1
00:00:00,240 --> 00:00:02,520
Speaker 1: Hello, it's your favorite sports thunk here. Don't forget to

2
00:00:02,560 --> 00:00:05,439
Speaker 1: hit that subscribe button to join the fastest growing community

3
00:00:05,440 --> 00:00:09,119
Speaker 1: on YouTube. Remember, Nightcap doesn't happen without you, So please

4
00:00:09,119 --> 00:00:16,759
Speaker 1: subscribe or you're gonna make Ojo crime. Jim Jones is

5
00:00:16,840 --> 00:00:20,440
Speaker 1: joining us as Ojo was breaking it. Man, Jim, how

6
00:00:20,480 --> 00:00:21,040
Speaker 1: you doing, bro?

7
00:00:21,480 --> 00:00:22,440
Speaker 2: How you feeling up? Brother?

8
00:00:23,680 --> 00:00:24,120
Speaker 1: You good?

9
00:00:24,720 --> 00:00:26,560
Speaker 2: Yeah? I'm good man. Life is good, God is good.

10
00:00:26,560 --> 00:00:27,280
Speaker 2: I can't complain.

11
00:00:27,960 --> 00:00:30,440
Speaker 1: Yeah, So talk to us a little about this music thing.

12
00:00:30,480 --> 00:00:32,640
Speaker 1: You've been in this thing for a minute now, So

13
00:00:33,479 --> 00:00:38,160
Speaker 1: talk about Jim Jones of twenty years ago Jim Jones today.

14
00:00:38,479 --> 00:00:41,640
Speaker 1: Have you noticed anything different in the music industry? Have

15
00:00:41,720 --> 00:00:43,879
Speaker 1: you noticed have you tried to do anything different with

16
00:00:44,000 --> 00:00:46,559
Speaker 1: your sound to keep up with the way the industry

17
00:00:46,600 --> 00:00:47,040
Speaker 1: is headed?

18
00:00:47,920 --> 00:00:48,919
Speaker 2: Oh? Yeah, the industry.

19
00:00:49,000 --> 00:00:52,760
Speaker 3: The industry has changed tremendously from when I started.

20
00:00:53,520 --> 00:00:55,880
Speaker 2: It wasn't no social media for one.

21
00:00:56,440 --> 00:00:58,680
Speaker 3: Yeah, when I started in two thousand and three with

22
00:00:58,840 --> 00:01:01,160
Speaker 3: my first first deal, even before.

23
00:01:00,920 --> 00:01:02,320
Speaker 2: That, when Cam started with his deal.

24
00:01:02,440 --> 00:01:04,720
Speaker 3: So these kids got a bit of advantage when it

25
00:01:04,720 --> 00:01:06,720
Speaker 3: comes to marketing the promo that we didn't have. They

26
00:01:06,720 --> 00:01:08,679
Speaker 3: had access to a lot of information that we didn't

27
00:01:08,720 --> 00:01:11,240
Speaker 3: have a lot of people say it works against us,

28
00:01:11,280 --> 00:01:12,480
Speaker 3: but I think it works for us.

29
00:01:12,680 --> 00:01:15,040
Speaker 2: And watching the way that these kids work.

30
00:01:14,920 --> 00:01:17,039
Speaker 3: And in the present day and things like that, I've

31
00:01:17,120 --> 00:01:19,560
Speaker 3: learned a lot from them, from how they carry their music,

32
00:01:19,600 --> 00:01:21,200
Speaker 3: from how they sell their musics, and from how they

33
00:01:21,240 --> 00:01:22,440
Speaker 3: market and promote their music.

34
00:01:23,400 --> 00:01:24,920
Speaker 2: Us as being here for so too long, for.

35
00:01:25,480 --> 00:01:27,760
Speaker 3: So long we've seen we tend to get caught up

36
00:01:27,800 --> 00:01:31,200
Speaker 3: in our dinosaur ways from yesterday how they carry artists,

37
00:01:31,200 --> 00:01:33,360
Speaker 3: but that's not the way they carry artists today. So

38
00:01:33,640 --> 00:01:36,440
Speaker 3: they are platinum artists that have their nose up because

39
00:01:36,440 --> 00:01:41,360
Speaker 3: they're big platinum artists, but that don't count today's society.

40
00:01:41,440 --> 00:01:42,680
Speaker 2: They don't carry it the same way.

41
00:01:42,760 --> 00:01:45,360
Speaker 3: So what I've chosen to do was always chose to

42
00:01:45,400 --> 00:01:46,720
Speaker 3: try to reinvent.

43
00:01:46,319 --> 00:01:48,320
Speaker 2: Myself, but not to the point where I'm chasing.

44
00:01:48,520 --> 00:01:50,480
Speaker 3: But there's a medium that reached because I always want

45
00:01:50,520 --> 00:01:52,000
Speaker 3: to teach these kids, but I always want to learn

46
00:01:52,080 --> 00:01:55,720
Speaker 3: something also, So you know that and reinvent yourself, you've

47
00:01:55,720 --> 00:01:57,640
Speaker 3: got to be willing to be disciplined to know what

48
00:01:57,760 --> 00:01:58,680
Speaker 3: direction you want to go.

49
00:01:58,720 --> 00:01:59,280
Speaker 2: And when it.

50
00:01:59,200 --> 00:02:01,480
Speaker 3: Comes to reinvent itself, I mean, one of the things

51
00:02:01,520 --> 00:02:04,000
Speaker 3: I credit do is the the Jim is one of

52
00:02:04,040 --> 00:02:06,600
Speaker 3: the biggest attributes to me being able to do uh,

53
00:02:06,760 --> 00:02:11,839
Speaker 3: sustain this long in the game. Sustainability is a lawful Jim.

54
00:02:11,919 --> 00:02:14,200
Speaker 1: Let me ask you this. And I see this a

55
00:02:14,240 --> 00:02:17,679
Speaker 1: lot and a lot, especially in music, and I see

56
00:02:17,680 --> 00:02:24,040
Speaker 1: this with and television and entertainment actress actresses. Is like, Man,

57
00:02:25,440 --> 00:02:28,480
Speaker 1: every record that he put out, it sounds the same. Okay,

58
00:02:28,520 --> 00:02:30,920
Speaker 1: he does something different. Man, he don't sound like the

59
00:02:31,000 --> 00:02:34,160
Speaker 1: old guy. He don't sound like he used to Okay.

60
00:02:34,880 --> 00:02:37,200
Speaker 1: An actor, they try act or actress, they try to

61
00:02:37,240 --> 00:02:39,640
Speaker 1: do a different role than what we're used to see him. Man,

62
00:02:39,680 --> 00:02:42,160
Speaker 1: I like when he did that. I don't like this new.

63
00:02:42,360 --> 00:02:44,440
Speaker 1: So you want the guy to change. You want the

64
00:02:44,480 --> 00:02:46,959
Speaker 1: individual to change and give you something different. And when

65
00:02:46,960 --> 00:02:49,000
Speaker 1: they give you something different, you say, they don't sound

66
00:02:49,040 --> 00:02:51,160
Speaker 1: the same and you don't like it. So how does

67
00:02:51,320 --> 00:02:55,160
Speaker 1: someone win? Now? The person that that I have the

68
00:02:55,280 --> 00:02:58,600
Speaker 1: utmost respect for what she's been able to do is Beyonce.

69
00:02:59,280 --> 00:03:00,960
Speaker 1: Beyond saying that as big as you can get in

70
00:03:01,000 --> 00:03:04,679
Speaker 1: one genre, and she says, you know what, I will

71
00:03:04,720 --> 00:03:07,160
Speaker 1: go over here and I'm gonna do this. I mean

72
00:03:07,200 --> 00:03:09,960
Speaker 1: it takes it takes some guts jim to do that.

73
00:03:12,120 --> 00:03:13,880
Speaker 2: I mean, she like Michael Jordan.

74
00:03:13,960 --> 00:03:16,280
Speaker 3: With Michael Jordan left the NBA, he went to the

75
00:03:16,639 --> 00:03:22,720
Speaker 3: to the MBL, the Major LEA and MLBA. He had

76
00:03:22,720 --> 00:03:24,000
Speaker 3: to have a lot of guts, you know what I mean,

77
00:03:24,040 --> 00:03:26,160
Speaker 3: Like saying with like d On Dion when he was

78
00:03:26,160 --> 00:03:28,639
Speaker 3: playing football and playing baseball and being successful at the

79
00:03:28,680 --> 00:03:30,520
Speaker 3: same time and both in both of them sports.

80
00:03:30,760 --> 00:03:32,079
Speaker 2: I mean, and that takes a lot of heart.

81
00:03:32,200 --> 00:03:34,880
Speaker 3: I haven't seen anybody else do that successfully the way

82
00:03:34,880 --> 00:03:37,280
Speaker 3: that Beonso has has done it. So I took my

83
00:03:37,360 --> 00:03:40,120
Speaker 3: hat to the barriers that she continued to break inside

84
00:03:40,120 --> 00:03:42,120
Speaker 3: of this music industry.

85
00:03:42,360 --> 00:03:45,040
Speaker 4: Hey, Jimmy, what do you think right now about the

86
00:03:45,080 --> 00:03:47,160
Speaker 4: state of the state of hip hop where it is

87
00:03:47,240 --> 00:03:49,000
Speaker 4: right now? How do you feel about it, especially with

88
00:03:49,280 --> 00:03:50,880
Speaker 4: the young dudes with the sound now?

89
00:03:51,200 --> 00:03:52,920
Speaker 5: Obviously, I think when it comes.

90
00:03:52,760 --> 00:03:55,760
Speaker 4: To to rap in general, hip hop in general, I

91
00:03:55,760 --> 00:03:58,280
Speaker 4: think the sound changes every ten years. What do you

92
00:03:58,320 --> 00:04:01,080
Speaker 4: how do you about this era of hip hop right

93
00:04:01,120 --> 00:04:02,560
Speaker 4: now that we're in Do you like it?

94
00:04:03,120 --> 00:04:03,960
Speaker 5: Have you embraced it?

95
00:04:04,000 --> 00:04:08,840
Speaker 3: What I mean my in my opinion doesn't matter because

96
00:04:09,080 --> 00:04:11,280
Speaker 3: I have my time where we would dictating the sound

97
00:04:11,360 --> 00:04:14,000
Speaker 3: of music and we had a ball and there were

98
00:04:14,080 --> 00:04:15,440
Speaker 3: older people that was hating.

99
00:04:15,200 --> 00:04:17,360
Speaker 2: On the time that we had and things like that.

100
00:04:17,440 --> 00:04:20,360
Speaker 3: I encourage these youngsters to be as creative as they can,

101
00:04:20,600 --> 00:04:23,839
Speaker 3: as long as it's connecting with their crowded and people

102
00:04:23,839 --> 00:04:26,040
Speaker 3: are singing your shit and they're going to your to your.

103
00:04:25,880 --> 00:04:28,120
Speaker 2: Shows, And who am I to say I don't like

104
00:04:28,160 --> 00:04:30,160
Speaker 2: that music when they're out here's thinking ship. You know

105
00:04:30,200 --> 00:04:31,240
Speaker 2: what I mean? You did it.

106
00:04:31,839 --> 00:04:34,640
Speaker 3: So it's like you gotta find you gotta stay true

107
00:04:34,640 --> 00:04:36,520
Speaker 3: to yourself, but find your rhythm in the mix of

108
00:04:36,560 --> 00:04:38,720
Speaker 3: what's going on. Use you're gonna be lost in the soul.

109
00:04:38,800 --> 00:04:40,400
Speaker 3: So you're gonna be looking like an old dude. You're

110
00:04:40,400 --> 00:04:42,839
Speaker 3: gonna be looking like the has been. You're gonna you understand,

111
00:04:42,839 --> 00:04:45,360
Speaker 3: I'm not into that. My energy ain't flood that you're heard.

112
00:04:45,560 --> 00:04:47,440
Speaker 3: If I'm gonna be a contender in this game, I'm

113
00:04:47,480 --> 00:04:49,320
Speaker 3: gonna play at the top, at the top.

114
00:04:49,240 --> 00:04:50,680
Speaker 2: Of my ability to play. You know what I mean.

115
00:04:50,720 --> 00:04:52,920
Speaker 3: I'm not gonna take no shortcuts enough in a minute.

116
00:04:52,920 --> 00:04:54,680
Speaker 3: In a minute, I mean I gotta contend with the

117
00:04:54,720 --> 00:04:56,719
Speaker 3: younger boys. I gotta contend with the older boys. That

118
00:04:56,760 --> 00:04:59,560
Speaker 3: means I gotta come through stepping. They only respect balance

119
00:04:59,560 --> 00:05:01,080
Speaker 3: and not to say bounce. But you know what I mean,

120
00:05:01,120 --> 00:05:03,360
Speaker 3: Like they got to see that ship you dig while

121
00:05:03,360 --> 00:05:05,240
Speaker 3: I'm in the game, I'm gonna show them that ship.

122
00:05:05,320 --> 00:05:05,360
Speaker 2: Like.

123
00:05:05,400 --> 00:05:08,000
Speaker 3: People don't get a twisted like I'm I'm a man

124
00:05:08,040 --> 00:05:11,280
Speaker 3: of many, many different things. Like my rapper hat is one.

125
00:05:11,520 --> 00:05:14,120
Speaker 3: It's one hat to that with. But if I'm rapping

126
00:05:14,160 --> 00:05:15,680
Speaker 3: and I'm in it, I'm in it.

127
00:05:15,839 --> 00:05:16,360
Speaker 2: What's up?

128
00:05:16,440 --> 00:05:19,000
Speaker 3: I'm going against all odds and what I gotta do

129
00:05:19,160 --> 00:05:21,440
Speaker 3: to maintain be a contender in this game to keep

130
00:05:21,440 --> 00:05:23,479
Speaker 3: feeding my family and making the money that make off this.

131
00:05:23,680 --> 00:05:24,080
Speaker 2: You know what I mean.

132
00:05:24,080 --> 00:05:25,719
Speaker 3: I think people get that twisted when they see me

133
00:05:25,760 --> 00:05:26,920
Speaker 3: talking and pop up my ship and.

134
00:05:26,839 --> 00:05:28,880
Speaker 2: Ship like that. That's just one character that I gotta

135
00:05:29,120 --> 00:05:30,520
Speaker 2: put out there for you all to eat up, you

136
00:05:30,560 --> 00:05:30,960
Speaker 2: know what I mean.

137
00:05:30,960 --> 00:05:32,400
Speaker 1: But I'm.

138
00:05:34,360 --> 00:05:37,000
Speaker 5: Matter fact, hold on, I got I'm gonna ask you.

139
00:05:37,000 --> 00:05:40,440
Speaker 4: I I just I saw some I saw some comments

140
00:05:40,440 --> 00:05:43,360
Speaker 4: and saw a clip about you know, and you and Push.

141
00:05:43,400 --> 00:05:45,000
Speaker 4: I'm not sure if you and Push, you know, got

142
00:05:45,000 --> 00:05:46,839
Speaker 4: these type of beef or whatever. I just saw something

143
00:05:46,880 --> 00:05:49,440
Speaker 4: about you. You talk about the age trumpet.

144
00:05:49,080 --> 00:05:50,600
Speaker 5: You did you didn't like, you didn't like the album

145
00:05:50,680 --> 00:05:53,120
Speaker 5: to like the song. Uh you know what he raps

146
00:05:53,160 --> 00:05:54,880
Speaker 5: about it not I.

147
00:05:54,800 --> 00:05:56,360
Speaker 2: Don't got a little beef with it. I don't got

148
00:05:56,360 --> 00:05:57,480
Speaker 2: a little beef for nobody.

149
00:05:58,120 --> 00:05:58,560
Speaker 6: Okay, okay.

150
00:05:59,560 --> 00:06:01,880
Speaker 2: Half of half of it is my opinion. Half of

151
00:06:01,880 --> 00:06:03,520
Speaker 2: it is me bending the algorithm.

152
00:06:03,560 --> 00:06:06,640
Speaker 3: Half of that is feeding into people's simplicity because the

153
00:06:06,680 --> 00:06:08,520
Speaker 3: social media is for that, you know what I mean.

154
00:06:08,760 --> 00:06:11,000
Speaker 3: And like I said, I'm a rapper in this game.

155
00:06:11,240 --> 00:06:14,200
Speaker 3: It comes with the territory. You gotta be very competitive.

156
00:06:14,200 --> 00:06:16,359
Speaker 3: It is a very competitive sport and you better have

157
00:06:16,440 --> 00:06:17,080
Speaker 3: some thick skin.

158
00:06:17,480 --> 00:06:18,279
Speaker 2: I ain't say nothing.

159
00:06:18,279 --> 00:06:20,240
Speaker 3: I want to hurt nobody, do nothing, nobody.

160
00:06:20,240 --> 00:06:23,520
Speaker 2: Everything. I've been talking about that strictly about the art

161
00:06:23,560 --> 00:06:23,880
Speaker 2: of world.

162
00:06:23,920 --> 00:06:26,440
Speaker 3: When it comes to the music nowadays now, maybe ten

163
00:06:26,520 --> 00:06:28,680
Speaker 3: years ago, fifteen years ago, it would have been a

164
00:06:28,720 --> 00:06:31,440
Speaker 3: different outcome of what I was, you.

165
00:06:31,360 --> 00:06:31,800
Speaker 2: Know what I mean.

166
00:06:31,880 --> 00:06:34,440
Speaker 3: When I was, I'm not on that, and I think

167
00:06:34,640 --> 00:06:37,040
Speaker 3: a lot of that gets twisted.

168
00:06:36,680 --> 00:06:39,480
Speaker 2: And with the Jim Jones of today and things like that.

169
00:06:39,520 --> 00:06:41,760
Speaker 3: I ain't got a puzzle nobody, and I ain't got

170
00:06:41,760 --> 00:06:45,400
Speaker 3: no optional nothing. And you know, it's part of me

171
00:06:45,480 --> 00:06:46,839
Speaker 3: that I've been working on every day.

172
00:06:47,000 --> 00:06:50,159
Speaker 2: So tell sometimes I talk way too.

173
00:06:50,040 --> 00:06:52,479
Speaker 3: Fast than I should hurt, but it's part of the game.

174
00:06:52,920 --> 00:06:54,479
Speaker 3: I don't care you hate it.

175
00:06:54,480 --> 00:06:54,839
Speaker 2: I love it.

176
00:06:54,839 --> 00:06:56,919
Speaker 3: I'm gonna turn it into into a victory for me.

177
00:06:57,480 --> 00:07:01,800
Speaker 1: Yes, check it out, Jim. It's seems to me since

178
00:07:01,839 --> 00:07:07,000
Speaker 1: this past summer what passed last summer when Kendrick had

179
00:07:07,040 --> 00:07:09,359
Speaker 1: that disk, It seemed like now people are just like,

180
00:07:09,440 --> 00:07:11,720
Speaker 1: you know, hey, we saw the success that Kendrick had,

181
00:07:12,200 --> 00:07:15,320
Speaker 1: got five Grammys, he hosted you know, halftime, showed the

182
00:07:15,320 --> 00:07:17,640
Speaker 1: Super Bowl, blah blah blah. We see a lot more

183
00:07:17,680 --> 00:07:20,000
Speaker 1: dissing going on if that what if that were we're

184
00:07:20,000 --> 00:07:20,520
Speaker 1: headed now?

185
00:07:21,760 --> 00:07:24,480
Speaker 2: Dan, and where you've been at you don't remember you've

186
00:07:24,480 --> 00:07:27,240
Speaker 2: seen the success that Tupac had it? Yeah, look you

187
00:07:27,280 --> 00:07:27,960
Speaker 2: see the success.

188
00:07:28,520 --> 00:07:31,720
Speaker 3: What about what about Jacob?

189
00:07:32,320 --> 00:07:32,560
Speaker 1: Yeah?

190
00:07:32,720 --> 00:07:35,760
Speaker 2: This is a competitive sport. The rap is built on that.

191
00:07:36,120 --> 00:07:39,400
Speaker 3: So Kendrick and Drake having what they have was no

192
00:07:39,560 --> 00:07:42,480
Speaker 3: surprise through the rap industry. I mean people look at

193
00:07:42,480 --> 00:07:44,080
Speaker 3: it as something, but this is what the art the

194
00:07:44,240 --> 00:07:45,080
Speaker 3: rap is about.

195
00:07:45,520 --> 00:07:46,440
Speaker 2: It's a very.

196
00:07:46,240 --> 00:07:48,240
Speaker 3: Competitive sport and you got to be ready to be

197
00:07:48,280 --> 00:07:49,960
Speaker 3: on top of your game when it comes to that.

198
00:07:50,080 --> 00:07:52,120
Speaker 3: So if you put something out, you got to be

199
00:07:52,200 --> 00:07:54,000
Speaker 3: ready for the same energy to come back at you.

200
00:07:54,160 --> 00:07:56,480
Speaker 3: That's what rap is about. Some people don't go down

201
00:07:56,480 --> 00:07:58,360
Speaker 3: the lane. Some people go around that lane. Some people

202
00:07:58,440 --> 00:08:00,320
Speaker 3: go right through it. I'm wanted to people that go

203
00:08:00,560 --> 00:08:02,360
Speaker 3: right through it wouldn't lose a draw. I keep the

204
00:08:02,400 --> 00:08:05,280
Speaker 3: same face, but hold.

205
00:08:05,120 --> 00:08:10,840
Speaker 1: On, hold on, Jim, Jim, bro, I'm not looking for

206
00:08:10,880 --> 00:08:13,440
Speaker 1: you to come at me. I put you on. Remember

207
00:08:13,600 --> 00:08:15,120
Speaker 1: I used to have you on my I used to

208
00:08:15,120 --> 00:08:16,840
Speaker 1: have I used to use the tour with me. You

209
00:08:16,920 --> 00:08:17,800
Speaker 1: used to open up for me.

210
00:08:17,840 --> 00:08:18,000
Speaker 2: Bro.

211
00:08:18,160 --> 00:08:21,120
Speaker 1: You know you remember that right well? That nobody what

212
00:08:21,240 --> 00:08:22,560
Speaker 1: booking you. You remember that jam.

213
00:08:23,080 --> 00:08:25,000
Speaker 2: You heard this song, you heard this you heard the same.

214
00:08:25,080 --> 00:08:28,160
Speaker 3: When rivals, I mean idols become your rivals, That's what

215
00:08:28,160 --> 00:08:31,200
Speaker 3: the rap game is about. Did Alan Olison hesitate to

216
00:08:31,200 --> 00:08:33,479
Speaker 3: shake Michael Jordan up when he got in the NBA?

217
00:08:33,320 --> 00:08:37,200
Speaker 3: You know, okay because he was on another team. I

218
00:08:37,280 --> 00:08:39,000
Speaker 3: might not stop the love he had for Mike. But

219
00:08:39,080 --> 00:08:41,960
Speaker 3: while we on this battlefield, my team gotta win and

220
00:08:41,960 --> 00:08:43,920
Speaker 3: I wouldn't to kill anybody that's in front of me

221
00:08:43,960 --> 00:08:46,720
Speaker 3: for my team to win. And that was Alan Olson's attitude.

222
00:08:46,720 --> 00:08:49,000
Speaker 3: You gotta understand what happens when you come into this game.

223
00:08:49,080 --> 00:08:52,040
Speaker 3: Your idols become your rivals. There's no passes. When we're

224
00:08:52,080 --> 00:08:53,800
Speaker 3: on the other team, we meet you at the party,

225
00:08:53,840 --> 00:08:55,959
Speaker 3: we could laugh pop champagne. But right now while we're

226
00:08:56,000 --> 00:08:57,960
Speaker 3: on this field, while we're on his court, Oh I'm

227
00:08:57,960 --> 00:08:58,760
Speaker 3: coming to scrape show.

228
00:08:58,800 --> 00:09:00,920
Speaker 1: Now, we can't popping no more sham. You got people

229
00:09:00,960 --> 00:09:02,920
Speaker 1: laughing at me. And guess what they playing in the

230
00:09:02,920 --> 00:09:05,920
Speaker 1: football game. They played at the basketball game, not like us.

231
00:09:06,080 --> 00:09:08,719
Speaker 1: Oh no, we can't pop no champagne after that. Hey,

232
00:09:09,000 --> 00:09:10,640
Speaker 1: a matter of fact, I'm gonna close the club down.

233
00:09:10,679 --> 00:09:13,360
Speaker 1: Hey if he ain't if he coming, I ain't coming.

234
00:09:13,920 --> 00:09:15,520
Speaker 3: I mean, but I just told you that's what it is.

235
00:09:15,559 --> 00:09:18,800
Speaker 3: Is competitive the sport. Now you gotta it got different

236
00:09:18,880 --> 00:09:20,640
Speaker 3: levels to it and things like that. But that's what

237
00:09:20,720 --> 00:09:24,920
Speaker 3: this was built on, you heard. So it's it's sad

238
00:09:25,000 --> 00:09:28,480
Speaker 3: that they gotta go to such lamps when it comes

239
00:09:28,520 --> 00:09:31,000
Speaker 3: to artists getting at each other when it comes to

240
00:09:31,080 --> 00:09:34,680
Speaker 3: the music. But which we want you project is what

241
00:09:34,720 --> 00:09:36,680
Speaker 3: you're gonna get. So just have that same energy you

242
00:09:36,679 --> 00:09:38,720
Speaker 3: put out there, because somebody coming right back at you

243
00:09:38,760 --> 00:09:40,360
Speaker 3: with that same energy sooner or later.

244
00:09:40,720 --> 00:09:41,360
Speaker 2: Well, let me ask you.

245
00:09:41,720 --> 00:09:43,640
Speaker 1: Let me ask you one more question, don't Joe. So

246
00:09:43,720 --> 00:09:45,400
Speaker 1: are we gonna get some new music? Because we saw

247
00:09:45,440 --> 00:09:47,080
Speaker 1: you and Cam kind of going back and forth, and

248
00:09:47,120 --> 00:09:49,120
Speaker 1: the Dip said, coming back, y'all gonna leak up together

249
00:09:49,120 --> 00:09:50,560
Speaker 1: and give us some new music? Yes or no?

250
00:09:51,240 --> 00:09:51,520
Speaker 2: Uh?

251
00:09:52,040 --> 00:09:55,840
Speaker 3: Right now, worried about myself, Dip set has always Dip said,

252
00:09:55,840 --> 00:09:58,040
Speaker 3: the birds still fly. I've been having a bird on

253
00:09:58,080 --> 00:10:01,480
Speaker 3: my back for the passage years when nobody was worried

254
00:10:01,520 --> 00:10:03,280
Speaker 3: about you think. So that's gonna go. But right now,

255
00:10:03,280 --> 00:10:05,080
Speaker 3: I gotta worry about me. I gotta worry about my end.

256
00:10:05,080 --> 00:10:07,160
Speaker 3: Deva's gotta worry about my business. I gotta worry about

257
00:10:07,160 --> 00:10:07,600
Speaker 3: my family.

258
00:10:07,720 --> 00:10:07,880
Speaker 2: Think.

259
00:10:07,960 --> 00:10:10,000
Speaker 3: I've done a lot for diplomats where it didn't do

260
00:10:10,160 --> 00:10:12,040
Speaker 3: me nothing at the time. But right now, where I'm

261
00:10:12,040 --> 00:10:14,520
Speaker 3: at in my life, what works for me, and what

262
00:10:14,559 --> 00:10:16,560
Speaker 3: I'm worried about is myself. I can't tell you what

263
00:10:16,600 --> 00:10:18,640
Speaker 3: the future may hold or what the future may bring.

264
00:10:18,679 --> 00:10:20,680
Speaker 3: I'm not taking nothing off the table, you think, But

265
00:10:20,800 --> 00:10:23,600
Speaker 3: right now it's about Jim Genes and yeah, I am

266
00:10:23,640 --> 00:10:24,640
Speaker 3: a diplomat owner.

267
00:10:25,960 --> 00:10:27,120
Speaker 1: Bet go ahead, Joe.

268
00:10:27,240 --> 00:10:27,680
Speaker 2: I like that.

269
00:10:28,000 --> 00:10:30,880
Speaker 4: Listen, you took the question I was finna ask, and

270
00:10:30,920 --> 00:10:34,160
Speaker 4: I think I think you know what, History repeats itself, Jimmy,

271
00:10:34,559 --> 00:10:36,720
Speaker 4: History ors repeat itself. And most of the time when

272
00:10:36,800 --> 00:10:39,319
Speaker 4: history repeat itself, it comes back even big and better.

273
00:10:39,400 --> 00:10:40,880
Speaker 1: I think Diplomats is gonna have her.

274
00:10:40,880 --> 00:10:43,400
Speaker 5: They're gonna have reunion. I think y'all boys going re unite.

275
00:10:43,679 --> 00:10:47,360
Speaker 4: And despite your differences, despite whatever situation y'all might have,

276
00:10:47,440 --> 00:10:48,920
Speaker 4: you know, all that can be fixed.

277
00:10:48,640 --> 00:10:49,480
Speaker 1: Behind closed doors.

278
00:10:49,480 --> 00:10:51,320
Speaker 4: That ain't nothing but a conversation that just got to

279
00:10:51,320 --> 00:10:55,160
Speaker 4: be had, especially making that money.

280
00:10:56,679 --> 00:10:57,160
Speaker 1: Or check.

281
00:10:57,360 --> 00:11:01,600
Speaker 2: You're a nice check always things demn you heard. Oh

282
00:11:01,600 --> 00:11:04,000
Speaker 2: I'm a stupid man. You heard you did, But I

283
00:11:04,040 --> 00:11:04,520
Speaker 2: understand that.

284
00:11:04,640 --> 00:11:06,600
Speaker 3: But right now where I'm at, until that happens, until

285
00:11:06,640 --> 00:11:08,680
Speaker 3: some business gets put on the table with advantage just

286
00:11:08,679 --> 00:11:10,400
Speaker 3: for all sides. Right now, I got to worry about

287
00:11:10,400 --> 00:11:12,320
Speaker 3: what Kapo was doing. And it's been working for me

288
00:11:12,360 --> 00:11:13,600
Speaker 3: that way, you know. I mean, I've been staying out

289
00:11:13,640 --> 00:11:15,959
Speaker 3: of anybody's way a little bit, you know what I mean,

290
00:11:16,000 --> 00:11:18,520
Speaker 3: trying to every day.

291
00:11:18,480 --> 00:11:20,200
Speaker 2: Work on me. Every day. I get better than things

292
00:11:20,200 --> 00:11:20,440
Speaker 2: like that.

293
00:11:20,440 --> 00:11:22,520
Speaker 3: You think I'm I'm unapologetic.

294
00:11:22,600 --> 00:11:24,559
Speaker 2: You dig and I don't have no regrets, you know me?

295
00:11:24,600 --> 00:11:25,160
Speaker 2: But I do.

296
00:11:25,480 --> 00:11:28,280
Speaker 3: I do work on myself every day, you know. I mean,

297
00:11:28,320 --> 00:11:29,959
Speaker 3: I'm not a perfect man. You did, but I'm the

298
00:11:30,000 --> 00:11:32,559
Speaker 3: perfect example of what could happen if you stay damn

299
00:11:32,640 --> 00:11:33,160
Speaker 3: till you come on.

300
00:11:33,520 --> 00:11:35,479
Speaker 2: And that's what I did plenty of times.

301
00:11:35,760 --> 00:11:38,680
Speaker 1: I got Jim when like, look you won the OJ's rap.

302
00:11:38,760 --> 00:11:40,600
Speaker 1: I mean, hip hop is fifty years of age. You've

303
00:11:40,600 --> 00:11:42,360
Speaker 1: been in this thing two decades.

304
00:11:42,480 --> 00:11:44,360
Speaker 2: I ain't fifty. I'm forty eight.

305
00:11:44,480 --> 00:11:46,720
Speaker 1: I said hip hop fifty.

306
00:11:46,800 --> 00:11:48,400
Speaker 2: I thought you were shooting it at me my bed.

307
00:11:48,559 --> 00:11:51,760
Speaker 1: Nah nah na, hip hop is fifty. But you've been

308
00:11:51,760 --> 00:11:53,640
Speaker 1: in this thing for two decades, right.

309
00:11:53,760 --> 00:11:55,440
Speaker 3: I've been in this thing, so yes, it's a little

310
00:11:55,440 --> 00:11:57,319
Speaker 3: bit more than this. Since nineteen ninety seven came on,

311
00:11:57,480 --> 00:11:59,600
Speaker 3: got his first deal. So I'm like twenty eight years

312
00:11:59,600 --> 00:12:06,079
Speaker 3: in two percent and I've been signed. I've been signed

313
00:12:06,200 --> 00:12:08,079
Speaker 3: my first deals two decades ago.

314
00:12:09,800 --> 00:12:11,840
Speaker 1: How do you determine who you How do you determine

315
00:12:11,840 --> 00:12:12,559
Speaker 1: who you work with?

316
00:12:12,600 --> 00:12:12,760
Speaker 2: Now?

317
00:12:12,760 --> 00:12:14,920
Speaker 1: When you want to work with the young artists? Uh,

318
00:12:15,080 --> 00:12:17,360
Speaker 1: how do you go about that? How do you like man?

319
00:12:17,559 --> 00:12:19,000
Speaker 1: I kind of like him. I think we can make

320
00:12:19,000 --> 00:12:20,320
Speaker 1: some beautiful music together.

321
00:12:21,760 --> 00:12:22,720
Speaker 2: I mean, I hold no pressure.

322
00:12:23,080 --> 00:12:26,040
Speaker 3: I'm looking for great music, and I'm looking looking for

323
00:12:26,080 --> 00:12:27,200
Speaker 3: great aesthetic.

324
00:12:27,240 --> 00:12:30,240
Speaker 2: Music get everything in today's world when it comes to music.

325
00:12:30,280 --> 00:12:31,920
Speaker 3: If you've got a lifestyle that you could sell these

326
00:12:32,000 --> 00:12:34,040
Speaker 3: kids could buy into, then that's just as good as

327
00:12:34,120 --> 00:12:35,720
Speaker 3: having a great hit song and things like that.

328
00:12:35,920 --> 00:12:36,880
Speaker 2: And that's how it worked for me.

329
00:12:36,960 --> 00:12:38,920
Speaker 3: So it's a combinations of things that I look for

330
00:12:39,080 --> 00:12:40,840
Speaker 3: to work with the arts, so to do business with

331
00:12:40,840 --> 00:12:42,599
Speaker 3: the artists, but as far as doing music with the

332
00:12:42,679 --> 00:12:44,679
Speaker 3: artists and things like that, I'm just saying I'm a

333
00:12:44,800 --> 00:12:46,480
Speaker 3: love of music. So if I hear a record that

334
00:12:46,520 --> 00:12:48,160
Speaker 3: I and I think it's dope, and I think the

335
00:12:48,240 --> 00:12:52,240
Speaker 3: artist is dope, I'm to reach.

336
00:12:52,080 --> 00:12:52,560
Speaker 2: Out to him.

337
00:12:53,720 --> 00:12:55,480
Speaker 1: How do you stay motivated? All?

338
00:12:56,400 --> 00:12:57,840
Speaker 2: We lost him?

339
00:12:57,960 --> 00:12:59,559
Speaker 1: Yeah, I think we lost it.

340
00:13:00,440 --> 00:13:04,079
Speaker 5: Oh damn that was that was good. I was enjoying that.

341
00:13:04,120 --> 00:13:04,320
Speaker 2: Man.

342
00:13:05,280 --> 00:13:07,720
Speaker 5: Hey, I'm thinking, I'm thinking, I'm thinking about I'm thinking

343
00:13:07,760 --> 00:13:08,680
Speaker 5: about rapping, man.

344
00:13:08,840 --> 00:13:17,240
Speaker 1: Shoot man, what do you think, oh Joe, what you're

345
00:13:17,240 --> 00:13:18,400
Speaker 1: gonna rap about now? With yo?

346
00:13:18,960 --> 00:13:19,280
Speaker 2: For me?

347
00:13:19,760 --> 00:13:20,080
Speaker 1: Yeah?

348
00:13:20,920 --> 00:13:22,760
Speaker 4: Hey, I mean, I'm just saying I'm gonna rap about

349
00:13:22,760 --> 00:13:25,559
Speaker 4: things that that I've experienced in life. You know that

350
00:13:25,559 --> 00:13:27,439
Speaker 4: that's that's the that's the best thing to wrap about it.

351
00:13:27,480 --> 00:13:29,600
Speaker 4: That's the most rappers they rap about the things that

352
00:13:29,600 --> 00:13:31,720
Speaker 4: they've experienced, you know, the ups and downs.

353
00:13:31,400 --> 00:13:34,040
Speaker 5: The goods, the bad, you know, the the ws, the l's.

354
00:13:35,320 --> 00:13:37,640
Speaker 1: I think I could put it together, you think, so,

355
00:13:39,679 --> 00:13:40,160
Speaker 1: oh there we go?

356
00:13:40,720 --> 00:13:43,160
Speaker 2: Are you back? Oh?

357
00:13:43,240 --> 00:13:48,160
Speaker 3: Yeah, like you look like a French painter with a

358
00:13:48,160 --> 00:13:50,520
Speaker 3: little bit biggie from Brooklyn with that on, you know.

359
00:13:50,600 --> 00:13:53,079
Speaker 5: Yeah, yeah, yeah, yeah, I just can't. I just came

360
00:13:53,120 --> 00:13:53,960
Speaker 5: from the south of France.

361
00:13:53,960 --> 00:13:55,560
Speaker 4: I was down there for six days, so I just

362
00:13:55,559 --> 00:13:56,400
Speaker 4: got back yesterday.

363
00:13:56,920 --> 00:14:02,040
Speaker 3: That's the I'm still on my on my swave.

364
00:14:02,240 --> 00:14:06,679
Speaker 2: My still spilling that ship. I'll get it. I get.

365
00:14:09,520 --> 00:14:11,720
Speaker 1: At at this junk sh of the game. What keeps

366
00:14:11,720 --> 00:14:15,240
Speaker 1: you motivated? What gifts Jim makes Jim jump out of bed,

367
00:14:16,080 --> 00:14:19,520
Speaker 1: pressed down hard as he can and press go. What

368
00:14:19,520 --> 00:14:20,400
Speaker 1: what keeps you going?

369
00:14:21,840 --> 00:14:22,880
Speaker 2: I will say the money.

370
00:14:22,880 --> 00:14:25,680
Speaker 3: But I've been making money for a long time, and

371
00:14:25,800 --> 00:14:27,560
Speaker 3: the opportunity to take care of my family.

372
00:14:27,560 --> 00:14:28,760
Speaker 2: I've been doing that for a long time.

373
00:14:28,840 --> 00:14:30,800
Speaker 3: At this point, I've been doing a lot, so I've

374
00:14:30,840 --> 00:14:33,400
Speaker 3: been My mission has been to give back more than

375
00:14:33,400 --> 00:14:35,040
Speaker 3: I took. But I was able to take a lot

376
00:14:35,080 --> 00:14:37,160
Speaker 3: and I'm still taking. So That's where I'm at in

377
00:14:37,240 --> 00:14:39,080
Speaker 3: life right now. You know what I mean, the more

378
00:14:39,160 --> 00:14:42,200
Speaker 3: blessed people, the morow get blessed. And it's just a

379
00:14:42,240 --> 00:14:45,600
Speaker 3: testament of hard work and being resilient and and and

380
00:14:45,640 --> 00:14:46,960
Speaker 3: being in real with yourself.

381
00:14:47,600 --> 00:14:51,960
Speaker 1: I mean, can I ask you a question, Jim, you

382
00:14:52,040 --> 00:14:52,680
Speaker 1: smoke right?

383
00:14:53,280 --> 00:14:54,320
Speaker 2: Yeah?

384
00:14:54,720 --> 00:14:56,880
Speaker 1: Were you smoking? When you say you better than ODS?

385
00:14:57,520 --> 00:14:59,280
Speaker 3: I might have been a little bit well as far

386
00:14:59,280 --> 00:15:01,840
Speaker 3: as litt Let's get this right, I'm way more influencial

387
00:15:01,840 --> 00:15:03,280
Speaker 3: than Nas. And I don't care what nobody say.

388
00:15:03,360 --> 00:15:04,560
Speaker 2: I know I made it. I know I made a

389
00:15:04,600 --> 00:15:05,360
Speaker 2: little boobo when.

390
00:15:05,280 --> 00:15:07,480
Speaker 3: He talk about the sales and all this type of ship,

391
00:15:07,520 --> 00:15:08,600
Speaker 3: I don't feel like get into.

392
00:15:08,400 --> 00:15:12,600
Speaker 2: That rhetoric about where I started away. But listen, NAS

393
00:15:12,600 --> 00:15:14,120
Speaker 2: was nice when I was in high school. When I

394
00:15:14,200 --> 00:15:16,720
Speaker 2: was in tenth grade, Nas came out. Nas was dope.

395
00:15:16,840 --> 00:15:18,800
Speaker 2: We appreciate him. He had a little bit run.

396
00:15:18,920 --> 00:15:21,120
Speaker 3: But NAS always came up second to Jay and DM

397
00:15:21,120 --> 00:15:22,480
Speaker 3: Mexan all these other people like.

398
00:15:24,800 --> 00:15:24,840
Speaker 2: That.

399
00:15:25,560 --> 00:15:28,080
Speaker 3: He never had that type of influence on us except

400
00:15:28,080 --> 00:15:28,880
Speaker 3: for his first album.

401
00:15:28,920 --> 00:15:30,160
Speaker 2: I already told you I used to.

402
00:15:30,120 --> 00:15:31,600
Speaker 3: Want to dress like Nas because he had a lot

403
00:15:31,640 --> 00:15:33,200
Speaker 3: of fresh clothes that the hustlers used to wear and

404
00:15:33,200 --> 00:15:34,840
Speaker 3: ship and we used to see him on TV. He

405
00:15:34,920 --> 00:15:37,600
Speaker 3: had one of the Illis albums of all time, and

406
00:15:37,640 --> 00:15:39,920
Speaker 3: then in high school when he had the barbecue.

407
00:15:39,480 --> 00:15:39,960
Speaker 2: And ship like that.

408
00:15:40,040 --> 00:15:41,600
Speaker 3: So I'm a real fan of Nous, but he kind

409
00:15:41,600 --> 00:15:44,320
Speaker 3: of lost me after Bell the movie Belly and ship

410
00:15:44,360 --> 00:15:44,560
Speaker 3: like that.

411
00:15:44,640 --> 00:15:46,440
Speaker 1: Like I don't go ahead on that gym.

412
00:15:46,480 --> 00:15:48,040
Speaker 2: I'm trying to tell you, I'm being hot. You want

413
00:15:48,120 --> 00:15:49,600
Speaker 2: you ask me, I'm being a fan.

414
00:15:49,600 --> 00:15:51,640
Speaker 3: I'm telling you from the movie Belly was fired, but

415
00:15:51,680 --> 00:15:53,200
Speaker 3: after that he kind of lost me. I don't think

416
00:15:53,280 --> 00:15:54,920
Speaker 3: I think we was way too much into the game.

417
00:15:55,160 --> 00:15:57,280
Speaker 3: Remember how this goes. That's not you ever heard of

418
00:15:57,280 --> 00:16:01,280
Speaker 3: a koofie list? Yeah, Yo, go back into your history

419
00:16:01,480 --> 00:16:03,560
Speaker 3: and find out what happened between us and him. You

420
00:16:03,600 --> 00:16:05,400
Speaker 3: didn't And I'm not trying to repeat history, but don't

421
00:16:05,400 --> 00:16:06,840
Speaker 3: play with us when it comes to that, Bro, we

422
00:16:06,880 --> 00:16:07,720
Speaker 3: already when when?

423
00:16:07,760 --> 00:16:10,680
Speaker 2: When? When? When wild on them boys? You hurt? We're

424
00:16:10,720 --> 00:16:13,960
Speaker 2: the ones that went wild on them boys, Jim and and.

425
00:16:13,960 --> 00:16:15,720
Speaker 3: People out here acting like I said, I'm gonna bring.

426
00:16:15,640 --> 00:16:17,280
Speaker 2: The Coofie list back. I just told you I'm gonna

427
00:16:17,360 --> 00:16:18,920
Speaker 2: change man. Stephan Law, can you.

428
00:16:18,880 --> 00:16:23,720
Speaker 1: Do look I'm putting Bro, you've been at this thing,

429
00:16:23,760 --> 00:16:26,080
Speaker 1: but lyrically I would be I'm gonna keep it a

430
00:16:26,080 --> 00:16:28,240
Speaker 1: stack with you.

431
00:16:28,280 --> 00:16:30,080
Speaker 2: Look how you dressed. You don't even be in the

432
00:16:30,120 --> 00:16:32,000
Speaker 2: same place as i'd be in. And the things that

433
00:16:32,520 --> 00:16:33,480
Speaker 2: listen the.

434
00:16:33,520 --> 00:16:34,440
Speaker 1: Church, you can't.

435
00:16:34,520 --> 00:16:35,000
Speaker 2: You can't.

436
00:16:36,840 --> 00:16:43,800
Speaker 1: Know who told you that, Bro, A bunch of be real.

437
00:16:44,200 --> 00:16:45,880
Speaker 3: You got a bunch of forty and fifty year olds

438
00:16:45,920 --> 00:16:48,480
Speaker 3: in their panties because I said, I'm better.

439
00:16:48,280 --> 00:16:55,239
Speaker 1: Than Look at the diplomats.

440
00:16:55,240 --> 00:16:56,680
Speaker 5: But you I.

441
00:16:56,600 --> 00:17:03,360
Speaker 3: Got Jimmy, you want to go back. I really mean it,

442
00:17:03,480 --> 00:17:05,200
Speaker 3: I really mean it started. If you could go back

443
00:17:05,240 --> 00:17:08,679
Speaker 3: to what the history, bro. Don't do that.

444
00:17:08,720 --> 00:17:12,000
Speaker 6: Bro, I got a question.

445
00:17:12,200 --> 00:17:12,760
Speaker 2: I got a question.

446
00:17:12,760 --> 00:17:14,440
Speaker 3: Stick up for itself and meet me in a booth

447
00:17:14,480 --> 00:17:16,440
Speaker 3: for something. If we want to do something historically.

448
00:17:17,000 --> 00:17:18,680
Speaker 1: You say, he don't do that. No more.

449
00:17:18,720 --> 00:17:20,960
Speaker 3: No, so he don't because he got a hundred million dollars.

450
00:17:20,960 --> 00:17:22,080
Speaker 2: He's a very wealthy man.

451
00:17:22,240 --> 00:17:24,879
Speaker 3: You heard, he's a very small business man.

452
00:17:25,240 --> 00:17:27,359
Speaker 5: Hold on, hold on, Jimmy, hold on, I got a question.

453
00:17:27,600 --> 00:17:29,840
Speaker 4: Hold on, hold on, hold hold on, jim hold on,

454
00:17:29,840 --> 00:17:33,560
Speaker 4: hold on, I got a question, Jimmy. And anything that

455
00:17:33,600 --> 00:17:36,200
Speaker 4: you do right, I've heard you preach it all the time,

456
00:17:36,280 --> 00:17:38,480
Speaker 4: right when you was playing football.

457
00:17:38,560 --> 00:17:41,480
Speaker 5: You your first thing. You always say, ain't nobody here

458
00:17:41,520 --> 00:17:41,960
Speaker 5: better than me?

459
00:17:42,440 --> 00:17:43,960
Speaker 2: All again?

460
00:17:44,520 --> 00:17:49,399
Speaker 5: You know told me that.

461
00:17:50,000 --> 00:17:51,320
Speaker 2: Anybody in this world.

462
00:17:53,560 --> 00:17:55,320
Speaker 4: Jimmy stayed with me real quick, stay with me now,

463
00:17:55,400 --> 00:17:58,639
Speaker 4: don't stay with me now. But I'm just saying that mentality.

464
00:17:58,720 --> 00:18:01,000
Speaker 4: Isn't that how you supposed to feel? Isn't that how

465
00:18:01,040 --> 00:18:01,919
Speaker 4: you suppose the field?

466
00:18:02,080 --> 00:18:04,240
Speaker 1: You know? So let me ask your question. When you

467
00:18:04,320 --> 00:18:05,800
Speaker 1: was on the field, you thought you was better than

468
00:18:05,800 --> 00:18:10,840
Speaker 1: t O in Moss? Hell, yeah, what you mean? You done?

469
00:18:10,880 --> 00:18:13,240
Speaker 1: Came on here and saying I ain't better than Moss,

470
00:18:13,320 --> 00:18:15,520
Speaker 1: I'm not better than t O. I'm not better than Rice.

471
00:18:15,560 --> 00:18:18,399
Speaker 1: You said, I'm not playing the game no more. But

472
00:18:18,440 --> 00:18:21,080
Speaker 1: you wouldn't you when you were playing the difference?

473
00:18:21,320 --> 00:18:21,480
Speaker 2: Jill?

474
00:18:21,800 --> 00:18:23,680
Speaker 1: You talking? You need to get with the lock.

475
00:18:23,800 --> 00:18:30,280
Speaker 3: Still, I'm still playing. I'm still playing at the high level.

476
00:18:32,119 --> 00:18:36,240
Speaker 3: I'm still playing. Get j Jada. I'm rapping all. I'm

477
00:18:36,320 --> 00:18:38,760
Speaker 3: rapping at a high level. You better check my stats, bro.

478
00:18:39,000 --> 00:18:39,320
Speaker 2: I want.

479
00:18:39,640 --> 00:18:42,280
Speaker 3: I will run circles around Nas wrapping right. I will

480
00:18:42,359 --> 00:18:46,560
Speaker 3: run circles around Nas wrapping right now, right now, I

481
00:18:50,040 --> 00:18:53,359
Speaker 3: fattening around Nas right now, rapping. Everybody knows that.

482
00:18:54,520 --> 00:18:57,560
Speaker 1: The past he put it down.

483
00:18:57,600 --> 00:19:00,600
Speaker 3: I will run laps around nas wrapping right now.

484
00:19:00,480 --> 00:19:06,400
Speaker 1: Bro Jaim, are you right now? But I and I'm

485
00:19:06,400 --> 00:19:06,959
Speaker 1: still in it.

486
00:19:07,680 --> 00:19:11,879
Speaker 3: I'm still in it. Cam was smoking his boots. I

487
00:19:11,920 --> 00:19:14,480
Speaker 3: wasn't rapping when he was rapping. But Cam really got

488
00:19:14,480 --> 00:19:16,920
Speaker 3: at him. You remember, I really mean it. We've been

489
00:19:16,960 --> 00:19:19,640
Speaker 3: getting at them boys. But it's not about that right now,

490
00:19:19,720 --> 00:19:22,280
Speaker 3: twenty twenty five. I'm in the game, still rapping at

491
00:19:22,280 --> 00:19:24,159
Speaker 3: a high capacity. If now he's wants to smoke, come

492
00:19:24,200 --> 00:19:24,600
Speaker 3: in a booth.

493
00:19:24,640 --> 00:19:25,080
Speaker 2: I will wrap.

494
00:19:26,280 --> 00:19:30,080
Speaker 1: He enjoyed that fifty million million, so that leave me

495
00:19:30,119 --> 00:19:30,880
Speaker 1: alone while.

496
00:19:30,680 --> 00:19:31,399
Speaker 2: I'm on the field.

497
00:19:31,400 --> 00:19:34,800
Speaker 1: You're laughing with him. I'm on the field.

498
00:19:34,840 --> 00:19:37,280
Speaker 2: I'm picking on whoever, whoever, whatever. I don't cheer.

499
00:19:37,320 --> 00:19:42,720
Speaker 3: I'm on the field. And guess who's the most Guess

500
00:19:42,720 --> 00:19:44,439
Speaker 3: who on the field?

501
00:19:44,600 --> 00:19:49,560
Speaker 1: You guess you need to call like Kendrick, You need

502
00:19:49,600 --> 00:19:51,640
Speaker 1: to call somebody that's still in it. He ain't in it.

503
00:19:53,080 --> 00:19:56,760
Speaker 3: Why can't you get age? Can you get my age?

504
00:19:56,800 --> 00:19:57,440
Speaker 3: I wasn't the day.

505
00:19:57,560 --> 00:19:59,080
Speaker 2: My error, I ain't got that's.

506
00:19:58,960 --> 00:20:02,720
Speaker 1: Not my error. He retired. Have you ever heard of retirement?

507
00:20:03,119 --> 00:20:03,960
Speaker 2: Well that's my error.

508
00:20:04,040 --> 00:20:05,600
Speaker 3: So I'm calling all of them out. I don't care

509
00:20:05,640 --> 00:20:07,560
Speaker 3: if you retired or not, deal with it.

510
00:20:08,040 --> 00:20:10,960
Speaker 1: If not, jack me.

511
00:20:11,440 --> 00:20:15,880
Speaker 2: In the booth, and I'm just telling you, let's get

512
00:20:16,200 --> 00:20:17,520
Speaker 2: Let's just get. Let's get this right.

513
00:20:17,640 --> 00:20:21,400
Speaker 3: I'm not mad. It's about the sportsmanship of the game.

514
00:20:21,840 --> 00:20:23,560
Speaker 3: People know I am a very aggressive person, and that

515
00:20:23,600 --> 00:20:25,680
Speaker 3: seems to get misconstrued when I'm talking my ship.

516
00:20:25,760 --> 00:20:28,399
Speaker 2: I'm just talking my ship. You let me talk my

517
00:20:28,440 --> 00:20:29,639
Speaker 2: ship because I am on the field.

518
00:20:29,640 --> 00:20:31,760
Speaker 3: If anybody got a problem with that, they can meet

519
00:20:31,760 --> 00:20:32,399
Speaker 3: me on the field.

520
00:20:32,400 --> 00:20:33,080
Speaker 2: That is the booth.

521
00:20:34,240 --> 00:20:40,560
Speaker 3: Anybody from that error, anybody, anybody from that error.

522
00:20:42,240 --> 00:20:44,760
Speaker 1: Anybody well you and Jada in the same era.

523
00:20:45,840 --> 00:20:49,560
Speaker 3: Anybody from that eraror don't see Jada stop and saying.

524
00:20:49,840 --> 00:20:55,439
Speaker 3: Anybody from that error, I'm not scared of nobody.

525
00:20:55,760 --> 00:20:56,760
Speaker 1: You speed right now.

526
00:20:57,920 --> 00:21:09,359
Speaker 3: Anybody from that I'm in the field daily, in the daily.

527
00:21:09,680 --> 00:21:12,800
Speaker 3: Anybody want to work out, tell him come to the field.

528
00:21:13,359 --> 00:21:15,840
Speaker 4: We got this is the perfect opportunity. You're not even

529
00:21:15,840 --> 00:21:19,760
Speaker 4: paying attention. Your antennas ain't up right now. Listen, he said,

530
00:21:19,840 --> 00:21:23,200
Speaker 4: anybody from his error. Anybody he in the field right, ship.

531
00:21:23,240 --> 00:21:26,120
Speaker 4: We can have our own verses on that, our own nightcap.

532
00:21:25,920 --> 00:21:30,680
Speaker 3: Versus I got, I got It's deeper than the verses.

533
00:21:31,080 --> 00:21:32,439
Speaker 2: It's about who's making music.

534
00:21:33,080 --> 00:21:35,679
Speaker 3: Me in the booth, put the record up, give us

535
00:21:35,680 --> 00:21:38,320
Speaker 3: a time to do the record by, give us a subject,

536
00:21:38,400 --> 00:21:38,920
Speaker 3: and let's.

537
00:21:38,720 --> 00:21:41,520
Speaker 2: See who want to smoke. Who on the booth is

538
00:21:42,119 --> 00:21:42,439
Speaker 2: Come on.

539
00:21:42,680 --> 00:21:46,400
Speaker 3: It's about the ship. It's about the craftsmanship. Fuck the numbers.

540
00:21:46,400 --> 00:21:48,600
Speaker 3: Fuck the records. You heard, because we both got records

541
00:21:48,600 --> 00:21:50,560
Speaker 3: that can smash. We both got nigga. Meet me in

542
00:21:50,600 --> 00:21:53,800
Speaker 3: the booth. Fuck all that old school ship. We're playing

543
00:21:53,800 --> 00:21:56,920
Speaker 3: on records from twenty years ago. I am not nostalgic, nigga.

544
00:21:57,080 --> 00:21:59,800
Speaker 3: It's twenty twenty five. Don't want to smoke. Met me

545
00:22:00,040 --> 00:22:01,439
Speaker 3: in the booth. Set it up and we could do

546
00:22:01,440 --> 00:22:03,159
Speaker 3: it for money. Labels to pay for it.

547
00:22:03,200 --> 00:22:04,440
Speaker 2: How y'all want to do it. We can make a

548
00:22:04,480 --> 00:22:08,000
Speaker 2: spectacle out here. You got it, Gotsman, you heard?

549
00:22:09,720 --> 00:22:13,120
Speaker 1: Yeah, I got Noads. What I got God?

550
00:22:14,119 --> 00:22:15,680
Speaker 2: Well, get him in.

551
00:22:16,040 --> 00:22:17,040
Speaker 1: I got I got Jay.

552
00:22:17,160 --> 00:22:19,840
Speaker 2: Listen, if you go, you.

553
00:22:19,880 --> 00:22:22,399
Speaker 3: Get anybody in the booth, I will pull up by

554
00:22:22,440 --> 00:22:25,680
Speaker 3: myself on my Yes.

555
00:22:25,960 --> 00:22:28,720
Speaker 1: Why would you want to get you? When you get

556
00:22:28,760 --> 00:22:30,080
Speaker 1: them that mic, they can't help.

557
00:22:29,920 --> 00:22:34,920
Speaker 3: You start spending, You're gonna get to help you hey,

558
00:22:35,280 --> 00:22:36,679
Speaker 3: you're not seeing the vision.

559
00:22:39,600 --> 00:22:40,480
Speaker 6: The opportunity.

560
00:22:40,920 --> 00:22:44,480
Speaker 2: You gotta start buying bagg of your clothes. Big fellow, big.

561
00:22:44,280 --> 00:22:46,320
Speaker 1: Man, you talk about you in the gym. Now you

562
00:22:46,320 --> 00:22:47,760
Speaker 1: want to get me. You want to want me to

563
00:22:47,760 --> 00:22:50,280
Speaker 1: see me in the gym. We can do like to talk.

564
00:22:50,359 --> 00:22:52,919
Speaker 1: That is in the gym, we're.

565
00:22:52,760 --> 00:22:57,160
Speaker 3: Talking about working you're talking about working out of talking

566
00:22:57,200 --> 00:22:59,000
Speaker 3: about working out on strength.

567
00:22:59,280 --> 00:23:00,920
Speaker 1: Whatever you want to do it.

568
00:23:01,359 --> 00:23:03,600
Speaker 3: We're talking about that you got money, and we're talking

569
00:23:03,600 --> 00:23:05,680
Speaker 3: about what your money, where your mom feels you got

570
00:23:05,720 --> 00:23:08,000
Speaker 3: So you're talking about you're talking.

571
00:23:07,800 --> 00:23:10,280
Speaker 2: About working out. I burn you. You're talking about working

572
00:23:10,280 --> 00:23:13,000
Speaker 2: out of strength because you probably can out more than.

573
00:23:13,160 --> 00:23:15,760
Speaker 1: What you're probably talking whatever.

574
00:23:15,840 --> 00:23:17,040
Speaker 2: But if you're talking about.

575
00:23:16,800 --> 00:23:19,399
Speaker 3: Working out, you're talking about working out, I burn you.

576
00:23:19,440 --> 00:23:21,520
Speaker 1: This ain't what you do. This ain't what you want.

577
00:23:21,920 --> 00:23:24,680
Speaker 1: You're doing when you're talking about you.

578
00:23:24,600 --> 00:23:26,399
Speaker 3: Don't want to see it is take the stack. You

579
00:23:26,480 --> 00:23:29,399
Speaker 3: don't better go to my I g set it up.

580
00:23:29,600 --> 00:23:30,760
Speaker 2: Please set it up.

581
00:23:31,119 --> 00:23:35,879
Speaker 1: I'd be the Hey lord, you guys like you, you

582
00:23:37,440 --> 00:23:38,119
Speaker 1: want to start on.

583
00:23:38,359 --> 00:23:41,040
Speaker 2: You don't want to leave you what you want to

584
00:23:41,080 --> 00:23:41,520
Speaker 2: start on?

585
00:23:41,760 --> 00:23:46,919
Speaker 1: You do you just want to.

586
00:23:46,880 --> 00:23:51,240
Speaker 3: Put a training in petition you knock out shoe sho

587
00:23:51,680 --> 00:23:55,080
Speaker 3: come there landing tomorrow and give you this shoe. Bro,

588
00:23:55,240 --> 00:23:59,760
Speaker 3: you're too small. Bro, you're talking. You're talking a lot.

589
00:24:00,640 --> 00:24:01,479
Speaker 3: What you want to do?

590
00:24:02,160 --> 00:24:03,040
Speaker 2: I want to do it.

591
00:24:03,440 --> 00:24:08,000
Speaker 1: You stick to what you do. You good on't get

592
00:24:08,040 --> 00:24:11,359
Speaker 1: away from you.

593
00:24:08,880 --> 00:24:13,199
Speaker 2: But you make some money. Do you want to do

594
00:24:13,280 --> 00:24:13,719
Speaker 2: it or not?

595
00:24:14,119 --> 00:24:17,080
Speaker 5: I want to compete to what we doing.

596
00:24:17,960 --> 00:24:23,120
Speaker 1: Start with you can't you Let me tell you.

597
00:24:23,400 --> 00:24:25,239
Speaker 3: Let me tell you one story. Let me tell you

598
00:24:25,240 --> 00:24:27,560
Speaker 3: one story. Let me tell you one story. I'm gonna

599
00:24:27,560 --> 00:24:29,879
Speaker 3: tell you one story. How I met Antonio Brown. My

600
00:24:29,920 --> 00:24:31,760
Speaker 3: son said, Yo, you know Antonio Brown live up the

601
00:24:31,760 --> 00:24:33,800
Speaker 3: block because I live on the beach and ship like that.

602
00:24:33,880 --> 00:24:35,520
Speaker 2: I'm like, who is that? He like? He showed it

603
00:24:35,600 --> 00:24:37,320
Speaker 2: to my d M dum. He's like, oh yeah, your

604
00:24:37,320 --> 00:24:38,840
Speaker 2: son play football, Come get this workout.

605
00:24:39,000 --> 00:24:41,639
Speaker 3: So I get on the beach, Cam Newton and like

606
00:24:41,680 --> 00:24:44,159
Speaker 3: a few other NFL player, ain't gonn see nobody in name.

607
00:24:44,560 --> 00:24:46,240
Speaker 3: He made cure of them go home because I was.

608
00:24:46,480 --> 00:24:48,760
Speaker 3: I finished the workout before they finished the workout. Bro,

609
00:24:49,000 --> 00:24:50,639
Speaker 3: do not play with me. I'm a beast nigga. I

610
00:24:50,680 --> 00:24:55,600
Speaker 3: will I will, Shannon, I will go crazy over what

611
00:24:55,640 --> 00:24:57,840
Speaker 3: do you want to do work. You want to work

612
00:24:57,880 --> 00:25:00,000
Speaker 3: out or you want to do strong ship you heard

613
00:25:00,240 --> 00:25:02,119
Speaker 3: because obviously you can lift long to me, but you

614
00:25:02,160 --> 00:25:03,000
Speaker 3: can't work out with me.

615
00:25:03,000 --> 00:25:05,040
Speaker 2: Bro, I'm a beast, Nigga, You a beast.

616
00:25:05,320 --> 00:25:06,600
Speaker 1: Yeah, you can't.

617
00:25:06,440 --> 00:25:10,119
Speaker 2: Do one muscle up nothing. You can't do nothing with me.

618
00:25:10,160 --> 00:25:12,479
Speaker 1: Bro, Dude, you weigh one hundred and fifty pounds. You

619
00:25:12,520 --> 00:25:13,560
Speaker 1: should do muscle up.

620
00:25:13,640 --> 00:25:18,400
Speaker 3: I weigh I weigh one ninety five. Hey, I weigh

621
00:25:18,600 --> 00:25:22,679
Speaker 3: one ninety five. Hey, Jim, you go to my instagram.

622
00:25:22,920 --> 00:25:25,080
Speaker 3: Go to my instagram right now. Work out every day?

623
00:25:25,119 --> 00:25:25,720
Speaker 2: I post it.

624
00:25:26,240 --> 00:25:28,000
Speaker 1: I don't post it. Don't play with I work out

625
00:25:28,040 --> 00:25:28,480
Speaker 1: the secret.

626
00:25:28,600 --> 00:25:30,560
Speaker 2: I post it every day. Nigga, what's up?

627
00:25:31,040 --> 00:25:32,639
Speaker 1: I don't post and I don't post nothing.

628
00:25:32,680 --> 00:25:34,320
Speaker 2: What day you want me to come to Atlanta?

629
00:25:35,000 --> 00:25:37,040
Speaker 1: I ain't even in that, ma'am. I'm gonna come see you.

630
00:25:37,840 --> 00:25:39,840
Speaker 2: Won't come to New York and we got gyms. When

631
00:25:39,880 --> 00:25:40,520
Speaker 2: you want to do it?

632
00:25:41,440 --> 00:25:42,520
Speaker 1: You want to do right on the show.

633
00:25:42,720 --> 00:25:44,280
Speaker 3: You want to do a live on the show, thirty

634
00:25:44,320 --> 00:25:45,600
Speaker 3: minute way out.

635
00:25:45,840 --> 00:25:47,600
Speaker 1: I don't do anything for show, just me and you,

636
00:25:47,920 --> 00:25:49,600
Speaker 1: and I just want you to know that I can

637
00:25:49,720 --> 00:25:51,160
Speaker 1: you doing what you do.

638
00:25:51,200 --> 00:25:52,840
Speaker 2: You see what I'm saying. Old show?

639
00:25:53,320 --> 00:25:56,800
Speaker 1: Hey, how you about show? I went in too.

640
00:25:58,040 --> 00:26:00,520
Speaker 2: I want into the Show's the dough?

641
00:26:00,520 --> 00:26:01,280
Speaker 1: You never heard that?

642
00:26:02,000 --> 00:26:04,639
Speaker 2: Yeah? No, do no show? What's stop? You scared?

643
00:26:05,000 --> 00:26:07,560
Speaker 1: You can do it a pay per view.

644
00:26:07,560 --> 00:26:08,800
Speaker 3: I know you've got a lot on the line because

645
00:26:08,800 --> 00:26:09,120
Speaker 3: you're a.

646
00:26:09,040 --> 00:26:11,480
Speaker 2: Professional football player. A football player.

647
00:26:11,520 --> 00:26:20,160
Speaker 1: I retire, I retired, took picked.

648
00:26:20,000 --> 00:26:21,560
Speaker 2: Up our older rappers.

649
00:26:23,119 --> 00:26:24,199
Speaker 5: Hey when we gonna compete?

650
00:26:24,200 --> 00:26:28,920
Speaker 1: Because I ain't nothing but on the microphone. When it

651
00:26:29,000 --> 00:26:31,000
Speaker 1: comes to the gym, that ain't happening.

652
00:26:31,400 --> 00:26:33,919
Speaker 2: What you want to what you want to do? What

653
00:26:34,040 --> 00:26:34,560
Speaker 2: you want to do?

654
00:26:35,119 --> 00:26:38,840
Speaker 1: Look here, you have the rap game. That's you. That's

655
00:26:38,840 --> 00:26:41,640
Speaker 1: your era, that's your that's your era, that's what your

656
00:26:41,680 --> 00:26:44,399
Speaker 1: era of expertise. Yeh, I n ain't I a fin

657
00:26:44,480 --> 00:26:46,359
Speaker 1: to waste my time dealing with you. Man, say you

658
00:26:46,400 --> 00:26:47,399
Speaker 1: ain't on this level?

659
00:26:48,880 --> 00:26:50,720
Speaker 2: You would have run sprints? You want to warn routes

660
00:26:50,760 --> 00:26:51,800
Speaker 2: what you want to do?

661
00:26:53,280 --> 00:26:54,560
Speaker 1: Or you just want to stay in the gym.

662
00:26:55,440 --> 00:26:57,360
Speaker 3: And I got a damn sing and I still give

663
00:26:57,400 --> 00:26:59,360
Speaker 3: you work. Oh you want to stay in the gym, I'm.

664
00:26:59,200 --> 00:27:00,520
Speaker 1: Staying in the new gym. I don't want to do

665
00:27:00,560 --> 00:27:02,879
Speaker 1: nothing of that. Iron I don't move nothing but iron.

666
00:27:03,840 --> 00:27:05,560
Speaker 2: Yeah, yeah, what I thought.

667
00:27:06,040 --> 00:27:11,040
Speaker 1: We can check my resume.

668
00:27:11,119 --> 00:27:14,120
Speaker 3: It's expensive and thirty minutes you will not You won't

669
00:27:14,160 --> 00:27:16,920
Speaker 3: last thirty minutes with me. You want me to follow you,

670
00:27:17,040 --> 00:27:17,840
Speaker 3: or you want to follow me?

671
00:27:17,920 --> 00:27:18,720
Speaker 2: How you want to do it?

672
00:27:19,359 --> 00:27:21,720
Speaker 1: You can't follow me. I'm a record and you can't

673
00:27:21,760 --> 00:27:24,440
Speaker 1: do nothing. You can't bitch, you can't squad, you can't.

674
00:27:24,560 --> 00:27:26,920
Speaker 1: You can't do nothing. You want to do body weight movements.

675
00:27:27,320 --> 00:27:28,520
Speaker 1: I don't do body weight movement.

676
00:27:29,560 --> 00:27:30,720
Speaker 2: You better go check my gram.

677
00:27:30,840 --> 00:27:32,960
Speaker 3: I do search the squats, I do regular squads, we

678
00:27:33,040 --> 00:27:34,360
Speaker 3: do deadalus, we do everything.

679
00:27:34,359 --> 00:27:36,040
Speaker 2: Are you out your mind? Here?

680
00:27:36,080 --> 00:27:37,960
Speaker 1: That little with you? One hundred and ninety five pounds man?

681
00:27:38,160 --> 00:27:39,520
Speaker 1: What I look like going to be is one hundred

682
00:27:39,560 --> 00:27:42,760
Speaker 1: ninety five pounds man in the gym. Not wasting my time?

683
00:27:43,800 --> 00:27:43,960
Speaker 7: Now?

684
00:27:44,359 --> 00:27:44,479
Speaker 2: Yo?

685
00:27:44,560 --> 00:27:44,879
Speaker 1: Take that.

686
00:27:48,720 --> 00:27:52,119
Speaker 2: Well, I'm skipping out. But where I'm from, a challenge

687
00:27:52,200 --> 00:27:53,080
Speaker 2: is a challenge. Nigga.

688
00:27:53,200 --> 00:27:56,920
Speaker 3: Yeah, regardss to size, right, we fight all bullies where

689
00:27:56,920 --> 00:27:57,359
Speaker 3: I'm from.

690
00:27:57,480 --> 00:28:02,119
Speaker 2: That's a nigga. I hated no man or nothing. Nigga.

691
00:28:02,160 --> 00:28:02,639
Speaker 6: You heard.

692
00:28:04,600 --> 00:28:06,720
Speaker 1: Under you ask what I look what I look like?

693
00:28:06,760 --> 00:28:11,400
Speaker 1: Taking over Greenland? They didn't got no damn military.

694
00:28:11,440 --> 00:28:11,840
Speaker 2: What you like?

695
00:28:12,240 --> 00:28:15,679
Speaker 3: What you're looking, bro, bring your mouth and your body

696
00:28:15,720 --> 00:28:16,360
Speaker 3: to haul them.

697
00:28:16,440 --> 00:28:17,879
Speaker 5: Let's go to the gym.

698
00:28:18,359 --> 00:28:22,159
Speaker 1: Let's go to the gym. He wanted to do.

699
00:28:23,600 --> 00:28:24,480
Speaker 2: I was one of these rappers.

700
00:28:24,480 --> 00:28:26,159
Speaker 3: You thought I was one of these out of shape rappers.

701
00:28:26,200 --> 00:28:29,280
Speaker 2: No, I'm in super shape. I'm not in I'm in

702
00:28:29,400 --> 00:28:30,159
Speaker 2: super shape.

703
00:28:30,880 --> 00:28:35,760
Speaker 1: Hey, Apple is a shape pair egg, I'm not doing shape.

704
00:28:35,960 --> 00:28:38,960
Speaker 2: I'm in super shape. And you can ask.

705
00:28:38,920 --> 00:28:45,400
Speaker 1: Everybody the conversation. Sometimes you see what you did.

706
00:28:45,440 --> 00:28:46,720
Speaker 3: Why do you think I was on the cover of

707
00:28:46,840 --> 00:28:48,880
Speaker 3: Man's House for my looks?

708
00:28:49,280 --> 00:28:50,920
Speaker 2: Because I get busy?

709
00:28:51,600 --> 00:28:52,719
Speaker 1: Oh Lord, have mercy.

710
00:28:52,720 --> 00:28:54,720
Speaker 5: When were going in the gym? Because I want I

711
00:28:54,760 --> 00:28:55,480
Speaker 5: want this work.

712
00:28:56,320 --> 00:28:58,000
Speaker 1: I'm busy. I want this work.

713
00:28:58,040 --> 00:29:01,000
Speaker 2: You now you busy? You bring it up. Now you're busy, Richmond.

714
00:29:02,560 --> 00:29:05,520
Speaker 1: You you owe your copaid. First of all, you chat,

715
00:29:05,600 --> 00:29:08,240
Speaker 1: you Wane, Nads, you want Jada, you want everybody. And

716
00:29:08,280 --> 00:29:09,120
Speaker 1: then you try to come.

717
00:29:09,520 --> 00:29:12,520
Speaker 3: And I you said that, you said that, you start

718
00:29:12,520 --> 00:29:16,960
Speaker 3: bringing up John. Don't try no flic ship. I said,

719
00:29:17,120 --> 00:29:19,040
Speaker 3: I don't care who it is. I will go up

720
00:29:19,040 --> 00:29:20,080
Speaker 3: against Jim Jones.

721
00:29:20,640 --> 00:29:24,840
Speaker 1: He's a better rapper than Nods. Jim Jones can defends

722
00:29:24,920 --> 00:29:29,560
Speaker 1: himself against NODS comparison. Jim Jones rejects NODS comparison. Check

723
00:29:29,640 --> 00:29:32,600
Speaker 1: my record, Jim Jones, arguing he's bigger than nods.

724
00:29:32,840 --> 00:29:36,760
Speaker 2: You said that you sound like a little hot you

725
00:29:36,840 --> 00:29:38,560
Speaker 2: over there hot in your.

726
00:29:38,520 --> 00:29:42,400
Speaker 1: Feelings because me and everybody else pretty fiction.

727
00:29:42,400 --> 00:29:44,800
Speaker 2: Your glasses a little bit, Your glasses little crooked.

728
00:29:44,880 --> 00:29:48,160
Speaker 1: My glasses are fine. You can talk about I take

729
00:29:48,240 --> 00:29:50,800
Speaker 1: him off. You can see, and I still can see.

730
00:29:50,920 --> 00:29:53,479
Speaker 1: You can't if with nods I put them back on.

731
00:29:54,560 --> 00:29:56,360
Speaker 1: You still can't. If with nods, come.

732
00:29:56,240 --> 00:30:01,760
Speaker 3: On, since six seeing bars and nods right now, Sing

733
00:30:01,760 --> 00:30:05,440
Speaker 3: your favorite NAS record right now, the man busy, sing it,

734
00:30:05,960 --> 00:30:06,400
Speaker 3: sing it.

735
00:30:06,600 --> 00:30:08,959
Speaker 2: Sing your favorite NOS record first of all.

736
00:30:09,920 --> 00:30:13,640
Speaker 3: Uh, once you get to a certain god, listen, sing

737
00:30:13,680 --> 00:30:17,000
Speaker 3: your favorite NAS record. Jim, I bet you know your

738
00:30:17,000 --> 00:30:19,560
Speaker 3: favorite jay Z record. Hey, I bet you could say

739
00:30:19,560 --> 00:30:24,760
Speaker 3: your favorite what Jim? Sing your Okay, you done flew high,

740
00:30:24,880 --> 00:30:29,719
Speaker 3: you came back down. Now sing your favorite NAS record, bro,

741
00:30:29,800 --> 00:30:32,920
Speaker 3: since you since you, since you're going crazy for I

742
00:30:32,920 --> 00:30:35,840
Speaker 3: can sing more, Nozen, I can sing MORENAS records.

743
00:30:35,600 --> 00:30:36,200
Speaker 1: Than right now.

744
00:30:36,720 --> 00:30:39,800
Speaker 2: I can sing I could sing MORENAS records than you

745
00:30:39,880 --> 00:30:42,479
Speaker 2: right now. So you you are tapping you are tapping.

746
00:30:42,560 --> 00:30:45,400
Speaker 2: That's what you do, Bro, you are. I'm a bigger

747
00:30:45,520 --> 00:30:46,200
Speaker 2: NAS fan.

748
00:30:46,080 --> 00:30:46,560
Speaker 1: Than you are.

749
00:30:46,600 --> 00:30:46,800
Speaker 2: You are.

750
00:30:47,280 --> 00:30:51,800
Speaker 1: First of all, I don't be singing no rap't be

751
00:30:51,840 --> 00:30:52,560
Speaker 1: singing no rap.

752
00:30:52,720 --> 00:30:54,680
Speaker 3: And see what I'm saying, Oh Joe, he don't even

753
00:30:54,720 --> 00:30:56,560
Speaker 3: know about rap. He just doing this for the views

754
00:30:56,560 --> 00:30:57,760
Speaker 3: to get Jim Jones on it, to.

755
00:30:57,720 --> 00:30:59,560
Speaker 2: Get him hot. I understand, but you.

756
00:30:59,560 --> 00:31:02,600
Speaker 1: Don't get your hot. You know you know you Betta

757
00:31:02,680 --> 00:31:05,960
Speaker 1: check the podcast now, now you better.

758
00:31:05,800 --> 00:31:08,640
Speaker 2: Talk sixteen hey singing this biggest.

759
00:31:08,280 --> 00:31:12,000
Speaker 1: Podcast you ever on one, Nodge mister bigg podcast, you've

760
00:31:12,000 --> 00:31:15,280
Speaker 1: ever been on this one?

761
00:31:15,520 --> 00:31:18,239
Speaker 2: Hold on, hold on to the podcast.

762
00:31:22,280 --> 00:31:25,760
Speaker 1: Than your feelings. When you get big, you get it without.

763
00:31:26,360 --> 00:31:27,120
Speaker 2: This is what I do.

764
00:31:27,320 --> 00:31:31,040
Speaker 1: Nod get in Bay, the Jannakis get in by the club.

765
00:31:31,800 --> 00:31:35,080
Speaker 1: You number yet, Broy, just.

766
00:31:35,040 --> 00:31:40,680
Speaker 2: A little young hold out top would be bro off topic.

767
00:31:41,000 --> 00:31:43,360
Speaker 2: You're dealing with the wrong one. Bro. Right here, Bro,

768
00:31:43,800 --> 00:31:46,320
Speaker 2: I don't care nothing about nothing. That's just you got

769
00:31:46,320 --> 00:31:46,800
Speaker 2: to say. Bro.

770
00:31:46,880 --> 00:31:50,840
Speaker 1: You must day We we hear them. You can't down

771
00:31:50,920 --> 00:31:51,600
Speaker 1: your alone.

772
00:31:51,640 --> 00:31:51,800
Speaker 2: Bro.

773
00:31:51,880 --> 00:31:53,920
Speaker 1: You might get out right me, but you get out

774
00:31:53,960 --> 00:31:54,320
Speaker 1: talk me.

775
00:31:54,480 --> 00:31:56,440
Speaker 3: Don't nobody want to go to the club, Shay say,

776
00:31:56,480 --> 00:31:58,480
Speaker 3: nobody want buy no v I p tickets to that ship.

777
00:31:58,520 --> 00:32:03,440
Speaker 2: Nobody rushing to go to that ship. Biggest, you gotta go.

778
00:32:03,840 --> 00:32:08,640
Speaker 3: You gott the Paul cat a tremendous you sho do

779
00:32:08,680 --> 00:32:11,440
Speaker 3: your thing. Don't get it twisted, bro, I don't see

780
00:32:11,440 --> 00:32:12,880
Speaker 3: nothing about the fucking podcast.

781
00:32:14,800 --> 00:32:15,400
Speaker 2: We're supposed to.

782
00:32:15,400 --> 00:32:19,160
Speaker 4: Be talking about the music and love and embracing one

783
00:32:19,200 --> 00:32:19,800
Speaker 4: of and.

784
00:32:19,880 --> 00:32:23,440
Speaker 1: Culture and mine to come out here in disrespect nods

785
00:32:23,440 --> 00:32:25,040
Speaker 1: and Jada? Now they're gonna happen on here.

786
00:32:26,920 --> 00:32:27,120
Speaker 2: Now?

787
00:32:27,440 --> 00:32:28,120
Speaker 1: What were we?

788
00:32:28,280 --> 00:32:30,400
Speaker 2: Why you keep putting Jada into this? Why you keep

789
00:32:30,400 --> 00:32:33,000
Speaker 2: putting Ja into this? What's wrong with you?

790
00:32:33,000 --> 00:32:34,640
Speaker 1: Well, that's wrong with you, bro.

791
00:32:35,880 --> 00:32:37,880
Speaker 3: You takee a nigga, get caught like, nah, come out?

792
00:32:37,920 --> 00:32:39,760
Speaker 3: They call us all like, why are you trying to

793
00:32:39,760 --> 00:32:40,720
Speaker 3: put Jada into this?

794
00:32:40,800 --> 00:32:43,440
Speaker 2: Bro? Not get it, bro, It's all good. It's all love, Bro,

795
00:32:43,680 --> 00:32:45,720
Speaker 2: all right, you died about this here, tell us all love.

796
00:32:45,720 --> 00:32:46,680
Speaker 1: When you got coming out?

797
00:32:47,200 --> 00:32:48,520
Speaker 2: The next movie? What you said?

798
00:32:49,000 --> 00:32:50,280
Speaker 1: Yeah, you got a movie coming out.

799
00:32:50,200 --> 00:32:53,320
Speaker 3: Bro, coming after After Church Steps, a lovely movie. I

800
00:32:53,320 --> 00:32:54,960
Speaker 3: got a bunch of comedians in there, a bunch of

801
00:32:54,960 --> 00:32:56,200
Speaker 3: influences that we all know.

802
00:32:56,640 --> 00:32:58,440
Speaker 2: I'm excited to put that movie out.

803
00:32:58,760 --> 00:33:02,440
Speaker 3: Coms out later on this summer's uh it's an ad

804
00:33:02,600 --> 00:33:05,200
Speaker 3: added onto my album had a bunch of go bactors in.

805
00:33:05,200 --> 00:33:06,520
Speaker 2: There too, so I'm looking forward to that.

806
00:33:08,200 --> 00:33:10,760
Speaker 1: So are you Are you more proud? Are you most

807
00:33:10,800 --> 00:33:12,880
Speaker 1: proud of the movie you have coming out, or the

808
00:33:12,920 --> 00:33:15,520
Speaker 1: new music you got coming out or the equal.

809
00:33:16,680 --> 00:33:19,800
Speaker 3: I'm more proud of the business that I've been doing lately.

810
00:33:19,840 --> 00:33:21,160
Speaker 1: Okay, See, you must.

811
00:33:21,000 --> 00:33:23,880
Speaker 2: Think my life revolves around music when my life is.

812
00:33:24,000 --> 00:33:27,120
Speaker 3: Music is just probably the smallest fraction of my life,

813
00:33:27,160 --> 00:33:28,680
Speaker 3: even though it fuse a lot of the things that

814
00:33:28,760 --> 00:33:30,959
Speaker 3: comes to my life because of music. But I'm a

815
00:33:30,960 --> 00:33:33,640
Speaker 3: great businessman all around the board, you know what I mean.

816
00:33:33,680 --> 00:33:35,200
Speaker 3: So you got to learn a lot of a lot

817
00:33:35,240 --> 00:33:37,800
Speaker 3: more about me. And I'm a philanthropist. I wanted one

818
00:33:37,800 --> 00:33:40,160
Speaker 3: of the few people that do give back. Shirts off

819
00:33:40,160 --> 00:33:42,680
Speaker 3: my backs and things like that. All alrhetoric about the

820
00:33:42,760 --> 00:33:44,920
Speaker 3: wrapping back and forth. It's cool and shit like that,

821
00:33:45,000 --> 00:33:46,400
Speaker 3: but deep down inside.

822
00:33:46,120 --> 00:33:48,160
Speaker 2: I'm away, I'm away ill a man, and what we

823
00:33:48,480 --> 00:33:48,960
Speaker 2: over here.

824
00:33:48,960 --> 00:33:51,760
Speaker 3: Going off about and things like that, Like I'm my

825
00:33:52,000 --> 00:33:54,960
Speaker 3: biggest attribute is my giving back and I'm gonna always

826
00:33:55,040 --> 00:33:56,000
Speaker 3: do that no matter what.

827
00:33:56,400 --> 00:33:58,920
Speaker 2: I don't want people to get it, get it misconsured.

828
00:33:59,240 --> 00:34:02,000
Speaker 2: You know. I love to give back. That's what my

829
00:34:02,040 --> 00:34:04,440
Speaker 2: whole mission is about. And the more I go viral with,

830
00:34:04,520 --> 00:34:06,840
Speaker 2: the more and more you explore page, the more opportunities

831
00:34:06,880 --> 00:34:08,200
Speaker 2: come to me, the more I could give back.

832
00:34:08,800 --> 00:34:11,279
Speaker 3: All this comes down to a dollars where people don't

833
00:34:11,360 --> 00:34:12,759
Speaker 3: understand this algorithm.

834
00:34:12,880 --> 00:34:14,760
Speaker 2: It's a game that I had to learn and understand

835
00:34:15,080 --> 00:34:15,520
Speaker 2: because I.

836
00:34:15,719 --> 00:34:19,239
Speaker 3: Was previously I probably would crash out so many things

837
00:34:19,280 --> 00:34:21,000
Speaker 3: that I see on the Internet or so many ways

838
00:34:21,040 --> 00:34:22,640
Speaker 3: that people are talking about me. I had to learn

839
00:34:22,920 --> 00:34:24,960
Speaker 3: how to reverse it and use these things. It's fuel

840
00:34:25,040 --> 00:34:26,600
Speaker 3: for me to keep going and things like that, And

841
00:34:26,680 --> 00:34:28,520
Speaker 3: that's just what I've been doing. I got to a

842
00:34:28,600 --> 00:34:30,320
Speaker 3: point where I got good at it, so I know

843
00:34:30,400 --> 00:34:32,160
Speaker 3: how to use it in my favor. And it's a

844
00:34:32,160 --> 00:34:34,239
Speaker 3: beautiful thing. It could go against you, it could go

845
00:34:34,320 --> 00:34:35,759
Speaker 3: for you. But one thing, if you're a small person,

846
00:34:35,800 --> 00:34:37,400
Speaker 3: that's gonna work. It's gonna work in your favor, you

847
00:34:37,440 --> 00:34:39,480
Speaker 3: know what I mean. So I use all my opportunities

848
00:34:39,480 --> 00:34:41,560
Speaker 3: to turn it into a dollar. And anytime that I've

849
00:34:41,600 --> 00:34:44,120
Speaker 3: seen heard, they're gonna go wan want to know about me?

850
00:34:44,520 --> 00:34:46,520
Speaker 3: Extra stream is an extra dollar. I don't care about

851
00:34:46,520 --> 00:34:49,360
Speaker 3: what nobody said. I name mindset all facets.

852
00:34:49,880 --> 00:34:51,480
Speaker 1: I mean, that's what I wanted to ask you. I

853
00:34:51,560 --> 00:34:54,960
Speaker 1: wanted to ask when did When was it always a

854
00:34:55,040 --> 00:34:57,200
Speaker 1: part of your like if you ever made it that

855
00:34:57,320 --> 00:34:59,359
Speaker 1: you were going to give back, because like you said,

856
00:34:59,520 --> 00:35:01,960
Speaker 1: you do, you do give back to the younger generation.

857
00:35:02,080 --> 00:35:04,320
Speaker 1: You do give back to your community. When did that

858
00:35:04,440 --> 00:35:07,799
Speaker 1: thought that thought process? How did how did that come about?

859
00:35:07,920 --> 00:35:09,920
Speaker 1: Jim Jones? Like, you know, what if I get to

860
00:35:10,000 --> 00:35:11,799
Speaker 1: a certain level and I'm able to help and I'm

861
00:35:11,840 --> 00:35:13,960
Speaker 1: able to get give back, That's what I'm gonna do.

862
00:35:16,160 --> 00:35:18,520
Speaker 2: You know, we're from an older era, a godfare era.

863
00:35:18,680 --> 00:35:20,520
Speaker 3: So you know I watched my family open their house

864
00:35:20,560 --> 00:35:22,120
Speaker 3: as strangers sometimes and things like that.

865
00:35:22,239 --> 00:35:24,279
Speaker 2: They was always a given and not to mention when

866
00:35:24,320 --> 00:35:24,960
Speaker 2: I'm coming.

867
00:35:24,760 --> 00:35:27,320
Speaker 3: Outside and watching the hustles doing for the community, the

868
00:35:27,400 --> 00:35:29,600
Speaker 3: ones that were successful, the ones that always came back.

869
00:35:30,160 --> 00:35:32,840
Speaker 3: Bus rides, sneakers, headcuts and all that. So I just

870
00:35:33,000 --> 00:35:35,200
Speaker 3: chose to carry on tradition and me be in a

871
00:35:35,800 --> 00:35:38,120
Speaker 3: position of success in my life only helped me to

872
00:35:38,200 --> 00:35:39,960
Speaker 3: do a little bit more than what I've seen coming up.

873
00:35:41,239 --> 00:35:45,440
Speaker 1: That's what's up. That's good, bro. Hey, I'm gonna pull

874
00:35:45,520 --> 00:35:46,040
Speaker 1: up in Harlem.

875
00:35:46,520 --> 00:35:47,719
Speaker 2: Come on, I'm waiting for you.

876
00:35:47,840 --> 00:35:48,000
Speaker 1: Man.

877
00:35:48,160 --> 00:35:51,600
Speaker 2: I love you. I love you.

878
00:35:52,520 --> 00:35:54,920
Speaker 4: He hey, Jimmy, Hey, if you if you put up

879
00:35:54,920 --> 00:35:56,480
Speaker 4: for harllerm we gotta go to Ricardo's.

880
00:35:57,239 --> 00:36:01,040
Speaker 2: No, we gotta go to Ricardos. You know. I love you.

881
00:36:01,440 --> 00:36:03,440
Speaker 2: I love people. I love people that I could go

882
00:36:03,560 --> 00:36:04,160
Speaker 2: back and forth with.

883
00:36:04,280 --> 00:36:08,840
Speaker 3: And people don't take you heard because a lot of

884
00:36:08,880 --> 00:36:10,719
Speaker 3: people look at this and might take offense to it.

885
00:36:10,800 --> 00:36:13,120
Speaker 2: But we are they are, but we don't care. We

886
00:36:14,560 --> 00:36:15,400
Speaker 2: and we know who we are.

887
00:36:15,480 --> 00:36:16,680
Speaker 1: You like, yeah, for sure.

888
00:36:17,239 --> 00:36:20,920
Speaker 3: We can never let you know, electronics get in between realism.

889
00:36:21,080 --> 00:36:22,520
Speaker 3: We know what set state care and we know what

890
00:36:22,600 --> 00:36:24,239
Speaker 3: we're doing. You dig and I appreciate you for.

891
00:36:24,280 --> 00:36:25,880
Speaker 2: That because a lot of people would have took everything

892
00:36:25,920 --> 00:36:27,680
Speaker 2: to a fence and the like.

893
00:36:28,920 --> 00:36:29,759
Speaker 1: But we all who we are.

894
00:36:29,880 --> 00:36:32,880
Speaker 2: Man, I appreciate this opportunity. Man, you do have a

895
00:36:32,960 --> 00:36:34,440
Speaker 2: great show. I cannot take that from you.

896
00:36:35,080 --> 00:36:35,879
Speaker 1: I appreciate you coming.

897
00:36:37,160 --> 00:36:38,920
Speaker 2: Come on, Okay, could bring him the hall on, let's

898
00:36:38,960 --> 00:36:39,279
Speaker 2: work out.

899
00:36:42,600 --> 00:36:45,360
Speaker 5: He not as strong as he say though. He's not

900
00:36:45,440 --> 00:36:46,080
Speaker 5: as strong.

901
00:36:48,239 --> 00:36:56,160
Speaker 1: Talking you know. Yeah you hey, hey, Jem, real talk though, man.

902
00:36:56,160 --> 00:36:58,520
Speaker 1: I appreciate you coming on and I. We really appreciate it.

903
00:36:58,560 --> 00:37:01,200
Speaker 1: We appreciate the time, and but I've never you know, hey,

904
00:37:01,320 --> 00:37:03,120
Speaker 1: we have a great time going back and forth talking

905
00:37:03,120 --> 00:37:05,600
Speaker 1: about nods and jade and you. But bro, you stand

906
00:37:05,680 --> 00:37:06,359
Speaker 1: to test the time.

907
00:37:06,760 --> 00:37:07,560
Speaker 2: You do what you do.

908
00:37:07,719 --> 00:37:09,880
Speaker 1: You're great at what you do. And I appreciate you

909
00:37:10,000 --> 00:37:12,000
Speaker 1: taking time out of your business schedule to night to

910
00:37:12,080 --> 00:37:14,000
Speaker 1: come on with out you and I and talk about

911
00:37:14,080 --> 00:37:16,040
Speaker 1: all things. So we I had a great time. I

912
00:37:16,080 --> 00:37:18,080
Speaker 1: don't know about YO, but I had a great time.

913
00:37:18,440 --> 00:37:22,480
Speaker 4: Listen, listen, this is this was iconic tonight, This was

914
00:37:22,719 --> 00:37:25,239
Speaker 4: iconic anytime you got This is the funny thing about

915
00:37:25,239 --> 00:37:27,320
Speaker 4: it is people not gonna understand what y'all you're.

916
00:37:27,120 --> 00:37:29,000
Speaker 1: Gonna be treating the gym. You know, we're gonna be

917
00:37:29,040 --> 00:37:31,880
Speaker 1: a stormy in the morning. People not gonna understand that

918
00:37:32,000 --> 00:37:32,719
Speaker 1: this is what we do.

919
00:37:33,800 --> 00:37:35,960
Speaker 2: This is this is what we do, This is this

920
00:37:36,680 --> 00:37:39,319
Speaker 2: is how we act, just how we get together like people.

921
00:37:39,560 --> 00:37:39,880
Speaker 7: This is it.

922
00:37:40,200 --> 00:37:43,600
Speaker 4: Like yeah, hey man, I appreciate Hey, this wasn't nothing

923
00:37:43,600 --> 00:37:45,120
Speaker 4: but a space game without the cars.

924
00:37:45,160 --> 00:37:48,600
Speaker 3: That's all one hundred percent our whole attitude of spades, all.

925
00:37:49,200 --> 00:37:54,279
Speaker 1: All the time, all the time. Hey, you thing one

926
00:37:54,440 --> 00:37:56,080
Speaker 1: if I was at hallerm, He's like, Okay, let's go

927
00:37:56,200 --> 00:37:57,960
Speaker 1: find the gym right now. We'll find out what we

928
00:37:58,200 --> 00:37:58,440
Speaker 1: what we.

929
00:37:58,560 --> 00:38:03,279
Speaker 2: Bout one hundred percent, one hundred percent.

930
00:38:03,080 --> 00:38:06,000
Speaker 1: We stand on that. Hey, but Jim, hey man, best

931
00:38:06,080 --> 00:38:08,000
Speaker 1: of luck on the album, best of luck on the movie.

932
00:38:08,040 --> 00:38:08,200
Speaker 7: Man.

933
00:38:08,440 --> 00:38:10,799
Speaker 1: Hey, when you get some free time, stop back, bye bye.

934
00:38:11,640 --> 00:38:12,000
Speaker 2: I will.

935
00:38:12,640 --> 00:38:14,400
Speaker 1: I appreciate that all love you.

936
00:38:14,400 --> 00:38:22,719
Speaker 5: Remember Hey, hey, o Yo, that was that was That

937
00:38:22,880 --> 00:38:23,320
Speaker 5: was awesome.

938
00:38:23,520 --> 00:38:26,680
Speaker 1: That that was That was Joe. Now you know, Hey,

939
00:38:27,160 --> 00:38:29,399
Speaker 1: everybody gonna say, man, Jim, Joe to shout the shop

940
00:38:29,480 --> 00:38:31,279
Speaker 1: with Goring. Maybe Hey, no, they.

941
00:38:31,239 --> 00:38:31,920
Speaker 5: Don't understand it.

942
00:38:32,120 --> 00:38:35,080
Speaker 4: Any anybody that say that they don't play spades, they

943
00:38:35,080 --> 00:38:35,759
Speaker 4: don't play space.

944
00:38:36,560 --> 00:38:38,920
Speaker 1: But oh, Joe, I've been has been a while since

945
00:38:38,960 --> 00:38:40,879
Speaker 1: I've been able to get that. Oh, I've been sitting

946
00:38:40,920 --> 00:38:47,080
Speaker 1: on them for two months now. I was just I

947
00:38:47,120 --> 00:38:51,279
Speaker 1: would just wait, I would just I would just waiting

948
00:38:51,280 --> 00:38:53,080
Speaker 1: on the right time, won't yo, just wait on the

949
00:38:53,200 --> 00:38:56,040
Speaker 1: right time. Timberland got blasted on social media for using

950
00:38:56,120 --> 00:38:59,400
Speaker 1: a producer's beat and a producer's tag to train his

951
00:38:59,560 --> 00:39:05,200
Speaker 1: AI platform Suno. Tim previewed a demo record which utilized

952
00:39:05,239 --> 00:39:08,320
Speaker 1: the beat tag from Kfresh and lyrics from TikTok creator.

953
00:39:08,719 --> 00:39:10,959
Speaker 1: He sought to make a new version of the song,

954
00:39:11,239 --> 00:39:14,880
Speaker 1: but users quickly noticed they were a bit too similar.

955
00:39:15,320 --> 00:39:18,239
Speaker 1: They called out the Virginia producer using real music made

956
00:39:18,320 --> 00:39:22,680
Speaker 1: by human beings to train AI without crediting or paying them.

957
00:39:23,120 --> 00:39:27,239
Speaker 1: Bun and I remember, I remember having a conversation with

958
00:39:27,320 --> 00:39:29,239
Speaker 1: Tim because I had him on the pod and he

959
00:39:29,320 --> 00:39:32,279
Speaker 1: said he was nervous about this. Bun. Do you think

960
00:39:32,360 --> 00:39:34,400
Speaker 1: about the controversy? What do you think is going on

961
00:39:34,520 --> 00:39:36,360
Speaker 1: with Tim and this new AI creator?

962
00:39:36,360 --> 00:39:40,040
Speaker 7: I think I think, for one, it's uncharted territory, and

963
00:39:40,160 --> 00:39:43,080
Speaker 7: I think it's still in the very early stages of

964
00:39:44,200 --> 00:39:47,320
Speaker 7: the technology. I think it's going to grow over leaps

965
00:39:47,360 --> 00:39:49,799
Speaker 7: and bounds over the next couple of years. Because they

966
00:39:49,920 --> 00:39:51,920
Speaker 7: covered so much ground in the last ten years with

967
00:39:52,000 --> 00:39:53,400
Speaker 7: AI technology.

968
00:39:53,520 --> 00:39:54,120
Speaker 6: You know what I'm saying.

969
00:39:54,200 --> 00:39:56,640
Speaker 7: AI companies are starting to pop up more and more,

970
00:39:57,080 --> 00:40:00,879
Speaker 7: and they're all billion dollar companies. People are flooding these

971
00:40:00,960 --> 00:40:03,719
Speaker 7: companies with all kinds of money. I think it's I

972
00:40:03,840 --> 00:40:06,520
Speaker 7: think this is the problem. I think that we're not

973
00:40:06,640 --> 00:40:09,359
Speaker 7: thinking about this what they're doing now all. The only

974
00:40:09,440 --> 00:40:11,320
Speaker 7: way that AI can do these things is if you

975
00:40:11,400 --> 00:40:15,200
Speaker 7: feed it information. You have to feed it information. I know,

976
00:40:15,360 --> 00:40:17,960
Speaker 7: on a very small level, on the introductory level, there

977
00:40:18,040 --> 00:40:23,440
Speaker 7: are musicians who are feeding AI machines their voices, their cadences,

978
00:40:23,520 --> 00:40:26,879
Speaker 7: their tones, some of them the way they play instrumentation.

979
00:40:27,360 --> 00:40:30,520
Speaker 7: And now the AI program can replicate what a rhyme

980
00:40:30,560 --> 00:40:32,560
Speaker 7: from you would sound like without you having to write it,

981
00:40:32,880 --> 00:40:35,439
Speaker 7: what chords being played would sound like without you having

982
00:40:35,480 --> 00:40:37,359
Speaker 7: to play on You know what I'm saying.

983
00:40:37,440 --> 00:40:40,360
Speaker 6: That's very dangerous. Here's the real danger though, shon what

984
00:40:40,520 --> 00:40:41,040
Speaker 6: I believe.

985
00:40:42,280 --> 00:40:45,160
Speaker 7: We live in a digital world, right, all these everything

986
00:40:45,320 --> 00:40:49,719
Speaker 7: digital has what they call watermarks, right, and watermarks and

987
00:40:49,800 --> 00:40:53,600
Speaker 7: what they use to track the technology as it goes

988
00:40:53,640 --> 00:40:56,279
Speaker 7: out into the world, so companies can be like, oh,

989
00:40:56,480 --> 00:40:58,960
Speaker 7: that's what they're doing, that's our technology. I bet you

990
00:40:59,080 --> 00:41:01,560
Speaker 7: can find it in the code, right, that kind of thing.

991
00:41:02,160 --> 00:41:06,320
Speaker 7: I think everybody that's utilizing this stuff right now. I

992
00:41:06,400 --> 00:41:09,040
Speaker 7: feel like one day chat GPT can wake up one

993
00:41:09,120 --> 00:41:13,360
Speaker 7: day and say, everybody that's ever made music using my technology,

994
00:41:13,440 --> 00:41:16,359
Speaker 7: we own a piece center, and there's nothing you can say.

995
00:41:16,480 --> 00:41:21,560
Speaker 7: I don't believe anybody's read their agreement, right. I'm sure

996
00:41:21,560 --> 00:41:24,400
Speaker 7: if somebody got through these Chat GPT and all these

997
00:41:24,400 --> 00:41:27,680
Speaker 7: different AI companies agreements when you agree to utilize the

998
00:41:27,760 --> 00:41:30,920
Speaker 7: technology or download the app and all of that, I

999
00:41:31,239 --> 00:41:34,600
Speaker 7: guarantee that they are going to go back find out

1000
00:41:34,760 --> 00:41:39,880
Speaker 7: everything that was created using their technology, that profited that

1001
00:41:40,200 --> 00:41:43,560
Speaker 7: was sent out into the world as commerce and people

1002
00:41:43,600 --> 00:41:46,000
Speaker 7: spent money on it. They gonna come back then, same

1003
00:41:46,040 --> 00:41:49,640
Speaker 7: way that older artists are coming back because somebody sampled

1004
00:41:49,680 --> 00:41:54,200
Speaker 7: their music. Right, I've created that. You took my creation

1005
00:41:54,360 --> 00:41:56,120
Speaker 7: and manipulated it without paying me.

1006
00:41:56,480 --> 00:41:57,360
Speaker 2: You owe me money.

1007
00:41:57,480 --> 00:42:00,759
Speaker 7: I believe these people are giving this techechnology out to

1008
00:42:00,840 --> 00:42:03,640
Speaker 7: people for free in the hopes that they utilize it

1009
00:42:03,800 --> 00:42:07,680
Speaker 7: unknowmingally giving these companies a piece of this intellectual property,

1010
00:42:07,719 --> 00:42:11,319
Speaker 7: because it's all intellectual property, you know what I'm saying.

1011
00:42:11,360 --> 00:42:13,760
Speaker 7: So I think I won't touch it, I won't download

1012
00:42:13,800 --> 00:42:17,840
Speaker 7: it nothing, because not that I'm against it, you know.

1013
00:42:17,960 --> 00:42:18,879
Speaker 2: For recreational use.

1014
00:42:18,920 --> 00:42:21,360
Speaker 7: I guess that's fine if it helps organize things or

1015
00:42:21,400 --> 00:42:22,160
Speaker 7: put things together.

1016
00:42:22,400 --> 00:42:24,600
Speaker 2: You know, however, that I understand.

1017
00:42:24,640 --> 00:42:28,520
Speaker 7: But when we're talking about utilizing this technology to manipulate

1018
00:42:28,719 --> 00:42:32,840
Speaker 7: intellectual properties, bro, we're playing the dangerous ass game, because

1019
00:42:32,880 --> 00:42:37,520
Speaker 7: somebody could just start feeding AI Timulin's beat structures, you.

1020
00:42:37,560 --> 00:42:38,120
Speaker 2: Know what I'm saying.

1021
00:42:38,160 --> 00:42:40,920
Speaker 7: They can start utilizing his drum patterns and put that

1022
00:42:41,080 --> 00:42:43,840
Speaker 7: in and make a trembling record without him, you know,

1023
00:42:44,760 --> 00:42:48,040
Speaker 7: and you're opening yourself up, quite frankly with the way

1024
00:42:48,120 --> 00:42:50,759
Speaker 7: he's doing it, to a whole lot of litigation and

1025
00:42:50,840 --> 00:42:55,040
Speaker 7: a whole lot of trouble Personally. I don't think America

1026
00:42:55,280 --> 00:42:58,360
Speaker 7: is the market for that. Japan, China's been doing it

1027
00:42:58,400 --> 00:43:01,360
Speaker 7: for years, you know what I'm saying. But that's a

1028
00:43:01,480 --> 00:43:07,480
Speaker 7: cultural thing. They're they're so they socialize different in certain countries.

1029
00:43:08,120 --> 00:43:14,080
Speaker 7: So having a relationship with someone that that, I know,

1030
00:43:14,160 --> 00:43:16,960
Speaker 7: this shit sounds crazy, but having a relationship with a machine,

1031
00:43:17,000 --> 00:43:19,160
Speaker 7: for some people fits their lifestyle a lot better. It

1032
00:43:19,239 --> 00:43:22,880
Speaker 7: doesn't work like because they don't have they don't have

1033
00:43:22,920 --> 00:43:25,360
Speaker 7: the social graces to go out and meet people and

1034
00:43:26,360 --> 00:43:28,759
Speaker 7: and commune with people in that way.

1035
00:43:28,960 --> 00:43:32,000
Speaker 6: So this is a healthy, in their minds alternative.

1036
00:43:32,080 --> 00:43:34,759
Speaker 7: But here now, at some point, we don't want to

1037
00:43:34,760 --> 00:43:37,920
Speaker 7: see somebody get on stage and saying this shit, you

1038
00:43:38,000 --> 00:43:40,440
Speaker 7: know what I'm saying, And you know it's it's the

1039
00:43:41,080 --> 00:43:44,360
Speaker 7: it's the allure, right, it's the allure like making the

1040
00:43:44,400 --> 00:43:47,640
Speaker 7: stallion is a famous person because men find her attractive,

1041
00:43:47,880 --> 00:43:50,359
Speaker 7: women find her attractive. You know what I'm saying. There's

1042
00:43:50,440 --> 00:43:55,200
Speaker 7: there's an allure to it. Japan and China has that

1043
00:43:55,480 --> 00:44:00,440
Speaker 7: very strange relationship with technology in that way where they

1044
00:44:01,320 --> 00:44:05,000
Speaker 7: they don't just make robots, they have relationships with robots

1045
00:44:05,040 --> 00:44:07,520
Speaker 7: and pillows and all of that type of is different.

1046
00:44:07,560 --> 00:44:10,480
Speaker 7: I don't think that he can break a star like that,

1047
00:44:10,640 --> 00:44:12,840
Speaker 7: because at some point somebody got to get on stage,

1048
00:44:13,200 --> 00:44:15,759
Speaker 7: somebody got to sign an autograph, somebody got to take

1049
00:44:15,800 --> 00:44:18,600
Speaker 7: a picture, you know. And I don't think we want

1050
00:44:18,600 --> 00:44:21,920
Speaker 7: to see a robot and a computer do that to

1051
00:44:22,080 --> 00:44:23,799
Speaker 7: the point of touring.

1052
00:44:25,160 --> 00:44:25,520
Speaker 1: Today.

1053
00:44:26,440 --> 00:44:28,879
Speaker 6: But you know, you never know what this ten years

1054
00:44:28,920 --> 00:44:30,439
Speaker 6: from now. I'm an analogue dude.

1055
00:44:30,560 --> 00:44:33,960
Speaker 7: I come up on a tracks and putting forty five's

1056
00:44:34,000 --> 00:44:37,800
Speaker 7: on the record play at all that. I'm not knocking it,

1057
00:44:37,880 --> 00:44:41,360
Speaker 7: but I think we don't understand it enough to utilize

1058
00:44:41,360 --> 00:44:43,040
Speaker 7: it in the way that we're trying to utilize it.

1059
00:44:43,239 --> 00:44:44,920
Speaker 2: I think that's the real problem with him.

1060
00:44:45,280 --> 00:44:49,760
Speaker 7: I don't think he's really thinking of the cons Everybody

1061
00:44:49,880 --> 00:44:51,600
Speaker 7: uses AI for what they think they can make it

1062
00:44:51,680 --> 00:44:54,640
Speaker 7: work for, but nobody's thinking about how this could set

1063
00:44:54,719 --> 00:44:57,920
Speaker 7: back and timl is such a major impactful player in

1064
00:44:57,920 --> 00:45:01,640
Speaker 7: the entertainment industry that that shit could really people would

1065
00:45:01,680 --> 00:45:04,000
Speaker 7: follow suit if he became successful.

1066
00:45:04,520 --> 00:45:06,719
Speaker 6: If he and this artist becomes successful, this will be

1067
00:45:06,960 --> 00:45:10,560
Speaker 6: a thing. It will be a whole thing.

1068
00:45:12,480 --> 00:45:15,200
Speaker 1: Bun. Let me know what you think. Jadakiss is still

1069
00:45:15,280 --> 00:45:18,799
Speaker 1: upset about not making the top five on Complex Top

1070
00:45:18,920 --> 00:45:22,160
Speaker 1: fifty New York lists. If we were to do a

1071
00:45:22,280 --> 00:45:26,600
Speaker 1: Top fifty Houston list, Bun, if Bun gonna be in the.

1072
00:45:26,600 --> 00:45:29,439
Speaker 7: Top teen, there's an argument to that, and I'm gonna

1073
00:45:29,440 --> 00:45:34,560
Speaker 7: tell you why, because technically I'm from Port Arthur. That's

1074
00:45:34,600 --> 00:45:38,360
Speaker 7: the way that I've been put in this lexicon. UGK

1075
00:45:38,960 --> 00:45:45,080
Speaker 7: typically is taken out of that conversation for Houston, Okay,

1076
00:45:45,200 --> 00:45:46,200
Speaker 7: taking now Texas.

1077
00:45:47,480 --> 00:45:49,399
Speaker 1: Oh no, you're gonna have hell trying to be better

1078
00:45:49,480 --> 00:45:53,480
Speaker 1: than that in Texas. Okay, so we gon since it's

1079
00:45:53,560 --> 00:45:56,239
Speaker 1: New York, we're gonna make it. We're gonna make it Texas. Digger, No,

1080
00:45:56,400 --> 00:45:59,160
Speaker 1: you can't even have that conversation. You can't even have

1081
00:45:59,280 --> 00:45:59,760
Speaker 1: that conversation.

1082
00:46:00,040 --> 00:46:03,440
Speaker 7: I mean, I'm not I'm not trying to toot my

1083
00:46:03,520 --> 00:46:06,279
Speaker 7: own horn, but there's a certain style of rapping that

1084
00:46:06,360 --> 00:46:10,120
Speaker 7: didn't even really exist in Houston before I started rapping

1085
00:46:10,160 --> 00:46:15,319
Speaker 7: a certain way, like being a lyricist wasn't necessarily a requirement,

1086
00:46:16,719 --> 00:46:18,680
Speaker 7: you know what I'm saying. It wasn't necessarily something you

1087
00:46:18,840 --> 00:46:22,359
Speaker 7: had to do to be successful here because it wasn't

1088
00:46:22,400 --> 00:46:26,520
Speaker 7: a demand primary. But I never felt like I felt

1089
00:46:26,560 --> 00:46:29,560
Speaker 7: like I was already way past my competition here. So

1090
00:46:29,680 --> 00:46:34,879
Speaker 7: I was competing with everybody, you know what I'm saying. So, yeah,

1091
00:46:35,400 --> 00:46:37,839
Speaker 7: there's no way you could. The only way you take

1092
00:46:37,920 --> 00:46:39,560
Speaker 7: me out of it is that it's like, no, but

1093
00:46:39,719 --> 00:46:41,480
Speaker 7: we don't mean you. We don't mean like you in

1094
00:46:41,600 --> 00:46:44,719
Speaker 7: face or whatever. But if we talking about everybody top

1095
00:46:44,800 --> 00:46:49,440
Speaker 7: five from Texas, man, I gotta wash my mouth on this,

1096
00:46:50,120 --> 00:46:54,399
Speaker 7: really try to be cool about it. I honestly don't

1097
00:46:54,440 --> 00:46:57,200
Speaker 7: think there's five people from Houston that can rap better

1098
00:46:57,239 --> 00:46:59,600
Speaker 7: than me. That's from the state of Texas that's better

1099
00:46:59,640 --> 00:47:03,120
Speaker 7: than me. I give you DC and scar Face. I

1100
00:47:03,200 --> 00:47:04,520
Speaker 7: give you DOC and scar Face.

1101
00:47:05,760 --> 00:47:06,120
Speaker 2: That's it.

1102
00:47:06,480 --> 00:47:09,640
Speaker 6: Maybe three two, maybe recipes three two.

1103
00:47:10,320 --> 00:47:14,839
Speaker 1: But yeah, they got Yeah, I'm looking at this list.

1104
00:47:14,920 --> 00:47:16,759
Speaker 1: Yeah they got they they do got they got Jada.

1105
00:47:16,920 --> 00:47:18,120
Speaker 1: Damn they got Jada and sixty.

1106
00:47:18,160 --> 00:47:20,400
Speaker 6: Ye know they're wrong for that. They very wrong for that.

1107
00:47:20,480 --> 00:47:22,920
Speaker 7: And look, I understand because you have to understand that

1108
00:47:23,040 --> 00:47:27,080
Speaker 7: some of the greatest rappers of all time came from

1109
00:47:27,160 --> 00:47:33,279
Speaker 7: New York. You know, that's where is I understand why

1110
00:47:33,640 --> 00:47:38,160
Speaker 7: they would want to honor other people before they honored

1111
00:47:38,480 --> 00:47:39,000
Speaker 7: Jada kids.

1112
00:47:39,680 --> 00:47:41,360
Speaker 2: You know what I'm saying. I get that.

1113
00:47:41,719 --> 00:47:45,360
Speaker 7: And but all this shit is relative, right, because in

1114
00:47:45,440 --> 00:47:48,040
Speaker 7: the early days, wasn't nobody harder than LLL did, weren't

1115
00:47:48,040 --> 00:47:51,200
Speaker 7: nobody harder than Rock Kim then Kres You know, like

1116
00:47:51,640 --> 00:47:54,400
Speaker 7: key things are subjective, you know what I'm saying. But

1117
00:47:54,640 --> 00:47:58,719
Speaker 7: if somebody that lives in the modern time in New

1118
00:47:58,880 --> 00:48:03,319
Speaker 7: York City is rating New York rappers and they don't

1119
00:48:03,360 --> 00:48:06,800
Speaker 7: put Jady Kiss into He's top ten, right, If I

1120
00:48:06,840 --> 00:48:10,680
Speaker 7: can understand people wanting to argue about whether or not

1121
00:48:10,760 --> 00:48:12,920
Speaker 7: these top five, if you look at the whole scheme,

1122
00:48:13,080 --> 00:48:14,759
Speaker 7: but you gotta again, you gotta put the Rock Kims

1123
00:48:14,760 --> 00:48:16,800
Speaker 7: and the Big Daddy Kanes and the Cougi raps.

1124
00:48:18,160 --> 00:48:18,279
Speaker 6: Man.

1125
00:48:18,360 --> 00:48:20,239
Speaker 1: They got Big Daddy k Man, they got Big Daddy

1126
00:48:20,320 --> 00:48:22,520
Speaker 1: Knees so far out, man, the people don't realize how

1127
00:48:22,560 --> 00:48:25,600
Speaker 1: good Big Daddy Kane was. Big Daddy Kane was is

1128
00:48:25,680 --> 00:48:26,600
Speaker 1: still like, man.

1129
00:48:26,480 --> 00:48:28,680
Speaker 7: We are we sit in all the Jordan, we arguing

1130
00:48:28,719 --> 00:48:31,800
Speaker 7: Jordan and Lebron all over again. That's all this is.

1131
00:48:32,000 --> 00:48:37,000
Speaker 7: Different times speak to different different sensitivities, you know what

1132
00:48:37,080 --> 00:48:40,160
Speaker 7: I'm saying, and that's how people draw these lists. I

1133
00:48:40,239 --> 00:48:43,399
Speaker 7: can understand him being upset, but at the same time,

1134
00:48:44,000 --> 00:48:45,960
Speaker 7: it's all subjective, you know what I'm saying. And when

1135
00:48:45,960 --> 00:48:48,799
Speaker 7: you meet the people that typically make these lists, they

1136
00:48:48,880 --> 00:48:53,680
Speaker 7: aren't legitimately, They're not deeped enough in the culture to

1137
00:48:53,760 --> 00:48:56,880
Speaker 7: really have these conversations with much less give any validity

1138
00:48:57,120 --> 00:48:57,480
Speaker 7: as ship.

1139
00:48:57,520 --> 00:48:59,680
Speaker 6: I don't get these people no weight just because they say,

1140
00:48:59,800 --> 00:49:00,759
Speaker 6: listen a bunch of music.

1141
00:49:00,840 --> 00:49:03,400
Speaker 2: Shit. I just tell a bunch of a bunch of

1142
00:49:03,520 --> 00:49:04,279
Speaker 2: R and B too. I can't.

1143
00:49:04,400 --> 00:49:06,520
Speaker 7: I ain't finishing that I can sing or judge people

1144
00:49:06,520 --> 00:49:11,040
Speaker 7: who can't sing. I came even home ship.

1145
00:49:13,239 --> 00:49:14,960
Speaker 1: All right, Bud, we better close it out on this.

1146
00:49:15,080 --> 00:49:16,960
Speaker 1: We got our final segment of the day. It's time

1147
00:49:17,040 --> 00:49:24,080
Speaker 1: for Q and A. Okay, there we go, Q and A.

1148
00:49:27,520 --> 00:49:32,160
Speaker 1: Uh Joe Bombo's Appalon's playbook. Bun, this was for you, Bun.

1149
00:49:32,280 --> 00:49:35,560
Speaker 1: B Where are we going to get a Kendrick UGK collapse.

1150
00:49:35,880 --> 00:49:39,239
Speaker 1: That's a good question. I've not been able to really

1151
00:49:39,280 --> 00:49:42,560
Speaker 1: have a relationship with Kendrick. That's for somebody that I

1152
00:49:42,880 --> 00:49:45,320
Speaker 1: literally have not bumped into. Of all the people in

1153
00:49:45,440 --> 00:49:47,719
Speaker 1: hip hop, I've never bumped into him. But that's not

1154
00:49:47,880 --> 00:49:51,400
Speaker 1: surprising because Kendred don't really socialize like that outside of.

1155
00:49:51,560 --> 00:49:53,800
Speaker 6: You know, his homeboys in LA and people that he

1156
00:49:53,880 --> 00:49:54,360
Speaker 6: records with.

1157
00:49:54,719 --> 00:49:58,000
Speaker 7: It's not somebody that you'll see at Rolling Loud or

1158
00:49:58,640 --> 00:50:01,919
Speaker 7: Coachella or something like that, or at somebody's release party

1159
00:50:02,120 --> 00:50:04,560
Speaker 7: or you know, a New Jordan release or something like that.

1160
00:50:04,800 --> 00:50:07,120
Speaker 7: You just don't socialize like that, you know what I'm saying,

1161
00:50:07,280 --> 00:50:11,480
Speaker 7: So there's no relationship to even extend the awful.

1162
00:50:11,480 --> 00:50:13,840
Speaker 6: I wouldn't even know how to got the email or nothing.

1163
00:50:15,239 --> 00:50:15,600
Speaker 3: But I.

1164
00:50:17,520 --> 00:50:19,480
Speaker 7: I always want to rap with the best people, you

1165
00:50:19,520 --> 00:50:21,320
Speaker 7: know what I'm saying, So anybody that's considered one of

1166
00:50:21,400 --> 00:50:23,959
Speaker 7: the best, that the studio is always open.

1167
00:50:26,440 --> 00:50:28,879
Speaker 1: Hugs nine seven three said, Bun, do you think they'll

1168
00:50:28,920 --> 00:50:30,040
Speaker 1: bring the comments back?

1169
00:50:30,640 --> 00:50:34,160
Speaker 7: No, but well they are now they are looking to

1170
00:50:34,280 --> 00:50:37,560
Speaker 7: bring a w NBA team back to Houston. I know

1171
00:50:37,600 --> 00:50:40,400
Speaker 7: they're thinking of that, but I don't know if they

1172
00:50:40,440 --> 00:50:43,040
Speaker 7: would call that team the comments. I'm not sure who

1173
00:50:43,120 --> 00:50:45,080
Speaker 7: owns that name in that way. I'm not sure the

1174
00:50:45,200 --> 00:50:47,920
Speaker 7: Rockets ownership if that's something that transfers from owner to

1175
00:50:48,000 --> 00:50:50,399
Speaker 7: owner or how that works. But I mean, I think

1176
00:50:50,400 --> 00:50:51,759
Speaker 7: it would be great for the city. I think the

1177
00:50:51,840 --> 00:50:53,680
Speaker 7: city would come all the way out. But you got

1178
00:50:53,800 --> 00:50:57,320
Speaker 7: to understand, if you decide to call a w NBA

1179
00:50:57,520 --> 00:51:01,960
Speaker 7: team the comments, you got to have the best of

1180
00:51:02,080 --> 00:51:04,799
Speaker 7: the best on that team, because that's all right, because

1181
00:51:04,840 --> 00:51:08,640
Speaker 7: y'all have best legacy ever in your UNBA basketball.

1182
00:51:09,239 --> 00:51:11,719
Speaker 1: Yeah, you had Coop, you had Sheryl Swoops, you had

1183
00:51:11,960 --> 00:51:14,640
Speaker 1: Tina Thompson. Oh, y'all would loaded. That's why you won.

1184
00:51:14,760 --> 00:51:18,080
Speaker 2: For a hero God bless her recipes.

1185
00:51:18,239 --> 00:51:22,400
Speaker 7: Yeah, now we had that squad that's never been as

1186
00:51:22,440 --> 00:51:25,080
Speaker 7: dominated team as that team was for p right.

1187
00:51:26,719 --> 00:51:32,479
Speaker 1: Yes, we're crazy. The first crazy Firz New Jersey said,

1188
00:51:32,640 --> 00:51:35,880
Speaker 1: let's bring in Mike Jones from Houston for his Houston opinion.

1189
00:51:35,960 --> 00:51:38,560
Speaker 1: Anyone got his number, Mike is going to come on

1190
00:51:39,040 --> 00:51:41,879
Speaker 1: in the very near future and guess what, come back

1191
00:51:41,960 --> 00:51:42,400
Speaker 1: and will have.

1192
00:51:42,440 --> 00:51:46,080
Speaker 6: His number ain't changed, He still got that number.

1193
00:51:47,880 --> 00:51:50,800
Speaker 1: Kiper Norwood Junior said, UNC and bun be my question,

1194
00:51:51,040 --> 00:51:55,239
Speaker 1: how many Super Bowls would Peyton Manning have if he

1195
00:51:55,480 --> 00:51:58,560
Speaker 1: was quarterback for the Patriots and Tom Brady was the

1196
00:51:58,600 --> 00:52:03,239
Speaker 1: quarterback for the Coats. That's a good question because you've

1197
00:52:03,320 --> 00:52:06,880
Speaker 1: got to think of the drive that Tom came in with.

1198
00:52:07,800 --> 00:52:10,960
Speaker 1: There's a big difference between getting drafted here at the

1199
00:52:11,080 --> 00:52:13,040
Speaker 1: top and getting drafted at the bottom.

1200
00:52:13,840 --> 00:52:16,200
Speaker 6: Both of those put a fire under you, but for

1201
00:52:16,320 --> 00:52:20,640
Speaker 6: different reasons. And also, I.

1202
00:52:20,680 --> 00:52:23,080
Speaker 2: Think initially Peyton might have.

1203
00:52:23,160 --> 00:52:27,320
Speaker 7: Had a little bit more knowledge of the game and

1204
00:52:28,400 --> 00:52:32,040
Speaker 7: naturally fell into that leadership quality, whereas I don't, you know,

1205
00:52:32,239 --> 00:52:33,919
Speaker 7: Tom was the leader of the locker room, but never.

1206
00:52:33,840 --> 00:52:36,840
Speaker 6: The leader of the team. Peyton had power in his

1207
00:52:36,960 --> 00:52:37,520
Speaker 6: early years.

1208
00:52:38,400 --> 00:52:42,120
Speaker 7: Tom gradually gained that power and knew how to utilize

1209
00:52:42,160 --> 00:52:45,279
Speaker 7: it a little bit different. And then he had Belichick too, right,

1210
00:52:45,360 --> 00:52:47,360
Speaker 7: and that's a whole different type of discipline.

1211
00:52:47,400 --> 00:52:50,879
Speaker 1: I can't That was a whole different animal. Peyton never

1212
00:52:50,920 --> 00:52:53,520
Speaker 1: had a coach like that that had that kind of

1213
00:52:53,600 --> 00:52:58,280
Speaker 1: control because Peyton really had to control. Peyton ran practice,

1214
00:52:58,760 --> 00:53:01,879
Speaker 1: Crayton ran the two minutes, Bacon ran everything and sold

1215
00:53:01,960 --> 00:53:05,239
Speaker 1: different responsibilities livilages that Brady was never braidy, you know,

1216
00:53:05,360 --> 00:53:06,000
Speaker 1: like I know Shan.

1217
00:53:06,280 --> 00:53:08,239
Speaker 2: Different responsibilities create different people.

1218
00:53:09,680 --> 00:53:12,040
Speaker 7: Absolutely, there's a big difference of what's expected from the

1219
00:53:12,080 --> 00:53:12,919
Speaker 7: big brother than.

1220
00:53:12,800 --> 00:53:15,160
Speaker 2: The little brother. You know what I'm saying.

1221
00:53:16,400 --> 00:53:18,359
Speaker 1: Yep, I absolutely know what you're saying.