1 00:00:00,200 --> 00:00:02,800 Speaker 1: Hello, and welcome back to Movie Mike's movie podcast. I 2 00:00:02,840 --> 00:00:04,520 Speaker 1: am your host Movie Mike. Today, I want to share 3 00:00:04,519 --> 00:00:07,680 Speaker 1: with you a list of sequels that should not exist 4 00:00:07,800 --> 00:00:11,080 Speaker 1: because Ben Stiller was out recently saying he didn't expect 5 00:00:11,080 --> 00:00:14,040 Speaker 1: all the backlash and hate that he ended up getting 6 00:00:14,040 --> 00:00:17,400 Speaker 1: for Zoolander two, to which I say, really in the 7 00:00:17,400 --> 00:00:21,040 Speaker 1: movie review, we'll be talking about Zendaya in Challengers. Was 8 00:00:21,079 --> 00:00:23,680 Speaker 1: it as steamy as the trailer led on? And in 9 00:00:23,720 --> 00:00:26,639 Speaker 1: the trailer park? Why I am sad after watching the 10 00:00:26,680 --> 00:00:30,920 Speaker 1: new Transformers one trailer, even though the story looks pretty interesting. 11 00:00:30,960 --> 00:00:33,200 Speaker 1: So thank you for being here, Thank you for being subscribed. 12 00:00:33,400 --> 00:00:36,240 Speaker 1: Shout out to the Monday Morning movie crew. He now, 13 00:00:36,560 --> 00:00:37,440 Speaker 1: let's talk movies. 14 00:00:37,760 --> 00:00:40,920 Speaker 2: In a world where everyone and their mother has a podcast, 15 00:00:41,440 --> 00:00:45,320 Speaker 2: one man stands to infiltrate the ears of listeners like 16 00:00:45,440 --> 00:00:49,360 Speaker 2: never before in a movie podcast. A man with so 17 00:00:49,520 --> 00:00:53,920 Speaker 2: much movie knowledge, he's basically like a walking IMTB with 18 00:00:54,200 --> 00:01:01,200 Speaker 2: glasses from the Nashville Podcast Network. This is Movie Mike's movie. 19 00:01:01,360 --> 00:01:05,080 Speaker 1: Ben Steller was blindsided by the hate and the fact 20 00:01:05,160 --> 00:01:08,440 Speaker 1: that Zulander too flop. He said, whenever it came out, 21 00:01:08,920 --> 00:01:10,920 Speaker 1: he was convinced it was going to be a hit, 22 00:01:11,000 --> 00:01:14,600 Speaker 1: and when it flopped it blindsided him. First, Zulander came 23 00:01:14,600 --> 00:01:16,800 Speaker 1: out back in two thousand and one, and when you 24 00:01:16,840 --> 00:01:21,679 Speaker 1: break down legacy comedies, oh that one's I was making 25 00:01:21,680 --> 00:01:24,800 Speaker 1: a list of my top fifty favorite comedy. I don't 26 00:01:24,800 --> 00:01:27,160 Speaker 1: even think Zulander would be on that list, maybe if 27 00:01:27,160 --> 00:01:30,200 Speaker 1: it was specific to the two thousands or cult comedy hits. 28 00:01:30,680 --> 00:01:33,520 Speaker 1: But he said this on the David Ducoveny Fail Better 29 00:01:33,560 --> 00:01:37,800 Speaker 1: podcast and quote, I thought everybody wanted this, which I 30 00:01:37,800 --> 00:01:41,400 Speaker 1: think that is the part of a statement that makes 31 00:01:41,440 --> 00:01:45,440 Speaker 1: me see that sometimes even though to me, movies like 32 00:01:45,520 --> 00:01:48,320 Speaker 1: this seem like cash grabs, but whenever you have somebody 33 00:01:48,400 --> 00:01:51,760 Speaker 1: like Ben Steller heavily involved, I feel like that carries 34 00:01:51,800 --> 00:01:54,400 Speaker 1: a little bit more way to it. And I assume 35 00:01:54,560 --> 00:01:57,920 Speaker 1: having a movie like that in his filmography, that is 36 00:01:58,000 --> 00:02:00,480 Speaker 1: probably a question. He was asked a lot of interviews, 37 00:02:00,480 --> 00:02:02,360 Speaker 1: when are you going to make another Zoolander? When are 38 00:02:02,400 --> 00:02:04,880 Speaker 1: you going to make another Zoolander? So much so that 39 00:02:04,960 --> 00:02:08,079 Speaker 1: you start to believe, like he said that people wanted this, 40 00:02:08,360 --> 00:02:10,160 Speaker 1: and then he said when the movie came out and 41 00:02:10,200 --> 00:02:13,359 Speaker 1: it flopped, it really hurt him, but it allowed him 42 00:02:13,400 --> 00:02:16,360 Speaker 1: to go and do other things and focus on things 43 00:02:16,360 --> 00:02:18,519 Speaker 1: that he kind of had in the back burner, one 44 00:02:18,520 --> 00:02:20,960 Speaker 1: of those being Severance, which came out on Apple TV 45 00:02:21,040 --> 00:02:25,000 Speaker 1: Plus and dominated and people loved that show waiting for 46 00:02:25,080 --> 00:02:27,880 Speaker 1: season two right now. So it kind of goes to 47 00:02:27,919 --> 00:02:31,680 Speaker 1: show you how good things can come out of bad things. 48 00:02:32,000 --> 00:02:34,480 Speaker 1: I think if you do make a sequel to a comedy, 49 00:02:34,680 --> 00:02:38,679 Speaker 1: it should come out within five years of that original one. Otherwise, 50 00:02:39,240 --> 00:02:43,360 Speaker 1: once you start making comedies in different decades, that is 51 00:02:43,440 --> 00:02:45,920 Speaker 1: where you set yourself up for failure. And why do 52 00:02:46,000 --> 00:02:49,760 Speaker 1: I think that is is because comedy is a reflection 53 00:02:49,960 --> 00:02:53,240 Speaker 1: of that time period. And when you start making movies 54 00:02:53,400 --> 00:02:56,840 Speaker 1: in the two thousands and then wait another decade to 55 00:02:56,960 --> 00:02:59,200 Speaker 1: follow up with that, the humor is not going to 56 00:02:59,280 --> 00:03:02,000 Speaker 1: match up. What was funny in two thousand and one 57 00:03:02,320 --> 00:03:05,880 Speaker 1: with Zoolander is not going to be funny in twenty sixteen. 58 00:03:06,160 --> 00:03:08,640 Speaker 1: So I think that is a recipe for disaster. And 59 00:03:08,840 --> 00:03:11,280 Speaker 1: also when it comes to comedies, more so than any 60 00:03:11,360 --> 00:03:14,880 Speaker 1: other genre, they are very nostalgic, and what we are 61 00:03:14,919 --> 00:03:17,400 Speaker 1: really asking for when we want a sequel to a 62 00:03:17,440 --> 00:03:20,480 Speaker 1: comedy movie, we don't really want it. We just want 63 00:03:20,480 --> 00:03:23,400 Speaker 1: to be transported into a time where we found that 64 00:03:23,560 --> 00:03:26,239 Speaker 1: movie funny. I would love to go back to two 65 00:03:26,240 --> 00:03:28,840 Speaker 1: thousand and one being ten years old, all the things 66 00:03:28,840 --> 00:03:32,000 Speaker 1: I found hilarious. Then that is really what I want. 67 00:03:32,320 --> 00:03:35,680 Speaker 1: I've never seen a sequel come out fifteen years after 68 00:03:36,160 --> 00:03:38,760 Speaker 1: that is better than the original one. Can it still 69 00:03:38,800 --> 00:03:41,000 Speaker 1: have its moments? Can it still be fun and quirky 70 00:03:41,040 --> 00:03:44,200 Speaker 1: like Bill and Teded coming out with one in twenty twenty. Yes, 71 00:03:44,440 --> 00:03:47,080 Speaker 1: that can happen, but it's never listened to me. What 72 00:03:47,120 --> 00:03:49,400 Speaker 1: I say is it's never going to match that original 73 00:03:49,400 --> 00:03:52,160 Speaker 1: one because what we want is that nostalgic factor. With 74 00:03:52,320 --> 00:03:54,760 Speaker 1: that being said, I have come up with the list 75 00:03:54,920 --> 00:03:58,280 Speaker 1: of sequels that should have never been made. Some of 76 00:03:58,320 --> 00:04:03,040 Speaker 1: these are outright offence because not only are they bad movies, 77 00:04:03,440 --> 00:04:06,680 Speaker 1: but they tarnished the legacy of the original movie. So 78 00:04:06,800 --> 00:04:09,520 Speaker 1: for this list, it is all sequels that I believe 79 00:04:10,080 --> 00:04:14,080 Speaker 1: have not only been worse than its predecessor, but should 80 00:04:14,120 --> 00:04:17,400 Speaker 1: be burned into the ground because they were either cash 81 00:04:17,400 --> 00:04:20,960 Speaker 1: grabs or nostalgia base. Starting with the worst offender, the 82 00:04:21,040 --> 00:04:24,000 Speaker 1: movie I bring up so much because I hate it 83 00:04:24,040 --> 00:04:26,920 Speaker 1: with a burning passion. It is Dumb and Dumber two, 84 00:04:27,440 --> 00:04:30,560 Speaker 1: and that is to that came out back in twenty fourteen, 85 00:04:30,920 --> 00:04:33,080 Speaker 1: and this is where I learned. What I've just been 86 00:04:33,120 --> 00:04:35,800 Speaker 1: talking about is as much as you want to see 87 00:04:36,320 --> 00:04:40,000 Speaker 1: your favorite actors come back and portray the characters that 88 00:04:40,080 --> 00:04:44,040 Speaker 1: made you laugh, Jim Carrey and Jeff Daniels are incredible together, 89 00:04:44,520 --> 00:04:47,080 Speaker 1: and this was one. I was on that bandwagon. I 90 00:04:47,240 --> 00:04:51,760 Speaker 1: was on Reddit, following every storyline, with every script update. 91 00:04:52,680 --> 00:04:55,880 Speaker 1: I was all in on the Dumb and Dumber sequel. Now, 92 00:04:55,920 --> 00:04:58,720 Speaker 1: technically it's not a direct sequel because they came out 93 00:04:58,720 --> 00:05:01,280 Speaker 1: with the prequel Dumb and Dumber or in two thousand 94 00:05:01,320 --> 00:05:04,160 Speaker 1: and three, which is even worse because they aren't even 95 00:05:04,200 --> 00:05:06,839 Speaker 1: associated with that movie. That's another one that should have 96 00:05:06,880 --> 00:05:08,960 Speaker 1: been made. But this is the sequel to Dumb and 97 00:05:09,000 --> 00:05:11,760 Speaker 1: Dumber that came out in ninety four and I remember 98 00:05:11,800 --> 00:05:15,680 Speaker 1: seeing that first image of them back in the Harry 99 00:05:15,680 --> 00:05:19,200 Speaker 1: and Lloyd costumes and being so excited. And I've never 100 00:05:19,279 --> 00:05:23,200 Speaker 1: been so disappointed in a sequel because none of the 101 00:05:23,320 --> 00:05:27,239 Speaker 1: jokes landed, and all the movie was was poking fun 102 00:05:27,320 --> 00:05:30,240 Speaker 1: and reminding audiences of what they did in the original one, 103 00:05:30,640 --> 00:05:32,960 Speaker 1: and that is not what we want. It's hard to 104 00:05:32,960 --> 00:05:36,400 Speaker 1: do a sequel because you need to advance what you 105 00:05:36,480 --> 00:05:39,160 Speaker 1: did in the first one and not just remind people 106 00:05:39,520 --> 00:05:42,039 Speaker 1: why that one was great and dumb and Dumber two 107 00:05:42,800 --> 00:05:46,200 Speaker 1: is the biggest offender of that Along those same lines, 108 00:05:46,240 --> 00:05:49,119 Speaker 1: will stick to Jim carrey movies Son of the Mask 109 00:05:49,200 --> 00:05:53,680 Speaker 1: in two thousand and five with Jamie Kennedy. Oh, this 110 00:05:53,800 --> 00:05:56,840 Speaker 1: movie does tarnish the legacy of the Mask, which is 111 00:05:56,920 --> 00:05:59,080 Speaker 1: also a nineteen ninety four movie when Jim Carrey was 112 00:05:59,120 --> 00:06:02,279 Speaker 1: really on his run of dominance. Son of the Mask 113 00:06:02,440 --> 00:06:05,560 Speaker 1: was nothing more than a cash grab because in the 114 00:06:05,600 --> 00:06:08,840 Speaker 1: first one it's so quirky and funny, but what it 115 00:06:08,920 --> 00:06:12,200 Speaker 1: does well is all of the little side gags, and 116 00:06:12,320 --> 00:06:15,760 Speaker 1: really you need Jim Carrey in that mask to make 117 00:06:15,800 --> 00:06:18,400 Speaker 1: it funny. Son of the Mask is one of the 118 00:06:18,440 --> 00:06:22,960 Speaker 1: most brutal experiences I've ever had watching a movie, even 119 00:06:23,000 --> 00:06:25,800 Speaker 1: in two thousand and five, where you could throw anything 120 00:06:25,839 --> 00:06:28,760 Speaker 1: on the screen and my fourteen year old self would 121 00:06:28,839 --> 00:06:32,600 Speaker 1: probably laugh at it. But this one was straight awful, 122 00:06:32,920 --> 00:06:38,039 Speaker 1: mostly due to the mask looking like a rubbery playto 123 00:06:38,240 --> 00:06:41,919 Speaker 1: piece of crap. So that is my second big offender. 124 00:06:42,640 --> 00:06:46,000 Speaker 1: My third biggest offender is one that came out pretty recently, 125 00:06:46,240 --> 00:06:49,560 Speaker 1: Hocus Pocus two is a movie that I just hate 126 00:06:49,920 --> 00:06:53,520 Speaker 1: that it exists because hocus Pocus won. The original has 127 00:06:53,560 --> 00:06:56,200 Speaker 1: been one of my go to Halloween movies since I 128 00:06:56,200 --> 00:07:00,320 Speaker 1: can remember. It was always Halloween time for me. When ever, 129 00:07:00,920 --> 00:07:03,360 Speaker 1: I'd go to school and we'd throw on hocus Pocus 130 00:07:03,400 --> 00:07:06,719 Speaker 1: Great Memories with this movie, I'd watch it every single year, 131 00:07:07,120 --> 00:07:09,600 Speaker 1: And to me, this movie is perfect. It should not 132 00:07:09,640 --> 00:07:12,440 Speaker 1: have been touched and right now, Disney isn't a weird 133 00:07:12,520 --> 00:07:15,600 Speaker 1: place of movies that come out on Disney Plus and 134 00:07:15,680 --> 00:07:17,800 Speaker 1: movies that come out in theaters, And what they have 135 00:07:17,920 --> 00:07:21,280 Speaker 1: really done is kind of replaced their straight to VHS 136 00:07:21,320 --> 00:07:25,240 Speaker 1: straight to DVD movies and made those Disney Plus exclusives. 137 00:07:25,320 --> 00:07:28,560 Speaker 1: Hocus Pocus two fell victim to that. The movie just 138 00:07:28,680 --> 00:07:32,200 Speaker 1: looks terrible. It looks like it had zero budget. You 139 00:07:32,320 --> 00:07:36,000 Speaker 1: bring back all the originals and completely waste them to 140 00:07:36,080 --> 00:07:38,840 Speaker 1: make a movie that looks like a Saturday Morning special. 141 00:07:39,000 --> 00:07:41,440 Speaker 1: And Disney has done this a lot, so much so 142 00:07:41,600 --> 00:07:44,600 Speaker 1: that I almost don't count some of these sequels that 143 00:07:44,640 --> 00:07:46,960 Speaker 1: they have done because they are pretty bad. It really 144 00:07:47,000 --> 00:07:51,200 Speaker 1: shows me how much Disney has changed and has suffered 145 00:07:51,400 --> 00:07:53,800 Speaker 1: at the box office as of late, because they used 146 00:07:53,840 --> 00:07:56,720 Speaker 1: to be so dominant that they would only put out 147 00:07:57,000 --> 00:07:59,920 Speaker 1: their biggest movies in theaters, and all the sequels would 148 00:07:59,920 --> 00:08:02,920 Speaker 1: go straight to VHS, which they also crushed in because 149 00:08:02,920 --> 00:08:05,280 Speaker 1: they would sell so many of them, so they would 150 00:08:05,360 --> 00:08:10,080 Speaker 1: create classics, and then they would have cheaply made sequels 151 00:08:10,400 --> 00:08:14,120 Speaker 1: with less money spent on animation. You wouldn't have the 152 00:08:14,200 --> 00:08:17,320 Speaker 1: same caliber of voice actors. You would rarely have people 153 00:08:17,320 --> 00:08:20,160 Speaker 1: from the original ones be on these sequels. But all 154 00:08:20,280 --> 00:08:23,280 Speaker 1: these movies I would consider should not have been remade. 155 00:08:23,640 --> 00:08:25,760 Speaker 1: And I bet they regret some of these because they 156 00:08:25,760 --> 00:08:28,840 Speaker 1: could have made sequels now instead of remaking the original ones, 157 00:08:28,880 --> 00:08:31,800 Speaker 1: which we are seeing an influx up still. But Lion 158 00:08:31,880 --> 00:08:35,360 Speaker 1: King two, Cinderella to Little Mermaid two, Hunchback of Notre 159 00:08:35,480 --> 00:08:38,320 Speaker 1: Dame to move on to Bamby two, some of these 160 00:08:38,360 --> 00:08:42,120 Speaker 1: you probably forgot even happened because they were really just 161 00:08:42,160 --> 00:08:44,959 Speaker 1: a way for them to sell more DVDs and Bhs's 162 00:08:45,360 --> 00:08:48,160 Speaker 1: the only one of these movies that I liked, and 163 00:08:48,200 --> 00:08:51,640 Speaker 1: I remember going to the flea market in Dallas to 164 00:08:51,720 --> 00:08:54,280 Speaker 1: get a copy of this. Out of all these movies, 165 00:08:54,320 --> 00:08:56,000 Speaker 1: this is the only one I was excited for as 166 00:08:56,040 --> 00:08:58,400 Speaker 1: a kid, and it was Lion King one and a half, 167 00:08:58,440 --> 00:09:00,560 Speaker 1: which is a great movie. I haven't watch it in 168 00:09:00,600 --> 00:09:02,480 Speaker 1: a very long time. I'm not sure if it's still 169 00:09:02,480 --> 00:09:07,120 Speaker 1: available on Disney Plus, but it was Lion King from 170 00:09:07,160 --> 00:09:09,839 Speaker 1: the perspective of Timone and Poomba, which as a kid, 171 00:09:10,160 --> 00:09:12,720 Speaker 1: that is what I love the most from Lion King 172 00:09:13,120 --> 00:09:16,640 Speaker 1: because Poomba and Timone are hilarious. They were the best 173 00:09:16,640 --> 00:09:19,760 Speaker 1: part of that movie. They were the comedic relief. So 174 00:09:19,800 --> 00:09:21,880 Speaker 1: what you had in Lion King one and a half 175 00:09:22,160 --> 00:09:26,720 Speaker 1: was their storyline from before they meet Simba, because they 176 00:09:26,760 --> 00:09:29,800 Speaker 1: really don't encounter him until about the start of the 177 00:09:29,840 --> 00:09:32,160 Speaker 1: second act of the movie, so you get to see 178 00:09:32,200 --> 00:09:34,439 Speaker 1: all of their life before that, and then you get 179 00:09:34,440 --> 00:09:37,920 Speaker 1: to see their perspective from the final battle, which is great. 180 00:09:38,040 --> 00:09:40,800 Speaker 1: So all the other ones should not have happened. Just 181 00:09:40,800 --> 00:09:44,000 Speaker 1: give me Lion King one and a half. Another more 182 00:09:44,080 --> 00:09:47,120 Speaker 1: recent offender is Aquaman two, which is one of the 183 00:09:47,160 --> 00:09:50,200 Speaker 1: worst superhero movies I've ever seen. I was quite honestly 184 00:09:50,280 --> 00:09:54,120 Speaker 1: surprised how big of a hit Aquaman one was. And 185 00:09:54,160 --> 00:09:57,120 Speaker 1: this one also came at a weird time of Warner 186 00:09:57,160 --> 00:10:00,360 Speaker 1: Brothers kind of closing the chapter on this DC era, 187 00:10:01,040 --> 00:10:03,280 Speaker 1: and I feel like this movie was dead on arrival. 188 00:10:03,360 --> 00:10:06,320 Speaker 1: It had no real chance of success. But even that 189 00:10:06,520 --> 00:10:09,360 Speaker 1: being said, I was not prepared for the annihilation on 190 00:10:09,440 --> 00:10:13,960 Speaker 1: my eyes from watching such a weak performance from Jason Momoa, 191 00:10:14,120 --> 00:10:17,760 Speaker 1: but also the worst visual effects in the last decade 192 00:10:17,800 --> 00:10:20,439 Speaker 1: when it comes to superhero movies, I thought we were 193 00:10:20,520 --> 00:10:24,040 Speaker 1: past making superhero movies this bad at a time where 194 00:10:24,080 --> 00:10:27,240 Speaker 1: people are starting to be fatigued with these movies. Really 195 00:10:27,280 --> 00:10:29,280 Speaker 1: good to put this one out. They should have shelled 196 00:10:29,320 --> 00:10:31,440 Speaker 1: this movie. So I think a lot of people right 197 00:10:31,480 --> 00:10:35,080 Speaker 1: now would say any sequel to any superhero movie is 198 00:10:35,440 --> 00:10:37,880 Speaker 1: one that should not be made. Even though there's so 199 00:10:37,960 --> 00:10:41,719 Speaker 1: much hype around the latest Deadpool and Wolverine trailer in 200 00:10:41,760 --> 00:10:45,560 Speaker 1: that franchise, I actually think Deadpool two is a pretty 201 00:10:45,559 --> 00:10:48,000 Speaker 1: weak spot, and I think it brings up a great 202 00:10:48,000 --> 00:10:51,360 Speaker 1: point of in Deadpool. The first one was so successful 203 00:10:51,360 --> 00:10:53,480 Speaker 1: because it was made on a fifty eight million dollar 204 00:10:53,600 --> 00:10:56,360 Speaker 1: budget and went on to make seven hundred and eighty 205 00:10:56,400 --> 00:10:59,400 Speaker 1: two million dollars at the box office. So then you 206 00:10:59,440 --> 00:11:01,800 Speaker 1: get the sequel of Deadpool two, which I feel is 207 00:11:01,880 --> 00:11:05,600 Speaker 1: really forgettable because the charm of the first one was 208 00:11:05,720 --> 00:11:07,600 Speaker 1: due to the fact that they were working with a 209 00:11:07,679 --> 00:11:10,160 Speaker 1: smaller budget. A lot of the comedy comes from that. 210 00:11:10,320 --> 00:11:12,640 Speaker 1: In the final act, whenever Deadpool is going to that 211 00:11:12,760 --> 00:11:15,800 Speaker 1: final battle, they were running out of money. They had 212 00:11:15,840 --> 00:11:18,760 Speaker 1: to cut a big amount of the budget. That's why 213 00:11:18,840 --> 00:11:21,960 Speaker 1: he forgets his guns, which leads to a much funnier 214 00:11:22,200 --> 00:11:24,920 Speaker 1: sequence of events to close out that movie and became 215 00:11:25,000 --> 00:11:27,839 Speaker 1: quintessential Deadpool. Then in the second one, they went from 216 00:11:27,880 --> 00:11:30,400 Speaker 1: fifty eight million dollars to one hundred and ten million 217 00:11:30,480 --> 00:11:33,960 Speaker 1: dollar budget, but it didn't really change much because you 218 00:11:34,080 --> 00:11:36,920 Speaker 1: have more room to breathe with a visual aspect, and 219 00:11:37,000 --> 00:11:40,320 Speaker 1: it did not really translate to much more box office 220 00:11:40,320 --> 00:11:42,200 Speaker 1: success because I think it only made four or five 221 00:11:42,520 --> 00:11:46,079 Speaker 1: more million dollars worldwide, even though they spent so much 222 00:11:46,080 --> 00:11:48,720 Speaker 1: more money on it. But in this case, sometimes I 223 00:11:48,800 --> 00:11:52,600 Speaker 1: believe a bad sequel is the bridge to a third 224 00:11:53,040 --> 00:11:56,280 Speaker 1: batter movie. So I think Deadpool two I could probably 225 00:11:56,320 --> 00:11:59,080 Speaker 1: do without. But now we get Deadpool and Wolverine, which 226 00:11:59,120 --> 00:12:02,400 Speaker 1: looks fantastic in the new trailer, which they aren't calling 227 00:12:02,440 --> 00:12:05,200 Speaker 1: this movie Deadpool three. That is what the director said. 228 00:12:05,640 --> 00:12:08,080 Speaker 1: He said, this is kind of its own thing. And 229 00:12:08,120 --> 00:12:10,680 Speaker 1: I remember giving the suit so much grief whenever we 230 00:12:10,760 --> 00:12:12,920 Speaker 1: had that first look at it because I thought it 231 00:12:12,960 --> 00:12:16,600 Speaker 1: looked like a motocross suit and didn't really feel like 232 00:12:16,679 --> 00:12:20,400 Speaker 1: the comic book accurate version that I was promised, And 233 00:12:21,360 --> 00:12:24,920 Speaker 1: even though the colors are pretty similar, I just felt 234 00:12:24,920 --> 00:12:26,559 Speaker 1: like that is not what I had in my head. 235 00:12:27,000 --> 00:12:30,760 Speaker 1: I wanted him to look like the iconic nineties Wolverine 236 00:12:30,800 --> 00:12:33,120 Speaker 1: that we all fell in love with back in the day. 237 00:12:33,240 --> 00:12:36,000 Speaker 1: But after watching the trailer and seeing that they ripped 238 00:12:36,040 --> 00:12:38,240 Speaker 1: off the sleeves, I have to say it does look 239 00:12:38,280 --> 00:12:40,520 Speaker 1: a lot better. I still wish he had the pointy boots, 240 00:12:40,920 --> 00:12:43,760 Speaker 1: and I hope at some point he has the mask on, 241 00:12:44,640 --> 00:12:47,240 Speaker 1: even if it's a quick joke. I think with that 242 00:12:47,320 --> 00:12:50,120 Speaker 1: I would be satisfied. We have had some looks at 243 00:12:50,160 --> 00:12:53,959 Speaker 1: the posters. Maybe we are gonna get Wolverine in a mask. 244 00:12:54,040 --> 00:12:57,240 Speaker 1: I also think we're gonna get that Hulk cameo in 245 00:12:57,280 --> 00:12:59,360 Speaker 1: Dead Pull and Wolverine. There's been a lot of little 246 00:12:59,360 --> 00:13:03,000 Speaker 1: Easter eggs put out some new posters wherever you see 247 00:13:03,080 --> 00:13:06,520 Speaker 1: the reflection of Deadpool and the reflection of Wolverine in 248 00:13:06,559 --> 00:13:09,079 Speaker 1: each of their blades, which I believe is in homage 249 00:13:09,120 --> 00:13:13,440 Speaker 1: to an iconic, Incredible Hulk comic book cover. Wherever you 250 00:13:13,480 --> 00:13:16,760 Speaker 1: see Wolverine with this blades out and you see the 251 00:13:16,880 --> 00:13:19,880 Speaker 1: Hulk's reflection in the blades, one of the best comic 252 00:13:19,880 --> 00:13:23,040 Speaker 1: book covers of all time. Also, in the first trailer 253 00:13:23,080 --> 00:13:26,480 Speaker 1: we had from Deadpool and Wolverine, you see Wolverine sitting 254 00:13:26,520 --> 00:13:29,120 Speaker 1: at a table in an all white tux, which is 255 00:13:29,160 --> 00:13:31,720 Speaker 1: another reference to a comic book cover with him and 256 00:13:31,720 --> 00:13:34,360 Speaker 1: the Incredible Hulk. So I'm hoping we get that cameo. 257 00:13:34,480 --> 00:13:37,280 Speaker 1: But anyway, all that to say, sometimes you need a 258 00:13:37,320 --> 00:13:40,960 Speaker 1: bad sequel to get to a better third movie. Another 259 00:13:41,000 --> 00:13:44,640 Speaker 1: instance in that is The Hangover two, which I don't 260 00:13:44,640 --> 00:13:47,400 Speaker 1: think that movie needed to be made. It is the 261 00:13:47,559 --> 00:13:50,760 Speaker 1: exact same thing as the first one, but in Bangkok. 262 00:13:51,000 --> 00:13:53,719 Speaker 1: And I remember being disappointed with The Hangover two in 263 00:13:53,800 --> 00:13:57,400 Speaker 1: twenty eleven because I love The Hangover Part one, one 264 00:13:57,400 --> 00:14:00,000 Speaker 1: of my favorite comedies of all time, And even though 265 00:14:00,040 --> 00:14:02,560 Speaker 1: I didn't love the sequel, they should have done without that. 266 00:14:03,000 --> 00:14:07,280 Speaker 1: I actually really enjoy The Hangover three because it goes 267 00:14:07,320 --> 00:14:09,480 Speaker 1: back to Vegas, because it goes back to what made 268 00:14:09,480 --> 00:14:12,160 Speaker 1: the first one great. But the only reason I love 269 00:14:12,320 --> 00:14:15,360 Speaker 1: that one is because we have that bad sequel in 270 00:14:15,400 --> 00:14:18,280 Speaker 1: the middle. You couldn't have gone from the Hangover one 271 00:14:18,360 --> 00:14:21,160 Speaker 1: to the Hangover three, because even more so than the 272 00:14:21,240 --> 00:14:22,880 Speaker 1: jump from one to two, it would have felt like 273 00:14:22,920 --> 00:14:25,720 Speaker 1: the exact same movie. So you get that part three 274 00:14:26,160 --> 00:14:28,600 Speaker 1: and it almost feels, even though they weren't that far apart, 275 00:14:28,720 --> 00:14:32,040 Speaker 1: kind of nostalgic for going back and reliving their days 276 00:14:32,080 --> 00:14:35,280 Speaker 1: of going to Vegas and having more and reliving some 277 00:14:35,360 --> 00:14:38,320 Speaker 1: moments from that Vegas trip. I know, on paper, it's 278 00:14:38,360 --> 00:14:41,080 Speaker 1: probably not a great movie and probably would go on 279 00:14:41,120 --> 00:14:43,440 Speaker 1: the list of trilogies that should not exist, but for me, 280 00:14:43,960 --> 00:14:46,240 Speaker 1: I like it. I also think sometimes you can make 281 00:14:46,280 --> 00:14:51,080 Speaker 1: a movie that is so iconic that studios feel pressure 282 00:14:51,600 --> 00:14:54,560 Speaker 1: to make a sequel, movies like Jaws. You got a 283 00:14:54,600 --> 00:14:57,560 Speaker 1: sequel to it in nineteen seventy eight. You didn't have 284 00:14:57,640 --> 00:15:02,680 Speaker 1: Steven Spielberg directing this movie, and it paled in comparison 285 00:15:02,720 --> 00:15:06,440 Speaker 1: to that original one. Didn't have any great characters, didn't 286 00:15:06,480 --> 00:15:10,960 Speaker 1: have any excitement, and somehow, with a better budget, managed 287 00:15:11,000 --> 00:15:14,600 Speaker 1: to make Jaws look worse. And at one point, whenever 288 00:15:14,640 --> 00:15:19,120 Speaker 1: they finally kill Jaws again, for some reason, they made 289 00:15:19,200 --> 00:15:25,640 Speaker 1: Jaws roar. Here's that moment. If you haven't seen this movie, 290 00:15:30,480 --> 00:15:35,600 Speaker 1: smile your this whole movie was chaotic, but for some 291 00:15:35,640 --> 00:15:39,520 Speaker 1: reason Jaws roaring like a lion and then flashing back 292 00:15:39,560 --> 00:15:42,160 Speaker 1: to the first one, the movie made no sense. So 293 00:15:42,280 --> 00:15:44,600 Speaker 1: not only is it hard to recapture what makes a 294 00:15:44,640 --> 00:15:48,680 Speaker 1: comedy great, it's also hard to recapture what makes a 295 00:15:48,800 --> 00:15:52,120 Speaker 1: thriller or horror movie great. Another case of this is 296 00:15:52,160 --> 00:15:55,880 Speaker 1: Speed to Cruise Control, which came out in nineteen ninety seven. 297 00:15:56,320 --> 00:15:59,000 Speaker 1: So in the first one, they can't slow down on 298 00:15:59,080 --> 00:16:01,400 Speaker 1: the bus because there's a bomb on board and if 299 00:16:01,440 --> 00:16:04,280 Speaker 1: they slow down, it's going to explode and kill everybody 300 00:16:04,280 --> 00:16:08,320 Speaker 1: in it. They took that exact same concept and moved 301 00:16:08,360 --> 00:16:12,120 Speaker 1: it to a boat. Who thought audiences wanted to see 302 00:16:12,440 --> 00:16:15,920 Speaker 1: Speed again, but on a boat terrible. I also wanted 303 00:16:15,920 --> 00:16:20,080 Speaker 1: to include on this list sequels you probably forgot even happened. 304 00:16:20,680 --> 00:16:25,119 Speaker 1: In some of these cases, people are still demanding sequels 305 00:16:25,120 --> 00:16:28,400 Speaker 1: to these movies, even though they already came out. I'm 306 00:16:28,400 --> 00:16:31,000 Speaker 1: talking about Mean Girls two came out in twenty eleven. 307 00:16:31,480 --> 00:16:34,400 Speaker 1: Nobody made a peep about this, even with the musical 308 00:16:34,480 --> 00:16:37,720 Speaker 1: version coming out earlier this year. I feel most people 309 00:16:37,800 --> 00:16:40,600 Speaker 1: wanted it to be a direct sequel to the Lindsay 310 00:16:40,640 --> 00:16:44,480 Speaker 1: Lohan version, not knowing we actually got this over fifteen 311 00:16:44,560 --> 00:16:47,400 Speaker 1: years ago. Or movies like The Sandlot two, which came 312 00:16:47,440 --> 00:16:50,400 Speaker 1: out in two thousand and five, and not only did 313 00:16:50,440 --> 00:16:52,360 Speaker 1: they do this movie, but they followed it up in 314 00:16:52,360 --> 00:16:55,520 Speaker 1: two thousand and seven with The Sandlot three. So again, 315 00:16:55,600 --> 00:16:58,200 Speaker 1: you can create a movie that is so iconic that 316 00:16:58,240 --> 00:17:01,480 Speaker 1: there will always be a demand there, but just because 317 00:17:01,520 --> 00:17:04,320 Speaker 1: you could doesn't mean you should in the cases of 318 00:17:04,359 --> 00:17:09,240 Speaker 1: these movies. We also fairly recently got a Christmas story Christmas, 319 00:17:09,440 --> 00:17:12,560 Speaker 1: which I feel also applies to this list, But before 320 00:17:12,640 --> 00:17:15,719 Speaker 1: that we did have a direct sequel to a Christmas story. 321 00:17:16,040 --> 00:17:18,600 Speaker 1: We got a Christmas Story too, which again is a 322 00:17:18,640 --> 00:17:20,840 Speaker 1: case where I feel like people forgot that that movie 323 00:17:20,880 --> 00:17:23,240 Speaker 1: happened in the middle of that. There are also some 324 00:17:23,440 --> 00:17:27,159 Speaker 1: cases of sequels that I appreciated as a kid but 325 00:17:27,320 --> 00:17:29,960 Speaker 1: now are a chore and a pain to watch, one 326 00:17:30,000 --> 00:17:34,800 Speaker 1: of those being Mortal Kombat Annihilation. I loved the Mortal 327 00:17:34,840 --> 00:17:37,520 Speaker 1: Kombat movies in the nineties as a kid, and I 328 00:17:37,560 --> 00:17:40,439 Speaker 1: remember when Annihilation came out. I thought it was a 329 00:17:40,480 --> 00:17:42,800 Speaker 1: pretty good movie because I loved the first one so much, 330 00:17:42,840 --> 00:17:45,159 Speaker 1: played the video game so much, and I was a 331 00:17:45,160 --> 00:17:48,439 Speaker 1: big fan of the character Raptor who just looks like 332 00:17:48,480 --> 00:17:51,560 Speaker 1: sub Zero and Scorpion, but his suit is green. I 333 00:17:51,560 --> 00:17:53,840 Speaker 1: thought that was so cool. I don't know why green 334 00:17:53,960 --> 00:17:56,320 Speaker 1: was such a cool color in the nineties. It also 335 00:17:56,359 --> 00:17:59,920 Speaker 1: reminds me of the Green Ranger from Mighty morphin Power Rangers. 336 00:18:00,200 --> 00:18:02,000 Speaker 1: But I thought that movie was good as a kid. 337 00:18:02,240 --> 00:18:06,320 Speaker 1: Rewatching it as an adult, it is so so painful. 338 00:18:06,880 --> 00:18:10,000 Speaker 1: And they are making another Mortal Kombat now, which is 339 00:18:10,040 --> 00:18:11,720 Speaker 1: a sequel to the one that came out in twenty 340 00:18:11,760 --> 00:18:14,840 Speaker 1: twenty one, which I actually thought was pretty good because 341 00:18:14,880 --> 00:18:16,919 Speaker 1: I think for these movies to work, they have to 342 00:18:17,000 --> 00:18:20,080 Speaker 1: feel less like the video game and more like their 343 00:18:20,080 --> 00:18:23,160 Speaker 1: own thing. So put them inside the world, but don't 344 00:18:23,160 --> 00:18:25,200 Speaker 1: try to do what they did back in the nineties. 345 00:18:25,720 --> 00:18:29,080 Speaker 1: They have officially wrapped on Mortal Kombat too, so hopefully 346 00:18:29,320 --> 00:18:31,359 Speaker 1: soon we get some kind of a release date of 347 00:18:31,400 --> 00:18:34,000 Speaker 1: when that movie is coming. Also, as a kid, I 348 00:18:34,040 --> 00:18:37,200 Speaker 1: remember loving an extremely goofy movie, which is a sequel 349 00:18:37,240 --> 00:18:39,640 Speaker 1: to one of my favorite Disney movies of all time, 350 00:18:39,680 --> 00:18:42,760 Speaker 1: the Goofy Movie, And this was really just cashing in 351 00:18:42,840 --> 00:18:45,280 Speaker 1: on a time in the late nineties early two thousands 352 00:18:45,280 --> 00:18:49,600 Speaker 1: where extreme sports were everything. Back in the Tony Hawk days. 353 00:18:49,880 --> 00:18:53,080 Speaker 1: Matt Hoffman and you could turn on the TV, primarily 354 00:18:53,119 --> 00:18:55,920 Speaker 1: on Disney Channel and see Extreme Sports because they were 355 00:18:56,000 --> 00:18:59,120 Speaker 1: so huge back then. So a lot of movies came 356 00:18:59,200 --> 00:19:02,480 Speaker 1: out year towards kids to get them excited about this. 357 00:19:02,640 --> 00:19:05,840 Speaker 1: So not the sequel I wanted to see, because it 358 00:19:05,880 --> 00:19:08,600 Speaker 1: was really just Max going to college and then competing 359 00:19:08,640 --> 00:19:11,320 Speaker 1: in a version of the X Games and Goofy comes in, 360 00:19:11,600 --> 00:19:14,040 Speaker 1: So yeah, that one not so good. I also remember 361 00:19:14,400 --> 00:19:17,240 Speaker 1: in twenty fifteen, Joe Dirt two came out, which is 362 00:19:17,280 --> 00:19:21,240 Speaker 1: another instance of trying to make a comedy happen again 363 00:19:21,680 --> 00:19:25,280 Speaker 1: ten plus years later. I also wanted to include sequels. 364 00:19:25,280 --> 00:19:27,720 Speaker 1: I'm glad were never made along those same lines because 365 00:19:27,760 --> 00:19:31,119 Speaker 1: we got movies like Joe Dirt to Zoolander two. But 366 00:19:31,240 --> 00:19:34,640 Speaker 1: sometimes it's okay to know when not to make a sequel. 367 00:19:35,040 --> 00:19:37,160 Speaker 1: On this list I have, I'm glad they never made 368 00:19:37,560 --> 00:19:41,320 Speaker 1: Super Bad Too, Wedding Crashers Too, which has been rumored 369 00:19:41,440 --> 00:19:45,080 Speaker 1: a lot with Vince Vaughn and Owen Wilson back. I 370 00:19:45,119 --> 00:19:47,120 Speaker 1: don't think this movie should be made. It's not going 371 00:19:47,160 --> 00:19:49,520 Speaker 1: to be what we wanted to be. Even movies like 372 00:19:49,560 --> 00:19:52,680 Speaker 1: Old School, two Bridesmaids two Knocked up to forty year 373 00:19:52,720 --> 00:19:57,000 Speaker 1: old version two. They would just not do well. So 374 00:19:57,040 --> 00:19:59,040 Speaker 1: every now and then we'll see these headlines come out, 375 00:19:59,080 --> 00:20:02,320 Speaker 1: we'll see actors be interviewed, are you gonna make another one? 376 00:20:02,520 --> 00:20:05,360 Speaker 1: Calm down with those questions, because we don't need them 377 00:20:05,359 --> 00:20:08,800 Speaker 1: in our lives. Although I do think a Pineapple Express 378 00:20:08,840 --> 00:20:11,920 Speaker 1: two would actually work because it's not so much about 379 00:20:11,960 --> 00:20:15,480 Speaker 1: the comedy in Pineapple Express. It's all the action, the 380 00:20:15,520 --> 00:20:18,040 Speaker 1: stoner comedy at its core. But it has so much 381 00:20:18,600 --> 00:20:21,600 Speaker 1: fighting and car chase scenes and people shooting each other 382 00:20:21,920 --> 00:20:24,400 Speaker 1: that I think a movie like that would actually work. 383 00:20:24,600 --> 00:20:26,720 Speaker 1: But I don't really see James Franco doing a whole 384 00:20:26,760 --> 00:20:29,119 Speaker 1: lot right now. We do have some sequels that are 385 00:20:29,119 --> 00:20:33,320 Speaker 1: already announced that I'm hesitant about. Beatlejuice two, which we're 386 00:20:33,320 --> 00:20:37,240 Speaker 1: getting out later this year. That last trailer looked promising, 387 00:20:37,480 --> 00:20:40,920 Speaker 1: but it also has all of the recipe of disaster 388 00:20:41,200 --> 00:20:44,719 Speaker 1: to not live up to the original movie from Disney. 389 00:20:44,720 --> 00:20:47,520 Speaker 1: We're also getting Inside Out too later this year. Pretty 390 00:20:47,560 --> 00:20:51,840 Speaker 1: soon we're getting Zootopia two, which that's a perfect animated 391 00:20:51,880 --> 00:20:54,200 Speaker 1: movie that I don't think needs another one. That one 392 00:20:54,200 --> 00:20:56,560 Speaker 1: really hits me in the fields. So did Inside Out. 393 00:20:56,680 --> 00:20:59,399 Speaker 1: But the thing with Inside Out. I think there's actually 394 00:20:59,480 --> 00:21:02,040 Speaker 1: a story to be told there because it's Riley getting 395 00:21:02,040 --> 00:21:05,240 Speaker 1: older and having these new emotions move in. I actually 396 00:21:05,280 --> 00:21:08,400 Speaker 1: think that could be pretty powerful for kids. Later this year, 397 00:21:08,400 --> 00:21:11,080 Speaker 1: we're also getting Gladiator to the thing that worries me 398 00:21:11,080 --> 00:21:13,920 Speaker 1: about that movie is I feel like it's a sequel 399 00:21:14,040 --> 00:21:16,680 Speaker 1: unlike all these other ones that no one really asks for. 400 00:21:17,040 --> 00:21:21,000 Speaker 1: There's not a passionate Gladiator fan base, but maybe Ridley 401 00:21:21,000 --> 00:21:23,920 Speaker 1: Scott just had a vision for this movie. At least 402 00:21:23,920 --> 00:21:26,919 Speaker 1: the cast looks pretty promising in that movie. And a 403 00:21:26,920 --> 00:21:30,320 Speaker 1: sequel I've been waiting for is a Detective Pikachu too. 404 00:21:30,560 --> 00:21:34,440 Speaker 1: It's the only live action Pokemon movie that we've ever got. 405 00:21:34,720 --> 00:21:37,159 Speaker 1: Not that they completely nailed it with that movie, but 406 00:21:37,240 --> 00:21:40,720 Speaker 1: it's the closest we've ever been as lifelong Pokemon fans 407 00:21:40,720 --> 00:21:44,520 Speaker 1: of having something that truly checks all the boxes. And 408 00:21:44,560 --> 00:21:47,920 Speaker 1: I feel like, now, with visual effects getting better, maybe 409 00:21:47,920 --> 00:21:50,000 Speaker 1: they could go back and retool some of the character 410 00:21:50,040 --> 00:21:52,800 Speaker 1: designs to make them a little bit more accurate to 411 00:21:52,960 --> 00:21:56,000 Speaker 1: the cartoon and the card game. And finally, to wrap 412 00:21:56,080 --> 00:21:58,880 Speaker 1: up here, I did see Ryan Gosling talking about why 413 00:21:58,920 --> 00:22:02,560 Speaker 1: his movie with Russell the nice Guys never got a sequel, 414 00:22:02,880 --> 00:22:04,879 Speaker 1: he said, because when it came out, it went up 415 00:22:04,880 --> 00:22:08,199 Speaker 1: against Angry Birds and got destroyed at the box office 416 00:22:08,240 --> 00:22:11,920 Speaker 1: in its opening weekend. And The Nice Guys this movie 417 00:22:11,960 --> 00:22:14,520 Speaker 1: came out back in twenty sixteen, and I feel is 418 00:22:14,600 --> 00:22:18,119 Speaker 1: one that really gets overlooked. I think the title really 419 00:22:18,160 --> 00:22:20,919 Speaker 1: doesn't help it a lot. The trailer didn't really do 420 00:22:21,040 --> 00:22:23,840 Speaker 1: the movie justice. But it is a fun crime movie 421 00:22:24,200 --> 00:22:27,240 Speaker 1: and one that I could see translate into a franchise, 422 00:22:27,400 --> 00:22:30,520 Speaker 1: much like John Wick did, even like the Knives Out movies, 423 00:22:30,600 --> 00:22:33,080 Speaker 1: where you could keep the duo together with Ryan Gosling 424 00:22:33,080 --> 00:22:36,160 Speaker 1: and Russell Crowe and just swap out the mystery. I mean, 425 00:22:36,160 --> 00:22:38,719 Speaker 1: if we keep getting all these death on the Nile movies, 426 00:22:38,760 --> 00:22:42,040 Speaker 1: why couldn't we get a franchise. It has that slapstick 427 00:22:42,160 --> 00:22:45,320 Speaker 1: humor but also some really solid action. So if you've 428 00:22:45,359 --> 00:22:48,560 Speaker 1: never seen The Nice Guys, and if you're like me, 429 00:22:49,000 --> 00:22:51,520 Speaker 1: really on a Ryan Gosling kick who I thought he 430 00:22:51,760 --> 00:22:55,160 Speaker 1: crushed on Saturday Night Live promoting The Fall Guy, which 431 00:22:55,200 --> 00:22:57,800 Speaker 1: is coming out this weekend, which I believe was their 432 00:22:57,840 --> 00:23:01,320 Speaker 1: most successful Saturday Night Live episode since twenty twenty one. 433 00:23:01,480 --> 00:23:03,680 Speaker 1: This is definitely one of his movies that went under 434 00:23:03,760 --> 00:23:06,280 Speaker 1: the radar. So that is the list. We'll come back. 435 00:23:06,320 --> 00:23:08,919 Speaker 1: I'll give my thoughts on Challengers and in the trailer 436 00:23:08,960 --> 00:23:12,160 Speaker 1: park why I'm sad after watching The Transformers one trailer. 437 00:23:15,840 --> 00:23:18,639 Speaker 1: Let's get into it now, a spoiler free review of Challengers, 438 00:23:18,680 --> 00:23:21,479 Speaker 1: one of my most anticipated movies of the year. That 439 00:23:21,560 --> 00:23:24,840 Speaker 1: trailer alone, I instantly pre ordered my tickets, even though 440 00:23:24,880 --> 00:23:27,000 Speaker 1: it was months before I could even pre order my tickets. 441 00:23:27,240 --> 00:23:29,760 Speaker 1: I'm a huge Zendea fan, which I'll get into later, 442 00:23:30,080 --> 00:23:31,879 Speaker 1: But what I knew about this movie going into it 443 00:23:31,920 --> 00:23:35,240 Speaker 1: given from the trailer. She plays a tennis star on 444 00:23:35,320 --> 00:23:37,760 Speaker 1: the rise, but her career gets cut short due to 445 00:23:37,800 --> 00:23:40,240 Speaker 1: an injury. You get a little glimpse of that in 446 00:23:40,280 --> 00:23:44,160 Speaker 1: the trailer, and I am somebody who struggles with any 447 00:23:44,240 --> 00:23:47,159 Speaker 1: kind of injury involving any kind of bone, and just 448 00:23:47,200 --> 00:23:49,000 Speaker 1: from that glimpse they gave us in the trailer, I 449 00:23:49,080 --> 00:23:52,200 Speaker 1: was anticipating that moment throughout the movie and I didn't 450 00:23:52,200 --> 00:23:54,120 Speaker 1: want to see it. But her career gets cut short. 451 00:23:54,160 --> 00:23:56,440 Speaker 1: Her name is Tashi, and then there are these two 452 00:23:56,480 --> 00:24:00,520 Speaker 1: other guys who kind of parallel her career around the 453 00:24:00,560 --> 00:24:04,360 Speaker 1: same age. One guy's name Patrick, who is very confident, 454 00:24:04,720 --> 00:24:07,040 Speaker 1: has a lot of raw talent, just kind of is 455 00:24:07,080 --> 00:24:09,680 Speaker 1: trying to play tennis as a way to make money 456 00:24:09,720 --> 00:24:11,720 Speaker 1: because it's all he is good at. His friend is 457 00:24:11,920 --> 00:24:15,640 Speaker 1: Art who they've been childhood friends since they were pre teenagers, 458 00:24:16,000 --> 00:24:19,480 Speaker 1: and they are both on the rise in the tennis scene. 459 00:24:19,720 --> 00:24:21,480 Speaker 1: They are starting to win, starting to make a name 460 00:24:21,480 --> 00:24:24,840 Speaker 1: from themselves, and they encounters in Deya's character about to 461 00:24:24,880 --> 00:24:27,160 Speaker 1: go to college, and they see her at this event 462 00:24:27,200 --> 00:24:29,320 Speaker 1: where she is crushing it. She has a very unique 463 00:24:29,320 --> 00:24:32,640 Speaker 1: playing style, and they approach her because she is one 464 00:24:32,680 --> 00:24:35,159 Speaker 1: beautiful and two because she is really good at tennis, 465 00:24:35,520 --> 00:24:38,119 Speaker 1: and they want to hang out with her. And that 466 00:24:38,240 --> 00:24:40,760 Speaker 1: is about where you get to in the trailer. We've 467 00:24:40,800 --> 00:24:42,400 Speaker 1: all seen a little bit of the scene of them 468 00:24:42,480 --> 00:24:44,520 Speaker 1: laying on the bed, and I won't get into all that. 469 00:24:44,760 --> 00:24:47,119 Speaker 1: It is an R rated movie, not as hard of 470 00:24:47,119 --> 00:24:49,040 Speaker 1: an R as the trailer leads it on to be, 471 00:24:49,160 --> 00:24:51,080 Speaker 1: which I'll get into a little bit more later. But 472 00:24:51,119 --> 00:24:53,560 Speaker 1: given the nature of this review, if there are younger 473 00:24:53,600 --> 00:24:56,040 Speaker 1: ears around, we are going to get into some of 474 00:24:56,080 --> 00:24:58,720 Speaker 1: that later in the review, so just be aware of that. 475 00:24:59,040 --> 00:25:02,280 Speaker 1: But again, the movie is rated R. So what this 476 00:25:02,359 --> 00:25:05,280 Speaker 1: movie does It may not come across in the trailer, 477 00:25:05,720 --> 00:25:08,280 Speaker 1: but it jumps around in time a lot, because it 478 00:25:08,320 --> 00:25:10,159 Speaker 1: starts out that she ends up with one of the 479 00:25:10,200 --> 00:25:13,600 Speaker 1: guys he is trying to win a Grand Slam title 480 00:25:14,080 --> 00:25:15,960 Speaker 1: and he is struggling. He is in a rut, he 481 00:25:16,040 --> 00:25:18,679 Speaker 1: is not able to win, so she is trying to 482 00:25:18,720 --> 00:25:20,840 Speaker 1: build up his confidence and signs him up for one 483 00:25:20,880 --> 00:25:23,320 Speaker 1: of these Challengers events, which that is what the movie 484 00:25:23,359 --> 00:25:27,000 Speaker 1: is named after. They are a lower tier competition in 485 00:25:27,040 --> 00:25:31,080 Speaker 1: the tennis world where somebody at the caliber that Art 486 00:25:31,080 --> 00:25:33,760 Speaker 1: has now achieved, being a pro, being famous, having all 487 00:25:33,800 --> 00:25:37,280 Speaker 1: the money, doesn't really compete in but because he is struggling, 488 00:25:37,560 --> 00:25:41,120 Speaker 1: she coaches him, because she's now his coach, to go 489 00:25:41,960 --> 00:25:45,040 Speaker 1: win at one of these events, crush the competition, therefore 490 00:25:45,080 --> 00:25:49,320 Speaker 1: giving you the confidence you need to go win another championship. 491 00:25:49,480 --> 00:25:52,240 Speaker 1: Art goes to this competition where his former best friend 492 00:25:52,240 --> 00:25:56,480 Speaker 1: Patrick is there, who is had the complete opposite trajectory 493 00:25:56,640 --> 00:25:59,159 Speaker 1: in his career. So that is about the first ten 494 00:25:59,200 --> 00:26:01,639 Speaker 1: to fifteen minutes of the movie, and then the movie 495 00:26:01,680 --> 00:26:04,879 Speaker 1: starts going back in time to fill you in on 496 00:26:04,920 --> 00:26:08,160 Speaker 1: all the gaps of how they got here, why all 497 00:26:08,200 --> 00:26:12,360 Speaker 1: of their relationships are so complicated why there's so much 498 00:26:12,400 --> 00:26:15,639 Speaker 1: tension between all of them. And I actually enjoyed the 499 00:26:15,760 --> 00:26:18,399 Speaker 1: jump around in time because it creates this level of 500 00:26:18,480 --> 00:26:22,439 Speaker 1: tension and anticipation to peel back the layers. It's a 501 00:26:22,480 --> 00:26:25,360 Speaker 1: really hard thing to do because you have to pay 502 00:26:25,400 --> 00:26:28,520 Speaker 1: attention while watching the movie, because at times even I 503 00:26:28,560 --> 00:26:31,240 Speaker 1: got a little bit confused on exactly what was happening 504 00:26:31,280 --> 00:26:35,040 Speaker 1: in real time and what was a flashback. But they 505 00:26:35,080 --> 00:26:38,960 Speaker 1: do a pretty good job at changing their wardrobe, changing 506 00:26:39,000 --> 00:26:43,320 Speaker 1: their hairstyle, and making a visual effort to let you 507 00:26:43,440 --> 00:26:45,600 Speaker 1: know that this is something happening in the past too, 508 00:26:45,960 --> 00:26:50,560 Speaker 1: this is something happening now. Cinematography in this movie is beautiful. 509 00:26:50,600 --> 00:26:54,480 Speaker 1: It really creates that sense of realism and something you 510 00:26:54,560 --> 00:26:56,880 Speaker 1: don't really see a whole lot of, or at least 511 00:26:56,920 --> 00:26:59,560 Speaker 1: a whole lot of emphasis on, is the beauty of 512 00:26:59,600 --> 00:27:01,920 Speaker 1: the clobe, which is one of the most classic things 513 00:27:01,920 --> 00:27:06,120 Speaker 1: in cinema. I'm ready for my closeup, and sometimes it's 514 00:27:06,200 --> 00:27:08,399 Speaker 1: just kind of a throwaway, just put the camera on 515 00:27:08,480 --> 00:27:11,359 Speaker 1: your biggest hector at any given time. But the way 516 00:27:11,440 --> 00:27:14,280 Speaker 1: they use the close ups in this movie was so powerful. 517 00:27:14,560 --> 00:27:18,320 Speaker 1: Because it's such an intimate movie, it has a relatively 518 00:27:19,280 --> 00:27:22,040 Speaker 1: low cast, but to make a movie where it's so 519 00:27:22,320 --> 00:27:25,800 Speaker 1: focused on these strong leads, giving them all a time 520 00:27:25,840 --> 00:27:29,000 Speaker 1: to shine, not just from their performance, but also from 521 00:27:29,280 --> 00:27:31,920 Speaker 1: putting the camera right in their face and showcasing them. 522 00:27:32,200 --> 00:27:35,760 Speaker 1: There were some really beautifully framed shots that created that 523 00:27:35,880 --> 00:27:39,040 Speaker 1: level of intimacy that you get. And what is the 524 00:27:39,080 --> 00:27:42,679 Speaker 1: most dangerous of geometric shapes, the love triangle, and that 525 00:27:42,840 --> 00:27:46,399 Speaker 1: is what this movie did. It created this level of 526 00:27:46,600 --> 00:27:50,760 Speaker 1: at times uncomfortableness and overall just had your eyes glued 527 00:27:50,800 --> 00:27:52,879 Speaker 1: to the scene for the moment we were all waiting 528 00:27:52,920 --> 00:27:56,280 Speaker 1: for and all promised in the trailer, the scene delivered, 529 00:27:56,760 --> 00:28:00,840 Speaker 1: and from the response in the crowd in the theater 530 00:28:00,920 --> 00:28:04,879 Speaker 1: while watching this movie, it was unlike anything I had experienced. 531 00:28:05,160 --> 00:28:07,080 Speaker 1: Now we'll get into a little bit about the R 532 00:28:07,160 --> 00:28:09,239 Speaker 1: rated nature of the movie while we're talking about it, 533 00:28:09,280 --> 00:28:11,920 Speaker 1: because not as hard of an R as I thought 534 00:28:11,960 --> 00:28:14,360 Speaker 1: it was going to be. The trailer makes it seem 535 00:28:14,520 --> 00:28:16,240 Speaker 1: and the rating makes it seem like it's going to 536 00:28:16,320 --> 00:28:18,760 Speaker 1: be just nudity all the time, or at least a 537 00:28:18,960 --> 00:28:23,480 Speaker 1: very big graphic scene. Not really the case. What was 538 00:28:23,560 --> 00:28:26,560 Speaker 1: most surprising is there was some male nudity that was 539 00:28:26,640 --> 00:28:30,280 Speaker 1: received with some pretty big gasps in our theater, which 540 00:28:30,320 --> 00:28:32,640 Speaker 1: is something I'm a little bit more used to now 541 00:28:32,680 --> 00:28:35,439 Speaker 1: because I've watched a lot of HBO, a lot of 542 00:28:35,480 --> 00:28:39,520 Speaker 1: Max Originals. Hulu is even dipping into the male nudity 543 00:28:40,000 --> 00:28:42,920 Speaker 1: where it's become a little bit more normal to me. 544 00:28:43,600 --> 00:28:46,800 Speaker 1: But I realized in that moment that there hasn't been 545 00:28:46,840 --> 00:28:50,320 Speaker 1: a movie on this scale with a wiener of that scale. 546 00:28:50,640 --> 00:28:53,080 Speaker 1: I just haven't really put those two things together. And 547 00:28:53,160 --> 00:28:55,400 Speaker 1: me being in a theater seat, being in public and 548 00:28:55,400 --> 00:28:58,680 Speaker 1: witnessing male nudity and seeing how other people react to it, 549 00:28:59,320 --> 00:29:01,840 Speaker 1: I thought it waskind of funny. There was some gasps, 550 00:29:02,200 --> 00:29:05,840 Speaker 1: but again not the nudity I was expecting in this movie. 551 00:29:06,080 --> 00:29:08,960 Speaker 1: Male junk and male butt. So know that going into 552 00:29:09,000 --> 00:29:12,480 Speaker 1: watching it without a doubt, hands down, the best thing 553 00:29:12,520 --> 00:29:17,240 Speaker 1: about Challengers is Zendaya's performance, who is now a dominant 554 00:29:17,280 --> 00:29:20,600 Speaker 1: force in Hollywood. She is right now in two major 555 00:29:20,680 --> 00:29:24,000 Speaker 1: movies currently in theaters, and without a doubt, I can 556 00:29:24,040 --> 00:29:28,600 Speaker 1: say that Zendia has the best range in Hollywood out 557 00:29:28,600 --> 00:29:31,959 Speaker 1: of any actor to go from a movie like Challengers 558 00:29:31,960 --> 00:29:34,920 Speaker 1: from coming out of the MCU, even before that being 559 00:29:35,000 --> 00:29:37,640 Speaker 1: a Disney kid, which is so hard to get out 560 00:29:37,640 --> 00:29:40,600 Speaker 1: of that mentality of acting on the Disney show where 561 00:29:40,640 --> 00:29:43,880 Speaker 1: everything is so over emphasized, you have to be so wacky. 562 00:29:44,400 --> 00:29:46,760 Speaker 1: She is the best actor to ever come out of 563 00:29:46,840 --> 00:29:49,640 Speaker 1: Disney and now prove that she is a dominant force, 564 00:29:49,760 --> 00:29:54,280 Speaker 1: not only winning Emmys for Euphoria, but now somebody please 565 00:29:54,360 --> 00:29:57,400 Speaker 1: give her an oscar, which I hope this movie will 566 00:29:57,440 --> 00:30:00,440 Speaker 1: be in contention for Best Picture. She deserves the Best 567 00:30:00,480 --> 00:30:03,400 Speaker 1: Actress nomination because she is so good in this movie 568 00:30:03,760 --> 00:30:07,200 Speaker 1: at being so convincing at all different types of characters. 569 00:30:07,280 --> 00:30:10,040 Speaker 1: She can do a sci fi role like Dune and 570 00:30:10,120 --> 00:30:12,960 Speaker 1: crush it and completely sell that, and then do a 571 00:30:13,000 --> 00:30:17,600 Speaker 1: movie like Challengers where you're not even completely one hundred 572 00:30:17,600 --> 00:30:20,600 Speaker 1: percent rooting for her. To have that kind of range 573 00:30:20,760 --> 00:30:22,800 Speaker 1: is amazing to me. And then go do a show 574 00:30:22,840 --> 00:30:25,320 Speaker 1: like Euphoria where you are rooting for her even though 575 00:30:25,360 --> 00:30:28,520 Speaker 1: she isn't the best character in that show, and then 576 00:30:28,600 --> 00:30:32,479 Speaker 1: to do MJ where you completely love her both on 577 00:30:32,600 --> 00:30:36,120 Speaker 1: screen and on screen with Tom Holland. She is the 578 00:30:36,160 --> 00:30:38,560 Speaker 1: real deal. If you are not on the Zendia train 579 00:30:38,640 --> 00:30:42,720 Speaker 1: by now, you have to be after watching Challengers, because 580 00:30:42,720 --> 00:30:46,040 Speaker 1: what I see in her performances is what I feel 581 00:30:46,120 --> 00:30:49,360 Speaker 1: is the closest to the Golden Age in Hollywood, and 582 00:30:49,400 --> 00:30:51,880 Speaker 1: that is the vibe that this movie gave me. It 583 00:30:52,040 --> 00:30:55,200 Speaker 1: had that classic cinema feel that I had been wanting 584 00:30:55,280 --> 00:30:58,760 Speaker 1: to see in twenty twenty four. It really had all 585 00:30:58,800 --> 00:31:03,080 Speaker 1: of those great classic elements, the sharp dialogue, the fantastic wardrobe, 586 00:31:03,480 --> 00:31:07,960 Speaker 1: and the big leads really selling the story because if 587 00:31:07,960 --> 00:31:10,479 Speaker 1: you look at a movie like this, it's fairly simple. 588 00:31:10,560 --> 00:31:12,880 Speaker 1: And it's not that there hasn't been a movie about 589 00:31:12,880 --> 00:31:15,720 Speaker 1: a love triangle before. You could argue that Past Lives 590 00:31:15,800 --> 00:31:18,120 Speaker 1: just did it last year. It's not that there hasn't 591 00:31:18,160 --> 00:31:21,160 Speaker 1: been a tennis movie like this, but there hasn't been 592 00:31:21,240 --> 00:31:24,479 Speaker 1: one that has really moved me to my core like this, 593 00:31:24,840 --> 00:31:27,280 Speaker 1: because it had all of these elements of watching a 594 00:31:27,320 --> 00:31:30,600 Speaker 1: classic movie, but it felt so refreshed. And I love 595 00:31:30,720 --> 00:31:33,960 Speaker 1: that all the early scenes and flashbacks took place in 596 00:31:34,000 --> 00:31:36,800 Speaker 1: the two thousands, so it almost feels like we're going 597 00:31:36,840 --> 00:31:39,480 Speaker 1: back to a period so long ago. But then you 598 00:31:39,520 --> 00:31:42,520 Speaker 1: see all the logos, like the old school taco bell logo, 599 00:31:42,840 --> 00:31:45,800 Speaker 1: which there was a lot of cleverly placed product placement 600 00:31:45,880 --> 00:31:50,040 Speaker 1: in this movie. You even have references to tennis stars 601 00:31:50,080 --> 00:31:52,480 Speaker 1: of the two thousands, Andy Roddick being one of them, 602 00:31:52,640 --> 00:31:56,120 Speaker 1: whose face was displayed pretty prominently in this movie, which 603 00:31:56,160 --> 00:31:58,160 Speaker 1: also has a connection to the film because all the 604 00:31:58,200 --> 00:32:01,440 Speaker 1: actors at about three months of pre operation with tennis 605 00:32:01,440 --> 00:32:04,680 Speaker 1: coach Brad Gilbert, who has taught those like Andy Roddick, 606 00:32:04,840 --> 00:32:06,719 Speaker 1: and three months may not sound like a lot of 607 00:32:06,760 --> 00:32:10,479 Speaker 1: time to achieve the level that the characters in the 608 00:32:10,480 --> 00:32:13,160 Speaker 1: movie have of being the best in their field, but 609 00:32:13,240 --> 00:32:16,600 Speaker 1: it shows you that there is a parallel between athletes 610 00:32:16,680 --> 00:32:19,840 Speaker 1: and actors wanting to be the best and putting in 611 00:32:19,920 --> 00:32:22,760 Speaker 1: the hours and days and weeks and months to train. 612 00:32:22,840 --> 00:32:26,480 Speaker 1: To really sell this movie because throughout it I fully 613 00:32:26,520 --> 00:32:29,240 Speaker 1: believed it. I think what also helps them is, of 614 00:32:29,240 --> 00:32:31,360 Speaker 1: course they had stunt doubles to sell some of the 615 00:32:31,360 --> 00:32:35,160 Speaker 1: outer shots, but also again, the cinematography really helped sell 616 00:32:35,240 --> 00:32:38,560 Speaker 1: all of those scenes. There are moments where it goes 617 00:32:38,680 --> 00:32:41,600 Speaker 1: and puts you into that first person perspective, like you 618 00:32:41,640 --> 00:32:44,360 Speaker 1: are playing. You see the ball like it's coming right 619 00:32:44,400 --> 00:32:46,240 Speaker 1: at you, You see the tennis like you're holding it 620 00:32:46,280 --> 00:32:49,160 Speaker 1: in your hand. I thought those shots were so great 621 00:32:49,680 --> 00:32:52,000 Speaker 1: and it looked better than just slapping a go pro 622 00:32:52,120 --> 00:32:55,320 Speaker 1: on somebody's head, which some other films have done to 623 00:32:55,760 --> 00:32:58,040 Speaker 1: give you that same perspective, but you can kind of 624 00:32:58,040 --> 00:33:00,320 Speaker 1: tell the quality in that it almost looks like it's 625 00:33:00,360 --> 00:33:02,960 Speaker 1: to like a seven to twenty p version. In this one, 626 00:33:03,040 --> 00:33:06,880 Speaker 1: it was full cinematic quality in that first person perspective, 627 00:33:06,920 --> 00:33:08,880 Speaker 1: and I thought that was such a great touch to 628 00:33:08,960 --> 00:33:12,720 Speaker 1: really put you in that action and also created a 629 00:33:12,800 --> 00:33:15,400 Speaker 1: level of pacing of it's that back and forth in tennis, 630 00:33:15,400 --> 00:33:18,720 Speaker 1: which this movie also emphasizes that of showing the crowd 631 00:33:18,800 --> 00:33:21,120 Speaker 1: going from left to right and showing how fast paced 632 00:33:21,120 --> 00:33:25,440 Speaker 1: it is. The cinematography and storytelling was right there. Being 633 00:33:25,480 --> 00:33:28,440 Speaker 1: fast paced during those moments such a nice detail. It 634 00:33:28,480 --> 00:33:30,800 Speaker 1: made me want to go out and buy a tennis 635 00:33:30,880 --> 00:33:33,560 Speaker 1: racket and go hit the courts, but I'm probably not 636 00:33:33,600 --> 00:33:35,440 Speaker 1: gonna do that. Best I could do is go like 637 00:33:35,480 --> 00:33:38,120 Speaker 1: buy a Wii from the pawn shop and play we 638 00:33:38,280 --> 00:33:40,960 Speaker 1: Tennis again. Because I used to dominate it that this 639 00:33:41,040 --> 00:33:44,239 Speaker 1: movie did so many things right, I would argue it 640 00:33:44,280 --> 00:33:47,400 Speaker 1: really didn't do anything wrong. And most movies I've seen 641 00:33:47,440 --> 00:33:50,200 Speaker 1: so far this year, I've reached a level where I'm 642 00:33:50,240 --> 00:33:52,080 Speaker 1: ready for it to be over. This was a movie 643 00:33:52,160 --> 00:33:54,760 Speaker 1: I did not want to end and the two plus 644 00:33:54,800 --> 00:33:59,040 Speaker 1: hour runtime just evaporated away. And the only thing I 645 00:33:59,040 --> 00:34:03,320 Speaker 1: would hold against it, I feel is maybe unfair, but 646 00:34:04,080 --> 00:34:06,719 Speaker 1: it was a really hard story to wrap up with 647 00:34:06,840 --> 00:34:10,320 Speaker 1: all of these loose ends, all the things that unfold 648 00:34:10,400 --> 00:34:13,360 Speaker 1: in the third act, which I feel maybe went on 649 00:34:13,440 --> 00:34:15,440 Speaker 1: a little bit too long for a movie that really 650 00:34:15,480 --> 00:34:18,400 Speaker 1: sold me in the first and second act. It almost 651 00:34:18,440 --> 00:34:21,080 Speaker 1: lost its footing a bit towards the end because it 652 00:34:21,120 --> 00:34:24,000 Speaker 1: feels like there could have been so many alternate endings 653 00:34:24,000 --> 00:34:26,960 Speaker 1: to this movie, and with all the alternate endings that 654 00:34:27,000 --> 00:34:28,879 Speaker 1: I could have seen, in my mind, I think they 655 00:34:28,920 --> 00:34:31,360 Speaker 1: picked the wrong one. But I think that's just a 656 00:34:31,400 --> 00:34:35,680 Speaker 1: personal taste for me. And sometimes it's movies ending in 657 00:34:35,719 --> 00:34:38,640 Speaker 1: a way that you don't want them to end as 658 00:34:38,640 --> 00:34:40,799 Speaker 1: the audience. If everything was wrapped up in a nice 659 00:34:40,840 --> 00:34:43,600 Speaker 1: little package, then all would be well. And would we 660 00:34:43,680 --> 00:34:46,800 Speaker 1: really have achieved anything? Would we really have learned anything? 661 00:34:47,200 --> 00:34:50,880 Speaker 1: Would we really have grown? And sometimes in life you 662 00:34:50,880 --> 00:34:52,920 Speaker 1: don't get the things you want, and this was a 663 00:34:52,960 --> 00:34:55,919 Speaker 1: case where I don't think I got what I want 664 00:34:55,960 --> 00:34:59,919 Speaker 1: out of my characters. But afterwards, I've been thinking about 665 00:34:59,920 --> 00:35:02,919 Speaker 1: it more and more in thinking how man to make 666 00:35:02,960 --> 00:35:08,680 Speaker 1: a movie where there's not necessarily a protagonist and antagonist 667 00:35:08,760 --> 00:35:11,879 Speaker 1: that you're rooting for or rooting against. You could make 668 00:35:11,920 --> 00:35:16,040 Speaker 1: an argument for either one of these characters because the 669 00:35:16,200 --> 00:35:20,840 Speaker 1: relationship is so just wrapped and intertwined and so messy. Again, 670 00:35:21,320 --> 00:35:26,000 Speaker 1: the most dangerous geometric shape is the triangle, because it 671 00:35:26,080 --> 00:35:29,200 Speaker 1: just all goes around and around and around, and you 672 00:35:29,239 --> 00:35:31,799 Speaker 1: could say one person was good and one person was bad, 673 00:35:31,840 --> 00:35:33,759 Speaker 1: but that person could say that person was good and 674 00:35:33,800 --> 00:35:37,719 Speaker 1: that person was bad, and the outcome is going to 675 00:35:37,760 --> 00:35:40,040 Speaker 1: be a bummer for everybody. And that is what I 676 00:35:40,120 --> 00:35:43,560 Speaker 1: learned after watching Challengers. So in my eyes, it is 677 00:35:43,640 --> 00:35:47,239 Speaker 1: almost a perfect movie, but still nonetheless a movie I 678 00:35:47,239 --> 00:35:51,400 Speaker 1: feel everybody should watch in a sea of remakes and 679 00:35:51,440 --> 00:35:55,080 Speaker 1: franchises and superhero movies, and to see it do fairly 680 00:35:55,120 --> 00:35:57,360 Speaker 1: well at the box office this week, and here the 681 00:35:57,480 --> 00:35:59,480 Speaker 1: universe gives you a movie that is free of all 682 00:35:59,520 --> 00:36:02,279 Speaker 1: those things. Maybe it's the R rating that's like, oh, 683 00:36:02,400 --> 00:36:04,160 Speaker 1: I don't want to touch that one, but it's just 684 00:36:04,320 --> 00:36:08,319 Speaker 1: inspiring for me to see a movie like this that 685 00:36:08,400 --> 00:36:11,719 Speaker 1: feels so refreshing still be able to get made and 686 00:36:11,840 --> 00:36:14,839 Speaker 1: with the movie star as big as Endea. For Challengers, 687 00:36:14,920 --> 00:36:20,800 Speaker 1: I give it four point five out of five tennis rackets. 688 00:36:22,000 --> 00:36:26,560 Speaker 2: It's time to head down to movie Mike trailer Paul, we. 689 00:36:26,480 --> 00:36:29,920 Speaker 1: Have our first look at Transformers one, and after watching this, 690 00:36:30,080 --> 00:36:33,240 Speaker 1: I realize, well, a couple of things. One, I'm getting 691 00:36:33,280 --> 00:36:37,200 Speaker 1: older to all the things that I loved as a 692 00:36:37,320 --> 00:36:45,680 Speaker 1: kid are now being repackage, repurposed to fit a younger generation. 693 00:36:46,360 --> 00:36:48,600 Speaker 1: And for the first time, when a trailer came out 694 00:36:49,160 --> 00:36:53,880 Speaker 1: over something I was excited about, I realized how much 695 00:36:54,000 --> 00:36:57,719 Speaker 1: this is not for me anymore. And I think in 696 00:36:57,800 --> 00:37:01,239 Speaker 1: my life, I've just been used to things that I've 697 00:37:01,280 --> 00:37:03,799 Speaker 1: been passionate about, things that I've loved over the years, 698 00:37:03,840 --> 00:37:07,520 Speaker 1: whether it be superheroes, things from comic books, sci fi 699 00:37:07,600 --> 00:37:10,279 Speaker 1: in general, a lot of it has been geared towards me. 700 00:37:10,680 --> 00:37:13,719 Speaker 1: And now it is seeing things that I grew up 701 00:37:13,840 --> 00:37:16,520 Speaker 1: with and I love. And I still think this should 702 00:37:16,560 --> 00:37:18,160 Speaker 1: be made for me because I am a fan of 703 00:37:18,160 --> 00:37:21,759 Speaker 1: the original. And now after watching this, I realize that 704 00:37:21,880 --> 00:37:24,279 Speaker 1: it's time to move on from some things and be 705 00:37:24,400 --> 00:37:27,759 Speaker 1: okay with that. Not everything is going to be for you. 706 00:37:27,840 --> 00:37:31,080 Speaker 1: And I'm thirty two years old, about to turn thirty 707 00:37:31,120 --> 00:37:34,680 Speaker 1: three this summer. I realize, Man, I might need to 708 00:37:34,680 --> 00:37:37,799 Speaker 1: sit this one out. What this movie is about. It 709 00:37:37,880 --> 00:37:41,839 Speaker 1: is a prequel to all of the Transformers movie It's 710 00:37:41,880 --> 00:37:45,840 Speaker 1: a never before told story. Chris Hemsworth and Brian Tyree 711 00:37:45,840 --> 00:37:48,640 Speaker 1: Henry star in this movie, who I think make a 712 00:37:48,680 --> 00:37:52,560 Speaker 1: great pairing. Both fantastic actors. Brian Tyree Henry has done 713 00:37:52,560 --> 00:37:54,719 Speaker 1: a lot of great work at voice acting as well. 714 00:37:55,000 --> 00:37:57,200 Speaker 1: He is also in Spider Man Into and across the 715 00:37:57,239 --> 00:38:01,680 Speaker 1: Spider Verse. Chris Hemsworth, he's stile or he's getting more 716 00:38:01,800 --> 00:38:05,440 Speaker 1: into doing movies outside of Marvel. Hasn't really found his 717 00:38:05,520 --> 00:38:08,200 Speaker 1: footing yet. Could it be voice acting. We'll figure that 718 00:38:08,239 --> 00:38:10,239 Speaker 1: out by the end of this trailer park. But the 719 00:38:10,280 --> 00:38:13,040 Speaker 1: story here is a young Optimist Prime, which is who 720 00:38:13,160 --> 00:38:15,839 Speaker 1: Chris Hemsworth is playing, and before he was known as 721 00:38:15,920 --> 00:38:19,840 Speaker 1: Optimist Prime, he was called Orian Pax. That is his 722 00:38:19,920 --> 00:38:23,000 Speaker 1: name in this movie. Brian Tyree Henry plays a character 723 00:38:23,040 --> 00:38:28,359 Speaker 1: named D fourteen who ends up becoming Optimist primes rival Megatron. 724 00:38:28,600 --> 00:38:31,120 Speaker 1: So this is their origin story of them being friends 725 00:38:31,120 --> 00:38:33,720 Speaker 1: before they became enemies, which I think is a great premise. 726 00:38:34,000 --> 00:38:37,600 Speaker 1: Other cast members include Scarlett Johansson, Keegan Michael Key, who 727 00:38:37,680 --> 00:38:40,040 Speaker 1: is and everything he plays Mumblebee. In this movie, you 728 00:38:40,080 --> 00:38:43,680 Speaker 1: also have John Hamm and Laurence Fishburn. The movie is 729 00:38:43,719 --> 00:38:46,960 Speaker 1: coming out later this year on September twentieth. Before I 730 00:38:47,000 --> 00:38:49,279 Speaker 1: get into more how I feel about this movie and 731 00:38:49,320 --> 00:38:51,520 Speaker 1: deciding it's time for me to move on a little bit, 732 00:38:51,760 --> 00:38:54,440 Speaker 1: here's just a little bit of the Transformers one trailer. 733 00:38:54,600 --> 00:38:57,400 Speaker 1: It's time to show him we are more than meets 734 00:38:57,440 --> 00:39:09,680 Speaker 1: the eye. Can transform now free. Uh guys, that's not good. 735 00:39:12,200 --> 00:39:15,680 Speaker 1: We've got these powers for a reason. Let's use them. 736 00:39:17,080 --> 00:39:18,840 Speaker 1: We stand here together. 737 00:39:20,800 --> 00:39:21,439 Speaker 2: As one. 738 00:39:26,000 --> 00:39:28,360 Speaker 1: A lot of things to break down from this trailer. 739 00:39:28,440 --> 00:39:33,120 Speaker 1: It is the first fully ever CG animated Transformers movie. 740 00:39:33,160 --> 00:39:36,759 Speaker 1: They have made Transformers animated movies in the past. We 741 00:39:36,840 --> 00:39:41,879 Speaker 1: also know the iconic franchise from Michael Bay, but Transformers 742 00:39:41,920 --> 00:39:45,440 Speaker 1: started out as a Saturday morning cartoon back in the eighties, 743 00:39:45,840 --> 00:39:49,800 Speaker 1: and that is what originally the demographic was for for kids, 744 00:39:49,960 --> 00:39:53,480 Speaker 1: more specifically to sell toys to kids. And that is 745 00:39:53,520 --> 00:39:57,280 Speaker 1: how I felt after watching this trailer, because upon first 746 00:39:57,280 --> 00:40:00,960 Speaker 1: seeing the animation here, I was completely under whelm of 747 00:40:01,080 --> 00:40:03,759 Speaker 1: how flat it looked. And the thing I love about 748 00:40:03,800 --> 00:40:07,399 Speaker 1: Transformers is how bright and vibrant all the characters are. 749 00:40:07,719 --> 00:40:10,479 Speaker 1: That is rarely what stands out in the animated show. 750 00:40:10,560 --> 00:40:13,280 Speaker 1: Also in the comic books, it's what makes them stand 751 00:40:13,360 --> 00:40:17,000 Speaker 1: out on shelves at toy stores, and it's also what 752 00:40:17,160 --> 00:40:20,600 Speaker 1: translated so well into the live action movies. They were 753 00:40:20,640 --> 00:40:25,320 Speaker 1: so big and glossy and shiny and slick looking Optimist 754 00:40:25,400 --> 00:40:28,319 Speaker 1: Prime and the red and the Blue Bumblebee in that 755 00:40:28,400 --> 00:40:32,360 Speaker 1: beautiful yellow. All the characters were so distinct, and in 756 00:40:32,400 --> 00:40:36,000 Speaker 1: the first minute of this trailer they all look completely 757 00:40:36,160 --> 00:40:39,520 Speaker 1: washed out, and it just felt like a very poor 758 00:40:39,760 --> 00:40:43,880 Speaker 1: use of animation style to make me want to see 759 00:40:43,920 --> 00:40:48,200 Speaker 1: an animated Transformers movie. But more importantly, I feel that 760 00:40:48,400 --> 00:40:51,719 Speaker 1: kids would think it looks a little bit lame. I 761 00:40:51,840 --> 00:40:54,160 Speaker 1: was hoping it would follow in the footsteps of movies 762 00:40:54,200 --> 00:40:56,879 Speaker 1: like into the Spider Verse, where the animated teenage Mutant 763 00:40:56,920 --> 00:40:59,760 Speaker 1: Indus Turtles movie they came out last year that blended 764 00:40:59,800 --> 00:41:03,280 Speaker 1: too and three D animation to give it a unique 765 00:41:03,600 --> 00:41:07,800 Speaker 1: look that makes it visually interesting. Now, the story here 766 00:41:07,840 --> 00:41:10,799 Speaker 1: I think could kind of match it, because it's portraying 767 00:41:11,560 --> 00:41:14,920 Speaker 1: our characters here as worker bots before they get their power, 768 00:41:15,000 --> 00:41:19,320 Speaker 1: so before they are able to transform, they're just regular workers, 769 00:41:19,400 --> 00:41:22,200 Speaker 1: and then somehow they get their powers and they are 770 00:41:22,239 --> 00:41:26,120 Speaker 1: able to go into battle mode. But overall, there is 771 00:41:26,160 --> 00:41:28,879 Speaker 1: nothing visually stunning that sticks out to me in this 772 00:41:28,920 --> 00:41:31,080 Speaker 1: trailer that makes me think I need to see this 773 00:41:31,280 --> 00:41:34,319 Speaker 1: on the big screen, and really nothing that I can 774 00:41:34,440 --> 00:41:36,719 Speaker 1: see that is going to translate into a great new 775 00:41:36,760 --> 00:41:40,239 Speaker 1: toy line, which is really the primary reason that this 776 00:41:40,360 --> 00:41:42,319 Speaker 1: movie is being made. And I can't be mad at 777 00:41:42,360 --> 00:41:45,279 Speaker 1: that because that is what the original series was back 778 00:41:45,280 --> 00:41:49,560 Speaker 1: in the day. All throughout history and anything targeted towards kids, 779 00:41:49,760 --> 00:41:52,719 Speaker 1: that has been the ultimate goal is to make a commercial, 780 00:41:52,880 --> 00:41:57,120 Speaker 1: essentially to sell a product of toys. So I just 781 00:41:57,280 --> 00:41:59,680 Speaker 1: think if that is the goal they are trying to 782 00:42:01,200 --> 00:42:04,959 Speaker 1: they are really lacking in the visuals department here, which 783 00:42:05,000 --> 00:42:07,800 Speaker 1: is a bit of a bummer because the voice acting 784 00:42:07,840 --> 00:42:10,719 Speaker 1: seems to be pretty right on and the story here 785 00:42:10,800 --> 00:42:13,520 Speaker 1: seems to be something that I am interested in. I 786 00:42:13,560 --> 00:42:17,400 Speaker 1: would love to see Optimist Prime and Megatron being friends, 787 00:42:17,960 --> 00:42:21,320 Speaker 1: seeing them actually be on the same side fighting against 788 00:42:21,360 --> 00:42:23,920 Speaker 1: the villain, and then maybe towards the end of the 789 00:42:23,920 --> 00:42:26,719 Speaker 1: movie or in a sequel, you start to see the 790 00:42:26,800 --> 00:42:30,239 Speaker 1: downfall of their relationship and you see Megatron go bad. 791 00:42:30,840 --> 00:42:33,439 Speaker 1: I just think there's more potential here to not only 792 00:42:33,480 --> 00:42:36,319 Speaker 1: appeal to the very very young kids, who is the 793 00:42:36,440 --> 00:42:40,560 Speaker 1: key demographic here, but also appealed to all those that 794 00:42:40,600 --> 00:42:43,399 Speaker 1: were fans of the show in the eighties or even 795 00:42:43,440 --> 00:42:45,520 Speaker 1: the reboots of the movies in the two thousands and 796 00:42:45,600 --> 00:42:50,080 Speaker 1: early twenty tens, because I think other franchises have succeeded 797 00:42:50,120 --> 00:42:53,840 Speaker 1: in that teenage mutant Ninja Turtles did that perfectly, and 798 00:42:53,920 --> 00:42:57,160 Speaker 1: it was cool to see people who are now parents 799 00:42:57,200 --> 00:42:59,440 Speaker 1: with kids take their kids to go enjoy something that 800 00:42:59,480 --> 00:43:02,359 Speaker 1: they enjoy and it's a whole bonding experience. And also 801 00:43:02,480 --> 00:43:05,400 Speaker 1: the fact that retro is so in right now with 802 00:43:05,520 --> 00:43:10,000 Speaker 1: TV shows like X Men ninety seven completely bringing everybody together. 803 00:43:10,440 --> 00:43:12,520 Speaker 1: I think they also missed a boat on that of 804 00:43:12,560 --> 00:43:16,120 Speaker 1: not having some animation style or even allusions to that 805 00:43:16,239 --> 00:43:19,120 Speaker 1: original animated series to give this a little bit more 806 00:43:19,239 --> 00:43:22,200 Speaker 1: color and make it just more interesting to watch. Other 807 00:43:22,320 --> 00:43:25,040 Speaker 1: than that, you're really just banking on all the A 808 00:43:25,160 --> 00:43:27,320 Speaker 1: list stars you have voicing the characters, which, hey, is 809 00:43:27,320 --> 00:43:30,840 Speaker 1: Carlo Johansson in an animated movie, I'm right there with you. 810 00:43:31,120 --> 00:43:33,960 Speaker 1: But aside from that, there's really nothing that sticks out 811 00:43:34,000 --> 00:43:36,520 Speaker 1: to me about this trailer. And also, where is the 812 00:43:36,680 --> 00:43:40,120 Speaker 1: uproar due to the fact that Peter Cullen is not 813 00:43:40,320 --> 00:43:45,319 Speaker 1: voicing Optimist Prime. Remember when everybody was so upset or 814 00:43:45,400 --> 00:43:49,160 Speaker 1: fake upset whenever Chris Evans came out as the voice 815 00:43:49,200 --> 00:43:52,520 Speaker 1: of Buzz light Year, and everybody wanted Tim Allen, even 816 00:43:52,560 --> 00:43:55,640 Speaker 1: though those two movies were supposed to be separate from 817 00:43:55,640 --> 00:43:59,600 Speaker 1: the Toy Story franchise line. Everybody was so upset about that, 818 00:43:59,640 --> 00:44:02,440 Speaker 1: and that was it's so difficult to explain that that 819 00:44:02,480 --> 00:44:04,840 Speaker 1: movie ended up not doing so well. But Peter Colin 820 00:44:05,320 --> 00:44:08,640 Speaker 1: has been the voice of Optimist Prime. He is the 821 00:44:08,640 --> 00:44:11,000 Speaker 1: only one I could hear doing it, and I think 822 00:44:11,040 --> 00:44:14,200 Speaker 1: he actually turned down the role because a producer said 823 00:44:14,200 --> 00:44:17,680 Speaker 1: that Peter Colin was always the go to first choice 824 00:44:18,200 --> 00:44:21,160 Speaker 1: to play Optimist Prime. But I have to believe that 825 00:44:21,200 --> 00:44:25,040 Speaker 1: he turned it down because he actually consulted Chris Hemsworth 826 00:44:25,160 --> 00:44:27,640 Speaker 1: on the voice. And you can hear it there in 827 00:44:27,680 --> 00:44:30,360 Speaker 1: that trailer clip that I played, because at times it 828 00:44:30,480 --> 00:44:33,279 Speaker 1: just sounds like Chris Hemsworth doing his normal voice, and 829 00:44:33,320 --> 00:44:36,400 Speaker 1: then other times you do hear him emulating Peter Colin 830 00:44:36,600 --> 00:44:40,320 Speaker 1: with that very deep Optimist Prime voice. So I'm curious 831 00:44:40,360 --> 00:44:43,520 Speaker 1: to see how that carries up throughout the entire movie. 832 00:44:44,000 --> 00:44:47,200 Speaker 1: I'm not one to jump on bashing people because they 833 00:44:47,200 --> 00:44:50,080 Speaker 1: don't sound like what I expected it to. It was 834 00:44:50,120 --> 00:44:53,759 Speaker 1: the whole same ordeal whenever Chris Pratt was announced as 835 00:44:53,760 --> 00:44:56,120 Speaker 1: a voice of Mario and we got that trailer and 836 00:44:56,120 --> 00:44:59,359 Speaker 1: everybody's like, he doesn't even sound like Mario. So I'm 837 00:44:59,400 --> 00:45:03,200 Speaker 1: at least lad that that conversation isn't happening right now. 838 00:45:03,320 --> 00:45:05,399 Speaker 1: But it also just shows you that people just get 839 00:45:05,440 --> 00:45:09,160 Speaker 1: outraged about the weirdest things, and then once everybody starts 840 00:45:09,200 --> 00:45:11,200 Speaker 1: jumping on it, it becomes a thing. I was just 841 00:45:11,239 --> 00:45:14,440 Speaker 1: surprised that nobody was sticking up for Peter Colin, who 842 00:45:14,680 --> 00:45:18,680 Speaker 1: is a voice acting legend. He also did e Or 843 00:45:18,880 --> 00:45:22,000 Speaker 1: in Winnie the Pooh. He was also the person doing 844 00:45:22,040 --> 00:45:25,240 Speaker 1: all the voice effects for Predator back in nineteen eighty seven, 845 00:45:25,480 --> 00:45:27,640 Speaker 1: and his voice has tickled all the parts of my 846 00:45:27,680 --> 00:45:30,560 Speaker 1: body while going to see his movies in theaters. You 847 00:45:30,600 --> 00:45:34,680 Speaker 1: also have Keegan Michael Key playing Bumblebee in this movie. 848 00:45:34,800 --> 00:45:38,480 Speaker 1: He must have the best agent in Hollywood, him and 849 00:45:38,560 --> 00:45:43,640 Speaker 1: Jesse Plemons, because Keegan Michael Key is almost without a doubt, 850 00:45:43,680 --> 00:45:46,520 Speaker 1: going to be in any animated movie you go see. 851 00:45:46,680 --> 00:45:48,719 Speaker 1: I saw him in Migration. He was also in the 852 00:45:48,760 --> 00:45:51,719 Speaker 1: Super Mario Brothers movie, and then in live action, he 853 00:45:51,840 --> 00:45:54,399 Speaker 1: was also in Wonka. I think it's because he has 854 00:45:54,480 --> 00:45:58,560 Speaker 1: such a great already animated voice and he really gets 855 00:45:58,560 --> 00:46:01,400 Speaker 1: into voice acting, so it's not so much that he 856 00:46:01,480 --> 00:46:04,120 Speaker 1: has to change his voice to fit all of these characters. 857 00:46:04,480 --> 00:46:08,080 Speaker 1: He just has so much just natural talent in his 858 00:46:08,239 --> 00:46:10,319 Speaker 1: voice that I feel like he is always the go 859 00:46:10,400 --> 00:46:13,520 Speaker 1: to at the top of the list. Between him and Aquafina, 860 00:46:13,840 --> 00:46:16,600 Speaker 1: there are no more voice acting roles to go around. 861 00:46:16,960 --> 00:46:20,200 Speaker 1: So after watching this trailer, I gotta remember that the 862 00:46:20,239 --> 00:46:23,000 Speaker 1: reason it has such a comedic tone is because it's 863 00:46:23,040 --> 00:46:25,879 Speaker 1: for kids, and that this movie is really not going 864 00:46:25,920 --> 00:46:28,040 Speaker 1: to be for me as much as I would want 865 00:46:28,080 --> 00:46:30,440 Speaker 1: it to. And I'm not opposed to going to see 866 00:46:30,520 --> 00:46:34,319 Speaker 1: kids movies. Quite honestly, I enjoy them because they have 867 00:46:34,440 --> 00:46:38,040 Speaker 1: that nostalgia feel they take me back to my childhood. 868 00:46:38,239 --> 00:46:40,319 Speaker 1: I was just hoping it was going to have a 869 00:46:40,320 --> 00:46:42,160 Speaker 1: little bit more of a niche to it, which was 870 00:46:42,200 --> 00:46:45,439 Speaker 1: what they were teasing at CinemaCon, of having a little 871 00:46:45,440 --> 00:46:48,040 Speaker 1: bit of emotional depth. And maybe it's just because this 872 00:46:48,160 --> 00:46:50,799 Speaker 1: trailer wants to focus on the foot elements to get 873 00:46:50,880 --> 00:46:53,680 Speaker 1: kids excited about it. I didn't really see a whole 874 00:46:53,719 --> 00:46:57,279 Speaker 1: lot going on emotionally in that, combined with really not 875 00:46:57,480 --> 00:47:00,839 Speaker 1: having a unique animation style that I was looking for 876 00:47:01,000 --> 00:47:03,799 Speaker 1: up until they get their powers, it does lighten up 877 00:47:03,800 --> 00:47:06,239 Speaker 1: a bit, it gets a little bit more slick. But 878 00:47:06,320 --> 00:47:09,840 Speaker 1: if you compare it to the CGI used in the 879 00:47:10,040 --> 00:47:13,719 Speaker 1: live action movies, which looks so realistic and also so 880 00:47:13,800 --> 00:47:16,720 Speaker 1: much more expensive, what this movie just kind of looks 881 00:47:16,760 --> 00:47:18,800 Speaker 1: like is a cheap version of that. So I feel 882 00:47:18,800 --> 00:47:21,799 Speaker 1: like I'm missing out of having something worth spending my 883 00:47:21,960 --> 00:47:24,279 Speaker 1: money on. But again, this movie is coming out on 884 00:47:24,320 --> 00:47:29,560 Speaker 1: September twentieth. Autobots roll out and that is this week's 885 00:47:29,680 --> 00:47:33,400 Speaker 1: edition of Movie min Framer par and that is going 886 00:47:33,480 --> 00:47:36,560 Speaker 1: to do it for another episode here of the podcast. 887 00:47:36,600 --> 00:47:39,560 Speaker 1: But before I go, I gotta get my listeners shout 888 00:47:39,560 --> 00:47:42,480 Speaker 1: out of the week. This week, I am going over 889 00:47:42,520 --> 00:47:45,759 Speaker 1: to YouTube where I post individual movie reviews, so if 890 00:47:45,800 --> 00:47:48,839 Speaker 1: you're not subscribed over there, be sure to check it out. 891 00:47:49,120 --> 00:47:52,160 Speaker 1: I got this comment on my review of Civil War. 892 00:47:52,680 --> 00:47:54,360 Speaker 1: It is coming to us from user if you like 893 00:47:54,440 --> 00:47:56,759 Speaker 1: Pina Colada's nine six six ' nine, which I have 894 00:47:56,800 --> 00:47:59,440 Speaker 1: to say is a fantastic user name. They wrote, I 895 00:47:59,520 --> 00:48:03,000 Speaker 1: love this movie. It was beautiful and shocking, easily one 896 00:48:03,040 --> 00:48:05,640 Speaker 1: of the best movies of the year. The more I 897 00:48:05,680 --> 00:48:08,640 Speaker 1: think about Civil War, the more I think that I 898 00:48:08,760 --> 00:48:12,200 Speaker 1: enjoyed it. I still highly encourage you to check it 899 00:48:12,200 --> 00:48:14,440 Speaker 1: out if you've not seen it in theaters because it 900 00:48:14,480 --> 00:48:17,680 Speaker 1: does have that big, loud sound that Pinicoladas was talking 901 00:48:17,719 --> 00:48:20,640 Speaker 1: about there that is worth seeing in theaters because it 902 00:48:20,680 --> 00:48:23,719 Speaker 1: will rattle your bones. So if you have seen that 903 00:48:23,760 --> 00:48:26,200 Speaker 1: and you missed last week's episode, and go over to 904 00:48:26,239 --> 00:48:29,000 Speaker 1: my YouTube channel a YouTube dot com slash Mike Distro. 905 00:48:29,440 --> 00:48:32,600 Speaker 1: And also, if you're listening on any podcast platform right now, 906 00:48:32,640 --> 00:48:36,319 Speaker 1: whether it be Apple Podcasts, Spotify, or iHeartRadio, make sure 907 00:48:36,320 --> 00:48:39,680 Speaker 1: you're subscribed there as well and leave a review hit 908 00:48:39,719 --> 00:48:42,640 Speaker 1: those five stars. Write a quick little something about why 909 00:48:42,680 --> 00:48:46,040 Speaker 1: you enjoy the podcast, because that really helps me grow 910 00:48:46,680 --> 00:48:49,480 Speaker 1: in the sense of other people are able to find it, 911 00:48:49,560 --> 00:48:53,040 Speaker 1: because that really helps me climb up in the podcast charts, 912 00:48:53,080 --> 00:48:57,160 Speaker 1: which I'm currently battling all the other movie podcasts. I'm 913 00:48:57,200 --> 00:48:59,719 Speaker 1: trying to get top ten. So if you wouldn't mind 914 00:48:59,760 --> 00:49:02,279 Speaker 1: doing that, it really goes a long way. So thank 915 00:49:02,320 --> 00:49:05,160 Speaker 1: you for listening, Thank you for being subscribed, And until 916 00:49:05,200 --> 00:49:07,799 Speaker 1: next time, go out and watch good movies and I 917 00:49:07,840 --> 00:49:09,680 Speaker 1: will talk to you later