It created this level of

0:27:46.600 --> 0:27:50.760
<v Speaker 1>at times uncomfortableness and overall just had your eyes glued

0:27:50.800 --> 0:27:52.879
<v Speaker 1>to the scene for the moment we were all waiting

0:27:52.920 --> 0:27:56.280
<v Speaker 1>for and all promised in the trailer, the scene delivered,

0:27:56.760 --> 0:28:00.840
<v Speaker 1>and from the response in the crowd in the theater

0:28:00.920 --> 0:28:04.879
<v Speaker 1>while watching this movie, it was unlike anything I had experienced.

0:28:05.160 --> 0:28:07.080
<v Speaker 1>Now we'll get into a little bit about the R

0:28:07.160 --> 0:28:09.239
<v Speaker 1>rated nature of the movie while we're talking about it,

0:28:09.280 --> 0:28:11.920
<v Speaker 1>because not as hard of an R as I thought

0:28:11.960 --> 0:28:14.360
<v Speaker 1>it was going to be. The trailer makes it seem

0:28:14.520 --> 0:28:16.240
<v Speaker 1>and the rating makes it seem like it's going to

0:28:16.320 --> 0:28:18.760
<v Speaker 1>be just nudity all the time, or at least a

0:28:18.960 --> 0:28:23.480
<v Speaker 1>very big graphic scene. Not really the case. What was

0:28:23.560 --> 0:28:26.560
<v Speaker 1>most surprising is there was some male nudity that was

0:28:26.640 --> 0:28:30.280
<v Speaker 1>received with some pretty big gasps in our theater, which

0:28:30.320 --> 0:28:32.640
<v Speaker 1>is something I'm a little bit more used to now

0:28:32.680 --> 0:28:35.439
<v Speaker 1>because I've watched a lot of HBO, a lot of

0:28:35.480 --> 0:28:39.520
<v Speaker 1>Max Originals. Hulu is even dipping into the male nudity

0:28:40.000 --> 0:28:42.920
<v Speaker 1>where it's become a little bit more normal to me.

0:28:43.600 --> 0:28:46.800
<v Speaker 1>But I realized in that moment that there hasn't been

0:28:46.840 --> 0:28:50.320
<v Speaker 1>a movie on this scale with a wiener of that scale.

0:28:50.640 --> 0:28:53.080
<v Speaker 1>I just haven't really put those two things together. And

0:28:53.160 --> 0:28:55.400
<v Speaker 1>me being in a theater seat, being in public and

0:28:55.400 --> 0:28:58.680
<v Speaker 1>witnessing male nudity and seeing how other people react to it,

0:28:59.320 --> 0:29:01.840
<v Speaker 1>I thought it waskind of funny. There was some gasps,

0:29:02.200 --> 0:29:05.840
<v Speaker 1>but again not the nudity I was expecting in this movie.

0:29:06.080 --> 0:29:08.960
<v Speaker 1>Male junk and male butt. So know that going into

0:29:09.000 --> 0:29:12.480
<v Speaker 1>watching it without a doubt, hands down, the best thing

0:29:12.520 --> 0:29:17.240
<v Speaker 1>about Challengers is Zendaya's performance, who is now a dominant

0:29:17.280 --> 0:29:20.600
<v Speaker 1>force in Hollywood. She is right now in two major

0:29:20.680 --> 0:29:24.000
<v Speaker 1>movies currently in theaters, and without a doubt, I can

0:29:24.040 --> 0:29:28.600
<v Speaker 1>say that Zendia has the best range in Hollywood out

0:29:28.600 --> 0:29:31.959
<v Speaker 1>of any actor to go from a movie like Challengers

0:29:31.960 --> 0:29:34.920
<v Speaker 1>from coming out of the MCU, even before that being

0:29:35.000 --> 0:29:37.640
<v Speaker 1>a Disney kid, which is so hard to get out

0:29:37.640 --> 0:29:40.600
<v Speaker 1>of that mentality of acting on the Disney show where

0:29:40.640 --> 0:29:43.880
<v Speaker 1>everything is so over emphasized, you have to be so wacky.

0:29:44.400 --> 0:29:46.760
<v Speaker 1>She is the best actor to ever come out of

0:29:46.840 --> 0:29:49.640
<v Speaker 1>Disney and now prove that she is a dominant force,

0:29:49.760 --> 0:29:54.280
<v Speaker 1>not only winning Emmys for Euphoria, but now somebody please

0:29:54.360 --> 0:29:57.400
<v Speaker 1>give her an oscar, which I hope this movie will

0:29:57.440 --> 0:30:00.440
<v Speaker 1>be in contention for Best Picture. She deserves the Best

0:30:00.480 --> 0:30:03.400
<v Speaker 1>Actress nomination because she is so good in this movie

0:30:03.760 --> 0:30:07.200
<v Speaker 1>at being so convincing at all different types of characters.

0:30:07.280 --> 0:30:10.040
<v Speaker 1>She can do a sci fi role like Dune and

0:30:10.120 --> 0:30:12.960
<v Speaker 1>crush it and completely sell that, and then do a

0:30:13.000 --> 0:30:17.600
<v Speaker 1>movie like Challengers where you're not even completely one hundred

0:30:17.600 --> 0:30:20.600
<v Speaker 1>percent rooting for her. To have that kind of range

0:30:20.760 --> 0:30:22.800
<v Speaker 1>is amazing to me. And then go do a show

0:30:22.840 --> 0:30:25.320
<v Speaker 1>like Euphoria where you are rooting for her even though

0:30:25.360 --> 0:30:28.520
<v Speaker 1>she isn't the best character in that show, and then

0:30:28.600 --> 0:30:32.479
<v Speaker 1>to do MJ where you completely love her both on

0:30:32.600 --> 0:30:36.120
<v Speaker 1>screen and on screen with Tom Holland. She is the

0:30:36.160 --> 0:30:38.560
<v Speaker 1>real deal. If you are not on the Zendia train

0:30:38.640 --> 0:30:42.720
<v Speaker 1>by now, you have to be after watching Challengers, because

0:30:42.720 --> 0:30:46.040
<v Speaker 1>what I see in her performances is what I feel

0:30:46.120 --> 0:30:49.360
<v Speaker 1>is the closest to the Golden Age in Hollywood, and

0:30:49.400 --> 0:30:51.880
<v Speaker 1>that is the vibe that this movie gave me. It

0:30:52.040 --> 0:30:55.200
<v Speaker 1>had that classic cinema feel that I had been wanting

0:30:55.280 --> 0:30:58.760
<v Speaker 1>to see in twenty twenty four. It really had all

0:30:58.800 --> 0:31:03.080
<v Speaker 1>of those great classic elements, the sharp dialogue, the fantastic wardrobe,

0:31:03.480 --> 0:31:07.960
<v Speaker 1>and the big leads really selling the story because if

0:31:07.960 --> 0:31:10.479
<v Speaker 1>you look at a movie like this, it's fairly simple.

0:31:10.560 --> 0:31:12.880
<v Speaker 1>And it's not that there hasn't been a movie about

0:31:12.880 --> 0:31:15.720
<v Speaker 1>a love triangle before. You could argue that Past Lives

0:31:15.800 --> 0:31:18.120
<v Speaker 1>just did it last year. It's not that there hasn't

0:31:18.160 --> 0:31:21.160
<v Speaker 1>been a tennis movie like this, but there hasn't been

0:31:21.240 --> 0:31:24.479
<v Speaker 1>one that has really moved me to my core like this,

0:31:24.840 --> 0:31:27.280
<v Speaker 1>because it had all of these elements of watching a

0:31:27.320 --> 0:31:30.600
<v Speaker 1>classic movie, but it felt so refreshed. And I love

0:31:30.720 --> 0:31:33.960
<v Speaker 1>that all the early scenes and flashbacks took place in

0:31:34.000 --> 0:31:36.800
<v Speaker 1>the two thousands, so it almost feels like we're going

0:31:36.840 --> 0:31:39.480
<v Speaker 1>back to a period so long ago. But then you

0:31:39.520 --> 0:31:42.520
<v Speaker 1>see all the logos, like the old school taco bell logo,

0:31:42.840 --> 0:31:45.800
<v Speaker 1>which there was a lot of cleverly placed product placement

0:31:45.880 --> 0:31:50.040
<v Speaker 1>in this movie. You even have references to tennis stars

0:31:50.080 --> 0:31:52.480
<v Speaker 1>of the two thousands, Andy Roddick being one of them,

0:31:52.640 --> 0:31:56.120
<v Speaker 1>whose face was displayed pretty prominently in this movie, which

0:31:56.160 --> 0:31:58.160
<v Speaker 1>also has a connection to the film because all the

0:31:58.200 --> 0:32:01.440
<v Speaker 1>actors at about three months of pre operation with tennis

0:32:01.440 --> 0:32:04.680
<v Speaker 1>coach Brad Gilbert, who has taught those like Andy Roddick,

0:32:04.840 --> 0:32:06.719
<v Speaker 1>and three months may not sound like a lot of

0:32:06.760 --> 0:32:10.479
<v Speaker 1>time to achieve the level that the characters in the

0:32:10.480 --> 0:32:13.160
<v Speaker 1>movie have of being the best in their field, but

0:32:13.240 --> 0:32:16.600
<v Speaker 1>it shows you that there is a parallel between athletes

0:32:16.680 --> 0:32:19.840
<v Speaker 1>and actors wanting to be the best and putting in

0:32:19.920 --> 0:32:22.760
<v Speaker 1>the hours and days and weeks and months to train.

0:32:22.840 --> 0:32:26.480
<v Speaker 1>To really sell this movie because throughout it I fully

0:32:26.520 --> 0:32:29.240
<v Speaker 1>believed it. I think what also helps them is, of

0:32:29.240 --> 0:32:31.360
<v Speaker 1>course they had stunt doubles to sell some of the

0:32:31.360 --> 0:32:35.160
<v Speaker 1>outer shots, but also again, the cinematography really helped sell

0:32:35.240 --> 0:32:38.560
<v Speaker 1>all of those scenes. There are moments where it goes

0:32:38.680 --> 0:32:41.600
<v Speaker 1>and puts you into that first person perspective, like you

0:32:41.640 --> 0:32:44.360
<v Speaker 1>are playing. You see the ball like it's coming right

0:32:44.400 --> 0:32:46.240
<v Speaker 1>at you, You see the tennis like you're holding it

0:32:46.280 --> 0:32:49.160
<v Speaker 1>in your hand. I thought those shots were so great

0:32:49.680 --> 0:32:52.000
<v Speaker 1>and it looked better than just slapping a go pro

0:32:52.120 --> 0:32:55.320
<v Speaker 1>on somebody's head, which some other films have done to

0:32:55.760 --> 0:32:58.040
<v Speaker 1>give you that same perspective, but you can kind of

0:32:58.040 --> 0:33:00.320
<v Speaker 1>tell the quality in that it almost looks like it's

0:33:00.360 --> 0:33:02.960
<v Speaker 1>to like a seven to twenty p version. In this one,

0:33:03.040 --> 0:33:06.880
<v Speaker 1>it was full cinematic quality in that first person perspective,

0:33:06.920 --> 0:33:08.880
<v Speaker 1>and I thought that was such a great touch to

0:33:08.960 --> 0:33:12.720
<v Speaker 1>really put you in that action and also created a

0:33:12.800 --> 0:33:15.400
<v Speaker 1>level of pacing of it's that back and forth in tennis,

0:33:15.400 --> 0:33:18.720
<v Speaker 1>which this movie also emphasizes that of showing the crowd

0:33:18.800 --> 0:33:21.120
<v Speaker 1>going from left to right and showing how fast paced

0:33:21.120 --> 0:33:25.440
<v Speaker 1>it is. The cinematography and storytelling was right there. Being

0:33:25.480 --> 0:33:28.440
<v Speaker 1>fast paced during those moments such a nice detail. It

0:33:28.480 --> 0:33:30.800
<v Speaker 1>made me want to go out and buy a tennis

0:33:30.880 --> 0:33:33.560
<v Speaker 1>racket and go hit the courts, but I'm probably not

0:33:33.600 --> 0:33:35.440
<v Speaker 1>gonna do that. Best I could do is go like

0:33:35.480 --> 0:33:38.120
<v Speaker 1>buy a Wii from the pawn shop and play we

0:33:38.280 --> 0:33:40.960
<v Speaker 1>Tennis again. Because I used to dominate it that this

0:33:41.040 --> 0:33:44.239
<v Speaker 1>movie did so many things right, I would argue it

0:33:44.280 --> 0:33:47.400
<v Speaker 1>really didn't do anything wrong. And most movies I've seen

0:33:47.440 --> 0:33:50.200
<v Speaker 1>so far this year, I've reached a level where I'm

0:33:50.240 --> 0:33:52.080
<v Speaker 1>ready for it to be over. This was a movie

0:33:52.160 --> 0:33:54.760
<v Speaker 1>I did not want to end and the two plus

0:33:54.800 --> 0:33:59.040
<v Speaker 1>hour runtime just evaporated away. And the only thing I

0:33:59.040 --> 0:34:03.320
<v Speaker 1>would hold against it, I feel is maybe unfair, but

0:34:04.080 --> 0:34:06.719
<v Speaker 1>it was a really hard story to wrap up with

0:34:06.840 --> 0:34:10.320
<v Speaker 1>all of these loose ends, all the things that unfold

0:34:10.400 --> 0:34:13.360
<v Speaker 1>in the third act, which I feel maybe went on

0:34:13.440 --> 0:34:15.440
<v Speaker 1>a little bit too long for a movie that really

0:34:15.480 --> 0:34:18.400
<v Speaker 1>sold me in the first and second act. It almost

0:34:18.440 --> 0:34:21.080
<v Speaker 1>lost its footing a bit towards the end because it

0:34:21.120 --> 0:34:24.000
<v Speaker 1>feels like there could have been so many alternate endings

0:34:24.000 --> 0:34:26.960
<v Speaker 1>to this movie, and with all the alternate endings that

0:34:27.000 --> 0:34:28.879
<v Speaker 1>I could have seen, in my mind, I think they

0:34:28.920 --> 0:34:31.360
<v Speaker 1>picked the wrong one. But I think that's just a

0:34:31.400 --> 0:34:35.680
<v Speaker 1>personal taste for me. And sometimes it's movies ending in

0:34:35.719 --> 0:34:38.640
<v Speaker 1>a way that you don't want them to end as

0:34:38.640 --> 0:34:40.799
<v Speaker 1>the audience. If everything was wrapped up in a nice

0:34:40.840 --> 0:34:43.600
<v Speaker 1>little package, then all would be well. And would we

0:34:43.680 --> 0:34:46.800
<v Speaker 1>really have achieved anything? Would we really have learned anything?

0:34:47.200 --> 0:34:50.880
<v Speaker 1>Would we really have grown? And sometimes in life you

0:34:50.880 --> 0:34:52.920
<v Speaker 1>don't get the things you want, and this was a

0:34:52.960 --> 0:34:55.919
<v Speaker 1>case where I don't think I got what I want

0:34:55.960 --> 0:34:59.919
<v Speaker 1>out of my characters. But afterwards, I've been thinking about

0:34:59.920 --> 0:35:02.919
<v Speaker 1>it more and more in thinking how man to make

0:35:02.960 --> 0:35:08.680
<v Speaker 1>a movie where there's not necessarily a protagonist and antagonist

0:35:08.760 --> 0:35:11.879
<v Speaker 1>that you're rooting for or rooting against. You could make

0:35:11.920 --> 0:35:16.040
<v Speaker 1>an argument for either one of these characters because the

0:35:16.200 --> 0:35:20.840
<v Speaker 1>relationship is so just wrapped and intertwined and so messy. Again,

0:35:21.320 --> 0:35:26.000
<v Speaker 1>the most dangerous geometric shape is the triangle, because it

0:35:26.080 --> 0:35:29.200
<v Speaker 1>just all goes around and around and around, and you

0:35:29.239 --> 0:35:31.799
<v Speaker 1>could say one person was good and one person was bad,

0:35:31.840 --> 0:35:33.759
<v Speaker 1>but that person could say that person was good and

0:35:33.800 --> 0:35:37.719
<v Speaker 1>that person was bad, and the outcome is going to

0:35:37.760 --> 0:35:40.040
<v Speaker 1>be a bummer for everybody. And that is what I

0:35:40.120 --> 0:35:43.560
<v Speaker 1>learned after watching Challengers. So in my eyes, it is

0:35:43.640 --> 0:35:47.239
<v Speaker 1>almost a perfect movie, but still nonetheless a movie I

0:35:47.239 --> 0:35:51.400
<v Speaker 1>feel everybody should watch in a sea of remakes and

0:35:51.440 --> 0:35:55.080
<v Speaker 1>franchises and superhero movies, and to see it do fairly

0:35:55.120 --> 0:35:57.360
<v Speaker 1>well at the box office this week, and here the

0:35:57.480 --> 0:35:59.480
<v Speaker 1>universe gives you a movie that is free of all

0:35:59.520 --> 0:36:02.279
<v Speaker 1>those things. Maybe it's the R rating that's like, oh,

0:36:02.400 --> 0:36:04.160
<v Speaker 1>I don't want to touch that one, but it's just

0:36:04.320 --> 0:36:08.319
<v Speaker 1>inspiring for me to see a movie like this that

0:36:08.400 --> 0:36:11.719
<v Speaker 1>feels so refreshing still be able to get made and

0:36:11.840 --> 0:36:14.839
<v Speaker 1>with the movie star as big as Endea. For Challengers,

0:36:14.920 --> 0:36:20.800
<v Speaker 1>I give it four point five out of five tennis rackets.

0:36:22.000 --> 0:36:26.560
<v Speaker 2>It's time to head down to movie Mike trailer Paul, we.

0:36:26.480 --> 0:36:29.920
<v Speaker 1>Have our first look at Transformers one, and after watching this,

0:36:30.080 --> 0:36:33.240
<v Speaker 1>I realize, well, a couple of things. One, I'm getting

0:36:33.280 --> 0:36:37.200
<v Speaker 1>older to all the things that I loved as a

0:36:37.320 --> 0:36:45.680
<v Speaker 1>kid are now being repackage, repurposed to fit a younger generation.

0:36:46.360 --> 0:36:48.600
<v Speaker 1>And for the first time, when a trailer came out

0:36:49.160 --> 0:36:53.880
<v Speaker 1>over something I was excited about, I realized how much

0:36:54.000 --> 0:36:57.719
<v Speaker 1>this is not for me anymore. And I think in

0:36:57.800 --> 0:37:01.239
<v Speaker 1>my life, I've just been used to things that I've

0:37:01.280 --> 0:37:03.799
<v Speaker 1>been passionate about, things that I've loved over the years,

0:37:03.840 --> 0:37:07.520
<v Speaker 1>whether it be superheroes, things from comic books, sci fi

0:37:07.600 --> 0:37:10.279
<v Speaker 1>in general, a lot of it has been geared towards me.

0:37:10.680 --> 0:37:13.719
<v Speaker 1>And now it is seeing things that I grew up

0:37:13.840 --> 0:37:16.520
<v Speaker 1>with and I love. And I still think this should

0:37:16.560 --> 0:37:18.160
<v Speaker 1>be made for me because I am a fan of

0:37:18.160 --> 0:37:21.759
<v Speaker 1>the original. And now after watching this, I realize that

0:37:21.880 --> 0:37:24.279
<v Speaker 1>it's time to move on from some things and be

0:37:24.400 --> 0:37:27.759
<v Speaker 1>okay with that. Not everything is going to be for you.

0:37:27.840 --> 0:37:31.080
<v Speaker 1>And I'm thirty two years old, about to turn thirty

0:37:31.120 --> 0:37:34.680
<v Speaker 1>three this summer. I realize, Man, I might need to

0:37:34.680 --> 0:37:37.799
<v Speaker 1>sit this one out. What this movie is about. It

0:37:37.880 --> 0:37:41.839
<v Speaker 1>is a prequel to all of the Transformers movie It's

0:37:41.880 --> 0:37:45.840
<v Speaker 1>a never before told story. Chris Hemsworth and Brian Tyree

0:37:45.840 --> 0:37:48.640
<v Speaker 1>Henry star in this movie, who I think make a

0:37:48.680 --> 0:37:52.560
<v Speaker 1>great pairing. Both fantastic actors. Brian Tyree Henry has done

0:37:52.560 --> 0:37:54.719
<v Speaker 1>a lot of great work at voice acting as well.

0:37:55.000 --> 0:37:57.200
<v Speaker 1>He is also in Spider Man Into and across the

0:37:57.239 --> 0:38:01.680
<v Speaker 1>Spider Verse. Chris Hemsworth, he's stile or he's getting more

0:38:01.800 --> 0:38:05.440
<v Speaker 1>into doing movies outside of Marvel. Hasn't really found his

0:38:05.520 --> 0:38:08.200
<v Speaker 1>footing yet. Could it be voice acting. We'll figure that

0:38:08.239 --> 0:38:10.239
<v Speaker 1>out by the end of this trailer park. But the

0:38:10.280 --> 0:38:13.040
<v Speaker 1>story here is a young Optimist Prime, which is who

0:38:13.160 --> 0:38:15.839
<v Speaker 1>Chris Hemsworth is playing, and before he was known as

0:38:15.920 --> 0:38:19.840
<v Speaker 1>Optimist Prime, he was called Orian Pax. That is his

0:38:19.920 --> 0:38:23.000
<v Speaker 1>name in this movie. Brian Tyree Henry plays a character

0:38:23.040 --> 0:38:28.359
<v Speaker 1>named D fourteen who ends up becoming Optimist primes rival Megatron.

0:38:28.600 --> 0:38:31.120
<v Speaker 1>So this is their origin story of them being friends

0:38:31.120 --> 0:38:33.720
<v Speaker 1>before they became enemies, which I think is a great premise.

0:38:34.000 --> 0:38:37.600
<v Speaker 1>Other cast members include Scarlett Johansson, Keegan Michael Key, who

0:38:37.680 --> 0:38:40.040
<v Speaker 1>is and everything he plays Mumblebee. In this movie, you

0:38:40.080 --> 0:38:43.680
<v Speaker 1>also have John Hamm and Laurence Fishburn. The movie is

0:38:43.719 --> 0:38:46.960
<v Speaker 1>coming out later this year on September twentieth. Before I

0:38:47.000 --> 0:38:49.279
<v Speaker 1>get into more how I feel about this movie and

0:38:49.320 --> 0:38:51.520
<v Speaker 1>deciding it's time for me to move on a little bit,

0:38:51.760 --> 0:38:54.440
<v Speaker 1>here's just a little bit of the Transformers one trailer.

0:38:54.600 --> 0:38:57.400
<v Speaker 1>It's time to show him we are more than meets

0:38:57.440 --> 0:39:09.680
<v Speaker 1>the eye. Can transform now free. Uh guys, that's not good.

0:39:12.200 --> 0:39:15.680
<v Speaker 1>We've got these powers for a reason. Let's use them.

0:39:17.080 --> 0:39:18.840
<v Speaker 1>We stand here together.

0:39:20.800 --> 0:39:21.439
<v Speaker 2>As one.

0:39:26.000 --> 0:39:28.360
<v Speaker 1>A lot of things to break down from this trailer.

0:39:28.440 --> 0:39:33.120
<v Speaker 1>It is the first fully ever CG animated Transformers movie.

0:39:33.160 --> 0:39:36.759
<v Speaker 1>They have made Transformers animated movies in the past. We

0:39:36.840 --> 0:39:41.879
<v Speaker 1>also know the iconic franchise from Michael Bay, but Transformers

0:39:41.920 --> 0:39:45.440
<v Speaker 1>started out as a Saturday morning cartoon back in the eighties,

0:39:45.840 --> 0:39:49.800
<v Speaker 1>and that is what originally the demographic was for for kids,

0:39:49.960 --> 0:39:53.480
<v Speaker 1>more specifically to sell toys to kids. And that is

0:39:53.520 --> 0:39:57.280
<v Speaker 1>how I felt after watching this trailer, because upon first

0:39:57.280 --> 0:40:00.960
<v Speaker 1>seeing the animation here, I was completely under whelm of

0:40:01.080 --> 0:40:03.759
<v Speaker 1>how flat it looked. And the thing I love about

0:40:03.800 --> 0:40:07.399
<v Speaker 1>Transformers is how bright and vibrant all the characters are.

0:40:07.719 --> 0:40:10.479
<v Speaker 1>That is rarely what stands out in the animated show.

0:40:10.560 --> 0:40:13.280
<v Speaker 1>Also in the comic books, it's what makes them stand

0:40:13.360 --> 0:40:17.000
<v Speaker 1>out on shelves at toy stores, and it's also what

0:40:17.160 --> 0:40:20.600
<v Speaker 1>translated so well into the live action movies. They were

0:40:20.640 --> 0:40:25.320
<v Speaker 1>so big and glossy and shiny and slick looking Optimist

0:40:25.400 --> 0:40:28.319
<v Speaker 1>Prime and the red and the Blue Bumblebee in that

0:40:28.400 --> 0:40:32.360
<v Speaker 1>beautiful yellow. All the characters were so distinct, and in

0:40:32.400 --> 0:40:36.000
<v Speaker 1>the first minute of this trailer they all look completely

0:40:36.160 --> 0:40:39.520
<v Speaker 1>washed out, and it just felt like a very poor

0:40:39.760 --> 0:40:43.880
<v Speaker 1>use of animation style to make me want to see

0:40:43.920 --> 0:40:48.200
<v Speaker 1>an animated Transformers movie. But more importantly, I feel that

0:40:48.400 --> 0:40:51.719
<v Speaker 1>kids would think it looks a little bit lame. I

0:40:51.840 --> 0:40:54.160
<v Speaker 1>was hoping it would follow in the footsteps of movies

0:40:54.200 --> 0:40:56.879
<v Speaker 1>like into the Spider Verse, where the animated teenage Mutant

0:40:56.920 --> 0:40:59.760
<v Speaker 1>Indus Turtles movie they came out last year that blended

0:40:59.800 --> 0:41:03.280
<v Speaker 1>too and three D animation to give it a unique

0:41:03.600 --> 0:41:07.800
<v Speaker 1>look that makes it visually interesting. Now, the story here

0:41:07.840 --> 0:41:10.799
<v Speaker 1>I think could kind of match it, because it's portraying

0:41:11.560 --> 0:41:14.920
<v Speaker 1>our characters here as worker bots before they get their power,

0:41:15.000 --> 0:41:19.320
<v Speaker 1>so before they are able to transform, they're just regular workers,

0:41:19.400 --> 0:41:22.200
<v Speaker 1>and then somehow they get their powers and they are

0:41:22.239 --> 0:41:26.120
<v Speaker 1>able to go into battle mode. But overall, there is

0:41:26.160 --> 0:41:28.879
<v Speaker 1>nothing visually stunning that sticks out to me in this

0:41:28.920 --> 0:41:31.080
<v Speaker 1>trailer that makes me think I need to see this

0:41:31.280 --> 0:41:34.319
<v Speaker 1>on the big screen, and really nothing that I can

0:41:34.440 --> 0:41:36.719
<v Speaker 1>see that is going to translate into a great new

0:41:36.760 --> 0:41:40.239
<v Speaker 1>toy line, which is really the primary reason that this

0:41:40.360 --> 0:41:42.319
<v Speaker 1>movie is being made. And I can't be mad at

0:41:42.360 --> 0:41:45.279
<v Speaker 1>that because that is what the original series was back

0:41:45.280 --> 0:41:49.560
<v Speaker 1>in the day. All throughout history and anything targeted towards kids,

0:41:49.760 --> 0:41:52.719
<v Speaker 1>that has been the ultimate goal is to make a commercial,

0:41:52.880 --> 0:41:57.120
<v Speaker 1>essentially to sell a product of toys. So I just

0:41:57.280 --> 0:41:59.680
<v Speaker 1>think if that is the goal they are trying to

0:42:01.200 --> 0:42:04.959
<v Speaker 1>they are really lacking in the visuals department here, which

0:42:05.000 --> 0:42:07.800
<v Speaker 1>is a bit of a bummer because the voice acting

0:42:07.840 --> 0:42:10.719
<v Speaker 1>seems to be pretty right on and the story here

0:42:10.800 --> 0:42:13.520
<v Speaker 1>seems to be something that I am interested in. I

0:42:13.560 --> 0:42:17.400
<v Speaker 1>would love to see Optimist Prime and Megatron being friends,

0:42:17.960 --> 0:42:21.320
<v Speaker 1>seeing them actually be on the same side fighting against

0:42:21.360 --> 0:42:23.920
<v Speaker 1>the villain, and then maybe towards the end of the

0:42:23.920 --> 0:42:26.719
<v Speaker 1>movie or in a sequel, you start to see the

0:42:26.800 --> 0:42:30.239
<v Speaker 1>downfall of their relationship and you see Megatron go bad.

0:42:30.840 --> 0:42:33.439
<v Speaker 1>I just think there's more potential here to not only

0:42:33.480 --> 0:42:36.319
<v Speaker 1>appeal to the very very young kids, who is the

0:42:36.440 --> 0:42:40.560
<v Speaker 1>key demographic here, but also appealed to all those that

0:42:40.600 --> 0:42:43.399
<v Speaker 1>were fans of the show in the eighties or even

0:42:43.440 --> 0:42:45.520
<v Speaker 1>the reboots of the movies in the two thousands and

0:42:45.600 --> 0:42:50.080
<v Speaker 1>early twenty tens, because I think other franchises have succeeded

0:42:50.120 --> 0:42:53.840
<v Speaker 1>in that teenage mutant Ninja Turtles did that perfectly, and

0:42:53.920 --> 0:42:57.160
<v Speaker 1>it was cool to see people who are now parents

0:42:57.200 --> 0:42:59.440
<v Speaker 1>with kids take their kids to go enjoy something that

0:42:59.480 --> 0:43:02.359
<v Speaker 1>they enjoy and it's a whole bonding experience. And also

0:43:02.480 --> 0:43:05.400
<v Speaker 1>the fact that retro is so in right now with

0:43:05.520 --> 0:43:10.000
<v Speaker 1>TV shows like X Men ninety seven completely bringing everybody together.

0:43:10.440 --> 0:43:12.520
<v Speaker 1>I think they also missed a boat on that of

0:43:12.560 --> 0:43:16.120
<v Speaker 1>not having some animation style or even allusions to that

0:43:16.239 --> 0:43:19.120
<v Speaker 1>original animated series to give this a little bit more

0:43:19.239 --> 0:43:22.200
<v Speaker 1>color and make it just more interesting to watch. Other

0:43:22.320 --> 0:43:25.040
<v Speaker 1>than that, you're really just banking on all the A

0:43:25.160 --> 0:43:27.320
<v Speaker 1>list stars you have voicing the characters, which, hey, is

0:43:27.320 --> 0:43:30.840
<v Speaker 1>Carlo Johansson in an animated movie, I'm right there with you.

0:43:31.120 --> 0:43:33.960
<v Speaker 1>But aside from that, there's really nothing that sticks out

0:43:34.000 --> 0:43:36.520
<v Speaker 1>to me about this trailer. And also, where is the

0:43:36.680 --> 0:43:40.120
<v Speaker 1>uproar due to the fact that Peter Cullen is not

0:43:40.320 --> 0:43:45.319
<v Speaker 1>voicing Optimist Prime. Remember when everybody was so upset or

0:43:45.400 --> 0:43:49.160
<v Speaker 1>fake upset whenever Chris Evans came out as the voice

0:43:49.200 --> 0:43:52.520
<v Speaker 1>of Buzz light Year, and everybody wanted Tim Allen, even

0:43:52.560 --> 0:43:55.640
<v Speaker 1>though those two movies were supposed to be separate from

0:43:55.640 --> 0:43:59.600
<v Speaker 1>the Toy Story franchise line. Everybody was so upset about that,

0:43:59.640 --> 0:44:02.440
<v Speaker 1>and that was it's so difficult to explain that that

0:44:02.480 --> 0:44:04.840
<v Speaker 1>movie ended up not doing so well. But Peter Colin

0:44:05.320 --> 0:44:08.640
<v Speaker 1>has been the voice of Optimist Prime. He is the

0:44:08.640 --> 0:44:11.000
<v Speaker 1>only one I could hear doing it, and I think

0:44:11.040 --> 0:44:14.200
<v Speaker 1>he actually turned down the role because a producer said

0:44:14.200 --> 0:44:17.680
<v Speaker 1>that Peter Colin was always the go to first choice

0:44:18.200 --> 0:44:21.160
<v Speaker 1>to play Optimist Prime. But I have to believe that

0:44:21.200 --> 0:44:25.040
<v Speaker 1>he turned it down because he actually consulted Chris Hemsworth

0:44:25.160 --> 0:44:27.640
<v Speaker 1>on the voice. And you can hear it there in

0:44:27.680 --> 0:44:30.360
<v Speaker 1>that trailer clip that I played, because at times it

0:44:30.480 --> 0:44:33.279
<v Speaker 1>just sounds like Chris Hemsworth doing his normal voice, and

0:44:33.320 --> 0:44:36.400
<v Speaker 1>then other times you do hear him emulating Peter Colin

0:44:36.600 --> 0:44:40.320
<v Speaker 1>with that very deep Optimist Prime voice. So I'm curious

0:44:40.360 --> 0:44:43.520
<v Speaker 1>to see how that carries up throughout the entire movie.

0:44:44.000 --> 0:44:47.200
<v Speaker 1>I'm not one to jump on bashing people because they

0:44:47.200 --> 0:44:50.080
<v Speaker 1>don't sound like what I expected it to. It was

0:44:50.120 --> 0:44:53.759
<v Speaker 1>the whole same ordeal whenever Chris Pratt was announced as

0:44:53.760 --> 0:44:56.120
<v Speaker 1>a voice of Mario and we got that trailer and

0:44:56.120 --> 0:44:59.359
<v Speaker 1>everybody's like, he doesn't even sound like Mario. So I'm

0:44:59.400 --> 0:45:03.200
<v Speaker 1>at least lad that that conversation isn't happening right now.

0:45:03.320 --> 0:45:05.399
<v Speaker 1>But it also just shows you that people just get

0:45:05.440 --> 0:45:09.160
<v Speaker 1>outraged about the weirdest things, and then once everybody starts

0:45:09.200 --> 0:45:11.200
<v Speaker 1>jumping on it, it becomes a thing. I was just

0:45:11.239 --> 0:45:14.440
<v Speaker 1>surprised that nobody was sticking up for Peter Colin, who

0:45:14.680 --> 0:45:18.680
<v Speaker 1>is a voice acting legend. He also did e Or

0:45:18.880 --> 0:45:22.000
<v Speaker 1>in Winnie the Pooh. He was also the person doing

0:45:22.040 --> 0:45:25.240
<v Speaker 1>all the voice effects for Predator back in nineteen eighty seven,

0:45:25.480 --> 0:45:27.640
<v Speaker 1>and his voice has tickled all the parts of my

0:45:27.680 --> 0:45:30.560
<v Speaker 1>body while going to see his movies in theaters. You

0:45:30.600 --> 0:45:34.680
<v Speaker 1>also have Keegan Michael Key playing Bumblebee in this movie.

0:45:34.800 --> 0:45:38.480
<v Speaker 1>He must have the best agent in Hollywood, him and

0:45:38.560 --> 0:45:43.640
<v Speaker 1>Jesse Plemons, because Keegan Michael Key is almost without a doubt,

0:45:43.680 --> 0:45:46.520
<v Speaker 1>going to be in any animated movie you go see.

0:45:46.680 --> 0:45:48.719
<v Speaker 1>I saw him in Migration. He was also in the

0:45:48.760 --> 0:45:51.719
<v Speaker 1>Super Mario Brothers movie, and then in live action, he

0:45:51.840 --> 0:45:54.399
<v Speaker 1>was also in Wonka. I think it's because he has

0:45:54.480 --> 0:45:58.560
<v Speaker 1>such a great already animated voice and he really gets

0:45:58.560 --> 0:46:01.400
<v Speaker 1>into voice acting, so it's not so much that he

0:46:01.480 --> 0:46:04.120
<v Speaker 1>has to change his voice to fit all of these characters.

0:46:04.480 --> 0:46:08.080
<v Speaker 1>He just has so much just natural talent in his

0:46:08.239 --> 0:46:10.319
<v Speaker 1>voice that I feel like he is always the go

0:46:10.400 --> 0:46:13.520
<v Speaker 1>to at the top of the list. Between him and Aquafina,

0:46:13.840 --> 0:46:16.600
<v Speaker 1>there are no more voice acting roles to go around.

0:46:16.960 --> 0:46:20.200
<v Speaker 1>So after watching this trailer, I gotta remember that the

0:46:20.239 --> 0:46:23.000
<v Speaker 1>reason it has such a comedic tone is because it's

0:46:23.040 --> 0:46:25.879
<v Speaker 1>for kids, and that this movie is really not going

0:46:25.920 --> 0:46:28.040
<v Speaker 1>to be for me as much as I would want

0:46:28.080 --> 0:46:30.440
<v Speaker 1>it to. And I'm not opposed to going to see

0:46:30.520 --> 0:46:34.319
<v Speaker 1>kids movies. Quite honestly, I enjoy them because they have

0:46:34.440 --> 0:46:38.040
<v Speaker 1>that nostalgia feel they take me back to my childhood.

0:46:38.239 --> 0:46:40.319
<v Speaker 1>I was just hoping it was going to have a

0:46:40.320 --> 0:46:42.160
<v Speaker 1>little bit more of a niche to it, which was

0:46:42.200 --> 0:46:45.439
<v Speaker 1>what they were teasing at CinemaCon, of having a little

0:46:45.440 --> 0:46:48.040
<v Speaker 1>bit of emotional depth. And maybe it's just because this

0:46:48.160 --> 0:46:50.799
<v Speaker 1>trailer wants to focus on the foot elements to get

0:46:50.880 --> 0:46:53.680
<v Speaker 1>kids excited about it. I didn't really see a whole

0:46:53.719 --> 0:46:57.279
<v Speaker 1>lot going on emotionally in that, combined with really not

0:46:57.480 --> 0:47:00.839
<v Speaker 1>having a unique animation style that I was looking for

0:47:01.000 --> 0:47:03.799
<v Speaker 1>up until they get their powers, it does lighten up

0:47:03.800 --> 0:47:06.239
<v Speaker 1>a bit, it gets a little bit more slick. But

0:47:06.320 --> 0:47:09.840
<v Speaker 1>if you compare it to the CGI used in the

0:47:10.040 --> 0:47:13.719
<v Speaker 1>live action movies, which looks so realistic and also so

0:47:13.800 --> 0:47:16.720
<v Speaker 1>much more expensive, what this movie just kind of looks

0:47:16.760 --> 0:47:18.800
<v Speaker 1>like is a cheap version of that. So I feel

0:47:18.800 --> 0:47:21.799
<v Speaker 1>like I'm missing out of having something worth spending my

0:47:21.960 --> 0:47:24.279
<v Speaker 1>money on. But again, this movie is coming out on

0:47:24.320 --> 0:47:29.560
<v Speaker 1>September twentieth. Autobots roll out and that is this week's

0:47:29.680 --> 0:47:33.400
<v Speaker 1>edition of Movie min Framer par and that is going

0:47:33.480 --> 0:47:36.560
<v Speaker 1>to do it for another episode here of the podcast.

0:47:36.600 --> 0:47:39.560
<v Speaker 1>But before I go, I gotta get my listeners shout

0:47:39.560 --> 0:47:42.480
<v Speaker 1>out of the week. This week, I am going over

0:47:42.520 --> 0:47:45.759
<v Speaker 1>to YouTube where I post individual movie reviews, so if

0:47:45.800 --> 0:47:48.839
<v Speaker 1>you're not subscribed over there, be sure to check it out.

0:47:49.120 --> 0:47:52.160
<v Speaker 1>I got this comment on my review of Civil War.

0:47:52.680 --> 0:47:54.360
<v Speaker 1>It is coming to us from user if you like

0:47:54.440 --> 0:47:56.759
<v Speaker 1>Pina Colada's nine six six ' nine, which I have

0:47:56.800 --> 0:47:59.440
<v Speaker 1>to say is a fantastic user name. They wrote, I

0:47:59.520 --> 0:48:03.000
<v Speaker 1>love this movie. It was beautiful and shocking, easily one

0:48:03.040 --> 0:48:05.640
<v Speaker 1>of the best movies of the year. The more I

0:48:05.680 --> 0:48:08.640
<v Speaker 1>think about Civil War, the more I think that I

0:48:08.760 --> 0:48:12.200
<v Speaker 1>enjoyed it. I still highly encourage you to check it

0:48:12.200 --> 0:48:14.440
<v Speaker 1>out if you've not seen it in theaters because it

0:48:14.480 --> 0:48:17.680
<v Speaker 1>does have that big, loud sound that Pinicoladas was talking

0:48:17.719 --> 0:48:20.640
<v Speaker 1>about there that is worth seeing in theaters because it

0:48:20.680 --> 0:48:23.719
<v Speaker 1>will rattle your bones. So if you have seen that

0:48:23.760 --> 0:48:26.200
<v Speaker 1>and you missed last week's episode, and go over to

0:48:26.239 --> 0:48:29.000
<v Speaker 1>my YouTube channel a YouTube dot com slash Mike Distro.

0:48:29.440 --> 0:48:32.600
<v Speaker 1>And also, if you're listening on any podcast platform right now,

0:48:32.640 --> 0:48:36.319
<v Speaker 1>whether it be Apple Podcasts, Spotify, or iHeartRadio, make sure

0:48:36.320 --> 0:48:39.680
<v Speaker 1>you're subscribed there as well and leave a review hit

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<v Speaker 1>those five stars. Write a quick little something about why

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<v Speaker 1>you enjoy the podcast, because that really helps me grow

0:48:46.680 --> 0:48:49.480
<v Speaker 1>in the sense of other people are able to find it,

0:48:49.560 --> 0:48:53.040
<v Speaker 1>because that really helps me climb up in the podcast charts,

0:48:53.080 --> 0:48:57.160
<v Speaker 1>which I'm currently battling all the other movie podcasts. I'm

0:48:57.200 --> 0:48:59.719
<v Speaker 1>trying to get top ten. So if you wouldn't mind

0:48:59.760 --> 0:49:02.279
<v Speaker 1>doing that, it really goes a long way. So thank

0:49:02.320 --> 0:49:05.160
<v Speaker 1>you for listening, Thank you for being subscribed, And until

0:49:05.200 --> 0:49:07.799
<v Speaker 1>next time, go out and watch good movies and I

0:49:07.840 --> 0:49:09.680
<v Speaker 1>will talk to you later