WEBVTT - Les Paul & Leo Fender Part I

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<v Speaker 1>Welcome to Stuff you Should Know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh

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<v Speaker 1>the Jet Clark. There's Charles w Chuck, Benny and the

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<v Speaker 1>Bryant and Jerry's over there and she's just Jerry. This

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<v Speaker 1>is Stuff you should Know. Darry's captain fantastic. Oh yeah,

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<v Speaker 1>that's a good one. We're talking about the piano player.

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<v Speaker 1>What about how about Mr Roboto? Sure? Okay, Jerry, Mr

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<v Speaker 1>Roboto Rowland great? So um, how are you doing? Man?

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<v Speaker 1>I think you're probably pretty jazzed about this one, do

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<v Speaker 1>you think? Yea, Dad, Yeah, I'm pretty excited about this one.

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<v Speaker 1>As a musician and guitar nerd uh. And we we

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<v Speaker 1>definitely want to shout out at the beginning. The inspiration

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<v Speaker 1>behind this, and a lot of the research for this

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<v Speaker 1>came from the great book called The Birth of Loud.

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<v Speaker 1>It's not there's not a colon on the cover, but

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<v Speaker 1>it's implied. Should we get a different jingle for implied colon? Um? Yeah,

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<v Speaker 1>but it should could be like a down kind of

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<v Speaker 1>thing burn Okay. The Birth of Loud, Leo Finder, Les

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<v Speaker 1>Paul and the guitar pioneering rivalry that shaped rock and

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<v Speaker 1>Roll And this was from Ian Ports in twenty nineteen,

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<v Speaker 1>and it is a if you're a guitar player, just

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<v Speaker 1>get the book. You probably already read it, but if

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<v Speaker 1>he hadn't get it because it's great. Yes, um, hats

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<v Speaker 1>off to him. Hats off to Dave Russ for helping

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<v Speaker 1>us out with this one as well too. Totally they

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<v Speaker 1>did a great job. So um, well it's a two

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<v Speaker 1>part right, Yeah, we were gonna too parted up because

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<v Speaker 1>it's that big, it's that important of a thing. It's

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<v Speaker 1>really easy for people like me, who um, you know,

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<v Speaker 1>appreciate music but also appreciate music to you know what

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<v Speaker 1>I mean, um, to kind of overlook the just the

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<v Speaker 1>the epic story behind electric guitars. It's almost like like

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<v Speaker 1>I didn't think they were always there, and I knew

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<v Speaker 1>roughly when they've been invented, and I think I kind

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<v Speaker 1>of knew kind of who invented it, but I didn't

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<v Speaker 1>realize just what a sweeping effect and impact that electrifying

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<v Speaker 1>certain kinds of guitars had on the world. Like it's

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<v Speaker 1>it's it's one of the most impactful inventions ever made.

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<v Speaker 1>Oh absolutely, uh. And then when you look at this

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<v Speaker 1>story and read that book, especially Um the Gentleman Les

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<v Speaker 1>Paul and Leo Fender. It's a remarkable story and that

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<v Speaker 1>they were very similar in some ways, they were very

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<v Speaker 1>very different in a lot of ways. They they both

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<v Speaker 1>ended up with um permanent injuries that affected their craft. Um.

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<v Speaker 1>When one was up, another might be down a little um.

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<v Speaker 1>And and this goes to the guitars as well. When

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<v Speaker 1>the the Fender brand was up, it seems like the

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<v Speaker 1>less Paul was down. When the Less Paul was up,

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<v Speaker 1>Fender was down. And it's really they both kind of

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<v Speaker 1>tried to take credit for things that they didn't really

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<v Speaker 1>invent at times. So it's it's really interesting when you

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<v Speaker 1>look at the story of these two dudes and this

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<v Speaker 1>era of innovation and invention and just how remarkable it

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<v Speaker 1>was and for the people who are really unfairly left

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<v Speaker 1>out that had maybe even more to do with it. Yeah,

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<v Speaker 1>because there's a lot of hands that went into the

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<v Speaker 1>creation of the electric guitar as we understand it today,

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<v Speaker 1>a lot of people, a lot of unsung people. Uh,

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<v Speaker 1>these guys just happened to be two the ones who's

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<v Speaker 1>whose names you know, became synonymous with electric guitars. But

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<v Speaker 1>there's also not to say like they didn't deserve to

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<v Speaker 1>have that kind of recognition too. They really did contribute,

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<v Speaker 1>even if they did kind of like you said, take

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<v Speaker 1>credit to some extent for things they didn't necessarily do specifically. Yeah,

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<v Speaker 1>it's one of those inventions that if you ask someone

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<v Speaker 1>who invented the electric guitar, you have to follow that

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<v Speaker 1>up with a lot of questions in order to answer it.

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<v Speaker 1>Is it the person who invented the electric guitar pickup

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<v Speaker 1>which made it possible to electrify something? Or is it

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<v Speaker 1>the first person to stick that pick up on a

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<v Speaker 1>chunk of wood instead of a big hollow guitar? Or

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<v Speaker 1>is it the first person to actually build one that

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<v Speaker 1>worked that you could sell to people. Um, you just

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<v Speaker 1>can't answer that cleanly and say this person invented the

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<v Speaker 1>electric guitar. Like five or six people invented the electric guitar. Yeah,

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<v Speaker 1>And if you're just a normal like non you know,

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<v Speaker 1>guitar person, you probably regretted asking that question. Now you

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<v Speaker 1>just say, is that freedom rock? Hey man? Yeah, that

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<v Speaker 1>ran through my head more than once. For sure. Turn

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<v Speaker 1>it up. So, UM, I guess we should get started.

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<v Speaker 1>Um with you want to start with Leo Fender. Yeah, so, um,

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<v Speaker 1>Aaron's Leonitas Fender. Webster's defines Fender as Leonitas Fender. He

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<v Speaker 1>doesn't have a good name. And he's one of these

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<v Speaker 1>guys you said that. He and Les Paul, who will

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<v Speaker 1>meet in a little while, we're very different. And Um,

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<v Speaker 1>Leo Fender wasn't just different from Less Paul. He was

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<v Speaker 1>different from a lot of people. He was what you

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<v Speaker 1>would call an engineer. And if you have a parent

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<v Speaker 1>who is an engineer, or a friend dad, or you're

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<v Speaker 1>an engineer, you know that engineers are different, kind of different.

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<v Speaker 1>They're cut from a different cloth. And and Leo Fender

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<v Speaker 1>was definitely an engineer from what I can tell. Yeah,

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<v Speaker 1>I totally thought about your dad during this. Um. Leah

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<v Speaker 1>was born on August nineteen o nine in Orange County, California,

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<v Speaker 1>and his first injury that affected his craft was his eye.

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<v Speaker 1>When he was um between seven and eight. He lost

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<v Speaker 1>an eye when he fell off his dad's vegetable truck

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<v Speaker 1>and had a glass eye from there on out. Um,

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<v Speaker 1>you know it's it's not like losing an year, which

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<v Speaker 1>we'll get to that later. Um, if you're an engineer

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<v Speaker 1>who works in generally in sound, but when you're working

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<v Speaker 1>on small circuit boards and stuff like that, losing one

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<v Speaker 1>eye is certainly going to affect your work well. Plus

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<v Speaker 1>also he apparently was self conscious about it, which is

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<v Speaker 1>just just at my heart. Can you imagine a little

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<v Speaker 1>a little eight year old Leo Fender who's like, you know,

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<v Speaker 1>can't look up, He's looking down at the ground all

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<v Speaker 1>the time while he's talking to you because he's self

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<v Speaker 1>conscious about his class ali that it's just heartbreaking. Yeah.

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<v Speaker 1>And like he said, he was an engineer, little electrical

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<v Speaker 1>circuit board nerd Uh. He would take things apart and

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<v Speaker 1>put him back together from an early age. He there's

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<v Speaker 1>a great story from the book when he was about

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<v Speaker 1>ten years old. Uh, he got underneath the car and

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<v Speaker 1>the driveway and basically took a look at it, what

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<v Speaker 1>was going on, went inside and sketched out not only

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<v Speaker 1>just what it exactly looked like, but how it all

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<v Speaker 1>and could explain how it all together to make that

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<v Speaker 1>car move, Yeah, which is astounding. That's like prodigy kind

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<v Speaker 1>of stuff. Like he was an engineering prodigy is another

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<v Speaker 1>way to put that. Not you know, even even among engineers,

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<v Speaker 1>that's pretty remarkable, and especially as a kid to do

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<v Speaker 1>it too. Um, and then what makes him even more

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<v Speaker 1>remarkable as an engineer And for all the things that

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<v Speaker 1>he accomplished, he never had any formal training as an engineer.

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<v Speaker 1>He just kind of became one just by beat. Doing

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<v Speaker 1>things that engineers do. Was like taking things apart, putting

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<v Speaker 1>them back together, inventing new stuff, improving things that he

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<v Speaker 1>thought could be improved. He just kind of learned by doing,

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<v Speaker 1>which is you know, that's that's old school, very old school.

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<v Speaker 1>Get in there and tink her away, right. Yeah, but

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<v Speaker 1>if you don't have overalls on, what are you doing?

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<v Speaker 1>You know what I mean? Now? Was your dad always

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<v Speaker 1>tinkering with things in the house to know? He was

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<v Speaker 1>more like, um, I've had to like make drawings all

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<v Speaker 1>day at work. Leave me alone, Maybe bring me an

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<v Speaker 1>old Milwaukee Tallboy before you leave. But if there was

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<v Speaker 1>anything that went wrong in the house, you know, my

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<v Speaker 1>mom would be like can you fix that? Can you

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<v Speaker 1>fix this? And he could fix it all. Yeah, no problem,

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<v Speaker 1>I can fix nothing. Yeah. He was like, um, he

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<v Speaker 1>was too busy leading um cub scout meetings that I

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<v Speaker 1>was not a part of any longer. It's a tinker.

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<v Speaker 1>He was too busy. Well, it sounds like you guys

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<v Speaker 1>found a great way to not spend time together. Well,

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<v Speaker 1>I would bring a beer. That's how I got to

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<v Speaker 1>spend time. Uh. So Leo was really fascinated with radios

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<v Speaker 1>early on as a child. He would build his own.

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<v Speaker 1>He got a broadcast license when he was in high school,

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<v Speaker 1>and before you know it, he had kids and neighbors,

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<v Speaker 1>adults even that would come over to have him fix

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<v Speaker 1>their radios, and to the point where he had a

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<v Speaker 1>little repair shop and there in Folds in California, where

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<v Speaker 1>the big Fender factory ended up being. Yeah, I guess

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<v Speaker 1>it started out at that radio as the radio repair

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<v Speaker 1>shop and just kind of grew from there, right, Yeah,

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<v Speaker 1>as a radio shack. Isn't that cool? A literal radio shack? Yeah,

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<v Speaker 1>I guess so. I I think that the good people

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<v Speaker 1>at radio Sheck would have had a problem with it

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<v Speaker 1>had you called it that, But it was that. You

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<v Speaker 1>could have made a case like, no, no, radio shack

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<v Speaker 1>is the rip off. This is the radio shack, and

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<v Speaker 1>the judge had been like, shut up, shut up, shut up,

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<v Speaker 1>you're all going to jail. Um. So he was building radios,

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<v Speaker 1>he started working on PA systems, public address systems, which

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<v Speaker 1>I don't know what that is. It's always people are

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<v Speaker 1>getting on me now for saying, like everyone knows what

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<v Speaker 1>that is. It's what the principal talked on. Yeah, or

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<v Speaker 1>anytime you have a microphone attached to speakers, that's a

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<v Speaker 1>public addresses. Yeah, that's funny because it has been a

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<v Speaker 1>little while since since somebody called you out on that

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<v Speaker 1>because you stopped saying if you've been living under a rock,

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<v Speaker 1>But now they're they're they're meeting you wherever you're at.

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<v Speaker 1>As far as that, I think you either have to

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<v Speaker 1>completely stop or just give up caring. One of the two. Well,

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<v Speaker 1>I explained what a PA system was, So maybe I'm

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<v Speaker 1>on the right track. I think you did great with that.

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<v Speaker 1>So this is in he started to become obsessed with

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<v Speaker 1>where we're just gonna call the big challenge, which was basically,

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<v Speaker 1>you have to think back to a time where music

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<v Speaker 1>was not electrified. They were singing through microphones. The they

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<v Speaker 1>did have um lap steel guitars were electrified. That was

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<v Speaker 1>technically the first electric guitar was the lap steel. Yeah,

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<v Speaker 1>the Rickenbacker frying pan I saw, Yeah, that was kind

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<v Speaker 1>of the very first thing. And in fact, the the

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<v Speaker 1>guy who started Rickenbacker, George bow Champ, he was the

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<v Speaker 1>inventor of the electric pickup. So so I gotta thank

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<v Speaker 1>him big time for kind of bleeding the way. Yeah.

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<v Speaker 1>He basically he yeah, he laid the foundation that who

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<v Speaker 1>knows how long it would have taken. But I just

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<v Speaker 1>want to like explain to people who are like me

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<v Speaker 1>who don't understand this kind of stuff, just real quick,

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<v Speaker 1>with a pick up. Yeah, the pickup is the heart

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<v Speaker 1>of what makes the electric guitar electric. And it basically

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<v Speaker 1>works through um the electro magnetus him where you loop

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<v Speaker 1>a bunch of like copper wire around some magnets, and

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<v Speaker 1>then when you move the strings above those magnets, it

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<v Speaker 1>actually affects that magnetic field and produces an electrical signal.

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<v Speaker 1>That electrical signal goes from the pickup through the chord

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<v Speaker 1>to the p a where it's amplified, and now you

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<v Speaker 1>have an electric guitar. And that's the guy who came

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<v Speaker 1>up with this astoundingly impressive invention, because not only did

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<v Speaker 1>it work, he figured out how to make it pretty

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<v Speaker 1>small right out of the gate, like that frying pan.

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<v Speaker 1>Um electric lap steel guitars ugly but it was small

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<v Speaker 1>and compact. It wasn't like those early computers that took

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<v Speaker 1>up an entire room. He like figured out how to

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<v Speaker 1>make it, you know, useful right out of the gate.

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<v Speaker 1>It was a big, big innovation from what I can tell. Yeah.

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<v Speaker 1>And another way to think of h if you know

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<v Speaker 1>nothing about guitars of the pickup is it's like the

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<v Speaker 1>microphone for the guitar. Uh, and you when you're when

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<v Speaker 1>someone is playing a guitar, it's that little horizontal uh

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<v Speaker 1>usually sort of uh, not oval, but it's square and

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<v Speaker 1>then rounded. I don't know what that shape is. What's

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<v Speaker 1>that called ellipsoid? Is that real? Yeah? It's like that

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<v Speaker 1>means that what it really is? Uh? Yeah, I think so.

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<v Speaker 1>All right here it's the little ellipsoid underneath the strings. Uh.

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<v Speaker 1>Sometimes they're covered up. Uh. Sometimes they're left open, like

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<v Speaker 1>on Fender guitars, they're left open. Um. There's something called

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<v Speaker 1>a humbucker pickup, which uh. Fenders have a tremendous amount

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<v Speaker 1>of hum and buzz when you plug them in because

0:12:37.880 --> 0:12:40.960
<v Speaker 1>it's only one magnet. Humbuckers had two sets of magnets

0:12:40.960 --> 0:12:43.480
<v Speaker 1>that canceled the hum out from each other and those

0:12:43.520 --> 0:12:46.320
<v Speaker 1>are usually but not always, covered up with a little

0:12:46.360 --> 0:12:50.719
<v Speaker 1>steel plate. Right, So humbuckers just two pickups so that they,

0:12:50.800 --> 0:12:53.400
<v Speaker 1>like you said, they cancel out the electrical noise from

0:12:53.440 --> 0:12:55.680
<v Speaker 1>the other equipment that it picks up right, Yes, and

0:12:55.760 --> 0:12:58.080
<v Speaker 1>that's what I prefer. Although do you have a rick

0:12:58.160 --> 0:13:02.440
<v Speaker 1>and bocker? I prefer and have quite a few Gibsons. So, um,

0:13:02.880 --> 0:13:05.400
<v Speaker 1>when we say, like the electric guitar, you just hit

0:13:05.480 --> 0:13:07.760
<v Speaker 1>upon something when we were talking about the frying pan.

0:13:08.200 --> 0:13:11.440
<v Speaker 1>The frying pan was the world's first electric guitar. It

0:13:11.520 --> 0:13:15.480
<v Speaker 1>was from nine thirty one. It had pickups, um, it

0:13:15.559 --> 0:13:20.960
<v Speaker 1>had amplified sound, but it was a lap steel guitar. UM.

0:13:21.240 --> 0:13:24.880
<v Speaker 1>So very shortly after that we had what other people

0:13:24.920 --> 0:13:27.480
<v Speaker 1>would call the world's first electric guitar. This is where

0:13:27.480 --> 0:13:30.000
<v Speaker 1>the answer where you're like, well, who invented the electric

0:13:30.000 --> 0:13:33.480
<v Speaker 1>guitar comes from because what a lot of people were

0:13:33.480 --> 0:13:36.360
<v Speaker 1>recognized as an electric guitar came after and it was

0:13:36.400 --> 0:13:39.600
<v Speaker 1>from Gibson I think in N six where it looked like,

0:13:39.960 --> 0:13:42.640
<v Speaker 1>you know, a normal guitar, but it was electrified, like

0:13:43.000 --> 0:13:46.600
<v Speaker 1>the classic acoustic guitar, but an electrified version. And he said, well,

0:13:46.600 --> 0:13:49.800
<v Speaker 1>why doesn't that qualify as the first electric guitar, because

0:13:49.840 --> 0:13:52.640
<v Speaker 1>it doesn't. For our purposes for this episode, that's still

0:13:52.679 --> 0:13:55.760
<v Speaker 1>not the first electric guitars we're talking about. What we're

0:13:55.760 --> 0:13:59.280
<v Speaker 1>talking about is, as we'll see, what's known as the

0:13:59.360 --> 0:14:04.000
<v Speaker 1>first solid body electric guitar. That's what we're really driving at.

0:14:04.000 --> 0:14:07.280
<v Speaker 1>So if you're sitting there, you know, and you're just

0:14:07.920 --> 0:14:11.760
<v Speaker 1>crump crumpling your your issue of Guitarist magazine right now

0:14:11.800 --> 0:14:14.520
<v Speaker 1>and losing your mind, sell down, because I just spelled

0:14:14.520 --> 0:14:17.800
<v Speaker 1>it out for everybody. Okay, Yeah, And so getting back

0:14:17.800 --> 0:14:19.680
<v Speaker 1>to where we kind of got off track in a

0:14:19.680 --> 0:14:21.960
<v Speaker 1>good way, but getting back to the big burning question,

0:14:22.040 --> 0:14:25.080
<v Speaker 1>and the big problem was with these they called them

0:14:25.080 --> 0:14:28.760
<v Speaker 1>Spanish guitars, but we call them acoustic guitars now that

0:14:28.920 --> 0:14:32.000
<v Speaker 1>had those electric pickups in them. They were really prone

0:14:32.000 --> 0:14:35.360
<v Speaker 1>to feedback because they had this big hollow cavity behind

0:14:35.360 --> 0:14:37.640
<v Speaker 1>the hole or it. You know, it usually had what's

0:14:37.680 --> 0:14:40.040
<v Speaker 1>called f holes, and that sounds funny, but if you

0:14:40.040 --> 0:14:42.120
<v Speaker 1>look at them, there to shape like an ornate sort

0:14:42.120 --> 0:14:45.280
<v Speaker 1>of curse of f I'm glad you said it. So

0:14:45.920 --> 0:14:49.560
<v Speaker 1>because of these big hollow acoustic guitars with these pickups

0:14:50.280 --> 0:14:53.160
<v Speaker 1>and early amp technology they would just feedback like crazy

0:14:53.280 --> 0:14:55.920
<v Speaker 1>anytime you try to get any volume. So, yeah, those

0:14:55.960 --> 0:15:00.520
<v Speaker 1>pickups wouldn't differentiate between the vibrations from the string that

0:15:00.560 --> 0:15:03.960
<v Speaker 1>you were intended or the reverberated vibrations from inside the

0:15:03.960 --> 0:15:07.240
<v Speaker 1>hollow body of that that Spanish style guitar, and so

0:15:07.360 --> 0:15:10.720
<v Speaker 1>it just sounds awful, right, So that was the thing

0:15:10.800 --> 0:15:13.800
<v Speaker 1>that Leo Fender was obsessed with. He was like, how

0:15:13.840 --> 0:15:16.240
<v Speaker 1>could because you know, it's hard to imagine, but at

0:15:16.240 --> 0:15:19.200
<v Speaker 1>the time, the guitar was not a lead instrument, and

0:15:19.360 --> 0:15:22.320
<v Speaker 1>it was there were occasionally like guitar solos and stuff

0:15:22.360 --> 0:15:25.680
<v Speaker 1>that you could uh insert into a recording or you know,

0:15:25.960 --> 0:15:28.120
<v Speaker 1>they recorded lives, but you could put on a recording,

0:15:28.120 --> 0:15:30.080
<v Speaker 1>but like if you were playing live in a in

0:15:30.160 --> 0:15:32.840
<v Speaker 1>a venue, the guitar was very much in the background

0:15:32.880 --> 0:15:34.720
<v Speaker 1>because you couldn't turn it up loud enough to cut

0:15:34.720 --> 0:15:37.760
<v Speaker 1>through the vocals and the drums, the piano, the horn sections.

0:15:37.760 --> 0:15:42.320
<v Speaker 1>These were all really loud live instruments. And he was like,

0:15:42.400 --> 0:15:44.040
<v Speaker 1>Leo Fender was like, we've got to be able to

0:15:44.440 --> 0:15:48.240
<v Speaker 1>amplify this sound such that it doesn't feedback to where

0:15:48.240 --> 0:15:50.800
<v Speaker 1>you can actually hear the guitar in a concert hall. Yeah,

0:15:50.840 --> 0:15:53.160
<v Speaker 1>so like it can stand on its own rather than

0:15:53.200 --> 0:15:57.080
<v Speaker 1>a company's you know whoever the horns or get drowned out.

0:15:57.720 --> 0:16:00.440
<v Speaker 1>Like that was the point of like Fender and later

0:16:00.520 --> 0:16:03.360
<v Speaker 1>on Les Paul's quest is to make the guitar its

0:16:03.440 --> 0:16:06.440
<v Speaker 1>own thing, and to basically do that by making it

0:16:06.520 --> 0:16:09.080
<v Speaker 1>really loud and sound really good when it is loud.

0:16:09.960 --> 0:16:11.920
<v Speaker 1>Oh man, this is getting good. It's a good time

0:16:11.960 --> 0:16:13.720
<v Speaker 1>for a break, I think right. I think so too. Man.

0:16:14.080 --> 0:16:15.640
<v Speaker 1>All right, I'm gonna go take a cold shower and

0:16:15.680 --> 0:16:46.960
<v Speaker 1>I'll be right backs and shock alright, chuck, So we're back.

0:16:47.040 --> 0:16:49.840
<v Speaker 1>So Leo Fenders on this quest, he's figured out there's

0:16:49.840 --> 0:16:51.680
<v Speaker 1>a big problem here that if you want to make

0:16:51.720 --> 0:16:54.160
<v Speaker 1>a guitar loud, you have to make it not an

0:16:54.160 --> 0:16:58.680
<v Speaker 1>acoustic guitar. But he one of the things about him

0:16:58.760 --> 0:17:01.960
<v Speaker 1>was he wasn't a musician, and like he didn't clamp

0:17:02.040 --> 0:17:06.399
<v Speaker 1>onto this this problem of creating the electric guitar, figuring

0:17:06.400 --> 0:17:10.679
<v Speaker 1>out how to make an electric guitar because he necessarily

0:17:10.720 --> 0:17:13.119
<v Speaker 1>cared about the music. And he also later on it

0:17:13.160 --> 0:17:15.280
<v Speaker 1>turns out he didn't like rock and roll, which would

0:17:15.280 --> 0:17:17.840
<v Speaker 1>be kind of ironic. He was a country western dude

0:17:17.880 --> 0:17:21.320
<v Speaker 1>from southern California, kind of like Nicolas Cage's character and

0:17:21.400 --> 0:17:26.520
<v Speaker 1>Valley Girl exactly. Belly Girl that was him basically is

0:17:26.560 --> 0:17:30.440
<v Speaker 1>based on Leo Fender. That's my that's my theory. Uh yeah,

0:17:30.480 --> 0:17:33.440
<v Speaker 1>So Fender didn't play, but here's something that was very

0:17:33.520 --> 0:17:35.679
<v Speaker 1>cute that story from the book. He would go to

0:17:35.760 --> 0:17:40.000
<v Speaker 1>local music halls during live performances with his He always

0:17:40.000 --> 0:17:42.720
<v Speaker 1>had this little tool kit on him, I think, much

0:17:42.760 --> 0:17:46.119
<v Speaker 1>like your dad's slide role, and he would jump up

0:17:46.160 --> 0:17:48.919
<v Speaker 1>on stage and tweak the amps during the middle of

0:17:49.200 --> 0:17:51.720
<v Speaker 1>performances and people there would be like, what is this

0:17:51.760 --> 0:17:55.040
<v Speaker 1>guy doing? And in the band sometimes and say, hey, everybody,

0:17:55.040 --> 0:17:56.560
<v Speaker 1>this is Leo Fender. He's the one that makes it

0:17:56.600 --> 0:18:00.600
<v Speaker 1>sound just right. And uh he would like during during

0:18:00.640 --> 0:18:03.000
<v Speaker 1>the show, would kind of get a screwdriver out and

0:18:03.040 --> 0:18:05.560
<v Speaker 1>mess with the amps. That's pretty cute, It's very cool.

0:18:06.440 --> 0:18:08.280
<v Speaker 1>Uh yeah. He'd be like, oh, you want me to

0:18:08.320 --> 0:18:10.159
<v Speaker 1>turn it up, man, I'll turn it up for you,

0:18:10.400 --> 0:18:15.600
<v Speaker 1>dirty hippie. All right? Should we go to Mr Les Paul? Yeah? So,

0:18:15.760 --> 0:18:18.879
<v Speaker 1>um Fender, we should just just recap real quick. Fender

0:18:18.920 --> 0:18:23.040
<v Speaker 1>has has stumbled upon the big problem with electric guitars,

0:18:23.119 --> 0:18:26.600
<v Speaker 1>the reverb with a classical guitar. So he's thinking about that.

0:18:26.840 --> 0:18:29.120
<v Speaker 1>And now we meet Chuck Les Paul who was born

0:18:29.240 --> 0:18:34.119
<v Speaker 1>Lester Paul Fuss in nineteen fifteen and Waukesha, Wisconsin. He

0:18:34.240 --> 0:18:37.040
<v Speaker 1>was a Wisconsin boy like Ed Geene was as well,

0:18:37.200 --> 0:18:42.080
<v Speaker 1>but not nearly as Grizzly. No, but a guitar wizard

0:18:42.280 --> 0:18:47.640
<v Speaker 1>like ed Geene. Right, a little known fact about ed Gaine. Yeah,

0:18:47.640 --> 0:18:49.960
<v Speaker 1>so before we get into his childhood, this is the

0:18:50.000 --> 0:18:53.160
<v Speaker 1>real important distinction between Leo Fender and less Paul. Leo

0:18:53.240 --> 0:18:56.320
<v Speaker 1>Fender did not play instruments, was an engineer at heart

0:18:56.400 --> 0:18:59.760
<v Speaker 1>and love to figure out problems for other people. Less

0:18:59.760 --> 0:19:03.879
<v Speaker 1>Paul all was uh the height of his game, the

0:19:04.320 --> 0:19:08.040
<v Speaker 1>most popular guitar player in the world and with a

0:19:08.080 --> 0:19:12.200
<v Speaker 1>string of number one hits. Uh. He was also a tinkerer,

0:19:12.560 --> 0:19:15.320
<v Speaker 1>but he was like, I need to make my guitar

0:19:15.480 --> 0:19:18.359
<v Speaker 1>sound better for me, so I can get better and

0:19:18.400 --> 0:19:21.240
<v Speaker 1>sound better. Yeah, that was his goal all along. But

0:19:21.320 --> 0:19:23.720
<v Speaker 1>you know, it takes a special kind of person to

0:19:23.800 --> 0:19:26.440
<v Speaker 1>say like, Okay, well then I need to figure out

0:19:26.440 --> 0:19:28.520
<v Speaker 1>how to make that happen. I need to figure out

0:19:28.520 --> 0:19:31.480
<v Speaker 1>how to make an electric guitar rather than oh, what

0:19:31.560 --> 0:19:33.520
<v Speaker 1>can I do. I need to I need somebody to

0:19:33.560 --> 0:19:35.520
<v Speaker 1>do this for me. Somebody needs to invent this, right,

0:19:35.520 --> 0:19:37.640
<v Speaker 1>I need to collaborate somebody. He was like, I'm I'm

0:19:37.640 --> 0:19:40.199
<v Speaker 1>gonna go try to figure this out myself. And he

0:19:40.280 --> 0:19:43.240
<v Speaker 1>really like, I didn't realize what a guitar got he

0:19:43.440 --> 0:19:46.720
<v Speaker 1>was and that he he was like this. Um. I

0:19:46.760 --> 0:19:50.000
<v Speaker 1>think at one point he had like four hits or

0:19:50.040 --> 0:19:54.359
<v Speaker 1>four spots on the Billboard top charts. UM. Like he

0:19:54.480 --> 0:19:59.600
<v Speaker 1>was really a popular musician. UM about midway through his career.

0:20:00.119 --> 0:20:02.639
<v Speaker 1>But even from a young age, he started out playing

0:20:02.760 --> 0:20:05.280
<v Speaker 1>like he was a performer. And I think he's also

0:20:05.359 --> 0:20:08.320
<v Speaker 1>credited Chuck with being the person um because he played

0:20:08.320 --> 0:20:12.000
<v Speaker 1>country western too. He also played the harmonica. His act

0:20:12.080 --> 0:20:14.639
<v Speaker 1>was called rubar Bread and it was just him and

0:20:14.680 --> 0:20:16.879
<v Speaker 1>he played the guitar and the harmonica. And he figured

0:20:16.880 --> 0:20:20.520
<v Speaker 1>out long before Bob Dylan every came along. But that's problematic.

0:20:20.920 --> 0:20:24.240
<v Speaker 1>You technically need four arms for that. So he fashioned

0:20:24.240 --> 0:20:27.040
<v Speaker 1>a harmonica holder that he could wear while he was

0:20:27.040 --> 0:20:29.639
<v Speaker 1>playing the guitar, just like Bob Dylan. More later on,

0:20:29.720 --> 0:20:33.800
<v Speaker 1>he was the kid who invented that years before. Yeah,

0:20:33.840 --> 0:20:36.200
<v Speaker 1>maybe this is another one of those things where it's

0:20:36.200 --> 0:20:38.359
<v Speaker 1>like did he invent it or did he see it

0:20:38.480 --> 0:20:41.560
<v Speaker 1>and make one on his own? But not taking anything

0:20:41.560 --> 0:20:44.000
<v Speaker 1>away from the guy. He was also a kid taking

0:20:44.040 --> 0:20:47.240
<v Speaker 1>apart electronics in his house putting them back together. He

0:20:47.280 --> 0:20:50.639
<v Speaker 1>really knew what he was doing, and he also had,

0:20:51.000 --> 0:20:53.200
<v Speaker 1>you know, like every guitar player, that same big problem

0:20:53.280 --> 0:20:55.760
<v Speaker 1>was when he played, he would be up there and

0:20:55.800 --> 0:20:58.680
<v Speaker 1>he could sing through that microphone, although he didn't sing

0:20:58.760 --> 0:21:00.960
<v Speaker 1>that much. He did when he was a kid, but

0:21:01.080 --> 0:21:03.439
<v Speaker 1>later on he realized he wasn't not like a pro singer.

0:21:04.359 --> 0:21:06.560
<v Speaker 1>Harmonica sounded good through the mic, but the guitar was

0:21:06.600 --> 0:21:09.480
<v Speaker 1>still in the background, and he knew that was an issue. Yes,

0:21:09.680 --> 0:21:12.879
<v Speaker 1>apparently um as this as legend has it, he was

0:21:12.920 --> 0:21:17.119
<v Speaker 1>playing a show at a barbecue stand. Um and I

0:21:17.160 --> 0:21:20.800
<v Speaker 1>think it was a regular potentially a regular show. He

0:21:21.440 --> 0:21:24.199
<v Speaker 1>could his harmonica sounded fine when he was singing. It

0:21:24.280 --> 0:21:27.040
<v Speaker 1>was broadcast fine because he had a microphone, but nothing

0:21:27.119 --> 0:21:30.159
<v Speaker 1>was working for the guitar was He was drowning it

0:21:30.200 --> 0:21:33.480
<v Speaker 1>out himself. So he realized that if he took the

0:21:33.560 --> 0:21:38.440
<v Speaker 1>phonograph needle, the electrified phonograph needle from his his parents

0:21:38.440 --> 0:21:42.080
<v Speaker 1>phonograph and attached it to the guitar and then attached

0:21:42.080 --> 0:21:45.760
<v Speaker 1>to that to a radio, he could actually amplify his guitar.

0:21:46.280 --> 0:21:50.440
<v Speaker 1>So he figured this out I think at like age thirteen, Um,

0:21:50.480 --> 0:21:55.119
<v Speaker 1>because he wanted to improve his barbecue stand chops and

0:21:55.240 --> 0:21:58.920
<v Speaker 1>tips and tips. He supposedly his tips tripled as a result.

0:21:58.960 --> 0:22:02.280
<v Speaker 1>But um, you know that's pretty impressive stuff. I would

0:22:02.280 --> 0:22:04.679
<v Speaker 1>not have thought about that at the as at the

0:22:04.680 --> 0:22:09.240
<v Speaker 1>tender year on the age oft. Yeah, I mean that's

0:22:09.240 --> 0:22:11.280
<v Speaker 1>where the tinkering comes in. And I'm sure it didn't

0:22:11.320 --> 0:22:14.879
<v Speaker 1>sound great to our ears now, but at the time,

0:22:15.359 --> 0:22:17.480
<v Speaker 1>you have to put yourself in the place of like

0:22:17.560 --> 0:22:21.520
<v Speaker 1>literally having never heard something like this happen. Uh, it was.

0:22:21.760 --> 0:22:23.480
<v Speaker 1>It had to have been like a revelation to actually

0:22:23.480 --> 0:22:26.840
<v Speaker 1>hear that guitar coming through a speaker, especially if you

0:22:26.920 --> 0:22:29.840
<v Speaker 1>lived in Waukesha, Wisconsin. You've never heard anything like that

0:22:29.880 --> 0:22:33.280
<v Speaker 1>in your life. But he was very much opposite of

0:22:33.320 --> 0:22:36.960
<v Speaker 1>Leo Fender and his personality. He was very gregarious, very outgoing,

0:22:37.840 --> 0:22:40.000
<v Speaker 1>made a lot of friends. Uh, could also be a

0:22:40.000 --> 0:22:43.080
<v Speaker 1>little brash. Was not a great husband to his two wives,

0:22:43.119 --> 0:22:46.399
<v Speaker 1>which we'll get to, but he was He was always

0:22:46.440 --> 0:22:48.000
<v Speaker 1>sort of the life of the party and he loved

0:22:48.000 --> 0:22:50.760
<v Speaker 1>performing in front of people, whereas Leo Fender really kind

0:22:50.760 --> 0:22:52.560
<v Speaker 1>of wanted to be at the background unless he was

0:22:52.840 --> 0:22:57.040
<v Speaker 1>very quietly getting on stage. Um. Unless Paul from the

0:22:57.160 --> 0:23:00.640
<v Speaker 1>very beginning, once he could afford regular guitars, I think

0:23:00.640 --> 0:23:03.480
<v Speaker 1>he moved to Chicago and was like making decent money,

0:23:04.320 --> 0:23:06.879
<v Speaker 1>like backing other people up. But he had a relationship

0:23:06.920 --> 0:23:10.960
<v Speaker 1>with Gibson from the very beginning because Gibson started out

0:23:11.000 --> 0:23:14.560
<v Speaker 1>as an acoustic guitar maker. Uh, and they're still known.

0:23:14.600 --> 0:23:17.199
<v Speaker 1>I mean, they make these great electric guitars, but you

0:23:17.240 --> 0:23:19.359
<v Speaker 1>know some of the best guitars in the world, or

0:23:19.520 --> 0:23:23.080
<v Speaker 1>Gibson acoustic guitars. Yeah, they also made like Mandolin's and

0:23:23.280 --> 0:23:26.600
<v Speaker 1>like yeah, like just all manner of stringing instruments and

0:23:27.000 --> 0:23:30.320
<v Speaker 1>what they made were basically works of art. Yeah, they

0:23:30.320 --> 0:23:33.119
<v Speaker 1>were beautiful and they still are. My favorite guitar I

0:23:33.119 --> 0:23:35.359
<v Speaker 1>owned is one I bought during the pandemic. I finally

0:23:35.440 --> 0:23:40.399
<v Speaker 1>bought the Gibson Acoustic U based on a nineteen forties model,

0:23:40.480 --> 0:23:43.680
<v Speaker 1>and it's just it's amazing. The sound difference between even

0:23:43.680 --> 0:23:47.840
<v Speaker 1>that and my really nice Martin Acoustic is striking. Yeah,

0:23:47.880 --> 0:23:51.800
<v Speaker 1>Gibs or Fender was not making acoustic guitars, and they

0:23:51.840 --> 0:23:55.000
<v Speaker 1>still to this day don't make a very good acoustic guitar. Yeah,

0:23:55.040 --> 0:23:57.320
<v Speaker 1>I can't imagine. It's really interesting that, like one of

0:23:57.359 --> 0:24:00.119
<v Speaker 1>the biggest guitar companies in the world. I don't if

0:24:00.119 --> 0:24:01.800
<v Speaker 1>they can't or if they just don't put the resources

0:24:01.840 --> 0:24:04.800
<v Speaker 1>toward it, but I think they're nicest acoustic guitar tops

0:24:04.800 --> 0:24:07.320
<v Speaker 1>out at about eight hundred bucks, which is you know,

0:24:07.359 --> 0:24:08.919
<v Speaker 1>you can get a pretty good guitar for that, but

0:24:08.960 --> 0:24:12.120
<v Speaker 1>these really really nice Gibson's are like four and five dollars. Yeah,

0:24:12.119 --> 0:24:16.680
<v Speaker 1>And like Gibson's whole jam was to make professional quality

0:24:16.840 --> 0:24:19.400
<v Speaker 1>instruments that were again works of art, but like if

0:24:19.400 --> 0:24:22.640
<v Speaker 1>you were a professional musician, like Gibson could make an

0:24:22.720 --> 0:24:26.400
<v Speaker 1>instrument that you could use and probably love UM. And

0:24:26.440 --> 0:24:29.200
<v Speaker 1>they were making them already. They were making those electrified

0:24:29.880 --> 0:24:33.720
<v Speaker 1>Spanish style or electrified acoustic guitars as as like I

0:24:33.760 --> 0:24:36.520
<v Speaker 1>was saying, as as early as I think six was

0:24:36.600 --> 0:24:41.120
<v Speaker 1>the e S one fifty. E S stood for Electrified

0:24:41.440 --> 0:24:46.600
<v Speaker 1>Spanish Guitar UM and there was a jazz guitarist named

0:24:47.040 --> 0:24:51.200
<v Speaker 1>Charlie Christian who really kind of championed that development. He

0:24:51.320 --> 0:24:55.119
<v Speaker 1>think he played for Benny Goodman's band, um but um

0:24:55.160 --> 0:24:57.400
<v Speaker 1>I think they named the pickup in those after him,

0:24:57.480 --> 0:25:01.200
<v Speaker 1>Charlie Christian Pickups. But U so les Paul was playing

0:25:01.280 --> 0:25:04.600
<v Speaker 1>these Gibson guitars, but it still wasn't what he was

0:25:04.640 --> 0:25:07.959
<v Speaker 1>looking for, because again, if you turned it up really loud,

0:25:08.800 --> 0:25:11.879
<v Speaker 1>you it would provide all sorts of problems. Yeah, it's

0:25:11.920 --> 0:25:14.960
<v Speaker 1>funny these little letters that like the E S three

0:25:15.000 --> 0:25:18.600
<v Speaker 1>thirty five is just a classic, amazing instrument still today,

0:25:18.600 --> 0:25:21.600
<v Speaker 1>and they have all these cool letters and you never

0:25:21.640 --> 0:25:24.840
<v Speaker 1>know what they name, but they mean but electrified Spanish.

0:25:24.920 --> 0:25:27.359
<v Speaker 1>Is kind of funny that the iconic Gibson s G

0:25:27.880 --> 0:25:31.520
<v Speaker 1>s G stands first Solid Guitar. Really. Yeah, they're all

0:25:31.560 --> 0:25:35.200
<v Speaker 1>just these very mundane abbreviations that all these years later

0:25:35.240 --> 0:25:37.560
<v Speaker 1>just seemed cool because Angus Young plays it. Yeah right,

0:25:37.720 --> 0:25:42.080
<v Speaker 1>well yeah, I mean if used a different example from

0:25:42.080 --> 0:25:44.120
<v Speaker 1>Angus Young and be really on board, but I got

0:25:44.160 --> 0:25:48.440
<v Speaker 1>you I play one. Well, there you go has a

0:25:48.520 --> 0:25:53.960
<v Speaker 1>cool acts. Uh. So he charmed his way into the

0:25:54.000 --> 0:25:57.280
<v Speaker 1>Epiphone factory in New York. Epiphone was a really big

0:25:57.320 --> 0:25:59.600
<v Speaker 1>guitar maker at the time, and I think Gibson eventually

0:25:59.600 --> 0:26:03.440
<v Speaker 1>bought UM, I think they're co Co brand or you know,

0:26:03.520 --> 0:26:07.560
<v Speaker 1>under the Gibson umbrella. Now, but he got to work

0:26:07.560 --> 0:26:10.119
<v Speaker 1>on his problems, and you've got to look up some

0:26:10.160 --> 0:26:13.160
<v Speaker 1>pictures of some of this stuff kind of starting now. Uh,

0:26:13.359 --> 0:26:15.960
<v Speaker 1>just look up a picture of the log from Les Paul.

0:26:16.119 --> 0:26:18.600
<v Speaker 1>And it was a I was about to say essentially,

0:26:18.640 --> 0:26:20.680
<v Speaker 1>but it's not essentially. It was a four by four

0:26:21.440 --> 0:26:27.160
<v Speaker 1>block of pine wood about two ft long that he

0:26:27.359 --> 0:26:31.359
<v Speaker 1>put a guitar neck on, an epiphone guitar neck, and

0:26:31.400 --> 0:26:33.240
<v Speaker 1>he made his own pickup. I guess he didn't go

0:26:33.240 --> 0:26:35.800
<v Speaker 1>out and buy a pickup or use one from another guitar,

0:26:36.720 --> 0:26:38.879
<v Speaker 1>and he made his own pickup, you know, with a

0:26:38.920 --> 0:26:42.120
<v Speaker 1>magnet and the wire, put some strings on it and

0:26:42.359 --> 0:26:44.919
<v Speaker 1>called it the log. And it was a very primitive

0:26:45.000 --> 0:26:48.520
<v Speaker 1>but working, solid body electric guitar. It looked very much

0:26:48.560 --> 0:26:53.120
<v Speaker 1>like something Devo would have played. Yeah, And in fact,

0:26:53.200 --> 0:26:56.760
<v Speaker 1>it freaked people out so much early on UM that

0:26:56.880 --> 0:26:59.960
<v Speaker 1>he ended up taking a part another guitar and glue

0:27:00.119 --> 0:27:02.280
<v Speaker 1>ng sides onto the side of it to make it

0:27:02.320 --> 0:27:04.800
<v Speaker 1>look normal, to make it look normal, And there's this

0:27:04.840 --> 0:27:07.320
<v Speaker 1>great picture of him holding the log, kind of separating

0:27:07.359 --> 0:27:11.119
<v Speaker 1>the sides off with a little wry smile. Um. But

0:27:11.200 --> 0:27:14.000
<v Speaker 1>the Gibson little side note gives the Gibson Firebird guitar,

0:27:14.240 --> 0:27:15.879
<v Speaker 1>which is one of my favorite guitars. I used to

0:27:15.920 --> 0:27:18.280
<v Speaker 1>have one, but I sold it. It is a it's

0:27:18.320 --> 0:27:21.119
<v Speaker 1>called a through neck guitar. I'm sure there are others,

0:27:21.119 --> 0:27:23.160
<v Speaker 1>but it's the only one I can think of that's

0:27:23.160 --> 0:27:27.160
<v Speaker 1>really popular. Whereas it's the same thing. It's basically one

0:27:27.240 --> 0:27:29.680
<v Speaker 1>long piece of wood, like the neck is the same

0:27:29.680 --> 0:27:31.879
<v Speaker 1>piece of wood as the body, and then they glue

0:27:31.920 --> 0:27:35.040
<v Speaker 1>on these wings on the outside. Okay, all right, settle down, Chuck.

0:27:35.880 --> 0:27:39.680
<v Speaker 1>It's pretty exciting, so Chuck. Also, if you ever found

0:27:39.720 --> 0:27:43.040
<v Speaker 1>yourself trapped in walt Kesha, Wisconsin, you go to go

0:27:43.080 --> 0:27:45.320
<v Speaker 1>to the book Kesha County Museum and they actually have

0:27:45.520 --> 0:27:50.480
<v Speaker 1>the original log there on display. Oh really, Yeah, apparently

0:27:50.480 --> 0:27:53.119
<v Speaker 1>they have a lot of Less Paul stuff there, including

0:27:53.160 --> 0:27:56.360
<v Speaker 1>that with the wings of the of the guitar kind

0:27:56.359 --> 0:27:59.000
<v Speaker 1>of pulled away to kind of show you know, it's

0:27:59.000 --> 0:28:03.159
<v Speaker 1>a neck through design like the Fireber. I I was

0:28:03.240 --> 0:28:05.000
<v Speaker 1>just teasing you, and I said to settle down. I

0:28:05.040 --> 0:28:08.000
<v Speaker 1>was just taking an opportunity. Like, I'm charmed very much.

0:28:08.160 --> 0:28:11.840
<v Speaker 1>I'm sure everyone else is by your childlike excitement over

0:28:11.880 --> 0:28:14.440
<v Speaker 1>this whole thing. I'm as excited as when I got

0:28:14.480 --> 0:28:16.960
<v Speaker 1>my first guitar when I was twelve, which was a

0:28:17.000 --> 0:28:20.480
<v Speaker 1>candy Apple red BC rich like metal guitar. I wish

0:28:20.480 --> 0:28:22.600
<v Speaker 1>I knew what mine was. I had a metal guitar too,

0:28:22.680 --> 0:28:25.639
<v Speaker 1>mom was pink, had a light coating of diamond dust.

0:28:25.720 --> 0:28:31.639
<v Speaker 1>And I wish to god I could remember who it was.

0:28:31.680 --> 0:28:35.720
<v Speaker 1>A local metal band from Toledo. Yeah. Yeah, they had

0:28:35.760 --> 0:28:37.880
<v Speaker 1>like an album and a poster and everything. And the guy,

0:28:38.200 --> 0:28:42.160
<v Speaker 1>the guitarist from the band worked at like the music store,

0:28:42.760 --> 0:28:45.680
<v Speaker 1>um where I would take lessons and he taught me

0:28:46.200 --> 0:28:50.800
<v Speaker 1>and he was as interested as um Oh. I can't

0:28:50.840 --> 0:28:54.120
<v Speaker 1>remember Carl Weather's character and happy Gilmore, but he's like

0:28:54.160 --> 0:28:58.040
<v Speaker 1>a golf pro and just totally uninterested. That's how interested

0:28:58.080 --> 0:29:02.520
<v Speaker 1>this guitar player wasn't seeing me as a future guitar player. Um.

0:29:02.560 --> 0:29:04.720
<v Speaker 1>And it's not like I blame him for me losing

0:29:04.760 --> 0:29:07.040
<v Speaker 1>interesting guitar, but he definitely didn't. He wasn't a great

0:29:07.120 --> 0:29:10.000
<v Speaker 1>mentor or anything. But I wish it's so bad I

0:29:10.040 --> 0:29:12.560
<v Speaker 1>would have stuck with it a little bit longer because

0:29:12.640 --> 0:29:14.960
<v Speaker 1>it was pretty pretty boss. When I look back on

0:29:15.000 --> 0:29:16.760
<v Speaker 1>the whole thing. I never knew this. How long did

0:29:16.800 --> 0:29:21.160
<v Speaker 1>you try? I don't know, five six lessons maybe? Al right.

0:29:21.400 --> 0:29:23.720
<v Speaker 1>I wonder what happened to that guitar too, Like my

0:29:23.800 --> 0:29:26.440
<v Speaker 1>parents bought the guitar. I mean it was used in everything,

0:29:26.480 --> 0:29:30.240
<v Speaker 1>but like, I have no idea what became of that guitar.

0:29:31.040 --> 0:29:35.680
<v Speaker 1>I never uh took lessons, So maybe that's the key. Yeah,

0:29:35.720 --> 0:29:38.200
<v Speaker 1>I could totally see that. I just shut myself in

0:29:38.240 --> 0:29:42.760
<v Speaker 1>my room and and started buying tableature, which, if you

0:29:42.800 --> 0:29:45.400
<v Speaker 1>don't know what that is, instead of actual sheet music,

0:29:45.560 --> 0:29:47.680
<v Speaker 1>like written out like a you know, like real sheet

0:29:47.760 --> 0:29:51.880
<v Speaker 1>music tableature or little numbers on they kind of mimic

0:29:51.920 --> 0:29:55.000
<v Speaker 1>a six string guitar and they put little numbers on

0:29:55.040 --> 0:29:57.560
<v Speaker 1>the strings on where you should put your fingers. So

0:29:57.640 --> 0:29:59.720
<v Speaker 1>it allows anyone who can't read music to sort of

0:29:59.720 --> 0:30:04.160
<v Speaker 1>figure out songs like e E G, E e G.

0:30:06.520 --> 0:30:08.200
<v Speaker 1>What are those chords? Someone's going to call you out

0:30:08.200 --> 0:30:09.480
<v Speaker 1>on that. I don't know, but that that was the

0:30:09.560 --> 0:30:11.680
<v Speaker 1>Kids in the Hall reference more than even a Deep

0:30:11.680 --> 0:30:15.240
<v Speaker 1>Purple reference. Oh man, I love that band in the

0:30:15.320 --> 0:30:19.800
<v Speaker 1>in the skits, the little kid garage band. Yeah, it's

0:30:21.640 --> 0:30:24.720
<v Speaker 1>all right. So back to the log. The log was

0:30:24.880 --> 0:30:29.400
<v Speaker 1>very rough, very primitive, but what it did accomplish was

0:30:29.960 --> 0:30:35.040
<v Speaker 1>amplification without feedback in longer sustain. Yeah. And more importantly,

0:30:35.080 --> 0:30:38.080
<v Speaker 1>it was a solid body guitar. Like like Less Paul

0:30:38.280 --> 0:30:40.760
<v Speaker 1>kind of crack that code that Fender, as far as

0:30:40.760 --> 0:30:44.760
<v Speaker 1>I know, is still working on. Because this is nineteen right, Yeah,

0:30:44.800 --> 0:30:48.920
<v Speaker 1>this was pre uh yeah, early nineteen forty. I think

0:30:48.960 --> 0:30:50.920
<v Speaker 1>it was prely Offender for sure. Yeah, so I mean

0:30:51.000 --> 0:30:52.800
<v Speaker 1>Less Paul really does have a claim to fame to

0:30:52.920 --> 0:30:57.320
<v Speaker 1>creating the first wooden solid body electric guitar because I

0:30:57.320 --> 0:31:00.760
<v Speaker 1>think the frying pan was solid body aluminum. He figured

0:31:00.800 --> 0:31:02.800
<v Speaker 1>out that problem of reverse just get rid of the

0:31:02.840 --> 0:31:05.440
<v Speaker 1>hollow body, replace it with the solid body, and it

0:31:05.520 --> 0:31:07.400
<v Speaker 1>was ugly. That seems to be the big problem. It

0:31:07.440 --> 0:31:10.720
<v Speaker 1>wasn't exactly what he was looking for sound wise, but

0:31:10.800 --> 0:31:13.360
<v Speaker 1>it was definitely close enough that it was like, I'm

0:31:13.400 --> 0:31:15.680
<v Speaker 1>on the right track. Let me go show the people

0:31:15.680 --> 0:31:19.320
<v Speaker 1>at Gibson. They're gonna love this kind of thing. And um,

0:31:19.360 --> 0:31:22.320
<v Speaker 1>they basically laughed him out of the meeting in Kalamazoo,

0:31:22.480 --> 0:31:28.400
<v Speaker 1>Michigan because he um showed up with a really ugly guitar. Yeah,

0:31:28.440 --> 0:31:30.960
<v Speaker 1>and not only that, like they just didn't see the

0:31:31.040 --> 0:31:33.600
<v Speaker 1>vision because, like I said, they were working with these

0:31:33.960 --> 0:31:38.120
<v Speaker 1>ancient luthier's who had this ancient craft. They weren't ancient humans,

0:31:38.120 --> 0:31:40.280
<v Speaker 1>but they would wake them from the dead each day

0:31:40.360 --> 0:31:43.560
<v Speaker 1>to go to the workshop and create a new guitar.

0:31:44.560 --> 0:31:46.080
<v Speaker 1>But the point is they were doing great with these

0:31:46.080 --> 0:31:49.040
<v Speaker 1>big acoustic guitars, and they were like, no one's gonna

0:31:49.080 --> 0:31:52.840
<v Speaker 1>want to hear that, because this is what a guitar is, basically, like,

0:31:52.920 --> 0:31:54.800
<v Speaker 1>you don't it's not a lead instrument in the band.

0:31:54.880 --> 0:31:57.440
<v Speaker 1>Lead that to the horns and the piano. So he

0:31:57.520 --> 0:32:00.640
<v Speaker 1>was laughed out of there and a little egg on

0:32:00.680 --> 0:32:04.520
<v Speaker 1>his face. But this was a full five years before

0:32:04.600 --> 0:32:07.840
<v Speaker 1>Leo Fender came up with his first plant guitar, which

0:32:07.840 --> 0:32:11.680
<v Speaker 1>you should also look up just typing Leo Fender black

0:32:12.520 --> 0:32:15.560
<v Speaker 1>Plant guitar. And it looks a little more like a

0:32:15.560 --> 0:32:20.840
<v Speaker 1>guitar than the log, but not that much. No, it

0:32:20.840 --> 0:32:22.720
<v Speaker 1>looks more way more like a guitar than the log,

0:32:23.200 --> 0:32:24.920
<v Speaker 1>but it still doesn't look like a guitar as we

0:32:24.960 --> 0:32:27.040
<v Speaker 1>know it. Yeah, it was almost I get the impression

0:32:27.080 --> 0:32:31.240
<v Speaker 1>that he created the guitar kind of like how you

0:32:31.320 --> 0:32:33.560
<v Speaker 1>might build like a car out of clay, but the

0:32:33.600 --> 0:32:37.480
<v Speaker 1>axle works because you're testing wheels, I don't think people

0:32:37.720 --> 0:32:39.800
<v Speaker 1>and he built it as a test, yeah, but I

0:32:39.840 --> 0:32:41.640
<v Speaker 1>don't think we mentioned that though, Yeah, but it was

0:32:41.680 --> 0:32:44.200
<v Speaker 1>it was he was testing out like pickups and I

0:32:44.240 --> 0:32:47.200
<v Speaker 1>think testing the concept of a solid body as well.

0:32:47.680 --> 0:32:49.640
<v Speaker 1>But he wasn't making it like this is going to

0:32:49.720 --> 0:32:52.320
<v Speaker 1>be my prototype. But it turned out to actually be

0:32:52.520 --> 0:32:56.800
<v Speaker 1>kind of a prototype because um, when he uh, I

0:32:56.840 --> 0:32:59.000
<v Speaker 1>don't exactly know how word got around. I guess because

0:32:59.040 --> 0:33:00.920
<v Speaker 1>he was friends with band and so bands would kind

0:33:00.920 --> 0:33:02.760
<v Speaker 1>of come around the workshop to see what's going on,

0:33:03.160 --> 0:33:06.200
<v Speaker 1>and they started coming around seeing and hearing this guitar

0:33:06.320 --> 0:33:09.920
<v Speaker 1>that he made, and um, people started renting it apparently

0:33:09.960 --> 0:33:12.000
<v Speaker 1>for the weekend to go play shows with and just

0:33:12.160 --> 0:33:14.800
<v Speaker 1>knocking the socks off of the Bobby socksers in town

0:33:14.880 --> 0:33:17.720
<v Speaker 1>from what I can tell. Yeah, And at this point

0:33:17.760 --> 0:33:22.640
<v Speaker 1>he has the Fender Electric Instrument Company. Uh, it's legit.

0:33:22.840 --> 0:33:24.600
<v Speaker 1>And you know, in the background of all of this,

0:33:24.720 --> 0:33:26.600
<v Speaker 1>and we're not going to talk much about amps, but

0:33:26.960 --> 0:33:29.200
<v Speaker 1>in the background of all of this, he's building amps

0:33:29.280 --> 0:33:31.360
<v Speaker 1>along the way. He was one of the first sort

0:33:31.360 --> 0:33:34.440
<v Speaker 1>of master amp builders. Well, yeah, Fender amps are like

0:33:34.680 --> 0:33:40.320
<v Speaker 1>as famous as the guitar. Basically, yeah, so where are

0:33:40.360 --> 0:33:43.720
<v Speaker 1>we at right now? Fenders made his playing guitar, Leo's

0:33:43.760 --> 0:33:47.240
<v Speaker 1>got his log. Neither one of them are going places

0:33:47.320 --> 0:33:50.280
<v Speaker 1>immediately with it. It's just kind of like they've both

0:33:50.320 --> 0:33:54.040
<v Speaker 1>now cracked to the problem and there's a lot of

0:33:54.080 --> 0:34:00.160
<v Speaker 1>obstacles between them and fame, or at least guitar production fame. Um,

0:34:00.160 --> 0:34:02.959
<v Speaker 1>but you know what that means though, Right we're at

0:34:03.000 --> 0:34:05.880
<v Speaker 1>our second break. Oh good, okay, Chuck, I think that

0:34:06.000 --> 0:34:08.600
<v Speaker 1>was great. Um, so Chuck, just separ at our second break.

0:34:08.680 --> 0:34:11.520
<v Speaker 1>He's clearly driving this episode. Let's all go with it,

0:34:11.520 --> 0:34:43.759
<v Speaker 1>shall we shock? Okay, we're back, Chuck, We're back. We

0:34:43.880 --> 0:34:46.920
<v Speaker 1>got a log, We've got this little funny looking black,

0:34:46.920 --> 0:34:51.359
<v Speaker 1>solid body guitar, and uh, we need to pick back

0:34:51.440 --> 0:34:55.680
<v Speaker 1>up with with Les Paul In nineteen I guess forty

0:34:55.800 --> 0:35:00.279
<v Speaker 1>one ish. He moves to Los Angeles. He's and to

0:35:00.360 --> 0:35:04.319
<v Speaker 1>get session work. Uh he plays with Bing Crosby, who was, uh,

0:35:04.760 --> 0:35:06.759
<v Speaker 1>sort of one of the most popular singers at the time.

0:35:06.840 --> 0:35:09.360
<v Speaker 1>Oh yeah, dude. He moved to Los Angeles to be

0:35:09.520 --> 0:35:12.279
<v Speaker 1>near being Crosby, which I did little research, and that

0:35:12.360 --> 0:35:15.480
<v Speaker 1>was kind of a common thing, what to just want

0:35:15.480 --> 0:35:17.600
<v Speaker 1>to be near bing Crosses. Yeah, you've moved across the

0:35:17.640 --> 0:35:19.920
<v Speaker 1>country to be near bing Crosby unless you were one

0:35:19.960 --> 0:35:23.560
<v Speaker 1>of his kids. Oh is he a good father? Oh?

0:35:23.719 --> 0:35:27.000
<v Speaker 1>Really not a good dad. I didn't know that. Wait

0:35:27.000 --> 0:35:30.239
<v Speaker 1>a minute, are you thinking of mommy dearest? Oh yeah,

0:35:30.239 --> 0:35:34.080
<v Speaker 1>that's right, that's one thinking thinking of John Crawford. Uh.

0:35:34.320 --> 0:35:36.919
<v Speaker 1>But he was a huge, huge music star. Um Les

0:35:36.920 --> 0:35:39.080
<v Speaker 1>Paul was out there working with him. But then he

0:35:39.120 --> 0:35:41.879
<v Speaker 1>gets I don't think we mentioned he had electrocuted really

0:35:41.880 --> 0:35:45.640
<v Speaker 1>bad when he was twenty six playing music. He had

0:35:45.640 --> 0:35:48.840
<v Speaker 1>sweaty hands, held the microphone, was also touching the guitar strings,

0:35:49.320 --> 0:35:53.400
<v Speaker 1>completed a circuit and really damaged his hand such that

0:35:53.520 --> 0:35:55.359
<v Speaker 1>it took Uh. I mean I heard his whole body,

0:35:55.360 --> 0:35:58.000
<v Speaker 1>but it damaged his hand such that took quite a

0:35:58.040 --> 0:36:01.360
<v Speaker 1>couple of years to even recover, which was huge. Like

0:36:01.440 --> 0:36:03.640
<v Speaker 1>he he might have never played again, Like there was

0:36:03.680 --> 0:36:06.719
<v Speaker 1>a possibility that was going to happen. Yeah, and that's

0:36:06.760 --> 0:36:10.000
<v Speaker 1>just injury number one for him. Um but he gets

0:36:10.080 --> 0:36:13.040
<v Speaker 1>drafted in World War Two, goes to work in the

0:36:13.120 --> 0:36:17.440
<v Speaker 1>Army at the Armed Forces Radio Network and is playing guitar,

0:36:17.480 --> 0:36:20.840
<v Speaker 1>basically backing up the Andrews sisters backing up Being Crosby

0:36:20.880 --> 0:36:23.560
<v Speaker 1>when they do these USO tours. So as far as

0:36:23.560 --> 0:36:26.640
<v Speaker 1>the army goes in World War Two, pretty plumb gig right.

0:36:26.920 --> 0:36:29.719
<v Speaker 1>Um so. And plus he's again like he did move

0:36:29.760 --> 0:36:31.319
<v Speaker 1>to l A to Bean or being Crosby in the

0:36:31.320 --> 0:36:33.879
<v Speaker 1>fact that he's getting to like play with being Crosby.

0:36:33.920 --> 0:36:37.680
<v Speaker 1>Is I'm guessing a lifelong dream of his come true.

0:36:38.320 --> 0:36:40.520
<v Speaker 1>Um And even after the war, I guess he made

0:36:40.600 --> 0:36:43.800
<v Speaker 1>enough of a connection with being Um I'm on a

0:36:43.840 --> 0:36:46.759
<v Speaker 1>first name basis with him. By the way, um he

0:36:47.080 --> 0:36:51.680
<v Speaker 1>uh that that Less Paul um kind of I guess became.

0:36:51.800 --> 0:36:53.520
<v Speaker 1>I don't know if there was like a mentor thing,

0:36:53.520 --> 0:36:56.480
<v Speaker 1>but at the very least he definitely patronized. Less Paul

0:36:56.600 --> 0:36:59.279
<v Speaker 1>helped his career big time. One of the things that

0:36:59.360 --> 0:37:02.719
<v Speaker 1>really helped Less Paul become like a genuine, bona fide star.

0:37:02.800 --> 0:37:04.640
<v Speaker 1>He was already fairly well known and a lot of

0:37:04.680 --> 0:37:07.400
<v Speaker 1>circles had some hits, but what really shot him to

0:37:07.440 --> 0:37:11.279
<v Speaker 1>the top was the song called It's Been a Long

0:37:11.360 --> 0:37:14.319
<v Speaker 1>Long Time. It's actually a really good song, but it

0:37:14.400 --> 0:37:17.000
<v Speaker 1>was kind of a song that was a hit because

0:37:17.040 --> 0:37:21.399
<v Speaker 1>it kind of summed up America trudging wearily back from

0:37:21.440 --> 0:37:24.360
<v Speaker 1>World War Two. Um, and it's just kind of like

0:37:24.400 --> 0:37:29.440
<v Speaker 1>this mellow solemn song where, uh, it's almost I'm sure

0:37:29.480 --> 0:37:32.160
<v Speaker 1>there's other instruments, but my ears pick up Bing Crosby's

0:37:32.239 --> 0:37:37.080
<v Speaker 1>vocals and Less Paul's jazz guitar um and they his

0:37:37.200 --> 0:37:40.839
<v Speaker 1>guitar enhances the vocals so much. But there's a actual

0:37:40.920 --> 0:37:44.960
<v Speaker 1>guitar solo in there, and it's slow, but it's really good.

0:37:45.200 --> 0:37:48.160
<v Speaker 1>And that kind of shot Less Paul to superstardom from

0:37:48.200 --> 0:37:51.560
<v Speaker 1>that point on. Yeah, so Bing Crosby is like, you

0:37:51.600 --> 0:37:55.160
<v Speaker 1>need to open up a studio. I'll even help finance

0:37:55.160 --> 0:37:58.280
<v Speaker 1>this thing. He did so in his garage and before

0:37:58.280 --> 0:38:01.759
<v Speaker 1>you know it, and Los Angeles, all these famous people

0:38:01.800 --> 0:38:05.240
<v Speaker 1>are stopping by Les Paul's garage to hear him play,

0:38:05.280 --> 0:38:08.239
<v Speaker 1>to hang out with him. Uh. He, like I said,

0:38:08.239 --> 0:38:10.879
<v Speaker 1>he was a very gregarious guy. So people just kind

0:38:10.880 --> 0:38:13.200
<v Speaker 1>of wanted to be around him. And this is all

0:38:13.280 --> 0:38:17.040
<v Speaker 1>going great, but he still wasn't quite satisfied with what

0:38:17.080 --> 0:38:20.600
<v Speaker 1>was going on because the sound just still wasn't there.

0:38:21.200 --> 0:38:24.520
<v Speaker 1>He was he he called it sound on sound recording.

0:38:24.520 --> 0:38:28.000
<v Speaker 1>He was the first person, or one of the first

0:38:28.040 --> 0:38:31.560
<v Speaker 1>people to experiment with studio techniques where you could layer

0:38:32.680 --> 0:38:34.960
<v Speaker 1>recordings on top of one another. And this was before

0:38:35.440 --> 0:38:38.319
<v Speaker 1>they were even recording on magnetic tape. Yeah, dude, multi

0:38:38.400 --> 0:38:41.600
<v Speaker 1>track recording like you know how you hear drums playing,

0:38:41.719 --> 0:38:43.799
<v Speaker 1>and you hear a guitar playing, and then you hear

0:38:43.840 --> 0:38:47.359
<v Speaker 1>like vocals, all of those musicians may never have even

0:38:47.360 --> 0:38:49.040
<v Speaker 1>been in the same room at the same time. You

0:38:49.040 --> 0:38:51.759
<v Speaker 1>can do that with multi track recording. Back in the day,

0:38:51.760 --> 0:38:53.440
<v Speaker 1>if you wanted to make a recording, you had to

0:38:53.480 --> 0:38:55.360
<v Speaker 1>get everybody into a room. You all had to be

0:38:55.400 --> 0:38:57.960
<v Speaker 1>playing it once. He had to be playing the song together,

0:38:58.200 --> 0:39:00.600
<v Speaker 1>and then you recorded it and that was the record wording, right,

0:39:00.840 --> 0:39:03.279
<v Speaker 1>So did it come up with multi track recording? Was

0:39:03.360 --> 0:39:05.719
<v Speaker 1>huge in and of itself, But I looked into what

0:39:05.760 --> 0:39:09.360
<v Speaker 1>he was actually doing and it's mind boggling. He would

0:39:09.640 --> 0:39:11.760
<v Speaker 1>He came up, I think, with a song called Lover

0:39:12.760 --> 0:39:15.640
<v Speaker 1>and it was was that the one where it's like

0:39:15.719 --> 0:39:20.120
<v Speaker 1>seven tracks or eight tracks of guitars. And the way

0:39:20.160 --> 0:39:22.800
<v Speaker 1>that he made each track was he recorded one track,

0:39:22.960 --> 0:39:26.360
<v Speaker 1>the first initial track onto acetate. He made a record

0:39:26.440 --> 0:39:29.160
<v Speaker 1>of that, and then he took that record and he

0:39:29.239 --> 0:39:31.920
<v Speaker 1>played it, and then he played along with it, and

0:39:31.960 --> 0:39:35.360
<v Speaker 1>then he recorded that onto another record, and then another record,

0:39:35.480 --> 0:39:38.239
<v Speaker 1>and then another record, and by the time he was

0:39:38.320 --> 0:39:41.760
<v Speaker 1>doing his seventh track, he had a record of seven

0:39:42.600 --> 0:39:45.480
<v Speaker 1>of seven tracks playing all at once on one record

0:39:45.520 --> 0:39:47.800
<v Speaker 1>that he had recorded one by one, and he was

0:39:47.840 --> 0:39:50.400
<v Speaker 1>playing the eighth track with it. And if you messed

0:39:50.480 --> 0:39:52.759
<v Speaker 1>up one time, say on track five, he had to

0:39:52.760 --> 0:39:55.680
<v Speaker 1>start all over at the beginning, unless he still had

0:39:55.719 --> 0:39:59.120
<v Speaker 1>those first few tracks handy. Hopefully he didn't break each

0:39:59.160 --> 0:40:02.440
<v Speaker 1>record after each recording or anything like that, but in

0:40:02.560 --> 0:40:05.400
<v Speaker 1>that nuts going to that, and that was about as

0:40:05.440 --> 0:40:08.759
<v Speaker 1>innovating uh form of music as anyone had come up

0:40:08.760 --> 0:40:11.759
<v Speaker 1>with to that point. Yeah, it's funny when you hear

0:40:11.800 --> 0:40:15.280
<v Speaker 1>people working with like pro tools and dragon drop digital

0:40:15.320 --> 0:40:17.399
<v Speaker 1>recording now and they talk about like in the old

0:40:17.440 --> 0:40:19.920
<v Speaker 1>days when they used when they would cut and spice tape,

0:40:20.239 --> 0:40:24.560
<v Speaker 1>like go back even further, dude to less Paul doing

0:40:24.600 --> 0:40:29.600
<v Speaker 1>this on actual actual ascetate records. It's crazy. It is crazy.

0:40:29.640 --> 0:40:31.560
<v Speaker 1>When I was like, what what does that mean? What

0:40:31.719 --> 0:40:33.880
<v Speaker 1>was he doing? Like dueling a state records? And I

0:40:33.960 --> 0:40:36.919
<v Speaker 1>looked tonight my eyes popped out of my head. Yeah,

0:40:36.920 --> 0:40:39.680
<v Speaker 1>it's it's pretty remarkable. The innovations he was coming up with.

0:40:40.360 --> 0:40:43.800
<v Speaker 1>So he's doing all that, he's becoming more and more popular,

0:40:44.520 --> 0:40:47.240
<v Speaker 1>and then a very faithful thing happened. Uh a steel

0:40:47.239 --> 0:40:51.440
<v Speaker 1>guitar player name. Uh do we say Joaquin Murphy. That's

0:40:51.440 --> 0:40:53.760
<v Speaker 1>how I'm going with all right, that's how it spelled.

0:40:54.239 --> 0:40:56.560
<v Speaker 1>H He came over to Less's house one day and

0:40:56.600 --> 0:40:58.160
<v Speaker 1>he said, you know what, I got this guy here.

0:40:58.800 --> 0:41:01.320
<v Speaker 1>I want you to meet him. And he's really good

0:41:01.760 --> 0:41:04.000
<v Speaker 1>with working on amplifiers, and I think you guys might

0:41:04.000 --> 0:41:06.520
<v Speaker 1>like each other. Uh. And his name is Leo Fender

0:41:07.120 --> 0:41:10.440
<v Speaker 1>and where you know it? And this this is movie territory.

0:41:10.880 --> 0:41:15.239
<v Speaker 1>Leo Fender and Les Paul are hanging out together, trying

0:41:15.239 --> 0:41:20.200
<v Speaker 1>to figure stuff out together, work shopping, problem solving. They um,

0:41:20.239 --> 0:41:22.400
<v Speaker 1>you know, they pointed out, and he's right that they

0:41:22.440 --> 0:41:25.239
<v Speaker 1>weren't like great friends. But it's not like they were

0:41:25.320 --> 0:41:27.879
<v Speaker 1>enemies or rivals at first. They just were really really

0:41:27.880 --> 0:41:31.840
<v Speaker 1>different from each other. Yeah. Um, they kind of shared

0:41:31.880 --> 0:41:34.680
<v Speaker 1>a U at the very least, they had a common

0:41:34.719 --> 0:41:37.279
<v Speaker 1>problem or a common quest that they were both working on.

0:41:37.320 --> 0:41:40.239
<v Speaker 1>They were just not similar people personality wise, so they

0:41:40.280 --> 0:41:43.239
<v Speaker 1>didn't click. They were like, this is great, let's be

0:41:43.280 --> 0:41:47.319
<v Speaker 1>partners were the same, right exactly, but they also were

0:41:47.360 --> 0:41:51.600
<v Speaker 1>also kind of becoming rivals a little bit too, right, well,

0:41:52.200 --> 0:41:54.320
<v Speaker 1>not quite yet. Like at this point they were genuinely

0:41:54.600 --> 0:41:57.880
<v Speaker 1>trying to figure stuff out together. Uh, and I think

0:41:58.280 --> 0:42:02.320
<v Speaker 1>like Leo was coming over every he can basically musicians

0:42:02.320 --> 0:42:05.000
<v Speaker 1>would come over still, and he would ask them questions

0:42:05.000 --> 0:42:07.200
<v Speaker 1>and try and figure stuff out, try and solve these

0:42:07.239 --> 0:42:11.000
<v Speaker 1>amplification problems. But um, yeah, there may have been a

0:42:11.040 --> 0:42:14.200
<v Speaker 1>little friendly like let's see what this guy's got kind

0:42:14.200 --> 0:42:15.840
<v Speaker 1>of thing, but you know, Les Paul was like, you

0:42:15.880 --> 0:42:19.960
<v Speaker 1>can't even play yeah. And again remember remember though Fender.

0:42:20.200 --> 0:42:23.000
<v Speaker 1>By this time he had a company, the Fender Electric

0:42:23.040 --> 0:42:28.640
<v Speaker 1>Instrument Company. He was mostly focusing on electric steel guitars because, um,

0:42:28.760 --> 0:42:31.520
<v Speaker 1>not just country Western love that stuff, but Hawaiian music

0:42:31.560 --> 0:42:34.160
<v Speaker 1>was really huge as well. Um, and they use a

0:42:34.239 --> 0:42:37.080
<v Speaker 1>lap steel guitar. So um, he was he had a

0:42:37.080 --> 0:42:40.960
<v Speaker 1>company already going. Les Paul had his own musical career going.

0:42:41.320 --> 0:42:43.480
<v Speaker 1>He was just kind of, you know, he tinkered because

0:42:43.480 --> 0:42:46.160
<v Speaker 1>he needed to his his focuses on his musical career.

0:42:46.280 --> 0:42:48.080
<v Speaker 1>So I could see there being like a little bit

0:42:48.080 --> 0:42:50.120
<v Speaker 1>of a rivalry and that they were trying to crack

0:42:50.200 --> 0:42:53.960
<v Speaker 1>the same problem, but other than that, they weren't necessarily rivals.

0:42:54.000 --> 0:42:57.680
<v Speaker 1>You know, that's right. Uh. And in order to really

0:42:57.680 --> 0:42:59.800
<v Speaker 1>solve this problem, it would take the entrance of a

0:43:00.080 --> 0:43:03.479
<v Speaker 1>or gentlemen that we haven't even mentioned yet that was very,

0:43:03.560 --> 0:43:06.279
<v Speaker 1>very important to the story of the electric guitar. And

0:43:06.480 --> 0:43:08.919
<v Speaker 1>that is where we're going to leave you for part one.

0:43:09.960 --> 0:43:13.120
<v Speaker 1>Nice Chuck, it was a very good cliffhanger. Who could

0:43:13.120 --> 0:43:15.200
<v Speaker 1>it be? I don't know, but you're gonna have to

0:43:15.280 --> 0:43:19.200
<v Speaker 1>tune in Thursday to find out. In this very special

0:43:19.239 --> 0:43:25.160
<v Speaker 1>two part episode of Stuff you Should Know, My money's

0:43:25.160 --> 0:43:31.200
<v Speaker 1>on CC to Bill. Stuff You Should Know is a

0:43:31.239 --> 0:43:34.600
<v Speaker 1>production of I Heart Radio. For more podcasts my heart Radio,

0:43:34.840 --> 0:43:37.840
<v Speaker 1>visit the i heart Radio app, Apple Podcasts, or wherever

0:43:37.880 --> 0:43:39.280
<v Speaker 1>you listen to your favorite shows.