WEBVTT - Listener Mail: Wizard Walks By

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail. This is Robert Lynn and this is Joe McCormick.

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<v Speaker 1>And it's Monday, the day of the week. We read

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<v Speaker 1>some messages from the mail bag. We got some some

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<v Speaker 1>Halloween related email, but also some clean up on some

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<v Speaker 1>older episodes today, so it'll be a nice assortment. All right,

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<v Speaker 1>let's jump in. What if we got Let's get some

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<v Speaker 1>Halloween e stuff out here. Okay, Well, first of all, yeah,

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<v Speaker 1>this one does concern some Halloween episodes. So you remember

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<v Speaker 1>in the episodes we did on Elf Shot, there was

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<v Speaker 1>one remedy for cattle that had been wounded with a

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<v Speaker 1>fairy dart or an elf arrow, and it involved having

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<v Speaker 1>a wise woman force feed something called fairy crabs to

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<v Speaker 1>a cow. We had no idea what fairy crabs were. Uh,

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<v Speaker 1>there is a thing called a fairy crab, but that

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<v Speaker 1>can't be what the text is talking about because it's

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<v Speaker 1>on the other side of the world and the name

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<v Speaker 1>comes from much later. So we were just at a loss.

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<v Speaker 1>We didn't know what these what this was referring to.

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<v Speaker 1>But listener Leanne writes in with some thoughts. Leanne says,

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<v Speaker 1>I have a hypothesis about fairy crabs. There is a

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<v Speaker 1>species of small crustacean uh Chirocephalus diaphanous, found in the

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<v Speaker 1>UK in vernal pools, known as the fairy shrimp for

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<v Speaker 1>their ability to enter diapause when the pools dry up,

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<v Speaker 1>and seemingly magically reappear much later. Diapause refers to like

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<v Speaker 1>a dormancy state in the development of an organism. LeAnn

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<v Speaker 1>goes on, I don't know if people would have used

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<v Speaker 1>the words crab and shrimp interchangeably, but I'd say it's possible.

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<v Speaker 1>And so Rob I attached a couple of pictures I

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<v Speaker 1>found of Chirocephalis diaphanous. It is a uh, rather magical

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<v Speaker 1>looking little critter. And yeah, you can imagine that you

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<v Speaker 1>might attribute fairy like powers to these if you see

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<v Speaker 1>that there's a tide pool or some kind of body

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<v Speaker 1>of water full of these animals and then they just

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<v Speaker 1>seem to disappear, like you What happened to them? I

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<v Speaker 1>don't know, and then they re emerge later. Well, maybe

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<v Speaker 1>there's some of the fairy folk. Yeah, I mean it

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<v Speaker 1>looks like something you might put in a magical potion.

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<v Speaker 1>It also does make me wonder if there is anything

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<v Speaker 1>in the bodies of these little creatures that would have

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<v Speaker 1>any kind of marked effect on the human if they

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<v Speaker 1>were to consent them, like something that stood out, even

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<v Speaker 1>if it wasn't something that really had a medicinal property

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<v Speaker 1>to it. Yeah, totally so, I would say, interesting guests, Lien.

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<v Speaker 1>But Leanne has another idea. She writes, another possibility lies

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<v Speaker 1>in an organism found in the pools alongside the fairy

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<v Speaker 1>shrimp Triops cank reformists, also called tadpole shrimps and a

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<v Speaker 1>bunch of other things. My sister had these sold as

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<v Speaker 1>sea monkeys when we were growing up. I couldn't find

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<v Speaker 1>any reference to them being called fairy crabs online, but

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<v Speaker 1>they look much more crab like. I wonder if they

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<v Speaker 1>may have been known as fairy crabs at some point,

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<v Speaker 1>given their similarities to the fairy shrimp, they're shared habitat,

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<v Speaker 1>and their crab like appearance. And Robi also found some

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<v Speaker 1>pictures of Triops cank reformists for you to look at here.

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<v Speaker 1>They are certainly more more crabby. They have more a

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<v Speaker 1>crawling kind of anatomy. They look in a way kind

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<v Speaker 1>of like trilobytes. Yeah, yeah, these are These are interesting critters.

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<v Speaker 1>They have a sort of a piece of armor on

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<v Speaker 1>the back, like a big dorsal plate, and then the

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<v Speaker 1>skittering legs underneath, and then a tail, eyes up on top,

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<v Speaker 1>various whiskers and do Dad's pointing out? Uh yeah, yeah

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<v Speaker 1>this this looks like a fairy crab to me. But

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<v Speaker 1>once again, uh, I don't know of any literature from

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<v Speaker 1>the time period in that place making the link, but

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<v Speaker 1>totally decent. Guess m. You know. This makes me wonder

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<v Speaker 1>too if we should do an episode on sea monkeys

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<v Speaker 1>at some point. So there are a number of things

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<v Speaker 1>to talk about with sea monkeys, and they certainly have

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<v Speaker 1>a cultural footprint, um including TV series The Amazing Live

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<v Speaker 1>Sea Monkeys, in which Howie Mandel plays a sea monkey.

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<v Speaker 1>Oh boy, has there ever been a killer sea monkeys

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<v Speaker 1>horror movie? Uh? Not that I know of. That's an idea.

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<v Speaker 1>But this, the creature affects in The Amazing Live Sea

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<v Speaker 1>Monkeys I remember as a child being slightly horrific, So

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<v Speaker 1>maybe this counts looking it up right now? Oh oh no, no, no, no, oh,

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<v Speaker 1>it's Mac and me. Yeah, it has that kind of

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<v Speaker 1>look to it. Yeah, they're they're they're weird. This is

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<v Speaker 1>this is a this is some frightening makeup. Yeah, so

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<v Speaker 1>looking up for yourselves, everybody. If you look up, Howie

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<v Speaker 1>mandel sea monkey, you'll see this and perhaps you, like

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<v Speaker 1>like me, you have some conflicted memories of having caught

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<v Speaker 1>this sun like late Saturday mornings as a child. Imagine

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<v Speaker 1>a cross between the cone heads and mac and me

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<v Speaker 1>and the bulls eye. That's exactly what it is, all right.

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<v Speaker 1>This next one comes to us from Ian and this

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<v Speaker 1>is ah. This is a from the previous listener mail.

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<v Speaker 1>Or this is a previous listener mail about allegations of

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<v Speaker 1>inhuman numeracy. Dear Robin Joe, I just finished your July

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<v Speaker 1>listener mail. I am quite far behind, obviously, and I

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<v Speaker 1>had to write in in response to the listener who

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<v Speaker 1>said her cat could come up to at least seven

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<v Speaker 1>when dragging scraps of cloth from the basement. Oh yeah,

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<v Speaker 1>I remember that now. It reminded me of an incident

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<v Speaker 1>with one of my cats, which strangely enough, also involves

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<v Speaker 1>a basement. My wife and I have three cats, and

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<v Speaker 1>when I feed them, our oldest cat, Zoro, gets fed

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<v Speaker 1>last because otherwise he will rush to eat all of

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<v Speaker 1>his food and then go steal the other's food before

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<v Speaker 1>they have a chance to finish. I have him trained

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<v Speaker 1>to where though he will follow me to the bowls

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<v Speaker 1>of the other two and watch me dish out the food,

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<v Speaker 1>he won't actually try to eat it. He will wait

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<v Speaker 1>for his own. I have always wondered if he could

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<v Speaker 1>actually count to three, or if he just knew which

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<v Speaker 1>location he gets fed at, and a severe storm earlier

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<v Speaker 1>this year gave me an apparent answer. One day this spring,

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<v Speaker 1>while I was preparing dinner and waiting for my wife

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<v Speaker 1>to get home from work, the tornado sirens went off. Luckily,

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<v Speaker 1>in this instance, no one was hurt and no major

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<v Speaker 1>damage was done, so I turned off the stove and

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<v Speaker 1>went to the basement. The cats, who normally like nothing

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<v Speaker 1>better than to try to sneak into the basin every

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<v Speaker 1>time I opened the door, wouldn't come anywhere near. As

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<v Speaker 1>it was close to dinner time, I tried what anyone would.

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<v Speaker 1>I got out their food and started dishing it out

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<v Speaker 1>in the basement. Only Zoro came down. The other two

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<v Speaker 1>stood at the top of the stairs staring, but would

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<v Speaker 1>not descend, and as always. He followed me to the

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<v Speaker 1>first bowl and watched me fill it, then the second,

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<v Speaker 1>and only started eating when I filled the third. This

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<v Speaker 1>despite the fact that there were no other cats present

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<v Speaker 1>trying to eat the food, the bowls were in completely

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<v Speaker 1>different locations from normal. I was giving all of them

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<v Speaker 1>the same food, and I had picked up and put

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<v Speaker 1>down the bowls in no particular order, so it's unlikely

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<v Speaker 1>he was somehow identifying the bowl itself. For the life

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<v Speaker 1>of me, I can't think of any other explanation than

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<v Speaker 1>that he is able to count ordinal numbers up to

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<v Speaker 1>at least third. Though I am certainly open to having

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<v Speaker 1>missed something, I do generally consider him to be by

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<v Speaker 1>far the smartest of our three cats, so if any

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<v Speaker 1>of them could do it, I would expect it to

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<v Speaker 1>be him. As always. Thank you for the wonderful and

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<v Speaker 1>interesting show. Ian. That is an interesting story, though, I

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<v Speaker 1>there could be another thing going on here, which is

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<v Speaker 1>that Zoro could be reading queues off of you. It's

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<v Speaker 1>possible that Ian, you do something with your body or

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<v Speaker 1>your face or something to signal now at his time,

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<v Speaker 1>this one is yours. Yeah, yeah. The there's in my

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<v Speaker 1>own household watching the cat and being watched by the

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<v Speaker 1>cat around meal time for her. It uh. It leads

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<v Speaker 1>for all sorts of theories like, okay, she how does

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<v Speaker 1>she know that it is time and she just hungry

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<v Speaker 1>at this time? Or have I cluded her into it

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<v Speaker 1>by something I'm doing getting up and moving around? Um,

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<v Speaker 1>it's it's always a puzzle with the cats. But but

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<v Speaker 1>but yeah, like we've discussed previously, they're they're they're they're

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<v Speaker 1>smart animals. They're smart as they need to be to

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<v Speaker 1>do the things they do, and so when they're encountering

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<v Speaker 1>puzzles like this, they may well be, you know, solving

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<v Speaker 1>them incredibly. They just might not be solving them along

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<v Speaker 1>the same logical or mathematical lines that the human brain

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<v Speaker 1>would solve the same problem, and not dependent upon the

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<v Speaker 1>same sense data either. But I also love this story

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<v Speaker 1>too because it also it sounds like a setup to

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<v Speaker 1>a horror story. Two of the cats knew not to

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<v Speaker 1>go into the basement. Only Zora, the selfish cat ungry

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<v Speaker 1>cat would come down, And I like, how the best

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<v Speaker 1>you could do with training for Zoro is that, Okay,

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<v Speaker 1>he's not going to rush in and eat the other

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<v Speaker 1>cats food, but he will sit there and menace them

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<v Speaker 1>while they eat and until he gets his Okay are

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<v Speaker 1>you ready for Oh? A very spooky Halloween themed message

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<v Speaker 1>about in response to Incense, Let's do it? Okay? This

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<v Speaker 1>one is from Joe, just j O no e. In

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<v Speaker 1>this one, uh, Joe writes an email with subject line

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<v Speaker 1>the scent of the supernatural not fun. Oh and fair warning,

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<v Speaker 1>this email contains some some rather grizzly ghost lore, so

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<v Speaker 1>so be warned. Dear Robert and Joe. In episode two

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<v Speaker 1>of Incense, you mentioned that the scent of incense was

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<v Speaker 1>linked to godly encounters. Since Halloween is rapidly approaching, I

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<v Speaker 1>thought it might interest you to know that in Malaysia

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<v Speaker 1>and Indonesia, the scent of jazz and fringipani flowers at

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<v Speaker 1>night is often linked to the presence of a ghost

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<v Speaker 1>called the Pontianak in Malay or the Kunti Lanak in Indonesia.

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<v Speaker 1>The Pontianak is the ghost of a pregnant woman who

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<v Speaker 1>evisceerates her victims with her long finger nails. She often

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<v Speaker 1>appears in a white, bloodstained dress with long dark hair.

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<v Speaker 1>Some say she died at the hands of a violent man.

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<v Speaker 1>Some say her baby was a stillborn child. Some say

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<v Speaker 1>she died in childbirth. Whatever the reason, she lives in

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<v Speaker 1>banana trees during the day, then comes out at night

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<v Speaker 1>with vengeance on her mind. The only way to tame

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<v Speaker 1>a pontianak is to drive a nail into her nape

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<v Speaker 1>or the top of her head, after which legend says

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<v Speaker 1>she will become a beautiful woman and a good wife.

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<v Speaker 1>Other signs of the pontianic include the soft wailing of

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<v Speaker 1>a baby, light feminine laughter, or a bird calling out

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<v Speaker 1>ki ki ki as it flies overhead. In essence, if

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<v Speaker 1>you smell something floral at night in Southeast Asia, when

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<v Speaker 1>there aren't any flowers in the vicinity, it is time

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<v Speaker 1>to get the hell out of dodge. Oh, this is fabulous.

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<v Speaker 1>I wasn't aware of these uh, these scent associations with

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<v Speaker 1>the pontianak uh and it's Indonesian counterpart, but I had

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<v Speaker 1>I had read about this this creature before and one

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<v Speaker 1>of my many creature books here, and also it had

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<v Speaker 1>come out where we're always come up because we're always

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<v Speaker 1>scouting films for weird house cinema, And this particular creature

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<v Speaker 1>is the subject of numerous Malaysian and Indonesian horror films

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<v Speaker 1>like going all the way back to the nineteen fifties,

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<v Speaker 1>I think, and then on up to like recent films.

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<v Speaker 1>So I haven't I haven't actually gone beyond the research

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<v Speaker 1>phase on this and watched one of these. So if

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<v Speaker 1>anyone out there has experienced with these movies and I

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<v Speaker 1>would like to recommend one to me, do so, because

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<v Speaker 1>I'm always interested to check out something like this. Oh yeah, okay,

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<v Speaker 1>Joe goes on. Joe also has some notes about our

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<v Speaker 1>episodes on fun. She writes, digressing your episodes on the

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<v Speaker 1>nature of fun made me realize that there isn't a

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<v Speaker 1>term for fun as a now. In Mandarin, the term

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<v Speaker 1>used most commonly to refer to having fun. How one

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<v Speaker 1>is translated as good play, So instead of did you

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<v Speaker 1>have fun, we ask each other did you play well? Instead?

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<v Speaker 1>Our words for fun all mean things like interesting, enjoyable, happiness,

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<v Speaker 1>or joy. Similarly, the most common word for fun in

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<v Speaker 1>Malay is shock or sarah knock, which both mean enjoyable. Essentially,

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<v Speaker 1>our version of was it fun actually means was it enjoyable.

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<v Speaker 1>I will definitely keep an eye out for fun words

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<v Speaker 1>as I learn other languages. Now, hope you enjoyed these tidbits,

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<v Speaker 1>looking forward to more episodes, Live long and prosper Joe

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<v Speaker 1>without any Oh that's fabulous. I believe Joe has contacted

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<v Speaker 1>us in the past with with really good emails about

0:13:01.679 --> 0:13:05.679
<v Speaker 1>Southeast Asian uh mits and legends, So yeah, please keep

0:13:05.679 --> 0:13:14.000
<v Speaker 1>it up. Love the emails, all right. This next one, Um,

0:13:14.200 --> 0:13:17.079
<v Speaker 1>this one concerns a number of different topics. Um, this

0:13:17.120 --> 0:13:20.600
<v Speaker 1>is from Andrew. Andrew. Oh, this one, this one has

0:13:20.720 --> 0:13:23.040
<v Speaker 1>numbers in it, So we're gonna go through a few

0:13:23.040 --> 0:13:26.319
<v Speaker 1>different things here. Andrew writes in and says, hello, fellas,

0:13:26.640 --> 0:13:29.160
<v Speaker 1>I'm a few weeks behind on my podcast, so I'm

0:13:29.200 --> 0:13:31.600
<v Speaker 1>a little behind the ball here. Thanks again for the

0:13:31.720 --> 0:13:34.600
<v Speaker 1>entertainment you all beam into my ear holes. I truly

0:13:34.720 --> 0:13:38.440
<v Speaker 1>enjoy it. Number one A thought came about during your

0:13:38.440 --> 0:13:42.320
<v Speaker 1>discussion of interesting sensors during the Incense series. When I

0:13:42.360 --> 0:13:44.920
<v Speaker 1>was a kid, a relative was stationed in Germany as

0:13:44.920 --> 0:13:46.920
<v Speaker 1>a member of the United States Army. He would often

0:13:46.960 --> 0:13:50.280
<v Speaker 1>send interesting gifts to family members around the holidays. One

0:13:50.320 --> 0:13:53.800
<v Speaker 1>of these was called a smoker, which is apparently common

0:13:53.840 --> 0:13:57.480
<v Speaker 1>in southern Germany. These are basically wooden figurine stylized in

0:13:57.520 --> 0:14:01.000
<v Speaker 1>a similar fashion to a nutcracker instead of a nightmarish,

0:14:01.080 --> 0:14:05.040
<v Speaker 1>unhinged jaw. There is a gaping round mouth with a

0:14:05.120 --> 0:14:08.040
<v Speaker 1>tunnel extending through the torso. The top half of the

0:14:08.040 --> 0:14:11.320
<v Speaker 1>figurine would be removed to reveal a platform where a

0:14:11.360 --> 0:14:15.120
<v Speaker 1>conical lump of incense would be placed in lit before

0:14:15.120 --> 0:14:18.120
<v Speaker 1>putting the top back on. The smoke would travel up

0:14:18.440 --> 0:14:21.680
<v Speaker 1>and the figure would appear to be smoking. So attached

0:14:21.760 --> 0:14:24.320
<v Speaker 1>includes an image of this mine was a boat captain

0:14:24.360 --> 0:14:27.800
<v Speaker 1>and a rainslicker holding a tiny metal pipe. I thought

0:14:27.840 --> 0:14:30.280
<v Speaker 1>this thing was absolutely the coolest, but we had a

0:14:30.320 --> 0:14:32.600
<v Speaker 1>cat who was fond of knocking it to the ground.

0:14:33.040 --> 0:14:35.720
<v Speaker 1>Some cats just want to watch the world burn, you

0:14:35.760 --> 0:14:38.000
<v Speaker 1>know how it is. So you had a you had

0:14:38.040 --> 0:14:41.320
<v Speaker 1>a sensor that was basically the killer from I know

0:14:41.400 --> 0:14:45.800
<v Speaker 1>what you did last summer. He didn't look quite like that,

0:14:45.880 --> 0:14:48.920
<v Speaker 1>and it looks more g No mish oh, No, I

0:14:48.920 --> 0:14:51.560
<v Speaker 1>don't think that. I don't think the gnome attached is

0:14:51.680 --> 0:14:54.280
<v Speaker 1>the one in the rainslicker. I think I think Andrews

0:14:54.280 --> 0:14:56.920
<v Speaker 1>talking about a different one. There. You're imagining this as

0:14:57.120 --> 0:15:00.320
<v Speaker 1>the killer from that slasherman. Okay, fair enough, all right?

0:15:00.440 --> 0:15:02.560
<v Speaker 1>Number two. I was recently at a wedding where the

0:15:02.640 --> 0:15:05.600
<v Speaker 1>videographer was utilizing a thirty five millimeter digital camera on

0:15:05.640 --> 0:15:09.280
<v Speaker 1>a monopod equipped with a gimbal system. I was mesmerized

0:15:09.280 --> 0:15:12.120
<v Speaker 1>throughout the ceremony and barely caught the valves. Fortunately, my

0:15:12.160 --> 0:15:15.360
<v Speaker 1>wife was in the ceremony, so it's unlikely anyone actually

0:15:15.360 --> 0:15:18.280
<v Speaker 1>caught me spacing out. I like this tidbit because for

0:15:18.320 --> 0:15:20.720
<v Speaker 1>a second there, I thought the punch line was going

0:15:20.760 --> 0:15:23.360
<v Speaker 1>to be that it was there. It was his own wedding,

0:15:23.960 --> 0:15:27.080
<v Speaker 1>he was getting out. But that's not the case alright.

0:15:27.160 --> 0:15:30.800
<v Speaker 1>Number three. During a recent Weird House episode, you suggested

0:15:31.080 --> 0:15:34.760
<v Speaker 1>you discussed rather some poachers going after eagle leggs for

0:15:34.760 --> 0:15:39.800
<v Speaker 1>an unexplained reason. This would have been the Extraterrestrial Visitors

0:15:39.800 --> 0:15:43.920
<v Speaker 1>episode pot people. Yes, because there were proachers in there,

0:15:43.920 --> 0:15:46.040
<v Speaker 1>what led by the guy who looks like a cross

0:15:46.080 --> 0:15:49.520
<v Speaker 1>between Leslie Nielsen and Sam the Eagle Uh. And they

0:15:49.520 --> 0:15:52.400
<v Speaker 1>were like climbing up in trees stealing eggs out of nests.

0:15:52.840 --> 0:15:55.000
<v Speaker 1>As that he continues, I was reminded of the nine

0:15:55.600 --> 0:15:59.600
<v Speaker 1>Disney non musical film The Rescuers Down under Way Better

0:15:59.600 --> 0:16:02.800
<v Speaker 1>than It's assessor, don't at me. The villain in the movie,

0:16:02.920 --> 0:16:05.560
<v Speaker 1>voiced by none other than George C. Scott, is after

0:16:05.600 --> 0:16:09.040
<v Speaker 1>the eggs of a giant golden Eagle. His motivations are

0:16:09.040 --> 0:16:11.760
<v Speaker 1>somewhat ambiguous in this movie as well. I suppose he

0:16:11.800 --> 0:16:14.720
<v Speaker 1>can sell them. Moral of the story is poacher is

0:16:14.760 --> 0:16:16.960
<v Speaker 1>going to poach. I watched that movie when I was

0:16:17.000 --> 0:16:19.240
<v Speaker 1>a little kid. I remember it was it made me

0:16:19.280 --> 0:16:22.400
<v Speaker 1>think Australia was really cool, and I think it was

0:16:22.520 --> 0:16:26.400
<v Speaker 1>also part of a I don't know if there's a

0:16:26.400 --> 0:16:28.280
<v Speaker 1>formal term for this sort of a period of a

0:16:28.320 --> 0:16:31.240
<v Speaker 1>few years where there was just a lot of Australia

0:16:31.560 --> 0:16:39.240
<v Speaker 1>related cinema in the United States. Yeah, like like mainstream ausploitation. Yeah,

0:16:39.280 --> 0:16:41.560
<v Speaker 1>this is the Air of Crocodile, Dundee and so forth.

0:16:42.320 --> 0:16:45.400
<v Speaker 1>I remember this film as well. Um, I think I

0:16:45.440 --> 0:16:47.960
<v Speaker 1>saw it in the theater. And the other thing I remember,

0:16:48.000 --> 0:16:50.440
<v Speaker 1>besides George C. Scott being the villain, is that, I

0:16:50.440 --> 0:16:53.960
<v Speaker 1>guess with both Rescuers movies, Bob Newhart is one of

0:16:54.000 --> 0:16:56.160
<v Speaker 1>the mice. He's one of the main voices in it,

0:16:56.360 --> 0:16:58.840
<v Speaker 1>which always stood out to me because we would always

0:16:59.280 --> 0:17:02.320
<v Speaker 1>as a family, we would always watch Bob Newhart shows

0:17:02.680 --> 0:17:05.200
<v Speaker 1>or whichever one. Whichever one it was where he had

0:17:05.200 --> 0:17:09.040
<v Speaker 1>the end and he uh he ran an end somewhere

0:17:09.040 --> 0:17:12.440
<v Speaker 1>in New England. Yeah, with Larry Darrell and Darryl Yeah. Yeah,

0:17:12.480 --> 0:17:15.159
<v Speaker 1>that one I remember about this movie that there was

0:17:15.400 --> 0:17:19.480
<v Speaker 1>a I think the poacher had a pet. I don't

0:17:19.480 --> 0:17:21.320
<v Speaker 1>know how you actually say the name of this lizard.

0:17:21.359 --> 0:17:24.400
<v Speaker 1>It's like Goanna or Goanna, and it was named Joanna.

0:17:25.560 --> 0:17:27.560
<v Speaker 1>Yeah that does ring a bell. Yeah. I haven't seen

0:17:27.560 --> 0:17:29.480
<v Speaker 1>it since then, but I remembered it as being fun

0:17:29.640 --> 0:17:31.680
<v Speaker 1>like I kind of put it in the same mental

0:17:31.720 --> 0:17:34.760
<v Speaker 1>filing cabinet as The Great Mouse Detective, which of course

0:17:34.800 --> 0:17:39.000
<v Speaker 1>had Vincent Bryce and oh yeah, as Ratigan. All right.

0:17:39.119 --> 0:17:42.359
<v Speaker 1>Number four. Finally, I previously wrote in about Sammy Terry

0:17:42.400 --> 0:17:45.119
<v Speaker 1>and he used the story generator to create a tale

0:17:45.160 --> 0:17:48.920
<v Speaker 1>of spooky Savings. This genuinely had me breaking into hysterical

0:17:49.040 --> 0:17:51.640
<v Speaker 1>after while driving home from work. Thank you for that.

0:17:52.040 --> 0:17:55.000
<v Speaker 1>Now that we are fully into October, Sammy keeps popping

0:17:55.040 --> 0:17:56.879
<v Speaker 1>up in my day to day. Maybe it's just a

0:17:56.880 --> 0:17:59.680
<v Speaker 1>little bit ter mine, huffs he attached. And then we

0:18:00.080 --> 0:18:03.040
<v Speaker 1>get some some screenshots of what is this like Reddit

0:18:03.080 --> 0:18:07.360
<v Speaker 1>and Instagram and stuff of Sammy Terry popping up everywhere. Yeah,

0:18:07.400 --> 0:18:10.320
<v Speaker 1>I mean, it's irresistible. Many frights to you this October.

0:18:12.000 --> 0:18:15.600
<v Speaker 1>Oh man, I just remember because of this email, the

0:18:15.640 --> 0:18:18.680
<v Speaker 1>Spooky Savings story. Do you remember that? We I think

0:18:18.760 --> 0:18:22.720
<v Speaker 1>we ran a line from a Sammy Terry commercial through

0:18:22.800 --> 0:18:26.119
<v Speaker 1>the AI story Generator, and it wrote a story about

0:18:26.119 --> 0:18:29.560
<v Speaker 1>how a bank was offering new special deals that gave

0:18:29.600 --> 0:18:32.840
<v Speaker 1>people really tremendous savings, but everyone who took the deals

0:18:32.960 --> 0:18:36.320
<v Speaker 1>ended up stranded in hell. Oh goodness, yes, yes, this

0:18:36.480 --> 0:18:39.720
<v Speaker 1>was a good one. Um. Now, two things I want

0:18:39.720 --> 0:18:42.560
<v Speaker 1>to mention real quick about this about the story generator.

0:18:43.119 --> 0:18:46.280
<v Speaker 1>First of all, I'll share the link again for anyone interested.

0:18:46.600 --> 0:18:50.960
<v Speaker 1>It's story hyphen Machines dot net. And it was released

0:18:51.680 --> 0:18:53.679
<v Speaker 1>as part of this this book that came out. I

0:18:53.720 --> 0:18:56.720
<v Speaker 1>talked to the author in a previous episode of the show. UM.

0:18:57.280 --> 0:18:59.960
<v Speaker 1>One of the author's Mike Sharpell's. So it's a really

0:19:00.080 --> 0:19:03.480
<v Speaker 1>right book. I still really recommended for anyone who wants

0:19:03.880 --> 0:19:07.360
<v Speaker 1>a deeper understanding of what's going on with this technology.

0:19:07.400 --> 0:19:09.880
<v Speaker 1>And and hey, as we're getting into not only Halloween

0:19:09.880 --> 0:19:12.359
<v Speaker 1>but the holidays, that seems like a good excuse for

0:19:12.400 --> 0:19:15.800
<v Speaker 1>folks out there to generate some holiday and Halloween stories

0:19:15.840 --> 0:19:18.560
<v Speaker 1>to send into us that relate to topics we've discussed.

0:19:18.840 --> 0:19:21.000
<v Speaker 1>But the other thing I wanted to bring up is,

0:19:21.320 --> 0:19:24.360
<v Speaker 1>you know, not naming names or anything here. But this

0:19:24.480 --> 0:19:26.880
<v Speaker 1>was in the last few weeks. Was the first time

0:19:26.920 --> 0:19:29.119
<v Speaker 1>I heard like a and this is probably like a second,

0:19:29.200 --> 0:19:33.000
<v Speaker 1>third or fourth hand account, but a tale coming home

0:19:33.080 --> 0:19:38.080
<v Speaker 1>from my child school about somebody using AI generated text

0:19:38.119 --> 0:19:41.119
<v Speaker 1>on an assignment. So that was one of those moments

0:19:41.119 --> 0:19:43.960
<v Speaker 1>where I'm like, oh man, I'm feeling future shock from

0:19:43.960 --> 0:19:47.080
<v Speaker 1>this because this thing that is in a topic we discussed,

0:19:47.280 --> 0:19:51.400
<v Speaker 1>it's already here, it's already out there in the world

0:19:51.480 --> 0:19:54.560
<v Speaker 1>that my child occupies. You know. I was reading something

0:19:54.640 --> 0:19:57.639
<v Speaker 1>just the other day about students using using AI to

0:19:58.080 --> 0:20:02.320
<v Speaker 1>generate text for for writing assignments, and on one hand,

0:20:02.359 --> 0:20:04.600
<v Speaker 1>I thought, wait a minute, these things are still not

0:20:04.680 --> 0:20:07.800
<v Speaker 1>that good yet. How could they really you like, surely

0:20:07.840 --> 0:20:10.000
<v Speaker 1>you would catch that. But then the other half of

0:20:10.040 --> 0:20:15.840
<v Speaker 1>me went, you're forgetting how bad some student writing is true? Yeah,

0:20:15.920 --> 0:20:17.680
<v Speaker 1>But the interesting thing about it too, and this is

0:20:17.720 --> 0:20:20.800
<v Speaker 1>something I talked about with with Mike Sharpele's, is that that,

0:20:20.960 --> 0:20:23.919
<v Speaker 1>on one hand, yes, there's always this this this tremendous

0:20:23.960 --> 0:20:27.840
<v Speaker 1>potential to exploit this kind of technology, but part of

0:20:27.840 --> 0:20:31.120
<v Speaker 1>his background is in education, and he pointed out that

0:20:31.160 --> 0:20:34.800
<v Speaker 1>this technology is also is also potentially great for teaching,

0:20:34.880 --> 0:20:38.119
<v Speaker 1>instructing children on how to write. So it's it's not

0:20:38.160 --> 0:20:41.040
<v Speaker 1>like it has no place in schools. It's just like,

0:20:41.119 --> 0:20:44.840
<v Speaker 1>how do you responsibly use the technology and and and

0:20:44.840 --> 0:20:47.760
<v Speaker 1>and get students to use the technology responsibly? Yeah, I

0:20:47.800 --> 0:20:50.200
<v Speaker 1>totally get that. End to somebody who has taught writing before,

0:20:50.240 --> 0:20:53.119
<v Speaker 1>I think I can say I I see benefits in

0:20:54.080 --> 0:20:57.040
<v Speaker 1>having alternative approaches to teaching writing, and some of those

0:20:57.080 --> 0:21:01.760
<v Speaker 1>approaches being more formulaic or algorithmic, not always treating writing

0:21:02.080 --> 0:21:14.760
<v Speaker 1>like some kind of magic that just emerges from your brain. Yeah. Yeah, okay,

0:21:14.840 --> 0:21:17.920
<v Speaker 1>I'm gonna do a message from Dmitri on our episodes

0:21:17.960 --> 0:21:21.439
<v Speaker 1>on Fun. Dmitri says, Hi, Joe and Rob, thanks for

0:21:21.480 --> 0:21:24.640
<v Speaker 1>a great and engaging podcast you do every time. I'm

0:21:24.640 --> 0:21:28.399
<v Speaker 1>a longtime listener. I have recently finished all three parts

0:21:28.400 --> 0:21:30.320
<v Speaker 1>of the Nature of Fun episodes and have a lot

0:21:30.359 --> 0:21:33.600
<v Speaker 1>of thoughts. First, as one with Russian as a mother

0:21:33.640 --> 0:21:38.240
<v Speaker 1>tongue and living in Israel for years, I constantly use Russian, Hebrew,

0:21:38.400 --> 0:21:44.400
<v Speaker 1>and English, often interchangeably, sometimes complimentary. My approach to translation

0:21:44.520 --> 0:21:47.360
<v Speaker 1>is to feel the word by using it in some

0:21:47.520 --> 0:21:51.760
<v Speaker 1>common sentences in different languages. So in Russian the word

0:21:51.840 --> 0:21:56.520
<v Speaker 1>used similarly to noun. Usage of fun is udo volstfi,

0:21:57.080 --> 0:22:01.480
<v Speaker 1>which is also pleasure, not a very close relative. In Hebrew,

0:22:01.680 --> 0:22:04.399
<v Speaker 1>to say I did it for fun or it was fun,

0:22:04.880 --> 0:22:07.920
<v Speaker 1>we use the word kief, which I don't even know

0:22:07.960 --> 0:22:11.240
<v Speaker 1>how to translate directly. So my opinion here is that

0:22:11.320 --> 0:22:15.040
<v Speaker 1>the perception of fun might be also language dependent. Yeah,

0:22:15.119 --> 0:22:17.960
<v Speaker 1>I think, uh, I think we concluded that is true

0:22:17.960 --> 0:22:20.639
<v Speaker 1>to a large extent. In those episodes. Dmitri goes on,

0:22:21.000 --> 0:22:23.919
<v Speaker 1>speakers of different languages can mean different things by the

0:22:24.040 --> 0:22:26.760
<v Speaker 1>term fun itself, since it might differ from one language

0:22:26.800 --> 0:22:29.439
<v Speaker 1>to another. Maybe that's a reason why it's hard to

0:22:29.520 --> 0:22:34.440
<v Speaker 1>explore fund in psychology. The concept itself is ambiguous. Second,

0:22:34.680 --> 0:22:37.640
<v Speaker 1>I wanted to talk about having fun in sports. I'm

0:22:37.680 --> 0:22:42.320
<v Speaker 1>an amateur runner, and yes, runners love talking about running. Uh,

0:22:42.480 --> 0:22:46.240
<v Speaker 1>amateur runner who runs for fun and competitively. For me,

0:22:46.400 --> 0:22:50.280
<v Speaker 1>there are several very different funds in running. Let's say,

0:22:50.359 --> 0:22:53.760
<v Speaker 1>when I run alone on the trails, the fun is

0:22:53.800 --> 0:22:58.879
<v Speaker 1>being submerged in nature. It sounds and changing view. Also,

0:22:58.960 --> 0:23:01.560
<v Speaker 1>the feeling of the body working as a well oiled

0:23:01.640 --> 0:23:05.000
<v Speaker 1>machine is kind of fun. However, when I run with friends,

0:23:05.160 --> 0:23:09.480
<v Speaker 1>it's totally different fun the social aspect, the feeling of togetherness,

0:23:09.600 --> 0:23:13.240
<v Speaker 1>the talking. And when I run with my son he's eighteen,

0:23:13.359 --> 0:23:16.240
<v Speaker 1>not a kid anymore, and he often accompanies me, it's

0:23:16.240 --> 0:23:18.879
<v Speaker 1>a third kind of fun. It's like a bonding trip

0:23:18.960 --> 0:23:22.040
<v Speaker 1>with a bit of competing and fooling around. Yet I'm

0:23:22.080 --> 0:23:26.080
<v Speaker 1>still the responsible adult, so sport can be fun even

0:23:26.119 --> 0:23:28.720
<v Speaker 1>in the process of doing it. Oh and running on

0:23:28.760 --> 0:23:32.920
<v Speaker 1>a treadmill is not fun, too boring and repetitive. Lastly,

0:23:33.000 --> 0:23:35.680
<v Speaker 1>about swimming, I also swim laps and rob I think

0:23:35.680 --> 0:23:37.959
<v Speaker 1>this is responding to your comments about whether or not

0:23:38.000 --> 0:23:41.320
<v Speaker 1>swimming is fun. Um Dmitri says, if you want to

0:23:41.320 --> 0:23:43.720
<v Speaker 1>make it more fun, instead of just swimming laps, try

0:23:43.840 --> 0:23:47.760
<v Speaker 1>varying the speeds full speed twenty five ms followed by

0:23:47.800 --> 0:23:52.280
<v Speaker 1>easy laps or add various technique exercises. It's less repetitive,

0:23:52.359 --> 0:23:55.879
<v Speaker 1>so more fun and improved swimming. Overall. Here I follow

0:23:55.920 --> 0:23:59.040
<v Speaker 1>the advice of my son swimming coaches. He swam competitively

0:23:59.160 --> 0:24:02.920
<v Speaker 1>for many years. Sorry for the long message, Dmitri. Dmitri,

0:24:03.040 --> 0:24:05.800
<v Speaker 1>no need to be sorry, Yeah, these may some good points,

0:24:05.920 --> 0:24:09.240
<v Speaker 1>especially the changing of the intensity. I'll have to try that.

0:24:09.320 --> 0:24:10.840
<v Speaker 1>I don't think i've really tried that. I did have

0:24:10.880 --> 0:24:14.280
<v Speaker 1>some good results, like mixing things up to where instead

0:24:14.320 --> 0:24:16.000
<v Speaker 1>of saying, all right, i'm gonna hit I'm gonna do

0:24:16.200 --> 0:24:20.440
<v Speaker 1>X number of of laps to break it up into segments.

0:24:20.880 --> 0:24:23.120
<v Speaker 1>So like now, I break my laps up into segments

0:24:23.119 --> 0:24:26.879
<v Speaker 1>of five. And sometimes sometimes my mind will just kind

0:24:26.880 --> 0:24:28.880
<v Speaker 1>of wander, But other times I find it a good

0:24:28.880 --> 0:24:31.560
<v Speaker 1>exercise to be like, Okay, this is lap number one,

0:24:32.200 --> 0:24:34.560
<v Speaker 1>and I definitely don't want to forget what number I'm on.

0:24:35.040 --> 0:24:38.159
<v Speaker 1>So for this entire lap, I'm only gonna think about

0:24:38.920 --> 0:24:41.400
<v Speaker 1>the movie Alien, and then for lap number two, I'm

0:24:41.440 --> 0:24:44.200
<v Speaker 1>only going to think about Aliens. For lap number three,

0:24:44.680 --> 0:24:49.560
<v Speaker 1>go into Alien three. But lap four, oh no, there's plenty.

0:24:49.600 --> 0:24:52.080
<v Speaker 1>There's plenty to think about with the with the with

0:24:52.160 --> 0:24:55.600
<v Speaker 1>the fourth Alien movie. UM. But you know, I can

0:24:55.600 --> 0:24:59.920
<v Speaker 1>do it with various film franchises, UM, various series. It's

0:25:00.359 --> 0:25:02.600
<v Speaker 1>kind of a good way too, because for me, the

0:25:02.640 --> 0:25:05.040
<v Speaker 1>big thing is you get up into the higher numbers,

0:25:05.080 --> 0:25:06.800
<v Speaker 1>even if it's not that high. If you're only like

0:25:06.840 --> 0:25:10.359
<v Speaker 1>on four or five, Um, you can easily let your

0:25:10.400 --> 0:25:12.960
<v Speaker 1>mind wander and forget which lap you were on. And

0:25:13.000 --> 0:25:15.720
<v Speaker 1>I don't have an avocus or anything or beads that

0:25:15.760 --> 0:25:18.800
<v Speaker 1>I'm using to keep track of them, So if I

0:25:18.840 --> 0:25:22.600
<v Speaker 1>have forgotten where I am, then the only logical solution

0:25:22.840 --> 0:25:26.159
<v Speaker 1>is to say, Okay, I think I'm on three, so

0:25:26.200 --> 0:25:28.280
<v Speaker 1>I'll back it up one just to make sure. So

0:25:28.320 --> 0:25:31.160
<v Speaker 1>now I'm on two and even though, and then I'm

0:25:31.200 --> 0:25:33.520
<v Speaker 1>kind of punishing myself for forgetting what lap I'm on.

0:25:34.040 --> 0:25:35.879
<v Speaker 1>But I would rather not do that. I'd rather just

0:25:36.600 --> 0:25:39.520
<v Speaker 1>did swim the number of laps I set out to swim,

0:25:39.600 --> 0:25:42.400
<v Speaker 1>And sometimes a film franchise can help with that. It's

0:25:42.440 --> 0:25:45.919
<v Speaker 1>a great way to assess one's fitness achievements. So you're like, today,

0:25:46.040 --> 0:25:48.200
<v Speaker 1>I finally made it all the way to the hell

0:25:48.280 --> 0:25:52.239
<v Speaker 1>Raiser where evil goes online. I don't use the hell

0:25:52.320 --> 0:25:57.720
<v Speaker 1>raizor films, but but but I have done fun Yeah,

0:25:57.720 --> 0:26:01.520
<v Speaker 1>and the things that have at least five UM installments

0:26:01.520 --> 0:26:03.479
<v Speaker 1>are pretty good for this. I think that one's like

0:26:03.560 --> 0:26:06.000
<v Speaker 1>seven or eight by the way. Yeah, And then I

0:26:06.000 --> 0:26:07.920
<v Speaker 1>would I would just get confused later on because I

0:26:07.960 --> 0:26:10.159
<v Speaker 1>don't have a clean enough memory about the later hill

0:26:10.280 --> 0:26:13.600
<v Speaker 1>Raiser movies. I'd be like, all right, one, two, three, four,

0:26:13.760 --> 0:26:22.320
<v Speaker 1>and then the rest, so all right, well, hey, speaking

0:26:22.359 --> 0:26:26.240
<v Speaker 1>of horror and film franchises, the next one comes to

0:26:26.280 --> 0:26:28.439
<v Speaker 1>us from Jim. I'm not sure which Jim out of

0:26:28.480 --> 0:26:31.840
<v Speaker 1>the league of Jim's out there, but Jim, but I

0:26:31.880 --> 0:26:37.040
<v Speaker 1>should say Jim specifies Jim parentheses not from New Jersey. Okay, alright,

0:26:37.320 --> 0:26:40.720
<v Speaker 1>non New Jersey gym, but not be non New Jersey gym,

0:26:40.760 --> 0:26:43.280
<v Speaker 1>because there's more than one gym that's not from New

0:26:43.320 --> 0:26:46.680
<v Speaker 1>Jersey anyway, this Jim says, Hey, guys, I love the

0:26:46.760 --> 0:26:50.679
<v Speaker 1>artifact episode about Freddie's claw. It reminded me of the

0:26:50.800 --> 0:26:53.560
<v Speaker 1>end of the movie Into the Dragon starring Bruce Lee.

0:26:54.000 --> 0:26:56.560
<v Speaker 1>The head bad guy Han had a fake left hand

0:26:56.840 --> 0:26:59.879
<v Speaker 1>that he could attach different weapons on. These include a

0:27:00.040 --> 0:27:02.120
<v Speaker 1>bear or animal claw, and one that had a couple

0:27:02.200 --> 0:27:05.040
<v Speaker 1>of blades or state knives in a row. Of course,

0:27:05.400 --> 0:27:08.520
<v Speaker 1>Bruce wins in the end. The other interest in connection

0:27:08.520 --> 0:27:10.960
<v Speaker 1>between these two movies is a man that acted in both.

0:27:11.520 --> 0:27:16.360
<v Speaker 1>John Saxon. In Nightmare he played uh police lieutenant who

0:27:16.440 --> 0:27:18.840
<v Speaker 1>was father of one of the teenagers and at that

0:27:18.880 --> 0:27:21.720
<v Speaker 1>time got top billing for the film And Into The Dragon.

0:27:21.920 --> 0:27:25.200
<v Speaker 1>He played a buffed martial artist looking forward to Halloween

0:27:25.240 --> 0:27:28.640
<v Speaker 1>fun this October. Jim Not from New Jersey. Oh yeah.

0:27:28.680 --> 0:27:31.760
<v Speaker 1>And when I first saw these two movies in uh,

0:27:31.800 --> 0:27:34.119
<v Speaker 1>in college, I think they were the only two movies

0:27:34.160 --> 0:27:37.760
<v Speaker 1>I knew John Saxon from. I saw them almost nearly

0:27:37.800 --> 0:27:41.359
<v Speaker 1>back to back, I imagine, like freshman year, uh, because

0:27:41.480 --> 0:27:43.639
<v Speaker 1>that year I was getting really into into horror. But

0:27:43.720 --> 0:27:47.000
<v Speaker 1>I also had a big Bruce Lee phase. So yeah,

0:27:47.040 --> 0:27:51.000
<v Speaker 1>like eighteen year old me had intense John Saxon awareness. Yeah.

0:27:51.040 --> 0:27:53.520
<v Speaker 1>I mean, these are two big and iconic films that

0:27:53.600 --> 0:27:55.840
<v Speaker 1>he had had roles in, and then of course his

0:27:55.840 --> 0:27:58.560
<v Speaker 1>his filmography is really really deep on top of that.

0:27:58.640 --> 0:28:02.960
<v Speaker 1>But yeah, Enter the Dragon. Some very memorable fight scenes

0:28:03.200 --> 0:28:06.199
<v Speaker 1>with that bad guy with the different attachments that go

0:28:06.240 --> 0:28:10.480
<v Speaker 1>in his hand. Uh. They ultimately don't aid him too much.

0:28:10.520 --> 0:28:12.880
<v Speaker 1>He's still defeated by Bruce Lee, as I think everybody

0:28:12.920 --> 0:28:15.960
<v Speaker 1>is defeated by Bruce Lee in that movie. But I

0:28:16.000 --> 0:28:19.639
<v Speaker 1>hadn't thought about that so much. When I was putting

0:28:19.680 --> 0:28:22.720
<v Speaker 1>together that that Artifact episode, I was like looking thinking

0:28:22.760 --> 0:28:26.320
<v Speaker 1>about Freddie's claw and asking the question, what do we

0:28:26.359 --> 0:28:30.199
<v Speaker 1>have in the real world of weaponry? That matches up

0:28:30.240 --> 0:28:34.399
<v Speaker 1>with it at all. And basically the bottom line is

0:28:34.480 --> 0:28:37.159
<v Speaker 1>you don't have weapons like that because weapons like that

0:28:37.200 --> 0:28:40.200
<v Speaker 1>would probably break your fingers if you tried to use them.

0:28:40.520 --> 0:28:43.800
<v Speaker 1>They only work if you're a dream master, supernatural horror

0:28:43.840 --> 0:28:47.040
<v Speaker 1>battye uh. You know, torpedo in your arm, your arm

0:28:47.080 --> 0:28:50.840
<v Speaker 1>through people's torsos in a nightmare. So I'm unsure about

0:28:50.880 --> 0:28:53.360
<v Speaker 1>this claw weapon and Enter the Dragon without I'd have

0:28:53.400 --> 0:28:57.640
<v Speaker 1>to review the footage to even guess at how believable

0:28:57.680 --> 0:28:59.040
<v Speaker 1>this is. I guess it would. A lot of it

0:28:59.040 --> 0:29:01.200
<v Speaker 1>would have to do with, like ow it's mounted and

0:29:01.200 --> 0:29:04.000
<v Speaker 1>how it's supported. Is it supported more on the wrist?

0:29:04.080 --> 0:29:06.480
<v Speaker 1>Is it supported at the stump? I mean, there's a

0:29:06.520 --> 0:29:08.720
<v Speaker 1>lot of There are a lot of ways that it

0:29:08.720 --> 0:29:11.320
<v Speaker 1>would be a terrible idea, but there may be some

0:29:11.360 --> 0:29:13.640
<v Speaker 1>ways that you could actually have it well supported on

0:29:13.680 --> 0:29:16.120
<v Speaker 1>the wrist. I guess I can shed no light on

0:29:16.200 --> 0:29:18.920
<v Speaker 1>the on the knife hand or the claw. But one

0:29:18.960 --> 0:29:22.880
<v Speaker 1>fact I do remember about John Saxon in uh Enter

0:29:22.920 --> 0:29:25.160
<v Speaker 1>the Dragon, as I think in the original version of

0:29:25.200 --> 0:29:27.880
<v Speaker 1>the script, his character was supposed to get killed with

0:29:27.920 --> 0:29:32.560
<v Speaker 1>that claw, but Saxon didn't want his character to die,

0:29:32.720 --> 0:29:35.680
<v Speaker 1>so he said, I'll sign on if you rewrite it

0:29:36.120 --> 0:29:38.880
<v Speaker 1>so that Jim Kelly's character gets killed instead of mine,

0:29:39.280 --> 0:29:42.080
<v Speaker 1>and oh man, that's a bummer. John Saxon should have died.

0:29:43.160 --> 0:29:44.720
<v Speaker 1>I mean, it's not like they ended up doing anything

0:29:44.720 --> 0:29:47.240
<v Speaker 1>else with that character, did they. Was was that his thinking, like,

0:29:47.480 --> 0:29:50.000
<v Speaker 1>let's let's do the franchise. Oh, like he thought he

0:29:50.000 --> 0:29:53.640
<v Speaker 1>would get his own kung Fu series afterwards. I don't know. Yeah,

0:29:53.720 --> 0:29:56.680
<v Speaker 1>it's it's it's that's an interesting detail. I'm gonna have

0:29:56.720 --> 0:29:58.840
<v Speaker 1>to ponder that one. I mean, as much as I

0:29:58.880 --> 0:30:01.280
<v Speaker 1>love John Saxon, my memory is that he is by

0:30:01.280 --> 0:30:04.200
<v Speaker 1>far the least cool of the three heroes of that movie.

0:30:04.360 --> 0:30:07.800
<v Speaker 1>I mean, you gotta love Bruce and Jim Kelly Moore,

0:30:07.880 --> 0:30:10.080
<v Speaker 1>But I don't know. Yeah, well, it does remind me

0:30:10.080 --> 0:30:12.400
<v Speaker 1>a little bit of the details that we've discussed regarding

0:30:12.440 --> 0:30:15.640
<v Speaker 1>Cannibal Apocalypse, where he was like, I'm not gonna I

0:30:15.640 --> 0:30:17.880
<v Speaker 1>don't want to do that scene where I eat human flesh.

0:30:18.040 --> 0:30:20.680
<v Speaker 1>You know, let's skip that part. So I don't know,

0:30:21.120 --> 0:30:24.200
<v Speaker 1>maybe he had an aversion to just the gore of it.

0:30:24.320 --> 0:30:26.640
<v Speaker 1>It's like, I don't want that blow on me. John Saxon.

0:30:26.680 --> 0:30:29.720
<v Speaker 1>Did we catch you trying to protect your dignity while acting.

0:30:29.880 --> 0:30:32.240
<v Speaker 1>Come on, it's not about you, You're playing a character.

0:30:32.480 --> 0:30:35.680
<v Speaker 1>I'm sure he had his reasons. Yeah, okay, are you

0:30:35.720 --> 0:30:38.200
<v Speaker 1>ready to finish off with a couple of short messages

0:30:38.200 --> 0:30:46.240
<v Speaker 1>about weird house cinema? Let's do it all right? Uh?

0:30:46.280 --> 0:30:50.240
<v Speaker 1>This one comes from Pat. Pat says Joe Rob. I'm

0:30:50.280 --> 0:30:52.480
<v Speaker 1>sure you get a lot of recommendations for weird House.

0:30:52.600 --> 0:30:55.880
<v Speaker 1>May I add mine? Watched again today The Black Cat

0:30:56.000 --> 0:31:00.320
<v Speaker 1>from nineteen thirty four, first and best pairing of Bella

0:31:00.400 --> 0:31:06.360
<v Speaker 1>Legosie and Boris Karloff. The film is dense, impressionistic, satanic, mysterious.

0:31:06.640 --> 0:31:10.120
<v Speaker 1>There's a torture scene, necrophilia, and much more. One of

0:31:10.160 --> 0:31:14.200
<v Speaker 1>the earliest film scores. As an aside, many Legosi detractors

0:31:14.240 --> 0:31:16.800
<v Speaker 1>say he didn't get roles because of his thick accent.

0:31:17.160 --> 0:31:19.480
<v Speaker 1>The accent works better for him in this film than

0:31:19.520 --> 0:31:22.240
<v Speaker 1>in Dracula. Should you pass this by? I know I

0:31:22.280 --> 0:31:28.000
<v Speaker 1>will get great entertainment weekly, Thanks ever so much? Pat? Uh? Well, Pat, Yeah,

0:31:28.040 --> 0:31:30.800
<v Speaker 1>we will definitely consider that. We'll put it on the

0:31:30.840 --> 0:31:33.080
<v Speaker 1>list and see what we think. This is a movie

0:31:33.120 --> 0:31:35.000
<v Speaker 1>I have wanted to watch for a long time and

0:31:35.000 --> 0:31:37.520
<v Speaker 1>I've just never gotten around to until now. But one

0:31:37.560 --> 0:31:40.280
<v Speaker 1>of my good friends I remember years ago, was telling me,

0:31:40.320 --> 0:31:43.360
<v Speaker 1>you've got to watch The Black Cat. Yeah. Yeah, this

0:31:43.440 --> 0:31:45.680
<v Speaker 1>is a film I also haven't seen, but I know

0:31:45.720 --> 0:31:48.920
<v Speaker 1>it's It's been personally recommended to me, and I've definitely

0:31:48.960 --> 0:31:51.520
<v Speaker 1>talked to people who hold it up as a very

0:31:51.560 --> 0:31:54.840
<v Speaker 1>fine horror film, especially of the genre of the time period.

0:31:54.840 --> 0:31:58.040
<v Speaker 1>But when they just just stands out genre wide as well.

0:32:03.440 --> 0:32:05.400
<v Speaker 1>All Right, this one comes to us from Tom. The

0:32:05.440 --> 0:32:09.560
<v Speaker 1>subject is Phantasm Death Metal. Hello, Robert and Joe. Thank

0:32:09.560 --> 0:32:12.400
<v Speaker 1>you for the almost frame by frame analysis of the

0:32:12.440 --> 0:32:16.640
<v Speaker 1>movie Phantasm. This film was foundational for my little eight

0:32:16.720 --> 0:32:19.080
<v Speaker 1>year old brain. I'm glad you pointed up the heavy

0:32:19.120 --> 0:32:21.840
<v Speaker 1>lifting that the music is doing to create that dreamlike

0:32:21.960 --> 0:32:25.480
<v Speaker 1>atmosphere throughout the film. You know, I'm all for indulging

0:32:25.600 --> 0:32:28.520
<v Speaker 1>the child's natural love of monsters. I feel like aig

0:32:28.640 --> 0:32:33.720
<v Speaker 1>is a little young for Phantasm. Well we we we

0:32:33.800 --> 0:32:36.920
<v Speaker 1>say that now, but you know, the nineties and eighties

0:32:37.400 --> 0:32:39.360
<v Speaker 1>they were a different time. I don't know when I

0:32:39.360 --> 0:32:41.720
<v Speaker 1>first saw clips of Phantasm. I don't think it was eight,

0:32:41.760 --> 0:32:46.320
<v Speaker 1>but at any rate, um Tom continues, knowing that Joe

0:32:46.480 --> 0:32:49.400
<v Speaker 1>is something of a metal head. I was hoping you'd

0:32:49.440 --> 0:32:52.479
<v Speaker 1>bring up the Swedish death metal band Entombed and the

0:32:52.520 --> 0:32:56.840
<v Speaker 1>titular song on their debut album, Left Hand Path. The

0:32:56.960 --> 0:33:00.160
<v Speaker 1>ultro dirge of that song is straight up fantas as

0:33:00.200 --> 0:33:04.080
<v Speaker 1>a main theme with h M two pedals turned all

0:33:04.120 --> 0:33:06.920
<v Speaker 1>the way up. When I first heard that, it blew

0:33:07.160 --> 0:33:10.320
<v Speaker 1>my then eighteen year old brain. Thanks for the show.

0:33:10.400 --> 0:33:13.040
<v Speaker 1>It has survived many pod purges and is one of

0:33:13.040 --> 0:33:16.080
<v Speaker 1>my favorites. Tom oh Well, thanks for the note, tom

0:33:16.360 --> 0:33:19.360
<v Speaker 1>uh I. So, yeah, you're right. I do enjoy some

0:33:19.360 --> 0:33:23.360
<v Speaker 1>some metal albums, though I don't really know any Scandinavian metals,

0:33:23.400 --> 0:33:24.880
<v Speaker 1>so I don't know this band at all. But I

0:33:24.880 --> 0:33:26.560
<v Speaker 1>did look up the song and I got to the

0:33:26.560 --> 0:33:29.080
<v Speaker 1>part where they played the phantasm theme and it was

0:33:29.080 --> 0:33:33.280
<v Speaker 1>pretty wicked cool. Yeah, I'm not really familiar with them either,

0:33:33.480 --> 0:33:35.800
<v Speaker 1>but but I'll have to check out this track. So

0:33:35.960 --> 0:33:39.600
<v Speaker 1>at any rate, we always enjoy musical recommendations from our listeners,

0:33:39.640 --> 0:33:43.480
<v Speaker 1>especially when they converge with the weird house cinema topics.

0:33:43.960 --> 0:33:45.920
<v Speaker 1>All right, Well, on that note, we're gonna go ahead

0:33:45.920 --> 0:33:47.520
<v Speaker 1>and close this one out, but we'd love to hear

0:33:47.560 --> 0:33:51.160
<v Speaker 1>from you. Keep the listener mails rolling in. Uh, you

0:33:51.240 --> 0:33:53.360
<v Speaker 1>know where to send them. We'll throw out that email

0:33:53.360 --> 0:33:56.840
<v Speaker 1>in just a second, but just as a reminder, our

0:33:56.920 --> 0:34:00.320
<v Speaker 1>listener Mail episodes run every Monday, Core episodes Stuff to

0:34:00.320 --> 0:34:03.240
<v Speaker 1>Blow your Mind on Tuesdays and Thursdays. On Wednesdays you

0:34:03.280 --> 0:34:05.720
<v Speaker 1>get a short form artifact or monster fact, and on

0:34:05.760 --> 0:34:07.800
<v Speaker 1>Fridays we do Weird how Cinema. That's our time to

0:34:07.800 --> 0:34:10.440
<v Speaker 1>set aside most serious concerns and just talk about a

0:34:10.440 --> 0:34:13.440
<v Speaker 1>strange film. Huge thanks as always to our excellent audio

0:34:13.520 --> 0:34:16.279
<v Speaker 1>producer Seth Nicholas Johnson. If you would like to get

0:34:16.280 --> 0:34:18.680
<v Speaker 1>in touch with us with feedback on this episode or

0:34:18.719 --> 0:34:20.880
<v Speaker 1>any other, to suggest a topic for the future, or

0:34:20.920 --> 0:34:23.520
<v Speaker 1>just to say hello, you can email us at contact

0:34:23.560 --> 0:34:33.320
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0:34:33.360 --> 0:34:35.480
<v Speaker 1>Blow Your Mind is a production of I Heart Radio.

0:34:35.840 --> 0:34:37.960
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