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Speaker 1: So we're going spooky today. Spooky And on the spooky.

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Speaker 2: Theme, what was the scariest movie you remember seeing as

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Speaker 2: a kid.

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Speaker 1: Oh, the scariest, Yeah, what freaked you out when you

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Speaker 1: were younger?

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Speaker 3: Still to this day, Jaws can't go in the ocean

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Speaker 3: without hearing.

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Speaker 4: That stupid score. Oh my gosh.

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Speaker 3: Yes, I have been afraid of sharks my whole life from.

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Speaker 1: That from Jaws.

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Speaker 4: Really, yes, from the movie.

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Speaker 3: Yeah, And it's funny to go back to this isn't

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Speaker 3: where we cover but Universal Studios and see the yak

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Speaker 3: come up so bad.

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Speaker 4: I don't believe that it actually scared me, but yes,

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Speaker 4: for sure.

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Speaker 1: John Peter eventually just very very weird.

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Speaker 2: Random side note, the guy who wrote the book Jaws,

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Speaker 2: Peter Benchley, lived in the little village in.

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Speaker 1: Connecticut that I got married in.

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Speaker 2: So we go by Peter Benchley's house all the times, like, hey,

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Speaker 2: Peter ban Hey, which is kind of get that.

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Speaker 4: Wrote the scariest book of life.

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Speaker 1: I feel like, yeah, No, Jaws.

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Speaker 2: Is kind of a for especially for a specific generation.

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Speaker 2: Jaws was a big one that really affected people. I

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Speaker 2: mean people weren't going in the water for a while

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Speaker 2: after Jaws.

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Speaker 3: I bet it's still like if I'm in a pool

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Speaker 3: by myself.

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Speaker 1: But that's a choice.

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Speaker 3: I when I was little, I would swear a shark

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Speaker 3: was going to come out of the hole under my

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Speaker 3: diving board.

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Speaker 1: I don't think that's gonna happen. It's not how it works.

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Speaker 3: No, But when I was little, all of a sudden,

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Speaker 3: I'd hear the dada and I would just start racingto

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Speaker 3: the steps, racing like.

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Speaker 1: A great But as that's a choice, you can avoid

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Speaker 1: the water.

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Speaker 2: My scariest thing growing up I couldn't avoid because I

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Speaker 2: couldn't not sleep, and it was nightmare in Elm Street.

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Speaker 1: Yeah, just the worst.

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Speaker 2: And my brother knew how much it scared me, so

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Speaker 2: to keep me out of his room, he got a

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Speaker 2: Freddy Krueger poster and.

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Speaker 1: Just plastered it on so that I went I just

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Speaker 1: like then I'd stay out of his room. Yeah, that

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Speaker 1: scared the bejeebers out of me.

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Speaker 4: Crazy though.

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Speaker 3: When I was on the Cheeta Girls, when we were

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Speaker 3: doing tours, Keeley and I would watch a marathon of

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Speaker 3: scary movies like our thing was Saw the Sauce series.

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Speaker 4: So good, so good.

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Speaker 3: I mean, I have so many times getting off the

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Speaker 3: bus in the middle of the night, going to our

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Speaker 3: hotel room and booking it to Keilley's room and knocking

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Speaker 3: on the door like I.

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Speaker 4: Can't stand by myself, I gotta stay here.

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Speaker 2: Oh yeah, I know, that's too freaky. I don't like

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Speaker 2: anything that messages with my sleep or my eating.

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Speaker 1: And horror movies.

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Speaker 4: I loved it.

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Speaker 3: Though I loved it, I don't get to watch them

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Speaker 3: very much because Jordan, my husband's not a big fan

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Speaker 3: of scary movies.

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Speaker 2: See, thank you, Jordan and I are going to get

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Speaker 2: along very very well. I can already.

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Speaker 4: Yeah, I can't.

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Speaker 3: I can't watch them anymore because I'm gonna watch them

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Speaker 3: by myself.

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Speaker 1: That's just insane. Notting, not interested.

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Speaker 2: But welcome to Magical Rewind, the show that makes you

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Speaker 2: want to grab your friends, your pjs and your popcorn

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Speaker 2: and go back to a time when all the hell

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Speaker 2: we're smart, the Waves, Tsunamis and the High School's Musical.

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Speaker 3: I'm Wilford Dell and I'm Sabrina Bryan, and We've got

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Speaker 3: one for you Today.

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Speaker 2: We are jumping off the d com list, I know,

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Speaker 2: going to our second wonderful world of Disney. And there's

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Speaker 2: a big difference between the dcom and the Wonderful World at.

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Speaker 1: Disney A huge difference a number of reasons.

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Speaker 3: Yeah, oh my goodness, a huge difference.

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Speaker 1: Yeah.

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Speaker 2: I mean, first of all, it's mostly based around adult actors,

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Speaker 2: which the dcoms are not.

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Speaker 1: It's mostly based around the kids.

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Speaker 2: Sure, there's certainly a bigger budget, Yes, usually some sort

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Speaker 2: of a period piece or a big kind of set piece.

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Speaker 2: I mean, this are our movie today is no different.

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Speaker 2: So strap in and hold your pennies, and you're gonna

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Speaker 2: know what that means. Because this week we are going

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Speaker 2: spooky with the nineteen ninety seven Wonderful World of Disney

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Speaker 2: movie Tower of Terror, which was a major, major moment

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Speaker 2: in time for the Disney Company and for ABC and

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Speaker 2: for everybody else because it's a movie that would change

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Speaker 2: pop culture forever. And I know you're thinking that's a

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Speaker 2: very hyperbolic claim, but it's true. And because this was

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Speaker 2: Disney's first ever attempt at making a movie based on

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Speaker 2: one of their theme park attractions, which just flip the

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Speaker 2: script from what they normally did, because they usually made

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Speaker 2: rides based on films that already existed. Yes, and this

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Speaker 2: they reversed, so it would become a practice even to

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Speaker 2: this day. That stayed part of the studio's you know,

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Speaker 2: synergenic game plan, and.

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Speaker 1: We are, of course talking about that.

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Speaker 2: The entire title is the Twilight Zone Tower of Terror,

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Speaker 2: which is open originally at disney World in nineteen ninety four.

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Speaker 2: We were actually I think that was one of the

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Speaker 2: things that the cast of Boy Meets World was flown

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Speaker 2: down there for, was the opening of Tower Terror.

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Speaker 1: But we'll we'll talk about all that, but that.

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Speaker 2: Was three years before this movie came out, right, And

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Speaker 2: by the way, if you want to watch along with us,

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Speaker 2: it's available Tower Terrors available for free on YouTube, So

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Speaker 2: go check it out, or you know, sit with us

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Speaker 2: while we talk about it and then go check it out.

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Speaker 1: Either one works. Yes, have you been on Tower Terror? Oh?

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Speaker 4: A ton of times? A ton of times.

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Speaker 1: At both parks that didn't? Yeh. Is there one at Disneyland?

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Speaker 3: So it's not at Disneyland, it's at California Adventure, which

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Speaker 3: is across connected.

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Speaker 2: And it's Guardians of the Galaxy now right, it is.

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Speaker 3: And I am not as big of a fan of

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Speaker 3: it as that, I'll be honest. I liked it when

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Speaker 3: it was the original Tower of Tear. It felt more Classicah,

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Speaker 3: it didn't ruin it. It's pretty much the same thing.

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Speaker 3: It's the decor that's in the inside. As you're walking through,

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Speaker 3: you know that ride is never, I swear, never under

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Speaker 3: forty minutes long to wait for. So I've been on

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Speaker 3: this one a lot, but I have been at the

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Speaker 3: one at Walt Disney World and love it too. I

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Speaker 3: can't remember which. I know when I was younger, there

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Speaker 3: was one that was like a quicker or a longer

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Speaker 3: fall of some sort.

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Speaker 1: I want to say that was Florida.

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Speaker 4: Maybe, Okay, maybe like at the bigger ride of.

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Speaker 2: I think so, because we did there was. It was

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Speaker 2: much more of a grand story when it was Tower

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Speaker 2: of Terror. I mean, Guardians of the Galaxy is great,

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Speaker 2: but it kind of they get you up, you watch

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Speaker 2: the screen and then they added a bunch of drops.

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Speaker 2: So yeah, the ride itself is maybe better because you

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Speaker 2: experience it more, but I felt like the story involving

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Speaker 2: Tower of Terror was better.

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Speaker 1: It was kind of all encompassing.

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Speaker 3: It's a creepier leading up to it. Yeah, and there

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Speaker 3: was people vibe.

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Speaker 2: They built the story and they did all this kind

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Speaker 2: of stuff. So I think this was one. I can't

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Speaker 2: remember if This was one of the ones they brought

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Speaker 2: us down to. But outside of Tower of Terror, I

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Speaker 2: distinctly remember was the first time myself, Ben Savage and

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Speaker 2: Ryder Strong looked over and we saw Michael J. Fox,

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Speaker 2: Oh Rider Strong myself especially, he's one of our idols.

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Speaker 2: So we looked at each other and said we can't

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Speaker 2: not take this opportunity.

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Speaker 1: So we walked over.

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Speaker 2: And Ben said, excuse me, sir, and he looked up

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Speaker 2: with the big smile and said, did you just call

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Speaker 2: me sir?

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Speaker 1: He's like, I've Ben, I know your brother, I've met

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Speaker 1: you before. Are you kidding? And then he just launched

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Speaker 1: in this conversation. He was the nicest human being.

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Speaker 2: They always say, don't meet your heroes, but oh man,

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Speaker 2: he just everything I thought he was going to be

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Speaker 2: was that much. It was that times a thousand, and

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Speaker 2: it all took place right outside of the Tower of

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Speaker 2: Terror ride. And then we spent the night just riding

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Speaker 2: this thing over and over and over again with different celebrities.

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Speaker 2: So there's pictures of us with like Bill Ny the

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Speaker 2: science guy, Orbin Burnson and all these people.

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Speaker 1: They would just throw us on the ride.

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Speaker 4: With, oh just to get those pictures to.

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Speaker 1: Get the pictures at the end.

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Speaker 2: And I've told this story on Podmey's World and we

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Speaker 2: always kind of shake our heads if they let us

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Speaker 2: do this. But back in the day, when we would

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Speaker 2: get the private back door passes and get to go

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Speaker 2: to the park, they would add the right you'd get,

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Speaker 2: put us in the ride. They would shut down the cameras,

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Speaker 2: they wouldn't put anybody else in the ride with us,

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Speaker 2: and then they wouldn't put the safety bars down so

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Speaker 2: we could literally we would lie across the seats and

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Speaker 2: as it dropped, we would be sideways in the air

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Speaker 2: and like two or three of us would be.

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Speaker 1: Completely out of the seats in the air.

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Speaker 2: They'd come around and pretend to like lock it, like

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Speaker 2: you're good, and it was. I mean, we had more

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Speaker 2: fun doing things we shouldn't have done on that ride.

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Speaker 4: That is shocking. I can that is so dangerous. I'm

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Speaker 4: so glad you made it.

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Speaker 1: Will carry you're in like a box thing.

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Speaker 4: We're fine, but oh we had this ceiling and dropped

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Speaker 4: down and hit that. You guys probably look like cartoons

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Speaker 4: on that.

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Speaker 1: It was so much fun.

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Speaker 2: That's why I started with Grab your Pennies because Bill

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Speaker 2: Ny the science guy. We went on and said, all right,

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Speaker 2: everybody hold a penny, and the picture is as you drop,

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Speaker 2: the penny stays where it is, so the pennies above

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Speaker 2: all of our hands as we're sitting there looking at

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Speaker 2: the camera because of science.

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Speaker 1: So yes, wow, huge fan of the ride? As are you?

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Speaker 1: The question I have for you is were you a

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Speaker 1: huge fan of the movie?

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Speaker 3: You know, I don't know if it was for me.

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Speaker 3: I liked it a lot, but I feel that I

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Speaker 3: have kind of fallen in love with every movie we've

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Speaker 3: done so far, and it didn't fall in love with

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Speaker 3: this one. I really liked knowing that I like scary movies.

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Speaker 3: I like to get like, you know, I didn't get scared.

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Speaker 4: Really right ever. I don't know it was.

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Speaker 3: It was sad to me because I really was excited

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Speaker 3: to fall in love with another movie.

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Speaker 4: And it was good.

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Speaker 2: It was great, kind of kind of in the forgettable

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Speaker 2: category for you. You enjoyed it, but you're not going

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Speaker 2: to turn around and watch this again right away?

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Speaker 3: No, you know, I might this might be one of

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Speaker 3: Monroe like introducing her. I didn't know if it was

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Speaker 3: going to be actually really scary, so I didn't ever

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Speaker 3: watch it right when she's ready for maybe a little

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Speaker 3: bit more of a scary movie. I think this would

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Speaker 3: be great to watch with her. You know, I love

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Speaker 3: that aspect. But for me, I guess if I was

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Speaker 3: wanting a scary, spooky movie, I want to like get

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Speaker 3: chills and kind of okay, you know that kind of thing,

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Speaker 3: and that it's never happened. I kept waiting for it.

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Speaker 1: Yeah, it's the disnified version of Yeah.

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Speaker 3: So it's not that I didn't like it, so nobody

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Speaker 3: come trolling me freaking out about it. It's just that

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Speaker 3: I just didn't fall in love with it, and I

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Speaker 3: really thought I was gonna.

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Speaker 1: Hey, that's you're you're allowed to do that. You're allowed.

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Speaker 4: That's an honest answer, Okay, not here to lie.

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Speaker 1: I liked it. I did like it. I liked the story.

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Speaker 2: I liked how with a Wonderful World of Disney, they

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Speaker 2: kind of went more in depth than a D com.

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Speaker 2: So there's a great backstory, there's a big set pieces,

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Speaker 2: the elaborate costumes, good music, so stuff like that I enjoyed.

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Speaker 1: I felt like they were.

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Speaker 2: Swinging for the fences and maybe they didn't knock it

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Speaker 2: out of the park, but it was definitely a stand

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Speaker 2: up triple for me. I thought it was good not

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Speaker 2: to mix metaphors. But all right, so let's before we

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Speaker 2: get stuck here on the eleven floor. Yes, we'll get

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Speaker 2: to the synopsis. So, with the help of his niece,

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Speaker 2: a disgraced newspaper reporter investigates an abandoned luxury hotel where,

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Speaker 2: sixty years earlier, five people mysteriously dis appeared in an elevator. Now,

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Speaker 2: unlike the ride, the movie is not connected to the

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Speaker 2: Twilight Zone. But they did make a very distinct decision

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Speaker 2: in hiring DJ McHale to write and direct the movie.

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Speaker 2: And Dj was the co creator of the legendary hit

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Speaker 2: Nickelodeon show Are You Afraid of the Dark, which.

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Speaker 4: I was one of my favorite shows.

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Speaker 1: I was on Are You Afraid of the Dark? It

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Speaker 1: was a ton of fun.

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Speaker 2: I shot an episode up in Montreal and it was

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Speaker 2: a great experience and a wonderful show. So this kind

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Speaker 2: of seems like their attempt to jump into the goosebumps

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Speaker 2: kind of vibe of young not even horror, young spooky,

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Speaker 2: I think is what you would say, Like like, you

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Speaker 2: don't say violence in Disney movies, you say action. So

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Speaker 2: you wouldn't say horror, and Disney movies you say spooky,

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Speaker 2: it's not gory.

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Speaker 4: Get slashing and blood splash.

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Speaker 2: No it's not saw thankfully, but they so they obviously

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Speaker 2: knowing they wanted to start this whole new genre, they

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Speaker 2: hired DJ McHale, who was one of the pioneers of

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Speaker 2: this genre. The movie stars Steve Guttenberg as Buzzy Crocker,

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Speaker 2: another great Disney name.

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Speaker 1: That's one thing Disney does very well, who was a

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Speaker 1: huge star in the eighties.

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Speaker 2: For all of our listeners who are maybe on the

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Speaker 2: younger side, Steve Gutenberg was in everything.

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Speaker 4: Yes, huge comedy.

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Speaker 2: I mean he was in Cocoon, Diner, three Men in

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Speaker 2: the Baby Short Circuit, which was a huge movie. Yes

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Speaker 2: for kids my age, with Number five Johnny five the Robot,

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Speaker 2: which was the coolest thing in the world.

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Speaker 4: H so go I love those.

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Speaker 2: But he also did like sixty two Police Academy movies.

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Speaker 2: There was a bunch of those, yes, So this he

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Speaker 2: was in just everything for the Disney fans out there,

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Speaker 2: coming off the nineteen ninety five Disney movie The Big Green,

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Speaker 2: which he did before Tiger, I had to.

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Speaker 4: Look The Big Green up.

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Speaker 1: I did two I didn't know what that was. We'll

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Speaker 1: have to watch that one eventually too. We'll just do

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Speaker 1: a Gutenberg week.

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Speaker 4: Yeah.

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Speaker 2: And then there was a young actress that nobody's heard

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Speaker 2: of still, I don't know what happened to her name

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Speaker 2: is I want to say, Kirsten.

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Speaker 1: Kirsten Dunce, Is that right? Who? Obviously, of course du

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Speaker 1: is it Kirsten d It's Kirsten Dunce who plays Anna Patterson.

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Speaker 2: She's Buzzy's niece and she's of course along for all

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Speaker 2: the adventures. And she was already a big star by

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Speaker 2: this point because interview at the Vampire came out where

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Speaker 2: she was with Tom Cruise and Brad Pitt. She had

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Speaker 2: to kiss Brad Pitt, which made the news everywhere because

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Speaker 2: she was like eleven.

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Speaker 4: Had poor thing.

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Speaker 1: She's like eleven years old. It was super key.

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Speaker 4: That is weird.

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Speaker 2: It was weird, but she got nominated for Golden Globe.

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Speaker 2: I think she was like eleven years old at the time.

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Speaker 2: She was also in Jumanji and of course has since

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Speaker 2: become a huge Hollywood a lister. Virgin suicides, bring it on,

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Speaker 2: Eternal Sunshine of the Spotless Mind, power of the Dog,

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Speaker 2: and of course was mj in the original Spider Man franchise, which,

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Speaker 2: of course, being a big nerd is I'm a huge

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Speaker 2: fan of. She's already been nominated for four Golden Globes,

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Speaker 2: one Academy Award, and has a star on the Hollywood

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Speaker 2: Walk of Fame, which for me, I'm saying it right, Kirsten, Yes, Kirsten.

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Speaker 1: We know we were chucking, but.

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Speaker 2: Yes, the Hollywood Walker Fame is the only thing I

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Speaker 2: had ever wanted in my career.

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Speaker 1: I don't care about Golden Globes. I just just saying like, hey,

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Speaker 1: you can walk over my name. That's really cool. So

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Speaker 1: she has that Nia Peebles.

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Speaker 2: Another great eighties mainstay, yes, is Jill Perry, who's Buddy's

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Speaker 2: ex girlfriend and former editor. She was best known as

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Speaker 2: an R and B and pop singer in the eighties,

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Speaker 2: but transitioned into acting she was on Fame. She did Walker,

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Speaker 2: Texas Ranger and our producers do these wonderful background checks

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Speaker 2: and one thing they didn't write is one of the

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Speaker 2: greatest films in the history of the world, which we

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Speaker 2: talked about because we've talked about Brink and Johnny Tsunami,

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Speaker 2: which was my Johnny Tsunami. Growing up an amazing surfing

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Speaker 2: movie called The north Shore, which was just the coolest

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Speaker 2: thing in the world, So go check out north Shore.

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Speaker 2: She was amazing in that she hosted her own music

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Speaker 2: dance show called The Party Machine and then was on

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Speaker 2: Pretty Little Liars later.

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Speaker 1: So the cast is amazing.

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Speaker 2: Malaura Harden another one ye act and James absolutely Malaura

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Speaker 2: Harden plays Caroline Crossman and Claire Poulay, who we fight

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Speaker 2: out during the film. Of course is the French word

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Speaker 2: for a chicken?

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Speaker 1: You know? Whereas Jan Levinson or Jan Levinson.

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Speaker 2: Gould originally on the Office, but she was also nominated

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Speaker 2: for an Emmy for her work on Transparent.

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Speaker 1: Could you tell?

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Speaker 2: I mean sometimes you say it throws you. Could you tell?

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Speaker 2: She was both the ghost.

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Speaker 4: That that didn't right get me.

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Speaker 1: I did not get me.

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Speaker 4: It was instant. I was just just talking to a ghost.

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Speaker 2: They didn't they didn't hide it fairwell. It didn't seem

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Speaker 2: like they were really trying.

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Speaker 4: To No, I didn't. I don't think they were really

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Speaker 4: trying that much.

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Speaker 3: No, he just had no idea, I guess because he

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Speaker 3: didn't look at he hadn't seen the news face.

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Speaker 2: They didn't have any pictures of the people that were

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Speaker 2: in the elevator. I guess, I guess, I guess not.

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Speaker 2: And Michael McShane is another one who plays Chris Q.

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Speaker 1: Todd.

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Speaker 2: He's the hotel's caretaker in the air to the building

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Speaker 2: and you might recognize him from Robin Hood, Prince of Thieves.

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Speaker 1: He was in Office Space Richie Rich. He was also

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Speaker 1: on a.

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Speaker 2: Little television show called Brotherly Love with three friends of mine,

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Speaker 2: the Lawrence Brothers. And lastly, speaking of people that I

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Speaker 2: know pretty well, almost like a sister, I would say

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Speaker 2: Lindsay Ridgeway plays Sally, the child star who disappears on

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Speaker 2: That Faithful Night and now haunts the hotel. She of

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Speaker 2: course played the second Morgan Matthews on Boy Mets World

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Speaker 2: and was there for five seasons. Shout out to Lindsay,

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Speaker 2: who is the sweetest person you'll ever meet in your life.

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Speaker 2: Was a wonderful little sister. And frankly, I thought was

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Speaker 2: great in this movie.

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Speaker 4: So adorable.

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Speaker 2: She totally embodied that Shirley Temple, Shirley Temple.

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Speaker 4: That little blonde Shirley Temple. So adorable.

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Speaker 1: She was great.

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Speaker 2: The movie runs eighty nine minutes long, which is one

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Speaker 2: minute away from that ninety minute bullseye we were always

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Speaker 2: trying to hit. It debuted on October twenty sixth, nineteen

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Speaker 2: ninety seven, which is perfectly time for the All Hollows

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Speaker 2: Eve Night. And it was filmed at the actual Tower

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Speaker 2: of Terror in Orlando and then some of it on

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Speaker 2: a sound stage in la But when you can make

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Speaker 2: a ride that good that you can go and shoot

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Speaker 2: a movie at it and it looks.

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Speaker 3: Cool, I mean, think about the young actors that were

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Speaker 3: there feeling like I'm filming at Walt.

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Speaker 1: Disney World every day, shot at at theme park.

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Speaker 3: I've shot stuff for you know, Disney three sixty five

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Speaker 3: or there was certain things that were offset stuff right,

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Speaker 3: and but not never our movies ever filmed there.

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Speaker 4: Okay, I never was in a show that film there.

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Speaker 3: It was just like interviews and stuff like that where

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Speaker 3: they give you the plaid the people that walk you

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Speaker 3: around and you get in the back entrance of everything,

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Speaker 3: all the rides, any restaurants.

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Speaker 4: Everything like that.

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Speaker 3: So I've gotten that, but I haven't like shot every

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Speaker 3: single day as like as far as an episode would

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Speaker 3: be shot.

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Speaker 1: It's so much fun. I remember for the thirty fifth

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Speaker 1: anniversary or fiftieth Anniverse some.

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Speaker 2: Anniversary for Disney, Melissa, Joan Hart and I hosted something

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Speaker 2: where we had to shoot at the Magic Kingdom, and

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Speaker 2: they wanted it to look like we had the whole

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Speaker 2: park to ourselves, so we had to shoot at night.

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Speaker 2: So I closed and it's just Melissa and I for

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Speaker 2: eight hours at a closed down park in Disney World,

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Speaker 2: and in between shots, they're like, yeah, just go on rides,

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Speaker 2: so we just would around having the park tisa, it's

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Speaker 2: in the world.

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Speaker 1: It really is.

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Speaker 2: So the movie kicks off with a flashback. It's nineteen

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Speaker 2: thirty nine. It's a huge, big Halloween party. We witness

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Speaker 2: a high society celebrity couple, a bell hop, a Shirley

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Speaker 2: Temple like child star and her nanny disappear into a

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Speaker 2: moving elevator when the hotel is struck by green lightning

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Speaker 2: on the way to the hotel rooftop, which is called

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Speaker 2: the Tip Top Club, which is a great name for

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Speaker 2: a club. Yeah, okay, So when it comes to kind

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Speaker 2: of the dcom halloweeny movie, we have under wraps, we

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Speaker 2: have Halloween Town, don't look under the bed twitches. But

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Speaker 2: this one essentially kicks off where you might not know this,

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Speaker 2: But then when it cuts to sixty years later with

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Speaker 2: killing five people.

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Speaker 3: Yeah dead gun, I mean starts straight up murder yet

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Speaker 3: gone yeah gone right from the start.

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Speaker 2: Right from the start, little girl Nicele, the bell hop

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Speaker 2: who seems like he's a he's a nice chap in

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Speaker 2: the nanny. In the first ninety seconds of the movie,

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Speaker 2: we're killing all five of these characters.

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Speaker 3: Right, and then it cuts to the next scene, which

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Speaker 3: is a photography session of like a fifteen year old

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Speaker 3: almost getting killed by an actor who doesn't know what

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Speaker 3: he's doing with this giant real knife.

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Speaker 2: Like yeh, literally, guy's got the medical saw and she's

439
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Speaker 2: dressed in supposed to be an alien because he's Steve

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Speaker 2: Gutenberg is works for like the Sun magazine or one

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Speaker 2: of these kind of bad magazines where it's, you know,

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Speaker 2: an alien stole my mother kind of magazine. It's the inquisitor,

443
00:19:42,200 --> 00:19:47,040
Speaker 2: is that yes, and he's faking the pictures and uh yeah,

444
00:19:47,080 --> 00:19:50,080
Speaker 2: they almost kill so Kirsten pronounced correctly done all the

445
00:19:50,200 --> 00:19:52,560
Speaker 2: guys as well in the first two minutes.

446
00:19:52,600 --> 00:19:55,560
Speaker 4: AGA, That's what I'm saying. It all happened so fast,

447
00:19:56,119 --> 00:19:56,600
Speaker 4: it does.

448
00:19:56,880 --> 00:19:58,800
Speaker 3: This is gonna I felt like this is gonna be

449
00:19:58,800 --> 00:20:00,359
Speaker 3: the shortest movie I ever watch.

450
00:20:00,960 --> 00:20:05,040
Speaker 2: So they're starting with a tone that's for sure, Yeah,

451
00:20:05,080 --> 00:20:07,520
Speaker 2: a little crazy. So we cut to modern day after

452
00:20:07,720 --> 00:20:11,040
Speaker 2: these five people are horribly killed in front of us.

453
00:20:11,600 --> 00:20:14,800
Speaker 1: And we get Steve Gutenberg and Kirsten Duns.

454
00:20:15,040 --> 00:20:16,960
Speaker 2: We find out, like we said, Buzzy was fired from

455
00:20:17,000 --> 00:20:20,840
Speaker 2: his Los Angeles the Los Angeles Banner, which is a

456
00:20:20,880 --> 00:20:24,080
Speaker 2: fake newspaper here in LA, for publishing a story that

457
00:20:24,160 --> 00:20:24,880
Speaker 2: turned out to be fake.

458
00:20:24,960 --> 00:20:26,080
Speaker 1: They blamed him for it.

459
00:20:26,600 --> 00:20:28,840
Speaker 2: He hasn't been able to work since, and they've really

460
00:20:28,880 --> 00:20:31,400
Speaker 2: set it up to where this guy, his whole life

461
00:20:31,520 --> 00:20:34,439
Speaker 2: is just about getting that next story so he can

462
00:20:34,480 --> 00:20:35,479
Speaker 2: get back to where he is.

463
00:20:35,920 --> 00:20:37,119
Speaker 1: Consequences be damned.

464
00:20:37,240 --> 00:20:40,840
Speaker 4: Yeah, yeah, Craven, the glory of the number one story

465
00:20:40,880 --> 00:20:41,920
Speaker 4: on the banner.

466
00:20:42,160 --> 00:20:45,320
Speaker 2: Oh yeah, Craven. By the way, do you remember nineties tabloids?

467
00:20:45,320 --> 00:20:47,359
Speaker 2: Do you remember how great the nineties tabloids? Like the

468
00:20:47,440 --> 00:20:50,880
Speaker 2: really tabloid tabloid? He was like not bat Boy found and.

469
00:20:51,600 --> 00:20:53,360
Speaker 4: No, I don't remember any.

470
00:20:53,320 --> 00:20:57,440
Speaker 2: I encourage everybody out there to go. And if it's

471
00:20:57,480 --> 00:20:59,359
Speaker 2: still in publication, I think it is. It's called the

472
00:20:59,359 --> 00:21:03,400
Speaker 2: Weekly World News, okay, and it is literally and I'm

473
00:21:03,400 --> 00:21:05,840
Speaker 2: not this is not hyperbole. It is literally some of

474
00:21:05,920 --> 00:21:08,800
Speaker 2: the best comedy writing you will ever read, because it's

475
00:21:08,880 --> 00:21:11,880
Speaker 2: all tongue in cheek. It's all you know, a vampire

476
00:21:11,920 --> 00:21:13,280
Speaker 2: is really my uncle kind of stuff.

477
00:21:13,320 --> 00:21:18,479
Speaker 1: But the articles are written so wonderfully. It's just funny.

478
00:21:18,760 --> 00:21:21,239
Speaker 4: But is it trying to put off like he is

479
00:21:21,280 --> 00:21:24,160
Speaker 4: as it's real. No, it's it is a joke.

480
00:21:24,280 --> 00:21:27,320
Speaker 1: It's both, but it's okay, okay, exactly, you know.

481
00:21:27,560 --> 00:21:29,760
Speaker 4: Because he was trying to put this off as real.

482
00:21:30,080 --> 00:21:32,159
Speaker 2: I think old. I think older. Did you see so

483
00:21:32,240 --> 00:21:36,000
Speaker 2: I married an axe murderer? No, okay, his mom, you should.

484
00:21:36,160 --> 00:21:39,560
Speaker 2: His mom, you know, believes these are She calls it

485
00:21:39,600 --> 00:21:40,040
Speaker 2: the paper.

486
00:21:40,760 --> 00:21:44,160
Speaker 1: So I think there's a certain maybe age of reader or.

487
00:21:44,160 --> 00:21:46,520
Speaker 2: Client tele of the weekly world news that might think

488
00:21:46,560 --> 00:21:49,800
Speaker 2: this stuff is real. But anyone under eighty who reads it,

489
00:21:49,800 --> 00:21:52,400
Speaker 2: it's really laugh out loud funny. So go and check

490
00:21:52,440 --> 00:21:52,680
Speaker 2: that out.

491
00:21:52,680 --> 00:21:55,360
Speaker 3: So he does meet somebody in the movie that does

492
00:21:55,400 --> 00:21:58,440
Speaker 3: read these exactly, believes it actually.

493
00:21:58,119 --> 00:22:01,119
Speaker 2: And who's an older woman, and it's perble. Did you now,

494
00:22:01,160 --> 00:22:02,879
Speaker 2: I know you said this movie didn't jump up and

495
00:22:02,880 --> 00:22:04,080
Speaker 2: grab you right away, But did.

496
00:22:03,960 --> 00:22:07,239
Speaker 1: You like the team up? Did you like Buzzy and

497
00:22:07,320 --> 00:22:09,720
Speaker 1: his niece kind of being the team. Did that work

498
00:22:09,760 --> 00:22:10,000
Speaker 1: for you?

499
00:22:10,760 --> 00:22:13,800
Speaker 4: It that that will go. I'll get into it more

500
00:22:13,800 --> 00:22:14,879
Speaker 4: with Sabrina Seas.

501
00:22:15,040 --> 00:22:17,440
Speaker 3: It did kind of creep me out at the very beginning,

502
00:22:17,880 --> 00:22:22,640
Speaker 3: like I just kinda you know, she's at this kind

503
00:22:22,680 --> 00:22:26,080
Speaker 3: of age that is a little funky for her to

504
00:22:26,119 --> 00:22:29,440
Speaker 3: be spending the night and you know, these this kind

505
00:22:29,520 --> 00:22:32,840
Speaker 3: of weird and getting put in awkward positions, you know,

506
00:22:32,880 --> 00:22:34,959
Speaker 3: and you can see her mom is kind of battling it.

507
00:22:35,080 --> 00:22:39,320
Speaker 3: So yeah, it did seem a little off. But being

508
00:22:39,400 --> 00:22:42,000
Speaker 3: who it was that was playing these characters, I didn't care.

509
00:22:42,240 --> 00:22:42,760
Speaker 4: I wanted to.

510
00:22:42,800 --> 00:22:46,600
Speaker 3: See Kersti's yeah, I wanted to see them act together,

511
00:22:46,720 --> 00:22:47,560
Speaker 3: so I didn't didn't.

512
00:22:47,680 --> 00:22:49,400
Speaker 1: It didn't bother me that I think.

513
00:22:49,440 --> 00:22:51,480
Speaker 2: I think they were also really trying to write him

514
00:22:51,520 --> 00:22:54,160
Speaker 2: like the Peter Pan syndrome, where you know, he's he's

515
00:22:54,160 --> 00:22:55,760
Speaker 2: supposed to be a kid too. I agree with you,

516
00:22:55,800 --> 00:22:58,800
Speaker 2: there was by the time it got to her sleeping

517
00:22:58,840 --> 00:23:01,639
Speaker 2: on the couch behind him, Yes, and like throwing the

518
00:23:01,680 --> 00:23:02,640
Speaker 2: blanket off a little bit.

519
00:23:02,680 --> 00:23:05,119
Speaker 1: I had that moment of a little bit of an

520
00:23:05,160 --> 00:23:07,480
Speaker 1: ew kind of moment, but it went.

521
00:23:07,359 --> 00:23:09,240
Speaker 2: Away quickly because it was like, come on, this is

522
00:23:09,240 --> 00:23:10,280
Speaker 2: a wonderful world at Disney.

523
00:23:10,320 --> 00:23:11,000
Speaker 1: It's his niece.

524
00:23:11,119 --> 00:23:14,480
Speaker 2: They're good friends, right, you know, she supports him, she's

525
00:23:14,920 --> 00:23:18,159
Speaker 2: his greatest fan. Yeah, so I got it. But I

526
00:23:18,840 --> 00:23:22,000
Speaker 2: felt that too, that one moment of like, ew, yeah,

527
00:23:22,040 --> 00:23:25,240
Speaker 2: but actually, what you were exactly just talking about. An

528
00:23:25,280 --> 00:23:28,560
Speaker 2: old lady named Abigail comes and visits Buzzy by of

529
00:23:28,600 --> 00:23:30,120
Speaker 2: course breaking into his home.

530
00:23:30,200 --> 00:23:32,320
Speaker 1: Well, in all fairness, we find out the landlord.

531
00:23:32,520 --> 00:23:34,840
Speaker 2: The landlord let her in, because of course what landlords

532
00:23:34,840 --> 00:23:37,160
Speaker 2: do is just randomly let people into your apartment.

533
00:23:37,320 --> 00:23:40,960
Speaker 1: Apparently, So there you go.

534
00:23:41,280 --> 00:23:44,040
Speaker 4: That that was insane. I would be so so upset

535
00:23:44,119 --> 00:23:45,320
Speaker 4: with my landlord, like you.

536
00:23:45,280 --> 00:23:49,160
Speaker 3: Do not if you have not actually met this person

537
00:23:49,400 --> 00:23:51,800
Speaker 3: with me, do not let them in.

538
00:23:51,920 --> 00:23:54,600
Speaker 1: I mean, thank you. You just let some burglar or

539
00:23:54,680 --> 00:23:56,000
Speaker 1: something into my home.

540
00:23:56,160 --> 00:23:58,320
Speaker 2: I don't care if they look like a nice little

541
00:23:58,320 --> 00:24:00,840
Speaker 2: old lady, right, you got So who knows what this

542
00:24:00,880 --> 00:24:01,560
Speaker 2: woman is doing?

543
00:24:01,880 --> 00:24:02,120
Speaker 4: Right?

544
00:24:02,560 --> 00:24:04,440
Speaker 2: But it turns out, of course she is a fan

545
00:24:04,760 --> 00:24:08,600
Speaker 2: of his work, and she claims, at least at the time,

546
00:24:08,640 --> 00:24:12,480
Speaker 2: to be a witness to the mysterious Halloween disappearance, which

547
00:24:12,520 --> 00:24:14,359
Speaker 2: is now by this point obviously they've set up has

548
00:24:14,440 --> 00:24:20,320
Speaker 2: become huge Hollywood legend, famous folklore. Sally Shine has become

549
00:24:20,560 --> 00:24:24,600
Speaker 2: a household name. Everybody knows this story, right, it's eternal.

550
00:24:25,840 --> 00:24:27,760
Speaker 2: So she comes in with this big what he thinks

551
00:24:27,840 --> 00:24:30,840
Speaker 2: is a big story. Hey, I was there. Everybody knows

552
00:24:30,840 --> 00:24:33,639
Speaker 2: everything but the why, and I can tell you why.

553
00:24:34,160 --> 00:24:38,639
Speaker 2: And she spins this story that Sally's nanny, who we

554
00:24:38,680 --> 00:24:41,000
Speaker 2: see very briefly, who's one of the horrible deceased people

555
00:24:41,040 --> 00:24:44,440
Speaker 2: at the very beginning of our film, is a witch.

556
00:24:44,760 --> 00:24:46,840
Speaker 4: Yeah, who looks very unpleasant.

557
00:24:47,040 --> 00:24:48,200
Speaker 1: So they've set it up to her.

558
00:24:48,400 --> 00:24:51,679
Speaker 3: It's easy, Yes, it's easy to believe her because this

559
00:24:51,760 --> 00:24:54,080
Speaker 3: lady looks not nice at all.

560
00:24:54,240 --> 00:24:54,760
Speaker 4: Yeah.

561
00:24:55,280 --> 00:24:55,800
Speaker 1: Not only that.

562
00:24:55,880 --> 00:24:59,680
Speaker 2: But here's where they again take a super dark turn.

563
00:25:00,440 --> 00:25:03,280
Speaker 2: Is she doesn't just say that, oh she's a witch

564
00:25:03,359 --> 00:25:06,439
Speaker 2: and she's killed them or banished them. She says she

565
00:25:06,680 --> 00:25:12,080
Speaker 2: wants Sally Shine to spend eternity in torture and pain.

566
00:25:13,119 --> 00:25:17,600
Speaker 4: Yes, harsh words. She's like ten, Yeah, what did this

567
00:25:17,680 --> 00:25:19,560
Speaker 4: little girl do to this nanny?

568
00:25:20,080 --> 00:25:22,680
Speaker 2: I mean, So they're setting it up to where it's

569
00:25:22,720 --> 00:25:26,480
Speaker 2: not just hey, she made her disappear, it's she's for sixty.

570
00:25:26,119 --> 00:25:32,040
Speaker 1: Years now been in constant pain. That's when I paused it.

571
00:25:32,080 --> 00:25:34,600
Speaker 1: I was like, oh my god, how about my popcorn?

572
00:25:36,000 --> 00:25:40,159
Speaker 4: I know it was so intense, so intense.

573
00:25:39,840 --> 00:25:42,679
Speaker 2: Right, I mean that was that was That was, you know,

574
00:25:43,440 --> 00:25:47,720
Speaker 2: very strange. I also, did you have any trouble buying

575
00:25:48,520 --> 00:25:50,560
Speaker 2: that she was a fan of his, that that's why

576
00:25:50,600 --> 00:25:52,000
Speaker 2: she used it to get to him?

577
00:25:53,080 --> 00:25:57,600
Speaker 3: Yes, because and it was the way they were interacting too.

578
00:25:57,800 --> 00:26:01,920
Speaker 4: She was so creepy to me from the like she was.

579
00:26:02,880 --> 00:26:06,640
Speaker 3: I felt not sure about this story from the beginning

580
00:26:06,640 --> 00:26:06,920
Speaker 3: of this.

581
00:26:06,920 --> 00:26:08,960
Speaker 1: Movie, not sure about her story that she was telling.

582
00:26:09,200 --> 00:26:12,480
Speaker 3: Yes, yes, I felt like there was some crack that

583
00:26:12,520 --> 00:26:15,360
Speaker 3: we were mean not that wasn't being explained just yet,

584
00:26:15,359 --> 00:26:16,480
Speaker 3: that we were gonna find out.

585
00:26:16,480 --> 00:26:17,840
Speaker 4: I wasn't sure exactly what it was.

586
00:26:17,880 --> 00:26:20,040
Speaker 3: I didn't realize what it would be at the end,

587
00:26:20,400 --> 00:26:22,919
Speaker 3: but there was something that was because she was so creepy.

588
00:26:23,000 --> 00:26:25,920
Speaker 3: There's one point where she goes in for a hug

589
00:26:26,000 --> 00:26:26,960
Speaker 3: to Buzzy and he.

590
00:26:29,119 --> 00:26:29,760
Speaker 1: Which is so.

591
00:26:29,960 --> 00:26:33,280
Speaker 4: Jittery around her, and she just is like this, like

592
00:26:33,520 --> 00:26:34,400
Speaker 4: very creepy.

593
00:26:34,880 --> 00:26:37,439
Speaker 3: The way she tells the story and everything, it did

594
00:26:38,040 --> 00:26:41,240
Speaker 3: seem like she was this distressed person.

595
00:26:41,400 --> 00:26:43,320
Speaker 4: She seemed creepy about it.

596
00:26:43,440 --> 00:26:43,840
Speaker 1: She did.

597
00:26:44,240 --> 00:26:46,080
Speaker 4: There was like an obsession with it.

598
00:26:46,080 --> 00:26:49,080
Speaker 2: It was weird. Yeah, so I thought it too. I

599
00:26:49,119 --> 00:26:50,560
Speaker 2: felt that same thing were something.

600
00:26:50,600 --> 00:26:53,600
Speaker 3: So I wasn't trust in this old lady. I normally

601
00:26:54,080 --> 00:26:56,960
Speaker 3: am a sucker for old ladies. I love them, and

602
00:26:57,000 --> 00:27:00,680
Speaker 3: I was not trusting this one farther that I could throw, like.

603
00:27:00,600 --> 00:27:02,359
Speaker 1: I believe, which would have been far because she seems

604
00:27:02,520 --> 00:27:05,000
Speaker 1: like she seems tiny. Yeah.

605
00:27:05,040 --> 00:27:06,920
Speaker 2: The other thing they but they did set up the

606
00:27:07,000 --> 00:27:09,720
Speaker 2: character where I think Steve Gutenberg would have worked for

607
00:27:09,760 --> 00:27:11,560
Speaker 2: anybody comes in with a story.

608
00:27:12,080 --> 00:27:14,159
Speaker 1: Yes he's down, yeah, yeah, I.

609
00:27:14,160 --> 00:27:17,639
Speaker 3: Mean he instantly starts figuring out how to portray it.

610
00:27:18,000 --> 00:27:21,120
Speaker 3: The scene that we go into not far after there

611
00:27:21,240 --> 00:27:26,680
Speaker 3: with Kirsten Dunce in that wig and that dress was

612
00:27:26,760 --> 00:27:30,320
Speaker 3: like a laugh out loud moment. It was so funny

613
00:27:30,560 --> 00:27:33,480
Speaker 3: because she played it so well, just so embarrassed.

614
00:27:33,680 --> 00:27:35,080
Speaker 1: Just please, I hope nobody sees.

615
00:27:35,280 --> 00:27:39,159
Speaker 3: I am gonna die if someone recognizes me in this

616
00:27:39,320 --> 00:27:42,080
Speaker 3: awful wig and this baby doll pink dress.

617
00:27:42,640 --> 00:27:46,040
Speaker 2: So anyway, we go from his or his house and

618
00:27:46,080 --> 00:27:49,159
Speaker 2: we get to meet Q who's the groundskeeper and the

619
00:27:49,240 --> 00:27:53,159
Speaker 2: grandson of the bell hop who's now apparently the heir

620
00:27:53,240 --> 00:27:54,560
Speaker 2: to the hotel.

621
00:27:54,920 --> 00:27:57,760
Speaker 1: If they can solve the mystery of how that happened,

622
00:27:58,359 --> 00:28:00,840
Speaker 1: but they kind of.

623
00:28:00,880 --> 00:28:03,320
Speaker 2: They only addressed in one line, how you can be

624
00:28:03,359 --> 00:28:07,480
Speaker 2: a bell hop, which his grandfather was one of the

625
00:28:07,480 --> 00:28:10,000
Speaker 2: bell hops. Was the bell hop who disappeared on the elevator.

626
00:28:10,119 --> 00:28:12,320
Speaker 4: Yes, he was in the elevator with them, but.

627
00:28:12,560 --> 00:28:15,840
Speaker 2: Apparently he was also the bell hop. Was the son

628
00:28:16,119 --> 00:28:18,320
Speaker 2: of the guy who owns the hotel?

629
00:28:19,000 --> 00:28:25,880
Speaker 4: Yes, yeah, you're you're like, yeah, yeah, So here's the thing.

630
00:28:26,119 --> 00:28:29,600
Speaker 3: I would have taken that story if he was like

631
00:28:29,640 --> 00:28:34,159
Speaker 3: a young fifteen year old, Yes, right, like the first

632
00:28:34,440 --> 00:28:37,760
Speaker 3: a first job. You know you're gonna work for this.

633
00:28:37,840 --> 00:28:39,680
Speaker 3: I want you to work from the ground up to

634
00:28:39,720 --> 00:28:44,160
Speaker 3: really be able to understand the workings of everything in this.

635
00:28:44,200 --> 00:28:45,520
Speaker 4: Hotel when you own it.

636
00:28:45,760 --> 00:28:46,240
Speaker 1: Great idea.

637
00:28:46,240 --> 00:28:49,800
Speaker 3: But the guy already has been married and has a child,

638
00:28:49,920 --> 00:28:52,120
Speaker 3: because otherwise Q wouldn't be here.

639
00:28:52,920 --> 00:28:53,800
Speaker 4: So he's older.

640
00:28:53,920 --> 00:28:55,200
Speaker 1: Yeah, and he's still a bell.

641
00:28:55,080 --> 00:28:57,920
Speaker 3: Hop and he's a bell hop still, so that part

642
00:28:58,000 --> 00:28:58,880
Speaker 3: didn't make sense.

643
00:28:59,000 --> 00:29:02,560
Speaker 1: No, it was very strange how that happened.

644
00:29:02,960 --> 00:29:05,920
Speaker 3: I had to rewind it to go wait what wait,

645
00:29:07,000 --> 00:29:09,720
Speaker 3: explain that to me one more time. Cute because I'm

646
00:29:09,760 --> 00:29:14,480
Speaker 3: not really understanding. Oh, your grandpa was what in his

647
00:29:15,280 --> 00:29:16,360
Speaker 3: like thirties.

648
00:29:16,400 --> 00:29:18,880
Speaker 4: I guess maybe it would be a good idea.

649
00:29:19,440 --> 00:29:23,360
Speaker 2: Yeah, yeah, when he had a baby. And it's also

650
00:29:23,720 --> 00:29:28,080
Speaker 2: why why which they never explained at all. Why do

651
00:29:28,160 --> 00:29:31,200
Speaker 2: you have to solve the mystery of the hotel to

652
00:29:31,400 --> 00:29:32,280
Speaker 2: get the hotel?

653
00:29:33,000 --> 00:29:34,760
Speaker 1: Wouldn't you just get the hotel?

654
00:29:35,560 --> 00:29:35,960
Speaker 4: Yeah?

655
00:29:36,160 --> 00:29:39,160
Speaker 3: I think it was more so not that he didn't

656
00:29:39,200 --> 00:29:42,000
Speaker 3: have the hotel, but he couldn't open it again. They

657
00:29:42,000 --> 00:29:45,960
Speaker 3: wanted to have that mystery solved. But I mean, can

658
00:29:46,000 --> 00:29:47,640
Speaker 3: open the doors again, right?

659
00:29:47,720 --> 00:29:51,680
Speaker 2: But couldn't I guess because imagine a the legal paperwork

660
00:29:51,680 --> 00:29:55,360
Speaker 2: and having to determine if you solve the ghost mystery? Right?

661
00:29:55,520 --> 00:29:55,720
Speaker 1: Yeah?

662
00:29:55,800 --> 00:29:59,840
Speaker 2: And b if the hotel was just his, that's p

663
00:30:00,080 --> 00:30:01,240
Speaker 2: I'm in real estate in LA.

664
00:30:01,480 --> 00:30:03,560
Speaker 1: That's a fifty million dollar building.

665
00:30:04,320 --> 00:30:06,320
Speaker 2: He's not allowed to just sell it, so they could

666
00:30:06,360 --> 00:30:10,080
Speaker 2: knock it down and put up condos like I I'm sorry,

667
00:30:10,200 --> 00:30:11,360
Speaker 2: I can't sell this land.

668
00:30:11,360 --> 00:30:12,200
Speaker 1: I have to solve them.

669
00:30:12,480 --> 00:30:14,960
Speaker 4: I mean, you do have to disclose everything.

670
00:30:15,200 --> 00:30:18,200
Speaker 3: Everyone already knows this story anyway, but you do have

671
00:30:18,280 --> 00:30:20,400
Speaker 3: to disclose things like that in real estate.

672
00:30:20,480 --> 00:30:23,560
Speaker 2: But everybody would know that, so somebody would go and

673
00:30:23,600 --> 00:30:25,920
Speaker 2: buy that hotel and open it up as a spooky

674
00:30:25,960 --> 00:30:28,480
Speaker 2: hotel or something like that. Right, So the idea that

675
00:30:28,520 --> 00:30:31,480
Speaker 2: he had to solve the mystery before he again didn't

676
00:30:31,520 --> 00:30:32,800
Speaker 2: fully get.

677
00:30:32,560 --> 00:30:33,160
Speaker 1: That, was it.

678
00:30:33,280 --> 00:30:36,520
Speaker 2: Yeah, Yeah, once inside the hotel though, which Q has

679
00:30:36,560 --> 00:30:38,160
Speaker 2: never set foot in because he's scared.

680
00:30:38,200 --> 00:30:40,120
Speaker 1: Okay, some people don't like ghosts. I'm not a fan

681
00:30:40,160 --> 00:30:40,520
Speaker 1: of ghosts.

682
00:30:40,520 --> 00:30:41,959
Speaker 2: I don't believe in them, but they scare the hell

683
00:30:42,000 --> 00:30:44,200
Speaker 2: out of me, so I don't know if I would

684
00:30:44,200 --> 00:30:47,120
Speaker 2: have gone in either. But once you're in there, we

685
00:30:47,200 --> 00:30:50,680
Speaker 2: get to meet the ghosts, who seem really frustrated that

686
00:30:50,680 --> 00:30:55,040
Speaker 2: they're there. Obviously it's been sixty years, the nanny's still

687
00:30:55,120 --> 00:31:01,480
Speaker 2: the main suspect, and through a series of conversations with

688
00:31:01,600 --> 00:31:05,440
Speaker 2: the old lady, we find out that we think a

689
00:31:05,560 --> 00:31:10,040
Speaker 2: spell has been cast and to release the ghosts to

690
00:31:10,200 --> 00:31:14,920
Speaker 2: their next destination, another spell needs to be cast, and

691
00:31:15,000 --> 00:31:18,080
Speaker 2: to do that, we need to find a personal object

692
00:31:18,160 --> 00:31:19,680
Speaker 2: from every person there.

693
00:31:20,280 --> 00:31:21,360
Speaker 1: Right, Right, I had to.

694
00:31:21,320 --> 00:31:24,680
Speaker 3: Go back in and get these objects from each of

695
00:31:24,680 --> 00:31:27,360
Speaker 3: the people in the elevator.

696
00:31:26,560 --> 00:31:28,320
Speaker 2: Right, everyone that was there. You have to find one thing.

697
00:31:28,320 --> 00:31:30,680
Speaker 2: So they found it was the hair for Sally.

698
00:31:30,600 --> 00:31:36,600
Speaker 3: Shine, the handkerchief, handkerchief for the nanny, cbe brings the hat.

699
00:31:36,720 --> 00:31:37,720
Speaker 4: C brings the hat.

700
00:31:38,040 --> 00:31:44,040
Speaker 2: The locket was was Melaura Harden's actress. Yes, and the spectacles,

701
00:31:44,080 --> 00:31:48,320
Speaker 2: the glass spectacles, glasses and the glasses for there. Now

702
00:31:48,480 --> 00:31:51,360
Speaker 2: another question I have for you. So they mentioned that

703
00:31:51,480 --> 00:31:55,440
Speaker 2: the hotel his grand his great grandfather was so freaked

704
00:31:55,440 --> 00:31:57,840
Speaker 2: out by what happened he shut down the hotel. Yes,

705
00:31:58,000 --> 00:32:01,280
Speaker 2: totally understandable. Five people did disappeared. It was hit by

706
00:32:01,280 --> 00:32:04,800
Speaker 2: green lightning, including his son. His son, we've got to

707
00:32:04,800 --> 00:32:08,440
Speaker 2: shut this place down. Did he shut it down that

708
00:32:08,720 --> 00:32:14,160
Speaker 2: night without moving a single piece of luggage or furniture or.

709
00:32:14,320 --> 00:32:17,960
Speaker 4: No investigation, nothing, just shut it down.

710
00:32:17,960 --> 00:32:20,240
Speaker 2: Glasses are all in the same place. I mean, they

711
00:32:20,240 --> 00:32:23,240
Speaker 2: didn't move a single thing. Shut it down.

712
00:32:23,360 --> 00:32:24,520
Speaker 4: I know it was so.

713
00:32:25,960 --> 00:32:30,400
Speaker 3: When they find the the bell hops with the luggage on.

714
00:32:30,360 --> 00:32:33,720
Speaker 2: It, it's just it's just everybody out. We're shutting it

715
00:32:33,760 --> 00:32:35,200
Speaker 2: down tonight at eleven o'clock.

716
00:32:35,360 --> 00:32:36,480
Speaker 4: Yeah, everyone's out.

717
00:32:36,640 --> 00:32:38,800
Speaker 2: We're not gonna look, we're not going to investigate. There's

718
00:32:38,800 --> 00:32:40,360
Speaker 2: no police tape, there's no anything.

719
00:32:40,680 --> 00:32:43,480
Speaker 3: Yeah, there's no police tape. That's what kept bugging me.

720
00:32:43,560 --> 00:32:45,360
Speaker 3: Where's the police tape? There had to have been some

721
00:32:45,440 --> 00:32:48,280
Speaker 3: type of vem even across the doors of the elevator.

722
00:32:48,280 --> 00:32:49,600
Speaker 4: There's been something.

723
00:32:50,320 --> 00:32:52,040
Speaker 1: I kicked everyone out that night.

724
00:32:52,200 --> 00:32:55,200
Speaker 2: They the cigars, pipes, everything left exactly as it was.

725
00:32:55,240 --> 00:32:57,440
Speaker 2: Nobody touched anything, They didn't clean anything up. That was right,

726
00:32:57,600 --> 00:33:00,840
Speaker 2: A little strange. But there is an interesting movie trope

727
00:33:00,880 --> 00:33:02,440
Speaker 2: here that I think we should spend a little bit

728
00:33:02,480 --> 00:33:04,920
Speaker 2: of time on because it's a very famous one, and

729
00:33:04,960 --> 00:33:07,800
Speaker 2: it's called a mcguffin, and it was made famous by

730
00:33:07,840 --> 00:33:11,480
Speaker 2: Alfred Hitchcock. Now, a mcguffin is an object or a

731
00:33:11,480 --> 00:33:14,840
Speaker 2: device or event that's necessary to the plot and the motivation.

732
00:33:14,920 --> 00:33:16,600
Speaker 2: It keeps the actors and the characters moving in the

733
00:33:16,640 --> 00:33:20,160
Speaker 2: right direction, but at the end of the day, is insignificant,

734
00:33:20,240 --> 00:33:24,720
Speaker 2: completely unimportant, and irrelevant to whatever's going on. And that's

735
00:33:24,760 --> 00:33:27,120
Speaker 2: what these objects were at the end of the day.

736
00:33:28,200 --> 00:33:31,160
Speaker 2: He really didn't need the much. She kind of uses

737
00:33:31,160 --> 00:33:34,840
Speaker 2: them a little bit, but you don't really And she

738
00:33:35,000 --> 00:33:36,360
Speaker 2: just wanted Sally's hair.

739
00:33:36,480 --> 00:33:39,720
Speaker 1: That was the only one she cared about Sally's hair.

740
00:33:39,760 --> 00:33:40,480
Speaker 1: But didn't she.

741
00:33:40,520 --> 00:33:44,720
Speaker 2: Originally have Sally's hair, Yes, So then why do they

742
00:33:44,760 --> 00:33:46,480
Speaker 2: have to get all the rest of them?

743
00:33:47,040 --> 00:33:47,600
Speaker 4: I don't know.

744
00:33:47,720 --> 00:33:52,800
Speaker 3: I was really confused as far as you know that

745
00:33:53,120 --> 00:33:56,880
Speaker 3: end part kind of was weird, right because she ends

746
00:33:56,920 --> 00:33:59,920
Speaker 3: up before she had heads too, and you really everything

747
00:34:00,120 --> 00:34:04,040
Speaker 3: has now come surface of who she is and all

748
00:34:04,080 --> 00:34:05,640
Speaker 3: of that, and there's a moment where.

749
00:34:05,520 --> 00:34:08,120
Speaker 4: They're in the apartment.

750
00:34:07,680 --> 00:34:11,239
Speaker 3: And then like she's It was very it started to

751
00:34:11,239 --> 00:34:12,160
Speaker 3: get muddled for me.

752
00:34:12,680 --> 00:34:15,239
Speaker 4: You didn't things didn't seem completing.

753
00:34:15,320 --> 00:34:18,000
Speaker 3: You know when you watch a movie, there's like completions

754
00:34:18,000 --> 00:34:18,840
Speaker 3: of certain things.

755
00:34:18,920 --> 00:34:20,759
Speaker 2: Yeah, they wrap up a storyline, then they move on

756
00:34:20,800 --> 00:34:22,759
Speaker 2: and wrap there's certain.

757
00:34:22,480 --> 00:34:25,360
Speaker 3: Things that complete, get completed, and that this didn't happen.

758
00:34:25,480 --> 00:34:27,520
Speaker 3: This is another part of this movie that I was

759
00:34:28,000 --> 00:34:30,360
Speaker 3: okay to move past some stuff, but then there was

760
00:34:30,360 --> 00:34:30,800
Speaker 3: some stuff.

761
00:34:30,920 --> 00:34:34,920
Speaker 4: Was like, wait, what happened to all the trinkets that

762
00:34:34,960 --> 00:34:37,640
Speaker 4: they needed? Where do you go? Where are they? I

763
00:34:37,640 --> 00:34:39,120
Speaker 4: don't see them displayed anywhere.

764
00:34:39,160 --> 00:34:39,319
Speaker 3: You know.

765
00:34:39,400 --> 00:34:41,239
Speaker 4: It's just kind of it was a.

766
00:34:41,200 --> 00:34:46,279
Speaker 3: Little it was fum yeah, loving finding out about this mcguffin.

767
00:34:46,560 --> 00:34:49,120
Speaker 2: The mcguffin, Oh yeah, the mcguffin created by Alfred Hitchcock,

768
00:34:49,280 --> 00:34:50,400
Speaker 2: very famous mystery.

769
00:34:50,560 --> 00:34:52,400
Speaker 4: It is not an edible object.

770
00:34:53,520 --> 00:34:55,239
Speaker 1: What it can be. It could be whatever you want,

771
00:34:55,600 --> 00:34:56,960
Speaker 1: but that's yeah, it's the mcguffin.

772
00:34:57,120 --> 00:35:08,319
Speaker 2: Nice you mentioned that you wanted to be kind of

773
00:35:08,400 --> 00:35:11,440
Speaker 2: more scared and spooky and jumping and titillated while you

774
00:35:11,440 --> 00:35:14,040
Speaker 2: were watching the film, right, But there were some scary

775
00:35:14,080 --> 00:35:16,239
Speaker 2: moments inside when they got in. There were there any

776
00:35:16,280 --> 00:35:19,520
Speaker 2: moments that made you either jump or that freaked out

777
00:35:19,560 --> 00:35:21,440
Speaker 2: a little bit or were a little creepy, because I

778
00:35:21,520 --> 00:35:23,360
Speaker 2: have one or two that are a little creepy.

779
00:35:23,719 --> 00:35:29,080
Speaker 3: No, the things that did happen did lean me into

780
00:35:29,760 --> 00:35:35,680
Speaker 3: recognizing like the director's work, the shaky you know ink

781
00:35:35,840 --> 00:35:38,799
Speaker 3: thing and you know, the certain things that were kind

782
00:35:38,800 --> 00:35:41,759
Speaker 3: of but the way the ghosts came out from the

783
00:35:41,840 --> 00:35:45,160
Speaker 3: very beginning kind of shut the creepiness down for me.

784
00:35:45,560 --> 00:35:48,680
Speaker 2: Oh okay, So the headless guy with the with the cleaver,

785
00:35:48,840 --> 00:35:50,000
Speaker 2: none of that did anything for you.

786
00:35:50,440 --> 00:35:53,520
Speaker 3: Well, wasn't headless because again I guess I just didn't

787
00:35:53,520 --> 00:35:56,239
Speaker 3: prep myself for it being a Disney scary movie. It

788
00:35:56,320 --> 00:35:59,839
Speaker 3: wasn't headless and gory. You shouldn't have a head right,

789
00:36:00,000 --> 00:36:00,560
Speaker 3: do you know what I mean?

790
00:36:00,600 --> 00:36:01,440
Speaker 4: It was just kind of.

791
00:36:02,080 --> 00:36:06,440
Speaker 3: Yeah, okay, you know what the characters did after is

792
00:36:06,480 --> 00:36:09,080
Speaker 3: what was like, are you kidding me? We're just gonna

793
00:36:09,160 --> 00:36:12,520
Speaker 3: all right, We're gonna go back in days later, that

794
00:36:12,600 --> 00:36:15,520
Speaker 3: whole thing. Going back into the house after you've seen

795
00:36:15,600 --> 00:36:18,239
Speaker 3: this didn't seem like they were freaked out. They should

796
00:36:18,239 --> 00:36:21,239
Speaker 3: have been freaked out. If these were ghosts, they should

797
00:36:21,280 --> 00:36:24,399
Speaker 3: be losing their own heads about it, write their own mind.

798
00:36:24,480 --> 00:36:25,280
Speaker 1: I don't disagree.

799
00:36:25,360 --> 00:36:30,240
Speaker 2: I I though, have this thing with little kids singing

800
00:36:30,320 --> 00:36:34,200
Speaker 2: eerie songs while they're dead. Okay, so like that again,

801
00:36:34,239 --> 00:36:35,840
Speaker 2: going back to Nightmare nowm the street where the kids are

802
00:36:35,920 --> 00:36:38,920
Speaker 2: jump roping and they're going one two friends, Yeah, coming

803
00:36:38,960 --> 00:36:42,480
Speaker 2: for that still gives me chills. So when you first

804
00:36:42,560 --> 00:36:45,239
Speaker 2: hear Sally Shine and there's the green shimmer and you

805
00:36:45,320 --> 00:36:49,000
Speaker 2: kind of see her Ethereally and she's singing that stuff

806
00:36:49,080 --> 00:36:49,919
Speaker 2: creeps me out.

807
00:36:50,080 --> 00:36:54,000
Speaker 1: Little little kids singing creepy little songs. That's creepy.

808
00:36:54,239 --> 00:36:58,000
Speaker 4: Yes, yeah, yeah, so cute she was.

809
00:36:58,040 --> 00:37:01,560
Speaker 1: But she did. Oh man, it was that. Anytime you

810
00:37:01,600 --> 00:37:05,000
Speaker 1: hear the little kids like hi behin, I'm dead, it's like,

811
00:37:05,040 --> 00:37:07,759
Speaker 1: oh god, yeah, oh that freaks me out. So that

812
00:37:08,160 --> 00:37:09,440
Speaker 1: stuff like that got me a little bit.

813
00:37:09,560 --> 00:37:11,960
Speaker 4: The bats the Bats kind of was maybe a moment,

814
00:37:12,160 --> 00:37:12,680
Speaker 4: did the bats?

815
00:37:13,440 --> 00:37:13,800
Speaker 1: No?

816
00:37:13,840 --> 00:37:14,160
Speaker 4: I don't.

817
00:37:14,239 --> 00:37:16,879
Speaker 1: I'm not a big unless it's a really well timed one.

818
00:37:16,920 --> 00:37:19,120
Speaker 2: The jump scares don't do it for much as much

819
00:37:19,120 --> 00:37:22,600
Speaker 2: for me as a psychological scares. Okay, the psychological scares

820
00:37:22,600 --> 00:37:24,520
Speaker 2: are the ones where because then I think about it

821
00:37:24,560 --> 00:37:26,040
Speaker 2: and I dwell on it, and I'm like, is there

822
00:37:26,040 --> 00:37:27,920
Speaker 2: a little creepy girl behind me singing right now?

823
00:37:28,000 --> 00:37:29,120
Speaker 4: Overthink it? Yeah?

824
00:37:29,160 --> 00:37:31,839
Speaker 1: Okay, so that's uh, that's a little weird.

825
00:37:33,480 --> 00:37:36,840
Speaker 2: So finally it is revealed after all this that the

826
00:37:36,920 --> 00:37:38,960
Speaker 2: nanny is not the witch who cursed the elevator, but

827
00:37:39,000 --> 00:37:42,200
Speaker 2: it was Abigail, the older lady, and she's been living

828
00:37:42,200 --> 00:37:45,279
Speaker 2: for sixty years in a mental hospital and has an

829
00:37:45,440 --> 00:37:48,000
Speaker 2: entire trunk that you have to open up that's filled

830
00:37:48,000 --> 00:37:52,040
Speaker 2: with like the weird altar kind of voodoo doll with

831
00:37:52,080 --> 00:37:54,040
Speaker 2: the head snapped off.

832
00:37:53,920 --> 00:37:57,520
Speaker 3: And ye like, oh my goodness, I know it was

833
00:37:59,080 --> 00:38:00,839
Speaker 3: that was aggressive.

834
00:38:01,280 --> 00:38:05,360
Speaker 4: Yeah, knowing that that the whole thing, it's not that

835
00:38:06,360 --> 00:38:08,120
Speaker 4: to me. It was really aggressive for it to be

836
00:38:08,239 --> 00:38:10,600
Speaker 4: her sister, right right.

837
00:38:10,880 --> 00:38:13,680
Speaker 3: I just if she was a little girl that was

838
00:38:13,800 --> 00:38:18,359
Speaker 3: tormented by her somehow, or like somebody who wasn't a

839
00:38:18,560 --> 00:38:19,560
Speaker 3: family member.

840
00:38:19,719 --> 00:38:22,439
Speaker 4: The aggression, yeah, coming from a.

841
00:38:22,360 --> 00:38:26,680
Speaker 3: Family member was just wow, Abigail, I am so sorry.

842
00:38:27,680 --> 00:38:32,160
Speaker 2: You wonder though, if there are brothers and sisters of

843
00:38:32,719 --> 00:38:37,560
Speaker 2: seriously big famous child actors that grew up just so

844
00:38:38,280 --> 00:38:38,839
Speaker 2: because I mean.

845
00:38:38,719 --> 00:38:39,279
Speaker 1: You're a kid.

846
00:38:39,760 --> 00:38:43,640
Speaker 2: Yeah, so you're you know, you you're only seeing your

847
00:38:43,719 --> 00:38:48,640
Speaker 2: sibling everyone adoring and loving and oh my god, looking

848
00:38:48,840 --> 00:38:51,480
Speaker 2: fawning over and treating with such respect, and then you're

849
00:38:51,560 --> 00:38:53,640
Speaker 2: just like the kid. I mean, I don't know why,

850
00:38:53,880 --> 00:38:56,319
Speaker 2: because my brothers were older than me and we are

851
00:38:56,360 --> 00:38:59,560
Speaker 2: still one hundred percent supportive, but something about that resonated

852
00:38:59,600 --> 00:39:03,360
Speaker 2: with me, knowing that it's got to be hard to

853
00:39:03,480 --> 00:39:06,680
Speaker 2: be the brother sister of, especially when you're little, little

854
00:39:06,680 --> 00:39:09,720
Speaker 2: ten eleven years old, if somebody super famous.

855
00:39:09,280 --> 00:39:12,399
Speaker 3: And there's not a big gap between them either. They

856
00:39:12,440 --> 00:39:17,120
Speaker 3: seemed they were very close in age too, so you know,

857
00:39:17,239 --> 00:39:19,719
Speaker 3: and you look, if you look back at like her

858
00:39:19,920 --> 00:39:21,280
Speaker 3: dress compared.

859
00:39:20,840 --> 00:39:25,000
Speaker 4: To Sally's dress that night, she's looking a little bit more,

860
00:39:25,520 --> 00:39:27,520
Speaker 4: you know, rumpy looking.

861
00:39:27,800 --> 00:39:32,680
Speaker 3: Yes, Sally's this adorable, pink, gorgeous little baby doll.

862
00:39:32,760 --> 00:39:35,680
Speaker 2: Yeah yeah, and she's just walking in and people and

863
00:39:35,719 --> 00:39:37,840
Speaker 2: she's got a big smile and people are taking pictures,

864
00:39:38,080 --> 00:39:40,920
Speaker 2: and so that resonated with me also because I know

865
00:39:41,440 --> 00:39:45,040
Speaker 2: a lot of the times when kids are child actors

866
00:39:45,600 --> 00:39:50,319
Speaker 2: of that age, very rarely does one of them go

867
00:39:50,440 --> 00:39:53,359
Speaker 2: in and get recognized. You bring the mom brings in

868
00:39:53,800 --> 00:39:56,480
Speaker 2: two or three of her kids. So this is in

869
00:39:56,560 --> 00:39:58,840
Speaker 2: my head, it's like they both went to their first

870
00:39:58,840 --> 00:40:02,520
Speaker 2: manager or agent and Sally you know, erupted and oh man,

871
00:40:02,560 --> 00:40:04,879
Speaker 2: she was perfect and we want her, and the other

872
00:40:05,000 --> 00:40:05,879
Speaker 2: sister was left behind.

873
00:40:05,920 --> 00:40:08,080
Speaker 1: So I got a whole backstory.

874
00:40:08,000 --> 00:40:10,760
Speaker 4: Yes, said she couldn't sing, she could.

875
00:40:10,719 --> 00:40:14,759
Speaker 1: Put it dance. Yeah, that really resonated with me.

876
00:40:15,120 --> 00:40:18,160
Speaker 4: Yeah, but was that Sally's fault Abigail?

877
00:40:18,440 --> 00:40:21,080
Speaker 1: Of course not, but it was you don't look at

878
00:40:21,080 --> 00:40:22,359
Speaker 1: that when you're eleven years old.

879
00:40:22,440 --> 00:40:24,120
Speaker 2: You just look at the fact that your mother is

880
00:40:24,239 --> 00:40:26,879
Speaker 2: dressing one kid like she's a super stronging other kid

881
00:40:26,920 --> 00:40:29,600
Speaker 2: like she's waiting in line for bread, like it just

882
00:40:30,320 --> 00:40:34,000
Speaker 2: it does. It looks very strange. So yeah, it was

883
00:40:34,000 --> 00:40:36,280
Speaker 2: also like black, she was like more black and white,

884
00:40:37,560 --> 00:40:40,719
Speaker 2: but they really Yeah, I don't know why that. The

885
00:40:40,800 --> 00:40:43,200
Speaker 2: whole idea of the sister holding that much of a

886
00:40:43,239 --> 00:40:46,200
Speaker 2: grudge kind of resonated with me. And maybe it's because

887
00:40:46,200 --> 00:40:47,040
Speaker 2: I saw that.

888
00:40:46,920 --> 00:40:49,840
Speaker 4: The doll was a little bit of a o for

889
00:40:50,000 --> 00:40:50,680
Speaker 4: me though.

890
00:40:50,719 --> 00:40:53,279
Speaker 1: Because the doll was the head was removed, it would

891
00:40:53,320 --> 00:40:54,160
Speaker 1: like it.

892
00:40:54,160 --> 00:40:56,439
Speaker 4: Was still on just flop back.

893
00:40:56,560 --> 00:41:02,560
Speaker 3: That was like, oh gross, Like super, you've got issues Abby.

894
00:41:02,840 --> 00:41:05,319
Speaker 2: I'd also like to point out that this is now

895
00:41:05,360 --> 00:41:08,320
Speaker 2: the second time in this film where it's just okay

896
00:41:08,480 --> 00:41:10,320
Speaker 2: to let somebody else into your apartment.

897
00:41:11,040 --> 00:41:15,360
Speaker 4: Okay, yes, this is part of one of my Serena season.

898
00:41:15,520 --> 00:41:17,680
Speaker 3: Obviously, I knew you'd get this because it just made

899
00:41:17,719 --> 00:41:22,919
Speaker 3: absolutely zero sense and just lets her in. She's being

900
00:41:23,160 --> 00:41:25,200
Speaker 3: very clear, she does not know Abigail.

901
00:41:25,360 --> 00:41:26,480
Speaker 4: She's she's stock.

902
00:41:26,640 --> 00:41:29,880
Speaker 3: She's learning things from this man and it's a reporter

903
00:41:30,320 --> 00:41:33,920
Speaker 3: and as a reporter, and and then they go to

904
00:41:33,960 --> 00:41:38,239
Speaker 3: a flash type situation or there they somehow are out

905
00:41:38,239 --> 00:41:40,480
Speaker 3: of it, and I think we go to a different

906
00:41:40,480 --> 00:41:42,719
Speaker 3: scene and when then she we come back to the

907
00:41:42,719 --> 00:41:46,399
Speaker 3: the uh you know facility that Abigail lives in.

908
00:41:47,480 --> 00:41:48,960
Speaker 4: She's in the room by herself.

909
00:41:49,040 --> 00:41:51,839
Speaker 3: The guy just left and then comes storming in and

910
00:41:51,840 --> 00:41:54,000
Speaker 3: it's like, excuse me, what are you doing?

911
00:41:54,120 --> 00:41:56,480
Speaker 4: It's like, what do you gonna do right now?

912
00:41:56,520 --> 00:41:56,640
Speaker 1: Sir?

913
00:41:56,719 --> 00:41:58,360
Speaker 4: I'm gonna look around everywhere.

914
00:41:58,400 --> 00:42:04,200
Speaker 3: You've given me full rain access to this apartment a

915
00:42:04,360 --> 00:42:06,359
Speaker 3: person that you know, I'm doing a report on.

916
00:42:06,960 --> 00:42:08,359
Speaker 4: What do you think I'm gonna do?

917
00:42:08,680 --> 00:42:08,960
Speaker 1: Yeah?

918
00:42:09,040 --> 00:42:12,000
Speaker 4: It was very you know, I'm gonna deny everything.

919
00:42:12,000 --> 00:42:13,040
Speaker 1: I'm going to deny it, and then I'm going to

920
00:42:13,080 --> 00:42:13,680
Speaker 1: have you arrested.

921
00:42:13,800 --> 00:42:15,920
Speaker 4: And then I'm going to have you arrested. Can you

922
00:42:15,960 --> 00:42:19,120
Speaker 4: have her arrested when you open the door, think.

923
00:42:19,040 --> 00:42:21,000
Speaker 1: If somebody takes the key and lets you in.

924
00:42:22,120 --> 00:42:26,840
Speaker 3: Yeah, But then then she ends up with the items

925
00:42:26,920 --> 00:42:28,680
Speaker 3: back at Buzz's apartment.

926
00:42:29,200 --> 00:42:31,360
Speaker 2: Yeah, the guy takes the papers from her, but she

927
00:42:31,520 --> 00:42:34,320
Speaker 2: manages to get the voodoo doll out and the doll.

928
00:42:34,520 --> 00:42:35,759
Speaker 4: How did she get the doll?

929
00:42:35,920 --> 00:42:37,839
Speaker 1: She threw it in the bag.

930
00:42:38,520 --> 00:42:40,759
Speaker 2: I actually saw her because I rewound it and you

931
00:42:40,760 --> 00:42:42,399
Speaker 2: can actually see her put the doll in the back.

932
00:42:42,800 --> 00:42:44,480
Speaker 4: I watched it twice and didn't see it.

933
00:42:44,560 --> 00:42:46,359
Speaker 1: I thought the same thing. You see her shoved stuff

934
00:42:46,400 --> 00:42:46,759
Speaker 1: in her bag.

935
00:42:46,800 --> 00:42:49,000
Speaker 2: But she's about to then do the papers after and

936
00:42:49,040 --> 00:42:50,359
Speaker 2: he grabs the papers from her.

937
00:42:50,400 --> 00:42:50,719
Speaker 4: Got it?

938
00:42:50,800 --> 00:42:51,960
Speaker 1: Okay? All right?

939
00:42:52,480 --> 00:42:55,000
Speaker 2: And then of course we get the big m night

940
00:42:55,040 --> 00:43:00,359
Speaker 2: shamaam Dingong moment where all of a sudden you find

941
00:43:00,400 --> 00:43:05,000
Speaker 2: out she's you know, it's not the nanny, Abigail's the witch.

942
00:43:06,040 --> 00:43:09,839
Speaker 2: She wants to reinstate the curse of sixty years because

943
00:43:09,880 --> 00:43:13,839
Speaker 2: apparently just being dead isn't enough for her.

944
00:43:14,200 --> 00:43:17,960
Speaker 4: I guess not. She wants to start it over because.

945
00:43:17,760 --> 00:43:20,880
Speaker 2: She want What we find out is the original spell

946
00:43:20,960 --> 00:43:24,280
Speaker 2: was supposed to make the elevator crash, right. They weren't

947
00:43:24,280 --> 00:43:26,520
Speaker 2: supposed to disappear, they were supposed to crash, So yes,

948
00:43:26,600 --> 00:43:29,080
Speaker 2: you were still supposed she was supposed to die. But

949
00:43:29,239 --> 00:43:34,359
Speaker 2: she's upset that she's made her sister a legend, right,

950
00:43:34,800 --> 00:43:38,040
Speaker 2: so now she wants to crash the elevator again to

951
00:43:38,160 --> 00:43:41,160
Speaker 2: finish what she started. Then to kill her ghost.

952
00:43:42,160 --> 00:43:43,160
Speaker 1: Yes, I guess.

953
00:43:43,360 --> 00:43:45,680
Speaker 3: I don't know. I don't know how that was going

954
00:43:45,760 --> 00:43:47,600
Speaker 3: to make it better, but I guess that's what she

955
00:43:47,680 --> 00:43:48,239
Speaker 3: needed to do.

956
00:43:48,680 --> 00:43:50,520
Speaker 2: Or maybe she then is trying to get her to

957
00:43:50,560 --> 00:43:53,480
Speaker 2: a deeper circle of torment and pain because the one

958
00:43:53,520 --> 00:43:55,319
Speaker 2: she thought she put her in wasn't good enough.

959
00:43:55,600 --> 00:43:58,160
Speaker 4: She makes a comment that she says she's everywhere.

960
00:43:59,080 --> 00:44:02,319
Speaker 3: So then I was trying to figure out, do you

961
00:44:02,560 --> 00:44:04,440
Speaker 3: mean she's showing up in.

962
00:44:04,440 --> 00:44:07,920
Speaker 4: Your facility that you live in? Where do you need me?

963
00:44:08,080 --> 00:44:10,560
Speaker 4: But she's everywhere? Was it was her fame?

964
00:44:10,880 --> 00:44:14,680
Speaker 2: Yeah, she's James Dean, She's every She's Marilyn Roe, she's everywhere.

965
00:44:15,000 --> 00:44:17,640
Speaker 1: So what thinking she was gonna kill her and get

966
00:44:17,719 --> 00:44:18,200
Speaker 1: rid of her.

967
00:44:18,960 --> 00:44:22,200
Speaker 2: Instead, what she did was make her eternal, okay, and

968
00:44:22,239 --> 00:44:24,560
Speaker 2: so it's the opposite of what she actually wanted to happen.

969
00:44:24,600 --> 00:44:26,839
Speaker 1: So now she's got to go and kill.

970
00:44:26,560 --> 00:44:28,560
Speaker 4: Her again, kill her ghost.

971
00:44:28,719 --> 00:44:33,200
Speaker 3: I guess the best best part because you know she's creepy,

972
00:44:33,200 --> 00:44:35,880
Speaker 3: and she kind of obviously gets creepier and creepier when

973
00:44:35,920 --> 00:44:43,480
Speaker 3: she's out by the gate and she's like Abigail. And

974
00:44:43,520 --> 00:44:47,279
Speaker 3: then my favorite part of her this whole movie was

975
00:44:47,320 --> 00:44:51,360
Speaker 3: when she has the cape on and she's walking and then.

976
00:44:51,239 --> 00:44:56,440
Speaker 4: It's like her over the shoulder is like raw.

977
00:44:56,600 --> 00:44:59,080
Speaker 3: That was the only part where I'm like, whoa, Okay,

978
00:44:59,200 --> 00:45:03,440
Speaker 3: now this is good because she's finally at that creeper

979
00:45:03,560 --> 00:45:07,520
Speaker 3: level that is actually scary. I could actually get nervous

980
00:45:07,560 --> 00:45:10,319
Speaker 3: in the dark thinking about Abigail in that moment.

981
00:45:10,400 --> 00:45:12,960
Speaker 2: Now here's my question for you, And you know Disney

982
00:45:12,960 --> 00:45:14,400
Speaker 2: better than I do, and I think some of our

983
00:45:14,440 --> 00:45:20,640
Speaker 2: producers may need to China, okay, were they Isn't there

984
00:45:20,640 --> 00:45:23,919
Speaker 2: a famous scene from I think it's Cinderella or Snow White,

985
00:45:23,920 --> 00:45:27,279
Speaker 2: Snow White one with the apple right, Yes, isn't there

986
00:45:27,320 --> 00:45:32,000
Speaker 2: a famous scene where the witch is in the hood and.

987
00:45:32,000 --> 00:45:34,120
Speaker 1: Turns creepily towards the camera.

988
00:45:34,320 --> 00:45:35,600
Speaker 4: Yes, that's snow white.

989
00:45:35,640 --> 00:45:37,840
Speaker 1: Do you think that's what they were trying to do

990
00:45:37,920 --> 00:45:38,479
Speaker 1: with that shot?

991
00:45:39,040 --> 00:45:42,000
Speaker 4: Oh, that's a good that's good will.

992
00:45:42,840 --> 00:45:44,920
Speaker 1: That's what I thought. When I saw it. I was like, Oh,

993
00:45:45,040 --> 00:45:48,800
Speaker 1: that's a that's an easter egg. That's a Disney Easter egg. Yeah,

994
00:45:49,160 --> 00:45:51,719
Speaker 1: that is I thought that's what it was.

995
00:45:51,960 --> 00:45:54,840
Speaker 3: So old Lady in the Hood, although she's very cute,

996
00:45:55,320 --> 00:45:57,920
Speaker 3: she's still a cute old lady, so she's not the

997
00:45:57,960 --> 00:45:59,720
Speaker 3: Witch of snow White.

998
00:46:00,360 --> 00:46:02,680
Speaker 4: But that's a good one. I love that one.

999
00:46:02,719 --> 00:46:03,839
Speaker 1: I don't know if that's what they're doing.

1000
00:46:03,960 --> 00:46:05,920
Speaker 4: Oh if it's not, let's put that out into the.

1001
00:46:07,640 --> 00:46:10,200
Speaker 1: All right, go get that going. And now, of course

1002
00:46:10,600 --> 00:46:12,640
Speaker 1: we they they've got to tie in the ride. So

1003
00:46:12,680 --> 00:46:15,600
Speaker 1: we end the movie. It's modern day. Well we amidst

1004
00:46:15,600 --> 00:46:16,200
Speaker 1: the chaos.

1005
00:46:16,239 --> 00:46:20,040
Speaker 2: The spell has been cast, the elevators crashed down, but

1006
00:46:20,239 --> 00:46:22,920
Speaker 2: they switch it because she's able to reverse the spell,

1007
00:46:23,360 --> 00:46:25,719
Speaker 2: because the only thing that could stop the spell is

1008
00:46:25,800 --> 00:46:30,520
Speaker 2: its opposite, which was her Sally forgiving, and it all works.

1009
00:46:30,719 --> 00:46:34,080
Speaker 2: We end the movie modern day. You know, the the

1010
00:46:34,200 --> 00:46:36,719
Speaker 2: ghosts finally make to heaven. I imagine is where they

1011
00:46:36,760 --> 00:46:42,440
Speaker 2: want to be. The Abigail dies too. I guess Abigail dies.

1012
00:46:42,560 --> 00:46:46,160
Speaker 4: That was not something I was expecting me all.

1013
00:46:46,280 --> 00:46:47,680
Speaker 2: I thought it'd be like, I'll see you when you

1014
00:46:47,680 --> 00:46:49,759
Speaker 2: get here, But no, they go and grab Abigail too.

1015
00:46:50,200 --> 00:46:51,440
Speaker 4: Yeah, I kept.

1016
00:46:51,160 --> 00:46:55,440
Speaker 3: Thinking she was gonna join somehow in not as a

1017
00:46:55,440 --> 00:46:56,080
Speaker 3: little girl.

1018
00:46:56,239 --> 00:46:56,319
Speaker 2: Not.

1019
00:46:56,600 --> 00:47:00,440
Speaker 3: Actually, now Abigail is also gone. That's a lot of

1020
00:47:00,480 --> 00:47:02,280
Speaker 3: death in a disney.

1021
00:47:01,520 --> 00:47:03,719
Speaker 2: They'll they're all dead, they and that was the big

1022
00:47:03,760 --> 00:47:05,680
Speaker 2: payoff at the end is they died at the beginning,

1023
00:47:05,719 --> 00:47:08,480
Speaker 2: but at the end they got to die again.

1024
00:47:08,719 --> 00:47:11,720
Speaker 4: We get an engagement. We always love engagements.

1025
00:47:11,960 --> 00:47:13,480
Speaker 1: I like, I'm not gonna lie.

1026
00:47:13,520 --> 00:47:15,239
Speaker 2: I got a little teared up towards the end where

1027
00:47:15,280 --> 00:47:18,040
Speaker 2: everybody's filling their final wish. You know that Nanny gets

1028
00:47:18,040 --> 00:47:20,240
Speaker 2: her to her parents. She gets to see her parents,

1029
00:47:20,520 --> 00:47:22,600
Speaker 2: She gets to sing her song. Laura Harden gets to

1030
00:47:22,600 --> 00:47:25,000
Speaker 2: sing her song, and they get engaged.

1031
00:47:25,000 --> 00:47:27,160
Speaker 4: The bell hop gets to go back to his.

1032
00:47:27,200 --> 00:47:29,640
Speaker 2: Dad and say, hey, why am I still a bell hop?

1033
00:47:29,640 --> 00:47:34,480
Speaker 2: I'm thirty five and have children. So yes, I liked

1034
00:47:34,520 --> 00:47:36,680
Speaker 2: this movie. I didn't love it, but I certainly liked it.

1035
00:47:37,160 --> 00:47:39,880
Speaker 2: But I'd like to see what other people think about

1036
00:47:39,880 --> 00:47:41,759
Speaker 2: this movie. And as you know, every week we do

1037
00:47:41,800 --> 00:47:45,600
Speaker 2: our real reviews where we do one five star and

1038
00:47:45,680 --> 00:47:48,560
Speaker 2: one one star. I think last week you did the

1039
00:47:48,560 --> 00:47:49,760
Speaker 2: one star. Is that correct?

1040
00:47:50,080 --> 00:47:51,919
Speaker 4: Yes, I'll do the five star.

1041
00:47:52,400 --> 00:47:55,799
Speaker 3: I really want to hear you read this this one star.

1042
00:47:55,880 --> 00:47:58,600
Speaker 3: It's pretty good, all right, But starting off with the

1043
00:47:58,640 --> 00:48:03,560
Speaker 3: five star from Mickey Bhaer two to one. I love

1044
00:48:03,640 --> 00:48:05,960
Speaker 3: this movie. I went on the ride in Walt Disney

1045
00:48:05,960 --> 00:48:06,720
Speaker 3: World when.

1046
00:48:06,560 --> 00:48:07,240
Speaker 4: I was five.

1047
00:48:07,360 --> 00:48:09,799
Speaker 3: Though I didn't like the ride too much, I loved

1048
00:48:09,800 --> 00:48:12,960
Speaker 3: the movie. It is scary in some parts, especially when

1049
00:48:13,000 --> 00:48:16,000
Speaker 3: they play eerie music for the little kids and people

1050
00:48:16,040 --> 00:48:19,560
Speaker 3: that haven't seen the movie before, but it's very entertaining

1051
00:48:19,640 --> 00:48:21,400
Speaker 3: and it was a good plot twist in the end.

1052
00:48:21,800 --> 00:48:23,240
Speaker 1: All Right, that's a solid review.

1053
00:48:23,520 --> 00:48:26,480
Speaker 2: Yes, you know, I have the one star, which is

1054
00:48:26,520 --> 00:48:27,560
Speaker 2: not as solid a review.

1055
00:48:28,400 --> 00:48:30,399
Speaker 1: This is from VALVANTI.

1056
00:48:31,000 --> 00:48:33,160
Speaker 2: I think I'm saying the name right, and I'm going

1057
00:48:33,200 --> 00:48:35,600
Speaker 2: to read this with the emphasis the way that they

1058
00:48:35,640 --> 00:48:39,360
Speaker 2: wanted it, with the exclamation points. So Tower of Terror

1059
00:48:39,480 --> 00:48:43,719
Speaker 2: ruined Steve Gutenberg's career. As I struggled to finish this movie,

1060
00:48:43,800 --> 00:48:46,239
Speaker 2: I realized that this entire film was to promote the

1061
00:48:46,320 --> 00:48:49,240
Speaker 2: ride Tower of Terror in a long line of attraction

1062
00:48:49,360 --> 00:48:54,040
Speaker 2: theme park stunts. Obviously, I never understood why any type

1063
00:48:54,080 --> 00:48:56,279
Speaker 2: of actor would ever choose such a lousy way to

1064
00:48:56,360 --> 00:49:00,040
Speaker 2: ruin their career by making a horrible sellout decision. And

1065
00:49:00,239 --> 00:49:03,800
Speaker 2: my grandma said that this movie was absolutely horrible.

1066
00:49:03,640 --> 00:49:05,080
Speaker 1: About that's what it is.

1067
00:49:05,200 --> 00:49:08,200
Speaker 2: It's like if my grandmother doesn't like it, at least

1068
00:49:08,320 --> 00:49:13,920
Speaker 2: Dunce's career wasn't completely halted by an incredibly wretched acting

1069
00:49:14,320 --> 00:49:22,319
Speaker 2: and corporate American sellout. That's I mean, Dad, that even

1070
00:49:22,440 --> 00:49:27,000
Speaker 2: my grandma harsh, harsh.

1071
00:49:26,560 --> 00:49:29,359
Speaker 3: Because he's not even just talking about the movie. He's

1072
00:49:29,440 --> 00:49:32,400
Speaker 3: talking about the failing of the career.

1073
00:49:32,560 --> 00:49:35,920
Speaker 1: I mean, yeah, I know. And let's be honest, Steve

1074
00:49:35,960 --> 00:49:37,640
Speaker 1: Gutenberg was a little big in this movie.

1075
00:49:37,800 --> 00:49:39,560
Speaker 2: I think he suffered a little bit from what I

1076
00:49:39,600 --> 00:49:43,040
Speaker 2: call Disney Itis, which is some actors get into Disney

1077
00:49:43,040 --> 00:49:44,680
Speaker 2: movies and feel like they have to ham it up

1078
00:49:44,680 --> 00:49:46,840
Speaker 2: a bit more than they would play it real. So

1079
00:49:47,320 --> 00:49:50,240
Speaker 2: maybe not the best it's not Cocoon, it's not his

1080
00:49:50,239 --> 00:49:54,720
Speaker 2: his you know, Steve Gutenberg's best performance, but it's he'sn't

1081
00:49:54,719 --> 00:49:55,799
Speaker 2: a Disney movie.

1082
00:49:55,960 --> 00:49:59,799
Speaker 3: That was yikes, I know, I that made me feel

1083
00:49:59,840 --> 00:50:02,239
Speaker 3: so bad for Steve because it.

1084
00:50:01,920 --> 00:50:02,239
Speaker 2: Was not.

1085
00:50:04,320 --> 00:50:07,280
Speaker 4: Geez I just I mean, that was harsh.

1086
00:50:08,120 --> 00:50:13,040
Speaker 3: That guy never watches anything I ever do because or

1087
00:50:13,080 --> 00:50:18,120
Speaker 3: his grandma Gee and Bash.

1088
00:50:17,560 --> 00:50:20,480
Speaker 4: To the worst extent. That was so harsh.

1089
00:50:20,840 --> 00:50:23,200
Speaker 2: Let's do our other wonderful thing we do every week,

1090
00:50:23,200 --> 00:50:25,160
Speaker 2: which is our three and a half facts. As you know,

1091
00:50:25,239 --> 00:50:27,680
Speaker 2: this is three facts that we know for a fact

1092
00:50:27,760 --> 00:50:32,160
Speaker 2: or fact and one fact that we're heard about that's

1093
00:50:32,160 --> 00:50:34,239
Speaker 2: more of a rumor and we're not entirely sure, so

1094
00:50:34,280 --> 00:50:36,200
Speaker 2: we're putting it out there more as a rumor possibly

1095
00:50:36,239 --> 00:50:39,200
Speaker 2: as well, but it could be real. Yeah, according to

1096
00:50:39,239 --> 00:50:41,800
Speaker 2: the Internet machine, what do you got? Why don't you

1097
00:50:41,840 --> 00:50:43,480
Speaker 2: give it a start? With our first all right?

1098
00:50:44,280 --> 00:50:47,359
Speaker 3: Before Disney landed on twilight Zone theme for the ride,

1099
00:50:47,760 --> 00:50:51,480
Speaker 3: some other ideas were thrown around a ride based on

1100
00:50:51,560 --> 00:50:55,520
Speaker 3: Stephen King's novel, a Vincent Price Goes Tour, a mel

1101
00:50:55,560 --> 00:51:00,680
Speaker 3: Brooks narrated Haunted Honeymoon concept, and even an awards honoring

1102
00:51:00,760 --> 00:51:05,600
Speaker 3: classic movie monsters like Godzilla, hosted by Eddie Murphy and Alvira.

1103
00:51:06,200 --> 00:51:08,040
Speaker 1: Okay, well, I gotta be honest.

1104
00:51:07,840 --> 00:51:09,760
Speaker 4: I'm glad they went with twilight Zone.

1105
00:51:09,800 --> 00:51:11,279
Speaker 2: I am too, But at the end of the day.

1106
00:51:11,360 --> 00:51:13,200
Speaker 2: Knowing Disney they would have hit it out of the

1107
00:51:13,200 --> 00:51:15,160
Speaker 2: park with whatever. I mean, can you imagine? I think

1108
00:51:15,200 --> 00:51:17,680
Speaker 2: Stephen King novels would have just been too scary.

1109
00:51:17,800 --> 00:51:20,080
Speaker 4: Right, How would they really Disney fy that?

1110
00:51:20,360 --> 00:51:20,560
Speaker 1: Yeah?

1111
00:51:20,640 --> 00:51:22,879
Speaker 2: Yeah, if you're waiting in line, and while you're waiting

1112
00:51:22,920 --> 00:51:25,400
Speaker 2: in line, you're walking through the pet cemetery and the

1113
00:51:25,840 --> 00:51:28,000
Speaker 2: it clowns that, I mean, kids are going to be

1114
00:51:28,080 --> 00:51:28,719
Speaker 2: losing it.

1115
00:51:29,200 --> 00:51:30,319
Speaker 1: So yeah, I couldn't do that.

1116
00:51:31,520 --> 00:51:33,520
Speaker 2: Our number two fact is, though this was the first

1117
00:51:33,520 --> 00:51:36,000
Speaker 2: movie based on any ride at Disneyland, it wasn't the

1118
00:51:36,040 --> 00:51:39,520
Speaker 2: first thing filmed for Tower of Terror. Legendary director Joe

1119
00:51:39,600 --> 00:51:41,919
Speaker 2: Dante filmed the pre ride short film that was shown

1120
00:51:41,920 --> 00:51:43,840
Speaker 2: to theme park guests in line, and it told the

1121
00:51:43,880 --> 00:51:47,760
Speaker 2: exact same backstory as the movie, and even still starred

1122
00:51:47,760 --> 00:51:50,640
Speaker 2: Lindsay Ridgeway as Sally Shine, who'd later reclaimed the role

1123
00:51:50,680 --> 00:51:54,239
Speaker 2: for the movie. Now this amazed me for a number

1124
00:51:54,239 --> 00:51:56,319
Speaker 2: of reasons when we talked about how great Lindsay was.

1125
00:51:56,360 --> 00:51:59,520
Speaker 2: But little kids grow up really fast. So if you

1126
00:51:59,560 --> 00:52:02,000
Speaker 2: go and you watch the ride, she's definitely younger. But

1127
00:52:02,200 --> 00:52:04,320
Speaker 2: to be able to still play the same role three

1128
00:52:04,400 --> 00:52:07,880
Speaker 2: years later, yes, it was pretty amazing to me because

1129
00:52:08,239 --> 00:52:10,319
Speaker 2: you she was the eerie little girl who would wave

1130
00:52:10,360 --> 00:52:13,000
Speaker 2: to you right as the thing would drop, and she

1131
00:52:13,040 --> 00:52:14,879
Speaker 2: didn't look that different in the movie, and.

1132
00:52:14,840 --> 00:52:17,840
Speaker 3: It was no years later, no three years later, especially

1133
00:52:17,960 --> 00:52:20,040
Speaker 3: around that age, how much you.

1134
00:52:20,360 --> 00:52:23,600
Speaker 1: Definitely grow a lot, you know, and quickly.

1135
00:52:23,520 --> 00:52:27,000
Speaker 3: And very fast. Yeah, I mean to be honest, I

1136
00:52:27,040 --> 00:52:31,319
Speaker 3: didn't grow that much. Ever, No, I guess, Lindsay and

1137
00:52:31,360 --> 00:52:33,359
Speaker 3: I share that in time. I guess that's fair enough.

1138
00:52:33,640 --> 00:52:35,799
Speaker 1: She might not.

1139
00:52:35,880 --> 00:52:37,960
Speaker 4: She's probably not six two now, she's not.

1140
00:52:38,160 --> 00:52:38,480
Speaker 1: She's not.

1141
00:52:38,560 --> 00:52:42,200
Speaker 2: She is, however, a fitness instructor and just in amazing shape,

1142
00:52:42,239 --> 00:52:44,200
Speaker 2: but she's still a very little girl.

1143
00:52:44,520 --> 00:52:46,799
Speaker 4: Oh geez right.

1144
00:52:46,880 --> 00:52:49,400
Speaker 3: The third one I love because it's something you know,

1145
00:52:49,480 --> 00:52:52,200
Speaker 3: Sabrina Sea's esque. So I'm excited to do this one.

1146
00:52:52,800 --> 00:52:56,239
Speaker 3: A mistake in the movie. In the opening nineteen thirty

1147
00:52:56,320 --> 00:52:59,520
Speaker 3: nine flashback scene, when the hotel is struck by lightning,

1148
00:52:59,840 --> 00:53:03,200
Speaker 3: you see the famous Capitol Records Building in the background.

1149
00:53:03,520 --> 00:53:07,680
Speaker 3: But the Capitol Records Building was not completed until nineteen

1150
00:53:07,760 --> 00:53:11,120
Speaker 3: fifty six, well past the day of this incident.

1151
00:53:11,480 --> 00:53:13,800
Speaker 1: So there you go. That is a prayer mistake.

1152
00:53:13,960 --> 00:53:14,680
Speaker 4: Cool to know.

1153
00:53:15,160 --> 00:53:17,799
Speaker 2: Did not digitize out the Capitol Records Building, which is

1154
00:53:18,000 --> 00:53:21,960
Speaker 2: right there in the background. Right here's Star Halffact, which

1155
00:53:22,000 --> 00:53:25,280
Speaker 2: is so cool, and I mean, I'm hoping it's true,

1156
00:53:25,280 --> 00:53:26,800
Speaker 2: But then you figure out where it's going to go

1157
00:53:26,840 --> 00:53:30,040
Speaker 2: from there. So a reboot of Tower Terror, a new

1158
00:53:30,080 --> 00:53:34,279
Speaker 2: movie starring and produced by Scarlett Johansson, has been on

1159
00:53:34,320 --> 00:53:36,239
Speaker 2: the docket for Disney Now for a few years, with

1160
00:53:36,320 --> 00:53:41,040
Speaker 2: Pixar writer Josh Cooley attached, But with the recent lawsuit

1161
00:53:41,120 --> 00:53:43,080
Speaker 2: between the studio and Scarlet about the release of Black

1162
00:53:43,120 --> 00:53:45,760
Speaker 2: Widow being settled for forty million bucks, nice little payday,

1163
00:53:46,200 --> 00:53:48,960
Speaker 2: its future is still up in the air, so we

1164
00:53:49,160 --> 00:53:51,760
Speaker 2: have no idea if it is or isn't happening.

1165
00:53:52,560 --> 00:53:55,680
Speaker 1: And I would think that now that they but again,

1166
00:53:55,680 --> 00:53:56,040
Speaker 1: who knows.

1167
00:53:56,040 --> 00:53:58,920
Speaker 2: I was gonna say now that they switched the Tower

1168
00:53:58,960 --> 00:54:01,879
Speaker 2: of Terror in California, at least I think it's still

1169
00:54:01,880 --> 00:54:04,560
Speaker 2: Tower of Terror in Florida, yes, But now that they

1170
00:54:04,560 --> 00:54:09,360
Speaker 2: switched it to Guardians in LA who knows if a new.

1171
00:54:09,280 --> 00:54:13,040
Speaker 3: Generation here on this West coast side doesn't really know

1172
00:54:13,080 --> 00:54:16,000
Speaker 3: what Tower of Ear is because it's been Guardians for

1173
00:54:16,120 --> 00:54:16,840
Speaker 3: a while.

1174
00:54:16,680 --> 00:54:20,280
Speaker 1: Now while now yeah, yeah, so yeah, very strange, But I'd.

1175
00:54:19,880 --> 00:54:23,160
Speaker 3: Be interested in to know why Scarlett would want to

1176
00:54:23,320 --> 00:54:24,840
Speaker 3: produce this remake.

1177
00:54:24,960 --> 00:54:26,960
Speaker 2: Maybe this was one of her favorite movies growing up.

1178
00:54:26,960 --> 00:54:30,040
Speaker 2: I mean too, you never know. I think that's cool.

1179
00:54:30,160 --> 00:54:31,800
Speaker 4: Yeah, doing a reboot's awesome.

1180
00:54:40,040 --> 00:54:41,840
Speaker 2: We figured as we were talking about something like The

1181
00:54:41,920 --> 00:54:44,200
Speaker 2: Tower of Terror, which of course was, as we said

1182
00:54:44,200 --> 00:54:47,880
Speaker 2: at the beginning, the very first ever movie that was

1183
00:54:48,040 --> 00:54:50,560
Speaker 2: based on a ride and not the other way around,

1184
00:54:50,920 --> 00:54:52,799
Speaker 2: we thought we would talk to a little bit about

1185
00:54:52,840 --> 00:54:55,759
Speaker 2: all the Disney rides that inspired movies that Disney has

1186
00:54:55,760 --> 00:54:56,480
Speaker 2: made since The.

1187
00:54:56,440 --> 00:54:57,200
Speaker 1: Tower of Terror.

1188
00:54:57,440 --> 00:55:01,920
Speaker 2: Mm hmmm, because now it's happened more right, So the

1189
00:55:01,960 --> 00:55:03,320
Speaker 2: Haunted Mansion twice.

1190
00:55:04,000 --> 00:55:06,400
Speaker 1: Yeah, so we've seen those. Tomorrowland.

1191
00:55:06,840 --> 00:55:08,359
Speaker 4: I even't seen tomorrow Land.

1192
00:55:08,400 --> 00:55:12,080
Speaker 1: Tomorrowland is uh George Clooney, Yeah.

1193
00:55:11,920 --> 00:55:12,759
Speaker 4: I haven't seen that.

1194
00:55:12,920 --> 00:55:15,080
Speaker 2: Can you believe that? It's Actually it's pretty good. It's

1195
00:55:15,160 --> 00:55:18,920
Speaker 2: very clever. It's a really expensive movie. This is not

1196
00:55:19,000 --> 00:55:20,839
Speaker 2: a Wonderful World at Disney movie. I mean they are

1197
00:55:20,880 --> 00:55:24,400
Speaker 2: going to going to Tomorrowland. It's really really cool the

1198
00:55:24,400 --> 00:55:26,319
Speaker 2: way that they do it. George Clooney is always great.

1199
00:55:26,680 --> 00:55:28,879
Speaker 2: Jungle Cruise, which I haven't seen. Did you see that one?

1200
00:55:29,360 --> 00:55:34,080
Speaker 4: No? Yes, yes, the new one. It's newer age yeah,

1201
00:55:34,120 --> 00:55:34,479
Speaker 4: I did.

1202
00:55:34,680 --> 00:55:35,839
Speaker 1: It's is that the rock?

1203
00:55:36,200 --> 00:55:39,960
Speaker 4: Yes, it's an Emily right, it's so good. I loved it.

1204
00:55:40,000 --> 00:55:43,359
Speaker 1: Is it really well? I have not seen Jungle Cruise yet.

1205
00:55:43,480 --> 00:55:46,799
Speaker 3: Yes, I thought there'd probably be another one because I

1206
00:55:46,840 --> 00:55:47,360
Speaker 3: really liked it.

1207
00:55:47,400 --> 00:55:49,839
Speaker 2: Really Okay, I'm gonna have to check that out. The

1208
00:55:49,920 --> 00:55:53,000
Speaker 2: Country Bears, I did not know that.

1209
00:55:53,280 --> 00:55:56,279
Speaker 3: I didn't know there was a movie or anything on

1210
00:55:56,360 --> 00:55:57,200
Speaker 3: the Country Bears.

1211
00:55:57,239 --> 00:55:58,920
Speaker 1: I think I've seen the Country Bear Jamboree.

1212
00:55:58,960 --> 00:56:01,560
Speaker 3: I know what area of Disneyland it used to because

1213
00:56:01,560 --> 00:56:04,520
Speaker 3: it's gone now, is it the Witty the Pooh Ride.

1214
00:56:04,440 --> 00:56:05,120
Speaker 4: Is in that area?

1215
00:56:05,280 --> 00:56:08,040
Speaker 3: Now that whole area is not there over by Splash

1216
00:56:08,120 --> 00:56:09,880
Speaker 3: Mountain at Disneyland.

1217
00:56:10,160 --> 00:56:12,160
Speaker 2: Do you think there's ever going to be a lallapalooza

1218
00:56:12,239 --> 00:56:15,600
Speaker 2: type tour with all of these old animatronic bands where

1219
00:56:15,600 --> 00:56:18,160
Speaker 2: it's going to be like the Country Bear Jamboree is

1220
00:56:18,200 --> 00:56:19,920
Speaker 2: going to be opening for the band that was always

1221
00:56:19,960 --> 00:56:22,680
Speaker 2: at Chuck E Cheese, you know, like, oh man, I've

1222
00:56:22,680 --> 00:56:23,239
Speaker 2: gotten rid.

1223
00:56:23,120 --> 00:56:26,000
Speaker 4: Of all those Chucky Jeeze doesn't even really have that anymore.

1224
00:56:26,040 --> 00:56:28,120
Speaker 4: The mouse comes out. It's got what I'm.

1225
00:56:28,000 --> 00:56:30,080
Speaker 2: Saying, So all these old bands are going to get

1226
00:56:30,120 --> 00:56:33,240
Speaker 2: together into a Festival, the Animatronic Festival.

1227
00:56:33,320 --> 00:56:33,680
Speaker 1: I love it.

1228
00:56:33,719 --> 00:56:36,239
Speaker 3: Would go to it because none of the kids nowadays

1229
00:56:36,360 --> 00:56:38,560
Speaker 3: know anything about iould just.

1230
00:56:38,560 --> 00:56:39,200
Speaker 1: For the comedy.

1231
00:56:39,280 --> 00:56:40,799
Speaker 2: And if you can get that many people, that many

1232
00:56:40,800 --> 00:56:44,560
Speaker 2: people to Firefest, you can get people to this. And

1233
00:56:44,640 --> 00:56:47,359
Speaker 2: of course the biggest one of all time by far

1234
00:56:47,640 --> 00:56:48,760
Speaker 2: is Pirates of the Caribbean.

1235
00:56:48,920 --> 00:56:49,240
Speaker 4: Yeah.

1236
00:56:49,280 --> 00:56:53,040
Speaker 2: So now my question for you is, of all the

1237
00:56:53,120 --> 00:56:55,560
Speaker 2: rides that are out there that they haven't made a

1238
00:56:55,560 --> 00:56:59,080
Speaker 2: movie on, what would you pick to do the next movie?

1239
00:56:59,280 --> 00:57:01,960
Speaker 3: Okay, so there's not a lot of rides that aren't

1240
00:57:02,000 --> 00:57:04,440
Speaker 3: connected to move even I mean, well, Splash Mountain was

1241
00:57:04,440 --> 00:57:07,480
Speaker 3: an old movie. They're redoing that for Princess Frog.

1242
00:57:07,600 --> 00:57:09,960
Speaker 1: Right, okay with Tiana. Yeah.

1243
00:57:10,200 --> 00:57:14,320
Speaker 3: At Disneyland, Splash Mountain is under construction right now.

1244
00:57:14,120 --> 00:57:17,400
Speaker 2: To do parks closed. Moose out front should have told you, yeah, yep,

1245
00:57:18,440 --> 00:57:19,320
Speaker 2: so there's that.

1246
00:57:19,800 --> 00:57:20,920
Speaker 4: You've got big Thunder.

1247
00:57:21,640 --> 00:57:22,520
Speaker 1: I'd go big Thunder.

1248
00:57:22,760 --> 00:57:23,880
Speaker 4: I think big Thunder.

1249
00:57:24,400 --> 00:57:29,280
Speaker 3: I mean it's either that Space Mountain or the Matter Horn.

1250
00:57:29,400 --> 00:57:32,000
Speaker 4: That's not a movie, right, yeah.

1251
00:57:32,000 --> 00:57:34,360
Speaker 2: One with the new land they have at Disney. Have

1252
00:57:34,440 --> 00:57:36,920
Speaker 2: you heard of this Star Wars That could be a

1253
00:57:36,920 --> 00:57:42,840
Speaker 2: good movie. Yeah, I see, somehow a Backrey big Land.

1254
00:57:43,040 --> 00:57:45,000
Speaker 1: So maybe I think they could do it.

1255
00:57:45,200 --> 00:57:47,440
Speaker 4: Sure a few people will go and watch a movie

1256
00:57:47,480 --> 00:57:48,040
Speaker 4: like that.

1257
00:57:48,080 --> 00:57:50,840
Speaker 1: A Big Thunder Mountain, Big Thunder Mountains.

1258
00:57:51,080 --> 00:57:53,560
Speaker 3: Let's go Western style, That's what I'm saying, and get

1259
00:57:53,560 --> 00:57:56,959
Speaker 3: a bunch of country artists involved, or or we.

1260
00:57:56,880 --> 00:58:02,560
Speaker 1: Could not have country music either one, but we could.

1261
00:58:02,880 --> 00:58:06,240
Speaker 3: I'm always down for musical Will it has show?

1262
00:58:07,200 --> 00:58:12,160
Speaker 2: God, you're combining two of my favorite things, country and musicals. No, somebody,

1263
00:58:12,280 --> 00:58:14,760
Speaker 2: a kid and his family gets on a small roller

1264
00:58:14,760 --> 00:58:17,360
Speaker 2: coaster and somehow something happens in the ride and they're

1265
00:58:17,400 --> 00:58:21,760
Speaker 2: transported back to the wild West. Ooh, I love and

1266
00:58:22,080 --> 00:58:25,040
Speaker 2: maybe the family has to rebuild the roller coaster back

1267
00:58:25,080 --> 00:58:27,960
Speaker 2: in the day or something like that. And it's Big

1268
00:58:27,960 --> 00:58:30,200
Speaker 2: Thunder Mountain. So I think that could. By the way,

1269
00:58:30,240 --> 00:58:37,000
Speaker 2: that's trademarked Bobby. Yeah, Bobby Industries to go basical rewind

1270
00:58:37,040 --> 00:58:39,880
Speaker 2: Industries as a trademark, Ricky Bobby.

1271
00:58:40,480 --> 00:58:41,240
Speaker 1: So that's it.

1272
00:58:41,320 --> 00:58:44,080
Speaker 2: I mean, I want to get into Sabrina Seas right

1273
00:58:44,120 --> 00:58:46,000
Speaker 2: now because I'm dying to know what.

1274
00:58:45,920 --> 00:58:46,840
Speaker 1: You saw in this movie.

1275
00:58:47,680 --> 00:58:49,040
Speaker 2: And then we got to rate it, and I know

1276
00:58:49,040 --> 00:58:51,000
Speaker 2: the rating system is going to be a little different

1277
00:58:51,000 --> 00:58:51,360
Speaker 2: on this one.

1278
00:58:51,400 --> 00:58:51,880
Speaker 1: So go ahead.

1279
00:58:55,680 --> 00:58:59,520
Speaker 3: Okay, So first, the big thing I really wanted to

1280
00:58:59,560 --> 00:59:00,200
Speaker 3: highlight was.

1281
00:59:00,200 --> 00:59:01,240
Speaker 4: The music of this movie.

1282
00:59:01,600 --> 00:59:03,920
Speaker 3: I really did love it, and you know, I'm like

1283
00:59:04,200 --> 00:59:05,880
Speaker 3: so driven by music.

1284
00:59:06,040 --> 00:59:08,640
Speaker 4: The very first.

1285
00:59:08,200 --> 00:59:13,320
Speaker 3: Scene is, Yeah, what I wish I lived in just

1286
00:59:13,360 --> 00:59:18,120
Speaker 3: that swing dancing big band, you know, just the the

1287
00:59:19,200 --> 00:59:20,600
Speaker 3: cocktails and the coops.

1288
00:59:21,000 --> 00:59:24,240
Speaker 4: I mean, I just I loved everything.

1289
00:59:24,320 --> 00:59:28,160
Speaker 3: I loved their their costuming and the grandness of what

1290
00:59:28,200 --> 00:59:32,040
Speaker 3: you felt like it would be at that big you know,

1291
00:59:32,040 --> 00:59:35,560
Speaker 3: because it's a real place in Hollywood right this.

1292
00:59:35,760 --> 00:59:38,880
Speaker 4: You know, it is an actual building that you drive by.

1293
00:59:39,120 --> 00:59:43,040
Speaker 3: It's easy to drive by, and it's like old Hollywood,

1294
00:59:43,120 --> 00:59:45,520
Speaker 3: you know. I thinking Marilyn Monroe would be in the

1295
00:59:45,600 --> 00:59:47,720
Speaker 3: corner and you know, all that kind of stuff.

1296
00:59:48,880 --> 00:59:50,720
Speaker 4: So that was my thing. I loved.

1297
00:59:50,800 --> 00:59:53,120
Speaker 3: The music was awesome right from the beginning, and then

1298
00:59:53,240 --> 00:59:55,200
Speaker 3: the big things that I kept seeing, like was just

1299
00:59:55,280 --> 00:59:59,520
Speaker 3: the movements of music with that would bring the characters

1300
00:59:59,560 --> 01:00:01,000
Speaker 3: in and that scary vibe.

1301
01:00:01,000 --> 01:00:03,440
Speaker 4: Again, I wasn't terrified through this movie.

1302
01:00:03,160 --> 01:00:05,680
Speaker 3: But I loved the music and I loved like how

1303
01:00:05,720 --> 01:00:08,560
Speaker 3: you could feel the goosebumps starting to come by just

1304
01:00:08,680 --> 01:00:12,480
Speaker 3: the score alone. Yeah, So that was like my favorite

1305
01:00:12,680 --> 01:00:15,640
Speaker 3: aspect of this movie. I thought that, And it was

1306
01:00:15,920 --> 01:00:19,520
Speaker 3: all throughout the whole movie when there was something that

1307
01:00:19,600 --> 01:00:21,840
Speaker 3: made sense, you know, even when she went back home

1308
01:00:21,920 --> 01:00:24,440
Speaker 3: and she's getting her way with her mom, while her

1309
01:00:24,440 --> 01:00:26,640
Speaker 3: mom's planting the tree to get to go with her

1310
01:00:26,720 --> 01:00:27,440
Speaker 3: uncle again.

1311
01:00:27,920 --> 01:00:28,400
Speaker 4: All of it.

1312
01:00:28,440 --> 01:00:30,800
Speaker 3: The music just really struck me. I don't know why

1313
01:00:30,920 --> 01:00:31,800
Speaker 3: I really loved it.

1314
01:00:31,960 --> 01:00:33,160
Speaker 1: I agree, I thought it was great.

1315
01:00:33,280 --> 01:00:36,439
Speaker 3: The other thing I started having to just note down

1316
01:00:36,560 --> 01:00:39,840
Speaker 3: because there was just so many how bad of an

1317
01:00:39,920 --> 01:00:40,840
Speaker 3: uncle this guy was.

1318
01:00:41,080 --> 01:00:43,000
Speaker 4: He was such a bad.

1319
01:00:45,440 --> 01:00:49,440
Speaker 3: And I think maybe by the time the couch scene happened,

1320
01:00:49,560 --> 01:00:51,920
Speaker 3: he had been such a bad uncle so many times

1321
01:00:51,960 --> 01:00:56,040
Speaker 3: that it was really unnerving that he would be put

1322
01:00:56,080 --> 01:01:00,439
Speaker 3: in the opportunity to even watch her overnight. Yeah saying

1323
01:01:00,440 --> 01:01:03,960
Speaker 3: anything weird creepy, but that he was just really not

1324
01:01:04,160 --> 01:01:06,880
Speaker 3: mindful of being an adult in the situation. One of

1325
01:01:06,920 --> 01:01:11,920
Speaker 3: the first things is he's leaves and he leaves her

1326
01:01:11,960 --> 01:01:15,520
Speaker 3: with with Abigail, Yeah, in her apartment.

1327
01:01:15,560 --> 01:01:16,960
Speaker 4: He just goests and leaves her.

1328
01:01:17,080 --> 01:01:20,000
Speaker 1: Well, in all fairness, they knew her for almost ten minutes.

1329
01:01:20,000 --> 01:01:21,520
Speaker 4: Right ten minutes exactly.

1330
01:01:22,120 --> 01:01:25,680
Speaker 3: He leaving her in the front while he has this

1331
01:01:25,840 --> 01:01:28,880
Speaker 3: like kind of romantic thing with the ghost a little

1332
01:01:28,920 --> 01:01:31,200
Speaker 3: bit like he starts kind of falling in love with

1333
01:01:31,240 --> 01:01:31,800
Speaker 3: the ghost.

1334
01:01:32,080 --> 01:01:34,840
Speaker 4: Romantic and yeah, that part was compact.

1335
01:01:35,440 --> 01:01:36,400
Speaker 1: I didn't even want touch on all.

1336
01:01:36,480 --> 01:01:39,760
Speaker 3: Anyway, He left her in front of this haunted place,

1337
01:01:40,120 --> 01:01:43,520
Speaker 3: this actual haunted that he saw.

1338
01:01:43,720 --> 01:01:45,160
Speaker 4: He'd already seen stuff.

1339
01:01:45,480 --> 01:01:46,919
Speaker 1: They know that there's ghosts in there.

1340
01:01:46,960 --> 01:01:49,280
Speaker 4: He leaves her in the front door. The door's wide open,

1341
01:01:49,360 --> 01:01:49,800
Speaker 4: he leaves her.

1342
01:01:50,520 --> 01:01:53,400
Speaker 3: He just continued to do that, and with the ghosts,

1343
01:01:54,320 --> 01:01:57,040
Speaker 3: he just like he just didn't really care about his niece.

1344
01:01:57,080 --> 01:01:59,560
Speaker 3: And that was just so it started to irritate me.

1345
01:02:00,440 --> 01:02:04,600
Speaker 3: She's your responsibility more. Will never go with somebody like.

1346
01:02:05,000 --> 01:02:06,439
Speaker 1: Gotta get the story, Gotta get.

1347
01:02:06,320 --> 01:02:07,880
Speaker 4: The story, gotta get the story.

1348
01:02:08,120 --> 01:02:11,120
Speaker 3: So his bad behavior in bad adulting was one of

1349
01:02:11,160 --> 01:02:13,640
Speaker 3: the most jarring Sabrina sees for me. I just started

1350
01:02:13,640 --> 01:02:16,080
Speaker 3: writing down there's a fun more, but we've gone through

1351
01:02:16,120 --> 01:02:19,000
Speaker 3: so many of them, it's just kind of kind of insane.

1352
01:02:19,680 --> 01:02:22,600
Speaker 3: And then the last thing I didn't really understand what

1353
01:02:22,840 --> 01:02:27,120
Speaker 3: the love connection or not love connection between him and

1354
01:02:27,240 --> 01:02:28,320
Speaker 3: his reporter friend.

1355
01:02:28,560 --> 01:02:31,120
Speaker 1: They was none kind of well.

1356
01:02:31,160 --> 01:02:33,120
Speaker 3: They mentioned in the beginning that there was supposed to

1357
01:02:33,200 --> 01:02:37,360
Speaker 3: be a date, right and then and she's irritated, But

1358
01:02:37,440 --> 01:02:40,080
Speaker 3: you can't tell if she's irritated because he screwed her

1359
01:02:40,160 --> 01:02:44,640
Speaker 3: over and dates situations, or if she's just still so

1360
01:02:44,760 --> 01:02:48,760
Speaker 3: disappointed in him for not fact like fact checking.

1361
01:02:49,160 --> 01:02:50,120
Speaker 1: They were exes.

1362
01:02:50,240 --> 01:02:53,800
Speaker 2: I think they alluded to the fact that they had dated.

1363
01:02:54,400 --> 01:02:56,880
Speaker 2: And then there was a weird thing where he goes

1364
01:02:56,880 --> 01:02:58,600
Speaker 2: in and says, I've got this story. She says, I

1365
01:02:58,600 --> 01:03:00,280
Speaker 2: don't want the story. He turns and lee and then

1366
01:03:00,320 --> 01:03:02,360
Speaker 2: comes back and says he wants to get.

1367
01:03:02,200 --> 01:03:06,560
Speaker 1: Lobster with her. Yes, she plays. It was very.

1368
01:03:06,400 --> 01:03:09,200
Speaker 3: Weird, and there was no Again, this is one of

1369
01:03:09,200 --> 01:03:11,440
Speaker 3: the things that just there was no completion. There was

1370
01:03:11,480 --> 01:03:15,000
Speaker 3: no They're either just going to be friends or they're

1371
01:03:15,040 --> 01:03:16,640
Speaker 3: gonna go ahead and give it another go.

1372
01:03:17,080 --> 01:03:18,320
Speaker 4: And then it's strange to me.

1373
01:03:18,520 --> 01:03:21,760
Speaker 1: Flirts with Melaura Harden and she floats back.

1374
01:03:21,880 --> 01:03:24,520
Speaker 4: He definitely flirts with her. He is trying to get

1375
01:03:24,560 --> 01:03:26,080
Speaker 4: a date with her, no.

1376
01:03:25,960 --> 01:03:31,439
Speaker 2: Problem, Yeah, talking about being ghosted, thank you, So yeah,

1377
01:03:31,480 --> 01:03:34,560
Speaker 2: I mean, come up. But then she send me people's

1378
01:03:34,640 --> 01:03:36,760
Speaker 2: kisses them at the end like out of nowhere, just

1379
01:03:37,200 --> 01:03:38,200
Speaker 2: kisses the grass.

1380
01:03:38,320 --> 01:03:40,400
Speaker 3: Yes, like it just kind of I don't know, it

1381
01:03:40,560 --> 01:03:43,520
Speaker 3: just it was a little. That relationship was a little

1382
01:03:43,560 --> 01:03:45,000
Speaker 3: wonky to me, didn't make sense.

1383
01:03:45,680 --> 01:03:48,600
Speaker 1: All the love story aspects were very because.

1384
01:03:48,680 --> 01:03:51,280
Speaker 3: You didn't really know that the actor I wouldn't say

1385
01:03:51,280 --> 01:03:52,640
Speaker 3: the same thing that they were together.

1386
01:03:53,000 --> 01:03:53,600
Speaker 4: You did it.

1387
01:03:53,600 --> 01:03:54,920
Speaker 1: It was I did.

1388
01:03:55,040 --> 01:03:58,400
Speaker 3: And again another part of the creepy uncle situation, you

1389
01:03:58,400 --> 01:04:01,000
Speaker 3: didn't realize they were, like I feel they should have

1390
01:04:01,240 --> 01:04:04,720
Speaker 3: established that this was an uncle niece earlier than they did.

1391
01:04:05,160 --> 01:04:07,640
Speaker 3: It took a little too long for them to say

1392
01:04:07,960 --> 01:04:09,040
Speaker 3: uncle whatever, or.

1393
01:04:09,320 --> 01:04:10,760
Speaker 1: My uncle it was.

1394
01:04:10,800 --> 01:04:12,360
Speaker 2: And they had to keep him the uncle because he

1395
01:04:12,360 --> 01:04:15,400
Speaker 2: would have been such a bad father that you know

1396
01:04:15,440 --> 01:04:17,120
Speaker 2: what I mean. It's like, let's make him the uncle.

1397
01:04:17,160 --> 01:04:19,000
Speaker 2: At least there's a chance where it's not his kid.

1398
01:04:19,160 --> 01:04:22,480
Speaker 2: It's like, okay, you're not actually my responsibility.

1399
01:04:21,840 --> 01:04:22,920
Speaker 4: Right, exactly right?

1400
01:04:23,040 --> 01:04:26,800
Speaker 2: Yeah, So okay. I liked the movie. I didn't love

1401
01:04:26,840 --> 01:04:28,920
Speaker 2: the movie, but I certainly liked it. It was it was enjoyable.

1402
01:04:28,920 --> 01:04:32,360
Speaker 2: But it was definitely interesting to see the difference between

1403
01:04:32,360 --> 01:04:34,560
Speaker 2: A Wonderful World of Disney and a dcom because they

1404
01:04:34,680 --> 01:04:36,520
Speaker 2: are very different. Not so much My Date with the

1405
01:04:36,520 --> 01:04:39,080
Speaker 2: President's Daughter and some of the dcoms, those were more similar,

1406
01:04:39,760 --> 01:04:43,200
Speaker 2: but this very much bigger actors based on the adults

1407
01:04:43,520 --> 01:04:44,960
Speaker 2: bigger budget you're.

1408
01:04:44,960 --> 01:04:48,200
Speaker 3: You're chiming into that based on adults is just a

1409
01:04:48,320 --> 01:04:49,880
Speaker 3: huge difference for sure.

1410
01:04:49,920 --> 01:04:52,800
Speaker 1: Oh way different, way different. Yeah, So why don't we, uh,

1411
01:04:53,040 --> 01:04:54,920
Speaker 1: why don't we rate this movie? The question is.

1412
01:04:55,880 --> 01:04:57,280
Speaker 4: Rate by what?

1413
01:04:57,800 --> 01:04:58,200
Speaker 1: Exactly?

1414
01:04:58,480 --> 01:05:03,520
Speaker 2: By how many jealousies sons of bell hops wrongly accused nanny?

1415
01:05:03,680 --> 01:05:06,120
Speaker 1: I would instead of ghost moans?

1416
01:05:06,120 --> 01:05:09,920
Speaker 2: How about creepy little girl moans inappropriate uncles?

1417
01:05:09,960 --> 01:05:10,320
Speaker 1: How many?

1418
01:05:10,440 --> 01:05:10,520
Speaker 2: Like?

1419
01:05:10,560 --> 01:05:12,600
Speaker 1: What do we want to we can't do?

1420
01:05:15,560 --> 01:05:18,640
Speaker 4: To say that one putting your foot down?

1421
01:05:19,920 --> 01:05:23,880
Speaker 1: I can't do that, Okay, fair enough to do that one?

1422
01:05:23,920 --> 01:05:24,400
Speaker 2: What do you got?

1423
01:05:24,440 --> 01:05:25,400
Speaker 1: I'm gonna let you pick.

1424
01:05:26,320 --> 01:05:30,760
Speaker 4: I think we'll do creepy little girl moans? Okay, creepy

1425
01:05:30,800 --> 01:05:32,640
Speaker 4: little girl ghost modes? All right?

1426
01:05:32,920 --> 01:05:35,720
Speaker 2: So out of ten one being the worst and ten

1427
01:05:35,760 --> 01:05:38,440
Speaker 2: being the best, how many creepy little girl moans do

1428
01:05:38,560 --> 01:05:39,480
Speaker 2: you give this movie?

1429
01:05:39,880 --> 01:05:42,840
Speaker 3: I think I'm gonna just get RM for this, but

1430
01:05:43,000 --> 01:05:46,200
Speaker 3: I'm gonna go with the six point five cepy little

1431
01:05:46,200 --> 01:05:47,320
Speaker 3: girl ghost mons.

1432
01:05:47,640 --> 01:05:51,400
Speaker 2: Okay, yeah, I uh, I'm not gonna be too far

1433
01:05:51,480 --> 01:05:51,920
Speaker 2: away from you.

1434
01:05:51,920 --> 01:05:54,360
Speaker 1: I'm gonna I'm gonna give it a seven. Okay seven?

1435
01:05:54,400 --> 01:05:56,800
Speaker 2: Creepy little girl Ghost moans, And I'm gonna give it

1436
01:05:56,800 --> 01:06:00,320
Speaker 2: a seven because, uh, it was it was big swinging

1437
01:06:00,360 --> 01:06:03,600
Speaker 2: for the fences with Wonderful of the Disney. It changed

1438
01:06:03,600 --> 01:06:05,640
Speaker 2: the ballgame when it came to Disney Park rides and

1439
01:06:05,680 --> 01:06:08,520
Speaker 2: things like that. And we talked about DJ McHale coming

1440
01:06:08,520 --> 01:06:10,200
Speaker 2: on to direct, who was doing Are You Afraid of

1441
01:06:10,200 --> 01:06:13,800
Speaker 2: the Dark? And this movie is the perfect example of

1442
01:06:13,840 --> 01:06:17,600
Speaker 2: how difficult it is to ride that line between spooky

1443
01:06:17,720 --> 01:06:19,720
Speaker 2: and scary for younger people.

1444
01:06:19,480 --> 01:06:21,320
Speaker 4: For a younger audience, because you.

1445
01:06:21,360 --> 01:06:25,440
Speaker 2: Can't go saw gory, creepy, oh my god, somebody's got

1446
01:06:25,520 --> 01:06:28,320
Speaker 2: razor blades on their fingers or creepy teeth like in it.

1447
01:06:29,240 --> 01:06:32,200
Speaker 2: You have to ride that line between you can kind

1448
01:06:32,200 --> 01:06:34,000
Speaker 2: of see where the ghosts are coming from and things

1449
01:06:34,040 --> 01:06:36,560
Speaker 2: are shaking and it's and it's done with music and

1450
01:06:36,560 --> 01:06:37,080
Speaker 2: stuff like that.

1451
01:06:37,120 --> 01:06:39,320
Speaker 1: So because that's such a difficult.

1452
01:06:39,000 --> 01:06:41,600
Speaker 2: Line and because DJ McHale is a master at it,

1453
01:06:42,400 --> 01:06:43,600
Speaker 2: I'm going to stick with seven.

1454
01:06:43,600 --> 01:06:45,120
Speaker 1: And I think that's yeah, I think that's song.

1455
01:06:45,440 --> 01:06:48,880
Speaker 3: I I this was a movie for me. I couldn't

1456
01:06:48,920 --> 01:06:52,200
Speaker 3: shut off the way we talked about and just let

1457
01:06:52,240 --> 01:06:53,760
Speaker 3: it let myself enjoy it.

1458
01:06:54,240 --> 01:06:54,439
Speaker 2: Right.

1459
01:06:54,840 --> 01:06:55,760
Speaker 4: I feel like I.

1460
01:06:55,840 --> 01:06:58,280
Speaker 3: Have probably because of the genre that it was in,

1461
01:06:58,560 --> 01:07:00,520
Speaker 3: you know, the genre that I've I want.

1462
01:07:00,360 --> 01:07:01,160
Speaker 4: To see something scary.

1463
01:07:01,200 --> 01:07:04,480
Speaker 3: I want to see something scary, versus realizing this was

1464
01:07:04,680 --> 01:07:06,640
Speaker 3: meant for a family to sit down.

1465
01:07:06,440 --> 01:07:08,760
Speaker 4: And watch and enjoy together.

1466
01:07:08,840 --> 01:07:11,640
Speaker 3: So I, for whatever reason, with this movie, wasn't able

1467
01:07:11,680 --> 01:07:13,880
Speaker 3: to do that. So I didn't allow myself to enjoy

1468
01:07:13,920 --> 01:07:16,160
Speaker 3: it as much. Maybe I'll take a break and I'll

1469
01:07:16,200 --> 01:07:16,800
Speaker 3: watch it again.

1470
01:07:16,800 --> 01:07:18,360
Speaker 1: I wonder if you watch it, maybe.

1471
01:07:18,080 --> 01:07:19,480
Speaker 4: I'll watch it with Monroe.

1472
01:07:19,760 --> 01:07:22,120
Speaker 1: Yeah, and if you see how scared.

1473
01:07:21,880 --> 01:07:24,320
Speaker 2: Like is she getting kind of scared right, then it

1474
01:07:24,400 --> 01:07:25,240
Speaker 2: might it's like Christmas.

1475
01:07:25,240 --> 01:07:27,680
Speaker 1: It's like it comes back again for you. Yeah.

1476
01:07:27,400 --> 01:07:28,000
Speaker 2: Oh wow.

1477
01:07:28,160 --> 01:07:31,040
Speaker 3: If it was around Halloween time too, you know that

1478
01:07:31,160 --> 01:07:32,080
Speaker 3: kind of gets you in the movie.

1479
01:07:32,080 --> 01:07:34,240
Speaker 1: That makes sense, you get the whole vibe. I understeah,

1480
01:07:34,520 --> 01:07:35,160
Speaker 1: But it makes.

1481
01:07:34,960 --> 01:07:37,240
Speaker 3: Me excited to watch the movies that we will watch,

1482
01:07:37,280 --> 01:07:38,720
Speaker 3: Halloween Town, all of that.

1483
01:07:38,760 --> 01:07:40,480
Speaker 4: We're going to watch those kinds of movies.

1484
01:07:40,280 --> 01:07:42,480
Speaker 1: All the Halloween speak you ones. So I can't wait.

1485
01:07:42,600 --> 01:07:45,520
Speaker 2: Well, thank you all for joining us as we recapped

1486
01:07:45,640 --> 01:07:46,959
Speaker 2: Tower of Terror.

1487
01:07:47,280 --> 01:07:49,520
Speaker 1: The nineteen ninety seven Wonderful World of Disney.

1488
01:07:50,120 --> 01:07:53,120
Speaker 2: Jugger Nott frankly that started the whole Disney kind of

1489
01:07:53,200 --> 01:07:56,600
Speaker 2: thing of doing the movies because of the rides. It's man,

1490
01:07:57,040 --> 01:07:59,480
Speaker 2: they can just make a movie out of anything, It's right.

1491
01:07:59,640 --> 01:08:04,320
Speaker 1: So our next movie is the two thousand and two Cheerleader.

1492
01:08:03,800 --> 01:08:07,720
Speaker 2: Comedy Gotta Kick It Up with Oscar Nominee America Ferua.

1493
01:08:07,960 --> 01:08:10,240
Speaker 1: So we got I.

1494
01:08:10,240 --> 01:08:17,000
Speaker 2: I know nothing about that nothing Until I read Cheerleader Comedy.

1495
01:08:17,080 --> 01:08:19,400
Speaker 2: I had no idea what this movie was about. Now

1496
01:08:19,520 --> 01:08:22,040
Speaker 2: I'm going in blind with this movie.

1497
01:08:22,120 --> 01:08:24,840
Speaker 4: Wow. All right, so it's a good one.

1498
01:08:25,080 --> 01:08:27,679
Speaker 1: It is, okay, I'm I'm very excited. I can't. I

1499
01:08:27,720 --> 01:08:29,920
Speaker 1: am a big Cheerleader movie fan.

1500
01:08:29,960 --> 01:08:32,760
Speaker 2: That sounds creepy, but I am the the bring It.

1501
01:08:32,680 --> 01:08:35,800
Speaker 3: On, Bring It On is a great movie. Oh yeah,

1502
01:08:35,880 --> 01:08:37,960
Speaker 3: so I seven of them are pretty good?

1503
01:08:38,320 --> 01:08:42,280
Speaker 1: Were there seven bring it On? Yes? Oh wow, that's

1504
01:08:42,400 --> 01:08:42,800
Speaker 1: I did not.

1505
01:08:43,000 --> 01:08:45,280
Speaker 3: I think I think it's seven. There might be more

1506
01:08:46,560 --> 01:08:47,400
Speaker 3: to make in a lot of them.

1507
01:08:47,479 --> 01:08:48,920
Speaker 2: Yeah, I think I only saw the first one, so

1508
01:08:48,920 --> 01:08:50,240
Speaker 2: I didn't even know what that was. But if you

1509
01:08:50,280 --> 01:08:52,920
Speaker 2: want to watch along with us, Got to Kick It

1510
01:08:53,000 --> 01:08:55,800
Speaker 2: Up is on Disney Plus, so you can join us.

1511
01:08:56,120 --> 01:08:57,800
Speaker 2: Make sure you watch it or don't, and let us

1512
01:08:57,840 --> 01:08:59,240
Speaker 2: first talk about it. And then you can go back

1513
01:08:59,280 --> 01:09:02,000
Speaker 2: and watch it after that, but until then, remember to

1514
01:09:02,080 --> 01:09:04,320
Speaker 2: subscribe to our feed and you can follow us at

1515
01:09:04,439 --> 01:09:06,920
Speaker 2: Magical rewind Pod on Instagram.

1516
01:09:07,040 --> 01:09:09,439
Speaker 1: Thank you so much and we will see you next time.

1517
01:09:10,320 --> 01:09:18,920
Speaker 4: Bye.