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Speaker 1: Look at my you, guys, I got a new setup.

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Speaker 2: You're in New York, Brook, Listen. Not only are you

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Speaker 2: in New York right now, your camera is four to

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Speaker 2: the fucking K.

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Speaker 1: Yeah, bro, this is what you're supposed to have. Because

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Speaker 1: we talked about it privately.

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Speaker 2: Shooting dropped the new show, yet I'm still in beta.

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Speaker 1: Well I can't. I can only lead a beautiful horse

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Speaker 1: to water, I can't make him drink. I have switched

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Speaker 1: all my recording audience to four K because we'd hoped

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Speaker 1: to put this on YouTube, but Donald refuses. He has

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Speaker 1: the camera, but will not do it.

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Speaker 2: I want to do us appropriately right now. You know what.

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Speaker 2: The camera is somewhere in like one of my camera

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Speaker 2: bags right now, and I've listened.

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Speaker 1: If you don't, if you don't want to do the thing,

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Speaker 1: you don't have to do the thing. I don't. We

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Speaker 1: were going to put this show on YouTube and shoot,

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Speaker 1: it doesn't sound like you want to do the thing.

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Speaker 2: I really want to do the thing I'm trying to get.

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Speaker 1: It would take you like four minutes.

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Speaker 2: A little bit longer than that, but not real.

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Speaker 1: I want to do the thing, all right, Well, we

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Speaker 1: don't have to do the audience doesn't have to be

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Speaker 1: bored with this bullshit.

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Speaker 2: It's not bullshit, Zach.

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Speaker 1: Well, the audience doesn't care if we shoot this on

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Speaker 1: four K or not. I just happened to care.

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Speaker 2: That's that's the that's the director in you. You're always

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Speaker 2: looking at the new gadget like it's it's a new toy.

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Speaker 1: Well, speaking of new gadgets, I have a whole. I

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Speaker 1: want to thank Daniel. It's Daniel, right, I want to

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Speaker 1: thank I want to thank Daniel. He came over here

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Speaker 1: to my apartment Donald and he set up a whole.

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Speaker 1: I got a whole situation here.

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Speaker 2: I got the outside of work.

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Speaker 1: Yeah, we did. He came over, Zach made me an espresso.

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Speaker 1: It was delicious. I made him espresso.

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Speaker 2: You made it from scratcher to the machine made it

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Speaker 2: for you?

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Speaker 1: Well, the machine involved. The machine was either.

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Speaker 2: Way, you know exactly what I'm talking about. Don't act

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Speaker 2: like you don't know. Multiple did you have to freaking.

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Speaker 1: It meant the same to me either way. I I

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Speaker 1: I aspire to be like have a realist russel machine

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Speaker 1: and like do all the techniques that I see people

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Speaker 1: doing on Instagram. But no, I just made him an

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Speaker 1: espresso pod. But it was delicious.

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Speaker 2: Every time I walk into Williams Sonoma, I peruse by.

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Speaker 1: The Yeah, but you got to learn. Actually found it

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Speaker 1: on Instagram. I actually found this guy on Instagram whose

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Speaker 1: whole thing is like he'll teach you like you you

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Speaker 1: you d m him and then he gives you like

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Speaker 1: a one hour workshop, like everything you need to know

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Speaker 1: to like do it right. And I was about to

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Speaker 1: do it, but I didn't buy the machine.

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Speaker 2: I'm so shiny and beautiful. Come on, now, do you

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Speaker 2: know how beautiful that thing is?

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Speaker 1: My problem is already. My problem is I already have

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Speaker 1: so much fucking caffeine in my life, Like do I

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Speaker 1: need a reason to have more?

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Speaker 2: But you're making it yourself. You're grinding the beans.

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Speaker 1: I know you got to grind the beans. You gotta

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Speaker 1: get Oh, you know about waiting ship, Daniel. He's saying,

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Speaker 1: eighteen grams this fucking Smokeyeah, because there's a scale. I'll

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Speaker 1: look at that.

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Speaker 2: Did you fucking make that? Yeah?

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Speaker 1: I mean I have been getting into making my own espresso.

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Speaker 2: Yeah, Okay, you're a gentleman. You're a gentleman, Daniel. You're

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Speaker 2: a gentleman because this nigga made you pod fucking express espresso?

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Speaker 1: Are you judging me?

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Speaker 2: You and you were very very nice about it. You

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Speaker 2: were very very nice about it, especially because you can

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Speaker 2: make your.

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Speaker 1: Own Daniel, it's Daniel. I have a question. Did you

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Speaker 1: did you feel like because I thought I was making

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Speaker 1: a nice gesture, but did you did you feel like,

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Speaker 1: oh this, this motherfucker has an espresso? It's bullshit. I

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Speaker 1: don't want it, not at all, not even for a

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Speaker 1: split second.

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Speaker 3: Also, you're so lovely. That's actual espresso cups, the actual

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Speaker 3: espresso cups. You should have seen the presentation with Oh yeah,

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Speaker 3: I also put it on us. Not only did I

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Speaker 3: give him a espresso cup, I put it on the

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Speaker 3: little mini dish.

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Speaker 2: But you did the thing how Daniel felt this is.

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Speaker 1: How this is how Daniel felt.

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Speaker 4: You honored me. You honor me truly.

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Speaker 1: But Daniel, like Donald's saying, I didn't know, like was

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Speaker 1: there judgment because you're sort of an espresso snob.

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Speaker 3: No, that's the thing. It's to me, like for me,

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Speaker 3: this is you.

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Speaker 2: Said the exact amount of weight.

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Speaker 1: You said, grand grind eighteen.

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Speaker 2: Guns to be that's a double shot into nice. You

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Speaker 2: honor me a double chef.

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Speaker 4: Look interesting and you honor me.

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Speaker 3: This is this is one of my personal interests. I

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Speaker 3: love coffee. I found myself spending way too much money

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Speaker 3: at your Starbucks's or whatever. I love making lattes. It

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Speaker 3: was just something that I was like, the espresso machine

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Speaker 3: was on sale for Cyber Monday. It was one of

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Speaker 3: these things I was.

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Speaker 1: Like, you know, I'm just gonna do this.

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Speaker 2: You gotta invest. You gotta invest after you buy because

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Speaker 2: it's such an expensive machine, you know what I mean.

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Speaker 2: It's not one of those I mean, look at it's

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Speaker 2: like three ninety nine at you know what I mean.

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Speaker 2: The low is three ninety nine for expresso machines, right,

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Speaker 2: so you look at that. That's not Come on, man,

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Speaker 2: you know what I could do it three nights. I

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Speaker 2: could buy a lot of week for three ninety nine, bro,

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Speaker 2: Like I could get down for Donald.

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Speaker 1: Looks into Donald doesn't look at cash in terms of cash.

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Speaker 1: He looks at it in terms of how much weaed

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Speaker 1: he could buy well.

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Speaker 2: In the budget. That shit's for real, man. You look

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Speaker 2: at that shit. You know what I'm saying, that's a

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Speaker 2: lot of week. You're like, all right, I'm for a month,

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Speaker 2: two months, I'm unless you're.

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Speaker 1: Unless you're donald. Then you're like, that's a week. Two weeks.

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Speaker 2: Yeah, you know sometimes that it is like that sometimes.

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Speaker 2: But my point is you have to invest after you

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Speaker 2: buy that machine, you have to invest.

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Speaker 1: And you gotta get a good grinder too. It's like,

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Speaker 1: you got to get a good grinder, Daniel. I went

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Speaker 1: down the wormhole on Instagram, and it's all about the grind.

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Speaker 3: Really fine grind. You gotta get a good one.

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Speaker 1: And it's all about the quality of the There's a

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Speaker 1: the cinematographer for shrinking has this whole setup on the

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Speaker 1: camera truck and he one of his assistants will be like,

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Speaker 1: you look a little tired. You want one, And I'm like,

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Speaker 1: I'll have one. And then one of his assistants, like

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Speaker 1: five minutes later, brings you like the most beautiful you know,

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Speaker 1: homemade espresso with fucking oat milk and maize rules.

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Speaker 2: It's got to be soothing for your mental you know

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Speaker 2: what I mean. Like, if I'm at work all day

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Speaker 2: and I need a break, I don't want to break

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Speaker 2: in my on the toilet in my I mean, that's

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Speaker 2: nice too. Don't get it twisted.

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Speaker 1: I'm not following. Start this paragraph over.

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Speaker 2: I exactly what I mean sometimes you're like, I'm gonna

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Speaker 2: go take a shit, and all you really do at work,

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Speaker 2: don't everybody out there does it is you go in

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Speaker 2: the bathroom and you sit on the toilet and you

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Speaker 2: just take a fucking break. Everybody does it no matter what. Now,

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Speaker 2: imagine if your break could be creative, like you know

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Speaker 2: you're being, you're being an artist as well. I'm gonna

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Speaker 2: make you a fucking coffee, or I'm gonna make myself

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Speaker 2: a fucking coffee. Not only is it gonna be a coffee,

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Speaker 2: it's gonna be a coffee that's gonna fucking zip you

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Speaker 2: or myself awake, and we're gonna be back up in

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Speaker 2: this bitch again.

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Speaker 1: Dan, How long does it take you from start to finish?

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Speaker 1: How long does it take you to make a beautiful cappuccino?

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Speaker 1: Right now, it takes me forty five minutes.

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Speaker 2: I lie better at it.

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Speaker 3: It takes me five minutes.

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Speaker 1: So you put the scale on the grinder and then

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Speaker 1: the beans, the grinded ground beans come out, and then

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Speaker 1: you do a certain amount of grams eighteen you said eighteen,

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Speaker 1: and then you have to tamp it. What's it called

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Speaker 1: tamp it? You have to just tamp it down. Yeah,

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Speaker 1: you the vice distribution technique where you take like a

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Speaker 1: very thin pin and break up. Because what happens is

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Speaker 1: when you grind the beans, they tend to clump up,

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Speaker 1: and when you put that into your espresso machine, even

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Speaker 1: after you tamp it, you can have what's called channeling

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Speaker 1: and it doesn't really fully infuse.

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Speaker 3: Oh my god, I don't need the guy. Damn, I'm

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Speaker 3: just going to hire you. You just mix it up.

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Speaker 3: You mix it up with like they make these really

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Speaker 3: thin pins. Imagine like a bunch of little needles on

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Speaker 3: like a little like cork thing. Yeah, mix it up

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Speaker 3: to mix up the beans and so that there's no

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Speaker 3: clumps in there. Then you tamp it down. Then you

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Speaker 3: put it in your machine. Double shot. You're going for

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Speaker 3: like a two to one ratio of weight of beans

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Speaker 3: to the yield of espresso. So it's like eighteen grams

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Speaker 3: of beans you want thirty six grams of espresso, just

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Speaker 3: about thirty five thirty second extraction ish and then you

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Speaker 3: got yourself cup of coffee.

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Speaker 2: Dan, you could steal casey from me. You could steal

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Speaker 2: it right now with this conversation, I'm gonna tell you

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Speaker 2: ain't none like coffee in the morning, especially when taken

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Speaker 2: when made with love. It sounds like you're making it

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Speaker 2: with love. Every time I got these needles, I stick

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Speaker 2: it in there. Fucking come on, bro.

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Speaker 1: The more he talks about the the more he talks

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Speaker 1: about the weight of it, Donald, the more I feel

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Speaker 1: like how much he must have been looking down on

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Speaker 1: mine espresso pod.

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Speaker 2: After I'm trying to say, man, not at all. He

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Speaker 2: was even looking at the brand of machine it was.

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Speaker 2: He was like, what is that?

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Speaker 1: Yeah, I gotta say the kitchen did you? Did you ask?

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Speaker 1: Were you wondering if I weighed min espresso pods?

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Speaker 2: That skill?

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Speaker 1: I don't know how many grams it is, but I

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Speaker 1: can weigh it for you. I gotta tell you, guys,

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Speaker 1: the sweet Sorry, what go ahead?

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Speaker 2: You go first? And then I got three things I

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Speaker 2: got to talk about this.

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Speaker 1: It's so pretty today in New York City. It's like

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Speaker 1: the day listen if you ever want to see. If

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Speaker 1: you like New York City, walk around in May on

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Speaker 1: a beautiful day. It is seventy five degrees and sunny,

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Speaker 1: and everyone is so excited. The sun dresses are out,

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Speaker 1: the fucking tank tops are out. Everyone's feeling themselves. Everyone's

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Speaker 1: got a little pep in their step. The tulips are

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Speaker 1: out right, Daniel, you know, it's gorgeous. And I'm walking

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Speaker 1: around and it's so beautiful. And I'm sitting in the

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Speaker 1: park and I'm listening to some music and a guy

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Speaker 1: walks by me and he doesn't tap my shoulder, he

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Speaker 1: doesn't try to get my attention. He just turns his

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Speaker 1: phone around to show me that he's listening to fake

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Speaker 1: Doctor's real friends. And then he taps, and then he

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Speaker 1: just taps his heart and keeps walking.

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Speaker 5: I've burst into tears. So that's so beautiful.

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Speaker 1: It was so sweet because he wasn't asking anything. He

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Speaker 1: wasn't like, let's get a selfie. He was just like

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Speaker 1: showed me, then tapped his heart and kept moving. I

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Speaker 1: love that. That's appreciation right there.

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Speaker 4: Wow, I loved it.

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Speaker 2: We have that's appreciation homes.

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Speaker 1: That was That's felt really nice and like, I just

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Speaker 1: like And also the fact that I was coming home

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Speaker 1: to do an episode, it just made me feel really nice.

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Speaker 2: I'm actually going to record it now.

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Speaker 1: Yeah, I'm gonna go do the thing. Wait, okay, go ahead,

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Speaker 1: you go first, Go ahead, No, you go first.

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Speaker 2: I don't want to go ahead, bay, No, I don't

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Speaker 2: want to, baby, girl. I want you to have your.

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Speaker 1: G u r L girl. Did you watch that Tom

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Speaker 1: Brady roast? My god, that was crazy? Did you watch

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Speaker 1: the whole thing? I told you to watch the whole time.

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Speaker 2: I've just watched, uh what you called segments?

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Speaker 1: You just watched.

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Speaker 2: But we need to sit down, my wife and I

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Speaker 2: and watch this ship because this sounds like it's up

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Speaker 2: my alley.

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Speaker 1: It is crazy. I love I never would never want

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Speaker 1: to be anywhere near one, but I love to watch one.

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Speaker 1: I like to watch one with my with my hand

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Speaker 1: over my eyes and with one eye peeking out. I

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Speaker 1: like to watch a roast. All right, what else you

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Speaker 1: want to talk about?

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Speaker 2: Okay? So there was that second thing is, Look, I've

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Speaker 2: been in movies before and they have gone on to

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Speaker 2: do very well, but then when re released twenty years later,

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Speaker 2: and they don't necessarily perform like they did when they

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Speaker 2: were released.

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Speaker 1: The original What got re released it was the Phantom

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Speaker 1: Minutscout re released it did fourteen.

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Speaker 2: Point five million in the fucking box office.

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Speaker 6: Dude, This shit comes from TBS and TNT weekly weekly,

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Speaker 6: and they put it into fucking theaters and fourteen point

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Speaker 6: five million dollars was made for Disney.

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Speaker 1: Well that's your shows. That just shows how many people

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Speaker 1: out there are like you, Donald. I'm surprised you didn't,

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Speaker 1: Oh you don't like one of the movies, But there's

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Speaker 1: so many people out there.

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Speaker 2: It's listen. If anything, it's it's it's it's promising for

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Speaker 2: fucking movie theaters. If you have product that everybody wants

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Speaker 2: to see, you can freaking make some movies can still

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Speaker 2: be released in theaters.

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Speaker 1: I think that that's I don't know that that anecdote

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Speaker 1: is really gonna going to prove that there's that many

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Speaker 1: properties that can do. Now, it's just the Star Wars,

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Speaker 1: as you know, is a religion for people like you,

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Speaker 1: and so it's like making a pilgrimage to the theater

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Speaker 1: to honor the film. I mean, I don't know that

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Speaker 1: there's that many films that are going to get re

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Speaker 1: released and make fifteen million dollars.

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Speaker 2: Well, there are a lot of movies that are like

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Speaker 2: that for people, though, is what I'm trying to say

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Speaker 2: as well. There are a lot of movies that could.

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Speaker 1: Be really on the level of the Star Wars. You know, religion.

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Speaker 5: Absolutely, they just did a twenty fifth anniversary release of

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Speaker 5: the Mummy as well, didn't do Star Wars. Box office numbers.

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Speaker 5: Was sold out in every theater in my area for

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Speaker 5: like the three showings they had across the league end.

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Speaker 5: So I think releases are definitely we'reeeing it like a

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Speaker 5: resurgency did one for Alien and a bunch of others.

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Speaker 5: But I don't think we're going to see frequently like

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Speaker 5: a number two blocks. That's like a Lord of the

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Speaker 5: Rings Harry Potter sort of.

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Speaker 2: That's what I'm trying. There's if it's the right property,

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Speaker 2: people will definitely go and see like I would see,

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Speaker 2: you know what I would see in theaters again, I

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Speaker 2: fucking go see Jaws in theaters. Fucking are you kidding me?

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Speaker 2: Right now? Are you kidding? That would be fucking dope

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Speaker 2: to watch right now?

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Speaker 5: That was my best film experience ever. I saw it

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Speaker 5: on a beach in can and it.

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Speaker 4: Was, Oh, that's amazing.

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Speaker 5: It was wonderful. I love a rescreening, They're great.

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Speaker 4: You know.

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Speaker 3: To Donald's point about the rescreenings, one of my favorite

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Speaker 3: events that happens every year, and I think it's mostly

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Speaker 3: New York and LA, but there's a Jibbly Fest every

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Speaker 3: year where they re rescreen a lot of the Hyo

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Speaker 3: Miyazaki library and you can just go and see my

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Speaker 3: neighbor Totoro. You can see from this moonon. Okay, you

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Speaker 3: can go see Castle in the Sky in a theater again.

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Speaker 3: And every time that one of those showings happen, it

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Speaker 3: happens for like a week or two every year. But

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Speaker 3: like those showings sell out and it doesn't again, like

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Speaker 3: those are pretty like totemic in the space of like anime.

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Speaker 3: He is important, he's a huge director. But like I

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Speaker 3: think there might be a space for these kinds of

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Speaker 3: like collection type rescreenings where it may not be one movie,

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Speaker 3: but like if there was like all, like how many

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Speaker 3: Jaws are there like three to remember?

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Speaker 2: I don't necessarily you know what I'm saying.

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Speaker 1: I'm saying if there was like some sort of collection

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Speaker 1: that might be like a like a Spielberg collection. Sure, yeah, exactly, director.

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Speaker 2: Man, that should make a lot of money. Man, I

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Speaker 2: want to tell you that in theaters again right now.

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Speaker 1: I wanted to also tell you that Daniel, because he

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Speaker 1: delivered a whole setup to in New York. He also

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Speaker 1: programmed a couple New jams and the sound machine. Donald,

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Speaker 1: are you ready?

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Speaker 7: I want to meet Scrubs and I want to meet

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Speaker 7: Black Scrubs too, Donald, you have we finally have it.

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Speaker 2: I love that.

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Speaker 7: I want to meet Scrubs and I want to meet

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Speaker 7: Black Scrubs too, and I want to eat Black Scrubs too.

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Speaker 1: And he also gave me this so I can queue

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Speaker 1: it on my own. All right, let's get in the show.

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Speaker 1: What's your third thing?

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Speaker 4: Go ahead, all right?

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Speaker 2: My third one is this. I know Joe Well has

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Speaker 2: been watching it because she has it on her chest.

335
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Speaker 2: But have you been watching X Men? The new people

336
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Speaker 2: out there? Have you been watching this cartoon? What is

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Speaker 2: it called?

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Speaker 8: Yeah?

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Speaker 2: This might be the best. This is holy fucking ship, dude.

340
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Speaker 2: This is like the best soap opera I've ever watched

341
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Speaker 2: in my life.

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Speaker 5: Truly, so true life. Watch it.

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Speaker 2: No, it's not for kids. This is like the best.

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Speaker 2: Oh my gosh.

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Speaker 5: Crazy doing. I was really really.

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Speaker 9: To this.

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Speaker 2: Motherfucker. Everything happens to the mutants in this everything. This

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Speaker 2: is like I can't wait to see how this translates

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Speaker 2: to the Marvel universe because this is supposed to be

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Speaker 2: the entrance. This is Deadpool and all of that stuff.

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Speaker 1: So they made sort of like an they made sort

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Speaker 1: of like an R rated cartoon kind of thing.

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Speaker 5: You know.

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Speaker 2: The cartoon was always like four teenagers meant four teenagers.

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Speaker 2: When it was on television, I think it was like

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Speaker 2: eight seasons of the X Men some shit like that.

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Speaker 5: Uh yeah, they're six or seven, I think.

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Speaker 2: Six or some shit like that, right, And it's a

359
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Speaker 2: lot of stories, but it's but it's it's uh, it

360
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Speaker 2: was stories that people cared about, you know what I mean.

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Speaker 2: People followed. Once you followed it, once you were in,

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Speaker 2: you were in you know what I mean.

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Speaker 5: Yeah, for some context, this is in the nineties, this

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00:16:51,880 --> 00:16:53,720
Speaker 5: is around Batman, the animated series, so we see a

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Speaker 5: lot of like superhero stuff making their way into animation,

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Speaker 5: which sort of was feeding off the boom of the

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Speaker 5: movies that were coming out Batman eighty nine and so forth.

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Speaker 5: And it was great as a Fox show, so it

369
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Speaker 5: was a Saturday morning it was actually like it was

370
00:17:05,320 --> 00:17:08,000
Speaker 5: geared towards children, but it's definitely fo an older audience.

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Speaker 5: But yeah, yeah, when Bodameo came back and wanted to

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Speaker 5: relaunch it, he was like, I'm tired of X Men

373
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Speaker 5: always just being about Wolverine. That's boring. Let's do an

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Speaker 5: X Men ninety seven common comic style show that is

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Speaker 5: about the X Men. So you get like storm storylines

376
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Speaker 5: in here. They turned her into a total badass, gave

377
00:17:27,400 --> 00:17:32,159
Speaker 5: her her best costume. Amazing. You get the Phoenix storyline

378
00:17:32,200 --> 00:17:33,359
Speaker 5: in a new way. That's fun.

379
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Speaker 2: I didn't know she was a clone.

380
00:17:36,200 --> 00:17:39,159
Speaker 5: She's totally clone. It's great. It's a great It's a

381
00:17:39,200 --> 00:17:41,760
Speaker 5: great show, super well written, lots of fun, created by

382
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Speaker 5: a black queer person. Very enjoyable. Highly recommend.

383
00:17:45,480 --> 00:17:48,120
Speaker 2: Watch crushing it. I mean it's so easy to watch. Man,

384
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Speaker 2: It's like, you know, I didn't think I was gonna

385
00:17:52,240 --> 00:17:55,080
Speaker 2: because I wasn't, you know. I watched a little bit

386
00:17:55,080 --> 00:17:57,480
Speaker 2: of it, but once it started getting into like Mystique

387
00:17:57,560 --> 00:17:59,439
Speaker 2: was the mom of all of these kids and all

388
00:17:59,440 --> 00:18:02,640
Speaker 2: of that shit, I was like, this is like everything

389
00:18:02,720 --> 00:18:05,440
Speaker 2: happens to the X Men and this ship. They get kidnapped,

390
00:18:05,480 --> 00:18:08,240
Speaker 2: they get freaking you know what I mean, everything happens,

391
00:18:08,240 --> 00:18:13,439
Speaker 2: but now but this one they got me. They got me.

392
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Speaker 10: She looks so good. It's it's so good too.

393
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Speaker 5: Beautiful animation.

394
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Speaker 2: Yeah, man, yeah, it's yeah. That Invincible. I liked Invincible too,

395
00:18:22,040 --> 00:18:23,720
Speaker 2: although this last season was too short.

396
00:18:24,200 --> 00:18:26,160
Speaker 7: I want to meet scrubs. Oh, I want to eat

397
00:18:26,160 --> 00:18:26,840
Speaker 7: black scrubs.

398
00:18:27,480 --> 00:18:33,639
Speaker 1: Okay, six seven stories. I'm not sure we made about

399
00:18:33,640 --> 00:18:34,240
Speaker 1: a bunch of.

400
00:18:34,320 --> 00:18:35,320
Speaker 7: Dogs and nurses.

401
00:18:37,400 --> 00:18:47,639
Speaker 8: He said, here's the stories, so YadA here yeadare scuff.

402
00:18:52,280 --> 00:18:54,920
Speaker 1: All right, everyone, this is the last episode of JD

403
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Speaker 1: in ever in the series Scrups. I noticed that it's

404
00:19:00,760 --> 00:19:04,320
Speaker 1: called it's called my last episode, right, Oh no, no, no

405
00:19:04,359 --> 00:19:06,840
Speaker 1: it's not. It should be called my last episode. What's

406
00:19:06,840 --> 00:19:07,360
Speaker 1: it called, Joe?

407
00:19:08,960 --> 00:19:10,200
Speaker 5: Our stuff gets real?

408
00:19:10,840 --> 00:19:14,000
Speaker 1: Damn dude, Our stuff gets what You should.

409
00:19:13,800 --> 00:19:14,440
Speaker 2: Watch the show.

410
00:19:14,520 --> 00:19:20,160
Speaker 1: It's don't say it's good. Our stuff gets real.

411
00:19:20,960 --> 00:19:21,960
Speaker 2: You want to talk about it?

412
00:19:22,080 --> 00:19:22,280
Speaker 4: Yeah?

413
00:19:22,320 --> 00:19:25,440
Speaker 1: It starts with JD poorly building a crib, and.

414
00:19:25,600 --> 00:19:27,520
Speaker 2: That was fair. I left my ass up because what

415
00:19:27,560 --> 00:19:28,720
Speaker 2: the fuck is the wheel doing?

416
00:19:29,080 --> 00:19:29,840
Speaker 1: Why is there a wheel?

417
00:19:29,880 --> 00:19:30,760
Speaker 2: Why is there a wheel?

418
00:19:31,119 --> 00:19:31,399
Speaker 4: Yeah?

419
00:19:31,440 --> 00:19:32,560
Speaker 1: He found the wheel.

420
00:19:33,240 --> 00:19:37,000
Speaker 2: What I'm gonna put the wheel here? This?

421
00:19:37,440 --> 00:19:43,440
Speaker 1: You know, listen, I always wanted long distance walkie talkies.

422
00:19:44,720 --> 00:19:47,600
Speaker 1: You know, I think there's an app for your phone

423
00:19:48,080 --> 00:19:51,160
Speaker 1: where you can like actually have a long distance walkie talkie.

424
00:19:51,520 --> 00:19:54,600
Speaker 1: And I saw I got an ad like for walkie talkie.

425
00:19:54,600 --> 00:19:57,640
Speaker 1: This is like a separate unit. That really is what

426
00:19:57,720 --> 00:19:59,840
Speaker 1: this is in the show, meaning like you can walk

427
00:19:59,880 --> 00:20:02,840
Speaker 1: you talk to someone anywhere in the country. But I

428
00:20:02,880 --> 00:20:04,840
Speaker 1: feel like you and I would have so much fun

429
00:20:04,880 --> 00:20:06,240
Speaker 1: with that Donald in real life.

430
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Speaker 2: I don't think. I think I would go to bed

431
00:20:09,000 --> 00:20:10,760
Speaker 2: with it, and.

432
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Speaker 1: I feel like you wouldn't pick up. If I was like,

433
00:20:12,560 --> 00:20:15,720
Speaker 1: come in, we would come Jacobra. What did you call me?

434
00:20:15,960 --> 00:20:18,439
Speaker 1: You call me Jacobra and I call you panther Claw.

435
00:20:18,880 --> 00:20:20,000
Speaker 1: Come in, panther Claw.

436
00:20:22,280 --> 00:20:25,240
Speaker 2: We'd have so we'd have nothing to say, but so

437
00:20:25,440 --> 00:20:27,320
Speaker 2: much to do, and like, what do you do?

438
00:20:27,400 --> 00:20:28,600
Speaker 1: What do you What are you watching?

439
00:20:29,000 --> 00:20:32,600
Speaker 2: I'm watching Aha, I'm watching SOA right now.

440
00:20:32,680 --> 00:20:35,479
Speaker 1: Yeah, And I'd be like, put Casey on.

441
00:20:37,840 --> 00:20:45,200
Speaker 2: He's in here watching Ahsoka Hamshm is in here watching Ahska.

442
00:20:45,480 --> 00:20:47,720
Speaker 1: Him is in here watching the Soka.

443
00:20:48,640 --> 00:20:57,000
Speaker 2: When did she become the freaking the prospector? Watching A?

444
00:20:58,080 --> 00:21:03,080
Speaker 1: He's here watching and now he's watching that new X

445
00:21:03,200 --> 00:21:07,240
Speaker 1: Man thing. He sure does love it.

446
00:21:08,240 --> 00:21:10,280
Speaker 2: He sure does love the SPA.

447
00:21:11,080 --> 00:21:14,560
Speaker 1: He loves I can't get him to watch anything but

448
00:21:14,720 --> 00:21:19,439
Speaker 1: The X Man Cardoon. I tried to get him to

449
00:21:19,520 --> 00:21:24,000
Speaker 1: watch one of those shows where a psycho killer kills

450
00:21:24,119 --> 00:21:28,480
Speaker 1: people and it's a documentary series. But he just likes

451
00:21:28,520 --> 00:21:44,560
Speaker 1: the Sophi and what she sounds like.

452
00:21:45,720 --> 00:21:47,880
Speaker 2: That's my wife, does not sound like that. I would

453
00:21:47,920 --> 00:21:50,120
Speaker 2: never be able to have sex with her, That's what

454
00:21:50,160 --> 00:21:54,960
Speaker 2: she said. So much.

455
00:21:55,640 --> 00:21:58,200
Speaker 1: Are you going to give it to me? I sure

456
00:21:58,359 --> 00:22:06,520
Speaker 1: would like some D. No, maybe I'm longriffer some.

457
00:22:06,680 --> 00:22:13,880
Speaker 2: D No, you know what I'm alright tonight, honey.

458
00:22:13,080 --> 00:22:17,080
Speaker 1: If you get to talk like that, you can put

459
00:22:17,119 --> 00:22:19,640
Speaker 1: on the X Men in the background while you hit

460
00:22:19,680 --> 00:22:20,520
Speaker 1: it from the back.

461
00:22:23,880 --> 00:22:34,000
Speaker 10: I couldn't do it, all right, fuck yah, harder.

462
00:22:35,080 --> 00:22:37,480
Speaker 1: Just let me know when you're fixing the bust.

463
00:22:46,800 --> 00:23:00,720
Speaker 4: Oh my god, all right, friends, very handy.

464
00:23:01,000 --> 00:23:02,159
Speaker 1: J D Kid is not handy.

465
00:23:02,160 --> 00:23:02,960
Speaker 2: Okay.

466
00:23:03,200 --> 00:23:05,960
Speaker 1: He gets a long distance walkie talking with Turk, calls

467
00:23:06,040 --> 00:23:08,520
Speaker 1: him Jacobra. He calls Turk panther claw.

468
00:23:08,960 --> 00:23:12,440
Speaker 2: Yes, Lucy and Cole is still again.

469
00:23:12,480 --> 00:23:14,760
Speaker 1: We're talking about their sex. Every single episode of the

470
00:23:14,800 --> 00:23:18,399
Speaker 1: show opens without fail talking about Cole and Lucy's sex life.

471
00:23:18,600 --> 00:23:22,600
Speaker 2: They're still doing it. She's ashamed, but apparently this dude.

472
00:23:23,480 --> 00:23:25,639
Speaker 2: I don't know what it is that the ladies like

473
00:23:25,680 --> 00:23:28,120
Speaker 2: because I'm a man and y'all don't ever really express

474
00:23:28,200 --> 00:23:33,040
Speaker 2: your ship to me, honey.

475
00:23:32,960 --> 00:23:36,280
Speaker 1: What are you talking about? I think that was meant.

476
00:23:36,359 --> 00:23:38,119
Speaker 1: That was like when you when you accidentally post a

477
00:23:38,200 --> 00:23:39,760
Speaker 1: d M. I think that was meant for your wife,

478
00:23:39,760 --> 00:23:41,080
Speaker 1: But you said it to millions of people.

479
00:23:42,440 --> 00:23:43,280
Speaker 2: Did I do that once?

480
00:23:44,200 --> 00:23:44,640
Speaker 1: No?

481
00:23:44,640 --> 00:23:44,880
Speaker 5: No?

482
00:23:44,960 --> 00:23:47,080
Speaker 1: But did that Barbara Streisand did it?

483
00:23:47,160 --> 00:23:50,000
Speaker 3: Barbara is so funny.

484
00:23:50,240 --> 00:23:54,119
Speaker 1: She meant Yeah. Melissa McCarthy posted a beautiful picture of

485
00:23:54,160 --> 00:23:56,720
Speaker 1: herself and I guess Barbara streisand meant to DM her

486
00:23:56,720 --> 00:23:59,400
Speaker 1: because she put in the comments like you look so great?

487
00:23:59,440 --> 00:24:00,520
Speaker 1: Are you taking a z empic?

488
00:24:01,320 --> 00:24:02,280
Speaker 2: Oh my gosh.

489
00:24:02,320 --> 00:24:04,040
Speaker 1: And then she went and put on her stories like

490
00:24:04,080 --> 00:24:06,600
Speaker 1: I'm so sorry, I'm meant to like send that privately

491
00:24:06,680 --> 00:24:07,240
Speaker 1: or something.

492
00:24:07,680 --> 00:24:09,399
Speaker 5: Melissa was very chill about it. She was like, I

493
00:24:09,440 --> 00:24:12,680
Speaker 5: just love barbarstizing anp. She's barbarizing. He can't be bad.

494
00:24:14,400 --> 00:24:16,680
Speaker 2: No, I was just saying. I was just saying, every

495
00:24:16,680 --> 00:24:18,960
Speaker 2: guy believes that they know what women want, but they

496
00:24:19,040 --> 00:24:22,160
Speaker 2: don't necessarily do, and we'll not like women are given

497
00:24:22,240 --> 00:24:23,720
Speaker 2: the secret out. That's what I was saying.

498
00:24:23,920 --> 00:24:26,000
Speaker 1: I think it's safe to say that Dave Franco must

499
00:24:26,080 --> 00:24:29,480
Speaker 1: be skilled in bed. I mean, sorry, not the character Cole. Yeah,

500
00:24:29,480 --> 00:24:31,159
Speaker 1: I mean I'm sure Dave franco is too. But the

501
00:24:31,240 --> 00:24:33,480
Speaker 1: character Cole must be good in bed because Lucy really

502
00:24:33,480 --> 00:24:36,919
Speaker 1: puts up. He has nothing about him. He's handsome, nothing,

503
00:24:37,359 --> 00:24:40,040
Speaker 1: he's very handsome. There's nothing redeemable about him.

504
00:24:40,080 --> 00:24:40,439
Speaker 2: Nothing.

505
00:24:41,680 --> 00:24:43,960
Speaker 1: I thought through this deep into the season he was

506
00:24:44,000 --> 00:24:45,640
Speaker 1: going to start becoming more likable.

507
00:24:47,280 --> 00:24:50,639
Speaker 2: No, I mean, at least he's trying now, though, at

508
00:24:50,720 --> 00:24:53,399
Speaker 2: least he's trying. He's trying to be a better student,

509
00:24:53,760 --> 00:24:57,200
Speaker 2: you know, even though he's he's piggybacking on what everybody

510
00:24:57,200 --> 00:24:59,280
Speaker 2: else is doing so he can get his jet ski

511
00:24:59,320 --> 00:24:59,919
Speaker 2: and stuff like that.

512
00:25:00,040 --> 00:25:01,800
Speaker 1: He wants to get a jet ski. That's his only motivation.

513
00:25:02,480 --> 00:25:04,920
Speaker 2: But he's at least he's trying, you know. I mean,

514
00:25:05,680 --> 00:25:07,639
Speaker 2: I don't know, man, I don't get it. I would

515
00:25:07,680 --> 00:25:10,680
Speaker 2: have thought by this point there would be some redeeming

516
00:25:11,359 --> 00:25:13,840
Speaker 2: something about the character. Yeah.

517
00:25:13,880 --> 00:25:15,840
Speaker 1: The only thing I know about him, the only thing

518
00:25:15,880 --> 00:25:18,080
Speaker 1: we really know about him, it's pretty you know, is it?

519
00:25:18,240 --> 00:25:19,960
Speaker 1: Lucy loves having sex with them. In fact, we know

520
00:25:20,000 --> 00:25:22,320
Speaker 1: that they learned they had sex twice this morning before

521
00:25:22,320 --> 00:25:23,480
Speaker 1: coming to class.

522
00:25:23,800 --> 00:25:28,040
Speaker 2: Right, She's very communicative as a lover, you know what

523
00:25:28,080 --> 00:25:31,360
Speaker 2: I mean? Because he knows and she knows exactly what

524
00:25:31,840 --> 00:25:35,280
Speaker 2: they want. It's really weird for somebody to hate somebody

525
00:25:35,320 --> 00:25:40,520
Speaker 2: so much but give them that much information about what

526
00:25:40,720 --> 00:25:44,960
Speaker 2: gets them. I don't know, man, it really makes no

527
00:25:45,040 --> 00:25:47,679
Speaker 2: sense that the relationship that I really like in this

528
00:25:47,720 --> 00:25:52,240
Speaker 2: show is fucking Drew and Denise. Man. That like, even

529
00:25:52,280 --> 00:25:55,000
Speaker 2: the whole thing with them getting caught kissing and him

530
00:25:55,080 --> 00:25:58,000
Speaker 2: and Cock saying, you know you guys are I need

531
00:25:58,040 --> 00:25:59,840
Speaker 2: somebody who's going to be my confident on who I

532
00:25:59,840 --> 00:26:02,359
Speaker 2: can talk to and not say anything, just let me talk.

533
00:26:02,640 --> 00:26:04,760
Speaker 2: And they do the whole nose thing and she's late

534
00:26:05,359 --> 00:26:08,960
Speaker 2: with it in the closet. I really enjoyed that, and

535
00:26:09,400 --> 00:26:12,520
Speaker 2: he escapes it. She's like, you're dead to me. I

536
00:26:12,640 --> 00:26:15,280
Speaker 2: like that. I thought that was such a I find

537
00:26:15,280 --> 00:26:20,479
Speaker 2: their relationship refreshing. I wish that the stories revolved around

538
00:26:20,520 --> 00:26:25,200
Speaker 2: them more than it did around Cole and Lucy, because

539
00:26:25,560 --> 00:26:29,280
Speaker 2: all they talk about is sex. That's it. That's their relationship.

540
00:26:29,840 --> 00:26:30,600
Speaker 2: Let's take a break.

541
00:26:30,640 --> 00:26:40,640
Speaker 1: We'll be right back after these fine words. We should

542
00:26:40,720 --> 00:26:45,520
Speaker 1: tease the audience, doyals. That's what good podcasters do. We're

543
00:26:45,520 --> 00:26:49,040
Speaker 1: gonna have both Carrie Bsha and Eliza Coop on the

544
00:26:49,080 --> 00:26:52,760
Speaker 1: next episode, Right, Joe.

545
00:26:51,960 --> 00:26:54,119
Speaker 2: I just saw Carrie BChE and Madam Webb.

546
00:26:55,160 --> 00:26:55,760
Speaker 1: She's in it.

547
00:26:56,080 --> 00:26:59,600
Speaker 2: She plays the mom, she has his mom. No, she's

548
00:26:59,640 --> 00:27:02,480
Speaker 2: not Peter Parker, she's Madam Webb's mom.

549
00:27:02,960 --> 00:27:04,960
Speaker 5: Oh, she's in the jungle with spiders.

550
00:27:05,080 --> 00:27:07,640
Speaker 1: Yeah, she's the one in the jungle with the spiders.

551
00:27:08,680 --> 00:27:10,560
Speaker 2: She's the one with the monologue in the beginning.

552
00:27:11,119 --> 00:27:13,800
Speaker 1: What is the what is the line exactly in the

553
00:27:13,920 --> 00:27:15,760
Speaker 1: in the jungle with his shit?

554
00:27:15,760 --> 00:27:17,480
Speaker 5: It's so long, hold on.

555
00:27:17,720 --> 00:27:20,040
Speaker 1: Just find it. We need to reference it. So Carrie

556
00:27:20,080 --> 00:27:22,960
Speaker 1: Bosche is actually the person that's being discussed in this sentence.

557
00:27:23,320 --> 00:27:26,400
Speaker 5: Yes, he was in the Amazon with my mom when

558
00:27:26,400 --> 00:27:28,480
Speaker 5: she was researching spiders, right before she died.

559
00:27:30,760 --> 00:27:33,760
Speaker 1: So Carrie Boscha is the mom that was researching spiders. Yes,

560
00:27:34,080 --> 00:27:37,639
Speaker 1: good for her. Well, she's coming on the show with

561
00:27:37,680 --> 00:27:40,239
Speaker 1: Eliza Coop Donald. You're not showing much enthusiasm about this.

562
00:27:40,560 --> 00:27:43,359
Speaker 2: I can't. I just said I saw her on Madam Webb.

563
00:27:43,400 --> 00:27:43,920
Speaker 2: What are you talking?

564
00:27:43,960 --> 00:27:45,040
Speaker 1: No, but let me let me try it. Let me

565
00:27:45,520 --> 00:27:47,640
Speaker 1: take where I tell you that they're coming on.

566
00:27:48,080 --> 00:27:49,640
Speaker 2: Okay, go all right.

567
00:27:49,560 --> 00:27:52,200
Speaker 1: You represent the audience we want to like in this scenario,

568
00:27:52,200 --> 00:27:54,679
Speaker 1: you have to like react and I want to announce

569
00:27:54,680 --> 00:27:55,520
Speaker 1: something very exciting.

570
00:27:55,760 --> 00:27:55,840
Speaker 2: Uh.

571
00:27:56,320 --> 00:27:59,920
Speaker 1: Next episode we have both Eliza Coop and Carrie Bash.

572
00:28:00,800 --> 00:28:07,280
Speaker 1: Holy shit, yep, got I got a lot of yep, yep.

573
00:28:07,600 --> 00:28:09,600
Speaker 2: I'm tuning in in the next episode.

574
00:28:09,920 --> 00:28:11,159
Speaker 1: Your acting was as good as this.

575
00:28:11,440 --> 00:28:15,880
Speaker 2: You haven't gone the live I thought. I thought I've

576
00:28:15,960 --> 00:28:18,919
Speaker 2: grown a bit. No, you crusted thrown a bit.

577
00:28:19,240 --> 00:28:21,480
Speaker 1: Anyway, it's gonna be fun to talk to Eliza and Cabouchet.

578
00:28:21,520 --> 00:28:23,080
Speaker 1: I'm so glad we worked that out.

579
00:28:23,880 --> 00:28:26,639
Speaker 2: That's great. I would love to hear how they feel

580
00:28:26,640 --> 00:28:32,000
Speaker 2: about this season of Scrubs, what their experience was, because

581
00:28:32,000 --> 00:28:33,919
Speaker 2: they were very I felt like they were very clique

582
00:28:34,080 --> 00:28:37,520
Speaker 2: like the younger cast, because I didn't get invited out

583
00:28:37,560 --> 00:28:39,480
Speaker 2: like back in the day when we used to go out.

584
00:28:39,560 --> 00:28:41,160
Speaker 1: Zach, Well, we can bring that up. We can bring

585
00:28:41,160 --> 00:28:42,800
Speaker 1: it up and say, why did you guys not invite

586
00:28:42,840 --> 00:28:45,280
Speaker 1: Donald to your young people hangouts?

587
00:28:45,960 --> 00:28:47,479
Speaker 2: Yeah? I was only thirty.

588
00:28:47,960 --> 00:28:50,440
Speaker 1: Yeah, you were probably over it. They were they were

589
00:28:50,440 --> 00:28:52,720
Speaker 1: being young people and you were probably like, I'm going on,

590
00:28:53,680 --> 00:28:57,360
Speaker 1: I was only thirty, like eight, did you did you

591
00:28:57,440 --> 00:28:59,680
Speaker 1: have times where you felt like all the kids are

592
00:28:59,680 --> 00:29:01,520
Speaker 1: all going and they didn't invite thirty five?

593
00:29:04,400 --> 00:29:07,000
Speaker 2: Yeah, you know, I don't care, man, you know I do.

594
00:29:07,120 --> 00:29:09,680
Speaker 1: I want to bring it up with Kerry. Fuck is man,

595
00:29:09,680 --> 00:29:14,000
Speaker 1: I'm going to bring it up with them.

596
00:29:12,400 --> 00:29:14,320
Speaker 2: Because I don't like going out no more anyway, So

597
00:29:14,440 --> 00:29:15,600
Speaker 2: fuck them, you know what I'm.

598
00:29:15,480 --> 00:29:21,000
Speaker 1: Saying, right, Yeah, Okay, it feels like something you might

599
00:29:21,040 --> 00:29:24,000
Speaker 1: want to work out with them. Cole gets a jet ski.

600
00:29:24,360 --> 00:29:26,040
Speaker 1: The kids all have to this med students have to

601
00:29:26,040 --> 00:29:27,760
Speaker 1: dissect the chamber of the heart that's going to be

602
00:29:27,760 --> 00:29:29,520
Speaker 1: their the one of their final exams.

603
00:29:29,880 --> 00:29:33,800
Speaker 2: And this actually, this episode actually goes all the way

604
00:29:33,840 --> 00:29:38,400
Speaker 2: back to the first episode with Ben, the her Lucy's

605
00:29:38,400 --> 00:29:42,360
Speaker 2: first patient, which is weird because she shouldn't have a patient,

606
00:29:43,080 --> 00:29:45,800
Speaker 2: but her first patient was this man Ben, And it

607
00:29:45,840 --> 00:29:50,960
Speaker 2: also is the cadaver that she's experimenting on and dissecting.

608
00:29:51,120 --> 00:29:53,280
Speaker 1: And I don't know if you would ever have a

609
00:29:53,280 --> 00:29:55,560
Speaker 1: cadaver that was one of somebody you dealt with. I

610
00:29:55,560 --> 00:29:56,760
Speaker 1: don't know if that's a real thing or not.

611
00:29:57,960 --> 00:30:00,880
Speaker 2: I don't know. I don't know. The I mean, it.

612
00:30:00,840 --> 00:30:02,760
Speaker 1: Feels like feels like they wouldn't do that too, Like,

613
00:30:02,800 --> 00:30:04,800
Speaker 1: here's the guy who died when you first got here,

614
00:30:04,960 --> 00:30:09,120
Speaker 1: Now dissect him. But it's good for TV drama.

615
00:30:09,320 --> 00:30:12,440
Speaker 2: Yeah, I liked it. I actually liked this too, that

616
00:30:12,960 --> 00:30:14,920
Speaker 2: the dead body came back to life and was having

617
00:30:14,920 --> 00:30:17,680
Speaker 2: conversations with her. I thought that was kind of cool.

618
00:30:18,320 --> 00:30:20,360
Speaker 2: I didn't like the fact that the dead body was like,

619
00:30:20,400 --> 00:30:22,240
Speaker 2: please don't hurt me, and all of a sudden started

620
00:30:22,240 --> 00:30:24,360
Speaker 2: whining and bitching. I thought it would have been better

621
00:30:24,400 --> 00:30:26,720
Speaker 2: if it was like, Nope, that's not it, or you

622
00:30:26,720 --> 00:30:28,920
Speaker 2: know what I mean, or something like that, but.

623
00:30:29,640 --> 00:30:31,360
Speaker 1: Or if he was like, come on, you gotta do this,

624
00:30:31,480 --> 00:30:32,920
Speaker 1: like talking or into doing it.

625
00:30:33,000 --> 00:30:38,680
Speaker 2: Right exactly, but instead the body, it starts off where

626
00:30:38,760 --> 00:30:41,640
Speaker 2: Ben is like, you can totally do this. We're gonna

627
00:30:41,680 --> 00:30:44,040
Speaker 2: we're in this together, and then all of a sudden,

628
00:30:44,240 --> 00:30:47,080
Speaker 2: don't cut me, Please don't cut me open, and she

629
00:30:47,240 --> 00:30:49,920
Speaker 2: can't do it, and it just didn't. But I liked

630
00:30:49,960 --> 00:30:52,760
Speaker 2: the idea of her being able to talk to the

631
00:30:52,800 --> 00:30:56,960
Speaker 2: first person she met when yea, the first sick person

632
00:30:57,000 --> 00:31:00,440
Speaker 2: she met when she was in the hospital as a

633
00:31:00,520 --> 00:31:01,560
Speaker 2: student for the first time.

634
00:31:02,400 --> 00:31:06,479
Speaker 1: JD really wants pregnancy sex and he's limbering up for it. Uh,

635
00:31:06,640 --> 00:31:10,200
Speaker 1: loose limbs make limber lovers, is what he's saying as

636
00:31:10,200 --> 00:31:16,240
Speaker 1: he stretches loose, loose limbs, make limber lovers, and he's

637
00:31:16,240 --> 00:31:22,560
Speaker 1: put rose petals all over the place. I don't stretch

638
00:31:22,640 --> 00:31:24,479
Speaker 1: before copulation.

639
00:31:24,040 --> 00:31:25,360
Speaker 2: Do you No?

640
00:31:26,280 --> 00:31:27,240
Speaker 1: Maybe I should try it.

641
00:31:27,960 --> 00:31:30,400
Speaker 2: I wonder, I wonder after a nice little yoga.

642
00:31:31,760 --> 00:31:33,040
Speaker 1: Yeah, but I'm not. You know, when you get in

643
00:31:33,080 --> 00:31:34,800
Speaker 1: the mood and it's happening, you're not like, hold on,

644
00:31:34,920 --> 00:31:35,560
Speaker 1: let me stretch.

645
00:31:39,040 --> 00:31:40,040
Speaker 4: It might. It might.

646
00:31:40,960 --> 00:31:41,760
Speaker 2: That's how it works.

647
00:31:42,000 --> 00:31:45,840
Speaker 1: You might ruin the mood. How hold on, Let me

648
00:31:45,880 --> 00:31:51,400
Speaker 1: just get my just want to get my quads, Let

649
00:31:51,440 --> 00:31:51,880
Speaker 1: me get my.

650
00:31:51,840 --> 00:31:55,360
Speaker 2: Hammies, let me get Okay, okay.

651
00:31:55,120 --> 00:31:57,880
Speaker 1: Okay, pull on that, babe, pull on that. Okay, I'm ready.

652
00:31:57,920 --> 00:31:58,360
Speaker 2: There we go.

653
00:31:59,200 --> 00:32:02,600
Speaker 1: Track my back? Can you crack my back?

654
00:32:02,960 --> 00:32:03,200
Speaker 2: Right?

655
00:32:03,680 --> 00:32:06,360
Speaker 1: But she swats away the rose pedal. She doesn't care.

656
00:32:06,400 --> 00:32:10,560
Speaker 1: She's not paying attention to any of the romantic gests. Beef, yeah,

657
00:32:10,600 --> 00:32:13,400
Speaker 1: she's eating just beef. What is it, Cambodian food.

658
00:32:13,400 --> 00:32:16,920
Speaker 2: A Cambodian beef salad. There's no greens in it, it's

659
00:32:16,960 --> 00:32:18,560
Speaker 2: just beef. Yeah.

660
00:32:18,600 --> 00:32:20,760
Speaker 1: And she says that he can't touch her boobs because

661
00:32:20,760 --> 00:32:22,479
Speaker 1: he tries to go in from the top and she's like,

662
00:32:22,520 --> 00:32:25,280
Speaker 1: no boobs, And she's like, don't touch my thighs because

663
00:32:25,280 --> 00:32:27,880
Speaker 1: they're chafing. She's really not in the mood.

664
00:32:29,280 --> 00:32:30,800
Speaker 2: Not only is she not in the mood, but she

665
00:32:30,840 --> 00:32:32,800
Speaker 2: makes it so that he's not in the mood.

666
00:32:32,840 --> 00:32:35,280
Speaker 1: Really, he's still in the mood. And she offers him

667
00:32:35,280 --> 00:32:37,280
Speaker 1: the beef salad and he's like, no, thank you, I've

668
00:32:37,280 --> 00:32:39,600
Speaker 1: already had diarrhea.

669
00:32:39,920 --> 00:32:40,880
Speaker 2: Let me hold your hair back.

670
00:32:43,240 --> 00:32:49,479
Speaker 1: No thank you, I've already had diarrhea. Yeah, I mean,

671
00:32:49,520 --> 00:32:54,040
Speaker 1: Elliot's certainly not making she's making it clear that she's

672
00:32:54,160 --> 00:32:55,480
Speaker 1: not interested in sex with JD.

673
00:32:57,040 --> 00:32:59,160
Speaker 2: Well, she's just not she doesn't feel sexy. She has

674
00:32:59,160 --> 00:33:01,240
Speaker 2: She's not saying she has one to with JD. She's saying,

675
00:33:01,560 --> 00:33:03,360
Speaker 2: I don't feel sexy, is what she says.

676
00:33:03,560 --> 00:33:05,840
Speaker 1: Right now, that's pretty far into I mean, she's about

677
00:33:05,840 --> 00:33:09,160
Speaker 1: to pop. Is there is there any when you've had babies?

678
00:33:09,240 --> 00:33:11,280
Speaker 1: Is there any like time where you're supposed to stop

679
00:33:11,320 --> 00:33:12,800
Speaker 1: having sex or you can have sex right up to

680
00:33:12,880 --> 00:33:15,040
Speaker 1: sex whenever you want, oh, right up until the end.

681
00:33:15,520 --> 00:33:19,400
Speaker 2: Yeah. They never say, actually, du semen from your your

682
00:33:19,440 --> 00:33:23,560
Speaker 2: semen is? Uh. I don't know the is, but apparently

683
00:33:23,560 --> 00:33:26,680
Speaker 2: it does something. I don't know a doctor, I'm a

684
00:33:26,720 --> 00:33:28,320
Speaker 2: fake doctor, exactly I know.

685
00:33:28,360 --> 00:33:31,760
Speaker 1: But I want to hear. But that has well, we

686
00:33:31,800 --> 00:33:33,600
Speaker 1: can google it. That's why we have Daniel and Joel

687
00:33:33,680 --> 00:33:34,120
Speaker 1: to look.

688
00:33:34,040 --> 00:33:37,440
Speaker 2: Up someone them to go into their Google the seaman.

689
00:33:37,520 --> 00:33:40,080
Speaker 1: Now this is in pornographic, it's informational for the audience.

690
00:33:40,080 --> 00:33:42,719
Speaker 1: So someone listening now is very pregnant and they're wondering

691
00:33:43,320 --> 00:33:46,400
Speaker 1: how long can I have sex up until and then

692
00:33:46,480 --> 00:33:49,320
Speaker 1: apparently you're telling people that the semen is good for

693
00:33:49,600 --> 00:33:50,720
Speaker 1: making the baby come out.

694
00:33:51,000 --> 00:33:52,800
Speaker 2: No, I don't know if it's the I don't know

695
00:33:52,840 --> 00:33:54,080
Speaker 2: if that's what it is, or if.

696
00:33:54,000 --> 00:33:57,440
Speaker 1: It's maybe just the intercourse helps loosen up the area

697
00:33:57,600 --> 00:33:58,440
Speaker 1: and the baby.

698
00:33:58,560 --> 00:34:02,280
Speaker 2: Can't and relax m or some shit like that that's released.

699
00:34:02,560 --> 00:34:06,000
Speaker 1: My guess is that if the baby's ready to come out,

700
00:34:06,520 --> 00:34:11,000
Speaker 1: having sex, you know, makes things wriggle around. Gohead, Joel.

701
00:34:11,400 --> 00:34:13,880
Speaker 5: Okay, so this is from parents dot com.

702
00:34:13,960 --> 00:34:15,120
Speaker 1: Now we trust them.

703
00:34:17,160 --> 00:34:20,120
Speaker 5: Some experts believe semen and spur may be able to

704
00:34:20,160 --> 00:34:24,000
Speaker 5: help prevent preclampsia and even decrease morning sickness.

705
00:34:24,160 --> 00:34:28,080
Speaker 1: Yes, really, wow, Well there.

706
00:34:27,920 --> 00:34:31,400
Speaker 2: You got a seed in the morning.

707
00:34:31,360 --> 00:34:32,760
Speaker 1: I prescribe some semen.

708
00:34:34,920 --> 00:34:36,440
Speaker 2: Are you having morning sickness?

709
00:34:37,320 --> 00:34:39,640
Speaker 1: Do you want to imagine can imagine you go up

710
00:34:39,640 --> 00:34:41,640
Speaker 1: to your wife, she's like puking the toil, Like, honey,

711
00:34:42,080 --> 00:34:48,719
Speaker 1: you know what it says on parents dot Com. I

712
00:34:48,719 --> 00:34:52,319
Speaker 1: don't think it's honey. I know that you're puking right now.

713
00:34:52,360 --> 00:34:56,560
Speaker 1: And this may seem crazy, but look at this, parents,

714
00:34:56,920 --> 00:34:59,120
Speaker 1: I'm just gonna put this parents dot Com article in

715
00:34:59,160 --> 00:35:02,160
Speaker 1: the bowl in front of you.

716
00:35:02,719 --> 00:35:03,160
Speaker 2: Feel free.

717
00:35:04,480 --> 00:35:08,479
Speaker 1: Yeah, I'll scroll for you, honey, since you're using both

718
00:35:08,600 --> 00:35:10,520
Speaker 1: hands to cup the bowl, I'll just scroll.

719
00:35:10,960 --> 00:35:11,759
Speaker 2: Well, look at that.

720
00:35:12,880 --> 00:35:16,000
Speaker 1: I don't want to do it. I personally don't want

721
00:35:16,040 --> 00:35:19,640
Speaker 1: to do it. Joell, Can you also look up if

722
00:35:19,719 --> 00:35:22,400
Speaker 1: if I thought I heard the intercourse itself? Can like

723
00:35:22,440 --> 00:35:24,000
Speaker 1: if you're really ready to go and really read a

724
00:35:24,000 --> 00:35:26,600
Speaker 1: pop and you're trying to get labor inducing labors the term.

725
00:35:26,640 --> 00:35:28,399
Speaker 1: I was looking for that too.

726
00:35:28,440 --> 00:35:32,040
Speaker 2: I did a whole movie where there was a scene

727
00:35:32,040 --> 00:35:38,200
Speaker 2: in it where the couple bangs to try to induce labor.

728
00:35:38,200 --> 00:35:42,200
Speaker 1: It doesn't work, though, Okay, okay, you all go ahead again.

729
00:35:42,520 --> 00:35:44,160
Speaker 5: Parents dot Com really coming through for us.

730
00:35:44,320 --> 00:35:46,920
Speaker 1: I love them. It's where I go. It's where I

731
00:35:47,000 --> 00:35:48,400
Speaker 1: go for everything, and not even just this.

732
00:35:49,520 --> 00:35:51,480
Speaker 5: They have all the good information there, so they say

733
00:35:51,719 --> 00:35:55,040
Speaker 5: experts generally agree that having sex will not kickstart labor

734
00:35:55,120 --> 00:35:57,840
Speaker 5: if your body isn't ready. But if your body is

735
00:35:57,880 --> 00:36:00,400
Speaker 5: already preparing for labor, whether you know it or not,

736
00:36:00,440 --> 00:36:02,600
Speaker 5: it may help things along by supporting the changes that

737
00:36:02,640 --> 00:36:04,920
Speaker 5: are already in progress. It may also help prime the

738
00:36:04,960 --> 00:36:05,760
Speaker 5: body for labor.

739
00:36:07,640 --> 00:36:09,440
Speaker 2: Everybody wants to be primed for labor.

740
00:36:09,560 --> 00:36:12,440
Speaker 1: Yeah, I think it's good. I think it's probably good

741
00:36:12,480 --> 00:36:17,680
Speaker 1: for priming the body for labor. Prime, prime for labor,

742
00:36:18,280 --> 00:36:20,920
Speaker 1: Prime for labor.

743
00:36:21,440 --> 00:36:23,000
Speaker 2: Baby, Okay, let's get ready.

744
00:36:24,360 --> 00:36:26,320
Speaker 1: I just want to know if you would ever say

745
00:36:26,360 --> 00:36:30,640
Speaker 1: to Casey, Casey, are you ready to prime for labor?

746
00:36:32,520 --> 00:36:34,200
Speaker 2: No, because we ain't having no more kids?

747
00:36:34,520 --> 00:36:34,840
Speaker 4: Really?

748
00:36:35,320 --> 00:36:38,160
Speaker 1: Oh you got tied up. Listen, man, did you get

749
00:36:38,360 --> 00:36:38,960
Speaker 1: you tied it up?

750
00:36:39,080 --> 00:36:39,719
Speaker 2: You tied it up.

751
00:36:39,760 --> 00:36:42,239
Speaker 1: I love my children, Yeah you do.

752
00:36:43,800 --> 00:36:45,160
Speaker 2: I don't want any more of them.

753
00:36:45,760 --> 00:36:48,360
Speaker 1: I know you did a double knot in your vast deference.

754
00:36:50,200 --> 00:36:56,359
Speaker 2: And I don't want anymore and I know anymore. Listen. Yeah,

755
00:36:56,920 --> 00:37:02,400
Speaker 2: they turn on you.

756
00:37:00,040 --> 00:37:00,960
Speaker 1: Their kids turn on you.

757
00:37:01,040 --> 00:37:01,239
Speaker 2: Hold on.

758
00:37:01,360 --> 00:37:01,840
Speaker 1: Let me write this.

759
00:37:02,560 --> 00:37:04,120
Speaker 2: Listen, write it down, parents.

760
00:37:03,840 --> 00:37:04,359
Speaker 1: I'm writing down.

761
00:37:04,400 --> 00:37:07,799
Speaker 2: I got a parents, young parents who are hugging their

762
00:37:07,880 --> 00:37:09,560
Speaker 2: children listening to our podcast.

763
00:37:09,680 --> 00:37:11,239
Speaker 1: Right and they think there and they think their child

764
00:37:11,280 --> 00:37:12,000
Speaker 1: is sweet.

765
00:37:11,960 --> 00:37:15,400
Speaker 2: And they think it's wonderful. Look at look at your child.

766
00:37:15,600 --> 00:37:18,279
Speaker 1: Okay, I'm gonna just do I'm gonna hold this stuff down.

767
00:37:18,360 --> 00:37:20,319
Speaker 1: I'm gonna hold my water bottle and pretend I'm looking

768
00:37:20,320 --> 00:37:20,879
Speaker 1: in the eyes.

769
00:37:20,880 --> 00:37:25,320
Speaker 2: Look at the child. Know that that child, that beautiful,

770
00:37:25,520 --> 00:37:28,120
Speaker 2: sweet little baby that's in your arms right now.

771
00:37:28,360 --> 00:37:29,800
Speaker 1: Hold on, I'm pretend I'm breastfeeding it.

772
00:37:29,800 --> 00:37:30,120
Speaker 4: Go ahead.

773
00:37:30,160 --> 00:37:36,239
Speaker 2: Oh god, it's gonna one day tell you to shut up.

774
00:37:37,000 --> 00:37:40,240
Speaker 2: Oh tell you, Oh God, you make you you You're

775
00:37:40,360 --> 00:37:44,840
Speaker 2: so annoying. It's gonna say some of the most meanest things.

776
00:37:44,880 --> 00:37:46,279
Speaker 2: I never loved you. I hate.

777
00:37:46,400 --> 00:37:47,680
Speaker 1: Oh this is horrible.

778
00:37:48,960 --> 00:37:52,400
Speaker 2: They're gonna turn on you. Wow and your spouse.

779
00:37:53,160 --> 00:37:56,560
Speaker 1: Wouch. Are there any positivest having a child?

780
00:37:56,880 --> 00:37:58,400
Speaker 2: They're so cute?

781
00:38:00,120 --> 00:38:01,279
Speaker 1: You can take them to Disneyland.

782
00:38:02,600 --> 00:38:03,960
Speaker 2: You have a Yeah, you have a reason to go

783
00:38:03,960 --> 00:38:04,680
Speaker 2: to Disneyland.

784
00:38:04,880 --> 00:38:06,920
Speaker 1: All right, we're gonna take a break. When we come back,

785
00:38:06,960 --> 00:38:09,160
Speaker 1: we're gonna talk more about the TV show Scrub.

786
00:38:09,200 --> 00:38:11,040
Speaker 7: I want to meet Scrubs, and I want to meet

787
00:38:11,040 --> 00:38:17,720
Speaker 7: Black Scrubs too.

788
00:38:21,239 --> 00:38:25,040
Speaker 2: Don't don't, don't, All right, circle gurgle. I missed those days.

789
00:38:25,280 --> 00:38:27,759
Speaker 1: Elliott has a plan for post pregnancy. She's got a

790
00:38:27,760 --> 00:38:30,680
Speaker 1: whole system. She's telling who is she telling that to?

791
00:38:30,960 --> 00:38:35,680
Speaker 2: Uh, Denise's telling it to Denise, and Denise is like,

792
00:38:35,840 --> 00:38:39,160
Speaker 2: let's next time we go around, maybe you don't talk anymore.

793
00:38:40,000 --> 00:38:41,920
Speaker 1: Yeah, So she's giving her all this. She's got everything,

794
00:38:42,040 --> 00:38:44,640
Speaker 1: like Elliott, neurotically planned out for when she's gonna have

795
00:38:44,680 --> 00:38:47,279
Speaker 1: sex and when she's gonna have postpartum, thinking that she's

796
00:38:47,280 --> 00:38:51,680
Speaker 1: got it all under control. There's an old couple that

797
00:38:51,760 --> 00:38:55,040
Speaker 1: are both have cancer and are terminal and are kind

798
00:38:55,080 --> 00:38:58,280
Speaker 1: of competing with each other for saying whose cancer is worse.

799
00:39:00,400 --> 00:39:03,879
Speaker 1: Jordan comes to the hospital very upset, and.

800
00:39:03,600 --> 00:39:05,480
Speaker 2: Jordan for the first time this season.

801
00:39:05,760 --> 00:39:09,560
Speaker 1: Yes, well they were across at another stage making Cougartown,

802
00:39:10,640 --> 00:39:12,279
Speaker 1: so this you're right, this is the first time that

803
00:39:12,360 --> 00:39:18,919
Speaker 1: Jordan's come to the season nine. Yeah. Anyway, she wants

804
00:39:18,960 --> 00:39:20,799
Speaker 1: Cox to make sure he does his will, and she

805
00:39:20,880 --> 00:39:23,239
Speaker 1: wants everything and because.

806
00:39:22,920 --> 00:39:24,480
Speaker 2: It would have been better, I think they would have

807
00:39:24,480 --> 00:39:27,600
Speaker 2: been better if Lucy and Denise, I'm sorry, if Denise

808
00:39:27,840 --> 00:39:37,400
Speaker 2: and and uh Drew were around for the Jordan return situation,

809
00:39:37,560 --> 00:39:40,319
Speaker 2: so that they could see what they look like and

810
00:39:40,360 --> 00:39:42,359
Speaker 2: see the parallels and everything like that.

811
00:39:42,360 --> 00:39:42,920
Speaker 1: That's funny.

812
00:39:43,080 --> 00:39:44,839
Speaker 2: And they and they didn't, and I think they missed

813
00:39:44,840 --> 00:39:48,400
Speaker 2: that opportunity. Drew was there, but Drew didn't find her

814
00:39:48,440 --> 00:39:50,520
Speaker 2: attractive or anything like that, And I think he should

815
00:39:50,520 --> 00:39:52,440
Speaker 2: have found everything that she was saying to.

816
00:39:52,440 --> 00:39:54,200
Speaker 1: Cox, Oh, that's clever, you know what I mean.

817
00:39:54,480 --> 00:39:57,120
Speaker 2: That should have been like, holy shit, dude, your wife

818
00:39:57,200 --> 00:39:58,120
Speaker 2: is hot, you know what I mean.

819
00:39:58,280 --> 00:40:01,439
Speaker 1: I Meanwhile, they had Cole there, who right, isn't Cole

820
00:40:01,480 --> 00:40:02,200
Speaker 1: there or is that later?

821
00:40:02,320 --> 00:40:05,319
Speaker 2: Yeah, col Cole is there. Cole's there too, but he's

822
00:40:05,360 --> 00:40:09,160
Speaker 2: the one that comments on how hot I.

823
00:40:09,239 --> 00:40:11,680
Speaker 1: See Cole is attracted to her. Yeah, and then she's

824
00:40:11,760 --> 00:40:14,840
Speaker 1: like saying, I know your your mom's a hoe. I

825
00:40:14,880 --> 00:40:19,720
Speaker 1: know her because they're all from like old money. All right, Todd,

826
00:40:19,800 --> 00:40:24,279
Speaker 1: here's the JD. JD is telling Turk and Todd that

827
00:40:24,360 --> 00:40:26,440
Speaker 1: he's not going to have sex for the end of

828
00:40:26,480 --> 00:40:30,439
Speaker 1: the pregnancy, and Todd's like, he doesn't take it well,

829
00:40:30,480 --> 00:40:32,920
Speaker 1: he can't fathom, he doesn't understand what's happening. And he

830
00:40:32,960 --> 00:40:35,640
Speaker 1: goes She's she's you mean she's gonna watch while you

831
00:40:35,719 --> 00:40:38,440
Speaker 1: do other chicks.

832
00:40:37,120 --> 00:40:37,319
Speaker 4: Yeah.

833
00:40:38,920 --> 00:40:41,239
Speaker 1: JD's like no, no, Todd neither one of us is

834
00:40:41,280 --> 00:40:44,000
Speaker 1: going to be having sex. And he's like, I gotta

835
00:40:44,040 --> 00:40:48,160
Speaker 1: take a walk five and then and then Turk's like

836
00:40:48,200 --> 00:40:49,479
Speaker 1: he's not handling it well.

837
00:40:52,560 --> 00:40:54,600
Speaker 2: He didn't handle it well.

838
00:40:54,680 --> 00:40:57,319
Speaker 1: And then they're told that. JD says that he's told

839
00:40:57,320 --> 00:41:00,919
Speaker 1: that he can have normal sex in six weeks. That's

840
00:41:00,920 --> 00:41:04,759
Speaker 1: what I assume the gynecologist has told him. Is that

841
00:41:04,800 --> 00:41:06,440
Speaker 1: what you were told when you had your babies.

842
00:41:08,120 --> 00:41:13,560
Speaker 2: No, it was told don't have sex immediately after because

843
00:41:13,719 --> 00:41:17,480
Speaker 2: she is very, very, very It's not because she's going

844
00:41:17,560 --> 00:41:19,719
Speaker 2: to get hurt or anything like that. It's because there's

845
00:41:19,719 --> 00:41:21,680
Speaker 2: a chance she's going to get pregnant again, a high

846
00:41:21,800 --> 00:41:24,080
Speaker 2: chance you'll get pregnant again at this moment.

847
00:41:24,400 --> 00:41:28,160
Speaker 1: Really, I never knew that. I never knew that. I

848
00:41:28,200 --> 00:41:30,839
Speaker 1: thought it was because, like I imagine, obviously someone is

849
00:41:30,960 --> 00:41:31,680
Speaker 1: very sore.

850
00:41:32,640 --> 00:41:36,120
Speaker 2: No, you could be you can, you can theoretically have

851
00:41:36,280 --> 00:41:38,600
Speaker 2: sex after you deliver.

852
00:41:39,000 --> 00:41:41,000
Speaker 1: That's like Irish what do they call that? Irish twins?

853
00:41:41,040 --> 00:41:41,880
Speaker 2: Irish twins.

854
00:41:42,120 --> 00:41:46,839
Speaker 5: Yeah, they're born in the same year, not the same

855
00:41:46,920 --> 00:41:50,879
Speaker 5: year really, yeah, yeah, yeah, the same calendar year.

856
00:41:51,719 --> 00:41:53,399
Speaker 1: That's how you would have an Irish twin, I guess.

857
00:41:53,440 --> 00:41:56,160
Speaker 2: Yeah, So like if you're born in January and then

858
00:41:57,480 --> 00:42:01,520
Speaker 2: your brother is born in October or December.

859
00:42:01,600 --> 00:42:06,840
Speaker 1: Right or November. I like when he's going through the

860
00:42:07,600 --> 00:42:10,399
Speaker 1: sex games they have, he says, you mean we can't

861
00:42:10,400 --> 00:42:14,880
Speaker 1: play me girl, you boy. That's one of their sex games.

862
00:42:15,080 --> 00:42:19,120
Speaker 2: Yeah, they played sex No.

863
00:42:19,160 --> 00:42:22,120
Speaker 1: I thought you boy, no, but I thought it was

864
00:42:22,760 --> 00:42:25,440
Speaker 1: I thought it was more like like gender swapping. Like

865
00:42:26,120 --> 00:42:28,720
Speaker 1: JD's saying they have a sex game where he's like, me, girl,

866
00:42:28,760 --> 00:42:34,640
Speaker 1: you boy, that's not what you thought.

867
00:42:35,080 --> 00:42:36,800
Speaker 2: So you get so JD gets pegged.

868
00:42:37,520 --> 00:42:40,600
Speaker 1: Yeah, maybe he gets pegged or she's sicking digits in there.

869
00:42:40,640 --> 00:42:42,200
Speaker 1: I don't know, but I just know that, like it's

870
00:42:42,200 --> 00:42:43,000
Speaker 1: a gender thing.

871
00:42:43,840 --> 00:42:44,200
Speaker 2: Hm hmm.

872
00:42:46,440 --> 00:42:47,840
Speaker 1: You didn't say receiving like that's.

873
00:42:47,960 --> 00:42:49,560
Speaker 5: No, That's exactly what I thought. I was like the

874
00:42:49,760 --> 00:42:52,520
Speaker 5: way for JD to phrase this, because he doesn't say

875
00:42:52,560 --> 00:42:55,720
Speaker 5: it with like a caveman like, you know, stereotypical dialect

876
00:42:55,760 --> 00:42:56,279
Speaker 5: that we think of.

877
00:42:56,880 --> 00:42:58,080
Speaker 10: It was like me.

878
00:42:58,120 --> 00:42:58,719
Speaker 1: Girl, you boy.

879
00:42:58,800 --> 00:42:59,960
Speaker 5: I was like, are they swapping?

880
00:43:00,880 --> 00:43:03,239
Speaker 2: It sounds like it sounds like, but doesn't that sound

881
00:43:03,320 --> 00:43:03,960
Speaker 2: cave man ish?

882
00:43:04,120 --> 00:43:04,200
Speaker 8: Me?

883
00:43:04,320 --> 00:43:04,560
Speaker 2: Girl?

884
00:43:04,560 --> 00:43:06,960
Speaker 1: You? It could be both. It could be both. Why

885
00:43:06,960 --> 00:43:07,640
Speaker 1: can't be both?

886
00:43:07,960 --> 00:43:11,440
Speaker 2: Why? And as a question after it too me girl,

887
00:43:11,760 --> 00:43:12,600
Speaker 2: you boy.

888
00:43:12,719 --> 00:43:14,759
Speaker 1: Yeah, they don't know. Oh you're saying that's why you

889
00:43:14,800 --> 00:43:18,640
Speaker 1: thought it was cave Man. Yeah, that's funny. I read

890
00:43:18,640 --> 00:43:20,800
Speaker 1: it as it is, like they have many sex games,

891
00:43:20,840 --> 00:43:23,200
Speaker 1: and one is that they switched chenders.

892
00:43:26,520 --> 00:43:29,400
Speaker 2: That probably that probably tracks a little bit better than

893
00:43:29,440 --> 00:43:30,719
Speaker 2: cave Man. But okay.

894
00:43:31,560 --> 00:43:34,640
Speaker 1: JD says that he's racing against the clock like Harrison

895
00:43:34,680 --> 00:43:37,000
Speaker 1: Ford in some kind of Harrison Ford movie.

896
00:43:37,320 --> 00:43:38,719
Speaker 2: Yeah. I thought that was pretty.

897
00:43:38,560 --> 00:43:40,200
Speaker 1: I thought you'd like that because you love all things

898
00:43:40,239 --> 00:43:41,200
Speaker 1: Harrison Ford.

899
00:43:41,320 --> 00:43:43,520
Speaker 2: And he does race against the clock a lot.

900
00:43:43,760 --> 00:43:45,080
Speaker 1: He's good at racing against the clock.

901
00:43:45,160 --> 00:43:46,239
Speaker 2: He's very good at racing.

902
00:43:46,280 --> 00:43:49,000
Speaker 1: There's nobody better at racing against the clock. I mean,

903
00:43:50,120 --> 00:43:51,680
Speaker 1: who's better racing against the clock.

904
00:43:52,000 --> 00:43:56,880
Speaker 2: Liam Neeson can the race against the clock. Liam Neeson's

905
00:43:56,880 --> 00:43:59,920
Speaker 2: could race against the clock also, and so can Bruce Willie.

906
00:44:00,160 --> 00:44:03,800
Speaker 2: Bruce Willy could race against the clock pretty well, Diehard,

907
00:44:03,800 --> 00:44:07,640
Speaker 2: Bruce Willy could race against the motherfucking clock. The planes

908
00:44:07,680 --> 00:44:13,680
Speaker 2: were about to lose gas in the sky, No petrow.

909
00:44:15,000 --> 00:44:20,400
Speaker 2: It was about terrain planes across the United States of America.

910
00:44:21,520 --> 00:44:23,520
Speaker 1: Which which which movie you're talking about?

911
00:44:23,960 --> 00:44:24,640
Speaker 2: Diehard too?

912
00:44:25,200 --> 00:44:26,719
Speaker 1: Oh, I only know Diehard one.

913
00:44:27,320 --> 00:44:31,800
Speaker 2: Oh, Diehard two is good too? Really, Diehard two is good?

914
00:44:32,200 --> 00:44:33,880
Speaker 2: Is good?

915
00:44:33,880 --> 00:44:36,680
Speaker 1: Three is not good? Diard three? Which one is the

916
00:44:36,719 --> 00:44:39,080
Speaker 1: one where they where they has to walk through Harlem

917
00:44:39,160 --> 00:44:42,919
Speaker 1: with the sign Diehard three. I don't remember liking that one.

918
00:44:43,120 --> 00:44:44,719
Speaker 2: Oh, you got to go back and watch it. It's

919
00:44:44,760 --> 00:44:46,720
Speaker 2: better than the ones after that because then he becomes

920
00:44:46,719 --> 00:44:47,759
Speaker 2: a freaking superhero.

921
00:44:47,840 --> 00:44:49,080
Speaker 1: Wait, they may die Head four.

922
00:44:50,920 --> 00:44:53,959
Speaker 2: Yeah, look there's one with him and and justin Long

923
00:44:54,000 --> 00:44:57,560
Speaker 2: that I actually like a lot. I think one's that

924
00:44:57,880 --> 00:44:58,959
Speaker 2: Live Free die Hard.

925
00:44:59,719 --> 00:45:01,680
Speaker 1: I think die Hard two is the one that you're

926
00:45:01,680 --> 00:45:04,200
Speaker 1: talking about, because Diehard three with a vengeance?

927
00:45:04,840 --> 00:45:08,839
Speaker 2: Right. Die Hard two is the plane Okay, it is

928
00:45:09,560 --> 00:45:12,480
Speaker 2: all right. Diehard two is the planes. Die Hard one

929
00:45:12,600 --> 00:45:17,600
Speaker 2: is the taka Gnomi Plaza Pato sorry, knockatomy.

930
00:45:17,120 --> 00:45:19,479
Speaker 1: Plazatomy plaza in Century City.

931
00:45:21,080 --> 00:45:23,200
Speaker 2: Diehard two is the planes coming down.

932
00:45:24,120 --> 00:45:26,279
Speaker 1: You drive through Century City, right, every time you drive

933
00:45:26,360 --> 00:45:28,720
Speaker 1: through Century City, don't you think there's nochotomy plaza?

934
00:45:29,160 --> 00:45:31,600
Speaker 2: No, because there's so many freaking buildings now.

935
00:45:31,600 --> 00:45:33,359
Speaker 1: No knocking tony plaza stands out.

936
00:45:33,520 --> 00:45:34,239
Speaker 2: Which one is it?

937
00:45:34,920 --> 00:45:35,920
Speaker 1: It's the one that looks like.

938
00:45:38,719 --> 00:45:39,719
Speaker 2: Okay, which one do you know?

939
00:45:39,800 --> 00:45:41,520
Speaker 1: Which I don't know the real name is, but they should.

940
00:45:42,560 --> 00:45:44,600
Speaker 2: You know what building it is when you're driving by

941
00:45:44,800 --> 00:45:47,000
Speaker 2: that the dude jumps off the building that they jump

942
00:45:47,040 --> 00:45:47,279
Speaker 2: off the.

943
00:45:47,280 --> 00:45:49,200
Speaker 5: Building a big red hotel.

944
00:45:50,480 --> 00:45:51,279
Speaker 2: It's the white one.

945
00:45:51,640 --> 00:45:54,200
Speaker 3: That's not the point. The point is the building in

946
00:45:54,320 --> 00:45:57,960
Speaker 3: die Hard is super iconic. Yes, and no, I can't

947
00:45:58,000 --> 00:45:58,600
Speaker 3: recognize it.

948
00:45:59,000 --> 00:45:59,800
Speaker 4: Are you serious?

949
00:46:00,280 --> 00:46:00,520
Speaker 2: I don't.

950
00:46:01,840 --> 00:46:04,839
Speaker 1: I can't recognize it. Listeners, When you drive through Century City,

951
00:46:04,880 --> 00:46:06,440
Speaker 1: if you're going to visit l A, there's not much

952
00:46:06,440 --> 00:46:07,040
Speaker 1: street is it on?

953
00:46:07,160 --> 00:46:07,560
Speaker 2: What street?

954
00:46:07,640 --> 00:46:07,880
Speaker 5: Is it on?

955
00:46:08,520 --> 00:46:10,200
Speaker 1: Century? Century Park East? Type thing?

956
00:46:10,520 --> 00:46:10,800
Speaker 2: Okay?

957
00:46:12,239 --> 00:46:14,560
Speaker 1: I mean it's on. There's only two major streets there,

958
00:46:14,600 --> 00:46:17,200
Speaker 1: Avenue of the Stars and Century Park East. And I'm

959
00:46:17,280 --> 00:46:21,759
Speaker 1: telling you, listeners, if you if you visit LA you're

960
00:46:21,800 --> 00:46:24,200
Speaker 1: gonna want to drive through Century City solely to seek

961
00:46:24,200 --> 00:46:25,120
Speaker 1: not Gonzi Plaza.

962
00:46:25,680 --> 00:46:28,480
Speaker 2: I know exactly where it is. Actually, I take it back,

963
00:46:29,080 --> 00:46:29,640
Speaker 2: do do do?

964
00:46:29,960 --> 00:46:30,000
Speaker 5: Do?

965
00:46:30,520 --> 00:46:31,919
Speaker 2: Take it back? I take it back.

966
00:46:33,560 --> 00:46:35,759
Speaker 1: Well, I just want to say that I drive through

967
00:46:35,800 --> 00:46:38,239
Speaker 1: there all the time and I've never once gone not

968
00:46:38,400 --> 00:46:43,440
Speaker 1: thought there's Nochntell Plaza. They should rename it Knockings Plaza.

969
00:46:46,400 --> 00:46:46,759
Speaker 4: All right.

970
00:46:46,920 --> 00:46:52,839
Speaker 1: So the idea of a baby moon is introduced, JD

971
00:46:53,040 --> 00:46:55,640
Speaker 1: is a fantasy. It's really lame. Think of two babies

972
00:46:55,680 --> 00:46:57,320
Speaker 1: on a honeymoon on a green screen.

973
00:46:57,920 --> 00:46:58,120
Speaker 4: Boo.

974
00:47:00,239 --> 00:47:01,680
Speaker 1: It's sad that JD has to go out with a

975
00:47:01,719 --> 00:47:06,480
Speaker 1: fantasy like that. JD's last fantasy is that well.

976
00:47:06,520 --> 00:47:09,560
Speaker 2: Also, Cole suggests a baby morn. He also suggests that

977
00:47:09,719 --> 00:47:11,120
Speaker 2: jazz makes babies gay.

978
00:47:12,200 --> 00:47:14,080
Speaker 1: Yeah. I don't know why they chose jazz to make

979
00:47:14,120 --> 00:47:19,960
Speaker 1: babies gay. I mean, it's such a non PC twenty

980
00:47:20,040 --> 00:47:22,480
Speaker 1: twenty four humor. But if you were gonna have to

981
00:47:22,560 --> 00:47:23,839
Speaker 1: choose one with a gun to your head, I don't

982
00:47:23,840 --> 00:47:28,600
Speaker 1: think it would be jazz. Why because why is jazz?

983
00:47:28,640 --> 00:47:31,239
Speaker 1: I mean I can understand the jokes. Abby's joke would

984
00:47:31,239 --> 00:47:34,719
Speaker 1: be musical theater or like you know, like you know,

985
00:47:35,880 --> 00:47:38,520
Speaker 1: I will survive. I don't know insert a song here,

986
00:47:38,680 --> 00:47:40,360
Speaker 1: but jazz. I wouldn't have choosed jazz.

987
00:47:41,719 --> 00:47:44,640
Speaker 2: Would you have chosen? What song? Would you have?

988
00:47:44,760 --> 00:47:47,120
Speaker 1: First? I was afraid? I was petrified.

989
00:47:48,080 --> 00:47:49,839
Speaker 2: Is that a gay song? I don't think that's why.

990
00:47:49,840 --> 00:47:50,440
Speaker 4: I think it's like A.

991
00:47:50,600 --> 00:47:52,920
Speaker 1: Isn't it like A? Isn't it like I would think.

992
00:47:52,920 --> 00:47:56,759
Speaker 2: I'm coming out? I won't through the world too.

993
00:47:57,160 --> 00:48:00,880
Speaker 5: No, I don't know also a very queer anthem. I mean,

994
00:48:01,040 --> 00:48:02,040
Speaker 5: pick a disco song.

995
00:48:02,200 --> 00:48:03,839
Speaker 1: I was going to say disco would be the era

996
00:48:03,960 --> 00:48:06,359
Speaker 1: that I would associate. Well, I wonder what's the most

997
00:48:06,400 --> 00:48:09,120
Speaker 1: popular jowell. Can you google what is the most popular

998
00:48:10,480 --> 00:48:13,239
Speaker 1: song for drag performers to sing?

999
00:48:13,480 --> 00:48:17,280
Speaker 2: I bet it's queer anthem? What is the queer asking.

1000
00:48:17,120 --> 00:48:20,840
Speaker 1: Two separate questions. One is what's the most popular queer anthem?

1001
00:48:21,080 --> 00:48:21,680
Speaker 4: And one is the.

1002
00:48:23,719 --> 00:48:30,000
Speaker 5: Amazing it's the queer anthem of last year, Kylie Minogue

1003
00:48:30,080 --> 00:48:32,920
Speaker 5: dropped the new song and it's just very fun and

1004
00:48:33,120 --> 00:48:33,480
Speaker 5: very gay.

1005
00:48:35,040 --> 00:48:38,000
Speaker 1: Or can you tell us another popular queer anthem this year?

1006
00:48:39,000 --> 00:48:41,319
Speaker 1: Just let me know if it's this what you're trying

1007
00:48:41,400 --> 00:48:45,040
Speaker 1: to get into one day, what you're trying to do.

1008
00:48:46,000 --> 00:48:48,280
Speaker 2: I like that that that's a pretty queer anthem.

1009
00:48:48,680 --> 00:48:51,280
Speaker 1: I wish someone remixed that and make it a queer anthem.

1010
00:48:51,840 --> 00:48:53,879
Speaker 5: That would be amazing. I invite our fans to make

1011
00:48:54,000 --> 00:48:55,160
Speaker 5: that a queer anthem.

1012
00:48:55,600 --> 00:48:57,600
Speaker 1: Yeah, if you're one of our fans who knows how

1013
00:48:57,640 --> 00:48:59,400
Speaker 1: to make a queer anthem, you should remix this.

1014
00:49:00,000 --> 00:49:01,880
Speaker 2: Everybody likes a little ass flay. Don't even act like

1015
00:49:01,960 --> 00:49:08,480
Speaker 2: you don't, all right, I will say this one of

1016
00:49:08,560 --> 00:49:11,600
Speaker 2: my favorite songs ever, and I think it's everybody's favorite song,

1017
00:49:11,640 --> 00:49:13,279
Speaker 2: but I feel like this was a queer anthem at

1018
00:49:13,280 --> 00:49:16,800
Speaker 2: one point. It's one of my favorite songs ever. Dancing

1019
00:49:16,880 --> 00:49:19,239
Speaker 2: on my own, It's one of my favorite songs ever made.

1020
00:49:20,600 --> 00:49:22,120
Speaker 2: It's one of the best songs ever made in the

1021
00:49:22,200 --> 00:49:22,960
Speaker 2: history of songs.

1022
00:49:23,200 --> 00:49:24,520
Speaker 1: Dancing on my own? Who sings that?

1023
00:49:26,280 --> 00:49:28,080
Speaker 2: It's literally one of the best. If you listen to

1024
00:49:28,160 --> 00:49:28,640
Speaker 2: the lyrics.

1025
00:49:28,760 --> 00:49:38,640
Speaker 9: I just want to dance all night. I'm all messed up.

1026
00:49:38,960 --> 00:49:40,680
Speaker 9: I'm so out of line.

1027
00:49:42,120 --> 00:49:42,960
Speaker 2: That's the fire.

1028
00:49:44,080 --> 00:49:48,880
Speaker 6: Come on now, still letters and brokecking bottles.

1029
00:49:49,920 --> 00:49:53,280
Speaker 2: I'm spinning it around in circles.

1030
00:49:53,640 --> 00:49:54,480
Speaker 1: That's a queer anthem.

1031
00:49:54,560 --> 00:50:01,200
Speaker 5: Joelle Robin is a queer like icon artist, so like folks,

1032
00:50:01,880 --> 00:50:03,400
Speaker 5: she have songs in the same way. I kind of

1033
00:50:03,440 --> 00:50:05,920
Speaker 5: a Nogue or Britney Spears or Madonna drops the song.

1034
00:50:06,000 --> 00:50:07,000
Speaker 5: The gays are gonna check in.

1035
00:50:07,520 --> 00:50:09,480
Speaker 2: That song as old as fuck, that song is like.

1036
00:50:09,880 --> 00:50:12,440
Speaker 2: That song is like almost ten years old, and for

1037
00:50:12,640 --> 00:50:17,640
Speaker 2: like years, for years, that shit pops on the radio

1038
00:50:17,719 --> 00:50:19,359
Speaker 2: and you see everybody, I don't care where you are,

1039
00:50:19,719 --> 00:50:21,040
Speaker 2: you could be in the motherfucking gap.

1040
00:50:22,840 --> 00:50:25,440
Speaker 1: What happens when you hear the gap, you start dancing.

1041
00:50:25,520 --> 00:50:26,799
Speaker 2: That shit is fired on your own?

1042
00:50:26,840 --> 00:50:27,719
Speaker 1: Do you dance on your own?

1043
00:50:27,880 --> 00:50:28,759
Speaker 2: You dance on your own?

1044
00:50:29,800 --> 00:50:35,399
Speaker 1: Joelle? Can you do another anthem? Another queer anthem that's

1045
00:50:35,480 --> 00:50:36,000
Speaker 1: very popular?

1046
00:50:36,360 --> 00:50:40,640
Speaker 5: Sure, Madonna's Vogue is probably one of the most popular.

1047
00:50:41,080 --> 00:50:44,279
Speaker 5: Janet Jackson's Together Again is actually dedicated to queer friends

1048
00:50:44,280 --> 00:50:46,560
Speaker 5: of hers who died during the AIDS epidemic. So that's

1049
00:50:46,719 --> 00:50:51,680
Speaker 5: like a really good one. What's a Hero Hero by

1050
00:50:51,840 --> 00:50:54,000
Speaker 5: Mariah Carey also very popular?

1051
00:50:54,080 --> 00:50:54,680
Speaker 10: Real anthem?

1052
00:50:55,080 --> 00:50:58,320
Speaker 2: Yes, and then a hero comes alone.

1053
00:50:58,360 --> 00:51:00,480
Speaker 5: You can see the drag queens performing on a ready.

1054
00:51:00,760 --> 00:51:01,520
Speaker 1: Right, all right?

1055
00:51:02,280 --> 00:51:03,560
Speaker 2: Have you ever been to a drag shows? Ach?

1056
00:51:04,480 --> 00:51:06,800
Speaker 1: No, but I actually drew by it. Why are you

1057
00:51:06,880 --> 00:51:07,360
Speaker 1: yelling at me?

1058
00:51:07,719 --> 00:51:12,440
Speaker 5: I'm so sorry I've never been.

1059
00:51:12,520 --> 00:51:13,440
Speaker 1: Why didn't you invite me?

1060
00:51:13,600 --> 00:51:15,279
Speaker 5: The Hamburger Mary girls would love you?

1061
00:51:15,560 --> 00:51:15,920
Speaker 4: Oh wait?

1062
00:51:16,320 --> 00:51:19,160
Speaker 2: I want to want to rage. I want to rage

1063
00:51:19,200 --> 00:51:22,840
Speaker 2: one back in the day. Rage doesn't exist anymore, I

1064
00:51:22,920 --> 00:51:23,440
Speaker 2: don't believe.

1065
00:51:23,520 --> 00:51:25,600
Speaker 1: So there's no reason for you to be this upset.

1066
00:51:26,040 --> 00:51:28,399
Speaker 1: Don't get this upset about rage closing. Calm down.

1067
00:51:29,239 --> 00:51:31,800
Speaker 2: It was a staple in West Hollywood.

1068
00:51:31,320 --> 00:51:33,320
Speaker 1: And I know we went there for research for Broken

1069
00:51:33,360 --> 00:51:33,919
Speaker 1: Hearts Club.

1070
00:51:34,360 --> 00:51:36,680
Speaker 2: It's the only gay club that I had been in

1071
00:51:36,880 --> 00:51:38,480
Speaker 2: well that I know that I've been other than the

1072
00:51:38,520 --> 00:51:40,080
Speaker 2: Abbey in Hollywood.

1073
00:51:41,080 --> 00:51:45,440
Speaker 1: I went with Dean Kine, Andrew Keagan, Billy Porter to

1074
00:51:45,800 --> 00:51:48,400
Speaker 1: to Rage Amazing. It was hilarious.

1075
00:51:49,080 --> 00:51:50,160
Speaker 2: Did you ever go to the Abbey?

1076
00:51:51,200 --> 00:51:54,120
Speaker 1: Yeah, I've been to the Abbey, but Hamburger Mary's. Sorry

1077
00:51:54,200 --> 00:51:56,680
Speaker 1: audience for if you're confused. These are all West Hollywood,

1078
00:51:56,880 --> 00:52:02,319
Speaker 1: Uh spots along Santa Monica Boulevard. Now, I've passed that place,

1079
00:52:02,400 --> 00:52:04,400
Speaker 1: and they have they have a drag brunch. I believe

1080
00:52:04,520 --> 00:52:06,759
Speaker 1: right because I just hosted it.

1081
00:52:07,480 --> 00:52:08,200
Speaker 5: It's very fun.

1082
00:52:08,440 --> 00:52:11,520
Speaker 1: Really, I would love to go to. Well, why don't

1083
00:52:11,520 --> 00:52:13,520
Speaker 1: you do Why don't you organize a fake doctor's real

1084
00:52:13,560 --> 00:52:16,280
Speaker 1: friends field trip to to a drag brunch?

1085
00:52:16,480 --> 00:52:16,680
Speaker 4: Wow?

1086
00:52:17,440 --> 00:52:22,040
Speaker 5: Okay, you asked for this object. I'm very excited.

1087
00:52:21,640 --> 00:52:25,800
Speaker 2: About love that, right, I would love that. Are you

1088
00:52:25,880 --> 00:52:27,239
Speaker 2: kidding there?

1089
00:52:27,560 --> 00:52:29,560
Speaker 1: All right, we should probably take a break, and we

1090
00:52:29,600 --> 00:52:31,719
Speaker 1: should probably keep going with the show because we're off

1091
00:52:31,800 --> 00:52:35,560
Speaker 1: on so many tangents today. We'll be right back after

1092
00:52:35,840 --> 00:52:39,279
Speaker 1: these fine words. What you're trying to get into a

1093
00:52:39,480 --> 00:52:50,319
Speaker 1: day show, what you're trying to do, and we're back

1094
00:52:52,120 --> 00:52:56,080
Speaker 1: all right, continue on the show. All right, So Cole

1095
00:52:56,200 --> 00:52:59,000
Speaker 1: doing Edward scissor Hands right, because I don't know why

1096
00:52:59,040 --> 00:53:00,000
Speaker 1: he's doing Edward scissor hands.

1097
00:53:00,480 --> 00:53:00,800
Speaker 4: I like that.

1098
00:53:01,239 --> 00:53:04,279
Speaker 2: I like that he got to the fine tuning at

1099
00:53:04,320 --> 00:53:07,760
Speaker 2: the end with the let snip, snip and the snip.

1100
00:53:07,960 --> 00:53:10,479
Speaker 2: Just it's ready now.

1101
00:53:10,920 --> 00:53:16,680
Speaker 1: Yeah, mahoney, Denise will be Cox's sounding board because he

1102
00:53:16,760 --> 00:53:21,319
Speaker 1: wants to rant to her. Missus Foster dies. They were

1103
00:53:21,360 --> 00:53:23,840
Speaker 1: married for forty seven years and Elliott cries at the

1104
00:53:23,960 --> 00:53:26,319
Speaker 1: thought of Cox dying at the very thought. Sarah's very

1105
00:53:26,320 --> 00:53:27,800
Speaker 1: good with that spontaneous tears.

1106
00:53:28,200 --> 00:53:30,400
Speaker 2: That shit was very funny, and she got really emotional

1107
00:53:30,520 --> 00:53:33,360
Speaker 2: and she got angry face cry too, and that was

1108
00:53:33,480 --> 00:53:33,960
Speaker 2: very funny.

1109
00:53:34,200 --> 00:53:36,800
Speaker 1: She always she said that, you know, back in the

1110
00:53:36,880 --> 00:53:38,839
Speaker 1: day she has had to listen to a sad song,

1111
00:53:39,040 --> 00:53:40,880
Speaker 1: but now she can do it without even listening to

1112
00:53:40,920 --> 00:53:43,560
Speaker 1: a sad song. She just thinks about the right thing.

1113
00:53:44,120 --> 00:53:47,440
Speaker 2: Yeah, it's when when you have kids.

1114
00:53:47,880 --> 00:53:49,480
Speaker 1: Yeah, I imagine that you just think about.

1115
00:53:49,280 --> 00:53:51,759
Speaker 2: Things that you can think about that are like and

1116
00:53:51,840 --> 00:53:54,319
Speaker 2: it's not even about them, it's about you letting them

1117
00:53:54,440 --> 00:53:56,120
Speaker 2: down and automatically.

1118
00:53:56,840 --> 00:53:57,040
Speaker 4: Yeah.

1119
00:53:57,440 --> 00:53:59,520
Speaker 1: Well, Turk and Jad keep playing hide and Seek with

1120
00:53:59,560 --> 00:54:04,080
Speaker 1: the walkie talkies. JD is a doctor, but he refers

1121
00:54:04,120 --> 00:54:06,480
Speaker 1: to birth as right before your baby comes out of

1122
00:54:06,560 --> 00:54:13,879
Speaker 1: your special area. Lucy can't cut Ben, She's afraid. Cole

1123
00:54:13,920 --> 00:54:16,200
Speaker 1: says the jet ski is the motorcycle of the sea.

1124
00:54:16,400 --> 00:54:22,319
Speaker 2: I thought that was funny, Elliott says, noted a baby moon. Yeah,

1125
00:54:22,560 --> 00:54:23,520
Speaker 2: I thought she'd be into it.

1126
00:54:24,440 --> 00:54:27,520
Speaker 1: She doesn't want it, And the answer is the worst

1127
00:54:27,560 --> 00:54:29,960
Speaker 1: thing ever. Let's have the baby moon in the hospital.

1128
00:54:30,000 --> 00:54:31,920
Speaker 1: Who'd ever want a baby And it's not even like

1129
00:54:32,000 --> 00:54:35,560
Speaker 1: in a private room, it's like in like it looks

1130
00:54:35,600 --> 00:54:36,560
Speaker 1: like the smoking area.

1131
00:54:36,880 --> 00:54:46,160
Speaker 2: I remember me and Michael Mosley doing loving You Is

1132
00:54:46,280 --> 00:54:51,800
Speaker 2: he easy because your beauty for your baby moon and

1133
00:54:51,920 --> 00:54:56,000
Speaker 2: him playing the guitar and me singing that Elliott and.

1134
00:54:56,480 --> 00:54:58,240
Speaker 1: Or maybe they couldn't afford it or something.

1135
00:54:58,120 --> 00:55:01,719
Speaker 2: And they cut it and now there's something else there. Oh,

1136
00:55:01,920 --> 00:55:02,640
Speaker 2: I do remember that.

1137
00:55:03,040 --> 00:55:04,000
Speaker 1: That's definitely not in there.

1138
00:55:04,400 --> 00:55:05,640
Speaker 2: That's definitely not in there.

1139
00:55:06,239 --> 00:55:09,320
Speaker 1: Cox says a wife cannot hear logic from her husband.

1140
00:55:09,400 --> 00:55:12,000
Speaker 1: It must come from a friend, a stranger, or oprah.

1141
00:55:12,120 --> 00:55:13,000
Speaker 1: I thought that was funny.

1142
00:55:15,440 --> 00:55:16,279
Speaker 5: Donald, Is that true?

1143
00:55:16,920 --> 00:55:17,759
Speaker 1: Donald? Is that true?

1144
00:55:18,160 --> 00:55:18,200
Speaker 4: No?

1145
00:55:18,360 --> 00:55:21,360
Speaker 2: I don't think my wife necessarily agrees with what Oprah

1146
00:55:21,400 --> 00:55:23,400
Speaker 2: has to say, maybe what Beyonce has to say, but

1147
00:55:23,480 --> 00:55:25,000
Speaker 2: not necessarily what Oprah got to say.

1148
00:55:25,120 --> 00:55:27,680
Speaker 1: But do you think that she can hear logic from

1149
00:55:27,760 --> 00:55:30,120
Speaker 1: a friend, a stranger or Beyonce better than you?

1150
00:55:31,040 --> 00:55:38,279
Speaker 2: Fuck yeah, she don't even got to know, right, a stranger. Yes,

1151
00:55:38,360 --> 00:55:42,200
Speaker 2: the stranger could be like, Yo, that seemed pretty fucked up,

1152
00:55:42,320 --> 00:55:46,360
Speaker 2: and she'd be like, did it? Fuck? I gotta go

1153
00:55:46,480 --> 00:55:47,920
Speaker 2: fucking apologize to him.

1154
00:55:49,960 --> 00:55:51,359
Speaker 1: I hate him, but I love him.

1155
00:55:51,520 --> 00:55:55,040
Speaker 2: But I did laugh at this, you know, in the

1156
00:55:55,120 --> 00:55:56,960
Speaker 2: part and Can't Buy Me Love when it opens with

1157
00:55:57,080 --> 00:55:59,919
Speaker 2: Patrick Dempsey and you're like, Elliott, do you think there's

1158
00:55:59,920 --> 00:56:06,000
Speaker 2: a Patrick Dempsey movie I haven't seen. Fuck yeah that well,

1159
00:56:06,040 --> 00:56:08,960
Speaker 2: first of all, can't buy Me love? Because it can't

1160
00:56:09,000 --> 00:56:11,640
Speaker 2: buy me love. I went on a tangent and watched

1161
00:56:11,760 --> 00:56:14,440
Speaker 2: a bunch of different Patrick Dempsey movies. There's one where

1162
00:56:14,480 --> 00:56:17,880
Speaker 2: he was like a pizza delivery guy and and he

1163
00:56:17,920 --> 00:56:21,000
Speaker 2: becomes a hold Yeah, same thing.

1164
00:56:23,000 --> 00:56:24,360
Speaker 1: Yeah, I don't think I ever saw that one, but

1165
00:56:24,440 --> 00:56:25,879
Speaker 1: he's like a Jiggielow pizza man.

1166
00:56:26,200 --> 00:56:29,840
Speaker 2: Yeah, there's one of those. And then there was what

1167
00:56:30,000 --> 00:56:33,360
Speaker 2: else was there? I'm trying to think that he do action.

1168
00:56:33,640 --> 00:56:36,000
Speaker 1: Don't you think I know the pats Should Dempsey catalog

1169
00:56:36,080 --> 00:56:36,799
Speaker 1: as well as he did.

1170
00:56:37,320 --> 00:56:40,640
Speaker 2: It was always like a romantic comedy. But the best

1171
00:56:40,680 --> 00:56:42,799
Speaker 2: one by far is Can't Buy Me Love? That one

1172
00:56:42,880 --> 00:56:45,840
Speaker 2: to this day, Cindy Mancini and Ronald Miller will go

1173
00:56:46,000 --> 00:56:49,960
Speaker 2: down in history as one of my favorite high school movies.

1174
00:56:50,000 --> 00:56:52,120
Speaker 2: It's up there with all of the John Hughes movies.

1175
00:56:52,239 --> 00:56:56,800
Speaker 2: Which movie Can't Buy Me Love? Okay, Gerardo's in it?

1176
00:56:57,040 --> 00:57:00,799
Speaker 2: Rico Suave, the Motherfucker's in it. There was three of them,

1177
00:57:01,920 --> 00:57:07,440
Speaker 2: Anthony Michael Hall, John Cryer, and Patrick Dempsey. Patrick Dempsey

1178
00:57:07,600 --> 00:57:12,400
Speaker 2: was more of the geek to sheet dude always, but

1179
00:57:12,680 --> 00:57:18,200
Speaker 2: John Cryer and Anthony Michael Hall as youths, you always

1180
00:57:18,360 --> 00:57:19,880
Speaker 2: like the outcast.

1181
00:57:20,640 --> 00:57:22,680
Speaker 1: Elliott watches anime pornography.

1182
00:57:23,680 --> 00:57:25,800
Speaker 2: She watches like Legend of the Legends of the over

1183
00:57:25,920 --> 00:57:28,480
Speaker 2: Fiend and shit like that. She watches crazy.

1184
00:57:28,240 --> 00:57:30,640
Speaker 1: Dark What's Legends of the Overfiend?

1185
00:57:30,920 --> 00:57:33,520
Speaker 2: You gotta this is something when I was a kid,

1186
00:57:33,640 --> 00:57:37,960
Speaker 2: and it's anime porn. It's not really porn, but it's

1187
00:57:38,120 --> 00:57:40,920
Speaker 2: like porn. Man, It's like it is porn but it's

1188
00:57:40,960 --> 00:57:43,280
Speaker 2: not porn. There's a I don't know how to it's

1189
00:57:43,440 --> 00:57:46,880
Speaker 2: like a demon, but the demon is like this sect.

1190
00:57:47,040 --> 00:57:50,240
Speaker 2: Just look it up, Legends of the Overpiend. It's nothing

1191
00:57:50,840 --> 00:57:54,200
Speaker 2: you can I think it's even R rated or NC seventeen.

1192
00:57:54,520 --> 00:57:58,280
Speaker 2: But because it's it's like the demon turns into a

1193
00:57:58,360 --> 00:58:01,320
Speaker 2: freaking penis hand and shoves it in a woman's mind.

1194
00:58:01,360 --> 00:58:02,080
Speaker 2: Like it's crazy.

1195
00:58:02,200 --> 00:58:04,800
Speaker 1: Dude, how do I spell overpiend?

1196
00:58:05,160 --> 00:58:07,760
Speaker 2: I have no idea. I think over and then fiend.

1197
00:58:09,400 --> 00:58:12,560
Speaker 1: Oh, Legends of the over Fiend. Okay, let me just

1198
00:58:12,560 --> 00:58:16,720
Speaker 1: see what's happening with this. Have you seen this?

1199
00:58:17,120 --> 00:58:19,240
Speaker 5: I don't know anything about this. This is outside of

1200
00:58:19,320 --> 00:58:19,960
Speaker 5: my wheelhouse.

1201
00:58:20,040 --> 00:58:21,520
Speaker 2: It's a long time ago. This is when I was

1202
00:58:21,680 --> 00:58:23,040
Speaker 2: very I'm like ninety two.

1203
00:58:23,800 --> 00:58:26,040
Speaker 1: Well, it's on YouTube. It can't be pornographic. If it's

1204
00:58:26,080 --> 00:58:27,640
Speaker 1: on YouTube, WHOA.

1205
00:58:29,200 --> 00:58:31,720
Speaker 5: Pieces on it and can if the censors didn't, can

1206
00:58:31,840 --> 00:58:32,600
Speaker 5: I catch it?

1207
00:58:35,480 --> 00:58:35,640
Speaker 4: Oh?

1208
00:58:35,720 --> 00:58:41,400
Speaker 1: This is like interviews about it. But when I was

1209
00:58:41,840 --> 00:58:43,920
Speaker 1: and here it is the anime you should not have watched.

1210
00:58:46,240 --> 00:58:50,440
Speaker 2: Okay, that's probably what fucked me up. That's probably what

1211
00:58:50,640 --> 00:58:51,360
Speaker 2: fucked me up.

1212
00:58:51,400 --> 00:58:54,240
Speaker 1: Oh yeah, I can see why this could be. This

1213
00:58:54,360 --> 00:58:58,080
Speaker 1: could be twisted. So you think this is what Elliott's watching?

1214
00:58:58,440 --> 00:59:05,200
Speaker 2: Yes, Oh, I got to whoa, yes, exactly exactly, Yes,

1215
00:59:06,080 --> 00:59:08,200
Speaker 2: did the arm turned into like a freaking bunch of

1216
00:59:08,280 --> 00:59:09,480
Speaker 2: penises and stuff like that.

1217
00:59:09,640 --> 00:59:11,960
Speaker 1: I don't think I can describe on a family podcast

1218
00:59:12,080 --> 00:59:12,640
Speaker 1: what's happening?

1219
00:59:12,840 --> 00:59:16,520
Speaker 2: This is not a family podcast. This is not my locker.

1220
00:59:17,120 --> 00:59:18,280
Speaker 10: This is not my locker.

1221
00:59:20,440 --> 00:59:24,120
Speaker 1: That's Beverly Hills cup too. Yes, I'm so jealous that

1222
00:59:24,240 --> 00:59:26,600
Speaker 1: I'm not in the new one one.

1223
00:59:27,920 --> 00:59:30,080
Speaker 2: No, this is not my locker Part one.

1224
00:59:30,360 --> 00:59:32,520
Speaker 1: Oh, then he redoes the joke in too this is

1225
00:59:32,520 --> 00:59:34,760
Speaker 1: not my office, this is not my office. They literally

1226
00:59:34,800 --> 00:59:38,040
Speaker 1: gave him on what you're talking about, willis this is

1227
00:59:38,120 --> 00:59:41,000
Speaker 1: not my office. They were like, you had such a

1228
00:59:41,080 --> 00:59:43,520
Speaker 1: funny line in one, can we repeat it with office?

1229
00:59:43,920 --> 00:59:46,520
Speaker 2: Yeah. Al Bronson pinch Show is in this new one.

1230
00:59:47,040 --> 00:59:48,920
Speaker 2: Of course he is Serge.

1231
00:59:49,280 --> 00:59:52,000
Speaker 1: I think Joseph Gordon Levitt got the got the part

1232
00:59:52,040 --> 00:59:56,480
Speaker 1: I would have wanted dreamed of. I would have been

1233
00:59:56,560 --> 00:59:59,040
Speaker 1: ex Hacket's kid. I don't know what the part is,

1234
00:59:59,120 --> 01:00:03,160
Speaker 1: but there was one part for someone like someone like

1235
01:00:03,320 --> 01:00:06,600
Speaker 1: Joseph Gordon Levitt. But I told my agent, I was like, literally,

1236
01:00:06,800 --> 01:00:08,479
Speaker 1: I'll have one. I'll be the al of one line.

1237
01:00:09,000 --> 01:00:15,200
Speaker 1: I'll be like your check. Yeah, here, mister here, mister Foley,

1238
01:00:15,240 --> 01:00:25,680
Speaker 1: you take these bananas. Well, the buffet, the buffet, take

1239
01:00:25,720 --> 01:00:28,320
Speaker 1: the bananas. You take these bananas.

1240
01:00:30,480 --> 01:00:33,840
Speaker 2: For no reason too, for no reason, for no reason,

1241
01:00:34,280 --> 01:00:37,360
Speaker 2: he goes, Well, a buffet is twelve dollars, such and

1242
01:00:37,440 --> 01:00:41,120
Speaker 2: such as, Oh I needed some bananas. You go ahead

1243
01:00:41,120 --> 01:00:46,640
Speaker 2: and take these bananas, just so the plot couldn't move on.

1244
01:00:50,160 --> 01:00:54,320
Speaker 1: Is this the man who right at the Harold Club

1245
01:00:54,400 --> 01:00:54,760
Speaker 1: this morning?

1246
01:00:54,920 --> 01:00:55,240
Speaker 2: All right?

1247
01:00:55,680 --> 01:00:58,200
Speaker 1: Sorry, sorry, one, Sometimes that happens. We were we were

1248
01:00:58,240 --> 01:00:59,720
Speaker 1: long overdue for Beverly Hills.

1249
01:00:59,760 --> 01:01:05,760
Speaker 2: Cop, that's the man who wrecked to keep it down? Please,

1250
01:01:06,360 --> 01:01:09,080
Speaker 2: why can you hear me? Yes?

1251
01:01:11,720 --> 01:01:18,480
Speaker 1: Is this the man who incapacitated one of our cars

1252
01:01:18,680 --> 01:01:19,760
Speaker 1: by sticking up.

1253
01:01:20,960 --> 01:01:26,440
Speaker 2: Marked No, he goes, just a man who incapacitated an

1254
01:01:26,520 --> 01:01:38,120
Speaker 2: unmarked car with a banana. You've never seen this movie?

1255
01:01:38,240 --> 01:01:38,400
Speaker 2: You have?

1256
01:01:38,480 --> 01:01:38,520
Speaker 5: You?

1257
01:01:39,320 --> 01:01:42,760
Speaker 2: I have not what you've never seen.

1258
01:01:44,520 --> 01:01:46,720
Speaker 3: I guess I just don't remember that line. I guess

1259
01:01:46,720 --> 01:01:48,200
Speaker 3: I haven't seen it in a really long time. I

1260
01:01:48,280 --> 01:01:50,520
Speaker 3: have to see it again. But it's been years and

1261
01:01:50,640 --> 01:01:51,240
Speaker 3: years and years.

1262
01:01:51,880 --> 01:01:53,720
Speaker 5: I saw I had a rerelease in theaters and it

1263
01:01:53,920 --> 01:01:55,720
Speaker 5: holds up. Audience was dying.

1264
01:01:57,960 --> 01:01:59,320
Speaker 2: I was like, I don't know what you're talking When

1265
01:01:59,320 --> 01:02:02,800
Speaker 2: he throws that dude over the buffet table, that's Richard

1266
01:02:02,840 --> 01:02:05,240
Speaker 2: Pryor stunt man. That ain't fucking Eddie Murphy's time.

1267
01:02:07,480 --> 01:02:09,680
Speaker 1: I gotta watch Beverly Hills cop again. I definitely forgot

1268
01:02:09,800 --> 01:02:11,440
Speaker 1: Please does the.

1269
01:02:11,600 --> 01:02:15,120
Speaker 2: Front dive roll over some stairs and then lands on

1270
01:02:15,280 --> 01:02:19,960
Speaker 2: his knees and bucks two cats down? Are you kidding me?

1271
01:02:23,000 --> 01:02:24,720
Speaker 2: Do you know how much that would hurt my back

1272
01:02:24,840 --> 01:02:25,520
Speaker 2: doing that shit?

1273
01:02:26,360 --> 01:02:28,440
Speaker 1: What about when Cole this maybe laugh out loud, when

1274
01:02:28,520 --> 01:02:30,960
Speaker 1: Cole goes up to Elliott and goes, what's the situation

1275
01:02:31,160 --> 01:02:33,200
Speaker 1: with those big old d's an milk?

1276
01:02:37,200 --> 01:02:39,680
Speaker 2: And then when he walks away in the background, he's

1277
01:02:39,720 --> 01:02:43,200
Speaker 2: still looking over his shoulder with the face of I

1278
01:02:43,200 --> 01:02:44,800
Speaker 2: wouldn't suck the ship out of him?

1279
01:02:45,080 --> 01:02:48,440
Speaker 1: He says, what the line is, what's the situation with

1280
01:02:48,560 --> 01:02:50,720
Speaker 1: those big old d's? Any milk? Cat?

1281
01:02:53,240 --> 01:02:54,920
Speaker 2: Does Howard Johnson still exist?

1282
01:02:55,360 --> 01:02:58,240
Speaker 1: Hojo's Hojo's I.

1283
01:02:58,280 --> 01:03:00,320
Speaker 2: Haven't seen a hojos in a really long time.

1284
01:03:00,680 --> 01:03:02,240
Speaker 1: I'm sure it does. I just want to point out

1285
01:03:02,280 --> 01:03:06,120
Speaker 1: the very last moment of of JD on Scrubs Forever

1286
01:03:06,480 --> 01:03:09,840
Speaker 1: is lying in a in a coffin next turk.

1287
01:03:10,200 --> 01:03:13,440
Speaker 2: Yeah, yeah, we went out.

1288
01:03:13,520 --> 01:03:15,440
Speaker 1: We went out in coffins, right next to each other.

1289
01:03:16,960 --> 01:03:17,480
Speaker 2: We killed it.

1290
01:03:18,600 --> 01:03:20,080
Speaker 1: We ended with the bang, we died.

1291
01:03:20,840 --> 01:03:24,960
Speaker 2: They hide right next to each other. Yeah, and say

1292
01:03:25,040 --> 01:03:28,760
Speaker 2: the exact same thing. Come, what is it? What I say? Pull?

1293
01:03:28,880 --> 01:03:31,760
Speaker 2: Pull it up, never find me, You'll never find But

1294
01:03:31,920 --> 01:03:36,360
Speaker 2: before that, they're saying, pull pull it down quickly close.

1295
01:03:38,480 --> 01:03:41,680
Speaker 1: Well that's it everyone, that's the episode. That was fun.

1296
01:03:43,160 --> 01:03:43,600
Speaker 9: That's fun.

1297
01:03:44,040 --> 01:03:46,080
Speaker 1: Can see anything you.

1298
01:03:46,080 --> 01:03:51,640
Speaker 2: Want wrap battle battle, Oh my god?

1299
01:03:51,800 --> 01:03:53,520
Speaker 5: Locked in here we go. What do you want to say?

1300
01:03:53,560 --> 01:03:54,520
Speaker 2: I don't want to say anything.

1301
01:03:54,600 --> 01:03:55,440
Speaker 5: There's a clear winner.

1302
01:03:55,600 --> 01:03:57,760
Speaker 2: I'm well, there's come on now.

1303
01:03:57,640 --> 01:03:59,600
Speaker 1: Wait you have to see the audience context because I

1304
01:04:00,400 --> 01:04:02,080
Speaker 1: barely know what you're talking about. There's a there's a

1305
01:04:02,160 --> 01:04:02,920
Speaker 1: rap battle going on.

1306
01:04:03,440 --> 01:04:06,400
Speaker 2: There's a rap battle going on between Drake and Kendrick Lamar.

1307
01:04:06,960 --> 01:04:08,960
Speaker 1: Okay, why do they why do they not like each other?

1308
01:04:09,800 --> 01:04:12,200
Speaker 10: I have I have no clue, or do we have

1309
01:04:12,320 --> 01:04:12,680
Speaker 10: the time.

1310
01:04:13,520 --> 01:04:14,440
Speaker 5: I can summarize it.

1311
01:04:14,600 --> 01:04:16,360
Speaker 2: Like this, it's too hard.

1312
01:04:16,880 --> 01:04:17,760
Speaker 10: No, I can do I can do it.

1313
01:04:17,800 --> 01:04:19,760
Speaker 5: I can do it, and it's super quick.

1314
01:04:20,080 --> 01:04:21,919
Speaker 9: Uh a rap?

1315
01:04:22,120 --> 01:04:26,440
Speaker 5: Frequently you have a mentor. This beef goes back like

1316
01:04:26,840 --> 01:04:30,240
Speaker 5: four to five mentors of beef like your mentor, are

1317
01:04:30,320 --> 01:04:32,280
Speaker 5: like my mentor, I like I like that producer, Da

1318
01:04:32,320 --> 01:04:34,560
Speaker 5: da da. It's like a long chain of hate that

1319
01:04:34,680 --> 01:04:37,320
Speaker 5: has finally reached its apex where these two guys are like, Oh,

1320
01:04:37,360 --> 01:04:39,000
Speaker 5: we're just gonna have it out in the streets then,

1321
01:04:39,320 --> 01:04:43,760
Speaker 5: and that's where we're at. But okay, there's a lot again,

1322
01:04:43,760 --> 01:04:45,280
Speaker 5: we don't have to go into all the gritty details.

1323
01:04:45,400 --> 01:04:46,840
Speaker 5: That's the broad strokes of it. You can find a

1324
01:04:46,880 --> 01:04:49,400
Speaker 5: TikTok that explains it well, right, but.

1325
01:04:50,440 --> 01:04:51,320
Speaker 2: It's I'm not on.

1326
01:04:51,560 --> 01:04:53,320
Speaker 1: I'm not on TikTok joell. That's why I have you.

1327
01:04:53,880 --> 01:04:57,480
Speaker 2: It's a lot they they they it started off like

1328
01:04:57,800 --> 01:05:04,440
Speaker 2: oh oh, and now it's just like oh ship.

1329
01:05:05,120 --> 01:05:08,000
Speaker 1: So they go back and forth. They release tracks that

1330
01:05:08,640 --> 01:05:09,919
Speaker 1: diss each other, back and forth.

1331
01:05:10,720 --> 01:05:13,640
Speaker 2: Yeah, how many how many tracks tracks?

1332
01:05:13,720 --> 01:05:13,880
Speaker 4: Now?

1333
01:05:14,240 --> 01:05:16,840
Speaker 5: Eight tracks so far? It is crazy.

1334
01:05:16,920 --> 01:05:19,040
Speaker 1: And if this may be a dumb question, but like,

1335
01:05:19,200 --> 01:05:20,320
Speaker 1: are the tracks good?

1336
01:05:20,760 --> 01:05:20,960
Speaker 2: Yes?

1337
01:05:21,200 --> 01:05:23,520
Speaker 5: Yes, artist has green tracks?

1338
01:05:23,720 --> 01:05:27,000
Speaker 2: Fie, well, hold on, come on now, both are hold on,

1339
01:05:27,760 --> 01:05:30,600
Speaker 2: hold on, listen. Both artists are being very creative with

1340
01:05:30,760 --> 01:05:31,360
Speaker 2: what they're doing.

1341
01:05:32,080 --> 01:05:34,880
Speaker 5: Let's let's say that first one that is being a genius. Okay,

1342
01:05:37,000 --> 01:05:42,280
Speaker 5: choosing sides or anything sides by side choion.

1343
01:05:42,800 --> 01:05:45,840
Speaker 2: I'm not choosing. I'm just here for the good music.

1344
01:05:47,240 --> 01:05:49,760
Speaker 5: Is one of the best rappers alive. But I can't

1345
01:05:49,840 --> 01:05:52,600
Speaker 5: follow su. It's just Ken Drake has been just slam

1346
01:05:52,760 --> 01:05:53,760
Speaker 5: dunking everywhere.

1347
01:05:54,160 --> 01:05:56,520
Speaker 1: For example, it's just.

1348
01:05:57,960 --> 01:06:00,760
Speaker 5: The levels, the levels, the fact and the mental games

1349
01:06:00,800 --> 01:06:02,680
Speaker 5: he's playing, the fact that he released a song like

1350
01:06:02,840 --> 01:06:05,080
Speaker 5: literally an hour after Dude dropped his disc. He was like,

1351
01:06:05,160 --> 01:06:07,400
Speaker 5: I predicted everything you were gonna say, and he was

1352
01:06:07,760 --> 01:06:11,480
Speaker 5: correct broad no and then and then he reallys like

1353
01:06:11,640 --> 01:06:14,160
Speaker 5: his third track was such it was like very heavy

1354
01:06:14,200 --> 01:06:16,280
Speaker 5: and kind of somber and a lot of like intense

1355
01:06:16,360 --> 01:06:19,400
Speaker 5: accusations to follow that up with a club banger that

1356
01:06:19,560 --> 01:06:23,200
Speaker 5: turns New York out a West Coast rapporturn in New

1357
01:06:23,240 --> 01:06:25,280
Speaker 5: York club about two hours after a song drops, like

1358
01:06:25,400 --> 01:06:28,840
Speaker 5: it's the game is done because this is.

1359
01:06:28,840 --> 01:06:30,240
Speaker 2: Where I don't want it to turn. I don't want

1360
01:06:30,280 --> 01:06:32,280
Speaker 2: it to turn East coast, West Coast because that's not real.

1361
01:06:32,400 --> 01:06:33,960
Speaker 5: It's going to be all that. Another one of them

1362
01:06:34,040 --> 01:06:34,720
Speaker 5: is into gunplay.

1363
01:06:34,800 --> 01:06:37,520
Speaker 2: I just think that the well, something happened last night,

1364
01:06:38,640 --> 01:06:40,720
Speaker 2: you know what I mean, at somebody's house, you know.

1365
01:06:40,960 --> 01:06:44,080
Speaker 1: Anyway, My point is my favorite part of my favorite

1366
01:06:44,120 --> 01:06:45,240
Speaker 1: part of that disc track.

1367
01:06:45,280 --> 01:06:47,160
Speaker 5: Wasn't gone so lot?

1368
01:06:49,200 --> 01:06:51,560
Speaker 1: All right, everyone, that has been our summary of the

1369
01:06:51,760 --> 01:06:54,840
Speaker 1: latest in rap Beef's. Thank you the three of you

1370
01:06:55,000 --> 01:06:56,960
Speaker 1: for educating me and I'm sure some of our listeners

1371
01:06:57,000 --> 01:07:00,479
Speaker 1: on what's happening in rap beef world.

1372
01:07:01,480 --> 01:07:04,840
Speaker 2: Everybody is everywhere, This ship's on Good Morning America. This

1373
01:07:04,920 --> 01:07:05,240
Speaker 2: ship is.

1374
01:07:05,400 --> 01:07:10,800
Speaker 1: Everywhere, and we don't have musical theater beefs.

1375
01:07:11,000 --> 01:07:15,960
Speaker 2: I know, lion King never goes up against fucking uh right, right,

1376
01:07:17,600 --> 01:07:20,040
Speaker 2: I got beef with all you all over. Dear Reverend Hansen,

1377
01:07:20,760 --> 01:07:22,720
Speaker 2: who is you? We're the Lion King?

1378
01:07:22,920 --> 01:07:28,840
Speaker 1: You never heard the Simba disc track? All right, well

1379
01:07:28,880 --> 01:07:32,000
Speaker 1: that's our show. Next week. We're gonna have exactly. We're

1380
01:07:32,040 --> 01:07:38,520
Speaker 1: gonna have Eliza Coop and Carrie Biche and and that's

1381
01:07:38,560 --> 01:07:39,080
Speaker 1: gonna be fun.

1382
01:07:39,200 --> 01:07:41,760
Speaker 2: We're gonna talk a lot about the show scrubs not

1383
01:07:41,920 --> 01:07:42,760
Speaker 2: like today.

1384
01:07:43,160 --> 01:07:43,800
Speaker 4: No, we we hit it.

1385
01:07:43,880 --> 01:07:46,160
Speaker 1: We hit all the bullet points of that wonderful episode.

1386
01:07:47,520 --> 01:07:50,760
Speaker 1: Thank you audience for tuning in. We appreciate you, We

1387
01:07:50,920 --> 01:07:53,320
Speaker 1: really do. We know there's many podcasts you could choose,

1388
01:07:53,400 --> 01:07:57,360
Speaker 1: there's so many and uh and you choose us, So

1389
01:07:57,520 --> 01:07:57,800
Speaker 1: thank you.

1390
01:07:58,240 --> 01:08:00,400
Speaker 2: It's crazy, but I appreciate it.

1391
01:08:00,800 --> 01:08:04,840
Speaker 1: We appreciate you Donald to say those magic dollars.

1392
01:08:07,160 --> 01:08:12,760
Speaker 8: Stories that show we made about a bunch of talks

1393
01:08:12,800 --> 01:08:16,400
Speaker 8: and nurses in Canada whole me. I said, here's the

1394
01:08:16,560 --> 01:08:23,880
Speaker 8: stories network should know. So gadda round you here, gadder

1395
01:08:24,120 --> 01:08:28,240
Speaker 8: round you here, our swift free shows an